WEBVTT - Spring Awakening w/ G.K. Umeh

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<v Speaker 1>Of the Law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on.

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<v Speaker 3>These are our stories, done done.

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<v Speaker 1>Yay, that's messed up. An SVU podcast. My name is Lisa,

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<v Speaker 1>my name is Kara, and welcome to our podcast about

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<v Speaker 1>the greatest television show that has ever been on television,

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<v Speaker 1>Law and Order SVU. We talk an episode we Talked

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<v Speaker 1>the True Crimates based on we talked to a special guest.

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<v Speaker 1>We got a fun one today and first we chat

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<v Speaker 1>and catch up. And it has been a wild little

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<v Speaker 1>bit of time since we've talked, because it is.

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<v Speaker 2>But what happens is every time, it's like with life,

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<v Speaker 2>I think of something like, ugh, I gotta talk about

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<v Speaker 2>it on the intro, and then I don't write it

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<v Speaker 2>down because I think I'll remember it, and then of

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<v Speaker 2>course I don't remember it, Like why it's delusion over

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<v Speaker 2>and over again for decades, like you're not going to

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<v Speaker 2>remember it.

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<v Speaker 1>And just so you guys know, we want to keep

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<v Speaker 1>things authentic for you. So I will ask Lisa something

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<v Speaker 1>and she'll be like, let me tell you. On the

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<v Speaker 1>pod because she wants you guys to hear me react

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<v Speaker 1>because if she tells me something like overtext or on

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<v Speaker 1>the phone, like we're not going to repeat it like

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<v Speaker 1>a reality show on the intro, so that I have

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<v Speaker 1>to like fake my reaction to it.

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<v Speaker 2>Again.

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<v Speaker 1>So now this is like truly where we catch up

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<v Speaker 1>and I have not. Yesterday we recorded for three hours

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<v Speaker 1>and I couldn't be like, how was your special taping?

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<v Speaker 1>Like I literally, I mean obviously we checked in about that,

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<v Speaker 1>but I haven't heard a lot of the details.

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<v Speaker 2>Wow, No, there was one wild story and there's like

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<v Speaker 2>a photo proof, and so I wanted to get your

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<v Speaker 2>reaction live for the listeners.

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<v Speaker 1>And I also literally just yesterday I forgot Sydney posted

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<v Speaker 1>you walking out on stage four it and I hadn't

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<v Speaker 1>even seen a full of the outfit. Well yeah, of

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<v Speaker 1>course she kept being like can I post it? Can

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<v Speaker 1>I post it? And I ignored her and didn't respond

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<v Speaker 1>for well, she finally went ahead, and thank god, because

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<v Speaker 1>like I had no idea what the look was because

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<v Speaker 1>I saw a few pictures, but I could tell that

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<v Speaker 1>it wasn't the full look like you had taken something

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<v Speaker 1>off or like, wow, you were well we'll fully get

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<v Speaker 1>into that.

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<v Speaker 2>But also I went to Michelle Buteau's taping that like

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<v Speaker 2>two days later at Radio City, and then the next

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<v Speaker 2>day we were like catching up on the phone. No

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<v Speaker 2>big deal, but I was like, how are you feeling?

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<v Speaker 2>And she goes truly dead inside, I feel nothing. I'm

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<v Speaker 2>like I felt the same way. Oh my god. Really afterwards,

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<v Speaker 2>I felt nothing, and everyone obviously wanted to have really

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<v Speaker 2>kind reactions, and I was just like, truly, I would

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<v Speaker 2>sit in.

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<v Speaker 1>A dark, cold room alone right now.

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<v Speaker 2>I need it, Like I don't know what it is,

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<v Speaker 2>but it felt reassuring that someone else also.

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<v Speaker 1>I think it's because you just like gave it all

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<v Speaker 1>out there and you just had nothing left. How did

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<v Speaker 1>you feel the day after your wedding?

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<v Speaker 2>Hopefully not nothing, but I was just wondering because that's

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<v Speaker 2>what I related to, because there was like flowers. I

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<v Speaker 2>don't know, Yes, I well, I cried.

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<v Speaker 1>I was so sad it was over because I planned

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<v Speaker 1>it all myself, like I spent so long working on it.

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<v Speaker 1>I'm like a bitch when things are over. Rosi's last

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<v Speaker 1>day of school was yesterday, and I was like crying

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<v Speaker 1>for her, like, you know, she doesn't even give a shit,

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<v Speaker 1>and I'm like.

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<v Speaker 2>Oh school, oh a bitch that way I thought you

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<v Speaker 2>like screamed at a teacher.

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<v Speaker 1>No no, no, no no no no. Like I was like,

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<v Speaker 1>like I just I get sad when things are over.

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<v Speaker 1>I used to cry when my recitals were over, even

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<v Speaker 1>though I was like gonna do dance again in the fall.

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<v Speaker 1>Like I just was like always sad when I used

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<v Speaker 1>to cry when TV shows would end. Every time I

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<v Speaker 1>watched a series finale, I would like die. I mean,

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<v Speaker 1>I don't know when things end. I get very I

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<v Speaker 1>mean that doesn't feel like that's a revolutionary, but I'm

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<v Speaker 1>I think, like I get it. I get it. Like

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<v Speaker 1>also because I just feel like that's how you are,

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<v Speaker 1>Like you just fucking probably gave it all for two

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<v Speaker 1>full shows and then you were like give me, get me, Like,

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<v Speaker 1>let me just like be in a room, you know,

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<v Speaker 1>with like my laptop and some Seinfeld.

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<v Speaker 2>Yeah. Yeah, So I'll tell you the story that I've

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<v Speaker 2>been waiting to tell you.

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<v Speaker 1>So I'm excited.

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<v Speaker 2>I put a list of stylists together, I send it

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<v Speaker 2>to the production company. They each other like this one

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<v Speaker 2>dude said he wants he's so interested and he wants

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<v Speaker 2>to make you a custom piece with this designer he

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<v Speaker 2>works with I. Of course, I've been following this guy

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<v Speaker 2>for years. I go, I would love to work with him.

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<v Speaker 2>I would love a custom piece. Amazing. So I go

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<v Speaker 2>to the first meeting and there's no suspicions for me

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<v Speaker 2>because I've seen their resume, Like I see the stuff

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<v Speaker 2>that they have made it done, so I couldn't have

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<v Speaker 2>ever assumed that they were full blown grifters.

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<v Speaker 1>So I'm like, literally, my heart is seizing right now.

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<v Speaker 1>Oh yeah, because I have been talking to you through

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<v Speaker 1>fitting after fitting, and now I can't I okay, go.

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<v Speaker 1>So the first thing they bring out a rack.

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<v Speaker 2>We go through it while the guy's drawing, and I'm

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<v Speaker 2>saying what I like, what I don't like. The fact

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<v Speaker 2>of the matter is this guy he's an archivist. He's

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<v Speaker 2>not a stylist, and he needs to take it off

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<v Speaker 2>of his resume. We put him on do not workless

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<v Speaker 2>all over town at this point, and I'm gonna tag

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<v Speaker 2>him because he doesn't seem ashamed of his work. I

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<v Speaker 2>can't wait for you to see this photo. So I

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<v Speaker 2>am also a procrastinator. I know working with artists like

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<v Speaker 2>I believe in them and the process, so I just

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<v Speaker 2>kept trusting it. Like pieces weren't ready, but I was

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<v Speaker 2>like okay. And then the issues started to arise when

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<v Speaker 2>I was like, so, what kind of tights? And they

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<v Speaker 2>were like, oh, day of, We'll just try a bunch

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<v Speaker 2>of tights on at the set. And I was like no, no, no, no,

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<v Speaker 2>no no, there's no day of, Like I need to

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<v Speaker 2>be relaxed, shill like, no day of, and they kept

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<v Speaker 2>I go, no, Friday is the deadline. I tape Tuesday.

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<v Speaker 2>Friday is the deadline. I need my full outfit done.

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<v Speaker 2>And then it's weird, you're a stylist, but like I'm

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<v Speaker 2>running around getting the shoes, I'm getting the stuff. I'm

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<v Speaker 2>like running around getting bodysuits, and I'm like, what is

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<v Speaker 2>going on? So then Julia comes down to the second

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<v Speaker 2>or the third to last fitting and we make it

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<v Speaker 2>clear Friday is the final day. Get your shit done.

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<v Speaker 2>I show up Friday, the designer is hours late. We're

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<v Speaker 2>like wasting all this time. And then the final moment

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<v Speaker 2>hits me that this is all a mess is our

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<v Speaker 2>friend Sydney comes with because she's doing seth Meyers, So

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<v Speaker 2>I go, why don't you check the racks. Maybe you'll

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<v Speaker 2>find like a fun designer outfit. She asks for a

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<v Speaker 2>full length mirror. He doesn't have one. The stylist does

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<v Speaker 2>not have a full length mirror. And there are you meeting?

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<v Speaker 1>Are you like at his place of business, like his studio.

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<v Speaker 1>He's a NEPO.

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<v Speaker 2>His mom owns a two story home on the water

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<v Speaker 2>in Williamsburg. Here we go, there we go. The amount

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<v Speaker 2>of times he name dropped I Spice and Lena Dunham.

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<v Speaker 2>I like, I wish I got a dollar for every

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<v Speaker 2>time he said those two people's names. So there's a

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<v Speaker 2>photo of my face. At the final fitting, the designer

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<v Speaker 2>lost all the buttons. Everything is handstitch. The sleeves aren't done,

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<v Speaker 2>the buttons aren't done. It's not pressed. I keep telling him.

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<v Speaker 2>I go, my arms are tight. I can't move. They're like,

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<v Speaker 2>it'll be fine. I go no, no, Like I have to

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<v Speaker 2>feel free. I have to move my arms. I'm doing

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<v Speaker 2>stand up comedy. There was also like mesh in the

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<v Speaker 2>back and Julia goes, we can see the tights through

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<v Speaker 2>the mesh.

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<v Speaker 1>What are we gonna do? Oh, it doesn't matter, no

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<v Speaker 1>one we'll see that.

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<v Speaker 2>And she takes them aside and has to like fully

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<v Speaker 2>like punish them, like being like like how you're play

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<v Speaker 2>on that, and they're like, don't worry, everything will be done.

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<v Speaker 2>But I'm falling apart my specials. In four days, I

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<v Speaker 2>have no outfit, nothing is done. He's lost the buttons

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<v Speaker 2>and they're gaslighting me, and I'm like, what is happening?

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<v Speaker 2>So the EP hires a stylist Friday night, a different one.

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<v Speaker 2>I woke up Saturday at six in the morning because

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<v Speaker 2>I was so stress stressed. At eight am, I get

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<v Speaker 2>a deck from her, and it's not exactly what I want,

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<v Speaker 2>but I'm like, okay, okay, six thirty pm. We have

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<v Speaker 2>a fitting clothes everywhere. The second outfit I put on

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<v Speaker 2>is the outfit I ended up wearing. She nailed it,

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<v Speaker 2>killed it. The moment she took out a bag of

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<v Speaker 2>safety pins. I go, this is a professional, like a

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<v Speaker 2>professional attention to detail, moving stuff, trying so like an act.

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<v Speaker 2>She's been in the business for twenty five years, she's

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<v Speaker 2>worked in TV, is a daily stylist for many celebrities,

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<v Speaker 2>like a legit person, and it felt so comforting to

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<v Speaker 2>just be with a professional, and this outfit was more

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<v Speaker 2>like just me.

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<v Speaker 1>But elevated instead of to costume.

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<v Speaker 2>But also she looked at the photos that was showing

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<v Speaker 2>her and she goes, that's a cheap fabric. That's not

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<v Speaker 2>real silk. They lied to you. But also, why would

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<v Speaker 2>you wear that silk for a live performance. You would

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<v Speaker 2>sweat through it like no actual person would do it.

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<v Speaker 2>And I don't think they realized the magnitude of this moment.

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<v Speaker 2>I think they picked other jobs over this one and

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<v Speaker 2>focused on that. They weren't listening. They did not care,

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<v Speaker 2>They did not care about me, the show, the client.

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<v Speaker 4>Nothing.

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<v Speaker 2>For the thousands of dollars that they were getting paid,

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<v Speaker 2>I could have bought a Versachi outfit. Yeah, okay, So

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<v Speaker 2>now I'm going to show you the sketch to what

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<v Speaker 2>I received. Are we gonna be able to post this?

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<v Speaker 2>Oh yeah, I want to tab that they don't see

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<v Speaker 2>a stake. Okay, okay, if I'm gonna, oh, they'll be tiktoks.

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<v Speaker 2>I just this is okay case so you could take

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<v Speaker 2>your mic off too. So this is sketch to final outfit.

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<v Speaker 1>Oh my god, that is completely insane. And then me,

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<v Speaker 1>this is what I got.

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<v Speaker 2>Oh, oh my god, I'm gonna show you the puckering,

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<v Speaker 2>but you also went to look at the fitting. Look

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<v Speaker 2>at this, and it's like, this is like Prouday, is

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<v Speaker 2>like a high school student could do. Like that's in

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<v Speaker 2>a fashion class.

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<v Speaker 5>That's what I was gonna say. I was like, I

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<v Speaker 5>was gonna say, this looks like something somebody wore when

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<v Speaker 5>I was in Once Upon a Mattress.

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<v Speaker 2>Yea, yeah. Everyone keeps saying it's like what you would

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<v Speaker 2>wear to, you know, the Wizard's school in Wicked.

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<v Speaker 1>And I don't think of you as like a big sweater,

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<v Speaker 1>but she's right, like even a little bit of like

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<v Speaker 1>pitt sweat. If you raised your arm, it would have which,

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<v Speaker 1>by the way, they made it so you couldn't raise

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<v Speaker 1>your arm. Maybe that was part of the plan. Fuck dude, Okay,

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<v Speaker 1>we're gonna sorry. This is probably annoying if you're listening.

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<v Speaker 1>So they made it in twenty four hours.

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<v Speaker 2>So Friday they like, is the fitting, Nothing is ready.

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<v Speaker 2>And then by Saturday night I had a dress and

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<v Speaker 2>it's like, oh, so we've been doing fittings for over

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<v Speaker 2>a month. You made this outfit in a day and

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<v Speaker 2>it looks like shit, we know you didn't go to

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<v Speaker 2>the special button person. You said you were supposed to

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<v Speaker 2>go to and basically the designer he's twenty one, like

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<v Speaker 2>it was the stylus job to keep him on track

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<v Speaker 2>or find plan B or just.

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<v Speaker 1>Work like, get what are you doing?

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<v Speaker 2>It was Yeah, honestly, everyone said that I handled it

0:10:19.040 --> 0:10:22.440
<v Speaker 2>pretty good, and our girl Candace like killed it on

0:10:22.480 --> 0:10:23.080
<v Speaker 2>hair and makeup.

0:10:23.120 --> 0:10:24.800
<v Speaker 1>I felt like so pretty. This is like me on

0:10:24.840 --> 0:10:27.480
<v Speaker 1>the trial. Oh yeah, your makeup and hair looked gorgeous.

0:10:27.480 --> 0:10:31.520
<v Speaker 2>But this is my face at the final fitting, Lisa,

0:10:32.360 --> 0:10:37.320
<v Speaker 2>this is a blessing, Like thank God, Like nothing sewn,

0:10:37.480 --> 0:10:41.240
<v Speaker 2>nothing ready, everything handstitched. So what the what the lady

0:10:41.280 --> 0:10:41.760
<v Speaker 2>got you?

0:10:41.800 --> 0:10:44.440
<v Speaker 1>The new woman like was that like that was like

0:10:44.520 --> 0:10:46.880
<v Speaker 1>ready to wear stuff or she had something made for you. No,

0:10:47.160 --> 0:10:50.320
<v Speaker 1>there was no way. So right, it was like a

0:10:50.440 --> 0:10:51.199
<v Speaker 1>Zara top.

0:10:51.360 --> 0:10:54.480
<v Speaker 2>The leather jacket was like expensive, and then the skirt

0:10:54.559 --> 0:10:56.840
<v Speaker 2>was this brand called Aqua. I work out pants from them,

0:10:57.000 --> 0:10:59.640
<v Speaker 2>and oh yeah, adda is it? They have dresses that

0:10:59.640 --> 0:11:02.080
<v Speaker 2>blew me that I've cried on and it was blooming yes.

0:11:02.480 --> 0:11:05.440
<v Speaker 5>Yeah, But Lise, that either your face you look like

0:11:05.480 --> 0:11:07.320
<v Speaker 5>you're on the verge of tears.

0:11:07.400 --> 0:11:08.960
<v Speaker 2>I mean, you look so down.

0:11:09.080 --> 0:11:10.560
<v Speaker 1>But I got to give it to you, because I

0:11:10.559 --> 0:11:13.960
<v Speaker 1>think I've seen you get more mad at like hotel

0:11:14.000 --> 0:11:16.800
<v Speaker 1>employees that don't let us check in on top like early.

0:11:17.280 --> 0:11:19.480
<v Speaker 1>So the fact that somebody could have ruined this moment

0:11:19.480 --> 0:11:22.679
<v Speaker 1>that you've truly been working for for fifteen years and

0:11:22.760 --> 0:11:25.680
<v Speaker 1>you only look like that in that photo is actually

0:11:25.720 --> 0:11:26.400
<v Speaker 1>surprising to me.

0:11:26.559 --> 0:11:29.440
<v Speaker 2>Like, no, because I kept saying I had mental breakdowns,

0:11:29.440 --> 0:11:31.680
<v Speaker 2>and Sydney kept going, you really kept it together.

0:11:31.800 --> 0:11:33.840
<v Speaker 1>Julia's like I would be in a all crying and

0:11:33.880 --> 0:11:34.320
<v Speaker 1>I go.

0:11:35.280 --> 0:11:37.960
<v Speaker 2>Yeah, I just trusted the people, and then once Saturday happened,

0:11:37.960 --> 0:11:40.200
<v Speaker 2>it was just like so calm. But Saturday morning, I

0:11:40.240 --> 0:11:43.319
<v Speaker 2>was just buying like thousands of dollars of dresses, paying

0:11:43.360 --> 0:11:46.520
<v Speaker 2>for like expedited shipping, returned all of them obviously.

0:11:46.120 --> 0:11:52.640
<v Speaker 1>Yeah, of course, but I just was, oh my god, nervous.

0:11:52.679 --> 0:11:55.160
<v Speaker 1>I'm like, I can't believe you did not text.

0:11:54.880 --> 0:11:57.319
<v Speaker 2>Me about any of that. I don't know well, also

0:11:57.760 --> 0:12:02.000
<v Speaker 2>no apologies, no knowledgement, and basically did.

0:12:01.840 --> 0:12:03.480
<v Speaker 1>You leave it with them where you like, fuck you,

0:12:03.520 --> 0:12:06.000
<v Speaker 1>I'm not wearing your bullshit on my thing, bye forever.

0:12:06.080 --> 0:12:08.280
<v Speaker 2>Yeah, they never reached all the EP because my thing

0:12:08.440 --> 0:12:10.520
<v Speaker 2>was like I also don't want to pay them and

0:12:10.600 --> 0:12:12.720
<v Speaker 2>so that's a different thing, Like I don't know if

0:12:12.720 --> 0:12:13.680
<v Speaker 2>I'll be able to get out.

0:12:13.520 --> 0:12:16.320
<v Speaker 1>Of that or not, but you absolutely will not pay them.

0:12:17.280 --> 0:12:19.640
<v Speaker 2>Well, I don't know what product, Like, I don't know

0:12:19.720 --> 0:12:21.480
<v Speaker 2>what if there was a cont like I don't know,

0:12:21.520 --> 0:12:23.480
<v Speaker 2>but they did not deliver it, so they're dealing with it.

0:12:23.520 --> 0:12:25.120
<v Speaker 2>But I just didn't want to stress, like I just

0:12:25.640 --> 0:12:29.600
<v Speaker 2>it was important for me to keep it chill because

0:12:29.600 --> 0:12:32.440
<v Speaker 2>of me. But then thinking about the two of them

0:12:32.640 --> 0:12:36.280
<v Speaker 2>day of, they're so chaotic, like like this woman was

0:12:36.280 --> 0:12:40.400
<v Speaker 2>shooshing me picking the tank like everything mattered. She has

0:12:40.440 --> 0:12:44.480
<v Speaker 2>had static spray, you know, like a real professional, And

0:12:44.720 --> 0:12:46.160
<v Speaker 2>I can't even imagine them being there.

0:12:46.200 --> 0:12:48.520
<v Speaker 1>They did not care about me. They did not care.

0:12:48.920 --> 0:12:50.480
<v Speaker 2>And he chose to do a music video and he

0:12:50.520 --> 0:12:53.400
<v Speaker 2>made twelve suits for this music video and obviously it's

0:12:53.440 --> 0:12:54.959
<v Speaker 2>a famous person's music video.

0:12:55.000 --> 0:12:57.160
<v Speaker 1>But it's like, you guys chose the wrong thing, like

0:12:57.200 --> 0:12:57.960
<v Speaker 1>go fuck yourself.

0:12:57.960 --> 0:13:00.320
<v Speaker 2>But oh, I'm gonna make a full TikTok, you know

0:13:00.360 --> 0:13:07.320
<v Speaker 2>the noises where it's like like whatever versus what I got? Yeah, yeah,

0:13:07.360 --> 0:13:09.520
<v Speaker 2>And I'm gonna tell like if you're not embarrassed, then

0:13:09.559 --> 0:13:11.680
<v Speaker 2>I'll fully tag you and all of it. How about

0:13:11.720 --> 0:13:14.680
<v Speaker 2>that you should write what I paid hundreds of dollars

0:13:14.679 --> 0:13:17.040
<v Speaker 2>for and had five fittings and spent hours of my

0:13:17.080 --> 0:13:19.800
<v Speaker 2>life collaborating draw on versus what I got. And he

0:13:19.920 --> 0:13:22.520
<v Speaker 2>made it out like yeah, clear to be like, you know,

0:13:23.040 --> 0:13:25.600
<v Speaker 2>you're not even paying my full rate and it's like yeah, no.

0:13:25.640 --> 0:13:27.240
<v Speaker 1>One is like I don't know what to tell you.

0:13:27.800 --> 0:13:31.480
<v Speaker 1>But the minute you said NEPO, it all became clear.

0:13:31.720 --> 0:13:34.679
<v Speaker 2>But a liar like so his uh, his grandfather is

0:13:34.720 --> 0:13:37.760
<v Speaker 2>an artist that has a mural at the train stop

0:13:37.800 --> 0:13:41.080
<v Speaker 2>outside of the MoMA. Wow, but he kept talking about

0:13:41.080 --> 0:13:43.040
<v Speaker 2>how poor he was. I should have obviously known that's

0:13:43.040 --> 0:13:45.920
<v Speaker 2>an EPO. Yeah, I don't think.

0:13:45.760 --> 0:13:46.199
<v Speaker 1>It's to work.

0:13:46.280 --> 0:13:50.280
<v Speaker 2>And then it was just I should have my spidy

0:13:50.320 --> 0:13:52.120
<v Speaker 2>senses should have gone out sooner.

0:13:52.320 --> 0:13:55.440
<v Speaker 1>But I was trusting the process. But thank god.

0:13:55.440 --> 0:13:57.760
<v Speaker 2>And then everyone that was there was just such a

0:13:57.760 --> 0:13:59.280
<v Speaker 2>professional and sooga at their job.

0:13:59.360 --> 0:14:02.360
<v Speaker 1>I really was so chill.

0:14:02.559 --> 0:14:05.080
<v Speaker 2>I didn't have to think about anything because everyone just

0:14:05.200 --> 0:14:09.800
<v Speaker 2>nailed it in like such huge ways. And also the director,

0:14:09.880 --> 0:14:12.440
<v Speaker 2>I don't know if you know Tom sick, I do, Okay,

0:14:12.480 --> 0:14:14.640
<v Speaker 2>So he moved to Florida. I've never seen someone look

0:14:14.679 --> 0:14:17.360
<v Speaker 2>hotter after they moved to Florida. He moved to Florida,

0:14:17.600 --> 0:14:19.400
<v Speaker 2>he got married and had a kid and his family

0:14:19.520 --> 0:14:20.120
<v Speaker 2>was down there.

0:14:20.200 --> 0:14:23.400
<v Speaker 1>So yeah, but he can kind of go anywhere. He

0:14:23.520 --> 0:14:24.120
<v Speaker 1>just travels.

0:14:24.160 --> 0:14:27.000
<v Speaker 2>He's working on an HBO show now, Like it's fine,

0:14:27.040 --> 0:14:29.720
<v Speaker 2>but everyone wanted to fuck him. It was wild. At

0:14:29.720 --> 0:14:31.800
<v Speaker 2>the after party, everyone kept being like, who is that?

0:14:32.480 --> 0:14:36.040
<v Speaker 2>He is married, but I've just never seen Florida give

0:14:36.120 --> 0:14:37.440
<v Speaker 2>someone a glow up like him.

0:14:37.800 --> 0:14:38.080
<v Speaker 5>Wow.

0:14:38.160 --> 0:14:40.000
<v Speaker 1>Maybe he just needed a little vitamin D you know,

0:14:40.080 --> 0:14:42.280
<v Speaker 1>he just needed like a little bit of sun. I

0:14:42.360 --> 0:14:47.200
<v Speaker 1>was like, damn, fine, that is so fucking funny. That

0:14:47.280 --> 0:14:52.960
<v Speaker 1>is so funny. I'm so excited. I can't wait. Obviously,

0:14:53.040 --> 0:14:55.720
<v Speaker 1>everybody keep your ears and eyes and everywhere.

0:14:56.360 --> 0:14:59.280
<v Speaker 2>That came and it just felt like, yeah, the two

0:14:59.280 --> 0:15:01.120
<v Speaker 2>shows were so I know, it was the classic, Like

0:15:01.160 --> 0:15:02.960
<v Speaker 2>the eight o'clock I got everything I needed, And then

0:15:03.040 --> 0:15:06.560
<v Speaker 2>ten o'clock was like fun, loose, yeah and fun, and.

0:15:06.480 --> 0:15:09.360
<v Speaker 1>You'll just edit together a mix of the of the

0:15:09.400 --> 0:15:11.880
<v Speaker 1>stuff you need and the loose. Yeah, I'm gonna get

0:15:11.880 --> 0:15:13.360
<v Speaker 1>the first cut this week.

0:15:14.080 --> 0:15:17.400
<v Speaker 2>Ah. And then but I haven't watched the full two

0:15:17.400 --> 0:15:19.400
<v Speaker 2>hour because that's a nightmare. I'd rather watch the cut

0:15:19.440 --> 0:15:21.520
<v Speaker 2>and then go back and like see what I need

0:15:21.520 --> 0:15:23.520
<v Speaker 2>to change. I'm like, I can't watch these blind I mean,

0:15:23.560 --> 0:15:25.720
<v Speaker 2>I don't watch anything like a man puts out my clips,

0:15:25.720 --> 0:15:26.600
<v Speaker 2>like I don't want to watch anything.

0:15:26.720 --> 0:15:28.120
<v Speaker 1>Yeah yeah, yeah, yeah.

0:15:28.040 --> 0:15:29.480
<v Speaker 2>You have to let me watch a cut. I want

0:15:29.480 --> 0:15:30.720
<v Speaker 2>to watch a cut. Can I watch a cut?

0:15:32.040 --> 0:15:32.240
<v Speaker 4>Yeah?

0:15:32.240 --> 0:15:34.200
<v Speaker 2>If you want to, I can't. Let me watch one

0:15:35.440 --> 0:15:38.200
<v Speaker 2>on Adult Flight. So that was like the disaster, and

0:15:38.240 --> 0:15:40.600
<v Speaker 2>then everything else was just great. You know, our friend

0:15:40.600 --> 0:15:45.480
<v Speaker 2>mind Tucker was there taking pics and she's great. But also,

0:15:45.640 --> 0:15:47.520
<v Speaker 2>and I don't know if I should be spreading Michelle's

0:15:47.560 --> 0:15:49.480
<v Speaker 2>news like that, but it's just hard not to be

0:15:49.480 --> 0:15:52.120
<v Speaker 2>a straight size because she also is getting a custom

0:15:52.160 --> 0:15:54.480
<v Speaker 2>look made by a very famous designer I'm not going

0:15:54.560 --> 0:15:56.880
<v Speaker 2>to say his name. Two weeks before her special at

0:15:57.000 --> 0:15:59.440
<v Speaker 2>Radio City, he backed out and was like, sorry, I

0:15:59.440 --> 0:16:02.400
<v Speaker 2>can't do it, and she had to get a customed.

0:16:02.440 --> 0:16:05.680
<v Speaker 2>She looked incredible. The designer that ended up doing her look,

0:16:06.000 --> 0:16:07.800
<v Speaker 2>she looks perfect. Yeah.

0:16:07.840 --> 0:16:11.600
<v Speaker 1>Perfect. I literally wrote on her Instagram, like I texted

0:16:11.600 --> 0:16:13.480
<v Speaker 1>her after a thing and she was like, she said

0:16:13.480 --> 0:16:16.360
<v Speaker 1>it was good, but like I was like on her

0:16:16.400 --> 0:16:21.520
<v Speaker 1>Instagram yesterday her hair looked fucking incredible, incredible. You know,

0:16:21.560 --> 0:16:24.240
<v Speaker 1>I'm a hair girl and I just fucking was like

0:16:24.800 --> 0:16:27.160
<v Speaker 1>this hair out of this world.

0:16:27.760 --> 0:16:29.520
<v Speaker 2>Yeah, but I was like, I can't believe you can

0:16:29.560 --> 0:16:33.480
<v Speaker 2>be as successful as her be at Radio City and

0:16:33.600 --> 0:16:36.040
<v Speaker 2>still get fucked over in this weird.

0:16:35.800 --> 0:16:38.360
<v Speaker 1>Way, haven't you? And I talked about this many times.

0:16:38.400 --> 0:16:40.360
<v Speaker 1>Most people are bad at their jobs. Like I think

0:16:40.400 --> 0:16:42.920
<v Speaker 1>that you're like lucky when you encounter people that are

0:16:42.920 --> 0:16:44.800
<v Speaker 1>good at their jobs. Like I think a lot of

0:16:44.800 --> 0:16:47.080
<v Speaker 1>people are bad at their fucking jobs. There's a lot

0:16:47.120 --> 0:16:48.600
<v Speaker 1>of faked so that you make it. I know people

0:16:48.600 --> 0:16:51.640
<v Speaker 1>that are executives that don't have a fucking brain in

0:16:51.680 --> 0:16:53.480
<v Speaker 1>their head, but they knew how to yes the right

0:16:53.520 --> 0:16:56.800
<v Speaker 1>people and like get up there, you know, Like it's just,

0:16:57.320 --> 0:17:00.280
<v Speaker 1>but it is concerning when it's like someone that actually

0:17:00.320 --> 0:17:04.119
<v Speaker 1>produces a product like fashion, because you're like, oh, I've

0:17:04.160 --> 0:17:04.480
<v Speaker 1>seen it.

0:17:05.640 --> 0:17:10.240
<v Speaker 2>A good job. Yeah yeah, it was wild. But now

0:17:10.480 --> 0:17:15.200
<v Speaker 2>at one point though, like after that fitting, we actually

0:17:15.280 --> 0:17:18.440
<v Speaker 2>looks like on the phone doing the you know, crisis

0:17:18.480 --> 0:17:20.840
<v Speaker 2>management with EP trying to hire someone new, and I

0:17:20.880 --> 0:17:24.000
<v Speaker 2>was just like Olivia poping for you, having a drink

0:17:24.000 --> 0:17:27.280
<v Speaker 2>at the bar, and then we ended up like having

0:17:27.320 --> 0:17:30.960
<v Speaker 2>some drinks, eating whatever, and then by the end of

0:17:30.960 --> 0:17:32.920
<v Speaker 2>the night, I was laughing so hard. I was crying

0:17:32.920 --> 0:17:36.440
<v Speaker 2>on a street corner because it was and yeah, it

0:17:36.920 --> 0:17:38.520
<v Speaker 2>ended up. You know, it's just gonna be a fun

0:17:38.720 --> 0:17:40.120
<v Speaker 2>I feel everything went well.

0:17:40.200 --> 0:17:42.760
<v Speaker 1>But yeah, and it was probably like just a wave

0:17:42.800 --> 0:17:45.040
<v Speaker 1>of adrenaline, like you were spent after but then by

0:17:45.080 --> 0:17:46.280
<v Speaker 1>the time you had a little bit of fun with

0:17:46.320 --> 0:17:48.119
<v Speaker 1>your friends and like loosened up again, you were like,

0:17:48.280 --> 0:17:49.720
<v Speaker 1>this is the best night of my life, you know.

0:17:49.840 --> 0:17:51.080
<v Speaker 2>Yeah, but I was so tired. I went to bed

0:17:51.080 --> 0:17:53.200
<v Speaker 2>at ten pm that night because I canceled my shows.

0:17:53.200 --> 0:17:55.080
<v Speaker 2>I had three shows that night. I was like, honestly,

0:17:55.119 --> 0:17:58.560
<v Speaker 2>I can't even the night after no, that Friday, like

0:17:58.600 --> 0:17:59.040
<v Speaker 2>it all.

0:17:58.960 --> 0:18:02.400
<v Speaker 1>This was like a long Friday. Oh oh, the Friday

0:18:02.440 --> 0:18:06.119
<v Speaker 1>of the fucking disaster. Yeah yeah, yeah, yeah. I uh.

0:18:06.640 --> 0:18:08.920
<v Speaker 1>I was like, oh, I can't, I can't do anything.

0:18:09.320 --> 0:18:09.960
<v Speaker 4>I can't.

0:18:11.000 --> 0:18:12.760
<v Speaker 1>I was just like, I actually need to just.

0:18:12.680 --> 0:18:13.200
<v Speaker 2>Go to bed.

0:18:13.880 --> 0:18:14.840
<v Speaker 1>Yeah, and I did.

0:18:15.119 --> 0:18:17.439
<v Speaker 2>But you know, it is one of those things where

0:18:17.840 --> 0:18:20.639
<v Speaker 2>I felt over prepared that I wasn't really stressed.

0:18:21.480 --> 0:18:23.640
<v Speaker 1>I'm like, I know these goddamn jokes. I've been doing

0:18:23.640 --> 0:18:24.080
<v Speaker 1>them for fun.

0:18:24.200 --> 0:18:24.960
<v Speaker 2>Yeah yeah, over a.

0:18:25.000 --> 0:18:27.600
<v Speaker 1>Decade, yeah yeah, and like it's fine.

0:18:27.720 --> 0:18:29.679
<v Speaker 2>Oh and I'd like to make an announcement to everyone

0:18:29.720 --> 0:18:32.520
<v Speaker 2>that came to the New Orleans shows, thank you so much,

0:18:32.560 --> 0:18:35.560
<v Speaker 2>obsessed with you. Because of the Saturday ten PM show,

0:18:36.080 --> 0:18:40.399
<v Speaker 2>the venue is changing their frozen espresso martini recipe because

0:18:40.400 --> 0:18:45.080
<v Speaker 2>you guys were such menaces, so what congratulations? You were

0:18:45.119 --> 0:18:48.480
<v Speaker 2>so drunk they had to change the recipe of their

0:18:48.520 --> 0:18:49.240
<v Speaker 2>in house drink.

0:18:50.240 --> 0:18:53.000
<v Speaker 1>What's in it? I mean I had one and I

0:18:53.200 --> 0:18:57.160
<v Speaker 1>was tipsy, Like it was good. No, It's like there's

0:18:57.200 --> 0:19:00.919
<v Speaker 1>this place called Alta near NYU, like university place in

0:19:01.000 --> 0:19:04.320
<v Speaker 1>like tenth or something, okay, and it's like it's delicious.

0:19:04.359 --> 0:19:07.840
<v Speaker 1>It's like Spanish tapas. They're seeing Angria. I think they

0:19:07.840 --> 0:19:10.320
<v Speaker 1>put vodka in it, which is like not a Sangria thing.

0:19:10.920 --> 0:19:12.800
<v Speaker 1>I don't I can't say for sure. If you have two,

0:19:12.880 --> 0:19:15.439
<v Speaker 1>you're like blacked out and they're so beautiful. They come

0:19:15.480 --> 0:19:17.280
<v Speaker 1>in like a big tall wineglass and the color is

0:19:17.320 --> 0:19:20.359
<v Speaker 1>like this light purple, like they're gorgeous. You have two,

0:19:20.520 --> 0:19:22.879
<v Speaker 1>and I've like been on the street being like what's that?

0:19:23.080 --> 0:19:25.240
<v Speaker 1>Like just randomly talking to fuck that people, Like after

0:19:25.240 --> 0:19:27.240
<v Speaker 1>two of them like you get absolutely blacked from them.

0:19:27.280 --> 0:19:28.360
<v Speaker 2>So I don't know. The recipe.

0:19:28.359 --> 0:19:31.720
<v Speaker 1>Could be vodka. I'm extra vodka. Maybe there's grain in

0:19:31.720 --> 0:19:35.879
<v Speaker 1>their espresso Martini's. That's crazy. I love you making history

0:19:35.880 --> 0:19:36.520
<v Speaker 1>in New Orleans.

0:19:36.720 --> 0:19:39.160
<v Speaker 2>Well because one girl, and I'm sure you're listening, because

0:19:39.160 --> 0:19:41.080
<v Speaker 2>you told me eight hundred times that you listen to

0:19:41.119 --> 0:19:43.880
<v Speaker 2>the podcast. But in the middle of the show front row,

0:19:43.920 --> 0:19:46.919
<v Speaker 2>I'm doing jokes, and she just kept heckling, going, I

0:19:47.000 --> 0:19:48.000
<v Speaker 2>love your podcast.

0:19:48.720 --> 0:19:52.080
<v Speaker 1>I fall asleep to your podcast. Oh my god, that's

0:19:52.119 --> 0:19:55.280
<v Speaker 1>like very flattering. But guys, time and place like, let's

0:19:55.280 --> 0:19:57.320
<v Speaker 1>all just take a look around and do a time

0:19:57.359 --> 0:19:58.000
<v Speaker 1>and place check.

0:19:58.119 --> 0:20:00.760
<v Speaker 2>Then her friends were wasted, and then I guess her

0:20:00.760 --> 0:20:05.560
<v Speaker 2>friends were puking outside of the oh the dumpsters, but

0:20:05.720 --> 0:20:09.520
<v Speaker 2>the staff of the venue was taking out the trash

0:20:09.600 --> 0:20:12.080
<v Speaker 2>and they didn't see her there and they accidentally heaved

0:20:12.160 --> 0:20:13.960
<v Speaker 2>the trash into the puking girl.

0:20:14.680 --> 0:20:16.040
<v Speaker 1>Oh my god.

0:20:17.320 --> 0:20:21.440
<v Speaker 2>Yeah, what the fuck? What a night? Yeah, this mom

0:20:21.520 --> 0:20:23.720
<v Speaker 2>daughter duo was out of control. I mean, people were

0:20:23.920 --> 0:20:24.800
<v Speaker 2>out of control.

0:20:24.880 --> 0:20:27.119
<v Speaker 1>I love the mom daughter duos that come to our shows.

0:20:27.160 --> 0:20:29.840
<v Speaker 1>They're fun. They are fun. My mom could now.

0:20:29.840 --> 0:20:32.960
<v Speaker 2>Not when they're wasted we're already at twenty. I saw

0:20:33.000 --> 0:20:34.399
<v Speaker 2>Spike Lee on my street. I don't know if I

0:20:34.400 --> 0:20:37.560
<v Speaker 2>already told you that he was scouting. There was all

0:20:37.640 --> 0:20:39.840
<v Speaker 2>this crew, and then a few days later I saw

0:20:39.920 --> 0:20:42.680
<v Speaker 2>him again filming, so obviously they were out and about,

0:20:42.680 --> 0:20:44.439
<v Speaker 2>but he was crossing the street as I was dropping

0:20:44.480 --> 0:20:47.840
<v Speaker 2>off my laundry and I just smiled really big and

0:20:47.880 --> 0:20:51.399
<v Speaker 2>gave him a peace sign, and he nodded and smiled. Yeah.

0:20:51.440 --> 0:20:55.040
<v Speaker 1>I was really so fun, a little fun little interaction.

0:20:55.480 --> 0:20:59.240
<v Speaker 1>Yeah he's so little, Yeah he looks he looks like

0:20:59.280 --> 0:21:01.040
<v Speaker 1>a tiny man. Can you please talk?

0:21:01.119 --> 0:21:04.160
<v Speaker 2>I've really talked for so long, but thank you for

0:21:04.240 --> 0:21:05.400
<v Speaker 2>going on that journey.

0:21:05.600 --> 0:21:08.640
<v Speaker 1>Listen, it's been twenty minutes. I wanna we should wrap

0:21:08.720 --> 0:21:10.240
<v Speaker 1>up and get going to the episode. I do just

0:21:10.280 --> 0:21:13.080
<v Speaker 1>wanna please say. I do just want to say that

0:21:13.720 --> 0:21:15.880
<v Speaker 1>I lost a very dear friend of mine last week.

0:21:16.000 --> 0:21:18.840
<v Speaker 1>And he's somebody who I have talked about on this

0:21:18.880 --> 0:21:21.240
<v Speaker 1>podcast a lot. His name is Jed. He was my

0:21:21.960 --> 0:21:24.720
<v Speaker 1>dear friend from third grade. We were both biggest gossip

0:21:24.760 --> 0:21:27.919
<v Speaker 1>in high school together. He sold merch at our first

0:21:28.080 --> 0:21:31.359
<v Speaker 1>LA show. He was one of my biggest supporters and

0:21:31.400 --> 0:21:35.800
<v Speaker 1>Lisa's biggest supporters. He loved our podcast and he supported

0:21:35.800 --> 0:21:39.760
<v Speaker 1>me and everything I did. And yeah, we he had

0:21:39.760 --> 0:21:42.000
<v Speaker 1>a you know, an aggressive form of cancer that came

0:21:42.040 --> 0:21:44.280
<v Speaker 1>on really fast, and we thought we had more time

0:21:44.280 --> 0:21:46.639
<v Speaker 1>with him. So I guess I'm not really trying. I

0:21:46.720 --> 0:21:48.399
<v Speaker 1>just wanted to give him a shout out because I

0:21:48.400 --> 0:21:49.920
<v Speaker 1>feel like people have heard me talk about him on

0:21:49.960 --> 0:21:50.760
<v Speaker 1>the podcast before.

0:21:50.800 --> 0:21:52.439
<v Speaker 2>But also just like.

0:21:52.520 --> 0:21:55.520
<v Speaker 1>Hug your friends and tell him you love him, because

0:21:55.600 --> 0:21:58.720
<v Speaker 1>you just never know when you won't be able to anymore.

0:21:59.160 --> 0:22:01.320
<v Speaker 1>And I don't to bring it down because we had

0:22:01.320 --> 0:22:03.520
<v Speaker 1>a really funny conversation about your fashion blunder.

0:22:03.520 --> 0:22:07.280
<v Speaker 2>But no, and it's not I mean, it's really sad,

0:22:07.359 --> 0:22:11.000
<v Speaker 2>but I think thinking about Jeed as a person is joyful.

0:22:11.440 --> 0:22:12.200
<v Speaker 1>Yes, he was.

0:22:12.240 --> 0:22:17.159
<v Speaker 2>Really funny, really like down to gossip, like down to

0:22:17.280 --> 0:22:21.440
<v Speaker 2>talk shit. He loved TV, he loved pop culture, drag

0:22:21.600 --> 0:22:26.920
<v Speaker 2>race so much, and he loved you so much. And

0:22:27.000 --> 0:22:28.480
<v Speaker 2>it was a joy that I got to meet him.

0:22:29.040 --> 0:22:31.360
<v Speaker 2>Yeah I can text, Yeah, I'm good.

0:22:31.359 --> 0:22:35.320
<v Speaker 1>I'm leaving in fifteen minutes basically for the service to

0:22:35.359 --> 0:22:37.440
<v Speaker 1>fly back home for the service. And do you want

0:22:37.480 --> 0:22:43.120
<v Speaker 1>to mention the Northwestern Fund And if anybody is interested

0:22:43.200 --> 0:22:46.159
<v Speaker 1>in making a donation on his behalf. His family is

0:22:46.560 --> 0:22:50.040
<v Speaker 1>giving money to the Destined Lab, which is at Northwestern

0:22:50.080 --> 0:22:53.399
<v Speaker 1>where he attended and is very close to where Lisa

0:22:53.440 --> 0:22:57.240
<v Speaker 1>is from, and it supports programs for students from modest

0:22:57.240 --> 0:23:00.960
<v Speaker 1>backgrounds at Northwestern. So I think if you want to

0:23:00.960 --> 0:23:02.840
<v Speaker 1>give to that, you just put under the fun name

0:23:03.160 --> 0:23:06.119
<v Speaker 1>in honor of Jed Melick M E. L ic K

0:23:06.240 --> 0:23:08.520
<v Speaker 1>and I can we can put that in the show

0:23:08.560 --> 0:23:11.560
<v Speaker 1>notes for you guys, if you're interested. But yeah, that's that.

0:23:12.000 --> 0:23:16.000
<v Speaker 2>And and you said that the funeral today er tomorrow

0:23:16.040 --> 0:23:17.760
<v Speaker 2>will have like a dance party at the end.

0:23:17.880 --> 0:23:19.960
<v Speaker 1>Yeah, there's gonna be a big dance party. And they

0:23:20.040 --> 0:23:22.639
<v Speaker 1>just asked me last night if I could MC the

0:23:22.720 --> 0:23:25.919
<v Speaker 1>after party, so that will be and are you and

0:23:26.040 --> 0:23:27.760
<v Speaker 1>I will, And I have to say, it's not the

0:23:27.760 --> 0:23:31.080
<v Speaker 1>first time ID of a memorial, So I guess I'm

0:23:31.119 --> 0:23:34.919
<v Speaker 1>available for all of your two afterlife needs.

0:23:35.760 --> 0:23:35.920
<v Speaker 5>Well.

0:23:35.920 --> 0:23:38.240
<v Speaker 2>One of your friends who when she gets drunk, repeats

0:23:38.240 --> 0:23:40.440
<v Speaker 2>herself over and over when we were all together once,

0:23:40.480 --> 0:23:46.440
<v Speaker 2>she just kept praising your memorial MC skills over and

0:23:46.480 --> 0:23:47.080
<v Speaker 2>over again.

0:23:47.240 --> 0:23:51.440
<v Speaker 1>She listens to the pod and she knows who she is. Yeah,

0:23:51.480 --> 0:23:55.080
<v Speaker 1>but Jed loved SVU. He was always writing me being

0:23:55.160 --> 0:23:57.000
<v Speaker 1>like I was looking back at our old texts and

0:23:57.040 --> 0:23:58.679
<v Speaker 1>he was like, what are we doing with Rowlins? I mean,

0:23:58.720 --> 0:24:01.720
<v Speaker 1>are they bringing her back? Like we had thoughts and opinions,

0:24:01.800 --> 0:24:04.880
<v Speaker 1>and so I just wanted to give him a big.

0:24:04.680 --> 0:24:08.159
<v Speaker 2>Well And the prom photo you posted, I have seen that.

0:24:08.200 --> 0:24:11.000
<v Speaker 1>I've heard Jessica mcclin talk baby. We weren't dates. We

0:24:11.119 --> 0:24:14.560
<v Speaker 1>just took a picture together like that was just my party. Yeah,

0:24:14.840 --> 0:24:17.359
<v Speaker 1>but yeah, I just I just wanted to give a

0:24:17.359 --> 0:24:20.000
<v Speaker 1>shout out to Jed and thank you guys for those

0:24:20.000 --> 0:24:21.600
<v Speaker 1>of you that have like reached out to me about it.

0:24:21.640 --> 0:24:22.960
<v Speaker 1>I know a lot of you have been sending me

0:24:22.960 --> 0:24:26.600
<v Speaker 1>messages and comments and stuff, but I appreciate you guys.

0:24:27.040 --> 0:24:29.320
<v Speaker 1>And now let's get on with the show. We have

0:24:29.359 --> 0:24:32.080
<v Speaker 1>a great show, we have a great guest, and it's

0:24:32.119 --> 0:24:34.920
<v Speaker 1>going to be a fun one as usual. That's messed

0:24:34.960 --> 0:24:37.600
<v Speaker 1>up live dot com to get merch. We've got those

0:24:37.720 --> 0:24:39.560
<v Speaker 1>do you have Children Detective t shirts are up. We've

0:24:39.600 --> 0:24:42.720
<v Speaker 1>got Lisa shows you can find on the Lisa's website link.

0:24:43.200 --> 0:24:46.000
<v Speaker 1>And yeah, let's get started.

0:24:50.320 --> 0:24:53.800
<v Speaker 2>All right. We're here doing Spring Awakening, which is also

0:24:53.840 --> 0:24:57.000
<v Speaker 2>a musical, so I do find this weird. Do you

0:24:57.040 --> 0:24:59.040
<v Speaker 2>have any thoughts about that? Well?

0:24:59.119 --> 0:25:02.560
<v Speaker 1>I feel like this is a Warren Light, right or

0:25:02.640 --> 0:25:05.800
<v Speaker 1>is it not? Yes day it's fifteen, I feel like

0:25:05.840 --> 0:25:09.120
<v Speaker 1>that's Warren. It's definitely on purpose because that was such

0:25:09.160 --> 0:25:11.000
<v Speaker 1>a fucking hot musical.

0:25:11.400 --> 0:25:14.000
<v Speaker 2>But is there a parallel to the musical? Like maybe

0:25:14.000 --> 0:25:16.080
<v Speaker 2>I'm not saying I guess there Isn't there an abortion?

0:25:16.200 --> 0:25:18.000
<v Speaker 1>You would have to tell me because I actually have

0:25:18.040 --> 0:25:19.719
<v Speaker 1>never seen Spring Awakening and I don't know a thing

0:25:19.760 --> 0:25:20.200
<v Speaker 1>about it.

0:25:20.520 --> 0:25:22.320
<v Speaker 2>I mean, time is crazy, and I did see this

0:25:22.359 --> 0:25:25.040
<v Speaker 2>when I was twenty years old, so sixteen years ago

0:25:25.160 --> 0:25:27.199
<v Speaker 2>I saw Spring Awakening. But I feel like there's an

0:25:27.240 --> 0:25:30.280
<v Speaker 2>abortion and or baby thing. Maybe that's the connection, or

0:25:30.320 --> 0:25:32.719
<v Speaker 2>maybe there's no connection, But you're right knowing Warren Light,

0:25:32.760 --> 0:25:36.919
<v Speaker 2>there's got to be something. So anyone that DM DM

0:25:37.080 --> 0:25:40.959
<v Speaker 2>okay season fifteen, episode twenty four or twenty three on Hulu.

0:25:41.000 --> 0:25:42.320
<v Speaker 2>I don't know what to tell you. I don't know

0:25:42.320 --> 0:25:45.240
<v Speaker 2>what to tell you, guys. So it starts with kids

0:25:45.240 --> 0:25:48.280
<v Speaker 2>playing and we see in here you know, click click click,

0:25:48.440 --> 0:25:50.680
<v Speaker 2>and now we are seeing the kids through a camera

0:25:50.760 --> 0:25:54.440
<v Speaker 2>lens and Amara walks over and it's a pedophile from

0:25:54.440 --> 0:25:57.920
<v Speaker 2>a previous episode who ended up he did have a

0:25:58.000 --> 0:26:00.840
<v Speaker 2>kill torture molest room, but absolutely DNA was found.

0:26:00.880 --> 0:26:03.800
<v Speaker 1>Like he didn't he thought about being a pedophile.

0:26:04.320 --> 0:26:06.920
<v Speaker 2>He wanted to be a pedophile, but he didn't actually

0:26:06.960 --> 0:26:09.440
<v Speaker 2>do anything, so he never got in trouble. I think the.

0:26:09.400 --> 0:26:12.679
<v Speaker 1>Episode is literally called thought criminal right, because it's like

0:26:13.040 --> 0:26:15.440
<v Speaker 1>it's like, can we be arrested just for our fantasies

0:26:15.440 --> 0:26:17.240
<v Speaker 1>and our thoughts? And it was like I feel like

0:26:17.280 --> 0:26:20.480
<v Speaker 1>we covered it, no because we want to get that guy.

0:26:21.680 --> 0:26:23.359
<v Speaker 2>But why have I talked about it? Or do I

0:26:23.400 --> 0:26:24.960
<v Speaker 2>just watch it because it is a show I watch.

0:26:25.160 --> 0:26:27.159
<v Speaker 2>I'm like, no, I've seen it though I've seen it

0:26:27.200 --> 0:26:30.280
<v Speaker 2>a few times, so what's that? Yeah? But whatever, But

0:26:30.400 --> 0:26:32.800
<v Speaker 2>the torture room is fucked up, but he's never physically

0:26:32.840 --> 0:26:33.359
<v Speaker 2>done anything.

0:26:33.400 --> 0:26:35.520
<v Speaker 1>But he is a known pedo who admits to it.

0:26:35.560 --> 0:26:38.400
<v Speaker 2>But you can't, Like you can't if someone's just thinking

0:26:38.440 --> 0:26:39.440
<v Speaker 2>about being a pedophile.

0:26:40.280 --> 0:26:42.760
<v Speaker 1>I guess there is no law. Thought yeah criminal.

0:26:42.840 --> 0:26:46.720
<v Speaker 2>Hello. So anyways, Amorrow walks over and is like, get

0:26:46.720 --> 0:26:48.439
<v Speaker 2>the fuck out of here, and the pedos like this

0:26:48.520 --> 0:26:51.920
<v Speaker 2>is a public sidewalk detective fuck off. And so there's

0:26:51.960 --> 0:26:54.719
<v Speaker 2>a thing and he takes a photo of Amorrow, and

0:26:54.720 --> 0:26:57.159
<v Speaker 2>that sets Tomorrow off like he's the fucking hulk. He

0:26:57.240 --> 0:26:59.879
<v Speaker 2>starts beating the shit out of this dude on the ground,

0:27:00.080 --> 0:27:05.560
<v Speaker 2>continuous punching like the camera's obviously broken, pieces everywhere, and

0:27:05.800 --> 0:27:07.560
<v Speaker 2>the guy is being taken out on a stretcher with

0:27:07.760 --> 0:27:10.840
<v Speaker 2>next support and Tomorrow is arrested, hands behind his back,

0:27:11.119 --> 0:27:14.440
<v Speaker 2>into the back of a car, arrested. And this episode

0:27:14.480 --> 0:27:17.000
<v Speaker 2>actually has so many connections to all these other episodes,

0:27:17.040 --> 0:27:20.080
<v Speaker 2>this can truly be the center of a web of brainstorming. Yes,

0:27:20.880 --> 0:27:23.080
<v Speaker 2>if you really wanted to get crazy, this is like

0:27:23.200 --> 0:27:26.840
<v Speaker 2>twenty episodes converge Jack Frost. Is that his name? No,

0:27:27.000 --> 0:27:32.240
<v Speaker 2>James Frost, Josh Frost, Mark Frost, right, not Mark Frot.

0:27:32.280 --> 0:27:33.320
<v Speaker 2>That's the poem with the.

0:27:34.880 --> 0:27:38.760
<v Speaker 1>Poem with the two two diverged.

0:27:38.320 --> 0:27:41.359
<v Speaker 2>In a wood, Robert Frost Robert.

0:27:41.840 --> 0:27:44.800
<v Speaker 1>I'm like Mark. I was thinking Mark Twain, probably.

0:27:45.880 --> 0:27:51.880
<v Speaker 2>Robert. So Pipa Cox is up there and she's working

0:27:51.960 --> 0:27:54.000
<v Speaker 2>on the end. We all know Pippa Cox. The former

0:27:54.000 --> 0:27:56.960
<v Speaker 2>guests also helped me get tickets to a Juliet We'll

0:27:56.960 --> 0:27:59.920
<v Speaker 2>never forget. And I think either just got engaged or

0:28:00.040 --> 0:28:02.040
<v Speaker 2>married to her girlfriend there was like a people.

0:28:02.560 --> 0:28:04.760
<v Speaker 1>There was like people, there was a people there. We

0:28:04.880 --> 0:28:08.800
<v Speaker 1>do follow her. We're big Pippacocks fans. Yes, congrats Jessica.

0:28:09.359 --> 0:28:13.320
<v Speaker 2>Yes. And so she's she's up there working and there's

0:28:13.440 --> 0:28:16.840
<v Speaker 2>a custody of baby boy Dough And if you remember

0:28:17.000 --> 0:28:22.080
<v Speaker 2>that episode, it's one of the babies she saved. It

0:28:22.160 --> 0:28:24.919
<v Speaker 2>was the foster care Russian kid. The mom gave him

0:28:24.960 --> 0:28:27.400
<v Speaker 2>away to pedophiles. Rosanna arcuts in it and a.

0:28:27.359 --> 0:28:29.879
<v Speaker 1>Guy in a wheelchair The Great we covered it like

0:28:29.920 --> 0:28:32.360
<v Speaker 1>in the last few months. Yeah, okay, yeah, yeah.

0:28:32.400 --> 0:28:35.359
<v Speaker 2>So that's the baby Dough and Benson's in the galley watching.

0:28:35.480 --> 0:28:39.080
<v Speaker 2>She's very connected and it's iconic family Court judge Ruth

0:28:39.120 --> 0:28:42.320
<v Speaker 2>Linden played by Jane Howdie show. That's a fun I

0:28:42.360 --> 0:28:45.200
<v Speaker 2>think kudoshell is how you say it, that makes more sense.

0:28:45.240 --> 0:28:47.920
<v Speaker 1>And she is so good, like she's in Only Murders

0:28:47.920 --> 0:28:50.120
<v Speaker 1>in the Building is like her recent I would say,

0:28:50.120 --> 0:28:53.320
<v Speaker 1>claim to fame. But I saw her in what is

0:28:53.320 --> 0:28:57.280
<v Speaker 1>that Tony Award winning play? Is it called The Humans?

0:28:57.720 --> 0:28:59.360
<v Speaker 1>I think it was called The Humans. I saw it

0:28:59.400 --> 0:29:01.640
<v Speaker 1>in La and she came like the I think most

0:29:01.640 --> 0:29:03.440
<v Speaker 1>of the Broadway cast came to do it in La

0:29:03.520 --> 0:29:05.200
<v Speaker 1>and she was She's so excellent.

0:29:05.280 --> 0:29:08.040
<v Speaker 2>She's really great. Yeah, I would love to see her

0:29:08.080 --> 0:29:10.920
<v Speaker 2>on the stage. So she's a up set.

0:29:11.200 --> 0:29:13.400
<v Speaker 1>And I saw her in A Dolls House Part two

0:29:13.440 --> 0:29:15.560
<v Speaker 1>with Laurie metcalf Wow, It's like, I go to so

0:29:15.640 --> 0:29:16.560
<v Speaker 1>much figure but.

0:29:16.520 --> 0:29:20.520
<v Speaker 2>I really don't. Oh, it was so good. I know.

0:29:21.440 --> 0:29:27.680
<v Speaker 2>Well not only so Laurie Metcalf is in Horace and Pte.

0:29:28.040 --> 0:29:29.880
<v Speaker 2>But no one got some meeter her because she came

0:29:29.880 --> 0:29:32.400
<v Speaker 2>on the one Monday, like on a Monday when she

0:29:32.520 --> 0:29:35.640
<v Speaker 2>was off and filmed this like full thirty to forty

0:29:35.640 --> 0:29:38.440
<v Speaker 2>minute monologue. The whole episode is just a monologue of her,

0:29:38.920 --> 0:29:42.360
<v Speaker 2>and I'm just like, I memorizing So I just can't

0:29:42.360 --> 0:29:45.240
<v Speaker 2>believe memorizing all of that, doing that on your theater

0:29:45.400 --> 0:29:48.120
<v Speaker 2>day off and then still doing eight more shows of

0:29:48.160 --> 0:29:49.000
<v Speaker 2>a Doll's House.

0:29:49.280 --> 0:29:52.240
<v Speaker 1>She's so tough. I mean, she's like, I think one

0:29:52.280 --> 0:29:55.560
<v Speaker 1>of our best, she's the best, Like getting that show

0:29:55.640 --> 0:30:00.800
<v Speaker 1>getting on is like my favorite? Why can't Yeah, she's

0:30:00.920 --> 0:30:01.480
<v Speaker 1>yeah good.

0:30:01.480 --> 0:30:04.920
<v Speaker 2>We're lucky to have hery right, Okay, So, like I said,

0:30:05.040 --> 0:30:08.240
<v Speaker 2>this episode is gonna have a lot of these moments.

0:30:08.280 --> 0:30:12.200
<v Speaker 2>There's so many yeah things happening. So anyways, the judge

0:30:12.240 --> 0:30:13.960
<v Speaker 2>is very upset. I that this is the best we

0:30:14.000 --> 0:30:17.200
<v Speaker 2>can do for baby boy Dough. And now we cut

0:30:17.200 --> 0:30:20.680
<v Speaker 2>to tomorrow. He's being mugshotted. He's bleeding from his head.

0:30:21.040 --> 0:30:23.719
<v Speaker 2>He wants a call, but they're like, you're getting processed. Okay,

0:30:24.120 --> 0:30:26.719
<v Speaker 2>now we're back in court. Benson approaches Papa Cocks and

0:30:26.720 --> 0:30:28.000
<v Speaker 2>she wants to visit the baby.

0:30:28.200 --> 0:30:31.200
<v Speaker 1>The baby, and Pippa is down with that.

0:30:32.840 --> 0:30:36.240
<v Speaker 2>Then Chantal from Social Services takes over and she's wearing

0:30:36.240 --> 0:30:38.240
<v Speaker 2>a hot pink suit and I feel like she is

0:30:38.280 --> 0:30:40.760
<v Speaker 2>an enemy because is she not the sho that invests?

0:30:40.840 --> 0:30:42.600
<v Speaker 1>Yeah, she's our enemy, and that she's the one that

0:30:42.680 --> 0:30:45.360
<v Speaker 1>makes Benson's life a living fucking hell when she's like

0:30:46.000 --> 0:30:48.400
<v Speaker 1>adopting Noah and is always like why aren't you around

0:30:48.440 --> 0:30:51.520
<v Speaker 1>constantly like you should be available, you should be in

0:30:51.560 --> 0:30:53.280
<v Speaker 1>this hospital, and it's like, you know what she does,

0:30:53.360 --> 0:30:57.120
<v Speaker 1>she found this fucking baby, And Okay, I knew that

0:30:57.160 --> 0:30:59.080
<v Speaker 1>there was an air about her that I hated, and

0:30:59.120 --> 0:31:00.560
<v Speaker 1>now I know it because she did wear a hot

0:31:00.600 --> 0:31:02.560
<v Speaker 1>pink suit, but I hate it.

0:31:02.720 --> 0:31:06.000
<v Speaker 2>She's like, what's the sergeant's interest in the baby?

0:31:06.040 --> 0:31:06.240
<v Speaker 5>You know?

0:31:06.840 --> 0:31:10.840
<v Speaker 2>And now we're back to Tomorrow, and finally Tomorrow gets

0:31:10.840 --> 0:31:13.520
<v Speaker 2>his phone call and we see Rollins arriving. That was

0:31:13.560 --> 0:31:16.680
<v Speaker 2>his phone call, and they're gripping the bars face to face.

0:31:17.000 --> 0:31:19.640
<v Speaker 2>This is, you know, a moment, and they're they're planning,

0:31:19.720 --> 0:31:22.240
<v Speaker 2>don't talk until you're lawyer. What happened? Blah blah blah.

0:31:22.320 --> 0:31:26.000
<v Speaker 2>There's not privilege now it's Benson shows up with Declan

0:31:26.120 --> 0:31:31.080
<v Speaker 2>Murphy aka the guy from Grounded for Life aka Donald Loge.

0:31:32.120 --> 0:31:35.840
<v Speaker 2>All the names sound crazy, none of these are real names,

0:31:35.960 --> 0:31:38.760
<v Speaker 2>and so we would love him on the pod though

0:31:39.160 --> 0:31:41.800
<v Speaker 2>the names are funny, but we we want the sky

0:31:41.840 --> 0:31:42.960
<v Speaker 2>on the pod really.

0:31:42.720 --> 0:31:47.160
<v Speaker 1>Donald log famously the second baby daddy of Rollins, the

0:31:47.200 --> 0:31:48.240
<v Speaker 1>second baby daddy.

0:31:48.600 --> 0:31:50.880
<v Speaker 2>Honestly, I'm shocked you didn't fuck more people in the

0:31:50.880 --> 0:31:55.640
<v Speaker 2>precinct like I. But he he is a hothead. He

0:31:55.680 --> 0:31:59.080
<v Speaker 2>really does flip out. He's really kind of wild. I

0:31:59.080 --> 0:32:00.480
<v Speaker 2>think we can find out late or he might be

0:32:00.520 --> 0:32:04.280
<v Speaker 2>bipolar or something, because he does have an air of

0:32:04.320 --> 0:32:08.719
<v Speaker 2>a little to him. No no offense. Okay, so we

0:32:08.760 --> 0:32:10.760
<v Speaker 2>do want him on the pod. He's yelling at Tomorrow

0:32:10.760 --> 0:32:13.800
<v Speaker 2>what the fuck Benson is worried for? Like, how well

0:32:13.840 --> 0:32:16.440
<v Speaker 2>Amorro is doing and then Rowlins reports that the dude

0:32:16.480 --> 0:32:21.240
<v Speaker 2>is sedated, the pedo concussion, broken ribs, and Donnell is like,

0:32:21.400 --> 0:32:24.120
<v Speaker 2>that's felony assault or even attempted murder if they really

0:32:24.160 --> 0:32:26.840
<v Speaker 2>want you out, and Benson's like, wait, wait, wait, hold on,

0:32:26.960 --> 0:32:29.920
<v Speaker 2>but didn't Wilkes go after you and this, And then

0:32:29.960 --> 0:32:32.560
<v Speaker 2>the Ginger is like, cut this down, shut it off.

0:32:32.920 --> 0:32:35.280
<v Speaker 2>There's no privilege. Shut up. They tell him to keep

0:32:35.280 --> 0:32:37.760
<v Speaker 2>his mouth shut. There is, Yeah, okay, you guys get it.

0:32:38.480 --> 0:32:41.280
<v Speaker 2>They want him to not talk. So now dramatic music

0:32:41.360 --> 0:32:43.920
<v Speaker 2>is playing. He knows he fucked up, and so much

0:32:43.920 --> 0:32:46.360
<v Speaker 2>has happened, and we were just now at the credits.

0:32:47.000 --> 0:32:48.760
<v Speaker 1>That's wild, jam packed jam.

0:32:49.000 --> 0:32:50.480
<v Speaker 2>You're right. I never even thought about that.

0:32:50.520 --> 0:32:53.520
<v Speaker 1>But this episode is the intersection of like seven different episodes.

0:32:53.520 --> 0:32:57.240
<v Speaker 1>It's really wild, Like I did not put that even together,

0:32:57.320 --> 0:32:58.520
<v Speaker 1>but tis yes.

0:32:59.040 --> 0:33:01.360
<v Speaker 2>And so now we have a young lawyer in the

0:33:01.360 --> 0:33:03.640
<v Speaker 2>white blinds room with Tomorrow and he's sitting like a

0:33:03.680 --> 0:33:06.719
<v Speaker 2>bad boy in detention and they're having a meeting and

0:33:08.480 --> 0:33:11.440
<v Speaker 2>the iab dude, I could not find him in the IMDb,

0:33:11.560 --> 0:33:14.120
<v Speaker 2>which I thought was really fucked up.

0:33:14.160 --> 0:33:16.240
<v Speaker 1>So maybe you can help me I was searched.

0:33:16.360 --> 0:33:20.400
<v Speaker 2>Well. Also I was watching another episode that you're covering later.

0:33:20.480 --> 0:33:22.840
<v Speaker 2>You know, we were court multiples, you guys, And so

0:33:23.080 --> 0:33:25.920
<v Speaker 2>I had Peacock with one episode, Hulu with another, and

0:33:25.960 --> 0:33:29.000
<v Speaker 2>then all my articles out and I was fucking up,

0:33:29.040 --> 0:33:31.200
<v Speaker 2>Like I was trying to find Jane how to show,

0:33:31.640 --> 0:33:34.000
<v Speaker 2>but I was looking at a different episode and I

0:33:34.040 --> 0:33:36.440
<v Speaker 2>was like, what the fuck? And then it happened again

0:33:36.440 --> 0:33:38.600
<v Speaker 2>with this guy. But I wasn't Spring Awakening. But I

0:33:38.600 --> 0:33:40.560
<v Speaker 2>can't find the IAB investigator.

0:33:40.760 --> 0:33:43.320
<v Speaker 1>I think his name is Michael Potts, is the actor,

0:33:43.880 --> 0:33:47.480
<v Speaker 1>and that I am. And you know cold Draper, you

0:33:47.520 --> 0:33:50.960
<v Speaker 1>know what's sick is? I had it purple, I went

0:33:51.000 --> 0:33:54.480
<v Speaker 1>on it. I went on it. It's purple, am I

0:33:54.640 --> 0:33:55.160
<v Speaker 1>are we right?

0:33:55.240 --> 0:33:55.440
<v Speaker 2>Yeah?

0:33:55.440 --> 0:33:57.080
<v Speaker 1>It is him, right. We've seen him before too.

0:33:57.120 --> 0:34:01.040
<v Speaker 2>He's been in like, uh, he's working, he is y.

0:34:02.360 --> 0:34:04.520
<v Speaker 1>But he he was in above Suspicion. I think he

0:34:04.560 --> 0:34:05.680
<v Speaker 1>was in a lot of the shit that I had

0:34:05.720 --> 0:34:08.759
<v Speaker 1>to do with. He no, but in this specific yes,

0:34:09.000 --> 0:34:11.799
<v Speaker 1>for sure, he's this man works. But yeah, also in

0:34:13.040 --> 0:34:15.880
<v Speaker 1>many episodes like the above Suspicion, he was part of

0:34:15.920 --> 0:34:18.279
<v Speaker 1>all the IAB when they were like closing in on

0:34:18.320 --> 0:34:20.200
<v Speaker 1>the Ganzelle all that shit.

0:34:20.680 --> 0:34:23.879
<v Speaker 2>Yeah, okay, So Michael Potts is our man, and he's

0:34:23.920 --> 0:34:27.000
<v Speaker 2>the IAB guy who's like, bro, there's dozens of witnesses

0:34:27.160 --> 0:34:30.719
<v Speaker 2>to unis. They like, no, like, and no one thinks

0:34:30.760 --> 0:34:34.240
<v Speaker 2>that you were defending yourself and that against the victim.

0:34:34.320 --> 0:34:35.440
<v Speaker 1>And Amarro flips out.

0:34:35.480 --> 0:34:38.560
<v Speaker 2>He's like, that's not a victim, that's a fucking psychopath.

0:34:38.600 --> 0:34:41.920
<v Speaker 2>And it's like no, no, no, no, you you were off duty.

0:34:42.040 --> 0:34:45.480
<v Speaker 2>This is serious trouble. Two officers pulled you off an

0:34:45.600 --> 0:34:49.440
<v Speaker 2>unarmed civilian. You are being charged and they ask with what,

0:34:49.640 --> 0:34:52.319
<v Speaker 2>and the interviewer turns off the camera and basically is like,

0:34:52.360 --> 0:34:54.600
<v Speaker 2>assault too, and you better hope you're VIC pulls through.

0:34:55.080 --> 0:34:57.160
<v Speaker 2>So we're in cornet, which makes me feel like they

0:34:57.200 --> 0:35:00.960
<v Speaker 2>have his back a little bit. Yeah, Like IAB sucks,

0:35:00.960 --> 0:35:04.560
<v Speaker 2>but this isn't Tucker level annoying. We're not like, ugh,

0:35:04.680 --> 0:35:07.560
<v Speaker 2>it's Darth Vader like turn off the camera. I think

0:35:07.760 --> 0:35:10.560
<v Speaker 2>is shows a little professional curtisy, even though we're against

0:35:10.600 --> 0:35:12.520
<v Speaker 2>police brutality, but it is a pediphile.

0:35:12.560 --> 0:35:15.239
<v Speaker 1>I'm against police brutality, but this guy's fucking like two

0:35:15.280 --> 0:35:17.800
<v Speaker 1>seconds away from stringing some kid up in his little

0:35:17.960 --> 0:35:21.720
<v Speaker 1>kill room, like he's got like he hasn't acted yet,

0:35:21.760 --> 0:35:24.320
<v Speaker 1>but I mean they are intentionally making him the biggest

0:35:24.360 --> 0:35:24.959
<v Speaker 1>creep ever.

0:35:25.440 --> 0:35:29.239
<v Speaker 2>Yeah, one hondo. So we're in court and tomorrow, YadA YadA, raman,

0:35:29.320 --> 0:35:31.480
<v Speaker 2>what are we gonna do? First time? Not first time?

0:35:31.600 --> 0:35:36.040
<v Speaker 2>You know, he has shot an unarmed child, the worst cop,

0:35:37.000 --> 0:35:41.520
<v Speaker 2>the worst cop so sexy. So basically bailo is half

0:35:41.560 --> 0:35:44.600
<v Speaker 2>a million. That's a lot. And the lawyer is like, hey,

0:35:44.600 --> 0:35:46.480
<v Speaker 2>can you put your house for collateral? And I think

0:35:46.480 --> 0:35:48.719
<v Speaker 2>this is so funny. He's like, I can't ask my

0:35:48.760 --> 0:35:50.759
<v Speaker 2>wife to do that again. And it's like you are

0:35:50.800 --> 0:35:54.279
<v Speaker 2>a bad husband and you have to question yourself, like

0:35:55.000 --> 0:35:57.080
<v Speaker 2>you need you need to put your house up for

0:35:57.160 --> 0:35:59.840
<v Speaker 2>collateral again? Come on, broke, Yeah, I think I have

0:35:59.880 --> 0:36:04.640
<v Speaker 2>the It's like Maloney was like throwing people against filing cabinets,

0:36:04.680 --> 0:36:07.439
<v Speaker 2>sure all the time, but like he kind of never

0:36:07.560 --> 0:36:10.239
<v Speaker 2>took it to the level that tomorrow takes it.

0:36:10.320 --> 0:36:13.239
<v Speaker 1>You know, we never had to. I don't think he

0:36:13.320 --> 0:36:16.080
<v Speaker 1>really ever had to put his house up. Kathy would

0:36:16.080 --> 0:36:16.720
<v Speaker 1>have been pissed.

0:36:18.320 --> 0:36:21.960
<v Speaker 2>So the pedophile's wife is really mad and she's like

0:36:22.040 --> 0:36:25.520
<v Speaker 2>in the galley and she's like, you motherfuckers won't stop

0:36:25.560 --> 0:36:28.279
<v Speaker 2>wheel you. So Robin's, Benson, and Donnell are having a

0:36:28.280 --> 0:36:30.960
<v Speaker 2>meeting and nobody is budging on this. They're all they're

0:36:31.000 --> 0:36:33.759
<v Speaker 2>acting like it's outrageous though, so they're like, sorry, the

0:36:34.239 --> 0:36:36.240
<v Speaker 2>charges are being pressed and they're like what the fuck,

0:36:36.280 --> 0:36:38.960
<v Speaker 2>and it's like, come on, guys, and then Finn does

0:36:38.960 --> 0:36:42.040
<v Speaker 2>his classic pops out of nowhere, pops out of nowhere.

0:36:42.080 --> 0:36:44.400
<v Speaker 2>You know, he didn't want to film a coverage with anybody,

0:36:44.960 --> 0:36:48.360
<v Speaker 2>and so then Rollin wants to start investigating, and the

0:36:48.440 --> 0:36:51.399
<v Speaker 2>lieutenant you know, yells at her, and so then Finn

0:36:51.480 --> 0:36:53.880
<v Speaker 2>fills every and then donn All is the acting lieutenant.

0:36:54.160 --> 0:36:57.600
<v Speaker 2>So then Finn fills everyone in. Okay, that's a grid improv.

0:36:58.120 --> 0:37:02.880
<v Speaker 2>Finn fills everyone in Phil's fun and fills everyone in yeah,

0:37:02.920 --> 0:37:05.600
<v Speaker 2>and so on the case on the case, and he

0:37:05.640 --> 0:37:08.960
<v Speaker 2>wants them to work on. So basically there's a different

0:37:09.000 --> 0:37:11.680
<v Speaker 2>case happening. I mean, how many layers to this episode

0:37:11.760 --> 0:37:13.760
<v Speaker 2>and they all need to work on this other case.

0:37:14.200 --> 0:37:17.279
<v Speaker 2>So a German tourist got assaulted in a hotel room

0:37:17.280 --> 0:37:19.120
<v Speaker 2>and robbed and beaten, and so they go to talk

0:37:19.160 --> 0:37:21.799
<v Speaker 2>to him in the hospital. He went on Craigslist. He

0:37:21.840 --> 0:37:24.959
<v Speaker 2>wanted a New York girlfriend experience, and then she came over.

0:37:25.560 --> 0:37:27.640
<v Speaker 2>She wanted to order room service. She did not look

0:37:27.680 --> 0:37:30.040
<v Speaker 2>like her picture and he goes but she seemed around

0:37:30.080 --> 0:37:33.719
<v Speaker 2>twenty five and rough, and he is really badly fucked up.

0:37:33.760 --> 0:37:36.240
<v Speaker 2>He says her name was Lisette. There was no chats

0:37:36.320 --> 0:37:38.800
<v Speaker 2>or anything. They got right down to business. She unzipped

0:37:38.800 --> 0:37:40.959
<v Speaker 2>her pants. Then there was a knock on the door,

0:37:41.040 --> 0:37:43.000
<v Speaker 2>which he assumed was room service. But then a man

0:37:43.000 --> 0:37:45.839
<v Speaker 2>with a gun came in Latin and scary, and he

0:37:45.960 --> 0:37:49.480
<v Speaker 2>hit the set with the gun and then he held

0:37:49.480 --> 0:37:51.640
<v Speaker 2>it on him. He took everything out and then forced

0:37:51.719 --> 0:37:53.400
<v Speaker 2>him on the bed and then did rape him with

0:37:53.400 --> 0:37:57.000
<v Speaker 2>the gun. So that's brutal. And then the girl was

0:37:57.000 --> 0:38:00.799
<v Speaker 2>in the corner crying and terrified, and then all the

0:38:00.840 --> 0:38:02.520
<v Speaker 2>cops kind of look at each other and they know

0:38:02.600 --> 0:38:04.359
<v Speaker 2>what we are about to find out.

0:38:04.440 --> 0:38:06.760
<v Speaker 1>Rollins is like, so did the room service ever come?

0:38:07.160 --> 0:38:09.840
<v Speaker 2>And he said no, and they're like, yeah, bro, you

0:38:09.960 --> 0:38:12.840
<v Speaker 2>were a scam and you were a victim of a scam.

0:38:12.880 --> 0:38:14.800
<v Speaker 1>And then it dawns on him and he's quite sad.

0:38:15.120 --> 0:38:17.040
<v Speaker 2>And Finn is at the corkboard at the work breaking

0:38:17.080 --> 0:38:20.960
<v Speaker 2>down the case, and there is surveillance of the elevator

0:38:21.360 --> 0:38:23.440
<v Speaker 2>and she obviously lied about the room service. There was

0:38:23.520 --> 0:38:25.919
<v Speaker 2>only one call. No one ever called for help. They

0:38:26.000 --> 0:38:28.440
<v Speaker 2>went out the stairs. They also have a pick of

0:38:28.520 --> 0:38:32.000
<v Speaker 2>him from the elevator, but he's hidden fully and there's

0:38:32.440 --> 0:38:35.839
<v Speaker 2>four cases recently with a similar mom. So donn Alla

0:38:35.880 --> 0:38:39.840
<v Speaker 2>is like, Okay, let's answer the ad. So he's going undercover.

0:38:40.200 --> 0:38:43.360
<v Speaker 2>Benson likes how proactive he's being. That's the thing, Like

0:38:43.400 --> 0:38:45.319
<v Speaker 2>I feel like Benson in if this was real life,

0:38:45.400 --> 0:38:47.319
<v Speaker 2>he would have fucked Benson too, and Benson would have

0:38:47.320 --> 0:38:49.560
<v Speaker 2>fucked him. Like I do feel like he got around

0:38:50.320 --> 0:38:53.040
<v Speaker 2>Maybe he didn't see it, but he fucked through that office.

0:38:53.080 --> 0:38:53.600
<v Speaker 1>There's no way.

0:38:53.920 --> 0:38:56.440
<v Speaker 2>Yeah. Yeah. And this this actor is.

0:38:58.080 --> 0:39:00.920
<v Speaker 1>Canadian, but I think his parents for Irish and so

0:39:01.000 --> 0:39:03.400
<v Speaker 1>he when he was on Sons of Anarchy, he was

0:39:03.520 --> 0:39:05.479
<v Speaker 1>I believe you guys can correct me if I'm wrong.

0:39:05.600 --> 0:39:07.839
<v Speaker 1>I believe he's like the head of like the Irish

0:39:07.920 --> 0:39:10.880
<v Speaker 1>motorcycle gang that comes over to the United States. Like

0:39:10.920 --> 0:39:14.120
<v Speaker 1>he always likes to do Irish So that's like he's

0:39:14.120 --> 0:39:15.759
<v Speaker 1>like showing off his Irish accent here.

0:39:15.800 --> 0:39:17.880
<v Speaker 2>I feel, oh yeah, because that's the thing. It was

0:39:17.920 --> 0:39:20.960
<v Speaker 2>a German tourist. It's always tourists. It's midtown hotels, and

0:39:21.040 --> 0:39:24.640
<v Speaker 2>so he yeah, he really brings on the Irish and

0:39:24.719 --> 0:39:28.640
<v Speaker 2>he's ready to play some cop theater everybody. So Rollins

0:39:28.680 --> 0:39:31.560
<v Speaker 2>is in the lobby on the phone, and we see

0:39:32.840 --> 0:39:35.680
<v Speaker 2>a sex worker walking through. She's wearing a tight, hot

0:39:35.760 --> 0:39:38.120
<v Speaker 2>pink skirt and a denim jacket and nobody is with her,

0:39:38.560 --> 0:39:41.960
<v Speaker 2>so she's on the floor and then Donnell gives direction like,

0:39:42.040 --> 0:39:44.200
<v Speaker 2>do not bust in until the pimp busts in with

0:39:44.239 --> 0:39:47.279
<v Speaker 2>the weapon because he wants to catch him in the act,

0:39:47.480 --> 0:39:50.840
<v Speaker 2>and because I think the FBI needs way more evidence

0:39:50.920 --> 0:39:54.160
<v Speaker 2>than cops or am I lying? Oh no, not that

0:39:54.239 --> 0:39:56.239
<v Speaker 2>he is. I don't know right now, he's acting as

0:39:56.280 --> 0:39:59.040
<v Speaker 2>a lieutenant whatever. Yeah, I don't know.

0:39:59.080 --> 0:40:01.719
<v Speaker 1>I think he's just kind of like, I don't think

0:40:01.760 --> 0:40:03.640
<v Speaker 1>he wants to just get her. He wants the guy.

0:40:04.560 --> 0:40:07.960
<v Speaker 2>Yes, yes, yes, yes. And the hopping girl enters and

0:40:08.000 --> 0:40:12.880
<v Speaker 2>she is from Shameless. Okay, she's Lip's girlfriend. Who is

0:40:13.080 --> 0:40:16.080
<v Speaker 2>you know, played by Jeremy Allen White and she's amazing.

0:40:16.280 --> 0:40:20.719
<v Speaker 1>I think her name is Emma Greenwall. Yeah, so when

0:40:20.719 --> 0:40:22.480
<v Speaker 1>we were trying to figure out who to get for

0:40:22.600 --> 0:40:25.560
<v Speaker 1>a guest on this episode. Her name is Emma Greenwall. Yeah,

0:40:25.960 --> 0:40:30.439
<v Speaker 1>and like she got all this fanfare from being on

0:40:30.800 --> 0:40:33.640
<v Speaker 1>like Shameless. I cannot find anything from her in the

0:40:33.719 --> 0:40:37.040
<v Speaker 1>last like four years. Like I think she's she moved abroad.

0:40:37.080 --> 0:40:39.719
<v Speaker 1>I think she lives in London and she's just kind

0:40:39.719 --> 0:40:44.560
<v Speaker 1>of like not posting on Insta, Like she's not. Like

0:40:44.719 --> 0:40:48.239
<v Speaker 1>I literally was looking up everything and every article was

0:40:48.320 --> 0:40:52.080
<v Speaker 1>like she's what's Like, you know, she has two hundred

0:40:52.080 --> 0:40:55.880
<v Speaker 1>and fifty six thousand followers on Insta and like I

0:40:55.920 --> 0:40:58.560
<v Speaker 1>believe the last post is from September of twenty twenty two,

0:40:58.680 --> 0:41:00.680
<v Speaker 1>so like she hasn't posted in like a year and

0:41:00.719 --> 0:41:05.080
<v Speaker 1>a half. And yeah, like I don't know if she

0:41:05.320 --> 0:41:08.040
<v Speaker 1>posts stories or anything, but she's not posting to the grid.

0:41:08.080 --> 0:41:12.319
<v Speaker 1>And I feel like she's not really acting, which is

0:41:12.360 --> 0:41:14.719
<v Speaker 1>so crazy because she had a big thing going on.

0:41:15.000 --> 0:41:17.759
<v Speaker 2>But I mean, if this was a scripted series, this

0:41:17.840 --> 0:41:19.600
<v Speaker 2>is what we would be investigating right now.

0:41:19.719 --> 0:41:22.240
<v Speaker 1>I mean, she has no she only has eleven acting

0:41:22.239 --> 0:41:24.799
<v Speaker 1>credits and they stopped in twenty nineteen, so I don't know.

0:41:24.920 --> 0:41:26.520
<v Speaker 1>I think she's married and has a kid, and I

0:41:26.520 --> 0:41:32.360
<v Speaker 1>don't know if she's just like out she does yeahland, Yeah,

0:41:32.719 --> 0:41:34.359
<v Speaker 1>I know. It's like so shocked. I don't know why.

0:41:34.560 --> 0:41:36.400
<v Speaker 1>It's like a woman just had a career change, and

0:41:36.440 --> 0:41:37.040
<v Speaker 1>we're like, what the.

0:41:36.960 --> 0:41:40.360
<v Speaker 2>Fuck is going on? What happens? She's like living life,

0:41:40.440 --> 0:41:42.040
<v Speaker 2>having a good time, and we're like, why isn't she

0:41:42.080 --> 0:41:43.520
<v Speaker 2>posting more? Something is wrong?

0:41:43.760 --> 0:41:46.240
<v Speaker 1>I mean, I bet you she could. She could easily

0:41:46.320 --> 0:41:48.560
<v Speaker 1>be like after her kid is like more school age,

0:41:48.600 --> 0:41:50.600
<v Speaker 1>be like I'm back, and I'm sure she's like beautiful

0:41:50.640 --> 0:41:53.560
<v Speaker 1>and talented. I'm sure she'll get more and.

0:41:53.719 --> 0:41:56.160
<v Speaker 2>Very talented because she's a mess. She's a mess in

0:41:56.200 --> 0:41:59.440
<v Speaker 2>this episode. So then she right away is like, oh,

0:41:59.440 --> 0:42:01.640
<v Speaker 2>it's an old Pa picture, so she knows what's up

0:42:01.640 --> 0:42:04.440
<v Speaker 2>as well, and she starts making out with him right away.

0:42:04.520 --> 0:42:05.840
<v Speaker 1>He's like, hey, do you want a drink?

0:42:05.920 --> 0:42:08.319
<v Speaker 2>She asks if she can order room service, and she

0:42:08.360 --> 0:42:10.680
<v Speaker 2>makes the call, and then downstairs we see a man

0:42:10.719 --> 0:42:12.439
<v Speaker 2>in a den in vest and a white tank top

0:42:12.480 --> 0:42:15.760
<v Speaker 2>with tattoos and a little hat going upstairs and Donald

0:42:15.760 --> 0:42:18.799
<v Speaker 2>pays pays her, and he's trying to stall and wants

0:42:18.800 --> 0:42:21.120
<v Speaker 2>it slow and not rushing, and she wants it to

0:42:21.280 --> 0:42:23.680
<v Speaker 2>like be faster obviously, like get the fuck out of work,

0:42:24.200 --> 0:42:26.319
<v Speaker 2>and he's like, no, I can pay you for your time.

0:42:26.440 --> 0:42:28.680
<v Speaker 2>I have money, and then bam bam. Jeane vest is

0:42:28.719 --> 0:42:32.000
<v Speaker 2>in the room, gun up wants the money and he's like,

0:42:32.000 --> 0:42:34.200
<v Speaker 2>the money's in her bra and he calls it a

0:42:34.200 --> 0:42:37.439
<v Speaker 2>brazier and he pulls her oh, and then Tino pulls

0:42:37.440 --> 0:42:38.920
<v Speaker 2>her by her hair and throws her against the wall.

0:42:39.000 --> 0:42:40.640
<v Speaker 2>And it is like so fucked, Like if you are

0:42:40.680 --> 0:42:44.040
<v Speaker 2>working together, why why do you have to throw her

0:42:44.160 --> 0:42:44.719
<v Speaker 2>so hard?

0:42:45.160 --> 0:42:48.399
<v Speaker 1>But also why are you to also like rape these

0:42:48.440 --> 0:42:51.400
<v Speaker 1>men with a gun, take the take the money and

0:42:51.480 --> 0:42:55.120
<v Speaker 1>run like what I don't understand. Yeah, he's he's just

0:42:55.160 --> 0:42:55.839
<v Speaker 1>a bad guy.

0:42:56.120 --> 0:43:02.719
<v Speaker 2>Yeah yeah, okay, so but also why does why do

0:43:02.760 --> 0:43:05.280
<v Speaker 2>they have to take the passport? So cause he's asking

0:43:05.360 --> 0:43:08.000
<v Speaker 2>wallet passport, no games, Why do you need the passport?

0:43:08.360 --> 0:43:10.359
<v Speaker 2>Maybe they sell them. I don't know.

0:43:10.480 --> 0:43:12.919
<v Speaker 1>Yeah, passports seem like they get flagged. Like I don't

0:43:12.920 --> 0:43:14.880
<v Speaker 1>know if you can use a fake passport very easily.

0:43:15.640 --> 0:43:19.200
<v Speaker 2>I don't know. So he turns to the dresser and

0:43:19.280 --> 0:43:23.120
<v Speaker 2>Finn opens like a conjoining door room and boom, it

0:43:23.200 --> 0:43:26.680
<v Speaker 2>hits him. He falls, Finn arrests him, the gunflies pink

0:43:26.719 --> 0:43:29.680
<v Speaker 2>skirt tries to grab it and Benson goes, you move,

0:43:29.840 --> 0:43:32.560
<v Speaker 2>I shoot, and she tries to act like out of it,

0:43:32.640 --> 0:43:34.919
<v Speaker 2>like oh no, I'm a victim, and Benson goes, bitch,

0:43:34.920 --> 0:43:37.360
<v Speaker 2>you're done. So we're back at the office and little

0:43:37.360 --> 0:43:39.400
<v Speaker 2>Tino the pimp got a lawyer in a nice suit,

0:43:39.400 --> 0:43:43.400
<v Speaker 2>and Ellie aka Lisette is waiting for public aid. Trevor

0:43:43.480 --> 0:43:46.319
<v Speaker 2>Langen walks in for Ellie and they're like, wait, we

0:43:46.360 --> 0:43:49.200
<v Speaker 2>thought she was getting public like a public defender, and

0:43:49.320 --> 0:43:52.400
<v Speaker 2>Benson goes, oh, yeah, hey, Rowlands, this is Trevor my

0:43:52.520 --> 0:43:56.839
<v Speaker 2>real life husband. And she goes a high priced mouthpiece

0:43:57.080 --> 0:44:01.080
<v Speaker 2>for low lifes and his response is epic, and he goes,

0:44:01.120 --> 0:44:04.000
<v Speaker 2>and you once, how soon we forget?

0:44:04.840 --> 0:44:08.719
<v Speaker 1>How soon we forget? It is crazy? I mean they

0:44:08.719 --> 0:44:09.480
<v Speaker 1>are he has.

0:44:09.320 --> 0:44:12.080
<v Speaker 2>Done more pro bono, like I he has done nice

0:44:12.080 --> 0:44:15.799
<v Speaker 2>things for people. Yeah, but he likes to do a

0:44:15.800 --> 0:44:18.520
<v Speaker 2>few pro bonos every year to keep him an honest lawyer.

0:44:18.600 --> 0:44:22.480
<v Speaker 2>And then Murphy says oxy moron and then rollins. So

0:44:22.520 --> 0:44:25.320
<v Speaker 2>he goes to meet with his client and Rollins spins

0:44:25.360 --> 0:44:27.760
<v Speaker 2>her chair to look at Benson. He goes, he's tall,

0:44:28.480 --> 0:44:31.200
<v Speaker 2>and Benson walking to her desk says, like, that's a

0:44:31.280 --> 0:44:34.560
<v Speaker 2>skill set, and Rollins goes any history, what's up? And

0:44:34.600 --> 0:44:37.279
<v Speaker 2>Benson says she doesn't date lawyers, and Rollins goes, since

0:44:37.320 --> 0:44:41.799
<v Speaker 2>when and yeah, so okay, what I feel like I

0:44:41.800 --> 0:44:44.080
<v Speaker 2>wouldn't mind if they ended up together in the end

0:44:44.120 --> 0:44:44.600
<v Speaker 2>of the series.

0:44:44.800 --> 0:44:47.319
<v Speaker 1>No, me neither, like, because we always talk about like,

0:44:47.400 --> 0:44:50.080
<v Speaker 1>I think that's the a guy that understands what she does,

0:44:50.160 --> 0:44:51.839
<v Speaker 1>A guy that could pay for her to like go

0:44:51.880 --> 0:44:54.560
<v Speaker 1>to the Bahamas and like have a nice life, you know,

0:44:54.800 --> 0:44:57.799
<v Speaker 1>and when he knows Noah, he knows Noah.

0:44:57.960 --> 0:44:58.600
<v Speaker 2>Yeah.

0:44:58.840 --> 0:45:01.640
<v Speaker 1>Yeah, I've I thought he's been. I've always thought he'd been.

0:45:01.680 --> 0:45:03.560
<v Speaker 1>He'd be a wonderful endgame choice.

0:45:03.680 --> 0:45:05.719
<v Speaker 2>But is he a bachelor? Is he with people? Or

0:45:05.760 --> 0:45:07.560
<v Speaker 2>do you think he dates a lot of hotgart Like

0:45:07.560 --> 0:45:09.040
<v Speaker 2>what's he up to? Trevor Langan?

0:45:09.280 --> 0:45:12.279
<v Speaker 1>I don't know if we've ever even gotten like a

0:45:13.040 --> 0:45:16.080
<v Speaker 1>like a little snippet of him.

0:45:16.200 --> 0:45:19.640
<v Speaker 2>You know. No, but I wonder because I like, did

0:45:19.680 --> 0:45:22.600
<v Speaker 2>he get separate? You know? I just but I want

0:45:22.640 --> 0:45:25.680
<v Speaker 2>them to end up together. I think that's that's going forward.

0:45:25.680 --> 0:45:28.520
<v Speaker 2>That's the answer I'm giving to everybody. Yeah, that's my

0:45:28.680 --> 0:45:33.320
<v Speaker 2>goal for them to end up together. Blended family hanging

0:45:33.360 --> 0:45:36.400
<v Speaker 2>out or you know, he just stops Noah, But I'm

0:45:36.680 --> 0:45:38.640
<v Speaker 2>I don't know if Trevor's kids are and he's been

0:45:38.680 --> 0:45:43.319
<v Speaker 2>on so many episodes. We got to get him, we do,

0:45:43.400 --> 0:45:45.640
<v Speaker 2>but it just seems like weird. It's like if we

0:45:45.680 --> 0:45:47.920
<v Speaker 2>get him or Cocoa, it's like, clearly we want to

0:45:47.960 --> 0:45:50.200
<v Speaker 2>talk about your spell, like I get us your spouse

0:45:50.280 --> 0:45:54.120
<v Speaker 2>net like Trevor like, oh, we want to interview about SVU,

0:45:54.200 --> 0:45:56.480
<v Speaker 2>Like I wonder if he's like eating breakfast with her,

0:45:56.600 --> 0:46:02.239
<v Speaker 2>Like I'm gonna do this SVU podcast, Like I know, it's.

0:46:02.040 --> 0:46:02.800
<v Speaker 1>Just too much.

0:46:03.160 --> 0:46:05.919
<v Speaker 2>I don't know how to handle it. He I feel

0:46:05.920 --> 0:46:08.000
<v Speaker 2>like we have to do him after Olivia. I don't

0:46:08.040 --> 0:46:12.640
<v Speaker 2>know after Marishka. Yeah, in this weird way.

0:46:13.719 --> 0:46:16.080
<v Speaker 1>Yeah, but he like I think he starts out like

0:46:16.120 --> 0:46:18.120
<v Speaker 1>a dick in his first few seasons and then it's

0:46:18.120 --> 0:46:21.240
<v Speaker 1>like later in seasons he starts taking on the cute

0:46:21.400 --> 0:46:23.400
<v Speaker 1>like extra not even cute.

0:46:23.080 --> 0:46:26.360
<v Speaker 2>But he does. He did defend you, so it is

0:46:26.440 --> 0:46:31.440
<v Speaker 2>crazy that she's being so mean and calling him this mouthpiece.

0:46:31.520 --> 0:46:34.759
<v Speaker 2>So she defended him in season eleven when she was

0:46:34.800 --> 0:46:38.319
<v Speaker 2>framed for the murder of the biker guy because there

0:46:38.400 --> 0:46:42.320
<v Speaker 2>is like science where you can copy DNA right right.

0:46:42.560 --> 0:46:44.640
<v Speaker 2>Someone I was gonna say, did he defend her during

0:46:44.680 --> 0:46:45.640
<v Speaker 2>the William Lewis stuff?

0:46:45.640 --> 0:46:48.280
<v Speaker 1>But that was not I think that it was just Elizabeth.

0:46:48.360 --> 0:46:51.040
<v Speaker 1>I think Rita Calhoun defends her during the William Lewis shit,

0:46:51.120 --> 0:46:52.000
<v Speaker 1>but she never gets in there.

0:46:52.160 --> 0:46:54.279
<v Speaker 2>Yeah, but it is interesting because like Elliots had to

0:46:54.320 --> 0:46:59.279
<v Speaker 2>pick lawyers, and he picked CC Pounder Pounder. But I'm

0:46:59.280 --> 0:47:01.480
<v Speaker 2>just saying, like, in my head, the best lawyers are

0:47:01.480 --> 0:47:02.440
<v Speaker 2>the ones that they hire.

0:47:03.120 --> 0:47:04.439
<v Speaker 1>Yes, the ones they go for.

0:47:05.080 --> 0:47:05.400
<v Speaker 2>I don't know.

0:47:06.400 --> 0:47:11.239
<v Speaker 1>Ja counter is Carolyn Maddox, Yes, Carolin Maddox. So to me,

0:47:11.320 --> 0:47:13.680
<v Speaker 1>these are the best of the best. But Elizabeth Marvel,

0:47:13.719 --> 0:47:15.560
<v Speaker 1>we know is the best because she makes us so mad.

0:47:16.160 --> 0:47:18.439
<v Speaker 1>But Trevor doesn't make me as mad as the They're

0:47:18.480 --> 0:47:22.279
<v Speaker 1>like the you know as the oil tycoon hairdoo. And

0:47:22.960 --> 0:47:28.480
<v Speaker 1>like I wonder if Benson would ever hire Buchanan or something.

0:47:28.719 --> 0:47:34.120
<v Speaker 2>No, I don't think she would. Yeah, there's there's so anyways. Okay,

0:47:34.200 --> 0:47:36.960
<v Speaker 2>so now the lawyer meeting is with tomorrow. The pedal

0:47:37.040 --> 0:47:40.479
<v Speaker 2>the pedophile is awake. There's no sustained injuries, thank god,

0:47:41.120 --> 0:47:42.920
<v Speaker 2>but so he'll be fine. But the wife and him

0:47:42.920 --> 0:47:45.680
<v Speaker 2>are adamant about seeing him be prosecuted. The DA is

0:47:45.719 --> 0:47:48.040
<v Speaker 2>also gung ho to get him on all charges because

0:47:48.080 --> 0:47:51.000
<v Speaker 2>they're really trying to crack down on police brutality. And

0:47:51.040 --> 0:47:54.040
<v Speaker 2>Tomorrow goes, fuck this, this is a pedophile. Why do

0:47:54.080 --> 0:47:57.720
<v Speaker 2>you love this pedophile? And like he has a fucking

0:47:57.800 --> 0:48:00.440
<v Speaker 2>torture chamber? What the fuck are the lawyers? We have

0:48:00.520 --> 0:48:02.319
<v Speaker 2>to stick with self defense, that is what we have

0:48:02.360 --> 0:48:04.200
<v Speaker 2>to do. And the lawyer is trying to spin a

0:48:04.239 --> 0:48:06.040
<v Speaker 2>story in Tomorrow is like, I'm fucked. I'm fucked, a

0:48:06.160 --> 0:48:08.480
<v Speaker 2>fucked Oh my god, a trial. I'm not going to trial.

0:48:08.880 --> 0:48:10.600
<v Speaker 2>He's like, I can try for a plea, but this

0:48:10.640 --> 0:48:11.840
<v Speaker 2>isn't just gonna go away.

0:48:12.239 --> 0:48:16.200
<v Speaker 1>Another person tying in other episodes. The lawyer is Lorenzo d' sapio,

0:48:16.360 --> 0:48:20.160
<v Speaker 1>who is the guy that Rolin's sister is the law

0:48:20.239 --> 0:48:21.880
<v Speaker 1>is the lawyer for Kim Rowlins and then she like

0:48:21.960 --> 0:48:25.800
<v Speaker 1>basically starts a relationship with her because she's a cross Lorenzo.

0:48:27.640 --> 0:48:30.719
<v Speaker 1>They bring Lorenzo to Sapio back like I love how

0:48:31.320 --> 0:48:33.600
<v Speaker 1>Like Rawlins is like, I'll get you a lawyer, I'll

0:48:33.600 --> 0:48:36.799
<v Speaker 1>get you. My sister's shady ass grifter lawyer, and here

0:48:36.840 --> 0:48:41.400
<v Speaker 1>he is. But damn, because I just I so vividly

0:48:41.400 --> 0:48:45.360
<v Speaker 1>remember going, well, me and Lorenzo. I'm actually wearing a

0:48:45.480 --> 0:48:49.200
<v Speaker 1>friendship bracelet that someone made for us and it is

0:48:49.239 --> 0:48:51.880
<v Speaker 1>an acronym and it's what would Kim Rolins do? So

0:48:52.120 --> 0:48:55.040
<v Speaker 1>I have that the chaos, the chaos of what would

0:48:55.080 --> 0:48:55.840
<v Speaker 1>Kim Rowlins do?

0:48:56.200 --> 0:48:59.960
<v Speaker 2>Yeah, pretty psycho, but I'm wearing it as we were.

0:49:00.840 --> 0:49:02.640
<v Speaker 2>So now we bring in the German Man and he

0:49:02.680 --> 0:49:07.680
<v Speaker 2>identifies Ellie immediately in the lineup, and Trevor's like, to Benson, though, like,

0:49:07.960 --> 0:49:10.680
<v Speaker 2>you're not seeing Ellie as a victim. She was pimped

0:49:10.680 --> 0:49:13.160
<v Speaker 2>out at sixteen. Benson says she tried to pull a

0:49:13.200 --> 0:49:16.719
<v Speaker 2>gun on Murphy and he goes, yeah, because her pimp

0:49:16.840 --> 0:49:21.160
<v Speaker 2>made her like it is it is uncharacteristic of Benson,

0:49:21.239 --> 0:49:23.640
<v Speaker 2>but she's blinded in a rage. But she's like, she

0:49:23.680 --> 0:49:25.600
<v Speaker 2>also set up a tourist to be raped and is

0:49:25.600 --> 0:49:30.880
<v Speaker 2>a career criminal, and she continues she needs rehab, not jail.

0:49:31.320 --> 0:49:32.000
<v Speaker 1>So now the man.

0:49:32.120 --> 0:49:34.440
<v Speaker 2>We go back to the lineup and it's the lineup

0:49:34.480 --> 0:49:37.279
<v Speaker 2>for the pimp. He picks the wrong guy. They do

0:49:37.360 --> 0:49:41.000
<v Speaker 2>all look very similar, facial hair, bald like gray hoodie,

0:49:42.680 --> 0:49:44.560
<v Speaker 2>and it sucks. I feel really bad for him, and

0:49:44.600 --> 0:49:46.440
<v Speaker 2>I hate when the defense attorney in the room in

0:49:46.480 --> 0:49:48.600
<v Speaker 2>front of the person who just failed the lineup is like,

0:49:48.800 --> 0:49:51.920
<v Speaker 2>and I'm gonna go get my exonerated client, go fuck yourself.

0:49:51.920 --> 0:49:54.120
<v Speaker 2>You have to make this rape victim feel worse, like

0:49:54.280 --> 0:49:57.600
<v Speaker 2>fuck off. So Murphy's like, listen, let's try to see

0:49:57.640 --> 0:50:01.400
<v Speaker 2>if Ellie will flip on Tino and ads. It's crazy

0:50:01.440 --> 0:50:03.880
<v Speaker 2>that Tino didn't cover her legal bills to try to

0:50:03.880 --> 0:50:07.920
<v Speaker 2>control her. He didn't bother helping her at all. So

0:50:07.920 --> 0:50:09.640
<v Speaker 2>so Benson goes in there for a sit down with

0:50:09.719 --> 0:50:13.239
<v Speaker 2>Ellie and she of course does not want to give

0:50:13.320 --> 0:50:17.000
<v Speaker 2>up her fucking pimp who you know, she's gone through trauma.

0:50:17.160 --> 0:50:19.520
<v Speaker 2>Trevor also is trying to convince Ellie to flip and

0:50:19.560 --> 0:50:22.480
<v Speaker 2>to testify. She won't even think about it, and Benson

0:50:22.520 --> 0:50:24.520
<v Speaker 2>has no time for this, throws a candy bar at

0:50:24.560 --> 0:50:27.239
<v Speaker 2>her and says, have you ever gone through full withdrawal?

0:50:27.440 --> 0:50:29.440
<v Speaker 2>You're shaking, You're not feeling well. You're about to be

0:50:29.480 --> 0:50:31.600
<v Speaker 2>sitting in your own puke on a cell on the floor.

0:50:31.760 --> 0:50:34.719
<v Speaker 2>You're gonna be dirty and pathetic because you have a

0:50:34.800 --> 0:50:36.759
<v Speaker 2>chance to break this cycle, and she goes, you want

0:50:36.760 --> 0:50:40.160
<v Speaker 2>to be my mommy lady. Detectives love trying to save me,

0:50:40.320 --> 0:50:42.040
<v Speaker 2>but I like my life the way it is. And

0:50:42.080 --> 0:50:45.200
<v Speaker 2>Benson goes, Okay, have fun going to jail for robbery

0:50:45.200 --> 0:50:47.759
<v Speaker 2>and accomplice to rape. And this is, you know, our

0:50:47.800 --> 0:50:50.520
<v Speaker 2>classic don't go to jail for a man. Yeah, the

0:50:50.640 --> 0:50:53.759
<v Speaker 2>da is still gonna charge Tino with the robbery even

0:50:53.800 --> 0:50:57.680
<v Speaker 2>though there's no evidence. Really, and then Ellie too, But

0:50:57.760 --> 0:51:00.240
<v Speaker 2>how's there no evidence? We caught him in the act

0:51:00.920 --> 0:51:02.799
<v Speaker 2>like we caught them in the act with Donnell like,

0:51:02.840 --> 0:51:04.879
<v Speaker 2>so they have some evidence. It's just the lineup. They

0:51:04.920 --> 0:51:07.040
<v Speaker 2>just don't have the lineup, but they have something. I

0:51:07.640 --> 0:51:10.840
<v Speaker 2>I'm you know, misspoke. Murphy accuses Benson of not trying

0:51:10.840 --> 0:51:12.719
<v Speaker 2>hard enough for Ellie and they have kind of a

0:51:12.800 --> 0:51:15.520
<v Speaker 2>little back and forth about it, and and Benson is

0:51:15.560 --> 0:51:20.480
<v Speaker 2>being uncharacteristically disgusted by Ellie in a way she usually

0:51:20.560 --> 0:51:24.280
<v Speaker 2>has empathy for all these victims, so it is confusing.

0:51:24.400 --> 0:51:26.960
<v Speaker 2>But she's a writer dive friend, so if you try

0:51:26.960 --> 0:51:29.120
<v Speaker 2>to shoot her friend, she will not take your side.

0:51:29.160 --> 0:51:32.480
<v Speaker 2>So then they start hitchatting about tomorrow and then Pipa

0:51:32.560 --> 0:51:35.440
<v Speaker 2>runs in actually and she goes, hey, is there an

0:51:35.480 --> 0:51:40.279
<v Speaker 2>Ellie Porter here and holding And basically Ellie Porter is

0:51:40.520 --> 0:51:44.680
<v Speaker 2>the mother of baby Doe, that is her son. Benson

0:51:44.760 --> 0:51:47.799
<v Speaker 2>is stunned as hell. So now this baby that she

0:51:47.920 --> 0:51:51.279
<v Speaker 2>does care about is connected to this person she thought

0:51:51.600 --> 0:51:54.600
<v Speaker 2>is pathetic. So then Rollin's and Tomorrow have a meeting

0:51:54.640 --> 0:51:59.000
<v Speaker 2>in jail and they're being they're being with the internet's

0:51:59.080 --> 0:52:01.919
<v Speaker 2>now like dumb bitch is just saying exactly to each other,

0:52:02.719 --> 0:52:05.520
<v Speaker 2>just delusional and it's like you did beat a man

0:52:05.600 --> 0:52:10.560
<v Speaker 2>up to a pulp off duty, but the pedo is

0:52:10.600 --> 0:52:13.040
<v Speaker 2>doing the city and Tomorrow is saying he doesn't have

0:52:13.120 --> 0:52:15.440
<v Speaker 2>much fight left, and Rollins goes, well, you better try.

0:52:15.640 --> 0:52:18.120
<v Speaker 2>We're all rooting for you. And then Boom walks in

0:52:18.280 --> 0:52:20.200
<v Speaker 2>munch back from retirement.

0:52:20.360 --> 0:52:22.360
<v Speaker 1>They all hug itets a really sweet hug.

0:52:22.719 --> 0:52:25.600
<v Speaker 2>Murphy wants Benson to talk to Ellie and maybe that

0:52:25.680 --> 0:52:27.400
<v Speaker 2>will motivate her to talk to Tino.

0:52:27.480 --> 0:52:29.600
<v Speaker 1>Okay, yeah, we're bouncing back and forth. Get over it.

0:52:29.880 --> 0:52:31.200
<v Speaker 1>So from the hug we.

0:52:31.120 --> 0:52:34.840
<v Speaker 2>Go back to work and yeah, so they think the

0:52:34.840 --> 0:52:37.800
<v Speaker 2>baby's gonna motivate Ellie to talk back to the prison

0:52:37.840 --> 0:52:40.400
<v Speaker 2>yard tomorrow and Unch are chatting. He tells him that

0:52:40.440 --> 0:52:45.600
<v Speaker 2>his marriage is over and John and then John's like,

0:52:45.680 --> 0:52:47.960
<v Speaker 2>you need to trust me. I've you know, I've been

0:52:48.000 --> 0:52:51.200
<v Speaker 2>divorced three times and your marriage is dead and Amarro goes,

0:52:51.239 --> 0:52:53.439
<v Speaker 2>but my marriage is my life, and Munch goes, Listen,

0:52:53.480 --> 0:52:55.640
<v Speaker 2>you're always gonna have your daughter, but you shouldn't have

0:52:55.719 --> 0:52:57.319
<v Speaker 2>to live this way, Like you got to get out

0:52:57.320 --> 0:52:59.520
<v Speaker 2>of here. You gotta, you know, focus on your joy.

0:52:59.560 --> 0:53:02.120
<v Speaker 1>But they're all sing like this is Kraigan when he

0:53:02.160 --> 0:53:05.400
<v Speaker 1>got framed for the murder of Carissa, Like this isn't

0:53:05.480 --> 0:53:07.120
<v Speaker 1>a miscarriage of justice.

0:53:07.160 --> 0:53:10.200
<v Speaker 2>We've got to get him out of here. And it's like, no, bro, you.

0:53:10.360 --> 0:53:13.000
<v Speaker 1>Fucking went off on somebody and beat him to a

0:53:13.000 --> 0:53:14.799
<v Speaker 1>bloody pulp. It could have been cool to just like

0:53:14.880 --> 0:53:17.040
<v Speaker 1>one sucker punch, be like he took my photo, he

0:53:17.080 --> 0:53:19.320
<v Speaker 1>came at me with his camera. He beat the fuck

0:53:19.360 --> 0:53:22.839
<v Speaker 1>out of this guy. It's really hilarious that they're like,

0:53:23.120 --> 0:53:24.879
<v Speaker 1>we we gotta help you here, man.

0:53:25.360 --> 0:53:30.600
<v Speaker 2>So basically Munch is like, you're a good cop. Wilkes

0:53:30.680 --> 0:53:34.040
<v Speaker 2>is a bad guy, and he goes, you know, you

0:53:34.080 --> 0:53:36.640
<v Speaker 2>just fucked up on your but like you fucked up,

0:53:36.640 --> 0:53:38.799
<v Speaker 2>but your instincts are right, and we're gonna get you

0:53:38.920 --> 0:53:41.520
<v Speaker 2>out of here. You fight for the victims, and you

0:53:41.560 --> 0:53:46.040
<v Speaker 2>fight for the survivors. So then and then a surprise,

0:53:46.480 --> 0:53:50.120
<v Speaker 2>Munch posted his bail. He has some pensions lined up,

0:53:50.320 --> 0:53:52.439
<v Speaker 2>and they walk out of the prison yard and it's

0:53:52.480 --> 0:53:54.760
<v Speaker 2>like you couldn't you have had this convo over a coffee,

0:53:54.760 --> 0:53:58.240
<v Speaker 2>like you could have told him and then but okay, okay,

0:53:59.160 --> 0:54:02.600
<v Speaker 2>so and that's fifty grand, that's nice. So now Ellie

0:54:02.680 --> 0:54:04.319
<v Speaker 2>is looking at a picture of her baby. She's so

0:54:04.400 --> 0:54:06.839
<v Speaker 2>excited she can't believe it. Oh my god, that's baby Noah.

0:54:06.880 --> 0:54:09.399
<v Speaker 2>Oh my god, that's my son. And she hasn't seen

0:54:09.440 --> 0:54:12.759
<v Speaker 2>him since before Christmas last year. And Benson's so mean,

0:54:12.840 --> 0:54:15.560
<v Speaker 2>why did you get rid of him? Ellie obviously is like,

0:54:15.640 --> 0:54:18.560
<v Speaker 2>I didn't I owe deed And when I got back,

0:54:18.680 --> 0:54:21.560
<v Speaker 2>I was told that Noah had died. But she won't

0:54:21.560 --> 0:54:24.160
<v Speaker 2>say who they are. But she does not know who

0:54:24.160 --> 0:54:26.520
<v Speaker 2>the father is. She was working and she did get

0:54:26.520 --> 0:54:28.920
<v Speaker 2>to keep the baby as long as she kept working.

0:54:28.960 --> 0:54:32.800
<v Speaker 2>While Tito's Tito, that's a vodka I enjoy. Tino's mom

0:54:33.160 --> 0:54:35.960
<v Speaker 2>took care of her and all the other kids at

0:54:35.960 --> 0:54:39.359
<v Speaker 2>her home daycare, and so and this woman's a boy

0:54:39.400 --> 0:54:42.120
<v Speaker 2>mom okay, if we've never seen one, and she's good

0:54:42.160 --> 0:54:46.480
<v Speaker 2>with kids, and Benson is activated good with kids, then

0:54:46.480 --> 0:54:50.760
<v Speaker 2>why did she give Noah a pornographer? And that's the episode,

0:54:50.800 --> 0:54:53.680
<v Speaker 2>you know, the fake wheelchair guy, the kid, the pornos,

0:54:53.800 --> 0:54:57.600
<v Speaker 2>all of that, and she's like, yep, I found him

0:54:57.600 --> 0:54:59.600
<v Speaker 2>with a couple. I rested that they were using for

0:54:59.760 --> 0:55:02.960
<v Speaker 2>child rape videos. And she's like, oh my god, that

0:55:03.040 --> 0:55:04.239
<v Speaker 2>beard old guy.

0:55:04.640 --> 0:55:04.759
<v Speaker 4>Ugh.

0:55:05.120 --> 0:55:08.040
<v Speaker 2>She used to do business with Tino, so she knows

0:55:08.040 --> 0:55:12.360
<v Speaker 2>the exact you know, Peto couple, and she's like, oh, yeah,

0:55:12.400 --> 0:55:14.440
<v Speaker 2>he sold her like a ten year old girl once.

0:55:14.600 --> 0:55:16.360
<v Speaker 2>And that's the ten year old girl in pigtails that

0:55:16.400 --> 0:55:19.080
<v Speaker 2>we meet in the episode Oh What a dark, dark,

0:55:19.120 --> 0:55:21.640
<v Speaker 2>twisted web. And she does not want to go against

0:55:21.680 --> 0:55:24.480
<v Speaker 2>Tino and because she knows that he'll kill her, and

0:55:24.520 --> 0:55:27.040
<v Speaker 2>then a classic drop of like again, don't go to

0:55:27.120 --> 0:55:29.600
<v Speaker 2>Joe for a man fight to see her baby. So

0:55:29.640 --> 0:55:32.160
<v Speaker 2>then they go to the they bust into the daycare,

0:55:32.239 --> 0:55:35.080
<v Speaker 2>so that means she did cooperate in some sort of capacity.

0:55:35.520 --> 0:55:39.280
<v Speaker 2>They're looking for cash, guns, weapons, okay, as well as

0:55:39.360 --> 0:55:42.720
<v Speaker 2>all the children and sex workers that are being held

0:55:42.719 --> 0:55:43.359
<v Speaker 2>against their will.

0:55:43.400 --> 0:55:43.759
<v Speaker 4>I don't know.

0:55:44.120 --> 0:55:46.560
<v Speaker 2>So all hands on deck, tons of guns, swat team,

0:55:46.560 --> 0:55:49.560
<v Speaker 2>They're all running into the house. Kids everywhere, crying, screaming,

0:55:49.600 --> 0:55:52.080
<v Speaker 2>pregnant women. And then the mom's trying to hit Fin

0:55:52.160 --> 0:55:54.440
<v Speaker 2>with a frying pan. I really love her. She is

0:55:54.640 --> 0:55:57.960
<v Speaker 2>pretty slapstick. And then she and then Benson's like picking

0:55:58.040 --> 0:56:02.600
<v Speaker 2>up a forty and the mom, Yeah, put down my brew, bitch,

0:56:02.920 --> 0:56:05.520
<v Speaker 2>And so I really like that, like you're not having

0:56:05.640 --> 0:56:10.080
<v Speaker 2>your beer, like you're going to jail. Tino is running

0:56:10.080 --> 0:56:13.280
<v Speaker 2>out from the second story window. He jumps, Rollin starts running.

0:56:13.320 --> 0:56:15.720
<v Speaker 2>It's a full chase. He climbs over a giant fence,

0:56:15.880 --> 0:56:18.640
<v Speaker 2>Rollin's follows, and then he gets cut off on both sides,

0:56:18.680 --> 0:56:21.440
<v Speaker 2>like with some more police. She throws him against the

0:56:21.440 --> 0:56:23.680
<v Speaker 2>wall and arrests him and he's like, oh whatever, it's

0:56:23.680 --> 0:56:26.839
<v Speaker 2>a legit daycare, and you know, no one believes him.

0:56:27.120 --> 0:56:29.120
<v Speaker 2>So now we have Tino in custody and the mother

0:56:29.160 --> 0:56:31.120
<v Speaker 2>and the mom is not talking and did not know

0:56:31.160 --> 0:56:33.560
<v Speaker 2>about the drugs or guns and says her ex husband

0:56:33.640 --> 0:56:36.520
<v Speaker 2>must have left it there. They're gonna get her though,

0:56:36.560 --> 0:56:40.359
<v Speaker 2>for running an illegal daycare. Rollin's runs over and there's

0:56:40.400 --> 0:56:43.000
<v Speaker 2>three girls under the age of eighteen and they've been

0:56:43.040 --> 0:56:45.240
<v Speaker 2>held against their will and they're all working for Tino,

0:56:45.680 --> 0:56:47.959
<v Speaker 2>and then they all think Tino's looking out for them

0:56:48.000 --> 0:56:49.920
<v Speaker 2>and so they're not going to testify and they're like,

0:56:50.000 --> 0:56:52.400
<v Speaker 2>Ellie is her only chance if anyone is gonna flip.

0:56:52.760 --> 0:56:55.799
<v Speaker 2>So Rolin asks Benson how she's doing, and she doesn't

0:56:55.840 --> 0:56:58.400
<v Speaker 2>really know. She's been searching for this boy's mother for

0:56:58.440 --> 0:57:01.880
<v Speaker 2>four months and boom like then she arrests this woman.

0:57:02.320 --> 0:57:05.399
<v Speaker 2>So Benson goes to Rikers and Ellie gets to meet

0:57:05.400 --> 0:57:09.600
<v Speaker 2>baby Noah. She's on meds for withdrawal. She's like bonding

0:57:09.640 --> 0:57:12.759
<v Speaker 2>and holding Noah. She thanks Benson while baby talking with

0:57:12.800 --> 0:57:14.799
<v Speaker 2>the baby, and it fades to black and now we're

0:57:14.800 --> 0:57:17.200
<v Speaker 2>back with Benson and Rollins meeting up with Nick and

0:57:17.240 --> 0:57:20.400
<v Speaker 2>they want him to do time. Rollins is like, you

0:57:20.400 --> 0:57:23.040
<v Speaker 2>know what, I'm actually running late to meeting. I'll be

0:57:23.120 --> 0:57:26.880
<v Speaker 2>back and it's like, what meeting bitch? Oh maybe gambling? Okay,

0:57:26.960 --> 0:57:31.240
<v Speaker 2>So he because of the food was work. I was like,

0:57:31.280 --> 0:57:33.360
<v Speaker 2>Benson would know if there was any meetings, but I

0:57:33.400 --> 0:57:38.720
<v Speaker 2>forgot so he thanks Benson. Amaro, thanks Benson. For having

0:57:38.760 --> 0:57:41.360
<v Speaker 2>his back and she says always. Now we're back at

0:57:41.440 --> 0:57:45.360
<v Speaker 2>the Pedophiles Photos studio, you know of Simon Wilkes, and

0:57:45.480 --> 0:57:48.160
<v Speaker 2>Rollins is there to talk to the pedophile's blonde wife

0:57:48.200 --> 0:57:50.120
<v Speaker 2>and she's pissed, get the fuck out of here, and

0:57:50.200 --> 0:57:52.479
<v Speaker 2>Rollins goes, just one thing. I want to talk about

0:57:52.480 --> 0:57:56.600
<v Speaker 2>your husband's online activities last night. And so she's like,

0:57:56.640 --> 0:57:59.320
<v Speaker 2>your partner is crazy, and Rollins goes, yeah, whatever, my

0:57:59.320 --> 0:58:02.480
<v Speaker 2>partner will take her management classes while your husband gets

0:58:02.480 --> 0:58:05.360
<v Speaker 2>free and keeps perverted photos and keeps having his wild

0:58:05.440 --> 0:58:08.360
<v Speaker 2>fantasies and torture rooms. Is that really what you signed

0:58:08.400 --> 0:58:10.680
<v Speaker 2>up for when you married him? And she says marriage

0:58:10.720 --> 0:58:14.320
<v Speaker 2>is complicated and there are compromises, and she goes, yeah,

0:58:14.360 --> 0:58:17.040
<v Speaker 2>there are, and then she went into like she goes,

0:58:17.080 --> 0:58:20.440
<v Speaker 2>well guess yeah, okay, I guess we can comment that

0:58:20.560 --> 0:58:24.840
<v Speaker 2>is like, what why would you stay with a pedophile? Yeah?

0:58:24.880 --> 0:58:27.520
<v Speaker 1>It's like I like to crochet and he likes to

0:58:27.640 --> 0:58:31.600
<v Speaker 1>imagine murdering and molesting children. It's like we just have

0:58:31.760 --> 0:58:34.960
<v Speaker 1>our things, you know, that's marriage. Like this woman is

0:58:35.360 --> 0:58:38.120
<v Speaker 1>Delulu town like huge.

0:58:38.720 --> 0:58:41.360
<v Speaker 2>Yeah. So Rollins then is like, well, I went into

0:58:41.440 --> 0:58:45.320
<v Speaker 2>your like husband's chat rooms last night and shows her

0:58:45.360 --> 0:58:49.080
<v Speaker 2>all these mean things he writes about her, and he

0:58:49.120 --> 0:58:51.880
<v Speaker 2>writes stuff like, who wants to do my boyish wife?

0:58:52.200 --> 0:58:55.000
<v Speaker 2>I'd get off on watching you torture her while she

0:58:55.040 --> 0:58:57.920
<v Speaker 2>begs for her life. She was born to sub and

0:58:57.960 --> 0:59:00.600
<v Speaker 2>this was all last night, and in the mo like

0:59:00.640 --> 0:59:04.520
<v Speaker 2>he's doing this with his coffee and he will. And

0:59:04.560 --> 0:59:06.520
<v Speaker 2>then she's like, I was chatting with him and he's

0:59:06.560 --> 0:59:09.440
<v Speaker 2>waiting for me to send photos of little boys and

0:59:09.600 --> 0:59:11.640
<v Speaker 2>he and then she's like, and the moment he's gonna

0:59:11.640 --> 0:59:14.720
<v Speaker 2>download them, I'm gonna have him for kitty torture porn.

0:59:14.760 --> 0:59:17.560
<v Speaker 2>And we both know he's gonna download. She flips out.

0:59:17.920 --> 0:59:21.520
<v Speaker 2>She asks, you're here to blackmail me. She screams, you're

0:59:21.560 --> 0:59:24.480
<v Speaker 2>in denial or your husband needs help and he needs

0:59:24.520 --> 0:59:27.800
<v Speaker 2>to do something else. Simon tells IAB that he's swung

0:59:27.880 --> 0:59:30.520
<v Speaker 2>first and that my partner Amaro, had to fight back

0:59:30.520 --> 0:59:32.760
<v Speaker 2>in self defense and if he doesn't do that, I

0:59:32.840 --> 0:59:34.920
<v Speaker 2>will make sure his ass is in jail by the

0:59:35.040 --> 0:59:40.480
<v Speaker 2>end of today. Rollins is wild, and then she adds

0:59:40.520 --> 0:59:43.800
<v Speaker 2>and he will die there. And the wife is weighing

0:59:43.800 --> 0:59:46.440
<v Speaker 2>out her option. This is the meeting. This is the meeting.

0:59:46.480 --> 0:59:48.200
<v Speaker 2>This is the thing Rowins came up with.

0:59:48.280 --> 0:59:50.160
<v Speaker 1>She's like, I gotta go, I've got a meeting.

0:59:50.560 --> 0:59:51.840
<v Speaker 2>Uh wild.

0:59:52.440 --> 0:59:53.840
<v Speaker 1>Yeah, So the wife's weighing it out.

0:59:53.920 --> 0:59:56.680
<v Speaker 2>So we're at court now with baby Tino and I

0:59:56.760 --> 1:00:00.760
<v Speaker 2>mean little Tino, and so what will happen? So the

1:00:00.840 --> 1:00:03.439
<v Speaker 2>mom and him are out on bail, so that's kind

1:00:03.440 --> 1:00:06.000
<v Speaker 2>of annoying. And then he turns around to stare at

1:00:06.040 --> 1:00:08.160
<v Speaker 2>Benson in the galley and wait.

1:00:08.360 --> 1:00:10.520
<v Speaker 1>I have a question. I have a question. When they

1:00:10.560 --> 1:00:15.000
<v Speaker 1>got him after the the sting, right when Donald Logue

1:00:15.080 --> 1:00:17.320
<v Speaker 1>was like proteting, wasn't he out on bail?

1:00:17.360 --> 1:00:20.280
<v Speaker 2>Then? Yeah? So like once you fuck up? Like how

1:00:20.400 --> 1:00:22.320
<v Speaker 2>and then they get got to wear an ankle bracelet.

1:00:22.360 --> 1:00:24.240
<v Speaker 2>I guess that's why they're letting him go. This judge

1:00:24.280 --> 1:00:24.880
<v Speaker 2>is a dumb bitch.

1:00:25.000 --> 1:00:27.600
<v Speaker 1>It's like, we just keep letting this fucking very violent

1:00:27.600 --> 1:00:30.280
<v Speaker 1>criminal just keep getting out on bail. It's so wild.

1:00:30.640 --> 1:00:32.360
<v Speaker 1>This might actually be a plot hole though.

1:00:32.640 --> 1:00:33.160
<v Speaker 2>Yeah.

1:00:33.520 --> 1:00:36.400
<v Speaker 1>Yeah, because he was out and then they like apprehended

1:00:36.440 --> 1:00:38.720
<v Speaker 1>him at this illegal daycare. He runs from the cops,

1:00:38.800 --> 1:00:41.560
<v Speaker 1>evades arrest, and then it's like, oh, okay, bail again,

1:00:41.760 --> 1:00:42.880
<v Speaker 1>Like I don't it's wild.

1:00:43.200 --> 1:00:47.600
<v Speaker 2>Fuck to circumstantial or something whatever. He doesn't have to

1:00:47.640 --> 1:00:50.640
<v Speaker 2>wear an ankle bracelet. Ellie is really scared, but she's

1:00:50.640 --> 1:00:53.400
<v Speaker 2>in a nun type home and she's nervous, but she's

1:00:53.480 --> 1:00:56.200
<v Speaker 2>drinking tea and they're gonna prep her and they're gonna

1:00:56.200 --> 1:00:58.800
<v Speaker 2>work on getting Noah back, but first it's about staying clean.

1:00:59.160 --> 1:01:02.120
<v Speaker 2>And Ellie shakes her head and she understands. Benson gets

1:01:02.160 --> 1:01:03.680
<v Speaker 2>up and says, call me if you need anything, and

1:01:03.680 --> 1:01:05.400
<v Speaker 2>Ellie says, I'm going to do this and I don't.

1:01:05.440 --> 1:01:06.520
<v Speaker 2>I don't want to know what to grow up in

1:01:06.560 --> 1:01:08.720
<v Speaker 2>foster care like I did. I just want him to

1:01:08.720 --> 1:01:11.160
<v Speaker 2>be safe and grow up knowing that he has left.

1:01:11.560 --> 1:01:14.520
<v Speaker 2>Benson says, to you tomorrow, and then hopeful music plays,

1:01:14.720 --> 1:01:17.240
<v Speaker 2>and you know, Ellie has really cute gold hoops. So

1:01:17.320 --> 1:01:20.040
<v Speaker 2>tomorrow is meeting with the IAB guy. The lawyer is

1:01:20.040 --> 1:01:22.880
<v Speaker 2>there and they're really confused because you know, the DA

1:01:22.920 --> 1:01:25.280
<v Speaker 2>was wanting to press charges. And now all of a sudden,

1:01:25.400 --> 1:01:28.720
<v Speaker 2>Simon called and admitted that he attacked you first. And

1:01:28.800 --> 1:01:32.440
<v Speaker 2>you just got bail yesterday, so you're out yesterday, and

1:01:32.520 --> 1:01:36.120
<v Speaker 2>Simon calls today to drop the case because he attacked

1:01:36.160 --> 1:01:38.880
<v Speaker 2>you first. What's going on. But Danny Pino's shocked. He

1:01:38.880 --> 1:01:42.040
<v Speaker 2>didn't know that Rollins went broke, and his face is

1:01:42.160 --> 1:01:45.000
<v Speaker 2>kind of like hell, yes, okay, cool, like I can't

1:01:45.000 --> 1:01:48.360
<v Speaker 2>believe he gave in, and Tomorrow has no idea about

1:01:48.360 --> 1:01:50.320
<v Speaker 2>any of this, and the lawyer then adds like, listen,

1:01:50.320 --> 1:01:53.800
<v Speaker 2>my client's been locked up at but the bail Hello,

1:01:53.920 --> 1:01:55.880
<v Speaker 2>this is really wild. Rollins, you couldn't do it a

1:01:56.000 --> 1:02:00.360
<v Speaker 2>day sooner? Yea. But Tomorrow's like says, I did not

1:02:00.480 --> 1:02:02.720
<v Speaker 2>have I did not make contact with him, so they

1:02:02.800 --> 1:02:03.680
<v Speaker 2>drop the charges.

1:02:03.760 --> 1:02:04.720
<v Speaker 1>Let's fucking go.

1:02:05.160 --> 1:02:08.240
<v Speaker 2>The IAB guy then says that your client will still

1:02:08.240 --> 1:02:12.360
<v Speaker 2>face administrative charges, but no one even cares. But he's

1:02:12.360 --> 1:02:14.040
<v Speaker 2>like this isn't over and he gets up and leave,

1:02:14.160 --> 1:02:16.480
<v Speaker 2>so hell yeah, he's not getting punished and he does

1:02:16.520 --> 1:02:18.880
<v Speaker 2>get to keep his shield. This is crazy. He did

1:02:18.920 --> 1:02:22.760
<v Speaker 2>beat a man senseless, but also Rolins like we should

1:02:22.800 --> 1:02:26.360
<v Speaker 2>still arrest the pedophile, Like now you're letting a pedophile go,

1:02:27.480 --> 1:02:29.440
<v Speaker 2>like this can come back in the future to bite

1:02:29.480 --> 1:02:31.600
<v Speaker 2>her in the ass. Marcia gay Harden's style, you know

1:02:31.600 --> 1:02:33.960
<v Speaker 2>what I mean, Like, yeah, if this comes out that

1:02:34.000 --> 1:02:38.400
<v Speaker 2>she did that, and this guy then tortures or downloads

1:02:38.720 --> 1:02:39.680
<v Speaker 2>child abuse images?

1:02:41.200 --> 1:02:43.440
<v Speaker 1>How can because she blackmailed?

1:02:43.600 --> 1:02:47.200
<v Speaker 2>Like he now actually has the freedom to go attack

1:02:47.320 --> 1:02:52.880
<v Speaker 2>kids or do whatever he wants because there's the blackmail stuff. Oh,

1:02:53.120 --> 1:02:56.640
<v Speaker 2>because they would say, oh, we were blackmailed, that's why

1:02:56.640 --> 1:02:59.160
<v Speaker 2>we did that. So this is on rollins if he

1:02:59.240 --> 1:03:02.280
<v Speaker 2>abuses a child or buys any point or does anything,

1:03:02.280 --> 1:03:04.640
<v Speaker 2>like yeah, she knew that, she knew that he would

1:03:04.680 --> 1:03:09.000
<v Speaker 2>download child sex abuse images and now he's just free

1:03:09.040 --> 1:03:10.560
<v Speaker 2>to like they can't you know what I mean?

1:03:10.720 --> 1:03:13.920
<v Speaker 1>Like it is selfish and bad and also what was

1:03:14.000 --> 1:03:18.280
<v Speaker 1>his the wife said, could you please drop the charges

1:03:18.360 --> 1:03:21.080
<v Speaker 1>because you said all this embarrassing stuff about me online

1:03:21.440 --> 1:03:24.920
<v Speaker 1>and I'll leave you or what? Like what what what

1:03:24.960 --> 1:03:27.200
<v Speaker 1>prompted it? I don't I don't really get the blackmail,

1:03:27.240 --> 1:03:28.160
<v Speaker 1>I guess either.

1:03:29.200 --> 1:03:31.960
<v Speaker 2>You know. Oh yeah, but maybe he knows now not

1:03:32.040 --> 1:03:33.120
<v Speaker 2>to download anything.

1:03:33.200 --> 1:03:36.320
<v Speaker 1>But no, it's the it's freedom for him now, right,

1:03:36.360 --> 1:03:39.760
<v Speaker 1>But like why did he not go still go after tomorrow?

1:03:40.080 --> 1:03:42.760
<v Speaker 1>Like he could still go after tomorrow? Like the wife

1:03:42.840 --> 1:03:44.240
<v Speaker 1>went to him and said, you said all this mean

1:03:44.240 --> 1:03:45.600
<v Speaker 1>stuff about me online and he.

1:03:45.640 --> 1:03:51.080
<v Speaker 2>Was like okay, no, well they have they have evidence

1:03:51.160 --> 1:03:55.920
<v Speaker 2>that he would like get the stuff, like they like

1:03:56.160 --> 1:03:58.520
<v Speaker 2>the wife knew. That's why Rollins was like, we both

1:03:58.560 --> 1:04:00.919
<v Speaker 2>know he's going to download stuff, and the moment he does,

1:04:01.000 --> 1:04:02.160
<v Speaker 2>I'm gonna arrest him.

1:04:02.920 --> 1:04:05.160
<v Speaker 1>Got it because she crack So like.

1:04:05.120 --> 1:04:08.280
<v Speaker 2>The moment he does it and downloads this childborn, I

1:04:08.320 --> 1:04:10.960
<v Speaker 2>will arrest him. And you fucking know he's gonna do it,

1:04:11.320 --> 1:04:13.400
<v Speaker 2>and she wants to be with her pedophile husband. She

1:04:13.480 --> 1:04:14.200
<v Speaker 2>loves him.

1:04:14.480 --> 1:04:16.840
<v Speaker 1>Oh so okay, So then she convinces him. Okay, yeah,

1:04:16.880 --> 1:04:19.240
<v Speaker 1>it's the downloading. Okay, got it. I was like, what

1:04:19.360 --> 1:04:21.400
<v Speaker 1>is the what's the actual threat here that he was

1:04:21.440 --> 1:04:24.160
<v Speaker 1>mean about his wife on the chat room? But yes, okay,

1:04:24.280 --> 1:04:24.720
<v Speaker 1>got it.

1:04:25.000 --> 1:04:25.800
<v Speaker 2>But you're correct.

1:04:25.880 --> 1:04:29.280
<v Speaker 1>I mean, like that is it does put this guy

1:04:29.520 --> 1:04:33.200
<v Speaker 1>with the upper hand because now he has But what's

1:04:33.240 --> 1:04:36.600
<v Speaker 1>the proof. Maybe Rollins has no proof because she just

1:04:36.680 --> 1:04:38.840
<v Speaker 1>went and saw the woman in person, so it would

1:04:38.840 --> 1:04:41.280
<v Speaker 1>be like he said, she said, she said, she said,

1:04:41.520 --> 1:04:43.320
<v Speaker 1>if the wife is like, oh, this cop came to

1:04:43.360 --> 1:04:47.640
<v Speaker 1>me and blackmailed me, says who you know? Who knows?

1:04:47.960 --> 1:04:49.080
<v Speaker 1>I just hope they arrest him.

1:04:49.360 --> 1:04:52.160
<v Speaker 2>Yeah, or we see something in the future like hello,

1:04:52.320 --> 1:04:55.640
<v Speaker 2>like let's get an episode going. Yeah, So Murphy tells

1:04:55.680 --> 1:04:57.880
<v Speaker 2>Benson and Rollins and Finn the news and Rollins does

1:04:57.880 --> 1:05:01.960
<v Speaker 2>some acting skills like wow, I wonder how that happened.

1:05:02.760 --> 1:05:05.560
<v Speaker 2>So then Benson chases down Murphy to try to fight

1:05:05.640 --> 1:05:08.200
<v Speaker 2>to make sure he's brought back to SVU, and Murphy's like,

1:05:08.320 --> 1:05:11.280
<v Speaker 2>fuck that, I'm not wasting a favor on this guy. Okay,

1:05:11.400 --> 1:05:14.040
<v Speaker 2>Like every favor you give you owe back three times more.

1:05:14.360 --> 1:05:17.360
<v Speaker 2>I'm not doing it for this lunatic. But then Rodlans

1:05:17.440 --> 1:05:20.240
<v Speaker 2>busts in and goes, there's a problem. Ellie has disappeared.

1:05:20.760 --> 1:05:23.320
<v Speaker 2>She was freaked out about testifying she needed to keep

1:05:23.360 --> 1:05:25.280
<v Speaker 2>the edge off as with some of the other borders

1:05:25.320 --> 1:05:28.240
<v Speaker 2>and like I guess witnesses and the convent said, and

1:05:29.200 --> 1:05:31.760
<v Speaker 2>at bed checks, the nun noticed that she wasn't there.

1:05:32.080 --> 1:05:35.280
<v Speaker 2>Then Robins turns to the nun and asks, hey, do

1:05:35.320 --> 1:05:37.280
<v Speaker 2>you know any place around here where she would go

1:05:37.320 --> 1:05:37.800
<v Speaker 2>to score?

1:05:38.480 --> 1:05:40.280
<v Speaker 1>And then nun goes, are you kidding me?

1:05:41.040 --> 1:05:45.200
<v Speaker 2>And so a search happens, lights dogs fuck like, and

1:05:45.240 --> 1:05:48.040
<v Speaker 2>then the little Tino's ankle monitor does show that he

1:05:48.160 --> 1:05:51.520
<v Speaker 2>was in the area, and they're searching the area and

1:05:52.080 --> 1:05:54.200
<v Speaker 2>he is back home and claims that he's been home

1:05:54.240 --> 1:05:55.600
<v Speaker 2>the whole night. But it's like you do have an

1:05:55.600 --> 1:05:58.760
<v Speaker 2>ankle monitor and they find a burned up body. They

1:05:58.800 --> 1:06:01.920
<v Speaker 2>show us the burned up body. It's crisp. It is bad,

1:06:02.000 --> 1:06:05.440
<v Speaker 2>it's really sad, it's awful. A witness heard her screaming

1:06:05.480 --> 1:06:07.720
<v Speaker 2>there was a bunch of guys. They all kept coming.

1:06:08.120 --> 1:06:10.640
<v Speaker 2>And then another witness says to Finn, like, oh, there

1:06:10.680 --> 1:06:12.560
<v Speaker 2>was a green light pod on her, which means that

1:06:12.600 --> 1:06:15.000
<v Speaker 2>anyone can do anything to her. And I guess they

1:06:15.000 --> 1:06:18.560
<v Speaker 2>all just know a bunch of fucked up motherfuckers. And

1:06:18.640 --> 1:06:22.000
<v Speaker 2>so he asks a little tino greenlit and she goes,

1:06:22.040 --> 1:06:25.120
<v Speaker 2>he ain't got the juice for that. Finn goes, who does?

1:06:25.160 --> 1:06:27.320
<v Speaker 2>And she goes, helloell, are you serious? Like I'm not

1:06:27.360 --> 1:06:31.440
<v Speaker 2>getting killed? There's a burned friend. And so she was

1:06:31.480 --> 1:06:34.680
<v Speaker 2>gang rape, tortured, and set on fire and in her

1:06:34.720 --> 1:06:37.640
<v Speaker 2>system was booze, cocaine and heroin. This is probably one

1:06:37.680 --> 1:06:40.640
<v Speaker 2>of the worst s be you things. And Benson's like, fuck,

1:06:40.680 --> 1:06:42.560
<v Speaker 2>I told her she'd be safe, and Murphy goes, well,

1:06:42.560 --> 1:06:44.880
<v Speaker 2>she was. She's the one who left the convent. Benson

1:06:45.160 --> 1:06:47.480
<v Speaker 2>does thinks she should have done more. And now Benson

1:06:47.560 --> 1:06:49.640
<v Speaker 2>is committed to finding who made the call to greenlight

1:06:49.680 --> 1:06:52.320
<v Speaker 2>this because it wasn't this clown and she knows it.

1:06:52.840 --> 1:06:55.080
<v Speaker 2>So she goes into play some games with Tino and

1:06:55.120 --> 1:06:57.400
<v Speaker 2>he keeps taking credit for it and says it was him,

1:06:57.880 --> 1:07:00.400
<v Speaker 2>and both Finn and Benson do not believe that, but

1:07:00.640 --> 1:07:02.920
<v Speaker 2>either way, he's going to serve twenty five years. And

1:07:03.000 --> 1:07:05.960
<v Speaker 2>behind the glass, Rollins is screaming to Murphy like there

1:07:05.960 --> 1:07:09.080
<v Speaker 2>are six different men's DNA, like we need to find them,

1:07:09.440 --> 1:07:11.640
<v Speaker 2>and Murphy is like, okay, yeah, if he wants to

1:07:11.680 --> 1:07:14.040
<v Speaker 2>do time, I don't really mind him going to jail,

1:07:14.600 --> 1:07:17.480
<v Speaker 2>you know, like they're obviously scared of someone though, and

1:07:17.520 --> 1:07:19.600
<v Speaker 2>Benson goes, wait, wait, wait wait, So then the killer

1:07:19.600 --> 1:07:22.200
<v Speaker 2>of Ellie Porter just gets away with that. Fuck that,

1:07:22.680 --> 1:07:25.480
<v Speaker 2>and this baby grows up and finds out that the

1:07:25.560 --> 1:07:28.240
<v Speaker 2>killer of his mom is just out there. So then

1:07:28.280 --> 1:07:31.400
<v Speaker 2>he goes, listen, if you want to pursue it, that case,

1:07:31.480 --> 1:07:34.000
<v Speaker 2>that's on you because you're now going to be active, COEO,

1:07:34.440 --> 1:07:37.280
<v Speaker 2>I got an undercover assignment. And Benson goes, oh, we

1:07:37.400 --> 1:07:39.960
<v Speaker 2>just got used to you. But he's fucking out of

1:07:40.000 --> 1:07:43.560
<v Speaker 2>there and she will be in charge now, and he

1:07:43.640 --> 1:07:46.400
<v Speaker 2>goes God's speed and truly walks off like a psycho

1:07:46.520 --> 1:07:49.680
<v Speaker 2>into the mist and Munch walks in and is like, wait,

1:07:49.760 --> 1:07:52.000
<v Speaker 2>I know that guy. How do I know him? And

1:07:52.040 --> 1:07:58.480
<v Speaker 2>Benson calls Murphy Mary Poppins. So they hug so sweet

1:07:58.560 --> 1:08:01.800
<v Speaker 2>and muntioned Benson are back again and they talk about tomorrow,

1:08:02.280 --> 1:08:05.520
<v Speaker 2>and that turns into a convo about like, you know,

1:08:05.560 --> 1:08:07.920
<v Speaker 2>if Munch wants kids, and he says that one of

1:08:07.920 --> 1:08:10.000
<v Speaker 2>his exes did, but he didn't remember which one, but

1:08:10.320 --> 1:08:12.520
<v Speaker 2>it just wasn't meant to be. She asks if he

1:08:12.560 --> 1:08:15.440
<v Speaker 2>has any regrets. He says, listen, it's nice to see you, Olivia,

1:08:15.560 --> 1:08:18.280
<v Speaker 2>but in a different language, and he goes, you know,

1:08:18.360 --> 1:08:20.400
<v Speaker 2>I miss you most of all. And then back in

1:08:20.479 --> 1:08:22.840
<v Speaker 2>Family Corps, the judge is like, fuck, so we found

1:08:22.840 --> 1:08:25.479
<v Speaker 2>the mom and then she was killed last week. Go wow, okay,

1:08:25.720 --> 1:08:27.960
<v Speaker 2>And so then Trevor runs into Core and says he

1:08:28.040 --> 1:08:31.280
<v Speaker 2>represented Ellie Porter. She has no living family and doesn't

1:08:31.320 --> 1:08:33.280
<v Speaker 2>know who the father is, but he knows that she

1:08:33.360 --> 1:08:36.280
<v Speaker 2>loved her son, and he is there is Noah's representative

1:08:36.320 --> 1:08:38.080
<v Speaker 2>and to be of service to him in any way

1:08:38.080 --> 1:08:40.599
<v Speaker 2>that he can. And I love him, but I.

1:08:40.560 --> 1:08:42.679
<v Speaker 1>Says, like this is weird. This is like a weird

1:08:42.680 --> 1:08:44.920
<v Speaker 1>fuck up. I get it's like we wrote this character,

1:08:45.080 --> 1:08:47.160
<v Speaker 1>and we wrote this storyline for Benson, but and then

1:08:47.160 --> 1:08:49.040
<v Speaker 1>we wanted to get Brooks Shields to be her mom

1:08:49.080 --> 1:08:51.400
<v Speaker 1>and stuff. But like she says she grew up in

1:08:51.400 --> 1:08:54.040
<v Speaker 1>foster care and then Trevor says she has no family,

1:08:54.200 --> 1:08:56.479
<v Speaker 1>Like how is that possible? Like she has a Social

1:08:56.479 --> 1:08:59.200
<v Speaker 1>Security number, it's easy to find if she has a

1:08:59.200 --> 1:09:02.720
<v Speaker 1>living relative, you know, so this is a whole to me.

1:09:04.040 --> 1:09:08.599
<v Speaker 2>Well, Ellie, but I don't know if Grandma Sheila knew

1:09:10.520 --> 1:09:14.080
<v Speaker 2>that Noah even existed, Like I wonder if they lost contact,

1:09:14.160 --> 1:09:17.200
<v Speaker 2>changed name, Like you're right, I wonder I wonder if

1:09:17.200 --> 1:09:19.040
<v Speaker 2>fuck yeah, I mean Ellie, Like it's one thing to

1:09:19.040 --> 1:09:19.679
<v Speaker 2>be a runaway.

1:09:19.720 --> 1:09:21.519
<v Speaker 1>But it's like if she's in court, like then they

1:09:21.520 --> 1:09:22.960
<v Speaker 1>would have had to find her real name.

1:09:23.040 --> 1:09:26.240
<v Speaker 2>Like she's got a social Like I mean, Brookshields isn't

1:09:26.240 --> 1:09:28.760
<v Speaker 2>really the real grandmother and she's just a psycho killer

1:09:28.960 --> 1:09:35.559
<v Speaker 2>Grandma Sheila. Yeah yeah, interesting, Okay, But when that all

1:09:35.600 --> 1:09:38.439
<v Speaker 2>gets unfolded that like Johnny d is the dad and

1:09:38.479 --> 1:09:40.920
<v Speaker 2>there's a grandma, like I feel like Benson yells at

1:09:40.960 --> 1:09:42.840
<v Speaker 2>him and goes, this is your fault. You fucked Yeah,

1:09:42.840 --> 1:09:45.840
<v Speaker 2>why didn't you find it, so maybe it's more addressed.

1:09:45.880 --> 1:09:49.000
<v Speaker 2>But maybe he he fucked up. It isn't a writer

1:09:49.080 --> 1:09:53.479
<v Speaker 2>fuck up. Maybe Trevor fucked up. Yes, possible, possible.

1:09:54.160 --> 1:09:56.400
<v Speaker 1>Addiction is tough. Ation is tough.

1:09:56.560 --> 1:09:59.200
<v Speaker 2>So then the judge is like, okay, but also like

1:09:59.520 --> 1:10:01.880
<v Speaker 2>definitely is like this guy's hot, like you can tell

1:10:01.960 --> 1:10:05.360
<v Speaker 2>she is into him. And then she also notices Benson

1:10:05.439 --> 1:10:07.880
<v Speaker 2>is there again, and so she's like, okay, Noah Porter

1:10:07.960 --> 1:10:10.479
<v Speaker 2>will be an orphan of the state unless Benson, you

1:10:10.560 --> 1:10:14.040
<v Speaker 2>rescue the infant. She says yes, and you know, you're

1:10:14.160 --> 1:10:16.840
<v Speaker 2>also the only person that's ever taken interest in the

1:10:16.920 --> 1:10:20.200
<v Speaker 2>kid consistently, and then she suggests, do you want to

1:10:20.200 --> 1:10:23.479
<v Speaker 2>be the foster mother to this baby? Benson is stunned.

1:10:23.800 --> 1:10:32.040
<v Speaker 2>Treva Tureva and Pipper, Trevor and Pippa look at her,

1:10:32.280 --> 1:10:34.720
<v Speaker 2>and the judge says, she has a feeling about this,

1:10:35.240 --> 1:10:37.599
<v Speaker 2>so do you agree to take Noah into care for

1:10:37.720 --> 1:10:40.360
<v Speaker 2>at least the year and then you can permanently adopt

1:10:40.400 --> 1:10:43.240
<v Speaker 2>him after that year. Tears, you know, well up in

1:10:43.280 --> 1:10:46.960
<v Speaker 2>her eyes and she fidgets around and then we do

1:10:47.040 --> 1:10:49.840
<v Speaker 2>a handoff and she gets the baby and then she goes,

1:10:49.880 --> 1:10:52.240
<v Speaker 2>oh my God, you look so healthy. And then the

1:10:52.320 --> 1:10:56.800
<v Speaker 2>bitch and pink, a different shade of pink goes. Yeah,

1:10:56.840 --> 1:10:58.400
<v Speaker 2>we do our job, sergeant.

1:10:58.680 --> 1:11:00.639
<v Speaker 1>It's like I can put you to four episodes where

1:11:00.680 --> 1:11:05.240
<v Speaker 1>you don't yeah, and it's not about you.

1:11:05.400 --> 1:11:09.080
<v Speaker 2>Like so Benson and Noah sit in the chair and

1:11:09.160 --> 1:11:11.599
<v Speaker 2>you know, they're cuddling, and it's a really sweet, sweet

1:11:11.680 --> 1:11:15.240
<v Speaker 2>ending and of course a twisted journey ahead that will

1:11:15.360 --> 1:11:17.080
<v Speaker 2>you know, we'll get through the whole saga on the

1:11:17.080 --> 1:11:20.200
<v Speaker 2>pod eventually. But this is not dick wolf baby. It's

1:11:20.240 --> 1:11:22.880
<v Speaker 2>like a nice sweet and no, there was a burned woman.

1:11:22.960 --> 1:11:25.360
<v Speaker 2>It is a dick wolf yeah.

1:11:25.600 --> 1:11:28.280
<v Speaker 1>Yeah, but this is this is cute because it's like,

1:11:29.000 --> 1:11:31.080
<v Speaker 1>I love this Noah. I love this little baby. I

1:11:31.120 --> 1:11:34.320
<v Speaker 1>don't this doesn't look anything like what future Noah grows

1:11:34.360 --> 1:11:35.960
<v Speaker 1>up to be. I honestly think this kid has brown

1:11:36.000 --> 1:11:38.400
<v Speaker 1>eyes and the new Noah has light eyes. But whatever,

1:11:38.920 --> 1:11:41.320
<v Speaker 1>this baby is very cute and I'm here for him.

1:11:42.080 --> 1:11:42.439
<v Speaker 2>Thank you.

1:11:42.520 --> 1:11:44.600
<v Speaker 1>That was a very entertaining recap. Lease, I have to

1:11:44.640 --> 1:11:47.280
<v Speaker 1>tell you you had me laugh. You had me laughing today.

1:11:47.880 --> 1:11:48.200
<v Speaker 2>Huge.

1:11:48.320 --> 1:11:52.759
<v Speaker 1>There is such a fucked episode. Yeah, but I got

1:11:52.800 --> 1:11:56.920
<v Speaker 1>two crimes to talk about, and one is fucked and

1:11:56.960 --> 1:12:06.759
<v Speaker 1>one is kind of heartwarming. So at first I researched

1:12:06.840 --> 1:12:08.120
<v Speaker 1>these opposite and then I was like, no, I'm going

1:12:08.160 --> 1:12:09.799
<v Speaker 1>to do the fucked up one first and then followed

1:12:09.840 --> 1:12:11.559
<v Speaker 1>up with the heartwarming so that we have like a nice,

1:12:11.600 --> 1:12:13.639
<v Speaker 1>you know, palate cleanser before we go into our guests.

1:12:13.680 --> 1:12:16.760
<v Speaker 1>So Ellie Porter's murder I believe is based on the

1:12:16.840 --> 1:12:20.680
<v Speaker 1>murder of Brenda Pause by MS thirteen members. I'm not

1:12:20.720 --> 1:12:22.840
<v Speaker 1>going to get super into MS thirteen because I believe

1:12:22.840 --> 1:12:25.840
<v Speaker 1>there are episodes down the road where they very specifically

1:12:26.160 --> 1:12:28.280
<v Speaker 1>get more in depth with MS thirteen, so I'll wait

1:12:28.320 --> 1:12:31.920
<v Speaker 1>for that. But basically, in the early two thousands, Brenda

1:12:31.920 --> 1:12:34.800
<v Speaker 1>Pause was a teenager caught up with some extremely dangerous

1:12:34.960 --> 1:12:39.080
<v Speaker 1>street gang called MS thirteen, which stands for Mara Salvatruca,

1:12:39.320 --> 1:12:43.720
<v Speaker 1>which is a street gang that I believe started in

1:12:43.800 --> 1:12:46.439
<v Speaker 1>El Salvador. It's like hard to say, I guess, but

1:12:46.560 --> 1:12:49.240
<v Speaker 1>like El Salvador is like where there's a huge presence

1:12:49.240 --> 1:12:50.840
<v Speaker 1>of it and a lot of the members are El

1:12:50.880 --> 1:12:55.080
<v Speaker 1>Salvador are Salvadoran, so the gang is active though all

1:12:55.120 --> 1:12:57.960
<v Speaker 1>over the US, Canada, Mexico, and Central America. Most members

1:12:58.000 --> 1:13:03.400
<v Speaker 1>are Central American. Then their businesses cocaine and marijuana trafficking's

1:13:03.520 --> 1:13:05.920
<v Speaker 1>what's written as alien smuggling. I don't like to call

1:13:06.000 --> 1:13:08.599
<v Speaker 1>undocumented people aliens, but that's like, you know, they smuggle

1:13:08.640 --> 1:13:09.599
<v Speaker 1>people over the border.

1:13:10.040 --> 1:13:12.920
<v Speaker 2>I just got so excited because I thought maybe they

1:13:12.920 --> 1:13:16.360
<v Speaker 2>were into like UFOs or something, and then the reality

1:13:16.439 --> 1:13:16.720
<v Speaker 2>hit me.

1:13:16.960 --> 1:13:19.639
<v Speaker 1>Yeah, sorry, it's unfortunately it's not an ET.

1:13:19.960 --> 1:13:23.479
<v Speaker 2>But my green card when I was a kid does

1:13:23.520 --> 1:13:24.439
<v Speaker 2>say alien on it.

1:13:24.560 --> 1:13:26.200
<v Speaker 1>Yeah, yeah, I mean it is. I think that is

1:13:26.280 --> 1:13:30.720
<v Speaker 1>kind of like a weird a government word. Yeah. And

1:13:30.760 --> 1:13:37.719
<v Speaker 1>then weapons trafficking, assault, homicide, rape, kidnapping, ID theft, home invasions, carjackings, prostitution, robbery, vandalism,

1:13:37.760 --> 1:13:38.519
<v Speaker 1>Like there's nothing.

1:13:38.280 --> 1:13:40.519
<v Speaker 2>These guys don't do a lot of a lot of

1:13:40.520 --> 1:13:41.360
<v Speaker 2>different crimes.

1:13:41.439 --> 1:13:45.559
<v Speaker 1>Yeah, they're extremely violent, which I think is telegraphed in

1:13:45.880 --> 1:13:50.639
<v Speaker 1>Little Tino's like very sort of like nihilistic violence where

1:13:50.640 --> 1:13:52.720
<v Speaker 1>it's like, yeah, fuck it, like I killed somebody, like

1:13:52.760 --> 1:13:55.799
<v Speaker 1>who can you know? Like they're violent, they're focused on expansion.

1:13:55.840 --> 1:13:59.479
<v Speaker 1>They recruit a lot of teenagers. So while most women

1:13:59.560 --> 1:14:03.320
<v Speaker 1>are initiated into this gang through sex, Brenda was like

1:14:03.400 --> 1:14:06.840
<v Speaker 1>kind of scrappy and when she was thirteen. She got

1:14:06.840 --> 1:14:09.840
<v Speaker 1>initiated the way men can be initiated, which is getting

1:14:09.880 --> 1:14:13.200
<v Speaker 1>beaten by other members of the gang for thirteen seconds,

1:14:13.479 --> 1:14:17.160
<v Speaker 1>and it's called getting jumped in quote unquote. So she,

1:14:17.760 --> 1:14:19.800
<v Speaker 1>you know, was a member of this gang. She was

1:14:19.920 --> 1:14:23.240
<v Speaker 1>dating a high ranking member. Her nickname in the gang

1:14:23.320 --> 1:14:26.600
<v Speaker 1>was Smiley. People liked her. She traveled all around the

1:14:26.680 --> 1:14:29.880
<v Speaker 1>US with this high ranking member boyfriend of hers. And

1:14:29.880 --> 1:14:33.280
<v Speaker 1>then in two thousand and two, Brenda was sixteen and

1:14:33.479 --> 1:14:36.080
<v Speaker 1>witnessed a murder. She was worried that she was going

1:14:36.160 --> 1:14:38.000
<v Speaker 1>to be charged with the murder, so she became a

1:14:38.040 --> 1:14:41.800
<v Speaker 1>police informant. She told the police, quote, they want to

1:14:41.840 --> 1:14:44.360
<v Speaker 1>be the top gang, the top Hispanic gang, that's what

1:14:44.400 --> 1:14:46.080
<v Speaker 1>they want. They want to be the ones with the

1:14:46.120 --> 1:14:49.599
<v Speaker 1>most killings, the most murders. So she knew it's ton

1:14:49.640 --> 1:14:52.080
<v Speaker 1>about this gang that the cops had no idea about,

1:14:52.120 --> 1:14:55.320
<v Speaker 1>like hand gestures that they that they would make like

1:14:55.400 --> 1:14:59.280
<v Speaker 1>code words, they would use tattoos. Apparently, the tattoo of

1:14:59.320 --> 1:15:02.400
<v Speaker 1>this gang is re dots, and the dots stand for

1:15:02.479 --> 1:15:04.719
<v Speaker 1>the three places that the gang will get you, the jail,

1:15:04.800 --> 1:15:07.880
<v Speaker 1>the hospital, or the cemetery. Does not seem like a

1:15:08.520 --> 1:15:12.600
<v Speaker 1>you know promising thing, but I guess desperate times for

1:15:12.680 --> 1:15:16.160
<v Speaker 1>some people. So Brenda. The police said that Brenda gave

1:15:16.160 --> 1:15:20.200
<v Speaker 1>them credible information on at least sixty cases, so she

1:15:20.280 --> 1:15:23.160
<v Speaker 1>knew what she was fucking talking about. And so she'd

1:15:23.160 --> 1:15:26.320
<v Speaker 1>been in federal witness protection and was set to testify

1:15:26.320 --> 1:15:28.760
<v Speaker 1>against her ex boyfriend, whose name was Dennis Rivera, who

1:15:28.880 --> 1:15:32.920
<v Speaker 1>was already in prison on another charge. I think this

1:15:33.000 --> 1:15:35.240
<v Speaker 1>must be the high ranking member that she was going

1:15:35.280 --> 1:15:38.599
<v Speaker 1>around with, but I'm not sure. I'm not positive. After

1:15:38.680 --> 1:15:42.360
<v Speaker 1>she became pregnant, when she was in witness protection, she

1:15:42.439 --> 1:15:45.920
<v Speaker 1>felt isolated, and she returned to Virginia, where she had

1:15:45.960 --> 1:15:48.200
<v Speaker 1>lived before, and it just it sounds like she kind

1:15:48.200 --> 1:15:50.040
<v Speaker 1>of just got sucked back into the gang because it

1:15:50.040 --> 1:15:51.679
<v Speaker 1>was all she knew. It was like all her friends.

1:15:52.240 --> 1:15:54.800
<v Speaker 1>And in June of two thousand and three, about a

1:15:54.880 --> 1:15:58.040
<v Speaker 1>year after she began working with the cops, she was murdered.

1:15:58.120 --> 1:16:01.760
<v Speaker 1>She was found alongside the Shannando River in Virginia with

1:16:02.240 --> 1:16:06.680
<v Speaker 1>multiple stab wounds, approximately thirteen. That's like a thing, the

1:16:06.760 --> 1:16:09.400
<v Speaker 1>number thirteen, and then her throat was slit as well.

1:16:09.400 --> 1:16:11.400
<v Speaker 1>And sadly, at the time, she was four months pregnant

1:16:11.400 --> 1:16:14.680
<v Speaker 1>as I mentioned, so apparently what happened was in a

1:16:14.680 --> 1:16:18.240
<v Speaker 1>hotel room, gang members had gotten together voted unanimously to

1:16:18.400 --> 1:16:20.920
<v Speaker 1>green light brenda, which is the same phrase that we

1:16:21.920 --> 1:16:25.160
<v Speaker 1>that they talk about in this episode. So the next morning,

1:16:25.600 --> 1:16:28.960
<v Speaker 1>her new boyfriend at the time Oscar Grande, and her

1:16:29.080 --> 1:16:32.960
<v Speaker 1>friend is Ishmael Cisneros or Ismail. I don't know how

1:16:33.080 --> 1:16:35.640
<v Speaker 1>you would say it, but Cisnaros. They took her on

1:16:35.680 --> 1:16:39.800
<v Speaker 1>a fishing trip and Grande and Ciscenaro stabbed her thirteen times,

1:16:39.800 --> 1:16:42.720
<v Speaker 1>and when she screamed why, they said, because you're a rat.

1:16:43.400 --> 1:16:46.200
<v Speaker 1>Grande and Cisnaro's were both charged with her murder, as

1:16:46.240 --> 1:16:49.000
<v Speaker 1>well as her ex Denis Rivera, who the prosecutors believe

1:16:49.120 --> 1:16:51.960
<v Speaker 1>orchestrated the whole thing from prison. So it's like, you know,

1:16:52.040 --> 1:16:55.040
<v Speaker 1>when they're like who you don't have enough juice for this, Tino,

1:16:55.280 --> 1:16:55.880
<v Speaker 1>like who did this?

1:16:55.880 --> 1:16:56.360
<v Speaker 2>Who did this?

1:16:56.479 --> 1:16:58.360
<v Speaker 1>Like that's like this is the guy who's higher up

1:16:58.400 --> 1:17:00.519
<v Speaker 1>that they think orchestrated it. And then there was a

1:17:00.600 --> 1:17:04.479
<v Speaker 1>fourth member of the gang named Oscar Garcia or Alana.

1:17:04.600 --> 1:17:06.760
<v Speaker 1>I'm not super comfortable with how many gang members are

1:17:06.840 --> 1:17:10.519
<v Speaker 1>named Oscar in this story, and he was there at

1:17:10.520 --> 1:17:13.400
<v Speaker 1>the murder, but he didn't participate. He apparently thought they

1:17:13.400 --> 1:17:15.639
<v Speaker 1>were just going fishing the same way that Brenda did,

1:17:15.920 --> 1:17:18.160
<v Speaker 1>and when he turned around, he saw them stabbing her

1:17:18.240 --> 1:17:21.479
<v Speaker 1>and he ran away, and he ended up testifying against

1:17:21.479 --> 1:17:24.479
<v Speaker 1>the other two guys. So in May of two thousand

1:17:24.520 --> 1:17:27.800
<v Speaker 1>and five, Grand and Cis Narrow were convicted. The other

1:17:27.840 --> 1:17:30.160
<v Speaker 1>two were acquitted. So the guy who had really nothing

1:17:30.200 --> 1:17:32.559
<v Speaker 1>to do with it was acquitted great and then Rivera,

1:17:32.720 --> 1:17:34.760
<v Speaker 1>the guy who was in jail and probably orchestrated the

1:17:34.760 --> 1:17:35.200
<v Speaker 1>whole thing.

1:17:35.640 --> 1:17:37.559
<v Speaker 2>His lawyers argued that, oh.

1:17:37.439 --> 1:17:40.080
<v Speaker 1>There's plenty of high up gang members that wanted Brenda dead,

1:17:40.160 --> 1:17:43.000
<v Speaker 1>like everybody knew she had turned to the police, and

1:17:43.040 --> 1:17:46.439
<v Speaker 1>like they even played tapes of Rivera using like codd

1:17:46.600 --> 1:17:50.200
<v Speaker 1>gang slang, like seemingly ordering her death. But the jury

1:17:50.240 --> 1:17:52.800
<v Speaker 1>did not go for it. So he was convicted of

1:17:52.800 --> 1:17:55.200
<v Speaker 1>an earlier murder though, and he is serving life in prison,

1:17:55.280 --> 1:17:57.920
<v Speaker 1>but just not for Brenda, so he is out of

1:17:58.400 --> 1:18:00.000
<v Speaker 1>but who knows. It sounds like he's getting a lot

1:18:00.080 --> 1:18:04.200
<v Speaker 1>of chaos done through jail anyway. Brenda thought nobody knew

1:18:04.200 --> 1:18:07.360
<v Speaker 1>about her cooperating with the cops, but Detective Bob Freeman

1:18:07.520 --> 1:18:10.080
<v Speaker 1>of the US Park Police. I don't know what that

1:18:10.120 --> 1:18:13.000
<v Speaker 1>means US Park Police, but he's he investigated her murder.

1:18:13.360 --> 1:18:15.479
<v Speaker 1>And he said, oh, I guess maybe because she was

1:18:15.479 --> 1:18:16.960
<v Speaker 1>found by the Shanada or whatever. Maybe it was like

1:18:16.960 --> 1:18:19.479
<v Speaker 1>a park. But he said the gang was always spying

1:18:19.479 --> 1:18:22.960
<v Speaker 1>on its members. Freeman told sixty Minutes quote, misters sis

1:18:23.040 --> 1:18:25.760
<v Speaker 1>Naros was recorded, and he's actually talking about conducting a

1:18:25.800 --> 1:18:28.800
<v Speaker 1>private investigation into whether or not she's cooperating with law

1:18:28.840 --> 1:18:33.360
<v Speaker 1>enforcement end quote. And apparently these guys like not only

1:18:33.439 --> 1:18:36.120
<v Speaker 1>run internal investigations about their own people, but they have

1:18:36.200 --> 1:18:39.320
<v Speaker 1>regular meetings to talk about recruiting.

1:18:38.800 --> 1:18:40.840
<v Speaker 2>Money and who to greenlight.

1:18:40.640 --> 1:18:46.599
<v Speaker 1>You know, aka murder. So sixty Minutes also interviewed Cis Naros,

1:18:46.600 --> 1:18:49.080
<v Speaker 1>who is serving life for Brenda's murder, and he told

1:18:49.080 --> 1:18:52.640
<v Speaker 1>the police quote MS. Thirteen has rules, you understand, and

1:18:52.680 --> 1:18:54.519
<v Speaker 1>when you break the rules, we all have to decide

1:18:54.520 --> 1:18:56.720
<v Speaker 1>if you deserve to die. And he told them that

1:18:56.800 --> 1:18:59.000
<v Speaker 1>talking to the police is against their rules. He said

1:18:59.120 --> 1:19:01.880
<v Speaker 1>to sixty minutes, I considered her a friend. She was

1:19:01.920 --> 1:19:03.920
<v Speaker 1>a gang member. She was a homeboy. That's what we

1:19:03.960 --> 1:19:06.240
<v Speaker 1>called one another in the gang. He talks in this

1:19:06.280 --> 1:19:08.040
<v Speaker 1>interview about how it was very painful for him to

1:19:08.120 --> 1:19:10.360
<v Speaker 1>murder her. He's like, it wasn't just her pain. We

1:19:10.360 --> 1:19:11.720
<v Speaker 1>were all in pain. Like I did not.

1:19:11.920 --> 1:19:12.559
<v Speaker 2>I didn't.

1:19:12.800 --> 1:19:15.040
<v Speaker 1>It's like, you know, I didn't want to do that.

1:19:15.280 --> 1:19:18.280
<v Speaker 1>But it's like that's the gang. It's I mean, it

1:19:18.320 --> 1:19:20.680
<v Speaker 1>is like a cult. Gangs are culty in the brainwashing,

1:19:20.720 --> 1:19:25.639
<v Speaker 1>you know. So sadly, Brenda, you know, I'm glad these

1:19:25.640 --> 1:19:27.880
<v Speaker 1>two guys got convicted, like they went away for it.

1:19:27.920 --> 1:19:30.360
<v Speaker 1>Brenda's murder also led one of her best friends to

1:19:30.400 --> 1:19:32.559
<v Speaker 1>step up to testify against the gang. She was like

1:19:32.640 --> 1:19:35.840
<v Speaker 1>so horrified that they would kill her pregnant friend. But

1:19:35.880 --> 1:19:38.080
<v Speaker 1>then when sixty minutes asked this girl, like, what are

1:19:38.120 --> 1:19:41.479
<v Speaker 1>your chances of staying alive? She said, quote none. I

1:19:41.520 --> 1:19:43.559
<v Speaker 1>mean I can keep myself safe and away from them,

1:19:43.600 --> 1:19:45.519
<v Speaker 1>but I mean, if they were to find me, it's

1:19:45.560 --> 1:19:47.439
<v Speaker 1>not like they would, you know, give me any mercy.

1:19:48.040 --> 1:19:49.760
<v Speaker 2>End quote. So I hope that.

1:19:50.880 --> 1:19:54.320
<v Speaker 1>I hope she's okay, okay somewhere secret. Yeah me too,

1:19:54.600 --> 1:19:57.840
<v Speaker 1>but like, well I'll just say this too. After the trial,

1:19:58.280 --> 1:20:00.840
<v Speaker 1>Oscar Garcia or Alana, the one who didn't really do

1:20:00.880 --> 1:20:05.600
<v Speaker 1>anything but testified, he was facing deportation and was terrified

1:20:05.600 --> 1:20:08.040
<v Speaker 1>that because he testified, as soon as he got back

1:20:08.040 --> 1:20:10.760
<v Speaker 1>to El Salvador, he'd be murdered, and his lawyers were

1:20:10.760 --> 1:20:12.799
<v Speaker 1>fighting to keep him in the States since he testified

1:20:12.800 --> 1:20:15.400
<v Speaker 1>and helped put these other guys away. I literally searched

1:20:15.439 --> 1:20:18.479
<v Speaker 1>his name, I searched court documents. I cannot find what

1:20:18.560 --> 1:20:21.639
<v Speaker 1>happened to him in the end, so I witness protection

1:20:21.680 --> 1:20:25.639
<v Speaker 1>as you can't find him exactly. But this case actually

1:20:25.720 --> 1:20:28.960
<v Speaker 1>kind of exposed a lot of I don't want to

1:20:28.960 --> 1:20:32.120
<v Speaker 1>say weakness or errors in the Witness Protection program because

1:20:32.160 --> 1:20:34.160
<v Speaker 1>like they had no idea how to handle like a

1:20:34.240 --> 1:20:38.320
<v Speaker 1>teen like Brenda, who was kind of like young and reckless,

1:20:38.320 --> 1:20:41.200
<v Speaker 1>and like even though like a psychological report on her

1:20:41.479 --> 1:20:44.280
<v Speaker 1>recommended that she'd be closely monitored, she was not closely monitored.

1:20:44.439 --> 1:20:47.120
<v Speaker 1>She was moved from an FBI safehouse in Silver Spring, Maryland,

1:20:47.160 --> 1:20:50.519
<v Speaker 1>to Philly Kansas City, Minnesota. But like she'd be in

1:20:50.560 --> 1:20:54.120
<v Speaker 1>safe houses, she'd be throwing parties, like while underwitness protection

1:20:54.320 --> 1:20:57.880
<v Speaker 1>she invited gang member friends over. Like there'd be underage drinking, drugs,

1:20:57.920 --> 1:21:00.120
<v Speaker 1>prostitution all happening at these parties.

1:21:00.280 --> 1:21:02.120
<v Speaker 2>And they just weren't.

1:21:02.720 --> 1:21:04.640
<v Speaker 1>I don't know, it's not as it feels like in

1:21:04.680 --> 1:21:06.840
<v Speaker 1>this case, and maybe in real life, who knows, it

1:21:06.880 --> 1:21:08.439
<v Speaker 1>wasn't as locked up as like we take you to

1:21:08.520 --> 1:21:10.479
<v Speaker 1>a farm in Wisconsin and you never see anybody you

1:21:10.520 --> 1:21:13.080
<v Speaker 1>know ever Again, like she was contacting people she knew,

1:21:13.080 --> 1:21:14.599
<v Speaker 1>and I think that's kind of how she got sucked

1:21:14.640 --> 1:21:19.240
<v Speaker 1>back in and sadly she just didn't realize that they

1:21:19.320 --> 1:21:23.040
<v Speaker 1>knew she was working with the cops. So I think

1:21:23.080 --> 1:21:26.479
<v Speaker 1>that's a little bit of Ellie's murder is based on

1:21:26.520 --> 1:21:30.639
<v Speaker 1>that case. And then there's actually like a beautiful story

1:21:30.680 --> 1:21:33.559
<v Speaker 1>that I think is the inspiration for part of Baby

1:21:33.600 --> 1:21:39.120
<v Speaker 1>Noah's adoption. So in August of two thousand, Danny Stewart,

1:21:39.160 --> 1:21:42.000
<v Speaker 1>a social worker, was going to meet his partner for

1:21:42.080 --> 1:21:45.160
<v Speaker 1>dinner in New York City. He's on the subway. He

1:21:45.200 --> 1:21:47.960
<v Speaker 1>gets off the train at fourteenth Street, the Ace stop

1:21:48.000 --> 1:21:49.679
<v Speaker 1>at fourteenth Street, which I know you and I both

1:21:49.760 --> 1:21:52.639
<v Speaker 1>are at have been at millions of times in Chelsea,

1:21:53.080 --> 1:21:54.920
<v Speaker 1>and he thought there weren't a lot of people in

1:21:54.920 --> 1:21:56.640
<v Speaker 1>the station at all. It was like semi deserted. He

1:21:56.680 --> 1:21:59.080
<v Speaker 1>thought he saw a doll on the ground, but then

1:21:59.280 --> 1:22:02.439
<v Speaker 1>he saw leg of the doll move and what he

1:22:02.520 --> 1:22:05.759
<v Speaker 1>found was a newborn baby still with its umbulical cord

1:22:05.880 --> 1:22:08.840
<v Speaker 1>wrapped up in a sweatshirt. So he calls nine one one.

1:22:09.280 --> 1:22:12.439
<v Speaker 1>Then he calls his partner, Pete Mercurio, and when by

1:22:12.479 --> 1:22:15.040
<v Speaker 1>the time Pete got to the station, NYPD was already there,

1:22:15.120 --> 1:22:19.720
<v Speaker 1>and the police named the baby Daniel Ace Doe, like

1:22:19.840 --> 1:22:22.360
<v Speaker 1>Ace but like that's the subway stop, but named them

1:22:22.400 --> 1:22:26.719
<v Speaker 1>after Danny who found him. And so a citywide search

1:22:26.800 --> 1:22:29.639
<v Speaker 1>starts for this baby's mother. All the local news platforms

1:22:29.680 --> 1:22:32.640
<v Speaker 1>are covering it. Three months later, no luck, they do

1:22:32.720 --> 1:22:35.080
<v Speaker 1>not find this baby. I mean, you have to assume

1:22:35.080 --> 1:22:37.080
<v Speaker 1>this woman probably did not give birth in a hospital

1:22:37.160 --> 1:22:40.280
<v Speaker 1>if the baby had still had the umbilical cord attached.

1:22:40.840 --> 1:22:44.120
<v Speaker 1>Danny ended up at a family court hearing telling the

1:22:44.200 --> 1:22:47.160
<v Speaker 1>judge about how he'd found the baby, and then suddenly,

1:22:47.600 --> 1:22:50.320
<v Speaker 1>just like in the episode, the judge was like, would

1:22:50.400 --> 1:22:53.840
<v Speaker 1>you be interested in adopting this baby? And he said

1:22:54.040 --> 1:22:56.880
<v Speaker 1>to NBC New York he said, quote, I think everyone

1:22:56.920 --> 1:23:00.320
<v Speaker 1>in the courtroom their jaws dropped. Everyone was quiet, everyone

1:23:00.360 --> 1:23:02.720
<v Speaker 1>was looking at me. And I said, yes, but it's

1:23:02.760 --> 1:23:05.280
<v Speaker 1>not that easy. And she said, well it can be.

1:23:06.320 --> 1:23:08.280
<v Speaker 1>So even though he and his partner had only been

1:23:08.360 --> 1:23:10.679
<v Speaker 1>dating for like three years. They hadn't really discussed plans

1:23:10.680 --> 1:23:13.800
<v Speaker 1>for a family. Stuart told NBC New York. I thought,

1:23:13.920 --> 1:23:16.800
<v Speaker 1>maybe this is destiny, Maybe this is divine intervention. This

1:23:16.840 --> 1:23:18.800
<v Speaker 1>is a gift we're given, and how can we say

1:23:18.840 --> 1:23:22.280
<v Speaker 1>no to a gift? So initially they thought, oh, this

1:23:22.320 --> 1:23:25.000
<v Speaker 1>will take forever, all the paperwork, the legal hoops you

1:23:25.000 --> 1:23:27.640
<v Speaker 1>got to jump through. But the judge like must have

1:23:27.760 --> 1:23:30.679
<v Speaker 1>seen something in them, and a week after the initial

1:23:30.720 --> 1:23:33.400
<v Speaker 1>court hearing, just a few days before Christmas, she was like,

1:23:33.439 --> 1:23:34.600
<v Speaker 1>do you guys want to take him home for the

1:23:34.600 --> 1:23:38.400
<v Speaker 1>holiday weekend? And he's been with them ever since. And

1:23:38.640 --> 1:23:40.760
<v Speaker 1>they fostered the baby for two years and then they

1:23:40.800 --> 1:23:43.400
<v Speaker 1>adopted him in December of two thousand and two. They

1:23:43.479 --> 1:23:47.240
<v Speaker 1>named him Kevin. And later when Danny and Pete got

1:23:47.280 --> 1:23:50.559
<v Speaker 1>married after gay marriage was legalized, that judge married them,

1:23:50.920 --> 1:23:54.800
<v Speaker 1>which I love so sweet, And they asked her when

1:23:54.800 --> 1:23:56.640
<v Speaker 1>they I guess they hadn't spoken to her in a

1:23:56.640 --> 1:23:58.360
<v Speaker 1>few years, but then they asked her to marry them.

1:23:58.360 --> 1:23:59.920
<v Speaker 1>And then they asked her, like, how were you able

1:23:59.960 --> 1:24:02.160
<v Speaker 1>to like get us to adopt Kevin so fast? And

1:24:02.200 --> 1:24:05.599
<v Speaker 1>she explained that at the time there was a pilot

1:24:05.640 --> 1:24:08.280
<v Speaker 1>program in New York that gave her, as a judge,

1:24:08.280 --> 1:24:11.720
<v Speaker 1>the power to expedite adoptions in certain cases of abandonment,

1:24:12.080 --> 1:24:14.120
<v Speaker 1>and that allowed her to quickly place the baby in

1:24:14.200 --> 1:24:16.439
<v Speaker 1>a home that she perceived to be a loving home.

1:24:16.880 --> 1:24:22.360
<v Speaker 1>And that program sadly only lasted six months. And what

1:24:22.400 --> 1:24:24.400
<v Speaker 1>the fuck, I don't know, but like it.

1:24:24.800 --> 1:24:28.360
<v Speaker 2>We can't even have fucking libraries open on Sundays. I

1:24:28.439 --> 1:24:29.800
<v Speaker 2>know why they shut it down.

1:24:30.240 --> 1:24:34.519
<v Speaker 1>But it happened to fall within the six months that

1:24:34.560 --> 1:24:36.320
<v Speaker 1>they found this baby and that this all went down.

1:24:36.360 --> 1:24:38.559
<v Speaker 1>They just said it was like so many little miracles,

1:24:38.560 --> 1:24:40.800
<v Speaker 1>like piled on top of each other, like oh, this

1:24:40.960 --> 1:24:42.080
<v Speaker 1>program and this and that.

1:24:42.479 --> 1:24:42.720
<v Speaker 2>You know.

1:24:42.920 --> 1:24:46.200
<v Speaker 1>So Pete, the partner who didn't find him but you know,

1:24:46.439 --> 1:24:49.679
<v Speaker 1>raised him as dad, eventually wrote a book called Our

1:24:49.840 --> 1:24:52.640
<v Speaker 1>Subway Baby that he calls quote a love letter to

1:24:52.680 --> 1:24:55.800
<v Speaker 1>our son, which I love. It's available in hardcover and

1:24:55.840 --> 1:24:59.639
<v Speaker 1>ebook and also in a Japanese translation, and I'm linking

1:24:59.680 --> 1:25:03.320
<v Speaker 1>to it in our sources. And Kevin is grown up

1:25:03.439 --> 1:25:06.240
<v Speaker 1>and is like twenty, you know, twenty three or four

1:25:06.320 --> 1:25:09.320
<v Speaker 1>years old now. He graduated from Swarthmore, which is like

1:25:09.439 --> 1:25:11.559
<v Speaker 1>truly the number one liberal arts college. It's like one

1:25:11.560 --> 1:25:15.120
<v Speaker 1>of the top three in the country. And you know,

1:25:15.160 --> 1:25:17.240
<v Speaker 1>the two dads have always said that they feel for

1:25:17.320 --> 1:25:21.000
<v Speaker 1>Kevin's biological mom, and Pete told CNN quote one way

1:25:21.080 --> 1:25:23.200
<v Speaker 1>or another, that's a desperate measure to take, and I

1:25:23.240 --> 1:25:26.120
<v Speaker 1>can only imagine the anguish that was leaving your child.

1:25:26.439 --> 1:25:28.439
<v Speaker 1>We've always told Kevin from a very young age that

1:25:28.479 --> 1:25:30.360
<v Speaker 1>he was left out of love so that he could

1:25:30.360 --> 1:25:32.280
<v Speaker 1>be found and cared for. We never use the word

1:25:32.320 --> 1:25:35.680
<v Speaker 1>abandonment or abandon We said she left you where you

1:25:35.720 --> 1:25:36.760
<v Speaker 1>could be found by us.

1:25:37.680 --> 1:25:38.200
<v Speaker 2>End quote.

1:25:38.240 --> 1:25:40.559
<v Speaker 1>So I thought that was like such a sweet story.

1:25:41.320 --> 1:25:42.559
<v Speaker 2>I had never heard it before.

1:25:43.160 --> 1:25:47.120
<v Speaker 1>And yeah, hopefully Kevin is just like living a great

1:25:47.160 --> 1:25:50.280
<v Speaker 1>life with his two dads still. But there is in

1:25:50.320 --> 1:25:52.840
<v Speaker 1>one of my sources a really sweet picture of them,

1:25:52.960 --> 1:25:55.280
<v Speaker 1>like on a family trip and Kevin's like tall and

1:25:55.320 --> 1:25:59.320
<v Speaker 1>cute and has these two cool dads and it's great.

1:26:00.280 --> 1:26:06.880
<v Speaker 2>So well, and to have like a liberal judge, yeah

1:26:07.000 --> 1:26:09.479
<v Speaker 2>totally isn't a big it. I don't know. It's just

1:26:10.040 --> 1:26:13.760
<v Speaker 2>I wonder if family court judges have to be different vibes.

1:26:13.920 --> 1:26:16.240
<v Speaker 2>But no, because we know about judges that were paid off,

1:26:16.240 --> 1:26:19.040
<v Speaker 2>but that was just courts maybe it's different. I just

1:26:19.560 --> 1:26:23.280
<v Speaker 2>I do wonder there was a reason the family court,

1:26:23.360 --> 1:26:26.160
<v Speaker 2>like certain judges could expedite stuff. I am curious why

1:26:26.160 --> 1:26:28.720
<v Speaker 2>it ended. Why wouldn't you want to get babies from

1:26:28.760 --> 1:26:33.080
<v Speaker 2>trount like that have gone through traumatic things into a home. Yeah,

1:26:33.200 --> 1:26:34.040
<v Speaker 2>I mean, and.

1:26:34.080 --> 1:26:36.680
<v Speaker 1>They said, like certain cases of abandonment. So it's not

1:26:36.720 --> 1:26:38.800
<v Speaker 1>like they're just gonna be matching up random kids in

1:26:38.800 --> 1:26:40.960
<v Speaker 1>the foster system to other parents, you know, It's like

1:26:41.000 --> 1:26:44.400
<v Speaker 1>it has to be like fully abandoned. No family found

1:26:44.439 --> 1:26:46.639
<v Speaker 1>like a three month search one on for this woman.

1:26:47.120 --> 1:26:49.640
<v Speaker 1>But I'm just so glad that it happened during this

1:26:49.680 --> 1:26:52.280
<v Speaker 1>pilot program because otherwise that kid could have just totally

1:26:52.280 --> 1:26:54.400
<v Speaker 1>been fed into the system and instead he found this

1:26:54.520 --> 1:26:57.400
<v Speaker 1>like very loving home. Not that there are not loving

1:26:57.400 --> 1:26:59.719
<v Speaker 1>foster parents, which of course there are, and the system

1:26:59.760 --> 1:27:03.080
<v Speaker 1>can work, but it also has a lot of problems,

1:27:03.120 --> 1:27:06.960
<v Speaker 1>as we've covered many times on this podcast. But yeah,

1:27:07.439 --> 1:27:10.200
<v Speaker 1>that's that's that should.

1:27:09.960 --> 1:27:14.360
<v Speaker 2>We get to our guests looking up the book Our

1:27:14.400 --> 1:27:17.880
<v Speaker 2>Subway Baby, and it's ninety three percent five stars. But

1:27:17.920 --> 1:27:20.000
<v Speaker 2>I was like, I wonder if the fucking one star

1:27:20.120 --> 1:27:23.680
<v Speaker 2>one percent or some homophobic fucks I want it and

1:27:23.720 --> 1:27:26.040
<v Speaker 2>then it was actually like, oh, it wouldn't download on

1:27:26.080 --> 1:27:30.800
<v Speaker 2>my kindle the font was too small or something like that.

1:27:30.840 --> 1:27:31.720
<v Speaker 2>So I was like, oh, that's good.

1:27:31.880 --> 1:27:34.400
<v Speaker 1>Oh it's like an old person that can't use their kindle.

1:27:35.000 --> 1:27:40.519
<v Speaker 2>Yeah, I was. I was relieved. There. I love that. Yeah, damn,

1:27:40.600 --> 1:27:44.240
<v Speaker 2>we never really get such heartwarming news on this podcast.

1:27:46.240 --> 1:27:49.200
<v Speaker 1>But also like, yeah, we gotta be baby. You can

1:27:49.280 --> 1:27:52.040
<v Speaker 1>leave a baby at a fire station the subway. It

1:27:52.080 --> 1:27:54.240
<v Speaker 1>worked out. It worked out well, but that's the subway

1:27:54.439 --> 1:27:55.360
<v Speaker 1>is busy though.

1:27:56.040 --> 1:27:56.360
<v Speaker 2>True.

1:27:56.479 --> 1:27:58.160
<v Speaker 1>They are going to be found a see.

1:27:58.120 --> 1:28:01.280
<v Speaker 2>Fourteenth Street, They're gonna be found. Yeah, that's a busy's

1:28:01.520 --> 1:28:04.160
<v Speaker 2>that is busy. Yeah, it might be me.

1:28:04.600 --> 1:28:07.160
<v Speaker 1>Coming home from coming home from a show.

1:28:07.520 --> 1:28:09.759
<v Speaker 2>I wonder how long the baby was even out there.

1:28:10.080 --> 1:28:12.680
<v Speaker 1>I know he was he was when they found him.

1:28:12.720 --> 1:28:15.640
<v Speaker 1>He was like in good health, breathing, you know, like

1:28:15.680 --> 1:28:18.280
<v Speaker 1>everything he was. You know, I don't think that there

1:28:18.400 --> 1:28:24.519
<v Speaker 1>was you know, critical care that he needed. But nice story. Okay,

1:28:24.640 --> 1:28:33.000
<v Speaker 1>let's get into our interview. This is a fun one.

1:28:34.920 --> 1:28:38.760
<v Speaker 1>Today's guest is an actor and a musician. Multi talented.

1:28:39.040 --> 1:28:42.080
<v Speaker 1>You've seen him on poker Face, Gossip Girl, and Lights Out.

1:28:42.400 --> 1:28:45.360
<v Speaker 1>He's also been on SVU four different times, always playing

1:28:45.400 --> 1:28:47.400
<v Speaker 1>some sort of evil man, but you know him today

1:28:47.760 --> 1:28:51.639
<v Speaker 1>as the not so little Little Tino. Guys, please enjoy

1:28:51.640 --> 1:28:55.320
<v Speaker 1>our convo with the delightful gk Ume. We've had guests

1:28:55.360 --> 1:28:58.040
<v Speaker 1>come to us so many different ways, Like I've met

1:28:58.400 --> 1:29:02.280
<v Speaker 1>actors on the playground in La where I've like been like,

1:29:02.320 --> 1:29:05.320
<v Speaker 1>you got to come to my podcast on a delta flight,

1:29:05.479 --> 1:29:07.960
<v Speaker 1>or yeah, on a delta flight. One time we met

1:29:08.000 --> 1:29:10.760
<v Speaker 1>a guest and you were one of our listeners, met

1:29:10.800 --> 1:29:13.120
<v Speaker 1>you at a party and pitched us to you.

1:29:13.360 --> 1:29:16.160
<v Speaker 6>Yes, she's well, she's actually a good friend of my

1:29:16.240 --> 1:29:19.400
<v Speaker 6>sister and brother in law and so okay, she's kind

1:29:19.439 --> 1:29:22.320
<v Speaker 6>of like over the years of me doing episodes of

1:29:22.520 --> 1:29:25.280
<v Speaker 6>SVUSH and she's been like, okay, so tell me about

1:29:25.280 --> 1:29:27.559
<v Speaker 6>this episode and what really happened with SO, and can

1:29:27.600 --> 1:29:29.280
<v Speaker 6>you tell me is SO and SO going to live?

1:29:29.360 --> 1:29:30.760
<v Speaker 4>And I'm like, you know, I can't tell your stuff,

1:29:31.160 --> 1:29:32.040
<v Speaker 4>you know, before it airs.

1:29:32.640 --> 1:29:35.080
<v Speaker 6>And then she mentioned this podcast to me a while

1:29:35.200 --> 1:29:38.559
<v Speaker 6>back and kind of piqued my curiosity and got me

1:29:38.600 --> 1:29:41.320
<v Speaker 6>into it. And then as I was looking through, one

1:29:41.360 --> 1:29:43.799
<v Speaker 6>of the first ones that I saw was an episode

1:29:43.800 --> 1:29:46.839
<v Speaker 6>you did with an actor named Mark Taulman. Oh yeah,

1:29:46.880 --> 1:29:51.000
<v Speaker 6>it's actually like a loose friend of mine. But interestingly enough,

1:29:51.040 --> 1:29:56.559
<v Speaker 6>we have like these multiple intersections career wise because he was.

1:29:57.560 --> 1:29:59.559
<v Speaker 4>So he was. He's obviously been on SVU, which is

1:29:59.560 --> 1:30:00.679
<v Speaker 4>why you got talk to him.

1:30:00.760 --> 1:30:04.160
<v Speaker 6>But he did a show for NBC called State of

1:30:04.200 --> 1:30:08.000
<v Speaker 6>Affairs with Catherine Heigel, and he and I were actually

1:30:08.040 --> 1:30:11.599
<v Speaker 6>both cast for that because of how similar we look facially.

1:30:11.920 --> 1:30:15.439
<v Speaker 6>We're both like similar complexion, shaved head. Yeah, except he's

1:30:15.520 --> 1:30:18.559
<v Speaker 6>like six foot four, so he's you know, like half

1:30:18.560 --> 1:30:22.040
<v Speaker 6>a head taller than me. But and for the episode,

1:30:22.200 --> 1:30:26.240
<v Speaker 6>Catherine Heigel, I believe, if I'm not misremembering, her character

1:30:26.760 --> 1:30:28.439
<v Speaker 6>fell in love with a guy who worked for the

1:30:28.479 --> 1:30:31.400
<v Speaker 6>state department. He gets killed, and then she sees a

1:30:31.479 --> 1:30:33.759
<v Speaker 6>video of a doctor working in like a doctor's without

1:30:33.760 --> 1:30:37.480
<v Speaker 6>border setting, and that doctor is me and I get kidnapped,

1:30:37.760 --> 1:30:39.320
<v Speaker 6>and that's like the pilot episode.

1:30:39.360 --> 1:30:41.320
<v Speaker 4>The reason why she goes so hard in the paint.

1:30:41.360 --> 1:30:43.160
<v Speaker 6>She's like, I gotta see I gotta save this guy

1:30:43.200 --> 1:30:45.640
<v Speaker 6>if there's any way we can is because I'm reminding

1:30:45.680 --> 1:30:48.200
<v Speaker 6>her of her deceased boyfriend, who maybe later in the

1:30:48.200 --> 1:30:49.840
<v Speaker 6>season turned out not to be the season I don't know.

1:30:49.920 --> 1:30:52.240
<v Speaker 6>I will confess I did not see the entire seasm,

1:30:52.320 --> 1:30:55.639
<v Speaker 6>but something along that line. So he and I met

1:30:55.680 --> 1:30:57.599
<v Speaker 6>and I was like, I think we got cast, because

1:30:58.000 --> 1:30:59.599
<v Speaker 6>he's like, yeah, I think that's part of why.

1:31:00.680 --> 1:31:04.679
<v Speaker 1>Yeah, Oh my gosh, small world. We're also both loose

1:31:04.720 --> 1:31:09.320
<v Speaker 1>friends with Mark Tallman and I went to high school

1:31:09.320 --> 1:31:10.080
<v Speaker 1>with Catherine Heigel.

1:31:10.200 --> 1:31:12.479
<v Speaker 4>Oh really, that's fine.

1:31:12.560 --> 1:31:15.559
<v Speaker 1>Really a lot of connects, a lot of connect You

1:31:15.760 --> 1:31:17.960
<v Speaker 1>have had all these different parts, like because you were

1:31:17.960 --> 1:31:20.760
<v Speaker 1>in the episode Educated Guests, where you were like a

1:31:20.840 --> 1:31:27.040
<v Speaker 1>corrections officer captain, and then you're awakening Yes, yes, who

1:31:28.040 --> 1:31:29.240
<v Speaker 1>who you know?

1:31:29.760 --> 1:31:29.920
<v Speaker 2>Good?

1:31:30.040 --> 1:31:31.880
<v Speaker 4>Not the most scrupulous captain.

1:31:32.160 --> 1:31:35.280
<v Speaker 6>I love the fact that he tries to pin off

1:31:35.400 --> 1:31:38.960
<v Speaker 6>his role in the sexual assault that took place as

1:31:39.000 --> 1:31:40.760
<v Speaker 6>like him just doing research for the job.

1:31:41.240 --> 1:31:41.479
<v Speaker 4>Uh.

1:31:42.040 --> 1:31:44.639
<v Speaker 6>Which was a very funny moment on the show because

1:31:44.680 --> 1:31:46.479
<v Speaker 6>they were trying to figure out a way to get

1:31:46.720 --> 1:31:49.960
<v Speaker 6>the line that I delivered Danny Pino and Richard Belzer

1:31:49.960 --> 1:31:53.080
<v Speaker 6>in the interrogation room, the late Great Richard Belzer.

1:31:53.800 --> 1:31:54.880
<v Speaker 4>The line that I delivered to them.

1:31:54.880 --> 1:31:57.840
<v Speaker 6>They rewrote it like five or six different ways because

1:31:57.840 --> 1:31:59.040
<v Speaker 6>the census kept being like.

1:31:59.160 --> 1:32:01.439
<v Speaker 2>It ended up being like below E can I speak

1:32:01.479 --> 1:32:02.200
<v Speaker 2>freely here.

1:32:02.520 --> 1:32:04.360
<v Speaker 4>Yeah, I think so.

1:32:05.240 --> 1:32:08.120
<v Speaker 6>It originally it was and I didn't have sex with

1:32:08.160 --> 1:32:10.880
<v Speaker 6>the It was just head, right, that was the original line,

1:32:10.920 --> 1:32:12.479
<v Speaker 6>and they were like, no, you can't say that, so

1:32:13.400 --> 1:32:14.160
<v Speaker 6>they can't say head.

1:32:14.200 --> 1:32:18.519
<v Speaker 4>May I mean this is also I think I said.

1:32:18.800 --> 1:32:20.800
<v Speaker 6>I think I said it was just a BJ, which

1:32:20.920 --> 1:32:23.920
<v Speaker 6>like the part about that is like then it was

1:32:24.000 --> 1:32:26.160
<v Speaker 6>just head sounds like the way that somebody would say

1:32:26.200 --> 1:32:27.800
<v Speaker 6>it in real life saying it was just a BJ.

1:32:28.040 --> 1:32:30.760
<v Speaker 6>Like by the third or fourth take, every time we cut,

1:32:30.840 --> 1:32:31.679
<v Speaker 6>the crew was laughing.

1:32:31.720 --> 1:32:36.040
<v Speaker 4>It was like, you know, there's.

1:32:35.240 --> 1:32:36.400
<v Speaker 1>Like you're in high school.

1:32:36.439 --> 1:32:37.439
<v Speaker 2>I mean, that's such a.

1:32:37.400 --> 1:32:39.439
<v Speaker 6>Weird there's just right, there's no way to say that

1:32:39.479 --> 1:32:42.479
<v Speaker 6>with gravitos, you know, So it became kind of a

1:32:42.520 --> 1:32:43.599
<v Speaker 6>silly line, but it was fun.

1:32:43.960 --> 1:32:45.920
<v Speaker 4>Uh, And that was that was a great episode of work.

1:32:46.479 --> 1:32:50.160
<v Speaker 2>That is so fine. You mentioned Richard Belzer and I'm

1:32:50.240 --> 1:32:54.920
<v Speaker 2>curious how it was to work with him. Then Terrogah like, yeah,

1:32:55.160 --> 1:32:56.360
<v Speaker 2>what a special.

1:32:55.960 --> 1:32:59.200
<v Speaker 6>Guy, Yeah, what what an incredible talent? And uh, I

1:32:59.240 --> 1:33:02.320
<v Speaker 6>think actually truly, I didn't remember it at the time.

1:33:02.360 --> 1:33:05.799
<v Speaker 6>So he interrogates me with Danny Pino in the Educated

1:33:05.880 --> 1:33:08.400
<v Speaker 6>Guest episode where I was kind of like the false

1:33:08.439 --> 1:33:10.800
<v Speaker 6>bottom back guy, you know, like I'm the bad guy,

1:33:10.800 --> 1:33:12.160
<v Speaker 6>but not the real bad guy. You got to go

1:33:12.400 --> 1:33:14.639
<v Speaker 6>through the floor to get to who really did something wrong,

1:33:15.200 --> 1:33:18.479
<v Speaker 6>which is you know which also interesting that the star

1:33:18.520 --> 1:33:19.400
<v Speaker 6>of the episode.

1:33:19.080 --> 1:33:19.920
<v Speaker 4>Is Natasha Leon.

1:33:20.240 --> 1:33:21.960
<v Speaker 1>Yes, and then I saw that you were in an

1:33:22.000 --> 1:33:24.400
<v Speaker 1>episode of poker Face where you're in her You're in

1:33:24.439 --> 1:33:27.800
<v Speaker 1>the band with Chloe seven year, which great episode.

1:33:28.000 --> 1:33:30.040
<v Speaker 6>So that would be the second time that she sent

1:33:30.080 --> 1:33:34.280
<v Speaker 6>me to jail so far in my career. But yeah, no,

1:33:34.360 --> 1:33:35.920
<v Speaker 6>so that was great to get to work with her again.

1:33:35.960 --> 1:33:41.439
<v Speaker 6>But so on that episode, I got interrogated by Belzer.

1:33:41.600 --> 1:33:46.680
<v Speaker 6>But then in the Spring Awakening episode, I think that

1:33:46.760 --> 1:33:49.920
<v Speaker 6>might be the last episode he did because.

1:33:51.240 --> 1:33:53.960
<v Speaker 4>It was the last episode of season fifteen.

1:33:54.720 --> 1:33:58.720
<v Speaker 6>And that's when like Danny Pino's character has had this

1:33:58.760 --> 1:34:01.479
<v Speaker 6>whole thing where he up a guy and he was,

1:34:01.880 --> 1:34:04.080
<v Speaker 6>you know, I ab was coming after him. Yeah, and

1:34:04.120 --> 1:34:07.559
<v Speaker 6>then Belli actually bails him out, you know he's supposed

1:34:07.560 --> 1:34:07.880
<v Speaker 6>to be in.

1:34:07.880 --> 1:34:10.080
<v Speaker 2>Like, which is wild to me because the bail was

1:34:10.160 --> 1:34:13.640
<v Speaker 2>half a million dollars and like, even if Belser retired,

1:34:13.680 --> 1:34:18.240
<v Speaker 2>great invested great to have a loose half million is wild.

1:34:18.479 --> 1:34:20.080
<v Speaker 6>If the bail was half a million, he's putting down

1:34:20.120 --> 1:34:23.000
<v Speaker 6>fifty k, right, Yeah, he's bonding.

1:34:22.680 --> 1:34:24.400
<v Speaker 2>Out for tempt Yeah yeah, that's yeah.

1:34:24.439 --> 1:34:26.840
<v Speaker 6>And so he bonds out with him and goes the

1:34:26.880 --> 1:34:30.760
<v Speaker 6>other four fifty If Danny if Amaro's character skips, which

1:34:30.840 --> 1:34:31.799
<v Speaker 6>you know he's not going.

1:34:31.600 --> 1:34:34.720
<v Speaker 2>To right, Okay, So it's a little bit morelosible.

1:34:34.760 --> 1:34:36.639
<v Speaker 4>It's still like fifty thousand cats to just be able

1:34:36.640 --> 1:34:38.439
<v Speaker 4>to I got you, I got.

1:34:38.360 --> 1:34:40.880
<v Speaker 1>You, especially a man with that many ex wives, Like

1:34:41.080 --> 1:34:43.600
<v Speaker 1>he's got to be paying some you know, alimony, I

1:34:43.640 --> 1:34:47.040
<v Speaker 1>feel like all over town. But so you who knows.

1:34:47.240 --> 1:34:49.320
<v Speaker 1>Yeah that was He left at the end of fifte

1:34:49.360 --> 1:34:51.559
<v Speaker 1>of season fifteen, and then he had like a couple

1:34:51.640 --> 1:34:54.680
<v Speaker 1>of little guests. Spot cameos later, but that was the

1:34:54.840 --> 1:34:58.559
<v Speaker 1>end of like, you know, bellser as a regular, Munch

1:34:58.560 --> 1:34:59.200
<v Speaker 1>as a regular.

1:34:59.520 --> 1:34:59.880
<v Speaker 4>He was fan.

1:35:00.479 --> 1:35:02.840
<v Speaker 6>I didn't realize I was. I was actually looking into it.

1:35:03.040 --> 1:35:05.439
<v Speaker 6>Is he the same character on Homicide Life on the Street.

1:35:05.720 --> 1:35:07.160
<v Speaker 6>He was right, He's the only.

1:35:07.280 --> 1:35:09.960
<v Speaker 1>Right, he's been the same character on like four or five.

1:35:10.000 --> 1:35:13.599
<v Speaker 2>He has the record of playing the same character different show.

1:35:13.720 --> 1:35:16.439
<v Speaker 1>Yes, Yes, because I think he did like one episode

1:35:16.479 --> 1:35:19.559
<v Speaker 1>of X Files where he played much like he's literally

1:35:19.640 --> 1:35:21.439
<v Speaker 1>playing and I think he's been on The Simpsons and

1:35:21.479 --> 1:35:25.519
<v Speaker 1>Sesame Street as Munch, like he's done like so many much.

1:35:26.360 --> 1:35:31.519
<v Speaker 1>He's just everywhere, Yes, Munch forever. But yeah, so you

1:35:31.600 --> 1:35:35.679
<v Speaker 1>went from being law enforcement to this like real piece.

1:35:35.479 --> 1:35:36.000
<v Speaker 2>Of ship.

1:35:38.439 --> 1:35:40.760
<v Speaker 1>And then and then you did a more recent episode

1:35:40.760 --> 1:35:45.040
<v Speaker 1>where you play this like really not bad guy.

1:35:46.040 --> 1:35:48.240
<v Speaker 2>Yeah, wait, you're the is he Are you the bad.

1:35:48.040 --> 1:35:49.840
<v Speaker 1>Guy at the end of Tommy Baker's hardest.

1:35:49.600 --> 1:35:50.599
<v Speaker 4>Fight at the end.

1:35:50.840 --> 1:35:52.960
<v Speaker 6>Yeah, I'm the guy that you get to when you

1:35:52.960 --> 1:35:55.720
<v Speaker 6>go through the false bottom, but I'm a more sympathetic

1:35:55.800 --> 1:35:56.280
<v Speaker 6>bad guy.

1:35:56.400 --> 1:35:59.280
<v Speaker 1>I'm like, oh my god, because I was watching just

1:35:59.400 --> 1:36:02.639
<v Speaker 1>your scene where you're confessing, not confessing where you're confessing

1:36:02.640 --> 1:36:05.080
<v Speaker 1>the relationship, and I was like, so sweet they had

1:36:05.160 --> 1:36:06.520
<v Speaker 1>this hidden relationship.

1:36:06.680 --> 1:36:07.200
<v Speaker 2>But I didn't.

1:36:07.479 --> 1:36:08.639
<v Speaker 1>I didn't get to the end.

1:36:09.280 --> 1:36:12.719
<v Speaker 2>I've only seen that one once. Wow. But you weren't

1:36:12.720 --> 1:36:14.959
<v Speaker 2>a bad bad like the other guy did the murder,

1:36:15.080 --> 1:36:18.479
<v Speaker 2>but you were you manipulated and hit the Well.

1:36:18.520 --> 1:36:21.840
<v Speaker 4>No, he didn't die. He doesn't die. Oh yes, he

1:36:21.960 --> 1:36:24.800
<v Speaker 4>lives the hardest fight, you know, but he doesn't die.

1:36:25.360 --> 1:36:27.000
<v Speaker 4>Uh you know, so it's oh.

1:36:26.960 --> 1:36:30.120
<v Speaker 1>Yeah, it is his hardest fight, but not as hard as.

1:36:29.600 --> 1:36:29.960
<v Speaker 4>Not the one.

1:36:30.439 --> 1:36:32.439
<v Speaker 2>That's what I mean. You're in too many episodes.

1:36:33.479 --> 1:36:35.760
<v Speaker 6>But you know what's funny about that is, so I

1:36:35.800 --> 1:36:38.719
<v Speaker 6>have a daughter who's actually a freshman at UCLA right now.

1:36:38.840 --> 1:36:42.120
<v Speaker 4>And oh my god, I started doing SVU.

1:36:42.320 --> 1:36:45.120
<v Speaker 6>She was, I guess seven or eight years old at

1:36:45.120 --> 1:36:47.000
<v Speaker 6>the time, and so, you know, I was, you know,

1:36:47.040 --> 1:36:49.479
<v Speaker 6>I got this show. It's it's one of the biggest shows.

1:36:49.479 --> 1:36:51.120
<v Speaker 6>It's a New York institution. It's a big deal me

1:36:51.120 --> 1:36:52.600
<v Speaker 6>getting on this show. She said, oh, it's great, I

1:36:52.600 --> 1:36:54.920
<v Speaker 6>can't wait to see it. I was like, you know,

1:36:56.120 --> 1:36:56.920
<v Speaker 6>probably not going.

1:36:56.920 --> 1:36:59.080
<v Speaker 4>To get to watch this one yet, you know.

1:36:59.120 --> 1:37:01.120
<v Speaker 2>And so then has she seen it yet?

1:37:01.200 --> 1:37:03.080
<v Speaker 6>Well, so then years go by, right, and and I

1:37:03.120 --> 1:37:06.000
<v Speaker 6>do Little Tino two seasons later or three seasons later,

1:37:06.080 --> 1:37:08.240
<v Speaker 6>and she's like, oh, you're going back to you great,

1:37:08.439 --> 1:37:10.080
<v Speaker 6>So now I get to watch this one cause you're

1:37:10.080 --> 1:37:10.639
<v Speaker 6>a little bit older.

1:37:10.680 --> 1:37:16.960
<v Speaker 2>I was like, this one's this one's even right.

1:37:16.960 --> 1:37:19.760
<v Speaker 6>And so finally, you know, when I when I did

1:37:19.760 --> 1:37:22.920
<v Speaker 6>the Field Diaz character, which was two years ago, I think, yep,

1:37:22.960 --> 1:37:25.559
<v Speaker 6>she's in high school, she's she's young woman. She can

1:37:25.640 --> 1:37:28.479
<v Speaker 6>handle the subject matter, and she said, Oh, Proby, that's great.

1:37:28.479 --> 1:37:30.040
<v Speaker 6>You finally get to play a good guy.

1:37:30.080 --> 1:37:30.479
<v Speaker 4>I was, like.

1:37:32.640 --> 1:37:36.760
<v Speaker 1>Good Red Harry technically a career criminal or corrupt law

1:37:36.840 --> 1:37:37.679
<v Speaker 1>enforcement officer.

1:37:37.760 --> 1:37:39.679
<v Speaker 4>But I'm still not a good guy.

1:37:39.680 --> 1:37:42.840
<v Speaker 6>But I feel like I'm echoing ever closer to that

1:37:42.960 --> 1:37:45.000
<v Speaker 6>neutral portion of.

1:37:45.200 --> 1:37:47.559
<v Speaker 1>Yeah, well now you're due for lawyers. Yeah, I got

1:37:47.640 --> 1:37:49.559
<v Speaker 1>to do for like either a lawyer or like a

1:37:49.560 --> 1:37:53.800
<v Speaker 1>person somebody, a person who helps victims in some way.

1:37:54.040 --> 1:37:54.360
<v Speaker 4>I hope.

1:37:54.400 --> 1:37:56.479
<v Speaker 1>So I could see you as a lawyer on that

1:37:56.560 --> 1:37:57.160
<v Speaker 1>show for sure.

1:37:57.240 --> 1:37:59.000
<v Speaker 6>Yeah, I think we'll also, you know, as you age,

1:37:59.400 --> 1:38:02.439
<v Speaker 6>you get into more of the kind of mature man

1:38:02.479 --> 1:38:03.559
<v Speaker 6>of a certain age role.

1:38:03.640 --> 1:38:04.840
<v Speaker 4>So that's what I'm hoping for.

1:38:05.320 --> 1:38:09.080
<v Speaker 1>So this episode, did they bring you in to be

1:38:09.280 --> 1:38:15.840
<v Speaker 1>Little Tino? So your first like, so tell us about

1:38:15.880 --> 1:38:18.479
<v Speaker 1>getting stabbed to death or that.

1:38:18.800 --> 1:38:20.799
<v Speaker 6>Well, you know, I like to believe that that little

1:38:20.840 --> 1:38:24.280
<v Speaker 6>Tino didn't actually die. Okay, you know, he survives those

1:38:25.000 --> 1:38:28.479
<v Speaker 6>goes on, He you know, recuperates his life and becomes

1:38:28.479 --> 1:38:32.000
<v Speaker 6>a credit to society. I don't know, maybe that's not

1:38:32.040 --> 1:38:35.240
<v Speaker 6>in the cause for him, but that was you know,

1:38:35.280 --> 1:38:37.280
<v Speaker 6>that episode was a lot of fun. There was there

1:38:37.280 --> 1:38:39.519
<v Speaker 6>were a lot of moving parts, there we went that

1:38:39.640 --> 1:38:42.360
<v Speaker 6>scene in the hotel. We actually shot that at a

1:38:42.400 --> 1:38:46.479
<v Speaker 6>Times Square hotel over on like eighth Avenue and forty

1:38:46.479 --> 1:38:48.360
<v Speaker 6>third I want to say, like forty third or forty fourth,

1:38:48.920 --> 1:38:52.439
<v Speaker 6>and you know, we were out in the city doing stuff.

1:38:53.320 --> 1:38:56.240
<v Speaker 6>You know, there's we we had a bunch of scenes

1:38:56.240 --> 1:38:59.200
<v Speaker 6>at you know, over in at Chelsea Piers at their studio,

1:38:59.479 --> 1:38:59.960
<v Speaker 6>but you know.

1:39:00.040 --> 1:39:01.720
<v Speaker 4>We got to hop around a bit. Uh.

1:39:01.760 --> 1:39:04.439
<v Speaker 6>That episode was donal Log's last episode of the show

1:39:04.520 --> 1:39:05.160
<v Speaker 6>before he moved on.

1:39:05.200 --> 1:39:06.799
<v Speaker 4>I think that's when he went to go do Vikings.

1:39:07.320 --> 1:39:11.439
<v Speaker 6>Fantastic actor, such an interesting character as a human being

1:39:11.479 --> 1:39:13.320
<v Speaker 6>and an incredibly gifted artist as well.

1:39:13.880 --> 1:39:16.000
<v Speaker 4>And so he comes in, you know, we're talking for

1:39:16.040 --> 1:39:16.479
<v Speaker 4>a little bit.

1:39:16.720 --> 1:39:19.040
<v Speaker 6>We'd like done the table read where in our rooms

1:39:19.040 --> 1:39:21.360
<v Speaker 6>there's like a bay where they have all the rooms

1:39:21.760 --> 1:39:23.719
<v Speaker 6>for the talent, and obviously, you know the series regulars

1:39:23.720 --> 1:39:26.599
<v Speaker 6>have their kind of wing. But then the special episode

1:39:26.600 --> 1:39:30.360
<v Speaker 6>guest stars have another side that we were on and

1:39:30.400 --> 1:39:33.639
<v Speaker 6>as he says, ah, yeah, GK, your last name Ume,

1:39:34.560 --> 1:39:36.519
<v Speaker 6>I was like yeah, yeah, Ume, And I started to

1:39:36.720 --> 1:39:38.479
<v Speaker 6>explain the you know, the origins of an.

1:39:38.400 --> 1:39:39.840
<v Speaker 4>Amy's like that's Ebo right.

1:39:40.400 --> 1:39:44.240
<v Speaker 6>I was like, yes, that is Ebo, which the Ebo is,

1:39:44.720 --> 1:39:47.200
<v Speaker 6>you know, our nation within Nigeria. That's my my father's

1:39:47.240 --> 1:39:51.800
<v Speaker 6>people are our tribes, so to speak. And usually, like

1:39:52.000 --> 1:39:55.240
<v Speaker 6>at best for most Westerners, if they see my last name,

1:39:55.240 --> 1:39:57.439
<v Speaker 6>they'll say, oh, is that African or they'll maybe even

1:39:57.439 --> 1:39:59.960
<v Speaker 6>guess West African or Nigerian. But I think that's maybe

1:40:00.120 --> 1:40:01.479
<v Speaker 6>one of two or three times in my life that

1:40:01.600 --> 1:40:05.200
<v Speaker 6>somebody who is not of African descent came and said, oh,

1:40:05.840 --> 1:40:08.400
<v Speaker 6>that's Ebo, isn't it. And I said, as a matter

1:40:08.400 --> 1:40:11.599
<v Speaker 6>of fact, it is. And he said, hmm, my parents

1:40:11.600 --> 1:40:15.400
<v Speaker 6>met in Warri. I was like, I'm like, did a

1:40:15.400 --> 1:40:16.920
<v Speaker 6>double take, and I'm looking at him because you know,

1:40:16.920 --> 1:40:21.480
<v Speaker 6>here's here's Danaal, who was you know, a near six foot, redheaded,

1:40:21.760 --> 1:40:25.680
<v Speaker 6>clearly clearly Irish man. Yeah, and I'm like, do you

1:40:25.760 --> 1:40:29.800
<v Speaker 6>mean Warri, Nigeria.

1:40:29.840 --> 1:40:32.320
<v Speaker 4>And it turns out that his parents were involved.

1:40:33.040 --> 1:40:35.280
<v Speaker 6>I don't want to mistell his story, but some some

1:40:35.320 --> 1:40:37.280
<v Speaker 6>sort of like missionary work and they met over there,

1:40:37.280 --> 1:40:40.719
<v Speaker 6>so he has, like I mean, he's just truly truly

1:40:40.760 --> 1:40:42.799
<v Speaker 6>a citizen of the world. You know, he like speaks

1:40:42.840 --> 1:40:46.120
<v Speaker 6>fluent Spanish. He's lived in many different countries, and so

1:40:46.200 --> 1:40:48.559
<v Speaker 6>we really struck up a conversation and had a lot

1:40:48.560 --> 1:40:51.320
<v Speaker 6>of fun working with him and just getting to know him.

1:40:51.320 --> 1:40:54.519
<v Speaker 6>And then he was off to wherever, Scandinavia to shoot

1:40:54.720 --> 1:40:57.120
<v Speaker 6>Vikings for a season immediately thereafter.

1:40:57.600 --> 1:40:58.880
<v Speaker 4>But it was it was a lot of fun.

1:40:58.920 --> 1:41:00.080
<v Speaker 6>And then you know, I got to hang out in

1:41:00.080 --> 1:41:02.360
<v Speaker 6>an interrogation room with Iced Tea, which you know for

1:41:02.479 --> 1:41:04.800
<v Speaker 6>like for Adolescent GK.

1:41:04.960 --> 1:41:08.280
<v Speaker 4>That was like you know that fantasy camp.

1:41:08.360 --> 1:41:10.880
<v Speaker 6>Yeah, I mean I was in an interrogation room with

1:41:11.080 --> 1:41:13.320
<v Speaker 6>Iced Tea, like wrapping his lyrics back.

1:41:13.240 --> 1:41:16.679
<v Speaker 2>To him, like you know, yeah, well he did.

1:41:16.720 --> 1:41:18.960
<v Speaker 6>But so there's a song that he has on the

1:41:19.000 --> 1:41:22.720
<v Speaker 6>Power album, which was like huge, huge album of the

1:41:22.800 --> 1:41:25.479
<v Speaker 6>one of the biggest uh we West Coast hip hop

1:41:25.520 --> 1:41:29.200
<v Speaker 6>albums of that era, even before n w A and

1:41:29.320 --> 1:41:31.840
<v Speaker 6>uh there's a songwriter called high Rollers, and I started

1:41:31.840 --> 1:41:32.800
<v Speaker 6>wrapping the lyrics.

1:41:32.560 --> 1:41:35.320
<v Speaker 4>Back to him. He was like, yeah, yeah, that's cool. Uh,

1:41:35.520 --> 1:41:37.439
<v Speaker 4>actually that's not what that line is.

1:41:38.040 --> 1:41:40.920
<v Speaker 6>I was like, he's like a lot of people think that,

1:41:40.960 --> 1:41:43.320
<v Speaker 6>but it's actually speed of life because the light the

1:41:43.320 --> 1:41:45.160
<v Speaker 6>line goes speed of life fast.

1:41:45.320 --> 1:41:47.720
<v Speaker 4>It's like walking bare of foot over broken glass. But

1:41:48.479 --> 1:41:50.760
<v Speaker 4>my entire life I thought it was speed of Light.

1:41:51.360 --> 1:41:53.679
<v Speaker 6>Yeah, fast, and you think you know speed of life,

1:41:54.920 --> 1:41:58.160
<v Speaker 6>Comma fast because the rest of the verse everything is

1:41:58.240 --> 1:42:01.320
<v Speaker 6>like a first part set up in a second part description.

1:42:01.400 --> 1:42:03.200
<v Speaker 6>That's the way he splits up all the rhyming couplets.

1:42:03.640 --> 1:42:05.880
<v Speaker 6>And so I hadn't even picked it up because it's

1:42:05.880 --> 1:42:07.320
<v Speaker 6>one of those things like I memorized it in my

1:42:07.360 --> 1:42:09.599
<v Speaker 6>adolescent brain and never re evaluated what.

1:42:09.560 --> 1:42:11.519
<v Speaker 4>I was actually. Yeah, so that was cool.

1:42:11.560 --> 1:42:17.200
<v Speaker 6>So he corrected me on that, and.

1:42:14.960 --> 1:42:17.320
<v Speaker 1>We all just kind of had to remember lyrics, like

1:42:17.360 --> 1:42:19.840
<v Speaker 1>listen to them and memorize them. It's like now Spotify

1:42:20.000 --> 1:42:23.000
<v Speaker 1>like every song, yeah, I can show you can kind

1:42:23.040 --> 1:42:25.040
<v Speaker 1>of like you know, but we had to just kind of.

1:42:24.960 --> 1:42:28.360
<v Speaker 6>Got down with the album wider notes and run it

1:42:28.400 --> 1:42:29.559
<v Speaker 6>back and listen to it again.

1:42:29.880 --> 1:42:31.680
<v Speaker 4>I'm going to get this song if it kills me.

1:42:32.200 --> 1:42:35.080
<v Speaker 1>But your musical right used to do music.

1:42:35.240 --> 1:42:38.280
<v Speaker 6>Yeah, I was actually my I came to New York

1:42:38.760 --> 1:42:41.080
<v Speaker 6>as a musician. I came to New York as an

1:42:41.160 --> 1:42:43.559
<v Speaker 6>MC and I was rhyming, and I was in live

1:42:43.640 --> 1:42:45.680
<v Speaker 6>hip hop bands and I was doing MC battles and

1:42:45.720 --> 1:42:48.120
<v Speaker 6>all of that type of stuff. So iced tea was

1:42:48.200 --> 1:42:52.439
<v Speaker 6>like fundamental to my development as both a writer and

1:42:52.479 --> 1:42:55.200
<v Speaker 6>as an artist and everything that came after. So that's

1:42:55.200 --> 1:42:57.240
<v Speaker 6>why I say it was literally for me, Like there

1:42:57.240 --> 1:43:01.719
<v Speaker 6>were a couple like Iced Tea, the Deo see Q Tip,

1:43:03.439 --> 1:43:05.840
<v Speaker 6>I mean, you know, Chuck D from Public Enemy, Like

1:43:05.880 --> 1:43:10.240
<v Speaker 6>those were like my foundational kind of hip hop educators

1:43:10.240 --> 1:43:12.120
<v Speaker 6>as both you know, as far as tone and content

1:43:12.160 --> 1:43:13.880
<v Speaker 6>and the type of things. I always like people who

1:43:13.880 --> 1:43:17.639
<v Speaker 6>were somehow splitting that fine line between like politics, revolution,

1:43:17.960 --> 1:43:21.160
<v Speaker 6>a little bit of the partying. But yeah, so that

1:43:21.320 --> 1:43:23.920
<v Speaker 6>that was definitely like, Wow, I feel like I've actually

1:43:23.920 --> 1:43:24.840
<v Speaker 6>come full circle now.

1:43:25.200 --> 1:43:27.680
<v Speaker 1>But you play instruments too, right, I do.

1:43:27.840 --> 1:43:30.600
<v Speaker 6>Actually I had to take down some of my guitars

1:43:30.600 --> 1:43:33.720
<v Speaker 6>because I was getting too much echo in the room.

1:43:33.840 --> 1:43:35.720
<v Speaker 6>But yeah, so I played, I played guitar, I play

1:43:35.760 --> 1:43:38.040
<v Speaker 6>bass and sing a rap.

1:43:38.120 --> 1:43:38.920
<v Speaker 4>I do all of that.

1:43:39.120 --> 1:43:39.280
<v Speaker 2>Oh.

1:43:39.320 --> 1:43:40.880
<v Speaker 1>I was just gonna get back a little bit to

1:43:40.920 --> 1:43:44.880
<v Speaker 1>the episode and talk about Tino's wardrobe. Clock.

1:43:45.479 --> 1:43:48.080
<v Speaker 2>They have a lot of a leather vest.

1:43:48.160 --> 1:43:50.880
<v Speaker 6>I mean the best. Also, it was we were shooting

1:43:50.920 --> 1:43:53.320
<v Speaker 6>that in like this time of year. It was because

1:43:53.360 --> 1:43:55.160
<v Speaker 6>the last episode of season, so we're shooting that in

1:43:55.160 --> 1:43:57.639
<v Speaker 6>like mid to late May. It was seventy eight eighty

1:43:57.640 --> 1:43:59.599
<v Speaker 6>five degrees in the street and I'm walking around from

1:43:59.640 --> 1:44:02.040
<v Speaker 6>my trailer back to set in a leather vest.

1:44:01.880 --> 1:44:03.000
<v Speaker 4>I'm like, oh, this is.

1:44:05.640 --> 1:44:07.840
<v Speaker 2>And fake tattoos? Right? Uh?

1:44:08.400 --> 1:44:10.519
<v Speaker 4>No, I mean did they add tattoos?

1:44:11.240 --> 1:44:15.800
<v Speaker 6>Those these are I think that one was actually all

1:44:15.840 --> 1:44:16.520
<v Speaker 6>my tattoos.

1:44:16.520 --> 1:44:18.800
<v Speaker 4>I don't think they Yeah, they might have done like

1:44:18.800 --> 1:44:19.719
<v Speaker 4>did they do a tear drop?

1:44:19.880 --> 1:44:20.960
<v Speaker 6>And I grew you know, I grew out like the

1:44:21.040 --> 1:44:23.080
<v Speaker 6>chin strapped beard and all that, But I think the

1:44:23.080 --> 1:44:24.439
<v Speaker 6>tattoos might all been mine on that.

1:44:25.240 --> 1:44:27.519
<v Speaker 1>Well, wait, in your episode of poker Face, you're in

1:44:27.560 --> 1:44:29.479
<v Speaker 1>a band, and are you really playing music with the

1:44:29.520 --> 1:44:30.840
<v Speaker 1>band in that episode?

1:44:31.120 --> 1:44:35.960
<v Speaker 6>So that episode, the guitarist in that band is a

1:44:36.000 --> 1:44:39.360
<v Speaker 6>guy named John Darnell who's from a very well known

1:44:39.360 --> 1:44:39.640
<v Speaker 6>band of.

1:44:39.600 --> 1:44:41.120
<v Speaker 4>The Mountain Goats I believe is the name of the band.

1:44:41.120 --> 1:44:44.559
<v Speaker 6>Oh yeah, and they've toured for like thirty years, like

1:44:44.600 --> 1:44:48.400
<v Speaker 6>they're all over the world, and he is good friends

1:44:48.400 --> 1:44:49.280
<v Speaker 6>with Ryan Johnson.

1:44:49.840 --> 1:44:52.679
<v Speaker 4>He and his production partner wrote all that music.

1:44:52.880 --> 1:44:55.400
<v Speaker 6>So that was all original music written by them, And

1:44:56.000 --> 1:44:57.760
<v Speaker 6>so I auditioned for that.

1:44:57.760 --> 1:44:59.599
<v Speaker 4>That was the like kind of the beginning of the.

1:44:59.560 --> 1:45:02.280
<v Speaker 6>Era of of the modern self tape for me and

1:45:02.400 --> 1:45:05.080
<v Speaker 6>auditioned for that in my kitchen right over there, and

1:45:05.080 --> 1:45:07.080
<v Speaker 6>they were like, oh, can you also can you actually

1:45:07.080 --> 1:45:07.559
<v Speaker 6>play bass?

1:45:07.560 --> 1:45:08.479
<v Speaker 4>I was like, yeah, I play, babe.

1:45:08.560 --> 1:45:10.600
<v Speaker 6>They're like, okay, put yourself on tape plane, you know,

1:45:10.680 --> 1:45:12.760
<v Speaker 6>just laid down a couple of baselines. So I did it,

1:45:13.000 --> 1:45:14.920
<v Speaker 6>sent it in and forgot about it. This is my

1:45:15.000 --> 1:45:17.960
<v Speaker 6>That's like, I'm very superstitious. Like once I've done an audition,

1:45:18.040 --> 1:45:19.519
<v Speaker 6>I don't talk about it anymore. I don't think about

1:45:19.520 --> 1:45:21.720
<v Speaker 6>it again. That's how I make peace with myself. And

1:45:21.760 --> 1:45:23.519
<v Speaker 6>if I hear something, it's a pleasant surprise.

1:45:23.800 --> 1:45:24.720
<v Speaker 4>Yeah.

1:45:24.920 --> 1:45:26.599
<v Speaker 6>But so I put it out out of side, out

1:45:26.600 --> 1:45:30.320
<v Speaker 6>of the moon, and definitely more than a month, like

1:45:30.360 --> 1:45:34.200
<v Speaker 6>six weeks went by and my agency called and my

1:45:34.520 --> 1:45:36.960
<v Speaker 6>agent at the time, John was like, so, uh yeah,

1:45:37.040 --> 1:45:38.920
<v Speaker 6>they they're gonna make you an offer for poker Face.

1:45:38.960 --> 1:45:41.760
<v Speaker 4>I was like, that's amazing. Spence, which one was po

1:45:41.960 --> 1:45:42.439
<v Speaker 4>poker Face?

1:45:43.320 --> 1:45:45.240
<v Speaker 6>He's like, poker Face, Oh, it's this one and it's

1:45:45.560 --> 1:45:46.519
<v Speaker 6>Ryan Johnson's the EP.

1:45:46.680 --> 1:45:48.000
<v Speaker 4>I was like, oh great, that's amazing.

1:45:48.080 --> 1:45:48.920
<v Speaker 2>It's cool.

1:45:49.040 --> 1:45:50.639
<v Speaker 6>And so you know, the Caston's gonna get in touch

1:45:50.640 --> 1:45:52.360
<v Speaker 6>with you. You double check your size card and then.

1:45:52.280 --> 1:45:55.040
<v Speaker 2>You had to like do rehearsals and like learn this well.

1:45:55.120 --> 1:45:56.600
<v Speaker 4>So then so the.

1:45:56.720 --> 1:45:58.960
<v Speaker 6>Check I still don't know, you know, I still don't

1:45:58.960 --> 1:46:01.840
<v Speaker 6>remember what the show was. I don't remember the audition

1:46:01.920 --> 1:46:05.240
<v Speaker 6>piece or the size or anything. And they they they,

1:46:05.360 --> 1:46:06.840
<v Speaker 6>you know, they get touch with me from production. They

1:46:06.880 --> 1:46:09.040
<v Speaker 6>send me all these details and they're like, cool, and

1:46:09.080 --> 1:46:11.240
<v Speaker 6>our music supervisor is gonna be get in touch with you.

1:46:11.240 --> 1:46:14.120
<v Speaker 6>He's gonna send you the sheet music if you want,

1:46:14.560 --> 1:46:16.679
<v Speaker 6>but he'll get you audio files MP three's and songs

1:46:16.680 --> 1:46:18.559
<v Speaker 6>and everything. So you know, just if you can just

1:46:18.600 --> 1:46:20.439
<v Speaker 6>learn those between now when we start shooting and they

1:46:20.439 --> 1:46:22.840
<v Speaker 6>gave it to me. Actually it's almost two years ago

1:46:22.880 --> 1:46:24.120
<v Speaker 6>to the day, because they gave it to me the

1:46:24.160 --> 1:46:27.160
<v Speaker 6>Thursday before Memorial Day weekend and we were starting shooting

1:46:27.200 --> 1:46:30.840
<v Speaker 6>the tuesday after. Now, I play guitar every day. I

1:46:30.840 --> 1:46:34.680
<v Speaker 6>haven't picked up my bass in years. Okay, So they

1:46:34.720 --> 1:46:37.479
<v Speaker 6>send me and it's like three or four songs and

1:46:37.520 --> 1:46:39.400
<v Speaker 6>they didn't send me as, they didn't send me any

1:46:39.439 --> 1:46:41.679
<v Speaker 6>sheet music. They're like, here, cool, just learn it, because

1:46:41.840 --> 1:46:43.240
<v Speaker 6>you know, I'm like, it's like the fake it till

1:46:43.240 --> 1:46:44.880
<v Speaker 6>you make a thing, like yeah, whatever bass, anything you

1:46:44.880 --> 1:46:45.400
<v Speaker 6>got on bass.

1:46:45.439 --> 1:46:46.479
<v Speaker 4>I got it. I can play it for the role.

1:46:46.520 --> 1:46:46.920
<v Speaker 4>Don't worry.

1:46:46.920 --> 1:46:48.880
<v Speaker 6>If that's what you need, I'm your guy. And so

1:46:49.000 --> 1:46:51.240
<v Speaker 6>I'd like had to learn these songs and then like,

1:46:51.320 --> 1:46:53.200
<v Speaker 6>as I'm getting further than the process, they're like, oh, well,

1:46:53.240 --> 1:46:56.160
<v Speaker 6>don't worry because the songwriter he's playing the other member

1:46:56.160 --> 1:46:58.000
<v Speaker 6>of the band. So if I was like, oh, I

1:46:58.080 --> 1:47:00.720
<v Speaker 6>really have to learn these songs because otherwise torturing the

1:47:00.760 --> 1:47:01.519
<v Speaker 6>music of the guy.

1:47:01.439 --> 1:47:04.160
<v Speaker 4>Standing next to me. So they went from zero to sixty.

1:47:04.560 --> 1:47:04.640
<v Speaker 3>Uh.

1:47:04.720 --> 1:47:07.639
<v Speaker 6>Suffice it to say, I spent my entire Memoriality weekend

1:47:08.080 --> 1:47:08.799
<v Speaker 6>playing bass.

1:47:09.439 --> 1:47:11.120
<v Speaker 4>But I got to set on Tuesday and I knew

1:47:11.120 --> 1:47:13.080
<v Speaker 4>the song, so yeah, I did.

1:47:13.280 --> 1:47:15.120
<v Speaker 1>Oh my god, that was a fun episode. And Chloe

1:47:15.200 --> 1:47:19.160
<v Speaker 1>Savigny also fantastic a svu alum.

1:47:18.920 --> 1:47:22.719
<v Speaker 6>Yep yep and and a fantastic talent, and she and

1:47:22.800 --> 1:47:25.160
<v Speaker 6>Natasha obviously very close as well, so it was like

1:47:25.400 --> 1:47:26.400
<v Speaker 6>kind of a homecoming for.

1:47:26.360 --> 1:47:28.080
<v Speaker 1>Them and it was yeah, a little busties.

1:47:28.280 --> 1:47:29.800
<v Speaker 4>Yeah, it was a lot of fun. That was great.

1:47:30.080 --> 1:47:32.280
<v Speaker 2>How was it having all those kids on set? Do

1:47:32.320 --> 1:47:34.280
<v Speaker 2>you remember it being kind of a madhouse of a

1:47:34.280 --> 1:47:37.000
<v Speaker 2>ton of twins and parents and like, so what.

1:47:36.880 --> 1:47:39.240
<v Speaker 6>They do in instances like that because they're for that

1:47:39.520 --> 1:47:42.400
<v Speaker 6>shot specifically, there's so many kids, Like, there's not nobody

1:47:42.520 --> 1:47:45.880
<v Speaker 6>superfluous is even in is on set for that. They

1:47:45.920 --> 1:47:48.040
<v Speaker 6>shoot that completely separately to make sure that they can

1:47:48.080 --> 1:47:49.920
<v Speaker 6>have you know, because there's very strict rules as far

1:47:49.960 --> 1:47:52.439
<v Speaker 6>as like usage, how many you know, how much time

1:47:52.479 --> 1:47:54.840
<v Speaker 6>you can have a baby on camera on set, et cetera,

1:47:55.000 --> 1:47:57.800
<v Speaker 6>and going back to their chaperone slash parents, what have you.

1:47:57.840 --> 1:47:59.439
<v Speaker 4>So I didn't. I wasn't even in the room for

1:47:59.479 --> 1:48:01.760
<v Speaker 4>a year. I literally you know, I wish I could.

1:48:01.800 --> 1:48:04.120
<v Speaker 6>I wish I could give you some juice there, but

1:48:04.200 --> 1:48:07.920
<v Speaker 6>I literally, In fact, the way that scene ends there,

1:48:08.080 --> 1:48:11.080
<v Speaker 6>you know, is Marishika is like search the house, He's

1:48:11.120 --> 1:48:14.000
<v Speaker 6>here somewhere, right, and so then yeah, and then it

1:48:14.040 --> 1:48:17.280
<v Speaker 6>cuts to me jumping out of the second story window

1:48:17.320 --> 1:48:19.040
<v Speaker 6>onto the roof of a truck, down to the ground

1:48:19.080 --> 1:48:19.840
<v Speaker 6>and running down the.

1:48:19.760 --> 1:48:21.280
<v Speaker 4>Gangway behind the house. Right.

1:48:21.920 --> 1:48:25.280
<v Speaker 6>So when they were going to shoot that, I was like,

1:48:25.840 --> 1:48:27.439
<v Speaker 6>you know, I've been working out a lot and I've

1:48:27.479 --> 1:48:29.760
<v Speaker 6>been doing you know, they had just gotten into snowboarding,

1:48:29.800 --> 1:48:31.560
<v Speaker 6>and I was doing like a lot more like acrobatic

1:48:31.600 --> 1:48:33.479
<v Speaker 6>agile stuff. I had studied for a number of years

1:48:33.479 --> 1:48:36.840
<v Speaker 6>at the USA Shatland Temple down in Chinatown, and I

1:48:36.880 --> 1:48:38.559
<v Speaker 6>was like feeling I was feeling myself a little bit.

1:48:38.600 --> 1:48:41.719
<v Speaker 4>So I was like, you know what, Laurren, I want

1:48:41.720 --> 1:48:42.400
<v Speaker 4>to do this stunt.

1:48:42.520 --> 1:48:45.360
<v Speaker 6>I got this because like, yeah, we got to start

1:48:45.400 --> 1:48:47.320
<v Speaker 6>the let's let's see how it looks on the day

1:48:47.600 --> 1:48:49.439
<v Speaker 6>and if you're still feeling that, we'll talk about it.

1:48:49.720 --> 1:48:51.439
<v Speaker 6>And they had this stunt double who was like a

1:48:51.479 --> 1:48:54.120
<v Speaker 6>parkour specialist. I wish I could remember his name, Fantastic.

1:48:54.160 --> 1:48:56.639
<v Speaker 6>I got a picture with him somewhere in my my Instagram,

1:48:56.640 --> 1:48:58.880
<v Speaker 6>but fantastic guy. We got along really well and said

1:48:58.960 --> 1:49:02.519
<v Speaker 6>very cool dude. But he had a full head of hair,

1:49:03.520 --> 1:49:06.240
<v Speaker 6>you know, beautiful hair. And they were like and he's like, yeah,

1:49:06.240 --> 1:49:07.479
<v Speaker 6>so I got to go get my hair shaped. I

1:49:07.479 --> 1:49:10.479
<v Speaker 6>was like, what think I got this? You know, and

1:49:10.520 --> 1:49:12.400
<v Speaker 6>he's like signed on part of his contract is he

1:49:12.439 --> 1:49:14.519
<v Speaker 6>has to be willing to get his hair shaved. I'm like, yeah,

1:49:14.560 --> 1:49:16.800
<v Speaker 6>I'll make this guy shave this, you know, if he

1:49:16.800 --> 1:49:18.439
<v Speaker 6>doesn't have to, if I'm going to do the stunt.

1:49:18.880 --> 1:49:20.679
<v Speaker 4>So you know, I'm feeling better and better I'm looking

1:49:20.680 --> 1:49:22.519
<v Speaker 4>at it. He's like I'm like so how would you

1:49:22.560 --> 1:49:24.280
<v Speaker 4>do it? Like what what? What? When you look at this,

1:49:24.320 --> 1:49:25.840
<v Speaker 4>how would you break down this stunt? He's like, what's

1:49:25.880 --> 1:49:26.320
<v Speaker 4>two moves.

1:49:26.320 --> 1:49:28.519
<v Speaker 6>It's from the little roof of the porch down onto

1:49:28.560 --> 1:49:30.360
<v Speaker 6>the truck, which is like make an eight foot drop,

1:49:30.600 --> 1:49:32.080
<v Speaker 6>and then from the truck down to the ground, which

1:49:32.120 --> 1:49:33.800
<v Speaker 6>is like a nine foot drop, right. And he's like,

1:49:33.800 --> 1:49:37.240
<v Speaker 6>and I'll probably because it's a confined landing area on

1:49:37.280 --> 1:49:38.880
<v Speaker 6>the truck, I'm not going to roll. I'll just you know,

1:49:38.960 --> 1:49:41.200
<v Speaker 6>kind of like take the landing and absorb it and

1:49:41.200 --> 1:49:42.680
<v Speaker 6>then I'll jump down to the ground, roll out and

1:49:42.760 --> 1:49:46.120
<v Speaker 6>keep running. It's like, yeah, yeah, okay, that makes sense.

1:49:46.160 --> 1:49:47.479
<v Speaker 6>That makes a lot of sense. You know, I'm feeling

1:49:47.800 --> 1:49:50.840
<v Speaker 6>again there's like the male answer brain that's like, yes,

1:49:51.200 --> 1:49:55.000
<v Speaker 6>this is I feel like, you know, like ego is here.

1:49:55.240 --> 1:49:57.280
<v Speaker 6>Reality might be here, but ego is like, yeah, you

1:49:57.320 --> 1:49:58.800
<v Speaker 6>got this, you got this and the more. And now

1:49:58.800 --> 1:50:00.479
<v Speaker 6>he just explained it to me, so I can definitely

1:50:00.479 --> 1:50:02.080
<v Speaker 6>do it. So we get you know, we get there.

1:50:02.120 --> 1:50:04.120
<v Speaker 6>It's now it's like we had to wait because it's

1:50:04.120 --> 1:50:05.280
<v Speaker 6>an overnight shot, so we had to wait till the

1:50:05.280 --> 1:50:09.920
<v Speaker 6>guy completely dark outside for continuity, and as it gets dark,

1:50:10.680 --> 1:50:14.280
<v Speaker 6>just starts to drizzle ever so slightly, and now the

1:50:14.400 --> 1:50:17.439
<v Speaker 6>roof of the truck is covered with the tiniest little

1:50:17.439 --> 1:50:18.120
<v Speaker 6>beads of water.

1:50:18.680 --> 1:50:22.639
<v Speaker 4>And so so it wasn't even warning.

1:50:22.680 --> 1:50:24.200
<v Speaker 6>I think it was the second ad comes over, It's like,

1:50:24.640 --> 1:50:27.400
<v Speaker 6>do you get what's this? Somebody saying that you wanted

1:50:27.439 --> 1:50:30.120
<v Speaker 6>to do this stunt? You feel like if you've done

1:50:30.160 --> 1:50:32.600
<v Speaker 6>parkoup before. I was like, you know, you better, you

1:50:32.680 --> 1:50:35.200
<v Speaker 6>better tell the stunt guy he needs to shave his heads.

1:50:36.920 --> 1:50:39.120
<v Speaker 4>Once I saw that water, I was like, yeah, I'm

1:50:39.160 --> 1:50:39.559
<v Speaker 4>not kidding.

1:50:39.600 --> 1:50:41.599
<v Speaker 1>Yeah, you're gonna like surf right off that Yeah.

1:50:42.080 --> 1:50:44.920
<v Speaker 4>And he did it in one tape, oh man, in

1:50:45.000 --> 1:50:45.320
<v Speaker 4>one take.

1:50:45.360 --> 1:50:47.479
<v Speaker 6>And so the shot is he jumps out, he climbs

1:50:47.479 --> 1:50:50.040
<v Speaker 6>out the window, jumps down off of the porch, jumps

1:50:50.080 --> 1:50:51.720
<v Speaker 6>down off of the roof of the panel truck that

1:50:51.760 --> 1:50:53.479
<v Speaker 6>they had coincidentally parked in the.

1:50:53.439 --> 1:50:56.479
<v Speaker 4>Driveway, and then he runs up the gangway to this

1:50:56.479 --> 1:50:58.000
<v Speaker 4>little garage. It's like eight feet tall.

1:50:58.040 --> 1:51:00.360
<v Speaker 6>So then I shot that part run down gang way

1:51:00.360 --> 1:51:01.800
<v Speaker 6>and like starting to climb up on the roof. Then

1:51:01.840 --> 1:51:03.720
<v Speaker 6>he gets up on that roof, jumps over into an

1:51:03.720 --> 1:51:04.760
<v Speaker 6>alley and tries to run away.

1:51:04.800 --> 1:51:06.240
<v Speaker 4>And doesn't make it, and they they bag him in

1:51:06.280 --> 1:51:06.639
<v Speaker 4>the alley.

1:51:07.280 --> 1:51:12.720
<v Speaker 6>The the other Stunty, who was Kelly Giddish's double for

1:51:12.760 --> 1:51:16.360
<v Speaker 6>that scene, she has to climb the roof after him,

1:51:16.360 --> 1:51:18.559
<v Speaker 6>follow him, follow him up across the roof, jump off

1:51:18.600 --> 1:51:22.280
<v Speaker 6>down behind the roof so they shoot the scene. He

1:51:22.320 --> 1:51:24.760
<v Speaker 6>does the whole thing one take, she follows him one take.

1:51:24.800 --> 1:51:27.040
<v Speaker 6>They do it and after the young cut she's like,

1:51:27.760 --> 1:51:28.840
<v Speaker 6>I think I broke my ankle.

1:51:29.439 --> 1:51:31.240
<v Speaker 2>Oh my god, jumped off the roof.

1:51:31.240 --> 1:51:33.280
<v Speaker 6>She broke her broke her ankle. She rolled out of

1:51:33.360 --> 1:51:35.519
<v Speaker 6>frame so as not to interrupt the cut. She didn't

1:51:35.560 --> 1:51:36.640
<v Speaker 6>make a peep.

1:51:37.640 --> 1:51:40.559
<v Speaker 4>And wait until it's a cut to like, yeah, madic,

1:51:40.600 --> 1:51:42.439
<v Speaker 4>I think I broke my ankle. And I was like, yeah,

1:51:42.520 --> 1:51:44.000
<v Speaker 4>are some tough motherfuckers. I'm sorry.

1:51:44.080 --> 1:51:45.200
<v Speaker 2>Yeah.

1:51:45.360 --> 1:51:48.519
<v Speaker 6>I was just like I was so odd and I

1:51:48.560 --> 1:51:50.400
<v Speaker 6>was like, yep, you are, y'all and made her from

1:51:50.400 --> 1:51:54.040
<v Speaker 6>some different stuff because like having that presence of mind,

1:51:54.080 --> 1:51:56.519
<v Speaker 6>like I understand being tough and being able to do it.

1:51:56.760 --> 1:51:59.559
<v Speaker 6>I get that, but also like she was still thinking

1:51:59.560 --> 1:52:02.160
<v Speaker 6>about the sh shot as she came to the realization

1:52:02.320 --> 1:52:03.160
<v Speaker 6>that her ankle broke.

1:52:04.920 --> 1:52:07.200
<v Speaker 1>God, I wonder if she's broken her ankle like ten times.

1:52:07.200 --> 1:52:09.400
<v Speaker 4>She's like whatever was I mean, she's just such a

1:52:09.400 --> 1:52:09.800
<v Speaker 4>bad as that.

1:52:09.880 --> 1:52:12.200
<v Speaker 6>She was like, you know, she's like, yeah, at this job,

1:52:12.400 --> 1:52:14.360
<v Speaker 6>it's anybody's like, oh my god, I'm so sick. You're like, hey,

1:52:14.400 --> 1:52:15.519
<v Speaker 6>this is a job. This is what it is. Thank

1:52:15.560 --> 1:52:17.479
<v Speaker 6>you so much. Did we get it? We got it awesome?

1:52:17.720 --> 1:52:19.040
<v Speaker 6>You know, And that was it. And that was the

1:52:19.080 --> 1:52:20.000
<v Speaker 6>take and.

1:52:19.920 --> 1:52:21.960
<v Speaker 4>If and I watched it. I watched it today because

1:52:22.000 --> 1:52:22.479
<v Speaker 4>I was like.

1:52:22.400 --> 1:52:25.240
<v Speaker 6>Oh, I remember how this and you could you would

1:52:25.280 --> 1:52:27.439
<v Speaker 6>never be able to tell, never gave it away.

1:52:28.000 --> 1:52:31.160
<v Speaker 2>Do you have something you'd like to plug or anything

1:52:31.280 --> 1:52:32.439
<v Speaker 2>coming out with you?

1:52:32.439 --> 1:52:33.400
<v Speaker 4>You know, I would love to.

1:52:33.479 --> 1:52:36.120
<v Speaker 6>I'm actually working on an interactive media project right now,

1:52:36.160 --> 1:52:39.360
<v Speaker 6>and I'm not allowed to say anything about it. There's

1:52:39.360 --> 1:52:42.360
<v Speaker 6>an NDA that is ironclad and bulletproof. I think I

1:52:42.439 --> 1:52:44.120
<v Speaker 6>have literally said as much as I could say without

1:52:44.120 --> 1:52:46.320
<v Speaker 6>getting in trouble. I hope that saying that I'm working

1:52:46.360 --> 1:52:49.479
<v Speaker 6>on a non unnamed project doesn't get me in trouble.

1:52:49.520 --> 1:52:51.680
<v Speaker 6>But uh so, I'm very excited about that, having a

1:52:51.680 --> 1:52:53.479
<v Speaker 6>lot of fun on it, but I'm not able to

1:52:53.479 --> 1:52:54.120
<v Speaker 6>speak about it.

1:52:54.320 --> 1:52:57.200
<v Speaker 1>Okay, Well, we'll have our po like our listeners follow

1:52:57.280 --> 1:52:59.840
<v Speaker 1>you on Instain. I'm sure you'll be announcing it on

1:52:59.880 --> 1:53:05.840
<v Speaker 1>your social channels. Thank you so much for I.

1:53:05.880 --> 1:53:07.519
<v Speaker 4>Really appreciate you. It's been a lot of fun.

1:53:11.800 --> 1:53:15.679
<v Speaker 2>Oh my god, little Tino, it must be so cool

1:53:15.960 --> 1:53:17.760
<v Speaker 2>to get to work and then they're like, put on

1:53:17.800 --> 1:53:20.800
<v Speaker 2>this little vest, get a fedora on your head, Like

1:53:22.439 --> 1:53:25.760
<v Speaker 2>that seems awesome. I know. The idea of just like.

1:53:25.720 --> 1:53:30.120
<v Speaker 1>A really badass like sex trafficker essentially wearing a tiny

1:53:30.120 --> 1:53:32.120
<v Speaker 1>little vest is so funny to me. Sp you really

1:53:32.200 --> 1:53:32.639
<v Speaker 1>kills it.

1:53:32.960 --> 1:53:34.840
<v Speaker 2>Yeah, you really brought up a great point. Like the

1:53:34.920 --> 1:53:37.200
<v Speaker 2>pimps are also known for fashion. It's weird.

1:53:38.560 --> 1:53:42.599
<v Speaker 1>Yeah, they're like, is there ever just a pimp that's

1:53:42.640 --> 1:53:44.519
<v Speaker 1>just wearing like a ratty track suit or like do

1:53:44.640 --> 1:53:46.519
<v Speaker 1>they have to look maybe they have to look good

1:53:46.520 --> 1:53:50.559
<v Speaker 1>to present a certain image of like how you yeah

1:53:50.600 --> 1:53:53.240
<v Speaker 1>to each other. I can't believe he had to learn

1:53:53.479 --> 1:53:57.280
<v Speaker 1>music to be in that episode of poker Face. I mean,

1:53:57.880 --> 1:54:00.559
<v Speaker 1>I just think it's like you never know the talents

1:54:00.560 --> 1:54:02.120
<v Speaker 1>of these people that you see on television and what

1:54:02.120 --> 1:54:03.559
<v Speaker 1>they're doing. I think we all assume that they're just

1:54:03.560 --> 1:54:06.080
<v Speaker 1>like not playing instruments, like whatever. He's not only playing

1:54:06.120 --> 1:54:07.080
<v Speaker 1>he's learning music.

1:54:07.439 --> 1:54:10.439
<v Speaker 2>Well also sometimes like you know, I'm auditioning all the time,

1:54:10.600 --> 1:54:13.760
<v Speaker 2>but I I rely a lot on my teachers, like

1:54:13.840 --> 1:54:17.680
<v Speaker 2>I barely prepare and I'm just like trying to. And

1:54:17.720 --> 1:54:19.840
<v Speaker 2>then I'm like, oh, there's people that are learning music

1:54:19.880 --> 1:54:21.639
<v Speaker 2>over a weekend. You have to.

1:54:21.760 --> 1:54:25.760
<v Speaker 1>Step it up, like there are people really in it.

1:54:25.920 --> 1:54:28.320
<v Speaker 1>Like when you hear people that are like, well, the

1:54:28.400 --> 1:54:30.799
<v Speaker 1>character's Italian, So I just like learned a little Italian

1:54:30.800 --> 1:54:32.480
<v Speaker 1>over the weekend and threw that into my audition and

1:54:32.480 --> 1:54:34.920
<v Speaker 1>you're like what the fuck? Like, yeah, people, that's how.

1:54:34.800 --> 1:54:37.120
<v Speaker 2>I know I'm not a real actor because I'm like

1:54:37.720 --> 1:54:40.840
<v Speaker 2>less prep for that I can do and get away

1:54:40.880 --> 1:54:43.200
<v Speaker 2>with it is what I do. And then you hear

1:54:43.240 --> 1:54:46.120
<v Speaker 2>about these people that are practicing for these auditions for

1:54:46.200 --> 1:54:46.800
<v Speaker 2>so long.

1:54:47.440 --> 1:54:50.160
<v Speaker 1>Yeah, yeah, it's really cool.

1:54:50.200 --> 1:54:52.440
<v Speaker 2>Wait did we already talk about hacks in the finale

1:54:52.640 --> 1:54:53.320
<v Speaker 2>and all of that?

1:54:53.400 --> 1:54:55.120
<v Speaker 1>Oh, and I watched it last night and I would

1:54:55.120 --> 1:54:56.880
<v Speaker 1>love to talk about it and you cry or no,

1:54:57.920 --> 1:55:00.680
<v Speaker 1>I didn't cry, but I went I went fuck. And

1:55:00.720 --> 1:55:03.520
<v Speaker 1>I texted Hannah and said that finale fuck, like wow,

1:55:03.800 --> 1:55:04.600
<v Speaker 1>Like I.

1:55:04.520 --> 1:55:06.920
<v Speaker 2>Sent her way to Ernest of a text message that

1:55:06.960 --> 1:55:08.920
<v Speaker 2>she did not respond to and I'm humiliated.

1:55:09.480 --> 1:55:11.320
<v Speaker 1>Well, I sent her text and then I saw her

1:55:11.360 --> 1:55:14.160
<v Speaker 1>stories and saw that she's literally at a party celebrating

1:55:14.200 --> 1:55:15.840
<v Speaker 1>her special and was like, sorry, I think you're at

1:55:15.840 --> 1:55:16.720
<v Speaker 1>a party for your special.

1:55:16.800 --> 1:55:18.440
<v Speaker 2>Congrats on that, like and then I.

1:55:18.520 --> 1:55:20.960
<v Speaker 1>Just backed out of the text chain, like Homer Simpson

1:55:20.960 --> 1:55:23.920
<v Speaker 1>into the bush. He just have such a dynamic. It

1:55:24.000 --> 1:55:28.480
<v Speaker 1>is beautiful to watch. The chemistry is amazing. It's so good.

1:55:28.600 --> 1:55:30.560
<v Speaker 2>I was talking to someone because I keep bringing up

1:55:30.600 --> 1:55:33.520
<v Speaker 2>hap Hacks and they they won't watch it because they

1:55:33.560 --> 1:55:35.720
<v Speaker 2>auditioned for that part and didn't get it. And I

1:55:35.760 --> 1:55:38.480
<v Speaker 2>was like, yeah, it wasn't yours to get get over it,

1:55:38.720 --> 1:55:40.080
<v Speaker 2>like she's perfect.

1:55:40.520 --> 1:55:43.160
<v Speaker 1>Yeah, it's like everybody I know in the world auditioned

1:55:43.160 --> 1:55:45.640
<v Speaker 1>for like the Jamie Lee part in Crashing. It's like

1:55:45.680 --> 1:55:48.040
<v Speaker 1>you just can't, like, come on, we all went for that.

1:55:48.280 --> 1:55:50.600
<v Speaker 1>Uh but what was I going to say?

1:55:50.640 --> 1:55:53.880
<v Speaker 2>Well, you know, I got offered one audition for that show,

1:55:53.960 --> 1:55:56.160
<v Speaker 2>and I wrote to the team, I go, I talk

1:55:56.200 --> 1:55:58.600
<v Speaker 2>way too much about him and I would be a hypocrite,

1:55:58.680 --> 1:56:01.440
<v Speaker 2>So I'm gonna have to turn this audition down.

1:56:01.440 --> 1:56:04.040
<v Speaker 1>Thank you so much, but thank you very much.

1:56:04.080 --> 1:56:06.920
<v Speaker 2>But thank you. Oh I mean some sort of integrity,

1:56:07.040 --> 1:56:09.360
<v Speaker 2>but yeah, I was like, yeah.

1:56:09.520 --> 1:56:11.200
<v Speaker 1>One of my friends was like, you'd be so great

1:56:11.240 --> 1:56:13.160
<v Speaker 1>for this one role on the show, and I go, oh, really,

1:56:13.200 --> 1:56:14.760
<v Speaker 1>And then when I saw it came out it was

1:56:14.920 --> 1:56:18.240
<v Speaker 1>Marissa Janet Winnaker or whatever the like Broadway girl. I

1:56:18.240 --> 1:56:19.720
<v Speaker 1>was like, yeah, yeah, yeah, think they gave it to

1:56:19.760 --> 1:56:22.840
<v Speaker 1>someone else. But what was I going to say?

1:56:22.960 --> 1:56:25.400
<v Speaker 2>Oh, speaking of Broadway, we got yelled at for not

1:56:25.440 --> 1:56:28.000
<v Speaker 2>bringing up Aaron Villette right to fight.

1:56:28.160 --> 1:56:30.320
<v Speaker 1>Yeah is that at a live.

1:56:30.160 --> 1:56:32.800
<v Speaker 2>Show, because I don't think we've done an episode he's in.

1:56:32.840 --> 1:56:35.160
<v Speaker 1>But I was just watching Svie because that's what we like.

1:56:35.800 --> 1:56:39.760
<v Speaker 2>Yeah, And I was watching Personal Fouls and then I

1:56:39.800 --> 1:56:42.240
<v Speaker 2>saw this guy and I went, this is one of

1:56:42.240 --> 1:56:43.920
<v Speaker 2>the hottest people I've ever seen in my life. And

1:56:43.960 --> 1:56:46.360
<v Speaker 2>then I googled it and it's Eron Viette. And now

1:56:46.360 --> 1:56:48.400
<v Speaker 2>I understand why everyone was mad that we didn't talk

1:56:48.440 --> 1:56:51.120
<v Speaker 2>about him, because he is the hottest person ever.

1:56:51.560 --> 1:56:53.960
<v Speaker 1>And what's hilarious is like, when we do our live show,

1:56:54.000 --> 1:56:55.720
<v Speaker 1>don't I say that I can't memorize his face.

1:56:56.600 --> 1:56:58.480
<v Speaker 2>Oh, I think, I'm like, this is.

1:56:58.440 --> 1:57:00.840
<v Speaker 1>This guy that everybody's obsessed with. I can't memorize his face,

1:57:00.880 --> 1:57:03.200
<v Speaker 1>like I just can't remember him, like he won't stick

1:57:03.240 --> 1:57:03.760
<v Speaker 1>in my brain.

1:57:04.000 --> 1:57:06.360
<v Speaker 2>No, I got giddy and I followed him immediately. I

1:57:06.400 --> 1:57:08.480
<v Speaker 2>was like, I guess I'm going to a Broadway show.

1:57:08.600 --> 1:57:11.760
<v Speaker 2>I like, obviously he has a beautiful wife. But yeah, yeah,

1:57:11.960 --> 1:57:17.280
<v Speaker 2>I the listeners were right, yeah, hi. Wait And another

1:57:17.360 --> 1:57:18.240
<v Speaker 2>thing that listeners.

1:57:18.400 --> 1:57:20.080
<v Speaker 1>Another thing listeners just pointed out to us that I

1:57:20.120 --> 1:57:22.000
<v Speaker 1>would like to do a clarification on when we did

1:57:22.560 --> 1:57:25.560
<v Speaker 1>last week or two weeks AGO's episode Possessed and we talked.

1:57:25.320 --> 1:57:26.800
<v Speaker 2>About buzz from home alone.

1:57:27.240 --> 1:57:29.760
<v Speaker 1>We do not google every single person that is in

1:57:29.800 --> 1:57:31.760
<v Speaker 1>an episode of s View that we're covering. I look

1:57:31.800 --> 1:57:33.880
<v Speaker 1>up their IMDb sometimes I see if they're still working.

1:57:34.280 --> 1:57:36.040
<v Speaker 1>I did not google him, and I did not realize

1:57:36.080 --> 1:57:40.680
<v Speaker 1>that he is like under there's an investigation into domestic

1:57:40.720 --> 1:57:43.000
<v Speaker 1>abuse for him or something like that. And I just

1:57:43.040 --> 1:57:45.600
<v Speaker 1>I apologize, like, we just cannot. I cannot. I do

1:57:45.680 --> 1:57:47.160
<v Speaker 1>not have the time to do that kind of vetting

1:57:47.200 --> 1:57:49.480
<v Speaker 1>of every person we mentioned. So when I said, oh, honey,

1:57:49.600 --> 1:57:51.480
<v Speaker 1>we were like, oh, he's working, he's booked and blessed.

1:57:52.040 --> 1:57:56.280
<v Speaker 1>I did not mean to avoid criminal goings on in

1:57:56.400 --> 1:57:59.160
<v Speaker 1>h I didn't know, yeah, I would obviously be like

1:57:59.280 --> 1:58:01.000
<v Speaker 1>buzz your behave your woof you.

1:58:00.880 --> 1:58:03.240
<v Speaker 2>Know, like I guess from now on, any man we

1:58:03.280 --> 1:58:05.040
<v Speaker 2>talk about we have to see if they're a criminal

1:58:05.120 --> 1:58:07.760
<v Speaker 2>or not, like do you beat your wife? I mean,

1:58:07.800 --> 1:58:09.280
<v Speaker 2>who we have, We're gonna.

1:58:09.040 --> 1:58:11.880
<v Speaker 1>Have to hire a special Google assistant to google every

1:58:11.920 --> 1:58:13.680
<v Speaker 1>man that we ever talk about on the show and

1:58:13.680 --> 1:58:15.720
<v Speaker 1>go let us know if there's ever been an allegation

1:58:15.920 --> 1:58:19.200
<v Speaker 1>or currently because it's simply man or bear, guys man

1:58:19.280 --> 1:58:27.600
<v Speaker 1>or Bear, Oh my god, the manor Bear. So let

1:58:27.680 --> 1:58:29.480
<v Speaker 1>should we get into I mean, this was a this

1:58:29.600 --> 1:58:31.800
<v Speaker 1>was a wild episode. We are like just to get

1:58:31.840 --> 1:58:33.720
<v Speaker 1>finished up our post mortem here. We are going to

1:58:33.800 --> 1:58:39.400
<v Speaker 1>cover more of the whole like Johnny d Little Tino

1:58:39.800 --> 1:58:42.560
<v Speaker 1>situation in the future, so stay tuned for that. But

1:58:42.840 --> 1:58:46.440
<v Speaker 1>obviously seeing a burnt Ellie Porter not our favorite thing.

1:58:46.760 --> 1:58:50.400
<v Speaker 1>Uh constantly a haunting memory. But I do love Baby Noah.

1:58:50.520 --> 1:58:53.520
<v Speaker 1>It's just the gruesomeness and that's why this show. It's like,

1:58:55.640 --> 1:58:58.440
<v Speaker 1>we know that the world is depraved and bad and

1:58:58.480 --> 1:59:01.560
<v Speaker 1>people are living just such different lives, but when you

1:59:01.600 --> 1:59:03.920
<v Speaker 1>see that and even like the green light on her,

1:59:04.240 --> 1:59:10.160
<v Speaker 1>it's just yeah, it's sad. It's just fucked up, Like

1:59:10.440 --> 1:59:14.880
<v Speaker 1>just to live a life of such pain really upsetting. Yeah,

1:59:14.880 --> 1:59:17.120
<v Speaker 1>and in the true crime as well, I mean, like

1:59:17.400 --> 1:59:19.720
<v Speaker 1>this girl thought that these people were her family and

1:59:19.760 --> 1:59:22.000
<v Speaker 1>her friends and they were, but like their code of

1:59:22.040 --> 1:59:25.000
<v Speaker 1>ethics like demanded that she be brutally murdered. Like it's

1:59:25.120 --> 1:59:27.880
<v Speaker 1>it's fucked up. Okay, let's get into what would Sister

1:59:27.920 --> 1:59:30.200
<v Speaker 1>Peg Do, which is our weekly segment where we direct

1:59:30.200 --> 1:59:35.320
<v Speaker 1>you guys towards a article, an organization, a podcast episode,

1:59:35.320 --> 1:59:36.960
<v Speaker 1>something to give you more info about what we talked

1:59:36.960 --> 1:59:38.920
<v Speaker 1>about today and this week, I really just wanted to

1:59:38.960 --> 1:59:40.920
<v Speaker 1>point out the book that we talked about in the episode.

1:59:40.960 --> 1:59:43.040
<v Speaker 1>It's called Our Subway Baby. I think it's like a

1:59:43.120 --> 1:59:47.040
<v Speaker 1>super sweet little story about their true story. But also

1:59:47.160 --> 1:59:51.200
<v Speaker 1>for anyone that you know, has an unconventional family or

1:59:51.480 --> 1:59:53.960
<v Speaker 1>you know, find like finds their way into parenthood in

1:59:54.000 --> 1:59:56.360
<v Speaker 1>a way that's not like the way the regular way

1:59:56.360 --> 1:59:58.240
<v Speaker 1>that we think of. I think this could be a

1:59:58.280 --> 2:00:01.360
<v Speaker 1>sweet book to like read to your kids or you know,

2:00:01.440 --> 2:00:05.320
<v Speaker 1>and just like the power of acceptance. And it's written

2:00:05.320 --> 2:00:08.000
<v Speaker 1>by Peter Mercurio, the husband of the man who found

2:00:08.080 --> 2:00:11.080
<v Speaker 1>the baby in the subway, and it's illustrated by Leo Espinoza.

2:00:11.440 --> 2:00:14.440
<v Speaker 1>People love this book, so we're gonna put that as

2:00:14.520 --> 2:00:17.480
<v Speaker 1>usual in our what would Sister Peg Do. It'll be

2:00:17.520 --> 2:00:19.160
<v Speaker 1>in our stories the day this episode comes out, and

2:00:19.160 --> 2:00:21.760
<v Speaker 1>then our what would Sister Peg Do? Highlight that's on

2:00:21.800 --> 2:00:24.120
<v Speaker 1>our Instagram page, which is that s Messed Up pod.

2:00:24.200 --> 2:00:25.920
<v Speaker 1>Go follow us over there if you have a moment.

2:00:26.120 --> 2:00:28.840
<v Speaker 1>Thank you so much for that. Yeah, that was a

2:00:28.840 --> 2:00:29.880
<v Speaker 1>heartwarming story. You know.

2:00:29.960 --> 2:00:33.320
<v Speaker 2>I'm like, we're so focused on the burning and the gang,

2:00:33.760 --> 2:00:35.480
<v Speaker 2>but that one was that was really it.

2:00:35.640 --> 2:00:36.919
<v Speaker 1>Was a little bit of likeness.

2:00:37.040 --> 2:00:41.680
<v Speaker 2>Yeah, and next week we will be doing Infiltraded season eight,

2:00:41.960 --> 2:00:45.000
<v Speaker 2>episode six, so watch that be with us.

2:00:45.160 --> 2:00:48.480
<v Speaker 1>We're obsessed with all of you and say hi when

2:00:48.480 --> 2:00:48.880
<v Speaker 1>we see you.

2:00:49.640 --> 2:00:52.560
<v Speaker 2>Yeah, love you guys. See you next week. I get

2:00:52.600 --> 2:00:55.040
<v Speaker 2>texts later and I'm like, I need a heads up

2:00:55.080 --> 2:00:58.320
<v Speaker 2>so I can not look as insane in soul Cycle.

2:00:58.360 --> 2:00:58.720
<v Speaker 2>Thank you.

2:01:01.400 --> 2:01:04.000
<v Speaker 1>Bye.

2:01:10.880 --> 2:01:13.120
<v Speaker 2>That's Messed Up as an exactly right production.

2:01:13.520 --> 2:01:15.600
<v Speaker 1>If you have compliments you'd like to give us, or

2:01:15.680 --> 2:01:17.920
<v Speaker 1>episodes you'd like us to cover, shoot us an email

2:01:17.960 --> 2:01:20.680
<v Speaker 1>it That's Messed uppod at gmail dot com.

2:01:20.880 --> 2:01:24.040
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

2:01:24.240 --> 2:01:27.120
<v Speaker 2>and on Twitter at Messed Up Pod, and follow us

2:01:27.160 --> 2:01:30.080
<v Speaker 2>personally at Kara Klank and at Glitter Cheese.

2:01:30.400 --> 2:01:33.080
<v Speaker 1>As always, please see our show notes for sources and

2:01:33.120 --> 2:01:33.760
<v Speaker 1>more information.

2:01:34.200 --> 2:01:37.200
<v Speaker 2>Thank you so much to our senior producer Casey O'Brien

2:01:37.320 --> 2:01:40.560
<v Speaker 2>and our associate producer Christina Chamberlain, and to.

2:01:40.560 --> 2:01:43.720
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner,

2:01:43.920 --> 2:01:46.600
<v Speaker 1>and to Henry Kaperski for our theme song and Carly

2:01:46.720 --> 2:01:49.680
<v Speaker 1>gen Andrews for our artwork. Thank you to our executive

2:01:49.720 --> 2:01:53.800
<v Speaker 1>producers Georgia hard Start, Karen Kilgareff, Daniel Kramer, and everybody

2:01:53.800 --> 2:01:58.920
<v Speaker 1>at Exactly Right Media dot dum