1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh I see you? Why why and look 2 00:00:04,800 --> 00:00:12,320 Speaker 1: over there? How is that culture? Yes? Goodness? Lost culture? 3 00:00:12,680 --> 00:00:16,920 Speaker 1: Just calling in person. But I'm pissed. Why we lost 4 00:00:16,920 --> 00:00:21,200 Speaker 1: an award again? I'm furious and I can't believe on 5 00:00:21,200 --> 00:00:24,239 Speaker 1: our own network we would lose the award for Best 6 00:00:24,239 --> 00:00:28,400 Speaker 1: Comedy Podcast. Why do you do this to us? I heart, 7 00:00:28,440 --> 00:00:31,160 Speaker 1: I'm turning around looking at the producer. It's not and 8 00:00:31,200 --> 00:00:33,919 Speaker 1: I'm pissed. Not Anna's fault. It is. She's a part 9 00:00:33,920 --> 00:00:37,000 Speaker 1: of the whole operation. It's corporate structures. She's a part 10 00:00:37,000 --> 00:00:38,120 Speaker 1: of it. She's a part of it. But you know, 11 00:00:38,200 --> 00:00:40,080 Speaker 1: she's our producer. And if we're gonna go by and 12 00:00:40,159 --> 00:00:41,640 Speaker 1: just like that rules, we're gonna make out with her 13 00:00:41,640 --> 00:00:44,120 Speaker 1: in the elevator. Can I say that was so hot? 14 00:00:44,920 --> 00:00:47,760 Speaker 1: Oh my god, Bowen, I loved it. I really, I 15 00:00:47,840 --> 00:00:50,240 Speaker 1: was so uplifted and I kind of can I say 16 00:00:50,280 --> 00:00:53,600 Speaker 1: something made the whole insanity of the season worth it? 17 00:00:53,600 --> 00:00:55,680 Speaker 1: It was a perfect season. It was a perfect Now 18 00:00:55,760 --> 00:00:57,560 Speaker 1: now that I've seen the finale and I love the 19 00:00:57,560 --> 00:01:00,000 Speaker 1: finale so much, I'm confident and saying it's a perfect season. 20 00:01:00,040 --> 00:01:01,960 Speaker 1: And and we're going to bring our guests in because 21 00:01:02,080 --> 00:01:04,880 Speaker 1: we truly have in a second, but we truly have 22 00:01:05,080 --> 00:01:07,360 Speaker 1: someone who I know is going to weigh one away. 23 00:01:07,920 --> 00:01:09,679 Speaker 1: I really need to hear. And what I want to 24 00:01:09,680 --> 00:01:12,840 Speaker 1: say at the top is give SJP the noomb. While 25 00:01:12,880 --> 00:01:16,080 Speaker 1: we're talking about awards, give s JP the noam. We 26 00:01:16,160 --> 00:01:17,720 Speaker 1: sat down, look at each other in the eyes and 27 00:01:17,760 --> 00:01:20,560 Speaker 1: bow and Yank said, you'd watch her do I mean, 28 00:01:20,640 --> 00:01:22,440 Speaker 1: I could watch her do anything. We've said this before 29 00:01:22,440 --> 00:01:26,160 Speaker 1: on the podcast, but I could watch her act with 30 00:01:27,040 --> 00:01:31,000 Speaker 1: a lamp for hours. Her senior partner was a fucking 31 00:01:31,040 --> 00:01:34,319 Speaker 1: reading light. When she turned to that lamp and she 32 00:01:34,319 --> 00:01:36,400 Speaker 1: she was talking to the lamp, there was more and 33 00:01:36,600 --> 00:01:39,360 Speaker 1: I'm gonna say this, there was more electricity between her 34 00:01:39,360 --> 00:01:42,480 Speaker 1: and that lamp than Miranda and Jay ever had all season. 35 00:01:42,920 --> 00:01:46,640 Speaker 1: Thank you, and can we talk about her going back 36 00:01:46,680 --> 00:01:49,240 Speaker 1: to the electrician, to the lamp store or whatever, the 37 00:01:49,280 --> 00:01:53,760 Speaker 1: fun store, lamp store, the disappointment in her face when 38 00:01:53,760 --> 00:01:56,640 Speaker 1: it was just like, it's just the wire, It's just 39 00:01:56,680 --> 00:01:59,840 Speaker 1: a wire and then oh lamp went on again. I said, 40 00:02:00,040 --> 00:02:02,160 Speaker 1: it wasn't the wire and then that did you make 41 00:02:02,200 --> 00:02:07,200 Speaker 1: you believe in heaven? Yes, in the afterlife or not? Not? Not? Not? 42 00:02:07,280 --> 00:02:11,600 Speaker 1: Judeo Christian heaven um. But the afterlife. Yes, you know what, 43 00:02:11,680 --> 00:02:14,840 Speaker 1: there's something I think that when we die, there's something 44 00:02:16,520 --> 00:02:20,960 Speaker 1: I never expected the Sex in the City universe to 45 00:02:20,960 --> 00:02:23,880 Speaker 1: touch on the afterlife in this way. Excuse me on 46 00:02:23,960 --> 00:02:29,520 Speaker 1: the paranormal that I just did the reader's I just 47 00:02:29,560 --> 00:02:33,040 Speaker 1: did the thing of like mind blown. Oh my god? 48 00:02:33,160 --> 00:02:35,600 Speaker 1: Can we just say the line reading that gave me 49 00:02:35,800 --> 00:02:39,160 Speaker 1: chills from my toes to the top of my hair, 50 00:02:40,120 --> 00:02:44,480 Speaker 1: from the root chakra to the crown everything. I'm Carrie 51 00:02:44,480 --> 00:02:49,000 Speaker 1: Bradshaw and this Sex in the City. No, even even 52 00:02:49,080 --> 00:02:51,440 Speaker 1: before that, when she goes, well, that's it for my 53 00:02:51,520 --> 00:02:54,880 Speaker 1: first podcast, I'll get better, Like did you know what 54 00:02:54,880 --> 00:02:58,120 Speaker 1: I'm talking about? She's efforts good and you know what 55 00:02:58,160 --> 00:03:00,360 Speaker 1: the thing is we're gonna bring we gotta bring, right, 56 00:03:00,440 --> 00:03:03,240 Speaker 1: So listen, this this actually this is huge. Okay, this 57 00:03:03,280 --> 00:03:05,960 Speaker 1: is actually a moment in time because talk about so 58 00:03:06,040 --> 00:03:07,760 Speaker 1: this this I'm gonna put in quote it's like a 59 00:03:07,840 --> 00:03:11,040 Speaker 1: pop culture podcast. But we don't know what the funk 60 00:03:11,080 --> 00:03:14,360 Speaker 1: we're talking about. Either of us do this alone? I 61 00:03:14,400 --> 00:03:17,480 Speaker 1: don't think so. And can you fucking imagine you know 62 00:03:17,480 --> 00:03:19,880 Speaker 1: what I did the HBO Max Movie Club podcast alone 63 00:03:20,080 --> 00:03:22,360 Speaker 1: and it's hardest, hardest ship. I did the search party 64 00:03:22,360 --> 00:03:24,520 Speaker 1: thing alone. It's so difficult. It's one of the hardest 65 00:03:24,520 --> 00:03:29,520 Speaker 1: things anyone could ever do. Host and and it's any 66 00:03:29,680 --> 00:03:32,880 Speaker 1: carrying it as it were, we both got carried away, 67 00:03:33,000 --> 00:03:35,240 Speaker 1: Oh ship, and who is that? And you're I know 68 00:03:35,320 --> 00:03:37,080 Speaker 1: you're all asking. And I actually think the readers are 69 00:03:37,120 --> 00:03:39,720 Speaker 1: actually going to be really excited about this because I 70 00:03:39,760 --> 00:03:44,200 Speaker 1: bet those crossover now. So not only is our guest 71 00:03:44,240 --> 00:03:48,320 Speaker 1: today and Esteemed solo podcast or and he has guests, 72 00:03:48,360 --> 00:03:50,680 Speaker 1: but you know, it's mostly the main event is him 73 00:03:50,680 --> 00:03:54,280 Speaker 1: of the podcast Everything Iconic, which is truly it lives 74 00:03:54,360 --> 00:03:56,480 Speaker 1: up to its name. But also now he's written a 75 00:03:56,520 --> 00:03:59,080 Speaker 1: book about another one of the hardest things you could do. 76 00:03:59,520 --> 00:04:01,960 Speaker 1: But the hardest thing you can also do is to 77 00:04:02,040 --> 00:04:04,560 Speaker 1: bring hard copies of your book to the podcast. You're 78 00:04:04,560 --> 00:04:09,480 Speaker 1: about to go on the Elegance Soft and talk about effortless, 79 00:04:09,640 --> 00:04:11,800 Speaker 1: talk about effortless and the way he handed over I 80 00:04:11,800 --> 00:04:14,480 Speaker 1: brought books. I brought book. I said, what two or 81 00:04:14,520 --> 00:04:15,920 Speaker 1: two of the first people to get the book, are 82 00:04:15,920 --> 00:04:18,640 Speaker 1: you kidding to My mom got a copy, and then 83 00:04:18,680 --> 00:04:20,520 Speaker 1: you guys got to come. And then we also said 84 00:04:21,400 --> 00:04:25,200 Speaker 1: the blurbs Okay, here's here. Here the blurbs say the boots. 85 00:04:25,600 --> 00:04:29,560 Speaker 1: We got Andy Cohen, huge star, Casey Wilson, one of 86 00:04:29,600 --> 00:04:33,359 Speaker 1: the most iconic people love her. Kate Bear Hello, number 87 00:04:33,400 --> 00:04:35,479 Speaker 1: one New York Times bestseller Kate Bear, There you go. 88 00:04:35,560 --> 00:04:40,000 Speaker 1: I'm gonna skip one. Lynda Pellegrino, Danny's mom. Yes, and 89 00:04:41,040 --> 00:04:45,240 Speaker 1: huge wall of text from Rachel Lindsay And can I 90 00:04:45,279 --> 00:04:47,080 Speaker 1: just say, I just want to put out there into 91 00:04:47,120 --> 00:04:50,440 Speaker 1: the world. Rachel, You're invited on Lost Cult. She has 92 00:04:50,480 --> 00:04:53,200 Speaker 1: to come on. She's come on. She's smart, she's funny, 93 00:04:53,240 --> 00:04:55,280 Speaker 1: she's every and she loves Bravo to she loves Bravo. 94 00:04:55,360 --> 00:04:58,360 Speaker 1: And I will just say the The press day we 95 00:04:58,400 --> 00:05:00,559 Speaker 1: did for a door from Queen season two was long 96 00:05:00,960 --> 00:05:03,760 Speaker 1: and sort of like, Okay, we're gonna do what next? Okay, great, 97 00:05:03,800 --> 00:05:05,600 Speaker 1: And it was just me on Zooms all day, not 98 00:05:05,680 --> 00:05:10,279 Speaker 1: that fun. But when Extra came on and I saw 99 00:05:10,360 --> 00:05:14,440 Speaker 1: that it was Rachel Lindsay, I said, oh my god, Rachel. 100 00:05:15,160 --> 00:05:17,360 Speaker 1: Can you imagine like she's the kind of person on 101 00:05:17,400 --> 00:05:19,719 Speaker 1: the red carpet who's like, hey, it's me Rachel, and 102 00:05:19,760 --> 00:05:21,960 Speaker 1: the celebrities are like, yeah, girl, I know. Did you 103 00:05:22,000 --> 00:05:24,040 Speaker 1: ever see the interview she did with Rihanna where Rihanna 104 00:05:24,120 --> 00:05:27,440 Speaker 1: is like excited to see Rachel. God, can you imagine 105 00:05:27,720 --> 00:05:30,719 Speaker 1: Rihanna's favorite celebrities are like Rachel, Lindsay and Karen Huger. 106 00:05:31,279 --> 00:05:36,160 Speaker 1: She's smart and how and okay, listen already we've he's 107 00:05:36,160 --> 00:05:38,280 Speaker 1: sort of broken through because it's like it's that, it's 108 00:05:38,320 --> 00:05:40,039 Speaker 1: that and just like that energy where it's like we 109 00:05:40,040 --> 00:05:45,599 Speaker 1: have no no, no, no, don't know Bober. Fortunately, true 110 00:05:45,640 --> 00:05:48,080 Speaker 1: stories you can pre order and that would be a 111 00:05:48,120 --> 00:05:52,480 Speaker 1: smart decision. Everyone, Please welcome to your ears. Danny Pellegrino. 112 00:05:53,160 --> 00:05:55,039 Speaker 1: I'm so happy to be I'm excited. I'm a little nervous. 113 00:05:55,040 --> 00:05:56,320 Speaker 1: I don't want to let the readers down. I don't 114 00:05:56,320 --> 00:05:59,800 Speaker 1: want to disappoint in how yes, oh my god, garrib 115 00:06:00,000 --> 00:06:01,880 Speaker 1: ever and wait, can I stay with s j P 116 00:06:02,120 --> 00:06:04,919 Speaker 1: for you totally agree that, like her acting was phenomenal, 117 00:06:05,000 --> 00:06:07,160 Speaker 1: but I was so excited about the dress moment too, 118 00:06:07,240 --> 00:06:10,880 Speaker 1: and the whole season. I was like waiting for sort 119 00:06:10,920 --> 00:06:14,159 Speaker 1: of like a weird look that was like overdone and dramatic, 120 00:06:14,400 --> 00:06:18,120 Speaker 1: and I felt like that was it for me. This 121 00:06:18,160 --> 00:06:20,080 Speaker 1: is what I'm saying. It did make up for the 122 00:06:20,240 --> 00:06:26,920 Speaker 1: like errors of the season, which do you feel good 123 00:06:26,960 --> 00:06:29,360 Speaker 1: about the season? I want like a hundred more seasons, 124 00:06:29,360 --> 00:06:30,880 Speaker 1: But I thought it was batch it and saying there 125 00:06:30,920 --> 00:06:32,080 Speaker 1: was a lot of stuff that I felt like it 126 00:06:32,160 --> 00:06:36,040 Speaker 1: was just dropped, Like I was thinking the other day alcoholism. 127 00:06:36,120 --> 00:06:39,799 Speaker 1: Do you remember at Bigg's funeral when like his his secretary? 128 00:06:39,960 --> 00:06:42,080 Speaker 1: What was that? It was like I thought that was 129 00:06:42,120 --> 00:06:43,640 Speaker 1: going to be something that played in like there was 130 00:06:43,680 --> 00:06:46,400 Speaker 1: a secret mistress or a kid or something, and maybe 131 00:06:46,400 --> 00:06:48,200 Speaker 1: it will done the road, But that was like another 132 00:06:48,240 --> 00:06:49,559 Speaker 1: one of those things where it's like, oh, what happened 133 00:06:49,560 --> 00:06:52,280 Speaker 1: to that? What happened to that? They really featured her 134 00:06:52,400 --> 00:06:54,520 Speaker 1: entrance into that funeral and it was like they really 135 00:06:54,600 --> 00:06:56,920 Speaker 1: made a deal out of it, which makes me feel 136 00:06:56,960 --> 00:06:59,440 Speaker 1: like maybe they didn't know exactly where they were going, 137 00:06:59,480 --> 00:07:01,440 Speaker 1: which is like how could that be true? How could 138 00:07:01,440 --> 00:07:03,560 Speaker 1: that be true? But even to have the Ash the 139 00:07:03,640 --> 00:07:06,080 Speaker 1: last thing you saw the Ashes was episode two and 140 00:07:06,120 --> 00:07:10,000 Speaker 1: then they it came back roaring episode Like, I'm like, 141 00:07:10,080 --> 00:07:12,720 Speaker 1: it's the Nineline was so fucked up. It's a weird 142 00:07:12,800 --> 00:07:16,520 Speaker 1: syncopation on the on the stories a little bit, but overall, 143 00:07:16,680 --> 00:07:19,720 Speaker 1: I truly stand by this perfect season. I mean it 144 00:07:19,800 --> 00:07:21,880 Speaker 1: was perfect season, and also it kept us talking. Yeah, 145 00:07:22,120 --> 00:07:24,000 Speaker 1: and didn't it make you feel like I feel like 146 00:07:24,040 --> 00:07:27,320 Speaker 1: we're all starved for shows about older women. Yeah, it 147 00:07:27,400 --> 00:07:28,720 Speaker 1: was like we all just wanted to talk about it. 148 00:07:28,760 --> 00:07:30,320 Speaker 1: And yes, a lot of it was crazy to me 149 00:07:30,440 --> 00:07:32,840 Speaker 1: and bad and all of those things. But it's like, 150 00:07:33,080 --> 00:07:35,800 Speaker 1: I we need more stories about these older women because 151 00:07:35,800 --> 00:07:38,120 Speaker 1: it's like we all are cravy and obviously everyone's talking 152 00:07:38,160 --> 00:07:41,640 Speaker 1: about the show. I also think, like, you know, another 153 00:07:41,720 --> 00:07:44,880 Speaker 1: thing is once it got to the end, and like, 154 00:07:45,120 --> 00:07:47,960 Speaker 1: I guess the big conversation piece of the season was 155 00:07:48,160 --> 00:07:52,360 Speaker 1: say with me che So when when the final episode 156 00:07:52,400 --> 00:07:54,560 Speaker 1: was over, I sort of turned to myself in the 157 00:07:54,600 --> 00:07:56,920 Speaker 1: mirror and I said, I think they know ch is cringe. 158 00:07:57,080 --> 00:07:59,120 Speaker 1: You know what I mean? Because the pilot of it 159 00:07:59,160 --> 00:08:04,120 Speaker 1: all also Sara Ramirez belting out that whenever a non 160 00:08:04,240 --> 00:08:07,160 Speaker 1: singer in the show is played by a singer and 161 00:08:07,200 --> 00:08:10,280 Speaker 1: they have to do a number, I'm always can't sing bad. No. 162 00:08:11,040 --> 00:08:13,400 Speaker 1: It reminded me of Alison Williams and Girls, do you 163 00:08:13,400 --> 00:08:15,880 Speaker 1: remember when she com was like, that's the kind of 164 00:08:16,040 --> 00:08:18,880 Speaker 1: feeling I got when Chase started doing the beach was 165 00:08:18,920 --> 00:08:21,559 Speaker 1: it what it was? I wish they could be California Girls. 166 00:08:22,640 --> 00:08:24,680 Speaker 1: That was that was tough for me. Yeah, that was 167 00:08:25,080 --> 00:08:27,280 Speaker 1: I think if you would take out the chase stuff, 168 00:08:27,320 --> 00:08:30,239 Speaker 1: I think I would like it. I think I would 169 00:08:30,440 --> 00:08:34,120 Speaker 1: think it was perfect almost Yeah, yeah, leaving Bobby Lee 170 00:08:34,240 --> 00:08:37,280 Speaker 1: like the Bobby Lee like like like Jackie and Carry 171 00:08:37,440 --> 00:08:39,880 Speaker 1: just like being like Carry being like Oh, I loved 172 00:08:39,880 --> 00:08:42,200 Speaker 1: that that little interaction. She's like, we can't be site 173 00:08:42,240 --> 00:08:44,760 Speaker 1: specific friends. I was like, oh, I you know, like 174 00:08:44,840 --> 00:08:47,640 Speaker 1: you everyone has that thought about someone like at work 175 00:08:47,920 --> 00:08:50,240 Speaker 1: or something. I was like, that relationship is really cute. 176 00:08:50,360 --> 00:08:54,760 Speaker 1: And then Franklin, the podcast producer. I loved that. He 177 00:08:54,880 --> 00:08:56,920 Speaker 1: was so hot. He was so hot, and I knew 178 00:08:56,960 --> 00:08:58,800 Speaker 1: he was gonna be the first episode when they showed 179 00:08:58,800 --> 00:09:00,480 Speaker 1: that glance, it was like, yeah, he's got a they 180 00:09:00,520 --> 00:09:04,440 Speaker 1: can't be an extra. And that was good because it 181 00:09:04,520 --> 00:09:06,440 Speaker 1: was it was subtle. It was like you see him 182 00:09:06,480 --> 00:09:08,160 Speaker 1: looking at her and he's interested in the first couple 183 00:09:08,200 --> 00:09:10,400 Speaker 1: episodes and like he's there the whole time. And then 184 00:09:10,760 --> 00:09:14,320 Speaker 1: their chemistry in that elevator, I was like, WHOA like? 185 00:09:14,559 --> 00:09:19,480 Speaker 1: And that is that is very begin again. Taylor Swift Vibes, 186 00:09:19,679 --> 00:09:23,559 Speaker 1: It's beginning in Vibes and I immediately went and saved that. 187 00:09:23,559 --> 00:09:26,360 Speaker 1: That's on a Spotify. It's the Paradise in Love with You. 188 00:09:26,400 --> 00:09:28,959 Speaker 1: It came out in like two thousand three, and it 189 00:09:29,000 --> 00:09:31,280 Speaker 1: made me feel like I was on a party drug. 190 00:09:31,320 --> 00:09:35,480 Speaker 1: But did you save that other song that CHA did 191 00:09:35,320 --> 00:09:37,960 Speaker 1: could be California? Did you say that I did? I did. 192 00:09:37,840 --> 00:09:41,960 Speaker 1: I hadn't heard before when they said Holly Hollywood called bitches, 193 00:09:42,040 --> 00:09:48,080 Speaker 1: I'm making a pilot, I was like, first the Roan, 194 00:09:48,240 --> 00:09:50,640 Speaker 1: but the good one from the eighties, what is that? 195 00:09:51,000 --> 00:09:53,400 Speaker 1: What is that? And then for the comedy pilot to 196 00:09:53,440 --> 00:09:56,040 Speaker 1: be a live taping of a special skill that's not 197 00:09:56,120 --> 00:09:59,560 Speaker 1: a how is that? None realized? None of it? This 198 00:09:59,600 --> 00:10:01,719 Speaker 1: is this is we're saying, like, I think they know 199 00:10:01,920 --> 00:10:06,120 Speaker 1: the writers knew that this was gonna be fully unintelligible. 200 00:10:06,360 --> 00:10:08,160 Speaker 1: But what about the podcast of it all where it's 201 00:10:08,160 --> 00:10:10,120 Speaker 1: like they're taking the live caller thing, like I don't 202 00:10:10,120 --> 00:10:12,360 Speaker 1: think they knew that most podcasts don't do the live 203 00:10:12,480 --> 00:10:14,800 Speaker 1: call and they're fully in like a very they're in 204 00:10:14,880 --> 00:10:17,719 Speaker 1: like a very like serious XM type studio where it's 205 00:10:17,760 --> 00:10:20,640 Speaker 1: like if it's getting radio show and you can tell 206 00:10:20,679 --> 00:10:23,000 Speaker 1: they wrote it like radio show. And yes, it's true 207 00:10:23,000 --> 00:10:25,360 Speaker 1: that you can take live calls for a podcast. I 208 00:10:25,360 --> 00:10:27,160 Speaker 1: just would like to confirm out there and sort of 209 00:10:27,200 --> 00:10:29,480 Speaker 1: like break the fourth wall and say you can do it, 210 00:10:29,520 --> 00:10:32,840 Speaker 1: but like it's not done. Yeah, I don't really do it. Yeah, 211 00:10:33,000 --> 00:10:35,680 Speaker 1: just say it's serious. Exam Yeah, say it's a radio show. 212 00:10:35,720 --> 00:10:37,880 Speaker 1: But you know that, you know they were so hard 213 00:10:37,920 --> 00:10:40,760 Speaker 1: to say podcasts. But all along, I wanted Carrie to 214 00:10:40,760 --> 00:10:43,000 Speaker 1: be the voice over of the show with the podcast 215 00:10:43,000 --> 00:10:44,560 Speaker 1: and I didn't. I wanted her to be solo with 216 00:10:44,600 --> 00:10:46,800 Speaker 1: pot and I'm like, oh, I'm excited now going forward 217 00:10:46,840 --> 00:10:50,040 Speaker 1: it could be just carry. I also love the trans Rabbi. 218 00:10:50,080 --> 00:10:53,600 Speaker 1: I want more Harry. Oh my god, this is what happened. 219 00:10:53,760 --> 00:10:58,400 Speaker 1: I watched Harria beatas Rabbi. I was like, oh my god, 220 00:10:58,440 --> 00:11:00,760 Speaker 1: she's being so good in this. And then I went 221 00:11:00,800 --> 00:11:03,959 Speaker 1: to Instagram and she posted this beautiful block of text 222 00:11:04,040 --> 00:11:06,320 Speaker 1: about like how full circle this was and how like 223 00:11:06,400 --> 00:11:08,959 Speaker 1: she like moved to New York with that fantasy like 224 00:11:09,120 --> 00:11:11,640 Speaker 1: so many people do. Um. She was amazing and you 225 00:11:11,640 --> 00:11:14,600 Speaker 1: could tell she was having fun Jay show, Like you 226 00:11:14,600 --> 00:11:16,520 Speaker 1: could see there was like a sparkle to her that 227 00:11:16,600 --> 00:11:20,079 Speaker 1: was like, and I feel that sparkle with Seema to 228 00:11:20,240 --> 00:11:24,920 Speaker 1: like I loved she also got railed by a hot 229 00:11:24,960 --> 00:11:28,600 Speaker 1: fucking guy. That guy's tragic. He was in the original too, 230 00:11:28,960 --> 00:11:31,120 Speaker 1: was he was like a sale I don't want to 231 00:11:31,120 --> 00:11:32,800 Speaker 1: I think of a salesperson or something. He was like 232 00:11:33,080 --> 00:11:35,520 Speaker 1: I had lines, but he was is this like an 233 00:11:35,559 --> 00:11:38,800 Speaker 1: eastery that like he like eventually owns a club or something. 234 00:11:38,880 --> 00:11:42,520 Speaker 1: I think, different character. Oh, I can't then bring back 235 00:11:42,520 --> 00:11:46,040 Speaker 1: Bradley Cooper. Haven't played someone else? I mean, listen, where 236 00:11:46,120 --> 00:11:48,040 Speaker 1: is there space for Bradley Cooper in a show where 237 00:11:48,040 --> 00:11:50,840 Speaker 1: we've discovered this new a list hot guy in the elevator? Now? 238 00:11:50,920 --> 00:11:52,839 Speaker 1: I want to know who do you want back from 239 00:11:52,880 --> 00:11:55,000 Speaker 1: the original? Like next season we're going we have to 240 00:11:55,040 --> 00:11:57,880 Speaker 1: have there's gonna be a season too, right, slattery, I 241 00:11:57,920 --> 00:12:01,120 Speaker 1: think would be great. You know, I kept feeling like 242 00:12:01,440 --> 00:12:03,880 Speaker 1: I thought, okay, I thought the teacher when when they 243 00:12:03,920 --> 00:12:05,559 Speaker 1: flashed to him in the trailer, I was like, oh, 244 00:12:05,600 --> 00:12:07,720 Speaker 1: that's Burger. Yeah. I thought that he looks like and 245 00:12:08,000 --> 00:12:11,320 Speaker 1: it looks like he could be like a brother or something. Right, Yes, 246 00:12:11,679 --> 00:12:13,160 Speaker 1: for some reason thought and I think it was you 247 00:12:13,280 --> 00:12:15,240 Speaker 1: telling me like I think Burger's coming back, And I 248 00:12:15,280 --> 00:12:18,280 Speaker 1: was like, for some reason, I was waiting for a 249 00:12:18,320 --> 00:12:24,560 Speaker 1: cameo at the end, like somebody Aiden Aiden. It was 250 00:12:24,679 --> 00:12:27,319 Speaker 1: giving that Aiden was going to come, and they also 251 00:12:27,400 --> 00:12:29,839 Speaker 1: teased in the in the promo, like her turning around 252 00:12:29,920 --> 00:12:32,040 Speaker 1: and looking and seeing someone, and I thought, of course, 253 00:12:32,080 --> 00:12:34,560 Speaker 1: I was so hard for Samantha, but it's not going 254 00:12:34,600 --> 00:12:36,880 Speaker 1: to happen. And now Sarry Jessica Parker has on an 255 00:12:36,880 --> 00:12:40,520 Speaker 1: interview that she pretty much confirms like she's not coming back. 256 00:12:41,000 --> 00:12:44,480 Speaker 1: Like that that off camera conversation they had and was 257 00:12:45,800 --> 00:12:48,800 Speaker 1: was their way of letting us the audience know the 258 00:12:48,920 --> 00:12:53,040 Speaker 1: characters have gotten closure, but Samantha will not return, which 259 00:12:53,160 --> 00:12:56,760 Speaker 1: I think hurts it really hurtful. Yeah, even just a 260 00:12:56,760 --> 00:12:59,079 Speaker 1: little appearance. And I'm I thought they handled it really 261 00:12:59,080 --> 00:13:01,000 Speaker 1: well with the text message was like I liked that 262 00:13:01,600 --> 00:13:03,720 Speaker 1: and I hope they at least keep doing it. But 263 00:13:03,880 --> 00:13:06,480 Speaker 1: also if they leaned too far into it, I'll get 264 00:13:06,520 --> 00:13:09,840 Speaker 1: really annoying knowing that we're never getting a Kim. Yeah, 265 00:13:09,960 --> 00:13:14,000 Speaker 1: I would leave it now, I immediately because I think 266 00:13:14,040 --> 00:13:17,760 Speaker 1: I was also waiting for Aidan. I watched just the 267 00:13:17,880 --> 00:13:19,719 Speaker 1: scene in the market from sex in the City to 268 00:13:19,840 --> 00:13:23,400 Speaker 1: where they see each other, and which was the same 269 00:13:23,480 --> 00:13:26,280 Speaker 1: her turning around me. Yeah, so I guess they couldn't 270 00:13:26,280 --> 00:13:29,439 Speaker 1: have done that again, right, But I I don't know. 271 00:13:29,640 --> 00:13:31,559 Speaker 1: I was kind of craving it. Like I watched it back. 272 00:13:31,600 --> 00:13:36,360 Speaker 1: I was like and like that whatever the second movie, 273 00:13:36,360 --> 00:13:39,440 Speaker 1: we all we all like know what we think about it. 274 00:13:39,480 --> 00:13:43,760 Speaker 1: But like that scene is they had like the best 275 00:13:44,120 --> 00:13:45,679 Speaker 1: I mean, I mean just the way he would look 276 00:13:45,720 --> 00:13:48,160 Speaker 1: at her and like that, that to me was always 277 00:13:48,240 --> 00:13:52,080 Speaker 1: carries one. Yeah, I was always teenmate into Yeah, there 278 00:13:52,200 --> 00:13:54,360 Speaker 1: was always an asshole to her. He was big, was 279 00:13:54,360 --> 00:13:56,800 Speaker 1: an asshole to her. Aiden treated her like a queen. 280 00:13:57,520 --> 00:14:00,239 Speaker 1: But I guess like the thing that Aiden has that 281 00:14:00,400 --> 00:14:02,000 Speaker 1: is like self respect, like no, I'm not going to 282 00:14:02,080 --> 00:14:04,400 Speaker 1: go back to this person that like really hurt me. 283 00:14:04,480 --> 00:14:06,840 Speaker 1: Yeah yeah, yeah, which is probably I don't know that 284 00:14:06,880 --> 00:14:10,160 Speaker 1: Carrie deserved data. No, I think that you're right about that, 285 00:14:10,520 --> 00:14:13,920 Speaker 1: but um I and then guess what, Like I watched 286 00:14:13,960 --> 00:14:16,000 Speaker 1: the next scene in the movie and like Samantha was there, 287 00:14:16,000 --> 00:14:18,120 Speaker 1: well Samantha was there, and like I was like, God, 288 00:14:18,320 --> 00:14:21,440 Speaker 1: this is this is painful. This is painful to watch, 289 00:14:21,680 --> 00:14:24,040 Speaker 1: like what she was just so good in that role, 290 00:14:24,200 --> 00:14:26,320 Speaker 1: and it's it's hard. There's no one who could ever 291 00:14:26,320 --> 00:14:29,160 Speaker 1: replace Chimmick. A trial in that role, and like colet 292 00:14:29,160 --> 00:14:32,640 Speaker 1: School has shared like a clip of like because they've 293 00:14:32,640 --> 00:14:34,720 Speaker 1: been watching like Old Sex in the City from the 294 00:14:34,760 --> 00:14:37,520 Speaker 1: beginning and like early seasons. It literally is like like 295 00:14:37,600 --> 00:14:41,000 Speaker 1: if you think about Samantha Jones, like the stock line 296 00:14:41,000 --> 00:14:42,800 Speaker 1: that you're like not even sure she really says is 297 00:14:43,120 --> 00:14:45,240 Speaker 1: let me tell you about his cock. But the clip 298 00:14:45,280 --> 00:14:48,960 Speaker 1: that cole A School ascent was literally Samantha going, let 299 00:14:48,960 --> 00:14:50,920 Speaker 1: me tell you about his cop And I'm like, this 300 00:14:51,000 --> 00:14:54,560 Speaker 1: is so icon act. Well, the thing is like imagine, 301 00:14:54,680 --> 00:14:58,240 Speaker 1: imagine like auditions for that part. Like just to think 302 00:14:58,280 --> 00:15:01,240 Speaker 1: of that having existed it at one time on the 303 00:15:01,240 --> 00:15:04,160 Speaker 1: page without her, it's crazy, you know what I mean. 304 00:15:04,160 --> 00:15:08,080 Speaker 1: It feels like she just walked in like with the characterization, 305 00:15:08,120 --> 00:15:11,720 Speaker 1: like Samantha Jones is so alive, you know what I mean. 306 00:15:12,000 --> 00:15:15,560 Speaker 1: And it's weird because you know, probably for a while, 307 00:15:15,760 --> 00:15:18,240 Speaker 1: like I haven't watched the first season in a long time, 308 00:15:18,280 --> 00:15:21,480 Speaker 1: but she probably was like one dimensional and then like 309 00:15:21,760 --> 00:15:26,200 Speaker 1: there's so much like it's her performance is giving dimensionality 310 00:15:26,400 --> 00:15:29,000 Speaker 1: even without what they did with her character, which I 311 00:15:29,040 --> 00:15:32,920 Speaker 1: think was really smart. And she talks about how, you know, well, 312 00:15:32,960 --> 00:15:35,040 Speaker 1: back in the good days when she was excited to 313 00:15:35,040 --> 00:15:37,040 Speaker 1: talk about the show. She talks about how when she 314 00:15:37,240 --> 00:15:41,120 Speaker 1: was given the cancer storyline, she was like, don't punish 315 00:15:41,120 --> 00:15:45,000 Speaker 1: the character with sickness because she's free and because she's 316 00:15:45,240 --> 00:15:47,520 Speaker 1: has a has a full sex life, and they were like, 317 00:15:47,560 --> 00:15:49,640 Speaker 1: we're not going to do that. And I thought like, 318 00:15:49,680 --> 00:15:53,720 Speaker 1: in terms of shows that turned to cancer as a storyline, 319 00:15:53,960 --> 00:15:57,560 Speaker 1: that was one of the more elegant and really like 320 00:15:58,920 --> 00:16:02,360 Speaker 1: complicated versions of that, which I think was great for her. 321 00:16:02,680 --> 00:16:04,080 Speaker 1: You know, she was so much of the comedy of 322 00:16:04,080 --> 00:16:06,520 Speaker 1: the original two, and I feel like this series was 323 00:16:06,560 --> 00:16:08,720 Speaker 1: obviously meant to be a little bit heavier, but I 324 00:16:08,720 --> 00:16:10,560 Speaker 1: think if you go back and watch the original and 325 00:16:10,600 --> 00:16:12,920 Speaker 1: you take out the Samantha character, there's not as much 326 00:16:13,120 --> 00:16:16,760 Speaker 1: humor in it. She was the comedy in it. Yeah, Yeah, 327 00:16:16,800 --> 00:16:19,520 Speaker 1: that's true. I'm really excited for a second season because 328 00:16:19,640 --> 00:16:22,960 Speaker 1: I think now we can get back to it the likeness, 329 00:16:22,960 --> 00:16:25,480 Speaker 1: we're more comfortable to where we know our bearings a 330 00:16:25,520 --> 00:16:28,640 Speaker 1: little bit, we can enjoy it a little more. Yeah, exactly, 331 00:16:28,640 --> 00:16:33,440 Speaker 1: Like I've re familiarized myself with like the nature of 332 00:16:33,480 --> 00:16:36,120 Speaker 1: how it can sometimes get a little weird and surreal, 333 00:16:36,200 --> 00:16:38,200 Speaker 1: and like these characters come in and out, And I 334 00:16:38,280 --> 00:16:41,560 Speaker 1: also am hopeful that the Chay and Miranda thing just 335 00:16:41,680 --> 00:16:43,840 Speaker 1: crashes and burns. But I kind of feel like they're 336 00:16:43,840 --> 00:16:45,480 Speaker 1: going to lean in more to the chair of it all. 337 00:16:45,640 --> 00:16:47,200 Speaker 1: Like I feel like it's almost now they got a 338 00:16:47,240 --> 00:16:51,480 Speaker 1: point to group of like and maybe it wouldn't even 339 00:16:51,480 --> 00:16:55,960 Speaker 1: come back. Yeah, right, they've they so they just finally 340 00:16:56,000 --> 00:16:59,680 Speaker 1: like came out with like a publicized state the word 341 00:16:59,720 --> 00:17:02,040 Speaker 1: about what they say. Well, they were just like, um, 342 00:17:02,080 --> 00:17:06,159 Speaker 1: you know, I'm aware of the response to this character, 343 00:17:06,440 --> 00:17:10,000 Speaker 1: and I all I know is that Chay is not 344 00:17:10,080 --> 00:17:12,480 Speaker 1: there to be liked and all this stuff, and um, 345 00:17:12,520 --> 00:17:14,240 Speaker 1: and I think they asked they asked them like what 346 00:17:14,280 --> 00:17:17,800 Speaker 1: would Chase say if Chay like knew and whatever like 347 00:17:18,320 --> 00:17:20,560 Speaker 1: meta and meta question, but like what would cha think 348 00:17:20,600 --> 00:17:24,639 Speaker 1: about all this response to it to them? And and 349 00:17:24,640 --> 00:17:28,159 Speaker 1: Sara was like they would just like, um, laugh it 350 00:17:28,280 --> 00:17:30,720 Speaker 1: off or something. And I'm like, see, like that's such 351 00:17:30,880 --> 00:17:33,399 Speaker 1: see like I don't think which makes me think that 352 00:17:33,480 --> 00:17:37,160 Speaker 1: Like I don't think Sara was in on the conversation 353 00:17:37,280 --> 00:17:39,480 Speaker 1: around like and on like that portrayal of chairs like 354 00:17:39,840 --> 00:17:43,800 Speaker 1: quote unquote annoying comedian. You know, right, Well that's this 355 00:17:43,880 --> 00:17:47,080 Speaker 1: is the thing is it's like the only obviously Chay 356 00:17:47,280 --> 00:17:50,040 Speaker 1: is like a glaring thing about the show where I 357 00:17:50,119 --> 00:17:52,560 Speaker 1: just rolled my eyes so hard every time they were 358 00:17:52,600 --> 00:17:54,840 Speaker 1: on screen because of the things they would say. I mean, 359 00:17:54,840 --> 00:17:57,480 Speaker 1: it wasn't at the character itself, it's just it seems 360 00:17:57,520 --> 00:17:59,800 Speaker 1: like it got deeper and deeper into the whole if 361 00:17:59,840 --> 00:18:03,040 Speaker 1: it's not. And the final the final stage was like, yes, 362 00:18:03,359 --> 00:18:06,720 Speaker 1: Hollywood called what was the Hollywood called bitches, I'm making 363 00:18:06,720 --> 00:18:09,320 Speaker 1: a pilot, which is like anyone and and these people 364 00:18:09,359 --> 00:18:11,119 Speaker 1: are in the industry, they work on the show, so 365 00:18:11,160 --> 00:18:14,040 Speaker 1: they understand. You don't throw a party for making a pilot, right, 366 00:18:14,080 --> 00:18:16,240 Speaker 1: throw a party if it gets like picked up. The 367 00:18:16,280 --> 00:18:18,560 Speaker 1: other thing I think the writers were in on is 368 00:18:18,560 --> 00:18:21,760 Speaker 1: when Chase said, uh, I'm a narcissist. It was like 369 00:18:21,800 --> 00:18:24,880 Speaker 1: a flat out like and so to add that line 370 00:18:24,920 --> 00:18:27,240 Speaker 1: of like here I'm saying I'm a narcissist, it's like 371 00:18:27,480 --> 00:18:30,000 Speaker 1: they have to be in on it. Yeah, yeah, And 372 00:18:30,040 --> 00:18:32,960 Speaker 1: I also think what else was there? It was Tony 373 00:18:33,000 --> 00:18:34,439 Speaker 1: danzerl though, I want to know what he thought of it? 374 00:18:34,480 --> 00:18:36,960 Speaker 1: Did you watch it? What was he consulted? They have 375 00:18:37,119 --> 00:18:39,639 Speaker 1: ton't That's one thing I want to know, Like, do 376 00:18:39,760 --> 00:18:41,760 Speaker 1: I have to reach out to Tony and be like, hey, 377 00:18:41,760 --> 00:18:43,760 Speaker 1: we're referencing you in the show because it's Tony. You 378 00:18:43,760 --> 00:18:47,479 Speaker 1: have to respect I did. I did on the floor 379 00:18:47,520 --> 00:18:50,119 Speaker 1: at work. Colin was there and I was like, you 380 00:18:50,119 --> 00:18:52,640 Speaker 1: were mentioned on the and just like that the other 381 00:18:52,920 --> 00:18:55,520 Speaker 1: I like that and he was like, yeah, I don't 382 00:18:55,560 --> 00:18:57,520 Speaker 1: get it, like real estate tea. So so so does that 383 00:18:57,520 --> 00:19:00,520 Speaker 1: mean I like t's selling it or like he's like 384 00:19:00,520 --> 00:19:02,639 Speaker 1: I don't understand whying it? I know, I know he 385 00:19:02,760 --> 00:19:05,000 Speaker 1: like he didn't get it. Well, he got it, but 386 00:19:05,040 --> 00:19:06,480 Speaker 1: he was kind of like, that's not he was like 387 00:19:06,480 --> 00:19:08,480 Speaker 1: giving notes on the line, which I'm like, no, that's Colin. 388 00:19:08,520 --> 00:19:11,639 Speaker 1: He's he's and it's and I think for him to 389 00:19:11,680 --> 00:19:13,239 Speaker 1: be referenced on that show, like he has every right 390 00:19:13,280 --> 00:19:17,199 Speaker 1: to be like what, Yeah, it must be bizarre. I think, Um, 391 00:19:17,440 --> 00:19:19,840 Speaker 1: I think Tony. I'm sure Tony loved it. Yeah, I 392 00:19:19,880 --> 00:19:21,600 Speaker 1: mean I bet Tony liked it. I mean he had 393 00:19:21,600 --> 00:19:24,439 Speaker 1: such a crush on to I mean one of the 394 00:19:24,480 --> 00:19:27,760 Speaker 1: first early crushes. Who's the boss Tony, So he really 395 00:19:27,800 --> 00:19:31,480 Speaker 1: and he also has that like definitely fox energy, you 396 00:19:31,480 --> 00:19:34,160 Speaker 1: know what I mean, Like he he gives like it's 397 00:19:34,160 --> 00:19:37,480 Speaker 1: a good time yeah, I don't know how much would 398 00:19:37,520 --> 00:19:39,280 Speaker 1: you give though to see or to listen to a 399 00:19:39,280 --> 00:19:43,159 Speaker 1: podcast like a recap podcast of Kim Catrell and Pat Field. 400 00:19:45,080 --> 00:19:46,760 Speaker 1: I would pay every amount of money to just hear 401 00:19:46,800 --> 00:19:48,679 Speaker 1: the two of them break down each episode. Yeah, just 402 00:19:48,720 --> 00:19:53,000 Speaker 1: like like like a William and Alaska drag Race and Darren. 403 00:19:53,200 --> 00:19:55,840 Speaker 1: Get Darren in there, and yes, I mean it's so 404 00:19:55,920 --> 00:19:58,640 Speaker 1: interesting that, like I still haven't seen Himily in Paris 405 00:19:58,680 --> 00:20:01,399 Speaker 1: season two. I haven't watched either. I have not watched. 406 00:20:01,480 --> 00:20:03,760 Speaker 1: I think I watched, you know what. The weird thing 407 00:20:03,800 --> 00:20:05,880 Speaker 1: about Emily in Paris is like everyone was like, it's 408 00:20:05,920 --> 00:20:07,800 Speaker 1: so fun to watch, like for reasons of like they 409 00:20:07,880 --> 00:20:09,880 Speaker 1: dragged it, but I was like, see, I couldn't even 410 00:20:09,920 --> 00:20:12,280 Speaker 1: get into it for that. Like something didn't work for 411 00:20:12,320 --> 00:20:13,960 Speaker 1: me with Emily in Paris in terms of like an 412 00:20:14,040 --> 00:20:16,159 Speaker 1: I can enjoy it. It felt like a moment in 413 00:20:16,200 --> 00:20:19,440 Speaker 1: time for me. It was like the early pandemic or whatever. 414 00:20:19,440 --> 00:20:21,520 Speaker 1: It was like, yeah, I'm sitting enjoying dragging this a 415 00:20:21,520 --> 00:20:24,160 Speaker 1: little bit and and also enjoying it on another level. 416 00:20:24,520 --> 00:20:26,840 Speaker 1: But yeah, the moment passed and then season two came out. 417 00:20:26,840 --> 00:20:28,480 Speaker 1: I'm like, I don't really care anymore. It was enough. 418 00:20:28,560 --> 00:20:32,080 Speaker 1: I did enough, I had Yeah. I think overall we 419 00:20:32,200 --> 00:20:34,680 Speaker 1: can say that and just like that was the television 420 00:20:34,680 --> 00:20:36,960 Speaker 1: event of the year. It feels like it was over 421 00:20:37,000 --> 00:20:39,560 Speaker 1: before it even beginning. You know, I do already miss 422 00:20:39,600 --> 00:20:41,320 Speaker 1: it so much. Wasn't it so fun to just have 423 00:20:41,359 --> 00:20:43,840 Speaker 1: something to talk about with people? Like it was so exciting. 424 00:20:44,880 --> 00:20:46,960 Speaker 1: All we've done on this podcast is talk about the show. 425 00:20:47,040 --> 00:20:49,520 Speaker 1: It's given us a lot of so much content. I 426 00:20:49,520 --> 00:20:53,000 Speaker 1: mean to say, it's really beautiful. Sorry, the circle of life, 427 00:20:53,359 --> 00:20:56,919 Speaker 1: how the podcast in the show gave this podcast podcast 428 00:20:57,000 --> 00:21:01,840 Speaker 1: material x Y and us us Oh my title of 429 00:21:01,840 --> 00:21:05,840 Speaker 1: that or should it be no? Because because we can't 430 00:21:05,960 --> 00:21:08,560 Speaker 1: we can't be like, I'm Carrie Bradshaw on this is 431 00:21:08,600 --> 00:21:11,000 Speaker 1: Sex in the City. No no, no, no, no y 432 00:21:11,400 --> 00:21:13,800 Speaker 1: is the title of this? It can be I'm Danny 433 00:21:13,800 --> 00:21:17,680 Speaker 1: Pellegrino and this is everything I need to get a 434 00:21:17,680 --> 00:21:22,600 Speaker 1: woke button. Oh god, I mean, there was so much 435 00:21:22,600 --> 00:21:24,520 Speaker 1: that was tough. And then and then at the end 436 00:21:24,640 --> 00:21:27,520 Speaker 1: when they had rehearsed a song and said I'm going 437 00:21:27,560 --> 00:21:30,359 Speaker 1: to Hollywood bitches and Miranda was like, I'm going to 438 00:21:30,560 --> 00:21:32,560 Speaker 1: l A. I felt like they have to know what's cramp. 439 00:21:33,000 --> 00:21:38,199 Speaker 1: Miranda's like regressing. Did you like Miranda's hair change, did you? I? 440 00:21:38,200 --> 00:21:42,000 Speaker 1: I liked it. I did find it jarring for them 441 00:21:42,040 --> 00:21:46,000 Speaker 1: to cut immediately to like her waiting outside with Brady 442 00:21:47,119 --> 00:21:49,760 Speaker 1: and not it felt like either I couldn't tell that 443 00:21:49,760 --> 00:21:52,280 Speaker 1: it was a time jip. It felt like an alternate timeline, 444 00:21:52,440 --> 00:21:54,200 Speaker 1: you know. This is That's how all of it felt, 445 00:21:54,200 --> 00:22:00,359 Speaker 1: that time and space. Every episode it was like five 446 00:22:00,480 --> 00:22:02,639 Speaker 1: years later. I was like, what, but this is this 447 00:22:02,680 --> 00:22:06,080 Speaker 1: is my thing about the hair is like I'm unsure 448 00:22:06,119 --> 00:22:08,919 Speaker 1: of what the comment is they're making there because the 449 00:22:09,000 --> 00:22:12,600 Speaker 1: first episode when when when Charlotte, who we haven't even 450 00:22:12,640 --> 00:22:15,679 Speaker 1: spoken about, says to her, I like the red go 451 00:22:15,800 --> 00:22:19,119 Speaker 1: back to the red, and Miranda's like, I'm aging gracefully please, 452 00:22:19,280 --> 00:22:21,639 Speaker 1: Like I'm I like this, I feel good. And I 453 00:22:21,680 --> 00:22:24,359 Speaker 1: was like, yeah, Miranda's right, like she does look amazing, 454 00:22:24,400 --> 00:22:26,320 Speaker 1: she'd trait. I adjusted to it, and then all of 455 00:22:26,359 --> 00:22:27,879 Speaker 1: a sudden she has the red hair and I'm like, 456 00:22:28,119 --> 00:22:32,520 Speaker 1: what is the Yeah, there's something something that I can't 457 00:22:32,520 --> 00:22:35,280 Speaker 1: put my finger on with Miranda that I feel like 458 00:22:35,640 --> 00:22:38,159 Speaker 1: needs to get a little bit more hammered in in 459 00:22:38,200 --> 00:22:42,000 Speaker 1: the second season because thenatically I'm I'm just confused with Miranda, right, 460 00:22:42,200 --> 00:22:45,439 Speaker 1: Like when Miranda always tried to follow like this guideline 461 00:22:45,480 --> 00:22:47,480 Speaker 1: of life and then this season they sort of blew 462 00:22:47,480 --> 00:22:49,760 Speaker 1: it up and then at the end, at least I 463 00:22:49,840 --> 00:22:51,320 Speaker 1: think at the end, maybe they were trying to comment 464 00:22:51,359 --> 00:22:54,960 Speaker 1: like Miranda can make up her own guidelines. She doesn't 465 00:22:55,000 --> 00:22:58,159 Speaker 1: have to keep gray hair because she always believed as 466 00:22:58,160 --> 00:22:59,640 Speaker 1: a woman, you have to age with the gray hair. 467 00:22:59,720 --> 00:23:01,919 Speaker 1: You can have the red right if you want. But 468 00:23:02,000 --> 00:23:04,760 Speaker 1: she's also blowing up her life. All of her choices 469 00:23:04,800 --> 00:23:09,879 Speaker 1: are like not, okay, Yeah, I wonder what happens to 470 00:23:09,880 --> 00:23:13,359 Speaker 1: Steve in the second season. I wonder if that obviously Yeah, 471 00:23:13,400 --> 00:23:15,760 Speaker 1: you do a good Yeah, the Steve impression is really 472 00:23:15,800 --> 00:23:18,040 Speaker 1: good on the podcast. I mean, I want more for Steve, 473 00:23:18,119 --> 00:23:20,080 Speaker 1: don't we all want? What if Steve just got like 474 00:23:20,119 --> 00:23:24,280 Speaker 1: a smoke show new wife and like we see him 475 00:23:24,440 --> 00:23:27,400 Speaker 1: fuck the ship at him. That's what I want for Steve. Yeah, 476 00:23:27,520 --> 00:23:33,480 Speaker 1: and he's like, I K that was more. That was 477 00:23:33,520 --> 00:23:36,480 Speaker 1: some sort of gremlin. It's no you described it on 478 00:23:36,480 --> 00:23:44,240 Speaker 1: on your podcast. It's um it's like Dorinda and yes, yes, 479 00:23:44,400 --> 00:23:48,200 Speaker 1: it's it's all of that. Um. So, speaking of your pod, yes, 480 00:23:48,440 --> 00:23:51,840 Speaker 1: now you cover the Real Housewives franchise, and what you 481 00:23:52,440 --> 00:23:54,399 Speaker 1: well you've told us when you came in was that 482 00:23:54,480 --> 00:23:57,520 Speaker 1: you've just seen the finale of the well, no, not 483 00:23:57,720 --> 00:23:59,960 Speaker 1: the finale, it's the penultimate episode. Oh it's not the 484 00:24:00,320 --> 00:24:04,800 Speaker 1: How could it not be a million episode when this episode, 485 00:24:04,840 --> 00:24:07,960 Speaker 1: when this podcast comes out, there'll be a finale left. Yes, 486 00:24:08,000 --> 00:24:10,720 Speaker 1: that's that's yes, yes, but we're okay. So we're recording 487 00:24:10,720 --> 00:24:16,119 Speaker 1: this before Sunday's episode on the sixth, right, so the 488 00:24:16,160 --> 00:24:19,680 Speaker 1: pen ultimate episode though, I mean they're still It opens 489 00:24:19,680 --> 00:24:23,320 Speaker 1: in Zion of course, last week we have a million years, 490 00:24:23,880 --> 00:24:25,840 Speaker 1: So Lisa Barlow is behind she's doing the hot mic moment. 491 00:24:25,920 --> 00:24:29,480 Speaker 1: She's like calling her friend a garbage and it opens 492 00:24:29,520 --> 00:24:32,640 Speaker 1: with that, and it just keeps getting more and more chaotic. 493 00:24:33,040 --> 00:24:36,680 Speaker 1: It like it's everything is crazy. There's Lisa takes off 494 00:24:36,680 --> 00:24:38,399 Speaker 1: her top and she's just running around in a sports 495 00:24:38,400 --> 00:24:40,320 Speaker 1: proser like yelling about her best friend at ten years 496 00:24:40,359 --> 00:24:42,160 Speaker 1: being a whore, you know, run around the house, they're 497 00:24:42,160 --> 00:24:45,160 Speaker 1: all fighting, Lisa's trying to pack her bags. It's just 498 00:24:45,200 --> 00:24:49,840 Speaker 1: like pure chaos. So you would say that the hot 499 00:24:49,920 --> 00:24:54,320 Speaker 1: mic moment bleeds into life keeps going. I I expected 500 00:24:54,320 --> 00:24:56,440 Speaker 1: with the Zion trip. Every week, I thought they can't 501 00:24:56,480 --> 00:24:59,360 Speaker 1: heighten anymore, right, like they're gonna go downhill, And it's 502 00:24:59,400 --> 00:25:01,639 Speaker 1: like every week it gets crazier and crazier. All the 503 00:25:01,680 --> 00:25:05,960 Speaker 1: women are completely unhinged. They hate the mother heeds like 504 00:25:06,000 --> 00:25:07,760 Speaker 1: a dog with the bone, with the Meredith and the 505 00:25:07,800 --> 00:25:10,480 Speaker 1: memorial thing and the father's thing, and so she just 506 00:25:10,560 --> 00:25:13,720 Speaker 1: keeps going, and like Meredith is like, she's like, I'm 507 00:25:13,760 --> 00:25:15,560 Speaker 1: not gonna tell you it's my fucking father. You know. 508 00:25:15,600 --> 00:25:20,680 Speaker 1: She's really losing, and it just keeps going. And it's 509 00:25:20,680 --> 00:25:23,240 Speaker 1: so funny because in this week's episode, Lisa just without 510 00:25:23,320 --> 00:25:25,240 Speaker 1: with the bra. It's like a sports bra, but she's 511 00:25:25,280 --> 00:25:27,680 Speaker 1: just running around and I feel like she finally gave 512 00:25:27,760 --> 00:25:30,280 Speaker 1: up trying to like look normal on camera. And I 513 00:25:30,320 --> 00:25:33,119 Speaker 1: really think that Lisa was most mad about the taco 514 00:25:33,160 --> 00:25:38,199 Speaker 1: bell comment, which she's trying to make it seem like 515 00:25:38,200 --> 00:25:41,480 Speaker 1: she's most mad about, like Meredith said that she wasn't 516 00:25:41,520 --> 00:25:43,240 Speaker 1: a good friend or something like that. But Lisa is 517 00:25:43,320 --> 00:25:45,280 Speaker 1: very clearly triggered by the fact that Mary said she 518 00:25:45,280 --> 00:25:47,080 Speaker 1: doesn't give the kids nutrients and she gives them taco 519 00:25:47,119 --> 00:25:51,000 Speaker 1: about which, by the way, you and your husband, your children, 520 00:25:51,080 --> 00:25:55,080 Speaker 1: they need new nutrients. That is that is almost you 521 00:25:55,080 --> 00:25:57,880 Speaker 1: smell like hospital. I would I would call it like, yeah, 522 00:25:58,000 --> 00:26:01,119 Speaker 1: I mean, if you smell like hospital, is an A plus, 523 00:26:01,160 --> 00:26:04,320 Speaker 1: like thank God, it really longs for you. Nutrients is 524 00:26:04,720 --> 00:26:08,119 Speaker 1: B B plus. I would give it a minus. Can 525 00:26:08,160 --> 00:26:11,879 Speaker 1: you need nutrients? I've always been antimary, but hearing her 526 00:26:11,880 --> 00:26:14,199 Speaker 1: say you need nutrients may meet my sister and my 527 00:26:14,280 --> 00:26:18,080 Speaker 1: mother scream you need nutrients because because you know what 528 00:26:18,119 --> 00:26:21,000 Speaker 1: it is. It's not it's like, it is very personal. 529 00:26:21,040 --> 00:26:25,240 Speaker 1: It's like you don't feed your family, correct mom, It's 530 00:26:25,280 --> 00:26:27,280 Speaker 1: it's it's it's like you hear it, and I'm not 531 00:26:27,320 --> 00:26:29,440 Speaker 1: surprised to hear that. She can't let it go because 532 00:26:29,440 --> 00:26:30,960 Speaker 1: it's the thing that you hear and then you think 533 00:26:30,960 --> 00:26:33,560 Speaker 1: about it and you're like, wait, what the fund does 534 00:26:33,600 --> 00:26:35,520 Speaker 1: she say to me, like she says, I'm a that's 535 00:26:35,560 --> 00:26:39,040 Speaker 1: I'm a bad mother. Wait can I spoil? Yeah, the 536 00:26:39,080 --> 00:26:42,159 Speaker 1: listeners we but Lisa. Then there's another scene after she 537 00:26:42,200 --> 00:26:44,199 Speaker 1: gets back from Zion and she's around the family with 538 00:26:44,240 --> 00:26:47,000 Speaker 1: her family and she got a grill and she's cooking 539 00:26:47,000 --> 00:26:51,040 Speaker 1: asparagus wrapped in baking and she's like she's telling the cameras. 540 00:26:51,160 --> 00:26:53,480 Speaker 1: I love my grill, like I just love my grill, 541 00:26:54,240 --> 00:26:55,919 Speaker 1: and she's cooking for the kids, and so it's like 542 00:26:56,040 --> 00:26:58,040 Speaker 1: very clear that's what triggered her. Was like to talk 543 00:26:58,080 --> 00:26:59,560 Speaker 1: about she doesn't I don't think she really give a 544 00:26:59,560 --> 00:27:01,720 Speaker 1: shit about Meredith. It's all the taco belt thing, but 545 00:27:01,800 --> 00:27:04,560 Speaker 1: she can't say, like, I'm so fucking pissed this woman 546 00:27:04,920 --> 00:27:07,880 Speaker 1: said I like taco bell. That's a really really good 547 00:27:07,920 --> 00:27:10,080 Speaker 1: observation and it's something that would not have been that 548 00:27:10,119 --> 00:27:12,880 Speaker 1: obvious to me. That's really good. I mean, you know what, 549 00:27:12,960 --> 00:27:14,600 Speaker 1: you know, what really struck me about the whole thing 550 00:27:14,680 --> 00:27:17,439 Speaker 1: is like you could tell that chemically something happened because 551 00:27:18,320 --> 00:27:23,120 Speaker 1: her voice, like she she when she was I hate Meredith, 552 00:27:23,160 --> 00:27:25,480 Speaker 1: like when she was saying that, I'm not like she 553 00:27:25,880 --> 00:27:29,400 Speaker 1: was like shaking age, horror, fucked have New York. When 554 00:27:29,520 --> 00:27:32,320 Speaker 1: when she was getting into all that, I was like, Wow, 555 00:27:32,400 --> 00:27:36,359 Speaker 1: this is like a true unmasking. And to hear you 556 00:27:36,400 --> 00:27:39,080 Speaker 1: say like she stopped trying to posture at all for 557 00:27:39,119 --> 00:27:42,800 Speaker 1: the cameras, which I wrestle with whether or not I 558 00:27:42,920 --> 00:27:46,359 Speaker 1: feel I feel she's being her authentic, insane self, like 559 00:27:46,440 --> 00:27:48,640 Speaker 1: with the prom of it all and everything or if 560 00:27:48,680 --> 00:27:51,520 Speaker 1: she is posturing and I think we now know the answer. 561 00:27:52,000 --> 00:27:54,080 Speaker 1: We now know the answer. It reminds me of when 562 00:27:54,280 --> 00:27:58,280 Speaker 1: Erica would cry on Beverly Hills behind a closed door, 563 00:27:58,359 --> 00:28:00,240 Speaker 1: and like you would hear her sob at way that 564 00:28:00,240 --> 00:28:04,520 Speaker 1: you're like, this is not how people cry in front 565 00:28:04,520 --> 00:28:06,720 Speaker 1: of other people? Does that make sense? Like like that 566 00:28:07,160 --> 00:28:09,840 Speaker 1: was Eric's voice like dropped when she was crying to you. 567 00:28:09,960 --> 00:28:12,040 Speaker 1: I forget what you pissed me off With Beverly Hills, though, 568 00:28:12,040 --> 00:28:14,359 Speaker 1: is they didn't go behind the bathroom door or follow 569 00:28:14,440 --> 00:28:17,480 Speaker 1: it afterwards. It just ended with and at least on 570 00:28:17,520 --> 00:28:19,479 Speaker 1: Salta City, they're like, no, you guys are still filming. 571 00:28:19,480 --> 00:28:21,680 Speaker 1: They filmed for two hours after that. It's like we're 572 00:28:21,720 --> 00:28:33,760 Speaker 1: just gonna keep going. Who is your favorite housewife that 573 00:28:33,800 --> 00:28:36,200 Speaker 1: you've had on Everything Iconic because you've had so many 574 00:28:36,240 --> 00:28:38,440 Speaker 1: of them on you Really, I do love Heather Gay 575 00:28:38,480 --> 00:28:40,760 Speaker 1: a lot. I think she's like I think she's just 576 00:28:40,800 --> 00:28:43,640 Speaker 1: a normal, wonderful human being, Like I love, I love her. 577 00:28:44,080 --> 00:28:46,520 Speaker 1: I'm trying to think like Karen Huger is like a 578 00:28:46,600 --> 00:28:48,960 Speaker 1: dream to me. I love Karen Hunger like she's just 579 00:28:49,000 --> 00:28:52,080 Speaker 1: such good TV. I never want to stop following Karen Huger. 580 00:28:52,440 --> 00:28:56,800 Speaker 1: She's she's truly wonderful, special, very special. You know, all 581 00:28:56,840 --> 00:28:59,200 Speaker 1: the women are not I mean not all of them. 582 00:28:59,200 --> 00:29:02,760 Speaker 1: But like I've said this before, like that's my favorite 583 00:29:02,760 --> 00:29:04,880 Speaker 1: franchise because it feels like I would like to be 584 00:29:04,960 --> 00:29:07,080 Speaker 1: friends with most of the women on right show. I 585 00:29:07,120 --> 00:29:10,200 Speaker 1: love Dr Wendy too. I know you just had Dr Wendy. 586 00:29:10,640 --> 00:29:13,240 Speaker 1: We love her. She was she was really really cool, 587 00:29:13,760 --> 00:29:17,200 Speaker 1: you know. And we almost had Whitney Rose on, and 588 00:29:17,400 --> 00:29:20,760 Speaker 1: I mean the tea is that we were in the 589 00:29:20,800 --> 00:29:22,720 Speaker 1: d MS with Whitney, like we had gone back and 590 00:29:22,720 --> 00:29:24,120 Speaker 1: forth on Twitter a bunch, and we were going to 591 00:29:24,160 --> 00:29:25,880 Speaker 1: have Whitney on. We were really excited because we love 592 00:29:25,960 --> 00:29:28,360 Speaker 1: Whitney um and she was gonna be our second ever 593 00:29:28,400 --> 00:29:33,240 Speaker 1: housewife and then she damned destin. She goes, oh, I'm 594 00:29:33,400 --> 00:29:35,560 Speaker 1: so sorry. I really want to come on like you 595 00:29:35,560 --> 00:29:38,080 Speaker 1: guys will be the first thing I do. But Bravo 596 00:29:38,160 --> 00:29:40,480 Speaker 1: has asked the cast of Salt Salt Lake to not 597 00:29:40,560 --> 00:29:43,640 Speaker 1: do any outside press right now. And we figured that 598 00:29:43,680 --> 00:29:45,800 Speaker 1: it was right after the Mary thought it was a 599 00:29:45,800 --> 00:29:47,600 Speaker 1: merry thing because they were like, oh, they must not 600 00:29:47,640 --> 00:29:50,160 Speaker 1: want anyone to comment on Mary's absence at the reunion 601 00:29:50,160 --> 00:29:52,240 Speaker 1: because they don't know how they're handling it yet. Three 602 00:29:52,320 --> 00:29:56,440 Speaker 1: days later, the Jenny Facebook post came out. I don't 603 00:29:56,440 --> 00:29:57,600 Speaker 1: know that they were trying to get ahead of that. 604 00:29:57,640 --> 00:29:59,560 Speaker 1: I don't think how could they have known that this 605 00:29:59,760 --> 00:30:01,560 Speaker 1: on a on a reddit that like it was going 606 00:30:01,600 --> 00:30:03,040 Speaker 1: to drop. I think a lot of it is just 607 00:30:03,040 --> 00:30:05,840 Speaker 1: trying to shield, which I think is smart. Even though 608 00:30:05,880 --> 00:30:07,440 Speaker 1: I love talking to these women, I think it's smart 609 00:30:07,480 --> 00:30:09,320 Speaker 1: to kind of keep them under a lock because it's like, 610 00:30:09,680 --> 00:30:11,240 Speaker 1: all this stuff that's playing on this season, I don't 611 00:30:11,240 --> 00:30:13,600 Speaker 1: think any of us expected. I think I went into 612 00:30:13,640 --> 00:30:15,520 Speaker 1: the season thinking we had the gen Shaw at all, 613 00:30:15,680 --> 00:30:19,320 Speaker 1: and which wasn't not yeah, and it's like that's nothing 614 00:30:19,360 --> 00:30:21,640 Speaker 1: here or and then the married church stuff is sort 615 00:30:21,680 --> 00:30:24,240 Speaker 1: of like a c plot too. But it's like, so, 616 00:30:24,360 --> 00:30:26,680 Speaker 1: I think it's good that we're not knowing exactly what's 617 00:30:26,680 --> 00:30:29,600 Speaker 1: going on, um, and I'm excited about that. I heard 618 00:30:30,120 --> 00:30:32,880 Speaker 1: things I've heard about the unions, like Meredith is like goes, 619 00:30:33,040 --> 00:30:36,120 Speaker 1: you know, it's completely insane, which I understand because it 620 00:30:36,120 --> 00:30:38,080 Speaker 1: seems like they just keep poking at her. Well, what 621 00:30:38,120 --> 00:30:40,720 Speaker 1: I heard was that they watched they had watched the 622 00:30:40,720 --> 00:30:43,600 Speaker 1: rest of the episodes the day before and because Andy, 623 00:30:43,680 --> 00:30:47,760 Speaker 1: because Andy said on Whattred Happens Live with Meredith and 624 00:30:47,920 --> 00:30:52,360 Speaker 1: Bridget Everett that like he looks at the camera, He's like, well, 625 00:30:52,400 --> 00:30:55,800 Speaker 1: just for the people at home, Meredith, like all the 626 00:30:55,840 --> 00:30:58,719 Speaker 1: women watched that episode the day before the reunion, So 627 00:30:58,760 --> 00:31:00,600 Speaker 1: what you what you will see at the union is 628 00:31:00,760 --> 00:31:04,640 Speaker 1: a very and I think he said raw response to that, 629 00:31:04,720 --> 00:31:08,840 Speaker 1: and Meredith went, yeah, I mean, come on, she didn't 630 00:31:08,840 --> 00:31:11,440 Speaker 1: even know that her friend had said all that. Imagine 631 00:31:11,480 --> 00:31:15,520 Speaker 1: watching it, of course. And I will say Meredith represented 632 00:31:15,560 --> 00:31:18,160 Speaker 1: herself very well on what it Happens Life like moments 633 00:31:18,200 --> 00:31:22,600 Speaker 1: after you wat she's very poised. And the thing about 634 00:31:22,600 --> 00:31:26,479 Speaker 1: Meredith is like she is so unbothered in her in 635 00:31:26,520 --> 00:31:29,240 Speaker 1: her day to day to see her spiral on the 636 00:31:29,280 --> 00:31:31,480 Speaker 1: show like this is so fun. It's it's not. I 637 00:31:31,480 --> 00:31:35,640 Speaker 1: don't think it's fun. I'm enjoying it. I'm watching her 638 00:31:35,680 --> 00:31:37,160 Speaker 1: be like I mean, I want her to be okay, 639 00:31:37,360 --> 00:31:40,880 Speaker 1: but I think she she seems okay. I just I 640 00:31:40,920 --> 00:31:43,960 Speaker 1: watched her and I go, she's more agitated and perturbed 641 00:31:44,000 --> 00:31:47,400 Speaker 1: than like Jen shot at this point. But okay, let's 642 00:31:47,520 --> 00:31:50,760 Speaker 1: let's all remember her dad died, like right, And I 643 00:31:50,800 --> 00:31:53,000 Speaker 1: think sometimes it's viewers because it's like a week to 644 00:31:53,040 --> 00:31:54,680 Speaker 1: week thing and we're watching over the course of a 645 00:31:54,680 --> 00:31:56,640 Speaker 1: couple of months. It's like for her in real time, 646 00:31:56,840 --> 00:31:59,880 Speaker 1: her dad died maybe three weeks ago or something. I 647 00:32:00,000 --> 00:32:02,080 Speaker 1: to be a fucking nut, came mess like a net 648 00:32:02,080 --> 00:32:04,400 Speaker 1: case and then have to film and all these people 649 00:32:04,440 --> 00:32:06,800 Speaker 1: are then saying you're made up something about your father 650 00:32:07,000 --> 00:32:09,720 Speaker 1: more or whatever. I would fucking lose it. And she 651 00:32:09,880 --> 00:32:13,200 Speaker 1: also she also, like you remember from the early episodes, 652 00:32:13,360 --> 00:32:16,040 Speaker 1: had a very difficult time with the passing, like it 653 00:32:16,080 --> 00:32:18,880 Speaker 1: wasn't a thing, even though he was sick for a while. 654 00:32:19,000 --> 00:32:22,160 Speaker 1: And she says, like, you know, I lost him um 655 00:32:22,160 --> 00:32:25,360 Speaker 1: emotionally and mentally a while ago, but I didn't realize 656 00:32:25,400 --> 00:32:27,720 Speaker 1: how difficult the time I would have to lose him physically. 657 00:32:27,720 --> 00:32:31,440 Speaker 1: And she she was devastated. So to see her triggered 658 00:32:31,440 --> 00:32:35,480 Speaker 1: by this is unsurprising. And I do think that you're right. 659 00:32:35,600 --> 00:32:39,080 Speaker 1: We forget in terms of proximity. I think because we're 660 00:32:39,080 --> 00:32:41,120 Speaker 1: also watching and just like that which goes back in 661 00:32:41,160 --> 00:32:46,320 Speaker 1: time five, we can we as viewers, and the crossover 662 00:32:46,360 --> 00:32:48,920 Speaker 1: there is sometimes I I don't I forget what universe. 663 00:32:48,920 --> 00:32:51,160 Speaker 1: I'm in like my Cross five bar and just like that, 664 00:32:51,200 --> 00:32:53,960 Speaker 1: because both are often surreal that I forget what time 665 00:32:54,000 --> 00:32:57,240 Speaker 1: in space I'm in. Yellow Jack gets you understand. It's 666 00:32:57,320 --> 00:33:01,160 Speaker 1: very mcgreen, it's surreal. It's Lady Gaga to press tour. Yes, 667 00:33:01,480 --> 00:33:05,000 Speaker 1: it sends memory. Yeah, yeah, we are really in a 668 00:33:05,080 --> 00:33:08,080 Speaker 1: surreal time. And I'm not saying I think this season 669 00:33:08,080 --> 00:33:10,840 Speaker 1: of Salt Lake City is one of the greatest seasons 670 00:33:10,880 --> 00:33:14,880 Speaker 1: we've ever had, absolutely, I trust. I think between the 671 00:33:14,880 --> 00:33:17,240 Speaker 1: three the US, I'm probably the least literate or versed 672 00:33:17,360 --> 00:33:19,160 Speaker 1: in the in the you don't watch every franchise. I 673 00:33:19,160 --> 00:33:20,880 Speaker 1: don't watch every franchise, and I feel like I need 674 00:33:20,920 --> 00:33:23,520 Speaker 1: to correct that, but there's just such a bad So Okay, 675 00:33:23,520 --> 00:33:24,800 Speaker 1: I get asked this all the time, and I'm like, 676 00:33:24,800 --> 00:33:26,719 Speaker 1: I don't know what to tell you because I'm not 677 00:33:26,760 --> 00:33:28,280 Speaker 1: the person to tell you. And I'm sure you get 678 00:33:28,360 --> 00:33:31,120 Speaker 1: You've been asked this a million times. What is your 679 00:33:31,120 --> 00:33:34,280 Speaker 1: like general entry point for someone who wants to watch it? 680 00:33:34,280 --> 00:33:36,680 Speaker 1: It kind of depends on like what what you like? Yeah, 681 00:33:36,720 --> 00:33:39,560 Speaker 1: I love New York season one to three. Those to me, 682 00:33:39,760 --> 00:33:42,400 Speaker 1: season in three of New York City is like my peak, 683 00:33:42,560 --> 00:33:44,880 Speaker 1: Like I like to me it Also it was the 684 00:33:44,920 --> 00:33:48,440 Speaker 1: first Housewives trip to which if I kind of set 685 00:33:48,440 --> 00:33:50,920 Speaker 1: the template for what these would become and so, and 686 00:33:51,000 --> 00:33:53,400 Speaker 1: it also was Luanne singing a song for the first time. 687 00:33:53,440 --> 00:33:55,640 Speaker 1: So you get a lot of like those these tropes 688 00:33:55,680 --> 00:33:58,400 Speaker 1: that we all just accept now, which are sucking crazy, 689 00:33:58,640 --> 00:34:00,480 Speaker 1: but you get a lot of that. And then the 690 00:34:00,520 --> 00:34:05,520 Speaker 1: early seasons of Atlanta to me are like Atlanta and absolutely, yeah, 691 00:34:05,520 --> 00:34:07,840 Speaker 1: when it was good, it was it was just the best. 692 00:34:08,080 --> 00:34:10,440 Speaker 1: And I always like Atlanta, but like those early seasons 693 00:34:10,440 --> 00:34:14,080 Speaker 1: to Mere nine Kim, like those people be bop in 694 00:34:14,120 --> 00:34:16,360 Speaker 1: around town. It's just like the best. It's incredible. And 695 00:34:16,400 --> 00:34:20,120 Speaker 1: then Jersey with like the family stuff, those early seasons, 696 00:34:20,160 --> 00:34:23,080 Speaker 1: like when Melissa came in season three, that season three 697 00:34:23,160 --> 00:34:25,720 Speaker 1: opener is like one of the greatest hours of television, 698 00:34:26,560 --> 00:34:30,160 Speaker 1: the christmasting. Yeah, there's do you watch Jersey? I I 699 00:34:30,880 --> 00:34:33,359 Speaker 1: here and there, I'll watch it. It is my favorite. 700 00:34:33,480 --> 00:34:35,840 Speaker 1: So so it now it's back, and it's going to 701 00:34:35,880 --> 00:34:38,560 Speaker 1: be a really good season. And actually I had never 702 00:34:38,600 --> 00:34:41,359 Speaker 1: seen it at all, and then I had COVID like 703 00:34:41,400 --> 00:34:44,240 Speaker 1: a month ago, and I was like, well, I'm gonna 704 00:34:44,280 --> 00:34:45,960 Speaker 1: watch and I don't know why I avoided it. I 705 00:34:46,000 --> 00:34:47,720 Speaker 1: think because I'm from Long Island. It's like a little 706 00:34:47,760 --> 00:34:50,520 Speaker 1: too real. I felt. I was like, I'm going, you 707 00:34:50,640 --> 00:34:52,920 Speaker 1: notice you know those people a little bit. Well, I'm 708 00:34:52,960 --> 00:34:55,280 Speaker 1: not Italian, but I was around so many Italian people. 709 00:34:55,320 --> 00:34:57,960 Speaker 1: So when I see Dolores Catania, like, she's such a 710 00:34:58,000 --> 00:35:00,799 Speaker 1: warm spot for me, Like she reminds me of all 711 00:35:00,840 --> 00:35:03,120 Speaker 1: my mother's friends. Like you know what I mean, And 712 00:35:03,160 --> 00:35:07,480 Speaker 1: I'm imagining Dolores is a dream. Yeah you've had her, Yeah, 713 00:35:07,640 --> 00:35:09,800 Speaker 1: she's I mean, she reminds me of all my cousins 714 00:35:09,840 --> 00:35:11,640 Speaker 1: and stuff. It's like a lot of those women though, 715 00:35:11,680 --> 00:35:13,560 Speaker 1: I think so like that's that's what it is. It's 716 00:35:13,600 --> 00:35:15,759 Speaker 1: like it's very like it reminds me of my mother, 717 00:35:15,800 --> 00:35:20,600 Speaker 1: I think friends and like so. But but Jersey, when 718 00:35:20,600 --> 00:35:24,520 Speaker 1: it gets truly crazy, is insane because they they don't 719 00:35:24,600 --> 00:35:27,000 Speaker 1: It's almost like they don't know the cameras are there 720 00:35:27,440 --> 00:35:30,640 Speaker 1: in a way that the other women on other franchises don't. 721 00:35:30,680 --> 00:35:33,960 Speaker 1: Like they seem to not give a fuck. And I've 722 00:35:33,960 --> 00:35:36,399 Speaker 1: been complaining because I want new blood on Jersey because 723 00:35:36,400 --> 00:35:38,440 Speaker 1: they don't change up the castlet. But on the flip 724 00:35:38,440 --> 00:35:40,120 Speaker 1: side of that, I do think there's like a benefit 725 00:35:40,160 --> 00:35:42,759 Speaker 1: in having these women there year after year after year, 726 00:35:43,239 --> 00:35:45,719 Speaker 1: because they develop a stronger bond and so like the 727 00:35:45,800 --> 00:35:49,600 Speaker 1: relationships can can break and bend more than someone coming 728 00:35:49,600 --> 00:35:51,879 Speaker 1: in for the first time, a first season person who 729 00:35:51,960 --> 00:35:54,120 Speaker 1: is going to leave in a season or two. I 730 00:35:54,160 --> 00:35:56,399 Speaker 1: feel like there's a deeper thing happening. But everyone talks 731 00:35:56,440 --> 00:35:58,600 Speaker 1: about the Jersey table flip, which of course what put 732 00:35:58,640 --> 00:36:00,440 Speaker 1: that sort of on the map. But I think that 733 00:36:00,520 --> 00:36:04,799 Speaker 1: Christening is even better. I think that basically it's like like, 734 00:36:04,840 --> 00:36:06,520 Speaker 1: and this is where you meet Melissa, this is where 735 00:36:06,560 --> 00:36:09,480 Speaker 1: you meant Melissa and Joe Gorga, who's essentially two on 736 00:36:09,560 --> 00:36:15,560 Speaker 1: the honestly right, Teresa's brother, Joe Gorgon, And so basically 737 00:36:15,920 --> 00:36:19,640 Speaker 1: they have a christening for their son, and Teresa is 738 00:36:19,760 --> 00:36:22,320 Speaker 1: you don't know this, but Teresa is pissed that Melissa 739 00:36:22,440 --> 00:36:24,680 Speaker 1: is on the show, like like pissed, like whether it's 740 00:36:24,680 --> 00:36:27,000 Speaker 1: for ego reasons or she didn't want to fight with 741 00:36:27,040 --> 00:36:29,279 Speaker 1: her family on camera, and it was mad at the producers. 742 00:36:29,600 --> 00:36:32,240 Speaker 1: They get into a fight and they make a war 743 00:36:32,400 --> 00:36:35,839 Speaker 1: zone out of this christening, and it's crazy. It's like 744 00:36:36,239 --> 00:36:38,959 Speaker 1: Shakespeare and Apparata. I don't know, it's so so good, 745 00:36:39,040 --> 00:36:41,319 Speaker 1: and Jersey has also got that family vibe to where 746 00:36:41,320 --> 00:36:44,759 Speaker 1: it's like when Melissa and Teresa are fighting, it's like 747 00:36:44,800 --> 00:36:47,239 Speaker 1: they're an actual family. Or with Kathy, when Kathy and 748 00:36:47,360 --> 00:36:50,200 Speaker 1: Rosie there was like all these big fights between a family, 749 00:36:50,239 --> 00:36:53,000 Speaker 1: and it's like even if they're putting it on for 750 00:36:53,000 --> 00:36:55,719 Speaker 1: the show, it's like that's their real life family. I 751 00:36:55,719 --> 00:36:57,520 Speaker 1: don't know, there's a deeper feeling when you watch it, 752 00:36:57,600 --> 00:36:59,399 Speaker 1: and so I mean that's when Housewives is that it's 753 00:36:59,440 --> 00:37:02,400 Speaker 1: best when it is when it feels Shakespearean, right, it 754 00:37:02,440 --> 00:37:05,720 Speaker 1: often does, I think. I mean, if if the template 755 00:37:05,800 --> 00:37:09,960 Speaker 1: is soap operas, then oftentimes on soap operas it is 756 00:37:10,000 --> 00:37:12,040 Speaker 1: about a family, you know what I mean. Like so 757 00:37:12,120 --> 00:37:15,160 Speaker 1: like I think that that's what I like about and 758 00:37:15,239 --> 00:37:16,960 Speaker 1: it's kind of getting to know who I would have 759 00:37:17,040 --> 00:37:18,839 Speaker 1: been like in the eighties and nineties, like I would 760 00:37:18,840 --> 00:37:21,440 Speaker 1: have been someone who watched soaps, I think, because this 761 00:37:21,800 --> 00:37:25,239 Speaker 1: I just enjoy these dynamics so much and like the 762 00:37:25,600 --> 00:37:28,319 Speaker 1: fact that it can only go so far really and 763 00:37:28,360 --> 00:37:30,280 Speaker 1: then when it goes a little further, like when someone 764 00:37:30,320 --> 00:37:32,480 Speaker 1: does get pushed down the stairs, and a soap opera 765 00:37:32,960 --> 00:37:35,840 Speaker 1: is sort of akin to like when you see Monique 766 00:37:35,840 --> 00:37:37,799 Speaker 1: and can just get into it and that thing you're like, 767 00:37:38,360 --> 00:37:41,399 Speaker 1: it's so, it's just interesting, and I do think there 768 00:37:41,480 --> 00:37:44,319 Speaker 1: is something too, And I think that that's some franchises 769 00:37:44,400 --> 00:37:47,279 Speaker 1: really fail, like like, for example, last season of New 770 00:37:47,360 --> 00:37:49,600 Speaker 1: York because like, I don't want to watch women who 771 00:37:49,640 --> 00:37:55,279 Speaker 1: don't know each other talk about something like right right, 772 00:37:55,400 --> 00:37:57,320 Speaker 1: and if it feels like they wouldn't hang out normally, 773 00:37:57,360 --> 00:37:59,040 Speaker 1: I know that we have to pretend a little bit, 774 00:37:59,080 --> 00:38:01,160 Speaker 1: Like but on Orange County, I'm watching and I'm like, 775 00:38:01,200 --> 00:38:03,640 Speaker 1: none of you would be friends at all. Like it's 776 00:38:03,680 --> 00:38:06,279 Speaker 1: so we're so forced to try to pretend you guys 777 00:38:06,320 --> 00:38:08,959 Speaker 1: like each other and we can clearly see that you don't. 778 00:38:09,760 --> 00:38:12,320 Speaker 1: They basically put this like Patty Harrison character named Noela 779 00:38:12,400 --> 00:38:16,520 Speaker 1: on the show this year, who is on and it's 780 00:38:16,520 --> 00:38:19,399 Speaker 1: just like, what is going on? It's just like trying 781 00:38:19,440 --> 00:38:22,640 Speaker 1: to see Shannon Ben to pretend like she's friends with Noel, 782 00:38:22,920 --> 00:38:25,400 Speaker 1: and Noella at least is bringing something to the show. 783 00:38:25,480 --> 00:38:28,680 Speaker 1: But it's like I don't think Shannon has friends with her, 784 00:38:28,719 --> 00:38:31,759 Speaker 1: but we're pretending to what end? To what end? I 785 00:38:31,800 --> 00:38:34,799 Speaker 1: will say that, um, Ultimate Girls Trip I have, I 786 00:38:34,800 --> 00:38:36,600 Speaker 1: have not finished it. But I find it to be 787 00:38:36,640 --> 00:38:39,240 Speaker 1: a great entry point for people because you are getting 788 00:38:39,239 --> 00:38:42,680 Speaker 1: like a seafood tower sampling of like all of us, 789 00:38:42,920 --> 00:38:45,320 Speaker 1: that analogy, you know, like it's like it's like every 790 00:38:45,360 --> 00:38:47,200 Speaker 1: like all the best people. And then it does fill 791 00:38:47,239 --> 00:38:49,520 Speaker 1: you in. It gives you context on like what the 792 00:38:49,600 --> 00:38:51,160 Speaker 1: dynamics are, and like you do kind of get a 793 00:38:51,160 --> 00:38:54,720 Speaker 1: little bit of the Melissa Teresa Yes dynamic in there, 794 00:38:54,960 --> 00:38:57,080 Speaker 1: the remote you get all the Remota stuff, Like it's 795 00:38:57,120 --> 00:38:59,920 Speaker 1: like a little bibliography. And I kind of really enjoyed that. 796 00:39:00,080 --> 00:39:02,840 Speaker 1: And to hear Luanne talking about like her cameos and stuff, 797 00:39:02,920 --> 00:39:05,320 Speaker 1: to me it was just like that was the amount 798 00:39:05,320 --> 00:39:07,560 Speaker 1: of money she makes on cameo? Did you get to that? 799 00:39:07,719 --> 00:39:09,840 Speaker 1: I haven't she makes she she claims to make like 800 00:39:09,880 --> 00:39:12,560 Speaker 1: a hundred thousand dollars a year. Yeah, I mean, and 801 00:39:12,600 --> 00:39:14,680 Speaker 1: I think did she like talk about how much time 802 00:39:14,760 --> 00:39:19,400 Speaker 1: she spends and you gotta do your lou Is like 803 00:39:19,480 --> 00:39:22,200 Speaker 1: it's like a sesame strick character, but it's really just 804 00:39:22,239 --> 00:39:26,919 Speaker 1: cookie monster, your grandpa. Really it really feels like lude 805 00:39:26,960 --> 00:39:28,560 Speaker 1: to me when you do it. Also, I have to 806 00:39:28,560 --> 00:39:30,120 Speaker 1: say I have to commend you on I think my 807 00:39:30,160 --> 00:39:32,719 Speaker 1: favorite sound effect of any podcast that do do do? 808 00:39:33,920 --> 00:39:36,680 Speaker 1: Like that comes in when something spooky happens. Some you 809 00:39:36,760 --> 00:39:39,360 Speaker 1: reference something the other day, like something on Salt like 810 00:39:39,440 --> 00:39:42,400 Speaker 1: se I think it was like Seth's behavior or something 811 00:39:43,160 --> 00:39:45,600 Speaker 1: like who's who's truly crazy? Like he does something or 812 00:39:45,640 --> 00:39:49,160 Speaker 1: like someone does something and you just hit the doll. 813 00:39:49,200 --> 00:39:52,160 Speaker 1: I really almost drove off the road and entertain myself 814 00:39:52,200 --> 00:39:54,720 Speaker 1: because I'm recording alone, so I always like using the soundboard. 815 00:39:54,840 --> 00:39:57,479 Speaker 1: And when I got that soundboard, a couple of people 816 00:39:57,520 --> 00:40:01,560 Speaker 1: complained early on, and I remember somebody said, like somebody said, 817 00:40:01,600 --> 00:40:04,359 Speaker 1: I I listened to your podcast. You know, people say 818 00:40:04,400 --> 00:40:06,480 Speaker 1: they listen to your podcast to fall asleep to or something. 819 00:40:06,520 --> 00:40:07,719 Speaker 1: I'm like, well, you're gonna have to listen to it 820 00:40:07,760 --> 00:40:09,680 Speaker 1: during the day. If it scares you awake, then like's 821 00:40:10,880 --> 00:40:13,840 Speaker 1: not all podcasts or SMR like you can't, you can't, 822 00:40:14,320 --> 00:40:16,480 Speaker 1: that can't be your relation. Like I gotta entertain myself. 823 00:40:16,520 --> 00:40:18,399 Speaker 1: I'm playing with I'm having fun and if you want 824 00:40:18,400 --> 00:40:20,120 Speaker 1: to come on board and have fun too, you can 825 00:40:20,160 --> 00:40:21,440 Speaker 1: come on board. If not, I get it, are you 826 00:40:21,480 --> 00:40:23,120 Speaker 1: reading off of notes? Like like are you just kind 827 00:40:23,160 --> 00:40:26,200 Speaker 1: of crazy chicken strat scratch so affective? But then but 828 00:40:26,440 --> 00:40:29,000 Speaker 1: that's like mostly like the that's how like the connective 829 00:40:29,000 --> 00:40:31,600 Speaker 1: tissue gets like laid out. It's like you're just kind 830 00:40:31,600 --> 00:40:32,840 Speaker 1: of reading this and you're like okay, and you're just 831 00:40:32,880 --> 00:40:35,000 Speaker 1: kind of waxing. Yeah, And I try to go off 832 00:40:35,120 --> 00:40:37,160 Speaker 1: like if if I'm talking about something, I don't know 833 00:40:37,200 --> 00:40:39,799 Speaker 1: what we could go. I was talking Beethoven's second came up, 834 00:40:39,800 --> 00:40:43,839 Speaker 1: and I just like ten minutes on Beeton's if on 835 00:40:43,920 --> 00:40:46,319 Speaker 1: beethoven second, and also do you have you remember the 836 00:40:46,320 --> 00:40:49,840 Speaker 1: second Beethoven? Yes? I did. I was like I couldn't believe. 837 00:40:49,920 --> 00:40:56,919 Speaker 1: The daughter's name is Rice. Her name is like the start. Yes, 838 00:40:57,000 --> 00:41:01,160 Speaker 1: I'm familiar, you know, Beethoven A second comes to my mind. 839 00:41:01,200 --> 00:41:03,560 Speaker 1: Then I'm gonna spend ten minutes talking about beetub and second, 840 00:41:04,120 --> 00:41:07,560 Speaker 1: if you enjoy that, come on board. If that, I mean, 841 00:41:07,560 --> 00:41:09,879 Speaker 1: it really is a skill like it's an art. It's 842 00:41:10,600 --> 00:41:12,760 Speaker 1: I don't think either of us do that one. Greta 843 00:41:12,840 --> 00:41:16,399 Speaker 1: does it great, friend, Greta does it wonderfully. Certain people 844 00:41:16,440 --> 00:41:18,360 Speaker 1: do it really well. And I don't think it was 845 00:41:18,440 --> 00:41:20,359 Speaker 1: too hard for me to book people all the time. 846 00:41:20,480 --> 00:41:21,920 Speaker 1: It was like I got to play. I was like, 847 00:41:21,960 --> 00:41:23,480 Speaker 1: I'm just too tired, you know, I'm a one man 848 00:41:23,560 --> 00:41:25,600 Speaker 1: band over there, so it's like I'm just I'm tired 849 00:41:25,640 --> 00:41:28,440 Speaker 1: of like going around with people's publicists or directly or 850 00:41:28,480 --> 00:41:31,200 Speaker 1: whatever and people cancel. I'm like, you know whatever, I think, 851 00:41:31,239 --> 00:41:33,200 Speaker 1: it's not it's it's really great though. So you often 852 00:41:33,239 --> 00:41:35,920 Speaker 1: will do like a thirty minute ish recap and then 853 00:41:36,040 --> 00:41:39,319 Speaker 1: have like an interview which feels like minutes. Yeah, Like 854 00:41:39,360 --> 00:41:41,319 Speaker 1: I have people on that I like, and you know, 855 00:41:41,400 --> 00:41:43,399 Speaker 1: if if I want to have someone on. I love 856 00:41:43,480 --> 00:41:46,920 Speaker 1: having guests on, but I don't try im. I do 857 00:41:46,960 --> 00:41:49,080 Speaker 1: it on my own and then if if there's time 858 00:41:49,080 --> 00:41:50,680 Speaker 1: I have a guest. If I want to have a guest, 859 00:41:50,719 --> 00:41:52,359 Speaker 1: I do or through a bonus episode. If I want 860 00:41:52,360 --> 00:41:54,120 Speaker 1: to have a guest on, I'll just say yeah, yeah, 861 00:41:54,160 --> 00:41:56,440 Speaker 1: you do the video element, to which I always feel like, 862 00:41:57,640 --> 00:41:59,400 Speaker 1: but I love the video, all of it. This is 863 00:41:59,400 --> 00:42:01,600 Speaker 1: too much worth, It's like and then cutting like a 864 00:42:01,640 --> 00:42:04,360 Speaker 1: social media clip and it's just right right, and you 865 00:42:04,440 --> 00:42:07,120 Speaker 1: gotta put your face on for that. I was leaving 866 00:42:07,120 --> 00:42:08,759 Speaker 1: the house to come here, and my boyfriends like, you're 867 00:42:08,760 --> 00:42:11,719 Speaker 1: wearing that because I was like that I look like 868 00:42:11,719 --> 00:42:13,720 Speaker 1: a farmer or something. I was like, they're not recording 869 00:42:13,840 --> 00:42:17,120 Speaker 1: video I was like, you look, you look great. Your 870 00:42:17,160 --> 00:42:20,279 Speaker 1: boyfriend's name is Matt too, right, so many of us 871 00:42:20,280 --> 00:42:25,520 Speaker 1: out there. One of the most popular names culture Richard. 872 00:42:26,520 --> 00:42:31,240 Speaker 1: I don't have one, Yeah, but yours, Michael Michael, Daniel 873 00:42:31,560 --> 00:42:38,040 Speaker 1: Michael author, boring, No, No, Pellegreeno is it's it's just 874 00:42:38,360 --> 00:42:41,640 Speaker 1: and you know what's it's also a sparkling water. I know, 875 00:42:41,719 --> 00:42:44,400 Speaker 1: but it just but it I wish related to the 876 00:42:44,440 --> 00:42:46,279 Speaker 1: water that I don't have any of that. Well, don't 877 00:42:46,280 --> 00:42:48,040 Speaker 1: worry about that that that that would be like a 878 00:42:48,080 --> 00:42:51,200 Speaker 1: weight on your consciousness. But like I feel like Pellegreeno, 879 00:42:51,280 --> 00:42:55,759 Speaker 1: it's an effervescent name. I get lifted. Wait, can I 880 00:42:55,760 --> 00:42:57,560 Speaker 1: say I was listening to your last week's episode. I'm 881 00:42:57,600 --> 00:43:00,040 Speaker 1: interrupting you. Guys were talking about Katie Perry and the 882 00:43:00,040 --> 00:43:03,439 Speaker 1: great American song but yeah, like what would be ada? 883 00:43:03,440 --> 00:43:04,960 Speaker 1: And I just was shouting through the screen as I 884 00:43:05,000 --> 00:43:08,000 Speaker 1: was listening, like to me, teenage Dream, it's like one 885 00:43:08,040 --> 00:43:10,359 Speaker 1: of the greatest pop songs ever made, Like, I think 886 00:43:10,400 --> 00:43:13,360 Speaker 1: that's a flawless master. Didn't It's one of Max Martin's 887 00:43:13,400 --> 00:43:16,319 Speaker 1: favorite songs. Song. I was saying, didn't you know that 888 00:43:16,360 --> 00:43:19,160 Speaker 1: the second you heard it? What Teenage Dream was whatever. 889 00:43:19,640 --> 00:43:22,960 Speaker 1: I remember where I was. I was in my bedroom 890 00:43:23,000 --> 00:43:27,520 Speaker 1: at home, my parents house, like summer after freshman year 891 00:43:27,520 --> 00:43:32,200 Speaker 1: of college. It's timeless, it's time less. You know what's 892 00:43:32,239 --> 00:43:36,080 Speaker 1: crazy is it's like Katie like that album, the Teenage 893 00:43:36,120 --> 00:43:39,799 Speaker 1: Dream album is front to back, And what's weird is 894 00:43:39,840 --> 00:43:44,239 Speaker 1: like her recent albums like are decidedly not so is 895 00:43:44,280 --> 00:43:47,600 Speaker 1: it a thing of like was it dr Luke World 896 00:43:47,640 --> 00:43:52,680 Speaker 1: that song? I'm not sure? Maybe? And sometimes I'm just like, gosh, 897 00:43:52,680 --> 00:43:55,959 Speaker 1: like we we gotta get more people on the map 898 00:43:56,000 --> 00:43:58,960 Speaker 1: who are really brilliant pop songwriters, because I just wonder 899 00:43:59,040 --> 00:44:02,120 Speaker 1: how some of these songs on Witness get there? Sure, 900 00:44:02,239 --> 00:44:03,920 Speaker 1: you know what I mean? Like, sometimes I'm just like 901 00:44:04,000 --> 00:44:06,960 Speaker 1: how did this make the final track list? Not to drag, 902 00:44:07,239 --> 00:44:09,120 Speaker 1: I'm just saying, like, when you know an artist is 903 00:44:09,160 --> 00:44:13,600 Speaker 1: capable of a front to back teenage Dream moment, it's 904 00:44:13,640 --> 00:44:17,480 Speaker 1: like maybe and maybe there is something to like when 905 00:44:17,480 --> 00:44:22,080 Speaker 1: a pop star does that front to back pop thing. Hooks, hooks, hooks. 906 00:44:22,239 --> 00:44:24,319 Speaker 1: They want to get more experimental, they want to like 907 00:44:24,360 --> 00:44:27,960 Speaker 1: be sonically challenged themselves, but I really just want the hits. 908 00:44:28,320 --> 00:44:31,279 Speaker 1: I mean, I feel like I have no understanding of 909 00:44:31,320 --> 00:44:33,759 Speaker 1: like how labels step in and or like there should 910 00:44:33,760 --> 00:44:34,960 Speaker 1: be a song that's like this and like this and 911 00:44:34,960 --> 00:44:38,360 Speaker 1: like this, Like I feel like that kind of intervenes 912 00:44:38,400 --> 00:44:40,160 Speaker 1: and shapes a lot of it. I don't know, I 913 00:44:40,200 --> 00:44:42,560 Speaker 1: really don't know. I think that that's probably a lot 914 00:44:42,600 --> 00:44:44,600 Speaker 1: of it. And it's just like an imperial face thing 915 00:44:44,600 --> 00:44:46,640 Speaker 1: where it's like, you know, like they can do whatever 916 00:44:46,680 --> 00:44:49,200 Speaker 1: they want, but only within a certain window, you know. 917 00:44:49,320 --> 00:44:52,239 Speaker 1: And I don't believe. Actually the Teenage Dream album is great, 918 00:44:52,239 --> 00:44:56,680 Speaker 1: but to me, Teenage Dream the song is is timeless 919 00:44:56,719 --> 00:44:59,320 Speaker 1: more so than the other songs. I love those other hits, 920 00:44:59,360 --> 00:45:01,879 Speaker 1: but like, what do you mean Hummingbird, Heartbeat, like being 921 00:45:01,920 --> 00:45:04,400 Speaker 1: the great global So what was the like the end 922 00:45:04,480 --> 00:45:07,520 Speaker 1: singles like that towards the end of the cycle. There 923 00:45:08,480 --> 00:45:10,680 Speaker 1: they did really I I liked, I love what we're 924 00:45:10,719 --> 00:45:13,160 Speaker 1: saying you're saying before um the like the one that 925 00:45:13,200 --> 00:45:18,400 Speaker 1: got away was not when it got away um et p. 926 00:45:18,400 --> 00:45:20,320 Speaker 1: Pearl wasn't a thing like to me, those are good, 927 00:45:20,360 --> 00:45:24,319 Speaker 1: but not forever songs Teenage Dream, when I'm like, that's 928 00:45:24,360 --> 00:45:26,920 Speaker 1: the best song, Yeah, yeah, I feel the way we 929 00:45:26,960 --> 00:45:29,120 Speaker 1: found love too, I feel like that song to me 930 00:45:29,200 --> 00:45:32,000 Speaker 1: is perfect song it's like since you've been gone. Yeah, 931 00:45:32,040 --> 00:45:35,560 Speaker 1: there you go. Yeah, it's like since've I also arguably 932 00:45:35,600 --> 00:45:38,600 Speaker 1: love My life would suck without You almost as much 933 00:45:38,640 --> 00:45:41,279 Speaker 1: as since the title for me is tough, but it's 934 00:45:41,320 --> 00:45:43,440 Speaker 1: such a fun song. It's a great thing like and I. 935 00:45:43,680 --> 00:45:45,879 Speaker 1: But the thing that bothers me about my life would 936 00:45:45,880 --> 00:45:47,960 Speaker 1: suck without you and that era is that I know 937 00:45:48,080 --> 00:45:51,680 Speaker 1: how she didn't She didn't, She don't, she didn't love it. 938 00:45:51,719 --> 00:45:53,600 Speaker 1: And that was following my December, which was like such 939 00:45:53,640 --> 00:45:55,440 Speaker 1: a low point for her because they bailed on her 940 00:45:55,480 --> 00:45:57,400 Speaker 1: so hard. So I feel like all I ever wanted 941 00:45:57,440 --> 00:45:59,879 Speaker 1: that album is like her like White Flag being like, yeah, 942 00:46:00,000 --> 00:46:02,640 Speaker 1: whatever what you want to do, we can do like 943 00:46:02,719 --> 00:46:05,279 Speaker 1: and that's how we got my life? What's up without you? 944 00:46:05,360 --> 00:46:08,960 Speaker 1: And um, I do not hook up? Which was people 945 00:46:09,040 --> 00:46:11,839 Speaker 1: like Katie Berry, I'll goes back around there you go, Um, 946 00:46:11,960 --> 00:46:14,520 Speaker 1: Danny should be ask you the question. We have to 947 00:46:13,920 --> 00:46:17,200 Speaker 1: ask Danny the question, Danny, what is the culture that 948 00:46:17,200 --> 00:46:19,640 Speaker 1: made you say culture is for you? Rosie o'donald show. 949 00:46:20,480 --> 00:46:22,520 Speaker 1: I know people are I talk about Rosio donald Show 950 00:46:22,560 --> 00:46:24,520 Speaker 1: all the time, and I know it's probably exhausting for people, 951 00:46:24,520 --> 00:46:26,120 Speaker 1: but to me, that was it for me. I remember 952 00:46:26,120 --> 00:46:28,040 Speaker 1: watching every school with my grandma, with my mom. I 953 00:46:28,080 --> 00:46:30,920 Speaker 1: loved Rosie o'donald show. She was the first influencer I'm 954 00:46:32,360 --> 00:46:34,920 Speaker 1: I thought it was a perfect talk show. She loved 955 00:46:35,120 --> 00:46:38,000 Speaker 1: pop culture as we do, you know, and it showed 956 00:46:38,000 --> 00:46:42,080 Speaker 1: and I loved her. Did you guys watch almost every 957 00:46:42,080 --> 00:46:44,759 Speaker 1: single day? I remember like it was like some days 958 00:46:44,800 --> 00:46:48,560 Speaker 1: I would like say a prayer to be sick so 959 00:46:48,640 --> 00:46:50,319 Speaker 1: I could like stay home the next day and watch 960 00:46:50,440 --> 00:46:52,480 Speaker 1: Rosio o'donald and also got to give it up to 961 00:46:52,560 --> 00:46:56,040 Speaker 1: Regis and Kelly. Yeah, I mean just like I remember, 962 00:46:56,080 --> 00:46:58,840 Speaker 1: like I always want to end the view, which can 963 00:46:58,880 --> 00:47:00,759 Speaker 1: I interrupt you them and just say Kelly Rippa is 964 00:47:00,840 --> 00:47:02,640 Speaker 1: underrated as a talk show host. And I don't think 965 00:47:02,640 --> 00:47:05,279 Speaker 1: people give her the flowers that she doesn't because she 966 00:47:05,480 --> 00:47:08,120 Speaker 1: is so charming, and I think she makes it look 967 00:47:08,160 --> 00:47:12,160 Speaker 1: effortless in a way that people think she's just okay, 968 00:47:12,320 --> 00:47:15,440 Speaker 1: or or that she just doesn't get her flowers. And 969 00:47:15,440 --> 00:47:17,320 Speaker 1: I think if you watch Kelly Ripper, she's so fucking 970 00:47:17,320 --> 00:47:20,040 Speaker 1: good at it, but people don't give her the credit. 971 00:47:20,120 --> 00:47:22,839 Speaker 1: I think that she doesn't, right. I think I think 972 00:47:22,840 --> 00:47:25,120 Speaker 1: it's the pairing of it all I think it's that 973 00:47:25,200 --> 00:47:28,840 Speaker 1: she's carried with someone, which is probably either her choice 974 00:47:28,960 --> 00:47:31,520 Speaker 1: and I don't know, but you're right. I completely agree. 975 00:47:31,680 --> 00:47:34,640 Speaker 1: She's so good. I can talk for hours to sit 976 00:47:34,680 --> 00:47:36,000 Speaker 1: back because we got a lot of talk about it. 977 00:47:36,360 --> 00:47:38,040 Speaker 1: Have you have you seen this video of hers where 978 00:47:38,080 --> 00:47:40,560 Speaker 1: she's talking about everything she's in a day. Maybe she 979 00:47:40,640 --> 00:47:44,320 Speaker 1: describes this this thing she does. Have we talked about this, 980 00:47:44,440 --> 00:47:47,799 Speaker 1: I don't think where she's like, she does this thing 981 00:47:47,800 --> 00:47:53,239 Speaker 1: where she orders the same dish from multiple restaurants. Like 982 00:47:53,280 --> 00:47:55,720 Speaker 1: let's say she wants a pad tie, shrimp pad tie. 983 00:47:56,040 --> 00:48:00,000 Speaker 1: She will order shrimp pad tie from six or seven 984 00:48:00,080 --> 00:48:03,400 Speaker 1: different tire restaurants in her area. At the same time, 985 00:48:03,920 --> 00:48:05,480 Speaker 1: she's like, I love doing She she goes, I love 986 00:48:05,520 --> 00:48:07,000 Speaker 1: doing this. I do this all the time. Don't you 987 00:48:07,000 --> 00:48:10,879 Speaker 1: guys do this? Oh my god, six of the same 988 00:48:10,960 --> 00:48:15,040 Speaker 1: dish from six different restaurants. They all come to her 989 00:48:15,080 --> 00:48:16,600 Speaker 1: house and then she's like, and then we just like 990 00:48:16,960 --> 00:48:18,640 Speaker 1: sample them and then we just like figure out which 991 00:48:18,640 --> 00:48:22,040 Speaker 1: one is the best. It's so it's fine, It's like, 992 00:48:22,080 --> 00:48:24,399 Speaker 1: it's I guess it's fine. It's a waste of money, 993 00:48:24,880 --> 00:48:26,880 Speaker 1: A waste of money and food and the fact that 994 00:48:26,920 --> 00:48:29,359 Speaker 1: you don't see that you're coming across a certain way 995 00:48:29,360 --> 00:48:31,120 Speaker 1: by saying, Oh, I just don't you guys do this. 996 00:48:32,160 --> 00:48:34,399 Speaker 1: It's crazy, But that's what we love about Tyra, isn't. 997 00:48:34,440 --> 00:48:37,719 Speaker 1: It's like I want to get she's just like that 998 00:48:37,800 --> 00:48:41,600 Speaker 1: and that she's magreet, surreal. I did. I will share 999 00:48:41,640 --> 00:48:45,080 Speaker 1: this the hardest I've ever I'm sorry, this is such 1000 00:48:45,080 --> 00:48:47,640 Speaker 1: a name drop. Again, the hardest I've ever seen. Lauren 1001 00:48:47,719 --> 00:48:50,400 Speaker 1: Michael's laugh was we were at hosting or mean Eggo 1002 00:48:50,440 --> 00:48:52,440 Speaker 1: and Chloe, like, you know, on one side of the 1003 00:48:52,440 --> 00:48:54,640 Speaker 1: host their dinner table, like they're having a conversation aside, 1004 00:48:54,680 --> 00:48:56,799 Speaker 1: but like the three of us, I'm like, I bring 1005 00:48:56,840 --> 00:48:58,879 Speaker 1: up the whole like rabies episode of the tire Banks 1006 00:48:58,880 --> 00:49:01,520 Speaker 1: Pop Show, as I was describing it as like she 1007 00:49:01,600 --> 00:49:04,000 Speaker 1: starts barking like a dog, as if getting rabies means 1008 00:49:04,000 --> 00:49:06,400 Speaker 1: you turn into a dog. And then I turn and 1009 00:49:06,440 --> 00:49:10,799 Speaker 1: see Lauren burst out laughing like it was the funniest 1010 00:49:10,880 --> 00:49:16,960 Speaker 1: thing he'd ever He's like, he's like, what Tyrashi host? Tyra? Yeah, 1011 00:49:17,120 --> 00:49:19,960 Speaker 1: should host? Oh my god, I need she hosted before. 1012 00:49:20,000 --> 00:49:23,080 Speaker 1: Maybe I don't know that's a good I don't think so. 1013 00:49:23,400 --> 00:49:26,359 Speaker 1: She's been on Mad TV for sure. I think she's 1014 00:49:26,360 --> 00:49:28,400 Speaker 1: definitely no, no, no, no no, that's not true. No, no, 1015 00:49:28,880 --> 00:49:30,719 Speaker 1: I'm thinking of her being on Fresh Princes, which is 1016 00:49:30,760 --> 00:49:34,960 Speaker 1: why am I No? That's well okay, so I literally 1017 00:49:35,040 --> 00:49:37,120 Speaker 1: just almost said we need tire Banks to come back 1018 00:49:37,160 --> 00:49:41,600 Speaker 1: into the conversation completely forgetting that she is the EXE, 1019 00:49:43,239 --> 00:49:47,759 Speaker 1: which is a train wreck like you've never seen and 1020 00:49:48,239 --> 00:49:52,719 Speaker 1: it is It is mcgreeds surreal to watch Tyra host 1021 00:49:52,840 --> 00:49:56,640 Speaker 1: that show because she is always wearing something insane that 1022 00:49:56,760 --> 00:49:59,080 Speaker 1: I have those crazy themes, like she'll dress up and 1023 00:49:59,120 --> 00:50:02,480 Speaker 1: like just to just to like see them come back 1024 00:50:02,480 --> 00:50:05,439 Speaker 1: from commercial, watch her find the camera and say we're back, 1025 00:50:05,840 --> 00:50:09,120 Speaker 1: like it's just like whoa and the fans of dancing 1026 00:50:09,120 --> 00:50:10,640 Speaker 1: when it starts, like hate her as a host thing. 1027 00:50:11,400 --> 00:50:13,000 Speaker 1: My LAMB calls me every week and it's like I 1028 00:50:13,040 --> 00:50:15,359 Speaker 1: don't like that Tyra on the show. She messes up 1029 00:50:15,400 --> 00:50:17,520 Speaker 1: all the time. Like one time she was like we 1030 00:50:17,640 --> 00:50:20,759 Speaker 1: have our bottom two and I'm now being told that 1031 00:50:20,800 --> 00:50:24,799 Speaker 1: it's not the bottom too. The car was wrong and 1032 00:50:25,160 --> 00:50:27,080 Speaker 1: that was my lo and now we're going to bring 1033 00:50:27,120 --> 00:50:29,759 Speaker 1: back someone I just said was safe and it's this 1034 00:50:29,800 --> 00:50:33,759 Speaker 1: is the situation or whoever the fun and you're actually out. 1035 00:50:34,080 --> 00:50:36,760 Speaker 1: It's like once she puts them through because like something 1036 00:50:36,880 --> 00:50:40,160 Speaker 1: is wrong, like some conk in the wheel is like 1037 00:50:40,440 --> 00:50:43,919 Speaker 1: not going, like whether it's production or her, but you can. 1038 00:50:44,280 --> 00:50:48,160 Speaker 1: It's so funny because like you can literally feel the 1039 00:50:48,280 --> 00:50:50,440 Speaker 1: chaos behind the cameras like no no, no, no, no 1040 00:50:50,440 --> 00:50:52,760 Speaker 1: no no, like they're just freaking up because she can't 1041 00:50:52,840 --> 00:50:54,560 Speaker 1: do it. Do you remember when she tried to fake 1042 00:50:54,760 --> 00:50:57,560 Speaker 1: her sickness on America's Next Top Model and she's I'm 1043 00:50:57,600 --> 00:50:59,480 Speaker 1: just not really feeling really oh yeah, and then she's 1044 00:50:59,480 --> 00:51:04,839 Speaker 1: sucking eats ship and starts seizing. She's gonna do so 1045 00:51:04,840 --> 00:51:08,560 Speaker 1: many moments like she's on the Tyra Banks Show theme 1046 00:51:08,680 --> 00:51:12,040 Speaker 1: or the Fat to remember remember when she um kind 1047 00:51:12,080 --> 00:51:14,959 Speaker 1: of fronted her fear of dolphins on the Tyrapic Show. 1048 00:51:15,600 --> 00:51:19,560 Speaker 1: She she is entertainment giving away Vassaline, just losing it, 1049 00:51:19,640 --> 00:51:23,520 Speaker 1: her fucking ship, losing giving away Vasiline. The Naomi Campbell 1050 00:51:23,560 --> 00:51:29,280 Speaker 1: interview like that why that is actually an iconic television 1051 00:51:29,360 --> 00:51:32,200 Speaker 1: It's crazy, It's it's an amazing episode when when she 1052 00:51:32,320 --> 00:51:34,759 Speaker 1: when she's telling Naomi like and I want you to 1053 00:51:34,800 --> 00:51:37,320 Speaker 1: know that you hurt me and while I do forgive 1054 00:51:37,360 --> 00:51:40,480 Speaker 1: you that hurt will never go away and not even 1055 00:51:40,600 --> 00:51:44,160 Speaker 1: just goes for me. It's not that deep. It's not 1056 00:51:44,600 --> 00:51:47,200 Speaker 1: that And then when they came back, I remember like 1057 00:51:47,280 --> 00:51:49,319 Speaker 1: they came back from commercial on that and like she 1058 00:51:49,400 --> 00:51:50,799 Speaker 1: had just had like it's not that deep. And I 1059 00:51:50,800 --> 00:51:52,799 Speaker 1: remember like then we turned to her and she was like, 1060 00:51:53,160 --> 00:51:56,240 Speaker 1: I want to apologize for what I said. I validate 1061 00:51:56,280 --> 00:51:58,480 Speaker 1: you and I'm sorry, and she like and you could 1062 00:51:58,480 --> 00:52:00,880 Speaker 1: tell that, like producer just had to step in and 1063 00:52:00,880 --> 00:52:05,480 Speaker 1: be like, hey, like, don't you don't mean it like 1064 00:52:05,960 --> 00:52:09,840 Speaker 1: you have we have to have conflict. She came in 1065 00:52:09,960 --> 00:52:12,960 Speaker 1: just ready to be like I'm so sorry, Like imagine 1066 00:52:13,040 --> 00:52:16,960 Speaker 1: producing that show with her, like just like the chaos 1067 00:52:17,040 --> 00:52:19,719 Speaker 1: I do not. I feel like the comparison is not 1068 00:52:20,239 --> 00:52:25,279 Speaker 1: terribly sophisticated, but like I feel like Tyres set up 1069 00:52:25,280 --> 00:52:28,640 Speaker 1: a lot of the high drinks that the tone of 1070 00:52:28,640 --> 00:52:31,920 Speaker 1: Wendy Williams like this like show where like the audience 1071 00:52:31,960 --> 00:52:35,799 Speaker 1: is like so like oh my god, like like the 1072 00:52:35,880 --> 00:52:39,279 Speaker 1: audience and now we're can go back to Rosie. Like 1073 00:52:39,280 --> 00:52:42,080 Speaker 1: with Rosie was always like you're watching this person like 1074 00:52:42,680 --> 00:52:46,279 Speaker 1: just be like so charming. And I think we I 1075 00:52:46,320 --> 00:52:48,879 Speaker 1: think we eventually went into this era of daytime talk 1076 00:52:48,920 --> 00:52:52,600 Speaker 1: where like the hosts were fully unhinged, like that was 1077 00:52:52,640 --> 00:52:55,839 Speaker 1: a show like that was not always the case, you know. Yeah, 1078 00:52:55,960 --> 00:52:59,840 Speaker 1: I think Rosie was like a watershed because she really was, 1079 00:53:00,120 --> 00:53:03,759 Speaker 1: like she was so good at being herself that you 1080 00:53:04,000 --> 00:53:07,200 Speaker 1: genuinely felt that you knew her, which I think is 1081 00:53:07,239 --> 00:53:10,359 Speaker 1: why when she started to pull back the curtain on 1082 00:53:10,440 --> 00:53:13,759 Speaker 1: like the darker parts of who she was, like, America 1083 00:53:13,880 --> 00:53:17,319 Speaker 1: felt like a little like weird about a different side 1084 00:53:17,320 --> 00:53:19,600 Speaker 1: of her. Yeah, and they weren't, like people were not 1085 00:53:19,719 --> 00:53:23,319 Speaker 1: ready for that dimensionality. She even used to stay back 1086 00:53:23,320 --> 00:53:25,160 Speaker 1: in the talk show. Pre talk show, she was a 1087 00:53:25,160 --> 00:53:26,880 Speaker 1: stand up comic and she would go around and she 1088 00:53:27,080 --> 00:53:29,440 Speaker 1: had stuff she would talk about Woody Allen and like 1089 00:53:29,600 --> 00:53:31,920 Speaker 1: you know, heavier topics and she would swear and all 1090 00:53:31,920 --> 00:53:34,239 Speaker 1: that stuff. And I remember her saying when she did 1091 00:53:34,239 --> 00:53:36,360 Speaker 1: the talk show, people would come see her do stand 1092 00:53:36,400 --> 00:53:38,760 Speaker 1: up and people would walk out or people would because 1093 00:53:39,080 --> 00:53:40,920 Speaker 1: that was her bit before the talk show. But for 1094 00:53:40,920 --> 00:53:42,680 Speaker 1: the talk show, she was doing MERV Griffin and she 1095 00:53:43,360 --> 00:53:45,920 Speaker 1: so she was doing a nice she was. It was 1096 00:53:45,960 --> 00:53:47,680 Speaker 1: a different side of her. But then you know, we 1097 00:53:47,680 --> 00:53:49,719 Speaker 1: started to see these other sides, and some people liked it. 1098 00:53:49,760 --> 00:53:52,040 Speaker 1: Some people didn't, but I also loved her on the View. 1099 00:53:52,080 --> 00:53:54,200 Speaker 1: I mean to me that she was the best. I 1100 00:53:54,239 --> 00:53:58,080 Speaker 1: think they like the thing is like which that's my well, 1101 00:53:58,520 --> 00:54:01,360 Speaker 1: I know that I know your video views like that, 1102 00:54:01,440 --> 00:54:03,360 Speaker 1: but that is rosy too, I mean like, and the 1103 00:54:03,400 --> 00:54:07,279 Speaker 1: thing is just like what she to me is someone 1104 00:54:07,320 --> 00:54:10,480 Speaker 1: who needs to be by herself because people other egos 1105 00:54:10,520 --> 00:54:13,320 Speaker 1: can't handle that smooth, Like you can't have a Rosie 1106 00:54:13,320 --> 00:54:17,080 Speaker 1: and whoopee, and they couldn't. Like if you read the book, um, 1107 00:54:17,200 --> 00:54:21,120 Speaker 1: the Ladies who Punch like, which was great, really fun, 1108 00:54:21,360 --> 00:54:24,800 Speaker 1: and it's just so clear that like it really genuinely 1109 00:54:24,840 --> 00:54:27,120 Speaker 1: came down to ego and how much space gets taken up, 1110 00:54:27,200 --> 00:54:30,839 Speaker 1: and like even when they agree, it's like, no, I 1111 00:54:30,840 --> 00:54:34,120 Speaker 1: think that more, you know. I think also Rosie has 1112 00:54:34,120 --> 00:54:35,920 Speaker 1: this quality where you hang on every even if you 1113 00:54:36,000 --> 00:54:38,279 Speaker 1: disagree with her. I think you hang on what her 1114 00:54:38,280 --> 00:54:40,880 Speaker 1: opinion is on something. And so when you have her 1115 00:54:40,880 --> 00:54:42,840 Speaker 1: in a panel, I think you're just sort of sitting 1116 00:54:42,840 --> 00:54:45,120 Speaker 1: there waiting for what she's gonna say. Right, did you 1117 00:54:45,160 --> 00:54:48,320 Speaker 1: ever go to a taping of the View right before 1118 00:54:48,320 --> 00:54:52,000 Speaker 1: COVID It was oh great, Oh no, not Rosie. But 1119 00:54:52,000 --> 00:54:53,479 Speaker 1: but it's my dream to be one of those people 1120 00:54:53,480 --> 00:54:56,640 Speaker 1: on Rosie to like introduce Yes, our friend that when 1121 00:54:56,640 --> 00:54:58,799 Speaker 1: he was a kid. Yeah, he was like a Harry 1122 00:54:58,840 --> 00:55:00,960 Speaker 1: Potter obsessed. That was like that was his thing. Like 1123 00:55:00,960 --> 00:55:03,000 Speaker 1: they brought him because he was obsessed with Harry Potter. Yeah, 1124 00:55:03,040 --> 00:55:06,120 Speaker 1: this is a little douggy from Boots in Florida. This 1125 00:55:06,200 --> 00:55:17,480 Speaker 1: is I wanted that job so bad. What was the 1126 00:55:17,560 --> 00:55:19,719 Speaker 1: view experience like for you? It was fun? I went 1127 00:55:19,920 --> 00:55:25,000 Speaker 1: right pre COVID. It was like Abby Huntsman, Whoopy Um, 1128 00:55:25,080 --> 00:55:29,680 Speaker 1: Megan Sonny and Sarah wasn't there at the time She 1129 00:55:29,719 --> 00:55:31,600 Speaker 1: hadn't she had been gone and having him back yet 1130 00:55:31,920 --> 00:55:34,960 Speaker 1: and then who Meredith was filling in for Joy? I 1131 00:55:35,000 --> 00:55:38,399 Speaker 1: got Meredith? Who I love Meredithira, Oh my god, it's 1132 00:55:38,400 --> 00:55:42,359 Speaker 1: great she was there. And but no Joy, I love Joy. Yes, yes, 1133 00:55:42,920 --> 00:55:46,279 Speaker 1: did they do the dancing contest? They didn't. Okay, well 1134 00:55:46,520 --> 00:55:49,280 Speaker 1: you said Whoopy wasn't there? Whoop was? Who was there? Okay? 1135 00:55:49,520 --> 00:55:51,600 Speaker 1: No Joy? No Joy. We've we've told the story a 1136 00:55:51,640 --> 00:55:53,799 Speaker 1: million times on the podcast, but we when when when 1137 00:55:53,840 --> 00:55:59,200 Speaker 1: we went this was fall of um they did they 1138 00:55:59,200 --> 00:56:01,200 Speaker 1: did a dance con test where the warm up comic 1139 00:56:01,320 --> 00:56:04,120 Speaker 1: is like just you know, picking different sections of the audience, 1140 00:56:04,160 --> 00:56:07,759 Speaker 1: like getting everyone to dance and having like you know, 1141 00:56:08,520 --> 00:56:11,600 Speaker 1: I guess the panelists they were gonna judge. That was 1142 00:56:11,600 --> 00:56:13,080 Speaker 1: the whole thing. It's like, okay, we're gonna do his 1143 00:56:13,120 --> 00:56:14,920 Speaker 1: dance contest, and like while while they were getting like 1144 00:56:14,920 --> 00:56:17,200 Speaker 1: their touch up during a commercial break, like and and 1145 00:56:17,400 --> 00:56:20,799 Speaker 1: and and they're gonna judge. So all right, let's stay 1146 00:56:20,840 --> 00:56:22,759 Speaker 1: over here. And it's like this woman like like doing 1147 00:56:22,800 --> 00:56:25,920 Speaker 1: like like mom, dancing her arms and like whatever. And 1148 00:56:25,960 --> 00:56:28,239 Speaker 1: then the woman turns over to the paddel and goes, 1149 00:56:28,320 --> 00:56:30,160 Speaker 1: all right, what do you think? Whoop and whoop. He 1150 00:56:30,280 --> 00:56:34,160 Speaker 1: just goes, I don't give a funk about this, and 1151 00:56:34,239 --> 00:56:38,120 Speaker 1: we screamed. It was so funny. No one else in 1152 00:56:38,120 --> 00:56:40,440 Speaker 1: the room responded. They were like oh, they were like, oh, 1153 00:56:40,480 --> 00:56:41,920 Speaker 1: like it was just gonna like this thing of like 1154 00:56:41,960 --> 00:56:44,680 Speaker 1: they didn't really get it. And I think the moderate 1155 00:56:44,719 --> 00:56:47,080 Speaker 1: to like nervous laughed. But then Sonny stepped in and 1156 00:56:47,120 --> 00:56:49,520 Speaker 1: she was like, I think that that woman went over there, 1157 00:56:49,600 --> 00:56:51,719 Speaker 1: I really do. I think she was great. And like 1158 00:56:51,920 --> 00:56:54,720 Speaker 1: my other favorite line that we did was we're sitting 1159 00:56:54,960 --> 00:56:57,319 Speaker 1: We're sitting right by Sonny because Megan was not there. 1160 00:56:57,400 --> 00:56:59,799 Speaker 1: Like fucking god, but because I don't think I could 1161 00:56:59,840 --> 00:57:02,879 Speaker 1: have had her under now. But um, we're sitting right 1162 00:57:02,920 --> 00:57:05,160 Speaker 1: there and Sonny is on the end and it goes 1163 00:57:05,200 --> 00:57:07,920 Speaker 1: to commercial and she truly looked amazing. So we bone 1164 00:57:07,920 --> 00:57:10,800 Speaker 1: and I at the same time go like, you look amazing, Sunny, 1165 00:57:11,320 --> 00:57:13,400 Speaker 1: and she turns to us and she goes, thank you 1166 00:57:13,480 --> 00:57:15,640 Speaker 1: so much. You know, when I'm not doing a show, 1167 00:57:15,760 --> 00:57:18,320 Speaker 1: I don't even wear makeup. I don't wear makeup at all, 1168 00:57:18,640 --> 00:57:20,919 Speaker 1: and we just good for her. We're just like sitting 1169 00:57:20,960 --> 00:57:23,840 Speaker 1: there with our mouth and I'm like, amazing, like too 1170 00:57:23,880 --> 00:57:28,720 Speaker 1: gays like like gagging or whatever. I don't wear makeup. 1171 00:57:28,880 --> 00:57:32,400 Speaker 1: I don't wear makeup at all. What I love about 1172 00:57:32,440 --> 00:57:34,200 Speaker 1: Sonny is she's always the one who does the reading 1173 00:57:34,280 --> 00:57:37,400 Speaker 1: like any tam author on or she does the She'll 1174 00:57:37,440 --> 00:57:39,880 Speaker 1: watch the movie like no one else clearly like does 1175 00:57:39,960 --> 00:57:42,640 Speaker 1: any homework. She kind of goes and I read the book. 1176 00:57:42,920 --> 00:57:44,880 Speaker 1: Every single does that little look at their eyes, and 1177 00:57:44,920 --> 00:57:46,240 Speaker 1: she goes and I read it. Well, I read the 1178 00:57:46,240 --> 00:57:49,920 Speaker 1: book and what I thought was really interesting was And 1179 00:57:49,960 --> 00:57:52,680 Speaker 1: also I love that she's I have a legal note 1180 00:57:53,920 --> 00:57:57,200 Speaker 1: she Isny is like, but she always says twice impeach 1181 00:57:57,280 --> 00:58:01,200 Speaker 1: once remood or whatever about Oh yeah, she goes our 1182 00:58:01,480 --> 00:58:06,439 Speaker 1: former disgrace twice, impeach every former president. And then it's 1183 00:58:06,440 --> 00:58:09,080 Speaker 1: just it's just so funny. This is the thing about 1184 00:58:09,400 --> 00:58:12,360 Speaker 1: like these people in the public eye, these ticks that 1185 00:58:12,440 --> 00:58:15,240 Speaker 1: they have, these little things are so important and you 1186 00:58:15,360 --> 00:58:18,680 Speaker 1: gotta nail it because when you choose to stick with something, 1187 00:58:19,120 --> 00:58:20,880 Speaker 1: it's like if that's going to be your thing, like 1188 00:58:20,920 --> 00:58:23,560 Speaker 1: that that it has to you mean, like Sonny's choosing 1189 00:58:23,560 --> 00:58:25,960 Speaker 1: the right things or I don't know, like who she is, 1190 00:58:26,000 --> 00:58:28,240 Speaker 1: like the ticks that she has, like these little things, 1191 00:58:28,320 --> 00:58:32,160 Speaker 1: like it's great that they're tolerable and iconic and even 1192 00:58:32,240 --> 00:58:35,280 Speaker 1: fun because it's and she also can't help herself, and 1193 00:58:35,320 --> 00:58:37,240 Speaker 1: she can't help herse help herself. But to say, and 1194 00:58:37,280 --> 00:58:38,840 Speaker 1: I read the book, I think she'd be a good 1195 00:58:38,840 --> 00:58:46,960 Speaker 1: housewife against and you know what they were visiting. I 1196 00:58:47,000 --> 00:58:49,480 Speaker 1: think it was the Hampton's or something, and like Bethany 1197 00:58:49,600 --> 00:58:53,560 Speaker 1: had yelled at Sonny's kids or something. They had homes 1198 00:58:53,560 --> 00:58:55,640 Speaker 1: like in the Hampton's next to each other, and they 1199 00:58:55,680 --> 00:58:57,920 Speaker 1: don't know each other because Sonny could not be bothered 1200 00:58:57,920 --> 00:59:01,400 Speaker 1: with house She just doesn't care, s um and so 1201 00:59:01,640 --> 00:59:03,600 Speaker 1: I think she was aware of who Bethany Frankel was. 1202 00:59:03,640 --> 00:59:07,000 Speaker 1: But Sonny's kids were like playing on the beach, like 1203 00:59:07,480 --> 00:59:11,000 Speaker 1: perfectly fine public domain during the day. Bethany came out 1204 00:59:11,040 --> 00:59:14,640 Speaker 1: and screamed at Sonny Houston's kids. So the kids came 1205 00:59:14,680 --> 00:59:17,080 Speaker 1: in and they told Sonny like the woman next door 1206 00:59:17,160 --> 00:59:19,800 Speaker 1: yelled at us. So Sonny marched over there and knocked 1207 00:59:19,800 --> 00:59:22,120 Speaker 1: on the door and gave Bethany the business about like, 1208 00:59:22,200 --> 00:59:24,280 Speaker 1: don't yell at my children when they're playing in the 1209 00:59:24,280 --> 00:59:27,360 Speaker 1: beach during the day, like shut up. And she's like, 1210 00:59:27,520 --> 00:59:29,200 Speaker 1: if you have a problem, you come to me. I'm 1211 00:59:29,280 --> 00:59:31,800 Speaker 1: I'm the adult here, like whatever, and Bethany like blew 1212 00:59:31,840 --> 00:59:35,040 Speaker 1: her off. And then and she told that story on 1213 00:59:35,080 --> 00:59:37,720 Speaker 1: the view and anytime like Bethany sort of comes up 1214 00:59:37,760 --> 00:59:39,280 Speaker 1: and she'll she'll do that thing like she does with 1215 00:59:39,280 --> 00:59:40,520 Speaker 1: the book to be like, well, you know, I had 1216 00:59:40,520 --> 00:59:43,400 Speaker 1: to run in and you know, and and Megan had 1217 00:59:43,400 --> 00:59:45,040 Speaker 1: Megan had like one of those things where you could 1218 00:59:45,040 --> 00:59:47,920 Speaker 1: see her brain break because because Megan was a fool 1219 00:59:48,280 --> 00:59:51,920 Speaker 1: love Bethany. But she like she was talking about bethanygain 1220 00:59:52,000 --> 00:59:53,640 Speaker 1: Sonny was like, oh yeah, well I actually met her 1221 00:59:53,680 --> 00:59:55,600 Speaker 1: and she was really nasty to my kids and this 1222 00:59:55,640 --> 01:00:00,840 Speaker 1: is the story. And Megan was like U and then 1223 01:00:01,160 --> 01:00:04,200 Speaker 1: so then she she breaks in half. Andy brought it 1224 01:00:04,280 --> 01:00:06,959 Speaker 1: up to Bethany, I'll watch what Happens live, and Bethany said, 1225 01:00:07,160 --> 01:00:08,600 Speaker 1: I don't know what she's talking about. I think she 1226 01:00:08,640 --> 01:00:12,800 Speaker 1: was drunk or on drugs. I forgot about that. And 1227 01:00:12,840 --> 01:00:14,480 Speaker 1: I feel like it comes up on the view like 1228 01:00:14,520 --> 01:00:16,280 Speaker 1: a lot, like for some reason, I feel like I've 1229 01:00:16,320 --> 01:00:18,520 Speaker 1: heard Sonny tell the story like a million times and 1230 01:00:18,560 --> 01:00:20,320 Speaker 1: I love I don't know who's doing it, but I 1231 01:00:20,360 --> 01:00:22,640 Speaker 1: love it, Like who's bringing it up all the time. Well, 1232 01:00:22,680 --> 01:00:24,320 Speaker 1: I read your book. Well, you know, I ran into 1233 01:00:24,360 --> 01:00:26,280 Speaker 1: her once. You know, I read into her once. She 1234 01:00:26,320 --> 01:00:29,000 Speaker 1: wasn't very nice. She's the only fucking Wane to read 1235 01:00:29,000 --> 01:00:32,440 Speaker 1: the book. Joy's never done any of them. I mean, 1236 01:00:32,680 --> 01:00:35,920 Speaker 1: Abby Well used to be good about it. I think, well, 1237 01:00:35,960 --> 01:00:38,520 Speaker 1: Abby was like a good student. I think we were there. 1238 01:00:38,520 --> 01:00:40,440 Speaker 1: We were there the day that Abby was there. It 1239 01:00:40,520 --> 01:00:42,360 Speaker 1: was like when Abby was new. And one thing I 1240 01:00:42,360 --> 01:00:44,840 Speaker 1: do remember is like they brought Abby out first to 1241 01:00:44,840 --> 01:00:47,360 Speaker 1: do like I think, like like look at spring fashion 1242 01:00:47,560 --> 01:00:49,840 Speaker 1: or something, and they were like, okay, everyone, the first 1243 01:00:49,840 --> 01:00:51,280 Speaker 1: thing we're gonna do is We're gonna do a quick 1244 01:00:51,280 --> 01:00:53,640 Speaker 1: segment with Abby that's going to be on tomorrow. And 1245 01:00:53,720 --> 01:00:55,280 Speaker 1: Abby came out and you could tell her she was 1246 01:00:55,520 --> 01:00:58,120 Speaker 1: ready for like the audience to go like what and 1247 01:00:58,160 --> 01:01:02,000 Speaker 1: I'm almost just like she just didn't work on that show. 1248 01:01:02,120 --> 01:01:04,240 Speaker 1: And then she came back recently and I felt like 1249 01:01:04,280 --> 01:01:06,080 Speaker 1: they she tried to sort of step it up, but 1250 01:01:06,120 --> 01:01:08,320 Speaker 1: it didn't. It just didn't work. She wasn't good. She 1251 01:01:08,360 --> 01:01:11,320 Speaker 1: seems like a nice she's just fine. She seems like 1252 01:01:11,360 --> 01:01:14,680 Speaker 1: a nice moderate conservative. There you go, there you go. 1253 01:01:14,880 --> 01:01:18,120 Speaker 1: We wish her the best. Um Rosie. The thing with 1254 01:01:18,240 --> 01:01:22,000 Speaker 1: Rosie two is um she talk about picking things that 1255 01:01:22,080 --> 01:01:26,400 Speaker 1: stay in the cultural lexicon. The couch balls have they stayed? 1256 01:01:27,040 --> 01:01:34,960 Speaker 1: I have no good point ballad point balid plant. That 1257 01:01:35,080 --> 01:01:38,720 Speaker 1: was a good one. Remember the Rosie Elizabeth split screen, 1258 01:01:38,800 --> 01:01:43,160 Speaker 1: like come on? That was like, well ever amazing it 1259 01:01:43,240 --> 01:01:45,960 Speaker 1: was It was at the split screen. Was was when 1260 01:01:46,080 --> 01:01:48,000 Speaker 1: they both knew what was going on, and then they 1261 01:01:48,080 --> 01:01:52,280 Speaker 1: just dialed it up like yeah, your own act, she's 1262 01:01:52,280 --> 01:01:56,120 Speaker 1: our director. Here, let's go to commercial. That was that 1263 01:01:57,720 --> 01:02:03,240 Speaker 1: I would it's not a no and nowhere, who's directing this? 1264 01:02:03,320 --> 01:02:06,840 Speaker 1: Let's go to commercial? Who's directing this. I do think 1265 01:02:07,000 --> 01:02:13,840 Speaker 1: that Fred Armison, who cares. And also this it's this 1266 01:02:14,040 --> 01:02:16,280 Speaker 1: for me, it's it's the picking at this spot in 1267 01:02:16,320 --> 01:02:19,800 Speaker 1: your shirt, like it's like a little bit like uncomfortable 1268 01:02:19,800 --> 01:02:23,120 Speaker 1: and a little bit I'm too hot. Also it's a 1269 01:02:23,120 --> 01:02:24,880 Speaker 1: little bit of a combat because Joy is I feel 1270 01:02:24,880 --> 01:02:27,360 Speaker 1: like constantly talking about taking off her brazier, like she 1271 01:02:27,480 --> 01:02:29,520 Speaker 1: always talks about like I get home and I take 1272 01:02:29,560 --> 01:02:31,400 Speaker 1: off my brasier. Steve's like, what's that, you know? Like 1273 01:02:31,440 --> 01:02:33,919 Speaker 1: she's always I feel like mentioning brazier on the show. 1274 01:02:33,960 --> 01:02:35,920 Speaker 1: So I almost feel like that's what I took. Like 1275 01:02:35,960 --> 01:02:37,840 Speaker 1: Fred was doing like a little like picking at his 1276 01:02:39,000 --> 01:02:42,440 Speaker 1: ready to get it off, ready to get off whoever 1277 01:02:42,480 --> 01:02:44,760 Speaker 1: whoever decided to put so one who appears in there. 1278 01:02:44,760 --> 01:02:47,920 Speaker 1: It's like that thing Sid I was like something that 1279 01:02:48,080 --> 01:02:52,240 Speaker 1: someone has never said. But it's also the only thing said. 1280 01:02:52,480 --> 01:02:54,880 Speaker 1: You just believe that that's the only thing. Joy says, Now, 1281 01:02:54,920 --> 01:02:57,800 Speaker 1: do you know what I heard? What apparently in the 1282 01:02:57,840 --> 01:03:02,280 Speaker 1: show I Love Lucy. Ricky never says you've got some 1283 01:03:02,360 --> 01:03:07,680 Speaker 1: splaining to do. He says splain. He doesn't say, Lucy, 1284 01:03:07,760 --> 01:03:10,600 Speaker 1: You've got some to do. It's but it's that it's 1285 01:03:10,640 --> 01:03:14,480 Speaker 1: that thing of like everyone's made up that that someone 1286 01:03:14,520 --> 01:03:16,120 Speaker 1: said this to me, and I was like, is that true? 1287 01:03:16,160 --> 01:03:20,400 Speaker 1: But apparently it is true that he never says there 1288 01:03:20,480 --> 01:03:23,320 Speaker 1: and there are other things like that that aren't necessarily 1289 01:03:23,320 --> 01:03:25,200 Speaker 1: like Mandela. In fact, it's not that, like that's what 1290 01:03:25,280 --> 01:03:27,280 Speaker 1: it's called, but but it's but that I don't think 1291 01:03:27,280 --> 01:03:30,600 Speaker 1: that's what that is either what Mandela fect is like 1292 01:03:30,600 --> 01:03:32,919 Speaker 1: bearrett Stein Bears, Bears, Stain Bears, Like it's like there's 1293 01:03:32,920 --> 01:03:36,280 Speaker 1: like there's like a bunch of people remember something completely different. 1294 01:03:36,760 --> 01:03:43,160 Speaker 1: It's like that shock movie that doesn't exist. One of 1295 01:03:43,200 --> 01:03:45,320 Speaker 1: them does, though, isn't there one that does? But people 1296 01:03:45,360 --> 01:03:46,800 Speaker 1: think it's something else. We have to get to the 1297 01:03:46,800 --> 01:03:49,040 Speaker 1: bottom of this. No, no no, no, there's a whole I like, boom, 1298 01:03:49,520 --> 01:03:53,240 Speaker 1: have you ever heard a false memory syndrome? Like remembering 1299 01:03:54,440 --> 01:03:56,760 Speaker 1: basically like a therapist. I could be getting the strongest 1300 01:03:56,800 --> 01:03:58,840 Speaker 1: I forget, forgive me, but it's like a therapist can 1301 01:03:58,840 --> 01:04:01,640 Speaker 1: convince you of something that happened that didn't have Yeah, 1302 01:04:01,680 --> 01:04:05,680 Speaker 1: and then every parents worst nightmare, yeah yeah, yeah, yeah yeah. 1303 01:04:05,760 --> 01:04:07,720 Speaker 1: Is that like my parents are always like, well, don't 1304 01:04:07,800 --> 01:04:11,400 Speaker 1: let your therapist like put memories in here. I'm like, no, 1305 01:04:11,760 --> 01:04:13,640 Speaker 1: but I know what they're saying. I did like a 1306 01:04:13,680 --> 01:04:16,440 Speaker 1: crazy deep that's what I was thinking, and like this happens, 1307 01:04:16,480 --> 01:04:19,600 Speaker 1: like like happened, It happens, and people believe crazy should happen, 1308 01:04:19,640 --> 01:04:21,680 Speaker 1: like there's something horrible and their child would happen with 1309 01:04:21,720 --> 01:04:25,040 Speaker 1: their mom or dad or whoever. That reminds me actually 1310 01:04:25,080 --> 01:04:28,600 Speaker 1: of ebany Ca Williams is one iconic line on Housewives. 1311 01:04:28,840 --> 01:04:32,920 Speaker 1: That's gas lighting. That's gas lighting. No, you're gas lighting me, 1312 01:04:33,600 --> 01:04:38,160 Speaker 1: You're gaslighting. I don't know what's going to happen with Ronie. 1313 01:04:39,000 --> 01:04:41,240 Speaker 1: I think I do, And this is what I this 1314 01:04:41,280 --> 01:04:42,680 Speaker 1: is what I want to say. I don't think trend 1315 01:04:42,720 --> 01:04:44,760 Speaker 1: they'll be back. I want her back, but I don't think. 1316 01:04:44,800 --> 01:04:46,800 Speaker 1: I guess you would know, huh well, I don't know. 1317 01:04:46,840 --> 01:04:49,880 Speaker 1: I just guess, no, you know. I wish I would 1318 01:04:49,920 --> 01:04:52,920 Speaker 1: love them to bring back tont I really think Trenda 1319 01:04:53,000 --> 01:04:54,960 Speaker 1: is the key to the franchise. Like I think they 1320 01:04:55,000 --> 01:04:56,600 Speaker 1: need her a little bit, and I know she went 1321 01:04:56,600 --> 01:04:58,840 Speaker 1: a little nuts and all that stuff. I agree, but 1322 01:04:58,920 --> 01:05:01,520 Speaker 1: it was like, yeah, we need that. I want Jill, 1323 01:05:02,080 --> 01:05:07,040 Speaker 1: I want Herenda, I want Lou, I want want the 1324 01:05:07,080 --> 01:05:09,200 Speaker 1: old girls who feel like they're friends. They all feel 1325 01:05:09,200 --> 01:05:12,000 Speaker 1: like they're friends. I want them for I want Leah 1326 01:05:12,000 --> 01:05:15,880 Speaker 1: as a friend, make her sweat, um see what she brings. 1327 01:05:15,920 --> 01:05:18,360 Speaker 1: Because I don't love Leah, though I did like her 1328 01:05:18,400 --> 01:05:21,680 Speaker 1: on Project Runway that the episode with the housewives, um, 1329 01:05:21,720 --> 01:05:25,080 Speaker 1: and I want three new people that are like friends 1330 01:05:25,240 --> 01:05:27,880 Speaker 1: enough with them and each other that it makes sense. 1331 01:05:27,960 --> 01:05:30,000 Speaker 1: But I do think we need to like bring something 1332 01:05:30,120 --> 01:05:32,160 Speaker 1: downtown energy in, you know what I mean. Like, I 1333 01:05:32,160 --> 01:05:34,640 Speaker 1: think it's like just tired and weird, and I think 1334 01:05:34,680 --> 01:05:36,920 Speaker 1: we need to find a I don't think it's as 1335 01:05:36,960 --> 01:05:39,160 Speaker 1: simple as rebooting, but I think we need to find 1336 01:05:39,160 --> 01:05:41,439 Speaker 1: a bridge between the old that we love about Roney 1337 01:05:41,520 --> 01:05:44,240 Speaker 1: that will make people that have watched it keep watching, 1338 01:05:44,600 --> 01:05:48,200 Speaker 1: and new energy that feels like it makes sense, which 1339 01:05:48,200 --> 01:05:50,200 Speaker 1: maybe is easier said than done. And I really gotta 1340 01:05:50,240 --> 01:05:53,280 Speaker 1: say we got we gotta lose Ramona. I don't know 1341 01:05:53,320 --> 01:05:55,720 Speaker 1: that will ever happen me neither. I don't know either 1342 01:05:55,800 --> 01:05:58,160 Speaker 1: if it will happen. I feel like, yeah, has she 1343 01:05:58,240 --> 01:06:01,280 Speaker 1: come on Everything? Iconic Vermont a singer I interviewed know, 1344 01:06:01,440 --> 01:06:04,000 Speaker 1: I interviewed her at Bravo con like on the carpet 1345 01:06:04,120 --> 01:06:06,479 Speaker 1: or whatever, and that was it, and I always really 1346 01:06:06,520 --> 01:06:08,200 Speaker 1: liked I used to like remote, and then it got 1347 01:06:08,200 --> 01:06:10,000 Speaker 1: to the point where it's just like, I don't know, 1348 01:06:10,120 --> 01:06:12,920 Speaker 1: it just starts to feel gross. There was something charming 1349 01:06:12,960 --> 01:06:15,480 Speaker 1: about her, and then it went when you met her 1350 01:06:15,520 --> 01:06:17,000 Speaker 1: on the street once. I met her on the street 1351 01:06:17,040 --> 01:06:19,240 Speaker 1: once and it was I was She was coming out 1352 01:06:19,240 --> 01:06:22,480 Speaker 1: of a car and I was such and I did 1353 01:06:22,480 --> 01:06:24,240 Speaker 1: not like her, but I was just kind of like, oh, 1354 01:06:24,280 --> 01:06:26,280 Speaker 1: there's a remote singer. So I went up to her. 1355 01:06:26,360 --> 01:06:30,760 Speaker 1: Was the most annoying person intentionally the annoying version of myself, 1356 01:06:30,760 --> 01:06:32,920 Speaker 1: where I was like, remote, can I please get a picture? 1357 01:06:33,840 --> 01:06:36,400 Speaker 1: And then she was like sure, Like I can't believe 1358 01:06:36,440 --> 01:06:39,600 Speaker 1: she even did it, because apparent she's like famously so rude. 1359 01:06:39,680 --> 01:06:42,280 Speaker 1: Yeah she was. She was incredibly incredibly rude. I was like, 1360 01:06:42,320 --> 01:06:44,040 Speaker 1: thank you so much. Did not say a word to me, 1361 01:06:44,960 --> 01:06:49,560 Speaker 1: and do you still have the picture? I was, I 1362 01:06:49,640 --> 01:06:51,640 Speaker 1: just saved it just for like this story. I probably 1363 01:06:51,640 --> 01:06:52,680 Speaker 1: had a bad day and I was like, well, at 1364 01:06:52,760 --> 01:06:54,840 Speaker 1: least that happened. Or when was that? It was like 1365 01:06:54,880 --> 01:06:58,280 Speaker 1: two thousand seventeen. You know, I think we're in for 1366 01:06:58,280 --> 01:07:00,760 Speaker 1: a treat though, with Diranda's spin off show with the 1367 01:07:00,800 --> 01:07:03,640 Speaker 1: girls at the Bluestone Man from that everything season of 1368 01:07:03,760 --> 01:07:05,480 Speaker 1: Ultimate Girl Trip is like all the women who have 1369 01:07:05,520 --> 01:07:08,560 Speaker 1: been fired and the go to Bluestone Man. That's amazing. 1370 01:07:08,560 --> 01:07:10,640 Speaker 1: The things that I've heard about that show, It's going 1371 01:07:10,720 --> 01:07:14,640 Speaker 1: to be fucking wild. It's like Pedra Parks, who famously 1372 01:07:15,120 --> 01:07:20,200 Speaker 1: basically accused Candy Burst rape on Atlanta, her Brandy fucking Glandville. 1373 01:07:20,280 --> 01:07:24,360 Speaker 1: Oh my god, Jill's Aaron, Taylor Armstrong, Taylor Armstrong. Who 1374 01:07:24,400 --> 01:07:26,040 Speaker 1: do you know about Taylor arms I don't think so. 1375 01:07:26,120 --> 01:07:30,160 Speaker 1: Her husband committed suicie. Her husband was beating her, and 1376 01:07:30,200 --> 01:07:33,480 Speaker 1: that's that's where Camil Grammer said, we don't say on 1377 01:07:33,640 --> 01:07:36,880 Speaker 1: camera that you that he broke your jaw, but now 1378 01:07:36,960 --> 01:07:39,400 Speaker 1: we said it. That's where that comes. She's also that 1379 01:07:39,480 --> 01:07:41,680 Speaker 1: meme of like people yelling at the cat or whatever. 1380 01:07:41,960 --> 01:07:46,560 Speaker 1: Yeah yeah, yeah yeah, And Vicki and Tamera it's like 1381 01:07:46,600 --> 01:07:51,160 Speaker 1: the most chaotic people, um and you're hearing that. It's like, 1382 01:07:51,800 --> 01:07:55,080 Speaker 1: should have great unhinged crazy like chaos. I don't know 1383 01:07:55,120 --> 01:07:57,120 Speaker 1: how it will be the things that I've heard about it, 1384 01:07:57,120 --> 01:08:01,000 Speaker 1: it's just crazy, But hopefully it's like a coherent crazy 1385 01:08:01,040 --> 01:08:03,680 Speaker 1: that we're able to follow and everything which I think 1386 01:08:03,680 --> 01:08:05,840 Speaker 1: it will be. But the first season of Ultimate Girl's 1387 01:08:05,880 --> 01:08:07,920 Speaker 1: Trip was like the prose and the like, like the 1388 01:08:07,920 --> 01:08:09,880 Speaker 1: ones who have been lasting and like the ones who 1389 01:08:09,960 --> 01:08:11,640 Speaker 1: really know how to do the show, and so they're 1390 01:08:11,640 --> 01:08:13,440 Speaker 1: bringing their light drama. But it really was more like 1391 01:08:13,480 --> 01:08:16,880 Speaker 1: a celebration of Housewives as a franchise, like a retrospected 1392 01:08:17,400 --> 01:08:19,600 Speaker 1: this is I think going to be like housewide and 1393 01:08:19,680 --> 01:08:22,719 Speaker 1: trying to get back on their friend is like trying 1394 01:08:22,760 --> 01:08:25,439 Speaker 1: something to prove Yeah, yeah, yeah, it's gonna be good. 1395 01:08:25,600 --> 01:08:27,720 Speaker 1: I think. I hope, I hope. Didn't I do watch 1396 01:08:27,800 --> 01:08:29,560 Speaker 1: any Day Fiance at all. You know, I dipped in 1397 01:08:29,600 --> 01:08:31,200 Speaker 1: a while ago, but I haven't been in a while. 1398 01:08:31,240 --> 01:08:34,200 Speaker 1: It's been a year. I'm I'm officially back in your 1399 01:08:34,200 --> 01:08:37,800 Speaker 1: back in and I love it, and I do have 1400 01:08:37,880 --> 01:08:41,200 Speaker 1: to say I really still am hurt. There's a little 1401 01:08:41,200 --> 01:08:42,960 Speaker 1: bit of people. I watched the whole season of it, 1402 01:08:43,000 --> 01:08:46,280 Speaker 1: but you didn't like it? And can I say why? 1403 01:08:46,479 --> 01:08:49,040 Speaker 1: The episodes are too long? There? Yeah, did you keep 1404 01:08:49,080 --> 01:08:51,040 Speaker 1: up with That's what I that's the problem. I loved it, 1405 01:08:51,040 --> 01:08:52,960 Speaker 1: but it was it was very long. He's in pain, 1406 01:08:53,120 --> 01:08:56,720 Speaker 1: I'm in pain. I've watched Survivor for you, so I 1407 01:08:56,840 --> 01:09:00,360 Speaker 1: was very easy to watch. I've watched You haven't watched Survivor. 1408 01:09:00,400 --> 01:09:02,519 Speaker 1: For me, I said you should watch Survivor. You started 1409 01:09:02,560 --> 01:09:05,400 Speaker 1: watching it and you loved it. I didn't. I just 1410 01:09:05,479 --> 01:09:07,800 Speaker 1: want you to take one of my recommendations I do. 1411 01:09:08,280 --> 01:09:10,080 Speaker 1: I watched the whole season and if Fyance, I was 1412 01:09:10,120 --> 01:09:13,840 Speaker 1: absolutely watching. I'm going to It's just can I say, 1413 01:09:13,840 --> 01:09:16,360 Speaker 1: there's so much out there, like when and just like 1414 01:09:16,400 --> 01:09:18,280 Speaker 1: that is out there. Also, you know, I'm working on 1415 01:09:18,280 --> 01:09:26,880 Speaker 1: the show, so hurt hurt him? Is Darcy still on it? 1416 01:09:27,120 --> 01:09:30,920 Speaker 1: Darcy is still a lot of Darky. You didn't watch 1417 01:09:30,920 --> 01:09:34,000 Speaker 1: the Darcy season, did? Oh my god? Because that's really 1418 01:09:34,000 --> 01:09:36,000 Speaker 1: hooked me. And I've interviewed Darcy a couple of times. 1419 01:09:36,080 --> 01:09:39,080 Speaker 1: You have, and it's been wild Darcy and then Darcy 1420 01:09:39,120 --> 01:09:41,320 Speaker 1: has HER's been off with Darcy and Stacy with her twin. 1421 01:09:41,439 --> 01:09:43,680 Speaker 1: My boyfriend watches that, so I feel like, I like, 1422 01:09:43,840 --> 01:09:46,080 Speaker 1: keep up with them, and I keep up with Darcy 1423 01:09:46,160 --> 01:09:48,559 Speaker 1: like peripheral, like I know where she's at and everything. 1424 01:09:48,600 --> 01:09:51,800 Speaker 1: But I love dark The Darcy of it all was crazy, Dary. 1425 01:09:51,800 --> 01:09:53,320 Speaker 1: I don't know how she still is on the show, 1426 01:09:53,360 --> 01:09:55,640 Speaker 1: but it was I mean, I don't know. She she 1427 01:09:55,720 --> 01:09:57,360 Speaker 1: she figures out a way to stay in there and 1428 01:09:57,400 --> 01:10:00,360 Speaker 1: it's pretty impressive. So it's her second relation and ship 1429 01:10:00,400 --> 01:10:06,120 Speaker 1: working Tom no Tom is because the first guy was 1430 01:10:06,200 --> 01:10:09,680 Speaker 1: completely Yeah yeah, Jesse, I watched that that that's a 1431 01:10:09,680 --> 01:10:11,600 Speaker 1: crazy season. But you need to want you needed to 1432 01:10:11,600 --> 01:10:16,040 Speaker 1: watch either season three before the Many Days with Angela. 1433 01:10:16,280 --> 01:10:20,200 Speaker 1: I watched that one, okay, Angela. I mean it's really good. 1434 01:10:20,640 --> 01:10:23,640 Speaker 1: The Caesar, the Caesar storyline, the guy who goes to 1435 01:10:23,680 --> 01:10:26,599 Speaker 1: Mexico and buys like the candy, the candy panties and ship. 1436 01:10:26,760 --> 01:10:31,880 Speaker 1: Oh yeah, no, it's it's so it's so incredible to 1437 01:10:31,960 --> 01:10:35,639 Speaker 1: see like this is this is so tragic and sound. 1438 01:10:35,680 --> 01:10:38,000 Speaker 1: I mean, I guess that's why people don't latch onto 1439 01:10:38,000 --> 01:10:40,680 Speaker 1: it because it's pure despair. That doesn't bother me. That 1440 01:10:40,800 --> 01:10:43,880 Speaker 1: part doesn't bother me, and you know it is kind 1441 01:10:43,920 --> 01:10:46,479 Speaker 1: of like like but by the time those things really happened, 1442 01:10:46,520 --> 01:10:49,080 Speaker 1: you actually are happy that you've watched so much of it, 1443 01:10:49,120 --> 01:10:52,160 Speaker 1: because it's like, I just think they they could they 1444 01:10:52,200 --> 01:10:55,360 Speaker 1: could afford to cut like two storylines always like I 1445 01:10:55,400 --> 01:10:57,160 Speaker 1: just feel like I want to see more of the 1446 01:10:57,160 --> 01:10:59,599 Speaker 1: people you love because then when when you go away 1447 01:10:59,680 --> 01:11:02,400 Speaker 1: from him. It's like like some some people, I just 1448 01:11:02,479 --> 01:11:06,280 Speaker 1: was not responding, you know. I went I was covering 1449 01:11:06,280 --> 01:11:07,760 Speaker 1: it on my show for like a season. It was 1450 01:11:07,800 --> 01:11:09,720 Speaker 1: around that I think it was before the ninety days 1451 01:11:09,760 --> 01:11:12,440 Speaker 1: with Darcy, and they invited me to like a mixer, 1452 01:11:12,479 --> 01:11:14,439 Speaker 1: to come and interview, like some of it was at 1453 01:11:14,479 --> 01:11:17,479 Speaker 1: a gay bar in West Hollywood. I forget her, but 1454 01:11:18,000 --> 01:11:21,160 Speaker 1: there was like a whole slew of the characters there, right, 1455 01:11:21,479 --> 01:11:23,639 Speaker 1: And I was new to the world, and they were 1456 01:11:23,680 --> 01:11:26,080 Speaker 1: like setting they were bringing people to me to like interview, 1457 01:11:26,560 --> 01:11:27,920 Speaker 1: and I didn't know who these people were, and so 1458 01:11:27,960 --> 01:11:30,759 Speaker 1: I got like a crash course like all of these 1459 01:11:30,800 --> 01:11:34,120 Speaker 1: stars of that show, of that franchise, and it was crazy. 1460 01:11:34,320 --> 01:11:36,760 Speaker 1: It was like I can't. I mean, it's shocking to 1461 01:11:36,800 --> 01:11:39,879 Speaker 1: me that Darcy is the star of that channel, right, 1462 01:11:40,360 --> 01:11:42,840 Speaker 1: of that crazy of TLC. She is the star. She's 1463 01:11:42,880 --> 01:11:45,559 Speaker 1: the like the face of TLC. She's the I don't know, 1464 01:11:45,640 --> 01:11:48,160 Speaker 1: like so that's like that that part of her, part 1465 01:11:48,160 --> 01:11:50,120 Speaker 1: of her probably is like, oh God, I hope none 1466 01:11:50,120 --> 01:11:51,799 Speaker 1: of this ship works out on the face of TLC. 1467 01:11:51,880 --> 01:11:54,840 Speaker 1: I gotta stay on the show exactly. She needs a 1468 01:11:54,880 --> 01:11:58,120 Speaker 1: lot of ninety day periods there you go and she 1469 01:11:58,120 --> 01:12:00,519 Speaker 1: she'll stay, She'll stay. Now they have a spin off, 1470 01:12:00,760 --> 01:12:04,160 Speaker 1: Darcy her sister. Oh my god, are you able to 1471 01:12:04,880 --> 01:12:08,519 Speaker 1: between the Darcy? Yes? Okay, yes, Stacy looks has has 1472 01:12:08,560 --> 01:12:12,000 Speaker 1: has had better work done. Okay, Unfortunately that's any to 1473 01:12:12,000 --> 01:12:14,479 Speaker 1: hear it before we go into I don't think so, honey, 1474 01:12:14,520 --> 01:12:16,599 Speaker 1: tell us a little bit about the book. The book 1475 01:12:16,680 --> 01:12:19,280 Speaker 1: is good. It's a it's a lot of nostalgia, pop culture, 1476 01:12:19,400 --> 01:12:21,679 Speaker 1: a lot of family stories. It's comedic, and then there's 1477 01:12:21,720 --> 01:12:24,120 Speaker 1: some drama in there too. It's an essay collection, so 1478 01:12:24,200 --> 01:12:27,320 Speaker 1: there's funny stuff and some dramatic stuff. I can't wait, 1479 01:12:27,640 --> 01:12:30,320 Speaker 1: and I'm really proud of it, like I'm I love it. 1480 01:12:30,400 --> 01:12:32,160 Speaker 1: I hope everyone gets it pre order. It's at March. 1481 01:12:32,360 --> 01:12:36,360 Speaker 1: How do I remember this? And going on tour. Yeah, yeah, 1482 01:12:36,400 --> 01:12:42,800 Speaker 1: I'll be in New York, Chicago, Boston, Cleveland, and l A. Yeah, 1483 01:12:43,840 --> 01:12:47,120 Speaker 1: they're all. I'm partnered with independent bookstores, so you can 1484 01:12:47,240 --> 01:12:50,440 Speaker 1: come to you know, and support the independent bookstores or 1485 01:12:50,640 --> 01:12:53,240 Speaker 1: from your local bookstore if you want to. Um, And 1486 01:12:53,280 --> 01:12:56,280 Speaker 1: then I'm doing south By Southwest, so fu yeah, that's 1487 01:12:56,320 --> 01:13:07,599 Speaker 1: so great. I always wanted to go to south By. Okay, 1488 01:13:07,600 --> 01:13:09,120 Speaker 1: So I guess it's time for I don't think so, honey, 1489 01:13:09,240 --> 01:13:12,760 Speaker 1: it's time. Wow. This is that moment when we take 1490 01:13:13,080 --> 01:13:16,719 Speaker 1: one minute to rail against something in pop culture that 1491 01:13:17,000 --> 01:13:21,400 Speaker 1: um we just we we want to put on notice 1492 01:13:23,400 --> 01:13:25,720 Speaker 1: and then really just drag him through the goddamn mud. 1493 01:13:25,760 --> 01:13:27,800 Speaker 1: But I have something and it's it will put a 1494 01:13:27,840 --> 01:13:30,559 Speaker 1: button on my feelings on a particular time. Okay, okay, great, 1495 01:13:30,600 --> 01:13:32,120 Speaker 1: this is Matt Rodgers. I don't think so many as 1496 01:13:32,120 --> 01:13:35,080 Speaker 1: time starts now. I don't think so, honey. Sarda Ramirez 1497 01:13:35,160 --> 01:13:37,559 Speaker 1: having to play das. This is one of the most 1498 01:13:37,680 --> 01:13:41,599 Speaker 1: talented people in the world. Go online and I want 1499 01:13:41,640 --> 01:13:44,680 Speaker 1: you YouTube to videos. One is whatever happened to my 1500 01:13:44,760 --> 01:13:48,120 Speaker 1: part from spam a lot. This human being is the 1501 01:13:48,160 --> 01:13:52,639 Speaker 1: most talented person in the world. I understand Shada seemed 1502 01:13:52,640 --> 01:13:54,400 Speaker 1: like an opportunity for a life of a lifetime, but 1503 01:13:54,680 --> 01:13:57,840 Speaker 1: the cha of it all is keeping Saraamires from being 1504 01:13:57,880 --> 01:14:00,479 Speaker 1: Sara Ramirez. The second video I want you to watch 1505 01:14:00,600 --> 01:14:03,840 Speaker 1: is Buenos Aires from Avida. There is a performance that 1506 01:14:03,920 --> 01:14:07,240 Speaker 1: Sarah Ramirez does of this that is standing the test 1507 01:14:07,240 --> 01:14:10,479 Speaker 1: of time forever. This is one of the most talented 1508 01:14:10,560 --> 01:14:13,599 Speaker 1: musical theater performers in the world. I understand why they 1509 01:14:13,600 --> 01:14:16,599 Speaker 1: were like throw them a song and and just like that, 1510 01:14:16,640 --> 01:14:19,320 Speaker 1: but all it did was piss me off because I'm like, 1511 01:14:19,600 --> 01:14:21,800 Speaker 1: if I'm in the audience in this world event just 1512 01:14:21,920 --> 01:14:23,479 Speaker 1: like that, and I know it's surreal and the greed, 1513 01:14:23,600 --> 01:14:27,439 Speaker 1: but I'm saying, why aren't they on Broadway? Is the 1514 01:14:27,439 --> 01:14:29,920 Speaker 1: pilot musical? It should be? If it's not, I don't 1515 01:14:29,920 --> 01:14:32,280 Speaker 1: think so. Honey, Sarda Ramirez come back to the stage. 1516 01:14:32,360 --> 01:14:35,880 Speaker 1: And that's one minute. When you see people that can 1517 01:14:35,920 --> 01:14:38,920 Speaker 1: do anything, I know it is. It's very frustrating. They 1518 01:14:38,960 --> 01:14:45,040 Speaker 1: sang that Brandy Carlyle song story and and I think 1519 01:14:45,040 --> 01:14:49,120 Speaker 1: they sang chasing cars. They I think they all said 1520 01:14:49,160 --> 01:14:50,960 Speaker 1: it was like a group thing. They did how to 1521 01:14:51,000 --> 01:14:54,400 Speaker 1: Save the Life too. Yeah, I think everyone maybe that 1522 01:14:54,479 --> 01:14:56,280 Speaker 1: was like broken up. Every single person did a little. 1523 01:14:56,280 --> 01:15:00,759 Speaker 1: I think Kyler Lee could sing, yeahs singer. She shouldn't 1524 01:15:00,760 --> 01:15:03,040 Speaker 1: have to sing, right, Why are we trying to make 1525 01:15:03,080 --> 01:15:06,000 Speaker 1: her sing? We shouldn't be doing We shouldn't be doing that. 1526 01:15:06,120 --> 01:15:08,760 Speaker 1: But that musical episode existed because they were like, I mean, 1527 01:15:08,840 --> 01:15:11,600 Speaker 1: here's Sada, so like let's let's have it happened. That 1528 01:15:11,680 --> 01:15:14,639 Speaker 1: was that was at a time in Gray's history when 1529 01:15:14,800 --> 01:15:16,280 Speaker 1: I don't know if they still do this, but they were. 1530 01:15:16,320 --> 01:15:18,280 Speaker 1: They were doing a lot of gimmicky episodes. I think 1531 01:15:18,520 --> 01:15:21,519 Speaker 1: that same season, that same season season they did and 1532 01:15:21,560 --> 01:15:23,840 Speaker 1: I liked this episode where it was a real time, 1533 01:15:23,960 --> 01:15:25,760 Speaker 1: like it all took place in an hour. Yes, I 1534 01:15:25,800 --> 01:15:27,599 Speaker 1: liked that and I kind of liked that. I also 1535 01:15:27,680 --> 01:15:30,960 Speaker 1: loved the documentary. I hated the documentary. I don't like 1536 01:15:31,680 --> 01:15:35,000 Speaker 1: And that was when many Moore died. That's right. First 1537 01:15:35,000 --> 01:15:37,439 Speaker 1: of all, when many Moore died on Gray's Anatomy, that 1538 01:15:37,479 --> 01:15:40,280 Speaker 1: was a moment in culture. Yeah, we we actually missed 1539 01:15:40,280 --> 01:15:45,040 Speaker 1: that on Top two. But um, when many Moore died, 1540 01:15:45,080 --> 01:15:49,000 Speaker 1: that was incredible and just Chandra like taking it to 1541 01:15:49,040 --> 01:15:52,880 Speaker 1: camera being like, yeah she's dead. Um. Also, I mean 1542 01:15:52,960 --> 01:15:55,679 Speaker 1: I like all their disaster episodes. My joke is always 1543 01:15:55,720 --> 01:15:58,080 Speaker 1: there's a lie on loose on Osteria Lane, like basically 1544 01:15:58,160 --> 01:16:01,439 Speaker 1: during sweeps when the tornadoes Chandler and the bomb. Yeah. 1545 01:16:01,560 --> 01:16:04,519 Speaker 1: The so Grey's Anatomy and desp Perhapses were so good 1546 01:16:04,520 --> 01:16:06,160 Speaker 1: at it when they would do their event and episodes. 1547 01:16:06,360 --> 01:16:08,600 Speaker 1: My favorite is when there was a twister on with 1548 01:16:08,720 --> 01:16:11,360 Speaker 1: day Elane and John Slattery took a white pick offense 1549 01:16:11,400 --> 01:16:13,439 Speaker 1: to the chest and died, and Eva Longoria was free. 1550 01:16:13,560 --> 01:16:20,080 Speaker 1: I want that reboot. Really, I don't have anything. I 1551 01:16:20,120 --> 01:16:23,200 Speaker 1: didn't have anything until I started speaking. Sometimes not true. 1552 01:16:23,280 --> 01:16:25,880 Speaker 1: You you had it ready to go before you before 1553 01:16:25,880 --> 01:16:28,680 Speaker 1: you uttered the phrase. You don't know me at all. 1554 01:16:29,120 --> 01:16:32,599 Speaker 1: You don't know me, you don't know, you don't know. Oh, 1555 01:16:32,680 --> 01:16:34,799 Speaker 1: I've got something. Okay, So this is what I'm saying, 1556 01:16:34,880 --> 01:16:36,599 Speaker 1: Like sometimes it just was sitting there in the back 1557 01:16:36,600 --> 01:16:39,479 Speaker 1: of yeah, yeah, yeah, yeah, yeah, okay. So this is 1558 01:16:39,880 --> 01:16:42,880 Speaker 1: Bowen Yang, the one and only. First of all, let's 1559 01:16:42,880 --> 01:16:44,280 Speaker 1: just say I love that I gotta be here and 1560 01:16:44,320 --> 01:16:46,720 Speaker 1: watch this in personally, this is we haven't done this in. 1561 01:16:47,439 --> 01:16:49,640 Speaker 1: I feel like I'm just I'm getting like live. I 1562 01:16:49,680 --> 01:16:53,679 Speaker 1: feel like we're gonna. Isn't it just amazing to watch 1563 01:16:53,720 --> 01:16:56,120 Speaker 1: us work? You know, It's so like when when you 1564 01:16:56,160 --> 01:16:58,680 Speaker 1: get in the room and it's like electricit you know 1565 01:16:58,760 --> 01:17:02,479 Speaker 1: it's electricity, but what is this Ramona energy? It's really happening. 1566 01:17:02,520 --> 01:17:08,439 Speaker 1: You know, I'm incredible. You guess like me, um, should 1567 01:17:08,439 --> 01:17:14,400 Speaker 1: Hapeny come back? Think so, honey? And his time starts now? 1568 01:17:14,479 --> 01:17:16,840 Speaker 1: I don't think so, honey. Anytime someone's like this person 1569 01:17:17,000 --> 01:17:21,679 Speaker 1: looks like you. It never goes well. They never get 1570 01:17:21,720 --> 01:17:25,960 Speaker 1: it right. They always show you some like person who like, 1571 01:17:26,280 --> 01:17:29,360 Speaker 1: I don't know, like is missing like six of your 1572 01:17:29,439 --> 01:17:32,640 Speaker 1: chromosomes or something like it does it never looks like 1573 01:17:32,800 --> 01:17:34,720 Speaker 1: do you? Guys? And people do this with you guys, 1574 01:17:35,000 --> 01:17:38,520 Speaker 1: like your relatives and ship like it's like it never 1575 01:17:38,600 --> 01:17:41,479 Speaker 1: ever ever makes you think, Wow, they really do look 1576 01:17:41,520 --> 01:17:43,559 Speaker 1: like me, don't they? What are you trying? What is 1577 01:17:43,600 --> 01:17:46,639 Speaker 1: the endgame there? When someone is like this person looks 1578 01:17:46,680 --> 01:17:50,599 Speaker 1: like you? What do you expect the other person to say, 1579 01:17:50,960 --> 01:17:55,559 Speaker 1: I don't understand what that conversational exchange, what that exchange 1580 01:17:55,600 --> 01:17:58,720 Speaker 1: is supposed to be. And you're putting in a weird 1581 01:17:58,760 --> 01:18:02,200 Speaker 1: position to be like, I think that's not what I 1582 01:18:02,280 --> 01:18:05,479 Speaker 1: look like, or you like kill a part of yourself 1583 01:18:05,479 --> 01:18:09,479 Speaker 1: to be like, yeah, you're right, I don't like it 1584 01:18:09,520 --> 01:18:13,280 Speaker 1: sets up, um, you know, something very contentious and I 1585 01:18:13,280 --> 01:18:15,519 Speaker 1: don't know it makes me like you respect you much less. 1586 01:18:16,080 --> 01:18:18,000 Speaker 1: That's one minute, you know, unless it's going to be 1587 01:18:18,040 --> 01:18:20,120 Speaker 1: like a model or like a huge movie star, like, 1588 01:18:20,160 --> 01:18:22,240 Speaker 1: it shouldn't be done. You know. People were telling me 1589 01:18:22,280 --> 01:18:26,840 Speaker 1: I looked like the teenage girl who was texting her 1590 01:18:26,880 --> 01:18:30,680 Speaker 1: boyfriend to kill himself. God, what was her name? She was? 1591 01:18:30,760 --> 01:18:33,439 Speaker 1: But they did just a documentary about it, and everyonemost 1592 01:18:33,479 --> 01:18:39,000 Speaker 1: like you look like her? Oh wait, the documentary was good. 1593 01:18:39,040 --> 01:18:41,920 Speaker 1: It was as an incredible documentary. I also would argue 1594 01:18:41,960 --> 01:18:44,479 Speaker 1: that people shouldn't say. You shouldn't say about yourself that 1595 01:18:44,520 --> 01:18:46,040 Speaker 1: you look like anyone either. Do you remember back in 1596 01:18:46,080 --> 01:18:49,360 Speaker 1: the day when people were posting their doppel ganger online. 1597 01:18:50,200 --> 01:18:52,559 Speaker 1: It's like, I don't think you should say, like every 1598 01:18:52,600 --> 01:18:54,960 Speaker 1: gay person was like, oh Jake Jillen Hall, and it's like, 1599 01:18:55,000 --> 01:18:58,000 Speaker 1: you don't look like Jake or whoever it was, right right, 1600 01:18:58,040 --> 01:19:00,439 Speaker 1: You're like, wait a minute, like what like what is 1601 01:19:00,479 --> 01:19:03,639 Speaker 1: this that was uncomfortable to this dys more fick view 1602 01:19:03,640 --> 01:19:07,840 Speaker 1: of yourself? Wait, okay, her name was Michelle, but but 1603 01:19:08,160 --> 01:19:10,600 Speaker 1: but she looks like sucking like she looks like a 1604 01:19:10,680 --> 01:19:14,280 Speaker 1: car Dela. She looks like Cardel. And I think, who's 1605 01:19:14,280 --> 01:19:17,840 Speaker 1: playing paying no someone? Oh no, no, no, what someone else? 1606 01:19:17,840 --> 01:19:19,960 Speaker 1: As someone else? At someone else? Who is playing her 1607 01:19:20,840 --> 01:19:24,160 Speaker 1: elf fanning El Fanning? Is that? Yes, it's Alt Fanning? 1608 01:19:24,680 --> 01:19:29,439 Speaker 1: Is it? It's is playing this is Michelle Carter who 1609 01:19:29,520 --> 01:19:35,400 Speaker 1: was playing Michelle Carter. It says Arter, I really big thumbs. 1610 01:19:35,960 --> 01:19:38,040 Speaker 1: L Fanning is doing it. And I think I saw 1611 01:19:38,080 --> 01:19:40,600 Speaker 1: a photo of el and like her blocked brows and 1612 01:19:40,720 --> 01:19:43,679 Speaker 1: like like these chunky browsing, like making that like sad 1613 01:19:43,720 --> 01:19:46,160 Speaker 1: Michelle Carter phrase and like with that hair, and I 1614 01:19:46,200 --> 01:19:48,960 Speaker 1: was like, honestly, chic. Did you see the photos of 1615 01:19:49,000 --> 01:19:51,960 Speaker 1: Rene's a worker playing that UM podcast? Do you know 1616 01:19:52,000 --> 01:19:54,000 Speaker 1: what I'm talking about? What? They put her in a 1617 01:19:54,000 --> 01:19:56,400 Speaker 1: fat suit? They did, and it was shocking to me. 1618 01:19:56,560 --> 01:19:58,519 Speaker 1: I didn't see the video. I guess there's a trick. 1619 01:19:58,640 --> 01:20:00,599 Speaker 1: Is there a trailer? I don't know what is she playing? 1620 01:20:00,680 --> 01:20:03,400 Speaker 1: And she's she's in a fat suit playing a It's 1621 01:20:03,439 --> 01:20:09,160 Speaker 1: like someone a podcast killer something like that should playing 1622 01:20:09,160 --> 01:20:12,640 Speaker 1: a killer, I think, or something. What's going on? You 1623 01:20:12,720 --> 01:20:15,439 Speaker 1: just look at Renee Zellwegger new movie or show? I 1624 01:20:15,439 --> 01:20:18,559 Speaker 1: think it's an NBC show. Okay, Renee with Judy Greer's 1625 01:20:18,600 --> 01:20:22,040 Speaker 1: in it too, who we love? But Rene's Elweger new show. 1626 01:20:23,760 --> 01:20:27,360 Speaker 1: Literally my jaw dropped when I saw the image. Okay, wait, okay, 1627 01:20:27,600 --> 01:20:31,439 Speaker 1: did you find it? Renee's Elwigger is unrecognizable in trailer 1628 01:20:31,520 --> 01:20:35,639 Speaker 1: for true crime series The thing about Pam. Okay, wait, yep, 1629 01:20:37,200 --> 01:20:40,840 Speaker 1: this is so rene Elwigger is unrecognizable as a Midwestern 1630 01:20:40,920 --> 01:20:44,559 Speaker 1: murdering mom. Okay, wait, yeah she They really did go 1631 01:20:46,040 --> 01:20:49,200 Speaker 1: on this one, Okay, And I'm concerned that it's NBC, 1632 01:20:49,240 --> 01:20:52,040 Speaker 1: and we love NBC, but it's like, I'm concerned that 1633 01:20:52,080 --> 01:20:58,160 Speaker 1: she did all of that for a network like procedural. Yeah, 1634 01:20:58,400 --> 01:21:04,479 Speaker 1: Zellweger star says Pam M hop p a M. The 1635 01:21:04,560 --> 01:21:07,959 Speaker 1: middle aged mother and insurance office worker. She's not a podcaster, unfortunately, 1636 01:21:08,000 --> 01:21:10,280 Speaker 1: who in two thousand eleven became embrelled in a brutal 1637 01:21:10,400 --> 01:21:14,559 Speaker 1: slashing murder for which she is currently facing charges. This 1638 01:21:14,600 --> 01:21:16,600 Speaker 1: is what she looks like in the show. M M. 1639 01:21:17,880 --> 01:21:21,559 Speaker 1: Incredible the shoes. Why can't just just cast just cast 1640 01:21:21,560 --> 01:21:24,800 Speaker 1: a fat person. That's kind of what I think. But look, 1641 01:21:24,880 --> 01:21:28,240 Speaker 1: Josh Dumel is in it. Yes, yeah, there's I mean, 1642 01:21:28,680 --> 01:21:30,320 Speaker 1: it's hard to even focus on anything else when you 1643 01:21:30,320 --> 01:21:32,479 Speaker 1: see that photo of Verne'sweger, Like you can't even see 1644 01:21:32,520 --> 01:21:34,200 Speaker 1: the other people in the I mean, this is my 1645 01:21:34,240 --> 01:21:40,000 Speaker 1: new lock screen now that that's incredible, But well, I 1646 01:21:40,000 --> 01:21:43,440 Speaker 1: think it's time for Danny. I think time Danny pellegreenos, 1647 01:21:43,439 --> 01:21:44,920 Speaker 1: I don't think so, honey, A moment in time. This 1648 01:21:45,040 --> 01:21:47,040 Speaker 1: is okay, this is Danny pellagreenos. I don't think so 1649 01:21:47,040 --> 01:21:49,479 Speaker 1: many time starts now, I don't think so Honey, the View. 1650 01:21:49,600 --> 01:21:51,120 Speaker 1: I love who you just talked about the View, of 1651 01:21:51,160 --> 01:21:52,880 Speaker 1: course on these things. We love the View, and it's 1652 01:21:52,880 --> 01:21:54,800 Speaker 1: one of the most incredible shows on TV twenty five 1653 01:21:54,880 --> 01:21:57,559 Speaker 1: years and it's still making headlines. My problem is that 1654 01:21:57,600 --> 01:21:59,840 Speaker 1: they never addressed the headlines in the hot topics when 1655 01:22:00,000 --> 01:22:01,360 Speaker 1: air in the headlines, and I think we need to 1656 01:22:01,400 --> 01:22:04,559 Speaker 1: finally start breaking down that fourth wall. If Woop he's 1657 01:22:04,680 --> 01:22:06,560 Speaker 1: going to be taking a two weekly babsence, then I 1658 01:22:06,560 --> 01:22:08,080 Speaker 1: want to hear the host talk about the next day 1659 01:22:08,080 --> 01:22:10,000 Speaker 1: on out topics table. Because the other shows are talking 1660 01:22:10,000 --> 01:22:12,280 Speaker 1: about the Talk is talking about it, the Real Bill Maher, 1661 01:22:12,320 --> 01:22:14,040 Speaker 1: the other shows are talking about it. Let's set the 1662 01:22:14,040 --> 01:22:15,640 Speaker 1: women down. I want to know what Sunny thinks of it. 1663 01:22:15,720 --> 01:22:17,519 Speaker 1: I want to know what Joy thinks about when they're 1664 01:22:17,560 --> 01:22:20,759 Speaker 1: searching for a conservative conservative co host replace Meggan McCain. 1665 01:22:20,920 --> 01:22:23,400 Speaker 1: Page six is writing about it, every magazine's writing about it. 1666 01:22:23,479 --> 01:22:25,160 Speaker 1: Let's have the girls sit down and talk about what 1667 01:22:25,320 --> 01:22:27,880 Speaker 1: who do we want? Do we like from the past? 1668 01:22:27,920 --> 01:22:31,519 Speaker 1: What This is a hot topic culturally, So let's address 1669 01:22:31,560 --> 01:22:33,040 Speaker 1: it as a hot topic in the show, but instead 1670 01:22:33,120 --> 01:22:35,040 Speaker 1: they decided to not talk about it. And I want 1671 01:22:35,080 --> 01:22:36,960 Speaker 1: to hear those women talk about it because the view 1672 01:22:37,280 --> 01:22:40,919 Speaker 1: is a pop culture phenomenon and it's in the zikeist 1673 01:22:40,960 --> 01:22:42,400 Speaker 1: and when it isn't the Zike guys, I wanted to 1674 01:22:42,400 --> 01:22:44,880 Speaker 1: be a hot topic, like rightfully is and I love 1675 01:22:44,920 --> 01:22:46,559 Speaker 1: to show more than anything. And I only say this 1676 01:22:46,640 --> 01:22:49,040 Speaker 1: because I care and I want the show to address it. 1677 01:22:49,280 --> 01:22:52,519 Speaker 1: Then that's what that's wonderful, incredible, I mean, here's the deal. 1678 01:22:52,640 --> 01:22:56,479 Speaker 1: That was, Oh my god, and truly the density. It 1679 01:22:56,600 --> 01:22:58,280 Speaker 1: was the most words per minute we've had in a 1680 01:22:58,360 --> 01:23:00,439 Speaker 1: very long, very long time. And that's be as it's 1681 01:23:00,479 --> 01:23:04,640 Speaker 1: deserving of it, because the fact is the View is 1682 01:23:04,680 --> 01:23:08,519 Speaker 1: being left in the dust by The Real and the time. 1683 01:23:08,560 --> 01:23:10,559 Speaker 1: I don't even care about the talk, but The Real 1684 01:23:10,760 --> 01:23:14,599 Speaker 1: is the best panel daytime show on television right now. Yes, 1685 01:23:14,800 --> 01:23:18,400 Speaker 1: because they have Garcella, now, who's a great center. Garcella 1686 01:23:18,439 --> 01:23:21,839 Speaker 1: is such good vibes, and Adrian and Lonnie are always 1687 01:23:21,880 --> 01:23:25,160 Speaker 1: like they always and Genie, who's amazing like they always 1688 01:23:25,160 --> 01:23:29,559 Speaker 1: have like they it's never contentious between them, but they 1689 01:23:29,640 --> 01:23:32,639 Speaker 1: disagree and I'm never nervous watching it because it feels 1690 01:23:32,640 --> 01:23:35,800 Speaker 1: like they all have like a respectful working relationship and 1691 01:23:35,840 --> 01:23:38,479 Speaker 1: the View. I had to stop watching the View because 1692 01:23:38,600 --> 01:23:42,559 Speaker 1: it feels toxic to me, like and I get nervous. 1693 01:23:42,600 --> 01:23:45,080 Speaker 1: It just feels so weird to me though, that there 1694 01:23:45,120 --> 01:23:47,840 Speaker 1: could be a story like the Whoopie thing or like 1695 01:23:48,040 --> 01:23:50,599 Speaker 1: whatever it is. It happens all the time, and it's 1696 01:23:50,640 --> 01:23:52,320 Speaker 1: like then you turn on the show and it's not 1697 01:23:52,439 --> 01:23:54,280 Speaker 1: on the hot topics, and it's like, it would be 1698 01:23:54,320 --> 01:23:56,479 Speaker 1: such a great opportunity for us to like sit and talk, 1699 01:23:56,640 --> 01:23:59,439 Speaker 1: like there's been so much back and forth of like 1700 01:23:59,640 --> 01:24:01,599 Speaker 1: should whoop you have gotten a two week break and 1701 01:24:01,640 --> 01:24:03,559 Speaker 1: should or should she have not? Or should she been 1702 01:24:03,560 --> 01:24:06,120 Speaker 1: fired completely? Whatever it is? And I feel like that 1703 01:24:06,160 --> 01:24:09,719 Speaker 1: could have made such an explosive thing to hear Joy 1704 01:24:09,800 --> 01:24:13,000 Speaker 1: and Sonny and Sarah's and Anna or whoever sitting and 1705 01:24:13,040 --> 01:24:15,880 Speaker 1: talking like, oh, yeah, I actually you know, I think 1706 01:24:15,920 --> 01:24:17,880 Speaker 1: what we should have been here? I don't I think 1707 01:24:17,920 --> 01:24:20,880 Speaker 1: she should have been whatever. Yeah. It's when this thing 1708 01:24:20,880 --> 01:24:22,760 Speaker 1: happens with Wendy Williams too, when it's like when she 1709 01:24:22,880 --> 01:24:25,320 Speaker 1: becomes a story, she doesn't talk about it. She doesn't 1710 01:24:25,320 --> 01:24:28,360 Speaker 1: talk about herself because for whatever reasons, like she's she's 1711 01:24:28,360 --> 01:24:31,760 Speaker 1: allowed to keep that private, but like it does kind 1712 01:24:31,800 --> 01:24:35,280 Speaker 1: of like chip away at the whole I don't know, 1713 01:24:35,840 --> 01:24:39,120 Speaker 1: uh exists the reason for existence of your show. It's like, well, 1714 01:24:39,160 --> 01:24:41,360 Speaker 1: then why aren't you talking about yourself if you're the story. 1715 01:24:41,640 --> 01:24:43,920 Speaker 1: I think that it really boils down to the fact 1716 01:24:43,960 --> 01:24:46,120 Speaker 1: that it would piss Whoopee off. And I don't think 1717 01:24:46,160 --> 01:24:49,600 Speaker 1: Whoppe would come back if if Whoopy was being discussed 1718 01:24:49,600 --> 01:24:52,320 Speaker 1: on the show, and like if there were anything negative 1719 01:24:52,320 --> 01:24:54,720 Speaker 1: about her, because I don't. I actually, from what I 1720 01:24:54,800 --> 01:24:57,439 Speaker 1: understand about whoop be from like the stuff that's written 1721 01:24:57,479 --> 01:25:00,840 Speaker 1: about the um show and like the stories around the show, 1722 01:25:01,080 --> 01:25:03,800 Speaker 1: is that she kind of does actually run the ship, 1723 01:25:03,880 --> 01:25:08,800 Speaker 1: even if it feels like and the the vibe that 1724 01:25:08,840 --> 01:25:10,439 Speaker 1: she wants to give off is that she kind of 1725 01:25:10,479 --> 01:25:13,200 Speaker 1: doesn't really care about it. She actually very much does. 1726 01:25:13,920 --> 01:25:16,680 Speaker 1: And I think that there's you know, a lot of 1727 01:25:16,720 --> 01:25:19,400 Speaker 1: like main character energy there and she's not going to 1728 01:25:19,479 --> 01:25:22,800 Speaker 1: be you know, dragged by her own show. But it's 1729 01:25:22,840 --> 01:25:26,280 Speaker 1: it's interesting because it's actually like it is a fascinating 1730 01:25:26,320 --> 01:25:29,960 Speaker 1: discussion about like when someone is a cultural icon and 1731 01:25:30,000 --> 01:25:31,960 Speaker 1: like has learning to do and messages up like that. 1732 01:25:32,160 --> 01:25:35,920 Speaker 1: It feels very in line and of what the view does, 1733 01:25:36,520 --> 01:25:38,840 Speaker 1: right because because I mean, that's one thing I really 1734 01:25:39,720 --> 01:25:42,200 Speaker 1: I'm so tired of hearing them talk about cancel culture 1735 01:25:42,720 --> 01:25:46,080 Speaker 1: because I just don't think that they I think that 1736 01:25:46,160 --> 01:25:49,479 Speaker 1: they Sunny in particular is always like I don't like 1737 01:25:49,560 --> 01:25:53,680 Speaker 1: this cancel culture, Like it's that simple. And they do 1738 01:25:53,760 --> 01:25:55,800 Speaker 1: discuss this topic all the time, so for it to 1739 01:25:55,840 --> 01:25:58,559 Speaker 1: be in their own home and not address it feels 1740 01:25:58,560 --> 01:26:01,840 Speaker 1: like a missed opportunity. And also like if you you 1741 01:26:01,880 --> 01:26:04,400 Speaker 1: want people to watch, like people would watch, and there's 1742 01:26:04,600 --> 01:26:08,160 Speaker 1: so many logistics around it, and I'm sure, like you said, 1743 01:26:08,200 --> 01:26:10,400 Speaker 1: maybe they don't want to whoop it up, be upset 1744 01:26:10,479 --> 01:26:12,880 Speaker 1: or whatever it is. But it just happens time and 1745 01:26:12,880 --> 01:26:15,800 Speaker 1: time again where the views making like worldwide news and 1746 01:26:15,840 --> 01:26:19,240 Speaker 1: they're being talked about because that they're that girl you 1747 01:26:19,360 --> 01:26:22,160 Speaker 1: always talk. But so it's like, let's, I don't know, 1748 01:26:22,240 --> 01:26:24,439 Speaker 1: let's address it some a little bit on it, right. 1749 01:26:24,960 --> 01:26:27,200 Speaker 1: It feels like, um, the thing about the Real too, 1750 01:26:27,240 --> 01:26:28,680 Speaker 1: I don't know if you ever watched The Real, Like 1751 01:26:28,720 --> 01:26:31,320 Speaker 1: the reel is so good because they actually will get 1752 01:26:31,360 --> 01:26:36,320 Speaker 1: personal with each other. The first of all, Lonnie love 1753 01:26:36,360 --> 01:26:39,559 Speaker 1: cries every day. It's always a thing of like and 1754 01:26:39,640 --> 01:26:42,920 Speaker 1: you know, and then you'll hear Adrian go and you 1755 01:26:43,040 --> 01:26:45,840 Speaker 1: know somebody, and Garcela will be like, okay, all right, 1756 01:26:46,400 --> 01:26:49,120 Speaker 1: and we're here for you and will be like I 1757 01:26:49,200 --> 01:26:52,040 Speaker 1: just feel like and she'll just like go into like 1758 01:26:52,760 --> 01:26:56,639 Speaker 1: they're crying all the time, and then they are about 1759 01:26:56,680 --> 01:26:58,720 Speaker 1: time in the show. It's like it's like they and 1760 01:26:58,720 --> 01:27:00,960 Speaker 1: now we're gonna get personal and it's like time for 1761 01:27:01,000 --> 01:27:03,880 Speaker 1: them to cry. That that that is something you tune 1762 01:27:03,880 --> 01:27:06,439 Speaker 1: in for, yes, and that's I don't know, it's like 1763 01:27:06,560 --> 01:27:13,200 Speaker 1: it's that that relaxed, actual friend energy that I like, 1764 01:27:13,200 --> 01:27:14,559 Speaker 1: like I do, I don't know. And I just feel 1765 01:27:14,560 --> 01:27:16,280 Speaker 1: like with the View, first of all, why don't they 1766 01:27:16,320 --> 01:27:20,960 Speaker 1: just find a fucking fifth post already? Like it has 1767 01:27:21,000 --> 01:27:24,000 Speaker 1: to be conservative person, right, And you know, there's a 1768 01:27:24,000 --> 01:27:26,160 Speaker 1: podcast called Aja the View and they were talking about 1769 01:27:26,160 --> 01:27:29,479 Speaker 1: how there is some world that they could find someone 1770 01:27:29,680 --> 01:27:32,320 Speaker 1: like a different kind of left person and sort of 1771 01:27:32,800 --> 01:27:37,760 Speaker 1: examine the group, the differences amongst the group as they are, 1772 01:27:38,080 --> 01:27:40,760 Speaker 1: and it feels almost like they kind of skate over 1773 01:27:40,920 --> 01:27:44,040 Speaker 1: the fact that this group does also have disinterests or 1774 01:27:44,920 --> 01:27:47,439 Speaker 1: different opinions within there but they don't really explore it 1775 01:27:47,479 --> 01:27:50,200 Speaker 1: because they're looking for like the the person who like 1776 01:27:51,240 --> 01:27:53,720 Speaker 1: rounds that rounded out quote unquote. But it's like, you 1777 01:27:53,720 --> 01:27:55,920 Speaker 1: don't need to do that, it's already rounded out in 1778 01:27:55,960 --> 01:27:59,679 Speaker 1: some way. Let's find what's what's differing it within unless 1779 01:27:59,680 --> 01:28:01,840 Speaker 1: you in right, like I mean, god, this this this 1780 01:28:01,920 --> 01:28:05,639 Speaker 1: meant they'll just end up with another like person who 1781 01:28:06,000 --> 01:28:10,599 Speaker 1: cannot meaningfully or like constructively bring anything to the conversation. 1782 01:28:10,600 --> 01:28:15,400 Speaker 1: They'll just bring in like some like right wing nut case. 1783 01:28:15,479 --> 01:28:17,040 Speaker 1: I think, you know, that's the thing. I think is 1784 01:28:17,080 --> 01:28:18,960 Speaker 1: that they're trying to figure out a way to put 1785 01:28:19,000 --> 01:28:22,160 Speaker 1: someone on the show that's palatable and also like reasonable 1786 01:28:22,360 --> 01:28:25,360 Speaker 1: and also conservative. But that's not the base right now. 1787 01:28:25,400 --> 01:28:29,200 Speaker 1: There's not a reasonable like that that type of voice. 1788 01:28:29,200 --> 01:28:31,720 Speaker 1: So I always feel like to get away from this 1789 01:28:31,760 --> 01:28:34,320 Speaker 1: thing we have right now, which is essentially like four 1790 01:28:34,560 --> 01:28:40,120 Speaker 1: centrist Democrats because they all kind of think the same ship. Um, 1791 01:28:40,160 --> 01:28:43,559 Speaker 1: like there are like little differences, but the conversations go anywhere. 1792 01:28:43,600 --> 01:28:46,360 Speaker 1: I think they need to like get someone that's either 1793 01:28:46,840 --> 01:28:51,560 Speaker 1: really progressive, like they don't have anyone that's like truly progressive, 1794 01:28:51,960 --> 01:28:55,800 Speaker 1: and then someone that's like I don't know, like Jeddeddiabila 1795 01:28:55,960 --> 01:28:59,200 Speaker 1: or whatever, like that's like like a like a libertarian, 1796 01:28:59,240 --> 01:29:02,200 Speaker 1: but that's good on television. I never I ever realized. 1797 01:29:02,200 --> 01:29:04,240 Speaker 1: I never understood why they got rid of herself. I 1798 01:29:04,240 --> 01:29:07,840 Speaker 1: think there's also a world to where it doesn't have 1799 01:29:07,920 --> 01:29:09,760 Speaker 1: to be like a political talking head. You know, some 1800 01:29:09,800 --> 01:29:12,960 Speaker 1: of the best people in View history have been Elizabeth 1801 01:29:13,000 --> 01:29:15,800 Speaker 1: Hasselbeck or something who lean right, but they're from a 1802 01:29:15,840 --> 01:29:18,160 Speaker 1: reality show or something like that. Like, I don't think 1803 01:29:18,320 --> 01:29:21,240 Speaker 1: we have to have like a political commentator She's right, 1804 01:29:21,600 --> 01:29:24,160 Speaker 1: Lean's right, and need someone's good on television. Yeah, yeah, 1805 01:29:24,400 --> 01:29:27,040 Speaker 1: someone who's good. Yeah yeah, And I think that that's 1806 01:29:27,320 --> 01:29:29,080 Speaker 1: I hope they're listening. I do love the View, though 1807 01:29:29,080 --> 01:29:31,200 Speaker 1: I hate I hate that you would just talk about it. Well, 1808 01:29:31,200 --> 01:29:33,479 Speaker 1: I had to bail on it. I'm sorry, um, and 1809 01:29:34,040 --> 01:29:37,080 Speaker 1: I'm sorry because I'm going to protect my energy first. 1810 01:29:37,240 --> 01:29:39,400 Speaker 1: Well in your real stand so you have to defend 1811 01:29:39,400 --> 01:29:42,280 Speaker 1: your ladies. I mean. The thing is like when they 1812 01:29:42,320 --> 01:29:44,040 Speaker 1: played Garcella on the show, I was like, oh, now 1813 01:29:44,080 --> 01:29:47,080 Speaker 1: I'm watching. Yeah, I love Garcella. I did too. She 1814 01:29:47,160 --> 01:29:49,639 Speaker 1: came on my show and she was promoting Tenna, which 1815 01:29:49,680 --> 01:29:53,280 Speaker 1: is like her incontinence. Oh wow, and it was so 1816 01:29:53,320 --> 01:29:56,320 Speaker 1: funny because she kept having to bring up Tenna. She's 1817 01:29:56,320 --> 01:30:01,240 Speaker 1: something that's not coming up to that's gonna be are 1818 01:30:01,280 --> 01:30:06,800 Speaker 1: you gonna? And I read the book and I read 1819 01:30:06,800 --> 01:30:10,519 Speaker 1: the book. Well, I read the book and I thought 1820 01:30:10,520 --> 01:30:14,120 Speaker 1: it was good, Please do it. And I read the book. Um, 1821 01:30:14,160 --> 01:30:18,599 Speaker 1: and speaking of reading books, how do I remember there's 1822 01:30:18,600 --> 01:30:22,320 Speaker 1: some good gay stories too. There's a you know, I cannot. 1823 01:30:22,479 --> 01:30:24,120 Speaker 1: This is all I talked about. And I told him 1824 01:30:24,320 --> 01:30:26,240 Speaker 1: all I talked about in therapy yesterday was well, this 1825 01:30:26,280 --> 01:30:28,920 Speaker 1: is okay, full, let me just finish up the Haringef thing. 1826 01:30:29,160 --> 01:30:31,599 Speaker 1: I read her Instagram caption and it's so beautifully written, 1827 01:30:31,600 --> 01:30:33,519 Speaker 1: and I was like, I was stoned. And I thought, 1828 01:30:33,520 --> 01:30:37,439 Speaker 1: my stoner narcissistic thought was, um god, I used to 1829 01:30:37,479 --> 01:30:39,800 Speaker 1: be like a decent writer like this one. And I 1830 01:30:39,840 --> 01:30:41,080 Speaker 1: was like, you know what I have to do. I start. 1831 01:30:41,080 --> 01:30:43,680 Speaker 1: I gotta start reading books again. And then I went 1832 01:30:43,720 --> 01:30:46,760 Speaker 1: to Barnes and Noble at the Grove yesterday, picked up 1833 01:30:46,760 --> 01:30:48,760 Speaker 1: an Eve Babbits, picked up a Joe Diddy and I 1834 01:30:48,760 --> 01:30:53,760 Speaker 1: haven't read And then now I got a third Sam 1835 01:30:53,760 --> 01:30:56,320 Speaker 1: not holding a book to like to me that even 1836 01:30:56,360 --> 01:30:58,320 Speaker 1: buying a book holding it like I love it. I 1837 01:30:58,360 --> 01:31:00,479 Speaker 1: was like on this whole like, oh, like reader, I 1838 01:31:00,600 --> 01:31:02,600 Speaker 1: pad kick of like reading my books on that. But no, 1839 01:31:02,800 --> 01:31:06,559 Speaker 1: like you can't have the thing be on the same 1840 01:31:06,760 --> 01:31:08,760 Speaker 1: thing as the distraction, you know, like it has to 1841 01:31:08,760 --> 01:31:12,040 Speaker 1: be its own thing that you can fully separate from, 1842 01:31:12,080 --> 01:31:15,320 Speaker 1: like just all this bullshit. I'm also reading a book 1843 01:31:15,400 --> 01:31:20,439 Speaker 1: right now. I'm reading Jennifer Lewis's biography. I'm working with 1844 01:31:20,439 --> 01:31:23,040 Speaker 1: her right now, and she's incredible. And so I have 1845 01:31:23,120 --> 01:31:26,280 Speaker 1: in my trailer um The Mother of Black Hollywood, which 1846 01:31:26,320 --> 01:31:28,639 Speaker 1: was her book, and it's she recalled to that because 1847 01:31:28,640 --> 01:31:33,000 Speaker 1: she's truly played everyone every like Black Superstars mother, and 1848 01:31:33,080 --> 01:31:35,320 Speaker 1: she's also a legend in her own right, and she's 1849 01:31:35,320 --> 01:31:40,000 Speaker 1: got so many amazing stories. She like originated Effie White, Um, 1850 01:31:40,040 --> 01:31:42,000 Speaker 1: and then they ended up going with Jennifer Holiday for 1851 01:31:42,040 --> 01:31:44,040 Speaker 1: the Broadway thing and it was like this, but anyway, 1852 01:31:44,080 --> 01:31:46,439 Speaker 1: there's stories on stories and I can't recommend that book 1853 01:31:46,520 --> 01:31:48,840 Speaker 1: enough either, and she's so in the pages and she's 1854 01:31:48,880 --> 01:31:51,839 Speaker 1: just amazing. So but but also how do I remember 1855 01:31:51,840 --> 01:31:55,120 Speaker 1: that unfortunately True Stories. You can preorder it. You're gonna 1856 01:31:55,120 --> 01:31:59,479 Speaker 1: get it on March eighth, and um, dear god, we 1857 01:31:59,600 --> 01:32:01,519 Speaker 1: end every episode of the song Danny, thank you so much. 1858 01:32:02,160 --> 01:32:03,400 Speaker 1: This is like a drink and dry. I love you, 1859 01:32:03,439 --> 01:32:07,280 Speaker 1: but oh my god, is such a good podcast. And 1860 01:32:07,320 --> 01:32:09,960 Speaker 1: I'm telling you, truly a TOWARTI for us every episode. Yeah, 1861 01:32:10,040 --> 01:32:13,120 Speaker 1: you're so good. Um. We end every episode with a song. 1862 01:32:14,000 --> 01:32:23,920 Speaker 1: I wish they could be California girl. I wished that California. 1863 01:32:28,040 --> 01:32:31,040 Speaker 1: Oh stunning, funny, right,