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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the.

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Speaker 1: Video version of the history of Curby Your Enthusiasm podcast

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Speaker 1: on Max and YouTube as well. Links available in the

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Speaker 1: episode description. So, Hi Jeff, we're back.

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Speaker 3: Hi Susie, we are back.

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Speaker 1: And we're on season four, episode nine, The Survivor, Yes.

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Speaker 3: Which is probably one of our top ten.

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Speaker 1: Yeah.

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Speaker 3: People mention this to me still now. Back then it

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Speaker 3: was maybe our most popular episode up until then, because

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Speaker 3: people constantly were talking about that episode for a couple

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Speaker 3: of years.

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Speaker 1: And I think even though it's a great episode, I

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Speaker 1: think more than the actual episode itself, it's the conceit

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Speaker 1: of the episode. Hich is so with the you know

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Speaker 1: what I mean?

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Speaker 3: Yeah, no, I completely agree with you. But people to

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Speaker 3: this day come up to me and say that's their

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Speaker 3: favorite episode.

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Speaker 1: Yeah. So we start out Larry is at the dry cleaner, Yes,

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Speaker 1: and the woman behind the counter is Gina Gershan. Well,

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Speaker 1: he's thanking you. Oh my god, what the hell are

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Speaker 1: you doing? Get out here? You are such a smock.

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Speaker 1: Can't you do anything?

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Speaker 4: Right?

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Speaker 1: Is it? So hard to keep this with that, cos.

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Speaker 2: How did Gina Gershan get this part?

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Speaker 4: You know?

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Speaker 1: I don't know? Okay, So aren't you friends with her?

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Speaker 2: You were friends with her?

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Speaker 3: No?

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Speaker 1: Oh, okay.

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Speaker 3: I hosted what I think is the first. I'm pretty

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Speaker 3: sure I was a roast master of the very first Comedy.

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Speaker 1: Central roast was that the Dennis Leary Rose. Dennis Leary Rose,

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Speaker 1: I remember that.

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Speaker 3: And she did like a song song.

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Speaker 1: Okay.

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Speaker 3: So that's how I met her, and she was very

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Speaker 3: nice and all this and that. So when we were

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Speaker 3: looking for some and for that part, the Hasidic woman

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Speaker 3: who is beautiful and sexy, she came to mind. I

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Speaker 3: called her and I said, would you like to be

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Speaker 3: on the show? I think you'd be perfect, and we're

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Speaker 3: all talking about it and everybody really wants you, and

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Speaker 3: she said, i'll let you know tomorrow. And the reason

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Speaker 3: being is she didn't know the show. You've never watched it,

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Speaker 3: never heard of it. She called Dennis Larry, you know,

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Speaker 3: and said, what about the show? He said, I have

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Speaker 3: to do it, you know, the way he talks about

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Speaker 3: you gotta do it, you gotta do it. And so

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Speaker 3: she did it, and that episode is how we became

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Speaker 3: very close.

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Speaker 1: I created you you were acquaintances with her before that

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Speaker 1: aquaint prior to and I knew that you were friends

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Speaker 1: with her, but that came after the fact.

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Speaker 3: Yes, because of this episode we became tight.

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Speaker 1: And may I just say she was absolutely terrific in

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Speaker 1: this episode one another episode two she did. She did,

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Speaker 1: but it was one of the castings where you know,

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Speaker 1: in retrospect, you couldn't imagine any other person, no other person.

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Speaker 3: And I wish we could have had her on more.

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Speaker 2: I love her, you know, well it was a limited

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Speaker 2: limited part.

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Speaker 3: Well she did do another episode she did, she did.

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Speaker 1: So she's yelling at her husband Shlomo, you know, in

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Speaker 1: a very Jewish with an accent, you know, a foreign accent.

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Speaker 3: She's got hold on though it may have been a

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Speaker 3: foreign accent, but it was a made up no no,

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Speaker 3: but but no, no, it's not that. It's just that

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Speaker 3: that is a tone that every man who's married to

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Speaker 3: a Jewish woman knows. And even though I tell people

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Speaker 3: you're nothing like your character, you have to have moments

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Speaker 3: like that. You just do.

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Speaker 1: It's built yeah, no, it's.

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Speaker 3: Built into your DNA. Every Jewish woman has that side

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Speaker 3: where you go, oh, okay, okay, okay. And so the

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Speaker 3: guy who was cast.

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Speaker 1: As her husband is such a schlipper.

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Speaker 3: He looks like at I think to myself, well, this

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Speaker 3: had to be pre arranged because it makes no sense.

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Speaker 1: What the casting of him, no, her calling him shlomo, no, the.

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Speaker 3: Fact that he was married to her.

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Speaker 1: He's such a slo Okay, he's such a shlomo. And

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Speaker 1: let me just say, I have gone In my family,

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Speaker 1: we call it going Susie Green on somebody, and I

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Speaker 1: have gone Susie Green on every one of my children

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Speaker 1: at one point when they were teenagers, and at my

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Speaker 1: husband at least once a year.

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Speaker 2: But that's about it.

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Speaker 3: I got to be because that's not you.

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Speaker 2: No, But everybody has an anger threshold.

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Speaker 3: Larry hates when I tell people he's nice. I know,

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Speaker 3: and I don't know how. You're probably like it that

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Speaker 3: I tell people you're one of my closest friends.

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Speaker 1: Well, yes, because who wants to be that shrewish character?

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Speaker 1: I mean, I love playing it, but who wants to

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Speaker 1: be it? So here is Anna is her name, and

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Speaker 1: she's screaming at with the babushka and the accent, and

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Speaker 1: Larry's looking puzzled and she starts to flirt with him,

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Speaker 1: you know, in this very very kind of way. Larry

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Speaker 1: looking at him and he needs to clean the suit,

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Speaker 1: he tells her because he's renewing his vows ten years married,

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Speaker 1: and she says them, you're pretty fit, Larry, You're very fit,

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Speaker 1: you know. And I love how she flirts with him,

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Speaker 1: because it's there's no sign at all.

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Speaker 3: There's someone who has been doing that to me. Yes,

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Speaker 3: I'm in a very I love my Sari, my girlfriend,

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Speaker 3: but there's a woman lately who has been It's somewhere

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Speaker 3: where I go on a regular basis, and she does

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Speaker 3: that to me, tells me how good I look, how

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Speaker 3: nice I look? That day? She said how fit I look?

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Speaker 3: And I began as it started being completely ignorant too,

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Speaker 3: because I assume no one ever looks at me that way.

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Speaker 3: But it's become very apparent. So is it very unusual

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Speaker 3: for me?

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Speaker 2: So does she wear a babushka?

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Speaker 3: No? Okay, I almost sound disappointed, but nonetheless no.

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Speaker 1: So Anna continues to flirt with Larry. He's very fit,

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Speaker 1: blah blah, and she says he'll have it for him tomorrow,

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Speaker 1: and he asks for his ticket. Shere's no need for

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Speaker 1: a ticket. I know you he's special. She's not going

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Speaker 1: to forget him, and he doesn't need a ticket. Then

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Speaker 1: he goes into the Rabbi's office, and that's played by

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Speaker 1: Barry Gordon.

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Speaker 3: Yes, who, by the way, was a child.

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Speaker 1: Actor I know in a thousand clowns.

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Speaker 3: Jason Robards, right, and I didn't what got when the

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Speaker 3: Academy Award for that Barbara Harris, Yes, I think she

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Speaker 3: won the Academy Award for that.

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Speaker 1: Terrific acsupporting actor.

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Speaker 3: Yeah, well, actually, to me, a Hall of Famer, speaking

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Speaker 3: of improvisers, a Hall of fame.

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Speaker 1: Improtory, she was a second city. But I love Jeff

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Speaker 1: how there's the Kofax Jersey, you know, hanging up in

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Speaker 1: the Rabbi's office because of course the rabbi has the

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Speaker 1: only you know, famous Jewish baseball player. Oh not the

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Speaker 1: only I know, Greenbergen.

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Speaker 3: Is the only other one that reached a level of sand.

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Speaker 3: They were both great players.

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Speaker 1: I love that that's on the wall. I just found

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Speaker 1: that a nice little touch.

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Speaker 3: By the way, Larry has never been excited when I've

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Speaker 3: told him different famous people who told me they love

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Speaker 3: the show, until I told him Sandy Kofax, of course,

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Speaker 3: and then he lost his mind, which I initially did

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Speaker 3: when I heard it's amazing.

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Speaker 1: Well, you know what that is, because I mean, I

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Speaker 1: think that sports stars and rock stars are in a

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Speaker 1: very different category than actors being impressed.

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Speaker 3: Because there are peers like I know, Brad Pitt loves

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Speaker 3: the show, he.

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Speaker 1: Told me, and that's lovely.

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Speaker 3: Yeah, but by the way, yes he told me no,

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Speaker 3: but it's not it's like Brad Pitt. I love Brad

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Speaker 3: Pitt as a person and an actor. But that being said,

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Speaker 3: and for the record, I'm not close with Brad Pitt

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Speaker 3: like I am Gina Gershan. I don't want to make

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Speaker 3: it out like Brad Bit and I.

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Speaker 1: Are having How about Angelina? Are you close with Angelina?

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Speaker 3: I don't know her. Okay, I made out with her

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Speaker 3: at a party, but I don't really know her.

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Speaker 2: Well, that's Deviger.

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Speaker 1: So he Larry walks in singing some Hebrew that he

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Speaker 1: has no idea what he's saying.

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Speaker 3: Which, by the way, if I may at the beginning,

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Speaker 3: the first few words are.

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Speaker 1: Very actively real.

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Speaker 3: Yes, and then but I think I forgot what orthodox

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Speaker 3: Jews call us secular Jews. I think that most secular Jews,

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Speaker 3: which aren't religious but are Jewish and are happy being

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Speaker 3: Jewish even though we're neurotic. We all fall into that category.

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Speaker 3: Like I only know Dianu die Diano, you know, that's

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Speaker 3: all I know.

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Speaker 1: Muzzle tough and Simon tough, and Simon tough and muzzle tough.

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Speaker 3: Okay, but yeah, those are the ones where I know

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Speaker 3: the mazle tough. I would never remember Simon tough.

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Speaker 1: All right.

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Speaker 2: And I'm way less religious than you.

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Speaker 3: Either, I know, and I'm not just at all. So

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Speaker 3: that's saying something. All right, go ahead.

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Speaker 1: So Larry sees a picture of a guy on the

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Speaker 1: rabbi's desk and I think he said it was Eddie Silverman.

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Speaker 1: I didn't catch the name, but I think he said

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Speaker 1: Eddie Suliman. And it's the rabbi's brother in law. And

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Speaker 1: he died in nine to eleven. That's Eddie Silverman.

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Speaker 3: It's my brother in law. He yeah, he died on

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Speaker 3: September eleventh. Oh my gosh. Oh I'm so sorry. Yeah, terrible.

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Speaker 3: He was in the building. No, no, he was uptown

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Speaker 3: on fifty seventh Street. He got hit by a bike messenger.

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Speaker 3: It's awful uptown. Yeah, yeah, bike messenger. Let me just

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Speaker 3: say something here. Larry's imagination always catches me off guard

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Speaker 3: because remember, I'm watching this for the since it's aired

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Speaker 3: the first time. Yeah, and when I see that premise

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Speaker 3: being thrown out, and of course it's one of those

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Speaker 3: things that will come back to yeah, you know, of course,

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Speaker 3: you know, he lays down the thing, who the hell

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Speaker 3: thinks of someone dying on nine to eleven in uptown

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Speaker 3: New York? And actually that's midtown that the guy says,

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Speaker 3: but nonetheless.

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Speaker 2: Well uptown from the towers.

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Speaker 3: So both up down from the towers. But yeah, midtown.

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Speaker 3: It's just so funny. By the way, explain to the

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Speaker 3: people where you are.

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Speaker 1: I am now in the iHeart studio on West fifty

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Speaker 1: fifth Street, and the bike accident occurred on West fifty

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Speaker 1: seventh Street, two blocks north of two Black It's away, yes, yes,

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Speaker 1: And then we get that information, and as we know,

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Speaker 1: because we know the show, we know it's going to

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Speaker 1: come back in some way. And Larry then asked the

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Speaker 1: rabbi about Cheryl giving him the pass. He feels troubled

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Speaker 1: by it, and he feels almost as though she's challenging him,

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Speaker 1: which she clearly is because she doesn't believe for a second.

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Speaker 2: That he's going to get laid.

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Speaker 1: The only one who believes it is you.

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Speaker 3: But by the way, how about how great Barry Gordon is.

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Speaker 1: Terrific, terrific, He's completely believable. As the rabbi, Yes, and

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Speaker 1: Larry says, it's the only opportunity I'm going to get

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Speaker 1: for the rest of my life, to ever have sex

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Speaker 1: with anyone for the rest of my life. And the

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Speaker 1: Rabbi tells him the story of Abraham and Sarah, and

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Speaker 1: Sarah was barren, and Sarah said to Abraham, go to Hagar,

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Speaker 1: have relations whatever you want, get laid, do whatever you want.

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Speaker 1: So Abraham set the precedent and.

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Speaker 3: Okay, help her hold on the second here, there's no

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Speaker 3: way that Larry David knew that story. No way I'd

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Speaker 3: go to Vegas and bet everything I know. So Barry

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Speaker 3: Gordon had to have.

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Speaker 1: Improvised, improvised with knowledge probably.

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Speaker 3: Or it was completely made up. It sounds familiar.

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Speaker 2: I think it's true. I think it's true.

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Speaker 3: But still that's not something that would have been in

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Speaker 3: the outline. That's unless Larry had Laura do research on it.

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Speaker 3: But nonetheless, I think that's something Barry Gordon improvised in

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Speaker 3: that moment.

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Speaker 1: Well, unfortunately he's not on the show, but I would

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Speaker 1: love to ask him that. And the Rabbi says accepted

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Speaker 1: in the sense of anerosity, and Larry he's thrilled with that.

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Speaker 1: I'm not a bad person. He's thrilled with that. And

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Speaker 1: we establish that the Rabbi is coming tomorrow night to

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Speaker 1: his house for dinner, which is a pre dinner before the.

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Speaker 2: Revowing. What does that call whatever?

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Speaker 1: And the Rabbi says to Larry, I want to bring

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Speaker 1: a friend over who's dying to meet you. He's a survivor, okay,

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Speaker 1: And Larry's like, of course, of course, of course bring

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Speaker 1: a survivor.

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Speaker 2: Why would he not? And then we cut to Larry's home.

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Speaker 1: He's working on his lines because he's three days is

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Speaker 1: the or four day whatever? A week's soon the premiere

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Speaker 1: opening night is soon and there's a hubub outside the

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Speaker 1: bedroom and Becky and her parents are arguing. Cheryl's parents

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Speaker 1: are arguing, and Cheryl enters has it going? And Larry

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Speaker 1: tells Cheryl about the Rabbi bringing the survivor, and then

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Speaker 1: he wonders should they invite his father, NAT's friend Sally

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Speaker 1: who is also a survivor, to survivors like to see

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Speaker 1: each other?

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Speaker 3: Well, that's the classic line.

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Speaker 2: Do they talk about old times?

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Speaker 3: Yeah, the survivors.

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Speaker 1: Like this ridiculous things. But again that's Larry, how is

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Speaker 1: belcan bells? And as compared to Auschwitz? You know what

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Speaker 1: do they talk about? So do they like to see

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Speaker 1: each other talk about old times? Or does it depress them?

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Speaker 1: And Cheryl thinks that that he should be invited so

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Speaker 1: and she says, how are your vows coming along?

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Speaker 2: And Cheryl starts to read some of her vows. So

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Speaker 2: this is what I have so far.

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Speaker 5: May I always have the wisdom to look past your

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Speaker 5: shortcomings and appreciate all of the goodness you possess. We

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Speaker 5: promise to continue loving each other unconditionally, not only throughout

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Speaker 5: this lifetime, but after death, through all eternity. We stand

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Speaker 5: before you.

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Speaker 1: What was that about a tournament?

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Speaker 5: We we love each other throughout this lifetime, but after death,

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Speaker 5: through all eternity.

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Speaker 4: I mean, this is this is continuing into the afterlife.

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Speaker 1: Yeah, that's the.

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Speaker 3: Idea for all eternity. Wasn't in my plans.

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Speaker 2: Wasn't in my plan?

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Speaker 3: And I had a plan for eternity.

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Speaker 1: And by the way, I agree with Larry on this one.

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Speaker 1: H I think till death do us part is enough. Yeah,

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Speaker 1: it is obviously all eternity, but time.

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Speaker 3: Okay, but let's also establish this as any that's what

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Speaker 3: that's what's important to her. You do it, that's all.

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Speaker 1: Yeah, because there's no such thing as eternity, And Larry says,

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Speaker 1: oh yeah. Larry says, I guess I had a different

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Speaker 1: plan for eternity. I thought I'd be single in eternity.

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Speaker 1: And he's like, can we can we take out the

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Speaker 1: eternity a part in Cheryl's no, no, you're.

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Speaker 3: Doing Cheryl doesn't say it like you.

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Speaker 2: Well, she was very sure.

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Speaker 1: She was very sure.

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Speaker 3: That's the way you said no sounded like Susie Green.

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Speaker 1: Okay, So she says, no.

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Speaker 3: Yeah, that's better, that's much better. Okay, keep going.

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Speaker 1: Then they're getting dressed for the dinner party and Larry's

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Speaker 1: in a lovely tope soup suit.

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Speaker 3: You say to you said, soup thought, have you had

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Speaker 3: tope soup out of your air? One has a great

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Speaker 3: tope soup top.

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Speaker 2: They would.

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Speaker 1: Only Californians know that we don't have that in New York, you.

307
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Speaker 3: Know, Yeah, well, I'm just spreading the word of California.

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Speaker 1: And the Rabbi is there with Colby at the dinner party.

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Speaker 1: Who is a survivor? We find out from the TV

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Speaker 1: show Survivor not by the way.

311
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Speaker 3: No exaggeration. It's the only season of Survivor I have

312
00:15:32,360 --> 00:15:36,160
Speaker 3: ever watched, was the one that he was on. I

313
00:15:36,800 --> 00:15:40,400
Speaker 3: never seen. No, he's a lovely guy, lovely guy, and

314
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Speaker 3: he was on the only season of Survivor that I've

315
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Speaker 3: ever watched, And I had a million questions for him

316
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Speaker 3: about what people thought of one another. You know, what

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Speaker 3: was this like? What was that like? And I think

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Speaker 3: I've told the Jeff Probe story on here before. If

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Speaker 3: I haven't, we were both. He was guest hosting on

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Speaker 3: Regi's and Kelly and you know, Regis wasn't wait who

321
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Speaker 3: was he?

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00:16:05,640 --> 00:16:07,840
Speaker 1: He was he was a survivor, he was a Survivor

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Speaker 1: winner or something.

324
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Speaker 3: No, he's the host of Survivor Joe oh okay all

325
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Speaker 3: these years and also a very nice guy. Early on,

326
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Speaker 3: we're talking we're staying at the same hotel, and on

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Speaker 3: the air he mentions not only that we're staying at

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Speaker 3: the same hotel, but what hotel we're staying.

329
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Speaker 1: At On the air, he says, in the air, and

330
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Speaker 1: on the air, I'm.

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Speaker 3: Like, why did you do that? What were you thinking?

332
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Speaker 3: And that's where I came up with the name I

333
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Speaker 3: used to this day. No, obviously not at the front desk.

334
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Speaker 3: The person would have to ask for this, and I

335
00:16:41,920 --> 00:16:45,760
Speaker 3: changed it there. And it's been a delight because I

336
00:16:45,760 --> 00:16:48,160
Speaker 3: don't know what it is how people find out where

337
00:16:48,200 --> 00:16:51,600
Speaker 3: you're staying, but at least once or twice anywhere I go,

338
00:16:51,760 --> 00:16:53,800
Speaker 3: someone will call the room just to see it's me.

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Speaker 1: Could I guess the name? I bet you I could

340
00:16:55,680 --> 00:16:58,200
Speaker 1: guess the name. I'm not going to say it now. Now,

341
00:16:58,240 --> 00:16:59,200
Speaker 1: I'm not going to say it now.

342
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Speaker 3: I think I think it's it could be one of

343
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Speaker 3: two names.

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Speaker 6: All right, all right, we'll be right back. Stay tuned,

345
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Speaker 6: and we're back.

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Speaker 1: So he meets us Colby, who I didn't realize was

347
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Speaker 1: actually on Survivor.

348
00:17:23,080 --> 00:17:24,919
Speaker 2: I didn't know that he was in Australia. And then

349
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Speaker 2: I love that.

350
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Speaker 1: Colby says to him, ha's Jerry. It's like, that's the

351
00:17:30,400 --> 00:17:33,120
Speaker 1: last thing Larry ever wants to hear. How's Jerry?

352
00:17:33,240 --> 00:17:36,240
Speaker 3: You know? Well, by the way I get asked all

353
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Speaker 3: the time. How's Larry? Yeah, where's Larry? Hey, Jeff. By

354
00:17:41,880 --> 00:17:43,840
Speaker 3: the way, people use it as a joke, Hey Jeff,

355
00:17:43,920 --> 00:17:46,919
Speaker 3: where's Larry? Yeah, if we would be And when we

356
00:17:46,960 --> 00:17:50,560
Speaker 3: do go into the restaurant together, no one says a word.

357
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Speaker 2: No, I know, they stare though.

358
00:17:53,640 --> 00:17:56,800
Speaker 1: Yeah, well I'm saying we're all together at a restaurant.

359
00:17:56,920 --> 00:18:00,879
Speaker 3: People are glued yes to every move, you know.

360
00:18:01,280 --> 00:18:05,400
Speaker 1: Yeah, and then Becky, Cheryl's sister is clearly starstruck by

361
00:18:05,440 --> 00:18:09,320
Speaker 1: Colby and she goes running over and Larry then makes

362
00:18:09,359 --> 00:18:12,040
Speaker 1: his way over to Nat and Sally, who was played

363
00:18:12,040 --> 00:18:15,320
Speaker 1: by Alan Rich who was a terrific character actor for

364
00:18:15,440 --> 00:18:19,320
Speaker 1: many many years. Yeah, many many years. And I actually

365
00:18:19,359 --> 00:18:21,119
Speaker 1: looked him up and what I didn't know is he

366
00:18:21,160 --> 00:18:22,760
Speaker 1: was an actor and then he kind of left and

367
00:18:22,800 --> 00:18:25,160
Speaker 1: went to Wall Street and then he became an art

368
00:18:25,200 --> 00:18:27,000
Speaker 1: dealer before he went back to acting.

369
00:18:27,200 --> 00:18:28,600
Speaker 3: That's what we call a life.

370
00:18:28,880 --> 00:18:29,120
Speaker 1: Yeah.

371
00:18:29,440 --> 00:18:32,000
Speaker 3: Yeah, Well Rodney Dangerfield painted houses.

372
00:18:32,400 --> 00:18:34,919
Speaker 2: Well, no, he sold a lunuums sighting is what.

373
00:18:35,760 --> 00:18:37,840
Speaker 3: Oh so he was a tin man.

374
00:18:38,080 --> 00:18:38,920
Speaker 2: He was a tin man.

375
00:18:39,080 --> 00:18:40,800
Speaker 3: Yeah, oh I thought heys thought he painted.

376
00:18:40,960 --> 00:18:43,440
Speaker 1: No, No, he was a sales Okay, my ex.

377
00:18:43,320 --> 00:18:45,800
Speaker 3: Father in law, who I still love and I miss him.

378
00:18:45,800 --> 00:18:48,159
Speaker 3: He passed away a few years ago. He was a

379
00:18:48,160 --> 00:18:50,920
Speaker 3: tin man. He was a tin man, and my career

380
00:18:51,720 --> 00:18:55,840
Speaker 3: had stalled so much. This before kerb and I was

381
00:18:55,960 --> 00:18:58,440
Speaker 3: so despondent about.

382
00:18:58,119 --> 00:18:59,840
Speaker 2: How she thought of going into the business.

383
00:19:00,200 --> 00:19:02,840
Speaker 3: So I said, tomorlaw my exe. You know, I said,

384
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Speaker 3: if something doesn't move the needle for me in the

385
00:19:06,000 --> 00:19:08,359
Speaker 3: next year, I'm going to go into business with your dad,

386
00:19:08,680 --> 00:19:12,159
Speaker 3: which would have made him very happy and something I

387
00:19:12,200 --> 00:19:15,760
Speaker 3: got to deal with ABC and it's been groovy since then.

388
00:19:15,800 --> 00:19:18,119
Speaker 1: You know what, I had this discussion with somebody the

389
00:19:18,160 --> 00:19:20,239
Speaker 1: other day because we were talking about the strike, and

390
00:19:20,560 --> 00:19:24,240
Speaker 1: at what point does one say this isn't working out

391
00:19:24,280 --> 00:19:26,359
Speaker 1: in this business. It's a little different for us because

392
00:19:26,400 --> 00:19:28,320
Speaker 1: we were stand up so we could always go out

393
00:19:28,359 --> 00:19:28,760
Speaker 1: and make it well.

394
00:19:28,800 --> 00:19:30,240
Speaker 3: By the way. That's what I'm doing now. But you know,

395
00:19:30,240 --> 00:19:33,959
Speaker 3: when I'm resenting actors now going into stand up, I

396
00:19:33,960 --> 00:19:37,160
Speaker 3: know there's a desperation. Yeah, but the minute the strike's over,

397
00:19:37,280 --> 00:19:39,119
Speaker 3: they'll lose interest because it's too hard.

398
00:19:39,320 --> 00:19:42,359
Speaker 1: But as stand ups, that was the thing that attracted

399
00:19:42,400 --> 00:19:43,919
Speaker 1: me to stand up in the first place, that you

400
00:19:43,920 --> 00:19:45,680
Speaker 1: could always go make a living well.

401
00:19:45,600 --> 00:19:48,200
Speaker 3: By the way, you know I'm a photographer. If people

402
00:19:48,200 --> 00:19:51,520
Speaker 3: don't know that I am a serious photographer on the set,

403
00:19:51,560 --> 00:19:54,240
Speaker 3: do you ever see me without my camera? It is

404
00:19:54,359 --> 00:19:57,920
Speaker 3: constantly with me at all times. I put it under

405
00:19:57,960 --> 00:20:01,280
Speaker 3: a couch cushion wherever in b between, and if I'm

406
00:20:01,280 --> 00:20:04,040
Speaker 3: not on camera, I sit there and take pictures of

407
00:20:04,080 --> 00:20:08,840
Speaker 3: the you know. Anyhow, the point being my dream Ultimately,

408
00:20:08,960 --> 00:20:14,000
Speaker 3: unless something big happens television or movie wise, my dream

409
00:20:14,119 --> 00:20:16,360
Speaker 3: is just to be a photographer and a stand up

410
00:20:16,880 --> 00:20:19,280
Speaker 3: that That's all I do is is I'm a photographer,

411
00:20:19,720 --> 00:20:22,560
Speaker 3: which I'll make a living off. And yes, I know

412
00:20:22,600 --> 00:20:24,960
Speaker 3: I can do it now, but I haven't. You know,

413
00:20:25,280 --> 00:20:27,120
Speaker 3: I'm giving it two or three more years. The same

414
00:20:27,160 --> 00:20:27,800
Speaker 3: thing with this.

415
00:20:29,160 --> 00:20:30,120
Speaker 2: To be an actor.

416
00:20:30,800 --> 00:20:34,120
Speaker 1: To be an actor and sit around and wait for

417
00:20:34,160 --> 00:20:37,760
Speaker 1: somebody to call you to give you a job is

418
00:20:37,960 --> 00:20:39,879
Speaker 1: so so so difficult.

419
00:20:40,200 --> 00:20:44,040
Speaker 3: Well, by the way, the whole strike is so sad,

420
00:20:44,520 --> 00:20:48,439
Speaker 3: but I couldn't be more impressed, especially the Writers Guild.

421
00:20:48,800 --> 00:20:51,760
Speaker 3: Its Rider's Guild too. But the WGA has been on

422
00:20:51,840 --> 00:20:53,160
Speaker 3: strike for so long.

423
00:20:53,760 --> 00:20:56,679
Speaker 1: Let's hope by the time this airs it's over. By

424
00:20:56,720 --> 00:20:59,400
Speaker 1: the time, yes, I pray it is. If it's not,

425
00:20:59,640 --> 00:21:00,840
Speaker 1: the people are.

426
00:21:01,320 --> 00:21:05,720
Speaker 3: They're so here's the thing. Their attitudes are high. Their

427
00:21:06,119 --> 00:21:10,080
Speaker 3: real life has got to be low. And yeah, maybe

428
00:21:10,119 --> 00:21:12,080
Speaker 3: they'll all want to be well.

429
00:21:12,160 --> 00:21:13,960
Speaker 2: It's it's difficult to not make a liver.

430
00:21:14,000 --> 00:21:16,280
Speaker 3: But they're holding up. It's so cool.

431
00:21:16,720 --> 00:21:17,760
Speaker 2: I know they're just.

432
00:21:19,200 --> 00:21:23,000
Speaker 1: I'm actually doing a little thing tonight for a benefit

433
00:21:23,080 --> 00:21:24,120
Speaker 1: for writers.

434
00:21:24,400 --> 00:21:25,760
Speaker 3: What are you going to do? Wear cotton?

435
00:21:26,440 --> 00:21:29,520
Speaker 1: Yes, so I'm wearing cotton right now, darling. So Larry

436
00:21:29,560 --> 00:21:33,120
Speaker 1: then invites Solly to the renewing of the vows, which

437
00:21:33,160 --> 00:21:36,600
Speaker 1: is the next day, and Sally says, there's the other survivor,

438
00:21:37,359 --> 00:21:38,760
Speaker 1: and he points to Colby.

439
00:21:38,800 --> 00:21:39,720
Speaker 2: He said, he's from the.

440
00:21:39,600 --> 00:21:44,399
Speaker 1: TV show The Survivor, And and let's also establish it

441
00:21:44,480 --> 00:21:45,800
Speaker 1: Solly has a glass eye.

442
00:21:46,080 --> 00:21:49,760
Speaker 3: Yes, by the way, that of course will come back.

443
00:21:49,840 --> 00:21:52,120
Speaker 1: We'll come back because he doesn't have a glass eye

444
00:21:52,200 --> 00:21:52,840
Speaker 1: for no reason.

445
00:21:53,200 --> 00:21:53,520
Speaker 3: Yes.

446
00:21:53,880 --> 00:21:56,920
Speaker 1: And then we're at the dinner table with Colby holding

447
00:21:57,040 --> 00:22:01,200
Speaker 1: cord about how rough his life was in the Deadly Steaks. Look,

448
00:22:01,240 --> 00:22:03,840
Speaker 1: I'm saying, I'm saying, we spent forty two days trying

449
00:22:03,880 --> 00:22:06,760
Speaker 1: to survive. We had very little rations, no snacks.

450
00:22:06,400 --> 00:22:11,160
Speaker 3: Snacks that your thun snacks. They didn't need. Sometimes far

451
00:22:11,280 --> 00:22:12,440
Speaker 3: week for a month.

452
00:22:12,800 --> 00:22:15,440
Speaker 1: They they ain't nothing. Then from Ian I couldnt even

453
00:22:15,440 --> 00:22:17,040
Speaker 1: work out when I was over there. They certainly didn't

454
00:22:17,040 --> 00:22:17,480
Speaker 1: have a gym.

455
00:22:17,760 --> 00:22:18,200
Speaker 3: I weren't.

456
00:22:18,280 --> 00:22:19,560
Speaker 1: I mean, war my sneakers out.

457
00:22:19,600 --> 00:22:20,840
Speaker 3: And then the next thing you know, I've got a pair.

458
00:22:20,760 --> 00:22:23,399
Speaker 1: Of foot flops. Flip flop. We slip on the ground

459
00:22:23,480 --> 00:22:25,640
Speaker 1: on the dirt. Okay, one hundred and eighteen degrees during

460
00:22:25,680 --> 00:22:28,760
Speaker 1: the day, ninety eight at night with ninety eight percent humidity.

461
00:22:28,480 --> 00:22:32,280
Speaker 3: Forty five degrees below zeof did you guys have.

462
00:22:32,240 --> 00:22:33,520
Speaker 1: A bathroom a bedroom?

463
00:22:33,680 --> 00:22:36,320
Speaker 3: We didn't have. Yeah, twelve people at a time with

464
00:22:36,480 --> 00:22:38,920
Speaker 3: the goal and shit, well, I'm sure you had toilet paper,

465
00:22:39,000 --> 00:22:43,280
Speaker 3: We had newspaper, We had mosquitoes, dams. You see this glass?

466
00:22:43,320 --> 00:22:46,440
Speaker 1: I have you even seen the show? Did you ever

467
00:22:46,600 --> 00:22:50,600
Speaker 1: see our show? It was called the Holocaut And Sally

468
00:22:50,760 --> 00:22:54,040
Speaker 1: is getting incense. I was in the concentration camp and

469
00:22:54,119 --> 00:22:56,760
Speaker 1: Kolby says, well, we didn't have snacks. Snacks, we had

470
00:22:56,800 --> 00:22:59,879
Speaker 1: no snacks. It's back and forth and back and forth.

471
00:23:00,160 --> 00:23:02,720
Speaker 3: And by the way, the Colby guy couldn't have been

472
00:23:02,800 --> 00:23:05,840
Speaker 3: more humble and kind like. He was not impressed.

473
00:23:06,440 --> 00:23:09,720
Speaker 1: He had in real life. Yeah, in real life, for himself,

474
00:23:09,760 --> 00:23:11,840
Speaker 1: but not on the show. On the show, he's supposed

475
00:23:11,880 --> 00:23:13,560
Speaker 1: to be a little bit of an asshole. He's like,

476
00:23:13,600 --> 00:23:16,040
Speaker 1: I couldn't work out, there was no gym. I woon't

477
00:23:16,080 --> 00:23:18,840
Speaker 1: have to wear flip flops. He's saying to a Holocaust survivor,

478
00:23:18,880 --> 00:23:22,360
Speaker 1: you know I mean bedroom. We had no bedroom anyway,

479
00:23:23,760 --> 00:23:26,159
Speaker 1: And he says to he says to Solly, did you

480
00:23:26,200 --> 00:23:27,040
Speaker 1: ever see our show?

481
00:23:27,320 --> 00:23:29,400
Speaker 2: And Solly says, did you ever see our show?

482
00:23:29,440 --> 00:23:30,680
Speaker 1: It's called The Holocaust?

483
00:23:31,040 --> 00:23:34,920
Speaker 3: By the way, that's the exchange of the scene, right,

484
00:23:35,080 --> 00:23:37,120
Speaker 3: did you ever see our show? Did you ever see

485
00:23:37,160 --> 00:23:37,679
Speaker 3: my show?

486
00:23:38,000 --> 00:23:41,360
Speaker 1: It's called the And then I'm a survivor, I'm a survivor.

487
00:23:41,400 --> 00:23:44,440
Speaker 1: I'm a survivor. Back and forth, and they get very

488
00:23:45,119 --> 00:23:48,920
Speaker 1: Sally gets all famished, and he knocks over the gravy

489
00:23:48,960 --> 00:23:52,000
Speaker 1: dish onto Larry's mass suit.

490
00:23:51,880 --> 00:23:53,800
Speaker 3: That is wearing for the renewed the Valves.

491
00:23:54,200 --> 00:23:58,320
Speaker 1: And then Julie, Cheryl's mother, who I don't know that

492
00:23:58,400 --> 00:24:00,960
Speaker 1: she has a name in the show beside Cheryl's mother.

493
00:24:01,320 --> 00:24:02,920
Speaker 3: I don't know. Maybe we'll see it come up.

494
00:24:02,960 --> 00:24:05,360
Speaker 1: I don't think Paul or Julie do. I think they're

495
00:24:05,400 --> 00:24:10,200
Speaker 1: just Cheryl's parents. But Julie says, someone get a sponge.

496
00:24:10,240 --> 00:24:12,399
Speaker 1: She's sitting there and says, someone get a sponge. And

497
00:24:12,440 --> 00:24:14,919
Speaker 1: Larry says, why don't you get a sponge? And Cheryl

498
00:24:15,040 --> 00:24:16,639
Speaker 1: just looks at him with a death look.

499
00:24:16,960 --> 00:24:20,760
Speaker 3: But Larry is just that gravy. He's one hundred percent right.

500
00:24:21,240 --> 00:24:25,160
Speaker 3: Why are you suggesting when you can go get a sponge? Ah,

501
00:24:25,280 --> 00:24:25,639
Speaker 3: mother in.

502
00:24:25,640 --> 00:24:28,080
Speaker 1: Liwe she's not an old lady, she's not infirmed. She

503
00:24:28,080 --> 00:24:29,639
Speaker 1: could get up and get a sponge.

504
00:24:29,880 --> 00:24:32,840
Speaker 3: Any friend of mine that is very close with their

505
00:24:32,840 --> 00:24:36,439
Speaker 3: mother in law, I'm enamored. I can't believe it. Wow.

506
00:24:37,040 --> 00:24:39,440
Speaker 3: I mean I worked. I got along with my mother

507
00:24:39,480 --> 00:24:42,480
Speaker 3: in law very well, but let's just say it was

508
00:24:42,520 --> 00:24:45,720
Speaker 3: a bit of a challenge. I rose to the occasion.

509
00:24:46,400 --> 00:24:49,760
Speaker 3: But most people I know roll their eyes when you

510
00:24:49,800 --> 00:24:51,840
Speaker 3: ask about a mother in law. And then you talk

511
00:24:51,880 --> 00:24:54,280
Speaker 3: to people, Oh, I love my mother in law. She's

512
00:24:54,320 --> 00:24:56,720
Speaker 3: the greatest thing ever, And I'm like, how wow are wow?

513
00:24:56,920 --> 00:24:57,240
Speaker 2: Jimmy.

514
00:24:57,359 --> 00:25:00,880
Speaker 1: My mother loved Jimmy, right. And she used to say

515
00:25:00,880 --> 00:25:03,320
Speaker 1: to me, you love me. No, she didn't love me.

516
00:25:03,720 --> 00:25:07,440
Speaker 1: She used to say, you got so lucky with that Jimmy.

517
00:25:07,600 --> 00:25:09,399
Speaker 1: And I'd be like, how about how fucking lucky that

518
00:25:09,480 --> 00:25:12,280
Speaker 1: Jimmy got with me? Ma, okay, how about how lucky? No,

519
00:25:12,680 --> 00:25:15,360
Speaker 1: you got so But he was very kind to her.

520
00:25:15,400 --> 00:25:17,120
Speaker 1: You know. She liked him because he would go over

521
00:25:17,160 --> 00:25:20,520
Speaker 1: and hang her pictures and fix things and all that.

522
00:25:20,600 --> 00:25:22,000
Speaker 2: But all right, So it's the next day.

523
00:25:22,119 --> 00:25:24,520
Speaker 1: The Rabbi wants to start the ceremony by noon and

524
00:25:25,000 --> 00:25:28,360
Speaker 1: Larry's suit is missing. He can't find his suit, and

525
00:25:29,359 --> 00:25:30,920
Speaker 1: Cheryl says, well, why don't you go get it?

526
00:25:31,200 --> 00:25:31,400
Speaker 5: Oh?

527
00:25:31,480 --> 00:25:33,880
Speaker 1: Oh, I know I'm wrong. Sorry, Cheryl went and picked

528
00:25:33,920 --> 00:25:37,200
Speaker 1: up the dry cleaning and he's looking at the dry cleaning.

529
00:25:37,560 --> 00:25:40,560
Speaker 1: His suit is not there because Anna didn't give him

530
00:25:40,560 --> 00:25:43,840
Speaker 1: a ticket, so his suit is Schlowmo didn't give the

531
00:25:43,880 --> 00:25:46,440
Speaker 1: suit to Cheryl with the rest of the dry cleaning

532
00:25:46,480 --> 00:25:48,560
Speaker 1: because there was no ticket. And Larry's like, well, she

533
00:25:48,560 --> 00:25:50,119
Speaker 1: didn't give him a ticket, and he says, but I

534
00:25:50,200 --> 00:25:52,440
Speaker 1: see their van on Oh Campo all the time. Oh

535
00:25:52,440 --> 00:25:55,639
Speaker 1: Campo was a block in Pacific Palisades, right, and maybe

536
00:25:55,680 --> 00:25:57,800
Speaker 1: they'll open the store for me. And it's Shabist. Let's

537
00:25:57,840 --> 00:26:00,680
Speaker 1: not forget their Hasidic and it is shabis. It's a Saturday.

538
00:26:01,240 --> 00:26:03,439
Speaker 1: Larry shows up at their house on o campo. When

539
00:26:03,440 --> 00:26:07,600
Speaker 1: he rings the bell and Anna comes. She's smoking a cigarette.

540
00:26:07,680 --> 00:26:10,360
Speaker 1: Then she's got the schmatta on her head and she's

541
00:26:10,440 --> 00:26:13,120
Speaker 1: lally again. She sees them, what are you doing here?

542
00:26:13,640 --> 00:26:16,879
Speaker 1: And he's sorry to bother her on the sabbath and

543
00:26:16,920 --> 00:26:18,960
Speaker 1: he wants to get the suit. How can I get there?

544
00:26:18,960 --> 00:26:21,960
Speaker 1: He says, I'll take you on piggyback and all. And

545
00:26:22,040 --> 00:26:25,920
Speaker 1: Shlomo is at shuol, so would you want to come

546
00:26:25,960 --> 00:26:30,000
Speaker 1: in for a drink? She's very very following the sabbath,

547
00:26:31,040 --> 00:26:32,000
Speaker 1: and he said, I can't.

548
00:26:32,080 --> 00:26:34,360
Speaker 2: I'm renewing my vows ten long years.

549
00:26:34,560 --> 00:26:38,200
Speaker 1: They get the suit and he leaves, and he passes

550
00:26:38,280 --> 00:26:42,119
Speaker 1: by you at the trunk of your car. Trunk is open,

551
00:26:42,680 --> 00:26:45,320
Speaker 1: and he tells you about Anna and that he has

552
00:26:45,320 --> 00:26:48,119
Speaker 1: the Rabbi's blessing because he apparently made a date with

553
00:26:48,200 --> 00:26:52,440
Speaker 1: Anna to be his anniversary gift. And you say to him,

554
00:26:52,880 --> 00:26:55,800
Speaker 1: you need to get a sheet. And I come out

555
00:26:55,920 --> 00:27:00,399
Speaker 1: in rollers looking very attractive, and I'm like Jeffery bags

556
00:27:00,400 --> 00:27:02,200
Speaker 1: in the car and blah blah blah blah. And then

557
00:27:02,240 --> 00:27:04,560
Speaker 1: you call me over and you ask me about the sheet.

558
00:27:04,720 --> 00:27:06,040
Speaker 3: How do make love?

559
00:27:06,280 --> 00:27:07,960
Speaker 1: What do you mean to make love?

560
00:27:08,040 --> 00:27:09,159
Speaker 3: How do they do it with.

561
00:27:09,240 --> 00:27:10,280
Speaker 1: The sheet you're talking about?

562
00:27:10,359 --> 00:27:11,680
Speaker 2: Yeah, they put a hole.

563
00:27:11,520 --> 00:27:15,439
Speaker 1: In a sheet and through that kidding you didn't know that.

564
00:27:16,520 --> 00:27:18,520
Speaker 1: It's not a myth. They cut a hole in the sheet,

565
00:27:18,720 --> 00:27:21,760
Speaker 1: the man puts the penis in. They can't touch each other, Larry,

566
00:27:21,840 --> 00:27:24,040
Speaker 1: it's a religious thing that they do. What do you

567
00:27:24,040 --> 00:27:25,600
Speaker 1: guys talk about? This is what you talk about.

568
00:27:25,600 --> 00:27:28,320
Speaker 3: It just came came up, came up.

569
00:27:29,000 --> 00:27:31,040
Speaker 1: Help me with the bags, all right, And I was like,

570
00:27:31,240 --> 00:27:36,160
Speaker 1: this is what you guys talk about. Fucking through a sheet.

571
00:27:36,200 --> 00:27:38,679
Speaker 1: That's how the hot seeds have sex. They put a

572
00:27:38,680 --> 00:27:41,280
Speaker 1: hole in the sheet. That's something we've always heard. Let's

573
00:27:41,320 --> 00:27:44,760
Speaker 1: just tell our audience who might be true. I don't

574
00:27:44,800 --> 00:27:46,880
Speaker 1: think it's true. I don't think it's true, but I've

575
00:27:46,920 --> 00:27:51,040
Speaker 1: always heard that. I don't know there is an urban legend.

576
00:27:51,160 --> 00:27:55,960
Speaker 1: Let's say that the hacidam have sex with there's a

577
00:27:56,000 --> 00:27:58,080
Speaker 1: hole in the sheet for the penis. They don't touch

578
00:27:58,119 --> 00:27:59,960
Speaker 1: each other, the man puts the hole in the sheet,

579
00:28:00,240 --> 00:28:01,359
Speaker 1: and that's how they fuck up.

580
00:28:01,600 --> 00:28:03,600
Speaker 2: That's what we've always heard. I don't think it's true.

581
00:28:03,840 --> 00:28:08,399
Speaker 1: All right, call viewers right in and tell us right in.

582
00:28:09,160 --> 00:28:13,200
Speaker 3: When what world do we live? In here. We get

583
00:28:13,200 --> 00:28:14,400
Speaker 3: a lot of letters down at.

584
00:28:14,320 --> 00:28:18,800
Speaker 1: The step whatever. So you tell him he better show

585
00:28:18,880 --> 00:28:22,240
Speaker 1: up with the hole cut beforehand, you know. And then

586
00:28:22,280 --> 00:28:24,560
Speaker 1: we're back at his house and Cheryl tells Larry that

587
00:28:24,880 --> 00:28:27,119
Speaker 1: her mother is not coming to the renewal of the

588
00:28:27,200 --> 00:28:31,560
Speaker 1: vows because she's upset about the sponge comment. So Larry

589
00:28:31,640 --> 00:28:35,960
Speaker 1: goes to apologize to mom. He calls her mom and

590
00:28:36,400 --> 00:28:40,280
Speaker 1: that the survivor confrontation made him flumixed. And even though

591
00:28:40,280 --> 00:28:43,200
Speaker 1: you were right by the kitchen, and she says, you

592
00:28:43,240 --> 00:28:46,719
Speaker 1: don't like me, and you know, he says, I'm a

593
00:28:46,720 --> 00:28:49,360
Speaker 1: people person. Come on, and he says, come on, come on,

594
00:28:49,520 --> 00:28:53,560
Speaker 1: let's go, and she starts laughing, and but he also

595
00:28:53,920 --> 00:28:56,040
Speaker 1: has to say, and next time you'll get the sponge.

596
00:28:56,360 --> 00:28:58,880
Speaker 1: Next time you'll get he can't let it go. He

597
00:28:58,960 --> 00:28:59,800
Speaker 1: can't let it go.

598
00:29:00,080 --> 00:29:04,280
Speaker 3: Classic. And but my favorite moment in that scene is

599
00:29:04,440 --> 00:29:07,720
Speaker 3: him grabbing her nose, like squeezing.

600
00:29:07,320 --> 00:29:11,360
Speaker 1: Yeah yeah, yeah, yeah, yeah yeah yeah.

601
00:29:11,400 --> 00:29:14,000
Speaker 3: No. God bless him for getting out of that one.

602
00:29:14,120 --> 00:29:16,280
Speaker 1: And next they're all in the limo and Sally is

603
00:29:16,320 --> 00:29:19,320
Speaker 1: in the limo, Salia, Nat and Cheryl's parents and Becky

604
00:29:19,360 --> 00:29:22,040
Speaker 1: and Larry and Cheryl and Cheryl has a big glass

605
00:29:22,040 --> 00:29:25,560
Speaker 1: of red wine that she's drinking, and the sun starts

606
00:29:25,600 --> 00:29:28,160
Speaker 1: glaring into Solly's glass eye.

607
00:29:28,520 --> 00:29:30,400
Speaker 2: You could see him. He's making weird hold.

608
00:29:30,200 --> 00:29:33,160
Speaker 3: On, hold on the setup is also see I never

609
00:29:33,240 --> 00:29:35,880
Speaker 3: really noticed that she was drinking wine. I didn't know, Yes,

610
00:29:36,640 --> 00:29:40,320
Speaker 3: But Larry is obsessed the way he's shaking.

611
00:29:40,200 --> 00:29:42,000
Speaker 1: The way Sally is shaking, the way.

612
00:29:41,880 --> 00:29:44,160
Speaker 3: Sally is shaking. That's all Larry can stare at.

613
00:29:44,360 --> 00:29:46,720
Speaker 1: What Sally is doing is not is He's doing a

614
00:29:46,800 --> 00:29:50,480
Speaker 1: discinesia kind of a thing which happens to people for

615
00:29:50,560 --> 00:29:51,360
Speaker 1: various reasons.

616
00:29:51,760 --> 00:29:53,920
Speaker 3: And I also go on record, and I'm being humble

617
00:29:53,960 --> 00:29:56,960
Speaker 3: with this. Never heard the word discinesia. And let me

618
00:29:57,000 --> 00:29:59,080
Speaker 3: tell you something. It sounds like an island I go

619
00:29:59,160 --> 00:30:00,320
Speaker 3: to off to.

620
00:30:00,800 --> 00:30:05,040
Speaker 1: Discinesia is involuntary movement. It happens like my brother has

621
00:30:05,080 --> 00:30:09,120
Speaker 1: it from Parkinson's disease. It's not the trembling of Parkinson's.

622
00:30:09,320 --> 00:30:12,040
Speaker 1: It's you get the discinesia with Parkinson's from taking too

623
00:30:12,120 --> 00:30:14,560
Speaker 1: much of the medication, and that's when you start to

624
00:30:14,560 --> 00:30:18,800
Speaker 1: get this. It's involuntary movement. The sun starts glaring in

625
00:30:18,920 --> 00:30:22,960
Speaker 1: Sally's eye and Solly thinks that Larry is making fun

626
00:30:22,960 --> 00:30:23,240
Speaker 1: of him.

627
00:30:23,240 --> 00:30:25,840
Speaker 2: Why because Larry's doing what Larry starts doing.

628
00:30:25,680 --> 00:30:29,160
Speaker 1: Weirds around like like to block the sun.

629
00:30:29,280 --> 00:30:30,920
Speaker 2: He's doing this to block the sun.

630
00:30:33,240 --> 00:30:33,960
Speaker 3: What is he doing?

631
00:30:35,320 --> 00:30:36,280
Speaker 1: He's making me?

632
00:30:37,000 --> 00:30:38,160
Speaker 3: Why are you making me?

633
00:30:38,440 --> 00:30:38,760
Speaker 5: No?

634
00:30:38,560 --> 00:30:41,320
Speaker 1: No, no, the light from your glass eyes, it's reflecting

635
00:30:41,400 --> 00:30:41,680
Speaker 1: on me.

636
00:30:42,400 --> 00:30:45,200
Speaker 3: You're not making fun for me. No, no, no, I

637
00:30:45,240 --> 00:30:45,840
Speaker 3: don't like this.

638
00:30:46,080 --> 00:30:50,640
Speaker 1: Heel. I don't run any heel no, mom, hold it stop,

639
00:30:50,720 --> 00:30:58,040
Speaker 1: the cat don't get and the car stops fast, and

640
00:30:58,080 --> 00:31:02,600
Speaker 1: the red wine all over larry suit, all over Larry's suit,

641
00:31:03,320 --> 00:31:04,880
Speaker 1: and then Sally gets out.

642
00:31:05,080 --> 00:31:07,720
Speaker 3: Hold on, what does Sally say when he gets out?

643
00:31:08,000 --> 00:31:08,960
Speaker 2: What I don't remember?

644
00:31:09,040 --> 00:31:12,080
Speaker 3: He yells after the car got cocking off from yum?

645
00:31:12,480 --> 00:31:13,440
Speaker 2: And what does that mean?

646
00:31:13,760 --> 00:31:16,480
Speaker 3: Go take a shit in the oceans? And it's actually

647
00:31:16,720 --> 00:31:22,040
Speaker 3: for Yiddish. It's like, that's the insult of being Yiddish.

648
00:31:22,080 --> 00:31:24,760
Speaker 3: My grandma taught me that phrase, and I couldn't get

649
00:31:24,880 --> 00:31:27,960
Speaker 3: enough of it. I sent it to everyone, including bullies

650
00:31:28,000 --> 00:31:31,360
Speaker 3: at school, and they had no idea they and they

651
00:31:31,400 --> 00:31:33,200
Speaker 3: were picking on me because I was Jewish too.

652
00:31:33,360 --> 00:31:37,600
Speaker 1: So there's a lesson. When somebody's bullying, you speak Yiddish

653
00:31:37,680 --> 00:31:39,000
Speaker 1: to them. It's disarming.

654
00:31:39,280 --> 00:31:43,800
Speaker 3: Well, guy cocking off from Yum specifically, you know, but

655
00:31:43,880 --> 00:31:46,440
Speaker 3: I feel bad for the swimmers in that area.

656
00:31:46,760 --> 00:31:49,240
Speaker 1: Yeah, well, it's never a good idea to take a shit.

657
00:31:49,320 --> 00:31:50,440
Speaker 3: It makes no sense.

658
00:31:51,080 --> 00:31:53,240
Speaker 1: It's it's not an insult that makes any sense because

659
00:31:53,240 --> 00:31:54,000
Speaker 1: who are you harming?

660
00:31:54,360 --> 00:31:56,200
Speaker 3: The other swimmers, the other people in the ocean.

661
00:31:56,280 --> 00:31:58,120
Speaker 1: Yeah, but if you're not, if you're not at the beach,

662
00:31:58,200 --> 00:32:00,600
Speaker 1: what's the it's an whatever.

663
00:32:00,880 --> 00:32:02,800
Speaker 2: Schol Malacham knew what it meant.

664
00:32:03,120 --> 00:32:05,840
Speaker 1: Then they're in the rabbi's office and the rabbi tells

665
00:32:05,880 --> 00:32:07,280
Speaker 1: them we're going to do this and then I'm going

666
00:32:07,360 --> 00:32:09,920
Speaker 1: to say a prayer and then we're gonna break a glass.

667
00:32:10,000 --> 00:32:12,920
Speaker 1: And Paul Dooley says, is that when we yell a

668
00:32:13,040 --> 00:32:14,000
Speaker 1: matsa tough.

669
00:32:15,320 --> 00:32:15,560
Speaker 4: That?

670
00:32:16,040 --> 00:32:16,440
Speaker 3: I know?

671
00:32:16,920 --> 00:32:19,400
Speaker 1: Can't we just say yippie or hallelujah?

672
00:32:19,440 --> 00:32:24,560
Speaker 3: But nippy yippie? I know that's Paul Dooley's improvising. Paul's

673
00:32:24,600 --> 00:32:25,800
Speaker 3: a brilliant improviser.

674
00:32:25,800 --> 00:32:27,840
Speaker 1: Now, I'll tell you a story that happened just a

675
00:32:27,840 --> 00:32:31,840
Speaker 1: few days ago. My husband, who is not Jewish, mentions

676
00:32:31,880 --> 00:32:33,920
Speaker 1: we were in our apartment building and he mentions he

677
00:32:33,960 --> 00:32:37,120
Speaker 1: thought that a woman who was Jewish lived next door.

678
00:32:37,560 --> 00:32:39,560
Speaker 1: And then he came and he said, I realized she

679
00:32:39,600 --> 00:32:42,239
Speaker 1: doesn't live next door because there's not a medusa on

680
00:32:42,280 --> 00:32:45,680
Speaker 1: the door. And I said what, I had no idea

681
00:32:45,760 --> 00:32:48,280
Speaker 1: what he was talking about. He said a medusa. He

682
00:32:48,360 --> 00:32:50,840
Speaker 1: was talking about a messusa, obviously, but he called it.

683
00:32:51,640 --> 00:32:55,080
Speaker 3: Think of a medusa on a wall, like, Oh, no,

684
00:32:55,120 --> 00:32:56,520
Speaker 3: he said a menusa.

685
00:32:56,680 --> 00:32:59,240
Speaker 2: No, no, he said, he said a menusa. He said,

686
00:32:59,240 --> 00:33:00,800
Speaker 2: there's not a minus on the wall.

687
00:33:00,800 --> 00:33:03,440
Speaker 1: I thought the medusa for that same reason, but he said,

688
00:33:03,440 --> 00:33:06,120
Speaker 1: this is not a manusa. I'm impressed that he knew

689
00:33:06,160 --> 00:33:08,400
Speaker 1: what a manusa was to be a misusa was to

690
00:33:08,440 --> 00:33:08,880
Speaker 1: begin with.

691
00:33:09,120 --> 00:33:11,440
Speaker 3: By the way, my son, when he was my older boy,

692
00:33:11,840 --> 00:33:14,000
Speaker 3: when he was a little boy, he used to call

693
00:33:14,040 --> 00:33:17,200
Speaker 3: it the computer, a computer ger and I never corrected him.

694
00:33:17,280 --> 00:33:19,120
Speaker 2: I figured computer and.

695
00:33:19,120 --> 00:33:21,240
Speaker 3: He want him to stop, and he did find out

696
00:33:21,240 --> 00:33:21,440
Speaker 3: on the.

697
00:33:21,480 --> 00:33:36,200
Speaker 1: Zone, we'll be right back, stay tuned. Okay, we're back.

698
00:33:36,840 --> 00:33:39,480
Speaker 1: And then the Rabbi says to Larry, isn't this something

699
00:33:39,480 --> 00:33:40,800
Speaker 1: you could do about that stain.

700
00:33:41,000 --> 00:33:42,160
Speaker 2: It's disrespectful.

701
00:33:42,200 --> 00:33:45,600
Speaker 1: So already the Rabbi is a little you know.

702
00:33:45,680 --> 00:33:49,600
Speaker 3: It's right in front of them with the bema. It's

703
00:33:49,680 --> 00:33:52,120
Speaker 3: up on the bema. But what's right in front of

704
00:33:52,160 --> 00:33:54,680
Speaker 3: the torah? What do they call that? Where you put it?

705
00:33:54,920 --> 00:33:57,320
Speaker 3: Put the torah back in? I don't remember.

706
00:33:57,520 --> 00:33:57,920
Speaker 2: I don't know.

707
00:33:58,080 --> 00:33:58,880
Speaker 3: That's what he says.

708
00:33:59,120 --> 00:34:00,320
Speaker 2: And then Julie.

709
00:34:00,120 --> 00:34:02,600
Speaker 1: Says, excuse me, does anybody have a mint?

710
00:34:03,280 --> 00:34:06,040
Speaker 4: I got a mint. It's in my pocket. Do you

711
00:34:06,120 --> 00:34:08,160
Speaker 4: want me to hand it to you? It's loose, it's

712
00:34:08,200 --> 00:34:09,960
Speaker 4: not in a package. What do you want to put

713
00:34:10,000 --> 00:34:11,880
Speaker 4: your hand in my pocket and get it yourself? You

714
00:34:11,960 --> 00:34:14,360
Speaker 4: got three options. You can do one of those two things,

715
00:34:14,480 --> 00:34:15,440
Speaker 4: or you can refuse it.

716
00:34:15,760 --> 00:34:18,640
Speaker 5: There you go, Cheryl, Honey, would you reach into Larry's

717
00:34:18,640 --> 00:34:19,959
Speaker 5: pocket for an unwrapped mint?

718
00:34:20,000 --> 00:34:20,280
Speaker 2: Sure?

719
00:34:20,440 --> 00:34:21,400
Speaker 5: This is fine, thank you?

720
00:34:22,320 --> 00:34:27,520
Speaker 1: A loose? And this is she's so off the wall

721
00:34:27,600 --> 00:34:28,440
Speaker 1: at that character.

722
00:34:28,680 --> 00:34:31,000
Speaker 3: You know, she's just so well A mint is And

723
00:34:31,040 --> 00:34:34,799
Speaker 3: I'm sure this sounds like what Larry wrote this And

724
00:34:34,840 --> 00:34:39,440
Speaker 3: this is so insane what this moment of the scene

725
00:34:40,040 --> 00:34:43,719
Speaker 3: is to me. I don't know anyone who can imagine

726
00:34:43,800 --> 00:34:47,799
Speaker 3: creating this scenario. I don't because there's nothing to do

727
00:34:47,840 --> 00:34:51,640
Speaker 3: with the sponge. It's self contained and it's appearances.

728
00:34:51,239 --> 00:34:53,640
Speaker 1: Because he has a loose, he has a loose mint

729
00:34:53,760 --> 00:34:55,920
Speaker 1: in his pocket, but it's a loose mint, so he

730
00:34:55,960 --> 00:34:56,920
Speaker 1: says it's a loose min.

731
00:34:57,320 --> 00:35:00,680
Speaker 2: And then Julie asks Cheryl if she would no, no, no.

732
00:35:00,440 --> 00:35:03,800
Speaker 3: No, no no, but say the three things that Larry's offers.

733
00:35:04,000 --> 00:35:07,239
Speaker 3: You have three choices. Oh, okay, you can take I

734
00:35:07,239 --> 00:35:09,879
Speaker 3: can get it out for you. You can stick your

735
00:35:09,880 --> 00:35:12,200
Speaker 3: hand in my pocket, my pocket out, or you can

736
00:35:12,280 --> 00:35:15,120
Speaker 3: refuse it. So three choices, right, and then she looks

737
00:35:15,160 --> 00:35:15,879
Speaker 3: at show shoe.

738
00:35:15,960 --> 00:35:17,880
Speaker 1: Would you reach into is fourth choice?

739
00:35:18,040 --> 00:35:18,840
Speaker 2: Fourth choice?

740
00:35:19,160 --> 00:35:21,279
Speaker 1: Yes? And then they're all ready to do it, and

741
00:35:21,320 --> 00:35:26,040
Speaker 1: Larry says, let's roll, to which the Rabbi gets very

742
00:35:26,320 --> 00:35:27,080
Speaker 1: very insulted.

743
00:35:27,200 --> 00:35:30,919
Speaker 3: That was the plane that went down in Pennsylvania. That's

744
00:35:30,960 --> 00:35:33,640
Speaker 3: what they said. That's right, because they decided to attack

745
00:35:34,280 --> 00:35:34,760
Speaker 3: the people.

746
00:35:34,880 --> 00:35:37,120
Speaker 1: Yeah, and you know it's interesting because this is not

747
00:35:37,160 --> 00:35:39,160
Speaker 1: going to air right now, but we are today. Is

748
00:35:39,200 --> 00:35:42,759
Speaker 1: September twelfth, Yes, yes, it was September day after nine

749
00:35:42,840 --> 00:35:46,520
Speaker 1: to eleven, which was twenty two years ago. And I

750
00:35:46,520 --> 00:35:49,320
Speaker 1: think that people forget things like that, the let's roll

751
00:35:49,640 --> 00:35:51,920
Speaker 1: and stuff like that because it was two years ago

752
00:35:52,120 --> 00:35:52,560
Speaker 1: that one.

753
00:35:53,280 --> 00:35:56,720
Speaker 3: Actually, I don't think people forget that. I think younger

754
00:35:56,760 --> 00:35:57,479
Speaker 3: people have no.

755
00:35:57,480 --> 00:36:00,520
Speaker 1: Idea, right, Yet, my kids don't all the.

756
00:36:00,560 --> 00:36:04,640
Speaker 3: Things from September eleventh, not only where you were, Like

757
00:36:04,719 --> 00:36:08,080
Speaker 3: when Kennedy was shot. I was alive then, but I

758
00:36:08,120 --> 00:36:10,000
Speaker 3: was like a year and a half, so I really

759
00:36:10,040 --> 00:36:10,600
Speaker 3: don't remember.

760
00:36:10,640 --> 00:36:11,680
Speaker 2: I remember where I was.

761
00:36:11,880 --> 00:36:12,319
Speaker 3: Where were you?

762
00:36:12,480 --> 00:36:14,719
Speaker 2: I was in third grade. I was in third grade.

763
00:36:15,400 --> 00:36:19,680
Speaker 1: Well, what I remember was I remember my teacher, Miss Costello,

764
00:36:19,719 --> 00:36:21,799
Speaker 1: and the teacher next door, Miss Stenglass.

765
00:36:21,960 --> 00:36:24,600
Speaker 3: Remember ironically, my teacher was Miss Abbot.

766
00:36:24,640 --> 00:36:25,600
Speaker 2: Why is that ironic?

767
00:36:26,360 --> 00:36:26,800
Speaker 1: Oh? Abbit?

768
00:36:26,840 --> 00:36:27,440
Speaker 2: And Costello?

769
00:36:27,520 --> 00:36:30,720
Speaker 3: Yes, okay, God that was an easy one.

770
00:36:31,680 --> 00:36:35,080
Speaker 1: And I remember Miss Steinnglass came in and she told

771
00:36:35,160 --> 00:36:37,640
Speaker 1: Miss Costello. And I was sitting there and I knew

772
00:36:37,719 --> 00:36:41,080
Speaker 1: by their body language something horrible had happened.

773
00:36:41,480 --> 00:36:42,279
Speaker 2: Wow, something hard.

774
00:36:42,280 --> 00:36:44,640
Speaker 1: I could just see their body language, and I just

775
00:36:44,719 --> 00:36:45,680
Speaker 1: knew something horrible.

776
00:36:45,719 --> 00:36:48,120
Speaker 2: And then they told us what happened. They sent us home.

777
00:36:48,280 --> 00:36:50,800
Speaker 3: And what was your feeling as a little girl hearing

778
00:36:50,840 --> 00:36:51,560
Speaker 3: that it was?

779
00:36:51,920 --> 00:36:54,520
Speaker 2: You know, I think that it was you. You don't

780
00:36:54,560 --> 00:36:57,800
Speaker 2: really understand what what do you mean? It was just incredulbing.

781
00:36:57,880 --> 00:36:59,560
Speaker 1: And then of course we sat around and watched the

782
00:36:59,600 --> 00:37:02,600
Speaker 1: whole thing on TV. I mean I remember John John

783
00:37:03,080 --> 00:37:05,520
Speaker 1: at the you know, at the funeral, standing in his

784
00:37:05,600 --> 00:37:07,879
Speaker 1: little outfit, and you know all of that, I mean

785
00:37:07,880 --> 00:37:10,680
Speaker 1: every and Caroline was probably a year younger than me.

786
00:37:10,760 --> 00:37:14,560
Speaker 1: I remember being very concerned about her, you know, because

787
00:37:14,600 --> 00:37:17,040
Speaker 1: I connected to her. I didn't connect to the mother

788
00:37:17,160 --> 00:37:20,680
Speaker 1: in any way. It was horrible. You felt it. You

789
00:37:20,760 --> 00:37:22,640
Speaker 1: just felt, you felt your parents, you felt that.

790
00:37:23,440 --> 00:37:26,760
Speaker 3: Even though I wasn't. I mean, I was very young.

791
00:37:27,680 --> 00:37:31,040
Speaker 3: I became so obsessed with John Kennedy. Not about the

792
00:37:31,040 --> 00:37:34,200
Speaker 3: theories of who shot him. That didn't interest me, but

793
00:37:34,400 --> 00:37:37,560
Speaker 3: just Kennedy, what a mystery, what a great man. And

794
00:37:37,600 --> 00:37:39,680
Speaker 3: I used to not making this up. It was a

795
00:37:39,719 --> 00:37:43,240
Speaker 3: recurring dream that John Kennedy's coffin was in our addict.

796
00:37:43,719 --> 00:37:46,200
Speaker 1: Oh, I hope that, I swear.

797
00:37:47,000 --> 00:37:50,160
Speaker 3: And by the way, I had that dream so much,

798
00:37:50,640 --> 00:37:53,640
Speaker 3: so many times. Really, I never dreamt that I went

799
00:37:53,719 --> 00:37:56,080
Speaker 3: up there, but it was up there with did you

800
00:37:56,200 --> 00:37:56,960
Speaker 3: James going?

801
00:37:57,239 --> 00:37:58,600
Speaker 2: Did you ever go up to look?

802
00:37:59,680 --> 00:38:01,720
Speaker 3: I don't think we even had an addict. Oh, okay,

803
00:38:01,760 --> 00:38:04,359
Speaker 3: So by the way, nine to eleven though, that's the

804
00:38:04,400 --> 00:38:09,360
Speaker 3: next time that I think everyone in especially the United States,

805
00:38:09,440 --> 00:38:13,440
Speaker 3: remembers exactly where they were at, exactly how they felt.

806
00:38:15,360 --> 00:38:17,680
Speaker 3: I remember being very angry. I was on a show then.

807
00:38:18,000 --> 00:38:20,160
Speaker 3: We were doing Curb but I was I was in

808
00:38:20,280 --> 00:38:21,560
Speaker 3: Chicago when it happened.

809
00:38:21,600 --> 00:38:23,280
Speaker 2: We weren't shooting Kerb at that moment.

810
00:38:23,320 --> 00:38:26,160
Speaker 3: No, But I actually got hired this. This is what

811
00:38:26,320 --> 00:38:28,279
Speaker 3: I got hired to be on a show called What

812
00:38:28,440 --> 00:38:34,440
Speaker 3: About Joan? And I remember on September eleventh, we had rehearsal,

813
00:38:34,840 --> 00:38:36,839
Speaker 3: so I thought, for sure it's canceled. No, they had

814
00:38:36,920 --> 00:38:41,520
Speaker 3: us come in and they made us rehearse. But the

815
00:38:41,560 --> 00:38:45,560
Speaker 3: way they justified it is a moment of fucking silence

816
00:38:46,120 --> 00:38:49,800
Speaker 3: before we rehearsed for everything that happened. And I thought,

817
00:38:50,000 --> 00:38:53,280
Speaker 3: and by the way, right then and there, I was furious,

818
00:38:53,360 --> 00:38:55,279
Speaker 3: and I was I thought, I'm going to go home.

819
00:38:55,320 --> 00:38:57,919
Speaker 3: I'm going to go home, and it's like, this will

820
00:38:57,960 --> 00:39:00,920
Speaker 3: mean nothing if I stand up for this, because it's

821
00:39:00,960 --> 00:39:03,440
Speaker 3: a corporate decision, not any individual.

822
00:39:03,520 --> 00:39:05,719
Speaker 1: Do you want to know where I was. I was

823
00:39:05,760 --> 00:39:09,080
Speaker 1: an ann Arbor, Michigan. I was actually in my hotel

824
00:39:09,160 --> 00:39:12,799
Speaker 1: room watching CNN when I saw the thing. But I

825
00:39:12,840 --> 00:39:16,359
Speaker 1: was in ann Arbor, Michigan doing the Vagina monologues.

826
00:39:16,719 --> 00:39:19,200
Speaker 3: By the way, do you have a friend who made

827
00:39:19,200 --> 00:39:21,279
Speaker 3: more fun of you for doing that show? Than me.

828
00:39:21,800 --> 00:39:22,839
Speaker 1: I don't know.

829
00:39:23,320 --> 00:39:24,920
Speaker 3: I made so much fun of you with you.

830
00:39:25,080 --> 00:39:26,000
Speaker 2: I don't remember that.

831
00:39:26,200 --> 00:39:28,719
Speaker 3: Because I thought, well, we actually come to it. Don't

832
00:39:29,080 --> 00:39:32,399
Speaker 3: that already happened. That already happened the vagina mond Yes,

833
00:39:32,440 --> 00:39:35,960
Speaker 3: it was in the episode with the incest episode.

834
00:39:36,040 --> 00:39:40,720
Speaker 1: Yeah, yeah, yeah, we're doing the vagina monologues. No, no, no, that's.

835
00:39:40,640 --> 00:39:43,759
Speaker 3: Later on because I get Cheryl the job in the

836
00:39:43,840 --> 00:39:47,280
Speaker 3: Vagina Monologues. But I gotta tell you, any right thinking

837
00:39:47,400 --> 00:39:50,520
Speaker 3: man made fun of that show, just like the penis

838
00:39:50,520 --> 00:39:53,560
Speaker 3: puppet show whatever that was called, where the guys performed

839
00:39:53,600 --> 00:39:56,520
Speaker 3: puppets with their wieners. I forgot what that was.

840
00:39:56,640 --> 00:39:58,080
Speaker 2: Well that's a little different.

841
00:39:58,440 --> 00:40:04,720
Speaker 3: No, to do mon logs about your vagina.

842
00:40:02,000 --> 00:40:07,440
Speaker 1: Not monologues about your vagina's monologues about female sexuality and

843
00:40:07,480 --> 00:40:10,759
Speaker 1: being a woman in all different ways, not actually discussing

844
00:40:10,840 --> 00:40:11,560
Speaker 1: my vagina.

845
00:40:11,719 --> 00:40:15,319
Speaker 3: Well, no one ever saw it, no, of course not.

846
00:40:15,840 --> 00:40:18,000
Speaker 3: I had no interest. It wasn't titillating for me.

847
00:40:18,440 --> 00:40:20,960
Speaker 1: It was just it's not a titillating show. It's not

848
00:40:21,000 --> 00:40:22,000
Speaker 1: a sexy show.

849
00:40:22,239 --> 00:40:26,279
Speaker 3: Okay. The odds of me seeing the Vagina Monologues are

850
00:40:26,320 --> 00:40:29,640
Speaker 3: the odds of me seeing cats. You know, it's just

851
00:40:29,680 --> 00:40:31,640
Speaker 3: something that's just you know what.

852
00:40:31,680 --> 00:40:32,560
Speaker 1: Jeff your luck.

853
00:40:32,600 --> 00:40:36,200
Speaker 2: They're both closed. So Larry says.

854
00:40:37,440 --> 00:40:39,000
Speaker 1: Larry says, all right, let's roll.

855
00:40:39,440 --> 00:40:43,239
Speaker 3: What that's wrong? What did you say?

856
00:40:44,120 --> 00:40:48,239
Speaker 1: What you know that my brother in law died on

857
00:40:48,280 --> 00:40:49,200
Speaker 1: September eleventh?

858
00:40:49,360 --> 00:40:52,240
Speaker 3: Dare you say something like that? With all due respect?

859
00:40:52,360 --> 00:40:53,759
Speaker 4: Wasn't that just a coincidence?

860
00:40:54,600 --> 00:40:56,839
Speaker 3: All right, we're all right.

861
00:40:57,960 --> 00:40:58,759
Speaker 1: I don't want to do this.

862
00:41:01,120 --> 00:41:02,040
Speaker 3: Oh, I didn't know.

863
00:41:02,080 --> 00:41:03,880
Speaker 4: I didn't know that if you, if you, if you

864
00:41:04,040 --> 00:41:06,360
Speaker 4: died uptown on nine to eleven, that it was that

865
00:41:06,400 --> 00:41:07,319
Speaker 4: it was part of it.

866
00:41:07,800 --> 00:41:12,239
Speaker 1: Let's roll, and the Rabbi gets very very upset, and

867
00:41:12,280 --> 00:41:14,600
Speaker 1: he's like, my brother in law died in nine to eleven,

868
00:41:14,680 --> 00:41:15,799
Speaker 1: How dare you say that?

869
00:41:15,880 --> 00:41:16,160
Speaker 3: You know?

870
00:41:16,320 --> 00:41:18,719
Speaker 1: My brother in law died, And Larry's like, but he

871
00:41:18,800 --> 00:41:22,040
Speaker 1: died in town, doesn't uptown death. That's part of the tragedy.

872
00:41:22,480 --> 00:41:25,360
Speaker 1: And you know, the rabbi then he doesn't want to

873
00:41:25,360 --> 00:41:26,880
Speaker 1: do it. He doesn't want to renew the vows. He

874
00:41:26,920 --> 00:41:30,240
Speaker 1: has a little if he hiss, he fit and Larry

875
00:41:30,280 --> 00:41:35,520
Speaker 1: goes on quoting the Bible whatever cass whatever he's saying,

876
00:41:35,680 --> 00:41:38,680
Speaker 1: there's some quote for the Bible, and.

877
00:41:39,200 --> 00:41:40,200
Speaker 2: They end up doing it.

878
00:41:40,239 --> 00:41:43,160
Speaker 1: The Rabbi calms down and they end up doing the vows,

879
00:41:43,200 --> 00:41:45,160
Speaker 1: and then they're in You and I are in the

880
00:41:45,160 --> 00:41:49,120
Speaker 1: audience watching, they're in the temple and Sharon.

881
00:41:49,040 --> 00:41:53,400
Speaker 3: It was for anyone watching because I love giving locations. Uh,

882
00:41:53,480 --> 00:41:57,759
Speaker 3: that was that temple that's on? That's on? Is it?

883
00:41:57,800 --> 00:41:59,960
Speaker 3: Is it still? Sunset? Yeah? Sunset?

884
00:42:00,280 --> 00:42:06,600
Speaker 1: Yes, yeah. And Cheryl does her eternity line, and then

885
00:42:06,640 --> 00:42:10,520
Speaker 1: it's Larry's turn and he's just drawing a blank and

886
00:42:10,560 --> 00:42:13,000
Speaker 1: the Rabbi says, speak from the heart, and he's like,

887
00:42:13,040 --> 00:42:17,040
Speaker 1: you know, things are pretty pretty, pretty good, and you

888
00:42:17,080 --> 00:42:21,600
Speaker 1: know your devoted servant, and uh, you know you want

889
00:42:21,640 --> 00:42:23,840
Speaker 1: me to open up a bridge table, I'll do whatever

890
00:42:23,880 --> 00:42:25,000
Speaker 1: you want me to do, I'll do.

891
00:42:25,520 --> 00:42:28,840
Speaker 2: And she makes all the plans. She's with all Larry's wives,

892
00:42:28,840 --> 00:42:29,400
Speaker 2: make the plans.

893
00:42:29,480 --> 00:42:31,200
Speaker 1: We know that I'll love.

894
00:42:31,040 --> 00:42:34,120
Speaker 3: You, makes the plans.

895
00:42:35,280 --> 00:42:38,960
Speaker 1: She gets us, keeps us very busy. I will love

896
00:42:39,000 --> 00:42:42,080
Speaker 1: you until death, till the day I die, and we

897
00:42:42,120 --> 00:42:44,920
Speaker 1: don't know what happens after death. And he's skirting the issue,

898
00:42:45,239 --> 00:42:47,600
Speaker 1: skirting the issue, and Cheryl just is looking at him

899
00:42:47,640 --> 00:42:52,240
Speaker 1: like waiting, waiting, waiting, and then he very wisely because

900
00:42:52,280 --> 00:42:56,640
Speaker 1: he wants his marriage to be successful, adds eternity, and

901
00:42:57,000 --> 00:43:00,879
Speaker 1: then Larry goes to step on the glass and as

902
00:43:00,920 --> 00:43:03,360
Speaker 1: he's stepping on the glass, he also steps on the

903
00:43:03,440 --> 00:43:08,040
Speaker 1: rabbi's hand and there's blood spilling all over. There's blood

904
00:43:08,040 --> 00:43:12,240
Speaker 1: all over his pants, and Larry says, somebody get a sponge,

905
00:43:12,239 --> 00:43:15,520
Speaker 1: and he indicates to Julie, but of course she doesn't move.

906
00:43:15,880 --> 00:43:19,080
Speaker 3: Yeah, and by the way, this episode, there are so

907
00:43:19,320 --> 00:43:21,520
Speaker 3: many moments you can end the show.

908
00:43:21,880 --> 00:43:23,719
Speaker 2: There was right there.

909
00:43:23,800 --> 00:43:26,280
Speaker 3: I know, yeah, there's so many outs.

910
00:43:25,960 --> 00:43:28,000
Speaker 2: But there's a better out. Actually, I think that the

911
00:43:28,400 --> 00:43:29,799
Speaker 2: out was really good on the show.

912
00:43:30,000 --> 00:43:32,000
Speaker 1: And then they're at the We cut to there at

913
00:43:32,000 --> 00:43:35,960
Speaker 1: the hotel and Anna opens the door in the robe.

914
00:43:36,040 --> 00:43:39,840
Speaker 1: She's wearing a robe, and Larry h brings his suit

915
00:43:39,920 --> 00:43:42,040
Speaker 1: for the dry cleaning. I mean, this is this is

916
00:43:42,120 --> 00:43:44,399
Speaker 1: the mistakes that he makes as amazing. By the way,

917
00:43:44,480 --> 00:43:47,319
Speaker 1: he's coming to have an assignation with the woman and

918
00:43:47,360 --> 00:43:49,640
Speaker 1: he just isn't it easier for her to just take

919
00:43:49,680 --> 00:43:50,560
Speaker 1: the dry cleaning?

920
00:43:50,719 --> 00:43:54,719
Speaker 3: I have never heard assignation. Your vocabulary is remarkable. What's

921
00:43:54,719 --> 00:43:55,560
Speaker 3: an assignation?

922
00:43:56,920 --> 00:44:00,560
Speaker 1: A trist a trist okay? Yeah, all right, and she's

923
00:44:00,560 --> 00:44:02,879
Speaker 1: not happy about the dry cleaning thing.

924
00:44:03,040 --> 00:44:05,160
Speaker 2: You know, she's not happy about it. He's coming a fucker.

925
00:44:05,440 --> 00:44:07,080
Speaker 2: Don't bring your fucking dry cleaning.

926
00:44:07,480 --> 00:44:10,040
Speaker 1: I'm not gonna schlep your dirty fucking clothes to the

927
00:44:10,120 --> 00:44:10,760
Speaker 1: dry cleaner.

928
00:44:10,800 --> 00:44:14,800
Speaker 3: She says. The way though, it was interesting because she's

929
00:44:15,080 --> 00:44:19,520
Speaker 3: really let Larry know, but this is so insulting to her. Yeah,

930
00:44:19,840 --> 00:44:23,040
Speaker 3: because she's would do anything for Larry, but this is

931
00:44:23,120 --> 00:44:24,120
Speaker 3: crossing the line.

932
00:44:24,160 --> 00:44:27,600
Speaker 1: Well, she says, in fuck or suit, fuck or suit.

933
00:44:28,040 --> 00:44:31,920
Speaker 3: Okay. By the way, also when he uses the phrase

934
00:44:32,280 --> 00:44:35,560
Speaker 3: killed two birds with one stone, yeah, as if he

935
00:44:35,840 --> 00:44:38,960
Speaker 3: was actually picking up something from her and he thought, oh,

936
00:44:39,000 --> 00:44:40,719
Speaker 3: I'll drop this off.

937
00:44:40,840 --> 00:44:41,600
Speaker 1: It's insulting.

938
00:44:41,680 --> 00:44:43,880
Speaker 3: It's insane, it's insane, it's getting laid.

939
00:44:44,040 --> 00:44:46,919
Speaker 1: It's insensitive. And then she says, let's go, I don't

940
00:44:46,920 --> 00:44:49,279
Speaker 1: have all day. And so Larry goes into the other

941
00:44:49,360 --> 00:44:52,040
Speaker 1: room and he comes back out and he's got it wrapped.

942
00:44:51,680 --> 00:44:52,840
Speaker 2: In a sheet.

943
00:44:52,840 --> 00:44:56,840
Speaker 5: To get the sheet, let the start, who brings the

944
00:44:56,920 --> 00:44:57,720
Speaker 5: sheet to the hotel?

945
00:44:57,840 --> 00:44:59,239
Speaker 1: And what's it? There's a hole there?

946
00:45:00,160 --> 00:45:03,280
Speaker 3: Yeah, because as would you believe?

947
00:45:03,320 --> 00:45:04,080
Speaker 6: That's stupid shit?

948
00:45:04,719 --> 00:45:07,640
Speaker 1: What kind the fucking idiot are you? The linen store?

949
00:45:09,680 --> 00:45:12,320
Speaker 3: Oh, by the way, we didn't have that line early

950
00:45:12,400 --> 00:45:14,160
Speaker 3: on when I suggest told me he should get a

951
00:45:14,160 --> 00:45:15,200
Speaker 3: satin sheet.

952
00:45:15,440 --> 00:45:20,720
Speaker 2: He goes, yes, yes, he says, the linen store.

953
00:45:21,120 --> 00:45:23,160
Speaker 1: And then she says, then there's a hole in it,

954
00:45:23,200 --> 00:45:25,879
Speaker 1: and he says, yeah, because you're a Hasidic. And then

955
00:45:26,000 --> 00:45:28,279
Speaker 1: you know, she's like, we that's bullshit, we don't do that.

956
00:45:28,360 --> 00:45:31,560
Speaker 1: And then we hear rumbles, we hear an earthquake, rumble,

957
00:45:32,120 --> 00:45:34,640
Speaker 1: and then next thing we know, they're out in front.

958
00:45:34,880 --> 00:45:37,480
Speaker 2: He's wrapped in the sheet, she's in the robe.

959
00:45:37,760 --> 00:45:39,960
Speaker 1: And who happens to be there who was staying at

960
00:45:39,960 --> 00:45:43,760
Speaker 1: the hotel but Colby, and he sees him. He's like, hey, Larry,

961
00:45:44,120 --> 00:45:45,040
Speaker 1: we survived.

962
00:45:46,680 --> 00:45:49,399
Speaker 2: That's the app That's a great out.

963
00:45:49,440 --> 00:45:52,160
Speaker 3: I think it's a great episode. It actually is a

964
00:45:52,200 --> 00:45:52,640
Speaker 3: great out.

965
00:45:52,760 --> 00:45:54,040
Speaker 1: It's a great episode from.

966
00:45:54,000 --> 00:45:56,040
Speaker 3: There's no fat on that episode.

967
00:45:56,160 --> 00:45:59,400
Speaker 1: It is so and even though there's a lot of

968
00:45:59,520 --> 00:46:02,560
Speaker 1: you know, all back stuff with with all that, it's

969
00:46:02,600 --> 00:46:05,560
Speaker 1: it's a it's a it's very tight, very very tight.

970
00:46:05,680 --> 00:46:08,040
Speaker 3: And by the way, like I said, and this is

971
00:46:08,080 --> 00:46:10,920
Speaker 3: with Julie. There is it Julie the mother to.

972
00:46:10,920 --> 00:46:14,359
Speaker 1: Play the action, Yeah, Julie with Julie.

973
00:46:14,360 --> 00:46:18,279
Speaker 3: Those two moments could have easily been cut, both the

974
00:46:18,920 --> 00:46:22,279
Speaker 3: I'm not going him apologizing could have been and the

975
00:46:22,320 --> 00:46:27,080
Speaker 3: mint and the idea that those for everyone hears a

976
00:46:27,080 --> 00:46:30,280
Speaker 3: little inside scoop, But it mostly happens to my character,

977
00:46:30,800 --> 00:46:33,480
Speaker 3: which is and I'm not resentful of it. I just

978
00:46:33,480 --> 00:46:36,759
Speaker 3: want to add that. But a lot of times my

979
00:46:36,960 --> 00:46:40,680
Speaker 3: Comedy Gold or as you saw these two moments Comedy

980
00:46:40,680 --> 00:46:46,120
Speaker 3: Gold cutting room floor because especially yeah, yeah, because we

981
00:46:46,200 --> 00:46:49,120
Speaker 3: moved along. No, but it's also the season the arc.

982
00:46:49,360 --> 00:46:52,359
Speaker 3: I already mentioned the scene. My favorite scene that's ever

983
00:46:52,400 --> 00:46:54,759
Speaker 3: been cut from the show is late Larry and I

984
00:46:54,880 --> 00:46:56,840
Speaker 3: sitting outside of the cemetery together.

985
00:46:57,560 --> 00:47:00,160
Speaker 1: But just you know, I think when you have these

986
00:47:00,520 --> 00:47:05,279
Speaker 1: these earlier episodes that are simpler in their construction, more

987
00:47:05,320 --> 00:47:08,520
Speaker 1: of that stuff was left in. In the later episodes,

988
00:47:08,719 --> 00:47:13,000
Speaker 1: the storylines get so complex that you don't have room

989
00:47:13,080 --> 00:47:15,719
Speaker 1: for any of that stuff. Yeah, do you agree with that?

990
00:47:16,040 --> 00:47:19,720
Speaker 3: Yeah? And I can also say as because I'm laughing

991
00:47:19,719 --> 00:47:22,680
Speaker 3: hard at these and I love every season, but I

992
00:47:22,800 --> 00:47:26,120
Speaker 3: was not a fan of it becoming more intricate and complex.

993
00:47:26,480 --> 00:47:30,280
Speaker 3: And look, our outlines started out at seven to eight pages.

994
00:47:30,120 --> 00:47:31,960
Speaker 2: And twelve fifteen.

995
00:47:32,440 --> 00:47:34,960
Speaker 3: No, they were easily always.

996
00:47:34,600 --> 00:47:37,600
Speaker 1: Fifteen yeah to twenty and so that's.

997
00:47:37,400 --> 00:47:41,359
Speaker 3: A lot of meat. I mean they were shooting off

998
00:47:41,480 --> 00:47:45,160
Speaker 3: I say they we were shooting an episode, and we

999
00:47:45,160 --> 00:47:47,680
Speaker 3: were shooting a forty five minute episode. Yeah, and so

1000
00:47:47,840 --> 00:47:49,040
Speaker 3: lots of stuff got cut.

1001
00:47:49,200 --> 00:47:52,279
Speaker 1: Yeah. And now like this past season, season twelve, I

1002
00:47:52,280 --> 00:47:56,120
Speaker 1: remember reading the outlines and thinking, this is a fucking monster.

1003
00:47:56,360 --> 00:47:57,600
Speaker 2: How are we gonna shoot this?

1004
00:47:57,920 --> 00:48:01,799
Speaker 3: By the way, especially the last like three episodes mon

1005
00:48:01,960 --> 00:48:05,560
Speaker 3: especially number ten, which I think, by the way, everyone

1006
00:48:05,600 --> 00:48:08,319
Speaker 3: can look forward to that. But I think I think

1007
00:48:08,360 --> 00:48:12,919
Speaker 3: that's a masterful episode. And how Jis Schaeffer pulled that off.

1008
00:48:13,040 --> 00:48:15,960
Speaker 3: I have no idea I agree at all the levels

1009
00:48:16,000 --> 00:48:18,399
Speaker 3: to it. But you read it and you go, how

1010
00:48:18,480 --> 00:48:20,960
Speaker 3: are we going to do this? And we did it?

1011
00:48:21,040 --> 00:48:23,359
Speaker 1: And we did it was amazing. And I don't know

1012
00:48:23,400 --> 00:48:26,280
Speaker 1: when this is gonna air, if this air is before

1013
00:48:26,320 --> 00:48:27,080
Speaker 1: that or after that.

1014
00:48:27,239 --> 00:48:30,840
Speaker 3: Well, by the way, I think this show started airing,

1015
00:48:30,960 --> 00:48:32,400
Speaker 3: because there's way past that.

1016
00:48:32,600 --> 00:48:33,600
Speaker 1: Yeah, in October.

1017
00:48:33,840 --> 00:48:38,320
Speaker 3: We're set to open in January of twenty twenty four.

1018
00:48:38,719 --> 00:48:42,600
Speaker 3: But with the strike, and I know we're gonna have reshoots,

1019
00:48:42,880 --> 00:48:44,520
Speaker 3: I don't know that that's going to happen.

1020
00:48:44,600 --> 00:48:46,880
Speaker 1: Yeah, we'll see. I don't know yeah, And speaking of

1021
00:48:47,040 --> 00:48:50,120
Speaker 1: final episodes of a season, next week we are going

1022
00:48:50,200 --> 00:48:54,200
Speaker 1: to do episode ten, which was also a big episode,

1023
00:48:54,239 --> 00:48:55,520
Speaker 1: and we'll talk about it next week.

1024
00:48:55,560 --> 00:48:57,800
Speaker 2: We'll talk about.

1025
00:48:56,160 --> 00:49:00,920
Speaker 3: There's some inside scoop that I have galls, so one

1026
00:49:00,920 --> 00:49:02,560
Speaker 3: of my favorite moments of the season.

1027
00:49:02,760 --> 00:49:03,560
Speaker 2: So stay tuned.

1028
00:49:03,560 --> 00:49:13,400
Speaker 1: We'll see you next week, See you next week. The

1029
00:49:13,520 --> 00:49:16,640
Speaker 1: history of Curb Your Enthusiasm is a production of iHeartRadio.

1030
00:49:16,760 --> 00:49:21,880
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1031
00:49:22,000 --> 00:49:23,840
Speaker 1: or wherever you listen to your favorite shows.