1 00:00:00,800 --> 00:00:03,600 Speaker 1: I am six forty. You're listening to the John Cobel 2 00:00:03,720 --> 00:00:05,520 Speaker 1: podcast on the iHeartRadio app. 3 00:00:06,360 --> 00:00:07,640 Speaker 2: Mark Thompson sitting in for John. 4 00:00:07,720 --> 00:00:10,240 Speaker 3: Really cool to be with my pals at KFI and 5 00:00:10,280 --> 00:00:11,040 Speaker 3: at iHeart. 6 00:00:11,119 --> 00:00:12,400 Speaker 2: We have much to do. 7 00:00:12,600 --> 00:00:18,880 Speaker 3: I unearthed the cameo sent to me by George Well, 8 00:00:18,920 --> 00:00:22,759 Speaker 3: sent to me by my Courtney, who had George Santos 9 00:00:22,800 --> 00:00:23,040 Speaker 3: do it. 10 00:00:23,079 --> 00:00:25,160 Speaker 2: This is at my birthday in December. 11 00:00:25,280 --> 00:00:27,159 Speaker 3: I will not play it now but because we have 12 00:00:27,200 --> 00:00:30,800 Speaker 3: a visit with a luminary on the line, but after 13 00:00:31,440 --> 00:00:34,080 Speaker 3: that I will play it. I also want to acknowledge 14 00:00:34,120 --> 00:00:37,440 Speaker 3: I think Angel Martinez is absolutely right. It's called the 15 00:00:37,520 --> 00:00:41,200 Speaker 3: observer effect, where the act of observing. In this case 16 00:00:41,240 --> 00:00:44,680 Speaker 3: we were talking about the big bear bald eagle nest. 17 00:00:45,440 --> 00:00:48,000 Speaker 3: The act of observing changes the outcome. Now, then we're 18 00:00:48,000 --> 00:00:50,320 Speaker 3: not saying that that happened in the case of the 19 00:00:50,360 --> 00:00:54,880 Speaker 3: bald eagle eggs. But Debra sort of was suggesting, you know, 20 00:00:55,360 --> 00:00:57,640 Speaker 3: is that a thing? I mean, are they aware that 21 00:00:57,680 --> 00:01:01,080 Speaker 3: there's a camera there? So, but that's what it's called. 22 00:01:01,360 --> 00:01:03,760 Speaker 3: I was thinking it's the Schrodinger's cat, which is a 23 00:01:03,800 --> 00:01:08,600 Speaker 3: different physics deal. But I think Angel's right, it's the 24 00:01:08,640 --> 00:01:11,160 Speaker 3: observer effect, the act of observing. Does that change the 25 00:01:11,160 --> 00:01:14,920 Speaker 3: outcome somehow? Anyway? All right, that's the old news. Now 26 00:01:14,959 --> 00:01:18,000 Speaker 3: to the news of the weekend here on KFI. Joining 27 00:01:18,080 --> 00:01:21,639 Speaker 3: us on the big Oscar celebrity line is Sam Rubin 28 00:01:21,720 --> 00:01:27,120 Speaker 3: from KTLA, who is always on top of not only 29 00:01:27,160 --> 00:01:31,400 Speaker 3: the Oscars but every kind of award show that comes 30 00:01:31,440 --> 00:01:35,080 Speaker 3: down the Red Carpet. There is a live KTLA Live 31 00:01:35,080 --> 00:01:38,959 Speaker 3: from the Oscars show this Sunday. It's from one until 32 00:01:39,040 --> 00:01:42,440 Speaker 3: three thirty, so you're on all the way up until 33 00:01:42,520 --> 00:01:47,600 Speaker 3: close to showtime. Their show starts at four. I think, right, Sam, Hello, 34 00:01:48,280 --> 00:01:51,360 Speaker 3: Oh okay? Hello Sam? No, not kidding it. 35 00:01:52,520 --> 00:01:55,200 Speaker 4: No, No, Mark, I'm hello, I got you okay. And 36 00:01:56,120 --> 00:01:59,440 Speaker 4: I appreciate the the luminary reference. Although my highlight was 37 00:01:59,480 --> 00:02:02,000 Speaker 4: when I called the screener a few moments ago. I 38 00:02:02,120 --> 00:02:04,040 Speaker 4: had no idea not but I respected he would who 39 00:02:04,040 --> 00:02:05,280 Speaker 4: I was, nor who you were. 40 00:02:09,840 --> 00:02:10,840 Speaker 2: That's a great story. 41 00:02:11,000 --> 00:02:13,200 Speaker 3: All right, Well, we're off to a hot start, so 42 00:02:13,800 --> 00:02:16,560 Speaker 3: you do a live from the Oscar show, I was 43 00:02:16,600 --> 00:02:18,480 Speaker 3: saying on the Red Carpet from one to three point 44 00:02:18,480 --> 00:02:21,840 Speaker 3: thirty this Sunday on Channel five. But what what can 45 00:02:21,880 --> 00:02:27,040 Speaker 3: we expect on the show the main Oscars event. 46 00:02:27,080 --> 00:02:28,560 Speaker 2: I've said it before. I don't think you can really 47 00:02:28,560 --> 00:02:29,320 Speaker 2: compare these things. 48 00:02:29,360 --> 00:02:32,400 Speaker 3: I mean you can these these are Are you calling 49 00:02:32,480 --> 00:02:35,639 Speaker 3: us from a microwave oven? Why do I hear that sound? 50 00:02:35,680 --> 00:02:42,640 Speaker 3: That banging sound? And yes, are you in the middle 51 00:02:42,639 --> 00:02:46,760 Speaker 3: of do me a favor? Yeah, get Sam to a 52 00:02:46,800 --> 00:02:49,480 Speaker 3: place we can talk to him. Yeah, get Sam to 53 00:02:49,520 --> 00:02:51,160 Speaker 3: a place we can talk to him, or have them 54 00:02:51,160 --> 00:02:51,720 Speaker 3: called us back. 55 00:02:51,800 --> 00:02:53,240 Speaker 2: Yeah. It's always weird. 56 00:02:53,960 --> 00:02:57,760 Speaker 3: I think when you compare these movies, because they're just 57 00:02:58,160 --> 00:03:04,839 Speaker 3: you know, you're gonna compare American fiction to Napoleon. I mean, 58 00:03:05,000 --> 00:03:07,240 Speaker 3: tell me how you do that. You're going to compare 59 00:03:07,560 --> 00:03:10,560 Speaker 3: Maestro to Oppenheimer. How are you going to do that? 60 00:03:11,200 --> 00:03:14,960 Speaker 3: I mean, it just doesn't make poor things. You're you're 61 00:03:14,960 --> 00:03:17,680 Speaker 3: gonna throw that out the way somehow. To Barbie, You're 62 00:03:17,720 --> 00:03:20,480 Speaker 3: gonna you see what I mean, They just you can't 63 00:03:20,480 --> 00:03:23,640 Speaker 3: compare them. If I said, what should get the award 64 00:03:23,919 --> 00:03:29,440 Speaker 3: Michael Angelo's David or Leonardo da Vinci's Mona Lisa, Well, 65 00:03:29,480 --> 00:03:31,800 Speaker 3: they're totally different. You can't compare them. And what are 66 00:03:31,800 --> 00:03:34,880 Speaker 3: you talking about? That's exactly what these movies are. So 67 00:03:35,240 --> 00:03:39,320 Speaker 3: the Oscars started as a promotion for Hollywood. It was 68 00:03:39,320 --> 00:03:43,480 Speaker 3: like a twenty minute long thing. Then it got some 69 00:03:43,600 --> 00:03:48,080 Speaker 3: momentum and it turned into you know the Academy. 70 00:03:48,120 --> 00:03:49,400 Speaker 2: They call it the Academy. 71 00:03:49,480 --> 00:03:51,920 Speaker 3: I mean, if you live in southern California and you 72 00:03:52,400 --> 00:03:56,080 Speaker 3: work and live around Los Angeles in Hollywood, you know 73 00:03:56,160 --> 00:04:00,360 Speaker 3: the Academy. You know they mean, Well, don't get me wrong, 74 00:04:00,400 --> 00:04:03,680 Speaker 3: but not everybody there is, you know, very academy like 75 00:04:03,880 --> 00:04:06,320 Speaker 3: I mean, can be a lot of people sitting around 76 00:04:06,360 --> 00:04:08,720 Speaker 3: in T shirts on the couch and they don't even 77 00:04:08,760 --> 00:04:12,520 Speaker 3: watch all the movies. So I don't mean to run 78 00:04:12,600 --> 00:04:14,680 Speaker 3: down the Oscars either. I think it's really great that 79 00:04:14,720 --> 00:04:18,679 Speaker 3: they celebrate this tremendous art form. But I'm just saying 80 00:04:19,040 --> 00:04:23,720 Speaker 3: the nature of these comparisons is tortured. To begin with 81 00:04:23,880 --> 00:04:27,520 Speaker 3: that said, we love it. It's broadcast worldwide, and Sam 82 00:04:28,160 --> 00:04:29,960 Speaker 3: has reported on it dutifully. I want to say for 83 00:04:29,960 --> 00:04:32,039 Speaker 3: a couple of decades. Now Sam is back with us. 84 00:04:32,120 --> 00:04:32,320 Speaker 2: Now. 85 00:04:33,920 --> 00:04:37,920 Speaker 4: The mistake of all times being a Ludi and trying 86 00:04:37,920 --> 00:04:40,320 Speaker 4: to go high tech. I thought it would be cool 87 00:04:40,360 --> 00:04:43,360 Speaker 4: if I was, you know, wearing the iPods and talking 88 00:04:43,360 --> 00:04:45,480 Speaker 4: on the radio, well walking, but I realized that was 89 00:04:45,520 --> 00:04:46,320 Speaker 4: a major mistake. 90 00:04:46,800 --> 00:04:48,599 Speaker 1: Now I'm with you for Keith Cool. 91 00:04:48,880 --> 00:04:52,200 Speaker 3: So you know, I was just talking about, you know 92 00:04:52,680 --> 00:04:54,800 Speaker 3: how difficult it is to compare these various things. But 93 00:04:55,000 --> 00:04:58,280 Speaker 3: there are films that are odds on favorites every year 94 00:04:58,320 --> 00:04:59,120 Speaker 3: to do really well. 95 00:04:59,160 --> 00:05:02,479 Speaker 2: It seems to me Aennheimer's one of them. Are there? Others? 96 00:05:02,520 --> 00:05:03,000 Speaker 2: Are there? 97 00:05:03,080 --> 00:05:05,880 Speaker 3: Are there also rams that could turn out to be 98 00:05:06,080 --> 00:05:08,400 Speaker 3: really celebrated by the Academy. 99 00:05:09,839 --> 00:05:13,480 Speaker 4: I think the dilemma this year mark which is not unique, 100 00:05:13,520 --> 00:05:15,280 Speaker 4: but it is more acute this year than it has 101 00:05:15,279 --> 00:05:19,760 Speaker 4: ever been, is all these predicted winners are almost certain 102 00:05:19,839 --> 00:05:23,120 Speaker 4: to be the winners. So how do we generate excitement 103 00:05:23,160 --> 00:05:27,080 Speaker 4: on Oscar Sunday when these main six categories have been 104 00:05:27,160 --> 00:05:30,040 Speaker 4: parsed and there's all the precursor awards, et cetera. So 105 00:05:30,480 --> 00:05:33,479 Speaker 4: you know, you know more about gaming than I do. 106 00:05:33,560 --> 00:05:37,480 Speaker 4: And frankly most anybody I believe you have to bet. 107 00:05:37,880 --> 00:05:40,320 Speaker 4: You tell me what you have to bet eight thousand 108 00:05:40,360 --> 00:05:44,520 Speaker 4: dollars on Oppenheimer to win Best Picture. If you bet 109 00:05:44,920 --> 00:05:47,320 Speaker 4: eight thousand dollars, you'll get one hundred dollars back. 110 00:05:47,520 --> 00:05:48,000 Speaker 5: Wow. 111 00:05:48,440 --> 00:05:50,320 Speaker 2: Yeah, that let's just let you know. Yeah, So the 112 00:05:50,360 --> 00:05:51,640 Speaker 2: smart money is there with Alpenheimer. 113 00:05:51,760 --> 00:05:53,839 Speaker 3: So then you turn to some of the other things 114 00:05:53,839 --> 00:05:58,000 Speaker 3: that and they use that category is a last category 115 00:05:58,040 --> 00:06:01,640 Speaker 3: is the big payoff. But to that, they're supporting actor. 116 00:06:01,920 --> 00:06:03,880 Speaker 3: And I wonder if you can just maybe run through 117 00:06:03,880 --> 00:06:04,440 Speaker 3: some of that other. 118 00:06:04,760 --> 00:06:07,039 Speaker 4: Right we can, Yeah, yeah we can, we can certain 119 00:06:07,120 --> 00:06:08,520 Speaker 4: we can certainly talk about those. 120 00:06:09,920 --> 00:06:12,120 Speaker 2: And I know and one that springs to mind is 121 00:06:12,120 --> 00:06:15,320 Speaker 2: in the holdovers, because I think the nominated actress is 122 00:06:15,360 --> 00:06:16,640 Speaker 2: only on screen for maybe ten. 123 00:06:16,520 --> 00:06:21,320 Speaker 4: Minutes, right, uh, Divine Joy Randolph. And so she is. 124 00:06:21,480 --> 00:06:23,760 Speaker 4: She is a lock of lock. She has won every 125 00:06:23,920 --> 00:06:27,799 Speaker 4: single precursor and again she is the best supporting actress, 126 00:06:28,040 --> 00:06:31,360 Speaker 4: but supporting in small letters. She's not in the movie 127 00:06:31,440 --> 00:06:35,120 Speaker 4: that much. And so you know, some people suggest, well 128 00:06:35,160 --> 00:06:38,880 Speaker 4: she the Academy loves the movie. They love Paul Giamatti, 129 00:06:38,920 --> 00:06:41,960 Speaker 4: but they can't really award it to him, so because 130 00:06:42,040 --> 00:06:44,680 Speaker 4: Killy and Murphy will get it Forroppenheimer. So this is 131 00:06:44,680 --> 00:06:47,520 Speaker 4: an award for her and an award for the entire movie. 132 00:06:47,800 --> 00:06:50,160 Speaker 4: The one thing that I like about you know that 133 00:06:50,160 --> 00:06:53,320 Speaker 4: these are Cinderella stories to a degree, and the speech 134 00:06:53,360 --> 00:06:55,640 Speaker 4: she made at the Screen Actress Build Awards, and you know, 135 00:06:55,680 --> 00:06:59,440 Speaker 4: I'm a fan of all this stuff. But you know, 136 00:06:59,480 --> 00:07:03,440 Speaker 4: for every person out in southern California, every person listening 137 00:07:03,480 --> 00:07:06,000 Speaker 4: right now, probably one out of ten, you know, is 138 00:07:06,040 --> 00:07:08,719 Speaker 4: hoping to get a sad card, or that the agent 139 00:07:08,760 --> 00:07:12,600 Speaker 4: will call, or something. She said, you know, with conviction, 140 00:07:12,760 --> 00:07:15,640 Speaker 4: because it's what happened to her. You know, your life 141 00:07:15,760 --> 00:07:19,440 Speaker 4: can change with one phone call, and her career trajectory, 142 00:07:19,440 --> 00:07:22,360 Speaker 4: although she certainly has worked before, you know, has changed 143 00:07:22,520 --> 00:07:27,080 Speaker 4: completely because of this ten minutes on screen in The Holdovers. 144 00:07:27,240 --> 00:07:28,760 Speaker 3: By the way, that's the kind of actor I'd like 145 00:07:28,800 --> 00:07:30,480 Speaker 3: to be, you know, book me for a film, Let 146 00:07:30,520 --> 00:07:32,440 Speaker 3: me do ten minutes, collect my oscar, and I'm out 147 00:07:32,440 --> 00:07:32,880 Speaker 3: of here my car. 148 00:07:32,880 --> 00:07:34,760 Speaker 2: I would right to wrap my career up after one 149 00:07:35,200 --> 00:07:38,080 Speaker 2: What is the right? What was she in prior to this? 150 00:07:38,160 --> 00:07:40,040 Speaker 2: Divine Joy? Randolph from the Old Overs? 151 00:07:40,200 --> 00:07:40,600 Speaker 3: You know what? 152 00:07:40,680 --> 00:07:43,080 Speaker 4: I should be able to rattle off those titles to you, 153 00:07:43,200 --> 00:07:45,679 Speaker 4: and several of my colleagues could. I can't. 154 00:07:45,800 --> 00:07:48,480 Speaker 2: But more to the point, Sam, more to the point 155 00:07:48,520 --> 00:07:50,600 Speaker 2: I guess I'm getting at, is that this really was 156 00:07:50,680 --> 00:07:51,320 Speaker 2: her big break. 157 00:07:51,400 --> 00:07:55,000 Speaker 4: Yes, yes, this is this is what really put her 158 00:07:55,080 --> 00:07:58,920 Speaker 4: on the map as far as Hollywood in general is concerned. 159 00:07:58,920 --> 00:08:02,400 Speaker 4: And another example of this, which I think is is 160 00:08:02,440 --> 00:08:05,040 Speaker 4: why and this is a cliche phrase I use on 161 00:08:05,080 --> 00:08:09,360 Speaker 4: the air constantly, The nomination is the win. Take a 162 00:08:09,480 --> 00:08:12,840 Speaker 4: really good actor like Coleman Domingo. Coleman Domingo has worked 163 00:08:12,840 --> 00:08:15,040 Speaker 4: for years and years and years. I believe it was 164 00:08:15,080 --> 00:08:17,800 Speaker 4: Fear of the Walking Dead was his TV series that 165 00:08:18,080 --> 00:08:19,800 Speaker 4: ran for a really long time. He's done, you know, 166 00:08:20,240 --> 00:08:26,239 Speaker 4: forty fifty roles. But now suddenly everybody's like, oh, that guy, 167 00:08:26,520 --> 00:08:29,320 Speaker 4: that guy's Coleman Domingo. Oh, and that guy has the 168 00:08:29,360 --> 00:08:32,800 Speaker 4: greatest personality ever. And that guy is you know, a 169 00:08:32,920 --> 00:08:35,760 Speaker 4: very compelling speaker and a great guy to interview, and 170 00:08:35,840 --> 00:08:40,120 Speaker 4: booked three major movies during award season. So I think 171 00:08:40,200 --> 00:08:43,680 Speaker 4: it stuff like that, you know, it helps immeasurably. And 172 00:08:43,720 --> 00:08:46,360 Speaker 4: then one other thing we're learning about this has existed 173 00:08:46,440 --> 00:08:49,439 Speaker 4: for a long time and it's at a heightened, heightened pace. 174 00:08:50,040 --> 00:08:52,360 Speaker 4: All these guys are getting fashion deals to walk down 175 00:08:52,400 --> 00:08:54,200 Speaker 4: the red carpet. So I could tell you that, you know, 176 00:08:54,240 --> 00:08:57,600 Speaker 4: Emma Stone will be in you know, gievon Gie before 177 00:08:57,600 --> 00:09:00,560 Speaker 4: she even walks the red carpet or whatever sign and 178 00:09:00,559 --> 00:09:02,160 Speaker 4: she will make millions for that. 179 00:09:02,880 --> 00:09:03,480 Speaker 2: Wow. 180 00:09:04,160 --> 00:09:07,680 Speaker 3: Wow, what an industry you're in Sam. I can only 181 00:09:07,760 --> 00:09:11,520 Speaker 3: imagine the lavishness that is just lathered all over you 182 00:09:11,600 --> 00:09:14,600 Speaker 3: every award season too, because you're there on that red 183 00:09:14,600 --> 00:09:18,000 Speaker 3: carpet next to that Megan Henderson, who I think is 184 00:09:18,559 --> 00:09:21,840 Speaker 3: terrifically uh she's always dressed to the nines as well. 185 00:09:21,960 --> 00:09:24,720 Speaker 3: And is who else is with you on that show 186 00:09:24,760 --> 00:09:26,839 Speaker 3: that you do the lead up to the Oscars. 187 00:09:27,200 --> 00:09:29,440 Speaker 4: It's a Jessica Holmes of course, and Doug Colk. So 188 00:09:29,520 --> 00:09:32,040 Speaker 4: we really pride ourselves and we do all these shows, 189 00:09:32,200 --> 00:09:34,560 Speaker 4: you know, Critics Choice and the Emmys and all these 190 00:09:34,559 --> 00:09:37,760 Speaker 4: shows together is a foursome. Jessica and I are right 191 00:09:37,840 --> 00:09:41,160 Speaker 4: on the red carpet, and you know, I enjoy that 192 00:09:41,200 --> 00:09:45,520 Speaker 4: too so much because it's a really you know, if 193 00:09:45,520 --> 00:09:48,840 Speaker 4: Hollywood is high school with money, this is the prom 194 00:09:48,960 --> 00:09:53,079 Speaker 4: and it is this emotional, vulnerable time and all there 195 00:09:53,120 --> 00:09:55,560 Speaker 4: are these other award shows and all that, but when 196 00:09:55,600 --> 00:09:58,360 Speaker 4: you go, you know, it's a you know, enormous hassle 197 00:09:58,400 --> 00:10:01,160 Speaker 4: to get there. You go through, you know, on airport 198 00:10:01,240 --> 00:10:05,880 Speaker 4: security times ten, and then you arrive on that carpet 199 00:10:05,920 --> 00:10:08,280 Speaker 4: and it hits you, and it hits you in the 200 00:10:08,280 --> 00:10:10,960 Speaker 4: most significant way. And that the two names all drop 201 00:10:11,040 --> 00:10:14,240 Speaker 4: right now? Is I remember both Jennifer Lawrence and Kim 202 00:10:14,320 --> 00:10:19,320 Speaker 4: Beasinger trembling, literally shaking because they just you know, this 203 00:10:19,480 --> 00:10:22,439 Speaker 4: is every person with their hair brush practicing in the 204 00:10:22,480 --> 00:10:26,640 Speaker 4: mirror when they were twelve, and now they're there. Yeah, really, career, 205 00:10:26,840 --> 00:10:27,720 Speaker 4: it's really happening. 206 00:10:28,240 --> 00:10:30,760 Speaker 3: Can you Sam stay with us for just a second 207 00:10:30,800 --> 00:10:32,440 Speaker 3: because we did kind of start late because of our 208 00:10:32,440 --> 00:10:35,199 Speaker 3: technical step. So yeah, And I love that Jessica Holmes. 209 00:10:35,240 --> 00:10:38,600 Speaker 3: I think she's unflappable, charming and adorable. And I love 210 00:10:38,640 --> 00:10:41,000 Speaker 3: that you guys are together for this thing on Sunday. 211 00:10:41,040 --> 00:10:43,800 Speaker 3: So one to one to three thirty on KTLA. All right, 212 00:10:43,840 --> 00:10:45,760 Speaker 3: we'll continue with Sam Rybin more about the Oscars and 213 00:10:45,840 --> 00:10:48,360 Speaker 3: about what to expect. As we continue. John Cobalt Show 214 00:10:48,440 --> 00:10:51,640 Speaker 3: six forty. KFI is where we are. We call it 215 00:10:51,720 --> 00:10:55,439 Speaker 3: KFI AM six forty. We're live everywhere on the iHeartRadio app. 216 00:10:56,040 --> 00:11:00,160 Speaker 5: You're listening to John Cobelt on demand from KFI A 217 00:11:00,400 --> 00:11:00,959 Speaker 5: six forty. 218 00:11:02,320 --> 00:11:04,719 Speaker 3: We're talking to Sam Rubin about the Oscars coming up 219 00:11:04,760 --> 00:11:07,240 Speaker 3: Sunday's a big deal and if you're going to Oscar 220 00:11:07,320 --> 00:11:10,120 Speaker 3: viewing party, whatever you own, Sam's on that red carpet 221 00:11:10,160 --> 00:11:12,840 Speaker 3: he's got the KTLA show from one until four. They 222 00:11:12,920 --> 00:11:14,920 Speaker 3: start the Oscars at four this year, Sam, Why are 223 00:11:14,920 --> 00:11:16,520 Speaker 3: they starting them an hour earlier. 224 00:11:17,000 --> 00:11:19,920 Speaker 4: Because they get a precipitous decline in viewership, particularly in 225 00:11:19,920 --> 00:11:22,880 Speaker 4: the East Coast, once they go past X time. The 226 00:11:22,880 --> 00:11:26,440 Speaker 4: Oscars for many years in the East started at eight, 227 00:11:26,679 --> 00:11:29,040 Speaker 4: and you know it's scheduled for three and a half hours. 228 00:11:29,080 --> 00:11:31,000 Speaker 4: Once you get past eleven PM in the East, and 229 00:11:31,120 --> 00:11:34,160 Speaker 4: particularly once you get past midnight, and the show many 230 00:11:34,200 --> 00:11:36,800 Speaker 4: times has run more than four hours, people got to 231 00:11:36,800 --> 00:11:40,120 Speaker 4: go to bed. Yeah, so they decided to start an 232 00:11:40,120 --> 00:11:41,640 Speaker 4: hour euler and then the other thing, which I think 233 00:11:41,720 --> 00:11:44,360 Speaker 4: is really gonna affect things, and I almost I am 234 00:11:44,400 --> 00:11:46,200 Speaker 4: certain there's going to be one or two very tardy 235 00:11:46,200 --> 00:11:49,960 Speaker 4: stars because the time change Saturday nine and Sunday, people 236 00:11:49,960 --> 00:11:50,800 Speaker 4: are gonna forget the name. 237 00:11:50,920 --> 00:11:58,040 Speaker 2: Oh wow, that's such an underreported thoughts big time. Well, 238 00:11:59,040 --> 00:12:02,280 Speaker 2: I'm looking forward to seeing Jimmy Kimmel hosting. I just 239 00:12:02,320 --> 00:12:05,280 Speaker 2: love Jimmy Kimmel, and I think he's you know, the clay. 240 00:12:05,280 --> 00:12:07,000 Speaker 2: They love him too, otherwise you wouldn't be back to 241 00:12:07,040 --> 00:12:07,679 Speaker 2: host it again. 242 00:12:07,840 --> 00:12:11,040 Speaker 4: But what it is, well, I think he's comfortable, you know, 243 00:12:11,080 --> 00:12:14,880 Speaker 4: his wife is the executive producer. So I think Molly 244 00:12:14,960 --> 00:12:19,320 Speaker 4: will try to hear it towards his strength, and you know, 245 00:12:19,360 --> 00:12:23,400 Speaker 4: I think he is relaxed and comfortable. And what happened 246 00:12:23,480 --> 00:12:27,280 Speaker 4: last year Brenda Fraser, most notably is you know, there 247 00:12:27,280 --> 00:12:31,720 Speaker 4: are these moments, there's there are these really emotional emotional moments, 248 00:12:31,760 --> 00:12:34,079 Speaker 4: and that's what you hope for. The thing you don't 249 00:12:34,120 --> 00:12:36,800 Speaker 4: want to see happen is somebody just pulling out a 250 00:12:36,800 --> 00:12:38,960 Speaker 4: piece of paper and you know, reading at you know, 251 00:12:39,000 --> 00:12:41,760 Speaker 4: oh and my friend at uta blah blah blah. Nobody 252 00:12:41,760 --> 00:12:42,520 Speaker 4: wants to hear that. 253 00:12:44,080 --> 00:12:47,400 Speaker 3: I'm just looking at other movies. Anatomy of a Fall 254 00:12:47,640 --> 00:12:50,560 Speaker 3: I really liked. I mean, it's so it was. 255 00:12:50,840 --> 00:12:54,040 Speaker 4: Yeah, but that's another temple. I'm glad you bring that up. 256 00:12:54,640 --> 00:12:57,319 Speaker 4: Would you have heard of anatomy of a fall if 257 00:12:57,360 --> 00:12:59,520 Speaker 4: it weren't quote unquote in the Oscar conversation? 258 00:12:59,640 --> 00:13:03,040 Speaker 3: Great, great point. So the oscars in that sense do 259 00:13:03,200 --> 00:13:05,839 Speaker 3: what they're supposed to do. They raise your awareness of. 260 00:13:05,840 --> 00:13:11,600 Speaker 4: Movies precisely right. And so in this particular year, all 261 00:13:11,679 --> 00:13:15,160 Speaker 4: ten Best Picture nominees are worthy. It's not like, oh, 262 00:13:15,160 --> 00:13:17,320 Speaker 4: there's eight and then we threw in the Angelina's movie 263 00:13:17,360 --> 00:13:19,840 Speaker 4: because we hope to show it up or something like that. 264 00:13:21,240 --> 00:13:24,079 Speaker 3: It's interesting because, as you say it, and I think 265 00:13:24,080 --> 00:13:26,160 Speaker 3: you make that case very well with just that example 266 00:13:26,200 --> 00:13:30,160 Speaker 3: of Anatomy of Fall. You see the absurdity of comparing 267 00:13:30,200 --> 00:13:32,640 Speaker 3: these films in Best Picture, but you also see the 268 00:13:32,760 --> 00:13:37,719 Speaker 3: virtue in creating a competition, a fake competition, even though 269 00:13:37,880 --> 00:13:40,760 Speaker 3: I know it really takes it very seriously because it 270 00:13:40,800 --> 00:13:43,280 Speaker 3: does bring your attention to these ten films. You almost 271 00:13:43,400 --> 00:13:45,760 Speaker 3: wish that you know more of these other films, like 272 00:13:45,960 --> 00:13:50,760 Speaker 3: the international films, the foreign films, the films that the shorts, 273 00:13:50,840 --> 00:13:53,000 Speaker 3: all of these things, the best animated shorts. 274 00:13:53,080 --> 00:13:54,640 Speaker 2: We used to go to the live action short. 275 00:13:55,240 --> 00:13:58,240 Speaker 3: There's a little not a film festival, but they had 276 00:13:58,320 --> 00:14:01,200 Speaker 3: all the shorts over at the it was on the 277 00:14:01,200 --> 00:14:03,920 Speaker 3: West Side, that AMC theater. Now it's closed. I think 278 00:14:05,080 --> 00:14:08,800 Speaker 3: I feel kind of that's sad that more oxygen media 279 00:14:08,840 --> 00:14:10,480 Speaker 3: wise doesn't go to some of that stuff. 280 00:14:11,520 --> 00:14:15,960 Speaker 4: Right. I don't disagree with you, but Jeffrey Wright, who 281 00:14:16,040 --> 00:14:19,160 Speaker 4: of course is so great in American fiction, pointed out 282 00:14:19,200 --> 00:14:22,480 Speaker 4: that American fiction probably didn't have the total budget that 283 00:14:22,560 --> 00:14:25,480 Speaker 4: the catering budget on the Batman movie. He did had. 284 00:14:26,080 --> 00:14:28,240 Speaker 4: So I do like the idea, though I do think 285 00:14:28,280 --> 00:14:31,080 Speaker 4: Oppenheimer is likely to dominate. I do like the idea 286 00:14:31,120 --> 00:14:33,680 Speaker 4: that these quote unquote smaller movies, but movies with the 287 00:14:33,760 --> 00:14:39,120 Speaker 4: extraordinary merit are at least in that conversation. And you know, 288 00:14:39,320 --> 00:14:41,120 Speaker 4: there are people all over the country. You know, you 289 00:14:41,160 --> 00:14:43,800 Speaker 4: would think Hollywood woud the epicenter. Who are these rabbit 290 00:14:43,880 --> 00:14:46,760 Speaker 4: film fans? And so they make a point because you know, 291 00:14:46,800 --> 00:14:49,120 Speaker 4: they want to be the smartest guy at their oscar party. 292 00:14:49,440 --> 00:14:51,640 Speaker 4: Well you know, I saw that one, you know, and 293 00:14:51,680 --> 00:14:55,360 Speaker 4: I saw a zone of interest, and they want to 294 00:14:55,360 --> 00:14:58,040 Speaker 4: be able to say that they did. 295 00:14:58,080 --> 00:15:01,880 Speaker 3: All right before before you leave, a Sam Rubbin, tell 296 00:15:02,000 --> 00:15:06,080 Speaker 3: me how I at my oscar party? Fill out the 297 00:15:06,120 --> 00:15:10,720 Speaker 3: stuff like short film, animated short film, live action, documentary, 298 00:15:10,760 --> 00:15:13,600 Speaker 3: short subject, visual effects, visual effects. 299 00:15:13,600 --> 00:15:14,840 Speaker 2: At least they can take a shot at. 300 00:15:14,880 --> 00:15:16,960 Speaker 3: I mean, these are films that maybe I've seen or 301 00:15:17,280 --> 00:15:19,240 Speaker 3: you know, I know what a visual effect is. But 302 00:15:19,320 --> 00:15:21,520 Speaker 3: some of these documentary short subjects, I don't even know 303 00:15:21,520 --> 00:15:23,040 Speaker 3: how to take a shot at those. 304 00:15:23,920 --> 00:15:26,040 Speaker 4: Well, a website you may or may not be familiar 305 00:15:26,120 --> 00:15:30,800 Speaker 4: with is called Goldderby dot com. Okay, and Golderby dot 306 00:15:30,800 --> 00:15:37,000 Speaker 4: com is again to your interest. Is the betting person's 307 00:15:37,040 --> 00:15:41,120 Speaker 4: website strictly for award shows, so they handicap it. They 308 00:15:41,120 --> 00:15:45,480 Speaker 4: have experts, they have amateurs, and they also I really 309 00:15:45,520 --> 00:15:48,560 Speaker 4: like gold Derby tremendously and they also have contests, so 310 00:15:48,600 --> 00:15:52,520 Speaker 4: if you enter as an amateur and you win, you know, 311 00:15:52,560 --> 00:15:56,160 Speaker 4: the prizes maybe yours popcorn at AMC or I think 312 00:15:56,200 --> 00:15:58,720 Speaker 4: there may be cash prizes. But a site like gold 313 00:15:58,760 --> 00:16:02,560 Speaker 4: Derby is particularly good at this kind of thing because 314 00:16:02,680 --> 00:16:07,560 Speaker 4: here's twenty people on you know, obscure category number seventeen. 315 00:16:08,000 --> 00:16:11,120 Speaker 4: But those twenty people you know, seemingly know and are 316 00:16:11,120 --> 00:16:11,560 Speaker 4: into it. 317 00:16:11,800 --> 00:16:14,400 Speaker 3: Yes, exactly right, thank you for this. They all seem 318 00:16:14,400 --> 00:16:17,080 Speaker 3: to agree on best song from Barbie. 319 00:16:17,160 --> 00:16:20,280 Speaker 4: Yes, yeah, yes, and it's not so the the number 320 00:16:20,320 --> 00:16:23,840 Speaker 4: that's going to get all the attention is Billy Guy. 321 00:16:23,880 --> 00:16:27,600 Speaker 4: Excuse me, is Ryan Gosling singing I'm just ken. But 322 00:16:27,720 --> 00:16:30,000 Speaker 4: the best song, which I think is the best song, 323 00:16:30,520 --> 00:16:32,800 Speaker 4: is this Billie Eilish song What was I Made For? 324 00:16:32,920 --> 00:16:35,600 Speaker 4: Because what was so great about Barbie is Barbie is 325 00:16:35,760 --> 00:16:41,360 Speaker 4: eighty percent merangue. But then is you know actual there's 326 00:16:41,400 --> 00:16:44,680 Speaker 4: meat there as well, and that song, which I think 327 00:16:44,760 --> 00:16:47,200 Speaker 4: is heartfelt and beautiful and I'm a big Billy Eilish fan. 328 00:16:47,240 --> 00:16:50,520 Speaker 4: I think she's just terrific. That song really encompasses that, 329 00:16:50,560 --> 00:16:52,800 Speaker 4: so I think that's gonna be another good moment. They're 330 00:16:53,440 --> 00:16:56,200 Speaker 4: you know, producers are already now sixty five dancers for 331 00:16:56,280 --> 00:16:58,600 Speaker 4: the ten numbers, and I think you're gonna see I 332 00:16:58,600 --> 00:17:00,480 Speaker 4: think you're gonna see cameos there. I think you're going 333 00:17:00,520 --> 00:17:04,080 Speaker 4: to see famous faces on stage dancing and singing with 334 00:17:04,200 --> 00:17:09,639 Speaker 4: Ryan Gosling. And then I think the Billie Eilish thing 335 00:17:09,640 --> 00:17:12,119 Speaker 4: will but likely to Billy and Phineas at the piano. 336 00:17:12,160 --> 00:17:14,600 Speaker 4: It'll be quiet and small, but I think that's going 337 00:17:14,680 --> 00:17:15,760 Speaker 4: to be really, really good. 338 00:17:16,560 --> 00:17:18,399 Speaker 3: Well, we're going to watch you in the lead up 339 00:17:18,440 --> 00:17:21,639 Speaker 3: to the Oscars Sunday on Channel five one to three thirty. 340 00:17:21,720 --> 00:17:23,720 Speaker 3: If you don't have Channel five, you may have cut 341 00:17:23,760 --> 00:17:26,119 Speaker 3: the cord. The whole show is also going to be 342 00:17:26,119 --> 00:17:29,639 Speaker 3: streamed at KTLA dot com and on the KTLA Plus app. 343 00:17:30,359 --> 00:17:30,800 Speaker 2: Sam. 344 00:17:31,000 --> 00:17:34,359 Speaker 3: I know you're on Instagram, at Sam on TV and 345 00:17:34,440 --> 00:17:37,200 Speaker 3: on X and Twitter and all that stuff, and at 346 00:17:37,240 --> 00:17:38,000 Speaker 3: Sam on TV. 347 00:17:38,480 --> 00:17:39,960 Speaker 2: You do a great job. I love it. 348 00:17:40,040 --> 00:17:42,200 Speaker 3: Well, you wouldn't be back for all these many years 349 00:17:42,520 --> 00:17:44,520 Speaker 3: were you not super great at what you do. 350 00:17:44,640 --> 00:17:45,640 Speaker 2: So thanks for being. 351 00:17:45,440 --> 00:17:48,119 Speaker 4: Here, Barb. That's nice to you know. I want to 352 00:17:48,119 --> 00:17:51,679 Speaker 4: tell people the KTLA plus app has for some reason 353 00:17:52,119 --> 00:17:55,000 Speaker 4: richer colors. So if you want to really, if you 354 00:17:55,040 --> 00:17:57,400 Speaker 4: want to, if you want to think into that Jessica 355 00:17:57,440 --> 00:18:02,959 Speaker 4: Holmes outfit that Megan sort of higher figh, it is 356 00:18:03,080 --> 00:18:07,200 Speaker 4: definitely on. You know, the plus is really good. 357 00:18:07,280 --> 00:18:12,199 Speaker 3: Ok. Thank you, Sam, good stuff, good luck and enjoyed. 358 00:18:12,520 --> 00:18:14,960 Speaker 3: Thank you, Sam Rubin, thank you just looking up. It's 359 00:18:14,960 --> 00:18:17,600 Speaker 3: in the swag bag this year. It's crazy. I'll give 360 00:18:17,600 --> 00:18:19,840 Speaker 3: you a couple of those things. Also, speaking of cameos, 361 00:18:20,359 --> 00:18:23,760 Speaker 3: the cameo that was sent to me by George Santos. 362 00:18:24,520 --> 00:18:26,560 Speaker 3: I do have it and we'll play it next. It's 363 00:18:26,600 --> 00:18:30,119 Speaker 3: pretty crazy. It's not long, but man, it's it was 364 00:18:30,200 --> 00:18:33,120 Speaker 3: done for me. As you will see, it's the John 365 00:18:33,160 --> 00:18:35,440 Speaker 3: co Belt Show kf I AM six forty, Mark Thompson 366 00:18:35,520 --> 00:18:39,200 Speaker 3: sitting in for John. We're live everywhere on that iHeartRadio app. 367 00:18:40,440 --> 00:18:44,800 Speaker 5: You're listening to John Cobelt on demand from KFI AM 368 00:18:44,800 --> 00:18:45,399 Speaker 5: six forty. 369 00:18:46,119 --> 00:18:50,719 Speaker 3: Mark Thompson here for John co Belt. Got a idea 370 00:18:50,720 --> 00:18:53,879 Speaker 3: of what this swag bag? I guess you know it 371 00:18:53,920 --> 00:18:58,040 Speaker 3: was interesting to me. What was interesting to me is 372 00:18:58,080 --> 00:19:02,719 Speaker 3: that Sam Rubin mentioned that literally some of these seems 373 00:19:02,720 --> 00:19:04,440 Speaker 3: to me probably actresses. 374 00:19:04,840 --> 00:19:07,240 Speaker 2: I guess they call them actors now they don't. It's weird. 375 00:19:07,359 --> 00:19:10,160 Speaker 3: You're supposed to call everybody an actor and not separate 376 00:19:10,240 --> 00:19:14,120 Speaker 3: actor and actress, and yet they have best supporting actress 377 00:19:14,600 --> 00:19:17,000 Speaker 3: and best supporting Actor, right, Debrah, that doesn't in. 378 00:19:16,880 --> 00:19:19,320 Speaker 6: Any you know, I never really thought about that, but 379 00:19:19,359 --> 00:19:19,800 Speaker 6: you're right. 380 00:19:20,240 --> 00:19:21,760 Speaker 2: It's just odd to me. 381 00:19:22,119 --> 00:19:25,080 Speaker 3: But in conversation, like the politically correct thing to do 382 00:19:25,240 --> 00:19:28,240 Speaker 3: is to just call everybody an actor. It's not gender specific, 383 00:19:28,640 --> 00:19:31,640 Speaker 3: but then they make a gender specific with the nominations 384 00:19:32,000 --> 00:19:33,200 Speaker 3: actress and actors. 385 00:19:33,200 --> 00:19:35,440 Speaker 2: Give it a few years and that will change. Yeah. 386 00:19:35,520 --> 00:19:38,159 Speaker 2: Maybe I don't know how they distinguish between you know, 387 00:19:39,280 --> 00:19:41,439 Speaker 2: it'll just be one category. Oh that could be. 388 00:19:41,600 --> 00:19:45,440 Speaker 3: Well that would what a sing alert mess that'll be anyway. 389 00:19:45,920 --> 00:19:47,840 Speaker 3: So I'm looking at the swag and I'm glad you're 390 00:19:47,880 --> 00:19:51,400 Speaker 3: here because I see you again. I'm sorry, but as 391 00:19:51,560 --> 00:19:53,640 Speaker 3: enjoying many of the things that are in the swag. 392 00:19:53,320 --> 00:19:55,240 Speaker 6: Bag, I would love to get that swag. 393 00:19:55,320 --> 00:19:55,480 Speaker 2: Yeah. 394 00:19:55,920 --> 00:19:58,960 Speaker 3: Now, the gifts are not affiliated with the Academy Awards, 395 00:19:58,960 --> 00:20:03,000 Speaker 3: but They're a private marketing endeavor, and marketing is at 396 00:20:03,040 --> 00:20:05,520 Speaker 3: the core of what all these bags are about. Right, 397 00:20:05,560 --> 00:20:08,119 Speaker 3: they stock them with all kinds of things. They want 398 00:20:09,119 --> 00:20:11,879 Speaker 3: actors and a high profile show business people to, you know, 399 00:20:11,960 --> 00:20:15,320 Speaker 3: go to a ski shalet in the Swiss Alps, bring 400 00:20:15,359 --> 00:20:17,719 Speaker 3: their friends. They you know, they generally do it for it. Well, 401 00:20:17,720 --> 00:20:22,120 Speaker 3: here's an example. The most expensive gift is an invitation 402 00:20:23,280 --> 00:20:28,040 Speaker 3: for a fifty thousand dollars vacation in the Swiss Alps. 403 00:20:29,880 --> 00:20:33,560 Speaker 3: This is in a ski salet, you and nine of 404 00:20:33,640 --> 00:20:36,040 Speaker 3: your friends. If you're an Oscar. 405 00:20:35,760 --> 00:20:37,800 Speaker 6: Nominee, how can I get this gig? 406 00:20:37,960 --> 00:20:38,160 Speaker 2: Yeah? 407 00:20:38,200 --> 00:20:43,320 Speaker 3: I mean that's like, it's pretty significant. And again it's 408 00:20:43,480 --> 00:20:48,679 Speaker 3: worth fifty thousand dollars and the gift bag itself is 409 00:20:48,800 --> 00:20:53,520 Speaker 3: valued roughly at one hundred and eighty thousand dollars over 410 00:20:53,640 --> 00:20:55,040 Speaker 3: fifty gifts mark. 411 00:20:55,400 --> 00:20:58,400 Speaker 2: We can host, we can announce, That's what I meant 412 00:20:58,400 --> 00:21:01,200 Speaker 2: to say. We can announce, right, I think the announcers 413 00:21:01,240 --> 00:21:03,600 Speaker 2: really get much of this shot announcers. But we can 414 00:21:03,600 --> 00:21:05,919 Speaker 2: go and presenter. That's what I'm saying. Oh presenters. 415 00:21:06,000 --> 00:21:08,480 Speaker 3: Yeah, yeah, here are two people you've never heard of, 416 00:21:09,640 --> 00:21:10,520 Speaker 3: ladies and gentlemen. 417 00:21:10,640 --> 00:21:13,120 Speaker 2: Two people you've never heard of. We're giving them their 418 00:21:13,200 --> 00:21:14,040 Speaker 2: big break. 419 00:21:14,560 --> 00:21:20,480 Speaker 3: Yeah, it is wild that many of these people who 420 00:21:20,520 --> 00:21:24,200 Speaker 3: get this stuff. It's all very consistent with the theme 421 00:21:25,040 --> 00:21:27,160 Speaker 3: super rich people get a bunch of stuff. 422 00:21:27,200 --> 00:21:29,400 Speaker 2: They don't need to pay for it, right, and they 423 00:21:29,400 --> 00:21:31,639 Speaker 2: could buy it themselves so easily. 424 00:21:31,440 --> 00:21:36,280 Speaker 3: But fame gets them a lot. So it's really a 425 00:21:36,320 --> 00:21:39,760 Speaker 3: win win. That is to say, you get millions for 426 00:21:39,920 --> 00:21:42,760 Speaker 3: being in Oppenheimer and then you get the gift bag 427 00:21:42,800 --> 00:21:46,439 Speaker 3: on side, And as Debrah says, not only can you 428 00:21:46,440 --> 00:21:49,040 Speaker 3: buy yourself, it's kind of a rounding error. I mean, 429 00:21:49,240 --> 00:21:50,720 Speaker 3: I know, to us it's like a lot of money, 430 00:21:50,720 --> 00:21:53,800 Speaker 3: one hundred and eighty thousand dollars insane. But the reality 431 00:21:53,920 --> 00:21:57,840 Speaker 3: is that you know it's compared to the net worth 432 00:21:57,880 --> 00:21:58,840 Speaker 3: of most of these people. 433 00:21:59,080 --> 00:22:01,320 Speaker 2: Is that all you got? No, h Here we go. 434 00:22:01,520 --> 00:22:07,880 Speaker 3: A five piece luxury gift set from Miyage Skincare that's 435 00:22:08,000 --> 00:22:12,080 Speaker 3: five hundred and fifteen dollars. A ten thousand dollars dollars 436 00:22:12,240 --> 00:22:19,000 Speaker 3: micro needling treatment from Sinosure designed to tighten and revitalize. 437 00:22:19,640 --> 00:22:20,640 Speaker 2: Yeah. 438 00:22:21,040 --> 00:22:23,639 Speaker 3: Boy, I could use a weekend of that tightening and 439 00:22:23,680 --> 00:22:28,600 Speaker 3: revitalizing stuff. A seven day retreat at the Golden Door, California, 440 00:22:29,440 --> 00:22:35,120 Speaker 3: which is a transformative and rejuvenating experience. A lot of tightening, revitalizing, 441 00:22:35,440 --> 00:22:37,760 Speaker 3: transforming and rejuvenating in this bag. 442 00:22:37,920 --> 00:22:39,320 Speaker 2: I think that's what they like. 443 00:22:39,480 --> 00:22:47,280 Speaker 3: I see it's there value to twenty four thousand dollars. Wow, 444 00:22:47,320 --> 00:22:50,240 Speaker 3: this is a cool one like this. This is what 445 00:22:50,320 --> 00:22:53,199 Speaker 3: I'd like. I really want. I want to throw a 446 00:22:53,240 --> 00:22:56,400 Speaker 3: party and I want something like this there. But it's 447 00:22:56,440 --> 00:23:01,240 Speaker 3: twenty five thousand dollars. It's a live show, oh from 448 00:23:01,359 --> 00:23:09,280 Speaker 3: mentalist Carl Chrisman. Carl Christman apparently combines magic, mind reading, hypnosis, 449 00:23:09,320 --> 00:23:13,520 Speaker 3: and comedy. It's a twenty five thousand dollars value. And 450 00:23:13,560 --> 00:23:16,680 Speaker 3: you can build the live show around a birthday party 451 00:23:16,720 --> 00:23:19,080 Speaker 3: or whatever you want. And in honor of the Rubik's 452 00:23:19,119 --> 00:23:23,680 Speaker 3: Cube fiftieth anniversary, a retro themed version of the Rubik's 453 00:23:23,680 --> 00:23:28,040 Speaker 3: Cube featuring the original logo and color scheme that believe 454 00:23:28,080 --> 00:23:31,720 Speaker 3: it or not is the most affordable only. 455 00:23:31,520 --> 00:23:36,320 Speaker 2: Fifteen dollars nothing. Yeah. 456 00:23:36,520 --> 00:23:41,800 Speaker 3: Bradley Cooper, Emma Stone, Colman Domingo, Lily Gladstone, and that Benning, 457 00:23:42,359 --> 00:23:45,360 Speaker 3: all of them will get access to these things and 458 00:23:45,440 --> 00:23:48,959 Speaker 3: these bags. That is just the beginning. There is so 459 00:23:49,119 --> 00:23:52,359 Speaker 3: much offered and continues to be offered. They actually have 460 00:23:52,400 --> 00:23:54,439 Speaker 3: gifting suitees that go on for a couple of weeks 461 00:23:54,720 --> 00:23:55,480 Speaker 3: before the event. 462 00:23:55,600 --> 00:23:58,000 Speaker 2: So I'm telling you about one bag. 463 00:23:58,280 --> 00:24:02,320 Speaker 3: There are these gifting suite set up and the stars 464 00:24:02,359 --> 00:24:07,800 Speaker 3: and others associated with the Academy and with the festivities. 465 00:24:08,160 --> 00:24:11,640 Speaker 3: They may be even directors and cinematographers, et cetera. They're 466 00:24:11,680 --> 00:24:14,639 Speaker 3: set loose in all of this and they kind of 467 00:24:14,680 --> 00:24:17,159 Speaker 3: go on a buying spree, only they don't have to 468 00:24:17,160 --> 00:24:17,920 Speaker 3: pay for anything. 469 00:24:18,400 --> 00:24:22,520 Speaker 2: So feel so deprived. It's it's not the business. We've 470 00:24:22,560 --> 00:24:26,000 Speaker 2: chosen los not the business. There are other rewards here. 471 00:24:27,040 --> 00:24:29,879 Speaker 3: Well, you get to say hide to Petros and money 472 00:24:29,920 --> 00:24:31,720 Speaker 3: in the hallway. I mean, you can't put a price 473 00:24:31,760 --> 00:24:34,840 Speaker 3: tag on these things. It's access, that's what we get. 474 00:24:35,040 --> 00:24:39,080 Speaker 3: Maybe Ryan Seacrest you'll see coming in to do his show. 475 00:24:39,840 --> 00:24:43,760 Speaker 3: When we come back. You will indulge me. You must 476 00:24:43,760 --> 00:24:47,280 Speaker 3: hear the cameos sent to me by George Santos. Yes, 477 00:24:47,720 --> 00:24:50,800 Speaker 3: it was sent to me for my birthday. We'll do 478 00:24:50,840 --> 00:24:52,560 Speaker 3: it next. And is Conway coming in also? 479 00:24:52,640 --> 00:24:55,680 Speaker 2: I guess Conway comes through here as well as the 480 00:24:55,880 --> 00:24:58,679 Speaker 2: closer to the four o'clock hour that's a highlight. That's light. 481 00:24:58,760 --> 00:25:00,600 Speaker 3: Yeah, that's right. He can tell you story his dad 482 00:25:00,600 --> 00:25:03,080 Speaker 3: and the Carol Burnet Show. I love those stories. 483 00:25:03,080 --> 00:25:06,720 Speaker 2: Actually, I don't know if they quite measure up to 484 00:25:06,760 --> 00:25:09,240 Speaker 2: the give back, but there's something anyway. 485 00:25:09,560 --> 00:25:11,760 Speaker 3: It's a John cole Belt show. Mark Thompson sitting in 486 00:25:11,760 --> 00:25:14,520 Speaker 3: for John on KFI AM six forty Live everywhere on 487 00:25:14,560 --> 00:25:15,639 Speaker 3: the iHeartRadio app. 488 00:25:16,320 --> 00:25:20,679 Speaker 5: You're listening to John Coebelt on demand from KFI AM 489 00:25:20,680 --> 00:25:21,280 Speaker 5: six forty. 490 00:25:22,160 --> 00:25:25,080 Speaker 3: John I thinks back on Monday, taking the three day weekend. 491 00:25:25,080 --> 00:25:29,439 Speaker 3: Good for him. It's a really cool Conway ahead. We 492 00:25:29,520 --> 00:25:33,080 Speaker 3: have much going on. Conry will get to a lot 493 00:25:33,119 --> 00:25:35,040 Speaker 3: of it. We've talked about a bunch of stuff today, 494 00:25:35,880 --> 00:25:39,879 Speaker 3: talked about the Katie Porter suggestion that the Senate election 495 00:25:40,080 --> 00:25:42,760 Speaker 3: was rigged, got into a bit of the State of 496 00:25:42,800 --> 00:25:47,719 Speaker 3: the Union, the State of the Union response earlier, and 497 00:25:47,880 --> 00:25:51,359 Speaker 3: we did touch on the fact that George Santos was 498 00:25:51,560 --> 00:25:53,640 Speaker 3: at the State of the Union address, which is kind 499 00:25:53,640 --> 00:25:57,880 Speaker 3: of weird. As you know, he was removed apparently he's 500 00:25:58,359 --> 00:26:00,520 Speaker 3: meaning he's removed from office. He was not removed from 501 00:26:00,520 --> 00:26:01,640 Speaker 3: the chambers. Last night. 502 00:26:01,640 --> 00:26:02,040 Speaker 2: He was there. 503 00:26:02,080 --> 00:26:04,720 Speaker 3: I saw him sitting next to Matt Gates. He's a 504 00:26:04,760 --> 00:26:08,400 Speaker 3: likable fellow. He's had a little issue with truth and 505 00:26:08,920 --> 00:26:13,040 Speaker 3: concocting his resume and personal history, as you know, to 506 00:26:13,119 --> 00:26:15,679 Speaker 3: the point that they removed him. I mean, he was 507 00:26:15,720 --> 00:26:20,720 Speaker 3: also removed really over as you may remember, spending a 508 00:26:20,760 --> 00:26:24,000 Speaker 3: lot of donor money on personal things like paying off 509 00:26:24,000 --> 00:26:30,360 Speaker 3: credit card stuff and various health and wellness treatment type thing. Anyway, 510 00:26:30,560 --> 00:26:33,240 Speaker 3: I just do remind you of his history, so you know, 511 00:26:33,320 --> 00:26:37,040 Speaker 3: between the stacks of mistruths and lies and then sort 512 00:26:37,119 --> 00:26:40,840 Speaker 3: of spending this money in these ways that are well 513 00:26:41,240 --> 00:26:46,320 Speaker 3: frankly illegal. He was tossed. But he is, as I say, 514 00:26:46,400 --> 00:26:49,240 Speaker 3: kind of a likable figure. And he apparently has made 515 00:26:49,400 --> 00:26:54,160 Speaker 3: more money through this app cameo than he's ever made 516 00:26:54,200 --> 00:26:57,080 Speaker 3: in his life. He said that, like he's having the 517 00:26:57,119 --> 00:27:02,760 Speaker 3: biggest year of inme in his life as a result 518 00:27:02,840 --> 00:27:06,520 Speaker 3: of these cameos. They've stacked up like crazy, these requests 519 00:27:06,600 --> 00:27:09,320 Speaker 3: for him to send greetings of one sort or another 520 00:27:09,359 --> 00:27:13,159 Speaker 3: to people all around the world. And he's in a 521 00:27:13,160 --> 00:27:15,520 Speaker 3: as you know, lawsuit with Jimmy Kimmel who asked him 522 00:27:15,520 --> 00:27:17,280 Speaker 3: to do a bunch of cameos and he thought they 523 00:27:17,320 --> 00:27:19,920 Speaker 3: were one thing, and then Jimmy used them on his show. 524 00:27:21,359 --> 00:27:27,240 Speaker 3: For my birthday, Courtney got him to do a cameo 525 00:27:27,440 --> 00:27:32,600 Speaker 3: for me, and I had no idea that this was happening, 526 00:27:33,359 --> 00:27:35,480 Speaker 3: and he must have. 527 00:27:35,720 --> 00:27:38,080 Speaker 2: And this is the only last thing. I don't go 528 00:27:38,160 --> 00:27:38,679 Speaker 2: to play it for you. 529 00:27:38,720 --> 00:27:40,959 Speaker 3: The only last thing I'm going to say is it 530 00:27:41,040 --> 00:27:43,080 Speaker 3: was by no means clear apparently that he was going 531 00:27:43,119 --> 00:27:45,040 Speaker 3: to do it because he was kind of wrapping up 532 00:27:45,080 --> 00:27:47,520 Speaker 3: for the year and on my birthday is the day 533 00:27:47,560 --> 00:27:50,159 Speaker 3: after Christmas, and he just like he was going on 534 00:27:50,240 --> 00:27:52,119 Speaker 3: vacation and he didn't want to up do any more cameos. 535 00:27:53,119 --> 00:27:55,520 Speaker 3: So he does this in a car. Clearly it was 536 00:27:55,560 --> 00:27:59,440 Speaker 3: in a cab or something, but he does the cameo. 537 00:28:00,359 --> 00:28:03,280 Speaker 3: And here's what it sounds like, hay. 538 00:28:03,160 --> 00:28:05,040 Speaker 6: Mark, it's Stuart Santos. 539 00:28:05,080 --> 00:28:05,320 Speaker 4: Here. 540 00:28:06,040 --> 00:28:08,080 Speaker 7: A lot of people are telling me you're a liar 541 00:28:08,280 --> 00:28:10,800 Speaker 7: because you say you're one age, but you look so 542 00:28:10,960 --> 00:28:16,080 Speaker 7: much younger. So happy birthday, and what's a little lie 543 00:28:16,160 --> 00:28:16,960 Speaker 7: between friends? 544 00:28:17,320 --> 00:28:21,920 Speaker 6: I mean, come on, what's the worst that could happen? Mark? 545 00:28:22,400 --> 00:28:26,040 Speaker 7: Courtney sends this message with all the love in the world, 546 00:28:26,280 --> 00:28:27,160 Speaker 7: Happy birthday. 547 00:28:27,680 --> 00:28:28,160 Speaker 4: Bye. 548 00:28:28,680 --> 00:28:30,400 Speaker 2: That's just the greatest. 549 00:28:30,840 --> 00:28:34,720 Speaker 3: I mean, I love it, but I mean it's the 550 00:28:34,800 --> 00:28:37,320 Speaker 3: last part that I love the most, Right, what's a 551 00:28:37,320 --> 00:28:40,880 Speaker 3: little lie among friends or between friends? And what's the 552 00:28:40,920 --> 00:28:43,360 Speaker 3: worst that could happen? I just love this is the 553 00:28:43,400 --> 00:28:46,600 Speaker 3: guy who is tossed from Congress. It's brilliant. I mean, 554 00:28:46,680 --> 00:28:48,880 Speaker 3: it's just the worst that could happen. Yeah, I mean, 555 00:28:48,920 --> 00:28:55,240 Speaker 3: it just is the best. I commend her for the 556 00:28:55,280 --> 00:28:57,240 Speaker 3: writing and commend her for the execution. 557 00:28:57,400 --> 00:29:00,000 Speaker 6: I mean, and what's a little lie between friends? Yeah, 558 00:29:00,200 --> 00:29:03,920 Speaker 6: I mean, come on, what's the worst that could happen? 559 00:29:04,000 --> 00:29:04,280 Speaker 2: Yeah. 560 00:29:04,320 --> 00:29:09,480 Speaker 3: So he was back last night, and the word out 561 00:29:09,480 --> 00:29:11,480 Speaker 3: of George Santo is just because he's become one of 562 00:29:11,520 --> 00:29:16,640 Speaker 3: these curious stories in American politics. He's saying he's going 563 00:29:16,680 --> 00:29:20,560 Speaker 3: to run for office again. This is a guy who 564 00:29:20,680 --> 00:29:24,600 Speaker 3: was hounded by media, you may remember. I mean, he 565 00:29:24,600 --> 00:29:27,880 Speaker 3: couldn't walk down the halls of Congress without this gaggle 566 00:29:27,920 --> 00:29:33,320 Speaker 3: of media around him hounding about various lies he'd told, mistruths. 567 00:29:33,320 --> 00:29:37,120 Speaker 3: He was expelled from Congress again, reminding you the House 568 00:29:37,160 --> 00:29:42,360 Speaker 3: Ethics Committee said that he'd exploited his position for financial gain. 569 00:29:44,440 --> 00:29:48,280 Speaker 3: He's running for office again. He announced his plans after 570 00:29:48,320 --> 00:29:52,400 Speaker 3: the State of the Union address last night. He's saying, 571 00:29:52,400 --> 00:29:57,000 Speaker 3: and this is a quote, I left office arbitrarily in December. 572 00:29:58,600 --> 00:30:02,600 Speaker 3: Now even that's that's not true. He was ousted by 573 00:30:02,640 --> 00:30:07,320 Speaker 3: his colleagues. You didn't leave office arbitrarily. You were tossed 574 00:30:07,360 --> 00:30:12,400 Speaker 3: out of office, he says this. And this is a 575 00:30:12,600 --> 00:30:15,640 Speaker 3: brilliant play in America to say this kind of thing. 576 00:30:16,680 --> 00:30:17,200 Speaker 4: Quote. 577 00:30:17,520 --> 00:30:21,240 Speaker 3: After a lot of prayer and conversation with my friends 578 00:30:21,280 --> 00:30:26,760 Speaker 3: and family. Again mentioned prayer, you mentioned friends, and most 579 00:30:26,760 --> 00:30:30,600 Speaker 3: of all, you mentioned family. After a lot of prayer 580 00:30:31,080 --> 00:30:34,400 Speaker 3: and conversation with my friends and family, I've made a 581 00:30:34,520 --> 00:30:37,000 Speaker 3: very important decision that will shake things up. 582 00:30:38,320 --> 00:30:38,600 Speaker 2: Again. 583 00:30:38,680 --> 00:30:42,000 Speaker 3: Continuing from George Santos, tonight, I want to announce that 584 00:30:42,160 --> 00:30:45,960 Speaker 3: I will be returning to the arena of politics and 585 00:30:46,160 --> 00:30:50,200 Speaker 3: challenging Nick. That's the guy in his district who's now 586 00:30:50,240 --> 00:30:57,360 Speaker 3: serving Nick Nick Lolota for the battle over New York one. 587 00:30:57,640 --> 00:31:01,840 Speaker 3: So he then said, on a tonight, I came to 588 00:31:01,880 --> 00:31:03,400 Speaker 3: the State of the Union with an open mind and 589 00:31:03,480 --> 00:31:05,640 Speaker 3: heart because I believe in the great idea that is 590 00:31:05,680 --> 00:31:06,960 Speaker 3: the United States of America. 591 00:31:07,880 --> 00:31:10,280 Speaker 2: And then he banged on Biden. 592 00:31:10,360 --> 00:31:13,520 Speaker 3: I just witnessed a weak, frail president deliver spin and 593 00:31:13,640 --> 00:31:17,160 Speaker 3: lies to the American people. From inside the chambers. So 594 00:31:17,280 --> 00:31:25,280 Speaker 3: he's he's not a Biden fan, and essentially he's now 595 00:31:25,320 --> 00:31:29,360 Speaker 3: banging the drum that New Yorkers need a real conservative. 596 00:31:29,360 --> 00:31:32,320 Speaker 3: He even uses those terms, I need New Yorkers need 597 00:31:32,360 --> 00:31:39,440 Speaker 3: a real conservative to represent them. And his former seat 598 00:31:39,640 --> 00:31:42,360 Speaker 3: in New York's third congressional district was won by a Democrat, 599 00:31:42,440 --> 00:31:44,880 Speaker 3: Tom Swosey in a special election, as you know, in 600 00:31:44,880 --> 00:31:46,640 Speaker 3: February once he was removed there to have a special 601 00:31:46,680 --> 00:31:49,400 Speaker 3: election there, so the. 602 00:31:48,800 --> 00:31:52,560 Speaker 2: Primary for that seat will be held in June. But 603 00:31:54,360 --> 00:31:55,440 Speaker 2: it's an interesting thing. 604 00:31:55,560 --> 00:31:59,480 Speaker 3: You know, he doesn't really have a track record legislatively 605 00:31:59,520 --> 00:32:04,160 Speaker 3: to talk about, but he's playing himself as a conservative champion. 606 00:32:04,720 --> 00:32:08,719 Speaker 3: He's trying to essentially reconstitute himself as this conservative dude, 607 00:32:08,840 --> 00:32:13,640 Speaker 3: I am your conservative savior. But the New York Times 608 00:32:13,640 --> 00:32:16,640 Speaker 3: called it a notoriety tour that he went on with 609 00:32:16,680 --> 00:32:20,479 Speaker 3: his personalized videos on cameo. But it's pretty you know, 610 00:32:20,800 --> 00:32:22,520 Speaker 3: by the way, how much do you think one of 611 00:32:22,520 --> 00:32:29,000 Speaker 3: his cameo's costs five hundred dollars apiece? In late December, 612 00:32:29,040 --> 00:32:33,200 Speaker 3: when Courtney got me that that cameo. 613 00:32:32,880 --> 00:32:35,360 Speaker 2: Is she she she must? 614 00:32:35,400 --> 00:32:38,320 Speaker 3: I don't know where she got that money. That's a 615 00:32:38,720 --> 00:32:41,000 Speaker 3: five hundred dollars. That's that's a pretty penny for him. 616 00:32:41,080 --> 00:32:42,800 Speaker 3: I agree, that's a lot of money for. 617 00:32:42,800 --> 00:32:45,480 Speaker 6: The it's Stuart Santos here. 618 00:32:45,680 --> 00:32:51,880 Speaker 2: I mean, that's a saying, wow, you really hit the 619 00:32:51,920 --> 00:32:52,360 Speaker 2: ball for. 620 00:32:52,520 --> 00:32:55,920 Speaker 6: Though, Come on, what's the worst that could happen? 621 00:32:56,120 --> 00:32:57,280 Speaker 2: Yeah, he had a. 622 00:32:57,160 --> 00:33:01,120 Speaker 3: Little bit of a brilliant cameo. Five hundred bucks, well spent, 623 00:33:01,280 --> 00:33:04,120 Speaker 3: thank you, Thank you, Courtney. Aside from that, the State 624 00:33:04,160 --> 00:33:06,959 Speaker 3: of the Union, of course, is being played on both sides. 625 00:33:08,040 --> 00:33:11,080 Speaker 3: The one side is saying that Biden hit it out 626 00:33:11,080 --> 00:33:14,480 Speaker 3: of the park, you know, never stronger. You're telling me 627 00:33:14,520 --> 00:33:16,800 Speaker 3: that this guy is, you know, this old and firm guy. 628 00:33:17,560 --> 00:33:23,840 Speaker 3: And the Democrats were talking about how terrific his messaging 629 00:33:24,000 --> 00:33:27,760 Speaker 3: was and how incredibly energetic and what a brilliant speech was. 630 00:33:27,800 --> 00:33:31,520 Speaker 3: He'd spoke for over well over an hour. The right 631 00:33:31,680 --> 00:33:35,840 Speaker 3: is saying, what was he on? How could he have 632 00:33:35,840 --> 00:33:39,320 Speaker 3: spoken that way? He's definitely on some kind of you know, 633 00:33:39,680 --> 00:33:43,880 Speaker 3: medicine that jacked him up. So you picked your interpretation, 634 00:33:44,520 --> 00:33:50,040 Speaker 3: but there it was, speaking of being jacked up on medication, 635 00:33:50,480 --> 00:33:51,080 Speaker 3: sitting down. 636 00:33:51,160 --> 00:33:55,400 Speaker 2: Hey now, buddy, how are you? Tim Conway Jr. 637 00:33:55,640 --> 00:33:59,200 Speaker 8: I you and I got into it yesterday with the storm. 638 00:33:59,440 --> 00:34:01,680 Speaker 8: Oh yeah, you hated the term that I used the 639 00:34:01,840 --> 00:34:02,600 Speaker 8: eye of the store. 640 00:34:02,720 --> 00:34:05,520 Speaker 2: Well, I wouldn't have minded it one to maybe even 641 00:34:05,640 --> 00:34:08,799 Speaker 2: five times, but you said it seventeen times. The eye 642 00:34:08,840 --> 00:34:10,440 Speaker 2: of the storm is over your house, the ie the 643 00:34:10,440 --> 00:34:12,719 Speaker 2: storm is coming to you, crouch of the store. And 644 00:34:13,000 --> 00:34:15,560 Speaker 2: I said, God, I just you knew what I meant, 645 00:34:15,600 --> 00:34:17,880 Speaker 2: though no severity of the store. I hated to be 646 00:34:18,000 --> 00:34:19,799 Speaker 2: that guy, and I was that guy, but you turned 647 00:34:19,800 --> 00:34:21,239 Speaker 2: out to be that guy. I did. I did it, 648 00:34:21,320 --> 00:34:23,800 Speaker 2: and I take that. And I even said in my message, 649 00:34:23,920 --> 00:34:26,440 Speaker 2: I feel like a p one who's writing in about 650 00:34:26,560 --> 00:34:28,799 Speaker 2: somebody using you know, my mom used to do that. 651 00:34:28,960 --> 00:34:32,120 Speaker 8: I hate to say that, oh, because that's really insulting, but. 652 00:34:32,040 --> 00:34:32,640 Speaker 2: My mom used to. 653 00:34:32,880 --> 00:34:35,520 Speaker 8: My mom used to call radio stations and correct people, 654 00:34:35,880 --> 00:34:38,400 Speaker 8: Like when I worked at Kyla Sex, she wanted me 655 00:34:38,440 --> 00:34:39,920 Speaker 8: to call God. 656 00:34:39,920 --> 00:34:40,200 Speaker 2: I can't. 657 00:34:40,239 --> 00:34:41,960 Speaker 8: I think it was Robin Arabkerry, and maybe it was 658 00:34:42,000 --> 00:34:43,239 Speaker 8: somebody else who was filling in. 659 00:34:43,320 --> 00:34:44,279 Speaker 2: I can't remember who it was. 660 00:34:44,520 --> 00:34:47,680 Speaker 8: Somebody was filling in and they said, oh, Orion Pictures 661 00:34:47,680 --> 00:34:49,319 Speaker 8: has just been sold, and my mom heard that. 662 00:34:49,360 --> 00:34:50,640 Speaker 2: I was driving around my mom. 663 00:34:50,600 --> 00:34:52,480 Speaker 8: And she said could you please call the station and 664 00:34:52,520 --> 00:34:56,040 Speaker 8: says it's not Orian, it's Orion, and I'm like, I'm. 665 00:34:55,840 --> 00:34:59,319 Speaker 2: Not going to do that. I'm not going to do that. 666 00:35:00,160 --> 00:35:01,200 Speaker 2: I Am not going to do that. 667 00:35:01,760 --> 00:35:03,960 Speaker 3: But they were great though. I got me through the 668 00:35:04,000 --> 00:35:06,920 Speaker 3: storm yesterday. I was listening and honest to god, I 669 00:35:06,960 --> 00:35:08,080 Speaker 3: know it was a huge storm. 670 00:35:08,160 --> 00:35:09,840 Speaker 2: Yeah, you would app you're going to you know, you know, 671 00:35:09,840 --> 00:35:11,640 Speaker 2: if you're in but a park, it's going to get 672 00:35:11,680 --> 00:35:13,759 Speaker 2: you in eleven minutes. I mean a big cell, it's 673 00:35:13,760 --> 00:35:16,960 Speaker 2: gonna come alone much right, It's very impressive. That's right, man. 674 00:35:17,360 --> 00:35:20,440 Speaker 8: It was an unbelievable storm and it all started with 675 00:35:20,520 --> 00:35:23,240 Speaker 8: perfect timing. It started at three point fifty nine pm. 676 00:35:23,320 --> 00:35:25,720 Speaker 8: Oh yeah, it was when it really hit. They had emerged, 677 00:35:25,719 --> 00:35:28,040 Speaker 8: They had eas come on and warn everybody. 678 00:35:28,400 --> 00:35:29,160 Speaker 2: It was a big deal. 679 00:35:29,200 --> 00:35:32,480 Speaker 8: You had hail and thunder, lightning, wind. It was crazy 680 00:35:32,560 --> 00:35:34,120 Speaker 8: and now look at it today, there's nothing. 681 00:35:34,239 --> 00:35:35,759 Speaker 2: It is crazy. So let me ask you as a 682 00:35:35,800 --> 00:35:36,239 Speaker 2: weather guy. 683 00:35:36,400 --> 00:35:40,040 Speaker 8: Yes, when we have something like that's that ferocious, you know, 684 00:35:40,160 --> 00:35:43,480 Speaker 8: like a hurricane or a tornado, it takes all that 685 00:35:43,760 --> 00:35:47,360 Speaker 8: energy with it. So is it typically very clear afterwards 686 00:35:47,400 --> 00:35:48,160 Speaker 8: a big storm. 687 00:35:48,000 --> 00:35:50,040 Speaker 3: Like that, Well, we can generally you have more stable 688 00:35:50,080 --> 00:35:52,040 Speaker 3: conditions in behind a system like that. So if it's 689 00:35:52,040 --> 00:35:53,279 Speaker 3: a frontal system. 690 00:35:53,160 --> 00:35:55,280 Speaker 2: Right, and is that what we had yesterday? 691 00:35:55,280 --> 00:35:57,640 Speaker 3: I really don't know. I didn't look, but if it is, 692 00:35:57,680 --> 00:36:01,480 Speaker 3: I'm guessing it was that. The kind of weather we 693 00:36:01,560 --> 00:36:04,400 Speaker 3: had yesterday is typical of instability in the atmosphere. So 694 00:36:04,440 --> 00:36:08,160 Speaker 3: you get right, that's what causes that rapid development, vertical development, 695 00:36:08,200 --> 00:36:12,080 Speaker 3: and that's what creates thunderstorms. So generally behind that, I mean, 696 00:36:12,080 --> 00:36:14,720 Speaker 3: if it's a weather front, you'll have much more stable conditions. 697 00:36:14,760 --> 00:36:16,439 Speaker 2: And that's the kind of weather that we have today. 698 00:36:16,600 --> 00:36:18,799 Speaker 8: I was listening to Dallas Rains, who is not as 699 00:36:18,880 --> 00:36:21,279 Speaker 8: good with weather like you are. Yeah, but he said, 700 00:36:21,280 --> 00:36:24,480 Speaker 8: the updraft into the very cold atmosphere is what creates 701 00:36:24,560 --> 00:36:24,959 Speaker 8: that hail. 702 00:36:25,160 --> 00:36:25,520 Speaker 2: That's right. 703 00:36:25,600 --> 00:36:28,920 Speaker 3: Well, what essentially did he get that right? The water particles, Yes, 704 00:36:29,000 --> 00:36:32,959 Speaker 3: he's mostly right about that. The water particles are kicked 705 00:36:32,960 --> 00:36:34,960 Speaker 3: back up, and as they're kicked back up, each time, 706 00:36:35,400 --> 00:36:38,560 Speaker 3: they get bigger and bigger, and they start to freeze, right, 707 00:36:39,120 --> 00:36:42,560 Speaker 3: little bits of ice form around them, and then they 708 00:36:42,600 --> 00:36:43,440 Speaker 3: get too heavy. 709 00:36:43,360 --> 00:36:45,239 Speaker 2: And they drop out of the cloud. What happens, You've 710 00:36:45,239 --> 00:36:45,440 Speaker 2: got it. 711 00:36:45,560 --> 00:36:47,840 Speaker 8: But I can't believe that the clouds are able to 712 00:36:48,280 --> 00:36:50,640 Speaker 8: produce hail the size of like softballs. 713 00:36:50,760 --> 00:36:51,200 Speaker 2: That's wild. 714 00:36:51,480 --> 00:36:53,680 Speaker 3: I mean when think about that, with these clouds that 715 00:36:53,719 --> 00:36:55,279 Speaker 3: go all the way up to thirty five thousand feet, 716 00:36:55,280 --> 00:36:58,880 Speaker 3: there's tremendous vertical motion. It's violent in those clouds, you know, 717 00:36:59,440 --> 00:37:02,520 Speaker 3: and that's what causes it up and down and up 718 00:37:02,600 --> 00:37:02,960 Speaker 3: and down. 719 00:37:03,160 --> 00:37:05,600 Speaker 8: I know you're gonna think that I'm bsing you. 720 00:37:05,800 --> 00:37:06,080 Speaker 4: I'm not. 721 00:37:07,040 --> 00:37:09,520 Speaker 8: I think the reason why the valley got all that 722 00:37:09,640 --> 00:37:17,040 Speaker 8: crazy weather way too many SUVs. Is that possible. 723 00:37:18,040 --> 00:37:19,239 Speaker 2: I don't see the connections. 724 00:37:19,320 --> 00:37:22,080 Speaker 8: There's more families that live in the valley with the SUVs, 725 00:37:22,480 --> 00:37:24,520 Speaker 8: and they drive around these SUV's and that's where the 726 00:37:24,560 --> 00:37:25,040 Speaker 8: storm went. 727 00:37:25,200 --> 00:37:25,359 Speaker 4: Fu. 728 00:37:25,440 --> 00:37:28,000 Speaker 8: You're gonna drive an suv, I'm gonna I'm gonna rain 729 00:37:28,080 --> 00:37:29,200 Speaker 8: on your parade, bub. 730 00:37:30,520 --> 00:37:31,080 Speaker 2: I think that's what. 731 00:37:31,160 --> 00:37:35,320 Speaker 3: Happened, Mark Conway. More theories like that is what you need, Okay. 732 00:37:36,000 --> 00:37:38,120 Speaker 3: I was so sorry to see Steve Lawrence passed away. 733 00:37:38,239 --> 00:37:39,800 Speaker 3: I know it's not horrible because I last time I 734 00:37:39,840 --> 00:37:41,160 Speaker 3: saw him was that your Dad's memorials. 735 00:37:41,280 --> 00:37:43,960 Speaker 8: You know, nobody in the world, and I can say 736 00:37:44,000 --> 00:37:48,000 Speaker 8: this because that's a fact, Jack, Nobody made my dad 737 00:37:48,120 --> 00:37:49,399 Speaker 8: laugh harder than Steve Laurin. 738 00:37:49,560 --> 00:37:51,400 Speaker 2: There's a great clip that you've I reposted it. I 739 00:37:51,440 --> 00:37:53,319 Speaker 2: loved it that much, the one you posted on social 740 00:37:53,360 --> 00:37:54,600 Speaker 2: media when they were playing, when they are three, them 741 00:37:54,600 --> 00:37:55,279 Speaker 2: were sitting in a booth. 742 00:37:55,520 --> 00:37:58,520 Speaker 8: There's nobody that made my dad laugh more than Steve 743 00:37:58,600 --> 00:38:01,799 Speaker 8: la Carman, Conway and that's right, man, that's a great clip. 744 00:38:01,880 --> 00:38:04,440 Speaker 2: Great clip. Hey, we have Adam Carolla coming on today. 745 00:38:04,520 --> 00:38:05,080 Speaker 3: I love it. 746 00:38:05,360 --> 00:38:08,160 Speaker 8: Alex Michael sim Yeah, and we got to clear up 747 00:38:08,280 --> 00:38:11,920 Speaker 8: I said something wrong about Deborah Mark yesterday. 748 00:38:11,920 --> 00:38:12,640 Speaker 2: I got to clear that up. 749 00:38:12,680 --> 00:38:12,719 Speaker 4: No. 750 00:38:12,800 --> 00:38:15,520 Speaker 2: Wow, there's a lot to do official apology. Yeah, all right, 751 00:38:15,560 --> 00:38:17,480 Speaker 2: well Conway's next. Thanks all. 752 00:38:18,400 --> 00:38:19,800 Speaker 8: Can you stick around for three hours? 753 00:38:19,880 --> 00:38:21,880 Speaker 3: I would, except I got to do Maya show That 754 00:38:23,040 --> 00:38:28,000 Speaker 3: Thompson Show on YouTube god KFI AM six forty live 755 00:38:28,160 --> 00:38:30,600 Speaker 3: Ellenware on the iHeartRadio app. 756 00:38:30,680 --> 00:38:33,480 Speaker 1: Hey, you've been listening to the John Cobalt Show podcast. 757 00:38:33,600 --> 00:38:36,040 Speaker 1: You can always hear the show live on KFI AM 758 00:38:36,120 --> 00:38:39,080 Speaker 1: six forty from one to four pm every Monday through Friday, 759 00:38:39,120 --> 00:38:42,359 Speaker 1: and of course anytime on demand on the iHeartRadio app.