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Speaker 1: Look, may oh, I see you.

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Speaker 2: Look over there is that culture Yes, lost, dang lost.

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Speaker 2: Culturista's calling we're here lucky us or something or something.

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Speaker 1: Well, the tour is called Lucky.

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Speaker 2: Me, Lucky everybody. They went like that.

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Speaker 1: Yeah, sorry, I mean well, I I was very slow

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Speaker 1: to the draw, and I kind of I'm sorry to myself.

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Speaker 2: You've already upset.

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Speaker 1: Now I've already upset.

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Speaker 2: We have to earn back the trust.

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Speaker 1: We've got to earn back the trust.

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Speaker 2: Well, how about this. I've been streaming the album NonStop.

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Speaker 2: I love it. It's like you didn't know how much you missed.

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Speaker 2: And then, of course Spotify does the thing where it's

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Speaker 2: like if you look at the if you go on

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Speaker 2: the top ten stream, it's like we're getting these new bops.

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Speaker 2: And then suddenly you'll just hear, well, there's a suggestion,

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Speaker 2: of a lyrical suggestion, let's go back back to the beginning,

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Speaker 2: at which point you have no choice but to do that.

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Speaker 1: Uh, we've it's been documented on this program. It has

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Speaker 1: that the lyric of back to when the Earth, the sun,

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Speaker 1: the stars.

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Speaker 2: All aligned kind of like today.

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Speaker 1: Yeah, that's poetry, that's subways did not align for me.

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Speaker 2: Yeah, anybody know what I'm talking about?

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Speaker 1: Can I get an amen?

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Speaker 2: Did you have a subway problem today? Yes?

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Speaker 1: Oh you're asking that, you're asking putting it to the room. Yeah,

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Speaker 1: of course, but it's fine, it's New York.

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Speaker 2: You.

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Speaker 1: I don't want I don't really want our guests to

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Speaker 1: have to like really weigh in on this because it's

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Speaker 1: like it's it's I think it's a space that is

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Speaker 1: beneath her. But to have the the remix of Come

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Speaker 1: Clean on at the club at like, oh, like, I've

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Speaker 1: never known more joy and you've never.

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Speaker 2: Seen no I I've dead asked.

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Speaker 1: Yeah, I've never been happier in my life, stone cold, sober.

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Speaker 1: It's four am. I'm sober, trust me. And I've never

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Speaker 1: felt more joy.

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Speaker 2: I never felt more joy. Just connecting about famed Los

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Speaker 2: Angeles eatery Cosa Vega with our guests just now, and

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Speaker 2: she might get me to do something called Buda, which

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Speaker 2: I mean the guest is spelled b O n d A.

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Speaker 1: Nope, she's shaking her hand.

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Speaker 2: Okay, well let's call that. And more is going to

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Speaker 2: be revealed on this episode. This is truly, I mean,

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Speaker 2: every I know, everyone that listens to this podcast has

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Speaker 2: waited for this day. We certainly have. You've seen her

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Speaker 2: everywhere lately, because who wouldn't want to celebrate this moment

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Speaker 2: like back in HD, which I was like, I was

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Speaker 2: like seeing she did a concert last night and her initials,

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Speaker 2: I'm like, great, yeah.

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Speaker 1: No better two letters together. You're happy to see HD.

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Speaker 2: Actually Mr is on my socks. Mister Maggie Rogers sent

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Speaker 2: me these socks. Oh that's cute. And because we're the

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Speaker 2: only people with MR. But we're not talking about MR. Today.

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Speaker 2: We're talking about HD.

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Speaker 1: We're talking about a legend in the culture, a paragon.

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Speaker 1: We're so happy she's here. Everyone welcome.

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Speaker 3: I'm feeling great about myself.

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Speaker 2: Prepare lock in.

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Speaker 3: Thank you guys for that. I'm so excited to be here.

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Speaker 1: Thank you.

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Speaker 2: Oh.

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Speaker 3: Okay, it's a German word, I believe, or it's like

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Speaker 3: a German maybe it was born in Germany. The concept

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Speaker 3: of the workout bunda b U n d A with

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Speaker 3: the two little dots on top of the and I

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Speaker 3: think you need to say it liked there you.

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Speaker 2: Go, okay, Well it did live inside me. I think

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Speaker 2: maybe I put too much sauce on Bunda.

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Speaker 3: I liked it.

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Speaker 2: Yeah, how they.

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Speaker 3: The show was awesome. It was a you know, it

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Speaker 3: was a cute like radio scaled down kind of little

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Speaker 3: fan experience, and it was great.

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Speaker 1: I mean, I don't know, I'm gonna come in hot

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Speaker 1: with this question. Okay, okay, so lucky me, first tour

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Speaker 1: since dignity. Yeah, you're as a parent, first tow as

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Speaker 1: a parent. Yeah, what are you preemptively annoyed about logistically

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Speaker 1: traveling with the family.

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Speaker 3: I'm absolutely terrified too. I'm going to tell you a

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Speaker 3: quick story. I'm trying not to like make it too long.

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Speaker 3: I was in rehearsals and surprises are tough for me, Like,

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Speaker 3: of course I love a surprise. We're talking like a present,

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Speaker 3: so excited Astrologically, I'm a libra.

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Speaker 2: Okay, yes, I.

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Speaker 3: Need to have understanding understood of everything, and we understand

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Speaker 3: and then I can be really excited for the surprise.

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Speaker 3: But like, I've got to process it first. And so

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Speaker 3: my my husband and my tour manager stopped rehearsals and

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Speaker 3: they were like, we have a surprise. You got to

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Speaker 3: come outside. I come outside. We're walking down the street.

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Speaker 3: I see a giant tour bus and I was like,

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Speaker 3: is this the surprise? And they're like, yes, like, let's

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Speaker 3: go check it out because this is going to be

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Speaker 3: where we're living for eights during the summer. And I

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Speaker 3: was like I walked inside, I was like, there's no kitchen.

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Speaker 3: I know, there's just like slots for beds. Four of

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Speaker 3: us are going to be four kids, sorry, lots of

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Speaker 3: other adults. But like what it was? Panic all panic said.

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Speaker 1: In So then I relate to this completely as a

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Speaker 1: libra rising. Okay, how do you express that without being

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Speaker 1: like thank you? This is so exciting? But also, where

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Speaker 1: the hell is the kitchen?

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Speaker 3: Okay? I had like a huge, like fake smile pastward

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Speaker 3: on my face and I was just like, I love

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Speaker 3: the slot. I'm looking for the storage. Like kids come

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Speaker 3: much so much shit.

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Speaker 2: Yeah.

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Speaker 3: And also there's like no pooping on the bus. I'm like,

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Speaker 3: little kids just whenever they have to.

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Speaker 1: I know, you got a poop on the bus, Well

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Speaker 1: you can't.

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Speaker 3: It's a rule. It's a rain rule. So I'm like,

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Speaker 3: how many times are we going to be stopping throughout

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Speaker 3: the night. It's all terrifying.

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Speaker 2: What are the age ranges?

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Speaker 3: Okay?

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Speaker 1: Two to thirteen, yeah, come on, Wikipeda, almost.

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Speaker 3: Fourteen yeah, I have a fourteen year old son this month,

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Speaker 3: and a five year old this month, and then a

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Speaker 3: seven and a two. It's gonna be fun. We're gonna

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Speaker 3: figure it out. That thing's going to be everywhere, literally,

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Speaker 3: crumbs everywhere, guns n' roses everywhere. Yeah, exactly, that's right,

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Speaker 3: trashing tour bus. Yeah.

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Speaker 2: I loved the video that you did with your son.

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Speaker 2: That was so good.

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Speaker 3: He's so cute. I mean when he was punking my jersey,

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Speaker 3: I thought he was gonna be like, that's cool, and

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Speaker 3: he was like, that's not it, that is not it.

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Speaker 3: I was like, rude, rude, so rude.

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Speaker 1: When the cameras in their face, they want to embarrass

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Speaker 1: the parents. I think that's what it is. I think

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Speaker 1: that's the kid same.

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Speaker 3: All I want to do is embarrass him, to watch

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Speaker 3: him get shy.

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Speaker 2: And well you kind of got there. You were like

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Speaker 2: you like my music. You were.

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Speaker 1: Because it's mommy and daddy's music.

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Speaker 3: Not his dad. But yeah, he likes matth too. Yeah,

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Speaker 3: he's really into a hip hop you know.

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Speaker 2: Okay, Oh, I was thinking back to when we were

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Speaker 2: like because obviously like walk down Memory Lane, it was

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Speaker 2: like you and then all this like hardcore like rap

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Speaker 2: and R and B were the charts. It was like

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Speaker 2: that was like, what was coexisting on that at the time?

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Speaker 3: Okay, who was like jaw Rule?

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Speaker 2: This was like no, no, this.

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Speaker 3: Job Rule Radio is amazing on Spotify.

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Speaker 2: I gotta just ride that out.

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Speaker 3: It's a real happy, like yeah, flopping through this day

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Speaker 3: kind of vibe, of course.

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Speaker 1: And jaw Rule was on Matt TV as a guest once. Okay,

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Speaker 1: she was legitimately great. He was, yes anyway, but it was.

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Speaker 2: Okay, this is the time.

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Speaker 3: I'm like, was he in front of me on the

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Speaker 3: charts or blow me on?

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Speaker 2: It was always about jaw Rule and Hilary Das you

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Speaker 2: know what I mean. It was like jockeying for position.

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Speaker 3: I remember, I don't remember what album it was, maybe

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Speaker 3: not Dignity, I don't know. Mary J. Blige was like

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Speaker 3: ahead of me, and then the next week I got

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Speaker 3: ahead of her, and I remember it being like, yes,

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Speaker 3: you also like love Mary J.

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Speaker 2: It's like it's a thing of like you have so

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Speaker 2: much respect. You're like, god, I'm so happy to do

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Speaker 2: all in the charts. But Mary J.

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Speaker 3: Yeah, it's like.

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Speaker 1: That's real love. That's like, that's that's Mary J. Blige.

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Speaker 1: But I feel like I feel like now, the the

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Speaker 1: concept of charts to me, you're on top of it,

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Speaker 1: you're in like a you keep track of it. I

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Speaker 1: don't really care, but of course I'm not on the

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Speaker 1: other side of it where I'm like you have people

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Speaker 1: from the label or whoever, like.

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Speaker 2: Yeah, what is the thing with charts now? Is that

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Speaker 2: is it like of paramount importance to labels and is

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Speaker 2: it important to you? Like how do you feel about

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Speaker 2: the charting of it all?

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Speaker 3: I think I if I said I didn't care, it

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Speaker 3: would be a lie. Yeah, but I have never that's

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Speaker 3: never been even like like radio singles. I never had

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Speaker 3: like a ton of love there. So mine was always

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Speaker 3: like fan connection and like touring, so the fans showed

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Speaker 3: up for me. I toured a whole bunch and like that.

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Speaker 3: That business like got very massive for me quickly. I

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Speaker 3: I do care. You want your work to be like observed,

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Speaker 3: But I don't think it's it's that important. And I

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Speaker 3: think a lot of things come into play, you know,

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Speaker 3: like every like every industry now it's a thing. But

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Speaker 3: the labels are excited when you know it's doing well.

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Speaker 3: It's it's hard. It's a hard industry. So yeah, any

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Speaker 3: kind of like accolade or exciting number that you land

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Speaker 3: on is great for morale.

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Speaker 1: Yeah, of course, Well okay. The thing that we can

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Speaker 1: liken it too is like this this little show breaks

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Speaker 1: into like the top eighty every now in fifty fifty,

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Speaker 1: you can get up there. But I so maybe, so

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Speaker 1: maybe just to like to make this about me for

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Speaker 1: a second, I think it's I'm with you. It's like

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Speaker 1: it's nice. I would be lying if I was saying

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Speaker 1: it didn't matter. But the like the connection among the

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Speaker 1: listenership and the fans in the community is is I

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Speaker 1: would take that over.

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Speaker 3: I agree with that. No, I agree with that because

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Speaker 3: that stuff comes and goes and you see it for

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Speaker 3: a week, you know, and it's just it can be

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Speaker 3: a great splash. But other than that, like the meat

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Speaker 3: is like the connection and the people that are showing up,

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Speaker 3: and that's the reason why you do it, right, You're

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Speaker 3: doing it because you love it.

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Speaker 2: And yeah, have you remained connected to people that you

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Speaker 2: like recognize from like way back that have that were

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Speaker 2: fans And then like now you're like, I wonder if

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Speaker 2: you do any shows now and you're like, oh my god, wait,

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Speaker 2: hold on a second.

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Speaker 3: Yeah, like I definitely do this.

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Speaker 2: There's those people.

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Speaker 3: Yeah, yeah, I'm like, you're still here. I can't believe

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Speaker 3: we're still here. It's profound, it is full, it is

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Speaker 3: and the amount of people that are showing up to

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Speaker 3: the shows with like literal old polaroids from my Meet

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Speaker 3: and greet used to be, you get a polaroid picture

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Speaker 3: and you say hi and you leave, so they have

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Speaker 3: the polaroid picture. Yeah, and it's really sweet.

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Speaker 2: That's the best. And also for them, I mean for everyone.

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Speaker 2: I feel like on this album you're dealing with like

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Speaker 2: like you turn around and you're like, oh my god, yeah,

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Speaker 2: we are talking about our boyfriend who's now dating someone

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Speaker 2: that looks like twenty one twenty two years old. It's

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Speaker 2: like we actually did grow up and now have these

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Speaker 2: things in common too, huh. I just love songs that

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Speaker 2: just let your X know you have their number.

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Speaker 3: Yeah, I have the receipts.

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Speaker 2: Yeah, Like I actually know that you're out there like

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Speaker 2: doing the doing the cliche stuff.

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Speaker 3: Yeah yeah, and why are you doing Okay, clearly the

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Speaker 3: outside we're you're not doing You're not doing great.

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Speaker 2: Yeah. Do you ever hear it's like topical?

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Speaker 3: You're like, this is topical.

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Speaker 2: Yeah, my kink is Karma by Chapel Row.

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Speaker 3: I'm obsessed, obsessed, obsess. My kids love it, and I

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Speaker 3: am like, can we share this? Yes? I don't you

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Speaker 3: know that they don't really like read too much into lyrics,

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Speaker 3: but they say all the words.

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Speaker 1: Like that happened, And so then as a parent, you're

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Speaker 1: like listening to this, You're listening to your kids talk

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Speaker 1: about like these really deep concepts. These are concepts like

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Speaker 1: but it's nice to like that they're just detached from

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Speaker 1: it though. Yeah.

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Speaker 3: May May's favorite song on my record, the one that

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Speaker 3: she always requests is Holiday Party. Oh I love It

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Speaker 3: starts out with like in my head you live another

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Speaker 3: life where you fuck all my friends. Like it's very

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Speaker 3: just like a very heady can I say that, of course,

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Speaker 3: a very heady song about like anxiety and you making

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Speaker 3: up what you know must be true even though it's not. Anyway,

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Speaker 3: she just blows to the lyric and I'm like, you know,

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Speaker 3: we're in the arts, so there's a time and a place.

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Speaker 2: Yeah.

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Speaker 3: Also, we have a teenager in the house. We have

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Speaker 3: a big spread of kids. I always joke that like

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Speaker 3: none of the moms at school will want their kid

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Speaker 3: to be friends with the baby because she's the fourth child.

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Speaker 3: She's going to know all the things the fastest, the earliest.

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Speaker 3: You know, she's gonna be the ones spreader than yourself.

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Speaker 2: Charge. But someone has the charge. They do, they do.

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Speaker 3: But I feel like if it was my first child

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Speaker 3: and I, like Luca had like all the kid glove handling,

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Speaker 3: that I would be like, stay away from that child

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Speaker 3: has all the siblings and knows all the things, you

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Speaker 3: know what I mean. So, but yeah, we handle lyrics

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Speaker 3: like that because we try to have a lot of

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Speaker 3: conversations in our house and just skirt around, you know,

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Speaker 3: some of the ones that they're not ready for yet.

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Speaker 3: But art is art, and you know, we're constantly listening

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Speaker 3: to music and writing and doing this thing, so they've

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Speaker 3: got to be exposed to it, of course.

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Speaker 2: I think.

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Speaker 3: I think some of the serious ones on the record,

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Speaker 3: which was like giving head in the back of the

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Speaker 3: bar or whatever, people came for me so hard and

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Speaker 3: they were like, do you do that in front of

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Speaker 3: your children?

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Speaker 1: I was like this, no, yeah, yeah, bring them in.

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Speaker 2: That's a parasocial thing, though, I think I really do,

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Speaker 2: and I feel like you must experience that to such

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Speaker 2: a degree, because like when someone feels like they know you,

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Speaker 2: they get a little bit more like their guard goes

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Speaker 2: up about themselves about something like that, because we don't

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Speaker 2: contextualize like for any of these pop girls in terms

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Speaker 2: of lyrics like that. But I feel like when someone

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Speaker 2: because they don't have kids, maybe I projection happens when

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Speaker 2: you've grown up with the person, you know what I mean, Yes,

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Speaker 2: you must feel.

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Speaker 3: That way for sure. Yeah, there's parts of my I

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Speaker 3: mean I've said this before, but there's parts of my

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Speaker 3: identity to people that haven't grown because of the character

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Speaker 3: hasn't grown.

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Speaker 1: Parts of your identity that haven't grown.

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Speaker 3: Yeah, like in people's minds, yeah, yes, that they're like, oh,

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Speaker 3: she's that from Cinderella story or Lizzy or whatever, you know,

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Speaker 3: and that character never grows up. So like I can't right,

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Speaker 3: you know.

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Speaker 2: That is It's an interesting thing. Like I remember, like

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Speaker 2: a few years ago, like when the Lizzie macguiree but

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Speaker 2: was happening. I was so on your side when you

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Speaker 2: were like, we have to have this person be an

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Speaker 2: adult woman.

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Speaker 1: Yeah, what do we think?

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Speaker 4: I know?

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Speaker 3: Well, yeah, I mean just it was the only thing

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Speaker 3: that made sense to me, was like I gotta be

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Speaker 3: doing thirty year old things.

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Speaker 1: Not fourteen. Yeah.

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Speaker 2: Also, there's been an app this this press store. There's

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Speaker 2: been an absence of love for younger and I just

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Speaker 2: want to say shame on everyone, because that was a

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Speaker 2: great American television series.

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Speaker 3: Did you happen to see the clip of on my Instagram?

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Speaker 3: You weren't watching My Stories this morning? You kidding?

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Speaker 2: I was streaming the album this morning.

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Speaker 3: As I have to say that I appreciate it that

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Speaker 3: we'll take all the streams we can get bad. She

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Speaker 3: cares my one of my best years friends in life

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Speaker 3: I made on that show. It's Molly Bernard. She's the redhead. Yes, Lauren,

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Speaker 3: she was at my show last night, absolutely going off

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Speaker 3: and some fan caught it on camera and it's so cute.

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Speaker 4: The best.

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Speaker 2: Runs a pop star, I know because because she hadn't

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Speaker 2: been able to see that.

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Speaker 3: No, that's no, she's only seen me and my mother

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00:16:10,800 --> 00:16:14,960
Speaker 3: bearing my child bearing years and very different than that

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Speaker 3: part of my past.

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Speaker 2: It was. It's so back though, Like I mean, when

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Speaker 2: you came in, the first thing we got to you

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Speaker 2: was how great you were on the tonight show and

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Speaker 2: you said you had fun doing it.

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Speaker 3: I did I'm having a lot of fun. I mean,

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00:16:26,760 --> 00:16:30,160
Speaker 3: the amount of work is crazy. Yeah, and there are

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Speaker 3: days where you're.

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Speaker 2: Like, of course, now you're going to go do hot

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Speaker 2: ones I know, which I'm so excited about, but I'm terrified.

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Speaker 3: And then the kicker of it all is I'm getting

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Speaker 3: on a plane after.

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Speaker 1: Oh so this is you can poop on the plane,

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Speaker 1: not like a bus, but.

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Speaker 3: I don't want to.

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Speaker 2: There there comes a point where everyone gets to it,

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Speaker 2: like a certain point where you're like, Okay, all my life,

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Speaker 2: I've not pooped on the plane. Today's the day.

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Speaker 3: Today's the day. And then you meet.

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Speaker 2: Yourself in that moment and then you move forward.

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Speaker 3: I'm I'm I will keep you posted on what.

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Speaker 2: We see. The thing about taking a workout class together though,

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00:17:12,320 --> 00:17:16,600
Speaker 2: is that is the greedy Quad. And now a quick

359
00:17:16,640 --> 00:17:19,320
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361
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366
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367
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368
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00:18:01,080 --> 00:18:06,080
Speaker 1: and Drug Administration. This product is not intended to diagnose, treat, cure,

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00:18:06,280 --> 00:18:09,560
Speaker 1: or prevent any disease. We got dinner for someone last

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00:18:09,600 --> 00:18:12,479
Speaker 1: night who was waiting in line at the bathroom at

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Speaker 1: some event.

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Speaker 3: And then I hate waiting in the worst.

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Speaker 1: She goes in and there's like the seed is like

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Speaker 1: dappled and stuff, and then she goes yeah, and then

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Speaker 1: she was like in her mind, she was like, that

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Speaker 1: wasn't her, It was the person before and she, like

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Speaker 1: everybody else before him, squad discovered and squatted, you know

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Speaker 1: what I mean.

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Speaker 3: And like, I have this weird thing that people follow

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Speaker 3: me to the bathroom my entire life.

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Speaker 2: Yeah, I would imagine, yeah, yeah.

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00:18:42,400 --> 00:18:45,800
Speaker 3: Yeah, so I would, even if it wasn't mine, clean

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Speaker 3: it because I don't want people thinking it was me.

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Speaker 3: I do the same thing tons of toilet paper. It's

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00:18:52,440 --> 00:18:57,200
Speaker 3: spotless and then sometimes fatless. When yes, correct, I feel

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Speaker 3: the same way. I will even wipe down the countertop

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Speaker 3: sometimes big thing. And then the other thing is what

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00:19:04,720 --> 00:19:07,840
Speaker 3: if it was an unruly flusher that sprayed the suf,

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Speaker 3: Oh forget it.

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Speaker 1: It's the hard times.

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00:19:09,240 --> 00:19:10,840
Speaker 3: I like to give people the benefit of the doubt.

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Speaker 3: If I can't see the color, I'm like, well it

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Speaker 3: was the flusher.

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Speaker 1: Yeah, tonight's show was phenomenal. You were saying earlier, like

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00:19:18,240 --> 00:19:20,359
Speaker 1: unlike other things. Because we relate to this, it's like, oh,

401
00:19:20,359 --> 00:19:22,600
Speaker 1: that was actually fun, and you're saying you're having fun.

402
00:19:23,200 --> 00:19:26,680
Speaker 1: You able to identify like the different thing this time,

403
00:19:27,119 --> 00:19:30,000
Speaker 1: like this go around, like what is making it fun? Okay?

404
00:19:30,160 --> 00:19:33,200
Speaker 3: One, I have a dream team sent from God. I'm

405
00:19:33,280 --> 00:19:36,440
Speaker 3: like loving everyone that's around me right now and that

406
00:19:36,440 --> 00:19:40,600
Speaker 3: feels really good. Not that it's been like bad before,

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00:19:40,880 --> 00:19:44,560
Speaker 3: but just this is like I'm having fun. We hang

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00:19:45,160 --> 00:19:48,880
Speaker 3: like we try to, you know, pepper in fun, normal

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00:19:48,960 --> 00:19:53,800
Speaker 3: things that aren't just constantly like work and fluff. I'm

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00:19:53,880 --> 00:19:57,520
Speaker 3: so tired of glam and I love my glam getting

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00:19:57,680 --> 00:20:00,879
Speaker 3: makeup and hair done. Right now, I'm just like I know, yeah,

412
00:20:00,920 --> 00:20:05,600
Speaker 3: you dissociate, and complaining about that sounds so nade because

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00:20:05,680 --> 00:20:07,680
Speaker 3: I know friends that would be like I would love

414
00:20:07,720 --> 00:20:09,800
Speaker 3: to have my glammed on every day. But there's something

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00:20:09,800 --> 00:20:12,239
Speaker 3: about being stuck in the chair and unable to do

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00:20:12,280 --> 00:20:15,439
Speaker 3: anything during that time that you're just like, feel really crappy,

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Speaker 3: especially as a parent. If I'm sitting in my house

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Speaker 3: and I want to be around so my kids feel

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Speaker 3: like I'm around that day and I'm getting glammed, I

420
00:20:22,680 --> 00:20:25,600
Speaker 3: feel like it's so tragic. I feel like they must.

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Speaker 3: I'm desperate for them to not look back and be like,

422
00:20:29,880 --> 00:20:31,520
Speaker 3: mommy got glammed all the time.

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Speaker 2: My memories of my mother where she was upstairs.

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00:20:33,920 --> 00:20:38,600
Speaker 3: And yes, yeah, that bounce me a little bit. Never wait,

425
00:20:38,640 --> 00:20:42,399
Speaker 3: can we bounce to can we bounce back to fallin

426
00:20:42,440 --> 00:20:47,040
Speaker 3: for a second? Yes, this crazy like leg moment, But

427
00:20:47,280 --> 00:20:49,520
Speaker 3: let's zoom in on a picture from the leg at

428
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Speaker 3: some point, you guys, I have a sock mark, But

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00:20:55,280 --> 00:20:58,240
Speaker 3: that doesn't sum up me trying to exist as a

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Speaker 3: pop star in Hollywood? Is my sock mark?

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00:21:01,760 --> 00:21:04,760
Speaker 2: That first of all, the sock mark, no one was

432
00:21:04,800 --> 00:21:07,159
Speaker 2: ever gonna notice it because you know what was on point?

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00:21:07,280 --> 00:21:11,760
Speaker 2: Your haiography cheer agraphy on ten at the Tonight Show.

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00:21:11,800 --> 00:21:14,800
Speaker 3: Okay, that happened fast, the wind the right.

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00:21:15,280 --> 00:21:19,040
Speaker 2: Light and it happened. It really like the hair landed.

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00:21:19,320 --> 00:21:22,200
Speaker 2: And then of course we got the classic iconic we're

437
00:21:22,240 --> 00:21:26,080
Speaker 2: on all fours and we give perfect That was really

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00:21:26,520 --> 00:21:28,520
Speaker 2: well done than you can.

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00:21:28,560 --> 00:21:31,000
Speaker 1: I ask you, walking around in a house that's falling

440
00:21:31,000 --> 00:21:33,240
Speaker 1: apart while it's raining, is that a callback?

441
00:21:34,080 --> 00:21:36,000
Speaker 3: It was this slight It was a slight callback. We

442
00:21:36,320 --> 00:21:40,280
Speaker 3: we grabbed a moment, well a little nod.

443
00:21:40,080 --> 00:21:43,320
Speaker 1: To the past that Hoss was fucked up and falling apart.

444
00:21:43,720 --> 00:21:44,800
Speaker 1: I was like, girl, get out of there.

445
00:21:45,320 --> 00:21:48,119
Speaker 3: The director built had his crew, by the way, we

446
00:21:48,160 --> 00:21:50,280
Speaker 3: filmed that right before Christmas, so there was like not

447
00:21:50,359 --> 00:21:53,960
Speaker 3: that many people around who wanted to work, and he

448
00:21:54,040 --> 00:21:57,399
Speaker 3: got this like skeleton crew together and they built that

449
00:21:57,520 --> 00:22:00,399
Speaker 3: house just like a four wall house. So we're in

450
00:22:00,440 --> 00:22:04,719
Speaker 3: like Pomona amongst like mustard greens, and the house actually

451
00:22:04,720 --> 00:22:06,960
Speaker 3: like fell apart. It was really cool, like on purpose.

452
00:22:07,040 --> 00:22:10,840
Speaker 3: It was like gagged, like rigged like that. I was like, whoa,

453
00:22:11,280 --> 00:22:14,679
Speaker 3: this still happens. People spend this money sometimes.

454
00:22:15,080 --> 00:22:17,560
Speaker 2: I love that it was gagged like that. That is

455
00:22:17,560 --> 00:22:20,240
Speaker 2: a new expression. You just created like the house was

456
00:22:20,480 --> 00:22:20,959
Speaker 2: gagged up.

457
00:22:21,000 --> 00:22:21,680
Speaker 3: Gagged up.

458
00:22:23,680 --> 00:22:27,639
Speaker 2: Maybe title of app gagged up? Wait market? Yes, I

459
00:22:27,640 --> 00:22:29,320
Speaker 2: wanted to ask one of my favorite parts of the

460
00:22:29,320 --> 00:22:31,000
Speaker 2: whole album is your blank sample?

461
00:22:31,960 --> 00:22:32,200
Speaker 1: Yeah?

462
00:22:32,680 --> 00:22:34,920
Speaker 2: It was an inspired choice. I want to know how

463
00:22:34,920 --> 00:22:35,280
Speaker 2: this came.

464
00:22:35,440 --> 00:22:39,639
Speaker 3: Yeah, okay, Well blink is when I like close my

465
00:22:39,680 --> 00:22:41,800
Speaker 3: eyes and I think about getting my driver's license and

466
00:22:41,880 --> 00:22:45,960
Speaker 3: like my first taste of freedom, blink was on the radio.

467
00:22:46,119 --> 00:22:47,400
Speaker 1: You're feeling this, yeah feeling.

468
00:22:47,760 --> 00:22:54,359
Speaker 3: So it's a real nostalgic wink. And and then I

469
00:22:54,440 --> 00:22:57,520
Speaker 3: actually Matt had the idea to sample that song, and

470
00:22:57,560 --> 00:23:01,560
Speaker 3: I was like, one, yes, So how do we do that?

471
00:23:01,880 --> 00:23:04,720
Speaker 3: How do we do we just pay them? Do they

472
00:23:04,720 --> 00:23:07,200
Speaker 3: have to approve it? Can they say no? After I've

473
00:23:07,240 --> 00:23:09,000
Speaker 3: like fallen in love with this song and We've written

474
00:23:09,000 --> 00:23:12,479
Speaker 3: this beautiful like love song to my best friend and

475
00:23:12,520 --> 00:23:14,440
Speaker 3: he's like, will we just give them all the publishing?

476
00:23:14,680 --> 00:23:16,720
Speaker 2: Like okay, they can just have it.

477
00:23:16,800 --> 00:23:18,320
Speaker 3: They just have it, And it was like worth it

478
00:23:18,400 --> 00:23:20,639
Speaker 3: enough to me to have on the record because I'm

479
00:23:21,320 --> 00:23:23,520
Speaker 3: I live for that song. Yeah, it does something.

480
00:23:23,600 --> 00:23:26,040
Speaker 1: They're all so sweet. Have you have you ever like

481
00:23:26,080 --> 00:23:27,240
Speaker 1: connected with Mark Hoppins.

482
00:23:27,400 --> 00:23:33,560
Speaker 3: They're so nice I run into Mark at Sushi the Valley.

483
00:23:33,680 --> 00:23:35,960
Speaker 3: Of course, often I feel like I'm driving off the

484
00:23:36,000 --> 00:23:39,680
Speaker 3: road constantly on Ventura because I like to redesign what

485
00:23:39,760 --> 00:23:43,199
Speaker 3: I would put, how I would design this strip of

486
00:23:43,280 --> 00:23:46,480
Speaker 3: the valley. I'm like, we could use this there. That

487
00:23:46,480 --> 00:23:49,199
Speaker 3: should be a private club, that should be like that

488
00:23:49,359 --> 00:23:53,919
Speaker 3: motel that's off of Cold Water and like Ventura, I'm like,

489
00:23:54,040 --> 00:23:56,959
Speaker 3: can't we make this like a cool dinner club and

490
00:23:57,040 --> 00:23:59,399
Speaker 3: have Like I just like to redesign everything.

491
00:24:00,080 --> 00:24:02,320
Speaker 2: You really should be mayor Yeah, And I'm.

492
00:24:02,119 --> 00:24:04,359
Speaker 3: Like, how has this survived here for so long? This

493
00:24:04,440 --> 00:24:05,000
Speaker 3: went out of here?

494
00:24:05,240 --> 00:24:08,320
Speaker 2: I have these questions and then the good stuff leaves us,

495
00:24:08,720 --> 00:24:09,880
Speaker 2: like oil Can Harry's.

496
00:24:10,400 --> 00:24:12,560
Speaker 3: Oil Can Harry's was such a vibe.

497
00:24:12,600 --> 00:24:15,080
Speaker 2: It was the definition.

498
00:24:14,600 --> 00:24:16,520
Speaker 3: Of don't try to bring your drink on the dance floor.

499
00:24:16,600 --> 00:24:19,280
Speaker 3: The people that go there every night are like, no, no,

500
00:24:19,560 --> 00:24:20,720
Speaker 3: get your drink off the dance floor.

501
00:24:20,760 --> 00:24:22,720
Speaker 2: Okay, So you were up in oil Can Harry's.

502
00:24:22,920 --> 00:24:24,639
Speaker 3: Yes, Yes, I was.

503
00:24:25,480 --> 00:24:28,240
Speaker 2: What what were your what were your years of of

504
00:24:28,440 --> 00:24:31,639
Speaker 2: this ten years ago? Like ten years ago? Okay?

505
00:24:31,720 --> 00:24:32,600
Speaker 1: That was the peak.

506
00:24:32,800 --> 00:24:35,480
Speaker 2: That was like I feel like I don't want to.

507
00:24:35,560 --> 00:24:38,120
Speaker 3: Walk into oil Can Harries and then it's like massive,

508
00:24:38,640 --> 00:24:40,480
Speaker 3: what I know this is hiding in here.

509
00:24:40,680 --> 00:24:43,160
Speaker 2: I've had some of my best like shouldn't have made

510
00:24:43,160 --> 00:24:46,359
Speaker 2: out with that person? Makeouts there? Yeah, and now I

511
00:24:46,400 --> 00:24:47,119
Speaker 2: never will again.

512
00:24:47,720 --> 00:24:51,080
Speaker 1: Yeah. See you need these spaces. You should open this

513
00:24:51,200 --> 00:24:52,880
Speaker 1: up in on that strip.

514
00:24:52,680 --> 00:24:54,840
Speaker 3: New oil can hair like Hillary.

515
00:24:54,920 --> 00:24:57,280
Speaker 2: Presents oil can Harry's two point Oh, like that's it,

516
00:24:57,440 --> 00:24:59,960
Speaker 2: that's I could see it all gagged.

517
00:24:59,720 --> 00:25:05,560
Speaker 3: Up then gagn that's my llcu.

518
00:25:07,359 --> 00:25:08,840
Speaker 1: Wait, I have a question about tonight show. Just to

519
00:25:08,880 --> 00:25:13,720
Speaker 1: go back to this, Okay, okay, this is my question. Okay,

520
00:25:13,760 --> 00:25:17,080
Speaker 1: because you're changing the lyrics because it's television from you know,

521
00:25:17,080 --> 00:25:18,320
Speaker 1: giving head kissing your neck?

522
00:25:18,480 --> 00:25:20,679
Speaker 3: Yes, did you giggle at that?

523
00:25:20,840 --> 00:25:21,639
Speaker 2: I think giggle.

524
00:25:21,640 --> 00:25:23,840
Speaker 1: I was like, oh, that's a great tasteful like alt,

525
00:25:24,200 --> 00:25:28,280
Speaker 1: but I am always terrified as the songwriter, singer person

526
00:25:28,359 --> 00:25:30,040
Speaker 1: while there's a camera in my face, I'm going to

527
00:25:30,080 --> 00:25:33,800
Speaker 1: sing the like the the the uncensored lyric.

528
00:25:33,960 --> 00:25:35,040
Speaker 3: Can I tell you what helped me?

529
00:25:35,240 --> 00:25:35,520
Speaker 1: Yes?

530
00:25:36,200 --> 00:25:41,280
Speaker 3: So I did this every time. I great and it

531
00:25:41,400 --> 00:25:45,720
Speaker 3: helped me. That's not something I like, typically domonic queen

532
00:25:47,080 --> 00:25:49,520
Speaker 3: when I'm performing that song because I'm not singing that lyrics.

533
00:25:49,520 --> 00:25:54,639
Speaker 3: So I like did like you indicated, Yes, I indicated.

534
00:25:54,640 --> 00:25:56,840
Speaker 1: And then with myself a mental note said, do you

535
00:25:56,880 --> 00:25:58,080
Speaker 1: still say touching myself?

536
00:25:58,440 --> 00:26:01,000
Speaker 3: I did because I was like the amount of jerk

537
00:26:01,000 --> 00:26:03,280
Speaker 3: off jokes that like comedians have probably had any show,

538
00:26:03,440 --> 00:26:05,640
Speaker 3: like come on, you're gonna let me do it?

539
00:26:05,960 --> 00:26:08,520
Speaker 1: See when you when you fight for it, they just

540
00:26:08,560 --> 00:26:10,200
Speaker 1: they just want to see you fight. And then and

541
00:26:10,240 --> 00:26:10,600
Speaker 1: then once.

542
00:26:11,800 --> 00:26:16,280
Speaker 2: I'm spy, Yeah, but you're You're not like I would

543
00:26:16,320 --> 00:26:17,159
Speaker 2: be terrified.

544
00:26:17,480 --> 00:26:19,480
Speaker 3: We're so funny. Of course, when you were trying to

545
00:26:19,480 --> 00:26:22,720
Speaker 3: figure out what the alt was for giving you head,

546
00:26:23,520 --> 00:26:29,360
Speaker 3: we were like kissing your friend of the other ones. Yeah,

547
00:26:29,560 --> 00:26:33,080
Speaker 3: it was like that changes the whole of the concept of.

548
00:26:35,240 --> 00:26:38,040
Speaker 2: It is funny when you kids bopify everything and it

549
00:26:38,119 --> 00:26:39,080
Speaker 2: becomes like.

550
00:26:39,200 --> 00:26:41,479
Speaker 3: Kids bopify, that's really what it is.

551
00:26:41,520 --> 00:26:46,320
Speaker 2: The kids popify the album I have I've had to do.

552
00:26:47,000 --> 00:26:49,879
Speaker 1: Yeah, but kids popyfy is like a level below that

553
00:26:49,920 --> 00:26:53,520
Speaker 1: are beyond that where it's like it's about sleepovers and

554
00:26:53,600 --> 00:26:54,440
Speaker 1: snacks and you.

555
00:26:54,400 --> 00:26:57,600
Speaker 3: Know, sleepovers anymore bow and it's a sleep under No

556
00:26:57,680 --> 00:26:59,680
Speaker 3: unless their kids sleep over at anyone's house anymore?

557
00:27:00,160 --> 00:27:00,680
Speaker 2: Is that true?

558
00:27:00,760 --> 00:27:01,080
Speaker 3: Really?

559
00:27:01,400 --> 00:27:03,280
Speaker 2: I was going to say, look, I don't know because

560
00:27:03,400 --> 00:27:05,280
Speaker 2: I will say, what has changed and let me know

561
00:27:05,320 --> 00:27:08,400
Speaker 2: if you think this is true. Well, everything, well everything, yes,

562
00:27:08,440 --> 00:27:09,600
Speaker 2: but Halloween.

563
00:27:09,960 --> 00:27:12,320
Speaker 3: Oh like your kid, you can't just dive into your candy.

564
00:27:12,680 --> 00:27:14,280
Speaker 2: No. I feel like what it is is it's like

565
00:27:14,720 --> 00:27:18,440
Speaker 2: but I will say, our friend Jared lives in Studio City,

566
00:27:18,520 --> 00:27:21,240
Speaker 2: so it is actually really cute over there because it's

567
00:27:21,280 --> 00:27:23,600
Speaker 2: like the mecca for Halloween and like trick or treating.

568
00:27:23,920 --> 00:27:25,800
Speaker 2: But it just felt like for a few years there.

569
00:27:25,800 --> 00:27:27,359
Speaker 2: I don't know if it's because people were a little

570
00:27:27,359 --> 00:27:29,520
Speaker 2: bit looking at each other's sideways a little bit because

571
00:27:29,520 --> 00:27:32,320
Speaker 2: of our you know, you know, political and social reality,

572
00:27:32,480 --> 00:27:35,000
Speaker 2: but it felt like trick or treating took a dive,

573
00:27:35,520 --> 00:27:37,480
Speaker 2: like kids were not like hid in the neighborhood like

574
00:27:37,480 --> 00:27:39,040
Speaker 2: they used to do. I used to run with my

575
00:27:39,080 --> 00:27:41,360
Speaker 2: little sack, like going by myself.

576
00:27:41,440 --> 00:27:44,080
Speaker 3: Yeah, it's a different time, but our parents have always

577
00:27:44,240 --> 00:27:47,280
Speaker 3: said it's a different time now, and now we're saying

578
00:27:47,280 --> 00:27:49,639
Speaker 3: it and it's just like I think something happens, but

579
00:27:49,680 --> 00:27:52,920
Speaker 3: it is like it's I would never send my kids out. Well,

580
00:27:53,119 --> 00:27:55,160
Speaker 3: Luca goes out with his friends now, and I don't

581
00:27:55,160 --> 00:27:56,760
Speaker 3: know how much like trick or treating they're doing. They're

582
00:27:56,760 --> 00:27:57,320
Speaker 3: just hanging out.

583
00:27:57,600 --> 00:27:58,720
Speaker 2: Yeah, they're just hitting the town.

584
00:27:58,880 --> 00:28:01,760
Speaker 3: Yeah, but like we can track him on his phone,

585
00:28:01,800 --> 00:28:04,840
Speaker 3: so right, you know. But like the girls, like we're

586
00:28:04,840 --> 00:28:07,520
Speaker 3: trick or treating with them, and you know, we do

587
00:28:07,600 --> 00:28:10,080
Speaker 3: that really lame thing where basically we like take their

588
00:28:10,080 --> 00:28:12,600
Speaker 3: candy away the next day and do it with that.

589
00:28:13,119 --> 00:28:17,840
Speaker 3: They call it eat it. No, they call it a

590
00:28:17,880 --> 00:28:19,000
Speaker 3: switch witch.

591
00:28:18,800 --> 00:28:20,840
Speaker 1: Or switch with a switch.

592
00:28:20,600 --> 00:28:24,360
Speaker 3: With where you the kids get to have their fun

593
00:28:24,400 --> 00:28:26,720
Speaker 3: with the candy. Yeah, the night and they get to

594
00:28:26,760 --> 00:28:28,439
Speaker 3: like go ham and we let them. We're not a

595
00:28:28,440 --> 00:28:32,920
Speaker 3: household that's like restrictive. So but but if they put

596
00:28:32,960 --> 00:28:38,920
Speaker 3: their Halloween candy bucket like outside, the like witch comes

597
00:28:38,920 --> 00:28:41,720
Speaker 3: and like leaves them you sure stuffy or a toy

598
00:28:41,800 --> 00:28:43,240
Speaker 3: or whatever and takes like the candy.

599
00:28:43,440 --> 00:28:44,960
Speaker 2: There's a value trade.

600
00:28:45,120 --> 00:28:48,360
Speaker 3: Yeah, And I we have a lot of treats throughout

601
00:28:48,360 --> 00:28:50,239
Speaker 3: the week, and I realize that treats are just like

602
00:28:51,400 --> 00:28:56,040
Speaker 3: you know, it's fun, but I'd rather it be an

603
00:28:56,040 --> 00:28:58,280
Speaker 3: experience that we're going out to like get a treat

604
00:28:58,280 --> 00:29:00,800
Speaker 3: and like do it with people that we have with. Yeah,

605
00:29:00,880 --> 00:29:03,280
Speaker 3: then just like dipping into a bag of candy for

606
00:29:03,320 --> 00:29:05,400
Speaker 3: the next month, because.

607
00:29:05,040 --> 00:29:08,880
Speaker 1: That that's like stoner culture. We're not gonna We're not

608
00:29:09,080 --> 00:29:09,760
Speaker 1: We're not doing all that.

609
00:29:09,760 --> 00:29:12,520
Speaker 2: In the family, we're doing all that, doing all that.

610
00:29:13,240 --> 00:29:14,360
Speaker 1: I think it's time to ask the question.

611
00:29:14,400 --> 00:29:17,360
Speaker 2: We have to ask the question. The question, the question.

612
00:29:17,760 --> 00:29:19,960
Speaker 2: This is the central question of lost culture. This is

613
00:29:20,000 --> 00:29:22,800
Speaker 2: the big one. Hillary Duff, what was the culture that

614
00:29:22,920 --> 00:29:24,400
Speaker 2: made you say culture was for you?

615
00:29:26,800 --> 00:29:30,320
Speaker 3: I have given this question so much thought. I knew

616
00:29:30,360 --> 00:29:33,520
Speaker 3: it and I was like, what angle do I approach

617
00:29:33,720 --> 00:29:36,760
Speaker 3: because there are so many? There are so many, and we're.

618
00:29:36,640 --> 00:29:37,800
Speaker 2: Willing to hear all angles.

619
00:29:37,840 --> 00:29:43,960
Speaker 3: Yes, Oh, I have one prepared. I'm going to say.

620
00:29:45,320 --> 00:29:48,080
Speaker 1: The Spice Girls, thank God for you.

621
00:29:47,800 --> 00:29:48,600
Speaker 2: You've done it.

622
00:29:48,640 --> 00:29:52,560
Speaker 3: As someone else said the Spice Girls.

623
00:29:50,520 --> 00:29:53,600
Speaker 2: In the history of the show, I feel like probably,

624
00:29:53,840 --> 00:29:54,560
Speaker 2: but not today.

625
00:29:55,040 --> 00:29:59,360
Speaker 3: So of course I wanted to be Baby Spice. But

626
00:29:59,400 --> 00:30:02,600
Speaker 3: the Spice Girls. For me, it was my first concert

627
00:30:03,360 --> 00:30:10,240
Speaker 3: and the first time I saw women and all their different.

628
00:30:10,440 --> 00:30:12,640
Speaker 2: Vibes and like celebrating each other.

629
00:30:12,760 --> 00:30:16,320
Speaker 3: Yeah, but like their expressions like sporty, push this that.

630
00:30:16,480 --> 00:30:17,960
Speaker 3: I was like, oh my god, And you can be

631
00:30:18,080 --> 00:30:19,840
Speaker 3: all of them. It just depends on the day how

632
00:30:19,840 --> 00:30:22,080
Speaker 3: you wake up feeling. You could feel like one of

633
00:30:22,080 --> 00:30:26,360
Speaker 3: the Spice Girls. And I was like limited to And

634
00:30:27,040 --> 00:30:29,720
Speaker 3: then we started coming out to California and like would

635
00:30:29,800 --> 00:30:33,640
Speaker 3: hit Melrose and then I could basically like imitate all

636
00:30:33,680 --> 00:30:36,800
Speaker 3: of their wardrobe. And there was a store in Santa

637
00:30:36,800 --> 00:30:40,760
Speaker 3: Monica called Wild Pear, and I could. My mom wouldn't

638
00:30:40,800 --> 00:30:42,880
Speaker 3: let me buy any of the really like high slutty

639
00:30:42,880 --> 00:30:45,760
Speaker 3: shoes because I was, of course nine, you were, yet

640
00:30:46,280 --> 00:30:49,640
Speaker 3: I would try. It was like almost like Payless, how

641
00:30:49,680 --> 00:30:53,680
Speaker 3: they have like boxes of shoes out, but they were

642
00:30:54,080 --> 00:30:56,880
Speaker 3: high heels platforms and I could like strap them on

643
00:30:56,920 --> 00:30:59,040
Speaker 3: and like go for a walk and right be like

644
00:30:59,080 --> 00:31:01,160
Speaker 3: I'm a fucking spy scirll right now, because.

645
00:31:00,920 --> 00:31:03,920
Speaker 2: That was such a huge part of the Spice Girls

646
00:31:04,160 --> 00:31:07,640
Speaker 2: thing was the platform yeah, and.

647
00:31:07,680 --> 00:31:10,160
Speaker 3: The platform sneaker, so like I could get that on

648
00:31:10,200 --> 00:31:12,520
Speaker 3: Melrose and my mom let me have them and it

649
00:31:12,600 --> 00:31:16,520
Speaker 3: was so fun. I was like hair makeup, All the

650
00:31:16,560 --> 00:31:19,520
Speaker 3: inspiration you needed was like within the Spice Girls. Yeah,

651
00:31:19,720 --> 00:31:21,120
Speaker 3: and then Spice World happened.

652
00:31:20,840 --> 00:31:22,720
Speaker 1: And then Spice World happened. And this is this is

653
00:31:22,720 --> 00:31:27,120
Speaker 1: well documented as well, but like if baby is number one,

654
00:31:27,240 --> 00:31:31,160
Speaker 1: who who is the more the most frequent sort of

655
00:31:31,320 --> 00:31:34,080
Speaker 1: person that you were would identify with in other moments

656
00:31:34,120 --> 00:31:35,800
Speaker 1: because you're you're you're waking up one day like most

657
00:31:35,800 --> 00:31:38,160
Speaker 1: of the time your baby. Yeah, do you feel like

658
00:31:38,200 --> 00:31:40,400
Speaker 1: you have I feel like you're Also maybe.

659
00:31:40,240 --> 00:31:46,760
Speaker 3: The lollipops are thosebs and they were spice girls. Yes,

660
00:31:47,520 --> 00:31:49,680
Speaker 3: I would dig and dig and dig for the baby

661
00:31:49,720 --> 00:31:54,040
Speaker 3: spice ones. Okay, I think the other one would be

662
00:31:54,480 --> 00:31:59,240
Speaker 3: posh for me was a later like a slow agree

663
00:31:59,320 --> 00:32:05,800
Speaker 3: now everything right, yes, But back then the two parts

664
00:32:05,800 --> 00:32:07,880
Speaker 3: of my personality was baby and sporty.

665
00:32:08,160 --> 00:32:12,920
Speaker 2: Yeah, posh was advanced humor. Yeah, go with me here. Okay,

666
00:32:13,000 --> 00:32:15,960
Speaker 2: So like when Spice World happened, I had never really

667
00:32:15,960 --> 00:32:18,360
Speaker 2: been checking for posh because for me, it's like I'm

668
00:32:18,400 --> 00:32:21,480
Speaker 2: never gonna like gravitate towards an energy that's like removed

669
00:32:21,520 --> 00:32:23,920
Speaker 2: and aloof Yeah, especially at that time, I was like,

670
00:32:24,000 --> 00:32:25,880
Speaker 2: I'm excited. I want to be a part of things,

671
00:32:25,880 --> 00:32:27,480
Speaker 2: and look at the rest of these girls are really

672
00:32:27,480 --> 00:32:32,840
Speaker 2: going for it. But then but then watching the movie, okay,

673
00:32:34,000 --> 00:32:36,320
Speaker 2: I think my one of my answers to this question

674
00:32:36,880 --> 00:32:40,040
Speaker 2: is the scene where they're like doing like an obstacle

675
00:32:40,040 --> 00:32:43,520
Speaker 2: course in the movie and it just cuts to it's

676
00:32:43,640 --> 00:32:45,880
Speaker 2: just like showing them go over the obsticle course and

677
00:32:45,920 --> 00:32:49,400
Speaker 2: then you just see Posh in heels walking along the side.

678
00:32:49,680 --> 00:32:50,640
Speaker 3: I'm not playing this game.

679
00:32:50,920 --> 00:32:54,360
Speaker 2: And then all Pasha's line deliveries in the movie, like

680
00:32:54,640 --> 00:32:56,200
Speaker 2: when they fall in the water and she's like this

681
00:32:56,280 --> 00:32:59,160
Speaker 2: stress is dry clean only melody. I was just like,

682
00:32:59,600 --> 00:33:05,080
Speaker 2: there's something about her prioritizing her glamour and being so

683
00:33:05,240 --> 00:33:07,280
Speaker 2: like mean to the rest of them, but that's still

684
00:33:07,280 --> 00:33:11,320
Speaker 2: being their sister that I am like deeply envious of

685
00:33:11,360 --> 00:33:14,320
Speaker 2: the energy of that, Like this, you can't get me

686
00:33:14,480 --> 00:33:17,280
Speaker 2: to care. I am unbothered. Before we knew that word.

687
00:33:17,600 --> 00:33:18,720
Speaker 2: That was postpice.

688
00:33:18,760 --> 00:33:21,120
Speaker 3: I'm adding some of that to my personality right now.

689
00:33:21,240 --> 00:33:22,440
Speaker 2: Yeah, no, download it.

690
00:33:22,640 --> 00:33:23,600
Speaker 3: Yeah, it's time.

691
00:33:24,400 --> 00:33:28,000
Speaker 1: But I think you also taught people to be unbothered

692
00:33:28,040 --> 00:33:31,160
Speaker 1: with so yesterday, Oh my god, thank you. I think

693
00:33:31,200 --> 00:33:33,760
Speaker 1: that's that is the original unbothered anthem.

694
00:33:33,960 --> 00:33:34,680
Speaker 3: Oh my god.

695
00:33:34,800 --> 00:33:36,200
Speaker 2: Really you haven't heard this before?

696
00:33:36,440 --> 00:33:41,600
Speaker 3: No, okay, you guys. Once I talked to this psychic

697
00:33:41,640 --> 00:33:43,840
Speaker 3: on the phone and she doesn't know who you are,

698
00:33:44,080 --> 00:33:48,720
Speaker 3: yes when you call, And eventually she figured it out

699
00:33:48,760 --> 00:33:51,400
Speaker 3: and she was like, are you Hillary Duff?

700
00:33:51,520 --> 00:33:53,400
Speaker 2: How did she figure it out out? Despite her ps

701
00:33:53,560 --> 00:33:57,080
Speaker 2: psychic ability? Shouldn't you have known some of these people.

702
00:33:58,520 --> 00:33:59,480
Speaker 3: How did she say?

703
00:33:59,600 --> 00:34:02,240
Speaker 1: How did Andrew go for it?

704
00:34:02,320 --> 00:34:07,400
Speaker 3: Okay, okay, she figured it out, because, oh my god,

705
00:34:07,440 --> 00:34:11,279
Speaker 3: this is so I need to like call Angel and

706
00:34:11,480 --> 00:34:14,120
Speaker 3: make sure she's cool with me sharing this. I'm friends

707
00:34:14,200 --> 00:34:18,000
Speaker 3: with Aaron Carter's sister Angels. We go our kids go

708
00:34:18,040 --> 00:34:20,680
Speaker 3: to the same school. She's a lovely, literal angel of

709
00:34:20,719 --> 00:34:23,920
Speaker 3: a person. We're very close. We talk about Aaron often.

710
00:34:26,160 --> 00:34:29,960
Speaker 3: So I call this psychic and I like to dabble.

711
00:34:30,440 --> 00:34:31,720
Speaker 2: Yeah, I as well.

712
00:34:31,760 --> 00:34:34,000
Speaker 3: Two times a year. I get a little wild hair.

713
00:34:34,040 --> 00:34:40,240
Speaker 3: We're like a little bit like the I tabble forscope okay,

714
00:34:41,120 --> 00:34:43,560
Speaker 3: palm reader, cards, whatever.

715
00:34:43,440 --> 00:34:44,640
Speaker 2: I like to do, any of the its.

716
00:34:45,520 --> 00:34:48,799
Speaker 3: Give me anything that can validate, like the path I'm on,

717
00:34:49,440 --> 00:34:50,280
Speaker 3: choices I'm making.

718
00:34:50,360 --> 00:34:52,400
Speaker 1: Give your framework, yeah, give me a little, give me.

719
00:34:52,400 --> 00:34:57,160
Speaker 3: A little support. I'm not living by it like firmly.

720
00:34:57,280 --> 00:34:58,759
Speaker 3: I'm just like, let's have fun with us.

721
00:34:58,800 --> 00:35:00,120
Speaker 2: Okay, cool, Yeah, we're with you.

722
00:35:00,360 --> 00:35:02,400
Speaker 3: So I call her. She's so hard to get a

723
00:35:02,440 --> 00:35:07,200
Speaker 3: hold of this woman. Okay, I track her down for

724
00:35:07,239 --> 00:35:10,400
Speaker 3: three weeks. She doesn't let you pay. She's like, this

725
00:35:10,440 --> 00:35:12,120
Speaker 3: is not my job. This has been a curse for

726
00:35:12,160 --> 00:35:15,400
Speaker 3: me my whole life. Because she has the gift her family.

727
00:35:15,480 --> 00:35:17,080
Speaker 3: Other people in her family have the gift. I guess

728
00:35:17,120 --> 00:35:19,800
Speaker 3: when she was in school, she'd look at the teacher

729
00:35:19,840 --> 00:35:21,480
Speaker 3: and be like, you and your husband are going to

730
00:35:21,480 --> 00:35:22,000
Speaker 3: get a divorce.

731
00:35:22,200 --> 00:35:23,320
Speaker 2: Oh my god.

732
00:35:23,520 --> 00:35:26,640
Speaker 3: And then she's like and she's in trouble right, but

733
00:35:26,680 --> 00:35:30,200
Speaker 3: she's like, I saw this happening whatever, like I can't imagine.

734
00:35:30,600 --> 00:35:32,359
Speaker 3: And then I think people with that kind of gift

735
00:35:32,360 --> 00:35:33,719
Speaker 3: maybe have to get it off.

736
00:35:33,719 --> 00:35:37,359
Speaker 2: I expel it.

737
00:35:38,239 --> 00:35:41,440
Speaker 3: So she I get on the phone with her and

738
00:35:41,480 --> 00:35:45,800
Speaker 3: she's like, oh, She's like, you have like such bright energy.

739
00:35:45,840 --> 00:35:48,239
Speaker 3: I'm so excited to talk to you today. And I

740
00:35:48,280 --> 00:35:51,520
Speaker 3: was like, oh, thank you, that's so nice. How do

741
00:35:51,600 --> 00:35:53,439
Speaker 3: we start? I don't know. Should I just start asking

742
00:35:53,520 --> 00:35:55,960
Speaker 3: you questions whatever. She's like, well, people are going to

743
00:35:56,000 --> 00:36:00,360
Speaker 3: start showing up for you. And there's someone here, Aaron

744
00:36:00,719 --> 00:36:06,120
Speaker 3: A two A's Aarin And I was like, oh no,

745
00:36:06,320 --> 00:36:09,520
Speaker 3: I my heart. I was like, oh my god. And

746
00:36:09,840 --> 00:36:13,359
Speaker 3: she's like I was like, is it Aaron Carter? And

747
00:36:13,400 --> 00:36:16,160
Speaker 3: she's like sure, is what the hell's he doing here?

748
00:36:16,440 --> 00:36:16,960
Speaker 1: Wow?

749
00:36:18,000 --> 00:36:20,720
Speaker 3: And I was like, well, that's my childhood boyfriend. And

750
00:36:22,560 --> 00:36:26,560
Speaker 3: you know, I kind of that would make sense to me. Yeah,

751
00:36:26,600 --> 00:36:29,960
Speaker 3: and she's like, are you Hillary Duff? Like cut to

752
00:36:30,120 --> 00:36:33,200
Speaker 3: our lighter topics, and she was like, so yesterday helped

753
00:36:33,200 --> 00:36:36,719
Speaker 3: me through my breakup and I will never not love you.

754
00:36:37,160 --> 00:36:39,080
Speaker 2: It's like, oh my god, it's so funny.

755
00:36:39,080 --> 00:36:42,160
Speaker 3: Thank you so much. Anyway, Yeah, a really wild experience.

756
00:36:42,280 --> 00:36:45,240
Speaker 3: But no, I didn't know the lure behind so yesterday

757
00:36:45,280 --> 00:36:46,440
Speaker 3: being what'd you call it.

758
00:36:46,320 --> 00:36:55,480
Speaker 1: The unbothered anthem? Yeah, it makes sense, yes, absolutely, at

759
00:36:55,560 --> 00:36:58,160
Speaker 1: least not today, not today.

760
00:36:58,320 --> 00:37:01,200
Speaker 2: I feel like, here's the thing, the thing about you,

761
00:37:01,640 --> 00:37:06,719
Speaker 2: like in the way that like the place that you

762
00:37:06,760 --> 00:37:09,680
Speaker 2: held in culture, and I hope that you take this

763
00:37:09,760 --> 00:37:12,680
Speaker 2: as a compliment. It's like there were so many times

764
00:37:12,719 --> 00:37:15,480
Speaker 2: where because everyone looked up to you so much, you

765
00:37:15,560 --> 00:37:19,440
Speaker 2: were like, hey, this is important to care about. Like

766
00:37:19,520 --> 00:37:22,080
Speaker 2: I was thinking on the way up here. It was

767
00:37:22,080 --> 00:37:25,479
Speaker 2: two thousand and eight, when you're a commercial for Knock

768
00:37:25,520 --> 00:37:28,200
Speaker 2: It Off. Don't Say, Don't Say Gay came out and

769
00:37:28,239 --> 00:37:31,760
Speaker 2: I remember so we graduated high school in two thousand

770
00:37:31,800 --> 00:37:35,160
Speaker 2: and eight, and I came back from school from n

771
00:37:35,280 --> 00:37:37,200
Speaker 2: YU one time and there was like one of my

772
00:37:38,040 --> 00:37:41,600
Speaker 2: one of my friends older brothers, was always dogging me.

773
00:37:41,719 --> 00:37:43,480
Speaker 2: I was in the closet and he was always like

774
00:37:43,640 --> 00:37:45,880
Speaker 2: the one that was making comments and stuff. And I

775
00:37:45,880 --> 00:37:48,120
Speaker 2: remember that commercial had come out, and like there was

776
00:37:48,160 --> 00:37:49,919
Speaker 2: like a shift in the conversation that guy.

777
00:37:50,160 --> 00:37:53,240
Speaker 3: I know that I hope he gets a real issue disease.

778
00:37:53,719 --> 00:37:56,680
Speaker 2: So he's extremely I haven't check. I think I hope

779
00:37:56,680 --> 00:38:00,719
Speaker 2: he's atching wherever he is. He certainly is now. But

780
00:38:00,800 --> 00:38:03,200
Speaker 2: there was there was a moment where my and my

781
00:38:03,320 --> 00:38:05,920
Speaker 2: one friend had never stuck up for me when these

782
00:38:05,920 --> 00:38:06,399
Speaker 2: things happen.

783
00:38:06,520 --> 00:38:08,359
Speaker 3: Usually it was like that thing brother that was your

784
00:38:08,360 --> 00:38:09,480
Speaker 3: friend never stuck up for you.

785
00:38:09,520 --> 00:38:11,680
Speaker 2: To his friend, it was my girlfriend. It was like

786
00:38:11,880 --> 00:38:15,040
Speaker 2: my like like one of my girlfriends. I didn't have

787
00:38:15,040 --> 00:38:18,200
Speaker 2: a girlfriend, but like female friend. And it was her

788
00:38:18,440 --> 00:38:21,560
Speaker 2: older brother that was saying this stuff all the time.

789
00:38:21,840 --> 00:38:23,560
Speaker 2: And I remember she was like I was in the

790
00:38:23,600 --> 00:38:26,160
Speaker 2: other room and she, for the first time ever, was

791
00:38:26,200 --> 00:38:28,440
Speaker 2: like what do you care if he's gay? Like what

792
00:38:28,480 --> 00:38:30,839
Speaker 2: do you get? What does it matter? Like and no one,

793
00:38:31,719 --> 00:38:33,920
Speaker 2: no one was ever saying anything like that. So there

794
00:38:34,000 --> 00:38:36,120
Speaker 2: was like a turning point. Not to say that you

795
00:38:36,160 --> 00:38:39,480
Speaker 2: were single handedly because the reason why, but like I

796
00:38:39,520 --> 00:38:41,120
Speaker 2: think that, like, yeah.

797
00:38:41,040 --> 00:38:43,640
Speaker 3: Back then, it was like the word was even no one.

798
00:38:43,560 --> 00:38:47,080
Speaker 2: Was saying, yeah, this is not cool to say Everyone

799
00:38:47,200 --> 00:38:49,600
Speaker 2: was saying it's cool to say it. Like I remember

800
00:38:49,800 --> 00:38:51,520
Speaker 2: when we were in middle school in high school, like

801
00:38:51,560 --> 00:38:54,360
Speaker 2: Eminem was like the essentially the biggest pop star in

802
00:38:54,400 --> 00:38:56,800
Speaker 2: the world, like saying these types of things on the radio,

803
00:38:56,880 --> 00:38:59,520
Speaker 2: like it was popular to be homophone and then that.

804
00:39:00,760 --> 00:39:03,520
Speaker 2: I also remember a time when I was watching Lizzie

805
00:39:03,600 --> 00:39:07,120
Speaker 2: McGuire in my kitchen and it was the episode where

806
00:39:07,680 --> 00:39:08,520
Speaker 2: because it was just.

807
00:39:08,480 --> 00:39:12,160
Speaker 3: On TV, it was remember that time, Yeah, like we're

808
00:39:12,160 --> 00:39:14,560
Speaker 3: tuning in because it's gonna be on TV right now, yep.

809
00:39:14,680 --> 00:39:15,840
Speaker 3: And if you miss it, you miss it.

810
00:39:15,840 --> 00:39:17,359
Speaker 2: If you miss it, you miss it. And you had

811
00:39:17,360 --> 00:39:18,800
Speaker 2: to you had to tune in. But I remember it

812
00:39:18,840 --> 00:39:21,719
Speaker 2: was the episode where Miranda was dealing with stuff with

813
00:39:21,840 --> 00:39:25,000
Speaker 2: eating yes, and my dad was watching over my shoulder

814
00:39:25,000 --> 00:39:27,520
Speaker 2: and he was just like, what is this show? He's like,

815
00:39:27,600 --> 00:39:29,480
Speaker 2: I love this show. He's like he was a pe teacher.

816
00:39:29,480 --> 00:39:31,200
Speaker 2: He's like, I want to show this to my health class.

817
00:39:31,280 --> 00:39:33,719
Speaker 2: Like there was like a lot of messages and what

818
00:39:33,800 --> 00:39:36,480
Speaker 2: you did of Phillip, because we all respected you. You

819
00:39:36,520 --> 00:39:39,200
Speaker 2: were our age, but we respected you. And when you

820
00:39:39,320 --> 00:39:42,840
Speaker 2: said things that like held meaning, we listened.

821
00:39:43,360 --> 00:39:45,920
Speaker 3: That's so nice. Thank you for saying that. Honestly, I

822
00:39:45,960 --> 00:39:48,239
Speaker 3: hear it a lot, and sometimes you know, when you

823
00:39:48,560 --> 00:39:50,879
Speaker 3: hear compliments over and over again, you're like, oh, yeah,

824
00:39:50,880 --> 00:39:53,440
Speaker 3: thank you, but like I receive what you're saying.

825
00:39:53,760 --> 00:39:56,480
Speaker 2: Well, this is different than like your hair was incredible

826
00:39:56,520 --> 00:39:59,360
Speaker 2: on the tonight show. This is that that holds value,

827
00:39:59,400 --> 00:40:02,320
Speaker 2: but this is like, it's your meaningful to our generation.

828
00:40:02,520 --> 00:40:05,160
Speaker 3: I think when you like it's nice to always like

829
00:40:05,239 --> 00:40:06,960
Speaker 3: have the compliment or somebody like this meant so much

830
00:40:06,960 --> 00:40:08,920
Speaker 3: to me. But when you get to have some framework

831
00:40:08,960 --> 00:40:11,719
Speaker 3: and like see the the picture of you and your

832
00:40:11,760 --> 00:40:13,879
Speaker 3: friend and this guy giving you the older brother giving

833
00:40:13,880 --> 00:40:16,719
Speaker 3: me a hard time, You're like, oh, I see how

834
00:40:16,760 --> 00:40:20,440
Speaker 3: that impacted you in a nice way and made you

835
00:40:20,480 --> 00:40:23,399
Speaker 3: not feel bad or whatever, so that it's stayed with you.

836
00:40:23,880 --> 00:40:26,920
Speaker 3: I'm starting to try to instead of try to deflect

837
00:40:26,920 --> 00:40:29,759
Speaker 3: from compliments, say thank you, I've received that.

838
00:40:29,880 --> 00:40:30,680
Speaker 2: Yeah, I have.

839
00:40:30,760 --> 00:40:32,680
Speaker 1: I have that struggle too. It's it's a lebri thing

840
00:40:33,200 --> 00:40:36,000
Speaker 1: because we have to balance it out with something. I'm trying.

841
00:40:36,280 --> 00:40:38,520
Speaker 1: I'm over identifying with you as a libra.

842
00:40:38,560 --> 00:40:42,279
Speaker 3: Rising, but it's well, isn't that how.

843
00:40:43,880 --> 00:40:47,960
Speaker 1: Well? Channey Nicholas Stroller uh does your reading based on

844
00:40:47,960 --> 00:40:49,920
Speaker 1: your rising and not your son. So so so my

845
00:40:50,000 --> 00:40:51,960
Speaker 1: reading every day is Libra rising. But it's I think

846
00:40:51,960 --> 00:40:53,839
Speaker 1: it's that it's like, oh, I have to You're giving

847
00:40:53,840 --> 00:40:56,920
Speaker 1: me something positive. I have to counterwegh that.

848
00:40:58,760 --> 00:40:59,120
Speaker 2: I love.

849
00:40:59,200 --> 00:41:00,960
Speaker 1: My favorite part of the I say though, besides the

850
00:41:00,960 --> 00:41:02,560
Speaker 1: message of it is that you still end it with

851
00:41:02,600 --> 00:41:04,600
Speaker 1: I love those jeans that like cute jeans though, like

852
00:41:04,760 --> 00:41:07,640
Speaker 1: it's still complimentary. You're still showing you up to this girl. Yeah,

853
00:41:07,680 --> 00:41:09,840
Speaker 1: like like that'skirt as the top but you but these

854
00:41:09,880 --> 00:41:10,480
Speaker 1: jeans are good.

855
00:41:10,600 --> 00:41:12,919
Speaker 3: That was like the young version of me. I don't

856
00:41:12,920 --> 00:41:15,200
Speaker 3: think I need to like round out with a compliment anymore.

857
00:41:15,320 --> 00:41:17,680
Speaker 3: Someone's being good. We're done here, we're.

858
00:41:17,520 --> 00:41:20,000
Speaker 1: Doing Can I share my quickly, I'll just share my

859
00:41:20,120 --> 00:41:23,520
Speaker 1: first exposure to Lizzie Maguire, which was has to do

860
00:41:23,560 --> 00:41:27,799
Speaker 1: with sleepovers. Incidentally, okay, it was fifth grade, heavily still

861
00:41:27,800 --> 00:41:31,080
Speaker 1: in the closet with all these boys, I'm feeling something.

862
00:41:31,080 --> 00:41:33,080
Speaker 1: I'm like, wait a minute, what's going on? But this

863
00:41:33,160 --> 00:41:35,280
Speaker 1: was it would be on TV. But it was also

864
00:41:35,320 --> 00:41:39,400
Speaker 1: my first experience with on demand where like it's like

865
00:41:40,400 --> 00:41:43,200
Speaker 1: one in the morning, we're all in this Danny Wetmore's basement,

866
00:41:43,280 --> 00:41:46,040
Speaker 1: and all these boys are like, we have to watch

867
00:41:46,920 --> 00:41:53,400
Speaker 1: the hottest girl. We're watching Lizzie McGuire. She's the hottest, prettiest,

868
00:41:53,840 --> 00:41:58,560
Speaker 1: this girl, Hillary Duff, She's so hot. So all these

869
00:41:58,640 --> 00:42:02,160
Speaker 1: nine year olds being like and so then we're putting,

870
00:42:02,160 --> 00:42:04,680
Speaker 1: we're putting, And then and then on this on their

871
00:42:04,760 --> 00:42:07,880
Speaker 1: giant home theater screen, they put on Lizzie maguire to

872
00:42:07,960 --> 00:42:11,399
Speaker 1: a video onto me and this guy's a whatever time

873
00:42:11,440 --> 00:42:12,960
Speaker 1: it is Lizzie McGuire and I'm.

874
00:42:12,719 --> 00:42:16,400
Speaker 3: Wild wild yet the pay per view and they have

875
00:42:16,520 --> 00:42:19,719
Speaker 3: no older brothers and.

876
00:42:19,640 --> 00:42:22,200
Speaker 2: Then probably earnestly watching you to we're earnestly watching and

877
00:42:22,280 --> 00:42:24,120
Speaker 2: like laughing, being like, oh my god, she's so good.

878
00:42:24,280 --> 00:42:25,840
Speaker 2: But it was my It was like it was like

879
00:42:25,880 --> 00:42:28,040
Speaker 2: a first closet moment for me where I was like

880
00:42:28,760 --> 00:42:29,759
Speaker 2: but it was safe.

881
00:42:29,640 --> 00:42:31,439
Speaker 3: Like I don't feel like she's hot like the rest

882
00:42:31,480 --> 00:42:31,719
Speaker 3: of them.

883
00:42:31,840 --> 00:42:34,040
Speaker 1: No, no, no, I was like, she's beautiful, but I

884
00:42:34,080 --> 00:42:37,200
Speaker 1: thought I'm appreciating her in a different way than these

885
00:42:37,239 --> 00:42:37,680
Speaker 1: boys are.

886
00:42:37,680 --> 00:42:44,839
Speaker 4: I'm not like like all the boys crushes on you,

887
00:42:45,360 --> 00:42:47,920
Speaker 4: on you, so we all had sound.

888
00:42:47,760 --> 00:42:54,279
Speaker 3: Effect for the straight mail.

889
00:42:51,560 --> 00:42:54,440
Speaker 1: But like I was but then I went, I'm not.

890
00:42:54,640 --> 00:42:56,359
Speaker 1: I'm not thinking the same thing these boys are. When

891
00:42:56,360 --> 00:42:58,319
Speaker 1: I look at this pretty girl, I'm thinking, oh, I

892
00:42:58,360 --> 00:42:58,920
Speaker 1: want to be.

893
00:42:58,800 --> 00:43:01,640
Speaker 3: Freshed, we want we need to go shopping together.

894
00:43:02,480 --> 00:43:04,719
Speaker 2: We're doing but I just know in twenty years we're

895
00:43:04,719 --> 00:43:09,160
Speaker 2: all going to do Bunda. I just know we're heading

896
00:43:09,160 --> 00:43:10,319
Speaker 2: to Bunda. Oh.

897
00:43:10,600 --> 00:43:13,080
Speaker 1: Anyway, So that's that's my that's my one.

898
00:43:13,200 --> 00:43:15,000
Speaker 3: You know, I really like that one.

899
00:43:15,200 --> 00:43:18,640
Speaker 2: Wait for for curiosity's sake? What are your other avenues

900
00:43:19,200 --> 00:43:21,240
Speaker 2: like in terms of the in terms of the culture

901
00:43:21,239 --> 00:43:22,800
Speaker 2: that made you said culture was for you because you

902
00:43:22,800 --> 00:43:23,600
Speaker 2: said you had so many.

903
00:43:23,680 --> 00:43:24,759
Speaker 1: You talked about Olsen twins On.

904
00:43:24,960 --> 00:43:28,560
Speaker 3: Oh yeahs were a big brother for sale for only

905
00:43:28,560 --> 00:43:29,399
Speaker 3: fifty cents only.

906
00:43:29,880 --> 00:43:32,160
Speaker 2: But just that that entire series, I'm like, they were

907
00:43:32,400 --> 00:43:35,480
Speaker 2: so adorable, so adorable.

908
00:43:35,680 --> 00:43:37,960
Speaker 3: They're for sale with their big eyes like you were,

909
00:43:38,000 --> 00:43:39,080
Speaker 3: just like I want to be you.

910
00:43:39,160 --> 00:43:41,440
Speaker 2: They had it. But that was that was your invited.

911
00:43:42,920 --> 00:43:46,160
Speaker 2: Well I got my first pair of pants from the row.

912
00:43:46,960 --> 00:43:47,760
Speaker 3: When did this happen?

913
00:43:48,200 --> 00:43:49,640
Speaker 2: This happened about four months ago.

914
00:43:49,960 --> 00:43:50,240
Speaker 1: Wow.

915
00:43:50,280 --> 00:43:52,239
Speaker 2: My stylust was like, and these are from the Row

916
00:43:52,360 --> 00:43:55,120
Speaker 2: And I was like, well, like I've made it. There

917
00:43:55,160 --> 00:43:56,719
Speaker 2: isn't there is a moment when you get something from

918
00:43:56,719 --> 00:43:58,359
Speaker 2: the row when you're like should.

919
00:43:58,080 --> 00:44:00,319
Speaker 1: I, Well you you're gonna have it for life.

920
00:44:01,040 --> 00:44:03,439
Speaker 3: They are life cases because.

921
00:44:02,880 --> 00:44:06,160
Speaker 1: Pieces they're sturdy. You know what they're sturdy?

922
00:44:06,160 --> 00:44:09,160
Speaker 3: Oh yeah, sturdy. Yeah. They said dirty. I was like, yeah,

923
00:44:10,320 --> 00:44:10,839
Speaker 3: A good way.

924
00:44:11,000 --> 00:44:12,360
Speaker 2: Excuse me your mouth.

925
00:44:12,440 --> 00:44:15,840
Speaker 3: What were my other options? Oh yeah, Grease. Grease was

926
00:44:15,840 --> 00:44:16,600
Speaker 3: a big one for me.

927
00:44:19,160 --> 00:44:21,360
Speaker 1: Do you ever play Sandy what I?

928
00:44:21,440 --> 00:44:24,280
Speaker 3: Or did I? Did you or I haven't ever played Sandy?

929
00:44:25,440 --> 00:44:28,520
Speaker 3: That would be a fun thing to do. Her and

930
00:44:28,560 --> 00:44:31,160
Speaker 3: the span X, Yeah, take me away. I was like,

931
00:44:31,239 --> 00:44:34,520
Speaker 3: oh my god, this I want to put high heels

932
00:44:34,520 --> 00:44:36,239
Speaker 3: on it, like strut around and it's about the it's

933
00:44:36,239 --> 00:44:38,600
Speaker 3: not the shoes. And then Michelle Peiffer did Grease Too,

934
00:44:38,640 --> 00:44:40,120
Speaker 3: which was arguably.

935
00:44:41,560 --> 00:44:43,480
Speaker 2: People have very good.

936
00:44:43,800 --> 00:44:45,120
Speaker 3: Yeah I'm not going to say better.

937
00:44:45,280 --> 00:44:47,400
Speaker 2: We're not gonna argue, but people have sat in this

938
00:44:47,520 --> 00:44:49,439
Speaker 2: chair and been like, Grease Too is better, and they'll

939
00:44:49,480 --> 00:44:49,920
Speaker 2: stand ten.

940
00:44:50,280 --> 00:44:52,719
Speaker 3: I think I prefer watching it more. I'm not sure

941
00:44:52,760 --> 00:44:55,600
Speaker 3: I can say better, but I enjoy watching it more.

942
00:44:56,160 --> 00:44:58,600
Speaker 3: Her Michelle fIF are so hot. I can't deal.

943
00:44:58,920 --> 00:45:03,239
Speaker 2: There's also like a theme here in like basically like

944
00:45:03,920 --> 00:45:12,080
Speaker 2: I think like women like embodying something bigger than not,

945
00:45:13,400 --> 00:45:14,879
Speaker 2: something larger than life.

946
00:45:14,760 --> 00:45:19,360
Speaker 3: Something in your face, yeah, something some yeah, turning point

947
00:45:19,400 --> 00:45:23,360
Speaker 3: in the woman's existence right coming into her own You

948
00:45:23,400 --> 00:45:24,480
Speaker 3: mean for me? The theme for me?

949
00:45:24,600 --> 00:45:27,240
Speaker 2: I mean I'm looking at I'm seeing threads.

950
00:45:27,000 --> 00:45:31,600
Speaker 3: Yes, yeah, okay. And the other one, which also falls

951
00:45:31,680 --> 00:45:35,480
Speaker 3: under that category is Pretty Woman. Ah, and I watched

952
00:45:35,520 --> 00:45:37,920
Speaker 3: it way too young. This was like a real crazy

953
00:45:37,920 --> 00:45:40,799
Speaker 3: thing in the nineties that I think, Well, when we

954
00:45:40,880 --> 00:45:45,040
Speaker 3: got like snowed in, we couldn't which is weird because

955
00:45:45,040 --> 00:45:46,799
Speaker 3: I live in Texas, but we couldn't leave the house

956
00:45:46,840 --> 00:45:49,319
Speaker 3: because every once in a while it like freezes over

957
00:45:49,360 --> 00:45:54,920
Speaker 3: in Texas, right, And we had this house, like this

958
00:45:55,000 --> 00:45:57,560
Speaker 3: country house, and there was really nothing to do there,

959
00:45:57,600 --> 00:45:59,440
Speaker 3: and Pretty Woman was on TV and my mom was.

960
00:45:59,400 --> 00:46:01,360
Speaker 2: Like, well, well this is there's the day.

961
00:46:01,239 --> 00:46:05,960
Speaker 3: We're watching it. And I was like, I'm obsessed, like

962
00:46:06,120 --> 00:46:08,600
Speaker 3: it was everything to me. And then the other avenue

963
00:46:08,640 --> 00:46:09,680
Speaker 3: was TGI Friday.

964
00:46:09,960 --> 00:46:15,240
Speaker 2: Oh ohf was massive culture, massive, massive. I can't believe

965
00:46:15,280 --> 00:46:17,520
Speaker 2: they named that. They named her after to Pega hair.

966
00:46:17,880 --> 00:46:20,640
Speaker 3: Her hair, Oh, her hair was everything. Yeah.

967
00:46:20,680 --> 00:46:22,640
Speaker 2: It was like Hillary Duff on The Tonight Show.

968
00:46:23,760 --> 00:46:27,920
Speaker 3: The amount of the like pounds of hair I had

969
00:46:27,920 --> 00:46:30,400
Speaker 3: on the tonight show. Oh my, I can't have gotten

970
00:46:30,400 --> 00:46:32,719
Speaker 3: really used to just like pounds of hair laying around

971
00:46:32,760 --> 00:46:33,080
Speaker 3: the house.

972
00:46:33,600 --> 00:46:35,400
Speaker 1: That's to me their memory of mommy.

973
00:46:35,160 --> 00:46:38,520
Speaker 3: Right, just extensions everywhere, not the glamor just just the extension.

974
00:46:38,800 --> 00:46:41,600
Speaker 2: Well we can only describe as to panger coated of course.

975
00:46:42,000 --> 00:46:45,799
Speaker 2: Wait uh oh god, it escaped to me. Never mind,

976
00:46:46,040 --> 00:46:48,080
Speaker 2: wait oh hold on, hold on, but see you watching

977
00:46:48,080 --> 00:46:51,440
Speaker 2: Pretty Women? Yeah, and like, look how everything turned out.

978
00:46:51,760 --> 00:46:54,240
Speaker 2: It's like, may make and listen to a song about whatever,

979
00:46:54,400 --> 00:46:56,360
Speaker 2: you know what I mean, about anxiety or about like

980
00:46:56,400 --> 00:47:02,239
Speaker 2: a mature you know song title, mature themes. It's not

981
00:47:02,280 --> 00:47:06,640
Speaker 2: going to pollute their mind, Necessarah. No.

982
00:47:06,760 --> 00:47:11,160
Speaker 3: I mean, there's always ways to have good conversations with

983
00:47:11,239 --> 00:47:14,839
Speaker 3: your kids, and I think it's totally okay to be like, hey,

984
00:47:15,360 --> 00:47:17,680
Speaker 3: I would love to explain that to you someday, but

985
00:47:17,800 --> 00:47:19,280
Speaker 3: that day's not today.

986
00:47:18,840 --> 00:47:20,520
Speaker 2: Yeah, I don't have.

987
00:47:20,400 --> 00:47:24,920
Speaker 3: To answer every question you ask me about five questions?

988
00:47:24,680 --> 00:47:26,760
Speaker 2: Are are they questioning kids?

989
00:47:27,320 --> 00:47:30,239
Speaker 3: May May is May stops talking May May.

990
00:47:30,360 --> 00:47:31,920
Speaker 2: She's a conversationalist by trade.

991
00:47:32,400 --> 00:47:37,160
Speaker 3: Banks is not like as much of a talker until

992
00:47:37,239 --> 00:47:40,600
Speaker 3: we're having like night time, nighttime routine and like wine

993
00:47:40,680 --> 00:47:42,760
Speaker 3: down and she wants to do like rose and thorn,

994
00:47:43,080 --> 00:47:46,439
Speaker 3: and oh yeah she's and then I'll get a lot

995
00:47:46,480 --> 00:47:48,920
Speaker 3: out of her. Then may may just never stops talking.

996
00:47:50,000 --> 00:47:50,759
Speaker 3: We love her for that.

997
00:47:50,840 --> 00:47:53,960
Speaker 1: You have different styles, but like, okay, I'm just like,

998
00:47:54,640 --> 00:47:55,000
Speaker 1: just as.

999
00:47:54,920 --> 00:47:58,000
Speaker 3: An example, let's go back. But maybe this morning I'm

1000
00:47:58,040 --> 00:48:00,279
Speaker 3: facetiming her and she's like, I gotta tell you something?

1001
00:48:00,280 --> 00:48:03,000
Speaker 3: Can I tell you something? I really am like, just

1002
00:48:03,520 --> 00:48:05,040
Speaker 3: go out with that. Why do we have to ask

1003
00:48:05,040 --> 00:48:07,759
Speaker 3: the question before the question happens? And she's like, I'm

1004
00:48:07,800 --> 00:48:10,320
Speaker 3: eating a madeline. I'm eating a madeline. You gotta tell daddy.

1005
00:48:10,360 --> 00:48:12,040
Speaker 3: And she's just talking into the camera and there's like

1006
00:48:12,080 --> 00:48:13,839
Speaker 3: just crumbs coming out of her mouth. It's like a

1007
00:48:13,920 --> 00:48:17,160
Speaker 3: dry madeline. Why do I need to know that? But like, also,

1008
00:48:17,200 --> 00:48:20,400
Speaker 3: I'm obsessed with you. Keep telling me more. She's so funny,

1009
00:48:20,760 --> 00:48:24,640
Speaker 3: so funny. Okay, I got you off.

1010
00:48:24,719 --> 00:48:26,640
Speaker 1: Well no, no, no no, because this is all this is

1011
00:48:26,680 --> 00:48:29,080
Speaker 1: all pertinent because and I'm sure you've been asked that

1012
00:48:29,120 --> 00:48:31,440
Speaker 1: a million times, a million different ways. But I'm genuinely

1013
00:48:31,520 --> 00:48:36,040
Speaker 1: curious that, like about if you've grown up in like

1014
00:48:36,120 --> 00:48:39,400
Speaker 1: as a child, like being treated and handled by a

1015
00:48:39,440 --> 00:48:41,560
Speaker 1: bunch of different people, Like does that give you this

1016
00:48:41,760 --> 00:48:44,080
Speaker 1: extra dimension to like how you are as a parent,

1017
00:48:44,200 --> 00:48:46,840
Speaker 1: how you talk to children now, Like are you extra sensitive?

1018
00:48:46,960 --> 00:48:49,319
Speaker 1: You like cause you're because it seems like you're very

1019
00:48:49,600 --> 00:48:52,840
Speaker 1: keyed into like how someone that age might take in

1020
00:48:52,880 --> 00:48:55,680
Speaker 1: new information, Like we'll talk about this later, Like is

1021
00:48:55,719 --> 00:48:58,400
Speaker 1: this something that you're like internalizing that you've internalized from

1022
00:48:59,000 --> 00:49:00,680
Speaker 1: being like a child star.

1023
00:49:01,280 --> 00:49:05,040
Speaker 3: Oh, I don't know. I haven't really thought about it

1024
00:49:05,120 --> 00:49:09,480
Speaker 3: like that. I think I have four kids. Yeah, so

1025
00:49:09,520 --> 00:49:11,840
Speaker 3: I've had a lot of practice, and I like say

1026
00:49:11,880 --> 00:49:15,120
Speaker 3: sorry to Luca all the time because I'm like, we

1027
00:49:15,280 --> 00:49:20,920
Speaker 3: just fucked up. I don't know, yea, Like no, it

1028
00:49:21,080 --> 00:49:25,959
Speaker 3: just I think way too much like involvement, care care,

1029
00:49:27,520 --> 00:49:31,839
Speaker 3: you know, doing too much for you just can't help it.

1030
00:49:31,840 --> 00:49:33,520
Speaker 3: It's like this new addition to your life where you're like,

1031
00:49:33,560 --> 00:49:35,120
Speaker 3: I do everything for you now, like I have this

1032
00:49:35,160 --> 00:49:37,239
Speaker 3: thing to take care of. And then you have like

1033
00:49:37,280 --> 00:49:41,480
Speaker 3: more subsequent kids and you can't do everything for them

1034
00:49:41,480 --> 00:49:43,160
Speaker 3: and you can't always protect them and you can't be

1035
00:49:43,200 --> 00:49:45,319
Speaker 3: there for their everything, and then you just you know,

1036
00:49:45,360 --> 00:49:47,440
Speaker 3: you learn the dialogue that works for your family. Like

1037
00:49:47,920 --> 00:49:56,200
Speaker 3: some kid that main banks sometimes says curse words and

1038
00:49:56,239 --> 00:49:59,280
Speaker 3: we let her because it's so funny to old. She's seven,

1039
00:49:59,719 --> 00:50:01,640
Speaker 3: and she she only does it like she doesn't just

1040
00:50:01,760 --> 00:50:04,200
Speaker 3: want like willy nilly do it. If we're like, hey,

1041
00:50:04,239 --> 00:50:06,680
Speaker 3: say this thing, we'll do it. And it's hilarious and

1042
00:50:06,719 --> 00:50:10,560
Speaker 3: we love it. And she knows that can't happen outside

1043
00:50:10,600 --> 00:50:13,680
Speaker 3: of the household. That it she knows boundaries. If you

1044
00:50:13,680 --> 00:50:15,680
Speaker 3: have a kid that doesn't know boundaries, you obviously can't

1045
00:50:15,680 --> 00:50:17,440
Speaker 3: play that game, you know what I mean. And different

1046
00:50:17,440 --> 00:50:20,759
Speaker 3: conversation you your dialogue changes per child, and when you

1047
00:50:20,800 --> 00:50:25,760
Speaker 3: start to know your child and banks cannot stop with sugar,

1048
00:50:26,239 --> 00:50:28,239
Speaker 3: Luca will eat half a cupcake at a birthday party

1049
00:50:28,239 --> 00:50:30,880
Speaker 3: and be like I'm done. So it's just like all

1050
00:50:30,920 --> 00:50:31,800
Speaker 3: your kids are different.

1051
00:50:32,000 --> 00:50:32,560
Speaker 1: Yeah.

1052
00:50:32,840 --> 00:50:35,200
Speaker 2: Also, I think that like as you're talking about, like

1053
00:50:35,280 --> 00:50:38,800
Speaker 2: you know, your mom sees pretty woman on television, sees

1054
00:50:38,800 --> 00:50:40,680
Speaker 2: her daughter and is like, it don't matter, We're watching

1055
00:50:40,680 --> 00:50:41,920
Speaker 2: it because this is my favorite thing.

1056
00:50:42,000 --> 00:50:42,200
Speaker 3: Yeah.

1057
00:50:42,320 --> 00:50:44,920
Speaker 2: One of my favorite memories from when I was growing

1058
00:50:45,000 --> 00:50:47,719
Speaker 2: up is I know my dad wanted to see the

1059
00:50:47,800 --> 00:50:50,560
Speaker 2: nutty Professor to the Clumps so bad, so he said,

1060
00:50:50,600 --> 00:50:52,200
Speaker 2: get in the car, We're going to the movies and

1061
00:50:52,239 --> 00:50:54,040
Speaker 2: I was like, oh, okay, it was not up to me.

1062
00:50:54,120 --> 00:50:54,960
Speaker 2: We were just going.

1063
00:50:55,080 --> 00:50:55,640
Speaker 3: Yeah.

1064
00:50:55,680 --> 00:50:58,120
Speaker 2: One of my favorite memories of me and my dad

1065
00:50:58,239 --> 00:51:00,120
Speaker 2: still to this day. And it was something that like

1066
00:51:01,239 --> 00:51:04,120
Speaker 2: seeped through with his personality to me, Like wasn't a

1067
00:51:04,160 --> 00:51:07,800
Speaker 2: way he was intentionally, it was just him being himself. Yeah,

1068
00:51:07,840 --> 00:51:09,040
Speaker 2: And so I feel.

1069
00:51:08,880 --> 00:51:10,239
Speaker 3: Like he's like, we're gonna do what I want to

1070
00:51:10,280 --> 00:51:11,799
Speaker 3: do because I want to do it today. And it's

1071
00:51:11,880 --> 00:51:15,480
Speaker 3: probably normally all about you guys. Get in, we're going, Yeah, get.

1072
00:51:15,280 --> 00:51:18,640
Speaker 2: In, we're going. And I remember, like I remember there

1073
00:51:18,719 --> 00:51:21,879
Speaker 2: was something too about like watching that movie with him

1074
00:51:21,920 --> 00:51:25,759
Speaker 2: and it was not quote unquote appropriate, but the allowance

1075
00:51:26,560 --> 00:51:30,319
Speaker 2: that he was giving for us to enjoy that together, yeah,

1076
00:51:30,400 --> 00:51:34,200
Speaker 2: made us feel closer. And so, your kids, how are you?

1077
00:51:34,719 --> 00:51:36,640
Speaker 2: I was, I guess I had to be like really,

1078
00:51:38,440 --> 00:51:41,040
Speaker 2: I forget exactly when that movie came out, but it

1079
00:51:41,080 --> 00:51:45,320
Speaker 2: was certainly spiritually around that area, like certainly onger than thirteen.

1080
00:51:45,440 --> 00:51:47,600
Speaker 3: When your kids get to an age where they can

1081
00:51:47,680 --> 00:51:53,440
Speaker 3: start handling more of adult life things, it's so fun.

1082
00:51:53,640 --> 00:51:54,040
Speaker 2: Yeah.

1083
00:51:54,160 --> 00:51:56,760
Speaker 3: One, it's really important to keep like the conversations going,

1084
00:51:57,200 --> 00:51:59,719
Speaker 3: you know, in the household, like constantly like checking in

1085
00:51:59,800 --> 00:52:05,760
Speaker 3: and normalizing topics that yeah, you know they're ready for. Yeah,

1086
00:52:05,800 --> 00:52:08,880
Speaker 3: but when you can start enjoying content of the world

1087
00:52:08,960 --> 00:52:12,000
Speaker 3: that's like more adult and have their takes on it,

1088
00:52:12,080 --> 00:52:16,320
Speaker 3: and it's so moving. Honestly, I love it. And Luca

1089
00:52:16,320 --> 00:52:20,080
Speaker 3: and I watched a bunch of movies this year. What

1090
00:52:20,120 --> 00:52:23,600
Speaker 3: did we just watch? We watched Hamnet and oh wow,

1091
00:52:24,200 --> 00:52:26,520
Speaker 3: I know, and it was he was really into it.

1092
00:52:26,600 --> 00:52:29,319
Speaker 3: He likes a period piece. Wow, I can't get Matt

1093
00:52:29,360 --> 00:52:32,279
Speaker 3: to watch a period piece. So that was really fun.

1094
00:52:32,560 --> 00:52:33,800
Speaker 2: Yeah, sophisticated.

1095
00:52:34,760 --> 00:52:36,160
Speaker 3: And the other thing that I did that was, like

1096
00:52:36,200 --> 00:52:38,400
Speaker 3: your dad is I've started to make him watch a

1097
00:52:38,400 --> 00:52:43,080
Speaker 3: holiday with holiday movie with me every year and this

1098
00:52:43,200 --> 00:52:46,040
Speaker 3: year we did the Holiday and he really enjoyed it.

1099
00:52:46,080 --> 00:52:47,200
Speaker 1: That's so sweet.

1100
00:52:47,280 --> 00:52:48,880
Speaker 3: I know, I know it's fun.

1101
00:52:49,600 --> 00:52:52,000
Speaker 2: Especially you got to get those things in there too.

1102
00:52:52,120 --> 00:52:54,319
Speaker 2: Before Like I just remember like being a fourteen year

1103
00:52:54,320 --> 00:52:57,160
Speaker 2: old boy, like and that's when and I don't know

1104
00:52:57,160 --> 00:53:00,760
Speaker 2: how different it is now, but like other their boys

1105
00:53:00,920 --> 00:53:03,800
Speaker 2: start to become like it's it's that's when the toxic

1106
00:53:03,880 --> 00:53:07,279
Speaker 2: masculinity looms and it doesn't have to be something that

1107
00:53:07,320 --> 00:53:11,480
Speaker 2: people indulge in. And again, generation generationally we are different,

1108
00:53:11,920 --> 00:53:14,160
Speaker 2: but I do remember that time, and I have like

1109
00:53:14,239 --> 00:53:18,279
Speaker 2: a lot of like like compassion for the kid that

1110
00:53:18,320 --> 00:53:21,080
Speaker 2: I was, but also all the other kids, the boys

1111
00:53:21,200 --> 00:53:23,759
Speaker 2: around me, because it's like the world is yelling at

1112
00:53:23,760 --> 00:53:25,239
Speaker 2: you to be a certain way. You don't want to

1113
00:53:25,280 --> 00:53:28,160
Speaker 2: be that way. You want to be sensitive, like you

1114
00:53:28,280 --> 00:53:32,839
Speaker 2: want to actually have access to and display of all

1115
00:53:32,880 --> 00:53:36,040
Speaker 2: your emotions. It's just it can get loud when you

1116
00:53:36,120 --> 00:53:37,800
Speaker 2: have a culture telling you this is the way the

1117
00:53:37,840 --> 00:53:38,960
Speaker 2: boys are supposed to act.

1118
00:53:39,320 --> 00:53:42,600
Speaker 3: It's absolutely infuriating. And now parents have to deal with

1119
00:53:42,640 --> 00:53:47,279
Speaker 3: social media and like a constant stream of like like

1120
00:53:47,360 --> 00:53:50,440
Speaker 3: Luca has YouTube. Is it called shorts?

1121
00:53:50,480 --> 00:53:50,800
Speaker 1: Sorts?

1122
00:53:51,080 --> 00:53:51,400
Speaker 3: YouTube?

1123
00:53:51,400 --> 00:53:51,960
Speaker 2: Shorts? Right?

1124
00:53:52,320 --> 00:53:54,839
Speaker 3: And that's his version of like social media, And it's

1125
00:53:55,000 --> 00:53:58,879
Speaker 3: just like the things are you know, You're just you're

1126
00:53:59,200 --> 00:54:01,759
Speaker 3: it's just the converse, because you're like, okay that they're

1127
00:54:01,800 --> 00:54:05,000
Speaker 3: getting this fed directly into their brains and their brains

1128
00:54:05,000 --> 00:54:07,080
Speaker 3: aren't as strong as ours yet and mine's not even

1129
00:54:07,080 --> 00:54:09,120
Speaker 3: that strong anymore. When I see stuff, I'm.

1130
00:54:08,960 --> 00:54:11,279
Speaker 1: Like, ooh, yeah, yeah, it's just.

1131
00:54:11,400 --> 00:54:16,279
Speaker 3: A wild information dump on them. That wasn't something that

1132
00:54:16,320 --> 00:54:18,719
Speaker 3: we had to deal with back then, Thank god, thank god.

1133
00:54:18,840 --> 00:54:19,799
Speaker 2: Can you imagine I can't.

1134
00:54:19,880 --> 00:54:22,280
Speaker 3: I mean, we're the last of them, I know. Yeah,

1135
00:54:22,320 --> 00:54:26,440
Speaker 3: we're the last of the people that don't didn't have that, Yeah,

1136
00:54:26,480 --> 00:54:28,520
Speaker 3: and it's really hard to keep it away from your

1137
00:54:28,719 --> 00:54:29,240
Speaker 3: your kids.

1138
00:54:29,560 --> 00:54:31,520
Speaker 1: But you know, but hearing you talk about like get

1139
00:54:31,520 --> 00:54:33,600
Speaker 1: in the car, we're going to the movies, and talking

1140
00:54:33,600 --> 00:54:36,560
Speaker 1: about to go back to the bus, I think that's

1141
00:54:36,600 --> 00:54:39,759
Speaker 1: like the antidote to any anxieties you have about them,

1142
00:54:40,040 --> 00:54:42,719
Speaker 1: like consuming that because it's like, no matter how I'm

1143
00:54:42,719 --> 00:54:45,400
Speaker 1: sure it'll be challenging throughout the tour, like have everybody

1144
00:54:45,400 --> 00:54:48,239
Speaker 1: in the slots or whatever, but like you will, you

1145
00:54:48,280 --> 00:54:50,759
Speaker 1: will probably I'm not telling you how to feel, but

1146
00:54:50,800 --> 00:54:53,080
Speaker 1: you will probably look back on this moment and be

1147
00:54:53,120 --> 00:54:57,000
Speaker 1: like really grateful, and it'll be so fond and like,

1148
00:54:57,080 --> 00:54:58,640
Speaker 1: oh my gosh, like we grew up for like a

1149
00:54:58,680 --> 00:55:00,840
Speaker 1: couple of months on this silly little vehicle.

1150
00:55:01,160 --> 00:55:05,680
Speaker 3: I also feel like Matt and I get stronger every

1151
00:55:05,760 --> 00:55:11,400
Speaker 3: time we get faced with something quite crazy like packing up.

1152
00:55:11,800 --> 00:55:13,920
Speaker 3: You know, for kids, Luca won't be there the whole time.

1153
00:55:14,000 --> 00:55:16,120
Speaker 3: He's a teenager now and he's like deep into soccer,

1154
00:55:16,160 --> 00:55:19,120
Speaker 3: so he'll be like in and out. But like you know,

1155
00:55:19,239 --> 00:55:24,120
Speaker 3: packing up a bus filled with kids and possibly animals,

1156
00:55:24,160 --> 00:55:28,279
Speaker 3: and you know, and and we I feel like we

1157
00:55:28,400 --> 00:55:31,040
Speaker 3: level up every time we tackle something like that, and

1158
00:55:31,080 --> 00:55:35,399
Speaker 3: it's such a beautiful, like notch on the belt. So

1159
00:55:35,480 --> 00:55:38,240
Speaker 3: I'm looking forward to it. And back on the topic

1160
00:55:38,280 --> 00:55:41,760
Speaker 3: of you know, social media and our kids like getting

1161
00:55:42,040 --> 00:55:45,799
Speaker 3: information from their friends or pressures from their friends or whatever.

1162
00:55:45,840 --> 00:55:50,479
Speaker 3: We do this thing in our house, and I feel

1163
00:55:50,480 --> 00:55:52,560
Speaker 3: like it's so important to just have your little family

1164
00:55:52,640 --> 00:55:55,800
Speaker 3: quirks and stick to them and make your kids do it.

1165
00:55:55,920 --> 00:55:59,080
Speaker 3: We on the weekends, we'll just start singing the song

1166
00:55:59,120 --> 00:56:02,439
Speaker 3: in the house, Matt and I it's Amanda Tory Family Walk,

1167
00:56:02,520 --> 00:56:07,360
Speaker 3: Amanda Tory Family Walk. And we just and everyone's like, no,

1168
00:56:07,680 --> 00:56:10,760
Speaker 3: we live in the hills, so it's not an easy walk. Yeah,

1169
00:56:11,040 --> 00:56:13,439
Speaker 3: We'll like get the dogs and we make everyone go,

1170
00:56:13,680 --> 00:56:17,000
Speaker 3: and just like the conversations that happen are so nice

1171
00:56:17,120 --> 00:56:19,399
Speaker 3: and everyone enjoys it by the end, but no one

1172
00:56:19,400 --> 00:56:20,480
Speaker 3: wants to go in the beginning.

1173
00:56:20,960 --> 00:56:24,120
Speaker 2: Yeah, but you know that's part of the process too.

1174
00:56:24,160 --> 00:56:27,200
Speaker 2: Now we have to act like we're put upon right

1175
00:56:28,160 --> 00:56:32,840
Speaker 2: the walk in the hills.

1176
00:56:31,160 --> 00:56:33,040
Speaker 3: Like people would like to go on a walk with you.

1177
00:56:33,040 --> 00:56:35,120
Speaker 3: You don't have any idea.

1178
00:56:35,200 --> 00:56:37,120
Speaker 2: Actually are people that are going to be doing a

1179
00:56:37,160 --> 00:56:40,880
Speaker 2: meet and greet specifically to hang what twelfth of the

1180
00:56:40,920 --> 00:56:42,800
Speaker 2: time you're going to get with me during this walk.

1181
00:56:42,719 --> 00:56:45,560
Speaker 3: And a polaroid and a polaroid and polaroid?

1182
00:56:45,560 --> 00:56:48,160
Speaker 2: Will everyone in the family come to m S G though?

1183
00:56:48,560 --> 00:56:51,759
Speaker 3: I think come. Yeah, Luca lived in New York with

1184
00:56:51,800 --> 00:56:55,640
Speaker 3: me when I was shooting Younger, so he loves he

1185
00:56:55,680 --> 00:56:59,440
Speaker 3: loves Brooklyn and he'll have to. He wants to come

1186
00:56:59,440 --> 00:57:01,239
Speaker 3: for them as show. That's just a big deal.

1187
00:57:01,320 --> 00:57:04,160
Speaker 2: That's such a huge deal. You did play MSG back

1188
00:57:04,160 --> 00:57:04,520
Speaker 2: in the day.

1189
00:57:04,600 --> 00:57:06,800
Speaker 3: I think I only played it for like a jingle.

1190
00:57:07,960 --> 00:57:10,920
Speaker 2: So it's your first time headlining and selling at Mathison

1191
00:57:10,960 --> 00:57:11,680
Speaker 2: Square Gardens.

1192
00:57:11,800 --> 00:57:18,120
Speaker 3: Yeah, it's so cool. It's awesome. It's awesome.

1193
00:57:18,360 --> 00:57:20,920
Speaker 2: I just feel like, what what it must feel like,

1194
00:57:21,240 --> 00:57:22,560
Speaker 2: or what it's going to feel like to go out

1195
00:57:22,600 --> 00:57:26,840
Speaker 2: there after like being like, you know, living a different

1196
00:57:26,880 --> 00:57:28,760
Speaker 2: life for so long. It's going to be it's an

1197
00:57:28,760 --> 00:57:30,480
Speaker 2: extra special experience.

1198
00:57:30,680 --> 00:57:33,560
Speaker 3: The muscle memories in there. But I also am so

1199
00:57:33,800 --> 00:57:37,760
Speaker 3: mean now that it's nice to have those two people

1200
00:57:37,840 --> 00:57:40,680
Speaker 3: like collide is wake up.

1201
00:57:40,600 --> 00:57:43,560
Speaker 1: In the setlist come thank God?

1202
00:57:43,720 --> 00:57:47,960
Speaker 2: Because I always am saying London Paris, maybe Tokyo when

1203
00:57:47,960 --> 00:57:52,080
Speaker 2: we're booking the trip. I mean that's like, that's just

1204
00:57:52,520 --> 00:57:54,680
Speaker 2: that's just part of those are always the.

1205
00:57:54,840 --> 00:57:57,440
Speaker 1: Because to maybe because it's just kind of far. London

1206
00:57:57,440 --> 00:58:00,600
Speaker 1: and Paris makes sense together because they're in Paris.

1207
00:58:00,640 --> 00:58:03,400
Speaker 2: Maybe Tokyo is the hardest left. It's like, wow, we

1208
00:58:03,400 --> 00:58:08,880
Speaker 2: were in London in Paris, but maybe.

1209
00:58:08,840 --> 00:58:09,160
Speaker 3: Away.

1210
00:58:09,720 --> 00:58:12,040
Speaker 2: What day is the Madison Square Garden August?

1211
00:58:12,400 --> 00:58:16,680
Speaker 1: It's August something the publicist, I don't know.

1212
00:58:16,720 --> 00:58:22,200
Speaker 3: We have to google that. I can't keep dates. You're

1213
00:58:22,840 --> 00:58:27,280
Speaker 3: you're doing everything. Wait, did Matt Wright on the album?

1214
00:58:27,280 --> 00:58:29,000
Speaker 3: Besides roommates? What else did you write on the album?

1215
00:58:29,040 --> 00:58:29,920
Speaker 3: We wrote the whole album?

1216
00:58:30,480 --> 00:58:31,800
Speaker 1: Why did I think it was just roommates?

1217
00:58:31,840 --> 00:58:34,000
Speaker 2: No, we wrote the whole the whole thing, Okay. And

1218
00:58:34,080 --> 00:58:35,840
Speaker 2: you can tell because I'm a fan of his work.

1219
00:58:35,920 --> 00:58:39,120
Speaker 2: I love his stuff with Carly Ray, I know, I mean,

1220
00:58:39,280 --> 00:58:40,720
Speaker 2: like he's really really.

1221
00:58:40,920 --> 00:58:44,560
Speaker 3: Carly Ray record. Yeah, actually the one after.

1222
00:58:46,080 --> 00:58:50,280
Speaker 2: She's had so many I'm a huge Ray. But like

1223
00:58:50,280 --> 00:58:52,480
Speaker 2: you're like you're referencing the Japanese house and like the

1224
00:58:52,520 --> 00:58:54,040
Speaker 2: album and it's like what do I I'm curious, Like

1225
00:58:54,080 --> 00:58:55,680
Speaker 2: what are you and Matt listening to in the house

1226
00:58:55,760 --> 00:58:57,720
Speaker 2: like among you, because I feel like you were both

1227
00:58:57,920 --> 00:59:02,560
Speaker 2: from these very wonderful, big like through.

1228
00:59:02,360 --> 00:59:04,200
Speaker 1: Lines and music that are meaning together now in it's

1229
00:59:04,240 --> 00:59:07,320
Speaker 1: like lush but still sparse like pop, like it's I

1230
00:59:07,360 --> 00:59:09,040
Speaker 1: love this album so much in the way that like

1231
00:59:09,080 --> 00:59:11,720
Speaker 1: talk about like how you guys arrived together at this.

1232
00:59:12,440 --> 00:59:15,320
Speaker 3: I think sonically we were one looking at my old

1233
00:59:15,360 --> 00:59:18,600
Speaker 3: catalog a lot, so I feel like in Weather for

1234
00:59:18,760 --> 00:59:23,200
Speaker 3: Tennis you pick up some of that, very like Hillary

1235
00:59:23,240 --> 00:59:28,280
Speaker 3: Duff Leaning Lane, But some of the things we were

1236
00:59:28,320 --> 00:59:32,840
Speaker 3: listening to was like the Japanese House, the nineteen seventy.

1237
00:59:32,440 --> 00:59:37,880
Speaker 1: Five, It's it's all in that world, like the Yeah, like.

1238
00:59:38,400 --> 00:59:43,160
Speaker 3: Even Harry's House for me, not so much taking inspiration

1239
00:59:43,240 --> 00:59:45,480
Speaker 3: from that, but I loved putting that record on for

1240
00:59:45,520 --> 00:59:47,920
Speaker 3: the first time and being like, oh I can just

1241
00:59:47,960 --> 00:59:52,280
Speaker 3: like this is just a fantastic soundtrack live in it. Yes, Yeah,

1242
00:59:52,360 --> 00:59:54,240
Speaker 3: I'm like I could be hosting a dinner party and

1243
00:59:54,240 --> 00:59:55,880
Speaker 3: that's happening. I could be in my car solo and

1244
00:59:55,920 --> 00:59:57,400
Speaker 3: this has happened. Like it was just a very like

1245
00:59:58,560 --> 01:00:02,920
Speaker 3: Presen sushi restaurant, and then the rest was like really

1246
01:00:02,960 --> 01:00:06,920
Speaker 3: trying not to listen to too much outside music, and

1247
01:00:06,960 --> 01:00:10,360
Speaker 3: we have so many kids that it's not hard to

1248
01:00:10,400 --> 01:00:13,320
Speaker 3: not do that because they kind of will steer the ship.

1249
01:00:13,480 --> 01:00:16,360
Speaker 1: And it's lots of like Taylor.

1250
01:00:16,120 --> 01:00:19,800
Speaker 3: Cracy Abrams and Taylor and Kat's Eye and things I

1251
01:00:19,880 --> 01:00:22,200
Speaker 3: love yea, yeah, but you know, I was not going

1252
01:00:22,240 --> 01:00:24,640
Speaker 3: to go on the album necessarily. No, we really tried

1253
01:00:24,680 --> 01:00:30,000
Speaker 3: to stay in like a Hillary Dufflin that's almost forty.

1254
01:00:30,360 --> 01:00:33,439
Speaker 2: I loved that it does. It does feel like it's

1255
01:00:33,480 --> 01:00:36,720
Speaker 2: still like it speaks to a little bit that pop

1256
01:00:36,880 --> 01:00:40,440
Speaker 2: rock thing that you were so like emblematic of.

1257
01:00:40,480 --> 01:00:42,959
Speaker 3: I feel like that it's dreamier. There's like a veil

1258
01:00:43,040 --> 01:00:43,840
Speaker 3: of dreamy on top.

1259
01:00:43,960 --> 01:00:48,560
Speaker 2: It's like a nostalgic filter over that sound, but more contemporary.

1260
01:00:48,920 --> 01:00:50,920
Speaker 2: And I love the way your voice sounds on it too.

1261
01:00:51,560 --> 01:00:53,880
Speaker 2: Like it's just really like I think the choices like

1262
01:00:54,000 --> 01:00:57,200
Speaker 2: are just so great, and I love the little pops

1263
01:00:57,240 --> 01:00:59,560
Speaker 2: of humor that are in there. It's just like I said,

1264
01:00:59,560 --> 01:01:00,720
Speaker 2: like it feels so me.

1265
01:01:01,000 --> 01:01:04,120
Speaker 3: It's so like me coded and and it's weird to

1266
01:01:04,160 --> 01:01:06,720
Speaker 3: say that, but it's like, you know, there's a lot

1267
01:01:06,760 --> 01:01:09,720
Speaker 3: of there's a lot of like serious themes on the record,

1268
01:01:10,560 --> 01:01:14,479
Speaker 3: but they're like disguised as like a going out night. Yeah,

1269
01:01:14,520 --> 01:01:19,240
Speaker 3: and like maybe there's like a rhinestone brawn underneath that

1270
01:01:20,800 --> 01:01:23,400
Speaker 3: oversized gesture, you know what I mean. Like it's just

1271
01:01:24,040 --> 01:01:27,160
Speaker 3: that I feel like that is very a big part

1272
01:01:27,200 --> 01:01:29,480
Speaker 3: of my personality, like oh, this is kind of happening

1273
01:01:29,520 --> 01:01:31,800
Speaker 3: in it's serious, but also like we're having a great time,

1274
01:01:32,480 --> 01:01:35,840
Speaker 3: and that I really wanted that to be expressed on

1275
01:01:35,880 --> 01:01:38,280
Speaker 3: the record because that's being an adult, right, Like we're

1276
01:01:38,280 --> 01:01:44,280
Speaker 3: handling so many things, we're moving through parts of life

1277
01:01:44,280 --> 01:01:48,760
Speaker 3: that like are new to us, and and it was

1278
01:01:48,800 --> 01:01:52,840
Speaker 3: like important for it to just be very like real

1279
01:01:53,160 --> 01:01:55,120
Speaker 3: and raw.

1280
01:01:55,480 --> 01:01:55,680
Speaker 2: Yeah.

1281
01:01:55,680 --> 01:01:57,680
Speaker 1: I feel like that's the theme of the album to me,

1282
01:01:58,040 --> 01:02:01,360
Speaker 1: is that like, oh, these are all like moments in

1283
01:02:01,440 --> 01:02:03,960
Speaker 1: between or on the way to like a bigger conversation,

1284
01:02:04,160 --> 01:02:06,600
Speaker 1: much like you know, talking like talking to the kids,

1285
01:02:06,600 --> 01:02:09,000
Speaker 1: Like we'll talk about that later. It's like I feel

1286
01:02:09,000 --> 01:02:11,120
Speaker 1: like Adult Size Medium is about that. It's like, oh,

1287
01:02:11,160 --> 01:02:14,760
Speaker 1: it's like this is kind of deteriorating, but like we

1288
01:02:14,800 --> 01:02:17,000
Speaker 1: can't really address it just yet. Or there's just a

1289
01:02:17,000 --> 01:02:18,120
Speaker 1: lot of that on the album that I think it

1290
01:02:18,200 --> 01:02:20,720
Speaker 1: like is really hard to capture that people don't really

1291
01:02:20,760 --> 01:02:24,360
Speaker 1: take the time to like focus in on it's very

1292
01:02:24,400 --> 01:02:26,120
Speaker 1: what you're describing where it's like I could put this

1293
01:02:26,160 --> 01:02:28,120
Speaker 1: on at home, you put this on in the car.

1294
01:02:28,560 --> 01:02:31,680
Speaker 1: It is it is all purpose but so specific, right,

1295
01:02:31,840 --> 01:02:33,800
Speaker 1: So it's it's really fucking good.

1296
01:02:34,000 --> 01:02:36,280
Speaker 3: Thank you so so much. Also my voice, like it

1297
01:02:36,320 --> 01:02:39,160
Speaker 3: was really fun to get on the mic again after

1298
01:02:39,440 --> 01:02:43,080
Speaker 3: ten years, like really ten years. I recorded Matt and

1299
01:02:43,080 --> 01:02:44,960
Speaker 3: I love Third Eye Blind and he was doing a

1300
01:02:45,000 --> 01:02:47,880
Speaker 3: cover and I just happened to it was during COVID,

1301
01:02:47,920 --> 01:02:49,480
Speaker 3: and I was like, are you really trying to cover

1302
01:02:49,520 --> 01:02:51,520
Speaker 3: a Third Eye Blind song and not have me sing

1303
01:02:51,560 --> 01:02:54,920
Speaker 3: on it? Like what the actual fun? And so I

1304
01:02:55,040 --> 01:02:58,640
Speaker 3: sang that but I really hadn't sang on a microphone

1305
01:02:58,680 --> 01:03:02,920
Speaker 3: in so long, and so to like arrive here and

1306
01:03:03,000 --> 01:03:06,400
Speaker 3: now and you know, write this record and just have

1307
01:03:06,480 --> 01:03:08,560
Speaker 3: my voice like I'm so much different now, I'm so

1308
01:03:08,640 --> 01:03:10,520
Speaker 3: much more in my body that I'm not like I

1309
01:03:10,560 --> 01:03:14,080
Speaker 3: don't need to seeing that note or be this thing.

1310
01:03:14,160 --> 01:03:16,320
Speaker 3: I'm just I'm just me And like, you know, I'm

1311
01:03:16,320 --> 01:03:19,840
Speaker 3: making this record because it feels good and it's just

1312
01:03:19,920 --> 01:03:23,080
Speaker 3: an absolute cherry on top that like people are connecting

1313
01:03:23,080 --> 01:03:24,160
Speaker 3: to it and like it.

1314
01:03:24,760 --> 01:03:27,439
Speaker 2: People love it, I mean us included, and like it's

1315
01:03:27,560 --> 01:03:30,720
Speaker 2: just we're very, very very happy to have a Hillary

1316
01:03:30,800 --> 01:03:33,640
Speaker 2: Duff album again, and we're so excited to see you

1317
01:03:33,680 --> 01:03:36,920
Speaker 2: at MSG. We're definitely gonna be there August. It'll be

1318
01:03:36,960 --> 01:03:39,480
Speaker 2: a hot, sweaty well, it will.

1319
01:03:43,280 --> 01:03:46,200
Speaker 3: New York when it's hot and muggy, Like, yes.

1320
01:03:46,120 --> 01:03:48,600
Speaker 2: You know what, it's the worst when you're experiencing it,

1321
01:03:48,640 --> 01:03:50,320
Speaker 2: and give me the memory.

1322
01:03:50,320 --> 01:03:51,960
Speaker 1: Wait wait, wait wait, I want more of this because

1323
01:03:51,960 --> 01:03:54,840
Speaker 1: people don't. This is thank you for being an apologist.

1324
01:03:55,160 --> 01:03:58,240
Speaker 1: See's an apologist about muggy New York because people love

1325
01:03:58,280 --> 01:04:01,680
Speaker 1: to shoot on it and I'm like, it's not We're out.

1326
01:04:01,760 --> 01:04:04,760
Speaker 3: I will tell you that there were times when I

1327
01:04:04,840 --> 01:04:07,520
Speaker 3: lived in Soho and I was shooting younger that I

1328
01:04:07,520 --> 01:04:10,280
Speaker 3: came to my apart. I got up my elevator like

1329
01:04:10,320 --> 01:04:13,840
Speaker 3: open to my apartment and I just like sat down

1330
01:04:13,880 --> 01:04:17,400
Speaker 3: and sobbed, like yeah, sometimes the humidity and he if

1331
01:04:17,440 --> 01:04:19,920
Speaker 3: you're like trying to run errands and I'm an la girly,

1332
01:04:20,080 --> 01:04:22,800
Speaker 3: so like I don't understand the concept of like shopping

1333
01:04:22,840 --> 01:04:25,480
Speaker 3: small totally, like and I would just have like so

1334
01:04:25,600 --> 01:04:27,440
Speaker 3: many bags and I'm like tough, and I'm like I

1335
01:04:27,480 --> 01:04:31,160
Speaker 3: am you're counting the steps you know, and you're just like,

1336
01:04:33,080 --> 01:04:33,560
Speaker 3: I know.

1337
01:04:34,160 --> 01:04:37,840
Speaker 2: I would I would identify as being seasonally depressed during

1338
01:04:37,840 --> 01:04:39,760
Speaker 2: August or in the summer. Back in the day. I remember,

1339
01:04:39,880 --> 01:04:41,840
Speaker 2: remember I was saying this. I was like, I think

1340
01:04:41,920 --> 01:04:45,640
Speaker 2: I get seasonal affect of disorder. When it's August in

1341
01:04:45,640 --> 01:04:46,040
Speaker 2: New York.

1342
01:04:46,880 --> 01:04:49,160
Speaker 3: Dogs come out and you're sitting outside and you're just like,

1343
01:04:49,200 --> 01:04:53,560
Speaker 3: now I'm eating alive by mosquito. It's horrible. There's something

1344
01:04:53,640 --> 01:04:57,000
Speaker 3: I do. I romanticize it because like it's tied to

1345
01:04:57,080 --> 01:04:59,640
Speaker 3: memories for me that I like, I love.

1346
01:05:00,240 --> 01:05:01,880
Speaker 2: It's like but it's like what you're just saying, it's

1347
01:05:01,920 --> 01:05:08,760
Speaker 2: like you remember fondly the nostalgia filter over you sobbing

1348
01:05:08,840 --> 01:05:11,960
Speaker 2: on a roof because because like you can't walk another step,

1349
01:05:12,320 --> 01:05:14,120
Speaker 2: and then here we are, and it's what you remember

1350
01:05:14,160 --> 01:05:14,680
Speaker 2: about it.

1351
01:05:14,680 --> 01:05:15,840
Speaker 3: It's adult size medium.

1352
01:05:15,960 --> 01:05:17,000
Speaker 2: Yeah, it's back.

1353
01:05:17,040 --> 01:05:20,160
Speaker 3: And you're like, I missed those nights and you're like,

1354
01:05:20,200 --> 01:05:22,680
Speaker 3: that night sucks, so and kiss so and so. Right,

1355
01:05:22,720 --> 01:05:25,520
Speaker 3: You're right, we ended like tears in a toilet. It

1356
01:05:25,520 --> 01:05:26,280
Speaker 3: was a horrible night.

1357
01:05:27,560 --> 01:05:32,240
Speaker 2: You're like, oh, but if take me back, it's so

1358
01:05:32,920 --> 01:05:34,360
Speaker 2: twenty whatever, it's the same.

1359
01:05:34,600 --> 01:05:39,040
Speaker 1: Yeah, it's a time I think it's a tough time.

1360
01:05:39,360 --> 01:05:43,000
Speaker 2: It's time we've approached the moment. I don't think so, honey.

1361
01:05:43,240 --> 01:05:45,800
Speaker 2: It's our one minute segment that we do where we

1362
01:05:45,840 --> 01:05:48,000
Speaker 2: take a little something in culture and we just sort

1363
01:05:48,040 --> 01:05:49,680
Speaker 2: of work it. We work it out on the remix.

1364
01:05:49,760 --> 01:05:52,440
Speaker 2: With this thing, it's not necessarily a takedown, like, for example,

1365
01:05:52,520 --> 01:05:53,680
Speaker 2: the one I'm going to do today.

1366
01:05:54,120 --> 01:05:55,280
Speaker 3: Do you guys go first?

1367
01:05:55,120 --> 01:05:57,960
Speaker 2: You go first? We demo, so I go first, boone,

1368
01:05:58,000 --> 01:05:58,560
Speaker 2: and go second?

1369
01:05:58,680 --> 01:05:59,680
Speaker 3: What if you take mine?

1370
01:06:00,200 --> 01:06:01,800
Speaker 2: I don't think they're going to do this one.

1371
01:06:02,240 --> 01:06:04,800
Speaker 3: Actually, do you have notes on your phone?

1372
01:06:04,960 --> 01:06:06,560
Speaker 2: Just a timer?

1373
01:06:08,560 --> 01:06:09,160
Speaker 3: Are you cheating?

1374
01:06:09,280 --> 01:06:11,880
Speaker 2: And no, see it's not cheating if you do it.

1375
01:06:11,920 --> 01:06:13,600
Speaker 2: But I will say, I mean, we say every time.

1376
01:06:13,680 --> 01:06:15,760
Speaker 2: It tends to hit less hard when someone reads.

1377
01:06:15,520 --> 01:06:16,080
Speaker 1: Off their phone.

1378
01:06:16,160 --> 01:06:17,280
Speaker 3: I'm not gonna read off my phone.

1379
01:06:17,520 --> 01:06:18,000
Speaker 2: You're not good.

1380
01:06:18,040 --> 01:06:18,400
Speaker 1: I'll good.

1381
01:06:18,680 --> 01:06:22,120
Speaker 2: Do I want to? Yes? Well, we won't. Now, we

1382
01:06:22,120 --> 01:06:22,640
Speaker 2: won't allow it.

1383
01:06:22,760 --> 01:06:25,640
Speaker 1: We won't allow it, all right, okay something, Yeah, this

1384
01:06:25,680 --> 01:06:27,920
Speaker 1: is Matt Rodgers. I don't think so, Honey's time starts now.

1385
01:06:28,000 --> 01:06:30,320
Speaker 2: I don't think so, honey. Crossword culture, I'm sorry. I

1386
01:06:30,400 --> 01:06:31,880
Speaker 2: wake up in the morning. I don't even think about

1387
01:06:31,920 --> 01:06:34,760
Speaker 2: it today. Thank you. So much New York Times today

1388
01:06:35,040 --> 01:06:39,240
Speaker 2: last Culturistas is in the crossword, a huge honor. I

1389
01:06:39,320 --> 01:06:43,720
Speaker 2: have been texted reached out to by more people than

1390
01:06:43,760 --> 01:06:47,600
Speaker 2: if I announced my wedding, which probably will never happen.

1391
01:06:47,640 --> 01:06:50,440
Speaker 2: But the thing is, like I old friends from high school,

1392
01:06:50,760 --> 01:06:54,040
Speaker 2: like guys I used to date, like, Wow, this is amazing,

1393
01:06:54,080 --> 01:06:56,920
Speaker 2: congrats on all you've accomplished. We just want to glad award.

1394
01:06:57,000 --> 01:06:59,080
Speaker 2: And no one said any thirty seconds. But we're in

1395
01:06:59,120 --> 01:07:04,280
Speaker 2: the crossword and it's like we've given birth to like

1396
01:07:04,560 --> 01:07:07,920
Speaker 2: the of the Royal Air. And here's the thing. Bowen

1397
01:07:07,960 --> 01:07:09,880
Speaker 2: did just walk me through a cross road right before,

1398
01:07:12,240 --> 01:07:14,080
Speaker 2: and I see why it's fun. I just wish I

1399
01:07:14,080 --> 01:07:15,840
Speaker 2: could be the kind of person that woke up and

1400
01:07:15,880 --> 01:07:18,480
Speaker 2: thought of the crossword. And that is so many millions

1401
01:07:18,520 --> 01:07:20,520
Speaker 2: of people. And I just want to know where we

1402
01:07:20,680 --> 01:07:23,880
Speaker 2: diverged in the woods that I don't think of the crossword?

1403
01:07:24,040 --> 01:07:27,040
Speaker 2: And y'all do was it my parents? Should my dad

1404
01:07:27,120 --> 01:07:29,360
Speaker 2: instead of taking me to the natty professor showing me

1405
01:07:29,440 --> 01:07:32,040
Speaker 2: the crossword? I don't know, so.

1406
01:07:32,120 --> 01:07:34,040
Speaker 1: Honey, And that's one minute.

1407
01:07:34,160 --> 01:07:36,680
Speaker 3: I have so many thoughts. Go ahead, go ahead, okay,

1408
01:07:36,880 --> 01:07:40,520
Speaker 3: I it's just too hard like I'm not good enough.

1409
01:07:40,440 --> 01:07:41,919
Speaker 2: Especially the ones in the New York Times.

1410
01:07:41,960 --> 01:07:43,480
Speaker 3: On a Sunday, I know that was the one I'm

1411
01:07:43,520 --> 01:07:45,560
Speaker 3: talking about. But people wake up and do it on

1412
01:07:45,600 --> 01:07:47,240
Speaker 3: a Sunday. Ever thought to do it before bed?

1413
01:07:47,360 --> 01:07:49,200
Speaker 2: He I that's good.

1414
01:07:49,240 --> 01:07:51,520
Speaker 3: Oh, that's interesting, like a wind down.

1415
01:07:52,000 --> 01:07:54,400
Speaker 1: You know, it's cute. Might be fun for the family

1416
01:07:54,440 --> 01:07:56,600
Speaker 1: on the bus, might be fun for you at home.

1417
01:07:57,920 --> 01:08:02,600
Speaker 1: New York Times crossword puzzle Book of Mondays easy.

1418
01:08:02,840 --> 01:08:03,840
Speaker 2: Oh so so.

1419
01:08:04,000 --> 01:08:05,840
Speaker 1: But by the days of the week, you know, like

1420
01:08:05,880 --> 01:08:08,000
Speaker 1: the final boss is Sunday because it's bigger, it's not

1421
01:08:08,040 --> 01:08:12,120
Speaker 1: necessarily harder. Saturday and Friday are like really tough. Monday

1422
01:08:13,080 --> 01:08:16,040
Speaker 1: anybody can do it, Okay, truly anybody. And that's and

1423
01:08:16,080 --> 01:08:18,080
Speaker 1: that's to wean you on. That's to like because there's

1424
01:08:18,120 --> 01:08:20,840
Speaker 1: like hints that recur. There's like hints that there's like

1425
01:08:20,960 --> 01:08:22,920
Speaker 1: things that like you're like, oh, that's from like a

1426
01:08:23,000 --> 01:08:25,400
Speaker 1: month ago. Like you start to you really start to

1427
01:08:25,439 --> 01:08:27,120
Speaker 1: get people get obsessed over it.

1428
01:08:27,160 --> 01:08:27,639
Speaker 2: The culture.

1429
01:08:27,760 --> 01:08:32,719
Speaker 1: Oh, because it's slowly, like very gently brings you on board.

1430
01:08:33,280 --> 01:08:35,960
Speaker 1: I understand that it seems very daunting. I am not

1431
01:08:36,280 --> 01:08:39,160
Speaker 1: all the way there with all these diehards who love

1432
01:08:39,160 --> 01:08:40,360
Speaker 1: the crossword.

1433
01:08:40,520 --> 01:08:44,240
Speaker 3: But you get funny also the things in our culture

1434
01:08:45,000 --> 01:08:47,599
Speaker 3: that just hold the most weight to people, like the coolio,

1435
01:08:48,720 --> 01:08:52,479
Speaker 3: the coolio thing that people have that like has a

1436
01:08:52,560 --> 01:08:54,559
Speaker 3: choke hold on them, like the crossword. And you guys

1437
01:08:54,640 --> 01:08:56,000
Speaker 3: made it in the crossword. And it's all of a

1438
01:08:56,040 --> 01:08:58,320
Speaker 3: sudden You're like, did I get is it my birthday?

1439
01:08:58,320 --> 01:09:00,720
Speaker 2: What's with all these more text today then the other

1440
01:09:00,800 --> 01:09:04,519
Speaker 2: day for my birthday? No, that's not true, but it

1441
01:09:04,600 --> 01:09:08,040
Speaker 2: is a thing of I didn't realize this was so important.

1442
01:09:08,120 --> 01:09:10,479
Speaker 2: Here's what bothers me about it. So we're sitting here

1443
01:09:10,520 --> 01:09:13,800
Speaker 2: and we're doing it, and the one clue was like,

1444
01:09:14,680 --> 01:09:18,000
Speaker 2: it's like a five letter word starting with an S.

1445
01:09:18,360 --> 01:09:22,120
Speaker 2: And it was other word for pastry and a bakery.

1446
01:09:23,120 --> 01:09:24,840
Speaker 2: And I'm sitting here and.

1447
01:09:24,840 --> 01:09:25,639
Speaker 3: You already have it.

1448
01:09:26,400 --> 01:09:27,200
Speaker 2: Do you know what it is?

1449
01:09:28,200 --> 01:09:28,479
Speaker 3: I need?

1450
01:09:28,520 --> 01:09:30,120
Speaker 1: I'm just to let starts with us.

1451
01:09:30,320 --> 01:09:32,800
Speaker 2: It's scone And I'm sitting here and I'm like, well,

1452
01:09:32,840 --> 01:09:35,439
Speaker 2: of course I knew scone. And I feel like after

1453
01:09:35,479 --> 01:09:38,160
Speaker 2: every single crossword thing, if I'm doing it with someone

1454
01:09:38,240 --> 01:09:40,280
Speaker 2: and they get it first, my instinct is to want

1455
01:09:40,280 --> 01:09:42,880
Speaker 2: to be like, hey, I knew, I did know that,

1456
01:09:43,240 --> 01:09:46,000
Speaker 2: Like I do know Scone, like, don't think I don't

1457
01:09:46,000 --> 01:09:48,519
Speaker 2: know Scone and it's like that with everything. But he's

1458
01:09:48,560 --> 01:09:49,280
Speaker 2: so fast.

1459
01:09:49,920 --> 01:09:50,120
Speaker 1: I know.

1460
01:09:50,200 --> 01:09:51,800
Speaker 3: I literally looked it and I was like, you know it.

1461
01:09:51,920 --> 01:09:52,680
Speaker 2: You I saw it.

1462
01:09:52,760 --> 01:09:54,720
Speaker 3: I saw it download in your brain and I was

1463
01:09:54,760 --> 01:09:55,960
Speaker 3: like you and that.

1464
01:09:55,880 --> 01:10:01,760
Speaker 2: Can be the smart No, no, I don't know.

1465
01:10:01,920 --> 01:10:03,280
Speaker 3: I don't blame it, receive it.

1466
01:10:03,280 --> 01:10:03,960
Speaker 1: Thank you?

1467
01:10:04,080 --> 01:10:06,960
Speaker 2: Or should we say now thank you for bringing back

1468
01:10:07,000 --> 01:10:10,400
Speaker 2: now now? Because I really do think now now now

1469
01:10:10,439 --> 01:10:12,840
Speaker 2: now that's very US culturist to say now now.

1470
01:10:12,920 --> 01:10:15,679
Speaker 1: So there's no way that you're gonna do mine because

1471
01:10:16,000 --> 01:10:20,240
Speaker 1: mine is inspired by a lyric. It's not coming for you. Okay, okay,

1472
01:10:20,520 --> 01:10:23,080
Speaker 1: it's inspired. You've you've really gotten me thinking about this lyric.

1473
01:10:23,200 --> 01:10:26,719
Speaker 2: Okay, okay, this is when think so honey as time starts.

1474
01:10:26,760 --> 01:10:30,280
Speaker 1: Now, I don't think so honey. The expression dying on

1475
01:10:30,560 --> 01:10:33,880
Speaker 1: that hill, it's a lyric in weather for tennis. It's

1476
01:10:33,920 --> 01:10:35,840
Speaker 1: a great It feels out the syllables, it fills out

1477
01:10:35,840 --> 01:10:40,400
Speaker 1: the line the verse dying on that hill. How about

1478
01:10:41,439 --> 01:10:43,760
Speaker 1: dying in the peace and comfort of your own home.

1479
01:10:44,600 --> 01:10:47,679
Speaker 1: Come on, passing away in your sleep in bed.

1480
01:10:48,360 --> 01:10:51,040
Speaker 2: Dying on that hill. See, people say that's the hill.

1481
01:10:50,880 --> 01:10:53,200
Speaker 1: I'm willing to die on. But remember when we used

1482
01:10:53,200 --> 01:10:56,760
Speaker 1: to have opinions and not have steaks attached to them.

1483
01:10:59,240 --> 01:11:01,920
Speaker 2: I'm gonna die on this hill. Trader Joe's has the

1484
01:11:01,960 --> 01:11:03,519
Speaker 2: best orange chicken.

1485
01:11:04,280 --> 01:11:04,840
Speaker 1: Shut up.

1486
01:11:05,040 --> 01:11:06,200
Speaker 2: Yeah, you're dying.

1487
01:11:06,200 --> 01:11:11,479
Speaker 1: You're dying on that hill. Also, this isn't the Civil War.

1488
01:11:12,160 --> 01:11:15,000
Speaker 1: It might be about to be, but this isn't the

1489
01:11:15,080 --> 01:11:15,639
Speaker 1: old one.

1490
01:11:16,000 --> 01:11:20,479
Speaker 2: There's no hills, there's no everybody. Keep the hills clear

1491
01:11:20,560 --> 01:11:24,400
Speaker 2: of bodies. Seconds, Keep the hills clear.

1492
01:11:24,479 --> 01:11:28,400
Speaker 1: That might be public space, green space, public infrastructure. Keep

1493
01:11:28,439 --> 01:11:30,479
Speaker 1: the hills clear of your corpse.

1494
01:11:30,600 --> 01:11:31,479
Speaker 2: And that's one minute.

1495
01:11:31,680 --> 01:11:35,240
Speaker 3: Yeah, keep it open for the picnics, for the pics.

1496
01:11:35,240 --> 01:11:37,639
Speaker 1: But whether for tennis reminded me of that saying.

1497
01:11:37,479 --> 01:11:41,400
Speaker 3: That's so good, And I love that line in the

1498
01:11:41,439 --> 01:11:45,519
Speaker 3: songs because it does fill out everything that's needed. That's

1499
01:11:45,520 --> 01:11:48,000
Speaker 3: a song. There's not a lot of room to breathe

1500
01:11:48,000 --> 01:11:48,479
Speaker 3: in that song.

1501
01:11:49,120 --> 01:11:52,160
Speaker 2: I love how like It is a It's Mariah Carey

1502
01:11:52,160 --> 01:11:54,200
Speaker 2: ask there's a lot of like thoughts. Full album full

1503
01:11:54,240 --> 01:11:57,200
Speaker 2: of thoughts, Yes, lots of lyrics.

1504
01:11:57,360 --> 01:12:00,840
Speaker 3: Lots of lyrics. Yeah, which has kind of always been

1505
01:12:00,880 --> 01:12:05,559
Speaker 3: my music until I started going to like super Dancy genre.

1506
01:12:05,760 --> 01:12:07,920
Speaker 2: Oh remember the era that was like the dignity era.

1507
01:12:08,080 --> 01:12:11,559
Speaker 3: It was like a weird turn, but not for nothing, with.

1508
01:12:11,439 --> 01:12:16,400
Speaker 2: Love, with love everything. Also beating my heart. Oh, don't

1509
01:12:16,439 --> 01:12:18,760
Speaker 2: forget beating my heart. Before Z there was beating my

1510
01:12:18,800 --> 01:12:21,000
Speaker 2: heart and that's just true.

1511
01:12:21,120 --> 01:12:23,760
Speaker 3: Yeah. I love that one. Yeah, so very fun. That

1512
01:12:23,800 --> 01:12:26,000
Speaker 3: one's in the in the Small Rooms, Big Nerves tour.

1513
01:12:26,520 --> 01:12:29,639
Speaker 3: Oh it has to Yeah, it's been it's been fun. Okay,

1514
01:12:29,680 --> 01:12:30,200
Speaker 3: is it my turn?

1515
01:12:30,360 --> 01:12:30,599
Speaker 2: Yeah?

1516
01:12:30,640 --> 01:12:32,840
Speaker 3: Okay, I'm just realizing how long a minute is and

1517
01:12:32,880 --> 01:12:33,479
Speaker 3: it's giving me.

1518
01:12:34,200 --> 01:12:37,800
Speaker 2: No a minute, You're just realizing. No, it's always been

1519
01:12:37,840 --> 01:12:40,760
Speaker 2: sixty seconds. Nothing changed today when you came in. We

1520
01:12:40,800 --> 01:12:42,120
Speaker 2: didn't elongate a minute.

1521
01:12:42,240 --> 01:12:44,680
Speaker 1: Okay, you can do it. You can do it. I

1522
01:12:44,720 --> 01:12:48,240
Speaker 1: think you've done so many harder things. Yeah, okay, this

1523
01:12:48,280 --> 01:12:49,760
Speaker 1: is Hillary defth I don't think so, honey. Her time

1524
01:12:49,760 --> 01:12:50,200
Speaker 1: starts now.

1525
01:12:50,680 --> 01:12:55,280
Speaker 3: I don't think so, honey. The boom of the robots please,

1526
01:12:55,720 --> 01:12:58,600
Speaker 3: I am not interested. I would like to talk to

1527
01:12:58,680 --> 01:13:01,559
Speaker 3: a real person on the phone. Oh I am sitting there.

1528
01:13:01,960 --> 01:13:03,479
Speaker 3: You know what's gonna happen as soon as I get

1529
01:13:03,479 --> 01:13:05,400
Speaker 3: a real human on the phone, after I've pushed every

1530
01:13:05,479 --> 01:13:10,400
Speaker 3: single button, representative, real human with a beating heart. Please

1531
01:13:11,160 --> 01:13:13,960
Speaker 3: pick up. I need you. Okay, I'm gonna be in

1532
01:13:14,040 --> 01:13:16,479
Speaker 3: Cold Water Canyon. My call's gonna drop. I'm gonna be

1533
01:13:16,640 --> 01:13:19,640
Speaker 3: put to the beginning of the line again. I just

1534
01:13:19,720 --> 01:13:22,000
Speaker 3: need to book my airline ticket. I need to talk

1535
01:13:22,040 --> 01:13:24,080
Speaker 3: to a person. Okay. The other thing that's stressful for

1536
01:13:24,120 --> 01:13:27,040
Speaker 3: me is these little robots that are delivering food in

1537
01:13:27,080 --> 01:13:29,920
Speaker 3: the bucket. They are so stressed out. They're having an

1538
01:13:29,960 --> 01:13:33,200
Speaker 3: anxiety attack. Watching them slam on the breaks every second,

1539
01:13:33,240 --> 01:13:35,479
Speaker 3: I'm like the poor thing. All of a sudden, I'm

1540
01:13:35,520 --> 01:13:37,800
Speaker 3: feeling empathy for this thing. They had to put eyes

1541
01:13:37,840 --> 01:13:38,760
Speaker 3: on it and give it a name.

1542
01:13:39,360 --> 01:13:40,120
Speaker 2: They didn't have to do.

1543
01:13:40,280 --> 01:13:42,040
Speaker 3: Why they put eyes on it and give it a name?

1544
01:13:42,200 --> 01:13:45,639
Speaker 3: I feel so it looks so isolating. That little thing's

1545
01:13:46,200 --> 01:13:48,439
Speaker 3: slamming on its breaks trying to cross the road. Kids

1546
01:13:48,439 --> 01:13:52,040
Speaker 3: are punking it, poking at it, thinking it can't defend.

1547
01:13:52,240 --> 01:13:54,400
Speaker 3: Five seconds, that's all I have left. What's happening to

1548
01:13:54,439 --> 01:13:56,639
Speaker 3: the pad tie inside of the bucket or it's been

1549
01:13:56,640 --> 01:13:58,479
Speaker 3: slamming on its breaks a hundred times?

1550
01:13:58,920 --> 01:14:05,479
Speaker 2: I don't think so, honey, that's one minute Sea. It's

1551
01:14:05,520 --> 01:14:06,439
Speaker 2: because because my.

1552
01:14:06,840 --> 01:14:08,919
Speaker 3: Other one was going to be. Why am I constantly

1553
01:14:08,920 --> 01:14:10,600
Speaker 3: getting logged out of my streaming services?

1554
01:14:10,600 --> 01:14:11,160
Speaker 2: Oh?

1555
01:14:11,280 --> 01:14:14,519
Speaker 3: No process?

1556
01:14:14,600 --> 01:14:16,120
Speaker 2: Oh forget who's that verification?

1557
01:14:16,280 --> 01:14:17,680
Speaker 3: I'm done. I can't even watch to be tonight. I

1558
01:14:17,680 --> 01:14:21,000
Speaker 3: don't remember who I am my past coode for that,

1559
01:14:21,200 --> 01:14:21,919
Speaker 3: but I remember.

1560
01:14:22,080 --> 01:14:23,439
Speaker 2: Six two seven one eight.

1561
01:14:24,400 --> 01:14:25,000
Speaker 3: What's that?

1562
01:14:25,000 --> 01:14:29,880
Speaker 2: That's my that's my one time passcode for box dot com.

1563
01:14:29,960 --> 01:14:34,080
Speaker 2: It's too much that you didn't mention the biggest threat

1564
01:14:34,640 --> 01:14:38,040
Speaker 2: to humanity in the Valley area, though, And I'm saying it.

1565
01:14:38,280 --> 01:14:41,479
Speaker 3: Tell me, way, MO, have you written in AA.

1566
01:14:41,680 --> 01:14:45,200
Speaker 2: I refuse because our best friend Jared got an away

1567
01:14:45,280 --> 01:14:48,920
Speaker 2: MO to go to a bar, and a bunch of

1568
01:14:48,920 --> 01:14:50,439
Speaker 2: our friends were at the bar and they're like, oh,

1569
01:14:50,520 --> 01:14:52,719
Speaker 2: look there's Jared in a way MO. And then Jared

1570
01:14:52,920 --> 01:14:55,840
Speaker 2: got stuck the way Mow got stuck in an intersection

1571
01:14:56,320 --> 01:14:59,719
Speaker 2: and the light changed from red to green and literally

1572
01:14:59,760 --> 01:15:01,960
Speaker 2: try was going around him the WAYMO didn't know how

1573
01:15:01,960 --> 01:15:04,080
Speaker 2: to figure it out. Yeah, so everything. He got out

1574
01:15:04,120 --> 01:15:06,280
Speaker 2: of the car and went into the high tops lost

1575
01:15:06,280 --> 01:15:09,679
Speaker 2: feelis and they were like, you that tried that WAYMO,

1576
01:15:09,760 --> 01:15:10,519
Speaker 2: tried to kill you.

1577
01:15:11,160 --> 01:15:14,080
Speaker 3: I'm not into them. I'm not into I'm not into

1578
01:15:14,120 --> 01:15:16,360
Speaker 3: all this. I want some human contact.

1579
01:15:16,360 --> 01:15:21,760
Speaker 1: I absolutely know it's it's too much. First of all,

1580
01:15:22,040 --> 01:15:24,559
Speaker 1: thank you for that. Second of all, you do not

1581
01:15:24,960 --> 01:15:28,519
Speaker 1: Hillary Duff, have to feel any empathy for the robot

1582
01:15:28,600 --> 01:15:29,720
Speaker 1: feeling anxiety.

1583
01:15:30,400 --> 01:15:34,439
Speaker 2: Don't worry. But that is because they've manipulated us into

1584
01:15:34,479 --> 01:15:37,679
Speaker 2: feeling that way because of these eyes. And one person

1585
01:15:38,120 --> 01:15:40,840
Speaker 2: takes a photo of one of these. They give them names.

1586
01:15:41,040 --> 01:15:44,639
Speaker 2: They named one after it, after me, but there's one

1587
01:15:44,720 --> 01:15:46,840
Speaker 2: named Bowen driving around West Tyley when I.

1588
01:15:46,760 --> 01:15:51,120
Speaker 3: Go get out of here. Should I sue this infringement?

1589
01:15:51,240 --> 01:15:54,080
Speaker 1: This is infringement on my name? No, I don't know

1590
01:15:54,520 --> 01:15:57,120
Speaker 1: my name is. My name is not my own? But

1591
01:15:57,320 --> 01:15:59,680
Speaker 1: isn't that weird? Though they want you to feel like,

1592
01:15:59,760 --> 01:16:01,080
Speaker 1: oh it's Wally, you.

1593
01:16:01,000 --> 01:16:06,320
Speaker 3: Know Wally, and now it's having all kinds of feelings.

1594
01:16:05,960 --> 01:16:08,599
Speaker 2: But you don't, don't have to, don't. But here's the thing.

1595
01:16:08,680 --> 01:16:11,639
Speaker 2: Does a little part of you think it's cute.

1596
01:16:12,200 --> 01:16:14,439
Speaker 3: It's a little cute, but it's just a slamming on

1597
01:16:14,479 --> 01:16:15,960
Speaker 3: the brakes that make me really sad.

1598
01:16:16,080 --> 01:16:18,280
Speaker 2: I don't like it at all. And also I don't

1599
01:16:18,320 --> 01:16:21,480
Speaker 2: think i've ever had Can you choose if your delivery

1600
01:16:21,600 --> 01:16:25,040
Speaker 2: is being on a bike or like a or you

1601
01:16:25,080 --> 01:16:25,800
Speaker 2: don't think you can choose.

1602
01:16:25,800 --> 01:16:26,800
Speaker 3: Okay, I don't think you're undy.

1603
01:16:26,880 --> 01:16:28,640
Speaker 2: No, I don't think so, honey, you can pick. But

1604
01:16:28,720 --> 01:16:31,360
Speaker 2: I just I want the autonomy here and I can't

1605
01:16:31,400 --> 01:16:34,240
Speaker 2: with the way most because they are. I don't get

1606
01:16:34,400 --> 01:16:35,879
Speaker 2: how that happened.

1607
01:16:36,280 --> 01:16:38,760
Speaker 3: You guys saw the the Jimmy Kimmel's aunt went in

1608
01:16:38,800 --> 01:16:40,320
Speaker 3: the way moo and they filmed it. Tell me you

1609
01:16:40,360 --> 01:16:44,240
Speaker 3: saw that. No, Oh my gosh. She's screaming at the

1610
01:16:44,280 --> 01:16:47,400
Speaker 3: top of her lungs and she's calling her daughter, who's

1611
01:16:47,400 --> 01:16:51,559
Speaker 3: like the producer with Kimmel or whatever. She's like, I'm

1612
01:16:51,600 --> 01:16:55,839
Speaker 3: in Nika and there's not a driver, and she's like

1613
01:16:56,000 --> 01:16:59,040
Speaker 3: losing her mind. It's so funny, and she's like grabbing

1614
01:16:59,080 --> 01:17:01,400
Speaker 3: the thing and the steering all was like turning and

1615
01:17:01,439 --> 01:17:03,040
Speaker 3: he and she's like, what, I sent the car for you,

1616
01:17:03,160 --> 01:17:06,160
Speaker 3: and she's like, I'm telling you, I'm in the car

1617
01:17:06,320 --> 01:17:08,360
Speaker 3: you sent and there's no driver.

1618
01:17:09,240 --> 01:17:11,200
Speaker 2: I only want to be in a self driving car

1619
01:17:11,240 --> 01:17:15,240
Speaker 2: if it's at Disney's California Adventure Radiator Springs Racers.

1620
01:17:15,360 --> 01:17:18,639
Speaker 3: Oh, I lied to my kid and said that they

1621
01:17:18,720 --> 01:17:21,080
Speaker 3: slowed the I know.

1622
01:17:21,040 --> 01:17:22,000
Speaker 2: Yeah, but you have to do that.

1623
01:17:22,040 --> 01:17:22,599
Speaker 3: Load it down.

1624
01:17:24,120 --> 01:17:26,679
Speaker 2: You have to be the parent that's like, we're getting

1625
01:17:26,720 --> 01:17:27,120
Speaker 2: on this.

1626
01:17:27,439 --> 01:17:29,120
Speaker 3: Yeah, I know, you should see what kind of a

1627
01:17:29,160 --> 01:17:31,720
Speaker 3: fight it turns into sometimes and then you're like, I'm

1628
01:17:31,760 --> 01:17:34,439
Speaker 3: not that person, but I am right now. I know

1629
01:17:34,520 --> 01:17:39,639
Speaker 3: like that Disneyland is get yeah, yeah today?

1630
01:17:40,040 --> 01:17:42,320
Speaker 2: Are all four of them interested in doing the rides?

1631
01:17:42,840 --> 01:17:44,880
Speaker 3: No? And I scarred Lucas so bad. We had like

1632
01:17:44,920 --> 01:17:50,360
Speaker 3: a pretty big arm wrestle to get him on Scream in.

1633
01:17:50,240 --> 01:17:52,960
Speaker 2: California or what Credit coaster.

1634
01:17:54,240 --> 01:17:57,000
Speaker 3: And he wouldn't do it. He wouldn't do it, and

1635
01:17:57,040 --> 01:18:00,000
Speaker 3: he's like scarred for life that I like pressured.

1636
01:17:59,680 --> 01:18:01,360
Speaker 2: Him and did he get on it eventually?

1637
01:18:01,439 --> 01:18:05,679
Speaker 3: Oh yeah, eventually not with me, with like his cousins.

1638
01:18:05,720 --> 01:18:07,479
Speaker 3: And I was like, I'm glad you had that experience,

1639
01:18:07,479 --> 01:18:10,280
Speaker 3: but we were here three months ago. I wanted that.

1640
01:18:10,240 --> 01:18:14,000
Speaker 2: Experience when my dad took us to Universal in Orlando,

1641
01:18:14,960 --> 01:18:16,599
Speaker 2: like when I was young, like ten, and I had

1642
01:18:16,600 --> 01:18:19,080
Speaker 2: been talking about the incredible Hull roller coaster for like

1643
01:18:19,160 --> 01:18:21,920
Speaker 2: a year, like I can't wait to do it. You

1644
01:18:21,960 --> 01:18:24,599
Speaker 2: get there and I'm start sobbing and he goes no,

1645
01:18:24,920 --> 01:18:27,680
Speaker 2: and he's like, we're not doing this you because then

1646
01:18:27,680 --> 01:18:29,479
Speaker 2: we're gonna leave and you're gonna talk the whole time

1647
01:18:29,520 --> 01:18:33,639
Speaker 2: then how you didn't do it? Dragged me, dragged.

1648
01:18:33,120 --> 01:18:38,360
Speaker 3: Me the thing that the things that those people have seen. Yeah, operators,

1649
01:18:38,400 --> 01:18:41,480
Speaker 3: Oh yeah yeah. We went to Disney World for Christmas

1650
01:18:41,880 --> 01:18:44,160
Speaker 3: and it was so much fun and Banks actually got

1651
01:18:44,240 --> 01:18:46,960
Speaker 3: on a few of the little coasters, like the Slinky Dog.

1652
01:18:47,400 --> 01:18:48,400
Speaker 2: We love the Slinky Doll.

1653
01:18:48,520 --> 01:18:52,559
Speaker 3: So fun. Oh so proud himself, but we do, like,

1654
01:18:52,680 --> 01:18:54,519
Speaker 3: you know, it's a small world, like fifteen times.

1655
01:18:54,680 --> 01:18:57,200
Speaker 2: Yeah, well, you know, there's a lot to see a

1656
01:18:57,200 --> 01:18:58,640
Speaker 2: lot of those little guys in there. You got to

1657
01:18:58,640 --> 01:19:00,240
Speaker 2: you gotta say hello too. I want to pow dice

1658
01:19:00,280 --> 01:19:07,000
Speaker 2: to everybody for uh being pro New York community.

1659
01:19:07,200 --> 01:19:10,479
Speaker 3: Great for the skin, right, but.

1660
01:19:10,240 --> 01:19:13,320
Speaker 1: But to think of you sobbing is really tough for me.

1661
01:19:13,560 --> 01:19:16,439
Speaker 3: I think it's one of those things that makes you stronger. Yeah,

1662
01:19:16,640 --> 01:19:19,679
Speaker 3: like I living in the city is hard, so hard.

1663
01:19:19,840 --> 01:19:21,599
Speaker 3: It's not for the faint.

1664
01:19:21,760 --> 01:19:23,040
Speaker 2: No, it's not for the faint.

1665
01:19:23,000 --> 01:19:27,640
Speaker 3: But it's gives you that, It gives you that that

1666
01:19:27,720 --> 01:19:29,720
Speaker 3: grit that it grows appreciation.

1667
01:19:30,360 --> 01:19:31,920
Speaker 1: Peters grew in the city.

1668
01:19:32,200 --> 01:19:35,000
Speaker 3: She did, she did. Do you think that Kelsey Peters

1669
01:19:35,640 --> 01:19:37,280
Speaker 3: is like I.

1670
01:19:37,200 --> 01:19:38,479
Speaker 1: Think she works for Jenna Buschheger.

1671
01:19:38,600 --> 01:19:40,160
Speaker 2: Now, oh yeah, I think.

1672
01:19:40,000 --> 01:19:42,280
Speaker 3: She's loving this backstory. Let's create it now. Did you

1673
01:19:42,320 --> 01:19:46,960
Speaker 3: know that Jenna bush was my camp counselor it's what Texas, Texas,

1674
01:19:47,600 --> 01:19:48,000
Speaker 3: she was.

1675
01:19:47,960 --> 01:19:49,160
Speaker 2: Your camp counselors.

1676
01:19:49,360 --> 01:19:50,920
Speaker 3: We love her, love her too.

1677
01:19:50,880 --> 01:19:53,320
Speaker 2: She's literally out of a plus.

1678
01:19:53,400 --> 01:19:54,719
Speaker 3: Yeah, she's awesome.

1679
01:19:55,720 --> 01:19:56,400
Speaker 2: Texture love her.

1680
01:19:56,479 --> 01:20:00,280
Speaker 3: We've we've been on her show singing our camp song.

1681
01:20:01,160 --> 01:20:02,800
Speaker 3: So cute.

1682
01:20:02,960 --> 01:20:07,320
Speaker 2: She does for Jenna.

1683
01:20:05,280 --> 01:20:10,960
Speaker 1: She's at Jenna's imprint or something, or she helps. She

1684
01:20:11,000 --> 01:20:15,000
Speaker 1: helps with just publishing. She's like headbed.

1685
01:20:15,120 --> 01:20:18,439
Speaker 2: She books the open book podcast with Jenna Bushager. She

1686
01:20:18,640 --> 01:20:22,639
Speaker 2: is influential in the read with Jenna selections this. Yeah,

1687
01:20:22,640 --> 01:20:23,439
Speaker 2: that's what it was.

1688
01:20:23,439 --> 01:20:26,720
Speaker 3: So Kelsey for me, doesn't I don't think there's a

1689
01:20:26,760 --> 01:20:30,120
Speaker 3: lot of like personal growth that's able to happen there.

1690
01:20:30,200 --> 01:20:34,839
Speaker 3: But like in the workforce, like she's a beast, cannot

1691
01:20:34,840 --> 01:20:37,600
Speaker 3: be stopped. She's going straight to the top. But the

1692
01:20:37,760 --> 01:20:40,760
Speaker 3: personal growth is a real tough thing for her.

1693
01:20:41,120 --> 01:20:43,280
Speaker 1: Yeah, she's got a high pressure job.

1694
01:20:43,479 --> 01:20:43,759
Speaker 3: Yeah.

1695
01:20:44,040 --> 01:20:47,080
Speaker 2: Wait, before we let you go, I'm told I can't

1696
01:20:47,680 --> 01:20:51,400
Speaker 2: you can't leave without Did you play a Russian? John

1697
01:20:51,520 --> 01:20:54,640
Speaker 2: Cusack directed a film, Yes, and you played what was

1698
01:20:54,640 --> 01:20:55,559
Speaker 2: the character you played.

1699
01:20:56,640 --> 01:21:03,720
Speaker 3: She was a like a I don't want to get

1700
01:21:03,720 --> 01:21:07,160
Speaker 3: this wrong. She was a like Bulgarian pop star.

1701
01:21:09,080 --> 01:21:10,720
Speaker 1: Huge.

1702
01:21:10,800 --> 01:21:12,760
Speaker 2: He didn't direct, did he write it?

1703
01:21:12,800 --> 01:21:13,160
Speaker 3: He wrote it?

1704
01:21:13,280 --> 01:21:14,280
Speaker 2: Okay, cool, he wrote it.

1705
01:21:14,360 --> 01:21:16,120
Speaker 3: Start in it. Yeah. There was a lot of people

1706
01:21:16,120 --> 01:21:18,280
Speaker 3: in that like Ben Sir Ben Kingsley was in that.

1707
01:21:18,400 --> 01:21:19,720
Speaker 2: Yes. It was one of those things where it was

1708
01:21:19,720 --> 01:21:20,040
Speaker 2: like an.

1709
01:21:20,680 --> 01:21:21,160
Speaker 3: In that.

1710
01:21:22,760 --> 01:21:23,160
Speaker 1: Family.

1711
01:21:23,680 --> 01:21:26,000
Speaker 3: Yeah. Yeah, and I had to put like a scorpion

1712
01:21:26,040 --> 01:21:28,200
Speaker 3: down my pants in that movie Horrific.

1713
01:21:28,439 --> 01:21:30,360
Speaker 2: It was a big it was a big growing up moment.

1714
01:21:31,960 --> 01:21:34,720
Speaker 2: We're looking for something with edge.

1715
01:21:35,600 --> 01:21:37,920
Speaker 3: Yeah, there's definitely parts of my career where I'm like,

1716
01:21:39,160 --> 01:21:42,080
Speaker 3: she was really trying for something and maybe she should

1717
01:21:42,080 --> 01:21:42,599
Speaker 3: have stayed home.

1718
01:21:42,960 --> 01:21:44,519
Speaker 2: But look where we up. One.

1719
01:21:45,400 --> 01:21:47,560
Speaker 3: I'm thrilled has been incredible.

1720
01:21:47,680 --> 01:21:50,320
Speaker 1: You're at Lost Coach today, she knights at the garden

1721
01:21:50,360 --> 01:21:51,800
Speaker 1: and the rest of the world.

1722
01:21:52,360 --> 01:21:55,000
Speaker 2: Luck or something. But it's so much more than that.

1723
01:21:55,160 --> 01:21:59,040
Speaker 2: It's you're such a star in every single way. We're

1724
01:21:59,160 --> 01:22:02,240
Speaker 2: so happy that you came in, Like we were just

1725
01:22:02,240 --> 01:22:03,040
Speaker 2: psyched for you.

1726
01:22:03,120 --> 01:22:06,479
Speaker 3: Well, I was looking forward to this for months and months.

1727
01:22:06,479 --> 01:22:08,439
Speaker 3: Oh thank you for having me. You guys are an

1728
01:22:08,479 --> 01:22:09,360
Speaker 3: absolute dream.

1729
01:22:09,520 --> 01:22:12,720
Speaker 2: Do you remember when we met at Vulturefest. So do

1730
01:22:12,760 --> 01:22:13,559
Speaker 2: you remember you?

1731
01:22:13,720 --> 01:22:15,400
Speaker 1: I remember, no. We were so excited.

1732
01:22:15,479 --> 01:22:17,760
Speaker 2: We were doing the interviews at Vulturefest when you guys

1733
01:22:17,760 --> 01:22:20,799
Speaker 2: came through for Younger. We were in like matching matching suits,

1734
01:22:20,920 --> 01:22:22,960
Speaker 2: and you guys came in and you were the only

1735
01:22:23,000 --> 01:22:26,360
Speaker 2: celebrity that gave us a hug the entire day.

1736
01:22:26,840 --> 01:22:27,559
Speaker 1: So thank you for that.

1737
01:22:27,600 --> 01:22:29,800
Speaker 2: I was like, I wonder iful. Ever remember that that

1738
01:22:29,960 --> 01:22:30,320
Speaker 2: was us.

1739
01:22:30,680 --> 01:22:33,240
Speaker 3: I was the only one that gave you a nice

1740
01:22:33,479 --> 01:22:33,840
Speaker 3: You were.

1741
01:22:33,720 --> 01:22:34,800
Speaker 2: The only one who just gave us a hug.

1742
01:22:34,840 --> 01:22:36,400
Speaker 1: I mean everyone was great, and like Sutton was great,

1743
01:22:36,400 --> 01:22:37,960
Speaker 1: every like everybody on the Younger House was great.

1744
01:22:37,960 --> 01:22:39,679
Speaker 3: But was it all of us?

1745
01:22:39,880 --> 01:22:40,240
Speaker 1: I think it was.

1746
01:22:40,360 --> 01:22:42,360
Speaker 2: It was I think it was Nico, it was you,

1747
01:22:42,560 --> 01:22:44,559
Speaker 2: it was Sutton. We were so like.

1748
01:22:44,560 --> 01:22:46,719
Speaker 3: Exactly one of my best Maybe.

1749
01:22:46,479 --> 01:22:48,439
Speaker 2: Debbie Major was there as well. Yeah.

1750
01:22:48,479 --> 01:22:51,840
Speaker 3: I just watched Beethoven with my kids. Oh it was

1751
01:22:51,920 --> 01:22:54,640
Speaker 3: so fun. It was so, so so fun. It was

1752
01:22:54,680 --> 01:22:57,519
Speaker 3: actually Matt's call, and he did all six of them.

1753
01:22:57,560 --> 01:22:58,960
Speaker 3: I was like, you're a better parent than me, because

1754
01:22:59,000 --> 01:23:00,360
Speaker 3: after one and two they are.

1755
01:23:00,360 --> 01:23:04,120
Speaker 2: There's six of them. They become sequels.

1756
01:23:03,520 --> 01:23:07,000
Speaker 3: Really really better. But one and two amazing, and Debbie

1757
01:23:07,040 --> 01:23:11,000
Speaker 3: steals every single Seaede like she's such as legend, she's

1758
01:23:11,040 --> 01:23:11,599
Speaker 3: the best.

1759
01:23:11,960 --> 01:23:13,000
Speaker 2: Yeah, all right, well.

1760
01:23:12,840 --> 01:23:14,320
Speaker 3: I love that you're such a younger stance.

1761
01:23:14,400 --> 01:23:17,360
Speaker 2: Oh no, love. And also it has I'm just saying

1762
01:23:17,400 --> 01:23:19,960
Speaker 2: like it's it's gotten lost in the press tour. I know,

1763
01:23:20,080 --> 01:23:21,000
Speaker 2: and we needed it.

1764
01:23:21,880 --> 01:23:23,880
Speaker 3: But it had its moment once it like got on

1765
01:23:23,920 --> 01:23:26,280
Speaker 3: Netflix and then people like so many more people got

1766
01:23:26,280 --> 01:23:28,559
Speaker 3: eyes on it. Oh yeah, she's doing all right.

1767
01:23:28,640 --> 01:23:31,760
Speaker 2: She's you can see your residuals checks now and be like, yes,

1768
01:23:31,800 --> 01:23:32,720
Speaker 2: it's on Netflix.

1769
01:23:32,920 --> 01:23:35,080
Speaker 3: I don't think so, but really.

1770
01:23:35,760 --> 01:23:36,400
Speaker 1: Call your lawyer.

1771
01:23:39,680 --> 01:23:41,920
Speaker 2: We love you, Thank you so much for coming, Thank

1772
01:23:41,960 --> 01:23:44,880
Speaker 2: you so much for having We end every and now

1773
01:23:44,880 --> 01:23:46,599
Speaker 2: you're going to go do hot ones. Oh my god,

1774
01:23:46,680 --> 01:23:48,680
Speaker 2: we'll have to check in with you later. We end

1775
01:23:48,680 --> 01:23:52,000
Speaker 2: every episode with a song. I think we have to.

1776
01:23:52,200 --> 01:23:55,479
Speaker 2: We have to shout at the classic. Let's go back

1777
01:23:56,520 --> 01:24:01,360
Speaker 2: back to the beginning, back to win the Earth, the.

1778
01:24:01,560 --> 01:24:06,720
Speaker 5: Sun, stars, all land and for the rest of that

1779
01:24:07,760 --> 01:24:12,080
Speaker 5: we'll see you at Madison Square guards one of those days.

1780
01:24:12,520 --> 01:24:13,679
Speaker 2: What happened six by.

1781
01:24:17,520 --> 01:24:17,720
Speaker 1: Last.

1782
01:24:17,760 --> 01:24:19,840
Speaker 2: Culture Racis is the production by Will Ferrell's Big Money

1783
01:24:19,840 --> 01:24:23,360
Speaker 2: Players in iHeartRadio podcasts, created and hosted by Matt Rogers

1784
01:24:23,439 --> 01:24:26,360
Speaker 2: and Bowen Yang. Executive produced by Anna hasby A and

1785
01:24:26,400 --> 01:24:28,120
Speaker 2: produced by Becca Ramos.

1786
01:24:27,840 --> 01:24:30,000
Speaker 1: Edited and mixed by Duck Babe, and our Music

1787
01:24:30,120 --> 01:24:31,200
Speaker 2: Is by Henry Komerski