WEBVTT - Spoiled Saturday: Obsession

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<v Speaker 1>And this is Anne.

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<v Speaker 2>Anne Samantha.

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<v Speaker 1>And welcome to Stuff I Never Told You, a production

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<v Speaker 1>of iHeartRadio. And welcome to another edition of Spoiled Saturdays.

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<v Speaker 1>Happy birthday to me. I'm so excited because this was

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<v Speaker 1>a birthday present episode for me. We were talking about...

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<v Speaker 1>the movie Obsession, which I adore and have been talking

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<v Speaker 1>about on the show for a little bit. And was

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<v Speaker 1>a pretty big hit. It was very popular. Did very well.

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<v Speaker 1>And the actress who plays Nikki in the movie, Indy Navarati,

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<v Speaker 1>she's going to play Rogue in X-Men. That's how popular

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<v Speaker 1>we're talking.

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<v Speaker 2>People are excited.

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<v Speaker 1>Yeah, people are excited. So I was very happy to hear.

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<v Speaker 1>We got kind of cut off, Samantha. But I was

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<v Speaker 1>worried you would be angry with me. But it sounds

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<v Speaker 1>like you're not so angry with me for suggesting this. No, no.

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<v Speaker 2>I was a little worried, but with the spoiler, I

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<v Speaker 2>will say, like, it wasn't as intense. And also, it

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<v Speaker 2>looked very... much like a stuffed animal. So it made

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<v Speaker 2>it a little better.

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<v Speaker 1>It being a cat. Yeah.

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<v Speaker 2>So I was trying not to get ahead on this

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<v Speaker 2>one for you, but like, yeah, so because I was

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<v Speaker 2>a worry, but yeah, that was some like, uh, parts,

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<v Speaker 2>but I was able to disassociate enough because I was like, what?

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<v Speaker 2>There's a lot to this. I was like, what just happened?

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<v Speaker 1>I think that's a fair assessment.

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<v Speaker 2>I will say the worst part was like the cringe moments, like,

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<v Speaker 2>oh no, like during the party.

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<v Speaker 1>I meant to warn you about that because I know

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<v Speaker 1>how you feel about secondhand embarrassment.

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<v Speaker 2>I did fast forward a little bit through some parts

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<v Speaker 2>of that because I was like, I can't.

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<v Speaker 1>Oh, that part's so good. I mean, not all of it.

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<v Speaker 2>Like, I've got the gist. Don't you worry. I got

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<v Speaker 2>the gist.

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<v Speaker 1>Yeah. No, that's... Before we got kind of cut off,

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<v Speaker 1>because we were about to record with Eves and we

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<v Speaker 1>were talking about it and Eves came on, so we

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<v Speaker 1>stopped talking.

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<v Speaker 2>Yeah.

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<v Speaker 1>I was going to bring up the secondhand embarrassment, but

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<v Speaker 1>at that point it was too late. So what good

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<v Speaker 1>have I done?

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<v Speaker 2>Because I think I'd already watched it by that point.

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<v Speaker 2>I was ready. I was like.

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<v Speaker 1>But I did think about that with you. It's got

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<v Speaker 1>a lot of those elements in it. It does.

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<v Speaker 2>Because it's supposed to.

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<v Speaker 1>Yes.

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<v Speaker 2>But it was like, oh no, cringe.

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<v Speaker 1>Yes.

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<v Speaker 2>So.

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<v Speaker 1>I have talked about this movie before on a happy

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<v Speaker 1>hour and I'm going to revisit what I talked about

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<v Speaker 1>in that happy hour in this episode because it's kind

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<v Speaker 1>of changed since that came out, which actually I'm, I'm

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<v Speaker 1>just going to say as we're recording this, because we're

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<v Speaker 1>trying to get ahead, we're recording this kind of early.

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<v Speaker 1>So it's, uh, August 21st, 2026 in case some big

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<v Speaker 1>new conversation starter happens with this, which is totally possible

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<v Speaker 1>that it will. Um, I saw this in theaters twice.

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<v Speaker 1>And one of the things that kind of touches on

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<v Speaker 1>that cringe, embarrassment element is that people were so unsure about, like,

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<v Speaker 1>I'm so uncomfortable with what's happening here. Like, should I

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<v Speaker 1>be laughing? Is this scary? I don't know. Like, in

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<v Speaker 1>the audience.

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<v Speaker 1>The atmosphere was palpable. And I will be discussing how

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<v Speaker 1>I personally think that they vindicated my viewpoint on this movie.

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<v Speaker 1>But it's a visceral reaction that I experienced when I

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<v Speaker 1>saw it in theaters. People were really reacting to it.

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<v Speaker 1>That being said, I've got to put it in here.

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<v Speaker 1>Fan fiction. I don't read obsession fan fiction, but obsession

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<v Speaker 1>has made its way into fan fiction I do read

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<v Speaker 1>because it was so popular. And so now like every

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<v Speaker 1>couple you can imagine, there's a obsession fan fiction with

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<v Speaker 1>that couple. I do have one I like.

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<v Speaker 2>That seems concerning.

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<v Speaker 1>Oh, I have one I like, and it's really good

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<v Speaker 1>because they're very clear this is a horrible thing. This

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<v Speaker 1>is not meant to be romanticized. So it's horrific. It's like... It's...

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<v Speaker 1>Just something I have to prepare myself for, which is

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<v Speaker 1>amazing how many fan fictions I have now that I

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<v Speaker 1>have to prepare myself before I read it. But it

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<v Speaker 1>is great. It's a great one. But I'm just surprised

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<v Speaker 1>a little bit at how much I've seen Obsession kind

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<v Speaker 1>of filter into other fandoms. Another thing, this is just

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<v Speaker 1>a random aside. I've noticed this in a couple of movies,

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<v Speaker 1>but Obsession has at the end, it can't be used

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<v Speaker 1>to train A.I. I don't know if that legally means anything.

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<v Speaker 2>I was going to say, does that really hold up?

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<v Speaker 1>I mean, it seems like it should because it's in

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<v Speaker 1>kind of all the copyright section. But I have no idea.

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<v Speaker 1>I just noticed it when I was watching on my recent.

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<v Speaker 2>Can we say that? To be fair, our company says

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<v Speaker 2>guaranteed humans. So I hope they have something that says

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<v Speaker 2>that they can't use our content for AI. Hey, stop

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<v Speaker 2>using us for AI. Yeah. Is that enough?

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<v Speaker 1>We're guaranteed human. Definitely. No questions about it. Exactly. So

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<v Speaker 1>I'm also really excited about this because I got my

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<v Speaker 1>hair cut today and the person who cuts my hair,

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<v Speaker 1>she loves horror movies. And we just talked about this

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<v Speaker 1>movie like the whole time. It was fantastic.

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<v Speaker 2>And so y'all are on the same page? Yes. You

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<v Speaker 2>haven't met anybody that disagrees yet?

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<v Speaker 1>No. I've met some people who, like, are a little, like,

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<v Speaker 1>not complete agreement, but nobody, I would say, essentially disagrees. Yes. No,

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<v Speaker 1>she was definitely on my page. And she was even

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<v Speaker 1>pointing me to, you should listen to this. You should

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<v Speaker 1>go watch this video. This will break it down for you.

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<v Speaker 2>Oh.

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<v Speaker 1>I was like, oh, my gosh. Thank you.

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<v Speaker 2>Are you one of those, too? Because my partner, if

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<v Speaker 2>they see a movie they really like, or at least, like,

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<v Speaker 2>have questions about, the first thing they have is YouTubes

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<v Speaker 2>that have breakdowns. Do you do this too?

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<v Speaker 1>I don't normally do it, but for this movie, I did.

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<v Speaker 1>I watched a lot of video essays. I even watched

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<v Speaker 1>a really, really fun one that was about the legal

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<v Speaker 1>arguments every character has about the crimes committed. I loved it.

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<v Speaker 1>I'm going to be talking about it a little bit

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<v Speaker 1>more later. Normally, I don't do it, but just so

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<v Speaker 1>many people... After this movie came out, there was a

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<v Speaker 1>lot of conversation about it, and there were a lot

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<v Speaker 1>of really great videos that were made that I thought,

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<v Speaker 1>I want to check that out. I want to see

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<v Speaker 1>what that's about. Okay.

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<v Speaker 2>Yes.

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<v Speaker 1>So, I mean, just to reiterate, hopefully, obviously, spoilers, the

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<v Speaker 1>whole thing, spoiled. Content warning, we're going to be talking

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<v Speaker 1>about violence, sexual assault, death, and suicide. And some of

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<v Speaker 1>this is kind of tricky to talk about because of

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<v Speaker 1>the nature of the story. Some people refer to Nikki

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<v Speaker 1>and not Nikki to differentiate. I'm going to stick with Nikki,

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<v Speaker 1>but know that after Bear makes the wish, it's mostly

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<v Speaker 1>not Nikki who is controlling Nikki's body and actions. And

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<v Speaker 1>the real Nikki is forced to experience it and occasionally

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<v Speaker 1>breaks free of it. Also, you're going to get my

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<v Speaker 1>Bear is the Villain manifesto. Don't you worry. Maybe not

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<v Speaker 1>a perfect, simple villain, but he is the villain. People

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<v Speaker 1>in the theater were rooting for this man's death. There

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<v Speaker 1>is also discussion about suicide that is a little bit messy.

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<v Speaker 1>In some of the videos I was watching, I was like, oof,

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<v Speaker 1>that is tricky to talk about. But all right, here

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<v Speaker 1>we go with the plot. Obsession is a 2025 horror

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<v Speaker 1>movie directed, edited, and written by Curry Barker. And I

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<v Speaker 1>realized doing this, he did Milk and Cereal, which is

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<v Speaker 1>a horror movie. It's available on YouTube for free. I

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<v Speaker 1>believe it's still available. It's like an hour long. It's

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<v Speaker 1>a very unique take on found footage. And I think

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<v Speaker 1>this is where I thought I'd already seen Obsession years ago.

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<v Speaker 1>And I'm pretty sure that I got something mixed up,

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<v Speaker 1>but I definitely saw milk and cereal. And when I

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<v Speaker 1>was reading that he was the person behind it, I thought, okay,

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<v Speaker 1>something is sliding into place for me. The movie stars

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<v Speaker 1>Michael Johnston as Bear and Indy Navarrete as Nikki. It

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<v Speaker 1>features Megan Lawless, Cooper Tomlinson, and Andy Richter. Yeah, it

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<v Speaker 1>was a huge critical and commercial success. It beat out

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<v Speaker 1>a lot of blockbusters for weeks. It is one of

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<v Speaker 1>the highest grossing horror movies of all time. Barker was

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<v Speaker 1>a YouTube sketch artist. Along with Tomlinson, he was also

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<v Speaker 1>in Milk and Cereal, Barker was approached by a producer

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<v Speaker 1>to make a movie. And Barker pitched an idea based

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<v Speaker 1>on a Simpsons Treehouse of Horror episode, and that's what

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<v Speaker 1>became Obsession. The plot follows Baron Bear Bailey, a young

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<v Speaker 1>man with romantic feelings for his friend Nikki Freeman, who

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<v Speaker 1>he works with at a music store with their friends

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<v Speaker 1>Ian and Sarah. He seems like he's really shy, and

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<v Speaker 1>in the beginning, he is practicing confessing his feelings for her.

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<v Speaker 1>It doesn't go well, at least according to his friend, Ian.

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<v Speaker 1>Bear returns to his apartment to find his cat, Sandy,

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<v Speaker 1>has died after getting into some pills Bear has left out.

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<v Speaker 1>We are going to talk about that more. Don't you worry.

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<v Speaker 1>Nikki calls and convinces Bear to come out to trivia

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<v Speaker 1>after informing him she's quitting at the music shop. So

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<v Speaker 1>she's put in her two weeks. So now Bear thinks

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<v Speaker 1>he has a time crunch to tell her his feelings.

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<v Speaker 1>So he agrees and heads out to a store to

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<v Speaker 1>replace a crystal necklace that Nikki lost. So it's kind

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<v Speaker 1>of a new agey store. Instead, he ultimately opts for

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<v Speaker 1>a novelty item called the One Wish Willow, a stick

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<v Speaker 1>that when broken is guaranteed to grant you one wish.

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<v Speaker 1>And you only get one wish. No more. The cashier

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<v Speaker 1>is very ominous about the whole thing and tells him

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<v Speaker 1>not to come in complaining. At trivia, Bear attempts multiple

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<v Speaker 1>times to start a conversation with Nikki, but is interrupted.

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<v Speaker 1>He offers to drive her home when she says she

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<v Speaker 1>just wants to sleep. On the way, on the drive,

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<v Speaker 1>Nikki implies that maybe Sarah has feelings for Bear, but

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<v Speaker 1>Bear ignores this and fumbles multiple times to make his

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<v Speaker 1>feelings for Nikki known. After they arrive at her home,

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<v Speaker 1>she asks him bluntly if he has feelings for her,

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<v Speaker 1>and he lies and says no. Once she's inside, he

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<v Speaker 1>breaks the one-wish willow and says, I wish Nikki Freeman

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<v Speaker 1>loved me more than anything in the f * * *

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<v Speaker 1>ing world. Suddenly, Nikki reappears, and it's a great creepy shot,

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<v Speaker 1>I love it, and seems confused about the death of

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<v Speaker 1>the cat, saying it's her cat. but then convinces Bear

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<v Speaker 1>to take her back to his place after she says

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<v Speaker 1>her father is dying of cancer. He agrees, and eventually

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<v Speaker 1>they start kissing until she abruptly snaps out of it

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<v Speaker 1>and falls off the bed looking confused and horrified. He

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<v Speaker 1>reacts extremely defensively, and she assures him it was just

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<v Speaker 1>a panic attack. The next day, Bear finds out that

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<v Speaker 1>Nikki has made him a shrine of Sandy's remains. thinking

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<v Speaker 1>that he would like it. Yeah. Bear talks to their

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<v Speaker 1>friend Ian, who suspects that drugs are involved. And this

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<v Speaker 1>is all happening, and she's like creepily staring at Bear,

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<v Speaker 1>by the way. There's a montage of them seemingly happily dating,

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<v Speaker 1>very domestic, but their friends are growing more and more concerned.

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<v Speaker 1>Ian reveals that Sarah told him that Nikki sees Bear

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<v Speaker 1>as a little brother, that that's what Nikki told Sarah,

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<v Speaker 1>who told Ian, and that her father is healthy, no

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<v Speaker 1>cancer to be had. When Bear confronts Nikki about this

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<v Speaker 1>on their date, she is extremely volatile, asking, what does

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<v Speaker 1>it matter if it's true or not? To which Bear says,

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<v Speaker 1>it doesn't matter to me. And then you cut to

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<v Speaker 1>Bear raping her. That night, Nikki behaves erratically, watching Bear sleep, screaming,

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<v Speaker 1>hiding behind flowers that she claimed were for Sandy, shrieking

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<v Speaker 1>at him to stay when he tried to move away

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<v Speaker 1>on the bed. The next day, Bear asks her to

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<v Speaker 1>be normal and not do any more of that, and

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<v Speaker 1>she agrees, sending him on his way with a packed lunch. However,

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<v Speaker 1>he finds that she has duct-taped the door shut. He

0:14:45.160 --> 0:14:49.800
<v Speaker 1>eventually pulls it free and goes to work and is

0:14:49.860 --> 0:14:54.050
<v Speaker 1>talking to Sarah about colleges after she received another rejection letter.

0:14:54.070 --> 0:14:57.350
<v Speaker 1>And she has one more chance, which is her dream

0:14:57.410 --> 0:15:01.990
<v Speaker 1>college of Luther. While eating his sandwich, he finds a

0:15:02.010 --> 0:15:06.000
<v Speaker 1>picture of Nikki with the caption, not me, taken while

0:15:06.040 --> 0:15:09.900
<v Speaker 1>he was sleeping. And discovers that the meat inside is

0:15:09.960 --> 0:15:15.900
<v Speaker 1>that of dear old Sandy the cat. Yep. Bear calls

0:15:15.920 --> 0:15:21.560
<v Speaker 1>the One Wish Willow helpline. I love this. And talks

0:15:21.620 --> 0:15:25.020
<v Speaker 1>to a really bored customer service person who tells him

0:15:25.040 --> 0:15:29.360
<v Speaker 1>he can't change the wish. Bear asks if the love

0:15:29.440 --> 0:15:33.430
<v Speaker 1>is real. And the guy is essentially like, sure, man.

0:15:33.560 --> 0:15:37.820
<v Speaker 1>So Bear asks to cancel it. but he learns that

0:15:37.860 --> 0:15:41.400
<v Speaker 1>he cannot. Then the customer service guy plays what he

0:15:41.500 --> 0:15:46.160
<v Speaker 1>claims are the sounds of Nikki screaming from wherever she is.

0:15:46.980 --> 0:15:49.460
<v Speaker 1>He also informs Bear that the wish will end when

0:15:49.540 --> 0:15:54.380
<v Speaker 1>he dies. When Bear returns to his apartment, he finds

0:15:54.440 --> 0:15:57.280
<v Speaker 1>that Nikki has stood in the same place all day,

0:15:57.780 --> 0:16:02.320
<v Speaker 1>waiting for him, swirling herself, vomiting on herself. She acts

0:16:02.380 --> 0:16:05.500
<v Speaker 1>very shy about the whole thing and goes to shower.

0:16:06.490 --> 0:16:09.770
<v Speaker 1>Bear reveals that Ian invited him to a boys' night

0:16:10.190 --> 0:16:15.390
<v Speaker 1>that Nikki specifically wasn't invited to. In response to this information,

0:16:15.410 --> 0:16:18.940
<v Speaker 1>Nikki freaks out until he agrees for Nikki to tag

0:16:18.960 --> 0:16:22.480
<v Speaker 1>along to the party. This brings us to the party.

0:16:23.180 --> 0:16:23.580
<v Speaker 2>Yes.

0:16:24.480 --> 0:16:27.950
<v Speaker 1>There, the partygoers are playing a game of Jenga where

0:16:28.070 --> 0:16:30.270
<v Speaker 1>every block you pull has a message on it, like

0:16:30.310 --> 0:16:34.830
<v Speaker 1>a dare. Nikki pulls one and reads a really creepy

0:16:34.870 --> 0:16:37.510
<v Speaker 1>poem that she wrote that we'll talk about more later.

0:16:37.530 --> 0:16:42.010
<v Speaker 1>And Bear pulls one that reads, kiss the person to

0:16:42.050 --> 0:16:46.450
<v Speaker 1>your left, which happens to be Sarah. Before he can, Nikki,

0:16:46.590 --> 0:16:50.910
<v Speaker 1>with the most intense frown I've ever seen, pulls Sarah's

0:16:50.990 --> 0:16:55.090
<v Speaker 1>chair out and kisses him instead. It's extremely awkward. It's

0:16:55.350 --> 0:17:00.770
<v Speaker 1>so awkward. Even more so when Nikki suddenly screams... it's

0:17:00.830 --> 0:17:04.350
<v Speaker 1>not me, and starts bashing her face in with a bottle.

0:17:04.990 --> 0:17:10.430
<v Speaker 1>Broken bottle. Yeah, she breaks it and then starts. Yeah. Yep.

0:17:11.010 --> 0:17:15.320
<v Speaker 1>After way too much pressure, Bear takes her to the hospital,

0:17:16.210 --> 0:17:20.020
<v Speaker 1>but they are dismissed due to her refusal of treatment.

0:17:22.100 --> 0:17:25.379
<v Speaker 1>Back at the apartment, Bear implores Nikki to just be normal,

0:17:25.500 --> 0:17:29.020
<v Speaker 1>to just be Nikki, and she sobs that she can't be.

0:17:29.820 --> 0:17:34.970
<v Speaker 1>She threatens to kill herself to keep him in the apartment.

0:17:36.450 --> 0:17:40.330
<v Speaker 1>Later that night, Bear gets a message from Sarah requesting

0:17:40.369 --> 0:17:43.370
<v Speaker 1>that they meet. He slips away from Nikki in bed,

0:17:43.970 --> 0:17:47.210
<v Speaker 1>only for her to stop him with a plea to

0:17:47.290 --> 0:17:51.379
<v Speaker 1>kill her. She says, this is really me and not

0:17:51.430 --> 0:17:54.460
<v Speaker 1>the being that's been controlling her that she calls she.

0:17:55.540 --> 0:17:58.580
<v Speaker 1>Nikki begs Bear to kill her before she wakes up.

0:18:00.340 --> 0:18:04.280
<v Speaker 1>But he gets angry and says, what would be so

0:18:04.320 --> 0:18:07.639
<v Speaker 1>bad with being with me? And leaves her there crying.

0:18:09.380 --> 0:18:13.630
<v Speaker 1>He meets Sarah in her car in the park, where

0:18:13.650 --> 0:18:16.190
<v Speaker 1>she tells him that Ian and Nikki have been casually

0:18:16.230 --> 0:18:19.770
<v Speaker 1>hooking up for a long time. They are about to

0:18:19.950 --> 0:18:24.270
<v Speaker 1>open her last college letter together when Bear asks her

0:18:24.780 --> 0:18:28.820
<v Speaker 1>if she likes him. And Sarah says, I was to

0:18:28.859 --> 0:18:32.110
<v Speaker 1>your left. referencing the kiss she should have gotten earlier.

0:18:32.869 --> 0:18:36.600
<v Speaker 1>But before anything can happen, Nikki arrives and smashes Sarah's

0:18:36.650 --> 0:18:41.680
<v Speaker 1>skull in repeatedly on a brick. She promises to get

0:18:41.780 --> 0:18:46.340
<v Speaker 1>rid of the evidence, but Bear helps her. Later, Bear

0:18:46.440 --> 0:18:49.960
<v Speaker 1>opens Sarah's college letter to see that she did get accepted.

0:18:51.780 --> 0:18:55.800
<v Speaker 1>Bear returns to where he purchased the one-wish willow to

0:18:55.880 --> 0:18:59.720
<v Speaker 1>find another one in hopes of having someone counteract his wish.

0:19:00.380 --> 0:19:03.699
<v Speaker 1>He is able to purchase two and learns that the

0:19:03.720 --> 0:19:08.959
<v Speaker 1>cashier was perfectly satisfied with his wish. Bear goes to

0:19:09.140 --> 0:19:11.240
<v Speaker 1>Ian and tries to explain the whole thing, but Ian

0:19:11.260 --> 0:19:16.570
<v Speaker 1>doesn't believe him. And he snaps the one-wish willow, and

0:19:16.609 --> 0:19:19.790
<v Speaker 1>he asks for a billion dollars, and then money starts

0:19:19.850 --> 0:19:23.679
<v Speaker 1>to rain down upon them. I love that scene.

0:19:23.700 --> 0:19:25.500
<v Speaker 2>That's where I thought he was going to get killed

0:19:25.540 --> 0:19:28.159
<v Speaker 2>by the money. I thought that too. I assumed it

0:19:28.200 --> 0:19:29.800
<v Speaker 2>was going to be like a monkey paw thing, which

0:19:29.840 --> 0:19:31.510
<v Speaker 2>is what I think this is the inspiration of. But

0:19:31.550 --> 0:19:35.790
<v Speaker 2>I'm like, oh, it just kept hitting him. Okay, maybe not.

0:19:37.190 --> 0:19:38.870
<v Speaker 1>I thought it was going to be death by money.

0:19:39.070 --> 0:19:42.470
<v Speaker 1>But I love that scene because it's just like such

0:19:42.510 --> 0:19:49.210
<v Speaker 1>an immediate, clear, no, this thing works. Yes, yes. So

0:19:49.290 --> 0:19:51.970
<v Speaker 1>Bear goes... back to his apartment to find a shrine

0:19:52.150 --> 0:19:56.090
<v Speaker 1>to Bear and Nikki's relationship and a very messed up,

0:19:56.160 --> 0:20:00.280
<v Speaker 1>very bloodied Nikki. She threatens to kill herself again and

0:20:00.460 --> 0:20:05.020
<v Speaker 1>does kill Ian when he barges in. Bear retreats to

0:20:05.040 --> 0:20:08.240
<v Speaker 1>the bathroom with the gun. with the intent to kill

0:20:08.300 --> 0:20:12.389
<v Speaker 1>himself to end the wish, but instead opts to overdose

0:20:13.010 --> 0:20:16.710
<v Speaker 1>on the pills that killed his cat. Just as he's

0:20:16.790 --> 0:20:21.109
<v Speaker 1>waiting for death, he attempts to induce vomiting, just as

0:20:21.170 --> 0:20:23.870
<v Speaker 1>we hear the snap and song of a one-wish willow,

0:20:24.609 --> 0:20:27.500
<v Speaker 1>and suddenly he's all smiley because she has wished for

0:20:27.560 --> 0:20:30.460
<v Speaker 1>him to love her as much as she loves him.

0:20:30.840 --> 0:20:35.300
<v Speaker 1>And that is a recurring theme, that she is frequently angry,

0:20:37.250 --> 0:20:41.660
<v Speaker 1>insecure that he doesn't love her or he doesn't love

0:20:41.700 --> 0:20:46.260
<v Speaker 1>her as much as she loves him. So, he leaves

0:20:46.300 --> 0:20:49.460
<v Speaker 1>the bathroom. They smile awkwardly at each other until Bear

0:20:49.500 --> 0:20:53.659
<v Speaker 1>collapses and dies from the overdose. Nikki reaches for the

0:20:53.680 --> 0:20:57.179
<v Speaker 1>gun to kill herself, but snaps out of the wish

0:20:57.300 --> 0:21:01.109
<v Speaker 1>now that Bear is dead before she can. She tosses

0:21:01.150 --> 0:21:05.230
<v Speaker 1>the gun, shoves away Bear's body, and screams and wails.

0:21:05.900 --> 0:21:07.800
<v Speaker 1>Why did you do this? How could you do this?

0:21:08.520 --> 0:21:12.139
<v Speaker 1>All while the TV in the background plays video of

0:21:12.200 --> 0:21:20.729
<v Speaker 1>Bear sleeping. The end. Yeah. They did shoot an alternate

0:21:20.790 --> 0:21:24.850
<v Speaker 1>ending where she does die. Where Nikki does kill herself. Yeah.

0:21:26.030 --> 0:21:28.170
<v Speaker 2>Now I will say, I was waiting for him to die.

0:21:28.190 --> 0:21:30.580
<v Speaker 2>I'm like, really? Really? Just die?

0:21:30.619 --> 0:21:37.340
<v Speaker 1>Yes. Yes. Yes. And we're going to talk about it

0:21:37.440 --> 0:21:43.090
<v Speaker 1>a bit more, but it was a purposeful choice for

0:21:43.150 --> 0:21:46.250
<v Speaker 1>him to... He tries to induce the vomiting before she

0:21:46.290 --> 0:21:54.910
<v Speaker 1>makes the wish. So, there's a lot to be said here.

0:21:55.750 --> 0:21:59.870
<v Speaker 1>I have tried to condense it, so it's not just

0:21:59.970 --> 0:22:03.520
<v Speaker 1>me Screaming at the top of my lungs points that

0:22:03.640 --> 0:22:06.460
<v Speaker 1>so many people have made. But we're going to do

0:22:06.480 --> 0:22:10.040
<v Speaker 1>this a little bit differently. I'm going to start with

0:22:10.119 --> 0:22:14.560
<v Speaker 1>two main points because I think they inform the rest

0:22:14.600 --> 0:22:18.510
<v Speaker 1>of everything else. So the question of when does Bear

0:22:18.550 --> 0:22:22.910
<v Speaker 1>become the villain? So he is the villain. And I'm

0:22:23.190 --> 0:22:26.590
<v Speaker 1>happy that pretty much everyone seems to agree. Aside from

0:22:26.710 --> 0:22:30.030
<v Speaker 1>usual Manosphere bros. I'll get into that more in a second.

0:22:31.250 --> 0:22:36.970
<v Speaker 1>Because if you'll remember, I was very concerned about it

0:22:36.990 --> 0:22:38.950
<v Speaker 1>when I did that happy hour. This is one of

0:22:39.030 --> 0:22:44.889
<v Speaker 1>those things that I just thought, unless it's done well,

0:22:46.170 --> 0:22:47.670
<v Speaker 1>I don't know how people are going to take this.

0:22:49.050 --> 0:22:50.770
<v Speaker 1>And one of the things I love about this movie

0:22:51.710 --> 0:22:59.770
<v Speaker 1>is that the evolution of how Bear starts as a

0:22:59.830 --> 0:23:08.500
<v Speaker 1>sympathetic character And then over time, you start to realize, oh,

0:23:08.600 --> 0:23:11.780
<v Speaker 1>not so much. And that could happen at different points,

0:23:11.900 --> 0:23:15.840
<v Speaker 1>depending on your viewing experience, very quickly or over the

0:23:15.880 --> 0:23:21.310
<v Speaker 1>span of the first half. I'd say it demonstrates that

0:23:21.350 --> 0:23:25.649
<v Speaker 1>he's not someone deserving of sympathy. And I wanted to

0:23:25.670 --> 0:23:32.930
<v Speaker 1>put this in here. So Universal Studios. announced the character

0:23:33.010 --> 0:23:36.070
<v Speaker 1>Nikki would be featured as part of their Halloween Horror

0:23:36.109 --> 0:23:39.490
<v Speaker 1>Nights as one of the characters who is wandering around

0:23:40.270 --> 0:23:44.629
<v Speaker 1>scaring you. But when they announced this, they included a

0:23:44.780 --> 0:23:51.000
<v Speaker 1>statement that said, she's not the monster. Because normally all

0:23:51.040 --> 0:23:54.020
<v Speaker 1>these characters are monsters. And they went out of their

0:23:54.080 --> 0:23:56.100
<v Speaker 1>way to release a statement and say, she is not

0:23:56.140 --> 0:23:59.140
<v Speaker 1>the monster. She was the victim. She was the product

0:23:59.180 --> 0:24:03.690
<v Speaker 1>of a monstrous situation. I just thought that was interesting

0:24:03.730 --> 0:24:07.260
<v Speaker 1>that they felt like we got to be clear here.

0:24:07.920 --> 0:24:10.060
<v Speaker 2>So is this going to be like her being possessed

0:24:10.320 --> 0:24:11.240
<v Speaker 2>or being taken over rather?

0:24:12.100 --> 0:24:15.619
<v Speaker 1>I think it's going to be her, either like the

0:24:15.720 --> 0:24:18.000
<v Speaker 1>really bloody version of her at the end or the

0:24:18.220 --> 0:24:20.399
<v Speaker 1>one that I think if she was like carrying around

0:24:20.420 --> 0:24:25.600
<v Speaker 1>the vase of flowers in front of her face. I'm

0:24:25.859 --> 0:24:28.160
<v Speaker 1>anticipating seeing that at Dragon Con. I think someone will

0:24:28.180 --> 0:24:28.440
<v Speaker 1>do that.

0:24:29.270 --> 0:24:31.930
<v Speaker 2>Well, that whole, like, go back and forth, which I

0:24:31.950 --> 0:24:34.950
<v Speaker 2>have seen TikToks of women doing that to their men

0:24:35.010 --> 0:24:38.189
<v Speaker 2>after watching this movie, freaking their boyfriends out. That would

0:24:38.210 --> 0:24:38.600
<v Speaker 2>be a hole.

0:24:39.710 --> 0:24:43.300
<v Speaker 1>I love that scene where he's like, you're freaking me out.

0:24:43.660 --> 0:24:47.100
<v Speaker 1>And she does that, like, rush at him. I love

0:24:47.160 --> 0:24:47.800
<v Speaker 1>that so much.

0:24:48.300 --> 0:24:50.540
<v Speaker 2>That's what I'm saying. Like, they were like, because they

0:24:50.560 --> 0:24:57.399
<v Speaker 2>also obviously edited it to make it scarier. She has it.

0:24:58.710 --> 0:25:00.879
<v Speaker 2>People I've seen do it. And then the backwards walk.

0:25:01.420 --> 0:25:03.960
<v Speaker 1>Yes. I love that whole part.

0:25:04.500 --> 0:25:04.800
<v Speaker 2>Yes.

0:25:05.520 --> 0:25:07.520
<v Speaker 1>I think that would be really good. That would be

0:25:07.540 --> 0:25:10.320
<v Speaker 1>really good. I think there's going to be a pretty

0:25:10.380 --> 0:25:16.070
<v Speaker 1>decent showing of Obsession at DragonCon this year. Yes. So

0:25:17.310 --> 0:25:19.850
<v Speaker 1>another thing I wanted to note, some people like myself

0:25:20.030 --> 0:25:22.370
<v Speaker 1>thought the name Bear was to play on the whole

0:25:22.410 --> 0:25:26.590
<v Speaker 1>man versus bear trend that was popular when this was

0:25:26.630 --> 0:25:30.389
<v Speaker 1>being filmed. Basically, would a woman rather face a man

0:25:30.530 --> 0:25:33.969
<v Speaker 1>or a bear? The creator has said that no, that

0:25:34.030 --> 0:25:36.160
<v Speaker 1>is not the case, but he appreciates that so many

0:25:36.200 --> 0:25:38.879
<v Speaker 1>of us thought it. He was kind of like, oh,

0:25:40.100 --> 0:25:45.429
<v Speaker 1>if only. He said he just wanted a name that

0:25:45.470 --> 0:25:46.370
<v Speaker 1>would stand out.

0:25:48.020 --> 0:25:50.879
<v Speaker 2>Yeah, Baron, Bear, please stand up.

0:25:52.920 --> 0:25:55.030
<v Speaker 1>But going back to the original question, when did he

0:25:55.070 --> 0:25:57.950
<v Speaker 1>become the villain? There are three main arguments, but they

0:25:58.130 --> 0:26:01.310
<v Speaker 1>all boil down to he knew what he was doing

0:26:02.010 --> 0:26:04.870
<v Speaker 1>and he knew something was wrong and didn't care. So

0:26:04.930 --> 0:26:10.880
<v Speaker 1>the first argument is right after the wish. So in

0:26:11.200 --> 0:26:16.640
<v Speaker 1>that first instance, he knows something is off with her.

0:26:17.790 --> 0:26:22.070
<v Speaker 1>He's attributing it to drugs. At first, he's like, maybe

0:26:22.109 --> 0:26:26.209
<v Speaker 1>she's just really sad about her dad having cancer. But

0:26:26.250 --> 0:26:28.369
<v Speaker 1>what I think is really telling about this whole thing

0:26:28.970 --> 0:26:35.050
<v Speaker 1>is that he, when they kiss, he immediately, she has

0:26:35.090 --> 0:26:38.409
<v Speaker 1>like her snap out of it, oh my God, what's

0:26:38.450 --> 0:26:44.159
<v Speaker 1>happening moment. And he immediately tries to defend himself. He

0:26:44.260 --> 0:26:47.199
<v Speaker 1>doesn't ask if she's okay. He doesn't check on her.

0:26:47.900 --> 0:26:50.290
<v Speaker 1>He just is like, you kissed me. It was you.

0:26:50.609 --> 0:26:54.250
<v Speaker 1>You did this. Like all of this stuff that he's

0:26:55.990 --> 0:27:05.080
<v Speaker 1>obviously aware something is wrong. And he is so much

0:27:05.160 --> 0:27:09.979
<v Speaker 1>more concerned that he is not going to get consequences

0:27:10.020 --> 0:27:12.620
<v Speaker 1>for it. And we're going to talk more about consequences

0:27:12.700 --> 0:27:17.949
<v Speaker 1>versus loss of autonomy. This happens again. When she shows

0:27:18.250 --> 0:27:21.890
<v Speaker 1>up at his apartment, it's a beautiful shot where she's

0:27:21.950 --> 0:27:23.910
<v Speaker 1>in like a red dress, but her face is all

0:27:23.950 --> 0:27:26.030
<v Speaker 1>in shadow and her eyes are gleaming.

0:27:26.590 --> 0:27:26.889
<v Speaker 2>Yeah.

0:27:27.310 --> 0:27:30.129
<v Speaker 1>Oh, and she says, well, I didn't want anyone to

0:27:30.210 --> 0:27:33.300
<v Speaker 1>think that you were taking advantage of me. And he's like,

0:27:33.359 --> 0:27:35.960
<v Speaker 1>I wasn't taking advantage of you. He's just immediately. And

0:27:36.960 --> 0:27:39.020
<v Speaker 1>she's like, oh, that's what I'm saying. But he is

0:27:39.140 --> 0:27:46.260
<v Speaker 1>so defensive right away. The second one, which I think

0:27:46.280 --> 0:27:49.609
<v Speaker 1>at this point, is the why does it matter rape scene.

0:27:50.590 --> 0:27:58.430
<v Speaker 1>So when they're on their date and Bear learns from

0:27:58.450 --> 0:28:01.920
<v Speaker 1>Ian that her father is fine, doesn't have cancer, he

0:28:02.660 --> 0:28:06.240
<v Speaker 1>asks her about it. And that's when she has her

0:28:06.300 --> 0:28:11.379
<v Speaker 1>wonderful scene I love. No, no, no, no, no. Don't

0:28:11.440 --> 0:28:19.010
<v Speaker 1>ruin this date. She sits down and he asks her, like,

0:28:19.070 --> 0:28:22.030
<v Speaker 1>do you love me? And then he uses the exact

0:28:22.170 --> 0:28:26.189
<v Speaker 1>same wording from his wish more than anyone in the world.

0:28:27.250 --> 0:28:35.100
<v Speaker 1>And that's when she says, does it matter? And he says, nope.

0:28:36.380 --> 0:28:39.460
<v Speaker 1>And then it cuts to the rape scene. And that

0:28:39.540 --> 0:28:42.460
<v Speaker 1>is why it's a rape scene. He knows at that point.

0:28:43.290 --> 0:28:46.450
<v Speaker 1>You can't convince me otherwise that he did not know.

0:28:47.490 --> 0:28:51.590
<v Speaker 1>And the wording of his wish and intent to control her,

0:28:52.090 --> 0:28:57.480
<v Speaker 1>that's really important. When he makes the wish, he sounds

0:28:57.520 --> 0:29:03.940
<v Speaker 1>like dejected and angry. And I think that you see

0:29:03.980 --> 0:29:10.170
<v Speaker 1>that throughout. And it's reflected in he doesn't care. He

0:29:10.410 --> 0:29:16.690
<v Speaker 1>just wants her. More than, like, he wants her to

0:29:16.970 --> 0:29:22.520
<v Speaker 1>only want him and nothing else. That's her whole world. So,

0:29:24.020 --> 0:29:26.980
<v Speaker 1>as I was saying, I did watch these legal videos

0:29:27.400 --> 0:29:31.200
<v Speaker 1>about this movie. It is illegal to have sex with

0:29:31.240 --> 0:29:36.190
<v Speaker 1>someone who has an inability to consent. And he clearly knows,

0:29:36.230 --> 0:29:39.630
<v Speaker 1>I think even in the first instance where they didn't

0:29:39.650 --> 0:29:42.500
<v Speaker 1>have sex, but he knows something is wrong even if

0:29:42.540 --> 0:29:49.590
<v Speaker 1>he doesn't know that it's the wish yet. And the

0:29:49.630 --> 0:29:53.130
<v Speaker 1>sad thing about all of the legal videos I watched

0:29:53.210 --> 0:29:56.350
<v Speaker 1>is Nikki would be punished the most despite being the

0:29:56.550 --> 0:30:01.950
<v Speaker 1>one who voluntarily chose the least. The company would be fine.

0:30:02.550 --> 0:30:04.290
<v Speaker 1>Bear is dead, so I guess you can make of

0:30:04.330 --> 0:30:09.340
<v Speaker 1>that what you will. But they go over multiple things

0:30:09.380 --> 0:30:12.720
<v Speaker 1>that Bear says in these legal videos that prove that

0:30:12.780 --> 0:30:15.200
<v Speaker 1>he knew something is wrong that they could use in

0:30:15.220 --> 0:30:18.980
<v Speaker 1>a legal case. He says she needs serious help. Something

0:30:19.060 --> 0:30:24.770
<v Speaker 1>is very wrong with her. She is exhibiting violence, threats

0:30:25.290 --> 0:30:29.340
<v Speaker 1>that are out of character. He went online online. to

0:30:29.410 --> 0:30:33.700
<v Speaker 1>try to figure it out, he called the company hotline

0:30:34.620 --> 0:30:39.160
<v Speaker 1>where they confirmed that she's been altered and she is suffering.

0:30:40.440 --> 0:30:43.080
<v Speaker 1>So all of this proves he suspected he caused it

0:30:43.460 --> 0:30:46.020
<v Speaker 1>or something was wrong and he did not care. So

0:30:47.440 --> 0:30:53.800
<v Speaker 1>as I was saying earlier, there is an interesting dichotomy

0:30:53.840 --> 0:30:57.340
<v Speaker 1>in a lot of horror where male horror is a

0:30:57.440 --> 0:31:01.840
<v Speaker 1>fear of consequences. And female horror is loss of autonomy.

0:31:02.480 --> 0:31:05.360
<v Speaker 1>And that can switch up, like Alien is a great

0:31:05.400 --> 0:31:11.350
<v Speaker 1>example of when it switches up. And in this case,

0:31:12.430 --> 0:31:15.530
<v Speaker 1>he is, Bear is more afraid of the consequences and

0:31:15.570 --> 0:31:22.930
<v Speaker 1>she has lost her autonomy. And he ruined her life.

0:31:23.690 --> 0:31:26.770
<v Speaker 1>He took her future. I think you could argue he

0:31:26.810 --> 0:31:31.300
<v Speaker 1>took Sarah's future. And these were his choices that he made.

0:31:33.990 --> 0:31:39.870
<v Speaker 1>So that's a larger conversation to have. But the third

0:31:39.910 --> 0:31:44.770
<v Speaker 1>and final point, I think irrefutable if you make it

0:31:44.810 --> 0:31:48.710
<v Speaker 1>this far, that he's the villain, is when she begs

0:31:49.050 --> 0:31:53.840
<v Speaker 1>him to kill her. And what does he do? He says,

0:31:54.280 --> 0:31:58.060
<v Speaker 1>would it be so bad to be with me? and

0:31:58.190 --> 0:32:04.140
<v Speaker 1>leaves her alone. And he knows she's suffering. He knows

0:32:04.200 --> 0:32:09.340
<v Speaker 1>at the very least she's become unstable. And I just

0:32:09.380 --> 0:32:14.800
<v Speaker 1>can't imagine walking away from someone I cared about who's

0:32:15.060 --> 0:32:20.200
<v Speaker 1>begging me to kill them. Like, walking away from that situation,

0:32:20.720 --> 0:32:26.320
<v Speaker 1>making it about you. He doesn't care about her at all.

0:32:26.680 --> 0:32:29.510
<v Speaker 1>I have a whole section about that later. He doesn't

0:32:29.530 --> 0:32:34.610
<v Speaker 1>care about her. He thinks he is the victim. He

0:32:34.650 --> 0:32:37.870
<v Speaker 1>could have gotten her help multiple times. If this is

0:32:37.930 --> 0:32:44.560
<v Speaker 1>his friend, multiple times, and he never tried. He never

0:32:44.700 --> 0:32:50.100
<v Speaker 1>ever tried. I have seen that this has become a

0:32:50.120 --> 0:32:56.300
<v Speaker 1>new boyfriend test of If your boyfriend is like, oh,

0:32:56.820 --> 0:33:04.380
<v Speaker 1>I see where he's coming from. Women being like, oh, no. Okay.

0:33:05.360 --> 0:33:07.400
<v Speaker 1>And a lot of the things they say is, he

0:33:07.440 --> 0:33:10.800
<v Speaker 1>didn't take advantage of her on the first night. And

0:33:10.900 --> 0:33:14.070
<v Speaker 1>I just think, wow, the bar is so low.

0:33:15.010 --> 0:33:17.969
<v Speaker 2>Do we know that for sure, though? Well, that's just

0:33:17.990 --> 0:33:20.970
<v Speaker 2>what they say. Just because they didn't show it doesn't

0:33:20.990 --> 0:33:21.610
<v Speaker 2>mean it didn't happen.

0:33:22.700 --> 0:33:24.680
<v Speaker 1>Yeah, and I think you could argue that he did.

0:33:25.680 --> 0:33:28.380
<v Speaker 1>But just the fact that they're like, well, he didn't

0:33:28.440 --> 0:33:30.980
<v Speaker 1>have sex with her or rape her that night. And like,

0:33:31.260 --> 0:33:36.240
<v Speaker 1>this is the saddest point you could make for your argument.

0:33:36.320 --> 0:33:43.030
<v Speaker 1>That's odd. Yeah, yeah. So those are my three main,

0:33:43.050 --> 0:33:45.830
<v Speaker 1>and not just me, I think those are the three

0:33:46.350 --> 0:33:49.450
<v Speaker 1>main points that people use to be like, this is,

0:33:49.730 --> 0:33:53.920
<v Speaker 1>he's the villain. Another thing people like to debate is

0:33:53.980 --> 0:33:56.870
<v Speaker 1>whether or not Bear could have actually gotten with Nikki

0:33:57.110 --> 0:33:59.670
<v Speaker 1>if he'd just spoken to her about his feelings honestly.

0:34:00.750 --> 0:34:04.870
<v Speaker 1>The creators have been clear that no. When Sarah told

0:34:05.030 --> 0:34:08.549
<v Speaker 1>Ian Bear was friendzoned, that was the truth. I think

0:34:08.570 --> 0:34:12.780
<v Speaker 1>the clearest indicator of that fact, of that Nikki didn't

0:34:13.020 --> 0:34:16.060
<v Speaker 1>view Bear romantically, is when she reads her creepy Hansel

0:34:16.100 --> 0:34:19.489
<v Speaker 1>and Gretel poem at the party. And she's talking about

0:34:19.590 --> 0:34:22.390
<v Speaker 1>how only the branch of a willow tree could conjure

0:34:22.430 --> 0:34:26.770
<v Speaker 1>a love between a brother and sister. Yeah, she's talking

0:34:26.790 --> 0:34:32.070
<v Speaker 1>about an incestuous relationship forced by a branch of a

0:34:32.070 --> 0:34:36.620
<v Speaker 1>willow tree. Yeah. And that makes it so much worse

0:34:36.640 --> 0:34:39.640
<v Speaker 1>to me because she trusted him as a friend. And

0:34:39.680 --> 0:34:42.020
<v Speaker 1>when she's begging him to kill her, she still had

0:34:42.160 --> 0:34:45.549
<v Speaker 1>faith in him. She thought he might not realize what

0:34:45.590 --> 0:34:47.629
<v Speaker 1>was going on, and she was willing to die to

0:34:47.710 --> 0:34:51.910
<v Speaker 1>protect her friends. And in the face, she didn't want

0:34:51.930 --> 0:34:56.620
<v Speaker 1>to continue living that way without autonomy. But in that moment,

0:34:57.140 --> 0:34:59.240
<v Speaker 1>he made it clear to her that he was punishing

0:34:59.320 --> 0:35:03.940
<v Speaker 1>her for perceived rejection. And all of this is made

0:35:04.000 --> 0:35:07.780
<v Speaker 1>worse in that he could kill himself to save her,

0:35:08.219 --> 0:35:10.370
<v Speaker 1>and he knows it. So she's saying, I'll do it,

0:35:11.239 --> 0:35:15.890
<v Speaker 1>and he doesn't. just leaves her to suffer. Another thing

0:35:15.969 --> 0:35:19.650
<v Speaker 1>is he could have gotten with Sarah. Sarah clearly was

0:35:19.710 --> 0:35:20.450
<v Speaker 1>interested in him.

0:35:21.190 --> 0:35:22.469
<v Speaker 2>Which Nikki kind of brings up.

0:35:22.830 --> 0:35:26.450
<v Speaker 1>Yeah, Nikki's kind of like, how would you feel about this?

0:35:26.910 --> 0:35:30.160
<v Speaker 2>I told her, what do you think? And he very

0:35:30.200 --> 0:35:32.000
<v Speaker 2>much knows what that means. Yes.

0:35:33.060 --> 0:35:37.520
<v Speaker 1>Yes. And I think he, when it becomes clear that

0:35:37.600 --> 0:35:40.060
<v Speaker 1>Sarah is interested in him, suddenly he sees that as

0:35:40.120 --> 0:35:43.150
<v Speaker 1>an option. And that's going back to the fear of rejection.

0:35:43.469 --> 0:35:48.569
<v Speaker 1>He's too insecure. And so it took Sarah to kind

0:35:48.610 --> 0:35:51.490
<v Speaker 1>of be open and Nikki to kind of tell him

0:35:53.030 --> 0:35:55.790
<v Speaker 1>for him to think, oh, maybe it could be Sarah.

0:35:59.750 --> 0:36:03.380
<v Speaker 1>He's also very much in the vein of a guy

0:36:03.430 --> 0:36:09.359
<v Speaker 1>who thinks a woman will fix his problems, which we'll

0:36:09.400 --> 0:36:14.080
<v Speaker 1>discuss more. I also, like, every time I rewatch it,

0:36:14.210 --> 0:36:17.170
<v Speaker 1>I always am so sad in the beginning. Nikki just

0:36:17.210 --> 0:36:19.989
<v Speaker 1>wanted to go home and sleep. She just wanted a

0:36:20.070 --> 0:36:25.810
<v Speaker 1>ride home. And this is what happened. Another thing that's

0:36:25.890 --> 0:36:32.819
<v Speaker 1>interesting is that when they were doing the casting, Andy Navaretti,

0:36:33.700 --> 0:36:37.680
<v Speaker 1>her audition, one of the reasons they chose her is

0:36:37.960 --> 0:36:42.730
<v Speaker 1>because she brought out a very, like, kind of sassiness

0:36:43.330 --> 0:36:46.259
<v Speaker 1>that they wanted to make sure that people knew it

0:36:46.340 --> 0:36:51.000
<v Speaker 1>was a friend zone situation. Because originally, at least according

0:36:51.040 --> 0:36:55.220
<v Speaker 1>to the creator, she'd been written very girl next door,

0:36:55.440 --> 0:36:59.009
<v Speaker 1>but she brought in this kind of, like, sassiness.

0:37:00.190 --> 0:37:04.069
<v Speaker 2>It was obvious she saw him as the friend. Like,

0:37:04.090 --> 0:37:07.250
<v Speaker 2>there was no, like, there was that tough girl, like, hey,

0:37:07.630 --> 0:37:13.330
<v Speaker 2>you know, we're good, right? Because, like, nah, this is

0:37:13.350 --> 0:37:13.710
<v Speaker 2>a nah.

0:37:13.910 --> 0:37:14.290
<v Speaker 1>Okay.

0:37:14.350 --> 0:37:16.890
<v Speaker 2>Like she, like it was very upfront. Like she treated

0:37:16.930 --> 0:37:18.490
<v Speaker 2>him like a younger brother, essentially.

0:37:18.969 --> 0:37:26.480
<v Speaker 1>Yes. Yes. Something else I thought was interesting is costuming.

0:37:26.600 --> 0:37:30.040
<v Speaker 1>So a lot of the interviews I watched about this,

0:37:31.780 --> 0:37:35.359
<v Speaker 1>because you don't actually get to see Nikki before she's

0:37:36.300 --> 0:37:40.290
<v Speaker 1>possessed for a long time, It's a short amount of

0:37:40.330 --> 0:37:42.150
<v Speaker 1>time that you get to see her before she's possessed.

0:37:43.330 --> 0:37:46.090
<v Speaker 1>They tried to make as much use of that time

0:37:46.370 --> 0:37:49.840
<v Speaker 1>to showcase who she was. And one was in the costuming.

0:37:49.910 --> 0:37:53.739
<v Speaker 1>So in the first costume she wears, it's like an

0:37:53.880 --> 0:38:02.600
<v Speaker 1>oversized coat. It's very comfortable. After the wish, she is

0:38:03.100 --> 0:38:08.560
<v Speaker 1>dressed much more seductively. She's in like short shorts, tight clothes,

0:38:08.760 --> 0:38:14.120
<v Speaker 1>tight dress. So doing it for Bear and not for her.

0:38:14.140 --> 0:38:27.739
<v Speaker 1>So I thought that was interesting. This brings us to

0:38:27.780 --> 0:38:32.890
<v Speaker 1>the inversion of tropes, of which there are many. The first,

0:38:33.670 --> 0:38:37.529
<v Speaker 1>Wish Gone Wrong. So one of the things the director

0:38:37.550 --> 0:38:40.710
<v Speaker 1>slash creator has been very clear on, and I think

0:38:40.750 --> 0:38:43.890
<v Speaker 1>is extremely important, is that this is not a monkey

0:38:43.930 --> 0:38:47.920
<v Speaker 1>paw situation, meaning it's not a cursed item that is

0:38:47.980 --> 0:38:50.280
<v Speaker 1>going to twist your words and give you the worst

0:38:50.340 --> 0:38:54.460
<v Speaker 1>possible outcome. We are shown in the movie some people

0:38:54.700 --> 0:38:57.620
<v Speaker 1>used the one-wish willow and were happy with the outcome

0:38:57.660 --> 0:39:02.279
<v Speaker 1>of their wish. He made a bad wish. He took

0:39:02.340 --> 0:39:06.820
<v Speaker 1>away someone's choice, her autonomy. and in doing so, allowed

0:39:06.840 --> 0:39:12.560
<v Speaker 1>for something else, her, to inhabit Nikki's body. He reduced

0:39:12.600 --> 0:39:16.560
<v Speaker 1>her to an object for his wish fulfillment, erasing what

0:39:16.620 --> 0:39:20.870
<v Speaker 1>made her, her, so his wish was never going to work.

0:39:21.750 --> 0:39:26.230
<v Speaker 1>Because even though he claimed he wanted Nikki, he didn't, really.

0:39:27.310 --> 0:39:30.500
<v Speaker 1>He wanted the idealized version of her, and the life

0:39:30.520 --> 0:39:33.680
<v Speaker 1>that they could have together that he created in his mind.

0:39:34.520 --> 0:39:37.460
<v Speaker 1>He keeps telling her to be normal after she's possessed,

0:39:37.480 --> 0:39:41.940
<v Speaker 1>to just be Nikki, a very clear indicator that he

0:39:41.980 --> 0:39:45.779
<v Speaker 1>knows that she isn't Nikki, but he wants the Nikki

0:39:45.969 --> 0:39:48.670
<v Speaker 1>who was in love with him without the fear of

0:39:48.730 --> 0:39:53.299
<v Speaker 1>her rejecting him. That being said, the wording matters in

0:39:53.360 --> 0:39:58.569
<v Speaker 1>terms of bear's intentions. When he made the wish, his

0:39:58.630 --> 0:40:01.549
<v Speaker 1>words are not getting twisted. He could have wished to

0:40:01.610 --> 0:40:04.589
<v Speaker 1>be the person she'd want. He wished to make her

0:40:04.650 --> 0:40:09.530
<v Speaker 1>essentially subservient to his desires. So I think that's important.

0:40:10.050 --> 0:40:13.589
<v Speaker 2>Yeah. I said monkey paw, so obviously not.

0:40:13.950 --> 0:40:16.930
<v Speaker 1>I think, though, I get it because the idea of

0:40:16.989 --> 0:40:20.609
<v Speaker 1>a wish not going how you want. Yeah. I get,

0:40:21.170 --> 0:40:23.500
<v Speaker 1>I think I called it monkey paw too. But I

0:40:23.560 --> 0:40:25.940
<v Speaker 1>think that distinction is important, that it's not like it

0:40:25.980 --> 0:40:28.600
<v Speaker 1>was twisting his words.

0:40:29.120 --> 0:40:32.200
<v Speaker 2>It was his choices that was being interesting because I

0:40:32.239 --> 0:40:34.910
<v Speaker 2>do remember when he was reading, trying to research about

0:40:34.930 --> 0:40:38.930
<v Speaker 2>this specific thing. And one of the wishes were like,

0:40:38.950 --> 0:40:42.270
<v Speaker 2>he's one of the comments where it works and it's amazing.

0:40:42.390 --> 0:40:45.710
<v Speaker 2>My mom is so happy. She's so gorgeous and she's

0:40:45.790 --> 0:40:48.260
<v Speaker 2>so happy about herself. So that person had wished for

0:40:48.320 --> 0:40:52.320
<v Speaker 2>her mother to, to become beautiful or whatever whatnot. And

0:40:52.340 --> 0:40:54.200
<v Speaker 2>it seemed like it had worked out. Like they're all

0:40:54.239 --> 0:40:57.870
<v Speaker 2>happy because it wasn't about her necessarily, but letting her

0:40:57.950 --> 0:41:01.049
<v Speaker 2>mom have what she wanted. I just remember that one

0:41:01.090 --> 0:41:01.589
<v Speaker 2>for some reason.

0:41:01.810 --> 0:41:04.670
<v Speaker 1>Yeah. Yeah. And well, when he goes to the, a

0:41:06.090 --> 0:41:09.470
<v Speaker 1>very funny and absurd scene when he's covered in blood

0:41:09.530 --> 0:41:11.810
<v Speaker 1>and goes back to the store and it's like how

0:41:12.170 --> 0:41:14.509
<v Speaker 1>he's telling the cashier, like, how could you sell this

0:41:14.530 --> 0:41:19.270
<v Speaker 1>to people? This product is dangerous. Can you make the

0:41:19.310 --> 0:41:22.190
<v Speaker 1>wish to counteract my wish? And he says, the cashier

0:41:22.210 --> 0:41:24.470
<v Speaker 1>says so calmly, like, I already made my wish, man.

0:41:24.489 --> 0:41:27.049
<v Speaker 1>That's great. He never says.

0:41:26.989 --> 0:41:27.589
<v Speaker 2>What it is.

0:41:29.260 --> 0:41:32.780
<v Speaker 1>Whatever happened with him, he wasn't worried about it. So yes,

0:41:32.860 --> 0:41:35.020
<v Speaker 1>it is a situation where he made a bad wish.

0:41:35.420 --> 0:41:39.020
<v Speaker 1>And if you're looking up, I would urge you not to.

0:41:39.140 --> 0:41:43.040
<v Speaker 1>But if you do stumble into the manosphere arguments of

0:41:43.100 --> 0:41:46.610
<v Speaker 1>why Bear is actually the victim here, A lot of

0:41:46.660 --> 0:41:55.020
<v Speaker 1>times they say he just worded it incorrectly. That's not true.

0:41:55.460 --> 0:41:57.719
<v Speaker 1>Especially because when he gets on the line with the

0:41:57.780 --> 0:42:04.370
<v Speaker 1>customer service people and he asked to alter it before

0:42:05.590 --> 0:42:08.310
<v Speaker 1>he's like, oh, I'll cancel it then. He asked to

0:42:08.450 --> 0:42:13.569
<v Speaker 1>alter it because he still wants this thing even though

0:42:13.610 --> 0:42:19.410
<v Speaker 1>he knows it's not her. Yes. So another trope, the

0:42:19.530 --> 0:42:23.830
<v Speaker 1>nice guy trope. The character bear would generally fall under

0:42:23.870 --> 0:42:26.489
<v Speaker 1>the nice guy trope. And this is a trope that

0:42:26.510 --> 0:42:31.090
<v Speaker 1>paints a guy as nice. He is usually nerdy and shy.

0:42:31.370 --> 0:42:35.219
<v Speaker 1>But once you do a little digging underneath that, they're entitled,

0:42:35.300 --> 0:42:38.759
<v Speaker 1>they're angry, they're vengeful. The scary thing about the nice

0:42:38.820 --> 0:42:42.840
<v Speaker 1>guy is that he's not openly radicalized, but he still

0:42:42.960 --> 0:42:49.460
<v Speaker 1>thinks women are objects. So you won't necessarily know. One

0:42:49.500 --> 0:42:52.640
<v Speaker 1>of the ways I see this manifesting with him is

0:42:52.980 --> 0:42:58.330
<v Speaker 1>how Bear weaponizes sympathy. So from the start, he uses

0:42:58.370 --> 0:43:00.970
<v Speaker 1>the death of his cat to garner sympathy. He takes

0:43:01.370 --> 0:43:04.130
<v Speaker 1>Nikki's fake story that he later knows is fake and

0:43:04.150 --> 0:43:07.740
<v Speaker 1>keeps telling it about her dad having cancer to elicit

0:43:07.780 --> 0:43:10.520
<v Speaker 1>sympathy from their friends and kind of as a like

0:43:11.000 --> 0:43:15.819
<v Speaker 1>shield from their judgments. because the friends are really concerned

0:43:15.880 --> 0:43:20.359
<v Speaker 1>about Nikki's behavior. Another big conversation that's come out about

0:43:20.420 --> 0:43:24.259
<v Speaker 1>this has been about the victims of male loneliness and

0:43:24.340 --> 0:43:33.470
<v Speaker 1>male insecurity. So Bear is lonely. He's extremely lonely. He

0:43:33.550 --> 0:43:38.350
<v Speaker 1>doesn't have much going on. He lives in his grandmother's apartment,

0:43:38.410 --> 0:43:42.350
<v Speaker 1>and his grandmother has just died. His cat has just died.

0:43:43.530 --> 0:43:46.680
<v Speaker 1>And in the beginning, all the stories, when he's doing

0:43:46.719 --> 0:43:50.800
<v Speaker 1>his practice confession, all the stories he shares about Nikki

0:43:50.860 --> 0:43:53.799
<v Speaker 1>involve her being the only one who was there for him.

0:43:53.820 --> 0:43:59.239
<v Speaker 1>Because he was lonely. He doesn't seem to have much

0:43:59.300 --> 0:44:03.420
<v Speaker 1>going on. And this is interesting when compared with Ian,

0:44:03.560 --> 0:44:06.779
<v Speaker 1>his kind of frat boy friend. Yeah.

0:44:07.530 --> 0:44:10.330
<v Speaker 2>Who literally tells him to, like, neg her, essentially.

0:44:10.550 --> 0:44:16.150
<v Speaker 1>Yes. So if you had the two of them together,

0:44:16.170 --> 0:44:20.590
<v Speaker 1>you would think Bear is not a threat. Both of

0:44:20.670 --> 0:44:24.610
<v Speaker 1>them are trying to control access to Nikki. Neither one

0:44:24.650 --> 0:44:28.150
<v Speaker 1>is good. I just think it's interesting that you'd probably

0:44:28.230 --> 0:44:34.899
<v Speaker 1>be more willing, oh, Bear might be fine. Nope. His

0:44:35.000 --> 0:44:38.739
<v Speaker 1>first reaction to Nikki saying she wants to quit and

0:44:38.760 --> 0:44:42.160
<v Speaker 1>continue writing is not support our curiosity, but instead a

0:44:42.200 --> 0:44:47.140
<v Speaker 1>knee-jerk reaction about not seeing her anymore and assuming that

0:44:47.200 --> 0:44:51.240
<v Speaker 1>she's writing romance. So not wanting to be lonely again

0:44:51.300 --> 0:44:55.300
<v Speaker 1>and worrying that she'll move on. It's not that I

0:44:55.380 --> 0:44:58.819
<v Speaker 1>don't get the, oh, I'm going to miss you, but

0:44:58.930 --> 0:45:02.359
<v Speaker 1>he immediately was like, oh. I'm not going to ask

0:45:02.380 --> 0:45:07.100
<v Speaker 1>her about what she wants or anything like that. Patriarchy

0:45:07.160 --> 0:45:12.740
<v Speaker 1>hurts everybody. There are systemic reasons contributing, at least in part,

0:45:13.180 --> 0:45:16.020
<v Speaker 1>to why Bear is so lonely. But the violence is

0:45:16.160 --> 0:45:21.900
<v Speaker 1>often directed at women. This brings us to my lack

0:45:21.940 --> 0:45:26.900
<v Speaker 1>of care point. He does not care about Nikki. I

0:45:26.960 --> 0:45:31.950
<v Speaker 1>cannot stress this enough, not truly. At multiple points, he

0:45:32.010 --> 0:45:35.650
<v Speaker 1>doesn't seem to know much about her, and even the

0:45:35.730 --> 0:45:39.030
<v Speaker 1>things he does know, like she doesn't like the nickname

0:45:39.130 --> 0:45:42.810
<v Speaker 1>Freaky Nikki, he disregards in hopes of getting with her.

0:45:44.050 --> 0:45:47.810
<v Speaker 1>She repeatedly tries to make clear that it isn't her,

0:45:48.130 --> 0:45:52.310
<v Speaker 1>it's not me, and he doesn't care. She smashes her

0:45:52.390 --> 0:45:57.410
<v Speaker 1>head in, and he won't look at her. He's mostly

0:45:57.450 --> 0:46:01.930
<v Speaker 1>annoyed and angry and took her home and yelled at

0:46:01.989 --> 0:46:05.680
<v Speaker 1>her to just be Nikki. Like, she's still covered in blood.

0:46:07.340 --> 0:46:09.660
<v Speaker 1>If you pay attention, this is just a fun detail,

0:46:10.360 --> 0:46:13.160
<v Speaker 1>Nikki seems to snap out of her possession when she

0:46:13.260 --> 0:46:15.900
<v Speaker 1>sees her reflection in a mirror or some type of

0:46:15.960 --> 0:46:21.110
<v Speaker 1>reflective surface. So she recognizes it's not her. I just

0:46:21.130 --> 0:46:24.569
<v Speaker 1>thought that was cool. I also would say he's not

0:46:24.610 --> 0:46:27.690
<v Speaker 1>really being honest about who he is with her either.

0:46:27.710 --> 0:46:31.170
<v Speaker 1>They just don't seem to have, as much as he

0:46:31.190 --> 0:46:34.049
<v Speaker 1>built it up with his confession, they don't seem to

0:46:34.070 --> 0:46:38.219
<v Speaker 1>have a very communicative relationship. And I mean, he didn't

0:46:38.260 --> 0:46:41.640
<v Speaker 1>know about her being with Ian, and it's not any

0:46:41.660 --> 0:46:43.520
<v Speaker 1>of his business. But I just think there's a lot

0:46:43.560 --> 0:46:49.080
<v Speaker 1>of things that, I don't think he really cared about her, man. Yes,

0:46:49.380 --> 0:46:51.719
<v Speaker 1>as I said, every memory he shares about how much

0:46:51.780 --> 0:46:54.880
<v Speaker 1>he loves her center on her attention on him. He

0:46:54.960 --> 0:46:57.760
<v Speaker 1>doesn't ask questions about her when they're on their date.

0:46:58.700 --> 0:47:02.530
<v Speaker 1>Other than, oh, hey, let me see how far this

0:47:02.550 --> 0:47:07.050
<v Speaker 1>wish thing goes. And this brings us to the cat. Yes,

0:47:07.450 --> 0:47:13.310
<v Speaker 1>poor Sandy the cat, R.I.P. Sandy is Bear's cat, and

0:47:13.330 --> 0:47:16.390
<v Speaker 1>the story opens with him finding his cat dead in

0:47:16.450 --> 0:47:20.830
<v Speaker 1>his apartment. The cat then becomes a through line in

0:47:20.870 --> 0:47:23.549
<v Speaker 1>the movie with Nikki making a shrine to it and

0:47:23.750 --> 0:47:28.630
<v Speaker 1>cooking it and feeding it to an unsuspecting bear. The

0:47:28.710 --> 0:47:32.410
<v Speaker 1>cat represents Bear's lack of ability to take care of

0:47:32.510 --> 0:47:37.370
<v Speaker 1>living things that are under his supervision. So if you

0:47:37.410 --> 0:47:39.970
<v Speaker 1>look around his apartment, you can also see dead plants.

0:47:41.130 --> 0:47:44.739
<v Speaker 1>Sandy died because she was apparently hungry to the point

0:47:44.780 --> 0:47:47.650
<v Speaker 1>of starving. because she had torn open the bag of

0:47:47.710 --> 0:47:55.670
<v Speaker 1>cat food, and she got into Bear's grandmother's medicine and overdosed.

0:47:56.070 --> 0:47:58.650
<v Speaker 1>And this implies that Bear did not secure the medication

0:47:58.730 --> 0:48:02.239
<v Speaker 1>and left it accessible for the cat. When Nikki is

0:48:02.320 --> 0:48:06.220
<v Speaker 1>reduced to a shadow of herself, and I do love

0:48:06.280 --> 0:48:09.380
<v Speaker 1>how they frame her in darkness all of the time,

0:48:10.560 --> 0:48:13.540
<v Speaker 1>he treats her like a pet. He decides what they do,

0:48:13.640 --> 0:48:17.750
<v Speaker 1>what they eat, what they watch, And yes, she even

0:48:17.989 --> 0:48:21.950
<v Speaker 1>wets herself waiting for him in that one spot. When

0:48:22.050 --> 0:48:25.470
<v Speaker 1>he takes the pills to overdose at the end, he

0:48:25.710 --> 0:48:28.590
<v Speaker 1>did not do that for her, in my opinion. I

0:48:28.630 --> 0:48:31.950
<v Speaker 1>think he was like, I'm in a situation, I don't

0:48:31.969 --> 0:48:34.390
<v Speaker 1>know how to get out of it. And then he

0:48:34.910 --> 0:48:39.000
<v Speaker 1>still backed out. That's my opinion. That's my.

0:48:41.460 --> 0:48:46.210
<v Speaker 1>Another trope, the crazy girlfriend. So this was inverted in

0:48:46.250 --> 0:48:50.530
<v Speaker 1>a lot of ways. I will say, in my opinion,

0:48:50.650 --> 0:48:55.880
<v Speaker 1>everyone failed Nikki. Like, everybody. They dismissed her as being

0:48:56.880 --> 0:49:02.760
<v Speaker 1>crazy or on drugs. And to be fair, I wouldn't

0:49:02.860 --> 0:49:06.460
<v Speaker 1>go straight to possession either. But instead of trying to

0:49:06.580 --> 0:49:12.340
<v Speaker 1>help her, yeah, like, Sarah's worried, oh, she's taking advantage

0:49:12.380 --> 0:49:16.370
<v Speaker 1>of Hubert or... Ian's worried about, oh, how's it going

0:49:16.390 --> 0:49:19.700
<v Speaker 1>to look? And probably with a hint of he didn't

0:49:19.760 --> 0:49:23.560
<v Speaker 1>want Ian to be with her. They weren't genuinely worried

0:49:23.640 --> 0:49:27.700
<v Speaker 1>about her other than how it impacted him and them.

0:49:28.640 --> 0:49:31.759
<v Speaker 1>The whole thing was very victim-blaming. I also just want

0:49:31.780 --> 0:49:34.380
<v Speaker 1>to throw in here, sometimes women are just nice. And

0:49:34.420 --> 0:49:37.310
<v Speaker 1>that's all it f * * * ing is. That's it.

0:49:38.290 --> 0:49:40.820
<v Speaker 2>They were friends from high school. Or middle school.

0:49:40.840 --> 0:49:41.280
<v Speaker 1>Yeah.

0:49:41.300 --> 0:49:43.840
<v Speaker 2>And that's always been a thing. That's it.

0:49:44.280 --> 0:49:47.910
<v Speaker 1>That's it. That's all it is. I think it's interesting

0:49:47.950 --> 0:49:50.330
<v Speaker 1>that you could make the argument that Nikki is a

0:49:50.390 --> 0:49:54.810
<v Speaker 1>manic pixie dream girl or somewhere in that realm. But

0:49:55.270 --> 0:49:59.750
<v Speaker 1>I do think she was a legitimately nice person that

0:49:59.810 --> 0:50:04.690
<v Speaker 1>Bear painted that way in his mind. Like that is

0:50:04.850 --> 0:50:08.799
<v Speaker 1>what he saw and wanted her to be. The more

0:50:08.840 --> 0:50:11.719
<v Speaker 1>you learn about her, the more that image cracks. And

0:50:11.840 --> 0:50:15.020
<v Speaker 1>one of the lines that stands out to me is

0:50:15.090 --> 0:50:18.230
<v Speaker 1>after she kills Sarah, Nikki says, you wished for this.

0:50:19.390 --> 0:50:25.270
<v Speaker 1>You wished for this. And if you heard my heavy

0:50:25.370 --> 0:50:29.740
<v Speaker 1>sigh in our recent episode with Bridget about AI companions,

0:50:29.880 --> 0:50:32.360
<v Speaker 1>it was because of how the male fear of rejection

0:50:32.440 --> 0:50:35.480
<v Speaker 1>has contributed to the rise of these companions. But I

0:50:35.540 --> 0:50:39.040
<v Speaker 1>couldn't talk about how I was like, obsession has this

0:50:39.060 --> 0:50:44.390
<v Speaker 1>whole thing too he's too afraid a rejection to be

0:50:44.430 --> 0:50:49.330
<v Speaker 1>honest about how he feels so i had to rein

0:50:49.370 --> 0:50:55.410
<v Speaker 1>myself in he wants to deal with nikki the sycophantic

0:50:55.430 --> 0:51:00.170
<v Speaker 1>ai he doesn't want nikki the person and he's the

0:51:00.230 --> 0:51:04.210
<v Speaker 1>one that made her the crazy girlfriend trope uh The

0:51:04.230 --> 0:51:07.170
<v Speaker 1>crazy girlfriend trope always puts the blame on the woman

0:51:07.210 --> 0:51:10.569
<v Speaker 1>without discussing why she might be that way. When you

0:51:10.630 --> 0:51:15.930
<v Speaker 1>think about it, statistically, men are often the ones stalking.

0:51:15.950 --> 0:51:22.270
<v Speaker 1>They're the ones engaging in domestic violence, trapping women. And

0:51:22.290 --> 0:51:25.989
<v Speaker 1>these are all behaviors that she exhibits. But he's the

0:51:26.190 --> 0:51:34.210
<v Speaker 1>one that put her in that situation. That's not her. Mm-hmm. Also, interestingly,

0:51:34.710 --> 0:51:38.609
<v Speaker 1>it is hilarious and terrifying. The men using this movie

0:51:38.630 --> 0:51:42.810
<v Speaker 1>to be like, see, I'm vindicated. Women are crazy. Completely

0:51:42.830 --> 0:51:44.589
<v Speaker 1>missing the point. Really?

0:51:44.850 --> 0:51:45.210
<v Speaker 2>Wow.

0:51:45.489 --> 0:51:53.779
<v Speaker 1>Yeah. Oh, yeah. So, obviously, I mean, I feel like

0:51:53.920 --> 0:51:59.620
<v Speaker 1>obviously he keeps screaming at her, just be Nicky. when

0:51:59.660 --> 0:52:03.910
<v Speaker 1>she's acting like the crazy girlfriend, but he knows it's

0:52:04.010 --> 0:52:09.089
<v Speaker 1>not Nikki. He knows what he did. He knows that

0:52:09.170 --> 0:52:13.469
<v Speaker 1>he is the one that made this situation and he's

0:52:13.670 --> 0:52:17.589
<v Speaker 1>angry at her for it, but she wasn't the crazy girlfriend.

0:52:17.700 --> 0:52:24.620
<v Speaker 1>He's the one that orchestrated this whole thing. And listen,

0:52:24.980 --> 0:52:28.960
<v Speaker 1>by this point in the movie, he absolutely knew. I think,

0:52:29.440 --> 0:52:32.520
<v Speaker 1>Some people will argue about when, but at that point,

0:52:32.820 --> 0:52:36.670
<v Speaker 1>no way. He absolutely knew. If he's yelling at her

0:52:36.690 --> 0:52:39.969
<v Speaker 1>for like, please just be Nikki, why can't you just

0:52:39.989 --> 0:52:43.770
<v Speaker 1>be Nikki? No. I would guarantee a lot of the

0:52:43.790 --> 0:52:46.290
<v Speaker 1>men who think Bear is the victim don't like it

0:52:46.330 --> 0:52:49.660
<v Speaker 1>when women are not subservient to them and they get

0:52:49.760 --> 0:52:55.000
<v Speaker 1>mad when women are mad at them for cheating or

0:52:55.440 --> 0:52:59.330
<v Speaker 1>when women ask to be treated with respect. or as

0:52:59.370 --> 0:53:04.910
<v Speaker 1>a human being, to me, it's scary, the disillusionment you'd

0:53:04.950 --> 0:53:07.910
<v Speaker 1>have to have for this take. That's a wild thing

0:53:07.950 --> 0:53:13.069
<v Speaker 1>to me. But yeah, it does exist. And that's kind

0:53:13.090 --> 0:53:14.839
<v Speaker 1>of the update I wanted to do on my happy hour,

0:53:14.890 --> 0:53:17.399
<v Speaker 1>because in there I said I was so glad most

0:53:17.440 --> 0:53:24.820
<v Speaker 1>people seemed to be understanding that Nikki was not the villain.

0:53:25.260 --> 0:53:29.570
<v Speaker 1>She was the victim. But there were definitely the Manosphere

0:53:29.630 --> 0:53:34.650
<v Speaker 1>videos came out after that. And so finally, we're going

0:53:34.670 --> 0:53:37.450
<v Speaker 1>to talk about love in a couple of ways. So

0:53:38.150 --> 0:53:41.590
<v Speaker 1>as a part of the like crazy girlfriend trope, obsessive love,

0:53:42.410 --> 0:53:45.259
<v Speaker 1>this does usually rely on the girlfriend in question being

0:53:45.320 --> 0:53:49.120
<v Speaker 1>obsessed with the guy in question. In this case, it

0:53:49.160 --> 0:53:52.160
<v Speaker 1>was a wish forced upon her. And this is pretty

0:53:52.200 --> 0:53:55.040
<v Speaker 1>telling to me because it feels like a commentary on

0:53:55.540 --> 0:54:01.710
<v Speaker 1>writer's to force this on women characters. A lot of

0:54:01.830 --> 0:54:08.190
<v Speaker 1>these sometimes romanticized obsessive behaviors are used for horror, including

0:54:08.210 --> 0:54:13.480
<v Speaker 1>the thing many women hate hearing, just smile, just be pleasant.

0:54:14.500 --> 0:54:18.060
<v Speaker 1>She has so many creepy smiles in this movie. She

0:54:18.160 --> 0:54:22.580
<v Speaker 1>laughs way too loud. She cries too loud. She gives

0:54:22.980 --> 0:54:27.759
<v Speaker 1>her family heirloom to him. all of it feels very

0:54:28.320 --> 0:54:33.110
<v Speaker 1>demonic and not human. And yeah, her performance is amazing

0:54:33.290 --> 0:54:38.290
<v Speaker 1>and unpredictable. They did not use CGI or AI. It

0:54:38.330 --> 0:54:44.200
<v Speaker 1>was her and makeup, all of that. Wow. Yep, yep, yep, yep.

0:54:44.760 --> 0:54:47.020
<v Speaker 1>And then kind of like at the end, having the

0:54:48.120 --> 0:54:52.060
<v Speaker 1>really sad turn where she's like screaming, why don't you

0:54:52.160 --> 0:54:55.719
<v Speaker 1>love me? And there's the dead body of Sarah. And

0:54:56.000 --> 0:54:57.940
<v Speaker 1>she's trying to look like Sarah and she's trying to

0:54:57.960 --> 0:55:04.960
<v Speaker 1>smoke to be like Sarah. And he could have had Sarah.

0:55:06.219 --> 0:55:11.620
<v Speaker 1>It's just, it's really tragic, the whole thing. Oh, also,

0:55:12.440 --> 0:55:14.960
<v Speaker 1>there is a kind of Easter egg where you can

0:55:14.980 --> 0:55:18.840
<v Speaker 1>see an ad for the One Wish Willow. And it says,

0:55:19.880 --> 0:55:23.879
<v Speaker 1>dangerous when used by people that are insecure or obsessive. Hmm.

0:55:25.820 --> 0:55:29.560
<v Speaker 1>So this brings us to something Nikki says in the

0:55:29.580 --> 0:55:33.600
<v Speaker 1>beginning of the movie where she's kind of, she's talking

0:55:33.620 --> 0:55:36.880
<v Speaker 1>about a book she's writing and Bear immediately assumes it's

0:55:36.900 --> 0:55:38.760
<v Speaker 1>a romance and she says, no, it's a love story.

0:55:38.840 --> 0:55:42.020
<v Speaker 1>He says, aren't they the same thing? And she says, no.

0:55:42.900 --> 0:55:46.419
<v Speaker 1>So let us break that down a little bit. From Oprah.com,

0:55:47.120 --> 0:55:49.900
<v Speaker 1>in America, we live in a culture that glorifies passionate

0:55:50.080 --> 0:55:53.900
<v Speaker 1>romantic love. Our friends are in love, dreaming or daydreaming

0:55:53.940 --> 0:55:56.819
<v Speaker 1>of it. waiting and dating to fall into it. Women

0:55:56.880 --> 0:55:59.640
<v Speaker 1>and men begin new lives in love. Romantic love is

0:55:59.700 --> 0:56:03.880
<v Speaker 1>our inspiration, our motivation, our reason to be. Romance is

0:56:03.920 --> 0:56:08.410
<v Speaker 1>a cultural obsession, an imperial ideal. We believe that love

0:56:08.430 --> 0:56:11.549
<v Speaker 1>can be found here and now and forever in an

0:56:11.670 --> 0:56:15.010
<v Speaker 1>instant across a crowded room or tomorrow just around the corner.

0:56:15.810 --> 0:56:19.550
<v Speaker 1>It can, but rarely. In reality, romance is more fleeting

0:56:19.640 --> 0:56:22.960
<v Speaker 1>and more dangerous than we are told, more complicated than

0:56:22.980 --> 0:56:26.589
<v Speaker 1>we could have imagined. more elusive than we've been led

0:56:26.630 --> 0:56:29.989
<v Speaker 1>to believe. Love is a promise made every day only

0:56:30.010 --> 0:56:35.650
<v Speaker 1>to be broken tomorrow. So I like this quote because

0:56:37.180 --> 0:56:41.200
<v Speaker 1>of how it talks about the cultural obsession of how

0:56:41.260 --> 0:56:43.439
<v Speaker 1>this will kind of fix my problems, which I think

0:56:43.480 --> 0:56:48.410
<v Speaker 1>Bear has really attached himself to. Psychology Today wrote about

0:56:48.450 --> 0:56:53.160
<v Speaker 1>obsession in this context. a fixation on an object followed

0:56:53.180 --> 0:56:57.050
<v Speaker 1>by the uncertainty of reciprocity, what we call a limerence

0:56:57.630 --> 0:57:00.230
<v Speaker 1>and the desperate need to resolve it by searching for

0:57:00.290 --> 0:57:08.239
<v Speaker 1>hints of affection. I mean, that's it. He's fixated on Nikki.

0:57:08.989 --> 0:57:14.860
<v Speaker 1>He's uncertain if she reciprocates and he's determined to search

0:57:14.920 --> 0:57:18.280
<v Speaker 1>for these hints of affection. There's also a part of

0:57:18.320 --> 0:57:22.590
<v Speaker 1>that article talks about, um, The person that you believe

0:57:22.610 --> 0:57:26.610
<v Speaker 1>is the one that sees you, truly sees you. And

0:57:26.650 --> 0:57:31.290
<v Speaker 1>he thinks that Nikki is that person. But it's an

0:57:31.330 --> 0:57:35.010
<v Speaker 1>obsession about controlling her body and her choice. And there's

0:57:35.050 --> 0:57:38.700
<v Speaker 1>a lot of great video essays out there about this.

0:57:39.540 --> 0:57:42.880
<v Speaker 1>But just the way he words the wish and the

0:57:42.920 --> 0:57:46.700
<v Speaker 1>way he acts after, that's really what he was obsessed with.

0:57:48.200 --> 0:57:51.760
<v Speaker 1>So Nikki and Bear... have these different ideas of love

0:57:51.800 --> 0:57:55.500
<v Speaker 1>stories and of what love is. And maybe this sums

0:57:55.640 --> 0:57:59.860
<v Speaker 1>up how some men could interpret this movie so differently

0:58:00.000 --> 0:58:05.740
<v Speaker 1>than like everyone else. Fear of consequences versus fear of

0:58:05.840 --> 0:58:10.360
<v Speaker 1>loss of autonomy. Whose needs did he think mattered more

0:58:10.420 --> 0:58:13.940
<v Speaker 1>to achieve this love that he wanted? And how did

0:58:13.980 --> 0:58:16.860
<v Speaker 1>it look? It looked like her staying in the box

0:58:16.900 --> 0:58:21.670
<v Speaker 1>that he put her in and him being Her entire world,

0:58:22.390 --> 0:58:25.450
<v Speaker 1>which is not healthy. He did not care about her choices.

0:58:25.990 --> 0:58:28.210
<v Speaker 1>He wanted to protect his ego and use her to

0:58:28.250 --> 0:58:31.010
<v Speaker 1>solve his problems. He wanted to believe he was a

0:58:31.050 --> 0:58:35.060
<v Speaker 1>good guy who deserved her, even as the evidence he's

0:58:35.160 --> 0:58:39.700
<v Speaker 1>not piles up. He never tried to help her. Not once.

0:58:40.360 --> 0:58:43.900
<v Speaker 1>That is not love. That's not even friendship. And he

0:58:43.960 --> 0:58:48.480
<v Speaker 1>thinks that it's okay because of whatever patriarchal systemic shit

0:58:48.560 --> 0:58:52.810
<v Speaker 1>he's absorbed. at least on some level. And when we

0:58:52.870 --> 0:58:55.150
<v Speaker 1>look at the news and what's going on and the

0:58:55.190 --> 0:58:57.800
<v Speaker 1>taking away of women's choices and how women are viewed,

0:58:58.600 --> 0:59:11.940
<v Speaker 1>it's no wonder, unfortunately. So there's my whole thing. about obsession.

0:59:11.960 --> 0:59:15.340
<v Speaker 1>I could have gone on and on, but like I said,

0:59:15.780 --> 0:59:17.700
<v Speaker 1>so many people have been talking about this. It started

0:59:17.740 --> 0:59:23.540
<v Speaker 1>a lot of conversations. So if you want to learn more,

0:59:23.560 --> 0:59:28.240
<v Speaker 1>you absolutely can. It is out there. There are some

0:59:28.300 --> 0:59:34.750
<v Speaker 1>really wonderful think pieces about it, and then some fun things. Like, legally,

0:59:35.430 --> 0:59:39.150
<v Speaker 1>the company behind One Wish Willow, you'd be sued. You'd

0:59:39.170 --> 0:59:40.250
<v Speaker 1>be sued to oblivion.

0:59:40.270 --> 0:59:43.280
<v Speaker 2>Oh, yeah. Oh, yeah. If you can prove it. Like,

0:59:43.300 --> 0:59:46.910
<v Speaker 2>that's the problem with, like, this type of magic, so

0:59:46.970 --> 0:59:48.730
<v Speaker 2>no one really believes it until they do it.

0:59:49.600 --> 0:59:53.760
<v Speaker 1>Yeah. I think the big point in the argument, though,

0:59:53.820 --> 0:59:58.100
<v Speaker 1>was if you have a product where on a consumer level,

1:00:01.100 --> 1:00:04.950
<v Speaker 1>On a customer services line, they say, well, one way

1:00:05.010 --> 1:00:09.090
<v Speaker 1>to end the wish is to kill yourself. One, presumably,

1:00:09.110 --> 1:00:12.350
<v Speaker 1>you'd think it was recorded. And so that's a pretty

1:00:12.450 --> 1:00:17.350
<v Speaker 1>big issue for the lawsuit.

1:00:18.130 --> 1:00:19.650
<v Speaker 2>I mean, yes, but.

1:00:20.490 --> 1:00:22.690
<v Speaker 1>Yes. No, I mean, that's the thing. That's the biggest

1:00:22.770 --> 1:00:28.160
<v Speaker 1>issue with Nikki's legal defense, because, I mean, what is

1:00:28.200 --> 1:00:33.310
<v Speaker 1>she going to do now? is that, at least in

1:00:33.350 --> 1:00:37.070
<v Speaker 1>the videos I watch, she has a really great legal defense, actually,

1:00:37.110 --> 1:00:42.630
<v Speaker 1>but it depends on people believing that this product worked.

1:00:43.030 --> 1:00:51.050
<v Speaker 1>And what jury and judge are going to believe that. Yeah. Well, thanks, everybody.

1:00:51.070 --> 1:00:55.840
<v Speaker 1>This has been fun for me. It's a nice birthday

1:00:55.860 --> 1:00:56.760
<v Speaker 1>episode for me.

1:00:57.620 --> 1:00:59.480
<v Speaker 2>Fantastic. Thank you for sharing.

1:01:00.260 --> 1:01:02.380
<v Speaker 1>Thank you for watching. I did.

1:01:03.000 --> 1:01:03.280
<v Speaker 2>Yes.

1:01:03.700 --> 1:01:08.380
<v Speaker 1>Yes. Well, listeners, if you have any thoughts, please let

1:01:08.480 --> 1:01:12.460
<v Speaker 1>us know. You can email us at hello at stuffmonevertoldyou.com.

1:01:12.800 --> 1:01:14.160
<v Speaker 1>You can find us on Blue Sky at Mom's Top

1:01:14.180 --> 1:01:17.560
<v Speaker 1>Podcast or on Instagram and TikTok at stuffmonevertoldyou. We're also

1:01:17.620 --> 1:01:19.740
<v Speaker 1>on YouTube. We have some merchandise at Cotton Bureau. And

1:01:19.760 --> 1:01:21.140
<v Speaker 1>we have a book you can get wherever you get

1:01:21.180 --> 1:01:23.610
<v Speaker 1>your books. Thanks, as always, to our super producer, Rima,

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<v Speaker 1>and our executive producer, Maya.

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<v Speaker 2>Thank you.

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<v Speaker 1>And thanks to you for listening. Stuff I Never Told

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<v Speaker 1>You is produced by Heart Radio. For more podcasts from

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<v Speaker 1>Heart Radio, you can check out the Heart Radio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.