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Speaker 1: We got a lot of requests for everyone wanting to know.

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Speaker 1: Did poor Wilfredell get his Christmas gifts? You had a

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Speaker 1: lot of people concerned for you.

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Speaker 2: A lot of as well. They should be your Christmas gifts.

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Speaker 2: Will I got some of my Christmas.

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Speaker 3: We had one lunch where we were supposed to bring

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Speaker 3: presents and I forgot So I forgot them. And I

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Speaker 3: still haven't seen you, guys.

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Speaker 1: I've seen you, but I haven't seen this a couple

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Speaker 1: of times.

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Speaker 3: And I brought them the second time and just and

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Speaker 3: I asked about them, and I'll never get him. Yep,

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Speaker 3: they're sitting in my car Indies. INDI has been looking

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Speaker 3: at the presence. He's like, what are these persons to

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Speaker 3: me here? And then like he spilled tea on them

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Speaker 3: when we were going to school the other board, they're

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Speaker 3: already ruined.

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Speaker 2: He's sorry.

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Speaker 1: Presents, Okay, you know what I love?

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Speaker 4: Love love?

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Speaker 1: Is that right? Or strong King of leather jacket stolen

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Speaker 1: out of his car, still keeps stills this car and

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Speaker 1: nice things in his car? Well, they live in my car.

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Speaker 1: Rider is your car parked in a secured parking?

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Speaker 5: Cool?

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Speaker 1: We'll see how a lot of those gifts stay in

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Speaker 1: the car.

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Speaker 4: That's gonna be great for the record. Danielle, What you

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Speaker 4: got me?

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Speaker 2: Love?

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Speaker 1: What I amazing you got?

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Speaker 4: You got me the awesome Converse All Stars Batman Edition

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Speaker 4: from like the eightieth the eightieth anniversary Batman Edition.

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Speaker 2: All Star shoes. They're so cool, so much fun.

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Speaker 4: There's that joy of handing your gift to somebody you love,

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Speaker 4: getting the gift.

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Speaker 2: Back from somebody.

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Speaker 1: Just tell us what they are your back.

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Speaker 2: I'm not going to give away because there's a process.

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Speaker 3: It's a whole especially with Will's gift. I have three

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Speaker 3: gifts for Will and it's a whole cross. Really, your

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Speaker 3: gift is just Sarah. I just thought it was the funniest,

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Speaker 3: weirdest thing.

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Speaker 2: So I hated the gift. Daniel I needed the gift.

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Speaker 2: But Will got me a Instagram walking stick. He got

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Speaker 2: a scam.

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Speaker 3: Uh Andy loves scams, by the way, that's like his

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Speaker 3: favorite thing is like a scam.

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Speaker 2: He's obsessed.

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Speaker 3: So he wanted to see the video because Will got me, Yeah,

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Speaker 3: something that was like a survival walking It's.

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Speaker 1: Supposed to be a walking stick for a six foot man.

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Speaker 4: King.

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Speaker 2: You'll only get three segments.

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Speaker 3: What you bought was three segments of a walking stick

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Speaker 3: that add up to.

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Speaker 2: A hobbit walking stick. Maybe not even a hobbit.

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Speaker 1: It's like maybe sixteen inches so.

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Speaker 3: But it has a knife, it has like uh, it's

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Speaker 3: it's very cool and it's like made of metal and

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Speaker 3: it screws together.

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Speaker 2: But it's I can't walk walk The.

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Speaker 4: Guy the video the video, the guy's like literally fighting

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Speaker 4: a mountain lion with breaking rocks.

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Speaker 2: I get it in the mail. I'm like, what the

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Speaker 2: is this?

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Speaker 1: How they get a mountain lion and the air.

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Speaker 3: And gotten me the other three segments. I'm still waiting

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Speaker 3: and I, well, okay, let's go. Well you got me

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Speaker 3: a walking stick and instead I got stuck walking stick.

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Speaker 1: You know what I got from you?

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Speaker 4: I got yeah, yeah, exactly three presents come in your.

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Speaker 2: Way, my friend. You're gonna love them. You're gonna love them.

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Speaker 2: I'm never gonna give you what I got you, but

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Speaker 2: you love it.

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Speaker 1: Will doesn't like the gift he got me.

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Speaker 2: I don't at all.

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Speaker 1: It's it's a very beautiful magnetic You may have seen

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Speaker 1: them on the TikTok or Instagram. They're magnetic travel containers

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Speaker 1: for your beauty products. So they're a beautiful like lilac color,

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Speaker 1: and they have lids that you can unscrew and then

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Speaker 1: you can put your moisturizer, you can put stuff in

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Speaker 1: in there, and then they have like a picture or

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Speaker 1: a name the word on top that tells you what

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Speaker 1: they are. The problem that I've run into with them

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Speaker 1: and I'm gonna have to just figure out what they're

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Speaker 1: used for is there's one for like contact solution. I

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Speaker 1: don't wear contacts, and there's like a picture of an

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Speaker 1: eyeball on it, and I'm like, what am I supposed

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Speaker 1: to do about.

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Speaker 2: Some sort of a I think.

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Speaker 1: Exactly.

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Speaker 4: The funniest thing is we're on the plane a couple

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Speaker 4: of days ago and I look at Daniel.

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Speaker 2: I'm like, God, I hate your gift. We're having our

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Speaker 2: normal conversation.

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Speaker 1: I hate. She's like, you're kidding. I love my gift.

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Speaker 1: It's amazing. I'm like, did you use it? She's like, no, no, no,

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Speaker 1: I don't really need it.

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Speaker 3: Will also got me a book holder like a little coffee.

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Speaker 2: Yeah. I put it together. Well, I'm it's still missing a.

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Speaker 1: Divot, No, a couple of domes.

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Speaker 3: I gave you the I know, but I need like

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Speaker 3: two more to make it like really secure because there's

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Speaker 3: two extra holes in it. But yeah, So it has

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Speaker 3: a David Hume quote on one side and it's made

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Speaker 3: out of wood, and it's like you can put a

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Speaker 3: book and a coffee like a couple. And then it

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Speaker 3: has a day Hume quote which is like an argument

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Speaker 3: among friends or something.

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Speaker 2: Is it exactly? But it was. It was so it's

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Speaker 2: about friendship. It's a David Hume quote about friendship. It

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Speaker 2: was like, this is perfect. And then a quote on

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Speaker 2: the other side. You know, so you have a Yeah,

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Speaker 2: it's awesome.

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Speaker 4: I was very thoughtful with riders gifts and Danielle's gifts,

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Speaker 4: buying something for Danielle.

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Speaker 2: She has everything, and if she doesn't and she buys

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Speaker 2: it for herself.

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Speaker 1: I've tried to tell you to buy me jewelry. I've

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Speaker 1: taken it again.

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Speaker 2: It's odd to buy another woman jewelry.

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Speaker 1: He goes. I had all these ideas, but they felt

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Speaker 1: too daity. He's a example a weekend at Sandals. I mean,

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Speaker 1: that's just Dady. I can't take you for a weekend.

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Speaker 1: It's like, I had this great idea. I'm so, what

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Speaker 1: did I say to you?

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Speaker 4: I was like, I'm walking around Victoria's Secret and I'm like.

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Speaker 1: This, and I'm like, I can't, I can't buy here this.

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Speaker 2: Yeah, I was dying. It was so funny too. Relationshipy,

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Speaker 2: here's a diamond ring.

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Speaker 1: Yeah, from daniel to be friends with me forever and ever.

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Speaker 3: I'm gonna smell you guys something next year.

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Speaker 2: I'll make you both grappling.

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Speaker 1: Honestly be the best thing. Okay, okay, you smelted us anything,

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Speaker 1: I would put it in a shadow box and hang

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Speaker 1: it in my bedroom. Who ever smelt it, dealt it.

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Speaker 1: We talked about that.

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Speaker 2: So you can see.

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Speaker 3: In the corner I have Danielle's gift from last year,

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Speaker 3: which is a Thomas Guide framed Thomas Guide.

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Speaker 2: Yeah, so I love it.

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Speaker 1: I love it, Yes, And there's your floor. I got

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Speaker 1: writer a fancy pen. I had a hard time, but

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Speaker 1: then you are.

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Speaker 3: It's a great pen. But then you also picked a

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Speaker 3: book that we hadn't talked about but I've.

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Speaker 2: Been wanting to read, which is amazing, which.

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Speaker 3: Is the best year, film ever, best year ever. Nineteen

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Speaker 3: ninety nine is the best decade. No, it's the best film.

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Speaker 3: It's the best year. That's the whole pitch. It's a

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Speaker 3: film critic. I'm blanking on his name, but you can

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Speaker 3: look it up that he says that, like, nineteen ninety

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Speaker 3: nine was this epic year. And I've heard this theory.

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Speaker 3: It's based on an article he wrote. And I been

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Speaker 3: talking about this book and I have never read it.

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Speaker 3: So you got me exactly. I was like, have we

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Speaker 3: talked about this?

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Speaker 2: You're like, no, but you tell the rest of the

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Speaker 2: Penn story though, Danielle.

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Speaker 1: Okay, my favorite, so just the absolute best. We exchange

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Speaker 1: our gifts. We actually went to lunch with our dear

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Speaker 1: friend Jeff Manel, and after our lunch with Jeff Manel,

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Speaker 1: we exchanged gifts. Two days later, again, a text from

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Speaker 1: writer goes, hey, can you send me? Can you send

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Speaker 1: me the link to the place that you bought my pen?

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Speaker 1: And I go, oh, do you like it? And he goes, yeah,

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Speaker 1: I love it, but I've already misplaced it.

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Speaker 2: I found it again.

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Speaker 1: I actually don't know where it is right now, but

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Speaker 1: he found it again during jury duty.

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Speaker 2: Yes, but I mark my book.

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Speaker 3: So my pens are always in books, you know, because

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Speaker 3: I'm always reading like five or six books at.

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Speaker 2: A time, and so I keep it in there.

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Speaker 3: And then like you know, so I have to, Like,

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Speaker 3: I always am grabbing a book and then finding a

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Speaker 3: pen inside of it, So it's in one of my books somewhere.

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Speaker 1: It's just yeah, so far. Welcome to Pod Meets World.

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Speaker 1: I'm Daniel Fischel.

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Speaker 2: I'm rather strong and I still want my gifts. Oh

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Speaker 2: my god, I'm WILFORDO.

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Speaker 1: Welcome to this episode. We are recapping season four episode

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Speaker 1: fourteen Wheels. It originally aired January seventeenth, nineteen ninety seven.

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Speaker 1: We have made seven nineteen ninety seven in the show

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Speaker 1: airing the synopsis. Corey can't wait to break in his

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Speaker 1: new driver's license by going on a road trip with

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Speaker 1: his friends, but the plans hit a speed bump when

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Speaker 1: Alan has a tough time letting his son grow up.

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Speaker 1: It was directed by Jeff McCracken. It was written by

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Speaker 1: Jeff Sherman. Did you guys have any just overall thoughts

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Speaker 1: before I jump into guest Stars?

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Speaker 2: I thought it was really sweet.

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Speaker 3: It's a you know, it's a pretty dramatic episode, actually,

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Speaker 3: I know. And it's great to see Rusty and you know,

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Speaker 3: just getting to act and he's so real, so real,

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Speaker 3: just a just a such an authentic actor. Do you

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Speaker 3: know what I mean, Like, Rusty never has a false

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Speaker 3: moment and and it's it's actually kind of shocking, like

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Speaker 3: you know, in the opening scenes, I was like, whoa,

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Speaker 3: Alan's like intense because he's so just plays the straight

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Speaker 3: you know, like, and I thought it was sweet. And

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Speaker 3: there's a lot of logic issues I had with this episode.

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Speaker 3: There was a lot of weird like wait, why is

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Speaker 3: that there? How did they get in time for that?

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Speaker 3: And we're rewriting the whole history of Eric's license Day,

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Speaker 3: which was an episode and we're just forgetting that. I

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Speaker 3: don't know so, but you know, whatever it overall is,

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Speaker 3: it was it was.

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Speaker 2: A pretty good episode.

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Speaker 1: I enjoyed it well. I actually really liked it.

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Speaker 4: And this my my hot take of the day is

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Speaker 4: and Bill is phenomenal, He's obviously phenomenal, but russy Rusty

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Speaker 4: is the best.

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Speaker 2: Actor on this show.

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Speaker 4: I he This one just cemented it to me again

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Speaker 4: of just how layered and amazing an actor Rusty is.

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Speaker 2: He's just I really liked it.

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Speaker 4: Sue cried next to me several times, especially with all

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Speaker 4: the show and Corey as a young kids stuff, and

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Speaker 4: I know, but I Rusty is just so good. I mean,

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Speaker 4: Bill's just the mainstay you get used to.

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Speaker 5: Like.

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Speaker 4: The shocking thing would be seeing a bad performance from

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Speaker 4: Bill because you just know it's not going to happen.

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Speaker 4: But I think this is a good him being playful

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Speaker 4: with Alan. It's amazing the two of them together. I

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Speaker 4: just want to I know it's a kid show, but

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Speaker 4: I just want to watch twenty two minutes of Alan

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Speaker 4: and Feenie together with Betsy having Betsy come in to

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Speaker 4: have that, because it is The adults in this show

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Speaker 4: were so good and it hurts my heart area to

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Speaker 4: know that as we get older they're phased out more

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Speaker 4: because they're just incredible.

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Speaker 2: But I fully enjoyed the episode season four.

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Speaker 4: I'm unless season five, six or seven comes out of

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Speaker 4: nowhere and is just, oh my god, this is amazing.

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Speaker 4: How do you beat this season? It's a good episode

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Speaker 4: after a good episode, after.

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Speaker 3: Every episode is just I mean, yeah, and you see

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Speaker 3: all the things that define Boy meets World in this scene.

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Speaker 2: Yep. Agree.

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Speaker 4: I don't know what they were doing, but man, it

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Speaker 4: is it is firing in all cylinders.

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Speaker 1: Yeah, it was really great. My only complaint, like I said,

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Speaker 1: some of the logic stuff I thought like I thought

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Speaker 1: in that opening kitchen scene where there's you know, not

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Speaker 1: the opening kitchen scene, but the scene where Corey and

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Speaker 1: Allan are talking about what the plan is and that

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Speaker 1: Corey wants to go, and Alan's like, well, I'm just

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Speaker 1: going to go run some errands then and then you

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Speaker 1: can have the car. I'm like, so the problem solved.

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Speaker 1: Just go with your dad, take your dad to run

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Speaker 1: the errands.

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Speaker 2: Right, A lot of that, Yeah, well just now now it's.

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Speaker 1: Fine, you get to do both because he's still going

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Speaker 1: to go anyway.

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Speaker 4: So it like some of that didn't make any sense.

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Speaker 4: It's also they have no idea how old Morgan is.

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Speaker 4: It's like, are you kidding? You got this year old

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Speaker 4: girl driving her own little car, Like, what the hell

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Speaker 4: is happening here on it? Yeah, it's weird that they

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Speaker 4: treat her like she's like seven years old, but.

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Speaker 2: It's that is funny.

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Speaker 1: Yeah, I didn't even think of that, but you're absolutely right.

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Speaker 2: Yeah.

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Speaker 1: So guest starring Dan Lauria as Judge Lamb. It would

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Speaker 1: be impossible to not know him as the dad Jack

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Speaker 1: Arnold on the Wonder Years, working with Ben's real life

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Speaker 1: brother Fred, and amongst his two hundred other credits, are

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Speaker 1: Independence Day, Party of five, Seventh Heaven and Sullivan and

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Speaker 1: Sons or Sullivan and Son mmm Worth noting he's still

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Speaker 1: working a ton at seventy six years old, popping up

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Speaker 1: on The Good Doctor just last year. He's almost eighty now, wow, right, crazy.

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Speaker 1: Raymond O'Connor is Officer Dibble. He was park Ranger Bob

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Speaker 1: in nineteen ninety six's action mega hit The Rock, but

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Speaker 1: he also appears in movies like My Blue Heaven and

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Speaker 1: Ryder Strong's My Giant Yep.

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Speaker 4: Really, yes, he's been in everything. This guy's a character actor.

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Speaker 2: First, so good.

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Speaker 3: It's such a small part, but it's completely memorable. But

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Speaker 3: that's what he does.

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Speaker 4: He does these smaller roles where he just kills it

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Speaker 4: in every role that he.

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Speaker 1: Does in all He was on Things Seinfeld Who's the Boss,

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Speaker 1: and Malcolm in the Middle. He sadly passed away in

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Speaker 1: September twenty twenty three. It's seventy one years old. And

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Speaker 1: then we have Ricky Dale as Marnie. She appears in

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Speaker 1: two Boy Meets World episodes, with another in season five,

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Speaker 1: but in the storied tradition of our show, she has

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Speaker 1: a different character name in that one.

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Speaker 2: And you know you know who she is, yes, yeah, Okay.

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Speaker 1: So she is now a talent agent here in Los

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Speaker 1: Angeles and she is married with two kids. To Bury Safchick,

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Speaker 1: a writer and producer for Boy Meets World. He wrote

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Speaker 1: four episodes that start in season five, including Starry Night.

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Speaker 2: So he wasn't a writer on our show yet in

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Speaker 2: this way.

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Speaker 1: I don't think yet, But I think he was a friend,

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Speaker 1: was very close friends with Michael Keys in.

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Speaker 4: The credits because I noticed him in the credit. But

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Speaker 4: he's like part of the quote unquote production staff.

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Speaker 1: Yeah, he's like on the production side. But he was

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Speaker 1: not a writer yet until season five. But it's so

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Speaker 1: funny because the way memory works, the minute she popped

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Speaker 1: up on screen, I said she she dated somebody or

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Speaker 1: I just knew married. I said they weren't at the

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Speaker 1: time of the show. I weren't. No, they weren't at

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Speaker 1: the time of the show. I think, Well, actually, I

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Speaker 1: guess we don't know.

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Speaker 4: I don't know because they had a kid by the

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Speaker 4: by fifth or sixth I mean, their little one was

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Speaker 4: on the set.

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Speaker 2: Baby was on the set with us.

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Speaker 1: Okay, so maybe they did. Because I was, like I

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Speaker 1: asked Blutman last night I was like, what's the situation

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Speaker 1: with Ricky Dale? And he's the one who told me

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Speaker 1: married to Barry Safcheck And I was like, is that

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Speaker 1: where they met? And he said, I actually don't know

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Speaker 1: how they met, so they they were married or and

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Speaker 1: I just knew when I saw her. I was like,

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Speaker 1: we we knew her, Like we knew her more than

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Speaker 1: just somebody who was there this one week. So it's

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Speaker 1: just funny the way memory works. So jumping into our recap,

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Speaker 1: we st art and Chubbies, Sean, Tapega, and Corey are

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Speaker 1: all hanging out when Topega mentions that tomorrow is the

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Speaker 1: big day. Apparently that's when Corey Matthews turned sixteen and

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Speaker 1: mobile Sean tells them he's worked out all the details

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Speaker 1: for their big birthday road trip. Corey assumes he can

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Speaker 1: use his dad's car tomorrow because he's sixteen and it's

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Speaker 1: his right. He's probably even filling up the tank for

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Speaker 1: him right now. Sean gets serious, this is a life landmark.

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Speaker 1: This is the first Corey drives road trip. We are

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Speaker 1: merely guests of the car, the wind and destiny. Corey disagrees.

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Speaker 1: The point is they are adults with cars who can

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Speaker 1: see R rated movies. Tapenga refuses to go to an

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Speaker 1: R rated movie with them, but Corey reminds her. Van

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Speaker 1: Dam takes his shirt off and then I say, ah, uga,

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Speaker 1: is this also a thing?

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Speaker 2: Though? Is meaning?

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Speaker 4: Like growing up my entire life, going to an already

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Speaker 4: movie was never a thing.

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Speaker 3: It was just he just just de Penn's family to

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Speaker 3: family because I was the same way, Like basically from

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Speaker 3: age eleven or twelve on, I just saw whatever. But

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Speaker 3: if you weren't allowed to take it to a movie theater, yeah,

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Speaker 3: like if you ever stopped from buying well, because I

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Speaker 3: went to see Braveheart for my second or third time

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Speaker 3: with some friends and we were all like fifteen, and

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Speaker 3: I got into an argument with the person, man, how

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Speaker 3: dare I was like, I've already seen this movie. I'm

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Speaker 3: going it's okay, And like I convinced, and I think

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Speaker 3: I think they recognized me too. But like anyway I

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Speaker 3: argue my way into seeing Braveheart for the second or

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Speaker 3: third time, they were they were going to kick me

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Speaker 3: out because I wasn't with somebody over.

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Speaker 1: Sap Jenson was stopped buying from ticket His mom would

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Speaker 1: buy them for him because it was there was just

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Speaker 1: didn't want to deal with.

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Speaker 4: The I think it's also if you have older brothers,

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Speaker 4: eventually you're just it doesn't going. Yeah, you're just going

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Speaker 4: with your family and they're not going to leave one

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Speaker 4: kid at home and you're not going to pick a

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Speaker 4: PG movie we were just watching.

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Speaker 1: Yeah, I never had that, So yeah, I shout a uga,

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Speaker 1: But like, also I make it seem like maybe I'm

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Speaker 1: being sarcastic about it.

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Speaker 2: Which I think is good fun.

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Speaker 3: I mean I don't because you know, I don't know

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Speaker 3: if it was written to be as I wrot because

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Speaker 3: you played it, which is good because I think.

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Speaker 4: The irony, the level of like, oh well, now I care,

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Speaker 4: is you were given a line reading and then made

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Speaker 4: it your own.

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Speaker 2: Yeah.

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Speaker 1: I hope that that's what it was, because I did think,

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Speaker 1: like I don't understand. I like that that it's like, oh,

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Speaker 1: that's going to make me go see it a little bit.

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Speaker 1: I can't wait.

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Speaker 3: So yeah, later you say a wuga as a callback,

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Speaker 3: and I realized, oh that later auga would have been

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Speaker 3: funnier if this was.

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Speaker 2: Earnest exactly, And I want it's fine, it's.

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Speaker 3: So much better that you play it like to pengas

385
00:17:30,440 --> 00:17:34,760
Speaker 3: so much smarter by above it and like a little like, uh, it's.

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Speaker 1: Well, and it is one of the only times to

387
00:17:36,760 --> 00:17:38,560
Speaker 1: Penga is a little smarter and above it in the

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Speaker 1: rest of the episode, So I do appreciate that at

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Speaker 1: least we have a little bit of it got nice

390
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Speaker 1: outfits on though I'm still I'm still one of Charlie's angels.

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Speaker 2: You are one of Charlie's angels. Hello.

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Speaker 3: Dan Damn is kind of a thing in Boy Meets World.

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Speaker 3: I know because because it becomes a big thing with

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Speaker 3: me and Angela.

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Speaker 1: Of the best women are men and so and see

396
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Speaker 1: me when she's has tickets to see a Van Damn movie,

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Speaker 1: it must mean she's the perfect woman.

398
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Speaker 2: Yeah, like Van Damn.

399
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Speaker 3: Like it's so funny because what I remember from the

400
00:18:09,520 --> 00:18:13,000
Speaker 3: nineties would be more like Schwartzenegger or like, I don't know,

401
00:18:13,000 --> 00:18:17,280
Speaker 3: like sort Snegger is actually technically more eighties Okay, nineties.

402
00:18:17,000 --> 00:18:20,600
Speaker 2: You're right, okay, two in the nineties.

403
00:18:20,320 --> 00:18:22,800
Speaker 4: Yeah, he was the next he was the next big thing.

404
00:18:22,840 --> 00:18:25,120
Speaker 4: He was like Time Cop and all of his.

405
00:18:25,280 --> 00:18:27,199
Speaker 2: The only time I remember is Time Cop and it

406
00:18:27,400 --> 00:18:30,800
Speaker 2: didn't do well. Actually I did. He talks about that.

407
00:18:30,760 --> 00:18:32,360
Speaker 4: They ad it's when he turned down the fifteen million

408
00:18:32,400 --> 00:18:34,080
Speaker 4: dollars deal from Warner Brothers because he didn't think it

409
00:18:34,119 --> 00:18:36,199
Speaker 4: was fair enough, and then it was never offered a

410
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Speaker 4: deal that's eyes ever again, Right, yeah, he did.

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00:18:40,040 --> 00:18:42,440
Speaker 2: He talks about that. He's like, I totally did. Yeah.

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00:18:42,720 --> 00:18:44,879
Speaker 1: So Corey adds, the best part is we're seeing it

413
00:18:44,920 --> 00:18:47,679
Speaker 1: in Atlantic City. To pang of questions why they go

414
00:18:47,720 --> 00:18:49,560
Speaker 1: all the way to Atlantic City to see the movie

415
00:18:49,600 --> 00:18:51,919
Speaker 1: and the boys slam their fists on the table because

416
00:18:51,960 --> 00:18:55,640
Speaker 1: we can, Corey proclaims, tomorrow, I am a man.

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00:18:56,400 --> 00:18:58,560
Speaker 4: You also still need to be seventeen to get into

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Speaker 4: an R rated movie, right.

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Speaker 3: So yes, discuss that later at the rest of you're

420
00:19:02,119 --> 00:19:05,120
Speaker 3: allowed in as long as somebody over seventeen buys.

421
00:19:04,840 --> 00:19:07,879
Speaker 4: The ticket, right, but all three are supposed to be

422
00:19:07,960 --> 00:19:09,440
Speaker 4: sixteen at this point, right.

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00:19:09,280 --> 00:19:10,720
Speaker 1: Right to Pega, just we.

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00:19:10,720 --> 00:19:13,520
Speaker 3: Both have our driver's license apparently, I yes, which if

425
00:19:13,520 --> 00:19:15,640
Speaker 3: you did it in order to Panga is the oldest

426
00:19:15,680 --> 00:19:18,159
Speaker 3: of the three of you, because she said to Panga

427
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Speaker 3: and Sean got their licenses and now it was my turn.

428
00:19:20,720 --> 00:19:21,520
Speaker 2: So I took that out.

429
00:19:21,520 --> 00:19:23,760
Speaker 1: How do you know that Sewn hadn't already turned sixteen

430
00:19:23,840 --> 00:19:25,680
Speaker 1: by the time we did my sixteenth birthday. We don't

431
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Speaker 1: have a Shawn's birthday.

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Speaker 4: No, I'm saying if he said it in order, if

433
00:19:28,600 --> 00:19:30,520
Speaker 4: he said he said to Panga got a license and

434
00:19:30,520 --> 00:19:33,240
Speaker 4: Seawan got So if he did in order, then you'd.

435
00:19:33,000 --> 00:19:36,000
Speaker 1: Be the oldest, then I'd be the oldest. Yeah, was

436
00:19:36,040 --> 00:19:38,160
Speaker 1: getting your license at sixteen a big deal to both

437
00:19:38,160 --> 00:19:39,919
Speaker 1: of you? It was the biggest.

438
00:19:40,320 --> 00:19:41,760
Speaker 3: Well, it was funny because I was watching this, I

439
00:19:41,800 --> 00:19:45,639
Speaker 3: was thinking, is is getting your license as big of

440
00:19:45,680 --> 00:19:48,120
Speaker 3: a deal in like Pennsylvania as it is in California?

441
00:19:48,200 --> 00:19:49,840
Speaker 3: Because I know in California we.

442
00:19:49,720 --> 00:19:52,359
Speaker 2: Were all obsessed, could not wait, You couldn't wait.

443
00:19:52,440 --> 00:19:53,920
Speaker 3: But it was also the same and can you needed

444
00:19:53,960 --> 00:19:55,920
Speaker 3: a car to get around, But I feel like when

445
00:19:56,000 --> 00:19:59,119
Speaker 3: you have public transportation, like you know on in the

446
00:19:59,119 --> 00:20:02,080
Speaker 3: East Coast, there's like there's trains everywhere, there's buses everywhere.

447
00:20:02,200 --> 00:20:04,800
Speaker 4: Again Connecticut, where we didn't have, we our publicated, but

448
00:20:04,880 --> 00:20:07,359
Speaker 4: it was not good. So we getting the license at sixteen,

449
00:20:07,359 --> 00:20:09,879
Speaker 4: But it also wasn't he talks about his temporary license

450
00:20:09,960 --> 00:20:12,199
Speaker 4: or like, and we didn't have any of that at sixteen.

451
00:20:12,240 --> 00:20:14,399
Speaker 4: You were just driving. You didn't need somebody older in

452
00:20:14,400 --> 00:20:16,600
Speaker 4: the car. It wasn't about. I think there's some places

453
00:20:16,600 --> 00:20:18,240
Speaker 4: where it's like, well, now it's a Melissa.

454
00:20:18,320 --> 00:20:21,080
Speaker 1: It was a rule even when I got my license

455
00:20:21,119 --> 00:20:24,600
Speaker 1: you had to have for the first several months, you

456
00:20:24,640 --> 00:20:26,720
Speaker 1: weren't allowed to have somebody.

457
00:20:26,640 --> 00:20:29,240
Speaker 3: Under twenty under twenty yeah seat or something like. It

458
00:20:29,280 --> 00:20:31,480
Speaker 3: wasn't I think that's still the case now. It's all

459
00:20:31,520 --> 00:20:33,280
Speaker 3: the way until you're eighteen, I think in California.

460
00:20:33,280 --> 00:20:34,439
Speaker 2: And there was something also with the light.

461
00:20:34,480 --> 00:20:36,159
Speaker 4: You can't drive it the dark in some places, so

462
00:20:36,200 --> 00:20:37,119
Speaker 4: it's we didn't have any of that.

463
00:20:37,240 --> 00:20:38,639
Speaker 2: You have your license, that you don't have a license.

464
00:20:38,960 --> 00:20:41,199
Speaker 1: I made the appointment for the dan V on my

465
00:20:41,280 --> 00:20:44,159
Speaker 1: sixteenth birthday. I was at my regular school, so I

466
00:20:44,240 --> 00:20:46,600
Speaker 1: was either not in the episode that week, or well,

467
00:20:46,640 --> 00:20:48,280
Speaker 1: it's May, so we wouldn't have been working. We would

468
00:20:48,320 --> 00:20:51,360
Speaker 1: have wrapped the season in March. So I was at

469
00:20:51,400 --> 00:20:54,840
Speaker 1: school and I remember being in my dreaded science class.

470
00:20:54,880 --> 00:20:56,879
Speaker 1: That teacher hated me because all I did in that

471
00:20:56,920 --> 00:21:00,719
Speaker 1: class was talk. And I was sitting there, sating next

472
00:21:00,760 --> 00:21:02,600
Speaker 1: to somebody, and I was like, yeah, it's my birthday

473
00:21:02,640 --> 00:21:05,040
Speaker 1: and my mom's picking me up right after this class,

474
00:21:05,040 --> 00:21:06,480
Speaker 1: and I'm going to get my license. And the teachers

475
00:21:06,480 --> 00:21:08,639
Speaker 1: like Danny Ow and I was like huh. And he

476
00:21:08,680 --> 00:21:09,960
Speaker 1: was like, do you have something you'd like to share

477
00:21:09,960 --> 00:21:13,760
Speaker 1: with the whole class? And I was like no, I don't.

478
00:21:13,880 --> 00:21:15,960
Speaker 1: Well then why are you talking? What are you talking about?

479
00:21:15,960 --> 00:21:17,399
Speaker 1: And I was like, well, it's just it's.

480
00:21:17,480 --> 00:21:19,080
Speaker 2: Because in the future, I'm going to have a thing

481
00:21:19,160 --> 00:21:23,480
Speaker 2: called a podcast talk for That's what I'm going to do.

482
00:21:23,600 --> 00:21:25,240
Speaker 3: Everyone's going to want to hear my thoughts about my

483
00:21:25,359 --> 00:21:26,920
Speaker 3: private license go on, Dani.

484
00:21:28,600 --> 00:21:31,640
Speaker 1: And I said, it's just it's my birthday and I'm

485
00:21:31,640 --> 00:21:36,000
Speaker 1: going to get my driver's license, and he said, I

486
00:21:36,040 --> 00:21:40,080
Speaker 1: beg you please stop talking. I promise you whatever you

487
00:21:40,160 --> 00:21:42,719
Speaker 1: learn in this science class is going to benefit you

488
00:21:42,800 --> 00:21:46,560
Speaker 1: more than talking about your birthday. Let's find this teacher now.

489
00:21:46,720 --> 00:21:49,600
Speaker 1: Let's don't even remember their name. I just remember thinking.

490
00:21:49,720 --> 00:21:52,639
Speaker 2: Oh, my professor science.

491
00:21:52,320 --> 00:21:56,760
Speaker 1: It's my freaking birthday. Mister, could you just lighten up

492
00:21:56,800 --> 00:21:58,200
Speaker 1: a little bit? Anyway? I hate science?

493
00:21:59,200 --> 00:21:59,720
Speaker 2: And then.

494
00:22:03,480 --> 00:22:06,560
Speaker 1: The waitress appears with the food. Who gets the clown burger?

495
00:22:06,640 --> 00:22:09,240
Speaker 1: Corey hesitantly raises his hand, taking the andre with bells

496
00:22:09,240 --> 00:22:11,960
Speaker 1: and whistles like a multi colored clown cap. He tells

497
00:22:11,960 --> 00:22:15,960
Speaker 1: his friends, I collect the little hats. Yeah, funny, very Corey,

498
00:22:16,320 --> 00:22:19,159
Speaker 1: very Corey. Cute, cute, and then we go to a

499
00:22:19,200 --> 00:22:21,280
Speaker 1: commercial break. We come back, we're in the Matthew's kitchen.

500
00:22:21,320 --> 00:22:25,000
Speaker 3: Alan, you guys watch backs anymore?

501
00:22:25,119 --> 00:22:27,600
Speaker 1: You know what I wanted. I wasn't even gonna mention it.

502
00:22:27,600 --> 00:22:29,520
Speaker 1: But now that you mentioned the opening credits, have you

503
00:22:29,640 --> 00:22:33,000
Speaker 1: noticed that we are not doing a cold open and

504
00:22:33,040 --> 00:22:36,199
Speaker 1: then the credits and then back into the show. The

505
00:22:36,280 --> 00:22:39,919
Speaker 1: credits just start off the show and then we go in.

506
00:22:40,119 --> 00:22:42,280
Speaker 1: Then we have scenes back to back, like this Chubby

507
00:22:42,359 --> 00:22:44,960
Speaker 1: scene rolls right into the Matthews kitchen scene.

508
00:22:45,560 --> 00:22:47,480
Speaker 2: No, I think it went to credits, went to credit.

509
00:22:47,520 --> 00:22:49,080
Speaker 1: Now it starts on credits.

510
00:22:50,000 --> 00:22:52,440
Speaker 2: Hmmmm. So our cold open is just.

511
00:22:52,440 --> 00:22:54,560
Speaker 1: Our cold open is now part of exactly, it's just

512
00:22:54,600 --> 00:22:57,639
Speaker 1: part of Act one. There's no like welcome you know,

513
00:22:57,680 --> 00:23:00,000
Speaker 1: the credit like, it's just literally you start the show

514
00:23:00,359 --> 00:23:06,800
Speaker 1: on opening credits. The song so I skip to answer.

515
00:23:08,080 --> 00:23:08,439
Speaker 2: Answer.

516
00:23:09,320 --> 00:23:10,880
Speaker 1: Yeah. So I don't know if it's going to stay

517
00:23:10,880 --> 00:23:13,040
Speaker 1: this way or if we're going to get more cold

518
00:23:13,040 --> 00:23:14,680
Speaker 1: opens in the future, but I did notice for the

519
00:23:14,760 --> 00:23:18,000
Speaker 1: last couple episodes at least you're starting on credits. Alan

520
00:23:18,040 --> 00:23:20,160
Speaker 1: walks in through the back door holding some cleaning supplies.

521
00:23:20,200 --> 00:23:21,879
Speaker 1: Amy asks why he isn't at the store, and he

522
00:23:21,880 --> 00:23:25,000
Speaker 1: says he had Eric open today because he has big plans.

523
00:23:25,200 --> 00:23:26,960
Speaker 1: It's Corey's day. I'm going to take him to the

524
00:23:27,000 --> 00:23:28,879
Speaker 1: d m V, watch him take his driver's test, and

525
00:23:28,960 --> 00:23:32,320
Speaker 1: off to Woody's roadhouse. Amy smiles, Just like you did

526
00:23:32,359 --> 00:23:32,880
Speaker 1: with Eric.

527
00:23:35,480 --> 00:23:36,040
Speaker 2: What happened?

528
00:23:36,280 --> 00:23:40,040
Speaker 1: What happened? You went with Jason Marsden to get your license? Yes,

529
00:23:40,280 --> 00:23:40,959
Speaker 1: we all saw it.

530
00:23:41,240 --> 00:23:45,040
Speaker 4: Yeah, we were just there were no one acknowledged your birthday.

531
00:23:45,040 --> 00:23:45,760
Speaker 2: No, my birthday.

532
00:23:45,760 --> 00:23:49,080
Speaker 3: Didn't have the test and come back to home having

533
00:23:49,119 --> 00:23:50,560
Speaker 3: failed your test, and like.

534
00:23:50,800 --> 00:23:53,800
Speaker 1: Having and then they have to drive, yes, yeah, and

535
00:23:53,800 --> 00:23:55,959
Speaker 1: then they have to drive with his license.

536
00:23:56,119 --> 00:23:58,840
Speaker 4: He lies about it and yeah, this is the same show.

537
00:23:58,960 --> 00:24:01,560
Speaker 2: Yeah me world Yep, But.

538
00:24:02,800 --> 00:24:04,840
Speaker 1: I was happy they were releast acknowledging a birthday. The

539
00:24:04,880 --> 00:24:07,520
Speaker 1: Matthews seem to have turned around their weird relationship with me.

540
00:24:07,560 --> 00:24:10,520
Speaker 2: Again. We have a fourteen year old little sister that is.

541
00:24:10,440 --> 00:24:13,879
Speaker 4: A different little sister than she was, And sometimes she's eight, sometimes.

542
00:24:13,480 --> 00:24:16,800
Speaker 1: She's sixteen, and sometimes she's three. They're just changing stuff.

543
00:24:17,600 --> 00:24:19,480
Speaker 1: Alan nods, And my dad did it with me a

544
00:24:19,560 --> 00:24:24,119
Speaker 1: Matthew's men's license state tradition, and I just wanted to say, sorry, Morgan,

545
00:24:24,160 --> 00:24:26,359
Speaker 1: you're on your own. However, you're going to go get

546
00:24:26,400 --> 00:24:28,320
Speaker 1: your license. It's not going to be with your father.

547
00:24:28,600 --> 00:24:29,080
Speaker 2: I'm sorry.

548
00:24:29,240 --> 00:24:31,840
Speaker 4: We've talked about this before, but very I always say

549
00:24:31,880 --> 00:24:33,399
Speaker 4: very briefly, and it will be very briefly.

550
00:24:33,880 --> 00:24:37,399
Speaker 1: Will Yes, Am I wrong? Because we've talked about this.

551
00:24:37,920 --> 00:24:42,200
Speaker 2: The only grandparent we've seen is Room McClanahan. Correct. Yes, Okay,

552
00:24:42,240 --> 00:24:42,640
Speaker 2: that's it.

553
00:24:42,920 --> 00:24:43,239
Speaker 1: That's it.

554
00:24:43,400 --> 00:24:45,720
Speaker 4: We can remember why we never brought in another grandparent

555
00:24:45,800 --> 00:24:47,320
Speaker 4: on either side ever again yep.

556
00:24:47,600 --> 00:24:49,720
Speaker 1: Alan has also washed the car so it looks good

557
00:24:49,720 --> 00:24:52,240
Speaker 1: in the picture he takes after Corey passes. Amy wonders

558
00:24:52,280 --> 00:24:54,800
Speaker 1: does Cory know about these plans. Alan shakes his head. No,

559
00:24:54,840 --> 00:24:57,200
Speaker 1: it's a Matthew's men's tradition. You don't have to tell them.

560
00:24:57,200 --> 00:25:00,000
Speaker 1: It's just in the jeens and then hornhonnks from outside.

561
00:25:00,040 --> 00:25:03,600
Speaker 1: It's Morgan, she barges. In Corey's driving a car, Alan

562
00:25:03,680 --> 00:25:06,280
Speaker 1: questions without a license. He and Amy rush to the

563
00:25:06,320 --> 00:25:08,080
Speaker 1: living room just as Corey walks in through the front

564
00:25:08,080 --> 00:25:10,520
Speaker 1: door with Topanga and Sean. He passed his driver's test.

565
00:25:10,560 --> 00:25:13,760
Speaker 1: He got his license, well his temporary one. At least.

566
00:25:14,119 --> 00:25:17,240
Speaker 4: Who's car do you think he was driving? It's got

567
00:25:17,240 --> 00:25:18,640
Speaker 4: to be Sean.

568
00:25:19,080 --> 00:25:20,040
Speaker 2: Sean doesn't have a car.

569
00:25:21,520 --> 00:25:25,280
Speaker 1: Rich, Yeah, rich, she says, later, just give me An ATM.

570
00:25:25,320 --> 00:25:28,480
Speaker 1: I'll pay exactly she's got.

571
00:25:31,640 --> 00:25:33,800
Speaker 3: But to Pega must have a job, right, Like she's

572
00:25:33,800 --> 00:25:36,240
Speaker 3: the type of like she's achiever.

573
00:25:35,760 --> 00:25:36,880
Speaker 2: That would have a job. Yeah.

574
00:25:36,880 --> 00:25:39,399
Speaker 3: Oh that's right, she's yes, So she's like saving money

575
00:25:39,400 --> 00:25:40,920
Speaker 3: for college already for sure.

576
00:25:41,760 --> 00:25:42,640
Speaker 2: So they got to be into bed.

577
00:25:42,680 --> 00:25:45,320
Speaker 4: Let's assume because he's coming in with the cleaning supplies

578
00:25:45,320 --> 00:25:46,400
Speaker 4: because he was cleaning the car.

579
00:25:46,480 --> 00:25:49,000
Speaker 2: You imagine that's what he said, he was cleaning it.

580
00:25:49,200 --> 00:25:50,240
Speaker 2: So it's pretty for the picture.

581
00:25:50,480 --> 00:25:53,800
Speaker 1: Yeah, so Alan attempts excitement.

582
00:25:54,400 --> 00:25:57,040
Speaker 2: Conflict because they could just take to Pega's car. Why

583
00:25:57,080 --> 00:25:58,080
Speaker 2: does Corey need.

584
00:25:59,080 --> 00:26:00,479
Speaker 1: The It's one of the things.

585
00:26:00,520 --> 00:26:02,919
Speaker 2: I didn't understand that. Then he's for the keys. They

586
00:26:02,920 --> 00:26:03,720
Speaker 2: could have just gone.

587
00:26:03,520 --> 00:26:05,080
Speaker 1: I didn't even think about this problem.

588
00:26:05,240 --> 00:26:07,480
Speaker 3: Yes, yeah, but they could literally just say, okay, Dad,

589
00:26:07,560 --> 00:26:10,679
Speaker 3: I guess I can't have the car whatever or whatever.

590
00:26:10,760 --> 00:26:13,400
Speaker 4: The contractor had been him not showing up until later

591
00:26:13,480 --> 00:26:15,919
Speaker 4: in the night. Because they went instantly from getting the

592
00:26:15,960 --> 00:26:17,960
Speaker 4: car to having the road trip in the car that

593
00:26:18,000 --> 00:26:20,919
Speaker 4: they were already Yeah, this is this is thember they

594
00:26:21,119 --> 00:26:24,760
Speaker 4: may at home, but no, because he says it course

595
00:26:24,800 --> 00:26:27,080
Speaker 4: Corey's driving, because that's what Morgan says.

596
00:26:27,480 --> 00:26:29,479
Speaker 2: There's a Corey's driving.

597
00:26:29,520 --> 00:26:32,560
Speaker 4: The car was without a license, so why not just

598
00:26:32,600 --> 00:26:36,119
Speaker 4: take the car that he drove in the actual test

599
00:26:36,280 --> 00:26:38,120
Speaker 4: with there's a there's a lot.

600
00:26:38,040 --> 00:26:40,560
Speaker 2: Of a lot of logical problems in this. Yeah, okay,

601
00:26:40,600 --> 00:26:41,399
Speaker 2: great performances.

602
00:26:41,880 --> 00:26:44,560
Speaker 1: Yeah, so Alan pats him on the chest, whish is

603
00:26:44,600 --> 00:26:47,080
Speaker 1: him a happy birthday, and then solemnly walks away, and

604
00:26:47,080 --> 00:26:49,400
Speaker 1: then the inmates in the audience give him an all.

605
00:26:50,160 --> 00:26:51,960
Speaker 2: I don't want the audience to be doing the awe.

606
00:26:54,240 --> 00:26:55,400
Speaker 1: You really don't like that.

607
00:26:55,840 --> 00:26:59,720
Speaker 3: It's so obligatory and it's a television history.

608
00:26:59,680 --> 00:27:02,400
Speaker 4: Yeah, have an audience that does things like a's and

609
00:27:02,440 --> 00:27:05,800
Speaker 4: oohze and I mean that's like that's TV you.

610
00:27:06,800 --> 00:27:08,880
Speaker 1: Cory asks his mom. Is it just me? Or were

611
00:27:08,920 --> 00:27:11,879
Speaker 1: they happier for me? At the DMV. Amy admits Alan's

612
00:27:11,880 --> 00:27:13,840
Speaker 1: a little let down. He kind of thought Corey would

613
00:27:13,840 --> 00:27:16,239
Speaker 1: want to do this with his dad. Corey surprised they

614
00:27:16,240 --> 00:27:18,840
Speaker 1: didn't have anything planned. Sean chimes in, boy, I went

615
00:27:18,880 --> 00:27:21,240
Speaker 1: with my dad, which I think is funny.

616
00:27:21,320 --> 00:27:26,320
Speaker 4: That's pretty crazy, even I did I with my dad.

617
00:27:26,920 --> 00:27:28,639
Speaker 1: And then back in the kitchen, Alan is doing the

618
00:27:28,680 --> 00:27:31,760
Speaker 1: dishes when Corey walks into talk. He apologizes he didn't

619
00:27:31,800 --> 00:27:33,520
Speaker 1: know what was such a big deal to him. Tapenga

620
00:27:33,560 --> 00:27:35,600
Speaker 1: got her license and Sean got his, so they wanted

621
00:27:35,600 --> 00:27:37,400
Speaker 1: to be with Corey when it was his turn. Alan

622
00:27:37,440 --> 00:27:39,840
Speaker 1: assures his son it's okay, but his demeanor is telling

623
00:27:39,840 --> 00:27:43,320
Speaker 1: a different story. Cory asks, without reading the room at all,

624
00:27:43,800 --> 00:27:46,359
Speaker 1: cool enough for you to give me the keys? Alan says,

625
00:27:46,359 --> 00:27:48,159
Speaker 1: why not? I got a couple errands to run. I

626
00:27:48,200 --> 00:27:51,520
Speaker 1: wouldn't mind being chauffeured around for a change. On cue,

627
00:27:51,520 --> 00:27:54,320
Speaker 1: Sean walks in, so road trip you got the keys yet?

628
00:27:54,680 --> 00:27:59,480
Speaker 1: Alan's disappointed. Oh you meant your friends? Okay? Corey stutters, no,

629
00:27:59,560 --> 00:28:02,760
Speaker 1: you could come to Sean yells what. Corey shoots him

630
00:28:02,760 --> 00:28:05,919
Speaker 1: a look, and Sean does read the room. Kind of

631
00:28:05,960 --> 00:28:11,359
Speaker 1: a road trip would it be? Without? Good? Old miss?

632
00:28:13,040 --> 00:28:15,639
Speaker 1: Really well done, though, rider. Were you proud of your

633
00:28:15,680 --> 00:28:16,360
Speaker 1: performance here?

634
00:28:16,640 --> 00:28:16,800
Speaker 4: Yeah?

635
00:28:16,960 --> 00:28:23,000
Speaker 1: Yeah, okay, good, yeah good. I'm happy. Alan gets the hint.

636
00:28:23,240 --> 00:28:25,200
Speaker 1: I do have a couple of errands to run. It'll

637
00:28:25,400 --> 00:28:27,440
Speaker 1: take me a couple of hours. But when I come back,

638
00:28:27,480 --> 00:28:32,000
Speaker 1: the car's all yours, all right, buddy, So again, he's

639
00:28:32,040 --> 00:28:37,240
Speaker 1: still gonna go run the errands. Corey could just take

640
00:28:37,320 --> 00:28:39,640
Speaker 1: him and say to his friends, I'll be back in

641
00:28:39,680 --> 00:28:40,480
Speaker 1: a couple hours.

642
00:28:40,720 --> 00:28:42,920
Speaker 2: Yeah, I'll come pick you up in a couple.

643
00:28:42,960 --> 00:28:48,560
Speaker 1: Everyone gets there want yeah mh. Corey responds, if you're

644
00:28:48,560 --> 00:28:50,720
Speaker 1: all right, I'm all right. He hands the keys to Alan,

645
00:28:50,720 --> 00:28:53,120
Speaker 1: who immediately leaves for his errands. Corey's sad, but he

646
00:28:53,160 --> 00:28:55,880
Speaker 1: turns to his friends, I've waited sixteen years, right, I

647
00:28:55,960 --> 00:28:58,560
Speaker 1: can wait a couple hours. And then we're in the

648
00:28:58,560 --> 00:29:02,160
Speaker 1: Matthew's backyard, Corey's and paidcent waiting outside when Morgan drives

649
00:29:02,240 --> 00:29:06,280
Speaker 1: up in a toy jeep that's for three year old rulds.

650
00:29:06,080 --> 00:29:09,360
Speaker 2: She looks like she's fourteen at this point, I know,

651
00:29:09,440 --> 00:29:10,200
Speaker 2: and it's like.

652
00:29:10,160 --> 00:29:13,280
Speaker 1: What she barely fits in this thing. It's like, it's

653
00:29:13,280 --> 00:29:14,440
Speaker 1: what are you supposed to be?

654
00:29:14,480 --> 00:29:15,280
Speaker 2: For three toddlers?

655
00:29:15,280 --> 00:29:17,400
Speaker 4: She takes up the whole front seat by herself, and no,

656
00:29:18,840 --> 00:29:19,920
Speaker 4: how old is this girl?

657
00:29:20,840 --> 00:29:22,840
Speaker 1: She says, I'm Corey, I'm sixteen, and I'm going to

658
00:29:22,920 --> 00:29:25,520
Speaker 1: Atlantic City to see an R rated movie. Corey gets up,

659
00:29:25,560 --> 00:29:27,640
Speaker 1: Let me help you make the matinee and he aggressively

660
00:29:27,680 --> 00:29:37,280
Speaker 1: pushes the car down. We don't know how, and she screams, Daddy.

661
00:29:37,880 --> 00:29:40,360
Speaker 1: Alan appears right on time, watching Morgan's speed away in

662
00:29:40,400 --> 00:29:41,840
Speaker 1: the distance. Wow, we'll get her.

663
00:29:41,880 --> 00:29:42,040
Speaker 4: Go.

664
00:29:42,600 --> 00:29:45,080
Speaker 1: Corey awkwardly says hi, and Alan responds, look, I know

665
00:29:45,120 --> 00:29:46,720
Speaker 1: I told you a couple of hours, but one thing

666
00:29:46,800 --> 00:29:49,360
Speaker 1: led to another. You know how it is? Corey actually

667
00:29:49,400 --> 00:29:52,080
Speaker 1: tells him No, I have never actually had the car,

668
00:29:52,120 --> 00:29:54,320
Speaker 1: so I don't know how it is. Alan hands Corey

669
00:29:54,320 --> 00:29:56,160
Speaker 1: the keys. The car is yours. Go do what you

670
00:29:56,160 --> 00:29:59,360
Speaker 1: want to do. Frustrated, Corey follows his dad into the house.

671
00:29:59,560 --> 00:30:00,920
Speaker 1: What I want I wanted to do was go on

672
00:30:00,960 --> 00:30:02,920
Speaker 1: a road trip with Sewan and Tepanga, who waited here

673
00:30:02,960 --> 00:30:04,920
Speaker 1: for five hours and then realized they had lives and

674
00:30:04,960 --> 00:30:08,320
Speaker 1: went home. Alan responds, I know in no car they

675
00:30:08,360 --> 00:30:08,760
Speaker 1: went home.

676
00:30:09,680 --> 00:30:11,880
Speaker 4: And is this supposed to be the same day as

677
00:30:11,960 --> 00:30:13,760
Speaker 4: I'm trying to remember the same day as Chubby's in

678
00:30:13,800 --> 00:30:14,880
Speaker 4: the very beginning.

679
00:30:15,120 --> 00:30:18,400
Speaker 1: No, tomorrow, that was birthday tomorrow, so he woke up.

680
00:30:18,360 --> 00:30:18,840
Speaker 2: In the morning.

681
00:30:18,880 --> 00:30:20,160
Speaker 4: I'm just trying to get the time he woke up

682
00:30:20,200 --> 00:30:22,640
Speaker 4: in the morning. He went they got the license, got

683
00:30:22,720 --> 00:30:24,480
Speaker 4: it at like eleven o'clock in the morning. He comes

684
00:30:24,560 --> 00:30:28,160
Speaker 4: back in the store, Eric store this morning.

685
00:30:28,160 --> 00:30:32,480
Speaker 1: The Mathews were cleaning up breakfast plates, right, so figure

686
00:30:32,680 --> 00:30:34,360
Speaker 1: Alan gets back in the morning.

687
00:30:34,120 --> 00:30:36,959
Speaker 4: Five o'clock at night now five five thirty, and he's like,

688
00:30:37,240 --> 00:30:38,480
Speaker 4: he's taking the whole day kind of.

689
00:30:38,400 --> 00:30:42,280
Speaker 3: Thing, and he's had two major plans a birthday dinner

690
00:30:42,360 --> 00:30:46,280
Speaker 3: at Chubby's which was hought to reveal, and birthday breakfast

691
00:30:46,520 --> 00:30:50,640
Speaker 3: post driving test. And he didn't tell Corey any of this.

692
00:30:50,760 --> 00:30:52,120
Speaker 3: I mean, I kind of feel like Alan has a

693
00:30:52,160 --> 00:30:55,520
Speaker 3: little bit of respond At first, I was like, come on,

694
00:30:55,600 --> 00:30:57,000
Speaker 3: this is the I still thought the same thing.

695
00:30:57,000 --> 00:30:59,720
Speaker 4: It's like, you're not saying But then he addresses that later,

696
00:30:59,720 --> 00:31:02,600
Speaker 4: which I like is Alan says, you know, in all fairness,

697
00:31:02,640 --> 00:31:03,480
Speaker 4: I didn't actually.

698
00:31:03,240 --> 00:31:05,000
Speaker 1: Keep tell tell you stuff was gonna happen.

699
00:31:05,120 --> 00:31:07,440
Speaker 4: So I like that they at least brought that one

700
00:31:07,480 --> 00:31:08,640
Speaker 4: point up, as opposed to.

701
00:31:08,680 --> 00:31:11,120
Speaker 1: They all, yeah, they do at least acknowledge that. Yeah,

702
00:31:12,480 --> 00:31:14,800
Speaker 1: Alan responds, fine, go pick them up, take them for

703
00:31:14,840 --> 00:31:16,760
Speaker 1: a drive, just make sure you're back in time for

704
00:31:16,800 --> 00:31:19,560
Speaker 1: your birthday dinner. Corey gets upset. No, there was nothing

705
00:31:19,560 --> 00:31:22,200
Speaker 1: ever mentioned about a birthday dinner. Alan asks why anyone

706
00:31:22,200 --> 00:31:23,960
Speaker 1: would have to mention it. They've had dinner on his

707
00:31:24,000 --> 00:31:27,640
Speaker 1: birthday every year since he's been alive. Corey emphasizes, I've

708
00:31:27,640 --> 00:31:30,560
Speaker 1: never been alive with a license, so this year road trip.

709
00:31:30,880 --> 00:31:33,360
Speaker 1: Alan doesn't back down. We'll see you at Chubby's in

710
00:31:33,400 --> 00:31:36,680
Speaker 1: forty five minutes. Chubbies, where else would they go of?

711
00:31:36,720 --> 00:31:40,560
Speaker 1: Corey shouts, Dad, that's barely even worth it. Alan has

712
00:31:40,600 --> 00:31:43,600
Speaker 1: heard enough. Fine, give me the keys. Corey angrily hands

713
00:31:43,600 --> 00:31:47,000
Speaker 1: them over, and Alan walks out. Eric, who saw the

714
00:31:47,000 --> 00:31:49,960
Speaker 1: whole fight unfold, asks Corey, what's the matter? Birthday?

715
00:31:50,000 --> 00:31:50,280
Speaker 2: Brother?

716
00:31:50,560 --> 00:31:53,960
Speaker 1: Something got you terribly, terribly sad? Did you also see me?

717
00:31:54,160 --> 00:31:56,480
Speaker 2: So I saw you were their fight. You can see

718
00:31:56,480 --> 00:31:58,160
Speaker 2: me walking in the background, and then.

719
00:31:58,120 --> 00:31:59,680
Speaker 4: You don't see me for I like, I'm obviously just

720
00:31:59,720 --> 00:32:05,680
Speaker 4: waiting outside for you. By then there's a big pause

721
00:32:05,760 --> 00:32:06,640
Speaker 4: before the actor.

722
00:32:06,920 --> 00:32:10,200
Speaker 1: But you know what's funny is that I did think

723
00:32:10,880 --> 00:32:14,440
Speaker 1: unless you have been on that set, I don't know

724
00:32:14,480 --> 00:32:18,880
Speaker 1: that the timing feels off to anyone else. Think exactly

725
00:32:18,920 --> 00:32:21,000
Speaker 1: how it would take for you to have come from

726
00:32:21,040 --> 00:32:21,800
Speaker 1: the upper.

727
00:32:21,480 --> 00:32:24,000
Speaker 4: Part of that I was hiding. But for everywhere else

728
00:32:24,040 --> 00:32:25,040
Speaker 4: it makes perfect sense.

729
00:32:25,040 --> 00:32:25,600
Speaker 2: It makes for me.

730
00:32:27,760 --> 00:32:49,040
Speaker 6: Yeah, so funny.

731
00:32:39,920 --> 00:32:43,040
Speaker 2: Get ready for some soda can acting. Oh yeah, here

732
00:32:43,040 --> 00:32:47,520
Speaker 2: it comes. I always do the tap tap, I do

733
00:32:47,560 --> 00:32:48,960
Speaker 2: that in real life.

734
00:32:49,680 --> 00:32:51,040
Speaker 1: Realized. I don't know why.

735
00:32:51,560 --> 00:32:54,880
Speaker 2: I just love watching you do your bits is.

736
00:32:54,760 --> 00:32:59,640
Speaker 4: And I got a toothpick for a toothpick, You're just

737
00:32:59,680 --> 00:33:04,120
Speaker 4: freaking Brad Pitt over here with your business.

738
00:33:04,200 --> 00:33:06,680
Speaker 3: No, totally, it's great. It's it's I just love it

739
00:33:06,680 --> 00:33:08,719
Speaker 3: because I could see it for what it is.

740
00:33:08,840 --> 00:33:12,600
Speaker 2: Yeah, exactly, I thought the same one a business going on.

741
00:33:12,680 --> 00:33:14,560
Speaker 3: But it makes me It does make it more casual,

742
00:33:14,600 --> 00:33:16,680
Speaker 3: you know, because otherwise, what are you doing, Like you

743
00:33:16,800 --> 00:33:19,000
Speaker 3: literally are walking into the kitchen and then have line

744
00:33:19,120 --> 00:33:22,000
Speaker 3: expository you know, having this expository seat with Cory. But

745
00:33:22,040 --> 00:33:24,280
Speaker 3: it works because you're like just hanging out and doing

746
00:33:24,360 --> 00:33:28,280
Speaker 3: my happened?

747
00:33:29,760 --> 00:33:33,200
Speaker 1: Yeah, Cory starts when you were sixteen, Eric cuts him off. Yeah,

748
00:33:33,240 --> 00:33:37,000
Speaker 1: I had the same great hair. This feels a little

749
00:33:37,040 --> 00:33:39,400
Speaker 1: bit like the old Cory and Eric.

750
00:33:39,280 --> 00:33:41,640
Speaker 4: Felt the same way, did you, Yeah, it was that

751
00:33:41,720 --> 00:33:44,280
Speaker 4: same old dynamic. That's one of the things I liked

752
00:33:44,280 --> 00:33:46,760
Speaker 4: about this episode was it was like a father son

753
00:33:46,920 --> 00:33:51,920
Speaker 4: episode Corey and Alan and snarky older brother. Eric, Yeah,

754
00:33:52,360 --> 00:33:56,920
Speaker 4: wisdom Feenie, but wisdom for Alan. Yeah, it was. It

755
00:33:56,960 --> 00:34:00,200
Speaker 4: was a modern take on an old school Boy Eats

756
00:34:00,200 --> 00:34:03,719
Speaker 4: World episode and again up there yes, a whole lot

757
00:34:03,760 --> 00:34:06,880
Speaker 4: of logistical problems, but the actual vibe of it I

758
00:34:06,960 --> 00:34:07,720
Speaker 4: liked to totally.

759
00:34:07,760 --> 00:34:10,319
Speaker 2: And you know, it's interesting, like the is this the

760
00:34:10,360 --> 00:34:12,960
Speaker 2: most conflict we've had between Alan and Corey?

761
00:34:13,040 --> 00:34:13,359
Speaker 4: It is?

762
00:34:13,480 --> 00:34:13,719
Speaker 2: Right?

763
00:34:15,480 --> 00:34:17,640
Speaker 1: Yeah, I mean the episode that this goes back to

764
00:34:17,800 --> 00:34:19,120
Speaker 1: is the the Boxing Gloves.

765
00:34:19,160 --> 00:34:21,440
Speaker 2: I was gonna say it's the gold the Golden Gloves one, but.

766
00:34:22,960 --> 00:34:28,040
Speaker 4: That was more uh, Corey doing something dangerous to avoid

767
00:34:28,080 --> 00:34:31,560
Speaker 4: the confrontation, right, as opposed to them going at it.

768
00:34:31,600 --> 00:34:33,160
Speaker 4: I think this is really the first time where they

769
00:34:33,360 --> 00:34:36,200
Speaker 4: because even Tapangy even says, you and your dad always

770
00:34:36,200 --> 00:34:37,000
Speaker 4: have a good relationship.

771
00:34:37,040 --> 00:34:37,880
Speaker 1: Right, the hell's going on?

772
00:34:38,160 --> 00:34:38,440
Speaker 2: Right?

773
00:34:38,680 --> 00:34:41,000
Speaker 4: So this is it is that kind of angsty father

774
00:34:41,080 --> 00:34:41,879
Speaker 4: son thing, which is great.

775
00:34:41,920 --> 00:34:44,359
Speaker 1: We haven't seen that, Yeah, Corey continues, Did dad still

776
00:34:44,360 --> 00:34:47,040
Speaker 1: treat you like you were six? Eric admits no, it

777
00:34:47,080 --> 00:34:48,640
Speaker 1: made him feel old and he went out and bought

778
00:34:48,640 --> 00:34:50,680
Speaker 1: a cemetery plot. But it's not nearly as bad as

779
00:34:50,719 --> 00:34:53,439
Speaker 1: he's treating you. Corey responds, because he likes you better.

780
00:34:53,600 --> 00:34:56,480
Speaker 1: Eric doesn't sugarcoat it. Yep, that and he still had

781
00:34:56,520 --> 00:34:59,360
Speaker 1: you around. Corey doesn't get it, he still has Morgan.

782
00:34:59,640 --> 00:35:03,040
Speaker 1: Eric blains you're his last son, son, how you're old

783
00:35:03,120 --> 00:35:06,960
Speaker 1: enough to drive away and leave him alone with Morgan?

784
00:35:07,960 --> 00:35:13,319
Speaker 1: Who goes to and Corey finishes art class art art

785
00:35:14,360 --> 00:35:17,319
Speaker 1: for girls.

786
00:35:16,000 --> 00:35:19,719
Speaker 3: For men and boys? Who does art hand? And now

787
00:35:19,760 --> 00:35:21,560
Speaker 3: where did Morgan come from? She was last scene in

788
00:35:21,600 --> 00:35:25,240
Speaker 3: traffic in her car. She literally stop to get.

789
00:35:25,080 --> 00:35:26,960
Speaker 4: Her laundry, not to pick up her laundry in her

790
00:35:26,960 --> 00:35:28,160
Speaker 4: little car.

791
00:35:29,600 --> 00:35:31,600
Speaker 3: Think about it as in right, she actually had to

792
00:35:31,600 --> 00:35:33,800
Speaker 3: make a quick change because this is all one scene.

793
00:35:34,000 --> 00:35:35,920
Speaker 1: Yes, well, it was out in the backyard, so we

794
00:35:35,960 --> 00:35:37,879
Speaker 1: shot it separately, I mean, unless we did a camera,

795
00:35:37,920 --> 00:35:40,040
Speaker 1: unless we swung a camera at the kitchen.

796
00:35:40,320 --> 00:35:42,839
Speaker 3: Yeah, I mean, but it's all supposed to be fault right,

797
00:35:42,880 --> 00:35:45,279
Speaker 3: I mean when we walked into the kitchen and then

798
00:35:45,360 --> 00:35:49,920
Speaker 3: she appears.

799
00:35:47,320 --> 00:35:47,680
Speaker 1: I guess.

800
00:35:48,000 --> 00:35:51,080
Speaker 4: My guess is yeah they did because if memory serves that,

801
00:35:51,239 --> 00:35:54,440
Speaker 4: when he pushes her car, her car was.

802
00:35:54,480 --> 00:35:56,640
Speaker 1: On a rope and pulley system.

803
00:35:57,160 --> 00:35:59,880
Speaker 4: So they pulled it towards the cameras because they wouldn't

804
00:35:59,920 --> 00:36:01,280
Speaker 4: just let him really nearly kick.

805
00:36:01,120 --> 00:36:03,439
Speaker 2: It out and whatever happened, they kind of guided it.

806
00:36:03,640 --> 00:36:05,759
Speaker 4: So they probably did that almost as a stunt, so

807
00:36:05,800 --> 00:36:07,280
Speaker 4: we probably shot that once or twice.

808
00:36:07,400 --> 00:36:08,920
Speaker 2: It wasn't to get dressed.

809
00:36:08,960 --> 00:36:10,960
Speaker 3: But as far as the show is logic that the

810
00:36:11,000 --> 00:36:14,040
Speaker 3: show makes me absolutely And she's also not going to

811
00:36:14,080 --> 00:36:16,120
Speaker 3: ballet class because they're going to the dinner, So why

812
00:36:16,160 --> 00:36:18,640
Speaker 3: is she dressed in her ballet outfit. She's just dressed

813
00:36:18,640 --> 00:36:22,120
Speaker 3: in this to dance, to hang out. It's a television show,

814
00:36:22,560 --> 00:36:25,919
Speaker 3: right man. But this is where I was like, none

815
00:36:25,960 --> 00:36:28,080
Speaker 3: of this is making for me, Like all the time,

816
00:36:28,600 --> 00:36:30,760
Speaker 3: it doesn't make any sense. Yeah, it's like a series

817
00:36:30,840 --> 00:36:34,120
Speaker 3: of good scenes, it's in the scene itself, but the

818
00:36:34,560 --> 00:36:37,200
Speaker 3: setup it's like it's just not rigorous.

819
00:36:37,200 --> 00:36:38,359
Speaker 2: And I was a little bummed by that.

820
00:36:38,480 --> 00:36:40,440
Speaker 3: But yeah, yeah, and this was that I get the

821
00:36:40,520 --> 00:36:43,280
Speaker 3: visual joke of her and her yeah git hard. It's

822
00:36:43,400 --> 00:36:46,200
Speaker 3: it's funny, but yeah, at the sacrifice of any logic.

823
00:36:46,280 --> 00:36:49,880
Speaker 4: So having not sorry but not having children at all.

824
00:36:49,920 --> 00:36:52,520
Speaker 4: I also get that. For I don't think one's I

825
00:36:52,520 --> 00:36:54,400
Speaker 4: don't think they're trying to say that one's better or

826
00:36:54,440 --> 00:36:57,040
Speaker 4: worse than another. I think it's definitely fathers and sons

827
00:36:57,040 --> 00:36:58,000
Speaker 4: and fathers and daughters.

828
00:36:58,040 --> 00:36:58,560
Speaker 2: No, they're not.

829
00:36:59,360 --> 00:37:02,640
Speaker 4: I think just the father daughter father son relationship is different.

830
00:37:03,520 --> 00:37:05,359
Speaker 4: I would imagine it would be, isn't it.

831
00:37:06,640 --> 00:37:11,440
Speaker 1: I mean, sure it's different. But the idea that he's

832
00:37:11,600 --> 00:37:15,279
Speaker 1: only sad because it won't be the same to take

833
00:37:15,400 --> 00:37:20,360
Speaker 1: Morgan to get her driver's license, like, it's weird.

834
00:37:20,440 --> 00:37:23,719
Speaker 4: It's like again I imagine, because it's like it's a

835
00:37:23,760 --> 00:37:25,520
Speaker 4: father and his boy. It's like, this is my boy.

836
00:37:25,560 --> 00:37:27,360
Speaker 4: I'm taking my boy to go get his driver's license.

837
00:37:27,360 --> 00:37:29,479
Speaker 4: Where it's like, you know, it's my daughter. It's again,

838
00:37:29,520 --> 00:37:29,880
Speaker 4: I don't have.

839
00:37:29,920 --> 00:37:32,840
Speaker 2: Kids at all. And ballet, which.

840
00:37:34,680 --> 00:37:38,600
Speaker 3: Art, he doesn't like it. It's like, therefore he's not

841
00:37:38,640 --> 00:37:41,120
Speaker 3: going to love her. It's like, I don't know ballet.

842
00:37:41,239 --> 00:37:42,399
Speaker 1: I guess I get what they're doing.

843
00:37:42,520 --> 00:37:44,440
Speaker 4: Art makes no sense. It's like, what, you can't be

844
00:37:44,480 --> 00:37:47,000
Speaker 4: a male art first of all. Also talk to Bryshnikoff

845
00:37:47,040 --> 00:37:51,120
Speaker 4: about being a male ballet dancer. But it is, Yeah,

846
00:37:51,200 --> 00:37:55,440
Speaker 4: the whole thing is very it's the nineties stereotypical exactly exactly.

847
00:37:55,560 --> 00:37:57,480
Speaker 1: Eric tells him the only reason he ain't cruising down

848
00:37:57,480 --> 00:37:59,439
Speaker 1: the turnpike with his arm around to Panga and Sean

849
00:37:59,480 --> 00:38:02,080
Speaker 1: in the backing Woo woo woo is because Morgan's his

850
00:38:02,160 --> 00:38:04,160
Speaker 1: first daughter and not his third son.

851
00:38:04,560 --> 00:38:09,000
Speaker 4: Why so many a wugas and woo woos in this episode,

852
00:38:09,000 --> 00:38:11,920
Speaker 4: as this happened several times.

853
00:38:13,160 --> 00:38:18,200
Speaker 1: I love them. I don't know the sounds. There's so funny,

854
00:38:18,200 --> 00:38:21,480
Speaker 1: there's so many. Also this runner of the sun Son.

855
00:38:21,640 --> 00:38:24,520
Speaker 2: Yeah, also odd, a little bit of a little.

856
00:38:24,360 --> 00:38:25,880
Speaker 1: Bit of an odd choice with some runners. I have

857
00:38:25,880 --> 00:38:29,280
Speaker 1: another one later that I'll mention. Uh So, Cory turns

858
00:38:29,320 --> 00:38:31,520
Speaker 1: to look at Morgan, who now has a juice box,

859
00:38:32,040 --> 00:38:35,400
Speaker 1: and she says what And then there's a bit of

860
00:38:35,440 --> 00:38:37,560
Speaker 1: an optical flip to the Matthews living room and we

861
00:38:37,600 --> 00:38:40,000
Speaker 1: see Morgan still in her ballet uniform, but now it's

862
00:38:40,000 --> 00:38:42,560
Speaker 1: paired with a football helmet. Corey's crouched behind her as

863
00:38:42,560 --> 00:38:45,239
Speaker 1: a quarterback set hike. He waits a second and then

864
00:38:45,280 --> 00:38:47,799
Speaker 1: throws it at her back. She complains, why'd you do that?

865
00:38:47,840 --> 00:38:51,480
Speaker 1: He explains, because I called a button hook you woman.

866
00:38:53,000 --> 00:38:54,880
Speaker 1: That's actually then.

867
00:38:58,040 --> 00:39:00,520
Speaker 4: They also last forty five minutes, and you're right. She's

868
00:39:00,520 --> 00:39:02,920
Speaker 4: still in her ballet outfit and now they're playing football.

869
00:39:02,520 --> 00:39:04,120
Speaker 1: And she says, right in the scene, I have to

870
00:39:04,120 --> 00:39:06,040
Speaker 1: go change for your party, So why did she put

871
00:39:06,080 --> 00:39:09,799
Speaker 1: it on to make the joke? Morgan's had it. If

872
00:39:09,800 --> 00:39:11,840
Speaker 1: you don't stop yelling, I'm going upstairs to play with

873
00:39:11,840 --> 00:39:14,279
Speaker 1: Barbie and Skipper. Corey pleads don't, please, don't do that,

874
00:39:14,320 --> 00:39:16,200
Speaker 1: and he grabs a pair of boxing gloves, forcing them

875
00:39:16,200 --> 00:39:18,920
Speaker 1: on Morgan's hands. He instructs her to hit him. She

876
00:39:18,960 --> 00:39:21,279
Speaker 1: then sends a right hook to his face, throwing him

877
00:39:21,280 --> 00:39:23,680
Speaker 1: over the couch. He heels from the floor. Now we're

878
00:39:23,680 --> 00:39:26,439
Speaker 1: getting somewhere. Morgan tells him, I have to change into

879
00:39:26,440 --> 00:39:29,320
Speaker 1: my party dress for your party. Corey emphasizes, no dress

880
00:39:29,400 --> 00:39:32,200
Speaker 1: wear pants, keep the helmet on, and call a doctor.

881
00:39:32,680 --> 00:39:36,000
Speaker 1: And that's where we know the greatest woman is a man.

882
00:39:37,120 --> 00:39:38,239
Speaker 1: And then I do think.

883
00:39:38,360 --> 00:39:40,120
Speaker 2: I mean, it is cute to see Lindsay running around

884
00:39:40,280 --> 00:39:40,520
Speaker 2: like with.

885
00:39:40,480 --> 00:39:44,120
Speaker 3: The helmet, I mean totally yeah, that is torrible.

886
00:39:44,600 --> 00:39:47,520
Speaker 2: Yeah. Is she even see her in the party scene?

887
00:39:48,600 --> 00:39:48,799
Speaker 5: Yeah?

888
00:39:48,800 --> 00:39:51,040
Speaker 1: She's there, Yeah, she's there, she is she is She's

889
00:39:51,080 --> 00:39:54,200
Speaker 1: sitting across from Allan. Okay, no, wait to pink is

890
00:39:54,200 --> 00:39:56,880
Speaker 1: sitting across from Ellen. She's got to be across from Betsy.

891
00:39:57,120 --> 00:39:57,880
Speaker 1: Is she in the scene?

892
00:39:58,120 --> 00:40:01,360
Speaker 4: I'm not even sure she's in the scene.

893
00:40:01,520 --> 00:40:02,320
Speaker 2: Barely on camera.

894
00:40:02,400 --> 00:40:04,239
Speaker 3: She's in like, gotcha the wide shot and then the

895
00:40:04,280 --> 00:40:07,479
Speaker 3: rest footage. Yeah, the coverage goes to the other side,

896
00:40:07,520 --> 00:40:08,480
Speaker 3: so you don't really see her.

897
00:40:08,719 --> 00:40:10,920
Speaker 1: So then we're in Chubbies. The camera flips again, revealing

898
00:40:10,960 --> 00:40:13,359
Speaker 1: Sean and Corey at Chubbys. Shawn whispers, I don't want

899
00:40:13,400 --> 00:40:15,000
Speaker 1: you to think I'm not having a dandy time at

900
00:40:15,080 --> 00:40:17,480
Speaker 1: Chubby's where we always went because we could walk here.

901
00:40:17,800 --> 00:40:19,600
Speaker 1: But could we just do the cake thing and then

902
00:40:19,719 --> 00:40:22,120
Speaker 1: hit the open road? And this is the first time

903
00:40:22,200 --> 00:40:24,040
Speaker 1: I think we've acknowledged that we live within.

904
00:40:23,960 --> 00:40:25,840
Speaker 2: Walking distance of Chubbies.

905
00:40:26,320 --> 00:40:29,800
Speaker 1: Cool, yeah, pretty cool. Tapangaleens in to join the conversation.

906
00:40:29,920 --> 00:40:32,680
Speaker 1: Can you stop telling Corey to ditch his own birthday party?

907
00:40:32,800 --> 00:40:34,680
Speaker 1: And then she scolds Corey, put a smile on your

908
00:40:34,719 --> 00:40:37,680
Speaker 1: face and behave yourself. So now I have taken on

909
00:40:37,719 --> 00:40:41,360
Speaker 1: the role of nagging woman, which I only imagine means

910
00:40:41,600 --> 00:40:45,799
Speaker 1: Betsy should be in a bikini. Then we have all three, right,

911
00:40:45,840 --> 00:40:47,600
Speaker 1: and then we would have all three of the of

912
00:40:47,640 --> 00:40:49,960
Speaker 1: the types of women that exist in the world, a nag,

913
00:40:50,640 --> 00:40:52,640
Speaker 1: a manly woman, and a hot woman.

914
00:40:53,040 --> 00:40:55,359
Speaker 4: Well, no, we were all there, actually missing the hot

915
00:40:55,400 --> 00:40:59,080
Speaker 4: woman because you've taken over nagging. Betsy can still be

916
00:40:59,239 --> 00:41:01,040
Speaker 4: mom because there is just mom.

917
00:41:01,120 --> 00:41:03,319
Speaker 1: You're right, you are allowed to just be a mom.

918
00:41:03,400 --> 00:41:04,879
Speaker 2: You're allowed to just be the mom.

919
00:41:04,960 --> 00:41:08,080
Speaker 1: Sometimes mom is mom and a nag. But I'm hot.

920
00:41:08,239 --> 00:41:10,080
Speaker 1: But you're right.

921
00:41:10,440 --> 00:41:12,640
Speaker 4: You can do you can do sub sections of those

922
00:41:12,680 --> 00:41:13,520
Speaker 4: three categories.

923
00:41:13,600 --> 00:41:14,840
Speaker 2: Yeah, correct, exactly.

924
00:41:15,680 --> 00:41:18,719
Speaker 1: Alan leans in to join the conversation. We rented the room.

925
00:41:18,760 --> 00:41:20,680
Speaker 1: We don't have to whisper. The camera widens and we

926
00:41:20,719 --> 00:41:23,520
Speaker 1: see the table consists of Corey to Pangashan, Alan, Amy,

927
00:41:23,600 --> 00:41:27,520
Speaker 1: and I wrote Morgan, so Morgan was Therember. Corey apologizes

928
00:41:27,520 --> 00:41:29,799
Speaker 1: and thanks his family for the party. But there's this

929
00:41:29,880 --> 00:41:32,279
Speaker 1: movie we're trying to make. Alan asks what movie? One

930
00:41:32,320 --> 00:41:35,200
Speaker 1: hundred and one Dalmatians. Sean tells Corey to grow up.

931
00:41:35,280 --> 00:41:37,840
Speaker 1: We're going to see the new Van dam movie. Alan knows,

932
00:41:37,880 --> 00:41:41,000
Speaker 1: wouldn't that be an R rated movie. Corey pleads, come on,

933
00:41:41,080 --> 00:41:43,359
Speaker 1: I'm sixteen, I'm not a little kid anymore. And then

934
00:41:43,400 --> 00:41:45,839
Speaker 1: the same waitress we saw earlier walks in. Here's your

935
00:41:45,840 --> 00:41:47,880
Speaker 1: clown burger. I told them it was your birthday, so

936
00:41:47,920 --> 00:41:50,520
Speaker 1: they threw in an extra hat and Corey shouts whoo,

937
00:41:50,760 --> 00:41:54,880
Speaker 1: and then trying to hide his excitement. Let's out a monotone.

938
00:41:56,560 --> 00:42:01,320
Speaker 1: It's really cute. Alan tells the son. Understand, you're sixteen,

939
00:42:01,520 --> 00:42:03,759
Speaker 1: and yet you have to be seventeen to get in

940
00:42:03,800 --> 00:42:06,760
Speaker 1: without an adult. Corey's defeated. Fine, no movie.

941
00:42:07,000 --> 00:42:10,560
Speaker 2: Alan as weird out by the set as I was, Yeah,

942
00:42:10,560 --> 00:42:13,320
Speaker 2: the fourth wall, and it's really small.

943
00:42:15,200 --> 00:42:17,319
Speaker 3: It looked almost like green screen because of the way

944
00:42:17,400 --> 00:42:19,680
Speaker 3: that the It's like, yeah, so they brought in a

945
00:42:19,719 --> 00:42:25,680
Speaker 3: wall behind Alan and Amy and it doesn't like fill

946
00:42:25,680 --> 00:42:28,160
Speaker 3: in all the space. But yeah, it's it's just bizarre.

947
00:42:28,160 --> 00:42:30,319
Speaker 3: I was like it was it was happening in my head,

948
00:42:30,400 --> 00:42:32,720
Speaker 3: and I was like, are we in Chubbies. I almost

949
00:42:32,719 --> 00:42:34,759
Speaker 3: wish we had just either done it in the main

950
00:42:34,840 --> 00:42:37,480
Speaker 3: room of Chubbies or just created the new restaurant sets.

951
00:42:37,680 --> 00:42:40,560
Speaker 1: I thought we were in my head, we were in

952
00:42:40,640 --> 00:42:43,080
Speaker 1: the same room as the room with the pool table,

953
00:42:43,480 --> 00:42:44,000
Speaker 1: you know that.

954
00:42:44,080 --> 00:42:46,280
Speaker 2: I thought that it's supposed to be, well, that's where.

955
00:42:46,080 --> 00:42:48,400
Speaker 1: We shot it, but like it's not. It's actually supposed

956
00:42:48,400 --> 00:42:50,399
Speaker 1: to be like a separate room, a private dining room

957
00:42:50,400 --> 00:42:52,480
Speaker 1: in Chubbies. That's somewhere maybe in the back, Yeah.

958
00:42:52,280 --> 00:42:54,760
Speaker 2: Maybe it's the one to the left past the phone.

959
00:42:55,000 --> 00:42:57,240
Speaker 1: I know like that. Why can't we just say another

960
00:42:57,320 --> 00:43:00,000
Speaker 1: restaurant and then just be in a different spot exactly.

961
00:43:00,080 --> 00:43:03,320
Speaker 2: They could have dressed this exact room with a different

962
00:43:03,680 --> 00:43:06,040
Speaker 2: Chewbay's and made it a franchise a chew Bays.

963
00:43:06,080 --> 00:43:10,600
Speaker 1: You're right, well, Alan thanks him, and Sean assures, no, Biggie,

964
00:43:10,600 --> 00:43:12,040
Speaker 1: there's got to be tons of other stuff we can

965
00:43:12,040 --> 00:43:15,440
Speaker 1: do in Atlantic City. He nudges Cory, let's hit those tables. Huh.

966
00:43:15,800 --> 00:43:17,880
Speaker 1: Corey knows this isn't going to help their case. You

967
00:43:17,960 --> 00:43:19,799
Speaker 1: really don't want to do anything at all, do you,

968
00:43:20,239 --> 00:43:22,200
Speaker 1: Alan says he's not just going to give his blessing

969
00:43:22,200 --> 00:43:24,200
Speaker 1: to sneak into an R rated movie in a different state.

970
00:43:24,480 --> 00:43:26,600
Speaker 1: Amy tries to calm him down, but Corey shouts back

971
00:43:26,640 --> 00:43:28,879
Speaker 1: that he wasn't asking for his blessing. He just wanted

972
00:43:28,920 --> 00:43:31,399
Speaker 1: to go somewhere with his friends. Alan scolds his son,

973
00:43:31,800 --> 00:43:33,799
Speaker 1: you think because you got a license, you can do

974
00:43:33,840 --> 00:43:36,120
Speaker 1: whatever you want. Corey eels, no, he doesn't care where

975
00:43:36,120 --> 00:43:39,160
Speaker 1: he goes with his friends. He just wants to go. Alan, now,

976
00:43:39,200 --> 00:43:42,840
Speaker 1: in that calm, mad dad way, says, I'll tell you

977
00:43:42,880 --> 00:43:44,600
Speaker 1: what you want to go on a road trip with

978
00:43:44,600 --> 00:43:47,440
Speaker 1: your friends? That's the first adult decision you're going to make.

979
00:43:47,640 --> 00:43:50,200
Speaker 1: He sets the keys on the table. There you go, pal,

980
00:43:51,280 --> 00:43:53,520
Speaker 1: Corey stares his dad down before grabbing the keys and

981
00:43:53,560 --> 00:43:56,479
Speaker 1: telling his friends it's time to go. Tapanga hesitantly stands

982
00:43:56,560 --> 00:43:57,120
Speaker 1: up and tells.

983
00:43:56,960 --> 00:44:00,759
Speaker 3: Amy al she like you the way Corey articulates this.

984
00:44:00,840 --> 00:44:02,840
Speaker 3: I just want to go somewhere. Do you guys remember

985
00:44:02,920 --> 00:44:05,640
Speaker 3: getting in your car and just car? Of course, we

986
00:44:05,640 --> 00:44:08,200
Speaker 3: talked about your dire, we talked about you and me

987
00:44:08,320 --> 00:44:11,000
Speaker 3: driving and just like parking up. And I remember so

988
00:44:11,120 --> 00:44:13,279
Speaker 3: many nights where I would get in my car go

989
00:44:13,400 --> 00:44:15,240
Speaker 3: pick up a friend or two, and then we'd.

990
00:44:15,040 --> 00:44:17,040
Speaker 2: Be like, where are we going? And we have nowhere

991
00:44:17,080 --> 00:44:18,520
Speaker 2: to go? And it just didn't matter.

992
00:44:18,640 --> 00:44:22,640
Speaker 3: It was just a car. I would give you that.

993
00:44:22,880 --> 00:44:25,360
Speaker 3: I'd be like, wait where we car? Just we have

994
00:44:25,440 --> 00:44:26,200
Speaker 3: to go somewhere.

995
00:44:26,239 --> 00:44:29,240
Speaker 4: I still do that on occasion, really ye. On occasion,

996
00:44:29,239 --> 00:44:30,359
Speaker 4: I'll be like, I'm just going for a drive.

997
00:44:30,400 --> 00:44:32,319
Speaker 2: She's like yeah, and it's so interesting. I have no

998
00:44:32,800 --> 00:44:33,480
Speaker 2: no goal in mine.

999
00:44:33,520 --> 00:44:38,359
Speaker 4: I'll just take different roads and drive around sometimes. Oh

1000
00:44:38,400 --> 00:44:39,600
Speaker 4: and not only that, but I'm doing it in a

1001
00:44:39,719 --> 00:44:43,520
Speaker 4: big suv and I stop every about every mile just

1002
00:44:43,560 --> 00:44:45,160
Speaker 4: to burn a thing of gasoline and oil.

1003
00:44:45,680 --> 00:44:46,200
Speaker 2: It's fun.

1004
00:44:46,239 --> 00:44:48,040
Speaker 4: I just I just bring I bring gas and oil

1005
00:44:48,040 --> 00:44:49,040
Speaker 4: in the back and I just put it in.

1006
00:44:49,040 --> 00:44:49,520
Speaker 2: The tone.

1007
00:44:50,920 --> 00:44:53,080
Speaker 1: Also runs over dogs. He just sees them in the.

1008
00:44:53,480 --> 00:44:56,040
Speaker 2: Would never dogs. I'd hit a person before I hit

1009
00:44:56,080 --> 00:44:56,919
Speaker 2: a dog. My God.

1010
00:44:57,719 --> 00:45:02,360
Speaker 1: I can honestly say, I think the greatest memory years

1011
00:45:02,400 --> 00:45:04,040
Speaker 1: of my life, like if I had to say, like

1012
00:45:04,120 --> 00:45:06,680
Speaker 1: the greatest times of my life that I felt at

1013
00:45:06,680 --> 00:45:10,399
Speaker 1: that time were sixteen and seventeen, when I first had

1014
00:45:10,440 --> 00:45:13,360
Speaker 1: my license and I first learned to drive. And we

1015
00:45:13,440 --> 00:45:15,960
Speaker 1: used to do a family reunion every year where family

1016
00:45:15,960 --> 00:45:18,120
Speaker 1: who lives in San Francisco and we lived in Orange County.

1017
00:45:18,120 --> 00:45:20,320
Speaker 1: We would meet in San Luis Obispo because it's exactly

1018
00:45:20,400 --> 00:45:23,080
Speaker 1: the halfway point. And I would sometimes my family would

1019
00:45:23,120 --> 00:45:25,160
Speaker 1: leave before me because I was working on Boy Meets World,

1020
00:45:25,160 --> 00:45:27,319
Speaker 1: and so they'd go up on like Thursday night, and

1021
00:45:27,360 --> 00:45:28,920
Speaker 1: I wouldn't be able to go until we were done

1022
00:45:28,960 --> 00:45:32,200
Speaker 1: on Friday. So I'd drive by myself from where we

1023
00:45:32,200 --> 00:45:36,480
Speaker 1: were working in La to San Luis Obispo, listening to

1024
00:45:36,560 --> 00:45:40,480
Speaker 1: Snoop Dogg's Doggie Style with my windows down and just

1025
00:45:41,000 --> 00:45:43,279
Speaker 1: the best times of my life.

1026
00:45:43,440 --> 00:45:46,360
Speaker 2: Yeah, Beto me. I was driving up and down the

1027
00:45:46,400 --> 00:45:47,160
Speaker 2: stags all the time.

1028
00:45:47,160 --> 00:45:48,840
Speaker 1: You were going from northern Califorea.

1029
00:45:48,520 --> 00:45:50,640
Speaker 2: Time, and I loved it. I would choose to drive

1030
00:45:50,680 --> 00:45:52,759
Speaker 2: as opposed to flying because it was just.

1031
00:45:52,760 --> 00:45:55,919
Speaker 4: The freedom and the car and it's quiet and it's

1032
00:45:56,040 --> 00:45:59,000
Speaker 4: just you and you're in control of everything, the music

1033
00:45:59,080 --> 00:45:59,800
Speaker 4: and the speed.

1034
00:46:00,520 --> 00:46:01,760
Speaker 2: That's one of the reasons I love.

1035
00:46:01,680 --> 00:46:03,799
Speaker 4: Still having my first car is I can still go

1036
00:46:03,880 --> 00:46:06,560
Speaker 4: back and kind of recapture that feeling of being in

1037
00:46:06,600 --> 00:46:07,160
Speaker 4: my first car.

1038
00:46:07,239 --> 00:46:10,680
Speaker 1: Still it's just the greatest, just the greatest. The Pega

1039
00:46:10,760 --> 00:46:13,480
Speaker 1: stands up and hesitantly tells them, I don't know. Part

1040
00:46:13,520 --> 00:46:15,239
Speaker 1: of me knows I shouldn't get in that car with them.

1041
00:46:15,360 --> 00:46:17,239
Speaker 1: And then there's the other side of me, which isn't

1042
00:46:17,280 --> 00:46:19,080
Speaker 1: sensible or mature at all, who wants to get in

1043
00:46:19,080 --> 00:46:21,719
Speaker 1: that car with them and go, oh, I just run

1044
00:46:21,760 --> 00:46:23,400
Speaker 1: through it. And I have a jacket on so I

1045
00:46:23,440 --> 00:46:26,640
Speaker 1: can't act. And I think she don't have a jacket

1046
00:46:26,640 --> 00:46:26,880
Speaker 1: on them.

1047
00:46:26,880 --> 00:46:30,080
Speaker 3: Care if you had played there's any bigger, like, if

1048
00:46:30,120 --> 00:46:31,719
Speaker 3: you had committed to it more, it would have been

1049
00:46:31,760 --> 00:46:32,120
Speaker 3: a worse.

1050
00:46:32,560 --> 00:46:34,600
Speaker 1: I could have at least slowed down. I could have

1051
00:46:34,600 --> 00:46:39,959
Speaker 1: at least pronunciated my words enunciated. It's enunciated. I said,

1052
00:46:40,000 --> 00:46:45,200
Speaker 1: pronunciad enunciate, and pronounce became pronunciate. Well, that's what list

1053
00:46:45,239 --> 00:46:45,719
Speaker 1: from now on.

1054
00:46:46,120 --> 00:46:50,440
Speaker 4: I also like that they're at least acknowledging to Panga's character, Yes.

1055
00:46:50,280 --> 00:46:54,319
Speaker 2: That she has a little bit of a something at least,

1056
00:46:55,400 --> 00:46:58,440
Speaker 2: and it makes sense right she would be the rule follower.

1057
00:46:58,680 --> 00:47:02,240
Speaker 1: Yeah, totally. So she concludes, thank you for your attention

1058
00:47:02,280 --> 00:47:05,120
Speaker 1: at this very difficult time. Amy asks her husband, Funny,

1059
00:47:05,239 --> 00:47:07,080
Speaker 1: you were going to go after them, aren't you? Alan

1060
00:47:07,120 --> 00:47:10,719
Speaker 1: says no, he is not. On cue, Eric walks in

1061
00:47:10,920 --> 00:47:13,719
Speaker 1: holding a cord Mustang shaped birthday cake.

1062
00:47:13,840 --> 00:47:16,239
Speaker 3: This is where I was just like, God, damn, I

1063
00:47:16,280 --> 00:47:20,480
Speaker 3: love Eric. You're so damn likable. So it's like your

1064
00:47:20,560 --> 00:47:23,960
Speaker 3: position on this show is so wonderful that it's like

1065
00:47:24,120 --> 00:47:26,040
Speaker 3: we had this really dramatic scene and then it's just

1066
00:47:26,080 --> 00:47:28,480
Speaker 3: like I'm already anything you do, Like you just walk

1067
00:47:28,520 --> 00:47:30,800
Speaker 3: into that room and I'm like, oh, what a breath

1068
00:47:30,800 --> 00:47:34,640
Speaker 3: of fresh air. Wheelism, Like it's just so it's so good,

1069
00:47:34,719 --> 00:47:37,600
Speaker 3: Like the chemistry and like the arrangement of this character

1070
00:47:37,680 --> 00:47:40,319
Speaker 3: into this dynamic. I just like I'm like already, like

1071
00:47:40,360 --> 00:47:42,480
Speaker 3: I love anything, no matter what. You nail it with

1072
00:47:42,560 --> 00:47:45,160
Speaker 3: the birthday song, and it's great. But I was just like, oh,

1073
00:47:45,200 --> 00:47:47,680
Speaker 3: it was such a warm feeling I had for you, you know,

1074
00:47:47,719 --> 00:47:48,160
Speaker 3: And it's.

1075
00:47:48,360 --> 00:47:50,719
Speaker 4: That it was so great when I was still doing cameos,

1076
00:47:50,800 --> 00:47:53,480
Speaker 4: this was my go to song for everybody's happy birthday.

1077
00:47:53,480 --> 00:47:56,600
Speaker 4: So I've setten this song eight hundred thousand times.

1078
00:47:56,640 --> 00:47:58,960
Speaker 2: And the irony is we did this because you could.

1079
00:47:58,960 --> 00:48:00,720
Speaker 1: We can't afford now.

1080
00:48:01,239 --> 00:48:02,799
Speaker 2: But back then you had to pay, so you can

1081
00:48:02,880 --> 00:48:04,000
Speaker 2: nervous you anymore. That's no.

1082
00:48:04,480 --> 00:48:07,960
Speaker 3: They finally released their family released the license. Yeah, but yeah,

1083
00:48:08,000 --> 00:48:11,480
Speaker 3: up until that's why in movies all throughout, like movies

1084
00:48:11,560 --> 00:48:14,279
Speaker 3: up until ten years ago or whatever, they all would

1085
00:48:14,280 --> 00:48:16,319
Speaker 3: always start Happy Birthday and it would get cut off.

1086
00:48:16,360 --> 00:48:18,560
Speaker 3: So you'd start happy and you would never get all

1087
00:48:18,560 --> 00:48:21,080
Speaker 3: eight notes. Is if you hit eight notes or.

1088
00:48:21,040 --> 00:48:23,239
Speaker 4: There's a different version of the song, you would do

1089
00:48:23,360 --> 00:48:25,160
Speaker 4: that to. It's like, yeah, it is so great.

1090
00:48:25,440 --> 00:48:27,680
Speaker 2: Oh I didn't know they released it. That's good news. Yeah,

1091
00:48:27,719 --> 00:48:31,080
Speaker 2: happy birthday too you that's free.

1092
00:48:31,600 --> 00:48:35,840
Speaker 1: So Eric is singing and now classic rendition of Happy Birthday.

1093
00:48:36,480 --> 00:48:39,000
Speaker 1: Eric finishes his song, his vision covered by the dessert

1094
00:48:39,040 --> 00:48:41,560
Speaker 1: and when he realizes Corey isn't there. He asks, I

1095
00:48:41,600 --> 00:48:45,440
Speaker 1: miss something, didn't I? Well, sing the Happy Birthday song

1096
00:48:45,480 --> 00:48:45,839
Speaker 1: for us.

1097
00:48:46,080 --> 00:48:48,759
Speaker 5: Oh gee, it's his day of birth, his first day

1098
00:48:48,880 --> 00:48:54,799
Speaker 5: on Earth. Happy bur er er Earth Day. Yeah, yeah,

1099
00:48:54,880 --> 00:48:56,800
Speaker 5: okay forever.

1100
00:48:58,080 --> 00:49:00,440
Speaker 1: And then we go to commercial. We come back. We

1101
00:49:00,480 --> 00:49:03,440
Speaker 1: are in Alan's car, Corey's driving with the Penga shotgun

1102
00:49:03,440 --> 00:49:05,600
Speaker 1: and Seawan in the back. Here we are on our own,

1103
00:49:05,760 --> 00:49:08,719
Speaker 1: driving down the open road, just me, my Topega and

1104
00:49:08,760 --> 00:49:11,600
Speaker 1: my Sean with a big full moon behind us. To

1105
00:49:11,719 --> 00:49:15,080
Speaker 1: Penga corrects him, those are headlights the car behind them monks,

1106
00:49:15,120 --> 00:49:18,560
Speaker 1: and Corey frantically yells, come around me, come around me please.

1107
00:49:18,800 --> 00:49:23,680
Speaker 1: He was so good everything about this.

1108
00:49:24,200 --> 00:49:26,480
Speaker 2: Yeah, actually talked about.

1109
00:49:26,239 --> 00:49:29,120
Speaker 4: His performance, which is pretty great throughout this entire episode.

1110
00:49:29,160 --> 00:49:31,960
Speaker 2: We got me yea so good. But this come around me,

1111
00:49:32,320 --> 00:49:33,840
Speaker 2: come around me please.

1112
00:49:34,239 --> 00:49:41,520
Speaker 3: Oh it's and this is just so funny.

1113
00:49:41,680 --> 00:49:46,520
Speaker 1: It's so stinking me. Come around me please. Sean asks

1114
00:49:46,520 --> 00:49:49,120
Speaker 1: Corey to drive a little faster because there's about twenty

1115
00:49:49,120 --> 00:49:51,479
Speaker 1: cars jammed up behind them, and Corey explains, I happen

1116
00:49:51,560 --> 00:49:53,560
Speaker 1: to be cruising at what's it say? I can't look

1117
00:49:53,600 --> 00:49:56,719
Speaker 1: down or we'll crash to Penga reads eighteen miles an hour.

1118
00:49:56,920 --> 00:49:59,160
Speaker 1: Corey shocked, I'm up to eighteen. I hope this thing

1119
00:49:59,200 --> 00:50:02,760
Speaker 1: has air bags. They're passed by a bike and Corey

1120
00:50:02,800 --> 00:50:05,680
Speaker 1: finally tells them he'll go faster. How much farther to

1121
00:50:05,719 --> 00:50:08,560
Speaker 1: Atlantic City? Sean admits, what's the difference. We're all gonna

1122
00:50:08,600 --> 00:50:08,960
Speaker 1: die here.

1123
00:50:09,280 --> 00:50:12,360
Speaker 4: But Sean, your response where it's like, go around me

1124
00:50:12,480 --> 00:50:14,360
Speaker 4: to the bike and it already went okay.

1125
00:50:14,160 --> 00:50:22,720
Speaker 1: It's already. It's so good. That's great to Panga adds,

1126
00:50:22,760 --> 00:50:24,319
Speaker 1: I think we should call your folks and tell them

1127
00:50:24,360 --> 00:50:27,640
Speaker 1: we're okay. Corey refuses to call his dad. Kids have

1128
00:50:27,680 --> 00:50:30,040
Speaker 1: to call to Panga doesn't understand Corey and his dad

1129
00:50:30,040 --> 00:50:32,600
Speaker 1: have always gotten along great, He responds, because I've always

1130
00:50:32,600 --> 00:50:35,720
Speaker 1: been safe and dependable Corey. Well, tonight, a new Corey

1131
00:50:35,840 --> 00:50:39,200
Speaker 1: is born, dark, wild, Corey built for speed.

1132
00:50:39,440 --> 00:50:41,320
Speaker 2: I wanted him to say danger boy.

1133
00:50:41,960 --> 00:50:45,879
Speaker 3: I was like, come on, do a callback tonight, I'm

1134
00:50:46,200 --> 00:50:50,239
Speaker 3: danger or maybe like danger boy becomes danger man, like

1135
00:50:50,280 --> 00:50:52,239
Speaker 3: I want to. I just I wanted that callback because

1136
00:50:52,239 --> 00:50:55,160
Speaker 3: it's such an old school Corey line. It's like literally

1137
00:50:55,280 --> 00:50:58,839
Speaker 3: verbatim him in the roller Coaster episode. Yeah, I just

1138
00:50:58,920 --> 00:51:01,120
Speaker 3: it's so funny.

1139
00:51:01,600 --> 00:51:04,320
Speaker 1: The engine starts to roar as Corey picks up speed

1140
00:51:04,360 --> 00:51:08,319
Speaker 1: twenty four, twenty five, twenty six, he smiles, look at me,

1141
00:51:08,600 --> 00:51:11,439
Speaker 1: I'm breaking the law, and then right on cue, which

1142
00:51:11,440 --> 00:51:13,520
Speaker 1: has become a bit of a trope in this episode,

1143
00:51:13,960 --> 00:51:17,319
Speaker 1: sirens go off behind him. Corey admits, we all saw

1144
00:51:17,360 --> 00:51:17,879
Speaker 1: that coming out.

1145
00:51:17,880 --> 00:51:18,560
Speaker 2: I'll saw that coming.

1146
00:51:19,520 --> 00:51:22,680
Speaker 1: Now we're in a courtroom, new Settlert. The gang enters,

1147
00:51:22,719 --> 00:51:26,480
Speaker 1: following a police officer. Corey says, with all due respect officer.

1148
00:51:26,760 --> 00:51:29,440
Speaker 1: He looks at his badge Dibble. I was on a

1149
00:51:29,480 --> 00:51:32,400
Speaker 1: country road going twenty six miles an hour. Dibble ads

1150
00:51:32,400 --> 00:51:34,879
Speaker 1: in a twenty five mile hour in a twenty five

1151
00:51:34,960 --> 00:51:37,719
Speaker 1: mile zone. Son Sean tells him to forget it. It's

1152
00:51:37,719 --> 00:51:40,600
Speaker 1: a stinking speed trap. Tapenga begs him to call his dad,

1153
00:51:40,600 --> 00:51:43,560
Speaker 1: but Corey refuses again, so Officer Dibble concludes, then I

1154
00:51:43,600 --> 00:51:46,719
Speaker 1: guess you'll see the judge. Corey scoffs one mile over

1155
00:51:46,760 --> 00:51:48,520
Speaker 1: and you call him the judge. Don't you people have

1156
00:51:48,560 --> 00:51:50,960
Speaker 1: anything better to do in this town? Dibble corrects him,

1157
00:51:51,000 --> 00:51:53,320
Speaker 1: it's not a town, it's a speed trap. A speech,

1158
00:51:53,880 --> 00:51:56,560
Speaker 1: he says, they can avoid tryaltogether if he just pays

1159
00:51:56,560 --> 00:51:59,839
Speaker 1: the fine, which is two hundred dollars. Corey laughs for

1160
00:52:00,040 --> 00:52:03,000
Speaker 1: on mile over. Officer dibble corrects him again, it's a

1161
00:52:03,040 --> 00:52:05,759
Speaker 1: speed trap. Is this not getting through to you? And

1162
00:52:05,800 --> 00:52:09,120
Speaker 1: then this is the runner, the second runner? Is this

1163
00:52:09,200 --> 00:52:12,200
Speaker 1: not getting through to you? Tipanga asks Tory again to

1164
00:52:12,239 --> 00:52:14,360
Speaker 1: call his dad. No way, I'm calling my dad. Is

1165
00:52:14,400 --> 00:52:17,440
Speaker 1: this not getting through to you? I'm not sure? Is

1166
00:52:17,480 --> 00:52:19,680
Speaker 1: this not getting through to you? Is funny?

1167
00:52:20,680 --> 00:52:24,600
Speaker 4: It's it almost sounded angry and dismissive to the way

1168
00:52:24,600 --> 00:52:25,880
Speaker 4: that he said it to me.

1169
00:52:26,000 --> 00:52:28,000
Speaker 2: Yeah, yeah, it was a little little harsh.

1170
00:52:28,360 --> 00:52:29,160
Speaker 1: So yeah, I didn't.

1171
00:52:29,200 --> 00:52:29,520
Speaker 4: I didn't.

1172
00:52:29,520 --> 00:52:31,960
Speaker 1: I don't know, maybe a punch. Cory sits down, ready

1173
00:52:31,960 --> 00:52:34,880
Speaker 1: to face the judge, and dibble yells all rise. The

1174
00:52:34,880 --> 00:52:37,760
Speaker 1: court of Judge Hubert Lamb is now in session. Cory

1175
00:52:37,800 --> 00:52:41,279
Speaker 1: asks Judge Lamb, I think I'll take my chances. And

1176
00:52:41,320 --> 00:52:44,600
Speaker 1: then we get the cameo of Dan Lauria, known to

1177
00:52:44,680 --> 00:52:48,239
Speaker 1: TV viewers as a very stern and angry father, and

1178
00:52:48,280 --> 00:52:51,640
Speaker 1: this leaves Corey speechless and terrified that.

1179
00:52:51,719 --> 00:52:53,399
Speaker 2: I wrote this part for him.

1180
00:52:53,480 --> 00:52:56,520
Speaker 1: Yeah, yeah, I guess I remember. I remember this being

1181
00:52:56,600 --> 00:52:59,600
Speaker 1: a conversation about, like we want.

1182
00:52:58,480 --> 00:53:00,719
Speaker 2: To a father son episode and we're going to get

1183
00:53:00,760 --> 00:53:01,560
Speaker 2: the famous far.

1184
00:53:01,800 --> 00:53:02,600
Speaker 1: To try it together.

1185
00:53:03,080 --> 00:53:03,520
Speaker 2: Brothers.

1186
00:53:03,719 --> 00:53:07,880
Speaker 3: Yeah, I don't know, man, like all the Judge stuff kind.

1187
00:53:07,680 --> 00:53:11,400
Speaker 2: Of I don't know. I didn't quite well, just I didn't.

1188
00:53:11,200 --> 00:53:15,080
Speaker 3: Quite always get it, like yeah, animals, the balloon animals.

1189
00:53:15,600 --> 00:53:17,759
Speaker 3: I mean, obviously the speed trap thing coming back at

1190
00:53:17,800 --> 00:53:21,160
Speaker 3: the end is it's like a brilliant yeah, like rterly thing,

1191
00:53:21,560 --> 00:53:24,719
Speaker 3: but on the whole and it's not really his performance.

1192
00:53:24,760 --> 00:53:26,920
Speaker 3: It's just a little like, I'm just not sure. Are

1193
00:53:26,920 --> 00:53:29,000
Speaker 3: we supposed to be scared by him? Are we supposed

1194
00:53:29,000 --> 00:53:31,160
Speaker 3: to think he's crazy? Is the idea that this whole

1195
00:53:31,200 --> 00:53:34,000
Speaker 3: town is crazy? Like it just it felt a little

1196
00:53:35,040 --> 00:53:37,839
Speaker 3: uh in between, like we didn't push it farther, like

1197
00:53:38,080 --> 00:53:40,640
Speaker 3: I don't know, I just didn't quite get it all.

1198
00:53:41,080 --> 00:53:43,160
Speaker 1: Yeah, I agree with you. I don't know. And I

1199
00:53:43,200 --> 00:53:45,440
Speaker 1: mean it's funny you mentioned the ending with the speed

1200
00:53:45,480 --> 00:53:49,480
Speaker 1: trap thing. I normally would have been really hit with

1201
00:53:49,560 --> 00:53:52,719
Speaker 1: the sentimentality of it, and instead I was like, oh, wordplay,

1202
00:53:53,080 --> 00:53:55,680
Speaker 1: it's a a bunch of wordplay in the end.

1203
00:53:55,719 --> 00:53:58,480
Speaker 3: And I was a little like, yeah, I just like,

1204
00:53:58,840 --> 00:54:00,720
Speaker 3: I don't know, how like our show on into Panga

1205
00:54:00,880 --> 00:54:03,640
Speaker 3: scared of this Corey, Like, we're sometimes supposed to be

1206
00:54:03,680 --> 00:54:05,839
Speaker 3: scared of this situation and we're supposed to laugh at it,

1207
00:54:05,960 --> 00:54:07,879
Speaker 3: and we're supposed to think the judge is really harsh,

1208
00:54:07,920 --> 00:54:09,279
Speaker 3: and then we're supposed to think he's kind of a

1209
00:54:09,360 --> 00:54:11,960
Speaker 3: kooky in person, and then he's like.

1210
00:54:11,960 --> 00:54:15,319
Speaker 2: Actually, it's like father figure. I just could not wrap

1211
00:54:15,360 --> 00:54:17,400
Speaker 2: my head around. And yeah, so that's.

1212
00:54:17,239 --> 00:54:19,120
Speaker 4: What Judge Lamb likes to do. He likes to keep

1213
00:54:19,160 --> 00:54:21,040
Speaker 4: you on your toes. That's Judge La.

1214
00:54:21,120 --> 00:54:23,200
Speaker 3: But if that was if the point of the scene

1215
00:54:23,239 --> 00:54:25,600
Speaker 3: is that, like every time we're in the scene, everybody

1216
00:54:25,719 --> 00:54:28,560
Speaker 3: like I do, like the all rise right after Corey

1217
00:54:28,600 --> 00:54:32,560
Speaker 3: sits right, Yeah, if that kind of thing had kept happening,

1218
00:54:32,640 --> 00:54:34,719
Speaker 3: Like it's just like every time we think we're in

1219
00:54:34,719 --> 00:54:36,000
Speaker 3: some situation.

1220
00:54:35,800 --> 00:54:38,560
Speaker 2: It completely changes. But it just wasn't big enough for me.

1221
00:54:38,719 --> 00:54:41,120
Speaker 3: So I don't know, It's it's not bad, it's just

1222
00:54:41,160 --> 00:54:44,560
Speaker 3: a little like I was just I felt a little lost.

1223
00:54:45,000 --> 00:54:47,759
Speaker 1: Yeah, I agree. Then we're in the Matthews house. There's

1224
00:54:47,840 --> 00:54:52,320
Speaker 1: real home video of Ben shown masquerading as Corey.

1225
00:54:52,440 --> 00:54:56,840
Speaker 2: It's so with wrestling figures. How great is that?

1226
00:54:56,960 --> 00:55:00,000
Speaker 1: What I said? I said, I can't believe they really

1227
00:55:00,120 --> 00:55:04,440
Speaker 1: he tied in wrestling, which we have absolutely sold as

1228
00:55:05,080 --> 00:55:09,839
Speaker 1: a passion and an interest of Cory's. And apparently Ben

1229
00:55:10,680 --> 00:55:11,759
Speaker 1: had wrestlers.

1230
00:55:11,920 --> 00:55:14,120
Speaker 2: Did you hear now? Could you hear the voice?

1231
00:55:14,120 --> 00:55:16,719
Speaker 4: So they had rusty dubbed voice exactly, there was some

1232
00:55:16,760 --> 00:55:19,680
Speaker 4: original voice over there. Well, now there's also some original

1233
00:55:19,719 --> 00:55:21,520
Speaker 4: voice from his family, and did you hear like he said,

1234
00:55:21,560 --> 00:55:24,919
Speaker 4: he's like and here's iron cheek. He's a good guy.

1235
00:55:25,120 --> 00:55:27,400
Speaker 4: And then you heard somebody in his family go, no,

1236
00:55:27,480 --> 00:55:30,400
Speaker 4: he isn't like he was. Yeah, you could hear you

1237
00:55:30,440 --> 00:55:32,719
Speaker 4: could hear different, like I.

1238
00:55:32,760 --> 00:55:35,799
Speaker 3: Remember when we played for the audience that still had

1239
00:55:35,800 --> 00:55:38,839
Speaker 3: the original audio, so really so yeah, when he makes

1240
00:55:38,880 --> 00:55:40,880
Speaker 3: the goal and we played it for the audience, the

1241
00:55:40,920 --> 00:55:43,640
Speaker 3: audience heard Ben's real dad saying.

1242
00:55:43,600 --> 00:55:44,880
Speaker 2: Ben, Ben, you did it.

1243
00:55:46,040 --> 00:55:47,240
Speaker 3: I remember I'm.

1244
00:55:47,120 --> 00:55:49,759
Speaker 2: Watching these and just thinking, oh my god, this is so.

1245
00:55:50,560 --> 00:55:55,480
Speaker 2: She was a horrible kid. Come on, cute little kid? Yeah,

1246
00:55:55,600 --> 00:55:56,319
Speaker 2: cute little kid?

1247
00:55:56,920 --> 00:56:00,480
Speaker 1: Oh man. And yeah, there's also visible Fred Fred in

1248
00:56:00,560 --> 00:56:03,399
Speaker 1: the background too. In one of the videos we see later,

1249
00:56:04,320 --> 00:56:07,440
Speaker 1: so we see footage of little Ben slash Corey's birthday,

1250
00:56:07,719 --> 00:56:10,480
Speaker 1: Alan sits on the couch smiling ear to ear, and

1251
00:56:10,520 --> 00:56:13,279
Speaker 1: then another video of Ben Slash Corey is shown now

1252
00:56:13,320 --> 00:56:17,439
Speaker 1: playing with his WWF LJN toys, telling us Iron Chic

1253
00:56:17,520 --> 00:56:20,160
Speaker 1: and Big John Studd are bad guys. And then Ben

1254
00:56:20,239 --> 00:56:22,839
Speaker 1: Slash Corey is playing soccer and he scores a goal.

1255
00:56:22,960 --> 00:56:26,600
Speaker 1: He's so happy, and then we're back on Boy Meets World.

1256
00:56:26,640 --> 00:56:29,120
Speaker 1: Amy walks down just as Alan's turning off the video.

1257
00:56:29,360 --> 00:56:31,440
Speaker 1: She puts her arm around him, assuring him that Corey

1258
00:56:31,520 --> 00:56:34,080
Speaker 1: is okay. Alan says, I know he's just trying to

1259
00:56:34,120 --> 00:56:36,719
Speaker 1: prove something to me, to us, I just feel bad.

1260
00:56:37,080 --> 00:56:40,080
Speaker 1: Amy defends Alan. You guys had plans. He broke them.

1261
00:56:40,360 --> 00:56:43,360
Speaker 1: Alan admits they didn't really have plans. He just assumed

1262
00:56:43,360 --> 00:56:45,839
Speaker 1: Corey would run and wake him up and drag him

1263
00:56:45,880 --> 00:56:47,719
Speaker 1: down to the DMV like he always used to wake

1264
00:56:47,800 --> 00:56:50,279
Speaker 1: him up and drag him places. Amy adds when he

1265
00:56:50,480 --> 00:56:54,279
Speaker 1: was and Alan finishes her thought younger. Amy reminds him

1266
00:56:54,400 --> 00:56:56,799
Speaker 1: when Corey was five years old, he dragged Alan out

1267
00:56:56,840 --> 00:56:59,959
Speaker 1: of bed to show him his lost tooth. Alan says, well,

1268
00:57:00,520 --> 00:57:03,239
Speaker 1: I miss that. Amy explains he's growing up. He's not

1269
00:57:03,280 --> 00:57:06,879
Speaker 1: doing anything wrong, and Alan grunts, well, I'm growing up too,

1270
00:57:07,160 --> 00:57:10,080
Speaker 1: Amy assures him, and you're not doing anything wrong either,

1271
00:57:10,560 --> 00:57:13,759
Speaker 1: she embraces him, just as Morgan walks downstairs. Mom, you're

1272
00:57:13,760 --> 00:57:16,600
Speaker 1: gonna help me do my hair? What? Alan volunteers? How

1273
00:57:16,640 --> 00:57:19,520
Speaker 1: about I help you do your hair? She's confused, Are

1274
00:57:19,520 --> 00:57:22,200
Speaker 1: you kidding me? Alan admits, yes, I am kidding you,

1275
00:57:22,360 --> 00:57:23,840
Speaker 1: and he plops back down on the couch.

1276
00:57:24,320 --> 00:57:25,760
Speaker 2: Kamie can't understand.

1277
00:57:25,880 --> 00:57:31,400
Speaker 1: Girls don't hair, men don't do hair. She's not gonna happen.

1278
00:57:32,360 --> 00:57:35,000
Speaker 1: Amy kisses him before she goes upstairs to help. Now

1279
00:57:35,080 --> 00:57:37,560
Speaker 1: alone again, Amy presses play on the home videos, and

1280
00:57:37,600 --> 00:57:40,200
Speaker 1: we see a slow motion video of little soccer playing

1281
00:57:40,240 --> 00:57:45,040
Speaker 1: Ben slash Corey waving, and then we're in the Matthew's backyard.

1282
00:57:45,400 --> 00:57:48,000
Speaker 1: Alan's looking down in the dumps holding a football, wishing

1283
00:57:48,080 --> 00:57:51,880
Speaker 1: he had three boys, and Poenie appears. I've got one

1284
00:57:51,880 --> 00:57:53,480
Speaker 1: thing to tell you, the sad.

1285
00:57:53,280 --> 00:57:56,760
Speaker 2: Dad, like these two scenes. I mean, I understand why

1286
00:57:56,840 --> 00:57:58,160
Speaker 2: we had to have you because Betsy had to be

1287
00:57:58,200 --> 00:58:00,840
Speaker 2: a part of this, and like, yeah, it's but it

1288
00:58:00,920 --> 00:58:03,240
Speaker 2: is all just out there listen in a post Malone.

1289
00:58:04,000 --> 00:58:08,479
Speaker 3: Uh huh No, it's the national He's it's full on set,

1290
00:58:08,600 --> 00:58:09,320
Speaker 3: like real.

1291
00:58:11,400 --> 00:58:13,160
Speaker 1: I've got one thing to tell you that's gonna make

1292
00:58:13,160 --> 00:58:14,960
Speaker 1: you feel real. Good. Then I've got another thing to

1293
00:58:15,000 --> 00:58:16,600
Speaker 1: tell you that's going to scare the hell out of you.

1294
00:58:16,720 --> 00:58:19,400
Speaker 1: Which one would you like first? Alan picks feel good.

1295
00:58:19,760 --> 00:58:22,400
Speaker 1: Phoene says, ultimately, the reason I never had a son

1296
00:58:22,480 --> 00:58:25,040
Speaker 1: is because of the sheer weight of responsibility for another

1297
00:58:25,160 --> 00:58:28,120
Speaker 1: human life is so enormous. I didn't know if I

1298
00:58:28,200 --> 00:58:31,080
Speaker 1: was up to it. Alan surprised, Come on, you're a teacher.

1299
00:58:31,120 --> 00:58:33,680
Speaker 1: Your whole life is about kids, Phoene corrects him, My

1300
00:58:33,840 --> 00:58:37,520
Speaker 1: job is about kids. My life is my own, unlike yours,

1301
00:58:37,520 --> 00:58:39,800
Speaker 1: which hasn't been your own since the day Eric was born.

1302
00:58:40,160 --> 00:58:43,920
Speaker 1: Alan asks if Phoene's calling him a hostage, and Phoenie exclaims, yes,

1303
00:58:43,920 --> 00:58:46,960
Speaker 1: that's exactly what I'm saying. You're a hostage to extreme

1304
00:58:47,120 --> 00:58:50,720
Speaker 1: emotional joys and disappointments, which your children will bring you

1305
00:58:50,760 --> 00:58:53,840
Speaker 1: for as long as you live. Alan connects, one day

1306
00:58:53,880 --> 00:58:56,160
Speaker 1: you're putting on training wheels, the next you're teaching them

1307
00:58:56,240 --> 00:58:58,280
Speaker 1: to drive. Of course, the first thing they want to

1308
00:58:58,320 --> 00:59:00,640
Speaker 1: do is drive away from you. There's the hell out

1309
00:59:00,680 --> 00:59:02,960
Speaker 1: of him. Alan then asks Phoenie for the part that's

1310
00:59:03,000 --> 00:59:05,640
Speaker 1: going to make him feel good, and Phoene wearily responds

1311
00:59:07,880 --> 00:59:09,320
Speaker 1: that was the good part.

1312
00:59:10,280 --> 00:59:12,520
Speaker 2: This whole scene, like the way he walks into.

1313
00:59:12,280 --> 00:59:14,840
Speaker 4: It, everything, yep, everything, It's just he walked him in

1314
00:59:14,880 --> 00:59:16,600
Speaker 4: a purpose like you could tell you just got to call,

1315
00:59:17,760 --> 00:59:19,680
Speaker 4: got to do with and we know exactly what, we

1316
00:59:19,800 --> 00:59:20,000
Speaker 4: know what.

1317
00:59:20,040 --> 00:59:21,520
Speaker 2: It is so funny and.

1318
00:59:21,600 --> 00:59:25,240
Speaker 3: Yet it's still a you know, beautiful sentiment. It's ye perfect,

1319
00:59:25,280 --> 00:59:27,120
Speaker 3: It's just this is a scene for the ages man.

1320
00:59:27,160 --> 00:59:29,600
Speaker 3: This is probably like top ten world scene for me.

1321
00:59:30,800 --> 00:59:32,200
Speaker 2: Absolutely agree with you one hundred percent.

1322
00:59:32,200 --> 00:59:34,080
Speaker 4: The two of them together, two people that are just

1323
00:59:34,920 --> 00:59:37,840
Speaker 4: know their craft, playing off of each other and getting

1324
00:59:37,840 --> 00:59:40,240
Speaker 4: some free backstory about children, I.

1325
00:59:40,160 --> 00:59:42,880
Speaker 1: Guess for both of them, who have in their own ways,

1326
00:59:42,880 --> 00:59:45,200
Speaker 1: one as a father and one as an as a teacher,

1327
00:59:45,520 --> 00:59:49,720
Speaker 1: have spent now the better half of their lives to

1328
00:59:50,240 --> 00:59:56,120
Speaker 1: invested in raising children, and yet from different perspectives, just

1329
00:59:56,160 --> 00:59:59,520
Speaker 1: so great. So Alan inquires, how bad is it? George

1330
00:59:59,640 --> 01:00:02,040
Speaker 1: Phoenie says he just had a phone call from Corey.

1331
01:00:02,320 --> 01:00:04,440
Speaker 1: He calms Alan by saying he's all right, it's nothing

1332
01:00:04,560 --> 01:00:07,920
Speaker 1: like that. Alan's relieved until Feenie tells him he's on trial.

1333
01:00:08,080 --> 01:00:12,400
Speaker 1: He's on trial. His reading, he's on trial. He's on trial.

1334
01:00:12,680 --> 01:00:14,600
Speaker 3: And there's another logic point I was like, but if

1335
01:00:14,600 --> 01:00:17,520
Speaker 3: he's when did Corey get away to make the phone call?

1336
01:00:17,680 --> 01:00:19,640
Speaker 2: Like, I know, he's literally standing in front of the

1337
01:00:19,680 --> 01:00:20,479
Speaker 2: judge the whole time.

1338
01:00:20,560 --> 01:00:23,320
Speaker 3: Is that all happening? And then he says, Okay, hold on, Judge,

1339
01:00:23,360 --> 01:00:24,560
Speaker 3: I am gonna call someway.

1340
01:00:24,720 --> 01:00:25,640
Speaker 1: Can I get my phone call?

1341
01:00:25,760 --> 01:00:28,320
Speaker 4: I just want to I was like, I don't know, man, Again,

1342
01:00:28,400 --> 01:00:32,080
Speaker 4: the logic that it didn't logistically make sense this episode.

1343
01:00:32,200 --> 01:00:35,360
Speaker 4: The sentiment was there, and the acting was there, and

1344
01:00:35,400 --> 01:00:37,200
Speaker 4: some of the dialogue was there, but the.

1345
01:00:37,240 --> 01:00:39,840
Speaker 2: Logistics were kind of just all over the place. Yeah.

1346
01:00:39,920 --> 01:00:42,480
Speaker 1: And then back in the courtroom, Officer Dibble tells the

1347
01:00:42,520 --> 01:00:44,920
Speaker 1: judge he clocked Corey's vehicle traveling in excess of the

1348
01:00:44,960 --> 01:00:47,400
Speaker 1: posted speed limit. Corey slams his hands on the table

1349
01:00:47,520 --> 01:00:51,040
Speaker 1: one mile over. Judge Lamb explains, the law is the law, boy,

1350
01:00:51,120 --> 01:00:53,080
Speaker 1: and we obey the law in my courtroom, and if

1351
01:00:53,120 --> 01:00:55,440
Speaker 1: you speak out a turn again, I'll hang you, he

1352
01:00:55,560 --> 01:00:57,080
Speaker 1: says as he holds.

1353
01:00:56,880 --> 01:01:00,840
Speaker 2: Up So what I mean this is? Again?

1354
01:01:00,880 --> 01:01:03,480
Speaker 3: I was like, it's a little news, so it's obviously,

1355
01:01:03,600 --> 01:01:05,760
Speaker 3: but it's also like supposed to be really be threading.

1356
01:01:05,800 --> 01:01:06,720
Speaker 2: It is kind of intense.

1357
01:01:06,760 --> 01:01:11,919
Speaker 1: It's like it's very, very threatening. I know, it's it's

1358
01:01:12,040 --> 01:01:16,360
Speaker 1: a little crazy. I was shocking. Corey wonders you would

1359
01:01:16,360 --> 01:01:19,000
Speaker 1: hang me on my birthday. The judge is surprised. It's

1360
01:01:19,040 --> 01:01:21,520
Speaker 1: your birthday under oath, Cory swears it. The judge slams

1361
01:01:21,560 --> 01:01:23,880
Speaker 1: his gavel. You want a dog or a hat. Corey's

1362
01:01:23,880 --> 01:01:25,640
Speaker 1: in shock because the judge starts to blow up a balloon,

1363
01:01:25,680 --> 01:01:28,520
Speaker 1: asking if he'd like a sword instead. We see Tapanga

1364
01:01:28,560 --> 01:01:30,400
Speaker 1: and Shawn an officer Dibble, who are just kind of

1365
01:01:30,440 --> 01:01:32,560
Speaker 1: standing there to Panga and Shawn are shocked. And that's

1366
01:01:32,600 --> 01:01:35,520
Speaker 1: obviously coverage we need so that Dan Lauria can be

1367
01:01:35,560 --> 01:01:38,160
Speaker 1: handed animal.

1368
01:01:41,400 --> 01:01:43,080
Speaker 2: Can do a lot of things. But he's apparently not

1369
01:01:43,120 --> 01:01:45,720
Speaker 2: a balloon artist. You made balloon animals. It's actually not

1370
01:01:45,760 --> 01:01:47,959
Speaker 2: that hard. It's pretty hard, yeah, but.

1371
01:01:47,960 --> 01:01:49,560
Speaker 3: Like the twisting is you know, I mean, obviously it

1372
01:01:49,600 --> 01:01:51,960
Speaker 3: would be hard to do under the pressure of a scene.

1373
01:01:52,000 --> 01:01:54,240
Speaker 3: But I'm surprised we don't actually see him do any

1374
01:01:54,280 --> 01:01:55,600
Speaker 3: of the folding a little bit.

1375
01:01:55,640 --> 01:01:57,640
Speaker 1: You know what it is. It's not about being difficult.

1376
01:01:57,760 --> 01:02:01,720
Speaker 1: It's sound. Oh of course, yeah, it's the sound. So

1377
01:02:02,360 --> 01:02:05,400
Speaker 1: he eventually hands the sword to Corey. Sean gets permission

1378
01:02:05,440 --> 01:02:08,200
Speaker 1: to sidebar with him. Sean warns Corey, the first thing

1379
01:02:08,240 --> 01:02:11,520
Speaker 1: I learned on the street, which I also love on

1380
01:02:11,600 --> 01:02:15,880
Speaker 1: the street, is that any judge who spontaneously makes you

1381
01:02:15,920 --> 01:02:19,400
Speaker 1: balloon toys will, at the end of the day actually hang.

1382
01:02:19,240 --> 01:02:20,400
Speaker 2: You, actually hanging.

1383
01:02:20,480 --> 01:02:23,200
Speaker 1: Cory holds his sword close. It's mine and I'm not

1384
01:02:23,280 --> 01:02:26,560
Speaker 1: sharing it. Judge Lamb asks what brings a freshly licensed

1385
01:02:26,600 --> 01:02:28,880
Speaker 1: sixteen year old kid from Philly all the way out there?

1386
01:02:29,160 --> 01:02:31,320
Speaker 1: Corey explains, I wanted to drive, so I just drove.

1387
01:02:31,520 --> 01:02:33,400
Speaker 1: My dad refuses to accept that I'm not a little

1388
01:02:33,440 --> 01:02:36,480
Speaker 1: kid anymore. To Penga interaps, introducing herself to the judge.

1389
01:02:36,560 --> 01:02:38,680
Speaker 1: She will pay Corey's fine if he just tells her

1390
01:02:38,680 --> 01:02:42,160
Speaker 1: where the nearest ATM is located, and Teppanga is rich.

1391
01:02:43,320 --> 01:02:45,680
Speaker 1: The judge laughs, there's no ATM. They're in the middle

1392
01:02:45,720 --> 01:02:48,080
Speaker 1: of nowhere, and this feels like a poor business plan

1393
01:02:48,160 --> 01:02:51,440
Speaker 1: for a speed trap. There must be an easier way

1394
01:02:51,440 --> 01:02:51,960
Speaker 1: to get money.

1395
01:02:52,120 --> 01:02:55,240
Speaker 2: Also, couldn't Tapega have offered this the second they walked in?

1396
01:02:56,360 --> 01:02:59,440
Speaker 1: Well, sure, but she was trying to get him to

1397
01:02:59,480 --> 01:03:01,560
Speaker 1: call her dad, so I at least go with the

1398
01:03:01,600 --> 01:03:05,440
Speaker 1: idea of she wants him to call your dad. She's

1399
01:03:05,480 --> 01:03:06,920
Speaker 1: been wanting to call him since the car ride.

1400
01:03:06,920 --> 01:03:08,800
Speaker 3: We should let them know, and he says, I'll not

1401
01:03:08,840 --> 01:03:10,480
Speaker 3: call him my dad. Okay, well, then let me just

1402
01:03:10,480 --> 01:03:12,280
Speaker 3: write a check or get some cash out.

1403
01:03:13,640 --> 01:03:16,240
Speaker 1: But they don't have a ATM, which again for a

1404
01:03:16,240 --> 01:03:18,320
Speaker 1: speed trap town who's clearly trying to make money. I

1405
01:03:18,320 --> 01:03:22,080
Speaker 1: feel like there's a better business plan, Tapanga pleads. Is

1406
01:03:22,120 --> 01:03:23,760
Speaker 1: all I can say is Corey is a very nice

1407
01:03:23,760 --> 01:03:25,680
Speaker 1: boy who never hurt anybody, and if you do anything

1408
01:03:25,680 --> 01:03:27,320
Speaker 1: to him on his first day of driving, then I

1409
01:03:27,480 --> 01:03:30,280
Speaker 1: just think you are a mean mean Judge Lamb slams

1410
01:03:30,280 --> 01:03:33,280
Speaker 1: his gavel down, cutting to Panga off dogger hat. She

1411
01:03:33,360 --> 01:03:35,720
Speaker 1: excitedly responds, can it be a princess.

1412
01:03:35,320 --> 01:03:37,960
Speaker 2: At because she's girly funny.

1413
01:03:38,320 --> 01:03:41,240
Speaker 1: I'm into ballet and art. The judge grants her request.

1414
01:03:41,480 --> 01:03:44,640
Speaker 1: Topanga puts the extremely tall and purple balloon hat on

1415
01:03:44,720 --> 01:03:47,600
Speaker 1: her head and she sits back down with Sean satisfied,

1416
01:03:48,080 --> 01:03:51,240
Speaker 1: and then Alan walks into the courtroom. The judge notices,

1417
01:03:51,280 --> 01:03:53,560
Speaker 1: but Corey and the gang do not. Judge Lamb tells

1418
01:03:53,560 --> 01:03:55,760
Speaker 1: Corey he'll drop all charges if he takes this quarter

1419
01:03:55,800 --> 01:03:57,840
Speaker 1: and calls his dad to tell him he was wrong?

1420
01:03:58,040 --> 01:04:01,040
Speaker 2: No, how long is this trial? But also like, how

1421
01:04:01,080 --> 01:04:01,600
Speaker 2: does he know?

1422
01:04:01,720 --> 01:04:04,040
Speaker 3: I mean, I think maybe he assumes it's his tad,

1423
01:04:04,080 --> 01:04:07,000
Speaker 3: but does the has the judge known everything about the

1424
01:04:07,040 --> 01:04:08,360
Speaker 3: whole father son conflict?

1425
01:04:08,400 --> 01:04:10,600
Speaker 1: Now he just that just that he says, my dad

1426
01:04:10,600 --> 01:04:12,760
Speaker 1: refuses to let me grow up. That's why, and that's

1427
01:04:12,760 --> 01:04:14,760
Speaker 1: why he handed up here. He did say that my

1428
01:04:14,840 --> 01:04:16,960
Speaker 1: dad refuses to believe that I've grown up. I just

1429
01:04:17,000 --> 01:04:20,160
Speaker 1: wanted to drive with my friends. And in the way

1430
01:04:20,200 --> 01:04:23,040
Speaker 1: that adults on this show seemed to know.

1431
01:04:23,160 --> 01:04:26,280
Speaker 2: Everything and be able to like psychically communicate.

1432
01:04:26,440 --> 01:04:30,440
Speaker 1: He and but also now the judge is going to

1433
01:04:30,480 --> 01:04:32,360
Speaker 1: give him a quarter to make a phone call. But

1434
01:04:32,440 --> 01:04:35,080
Speaker 1: earlier we know that Corey apparently had a quarter and

1435
01:04:35,120 --> 01:04:37,920
Speaker 1: made a phone call to How would the judge know

1436
01:04:38,000 --> 01:04:39,760
Speaker 1: that he didn't already call Allan?

1437
01:04:40,200 --> 01:04:42,240
Speaker 2: And it would have been so much easier had if

1438
01:04:42,720 --> 01:04:44,960
Speaker 2: Piene just said I just had a call from Sean

1439
01:04:45,200 --> 01:04:46,400
Speaker 2: or I just had a call from.

1440
01:04:46,280 --> 01:04:49,120
Speaker 4: Topanga and all of it solved. That's all you need.

1441
01:04:49,160 --> 01:04:50,880
Speaker 4: One of them walked out and made the phone call.

1442
01:04:50,880 --> 01:04:52,520
Speaker 4: But he said I had a call from Corey.

1443
01:04:52,760 --> 01:04:54,200
Speaker 1: Yeah, And it would have been a nice way to

1444
01:04:54,200 --> 01:04:54,720
Speaker 1: involve us.

1445
01:04:54,840 --> 01:04:58,640
Speaker 2: Can we talk about Rusty's jacketsible?

1446
01:04:59,160 --> 01:04:59,600
Speaker 3: Yeah?

1447
01:05:00,560 --> 01:05:02,680
Speaker 2: Is it jacket? No?

1448
01:05:02,800 --> 01:05:04,840
Speaker 3: I don't think it's reversible. I think it's just a

1449
01:05:04,880 --> 01:05:10,160
Speaker 3: cool denim jacket with like interesting flare because it looks

1450
01:05:10,240 --> 01:05:12,600
Speaker 3: like there's a possibility that you can always like it

1451
01:05:12,680 --> 01:05:14,240
Speaker 3: and make an actual Jeane jacket on.

1452
01:05:14,440 --> 01:05:14,840
Speaker 2: Maybe.

1453
01:05:14,880 --> 01:05:16,800
Speaker 3: But man, I just loved it. I was like, I

1454
01:05:16,840 --> 01:05:19,280
Speaker 3: want this right now. I would wear that today. I'm,

1455
01:05:19,360 --> 01:05:21,800
Speaker 3: you know, basically trying to get that look right in here.

1456
01:05:21,840 --> 01:05:28,040
Speaker 1: Like, man, so you are the Alan Matthews of our podcast. Yeah,

1457
01:05:28,040 --> 01:05:46,880
Speaker 1: it's true. What what are we? The Dan Lord Golden Retrievers. Okay,

1458
01:05:50,720 --> 01:05:53,920
Speaker 1: Corey refuses, he doesn't believe he's wrong. Alan reveals himself.

1459
01:05:54,080 --> 01:05:56,479
Speaker 1: I don't believe I'm wrong either. Corey says he didn't

1460
01:05:56,520 --> 01:05:59,120
Speaker 1: need to come there. Alan scolds him. George Foeney told

1461
01:05:59,160 --> 01:06:01,840
Speaker 1: me you called You should have called me, Corey asks,

1462
01:06:01,920 --> 01:06:04,160
Speaker 1: so you could prove once again what a little helpless

1463
01:06:04,200 --> 01:06:07,120
Speaker 1: kid I am. Alan sternly responds, you will always be

1464
01:06:07,240 --> 01:06:09,919
Speaker 1: my son, whether you are six or sixty, and your

1465
01:06:10,000 --> 01:06:12,440
Speaker 1: problem is my problem. I am always going to be

1466
01:06:12,480 --> 01:06:14,640
Speaker 1: there for you. Corey shouts back, I want you to

1467
01:06:14,680 --> 01:06:17,400
Speaker 1: treat me like an adult. And then the judge intervenes,

1468
01:06:17,600 --> 01:06:21,240
Speaker 1: I've heard enough. Corey Matthews and Corey Matthews's father approach

1469
01:06:21,320 --> 01:06:24,240
Speaker 1: the bench. They take their spots, and he declares, I

1470
01:06:24,360 --> 01:06:28,200
Speaker 1: hereby sentence you to two years. Corey is confused. Today

1471
01:06:28,280 --> 01:06:30,560
Speaker 1: is your sixteenth birthday. Son. That means you have two

1472
01:06:30,640 --> 01:06:33,160
Speaker 1: more years of being a kid. You're luckier than most

1473
01:06:33,160 --> 01:06:35,720
Speaker 1: who appear before me. He then turns to Alan and

1474
01:06:35,800 --> 01:06:38,240
Speaker 1: I sentence you to take those two years and cherish

1475
01:06:38,240 --> 01:06:42,120
Speaker 1: them because they go by too fast. Alan agrees they do,

1476
01:06:42,120 --> 01:06:45,960
Speaker 1: don't they. The judge smiles. It's a speed trap wordplay,

1477
01:06:46,440 --> 01:06:50,440
Speaker 1: wordplay episode. We get a freeze frame of Corey and

1478
01:06:50,480 --> 01:06:52,920
Speaker 1: Allen looking at each other. Freeze frame.

1479
01:06:54,680 --> 01:06:58,520
Speaker 3: It's an interesting episode because it really is like so thematic. Yeah, yeah,

1480
01:06:58,760 --> 01:07:01,720
Speaker 3: because Corey and his dad don't actually.

1481
01:07:03,560 --> 01:07:04,480
Speaker 2: They don't really resolve.

1482
01:07:04,520 --> 01:07:08,240
Speaker 3: They just sort of get more comfortable with their situation. Right,

1483
01:07:08,280 --> 01:07:10,000
Speaker 3: They just both have to acknowledge it.

1484
01:07:10,800 --> 01:07:13,960
Speaker 2: They have to one of them from the other person's side. Right,

1485
01:07:14,440 --> 01:07:15,480
Speaker 2: That's all. That's all it is.

1486
01:07:15,600 --> 01:07:16,600
Speaker 1: You know what I just remembered.

1487
01:07:16,640 --> 01:07:17,000
Speaker 2: You know what.

1488
01:07:17,080 --> 01:07:19,320
Speaker 1: Michael Jacobs is a huge fan of He was a

1489
01:07:19,480 --> 01:07:24,040
Speaker 1: huge fan of the Twilight Zone really uh huh, big

1490
01:07:24,600 --> 01:07:26,200
Speaker 1: big fan of the Twilight Zone, and a couple there

1491
01:07:26,240 --> 01:07:28,280
Speaker 1: were a couple of episodes in particular that were his

1492
01:07:28,840 --> 01:07:33,560
Speaker 1: like favorite favorite. But I think in a lot of

1493
01:07:33,600 --> 01:07:35,640
Speaker 1: ways this episode, now that I think about it, with

1494
01:07:35,720 --> 01:07:38,880
Speaker 1: the weird town and the all the things that.

1495
01:07:38,800 --> 01:07:42,120
Speaker 2: Are altering universe to play out there, Yes.

1496
01:07:42,160 --> 01:07:44,880
Speaker 1: I feel like this was obviously it's a Jeff Sherman episode,

1497
01:07:45,200 --> 01:07:48,800
Speaker 1: but I feel like Michael may have taken some Twilight Zone,

1498
01:07:49,560 --> 01:07:51,760
Speaker 1: you know, because it also just feels like the You

1499
01:07:51,800 --> 01:07:57,040
Speaker 1: could say that the entire episode was somebody saying I

1500
01:07:57,080 --> 01:08:01,000
Speaker 1: want to do an episode about how raising children is

1501
01:08:01,120 --> 01:08:04,560
Speaker 1: a speed trap, and you could picture somebody driving and

1502
01:08:04,560 --> 01:08:06,320
Speaker 1: like going through a speed trap, and then Michael like

1503
01:08:06,600 --> 01:08:09,280
Speaker 1: thinking about it and being like, just like, I guess,

1504
01:08:09,400 --> 01:08:12,280
Speaker 1: like life, the real speed trap is raising children, and

1505
01:08:12,320 --> 01:08:15,200
Speaker 1: that is this That's the elevator pitch of this episode.

1506
01:08:15,480 --> 01:08:17,320
Speaker 4: Well, I think the elevator pitch of this episode is

1507
01:08:17,360 --> 01:08:21,479
Speaker 4: always Corey gets his license. True, that's because they do

1508
01:08:21,479 --> 01:08:24,400
Speaker 4: that in every sitcom, So Corey gets sure.

1509
01:08:24,560 --> 01:08:28,280
Speaker 1: But for the Boy meets World of it All, just

1510
01:08:28,320 --> 01:08:31,639
Speaker 1: an episode where it's about more than that. It's about

1511
01:08:31,680 --> 01:08:35,680
Speaker 1: how you know, driving, growing up too fast in the

1512
01:08:35,760 --> 01:08:37,519
Speaker 1: years and the missing out and all of that.

1513
01:08:37,640 --> 01:08:40,680
Speaker 3: So it's such a counterpoint to eric A license episode, though,

1514
01:08:40,680 --> 01:08:43,040
Speaker 3: which was just wrong, right, Like that was literally just

1515
01:08:43,600 --> 01:08:46,000
Speaker 3: I mean, it's the same situation, right, somebody gets their

1516
01:08:46,040 --> 01:08:49,519
Speaker 3: license and gets in trouble, or in Eric's doesn't actually

1517
01:08:49,520 --> 01:08:51,799
Speaker 3: get his license and still gets But in both cases

1518
01:08:51,840 --> 01:08:54,720
Speaker 3: you have teenagers getting their license or almost getting their

1519
01:08:54,720 --> 01:08:57,880
Speaker 3: license and then having a night out, and one becomes

1520
01:08:57,880 --> 01:09:01,519
Speaker 3: like a farce comedy of situation, and this one really

1521
01:09:01,760 --> 01:09:03,880
Speaker 3: just becomes thematic drama.

1522
01:09:04,000 --> 01:09:07,439
Speaker 1: Yeah yeah, yep, absolutely. So then we're in the tag,

1523
01:09:07,439 --> 01:09:09,760
Speaker 1: we're in the Matthews living room. We see another home

1524
01:09:09,840 --> 01:09:12,960
Speaker 1: video of young Ben slash Corey playing, this time driving

1525
01:09:13,200 --> 01:09:13,760
Speaker 1: joy car.

1526
01:09:14,680 --> 01:09:16,679
Speaker 2: This won't hurt my head a little bit because seeing

1527
01:09:16,760 --> 01:09:20,080
Speaker 2: like a real living room like that was obviously not

1528
01:09:20,120 --> 01:09:21,120
Speaker 2: the Matthews living.

1529
01:09:21,000 --> 01:09:24,080
Speaker 1: Room, right at least not their first not the one

1530
01:09:24,080 --> 01:09:25,200
Speaker 1: we see their old house.

1531
01:09:25,240 --> 01:09:27,240
Speaker 3: I gout, but it just looks so real. It's like

1532
01:09:27,280 --> 01:09:29,479
Speaker 3: a real and I was like, and then we cut

1533
01:09:29,520 --> 01:09:33,040
Speaker 3: to our like very stagey set and I was like,

1534
01:09:33,320 --> 01:09:35,439
Speaker 3: this is this feels weird, Like I don't mind, like

1535
01:09:35,479 --> 01:09:37,439
Speaker 3: the videos when they were outside. But when we're like,

1536
01:09:37,520 --> 01:09:40,080
Speaker 3: can see somebody's living room with like people million about

1537
01:09:40,080 --> 01:09:41,600
Speaker 3: in the back, I was like, Oh, that feels so

1538
01:09:41,680 --> 01:09:44,000
Speaker 3: much more real than our show, which is just like

1539
01:09:44,040 --> 01:09:45,920
Speaker 3: an odd like I.

1540
01:09:45,880 --> 01:09:48,720
Speaker 1: Don't know, but you can't pass up an opportunity when

1541
01:09:48,720 --> 01:09:53,240
Speaker 1: you have real life Ben baby Ben a car in

1542
01:09:53,320 --> 01:09:53,799
Speaker 1: a video.

1543
01:09:54,120 --> 01:09:54,519
Speaker 2: Perfect.

1544
01:09:54,840 --> 01:09:56,600
Speaker 1: And then we're back on the sitcom. We see the

1545
01:09:56,640 --> 01:09:59,360
Speaker 1: Corey and Allen are watching the video together. Alan Pats's

1546
01:09:59,400 --> 01:10:01,439
Speaker 1: son on the show and wishes him a happy birthday.

1547
01:10:01,600 --> 01:10:04,360
Speaker 1: Corey thanks him and then asks when Alan thinks there

1548
01:10:04,400 --> 01:10:07,640
Speaker 1: will be tension between them again, which I thought was like,

1549
01:10:08,080 --> 01:10:09,240
Speaker 1: who says that?

1550
01:10:10,040 --> 01:10:10,519
Speaker 2: Who doesn't?

1551
01:10:10,960 --> 01:10:14,160
Speaker 1: When do you think we'll fight next?

1552
01:10:15,840 --> 01:10:21,280
Speaker 3: Michael jacobsy character, Now that I'm sixteen, I'm feeling this

1553
01:10:21,360 --> 01:10:22,000
Speaker 3: way about my.

1554
01:10:22,640 --> 01:10:25,760
Speaker 1: And we've resolved this conflict, Our next conflict will be

1555
01:10:26,320 --> 01:10:28,800
Speaker 1: it's just very interesting. So Alan admits, the next time

1556
01:10:28,800 --> 01:10:30,920
Speaker 1: we fight, it'll be over your choice of college. They

1557
01:10:30,920 --> 01:10:33,200
Speaker 1: start to nudge each other, play fighting. Corey tells his

1558
01:10:33,280 --> 01:10:35,760
Speaker 1: dad he's not going to college. Alan pushes back, then

1559
01:10:35,800 --> 01:10:37,960
Speaker 1: it'll be over the job you get, Corey tells him

1560
01:10:38,000 --> 01:10:40,719
Speaker 1: circus clown. Alan continues messing with him. I guess it'll

1561
01:10:40,720 --> 01:10:43,240
Speaker 1: be over the woman you're gonna marry. Corey gets serious

1562
01:10:43,439 --> 01:10:45,400
Speaker 1: to Panga and I have already run off to Vegas.

1563
01:10:45,560 --> 01:10:47,760
Speaker 1: Alan shouts to Amy and she yells right back, no

1564
01:10:47,840 --> 01:10:51,160
Speaker 1: more kids. Alan looks at Corey and shrugs, I guess

1565
01:10:51,160 --> 01:10:54,120
Speaker 1: I'm stuck. Corey agrees, and the two start to pretend

1566
01:10:54,160 --> 01:10:56,479
Speaker 1: fight again. We end on a freeze frame of Corey's

1567
01:10:56,520 --> 01:10:59,240
Speaker 1: feet jumping in the air and Alan's fists ready to

1568
01:10:59,280 --> 01:11:00,680
Speaker 1: throw a few punches.

1569
01:11:00,840 --> 01:11:03,800
Speaker 2: And luckily Alan does have another boy later.

1570
01:11:04,200 --> 01:11:07,120
Speaker 1: He sure does. Later in the series, he ends up

1571
01:11:07,160 --> 01:11:10,080
Speaker 1: with another son. Thank so you don't have to worry.

1572
01:11:10,120 --> 01:11:11,280
Speaker 1: He's not stuck.

1573
01:11:11,640 --> 01:11:14,920
Speaker 2: He can do it all again with another kid he loves.

1574
01:11:15,200 --> 01:11:17,200
Speaker 2: It's cute to see Ben and Rusty.

1575
01:11:17,120 --> 01:11:20,320
Speaker 4: Yeah, fighting wrestling Mott daddy kids.

1576
01:11:20,320 --> 01:11:22,640
Speaker 2: This is the way they actually were on set too.

1577
01:11:22,720 --> 01:11:26,360
Speaker 1: They were they were like, thank you all for joining

1578
01:11:26,400 --> 01:11:30,200
Speaker 1: us for this episode of Podmeats World. Our next episode

1579
01:11:30,240 --> 01:11:34,320
Speaker 1: recap will be season four, episode fifteen, a little episode

1580
01:11:34,360 --> 01:11:37,120
Speaker 1: you may have heard of called Chick Like Me.

1581
01:11:37,520 --> 01:11:43,080
Speaker 4: Famous episode alert fame so many I know one after

1582
01:11:43,680 --> 01:11:46,760
Speaker 4: Have you snuck forward a little bit just to see

1583
01:11:46,760 --> 01:11:49,600
Speaker 4: the titles of the episodes coming up on Disney Plus.

1584
01:11:49,360 --> 01:11:51,480
Speaker 2: We've got the Cult one, the Cult.

1585
01:11:51,240 --> 01:11:55,559
Speaker 4: Ones coming up. Long Walk to Pittsburgh one. It's like

1586
01:11:55,800 --> 01:11:58,160
Speaker 4: Chick Like Me is coming up. It is Security Guy

1587
01:11:58,240 --> 01:11:59,920
Speaker 4: is coming up one after another.

1588
01:12:00,000 --> 01:12:01,840
Speaker 1: When you figure this, this next one, Check Like Me

1589
01:12:01,960 --> 01:12:05,920
Speaker 1: is four fifteen, So we have like seven episodes and

1590
01:12:06,040 --> 01:12:09,760
Speaker 1: yet they're all going to be like IC Seriously, it's

1591
01:12:09,760 --> 01:12:13,800
Speaker 1: banger after banger. It's crazy, pretty crazy as always. You

1592
01:12:13,800 --> 01:12:15,760
Speaker 1: can follow us on Instagram Pod Meets World Show. You

1593
01:12:15,760 --> 01:12:18,040
Speaker 1: can send us your emails pod Meets World Show at

1594
01:12:18,040 --> 01:12:20,439
Speaker 1: gmail dot com and we have merch.

1595
01:12:20,800 --> 01:12:22,879
Speaker 2: I want my Christmas presents from you, writer.

1596
01:12:22,920 --> 01:12:27,679
Speaker 1: March Oodmeetsworldshow dot com writer send us out.

1597
01:12:28,040 --> 01:12:29,880
Speaker 2: We love you all. Pod dismissed.

1598
01:12:31,680 --> 01:12:35,080
Speaker 3: Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1599
01:12:35,160 --> 01:12:39,320
Speaker 3: Wilfridell and Ryder Strong. Executive producers Jensen Karp and Amy Sugarman.

1600
01:12:39,439 --> 01:12:44,120
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor, Tarasubach, producer,

1601
01:12:44,200 --> 01:12:47,400
Speaker 3: Maddie Moore, engineer and boy meets World Superman Easton Allen.

1602
01:12:47,560 --> 01:12:50,679
Speaker 3: Our theme song is by Kyle Morton of Typhoon. Follow

1603
01:12:50,760 --> 01:12:53,559
Speaker 3: us on Instagram at podmeets World Show, or email us

1604
01:12:53,600 --> 01:12:58,880
Speaker 3: at podmeets World Show at gmail dot com.