1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to Coast am on 2 00:00:03,600 --> 00:00:08,400 Speaker 1: iHeart Radio, Bitch Harowitz, an expert on esoteric The new 3 00:00:08,440 --> 00:00:12,040 Speaker 1: book is pulling a thread that I think a lot 4 00:00:12,039 --> 00:00:16,480 Speaker 1: of people would benefit from. But I think there's a 5 00:00:16,520 --> 00:00:22,680 Speaker 1: lot of perhaps you know, guilty or sort of puritanical 6 00:00:22,720 --> 00:00:26,560 Speaker 1: associations over the years to talking about sex like that, 7 00:00:26,680 --> 00:00:31,840 Speaker 1: and yet the ancients knew it. So there's nothing that 8 00:00:32,120 --> 00:00:36,680 Speaker 1: is here that that should ever be considered something satanic. 9 00:00:36,720 --> 00:00:39,920 Speaker 1: I think anytime people start associating sex and business or 10 00:00:39,960 --> 00:00:42,159 Speaker 1: sex and they start thinking, it's like it's gonna be 11 00:00:42,159 --> 00:00:44,839 Speaker 1: something about voodoo or something like that niche. So I 12 00:00:44,880 --> 00:00:47,839 Speaker 1: just I wanted to address that upfront. Oh sure, No, 13 00:00:47,960 --> 00:00:50,839 Speaker 1: it's nothing evil, it's nothing sinister, It doesn't have anything 14 00:00:50,880 --> 00:00:54,120 Speaker 1: to do with manipulating other people. It goes back to 15 00:00:54,200 --> 00:00:59,120 Speaker 1: some of our earliest, most ancient esoteric religious traditions, and 16 00:00:59,200 --> 00:01:02,639 Speaker 1: it's basically the belief that the sexual urge is the 17 00:01:02,680 --> 00:01:06,839 Speaker 1: creative urge. It's how we propagate the species, why we're here, 18 00:01:07,280 --> 00:01:10,039 Speaker 1: and of course it's also something that we associate with 19 00:01:10,120 --> 00:01:13,400 Speaker 1: pleasure and so on. But Napoleon Hill was pointing out 20 00:01:13,400 --> 00:01:17,080 Speaker 1: that we can redirect or rechannel the sexual urge through 21 00:01:17,160 --> 00:01:22,240 Speaker 1: what is called sex transmutation by shifting our thoughts and 22 00:01:22,400 --> 00:01:26,880 Speaker 1: rather than shifting them our thoughts being directed towards some 23 00:01:27,000 --> 00:01:32,120 Speaker 1: kind of bodily desire or satisfaction, we shift our sexual 24 00:01:32,120 --> 00:01:35,360 Speaker 1: thoughts in the direction of something we want to accomplish, 25 00:01:35,400 --> 00:01:39,280 Speaker 1: whether it means saving money, working on our budget, building 26 00:01:39,319 --> 00:01:43,840 Speaker 1: up a positive personality trait like enthusiasm or courage, or 27 00:01:44,040 --> 00:01:47,040 Speaker 1: killing it performing well in a job interview or an exam. 28 00:01:47,520 --> 00:01:50,040 Speaker 1: Hill made the case and from my own personal experiments, 29 00:01:50,320 --> 00:01:54,280 Speaker 1: I believe it's true that when you use this process, 30 00:01:54,440 --> 00:02:00,480 Speaker 1: which just involves privately, mentally redirecting your thoughts towards a 31 00:02:00,600 --> 00:02:06,120 Speaker 1: wish for accomplishment, it puts great power magnetism, intellect, charisma 32 00:02:06,560 --> 00:02:09,520 Speaker 1: at your back. And Hill even made the case that 33 00:02:09,639 --> 00:02:14,440 Speaker 1: under the right circumstances, sex transmutation can elevate the individual 34 00:02:14,520 --> 00:02:16,920 Speaker 1: to the status of a genius. That when you see 35 00:02:16,960 --> 00:02:20,760 Speaker 1: people who have this incredible enthusiasm and work output and 36 00:02:20,800 --> 00:02:24,360 Speaker 1: they just always seem to kill it. He theorized that 37 00:02:24,560 --> 00:02:28,440 Speaker 1: very often, albeit unconsciously, these folks were using this act 38 00:02:28,480 --> 00:02:32,160 Speaker 1: of sex transmutation. It's totally private. It doesn't mean going 39 00:02:32,160 --> 00:02:35,640 Speaker 1: to the fringes or manipulating anybody. It's just a tool 40 00:02:35,720 --> 00:02:38,760 Speaker 1: that we've been given to use to heighten our performance 41 00:02:38,880 --> 00:02:41,000 Speaker 1: out in the day to day world. And so it 42 00:02:41,040 --> 00:02:44,360 Speaker 1: doesn't mean taking a cold shower. It doesn't mean think 43 00:02:44,360 --> 00:02:46,680 Speaker 1: about baseball, think about baseball, it doesn't mean anything like that. 44 00:02:47,040 --> 00:02:52,480 Speaker 1: So how do we do it? Then? What is as 45 00:02:52,520 --> 00:02:55,400 Speaker 1: you say, you started some experiments. What were your early 46 00:02:55,520 --> 00:03:01,200 Speaker 1: experiments in trying to prove Napoleon Hill's theory? Correct? Sure, 47 00:03:01,520 --> 00:03:04,960 Speaker 1: it's super simple. When you feel the sexual urge, something 48 00:03:05,040 --> 00:03:08,160 Speaker 1: totally natural, something that men and women from all walks 49 00:03:08,200 --> 00:03:13,200 Speaker 1: of life experience, rather than satisfying it physically, or rather 50 00:03:13,200 --> 00:03:16,120 Speaker 1: than sublimating it because maybe you're in public or something, 51 00:03:16,120 --> 00:03:19,120 Speaker 1: and obviously it's something that you have to deter until 52 00:03:19,280 --> 00:03:23,880 Speaker 1: you're in private. You redirect your thoughts away from the 53 00:03:23,919 --> 00:03:27,120 Speaker 1: satisfaction of the sexual urge and in the direction of 54 00:03:27,560 --> 00:03:30,160 Speaker 1: something that you want to accomplish. Now, a lot of 55 00:03:30,200 --> 00:03:33,320 Speaker 1: people say to me, for example, my work output seems 56 00:03:33,360 --> 00:03:36,720 Speaker 1: to be incredible. I'm always putting out books and narrating 57 00:03:36,760 --> 00:03:39,680 Speaker 1: and possessing and doing various things, And people ask me, 58 00:03:39,760 --> 00:03:42,320 Speaker 1: don't you sleep at night? And the fact is I 59 00:03:42,440 --> 00:03:45,040 Speaker 1: do sleep at night, and I do get done the 60 00:03:45,080 --> 00:03:47,320 Speaker 1: normal things that a person needs to get done. I 61 00:03:47,360 --> 00:03:50,320 Speaker 1: honor my obligations to my kids and to other people 62 00:03:50,360 --> 00:03:52,840 Speaker 1: in my life and so on. But I do believe 63 00:03:52,880 --> 00:03:55,800 Speaker 1: that some of the enthusiasm that I experience has to 64 00:03:55,840 --> 00:03:59,440 Speaker 1: do with what he'll called sex transmutation. Again, it's just 65 00:04:00,040 --> 00:04:03,400 Speaker 1: shifting the sense of desire in the direction of some 66 00:04:03,440 --> 00:04:08,560 Speaker 1: other task. It doesn't mean abstinence, mean sublimating anything. It 67 00:04:08,640 --> 00:04:11,640 Speaker 1: just means choosing at a private moment to make that decision. 68 00:04:11,920 --> 00:04:14,520 Speaker 1: I think maybe when people say that to you, you know, wow, 69 00:04:14,560 --> 00:04:15,880 Speaker 1: you sure write a lot of books. You've got a 70 00:04:15,920 --> 00:04:18,440 Speaker 1: lot done. Is the subtext or that is? G Mitch, 71 00:04:18,440 --> 00:04:21,040 Speaker 1: I guess you're not having any sex anywhere at any time. 72 00:04:23,600 --> 00:04:25,520 Speaker 1: You must have no sex. You don't think that's what 73 00:04:25,560 --> 00:04:28,560 Speaker 1: they're saying to you. No, No, I don't. Actually, I 74 00:04:28,640 --> 00:04:32,039 Speaker 1: think they're saying, give us your secret, give us your secret, man, 75 00:04:32,120 --> 00:04:34,200 Speaker 1: how do you do it? And I think that's part 76 00:04:34,200 --> 00:04:37,120 Speaker 1: of the energy. You know, we talk about enthusiasm and 77 00:04:37,200 --> 00:04:39,800 Speaker 1: things like that. You know, what is enthusiasm? Where does 78 00:04:39,800 --> 00:04:43,240 Speaker 1: it come from? It's the creative urge in life. Without enthusiasm, 79 00:04:43,279 --> 00:04:47,440 Speaker 1: everything is drudgerous, everything is meaningless. But if you peel 80 00:04:47,480 --> 00:04:50,479 Speaker 1: back the onion behind enthusiasm, what Hill was saying is, 81 00:04:50,560 --> 00:04:54,400 Speaker 1: look in a certain way, it's this creative urge of life, 82 00:04:54,440 --> 00:04:57,920 Speaker 1: the creative principle of life. We call it sex because 83 00:04:57,920 --> 00:05:00,440 Speaker 1: that's how we've been conditioned, that's how we've been raised. 84 00:05:00,680 --> 00:05:03,720 Speaker 1: But he said, it's really the universal life force. Physically, 85 00:05:03,760 --> 00:05:07,000 Speaker 1: it expresses itself through sex, but in other areas it 86 00:05:07,040 --> 00:05:10,760 Speaker 1: can express itself through what we might call enthusiasm or 87 00:05:10,880 --> 00:05:15,040 Speaker 1: charisma or magnetism. Okay, I'm with you. Give me the steps. 88 00:05:15,240 --> 00:05:19,080 Speaker 1: Show me how though you get from I'm having a 89 00:05:19,200 --> 00:05:23,640 Speaker 1: random sex thought to I'm going to practice my guitar. 90 00:05:24,120 --> 00:05:27,320 Speaker 1: I mean, like, how do you do that? I mean, 91 00:05:27,839 --> 00:05:30,000 Speaker 1: are we talking about a series of and I'm not 92 00:05:30,040 --> 00:05:35,280 Speaker 1: being facetious. Pictures are their word tricks? Are there? I 93 00:05:35,279 --> 00:05:37,920 Speaker 1: mean you write something on your hand. How is it 94 00:05:37,960 --> 00:05:40,840 Speaker 1: that you would take a moment which is sort of 95 00:05:40,880 --> 00:05:44,640 Speaker 1: primal and channel it into something which is more intellectual. 96 00:05:45,279 --> 00:05:47,720 Speaker 1: You do it through a mental act, just through a simple, 97 00:05:47,800 --> 00:05:52,200 Speaker 1: private mental act. Let's say you're feeling the primal sexual 98 00:05:52,400 --> 00:05:55,320 Speaker 1: urge again, something totally natural that men and women from 99 00:05:55,320 --> 00:05:58,560 Speaker 1: every walk of life experience. You may be in private, 100 00:05:58,640 --> 00:06:01,360 Speaker 1: you may be in public, may be in transit. Whatever 101 00:06:01,400 --> 00:06:04,520 Speaker 1: the case may be, you redirect at a moment of 102 00:06:04,600 --> 00:06:08,080 Speaker 1: your choosing. At a moment of your choosing, you redirect 103 00:06:08,720 --> 00:06:12,800 Speaker 1: that sexual urge towards something that you wish to accomplish. 104 00:06:13,000 --> 00:06:15,640 Speaker 1: Let's say you want to become a killer guitar player. 105 00:06:15,880 --> 00:06:18,560 Speaker 1: That's a dream of yours. Whatever it may be, you 106 00:06:18,680 --> 00:06:23,719 Speaker 1: direct that sexual urge towards becoming a great guitar player, 107 00:06:23,720 --> 00:06:27,680 Speaker 1: towards rehearsing, towards playing well, towards being in harmony, towards 108 00:06:27,800 --> 00:06:33,800 Speaker 1: creating beauty through that instrument. It doesn't mean abandoning sexuality, 109 00:06:34,160 --> 00:06:37,760 Speaker 1: abstinence or sublimating sexual But how do again give me 110 00:06:37,800 --> 00:06:39,680 Speaker 1: the step there? So what do I do? Like, at 111 00:06:39,720 --> 00:06:44,919 Speaker 1: that moment, am I? And I'm imagining you? So here's 112 00:06:44,920 --> 00:06:48,279 Speaker 1: you in my head, and I'm thinking, okay, Mitch says, 113 00:06:49,160 --> 00:06:51,880 Speaker 1: and I'm thinking, all right, you know what I really show. 114 00:06:52,240 --> 00:06:55,760 Speaker 1: I should bring my tablet with me and I should 115 00:06:55,760 --> 00:06:58,159 Speaker 1: have my chord progressions ready to go. And at a 116 00:06:58,200 --> 00:07:00,960 Speaker 1: moment like that, then I just go, oh, you know what, 117 00:07:01,040 --> 00:07:03,200 Speaker 1: I can't do that. I think about this and I 118 00:07:03,240 --> 00:07:07,240 Speaker 1: go into immediately, go to do something right. It's not 119 00:07:07,279 --> 00:07:09,760 Speaker 1: a matter of just thinking about doing something. It's isn't 120 00:07:09,760 --> 00:07:12,280 Speaker 1: it the act of actually doing it that gets the 121 00:07:12,400 --> 00:07:15,280 Speaker 1: energy into it. Absolutely, it's the act of doing it. 122 00:07:15,480 --> 00:07:17,720 Speaker 1: Depending on the circumstances that you're in, you may not 123 00:07:17,760 --> 00:07:19,280 Speaker 1: be able to do it right away. But I will 124 00:07:19,280 --> 00:07:22,600 Speaker 1: tell you something. Part of the artist's life is being 125 00:07:22,680 --> 00:07:25,960 Speaker 1: at the ready, having your canvas ready, having your tablet ready, 126 00:07:25,960 --> 00:07:29,000 Speaker 1: having your instrument ready. Right, you should have that stuff ready, 127 00:07:29,080 --> 00:07:32,520 Speaker 1: set up and at hand to the greatest degree possible. Now, 128 00:07:32,800 --> 00:07:35,600 Speaker 1: we have jobs, we have commutes. We're not always able 129 00:07:35,600 --> 00:07:39,520 Speaker 1: to drop what we're doing, but you can at certain 130 00:07:39,560 --> 00:07:43,640 Speaker 1: moments have your instruments at the ready, or you could 131 00:07:43,640 --> 00:07:46,280 Speaker 1: defer it to another moment. The sexual allerge is not 132 00:07:46,320 --> 00:07:48,880 Speaker 1: just going to go away. We all know that from experience. 133 00:07:49,200 --> 00:07:52,800 Speaker 1: When you feel that sexual urge, it doesn't just dissipate, 134 00:07:53,200 --> 00:07:56,960 Speaker 1: doesn't just go away. It's there. At the first possible moment. 135 00:07:57,240 --> 00:08:00,320 Speaker 1: Shift your mind to the attention of doing what ever 136 00:08:00,400 --> 00:08:03,880 Speaker 1: the thing is that you want to do, the preparation, 137 00:08:04,560 --> 00:08:08,200 Speaker 1: the job, interview, the audition, whatever it may be. You 138 00:08:08,360 --> 00:08:11,880 Speaker 1: shift that attention and if you can do it right away, terrific. 139 00:08:12,000 --> 00:08:13,920 Speaker 1: If you can't do it for another couple of hours, 140 00:08:14,200 --> 00:08:16,720 Speaker 1: that's okay because the sexual urge is going to linger. 141 00:08:17,000 --> 00:08:20,640 Speaker 1: And again, it doesn't mean abstinence or sublimating the sexual urge. 142 00:08:20,720 --> 00:08:23,400 Speaker 1: There's plenty of time and room for the expression of 143 00:08:23,400 --> 00:08:27,120 Speaker 1: physical pleasure or this propagation of the species. But there 144 00:08:27,120 --> 00:08:30,080 Speaker 1: are plenty of other times. Because sexuality is a constant, 145 00:08:30,280 --> 00:08:32,640 Speaker 1: there are plenty of other times where you can choose 146 00:08:33,080 --> 00:08:36,000 Speaker 1: to channel it in another direction. It's like shifting your 147 00:08:36,040 --> 00:08:38,760 Speaker 1: mental posture. If you're into martial arts, you know what 148 00:08:38,800 --> 00:08:41,960 Speaker 1: it means to shift your posture to remain steady. It's 149 00:08:41,960 --> 00:08:45,440 Speaker 1: a mental act of shifting your posture and directing your 150 00:08:45,480 --> 00:08:51,720 Speaker 1: thoughts your sexual urges towards another avenue. You know, I'll 151 00:08:51,720 --> 00:08:56,080 Speaker 1: make a different parallel. I think this is a retrain 152 00:08:56,160 --> 00:09:02,439 Speaker 1: your brain kind of thing where it takes what I 153 00:09:02,480 --> 00:09:06,720 Speaker 1: would refer to as orthopraxis. You need to you're straightening. 154 00:09:07,000 --> 00:09:10,240 Speaker 1: You're going to straighten something through practice, and so you 155 00:09:10,640 --> 00:09:13,160 Speaker 1: just have to get yourself into that mindset. And that 156 00:09:13,200 --> 00:09:17,400 Speaker 1: means that in my case, I had to learn how 157 00:09:17,440 --> 00:09:20,160 Speaker 1: to redirect. And I hate to even talk about it 158 00:09:20,160 --> 00:09:22,040 Speaker 1: because it brings up all sorts of other stuff, but 159 00:09:22,120 --> 00:09:26,000 Speaker 1: I have to not think about my tonitis. So I 160 00:09:26,080 --> 00:09:28,920 Speaker 1: have this horrible ringing in my head twenty four to seven. 161 00:09:29,480 --> 00:09:32,679 Speaker 1: And the way to get around it is what they 162 00:09:32,720 --> 00:09:38,200 Speaker 1: call tonitis retraining therapy TRT. And it's a constant thing 163 00:09:38,240 --> 00:09:43,959 Speaker 1: that one does to trick the mind away from paying 164 00:09:43,960 --> 00:09:48,360 Speaker 1: attention to the noise into other areas. And so that's 165 00:09:48,360 --> 00:09:50,960 Speaker 1: what I'm that's the parallel I'm drawing with you here. 166 00:09:51,040 --> 00:09:53,560 Speaker 1: I'm not so what that means for me is I 167 00:09:53,640 --> 00:09:56,080 Speaker 1: have in my cell phone, I have all these tones, 168 00:09:56,720 --> 00:10:00,800 Speaker 1: and I have these non melodic piece is of music, 169 00:10:01,120 --> 00:10:03,640 Speaker 1: and when the tonitis gets really bad, I have to 170 00:10:03,760 --> 00:10:06,520 Speaker 1: I just put in my plug in my earphones very 171 00:10:06,559 --> 00:10:09,720 Speaker 1: gently and I listen to these tones, and it just 172 00:10:09,880 --> 00:10:13,480 Speaker 1: has a way of directing my brain from hearing the 173 00:10:13,520 --> 00:10:15,600 Speaker 1: tonitis as much as it starts to hear these sort 174 00:10:15,600 --> 00:10:19,880 Speaker 1: of random notes of music. And that's how that works. 175 00:10:19,920 --> 00:10:21,960 Speaker 1: So that's where I'm seeing a parallel to what you're 176 00:10:21,960 --> 00:10:24,800 Speaker 1: talking about. It's interesting there is a degree of brain 177 00:10:24,840 --> 00:10:27,120 Speaker 1: retraining that goes into it. But I would even go 178 00:10:27,200 --> 00:10:29,520 Speaker 1: so far as to say that not only is it practical, 179 00:10:29,880 --> 00:10:33,239 Speaker 1: but it's fun in a certain way because you're directing 180 00:10:33,559 --> 00:10:36,720 Speaker 1: your sexual energies towards something that you really wish to accomplish, 181 00:10:36,800 --> 00:10:39,319 Speaker 1: whatever it may be. It may be an exam, it 182 00:10:39,360 --> 00:10:42,520 Speaker 1: may be a physical test like a martial arts contest 183 00:10:42,600 --> 00:10:45,559 Speaker 1: or something of that nature. Whatever it is that you 184 00:10:45,559 --> 00:10:48,400 Speaker 1: want to excel at, obviously it's something you're passionate about, 185 00:10:48,520 --> 00:10:52,680 Speaker 1: is something the individual cares about. You're redirecting this sexual 186 00:10:52,760 --> 00:10:56,720 Speaker 1: energy to have a more high octane experience. And again 187 00:10:56,880 --> 00:11:00,760 Speaker 1: in my personal experiments, I must say it absolutely works. 188 00:11:00,800 --> 00:11:04,680 Speaker 1: It's the most underutilized and in some ways the simplest 189 00:11:04,720 --> 00:11:08,120 Speaker 1: tool that Napoleon Hill has given us. People don't use 190 00:11:08,160 --> 00:11:10,480 Speaker 1: it because they feel it's kind of embarrassing or fringe, 191 00:11:10,920 --> 00:11:14,800 Speaker 1: but it's super private and it's super simple. Maybe the 192 00:11:14,880 --> 00:11:18,600 Speaker 1: problem is with the title The Power of Sex Transmutation. 193 00:11:19,320 --> 00:11:22,920 Speaker 1: Maybe you should have titled this book Shrink and Grow Rich. 194 00:11:23,440 --> 00:11:26,720 Speaker 1: Maybe well, I'll tell you something is funny. One of 195 00:11:26,760 --> 00:11:31,239 Speaker 1: my heroes, the Great Radio Broadcast or Earl Nightingale condensation 196 00:11:31,280 --> 00:11:34,839 Speaker 1: of Thinking Grow Rich in nineteen sixty interesting because these 197 00:11:34,880 --> 00:11:37,840 Speaker 1: were earlier times. Earl omitted the chapter altogether. He called 198 00:11:37,840 --> 00:11:41,280 Speaker 1: it enthusiasm and it was totally forgettable, but you never 199 00:11:41,320 --> 00:11:44,199 Speaker 1: forget sex transmutation. Everybody kind of wants to know what 200 00:11:44,400 --> 00:11:46,320 Speaker 1: is that about. I just don't want people to be 201 00:11:46,360 --> 00:11:48,839 Speaker 1: embarrassed by it, and I want them to know that 202 00:11:49,040 --> 00:11:51,160 Speaker 1: it's not fringy and it's something that you can do 203 00:11:51,280 --> 00:11:53,440 Speaker 1: totally in private. You don't have to tell anybody that 204 00:11:53,480 --> 00:11:55,800 Speaker 1: you're doing it. No. No, I think that's great, and 205 00:11:55,840 --> 00:12:00,079 Speaker 1: I think it is that notion of the best to 206 00:12:00,160 --> 00:12:02,240 Speaker 1: fit from it. On the other end is what I 207 00:12:02,280 --> 00:12:06,680 Speaker 1: think the transmutation part is maybe what gets It's a 208 00:12:06,679 --> 00:12:10,679 Speaker 1: little tricky when we think about that word, because you 209 00:12:10,760 --> 00:12:14,079 Speaker 1: are you are. You are taking one thing and you're 210 00:12:14,080 --> 00:12:18,360 Speaker 1: putting it into a different form, into another, into another direction. 211 00:12:18,760 --> 00:12:20,880 Speaker 1: And so it doesn't mean that you give up. You're not. 212 00:12:21,120 --> 00:12:22,840 Speaker 1: I think maybe some people might think, well, that's just 213 00:12:22,880 --> 00:12:24,640 Speaker 1: going to totally ruin my sex life, and every time 214 00:12:24,640 --> 00:12:26,720 Speaker 1: I have a sexual llerge, I'm going to think about 215 00:12:26,840 --> 00:12:29,319 Speaker 1: you know, you know pie charts, or I'm going to 216 00:12:29,400 --> 00:12:32,720 Speaker 1: talk about happen. Yeah, I can personally promise you that 217 00:12:32,760 --> 00:12:35,960 Speaker 1: won't happen. I can make a personal testimony to your 218 00:12:36,000 --> 00:12:39,600 Speaker 1: listeners that that will not happen. Now that these are 219 00:12:39,679 --> 00:12:43,520 Speaker 1: moments that you discreetly choose on your own and the 220 00:12:43,600 --> 00:12:45,880 Speaker 1: physical desire will still be there. It's not one thing 221 00:12:45,960 --> 00:12:50,600 Speaker 1: replaces another. It augments, it doesn't, it doesn't replace. You're 222 00:12:50,640 --> 00:12:53,920 Speaker 1: not leading a monastic existence, you're not abstaining from sex 223 00:12:54,040 --> 00:12:56,280 Speaker 1: or anything like that. You're just using it in a 224 00:12:56,280 --> 00:12:58,640 Speaker 1: different way. There's plenty of times where we feel the 225 00:12:58,720 --> 00:13:01,640 Speaker 1: sexual urge, but we sub made it because we're at work, 226 00:13:01,679 --> 00:13:04,040 Speaker 1: we're in an elevator, we're doing things. You know, it 227 00:13:04,200 --> 00:13:07,120 Speaker 1: can't be accommodated, but this is a way of accommodating 228 00:13:07,120 --> 00:13:11,200 Speaker 1: it through a mental act who just redirecting those mental energies. 229 00:13:11,520 --> 00:13:13,560 Speaker 1: So there, it was a part in the book I 230 00:13:13,559 --> 00:13:17,680 Speaker 1: thought very interesting where this had been that Edgar Casey 231 00:13:17,760 --> 00:13:19,640 Speaker 1: comes into it. Who's a you know, for a lot 232 00:13:19,640 --> 00:13:24,320 Speaker 1: of people, he's still a touchstone and he is a 233 00:13:26,040 --> 00:13:32,600 Speaker 1: His response and his understanding about people surprised me because 234 00:13:32,640 --> 00:13:35,720 Speaker 1: it seemed so far ahead of its time. But he 235 00:13:36,480 --> 00:13:39,520 Speaker 1: had been contacted by somebody who had a sex problem, 236 00:13:39,559 --> 00:13:42,560 Speaker 1: so to speak, and he was very sweet about it. 237 00:13:42,600 --> 00:13:46,040 Speaker 1: I thought he was remarkable. Edgar was just incredible And 238 00:13:46,120 --> 00:13:48,120 Speaker 1: for anybody who doesn't know Edgar Casey, he was a 239 00:13:48,160 --> 00:13:51,400 Speaker 1: great Christian mystic and a medical clairvoyant who lived in 240 00:13:51,440 --> 00:13:54,520 Speaker 1: the first half of the twentieth century. He grew up 241 00:13:54,520 --> 00:13:58,280 Speaker 1: in the Bible Belt and the agrarian South, lived there 242 00:13:58,320 --> 00:14:01,880 Speaker 1: all his life. Edgar is contacted by a distant cousin 243 00:14:01,960 --> 00:14:04,520 Speaker 1: of his in the nineteen thirties who said, look, I'm 244 00:14:04,559 --> 00:14:06,360 Speaker 1: gay and I don't know what to do. How will 245 00:14:06,360 --> 00:14:10,240 Speaker 1: I gain acceptance? And obviously, you know this goes back generation. 246 00:14:10,360 --> 00:14:13,120 Speaker 1: Some people didn't have liberated attitudes about this kind of thing. 247 00:14:13,440 --> 00:14:17,120 Speaker 1: But Edgar wrote him back this beautifully, beautifully thoughtful letter, 248 00:14:17,160 --> 00:14:20,600 Speaker 1: and he said, look, sexuality is the life force. It's 249 00:14:20,640 --> 00:14:23,440 Speaker 1: the creative force in all of us. As long as 250 00:14:23,480 --> 00:14:26,320 Speaker 1: you manage it, well, you're going to be fine. You're 251 00:14:26,360 --> 00:14:29,720 Speaker 1: going to be okay. And Edgar echoed the same concept 252 00:14:29,760 --> 00:14:32,360 Speaker 1: as Hill. He said, look, this is the creative force 253 00:14:32,400 --> 00:14:35,600 Speaker 1: of life wishing to express itself. We call it sex, 254 00:14:35,640 --> 00:14:38,080 Speaker 1: but it's really the universal life force. So he had 255 00:14:38,120 --> 00:14:42,680 Speaker 1: a very similar insight. Actually, I thought that was compelling 256 00:14:42,720 --> 00:14:47,880 Speaker 1: because anytime you see where other famous people who had 257 00:14:49,600 --> 00:14:53,240 Speaker 1: been in areas, gray areas had been, you know, sort 258 00:14:53,240 --> 00:14:55,040 Speaker 1: of a pioneer is like that when they have the 259 00:14:55,120 --> 00:14:57,960 Speaker 1: same thought, and they're converging on the same point. It 260 00:14:57,960 --> 00:15:01,120 Speaker 1: gives validity to this. And yet, as you mentioned, you know, 261 00:15:01,240 --> 00:15:04,640 Speaker 1: Napoleon Hill is not I Think and Grow Rich one 262 00:15:04,640 --> 00:15:07,360 Speaker 1: of the biggest selling business books of all time. And 263 00:15:07,400 --> 00:15:09,400 Speaker 1: I have to say that maybe one of the least 264 00:15:09,400 --> 00:15:13,480 Speaker 1: talked about chapters in the biggest selling business book of 265 00:15:13,480 --> 00:15:16,120 Speaker 1: all time. I think that's very true. You know, people 266 00:15:16,120 --> 00:15:19,360 Speaker 1: look at Napoleon Hill as this kind of familiar domestic figure, 267 00:15:19,920 --> 00:15:24,760 Speaker 1: very popular in business circles, motivational circles, and almost nobody 268 00:15:24,840 --> 00:15:27,840 Speaker 1: talks about this chapter. It seems too far out, it 269 00:15:27,880 --> 00:15:32,520 Speaker 1: seems too embarrassing. And yet he dedicated a full chapter 270 00:15:32,640 --> 00:15:35,320 Speaker 1: to this topic in his book in nineteen thirty seven. 271 00:15:35,640 --> 00:15:37,920 Speaker 1: That was not an easy thing to do at that time. 272 00:15:37,960 --> 00:15:41,160 Speaker 1: I wonder how that went over with the publisher. I 273 00:15:41,200 --> 00:15:43,320 Speaker 1: can only imagine it certainly didn't go over well with 274 00:15:43,320 --> 00:15:46,440 Speaker 1: the publisher. In nineteen sixty when Earl Langeingale did an abridgment, 275 00:15:46,440 --> 00:15:49,280 Speaker 1: they took it out altogether, so they realize the daring move. 276 00:15:49,320 --> 00:15:51,200 Speaker 1: It was a brave move, but it's one of the 277 00:15:51,200 --> 00:15:54,040 Speaker 1: reasons why the name of Napoleon Hill is immortal today. 278 00:15:54,080 --> 00:15:56,760 Speaker 1: I mean, he was such a master of human nature. 279 00:15:56,800 --> 00:15:59,520 Speaker 1: He had so many insights. I learned something new every 280 00:15:59,520 --> 00:16:02,280 Speaker 1: time I think and grow rich. Listen to more Coast 281 00:16:02,320 --> 00:16:05,560 Speaker 1: to Coast AM every weeknight at one a m. Eastern 282 00:16:05,800 --> 00:16:08,240 Speaker 1: and go to Coast to Coast am dot com for 283 00:16:08,360 --> 00:16:08,560 Speaker 1: more