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Speaker 1: I am all in like you. I Am all in

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Speaker 1: with Scott Patterson and I Heart Radio Podcast. Hey everybody,

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Speaker 1: we're back and we're gonna do the recap and I

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Speaker 1: am Scott Patterson and this is the I Am all

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Speaker 1: In Podcast with our Heart Radio one eleven productions. Uh,

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Speaker 1: we are going to get into presenting Lorele Gilmore season

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Speaker 1: to What episode is this? Does anybody know? This is

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Speaker 1: episode six six? So most I was one off six

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Speaker 1: Season two episodes six. Boy, we're really motoring down that

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Speaker 1: Gilmore Highway, aren't we? Oh my god, it's it seems

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Speaker 1: like we just started yesterday already, were you know well

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Speaker 1: into season two? It's flying by wow? Um anyway, what

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Speaker 1: you go think? What you know? You tell us first?

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Speaker 1: What did you think? I don't know? You want to

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Speaker 1: you want to do the let's do Riley, go ahead

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Speaker 1: do the synopsis for us. Riley, thank you. I love

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Speaker 1: doing the synopsis. Thank you for queuing me up. This

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Speaker 1: is season two, episode six, presenting Laura La Gilmore. Air

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Speaker 1: date November six, two thou one. Rory surprises every Rory

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Speaker 1: surprises everyone by agreeing to Emily's request that she make

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Speaker 1: her debut at a debutante ball, and when Laura Lai

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Speaker 1: asked Rory's dad, Christopher to present his daughters to society,

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Speaker 1: she finds herself attracted to the new, more responsible man

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Speaker 1: that he has become. Scott, you give us your initial

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Speaker 1: thoughts of the whole episode, because I have a few

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Speaker 1: things that really stood out. No one asked you. My

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Speaker 1: initial thoughts of this episode were are um discomfort. It

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Speaker 1: was uncomfortable for me to watch Laura Lae giving Christopher

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Speaker 1: another chance for purse, no reasons, for character reasons, because

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Speaker 1: it's still kind of a part of me, right. I mean,

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Speaker 1: you can't separate. You can't. It's hard to separate, and

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Speaker 1: you know, you try to put that stuff away, but

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Speaker 1: it's like I'm watching these episodes now, so I'm it's

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Speaker 1: reigniting a lot of stuff. Um, and I just think,

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Speaker 1: you know, after ten years and he's in his early thirties,

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Speaker 1: that he's figuring out about responsibility. And you know, the

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Speaker 1: one thing that really hit me. I got very sad

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Speaker 1: at one point in this episode because Rory didn't have

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Speaker 1: a dad, and it made it really hit me. It

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Speaker 1: really hit me hard about what could have been and

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Speaker 1: how they should have tried to work it out. I mean,

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Speaker 1: I kept saying to myself, why couldn't they have worked

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Speaker 1: it out? And why couldn't this girl have had her dad?

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Speaker 1: And he's such a fantastic guy, you know, it was

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Speaker 1: so much potential, and even even when he said he's coming,

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Speaker 1: they still were like, yeah, right, that's like trust him.

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Speaker 1: And so I related that experience to mine as a father,

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Speaker 1: and I just couldn't imagine walking out on my kid

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Speaker 1: no matter how. But I mean, I didn't have a

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Speaker 1: baby at six. Okay, I wonder does Christopher and his

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Speaker 1: relationship with lore bother You clearly have chemistry. I don't

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Speaker 1: find it entertaining, and I don't see feel the chemistry.

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Speaker 1: And I think it's because you're Luke. I see it,

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Speaker 1: feel it? Do you really? Yeah? I feel their chemistry.

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Speaker 1: I was bummed for her when he had to say

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Speaker 1: I can't stay because there's someone in Boston, and like

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Speaker 1: you know, is he felt Rory was happier for him

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Speaker 1: because I don't think she realizes how much lore I

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Speaker 1: still loves him. But the disappointment that I felt for

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Speaker 1: LORELEI just as she sort of really was like crushing

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Speaker 1: on him or liking him or you know, I think

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Speaker 1: their banter is always like right on point, and I

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Speaker 1: wonder if it bothers you because it's like, that's what

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Speaker 1: she has with Luke. Look, I'm part of the audience. Now,

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Speaker 1: I'm one of them. Okay, So what I'm doing is

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Speaker 1: I'm watching this girl, this woman who this character Luke loves,

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Speaker 1: and thinking, get your butt to the diner and get

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Speaker 1: it going. Let this from Romance begin. Stop f and

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Speaker 1: around with these people that are not solid human beings.

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Speaker 1: I mean, you've got a guy sitting there on a

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Speaker 1: park bench and they're all moony for each other and

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Speaker 1: giggily and smiley talking about how at three years old,

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Speaker 1: he's finally realized that he has to get a car

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Speaker 1: and get off the motorcycle. And yeah, and you know

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Speaker 1: what the most telling scene in the whole thing for

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Speaker 1: me was is when they on into the Volvo Laurela

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Speaker 1: and Christopher and he turned on that horrible music and

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Speaker 1: I'm thinking, but what on earth is that? It's but

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Speaker 1: but it's like, what are you kidding me? I mean,

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Speaker 1: is there even a competition here? You know? Get so again,

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Speaker 1: it was like, get your butt out of that car

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Speaker 1: and get to Luke's and let that romance start going

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Speaker 1: because that girl has a hole in her heart, and

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Speaker 1: and it's and it's like biology versus practicality, and and

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Speaker 1: what's right for Rory? And another thing that got me

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Speaker 1: is when you know who's gonna take me? If it's

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Speaker 1: not if Christopher is not going to take her to

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Speaker 1: and and she and and and they're sitting at the

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Speaker 1: table saying, well, I will who could it possibly be?

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Speaker 1: And I'm thinking she said Taylor. Rory said, well, we

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Speaker 1: could get Taylor, you know, maybe we get the sanitation guy,

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Speaker 1: or you know, I'm like, what do you think that

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Speaker 1: it hurts? Couldn't hurt? I was hurt. It was jarring

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Speaker 1: for me to say. I think the writers didn't write

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Speaker 1: Luke because if they would have said Luke, you were

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Speaker 1: the more logical choice than Christopher, it was almost like

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Speaker 1: they couldn't say it, like yeah, of course Luke is

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Speaker 1: going to do it, but it's still like why I

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Speaker 1: even have the storyline with Christopher. So that's that's again

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Speaker 1: getting the audience to participate in the piece by leaning

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Speaker 1: forward and saying what about Luke? Yeah, that was very

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Speaker 1: jarring to me. That was really charring. I was just like,

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Speaker 1: I think the part you and I disagree on this.

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Speaker 1: I do like the chemistry with Christopher. I always think

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Speaker 1: they have a great damswer. They know each other so well.

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Speaker 1: What I haven't figured out yet, even though I've seen

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Speaker 1: all the episodes of My you know I know, is

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Speaker 1: that at this moment, does Laurelai crush on Christopher as

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Speaker 1: she's seeing him become what she always wanted him to

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Speaker 1: be in the old feelings? You know what I mean? Like,

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Speaker 1: does she really love him now or does she just

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Speaker 1: love it? He's the dad and they never had their

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Speaker 1: shot and blah blah blah. I think he's gonna end

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Speaker 1: up being the rebound guy for Max, and I think

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Speaker 1: he's going to know that. And I think, I mean,

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Speaker 1: I I write, do I do? I not know? I

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Speaker 1: do not know what's coming. I don't know what's coming. Well, yeah,

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Speaker 1: I remember, you know little bits. But I guess I

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Speaker 1: don't understand as much as I hope I would understand

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Speaker 1: the human heart because she is so She's bouncing around

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Speaker 1: like a pinball machine looking for love and she deserves

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Speaker 1: it and she deserves a really solid guy. I don't think.

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Speaker 1: I don't I don't want to criticize Christopher I think

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Speaker 1: he's a terrific character and a terrific guy, but he's

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Speaker 1: not settled. He's not right for them. Now now that

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Speaker 1: Rory is is older, now it's going to do less

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Speaker 1: damage to Rory and ultimately maybe not so much Laura

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Speaker 1: if they do get back together. She goes off to college.

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Speaker 1: Christopher and Laura la are together and they're having a

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Speaker 1: fabulous time. And if it doesn't work out, it's not

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Speaker 1: going to destroy uh, Rory's future any damage John has

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Speaker 1: already been done. She's already worked it out, you know

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Speaker 1: what I mean, she's already worked it out. She's growing past.

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Speaker 1: It's done, sure, you know, but it's not It doesn't

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Speaker 1: seem so tragic. Sure, I always notice, you know, Christopher

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Speaker 1: pulls up in the volvo, Rory comes out. She's so

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Speaker 1: happy to see him. Laura and Christopher always kiss, They

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Speaker 1: always kiss hello, and she doesn't do that with other characters.

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Speaker 1: And then there was I think there was three kisses

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Speaker 1: in this episode. She definitely kisses him on the mouth

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Speaker 1: when they're in the in Stars Hollow and she's saying,

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Speaker 1: you know, Boston's not that far. It's like they have

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Speaker 1: this chemistry connection, but it is physical like they definitely

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Speaker 1: he can't such each other and oh yeah, they're worth

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Speaker 1: free kisses. She kisses him goodnight, like on the list.

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Speaker 1: He can't handle her, He cannot handle Laurelay. He cannot

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Speaker 1: exist in that world. He is not able to exist

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Speaker 1: in that world. They are not a good couple, okay,

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Speaker 1: even though they made a child, they're not right for

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Speaker 1: each other. To me, that is clear. She is too

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Speaker 1: she is too powerful and and he is too unsettled.

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Speaker 1: He's always catching up. You know. It's like it's like

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Speaker 1: he's so boyish. It's like he's not emotionally mature enough

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Speaker 1: to catch up to where she is in her life.

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Speaker 1: You know, she moved on and she made a career

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Speaker 1: in a life f rory. What the hell has he

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Speaker 1: been doing riding around his motorcycle, you know, starting businesses unsuccessfully,

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Speaker 1: you know, searching, searching, searching the law soul. He as her,

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Speaker 1: he about Sherry, that they're living together. I don't want

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Speaker 1: to I don't want to lead the witness. How did

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Speaker 1: you feel? What did you feel when he told her that?

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Speaker 1: I didn't understand why he let it get to that

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Speaker 1: point where he knew there was all this flirtation and

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Speaker 1: he knew there was all this chemistry between them and

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Speaker 1: he and obviously she was egging him on and and

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Speaker 1: looking at him and you know, being very open to him.

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Speaker 1: And he could read those signs very early on in

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Speaker 1: the episode. So why did he let it get to

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Speaker 1: that point? So to me it seems a little sort

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Speaker 1: of passive, aggressive and a little hostile. You know, he

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Speaker 1: acknowledge that I was disappointed for her, even though look

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Speaker 1: I love Luke and lowrlyon, I was disappointed. I felt

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Speaker 1: bad for her, right Yeah, I mean yeah I did too.

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Speaker 1: I mean, she's barking up the wrong tree and it's

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Speaker 1: so obvious, but you know, we're talking about somebody who

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Speaker 1: is working your tail off to being a great mom

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Speaker 1: and she wants some love in her life. She deserves it.

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Speaker 1: But it's right down the street serving your coffee, okay,

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Speaker 1: you know they and in the diner beating the burger.

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Speaker 1: Yeah that was good, that was funny. He is so

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Speaker 1: well done about this episode is the sprinkling of Jess.

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Speaker 1: They are not beating us over the head with Jess there.

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Speaker 1: It's not like we met him last week and now

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Speaker 1: Worri's falling in love with him. It's just sprinkling, like

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Speaker 1: we're getting to know him. We had two great scenes

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Speaker 1: with him. Uh, but it's more subtle. Did you notice

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Speaker 1: that's banging me over the head? No, it's like he

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Speaker 1: what we're seeing now is like, you're not fit for society,

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Speaker 1: and you're in boot camp and I'm your drill instructor,

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Speaker 1: and this is what's happening. And once you're prepared, you

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Speaker 1: will have more scenes with other people. What do you

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Speaker 1: think when he's wearing the Luke classic moment, it's it's

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Speaker 1: it's like now you know, it's it's still his rebellious self.

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Speaker 1: I mean, he's conforming without conforming. You know, there's double

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Speaker 1: meaning there, So it's you know, it's another typical clever,

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Speaker 1: rebellious Jess move right, I mean without having to say anything.

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Speaker 1: So he's a he's a brilliant character. He's a brilliant kid,

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Speaker 1: you know. Um, but I think it shows on a

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Speaker 1: certain level a lot of respect, you know, an unconscious

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Speaker 1: level of respect for Luke. You know, because he went

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Speaker 1: into his closet and he put on one of his

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Speaker 1: shirts in one of his hats and came downstairs. So

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Speaker 1: it's really making nice you know, there's nothing upset about

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Speaker 1: for Luke. He's really making nice and it's like, hey,

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Speaker 1: I'm gonna make a joke out of this. I see

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Speaker 1: Rory watching him. That's what I thought was interesting when

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Speaker 1: she's eating the burger in that you know, second to

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Speaker 1: last scene, just watching him watching you too. He's not's

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Speaker 1: not ignoring him's not. They're both were watching. That's why

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Speaker 1: he was cast. You can't you can't ignore that, right, um.

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Speaker 1: But yeah, I mean, you know, this episode really framed

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Speaker 1: for me, uh you know, looking forward and also framed

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Speaker 1: looking back what could have been, what Rory will become,

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Speaker 1: and what Laurel I could have been. And it was

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Speaker 1: such a poignant moment, such a poignant moment when Emily

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Speaker 1: and Laurel are standing there and Emily says, you know

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Speaker 1: that that was supposed to be you mm hmm. Following

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Speaker 1: up with the final scene of the episode, Laurel goes

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Speaker 1: over and just just to hang and I'm I'm here

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Speaker 1: if you know, you want to talk. Heartbreaking, absolutely hard.

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Speaker 1: Concerned about Richard and Emily, but I'm mostly concerned about

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Speaker 1: Richard with you know, he is having a crisis at

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Speaker 1: work that he's being phased out and losing his identity.

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Speaker 1: I don't know that that moment for me with her

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Speaker 1: cutting the trimming her rose bushes or whatever she was doing,

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Speaker 1: and Lauraa just like, what are you doing here? Hanging? What?

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Speaker 1: What is that? We don't we haven't established that you're

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Speaker 1: not my daughter? Really you don't really like me? And

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Speaker 1: what are you doing here? And it just for me,

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Speaker 1: it took on tragic proportions because that's time, you know,

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Speaker 1: that's sixteen seventeen years that you can't get back and

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Speaker 1: you can't relive it. And that's a life and that's

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Speaker 1: a relationship that just won't be as full and fruitful

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Speaker 1: and loving um as it could have been. And I'm

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Speaker 1: not blaming anybody for I'm not blaming you, Laura, I'm

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Speaker 1: not blaming Emily. It's just life. Life can sometimes be

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Speaker 1: very tragic. What do you make of the fact that

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Speaker 1: she went to Emily to sort of be there for

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Speaker 1: her instead of going to Richard to say, hey, do

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Speaker 1: you want to talk about what's going on at work?

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Speaker 1: Like she really went to Emily multiple times in this episode,

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Speaker 1: which I think she had flashbacks to her own relationship

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Speaker 1: with Christopher and the arguments that they were having that

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Speaker 1: split them up because they were of a similar nature.

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Speaker 1: I mean, all these arguments are pretty much similar. It's

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Speaker 1: like you're not spending enough time with the family, you're

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Speaker 1: working too hard, and you know, during that kind of relationship,

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Speaker 1: and the guy didn't want to talk about it, you know,

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Speaker 1: and and and you're not listening to me. I told you,

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Speaker 1: and you're not listening to me. And these are common, right,

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Speaker 1: everybody has them that's in a relationship. Um, And I

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Speaker 1: think it made her just flashback to those moments with Christopher, like,

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Speaker 1: what have I lost? Here? It may and I could

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Speaker 1: lose my parents and my father's you know, they're getting

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Speaker 1: he's getting older now, everybody's getting older, and my daughter

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Speaker 1: is going away to college and I am going to

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Speaker 1: be alone. And what will I have? What have I

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Speaker 1: created in my life that I've detached myself from my

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Speaker 1: mother and my father necessarily in her mind right, justifiably

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Speaker 1: so in her mind. But now what does she have

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Speaker 1: if we so the messages? You know, families everything, We

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Speaker 1: have nothing if we don't have our families. And a

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Speaker 1: little bit of sliding doors that Gwyneth Paltrow movie Sliding Doors,

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Speaker 1: because and I think you pointed it out in our

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Speaker 1: last episode when the fan dance is happening behind Laura, like,

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Speaker 1: and you do have that moment of like, wow, she

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Speaker 1: could have had an entirely different life had these certain

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Speaker 1: things not happened. She would have been doing the fan dance,

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Speaker 1: and who knows what would have happened, And you see

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Speaker 1: them wondering, and then Emily points it out by saying,

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Speaker 1: should I think it's high time And I don't know

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Speaker 1: if this happens in the episodes, I think it's high

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Speaker 1: time that Laura like get some therapy, yes, yeah, and

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Speaker 1: talk about and talk and really explore what made her

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Speaker 1: rebel so hard against her or family and the country

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Speaker 1: club lifestyle and the cotillions and the balls and then

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Speaker 1: all of that stuff. What made her move to Stars Hollow,

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Speaker 1: What made her behave so rebelliously? What? What was it?

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Speaker 1: You know? What's so interesting? Tell me if I'm crazy

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Speaker 1: this show were made today. Don't you think the wacky

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Speaker 1: therapist would have been a character in Stars Hollow? Like

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Speaker 1: twenty years ago that wasn't so like what he did,

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Speaker 1: but now like the whole family would have been in

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Speaker 1: therapy and or I don't know, I just feel like

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Speaker 1: if it was made today, there would be the Kirk

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Speaker 1: that was the therapist of stars that or the somebody

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Speaker 1: just super I don't know, I could see that because

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Speaker 1: that is so logical what you're saying. Why are these

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Speaker 1: people all not in massive therapy. Anyone that has a

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Speaker 1: kid at sixteen, they all need therapy. Anyone whose dad

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Speaker 1: isn't in their life needs therapy. Like, I think made

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Speaker 1: a really interesting point. Yeah, I mean, therapy is a

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Speaker 1: wonderful thing. And you know, there are a lot of

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Speaker 1: people out there that are trained to to to handle

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Speaker 1: all kinds of different situations. They have a lot of

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Speaker 1: experience in it. And Laura La I need somebody like

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Speaker 1: that right now. There's a lot going on in her life.

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Speaker 1: She's gonna lose her daughter to college, she has no

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Speaker 1: real relationship with her parents. Every time she's at a

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Speaker 1: Friday night dinner, she's sarcastic and hostile toward her my

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Speaker 1: own mother. The mother just tolerates. And the mother even

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Speaker 1: said Emily even said at the top of this episode

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Speaker 1: when she came in the first time for Friday night dinner,

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Speaker 1: that we didn't see the dinner, but we just saw

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Speaker 1: the entrance. And she said Laura, La, you're exhausting. I agreed.

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Speaker 1: It's like so much enter energy expended for all this

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Speaker 1: verbiage and all the sarcasm, and I san god, the

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Speaker 1: level of engagement and doesn't go to therapy like and

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Speaker 1: I get it. Twenty years ago. It was a little bit.

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Speaker 1: It wasn't so like obvious. But yeah, that would be

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Speaker 1: a whole interesting thing to breakfast too. Alright, uh oh,

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Speaker 1: I never you know that little clock in that ping,

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Speaker 1: I never hear it because we're so involved and that

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Speaker 1: clock that timing. Anyway, we got to take a break.

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Speaker 1: The clock is barking at me right now. Secret when

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Speaker 1: we come back. Yeah, if you want to. It's excited

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Speaker 1: about no, no, no, I think it's I think. But

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Speaker 1: I have a bombshell too, So why don't we compare bombshells? Yes,

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Speaker 1: mine will not be as good as I'm ready. Are

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Speaker 1: you sure? I'm pretty sure mine will be sort of

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Speaker 1: like laugh, It's like a pop gun. It's like, what

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Speaker 1: I have a bombshell, can't wait? Okay, okay, mine will

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Speaker 1: go first. That way, mine would be a letdown. Right

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Speaker 1: then I'll have egg on my face when mine isn't

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Speaker 1: such a big deal, right, and you're just setting me up.

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Speaker 1: I know you're up right. You're smarter than everybody put together, right,

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Speaker 1: got it? I understand. M alright, so all right, let's

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Speaker 1: take little break and we will be back and we

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Speaker 1: will talk bombshells. Yeah, all right, everybody, we're back. Amy

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Speaker 1: has a pop gun of a bombshell. It's not really

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Speaker 1: a bombs a little something. Maybe I'll have questions, maybe

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Speaker 1: I'll questions. Always. I don't typically admit this. I debated

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Speaker 1: whether or not to admit this, but it just seemed

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Speaker 1: too obvious. Uh I, it's hard to say. It's hard

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Speaker 1: to admit. I'm not gonna by I was a debutant. No, wow,

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00:20:40,240 --> 00:20:47,480
Speaker 1: that's massive. No, it's not massive. But people wondering is that?

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00:20:47,680 --> 00:20:51,879
Speaker 1: Isn't that over the top. It's pretty fairly accurate. Now

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Speaker 1: where are you? Where were you at debut in California?

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Speaker 1: Oh my goodness, the hoity toitus of it all. Wedding

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00:21:00,520 --> 00:21:04,160
Speaker 1: dress thing is totally accurate, and escort thing is totally accurate.

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Speaker 1: The dad part is totally accurate. It was all pretty accurate.

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00:21:08,840 --> 00:21:13,960
Speaker 1: Other than Emily's part was pretty accurate. We did not

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Speaker 1: have any kind of fan dance. Riley is dying. Were

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Speaker 1: you a debut at Riley Amy. I'm crying because I

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Speaker 1: convinced my parents to not let me be a debutant,

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Speaker 1: and I convinced them to give me the number or

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Speaker 1: the money that would cost for the wedding dress and

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Speaker 1: put it towards something else. Like I was so against

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Speaker 1: being a debutant because it was not my thing. And

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Speaker 1: so I'm crying that you don't think it was my thing.

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Speaker 1: But I was like, yeah, sure, okay, fine, basically just

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Speaker 1: like Rory, like it makes other people happy, like it

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Speaker 1: made my grandparents happy, it made my parents happy. Sure, fine,

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Speaker 1: you know whatever, But yeah, I have a full wedding dress,

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Speaker 1: full poof tool Ryan. So I mean almost exactly like

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Speaker 1: one of those dresses. You have to share pictures. You

357
00:22:02,760 --> 00:22:06,560
Speaker 1: have to share pictures of this event. Please, we have

358
00:22:06,760 --> 00:22:09,679
Speaker 1: to see these pictures my dad. So the difference was

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Speaker 1: you had to waltz and you had a waltz with

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Speaker 1: your dad, and then you have to waltz with the

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Speaker 1: escort something like that. The waltz is hard. I was

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Speaker 1: not a good waltter. That was like Otherwise, yeah, I

363
00:22:23,520 --> 00:22:29,040
Speaker 1: mean it was pretty accurately portrayed. Maybe I'm sure somebody

364
00:22:29,119 --> 00:22:34,840
Speaker 1: was drinking had a flask back there. It's pretty accurate.

365
00:22:35,960 --> 00:22:39,399
Speaker 1: Like you were a debutant, and did you did you

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Speaker 1: marry your escort? Fo escorts didn't escort, so a lot

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Speaker 1: of people would have like a sibling be their escort.

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Speaker 1: Mine was like a childhood friend. There was less of that,

369
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Speaker 1: like you weren't going to marry your escort and you

370
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Speaker 1: weren't like out like who wants to be my husband?

371
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Speaker 1: It was not quite that. And I was a debutant

372
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Speaker 1: in N two that was before this, But yeah, I

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Speaker 1: mean pretty accurate. And you were in the paper as

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Speaker 1: a result. You were in the San Francisco Herald, in

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Speaker 1: the San Francisco examin Or with a photo. I think

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Speaker 1: it's a chronicle, the San Francisco Chronicle or one of those. Yeah,

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Speaker 1: Amy Amy Sugarman debuts. Yeah, he definitely says that. Like

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Speaker 1: I think it was a group photo. It was like

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Speaker 1: a little un you were sixteen sixteen, No, you're for

380
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Speaker 1: ours your eighteen, So they want you, they want you

381
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Speaker 1: to be able to drive to the place right, and

382
00:23:35,760 --> 00:23:37,879
Speaker 1: then it kind of happens. I think I think it

383
00:23:37,960 --> 00:23:43,760
Speaker 1: was senior year something like that, and it's a little embarrassing,

384
00:23:43,840 --> 00:23:48,120
Speaker 1: Like it's like not something you know because it's kind

385
00:23:48,119 --> 00:23:52,800
Speaker 1: of fancy or HOI all the same things that embrace said,

386
00:23:52,920 --> 00:23:56,399
Speaker 1: you're lucky, right, it's not going for you. What's interesting

387
00:23:56,480 --> 00:24:00,000
Speaker 1: is like, that's why I thought it was so active,

388
00:24:00,119 --> 00:24:04,600
Speaker 1: really done, some of the reasons for it. You know,

389
00:24:04,640 --> 00:24:08,560
Speaker 1: it's a tradition, sort of an archaic tradition and sort

390
00:24:08,560 --> 00:24:10,840
Speaker 1: of ridiculous, but it's sort of like you get it.

391
00:24:11,119 --> 00:24:16,399
Speaker 1: So you're Rory Gilmore, You're not Laurela. You're Rory. Yeah,

392
00:24:16,480 --> 00:24:20,560
Speaker 1: I was. It's not my thing, but I was cool,

393
00:24:20,680 --> 00:24:29,760
Speaker 1: fine to do it. Riley, you're our resident Laurela. But

394
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Speaker 1: I bring it up just because it was portrayed. It

395
00:24:33,560 --> 00:24:37,280
Speaker 1: was not over the top except for the fan dance,

396
00:24:37,640 --> 00:24:43,800
Speaker 1: right yeah, and kind of like even when so we

397
00:24:43,920 --> 00:24:45,800
Speaker 1: had older dad's do you know what I mean, like

398
00:24:45,880 --> 00:24:48,959
Speaker 1: art because he obviously didn't have weren't born when our

399
00:24:48,960 --> 00:24:52,600
Speaker 1: parents were sixteen. But I love when she says Christopher

400
00:24:52,600 --> 00:24:56,640
Speaker 1: to Christopher like you're a hot dad. He said, you're

401
00:24:56,640 --> 00:24:59,879
Speaker 1: a hot dad. And it's like there was always so

402
00:25:00,000 --> 00:25:02,359
Speaker 1: of like, oh that one girl has the hot dad,

403
00:25:02,920 --> 00:25:05,119
Speaker 1: and where where did this take place? Where did you

404
00:25:05,160 --> 00:25:07,439
Speaker 1: do many of these or did you do just just

405
00:25:07,520 --> 00:25:10,320
Speaker 1: the one on one? And then where did it take

406
00:25:10,320 --> 00:25:14,720
Speaker 1: place in San Francisco? I know, but where at a hotel?

407
00:25:14,880 --> 00:25:22,400
Speaker 1: Ball where the St. Francis Hotel or something like that.

408
00:25:22,600 --> 00:25:24,199
Speaker 1: And then it's just kind of like, was there a

409
00:25:24,240 --> 00:25:30,919
Speaker 1: placard outside the room the Amy Sugarman debuson ball present

410
00:25:32,080 --> 00:25:37,040
Speaker 1: presenting Amy Sugarman. There's like parties leading up to it

411
00:25:37,480 --> 00:25:43,320
Speaker 1: and like a whole thing. Wow, So you were introduced

412
00:25:44,000 --> 00:25:50,080
Speaker 1: into high society San Francisco style in the early nineties. Yeah,

413
00:25:50,119 --> 00:25:52,879
Speaker 1: I guess so I might have been. Not like there's

414
00:25:52,960 --> 00:25:56,320
Speaker 1: two so there was ours and then there's a fancier

415
00:25:56,320 --> 00:25:59,639
Speaker 1: one in San Francisco. I wasn't in the top top

416
00:25:59,720 --> 00:26:04,159
Speaker 1: one was the one that was considered fancier. But it's

417
00:26:04,200 --> 00:26:07,800
Speaker 1: just because I didn't I think, Yeah, whatever, I wasn't

418
00:26:07,840 --> 00:26:10,719
Speaker 1: in the fancy fancy. So here you are. Here you

419
00:26:10,760 --> 00:26:15,520
Speaker 1: are during the beginnings of the dot com boom, right

420
00:26:16,119 --> 00:26:20,879
Speaker 1: a debutant eighteen. This explains all the yachts in the houses.

421
00:26:21,000 --> 00:26:23,680
Speaker 1: Let's explains this explains everything. I have no more questions

422
00:26:24,480 --> 00:26:27,320
Speaker 1: only because I thought I'm not saying it about me

423
00:26:27,880 --> 00:26:29,920
Speaker 1: and saying it because I thought people would think it's

424
00:26:29,960 --> 00:26:32,359
Speaker 1: interesting because some people might know what or some people

425
00:26:32,440 --> 00:26:35,240
Speaker 1: might think like, what is this? It was pretty well

426
00:26:35,320 --> 00:26:38,240
Speaker 1: done the way they didn't And even like when Emily

427
00:26:38,280 --> 00:26:41,200
Speaker 1: gets so mad because he's like, I thought, this is

428
00:26:41,400 --> 00:26:47,800
Speaker 1: in an elegant ballroom, not the shaky's, Like, what was

429
00:26:47,840 --> 00:26:51,119
Speaker 1: the line she had about the flowers. She had a

430
00:26:51,200 --> 00:26:53,920
Speaker 1: great line about the flowers. What did she say when

431
00:26:53,920 --> 00:26:56,680
Speaker 1: she walked in and she saw the flowers? Oh, oh

432
00:26:56,720 --> 00:27:00,439
Speaker 1: my god, she said it was babe on at the

433
00:27:00,520 --> 00:27:14,800
Speaker 1: like hospital. So many funny like, so many funny lore

434
00:27:14,880 --> 00:27:17,760
Speaker 1: Lie with the book on her head, even chicken. I

435
00:27:17,920 --> 00:27:19,239
Speaker 1: was like, I wanted all of us to see if

436
00:27:19,240 --> 00:27:20,679
Speaker 1: we could walk with the book on her head and

437
00:27:20,720 --> 00:27:22,720
Speaker 1: eating Kung Pat chicken and she's like, I can even

438
00:27:22,800 --> 00:27:25,480
Speaker 1: spit the peanuts back in And then at one point

439
00:27:25,600 --> 00:27:27,760
Speaker 1: Rory comes in and she's all, hey, a little Debbie

440
00:27:28,200 --> 00:27:31,200
Speaker 1: because like a little Debbie but then also debut. I mean,

441
00:27:33,080 --> 00:27:39,000
Speaker 1: whoever wrote it this episode definitely knew what they were doing.

442
00:27:40,240 --> 00:27:43,040
Speaker 1: And the tails there were people on the writing staff

443
00:27:43,080 --> 00:27:45,720
Speaker 1: that had been through that. They definitely what they were

444
00:27:45,760 --> 00:27:48,200
Speaker 1: talking about. They were not writing something they didn't know.

445
00:27:48,440 --> 00:27:53,439
Speaker 1: Because even Dean going tails, which was totally like, oh god,

446
00:27:53,760 --> 00:27:57,240
Speaker 1: like that even worse and like almost like we had fun,

447
00:27:57,280 --> 00:27:59,480
Speaker 1: but a little bit you're dreading and you're like, this

448
00:27:59,520 --> 00:28:03,000
Speaker 1: is bid? What are we doing? Right? And there was

449
00:28:03,040 --> 00:28:05,080
Speaker 1: a great scene between Rory and that other girl, that

450
00:28:05,160 --> 00:28:07,800
Speaker 1: blonde girl who was trying to do her shade of lipstick.

451
00:28:08,440 --> 00:28:10,520
Speaker 1: If I put the wrong color, I look like what

452
00:28:10,520 --> 00:28:12,679
Speaker 1: what did she say? She looks like a teacher or

453
00:28:13,119 --> 00:28:16,359
Speaker 1: a teacher and she's been trying to decide from a

454
00:28:16,440 --> 00:28:21,200
Speaker 1: prostitute or a teacher. Oh my, oh my god. She

455
00:28:21,920 --> 00:28:29,640
Speaker 1: you know, it's so funny, Like Rory was so level

456
00:28:29,680 --> 00:28:31,920
Speaker 1: headed and cool, calm and collected that whole time. She

457
00:28:31,920 --> 00:28:35,160
Speaker 1: couldn't understand why all these this, especially this one girl,

458
00:28:35,240 --> 00:28:36,960
Speaker 1: was flipping out. I only have an hour and a

459
00:28:37,000 --> 00:28:40,560
Speaker 1: half to finish, her goes. Really, I'm ready to go.

460
00:28:40,640 --> 00:28:42,880
Speaker 1: I'm good to go. Even though she was down to

461
00:28:42,960 --> 00:28:46,040
Speaker 1: do it, he wasn't put off by it. She wasn't

462
00:28:46,080 --> 00:28:49,720
Speaker 1: anti right, she just was sort of the children. So

463
00:28:49,800 --> 00:28:52,320
Speaker 1: let's discuss that, because that created a lot of angst

464
00:28:52,400 --> 00:28:55,520
Speaker 1: inside of Laureline, you know, and it really please so

465
00:28:55,800 --> 00:28:59,800
Speaker 1: Rory wants to please her grandmother. She wants to you know.

466
00:29:00,280 --> 00:29:05,560
Speaker 1: So here's the question is is Rory influenced? Obviously, is

467
00:29:05,680 --> 00:29:10,040
Speaker 1: Rory influenced by her decision to actually go through with

468
00:29:10,080 --> 00:29:13,720
Speaker 1: this against her mother's wishes? And Laurel I backed down

469
00:29:13,760 --> 00:29:16,920
Speaker 1: pretty easily. She really did? She really? I thought so too.

470
00:29:16,920 --> 00:29:19,560
Speaker 1: I thought I was surprised by that. Yeah, that she

471
00:29:19,680 --> 00:29:21,680
Speaker 1: was like, all right. I thought that was gonna be

472
00:29:21,720 --> 00:29:23,720
Speaker 1: a point of contention throughout the episode. I thought that

473
00:29:23,760 --> 00:29:26,480
Speaker 1: was gonna be the whole episode. It was like the battle,

474
00:29:26,520 --> 00:29:29,240
Speaker 1: the battle, the battle lines are drawn. Here we go

475
00:29:29,720 --> 00:29:33,520
Speaker 1: and boundaries are being invaded again and crossed without permission,

476
00:29:33,520 --> 00:29:36,960
Speaker 1: and Laura is gonna getting a maserati and head over

477
00:29:36,960 --> 00:29:39,800
Speaker 1: to Emily's and give her what for. My take on

478
00:29:39,960 --> 00:29:45,680
Speaker 1: it is this Rory loves making her grandparents happy. Yes,

479
00:29:47,240 --> 00:29:51,160
Speaker 1: I also don't think she's so anti all of it.

480
00:29:52,280 --> 00:29:55,760
Speaker 1: She likes her fancy school. Remember in episode one she

481
00:29:55,920 --> 00:29:59,560
Speaker 1: was so excited to get into Chiltern. She is not

482
00:29:59,680 --> 00:30:06,480
Speaker 1: as put off by the fanciness of it that Laurela is.

483
00:30:06,840 --> 00:30:12,320
Speaker 1: It's not necessarily Rory's like I must have this or entitlement.

484
00:30:12,720 --> 00:30:16,200
Speaker 1: She just doesn't find it awful. But I think from

485
00:30:16,280 --> 00:30:18,640
Speaker 1: Rory's point of view growing up the way she has,

486
00:30:19,440 --> 00:30:24,640
Speaker 1: she doesn't want to face or experience any more familial battles.

487
00:30:25,360 --> 00:30:28,440
Speaker 1: It's like, Mom, well you just put down your sword.

488
00:30:28,920 --> 00:30:31,760
Speaker 1: This is all good stuff. I don't have to fight

489
00:30:31,880 --> 00:30:36,120
Speaker 1: your battles with you or for you anymore. I'm done.

490
00:30:36,960 --> 00:30:39,719
Speaker 1: I want to do this thing. This is good for me.

491
00:30:40,200 --> 00:30:43,520
Speaker 1: I think it's nice. You know, my grandparents are being

492
00:30:43,560 --> 00:30:48,480
Speaker 1: really great with me, and so this is making creating

493
00:30:48,520 --> 00:30:52,320
Speaker 1: even more anxiety inside of Laurel. You're right, she spelled

494
00:30:52,360 --> 00:30:55,600
Speaker 1: it out pretty clearly, like, hey, I'm I don't have

495
00:30:55,640 --> 00:30:58,680
Speaker 1: any reason like why I wouldn't want to do this,

496
00:30:58,800 --> 00:31:04,480
Speaker 1: and it makes Graham was so happy, Right, well do it? Yeah,

497
00:31:04,520 --> 00:31:06,760
Speaker 1: why don't we just relax? I don't have a bone

498
00:31:06,800 --> 00:31:10,760
Speaker 1: to pick with my grandmother and grandfather. You know, you

499
00:31:10,760 --> 00:31:14,480
Speaker 1: you you keep you know, keeping this hatred alive in

500
00:31:14,520 --> 00:31:19,640
Speaker 1: this this this division alive. But what's so awful about

501
00:31:19,680 --> 00:31:23,840
Speaker 1: the mom? They're pretty great to me, and they they're

502
00:31:23,880 --> 00:31:26,880
Speaker 1: pretty great to her too. They tolerate her. I mean,

503
00:31:27,000 --> 00:31:32,719
Speaker 1: god darn it, what happened? What happened between this family?

504
00:31:32,800 --> 00:31:36,320
Speaker 1: And that's what they don't show, which is so maddening,

505
00:31:36,400 --> 00:31:39,720
Speaker 1: Which is so wonderful about the show. It's like, what happened?

506
00:31:40,600 --> 00:31:43,720
Speaker 1: How bad were those fights? Can you imagine those fights

507
00:31:43,720 --> 00:31:48,800
Speaker 1: that they had when she was sixteen and I'm pregnant,

508
00:31:48,920 --> 00:31:57,360
Speaker 1: or be a nice night and dad can be there

509
00:31:57,360 --> 00:32:01,720
Speaker 1: and we can listen battle box with Deean to get

510
00:32:01,800 --> 00:32:05,520
Speaker 1: him to hold my hand down. Yeah, I think I

511
00:32:05,560 --> 00:32:11,320
Speaker 1: think every child's instinct or every kid's instinct who is uh,

512
00:32:11,360 --> 00:32:13,440
Speaker 1: you know, there's there's not a mother or a father

513
00:32:13,520 --> 00:32:16,320
Speaker 1: in the home or whatever, their instinct if they have

514
00:32:16,360 --> 00:32:19,840
Speaker 1: the opportunity is to bring the family back together. That

515
00:32:20,080 --> 00:32:24,280
Speaker 1: is in the psychology and the psychological makeup of every

516
00:32:24,320 --> 00:32:28,480
Speaker 1: child that comes from a somewhat broken home. If it's

517
00:32:28,520 --> 00:32:32,240
Speaker 1: not a completely horrible person that they're calling forth back

518
00:32:32,280 --> 00:32:34,840
Speaker 1: into the family, right. So it's so, it's so I

519
00:32:34,840 --> 00:32:37,080
Speaker 1: think Rory has a lot of that where she's mature

520
00:32:37,200 --> 00:32:39,760
Speaker 1: enough to see the benefit for this for her and

521
00:32:39,960 --> 00:32:43,600
Speaker 1: for her mom. Pretty great. These people are pretty great.

522
00:32:43,960 --> 00:32:47,320
Speaker 1: It's it's taking you know, the adult view of things

523
00:32:47,360 --> 00:32:50,040
Speaker 1: over time. Mom, this is gonna work out great for me,

524
00:32:50,080 --> 00:32:51,840
Speaker 1: and it's also going to work out great for you.

525
00:32:52,160 --> 00:32:55,320
Speaker 1: So I really see now that Rory is the lead

526
00:32:55,400 --> 00:32:58,720
Speaker 1: character in the show, showing everybody how to live their

527
00:32:58,760 --> 00:33:01,760
Speaker 1: lives and bury the hatchet and come back as a family.

528
00:33:01,760 --> 00:33:07,440
Speaker 1: So this is really a very slow motion revolution, coming

529
00:33:07,520 --> 00:33:11,560
Speaker 1: back to what once was and maybe even making it better.

530
00:33:11,720 --> 00:33:15,400
Speaker 1: And she's carrying the torch for it without really being

531
00:33:15,520 --> 00:33:17,840
Speaker 1: pushy about it, but she's just so mom, this is

532
00:33:17,880 --> 00:33:22,240
Speaker 1: what I want. Yeah, how great did Laura La look

533
00:33:22,600 --> 00:33:26,560
Speaker 1: at the debutmball? Oh, speaking of which we could have

534
00:33:26,600 --> 00:33:29,200
Speaker 1: talked to Brenda about. That was the perfect dress, Like

535
00:33:29,400 --> 00:33:34,880
Speaker 1: she fits in there perfectly with that little bit of edge,

536
00:33:34,960 --> 00:33:37,760
Speaker 1: like you know when the Bartenders and the aim and

537
00:33:37,880 --> 00:33:40,960
Speaker 1: the whole, you know, she's still her but she's not

538
00:33:41,480 --> 00:33:46,080
Speaker 1: awkward or out of place ever at those Oh no, no, no, no,

539
00:33:46,200 --> 00:33:50,320
Speaker 1: she's she's of she's cut from that cloth. With Christopher

540
00:33:50,920 --> 00:33:54,840
Speaker 1: saying with Christopher, yes, with the clever little quick lines,

541
00:33:55,120 --> 00:33:59,520
Speaker 1: and and I just he just I'll say it again.

542
00:33:59,640 --> 00:34:04,280
Speaker 1: He isn't a serious person. He's not a grown up yet,

543
00:34:04,720 --> 00:34:08,600
Speaker 1: he's not a fully formed the part of a grown up. Right.

544
00:34:09,320 --> 00:34:12,200
Speaker 1: What did you think of their dance? Because I think

545
00:34:12,239 --> 00:34:15,319
Speaker 1: that his father and his mother were really harsh. They

546
00:34:15,360 --> 00:34:21,279
Speaker 1: were praying, they were I mean, they must have crucified him. Yeah,

547
00:34:21,360 --> 00:34:26,080
Speaker 1: they really missed him up. Oh boy, father, what did

548
00:34:26,120 --> 00:34:29,479
Speaker 1: you think of Christopher and laure life dance at Miss

549
00:34:29,520 --> 00:34:32,800
Speaker 1: Patty's Because it was pretty awesome. I thought it was

550
00:34:32,800 --> 00:34:35,759
Speaker 1: pretty nice. Yeah, yeah, I thought, yeah, they rehearsed the

551
00:34:35,800 --> 00:34:37,759
Speaker 1: hell out of that and pulled her off beautiful, and

552
00:34:37,920 --> 00:34:42,160
Speaker 1: they both danced well. And you also, she moves very well,

553
00:34:42,320 --> 00:34:44,920
Speaker 1: she's she's very light on her feet, and she's a

554
00:34:45,040 --> 00:34:47,080
Speaker 1: she's a terrific dancer. And I think it's important to

555
00:34:47,120 --> 00:34:50,360
Speaker 1: the characters because you realize, like, wow, these two have

556
00:34:50,480 --> 00:34:54,719
Speaker 1: danced before. These two were on the path that now

557
00:34:54,920 --> 00:34:58,320
Speaker 1: Rory and Dean are going to actually go to the ball,

558
00:34:58,719 --> 00:35:05,720
Speaker 1: but they knew the aunts. They have that connection. Yeah,

559
00:35:06,160 --> 00:35:10,480
Speaker 1: they have their shot. Get over the diner. I'll show

560
00:35:10,480 --> 00:35:13,960
Speaker 1: you how to dance. You want to dance. You know,

561
00:35:14,040 --> 00:35:16,160
Speaker 1: we're not there yet. But there are so many epic

562
00:35:18,480 --> 00:35:22,839
Speaker 1: there really are, right. I was writing them all down

563
00:35:22,840 --> 00:35:24,799
Speaker 1: and then I just there was they were coming so fast.

564
00:35:24,880 --> 00:35:26,799
Speaker 1: I couldn't write that fast. I was, oh my god,

565
00:35:26,800 --> 00:35:29,960
Speaker 1: I have like a thousand lines. I love it. Here,

566
00:35:30,239 --> 00:35:32,839
Speaker 1: go through, let's go through. Let's go through. Okay, we'll

567
00:35:32,840 --> 00:35:35,000
Speaker 1: go out of order. I'll give you my favorite lines,

568
00:35:35,040 --> 00:35:37,360
Speaker 1: and one will lead us right into the pop culture

569
00:35:42,800 --> 00:35:47,520
Speaker 1: favorite lines. One is obviously Hello Sailor, Hello Sailor, and

570
00:35:47,640 --> 00:35:50,600
Speaker 1: kids all irritated, and Rory says, I think you can

571
00:35:50,640 --> 00:35:54,080
Speaker 1: do it without the Hello Sailor part. I thought that

572
00:35:54,160 --> 00:35:59,640
Speaker 1: was amazing. I love It's Luke, just Luke. Mr Luke

573
00:36:01,320 --> 00:36:06,279
Speaker 1: was right right right. The shakiest line which I mentioned, right,

574
00:36:06,400 --> 00:36:09,040
Speaker 1: what is this a shakyse and these babies breath? What

575
00:36:09,120 --> 00:36:12,080
Speaker 1: are we in a hospital with the book on the

576
00:36:12,120 --> 00:36:18,319
Speaker 1: head spitting? That's back on right right? Um? Oh, I know.

577
00:36:19,280 --> 00:36:23,920
Speaker 1: So Lorelai is talking to those women, which actually I

578
00:36:23,960 --> 00:36:25,400
Speaker 1: do have something I want to ask you about. But

579
00:36:26,120 --> 00:36:28,840
Speaker 1: and Christopher comes up and saves her, and she says,

580
00:36:28,840 --> 00:36:30,799
Speaker 1: you saved me. I love you. I want to have

581
00:36:30,840 --> 00:36:37,880
Speaker 1: your baby. It looks too late, kind of cornball city

582
00:36:37,960 --> 00:36:41,920
Speaker 1: for me. Uh yeah, those are those, you know. I

583
00:36:41,920 --> 00:36:45,920
Speaker 1: thought the whole thing was just dense again too, just

584
00:36:46,000 --> 00:36:50,960
Speaker 1: so it felt a little it just sort of everything

585
00:36:51,000 --> 00:36:52,480
Speaker 1: felt a little off from me in the beginning of

586
00:36:52,440 --> 00:36:54,680
Speaker 1: the episode. It just for me, it just felt it

587
00:36:55,000 --> 00:36:59,000
Speaker 1: got going, yeah, definitely, but it just felt um Riley,

588
00:36:59,320 --> 00:37:03,840
Speaker 1: uh uh can you queue up the bombshell please? Oh god?

589
00:37:04,000 --> 00:37:08,160
Speaker 1: I forgot. Oh yeah, I'm about to deliver. Wait will

590
00:37:08,200 --> 00:37:11,440
Speaker 1: you wait one second before because I have one more question?

591
00:37:11,960 --> 00:37:14,359
Speaker 1: Go ahead. What did you think of the scene on

592
00:37:14,400 --> 00:37:18,480
Speaker 1: the patio in early in the episode, So Emily is

593
00:37:18,520 --> 00:37:24,720
Speaker 1: having tea with her girlfriends and they are gossiping. I

594
00:37:24,760 --> 00:37:28,439
Speaker 1: mean it was aggressive gossip, like about truly bishop and

595
00:37:28,719 --> 00:37:32,719
Speaker 1: finding out that the husband had the other family at

596
00:37:32,760 --> 00:37:35,840
Speaker 1: the Shaper's cocktail party and she threw an ice sculpture.

597
00:37:36,160 --> 00:37:39,080
Speaker 1: I mean that was some you also saw that side

598
00:37:39,080 --> 00:37:43,680
Speaker 1: of it, but there is aggressive gossiping and like very

599
00:37:43,960 --> 00:37:47,239
Speaker 1: the things you don't like. It made me realize and

600
00:37:47,280 --> 00:37:51,720
Speaker 1: also re established how powerful a social force that Emily

601
00:37:51,800 --> 00:37:57,640
Speaker 1: and and Richard are in Hartford. Um, she pretty much rains,

602
00:37:57,680 --> 00:38:00,680
Speaker 1: so she's probably you know, she's the Queen of Hartford,

603
00:38:01,960 --> 00:38:05,319
Speaker 1: the grand dum. If you will even say it, you'll

604
00:38:05,360 --> 00:38:07,400
Speaker 1: be able to get your granddaughter in at the last

605
00:38:07,400 --> 00:38:11,120
Speaker 1: minute because you're Emily Gilness right right. So she says

606
00:38:11,280 --> 00:38:15,000
Speaker 1: she's she's she's a heavy heavyweight in that in that area,

607
00:38:15,200 --> 00:38:20,360
Speaker 1: it was aggressive gossiping. I was like, they definitely depicted

608
00:38:20,400 --> 00:38:24,359
Speaker 1: that accurately too. Whoa these ladies sit around and they're

609
00:38:24,360 --> 00:38:29,520
Speaker 1: talking mad bleep about this other truly bishop. It made

610
00:38:29,560 --> 00:38:31,759
Speaker 1: me want to play a round of golf at a

611
00:38:31,800 --> 00:38:35,879
Speaker 1: Tony country club and then have lunch with a tartan rug.

612
00:38:36,360 --> 00:38:38,520
Speaker 1: I wonder if some people are put off by that,

613
00:38:38,600 --> 00:38:40,480
Speaker 1: like I don't. I would be interested to hear what

614
00:38:40,520 --> 00:38:43,360
Speaker 1: people say. You know, obviously it was funny and entertaining,

615
00:38:43,400 --> 00:38:50,720
Speaker 1: But if some people are like, woof, because it's gossipy, Well, everybody,

616
00:38:50,800 --> 00:38:53,120
Speaker 1: I think everybody gossips. I don't. I don't think that

617
00:38:53,239 --> 00:38:58,080
Speaker 1: is ecology says it's healthy. There's some element of gossip.

618
00:38:58,760 --> 00:39:00,880
Speaker 1: It's why I probably were all fast night with celebrities,

619
00:39:00,920 --> 00:39:03,520
Speaker 1: because there's some element of it that's like healthy for

620
00:39:03,560 --> 00:39:08,200
Speaker 1: our PSYCHEA. Yeah, everybody gossips. Everybody gossips, but everybody else.

621
00:39:08,239 --> 00:39:11,120
Speaker 1: I mean, it's just it's a given. Tell people interact.

622
00:39:11,560 --> 00:39:14,040
Speaker 1: I'm getting ready for the bomb show. All right, let's

623
00:39:14,080 --> 00:39:19,120
Speaker 1: let's queue it up. An alien muffin, which people were like,

624
00:39:19,200 --> 00:39:22,880
Speaker 1: why does she keep calling it an alien muffin? Okay,

625
00:39:23,080 --> 00:39:26,680
Speaker 1: what are we observing here, Amy, We're observing a scene

626
00:39:27,239 --> 00:39:31,560
Speaker 1: where in the episode, let's go ahead and play it. Um,

627
00:39:33,600 --> 00:39:36,279
Speaker 1: hang on, what does she ask for? She x for

628
00:39:36,360 --> 00:39:39,279
Speaker 1: a gum rapper to write down the phone the first

629
00:39:39,960 --> 00:39:42,719
Speaker 1: So this is correct. Now, look there's a notebook, there's

630
00:39:42,719 --> 00:39:47,640
Speaker 1: a note How did that happen? It just appeared? Bombshell boom?

631
00:39:48,040 --> 00:39:50,319
Speaker 1: Where did that come from? Where did that come from?

632
00:39:53,600 --> 00:40:00,120
Speaker 1: Okay was a no no, well maybe, but but she

633
00:40:00,320 --> 00:40:04,239
Speaker 1: was writing down the gum wrapper. What happened? Now she's

634
00:40:04,239 --> 00:40:10,400
Speaker 1: holding out? Yeah, yeah, that's a big deal. That was

635
00:40:11,239 --> 00:40:16,720
Speaker 1: eagle eyes. I don't know that it's it's it's rises

636
00:40:16,800 --> 00:40:21,319
Speaker 1: to the level of I was a debutante too. That's big.

637
00:40:21,920 --> 00:40:26,239
Speaker 1: That's a big one, right, so I think you win

638
00:40:26,360 --> 00:40:30,480
Speaker 1: this round. There was a lot of clown pillow in

639
00:40:30,560 --> 00:40:35,440
Speaker 1: this too. Okay, yeah, there there there there, there was

640
00:40:35,719 --> 00:40:39,359
Speaker 1: there there definitely back. It was almost like, oh my god,

641
00:40:43,000 --> 00:40:45,040
Speaker 1: so what are we taking away from this episode? Why

642
00:40:45,239 --> 00:40:49,560
Speaker 1: was this episode? Oh? Look, who has time? Who's dropped

643
00:40:49,600 --> 00:40:53,840
Speaker 1: into a right fielder? Right fielder Danielle has decided to

644
00:40:53,960 --> 00:40:57,080
Speaker 1: join us. Danielle was at the vet with the dog,

645
00:40:57,320 --> 00:41:00,920
Speaker 1: so we will that's right. I know you don't know

646
00:41:01,080 --> 00:41:05,439
Speaker 1: what has been happening, So just give your thoughts. Yes,

647
00:41:05,640 --> 00:41:08,520
Speaker 1: I have so many thoughts. I did tune in for

648
00:41:08,760 --> 00:41:11,120
Speaker 1: like the last like fifteen minutes so at least I

649
00:41:11,280 --> 00:41:14,719
Speaker 1: heard like some of your blinds and stuff. But I

650
00:41:14,880 --> 00:41:18,840
Speaker 1: will say that this episode and guy and I briefly

651
00:41:18,920 --> 00:41:22,880
Speaker 1: spoke about it a little bit earlier, I loved it

652
00:41:23,840 --> 00:41:27,399
Speaker 1: so much. I thought it was so good to see

653
00:41:27,400 --> 00:41:30,440
Speaker 1: a different side of Laura Lae. And also like for

654
00:41:31,239 --> 00:41:33,080
Speaker 1: a lot of the episode, I was like, oh my god,

655
00:41:33,200 --> 00:41:36,080
Speaker 1: Laura la and Christopher like they need to just be together,

656
00:41:36,360 --> 00:41:41,920
Speaker 1: like their chemistry is fired, Like it's so good. Something

657
00:41:42,120 --> 00:41:44,720
Speaker 1: something wrong with you people, There's something wrong with you people.

658
00:41:45,440 --> 00:41:48,960
Speaker 1: It was so sad for seriously wrong with you people.

659
00:41:49,560 --> 00:41:51,480
Speaker 1: And she kind of goes on a limb. It's so

660
00:41:51,680 --> 00:41:54,879
Speaker 1: like every girl's nightmare where you like go and say

661
00:41:54,960 --> 00:41:57,640
Speaker 1: it to the dude and then you're like, oh you

662
00:41:57,719 --> 00:42:00,399
Speaker 1: have a girlfriend. Yeah. She was putting in a big

663
00:42:00,520 --> 00:42:04,880
Speaker 1: effort there to batter eyelashes at him. Did you notice

664
00:42:04,920 --> 00:42:10,920
Speaker 1: that kiss on the lips all the time. Yes. I

665
00:42:11,120 --> 00:42:14,200
Speaker 1: was like like kids on the lips and boom, sorry,

666
00:42:14,239 --> 00:42:16,759
Speaker 1: I'm seeing somebody else from Boston. You know, I need

667
00:42:16,840 --> 00:42:18,880
Speaker 1: to I need to take a break. I'm sorry. You

668
00:42:19,000 --> 00:42:22,320
Speaker 1: guys just talk about this stuff and again stops like

669
00:42:22,400 --> 00:42:28,760
Speaker 1: getting hurt feelings. I know there is anyway, Daniel, go ahead,

670
00:42:28,760 --> 00:42:31,480
Speaker 1: I don't mean to interrupt you, please, And I know

671
00:42:31,640 --> 00:42:35,080
Speaker 1: those were my thoughts. And then I just for for

672
00:42:35,160 --> 00:42:38,080
Speaker 1: the first not the first time, but like this this

673
00:42:38,239 --> 00:42:41,239
Speaker 1: episode in particular, I just thought it was very fascinating

674
00:42:41,280 --> 00:42:44,440
Speaker 1: the dynamic between Emily and Richard. And then I just

675
00:42:44,600 --> 00:42:49,560
Speaker 1: got like heart wrenched with Richard realizing he's getting old,

676
00:42:49,760 --> 00:42:53,000
Speaker 1: he's being phased out, like it's time for him for

677
00:42:53,120 --> 00:42:55,960
Speaker 1: his identity not to be about work anymore, you know

678
00:42:56,040 --> 00:42:58,520
Speaker 1: what I mean. And he's just having that like self

679
00:42:58,640 --> 00:43:01,760
Speaker 1: crisis moment where he's going to tell you all what happens.

680
00:43:01,920 --> 00:43:08,040
Speaker 1: But but I got I got really sad. I was like,

681
00:43:08,520 --> 00:43:11,000
Speaker 1: you know, like his identity has been all about work

682
00:43:11,160 --> 00:43:15,239
Speaker 1: for so long and now that's not going to be

683
00:43:15,680 --> 00:43:18,719
Speaker 1: his identity anymore, and like what that means for their

684
00:43:18,800 --> 00:43:22,240
Speaker 1: relationship because his identity is what gives him their social status,

685
00:43:22,480 --> 00:43:25,680
Speaker 1: you know, so wow, we can spend they can spend

686
00:43:25,719 --> 00:43:29,880
Speaker 1: more time together, you know he can. But he's obviously

687
00:43:29,960 --> 00:43:33,040
Speaker 1: a workaholic. He's that type a workaholic, and look at

688
00:43:33,080 --> 00:43:36,040
Speaker 1: look at what he's built up. It fulfills him, it's

689
00:43:36,080 --> 00:43:40,920
Speaker 1: what makes him feel like a contributing member of society.

690
00:43:42,400 --> 00:43:44,640
Speaker 1: You gotta have it. I mean I always felt like, boy,

691
00:43:44,680 --> 00:43:46,160
Speaker 1: I need to work. I have to have a job.

692
00:43:46,239 --> 00:43:48,920
Speaker 1: I can't lay around every time. I don't vacation well

693
00:43:49,000 --> 00:43:52,480
Speaker 1: unless i'm skiing, because I feel like I'm working, right,

694
00:43:52,600 --> 00:43:56,160
Speaker 1: I'm working. Takes your mind away from it. Yeah, I'm hiking.

695
00:43:57,080 --> 00:44:00,800
Speaker 1: He's rejecting the cocktail party and rejecting the umball like

696
00:44:01,320 --> 00:44:05,560
Speaker 1: because his like, you know, identity is kind of starting

697
00:44:05,600 --> 00:44:11,080
Speaker 1: to like too bad, too bad. He can't take the

698
00:44:11,160 --> 00:44:14,440
Speaker 1: time to enjoy his success with Emily and go to

699
00:44:14,520 --> 00:44:18,719
Speaker 1: these cocktail parties and you know, but he can't. He's

700
00:44:18,760 --> 00:44:23,880
Speaker 1: busy because he feels he's busy worthless if he's not working,

701
00:44:24,360 --> 00:44:27,960
Speaker 1: or he feels the pressure. It's like, now you know

702
00:44:28,080 --> 00:44:29,360
Speaker 1: you're over six, do you go to the gym? You

703
00:44:29,440 --> 00:44:31,240
Speaker 1: gotta work twice as hard to get a half the results.

704
00:44:34,400 --> 00:44:37,279
Speaker 1: It's the reality. That's what That's what that's in in

705
00:44:37,440 --> 00:44:43,759
Speaker 1: work parlance, that's what ED is experiencing. Don't fall, don't fall.

706
00:44:48,320 --> 00:44:59,640
Speaker 1: What what were you with deputime? Hell no, no? Did

707
00:44:59,719 --> 00:45:02,839
Speaker 1: you o? People that were yes? And I would say

708
00:45:02,960 --> 00:45:05,800
Speaker 1: like during that time, I was like, oh, you know,

709
00:45:05,960 --> 00:45:09,319
Speaker 1: so and so from schools, you know, doing that gets

710
00:45:09,440 --> 00:45:11,640
Speaker 1: dressed up in the white dress. But it was just

711
00:45:11,800 --> 00:45:13,840
Speaker 1: never my thing, never my thing. But a lot of

712
00:45:13,920 --> 00:45:16,640
Speaker 1: friends of mine were. Do you hear that Riley was

713
00:45:16,719 --> 00:45:21,480
Speaker 1: a debutante? No, you were. That is the fattest lie

714
00:45:21,800 --> 00:45:24,719
Speaker 1: I've ever heard. I was absolutely not a de wu tan.

715
00:45:24,920 --> 00:45:26,920
Speaker 1: I did everything in my power to not be a

716
00:45:27,120 --> 00:45:29,799
Speaker 1: w T right right, you made the deal to get

717
00:45:29,880 --> 00:45:36,360
Speaker 1: the cash. You took the cash. Ope, my parents. What

718
00:45:36,520 --> 00:45:39,680
Speaker 1: you'd spent on the dress, I'll take into my account,

719
00:45:40,120 --> 00:45:43,200
Speaker 1: you know, but it towards school or something else. That's

720
00:45:43,239 --> 00:45:47,879
Speaker 1: so interesting. None of us me. I would have thought

721
00:45:48,000 --> 00:45:51,279
Speaker 1: you might have been. I would have maybe, but you were.

722
00:45:52,320 --> 00:45:56,000
Speaker 1: You missed that bar Oh, she was a big time

723
00:45:58,400 --> 00:46:01,560
Speaker 1: to find. I don't know. Headlines in the San Francisco Chronicle.

724
00:46:02,600 --> 00:46:04,440
Speaker 1: I mean there were huge stories that day, and they

725
00:46:04,520 --> 00:46:09,800
Speaker 1: just bumped them all like Sugarman, very like back page

726
00:46:09,840 --> 00:46:16,359
Speaker 1: of the calendar section or something. Yeah, I don't think

727
00:46:16,400 --> 00:46:20,879
Speaker 1: so anyway, what else? What else should we on Earth

728
00:46:20,960 --> 00:46:22,920
Speaker 1: about this episode? I know I was going to lead

729
00:46:23,000 --> 00:46:25,200
Speaker 1: us into the pop culture with one of the best

730
00:46:25,320 --> 00:46:27,920
Speaker 1: lines in the whole thing. So Riley, you'll have to

731
00:46:27,960 --> 00:46:33,120
Speaker 1: go out of order. But it is when Laurlize says,

732
00:46:33,920 --> 00:46:37,080
Speaker 1: nobody puts baby in a corner. And we all know

733
00:46:37,440 --> 00:46:46,000
Speaker 1: why this line means so much because Kelly Bishops in

734
00:46:46,120 --> 00:46:50,440
Speaker 1: the corner in Dirty Dancing, when that line is delivered

735
00:46:50,840 --> 00:46:58,680
Speaker 1: by the most iconic Patrick Swayzy, most iconic that movie is.

736
00:46:58,840 --> 00:47:04,240
Speaker 1: So I worked with him on a movie, Three Wishes.

737
00:47:04,840 --> 00:47:09,320
Speaker 1: He I heard he was the nicest guy, and he was,

738
00:47:09,520 --> 00:47:15,200
Speaker 1: but he was like it was bizarre how it was.

739
00:47:15,360 --> 00:47:18,640
Speaker 1: It was. It was not just nice, it was he

740
00:47:18,840 --> 00:47:22,040
Speaker 1: was just he came off like some kind of I

741
00:47:22,080 --> 00:47:26,560
Speaker 1: don't know, almost yogic figure, like a yogi. I mean

742
00:47:26,640 --> 00:47:30,920
Speaker 1: he was so centered and yes, yeah, I mean and

743
00:47:31,160 --> 00:47:34,000
Speaker 1: and any time, and he wanted to get to know everybody.

744
00:47:34,080 --> 00:47:37,959
Speaker 1: And I mean, you know, stars of that stature don't

745
00:47:38,000 --> 00:47:42,960
Speaker 1: sit down and have lunch with people like me, and

746
00:47:43,080 --> 00:47:45,960
Speaker 1: he did not just on one occasion. I was on

747
00:47:46,040 --> 00:47:50,600
Speaker 1: that film for three or four months, and we sat

748
00:47:50,680 --> 00:47:55,239
Speaker 1: down and had lunch frequently, and it was I mean,

749
00:47:55,320 --> 00:47:57,640
Speaker 1: he was just the nicest, giving me all this guidance,

750
00:47:57,719 --> 00:47:59,880
Speaker 1: and I'd ask him a ton of questions and he

751
00:48:00,080 --> 00:48:02,680
Speaker 1: smile and he laughed. I mean, what a nice guy.

752
00:48:04,040 --> 00:48:06,480
Speaker 1: Um and marry Elizabeth mastro Antonio was on that phone,

753
00:48:06,520 --> 00:48:08,439
Speaker 1: so she was the same way. She was the same way.

754
00:48:09,280 --> 00:48:11,320
Speaker 1: So you had these two people that were just like

755
00:48:11,520 --> 00:48:14,000
Speaker 1: these I don't know, they were just like more highly

756
00:48:14,080 --> 00:48:17,640
Speaker 1: evolved beings. You know what's crazy about Dirty Dancing is

757
00:48:17,760 --> 00:48:21,440
Speaker 1: like it wasn't such a big movie when it first opened.

758
00:48:21,840 --> 00:48:27,239
Speaker 1: It was over time, it's become this massive movie. And

759
00:48:27,400 --> 00:48:31,040
Speaker 1: then he had another one with ghosts, so you're like, God,

760
00:48:31,160 --> 00:48:36,160
Speaker 1: this guy is like just a massive movie star, oh,

761
00:48:36,560 --> 00:48:38,560
Speaker 1: massive movie star. And you know he was playing that

762
00:48:38,600 --> 00:48:41,800
Speaker 1: type of a character anyway, like a magical man that

763
00:48:41,920 --> 00:48:44,799
Speaker 1: comes like some kind of traveler who comes into their

764
00:48:44,880 --> 00:48:52,520
Speaker 1: lives and um in, oh god, I know, what a

765
00:48:52,640 --> 00:48:54,719
Speaker 1: what a great guy, what a great guy. You just

766
00:48:54,800 --> 00:48:57,400
Speaker 1: fall in love with him right away, right away. That's

767
00:48:57,440 --> 00:49:08,840
Speaker 1: my favorite here. He's just so dream body movie mm hmm.

768
00:49:10,080 --> 00:49:12,920
Speaker 1: But I mean to use whoever thought of doing this,

769
00:49:13,520 --> 00:49:17,640
Speaker 1: use the line nobody puts baby in a corner with

770
00:49:18,239 --> 00:49:20,959
Speaker 1: the person that was in that movie in that scene.

771
00:49:21,000 --> 00:49:24,279
Speaker 1: I mean, Kelly, I know we've talked about it before.

772
00:49:24,320 --> 00:49:28,040
Speaker 1: It was amazing and Dirty Dancing too well, and everything

773
00:49:28,160 --> 00:49:38,200
Speaker 1: she does very gifted, very very gifted, all right, Rady

774
00:49:38,280 --> 00:49:42,239
Speaker 1: time for a little pop culture once and a guitar accompaniment,

775
00:49:42,320 --> 00:49:44,960
Speaker 1: acoustic accompaniment or no this time. I don't think it

776
00:49:44,960 --> 00:49:52,560
Speaker 1: would be complete without right answer, um and going straight

777
00:49:52,600 --> 00:49:55,960
Speaker 1: into that beautiful segue Loria I says, nobody puts baby

778
00:49:55,960 --> 00:49:58,520
Speaker 1: in a corner and a couple of facts. Um. Actually,

779
00:49:58,520 --> 00:50:01,319
Speaker 1: at thirty five years old, Patrick Swayze was older than

780
00:50:01,360 --> 00:50:03,399
Speaker 1: the role of Johnny by ten years and was only

781
00:50:03,520 --> 00:50:06,640
Speaker 1: eight years younger than Kelly Bishop at the time, which

782
00:50:06,680 --> 00:50:11,040
Speaker 1: is really interesting. And Patrick Swayze insisted on doing his

783
00:50:11,080 --> 00:50:13,800
Speaker 1: own stunts. During the log scene. He kept on falling

784
00:50:13,840 --> 00:50:16,000
Speaker 1: off the log and injured his knee so badly that

785
00:50:16,080 --> 00:50:18,040
Speaker 1: they had to drain the fluid from his knee from

786
00:50:18,080 --> 00:50:24,960
Speaker 1: the swelling, and that wonderful Kellerman result result That wonderful

787
00:50:25,120 --> 00:50:28,880
Speaker 1: Klerman resort is now the Mountain Lake Lodge Hotel and

788
00:50:29,040 --> 00:50:31,759
Speaker 1: many fans make the trip up to this hotel every year.

789
00:50:32,680 --> 00:50:34,960
Speaker 1: And the lake at the hotel at Mountain Lake Lodge

790
00:50:35,080 --> 00:50:38,040
Speaker 1: dried up in two thousand two and has been dry

791
00:50:38,120 --> 00:50:40,160
Speaker 1: ever since. But if you visit the lake today you

792
00:50:40,200 --> 00:50:42,759
Speaker 1: will see a stone in memory of Patrick Swayze, which

793
00:50:42,800 --> 00:50:46,480
Speaker 1: is kind of cool. I know, Um, the song She's

794
00:50:46,560 --> 00:50:48,920
Speaker 1: like the Wind was co written by Patrick Swayze and

795
00:50:49,120 --> 00:50:54,400
Speaker 1: sung by Patrick And actually Val Kilmer was initially offered

796
00:50:54,400 --> 00:50:57,480
Speaker 1: the lead but declined that's crazy. By the way, That's

797
00:50:57,480 --> 00:51:00,319
Speaker 1: so crazy. Would not be the same movie with Val Kilmer. Yeah,

798
00:51:00,360 --> 00:51:03,200
Speaker 1: but he was offered. Val Kimmel was offered everything. He

799
00:51:03,400 --> 00:51:05,640
Speaker 1: was like it was it went to Tom Cruise Forest.

800
00:51:05,680 --> 00:51:07,239
Speaker 1: If Tom Cruise said no, it might have gone to

801
00:51:07,360 --> 00:51:09,640
Speaker 1: Val Kilmer. And you know what I mean, there was

802
00:51:09,719 --> 00:51:12,320
Speaker 1: like a Top five was Val Kilmer's call sign and

803
00:51:12,360 --> 00:51:17,920
Speaker 1: Top Gun iceman He'll always be yes. I can't wait

804
00:51:18,040 --> 00:51:19,920
Speaker 1: till that Top Gun movie comes out. Is that thing

805
00:51:20,000 --> 00:51:22,360
Speaker 1: ever coming out? Top Gun too? You know I was

806
00:51:22,360 --> 00:51:26,000
Speaker 1: supposed to come out in like got moved because of

807
00:51:26,000 --> 00:51:29,520
Speaker 1: the pandemic. Got moved. I'm like, come on, I'm dying

808
00:51:29,680 --> 00:51:33,719
Speaker 1: to see it. Anyway. I removed my secret microphone from

809
00:51:33,840 --> 00:51:36,319
Speaker 1: the Tom Cruise communicates with me from my fireplace. It's

810
00:51:36,320 --> 00:51:39,560
Speaker 1: not there anymore. I moved. I haven't had it installed again.

811
00:51:40,800 --> 00:51:43,000
Speaker 1: You guys are just setting these up, these pop cultures

812
00:51:43,080 --> 00:51:46,560
Speaker 1: up for me just to transition right in. Because that's

813
00:51:46,560 --> 00:51:49,680
Speaker 1: what you're doing. I just make my job so much easier.

814
00:51:51,160 --> 00:51:55,319
Speaker 1: Minds the strobe lights every once a while, Laura I says,

815
00:51:55,800 --> 00:51:58,000
Speaker 1: now I know you would rather sit through Endless Love

816
00:51:58,680 --> 00:52:00,480
Speaker 1: then be a part of this scene again when she's

817
00:52:00,480 --> 00:52:03,040
Speaker 1: talking to Christopher about the debut Tom Ball So Endless

818
00:52:03,080 --> 00:52:07,759
Speaker 1: Love American romantic drama film starring Brookshields and Martin Hewitt Um.

819
00:52:07,920 --> 00:52:10,799
Speaker 1: This is the movie debut for Tom Cruise and Tom

820
00:52:10,880 --> 00:52:13,960
Speaker 1: Cruise is very brief appearance in this movie is critical

821
00:52:14,080 --> 00:52:21,000
Speaker 1: to the movie's plot m hm. And during the sexy

822
00:52:21,080 --> 00:52:26,520
Speaker 1: love making scene the not very the director squeeze brookshields

823
00:52:26,560 --> 00:52:29,040
Speaker 1: big toe off camera to provoke a reaction that would

824
00:52:29,200 --> 00:52:32,600
Speaker 1: look like she was having a good time. Wink wink um.

825
00:52:32,840 --> 00:52:35,719
Speaker 1: Terry Shields was very protective of her daughter, always keeping

826
00:52:35,800 --> 00:52:37,920
Speaker 1: near and she appears as one of the nurses in

827
00:52:37,960 --> 00:52:40,960
Speaker 1: the mental hospital. And the film was also noted to

828
00:52:41,000 --> 00:52:43,680
Speaker 1: have one of the most spectacular one man stunt displays

829
00:52:43,719 --> 00:52:46,000
Speaker 1: when Hugh Butterfield gets hit by a car in New

830
00:52:46,120 --> 00:52:48,839
Speaker 1: York City and goes feed over feet over head, feet

831
00:52:48,880 --> 00:52:52,000
Speaker 1: over feet, head over feet, girl, head over feet, there

832
00:52:52,040 --> 00:52:58,000
Speaker 1: we go mass overt coot wait Riley was this also

833
00:52:58,080 --> 00:53:00,600
Speaker 1: the movie with Iron zerring or am I sing that up?

834
00:53:00,680 --> 00:53:03,120
Speaker 1: And that's a different movie that we're talking about this week.

835
00:53:03,920 --> 00:53:06,319
Speaker 1: So it was rumored and I double checked and iron

836
00:53:06,400 --> 00:53:09,200
Speaker 1: Zering did have something else previously, but he was in this.

837
00:53:09,480 --> 00:53:12,120
Speaker 1: He was it wasn't his debut and I was there,

838
00:53:12,160 --> 00:53:15,480
Speaker 1: but it wasn't Steve Sanders. Iron Zering was also an

839
00:53:15,640 --> 00:53:19,359
Speaker 1: Endless Love crazy. Has anyone in this group ever seen

840
00:53:19,480 --> 00:53:23,360
Speaker 1: Endless Love? Who's in it? Brook Shields? It was like

841
00:53:23,400 --> 00:53:26,560
Speaker 1: a big brook Shields movie. It was not where she

842
00:53:26,640 --> 00:53:31,359
Speaker 1: gets on the island with Christopher Atkins. I know that. Yeah,

843
00:53:31,440 --> 00:53:34,200
Speaker 1: I didn't see that one either. Uh, Endless Love. There's

844
00:53:34,239 --> 00:53:39,319
Speaker 1: a big song associated with that. Hello. Yeah and all right,

845
00:53:39,600 --> 00:53:41,520
Speaker 1: all right, yeah I used to drive by his house

846
00:53:41,560 --> 00:53:45,279
Speaker 1: every day. Oh my god, I love him so much. Alright. Um,

847
00:53:46,960 --> 00:53:52,839
Speaker 1: so Rory asked Laura life know, I don't. I didn't

848
00:53:52,920 --> 00:53:57,920
Speaker 1: watch brook Shields movies. I didn't watch Endless Love. And

849
00:53:58,400 --> 00:54:01,480
Speaker 1: actually it's gonna come out with on YouTube. There's gonna

850
00:54:01,480 --> 00:54:03,560
Speaker 1: be people gonna go back get archival footage of me

851
00:54:03,719 --> 00:54:05,719
Speaker 1: weeping with a box of tissues down of the slap

852
00:54:05,880 --> 00:54:10,239
Speaker 1: right in my tuxedo. No, it didn't happen. I just

853
00:54:10,360 --> 00:54:16,760
Speaker 1: not just not really excited. Interrupted. Um I'm very excited

854
00:54:16,800 --> 00:54:18,480
Speaker 1: for this one. We're going back to to the top.

855
00:54:19,160 --> 00:54:21,040
Speaker 1: Laura Lee says, we didn't know we were walking in

856
00:54:21,160 --> 00:54:23,120
Speaker 1: on The Lion King without the puppet heads when they

857
00:54:23,160 --> 00:54:25,680
Speaker 1: walk in on. Emily and Richard and The Lion King

858
00:54:25,760 --> 00:54:28,680
Speaker 1: is American animated musical film, as well as a very

859
00:54:28,719 --> 00:54:32,839
Speaker 1: successful Broadway play starting in. The show features over two

860
00:54:32,920 --> 00:54:35,759
Speaker 1: hundred puppets, and it took over thirty seven thousand hours

861
00:54:35,840 --> 00:54:38,880
Speaker 1: to create the show's puppets and masks for the film.

862
00:54:39,120 --> 00:54:43,200
Speaker 1: The actual animated film, Frank Welker provided all the lion roarers.

863
00:54:43,440 --> 00:54:45,920
Speaker 1: Not a single recording of an actual lion roaring was

864
00:54:46,040 --> 00:54:49,600
Speaker 1: used because the producers wanted specific sounding roars to each lion.

865
00:54:50,560 --> 00:54:54,400
Speaker 1: Final fact wrapping this out, Jonathan Taylor Thomas voiced the

866
00:54:54,480 --> 00:54:59,200
Speaker 1: character of young Simba moving on Laura Line, Christopher sit

867
00:54:59,320 --> 00:55:01,600
Speaker 1: in his new car, are and more Lisas. George Lucas

868
00:55:01,680 --> 00:55:05,200
Speaker 1: wishes he had this sound system. George Walton Lucas Jr.

869
00:55:05,239 --> 00:55:09,360
Speaker 1: Is American film director, producer, screenwriter, and entrepreneur. George Lucas

870
00:55:09,520 --> 00:55:12,000
Speaker 1: is most known for creating Star Wars and to assure

871
00:55:12,080 --> 00:55:15,840
Speaker 1: the proper presentation of his work, lucasfilm Mr. Lucas's production

872
00:55:15,920 --> 00:55:20,520
Speaker 1: company created THX for the Perfect Sound and Video um.

873
00:55:20,600 --> 00:55:23,359
Speaker 1: George Lucas's dog was a major influence on his work.

874
00:55:23,440 --> 00:55:26,240
Speaker 1: The dog's name, Indiana, became the name of Harrison Ford's

875
00:55:26,320 --> 00:55:29,759
Speaker 1: character in the Any R. Jones series, and the look

876
00:55:29,840 --> 00:55:32,959
Speaker 1: of Chewbacca, Han Solo's faithful sidekick in the Star Wars

877
00:55:33,000 --> 00:55:35,960
Speaker 1: series was based on Lucas's dog as well. That George

878
00:55:36,080 --> 00:55:42,800
Speaker 1: Lucas he just keeping it real. Rory is trying to

879
00:55:42,840 --> 00:55:47,160
Speaker 1: convince Dean into coming to the ball. As Amy continues,

880
00:55:48,520 --> 00:55:51,440
Speaker 1: Rory says, remember that I'll be watching battle Boats with

881
00:55:51,520 --> 00:55:55,400
Speaker 1: you for a month, which Amy also referenced earlier. Battle

882
00:55:55,440 --> 00:55:59,600
Speaker 1: Bots is American robot combat television series. Comedy Central's first

883
00:55:59,640 --> 00:56:02,040
Speaker 1: season premiered in two thousand and it's fifth and last

884
00:56:02,120 --> 00:56:04,839
Speaker 1: season ended in two thousand two. The bots can way

885
00:56:04,920 --> 00:56:07,399
Speaker 1: up two or fifty pounds, and battle Bots still exist today,

886
00:56:07,520 --> 00:56:10,040
Speaker 1: and the world championship was held in Las Vegas this year.

887
00:56:11,560 --> 00:56:14,960
Speaker 1: We're seeing it now Chicago. Dean is gone and we

888
00:56:15,120 --> 00:56:22,040
Speaker 1: have stars hollows. He's fully fully stars hollowed. Yes, Rory

889
00:56:22,160 --> 00:56:24,479
Speaker 1: is chatting with the other debutant as she gets ready

890
00:56:24,520 --> 00:56:27,080
Speaker 1: and Rory says it could be a real circus kind

891
00:56:27,080 --> 00:56:32,360
Speaker 1: of night. San Canadian entertainment company and as largest contemporary

892
00:56:32,400 --> 00:56:36,080
Speaker 1: circus producer in the world. Some costume pieces and circles

893
00:56:36,160 --> 00:56:39,400
Speaker 1: oh are made out of shower curtains, and one traveling

894
00:56:39,440 --> 00:56:43,160
Speaker 1: show uses fifteen semi trucks for transportation of equipment. Many

895
00:56:43,239 --> 00:56:45,760
Speaker 1: Olympians actually go on to be part of the different shows,

896
00:56:45,800 --> 00:56:49,920
Speaker 1: whether it's synchronized swimming or gymnastics and circus. Lay has

897
00:56:50,000 --> 00:56:53,640
Speaker 1: also incorporated shows from Michael Jackson and the Beatles. You know,

898
00:56:53,719 --> 00:56:57,040
Speaker 1: the Rolling Stones use more trucks than that, these forty trucks,

899
00:56:57,160 --> 00:57:00,759
Speaker 1: fifty trucks one day tour. Yeah, I also feel like

900
00:57:00,880 --> 00:57:06,000
Speaker 1: Riley say, so you're really going to do? But that's it?

901
00:57:06,960 --> 00:57:12,239
Speaker 1: Is it? Duck? I don't know do Rorygine and Lena

902
00:57:12,280 --> 00:57:14,640
Speaker 1: are watching TV on the couch and lower Lias. Neil

903
00:57:14,719 --> 00:57:18,000
Speaker 1: Young has got a thing on you? Got nothing on you? Sorry,

904
00:57:18,160 --> 00:57:20,080
Speaker 1: my bad. Neil Young has got nothing that would be

905
00:57:20,080 --> 00:57:23,360
Speaker 1: a different meaning, how dare you has a thing on you?

906
00:57:23,640 --> 00:57:29,400
Speaker 1: What piece of information? Maybe? Neil Young is a Canadian

907
00:57:29,400 --> 00:57:33,040
Speaker 1: American singer, songwriter, musician, and activists. Neil is widely regarded

908
00:57:33,080 --> 00:57:35,280
Speaker 1: as the godfather of grunge, in part due to his

909
00:57:35,400 --> 00:57:38,680
Speaker 1: pioneering use of feedback and distortion, not to mention his

910
00:57:38,840 --> 00:57:44,320
Speaker 1: love for flannel shirts. Oh yes, Neil has offered one

911
00:57:44,360 --> 00:57:47,120
Speaker 1: million dollars to headline Woodstock at ninety four, but turned

912
00:57:47,160 --> 00:57:51,120
Speaker 1: it down for the best becoming too commercial. What am

913
00:57:51,120 --> 00:58:00,080
Speaker 1: I playing right now? Neil Young song? Now? Want to so?

914
00:58:00,200 --> 00:58:02,720
Speaker 1: I wasn't dinner last Friday, and I learned that Neil

915
00:58:02,800 --> 00:58:05,880
Speaker 1: Young is married to Darrell Hannah. I had no idea,

916
00:58:07,560 --> 00:58:13,600
Speaker 1: no idea for a while. Yeah, they're making it work.

917
00:58:16,520 --> 00:58:18,840
Speaker 1: Laura I tells Rory she's lucky to have someone to

918
00:58:18,920 --> 00:58:22,240
Speaker 1: complain to. After seeing Luke and Jess argue, Laura said,

919
00:58:22,360 --> 00:58:25,320
Speaker 1: Laura I says, oh, check you kill me. Checky Green

920
00:58:25,440 --> 00:58:28,960
Speaker 1: born Fred Sheldon Greenfield is an American comedian. Checky was

921
00:58:29,160 --> 00:58:33,680
Speaker 1: well medicated when he crashed his Oldsmobile into the Caesar's

922
00:58:33,720 --> 00:58:37,560
Speaker 1: Palace fountains. As his car was drenched under geishers of water,

923
00:58:37,680 --> 00:58:40,960
Speaker 1: Shacky merely turned to the windshield turned on the windshield wipers.

924
00:58:41,360 --> 00:58:43,640
Speaker 1: When the cops arrived, he rolled down his window and asked,

925
00:58:43,800 --> 00:58:47,520
Speaker 1: what no spray wax. Shacky's passion for horse racing a

926
00:58:47,600 --> 00:58:50,720
Speaker 1: horse named Shacky Green was the front runner in nineteen

927
00:58:50,760 --> 00:58:56,959
Speaker 1: seventy three Kentucky Derby. Fascinating name a horse? Check Green?

928
00:58:57,440 --> 00:59:03,040
Speaker 1: Okay wow uh. Rory tells Lorela she talked to Emily

929
00:59:03,160 --> 00:59:05,960
Speaker 1: and she's going to be a debutante. Lorelie says Roy.

930
00:59:06,160 --> 00:59:08,840
Speaker 1: That's like accepting the position as the drummer in Spinal Tap.

931
00:59:09,760 --> 00:59:13,840
Speaker 1: This is Spinal Tap, American mockumentary film co written and

932
00:59:14,040 --> 00:59:18,640
Speaker 1: directed by Rob Reiner in his directorial debut, I did

933
00:59:18,720 --> 00:59:22,800
Speaker 1: a recording with the original drummer, the drummer and spinal

934
00:59:22,880 --> 00:59:27,520
Speaker 1: taps his name, Rick Something, British guy, fan, fabulous drummer,

935
00:59:27,520 --> 00:59:29,800
Speaker 1: who's the jam with him every Sunday night at the

936
00:59:29,920 --> 00:59:35,040
Speaker 1: Kiddet's room and Cancer Stallion. It's pretty cool in Hollywood.

937
00:59:35,080 --> 00:59:37,840
Speaker 1: You what's his name? Rick? What's his name? Rick? Look

938
00:59:37,880 --> 00:59:43,080
Speaker 1: it up cast of spinal Tap. Rick Something, just a

939
00:59:43,240 --> 00:59:47,160
Speaker 1: fabulous doing it drummer. I did. I did like three

940
00:59:47,280 --> 00:59:48,840
Speaker 1: or four songs with him back in the night. Now,

941
00:59:49,560 --> 00:59:54,080
Speaker 1: Rick Parnell, Yes, Jerry, that was the name of the guy.

942
00:59:56,160 --> 01:00:00,280
Speaker 1: Don't don't, I didn't look it up. Don't play baby

943
01:00:00,320 --> 01:00:05,200
Speaker 1: in the Corner's dad? Oh, thank you? Laura, Emily and

944
01:00:05,280 --> 01:00:07,280
Speaker 1: Laura la Are talking about the deb tom Paul, Laura

945
01:00:07,320 --> 01:00:09,480
Speaker 1: la I says, I'm still convince she had something to

946
01:00:09,560 --> 01:00:12,560
Speaker 1: do with Lily Tomlin doing that movie with Tronda John Travolta,

947
01:00:13,000 --> 01:00:16,720
Speaker 1: which with this one, Yes, this is the movie Moment

948
01:00:16,840 --> 01:00:20,840
Speaker 1: by Moment, n American romantic drama film written and directed

949
01:00:20,880 --> 01:00:23,760
Speaker 1: by Jane Wagner and Starry Lilily Tomlin and John Travolta

950
01:00:24,360 --> 01:00:28,200
Speaker 1: is widely considered a catastrophe, catastrophe of a film history,

951
01:00:28,720 --> 01:00:31,320
Speaker 1: and has been blamed for nearly sinking the movie claters

952
01:00:33,240 --> 01:00:38,600
Speaker 1: assisted until this what's her name of the movie? Who's

953
01:00:38,640 --> 01:00:42,360
Speaker 1: the movie? Moment by Moment and Travolta and Tomlin together,

954
01:00:43,240 --> 01:00:46,640
Speaker 1: Was it a rom romantic thing? Or yes? The movies

955
01:00:46,720 --> 01:00:49,919
Speaker 1: like she lives in some town and he's the young

956
01:00:50,160 --> 01:00:53,880
Speaker 1: sort of never do well. I don't know, and then

957
01:00:54,040 --> 01:00:59,520
Speaker 1: right right they have a play and it almost ruined

958
01:00:59,560 --> 01:01:01,240
Speaker 1: both their rors before they get off the ground. You

959
01:01:01,320 --> 01:01:03,560
Speaker 1: can find that thing on story. How are you going

960
01:01:03,640 --> 01:01:06,600
Speaker 1: to ruin the career of a Lily Tomlin? She's hysterically

961
01:01:06,720 --> 01:01:12,600
Speaker 1: funny and brilliant. You can't ruin her career with a B. Yeah.

962
01:01:12,640 --> 01:01:15,320
Speaker 1: But but but there's so many other avenues that she

963
01:01:15,440 --> 01:01:18,560
Speaker 1: can take. I mean, she's a comedian, right, she's a

964
01:01:19,120 --> 01:01:22,440
Speaker 1: she's a comedic actress, and she's okay after this, But

965
01:01:22,520 --> 01:01:25,720
Speaker 1: who even did this movie existing? Did Lily Tomlin do

966
01:01:25,880 --> 01:01:30,000
Speaker 1: stand up? Probably? Yeah, But I mean she's this genius,

967
01:01:30,080 --> 01:01:33,080
Speaker 1: incredible shrinking woman nine to five and now, Grayson Frankie

968
01:01:33,760 --> 01:01:38,080
Speaker 1: love Lily Tomlin. One ring a danging toe ring a

969
01:01:38,240 --> 01:01:43,840
Speaker 1: dang it. Hear me in that chair on electric That

970
01:01:44,080 --> 01:01:48,120
Speaker 1: was scary with a huge chair, little girl, an incredible

971
01:01:48,160 --> 01:01:51,960
Speaker 1: shrinking woman. Fully breaked me out, fully creaked me out,

972
01:01:52,120 --> 01:01:54,920
Speaker 1: but she's still danking. Grayson Frankie. If you haven't watched it,

973
01:01:56,320 --> 01:02:00,200
Speaker 1: Netflix it right now. Have to gilmore girls, Grayson Frankie. Really,

974
01:02:01,120 --> 01:02:04,280
Speaker 1: this episode was probably one of our best ever. Probably

975
01:02:04,320 --> 01:02:08,800
Speaker 1: twenty minutes too long, but still real good guys. You

976
01:02:08,880 --> 01:02:14,280
Speaker 1: can't cut anything out. It's it's like there are different

977
01:02:14,440 --> 01:02:18,760
Speaker 1: forms of gold. Right. Yeah, this is like a Bonzie one.

978
01:02:25,200 --> 01:02:27,280
Speaker 1: But I do feel like we're all all on her

979
01:02:27,400 --> 01:02:34,440
Speaker 1: game today. All right, So that's it. What are we

980
01:02:34,480 --> 01:02:38,720
Speaker 1: watching next? We have episode seven like Mother Like Daughter,

981
01:02:41,440 --> 01:02:44,240
Speaker 1: No great job, guys, huh, we're back. We have a

982
01:02:44,480 --> 01:02:48,080
Speaker 1: starting right fielder back from the Dane really contributed and

983
01:02:48,160 --> 01:02:51,040
Speaker 1: we missed her when she's not here anyway, everybody, thank

984
01:02:51,120 --> 01:02:55,160
Speaker 1: you so much, best fans in the world. Uh, and

985
01:02:55,240 --> 01:02:59,200
Speaker 1: I want to thank my my ball club here, Danielle

986
01:02:59,280 --> 01:03:08,400
Speaker 1: Romo right field shotgun, arm Riley pelusis shortstop Amy, Amy Sugarman.

987
01:03:09,560 --> 01:03:12,440
Speaker 1: She's my battery mate. She's she's, she's calling the pitches.

988
01:03:12,480 --> 01:03:15,280
Speaker 1: I'm throwing the pitches. You know. She's, she's, she's, she's

989
01:03:15,440 --> 01:03:19,360
Speaker 1: Johnny to the Johnny Bench of podcasts. Okay, there you go.

990
01:03:20,000 --> 01:03:23,960
Speaker 1: Uh and I am Scott Patterson and thanks for down loading.

991
01:03:24,520 --> 01:03:57,240
Speaker 1: We will see everybody next time. Stay safe, hey, everybody,

992
01:03:57,240 --> 01:04:00,560
Speaker 1: and don't forget follow us on Instagram at I am

993
01:04:00,640 --> 01:04:04,600
Speaker 1: all In podcast and email us at Gilmore at I

994
01:04:04,840 --> 01:04:08,200
Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're

995
01:04:08,200 --> 01:04:10,000
Speaker 1: looking for the best cup of coffee in the world,

996
01:04:10,080 --> 01:04:13,960
Speaker 1: go to my website for my company scott EP dot com,

997
01:04:14,160 --> 01:04:16,280
Speaker 1: s C O T T Y P dot com, scott

998
01:04:16,320 --> 01:04:27,240
Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.