WEBVTT - Work in Progress: Lena Waithe

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<v Speaker 1>Hey everyone, it's Sophia. Welcome to Work in Progress. Hello friends,

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<v Speaker 1>Today we are joined by someone that I admire so much,

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<v Speaker 1>that I have cherished for such a long time, and

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<v Speaker 1>who I think is hands down one of the coolest

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<v Speaker 1>human beings that I know. Today's guest on Work in

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<v Speaker 1>Progress is none other than Lena Waithe. You know her

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<v Speaker 1>as an Emmy winning writer, producer, actor, and the founder

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<v Speaker 1>of Hellman Grad. She is known for Master of None,

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<v Speaker 1>The Shy Queen, and Slim. Lena's film credits, TV credits,

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<v Speaker 1>They just go on and on and on, from winning

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<v Speaker 1>awards at Sundance to again being Emmy nominated for documentaries,

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<v Speaker 1>Lina did not come to play. She is an incredible

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<v Speaker 1>creator in every single sense of the word, which is

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<v Speaker 1>probably why she was named one of Time magazines one

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<v Speaker 1>hundred most influential people all the way back in twenty eighteen.

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<v Speaker 1>She was included on Fast Companies Queer fifty lists in

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<v Speaker 1>twenty twenty one and twenty twenty two. Lena just keeps

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<v Speaker 1>on winning. Born in Chicago, Illinois, Lena always knew that

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<v Speaker 1>she wanted to be a television writer and was lucky

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<v Speaker 1>enough to be supported by her family and along the

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<v Speaker 1>way discovered that she happens to be a fantastic actor too.

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<v Speaker 1>I cannot wait to talk to her about her journey,

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<v Speaker 1>her creativity in every single vertical that it touches, and

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<v Speaker 1>the ways that she thinks about storytelling and her latest project,

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<v Speaker 1>her brand new podcast, Legacy Talk with Lena Waithe, which

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<v Speaker 1>is a love letter to black women in entertainment. She

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<v Speaker 1>sits down with incredible icons and trailblazers to discuss their

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<v Speaker 1>creative process, their journey, and how they became the women

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<v Speaker 1>and leaders and artists that they are today. Legacy Talk

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<v Speaker 1>really is more than just a series of interviews. It's

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<v Speaker 1>a documentation of the stories and experiences of women who

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<v Speaker 1>have shifted narratives, broken barriers, and inspired a generation. I

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<v Speaker 1>am not surprised that Lena is tackling this latest vertical

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<v Speaker 1>with the same curiosity and excellence that she brings to

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<v Speaker 1>every single project. Let's dive in with Lena Waithe. Lena,

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<v Speaker 1>I'm so happy that you're here today.

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<v Speaker 2>I'm so happy I'm doing this is like my first

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<v Speaker 2>thing of the day.

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<v Speaker 1>It is I love that, and you know, I just

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<v Speaker 1>love the that of you. I was trying to tell

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<v Speaker 1>my producers today. When we jumped on, they were like,

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<v Speaker 1>how do you guys know each other?

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<v Speaker 2>And I was like, I, Michelle Obama is where we met?

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<v Speaker 1>Is that where we met for the first time.

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<v Speaker 2>I think that's where we met. Oh god, social before that,

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<v Speaker 2>But in terms of meeting, I think was there. Yeah.

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<v Speaker 1>I just remember when like we started getting in the dms,

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<v Speaker 1>like chatting about things, and I was like, wait a second.

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<v Speaker 1>I really admire this woman as a storyteller, and I

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<v Speaker 1>also think I love who she is as a person,

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<v Speaker 1>Like are we gonna be friends? And here we are

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<v Speaker 1>and I love it.

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<v Speaker 2>And also we have a great mutual for an Alex Edelman,

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<v Speaker 2>like the homie.

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<v Speaker 1>The brother, the best, just the yummiest little bro in

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<v Speaker 1>the world.

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<v Speaker 2>Ever.

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<v Speaker 1>Yes, I was just like, Okay, So something I find

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<v Speaker 1>really fascinating about you because we know a lot of

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<v Speaker 1>people that are multi hyphenits, but you are like you

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<v Speaker 1>are like a multi hyphen in like an algebra problem

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<v Speaker 1>like that you just keep stacking pieces of the equation.

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<v Speaker 1>And when I put my you know, interviewer hat on

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<v Speaker 1>and started to dig into things about your life, I

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<v Speaker 1>didn't know. I had no idea that you always knew

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<v Speaker 1>you wanted to be a writer, like since you were

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<v Speaker 1>at all? And I ask a lot of the folks

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<v Speaker 1>who come on the show because people know you as

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<v Speaker 1>you know, public figure or all the things you are.

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<v Speaker 1>I always like to see if you could meet your

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<v Speaker 1>nine year old self, if you would see who you

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<v Speaker 1>are today in that child. And I'm like, well, obviously

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<v Speaker 1>you did, because you always knew you wanted to be

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<v Speaker 1>a writer. So like, can you tell me where your

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<v Speaker 1>interests and your love of storytelling started? Do you have

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<v Speaker 1>a moment where you knew or was it always there?

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<v Speaker 2>I mean, I think I grew up watching a lot

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<v Speaker 2>of TV as a kid. Being in the nineties, it

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<v Speaker 2>was sort of like a Heyday for TV. I think

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<v Speaker 2>from young people you know what to be tgif you know,

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<v Speaker 2>Full House, Family Matters, step by Step, Charles in Charge,

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<v Speaker 2>Small Wonder Out, Empty Nest, you know. And then but

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<v Speaker 2>also like there were so many great shows with all

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<v Speaker 2>black casts, like Obviously A Different World, which was one

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<v Speaker 2>of the biggest influences on me and the Cosby show.

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<v Speaker 2>I mentioned Family Matters, Fresh Prince of bel Air was

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<v Speaker 2>really Dopehood, which was actually a show that Robert townsended,

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<v Speaker 2>which is sort of like his Cosby show, and so

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<v Speaker 2>there were just Wayne's brothers. I remember it was a

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<v Speaker 2>really cool show. I at least loved watching The Living

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<v Speaker 2>Color coming up. So there was just a shmortgage board

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<v Speaker 2>of like TV shows and entertainment with really amazing talent.

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<v Speaker 2>And I was really inspired and influenced by the kind

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<v Speaker 2>of storytelling that was happening. I remember Demolition Man, like

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<v Speaker 2>you know, we always say before Black Panther, it was

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<v Speaker 2>a little demolish Man, which Robert Townsend did with the

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<v Speaker 2>blonde hair and like the superheroes in their own neighborhood

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<v Speaker 2>trying to save their neighborhood from evil doers. And we

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<v Speaker 2>have had all this stuff, and I think I just

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<v Speaker 2>kind of saw that and thought that that was normal

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<v Speaker 2>and there was nothing odd about that. And so but

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<v Speaker 2>I also grew up watching Oprah win for every Day,

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<v Speaker 2>and like you know, and after you know, it's like

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<v Speaker 2>being in Chicago knowing that's where she filmed the show

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<v Speaker 2>was yet really a source of pride for us, and

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<v Speaker 2>I just think it was a really fruitful time and

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<v Speaker 2>and for me to be a kid growing up at

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<v Speaker 2>my grandmother's house with a single mom, you know, older sister,

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<v Speaker 2>I you know, we were last ki kids, so we

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<v Speaker 2>would come home and watch television and cook for ourselves

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<v Speaker 2>and wait for our parents to get home from work.

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<v Speaker 2>And that was actually the time where I think we

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<v Speaker 2>were becoming ourselves. Also watching music videos a ton like

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<v Speaker 2>being people watching the box, you know what, you could

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<v Speaker 2>call and request the music video. You know, that was

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<v Speaker 2>sort of our TikTok and Instagram and Facebook. We really were.

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<v Speaker 2>It was very analog. I remember I could walk to

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<v Speaker 2>the Blockbuster, you know, and I ended up working there

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<v Speaker 2>and renting movies. And that's how I remember renting Hoop

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<v Speaker 2>Dreams and you know, seeing parents is burning like on

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<v Speaker 2>vhs and discovering these things and these treasure trows of

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<v Speaker 2>footage and documentation of stories and people and these character

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<v Speaker 2>even watching documentaries thinking about who dreams like is like

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<v Speaker 2>a real person, But he felt like like a character,

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<v Speaker 2>like somebody I knew, being from Chicago, trying to play basketball,

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<v Speaker 2>trying to make his family proud. These are just things

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<v Speaker 2>that I kind of saw and could relate to, it,

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<v Speaker 2>could understand, And I think that was really what the

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<v Speaker 2>Seeds were playing it in terms of wanting to tell

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<v Speaker 2>stories that felt vulnerable and felt honest.

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<v Speaker 1>Hmm. I love that. Yeah, you know you're making me

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<v Speaker 1>realize too that we Yeah, I mean we grew up

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<v Speaker 1>in this moment where not to say everything was like

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<v Speaker 1>perfect or fixed, but where art was growing in such

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<v Speaker 1>a way, these messages of these stories were growing in

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<v Speaker 1>all of these beautiful ways. More and more people were

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<v Speaker 1>getting to be represented. We're getting to be on TV.

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<v Speaker 1>Like I I studied journalism in college because of Oprah.

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<v Speaker 2>Wow, you know, like I didn't know that.

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<v Speaker 1>I you will love this. When I was a kid,

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<v Speaker 1>it would take just long enough for me to get

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<v Speaker 1>home from school, and like when the years that I

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<v Speaker 1>was like eight nine, my mom was picking me up

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<v Speaker 1>at that time, and I sat her down and I

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<v Speaker 1>was like, Mom, nothing happens in the last period anyway,

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<v Speaker 1>And if you pick me up after school ends, I

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<v Speaker 1>get home at three fifteen, and I missed the first

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<v Speaker 1>fifteen minutes of Oprah, and I learned way more from

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<v Speaker 1>Oprah than I learned at the end of the day

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<v Speaker 1>at school. So I think you should pick me up

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<v Speaker 1>at two forty five. And my mom was like, first

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<v Speaker 1>of all, are you going to be a lawyer? Who

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<v Speaker 1>do you think you are? And I'm not negotiating with

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<v Speaker 1>my young child to leave school early so you can

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<v Speaker 1>come home to watch Oprah.

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<v Speaker 2>And I was like, she's my class though, and look

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<v Speaker 2>at your guy.

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<v Speaker 1>Yeah, and it's like, I don't know, I think about that,

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<v Speaker 1>and I think we were really we were so lucky

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<v Speaker 1>to have her as women that are passionate about the

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<v Speaker 1>world around us, as storytellers, and we were really lucky

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<v Speaker 1>to have all these shows and all these creators that

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<v Speaker 1>you're referencing. We I worry for today's kids, like anything

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<v Speaker 1>that isn't you know, traditional, I'll do the air quotes

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<v Speaker 1>meaning like tip represented by power is suddenly like weaponized

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<v Speaker 1>as political and I'm like, maybe it was actually just

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<v Speaker 1>dope when everybody got to be on TV, like when

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<v Speaker 1>we just told all kinds of different stories about all

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<v Speaker 1>kinds of different people. And the nineties really were this

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<v Speaker 1>like blossoming moment for a lot of that.

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<v Speaker 2>Absolutely. I mean when you look back at like, you know,

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<v Speaker 2>CNN does like a study about the decades and the

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<v Speaker 2>nineties one is super obviously fascinating because that was my nostalgia.

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<v Speaker 2>But it's true, it was. It was very a fruitful time,

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<v Speaker 2>you know, and we're taking risks and music was really dope,

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<v Speaker 2>you know, and TV and and and I think but

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<v Speaker 2>also I think the Oprah Winfrey Show was something that wow, boy,

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<v Speaker 2>did we take that for granted? I think at the time,

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<v Speaker 2>just in terms of seeing a black woman on television

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<v Speaker 2>being curious and being empathetic and being open to learning something.

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<v Speaker 2>You know, she remember the that was like the light

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<v Speaker 2>bulb moment. That's what it became, you know, famous, you

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<v Speaker 2>know on the show, just the idea of a light

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<v Speaker 2>bulb going off above. Yes, oh, I've never thought of

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<v Speaker 2>it that way before. That's such an interesting and powerful

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<v Speaker 2>thing to say. I'm telling shem Oprah, who we would

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<v Speaker 2>think knows all she was as expressing the people. Even

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<v Speaker 2>though you think, you know, I'm the leader of the pack,

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<v Speaker 2>I'm still learning things with you. You know, I'm still

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<v Speaker 2>growing with you.

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<v Speaker 1>Yes, and to make learning something beautiful and something to

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<v Speaker 1>aspire to.

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<v Speaker 2>Book club like yeah, like her gathering people to talk

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<v Speaker 2>about a book and with the author. I remember like

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<v Speaker 2>she had Tony Morrison sent at the table with all

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<v Speaker 2>these women and like them talking about her book and

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<v Speaker 2>her literature and asking her questions. On television. You know,

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<v Speaker 2>that was a real, a real thing and and wow,

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<v Speaker 2>I just you know, I miss it sometimes.

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<v Speaker 1>I do too. I wish we could go back. I

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<v Speaker 1>ate up life class. When she was like, let me

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<v Speaker 1>do this show. That's like the highlight reel of all

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<v Speaker 1>my shows.

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<v Speaker 2>I was like, give it, yeah, or masterclass or master

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<v Speaker 2>class on own. You don't remember that Maya Angelou episode,

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<v Speaker 2>the Dian Carrol episode, the Woopie Goldberg episode. Yeah, And

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<v Speaker 2>I think, but I think Oprah did a master class

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<v Speaker 2>to her, So I think she did so maybe probably

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<v Speaker 2>just a way for us to kind of learn how

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<v Speaker 2>these giants became who they were, but also showing you

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<v Speaker 2>that giants started out not unlike you, you know, yeah,

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<v Speaker 2>listen to their inner voice and walked in their purpose.

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<v Speaker 2>I think that's the big thing Oprah was always really

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<v Speaker 2>good about, was really sort of telling us, like, the

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<v Speaker 2>person that you think is the smartest in the world,

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<v Speaker 2>the most accomplishing the world, the wisest, began you know

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<v Speaker 2>in the way that you did. You know, Yeah, the

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<v Speaker 2>house and unsure and if they had were dealing with

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<v Speaker 2>self doubt and not knowing and someone eventually finding their voice,

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<v Speaker 2>and so it make sure you sit at home and go, oh, well,

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<v Speaker 2>they can do it. You know why not?

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<v Speaker 1>I yeah, do you feel like that's what you were

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<v Speaker 1>gleaning in those hours that that kind of incredible time

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<v Speaker 1>you got between me and you got home from school

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<v Speaker 1>and you know the adults got home. Were you beginning

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<v Speaker 1>to see, oh, any kind of insecurity or very human

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<v Speaker 1>fear I might have? You know, we all asked that question, like, well,

0:12:16.440 --> 0:12:19.000
<v Speaker 1>who am I to do this? Do you think the

0:12:19.160 --> 0:12:21.960
<v Speaker 1>lesson was? These people all did it, so I'm going

0:12:22.040 --> 0:12:24.200
<v Speaker 1>to try to do it? Like how did you take

0:12:24.240 --> 0:12:24.800
<v Speaker 1>the leap?

0:12:25.679 --> 0:12:28.760
<v Speaker 2>I mean, well, I think I wasn't thinking about it

0:12:28.800 --> 0:12:30.520
<v Speaker 2>in that way at that time. I think that's what

0:12:30.679 --> 0:12:37.800
<v Speaker 2>really great entertainment content, you know, media does where I

0:12:37.840 --> 0:12:40.640
<v Speaker 2>think those particularly speak about the master classes that she

0:12:40.679 --> 0:12:44.600
<v Speaker 2>would do in a particularly May Angelo. That one really

0:12:44.640 --> 0:12:49.880
<v Speaker 2>sticks out of my head. But I think I just

0:12:50.000 --> 0:12:52.280
<v Speaker 2>was taking it in. I think I was taking it

0:12:52.320 --> 0:12:54.840
<v Speaker 2>in and I was very aware of who my Angelo

0:12:55.480 --> 0:12:58.679
<v Speaker 2>was and continues to be in our world, even though

0:12:58.679 --> 0:13:03.560
<v Speaker 2>she may not be earthside anymore. I think it was

0:13:03.640 --> 0:13:09.040
<v Speaker 2>just important to hear her speak in the talk, and

0:13:09.040 --> 0:13:13.080
<v Speaker 2>and I didn't even understand the weight of it then,

0:13:14.440 --> 0:13:16.720
<v Speaker 2>because I think in those moments, that's not what you're doing.

0:13:17.520 --> 0:13:23.280
<v Speaker 2>And I think that's why, you know, I think it's

0:13:23.320 --> 0:13:27.680
<v Speaker 2>not just about images, it's about what are people saying,

0:13:27.840 --> 0:13:34.040
<v Speaker 2>what's sort of being conveyed, and because it'll hit people later. Yeah,

0:13:34.080 --> 0:13:36.880
<v Speaker 2>so it's important just to you know, just to take

0:13:36.880 --> 0:13:37.160
<v Speaker 2>it in.

0:13:37.640 --> 0:13:42.920
<v Speaker 1>Just Yeah, you were, you were having nice afternoons like vibeing,

0:13:43.000 --> 0:13:45.400
<v Speaker 1>watching music videos, and now you look back and you're like, oh,

0:13:45.440 --> 0:13:48.360
<v Speaker 1>I was, I was taking a master clas ta. Yeah.

0:13:49.920 --> 0:13:52.640
<v Speaker 2>We saw Rosie Rosie O'donald Show two every day at

0:13:52.679 --> 0:13:54.679
<v Speaker 2>three o'clock. For us, Oprah was on at nine am

0:13:54.840 --> 0:13:58.440
<v Speaker 2>and then in the evening and afternoon Rosie was at

0:13:58.440 --> 0:14:01.400
<v Speaker 2>the afternoon like three o'clock. Yet talk shows were a thing,

0:14:01.600 --> 0:14:03.520
<v Speaker 2>like it was a it was a big deal. They

0:14:03.559 --> 0:14:06.560
<v Speaker 2>still are now, but I don't know, like we used

0:14:06.600 --> 0:14:09.679
<v Speaker 2>to watch like the talk shows all the time. Oh

0:14:09.960 --> 0:14:10.839
<v Speaker 2>I loved them.

0:14:11.440 --> 0:14:13.360
<v Speaker 1>And now a word from our sponsors who make the

0:14:13.440 --> 0:14:27.160
<v Speaker 1>show possible. What were your early days like when you

0:14:27.520 --> 0:14:32.640
<v Speaker 1>when you first moved out to LA Like, what what

0:14:32.880 --> 0:14:36.160
<v Speaker 1>was the experience like trying to begin to break into

0:14:37.240 --> 0:14:37.880
<v Speaker 1>the industry.

0:14:38.800 --> 0:14:41.320
<v Speaker 2>Well, we had some thing called the semester in LA

0:14:41.440 --> 0:14:43.720
<v Speaker 2>that Columbia College. I don't know if I think they

0:14:43.800 --> 0:14:47.560
<v Speaker 2>still do it. I hope they, But yeah, where I

0:14:47.600 --> 0:14:50.000
<v Speaker 2>got to spend a semester, you know, about twelve weeks,

0:14:50.000 --> 0:14:53.080
<v Speaker 2>you know, in LA and maybe many people were doing it.

0:14:53.280 --> 0:14:55.920
<v Speaker 2>I was sort of inspired. But the advice I got

0:14:56.160 --> 0:14:58.920
<v Speaker 2>was make it your last semester, because if you go

0:15:00.040 --> 0:15:01.760
<v Speaker 2>and then come back to Chica, I got like, you

0:15:01.880 --> 0:15:03.760
<v Speaker 2>kind of lose some of the contacts that you made.

0:15:03.880 --> 0:15:08.640
<v Speaker 2>So I took that advice and just got all my

0:15:08.720 --> 0:15:10.280
<v Speaker 2>credits lined up and do what I had to do

0:15:10.400 --> 0:15:12.880
<v Speaker 2>and spend my final semester in Los Angeles, which was

0:15:12.960 --> 0:15:17.000
<v Speaker 2>the best advice ever because I stayed out here and

0:15:17.080 --> 0:15:19.360
<v Speaker 2>then went back to that and then came back. But

0:15:19.440 --> 0:15:22.000
<v Speaker 2>I didn't I didn't miss a step. And the truth

0:15:22.080 --> 0:15:23.960
<v Speaker 2>is I didn't know anybody out here, you know, I

0:15:24.040 --> 0:15:29.280
<v Speaker 2>didn't have any contacts, you know. I just wanted to

0:15:29.360 --> 0:15:31.560
<v Speaker 2>meet people and get wanted to get to know folks

0:15:31.600 --> 0:15:34.240
<v Speaker 2>and wanted to learn and grow. And that was really

0:15:34.360 --> 0:15:36.720
<v Speaker 2>I think one of my strong points was that I

0:15:36.840 --> 0:15:40.160
<v Speaker 2>really wanted to just meet folks to see what they

0:15:40.160 --> 0:15:41.800
<v Speaker 2>were getting into and what they were doing, and if

0:15:41.800 --> 0:15:44.560
<v Speaker 2>it aligned with what I was doing, maybe we should

0:15:44.640 --> 0:15:46.600
<v Speaker 2>kind of link up and hang out. That's just kind

0:15:46.600 --> 0:15:49.760
<v Speaker 2>of how I've always operated, and which is a different

0:15:49.840 --> 0:15:53.200
<v Speaker 2>type of operator, you know, and not about what can

0:15:53.280 --> 0:15:55.600
<v Speaker 2>I get from you, but rather oh, you're doing the

0:15:55.640 --> 0:15:58.200
<v Speaker 2>same thing. You know, we can maybe share information and

0:15:58.200 --> 0:15:59.760
<v Speaker 2>see if we can help each other. And I still

0:16:00.120 --> 0:16:02.800
<v Speaker 2>rate that way. I think that's sort of how I

0:16:02.920 --> 0:16:06.000
<v Speaker 2>like to move. And yeah, and the thing is is

0:16:06.080 --> 0:16:07.640
<v Speaker 2>like I think LA is like any other place, you

0:16:07.760 --> 0:16:11.800
<v Speaker 2>kind of find your tribe slowly but surely. And then

0:16:12.160 --> 0:16:15.000
<v Speaker 2>it was important for me to also hunker down and

0:16:15.120 --> 0:16:17.360
<v Speaker 2>really hone my crafts. And I think that's how the

0:16:17.400 --> 0:16:20.960
<v Speaker 2>people can get lost in Los Angeles about going to things,

0:16:21.040 --> 0:16:22.920
<v Speaker 2>going to events. A lot of panels were happening when

0:16:22.920 --> 0:16:25.200
<v Speaker 2>I was first out here, which were amazing. They're not

0:16:25.280 --> 0:16:29.000
<v Speaker 2>as prevalent now, but it was good just to go

0:16:29.120 --> 0:16:31.600
<v Speaker 2>network and meet people and stuff. So that's what I

0:16:31.720 --> 0:16:34.520
<v Speaker 2>was really doing. It was like networking and then eventually

0:16:34.640 --> 0:16:36.840
<v Speaker 2>trying to find my voice and get finding jobs I'll

0:16:36.880 --> 0:16:38.720
<v Speaker 2>find in my voice and all that kind of stuff.

0:16:38.720 --> 0:16:41.040
<v Speaker 2>And I do think the it's changed a bit now

0:16:41.160 --> 0:16:44.200
<v Speaker 2>because people the world is smaller. You can kind of

0:16:44.240 --> 0:16:46.400
<v Speaker 2>go online and kind of build an audience and build

0:16:46.400 --> 0:16:48.680
<v Speaker 2>the following but I think what's sort of happening is

0:16:49.320 --> 0:16:51.960
<v Speaker 2>there's not that time to home one's voice, and I

0:16:52.000 --> 0:16:55.600
<v Speaker 2>think that's really where people are able to shine. Like

0:16:56.080 --> 0:17:00.960
<v Speaker 2>Quinta has a voice, you know, Yes, you know Brian,

0:17:01.080 --> 0:17:03.840
<v Speaker 2>the guy who does an English Teacher, he has a voice, yes,

0:17:04.600 --> 0:17:07.960
<v Speaker 2>and it's very distinctive. And I think that, to me

0:17:08.119 --> 0:17:10.080
<v Speaker 2>is what I hope people are understanding. When you're watching

0:17:10.119 --> 0:17:12.720
<v Speaker 2>English Teacher, when you're watching Avid Elementary. They both happen

0:17:12.760 --> 0:17:14.640
<v Speaker 2>to be shows that take place in schools and dealing

0:17:14.720 --> 0:17:19.040
<v Speaker 2>with teachers, but they couldn't be more different. And really

0:17:19.119 --> 0:17:21.560
<v Speaker 2>it's a great example to show folks, is like, that's

0:17:21.600 --> 0:17:23.600
<v Speaker 2>what it means to be a writer. You both can

0:17:23.680 --> 0:17:26.080
<v Speaker 2>do it in a similar setting, but they both can

0:17:26.160 --> 0:17:28.680
<v Speaker 2>feel really different. And that's because both of those show

0:17:28.800 --> 0:17:30.840
<v Speaker 2>creators who happen to be in the shows as well

0:17:30.880 --> 0:17:34.760
<v Speaker 2>a multi hyphens, they have really found their voice. So

0:17:34.880 --> 0:17:36.800
<v Speaker 2>that's why you know when you're watching Abit, you know

0:17:36.840 --> 0:17:39.080
<v Speaker 2>when you're watching English Teacher, not just because you o

0:17:39.080 --> 0:17:41.720
<v Speaker 2>they're different shows, but because the voices are so unique.

0:17:41.760 --> 0:17:43.560
<v Speaker 2>And I think that's why you both of them for

0:17:43.640 --> 0:17:46.920
<v Speaker 2>different reasons. And then if you put on twenties or

0:17:47.200 --> 0:17:50.639
<v Speaker 2>the shy those that's specific to my voice. And so

0:17:50.720 --> 0:17:53.320
<v Speaker 2>I always try to tell writers. I'm like, don't follow

0:17:53.359 --> 0:17:56.040
<v Speaker 2>the marketplace, no such thing, and don't try to be

0:17:56.520 --> 0:17:59.280
<v Speaker 2>don't try to hit. It's really about what is your voice?

0:17:59.320 --> 0:18:00.879
<v Speaker 2>What do you have to say? Say? What is specific

0:18:00.920 --> 0:18:02.840
<v Speaker 2>about you? What's a movie that only you can write?

0:18:03.040 --> 0:18:05.480
<v Speaker 2>That's why I think this has kind of gone away.

0:18:05.560 --> 0:18:07.160
<v Speaker 2>But there was a time where people are so afraid

0:18:07.200 --> 0:18:10.160
<v Speaker 2>somebody was going to steal their idea. Yeah, wives tell

0:18:10.200 --> 0:18:11.719
<v Speaker 2>about the matrix. You know, it's like I don't want

0:18:11.800 --> 0:18:14.879
<v Speaker 2>my I'm like, it's impossible, Like you can take you

0:18:14.960 --> 0:18:16.639
<v Speaker 2>know what I'm saying. It's like the idea, but they

0:18:16.680 --> 0:18:18.920
<v Speaker 2>can't execute it the way you wult it. So you know.

0:18:19.040 --> 0:18:20.960
<v Speaker 2>And also I always tell people like, if you're afraid

0:18:20.960 --> 0:18:23.400
<v Speaker 2>somebody's gonna take a idea, you got to start seeing

0:18:23.440 --> 0:18:25.760
<v Speaker 2>coming up with a whole bunch of more ideas. You know,

0:18:26.040 --> 0:18:29.520
<v Speaker 2>it's only got one. Then I don't know. I love that.

0:18:30.200 --> 0:18:31.040
<v Speaker 2>What do you think.

0:18:33.359 --> 0:18:37.400
<v Speaker 1>From this vantage point, because like, there's a lot of life,

0:18:37.440 --> 0:18:40.640
<v Speaker 1>there's a lot of work. When you talk about finding

0:18:40.760 --> 0:18:44.639
<v Speaker 1>your voice. If a young artist is listening to this

0:18:44.720 --> 0:18:47.040
<v Speaker 1>and it's like but how do I do that? Like

0:18:47.160 --> 0:18:50.000
<v Speaker 1>from here? How how do you think you would say

0:18:50.040 --> 0:18:55.280
<v Speaker 1>to somebody, this would be my my small slice of

0:18:55.359 --> 0:18:58.560
<v Speaker 1>a roadmap for you. How do you encourage people because

0:18:58.560 --> 0:19:01.800
<v Speaker 1>you're such a great mentor as the writer and producer

0:19:02.080 --> 0:19:06.040
<v Speaker 1>that you are. I wonder do you have advice you

0:19:06.200 --> 0:19:07.320
<v Speaker 1>like to give people on that?

0:19:08.119 --> 0:19:11.080
<v Speaker 2>Yeah, I try to tell people to watch a bunch

0:19:11.200 --> 0:19:18.080
<v Speaker 2>of TV. Watch you know, classic movies. Yeah, that's really important.

0:19:18.119 --> 0:19:19.800
<v Speaker 2>I think I always getting nervous when someone tells me

0:19:19.840 --> 0:19:21.520
<v Speaker 2>they want to write for TV, but don't watch it.

0:19:23.800 --> 0:19:27.040
<v Speaker 2>You'd be surprised people like the show. Have you seen this? No?

0:19:27.160 --> 0:19:28.640
<v Speaker 2>I haven't seen that. You haven't seen it. And it's

0:19:28.640 --> 0:19:34.080
<v Speaker 2>always sort of like, it's important to know what's working. Yeah,

0:19:34.280 --> 0:19:38.080
<v Speaker 2>important to know what's good. I like that, and know

0:19:38.240 --> 0:19:40.359
<v Speaker 2>what you don't like if you watch the shows. I

0:19:40.400 --> 0:19:43.560
<v Speaker 2>don't like this show? Why not? Why does it? Boy you?

0:19:43.600 --> 0:19:46.600
<v Speaker 2>Why doesn't I hold your attention? You know? And then

0:19:46.920 --> 0:19:48.560
<v Speaker 2>like I really love this show. Why do you love

0:19:48.640 --> 0:19:51.640
<v Speaker 2>the show? Like the characters? What do you like about

0:19:51.640 --> 0:19:52.119
<v Speaker 2>the characters?

0:19:52.760 --> 0:19:53.000
<v Speaker 1>Yeah?

0:19:53.280 --> 0:19:56.159
<v Speaker 2>Are coming back to it every week. And so the

0:19:56.240 --> 0:19:57.639
<v Speaker 2>thing is is like, if you want to create a

0:19:57.680 --> 0:20:01.239
<v Speaker 2>show that people love good to know what shows are

0:20:01.240 --> 0:20:05.639
<v Speaker 2>out there that people are loving and why and reading

0:20:05.680 --> 0:20:09.440
<v Speaker 2>scripts and you know, talking to writers you know that

0:20:09.840 --> 0:20:12.920
<v Speaker 2>maybe have written something that you like. There's a sort

0:20:12.960 --> 0:20:14.600
<v Speaker 2>of idea that I can do it all by myself

0:20:14.880 --> 0:20:17.200
<v Speaker 2>or I don't need somebody else to give me feedback,

0:20:17.400 --> 0:20:19.480
<v Speaker 2>or I don't mean like I still give people want

0:20:19.520 --> 0:20:22.520
<v Speaker 2>my stuff to read and give me feedback and people

0:20:22.600 --> 0:20:27.320
<v Speaker 2>I respect people that I appreciate their opinion, and I

0:20:27.760 --> 0:20:30.320
<v Speaker 2>get notes and I incorporate that and the work gets better.

0:20:30.680 --> 0:20:33.000
<v Speaker 2>And so I think that's something that people don't often see.

0:20:33.000 --> 0:20:34.360
<v Speaker 2>It is sort of think, oh, I just sit down

0:20:34.400 --> 0:20:36.399
<v Speaker 2>and write something and give it to something. It's like

0:20:36.520 --> 0:20:39.040
<v Speaker 2>now it goes through a bunch of stages of you know,

0:20:39.200 --> 0:20:42.720
<v Speaker 2>getting feedback, doing a table read, doing another past, getting

0:20:42.720 --> 0:20:47.200
<v Speaker 2>feedback again, and then reading it again and trying it

0:20:47.280 --> 0:20:50.160
<v Speaker 2>again and giving it to someone. And so I think

0:20:50.640 --> 0:20:54.440
<v Speaker 2>there's this desire this quick, you know, microwave, nuke and

0:20:54.600 --> 0:20:57.960
<v Speaker 2>let's go, and it's just no, I mean, I just

0:20:58.119 --> 0:21:01.200
<v Speaker 2>I have a you know, I sit down with Debbie

0:21:01.240 --> 0:21:04.280
<v Speaker 2>Allen for the finale of Legacy, talk with Mena Waite,

0:21:04.280 --> 0:21:07.680
<v Speaker 2>and I'm not like giving away anything too much. But

0:21:08.200 --> 0:21:10.080
<v Speaker 2>I asked her, I said, how long did it take

0:21:10.240 --> 0:21:13.560
<v Speaker 2>you to get Almostade made? How long? She was like

0:21:13.720 --> 0:21:17.240
<v Speaker 2>eighteen years, No, eighteen years.

0:21:17.440 --> 0:21:19.680
<v Speaker 1>I thought, I was like, you telling this story means

0:21:19.720 --> 0:21:23.080
<v Speaker 1>she's going to say like ten years, eighteen years.

0:21:22.920 --> 0:21:25.520
<v Speaker 2>Eighteen years and we and I told her, I said,

0:21:26.160 --> 0:21:29.840
<v Speaker 2>my school went on a field trip to go see

0:21:29.880 --> 0:21:36.239
<v Speaker 2>Almistid Wow and obviously directed by the Gracia the spiel Work,

0:21:36.240 --> 0:21:38.480
<v Speaker 2>who obviously I worked, put me in my first feature,

0:21:38.600 --> 0:21:39.320
<v Speaker 2>Ready to Play one.

0:21:39.720 --> 0:21:39.920
<v Speaker 1>Yeah.

0:21:40.960 --> 0:21:44.720
<v Speaker 2>But that is something people should understand, is that, like

0:21:44.840 --> 0:21:47.960
<v Speaker 2>some things that are really good, and sometimes it takes

0:21:48.000 --> 0:21:50.320
<v Speaker 2>a while, and sometimes something comes and it's like it's

0:21:50.359 --> 0:21:52.440
<v Speaker 2>pretty quick, like it happens you're like, oh man, okay,

0:21:52.520 --> 0:21:55.200
<v Speaker 2>we get this. But I just really want people to

0:21:55.280 --> 0:21:59.000
<v Speaker 2>understand that anything worth getting made and getting done and

0:21:59.240 --> 0:22:01.400
<v Speaker 2>worth having, often times it's gonna take a be it's

0:22:01.400 --> 0:22:03.280
<v Speaker 2>gonna take a while, it's gonna take patience, it's gonna

0:22:03.280 --> 0:22:05.280
<v Speaker 2>take you know, it ain't gonna be the first ride.

0:22:06.000 --> 0:22:09.320
<v Speaker 2>It's gonna be the thousand. You know, you're still needling

0:22:09.359 --> 0:22:12.040
<v Speaker 2>and you're still trying to make it right. And that's

0:22:12.119 --> 0:22:13.600
<v Speaker 2>what it is to be a creative. That's what it

0:22:13.720 --> 0:22:18.400
<v Speaker 2>is to be a writer. Just because it's never done.

0:22:18.960 --> 0:22:20.800
<v Speaker 2>You know, you can always make it better, you can

0:22:20.840 --> 0:22:24.040
<v Speaker 2>always make it stronger. And also now mind you as me,

0:22:24.200 --> 0:22:27.080
<v Speaker 2>every note you get is right for you, you know.

0:22:27.240 --> 0:22:29.440
<v Speaker 2>But I think that's what knowing your voice is that

0:22:29.560 --> 0:22:31.600
<v Speaker 2>knowing you're not saying no because you don't want to

0:22:31.640 --> 0:22:33.840
<v Speaker 2>do the work or because you're afraid to go in

0:22:33.960 --> 0:22:36.560
<v Speaker 2>and see. But maybe if you say no because you

0:22:36.640 --> 0:22:38.480
<v Speaker 2>know what, like, that's not the story I'm telling. I

0:22:38.600 --> 0:22:40.200
<v Speaker 2>get the note, but that's not the story I'm telling.

0:22:40.280 --> 0:22:42.960
<v Speaker 2>If I do that something else, you know, it's like,

0:22:43.200 --> 0:22:45.720
<v Speaker 2>but that note enhances the story I'm telling and makes

0:22:45.760 --> 0:22:48.480
<v Speaker 2>the story I'm telling even stronger and clearer. So I

0:22:48.560 --> 0:22:50.520
<v Speaker 2>appreciate that. And that's that's the big thing too. It

0:22:50.600 --> 0:22:52.800
<v Speaker 2>just takes you know, it just takes time to learn

0:22:53.840 --> 0:22:56.240
<v Speaker 2>you know, what notes make sense of what notes don't.

0:22:57.200 --> 0:22:58.480
<v Speaker 2>But the truth is, because you got to leave your

0:22:58.520 --> 0:23:00.480
<v Speaker 2>ego at the door, you know. In a while people,

0:23:00.880 --> 0:23:02.760
<v Speaker 2>Me and Gina talked about this on episode Legacy Talk.

0:23:02.800 --> 0:23:04.040
<v Speaker 2>She's like, a lot of people give me their material

0:23:04.040 --> 0:23:07.240
<v Speaker 2>because they want me to tell them it's great. And

0:23:07.720 --> 0:23:09.399
<v Speaker 2>she was like, when I have to get from my material.

0:23:09.440 --> 0:23:11.920
<v Speaker 2>She's like, you wanted me just to tell you the truth? Yes,

0:23:12.280 --> 0:23:13.640
<v Speaker 2>And she was like, and I did, and you came

0:23:13.680 --> 0:23:15.960
<v Speaker 2>back with the new draft and she was like, it's

0:23:16.040 --> 0:23:17.840
<v Speaker 2>so rare for people to do that. And I was surprised.

0:23:17.840 --> 0:23:20.040
<v Speaker 2>I say it is. She's like, oh yeah, you'll get

0:23:20.080 --> 0:23:24.720
<v Speaker 2>somebody down from them again, and so oh yeah, this

0:23:24.840 --> 0:23:26.520
<v Speaker 2>happened to me too, Like you know, so that's why

0:23:26.560 --> 0:23:27.840
<v Speaker 2>I kind of start to figure out ways. I'm like,

0:23:27.840 --> 0:23:31.160
<v Speaker 2>how can I because everybody you know has a has

0:23:31.200 --> 0:23:33.280
<v Speaker 2>a thing, and the truth is they just really need real,

0:23:33.359 --> 0:23:37.560
<v Speaker 2>honest feedback. And a lot of people don't want honest feedback.

0:23:37.600 --> 0:23:39.280
<v Speaker 2>They want to be told this was great and I

0:23:39.359 --> 0:23:41.040
<v Speaker 2>wish you well and I hope this becomes a big

0:23:41.119 --> 0:23:43.920
<v Speaker 2>hit versus you know, this kind of slowed down from

0:23:43.920 --> 0:23:45.800
<v Speaker 2>me in the second act, or these two characters wort

0:23:45.840 --> 0:23:48.520
<v Speaker 2>of sound the same, or I got lost here at

0:23:48.520 --> 0:23:50.760
<v Speaker 2>the end. Folks don't want to hear that because it's

0:23:50.760 --> 0:23:52.280
<v Speaker 2>sort of like, oh, snap, okay, I got to go

0:23:52.320 --> 0:23:53.720
<v Speaker 2>back to the drawing board, or I got to like

0:23:53.800 --> 0:23:56.640
<v Speaker 2>reoutline this, or I need to you know, go back

0:23:56.680 --> 0:23:59.480
<v Speaker 2>in because that's where the writing begins, is the rewriting.

0:24:00.119 --> 0:24:03.600
<v Speaker 1>Right. Well, what I what I'm hearing a lot of

0:24:03.800 --> 0:24:06.520
<v Speaker 1>is that you have to have you know, on the

0:24:06.560 --> 0:24:09.240
<v Speaker 1>one hand, you're talking about knowing your voice and your vision,

0:24:10.119 --> 0:24:13.640
<v Speaker 1>so you have to be able to, as you said,

0:24:13.720 --> 0:24:16.400
<v Speaker 1>say that's not the story I'm telling. That is additive

0:24:16.480 --> 0:24:20.960
<v Speaker 1>to the story I'm telling. And it like it's the

0:24:21.040 --> 0:24:22.840
<v Speaker 1>both and it's like the improv right, It's like, on

0:24:22.920 --> 0:24:24.840
<v Speaker 1>the one side, you really got to know what it

0:24:25.000 --> 0:24:27.560
<v Speaker 1>is you want to talk about, and on the other side,

0:24:27.600 --> 0:24:31.200
<v Speaker 1>you really have to be willing to self interrogate. You

0:24:31.520 --> 0:24:33.880
<v Speaker 1>have to be willing to not let your ego lead.

0:24:34.720 --> 0:24:40.480
<v Speaker 1>And I think, especially in the world of the constant

0:24:40.600 --> 0:24:45.920
<v Speaker 1>refresh right, like the thumb drag on Instagram, everybody wants new, more, now, now, now,

0:24:46.520 --> 0:24:49.960
<v Speaker 1>and the patience that this shit takes is not for

0:24:50.080 --> 0:24:52.280
<v Speaker 1>the fate of heart, not at all.

0:24:52.520 --> 0:24:56.400
<v Speaker 2>And well, I think that's what I really want people

0:24:56.440 --> 0:24:59.360
<v Speaker 2>to understand is that it's a long journey, it's a marathon,

0:24:59.640 --> 0:25:02.640
<v Speaker 2>and there is no finish line. Yeah, there's no there there.

0:25:03.840 --> 0:25:05.360
<v Speaker 2>And then the biggest suff ice trying to get people

0:25:05.359 --> 0:25:07.480
<v Speaker 2>all the time, particularly writers who want to necessarily write,

0:25:07.680 --> 0:25:10.280
<v Speaker 2>you know, whether you for television, or for film or playwrights.

0:25:10.720 --> 0:25:14.240
<v Speaker 2>Table read, Table read, table read, Get actors, get people,

0:25:14.520 --> 0:25:17.840
<v Speaker 2>get writers, get friends, get neighbors, get anybody that's willing

0:25:17.880 --> 0:25:20.840
<v Speaker 2>to come to read your work out loud, because I

0:25:20.920 --> 0:25:23.440
<v Speaker 2>think a lot of times when you're alone and you're

0:25:23.480 --> 0:25:26.520
<v Speaker 2>writing these lines, they feel like Shakespeare. But then when

0:25:26.600 --> 0:25:28.760
<v Speaker 2>someone comes in and tries to say it, they can't

0:25:28.800 --> 0:25:32.560
<v Speaker 2>get through it because it's really no, that's not kind

0:25:32.800 --> 0:25:36.120
<v Speaker 2>to the actor. You know, it's it's fun the writer,

0:25:36.440 --> 0:25:38.879
<v Speaker 2>but the actor has a hard time saying. And I

0:25:38.920 --> 0:25:42.600
<v Speaker 2>always say, sometimes writers write lines that don't feel comfortable

0:25:42.600 --> 0:25:43.480
<v Speaker 2>in actors'.

0:25:43.160 --> 0:25:44.760
<v Speaker 1>Mouths yes and so.

0:25:44.880 --> 0:25:47.280
<v Speaker 2>And that's why for me, when I'm sitting down, I

0:25:47.520 --> 0:25:49.520
<v Speaker 2>say the line after I try to say it, I

0:25:49.600 --> 0:25:52.200
<v Speaker 2>try to like act like I'm both characters and act

0:25:52.280 --> 0:25:54.760
<v Speaker 2>it out and go, oh shit, I'm stumbling over this,

0:25:54.920 --> 0:25:57.159
<v Speaker 2>or I'm having a hard time or this isn't And

0:25:57.280 --> 0:25:59.159
<v Speaker 2>that's why I think what I've been really grateful for

0:25:59.359 --> 0:26:04.000
<v Speaker 2>is that I really try to write dialogue that sounds conversational,

0:26:04.200 --> 0:26:07.320
<v Speaker 2>that sounds quy, and that can feel like music. And

0:26:07.600 --> 0:26:10.239
<v Speaker 2>so that's what kind of we're pretty tough on our

0:26:10.280 --> 0:26:13.080
<v Speaker 2>cast on the shire because I want my voice to

0:26:13.160 --> 0:26:15.879
<v Speaker 2>shine through, and so you can't ad lib, you know,

0:26:16.119 --> 0:26:18.720
<v Speaker 2>and they don't get to throw stuff in even a

0:26:18.840 --> 0:26:21.399
<v Speaker 2>man a huh or this, and that it throws off

0:26:21.440 --> 0:26:24.720
<v Speaker 2>the rhythm. And so we always tell the actors, I'm like,

0:26:25.240 --> 0:26:28.640
<v Speaker 2>it's you know, for for me and looking, we're gonna

0:26:28.680 --> 0:26:31.720
<v Speaker 2>we are season seven next year, and so it's like

0:26:32.400 --> 0:26:35.000
<v Speaker 2>people get used to a certain rhythm or a certain

0:26:35.040 --> 0:26:37.120
<v Speaker 2>way that these characters or a certain where I'm trying

0:26:37.160 --> 0:26:38.760
<v Speaker 2>to find a character, So I need to make sure

0:26:39.119 --> 0:26:42.439
<v Speaker 2>every line, every word that comes out like we're establishing them.

0:26:42.480 --> 0:26:44.280
<v Speaker 2>We're trying to figure out who this character is. And

0:26:44.359 --> 0:26:46.879
<v Speaker 2>so we really do need actors to really say the

0:26:46.960 --> 0:26:49.200
<v Speaker 2>lines and to rock with us. And that means it's

0:26:49.200 --> 0:26:51.760
<v Speaker 2>even more responsibility on us as the writers in that

0:26:51.880 --> 0:26:54.320
<v Speaker 2>table reads, you know, like, hey, is that line too

0:26:54.359 --> 0:26:56.080
<v Speaker 2>hard for you to say? Okay, cool, we'll adjust it,

0:26:56.119 --> 0:26:58.960
<v Speaker 2>we'll figure it out. We'll try to try to hide

0:26:59.040 --> 0:27:02.760
<v Speaker 2>exposition here. So yeah, it's it's it's it's it's a

0:27:02.800 --> 0:27:04.600
<v Speaker 2>lot of back and forth. It's trial and error. It's

0:27:04.760 --> 0:27:08.080
<v Speaker 2>it's listening, it's paying attention. But again, it's about finding

0:27:08.200 --> 0:27:10.960
<v Speaker 2>my unique voice. And it goes from me watching everybody

0:27:11.040 --> 0:27:14.480
<v Speaker 2>from Aaron Sorkin's work to Matthew Winer's work, you know,

0:27:14.560 --> 0:27:19.600
<v Speaker 2>Judit mad Men, watching watching Gray's Anatomy, you know Seanmes.

0:27:19.680 --> 0:27:22.080
<v Speaker 2>You know, it's a big influence as well. So it's

0:27:22.200 --> 0:27:25.359
<v Speaker 2>really about every writer has their own obviously watching Spike

0:27:25.440 --> 0:27:27.240
<v Speaker 2>Lee movies all the time, but it's a very specific

0:27:27.320 --> 0:27:31.520
<v Speaker 2>rhythm to his work. And and yeah, and that's that's

0:27:31.520 --> 0:27:33.280
<v Speaker 2>why I always tell people, I'm like, watch the Greats,

0:27:33.359 --> 0:27:35.680
<v Speaker 2>watch the Ghosts, listen to what they've done, and then

0:27:35.720 --> 0:27:38.320
<v Speaker 2>figure out what your pattern is, what your what your

0:27:38.440 --> 0:27:42.479
<v Speaker 2>tone is, what you're what your pacing is, rather than

0:27:42.680 --> 0:27:45.000
<v Speaker 2>you know, mimicking, which we all kind of start out doing.

0:27:45.560 --> 0:27:56.800
<v Speaker 1>Yeah, and now a word from our sponsors. Well, and

0:27:56.920 --> 0:27:59.879
<v Speaker 1>I love the way you talk to about the rhythm

0:28:00.080 --> 0:28:02.320
<v Speaker 1>of something because I know what it's like as an

0:28:02.400 --> 0:28:06.040
<v Speaker 1>actor to say, look, the shape of these words don't

0:28:06.080 --> 0:28:09.560
<v Speaker 1>fit in my mouth. It Can we tweak this? Can

0:28:09.680 --> 0:28:12.240
<v Speaker 1>we can I use this word instead of this one?

0:28:12.320 --> 0:28:14.920
<v Speaker 1>And I think if there's a willingness to find it,

0:28:15.640 --> 0:28:19.600
<v Speaker 1>essentially what you're talking about, it's like linguistic choreography exactly.

0:28:19.880 --> 0:28:24.280
<v Speaker 1>You know, you're making this musical the dance number has

0:28:24.359 --> 0:28:29.240
<v Speaker 1>to work, and dialogue can be that beautiful if you

0:28:29.440 --> 0:28:31.679
<v Speaker 1>really have leaned into the work.

0:28:32.680 --> 0:28:33.160
<v Speaker 2>Mm hmm.

0:28:33.800 --> 0:28:35.560
<v Speaker 1>I love the way you frame all of that.

0:28:35.760 --> 0:28:38.040
<v Speaker 2>I mean it's like we look at Mike Nichols stuff,

0:28:38.120 --> 0:28:40.280
<v Speaker 2>you know what I mean, It's like it's all very

0:28:40.680 --> 0:28:44.600
<v Speaker 2>you know, specific, and every word is intentional and so

0:28:45.000 --> 0:28:48.600
<v Speaker 2>that's why it's like there's no throwaway lines or words

0:28:48.720 --> 0:28:52.920
<v Speaker 2>or glances, and you know, everything has meaning and so

0:28:53.560 --> 0:28:55.440
<v Speaker 2>there can always be a conversation after saying, oh, this

0:28:55.480 --> 0:28:57.680
<v Speaker 2>isn't work. And also, but I get real, like if

0:28:57.760 --> 0:28:59.480
<v Speaker 2>we say a word twice, it's like, always say this

0:28:59.520 --> 0:29:01.640
<v Speaker 2>word twice in the sentence, like that was five different work,

0:29:01.800 --> 0:29:03.560
<v Speaker 2>or let's take that a second time you say that

0:29:03.600 --> 0:29:06.320
<v Speaker 2>out is really I mean, you can get very you know,

0:29:06.600 --> 0:29:09.760
<v Speaker 2>in the weeds about it. And that's my favorite kind

0:29:09.760 --> 0:29:11.280
<v Speaker 2>of stuff. We like to geek out about it and

0:29:11.920 --> 0:29:15.520
<v Speaker 2>make sure a scene really feels like its own little symphony.

0:29:16.120 --> 0:29:21.680
<v Speaker 1>Yeah, that's beautiful. How as you you know, you moved

0:29:21.760 --> 0:29:26.560
<v Speaker 1>out very wisely. You used your last semester, well, you

0:29:26.680 --> 0:29:29.680
<v Speaker 1>made sure you didn't like create a little environment and

0:29:29.760 --> 0:29:32.720
<v Speaker 1>then dip out, which, which, by the way, I get

0:29:32.880 --> 0:29:35.520
<v Speaker 1>like I was fortunate. You know, my first show was

0:29:35.560 --> 0:29:37.520
<v Speaker 1>on for nine years, but it was on in a

0:29:37.640 --> 0:29:40.960
<v Speaker 1>small town in North Carolina. So when people are like, hey,

0:29:41.040 --> 0:29:43.280
<v Speaker 1>do you know, I'm like, y'all, I don't really know anybody.

0:29:43.600 --> 0:29:47.040
<v Speaker 1>Like I have my friends that I meet in like

0:29:47.200 --> 0:29:50.400
<v Speaker 1>our ways where the artists that are the activists come together,

0:29:51.000 --> 0:29:53.920
<v Speaker 1>and I'm like, I'll connect you to anybody I know,

0:29:54.080 --> 0:29:56.120
<v Speaker 1>but I probably don't know the person you're trying to

0:29:56.200 --> 0:29:56.440
<v Speaker 1>talk to.

0:29:57.760 --> 0:30:00.360
<v Speaker 2>Yeah, it's like one of those things I love.

0:30:01.160 --> 0:30:03.520
<v Speaker 1>You know, that's changed a little bit over the more

0:30:03.600 --> 0:30:06.960
<v Speaker 1>recent years, but like I love that you had the

0:30:07.080 --> 0:30:09.680
<v Speaker 1>wherewithal even as a student to say, oh, I'm going

0:30:09.720 --> 0:30:11.520
<v Speaker 1>to make sure I do this well. I'm going to

0:30:11.560 --> 0:30:14.840
<v Speaker 1>make sure the rhythm I established for my life here continues.

0:30:15.920 --> 0:30:19.320
<v Speaker 1>You know, I know how hard it is for women

0:30:19.440 --> 0:30:25.160
<v Speaker 1>in our industry, and you are a brilliant I mean, like,

0:30:25.320 --> 0:30:27.680
<v Speaker 1>I just I think you are a genius. But like,

0:30:27.960 --> 0:30:30.040
<v Speaker 1>let's be real, this is also America and you are

0:30:30.120 --> 0:30:31.560
<v Speaker 1>a black, queer woman.

0:30:32.000 --> 0:30:32.200
<v Speaker 2>Yeah.

0:30:32.840 --> 0:30:35.320
<v Speaker 1>Do you think you've just had such a strong vision

0:30:35.360 --> 0:30:37.680
<v Speaker 1>and voice that there was no way anything was going

0:30:37.760 --> 0:30:42.160
<v Speaker 1>to get in your way? Or were you able to

0:30:42.400 --> 0:30:45.840
<v Speaker 1>see the obstacles that so many women and so many

0:30:45.880 --> 0:30:47.680
<v Speaker 1>women of color and so many queer folks in our

0:30:47.720 --> 0:30:51.000
<v Speaker 1>industry face and just say like, that's not going to

0:30:51.080 --> 0:30:53.000
<v Speaker 1>catch me, that's not going to slow me down.

0:30:53.000 --> 0:30:53.080
<v Speaker 2>Like.

0:30:54.880 --> 0:30:59.880
<v Speaker 1>Because you've done it. And I just like knowing all

0:31:00.120 --> 0:31:05.200
<v Speaker 1>the things that get added onto the inhibitors list in

0:31:05.280 --> 0:31:08.640
<v Speaker 1>an industry like ours. For you, I'm like, how'd you

0:31:08.720 --> 0:31:11.280
<v Speaker 1>do it? Tell all the queer babies how to do it?

0:31:11.720 --> 0:31:15.480
<v Speaker 2>Well, Look, it's it's it's all about perception, because it's

0:31:15.520 --> 0:31:19.840
<v Speaker 2>about and if you see being black and being a

0:31:19.920 --> 0:31:25.000
<v Speaker 2>woman and being queer as something that'll hold you back,

0:31:25.160 --> 0:31:31.320
<v Speaker 2>it will. And so for me, they the three things

0:31:31.480 --> 0:31:33.440
<v Speaker 2>the way in which I was born. It's almost like

0:31:33.520 --> 0:31:38.520
<v Speaker 2>taking credit for being right handed, but it's they really

0:31:38.600 --> 0:31:45.760
<v Speaker 2>propelled me forward because I'm not all these things. I

0:31:45.760 --> 0:31:48.960
<v Speaker 2>don't think ase these casts me to play. He doesn't

0:31:49.000 --> 0:31:51.560
<v Speaker 2>switch it up and go actually more interesting?

0:31:52.960 --> 0:31:55.920
<v Speaker 1>Right? Yeah? Does he see you? Does Spielberg see you

0:31:56.520 --> 0:31:57.360
<v Speaker 1>like you?

0:31:57.560 --> 0:32:03.280
<v Speaker 2>F're like you're interesting? Yeah? You know, and I haven't

0:32:03.320 --> 0:32:10.240
<v Speaker 2>really seen you before. And clearly I women like myself

0:32:10.320 --> 0:32:15.640
<v Speaker 2>have existed, you know, theod's masks, aggressive, whatever you want

0:32:15.680 --> 0:32:22.560
<v Speaker 2>to call us, we exist have always had, but I

0:32:22.800 --> 0:32:28.120
<v Speaker 2>came along at a time where people were willing to say, Okay,

0:32:28.520 --> 0:32:30.440
<v Speaker 2>we'll give you, you know, the space. And people that

0:32:30.560 --> 0:32:34.760
<v Speaker 2>did do that were Alan Yang A Zas in terms

0:32:34.800 --> 0:32:38.440
<v Speaker 2>of putting me in front of the camera. Yeah, Michael

0:32:38.480 --> 0:32:43.400
<v Speaker 2>Shure as well, and then obviously Steven Spielberg and Allison

0:32:43.440 --> 0:32:46.920
<v Speaker 2>and also credited Alison Jones, who is really should take

0:32:47.360 --> 0:32:50.600
<v Speaker 2>most of the credit for my acting career, because she

0:32:51.320 --> 0:32:54.080
<v Speaker 2>saw the pilot presentation for twenties, which I was not

0:32:54.320 --> 0:32:57.440
<v Speaker 2>in but thought was interesting, and asked me to come

0:32:57.440 --> 0:32:59.760
<v Speaker 2>to our office and I did, and I sat across

0:32:59.760 --> 0:33:02.320
<v Speaker 2>from her. We had a wonderful conversation about just TV

0:33:02.640 --> 0:33:05.520
<v Speaker 2>and the history of it, and she just asked me

0:33:05.680 --> 0:33:07.880
<v Speaker 2>if I had I have any interest in being on

0:33:08.000 --> 0:33:10.320
<v Speaker 2>camera and I said I haven't, and she said, okay, well,

0:33:10.400 --> 0:33:11.960
<v Speaker 2>let he's bring you in for some stuff here and there,

0:33:12.600 --> 0:33:17.560
<v Speaker 2>and she did. Career really began and so and that,

0:33:17.920 --> 0:33:20.160
<v Speaker 2>and that was really her kind of having you know,

0:33:20.840 --> 0:33:23.640
<v Speaker 2>this is a white woman who has been doing this

0:33:23.840 --> 0:33:26.480
<v Speaker 2>for EON's. I mean, she cast freaks and geeks, she

0:33:26.600 --> 0:33:29.920
<v Speaker 2>cast she cast fresh Prince Bell that like she's someone

0:33:29.960 --> 0:33:32.040
<v Speaker 2>who can look at somebody and go, I think you

0:33:32.080 --> 0:33:36.920
<v Speaker 2>should be on television, and she did that, and so

0:33:37.040 --> 0:33:40.720
<v Speaker 2>I think, but that happened by me doing my writing thing,

0:33:40.920 --> 0:33:43.200
<v Speaker 2>by me saying people don't really get what twenty's is.

0:33:43.560 --> 0:33:45.920
<v Speaker 2>So justin Simeon, who was just over here yesterday, who

0:33:46.000 --> 0:33:49.160
<v Speaker 2>created Dear White People, he was like, yo, I did

0:33:49.160 --> 0:33:51.280
<v Speaker 2>a pilot. I did a we did a fake trailer

0:33:51.320 --> 0:33:53.520
<v Speaker 2>for Dear White People, And he was like, let's do

0:33:54.000 --> 0:33:56.160
<v Speaker 2>a pilot presentation for twenty so people can see what

0:33:56.200 --> 0:33:58.800
<v Speaker 2>you're doing. Put it on YouTube. Put it on YouTube.

0:33:58.840 --> 0:34:01.200
<v Speaker 2>And Alison Jones saw, you know, and she was like,

0:34:01.640 --> 0:34:04.400
<v Speaker 2>who made this? And I went in and sat with

0:34:04.520 --> 0:34:07.320
<v Speaker 2>her and she started bringing me in for stuff and

0:34:07.720 --> 0:34:11.120
<v Speaker 2>she's when Alice when disease was like, who should I meet?

0:34:11.600 --> 0:34:13.439
<v Speaker 2>Who should be in this show? Like you should meet

0:34:13.480 --> 0:34:18.440
<v Speaker 2>me away, Damn, that's so cool. That's the thing. It's

0:34:18.560 --> 0:34:22.640
<v Speaker 2>like me being my authentic self is why. And that's

0:34:22.680 --> 0:34:24.920
<v Speaker 2>why I think that in the Emmy speech at residents

0:34:24.920 --> 0:34:26.560
<v Speaker 2>to people like it's the things that make you different,

0:34:26.880 --> 0:34:29.520
<v Speaker 2>those are your super Yeah. So I think we've been

0:34:29.560 --> 0:34:31.919
<v Speaker 2>taught as societies the things that make us different, because

0:34:31.960 --> 0:34:34.319
<v Speaker 2>sometimes when you're oppressed, oppression becomes a part of your

0:34:34.400 --> 0:34:38.759
<v Speaker 2>identity and so and that's how people want it. Because

0:34:38.760 --> 0:34:41.520
<v Speaker 2>as long as I'm like, well, no, I'm black, I'm gay,

0:34:41.640 --> 0:34:43.279
<v Speaker 2>I'm a woman, things are going to be bad. It's

0:34:43.280 --> 0:34:46.080
<v Speaker 2>gonna be rough. It's like, I'm not, you know, an idiot.

0:34:46.120 --> 0:34:47.680
<v Speaker 2>I know where I live and I know the country

0:34:47.719 --> 0:34:50.400
<v Speaker 2>I'm in, but yeah, I also know that it is

0:34:50.520 --> 0:34:54.080
<v Speaker 2>these things about me that make me unlike anyone else,

0:34:55.040 --> 0:34:56.440
<v Speaker 2>and it gives me a different perspective.

0:34:57.200 --> 0:34:59.520
<v Speaker 1>I think it's amazing when you choose to carry your

0:34:59.600 --> 0:35:04.719
<v Speaker 1>magic as magic instead of as something that might need protecting.

0:35:05.600 --> 0:35:11.480
<v Speaker 1>Like you're you're you're talking about the energy of your identity,

0:35:11.960 --> 0:35:16.000
<v Speaker 1>and like I think it's it's all over not only

0:35:16.080 --> 0:35:18.680
<v Speaker 1>your career, but you as a person. Like there's a

0:35:18.800 --> 0:35:22.640
<v Speaker 1>reason when we all walk in a room people are like, hey,

0:35:23.200 --> 0:35:26.319
<v Speaker 1>I love watching people see you. I'm just like, yeah,

0:35:26.440 --> 0:35:30.040
<v Speaker 1>she's so fucking cool, and like I love it. I

0:35:30.239 --> 0:35:33.239
<v Speaker 1>love it because you're right. People will tell us all

0:35:33.320 --> 0:35:35.839
<v Speaker 1>the things we're not supposed to be or the ways

0:35:35.840 --> 0:35:38.160
<v Speaker 1>we're supposed to make ourselves smaller, and it's like.

0:35:39.320 --> 0:35:44.160
<v Speaker 2>No, no, I mean well, and also that's that's uh,

0:35:45.160 --> 0:35:46.000
<v Speaker 2>that's on purpose.

0:35:46.920 --> 0:35:50.000
<v Speaker 1>Yeah, you know, Oh you mean people might be intimidated

0:35:50.040 --> 0:35:50.640
<v Speaker 1>by your magic.

0:35:50.719 --> 0:35:53.600
<v Speaker 2>You don't say, Well, it's like I think society tells

0:35:53.680 --> 0:35:57.279
<v Speaker 2>you to try to fit in, Yeah, all the things

0:35:57.320 --> 0:36:02.400
<v Speaker 2>that you need to feel better about yourself. Yeah, Because

0:36:02.840 --> 0:36:05.520
<v Speaker 2>you know, we also live in a capitalist society. So

0:36:05.560 --> 0:36:07.360
<v Speaker 2>if you think you need something to be happy, that

0:36:07.440 --> 0:36:11.160
<v Speaker 2>you'll constantly be on the hamster wheel. And so I think, yeah,

0:36:11.239 --> 0:36:13.200
<v Speaker 2>Like for me, I'm just like no, I'm really pleased

0:36:13.239 --> 0:36:15.040
<v Speaker 2>with you know, who I'm becoming and who I am.

0:36:15.160 --> 0:36:19.160
<v Speaker 2>And I see so men particularly, you know, women particularly

0:36:19.200 --> 0:36:21.480
<v Speaker 2>are told this is how you should be and this

0:36:21.560 --> 0:36:23.279
<v Speaker 2>is what is how I'm supposed to go and this

0:36:23.480 --> 0:36:26.360
<v Speaker 2>is by this age. And if you don't did that,

0:36:26.800 --> 0:36:32.239
<v Speaker 2>and so you start to believe you know what people

0:36:32.320 --> 0:36:34.520
<v Speaker 2>are saying. And when you really kind of step back

0:36:34.560 --> 0:36:36.839
<v Speaker 2>and go like, well, says who? If you say says

0:36:37.360 --> 0:36:39.840
<v Speaker 2>a few times a day, you'll start to kind of realize, like,

0:36:40.840 --> 0:36:43.799
<v Speaker 2>we know, if I need to do what society tells

0:36:43.840 --> 0:36:47.120
<v Speaker 2>me I'm supposed to do, because oftentimes those that make

0:36:47.200 --> 0:36:50.160
<v Speaker 2>the most change and live the most bountiful lives are

0:36:50.200 --> 0:36:52.279
<v Speaker 2>those that kind of go against what society told them

0:36:52.280 --> 0:36:53.040
<v Speaker 2>they are supposed to.

0:36:53.040 --> 0:36:57.400
<v Speaker 1>Do I like that? Says Who. It's a nice little mantra.

0:36:58.280 --> 0:36:59.120
<v Speaker 2>Two works, says Who.

0:37:00.160 --> 0:37:03.279
<v Speaker 1>Was it like stepping in the Master of None? I mean,

0:37:03.360 --> 0:37:06.280
<v Speaker 1>obviously you won an Emmy, like it was the whole

0:37:06.640 --> 0:37:09.040
<v Speaker 1>thing was so incredible to watch.

0:37:10.960 --> 0:37:11.239
<v Speaker 2>Were you.

0:37:12.760 --> 0:37:14.400
<v Speaker 1>Did you feel like I'm just going to take this

0:37:14.600 --> 0:37:18.759
<v Speaker 1>leap as an actor and see what happens. Were you

0:37:18.880 --> 0:37:20.960
<v Speaker 1>going to folks like were you sitting there being like

0:37:21.160 --> 0:37:23.920
<v Speaker 1>everybody tell me, like what do I need to know?

0:37:24.160 --> 0:37:25.880
<v Speaker 1>Or did you feel ready from all the writing?

0:37:27.520 --> 0:37:29.920
<v Speaker 2>I honestly didn't know what I was jumping into. I mean,

0:37:30.040 --> 0:37:33.000
<v Speaker 2>as these didn't even have a name for the thing,

0:37:33.160 --> 0:37:35.800
<v Speaker 2>Like it was like, oh wow, the first season, like

0:37:35.840 --> 0:37:38.880
<v Speaker 2>we will sit at that. And I would always tell

0:37:38.920 --> 0:37:41.040
<v Speaker 2>him like just call these he's a sorry show, and

0:37:41.120 --> 0:37:44.080
<v Speaker 2>he was just like no, because that's not really it.

0:37:44.200 --> 0:37:45.719
<v Speaker 2>And I'm actually really you know, I think he was

0:37:45.760 --> 0:37:50.359
<v Speaker 2>smart to not do that. I think actually was right.

0:37:51.000 --> 0:37:55.320
<v Speaker 2>But but I just had always been a fan of

0:37:55.400 --> 0:37:58.120
<v Speaker 2>his his stand up. I love Parks and Rec still

0:37:58.160 --> 0:37:59.840
<v Speaker 2>to this day obsess. I was always more of a

0:38:01.120 --> 0:38:04.279
<v Speaker 2>girl me too. Yeah, it's weird. It's like there are

0:38:04.280 --> 0:38:08.200
<v Speaker 2>two people. It's like either you like Parks to say, like,

0:38:08.280 --> 0:38:11.240
<v Speaker 2>if you're a Parks AREC person, there's so much about

0:38:11.360 --> 0:38:14.040
<v Speaker 2>your personality. It's like it means you're an eternal optimist

0:38:14.520 --> 0:38:16.200
<v Speaker 2>and you're probably a little off the beaten path.

0:38:16.320 --> 0:38:17.879
<v Speaker 1>You're a little nuts in a good way.

0:38:18.360 --> 0:38:21.720
<v Speaker 2>Yeah. Yeah, I think if you like office, your cynical

0:38:21.760 --> 0:38:24.799
<v Speaker 2>but yet kind, you know. And I think if you're

0:38:24.800 --> 0:38:26.160
<v Speaker 2>a Parks on a Rec person, like you're just you

0:38:26.280 --> 0:38:29.960
<v Speaker 2>marched a video on drum Man and and I love

0:38:30.040 --> 0:38:33.560
<v Speaker 2>that show, and I loved, you know, what Amy did

0:38:33.680 --> 0:38:36.040
<v Speaker 2>for you know, disease with that, you know, and like

0:38:36.200 --> 0:38:39.880
<v Speaker 2>putting him in that space and having him be what

0:38:40.080 --> 0:38:42.400
<v Speaker 2>he needed to be on that show. And then you know,

0:38:42.440 --> 0:38:43.719
<v Speaker 2>it's like, you know, the kids grow up and you

0:38:43.840 --> 0:38:45.080
<v Speaker 2>kind of go, all right, I'm gonna do my own thing.

0:38:45.560 --> 0:38:47.560
<v Speaker 2>And I see him and Alan Yang, who was writing

0:38:47.600 --> 0:38:49.120
<v Speaker 2>on Parks of Wrec obviously at the time, and obviously

0:38:49.160 --> 0:38:50.680
<v Speaker 2>Michael Shore. So I just love that you have people

0:38:50.760 --> 0:38:54.839
<v Speaker 2>from Parks and Wreck that that trifecta and Okay, we're

0:38:54.840 --> 0:38:57.400
<v Speaker 2>gonna do this, so we're gonna see what this feels like.

0:38:58.000 --> 0:39:00.480
<v Speaker 2>And so for me, I was just excited that they

0:39:00.520 --> 0:39:02.120
<v Speaker 2>were like kind of it was almost like they were

0:39:02.160 --> 0:39:03.880
<v Speaker 2>making their own band, like they were a part of

0:39:03.960 --> 0:39:07.279
<v Speaker 2>the popular band that people knew and recognized the music,

0:39:07.360 --> 0:39:08.799
<v Speaker 2>and they were like all right, we're gonna go over here,

0:39:08.840 --> 0:39:10.239
<v Speaker 2>and people are like, all right, what's this about to be?

0:39:10.760 --> 0:39:13.680
<v Speaker 2>And it's like they made three amazing albums, which I

0:39:13.680 --> 0:39:15.880
<v Speaker 2>can considered the three seasons. The first season, which was

0:39:15.960 --> 0:39:18.640
<v Speaker 2>just like what is this? The second season, obviously I

0:39:18.760 --> 0:39:21.200
<v Speaker 2>was really grateful I got to have my own sort

0:39:21.280 --> 0:39:24.600
<v Speaker 2>of you know, my own platform really, and then season three,

0:39:24.719 --> 0:39:26.799
<v Speaker 2>which a Z's and I just kind of really went

0:39:26.880 --> 0:39:28.520
<v Speaker 2>balls to the wall, like he just started to he

0:39:28.640 --> 0:39:31.839
<v Speaker 2>directed everything you see, and I was like number one

0:39:31.840 --> 0:39:35.080
<v Speaker 2>in the call sheet, which was a lesson that I

0:39:35.160 --> 0:39:36.560
<v Speaker 2>was like, Okay, I don't know if I necessarily won't

0:39:36.600 --> 0:39:40.000
<v Speaker 2>do this, Yes it's a lesson, yeah, me and men.

0:39:40.600 --> 0:39:43.320
<v Speaker 2>But it was just it was it's such a it

0:39:43.440 --> 0:39:47.520
<v Speaker 2>was like Camelot, you know, it was a learning space.

0:39:47.840 --> 0:39:51.600
<v Speaker 2>It was a free space and for us to win.

0:39:51.800 --> 0:39:53.839
<v Speaker 2>And I was standing writing in the comedy series two

0:39:54.000 --> 0:39:56.839
<v Speaker 2>years in a row, you know. I think that's why

0:39:57.000 --> 0:39:58.799
<v Speaker 2>the time the third season came around, posted Siga us

0:39:58.840 --> 0:40:00.839
<v Speaker 2>like they were like, okay, we get but they people

0:40:00.880 --> 0:40:01.840
<v Speaker 2>come up to me all the time and talk to

0:40:01.880 --> 0:40:04.880
<v Speaker 2>me about that third season and say, like I was

0:40:04.960 --> 0:40:07.000
<v Speaker 2>changed by it or it was it meant so much

0:40:07.040 --> 0:40:08.680
<v Speaker 2>to me in terms of what you guys were dealing with.

0:40:09.160 --> 0:40:11.120
<v Speaker 2>So I'm really And also it's this thing that kind

0:40:11.160 --> 0:40:12.960
<v Speaker 2>of just exists, like we could always come back, you know,

0:40:13.080 --> 0:40:16.120
<v Speaker 2>ten years from now because these feels like it and

0:40:16.960 --> 0:40:19.839
<v Speaker 2>if we have something to say. But we really grew

0:40:19.920 --> 0:40:22.680
<v Speaker 2>up doing that show a lot, you know, behind the

0:40:22.719 --> 0:40:25.120
<v Speaker 2>scenes and in front of the you know, on camera

0:40:25.200 --> 0:40:27.920
<v Speaker 2>as well. But it's just a special show that just

0:40:28.000 --> 0:40:30.080
<v Speaker 2>exists and lives in this moment in time. And I'm

0:40:30.360 --> 0:40:32.840
<v Speaker 2>really honored that I got to be not just a

0:40:32.920 --> 0:40:35.360
<v Speaker 2>part of it, but to really help build it, to

0:40:35.480 --> 0:40:39.560
<v Speaker 2>help this show, to shape it so much. Yeah to people,

0:40:39.640 --> 0:40:42.400
<v Speaker 2>because it definitely means a lot to me. And the

0:40:42.480 --> 0:40:44.400
<v Speaker 2>fact that people go back and revisit it, it's like

0:40:45.000 --> 0:40:46.040
<v Speaker 2>that's God's own gifts.

0:40:46.600 --> 0:40:51.440
<v Speaker 1>Yeah, That's that's That's the kind of thing that I

0:40:51.600 --> 0:40:54.600
<v Speaker 1>hope to be lucky enough to make in this sort

0:40:54.640 --> 0:40:59.400
<v Speaker 1>of like phase two of career. Like I'm so grateful

0:40:59.480 --> 0:41:01.880
<v Speaker 1>for the I've gotten to do, don't get me wrong, Like,

0:41:02.680 --> 0:41:05.200
<v Speaker 1>you know, working in this industry as a dream, but

0:41:05.360 --> 0:41:07.560
<v Speaker 1>like there is a little bit of a different thing

0:41:07.640 --> 0:41:10.080
<v Speaker 1>when you do a long running thing on a network

0:41:11.000 --> 0:41:15.839
<v Speaker 1>and watching y'all do that was was really special. It's

0:41:16.000 --> 0:41:18.520
<v Speaker 1>it's it's always cool to me as an artist when

0:41:18.560 --> 0:41:20.520
<v Speaker 1>I get to watch something that reminds me of why

0:41:20.600 --> 0:41:21.479
<v Speaker 1>I love my job.

0:41:22.000 --> 0:41:24.719
<v Speaker 2>Oh yeah, me too. Yeah, I mean I think Baby

0:41:24.760 --> 0:41:27.080
<v Speaker 2>Reindeer was that for a lot of people too. Kind

0:41:27.080 --> 0:41:29.560
<v Speaker 2>of saw that and thought, oh wow, TV can be

0:41:29.719 --> 0:41:34.960
<v Speaker 2>this again. Yes, it's still in there, still there, We're

0:41:35.000 --> 0:41:35.399
<v Speaker 2>still here.

0:41:36.640 --> 0:41:48.320
<v Speaker 1>And now a word from our wonderful sponsors. When you

0:41:48.440 --> 0:41:51.560
<v Speaker 1>talk about being you know, you're coming into season seven

0:41:51.640 --> 0:41:55.279
<v Speaker 1>on the Shy, Like, what is it like now to

0:41:55.400 --> 0:42:00.640
<v Speaker 1>be that long into a project that you've created, Because

0:42:00.680 --> 0:42:03.160
<v Speaker 1>it is, as you say, it's gift and it's a

0:42:03.360 --> 0:42:07.040
<v Speaker 1>big world to have to run. So how do you

0:42:07.800 --> 0:42:09.480
<v Speaker 1>like On the one hand, you want to keep these

0:42:10.400 --> 0:42:14.720
<v Speaker 1>you know, storylines engaging for your viewers, and there's pressure

0:42:14.920 --> 0:42:18.520
<v Speaker 1>to always maintain, you know, a level of excellence on

0:42:18.840 --> 0:42:23.080
<v Speaker 1>your projects. And on the other hand, it's like seven

0:42:23.160 --> 0:42:27.080
<v Speaker 1>years in, it's a it's a big I don't want

0:42:27.120 --> 0:42:28.920
<v Speaker 1>to say a weight that makes it sound negative, but

0:42:29.040 --> 0:42:31.800
<v Speaker 1>like it's big. It's just a big thing, you know,

0:42:32.000 --> 0:42:35.800
<v Speaker 1>to have in the bag, Like, how how do you

0:42:36.120 --> 0:42:39.719
<v Speaker 1>keep it feeling fresh for yourself as a creative so

0:42:39.840 --> 0:42:42.520
<v Speaker 1>that you can continue to bring that that kind of

0:42:42.640 --> 0:42:45.520
<v Speaker 1>new magic seven years in. No.

0:42:45.680 --> 0:42:47.719
<v Speaker 2>I think it's a really good question. And I think

0:42:47.800 --> 0:42:50.520
<v Speaker 2>what I recently started to think about it in this

0:42:50.680 --> 0:42:53.880
<v Speaker 2>way is that every season is like an album m

0:42:54.640 --> 0:42:57.240
<v Speaker 2>and so when you think about some of your favorite artists,

0:42:57.520 --> 0:43:01.960
<v Speaker 2>you know, every album is different. It speaks to where

0:43:02.000 --> 0:43:03.879
<v Speaker 2>they are in their lives and what they're thinking about,

0:43:03.960 --> 0:43:08.640
<v Speaker 2>what they're listening to, and and so that's what That's

0:43:08.719 --> 0:43:12.319
<v Speaker 2>the way it remains exciting for me is that when

0:43:12.360 --> 0:43:13.879
<v Speaker 2>we go into the writer's room, it's like going into

0:43:13.920 --> 0:43:15.719
<v Speaker 2>the studio and go, okay, we got a fresh pad

0:43:17.680 --> 0:43:21.359
<v Speaker 2>the kay before? What now? What? What where are we at? Now?

0:43:21.480 --> 0:43:23.600
<v Speaker 2>What do we want to talk about? Now? You know?

0:43:23.840 --> 0:43:25.719
<v Speaker 2>What are some characters? We get to play musical chairs

0:43:25.719 --> 0:43:27.960
<v Speaker 2>a little bit with the with the characters and kind

0:43:28.000 --> 0:43:30.279
<v Speaker 2>of figure out all, right, who do we want what

0:43:30.360 --> 0:43:32.360
<v Speaker 2>do we want to get into? And that to me

0:43:32.560 --> 0:43:34.920
<v Speaker 2>is the most exciting is the beginning of every you know,

0:43:35.120 --> 0:43:37.440
<v Speaker 2>writers room season, because it's sort of like all right,

0:43:37.520 --> 0:43:43.000
<v Speaker 2>it's a new beginning, and then it's about you know,

0:43:43.360 --> 0:43:45.560
<v Speaker 2>finding these new moments. And I also think of every

0:43:45.600 --> 0:43:48.040
<v Speaker 2>episode as a track of an album. So it's like

0:43:48.120 --> 0:43:51.520
<v Speaker 2>every track isn't necessarily supposed to be a Billboard one hundred.

0:43:52.080 --> 0:43:56.600
<v Speaker 2>You know, some episodes are supposed to be sleepers. B sides. Uh,

0:43:57.040 --> 0:43:58.440
<v Speaker 2>you know one of those songs you can't get out

0:43:58.440 --> 0:44:01.360
<v Speaker 2>of your head. And that's really how I try to

0:44:01.400 --> 0:44:04.440
<v Speaker 2>approach it. It is like music. And the thing about

0:44:04.480 --> 0:44:06.440
<v Speaker 2>it is what I think has kept people coming back

0:44:06.520 --> 0:44:08.960
<v Speaker 2>with the shot is that no season is like the

0:44:09.080 --> 0:44:13.520
<v Speaker 2>one before it. Yeah, because we aren't the same and

0:44:13.719 --> 0:44:15.960
<v Speaker 2>the actors are in a different space, and you know,

0:44:16.160 --> 0:44:18.719
<v Speaker 2>we want to come back and be fresh, and that

0:44:19.000 --> 0:44:21.560
<v Speaker 2>is that's the thing is, it's challenging yourself to not

0:44:21.719 --> 0:44:25.359
<v Speaker 2>be the same. Here's like you got to be new,

0:44:25.760 --> 0:44:28.040
<v Speaker 2>and that means we as people have to evolve, We

0:44:28.160 --> 0:44:29.880
<v Speaker 2>have to grow, and our lives do evolve. In me,

0:44:30.320 --> 0:44:33.440
<v Speaker 2>we had two women in our writers room be pregnant

0:44:33.920 --> 0:44:36.719
<v Speaker 2>last season. They were both pregnant and so now they

0:44:36.800 --> 0:44:38.600
<v Speaker 2>don't have babies now, and so it's like we go

0:44:39.040 --> 0:44:40.759
<v Speaker 2>to the new season, it's just sort of like, oh,

0:44:40.920 --> 0:44:44.440
<v Speaker 2>their lives are evolving and changing, and they're bringing that

0:44:44.600 --> 0:44:47.840
<v Speaker 2>into the writer's room. So anyone that kind of wants like,

0:44:47.920 --> 0:44:49.480
<v Speaker 2>can you make it like the first two seasons? Or

0:44:49.520 --> 0:44:51.839
<v Speaker 2>I really like that season four, I realized season five

0:44:52.000 --> 0:44:55.560
<v Speaker 2>it's like that is gone about where we are now.

0:44:55.800 --> 0:44:59.560
<v Speaker 2>And also it speaks to society because you do have

0:44:59.719 --> 0:45:04.720
<v Speaker 2>friends in your life who are always evolving, always always

0:45:04.760 --> 0:45:07.040
<v Speaker 2>trying to find themselves. And then there's some friends that

0:45:07.080 --> 0:45:10.239
<v Speaker 2>are like, I'm good, this is me, this is who

0:45:10.280 --> 0:45:11.880
<v Speaker 2>I am. I'm not changing. You can take it or

0:45:11.920 --> 0:45:14.479
<v Speaker 2>leave it, and both ways of walking through the world

0:45:14.520 --> 0:45:17.399
<v Speaker 2>are valid. But it's just a matter of who would

0:45:17.440 --> 0:45:22.320
<v Speaker 2>you rather go on the journey of life with someone

0:45:22.400 --> 0:45:26.560
<v Speaker 2>who is constantly searching for truth, but someone that thinks

0:45:26.600 --> 0:45:27.440
<v Speaker 2>they've already found it.

0:45:28.920 --> 0:45:32.240
<v Speaker 1>Yeah, I'm in a group a yeah, same.

0:45:32.040 --> 0:45:36.399
<v Speaker 2>I'm always searching. Yeah, and some people aren't. And that's okay, yeah,

0:45:36.600 --> 0:45:38.560
<v Speaker 2>you know, but I think I can't be making a

0:45:38.600 --> 0:45:43.080
<v Speaker 2>TV show and not be always self interrogating, because if

0:45:43.120 --> 0:45:45.480
<v Speaker 2>I start to think I got it, I know what's up,

0:45:45.600 --> 0:45:48.360
<v Speaker 2>I figured it out, the work will start to reflect

0:45:48.400 --> 0:45:50.399
<v Speaker 2>that and not do well.

0:45:50.800 --> 0:45:52.600
<v Speaker 1>And by the way, if you think you've already figured

0:45:52.600 --> 0:45:55.960
<v Speaker 1>it out. Then you're doing your series finale and the

0:45:56.040 --> 0:45:58.600
<v Speaker 1>show's over, Like, what more do you have to explore

0:45:59.080 --> 0:45:59.560
<v Speaker 1>if you're not.

0:46:00.200 --> 0:46:04.880
<v Speaker 2>Exploring, always exploring, always finding new things, trying to like,

0:46:05.080 --> 0:46:06.120
<v Speaker 2>you know, just keep digging.

0:46:06.480 --> 0:46:08.800
<v Speaker 1>Okay, So is this what led us to the podcast?

0:46:09.880 --> 0:46:12.160
<v Speaker 2>No, the podcast really came about because I was like,

0:46:12.320 --> 0:46:14.200
<v Speaker 2>we need another podcast in this world, like we need

0:46:16.400 --> 0:46:19.160
<v Speaker 2>so I said, what is my version of that? And

0:46:19.480 --> 0:46:22.040
<v Speaker 2>but Justin Riley, who's been a friend of mine forever,

0:46:22.120 --> 0:46:24.160
<v Speaker 2>who actually had a podcast way way back in the

0:46:24.239 --> 0:46:27.440
<v Speaker 2>day before they were popular. He he was telling me,

0:46:28.000 --> 0:46:30.320
<v Speaker 2>he was like, Lena, you are such a good conversationalist,

0:46:30.400 --> 0:46:32.239
<v Speaker 2>like you should like get into this game and you

0:46:32.239 --> 0:46:33.880
<v Speaker 2>should talk to people. But I was like, but who

0:46:33.920 --> 0:46:36.120
<v Speaker 2>am I talking to and why and what's going on?

0:46:36.560 --> 0:46:39.799
<v Speaker 2>And then that's where legacy Talk was sort of born,

0:46:39.880 --> 0:46:42.719
<v Speaker 2>where it was more about than I talked to black

0:46:42.760 --> 0:46:46.080
<v Speaker 2>women in particular whose legacies have impacted mine. And that's

0:46:46.120 --> 0:46:48.880
<v Speaker 2>what we can list where it is Gina Prince, Bythewood,

0:46:50.120 --> 0:46:57.680
<v Speaker 2>Charlie Ralph mar Rockakeeel, Jada Pinkett, Jennifer Lewis, And that's

0:46:57.680 --> 0:46:59.400
<v Speaker 2>what not least it's gonna be Debbie Allen and so

0:47:01.440 --> 0:47:05.000
<v Speaker 2>I had these just phenomenal conversations and it's an rip

0:47:05.120 --> 0:47:09.479
<v Speaker 2>and Nicki Giovanni, may she rest in peace. But there's

0:47:09.560 --> 0:47:11.920
<v Speaker 2>this beautiful conversation. If you haven't seen it, I implore

0:47:11.960 --> 0:47:14.799
<v Speaker 2>you to see it, especially now, a conversation between Nikki

0:47:14.800 --> 0:47:19.080
<v Speaker 2>Giovanni and James Baldwin that was filed in London. I think,

0:47:19.160 --> 0:47:21.759
<v Speaker 2>oh man, like in the seventies, because like Nikki Jima

0:47:22.160 --> 0:47:26.920
<v Speaker 2>really young, just like just like a young poet artist

0:47:26.960 --> 0:47:30.279
<v Speaker 2>at the time. And then Baldwin is Baldwin, but he

0:47:30.760 --> 0:47:33.799
<v Speaker 2>at this point she's written enough things where he knows

0:47:33.840 --> 0:47:37.120
<v Speaker 2>who she is and respects her. And yeah, and it's

0:47:37.120 --> 0:47:40.600
<v Speaker 2>just a stunning conversation. And I stumbled upon it when

0:47:40.640 --> 0:47:42.440
<v Speaker 2>I was wrapping up, you know, production on Queen and

0:47:42.520 --> 0:47:46.480
<v Speaker 2>Slim and just it just blown away by these two

0:47:47.120 --> 0:47:52.680
<v Speaker 2>people talking about everything about about life, about you know,

0:47:53.719 --> 0:47:56.800
<v Speaker 2>the church and being black and men and women, and

0:47:57.280 --> 0:47:59.120
<v Speaker 2>it is a conversation you can watch again and again

0:47:59.120 --> 0:48:01.160
<v Speaker 2>and again, and it is. It was a conversation also

0:48:01.280 --> 0:48:04.920
<v Speaker 2>that was orchestrated by a phenomenal queer black man named

0:48:04.960 --> 0:48:09.240
<v Speaker 2>Ellis Haslip. And you haven't seen this documentary it's on HBO.

0:48:09.360 --> 0:48:14.000
<v Speaker 2>Max called Soul Explanation Point, which was a series that

0:48:14.120 --> 0:48:17.080
<v Speaker 2>he did in the seventies that was on public television

0:48:17.640 --> 0:48:20.680
<v Speaker 2>and it was just a beautiful show that that highlighted

0:48:21.520 --> 0:48:26.560
<v Speaker 2>black artists at the time and revolutionary conversations. And so

0:48:26.920 --> 0:48:28.960
<v Speaker 2>he was friends with Nikki Giovanni and he asked her,

0:48:29.040 --> 0:48:30.200
<v Speaker 2>who do you want to speak to? And she's like,

0:48:30.239 --> 0:48:32.279
<v Speaker 2>I want to talk to j Baldwin. And he's like, oh,

0:48:32.280 --> 0:48:34.000
<v Speaker 2>I can make that happen. He's living in London right now.

0:48:34.480 --> 0:48:37.360
<v Speaker 1>Don't worry, just me taking notes, please do.

0:48:38.000 --> 0:48:41.319
<v Speaker 2>And so he put this, so this, this amazing queer

0:48:41.400 --> 0:48:44.839
<v Speaker 2>black man put this, this, this conversation together that would

0:48:44.880 --> 0:48:48.800
<v Speaker 2>be filmed and recorded that I would later find, you know.

0:48:51.440 --> 0:48:53.080
<v Speaker 2>I was like sitting in the hotel room in New

0:48:53.200 --> 0:48:56.840
<v Speaker 2>Orleans and watched it and just was just really blessed

0:48:56.920 --> 0:48:59.759
<v Speaker 2>by it. And anyone that watched this conversation will be

0:49:00.080 --> 0:49:05.120
<v Speaker 2>blessed by it because of such mutual respect, so much nuanced,

0:49:05.440 --> 0:49:08.600
<v Speaker 2>so much understanding their light bulb moments on both sides

0:49:08.680 --> 0:49:13.160
<v Speaker 2>that are happening. They're truly listening to each other and

0:49:13.560 --> 0:49:16.640
<v Speaker 2>respecting each other. And so I always love that dialogue

0:49:16.800 --> 0:49:19.959
<v Speaker 2>and I wanted to have dialogue like that with people

0:49:19.960 --> 0:49:21.560
<v Speaker 2>who were elders of mine. You know, I think I

0:49:21.680 --> 0:49:26.680
<v Speaker 2>definitely relate to Nicky's body in that conversation. Yeah, talking

0:49:26.760 --> 0:49:30.400
<v Speaker 2>to an elder, talking to somebody's respects, and she, you know,

0:49:30.560 --> 0:49:33.239
<v Speaker 2>wouldn't be where she is in that moment without the

0:49:33.320 --> 0:49:35.600
<v Speaker 2>work that he'd already done. And so and that's really

0:49:35.800 --> 0:49:37.560
<v Speaker 2>what kind of spoke to me about it. I said,

0:49:37.560 --> 0:49:41.439
<v Speaker 2>how can we record and document these conversations for people

0:49:41.480 --> 0:49:43.520
<v Speaker 2>to have, for people to reference, for people to be

0:49:43.600 --> 0:49:45.560
<v Speaker 2>blessed by. And so that's when we really to talk

0:49:45.600 --> 0:49:47.000
<v Speaker 2>with Leena ways was sort of born.

0:49:47.719 --> 0:49:51.200
<v Speaker 1>I love that. I love that and I didn't know that.

0:49:51.440 --> 0:49:56.600
<v Speaker 1>I don't know if I've ever told you the whole Aha.

0:49:56.800 --> 0:49:59.680
<v Speaker 1>The light bulb moment for me to do this show

0:50:00.560 --> 0:50:04.239
<v Speaker 1>was sitting in a gathering of all the incredible women

0:50:04.400 --> 0:50:08.320
<v Speaker 1>we know. I was in Glorious Dyinem's living room talking

0:50:08.400 --> 0:50:13.680
<v Speaker 1>about how these intergenerational, diverse, brilliant groups of women we're

0:50:13.719 --> 0:50:15.480
<v Speaker 1>going to continue to push for progress.

0:50:16.239 --> 0:50:17.080
<v Speaker 2>And I was like.

0:50:18.600 --> 0:50:21.480
<v Speaker 1>The privilege of my life to be in this room,

0:50:21.640 --> 0:50:26.200
<v Speaker 1>Like if I could have told, you know, little twenty

0:50:26.280 --> 0:50:31.080
<v Speaker 1>year old me in Christopher Smith's class at the Annenberg

0:50:31.160 --> 0:50:34.720
<v Speaker 1>School of Journalism that I would be texting with Glorious

0:50:34.760 --> 0:50:35.759
<v Speaker 1>Dynams sitting in her.

0:50:35.719 --> 0:50:40.000
<v Speaker 2>Living room, like what yet, I'm a leader too, She's.

0:50:40.760 --> 0:50:43.680
<v Speaker 1>It's like that thing of what we get to do

0:50:43.920 --> 0:50:47.080
<v Speaker 1>as people with a platform that you can give these

0:50:47.160 --> 0:50:50.879
<v Speaker 1>conversations away. It's like one of the only still free

0:50:50.960 --> 0:50:53.759
<v Speaker 1>spaces of media for folks. Like I think it's so

0:50:53.960 --> 0:50:56.719
<v Speaker 1>beautiful and it kind of like weirdly makes me want

0:50:56.760 --> 0:50:59.000
<v Speaker 1>to cry that you were like, oh, these are the

0:50:59.080 --> 0:51:02.399
<v Speaker 1>conversations I want to record so other people can access them,

0:51:02.719 --> 0:51:04.920
<v Speaker 1>because not everybody's going to get to sit with Debbie

0:51:04.920 --> 0:51:07.520
<v Speaker 1>Allen or Shirley Ralph, but they can listen to you

0:51:07.760 --> 0:51:08.000
<v Speaker 1>do it.

0:51:08.200 --> 0:51:08.640
<v Speaker 2>And that.

0:51:10.400 --> 0:51:13.480
<v Speaker 1>Like the legacy of that, the gift of that to

0:51:13.560 --> 0:51:16.560
<v Speaker 1>the world. I don't I don't take lightly. I think

0:51:16.600 --> 0:51:17.200
<v Speaker 1>it's beautiful.

0:51:17.440 --> 0:51:19.400
<v Speaker 2>I don't take it lightly that I appreciate that and

0:51:19.480 --> 0:51:22.920
<v Speaker 2>the fact that it's accessible, fact put it up on YouTube,

0:51:23.440 --> 0:51:26.560
<v Speaker 2>watch or listen. That's what I take it very seriously,

0:51:26.680 --> 0:51:28.440
<v Speaker 2>you know, I think I don't want to just and

0:51:28.480 --> 0:51:31.200
<v Speaker 2>even I think it's our conversations. We we we'll sit

0:51:31.239 --> 0:51:32.759
<v Speaker 2>out for a couple hours and we'll kind of cut

0:51:32.840 --> 0:51:36.200
<v Speaker 2>them down to about forty you know, minutes to get

0:51:36.360 --> 0:51:38.320
<v Speaker 2>rid of all the space and and things that you

0:51:38.400 --> 0:51:40.239
<v Speaker 2>kind of don't need. And I think there's people are

0:51:40.320 --> 0:51:43.680
<v Speaker 2>so used to those three hour you know type of way,

0:51:43.960 --> 0:51:46.359
<v Speaker 2>which is like look to teach his own But I'm

0:51:46.440 --> 0:51:48.439
<v Speaker 2>just to me, I want to get to the meet

0:51:48.960 --> 0:51:51.840
<v Speaker 2>and I want to be specific and I want to

0:51:52.080 --> 0:51:55.160
<v Speaker 2>I want to really get some some clarity on things

0:51:55.239 --> 0:51:58.000
<v Speaker 2>and ask very specific questions. So I know, folks, the

0:51:58.200 --> 0:52:00.680
<v Speaker 2>only asked, which is a beautiful gift. Can they be longer?

0:52:00.719 --> 0:52:03.120
<v Speaker 2>Can they be longer? And I'm just like no, like,

0:52:03.239 --> 0:52:05.279
<v Speaker 2>we are going to give you a finite amount of

0:52:05.320 --> 0:52:08.080
<v Speaker 2>information and we're gonna not then We're not going to

0:52:08.120 --> 0:52:10.600
<v Speaker 2>talk about every project they've ever done. We're going to

0:52:10.640 --> 0:52:13.040
<v Speaker 2>talk about projects that meant something to me that I think,

0:52:13.160 --> 0:52:17.240
<v Speaker 2>you know, we should discuss in this conversation. Are curated conversations.

0:52:17.480 --> 0:52:20.920
<v Speaker 2>They're not these long like four hours just sitting there

0:52:21.000 --> 0:52:24.400
<v Speaker 2>so we're talking like tell me when your mother grew up. No,

0:52:24.640 --> 0:52:27.560
<v Speaker 2>It's like with Shelley Route, we started writing at dream Girls,

0:52:27.719 --> 0:52:29.759
<v Speaker 2>and I think it kind of because she was like, oh,

0:52:29.800 --> 0:52:31.520
<v Speaker 2>you're not going to warm up to this, I'm like, no,

0:52:32.280 --> 0:52:35.719
<v Speaker 2>like the audition process for dream Girl, so like wow,

0:52:36.160 --> 0:52:41.160
<v Speaker 2>that like you know, and she's like like crazy, Like

0:52:41.760 --> 0:52:43.400
<v Speaker 2>I thought I was good. I was good. I was

0:52:43.440 --> 0:52:46.520
<v Speaker 2>like okay, you know, and because I want to start

0:52:46.760 --> 0:52:49.600
<v Speaker 2>really where the flagship thing is for them, you know,

0:52:50.000 --> 0:52:52.439
<v Speaker 2>and then go from there and you talk about where

0:52:52.880 --> 0:52:54.839
<v Speaker 2>what the most famous thing is that they're known for now.

0:52:55.760 --> 0:52:57.560
<v Speaker 2>I love that you had to go from dream Girls

0:52:57.600 --> 0:52:59.160
<v Speaker 2>to Avid Elementary was pretty cool.

0:53:00.080 --> 0:53:03.920
<v Speaker 1>Hand incredible. I finally I got to meet her at

0:53:03.960 --> 0:53:12.120
<v Speaker 1>Wicked Oh, and was like, oh my god, she's unbelievable.

0:53:12.400 --> 0:53:15.000
<v Speaker 1>She gave me a box of she gave Charlie Harveston

0:53:15.000 --> 0:53:17.520
<v Speaker 1>and I and he addressed her but never met her.

0:53:17.640 --> 0:53:20.719
<v Speaker 1>They had done everything virtually, and so with the three

0:53:20.800 --> 0:53:22.680
<v Speaker 1>of us we were just and they were hugging and

0:53:22.760 --> 0:53:25.560
<v Speaker 1>it was so sweet. And then I don't know where

0:53:25.640 --> 0:53:27.960
<v Speaker 1>they came from, but she magically had snacks and there

0:53:28.000 --> 0:53:31.000
<v Speaker 1>were no snacks anywhere, and she gave us a box

0:53:31.040 --> 0:53:33.200
<v Speaker 1>of peanut Eminem's And if you think I did not

0:53:33.360 --> 0:53:35.880
<v Speaker 1>have that box on my kitchen counter for like three weeks,

0:53:35.960 --> 0:53:37.719
<v Speaker 1>I was like, nobody touched that. That was for miss

0:53:37.800 --> 0:53:42.600
<v Speaker 1>Cheryl for nobody touch it so fun who do you

0:53:43.920 --> 0:53:46.680
<v Speaker 1>who do you go to? Because you know you are

0:53:46.719 --> 0:53:50.040
<v Speaker 1>a mentor, you are a curious person, you are you

0:53:50.160 --> 0:53:52.200
<v Speaker 1>are a person who can you know, sit with your

0:53:52.280 --> 0:53:56.320
<v Speaker 1>elders to ask all these questions to who do you

0:53:56.440 --> 0:53:58.880
<v Speaker 1>go to when you need advice? Like who's the person

0:53:58.960 --> 0:54:00.520
<v Speaker 1>you call for feedback?

0:54:01.719 --> 0:54:04.839
<v Speaker 2>Oh? Man, that's sucks pretty you know, like Debbie Allen

0:54:04.960 --> 0:54:13.280
<v Speaker 2>for sure, Jada Pinkett, h Rashida Jones about anything life career.

0:54:13.400 --> 0:54:15.440
<v Speaker 2>You can ask Ratia Jones about anything under the sun

0:54:15.520 --> 0:54:19.439
<v Speaker 2>and she'll have a really good answer. Yeah, Like those

0:54:19.480 --> 0:54:24.000
<v Speaker 2>are definitely the you know, Gina prins By. It's so

0:54:24.040 --> 0:54:25.920
<v Speaker 2>funny that the people I sat down across from, Man,

0:54:26.000 --> 0:54:31.320
<v Speaker 2>it's like these these amazing women who uh always have

0:54:31.440 --> 0:54:36.480
<v Speaker 2>wise things to offer. Yeah, for sure. Also last night,

0:54:36.600 --> 0:54:39.960
<v Speaker 2>just like talking to it's and that's the thing too.

0:54:39.960 --> 0:54:42.359
<v Speaker 2>I think sometimes people think about mentor it's so very

0:54:42.480 --> 0:54:45.439
<v Speaker 2>much like you know, you think it's like the big

0:54:45.560 --> 0:54:48.000
<v Speaker 2>chair and like sit at my feet. But it's also

0:54:48.040 --> 0:54:50.520
<v Speaker 2>good sometimes just to kind of kicky with your mentors

0:54:50.560 --> 0:54:54.240
<v Speaker 2>and laugh and and and see them as human beings

0:54:54.640 --> 0:54:56.680
<v Speaker 2>as well. I think that's so nice.

0:54:56.719 --> 0:55:01.120
<v Speaker 1>When you get to have the that kind of like

0:55:01.320 --> 0:55:05.359
<v Speaker 1>meedness about work, but when it's not just about work,

0:55:05.360 --> 0:55:07.120
<v Speaker 1>when you get to like be with your peopil, it's

0:55:07.320 --> 0:55:10.920
<v Speaker 1>really refreshing. I did the most embarrassing thing at the

0:55:11.719 --> 0:55:14.520
<v Speaker 1>last Grays table read, because, like I mean, Debbie Allen

0:55:14.719 --> 0:55:17.000
<v Speaker 1>is like, she's Debbie Alan, she is an icon. I

0:55:17.160 --> 0:55:19.920
<v Speaker 1>met her like once at an award show I don't know,

0:55:20.120 --> 0:55:23.200
<v Speaker 1>five years before the pandemic. So I walked up to

0:55:23.239 --> 0:55:24.640
<v Speaker 1>her and I was like, I am just so thrilled

0:55:24.640 --> 0:55:26.239
<v Speaker 1>to be here. I said, Debbie, it's so nice to

0:55:26.239 --> 0:55:28.239
<v Speaker 1>meet you. I'm Sophia Bush. And she looked at me

0:55:28.800 --> 0:55:32.840
<v Speaker 1>like my grandmother used to and goes, no, she like

0:55:33.680 --> 0:55:35.759
<v Speaker 1>it was so sweet. She just she looked at me

0:55:35.840 --> 0:55:38.719
<v Speaker 1>like I was nuts. And I was like, I was like,

0:55:38.840 --> 0:55:43.359
<v Speaker 1>but but you're Debbie Allen. So on the off chant

0:55:43.480 --> 0:55:47.160
<v Speaker 1>there's eighty six people here, I'm going to introduce myself

0:55:47.239 --> 0:55:50.239
<v Speaker 1>to you because you are Debbie Allan.

0:55:53.560 --> 0:55:57.440
<v Speaker 2>She kid get out of here, an icon. That's what

0:55:57.560 --> 0:56:01.800
<v Speaker 2>gets me every time, because I'm obviously upset. Yes doesn't

0:56:02.880 --> 0:56:06.920
<v Speaker 2>do it, she just doesn't. Yeah it does, she doesn't. Bothered.

0:56:07.320 --> 0:56:14.359
<v Speaker 1>No, no, unbelievable. You wanted to talk about the book, Oh.

0:56:14.920 --> 0:56:18.400
<v Speaker 2>Ray Hansburbury, what I must tell the world How Loraene

0:56:18.440 --> 0:56:23.279
<v Speaker 2>Hansbury found her voice? Words by j Leslie Pictures about

0:56:23.280 --> 0:56:28.279
<v Speaker 2>love is wise, very very grateful, Uh that we have

0:56:28.400 --> 0:56:32.319
<v Speaker 2>this book coming out for kids of all ages. We're

0:56:32.360 --> 0:56:34.400
<v Speaker 2>going to be talking about this book a lot more

0:56:34.480 --> 0:56:36.279
<v Speaker 2>and pulling up to New York this month's and talk

0:56:36.280 --> 0:56:39.200
<v Speaker 2>to Sherry Shepherd about it. Yeah. It's a cool, cool,

0:56:39.280 --> 0:56:44.160
<v Speaker 2>cool Christmas gift put under the tree kids alike, rain Hands.

0:56:44.320 --> 0:56:46.840
<v Speaker 2>Very amazing woman out of South side of Chicago.

0:56:47.640 --> 0:56:50.239
<v Speaker 1>Yeah, what inspired you to get involved in the children's book.

0:56:50.680 --> 0:56:53.120
<v Speaker 2>Well, we were doing some work with Zando. We have

0:56:53.239 --> 0:56:55.839
<v Speaker 2>home and Grab books and we actually didn't think we're

0:56:55.840 --> 0:56:57.920
<v Speaker 2>gonna do the children's book. We like that wasn't on

0:56:58.000 --> 0:57:01.720
<v Speaker 2>the Bingo card, but it just sort of came about

0:57:01.840 --> 0:57:04.960
<v Speaker 2>and we and obviously I'm a big note Loraine Hansbury,

0:57:05.680 --> 0:57:10.319
<v Speaker 2>just you know, obsessed, always being from Chicago, hearing about her.

0:57:10.440 --> 0:57:14.200
<v Speaker 2>Obviously Raising the Sun was her similar work. Died at

0:57:14.200 --> 0:57:19.160
<v Speaker 2>thirty four, and she just changed the world through her voice,

0:57:19.560 --> 0:57:23.200
<v Speaker 2>through words on the page. And she was the youngest

0:57:23.840 --> 0:57:26.320
<v Speaker 2>black play right not even black, the youngest play right

0:57:26.360 --> 0:57:27.880
<v Speaker 2>ever to have a show on Broadway, to have a

0:57:28.000 --> 0:57:29.960
<v Speaker 2>play on Broadway, and the first black person to have

0:57:30.040 --> 0:57:33.640
<v Speaker 2>a play on Broadway. And then Jordian Cooper became the

0:57:33.720 --> 0:57:36.080
<v Speaker 2>youngest play rights ever have a show on Broadway with

0:57:36.160 --> 0:57:38.080
<v Speaker 2>eight No More. He vested her about a few years.

0:57:38.680 --> 0:57:42.040
<v Speaker 2>But I also think it's very beautiful in that, even

0:57:42.120 --> 0:57:45.040
<v Speaker 2>him being a queer black play right as well. It's

0:57:45.080 --> 0:57:47.040
<v Speaker 2>just it's it's a beautiful thing. It's a beautiful history.

0:57:47.080 --> 0:57:49.080
<v Speaker 2>I wanted to play a small part in over a

0:57:49.240 --> 0:57:53.120
<v Speaker 2>No Mo but Verin Hansbury is someone who was just

0:57:54.440 --> 0:57:58.560
<v Speaker 2>a seed that became a tree, so many branches that

0:57:59.160 --> 0:58:02.000
<v Speaker 2>the fruit that come off that tree. I think I

0:58:02.120 --> 0:58:05.080
<v Speaker 2>get to be one of those pieces of fruit. That's

0:58:05.120 --> 0:58:08.560
<v Speaker 2>how powerful her legacy is and will continue to be.

0:58:09.280 --> 0:58:12.080
<v Speaker 2>And so it's important for me that people know who

0:58:12.160 --> 0:58:14.600
<v Speaker 2>she was and who she still is. You know, even

0:58:14.600 --> 0:58:17.200
<v Speaker 2>though someone is on earth'side anymore, it doesn't mean their

0:58:17.240 --> 0:58:19.240
<v Speaker 2>presence is no longer felt. So I hope you could

0:58:19.440 --> 0:58:21.840
<v Speaker 2>to get this book and read about her and learn

0:58:21.880 --> 0:58:24.160
<v Speaker 2>about her and continue to tell the world about who

0:58:24.240 --> 0:58:26.360
<v Speaker 2>she was and how she changed it.

0:58:26.920 --> 0:58:30.400
<v Speaker 1>Yes, well, it's interesting, right, She's not Earth's side. You

0:58:30.480 --> 0:58:34.000
<v Speaker 1>can't sit down with her on legacy talks. But in

0:58:34.120 --> 0:58:37.640
<v Speaker 1>a way, her legacy is still fucking still still going

0:58:37.680 --> 0:58:38.960
<v Speaker 1>to teach the babies.

0:58:38.840 --> 0:58:42.800
<v Speaker 2>Still teaching. Yes, So that's that's part of my legacy

0:58:42.840 --> 0:58:44.919
<v Speaker 2>is to carry hers forward. Truth.

0:58:45.320 --> 0:58:47.920
<v Speaker 1>I love it. I mean I could sit in Kiki

0:58:48.040 --> 0:58:49.360
<v Speaker 1>with you for the next three hours.

0:58:49.440 --> 0:58:51.200
<v Speaker 2>But like you have things now, we could have one

0:58:51.240 --> 0:58:53.200
<v Speaker 2>of those those pockets, just like three and a half.

0:58:53.800 --> 0:58:56.480
<v Speaker 1>We should, but not on the record. Maybe we just

0:58:56.920 --> 0:58:59.960
<v Speaker 1>have it in like life. But this is my favorite

0:59:00.080 --> 0:59:01.960
<v Speaker 1>question to ask everybody who comes on the show. But

0:59:03.160 --> 0:59:07.000
<v Speaker 1>the New year energy makes it maybe feel more sparkly

0:59:08.120 --> 0:59:10.120
<v Speaker 1>as you look out at what's to come for you

0:59:11.320 --> 0:59:14.440
<v Speaker 1>this year, whether it's something you know, professional or personal,

0:59:14.560 --> 0:59:18.040
<v Speaker 1>or maybe it's a hybrid of both. What feels like

0:59:18.240 --> 0:59:20.440
<v Speaker 1>your work in progress.

0:59:22.440 --> 0:59:28.000
<v Speaker 2>Myself, you know, as a human, and me stepping into

0:59:28.440 --> 0:59:33.040
<v Speaker 2>the theater space in this way. I've obviously I produced

0:59:33.080 --> 0:59:37.120
<v Speaker 2>a play Ain't No More written by Jordan Cooper, but

0:59:38.000 --> 0:59:41.400
<v Speaker 2>this I've you know, trying my hand at writing my

0:59:41.480 --> 0:59:46.160
<v Speaker 2>first play. I want to be in it and it

0:59:46.400 --> 0:59:53.040
<v Speaker 2>is it's just it's so nerve wrecking, exciting, and fear

0:59:53.080 --> 0:59:57.920
<v Speaker 2>inducing in the best way, and and it's also just humbling.

0:59:59.240 --> 1:00:02.560
<v Speaker 2>Yeah you And so that's just that's the that's that's

1:00:02.640 --> 1:00:04.320
<v Speaker 2>the that's the energy I want to be in. I

1:00:04.360 --> 1:00:07.560
<v Speaker 2>think all twenty twenty five, you know, especially as we

1:00:07.720 --> 1:00:11.280
<v Speaker 2>enter into this new this new era, you know, this

1:00:11.480 --> 1:00:16.520
<v Speaker 2>new presidency, it's really about what are you? What do

1:00:16.720 --> 1:00:21.040
<v Speaker 2>you have control over? And what do you accept? Mm hmm.

1:00:21.840 --> 1:00:28.480
<v Speaker 2>You know, let's practice radical acceptance and also be radical

1:00:28.840 --> 1:00:29.880
<v Speaker 2>in the art that we're doing.

1:00:30.560 --> 1:00:35.800
<v Speaker 1>Yeah. Well, the storytelling is going to it's going to

1:00:35.880 --> 1:00:40.280
<v Speaker 1>matter more than ever again mm hmmm. Yeah, hm, absolutely.

1:00:40.760 --> 1:00:44.920
<v Speaker 2>I always love somebody as James Baldwin. Are you a

1:00:45.040 --> 1:00:49.200
<v Speaker 2>revolutionary writer? He said, I'm a writer in revolutionary times.

1:00:49.880 --> 1:00:54.680
<v Speaker 2>M hm exactly. Yeah.

1:00:54.840 --> 1:00:58.360
<v Speaker 1>I mean the artist's job is to be in the

1:00:58.440 --> 1:01:00.439
<v Speaker 1>world and tell the truth about it, right.

1:01:00.880 --> 1:01:03.360
<v Speaker 2>Yeah, reflect the time, and also tell their truth. Everybody

1:01:03.440 --> 1:01:07.080
<v Speaker 2>has their own version of the truth. M I always

1:01:07.080 --> 1:01:08.040
<v Speaker 2>sa everybody thinks they're right.

1:01:08.800 --> 1:01:09.040
<v Speaker 1>Yeah.

1:01:10.640 --> 1:01:11.480
<v Speaker 2>I really like a.

1:01:13.560 --> 1:01:16.760
<v Speaker 1>Sort of descriptor that my therapist gave me. He was like,

1:01:17.120 --> 1:01:19.840
<v Speaker 1>there's going to be your truth and this person's truth,

1:01:20.080 --> 1:01:22.840
<v Speaker 1>and then there's going to be the truth somewhere in

1:01:22.920 --> 1:01:25.520
<v Speaker 1>between the two, and sometimes it'll be closer to the

1:01:25.840 --> 1:01:28.080
<v Speaker 1>your edge of the ruler, and sometimes it'll be closer

1:01:28.080 --> 1:01:30.400
<v Speaker 1>to the other persons. And I think that's an important

1:01:30.440 --> 1:01:33.560
<v Speaker 1>thing to remember. And when you talk about how we

1:01:33.680 --> 1:01:37.920
<v Speaker 1>do what we do and and the requirement to be

1:01:38.080 --> 1:01:41.880
<v Speaker 1>humbled over and over again by it, like you got

1:01:42.000 --> 1:01:47.120
<v Speaker 1>to make space for a sliding scale of of reality

1:01:47.200 --> 1:01:49.160
<v Speaker 1>and then go and tell yours. I think that's really

1:01:49.960 --> 1:01:50.640
<v Speaker 1>it's powerful.

1:01:51.040 --> 1:01:54.360
<v Speaker 2>Absolutely, it's just it's it's a you know, it's a responsibility.

1:01:54.920 --> 1:01:56.680
<v Speaker 2>And I think that's why we can't be lazy in

1:01:56.760 --> 1:01:58.640
<v Speaker 2>the work and we can't do it glory.

1:01:59.600 --> 1:02:05.280
<v Speaker 1>Yeah, mmm, I love it. I just adore you. Thank

1:02:05.320 --> 1:02:08.760
<v Speaker 1>you for coming on the show. I love you know

1:02:09.000 --> 1:02:11.720
<v Speaker 1>the laundry list of all you do and all the

1:02:11.760 --> 1:02:14.439
<v Speaker 1>goodness you put in the world. You are just a gem.

1:02:15.400 --> 1:02:17.640
<v Speaker 2>Thank you. Thank you for being so amazing and just

1:02:17.760 --> 1:02:21.320
<v Speaker 2>being a true ally and a beacon of hope. You

1:02:21.440 --> 1:02:22.520
<v Speaker 2>know it means a lot.

1:02:23.200 --> 1:02:28.520
<v Speaker 1>Thank you. I will receive that kindness. Thank you so

1:02:28.680 --> 1:02:29.919
<v Speaker 1>much for sure.