WEBVTT - A Walk to Remember with Sam Varela

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<v Speaker 1>On the Dog Cast, the questions asked if movies have

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<v Speaker 1>women and um are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism? The patriarchy Zef and

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<v Speaker 1>Best start changing it with the beck Del cast. Caitlin,

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<v Speaker 1>I just wish that Jamie got her miracle? Are you

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<v Speaker 1>talking about you, Jamie? I'm talking about or I'm talking

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<v Speaker 1>about Jamie Sullivan, Jamie, you know, the one with the

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<v Speaker 1>brown hair. Okay, so you. I hope that she got

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<v Speaker 1>her miracle. I hope that Jamie got her miracle too,

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<v Speaker 1>and I'm talking about you specifically. Well she did, it's you.

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<v Speaker 1>I'm your miracle. Oh my god. I this I liked, Okay,

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<v Speaker 1>of all that, there's so many corny moments in A

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<v Speaker 1>Walk to Remember, which is today's episode, and we'll get

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<v Speaker 1>to what this show is in a second. But I

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<v Speaker 1>really some of the like flourish of bad writing, where

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<v Speaker 1>there's like moments in this movie where the line is like, Okay,

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<v Speaker 1>that's like corny, but it's not bad. But then they'll

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<v Speaker 1>add more to the line and it gets worse, like

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<v Speaker 1>they could the priest should have just said she did,

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<v Speaker 1>but then he said she did dot dot dot and

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<v Speaker 1>like assuming. People in the audience were like, what does

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<v Speaker 1>he mean by that? Because it was you? And and

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<v Speaker 1>then Shane west cost Oh it was me. It was me, Okay, me,

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<v Speaker 1>And that's why I'm never going to stop going to church.

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<v Speaker 1>Welcome to the Bachtel cast a k A church. Uh,

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<v Speaker 1>my name's Jamie Church Church. Oh God, just for for

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<v Speaker 1>one week only. Welcome to the Bechtel Church. My name

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<v Speaker 1>is Jamie Loftus. My name is Caitlin Darante. And this

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<v Speaker 1>is our little podcast where we we talked about your

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<v Speaker 1>favorite at least favorite and also other movies using an

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<v Speaker 1>intersectional feminist lens, and we use the Bechtel test as

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<v Speaker 1>a jumping off point. It initiates a larger conversation that

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<v Speaker 1>will have and the Bechdel Test, of course, is a

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<v Speaker 1>media metric created by queer cartoonist Alison Bechtel, sometimes called

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<v Speaker 1>the Bechtel Wallace Test. Our variation on the test requires

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<v Speaker 1>that two people of any marginalized gender have names speak

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<v Speaker 1>to each other about something other than a man. For

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<v Speaker 1>ideally it's a meaningful, narratively relevant conversation yea which which

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<v Speaker 1>does come into play with this movie in particular, where

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<v Speaker 1>not to blow it. But there are women do speak

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<v Speaker 1>to each other in this movie, but it's never very important.

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<v Speaker 1>It's not very important when they're talking, unless I mean

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<v Speaker 1>they're bullying Mandy Moore. The women are talking to each other,

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<v Speaker 1>they're like, Mandy Moore sucks, and then other girls like,

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<v Speaker 1>I know, I hate her sweater, and you're like, I

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<v Speaker 1>guess that's sort of Narratively, it's relevant. I suppose it is.

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<v Speaker 1>It's relevant because but also for some reason, bullying doesn't

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<v Speaker 1>affect Jamie, because Jamie's are famously impervious to bully. I

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<v Speaker 1>know this from experience, having constantly tried to bully you,

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<v Speaker 1>and it never works. I always just go I do

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<v Speaker 1>with Mandy Mordez, I guess I go, they're so mature,

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<v Speaker 1>they need God. That's what I do whenever someone tries

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<v Speaker 1>to bully me. I said, you should come to my

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<v Speaker 1>dad's church sometime. Yeah. Well, we're doing a walk to

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<v Speaker 1>remember today and we have an incredible guest. That's right.

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<v Speaker 1>She is a comedy producer. You can see her stuff

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<v Speaker 1>at Naked Comedy dot org. It's Sam Farella. Welcome, Welcome,

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<v Speaker 1>Welcome to me. I don't want to spoil anything either,

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<v Speaker 1>but I do have to say, I think I think

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<v Speaker 1>there was one instance of the bully, of the of

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<v Speaker 1>Jamie being cracked by the bullying, which might also be

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<v Speaker 1>something relative to the name of this podcast. That's true.

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<v Speaker 1>That is true there because Belinda, I believe this movie.

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<v Speaker 1>This movie is so like it's just like bizarre in

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<v Speaker 1>so many ways where I it's the book takes place

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<v Speaker 1>in the nineteen fifties. The movie takes place allegedly in

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<v Speaker 1>the nineteen nineties, but it seems like it's still Everyone

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<v Speaker 1>still looks like it's the nineteen fifties. Everyone's still dressed

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<v Speaker 1>like Greaser's but they have Missy Elliott c ds. It

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<v Speaker 1>was really bizarre, But yeah, there was. There was a

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<v Speaker 1>Becktel test pass where Belinda says want a tik tak

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<v Speaker 1>and Jamie says, no, thanks. There it is right there.

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<v Speaker 1>It is it. If you argue that's not impactful, I

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<v Speaker 1>have an whole essay high completely. This is one of

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<v Speaker 1>those movies that I just simply forgot to pay attention

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<v Speaker 1>to whether or not it passes the Bechdel test. But

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<v Speaker 1>I do remember that exchange, and it's it's crucial to

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<v Speaker 1>understanding the film. Right before some very two thousand and

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<v Speaker 1>two photoshop bullying, which is one which is one of

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<v Speaker 1>the main which I think is one of again one

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<v Speaker 1>of the only things that firmly roots that movie in

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<v Speaker 1>the late nineties, because I swear to God, like I

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<v Speaker 1>think most of the movie could convincingly take place in

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<v Speaker 1>any year in the second half, any decade of the

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<v Speaker 1>twentieth century, except they have photoshop, and they have switch

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<v Speaker 1>Foot and they have like that's about it, right, Oh

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<v Speaker 1>my gosh, Well I this movie. I'm gonna this is

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<v Speaker 1>gonna be a challenge. Uh Sam, what is your history

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<v Speaker 1>with a walk to remember? Well, I have a very

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<v Speaker 1>particular history. That is that I this movie I think

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<v Speaker 1>was one of my first boyfriend's favorite movies. I think

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<v Speaker 1>he was the one that brought it to me, brought

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<v Speaker 1>it to the table, and you know, in high school

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<v Speaker 1>seduction classic move I of course memorized only hope and

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<v Speaker 1>saying it I think a few times, you know, to

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<v Speaker 1>get in the mood. It's very complicated. I have a

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<v Speaker 1>complicated romantic past. But um, definitely on the rewatch, you know,

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<v Speaker 1>toxic Romance definitely made a lot more sense to my

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<v Speaker 1>personal connection to this movie. So you would sing, wait,

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<v Speaker 1>how does the song go and my hands and pray

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<v Speaker 1>to be only yours. I pray to be only yours. No, no,

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<v Speaker 1>you're oh, oh my god beautiful. If I ever had

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<v Speaker 1>an SNL audition, it would be that one song, because

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<v Speaker 1>I rememorized it that like, I've taken singing lessons since

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<v Speaker 1>and tried to learn to sing that song, and they're

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<v Speaker 1>like pointing out the issues. I'm like, but that's how

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<v Speaker 1>Mandy Moore sings it. That's how I know how to

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<v Speaker 1>sing it. That is the beauty of Mandy Moore in

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<v Speaker 1>many ways, where she was a pop star who was

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<v Speaker 1>not necessarily a great singer, but she was like a

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<v Speaker 1>solid high school sopranos, so her songs are like not

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<v Speaker 1>hard to sing if you were in choir, Like anyone

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<v Speaker 1>in choire can sing Mandy Moore's entire discography no problem.

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<v Speaker 1>Though I didn't know till this one, and my you know,

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<v Speaker 1>subsequential obsession of googling a bunch of stuff. I didn't

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<v Speaker 1>know that. I didn't know the Switchfoot story, and I

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<v Speaker 1>didn't know this was originally a switch Foot song, which

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<v Speaker 1>really blew my mind. It sounds weird. If you wait, yeah,

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<v Speaker 1>you would guess it's the other way around. They're covering her,

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<v Speaker 1>but no, no, she's covering them. Who is switch Foot?

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<v Speaker 1>What is that? Are they of? Like for real Christian

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<v Speaker 1>band or they This was one of my googles. So

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<v Speaker 1>they have come out as they are Christian and Faith

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<v Speaker 1>not in format. They are not. They do not consider

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<v Speaker 1>themselves Christian music. But it's highly debated online. But Faith

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<v Speaker 1>not in format. Wow, that's good dodgy language. I like that.

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<v Speaker 1>But I guess Mandy Moore was obsessed with them and

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<v Speaker 1>turned the music supervisor of this production onto them, and

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<v Speaker 1>they were like, we gotta have switch Foot. This is

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<v Speaker 1>the sound of the movie. So there's four or five

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<v Speaker 1>songs from Switchfoot on the soundtrack, which in an interview

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<v Speaker 1>so that I watched again, I went real deep. Shane

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<v Speaker 1>West said it might have gone platinum the album for this.

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<v Speaker 1>I don't know if that's true. I couldn't um, but yeah,

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<v Speaker 1>so I guess Only Hope was a song that they

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<v Speaker 1>had written even before the movie. This was just a

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<v Speaker 1>song of theirs and they were like, that's her song

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<v Speaker 1>for the movie. So at least if you hear a

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<v Speaker 1>man singing it, it does read more Christian than in

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<v Speaker 1>this movie where It is like some sort of sexual

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<v Speaker 1>power play song. Also, the song gets performed in its

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<v Speaker 1>entirety in the movie during a high school production of

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<v Speaker 1>like twenties Mobster. What is that play about? What's going

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<v Speaker 1>on in that play? Why would you sing that at

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<v Speaker 1>a nightclub? Right? I went back to like rewatch the

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<v Speaker 1>set uppre scene, and I still can't make answer tells

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<v Speaker 1>of what sets up that song or why this mobster

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<v Speaker 1>would be her only hope. I he was trying to

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<v Speaker 1>remember a dream and then he got shocked by her

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<v Speaker 1>body and then he just was like the song you

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<v Speaker 1>messing for me? Yeah? Blew, my mind doesn't make any sense.

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<v Speaker 1>I don't know what the play is about. There's a

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<v Speaker 1>really long montage also where they're rehearsing for the play

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<v Speaker 1>that's like edited in a way where you're like, what

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<v Speaker 1>on earth am I watching? So? Yeah, the play is confusing. Okay,

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<v Speaker 1>So Sam, you have a you have a maybe a

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<v Speaker 1>torrid history with this film, Jamie, what's your relationship in

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<v Speaker 1>history with it? Um? It's not quite that level, but

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<v Speaker 1>it's pretty intense where this I I loved this movie

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<v Speaker 1>when I was a kid. I don't think I saw

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<v Speaker 1>it in theaters, but there. I remember my cousin telling me,

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<v Speaker 1>which is in retrospect, it was like, this was not nice.

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<v Speaker 1>She was like, she's like, Mandy Moore is in a

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<v Speaker 1>movie and she has your name, and she has the

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<v Speaker 1>same color hair as you. You have to see it.

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<v Speaker 1>What she did not say is that she dies there,

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<v Speaker 1>so so she and so I guess if you haven't

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<v Speaker 1>seen A Walk to remember, Mandy Moore famously dies in

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<v Speaker 1>the movie. But I but I remember like going to

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<v Speaker 1>the movie not being like whenever like nine, not realizing

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<v Speaker 1>that Mandy Moore was doomed, and being like, oh my god,

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<v Speaker 1>this is so me. I'm not like the other girls.

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<v Speaker 1>My name is Jamie, I have brown hair. And then

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<v Speaker 1>in the like when it becomes clear that she's doomed,

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<v Speaker 1>I was like, this sucks. No one's ever no one's

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<v Speaker 1>And then I've really turned on the movie hard. I

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<v Speaker 1>was like, why would you have why would this be

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<v Speaker 1>the only movie character named after me? And then she

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<v Speaker 1>dies that said, I really I've seen this movie. I

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<v Speaker 1>haven't seen it in easily ten years, but I saw

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<v Speaker 1>it a lot when I was younger. It's like, oh,

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<v Speaker 1>I I really I feel like this movie. I was like,

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<v Speaker 1>not raised particularly religious at all, Like we went to church,

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<v Speaker 1>but it just felt like, I don't know, it was

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<v Speaker 1>I didn't grow up especially religious, and once I was

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<v Speaker 1>like twelve, we just were like, well, I feel like

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<v Speaker 1>we've done the whole religion thing and we left. But

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<v Speaker 1>this was as close to being religious as I ever got.

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<v Speaker 1>Was being like A Walk to Remember is a really

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<v Speaker 1>powerful story, you know, like it I really loved. I

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<v Speaker 1>had a huge crush on Mandy Moore and Shane West

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<v Speaker 1>and I just I really and oh oh. The other

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<v Speaker 1>thing about this movie was that when I was little,

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<v Speaker 1>I had like a one of those pull out of

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<v Speaker 1>a magazine posters of Mandy Moore, and I forgot I

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<v Speaker 1>feel like I might have brought this up on the

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<v Speaker 1>show years ago, but I had this poster of Mandy

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<v Speaker 1>Moore hanging in my room and I thought that she

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<v Speaker 1>could see me and watch me, and I was so

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<v Speaker 1>scared of the poster. So this would be in that

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<v Speaker 1>time too, where I was like I was, I loved

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<v Speaker 1>Mandy Moore and I wanted her on my wall, but

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<v Speaker 1>I also was really scared of her because I thought

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<v Speaker 1>she knew what I what I was doing amazing, And

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<v Speaker 1>so eventually my mom took the poster down and I

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<v Speaker 1>got mad, but she was just like, let's end this,

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<v Speaker 1>Mandy Moore can't see you. It was it must have

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<v Speaker 1>been one of those like bizarre pictures where it just

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<v Speaker 1>like it. I felt like the eyes were following me.

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<v Speaker 1>That was the thing. It was like a Mona Lisa

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<v Speaker 1>kind of thing. Um, so maybe Moore is my Mona Lisa.

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<v Speaker 1>That's my history with the movie, Caitlin, with your history

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<v Speaker 1>with a walk to remember, I don't have an extensive one.

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<v Speaker 1>This movie came out when I was a sophomore or

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<v Speaker 1>junior in high school sometime around then, so I was

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<v Speaker 1>like peak demographic for this movie. But this was also

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<v Speaker 1>when I was very firmly like I don't like girl things,

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<v Speaker 1>no things. So this movie came out and it was

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<v Speaker 1>a huge hit among my friends, and I saw it

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<v Speaker 1>because of that. Probably it's like a sleepover or just

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<v Speaker 1>I don't know. We're hanging out and we watched it

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<v Speaker 1>and I was like, this movie is not for me.

0:14:25.240 --> 0:14:26.640
<v Speaker 1>And that was really the only time I saw it.

0:14:26.800 --> 0:14:34.640
<v Speaker 1>Part of Stone, I am my truly. My heart is

0:14:34.840 --> 0:14:37.440
<v Speaker 1>a lump of coal in my chest, and I have

0:14:37.640 --> 0:14:41.400
<v Speaker 1>no feelings. I'm sure I was like moved by it,

0:14:41.800 --> 0:14:47.200
<v Speaker 1>but I don't know this. That's my history with it

0:14:47.520 --> 0:14:50.480
<v Speaker 1>that I was like, Okay, this movie exists, I'll watch

0:14:50.480 --> 0:14:52.960
<v Speaker 1>it once in two thousand two and then never again.

0:14:54.320 --> 0:14:59.600
<v Speaker 1>So but watching it back was interesting, and I will

0:14:59.640 --> 0:15:04.280
<v Speaker 1>say that it is while it's still has its issues,

0:15:04.640 --> 0:15:07.280
<v Speaker 1>it's less full of issues than I thought it would

0:15:07.280 --> 0:15:09.240
<v Speaker 1>be for a teen movie that comes out in two

0:15:09.240 --> 0:15:12.120
<v Speaker 1>thousand two, I would agree with that. Yeah, it had

0:15:12.200 --> 0:15:14.760
<v Speaker 1>it held up better than I was expecting, which isn't

0:15:14.760 --> 0:15:17.280
<v Speaker 1>to say that it super holds up, but it for

0:15:17.360 --> 0:15:20.680
<v Speaker 1>what it was. Where I like Christian E teen movie

0:15:20.960 --> 0:15:24.240
<v Speaker 1>Nicholas Sparks early two thousand's, you would think that it

0:15:24.280 --> 0:15:27.720
<v Speaker 1>would be much worse than it actually did. I think

0:15:27.760 --> 0:15:31.000
<v Speaker 1>this is my favorite of the Nicholas Sparks adaptations I've seen.

0:15:31.640 --> 0:15:36.400
<v Speaker 1>This remains my favorite one. I um took it upon

0:15:36.480 --> 0:15:40.120
<v Speaker 1>myself to just here's what I'll suggests the listeners do

0:15:40.800 --> 0:15:46.800
<v Speaker 1>google Nicholas Sparks movies, and I think like eleven different

0:15:47.080 --> 0:15:50.800
<v Speaker 1>things come up because he's had many adaptations of his

0:15:50.880 --> 0:15:54.440
<v Speaker 1>novels into movies, and all of the posters will just

0:15:54.520 --> 0:15:56.640
<v Speaker 1>like be right there in front of you all side

0:15:56.640 --> 0:16:02.240
<v Speaker 1>by side every poster is identical. Wait, this is funny.

0:16:02.480 --> 0:16:05.360
<v Speaker 1>You can also google the Nicholas Sparks collection that just

0:16:05.400 --> 0:16:09.840
<v Speaker 1>has all four has like four matching posters as its cover.

0:16:11.000 --> 0:16:15.000
<v Speaker 1>Two straight white people with their heads really close together. Yes,

0:16:15.160 --> 0:16:18.640
<v Speaker 1>either facing away from each other or facing towards each other.

0:16:18.680 --> 0:16:20.840
<v Speaker 1>Like some of them they're like face to face. Other

0:16:20.880 --> 0:16:24.160
<v Speaker 1>ones like the man is behind the woman. They're all

0:16:24.200 --> 0:16:28.320
<v Speaker 1>in some kind of like warm pink or yellow. A

0:16:28.360 --> 0:16:31.040
<v Speaker 1>lot of heads are being grabbed to a lot of

0:16:31.080 --> 0:16:35.080
<v Speaker 1>grabbing of heads. Richard Gear is grabbing Diane Lane's head

0:16:35.880 --> 0:16:38.960
<v Speaker 1>for Knights of Road, Danty. He's like like a real vice.

0:16:39.920 --> 0:16:43.520
<v Speaker 1>Same thing with safe Haven, which is I think Josh Dumel,

0:16:43.760 --> 0:16:46.560
<v Speaker 1>And then I don't know who the lady, who the

0:16:46.560 --> 0:16:48.440
<v Speaker 1>woman is in it. I don't know what half of

0:16:48.440 --> 0:16:50.640
<v Speaker 1>these are. Yeah, I don't know safe Haven. I don't

0:16:50.640 --> 0:16:53.480
<v Speaker 1>know the best of Me. I don't know the Lucky One.

0:16:53.720 --> 0:16:57.720
<v Speaker 1>I don't know the longest ride these there's so many.

0:16:57.760 --> 0:17:00.080
<v Speaker 1>I've seen the Lucky One because I will watch to

0:17:00.120 --> 0:17:02.720
<v Speaker 1>anything that zac Efron is in. Do you guys know

0:17:02.760 --> 0:17:06.480
<v Speaker 1>if the other Nicholas Sparks movies are as religious? I

0:17:06.480 --> 0:17:09.480
<v Speaker 1>couldn't get a clear answer on the Internet. I think

0:17:09.640 --> 0:17:13.480
<v Speaker 1>it's not really because I've I've seen probably half of

0:17:13.520 --> 0:17:16.840
<v Speaker 1>these and the only one I've seen multiple times is

0:17:16.960 --> 0:17:19.639
<v Speaker 1>The Notebook and now A Walk to Remember. But of

0:17:19.680 --> 0:17:22.680
<v Speaker 1>the other ones, I think they're not. The religious over

0:17:22.880 --> 0:17:26.120
<v Speaker 1>or undertones are not quite there the way they are

0:17:26.440 --> 0:17:28.200
<v Speaker 1>in the Walk to Remember, at least for the ones

0:17:28.280 --> 0:17:31.320
<v Speaker 1>I've seen. I kind of wonder where that comes from,

0:17:31.359 --> 0:17:35.200
<v Speaker 1>like because I don't I might have read the book

0:17:35.320 --> 0:17:37.680
<v Speaker 1>when I was in like junior high or something. I

0:17:37.680 --> 0:17:39.840
<v Speaker 1>don't remember anything about it. I know a lot was changed,

0:17:39.880 --> 0:17:42.159
<v Speaker 1>but I wonder if like the book is as like

0:17:42.280 --> 0:17:46.520
<v Speaker 1>bonking you with the like have faith in people message,

0:17:46.760 --> 0:17:49.440
<v Speaker 1>because I know that she was religious the person that's

0:17:49.480 --> 0:17:52.760
<v Speaker 1>based off of, and she did have a Bible she

0:17:52.840 --> 0:17:56.240
<v Speaker 1>gave away kind of thing. But I tried all the Googles.

0:17:56.240 --> 0:17:58.040
<v Speaker 1>I couldn't find anything to be like, why is this

0:17:58.080 --> 0:18:01.600
<v Speaker 1>movie so not just religio just but like like it's

0:18:01.640 --> 0:18:04.560
<v Speaker 1>hammering you with the moral elements of religion. I was like,

0:18:04.560 --> 0:18:09.000
<v Speaker 1>who paid for this? Like what's happening? Well? I did

0:18:09.000 --> 0:18:13.800
<v Speaker 1>a like google of Nicholas Sparks and his life to

0:18:13.800 --> 0:18:17.280
<v Speaker 1>see if there's been anything of note, and it seems

0:18:17.320 --> 0:18:21.480
<v Speaker 1>like he personally is quite religious and founded a Christian

0:18:21.600 --> 0:18:25.200
<v Speaker 1>school which tried to form an l g B t

0:18:25.400 --> 0:18:31.480
<v Speaker 1>Q club, which he then tried to ban, know what, Yeah,

0:18:31.600 --> 0:18:34.600
<v Speaker 1>and then students were protesting that, and then he banned

0:18:35.200 --> 0:18:39.240
<v Speaker 1>the protests of it, so like he can't ban protests.

0:18:39.280 --> 0:18:44.240
<v Speaker 1>What did you see his quote about it? Yeah? Oh

0:18:44.280 --> 0:18:47.800
<v Speaker 1>my god. And then sometime later he backtracked on all

0:18:47.840 --> 0:18:50.679
<v Speaker 1>this and he's like, no, wait, I'm an ally, and

0:18:50.720 --> 0:18:53.440
<v Speaker 1>the reason that my school has no diversity in it

0:18:53.480 --> 0:18:57.320
<v Speaker 1>doesn't have anything to do with the school. It's these

0:18:57.320 --> 0:19:01.320
<v Speaker 1>other flimsy reasons. So he like saying all this problematic

0:19:01.359 --> 0:19:04.440
<v Speaker 1>stuff in like I don't know or something, and then

0:19:04.480 --> 0:19:08.160
<v Speaker 1>he's walked it all back and been like no, no, no,

0:19:08.280 --> 0:19:12.000
<v Speaker 1>I'm actually an ally. Please let me still have a career. Like,

0:19:12.680 --> 0:19:14.840
<v Speaker 1>but did you see the quote where he was like,

0:19:15.440 --> 0:19:17.560
<v Speaker 1>we don't need this. He was the reason he said

0:19:17.600 --> 0:19:20.720
<v Speaker 1>the reason he banned those organizations was because essentially it

0:19:20.800 --> 0:19:23.000
<v Speaker 1>was we don't need these out and open these kind

0:19:23.000 --> 0:19:26.879
<v Speaker 1>of clubs like they have always been gays in Catholicism.

0:19:26.920 --> 0:19:30.159
<v Speaker 1>They just handled it more delicately and like that was

0:19:30.280 --> 0:19:33.520
<v Speaker 1>his stance on it was like, stay in the closet

0:19:33.600 --> 0:19:38.240
<v Speaker 1>and we'll all get along. Yikes, that's such horseshit, especially

0:19:38.240 --> 0:19:41.600
<v Speaker 1>because it's like this, this movie is directed by an

0:19:41.600 --> 0:19:44.520
<v Speaker 1>openly gay man who was openly gay at the time

0:19:44.560 --> 0:19:48.160
<v Speaker 1>the movie was directed. I believe, like it's like, yeah, god,

0:19:48.320 --> 0:19:50.639
<v Speaker 1>that's so. I mean, I guess I'm not surprised that

0:19:50.720 --> 0:19:55.080
<v Speaker 1>Nicholas Sparks fucking sucks, but I did not know that

0:19:55.600 --> 0:19:59.800
<v Speaker 1>portion of his life. That's horrible. Yeah, his his history

0:20:00.040 --> 0:20:04.919
<v Speaker 1>isn't great, but now he's an ally so everything's fine.

0:20:05.720 --> 0:20:09.159
<v Speaker 1>All's well, that ends Well, we just need a movie

0:20:09.160 --> 0:20:13.400
<v Speaker 1>poster of like the same sex couple holding their heads. Yeah,

0:20:13.440 --> 0:20:17.560
<v Speaker 1>we need we need someone grabbing someone else's head. Um,

0:20:17.600 --> 0:20:21.320
<v Speaker 1>but it's a queer movie this time. That'll fix everything.

0:20:21.600 --> 0:20:25.119
<v Speaker 1>That one everything, You know what would really fix everything?

0:20:25.160 --> 0:20:28.000
<v Speaker 1>If we gave Nicholas Sparked more money. I think that

0:20:28.000 --> 0:20:31.800
<v Speaker 1>would fix everything. Oh my gosh. Absolutely. Why don't we

0:20:31.840 --> 0:20:33.919
<v Speaker 1>take a quick break and then come back and do

0:20:34.040 --> 0:20:44.320
<v Speaker 1>the recap and we're back. Okay, all right, so let's

0:20:44.320 --> 0:20:47.639
<v Speaker 1>shall we shall we get into it. Let's get into it.

0:20:47.960 --> 0:20:53.399
<v Speaker 1>So we meet Landon Carter. That's Shane West. He's with

0:20:53.440 --> 0:20:57.280
<v Speaker 1>his friends, who are these popular kids who are mean,

0:20:58.160 --> 0:21:02.320
<v Speaker 1>and Landon gets in trouble after a classmate of theirs

0:21:02.440 --> 0:21:06.240
<v Speaker 1>gets hurt because of a prank all the popular kids

0:21:06.359 --> 0:21:10.320
<v Speaker 1>pulled on him, brutal. Just quick quick reminder at the top,

0:21:10.480 --> 0:21:13.880
<v Speaker 1>Shane West is a stage name. Shane West's actual name

0:21:14.040 --> 0:21:18.720
<v Speaker 1>is Shannon Bruce Snaith. I did not know that. It's

0:21:18.800 --> 0:21:23.520
<v Speaker 1>one of my favorite celebrity facts is his name is

0:21:23.560 --> 0:21:27.440
<v Speaker 1>Shannon Snaith, And so they were like, that's not gonna work.

0:21:27.680 --> 0:21:29.639
<v Speaker 1>We need I think it would be fun if he

0:21:29.720 --> 0:21:32.840
<v Speaker 1>was just allowed to be Shannon Snaith. I also think

0:21:33.760 --> 0:21:35.840
<v Speaker 1>I wonder if anyone else picked up on this, or

0:21:35.880 --> 0:21:39.600
<v Speaker 1>if I'm just being tall girl syndrome. I also think

0:21:39.640 --> 0:21:43.520
<v Speaker 1>that Shane West is shorter than Mandy Moore. His height

0:21:43.560 --> 0:21:47.359
<v Speaker 1>fluctuates throughout the movie, and I think that the movie

0:21:47.560 --> 0:21:50.480
<v Speaker 1>does not like the movie is very rigid and its values.

0:21:50.560 --> 0:21:53.080
<v Speaker 1>And I think that they also must have said, we

0:21:53.160 --> 0:21:56.199
<v Speaker 1>can't have a male lead who is shorter than our

0:21:56.240 --> 0:22:01.280
<v Speaker 1>female lead due to societal pressures, because anymore is five ten.

0:22:02.000 --> 0:22:07.960
<v Speaker 1>Shane West is six ft allegedly, but but that's impossible

0:22:08.040 --> 0:22:10.720
<v Speaker 1>because he's shorter than her in anything where you can

0:22:10.760 --> 0:22:13.840
<v Speaker 1>see his feet, he is shorter than her. Any scene

0:22:13.880 --> 0:22:16.920
<v Speaker 1>where you cannot see his feet, he is taller than her,

0:22:17.040 --> 0:22:21.080
<v Speaker 1>meaning that he's wearing some sort of acting shoes acting

0:22:21.119 --> 0:22:24.720
<v Speaker 1>shoes or they they stuck him on like an apple box?

0:22:24.840 --> 0:22:26.640
<v Speaker 1>Is that what those are called? And yeah, you want

0:22:26.640 --> 0:22:30.080
<v Speaker 1>to go rewatch the dance scene. It's the dancing where

0:22:30.080 --> 0:22:32.960
<v Speaker 1>it's most obvious because she's teaching him how to dance,

0:22:33.080 --> 0:22:35.440
<v Speaker 1>and you're like, oh, he's shorter than her. I never

0:22:35.480 --> 0:22:37.560
<v Speaker 1>see that in movies. Why didn't I notice that? And

0:22:37.560 --> 0:22:39.359
<v Speaker 1>then it cuts to the next scene and he's taller

0:22:39.400 --> 0:22:40.760
<v Speaker 1>than her in the next scene, and I was like,

0:22:41.280 --> 0:22:45.600
<v Speaker 1>why can't men just be five seven? Sometimes it's fine, relax,

0:22:47.040 --> 0:22:49.800
<v Speaker 1>So I'm sorry I have so many deep dive facts.

0:22:49.880 --> 0:22:52.960
<v Speaker 1>But fun fact, along with other parts of this set,

0:22:53.280 --> 0:22:55.440
<v Speaker 1>a lot of the sets were from like Dawson's Creek

0:22:55.480 --> 0:22:58.359
<v Speaker 1>and other highly popular areas or a filming zone. But

0:22:58.440 --> 0:23:01.760
<v Speaker 1>so whatever that water basins that they did this first

0:23:01.920 --> 0:23:05.720
<v Speaker 1>prank at, apparently it was full of like algae and

0:23:05.800 --> 0:23:10.680
<v Speaker 1>eels and they had scula divers clearing the water for

0:23:10.720 --> 0:23:13.840
<v Speaker 1>the stunt. So like, just to put us in Shane

0:23:13.960 --> 0:23:17.640
<v Speaker 1>West and whoever that guy's names had. They're diving and

0:23:17.720 --> 0:23:22.640
<v Speaker 1>swimming and eels, their belly flopping straight into an eel. Holy,

0:23:23.520 --> 0:23:27.920
<v Speaker 1>that is dangerous. Once you I, I did know about

0:23:27.920 --> 0:23:32.240
<v Speaker 1>the Dawson's Creek stuff, and like, once you've I watched

0:23:32.320 --> 0:23:35.280
<v Speaker 1>two seasons of that when I was sick, like two

0:23:35.320 --> 0:23:38.080
<v Speaker 1>years ago, And once you know it's the same high school,

0:23:38.119 --> 0:23:41.040
<v Speaker 1>you can't unsee it. You're like, oh, I've I've seen

0:23:41.119 --> 0:23:48.320
<v Speaker 1>drama in these halls before. Okay, So then we meet

0:23:48.760 --> 0:23:53.200
<v Speaker 1>Jamie Sullivan, who is Mandy Moore. She's very religious, her

0:23:53.280 --> 0:23:57.320
<v Speaker 1>father is a reverend. She sings in the church choir,

0:23:57.720 --> 0:24:03.240
<v Speaker 1>the whole thing. She is also popular, unlike Landon Carter,

0:24:03.960 --> 0:24:08.840
<v Speaker 1>and she gets mocked by Landon's friends because she's not

0:24:09.000 --> 0:24:12.359
<v Speaker 1>stylish and she wears the same sweater every day, which

0:24:12.440 --> 0:24:15.479
<v Speaker 1>is also for one of the that was from the

0:24:15.560 --> 0:24:18.880
<v Speaker 1>real person. Okay, so the real person is based off

0:24:18.920 --> 0:24:23.720
<v Speaker 1>of Nicholas Sparks's sister, right, Yes, who in my favorite

0:24:23.720 --> 0:24:30.000
<v Speaker 1>power move never read his book. It did. Yeah, she

0:24:30.040 --> 0:24:32.200
<v Speaker 1>said she didn't want to know how it ended, which

0:24:32.240 --> 0:24:35.000
<v Speaker 1>I feel like he took as a sweet sentiment and

0:24:35.040 --> 0:24:38.120
<v Speaker 1>I took as a burn she's just like, um, look,

0:24:38.119 --> 0:24:41.640
<v Speaker 1>I've only got so much time and I'm not wasting it. Yeah,

0:24:42.480 --> 0:24:44.600
<v Speaker 1>I thought it was. I didn't realize. This was my

0:24:44.640 --> 0:24:48.080
<v Speaker 1>first time realizing that it was at least based on

0:24:48.119 --> 0:24:52.080
<v Speaker 1>a true story. But there are deviations where I believe

0:24:52.080 --> 0:24:56.880
<v Speaker 1>his sister was thirty when she passed away, and then

0:24:56.880 --> 0:24:59.360
<v Speaker 1>in the book, I guess that it's not specified that

0:24:59.480 --> 0:25:03.560
<v Speaker 1>Jamie eyes that. It's just it says. This is what

0:25:03.600 --> 0:25:06.119
<v Speaker 1>the Wikipedia page says. I'm like, I don't really know

0:25:06.160 --> 0:25:10.480
<v Speaker 1>what this means, but it said that it is ambiguous

0:25:10.480 --> 0:25:14.080
<v Speaker 1>whether Jamie died or simply disappeared into the shadow world.

0:25:14.600 --> 0:25:18.360
<v Speaker 1>Now I don't know what hang on, wait, wait, hang on, Now,

0:25:19.359 --> 0:25:24.240
<v Speaker 1>that is not unlike the ending of Titanic, where Rose

0:25:24.520 --> 0:25:27.760
<v Speaker 1>was it a dream the shadow world. I did, in

0:25:27.800 --> 0:25:31.520
<v Speaker 1>fact make some notes about the similarities between this movie

0:25:31.520 --> 0:25:37.800
<v Speaker 1>and Titanic. Amazing spoiler Switchfoot says the word Titanic. Yes,

0:25:39.520 --> 0:25:44.080
<v Speaker 1>they do, amazing. I have some parallels I would like

0:25:44.119 --> 0:25:47.479
<v Speaker 1>to draw between A Walk to Remember and another movie,

0:25:47.600 --> 0:25:52.680
<v Speaker 1>which I will I will reveal. I guess now it's

0:25:52.720 --> 0:25:57.679
<v Speaker 1>like there's no reason to hold back any longer. Okay,

0:25:57.720 --> 0:26:00.080
<v Speaker 1>I don't know if anyone else noticed this or thought this.

0:26:00.400 --> 0:26:04.919
<v Speaker 1>But the way Shane West looks in this movie, to

0:26:05.000 --> 0:26:08.920
<v Speaker 1>me is identical to the way Robert Pattinson looks in Twilight.

0:26:08.960 --> 0:26:12.760
<v Speaker 1>He looks exactly like Edward Cullen to me, I get

0:26:12.840 --> 0:26:18.000
<v Speaker 1>I see it for him to like notice this pale,

0:26:18.560 --> 0:26:22.760
<v Speaker 1>brown haired, bookish girl, be really mean to her at first,

0:26:23.400 --> 0:26:25.440
<v Speaker 1>and then be like, hey, maybe we could be friends,

0:26:25.560 --> 0:26:28.679
<v Speaker 1>and then they start dating and fall in love. Except

0:26:29.000 --> 0:26:33.600
<v Speaker 1>that's basically Twilight. Jamie Sullivan, I will say, in defense

0:26:33.600 --> 0:26:36.080
<v Speaker 1>of Jamie Sullivan, she at least has some semblance of

0:26:36.119 --> 0:26:41.879
<v Speaker 1>a backbone, unlike Bella Swan who just does whatever Edward

0:26:41.880 --> 0:26:44.600
<v Speaker 1>Collin tells her to do. At least Jamie Sullivan is like, no,

0:26:44.720 --> 0:26:49.480
<v Speaker 1>you can't be my secret friend, get out of here. True,

0:26:49.800 --> 0:26:51.920
<v Speaker 1>that was like good for her. Most movies in two

0:26:51.920 --> 0:26:55.960
<v Speaker 1>thousand two were not doing that. That's true. They're like, okay,

0:26:55.960 --> 0:26:58.639
<v Speaker 1>we can be friends. This is a secret, Like fuck you,

0:26:58.880 --> 0:27:02.480
<v Speaker 1>Shane West. But I was the whole Both times I

0:27:02.520 --> 0:27:04.879
<v Speaker 1>rewatched this movie to prep for this episode, I was like,

0:27:04.920 --> 0:27:07.920
<v Speaker 1>oh my gosh, am I just watching Edward Cullen right now.

0:27:08.119 --> 0:27:12.760
<v Speaker 1>The resemblance is simply uncanny. True, I see it anyway. So,

0:27:13.080 --> 0:27:16.520
<v Speaker 1>because Landon has gotten in trouble for this prank, he

0:27:16.560 --> 0:27:19.439
<v Speaker 1>has to do a bunch of community service, which includes

0:27:19.920 --> 0:27:27.440
<v Speaker 1>tutoring underprivileged students at a nearby sychool. Yeah yeah, yeah,

0:27:27.560 --> 0:27:31.760
<v Speaker 1>the coding there is yikes. And then also he has

0:27:31.840 --> 0:27:36.520
<v Speaker 1>to participate in the school play, which he gets cast

0:27:36.840 --> 0:27:39.720
<v Speaker 1>as like the lead of. And I'm just like, you know,

0:27:39.960 --> 0:27:43.040
<v Speaker 1>when you're in trouble with the law and your punishment

0:27:43.160 --> 0:27:46.320
<v Speaker 1>is to be the lead in a high school theater production,

0:27:46.640 --> 0:27:50.040
<v Speaker 1>which also, like, aside from the fact that that is

0:27:50.119 --> 0:27:54.520
<v Speaker 1>completely absurd and like it just makes no sense. On

0:27:54.720 --> 0:27:58.679
<v Speaker 1>top of that, that sucks for all the theater kids

0:27:58.720 --> 0:28:02.560
<v Speaker 1>who told in the first scene it's like, oh, they're

0:28:02.600 --> 0:28:05.280
<v Speaker 1>really into it. Like it's not like they're desperate for

0:28:05.320 --> 0:28:07.640
<v Speaker 1>people to audition for this part. There's a room full

0:28:07.680 --> 0:28:10.040
<v Speaker 1>of people who want this part, and they're like, no,

0:28:10.200 --> 0:28:12.359
<v Speaker 1>Shane West, you have to do a really bad job

0:28:12.440 --> 0:28:15.680
<v Speaker 1>as punishment, Like why does everyone need to suffer through

0:28:16.160 --> 0:28:21.560
<v Speaker 1>Shannon Snaith's acting, Because like he committed a crime, he

0:28:21.640 --> 0:28:25.800
<v Speaker 1>also committed a crime, didn't you guys? Have that um

0:28:26.040 --> 0:28:29.360
<v Speaker 1>drama teacher who she cast her children as. All the stars.

0:28:29.880 --> 0:28:32.320
<v Speaker 1>I feel like it's not that uncommon for school the

0:28:32.400 --> 0:28:35.320
<v Speaker 1>high school theater to be corrupted by those in power.

0:28:36.000 --> 0:28:39.400
<v Speaker 1>I had we had, like our our high school drama

0:28:39.440 --> 0:28:44.160
<v Speaker 1>instructor with like cast football players to like try to

0:28:44.200 --> 0:28:47.360
<v Speaker 1>get to like yeah, yeah, I mean like that. That

0:28:47.520 --> 0:28:50.560
<v Speaker 1>is like definitely, at least in my experience, something that

0:28:50.640 --> 0:28:53.400
<v Speaker 1>happens Jamie. That is what happened in this movie right

0:28:53.560 --> 0:28:56.320
<v Speaker 1>right there, just like oh, jocks, you get to cut

0:28:56.400 --> 0:29:00.800
<v Speaker 1>the line in every area of life apparently, and it's well, okay,

0:29:00.880 --> 0:29:04.960
<v Speaker 1>I guess the rest of us will just die. I

0:29:04.960 --> 0:29:07.480
<v Speaker 1>I like that. In the play, Mandy Moore, Moore is

0:29:07.520 --> 0:29:12.480
<v Speaker 1>wearing a prom dress underneath a trench coat. What an

0:29:12.480 --> 0:29:15.520
<v Speaker 1>interesting reveal. That wasn't a trench coat, that was like

0:29:15.560 --> 0:29:19.360
<v Speaker 1>a cult coat. That was a cloaked like weird ass

0:29:19.520 --> 0:29:23.720
<v Speaker 1>CULTI cloak, and underneath it it's like a two thousand

0:29:23.760 --> 0:29:26.479
<v Speaker 1>and two prom dress and you're just like, all right,

0:29:27.640 --> 0:29:33.080
<v Speaker 1>oh gosh. So Jamie is also involved in these activities,

0:29:33.160 --> 0:29:36.400
<v Speaker 1>so she and Landon keep running into each other, and

0:29:36.640 --> 0:29:39.320
<v Speaker 1>one day she gives him a ride home after the

0:29:39.400 --> 0:29:42.440
<v Speaker 1>school play rehearsal. She tells him about this to do

0:29:42.600 --> 0:29:45.680
<v Speaker 1>list that she has, but she won't tell him what

0:29:45.840 --> 0:29:51.080
<v Speaker 1>number one on the list is. Then he wants her

0:29:51.120 --> 0:29:54.440
<v Speaker 1>to help him run lines for the play and she's like, okay,

0:29:54.520 --> 0:29:56.840
<v Speaker 1>I'll help, but you have to promise not to fall

0:29:56.920 --> 0:29:59.640
<v Speaker 1>in love with me. Oh my god. Okay. That that

0:29:59.760 --> 0:30:01.920
<v Speaker 1>really sent me back because I think that that was

0:30:02.000 --> 0:30:04.400
<v Speaker 1>the first time I've ever heard that line in a movie,

0:30:04.440 --> 0:30:06.560
<v Speaker 1>even though it's in so many movies, And it's the

0:30:06.600 --> 0:30:11.240
<v Speaker 1>funniest thing anyone can say to another person because how

0:30:11.240 --> 0:30:14.080
<v Speaker 1>many if people have said that in real life, how

0:30:14.120 --> 0:30:17.760
<v Speaker 1>many times has the other person actually been interested in them?

0:30:17.760 --> 0:30:23.000
<v Speaker 1>I feel like zero. That's gonna be a really funny

0:30:23.160 --> 0:30:25.760
<v Speaker 1>bit that I'm going to start doing where a friends

0:30:25.840 --> 0:30:27.720
<v Speaker 1>just like, Hey, I haven't seen you in a while.

0:30:27.760 --> 0:30:29.880
<v Speaker 1>Do you want to go get coffee? And I'll be like, okay,

0:30:29.960 --> 0:30:32.120
<v Speaker 1>but you have to promise not to fall in off

0:30:32.200 --> 0:30:37.680
<v Speaker 1>with him. Oh my god. She said. There are parts

0:30:37.720 --> 0:30:42.480
<v Speaker 1>of JV's character that I don't like, dislike, but they

0:30:42.520 --> 0:30:45.640
<v Speaker 1>feel a little dissonant where she's like made out to

0:30:45.720 --> 0:30:49.280
<v Speaker 1>be like, oh, she's like a misfit, but she acts

0:30:49.560 --> 0:30:53.040
<v Speaker 1>with such confidence in moments like that where I'm like

0:30:53.120 --> 0:30:55.720
<v Speaker 1>this is cool girl ship, Like what's going on where

0:30:55.800 --> 0:30:58.920
<v Speaker 1>like I feel like the like uncooled girl at school

0:30:59.040 --> 0:31:01.880
<v Speaker 1>doesn't say you have to promise not to fall in

0:31:01.920 --> 0:31:05.640
<v Speaker 1>love with me, but I appreciate that she does. She

0:31:05.760 --> 0:31:08.280
<v Speaker 1>takes a stand for all uncool girls. And I'm sure

0:31:08.320 --> 0:31:11.000
<v Speaker 1>that at least one person who saw that movie who

0:31:11.040 --> 0:31:15.200
<v Speaker 1>wasn't cool then said that at school and humiliated themselves.

0:31:15.360 --> 0:31:19.040
<v Speaker 1>So I know that they made a really big effort

0:31:19.120 --> 0:31:24.880
<v Speaker 1>to avoid like some character tropes, um specifically the glasses.

0:31:24.960 --> 0:31:31.680
<v Speaker 1>They insisted no glasses. Yeah, I just feel like her

0:31:31.760 --> 0:31:35.040
<v Speaker 1>charisma is like the taking off of the glasses, like

0:31:35.080 --> 0:31:38.560
<v Speaker 1>whenever she turned, whenever she's like unusually flirty for this

0:31:38.680 --> 0:31:43.520
<v Speaker 1>like Bible girl, it's like, okay, that's the glasses coming off, right.

0:31:43.720 --> 0:31:48.040
<v Speaker 1>And I don't dislike that she is confident in herself.

0:31:48.080 --> 0:31:50.640
<v Speaker 1>It just like I guess maybe it was just like, oh,

0:31:50.680 --> 0:31:53.400
<v Speaker 1>I wouldn't have expected like the least cool girl at

0:31:53.440 --> 0:31:56.640
<v Speaker 1>school to be like fuck you and then or like

0:31:57.160 --> 0:31:59.160
<v Speaker 1>or like on the date where she they have that

0:31:59.200 --> 0:32:02.720
<v Speaker 1>like erotic temporary tattoo moment that I totally forgot about,

0:32:02.920 --> 0:32:07.760
<v Speaker 1>like Titanic hot car scene, hot Carr, the Christian version

0:32:07.800 --> 0:32:12.480
<v Speaker 1>of the Titanic scene where they're like, it's temporary. It's temporary.

0:32:12.560 --> 0:32:14.880
<v Speaker 1>He's going to blow on it, but he's not touching her.

0:32:15.040 --> 0:32:17.520
<v Speaker 1>When he blows on it, it's hot. It is hot

0:32:17.520 --> 0:32:21.600
<v Speaker 1>when he blows on the temporary tattoo. Okay anyway, So

0:32:21.720 --> 0:32:24.760
<v Speaker 1>she's like, don't fall in love with me, and he's like, yeah, right,

0:32:24.840 --> 0:32:27.960
<v Speaker 1>that won't be a problem, and then they start running

0:32:27.960 --> 0:32:31.720
<v Speaker 1>lines together at her house. Her dad, by the way,

0:32:31.840 --> 0:32:37.120
<v Speaker 1>does not like this landing fellow. No um, Also, isn't

0:32:37.120 --> 0:32:42.000
<v Speaker 1>it it's Peter Coyote too, Yes, who I like sometimes

0:32:42.120 --> 0:32:45.120
<v Speaker 1>learn who that is and then I promptly forget. He's

0:32:45.160 --> 0:32:48.160
<v Speaker 1>an iconic. I feel like he's he has that experience

0:32:48.600 --> 0:32:51.680
<v Speaker 1>a lot. He's just a famous character actor. He is

0:32:51.720 --> 0:32:55.080
<v Speaker 1>an ET. He's in He's in a lot of ship.

0:32:55.120 --> 0:32:58.720
<v Speaker 1>He's an Aaron Brockovich. He's in all sorts of ship.

0:32:58.800 --> 0:33:02.680
<v Speaker 1>And then you see him, you're like, oh, that guy. Anyways. Also,

0:33:03.400 --> 0:33:07.760
<v Speaker 1>Landon's mom is played by Daryl Hannah in the worst

0:33:07.760 --> 0:33:10.520
<v Speaker 1>way I've ever seen in my life. By the way,

0:33:10.840 --> 0:33:16.400
<v Speaker 1>you read the Wikipedia, you saw the savage commentary on her. Yeah,

0:33:15.120 --> 0:33:19.440
<v Speaker 1>then wait about her that she got like lip injections

0:33:20.000 --> 0:33:24.600
<v Speaker 1>and that whole thing, and they're really focused on her wig.

0:33:25.200 --> 0:33:27.560
<v Speaker 1>They really well because it's I saw like a bunch

0:33:27.560 --> 0:33:31.360
<v Speaker 1>of different explanations for that. I thought, I like what

0:33:31.520 --> 0:33:34.000
<v Speaker 1>my takeaway was that they the wig was bad, but

0:33:34.040 --> 0:33:37.160
<v Speaker 1>I guess that she was so like famously blonde that

0:33:37.200 --> 0:33:39.320
<v Speaker 1>they're like, I guess they made a lot of famous

0:33:39.360 --> 0:33:43.840
<v Speaker 1>blonde women into Brunett's in this movie, because Brunette equals

0:33:44.080 --> 0:33:48.800
<v Speaker 1>dramatic turn or it did in two thousand and two.

0:33:49.000 --> 0:33:57.040
<v Speaker 1>Brunette equals agency, right, Brunette equals a little little more serious. Yeah, Okay.

0:33:57.240 --> 0:34:01.880
<v Speaker 1>So Jamie and Landon are hanging out their running lines together.

0:34:01.920 --> 0:34:04.760
<v Speaker 1>It seems like maybe they could be friends. But then

0:34:04.800 --> 0:34:07.200
<v Speaker 1>he's a jerk to her at school so that he

0:34:07.240 --> 0:34:11.319
<v Speaker 1>can seem cool in front of his cool friends, and

0:34:11.400 --> 0:34:14.320
<v Speaker 1>Jamie's like, you're a jerk, and we cannot be friends.

0:34:14.719 --> 0:34:18.319
<v Speaker 1>Love that for her, she's really taking a stand for now,

0:34:18.760 --> 0:34:24.280
<v Speaker 1>for now. But then Landon starts to get serious about

0:34:24.280 --> 0:34:29.480
<v Speaker 1>the school play, about his role as a tutor, and

0:34:29.520 --> 0:34:33.600
<v Speaker 1>then the school play happens. Jamie a k a. Mandy

0:34:33.640 --> 0:34:53.320
<v Speaker 1>Moore sings that song and she's so breathy. I love her,

0:34:54.880 --> 0:34:58.400
<v Speaker 1>I love her, and and she loves switch Foot and

0:34:58.480 --> 0:35:00.759
<v Speaker 1>she loves switch I'm like, that's the those teen girl

0:35:00.800 --> 0:35:04.120
<v Speaker 1>because she's, like, I think, like a rare example of

0:35:04.120 --> 0:35:06.600
<v Speaker 1>a teen girl playing a teenager in a movie, even

0:35:06.640 --> 0:35:08.319
<v Speaker 1>though no one, I don't think any of the other

0:35:08.360 --> 0:35:12.759
<v Speaker 1>teenagers are actual teenagers, but Mandy Moore is. No. I mean,

0:35:13.120 --> 0:35:14.520
<v Speaker 1>I don't know if you guys are going to mention

0:35:14.560 --> 0:35:18.480
<v Speaker 1>it later, but you know, Shane West was twenty three

0:35:18.560 --> 0:35:22.160
<v Speaker 1>at the time of filming and Mandy was seventeen. Yeah,

0:35:22.200 --> 0:35:24.720
<v Speaker 1>he was like eight full years older than her, which

0:35:24.840 --> 0:35:28.680
<v Speaker 1>is uh not not great good based on what happens

0:35:28.719 --> 0:35:31.400
<v Speaker 1>next in the story, which is they're on stage together

0:35:31.440 --> 0:35:35.120
<v Speaker 1>in the play and they kiss, and then they kissed

0:35:35.120 --> 0:35:38.239
<v Speaker 1>a bunch of other times throughout the movie they sure do,

0:35:38.440 --> 0:35:42.560
<v Speaker 1>but this but this first kiss is forced because it's

0:35:42.600 --> 0:35:45.000
<v Speaker 1>not in the play. It's not in the script. It's

0:35:45.040 --> 0:35:48.279
<v Speaker 1>a surprise kiss, yes, which they had to rehearse on

0:35:48.320 --> 0:35:51.880
<v Speaker 1>their first day. Yeah, I and it's it seems like

0:35:52.040 --> 0:35:55.600
<v Speaker 1>Mandy Moore and Mandy Moore has uh I mean, she

0:35:55.600 --> 0:35:58.600
<v Speaker 1>she came out with a bunch of me too stuff

0:35:58.840 --> 0:36:00.799
<v Speaker 1>a couple of years ago that isn't relevant to the

0:36:00.840 --> 0:36:04.000
<v Speaker 1>content of this episode, but she seems to still be

0:36:04.080 --> 0:36:06.200
<v Speaker 1>friends with Shane West. I feel like that that's more

0:36:06.239 --> 0:36:09.680
<v Speaker 1>of a fault of the production for like putting them

0:36:09.719 --> 0:36:12.560
<v Speaker 1>in this scenario in the first place, Like that's just

0:36:12.760 --> 0:36:15.640
<v Speaker 1>especially for a teen actor and then an adult, like

0:36:15.680 --> 0:36:19.319
<v Speaker 1>that's that's just irresponsible on the productions. And they knew

0:36:19.320 --> 0:36:21.760
<v Speaker 1>that they had crushes on each other, and the production

0:36:21.840 --> 0:36:25.200
<v Speaker 1>knew they had crushes on each other, and he I

0:36:25.239 --> 0:36:28.359
<v Speaker 1>don't again, I didn't see anything about anything you know,

0:36:28.760 --> 0:36:31.200
<v Speaker 1>storied taking place. It's they were had to crush on

0:36:31.239 --> 0:36:34.480
<v Speaker 1>each other. They never dated um and Shane was, you know,

0:36:34.920 --> 0:36:36.799
<v Speaker 1>teaching her how to act because she didn't know how

0:36:36.800 --> 0:36:39.120
<v Speaker 1>to act. So it's a little there's a little a

0:36:39.160 --> 0:36:41.160
<v Speaker 1>little weird, there's a little I yeah, I read that

0:36:41.239 --> 0:36:43.520
<v Speaker 1>he taught her what a what a mark was and

0:36:43.600 --> 0:36:46.839
<v Speaker 1>how to hit it. He was like, oh, poor Mandy Moore,

0:36:46.920 --> 0:36:49.280
<v Speaker 1>she didn't know. I guess that this movie was shot

0:36:49.400 --> 0:36:53.560
<v Speaker 1>before The Princess Diaries because that's like her first credit,

0:36:53.680 --> 0:36:57.880
<v Speaker 1>but it was shot after. Yeah, yeah, okay, which is

0:36:58.000 --> 0:37:00.160
<v Speaker 1>I I liked it. In the early two thousand's there

0:37:00.480 --> 0:37:04.239
<v Speaker 1>Mandy Moore was given us more range than a lot

0:37:04.320 --> 0:37:07.759
<v Speaker 1>of teen actresses because she played sweet Girl and she

0:37:07.840 --> 0:37:11.080
<v Speaker 1>played bully right, because she's she's mean and Saved and

0:37:11.239 --> 0:37:16.040
<v Speaker 1>Princess Diaries, but she's an angel from heaven in this movie, right,

0:37:16.120 --> 0:37:19.680
<v Speaker 1>And then in both Saved and A Walk to Remember,

0:37:19.760 --> 0:37:24.080
<v Speaker 1>she plays a very devout Christian character, but on two

0:37:24.239 --> 0:37:27.719
<v Speaker 1>very different ends of a of that spectrum. And now

0:37:27.800 --> 0:37:30.839
<v Speaker 1>she's on a TV show that my mom talks about

0:37:30.920 --> 0:37:32.919
<v Speaker 1>on the phone all the time that I'm never gonna

0:37:32.920 --> 0:37:39.920
<v Speaker 1>watch this is us, Yeah, exactly. Okay, So they kiss

0:37:39.960 --> 0:37:43.200
<v Speaker 1>on stage and then Landon's like, wait a minute, do

0:37:43.320 --> 0:37:45.879
<v Speaker 1>I like Jamie? Do I want to be with her?

0:37:46.360 --> 0:37:50.120
<v Speaker 1>He's breaking the one rule. He's falling in love with her,

0:37:50.160 --> 0:37:54.040
<v Speaker 1>and he wasn't supposed to a rule breaker. You know,

0:37:54.560 --> 0:37:56.799
<v Speaker 1>he's a bad boy. He's canonically a bad boy. He

0:37:56.840 --> 0:38:00.960
<v Speaker 1>almost kills a student in the first scene. Yeah, but

0:38:01.040 --> 0:38:04.920
<v Speaker 1>he does go visit him in the hospital and say sorry,

0:38:05.360 --> 0:38:10.040
<v Speaker 1>so that redeems him question mark um, even though the

0:38:10.120 --> 0:38:14.360
<v Speaker 1>student is like not understandably not very receptive to the apologies, like,

0:38:14.400 --> 0:38:16.319
<v Speaker 1>get the funk out of here. I don't know why

0:38:16.360 --> 0:38:18.040
<v Speaker 1>I want to be your friend. You like push me

0:38:18.080 --> 0:38:26.920
<v Speaker 1>off of a cliff, or like whatevers a bed of eels.

0:38:27.960 --> 0:38:31.880
<v Speaker 1>So yeah, Jamie is like rejecting him and pushing him away,

0:38:32.000 --> 0:38:33.319
<v Speaker 1>and she's like, you don't know how to be a

0:38:33.360 --> 0:38:38.879
<v Speaker 1>good friend. So then he tries harder. He gives her

0:38:39.200 --> 0:38:42.239
<v Speaker 1>a new sweater. He stands up for her when his

0:38:42.320 --> 0:38:46.960
<v Speaker 1>friends play that photoshop related prank on her at school, which, truly,

0:38:47.000 --> 0:38:49.000
<v Speaker 1>if you haven't seen the movie, just like look up

0:38:49.080 --> 0:38:53.239
<v Speaker 1>that scene because it's even like, even though it's like

0:38:53.400 --> 0:38:55.600
<v Speaker 1>from a plot standpoint of like, oh my god, your

0:38:55.600 --> 0:38:57.839
<v Speaker 1>heart goes out to her and and maybe that would

0:38:57.880 --> 0:38:59.640
<v Speaker 1>be a horrible thing to happen to you in two

0:38:59.640 --> 0:39:02.880
<v Speaker 1>thousand too, but if that happened to me now, I'd

0:39:02.920 --> 0:39:07.960
<v Speaker 1>be like, uh so, what is the joke here? It's

0:39:07.960 --> 0:39:10.840
<v Speaker 1>such a bad photoshop. It's like it's more embarrassing for

0:39:10.880 --> 0:39:15.000
<v Speaker 1>the person who photo shopped it than for her. But

0:39:15.040 --> 0:39:17.920
<v Speaker 1>I do feel like that scene really captures the like

0:39:18.560 --> 0:39:22.840
<v Speaker 1>cruel scene laugh that like still haunts me to this day. Yeah,

0:39:22.920 --> 0:39:25.959
<v Speaker 1>you run into that in real life. Oh boy, all

0:39:25.960 --> 0:39:29.880
<v Speaker 1>logic goes out the window. You're scarred, that's true. Yeah,

0:39:30.160 --> 0:39:33.640
<v Speaker 1>So he defends her and stands up for her when

0:39:33.680 --> 0:39:37.000
<v Speaker 1>this happens, and then he asks her out on a date,

0:39:37.719 --> 0:39:40.640
<v Speaker 1>but her dad doesn't let her date, so then Landon

0:39:40.800 --> 0:39:44.400
<v Speaker 1>asks her dad permission to take her out, which he

0:39:44.480 --> 0:39:49.120
<v Speaker 1>relents to. So then they go out to dinner, they dance.

0:39:49.760 --> 0:39:53.920
<v Speaker 1>It is revealed that Shane West is shorter than Mandy Moore. No, no, no,

0:39:53.960 --> 0:39:55.920
<v Speaker 1>we don't know it in that scene. It's then we don't.

0:39:56.800 --> 0:39:59.279
<v Speaker 1>It's after we find out she's sick, and then he says,

0:39:59.640 --> 0:40:02.200
<v Speaker 1>you too, to dance, and that montage that's where you

0:40:02.280 --> 0:40:04.759
<v Speaker 1>learn he is. He is a couple inches shorter than her,

0:40:05.160 --> 0:40:08.960
<v Speaker 1>hasn't He asked his mom to teach him how to dance? There, Yeah,

0:40:09.000 --> 0:40:14.200
<v Speaker 1>the dances before because the leukemia reveal is like, to me,

0:40:14.280 --> 0:40:19.440
<v Speaker 1>where the movie totally shifted. Well, sure, yea once our

0:40:19.480 --> 0:40:25.719
<v Speaker 1>protagonist is doomed, yes, but yeah, maybe I'm messing up

0:40:25.760 --> 0:40:28.680
<v Speaker 1>the order. It's whatever. In there's a scene in the

0:40:28.719 --> 0:40:32.279
<v Speaker 1>middle of a montage where she teaches him how to

0:40:32.360 --> 0:40:35.480
<v Speaker 1>dance and you can see both of their full bodies

0:40:35.560 --> 0:40:37.960
<v Speaker 1>and then you're like, he's shorter than her because you

0:40:38.000 --> 0:40:40.560
<v Speaker 1>can't wear your acting shoes in a full body shot.

0:40:40.680 --> 0:40:43.680
<v Speaker 1>You're right, yeah, because she teaches his mom. He asked

0:40:43.719 --> 0:40:46.640
<v Speaker 1>his mom to teach him when they later dance on

0:40:46.840 --> 0:40:50.440
<v Speaker 1>the balcony with no door, right right right right the

0:40:50.560 --> 0:40:55.920
<v Speaker 1>balcony door. Yes, it's that's fascinated me for years. I

0:40:55.960 --> 0:40:58.200
<v Speaker 1>didn't pick up on it, just like you're gonna make

0:40:58.200 --> 0:41:00.719
<v Speaker 1>this sickly girl climb out a window to look at

0:41:00.719 --> 0:41:05.960
<v Speaker 1>her stars all the balcony with no doors. I wonder

0:41:06.000 --> 0:41:08.920
<v Speaker 1>if it's like if it's like a an Aladdin kind

0:41:08.960 --> 0:41:11.719
<v Speaker 1>of deal where it's just a curtain that leads into

0:41:11.719 --> 0:41:16.240
<v Speaker 1>a room. No, it's it's just four windows. They also

0:41:16.640 --> 0:41:21.279
<v Speaker 1>are looking through a telescope that he builds right in

0:41:21.360 --> 0:41:24.279
<v Speaker 1>front of her, Like you would think that he would

0:41:24.280 --> 0:41:26.560
<v Speaker 1>have done that as like a surprise gift, but he

0:41:26.680 --> 0:41:29.240
<v Speaker 1>just like sets up a workshop outside of her house,

0:41:30.040 --> 0:41:34.080
<v Speaker 1>and it's like, don't look, I love it what I'm doing.

0:41:34.480 --> 0:41:37.120
<v Speaker 1>This movie is so goofy and corny in so many

0:41:37.160 --> 0:41:39.880
<v Speaker 1>ways where you just have to be constantly suspending your logic.

0:41:39.880 --> 0:41:43.720
<v Speaker 1>Where there's like one scene where you find out what

0:41:43.960 --> 0:41:46.880
<v Speaker 1>Jamie's ambition in life is, which is to like witness

0:41:46.920 --> 0:41:50.640
<v Speaker 1>a miracle. But you find out because Shane West happens

0:41:50.680 --> 0:41:54.160
<v Speaker 1>to be going through the yearbook at home alone, Like

0:41:54.280 --> 0:41:57.240
<v Speaker 1>why is he doing that he's just we're to believe

0:41:57.280 --> 0:42:00.800
<v Speaker 1>he's just sitting at home, like to day night, better

0:42:01.040 --> 0:42:04.640
<v Speaker 1>look through my yearbook, like I don't want to break

0:42:04.680 --> 0:42:07.759
<v Speaker 1>your mind, But I feel like that might be one

0:42:07.800 --> 0:42:12.319
<v Speaker 1>of a few instances in this film where traditionally he

0:42:12.400 --> 0:42:15.560
<v Speaker 1>would then in a real world start checking off. And

0:42:15.600 --> 0:42:18.040
<v Speaker 1>that can't be alluded to at all. Know, he's just

0:42:18.080 --> 0:42:22.759
<v Speaker 1>like a plot point. She wants a miracle, does she?

0:42:22.760 --> 0:42:29.560
<v Speaker 1>She wants for it all. Wait, I'm gonna klen as

0:42:29.560 --> 0:42:32.799
<v Speaker 1>you continue to summarse, I'm gonna just just to put

0:42:32.920 --> 0:42:35.920
<v Speaker 1>my own mind at ease. I'm going to screen cap these. Uh,

0:42:36.040 --> 0:42:38.640
<v Speaker 1>these shame west height toscripancy is to share with the

0:42:38.680 --> 0:42:41.640
<v Speaker 1>class because I swear to God, I swear to God,

0:42:41.640 --> 0:42:46.920
<v Speaker 1>it's the thing. Yes please um. So, meanwhile, they go

0:42:46.920 --> 0:42:50.279
<v Speaker 1>out to dinner, they dance. He helps her knock some

0:42:50.320 --> 0:42:52.600
<v Speaker 1>stuff off of her to do list, like to be

0:42:52.680 --> 0:42:55.840
<v Speaker 1>in two places at once and to get a tattoo.

0:42:56.040 --> 0:42:59.799
<v Speaker 1>That scene is really sweet, It is pretty nice. It's

0:42:59.800 --> 0:43:02.640
<v Speaker 1>so corny, but the I remember the two places at

0:43:02.640 --> 0:43:06.040
<v Speaker 1>once seemed really vividly because Maddie Moore gets so excited,

0:43:06.120 --> 0:43:12.680
<v Speaker 1>She's like, who so cute? And then they kiss and

0:43:12.680 --> 0:43:15.360
<v Speaker 1>he tells her he loves her, and she's like, I

0:43:15.480 --> 0:43:18.360
<v Speaker 1>told you not to fall in love with me. Are

0:43:18.239 --> 0:43:22.560
<v Speaker 1>we going to know? He had one job? And then

0:43:22.560 --> 0:43:26.280
<v Speaker 1>her dad is like, Jamie, you have to be fair

0:43:26.320 --> 0:43:30.240
<v Speaker 1>to him before things get worse, and we're like, huh,

0:43:30.480 --> 0:43:33.680
<v Speaker 1>what does that mean, which we find out shortly. But

0:43:33.719 --> 0:43:37.480
<v Speaker 1>before that, Jamie and Landen Star gaze together and then

0:43:37.520 --> 0:43:39.440
<v Speaker 1>she tells him the number one thing on her list,

0:43:39.560 --> 0:43:42.439
<v Speaker 1>which is to get married in the church where her

0:43:42.560 --> 0:43:46.000
<v Speaker 1>parents got married. And then the big reveal, which is

0:43:46.280 --> 0:43:49.480
<v Speaker 1>that she tells him that she is sick with leukemia

0:43:49.600 --> 0:43:52.880
<v Speaker 1>and that she has stopped responding to treatment, the implication

0:43:52.960 --> 0:43:57.319
<v Speaker 1>being that she does not have long to live. And

0:43:57.360 --> 0:44:00.799
<v Speaker 1>then he broods for a while. God, but then he

0:44:00.840 --> 0:44:06.160
<v Speaker 1>goes to his Okay, this scene is just story logic wise,

0:44:06.400 --> 0:44:09.479
<v Speaker 1>it is so silly. Where he goes to his He has,

0:44:09.680 --> 0:44:12.320
<v Speaker 1>of course, because every movie has to be about fathers

0:44:12.320 --> 0:44:15.640
<v Speaker 1>and sons for some reason. Yes, he has a bad

0:44:15.680 --> 0:44:19.080
<v Speaker 1>relationship with his dad, who's like a doctor, but he

0:44:19.320 --> 0:44:23.200
<v Speaker 1>left and it's all very like vague divorced parents stuff.

0:44:24.040 --> 0:44:26.040
<v Speaker 1>But he goes to his dad's house and it's like,

0:44:26.120 --> 0:44:30.359
<v Speaker 1>my girlfriend is dying of cancer? Can you save her?

0:44:30.680 --> 0:44:34.600
<v Speaker 1>And his dad's kind of like, well, no, there's not

0:44:34.840 --> 0:44:38.960
<v Speaker 1>a cure for cancer that's known, and Shane West responds

0:44:39.000 --> 0:44:42.120
<v Speaker 1>by being like, you were never there for me, Like

0:44:43.360 --> 0:44:46.120
<v Speaker 1>I was like, yeah, but these two, these two things

0:44:46.160 --> 0:44:49.839
<v Speaker 1>are sort of unrelated, you know. Also, his dad's like,

0:44:50.200 --> 0:44:55.759
<v Speaker 1>I'm not an oncologist. I'm a cardiologist. For someone who

0:44:55.760 --> 0:44:59.480
<v Speaker 1>wants to be a doctor, he really did not understand

0:44:59.520 --> 0:45:03.880
<v Speaker 1>anything about medicine at this point. True, it's so funny

0:45:04.040 --> 0:45:06.960
<v Speaker 1>that whole scene because then it's like a million years

0:45:07.000 --> 0:45:10.240
<v Speaker 1>of brooding and Shane West driving around in his cool,

0:45:10.320 --> 0:45:14.359
<v Speaker 1>cool car and it's like, dude, listen, like, your dad

0:45:14.480 --> 0:45:17.239
<v Speaker 1>is not the right kind of doctor. Like the situation

0:45:17.320 --> 0:45:20.800
<v Speaker 1>is still very sad, but like, of the many things

0:45:20.800 --> 0:45:24.160
<v Speaker 1>that maybe your father's faults, this is not one of them.

0:45:24.320 --> 0:45:28.239
<v Speaker 1>Is not one of them. So yeah, he's brooding for

0:45:28.280 --> 0:45:31.399
<v Speaker 1>a while, he's driving around in his Camaro, and then

0:45:31.400 --> 0:45:35.520
<v Speaker 1>he comes back around and he's like, Jamie, baby, I'm

0:45:35.560 --> 0:45:39.959
<v Speaker 1>not going anywhere. And then one day she collapses and

0:45:40.239 --> 0:45:43.600
<v Speaker 1>is rushed to the hospital and Landon stays by her

0:45:43.600 --> 0:45:47.879
<v Speaker 1>side until she's able to go home. Because Landon's dad

0:45:48.000 --> 0:45:51.440
<v Speaker 1>arranges to pay for her private home care, which is

0:45:51.480 --> 0:45:54.239
<v Speaker 1>really nice, and I guess a more realistic thing that

0:45:54.280 --> 0:45:58.080
<v Speaker 1>he can do instead of knowing the care for cancer

0:45:58.160 --> 0:46:02.160
<v Speaker 1>that doesn't exist. I forgot about that plot point and

0:46:02.480 --> 0:46:05.680
<v Speaker 1>I liked it. I thought that was very nice. But

0:46:05.719 --> 0:46:08.520
<v Speaker 1>I also feel like that whole dad plotline, like I

0:46:08.520 --> 0:46:11.600
<v Speaker 1>don't really care about it at all, except for the

0:46:11.680 --> 0:46:15.640
<v Speaker 1>moment where at the wedding that's about to happen. The

0:46:16.080 --> 0:46:18.840
<v Speaker 1>way that his dad looks at him at his wedding

0:46:18.960 --> 0:46:22.200
<v Speaker 1>is so she looks like he's about to burst into tears.

0:46:22.200 --> 0:46:24.200
<v Speaker 1>I'm like, I don't even know who this man is.

0:46:24.480 --> 0:46:30.480
<v Speaker 1>Like what am I looking at? Anyways? I'm getting handed well,

0:46:30.640 --> 0:46:35.440
<v Speaker 1>so then, uh, what's his name? Landon asks Jamie to

0:46:35.880 --> 0:46:38.839
<v Speaker 1>marry him so that she can accomplish the number one

0:46:38.840 --> 0:46:42.520
<v Speaker 1>thing on her list. So they get married, and then

0:46:43.120 --> 0:46:46.880
<v Speaker 1>Landon's voiceover explains that they have a beautiful summer together

0:46:47.160 --> 0:46:51.200
<v Speaker 1>and that she passes away a few months after their wedding,

0:46:51.800 --> 0:46:54.200
<v Speaker 1>and then we get a flash forward to four years

0:46:54.280 --> 0:46:58.600
<v Speaker 1>later where Landon pays a visit to Jamie's father. He

0:46:58.680 --> 0:47:03.240
<v Speaker 1>has gotten into medical school. Hopefully, He's like, he's hopefully

0:47:03.239 --> 0:47:05.520
<v Speaker 1>made amends with his dad to be like, I'm so sorry.

0:47:05.560 --> 0:47:10.160
<v Speaker 1>I didn't know how doctors worked when I was seventeen. Whoops,

0:47:10.280 --> 0:47:17.120
<v Speaker 1>I overreacted my back. And then Jamie's father is like Landon,

0:47:17.280 --> 0:47:20.440
<v Speaker 1>by the way, Jamie did find her miracle and it

0:47:20.520 --> 0:47:25.160
<v Speaker 1>was you. And then there's some more voice over about

0:47:25.280 --> 0:47:29.600
<v Speaker 1>how Landon will always love Jamie and he'll always feel

0:47:29.640 --> 0:47:32.640
<v Speaker 1>their love. So that's the story. Let's take another break

0:47:32.719 --> 0:47:43.240
<v Speaker 1>and we'll come back to discuss, and we're back. M hmmm,

0:47:43.640 --> 0:47:45.520
<v Speaker 1>We're I feel like we've we've actually covered a fear

0:47:45.520 --> 0:47:50.120
<v Speaker 1>amount of ground. Actually the recap, yeah, we have. Since

0:47:50.160 --> 0:47:53.439
<v Speaker 1>we were briefly talking about like the fathers and sons thing,

0:47:53.520 --> 0:47:56.960
<v Speaker 1>I wanted to just say a little bit about that,

0:47:57.000 --> 0:48:00.719
<v Speaker 1>which is to me, it feels like the big emotional

0:48:00.960 --> 0:48:04.960
<v Speaker 1>beat of this movie. That's like the big like tear jerker.

0:48:05.400 --> 0:48:08.359
<v Speaker 1>Everyone in the audience is crying. Is that moment where

0:48:08.440 --> 0:48:11.520
<v Speaker 1>Landon goes to his dad to say, thank you for

0:48:11.640 --> 0:48:16.279
<v Speaker 1>paying for my girlfriends like private home care. Because he's

0:48:16.360 --> 0:48:20.080
<v Speaker 1>he's crying. They hug each other. The music swells like

0:48:20.239 --> 0:48:23.840
<v Speaker 1>lingers on this moment for quite a while, and the

0:48:23.880 --> 0:48:28.120
<v Speaker 1>cinematic language tells you that that's the big crime moment,

0:48:29.080 --> 0:48:32.080
<v Speaker 1>and then a short time later, couldn't care less Jamie

0:48:32.320 --> 0:48:36.200
<v Speaker 1>dies off screen. We only know about a via voiceover.

0:48:36.680 --> 0:48:39.600
<v Speaker 1>It is not played for like that big tear jerker

0:48:39.960 --> 0:48:42.960
<v Speaker 1>moment the same way, which I'm kind of surprised I

0:48:44.080 --> 0:48:47.640
<v Speaker 1>watching it back. I guess it would have really emotionally

0:48:47.640 --> 0:48:51.000
<v Speaker 1>wrecked me at any age to like I didn't want

0:48:51.000 --> 0:48:53.560
<v Speaker 1>to like see her die, But they do wrap it

0:48:53.680 --> 0:48:56.680
<v Speaker 1>up so quick. I guess. I don't know the argument

0:48:56.719 --> 0:48:58.439
<v Speaker 1>there is, like it goes out on a high note,

0:48:58.520 --> 0:49:02.040
<v Speaker 1>like you see her like she's accomplished her life's goal

0:49:02.239 --> 0:49:07.640
<v Speaker 1>of getting married, and and then it's like, well, you know,

0:49:07.719 --> 0:49:09.080
<v Speaker 1>I don't know. I don't know how I feel about

0:49:09.120 --> 0:49:12.919
<v Speaker 1>that choice. Yeah, I just I found it really kind

0:49:12.960 --> 0:49:16.600
<v Speaker 1>of bizarre that the big tear jerker beat of the

0:49:16.640 --> 0:49:24.360
<v Speaker 1>movie is the like father son reconciliation rather than the

0:49:24.400 --> 0:49:30.200
<v Speaker 1>death of the woman that the main character loves. I

0:49:30.280 --> 0:49:32.880
<v Speaker 1>feel like the tormal shift I was saying with the

0:49:32.960 --> 0:49:36.160
<v Speaker 1>leukemia was actually like more I feel like when the

0:49:36.200 --> 0:49:39.960
<v Speaker 1>movie kind of became what I understand might be more

0:49:40.080 --> 0:49:42.440
<v Speaker 1>like the book, where you know the book is like

0:49:42.520 --> 0:49:45.640
<v Speaker 1>clear that it's coming from Landon's perspective, and the book

0:49:45.719 --> 0:49:50.919
<v Speaker 1>is kind of well Nicholas Barks's Uh. When Nicholas Barks

0:49:50.920 --> 0:49:53.880
<v Speaker 1>spoke about writing the book, it was like he equally

0:49:53.920 --> 0:49:57.399
<v Speaker 1>wanted to like it wasn't really about Jamie. Like when

0:49:57.400 --> 0:50:00.600
<v Speaker 1>he read the book, his thoughts are like her husband

0:50:01.160 --> 0:50:05.640
<v Speaker 1>was such a miracle, Like who would marry a girl

0:50:05.680 --> 0:50:07.840
<v Speaker 1>they know is going to die? Like this guy needs

0:50:07.880 --> 0:50:11.480
<v Speaker 1>to be celebrated. Like that's kind of where he was

0:50:11.560 --> 0:50:14.400
<v Speaker 1>coming from. And so I feel like that would make

0:50:14.520 --> 0:50:18.560
<v Speaker 1>sense then why his big emotional opening is what's important.

0:50:18.560 --> 0:50:21.000
<v Speaker 1>It's like, oh, Jamie taught him how to feel, and

0:50:21.040 --> 0:50:24.400
<v Speaker 1>now he feels with his dad. I agree, And I

0:50:24.400 --> 0:50:27.360
<v Speaker 1>feel like that is like the big true or or

0:50:27.480 --> 0:50:32.319
<v Speaker 1>one of the biggest trophy issues with this movie. Right.

0:50:32.400 --> 0:50:35.080
<v Speaker 1>It's like it in I mean, I think even from

0:50:35.120 --> 0:50:39.920
<v Speaker 1>like a screenwriting sampoint, it's clearly Landon's story, but it

0:50:39.960 --> 0:50:42.560
<v Speaker 1>but it like uses the trope that that has been

0:50:42.600 --> 0:50:46.560
<v Speaker 1>in a lot of movies and stories over the over

0:50:46.640 --> 0:50:51.880
<v Speaker 1>time of like a woman dies to like teach a

0:50:52.000 --> 0:50:54.839
<v Speaker 1>guy how to kind of be a better person. Like

0:50:55.080 --> 0:50:59.000
<v Speaker 1>that is ultimately the narrative function of like Jamie in

0:50:59.080 --> 0:51:01.120
<v Speaker 1>this world at these And I don't mean to, like,

0:51:02.239 --> 0:51:05.480
<v Speaker 1>you know, because because I know that Nicholas Sparks's sister

0:51:05.800 --> 0:51:09.600
<v Speaker 1>inspired this, but it's not her life story. She was

0:51:09.920 --> 0:51:13.200
<v Speaker 1>a different person living at a different time, who was

0:51:13.239 --> 0:51:15.680
<v Speaker 1>in her late twenties, not in high school, you know.

0:51:15.760 --> 0:51:19.000
<v Speaker 1>And I like the way this movie was adapted clearly

0:51:19.080 --> 0:51:22.080
<v Speaker 1>falls into that trope of like Jamie, while I feel

0:51:22.120 --> 0:51:26.000
<v Speaker 1>like Jamie is like a better developed character than most

0:51:26.360 --> 0:51:29.160
<v Speaker 1>young women who are put in that role, and like

0:51:30.200 --> 0:51:32.440
<v Speaker 1>there are things that I was kind of not like

0:51:32.680 --> 0:51:35.800
<v Speaker 1>impressed as a little bit strong, but I was surprised

0:51:36.040 --> 0:51:38.640
<v Speaker 1>that there was a lot about Jamie that like she

0:51:38.719 --> 0:51:42.560
<v Speaker 1>didn't do the the grease thing or the what the

0:51:42.680 --> 0:51:45.040
<v Speaker 1>like she's all that thing where she totally changed and

0:51:45.080 --> 0:51:49.040
<v Speaker 1>at the end she's popular, like she does stay. She

0:51:49.080 --> 0:51:51.359
<v Speaker 1>she changes a little bit, but like for the most part,

0:51:51.440 --> 0:51:55.480
<v Speaker 1>she's pretty consistent and like she's always church girl and

0:51:55.840 --> 0:51:59.160
<v Speaker 1>she's not gonna like change what her values are. And

0:51:59.400 --> 0:52:01.040
<v Speaker 1>for the for the most part, like I thought that

0:52:01.120 --> 0:52:03.440
<v Speaker 1>was like, oh, that's a little bit different, but she

0:52:03.520 --> 0:52:08.320
<v Speaker 1>still ultimately is like sacrificed and what the takeaway feels

0:52:08.360 --> 0:52:11.839
<v Speaker 1>like And now Shane West knows that he can go

0:52:11.880 --> 0:52:13.680
<v Speaker 1>to med school and he doesn't need to be a

0:52:13.760 --> 0:52:17.560
<v Speaker 1>high school bully. And it's like, well, was it worth it?

0:52:17.640 --> 0:52:20.800
<v Speaker 1>Was it really worth it? I don't know, right, Yeah,

0:52:21.360 --> 0:52:25.520
<v Speaker 1>that is such a trope where the function of a

0:52:25.640 --> 0:52:30.760
<v Speaker 1>lot of female characters, whether or not they die depends

0:52:30.760 --> 0:52:32.640
<v Speaker 1>on kind of the story, but the function of a

0:52:32.640 --> 0:52:35.279
<v Speaker 1>lot of the of characters. It's sort of like the

0:52:35.320 --> 0:52:41.000
<v Speaker 1>burden is on women to teach men how to be

0:52:41.080 --> 0:52:45.080
<v Speaker 1>a good person and like how to feel feelings and stuff.

0:52:45.360 --> 0:52:48.279
<v Speaker 1>I don't know too much, Like I I do recognize

0:52:48.320 --> 0:52:51.839
<v Speaker 1>this trope, I don't know too much about it, like uh, scholarly.

0:52:52.280 --> 0:52:54.759
<v Speaker 1>But I also feel like this kind of has to

0:52:54.800 --> 0:52:58.359
<v Speaker 1>do with the religious overtones too, because I feel like

0:52:58.440 --> 0:53:03.040
<v Speaker 1>the tone it's basically like it feels like this movie

0:53:03.160 --> 0:53:06.760
<v Speaker 1>is celebrating the mercy that land In bestows upon Jamie,

0:53:07.040 --> 0:53:11.200
<v Speaker 1>and it's really about like his like not only his transformation,

0:53:11.280 --> 0:53:15.160
<v Speaker 1>but like how much he put into this relationship by

0:53:15.239 --> 0:53:19.360
<v Speaker 1>being with a person with leukemia, which feels very ablest,

0:53:19.480 --> 0:53:23.759
<v Speaker 1>but also like the idea of mercy. Like even in

0:53:23.800 --> 0:53:27.560
<v Speaker 1>the Bible, you know, women are often literally just plotlines

0:53:27.640 --> 0:53:30.960
<v Speaker 1>for male characters in the Bible. Um, so I feel

0:53:30.960 --> 0:53:33.960
<v Speaker 1>like there's also that aspect of it that, like I

0:53:34.560 --> 0:53:37.440
<v Speaker 1>guess only hearing you talk about the trope really connected

0:53:37.440 --> 0:53:39.279
<v Speaker 1>the two for me. And when I was googling, like

0:53:39.600 --> 0:53:41.920
<v Speaker 1>I was trying to find out what the genre is

0:53:41.960 --> 0:53:44.600
<v Speaker 1>of like Christian movies, and the only thing I could

0:53:44.640 --> 0:53:48.759
<v Speaker 1>find that was like scholarly was connecting them to the

0:53:48.880 --> 0:53:54.160
<v Speaker 1>religious melodramas like plays and stuff. Um, So it feels

0:53:54.200 --> 0:53:57.320
<v Speaker 1>like this, even though I could not find any confirmation

0:53:57.400 --> 0:54:00.239
<v Speaker 1>why this was so Christian or that this is even

0:54:00.239 --> 0:54:02.640
<v Speaker 1>seemed to be considered a Christian film, it's not on

0:54:02.680 --> 0:54:08.080
<v Speaker 1>pure Flix. I just feel like it's definitely that we

0:54:08.160 --> 0:54:11.200
<v Speaker 1>have to do a pure Flix. I only found that

0:54:11.280 --> 0:54:16.120
<v Speaker 1>from this it's oh yeah, there. I think I'm pretty sure.

0:54:16.480 --> 0:54:19.200
<v Speaker 1>Maggie may Fish has covered a couple of movies on

0:54:19.200 --> 0:54:21.480
<v Speaker 1>her YouTube channel that are I think they were originally

0:54:21.520 --> 0:54:24.799
<v Speaker 1>on pure Flix. But like Rob Schneider appears in a

0:54:24.840 --> 0:54:28.799
<v Speaker 1>lot of pure Flix movies, there's like it's it's it's

0:54:28.840 --> 0:54:32.720
<v Speaker 1>exactly what it sounds like. It's Christian Netflix, but it

0:54:32.760 --> 0:54:37.759
<v Speaker 1>just sounds absolutely wild, which I did watch again, I

0:54:37.760 --> 0:54:40.120
<v Speaker 1>went on too deep of the dive. I did watch

0:54:40.239 --> 0:54:44.360
<v Speaker 1>a YouTube clip of the VHS commercials from the VHS

0:54:44.440 --> 0:54:49.080
<v Speaker 1>release of this film, um, and they did include a

0:54:49.120 --> 0:54:52.920
<v Speaker 1>preview for a movie that is on Pure Flix. So

0:54:53.000 --> 0:54:55.560
<v Speaker 1>again I'm like, where is this Christian money coming from?

0:54:55.600 --> 0:54:59.880
<v Speaker 1>And why is it unngogle able? Like it's very strange.

0:55:00.600 --> 0:55:03.840
<v Speaker 1>I it is. I mean, I guess I I didn't

0:55:03.840 --> 0:55:07.359
<v Speaker 1>go back and do the full like recap. I feel

0:55:07.360 --> 0:55:11.040
<v Speaker 1>like for a very mainstream, successful movie, this movie is

0:55:11.480 --> 0:55:15.920
<v Speaker 1>unusually Christian, where, if you know, the further you go

0:55:16.000 --> 0:55:19.360
<v Speaker 1>back in American movies, I like, the more Christian outwardly

0:55:19.440 --> 0:55:22.200
<v Speaker 1>Christian they get, and more you like you see the

0:55:22.200 --> 0:55:25.400
<v Speaker 1>themes of mercy and faith come up more often. But

0:55:25.480 --> 0:55:27.520
<v Speaker 1>by the early two thousands, I feel like it is

0:55:27.760 --> 0:55:30.680
<v Speaker 1>kind of a usual. I don't know but that, but

0:55:30.719 --> 0:55:33.359
<v Speaker 1>I could be wrong, but you think like Saved came

0:55:33.400 --> 0:55:37.040
<v Speaker 1>out after this and that is very critical of Christianity,

0:55:37.080 --> 0:55:38.839
<v Speaker 1>Like I feel like that was more common by that point.

0:55:38.880 --> 0:55:41.920
<v Speaker 1>I don't know. I will say that, and this is

0:55:41.920 --> 0:55:47.680
<v Speaker 1>coming from someone who was raised as an atheist and

0:55:47.960 --> 0:55:52.040
<v Speaker 1>tends to shy away from Christian media or any like

0:55:52.200 --> 0:55:58.400
<v Speaker 1>entertainment that has strong Christian under or overtones. I didn't

0:55:58.400 --> 0:56:05.319
<v Speaker 1>necessarily I didn't mind the Christianity in this or like

0:56:05.360 --> 0:56:10.000
<v Speaker 1>the I didn't mind the religious themes in this because

0:56:10.760 --> 0:56:13.320
<v Speaker 1>none of the characters who have a strong Christian faith

0:56:13.400 --> 0:56:18.560
<v Speaker 1>are using their faith to justify toxic attitudes and ideologies

0:56:18.680 --> 0:56:25.960
<v Speaker 1>that some Christians have, such as you know, homophobia, transphobia, racism,

0:56:26.000 --> 0:56:29.520
<v Speaker 1>anti choice, anti bodily autonomy, you know, all that stuff.

0:56:30.040 --> 0:56:33.640
<v Speaker 1>And when I'm critical of religion, it's those displays of

0:56:33.760 --> 0:56:37.560
<v Speaker 1>toxicity and intolerance that I'm critical of. But we don't

0:56:37.560 --> 0:56:40.360
<v Speaker 1>see any of that in this movie. The characters aren't

0:56:40.400 --> 0:56:43.799
<v Speaker 1>doing anything like that. They're just you know, living their

0:56:43.880 --> 0:56:49.480
<v Speaker 1>lives and not hurting anybody or being prejudiced towards anybody.

0:56:49.520 --> 0:56:52.680
<v Speaker 1>But there's not really anyone to be prejudice of, you know,

0:56:52.880 --> 0:56:56.600
<v Speaker 1>because everyone is straight at this high school. Well, but

0:56:56.719 --> 0:57:01.080
<v Speaker 1>there's also there maybe people of color, and that's not

0:57:01.160 --> 0:57:05.040
<v Speaker 1>counting if they reuse background actors, Like I think, to me,

0:57:05.120 --> 0:57:07.319
<v Speaker 1>it's like I could get into the headspace of this

0:57:07.440 --> 0:57:11.319
<v Speaker 1>being like, I agree with you, it's not used. When

0:57:11.320 --> 0:57:13.040
<v Speaker 1>you were talking, it made me think of Josie and

0:57:13.040 --> 0:57:15.320
<v Speaker 1>the Pussycats, Like I feel like religion in this movie

0:57:15.480 --> 0:57:19.720
<v Speaker 1>is like product placement in that where it's like almost like, no,

0:57:19.920 --> 0:57:22.360
<v Speaker 1>we get it, like we're putting it in front of there,

0:57:22.360 --> 0:57:24.560
<v Speaker 1>but then because it's religious and like, but wait, maybe

0:57:24.560 --> 0:57:27.800
<v Speaker 1>they're like, I don't know, it feels sinister, but that

0:57:27.880 --> 0:57:31.320
<v Speaker 1>might just be because the church is weird. I kind

0:57:31.320 --> 0:57:35.160
<v Speaker 1>of I I agree with with what you're both saying

0:57:35.200 --> 0:57:37.920
<v Speaker 1>where I felt like the way that Christianity was presented

0:57:37.920 --> 0:57:40.720
<v Speaker 1>in this movie was pretty inoffensive. But then I was like,

0:57:40.800 --> 0:57:44.800
<v Speaker 1>but maybe that's not good, you know, because because this

0:57:45.360 --> 0:57:48.800
<v Speaker 1>movie I don't I don't know, And ultimately it's it's

0:57:49.320 --> 0:57:51.240
<v Speaker 1>I get kind of like lost in the sauce there

0:57:51.280 --> 0:57:54.600
<v Speaker 1>because it's like either someone is not really thinking about

0:57:54.600 --> 0:57:57.720
<v Speaker 1>it very hard, or someone's thinking about it really hard.

0:57:58.040 --> 0:58:00.400
<v Speaker 1>Has it in the way that like Christian and He's

0:58:00.440 --> 0:58:02.400
<v Speaker 1>presented in this movie, because I feel like it is.

0:58:02.520 --> 0:58:07.440
<v Speaker 1>It's you know, like less harmful tenants that are being

0:58:07.920 --> 0:58:11.120
<v Speaker 1>used in this movie of like forgiveness and like give

0:58:11.200 --> 0:58:14.680
<v Speaker 1>people a chance, And I mean the way that that's

0:58:14.720 --> 0:58:17.520
<v Speaker 1>kind of implemented does lend itself to a lot of

0:58:17.560 --> 0:58:21.800
<v Speaker 1>Shane was toxic behavior kind of being forgiven a little

0:58:21.880 --> 0:58:27.000
<v Speaker 1>to christ Like maybe, but but it does I don't know. Yeah,

0:58:27.040 --> 0:58:32.240
<v Speaker 1>Like ultimately I'm like I do. I do remember recognizing

0:58:32.320 --> 0:58:34.800
<v Speaker 1>that there were christian elements to this story, but I

0:58:34.840 --> 0:58:37.480
<v Speaker 1>think because someone else pointed it out to me. I

0:58:37.520 --> 0:58:39.040
<v Speaker 1>don't think I would have gotten there on my own,

0:58:39.080 --> 0:58:41.000
<v Speaker 1>but there was like a parent or someone who was

0:58:41.040 --> 0:58:44.800
<v Speaker 1>just like, oh, it's like churchy ship makes me sick

0:58:45.080 --> 0:58:47.760
<v Speaker 1>or like whatever, But like, how did we not pick

0:58:47.840 --> 0:58:49.840
<v Speaker 1>it up as a kid? It was just kind of there. Well,

0:58:49.920 --> 0:58:52.320
<v Speaker 1>how how old were the two of you? Because like

0:58:52.360 --> 0:58:54.720
<v Speaker 1>that was the only thing I remembered about this movie.

0:58:54.840 --> 0:58:57.560
<v Speaker 1>I was like, Oh, it's the movie about the girl

0:58:57.640 --> 0:59:02.040
<v Speaker 1>with cancer and she's very devoutly Christian like that. That

0:59:02.160 --> 0:59:05.080
<v Speaker 1>was like the main thing I remembered about this movie.

0:59:05.480 --> 0:59:08.160
<v Speaker 1>I was your age, but I was, you know, not

0:59:08.280 --> 0:59:11.600
<v Speaker 1>aware of my bisexuality at the time, So I was

0:59:11.640 --> 0:59:13.960
<v Speaker 1>just horny this whole movie, and that was all I

0:59:13.960 --> 0:59:17.360
<v Speaker 1>could see. I was nine, so I didn't know shit

0:59:17.640 --> 0:59:25.440
<v Speaker 1>about shit. I just wanted people kissing and singing. Uh.

0:59:25.480 --> 0:59:28.680
<v Speaker 1>But but I do I mean, it's like, I don't know.

0:59:28.720 --> 0:59:30.800
<v Speaker 1>I think that there's definitely arguments for both sides of

0:59:30.800 --> 0:59:33.600
<v Speaker 1>the way that Christianity is presented in this movie, where

0:59:33.760 --> 0:59:37.439
<v Speaker 1>I'm glad that the negative aspects of Christianity didn't enter

0:59:37.480 --> 0:59:40.560
<v Speaker 1>the plot, but also it feels bizarre to just ignore

0:59:40.640 --> 0:59:43.000
<v Speaker 1>them as if they don't exist, and it's like it's

0:59:43.000 --> 0:59:47.280
<v Speaker 1>it's completely uncritical presentation of Christianity to the point where

0:59:47.280 --> 0:59:51.400
<v Speaker 1>I feel like they almost like reverse a priest trope

0:59:51.760 --> 0:59:55.000
<v Speaker 1>that you like. When you start watching the movie, you're like, oh,

0:59:55.040 --> 0:59:57.919
<v Speaker 1>you know her, her dad is by nature of his job,

0:59:58.040 --> 1:00:00.280
<v Speaker 1>very religious, so he's going to be very a Steve

1:00:00.320 --> 1:00:02.000
<v Speaker 1>and he doesn't want her to date. But it turns

1:00:02.040 --> 1:00:03.640
<v Speaker 1>out the reason that he doesn't want her to date

1:00:03.880 --> 1:00:06.600
<v Speaker 1>is not just because he's a priest. It's because he

1:00:07.160 --> 1:00:10.240
<v Speaker 1>doesn't like she's also sick and there's like other things

1:00:10.240 --> 1:00:11.760
<v Speaker 1>going on that we don't know. So I feel like

1:00:11.760 --> 1:00:14.680
<v Speaker 1>that the movie kind of makes the priest look better

1:00:14.840 --> 1:00:17.160
<v Speaker 1>as the movie goes on, because you're like, oh, he's

1:00:17.200 --> 1:00:20.560
<v Speaker 1>not being mean because of religion. He's being mean because

1:00:20.760 --> 1:00:22.400
<v Speaker 1>his daughter is really sick and he doesn't know what

1:00:22.480 --> 1:00:25.120
<v Speaker 1>to do, like which kind of I don't know. For

1:00:25.200 --> 1:00:28.200
<v Speaker 1>me on this rewatch made me not be like, oh,

1:00:28.760 --> 1:00:33.360
<v Speaker 1>he should be restricting his daughter's behavior, but at least

1:00:33.360 --> 1:00:36.160
<v Speaker 1>it gave some context and it wasn't just the trope

1:00:36.200 --> 1:00:40.400
<v Speaker 1>of like religious dad equals controlling and oppressive. The more

1:00:40.520 --> 1:00:43.240
<v Speaker 1>we talk about this, I wonder because the first time

1:00:43.280 --> 1:00:46.520
<v Speaker 1>we see the father, who is the pastor at the

1:00:46.560 --> 1:00:52.080
<v Speaker 1>only church in town where all the bad kids go, no,

1:00:52.600 --> 1:00:55.080
<v Speaker 1>but when we meet him, it's the mom. The line

1:00:55.160 --> 1:00:57.280
<v Speaker 1>right before is the mom saying you need a father,

1:00:57.640 --> 1:00:59.640
<v Speaker 1>and she's talking about how he doesn't talk to his dad,

1:00:59.640 --> 1:01:02.480
<v Speaker 1>and then it us to him. And now I'm just thinking, like,

1:01:02.720 --> 1:01:05.960
<v Speaker 1>because Mandy Moore didn't know how to act. Apparently Shane

1:01:05.960 --> 1:01:07.880
<v Speaker 1>West taught her the Marker thing, but she was very

1:01:07.960 --> 1:01:11.200
<v Speaker 1>natural and this was her first film. Like I wonder

1:01:11.280 --> 1:01:14.000
<v Speaker 1>if the like not intention but like I wonder if

1:01:14.000 --> 1:01:16.600
<v Speaker 1>it hadn't been her, would we be reading more into

1:01:16.720 --> 1:01:20.520
<v Speaker 1>like how the pastor kind of becomes his father figure,

1:01:21.000 --> 1:01:24.480
<v Speaker 1>and like how their relationship is actually more about like

1:01:24.600 --> 1:01:28.000
<v Speaker 1>both of them men, like learning how to have a son,

1:01:28.120 --> 1:01:29.880
<v Speaker 1>learning how to have a father, learning how to be

1:01:30.000 --> 1:01:34.680
<v Speaker 1>family with boys. And Mandy Moore was just so good

1:01:34.920 --> 1:01:37.320
<v Speaker 1>at the role that she was given that that kind

1:01:37.320 --> 1:01:39.600
<v Speaker 1>of got pushed aside for more of like us caring

1:01:39.600 --> 1:01:42.240
<v Speaker 1>about Jamie. Like I feel like we as the audience

1:01:42.280 --> 1:01:44.320
<v Speaker 1>care a lot more about Jamie than it feels like

1:01:44.400 --> 1:01:48.960
<v Speaker 1>the script in like intended or pushed for. Yeah, I

1:01:49.000 --> 1:01:53.880
<v Speaker 1>mean she really is, Like I think Mandy Moore's performance

1:01:53.960 --> 1:01:58.000
<v Speaker 1>does hold up in this movie. She's so Mandy Moore,

1:01:58.440 --> 1:02:03.000
<v Speaker 1>Like she's just so Flee and you're even when the

1:02:03.160 --> 1:02:06.720
<v Speaker 1>character is like kind of all over the place, You're like,

1:02:07.040 --> 1:02:10.680
<v Speaker 1>I'm rooting for I wanted to hit her mark. I

1:02:10.720 --> 1:02:13.400
<v Speaker 1>wanted to take off her scary cloak and sing a song.

1:02:13.960 --> 1:02:16.800
<v Speaker 1>Um I I agree with you, Sam, I think that, Yeah,

1:02:16.840 --> 1:02:20.040
<v Speaker 1>there are certain I hadn't even it hadn't even occurred

1:02:20.080 --> 1:02:21.960
<v Speaker 1>to me that the priest kind of ends up taking

1:02:21.960 --> 1:02:24.680
<v Speaker 1>on this fatherly role. I mean, what is the Bible

1:02:24.800 --> 1:02:28.240
<v Speaker 1>but yet another story about fathers and sons true, the

1:02:28.360 --> 1:02:32.280
<v Speaker 1>ultimate one maybe the Father's son and the Holy Spirit

1:02:32.360 --> 1:02:39.120
<v Speaker 1>is Mandy wo wow. I bet that's Cannon. That's gotta

1:02:39.160 --> 1:02:43.200
<v Speaker 1>be Cane. I mean, that's Catholic. Nicholas Sparks is Catholic.

1:02:43.800 --> 1:02:46.400
<v Speaker 1>Print It all makes sense. And I do think that

1:02:46.440 --> 1:02:49.080
<v Speaker 1>there's like it's implied or I feel like the story

1:02:49.160 --> 1:02:53.280
<v Speaker 1>is suggesting that the reason that Shane West character is

1:02:53.320 --> 1:02:57.040
<v Speaker 1>such a rebel, bad bad kid, you know, like on

1:02:57.120 --> 1:02:58.640
<v Speaker 1>the wrong side of the tracks at the beginning of

1:02:58.640 --> 1:03:02.240
<v Speaker 1>the movie is because his parents are divorced. There is

1:03:02.280 --> 1:03:06.480
<v Speaker 1>a part where Daryl Hannah says to Shane West's character,

1:03:06.720 --> 1:03:10.120
<v Speaker 1>She's like, you need a father, because she's trying to

1:03:10.160 --> 1:03:14.160
<v Speaker 1>get him to forgive his dad, who he's estranged with,

1:03:14.320 --> 1:03:18.160
<v Speaker 1>and she's like a boy needs us dad kind of thing,

1:03:18.240 --> 1:03:19.960
<v Speaker 1>and which I think is like kind of mean to

1:03:20.040 --> 1:03:22.080
<v Speaker 1>her character because she seems to be a really good

1:03:22.120 --> 1:03:25.040
<v Speaker 1>mom who really cares about her son, and like, we

1:03:25.080 --> 1:03:28.320
<v Speaker 1>don't really the only thing we know is that something's

1:03:28.360 --> 1:03:31.200
<v Speaker 1>going on over their lips. Her hair is a mess,

1:03:31.240 --> 1:03:32.960
<v Speaker 1>but she loves And the other thing you know is

1:03:33.000 --> 1:03:35.600
<v Speaker 1>that she loves and is very supportive of Shane West.

1:03:35.800 --> 1:03:39.240
<v Speaker 1>Like the way he's acting out would not suggest that

1:03:39.320 --> 1:03:42.400
<v Speaker 1>he like that the parent he lives with is very

1:03:42.480 --> 1:03:45.240
<v Speaker 1>doting and caring about him. I don't know. I just

1:03:45.240 --> 1:03:48.360
<v Speaker 1>thought that was like he ends with an evil boy

1:03:48.880 --> 1:03:52.320
<v Speaker 1>he's friends with, like a truly evil boy. That boy

1:03:52.440 --> 1:03:56.560
<v Speaker 1>was really evil. Yeah. I don't know that character's name,

1:03:56.680 --> 1:04:00.680
<v Speaker 1>but I don't need it. We're talking about the guy

1:04:00.680 --> 1:04:04.120
<v Speaker 1>that like later in the cafeteria, he's like, get away

1:04:04.120 --> 1:04:07.439
<v Speaker 1>from me, man, Like we're through. He's the guy. Yeah,

1:04:07.440 --> 1:04:10.120
<v Speaker 1>that broke up with Shane West and You're like, who

1:04:10.240 --> 1:04:12.960
<v Speaker 1>are you? Yeah, I was like, who the hell is

1:04:13.040 --> 1:04:17.280
<v Speaker 1>this man? No idea. UM. What I want to make

1:04:17.440 --> 1:04:20.720
<v Speaker 1>clear here is that and I don't know a whole

1:04:20.720 --> 1:04:24.280
<v Speaker 1>lot about the teachings of Christianity, not having grown up

1:04:24.680 --> 1:04:29.200
<v Speaker 1>in the church but sick, but like, I want to

1:04:29.240 --> 1:04:33.360
<v Speaker 1>make it clear that, like, there are many Christians, including

1:04:33.400 --> 1:04:37.600
<v Speaker 1>many listeners of this podcast, who because I want to

1:04:37.640 --> 1:04:42.800
<v Speaker 1>avoid making any sweeping generalizations about religious people and Christians specifically,

1:04:43.240 --> 1:04:45.240
<v Speaker 1>because again, there are a lot of Christians who are

1:04:45.440 --> 1:04:49.600
<v Speaker 1>very tolerant and very progressive and who are the opposite

1:04:49.720 --> 1:04:55.400
<v Speaker 1>of that kind of stereotypical Bible thumping religious right that

1:04:55.720 --> 1:04:59.720
<v Speaker 1>I think some people have come to associate Christianity with.

1:05:00.480 --> 1:05:02.400
<v Speaker 1>And this is this is like kind of one of

1:05:02.440 --> 1:05:06.200
<v Speaker 1>the best depictions of Christianity because it does like you said,

1:05:06.240 --> 1:05:09.480
<v Speaker 1>it doesn't have any opportunities for the bad stuff. It's

1:05:09.480 --> 1:05:12.880
<v Speaker 1>all just about kindness and love and coming together. It

1:05:13.000 --> 1:05:15.920
<v Speaker 1>is very Christian in the true sense of the word.

1:05:16.440 --> 1:05:20.240
<v Speaker 1>I think my my fascination with it just comes from

1:05:20.240 --> 1:05:24.200
<v Speaker 1>not the religion and not the um, not people who

1:05:24.240 --> 1:05:26.800
<v Speaker 1>are religious, but from the way that the Church operates

1:05:26.840 --> 1:05:29.800
<v Speaker 1>specifically the Roman Catholic Church. So that's kind of where

1:05:29.840 --> 1:05:32.800
<v Speaker 1>my perspective comes in of like, it's not the word,

1:05:32.960 --> 1:05:36.520
<v Speaker 1>and it's not the people that are in my opinion,

1:05:37.000 --> 1:05:39.520
<v Speaker 1>that's not really where the problem lies as much as

1:05:39.560 --> 1:05:43.360
<v Speaker 1>the people who are administering things and the specific you know,

1:05:43.400 --> 1:05:45.240
<v Speaker 1>we all know about the Roman Catholic Church. There's lots

1:05:45.280 --> 1:05:49.800
<v Speaker 1>to be suspective, right, It's more, Yeah, it's the institution

1:05:50.360 --> 1:05:54.640
<v Speaker 1>of religion that or the people who use Christianity as

1:05:54.680 --> 1:05:59.080
<v Speaker 1>an excuse to perpetuate their own bigotry. Like that's obviously

1:05:59.120 --> 1:06:02.040
<v Speaker 1>what there is to be critical about, not the things

1:06:02.080 --> 1:06:05.959
<v Speaker 1>that Jesus taught and promoted according to the Bible, and

1:06:06.320 --> 1:06:11.360
<v Speaker 1>not the idea of the religion itself kind of thing. Yeah, Yeah,

1:06:11.600 --> 1:06:14.240
<v Speaker 1>it's more like the indoctrination, which could be said of

1:06:14.240 --> 1:06:17.919
<v Speaker 1>any organization. To me, that's always what's fascinating and any

1:06:18.000 --> 1:06:22.040
<v Speaker 1>organized religion too. Yeah, but there's always some sort of

1:06:22.520 --> 1:06:26.960
<v Speaker 1>indoctrination process for different organizations, and that always fascinates me,

1:06:27.040 --> 1:06:30.200
<v Speaker 1>Like how do you take a nonbeliever to a believer? Right?

1:06:30.280 --> 1:06:33.400
<v Speaker 1>And it's I mean, in Jamie's case, it's almost certainly

1:06:33.440 --> 1:06:38.240
<v Speaker 1>that she's just like indoctrination since birth stuff. Um either

1:06:38.280 --> 1:06:40.040
<v Speaker 1>that or she is like there is a lot of

1:06:40.280 --> 1:06:44.320
<v Speaker 1>argument for and again it's like, yeah, the the the

1:06:44.520 --> 1:06:47.480
<v Speaker 1>elements of Christianity that are presented in this movie are

1:06:47.760 --> 1:06:52.320
<v Speaker 1>not bad things necessarily. It's like Jamie is presented as

1:06:52.360 --> 1:06:54.720
<v Speaker 1>this as this very like almost like a very christlike

1:06:54.840 --> 1:06:58.880
<v Speaker 1>figure who is extremely forgiving of the people around her,

1:06:59.480 --> 1:07:03.919
<v Speaker 1>to the point we're coming from a teenager, You're like, huh, Like, uh,

1:07:03.960 --> 1:07:07.960
<v Speaker 1>you know, is very forgiving, has faith in people's ability

1:07:08.160 --> 1:07:12.360
<v Speaker 1>to grow and change in a way that most teenagers

1:07:12.440 --> 1:07:16.480
<v Speaker 1>do not. Uh, and on and on and then and

1:07:16.480 --> 1:07:20.160
<v Speaker 1>then she's sacrifice at the end of the movie, and

1:07:20.200 --> 1:07:22.120
<v Speaker 1>then her love exists in the wind, and I'm like,

1:07:22.120 --> 1:07:25.439
<v Speaker 1>she's basically the Jesus of the movie. And I don't

1:07:25.560 --> 1:07:30.240
<v Speaker 1>hate It's like I do like Jav's character. I like her.

1:07:30.720 --> 1:07:33.360
<v Speaker 1>I'm rooting for her. I like when I don't know,

1:07:33.400 --> 1:07:35.880
<v Speaker 1>even just like remembering seeing the movie as a kid

1:07:36.040 --> 1:07:40.320
<v Speaker 1>and like watching for all of its flaws, Like as

1:07:40.360 --> 1:07:43.000
<v Speaker 1>a kid seeing the like girl who's like a little

1:07:43.120 --> 1:07:45.720
<v Speaker 1>different be asked like you don't care what people think

1:07:45.720 --> 1:07:47.400
<v Speaker 1>of you? And she just says no. I was like

1:07:47.640 --> 1:07:50.120
<v Speaker 1>that's kind of cool, Like, even though it's maybe not

1:07:50.160 --> 1:07:54.280
<v Speaker 1>the most realistic reaction, that's a cool thing to see

1:07:54.400 --> 1:07:57.000
<v Speaker 1>in a movie if you're like a kind of weird

1:07:57.200 --> 1:07:59.360
<v Speaker 1>kid where you're like, wow, this girl doesn't give a

1:07:59.480 --> 1:08:03.360
<v Speaker 1>ship and like, I don't know, there are things to

1:08:03.440 --> 1:08:06.040
<v Speaker 1>be said for for the way her characters presented. It's

1:08:06.080 --> 1:08:09.680
<v Speaker 1>not hyper realistic teen chit, but like, nothing in this

1:08:09.720 --> 1:08:15.840
<v Speaker 1>movie is she's a superhuman Christian angel sent from God

1:08:15.960 --> 1:08:20.240
<v Speaker 1>to sing choir songs in the play. Yeah, she's not

1:08:20.320 --> 1:08:22.680
<v Speaker 1>a real person. I guess what I'll say is like

1:08:22.760 --> 1:08:25.439
<v Speaker 1>that is how I viewed the movie too, and I

1:08:25.479 --> 1:08:27.519
<v Speaker 1>feel like it would still be that movie without the

1:08:27.560 --> 1:08:31.000
<v Speaker 1>religious element. So that's my only question is like it

1:08:31.040 --> 1:08:33.840
<v Speaker 1>feels layered on in a way that I wonder why.

1:08:34.560 --> 1:08:37.120
<v Speaker 1>I wonder how religious his sister was, like, or how

1:08:37.160 --> 1:08:39.720
<v Speaker 1>big of a part of her story that was. Yeah,

1:08:39.760 --> 1:08:41.400
<v Speaker 1>all I could find was that she did carry a

1:08:41.439 --> 1:08:43.800
<v Speaker 1>Bible around. But like they even took the Bible out

1:08:43.800 --> 1:08:46.240
<v Speaker 1>of this film. They made it a book full of

1:08:46.320 --> 1:08:51.200
<v Speaker 1>quotes like Dolly Parton. I like Dolly Parton. I was like, wow,

1:08:51.479 --> 1:08:54.320
<v Speaker 1>Jesus thought Dolly Parton was really smart, because that's what

1:08:54.400 --> 1:08:58.840
<v Speaker 1>Jamie said, did Dolly Parton fund this movie? Oh my god?

1:08:59.280 --> 1:09:04.080
<v Speaker 1>What if Dolly Parton Christian? Yeah? Okay, I did not.

1:09:04.280 --> 1:09:05.800
<v Speaker 1>I was like, I guess I don't know anything about

1:09:05.800 --> 1:09:09.720
<v Speaker 1>her relige. I don't know. I just other than the

1:09:09.760 --> 1:09:13.080
<v Speaker 1>fact that she's Miley Cyrus's godmother. Miley Cyrus another Nicholas

1:09:13.120 --> 1:09:16.760
<v Speaker 1>Sparks star. Oh that's true. Which one is that? That's

1:09:16.800 --> 1:09:20.760
<v Speaker 1>the last song? Question mark? I'm pretty sure I saw

1:09:20.800 --> 1:09:23.439
<v Speaker 1>that in theaters. Is that the one Channing Tatum isn't

1:09:23.520 --> 1:09:27.439
<v Speaker 1>or is that a different movie? I think so? Oh no, wait,

1:09:27.479 --> 1:09:29.479
<v Speaker 1>he's I hope not. Wait he's like kind of old

1:09:29.520 --> 1:09:32.120
<v Speaker 1>for her, isn't he? No? I think that it's Isn't

1:09:32.120 --> 1:09:34.519
<v Speaker 1>that how she met her? The guy that she married

1:09:34.760 --> 1:09:37.960
<v Speaker 1>was through that Nicholas Sparks movie. And it's Chris Hemsworth's brother.

1:09:38.360 --> 1:09:43.400
<v Speaker 1>Oh yeah, that's it's Liam Hemsworth. Okay, so the okay,

1:09:43.439 --> 1:09:48.200
<v Speaker 1>what's the Channing Oh the Channing Tatum one is Dear John?

1:09:48.560 --> 1:09:59.400
<v Speaker 1>Which is him? Cyphrid God? So many white actors? Uh? Wild?

1:10:00.840 --> 1:10:04.200
<v Speaker 1>I wanted to I wanted to talk really quick about

1:10:04.600 --> 1:10:09.080
<v Speaker 1>another character slash storyline that I found baffling and maybe

1:10:09.439 --> 1:10:12.760
<v Speaker 1>I'll say it not necessary to the movie, which is

1:10:13.120 --> 1:10:17.120
<v Speaker 1>Langdon's ex girlfriend or Landon. I keep wanting to say

1:10:17.200 --> 1:10:22.560
<v Speaker 1>Langdon as in Robert Langdon from another Christian text, the

1:10:22.640 --> 1:10:25.320
<v Speaker 1>Da Vinci Code. Oh my gosh, we did bring up

1:10:25.320 --> 1:10:29.400
<v Speaker 1>Mona Lisa earlier, so I always have Da Vinci Code

1:10:29.479 --> 1:10:36.519
<v Speaker 1>on the brain Baby, I'll never stop. But the whole

1:10:36.600 --> 1:10:40.000
<v Speaker 1>thing was so so the deal with I don't think

1:10:40.000 --> 1:10:43.080
<v Speaker 1>she even came up really in the summary because she

1:10:43.120 --> 1:10:45.080
<v Speaker 1>doesn't need to be in the movie. I left her

1:10:45.080 --> 1:10:48.559
<v Speaker 1>out of the of the summary. So her deal is

1:10:48.640 --> 1:10:56.280
<v Speaker 1>what's her name? Her name is like Barbara, have no idea, Josephine, Belinda, Belinda, Belinda,

1:10:57.600 --> 1:11:00.479
<v Speaker 1>so Belinda, which again I'm like, what year is this

1:11:00.560 --> 1:11:05.799
<v Speaker 1>movie taking place in. Belinda is Shane West's ex girl

1:11:06.040 --> 1:11:09.920
<v Speaker 1>friend who wants to get back together with him, but

1:11:10.000 --> 1:11:13.800
<v Speaker 1>he's not interested. She is really forcing the issue. She

1:11:13.840 --> 1:11:17.360
<v Speaker 1>gets very jealous of Jamie when it becomes clear that

1:11:17.400 --> 1:11:21.920
<v Speaker 1>Shane West is interested in Jamie. She does the photoshop

1:11:22.479 --> 1:11:29.280
<v Speaker 1>praying Jamie's hurt, and then Belinda later apologizes to Shane

1:11:29.320 --> 1:11:33.120
<v Speaker 1>West about that, but not to Jamie, who is in

1:11:33.240 --> 1:11:36.720
<v Speaker 1>the adjacent I think she's like, right, there isn't she like,

1:11:36.960 --> 1:11:39.360
<v Speaker 1>doesn't she apologize to Shane West for what she did

1:11:39.360 --> 1:11:41.479
<v Speaker 1>to Jamie in front of Jamie's house, And it's like,

1:11:42.200 --> 1:11:44.600
<v Speaker 1>you need to apologize to her? Oh okay, I was like,

1:11:44.640 --> 1:11:47.200
<v Speaker 1>she needs apologize to Jamie. All of those guys none

1:11:47.200 --> 1:11:50.920
<v Speaker 1>of them apologized to Jamie. They all apologize to him, right,

1:11:51.200 --> 1:11:53.439
<v Speaker 1>No one apologizes to the right people in this movie,

1:11:53.439 --> 1:11:55.680
<v Speaker 1>because we'll get to this later. But when we talk

1:11:55.760 --> 1:11:59.439
<v Speaker 1>about like the relationship between Landon and Jamie, but she

1:11:59.560 --> 1:12:03.360
<v Speaker 1>apolo gize is to him after he gets mad that

1:12:03.400 --> 1:12:07.000
<v Speaker 1>she has cancer and she's like, I'm so sorry that

1:12:07.160 --> 1:12:09.360
<v Speaker 1>I have cancer. I should have told you sooner. And

1:12:09.400 --> 1:12:14.080
<v Speaker 1>he's like it's okay, Well that's like he's not. He's like, no,

1:12:14.360 --> 1:12:18.479
<v Speaker 1>you doubt you're perfect, You're eighteen, and then she runs away.

1:12:18.520 --> 1:12:22.200
<v Speaker 1>He doesn't chase her. Instead, he drives to a mysterious

1:12:22.200 --> 1:12:24.639
<v Speaker 1>city where his dad is and then he drives into

1:12:24.640 --> 1:12:28.840
<v Speaker 1>the night, and then the one person of color main

1:12:28.960 --> 1:12:32.160
<v Speaker 1>character in the film, Eric comes to check and Rand

1:12:32.360 --> 1:12:36.519
<v Speaker 1>the most like the most hyper sexual racist depiction and

1:12:36.560 --> 1:12:39.680
<v Speaker 1>also the best, the most complex of the group, and

1:12:39.760 --> 1:12:42.679
<v Speaker 1>the best friend of them all. It seems yes, so

1:12:43.680 --> 1:12:47.280
<v Speaker 1>quick sidebar about that character. So that's Eric. He easily

1:12:48.120 --> 1:12:51.639
<v Speaker 1>he falls into the black best friend trope because he's

1:12:51.720 --> 1:12:55.879
<v Speaker 1>Landon's best friend. He has characterized in a very harmful

1:12:55.920 --> 1:12:59.240
<v Speaker 1>trophy way in which he in basically every scene he's

1:12:59.280 --> 1:13:03.680
<v Speaker 1>in is making comments that are extremely like sexually aggressive,

1:13:04.720 --> 1:13:08.599
<v Speaker 1>and that's really all we know about that character. So

1:13:08.640 --> 1:13:12.479
<v Speaker 1>that's bad. It's really frustrating. Yeah, it's like falling into

1:13:12.920 --> 1:13:16.439
<v Speaker 1>all of the tropes of the black best friend is

1:13:16.479 --> 1:13:20.200
<v Speaker 1>like we know nothing about him other than he is

1:13:20.280 --> 1:13:24.280
<v Speaker 1>there to deliver, you know, Devil's advocate views on what's

1:13:24.280 --> 1:13:26.720
<v Speaker 1>going on to Shane West. Like he'll come in and

1:13:26.760 --> 1:13:29.120
<v Speaker 1>be like, well, well, what if Jamie isn't the love

1:13:29.160 --> 1:13:31.200
<v Speaker 1>of your life? And Shane West is like, never she is,

1:13:31.280 --> 1:13:34.240
<v Speaker 1>and he's like all right, like there, he's just like

1:13:34.720 --> 1:13:38.280
<v Speaker 1>there to like he's only there to demonstrate at various

1:13:38.320 --> 1:13:40.760
<v Speaker 1>scenes in the movie that Shane West is changing as

1:13:40.760 --> 1:13:44.160
<v Speaker 1>a character, like that's the only and Eric, I guess

1:13:44.160 --> 1:13:46.679
<v Speaker 1>you could argue changes a little bit where he becomes

1:13:46.800 --> 1:13:50.120
<v Speaker 1>less of an asshole unless of a bully about the

1:13:50.160 --> 1:13:53.040
<v Speaker 1>fact that Shane West is dating Jamie, But that's such

1:13:53.080 --> 1:13:56.360
<v Speaker 1>a small change. That's only in relation to his friend,

1:13:56.479 --> 1:14:00.479
<v Speaker 1>Like you know nothing about him outside of that it. Yeah,

1:14:00.560 --> 1:14:03.080
<v Speaker 1>it's it sucks because I don't I don't think I've

1:14:03.120 --> 1:14:06.440
<v Speaker 1>seen that actor in anything else. But I enjoyed his performance.

1:14:06.479 --> 1:14:08.680
<v Speaker 1>I thought it was fun. I read that he and

1:14:08.720 --> 1:14:12.640
<v Speaker 1>Shane West made up that really long handshake that they do,

1:14:14.760 --> 1:14:17.280
<v Speaker 1>which I was like, well, that's fun. I guess that's

1:14:17.320 --> 1:14:19.920
<v Speaker 1>the only time in the film that smoking is alluded to,

1:14:20.040 --> 1:14:24.840
<v Speaker 1>which I thought was an interesting bad boy trope. Yeah,

1:14:24.880 --> 1:14:30.320
<v Speaker 1>they do a little like smoking weed thing. That actor's

1:14:30.400 --> 1:14:34.519
<v Speaker 1>name is al Thompson. He's been working pretty steadily, it seems,

1:14:35.240 --> 1:14:37.439
<v Speaker 1>over the years, So good for him. Okay, I just

1:14:37.640 --> 1:14:40.280
<v Speaker 1>I just saw his Wikipedia page was a stub so

1:14:40.600 --> 1:14:43.439
<v Speaker 1>and that was where my research ended. I think he

1:14:43.479 --> 1:14:46.720
<v Speaker 1>does a lot of TV in mostly kind of like

1:14:46.800 --> 1:14:49.880
<v Speaker 1>small bit roles kind of thing, got it. But yeah,

1:14:50.040 --> 1:14:53.360
<v Speaker 1>so I thought like his performance was really fun and

1:14:53.400 --> 1:14:59.000
<v Speaker 1>there was room to include him more meaningfully where he like,

1:14:59.080 --> 1:15:00.680
<v Speaker 1>I don't know, it's like why not get rid of

1:15:00.720 --> 1:15:04.639
<v Speaker 1>the like girlfriend ex girlfriend, like evil girl side plot,

1:15:05.280 --> 1:15:07.880
<v Speaker 1>and like make room for the best friend. I like,

1:15:08.000 --> 1:15:10.360
<v Speaker 1>all of his scenes are enjoyable, but he only exists

1:15:10.400 --> 1:15:15.080
<v Speaker 1>in relation to Land in right, Like, I agree that girl.

1:15:15.280 --> 1:15:17.320
<v Speaker 1>I didn't even know she was an ex girlfriend until

1:15:17.320 --> 1:15:20.240
<v Speaker 1>I looked on Wikipedia. Um, I just knew that she

1:15:20.360 --> 1:15:23.360
<v Speaker 1>was some girl who wanted to be with him somehow.

1:15:24.680 --> 1:15:26.760
<v Speaker 1>One thing I noticed that I don't. I might just

1:15:26.840 --> 1:15:29.400
<v Speaker 1>be drawing a string to nowhere. But did you notice

1:15:29.439 --> 1:15:31.599
<v Speaker 1>how when she does apologize, she's wearing a pink sweater,

1:15:31.720 --> 1:15:35.000
<v Speaker 1>just like the one that he gave Jamie. WHOA, I

1:15:35.160 --> 1:15:38.760
<v Speaker 1>didn't not notice that. I don't know if that's like

1:15:38.960 --> 1:15:42.599
<v Speaker 1>her signal like now she's a good person too or whatever.

1:15:43.280 --> 1:15:45.759
<v Speaker 1>Everyone who wears a pink sweater is a good person.

1:15:48.320 --> 1:15:53.639
<v Speaker 1>Amazing God. So back to the Jamie does apologize to Shane.

1:15:53.640 --> 1:15:56.439
<v Speaker 1>That so after that scene where he's talking to Eric

1:15:56.920 --> 1:15:59.559
<v Speaker 1>and they like have a little bit of a reckon

1:15:59.640 --> 1:16:02.080
<v Speaker 1>silly and I think that's the that part of the movie.

1:16:02.240 --> 1:16:06.160
<v Speaker 1>But then Jamie comes up to Landed as he's like

1:16:06.240 --> 1:16:10.280
<v Speaker 1>fixing his Camaro and she's like, I'm sorry, I should

1:16:10.320 --> 1:16:14.719
<v Speaker 1>have told you sooner, and he's like shrug, let's kiss,

1:16:14.760 --> 1:16:19.160
<v Speaker 1>and it's like, why are you apologizing Jamie? Yeah, anyway,

1:16:19.200 --> 1:16:22.080
<v Speaker 1>it was That's like another one of the more obvious,

1:16:22.160 --> 1:16:25.280
<v Speaker 1>like ablest scenes where it's like you ditched her, you

1:16:25.360 --> 1:16:27.360
<v Speaker 1>didn't support her when she was like coming out with

1:16:27.400 --> 1:16:29.880
<v Speaker 1>this big news, and now you're like, she makes a

1:16:29.960 --> 1:16:34.240
<v Speaker 1>joke like something about dying. Does anybody remember? Yeah, she says.

1:16:34.360 --> 1:16:36.559
<v Speaker 1>He's like, are you scared? And she says to death

1:16:37.320 --> 1:16:40.799
<v Speaker 1>and then he's like geez, and she's like, lighten up.

1:16:40.840 --> 1:16:43.439
<v Speaker 1>I'm the one who's dying. I can joke about this

1:16:43.479 --> 1:16:45.800
<v Speaker 1>if I want. She's like, can you can chill for

1:16:45.840 --> 1:16:49.439
<v Speaker 1>a second. So and so that was on a tangent

1:16:49.600 --> 1:16:55.519
<v Speaker 1>of no one apologizing to Jamie right when it's she's

1:16:55.520 --> 1:16:59.240
<v Speaker 1>owed several apologies, but everyone's like, oh, she's she's so

1:16:59.360 --> 1:17:02.240
<v Speaker 1>christ Like, she'll forgive. I guess I'll just apologize to

1:17:02.800 --> 1:17:05.320
<v Speaker 1>a random person who has nothing to do with the situation,

1:17:05.680 --> 1:17:07.880
<v Speaker 1>or I'll make her apologize to me for some reason,

1:17:08.040 --> 1:17:10.680
<v Speaker 1>Like it is. It is frustrating, and I feel like

1:17:10.720 --> 1:17:13.400
<v Speaker 1>that is like one of the something we haven't really

1:17:13.439 --> 1:17:16.839
<v Speaker 1>gotten to yet is just like, especially in the early

1:17:17.439 --> 1:17:20.839
<v Speaker 1>days of this relationship, just like how toxic and fraud

1:17:20.920 --> 1:17:24.839
<v Speaker 1>this relationship is from the jump, and how Jamie's extreme

1:17:25.040 --> 1:17:30.040
<v Speaker 1>willingness to forgive and believe that people can change absolves

1:17:30.120 --> 1:17:32.439
<v Speaker 1>him of this behavior in a way that he never

1:17:32.560 --> 1:17:36.479
<v Speaker 1>really meaningfully apologizes for. Where at the beginning of the

1:17:36.720 --> 1:17:39.439
<v Speaker 1>like for the whole first half hour of the movie

1:17:39.479 --> 1:17:41.840
<v Speaker 1>before he's like, Okay, I want to be in this

1:17:41.920 --> 1:17:44.599
<v Speaker 1>play and I want to work with you. Up unto

1:17:44.680 --> 1:17:48.680
<v Speaker 1>that point, he is like mean to her. He's like,

1:17:48.760 --> 1:17:50.200
<v Speaker 1>I know I've known you my whole life, but I

1:17:50.200 --> 1:17:53.880
<v Speaker 1>don't I don't give a shit about you, essentially, and

1:17:53.920 --> 1:17:56.680
<v Speaker 1>then once he realizes, oh, I do like her, he

1:17:56.840 --> 1:18:00.639
<v Speaker 1>comes the most Like the moment that I didn't remember

1:18:00.640 --> 1:18:02.479
<v Speaker 1>in the movie that I was like, how dare you

1:18:02.600 --> 1:18:05.000
<v Speaker 1>was when he goes to her house and asks her

1:18:05.040 --> 1:18:07.360
<v Speaker 1>to be his friend but in secret so you can

1:18:07.400 --> 1:18:10.120
<v Speaker 1>still be popular. And I was like, the fucking nerve

1:18:10.280 --> 1:18:14.360
<v Speaker 1>like that for me is where I'm like, no matter

1:18:14.360 --> 1:18:17.200
<v Speaker 1>how forgiving a person I am, I'm tapping out right there.

1:18:17.320 --> 1:18:21.240
<v Speaker 1>That is that is a horrible thing to do, to

1:18:21.400 --> 1:18:24.320
<v Speaker 1>even attempt to do. It's also like you said, like

1:18:24.360 --> 1:18:26.280
<v Speaker 1>what time period are you in? Like I could see

1:18:26.280 --> 1:18:29.760
<v Speaker 1>in the fifties a guy asking that, like, you know,

1:18:29.800 --> 1:18:31.600
<v Speaker 1>how it is I'm the popular guy. I don't know,

1:18:31.640 --> 1:18:34.320
<v Speaker 1>I don't know what voice that was, but you know,

1:18:34.439 --> 1:18:37.040
<v Speaker 1>I'm the popular kid. We all know the rules of

1:18:37.080 --> 1:18:38.720
<v Speaker 1>the high school. Like, I feel like that would have

1:18:38.720 --> 1:18:41.439
<v Speaker 1>been much more nineteen fifties, where it's like, you know,

1:18:41.520 --> 1:18:45.160
<v Speaker 1>this relationship, it's so common to us, but not in

1:18:45.200 --> 1:18:48.839
<v Speaker 1>the nineties. Yeah, and it's like, I'm glad that Jamie

1:18:48.920 --> 1:18:51.439
<v Speaker 1>tells him to funk off in that moment and she's like,

1:18:51.840 --> 1:18:55.240
<v Speaker 1>you know, but but the fact that he still gets

1:18:55.280 --> 1:19:00.480
<v Speaker 1>a second chance without really apologizing and just by being like, hey,

1:19:00.640 --> 1:19:03.840
<v Speaker 1>I've decided to be your friend publicly, like that is

1:19:04.080 --> 1:19:07.360
<v Speaker 1>very warranting of a second fuck you. But she's like, Okay,

1:19:07.479 --> 1:19:11.719
<v Speaker 1>let's try it, you know. But she's Jesus, so it's hard, right,

1:19:11.840 --> 1:19:15.160
<v Speaker 1>And he's like, but I got you this sweater. Everything's

1:19:15.240 --> 1:19:18.719
<v Speaker 1>fine now, right. Um. We talked about this on the

1:19:18.760 --> 1:19:21.439
<v Speaker 1>Beauty and the Beast episode and other episodes. But like

1:19:21.520 --> 1:19:24.759
<v Speaker 1>the the idea of like the burden of forgiveness, often

1:19:25.479 --> 1:19:30.000
<v Speaker 1>in a like hetero romantic context, is often placed on

1:19:30.640 --> 1:19:38.680
<v Speaker 1>the woman to forgive the man for his often toxic

1:19:39.200 --> 1:19:42.559
<v Speaker 1>bad behavior, which again we see a lot of in

1:19:42.560 --> 1:19:46.000
<v Speaker 1>this movie, where for the first several of their interactions

1:19:46.479 --> 1:19:49.040
<v Speaker 1>he's really mean to her, he makes fun of her,

1:19:49.120 --> 1:19:52.799
<v Speaker 1>He's like, oh, you're carrying around this bible, you loser

1:19:52.880 --> 1:19:57.639
<v Speaker 1>with your one sweater, you like stars and planets. Gross,

1:19:57.880 --> 1:20:01.559
<v Speaker 1>Like he's like bullying her for the random ist ship.

1:20:01.880 --> 1:20:04.840
<v Speaker 1>He's like, how dare you have an interest in astronomy.

1:20:04.880 --> 1:20:07.200
<v Speaker 1>I'm like, I've never seen someone bullied for this before.

1:20:07.320 --> 1:20:10.679
<v Speaker 1>This is interesting and I like that. She's like, yeah, sure,

1:20:10.800 --> 1:20:15.040
<v Speaker 1>I'm the pastor's daughter, but but science does exist as

1:20:15.120 --> 1:20:19.120
<v Speaker 1>like okay, movie not not not too bad. And then

1:20:19.160 --> 1:20:21.600
<v Speaker 1>there's that scene where he, even after he starts to

1:20:21.640 --> 1:20:25.280
<v Speaker 1>fall for her, he comes at her after school and

1:20:25.360 --> 1:20:29.599
<v Speaker 1>like tells her how she feels. And then plot wise,

1:20:29.600 --> 1:20:32.320
<v Speaker 1>that ends up being that he's right where he's like,

1:20:32.600 --> 1:20:38.040
<v Speaker 1>you're hiding behind religion and astronomy and all this stuff.

1:20:38.080 --> 1:20:40.200
<v Speaker 1>Like he just names all of her interests and it's like,

1:20:40.479 --> 1:20:43.000
<v Speaker 1>and that's what you're doing instead of admitting that you're

1:20:43.040 --> 1:20:45.360
<v Speaker 1>in love with me? And then and then she's like,

1:20:45.400 --> 1:20:48.320
<v Speaker 1>wait a minute, maybe he's onto something. And we're like

1:20:48.400 --> 1:20:52.760
<v Speaker 1>what you just like you can like things and have

1:20:52.840 --> 1:20:56.519
<v Speaker 1>a crush on an asshole. I was gonna say again,

1:20:56.640 --> 1:20:59.360
<v Speaker 1>coming from the horny lens that I first viewed this in,

1:21:00.120 --> 1:21:02.760
<v Speaker 1>it was like I don't care he's hot and now

1:21:02.800 --> 1:21:05.759
<v Speaker 1>he's into me, Like I feel like my my horny

1:21:05.800 --> 1:21:08.639
<v Speaker 1>brain doesn't doesn't register. And I do feel like this movie.

1:21:09.080 --> 1:21:10.400
<v Speaker 1>One of the reasons I want to talk about it

1:21:10.439 --> 1:21:13.160
<v Speaker 1>was just because, like the thing you're saying about forgiveness

1:21:13.160 --> 1:21:15.000
<v Speaker 1>coming from the woman, I feel like a lot of

1:21:15.040 --> 1:21:19.280
<v Speaker 1>tropes that are in this movie can contribute to like

1:21:19.400 --> 1:21:23.000
<v Speaker 1>toxic masculinity in the way that a boy would interpret it.

1:21:23.040 --> 1:21:26.360
<v Speaker 1>And I know with the guy who my that first

1:21:26.400 --> 1:21:29.240
<v Speaker 1>boyfriend that was obsessed with this movie, you know, had

1:21:29.240 --> 1:21:32.519
<v Speaker 1>of a lot of the toxic romantic kind of ideas

1:21:32.560 --> 1:21:34.920
<v Speaker 1>of like, no, I'm making the romance for you know,

1:21:35.240 --> 1:21:37.120
<v Speaker 1>I broke up with him and he did not take

1:21:37.120 --> 1:21:40.320
<v Speaker 1>it well like I guess trigger warning. But nothing happened.

1:21:40.360 --> 1:21:43.519
<v Speaker 1>But um, you know, just like how this is the

1:21:43.560 --> 1:21:46.240
<v Speaker 1>perfect this the way the tropes are in this movie

1:21:46.280 --> 1:21:49.320
<v Speaker 1>are like the perfect timeline and the perfect way it

1:21:49.360 --> 1:21:51.479
<v Speaker 1>could go. But a lot of the habits that are

1:21:51.520 --> 1:21:55.240
<v Speaker 1>being reinforced, you know, can be used in a toxic

1:21:55.280 --> 1:22:01.720
<v Speaker 1>way in other situations. Yeah, and then another one that

1:22:01.880 --> 1:22:06.400
<v Speaker 1>I mean we haven't specifically defined, but something that happens

1:22:07.320 --> 1:22:09.439
<v Speaker 1>is that he basically he just wears her down the

1:22:09.479 --> 1:22:13.360
<v Speaker 1>way that we've seen in tons and tons of movies,

1:22:13.720 --> 1:22:18.040
<v Speaker 1>and this seems to be a Nicholas Sparks thing that

1:22:18.080 --> 1:22:21.800
<v Speaker 1>he recycles over and over again. Because he's writing very

1:22:21.800 --> 1:22:25.080
<v Speaker 1>popular heterosexual love stories, there's probably a lot of that

1:22:25.120 --> 1:22:27.400
<v Speaker 1>going on. But that's like the Notebook, Oh gosh, one

1:22:27.400 --> 1:22:31.439
<v Speaker 1>oh one. So we see that with the Landing character.

1:22:31.760 --> 1:22:35.679
<v Speaker 1>She keeps saying, no, we can't be friends. You've treated

1:22:35.720 --> 1:22:40.080
<v Speaker 1>me badly, leave me alone, and then he keeps coming

1:22:40.120 --> 1:22:44.240
<v Speaker 1>back around and basically trying to sweeten her up with

1:22:44.520 --> 1:22:49.719
<v Speaker 1>gifts and friendship. And it's like what get away quick

1:22:49.760 --> 1:22:52.160
<v Speaker 1>comment was when he was first trying to get back

1:22:52.360 --> 1:22:56.000
<v Speaker 1>in her good graces after I forget what thing he did,

1:22:56.280 --> 1:22:58.920
<v Speaker 1>but where he was like bringing her flowers obviously every day.

1:22:58.960 --> 1:23:00.920
<v Speaker 1>I was just like, Okay, you know this girl is

1:23:01.000 --> 1:23:02.519
<v Speaker 1>dying and now you've made her house to look like

1:23:02.560 --> 1:23:07.000
<v Speaker 1>a memorial. Like take a step back, maybe, thinking through Landing,

1:23:07.120 --> 1:23:11.519
<v Speaker 1>like she's not dead yet, She's not right because they're okay.

1:23:11.520 --> 1:23:14.280
<v Speaker 1>So there are kind of two separate times where he

1:23:14.360 --> 1:23:17.719
<v Speaker 1>needs to or he's trying to redeem himself. The first

1:23:17.720 --> 1:23:20.519
<v Speaker 1>time when he realizes he likes her and he's actually

1:23:20.560 --> 1:23:23.240
<v Speaker 1>trying to get with her. Then they get together and

1:23:23.280 --> 1:23:26.799
<v Speaker 1>they profess their love for each other, and then when

1:23:27.080 --> 1:23:31.800
<v Speaker 1>she tells him I have leukemia, I'm dying, and he

1:23:32.640 --> 1:23:37.040
<v Speaker 1>flips his ship about it and is like, why didn't

1:23:37.040 --> 1:23:39.960
<v Speaker 1>you tell me this sooner? You owed telling me this?

1:23:40.479 --> 1:23:44.240
<v Speaker 1>And then he like storms off, and then we don't

1:23:44.280 --> 1:23:47.360
<v Speaker 1>even know how she reacts to that, because the movie

1:23:47.760 --> 1:23:50.719
<v Speaker 1>does not check in with her at all during this period.

1:23:50.720 --> 1:23:54.640
<v Speaker 1>We just watch him brooding for like and minutes of

1:23:54.680 --> 1:23:57.120
<v Speaker 1>screen time that it is dead for not knowing the

1:23:57.200 --> 1:24:02.040
<v Speaker 1>cure to cancer right. And then when he finally does

1:24:02.160 --> 1:24:05.400
<v Speaker 1>come back around, he talks to her dad. He doesn't

1:24:05.400 --> 1:24:08.679
<v Speaker 1>even talk to her at first. He's just like, don't worry,

1:24:08.720 --> 1:24:12.280
<v Speaker 1>I'm not going anywhere. Tell Jamie, can you pass along

1:24:12.320 --> 1:24:14.519
<v Speaker 1>the message? It's like, well, can you talk to her

1:24:14.560 --> 1:24:17.400
<v Speaker 1>face to face and apologize to her? But instead of

1:24:17.439 --> 1:24:20.000
<v Speaker 1>that happening, when they do finally come face to face,

1:24:20.600 --> 1:24:23.240
<v Speaker 1>she's the one to apologize to him, and it's just like,

1:24:23.680 --> 1:24:27.000
<v Speaker 1>are you joking me right now? So bless Her dad

1:24:27.120 --> 1:24:29.479
<v Speaker 1>was also in that, like telling her like, you gotta

1:24:29.560 --> 1:24:32.599
<v Speaker 1>tell him before it's too late. Like obviously that messaging

1:24:32.720 --> 1:24:35.519
<v Speaker 1>was not just coming from Landed, it was coming from

1:24:35.560 --> 1:24:38.360
<v Speaker 1>the people around her, right. Well, That's like part of

1:24:38.360 --> 1:24:40.920
<v Speaker 1>what I find frustrating about the love story in this movie,

1:24:40.960 --> 1:24:45.280
<v Speaker 1>because it's not like I don't know I it's not

1:24:45.360 --> 1:24:49.360
<v Speaker 1>like you can't in life start with like, you know,

1:24:50.200 --> 1:24:52.080
<v Speaker 1>how do I want to phrase this? I feel like

1:24:52.240 --> 1:24:56.040
<v Speaker 1>this this movie could have been an interesting opportunity to

1:24:56.120 --> 1:25:00.479
<v Speaker 1>write someone someone's behavior meaningfully changing and a way that

1:25:00.640 --> 1:25:04.000
<v Speaker 1>could have felt authentic, and also could have like been

1:25:04.400 --> 1:25:07.679
<v Speaker 1>sort of a character map for young for young people

1:25:07.720 --> 1:25:11.000
<v Speaker 1>who especially young men watching this movie, because it's not

1:25:11.080 --> 1:25:13.360
<v Speaker 1>like even in the context of the movie, I don't

1:25:13.439 --> 1:25:17.800
<v Speaker 1>doubt at any point that Landon cares about Jamie, and

1:25:17.920 --> 1:25:22.400
<v Speaker 1>I don't doubt that you know that teenage boys very

1:25:22.479 --> 1:25:26.080
<v Speaker 1>often are deflective towards people that they're attracted to, especially

1:25:26.080 --> 1:25:28.720
<v Speaker 1>in a hetero context, and like whatever. It's like that's

1:25:28.760 --> 1:25:31.080
<v Speaker 1>something that I experienced in high schools, Like so when

1:25:31.120 --> 1:25:33.400
<v Speaker 1>I had a crush on not being nice to me

1:25:33.600 --> 1:25:38.120
<v Speaker 1>and then like having to apologize and over time like

1:25:38.280 --> 1:25:42.040
<v Speaker 1>maybe of a friendship build, but it's like you have

1:25:42.120 --> 1:25:44.800
<v Speaker 1>to especially with like movies for young people, I feel

1:25:44.800 --> 1:25:49.439
<v Speaker 1>like there is some responsibility to like really track that

1:25:49.720 --> 1:25:53.200
<v Speaker 1>journey in a way that is responsible and not just

1:25:53.280 --> 1:25:56.559
<v Speaker 1>like randomly putting the onus on Jamie to be the

1:25:56.600 --> 1:25:59.760
<v Speaker 1>world's most forgiving person. And I don't think that it's

1:25:59.800 --> 1:26:04.200
<v Speaker 1>like impossible if this story were written differently or a

1:26:04.200 --> 1:26:06.480
<v Speaker 1>little more deliberately, I don't think it would be impossible

1:26:06.520 --> 1:26:09.600
<v Speaker 1>to get Landing from the beginning of the story to

1:26:09.800 --> 1:26:13.519
<v Speaker 1>a place where maybe he has meaningfully earned Jamie's trust.

1:26:13.560 --> 1:26:15.519
<v Speaker 1>But that's just like not how we see the story

1:26:16.000 --> 1:26:20.320
<v Speaker 1>play how or is or is very choppy, uh in

1:26:20.360 --> 1:26:22.639
<v Speaker 1>the way it plays out. I do wonder how much

1:26:23.160 --> 1:26:25.600
<v Speaker 1>how much that has to do with her maybe not

1:26:25.680 --> 1:26:28.439
<v Speaker 1>being available, Like I know that she's a teen so

1:26:28.479 --> 1:26:30.720
<v Speaker 1>she can only work ten hours a day, and they

1:26:30.760 --> 1:26:34.680
<v Speaker 1>shot this in thirty nine days, So I wonder, Like

1:26:34.880 --> 1:26:36.400
<v Speaker 1>at first, I was like, I think this has to

1:26:36.479 --> 1:26:40.440
<v Speaker 1>go back to the you know, kind of Christian ethics

1:26:40.479 --> 1:26:43.320
<v Speaker 1>that they're displaying in this where it doesn't make it

1:26:43.360 --> 1:26:46.360
<v Speaker 1>doesn't make sense for that storyline to really get into Jamie.

1:26:46.600 --> 1:26:49.720
<v Speaker 1>But also maybe Mandy Moore decided to mount one day

1:26:50.640 --> 1:26:53.800
<v Speaker 1>because it does seem like after her leukemia diagnosis, like

1:26:53.880 --> 1:26:56.719
<v Speaker 1>she has that scene in the bed, but really she's

1:26:56.880 --> 1:26:59.320
<v Speaker 1>kind of gone from the movie at that point. She's

1:26:59.360 --> 1:27:02.599
<v Speaker 1>like not an active heart, Like she only says like

1:27:03.160 --> 1:27:05.599
<v Speaker 1>thank you for thank your dad, and like a look

1:27:05.640 --> 1:27:08.080
<v Speaker 1>at this comment. And then does she She doesn't mean

1:27:08.080 --> 1:27:09.840
<v Speaker 1>to say I do. She just like hugs him and

1:27:09.840 --> 1:27:13.760
<v Speaker 1>then they're married, right, yeah they don't did they even

1:27:13.760 --> 1:27:18.000
<v Speaker 1>get married? Uh we don't know? Yeah, why aren't we

1:27:18.080 --> 1:27:23.280
<v Speaker 1>checking in to see like how she feels about like

1:27:23.600 --> 1:27:27.200
<v Speaker 1>she knows that she's dying, Like, and there's a part

1:27:27.200 --> 1:27:30.320
<v Speaker 1>where she says something like I don't need a reason

1:27:30.400 --> 1:27:33.880
<v Speaker 1>to be angry with God, Like can we explore that's

1:27:33.920 --> 1:27:36.680
<v Speaker 1>a cool Like that's an interesting thing to bring up

1:27:36.680 --> 1:27:39.920
<v Speaker 1>of like a crisis of faith for a priest daughter,

1:27:40.080 --> 1:27:42.360
<v Speaker 1>like and it's all set up, but instead, Yeah, I

1:27:42.360 --> 1:27:44.720
<v Speaker 1>fel like the movie diverts and ends up focusing on

1:27:44.840 --> 1:27:47.360
<v Speaker 1>boring land and side plots and and gives a shit

1:27:47.400 --> 1:27:49.880
<v Speaker 1>about because it should be a movie that's about her,

1:27:50.120 --> 1:27:53.519
<v Speaker 1>not about him. I hate to keep bringing up religion,

1:27:53.600 --> 1:27:56.799
<v Speaker 1>but again, like that is very Jesus, Like like Jesus

1:27:56.800 --> 1:27:59.599
<v Speaker 1>had crisis of faith, but he never lost a faith.

1:27:59.640 --> 1:28:07.040
<v Speaker 1>He would just be like, Dad, what's this God? Damn it? Yeah?

1:28:07.360 --> 1:28:10.640
<v Speaker 1>Uh yeah, I don't know. It's it's like Jamie is

1:28:11.160 --> 1:28:14.280
<v Speaker 1>perfect to a fault. But the moments that you see

1:28:14.479 --> 1:28:17.680
<v Speaker 1>her human side and the movie doesn't seem interested in

1:28:18.320 --> 1:28:21.880
<v Speaker 1>exploring when it's like watching it back this time, those

1:28:21.920 --> 1:28:26.160
<v Speaker 1>are the most interesting moments where she is affected by

1:28:26.200 --> 1:28:30.880
<v Speaker 1>how people treat her and she is angry that she

1:28:31.120 --> 1:28:33.920
<v Speaker 1>is dying, and like there there are like she does

1:28:34.000 --> 1:28:37.600
<v Speaker 1>have these really human emotions. But then she Yeah, I

1:28:37.640 --> 1:28:40.040
<v Speaker 1>guess like in the christ like way you're describing Sam,

1:28:40.080 --> 1:28:44.120
<v Speaker 1>she just kind of like transcends them off screen. Then

1:28:44.160 --> 1:28:46.519
<v Speaker 1>it's like and it's all and it's all good, and

1:28:46.600 --> 1:28:52.240
<v Speaker 1>Shane West went to medical school the end, right, I

1:28:52.280 --> 1:28:55.680
<v Speaker 1>don't know, it's it's but I still like it. I

1:28:55.680 --> 1:28:58.639
<v Speaker 1>don't know. And there's um I wanted to go through

1:28:58.680 --> 1:29:04.040
<v Speaker 1>the product ship the people behind this production. So there

1:29:04.240 --> 1:29:07.080
<v Speaker 1>is people we've discussed on the show before. There is

1:29:07.080 --> 1:29:10.639
<v Speaker 1>a female screenwriter here. Her name is Karen Jansen. Uh.

1:29:10.680 --> 1:29:13.920
<v Speaker 1>This is another Denise dn Novi movie who I know

1:29:13.960 --> 1:29:18.479
<v Speaker 1>has come up on the show a lot. She seems interesting. Yeah,

1:29:18.560 --> 1:29:21.920
<v Speaker 1>she was like a millennial childhood shape er big time.

1:29:22.000 --> 1:29:24.320
<v Speaker 1>She I think we talked about her kind of extensively

1:29:24.439 --> 1:29:27.760
<v Speaker 1>because she got both Little Women's the Winona one and

1:29:27.960 --> 1:29:32.200
<v Speaker 1>the Greta Girlwig one made but a quick rundown In

1:29:32.240 --> 1:29:35.160
<v Speaker 1>case you forgot who, Denise says, uh some of some

1:29:35.240 --> 1:29:38.560
<v Speaker 1>of the hits Edward says, her Hands Nightmare before Christmas,

1:29:38.600 --> 1:29:41.360
<v Speaker 1>both of the Little Women's, Practical Magic, Walk to Remember

1:29:41.439 --> 1:29:44.439
<v Speaker 1>What a Girl Wants, Sisterhood of the Traveling Pants, New

1:29:44.520 --> 1:29:48.880
<v Speaker 1>York Minutes, Failed, Mary Kay Nashley movie Uh, and Crazy

1:29:48.960 --> 1:29:51.800
<v Speaker 1>Stupid Love, which we just discussed on the show. So

1:29:52.560 --> 1:29:57.200
<v Speaker 1>she's behind a lot, a lot, a lot of big movies,

1:29:57.439 --> 1:29:58.880
<v Speaker 1>and even I mean in a lot a lot of

1:29:58.920 --> 1:30:02.879
<v Speaker 1>them are movies that are specifically marketed at teen girls.

1:30:03.160 --> 1:30:05.160
<v Speaker 1>But I feel like a Watch to Remember even stands

1:30:05.160 --> 1:30:07.559
<v Speaker 1>out in her catalog because it seems like the only

1:30:07.640 --> 1:30:11.280
<v Speaker 1>kind of aggressively Christian movie in this in this catalog.

1:30:11.840 --> 1:30:13.439
<v Speaker 1>And then I just try to shout out that the

1:30:13.479 --> 1:30:17.360
<v Speaker 1>director of this movie, uh and openly gay director who's

1:30:17.439 --> 1:30:20.160
<v Speaker 1>who was openly gay at the time of this movie. Uh.

1:30:20.240 --> 1:30:24.639
<v Speaker 1>Started as a choreographer, then switched into directing. Also directed

1:30:25.400 --> 1:30:32.080
<v Speaker 1>The Wedding Planner, which we've covered on Marion. Yeah. Oh yes, yes, yes, yes,

1:30:32.200 --> 1:30:36.559
<v Speaker 1>the Hairspray, the two thousand seven one. Uh, he just

1:30:36.720 --> 1:30:42.080
<v Speaker 1>directed What Men Want, which everyone didn't like. And uh,

1:30:42.160 --> 1:30:45.280
<v Speaker 1>he's also directing something that I wasn't aware existed, which

1:30:45.320 --> 1:30:51.400
<v Speaker 1>is a sequel to Enchanted starring Ammy Adams. The final

1:30:51.479 --> 1:30:53.879
<v Speaker 1>fun fact about the director, whose name is Adam Shankman,

1:30:53.920 --> 1:30:56.599
<v Speaker 1>which I don't think I've said um, is that he

1:30:56.840 --> 1:31:00.639
<v Speaker 1>officiated Sarah Michelle Geller and Freddie Prince Jr. His wedding.

1:31:02.280 --> 1:31:04.800
<v Speaker 1>I know they're also still married. They've been married for

1:31:04.840 --> 1:31:10.680
<v Speaker 1>twenty years. Dishwasher commercial what there's a dishwasher commercial where

1:31:10.720 --> 1:31:13.040
<v Speaker 1>they're like making a bunch of innuendoes about doing it

1:31:13.080 --> 1:31:15.599
<v Speaker 1>every night and then it's like, yeah, we run our

1:31:15.640 --> 1:31:18.960
<v Speaker 1>dishwasher every night. It saves water, and like that, I

1:31:19.080 --> 1:31:22.680
<v Speaker 1>and this. I don't hopefully this is but like I

1:31:22.720 --> 1:31:26.599
<v Speaker 1>think I can. I confuse their marriage with Carson Daly

1:31:26.680 --> 1:31:28.720
<v Speaker 1>and Tera read a lot, because it's like brunette guy,

1:31:28.800 --> 1:31:34.360
<v Speaker 1>blonde lady and Carson whatever. That other relationship definitely didn't last,

1:31:34.600 --> 1:31:37.320
<v Speaker 1>but it was a big deal. Freddie Prince Jr. And

1:31:37.360 --> 1:31:40.960
<v Speaker 1>Sarah Michelle Geller three names, you know, six names between

1:31:41.000 --> 1:31:44.240
<v Speaker 1>the two of them. It's destined to last. Yeah, of course,

1:31:44.280 --> 1:31:48.679
<v Speaker 1>I hope they're washing dishes right now. Also, that's really

1:31:48.720 --> 1:31:50.840
<v Speaker 1>I'm like, they have how many years has it been

1:31:50.920 --> 1:31:54.080
<v Speaker 1>since they've done a dish. Let's be real, seriously, use

1:31:54.080 --> 1:31:58.280
<v Speaker 1>a dishwasher. That's true, that's because they use the dishwasher.

1:32:01.400 --> 1:32:04.880
<v Speaker 1>Another quick behind the scenes thing. This movie was edited

1:32:04.920 --> 1:32:11.559
<v Speaker 1>by a woman, Emma E. Hiccox's shout out to Emma. Yeah, oh,

1:32:11.600 --> 1:32:13.839
<v Speaker 1>the last thing I wanted to say. We called attention

1:32:13.840 --> 1:32:15.960
<v Speaker 1>to this, I think in the recap. But there is

1:32:16.000 --> 1:32:18.519
<v Speaker 1>a surprise kiss in this movie. That's a really really

1:32:18.640 --> 1:32:21.680
<v Speaker 1>sneaky surprise kiss because I didn't even realize it was

1:32:21.720 --> 1:32:26.559
<v Speaker 1>a surprise kiss until my second rewatch. But it's when

1:32:26.760 --> 1:32:33.559
<v Speaker 1>in the play Landing kisses Jamie after she sings her song.

1:32:34.280 --> 1:32:36.640
<v Speaker 1>And I originally just thought that that was like a

1:32:36.680 --> 1:32:40.599
<v Speaker 1>scripted part of the play that the high school student

1:32:40.680 --> 1:32:43.599
<v Speaker 1>playwright wrote into the thing. But then I picked up

1:32:43.720 --> 1:32:47.160
<v Speaker 1>on a line that the playwright says on my second

1:32:47.200 --> 1:32:51.719
<v Speaker 1>rewatch where he's like, oh, interesting, rewrite you did their landing,

1:32:51.880 --> 1:32:56.240
<v Speaker 1>And it's like, oh, he's referring to the kiss. Yeah,

1:32:56.320 --> 1:32:59.600
<v Speaker 1>he's surprise kissed her on stage in front of everybody.

1:33:00.080 --> 1:33:02.599
<v Speaker 1>Feel like Mandy acted out the way you would a

1:33:02.600 --> 1:33:05.800
<v Speaker 1>actual surprise kiss, Like she didn't seem psyched. There is

1:33:05.840 --> 1:33:11.080
<v Speaker 1>a look of shock and surprise on her face, which

1:33:11.120 --> 1:33:15.120
<v Speaker 1>I I guess just chalked that up to like, oh,

1:33:15.280 --> 1:33:19.240
<v Speaker 1>this is probably her first kiss ever and that's why

1:33:19.320 --> 1:33:22.640
<v Speaker 1>she's reacting that way. But then I was like, oh, wait, no,

1:33:22.840 --> 1:33:26.920
<v Speaker 1>that was a surprise kiss and she wasn't expecting it

1:33:27.040 --> 1:33:30.000
<v Speaker 1>and he just used the school play as an excuse

1:33:30.080 --> 1:33:32.679
<v Speaker 1>to kiss her. Also, I feel like the cringe eest

1:33:32.720 --> 1:33:36.000
<v Speaker 1>part of this movie for me is when he's like, uh,

1:33:36.040 --> 1:33:38.479
<v Speaker 1>when she takes off her cloak. To me, that was

1:33:38.520 --> 1:33:42.719
<v Speaker 1>the most uncomfortable moment. He forgot all of his lines,

1:33:43.400 --> 1:33:47.599
<v Speaker 1>so ridiculous this whole I mean the fact, and that

1:33:47.680 --> 1:33:50.200
<v Speaker 1>was like, I think one of the closer moments to

1:33:50.320 --> 1:33:53.679
<v Speaker 1>like a true trophy, Like wow, I didn't realize that

1:33:53.800 --> 1:33:58.400
<v Speaker 1>Mandy Moore is very like Western beauty standards beautiful before

1:33:58.439 --> 1:34:05.920
<v Speaker 1>she removed this colloak like what are you doing? Um? Anyways? Yeah, um,

1:34:05.960 --> 1:34:09.439
<v Speaker 1>does anyone have anything else they would like to talk about?

1:34:10.200 --> 1:34:14.320
<v Speaker 1>I have to click things. I just I appreciated that

1:34:14.840 --> 1:34:18.759
<v Speaker 1>the music. They used the music to indicate bad kids,

1:34:19.040 --> 1:34:21.000
<v Speaker 1>you know, in a very old man kind of way.

1:34:21.320 --> 1:34:24.559
<v Speaker 1>The first the first the whole first scene up until

1:34:24.600 --> 1:34:27.559
<v Speaker 1>when the bullied kid gets there, I could barely hear

1:34:27.840 --> 1:34:30.960
<v Speaker 1>because the music was blaring so loud. And then that's

1:34:30.960 --> 1:34:34.519
<v Speaker 1>a recurring theme with Landon wearing blasting headphones, and it

1:34:34.600 --> 1:34:37.920
<v Speaker 1>just seemed like a get off my lawn kind of person.

1:34:38.000 --> 1:34:40.920
<v Speaker 1>That indicated that part of the script that made me

1:34:41.320 --> 1:34:44.519
<v Speaker 1>and you laugh, right because the bad boy kids, like

1:34:44.760 --> 1:34:48.800
<v Speaker 1>they're heavy metal rock and roll music. Yeah, and a

1:34:48.840 --> 1:34:50.800
<v Speaker 1>lot of you know, a lot of the with that

1:34:50.880 --> 1:34:54.600
<v Speaker 1>scene where they're flipping the radio thing, it's like no mercy,

1:34:54.640 --> 1:34:57.880
<v Speaker 1>like just like still biblical, but like the best side

1:34:57.920 --> 1:35:01.719
<v Speaker 1>of it, right, he's yeah, he's listening to his devil

1:35:01.840 --> 1:35:05.800
<v Speaker 1>music and she's listening to her god music. Yeah. And

1:35:05.840 --> 1:35:08.840
<v Speaker 1>then the only other thing was that, oh two things.

1:35:08.880 --> 1:35:12.040
<v Speaker 1>One also in the VHS commercials, there was a commercial

1:35:12.080 --> 1:35:15.680
<v Speaker 1>for a O L online and in the trailer for

1:35:15.720 --> 1:35:19.760
<v Speaker 1>this film it does have like below the rating like

1:35:19.960 --> 1:35:22.400
<v Speaker 1>a O L keyword a walk to remember for when

1:35:22.439 --> 1:35:26.559
<v Speaker 1>we still didn't know how to search things. I just

1:35:26.600 --> 1:35:29.360
<v Speaker 1>thought that was a nice time capsule. It was a

1:35:29.400 --> 1:35:33.960
<v Speaker 1>simple time. My last thing was that I kept reading

1:35:34.000 --> 1:35:37.800
<v Speaker 1>about how this film was released in theaters, but then

1:35:37.880 --> 1:35:41.719
<v Speaker 1>also released in a family edited version, and I could

1:35:41.760 --> 1:35:45.400
<v Speaker 1>not find what that means, Like what was edited out

1:35:45.439 --> 1:35:51.000
<v Speaker 1>of this version for the family edited version. Maybe the

1:35:51.160 --> 1:35:56.479
<v Speaker 1>handshake between Landon and Eric where they reference smoking weed.

1:35:57.040 --> 1:35:59.280
<v Speaker 1>I was wondering if they just edited out that guy

1:35:59.840 --> 1:36:03.519
<v Speaker 1>and made it a fully cast right, because he's always

1:36:03.560 --> 1:36:08.880
<v Speaker 1>making again, very sexually aggressive comments and jokes. So yeah,

1:36:08.920 --> 1:36:12.479
<v Speaker 1>maybe they just eliminated that character altogether. I guess just

1:36:12.600 --> 1:36:15.639
<v Speaker 1>if your fans can sound off that was it still

1:36:15.680 --> 1:36:18.000
<v Speaker 1>bugs me. I just want to know what is what

1:36:18.160 --> 1:36:22.360
<v Speaker 1>was edited out? Yeah, it's true. I'm curious. Yeah, this

1:36:22.439 --> 1:36:24.479
<v Speaker 1>has to be the kind of movie this this movie,

1:36:24.600 --> 1:36:27.320
<v Speaker 1>I can't I wonder, it's hard. It's hard to describe

1:36:27.520 --> 1:36:30.519
<v Speaker 1>how it's like that, like I know it when I

1:36:30.600 --> 1:36:32.680
<v Speaker 1>see it kind of thing. But you can tell when

1:36:32.760 --> 1:36:35.280
<v Speaker 1>a movie when a lot hit the cutting room floor,

1:36:35.400 --> 1:36:37.280
<v Speaker 1>and this movie seems like the kind of movie where

1:36:37.280 --> 1:36:39.800
<v Speaker 1>a lot hit the cutting room floor. They did say

1:36:39.840 --> 1:36:42.080
<v Speaker 1>that they did a lot of cuts to make sure

1:36:42.080 --> 1:36:44.840
<v Speaker 1>it was PG not PG thirteen, one of which was

1:36:44.880 --> 1:36:49.360
<v Speaker 1>cutting Shane singing to Mandy in the hospital only Hope,

1:36:49.560 --> 1:36:51.800
<v Speaker 1>which I would like to hear. How did that make

1:36:51.800 --> 1:36:56.599
<v Speaker 1>a PG thirteen. Is that too sexy? Made it too depressing? Oh?

1:36:56.840 --> 1:36:59.400
<v Speaker 1>It was too sad? Okay. I thought it was like

1:36:59.520 --> 1:37:01.519
<v Speaker 1>in a PG the movie you can only say shit

1:37:01.640 --> 1:37:04.439
<v Speaker 1>or fuck once, and you can also only sing only

1:37:04.479 --> 1:37:11.040
<v Speaker 1>hope one, oh my god, or it's adult. Yeah that

1:37:11.120 --> 1:37:15.760
<v Speaker 1>was all I had. All right, Well, I believe the

1:37:15.800 --> 1:37:20.720
<v Speaker 1>movie on some technicalities, passes the Bechtel test, but I

1:37:20.760 --> 1:37:24.760
<v Speaker 1>think that the bullying, it's only it only passes in

1:37:24.880 --> 1:37:28.280
<v Speaker 1>scenes where Jamie is being actively bullied, which, now that

1:37:28.320 --> 1:37:32.960
<v Speaker 1>we've talked it through, is a like narratively significant thing

1:37:33.000 --> 1:37:36.120
<v Speaker 1>that happens. It's just sad, Yeah, I think it is.

1:37:36.160 --> 1:37:39.240
<v Speaker 1>I think the passing is literally just a photoshop scene

1:37:39.560 --> 1:37:43.599
<v Speaker 1>when Belinda has to like get her to follow her

1:37:43.640 --> 1:37:47.280
<v Speaker 1>to the cafeteria, right, and then like we see Jamie

1:37:47.320 --> 1:37:50.280
<v Speaker 1>almost make a female friend and then actually, no, she's

1:37:50.320 --> 1:37:55.519
<v Speaker 1>not allowed to have any female friends. Sorry, James. I

1:37:55.560 --> 1:37:57.920
<v Speaker 1>remember the lines now. It was like, Jamie, you would

1:37:57.960 --> 1:38:00.840
<v Speaker 1>look really pretty with makeup here, come with me? Do

1:38:00.880 --> 1:38:04.639
<v Speaker 1>you want to? Oh my god? It really is like

1:38:04.760 --> 1:38:08.760
<v Speaker 1>the one of the worst passes we've ever had is

1:38:08.800 --> 1:38:13.320
<v Speaker 1>even an egg. Right. She's basically like, your face is bad.

1:38:13.560 --> 1:38:16.760
<v Speaker 1>Your breath is bad. Come with me so that I

1:38:16.800 --> 1:38:20.280
<v Speaker 1>can keep bullying you. Yeah, come to the table so

1:38:20.320 --> 1:38:22.799
<v Speaker 1>I can keep bullying you with all my cool friends.

1:38:22.840 --> 1:38:25.200
<v Speaker 1>Also like to like fourteen people go to that school

1:38:25.280 --> 1:38:29.240
<v Speaker 1>that just all of it's so bizarre. I feel like

1:38:29.320 --> 1:38:31.920
<v Speaker 1>I saw fourteen kids that went to the entire school

1:38:32.000 --> 1:38:36.479
<v Speaker 1>and all of them hate Jamie. You know, Jamie does

1:38:36.520 --> 1:38:41.000
<v Speaker 1>seem to have a friend who is the other co

1:38:41.240 --> 1:38:45.160
<v Speaker 1>star of the school play. Oh yeah, but we don't

1:38:45.200 --> 1:38:47.840
<v Speaker 1>know that character's name. I don't even think we don't

1:38:47.880 --> 1:38:51.639
<v Speaker 1>know anything about her. She barely says anything. Let Jamie

1:38:51.680 --> 1:38:54.679
<v Speaker 1>have a friend. Seriously, I did love how her friend

1:38:54.760 --> 1:38:59.920
<v Speaker 1>was like the perfect drama nerd. Yeah, you know, highly identifiable.

1:39:00.439 --> 1:39:02.960
<v Speaker 1>And it's like that seems like and you would think that,

1:39:03.200 --> 1:39:05.400
<v Speaker 1>like it seems like Jamie is kind of like well

1:39:05.439 --> 1:39:08.120
<v Speaker 1>liked by the drama club. We have no reasoning that

1:39:08.200 --> 1:39:10.360
<v Speaker 1>she isn't. So it's like, why can't we see her

1:39:10.439 --> 1:39:14.679
<v Speaker 1>thriving outside of this relationship with Shane West a little bit?

1:39:15.000 --> 1:39:18.479
<v Speaker 1>And also you would now that I'm like, wouldn't they

1:39:18.520 --> 1:39:21.280
<v Speaker 1>have visited her as she was dying? They appeared to

1:39:21.280 --> 1:39:24.439
<v Speaker 1>be her friends, right, I will say it sounded like

1:39:24.520 --> 1:39:27.959
<v Speaker 1>she had kept her diagnosis secret from everyone from outside

1:39:27.960 --> 1:39:31.120
<v Speaker 1>of her father. That's true. So by the wedding, did

1:39:31.120 --> 1:39:33.000
<v Speaker 1>they know she's sick? I don't know. I mean they

1:39:33.040 --> 1:39:35.720
<v Speaker 1>know because of the gossip, Like Shane West kind of

1:39:35.720 --> 1:39:38.880
<v Speaker 1>blew up her prophecy, right because all all his friends

1:39:38.920 --> 1:39:41.479
<v Speaker 1>find out about it. Damn they all come around and

1:39:41.520 --> 1:39:44.280
<v Speaker 1>they're like, oh, I'm sorry, I was such a jerk before.

1:39:44.880 --> 1:39:48.040
<v Speaker 1>I know that. My personal experience, not with cancer, but

1:39:48.200 --> 1:39:50.760
<v Speaker 1>with like major injuries and stuff is like I did

1:39:50.800 --> 1:39:54.040
<v Speaker 1>have a tendency to isolate. I still do. Also could

1:39:54.040 --> 1:39:57.360
<v Speaker 1>be depression and stuff, but like that's like me inferring

1:39:57.479 --> 1:39:59.640
<v Speaker 1>that is her reasoning, It isn't the Only thing we

1:39:59.680 --> 1:40:02.240
<v Speaker 1>know for the movie is that she was like I

1:40:02.240 --> 1:40:03.960
<v Speaker 1>found out two years ago. I didn't want people to

1:40:04.000 --> 1:40:08.760
<v Speaker 1>treat me weird and I was cool until I met you. Right. Ah,

1:40:08.960 --> 1:40:11.439
<v Speaker 1>so much unexplained, right, But if yeah, but if we

1:40:11.479 --> 1:40:14.439
<v Speaker 1>knew more about her character or saw things more from

1:40:14.520 --> 1:40:16.759
<v Speaker 1>her point of view, we would have a better sense

1:40:16.800 --> 1:40:20.599
<v Speaker 1>of what the circumstances were there. So we just don't know,

1:40:21.320 --> 1:40:23.760
<v Speaker 1>because we don't even know. She was really unpopular. The

1:40:23.800 --> 1:40:26.840
<v Speaker 1>popular kids just didn't like her right, but it's like, yeah,

1:40:26.920 --> 1:40:30.000
<v Speaker 1>it's it's you can be disliked by popular kids and

1:40:30.080 --> 1:40:33.400
<v Speaker 1>still be the coolest kid in the drama club, like

1:40:34.240 --> 1:40:37.960
<v Speaker 1>or that star club that she ran that we saw

1:40:38.000 --> 1:40:40.439
<v Speaker 1>that one. See. Well, that kind of like brings us

1:40:40.520 --> 1:40:46.400
<v Speaker 1>to the nipple scale because I feel like, ultimately, for me, uh,

1:40:46.439 --> 1:40:49.320
<v Speaker 1>this movie would have worked a lot better for me

1:40:49.360 --> 1:40:53.000
<v Speaker 1>if it had been centered around her and not Landing.

1:40:53.080 --> 1:40:55.559
<v Speaker 1>You don't even need to get rid of Landing for

1:40:55.680 --> 1:41:00.120
<v Speaker 1>my I'm like, okay, it's a heteroteene romance whatever, like,

1:41:01.160 --> 1:41:04.519
<v Speaker 1>but but there's no reason other than the movie the

1:41:04.600 --> 1:41:09.080
<v Speaker 1>story is being told by Nicholas Sparks's authorial voice, that

1:41:09.439 --> 1:41:11.960
<v Speaker 1>the story is being told by Landon at all, Like

1:41:12.000 --> 1:41:14.280
<v Speaker 1>I don't it shouldn't be told by him. He can

1:41:14.320 --> 1:41:16.120
<v Speaker 1>be there, but it can't be his story. I don't

1:41:16.120 --> 1:41:19.960
<v Speaker 1>know which. Again, it makes her her burn his sister's

1:41:20.000 --> 1:41:22.120
<v Speaker 1>burned so much like I don't want you telling the

1:41:22.120 --> 1:41:26.040
<v Speaker 1>world about my life. I'm not going to read this

1:41:26.240 --> 1:41:32.559
<v Speaker 1>interpretation you had of me. So shall we shall we?

1:41:32.640 --> 1:41:36.040
<v Speaker 1>Shall we bust out that nipple scale. Let's do it.

1:41:36.160 --> 1:41:40.360
<v Speaker 1>Zero to five nipples based on examining the movie through

1:41:40.400 --> 1:41:44.120
<v Speaker 1>an intersectional feminist lens. I'm going to give this movie,

1:41:45.640 --> 1:41:49.120
<v Speaker 1>I don't know, like a one and a half, maybe

1:41:49.120 --> 1:41:52.800
<v Speaker 1>a two, maybe somewhere split in the middle of that.

1:41:52.920 --> 1:41:56.559
<v Speaker 1>I don't know. It's it's not high. It really adheres

1:41:56.600 --> 1:42:00.719
<v Speaker 1>to a lot of the tropes of like the teen

1:42:00.920 --> 1:42:08.040
<v Speaker 1>romance genre of like a boy nigging and being cruel

1:42:08.240 --> 1:42:11.519
<v Speaker 1>to a girl and wearing her down when he does

1:42:11.560 --> 1:42:16.240
<v Speaker 1>decide that she's worthy of him, and then falling in

1:42:16.320 --> 1:42:19.000
<v Speaker 1>love and still being shitty to her a lot of

1:42:19.040 --> 1:42:22.240
<v Speaker 1>the time. And yeah, the fact that, like you said, Jimmie,

1:42:22.240 --> 1:42:27.000
<v Speaker 1>it's that it's told from his point of view, even

1:42:27.000 --> 1:42:31.040
<v Speaker 1>though he doesn't have an interesting perspective on this narrative

1:42:31.120 --> 1:42:34.439
<v Speaker 1>at all. And I would much rather learn, like know

1:42:34.600 --> 1:42:39.760
<v Speaker 1>about what a like very devoutly Christian girl how she

1:42:39.920 --> 1:42:43.760
<v Speaker 1>feels about having a terminal illness. That's a way more

1:42:43.800 --> 1:42:49.360
<v Speaker 1>interesting story. I don't give a shit about landing like anyway.

1:42:49.640 --> 1:42:54.559
<v Speaker 1>So yeah, I think there's a lot of missteps, at least,

1:42:54.560 --> 1:42:58.840
<v Speaker 1>though it doesn't fall into the territory of like a

1:42:59.080 --> 1:43:03.400
<v Speaker 1>million racist and homophobic jokes that get made in a

1:43:03.400 --> 1:43:07.120
<v Speaker 1>lot of comparable movies of this era. But like, obviously

1:43:07.160 --> 1:43:10.679
<v Speaker 1>that bars so low that like, the movie doesn't deserve

1:43:10.760 --> 1:43:14.080
<v Speaker 1>to be congratulated for not doing that, but that but

1:43:14.160 --> 1:43:16.360
<v Speaker 1>that's why I was like, Oh, it's not as problematic

1:43:16.400 --> 1:43:19.160
<v Speaker 1>as I thought it was going to be. They compressed

1:43:19.200 --> 1:43:22.679
<v Speaker 1>it all into that one person, into Eric. Yeah, exactly,

1:43:23.000 --> 1:43:28.800
<v Speaker 1>um for justice for Eric. So yeah, that it's it's

1:43:28.800 --> 1:43:31.479
<v Speaker 1>not the worst example we've seen, but it's certainly not great.

1:43:31.680 --> 1:43:34.720
<v Speaker 1>So I'll give it. I'll give it one and a

1:43:34.760 --> 1:43:40.680
<v Speaker 1>half nipples. I'll give one nipple to Jamie Loftist. I

1:43:40.800 --> 1:43:44.519
<v Speaker 1>was gonna say this episode has been very stressful for

1:43:44.560 --> 1:43:49.680
<v Speaker 1>me overall. You guys, I keep being like, um, and

1:43:49.720 --> 1:43:52.240
<v Speaker 1>I'll get I'll give one nipple to you Jamie, and

1:43:52.320 --> 1:43:56.840
<v Speaker 1>my half nipple too. And wait, how does the song go?

1:43:57.400 --> 1:44:05.080
<v Speaker 1>And I'm thinking of listening to this and we're all

1:44:05.080 --> 1:44:10.040
<v Speaker 1>singing it in wildly different keys, and they're like, I'm

1:44:10.080 --> 1:44:12.120
<v Speaker 1>gonna have to like edit it so it like actually

1:44:12.160 --> 1:44:16.000
<v Speaker 1>sinks up because I think, could you please pitch correct

1:44:16.040 --> 1:44:19.840
<v Speaker 1>all three of us that were singing. Of course, I'll

1:44:19.920 --> 1:44:23.519
<v Speaker 1>put some auto tune onto at least my voice, because

1:44:23.520 --> 1:44:26.000
<v Speaker 1>I have the worst singing voice. Um. Yeah, so that

1:44:26.160 --> 1:44:31.360
<v Speaker 1>amazing song gets my half Nickel and uh yeah one

1:44:31.400 --> 1:44:34.559
<v Speaker 1>and a half. Yeah, I'll do one and a half

1:44:34.560 --> 1:44:37.559
<v Speaker 1>as well. I feel like, and I agree with We're

1:44:37.600 --> 1:44:41.240
<v Speaker 1>coming from Caitlin. I feel like this movie like shouldn't

1:44:41.240 --> 1:44:43.880
<v Speaker 1>be congratulated for what it dodges. I think the truly

1:44:43.920 --> 1:44:47.519
<v Speaker 1>the one thing that I felt like, oh, this movie

1:44:47.520 --> 1:44:51.800
<v Speaker 1>seems to be intentionally dodging this trope is the fact

1:44:51.960 --> 1:44:55.800
<v Speaker 1>that Jamie doesn't get this big makeover at any point

1:44:56.040 --> 1:44:59.120
<v Speaker 1>for core. You know, she doesn't do ah like Sandy

1:44:59.160 --> 1:45:02.600
<v Speaker 1>from Grease thing. She just like her personality changes, and

1:45:02.640 --> 1:45:05.439
<v Speaker 1>I think all of the asshole popular kids think she's

1:45:05.479 --> 1:45:09.040
<v Speaker 1>cool and you're like, why are we here? Um? But

1:45:09.240 --> 1:45:13.640
<v Speaker 1>you know, like Jamie retains her core values and qualities

1:45:13.720 --> 1:45:15.800
<v Speaker 1>and is loved for them, which I feel like is

1:45:15.800 --> 1:45:18.640
<v Speaker 1>a generally more positive message than most teen movies we're

1:45:18.640 --> 1:45:21.559
<v Speaker 1>giving us at that time. That is, I think like

1:45:21.640 --> 1:45:26.840
<v Speaker 1>the main strength of the movie, which I think I read,

1:45:27.200 --> 1:45:30.439
<v Speaker 1>was the director's hard choice, Like he made that a

1:45:30.520 --> 1:45:32.559
<v Speaker 1>strong rule, like I don't want to do a reveal.

1:45:32.880 --> 1:45:35.840
<v Speaker 1>I don't want to do shank Man, all right, Yeah

1:45:35.920 --> 1:45:39.040
<v Speaker 1>that makes me really happen, Like yeah, I I totally.

1:45:39.040 --> 1:45:42.280
<v Speaker 1>I mean, we've we've I think I criticized this movie

1:45:42.320 --> 1:45:46.200
<v Speaker 1>pretty from a lot of ankles, um Ultimately, I it

1:45:46.240 --> 1:45:48.200
<v Speaker 1>holds up way better than I thought it would. This

1:45:48.280 --> 1:45:50.120
<v Speaker 1>will not be the last time I watched this movie.

1:45:50.400 --> 1:45:54.599
<v Speaker 1>It feels it's just like a very comfort movie to watch.

1:45:55.000 --> 1:45:58.280
<v Speaker 1>And yeah, you know, her dream is to get married

1:45:58.520 --> 1:46:01.920
<v Speaker 1>will Gross whatever her right. I wish that we had

1:46:01.960 --> 1:46:06.000
<v Speaker 1>seen a more a better characterization of Landon's character and

1:46:06.040 --> 1:46:08.880
<v Speaker 1>that it wasn't so centered around him, because outside of

1:46:08.920 --> 1:46:12.719
<v Speaker 1>the fact that it's not really fair to Jamie's character,

1:46:13.280 --> 1:46:16.400
<v Speaker 1>it also like everything else going on in Landon's life

1:46:16.439 --> 1:46:19.400
<v Speaker 1>is really boring to me, and I don't care about

1:46:19.479 --> 1:46:21.800
<v Speaker 1>him and his father, except I love the scene where

1:46:21.800 --> 1:46:23.840
<v Speaker 1>he's mad at his father for not knowing the cure

1:46:23.880 --> 1:46:27.120
<v Speaker 1>to cancer. That's hilarious, but I don't care. It's also

1:46:27.200 --> 1:46:31.280
<v Speaker 1>another example of like a male redemption story, and not

1:46:31.320 --> 1:46:35.559
<v Speaker 1>that those can't be done well and aren't valuable, but

1:46:36.160 --> 1:46:39.479
<v Speaker 1>I don't think this was done well, nor was this

1:46:39.520 --> 1:46:44.080
<v Speaker 1>redemption earned to me, so I think it could have

1:46:44.120 --> 1:46:46.640
<v Speaker 1>been earned, which is kind of frustrating. It could have

1:46:46.680 --> 1:46:48.800
<v Speaker 1>been earned, but it wasn't. The way that the story

1:46:48.840 --> 1:46:54.360
<v Speaker 1>plays out, but iconic Mandy Moore performance. Love her, love

1:46:54.400 --> 1:46:57.800
<v Speaker 1>her high school soprano voice. That is literally a voice

1:46:57.840 --> 1:47:00.120
<v Speaker 1>you would hear on stage in a high school as

1:47:00.200 --> 1:47:03.960
<v Speaker 1>Mandy Moore style, like she is not singing from the

1:47:04.000 --> 1:47:08.280
<v Speaker 1>diaphragm at all, like it is it is. I love it.

1:47:08.320 --> 1:47:10.760
<v Speaker 1>Those were some of the things my voice teacher was

1:47:10.800 --> 1:47:14.439
<v Speaker 1>trying to correct right there, like trying not to sound

1:47:14.439 --> 1:47:18.599
<v Speaker 1>like Mandy Moore. But it's so easy to sound if

1:47:18.640 --> 1:47:21.439
<v Speaker 1>you just I don't know. I highly recommend Mandy Moore

1:47:21.520 --> 1:47:24.040
<v Speaker 1>is one of my favorite karaoke go toos because it's

1:47:24.080 --> 1:47:28.040
<v Speaker 1>so easy and it's so effective. I'm sure something to

1:47:28.120 --> 1:47:31.599
<v Speaker 1>give it one and a half and I'll give one

1:47:32.080 --> 1:47:36.599
<v Speaker 1>to Jamie Sullivan and then I'll give the other half

1:47:36.840 --> 1:47:42.759
<v Speaker 1>to Darryl Hannah's wig. Oh yes, good Sam, what about you? Yeah?

1:47:42.800 --> 1:47:46.200
<v Speaker 1>I mean I still on this viewing where I also

1:47:46.360 --> 1:47:50.080
<v Speaker 1>did you know an obsessive deep dive? Um. I'm really

1:47:50.120 --> 1:47:52.759
<v Speaker 1>just taking away and wanting to rewatch the film again

1:47:53.280 --> 1:47:56.360
<v Speaker 1>from the lens of you know, the brother of a

1:47:56.439 --> 1:48:00.840
<v Speaker 1>dying woman who's obsessed with her husband who's going out

1:48:00.880 --> 1:48:02.880
<v Speaker 1>of his way to marry a dead person. I feel

1:48:02.920 --> 1:48:06.240
<v Speaker 1>like that are dying person. Um, I feel like that

1:48:06.680 --> 1:48:11.040
<v Speaker 1>really makes everything make a little more sense. Um. And

1:48:11.280 --> 1:48:14.280
<v Speaker 1>I you know, I am gonna go high. I'm gonna

1:48:14.360 --> 1:48:17.040
<v Speaker 1>give it to nipples, and I'm going to give those

1:48:17.120 --> 1:48:23.240
<v Speaker 1>nipples to every person who got horny during this movie

1:48:23.400 --> 1:48:26.040
<v Speaker 1>as a kid or as an adult or whatever. Um,

1:48:26.200 --> 1:48:29.519
<v Speaker 1>because I do feel like, you know, I I don't

1:48:29.520 --> 1:48:32.040
<v Speaker 1>know how I feel as an adult in the entertainment

1:48:32.040 --> 1:48:36.120
<v Speaker 1>industry about they're being real chemistry between a sixteen seventeen

1:48:36.160 --> 1:48:38.880
<v Speaker 1>year old and a twenty three year old, but it is,

1:48:39.720 --> 1:48:44.759
<v Speaker 1>it is palpable, and for me it was a big

1:48:45.520 --> 1:48:48.439
<v Speaker 1>bisexual awakening. And I can't imagine I'm the only one

1:48:49.240 --> 1:48:53.479
<v Speaker 1>sure you're not. Yeah, It's like, it's just that the

1:48:53.560 --> 1:48:57.320
<v Speaker 1>industry should not present opportunities for that to be the

1:48:57.400 --> 1:49:02.760
<v Speaker 1>case for a under a age actor and a of

1:49:02.960 --> 1:49:06.760
<v Speaker 1>age actor. That should never be a thing where they're

1:49:06.760 --> 1:49:10.640
<v Speaker 1>on screen together in a romantic context and where the

1:49:10.680 --> 1:49:14.400
<v Speaker 1>crew is you know, aware there, everyone's aware of a

1:49:14.520 --> 1:49:19.960
<v Speaker 1>romance forming I r L and not inhibiting that because

1:49:20.080 --> 1:49:24.880
<v Speaker 1>it helps the performance, right, So if you had an awakening,

1:49:25.200 --> 1:49:27.759
<v Speaker 1>it's not your fault, it's but it is the fault

1:49:27.760 --> 1:49:35.680
<v Speaker 1>of the production for making those casting choices you're so anyway,

1:49:38.320 --> 1:49:40.920
<v Speaker 1>maybe it will make you feel better to know that

1:49:40.960 --> 1:49:44.160
<v Speaker 1>this movie made Mandy Moore get back into her religion.

1:49:44.680 --> 1:49:48.280
<v Speaker 1>So if you're feeling guilty about her horny nous, it

1:49:48.400 --> 1:49:51.759
<v Speaker 1>seems like she might have. She got she got to horny,

1:49:51.800 --> 1:49:53.599
<v Speaker 1>and then she's like, I need to go, I need

1:49:53.640 --> 1:49:58.040
<v Speaker 1>to find God again. She wasn't. The horny nous didn't

1:49:58.040 --> 1:50:03.120
<v Speaker 1>take her down a wicked path. I love great Andy Moore.

1:50:04.080 --> 1:50:07.600
<v Speaker 1>I hope she's not shitty is because I just I

1:50:07.680 --> 1:50:10.879
<v Speaker 1>love her. Although she was famously for a while watching

1:50:10.920 --> 1:50:13.519
<v Speaker 1>Me Asleep, which I didn't care for. That's kind of

1:50:13.640 --> 1:50:15.880
<v Speaker 1>that's kind of mean, and she's never apologized for that,

1:50:16.040 --> 1:50:18.320
<v Speaker 1>which I do think is very telling of her character.

1:50:18.680 --> 1:50:21.840
<v Speaker 1>I did very briefly meet her one time. She did

1:50:21.840 --> 1:50:27.040
<v Speaker 1>a show at Nerd Melt and I saw her and

1:50:27.400 --> 1:50:31.240
<v Speaker 1>showed her where the green room was. So she was

1:50:31.400 --> 1:50:35.200
<v Speaker 1>very nice, she seems to me in that moment, So

1:50:35.560 --> 1:50:37.960
<v Speaker 1>that means she's nice to everyone all the time forever.

1:50:38.840 --> 1:50:42.240
<v Speaker 1>That is how that works. Thank you so much for

1:50:42.320 --> 1:50:44.559
<v Speaker 1>being here, Sam, This was such a blast. I'm so

1:50:44.600 --> 1:50:47.120
<v Speaker 1>glad we did this movie. Thank you for having me.

1:50:47.640 --> 1:50:49.600
<v Speaker 1>I'm so honored. To be here. This is one of

1:50:49.600 --> 1:50:53.280
<v Speaker 1>my favorite podcasts and I love having these discussions. I

1:50:53.479 --> 1:50:56.599
<v Speaker 1>r l or on pod and I appreciate you guys

1:50:56.600 --> 1:51:00.200
<v Speaker 1>giving me the opportunity to kind of process this home

1:51:00.280 --> 1:51:05.240
<v Speaker 1>now as an adult. Oh anytime, any time, come on back.

1:51:06.360 --> 1:51:10.000
<v Speaker 1>Oh wait, I had one more connection to Titanic. Yes,

1:51:10.160 --> 1:51:13.000
<v Speaker 1>so we have the hot car, we have somebody dying

1:51:13.120 --> 1:51:17.320
<v Speaker 1>slowly and yeah switch Foot mentions Titanic that those are

1:51:17.320 --> 1:51:21.720
<v Speaker 1>my three got it? Yeah it's Cannon. Well there's I

1:51:21.720 --> 1:51:25.519
<v Speaker 1>would say there aren't enough Titanic connections in this movie,

1:51:25.640 --> 1:51:28.200
<v Speaker 1>but that's just me. Yeah, I could have I could

1:51:28.240 --> 1:51:30.760
<v Speaker 1>have staid to have a couple more and there was

1:51:30.880 --> 1:51:33.360
<v Speaker 1>room for it. And yeah they were they were like

1:51:33.520 --> 1:51:38.160
<v Speaker 1>weren't they seaside or somehow? There were boats there were

1:51:38.200 --> 1:51:40.280
<v Speaker 1>there were both. There's water, they go into the water.

1:51:40.560 --> 1:51:43.360
<v Speaker 1>They belly Some characters belly flop into the water in

1:51:43.439 --> 1:51:46.720
<v Speaker 1>both movies. There is there are there are near near

1:51:46.760 --> 1:51:51.559
<v Speaker 1>fatal belly flops, and there's a and there's a wearing

1:51:51.640 --> 1:51:56.400
<v Speaker 1>down relationship that we're rooting for and who is Belinda?

1:51:56.720 --> 1:52:02.479
<v Speaker 1>But cal Hockley played by Billy's Andrew makes you think,

1:52:03.040 --> 1:52:05.599
<v Speaker 1>makes you think Billy Zane should have been in this movie.

1:52:05.920 --> 1:52:09.000
<v Speaker 1>Alfred Molina could have played the priest Dad no offense

1:52:09.240 --> 1:52:12.599
<v Speaker 1>Peter Coyote, but he's already played. He was a priest

1:52:12.640 --> 1:52:15.960
<v Speaker 1>in Chuckle Law, so I guess he was like no, wait, no,

1:52:16.200 --> 1:52:18.800
<v Speaker 1>he was the mayor in Chuckle Law. He was a

1:52:18.840 --> 1:52:22.280
<v Speaker 1>priest in the Da Vinci Code. Back to Da Vinci. Yes,

1:52:22.439 --> 1:52:27.479
<v Speaker 1>oh my god, langdon, langdon. The Da Vinci code is Apple.

1:52:28.800 --> 1:52:33.599
<v Speaker 1>Never forget code was the word apple. I'm never I'm

1:52:33.640 --> 1:52:37.599
<v Speaker 1>never going to get over that. Sorry, Uh Sam? Where

1:52:37.640 --> 1:52:42.040
<v Speaker 1>can people follow you online and check out your stuff? Yeah?

1:52:42.120 --> 1:52:45.599
<v Speaker 1>I do live events online events this last year, but

1:52:46.160 --> 1:52:49.080
<v Speaker 1>you know, as things start to open, maybe more live

1:52:49.120 --> 1:52:51.040
<v Speaker 1>events in New York and l A as it's safe

1:52:51.479 --> 1:52:54.680
<v Speaker 1>my shows. My website is naked Comedy dot org. My

1:52:54.760 --> 1:52:59.360
<v Speaker 1>Twitter is at Naked Underscore Comedy. My Insta is at

1:52:59.479 --> 1:53:03.760
<v Speaker 1>Naked Comedy and yeah, support me if you can. I

1:53:03.840 --> 1:53:09.400
<v Speaker 1>try to do inclusive shows of people from all backgrounds.

1:53:09.479 --> 1:53:12.000
<v Speaker 1>I try to make sure that my performers are paid,

1:53:12.400 --> 1:53:16.519
<v Speaker 1>and I just am a solo entrepreneur trying to make

1:53:16.560 --> 1:53:23.120
<v Speaker 1>a modest, very modest living while supporting my fellow comedy friends.

1:53:23.200 --> 1:53:29.559
<v Speaker 1>Because comedy inspires me one of the greatest in the game. Also,

1:53:29.640 --> 1:53:32.200
<v Speaker 1>to be clear, just to set the record straight, I

1:53:32.320 --> 1:53:36.640
<v Speaker 1>named Naked Comedy after Naked Juice, so it's like authentic.

1:53:37.360 --> 1:53:39.439
<v Speaker 1>So just so if you're like, who's this naked comedy

1:53:39.479 --> 1:53:43.519
<v Speaker 1>chick like criticizing Christianity and talking about being horny, actually

1:53:43.920 --> 1:53:48.920
<v Speaker 1>it's not. That's not the vibe of all my stuff. Yeah,

1:53:48.960 --> 1:53:53.360
<v Speaker 1>you can find us on mine on all of the platforms,

1:53:53.360 --> 1:53:57.840
<v Speaker 1>on Twitter, on Instagram, not on TikTok, and probably never

1:53:57.920 --> 1:54:01.720
<v Speaker 1>on TikTok. Honestly, I don't. I used to download another application,

1:54:02.000 --> 1:54:05.280
<v Speaker 1>so complan. You can find us on Bechtel Cast on

1:54:05.320 --> 1:54:07.840
<v Speaker 1>Instagram and Twitter. You can sign up for our patreon

1:54:08.320 --> 1:54:12.880
<v Speaker 1>ak Matreon, in which you will get to bonus episodes

1:54:13.120 --> 1:54:16.800
<v Speaker 1>a month for only a mere five dollars, And there's

1:54:16.840 --> 1:54:21.599
<v Speaker 1>almost a hundred episodes hanging out there on on the Matreon.

1:54:21.680 --> 1:54:23.880
<v Speaker 1>There's a lot. There's a lot going on. I appreciate

1:54:24.000 --> 1:54:27.080
<v Speaker 1>when you guys release a few Matron episodes to the

1:54:27.120 --> 1:54:30.800
<v Speaker 1>free feed. I didn't know that that Matreon was primarily

1:54:30.800 --> 1:54:33.880
<v Speaker 1>recorded in bed. I feel like that's a big selling point.

1:54:35.120 --> 1:54:37.520
<v Speaker 1>I hopefully we can get back. We can get back

1:54:37.520 --> 1:54:39.720
<v Speaker 1>there because we it's been a year since we've recorded

1:54:39.720 --> 1:54:44.760
<v Speaker 1>Matreons in Caitlymb's bed specifically. Yeah, like you know, we'll

1:54:44.800 --> 1:54:47.200
<v Speaker 1>get back. It's been a really long time, but it's

1:54:47.200 --> 1:54:50.960
<v Speaker 1>been eighty four years. It's been eighty four years and

1:54:51.080 --> 1:54:55.040
<v Speaker 1>we can still smell the fresh paint. Thanks for tuning in.

1:54:55.400 --> 1:55:00.720
<v Speaker 1>Everyone will be here next week. Bye bye. Yeah