WEBVTT - The Fifth Hour: Sunday East Coast Special

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<v Speaker 1>Kabbooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the Old Republic, a soul fashion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse.

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<v Speaker 1>Wow.

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<v Speaker 2>The clearing House of Hot takes break free for something special.

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<v Speaker 2>The Fifth Hour with Ben Maller starts right now in the.

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<v Speaker 1>Air and everywhere. The Fifth Hour with Me, Big Ben

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<v Speaker 1>and Danny g Radio final day here on the East Coast.

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<v Speaker 1>I'm heading back to La La Land, have a very

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<v Speaker 1>early flight this morning, so I said, ah, and I'm

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<v Speaker 1>gonna get up when you shouldn't be awake, and I'm

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<v Speaker 1>gonna start talking into a microphone. And here we are

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<v Speaker 1>with this edition of The Fifth Hour. On Mountain Day,

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<v Speaker 1>not Mountain time zone Day. Today August eleventh, this Sunday

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<v Speaker 1>is Mountain Day. What the f is that? I don't

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<v Speaker 1>really know. I think it has something to do with

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<v Speaker 1>Japan Mountain Day, relatively new holiday. We are told there

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<v Speaker 1>aren't many traditions associated with because they just made it up.

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<v Speaker 1>The inaugural national ceremony form Mountain Day was held in

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<v Speaker 1>the Japanese Alps, so not that long ago. I don't

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<v Speaker 1>know how these things happen, but it is National Mountain Day,

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<v Speaker 1>so celebrate accordingly, foh drizzle. On this podcast, we'll get

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<v Speaker 1>to engagement farming. Also, I have been remiss over the weekend.

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<v Speaker 1>Here we have not gotten to the word of the week,

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<v Speaker 1>or in this case, we'll have multiple words of the week.

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<v Speaker 1>But we begin with this after many many days of

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<v Speaker 1>messages coming in regarding a recent malad monologue, well not

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<v Speaker 1>even that recent three year old mal monologue that still

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<v Speaker 1>has legs, I would like to present to you, the

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<v Speaker 1>home consumer here on the fifth hour, the single biggest

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<v Speaker 1>board that we have done. It is Big Bend's Big

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<v Speaker 1>Board of viral monologue moments, otherwise known as engagement farming. Yes,

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<v Speaker 1>we are in the engagement farming business. We are paid

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<v Speaker 1>to engage. That is out of necessity because we have

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<v Speaker 1>bills to pay. But the fact is doing an overnight

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<v Speaker 1>sports radio show. And you know how this works by

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<v Speaker 1>consuming the product that we work in a disposable form

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<v Speaker 1>of entertainment. We do all right, So say it is

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<v Speaker 1>every single day there's a new fire to put out,

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<v Speaker 1>there's a new outrage that we must discuss in the

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<v Speaker 1>world sports. And ultimately, it is a fungible situation that

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<v Speaker 1>more times than not, I will do a mal monologue

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<v Speaker 1>and then all of a sudden it pops out there

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<v Speaker 1>into the microphone, into your ear drums, and you chew

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<v Speaker 1>it up and you spit it out. Maybe you like it.

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<v Speaker 1>Maybe it didn't hit the mark for you. It wasn't

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<v Speaker 1>to your taste. Everyone's taste buds are different. You didn't

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<v Speaker 1>see eye to eye with the mal monologue. But that's it. Ultimately,

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<v Speaker 1>it's done right. You think of it in the same

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<v Speaker 1>context of tissue. You gotta blow your nose, You need

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<v Speaker 1>a tissue. When you're done blowing your nose, you throw

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<v Speaker 1>the tissue away. How about you go to the bathroom.

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<v Speaker 1>You like that toilet paper, right, use the toilet paper,

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<v Speaker 1>take care of business, and then eventually you're like, all right,

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<v Speaker 1>I'm done with that, and da hey, goodbye. You flush

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<v Speaker 1>it away, go fast food. We'll get some ketchup. You

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<v Speaker 1>will pack it the ketchup. Maybe get some honey mustard

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<v Speaker 1>sauce with your chicken. Okay, use it up, and when

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<v Speaker 1>it's done, you have to throw it away. How about

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<v Speaker 1>a plastic fork. Maybe you went out to get some

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<v Speaker 1>nice Chinese food and Panda Express and you're like, all right,

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<v Speaker 1>I'll use one of the plastic forks there, and then

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<v Speaker 1>you're done with it. You throw it away. How about

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<v Speaker 1>a cupcake? You want a cupcake, You wrap that cupcake

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<v Speaker 1>in that little wrapper. You're done with that. Boom, eat

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<v Speaker 1>the cupcake, throw that thing away. So the point is,

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<v Speaker 1>get to the point, please that often these monologues are

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<v Speaker 1>just background noise. They're elevator music. You skip through them

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<v Speaker 1>without missing a beat, and that's it. We're done. That's all.

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<v Speaker 1>But every once in a while that is not the case. Now,

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<v Speaker 1>the normal lifespan of a Mallard monologue, I know you're

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<v Speaker 1>curious about this. How long does it last? How long

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<v Speaker 1>does that malar monologue list? I'll tell you so, the

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<v Speaker 1>average Mallard monologue lifespan is anywhere from a couple of

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<v Speaker 1>hours to twenty four to forty eight hours. I would

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<v Speaker 1>argue I've done this for a long time that the

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<v Speaker 1>malar monologue on average, the lifespan is that of a waterfly. Now,

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<v Speaker 1>if you're unfamiliar in the entire span of the planet,

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<v Speaker 1>the mayfly, waterfly has the shortest lifespan of just about

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<v Speaker 1>anything on the planet, meaning the average lifespan of a

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<v Speaker 1>mayfly these waterflies is less from less than five minutes

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<v Speaker 1>to one to two days, from less than five minutes

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<v Speaker 1>to one to two days. So the average if you're

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<v Speaker 1>living a long life as a waterfly, the may fly

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<v Speaker 1>you're living forty eight hours. You've lived a long, full,

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<v Speaker 1>complete life, and then it's time to check out. So

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<v Speaker 1>the point is they don't last very long. But as

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<v Speaker 1>we said, every now and again, every now and again

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<v Speaker 1>we paint an oil painting a masterpiece. Doesn't happen often,

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<v Speaker 1>but it does happen, and it normally happens when you

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<v Speaker 1>least suspected everyone's feeling all groovy after a great monologue,

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<v Speaker 1>but you're like, well, I don't know, did that really resonate?

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<v Speaker 1>And I bring this up because when that happens, we

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<v Speaker 1>go from a waterfly that doesn't live more than two

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<v Speaker 1>days to a sequoia tree in the mighty Redwood forests

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<v Speaker 1>of California and those living metaphorically for two thousand years.

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<v Speaker 1>Those giant sequoia trees are some of the greatest things

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<v Speaker 1>you can see as a human being being around the planet,

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<v Speaker 1>and those things live for two thousand years. So without

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<v Speaker 1>further ado, we now present the most comprehensive, most important

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<v Speaker 1>big board. It's Big Benz big board, four leaf clover style.

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<v Speaker 1>These are the four Malar monologues that got turned into

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<v Speaker 1>the Mona Lisa of monologues, the gold standard. We crossed

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<v Speaker 1>the rubicon, clear sailing, smooth, open waters, as long as

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<v Speaker 1>you can, as far as you can see, as far

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<v Speaker 1>as you can see. So here they are now I

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<v Speaker 1>will present them in reverse order in honor of what

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<v Speaker 1>has transpired the last couple of weeks at this Olympic

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<v Speaker 1>event in Perie, and in the qundary of it all.

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<v Speaker 1>So number fall number four on Big Ben's big board,

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<v Speaker 1>four leaf clover style. These only four most memorable mal

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<v Speaker 1>monologues at this time. Now, maybe I'm forgetting something. You

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<v Speaker 1>can help me out, so pay close attention alf the

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<v Speaker 1>Alien Opiner and some of the other boys that have

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<v Speaker 1>been with the show for a long time. So number four,

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<v Speaker 1>I'm gonna put someone Biles in number four, and sim oone.

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<v Speaker 1>Biles is someone I've talked about maybe two or three

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<v Speaker 1>times in my life. She's not someone that I pay

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<v Speaker 1>close attention to. We do meat and potatoes, sports talk, gymnastics.

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<v Speaker 1>I don't know if you know this not eat and potatoes.

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<v Speaker 1>It's not. However, the rare and appropriate Malard monologue when

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<v Speaker 1>it pops up and there's something going on involving Simone

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<v Speaker 1>Biles and there's not much else out there, then we

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<v Speaker 1>will put that in the microwave. We'll heat it up,

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<v Speaker 1>take it out, We'll enjoy it, We'll partake in the feast.

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<v Speaker 1>So Simone Biles is, I've told a very good Olympic gymnast.

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<v Speaker 1>She also quit back in twenty twenty one in a

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<v Speaker 1>tremendously embarrassing move there for Simone Biles and Team USA gymnastics.

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<v Speaker 1>So I did at Malar monologue. I pointed it out,

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<v Speaker 1>and over the last almost a month now, I've been

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<v Speaker 1>getting messages. Even when I was in Vegas last weekend

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<v Speaker 1>at the Malor Meet and greet, hanging out with the people,

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<v Speaker 1>got several messages from people that stumbled into the monologue

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<v Speaker 1>who wanted to say hello. People I've worked with in

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<v Speaker 1>the past, people that I haven't talked to in years.

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<v Speaker 1>They still have my number and they're sending me messages.

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<v Speaker 1>And so the Simone Biles monologue was something I did,

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<v Speaker 1>as I said, twenty twenty one, but it has been

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<v Speaker 1>immortalized because of a documentary, a docuseriies on Simone Biles

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<v Speaker 1>on Netflix. So on this one, I've been getting some

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<v Speaker 1>wokester dudes and a lot of angry middle aged women

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<v Speaker 1>in a fury defending their hero. They love Simone Biles.

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<v Speaker 1>How dare anyone have a dissenting opinion about the Olympic

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<v Speaker 1>gymnast quitting on her teammates in twenty twenty one? So

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<v Speaker 1>I'm getting these messages and people are going to great

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<v Speaker 1>lengths to try to get a hold of me, tracking

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<v Speaker 1>down email addresses, ranting and raving about that social media platforms,

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<v Speaker 1>Oh no, hell, Bill Miller. The attacks are pretty elementary.

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<v Speaker 1>These women aren't that bright. They're not, and so they'll

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<v Speaker 1>they'll send messages like, hey, you know you're middle age,

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<v Speaker 1>you're fat, you don't have any hair, which is it's

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<v Speaker 1>what low information people do. We kind of know that

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<v Speaker 1>when you attack someone, you often look for weak spots.

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<v Speaker 1>That's how you do it, that's how you attack. And

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<v Speaker 1>so since they can't really attack the quality of the monologue,

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<v Speaker 1>what they do is they attack my vanity and they

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<v Speaker 1>attack my appearance and my place in life and all

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<v Speaker 1>that stuff. And I get it. I mean, these are

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<v Speaker 1>lazy people. These are people that sit around watch Netflix

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<v Speaker 1>documentaries all day. They don't have much of life. I

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<v Speaker 1>understand it. But I would like to thank the people

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<v Speaker 1>at Netflix for opening this up to think that I

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<v Speaker 1>did a monologue that I had not even thought about.

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<v Speaker 1>Why would I in all these years in twenty twenty one,

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<v Speaker 1>Here we are in twenty twenty four, and the monologue

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<v Speaker 1>is still alive. It's still got legs. That is a

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<v Speaker 1>Sequoia tree monologue that I'm getting angry messages from people

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<v Speaker 1>who I guess they might think they're not that bright.

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<v Speaker 1>They're kind of stupid people. Maybe they think that just happened.

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<v Speaker 1>It's a recent monologue. I don't know. You'd have to

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<v Speaker 1>ask them, but I did learn over the years there's

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<v Speaker 1>certain rules of etiquette that you have to follow. And

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<v Speaker 1>one of the big ones. We talk about this from

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<v Speaker 1>time to time. When you're at the beach on a

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<v Speaker 1>nice summer day, you're doing your thing, I just yeah,

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<v Speaker 1>having a good time. Well, the birds come over. They

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<v Speaker 1>want to eat, they want to have a nice meal.

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<v Speaker 1>And if you start feeding the seagulls. What happens is

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<v Speaker 1>one of those birds going tadda. Yes, you start feeding

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<v Speaker 1>the seagulls, and all of us sudden there's a bunch

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<v Speaker 1>more that come in, right, And so addressing trolls is

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<v Speaker 1>like feeding the seagulls. If you feed one, a dozen

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<v Speaker 1>more are going to appear all of a sudden, and

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<v Speaker 1>they're gonna there's gonna be convoys of seagulls that come in.

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<v Speaker 1>Let's call them seagulls, monsters, whatever you want. You feed

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<v Speaker 1>the monsters, and then you get more monsters that show up,

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<v Speaker 1>and they're just trying to get a reaction, and they

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<v Speaker 1>got no lives. And I get it. I understand. You're

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<v Speaker 1>in a tough spot in life. You've got nothing going on,

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<v Speaker 1>and you're watching Netflix documentaries by yourself, and you want

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<v Speaker 1>to defend your girls. Simone Biles, I am flattered. I

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<v Speaker 1>am honored. You do not understand Again, I go back

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<v Speaker 1>to my point in this business, what I do for

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<v Speaker 1>a living, I have Every day I come into my studio,

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<v Speaker 1>I get ready for the show, and my takes have

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<v Speaker 1>a lifespan of a mayfly. At the longest, it's usually

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<v Speaker 1>forty eight hours. So the fact that this is three

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<v Speaker 1>years old. God bless you, God bless you, and you're

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<v Speaker 1>so stupid you don't even realize that. Every time I

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<v Speaker 1>get one of these messages, I'm like, Wow, that is

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<v Speaker 1>such a great monologue. I need more of that. It's

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<v Speaker 1>amazing now. Number three on Big Ben's big board, four

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<v Speaker 1>leaf clover style. These are the four most memorable Mallard

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<v Speaker 1>monologues that created a reaction from those that attempted to

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<v Speaker 1>taunt and ridicule and shout disapproval my direction from their

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<v Speaker 1>burner email accounts and their fake social media accounts. Number

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<v Speaker 1>three We're gonna go all the way back.

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<v Speaker 2>To the.

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<v Speaker 1>Year twenty sixteen. I believe was some aer of twenty sixteen.

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<v Speaker 1>Some are of love the Cleveland Cadavers, the Cleveland Cavaliers

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<v Speaker 1>and Golden State Warriors in the NBA Finals, and I

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<v Speaker 1>went on a rant, and I went on a rant.

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<v Speaker 1>Golden State jumped out, they came out like gamebusters, and

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<v Speaker 1>I went on a rant. I pointed out that the

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<v Speaker 1>Cavaliers were not going to come back and beat the

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<v Speaker 1>Golden State Warriors in that NBA Finals. Summed it up,

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<v Speaker 1>spelled it out, the whole thing, and sure, enough, Sure

0:14:08.080 --> 0:14:12.360
<v Speaker 1>enough Teada. Yeah, the Cavaliers came back. And one the

0:14:12.440 --> 0:14:15.440
<v Speaker 1>reason this is in the top four big ben big board,

0:14:15.800 --> 0:14:19.080
<v Speaker 1>four leaf clover malard monologues that have a long lifespan

0:14:19.920 --> 0:14:22.960
<v Speaker 1>is that summer after the Calves won the title, a

0:14:23.000 --> 0:14:26.160
<v Speaker 1>couple days later, they had a parade in downtown Cleveland.

0:14:26.960 --> 0:14:29.960
<v Speaker 1>And if you come into my studio, the remote studio

0:14:30.000 --> 0:14:32.160
<v Speaker 1>that I broadcast from about half the time, if you

0:14:32.240 --> 0:14:34.560
<v Speaker 1>come in there and I record the podcast from the studio,

0:14:34.600 --> 0:14:37.160
<v Speaker 1>although I'm on the East coast today, but if you

0:14:37.200 --> 0:14:41.840
<v Speaker 1>go into the studio, you will see a photo of

0:14:42.040 --> 0:14:47.880
<v Speaker 1>a gentleman standing at the Calves parade. And in said photo,

0:14:48.560 --> 0:14:54.160
<v Speaker 1>he's holding up a large sign. And what is the sign? Say,

0:14:54.560 --> 0:14:57.200
<v Speaker 1>it's got I got boxes next to it and all that,

0:14:58.160 --> 0:15:03.000
<v Speaker 1>But it's regarding the people that did not believe in

0:15:03.040 --> 0:15:05.920
<v Speaker 1>the Cleveland Cavaliers' ability to come back against the Golden

0:15:05.960 --> 0:15:08.960
<v Speaker 1>State Warriors. Is that the championship parade, there's like a

0:15:09.000 --> 0:15:13.080
<v Speaker 1>million people in downtown Cleveland and this guy's going around

0:15:13.080 --> 0:15:16.760
<v Speaker 1>holding up this large poster board sign. It's got me

0:15:17.520 --> 0:15:23.880
<v Speaker 1>Skip Bayless and Stephen A. Smith side by side by side,

0:15:24.800 --> 0:15:28.360
<v Speaker 1>and I'm being compared to Skip Bayless and Stephen A. Smith,

0:15:28.360 --> 0:15:32.000
<v Speaker 1>people that you know, very similar pace structure, unless that's

0:15:32.040 --> 0:15:35.200
<v Speaker 1>not the case. But that's number three on Big Ben's

0:15:35.240 --> 0:15:40.440
<v Speaker 1>big board, the four leaf clover style of the four mona.

0:15:40.520 --> 0:15:43.800
<v Speaker 1>Lisa Malon monologues the gold Standard as I remember him

0:15:43.880 --> 0:15:47.600
<v Speaker 1>on this day, on this Sunday, the eleventh day of August.

0:15:47.600 --> 0:15:54.840
<v Speaker 1>Now number two shooting straight from the hip, A longtime

0:15:55.040 --> 0:16:01.560
<v Speaker 1>nemesis of you know who, someone that has annoyed us

0:16:01.760 --> 0:16:05.480
<v Speaker 1>for many, many years, is in the number two slot.

0:16:05.600 --> 0:16:10.000
<v Speaker 1>That would be The Cheating as Holes. We can say

0:16:10.040 --> 0:16:15.960
<v Speaker 1>it's a podcast, the Cheating as Holes. So back in

0:16:16.280 --> 0:16:19.280
<v Speaker 1>I think it was twenty nineteen when the story broke

0:16:19.760 --> 0:16:23.560
<v Speaker 1>Astros cheated in twenty eighteen. It wasn't until twenty nineteen.

0:16:23.680 --> 0:16:26.360
<v Speaker 1>I believe it was early in twenty nineteen that a

0:16:26.400 --> 0:16:29.040
<v Speaker 1>story came out on the Athletic about the cheating that

0:16:29.080 --> 0:16:31.280
<v Speaker 1>took place. It was either late twenty eighteen or early

0:16:31.320 --> 0:16:33.880
<v Speaker 1>twenty nineteen. I forget exactly when, but it was a

0:16:33.920 --> 0:16:36.720
<v Speaker 1>while after the twenty seventeen World Series that was sullied

0:16:36.760 --> 0:16:41.320
<v Speaker 1>forever by the team from Houston. So I had done

0:16:41.360 --> 0:16:45.239
<v Speaker 1>many rants. I rant and raped like an absolute buffoon

0:16:46.240 --> 0:16:49.760
<v Speaker 1>for many, many, many many days, and I still do

0:16:49.840 --> 0:16:51.280
<v Speaker 1>to this day. I bring it up at least once

0:16:51.280 --> 0:16:57.640
<v Speaker 1>a week, the cheating holes. So one of these monologues

0:16:57.680 --> 0:17:03.280
<v Speaker 1>went viral. It took off and had a life of

0:17:03.320 --> 0:17:06.720
<v Speaker 1>its own. Me barking like a dog into the microphone.

0:17:07.440 --> 0:17:11.960
<v Speaker 1>And it's number two on our slot, the cheating Astros mattelemonel.

0:17:12.080 --> 0:17:15.200
<v Speaker 1>The reason that's at number two is because I got

0:17:15.320 --> 0:17:20.639
<v Speaker 1>complaints from the Commissioner's Office of Major League Baseball. Rob Manford,

0:17:21.359 --> 0:17:25.120
<v Speaker 1>the face of Major League Baseball. The Commissioner's office, someone

0:17:25.200 --> 0:17:30.240
<v Speaker 1>in his office called the complaint to the mothership because

0:17:30.400 --> 0:17:37.560
<v Speaker 1>of my rant about the cheating astros going on and

0:17:37.640 --> 0:17:40.360
<v Speaker 1>on and on. So now I'm pretty sure Rob Manfraud

0:17:40.440 --> 0:17:44.480
<v Speaker 1>did not make the phone call, but someone underneath rob

0:17:44.520 --> 0:17:50.320
<v Speaker 1>Manfraud made the phone call running interference, running the naked

0:17:50.359 --> 0:17:53.600
<v Speaker 1>boot like they wanted the sound of silence from me

0:17:54.480 --> 0:18:01.320
<v Speaker 1>regarding my commentary about the cheating assholes. And so that's

0:18:01.400 --> 0:18:05.000
<v Speaker 1>number two. I just love that Major League Baseball, with

0:18:05.200 --> 0:18:08.720
<v Speaker 1>all the things they're supposed to worry about, that right

0:18:08.760 --> 0:18:11.800
<v Speaker 1>near the top of the list is silencing or trying

0:18:11.840 --> 0:18:18.680
<v Speaker 1>to silence the overnight radio guy. Because of his commentary

0:18:18.760 --> 0:18:23.120
<v Speaker 1>about the cheating Astro. It's just absolutely great. So that's

0:18:23.240 --> 0:18:25.680
<v Speaker 1>number three or number two rather number two, so again

0:18:25.720 --> 0:18:29.280
<v Speaker 1>the top top four. Number four is the Simone Biles

0:18:29.320 --> 0:18:33.440
<v Speaker 1>Netflix documentary where I'm still getting crapola from middle aged

0:18:33.440 --> 0:18:37.040
<v Speaker 1>women defending their girl their favorite gymnasts. Number three was

0:18:37.080 --> 0:18:41.760
<v Speaker 1>the Calves not only winning the championship against the Warriors,

0:18:42.000 --> 0:18:45.359
<v Speaker 1>but a guy going around in front of a million

0:18:45.400 --> 0:18:48.720
<v Speaker 1>plus people in Cleveland holding up a sign with my

0:18:48.960 --> 0:18:53.520
<v Speaker 1>face on it, right next to Skip Bayless and Steven A. Smith.

0:18:53.560 --> 0:18:58.199
<v Speaker 1>So that's number three. Number two the aforementioned cheating a

0:18:58.240 --> 0:19:01.800
<v Speaker 1>Stros Major League Baseball calling up to complain the Commissioner's

0:19:01.840 --> 0:19:05.160
<v Speaker 1>office with Rob Manford. I'm not sure who exactly called.

0:19:05.200 --> 0:19:07.159
<v Speaker 1>I just got it secondhand. They were not happy with

0:19:07.200 --> 0:19:14.840
<v Speaker 1>my work. And now no Burrow. Number one, all right,

0:19:14.880 --> 0:19:19.520
<v Speaker 1>so number one Top four four leaf clover Big Ben's

0:19:19.520 --> 0:19:22.680
<v Speaker 1>Big Board, Mala monologues. So we are going to now

0:19:22.760 --> 0:19:25.920
<v Speaker 1>go to pro Bouncy Ball, the pro Bouncy Ball Hall

0:19:25.960 --> 0:19:29.960
<v Speaker 1>of Fame in Springfield, Massachusetts. It is a dog eat

0:19:30.119 --> 0:19:38.520
<v Speaker 1>Dog world and man new Genobili popped up randomly list

0:19:38.600 --> 0:19:41.240
<v Speaker 1>of Hall of Famer not Hall of Famer came up,

0:19:41.800 --> 0:19:44.480
<v Speaker 1>man who Genobili's name was on there? We said, not

0:19:44.600 --> 0:19:48.360
<v Speaker 1>a Hall of Famer, And you would have thought that

0:19:48.440 --> 0:19:51.679
<v Speaker 1>we had started a nuclear war. You would have thought that, right,

0:19:51.680 --> 0:19:54.760
<v Speaker 1>this was some kind of war crime. They need to

0:19:54.760 --> 0:19:59.320
<v Speaker 1>call a war tribunal to attack us. So this got

0:19:59.320 --> 0:20:02.120
<v Speaker 1>picked up first of all by a TV station in

0:20:02.240 --> 0:20:06.840
<v Speaker 1>San Antonio, I remember that, and then within a couple

0:20:06.880 --> 0:20:11.240
<v Speaker 1>of days it was all over Argentina. Now how do

0:20:11.320 --> 0:20:15.040
<v Speaker 1>I know that? Much like the middle aged women. Mostly

0:20:15.080 --> 0:20:17.120
<v Speaker 1>there's a few wokes to men, but middle aged women

0:20:17.119 --> 0:20:20.200
<v Speaker 1>that are sending me nasty messages. Because of the Netflix

0:20:20.280 --> 0:20:24.239
<v Speaker 1>documentary about Simone Biles, where I'm included in that, you

0:20:24.359 --> 0:20:30.320
<v Speaker 1>also have the mad Genobili Hall of Fame conversation. And

0:20:30.760 --> 0:20:35.080
<v Speaker 1>I was getting messages from people in Spanish. Now I

0:20:35.160 --> 0:20:37.800
<v Speaker 1>speak Spanguish, I don't speak Spanish. I know a little

0:20:37.800 --> 0:20:40.680
<v Speaker 1>bit of broken Spanish and that's about it. So I'm

0:20:40.720 --> 0:20:43.400
<v Speaker 1>getting all of these messages and I was like, what

0:20:43.480 --> 0:20:45.480
<v Speaker 1>is this about. I couldn't understand them. I was using

0:20:45.520 --> 0:20:49.119
<v Speaker 1>Google Translate. They were like something about Genobili and they

0:20:49.119 --> 0:20:51.680
<v Speaker 1>were attacking me and my character and all that stuff.

0:20:51.720 --> 0:20:53.040
<v Speaker 1>So I was like what is this about? And eventually

0:20:53.080 --> 0:20:56.080
<v Speaker 1>I figured it out because I was getting sent links

0:20:56.720 --> 0:21:00.840
<v Speaker 1>from the local TV news in Argentina that this was

0:21:00.880 --> 0:21:05.560
<v Speaker 1>such an outrageous take, going against all of the sensibilities

0:21:06.359 --> 0:21:10.639
<v Speaker 1>of the people there in Argentina, that they immortalized me

0:21:11.480 --> 0:21:15.440
<v Speaker 1>and put me on the nightly news in Argentina, that

0:21:15.640 --> 0:21:20.800
<v Speaker 1>my monologue resonated so much about Manu Genobil and I

0:21:20.800 --> 0:21:22.720
<v Speaker 1>do believe that's not like a made up take, like

0:21:22.760 --> 0:21:25.200
<v Speaker 1>I do believe it's not. I'm not being an extremist here.

0:21:25.960 --> 0:21:30.800
<v Speaker 1>It is my belief that Manu Gerobili, if you had

0:21:30.880 --> 0:21:34.000
<v Speaker 1>real standards in the Hall of fame, you would say,

0:21:34.400 --> 0:21:36.359
<v Speaker 1>not a hall of fame. But they don't really do

0:21:36.440 --> 0:21:39.560
<v Speaker 1>that anymore. They let everyone and they've always sid Muffin MacGrath.

0:21:39.560 --> 0:21:42.280
<v Speaker 1>We make the joke Muffin mcgras's Hall of Famer. The

0:21:42.320 --> 0:21:46.000
<v Speaker 1>precedent has been set where the doors are open, come

0:21:46.040 --> 0:21:49.000
<v Speaker 1>on down, knock yourself out. There's not a lot of

0:21:49.119 --> 0:21:52.800
<v Speaker 1>vetting process, So Manu Ginobili not a hall of famer.

0:21:53.320 --> 0:21:57.000
<v Speaker 1>Not want my cup of tea that rant. To this day,

0:21:57.080 --> 0:22:00.159
<v Speaker 1>I still get messages in Spanish, so I've got the

0:22:00.160 --> 0:22:03.159
<v Speaker 1>the housewives on one hand, or the cat lady on

0:22:03.160 --> 0:22:06.960
<v Speaker 1>one hand. That's got all the anger, all the rage

0:22:07.520 --> 0:22:09.480
<v Speaker 1>about my Simone Biles take. And then you've got the

0:22:09.520 --> 0:22:14.800
<v Speaker 1>Manu Gernobili crowd in Spanish. And I still get cheating

0:22:15.080 --> 0:22:20.080
<v Speaker 1>Asstro defenders. For example, sir scratch off that weasel who

0:22:20.119 --> 0:22:21.920
<v Speaker 1>claims to be a Cardinal fan, but I think he's

0:22:21.960 --> 0:22:25.440
<v Speaker 1>a closeted fan of the assholes, and he'll send me

0:22:25.440 --> 0:22:27.760
<v Speaker 1>a messages very upset about that. I don't hear as

0:22:27.800 --> 0:22:30.000
<v Speaker 1>much from the people with Cleveland anymore. The Calves have

0:22:31.080 --> 0:22:34.760
<v Speaker 1>fallen back and they're just kind of eh playoff team,

0:22:34.800 --> 0:22:38.280
<v Speaker 1>but not a real threat in the Eastern Conference. So

0:22:38.400 --> 0:22:42.080
<v Speaker 1>there it is. Big Ben's big board four leaf clover style,

0:22:42.200 --> 0:22:47.080
<v Speaker 1>the four monologues that do not have the lifespan of

0:22:47.119 --> 0:22:49.800
<v Speaker 1>a mayfly up to forty eight hours. These are the

0:22:49.840 --> 0:22:54.880
<v Speaker 1>mala monologues that are forever monologues, like the mighty Sequoia

0:22:54.960 --> 0:22:59.399
<v Speaker 1>trees in California. They go up, up, and away, the

0:22:59.560 --> 0:23:04.080
<v Speaker 1>four le clover style Simone Biles number three, the Calves

0:23:04.440 --> 0:23:08.480
<v Speaker 1>won't win a title, the cheating as stros at number two.

0:23:08.480 --> 0:23:11.520
<v Speaker 1>At number one, the manus you're nobly not a Hall

0:23:11.520 --> 0:23:14.680
<v Speaker 1>of famer. Now again, that's not a list. Wrong, don't

0:23:14.720 --> 0:23:16.359
<v Speaker 1>send me an email, Terry in England and some of

0:23:16.400 --> 0:23:19.399
<v Speaker 1>the other idiots. Not a list, not a list, it

0:23:19.480 --> 0:23:24.520
<v Speaker 1>is merely a big board. Wrong time. Now for the

0:23:24.680 --> 0:23:30.280
<v Speaker 1>word all the weekly, a phrase of the week, thank you, ohial.

0:23:30.720 --> 0:23:34.119
<v Speaker 1>The phrase of the week is cutting corners. Now there

0:23:34.160 --> 0:23:37.040
<v Speaker 1>is always pet peeve. I always pet peeve of mine.

0:23:38.440 --> 0:23:41.720
<v Speaker 1>I'm a big believer that you put an honest day's

0:23:41.760 --> 0:23:44.440
<v Speaker 1>work in. You don't cut corners. Now, I realize that

0:23:44.680 --> 0:23:47.159
<v Speaker 1>certain people will try to do things as quickly as

0:23:47.200 --> 0:23:50.200
<v Speaker 1>possible to mitigate the amount of time being used. You

0:23:50.240 --> 0:23:54.760
<v Speaker 1>could argue that is cutting corners. But we're smarter, not harder.

0:23:54.800 --> 0:23:57.440
<v Speaker 1>That's counter argument to that. But let's go way back.

0:23:57.480 --> 0:24:01.560
<v Speaker 1>In the eighteenth century. Carpenters would use a ribbon at

0:24:01.560 --> 0:24:04.719
<v Speaker 1>the end of a completed piece or work, and they

0:24:04.720 --> 0:24:08.560
<v Speaker 1>would do that to signify that the project was done.

0:24:08.720 --> 0:24:10.960
<v Speaker 1>It's like here, I am, I'm done. I'm putting a

0:24:10.960 --> 0:24:14.439
<v Speaker 1>little ribbon on there. The practice gave rise to the

0:24:14.440 --> 0:24:18.160
<v Speaker 1>phrase cutting corners because in order to get into whatever

0:24:18.200 --> 0:24:20.160
<v Speaker 1>they were doing, you had to cut the corner off.

0:24:20.600 --> 0:24:25.439
<v Speaker 1>So cutting corners meaning to do something also poorly in

0:24:25.560 --> 0:24:28.200
<v Speaker 1>order to save time or money. The phrase is also

0:24:28.400 --> 0:24:33.639
<v Speaker 1>used by hunters. For example, in the English Etiquette Guide

0:24:33.920 --> 0:24:38.000
<v Speaker 1>in their instructions writers, they are instructed to follow the

0:24:38.119 --> 0:24:43.360
<v Speaker 1>line of the hounds and to not cut corners unless

0:24:43.400 --> 0:24:47.160
<v Speaker 1>they are well behind the hounds. Then you are allowed

0:24:47.840 --> 0:24:49.840
<v Speaker 1>to cut corners. Otherwise you or not. So a couple

0:24:49.920 --> 0:24:55.199
<v Speaker 1>different meetings there, But cutting corners comes from carpenters and

0:24:55.320 --> 0:25:01.560
<v Speaker 1>also English hunting etiquette. So cutting corners the phrase or

0:25:01.720 --> 0:25:04.199
<v Speaker 1>word all the week, and since we did not do

0:25:04.320 --> 0:25:10.920
<v Speaker 1>this on Friday or Saturday, we must add a bonus,

0:25:11.800 --> 0:25:15.760
<v Speaker 1>a bonus phrase. You know what. I have a couple

0:25:15.800 --> 0:25:17.720
<v Speaker 1>I found here recently, So I'd like to share with

0:25:17.760 --> 0:25:22.880
<v Speaker 1>the class, if you would so oblige me, number number two.

0:25:23.600 --> 0:25:27.719
<v Speaker 1>Number two, that would be in the same boat. Now

0:25:27.760 --> 0:25:29.280
<v Speaker 1>we're in the same boat. We both got a lot

0:25:29.320 --> 0:25:31.440
<v Speaker 1>of homework, right, we're in the same boat. What a nightmare?

0:25:31.680 --> 0:25:33.520
<v Speaker 1>Blah blah blah blah blah blah blah blah blah blah

0:25:33.520 --> 0:25:35.199
<v Speaker 1>blah blah blah blah blah. Al right, so in the

0:25:35.280 --> 0:25:38.960
<v Speaker 1>same boat. What the heck does in the same boat mean?

0:25:39.480 --> 0:25:42.560
<v Speaker 1>I am glad you have asked so in the same boat.

0:25:42.640 --> 0:25:45.600
<v Speaker 1>It goes back to ancient times. People who lived near

0:25:45.680 --> 0:25:49.800
<v Speaker 1>bodies of water frequently used boats to get from island

0:25:49.800 --> 0:25:52.040
<v Speaker 1>to island or wherever they needed to go. So they

0:25:52.040 --> 0:25:56.119
<v Speaker 1>had to get on boats as transportation. But boats were

0:25:56.520 --> 0:26:01.560
<v Speaker 1>very small and very dangerous in those days, so in

0:26:01.640 --> 0:26:03.560
<v Speaker 1>order to go anywhere, you had to put your life

0:26:03.600 --> 0:26:05.480
<v Speaker 1>on the line to go on these crappy little boats,

0:26:05.760 --> 0:26:08.920
<v Speaker 1>unless you were an expert swimmer. And so the way

0:26:08.960 --> 0:26:12.120
<v Speaker 1>the boats would work in the olden days, in ancient times,

0:26:12.119 --> 0:26:15.720
<v Speaker 1>they would require everyone on board to work together to

0:26:15.880 --> 0:26:19.720
<v Speaker 1>keep the stability and keep the boat from capsizing, because

0:26:19.760 --> 0:26:24.440
<v Speaker 1>once the boat capsizes, that's it. You're done. And so

0:26:24.480 --> 0:26:31.400
<v Speaker 1>that necessity for teamwork, for cooperation among everyone on said vehicle,

0:26:32.240 --> 0:26:35.639
<v Speaker 1>that gave rise to the phrase which is still used

0:26:35.720 --> 0:26:40.040
<v Speaker 1>all of these years later, the same boat in the

0:26:40.080 --> 0:26:44.560
<v Speaker 1>same boat, meaning you're going through the same experiences. The

0:26:44.600 --> 0:26:50.199
<v Speaker 1>metaphor first appeared in the sixteenth century Britain and was

0:26:50.359 --> 0:26:53.920
<v Speaker 1>used to convey that people in the same boat share

0:26:54.000 --> 0:26:58.639
<v Speaker 1>the same fate. So in the same boat goes all

0:26:58.640 --> 0:27:01.320
<v Speaker 1>the way back to ancient time and also the sixteenth

0:27:01.400 --> 0:27:05.720
<v Speaker 1>century Britain is where that comes from. And I think

0:27:05.760 --> 0:27:10.760
<v Speaker 1>we can do one, one more, one more, a little

0:27:10.840 --> 0:27:16.119
<v Speaker 1>time left. Let's go to stuffed shirt. Stuffed shirt. Now,

0:27:16.200 --> 0:27:22.080
<v Speaker 1>during the nineteenth century nineteenth century, Scottish farmers created scarecrows

0:27:22.080 --> 0:27:25.240
<v Speaker 1>by dressing wooden steaks and clothes. We've all seen scarecrows

0:27:26.040 --> 0:27:30.320
<v Speaker 1>trying to scare away the birds. The practice led to

0:27:30.800 --> 0:27:35.720
<v Speaker 1>the phrase stuffed shirt, referring to someone who is very

0:27:35.840 --> 0:27:40.240
<v Speaker 1>rigid or formal in their demeanor. Now, others claim the

0:27:40.320 --> 0:27:44.119
<v Speaker 1>term stuffed shirt is an americanism that actually originated in

0:27:44.160 --> 0:27:47.760
<v Speaker 1>the early nineteen hundreds nineteen ten to nineteen fifteen, and

0:27:47.840 --> 0:27:52.960
<v Speaker 1>it was used to describe someone who is pompous, self satisfied, inflexible,

0:27:53.400 --> 0:27:57.960
<v Speaker 1>or overly formal. For example, you might say she's such

0:27:58.040 --> 0:28:02.520
<v Speaker 1>a stuffed shirt that I'm surprisedy you'd invite her to

0:28:02.600 --> 0:28:06.760
<v Speaker 1>the barbecue, something like that. Okay, that's it. The earliest

0:28:06.760 --> 0:28:10.320
<v Speaker 1>known use of the term stuff shirt is in writings

0:28:10.359 --> 0:28:15.440
<v Speaker 1>from nineteen thirteen by the novelist and short story writer

0:28:16.240 --> 0:28:20.240
<v Speaker 1>Willa Cathere. So that is it stuff shirt. So that's

0:28:20.359 --> 0:28:23.280
<v Speaker 1>if my math is correct, that's three for one. We're

0:28:23.359 --> 0:28:27.880
<v Speaker 1>on the cutting edge, the cutting edge of this. Now,

0:28:27.920 --> 0:28:31.200
<v Speaker 1>no mail bag. Today, I'm on the road. Danny G

0:28:31.520 --> 0:28:33.280
<v Speaker 1>is not here, so I thought we'd give the mail

0:28:33.320 --> 0:28:36.720
<v Speaker 1>bag a rest. But next weekend I will be back

0:28:36.880 --> 0:28:40.280
<v Speaker 1>in the Mothership and so we will have the mail bag.

0:28:40.360 --> 0:28:44.080
<v Speaker 1>You can send your questions in care of Real fifth

0:28:44.120 --> 0:28:47.040
<v Speaker 1>Hour at gmail dot com. That's Real fifth Hour at

0:28:47.040 --> 0:28:51.200
<v Speaker 1>gmail dot com, and we will read your comments on

0:28:51.240 --> 0:28:53.480
<v Speaker 1>the air and all that. Have a wonderful rest of

0:28:53.480 --> 0:28:55.720
<v Speaker 1>your son. Don't forget now. I'm flying back in a

0:28:55.760 --> 0:28:59.800
<v Speaker 1>few hours here from from Boston from Logan, Boston back

0:28:59.840 --> 0:29:02.840
<v Speaker 1>to LA so I got to stop over. I think

0:29:02.840 --> 0:29:06.600
<v Speaker 1>I'm stopping in Dallas at the airport. I don't even know.

0:29:07.040 --> 0:29:09.400
<v Speaker 1>But it's not a direct flight because you know, don't

0:29:09.440 --> 0:29:12.760
<v Speaker 1>make that kind of money. But we will provide you

0:29:13.680 --> 0:29:17.920
<v Speaker 1>travel willing, fresh audio content tonight and all week long.

0:29:18.520 --> 0:29:22.240
<v Speaker 1>And I should not be away from my post unless

0:29:22.360 --> 0:29:27.200
<v Speaker 1>assigned by management for the rest of the football season.

0:29:27.240 --> 0:29:30.440
<v Speaker 1>So have a wonderful time and we will catch you

0:29:30.480 --> 0:29:32.360
<v Speaker 1>next time here on the Fifth Hour with me and

0:29:32.480 --> 0:29:35.000
<v Speaker 1>Danny G, who is doing all the editing. And Danny

0:29:35.040 --> 0:29:37.080
<v Speaker 1>will be back he's doing the production value on this,

0:29:37.280 --> 0:29:39.320
<v Speaker 1>but he will be back with us next week. We'll

0:29:39.320 --> 0:29:41.479
<v Speaker 1>talk to you. Then gotta murder. I gotta go