WEBVTT - Oil and Troubled Water, Part 1

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, the production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 3>And my name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 2>We have a fun journey to take you on in

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<v Speaker 2>the next couple of episodes, probably going to be a

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<v Speaker 2>two parter, but who knows. We never know. We don't

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<v Speaker 2>know what the future is going to bring. But this

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<v Speaker 2>is one that on the surface of things, you might think, oh, well,

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<v Speaker 2>oil and water, how interesting could that get? But it

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<v Speaker 2>gets pretty interesting because you know, we're going to get

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<v Speaker 2>into divination, We're going to get into the idea of

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<v Speaker 2>pouring storm oil into the sea to calm turbulent waters.

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<v Speaker 2>There's a lot to talk about here, but at the

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<v Speaker 2>very base level, oil and water two things that famously

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<v Speaker 2>don't mix. You've probably observed varying levels of the interaction before.

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<v Speaker 2>Perhaps you've just seen like a film of oil on

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<v Speaker 2>the surface of a puddle, or you've observed the separation

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<v Speaker 2>of cooking oil combined with another liquid in a mixing bowl.

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<v Speaker 2>It instantly catches the eye. I'm not going to say

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<v Speaker 2>it necessarily always captures the human imagination, but there is

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<v Speaker 2>something about it that you can't help.

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<v Speaker 3>But notice, did you ever have one of those toys

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<v Speaker 3>when you were a kid? Where there is I actually

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<v Speaker 3>don't know what liquids they use in these, but presumably

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<v Speaker 3>it's water and then some kind of lipid based colored liquid,

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<v Speaker 3>maybe like red or blue, that bubbles through the water

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<v Speaker 3>and maybe spins a little pin wheel or something.

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<v Speaker 2>Yeah, I think I know what you're talking about. I

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<v Speaker 2>do remember these. They're really fun for a brief period

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<v Speaker 2>of time, and then they go into the junk drawer.

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<v Speaker 3>Well, maybe I'm just easily amused. I remember turning mine

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<v Speaker 3>over and over a lot.

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<v Speaker 2>Yeah, well, I mean it's memorable. I'm not saying it's

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<v Speaker 2>forgotten that it certainly ends up in the toy chest.

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<v Speaker 3>I bet that one's really fun when it breaks. That'd

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<v Speaker 3>be a great origin story for like a long dormant

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<v Speaker 3>virus or something, the dangerous microorganism. In case, within the

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<v Speaker 3>item of power.

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<v Speaker 2>What strange oil did they end up using. Yeah, well

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<v Speaker 2>it's not just children, it's not just the inner child

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<v Speaker 2>as well. Humans have found interactions of oil and water

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<v Speaker 2>intriguing since ancient times. And yeah, indeed it does trace

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<v Speaker 2>back into the realm of ancient magic. And divination, you know,

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<v Speaker 2>various tales and we'll touch on some of these, of

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<v Speaker 2>like ancient kings and so forth, seeking out the word

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<v Speaker 2>and the wisdom of diviners who use various methods to

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<v Speaker 2>sort of reach into the murky future and make sense

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<v Speaker 2>of the strange shapes there. Now. Divination is, of course

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<v Speaker 2>the attempt to seek guidance concerning the future and decisions

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<v Speaker 2>that impact future events. As we've discussed in the show before.

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<v Speaker 2>You can certainly think of it as a as the

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<v Speaker 2>right of supernatural guidance, which it is, but especially in

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<v Speaker 2>the ancient context too, we might think of it as

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<v Speaker 2>well as a means of sort of generating a randomized

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<v Speaker 2>direction that is weighted by belief or superstition. You know,

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<v Speaker 2>if presented with two choices, all things being equal, you know,

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<v Speaker 2>flip a coin, but not a trivial coin, not a

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<v Speaker 2>completely trivial coin, because this coin is weighted by supernatural belief.

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<v Speaker 2>But then also you keep it from being just you know,

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<v Speaker 2>completely random, because it also entails an art of interpretation.

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<v Speaker 2>It's not just a coin anyone can flip and anyone

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<v Speaker 2>can read. You need a specialist who's going to read

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<v Speaker 2>the coin read whatever it is you're reading and perhaps

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<v Speaker 2>too you know, read the client, read the patron, and

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<v Speaker 2>or the you know, the larger events going on and

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<v Speaker 2>so so, Yeah, there's a there's an art to divination

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<v Speaker 2>as well.

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<v Speaker 3>So it's often interesting when you think about a lot

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<v Speaker 3>of the stories of what the interpreter does. I mean,

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<v Speaker 3>there are some cases where they get real secific about things,

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<v Speaker 3>but most of the time it seems like they are

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<v Speaker 3>adding in ambiguity that makes it harder to falsify the prediction.

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<v Speaker 2>Yeah, sort of the you know, there's obviously an art

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<v Speaker 2>to the cold read, and you know there's a level

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<v Speaker 2>of manipulation to carrying it out as well. And also

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<v Speaker 2>there's a lot of self preservation, especially when you're dealing

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<v Speaker 2>with you know, dark and gloomy kings and ancient times.

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<v Speaker 2>If you want to be a diviner that lives a

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<v Speaker 2>long life, or even a reasonably long life, you do

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<v Speaker 2>have to read the room and figure out exactly what

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<v Speaker 2>kind of message you're going to relay to the ruler.

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<v Speaker 3>Look, I always said there would be a decisive victory.

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<v Speaker 3>I didn't say which side would get it.

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<v Speaker 2>So there are various methods of divination that have been

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<v Speaker 2>used over the years. We talked about about many on

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<v Speaker 2>the show before in the past, and we're going to

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<v Speaker 2>touch on several different ones here, but specifically concerning oil

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<v Speaker 2>and water divination. This is what the ancient Greeks would

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<v Speaker 2>come to call lacanamancy, the use of oil poured into

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<v Speaker 2>a basin of water to tell the future.

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<v Speaker 3>Yeah. So the name lacanomancy comes from the Greek lacane,

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<v Speaker 3>meaning bowl. So this is lacanomancy meaning bowl divination. And

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<v Speaker 3>in the literature, yeah, it seems most often to refer

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<v Speaker 3>to omens in mixtures of oil or water, either in

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<v Speaker 3>a bowl or in a cup, and could apparently be

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<v Speaker 3>done either way, maybe by I think more often by

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<v Speaker 3>pouring oil into water, but maybe also by pouring water

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<v Speaker 3>into oil. Though there are some other definitions for this

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<v Speaker 3>word that seem to overlap with the concept of hydromancy,

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<v Speaker 3>meaning divination through water. And since the name only means bowl,

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<v Speaker 3>like the name doesn't mean oil, I guess it could

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<v Speaker 3>also involve these other things like you have a bowl

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<v Speaker 3>of water and you drop gems in it and see

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<v Speaker 3>what they do to get your omen, or you drop

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<v Speaker 3>gold or silver coins in, or you like move, you know,

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<v Speaker 3>move the water around and see which way the ripples go.

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<v Speaker 3>There are a number of ways of doing this, but

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<v Speaker 3>the oil in water one seems to have been prominent

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<v Speaker 3>in the ancient Near East.

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<v Speaker 2>Yeah, yeah, this lines up with what I was reading

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<v Speaker 2>as well. I was looking at a book from nineteen

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<v Speaker 2>eighty one titled Oracles and Divination, and in particular, there's

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<v Speaker 2>a section in it by O. R. Gurney that says, yes,

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<v Speaker 2>these these practices, they tended to involve a bowl or

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<v Speaker 2>a basin of some sort. And yes, one would either

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<v Speaker 2>pour oil into water or water into oil, and the

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<v Speaker 2>oil would cause various shapes on the surface of the water,

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<v Speaker 2>and these would be used through the diviner's ar or

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<v Speaker 2>the barrus art. I believe barrow is the term in

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<v Speaker 2>like ancient Babylon to predict the future. There is also

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<v Speaker 2>a variation called al romance, which used flour instead of oil.

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<v Speaker 2>So you know, take heart, if you're out of oil

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<v Speaker 2>and you have some flour on hand, you can also

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<v Speaker 2>go with that.

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<v Speaker 3>Method make you the loosest of dose.

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<v Speaker 2>Now. Gurney also mentions that there now are slash were

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<v Speaker 2>I'm not sure if this is like the current count.

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<v Speaker 2>This is againotext from eighty one the six known surviving

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<v Speaker 2>tablets from ancient Mesopotamia dealing with oil omens, and the

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<v Speaker 2>author includes a couple of examples here that I wanted

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<v Speaker 2>to read. So these would be different nuggets of wisdom

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<v Speaker 2>to help you the diviner interpret what's happening in the bowl. Quote.

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<v Speaker 2>If from the middle of the oil two drops come out,

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<v Speaker 2>one big, the other small, the man's wife will bear

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<v Speaker 2>a sun for a sick man. He will recover. And

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<v Speaker 2>then the next one here concerns the use of flower

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<v Speaker 2>instead of oil. If the flower in the east takes

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<v Speaker 2>the shape of a lion's face, the man is in

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<v Speaker 2>the grip of a ghost of one who lies in

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<v Speaker 2>the open country. The sun will consign it, the ghost

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<v Speaker 2>to the wind, and he will get well.

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<v Speaker 3>Oh wow, that's creepy. So wait, flower forms a lion's face,

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<v Speaker 3>What does that mean? The ghost of one who lies

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<v Speaker 3>in the open country? Does that mean a ghost of

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<v Speaker 3>someone who didn't receive a proper burial? Would that be?

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<v Speaker 2>That was what it made me think of. I'm not certain,

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<v Speaker 2>and the author doesn't go into detail on this, but yeah,

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<v Speaker 2>it made me think of other superstitions we've discussed from

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<v Speaker 2>other traditions involving the unburied or the improperly buried dead.

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<v Speaker 3>This was a subject often of great concern in the

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<v Speaker 3>literature and folklore of the ancient world. That like people

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<v Speaker 3>like not getting a proper burial was really something you

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<v Speaker 3>didn't want.

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<v Speaker 2>Yeah. Now, another form of divination that he mentions is lebanomancy,

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<v Speaker 2>which is divination by smoke from throwing cedar shavings on

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<v Speaker 2>an incense burner. And this would be kind of similar,

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<v Speaker 2>like you throw the wood shavings on their smoke billows up,

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<v Speaker 2>and however the smoke is moving, what shapes it seems

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<v Speaker 2>to be forming that is the basis of your vision

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<v Speaker 2>of the future. Now, he writes that the use of

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<v Speaker 2>entrails and a sacrificed animal would become more popular, but oil,

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<v Speaker 2>flower and smoke based divination would remain a cheaper option,

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<v Speaker 2>but also still one that would be invoked and used

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<v Speaker 2>by various important individuals, including kings, such as when Cassite

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<v Speaker 2>King Agam the Second, he says prayed to the god

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<v Speaker 2>Shamish by oil before setting out on a quest to

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<v Speaker 2>reclaim stolen statues of Marduk and Sarpanitum.

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<v Speaker 3>It's interesting that you mentioned lacanamancy as a cheaper alternative

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<v Speaker 3>to reading omens in the entrails of sacrificed animals. I

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<v Speaker 3>came across that exact same claim in some other sources.

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<v Speaker 3>I don't know if they're citing from a common source

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<v Speaker 3>that says that, but yeah, that is interesting obviously. So

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<v Speaker 3>I guess the benefit of reading the entrails of a

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<v Speaker 3>sacrificed animal is you're almost like, you know, you're paying

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<v Speaker 3>for the really high price ticket your message from the gods,

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<v Speaker 3>Like you're taking a good animal getting it sacrificed. I

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<v Speaker 3>suppose at the altar of the god you're asking for

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<v Speaker 3>the answer from and then it's entrails will tell you

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<v Speaker 3>something and the budget option, yeah, is just a little

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<v Speaker 3>bit of olive oil and some water or some flour

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<v Speaker 3>or something like that.

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<v Speaker 2>Yeah. And I'm just guessing here, but I mean, maybe

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<v Speaker 2>that's not always available. Maybe sometimes the old ways are

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<v Speaker 2>thought the best, or maybe sometimes you have a situation

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<v Speaker 2>where even a king is getting a second or third

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<v Speaker 2>opinion on a matter and it's like, well, okay, what

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<v Speaker 2>do the laconda mancers have to say about this? Maybe

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<v Speaker 2>they'll give me the answer that I want to hear.

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<v Speaker 2>Now the author here Gurney goes on and mentions that

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<v Speaker 2>there's also a form of lacando mency that was used

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<v Speaker 2>by the Hittites that involved a basin or a tub

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<v Speaker 2>filled with water. Certainly, but instead of adding oil or flour,

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<v Speaker 2>you would add what might be a snake or possibly

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<v Speaker 2>an eel, and its movements in the enclosed space of

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<v Speaker 2>the tank would foretell the future. And it does not

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<v Speaker 2>in this case sound like the animal was sacrificed. It's

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<v Speaker 2>just about you put the animal in there, watch it

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<v Speaker 2>swim around. How does it behave its movements are going

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<v Speaker 2>to reveal what the future holds for us? Now, another

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<v Speaker 2>source I was looking at concerning this topic appears in

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<v Speaker 2>the Influence of surface films on interfacial flow Dynamics from

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<v Speaker 2>nineteen ninety seven by Sean Patrick McKenna, and this author

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<v Speaker 2>writes that lakana manci is, of course one of the

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<v Speaker 2>forms of divination practice during the eighteenth century BCE in

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<v Speaker 2>the Hamarabi ruled Old Babylonian Empire, and points out, yeah,

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<v Speaker 2>there's several tablets of the time period unearthed in the

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<v Speaker 2>nineteenth and twentieth centuries that list examples of the kind

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<v Speaker 2>of mancy and guides for interpreting what's going on in

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<v Speaker 2>the water. This author also shares some examples translated from

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<v Speaker 2>these tablets. A few of these include the following. If

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<v Speaker 2>the oil sinks, then rises and spreads around the water

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<v Speaker 2>for the campaign, unfavorable consequences for the sick divine punishment.

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<v Speaker 2>If the oil splits in two for the campaign. Both

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<v Speaker 2>camps should march together for the sick death. If a

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<v Speaker 2>drop emerges in the east and remain stationary for the campaign,

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<v Speaker 2>booty for the sick recovery. If two drops emerge, one large,

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<v Speaker 2>one small, a male child will be born for the

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<v Speaker 2>sick recovery. If the oil fills the bowl for the

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<v Speaker 2>sick death for the campaign, defeat for the leader.

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<v Speaker 3>This last one actually raises questions for me, because the

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<v Speaker 3>question is if the oil fills the bowl. Knowing what

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<v Speaker 3>we know about the physics of oil and water today,

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<v Speaker 3>I mean, I think what will pretty much always happen

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<v Speaker 3>is that over time, any oil in the water will

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<v Speaker 3>spread out as far as it can, and so it

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<v Speaker 3>will pretty much always spread to fill the surface of water.

0:13:00.120 --> 0:13:04.160
<v Speaker 3>Are in a bowl, so it takes time for it

0:13:04.240 --> 0:13:05.680
<v Speaker 3>to do that. So maybe you've got to put a

0:13:05.720 --> 0:13:08.240
<v Speaker 3>time limit on it. Otherwise it's always going to be

0:13:08.280 --> 0:13:10.720
<v Speaker 3>death or defeat for the leader, I would think.

0:13:11.160 --> 0:13:14.079
<v Speaker 2>Yeah, I think there has to be an immediacy to this.

0:13:14.280 --> 0:13:16.719
<v Speaker 2>And obviously, if you especially if you don't have a

0:13:16.760 --> 0:13:21.320
<v Speaker 2>steady hand, all of your divinations can't be you know,

0:13:21.559 --> 0:13:24.360
<v Speaker 2>death for the sick and defeat for the leader of

0:13:24.400 --> 0:13:27.880
<v Speaker 2>an army. That's going to be bad for business, I think.

0:13:29.480 --> 0:13:32.000
<v Speaker 3>But it's interesting to see the pairings of the different

0:13:32.840 --> 0:13:36.320
<v Speaker 3>interpretations with like the two different kinds of battles, the

0:13:36.320 --> 0:13:38.880
<v Speaker 3>battle for health within the body in the battle you know,

0:13:38.960 --> 0:13:41.600
<v Speaker 3>for the in the military campaign going on for the king.

0:13:42.640 --> 0:13:45.080
<v Speaker 3>So some of these pairings make sense to me, Like

0:13:46.000 --> 0:13:50.040
<v Speaker 3>unfavorable consequences for the military campaign with divine punishment for

0:13:50.120 --> 0:13:55.920
<v Speaker 3>the sick death and defeat death and defeat booty and recovery.

0:13:55.960 --> 0:13:58.079
<v Speaker 3>That pairing makes sense. The one I was confused about

0:13:58.160 --> 0:14:00.960
<v Speaker 3>is if the oil splits in two, that means for

0:14:01.040 --> 0:14:05.000
<v Speaker 3>the sick death for the campaign, both camps should march together.

0:14:05.640 --> 0:14:07.920
<v Speaker 2>Yeah. I'm not exactly sure what to make of that either.

0:14:08.200 --> 0:14:12.120
<v Speaker 3>Yeah, though, I like that because that's not just stating

0:14:12.160 --> 0:14:15.320
<v Speaker 3>an outcome, that's giving advice Yeah.

0:14:15.440 --> 0:14:18.680
<v Speaker 2>Now, obviously another issue that all this raises is you know,

0:14:18.720 --> 0:14:21.880
<v Speaker 2>what what kinds of oil are you using? What kinds

0:14:21.880 --> 0:14:25.760
<v Speaker 2>of water? You know, there could conceivably be differences in

0:14:27.960 --> 0:14:31.720
<v Speaker 2>the reaction that takes place. Well, one source I looked

0:14:31.760 --> 0:14:35.360
<v Speaker 2>at this is from D. Tabor. This is from nineteen

0:14:35.440 --> 0:14:39.160
<v Speaker 2>eighty Babylonian Lacanomancy, an ancient text on the spreading of

0:14:39.160 --> 0:14:41.720
<v Speaker 2>oil on water, and in that the author suggests that

0:14:41.760 --> 0:14:44.760
<v Speaker 2>the water here is likely rain water and the oil

0:14:44.840 --> 0:14:48.680
<v Speaker 2>is some manner of vegetable oil. I found that interesting,

0:14:48.720 --> 0:14:52.040
<v Speaker 2>like the rain water, especially because on one hand, okay,

0:14:52.080 --> 0:14:54.520
<v Speaker 2>I guess this is going to be how you're going

0:14:54.560 --> 0:14:58.320
<v Speaker 2>to obtain the purest water that is also free of

0:14:58.360 --> 0:15:02.000
<v Speaker 2>any oils that might you know, otherwise contaminated. And then

0:15:02.040 --> 0:15:04.680
<v Speaker 2>on the other hand, there is something kind of supernatural

0:15:04.720 --> 0:15:06.840
<v Speaker 2>to it as well, like this is the water that

0:15:06.960 --> 0:15:09.640
<v Speaker 2>came from the sky, from the realm of the gods,

0:15:09.680 --> 0:15:12.400
<v Speaker 2>and therefore I can imagine that playing a role in

0:15:12.440 --> 0:15:24.560
<v Speaker 2>all of this as well. Now, another interesting thing that

0:15:24.880 --> 0:15:27.880
<v Speaker 2>came up in one of these sources is they pointed

0:15:28.160 --> 0:15:33.400
<v Speaker 2>this out Joe that apparently in the Old Testament, in

0:15:33.480 --> 0:15:37.960
<v Speaker 2>Genesis forty four or five, there is a reference to lacanamancy.

0:15:38.800 --> 0:15:41.600
<v Speaker 2>There's a there's a bit that goes, is not this

0:15:41.800 --> 0:15:45.720
<v Speaker 2>it in which my Lord drinketh, and whereby indeed he divineth,

0:15:46.240 --> 0:15:49.240
<v Speaker 2>he have done evil in so doing so?

0:15:49.760 --> 0:15:51.800
<v Speaker 3>This is a very interesting case. I think this is

0:15:51.840 --> 0:15:56.400
<v Speaker 3>not necessarily a reference to lacanomancy, though that is a

0:15:56.400 --> 0:15:59.160
<v Speaker 3>good candidate for what it is referring to. It is

0:15:59.200 --> 0:16:03.680
<v Speaker 3>definitely refer to a form of divination, which means I

0:16:03.680 --> 0:16:05.880
<v Speaker 3>think maybe this is a good time for a digression

0:16:06.040 --> 0:16:11.000
<v Speaker 3>on references to divination in the Bible. And here I

0:16:11.040 --> 0:16:14.200
<v Speaker 3>have to apologize because I got seriously over zealous in

0:16:14.240 --> 0:16:17.440
<v Speaker 3>pursuing this digression, which is only lightly related to the

0:16:17.480 --> 0:16:19.960
<v Speaker 3>topic to begin with, So please bear with me. But

0:16:20.000 --> 0:16:23.760
<v Speaker 3>I think it's an interesting subject. So there are actually

0:16:23.880 --> 0:16:27.960
<v Speaker 3>a lot of references to divination in the Bible. The

0:16:28.000 --> 0:16:31.200
<v Speaker 3>Hebrew Bible, or what Christians would call the Old Testament,

0:16:31.400 --> 0:16:34.640
<v Speaker 3>contains references to a bunch of different methods of divination.

0:16:35.280 --> 0:16:39.080
<v Speaker 3>First of all, there is actually a divination method officially

0:16:39.160 --> 0:16:42.120
<v Speaker 3>sanctioned by the Torah and by the priest class in

0:16:42.160 --> 0:16:45.239
<v Speaker 3>the Bible, which is known as the Urim and Thummim,

0:16:45.400 --> 0:16:49.120
<v Speaker 3>which seems to have been some other kind of object.

0:16:49.280 --> 0:16:52.920
<v Speaker 3>It's like a pair of objects worn on the ceremonial

0:16:53.000 --> 0:16:57.760
<v Speaker 3>breastplate of the high priest. And while the exact form

0:16:57.920 --> 0:17:01.000
<v Speaker 3>of these objects and the procedure for using is not certain,

0:17:01.680 --> 0:17:04.800
<v Speaker 3>it seems they would essentially be used for casting lots

0:17:04.800 --> 0:17:07.359
<v Speaker 3>of some kind by the high priest in order to

0:17:07.400 --> 0:17:10.399
<v Speaker 3>receive answers from God, possibly answers to yes or no

0:17:10.520 --> 0:17:13.560
<v Speaker 3>questions about what would happen in the future, will we

0:17:13.640 --> 0:17:17.600
<v Speaker 3>be successful in battle and so forth, or answers to

0:17:17.680 --> 0:17:20.479
<v Speaker 3>questions about the guilt or innocence of an alleged sinner.

0:17:21.200 --> 0:17:24.760
<v Speaker 3>Sometimes they're represented as like gems that flash with a

0:17:24.800 --> 0:17:27.679
<v Speaker 3>divine light in order to project messages. I think there

0:17:27.720 --> 0:17:31.520
<v Speaker 3>were some interpretations in the later rabbinical literature like this,

0:17:31.680 --> 0:17:34.800
<v Speaker 3>but I think that's all sort of like later writers

0:17:34.840 --> 0:17:38.879
<v Speaker 3>speculating on what these original passages in the scriptures meant.

0:17:39.160 --> 0:17:43.679
<v Speaker 2>Now the urim and thummim here, if I'm correct on this,

0:17:43.680 --> 0:17:45.959
<v Speaker 2>this is this kind of often depict that is kind

0:17:46.000 --> 0:17:49.520
<v Speaker 2>of a multi code. Like you said, crystal plate that

0:17:49.680 --> 0:17:54.320
<v Speaker 2>is worn from the neck, And I remember as a child,

0:17:54.880 --> 0:17:59.440
<v Speaker 2>I would experience a certain amount of excitement and maybe

0:17:59.440 --> 0:18:01.680
<v Speaker 2>a little bit of fusion, because at the time I

0:18:01.680 --> 0:18:04.359
<v Speaker 2>would have my Star Wars books on one hand, and

0:18:04.400 --> 0:18:06.440
<v Speaker 2>then I would have, you know, some of these illustrated

0:18:06.800 --> 0:18:10.520
<v Speaker 2>like Old Testament stories books on the other, and these

0:18:10.600 --> 0:18:12.520
<v Speaker 2>looked like kind of these made me think of the

0:18:12.600 --> 0:18:13.840
<v Speaker 2>chest plate of Darth Vader.

0:18:14.200 --> 0:18:17.160
<v Speaker 3>Oh wow, yeah, well the chess plate of Darth Vader.

0:18:17.200 --> 0:18:19.440
<v Speaker 3>Like it's got all the little tic TACs and stuff on it.

0:18:19.840 --> 0:18:23.160
<v Speaker 2>Red lights and all, and oftentimes these illustrations you see

0:18:23.160 --> 0:18:25.120
<v Speaker 2>some sort of like red gems in there as well.

0:18:25.520 --> 0:18:28.399
<v Speaker 3>Yeah, so I think what it does. What is clear

0:18:28.560 --> 0:18:32.199
<v Speaker 3>is that these objects are linked to the breastplate of

0:18:32.280 --> 0:18:34.399
<v Speaker 3>the high priest in some way, like it said that

0:18:34.480 --> 0:18:38.000
<v Speaker 3>maybe they are put in or put on the breastplate,

0:18:38.080 --> 0:18:41.720
<v Speaker 3>but it's not exactly clear what they are. But what

0:18:41.840 --> 0:18:45.880
<v Speaker 3>is clear is that they are somehow used in an

0:18:45.960 --> 0:18:51.120
<v Speaker 3>officially in bounds divination process. This is what the followers

0:18:51.119 --> 0:18:53.840
<v Speaker 3>of the God of Israel were supposed to use for

0:18:54.000 --> 0:18:57.919
<v Speaker 3>divination purposes if they needed to. But the Hebrew Bible

0:18:57.960 --> 0:19:02.480
<v Speaker 3>also contains numerous references to other forms of divination, such

0:19:02.520 --> 0:19:06.639
<v Speaker 3>as necromancy. This is apparently a big concern in the

0:19:06.640 --> 0:19:11.000
<v Speaker 3>era of the Mosaic Law, and despite its modern interpretation

0:19:11.119 --> 0:19:14.359
<v Speaker 3>as a kind of evil sorcery used for like calling

0:19:14.440 --> 0:19:18.800
<v Speaker 3>up armies of undead skeleton soldiers and zombie swarms to go,

0:19:19.280 --> 0:19:24.239
<v Speaker 3>you know, get your paladins, Originally necromancy meant communication with

0:19:24.320 --> 0:19:28.280
<v Speaker 3>the dead for the purpose of divination, not raising zombie soldiers.

0:19:29.000 --> 0:19:31.320
<v Speaker 2>Now, to be clear, even in like the modern Dungeons

0:19:31.359 --> 0:19:34.000
<v Speaker 2>and Dragons ecusage of necromancy, yes, there's a lot of

0:19:34.040 --> 0:19:36.639
<v Speaker 2>calling up the dead and using all sorts of you know,

0:19:36.680 --> 0:19:39.159
<v Speaker 2>weird spectral hands and so forth. There is still a

0:19:39.160 --> 0:19:41.960
<v Speaker 2>little bit of talking to the dead, though they keep

0:19:41.960 --> 0:19:43.960
<v Speaker 2>it real a little bit there, and we see a

0:19:44.000 --> 0:19:46.040
<v Speaker 2>bit of that in the recent Dungeons and Dragons movie.

0:19:46.080 --> 0:19:48.600
<v Speaker 2>There's a whole scene of speaking with the dead and

0:19:48.680 --> 0:19:50.720
<v Speaker 2>trying to gain wisdom from them.

0:19:51.000 --> 0:19:53.919
<v Speaker 3>Oh yeah, it's played mostly for comedy, I recall. Yeah,

0:19:54.640 --> 0:19:56.640
<v Speaker 3>like they have a fixed number of questions they can

0:19:56.720 --> 0:19:59.640
<v Speaker 3>ask and so forth. Yeah, so that's what necromancy means

0:19:59.640 --> 0:20:03.400
<v Speaker 3>in this though it's not. Yeah, it's not the zombie soldiers.

0:20:03.480 --> 0:20:05.879
<v Speaker 3>It's the talking to the dead for the purposes of

0:20:05.920 --> 0:20:10.640
<v Speaker 3>gaining hidden information or knowing the past or knowing the future. Anyway,

0:20:10.920 --> 0:20:14.639
<v Speaker 3>in the Mosaic law there are general prohibitions against divination

0:20:15.080 --> 0:20:18.600
<v Speaker 3>and wizardry and magic of all forms, but one of

0:20:18.640 --> 0:20:21.679
<v Speaker 3>the forms of divination that is specifically called out in

0:20:21.720 --> 0:20:25.280
<v Speaker 3>these verses is necromancy. Also, there is a very famous

0:20:25.280 --> 0:20:30.040
<v Speaker 3>story in the Bible about a consultation with a dead prophet.

0:20:30.440 --> 0:20:34.600
<v Speaker 3>This is in First Samuel chapter twenty eight, where Saul,

0:20:34.760 --> 0:20:37.760
<v Speaker 3>the King of Israel, famously he goes to a village

0:20:37.880 --> 0:20:40.919
<v Speaker 3>called Indoor to meet with a wise woman or a

0:20:40.960 --> 0:20:44.399
<v Speaker 3>witch who can speak to the dead. And this is

0:20:44.480 --> 0:20:48.159
<v Speaker 3>significant in the story because Saul has condemned witchcraft and

0:20:48.200 --> 0:20:52.240
<v Speaker 3>has previously banished all the wizards and fortune tellers from Israel.

0:20:52.960 --> 0:20:57.000
<v Speaker 3>But then he's facing a military conflict with another nation,

0:20:57.160 --> 0:20:59.960
<v Speaker 3>with the Philistines, and he wants to know what he

0:21:00.080 --> 0:21:03.359
<v Speaker 3>should do, and apparently he tries to get an answer

0:21:03.440 --> 0:21:07.840
<v Speaker 3>from the sanctioned methods of information. He tries to consult

0:21:07.840 --> 0:21:10.720
<v Speaker 3>the Urim and Thummim, He tries to have a dream

0:21:10.800 --> 0:21:13.760
<v Speaker 3>from God or get some kind of direct revelation, and

0:21:14.160 --> 0:21:17.320
<v Speaker 3>nothing ends up with no guidance and has no idea

0:21:17.359 --> 0:21:20.240
<v Speaker 3>what to do from any of the official channels, so

0:21:20.800 --> 0:21:24.080
<v Speaker 3>he goes rogue he violates his own edict. He puts

0:21:24.080 --> 0:21:28.040
<v Speaker 3>on a disguise and seeks out a necromancer to speak

0:21:28.080 --> 0:21:32.480
<v Speaker 3>to the dead prophet Samuel. He wants to get Samuel's

0:21:32.520 --> 0:21:35.919
<v Speaker 3>advice on what he should do, and this does not

0:21:36.040 --> 0:21:38.560
<v Speaker 3>go well, so he does go to the woman in disguise.

0:21:39.000 --> 0:21:41.280
<v Speaker 3>She figures out it's Saul by the way. She's like, oh,

0:21:41.320 --> 0:21:43.240
<v Speaker 3>wait a minute, you said we're not allowed to do this,

0:21:43.280 --> 0:21:45.000
<v Speaker 3>and he's like, oh no, don't worry about it. I

0:21:45.040 --> 0:21:48.199
<v Speaker 3>need you to talk to Samuel. So she raises Samuel

0:21:48.240 --> 0:21:50.280
<v Speaker 3>from the grave. I think she can see him, but

0:21:50.400 --> 0:21:53.159
<v Speaker 3>Saul can't, and he's trying to talk with him, and

0:21:53.240 --> 0:21:55.840
<v Speaker 3>Samuel just does not help. He seems to be kind

0:21:55.920 --> 0:21:58.879
<v Speaker 3>of irritated for being woken up from the sleep of death,

0:21:59.200 --> 0:22:02.880
<v Speaker 3>and then he condemn for his treachery, and then Samuel

0:22:02.920 --> 0:22:05.639
<v Speaker 3>tells him that his army is going to be defeated

0:22:05.680 --> 0:22:08.160
<v Speaker 3>and he will lose his kingship, and Samuel is right.

0:22:08.200 --> 0:22:10.800
<v Speaker 3>The army is defeated and Saul falls on his own

0:22:10.840 --> 0:22:13.800
<v Speaker 3>sword and dies. And this story seems to, at least

0:22:13.880 --> 0:22:16.879
<v Speaker 3>in part, emphasize how you really shouldn't go off trail

0:22:17.000 --> 0:22:18.280
<v Speaker 3>on divination methods.

0:22:19.240 --> 0:22:23.200
<v Speaker 2>Yeah, stick to the legal methods. Don't go into a

0:22:23.320 --> 0:22:24.080
<v Speaker 2>legal divination.

0:22:24.760 --> 0:22:27.240
<v Speaker 3>By the way, if you've never seen it, everyone should

0:22:27.240 --> 0:22:30.919
<v Speaker 3>look up William Blake's painting of Saul and the Spirit

0:22:30.960 --> 0:22:32.480
<v Speaker 3>of Samuel and the Witch of Indoor.

0:22:33.240 --> 0:22:37.680
<v Speaker 2>Brilliant, brilliant. Yeah, I mean all of Blake's illustrations. Those

0:22:37.720 --> 0:22:41.320
<v Speaker 2>hand colored illustrations are always so great. This one's no exception.

0:22:42.440 --> 0:22:44.680
<v Speaker 2>By the way. The Witch of Indoor would also come

0:22:44.680 --> 0:22:46.480
<v Speaker 2>to play a part in the nineteen eighty five film

0:22:46.520 --> 0:22:51.120
<v Speaker 2>The Battle for Indoor. Weird how cinema listeners may remember

0:22:51.680 --> 0:22:54.359
<v Speaker 2>no real connection to the Biblical account other than the

0:22:54.400 --> 0:22:56.560
<v Speaker 2>other that we're dealing with a moon of indoor and

0:22:56.600 --> 0:22:57.600
<v Speaker 2>there is a witch on it.

0:22:59.480 --> 0:23:01.639
<v Speaker 3>You are also not supposed to divine the future with

0:23:01.680 --> 0:23:05.080
<v Speaker 3>the help of Wilfrid Brimley. But anyway, So that's a

0:23:05.119 --> 0:23:08.080
<v Speaker 3>story from the Bible from after the delivery of the

0:23:08.119 --> 0:23:11.880
<v Speaker 3>Mosaic Law, which contains all of these prohibitions against divination

0:23:12.040 --> 0:23:15.320
<v Speaker 3>in general, presumably with the exception of the urim and

0:23:15.359 --> 0:23:20.199
<v Speaker 3>thumim and the prohibitions against necromancy in particular. But there

0:23:20.200 --> 0:23:24.639
<v Speaker 3>are also interesting references to divination from before the law,

0:23:24.920 --> 0:23:28.560
<v Speaker 3>when it seems to have different connotations. So one of

0:23:28.560 --> 0:23:32.040
<v Speaker 3>these that occurs here is the example you raised earlier.

0:23:32.040 --> 0:23:34.000
<v Speaker 3>This is where we're coming back to La Canamancy. This

0:23:34.040 --> 0:23:36.679
<v Speaker 3>is the story of Joseph in the Book of Genesis,

0:23:37.400 --> 0:23:39.880
<v Speaker 3>which is a long and complicated story, so I'll try

0:23:39.880 --> 0:23:43.760
<v Speaker 3>to do the very condensed and simplified version. Joseph is

0:23:43.800 --> 0:23:47.120
<v Speaker 3>one of the twelve sons of the biblical patriarch Jacob,

0:23:47.560 --> 0:23:51.200
<v Speaker 3>and Jacob in the story shows favoritism toward him over

0:23:51.240 --> 0:23:54.480
<v Speaker 3>his other brothers, even buying him a splendid coat of

0:23:54.600 --> 0:23:56.960
<v Speaker 3>many colors. They made a musical about.

0:23:56.760 --> 0:23:58.480
<v Speaker 2>It, yes, classic story.

0:23:58.800 --> 0:24:01.440
<v Speaker 3>But his brothers, who are less favored by their father,

0:24:01.840 --> 0:24:05.560
<v Speaker 3>become very jealous, so one day they conspire. They beat

0:24:05.600 --> 0:24:08.000
<v Speaker 3>him up, they trap him in a well, and they

0:24:08.040 --> 0:24:11.679
<v Speaker 3>sell him into slavery, where he ends up being transported

0:24:11.680 --> 0:24:14.440
<v Speaker 3>to Egypt. But they take Joseph's coat to their father,

0:24:14.800 --> 0:24:17.280
<v Speaker 3>covered in the blood of a goat, and convince him

0:24:17.280 --> 0:24:19.440
<v Speaker 3>that Joseph was killed by a wild animal.

0:24:19.960 --> 0:24:23.919
<v Speaker 2>Again classic children's story. I remember reading it alongside My

0:24:24.000 --> 0:24:25.840
<v Speaker 2>Star Wars as a child.

0:24:26.320 --> 0:24:29.879
<v Speaker 3>But in Egypt, Joseph does pretty well. He manages to

0:24:30.040 --> 0:24:33.480
<v Speaker 3>rise from lowly servitude and at one point he's imprisoned,

0:24:33.920 --> 0:24:36.200
<v Speaker 3>he manages to rise out of that to the rank

0:24:36.240 --> 0:24:39.359
<v Speaker 3>of the pharaoh's most senior lieutenant. He's like the number

0:24:39.359 --> 0:24:42.479
<v Speaker 3>two in Egypt. And the way he does this is

0:24:42.520 --> 0:24:45.320
<v Speaker 3>by showing a talent for divination. He is able to

0:24:46.040 --> 0:24:50.920
<v Speaker 3>interpret the omens of the future in dreams, and by

0:24:50.960 --> 0:24:55.960
<v Speaker 3>correctly analyzing Pharaoh's dreams, he brings great prosperity to Egypt

0:24:56.080 --> 0:25:00.439
<v Speaker 3>at a time of famine for all the surrounding nations. Actually,

0:25:00.480 --> 0:25:03.199
<v Speaker 3>since it matters to my interpretation of this story in

0:25:03.240 --> 0:25:06.119
<v Speaker 3>a minute, the specific way this works is that the

0:25:06.160 --> 0:25:10.240
<v Speaker 3>Pharaoh dreams of seven fat cows that are eaten. They're

0:25:10.280 --> 0:25:13.959
<v Speaker 3>like swallowed up by seven lean cows, and seven rotten

0:25:14.040 --> 0:25:18.119
<v Speaker 3>stalks of grain. That consumes seven good stalks of grain,

0:25:18.600 --> 0:25:21.040
<v Speaker 3>and Joseph realizes that this means there are going to

0:25:21.080 --> 0:25:24.160
<v Speaker 3>be seven years of good crops followed by seven years

0:25:24.160 --> 0:25:27.959
<v Speaker 3>of famine, and so to anticipate the famine, the Egyptians

0:25:28.040 --> 0:25:30.800
<v Speaker 3>must ration their good crops and store up extra grain

0:25:30.960 --> 0:25:35.400
<v Speaker 3>during the years of abundance. Joseph's prediction, or his interpretation

0:25:35.480 --> 0:25:40.400
<v Speaker 3>of the dream comes true, and so later suffering from

0:25:40.560 --> 0:25:43.920
<v Speaker 3>famine like all of the surrounding nations are. Joseph's brothers

0:25:44.040 --> 0:25:46.879
<v Speaker 3>come to Egypt to buy grain from Joseph, whom they

0:25:46.960 --> 0:25:49.840
<v Speaker 3>do not recognize. They don't know it's him, and then

0:25:50.880 --> 0:25:53.640
<v Speaker 3>they have several interactions actually, but in the last one

0:25:54.280 --> 0:25:59.639
<v Speaker 3>in secret, Joseph hides his silver cup in the grain bag,

0:26:00.000 --> 0:26:04.280
<v Speaker 3>married by his youngest brother, Benjamin. He then arranges to

0:26:04.400 --> 0:26:08.120
<v Speaker 3>have his youngest brother caught quote stealing the cup again

0:26:08.119 --> 0:26:12.200
<v Speaker 3>he actually actually planted it on him, and then demands

0:26:12.200 --> 0:26:15.119
<v Speaker 3>Benjamin be given to him as a slave as punishment.

0:26:15.640 --> 0:26:18.879
<v Speaker 3>And instead, their older brother Judah, asks that he be

0:26:18.960 --> 0:26:22.760
<v Speaker 3>made a slave in Benjamin's place, and this causes Joseph

0:26:22.840 --> 0:26:25.679
<v Speaker 3>to break down in tears. He reveals his identity, he

0:26:25.760 --> 0:26:28.919
<v Speaker 3>forgives his brothers, and the family is reunited and allowed

0:26:28.920 --> 0:26:32.600
<v Speaker 3>to relocate to a fertile part of Egypt. But it

0:26:32.680 --> 0:26:34.639
<v Speaker 3>is the part of the story about the silver cup

0:26:34.720 --> 0:26:39.600
<v Speaker 3>that relates to divination. So when Joseph's steward finds the

0:26:39.640 --> 0:26:45.000
<v Speaker 3>silver cup hidden in Benjamin's sack, he says, just as

0:26:45.080 --> 0:26:48.360
<v Speaker 3>Joseph commands him to, He says, why have you repaid

0:26:48.440 --> 0:26:51.240
<v Speaker 3>evil for good? Is not this the one from which

0:26:51.320 --> 0:26:56.080
<v Speaker 3>my lord drinks? And with which he indeed practices divination.

0:26:56.720 --> 0:26:59.880
<v Speaker 3>You have done evil in so doing. Now, of course,

0:27:00.119 --> 0:27:03.720
<v Speaker 3>it doesn't say exactly what kind of divination he does

0:27:03.880 --> 0:27:06.879
<v Speaker 3>in the cup, So it could be a form of hydromancy,

0:27:06.960 --> 0:27:08.920
<v Speaker 3>where you would, you know, put water in the cup

0:27:09.040 --> 0:27:12.040
<v Speaker 3>or some liquid and drop coins or gems or other

0:27:12.080 --> 0:27:14.479
<v Speaker 3>objects into the water and see what they do. It

0:27:14.520 --> 0:27:17.400
<v Speaker 3>could be maybe used for a form of scrying, since

0:27:17.400 --> 0:27:21.080
<v Speaker 3>it's silver. Scrying is reading the future in reflections and

0:27:21.119 --> 0:27:24.159
<v Speaker 3>a shiny surface such as a silver cup. Often a

0:27:24.160 --> 0:27:28.280
<v Speaker 3>crystal ball is used for scrying. But based on a

0:27:28.280 --> 0:27:31.320
<v Speaker 3>lot of the commentaries, I found a good candidate for

0:27:31.520 --> 0:27:35.040
<v Speaker 3>what is being described here is lacnomancy, where he would be,

0:27:35.160 --> 0:27:37.879
<v Speaker 3>you know, dropping oil into water, or doing one of

0:27:37.880 --> 0:27:40.960
<v Speaker 3>the other things we've been talking about. But in any case,

0:27:41.240 --> 0:27:44.720
<v Speaker 3>I think this passage is interesting because I think the

0:27:44.800 --> 0:27:47.159
<v Speaker 3>staging of the theft of the silver cup used for

0:27:47.240 --> 0:27:53.120
<v Speaker 3>divination is supposed to be interpreted as more profound than

0:27:53.320 --> 0:27:57.600
<v Speaker 3>like mere burglary of an expensive cup. This is the

0:27:57.640 --> 0:28:01.600
<v Speaker 3>cup in which Joseph receives owns about the future, and

0:28:01.680 --> 0:28:04.240
<v Speaker 3>if you remember the earlier part of the story, correctly

0:28:04.359 --> 0:28:08.520
<v Speaker 3>interpreting omens about the future is how Joseph rose to

0:28:08.600 --> 0:28:10.879
<v Speaker 3>his position of prominence in the first place. It was

0:28:10.920 --> 0:28:14.879
<v Speaker 3>the dream interpretations, you know, the Fadoline cows and so forth.

0:28:15.720 --> 0:28:19.639
<v Speaker 3>And it's also how Egypt is currently in a good

0:28:19.680 --> 0:28:23.919
<v Speaker 3>position with this grain surplus during years of famine. So

0:28:23.960 --> 0:28:27.640
<v Speaker 3>in a way, I think with that gloss, it makes

0:28:27.680 --> 0:28:31.920
<v Speaker 3>sense to wonder if stealing Joseph's divination cup in the

0:28:32.040 --> 0:28:35.040
<v Speaker 3>story is kind of an espionage caper. It would be

0:28:35.160 --> 0:28:38.600
<v Speaker 3>like stealing the codes to the nuclear arsenal in a

0:28:38.640 --> 0:28:43.040
<v Speaker 3>modern spy thriller. This is a piece of supernatural technology

0:28:43.480 --> 0:28:47.840
<v Speaker 3>that helps give Egypt its strategic advantage over other nations.

0:28:49.120 --> 0:28:53.240
<v Speaker 2>Hmm. That's fascinating. So I'm a little out of practice

0:28:53.240 --> 0:28:58.400
<v Speaker 2>with this particular Bible story. But Joseph frames one of

0:28:58.400 --> 0:29:01.240
<v Speaker 2>his brothers for stealing it, but then he undoes it. Yeah,

0:29:01.280 --> 0:29:04.120
<v Speaker 2>he does it when another for his youngest brother. Yeah,

0:29:04.160 --> 0:29:07.080
<v Speaker 2>his youngest brother is then fingered for the crime, and

0:29:07.080 --> 0:29:10.280
<v Speaker 2>he's like, oh, I didn't want to enslave him. He

0:29:10.320 --> 0:29:11.320
<v Speaker 2>wanted to enslave them both.

0:29:11.680 --> 0:29:14.920
<v Speaker 3>No, no, no, no, he didn't want to enslave any

0:29:14.960 --> 0:29:18.120
<v Speaker 3>of them. I think I think he wanted to test them.

0:29:18.520 --> 0:29:20.760
<v Speaker 3>So it's one of those kind of stories. I think.

0:29:20.800 --> 0:29:23.480
<v Speaker 3>So he plants that, yeah, he frames his youngest brother

0:29:23.560 --> 0:29:26.520
<v Speaker 3>who he loves, for the crime. Then he says, I'm

0:29:26.520 --> 0:29:28.680
<v Speaker 3>going to make him a slave. And then because the

0:29:28.760 --> 0:29:32.160
<v Speaker 3>older brother is like no, no, no, take me instead.

0:29:32.320 --> 0:29:34.800
<v Speaker 3>Then I think that that softens his heart and he

0:29:34.880 --> 0:29:36.960
<v Speaker 3>forgives his brother is for what they did to him.

0:29:37.520 --> 0:29:41.200
<v Speaker 2>Replicated family dynamic anyway you cut it, Yes, but to

0:29:41.240 --> 0:29:43.560
<v Speaker 2>your point, yeah, this is not just any cup or

0:29:43.600 --> 0:29:46.760
<v Speaker 2>any silver cup. This isn't is this isn't an artifact

0:29:47.560 --> 0:29:51.800
<v Speaker 2>of the art of divination that Joseph practices. So this is,

0:29:52.080 --> 0:29:54.920
<v Speaker 2>this is vital, this is this has strategic importance for

0:29:55.040 --> 0:29:55.920
<v Speaker 2>the Egyptians.

0:29:56.600 --> 0:30:00.400
<v Speaker 3>Yes, and in this specific story, it is div nation

0:30:00.560 --> 0:30:13.720
<v Speaker 3>in particular that has made Egypt prosperous. And so anyway,

0:30:13.720 --> 0:30:16.760
<v Speaker 3>thinking about the idea of dropping oil and water in

0:30:16.840 --> 0:30:21.520
<v Speaker 3>a copper a basin to receive messages from the heavens

0:30:21.640 --> 0:30:24.920
<v Speaker 3>or from the gods. You know, while even mundane objects

0:30:24.920 --> 0:30:27.600
<v Speaker 3>were often used for divination in the ancient world, it

0:30:27.600 --> 0:30:30.200
<v Speaker 3>seems clear to me why the behavior of oil on

0:30:30.360 --> 0:30:35.480
<v Speaker 3>water could inspire a kind of oracular fascination. Like there's

0:30:35.520 --> 0:30:38.920
<v Speaker 3>that sense of strangeness and wonder about it that actually

0:30:39.280 --> 0:30:42.640
<v Speaker 3>I found to be captured quite well in a passage

0:30:42.640 --> 0:30:45.640
<v Speaker 3>in a letter written by Benjamin Franklin in the year

0:30:45.720 --> 0:30:49.200
<v Speaker 3>seventeen seventy three. We're going to get more into Benjamin Franklin,

0:30:49.280 --> 0:30:51.120
<v Speaker 3>I think in the next part in this series. But

0:30:51.200 --> 0:30:54.120
<v Speaker 3>I wanted to read this passage because it articulates the

0:30:54.200 --> 0:30:56.880
<v Speaker 3>kind of amazing weirdness here when you really pay attention

0:30:56.960 --> 0:31:00.800
<v Speaker 3>to it. So Franklin's writing to somebody named William Brownrigg

0:31:00.840 --> 0:31:05.040
<v Speaker 3>in November seventeen seventy three, and he says, in these experiments,

0:31:05.080 --> 0:31:10.160
<v Speaker 3>one circumstance struck me with particular surprise. There was the sudden, wide,

0:31:10.280 --> 0:31:13.560
<v Speaker 3>and forcible spreading of a drop of oil on the

0:31:13.560 --> 0:31:15.960
<v Speaker 3>face of the water, which I do not know that

0:31:16.000 --> 0:31:19.719
<v Speaker 3>anybody has hitherto considered. If a drop of oil is

0:31:19.760 --> 0:31:22.760
<v Speaker 3>put on a polished marble table or on a looking

0:31:22.800 --> 0:31:27.040
<v Speaker 3>glass that lies horizontally, the drop remains in place, spreading

0:31:27.120 --> 0:31:30.320
<v Speaker 3>very little. But when put on water, it spreads instantly

0:31:30.360 --> 0:31:33.240
<v Speaker 3>many feet around, becoming so thin as to produce the

0:31:33.280 --> 0:31:38.000
<v Speaker 3>prismatic colors for a considerable space, and beyond them so

0:31:38.160 --> 0:31:41.560
<v Speaker 3>much thinner as to be invisible except in its effect

0:31:41.840 --> 0:31:47.440
<v Speaker 3>of smoothing the waves. Now, as I said, we'll come

0:31:47.480 --> 0:31:49.840
<v Speaker 3>back to Benjamin Franklin in the next part of the series.

0:31:49.840 --> 0:31:52.640
<v Speaker 3>But while I don't know if he was the first

0:31:52.680 --> 0:31:56.480
<v Speaker 3>person to notice the way that oil spreads over the water,

0:31:56.560 --> 0:31:59.680
<v Speaker 3>I actually somewhat doubt that he definitely was not the

0:31:59.680 --> 0:32:03.240
<v Speaker 3>first person to notice these other strange properties, like the

0:32:03.560 --> 0:32:07.360
<v Speaker 3>prismatic colors that tend to shine out from oil spreading

0:32:07.360 --> 0:32:10.240
<v Speaker 3>over a pool of water, And he was certainly not

0:32:10.320 --> 0:32:13.440
<v Speaker 3>the first person to notice the apparent ability of oil

0:32:13.520 --> 0:32:17.280
<v Speaker 3>to somehow soothe the chop of threatening waters.

0:32:17.560 --> 0:32:19.640
<v Speaker 2>Yeah, and this is the thing that drew us into

0:32:19.680 --> 0:32:23.200
<v Speaker 2>this topic initially, because I know, for my part anyway,

0:32:23.400 --> 0:32:26.160
<v Speaker 2>I don't think i'd come across this before, this idea

0:32:26.320 --> 0:32:32.080
<v Speaker 2>of oil being used to calm storm waters, because I mean,

0:32:32.080 --> 0:32:35.280
<v Speaker 2>it just sounds so completely magical, and it will continue

0:32:35.480 --> 0:32:40.400
<v Speaker 2>to sound completely magical while also having a basis in

0:32:40.560 --> 0:32:44.160
<v Speaker 2>fact in science to at least a limited degree. So

0:32:44.280 --> 0:32:47.600
<v Speaker 2>the accounts that we have dealing with this idea, these

0:32:47.640 --> 0:32:52.400
<v Speaker 2>come from far after the time of ancient Babylon, one

0:32:52.440 --> 0:32:55.360
<v Speaker 2>of the earliest, if not the earliest. It seems to

0:32:55.360 --> 0:32:58.800
<v Speaker 2>go back to the writings of Aristotle. Aristotle lived three

0:32:58.840 --> 0:33:03.160
<v Speaker 2>eighty four through three twenty to BCE, and these a

0:33:03.160 --> 0:33:05.520
<v Speaker 2>lot of his writings are generally just attributed to three

0:33:05.560 --> 0:33:10.480
<v Speaker 2>point fifty BCE. So Aristotle brings this up in problems

0:33:10.640 --> 0:33:15.480
<v Speaker 2>or Problemata physica, asking why is it that the sea,

0:33:15.840 --> 0:33:19.760
<v Speaker 2>which is heavier than fresh water, is more transparent? Is

0:33:19.760 --> 0:33:23.680
<v Speaker 2>it because of its fattier composition? Now, oil poured on

0:33:23.720 --> 0:33:26.320
<v Speaker 2>the surface of water makes it more transparent, and the

0:33:26.360 --> 0:33:31.200
<v Speaker 2>sea having fat in it is naturally more transparent. Uh huh, okay,

0:33:31.320 --> 0:33:36.000
<v Speaker 2>several things. There's also a part in I was looking

0:33:36.440 --> 0:33:39.760
<v Speaker 2>up oil in various of these ancient writings, and I

0:33:39.840 --> 0:33:44.280
<v Speaker 2>noticed in meteorology Aristotle also points out that oil contains air.

0:33:44.760 --> 0:33:49.040
<v Speaker 2>So there's a lot of mixed information here.

0:33:49.800 --> 0:33:52.200
<v Speaker 3>Purely speculating here that this could be totally wrong. But

0:33:52.240 --> 0:33:55.720
<v Speaker 3>I wonder if he's tempted to think that because oil

0:33:55.800 --> 0:33:59.320
<v Speaker 3>floats on the top of water, therefore like air rises

0:33:59.400 --> 0:34:00.880
<v Speaker 3>like bubbles through the water.

0:34:01.760 --> 0:34:05.040
<v Speaker 2>M Yeah, that sounds likely. All right. I think we're

0:34:05.080 --> 0:34:07.320
<v Speaker 2>gonna come back to Aristotle, but we're gonna skip ahead

0:34:07.360 --> 0:34:11.200
<v Speaker 2>now to another favorite source on the show, and that is,

0:34:11.239 --> 0:34:14.240
<v Speaker 2>of course Roman historian Plenty of the Elder, who lived

0:34:14.400 --> 0:34:17.520
<v Speaker 2>twenty three or twenty four CE through seventy nine CE.

0:34:19.280 --> 0:34:22.719
<v Speaker 2>I have to say, Plenty talks a lot about oils

0:34:22.800 --> 0:34:25.120
<v Speaker 2>in the natural history. Like if you just start searching

0:34:25.120 --> 0:34:29.040
<v Speaker 2>for searching up the word oil, you're gonna find him

0:34:29.120 --> 0:34:33.000
<v Speaker 2>mentioning all sorts of medicinal oils. Uh. There's also a

0:34:33.000 --> 0:34:36.240
<v Speaker 2>section titled waters which serve as a substitute for oil,

0:34:36.719 --> 0:34:40.560
<v Speaker 2>concerning waters that emit light and heal wounds. So a

0:34:40.600 --> 0:34:44.320
<v Speaker 2>lot in there for oil fans to consume and to

0:34:44.719 --> 0:34:47.600
<v Speaker 2>try to make sense of. He's in generally a big

0:34:47.600 --> 0:34:50.680
<v Speaker 2>fan of oils, and he busts this out in book two,

0:34:50.920 --> 0:34:54.000
<v Speaker 2>chapter one oh six. There's a whole info dump regarding

0:34:54.040 --> 0:34:57.760
<v Speaker 2>wisdom concerning the water, and he says everything is soothed

0:34:57.800 --> 0:35:01.839
<v Speaker 2>by oil, and that this is the reason why divers

0:35:01.880 --> 0:35:05.720
<v Speaker 2>send out small quantities of it from their mouths, because

0:35:05.760 --> 0:35:09.960
<v Speaker 2>it's smooth any part which is rough and transmits the

0:35:10.080 --> 0:35:13.400
<v Speaker 2>light to them. M okay. So I think this is

0:35:13.400 --> 0:35:14.960
<v Speaker 2>tying in with what we were talking about earlier with

0:35:15.040 --> 0:35:18.359
<v Speaker 2>Aristotle as well. And I've seen this particular bit translated

0:35:18.400 --> 0:35:21.080
<v Speaker 2>as sprinkled from the mouth as well. So I believe

0:35:21.160 --> 0:35:25.160
<v Speaker 2>the scenario here is that Plenty is sharing something that

0:35:25.200 --> 0:35:31.239
<v Speaker 2>he has heard or read regarding free divers carrying some

0:35:31.360 --> 0:35:34.600
<v Speaker 2>small quantity of oil in their mouths during the dive

0:35:34.680 --> 0:35:37.239
<v Speaker 2>and spitting it out to make the surrounding water more

0:35:37.360 --> 0:35:39.279
<v Speaker 2>visible during the dive while they're you know, looking for

0:35:39.360 --> 0:35:43.200
<v Speaker 2>something like a molluskh Now, this is the quote I

0:35:43.200 --> 0:35:48.120
<v Speaker 2>read is from the Mayoff translation of Plenty, and he

0:35:48.239 --> 0:35:51.279
<v Speaker 2>notes in the notes for this that while this would

0:35:51.320 --> 0:35:55.280
<v Speaker 2>be proven to be correct, the effect is greatly exaggerated

0:35:55.760 --> 0:35:58.440
<v Speaker 2>both here and elsewhere. So keep that in mind as

0:35:58.440 --> 0:36:00.480
<v Speaker 2>we're going here. We're dealing with, you know, second and

0:36:00.520 --> 0:36:04.000
<v Speaker 2>third hand accounts of these things that may have the

0:36:04.160 --> 0:36:06.160
<v Speaker 2>definitely seemed to have a certain basis in fact, but

0:36:06.280 --> 0:36:09.040
<v Speaker 2>also are greatly exaggerated in the retelling.

0:36:09.600 --> 0:36:12.200
<v Speaker 3>Okay, well, I imagine we'll return to the mechanics of this,

0:36:12.360 --> 0:36:14.799
<v Speaker 3>if possible, in the next episode. But do you have

0:36:14.800 --> 0:36:17.759
<v Speaker 3>any idea how exactly this would work that would make

0:36:17.760 --> 0:36:18.840
<v Speaker 3>the water more visible?

0:36:19.360 --> 0:36:23.600
<v Speaker 2>What's my understanding that what we're dealing with here is that, yeah,

0:36:23.640 --> 0:36:26.520
<v Speaker 2>the idea is that oil will sort of smooth out

0:36:26.560 --> 0:36:29.120
<v Speaker 2>the surface of troubled water, but that it will also

0:36:29.200 --> 0:36:32.560
<v Speaker 2>smooth things out underneath the water, and if you are

0:36:32.840 --> 0:36:35.760
<v Speaker 2>free diving looking for again, you know, fish or shells

0:36:35.840 --> 0:36:38.600
<v Speaker 2>or what have you, that some small amount of oil

0:36:38.680 --> 0:36:41.200
<v Speaker 2>released into that water would make it clearer and easier

0:36:41.239 --> 0:36:45.240
<v Speaker 2>to see these things and or allow light to filter

0:36:45.400 --> 0:36:51.440
<v Speaker 2>down more effectively. Again, we'll get into the actual science

0:36:51.480 --> 0:36:54.120
<v Speaker 2>of this, probably in the next episode, and we have

0:36:54.160 --> 0:36:56.200
<v Speaker 2>to keep in mind that again we're doing probably what

0:36:56.320 --> 0:36:59.799
<v Speaker 2>the second or third hand information here. I'm guessing here

0:36:59.800 --> 0:37:03.359
<v Speaker 2>this is something that Plenty had had heard regarding some

0:37:03.719 --> 0:37:06.680
<v Speaker 2>free diving people. And even though he would have certainly

0:37:06.719 --> 0:37:09.200
<v Speaker 2>been familiar with ships and all, I don't remember in

0:37:09.320 --> 0:37:12.719
<v Speaker 2>reading anything that indicated that he himself would have any

0:37:13.120 --> 0:37:17.200
<v Speaker 2>firsthand experience with diving underneath the water. Now, another author

0:37:17.280 --> 0:37:19.839
<v Speaker 2>who gets into some of this is Plutarch, who lived

0:37:19.960 --> 0:37:25.000
<v Speaker 2>forty six through one nineteen se He also references Aristotle

0:37:25.280 --> 0:37:29.960
<v Speaker 2>in Causes of Natural Phenomena, and, according to Heinrich Hunifus

0:37:29.960 --> 0:37:34.240
<v Speaker 2>in Oil Untroubled Waters a historical survey, this is likely

0:37:34.320 --> 0:37:40.920
<v Speaker 2>referencing a lost portion of Aristotle's Problemata reads as follows,

0:37:41.080 --> 0:37:43.480
<v Speaker 2>this is from Plutarch, what is the reason for the

0:37:43.520 --> 0:37:46.640
<v Speaker 2>clearness and calm produced when the sea is sprinkled with oil.

0:37:47.200 --> 0:37:50.359
<v Speaker 2>Is it, as Aristotle says, that the wind slipping over

0:37:50.400 --> 0:37:54.520
<v Speaker 2>the smoothness so caused makes no impression and raises no swell,

0:37:55.239 --> 0:37:59.640
<v Speaker 2>Or does this plausibly explain the external phenomena only they

0:37:59.680 --> 0:38:02.480
<v Speaker 2>say that when divers take oil into their mouths and

0:38:02.560 --> 0:38:05.400
<v Speaker 2>blow it out in the depths, they get illumination and

0:38:05.480 --> 0:38:08.520
<v Speaker 2>can see through the water. Surely it is impossible to

0:38:08.560 --> 0:38:12.520
<v Speaker 2>adduce slipping of the wind in the cause there. Consider then,

0:38:12.680 --> 0:38:15.560
<v Speaker 2>whether the oil does not, by reason of its density,

0:38:15.600 --> 0:38:20.440
<v Speaker 2>push and force aside the sea, which is earthy and irregular. Subsequently,

0:38:20.480 --> 0:38:23.520
<v Speaker 2>when it flows back to its former position and draws together,

0:38:23.880 --> 0:38:28.359
<v Speaker 2>intermediate passages are left in it, which offer transparency and

0:38:28.440 --> 0:38:30.680
<v Speaker 2>clear visibility to the organs of sight.

0:38:31.239 --> 0:38:34.760
<v Speaker 3>Oh that's interesting. So again, I wonder if I'm understanding

0:38:34.800 --> 0:38:37.799
<v Speaker 3>Plutarch right here, But it sounds like maybe he's saying that,

0:38:38.760 --> 0:38:41.400
<v Speaker 3>like when oil is spit out under the water, it

0:38:41.600 --> 0:38:44.799
<v Speaker 3>kind of clears channels in the water. I wonder if

0:38:44.800 --> 0:38:49.319
<v Speaker 3>that would work by attracting particles in the water that

0:38:49.360 --> 0:38:52.680
<v Speaker 3>would be making the water cloudy into the oil and

0:38:52.719 --> 0:38:56.000
<v Speaker 3>then dragging them away with it. As the oil rises.

0:38:56.640 --> 0:38:59.560
<v Speaker 2>Yeah, I'm not sure. I couldn't find much information on

0:38:59.600 --> 0:39:02.839
<v Speaker 2>this particular detail of the of the scenario. Maybe I'll

0:39:02.840 --> 0:39:06.319
<v Speaker 2>find something for the next episode, but yeah, it's you'd

0:39:06.360 --> 0:39:10.120
<v Speaker 2>have to put ourselves in the like in the position

0:39:10.440 --> 0:39:13.240
<v Speaker 2>of an ancient free diver who's you know, I assume,

0:39:13.320 --> 0:39:16.640
<v Speaker 2>not using any kind of covering for their eyes. I

0:39:16.960 --> 0:39:20.560
<v Speaker 2>did run across some mentions of these practices where they

0:39:20.600 --> 0:39:23.560
<v Speaker 2>talked more like they were putting the oil in their eyes,

0:39:24.040 --> 0:39:26.680
<v Speaker 2>which again I don't know how that's factoring into the

0:39:26.719 --> 0:39:29.319
<v Speaker 2>sort of telephone game of you know, second, third, and

0:39:29.360 --> 0:39:33.120
<v Speaker 2>fourth hand reporting on this during ancient times, in addition

0:39:33.200 --> 0:39:37.040
<v Speaker 2>to translation errors. All right, but in this we've touched

0:39:37.080 --> 0:39:39.120
<v Speaker 2>on this other big area, something that we're going to

0:39:39.200 --> 0:39:41.920
<v Speaker 2>have a lot more to discuss in the next episode

0:39:41.920 --> 0:39:45.040
<v Speaker 2>as well, and that is, Hey, if you dump some

0:39:45.320 --> 0:39:49.040
<v Speaker 2>quantity of oil, and the quantity seems to vary tremendously,

0:39:49.800 --> 0:39:52.560
<v Speaker 2>if you dump that into a stormy sea, well that's

0:39:52.560 --> 0:39:55.960
<v Speaker 2>just going to smooth everything out, smooth sailing thanks to

0:39:56.000 --> 0:39:56.440
<v Speaker 2>the oil.

0:39:57.120 --> 0:39:59.480
<v Speaker 3>Okay, what do we have any stories about how this works?

0:40:00.000 --> 0:40:01.600
<v Speaker 2>We do. We have a pretty good story here, and

0:40:01.640 --> 0:40:05.040
<v Speaker 2>it comes to us from the English monk Bead, who

0:40:05.120 --> 0:40:08.480
<v Speaker 2>lived somewhere around six seventy two or six seventy three

0:40:08.760 --> 0:40:09.960
<v Speaker 2>through seven thirty.

0:40:09.680 --> 0:40:13.560
<v Speaker 3>Five, often known as the Venerable Bead. It's good if

0:40:13.560 --> 0:40:15.359
<v Speaker 3>you can get venerable attached to your name.

0:40:15.840 --> 0:40:19.360
<v Speaker 2>Yes. So the year here that he's talking about is

0:40:19.360 --> 0:40:24.239
<v Speaker 2>six fifty one, and King Oswig sometimes it's spelled Oswig

0:40:24.680 --> 0:40:28.560
<v Speaker 2>of Northumbria sends out a priest to bring his bride

0:40:28.600 --> 0:40:32.520
<v Speaker 2>home from Kent, and one bishop Aiden blesses the priest

0:40:32.600 --> 0:40:35.520
<v Speaker 2>and gives him some holy oil and tells him when

0:40:35.600 --> 0:40:39.760
<v Speaker 2>you set sail, you're gonna encounter some really stormy weather.

0:40:40.120 --> 0:40:43.439
<v Speaker 2>There's gonna be some high winds, so remember to pour

0:40:43.560 --> 0:40:46.200
<v Speaker 2>this oil that I'm giving you into the sea, and

0:40:46.200 --> 0:40:49.319
<v Speaker 2>that's gonna calm everything out. Huh. And this is later

0:40:49.360 --> 0:40:51.879
<v Speaker 2>described as a flask. So I'm assuming we're talking about

0:40:51.920 --> 0:40:55.399
<v Speaker 2>a magic potion quantity of oil here, rather than say

0:40:55.440 --> 0:41:00.360
<v Speaker 2>a barrel of oil. So Bead claimed that everything happened

0:41:00.360 --> 0:41:02.759
<v Speaker 2>as the bishop said it would. When the storms came,

0:41:02.840 --> 0:41:05.759
<v Speaker 2>the priest poured the flask of holy oil into the sea,

0:41:06.120 --> 0:41:09.680
<v Speaker 2>and the storm died down. And Bid insisted that the

0:41:09.680 --> 0:41:12.360
<v Speaker 2>miracle was no mere fable that he had heard it

0:41:12.400 --> 0:41:16.080
<v Speaker 2>from reliable sources close to the matter, so you know,

0:41:16.120 --> 0:41:17.959
<v Speaker 2>he was like, this works. This is not a tall tale,

0:41:18.040 --> 0:41:20.920
<v Speaker 2>this is reality. Also worth noting by the way that

0:41:21.600 --> 0:41:25.160
<v Speaker 2>Osweg or Oswig was said. It was said that he

0:41:25.239 --> 0:41:28.920
<v Speaker 2>and his queen had been gifted multiple holy relics, including

0:41:28.920 --> 0:41:31.360
<v Speaker 2>a cross with a key to it made from the

0:41:31.440 --> 0:41:33.439
<v Speaker 2>chains of the apostles Peter and Paul.

0:41:33.920 --> 0:41:36.319
<v Speaker 3>Okay, Well, as much as this does just sound like

0:41:36.360 --> 0:41:40.200
<v Speaker 3>a standard magical item legend, I think whether or not

0:41:40.280 --> 0:41:43.080
<v Speaker 3>the story is plausible actually maybe more a matter of

0:41:43.280 --> 0:41:47.680
<v Speaker 3>degree rather than just like it could happen or it couldn't.

0:41:48.400 --> 0:41:51.800
<v Speaker 3>I don't know about using oil to stop a storm,

0:41:52.080 --> 0:41:53.920
<v Speaker 3>but in the next episode we're going to end up

0:41:53.960 --> 0:41:59.720
<v Speaker 3>exploring some surprising grains of truth in this kind of legend.

0:42:00.239 --> 0:42:02.840
<v Speaker 2>Yeah, and you might be surprised too. It just what

0:42:03.000 --> 0:42:06.560
<v Speaker 2>kind of legs this idea had concerning the idea that, yeah,

0:42:06.600 --> 0:42:08.520
<v Speaker 2>you might want to have some oil on hand in

0:42:08.520 --> 0:42:10.000
<v Speaker 2>case the water gets choppy.

0:42:10.320 --> 0:42:12.080
<v Speaker 3>So maybe we got to call it there for today,

0:42:12.120 --> 0:42:14.480
<v Speaker 3>but we'll be back next time to talk about pouring

0:42:14.520 --> 0:42:15.640
<v Speaker 3>oil on the seas.

0:42:16.160 --> 0:42:19.360
<v Speaker 2>Yeah, this one was more in depth than I expected,

0:42:19.400 --> 0:42:22.879
<v Speaker 2>and you never expect it, but Ben Franklin often does

0:42:22.920 --> 0:42:26.040
<v Speaker 2>show up. This is not the first episode where you

0:42:26.080 --> 0:42:29.719
<v Speaker 2>don't expect Ben Franklin, but here he comes, sauntering up

0:42:29.760 --> 0:42:33.439
<v Speaker 2>with his weird energy and strange ideas, becoming a part

0:42:33.520 --> 0:42:37.080
<v Speaker 2>of the story of a particular invention or natural phenomena

0:42:37.160 --> 0:42:37.719
<v Speaker 2>or what have you.

0:42:38.200 --> 0:42:39.479
<v Speaker 3>So tune in next time.

0:42:40.120 --> 0:42:42.480
<v Speaker 2>In the meantime, if you would like to listen to

0:42:42.520 --> 0:42:44.759
<v Speaker 2>other episodes of Stuff to Blow Your Mind, well you'll

0:42:44.760 --> 0:42:46.680
<v Speaker 2>find them on Tuesdays and Thursdays. Those are the core

0:42:46.719 --> 0:42:48.879
<v Speaker 2>episodes and the Stuff to Blow your Own podcast feed

0:42:49.160 --> 0:42:51.759
<v Speaker 2>the listener mail on Monday. On Wednesday a short form

0:42:51.840 --> 0:42:54.560
<v Speaker 2>artifact or monster effect. On on Fridays, we set aside

0:42:54.640 --> 0:42:57.080
<v Speaker 2>most serious concerns to just talk about a weird film

0:42:57.160 --> 0:42:58.480
<v Speaker 2>on Weird House Cinema.

0:42:58.719 --> 0:43:02.160
<v Speaker 3>Huge thanks to our excellent an audio producer, JJ Posway.

0:43:02.440 --> 0:43:04.080
<v Speaker 3>If you would like to get in touch with us

0:43:04.120 --> 0:43:06.840
<v Speaker 3>with feedback on this episode or any other, to suggest

0:43:06.840 --> 0:43:08.919
<v Speaker 3>a topic for the future, or just to say hello,

0:43:09.400 --> 0:43:12.319
<v Speaker 3>you can email us at contact stuff to Blow your

0:43:12.360 --> 0:43:20.800
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0:43:20.880 --> 0:43:23.840
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