WEBVTT - TGI – Episode 414 “Wheels”

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<v Speaker 1>We got a lot of requests for everyone wanting to know.

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<v Speaker 1>Did poor Wilfredell get his Christmas gifts? You had a

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<v Speaker 1>lot of people concerned for you.

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<v Speaker 2>A lot of as well. They should be your Christmas gifts.

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<v Speaker 2>Will I got some of my Christmas.

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<v Speaker 3>We had one lunch where we were supposed to bring

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<v Speaker 3>presents and I forgot So I forgot them. And I

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<v Speaker 3>still haven't seen you, guys.

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<v Speaker 1>I've seen you, but I haven't seen this a couple

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<v Speaker 1>of times.

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<v Speaker 3>And I brought them the second time and just and

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<v Speaker 3>I asked about them, and I'll never get him. Yep,

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<v Speaker 3>they're sitting in my car Indies. INDI has been looking

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<v Speaker 3>at the presence. He's like, what are these persons to

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<v Speaker 3>me here? And then like he spilled tea on them

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<v Speaker 3>when we were going to school the other board, they're

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<v Speaker 3>already ruined.

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<v Speaker 2>He's sorry.

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<v Speaker 1>Presents, Okay, you know what I love?

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<v Speaker 4>Love love?

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<v Speaker 1>Is that right? Or strong King of leather jacket stolen

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<v Speaker 1>out of his car, still keeps stills this car and

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<v Speaker 1>nice things in his car? Well, they live in my car.

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<v Speaker 1>Rider is your car parked in a secured parking?

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<v Speaker 5>Cool?

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<v Speaker 1>We'll see how a lot of those gifts stay in

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<v Speaker 1>the car.

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<v Speaker 4>That's gonna be great for the record. Danielle, What you

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<v Speaker 4>got me?

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<v Speaker 2>Love?

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<v Speaker 1>What I amazing you got?

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<v Speaker 4>You got me the awesome Converse All Stars Batman Edition

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<v Speaker 4>from like the eightieth the eightieth anniversary Batman Edition.

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<v Speaker 2>All Star shoes. They're so cool, so much fun.

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<v Speaker 4>There's that joy of handing your gift to somebody you love,

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<v Speaker 4>getting the gift.

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<v Speaker 2>Back from somebody.

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<v Speaker 1>Just tell us what they are your back.

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<v Speaker 2>I'm not going to give away because there's a process.

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<v Speaker 3>It's a whole especially with Will's gift. I have three

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<v Speaker 3>gifts for Will and it's a whole cross. Really, your

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<v Speaker 3>gift is just Sarah. I just thought it was the funniest,

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<v Speaker 3>weirdest thing.

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<v Speaker 2>So I hated the gift. Daniel I needed the gift.

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<v Speaker 2>But Will got me a Instagram walking stick. He got

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<v Speaker 2>a scam.

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<v Speaker 3>Uh Andy loves scams, by the way, that's like his

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<v Speaker 3>favorite thing is like a scam.

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<v Speaker 2>He's obsessed.

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<v Speaker 3>So he wanted to see the video because Will got me, Yeah,

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<v Speaker 3>something that was like a survival walking It's.

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<v Speaker 1>Supposed to be a walking stick for a six foot man.

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<v Speaker 4>King.

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<v Speaker 2>You'll only get three segments.

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<v Speaker 3>What you bought was three segments of a walking stick

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<v Speaker 3>that add up to.

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<v Speaker 2>A hobbit walking stick. Maybe not even a hobbit.

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<v Speaker 1>It's like maybe sixteen inches so.

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<v Speaker 3>But it has a knife, it has like uh, it's

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<v Speaker 3>it's very cool and it's like made of metal and

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<v Speaker 3>it screws together.

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<v Speaker 2>But it's I can't walk walk The.

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<v Speaker 4>Guy the video the video, the guy's like literally fighting

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<v Speaker 4>a mountain lion with breaking rocks.

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<v Speaker 2>I get it in the mail. I'm like, what the

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<v Speaker 2>is this?

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<v Speaker 1>How they get a mountain lion and the air.

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<v Speaker 3>And gotten me the other three segments. I'm still waiting

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<v Speaker 3>and I, well, okay, let's go. Well you got me

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<v Speaker 3>a walking stick and instead I got stuck walking stick.

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<v Speaker 1>You know what I got from you?

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<v Speaker 4>I got yeah, yeah, exactly three presents come in your.

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<v Speaker 2>Way, my friend. You're gonna love them. You're gonna love them.

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<v Speaker 2>I'm never gonna give you what I got you, but

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<v Speaker 2>you love it.

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<v Speaker 1>Will doesn't like the gift he got me.

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<v Speaker 2>I don't at all.

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<v Speaker 1>It's it's a very beautiful magnetic You may have seen

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<v Speaker 1>them on the TikTok or Instagram. They're magnetic travel containers

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<v Speaker 1>for your beauty products. So they're a beautiful like lilac color,

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<v Speaker 1>and they have lids that you can unscrew and then

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<v Speaker 1>you can put your moisturizer, you can put stuff in

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<v Speaker 1>in there, and then they have like a picture or

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<v Speaker 1>a name the word on top that tells you what

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<v Speaker 1>they are. The problem that I've run into with them

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<v Speaker 1>and I'm gonna have to just figure out what they're

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<v Speaker 1>used for is there's one for like contact solution. I

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<v Speaker 1>don't wear contacts, and there's like a picture of an

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<v Speaker 1>eyeball on it, and I'm like, what am I supposed

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<v Speaker 1>to do about.

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<v Speaker 2>Some sort of a I think.

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<v Speaker 1>Exactly.

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<v Speaker 4>The funniest thing is we're on the plane a couple

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<v Speaker 4>of days ago and I look at Daniel.

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<v Speaker 2>I'm like, God, I hate your gift. We're having our

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<v Speaker 2>normal conversation.

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<v Speaker 1>I hate. She's like, you're kidding. I love my gift.

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<v Speaker 1>It's amazing. I'm like, did you use it? She's like, no, no, no,

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<v Speaker 1>I don't really need it.

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<v Speaker 3>Will also got me a book holder like a little coffee.

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<v Speaker 2>Yeah. I put it together. Well, I'm it's still missing a.

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<v Speaker 1>Divot, No, a couple of domes.

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<v Speaker 3>I gave you the I know, but I need like

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<v Speaker 3>two more to make it like really secure because there's

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<v Speaker 3>two extra holes in it. But yeah, So it has

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<v Speaker 3>a David Hume quote on one side and it's made

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<v Speaker 3>out of wood, and it's like you can put a

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<v Speaker 3>book and a coffee like a couple. And then it

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<v Speaker 3>has a day Hume quote which is like an argument

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<v Speaker 3>among friends or something.

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<v Speaker 2>Is it exactly? But it was. It was so it's

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<v Speaker 2>about friendship. It's a David Hume quote about friendship. It

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<v Speaker 2>was like, this is perfect. And then a quote on

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<v Speaker 2>the other side. You know, so you have a Yeah,

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<v Speaker 2>it's awesome.

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<v Speaker 4>I was very thoughtful with riders gifts and Danielle's gifts,

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<v Speaker 4>buying something for Danielle.

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<v Speaker 2>She has everything, and if she doesn't and she buys

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<v Speaker 2>it for herself.

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<v Speaker 1>I've tried to tell you to buy me jewelry. I've

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<v Speaker 1>taken it again.

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<v Speaker 2>It's odd to buy another woman jewelry.

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<v Speaker 1>He goes. I had all these ideas, but they felt

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<v Speaker 1>too daity. He's a example a weekend at Sandals. I mean,

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<v Speaker 1>that's just Dady. I can't take you for a weekend.

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<v Speaker 1>It's like, I had this great idea. I'm so, what

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<v Speaker 1>did I say to you?

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<v Speaker 4>I was like, I'm walking around Victoria's Secret and I'm like.

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<v Speaker 1>This, and I'm like, I can't, I can't buy here this.

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<v Speaker 2>Yeah, I was dying. It was so funny too. Relationshipy,

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<v Speaker 2>here's a diamond ring.

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<v Speaker 1>Yeah, from daniel to be friends with me forever and ever.

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<v Speaker 3>I'm gonna smell you guys something next year.

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<v Speaker 2>I'll make you both grappling.

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<v Speaker 1>Honestly be the best thing. Okay, okay, you smelted us anything,

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<v Speaker 1>I would put it in a shadow box and hang

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<v Speaker 1>it in my bedroom. Who ever smelt it, dealt it.

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<v Speaker 1>We talked about that.

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<v Speaker 2>So you can see.

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<v Speaker 3>In the corner I have Danielle's gift from last year,

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<v Speaker 3>which is a Thomas Guide framed Thomas Guide.

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<v Speaker 2>Yeah, so I love it.

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<v Speaker 1>I love it, Yes, And there's your floor. I got

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<v Speaker 1>writer a fancy pen. I had a hard time, but

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<v Speaker 1>then you are.

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<v Speaker 3>It's a great pen. But then you also picked a

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<v Speaker 3>book that we hadn't talked about but I've.

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<v Speaker 2>Been wanting to read, which is amazing, which.

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<v Speaker 3>Is the best year, film ever, best year ever. Nineteen

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<v Speaker 3>ninety nine is the best decade. No, it's the best film.

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<v Speaker 3>It's the best year. That's the whole pitch. It's a

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<v Speaker 3>film critic. I'm blanking on his name, but you can

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<v Speaker 3>look it up that he says that, like, nineteen ninety

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<v Speaker 3>nine was this epic year. And I've heard this theory.

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<v Speaker 3>It's based on an article he wrote. And I been

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<v Speaker 3>talking about this book and I have never read it.

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<v Speaker 3>So you got me exactly. I was like, have we

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<v Speaker 3>talked about this?

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<v Speaker 2>You're like, no, but you tell the rest of the

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<v Speaker 2>Penn story though, Danielle.

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<v Speaker 1>Okay, my favorite, so just the absolute best. We exchange

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<v Speaker 1>our gifts. We actually went to lunch with our dear

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<v Speaker 1>friend Jeff Manel, and after our lunch with Jeff Manel,

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<v Speaker 1>we exchanged gifts. Two days later, again, a text from

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<v Speaker 1>writer goes, hey, can you send me? Can you send

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<v Speaker 1>me the link to the place that you bought my pen?

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<v Speaker 1>And I go, oh, do you like it? And he goes, yeah,

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<v Speaker 1>I love it, but I've already misplaced it.

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<v Speaker 2>I found it again.

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<v Speaker 1>I actually don't know where it is right now, but

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<v Speaker 1>he found it again during jury duty.

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<v Speaker 2>Yes, but I mark my book.

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<v Speaker 3>So my pens are always in books, you know, because

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<v Speaker 3>I'm always reading like five or six books at.

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<v Speaker 2>A time, and so I keep it in there.

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<v Speaker 3>And then like you know, so I have to, Like,

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<v Speaker 3>I always am grabbing a book and then finding a

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<v Speaker 3>pen inside of it, So it's in one of my books somewhere.

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<v Speaker 1>It's just yeah, so far. Welcome to Pod Meets World.

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<v Speaker 1>I'm Daniel Fischel.

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<v Speaker 2>I'm rather strong and I still want my gifts. Oh

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<v Speaker 2>my god, I'm WILFORDO.

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<v Speaker 1>Welcome to this episode. We are recapping season four episode

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<v Speaker 1>fourteen Wheels. It originally aired January seventeenth, nineteen ninety seven.

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<v Speaker 1>We have made seven nineteen ninety seven in the show

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<v Speaker 1>airing the synopsis. Corey can't wait to break in his

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<v Speaker 1>new driver's license by going on a road trip with

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<v Speaker 1>his friends, but the plans hit a speed bump when

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<v Speaker 1>Alan has a tough time letting his son grow up.

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<v Speaker 1>It was directed by Jeff McCracken. It was written by

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<v Speaker 1>Jeff Sherman. Did you guys have any just overall thoughts

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<v Speaker 1>before I jump into guest Stars?

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<v Speaker 2>I thought it was really sweet.

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<v Speaker 3>It's a you know, it's a pretty dramatic episode, actually,

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<v Speaker 3>I know. And it's great to see Rusty and you know,

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<v Speaker 3>just getting to act and he's so real, so real,

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<v Speaker 3>just a just a such an authentic actor. Do you

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<v Speaker 3>know what I mean, Like, Rusty never has a false

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<v Speaker 3>moment and and it's it's actually kind of shocking, like

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<v Speaker 3>you know, in the opening scenes, I was like, whoa,

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<v Speaker 3>Alan's like intense because he's so just plays the straight

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<v Speaker 3>you know, like, and I thought it was sweet. And

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<v Speaker 3>there's a lot of logic issues I had with this episode.

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<v Speaker 3>There was a lot of weird like wait, why is

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<v Speaker 3>that there? How did they get in time for that?

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<v Speaker 3>And we're rewriting the whole history of Eric's license Day,

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<v Speaker 3>which was an episode and we're just forgetting that. I

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<v Speaker 3>don't know so, but you know, whatever it overall is,

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<v Speaker 3>it was it was.

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<v Speaker 2>A pretty good episode.

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<v Speaker 1>I enjoyed it well. I actually really liked it.

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<v Speaker 4>And this my my hot take of the day is

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<v Speaker 4>and Bill is phenomenal, He's obviously phenomenal, but russy Rusty

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<v Speaker 4>is the best.

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<v Speaker 2>Actor on this show.

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<v Speaker 4>I he This one just cemented it to me again

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<v Speaker 4>of just how layered and amazing an actor Rusty is.

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<v Speaker 2>He's just I really liked it.

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<v Speaker 4>Sue cried next to me several times, especially with all

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<v Speaker 4>the show and Corey as a young kids stuff, and

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<v Speaker 4>I know, but I Rusty is just so good. I mean,

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<v Speaker 4>Bill's just the mainstay you get used to.

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<v Speaker 5>Like.

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<v Speaker 4>The shocking thing would be seeing a bad performance from

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<v Speaker 4>Bill because you just know it's not going to happen.

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<v Speaker 4>But I think this is a good him being playful

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<v Speaker 4>with Alan. It's amazing the two of them together. I

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<v Speaker 4>just want to I know it's a kid show, but

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<v Speaker 4>I just want to watch twenty two minutes of Alan

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<v Speaker 4>and Feenie together with Betsy having Betsy come in to

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<v Speaker 4>have that, because it is The adults in this show

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<v Speaker 4>were so good and it hurts my heart area to

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<v Speaker 4>know that as we get older they're phased out more

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<v Speaker 4>because they're just incredible.

0:11:03.520 --> 0:11:05.760
<v Speaker 2>But I fully enjoyed the episode season four.

0:11:06.320 --> 0:11:09.640
<v Speaker 4>I'm unless season five, six or seven comes out of

0:11:09.640 --> 0:11:12.280
<v Speaker 4>nowhere and is just, oh my god, this is amazing.

0:11:12.640 --> 0:11:14.960
<v Speaker 4>How do you beat this season? It's a good episode

0:11:15.000 --> 0:11:16.439
<v Speaker 4>after a good episode, after.

0:11:16.320 --> 0:11:19.160
<v Speaker 3>Every episode is just I mean, yeah, and you see

0:11:19.200 --> 0:11:21.920
<v Speaker 3>all the things that define Boy meets World in this scene.

0:11:23.520 --> 0:11:24.200
<v Speaker 2>Yep. Agree.

0:11:24.480 --> 0:11:26.400
<v Speaker 4>I don't know what they were doing, but man, it

0:11:26.480 --> 0:11:28.240
<v Speaker 4>is it is firing in all cylinders.

0:11:28.440 --> 0:11:30.839
<v Speaker 1>Yeah, it was really great. My only complaint, like I said,

0:11:30.880 --> 0:11:33.040
<v Speaker 1>some of the logic stuff I thought like I thought

0:11:33.040 --> 0:11:35.960
<v Speaker 1>in that opening kitchen scene where there's you know, not

0:11:36.040 --> 0:11:38.240
<v Speaker 1>the opening kitchen scene, but the scene where Corey and

0:11:38.280 --> 0:11:40.319
<v Speaker 1>Allan are talking about what the plan is and that

0:11:40.360 --> 0:11:42.160
<v Speaker 1>Corey wants to go, and Alan's like, well, I'm just

0:11:42.200 --> 0:11:43.640
<v Speaker 1>going to go run some errands then and then you

0:11:43.640 --> 0:11:45.600
<v Speaker 1>can have the car. I'm like, so the problem solved.

0:11:45.640 --> 0:11:47.120
<v Speaker 1>Just go with your dad, take your dad to run

0:11:47.160 --> 0:11:47.960
<v Speaker 1>the errands.

0:11:47.840 --> 0:11:51.160
<v Speaker 2>Right, A lot of that, Yeah, well just now now it's.

0:11:50.960 --> 0:11:53.240
<v Speaker 1>Fine, you get to do both because he's still going

0:11:53.320 --> 0:11:53.920
<v Speaker 1>to go anyway.

0:11:53.960 --> 0:11:56.040
<v Speaker 4>So it like some of that didn't make any sense.

0:11:56.040 --> 0:11:58.640
<v Speaker 4>It's also they have no idea how old Morgan is.

0:11:59.040 --> 0:12:02.600
<v Speaker 4>It's like, are you kidding? You got this year old

0:12:02.679 --> 0:12:05.400
<v Speaker 4>girl driving her own little car, Like, what the hell

0:12:05.480 --> 0:12:08.440
<v Speaker 4>is happening here on it? Yeah, it's weird that they

0:12:08.559 --> 0:12:10.520
<v Speaker 4>treat her like she's like seven years old, but.

0:12:10.480 --> 0:12:11.400
<v Speaker 2>It's that is funny.

0:12:11.440 --> 0:12:14.040
<v Speaker 1>Yeah, I didn't even think of that, but you're absolutely right.

0:12:14.240 --> 0:12:14.960
<v Speaker 2>Yeah.

0:12:14.960 --> 0:12:18.600
<v Speaker 1>So guest starring Dan Lauria as Judge Lamb. It would

0:12:18.600 --> 0:12:21.920
<v Speaker 1>be impossible to not know him as the dad Jack

0:12:22.040 --> 0:12:24.720
<v Speaker 1>Arnold on the Wonder Years, working with Ben's real life

0:12:24.720 --> 0:12:29.080
<v Speaker 1>brother Fred, and amongst his two hundred other credits, are

0:12:29.160 --> 0:12:32.880
<v Speaker 1>Independence Day, Party of five, Seventh Heaven and Sullivan and

0:12:33.000 --> 0:12:38.200
<v Speaker 1>Sons or Sullivan and Son mmm Worth noting he's still

0:12:38.240 --> 0:12:41.360
<v Speaker 1>working a ton at seventy six years old, popping up

0:12:41.360 --> 0:12:47.760
<v Speaker 1>on The Good Doctor just last year. He's almost eighty now, wow, right, crazy.

0:12:48.040 --> 0:12:51.920
<v Speaker 1>Raymond O'Connor is Officer Dibble. He was park Ranger Bob

0:12:51.960 --> 0:12:55.360
<v Speaker 1>in nineteen ninety six's action mega hit The Rock, but

0:12:55.440 --> 0:12:58.120
<v Speaker 1>he also appears in movies like My Blue Heaven and

0:12:58.320 --> 0:13:00.880
<v Speaker 1>Ryder Strong's My Giant Yep.

0:13:01.080 --> 0:13:04.800
<v Speaker 4>Really, yes, he's been in everything. This guy's a character actor.

0:13:04.559 --> 0:13:05.280
<v Speaker 2>First, so good.

0:13:06.120 --> 0:13:08.720
<v Speaker 3>It's such a small part, but it's completely memorable. But

0:13:08.760 --> 0:13:09.559
<v Speaker 3>that's what he does.

0:13:09.600 --> 0:13:12.400
<v Speaker 4>He does these smaller roles where he just kills it

0:13:12.440 --> 0:13:13.360
<v Speaker 4>in every role that he.

0:13:13.320 --> 0:13:16.920
<v Speaker 1>Does in all He was on Things Seinfeld Who's the Boss,

0:13:16.920 --> 0:13:19.440
<v Speaker 1>and Malcolm in the Middle. He sadly passed away in

0:13:19.480 --> 0:13:23.240
<v Speaker 1>September twenty twenty three. It's seventy one years old. And

0:13:23.280 --> 0:13:26.960
<v Speaker 1>then we have Ricky Dale as Marnie. She appears in

0:13:27.000 --> 0:13:29.640
<v Speaker 1>two Boy Meets World episodes, with another in season five,

0:13:29.880 --> 0:13:32.720
<v Speaker 1>but in the storied tradition of our show, she has

0:13:32.760 --> 0:13:35.120
<v Speaker 1>a different character name in that one.

0:13:34.880 --> 0:13:38.880
<v Speaker 2>And you know you know who she is, yes, yeah, Okay.

0:13:38.800 --> 0:13:41.480
<v Speaker 1>So she is now a talent agent here in Los

0:13:41.520 --> 0:13:45.560
<v Speaker 1>Angeles and she is married with two kids. To Bury Safchick,

0:13:45.720 --> 0:13:48.959
<v Speaker 1>a writer and producer for Boy Meets World. He wrote

0:13:49.040 --> 0:13:53.160
<v Speaker 1>four episodes that start in season five, including Starry Night.

0:13:54.440 --> 0:13:56.600
<v Speaker 2>So he wasn't a writer on our show yet in

0:13:56.640 --> 0:13:57.080
<v Speaker 2>this way.

0:13:56.960 --> 0:13:59.319
<v Speaker 1>I don't think yet, But I think he was a friend,

0:13:59.840 --> 0:14:02.120
<v Speaker 1>was very close friends with Michael Keys in.

0:14:02.040 --> 0:14:04.000
<v Speaker 4>The credits because I noticed him in the credit. But

0:14:04.080 --> 0:14:06.120
<v Speaker 4>he's like part of the quote unquote production staff.

0:14:06.240 --> 0:14:08.440
<v Speaker 1>Yeah, he's like on the production side. But he was

0:14:08.480 --> 0:14:10.720
<v Speaker 1>not a writer yet until season five. But it's so

0:14:10.840 --> 0:14:15.560
<v Speaker 1>funny because the way memory works, the minute she popped

0:14:15.600 --> 0:14:21.000
<v Speaker 1>up on screen, I said she she dated somebody or

0:14:21.920 --> 0:14:25.080
<v Speaker 1>I just knew married. I said they weren't at the

0:14:25.080 --> 0:14:27.280
<v Speaker 1>time of the show. I weren't. No, they weren't at

0:14:27.280 --> 0:14:29.440
<v Speaker 1>the time of the show. I think, Well, actually, I

0:14:29.440 --> 0:14:30.160
<v Speaker 1>guess we don't know.

0:14:30.240 --> 0:14:33.080
<v Speaker 4>I don't know because they had a kid by the

0:14:33.240 --> 0:14:35.520
<v Speaker 4>by fifth or sixth I mean, their little one was

0:14:35.520 --> 0:14:35.920
<v Speaker 4>on the set.

0:14:36.520 --> 0:14:37.520
<v Speaker 2>Baby was on the set with us.

0:14:37.560 --> 0:14:38.960
<v Speaker 1>Okay, so maybe they did. Because I was, like I

0:14:38.960 --> 0:14:41.080
<v Speaker 1>asked Blutman last night I was like, what's the situation

0:14:41.120 --> 0:14:42.400
<v Speaker 1>with Ricky Dale? And he's the one who told me

0:14:42.520 --> 0:14:44.320
<v Speaker 1>married to Barry Safcheck And I was like, is that

0:14:44.360 --> 0:14:45.840
<v Speaker 1>where they met? And he said, I actually don't know

0:14:45.880 --> 0:14:49.560
<v Speaker 1>how they met, so they they were married or and

0:14:49.600 --> 0:14:51.000
<v Speaker 1>I just knew when I saw her. I was like,

0:14:51.080 --> 0:14:54.320
<v Speaker 1>we we knew her, Like we knew her more than

0:14:54.520 --> 0:14:56.520
<v Speaker 1>just somebody who was there this one week. So it's

0:14:56.560 --> 0:14:59.720
<v Speaker 1>just funny the way memory works. So jumping into our recap,

0:14:59.720 --> 0:15:02.000
<v Speaker 1>we st art and Chubbies, Sean, Tapega, and Corey are

0:15:02.000 --> 0:15:04.440
<v Speaker 1>all hanging out when Topega mentions that tomorrow is the

0:15:04.440 --> 0:15:08.400
<v Speaker 1>big day. Apparently that's when Corey Matthews turned sixteen and

0:15:08.560 --> 0:15:11.440
<v Speaker 1>mobile Sean tells them he's worked out all the details

0:15:11.440 --> 0:15:14.520
<v Speaker 1>for their big birthday road trip. Corey assumes he can

0:15:14.600 --> 0:15:16.760
<v Speaker 1>use his dad's car tomorrow because he's sixteen and it's

0:15:16.800 --> 0:15:19.000
<v Speaker 1>his right. He's probably even filling up the tank for

0:15:19.080 --> 0:15:22.520
<v Speaker 1>him right now. Sean gets serious, this is a life landmark.

0:15:22.640 --> 0:15:25.400
<v Speaker 1>This is the first Corey drives road trip. We are

0:15:25.440 --> 0:15:29.760
<v Speaker 1>merely guests of the car, the wind and destiny. Corey disagrees.

0:15:29.840 --> 0:15:32.000
<v Speaker 1>The point is they are adults with cars who can

0:15:32.040 --> 0:15:35.400
<v Speaker 1>see R rated movies. Tapenga refuses to go to an

0:15:35.520 --> 0:15:37.920
<v Speaker 1>R rated movie with them, but Corey reminds her. Van

0:15:38.000 --> 0:15:41.840
<v Speaker 1>Dam takes his shirt off and then I say, ah, uga,

0:15:42.560 --> 0:15:44.320
<v Speaker 1>is this also a thing?

0:15:44.400 --> 0:15:46.520
<v Speaker 2>Though? Is meaning?

0:15:46.640 --> 0:15:50.840
<v Speaker 4>Like growing up my entire life, going to an already

0:15:50.880 --> 0:15:52.080
<v Speaker 4>movie was never a thing.

0:15:52.400 --> 0:15:54.640
<v Speaker 3>It was just he just just de Penn's family to

0:15:54.680 --> 0:15:56.840
<v Speaker 3>family because I was the same way, Like basically from

0:15:56.880 --> 0:15:59.800
<v Speaker 3>age eleven or twelve on, I just saw whatever. But

0:16:00.200 --> 0:16:03.480
<v Speaker 3>if you weren't allowed to take it to a movie theater, yeah,

0:16:03.640 --> 0:16:07.120
<v Speaker 3>like if you ever stopped from buying well, because I

0:16:07.160 --> 0:16:10.440
<v Speaker 3>went to see Braveheart for my second or third time

0:16:10.520 --> 0:16:13.840
<v Speaker 3>with some friends and we were all like fifteen, and

0:16:14.000 --> 0:16:17.160
<v Speaker 3>I got into an argument with the person, man, how

0:16:17.240 --> 0:16:20.000
<v Speaker 3>dare I was like, I've already seen this movie. I'm

0:16:20.000 --> 0:16:23.720
<v Speaker 3>going it's okay, And like I convinced, and I think

0:16:23.760 --> 0:16:25.800
<v Speaker 3>I think they recognized me too. But like anyway I

0:16:25.920 --> 0:16:28.120
<v Speaker 3>argue my way into seeing Braveheart for the second or

0:16:28.160 --> 0:16:29.680
<v Speaker 3>third time, they were they were going to kick me

0:16:29.720 --> 0:16:31.520
<v Speaker 3>out because I wasn't with somebody over.

0:16:31.400 --> 0:16:34.160
<v Speaker 1>Sap Jenson was stopped buying from ticket His mom would

0:16:34.200 --> 0:16:36.840
<v Speaker 1>buy them for him because it was there was just

0:16:37.120 --> 0:16:37.960
<v Speaker 1>didn't want to deal with.

0:16:37.920 --> 0:16:40.200
<v Speaker 4>The I think it's also if you have older brothers,

0:16:40.400 --> 0:16:43.160
<v Speaker 4>eventually you're just it doesn't going. Yeah, you're just going

0:16:43.160 --> 0:16:44.480
<v Speaker 4>with your family and they're not going to leave one

0:16:44.560 --> 0:16:45.760
<v Speaker 4>kid at home and you're not going to pick a

0:16:45.840 --> 0:16:47.360
<v Speaker 4>PG movie we were just watching.

0:16:47.560 --> 0:16:50.560
<v Speaker 1>Yeah, I never had that, So yeah, I shout a uga,

0:16:50.840 --> 0:16:53.400
<v Speaker 1>But like, also I make it seem like maybe I'm

0:16:53.400 --> 0:16:54.560
<v Speaker 1>being sarcastic about it.

0:16:54.720 --> 0:16:55.680
<v Speaker 2>Which I think is good fun.

0:16:55.720 --> 0:16:58.280
<v Speaker 3>I mean I don't because you know, I don't know

0:16:58.280 --> 0:17:00.400
<v Speaker 3>if it was written to be as I wrot because

0:17:00.400 --> 0:17:02.160
<v Speaker 3>you played it, which is good because I think.

0:17:02.200 --> 0:17:04.760
<v Speaker 4>The irony, the level of like, oh well, now I care,

0:17:05.119 --> 0:17:07.320
<v Speaker 4>is you were given a line reading and then made

0:17:07.320 --> 0:17:07.800
<v Speaker 4>it your own.

0:17:08.000 --> 0:17:08.200
<v Speaker 2>Yeah.

0:17:09.560 --> 0:17:11.520
<v Speaker 1>I hope that that's what it was, because I did think,

0:17:11.600 --> 0:17:15.000
<v Speaker 1>like I don't understand. I like that that it's like, oh,

0:17:15.040 --> 0:17:17.439
<v Speaker 1>that's going to make me go see it a little bit.

0:17:17.600 --> 0:17:18.240
<v Speaker 1>I can't wait.

0:17:18.840 --> 0:17:22.160
<v Speaker 3>So yeah, later you say a wuga as a callback,

0:17:22.200 --> 0:17:24.439
<v Speaker 3>and I realized, oh that later auga would have been

0:17:24.480 --> 0:17:25.600
<v Speaker 3>funnier if this was.

0:17:26.040 --> 0:17:28.560
<v Speaker 2>Earnest exactly, And I want it's fine, it's.

0:17:28.400 --> 0:17:30.399
<v Speaker 3>So much better that you play it like to pengas

0:17:30.440 --> 0:17:34.760
<v Speaker 3>so much smarter by above it and like a little like, uh, it's.

0:17:34.760 --> 0:17:36.720
<v Speaker 1>Well, and it is one of the only times to

0:17:36.760 --> 0:17:38.560
<v Speaker 1>Penga is a little smarter and above it in the

0:17:38.600 --> 0:17:41.720
<v Speaker 1>rest of the episode, So I do appreciate that at

0:17:41.800 --> 0:17:43.760
<v Speaker 1>least we have a little bit of it got nice

0:17:43.800 --> 0:17:48.240
<v Speaker 1>outfits on though I'm still I'm still one of Charlie's angels.

0:17:48.240 --> 0:17:49.760
<v Speaker 2>You are one of Charlie's angels. Hello.

0:17:49.960 --> 0:17:52.119
<v Speaker 3>Dan Damn is kind of a thing in Boy Meets World.

0:17:52.240 --> 0:17:54.880
<v Speaker 3>I know because because it becomes a big thing with

0:17:54.960 --> 0:17:56.160
<v Speaker 3>me and Angela.

0:17:56.720 --> 0:18:00.520
<v Speaker 1>Of the best women are men and so and see

0:18:00.560 --> 0:18:04.320
<v Speaker 1>me when she's has tickets to see a Van Damn movie,

0:18:04.359 --> 0:18:06.119
<v Speaker 1>it must mean she's the perfect woman.

0:18:06.280 --> 0:18:07.760
<v Speaker 2>Yeah, like Van Damn.

0:18:07.800 --> 0:18:09.440
<v Speaker 3>Like it's so funny because what I remember from the

0:18:09.520 --> 0:18:13.000
<v Speaker 3>nineties would be more like Schwartzenegger or like, I don't know,

0:18:13.000 --> 0:18:17.280
<v Speaker 3>like sort Snegger is actually technically more eighties Okay, nineties.

0:18:17.000 --> 0:18:20.600
<v Speaker 2>You're right, okay, two in the nineties.

0:18:20.320 --> 0:18:22.800
<v Speaker 4>Yeah, he was the next he was the next big thing.

0:18:22.840 --> 0:18:25.120
<v Speaker 4>He was like Time Cop and all of his.

0:18:25.280 --> 0:18:27.199
<v Speaker 2>The only time I remember is Time Cop and it

0:18:27.400 --> 0:18:30.800
<v Speaker 2>didn't do well. Actually I did. He talks about that.

0:18:30.760 --> 0:18:32.360
<v Speaker 4>They ad it's when he turned down the fifteen million

0:18:32.400 --> 0:18:34.080
<v Speaker 4>dollars deal from Warner Brothers because he didn't think it

0:18:34.119 --> 0:18:36.199
<v Speaker 4>was fair enough, and then it was never offered a

0:18:36.240 --> 0:18:40.000
<v Speaker 4>deal that's eyes ever again, Right, yeah, he did.

0:18:40.040 --> 0:18:42.440
<v Speaker 2>He talks about that. He's like, I totally did. Yeah.

0:18:42.720 --> 0:18:44.879
<v Speaker 1>So Corey adds, the best part is we're seeing it

0:18:44.920 --> 0:18:47.679
<v Speaker 1>in Atlantic City. To pang of questions why they go

0:18:47.720 --> 0:18:49.560
<v Speaker 1>all the way to Atlantic City to see the movie

0:18:49.600 --> 0:18:51.919
<v Speaker 1>and the boys slam their fists on the table because

0:18:51.960 --> 0:18:55.640
<v Speaker 1>we can, Corey proclaims, tomorrow, I am a man.

0:18:56.400 --> 0:18:58.560
<v Speaker 4>You also still need to be seventeen to get into

0:18:58.600 --> 0:18:59.600
<v Speaker 4>an R rated movie, right.

0:18:59.520 --> 0:19:02.120
<v Speaker 3>So yes, discuss that later at the rest of you're

0:19:02.119 --> 0:19:05.120
<v Speaker 3>allowed in as long as somebody over seventeen buys.

0:19:04.840 --> 0:19:07.879
<v Speaker 4>The ticket, right, but all three are supposed to be

0:19:07.960 --> 0:19:09.440
<v Speaker 4>sixteen at this point, right.

0:19:09.280 --> 0:19:10.720
<v Speaker 1>Right to Pega, just we.

0:19:10.720 --> 0:19:13.520
<v Speaker 3>Both have our driver's license apparently, I yes, which if

0:19:13.520 --> 0:19:15.640
<v Speaker 3>you did it in order to Panga is the oldest

0:19:15.680 --> 0:19:18.159
<v Speaker 3>of the three of you, because she said to Panga

0:19:18.280 --> 0:19:20.600
<v Speaker 3>and Sean got their licenses and now it was my turn.

0:19:20.720 --> 0:19:21.520
<v Speaker 2>So I took that out.

0:19:21.520 --> 0:19:23.760
<v Speaker 1>How do you know that Sewn hadn't already turned sixteen

0:19:23.840 --> 0:19:25.680
<v Speaker 1>by the time we did my sixteenth birthday. We don't

0:19:25.680 --> 0:19:26.640
<v Speaker 1>have a Shawn's birthday.

0:19:27.040 --> 0:19:28.600
<v Speaker 4>No, I'm saying if he said it in order, if

0:19:28.600 --> 0:19:30.520
<v Speaker 4>he said he said to Panga got a license and

0:19:30.520 --> 0:19:33.240
<v Speaker 4>Seawan got So if he did in order, then you'd.

0:19:33.000 --> 0:19:36.000
<v Speaker 1>Be the oldest, then I'd be the oldest. Yeah, was

0:19:36.040 --> 0:19:38.160
<v Speaker 1>getting your license at sixteen a big deal to both

0:19:38.160 --> 0:19:39.919
<v Speaker 1>of you? It was the biggest.

0:19:40.320 --> 0:19:41.760
<v Speaker 3>Well, it was funny because I was watching this, I

0:19:41.800 --> 0:19:45.639
<v Speaker 3>was thinking, is is getting your license as big of

0:19:45.680 --> 0:19:48.120
<v Speaker 3>a deal in like Pennsylvania as it is in California?

0:19:48.200 --> 0:19:49.840
<v Speaker 3>Because I know in California we.

0:19:49.720 --> 0:19:52.359
<v Speaker 2>Were all obsessed, could not wait, You couldn't wait.

0:19:52.440 --> 0:19:53.920
<v Speaker 3>But it was also the same and can you needed

0:19:53.960 --> 0:19:55.920
<v Speaker 3>a car to get around, But I feel like when

0:19:56.000 --> 0:19:59.119
<v Speaker 3>you have public transportation, like you know on in the

0:19:59.119 --> 0:20:02.080
<v Speaker 3>East Coast, there's like there's trains everywhere, there's buses everywhere.

0:20:02.200 --> 0:20:04.800
<v Speaker 4>Again Connecticut, where we didn't have, we our publicated, but

0:20:04.880 --> 0:20:07.359
<v Speaker 4>it was not good. So we getting the license at sixteen,

0:20:07.359 --> 0:20:09.879
<v Speaker 4>But it also wasn't he talks about his temporary license

0:20:09.960 --> 0:20:12.199
<v Speaker 4>or like, and we didn't have any of that at sixteen.

0:20:12.240 --> 0:20:14.399
<v Speaker 4>You were just driving. You didn't need somebody older in

0:20:14.400 --> 0:20:16.600
<v Speaker 4>the car. It wasn't about. I think there's some places

0:20:16.600 --> 0:20:18.240
<v Speaker 4>where it's like, well, now it's a Melissa.

0:20:18.320 --> 0:20:21.080
<v Speaker 1>It was a rule even when I got my license

0:20:21.119 --> 0:20:24.600
<v Speaker 1>you had to have for the first several months, you

0:20:24.640 --> 0:20:26.720
<v Speaker 1>weren't allowed to have somebody.

0:20:26.640 --> 0:20:29.240
<v Speaker 3>Under twenty under twenty yeah seat or something like. It

0:20:29.280 --> 0:20:31.480
<v Speaker 3>wasn't I think that's still the case now. It's all

0:20:31.520 --> 0:20:33.280
<v Speaker 3>the way until you're eighteen, I think in California.

0:20:33.280 --> 0:20:34.439
<v Speaker 2>And there was something also with the light.

0:20:34.480 --> 0:20:36.159
<v Speaker 4>You can't drive it the dark in some places, so

0:20:36.200 --> 0:20:37.119
<v Speaker 4>it's we didn't have any of that.

0:20:37.240 --> 0:20:38.639
<v Speaker 2>You have your license, that you don't have a license.

0:20:38.960 --> 0:20:41.199
<v Speaker 1>I made the appointment for the dan V on my

0:20:41.280 --> 0:20:44.159
<v Speaker 1>sixteenth birthday. I was at my regular school, so I

0:20:44.240 --> 0:20:46.600
<v Speaker 1>was either not in the episode that week, or well,

0:20:46.640 --> 0:20:48.280
<v Speaker 1>it's May, so we wouldn't have been working. We would

0:20:48.320 --> 0:20:51.360
<v Speaker 1>have wrapped the season in March. So I was at

0:20:51.400 --> 0:20:54.840
<v Speaker 1>school and I remember being in my dreaded science class.

0:20:54.880 --> 0:20:56.879
<v Speaker 1>That teacher hated me because all I did in that

0:20:56.920 --> 0:21:00.719
<v Speaker 1>class was talk. And I was sitting there, sating next

0:21:00.760 --> 0:21:02.600
<v Speaker 1>to somebody, and I was like, yeah, it's my birthday

0:21:02.640 --> 0:21:05.040
<v Speaker 1>and my mom's picking me up right after this class,

0:21:05.040 --> 0:21:06.480
<v Speaker 1>and I'm going to get my license. And the teachers

0:21:06.480 --> 0:21:08.639
<v Speaker 1>like Danny Ow and I was like huh. And he

0:21:08.680 --> 0:21:09.960
<v Speaker 1>was like, do you have something you'd like to share

0:21:09.960 --> 0:21:13.760
<v Speaker 1>with the whole class? And I was like no, I don't.

0:21:13.880 --> 0:21:15.960
<v Speaker 1>Well then why are you talking? What are you talking about?

0:21:15.960 --> 0:21:17.399
<v Speaker 1>And I was like, well, it's just it's.

0:21:17.480 --> 0:21:19.080
<v Speaker 2>Because in the future, I'm going to have a thing

0:21:19.160 --> 0:21:23.480
<v Speaker 2>called a podcast talk for That's what I'm going to do.

0:21:23.600 --> 0:21:25.240
<v Speaker 3>Everyone's going to want to hear my thoughts about my

0:21:25.359 --> 0:21:26.920
<v Speaker 3>private license go on, Dani.

0:21:28.600 --> 0:21:31.640
<v Speaker 1>And I said, it's just it's my birthday and I'm

0:21:31.640 --> 0:21:36.000
<v Speaker 1>going to get my driver's license, and he said, I

0:21:36.040 --> 0:21:40.080
<v Speaker 1>beg you please stop talking. I promise you whatever you

0:21:40.160 --> 0:21:42.719
<v Speaker 1>learn in this science class is going to benefit you

0:21:42.800 --> 0:21:46.560
<v Speaker 1>more than talking about your birthday. Let's find this teacher now.

0:21:46.720 --> 0:21:49.600
<v Speaker 1>Let's don't even remember their name. I just remember thinking.

0:21:49.720 --> 0:21:52.639
<v Speaker 2>Oh, my professor science.

0:21:52.320 --> 0:21:56.760
<v Speaker 1>It's my freaking birthday. Mister, could you just lighten up

0:21:56.800 --> 0:21:58.200
<v Speaker 1>a little bit? Anyway? I hate science?

0:21:59.200 --> 0:21:59.720
<v Speaker 2>And then.

0:22:03.480 --> 0:22:06.560
<v Speaker 1>The waitress appears with the food. Who gets the clown burger?

0:22:06.640 --> 0:22:09.240
<v Speaker 1>Corey hesitantly raises his hand, taking the andre with bells

0:22:09.240 --> 0:22:11.960
<v Speaker 1>and whistles like a multi colored clown cap. He tells

0:22:11.960 --> 0:22:15.960
<v Speaker 1>his friends, I collect the little hats. Yeah, funny, very Corey,

0:22:16.320 --> 0:22:19.159
<v Speaker 1>very Corey. Cute, cute, and then we go to a

0:22:19.200 --> 0:22:21.280
<v Speaker 1>commercial break. We come back, we're in the Matthew's kitchen.

0:22:21.320 --> 0:22:25.000
<v Speaker 3>Alan, you guys watch backs anymore?

0:22:25.119 --> 0:22:27.600
<v Speaker 1>You know what I wanted. I wasn't even gonna mention it.

0:22:27.600 --> 0:22:29.520
<v Speaker 1>But now that you mentioned the opening credits, have you

0:22:29.640 --> 0:22:33.000
<v Speaker 1>noticed that we are not doing a cold open and

0:22:33.040 --> 0:22:36.199
<v Speaker 1>then the credits and then back into the show. The

0:22:36.280 --> 0:22:39.919
<v Speaker 1>credits just start off the show and then we go in.

0:22:40.119 --> 0:22:42.280
<v Speaker 1>Then we have scenes back to back, like this Chubby

0:22:42.359 --> 0:22:44.960
<v Speaker 1>scene rolls right into the Matthews kitchen scene.

0:22:45.560 --> 0:22:47.480
<v Speaker 2>No, I think it went to credits, went to credit.

0:22:47.520 --> 0:22:49.080
<v Speaker 1>Now it starts on credits.

0:22:50.000 --> 0:22:52.440
<v Speaker 2>Hmmmm. So our cold open is just.

0:22:52.440 --> 0:22:54.560
<v Speaker 1>Our cold open is now part of exactly, it's just

0:22:54.600 --> 0:22:57.639
<v Speaker 1>part of Act one. There's no like welcome you know,

0:22:57.680 --> 0:23:00.000
<v Speaker 1>the credit like, it's just literally you start the show

0:23:00.359 --> 0:23:06.800
<v Speaker 1>on opening credits. The song so I skip to answer.

0:23:08.080 --> 0:23:08.439
<v Speaker 2>Answer.

0:23:09.320 --> 0:23:10.880
<v Speaker 1>Yeah. So I don't know if it's going to stay

0:23:10.880 --> 0:23:13.040
<v Speaker 1>this way or if we're going to get more cold

0:23:13.040 --> 0:23:14.680
<v Speaker 1>opens in the future, but I did notice for the

0:23:14.760 --> 0:23:18.000
<v Speaker 1>last couple episodes at least you're starting on credits. Alan

0:23:18.040 --> 0:23:20.160
<v Speaker 1>walks in through the back door holding some cleaning supplies.

0:23:20.200 --> 0:23:21.879
<v Speaker 1>Amy asks why he isn't at the store, and he

0:23:21.880 --> 0:23:25.000
<v Speaker 1>says he had Eric open today because he has big plans.

0:23:25.200 --> 0:23:26.960
<v Speaker 1>It's Corey's day. I'm going to take him to the

0:23:27.000 --> 0:23:28.879
<v Speaker 1>d m V, watch him take his driver's test, and

0:23:28.960 --> 0:23:32.320
<v Speaker 1>off to Woody's roadhouse. Amy smiles, Just like you did

0:23:32.359 --> 0:23:32.880
<v Speaker 1>with Eric.

0:23:35.480 --> 0:23:36.040
<v Speaker 2>What happened?

0:23:36.280 --> 0:23:40.040
<v Speaker 1>What happened? You went with Jason Marsden to get your license? Yes,

0:23:40.280 --> 0:23:40.959
<v Speaker 1>we all saw it.

0:23:41.240 --> 0:23:45.040
<v Speaker 4>Yeah, we were just there were no one acknowledged your birthday.

0:23:45.040 --> 0:23:45.760
<v Speaker 2>No, my birthday.

0:23:45.760 --> 0:23:49.080
<v Speaker 3>Didn't have the test and come back to home having

0:23:49.119 --> 0:23:50.560
<v Speaker 3>failed your test, and like.

0:23:50.800 --> 0:23:53.800
<v Speaker 1>Having and then they have to drive, yes, yeah, and

0:23:53.800 --> 0:23:55.959
<v Speaker 1>then they have to drive with his license.

0:23:56.119 --> 0:23:58.840
<v Speaker 4>He lies about it and yeah, this is the same show.

0:23:58.960 --> 0:24:01.560
<v Speaker 2>Yeah me world Yep, But.

0:24:02.800 --> 0:24:04.840
<v Speaker 1>I was happy they were releast acknowledging a birthday. The

0:24:04.880 --> 0:24:07.520
<v Speaker 1>Matthews seem to have turned around their weird relationship with me.

0:24:07.560 --> 0:24:10.520
<v Speaker 2>Again. We have a fourteen year old little sister that is.

0:24:10.440 --> 0:24:13.879
<v Speaker 4>A different little sister than she was, And sometimes she's eight, sometimes.

0:24:13.480 --> 0:24:16.800
<v Speaker 1>She's sixteen, and sometimes she's three. They're just changing stuff.

0:24:17.600 --> 0:24:19.480
<v Speaker 1>Alan nods, And my dad did it with me a

0:24:19.560 --> 0:24:24.119
<v Speaker 1>Matthew's men's license state tradition, and I just wanted to say, sorry, Morgan,

0:24:24.160 --> 0:24:26.359
<v Speaker 1>you're on your own. However, you're going to go get

0:24:26.400 --> 0:24:28.320
<v Speaker 1>your license. It's not going to be with your father.

0:24:28.600 --> 0:24:29.080
<v Speaker 2>I'm sorry.

0:24:29.240 --> 0:24:31.840
<v Speaker 4>We've talked about this before, but very I always say

0:24:31.880 --> 0:24:33.399
<v Speaker 4>very briefly, and it will be very briefly.

0:24:33.880 --> 0:24:37.399
<v Speaker 1>Will Yes, Am I wrong? Because we've talked about this.

0:24:37.920 --> 0:24:42.200
<v Speaker 2>The only grandparent we've seen is Room McClanahan. Correct. Yes, Okay,

0:24:42.240 --> 0:24:42.640
<v Speaker 2>that's it.

0:24:42.920 --> 0:24:43.239
<v Speaker 1>That's it.

0:24:43.400 --> 0:24:45.720
<v Speaker 4>We can remember why we never brought in another grandparent

0:24:45.800 --> 0:24:47.320
<v Speaker 4>on either side ever again yep.

0:24:47.600 --> 0:24:49.720
<v Speaker 1>Alan has also washed the car so it looks good

0:24:49.720 --> 0:24:52.240
<v Speaker 1>in the picture he takes after Corey passes. Amy wonders

0:24:52.280 --> 0:24:54.800
<v Speaker 1>does Cory know about these plans. Alan shakes his head. No,

0:24:54.840 --> 0:24:57.200
<v Speaker 1>it's a Matthew's men's tradition. You don't have to tell them.

0:24:57.200 --> 0:25:00.000
<v Speaker 1>It's just in the jeens and then hornhonnks from outside.

0:25:00.040 --> 0:25:03.600
<v Speaker 1>It's Morgan, she barges. In Corey's driving a car, Alan

0:25:03.680 --> 0:25:06.280
<v Speaker 1>questions without a license. He and Amy rush to the

0:25:06.320 --> 0:25:08.080
<v Speaker 1>living room just as Corey walks in through the front

0:25:08.080 --> 0:25:10.520
<v Speaker 1>door with Topanga and Sean. He passed his driver's test.

0:25:10.560 --> 0:25:13.760
<v Speaker 1>He got his license, well his temporary one. At least.

0:25:14.119 --> 0:25:17.240
<v Speaker 4>Who's car do you think he was driving? It's got

0:25:17.240 --> 0:25:18.640
<v Speaker 4>to be Sean.

0:25:19.080 --> 0:25:20.040
<v Speaker 2>Sean doesn't have a car.

0:25:21.520 --> 0:25:25.280
<v Speaker 1>Rich, Yeah, rich, she says, later, just give me An ATM.

0:25:25.320 --> 0:25:28.480
<v Speaker 1>I'll pay exactly she's got.

0:25:31.640 --> 0:25:33.800
<v Speaker 3>But to Pega must have a job, right, Like she's

0:25:33.800 --> 0:25:36.240
<v Speaker 3>the type of like she's achiever.

0:25:35.760 --> 0:25:36.880
<v Speaker 2>That would have a job. Yeah.

0:25:36.880 --> 0:25:39.399
<v Speaker 3>Oh that's right, she's yes, So she's like saving money

0:25:39.400 --> 0:25:40.920
<v Speaker 3>for college already for sure.

0:25:41.760 --> 0:25:42.640
<v Speaker 2>So they got to be into bed.

0:25:42.680 --> 0:25:45.320
<v Speaker 4>Let's assume because he's coming in with the cleaning supplies

0:25:45.320 --> 0:25:46.400
<v Speaker 4>because he was cleaning the car.

0:25:46.480 --> 0:25:49.000
<v Speaker 2>You imagine that's what he said, he was cleaning it.

0:25:49.200 --> 0:25:50.240
<v Speaker 2>So it's pretty for the picture.

0:25:50.480 --> 0:25:53.800
<v Speaker 1>Yeah, so Alan attempts excitement.

0:25:54.400 --> 0:25:57.040
<v Speaker 2>Conflict because they could just take to Pega's car. Why

0:25:57.080 --> 0:25:58.080
<v Speaker 2>does Corey need.

0:25:59.080 --> 0:26:00.479
<v Speaker 1>The It's one of the things.

0:26:00.520 --> 0:26:02.919
<v Speaker 2>I didn't understand that. Then he's for the keys. They

0:26:02.920 --> 0:26:03.720
<v Speaker 2>could have just gone.

0:26:03.520 --> 0:26:05.080
<v Speaker 1>I didn't even think about this problem.

0:26:05.240 --> 0:26:07.480
<v Speaker 3>Yes, yeah, but they could literally just say, okay, Dad,

0:26:07.560 --> 0:26:10.679
<v Speaker 3>I guess I can't have the car whatever or whatever.

0:26:10.760 --> 0:26:13.400
<v Speaker 4>The contractor had been him not showing up until later

0:26:13.480 --> 0:26:15.919
<v Speaker 4>in the night. Because they went instantly from getting the

0:26:15.960 --> 0:26:17.960
<v Speaker 4>car to having the road trip in the car that

0:26:18.000 --> 0:26:20.919
<v Speaker 4>they were already Yeah, this is this is thember they

0:26:21.119 --> 0:26:24.760
<v Speaker 4>may at home, but no, because he says it course

0:26:24.800 --> 0:26:27.080
<v Speaker 4>Corey's driving, because that's what Morgan says.

0:26:27.480 --> 0:26:29.479
<v Speaker 2>There's a Corey's driving.

0:26:29.520 --> 0:26:32.560
<v Speaker 4>The car was without a license, so why not just

0:26:32.600 --> 0:26:36.119
<v Speaker 4>take the car that he drove in the actual test

0:26:36.280 --> 0:26:38.120
<v Speaker 4>with there's a there's a lot.

0:26:38.040 --> 0:26:40.560
<v Speaker 2>Of a lot of logical problems in this. Yeah, okay,

0:26:40.600 --> 0:26:41.399
<v Speaker 2>great performances.

0:26:41.880 --> 0:26:44.560
<v Speaker 1>Yeah, so Alan pats him on the chest, whish is

0:26:44.600 --> 0:26:47.080
<v Speaker 1>him a happy birthday, and then solemnly walks away, and

0:26:47.080 --> 0:26:49.400
<v Speaker 1>then the inmates in the audience give him an all.

0:26:50.160 --> 0:26:51.960
<v Speaker 2>I don't want the audience to be doing the awe.

0:26:54.240 --> 0:26:55.400
<v Speaker 1>You really don't like that.

0:26:55.840 --> 0:26:59.720
<v Speaker 3>It's so obligatory and it's a television history.

0:26:59.680 --> 0:27:02.400
<v Speaker 4>Yeah, have an audience that does things like a's and

0:27:02.440 --> 0:27:05.800
<v Speaker 4>oohze and I mean that's like that's TV you.

0:27:06.800 --> 0:27:08.880
<v Speaker 1>Cory asks his mom. Is it just me? Or were

0:27:08.920 --> 0:27:11.879
<v Speaker 1>they happier for me? At the DMV. Amy admits Alan's

0:27:11.880 --> 0:27:13.840
<v Speaker 1>a little let down. He kind of thought Corey would

0:27:13.840 --> 0:27:16.239
<v Speaker 1>want to do this with his dad. Corey surprised they

0:27:16.240 --> 0:27:18.840
<v Speaker 1>didn't have anything planned. Sean chimes in, boy, I went

0:27:18.880 --> 0:27:21.240
<v Speaker 1>with my dad, which I think is funny.

0:27:21.320 --> 0:27:26.320
<v Speaker 4>That's pretty crazy, even I did I with my dad.

0:27:26.920 --> 0:27:28.639
<v Speaker 1>And then back in the kitchen, Alan is doing the

0:27:28.680 --> 0:27:31.760
<v Speaker 1>dishes when Corey walks into talk. He apologizes he didn't

0:27:31.800 --> 0:27:33.520
<v Speaker 1>know what was such a big deal to him. Tapenga

0:27:33.560 --> 0:27:35.600
<v Speaker 1>got her license and Sean got his, so they wanted

0:27:35.600 --> 0:27:37.400
<v Speaker 1>to be with Corey when it was his turn. Alan

0:27:37.440 --> 0:27:39.840
<v Speaker 1>assures his son it's okay, but his demeanor is telling

0:27:39.840 --> 0:27:43.320
<v Speaker 1>a different story. Cory asks, without reading the room at all,

0:27:43.800 --> 0:27:46.359
<v Speaker 1>cool enough for you to give me the keys? Alan says,

0:27:46.359 --> 0:27:48.159
<v Speaker 1>why not? I got a couple errands to run. I

0:27:48.200 --> 0:27:51.520
<v Speaker 1>wouldn't mind being chauffeured around for a change. On cue,

0:27:51.520 --> 0:27:54.320
<v Speaker 1>Sean walks in, so road trip you got the keys yet?

0:27:54.680 --> 0:27:59.480
<v Speaker 1>Alan's disappointed. Oh you meant your friends? Okay? Corey stutters, no,

0:27:59.560 --> 0:28:02.760
<v Speaker 1>you could come to Sean yells what. Corey shoots him

0:28:02.760 --> 0:28:05.919
<v Speaker 1>a look, and Sean does read the room. Kind of

0:28:05.960 --> 0:28:11.359
<v Speaker 1>a road trip would it be? Without? Good? Old miss?

0:28:13.040 --> 0:28:15.639
<v Speaker 1>Really well done, though, rider. Were you proud of your

0:28:15.680 --> 0:28:16.360
<v Speaker 1>performance here?

0:28:16.640 --> 0:28:16.800
<v Speaker 4>Yeah?

0:28:16.960 --> 0:28:23.000
<v Speaker 1>Yeah, okay, good, yeah good. I'm happy. Alan gets the hint.

0:28:23.240 --> 0:28:25.200
<v Speaker 1>I do have a couple of errands to run. It'll

0:28:25.400 --> 0:28:27.440
<v Speaker 1>take me a couple of hours. But when I come back,

0:28:27.480 --> 0:28:32.000
<v Speaker 1>the car's all yours, all right, buddy, So again, he's

0:28:32.040 --> 0:28:37.240
<v Speaker 1>still gonna go run the errands. Corey could just take

0:28:37.320 --> 0:28:39.640
<v Speaker 1>him and say to his friends, I'll be back in

0:28:39.680 --> 0:28:40.480
<v Speaker 1>a couple hours.

0:28:40.720 --> 0:28:42.920
<v Speaker 2>Yeah, I'll come pick you up in a couple.

0:28:42.960 --> 0:28:48.560
<v Speaker 1>Everyone gets there want yeah mh. Corey responds, if you're

0:28:48.560 --> 0:28:50.720
<v Speaker 1>all right, I'm all right. He hands the keys to Alan,

0:28:50.720 --> 0:28:53.120
<v Speaker 1>who immediately leaves for his errands. Corey's sad, but he

0:28:53.160 --> 0:28:55.880
<v Speaker 1>turns to his friends, I've waited sixteen years, right, I

0:28:55.960 --> 0:28:58.560
<v Speaker 1>can wait a couple hours. And then we're in the

0:28:58.560 --> 0:29:02.160
<v Speaker 1>Matthew's backyard, Corey's and paidcent waiting outside when Morgan drives

0:29:02.240 --> 0:29:06.280
<v Speaker 1>up in a toy jeep that's for three year old rulds.

0:29:06.080 --> 0:29:09.360
<v Speaker 2>She looks like she's fourteen at this point, I know,

0:29:09.440 --> 0:29:10.200
<v Speaker 2>and it's like.

0:29:10.160 --> 0:29:13.280
<v Speaker 1>What she barely fits in this thing. It's like, it's

0:29:13.280 --> 0:29:14.440
<v Speaker 1>what are you supposed to be?

0:29:14.480 --> 0:29:15.280
<v Speaker 2>For three toddlers?

0:29:15.280 --> 0:29:17.400
<v Speaker 4>She takes up the whole front seat by herself, and no,

0:29:18.840 --> 0:29:19.920
<v Speaker 4>how old is this girl?

0:29:20.840 --> 0:29:22.840
<v Speaker 1>She says, I'm Corey, I'm sixteen, and I'm going to

0:29:22.920 --> 0:29:25.520
<v Speaker 1>Atlantic City to see an R rated movie. Corey gets up,

0:29:25.560 --> 0:29:27.640
<v Speaker 1>Let me help you make the matinee and he aggressively

0:29:27.680 --> 0:29:37.280
<v Speaker 1>pushes the car down. We don't know how, and she screams, Daddy.

0:29:37.880 --> 0:29:40.360
<v Speaker 1>Alan appears right on time, watching Morgan's speed away in

0:29:40.400 --> 0:29:41.840
<v Speaker 1>the distance. Wow, we'll get her.

0:29:41.880 --> 0:29:42.040
<v Speaker 4>Go.

0:29:42.600 --> 0:29:45.080
<v Speaker 1>Corey awkwardly says hi, and Alan responds, look, I know

0:29:45.120 --> 0:29:46.720
<v Speaker 1>I told you a couple of hours, but one thing

0:29:46.800 --> 0:29:49.360
<v Speaker 1>led to another. You know how it is? Corey actually

0:29:49.400 --> 0:29:52.080
<v Speaker 1>tells him No, I have never actually had the car,

0:29:52.120 --> 0:29:54.320
<v Speaker 1>so I don't know how it is. Alan hands Corey

0:29:54.320 --> 0:29:56.160
<v Speaker 1>the keys. The car is yours. Go do what you

0:29:56.160 --> 0:29:59.360
<v Speaker 1>want to do. Frustrated, Corey follows his dad into the house.

0:29:59.560 --> 0:30:00.920
<v Speaker 1>What I want I wanted to do was go on

0:30:00.960 --> 0:30:02.920
<v Speaker 1>a road trip with Sewan and Tepanga, who waited here

0:30:02.960 --> 0:30:04.920
<v Speaker 1>for five hours and then realized they had lives and

0:30:04.960 --> 0:30:08.320
<v Speaker 1>went home. Alan responds, I know in no car they

0:30:08.360 --> 0:30:08.760
<v Speaker 1>went home.

0:30:09.680 --> 0:30:11.880
<v Speaker 4>And is this supposed to be the same day as

0:30:11.960 --> 0:30:13.760
<v Speaker 4>I'm trying to remember the same day as Chubby's in

0:30:13.800 --> 0:30:14.880
<v Speaker 4>the very beginning.

0:30:15.120 --> 0:30:18.400
<v Speaker 1>No, tomorrow, that was birthday tomorrow, so he woke up.

0:30:18.360 --> 0:30:18.840
<v Speaker 2>In the morning.

0:30:18.880 --> 0:30:20.160
<v Speaker 4>I'm just trying to get the time he woke up

0:30:20.200 --> 0:30:22.640
<v Speaker 4>in the morning. He went they got the license, got

0:30:22.720 --> 0:30:24.480
<v Speaker 4>it at like eleven o'clock in the morning. He comes

0:30:24.560 --> 0:30:28.160
<v Speaker 4>back in the store, Eric store this morning.

0:30:28.160 --> 0:30:32.480
<v Speaker 1>The Mathews were cleaning up breakfast plates, right, so figure

0:30:32.680 --> 0:30:34.360
<v Speaker 1>Alan gets back in the morning.

0:30:34.120 --> 0:30:36.959
<v Speaker 4>Five o'clock at night now five five thirty, and he's like,

0:30:37.240 --> 0:30:38.480
<v Speaker 4>he's taking the whole day kind of.

0:30:38.400 --> 0:30:42.280
<v Speaker 3>Thing, and he's had two major plans a birthday dinner

0:30:42.360 --> 0:30:46.280
<v Speaker 3>at Chubby's which was hought to reveal, and birthday breakfast

0:30:46.520 --> 0:30:50.640
<v Speaker 3>post driving test. And he didn't tell Corey any of this.

0:30:50.760 --> 0:30:52.120
<v Speaker 3>I mean, I kind of feel like Alan has a

0:30:52.160 --> 0:30:55.520
<v Speaker 3>little bit of respond At first, I was like, come on,

0:30:55.600 --> 0:30:57.000
<v Speaker 3>this is the I still thought the same thing.

0:30:57.000 --> 0:30:59.720
<v Speaker 4>It's like, you're not saying But then he addresses that later,

0:30:59.720 --> 0:31:02.600
<v Speaker 4>which I like is Alan says, you know, in all fairness,

0:31:02.640 --> 0:31:03.480
<v Speaker 4>I didn't actually.

0:31:03.240 --> 0:31:05.000
<v Speaker 1>Keep tell tell you stuff was gonna happen.

0:31:05.120 --> 0:31:07.440
<v Speaker 4>So I like that they at least brought that one

0:31:07.480 --> 0:31:08.640
<v Speaker 4>point up, as opposed to.

0:31:08.680 --> 0:31:11.120
<v Speaker 1>They all, yeah, they do at least acknowledge that. Yeah,

0:31:12.480 --> 0:31:14.800
<v Speaker 1>Alan responds, fine, go pick them up, take them for

0:31:14.840 --> 0:31:16.760
<v Speaker 1>a drive, just make sure you're back in time for

0:31:16.800 --> 0:31:19.560
<v Speaker 1>your birthday dinner. Corey gets upset. No, there was nothing

0:31:19.560 --> 0:31:22.200
<v Speaker 1>ever mentioned about a birthday dinner. Alan asks why anyone

0:31:22.200 --> 0:31:23.960
<v Speaker 1>would have to mention it. They've had dinner on his

0:31:24.000 --> 0:31:27.640
<v Speaker 1>birthday every year since he's been alive. Corey emphasizes, I've

0:31:27.640 --> 0:31:30.560
<v Speaker 1>never been alive with a license, so this year road trip.

0:31:30.880 --> 0:31:33.360
<v Speaker 1>Alan doesn't back down. We'll see you at Chubby's in

0:31:33.400 --> 0:31:36.680
<v Speaker 1>forty five minutes. Chubbies, where else would they go of?

0:31:36.720 --> 0:31:40.560
<v Speaker 1>Corey shouts, Dad, that's barely even worth it. Alan has

0:31:40.600 --> 0:31:43.600
<v Speaker 1>heard enough. Fine, give me the keys. Corey angrily hands

0:31:43.600 --> 0:31:47.000
<v Speaker 1>them over, and Alan walks out. Eric, who saw the

0:31:47.000 --> 0:31:49.960
<v Speaker 1>whole fight unfold, asks Corey, what's the matter? Birthday?

0:31:50.000 --> 0:31:50.280
<v Speaker 2>Brother?

0:31:50.560 --> 0:31:53.960
<v Speaker 1>Something got you terribly, terribly sad? Did you also see me?

0:31:54.160 --> 0:31:56.480
<v Speaker 2>So I saw you were their fight. You can see

0:31:56.480 --> 0:31:58.160
<v Speaker 2>me walking in the background, and then.

0:31:58.120 --> 0:31:59.680
<v Speaker 4>You don't see me for I like, I'm obviously just

0:31:59.720 --> 0:32:05.680
<v Speaker 4>waiting outside for you. By then there's a big pause

0:32:05.760 --> 0:32:06.640
<v Speaker 4>before the actor.

0:32:06.920 --> 0:32:10.200
<v Speaker 1>But you know what's funny is that I did think

0:32:10.880 --> 0:32:14.440
<v Speaker 1>unless you have been on that set, I don't know

0:32:14.480 --> 0:32:18.880
<v Speaker 1>that the timing feels off to anyone else. Think exactly

0:32:18.920 --> 0:32:21.000
<v Speaker 1>how it would take for you to have come from

0:32:21.040 --> 0:32:21.800
<v Speaker 1>the upper.

0:32:21.480 --> 0:32:24.000
<v Speaker 4>Part of that I was hiding. But for everywhere else

0:32:24.040 --> 0:32:25.040
<v Speaker 4>it makes perfect sense.

0:32:25.040 --> 0:32:25.600
<v Speaker 2>It makes for me.

0:32:27.760 --> 0:32:49.040
<v Speaker 6>Yeah, so funny.

0:32:39.920 --> 0:32:43.040
<v Speaker 2>Get ready for some soda can acting. Oh yeah, here

0:32:43.040 --> 0:32:47.520
<v Speaker 2>it comes. I always do the tap tap, I do

0:32:47.560 --> 0:32:48.960
<v Speaker 2>that in real life.

0:32:49.680 --> 0:32:51.040
<v Speaker 1>Realized. I don't know why.

0:32:51.560 --> 0:32:54.880
<v Speaker 2>I just love watching you do your bits is.

0:32:54.760 --> 0:32:59.640
<v Speaker 4>And I got a toothpick for a toothpick, You're just

0:32:59.680 --> 0:33:04.120
<v Speaker 4>freaking Brad Pitt over here with your business.

0:33:04.200 --> 0:33:06.680
<v Speaker 3>No, totally, it's great. It's it's I just love it

0:33:06.680 --> 0:33:08.719
<v Speaker 3>because I could see it for what it is.

0:33:08.840 --> 0:33:12.600
<v Speaker 2>Yeah, exactly, I thought the same one a business going on.

0:33:12.680 --> 0:33:14.560
<v Speaker 3>But it makes me It does make it more casual,

0:33:14.600 --> 0:33:16.680
<v Speaker 3>you know, because otherwise, what are you doing, Like you

0:33:16.800 --> 0:33:19.000
<v Speaker 3>literally are walking into the kitchen and then have line

0:33:19.120 --> 0:33:22.000
<v Speaker 3>expository you know, having this expository seat with Cory. But

0:33:22.040 --> 0:33:24.280
<v Speaker 3>it works because you're like just hanging out and doing

0:33:24.360 --> 0:33:28.280
<v Speaker 3>my happened?

0:33:29.760 --> 0:33:33.200
<v Speaker 1>Yeah, Cory starts when you were sixteen, Eric cuts him off. Yeah,

0:33:33.240 --> 0:33:37.000
<v Speaker 1>I had the same great hair. This feels a little

0:33:37.040 --> 0:33:39.400
<v Speaker 1>bit like the old Cory and Eric.

0:33:39.280 --> 0:33:41.640
<v Speaker 4>Felt the same way, did you, Yeah, it was that

0:33:41.720 --> 0:33:44.280
<v Speaker 4>same old dynamic. That's one of the things I liked

0:33:44.280 --> 0:33:46.760
<v Speaker 4>about this episode was it was like a father son

0:33:46.920 --> 0:33:51.920
<v Speaker 4>episode Corey and Alan and snarky older brother. Eric, Yeah,

0:33:52.360 --> 0:33:56.920
<v Speaker 4>wisdom Feenie, but wisdom for Alan. Yeah, it was. It

0:33:56.960 --> 0:34:00.200
<v Speaker 4>was a modern take on an old school Boy Eats

0:34:00.200 --> 0:34:03.719
<v Speaker 4>World episode and again up there yes, a whole lot

0:34:03.760 --> 0:34:06.880
<v Speaker 4>of logistical problems, but the actual vibe of it I

0:34:06.960 --> 0:34:07.720
<v Speaker 4>liked to totally.

0:34:07.760 --> 0:34:10.319
<v Speaker 2>And you know, it's interesting, like the is this the

0:34:10.360 --> 0:34:12.960
<v Speaker 2>most conflict we've had between Alan and Corey?

0:34:13.040 --> 0:34:13.359
<v Speaker 4>It is?

0:34:13.480 --> 0:34:13.719
<v Speaker 2>Right?

0:34:15.480 --> 0:34:17.640
<v Speaker 1>Yeah, I mean the episode that this goes back to

0:34:17.800 --> 0:34:19.120
<v Speaker 1>is the the Boxing Gloves.

0:34:19.160 --> 0:34:21.440
<v Speaker 2>I was gonna say it's the gold the Golden Gloves one, but.

0:34:22.960 --> 0:34:28.040
<v Speaker 4>That was more uh, Corey doing something dangerous to avoid

0:34:28.080 --> 0:34:31.560
<v Speaker 4>the confrontation, right, as opposed to them going at it.

0:34:31.600 --> 0:34:33.160
<v Speaker 4>I think this is really the first time where they

0:34:33.360 --> 0:34:36.200
<v Speaker 4>because even Tapangy even says, you and your dad always

0:34:36.200 --> 0:34:37.000
<v Speaker 4>have a good relationship.

0:34:37.040 --> 0:34:37.880
<v Speaker 1>Right, the hell's going on?

0:34:38.160 --> 0:34:38.440
<v Speaker 2>Right?

0:34:38.680 --> 0:34:41.000
<v Speaker 4>So this is it is that kind of angsty father

0:34:41.080 --> 0:34:41.879
<v Speaker 4>son thing, which is great.

0:34:41.920 --> 0:34:44.359
<v Speaker 1>We haven't seen that, Yeah, Corey continues, Did dad still

0:34:44.360 --> 0:34:47.040
<v Speaker 1>treat you like you were six? Eric admits no, it

0:34:47.080 --> 0:34:48.640
<v Speaker 1>made him feel old and he went out and bought

0:34:48.640 --> 0:34:50.680
<v Speaker 1>a cemetery plot. But it's not nearly as bad as

0:34:50.719 --> 0:34:53.439
<v Speaker 1>he's treating you. Corey responds, because he likes you better.

0:34:53.600 --> 0:34:56.480
<v Speaker 1>Eric doesn't sugarcoat it. Yep, that and he still had

0:34:56.520 --> 0:34:59.360
<v Speaker 1>you around. Corey doesn't get it, he still has Morgan.

0:34:59.640 --> 0:35:03.040
<v Speaker 1>Eric blains you're his last son, son, how you're old

0:35:03.120 --> 0:35:06.960
<v Speaker 1>enough to drive away and leave him alone with Morgan?

0:35:07.960 --> 0:35:13.319
<v Speaker 1>Who goes to and Corey finishes art class art art

0:35:14.360 --> 0:35:17.319
<v Speaker 1>for girls.

0:35:16.000 --> 0:35:19.719
<v Speaker 3>For men and boys? Who does art hand? And now

0:35:19.760 --> 0:35:21.560
<v Speaker 3>where did Morgan come from? She was last scene in

0:35:21.600 --> 0:35:25.240
<v Speaker 3>traffic in her car. She literally stop to get.

0:35:25.080 --> 0:35:26.960
<v Speaker 4>Her laundry, not to pick up her laundry in her

0:35:26.960 --> 0:35:28.160
<v Speaker 4>little car.

0:35:29.600 --> 0:35:31.600
<v Speaker 3>Think about it as in right, she actually had to

0:35:31.600 --> 0:35:33.800
<v Speaker 3>make a quick change because this is all one scene.

0:35:34.000 --> 0:35:35.920
<v Speaker 1>Yes, well, it was out in the backyard, so we

0:35:35.960 --> 0:35:37.879
<v Speaker 1>shot it separately, I mean, unless we did a camera,

0:35:37.920 --> 0:35:40.040
<v Speaker 1>unless we swung a camera at the kitchen.

0:35:40.320 --> 0:35:42.839
<v Speaker 3>Yeah, I mean, but it's all supposed to be fault right,

0:35:42.880 --> 0:35:45.279
<v Speaker 3>I mean when we walked into the kitchen and then

0:35:45.360 --> 0:35:49.920
<v Speaker 3>she appears.

0:35:47.320 --> 0:35:47.680
<v Speaker 1>I guess.

0:35:48.000 --> 0:35:51.080
<v Speaker 4>My guess is yeah they did because if memory serves that,

0:35:51.239 --> 0:35:54.440
<v Speaker 4>when he pushes her car, her car was.

0:35:54.480 --> 0:35:56.640
<v Speaker 1>On a rope and pulley system.

0:35:57.160 --> 0:35:59.880
<v Speaker 4>So they pulled it towards the cameras because they wouldn't

0:35:59.920 --> 0:36:01.280
<v Speaker 4>just let him really nearly kick.

0:36:01.120 --> 0:36:03.439
<v Speaker 2>It out and whatever happened, they kind of guided it.

0:36:03.640 --> 0:36:05.759
<v Speaker 4>So they probably did that almost as a stunt, so

0:36:05.800 --> 0:36:07.280
<v Speaker 4>we probably shot that once or twice.

0:36:07.400 --> 0:36:08.920
<v Speaker 2>It wasn't to get dressed.

0:36:08.960 --> 0:36:10.960
<v Speaker 3>But as far as the show is logic that the

0:36:11.000 --> 0:36:14.040
<v Speaker 3>show makes me absolutely And she's also not going to

0:36:14.080 --> 0:36:16.120
<v Speaker 3>ballet class because they're going to the dinner, So why

0:36:16.160 --> 0:36:18.640
<v Speaker 3>is she dressed in her ballet outfit. She's just dressed

0:36:18.640 --> 0:36:22.120
<v Speaker 3>in this to dance, to hang out. It's a television show,

0:36:22.560 --> 0:36:25.919
<v Speaker 3>right man. But this is where I was like, none

0:36:25.960 --> 0:36:28.080
<v Speaker 3>of this is making for me, Like all the time,

0:36:28.600 --> 0:36:30.760
<v Speaker 3>it doesn't make any sense. Yeah, it's like a series

0:36:30.840 --> 0:36:34.120
<v Speaker 3>of good scenes, it's in the scene itself, but the

0:36:34.560 --> 0:36:37.200
<v Speaker 3>setup it's like it's just not rigorous.

0:36:37.200 --> 0:36:38.359
<v Speaker 2>And I was a little bummed by that.

0:36:38.480 --> 0:36:40.440
<v Speaker 3>But yeah, yeah, and this was that I get the

0:36:40.520 --> 0:36:43.280
<v Speaker 3>visual joke of her and her yeah git hard. It's

0:36:43.400 --> 0:36:46.200
<v Speaker 3>it's funny, but yeah, at the sacrifice of any logic.

0:36:46.280 --> 0:36:49.880
<v Speaker 4>So having not sorry but not having children at all.

0:36:49.920 --> 0:36:52.520
<v Speaker 4>I also get that. For I don't think one's I

0:36:52.520 --> 0:36:54.400
<v Speaker 4>don't think they're trying to say that one's better or

0:36:54.440 --> 0:36:57.040
<v Speaker 4>worse than another. I think it's definitely fathers and sons

0:36:57.040 --> 0:36:58.000
<v Speaker 4>and fathers and daughters.

0:36:58.040 --> 0:36:58.560
<v Speaker 2>No, they're not.

0:36:59.360 --> 0:37:02.640
<v Speaker 4>I think just the father daughter father son relationship is different.

0:37:03.520 --> 0:37:05.359
<v Speaker 4>I would imagine it would be, isn't it.

0:37:06.640 --> 0:37:11.440
<v Speaker 1>I mean, sure it's different. But the idea that he's

0:37:11.600 --> 0:37:15.279
<v Speaker 1>only sad because it won't be the same to take

0:37:15.400 --> 0:37:20.360
<v Speaker 1>Morgan to get her driver's license, like, it's weird.

0:37:20.440 --> 0:37:23.719
<v Speaker 4>It's like again I imagine, because it's like it's a

0:37:23.760 --> 0:37:25.520
<v Speaker 4>father and his boy. It's like, this is my boy.

0:37:25.560 --> 0:37:27.360
<v Speaker 4>I'm taking my boy to go get his driver's license.

0:37:27.360 --> 0:37:29.479
<v Speaker 4>Where it's like, you know, it's my daughter. It's again,

0:37:29.520 --> 0:37:29.880
<v Speaker 4>I don't have.

0:37:29.920 --> 0:37:32.840
<v Speaker 2>Kids at all. And ballet, which.

0:37:34.680 --> 0:37:38.600
<v Speaker 3>Art, he doesn't like it. It's like, therefore he's not

0:37:38.640 --> 0:37:41.120
<v Speaker 3>going to love her. It's like, I don't know ballet.

0:37:41.239 --> 0:37:42.399
<v Speaker 1>I guess I get what they're doing.

0:37:42.520 --> 0:37:44.440
<v Speaker 4>Art makes no sense. It's like, what, you can't be

0:37:44.480 --> 0:37:47.000
<v Speaker 4>a male art first of all. Also talk to Bryshnikoff

0:37:47.040 --> 0:37:51.120
<v Speaker 4>about being a male ballet dancer. But it is, Yeah,

0:37:51.200 --> 0:37:55.440
<v Speaker 4>the whole thing is very it's the nineties stereotypical exactly exactly.

0:37:55.560 --> 0:37:57.480
<v Speaker 1>Eric tells him the only reason he ain't cruising down

0:37:57.480 --> 0:37:59.439
<v Speaker 1>the turnpike with his arm around to Panga and Sean

0:37:59.480 --> 0:38:02.080
<v Speaker 1>in the backing Woo woo woo is because Morgan's his

0:38:02.160 --> 0:38:04.160
<v Speaker 1>first daughter and not his third son.

0:38:04.560 --> 0:38:09.000
<v Speaker 4>Why so many a wugas and woo woos in this episode,

0:38:09.000 --> 0:38:11.920
<v Speaker 4>as this happened several times.

0:38:13.160 --> 0:38:18.200
<v Speaker 1>I love them. I don't know the sounds. There's so funny,

0:38:18.200 --> 0:38:21.480
<v Speaker 1>there's so many. Also this runner of the sun Son.

0:38:21.640 --> 0:38:24.520
<v Speaker 2>Yeah, also odd, a little bit of a little.

0:38:24.360 --> 0:38:25.880
<v Speaker 1>Bit of an odd choice with some runners. I have

0:38:25.880 --> 0:38:29.280
<v Speaker 1>another one later that I'll mention. Uh So, Cory turns

0:38:29.320 --> 0:38:31.520
<v Speaker 1>to look at Morgan, who now has a juice box,

0:38:32.040 --> 0:38:35.400
<v Speaker 1>and she says what And then there's a bit of

0:38:35.440 --> 0:38:37.560
<v Speaker 1>an optical flip to the Matthews living room and we

0:38:37.600 --> 0:38:40.000
<v Speaker 1>see Morgan still in her ballet uniform, but now it's

0:38:40.000 --> 0:38:42.560
<v Speaker 1>paired with a football helmet. Corey's crouched behind her as

0:38:42.560 --> 0:38:45.239
<v Speaker 1>a quarterback set hike. He waits a second and then

0:38:45.280 --> 0:38:47.799
<v Speaker 1>throws it at her back. She complains, why'd you do that?

0:38:47.840 --> 0:38:51.480
<v Speaker 1>He explains, because I called a button hook you woman.

0:38:53.000 --> 0:38:54.880
<v Speaker 1>That's actually then.

0:38:58.040 --> 0:39:00.520
<v Speaker 4>They also last forty five minutes, and you're right. She's

0:39:00.520 --> 0:39:02.920
<v Speaker 4>still in her ballet outfit and now they're playing football.

0:39:02.520 --> 0:39:04.120
<v Speaker 1>And she says, right in the scene, I have to

0:39:04.120 --> 0:39:06.040
<v Speaker 1>go change for your party, So why did she put

0:39:06.080 --> 0:39:09.799
<v Speaker 1>it on to make the joke? Morgan's had it. If

0:39:09.800 --> 0:39:11.840
<v Speaker 1>you don't stop yelling, I'm going upstairs to play with

0:39:11.840 --> 0:39:14.279
<v Speaker 1>Barbie and Skipper. Corey pleads don't, please, don't do that,

0:39:14.320 --> 0:39:16.200
<v Speaker 1>and he grabs a pair of boxing gloves, forcing them

0:39:16.200 --> 0:39:18.920
<v Speaker 1>on Morgan's hands. He instructs her to hit him. She

0:39:18.960 --> 0:39:21.279
<v Speaker 1>then sends a right hook to his face, throwing him

0:39:21.280 --> 0:39:23.680
<v Speaker 1>over the couch. He heels from the floor. Now we're

0:39:23.680 --> 0:39:26.439
<v Speaker 1>getting somewhere. Morgan tells him, I have to change into

0:39:26.440 --> 0:39:29.320
<v Speaker 1>my party dress for your party. Corey emphasizes, no dress

0:39:29.400 --> 0:39:32.200
<v Speaker 1>wear pants, keep the helmet on, and call a doctor.

0:39:32.680 --> 0:39:36.000
<v Speaker 1>And that's where we know the greatest woman is a man.

0:39:37.120 --> 0:39:38.239
<v Speaker 1>And then I do think.

0:39:38.360 --> 0:39:40.120
<v Speaker 2>I mean, it is cute to see Lindsay running around

0:39:40.280 --> 0:39:40.520
<v Speaker 2>like with.

0:39:40.480 --> 0:39:44.120
<v Speaker 3>The helmet, I mean totally yeah, that is torrible.

0:39:44.600 --> 0:39:47.520
<v Speaker 2>Yeah. Is she even see her in the party scene?

0:39:48.600 --> 0:39:48.799
<v Speaker 5>Yeah?

0:39:48.800 --> 0:39:51.040
<v Speaker 1>She's there, Yeah, she's there, she is she is She's

0:39:51.080 --> 0:39:54.200
<v Speaker 1>sitting across from Allan. Okay, no, wait to pink is

0:39:54.200 --> 0:39:56.880
<v Speaker 1>sitting across from Ellen. She's got to be across from Betsy.

0:39:57.120 --> 0:39:57.880
<v Speaker 1>Is she in the scene?

0:39:58.120 --> 0:40:01.360
<v Speaker 4>I'm not even sure she's in the scene.

0:40:01.520 --> 0:40:02.320
<v Speaker 2>Barely on camera.

0:40:02.400 --> 0:40:04.239
<v Speaker 3>She's in like, gotcha the wide shot and then the

0:40:04.280 --> 0:40:07.479
<v Speaker 3>rest footage. Yeah, the coverage goes to the other side,

0:40:07.520 --> 0:40:08.480
<v Speaker 3>so you don't really see her.

0:40:08.719 --> 0:40:10.920
<v Speaker 1>So then we're in Chubbies. The camera flips again, revealing

0:40:10.960 --> 0:40:13.359
<v Speaker 1>Sean and Corey at Chubbys. Shawn whispers, I don't want

0:40:13.400 --> 0:40:15.000
<v Speaker 1>you to think I'm not having a dandy time at

0:40:15.080 --> 0:40:17.480
<v Speaker 1>Chubby's where we always went because we could walk here.

0:40:17.800 --> 0:40:19.600
<v Speaker 1>But could we just do the cake thing and then

0:40:19.719 --> 0:40:22.120
<v Speaker 1>hit the open road? And this is the first time

0:40:22.200 --> 0:40:24.040
<v Speaker 1>I think we've acknowledged that we live within.

0:40:23.960 --> 0:40:25.840
<v Speaker 2>Walking distance of Chubbies.

0:40:26.320 --> 0:40:29.800
<v Speaker 1>Cool, yeah, pretty cool. Tapangaleens in to join the conversation.

0:40:29.920 --> 0:40:32.680
<v Speaker 1>Can you stop telling Corey to ditch his own birthday party?

0:40:32.800 --> 0:40:34.680
<v Speaker 1>And then she scolds Corey, put a smile on your

0:40:34.719 --> 0:40:37.680
<v Speaker 1>face and behave yourself. So now I have taken on

0:40:37.719 --> 0:40:41.360
<v Speaker 1>the role of nagging woman, which I only imagine means

0:40:41.600 --> 0:40:45.799
<v Speaker 1>Betsy should be in a bikini. Then we have all three, right,

0:40:45.840 --> 0:40:47.600
<v Speaker 1>and then we would have all three of the of

0:40:47.640 --> 0:40:49.960
<v Speaker 1>the types of women that exist in the world, a nag,

0:40:50.640 --> 0:40:52.640
<v Speaker 1>a manly woman, and a hot woman.

0:40:53.040 --> 0:40:55.359
<v Speaker 4>Well, no, we were all there, actually missing the hot

0:40:55.400 --> 0:40:59.080
<v Speaker 4>woman because you've taken over nagging. Betsy can still be

0:40:59.239 --> 0:41:01.040
<v Speaker 4>mom because there is just mom.

0:41:01.120 --> 0:41:03.319
<v Speaker 1>You're right, you are allowed to just be a mom.

0:41:03.400 --> 0:41:04.879
<v Speaker 2>You're allowed to just be the mom.

0:41:04.960 --> 0:41:08.080
<v Speaker 1>Sometimes mom is mom and a nag. But I'm hot.

0:41:08.239 --> 0:41:10.080
<v Speaker 1>But you're right.

0:41:10.440 --> 0:41:12.640
<v Speaker 4>You can do you can do sub sections of those

0:41:12.680 --> 0:41:13.520
<v Speaker 4>three categories.

0:41:13.600 --> 0:41:14.840
<v Speaker 2>Yeah, correct, exactly.

0:41:15.680 --> 0:41:18.719
<v Speaker 1>Alan leans in to join the conversation. We rented the room.

0:41:18.760 --> 0:41:20.680
<v Speaker 1>We don't have to whisper. The camera widens and we

0:41:20.719 --> 0:41:23.520
<v Speaker 1>see the table consists of Corey to Pangashan, Alan, Amy,

0:41:23.600 --> 0:41:27.520
<v Speaker 1>and I wrote Morgan, so Morgan was Therember. Corey apologizes

0:41:27.520 --> 0:41:29.799
<v Speaker 1>and thanks his family for the party. But there's this

0:41:29.880 --> 0:41:32.279
<v Speaker 1>movie we're trying to make. Alan asks what movie? One

0:41:32.320 --> 0:41:35.200
<v Speaker 1>hundred and one Dalmatians. Sean tells Corey to grow up.

0:41:35.280 --> 0:41:37.840
<v Speaker 1>We're going to see the new Van dam movie. Alan knows,

0:41:37.880 --> 0:41:41.000
<v Speaker 1>wouldn't that be an R rated movie. Corey pleads, come on,

0:41:41.080 --> 0:41:43.359
<v Speaker 1>I'm sixteen, I'm not a little kid anymore. And then

0:41:43.400 --> 0:41:45.839
<v Speaker 1>the same waitress we saw earlier walks in. Here's your

0:41:45.840 --> 0:41:47.880
<v Speaker 1>clown burger. I told them it was your birthday, so

0:41:47.920 --> 0:41:50.520
<v Speaker 1>they threw in an extra hat and Corey shouts whoo,

0:41:50.760 --> 0:41:54.880
<v Speaker 1>and then trying to hide his excitement. Let's out a monotone.

0:41:56.560 --> 0:42:01.320
<v Speaker 1>It's really cute. Alan tells the son. Understand, you're sixteen,

0:42:01.520 --> 0:42:03.759
<v Speaker 1>and yet you have to be seventeen to get in

0:42:03.800 --> 0:42:06.760
<v Speaker 1>without an adult. Corey's defeated. Fine, no movie.

0:42:07.000 --> 0:42:10.560
<v Speaker 2>Alan as weird out by the set as I was, Yeah,

0:42:10.560 --> 0:42:13.320
<v Speaker 2>the fourth wall, and it's really small.

0:42:15.200 --> 0:42:17.319
<v Speaker 3>It looked almost like green screen because of the way

0:42:17.400 --> 0:42:19.680
<v Speaker 3>that the It's like, yeah, so they brought in a

0:42:19.719 --> 0:42:25.680
<v Speaker 3>wall behind Alan and Amy and it doesn't like fill

0:42:25.680 --> 0:42:28.160
<v Speaker 3>in all the space. But yeah, it's it's just bizarre.

0:42:28.160 --> 0:42:30.319
<v Speaker 3>I was like it was it was happening in my head,

0:42:30.400 --> 0:42:32.720
<v Speaker 3>and I was like, are we in Chubbies. I almost

0:42:32.719 --> 0:42:34.759
<v Speaker 3>wish we had just either done it in the main

0:42:34.840 --> 0:42:37.480
<v Speaker 3>room of Chubbies or just created the new restaurant sets.

0:42:37.680 --> 0:42:40.560
<v Speaker 1>I thought we were in my head, we were in

0:42:40.640 --> 0:42:43.080
<v Speaker 1>the same room as the room with the pool table,

0:42:43.480 --> 0:42:44.000
<v Speaker 1>you know that.

0:42:44.080 --> 0:42:46.280
<v Speaker 2>I thought that it's supposed to be, well, that's where.

0:42:46.080 --> 0:42:48.400
<v Speaker 1>We shot it, but like it's not. It's actually supposed

0:42:48.400 --> 0:42:50.399
<v Speaker 1>to be like a separate room, a private dining room

0:42:50.400 --> 0:42:52.480
<v Speaker 1>in Chubbies. That's somewhere maybe in the back, Yeah.

0:42:52.280 --> 0:42:54.760
<v Speaker 2>Maybe it's the one to the left past the phone.

0:42:55.000 --> 0:42:57.240
<v Speaker 1>I know like that. Why can't we just say another

0:42:57.320 --> 0:43:00.000
<v Speaker 1>restaurant and then just be in a different spot exactly.

0:43:00.080 --> 0:43:03.320
<v Speaker 2>They could have dressed this exact room with a different

0:43:03.680 --> 0:43:06.040
<v Speaker 2>Chewbay's and made it a franchise a chew Bays.

0:43:06.080 --> 0:43:10.600
<v Speaker 1>You're right, well, Alan thanks him, and Sean assures, no, Biggie,

0:43:10.600 --> 0:43:12.040
<v Speaker 1>there's got to be tons of other stuff we can

0:43:12.040 --> 0:43:15.440
<v Speaker 1>do in Atlantic City. He nudges Cory, let's hit those tables. Huh.

0:43:15.800 --> 0:43:17.880
<v Speaker 1>Corey knows this isn't going to help their case. You

0:43:17.960 --> 0:43:19.799
<v Speaker 1>really don't want to do anything at all, do you,

0:43:20.239 --> 0:43:22.200
<v Speaker 1>Alan says he's not just going to give his blessing

0:43:22.200 --> 0:43:24.200
<v Speaker 1>to sneak into an R rated movie in a different state.

0:43:24.480 --> 0:43:26.600
<v Speaker 1>Amy tries to calm him down, but Corey shouts back

0:43:26.640 --> 0:43:28.879
<v Speaker 1>that he wasn't asking for his blessing. He just wanted

0:43:28.920 --> 0:43:31.399
<v Speaker 1>to go somewhere with his friends. Alan scolds his son,

0:43:31.800 --> 0:43:33.799
<v Speaker 1>you think because you got a license, you can do

0:43:33.840 --> 0:43:36.120
<v Speaker 1>whatever you want. Corey eels, no, he doesn't care where

0:43:36.120 --> 0:43:39.160
<v Speaker 1>he goes with his friends. He just wants to go. Alan, now,

0:43:39.200 --> 0:43:42.840
<v Speaker 1>in that calm, mad dad way, says, I'll tell you

0:43:42.880 --> 0:43:44.600
<v Speaker 1>what you want to go on a road trip with

0:43:44.600 --> 0:43:47.440
<v Speaker 1>your friends? That's the first adult decision you're going to make.

0:43:47.640 --> 0:43:50.200
<v Speaker 1>He sets the keys on the table. There you go, pal,

0:43:51.280 --> 0:43:53.520
<v Speaker 1>Corey stares his dad down before grabbing the keys and

0:43:53.560 --> 0:43:56.479
<v Speaker 1>telling his friends it's time to go. Tapanga hesitantly stands

0:43:56.560 --> 0:43:57.120
<v Speaker 1>up and tells.

0:43:56.960 --> 0:44:00.759
<v Speaker 3>Amy al she like you the way Corey articulates this.

0:44:00.840 --> 0:44:02.840
<v Speaker 3>I just want to go somewhere. Do you guys remember

0:44:02.920 --> 0:44:05.640
<v Speaker 3>getting in your car and just car? Of course, we

0:44:05.640 --> 0:44:08.200
<v Speaker 3>talked about your dire, we talked about you and me

0:44:08.320 --> 0:44:11.000
<v Speaker 3>driving and just like parking up. And I remember so

0:44:11.120 --> 0:44:13.279
<v Speaker 3>many nights where I would get in my car go

0:44:13.400 --> 0:44:15.240
<v Speaker 3>pick up a friend or two, and then we'd.

0:44:15.040 --> 0:44:17.040
<v Speaker 2>Be like, where are we going? And we have nowhere

0:44:17.080 --> 0:44:18.520
<v Speaker 2>to go? And it just didn't matter.

0:44:18.640 --> 0:44:22.640
<v Speaker 3>It was just a car. I would give you that.

0:44:22.880 --> 0:44:25.360
<v Speaker 3>I'd be like, wait where we car? Just we have

0:44:25.440 --> 0:44:26.200
<v Speaker 3>to go somewhere.

0:44:26.239 --> 0:44:29.240
<v Speaker 4>I still do that on occasion, really ye. On occasion,

0:44:29.239 --> 0:44:30.359
<v Speaker 4>I'll be like, I'm just going for a drive.

0:44:30.400 --> 0:44:32.319
<v Speaker 2>She's like yeah, and it's so interesting. I have no

0:44:32.800 --> 0:44:33.480
<v Speaker 2>no goal in mine.

0:44:33.520 --> 0:44:38.359
<v Speaker 4>I'll just take different roads and drive around sometimes. Oh

0:44:38.400 --> 0:44:39.600
<v Speaker 4>and not only that, but I'm doing it in a

0:44:39.719 --> 0:44:43.520
<v Speaker 4>big suv and I stop every about every mile just

0:44:43.560 --> 0:44:45.160
<v Speaker 4>to burn a thing of gasoline and oil.

0:44:45.680 --> 0:44:46.200
<v Speaker 2>It's fun.

0:44:46.239 --> 0:44:48.040
<v Speaker 4>I just I just bring I bring gas and oil

0:44:48.040 --> 0:44:49.040
<v Speaker 4>in the back and I just put it in.

0:44:49.040 --> 0:44:49.520
<v Speaker 2>The tone.

0:44:50.920 --> 0:44:53.080
<v Speaker 1>Also runs over dogs. He just sees them in the.

0:44:53.480 --> 0:44:56.040
<v Speaker 2>Would never dogs. I'd hit a person before I hit

0:44:56.080 --> 0:44:56.919
<v Speaker 2>a dog. My God.

0:44:57.719 --> 0:45:02.360
<v Speaker 1>I can honestly say, I think the greatest memory years

0:45:02.400 --> 0:45:04.040
<v Speaker 1>of my life, like if I had to say, like

0:45:04.120 --> 0:45:06.680
<v Speaker 1>the greatest times of my life that I felt at

0:45:06.680 --> 0:45:10.399
<v Speaker 1>that time were sixteen and seventeen, when I first had

0:45:10.440 --> 0:45:13.360
<v Speaker 1>my license and I first learned to drive. And we

0:45:13.440 --> 0:45:15.960
<v Speaker 1>used to do a family reunion every year where family

0:45:15.960 --> 0:45:18.120
<v Speaker 1>who lives in San Francisco and we lived in Orange County.

0:45:18.120 --> 0:45:20.320
<v Speaker 1>We would meet in San Luis Obispo because it's exactly

0:45:20.400 --> 0:45:23.080
<v Speaker 1>the halfway point. And I would sometimes my family would

0:45:23.120 --> 0:45:25.160
<v Speaker 1>leave before me because I was working on Boy Meets World,

0:45:25.160 --> 0:45:27.319
<v Speaker 1>and so they'd go up on like Thursday night, and

0:45:27.360 --> 0:45:28.920
<v Speaker 1>I wouldn't be able to go until we were done

0:45:28.960 --> 0:45:32.200
<v Speaker 1>on Friday. So I'd drive by myself from where we

0:45:32.200 --> 0:45:36.480
<v Speaker 1>were working in La to San Luis Obispo, listening to

0:45:36.560 --> 0:45:40.480
<v Speaker 1>Snoop Dogg's Doggie Style with my windows down and just

0:45:41.000 --> 0:45:43.279
<v Speaker 1>the best times of my life.

0:45:43.440 --> 0:45:46.360
<v Speaker 2>Yeah, Beto me. I was driving up and down the

0:45:46.400 --> 0:45:47.160
<v Speaker 2>stags all the time.

0:45:47.160 --> 0:45:48.840
<v Speaker 1>You were going from northern Califorea.

0:45:48.520 --> 0:45:50.640
<v Speaker 2>Time, and I loved it. I would choose to drive

0:45:50.680 --> 0:45:52.759
<v Speaker 2>as opposed to flying because it was just.

0:45:52.760 --> 0:45:55.919
<v Speaker 4>The freedom and the car and it's quiet and it's

0:45:56.040 --> 0:45:59.000
<v Speaker 4>just you and you're in control of everything, the music

0:45:59.080 --> 0:45:59.800
<v Speaker 4>and the speed.

0:46:00.520 --> 0:46:01.760
<v Speaker 2>That's one of the reasons I love.

0:46:01.680 --> 0:46:03.799
<v Speaker 4>Still having my first car is I can still go

0:46:03.880 --> 0:46:06.560
<v Speaker 4>back and kind of recapture that feeling of being in

0:46:06.600 --> 0:46:07.160
<v Speaker 4>my first car.

0:46:07.239 --> 0:46:10.680
<v Speaker 1>Still it's just the greatest, just the greatest. The Pega

0:46:10.760 --> 0:46:13.480
<v Speaker 1>stands up and hesitantly tells them, I don't know. Part

0:46:13.520 --> 0:46:15.239
<v Speaker 1>of me knows I shouldn't get in that car with them.

0:46:15.360 --> 0:46:17.239
<v Speaker 1>And then there's the other side of me, which isn't

0:46:17.280 --> 0:46:19.080
<v Speaker 1>sensible or mature at all, who wants to get in

0:46:19.080 --> 0:46:21.719
<v Speaker 1>that car with them and go, oh, I just run

0:46:21.760 --> 0:46:23.400
<v Speaker 1>through it. And I have a jacket on so I

0:46:23.440 --> 0:46:26.640
<v Speaker 1>can't act. And I think she don't have a jacket

0:46:26.640 --> 0:46:26.880
<v Speaker 1>on them.

0:46:26.880 --> 0:46:30.080
<v Speaker 3>Care if you had played there's any bigger, like, if

0:46:30.120 --> 0:46:31.719
<v Speaker 3>you had committed to it more, it would have been

0:46:31.760 --> 0:46:32.120
<v Speaker 3>a worse.

0:46:32.560 --> 0:46:34.600
<v Speaker 1>I could have at least slowed down. I could have

0:46:34.600 --> 0:46:39.959
<v Speaker 1>at least pronunciated my words enunciated. It's enunciated. I said,

0:46:40.000 --> 0:46:45.200
<v Speaker 1>pronunciad enunciate, and pronounce became pronunciate. Well, that's what list

0:46:45.239 --> 0:46:45.719
<v Speaker 1>from now on.

0:46:46.120 --> 0:46:50.440
<v Speaker 4>I also like that they're at least acknowledging to Panga's character, Yes.

0:46:50.280 --> 0:46:54.319
<v Speaker 2>That she has a little bit of a something at least,

0:46:55.400 --> 0:46:58.440
<v Speaker 2>and it makes sense right she would be the rule follower.

0:46:58.680 --> 0:47:02.240
<v Speaker 1>Yeah, totally. So she concludes, thank you for your attention

0:47:02.280 --> 0:47:05.120
<v Speaker 1>at this very difficult time. Amy asks her husband, Funny,

0:47:05.239 --> 0:47:07.080
<v Speaker 1>you were going to go after them, aren't you? Alan

0:47:07.120 --> 0:47:10.719
<v Speaker 1>says no, he is not. On cue, Eric walks in

0:47:10.920 --> 0:47:13.719
<v Speaker 1>holding a cord Mustang shaped birthday cake.

0:47:13.840 --> 0:47:16.239
<v Speaker 3>This is where I was just like, God, damn, I

0:47:16.280 --> 0:47:20.480
<v Speaker 3>love Eric. You're so damn likable. So it's like your

0:47:20.560 --> 0:47:23.960
<v Speaker 3>position on this show is so wonderful that it's like

0:47:24.120 --> 0:47:26.040
<v Speaker 3>we had this really dramatic scene and then it's just

0:47:26.080 --> 0:47:28.480
<v Speaker 3>like I'm already anything you do, Like you just walk

0:47:28.520 --> 0:47:30.800
<v Speaker 3>into that room and I'm like, oh, what a breath

0:47:30.800 --> 0:47:34.640
<v Speaker 3>of fresh air. Wheelism, Like it's just so it's so good,

0:47:34.719 --> 0:47:37.600
<v Speaker 3>Like the chemistry and like the arrangement of this character

0:47:37.680 --> 0:47:40.319
<v Speaker 3>into this dynamic. I just like I'm like already, like

0:47:40.360 --> 0:47:42.480
<v Speaker 3>I love anything, no matter what. You nail it with

0:47:42.560 --> 0:47:45.160
<v Speaker 3>the birthday song, and it's great. But I was just like, oh,

0:47:45.200 --> 0:47:47.680
<v Speaker 3>it was such a warm feeling I had for you, you know,

0:47:47.719 --> 0:47:48.160
<v Speaker 3>And it's.

0:47:48.360 --> 0:47:50.719
<v Speaker 4>That it was so great when I was still doing cameos,

0:47:50.800 --> 0:47:53.480
<v Speaker 4>this was my go to song for everybody's happy birthday.

0:47:53.480 --> 0:47:56.600
<v Speaker 4>So I've setten this song eight hundred thousand times.

0:47:56.640 --> 0:47:58.960
<v Speaker 2>And the irony is we did this because you could.

0:47:58.960 --> 0:48:00.720
<v Speaker 1>We can't afford now.

0:48:01.239 --> 0:48:02.799
<v Speaker 2>But back then you had to pay, so you can

0:48:02.880 --> 0:48:04.000
<v Speaker 2>nervous you anymore. That's no.

0:48:04.480 --> 0:48:07.960
<v Speaker 3>They finally released their family released the license. Yeah, but yeah,

0:48:08.000 --> 0:48:11.480
<v Speaker 3>up until that's why in movies all throughout, like movies

0:48:11.560 --> 0:48:14.279
<v Speaker 3>up until ten years ago or whatever, they all would

0:48:14.280 --> 0:48:16.319
<v Speaker 3>always start Happy Birthday and it would get cut off.

0:48:16.360 --> 0:48:18.560
<v Speaker 3>So you'd start happy and you would never get all

0:48:18.560 --> 0:48:21.080
<v Speaker 3>eight notes. Is if you hit eight notes or.

0:48:21.040 --> 0:48:23.239
<v Speaker 4>There's a different version of the song, you would do

0:48:23.360 --> 0:48:25.160
<v Speaker 4>that to. It's like, yeah, it is so great.

0:48:25.440 --> 0:48:27.680
<v Speaker 2>Oh I didn't know they released it. That's good news. Yeah,

0:48:27.719 --> 0:48:31.080
<v Speaker 2>happy birthday too you that's free.

0:48:31.600 --> 0:48:35.840
<v Speaker 1>So Eric is singing and now classic rendition of Happy Birthday.

0:48:36.480 --> 0:48:39.000
<v Speaker 1>Eric finishes his song, his vision covered by the dessert

0:48:39.040 --> 0:48:41.560
<v Speaker 1>and when he realizes Corey isn't there. He asks, I

0:48:41.600 --> 0:48:45.440
<v Speaker 1>miss something, didn't I? Well, sing the Happy Birthday song

0:48:45.480 --> 0:48:45.839
<v Speaker 1>for us.

0:48:46.080 --> 0:48:48.759
<v Speaker 5>Oh gee, it's his day of birth, his first day

0:48:48.880 --> 0:48:54.799
<v Speaker 5>on Earth. Happy bur er er Earth Day. Yeah, yeah,

0:48:54.880 --> 0:48:56.800
<v Speaker 5>okay forever.

0:48:58.080 --> 0:49:00.440
<v Speaker 1>And then we go to commercial. We come back. We

0:49:00.480 --> 0:49:03.440
<v Speaker 1>are in Alan's car, Corey's driving with the Penga shotgun

0:49:03.440 --> 0:49:05.600
<v Speaker 1>and Seawan in the back. Here we are on our own,

0:49:05.760 --> 0:49:08.719
<v Speaker 1>driving down the open road, just me, my Topega and

0:49:08.760 --> 0:49:11.600
<v Speaker 1>my Sean with a big full moon behind us. To

0:49:11.719 --> 0:49:15.080
<v Speaker 1>Penga corrects him, those are headlights the car behind them monks,

0:49:15.120 --> 0:49:18.560
<v Speaker 1>and Corey frantically yells, come around me, come around me please.

0:49:18.800 --> 0:49:23.680
<v Speaker 1>He was so good everything about this.

0:49:24.200 --> 0:49:26.480
<v Speaker 2>Yeah, actually talked about.

0:49:26.239 --> 0:49:29.120
<v Speaker 4>His performance, which is pretty great throughout this entire episode.

0:49:29.160 --> 0:49:31.960
<v Speaker 2>We got me yea so good. But this come around me,

0:49:32.320 --> 0:49:33.840
<v Speaker 2>come around me please.

0:49:34.239 --> 0:49:41.520
<v Speaker 3>Oh it's and this is just so funny.

0:49:41.680 --> 0:49:46.520
<v Speaker 1>It's so stinking me. Come around me please. Sean asks

0:49:46.520 --> 0:49:49.120
<v Speaker 1>Corey to drive a little faster because there's about twenty

0:49:49.120 --> 0:49:51.479
<v Speaker 1>cars jammed up behind them, and Corey explains, I happen

0:49:51.560 --> 0:49:53.560
<v Speaker 1>to be cruising at what's it say? I can't look

0:49:53.600 --> 0:49:56.719
<v Speaker 1>down or we'll crash to Penga reads eighteen miles an hour.

0:49:56.920 --> 0:49:59.160
<v Speaker 1>Corey shocked, I'm up to eighteen. I hope this thing

0:49:59.200 --> 0:50:02.760
<v Speaker 1>has air bags. They're passed by a bike and Corey

0:50:02.800 --> 0:50:05.680
<v Speaker 1>finally tells them he'll go faster. How much farther to

0:50:05.719 --> 0:50:08.560
<v Speaker 1>Atlantic City? Sean admits, what's the difference. We're all gonna

0:50:08.600 --> 0:50:08.960
<v Speaker 1>die here.

0:50:09.280 --> 0:50:12.360
<v Speaker 4>But Sean, your response where it's like, go around me

0:50:12.480 --> 0:50:14.360
<v Speaker 4>to the bike and it already went okay.

0:50:14.160 --> 0:50:22.720
<v Speaker 1>It's already. It's so good. That's great to Panga adds,

0:50:22.760 --> 0:50:24.319
<v Speaker 1>I think we should call your folks and tell them

0:50:24.360 --> 0:50:27.640
<v Speaker 1>we're okay. Corey refuses to call his dad. Kids have

0:50:27.680 --> 0:50:30.040
<v Speaker 1>to call to Panga doesn't understand Corey and his dad

0:50:30.040 --> 0:50:32.600
<v Speaker 1>have always gotten along great, He responds, because I've always

0:50:32.600 --> 0:50:35.720
<v Speaker 1>been safe and dependable Corey. Well, tonight, a new Corey

0:50:35.840 --> 0:50:39.200
<v Speaker 1>is born, dark, wild, Corey built for speed.

0:50:39.440 --> 0:50:41.320
<v Speaker 2>I wanted him to say danger boy.

0:50:41.960 --> 0:50:45.879
<v Speaker 3>I was like, come on, do a callback tonight, I'm

0:50:46.200 --> 0:50:50.239
<v Speaker 3>danger or maybe like danger boy becomes danger man, like

0:50:50.280 --> 0:50:52.239
<v Speaker 3>I want to. I just I wanted that callback because

0:50:52.239 --> 0:50:55.160
<v Speaker 3>it's such an old school Corey line. It's like literally

0:50:55.280 --> 0:50:58.839
<v Speaker 3>verbatim him in the roller Coaster episode. Yeah, I just

0:50:58.920 --> 0:51:01.120
<v Speaker 3>it's so funny.

0:51:01.600 --> 0:51:04.320
<v Speaker 1>The engine starts to roar as Corey picks up speed

0:51:04.360 --> 0:51:08.319
<v Speaker 1>twenty four, twenty five, twenty six, he smiles, look at me,

0:51:08.600 --> 0:51:11.439
<v Speaker 1>I'm breaking the law, and then right on cue, which

0:51:11.440 --> 0:51:13.520
<v Speaker 1>has become a bit of a trope in this episode,

0:51:13.960 --> 0:51:17.319
<v Speaker 1>sirens go off behind him. Corey admits, we all saw

0:51:17.360 --> 0:51:17.879
<v Speaker 1>that coming out.

0:51:17.880 --> 0:51:18.560
<v Speaker 2>I'll saw that coming.

0:51:19.520 --> 0:51:22.680
<v Speaker 1>Now we're in a courtroom, new Settlert. The gang enters,

0:51:22.719 --> 0:51:26.480
<v Speaker 1>following a police officer. Corey says, with all due respect officer.

0:51:26.760 --> 0:51:29.440
<v Speaker 1>He looks at his badge Dibble. I was on a

0:51:29.480 --> 0:51:32.400
<v Speaker 1>country road going twenty six miles an hour. Dibble ads

0:51:32.400 --> 0:51:34.879
<v Speaker 1>in a twenty five mile hour in a twenty five

0:51:34.960 --> 0:51:37.719
<v Speaker 1>mile zone. Son Sean tells him to forget it. It's

0:51:37.719 --> 0:51:40.600
<v Speaker 1>a stinking speed trap. Tapenga begs him to call his dad,

0:51:40.600 --> 0:51:43.560
<v Speaker 1>but Corey refuses again, so Officer Dibble concludes, then I

0:51:43.600 --> 0:51:46.719
<v Speaker 1>guess you'll see the judge. Corey scoffs one mile over

0:51:46.760 --> 0:51:48.520
<v Speaker 1>and you call him the judge. Don't you people have

0:51:48.560 --> 0:51:50.960
<v Speaker 1>anything better to do in this town? Dibble corrects him,

0:51:51.000 --> 0:51:53.320
<v Speaker 1>it's not a town, it's a speed trap. A speech,

0:51:53.880 --> 0:51:56.560
<v Speaker 1>he says, they can avoid tryaltogether if he just pays

0:51:56.560 --> 0:51:59.839
<v Speaker 1>the fine, which is two hundred dollars. Corey laughs for

0:52:00.040 --> 0:52:03.000
<v Speaker 1>on mile over. Officer dibble corrects him again, it's a

0:52:03.040 --> 0:52:05.759
<v Speaker 1>speed trap. Is this not getting through to you? And

0:52:05.800 --> 0:52:09.120
<v Speaker 1>then this is the runner, the second runner? Is this

0:52:09.200 --> 0:52:12.200
<v Speaker 1>not getting through to you? Tipanga asks Tory again to

0:52:12.239 --> 0:52:14.360
<v Speaker 1>call his dad. No way, I'm calling my dad. Is

0:52:14.400 --> 0:52:17.440
<v Speaker 1>this not getting through to you? I'm not sure? Is

0:52:17.480 --> 0:52:19.680
<v Speaker 1>this not getting through to you? Is funny?

0:52:20.680 --> 0:52:24.600
<v Speaker 4>It's it almost sounded angry and dismissive to the way

0:52:24.600 --> 0:52:25.880
<v Speaker 4>that he said it to me.

0:52:26.000 --> 0:52:28.000
<v Speaker 2>Yeah, yeah, it was a little little harsh.

0:52:28.360 --> 0:52:29.160
<v Speaker 1>So yeah, I didn't.

0:52:29.200 --> 0:52:29.520
<v Speaker 4>I didn't.

0:52:29.520 --> 0:52:31.960
<v Speaker 1>I don't know, maybe a punch. Cory sits down, ready

0:52:31.960 --> 0:52:34.880
<v Speaker 1>to face the judge, and dibble yells all rise. The

0:52:34.880 --> 0:52:37.760
<v Speaker 1>court of Judge Hubert Lamb is now in session. Cory

0:52:37.800 --> 0:52:41.279
<v Speaker 1>asks Judge Lamb, I think I'll take my chances. And

0:52:41.320 --> 0:52:44.600
<v Speaker 1>then we get the cameo of Dan Lauria, known to

0:52:44.680 --> 0:52:48.239
<v Speaker 1>TV viewers as a very stern and angry father, and

0:52:48.280 --> 0:52:51.640
<v Speaker 1>this leaves Corey speechless and terrified that.

0:52:51.719 --> 0:52:53.399
<v Speaker 2>I wrote this part for him.

0:52:53.480 --> 0:52:56.520
<v Speaker 1>Yeah, yeah, I guess I remember. I remember this being

0:52:56.600 --> 0:52:59.600
<v Speaker 1>a conversation about, like we want.

0:52:58.480 --> 0:53:00.719
<v Speaker 2>To a father son episode and we're going to get

0:53:00.760 --> 0:53:01.560
<v Speaker 2>the famous far.

0:53:01.800 --> 0:53:02.600
<v Speaker 1>To try it together.

0:53:03.080 --> 0:53:03.520
<v Speaker 2>Brothers.

0:53:03.719 --> 0:53:07.880
<v Speaker 3>Yeah, I don't know, man, like all the Judge stuff kind.

0:53:07.680 --> 0:53:11.400
<v Speaker 2>Of I don't know. I didn't quite well, just I didn't.

0:53:11.200 --> 0:53:15.080
<v Speaker 3>Quite always get it, like yeah, animals, the balloon animals.

0:53:15.600 --> 0:53:17.759
<v Speaker 3>I mean, obviously the speed trap thing coming back at

0:53:17.800 --> 0:53:21.160
<v Speaker 3>the end is it's like a brilliant yeah, like rterly thing,

0:53:21.560 --> 0:53:24.719
<v Speaker 3>but on the whole and it's not really his performance.

0:53:24.760 --> 0:53:26.920
<v Speaker 3>It's just a little like, I'm just not sure. Are

0:53:26.920 --> 0:53:29.000
<v Speaker 3>we supposed to be scared by him? Are we supposed

0:53:29.000 --> 0:53:31.160
<v Speaker 3>to think he's crazy? Is the idea that this whole

0:53:31.200 --> 0:53:34.000
<v Speaker 3>town is crazy? Like it just it felt a little

0:53:35.040 --> 0:53:37.839
<v Speaker 3>uh in between, like we didn't push it farther, like

0:53:38.080 --> 0:53:40.640
<v Speaker 3>I don't know, I just didn't quite get it all.

0:53:41.080 --> 0:53:43.160
<v Speaker 1>Yeah, I agree with you. I don't know. And I

0:53:43.200 --> 0:53:45.440
<v Speaker 1>mean it's funny you mentioned the ending with the speed

0:53:45.480 --> 0:53:49.480
<v Speaker 1>trap thing. I normally would have been really hit with

0:53:49.560 --> 0:53:52.719
<v Speaker 1>the sentimentality of it, and instead I was like, oh, wordplay,

0:53:53.080 --> 0:53:55.680
<v Speaker 1>it's a a bunch of wordplay in the end.

0:53:55.719 --> 0:53:58.480
<v Speaker 3>And I was a little like, yeah, I just like,

0:53:58.840 --> 0:54:00.720
<v Speaker 3>I don't know, how like our show on into Panga

0:54:00.880 --> 0:54:03.640
<v Speaker 3>scared of this Corey, Like, we're sometimes supposed to be

0:54:03.680 --> 0:54:05.839
<v Speaker 3>scared of this situation and we're supposed to laugh at it,

0:54:05.960 --> 0:54:07.879
<v Speaker 3>and we're supposed to think the judge is really harsh,

0:54:07.920 --> 0:54:09.279
<v Speaker 3>and then we're supposed to think he's kind of a

0:54:09.360 --> 0:54:11.960
<v Speaker 3>kooky in person, and then he's like.

0:54:11.960 --> 0:54:15.319
<v Speaker 2>Actually, it's like father figure. I just could not wrap

0:54:15.360 --> 0:54:17.400
<v Speaker 2>my head around. And yeah, so that's.

0:54:17.239 --> 0:54:19.120
<v Speaker 4>What Judge Lamb likes to do. He likes to keep

0:54:19.160 --> 0:54:21.040
<v Speaker 4>you on your toes. That's Judge La.

0:54:21.120 --> 0:54:23.200
<v Speaker 3>But if that was if the point of the scene

0:54:23.239 --> 0:54:25.600
<v Speaker 3>is that, like every time we're in the scene, everybody

0:54:25.719 --> 0:54:28.560
<v Speaker 3>like I do, like the all rise right after Corey

0:54:28.600 --> 0:54:32.560
<v Speaker 3>sits right, Yeah, if that kind of thing had kept happening,

0:54:32.640 --> 0:54:34.719
<v Speaker 3>Like it's just like every time we think we're in

0:54:34.719 --> 0:54:36.000
<v Speaker 3>some situation.

0:54:35.800 --> 0:54:38.560
<v Speaker 2>It completely changes. But it just wasn't big enough for me.

0:54:38.719 --> 0:54:41.120
<v Speaker 3>So I don't know, It's it's not bad, it's just

0:54:41.160 --> 0:54:44.560
<v Speaker 3>a little like I was just I felt a little lost.

0:54:45.000 --> 0:54:47.759
<v Speaker 1>Yeah, I agree. Then we're in the Matthews house. There's

0:54:47.840 --> 0:54:52.320
<v Speaker 1>real home video of Ben shown masquerading as Corey.

0:54:52.440 --> 0:54:56.840
<v Speaker 2>It's so with wrestling figures. How great is that?

0:54:56.960 --> 0:55:00.000
<v Speaker 1>What I said? I said, I can't believe they really

0:55:00.120 --> 0:55:04.440
<v Speaker 1>he tied in wrestling, which we have absolutely sold as

0:55:05.080 --> 0:55:09.839
<v Speaker 1>a passion and an interest of Cory's. And apparently Ben

0:55:10.680 --> 0:55:11.759
<v Speaker 1>had wrestlers.

0:55:11.920 --> 0:55:14.120
<v Speaker 2>Did you hear now? Could you hear the voice?

0:55:14.120 --> 0:55:16.719
<v Speaker 4>So they had rusty dubbed voice exactly, there was some

0:55:16.760 --> 0:55:19.680
<v Speaker 4>original voice over there. Well, now there's also some original

0:55:19.719 --> 0:55:21.520
<v Speaker 4>voice from his family, and did you hear like he said,

0:55:21.560 --> 0:55:24.919
<v Speaker 4>he's like and here's iron cheek. He's a good guy.

0:55:25.120 --> 0:55:27.400
<v Speaker 4>And then you heard somebody in his family go, no,

0:55:27.480 --> 0:55:30.400
<v Speaker 4>he isn't like he was. Yeah, you could hear you

0:55:30.440 --> 0:55:32.719
<v Speaker 4>could hear different, like I.

0:55:32.760 --> 0:55:35.799
<v Speaker 3>Remember when we played for the audience that still had

0:55:35.800 --> 0:55:38.839
<v Speaker 3>the original audio, so really so yeah, when he makes

0:55:38.880 --> 0:55:40.880
<v Speaker 3>the goal and we played it for the audience, the

0:55:40.920 --> 0:55:43.640
<v Speaker 3>audience heard Ben's real dad saying.

0:55:43.600 --> 0:55:44.880
<v Speaker 2>Ben, Ben, you did it.

0:55:46.040 --> 0:55:47.240
<v Speaker 3>I remember I'm.

0:55:47.120 --> 0:55:49.759
<v Speaker 2>Watching these and just thinking, oh my god, this is so.

0:55:50.560 --> 0:55:55.480
<v Speaker 2>She was a horrible kid. Come on, cute little kid? Yeah,

0:55:55.600 --> 0:55:56.319
<v Speaker 2>cute little kid?

0:55:56.920 --> 0:56:00.480
<v Speaker 1>Oh man. And yeah, there's also visible Fred Fred in

0:56:00.560 --> 0:56:03.399
<v Speaker 1>the background too. In one of the videos we see later,

0:56:04.320 --> 0:56:07.440
<v Speaker 1>so we see footage of little Ben slash Corey's birthday,

0:56:07.719 --> 0:56:10.480
<v Speaker 1>Alan sits on the couch smiling ear to ear, and

0:56:10.520 --> 0:56:13.279
<v Speaker 1>then another video of Ben Slash Corey is shown now

0:56:13.320 --> 0:56:17.439
<v Speaker 1>playing with his WWF LJN toys, telling us Iron Chic

0:56:17.520 --> 0:56:20.160
<v Speaker 1>and Big John Studd are bad guys. And then Ben

0:56:20.239 --> 0:56:22.839
<v Speaker 1>Slash Corey is playing soccer and he scores a goal.

0:56:22.960 --> 0:56:26.600
<v Speaker 1>He's so happy, and then we're back on Boy Meets World.

0:56:26.640 --> 0:56:29.120
<v Speaker 1>Amy walks down just as Alan's turning off the video.

0:56:29.360 --> 0:56:31.440
<v Speaker 1>She puts her arm around him, assuring him that Corey

0:56:31.520 --> 0:56:34.080
<v Speaker 1>is okay. Alan says, I know he's just trying to

0:56:34.120 --> 0:56:36.719
<v Speaker 1>prove something to me, to us, I just feel bad.

0:56:37.080 --> 0:56:40.080
<v Speaker 1>Amy defends Alan. You guys had plans. He broke them.

0:56:40.360 --> 0:56:43.360
<v Speaker 1>Alan admits they didn't really have plans. He just assumed

0:56:43.360 --> 0:56:45.839
<v Speaker 1>Corey would run and wake him up and drag him

0:56:45.880 --> 0:56:47.719
<v Speaker 1>down to the DMV like he always used to wake

0:56:47.800 --> 0:56:50.279
<v Speaker 1>him up and drag him places. Amy adds when he

0:56:50.480 --> 0:56:54.279
<v Speaker 1>was and Alan finishes her thought younger. Amy reminds him

0:56:54.400 --> 0:56:56.799
<v Speaker 1>when Corey was five years old, he dragged Alan out

0:56:56.840 --> 0:56:59.959
<v Speaker 1>of bed to show him his lost tooth. Alan says, well,

0:57:00.520 --> 0:57:03.239
<v Speaker 1>I miss that. Amy explains he's growing up. He's not

0:57:03.280 --> 0:57:06.879
<v Speaker 1>doing anything wrong, and Alan grunts, well, I'm growing up too,

0:57:07.160 --> 0:57:10.080
<v Speaker 1>Amy assures him, and you're not doing anything wrong either,

0:57:10.560 --> 0:57:13.759
<v Speaker 1>she embraces him, just as Morgan walks downstairs. Mom, you're

0:57:13.760 --> 0:57:16.600
<v Speaker 1>gonna help me do my hair? What? Alan volunteers? How

0:57:16.640 --> 0:57:19.520
<v Speaker 1>about I help you do your hair? She's confused, Are

0:57:19.520 --> 0:57:22.200
<v Speaker 1>you kidding me? Alan admits, yes, I am kidding you,

0:57:22.360 --> 0:57:23.840
<v Speaker 1>and he plops back down on the couch.

0:57:24.320 --> 0:57:25.760
<v Speaker 2>Kamie can't understand.

0:57:25.880 --> 0:57:31.400
<v Speaker 1>Girls don't hair, men don't do hair. She's not gonna happen.

0:57:32.360 --> 0:57:35.000
<v Speaker 1>Amy kisses him before she goes upstairs to help. Now

0:57:35.080 --> 0:57:37.560
<v Speaker 1>alone again, Amy presses play on the home videos, and

0:57:37.600 --> 0:57:40.200
<v Speaker 1>we see a slow motion video of little soccer playing

0:57:40.240 --> 0:57:45.040
<v Speaker 1>Ben slash Corey waving, and then we're in the Matthew's backyard.

0:57:45.400 --> 0:57:48.000
<v Speaker 1>Alan's looking down in the dumps holding a football, wishing

0:57:48.080 --> 0:57:51.880
<v Speaker 1>he had three boys, and Poenie appears. I've got one

0:57:51.880 --> 0:57:53.480
<v Speaker 1>thing to tell you, the sad.

0:57:53.280 --> 0:57:56.760
<v Speaker 2>Dad, like these two scenes. I mean, I understand why

0:57:56.840 --> 0:57:58.160
<v Speaker 2>we had to have you because Betsy had to be

0:57:58.200 --> 0:58:00.840
<v Speaker 2>a part of this, and like, yeah, it's but it

0:58:00.920 --> 0:58:03.240
<v Speaker 2>is all just out there listen in a post Malone.

0:58:04.000 --> 0:58:08.479
<v Speaker 3>Uh huh No, it's the national He's it's full on set,

0:58:08.600 --> 0:58:09.320
<v Speaker 3>like real.

0:58:11.400 --> 0:58:13.160
<v Speaker 1>I've got one thing to tell you that's gonna make

0:58:13.160 --> 0:58:14.960
<v Speaker 1>you feel real. Good. Then I've got another thing to

0:58:15.000 --> 0:58:16.600
<v Speaker 1>tell you that's going to scare the hell out of you.

0:58:16.720 --> 0:58:19.400
<v Speaker 1>Which one would you like first? Alan picks feel good.

0:58:19.760 --> 0:58:22.400
<v Speaker 1>Phoene says, ultimately, the reason I never had a son

0:58:22.480 --> 0:58:25.040
<v Speaker 1>is because of the sheer weight of responsibility for another

0:58:25.160 --> 0:58:28.120
<v Speaker 1>human life is so enormous. I didn't know if I

0:58:28.200 --> 0:58:31.080
<v Speaker 1>was up to it. Alan surprised, Come on, you're a teacher.

0:58:31.120 --> 0:58:33.680
<v Speaker 1>Your whole life is about kids, Phoene corrects him, My

0:58:33.840 --> 0:58:37.520
<v Speaker 1>job is about kids. My life is my own, unlike yours,

0:58:37.520 --> 0:58:39.800
<v Speaker 1>which hasn't been your own since the day Eric was born.

0:58:40.160 --> 0:58:43.920
<v Speaker 1>Alan asks if Phoene's calling him a hostage, and Phoenie exclaims, yes,

0:58:43.920 --> 0:58:46.960
<v Speaker 1>that's exactly what I'm saying. You're a hostage to extreme

0:58:47.120 --> 0:58:50.720
<v Speaker 1>emotional joys and disappointments, which your children will bring you

0:58:50.760 --> 0:58:53.840
<v Speaker 1>for as long as you live. Alan connects, one day

0:58:53.880 --> 0:58:56.160
<v Speaker 1>you're putting on training wheels, the next you're teaching them

0:58:56.240 --> 0:58:58.280
<v Speaker 1>to drive. Of course, the first thing they want to

0:58:58.320 --> 0:59:00.640
<v Speaker 1>do is drive away from you. There's the hell out

0:59:00.680 --> 0:59:02.960
<v Speaker 1>of him. Alan then asks Phoenie for the part that's

0:59:03.000 --> 0:59:05.640
<v Speaker 1>going to make him feel good, and Phoene wearily responds

0:59:07.880 --> 0:59:09.320
<v Speaker 1>that was the good part.

0:59:10.280 --> 0:59:12.520
<v Speaker 2>This whole scene, like the way he walks into.

0:59:12.280 --> 0:59:14.840
<v Speaker 4>It, everything, yep, everything, It's just he walked him in

0:59:14.880 --> 0:59:16.600
<v Speaker 4>a purpose like you could tell you just got to call,

0:59:17.760 --> 0:59:19.680
<v Speaker 4>got to do with and we know exactly what, we

0:59:19.800 --> 0:59:20.000
<v Speaker 4>know what.

0:59:20.040 --> 0:59:21.520
<v Speaker 2>It is so funny and.

0:59:21.600 --> 0:59:25.240
<v Speaker 3>Yet it's still a you know, beautiful sentiment. It's ye perfect,

0:59:25.280 --> 0:59:27.120
<v Speaker 3>It's just this is a scene for the ages man.

0:59:27.160 --> 0:59:29.600
<v Speaker 3>This is probably like top ten world scene for me.

0:59:30.800 --> 0:59:32.200
<v Speaker 2>Absolutely agree with you one hundred percent.

0:59:32.200 --> 0:59:34.080
<v Speaker 4>The two of them together, two people that are just

0:59:34.920 --> 0:59:37.840
<v Speaker 4>know their craft, playing off of each other and getting

0:59:37.840 --> 0:59:40.240
<v Speaker 4>some free backstory about children, I.

0:59:40.160 --> 0:59:42.880
<v Speaker 1>Guess for both of them, who have in their own ways,

0:59:42.880 --> 0:59:45.200
<v Speaker 1>one as a father and one as an as a teacher,

0:59:45.520 --> 0:59:49.720
<v Speaker 1>have spent now the better half of their lives to

0:59:50.240 --> 0:59:56.120
<v Speaker 1>invested in raising children, and yet from different perspectives, just

0:59:56.160 --> 0:59:59.520
<v Speaker 1>so great. So Alan inquires, how bad is it? George

0:59:59.640 --> 1:00:02.040
<v Speaker 1>Phoenie says he just had a phone call from Corey.

1:00:02.320 --> 1:00:04.440
<v Speaker 1>He calms Alan by saying he's all right, it's nothing

1:00:04.560 --> 1:00:07.920
<v Speaker 1>like that. Alan's relieved until Feenie tells him he's on trial.

1:00:08.080 --> 1:00:12.400
<v Speaker 1>He's on trial. His reading, he's on trial. He's on trial.

1:00:12.680 --> 1:00:14.600
<v Speaker 3>And there's another logic point I was like, but if

1:00:14.600 --> 1:00:17.520
<v Speaker 3>he's when did Corey get away to make the phone call?

1:00:17.680 --> 1:00:19.640
<v Speaker 2>Like, I know, he's literally standing in front of the

1:00:19.680 --> 1:00:20.479
<v Speaker 2>judge the whole time.

1:00:20.560 --> 1:00:23.320
<v Speaker 3>Is that all happening? And then he says, Okay, hold on, Judge,

1:00:23.360 --> 1:00:24.560
<v Speaker 3>I am gonna call someway.

1:00:24.720 --> 1:00:25.640
<v Speaker 1>Can I get my phone call?

1:00:25.760 --> 1:00:28.320
<v Speaker 4>I just want to I was like, I don't know, man, Again,

1:00:28.400 --> 1:00:32.080
<v Speaker 4>the logic that it didn't logistically make sense this episode.

1:00:32.200 --> 1:00:35.360
<v Speaker 4>The sentiment was there, and the acting was there, and

1:00:35.400 --> 1:00:37.200
<v Speaker 4>some of the dialogue was there, but the.

1:00:37.240 --> 1:00:39.840
<v Speaker 2>Logistics were kind of just all over the place. Yeah.

1:00:39.920 --> 1:00:42.480
<v Speaker 1>And then back in the courtroom, Officer Dibble tells the

1:00:42.520 --> 1:00:44.920
<v Speaker 1>judge he clocked Corey's vehicle traveling in excess of the

1:00:44.960 --> 1:00:47.400
<v Speaker 1>posted speed limit. Corey slams his hands on the table

1:00:47.520 --> 1:00:51.040
<v Speaker 1>one mile over. Judge Lamb explains, the law is the law, boy,

1:00:51.120 --> 1:00:53.080
<v Speaker 1>and we obey the law in my courtroom, and if

1:00:53.120 --> 1:00:55.440
<v Speaker 1>you speak out a turn again, I'll hang you, he

1:00:55.560 --> 1:00:57.080
<v Speaker 1>says as he holds.

1:00:56.880 --> 1:01:00.840
<v Speaker 2>Up So what I mean this is? Again?

1:01:00.880 --> 1:01:03.480
<v Speaker 3>I was like, it's a little news, so it's obviously,

1:01:03.600 --> 1:01:05.760
<v Speaker 3>but it's also like supposed to be really be threading.

1:01:05.800 --> 1:01:06.720
<v Speaker 2>It is kind of intense.

1:01:06.760 --> 1:01:11.919
<v Speaker 1>It's like it's very, very threatening. I know, it's it's

1:01:12.040 --> 1:01:16.360
<v Speaker 1>a little crazy. I was shocking. Corey wonders you would

1:01:16.360 --> 1:01:19.000
<v Speaker 1>hang me on my birthday. The judge is surprised. It's

1:01:19.040 --> 1:01:21.520
<v Speaker 1>your birthday under oath, Cory swears it. The judge slams

1:01:21.560 --> 1:01:23.880
<v Speaker 1>his gavel. You want a dog or a hat. Corey's

1:01:23.880 --> 1:01:25.640
<v Speaker 1>in shock because the judge starts to blow up a balloon,

1:01:25.680 --> 1:01:28.520
<v Speaker 1>asking if he'd like a sword instead. We see Tapanga

1:01:28.560 --> 1:01:30.400
<v Speaker 1>and Shawn an officer Dibble, who are just kind of

1:01:30.440 --> 1:01:32.560
<v Speaker 1>standing there to Panga and Shawn are shocked. And that's

1:01:32.600 --> 1:01:35.520
<v Speaker 1>obviously coverage we need so that Dan Lauria can be

1:01:35.560 --> 1:01:38.160
<v Speaker 1>handed animal.

1:01:41.400 --> 1:01:43.080
<v Speaker 2>Can do a lot of things. But he's apparently not

1:01:43.120 --> 1:01:45.720
<v Speaker 2>a balloon artist. You made balloon animals. It's actually not

1:01:45.760 --> 1:01:47.959
<v Speaker 2>that hard. It's pretty hard, yeah, but.

1:01:47.960 --> 1:01:49.560
<v Speaker 3>Like the twisting is you know, I mean, obviously it

1:01:49.600 --> 1:01:51.960
<v Speaker 3>would be hard to do under the pressure of a scene.

1:01:52.000 --> 1:01:54.240
<v Speaker 3>But I'm surprised we don't actually see him do any

1:01:54.280 --> 1:01:55.600
<v Speaker 3>of the folding a little bit.

1:01:55.640 --> 1:01:57.640
<v Speaker 1>You know what it is. It's not about being difficult.

1:01:57.760 --> 1:02:01.720
<v Speaker 1>It's sound. Oh of course, yeah, it's the sound. So

1:02:02.360 --> 1:02:05.400
<v Speaker 1>he eventually hands the sword to Corey. Sean gets permission

1:02:05.440 --> 1:02:08.200
<v Speaker 1>to sidebar with him. Sean warns Corey, the first thing

1:02:08.240 --> 1:02:11.520
<v Speaker 1>I learned on the street, which I also love on

1:02:11.600 --> 1:02:15.880
<v Speaker 1>the street, is that any judge who spontaneously makes you

1:02:15.920 --> 1:02:19.400
<v Speaker 1>balloon toys will, at the end of the day actually hang.

1:02:19.240 --> 1:02:20.400
<v Speaker 2>You, actually hanging.

1:02:20.480 --> 1:02:23.200
<v Speaker 1>Cory holds his sword close. It's mine and I'm not

1:02:23.280 --> 1:02:26.560
<v Speaker 1>sharing it. Judge Lamb asks what brings a freshly licensed

1:02:26.600 --> 1:02:28.880
<v Speaker 1>sixteen year old kid from Philly all the way out there?

1:02:29.160 --> 1:02:31.320
<v Speaker 1>Corey explains, I wanted to drive, so I just drove.

1:02:31.520 --> 1:02:33.400
<v Speaker 1>My dad refuses to accept that I'm not a little

1:02:33.440 --> 1:02:36.480
<v Speaker 1>kid anymore. To Penga interaps, introducing herself to the judge.

1:02:36.560 --> 1:02:38.680
<v Speaker 1>She will pay Corey's fine if he just tells her

1:02:38.680 --> 1:02:42.160
<v Speaker 1>where the nearest ATM is located, and Teppanga is rich.

1:02:43.320 --> 1:02:45.680
<v Speaker 1>The judge laughs, there's no ATM. They're in the middle

1:02:45.720 --> 1:02:48.080
<v Speaker 1>of nowhere, and this feels like a poor business plan

1:02:48.160 --> 1:02:51.440
<v Speaker 1>for a speed trap. There must be an easier way

1:02:51.440 --> 1:02:51.960
<v Speaker 1>to get money.

1:02:52.120 --> 1:02:55.240
<v Speaker 2>Also, couldn't Tapega have offered this the second they walked in?

1:02:56.360 --> 1:02:59.440
<v Speaker 1>Well, sure, but she was trying to get him to

1:02:59.480 --> 1:03:01.560
<v Speaker 1>call her dad, so I at least go with the

1:03:01.600 --> 1:03:05.440
<v Speaker 1>idea of she wants him to call your dad. She's

1:03:05.480 --> 1:03:06.920
<v Speaker 1>been wanting to call him since the car ride.

1:03:06.920 --> 1:03:08.800
<v Speaker 3>We should let them know, and he says, I'll not

1:03:08.840 --> 1:03:10.480
<v Speaker 3>call him my dad. Okay, well, then let me just

1:03:10.480 --> 1:03:12.280
<v Speaker 3>write a check or get some cash out.

1:03:13.640 --> 1:03:16.240
<v Speaker 1>But they don't have a ATM, which again for a

1:03:16.240 --> 1:03:18.320
<v Speaker 1>speed trap town who's clearly trying to make money. I

1:03:18.320 --> 1:03:22.080
<v Speaker 1>feel like there's a better business plan, Tapanga pleads. Is

1:03:22.120 --> 1:03:23.760
<v Speaker 1>all I can say is Corey is a very nice

1:03:23.760 --> 1:03:25.680
<v Speaker 1>boy who never hurt anybody, and if you do anything

1:03:25.680 --> 1:03:27.320
<v Speaker 1>to him on his first day of driving, then I

1:03:27.480 --> 1:03:30.280
<v Speaker 1>just think you are a mean mean Judge Lamb slams

1:03:30.280 --> 1:03:33.280
<v Speaker 1>his gavel down, cutting to Panga off dogger hat. She

1:03:33.360 --> 1:03:35.720
<v Speaker 1>excitedly responds, can it be a princess.

1:03:35.320 --> 1:03:37.960
<v Speaker 2>At because she's girly funny.

1:03:38.320 --> 1:03:41.240
<v Speaker 1>I'm into ballet and art. The judge grants her request.

1:03:41.480 --> 1:03:44.640
<v Speaker 1>Topanga puts the extremely tall and purple balloon hat on

1:03:44.720 --> 1:03:47.600
<v Speaker 1>her head and she sits back down with Sean satisfied,

1:03:48.080 --> 1:03:51.240
<v Speaker 1>and then Alan walks into the courtroom. The judge notices,

1:03:51.280 --> 1:03:53.560
<v Speaker 1>but Corey and the gang do not. Judge Lamb tells

1:03:53.560 --> 1:03:55.760
<v Speaker 1>Corey he'll drop all charges if he takes this quarter

1:03:55.800 --> 1:03:57.840
<v Speaker 1>and calls his dad to tell him he was wrong?

1:03:58.040 --> 1:04:01.040
<v Speaker 2>No, how long is this trial? But also like, how

1:04:01.080 --> 1:04:01.600
<v Speaker 2>does he know?

1:04:01.720 --> 1:04:04.040
<v Speaker 3>I mean, I think maybe he assumes it's his tad,

1:04:04.080 --> 1:04:07.000
<v Speaker 3>but does the has the judge known everything about the

1:04:07.040 --> 1:04:08.360
<v Speaker 3>whole father son conflict?

1:04:08.400 --> 1:04:10.600
<v Speaker 1>Now he just that just that he says, my dad

1:04:10.600 --> 1:04:12.760
<v Speaker 1>refuses to let me grow up. That's why, and that's

1:04:12.760 --> 1:04:14.760
<v Speaker 1>why he handed up here. He did say that my

1:04:14.840 --> 1:04:16.960
<v Speaker 1>dad refuses to believe that I've grown up. I just

1:04:17.000 --> 1:04:20.160
<v Speaker 1>wanted to drive with my friends. And in the way

1:04:20.200 --> 1:04:23.040
<v Speaker 1>that adults on this show seemed to know.

1:04:23.160 --> 1:04:26.280
<v Speaker 2>Everything and be able to like psychically communicate.

1:04:26.440 --> 1:04:30.440
<v Speaker 1>He and but also now the judge is going to

1:04:30.480 --> 1:04:32.360
<v Speaker 1>give him a quarter to make a phone call. But

1:04:32.440 --> 1:04:35.080
<v Speaker 1>earlier we know that Corey apparently had a quarter and

1:04:35.120 --> 1:04:37.920
<v Speaker 1>made a phone call to How would the judge know

1:04:38.000 --> 1:04:39.760
<v Speaker 1>that he didn't already call Allan?

1:04:40.200 --> 1:04:42.240
<v Speaker 2>And it would have been so much easier had if

1:04:42.720 --> 1:04:44.960
<v Speaker 2>Piene just said I just had a call from Sean

1:04:45.200 --> 1:04:46.400
<v Speaker 2>or I just had a call from.

1:04:46.280 --> 1:04:49.120
<v Speaker 4>Topanga and all of it solved. That's all you need.

1:04:49.160 --> 1:04:50.880
<v Speaker 4>One of them walked out and made the phone call.

1:04:50.880 --> 1:04:52.520
<v Speaker 4>But he said I had a call from Corey.

1:04:52.760 --> 1:04:54.200
<v Speaker 1>Yeah, And it would have been a nice way to

1:04:54.200 --> 1:04:54.720
<v Speaker 1>involve us.

1:04:54.840 --> 1:04:58.640
<v Speaker 2>Can we talk about Rusty's jacketsible?

1:04:59.160 --> 1:04:59.600
<v Speaker 3>Yeah?

1:05:00.560 --> 1:05:02.680
<v Speaker 2>Is it jacket? No?

1:05:02.800 --> 1:05:04.840
<v Speaker 3>I don't think it's reversible. I think it's just a

1:05:04.880 --> 1:05:10.160
<v Speaker 3>cool denim jacket with like interesting flare because it looks

1:05:10.240 --> 1:05:12.600
<v Speaker 3>like there's a possibility that you can always like it

1:05:12.680 --> 1:05:14.240
<v Speaker 3>and make an actual Jeane jacket on.

1:05:14.440 --> 1:05:14.840
<v Speaker 2>Maybe.

1:05:14.880 --> 1:05:16.800
<v Speaker 3>But man, I just loved it. I was like, I

1:05:16.840 --> 1:05:19.280
<v Speaker 3>want this right now. I would wear that today. I'm,

1:05:19.360 --> 1:05:21.800
<v Speaker 3>you know, basically trying to get that look right in here.

1:05:21.840 --> 1:05:28.040
<v Speaker 1>Like, man, so you are the Alan Matthews of our podcast. Yeah,

1:05:28.040 --> 1:05:46.880
<v Speaker 1>it's true. What what are we? The Dan Lord Golden Retrievers. Okay,

1:05:50.720 --> 1:05:53.920
<v Speaker 1>Corey refuses, he doesn't believe he's wrong. Alan reveals himself.

1:05:54.080 --> 1:05:56.479
<v Speaker 1>I don't believe I'm wrong either. Corey says he didn't

1:05:56.520 --> 1:05:59.120
<v Speaker 1>need to come there. Alan scolds him. George Foeney told

1:05:59.160 --> 1:06:01.840
<v Speaker 1>me you called You should have called me, Corey asks,

1:06:01.920 --> 1:06:04.160
<v Speaker 1>so you could prove once again what a little helpless

1:06:04.200 --> 1:06:07.120
<v Speaker 1>kid I am. Alan sternly responds, you will always be

1:06:07.240 --> 1:06:09.919
<v Speaker 1>my son, whether you are six or sixty, and your

1:06:10.000 --> 1:06:12.440
<v Speaker 1>problem is my problem. I am always going to be

1:06:12.480 --> 1:06:14.640
<v Speaker 1>there for you. Corey shouts back, I want you to

1:06:14.680 --> 1:06:17.400
<v Speaker 1>treat me like an adult. And then the judge intervenes,

1:06:17.600 --> 1:06:21.240
<v Speaker 1>I've heard enough. Corey Matthews and Corey Matthews's father approach

1:06:21.320 --> 1:06:24.240
<v Speaker 1>the bench. They take their spots, and he declares, I

1:06:24.360 --> 1:06:28.200
<v Speaker 1>hereby sentence you to two years. Corey is confused. Today

1:06:28.280 --> 1:06:30.560
<v Speaker 1>is your sixteenth birthday. Son. That means you have two

1:06:30.640 --> 1:06:33.160
<v Speaker 1>more years of being a kid. You're luckier than most

1:06:33.160 --> 1:06:35.720
<v Speaker 1>who appear before me. He then turns to Alan and

1:06:35.800 --> 1:06:38.240
<v Speaker 1>I sentence you to take those two years and cherish

1:06:38.240 --> 1:06:42.120
<v Speaker 1>them because they go by too fast. Alan agrees they do,

1:06:42.120 --> 1:06:45.960
<v Speaker 1>don't they. The judge smiles. It's a speed trap wordplay,

1:06:46.440 --> 1:06:50.440
<v Speaker 1>wordplay episode. We get a freeze frame of Corey and

1:06:50.480 --> 1:06:52.920
<v Speaker 1>Allen looking at each other. Freeze frame.

1:06:54.680 --> 1:06:58.520
<v Speaker 3>It's an interesting episode because it really is like so thematic. Yeah, yeah,

1:06:58.760 --> 1:07:01.720
<v Speaker 3>because Corey and his dad don't actually.

1:07:03.560 --> 1:07:04.480
<v Speaker 2>They don't really resolve.

1:07:04.520 --> 1:07:08.240
<v Speaker 3>They just sort of get more comfortable with their situation. Right,

1:07:08.280 --> 1:07:10.000
<v Speaker 3>They just both have to acknowledge it.

1:07:10.800 --> 1:07:13.960
<v Speaker 2>They have to one of them from the other person's side. Right,

1:07:14.440 --> 1:07:15.480
<v Speaker 2>That's all. That's all it is.

1:07:15.600 --> 1:07:16.600
<v Speaker 1>You know what I just remembered.

1:07:16.640 --> 1:07:17.000
<v Speaker 2>You know what.

1:07:17.080 --> 1:07:19.320
<v Speaker 1>Michael Jacobs is a huge fan of He was a

1:07:19.480 --> 1:07:24.040
<v Speaker 1>huge fan of the Twilight Zone really uh huh, big

1:07:24.600 --> 1:07:26.200
<v Speaker 1>big fan of the Twilight Zone, and a couple there

1:07:26.240 --> 1:07:28.280
<v Speaker 1>were a couple of episodes in particular that were his

1:07:28.840 --> 1:07:33.560
<v Speaker 1>like favorite favorite. But I think in a lot of

1:07:33.600 --> 1:07:35.640
<v Speaker 1>ways this episode, now that I think about it, with

1:07:35.720 --> 1:07:38.880
<v Speaker 1>the weird town and the all the things that.

1:07:38.800 --> 1:07:42.120
<v Speaker 2>Are altering universe to play out there, Yes.

1:07:42.160 --> 1:07:44.880
<v Speaker 1>I feel like this was obviously it's a Jeff Sherman episode,

1:07:45.200 --> 1:07:48.800
<v Speaker 1>but I feel like Michael may have taken some Twilight Zone,

1:07:49.560 --> 1:07:51.760
<v Speaker 1>you know, because it also just feels like the You

1:07:51.800 --> 1:07:57.040
<v Speaker 1>could say that the entire episode was somebody saying I

1:07:57.080 --> 1:08:01.000
<v Speaker 1>want to do an episode about how raising children is

1:08:01.120 --> 1:08:04.560
<v Speaker 1>a speed trap, and you could picture somebody driving and

1:08:04.560 --> 1:08:06.320
<v Speaker 1>like going through a speed trap, and then Michael like

1:08:06.600 --> 1:08:09.280
<v Speaker 1>thinking about it and being like, just like, I guess,

1:08:09.400 --> 1:08:12.280
<v Speaker 1>like life, the real speed trap is raising children, and

1:08:12.320 --> 1:08:15.200
<v Speaker 1>that is this That's the elevator pitch of this episode.

1:08:15.480 --> 1:08:17.320
<v Speaker 4>Well, I think the elevator pitch of this episode is

1:08:17.360 --> 1:08:21.479
<v Speaker 4>always Corey gets his license. True, that's because they do

1:08:21.479 --> 1:08:24.400
<v Speaker 4>that in every sitcom, So Corey gets sure.

1:08:24.560 --> 1:08:28.280
<v Speaker 1>But for the Boy meets World of it All, just

1:08:28.320 --> 1:08:31.639
<v Speaker 1>an episode where it's about more than that. It's about

1:08:31.680 --> 1:08:35.680
<v Speaker 1>how you know, driving, growing up too fast in the

1:08:35.760 --> 1:08:37.519
<v Speaker 1>years and the missing out and all of that.

1:08:37.640 --> 1:08:40.680
<v Speaker 3>So it's such a counterpoint to eric A license episode, though,

1:08:40.680 --> 1:08:43.040
<v Speaker 3>which was just wrong, right, Like that was literally just

1:08:43.600 --> 1:08:46.000
<v Speaker 3>I mean, it's the same situation, right, somebody gets their

1:08:46.040 --> 1:08:49.519
<v Speaker 3>license and gets in trouble, or in Eric's doesn't actually

1:08:49.520 --> 1:08:51.799
<v Speaker 3>get his license and still gets But in both cases

1:08:51.840 --> 1:08:54.720
<v Speaker 3>you have teenagers getting their license or almost getting their

1:08:54.720 --> 1:08:57.880
<v Speaker 3>license and then having a night out, and one becomes

1:08:57.880 --> 1:09:01.519
<v Speaker 3>like a farce comedy of situation, and this one really

1:09:01.760 --> 1:09:03.880
<v Speaker 3>just becomes thematic drama.

1:09:04.000 --> 1:09:07.439
<v Speaker 1>Yeah yeah, yep, absolutely. So then we're in the tag,

1:09:07.439 --> 1:09:09.760
<v Speaker 1>we're in the Matthews living room. We see another home

1:09:09.840 --> 1:09:12.960
<v Speaker 1>video of young Ben slash Corey playing, this time driving

1:09:13.200 --> 1:09:13.760
<v Speaker 1>joy car.

1:09:14.680 --> 1:09:16.679
<v Speaker 2>This won't hurt my head a little bit because seeing

1:09:16.760 --> 1:09:20.080
<v Speaker 2>like a real living room like that was obviously not

1:09:20.120 --> 1:09:21.120
<v Speaker 2>the Matthews living.

1:09:21.000 --> 1:09:24.080
<v Speaker 1>Room, right at least not their first not the one

1:09:24.080 --> 1:09:25.200
<v Speaker 1>we see their old house.

1:09:25.240 --> 1:09:27.240
<v Speaker 3>I gout, but it just looks so real. It's like

1:09:27.280 --> 1:09:29.479
<v Speaker 3>a real and I was like, and then we cut

1:09:29.520 --> 1:09:33.040
<v Speaker 3>to our like very stagey set and I was like,

1:09:33.320 --> 1:09:35.439
<v Speaker 3>this is this feels weird, Like I don't mind, like

1:09:35.479 --> 1:09:37.439
<v Speaker 3>the videos when they were outside. But when we're like,

1:09:37.520 --> 1:09:40.080
<v Speaker 3>can see somebody's living room with like people million about

1:09:40.080 --> 1:09:41.600
<v Speaker 3>in the back, I was like, Oh, that feels so

1:09:41.680 --> 1:09:44.000
<v Speaker 3>much more real than our show, which is just like

1:09:44.040 --> 1:09:45.920
<v Speaker 3>an odd like I.

1:09:45.880 --> 1:09:48.720
<v Speaker 1>Don't know, but you can't pass up an opportunity when

1:09:48.720 --> 1:09:53.240
<v Speaker 1>you have real life Ben baby Ben a car in

1:09:53.320 --> 1:09:53.799
<v Speaker 1>a video.

1:09:54.120 --> 1:09:54.519
<v Speaker 2>Perfect.

1:09:54.840 --> 1:09:56.600
<v Speaker 1>And then we're back on the sitcom. We see the

1:09:56.640 --> 1:09:59.360
<v Speaker 1>Corey and Allen are watching the video together. Alan Pats's

1:09:59.400 --> 1:10:01.439
<v Speaker 1>son on the show and wishes him a happy birthday.

1:10:01.600 --> 1:10:04.360
<v Speaker 1>Corey thanks him and then asks when Alan thinks there

1:10:04.400 --> 1:10:07.640
<v Speaker 1>will be tension between them again, which I thought was like,

1:10:08.080 --> 1:10:09.240
<v Speaker 1>who says that?

1:10:10.040 --> 1:10:10.519
<v Speaker 2>Who doesn't?

1:10:10.960 --> 1:10:14.160
<v Speaker 1>When do you think we'll fight next?

1:10:15.840 --> 1:10:21.280
<v Speaker 3>Michael jacobsy character, Now that I'm sixteen, I'm feeling this

1:10:21.360 --> 1:10:22.000
<v Speaker 3>way about my.

1:10:22.640 --> 1:10:25.760
<v Speaker 1>And we've resolved this conflict, Our next conflict will be

1:10:26.320 --> 1:10:28.800
<v Speaker 1>it's just very interesting. So Alan admits, the next time

1:10:28.800 --> 1:10:30.920
<v Speaker 1>we fight, it'll be over your choice of college. They

1:10:30.920 --> 1:10:33.200
<v Speaker 1>start to nudge each other, play fighting. Corey tells his

1:10:33.280 --> 1:10:35.760
<v Speaker 1>dad he's not going to college. Alan pushes back, then

1:10:35.800 --> 1:10:37.960
<v Speaker 1>it'll be over the job you get, Corey tells him

1:10:38.000 --> 1:10:40.719
<v Speaker 1>circus clown. Alan continues messing with him. I guess it'll

1:10:40.720 --> 1:10:43.240
<v Speaker 1>be over the woman you're gonna marry. Corey gets serious

1:10:43.439 --> 1:10:45.400
<v Speaker 1>to Panga and I have already run off to Vegas.

1:10:45.560 --> 1:10:47.760
<v Speaker 1>Alan shouts to Amy and she yells right back, no

1:10:47.840 --> 1:10:51.160
<v Speaker 1>more kids. Alan looks at Corey and shrugs, I guess

1:10:51.160 --> 1:10:54.120
<v Speaker 1>I'm stuck. Corey agrees, and the two start to pretend

1:10:54.160 --> 1:10:56.479
<v Speaker 1>fight again. We end on a freeze frame of Corey's

1:10:56.520 --> 1:10:59.240
<v Speaker 1>feet jumping in the air and Alan's fists ready to

1:10:59.280 --> 1:11:00.680
<v Speaker 1>throw a few punches.

1:11:00.840 --> 1:11:03.800
<v Speaker 2>And luckily Alan does have another boy later.

1:11:04.200 --> 1:11:07.120
<v Speaker 1>He sure does. Later in the series, he ends up

1:11:07.160 --> 1:11:10.080
<v Speaker 1>with another son. Thank so you don't have to worry.

1:11:10.120 --> 1:11:11.280
<v Speaker 1>He's not stuck.

1:11:11.640 --> 1:11:14.920
<v Speaker 2>He can do it all again with another kid he loves.

1:11:15.200 --> 1:11:17.200
<v Speaker 2>It's cute to see Ben and Rusty.

1:11:17.120 --> 1:11:20.320
<v Speaker 4>Yeah, fighting wrestling Mott daddy kids.

1:11:20.320 --> 1:11:22.640
<v Speaker 2>This is the way they actually were on set too.

1:11:22.720 --> 1:11:26.360
<v Speaker 1>They were they were like, thank you all for joining

1:11:26.400 --> 1:11:30.200
<v Speaker 1>us for this episode of Podmeats World. Our next episode

1:11:30.240 --> 1:11:34.320
<v Speaker 1>recap will be season four, episode fifteen, a little episode

1:11:34.360 --> 1:11:37.120
<v Speaker 1>you may have heard of called Chick Like Me.

1:11:37.520 --> 1:11:43.080
<v Speaker 4>Famous episode alert fame so many I know one after

1:11:43.680 --> 1:11:46.760
<v Speaker 4>Have you snuck forward a little bit just to see

1:11:46.760 --> 1:11:49.600
<v Speaker 4>the titles of the episodes coming up on Disney Plus.

1:11:49.360 --> 1:11:51.480
<v Speaker 2>We've got the Cult one, the Cult.

1:11:51.240 --> 1:11:55.559
<v Speaker 4>Ones coming up. Long Walk to Pittsburgh one. It's like

1:11:55.800 --> 1:11:58.160
<v Speaker 4>Chick Like Me is coming up. It is Security Guy

1:11:58.240 --> 1:11:59.920
<v Speaker 4>is coming up one after another.

1:12:00.000 --> 1:12:01.840
<v Speaker 1>When you figure this, this next one, Check Like Me

1:12:01.960 --> 1:12:05.920
<v Speaker 1>is four fifteen, So we have like seven episodes and

1:12:06.040 --> 1:12:09.760
<v Speaker 1>yet they're all going to be like IC Seriously, it's

1:12:09.760 --> 1:12:13.800
<v Speaker 1>banger after banger. It's crazy, pretty crazy as always. You

1:12:13.800 --> 1:12:15.760
<v Speaker 1>can follow us on Instagram Pod Meets World Show. You

1:12:15.760 --> 1:12:18.040
<v Speaker 1>can send us your emails pod Meets World Show at

1:12:18.040 --> 1:12:20.439
<v Speaker 1>gmail dot com and we have merch.

1:12:20.800 --> 1:12:22.879
<v Speaker 2>I want my Christmas presents from you, writer.

1:12:22.920 --> 1:12:27.679
<v Speaker 1>March Oodmeetsworldshow dot com writer send us out.

1:12:28.040 --> 1:12:29.880
<v Speaker 2>We love you all. Pod dismissed.

1:12:31.680 --> 1:12:35.080
<v Speaker 3>Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1:12:35.160 --> 1:12:39.320
<v Speaker 3>Wilfridell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman.

1:12:39.439 --> 1:12:44.120
<v Speaker 3>Executive in charge of production, Danielle Romo, producer and editor, Tarasubach, producer,

1:12:44.200 --> 1:12:47.400
<v Speaker 3>Maddie Moore, engineer and boy meets World Superman Easton Allen.

1:12:47.560 --> 1:12:50.679
<v Speaker 3>Our theme song is by Kyle Morton of Typhoon. Follow

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<v Speaker 3>at podmeets World Show at gmail dot com.