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Speaker 1: You're tuned into The Gangster Chronicles. Well, James McDonald, Rexie

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Speaker 1: Reich Jr. And Alex A. Mansell on the Digital Soapbox

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Speaker 1: Network material witness on an aggregated battery, I was a

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Speaker 1: hang gun and um they believe this might be in

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Speaker 1: retaliation to her testimony. Welcome to another episode of The

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Speaker 1: Gangster Chronicles. My name is Alex Alonso. You may be

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Speaker 1: aware of my platform, Street Gangs dot Com a k a.

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Speaker 1: Street TV, where I interview gang members, rappers, hip hop artists, authors,

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Speaker 1: entertainers and other influencers. And I'm here. I'm usually heard

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Speaker 1: my two co hosts, but I'm only here with who today? Right?

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Speaker 1: Reggie Right? Because James McDonald is still in Australia, living

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Speaker 1: it up, living it up. So um. But don't don't worry.

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Speaker 1: We got a guest in the house. But before we

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Speaker 1: talk to our guests, I want to make sure and

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Speaker 1: remind everyone that if you're listening to The Gangster Chronicles

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Speaker 1: on iTunes, please leave us a rating in the review

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Speaker 1: so that we can continue bringing you this amazing content.

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Speaker 1: You can create us from one to five five stars,

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Speaker 1: meaning you really love the show, and if you leave

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Speaker 1: us a review, go ahead and throw in some ideas

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Speaker 1: topic show ideas that you want us to talk about

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Speaker 1: on future episodes, and don't fred if you don't have

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Speaker 1: iTunes were also available on Google Play for you, Samsung

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Speaker 1: and Android users. Were also available on Spotify and of course,

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Speaker 1: on Radio dot Com. Alright, Reggie, I'm gonna let you

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Speaker 1: introduce who we got in the house today, because, uh,

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Speaker 1: this is a legendary rapper that goes back to the nineties.

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Speaker 1: He actually goes back to my college days. I remember

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Speaker 1: where I was when when when of his hits came out.

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Speaker 1: It was the fall that it was the spring of nine,

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Speaker 1: I believe when one of his songs came out, we

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Speaker 1: were playing that song. Now everybody knows who we got.

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Speaker 1: We got a young house, he had a part of

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Speaker 1: he'st Oakland's in the house. He's fourteen Street. How close

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Speaker 1: did you live? Fourteen fourteen? The bill is on these

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Speaker 1: That's also a ghost town. They call that sixty five

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Speaker 1: s nine. That's where Philis Mitchell was from, Little d

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Speaker 1: Little pottings on from that same neighborhood. And our ship

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Speaker 1: is basically like from East fourteenth to Damn Nea San

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Speaker 1: Angel Boulevard by the College sum and that's one of

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Speaker 1: the roughest places in Oakland to go to. Now, I'm

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Speaker 1: sure gentrification has the gentrification creeped up on the East

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Speaker 1: Oakland part um. Hell yeah, definitely. It ain't the same,

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Speaker 1: But now it's still the village. Is still the village,

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Speaker 1: you know what I mean? Um Like, we've been having Vietnamese, Mexican,

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Speaker 1: Cambodians and ship. Now you see a little sprinkle white

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Speaker 1: people up in there. But they changed the ship like

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Speaker 1: it looked like luxury town houses and ship don't look

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Speaker 1: like the projects used to look when I used to

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Speaker 1: live there, So they definitely switched it up for gentrification.

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Speaker 1: You know, Before we get into our show with yuck Mouth,

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Speaker 1: I want to reminder everybody he has a podcast as

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Speaker 1: well on the same network as us called Smoke a

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Speaker 1: Lot Radio. And what day does your show come out?

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Speaker 1: Thursday nights man, every Thursday night at midnight fucking one

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Speaker 1: o'clock at night. You mean Thursday early early Thursday? Okay,

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Speaker 1: same time times come out? We come out. We come

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Speaker 1: out Wednesday. No, we come out Thursday morning. One day.

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Speaker 1: M is Thursday morning about Thursday morning Thursday night? All right?

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Speaker 1: So Smoke a Lot Radio premier day episodes on the

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Speaker 1: same day as The Gangster Chronicles, so you can get

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Speaker 1: a two for right there. We're on the same network,

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Speaker 1: the Soapbox Network and just Box, and just make sure

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Speaker 1: you go there and also listen to Uh Smoke a lot.

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Speaker 1: Radio co host is Cato from l A and Simone

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Speaker 1: Taylor X Triple X star cod I gotta ask you

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Speaker 1: about that. What's that like having a porn star co host?

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Speaker 1: Kind of freaking we can't work, We can't forget a boy.

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Speaker 1: Gonzo is not here on Instagram? Why okay, Well, Gonzo

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Speaker 1: got another podcast. He's got a podcast called The Gonzo Show,

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Speaker 1: and that's also on the digital soap Box Network, So

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Speaker 1: go ahead and listen to that one. But we got

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Speaker 1: yuck Mouthfit. So we're here to talk about Young Yeah. Man.

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Speaker 1: I've been knowing her for a long time. She used

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Speaker 1: to actually rap with us and being a rage. Her

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Speaker 1: name was Lady Ice before she started doing point three points.

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Speaker 1: So you guys were shocked in surprise when she went

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Speaker 1: that railway because like point stars, no disrespect, but most

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Speaker 1: of them do that ship when they broke down and out,

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Speaker 1: you know what I mean. On some somebody pimping and

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Speaker 1: ship out of him. Simone comes from a no, she's

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Speaker 1: from out here, but she comes from a very you know,

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Speaker 1: not wealthy, but her family is set. She an't gotta

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Speaker 1: do the ship since I met her, and she'd been

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Speaker 1: in college driving outies and ship all the latest cars

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Speaker 1: because her parents keep it right. So she ain't got

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Speaker 1: to do that ship. She was just somebody who wanted

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Speaker 1: to do it, you know what, I don't know what.

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Speaker 1: Somebody just wanted to do it, man and experienced it.

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Speaker 1: But then she's still with the college, got all the

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Speaker 1: degrees and she's still in Colls getting another degree. So

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Speaker 1: she's very intelligent. So she bringing out intelligence sexy to

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Speaker 1: the you know what I mean. Though, So she had

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Speaker 1: like a short career in porn. She took a taste

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Speaker 1: of it, and you know why she decided to stop

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Speaker 1: because ship it's not lucrative like that, especially with the Internet.

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Speaker 1: The end of that pretty much changed the game with

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Speaker 1: African American women. Yeah, that ship dry out quick is

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Speaker 1: like a good two years and then they on to

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Speaker 1: the next you know, you don't last like that. You know,

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Speaker 1: the Hispanics, you know what I mean, that Cuban or

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Speaker 1: the you know, white porn artists, you know what I mean,

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Speaker 1: they last to their old women. You can still see

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Speaker 1: them in porne, I mean old like you know what

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Speaker 1: I mean, old ones. So black black people don't have

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Speaker 1: that career and portant. That's interesting. So yeah, that's a

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Speaker 1: great little cash you got there because I know Kato.

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Speaker 1: I actually just interviewed Kato for Street TV, I say that,

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Speaker 1: and he's got an incredible story. Especially this dude has

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Speaker 1: been shot three different times, I ain't know, three different

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Speaker 1: three different times. And one time, the second time he

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Speaker 1: got shot in the thigh and he almost died from

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Speaker 1: a thigh because he almost bled out and he actually

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Speaker 1: went into a coma from getting shot in the thigh.

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Speaker 1: Then the third time he got shot, it's just surprising

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Speaker 1: that he survived it all through the lungs, all through

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Speaker 1: the chest, you know. So, I mean I've known Kato

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Speaker 1: for I don't know, over a decade, and um, it's

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Speaker 1: a blessing that he was alive to survive those shootings.

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Speaker 1: And you got him as a co host, and he

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Speaker 1: actually told me that you looked out for him more

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Speaker 1: than any of his l A connections, A brother from

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Speaker 1: the Bear area, a brother for me, the Oakland looking

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Speaker 1: out for me more than anybody else. Just talked a

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Speaker 1: little bit about your relationship with Kato Uma. That's his

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Speaker 1: little girl. Shout out my homie, um my homie. Michaelo

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Speaker 1: Lo he from out here man. He used to hang

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Speaker 1: with Spice one. So I was trying to do a

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Speaker 1: podcast out here, you know what I mean in l A.

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Speaker 1: You know what I mean, because I had already had

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Speaker 1: smoke Al Radio on Blag Talk Radio, but it was

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Speaker 1: just over the fun. Want to do a film podcast.

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Speaker 1: So I'm like, yo, uh, you know, Michaelo, why don't

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Speaker 1: you be my co host? Because he cool, He's snappy

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Speaker 1: and he got a cool sense of him. He like, nah, nigga,

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Speaker 1: you need my nigga Cato Man, this comedian nigger, the

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Speaker 1: craziest motherfucker mate. So he bought him to one of

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Speaker 1: my shows. Man, I met him backstage. Man, instantly we clicked. Man,

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Speaker 1: I nigga had me dying and I mean periods. So

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Speaker 1: since then, I think that was like them there in

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Speaker 1: two thousand ten, two thousand eleven, something like that. We've

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Speaker 1: been rocking every since, you know, I mean. Then we

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Speaker 1: did end up doing Smoke Radio on be Real TV.

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Speaker 1: We was there from two thousand and fourteen and two

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Speaker 1: thousand sixteen, so we already had a little formula going

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Speaker 1: before we even came over here, you know what I mean.

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Speaker 1: It's like the re launch it, but we already have

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Speaker 1: going at be Real TV, you know what I mean.

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Speaker 1: So we've been working this ship many moons. Man. I

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Speaker 1: admire his dedication, his loyal this, you know what I mean,

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Speaker 1: his work ethic, you know what I mean. And in

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Speaker 1: the game you know what I mean, in the sense

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Speaker 1: of humor that he brings to the table when we

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Speaker 1: all together. You know, no, it is be Real TV

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Speaker 1: connected to Be Real from cypress him. Yeah, yeah, okay,

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Speaker 1: And I've heard you speak on on it not working

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Speaker 1: out over there? Can you tell us a little bit

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Speaker 1: about how you got the podcast going from would be

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Speaker 1: Real you being? And what was the falling out over

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Speaker 1: it was? Basically I got its fired. I ain't gonna

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Speaker 1: loud be really don't care, he'd be really don't care

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Speaker 1: about you smoking b I gave me an opportunity, you

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Speaker 1: know what I mean. We did a smoke by. She

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Speaker 1: like my personality to you know what I mean. Let

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Speaker 1: me interrupt you there that's one thing I like. I

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Speaker 1: watched a lot of people want to You know, I

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Speaker 1: been having a lot of time on my hands lately

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Speaker 1: because I got my asks in trouble. But I love

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Speaker 1: your energy. Man. You know, I watched Gonzo on them,

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Speaker 1: and I watched my boy Bosco and everybody. But man,

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Speaker 1: one thing come across you. The energy that you project

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Speaker 1: out there. It's just like a positive thing. And a

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Speaker 1: lot of black men don't don't put it out there.

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Speaker 1: We all try to be so tough and and but

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Speaker 1: you just put it out there. But a nice energy

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Speaker 1: man to make me watch exactly, you know what I mean,

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Speaker 1: even my boy Spider. Look, everybody come off professional. You

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Speaker 1: just come up with that high energy. And you know

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Speaker 1: if you're clowning or whatever, you your something you're talking about,

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Speaker 1: it's high energy. Thank you man, keep that up, bro,

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Speaker 1: Thank you. I respect you because you your big mouthful yours.

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Speaker 1: You can let Coldes ball with you. Bro. You are

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Speaker 1: not playing down. You keep your flot motherfucking neck. Man.

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Speaker 1: I'll be on your ship first subscribe. When your boy

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Speaker 1: be going in. I see y'all go in on. Oh boy,

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Speaker 1: I ain't gonna touched that. I ain't gonna say no names.

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Speaker 1: I had to go down. Yeah, man quiet lately basically

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Speaker 1: the man they the first person that we ran off

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Speaker 1: the internet though. Hell of a job, jail man. But yeah,

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Speaker 1: get back to the just be real TV situations I

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Speaker 1: flashed on TV. It was it was like a gang

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Speaker 1: of stuff that was happening behind the scenes. You know

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Speaker 1: what I mean that I thought was going on purposely.

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Speaker 1: You know what I mean, like sabotage. You know, because

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Speaker 1: once you start getting into the analyt tis of things,

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Speaker 1: and when shows are raided and your shows like up

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Speaker 1: there with the top shows and probably be top show,

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Speaker 1: you know what I mean, and you're getting offers, but

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Speaker 1: you want this other show to be on top of

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Speaker 1: it so the offer be right and that show would

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Speaker 1: get all the praise. They has sabotage, you Like, we

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Speaker 1: went through a season of where, uh, the whole ship

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Speaker 1: was set down for a month. Now you shut your

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Speaker 1: your ship down for a month, your honest is gone.

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Speaker 1: But they kept that channel going that they wanted to

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Speaker 1: get to the top. That one channel could film every

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Speaker 1: week all through the week, but nobody else. And then

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Speaker 1: when we came back, that one channel was number one.

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Speaker 1: You know what I mean, so it was just like

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Speaker 1: all types of ship. We haven't top people top NFL,

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Speaker 1: like big Motherfucker's Man, Like we haven't. We had the

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Speaker 1: Westbrooks come through. No, we had the Wound Tank come

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Speaker 1: through the day. I when crazy. It was fucking ghost

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Speaker 1: Face Killer coming through and Killer Priests. They had some

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Speaker 1: ship called the wool Gloo. So they promote their little

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Speaker 1: marijuana venture thing. Now we're a marijuana show. Yeah, I

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Speaker 1: mean we smoked weed all day all this, so they

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Speaker 1: want to moote their ship. So they had the products

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Speaker 1: on the table whatnot. I'm getting phone calls like they

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Speaker 1: can't promote their ship. That's a that's a sponsorship. Now

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Speaker 1: if we mentioned them, okay, that's a sponsorship. But they said,

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Speaker 1: well you gotta take their ship off the table, and

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Speaker 1: you can't do that, it's a sponsor. This is the

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Speaker 1: one time ghost Face said I ain't coming. He got

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Speaker 1: the call from from Killer Priests, like I ain't even

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Speaker 1: come to that mother because they wouldn't allow the guest

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Speaker 1: tote they're there to promote their ship. Yeah, that's how

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Speaker 1: you get guests calls. They know they can't promote it,

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Speaker 1: and then like they can't sit in this chair, this

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Speaker 1: is be real chair and that you guys gotta get

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Speaker 1: up and stand like, whoa this we live, we're filming,

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Speaker 1: and they're telling me all this ship. You know, I

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Speaker 1: flashed on air period flashed and ship. We couldn't continue

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Speaker 1: after that period. But they were doing a lot of

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Speaker 1: sucker ship. I'm talking about the production people that was there,

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Speaker 1: not be real, but this ship going down be real,

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Speaker 1: probably overseas somewhere doing this thing. He's never there. So

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Speaker 1: this is the people that's there running the cameras and

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Speaker 1: ship running the microphone. Them ships ain't working, the camera

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Speaker 1: ain't working, but doing too much all day it's been

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Speaker 1: working perfectly. Where we get there, the ship don't work.

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Speaker 1: So it's just like a lot of ship piled up

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Speaker 1: and I got sick. But you could have got been

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Speaker 1: real on the phone if you really wanted to to say, hey,

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Speaker 1: what's going on over here? Now? It was too much

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Speaker 1: because I already did that. I did that a thousand times.

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Speaker 1: I said, Man, what's going on, what's going on? What's

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Speaker 1: going on? What's going on? What's going on? We'll check

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Speaker 1: on it. We check on and check on it. Man,

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Speaker 1: Why this person doing this? Why this person doing that.

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Speaker 1: If I got a sponsorship and it's paying for you,

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Speaker 1: I mean it's giving you your half of the sponsorship

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Speaker 1: or your part that should pay for the cameras and ship.

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Speaker 1: I started getting this like, oh well you gotta pay

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Speaker 1: the camera cool to work there, Like, no, they don't.

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Speaker 1: I pay for the services with my sponsorships. That ain't

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Speaker 1: what what the sponsorship going towards? Yeah? Have you had

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Speaker 1: Have you been able to talk to be real after everything?

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Speaker 1: You know, after everything was over, I was just like,

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Speaker 1: I need to be in the smoke box all that

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Speaker 1: ship interviews here we still funk with each other. You

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Speaker 1: know that it was his staff that was sucking with

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Speaker 1: me heavy. You know, half the mothercker's don't even work

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Speaker 1: there no more. So he guy that he's seeing what

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Speaker 1: I was saying, you know, okay, well other than I

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Speaker 1: always seeing he see you here every week? Uh. In

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Speaker 1: two thousand seventeen, year was at the premiere for Who

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Speaker 1: Killed Tupac? Which was a four six episode I know

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Speaker 1: you was at the He was at the premiere at

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Speaker 1: the red carpet premiere for Who Killed Tupac? Which was

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Speaker 1: a six episode show on Annie. I'm sure you already

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Speaker 1: watched it. You weren't in that one, and so I

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Speaker 1: wanted to ask you, did you know Tupac and you

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Speaker 1: have a relationship with him, because obviously you were there

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Speaker 1: because of some connection to park Nah affiliation Okay, I

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Speaker 1: mean association, but not the homeboy. He was an older nigger.

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Speaker 1: He was like with my cousin, the girl, you know

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Speaker 1: what I mean, in his homie Richie rich and what

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Speaker 1: I mean. So they was because he spent time in

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Speaker 1: the Bear and so I thought, you guys crossed paths.

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Speaker 1: He was out with my cousin, you know what I mean,

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Speaker 1: if he wasn't with Digital Underground and Ray Love and

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Speaker 1: then Mountain Marian when he came to Oakland, he was

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Speaker 1: with my cousin, the girl Nigga's in a seminary, you

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Speaker 1: know what I mean. So that's how I know about him.

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Speaker 1: For my cousin and period. They was older. But far

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Speaker 1: as working with him, numb and Jude don't got to

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Speaker 1: work with him, you know what I mean. I was

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Speaker 1: locked up and the twin tiles Drew Down bumped into

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Speaker 1: him at the mom you know, Drew Down bumped into

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Speaker 1: him at the hotel when when Faith was there, Drew

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Speaker 1: was there when Faith, and he sent him up, gave

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Speaker 1: him a town car and he went up there, and

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Speaker 1: I remember he standing up there at the at the

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Speaker 1: lobby came in and he came in and laid it down.

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Speaker 1: That's the that's the next day after that. But he

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Speaker 1: was there when Faith came to the room because it

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Speaker 1: was a big site. At seeing Drew down in the lobby,

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Speaker 1: I knew that and said pop upstairs and took Drew

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Speaker 1: down up there. So but Drew was a witness to

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Speaker 1: Faith coming to the room that night, you know what

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Speaker 1: I mean. So that's why he was on the song.

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Speaker 1: That's why he called me call on thet Now I'm

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Speaker 1: got got on um one nation. You know he's doing

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Speaker 1: the one So now I've got on one nation. Yeah,

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Speaker 1: didn't make that session. Be gonna be doing an interview

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Speaker 1: that Uh, we're gonna be doing it probably tomorrow, hopefully

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Speaker 1: tomorrow night. But when the one Nation out, one thing,

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Speaker 1: I think you won't keep me. They just give me

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Speaker 1: a check to stay away from. Now. I know you've

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Speaker 1: been asked this question a thousand times, but the I

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Speaker 1: got five on this song. Take me through that through

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Speaker 1: the creation of that monster hit Man. Because I was

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Speaker 1: at us. I was a senior, and you had every

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Speaker 1: college kid in my circle that here in l A.

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Speaker 1: It was a combination everybody man. Everybody played their position.

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Speaker 1: Man came up with the idea that's my rap partner

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Speaker 1: and the louts. He came up with the idea to

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Speaker 1: make a song about what it takes to buy the

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Speaker 1: weed and said that, you know, everybody had songs about

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Speaker 1: getting high, but we're in the era where now we

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Speaker 1: buy pounds and ship all that ship ounces and ship buying,

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Speaker 1: buying five sacks, ten sacks, Tony sack you with the mayor,

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Speaker 1: you were found the twenty sack. That's why that's what

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Speaker 1: I got five. I used that nigger. I was like

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Speaker 1: buying the ounce back then as far as a little nigger.

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Speaker 1: So it took, like, you know, everybody to pitch in five.

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Speaker 1: Rather it was a ten sack or dub sack. Four

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Speaker 1: people put in five. So none came up with the concept. Um.

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Speaker 1: I came up with the idea to use the club

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Speaker 1: new vote Uh song that white You treat Me So

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Speaker 1: bad CNH exactly. Producer came with the idea to use

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Speaker 1: Tone Capone the producer to remake it. And when I

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00:16:29,320 --> 00:16:31,720
Speaker 1: said that I made the hook and it sound right.

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00:16:32,320 --> 00:16:34,480
Speaker 1: I mean it sounded cool, but just rapping it was

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Speaker 1: like a tone Capone knew Mike Marshall from the time

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Speaker 1: Max Social Club that actually was part of the club

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Speaker 1: New Vote, you know what I mean, the actual originators,

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Speaker 1: you know what I mean? So he got help the

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00:16:45,120 --> 00:16:47,840
Speaker 1: senor hook and ship. The rest is hitting. Do you

341
00:16:47,920 --> 00:16:50,680
Speaker 1: ever get tired of hearing people say that I got

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Speaker 1: five on it? I guess you want to slap somebody sometime.

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Speaker 1: Never the hell, It's become like part of our culture

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00:16:57,240 --> 00:16:58,960
Speaker 1: now people say that, hey, I'm about to go to

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Speaker 1: the store, got I got five on it? You know,

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00:17:01,680 --> 00:17:05,400
Speaker 1: it's just it's probably said every days, hundreds of times

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Speaker 1: in this country, right right. So how that publishing deal

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00:17:09,000 --> 00:17:13,480
Speaker 1: work out for you? Nice? Nice? Nice? How that's what

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00:17:13,600 --> 00:17:15,920
Speaker 1: people don't know? That's what you're making this money from. Yeah,

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00:17:15,960 --> 00:17:18,800
Speaker 1: when they're publishing deal. Now, we we recoop that already,

351
00:17:18,840 --> 00:17:21,480
Speaker 1: Big John, know what's up? We been recoop that. Yeah,

352
00:17:21,680 --> 00:17:24,320
Speaker 1: but we we got we put us in position. We

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Speaker 1: got a lot of money. Mandall, did you win in

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Speaker 1: you know and the awards from not from mascot um

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Speaker 1: we got uh, we actually got a Grammy nominated, not

356
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Speaker 1: for five on it, but from working with Quincy Jokes

357
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Speaker 1: for what get on his back on the block too.

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Speaker 1: I think it's five on. It was too too get

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Speaker 1: old for him. Then, No, no Grammy's none of that

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Speaker 1: ship So no soul Train, none of that ship man.

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Speaker 1: We gotta we got nominated for the Source Awards. We're

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00:17:53,400 --> 00:17:55,359
Speaker 1: just there with Sugar and them to ship up that

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Speaker 1: year New York. Yeah, nominated was it was the lonely Outcast,

364
00:18:01,800 --> 00:18:06,919
Speaker 1: myb deep and who else I wanted? It was groups

365
00:18:07,200 --> 00:18:12,200
Speaker 1: little groups, dog pound and dogs and dog pounds and outcasts.

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Speaker 1: Remember I was there. That was when we got nominated. Now,

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Speaker 1: when you came out with that album, the Internet was

368
00:18:23,000 --> 00:18:26,520
Speaker 1: just starting. The Internet was brand new. Did you guys

369
00:18:26,600 --> 00:18:30,879
Speaker 1: ever like think about the internet back then in ninety

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Speaker 1: five or that wasn't even a thought in your minds?

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00:18:33,400 --> 00:18:36,800
Speaker 1: And now about download that's what Drake soon and on

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Speaker 1: about to get all this ship back. Now, nobody knew

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Speaker 1: about downloads. It wasn't contrast my little little digital because

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00:18:48,480 --> 00:18:51,360
Speaker 1: two thousands they just started mentioning them contracts about two

375
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Speaker 1: thou that's crazy because I was at I was at

376
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Speaker 1: school in ninety five computers, and we had When I'm

377
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Speaker 1: on the Internet, I'm hyping up Looney's on the computer.

378
00:19:01,920 --> 00:19:05,520
Speaker 1: And six because we're at school, I would tell people, Hey,

379
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Speaker 1: go to the internet. What's the internet? Remember you Tube

380
00:19:08,840 --> 00:19:11,800
Speaker 1: didn't come out to what like YouTube came out of five?

381
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Speaker 1: On YouTube? We had Google, always had Google Search. No Google,

382
00:19:17,320 --> 00:19:20,360
Speaker 1: Google wasn't even out nine five. It was Yahoo, y'all

383
00:19:20,400 --> 00:19:22,879
Speaker 1: who existed. And there were some other databases that are

384
00:19:22,920 --> 00:19:26,280
Speaker 1: no longer around something um some male like some some

385
00:19:26,440 --> 00:19:29,359
Speaker 1: type of males, but they were still sewing motherfucker's for

386
00:19:29,440 --> 00:19:33,119
Speaker 1: downloads retro actor. You gotta think, by g that's the

387
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Speaker 1: pager days. We got our motherfucking page that's to burn out,

388
00:19:36,640 --> 00:19:38,119
Speaker 1: Like you had to be a boss to have a

389
00:19:38,200 --> 00:19:41,359
Speaker 1: motherucking mobile phone. And that's when motherfucker's had the cold

390
00:19:41,440 --> 00:19:43,600
Speaker 1: and can switch to colds and ship and only the

391
00:19:43,720 --> 00:19:47,960
Speaker 1: d boy the King Pats had that pages colorful seat

392
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Speaker 1: through pages at that So, yeah, we didn't have a mother.

393
00:19:52,400 --> 00:19:58,240
Speaker 1: Only know about boots. Like the last time I saw

394
00:19:59,359 --> 00:20:02,000
Speaker 1: spoil about spoil, I had to hit no phone booth,

395
00:20:02,119 --> 00:20:06,360
Speaker 1: keep extra checking into your pocket, call I'll call home

396
00:20:06,440 --> 00:20:11,520
Speaker 1: and hang up. I had a dope thing like, but

397
00:20:11,680 --> 00:20:14,680
Speaker 1: maybe at the phone book be the meet up spot

398
00:20:14,760 --> 00:20:20,239
Speaker 1: you sell your work, get into a couple of more

399
00:20:20,440 --> 00:20:22,360
Speaker 1: a couple of topics. Now I wanted to just keep

400
00:20:22,400 --> 00:20:26,040
Speaker 1: you The interview was like going viral all over. Then all,

401
00:20:26,160 --> 00:20:31,600
Speaker 1: what's seventy five parts? It's I think going to be issues.

402
00:20:31,640 --> 00:20:36,400
Speaker 1: I have interview two and a half hours, he said,

403
00:20:36,880 --> 00:20:38,920
Speaker 1: two and a half hours, but he said keep you

404
00:20:39,000 --> 00:20:42,520
Speaker 1: d stopped him about about ten times. I had it

405
00:20:42,560 --> 00:20:44,640
Speaker 1: to go outside with the guy that actually wrote the book,

406
00:20:45,040 --> 00:20:49,879
Speaker 1: and so he said, man, it was one of the

407
00:20:50,080 --> 00:20:52,760
Speaker 1: worst interviews he ever. He said, man, I had to

408
00:20:52,840 --> 00:20:55,879
Speaker 1: stop that interview and keep you here, going const with

409
00:20:56,200 --> 00:20:58,800
Speaker 1: with the writer and they didn't come back and that

410
00:20:59,119 --> 00:21:02,160
Speaker 1: and that's answer the questions and stuff. But it's gonna

411
00:21:02,200 --> 00:21:06,000
Speaker 1: be twenty six parts. It's probably his most viewed video

412
00:21:06,640 --> 00:21:11,639
Speaker 1: of the year. Yeah. It started off flow, yeah, James,

413
00:21:11,680 --> 00:21:15,080
Speaker 1: and was kicking buttah right and then right. But now

414
00:21:15,200 --> 00:21:16,760
Speaker 1: he's starting to get the view and I'm sure you

415
00:21:16,880 --> 00:21:20,040
Speaker 1: checked out a couple of parts, y'all. I mean, this

416
00:21:20,200 --> 00:21:22,880
Speaker 1: dude was once a guy that was revered and respected

417
00:21:22,920 --> 00:21:25,080
Speaker 1: in the streets. But I don't know how people are

418
00:21:25,119 --> 00:21:29,679
Speaker 1: feeling about him nowadays. Um I think like personally, um

419
00:21:29,880 --> 00:21:34,360
Speaker 1: me just coming from the streets, Um lad asked them

420
00:21:34,520 --> 00:21:37,560
Speaker 1: tricky questions, the tricky street questions. You know what I mean.

421
00:21:37,720 --> 00:21:40,440
Speaker 1: That it's on you to answer that ship or avoid it,

422
00:21:40,600 --> 00:21:42,639
Speaker 1: you know what I mean. So even with me, like

423
00:21:42,760 --> 00:21:44,480
Speaker 1: he asked me some tricky ship and I had to

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00:21:44,560 --> 00:21:46,480
Speaker 1: go back about one of my street stories and I

425
00:21:46,560 --> 00:21:48,720
Speaker 1: had to come back to the neighborhood and ask about that,

426
00:21:49,280 --> 00:21:51,880
Speaker 1: you know what I mean, because street tales is supposed

427
00:21:51,880 --> 00:21:54,760
Speaker 1: to stay in your neighborhood, your street. Whoever know that

428
00:21:54,880 --> 00:21:57,000
Speaker 1: you're clothes something that should ain't supposed to be broadcast

429
00:21:57,400 --> 00:22:00,119
Speaker 1: on interviews or on the internet. No ship like that,

430
00:22:00,240 --> 00:22:02,680
Speaker 1: because what happened in the past, all that ship could

431
00:22:02,680 --> 00:22:06,400
Speaker 1: be reignited. People old feelings could become new feelings again

432
00:22:06,440 --> 00:22:09,000
Speaker 1: because the nigger talking about old ship that people don't

433
00:22:09,040 --> 00:22:10,879
Speaker 1: get passed, you know what I mean. So that's the

434
00:22:10,960 --> 00:22:13,040
Speaker 1: same thing I feel about the tv D thing, Like

435
00:22:13,680 --> 00:22:15,080
Speaker 1: you know what I mean, You wrote your book, bro,

436
00:22:15,400 --> 00:22:16,840
Speaker 1: you know what I mean to tell people, go get

437
00:22:16,880 --> 00:22:19,720
Speaker 1: the book man, try and try to do that. But

438
00:22:19,840 --> 00:22:21,680
Speaker 1: let me and Glad would't let him get away with that.

439
00:22:22,040 --> 00:22:25,359
Speaker 1: But my question to you would be, UM, me, you

440
00:22:25,480 --> 00:22:27,560
Speaker 1: and Alex right now and do something and we start

441
00:22:27,600 --> 00:22:36,639
Speaker 1: facing twenty five life. Uh, somebody's dead. That's James. He's

442
00:22:36,640 --> 00:22:42,520
Speaker 1: gonna get mad, but James and he and for us

443
00:22:42,600 --> 00:22:45,560
Speaker 1: to get out of this, this twenty five to life.

444
00:22:47,000 --> 00:22:49,800
Speaker 1: And we exposed something that everybody kind of knew that

445
00:22:49,880 --> 00:22:55,400
Speaker 1: went down about James and to get us to save

446
00:22:55,440 --> 00:22:58,760
Speaker 1: our butts who are still alive and facing life. Is

447
00:22:58,800 --> 00:23:02,520
Speaker 1: that the true? Hell? Yeah, because at the end of

448
00:23:02,520 --> 00:23:08,280
Speaker 1: the day, if and it helped James's he's dead. I say,

449
00:23:08,400 --> 00:23:11,959
Speaker 1: and and you you, you guys have locked up us

450
00:23:12,040 --> 00:23:15,520
Speaker 1: three we locked up, are facing it, are facing facing

451
00:23:16,400 --> 00:23:19,520
Speaker 1: and you say something, man, you say something that get

452
00:23:19,640 --> 00:23:22,240
Speaker 1: us clear, get us clear. But you're snitching on him.

453
00:23:22,520 --> 00:23:28,640
Speaker 1: But I'm telling the man nagged man. I mean, yeah,

454
00:23:30,840 --> 00:23:34,679
Speaker 1: they got it. Man, that's tricky. That's tricky. That's real tricky.

455
00:23:34,800 --> 00:23:36,800
Speaker 1: That's how the tricky bro. And I don't know that

456
00:23:38,600 --> 00:23:41,639
Speaker 1: SA's the position keep I can't even Yeah, that's it,

457
00:23:41,840 --> 00:23:44,520
Speaker 1: that's exactly. Now it gets a little tough because now

458
00:23:45,720 --> 00:23:50,440
Speaker 1: it's the two people that he's saving is a Lando's

459
00:23:50,480 --> 00:23:53,840
Speaker 1: mother and uncle. Wow, they got a problem with it though,

460
00:23:55,160 --> 00:23:56,960
Speaker 1: they don't. They got a problem with She had a

461
00:23:57,000 --> 00:24:00,280
Speaker 1: stroke when she found out what he did. Her brother,

462
00:24:00,480 --> 00:24:04,399
Speaker 1: her brother, her brother did the first son not a

463
00:24:04,440 --> 00:24:07,800
Speaker 1: stroke from it. But his argument or his defense was, hey,

464
00:24:08,359 --> 00:24:11,639
Speaker 1: we were done. I had to save us. They were

465
00:24:11,680 --> 00:24:13,520
Speaker 1: about to take all our ship that we worked for.

466
00:24:13,960 --> 00:24:16,000
Speaker 1: We did all, they were taken all our property. They

467
00:24:16,040 --> 00:24:18,920
Speaker 1: would threaten to the lock us all three away for

468
00:24:19,040 --> 00:24:21,159
Speaker 1: twenty five in life. Now do you believe they that

469
00:24:21,840 --> 00:24:23,760
Speaker 1: the mom would have went to prison as well? Or

470
00:24:23,840 --> 00:24:27,199
Speaker 1: you can keep putting some extras on it. Yea, they

471
00:24:27,240 --> 00:24:31,520
Speaker 1: would do with PCP, PCP drow. They treat every black

472
00:24:31,600 --> 00:24:42,800
Speaker 1: man drug a lot worse crack cocaine than PCP is life. Yeah,

473
00:24:43,040 --> 00:24:45,440
Speaker 1: black guy could call with that ship goes up. But

474
00:24:45,760 --> 00:24:49,040
Speaker 1: I want your opinion on that kind of I mean

475
00:24:49,200 --> 00:24:52,040
Speaker 1: it's it's kind of dry, sick snitching. Yeah, it's fascination

476
00:24:52,119 --> 00:24:54,000
Speaker 1: at the end of the day, man, because not only

477
00:24:54,119 --> 00:24:56,760
Speaker 1: is this your nephew, Yeah, I mean it's you too,

478
00:24:56,920 --> 00:25:01,960
Speaker 1: my nigga, Like, yeah, from ship your mouth because I

479
00:25:02,040 --> 00:25:06,840
Speaker 1: don't think murder, it's no is it um what you

480
00:25:06,920 --> 00:25:13,679
Speaker 1: call murder because you know, no statue of liv take.

481
00:25:13,800 --> 00:25:16,440
Speaker 1: But what he did was he told it all in

482
00:25:17,880 --> 00:25:24,639
Speaker 1: he got diplomatical number one. Yeah, but he don't even

483
00:25:24,640 --> 00:25:27,320
Speaker 1: have immunity because number one is still a Vegas case

484
00:25:28,520 --> 00:25:34,200
Speaker 1: and SOFA fans, the fans can't even because it's a

485
00:25:34,400 --> 00:25:38,520
Speaker 1: municipal Vegas case and so technically they don't have to

486
00:25:38,560 --> 00:25:41,800
Speaker 1: honor it the d A. And yeah, that's y'all thing.

487
00:25:42,400 --> 00:25:45,240
Speaker 1: But the thing is now we can't share this evidence

488
00:25:45,560 --> 00:25:49,280
Speaker 1: that we have against him to you guys. So this

489
00:25:49,400 --> 00:25:51,240
Speaker 1: is what happened, but you can't do nothing with it,

490
00:25:51,400 --> 00:25:56,240
Speaker 1: can't do now. So that's that's that's the here's the

491
00:25:56,280 --> 00:26:00,400
Speaker 1: way I would ask he made the book came after,

492
00:26:01,160 --> 00:26:04,800
Speaker 1: just came out, just came out. He didn't talk on

493
00:26:04,880 --> 00:26:09,520
Speaker 1: two different platforms death chronicles and run around. He looked

494
00:26:09,560 --> 00:26:12,000
Speaker 1: better at in the previous interviews, you know. And he's

495
00:26:12,000 --> 00:26:14,480
Speaker 1: supposed to have cancer. What you've been claiming to have

496
00:26:14,640 --> 00:26:16,760
Speaker 1: concer for a while. But he's supposed to have cancer.

497
00:26:17,400 --> 00:26:20,040
Speaker 1: But this is what Greg Gating's in two thousand twelve

498
00:26:20,119 --> 00:26:27,600
Speaker 1: came with and hit him with. And um, I don't know,

499
00:26:27,960 --> 00:26:31,480
Speaker 1: I need to be hard to save my The only

500
00:26:31,520 --> 00:26:33,800
Speaker 1: problem is saving yourself. I have a problem with. But

501
00:26:33,920 --> 00:26:36,600
Speaker 1: the same my dad, my my my brother and my

502
00:26:36,720 --> 00:26:39,240
Speaker 1: sister and stuff like that. But the problem will come

503
00:26:39,359 --> 00:26:42,119
Speaker 1: when you're saving yourself and well, here's another way to

504
00:26:42,160 --> 00:26:45,240
Speaker 1: look at it. I don't know. I mean, snitching has

505
00:26:45,280 --> 00:26:48,159
Speaker 1: been defined in so many different ways, right, It's usually

506
00:26:48,240 --> 00:26:52,359
Speaker 1: you're providing information to law enforcement to arrest, to charge,

507
00:26:52,840 --> 00:26:56,000
Speaker 1: or to help pursue someone else, to save yourself. In

508
00:26:56,119 --> 00:27:01,400
Speaker 1: this situation, Keifi didn't didn't do any of that, Okay, yeah,

509
00:27:03,480 --> 00:27:07,959
Speaker 1: uh he And this is he helped he Well, they

510
00:27:08,040 --> 00:27:10,840
Speaker 1: thought he was going to help with's getting that four

511
00:27:10,880 --> 00:27:13,320
Speaker 1: hunted mellion dollar judgment against the City of Los Angeles

512
00:27:13,480 --> 00:27:17,240
Speaker 1: on the Biggie matter dismissed. But he flipped the script

513
00:27:17,320 --> 00:27:20,920
Speaker 1: on him. I said, no, we're not responsible for that one.

514
00:27:21,720 --> 00:27:25,280
Speaker 1: We're responsible for the one in Vegas. And then that's

515
00:27:25,280 --> 00:27:27,439
Speaker 1: when they go whoa and tell us about that one.

516
00:27:29,560 --> 00:27:31,520
Speaker 1: And he had to lay it out. So at the

517
00:27:31,600 --> 00:27:34,160
Speaker 1: end of the day, no one gets arrested from Kifi

518
00:27:34,280 --> 00:27:38,160
Speaker 1: D's confession, no one gets charged, no one goes to prison.

519
00:27:39,320 --> 00:27:41,720
Speaker 1: So who do you snitch on? I know you're gonna

520
00:27:41,720 --> 00:27:43,920
Speaker 1: say jo snitch and yuck. But at the end of

521
00:27:43,960 --> 00:27:47,880
Speaker 1: the day, I think kif E D played the police,

522
00:27:48,640 --> 00:27:52,399
Speaker 1: and and and had a strategic plan to get out

523
00:27:52,440 --> 00:27:55,280
Speaker 1: of this situation and make sure nobody's gonna go to jail.

524
00:27:55,600 --> 00:27:59,359
Speaker 1: He told the truth. Yeah, he told the truth, told

525
00:27:59,440 --> 00:28:02,560
Speaker 1: the truthful. But he knew that if now he make

526
00:28:02,600 --> 00:28:06,440
Speaker 1: sure he had immunity before he told he didn't he

527
00:28:06,960 --> 00:28:10,000
Speaker 1: that's he had the only thing he got. This serm

528
00:28:10,080 --> 00:28:13,120
Speaker 1: case that we got on you, and this cocaine case

529
00:28:13,200 --> 00:28:15,760
Speaker 1: that we got on you. We can't when when we're

530
00:28:15,800 --> 00:28:18,080
Speaker 1: not going to try you or or take this against

531
00:28:18,600 --> 00:28:20,840
Speaker 1: use this against you, to put you in jail for

532
00:28:21,000 --> 00:28:25,240
Speaker 1: life forgiving us this information. That's the only thing right

533
00:28:25,280 --> 00:28:28,200
Speaker 1: now today you get the mother to do a bill

534
00:28:28,320 --> 00:28:31,960
Speaker 1: Cosby d A and go run on the platform. I'm

535
00:28:32,000 --> 00:28:36,399
Speaker 1: gonna put kep d in jail for that case for

536
00:28:36,520 --> 00:28:39,840
Speaker 1: doing that. And you can do that. They can't take

537
00:28:39,960 --> 00:28:43,120
Speaker 1: the confession he gave to Cating as evidence to Catings.

538
00:28:43,640 --> 00:28:45,960
Speaker 1: He didn't get confessions to me over the phone. I

539
00:28:46,000 --> 00:28:49,640
Speaker 1: didn't play some tape recording. They got it right there.

540
00:28:51,040 --> 00:28:54,360
Speaker 1: They got different chronicles that he didn't talked on and

541
00:28:54,480 --> 00:28:58,760
Speaker 1: then and then and they got glad in you and

542
00:28:59,640 --> 00:29:01,640
Speaker 1: the case in the book, in the book. But as

543
00:29:01,720 --> 00:29:04,959
Speaker 1: you could tell man I was crazy. I made it up.

544
00:29:05,280 --> 00:29:07,240
Speaker 1: I was just trying to you know, that would be

545
00:29:07,320 --> 00:29:11,239
Speaker 1: his defensive I was just attorney. But let's be silent. Man.

546
00:29:11,720 --> 00:29:15,080
Speaker 1: Both murders, the big end of Pack, nobody trying to

547
00:29:15,120 --> 00:29:18,400
Speaker 1: solve them because it's too much corruption, and the Biggie one,

548
00:29:18,520 --> 00:29:21,120
Speaker 1: and that leads to the pack shit. So well, Reggie

549
00:29:21,120 --> 00:29:23,200
Speaker 1: would disagree with you on that one. Well about what

550
00:29:23,640 --> 00:29:25,760
Speaker 1: you just said, it's too much corruption connected to the

551
00:29:25,800 --> 00:29:29,560
Speaker 1: Biggie homicide that happened in that confusion. I don't believe

552
00:29:29,600 --> 00:29:32,120
Speaker 1: the police was involved in the Biggie the bigg matter.

553
00:29:32,240 --> 00:29:35,280
Speaker 1: I believe what what the evidence and murder out uh

554
00:29:37,000 --> 00:29:41,720
Speaker 1: reveal z accurate, which it was just one shooter. I

555
00:29:41,800 --> 00:29:44,080
Speaker 1: believe that that's what everybody said. You've never heard him

556
00:29:44,120 --> 00:29:46,760
Speaker 1: say two people sitting in the car. You have never heard,

557
00:29:47,400 --> 00:29:50,880
Speaker 1: never heard that, And in your mind, the homicide of

558
00:29:50,920 --> 00:29:53,600
Speaker 1: Biggie is not corrected to a conspiracy link to any

559
00:29:53,720 --> 00:29:57,240
Speaker 1: law enforcement entities at all. You know, we always say

560
00:29:57,680 --> 00:30:00,280
Speaker 1: police officers are good assassins or killers and all of that.

561
00:30:01,600 --> 00:30:05,440
Speaker 1: You want us to believe that this man used his

562
00:30:05,640 --> 00:30:11,640
Speaker 1: own personal vehicle to commit a homicide. David mac and

563
00:30:11,760 --> 00:30:13,640
Speaker 1: that's the only reason he linked to it is because

564
00:30:13,640 --> 00:30:15,160
Speaker 1: he had a black impollo and he took off work.

565
00:30:15,200 --> 00:30:17,520
Speaker 1: That's not the only theory. The other theory is a

566
00:30:17,600 --> 00:30:20,840
Speaker 1: mere Muhammad ak Harry Billips. Well, that was his friend

567
00:30:21,280 --> 00:30:23,760
Speaker 1: of David Matt who was never a police officer. He

568
00:30:23,840 --> 00:30:28,080
Speaker 1: wasn't a police officer. But no, no, but David Mack

569
00:30:28,240 --> 00:30:31,600
Speaker 1: supposed to use his car. Correct if you believe the

570
00:30:31,800 --> 00:30:36,560
Speaker 1: Harry Billips theory. I don't see it being crazy that

571
00:30:36,680 --> 00:30:38,760
Speaker 1: you use your own car, because, like you just said,

572
00:30:38,800 --> 00:30:40,840
Speaker 1: they're not thinking you're gonna use your own car, so

573
00:30:41,040 --> 00:30:46,440
Speaker 1: you reverse it nobody. Okay, Well, why would he robbed

574
00:30:46,480 --> 00:30:51,480
Speaker 1: the bait he read it a car? Why did he

575
00:30:51,560 --> 00:30:55,760
Speaker 1: walk into a bank on knowing this cameras embe knew

576
00:30:55,760 --> 00:30:58,640
Speaker 1: that was David MG and he was the reason they

577
00:30:58,720 --> 00:31:01,600
Speaker 1: card him. Knew that on leave? What because his woman

578
00:31:01,640 --> 00:31:03,680
Speaker 1: that was working inside of the bank gave him up. Yeah,

579
00:31:03,720 --> 00:31:06,640
Speaker 1: the girlfriend that was the bank teller, she was not

580
00:31:06,720 --> 00:31:08,600
Speaker 1: the bank tellers, was the manager. She don't want to

581
00:31:08,640 --> 00:31:11,440
Speaker 1: order all the money. Yeah, So that's you would think

582
00:31:11,480 --> 00:31:15,280
Speaker 1: to yourself, why would a police officer have a chick

583
00:31:15,360 --> 00:31:17,800
Speaker 1: that works in the bank use this chick to help

584
00:31:17,920 --> 00:31:20,480
Speaker 1: him rob at seven hundred racks, and I think this

585
00:31:20,560 --> 00:31:22,840
Speaker 1: chick's gonna wrap me out when he comes. They'll be

586
00:31:22,920 --> 00:31:24,440
Speaker 1: talking when they laying next to you in the being,

587
00:31:24,480 --> 00:31:36,520
Speaker 1: They'll be talking. Yeah, but how many people? Yeah, but

588
00:31:36,600 --> 00:31:40,440
Speaker 1: how many people are? Then you get in that room,

589
00:31:45,480 --> 00:31:49,320
Speaker 1: we are You're gonna say, David Mack wasn't that smart

590
00:31:49,480 --> 00:31:51,960
Speaker 1: because how many interrogations has he done with people knowing

591
00:31:52,480 --> 00:31:54,720
Speaker 1: once the police started interrogating my girl that works in

592
00:31:54,760 --> 00:31:57,360
Speaker 1: the bank, she's going to still the beans because I've

593
00:31:57,400 --> 00:32:00,480
Speaker 1: made people spill the beans. She told me, she's told you.

594
00:32:00,600 --> 00:32:03,400
Speaker 1: We thought, and then I thought, even if she did

595
00:32:03,520 --> 00:32:07,160
Speaker 1: give me a she lied. She I don't know what

596
00:32:07,480 --> 00:32:12,760
Speaker 1: calling that day. We love females, you know, like how

597
00:32:12,800 --> 00:32:14,480
Speaker 1: they have our back, but they're gonna be the first

598
00:32:14,520 --> 00:32:18,280
Speaker 1: one to crack my Never put them involved anything criminal. Yeah,

599
00:32:18,360 --> 00:32:22,000
Speaker 1: you don't. Never bring in especially if she ain't even

600
00:32:22,000 --> 00:32:24,960
Speaker 1: from the street. A lot of them from she wasn't

601
00:32:24,960 --> 00:32:27,520
Speaker 1: from the street. I'm saying, especially even after the stream

602
00:32:27,600 --> 00:32:29,360
Speaker 1: the streets, they got too much a little, they're gonna

603
00:32:29,440 --> 00:32:33,040
Speaker 1: volte like old Line Strey. They're gonna volde man so

604
00:32:33,840 --> 00:32:36,440
Speaker 1: so David Mack was done for that, thinking, oh, this

605
00:32:36,520 --> 00:32:38,600
Speaker 1: girl's gonna have my back when when the police come,

606
00:32:39,560 --> 00:32:42,640
Speaker 1: that's call the naives that she ordered the money. She

607
00:32:42,800 --> 00:32:44,560
Speaker 1: ordered the money and the amount that they never even

608
00:32:44,640 --> 00:32:51,080
Speaker 1: ordered money order. Yeah, biggest she probably did before it

609
00:32:51,320 --> 00:32:53,280
Speaker 1: on even did when you get caught. No, they just

610
00:32:53,480 --> 00:32:55,760
Speaker 1: they said that that amount of money had never been ordered.

611
00:32:56,240 --> 00:33:00,560
Speaker 1: So she ordered a bunch of money and then that

612
00:33:00,640 --> 00:33:05,000
Speaker 1: money disappears, and she would have stayed strong. She just

613
00:33:05,160 --> 00:33:10,520
Speaker 1: cracked as expected, though as expected, as expected, as expected,

614
00:33:10,560 --> 00:33:13,400
Speaker 1: not by David mcapparently, No, the other detectives got her

615
00:33:13,400 --> 00:33:16,000
Speaker 1: the crack I'm talking about. She cracked as expected, She

616
00:33:16,160 --> 00:33:20,240
Speaker 1: spilled the beans. She ran everybody situations where females hasn't

617
00:33:20,280 --> 00:33:23,760
Speaker 1: cracked this one. Did you got the perfect ship going

618
00:33:23,840 --> 00:33:27,600
Speaker 1: down with Curtis Jackson power? You see what I mean?

619
00:33:27,680 --> 00:33:33,320
Speaker 1: Females cracking and that show? What are you talking about?

620
00:33:33,320 --> 00:33:39,800
Speaker 1: Hands kind of got She's about the Tasha home Girl,

621
00:33:39,840 --> 00:33:43,760
Speaker 1: They about the Yeah yeah, the most gangster woman in

622
00:33:43,840 --> 00:33:50,040
Speaker 1: that show was the d A Angela. Yeah. Yeah, Hey,

623
00:33:51,080 --> 00:33:56,760
Speaker 1: spoiler spoiling, We're gonna tell you here here first wait wait, wait,

624
00:33:56,800 --> 00:33:58,240
Speaker 1: are you going to ruin the show for all our Listen,

625
00:33:58,240 --> 00:33:59,920
Speaker 1: you don't know what this is. Regie is a good

626
00:34:00,080 --> 00:34:06,480
Speaker 1: ship to me, and this is this Reggie version. I

627
00:34:06,520 --> 00:34:08,840
Speaker 1: don't know that it's gonna be a whole new season.

628
00:34:09,080 --> 00:34:10,880
Speaker 1: Well no, yeah, because you know, I guess who just

629
00:34:10,920 --> 00:34:16,759
Speaker 1: got the job. Yeah, but this is what's up with that.

630
00:34:17,320 --> 00:34:21,239
Speaker 1: It was a dream, y'all. Watch Angela didn't get shot

631
00:34:22,120 --> 00:34:25,560
Speaker 1: by Tommy. No, it's a dreamy watch there was some

632
00:34:25,640 --> 00:34:28,800
Speaker 1: things that she never told him. Hey, tom Tommy and

633
00:34:28,880 --> 00:34:33,440
Speaker 1: Tasha came to the house and and was pushing up

634
00:34:33,480 --> 00:34:36,040
Speaker 1: on me. She didn't say that to him, and that's

635
00:34:36,080 --> 00:34:39,560
Speaker 1: gonna be major if if she got shot by Tommy

636
00:34:39,600 --> 00:34:46,200
Speaker 1: and all that. It's a dream, trust me. Remember you're speculating, speculating,

637
00:34:47,440 --> 00:34:52,279
Speaker 1: said Reggie. Yeah, but y'all want gonna say, y'all hurt

638
00:34:52,400 --> 00:34:54,520
Speaker 1: here first it was a dream. That's a good theory.

639
00:34:55,480 --> 00:34:57,800
Speaker 1: You might go back and watch the another show. What

640
00:34:58,000 --> 00:34:59,799
Speaker 1: else you want to say about kept before we move?

641
00:35:00,880 --> 00:35:02,440
Speaker 1: I mean, I think at the end of the day, man,

642
00:35:02,520 --> 00:35:04,400
Speaker 1: but Ladder is good at what he's doing. Man, and

643
00:35:04,480 --> 00:35:06,279
Speaker 1: y'all gotta watch you know what I mean? How y'all

644
00:35:06,400 --> 00:35:08,320
Speaker 1: give y'all game to that dude? When he's you know,

645
00:35:08,440 --> 00:35:11,600
Speaker 1: talking about real street ship, not just his platform. You

646
00:35:11,719 --> 00:35:13,640
Speaker 1: checked him at the end of your interview with him,

647
00:35:14,000 --> 00:35:16,839
Speaker 1: told me to interrogation. Yeah, in fact, the only one

648
00:35:16,920 --> 00:35:18,759
Speaker 1: and everybody start trying to file out and they get

649
00:35:18,840 --> 00:35:21,000
Speaker 1: the police all of a sudden. Yeah, he's been check

650
00:35:21,320 --> 00:35:23,000
Speaker 1: a couple of times since what year was that interview?

651
00:35:23,080 --> 00:35:27,440
Speaker 1: Seventeen And a few times I kept telling him. I

652
00:35:27,520 --> 00:35:30,719
Speaker 1: was like, your boy, he keep telling your boy. That

653
00:35:30,880 --> 00:35:32,799
Speaker 1: was my way like telling him, you know, you keep

654
00:35:32,840 --> 00:35:36,200
Speaker 1: hating no ship. You know, well, you know I kind

655
00:35:36,200 --> 00:35:38,640
Speaker 1: of asked him. I didn't. I didn't really appreciate his style.

656
00:35:38,880 --> 00:35:40,160
Speaker 1: I brought it up. We have a lad on the

657
00:35:40,200 --> 00:35:43,160
Speaker 1: show about three episodes ago, so if you're seeing him

658
00:35:43,200 --> 00:35:46,960
Speaker 1: that day when when we was exactly so. Yeah, I

659
00:35:47,000 --> 00:35:49,320
Speaker 1: just don't like how you interrogate people man, like like

660
00:35:49,440 --> 00:35:52,920
Speaker 1: give all this, like like the platform to promote their ship. Man,

661
00:35:52,960 --> 00:35:55,120
Speaker 1: you don't even mention like what they got going with,

662
00:35:55,640 --> 00:35:58,759
Speaker 1: none of that, like no ship about the artists they sell?

663
00:35:58,840 --> 00:36:01,040
Speaker 1: What ventures? Okay, you in the stocks and should ask

664
00:36:01,120 --> 00:36:04,400
Speaker 1: them what type of you know, financial investments house profolio,

665
00:36:04,560 --> 00:36:09,360
Speaker 1: try you know what I mean. Yeah, definitely stopped so

666
00:36:09,560 --> 00:36:12,200
Speaker 1: much about his portfolio on the Breakfast Club. I didn't

667
00:36:12,239 --> 00:36:14,120
Speaker 1: even know, Like, damn, you're part of this. That in

668
00:36:14,200 --> 00:36:16,319
Speaker 1: the third shares and it's that in the third other

669
00:36:16,440 --> 00:36:20,000
Speaker 1: situations you can ask niggas about besides crime. You feel me,

670
00:36:20,160 --> 00:36:22,440
Speaker 1: And that's all I'm saying. My big manager from the

671
00:36:22,480 --> 00:36:26,120
Speaker 1: Bay were just like that guy. Man. First guy took

672
00:36:26,160 --> 00:36:30,960
Speaker 1: me to Mr Child's Man and the nineties Child's ever since, Man,

673
00:36:32,800 --> 00:36:34,440
Speaker 1: I funk with it. Man, I was just was there

674
00:36:34,480 --> 00:36:36,279
Speaker 1: for my I'll be trying to eat that. I don't

675
00:36:36,320 --> 00:36:38,239
Speaker 1: know what I can eat this foo foo for me?

676
00:36:38,640 --> 00:36:43,040
Speaker 1: Tell me what recommend them for me? Okay, So Felippe

677
00:36:43,320 --> 00:36:48,279
Speaker 1: Child has was doing the salt pepper lobster and salt

678
00:36:48,360 --> 00:36:51,160
Speaker 1: pepper shrimp. So that's the fried lips and the fried shrimp.

679
00:36:51,560 --> 00:36:57,120
Speaker 1: So go there for that. That's him salt pepper shrimp

680
00:36:57,200 --> 00:37:00,399
Speaker 1: and the salt pepper lobster. You know they chopped the sauce.

681
00:37:00,480 --> 00:37:02,600
Speaker 1: It ate that sauce as fried as good as fun

682
00:37:02,960 --> 00:37:04,879
Speaker 1: period and you can throw your little fried rice a little.

683
00:37:05,520 --> 00:37:07,279
Speaker 1: I'll still go to the get old spot. I like.

684
00:37:07,520 --> 00:37:11,520
Speaker 1: I like that Christaceans even though and let go I

685
00:37:11,640 --> 00:37:16,040
Speaker 1: know that I know that's still that still get on.

686
00:37:16,760 --> 00:37:21,000
Speaker 1: You're going to every black chicken for birthday and the

687
00:37:21,080 --> 00:37:27,080
Speaker 1: birthday yeah, facts, it used to be the you know, okay,

688
00:37:29,080 --> 00:37:31,200
Speaker 1: I took me there, him and Banks and ship Man

689
00:37:32,160 --> 00:37:35,160
Speaker 1: managed forty and too short, you know what I mean. So, yeah,

690
00:37:35,200 --> 00:37:40,960
Speaker 1: that's my old joke I heard on town Official Man.

691
00:37:41,360 --> 00:37:45,080
Speaker 1: We actually Drew don first album. We recorded in Dangerous

692
00:37:45,120 --> 00:37:47,600
Speaker 1: Studio and Banks did all the beats, Pimper the year,

693
00:37:47,640 --> 00:37:49,239
Speaker 1: all that ship. So he was all up on a

694
00:37:49,280 --> 00:37:51,719
Speaker 1: one umbrella at one point in time and then you

695
00:37:51,800 --> 00:37:53,959
Speaker 1: know the ship is separated. But shout out, too short,

696
00:37:54,000 --> 00:37:56,000
Speaker 1: shout out, and he basically gave me a song. He

697
00:37:56,160 --> 00:38:01,400
Speaker 1: made Brian Turner so mad on chronic too thousands and

698
00:38:01,760 --> 00:38:03,719
Speaker 1: I forget the name, what was it, Drinks on me

699
00:38:04,000 --> 00:38:06,880
Speaker 1: or something, But he was like, they never gave me

700
00:38:06,920 --> 00:38:12,440
Speaker 1: a song. This good work, ain't no motherfuck choke on

701
00:38:12,520 --> 00:38:15,400
Speaker 1: the beach man a't know he had too short bang

702
00:38:15,480 --> 00:38:17,080
Speaker 1: and like all the ship that he was behind was

703
00:38:17,120 --> 00:38:20,760
Speaker 1: getting platinum pleux. Facts. When he was behind that short

704
00:38:20,880 --> 00:38:24,279
Speaker 1: him and sucking up what's his name, Shoty b with

705
00:38:24,400 --> 00:38:26,520
Speaker 1: the motherucking good talk play with him, two niggers was

706
00:38:26,640 --> 00:38:28,680
Speaker 1: on it. It was a rap he had all the hits.

707
00:38:28,800 --> 00:38:31,160
Speaker 1: Man shout the funky all that ship you talking about?

708
00:38:31,560 --> 00:38:36,720
Speaker 1: You made me thinking about boy l a dre Alright,

709
00:38:36,760 --> 00:38:41,040
Speaker 1: go ahead. Fasna also asked about the role that too

710
00:38:41,120 --> 00:38:43,760
Speaker 1: Shortest played and putting Oakland on the map like he's

711
00:38:43,880 --> 00:38:48,200
Speaker 1: he's the king up between him and hammer like hammers

712
00:38:48,200 --> 00:38:50,520
Speaker 1: that the king king? Is that right? I put too

713
00:38:50,560 --> 00:38:55,719
Speaker 1: Short beforehand. I mean have a raps hammering with mainstream

714
00:38:55,840 --> 00:38:59,680
Speaker 1: and he I'm talking about farest sales far at like impact,

715
00:39:00,320 --> 00:39:02,880
Speaker 1: who sold the most albums ever in the Bay Area

716
00:39:03,000 --> 00:39:05,440
Speaker 1: just ham a period, because it's hell the people that

717
00:39:05,560 --> 00:39:07,560
Speaker 1: came out the Bay You gotta forget the singers, the

718
00:39:07,680 --> 00:39:10,200
Speaker 1: ambos and Tony Tony Tony's is a lot of people

719
00:39:10,280 --> 00:39:12,680
Speaker 1: that came out here that sold just as many of

720
00:39:12,800 --> 00:39:15,319
Speaker 1: more albums. And too Short so you can't just say

721
00:39:15,400 --> 00:39:17,960
Speaker 1: he's the top now far as the rap he's the

722
00:39:18,040 --> 00:39:21,160
Speaker 1: top because he started the independent ship and everybody fouled

723
00:39:21,239 --> 00:39:24,239
Speaker 1: his blueprint and the Bay Area far as the independent game,

724
00:39:24,520 --> 00:39:28,879
Speaker 1: so he could say he's the independent king who over

725
00:39:29,000 --> 00:39:36,399
Speaker 1: forty forty doing no independence short but I always thought

726
00:39:36,880 --> 00:39:39,320
Speaker 1: how to deal now sure it was always out the

727
00:39:39,400 --> 00:39:42,359
Speaker 1: trunk until he got the drive. You know, my only

728
00:39:42,640 --> 00:39:44,560
Speaker 1: Tepo handon put him out, you know what I mean.

729
00:39:44,600 --> 00:39:47,040
Speaker 1: The seven girls on the first albums, you know what

730
00:39:47,040 --> 00:39:52,600
Speaker 1: I mean, they put too short out, came out way back.

731
00:39:54,239 --> 00:39:57,840
Speaker 1: I would always gave forty the trunk and then for

732
00:39:58,000 --> 00:40:00,520
Speaker 1: he came out the trunk too. Yeah, the like the

733
00:40:00,800 --> 00:40:03,319
Speaker 1: king of that. You know. Hammer came out a lot

734
00:40:03,400 --> 00:40:06,160
Speaker 1: of us here in l A. I wasn't feeling Hammer

735
00:40:06,480 --> 00:40:09,040
Speaker 1: right righte it was. It was a lot of disrespect

736
00:40:09,480 --> 00:40:12,560
Speaker 1: throning in his direction. But I'm I'm guessing up in

737
00:40:12,600 --> 00:40:20,000
Speaker 1: Oakland because he's representing Oakland. People loved him regardless. I

738
00:40:20,040 --> 00:40:22,040
Speaker 1: guess I was a weird or something. I remember when

739
00:40:22,080 --> 00:40:24,840
Speaker 1: the came out there threw darts at it at Capitol Records.

740
00:40:25,560 --> 00:40:29,600
Speaker 1: Tell you this, My g got them big ass pads

741
00:40:29,680 --> 00:40:33,040
Speaker 1: he had got there with the crotches. They wearing them

742
00:40:33,160 --> 00:40:36,720
Speaker 1: right now, ain't they with the crotch over the skinny

743
00:40:36,800 --> 00:40:39,040
Speaker 1: leg Niggs bought them back. All the skinny James dudes

744
00:40:39,080 --> 00:40:42,640
Speaker 1: got the big crotch joints going pas. Let's let's let's

745
00:40:42,640 --> 00:40:45,360
Speaker 1: do the history now. Y'all wearing Hammer pans right now

746
00:40:45,520 --> 00:40:47,640
Speaker 1: with a big crotches that came from the hammer pans.

747
00:40:47,960 --> 00:40:49,840
Speaker 1: How did you feel about him and buying the helicopter,

748
00:40:49,920 --> 00:40:53,640
Speaker 1: for that's what he always got to be ye put

749
00:40:53,719 --> 00:40:57,960
Speaker 1: that in my son dope man. Yeah, man, we really

750
00:40:58,000 --> 00:41:00,359
Speaker 1: didn't like it. It open because like right he did,

751
00:41:00,400 --> 00:41:02,640
Speaker 1: it was a big sweet that was a ninety one,

752
00:41:03,040 --> 00:41:05,200
Speaker 1: and my whole neighborhood got swept and all our king

753
00:41:05,280 --> 00:41:07,600
Speaker 1: pins got swept. And I was there in the projects

754
00:41:07,719 --> 00:41:12,960
Speaker 1: because FBI a t f um uh d e a

755
00:41:13,760 --> 00:41:19,160
Speaker 1: um ambalances highway performance cars out there for high speed chases.

756
00:41:19,239 --> 00:41:22,200
Speaker 1: The whole project. They're onwn rules everything, kicking it down

757
00:41:22,280 --> 00:41:26,240
Speaker 1: bile at the same time six am. Everybody should getting

758
00:41:26,280 --> 00:41:28,840
Speaker 1: kicked down all through East Okeland, West Oakland, all the

759
00:41:28,840 --> 00:41:30,839
Speaker 1: ship getting here at one time. And it's right after

760
00:41:30,880 --> 00:41:32,840
Speaker 1: the helicopter was bought, you know what I mean. So

761
00:41:32,960 --> 00:41:34,759
Speaker 1: we all felt some type of way out there and open,

762
00:41:34,920 --> 00:41:37,120
Speaker 1: like come on, bro, like we love you, you know

763
00:41:37,160 --> 00:41:39,960
Speaker 1: what I mean. But god damn helicopters. One thing I

764
00:41:39,960 --> 00:41:41,880
Speaker 1: can say about him when he was hanging around us,

765
00:41:42,640 --> 00:41:46,280
Speaker 1: I've never seen him and a drink, smoke or curse.

766
00:41:47,120 --> 00:41:49,880
Speaker 1: Im ain't no joke neither like these was trying to

767
00:41:49,920 --> 00:41:53,799
Speaker 1: talk ship man on the third base. Motherfucker shook when

768
00:41:53,800 --> 00:41:55,600
Speaker 1: they came out here. You know what I mean. He

769
00:41:55,719 --> 00:41:59,520
Speaker 1: don't allegedly you know what I mean, His crew ain't playing.

770
00:41:59,520 --> 00:42:01,560
Speaker 1: That's what I'm saying. I gonna say he's like the

771
00:42:01,640 --> 00:42:06,920
Speaker 1: real deepm never never believe it enters. It must have

772
00:42:07,000 --> 00:42:10,400
Speaker 1: been real costly too. Yeah, the only problem. That was

773
00:42:10,440 --> 00:42:12,600
Speaker 1: the only problem. At the end of the day. They say,

774
00:42:12,680 --> 00:42:17,080
Speaker 1: like ham must broken. Man started Google, he started with

775
00:42:17,200 --> 00:42:19,960
Speaker 1: top shares in Google. Like he get paid man like

776
00:42:20,920 --> 00:42:24,200
Speaker 1: uh shack, And Hamble was one of the first people

777
00:42:24,280 --> 00:42:26,840
Speaker 1: they got at the big shareholders in Google. Man. So

778
00:42:27,000 --> 00:42:29,399
Speaker 1: he's go cheat man. That to be looking at ship

779
00:42:29,480 --> 00:42:32,040
Speaker 1: above the surface like oh it's music ain't popping, so

780
00:42:32,120 --> 00:42:34,680
Speaker 1: he ain't getting a shipload of money. He's go cheat man.

781
00:42:34,800 --> 00:42:38,040
Speaker 1: I think it's when people filed bankruptcy, they think you're broke.

782
00:42:39,000 --> 00:42:41,040
Speaker 1: I think he might file bankruptcy, but I'm not sure.

783
00:42:41,120 --> 00:42:43,120
Speaker 1: But I don't mean you're broke if you file bankruptcy.

784
00:42:43,640 --> 00:42:48,759
Speaker 1: Donald Trump filed bankruptcy in his one business. And sometimes

785
00:42:48,800 --> 00:42:51,400
Speaker 1: you have people suing you. So that's the way to

786
00:42:51,440 --> 00:42:55,480
Speaker 1: get out of you file a chapter eleven on your

787
00:42:55,719 --> 00:42:58,839
Speaker 1: LLC or your corporation or whatever, just to get out

788
00:42:58,920 --> 00:43:02,719
Speaker 1: that lawsuit, just to get and that's sometimes ship, you know.

789
00:43:02,760 --> 00:43:06,239
Speaker 1: I mean, come with a new LLC SIMP similar death

790
00:43:06,360 --> 00:43:09,200
Speaker 1: Row Forever and death Row Records, but you're still using

791
00:43:09,239 --> 00:43:11,320
Speaker 1: the same ship and you back at it. And he

792
00:43:11,400 --> 00:43:13,719
Speaker 1: got these record labels do when they saw all these

793
00:43:13,840 --> 00:43:16,920
Speaker 1: artists big money, they switched that mother and foul chap

794
00:43:17,040 --> 00:43:19,799
Speaker 1: that lapping on your ass. So it's a business strategic move.

795
00:43:19,880 --> 00:43:22,239
Speaker 1: But don't mean you broke. Yeah, you know a lot

796
00:43:22,280 --> 00:43:24,759
Speaker 1: of times. Well I don't think two shorters of times,

797
00:43:24,840 --> 00:43:29,800
Speaker 1: but sometimes and two shorters actually lasted the test of

798
00:43:29,880 --> 00:43:32,840
Speaker 1: time too. I mean he's still relevant right now. He

799
00:43:32,920 --> 00:43:38,480
Speaker 1: always returned and come up with my last album show

800
00:43:38,560 --> 00:43:42,920
Speaker 1: they playing with Motherfucker's or motherfucking forty forty just dropped

801
00:43:42,920 --> 00:43:47,279
Speaker 1: the paper man those y'all need to get that show

802
00:43:47,360 --> 00:43:50,680
Speaker 1: together lit though, if you guys opening and forty and

803
00:43:50,880 --> 00:43:55,719
Speaker 1: uh and who was just talking about? Yeah, like that's

804
00:43:55,719 --> 00:43:57,640
Speaker 1: the show that you would go to one now when

805
00:43:57,680 --> 00:44:00,719
Speaker 1: you was running death Throw, you never signed any of

806
00:44:00,920 --> 00:44:02,960
Speaker 1: these artists from the How many Barry artists did you guys?

807
00:44:05,680 --> 00:44:11,160
Speaker 1: You got? Laughing? Let me tell you, let me I'll

808
00:44:11,200 --> 00:44:15,200
Speaker 1: tell you what you have, you're gonna allow. This is

809
00:44:15,239 --> 00:44:21,719
Speaker 1: what happened to. So I went up to the prison.

810
00:44:21,760 --> 00:44:24,399
Speaker 1: I was like, man, Dance just did the beats because

811
00:44:24,440 --> 00:44:27,400
Speaker 1: we had went up and shot that only in California though, um,

812
00:44:27,560 --> 00:44:30,400
Speaker 1: the only in California video, right, And so I'm so

813
00:44:30,600 --> 00:44:32,879
Speaker 1: Das was doing that. Man. He played me these songs

814
00:44:32,920 --> 00:44:34,200
Speaker 1: because I used to live in the Marina and they

815
00:44:34,239 --> 00:44:35,759
Speaker 1: used come over my house talking with me at the

816
00:44:35,760 --> 00:44:38,279
Speaker 1: Marina City Club every morning, and Dance is coming there

817
00:44:38,280 --> 00:44:40,840
Speaker 1: and playing me just this is macdude, This is macdude.

818
00:44:40,840 --> 00:44:42,959
Speaker 1: I was like. And so I go to the prison.

819
00:44:43,080 --> 00:44:45,719
Speaker 1: I go, yeah, you know, Dad's got about four or

820
00:44:45,760 --> 00:44:49,040
Speaker 1: five beats already done, songs already done on this dude,

821
00:44:49,080 --> 00:44:52,560
Speaker 1: they Mac and he go mac Drey. I go, yeah,

822
00:44:52,560 --> 00:44:54,480
Speaker 1: I think that's your name. I think that's the thing.

823
00:44:54,560 --> 00:44:57,480
Speaker 1: He said, Oh yeah, yeah, yeah, Rish get him, get

824
00:44:57,560 --> 00:45:00,799
Speaker 1: him right. I go back up there. Yeah, I got

825
00:45:01,200 --> 00:45:02,800
Speaker 1: you know what he called seventy five dollars and we

826
00:45:02,840 --> 00:45:05,680
Speaker 1: got the fly songs and everything, and so he said

827
00:45:05,719 --> 00:45:07,239
Speaker 1: he hadn't bring the nigga, you know, haven't filled out

828
00:45:07,320 --> 00:45:09,799
Speaker 1: visiting form. Let me come and meeting. He came walking

829
00:45:09,840 --> 00:45:27,960
Speaker 1: in the visiting room. It was shot and what was

830
00:45:28,000 --> 00:45:30,840
Speaker 1: the error? Where everybody there was Max something man, and

831
00:45:30,920 --> 00:45:34,360
Speaker 1: y'all got your Max confused. He said, we know signed

832
00:45:34,360 --> 00:45:38,359
Speaker 1: somebody from signed this motherfucker from the Bay to pop

833
00:45:38,680 --> 00:45:44,600
Speaker 1: motherfucker Marrow Chicot. That's true because that's the hardest. The

834
00:45:44,640 --> 00:45:47,600
Speaker 1: New York rapper, a Baltimore rapper, a Bay Area rapper,

835
00:45:47,640 --> 00:45:50,719
Speaker 1: on l a rapper. I contend to consider him an

836
00:45:50,760 --> 00:45:53,759
Speaker 1: Oakland rapper because he got his game from Oakland. When

837
00:45:53,800 --> 00:45:58,880
Speaker 1: he was in Baltimore, Baltimore. He's doing his acting ship Baltimore,

838
00:45:59,040 --> 00:46:01,640
Speaker 1: New Yorker saying when he got to Marin City, he

839
00:46:01,719 --> 00:46:04,759
Speaker 1: started rapping with the digital underground niggers, and then when

840
00:46:04,760 --> 00:46:07,160
Speaker 1: he got to Oakland and starting with the Richie Richard,

841
00:46:07,239 --> 00:46:10,560
Speaker 1: the good real niggers in the streets cutters, cut the motherfucker.

842
00:46:10,600 --> 00:46:13,520
Speaker 1: Because in Oakland we wear ball heads. It's called the

843
00:46:13,560 --> 00:46:15,680
Speaker 1: Louisville you know what I mean. When pimps and Ship

844
00:46:15,800 --> 00:46:18,480
Speaker 1: was wearing all the perms and ship, real street niggas

845
00:46:18,480 --> 00:46:20,840
Speaker 1: went with the ball heads. Bro niggas went doing all

846
00:46:20,920 --> 00:46:23,279
Speaker 1: hot tops. Don that ship, Real street niggas, you know

847
00:46:23,320 --> 00:46:25,360
Speaker 1: what I mean, periods. So Park went to Oakland and

848
00:46:25,400 --> 00:46:33,120
Speaker 1: got the ball head. Freeze got the ball head folks.

849
00:46:33,160 --> 00:46:35,680
Speaker 1: We had ball heads in Oakland and little Caesars and

850
00:46:35,719 --> 00:46:40,240
Speaker 1: ship man terms and we did have but it was pimps.

851
00:46:40,320 --> 00:46:43,160
Speaker 1: That really was pips side in the Palms Street nigga

852
00:46:43,239 --> 00:46:46,040
Speaker 1: Hustling nigga had that same ship too, but the real

853
00:46:46,400 --> 00:46:49,840
Speaker 1: killers and hitters on the Black ball Head niggas, So

854
00:46:51,920 --> 00:46:55,799
Speaker 1: they always feel like they were in California. But they

855
00:46:55,840 --> 00:47:01,960
Speaker 1: had a sound mentality, y'all. They have bolted them all

856
00:47:02,480 --> 00:47:06,960
Speaker 1: they got Freezing. I was like, you don't know, Like

857
00:47:07,719 --> 00:47:09,360
Speaker 1: I don't know about out here, but a lot of

858
00:47:09,520 --> 00:47:12,400
Speaker 1: us from California family. Our roots is from the South

859
00:47:12,600 --> 00:47:18,880
Speaker 1: corrects from New Orleans. It's all that ship. So you

860
00:47:18,960 --> 00:47:22,640
Speaker 1: don't write from down there. So it's only in that stuff,

861
00:47:22,680 --> 00:47:25,800
Speaker 1: you know, it's in our blood. It's like that. I

862
00:47:26,080 --> 00:47:28,920
Speaker 1: always left from that. Yeah, you know what I mean.

863
00:47:29,120 --> 00:47:32,360
Speaker 1: We migrated. You forgot We migrated and slavery ship. We

864
00:47:32,480 --> 00:47:35,239
Speaker 1: migrated when that ship was free in the eighties and

865
00:47:35,320 --> 00:47:49,319
Speaker 1: the nineties. We're still doing right. See nugget nuggets, old

866
00:47:49,360 --> 00:47:53,160
Speaker 1: school nugget on your pockets. A Bay Area rapper, you know,

867
00:47:53,280 --> 00:47:56,880
Speaker 1: that's that's the general consistency because it got gamed up

868
00:47:56,920 --> 00:47:59,239
Speaker 1: in oak Marin City was treacherous too because it John

869
00:47:59,320 --> 00:48:01,719
Speaker 1: Goes ain't no more sucking jail the projects he was

870
00:48:01,760 --> 00:48:04,320
Speaker 1: living in in Marin City. And so a combination of

871
00:48:04,400 --> 00:48:07,080
Speaker 1: both what was digital underground based and just the underground

872
00:48:07,200 --> 00:48:10,799
Speaker 1: is like Berkeley Oakland, combination of of all that ship

873
00:48:10,920 --> 00:48:13,440
Speaker 1: they didn't have like one spot then based in Oakland

874
00:48:13,560 --> 00:48:15,160
Speaker 1: or mainly you know what I mean. But it was

875
00:48:15,200 --> 00:48:20,120
Speaker 1: a combination of Maren Berkeley were shot from Oakland, Oakland, Okay,

876
00:48:20,280 --> 00:48:22,960
Speaker 1: from in Florida, and I think, yeah, I think he's

877
00:48:23,000 --> 00:48:24,680
Speaker 1: from Well they put them, they put him on in

878
00:48:24,760 --> 00:48:29,279
Speaker 1: that album. I think it was they gave him one

879
00:48:29,360 --> 00:48:31,439
Speaker 1: line and it was the hardest line of the song

880
00:48:32,200 --> 00:48:36,960
Speaker 1: when same was the song the same song, Yeah, like

881
00:48:37,600 --> 00:48:46,600
Speaker 1: two verses. So he was mad at digital us. What

882
00:48:47,480 --> 00:48:51,239
Speaker 1: sign oh exclusive and I know what it is. They

883
00:48:51,280 --> 00:48:53,960
Speaker 1: didn't pay me no money when they were signing to

884
00:48:54,000 --> 00:48:57,200
Speaker 1: the group. Why didn't sign him that? The thing was

885
00:48:57,440 --> 00:48:59,680
Speaker 1: they would never signed him to the group. They treat

886
00:48:59,760 --> 00:49:03,800
Speaker 1: him like a roadie. They didn't see the potential. But

887
00:49:03,920 --> 00:49:07,200
Speaker 1: his first solo album him as he got it, well,

888
00:49:07,239 --> 00:49:10,919
Speaker 1: he produced, producing a lot of Yeah, that guy would

889
00:49:10,960 --> 00:49:13,200
Speaker 1: never sign him as a group. So we went back

890
00:49:13,200 --> 00:49:16,480
Speaker 1: to a video shoot that they were doing. Uh it

891
00:49:16,600 --> 00:49:20,680
Speaker 1: was in April, April of nineties six, and he wanted

892
00:49:20,680 --> 00:49:22,960
Speaker 1: to go with this to shine on him because he

893
00:49:23,080 --> 00:49:25,800
Speaker 1: was always mad. I was at that video. It was

894
00:49:25,880 --> 00:49:27,920
Speaker 1: the one where he came and took one of the

895
00:49:27,960 --> 00:49:30,160
Speaker 1: niggas bitches form a video. He came in the drove

896
00:49:30,640 --> 00:49:36,879
Speaker 1: and he had he came to shine. I was there

897
00:49:36,920 --> 00:49:39,680
Speaker 1: a video. I was there, and I don't mind speaking

898
00:49:40,600 --> 00:49:43,600
Speaker 1: about I was there. It was called the Regno Floe.

899
00:49:43,760 --> 00:49:46,040
Speaker 1: It was like the little It was in in in

900
00:49:46,400 --> 00:49:48,719
Speaker 1: the factory and had all the little set with the

901
00:49:48,840 --> 00:49:51,200
Speaker 1: rocks and ship was still feeling salty even though he

902
00:49:51,239 --> 00:49:55,480
Speaker 1: had already achieved a success. And then he took the

903
00:49:55,600 --> 00:49:58,040
Speaker 1: baddest model that was in the video, left with the

904
00:49:58,080 --> 00:50:03,000
Speaker 1: bitch and dropped top and bounce right. Lawyer you know

905
00:50:05,480 --> 00:50:09,520
Speaker 1: he was he was, Yeah, he shut the video down.

906
00:50:11,320 --> 00:50:14,640
Speaker 1: I ain't. I ain't because he never never signed him

907
00:50:14,680 --> 00:50:17,239
Speaker 1: in the group, even though did do a lot of

908
00:50:17,320 --> 00:50:20,960
Speaker 1: the Beasts for his album that you know, Interscope eventually.

909
00:50:21,640 --> 00:50:23,960
Speaker 1: That's crazy man. He learned something new every day. And

910
00:50:24,040 --> 00:50:25,239
Speaker 1: that's a hell of a history. And that's what you

911
00:50:25,280 --> 00:50:27,279
Speaker 1: get when you listen to the games to chronicles, all

912
00:50:27,360 --> 00:50:30,600
Speaker 1: kind of stuff that you've never heard of before, and uh,

913
00:50:30,680 --> 00:50:33,360
Speaker 1: it gets revealed first here. But before we wrap it up,

914
00:50:33,560 --> 00:50:36,760
Speaker 1: we got to talk about all these conspiracy theorists videos

915
00:50:36,840 --> 00:50:40,480
Speaker 1: creating content on the depth of Nipsey Hustle. I know

916
00:50:40,560 --> 00:50:42,759
Speaker 1: you've got something to say about this, man. I said

917
00:50:42,880 --> 00:50:45,600
Speaker 1: something on my YouTube, man, and all the motherfucking people

918
00:50:45,640 --> 00:50:50,239
Speaker 1: went crazy. I think Reggie was like, Man, yeah, nah,

919
00:50:50,400 --> 00:50:53,080
Speaker 1: I wasn't talking about people that just talking about it

920
00:50:53,120 --> 00:50:55,080
Speaker 1: in general, you know what I mean. I'm talking about

921
00:50:55,120 --> 00:50:59,000
Speaker 1: people that's falsely accusing people like it's just a dangerous

922
00:50:59,040 --> 00:51:01,760
Speaker 1: thing to do because you don't got to walk these streets.

923
00:51:01,880 --> 00:51:04,000
Speaker 1: These people gotta walk these streets and deal with your

924
00:51:04,040 --> 00:51:07,680
Speaker 1: false ass acquisations like they're getting death threats, they're getting

925
00:51:07,719 --> 00:51:09,879
Speaker 1: physically threatened, you know what I mean. They gotta walk

926
00:51:09,920 --> 00:51:12,719
Speaker 1: around the gross and they put a big you and

927
00:51:13,480 --> 00:51:17,560
Speaker 1: telling any facts about that, no facts talking about big You.

928
00:51:17,760 --> 00:51:20,560
Speaker 1: You're talking about Cowboy, you're talking about Grandpaul, you're talking

929
00:51:20,560 --> 00:51:23,120
Speaker 1: about his business partners. Now jay Z has something to

930
00:51:23,200 --> 00:51:27,959
Speaker 1: do it louminaughty, Like this ship is going crazy for views,

931
00:51:28,280 --> 00:51:31,520
Speaker 1: for views and subscribers, and you're putting real people life

932
00:51:31,560 --> 00:51:35,160
Speaker 1: in danger. Man, that's not cool for sponsorships and views.

933
00:51:35,200 --> 00:51:36,959
Speaker 1: That's all I was saying. Now, a lot of people

934
00:51:37,080 --> 00:51:43,760
Speaker 1: got and unfortunately a lot of not even from out here, hiding.

935
00:51:43,760 --> 00:51:47,600
Speaker 1: They don't even show them. So like people like us,

936
00:51:47,680 --> 00:51:52,279
Speaker 1: we're out here. They all know what I'm telling you

937
00:51:52,440 --> 00:51:55,400
Speaker 1: out here, bro, come backstage with these people got shows

938
00:51:55,440 --> 00:51:57,960
Speaker 1: with all these motherfuckers. I see the managers everything back.

939
00:51:58,160 --> 00:52:00,120
Speaker 1: I gotta deal with it. So when I say ate

940
00:52:00,160 --> 00:52:02,120
Speaker 1: something that's gonna be actual and factual and I can

941
00:52:02,200 --> 00:52:04,560
Speaker 1: stand on it. I'm not gonna put nobody in no

942
00:52:05,120 --> 00:52:08,480
Speaker 1: no danger of getting the case, nobody in danger of

943
00:52:08,560 --> 00:52:11,279
Speaker 1: getting hurt or harmed or death threats, and none of

944
00:52:11,320 --> 00:52:13,799
Speaker 1: that ship, man, because it's not cool for views. Pair,

945
00:52:13,880 --> 00:52:16,800
Speaker 1: That's all I was saying. And everybody went and some

946
00:52:16,920 --> 00:52:20,280
Speaker 1: of these ridiculous I saw one where is this female

947
00:52:20,800 --> 00:52:24,720
Speaker 1: YouTube creator? She put a map of big use office

948
00:52:25,280 --> 00:52:27,759
Speaker 1: and then when if she got shot, I'm telling and

949
00:52:27,920 --> 00:52:30,200
Speaker 1: then she's saying, look how close his office is to

950
00:52:30,239 --> 00:52:35,200
Speaker 1: where he got shot? Nothing, And then you see the comments. Oh,

951
00:52:35,320 --> 00:52:38,000
Speaker 1: bab You're making a great point. Like even her, the

952
00:52:38,120 --> 00:52:42,400
Speaker 1: listeners to these channels are Remember, these are little young kids,

953
00:52:42,440 --> 00:52:45,440
Speaker 1: a lot of these people and and and they like

954
00:52:45,560 --> 00:52:47,279
Speaker 1: to be talked down to. They like to be talked

955
00:52:47,320 --> 00:52:48,799
Speaker 1: to like they in class because they just got all

956
00:52:48,840 --> 00:52:51,920
Speaker 1: of high school and so they used to be talking

957
00:52:53,680 --> 00:52:55,960
Speaker 1: elementary funk out of school. So at the end of

958
00:52:56,000 --> 00:53:00,239
Speaker 1: the day, man Um, not only are they dumb, but

959
00:53:02,160 --> 00:53:04,880
Speaker 1: when people put the ship out there, they believe in

960
00:53:04,960 --> 00:53:09,840
Speaker 1: the ship. And I was about to say something I forgot.

961
00:53:10,000 --> 00:53:13,640
Speaker 1: They're not only believing the ship, but too much weight

962
00:53:14,320 --> 00:53:17,880
Speaker 1: was believing the ship. But they spreading it, you know

963
00:53:17,880 --> 00:53:20,000
Speaker 1: what I mean. They're spreading. It's going from line to

964
00:53:20,080 --> 00:53:22,719
Speaker 1: line the line. So it's becoming the norm. It's becoming real,

965
00:53:23,000 --> 00:53:25,520
Speaker 1: you know what I mean. So these motherfucker's are aheads.

966
00:53:27,400 --> 00:53:30,200
Speaker 1: It's like this, man, let's be real. Let's put our

967
00:53:30,239 --> 00:53:34,319
Speaker 1: thinking caps on. Magnum p I. Whoever the funk you are?

968
00:53:34,640 --> 00:53:39,200
Speaker 1: You super investigators? Who's giving you the secret information? Why

969
00:53:39,200 --> 00:53:41,839
Speaker 1: are you sing for the police that the police don't

970
00:53:41,840 --> 00:53:44,160
Speaker 1: got the detectives don't got the ship you're talking about

971
00:53:44,600 --> 00:53:47,040
Speaker 1: the drudge don't got it, But you got it something

972
00:53:47,320 --> 00:53:49,640
Speaker 1: out of town, some bit out of town. You got

973
00:53:49,719 --> 00:53:52,800
Speaker 1: all the secret information? Exactly what happened? Who told you?

974
00:53:53,800 --> 00:53:56,440
Speaker 1: That's my question? How you get it? And the police

975
00:53:56,480 --> 00:53:58,000
Speaker 1: and nobody else got it out here in now l

976
00:53:58,320 --> 00:54:01,160
Speaker 1: but you somewhere in the new work at Baltimore, whatever

977
00:54:01,280 --> 00:54:03,640
Speaker 1: the down south you're doing your blogs at. How you

978
00:54:03,760 --> 00:54:05,680
Speaker 1: get it? And what makes you so freaking important to

979
00:54:05,719 --> 00:54:10,120
Speaker 1: get to exclusive information? It's false. It's actually undermining the

980
00:54:10,320 --> 00:54:13,680
Speaker 1: police's investigations because if any of these people were guilty,

981
00:54:14,040 --> 00:54:17,239
Speaker 1: the police would have already arrested the arrested. My more

982
00:54:17,320 --> 00:54:19,279
Speaker 1: the story, and we're gonna end this it on that

983
00:54:19,440 --> 00:54:23,280
Speaker 1: man Gates of Chronicles. Yeah, my shit about to start,

984
00:54:24,160 --> 00:54:31,560
Speaker 1: all right. Thanks for coming through you, Thank you. I

985
00:54:31,600 --> 00:54:33,960
Speaker 1: want to thank the listeners for listening to another episode

986
00:54:33,960 --> 00:54:36,040
Speaker 1: of the Gangs of Chronicles. Yuk might has to run

987
00:54:36,040 --> 00:54:37,680
Speaker 1: because he's got another show to do. But so if

988
00:54:37,719 --> 00:54:39,560
Speaker 1: you listen to us on iTunes, please leave us a

989
00:54:39,680 --> 00:54:43,840
Speaker 1: rating and a review and leave us some comments, questions, ideas,

990
00:54:44,200 --> 00:54:48,200
Speaker 1: and don't forget about bomb First, Reggie Right Junior's show

991
00:54:48,320 --> 00:54:51,799
Speaker 1: that's every Tuesday night at seven pm West Coast time,

992
00:54:52,239 --> 00:54:55,280
Speaker 1: And don't forget about James McDonald's death Row T shirts

993
00:54:55,480 --> 00:54:57,520
Speaker 1: which you are available at the Patreon page that you

994
00:54:57,560 --> 00:55:00,560
Speaker 1: can get through bomb First and you can also get

995
00:55:00,680 --> 00:55:05,640
Speaker 1: that through um James McDonald's direct PayPal, which is connected

996
00:55:05,680 --> 00:55:08,080
Speaker 1: to his number, which is and he doesn't mind me

997
00:55:08,120 --> 00:55:09,759
Speaker 1: giving this out because he already gave it out last

998
00:55:09,800 --> 00:55:13,799
Speaker 1: week nine O nine eight zero zero six four zero four.

999
00:55:14,280 --> 00:55:16,400
Speaker 1: And that's how you can get in touch with James McDonald's.

1000
00:55:16,480 --> 00:55:19,360
Speaker 1: And thanks for listening to another episode of the Gangster

1001
00:55:19,480 --> 00:55:25,560
Speaker 1: Chronicles and we're out appreciate you, man, man, thanks for

1002
00:55:25,680 --> 00:55:28,920
Speaker 1: having a kid. Man. We're supposed to do this, man, No,

1003
00:55:29,120 --> 00:55:30,000
Speaker 1: I know, yeah,