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Speaker 1: I am all inlet I am all in with Scott

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Speaker 1: Patterson and I heart radio podcast. Let's pulled hands and

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Speaker 1: let's pray. I'm grateful for all of you. Let's have

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Speaker 1: a wonderful podcast. God willing Amen, Um, Scott, what, Scott?

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Speaker 1: What before you start? What? Congratulations to tell everybody? Thank you,

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Speaker 1: thank you, thank you. Reunited and it feels so good

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Speaker 1: like you and Triton are back together. We are Luke

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Speaker 1: and Tristan or back again. You know, look, I was

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Speaker 1: I was like I was easing into retirement with my

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Speaker 1: cushy podcast job where I go to the gym remore.

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Speaker 1: You know, It's like people don't understand. You guys are

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Speaker 1: working your tushies off putting this thing together. I'm recording

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Speaker 1: a couple of hours a week. I'm editing a little bit,

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Speaker 1: but I'm not working as hard as you guys. But um, anyway,

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Speaker 1: it's it was like the It's a perfect job for me,

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Speaker 1: in a perfect situation, you know, doing riding the waves

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Speaker 1: in Baabu, I'm swimming with dolphins in the morning, I'm

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Speaker 1: doing my paddle boarding, I'm doing all kinds of stuff

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Speaker 1: and being a dad. And then all of a sudden

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Speaker 1: ba boom. I got a phone call from the manager

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Speaker 1: saying somebody, some executive producer was watching Gilmore with the

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Speaker 1: daughter and the daughter said, that's him, look at him.

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Speaker 1: So next thing I know, I'm on a zoom call

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Speaker 1: with this this woman um named Romo Roth, who's wonderful

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Speaker 1: and brilliant all that and uh she wrote, she she wrote,

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Speaker 1: an executive produces a virgin river, which is a which

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Speaker 1: is a big don't know, I don't. I never heard

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Speaker 1: of it. I don't. Oh, I know, I found out right.

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Speaker 1: So she she said, I want you to be this,

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Speaker 1: I in this in this show. And I said, let's

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Speaker 1: sit down and have lunch to talk about it. We did,

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Speaker 1: and I you know, we hit it off. And and

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Speaker 1: so at that point, you did not know that your

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Speaker 1: co star would be Chad Michael Murray. I had no idea.

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Speaker 1: I had no idea. My manager told me and I said, boy,

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Speaker 1: that's that's going to be quite a thing. That will

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Speaker 1: be quite a thing, won't it. Yes, because we cared,

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Speaker 1: we care about you, But when we found out it

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Speaker 1: was Chad Michael Murray, we cared a whole lot more.

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Speaker 1: You know, I can, I can, I can you know

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Speaker 1: what I and I take that as a compliment. So

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Speaker 1: because I made him who he is. No, I didn't nothing.

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Speaker 1: I had nothing to do it. Um let's we could

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Speaker 1: twist a story around and say, you know, I put

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Speaker 1: in a good word for some of my friends and

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Speaker 1: I mentioned Chad Scott Patterson would not do this TV

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Speaker 1: show Chad Michael Murray. So in the podcast a million

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Speaker 1: times like what if Tristan would have stayed one Tree

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Speaker 1: Hill wouldn't have happened, and Tristan would have been with

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Speaker 1: the you know series the whole time, which you easily

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Speaker 1: could have seen. It's like like more Tristan, more Tristan. Now.

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Speaker 1: They came to me and they said, listen, you can

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Speaker 1: be in our show if you bring one more Gilmore

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Speaker 1: guy with it. So I said, so, I called you

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Speaker 1: unk and he said you I'll do it. So I

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Speaker 1: said what about un And they said, I said what

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Speaker 1: about Sean? They go nah. I said, Chad, Chad, you

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Speaker 1: were on the podcast, please can you and he said yeah.

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Speaker 1: They wanted some not you're not hunky, but they wanted

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Speaker 1: the haughty hunky Chad Michael Murray. We love them. Well.

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Speaker 1: They wanted somebody that you know wasn't like almost in

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Speaker 1: a wheelchair. Yeah, help out the rating. So somebody who

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Speaker 1: had hairs that was that always helps stop If anyone's worried,

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Speaker 1: we're still doing the podcast, even though Scott is going

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Speaker 1: to be working. He's don't worry. Look, man, those of

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Speaker 1: you that were hoping we were going somewhere this this

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Speaker 1: production and it's called Sullivan's Crossing. It's based on the

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Speaker 1: Robin car New York Times US selling author authors and

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Speaker 1: she's been doing it since the seventies and massive amount

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Speaker 1: of books, huge worldwide following. So the Sullivan's Crossings novels,

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Speaker 1: I think there's five of them, you know, uh, five

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Speaker 1: or six of them. So they're making a series out

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Speaker 1: of it. So and so it's it's borrowed from the books.

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Speaker 1: It's not dead on, but it's borrowed from the books,

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Speaker 1: the tones, everything, so it's so cool. So it's cool.

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Speaker 1: I've read six scripts so far and there it's really exciting.

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Speaker 1: It's really fun stuff. So anyway, yeah, so I that look,

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Speaker 1: our deal, you know, the podcast was the number one

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Speaker 1: priority in our deal when we went back at them

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Speaker 1: and saying, listen, he's doing his podcast on on location.

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Speaker 1: You know, from where he's staying, and uh, that's just

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Speaker 1: the way it is. Well, will be perfectly happy if

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Speaker 1: you bring CMM over for a couple of guests spots

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Speaker 1: on the pot. I think I'm down the hall from them.

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Speaker 1: I love. Yeah, I told I've told him today. I said,

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Speaker 1: you gotta you know, you gotta slide into my my

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Speaker 1: place and uh from down the hall, and we'll podcast together,

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Speaker 1: you guys. Yeah, we'll just maybe host an episode together,

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Speaker 1: were not. You know, it's gonna be fun. It's gonna

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Speaker 1: be a lot of fun. So, yeah, I leave pretty soon.

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Speaker 1: I'm gonna my family is gonna follow me up there

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Speaker 1: after my son gets out of school, and we'll we'll

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Speaker 1: just bring your bring your microphone. That's all we care about. Yeah, no,

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Speaker 1: I've got to I'm up just four microphones covering me. Yeah,

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Speaker 1: it's exciting. So I'm very excited about it. Life is

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Speaker 1: so unpredictable, isn't it? And oh my god, you guys,

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Speaker 1: Scott literally said when we started this podcast, He's like, no,

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Speaker 1: this is gonna be so fun because I'm I'm probably

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Speaker 1: gonna act anymore. And I'm like, what really? Not? Not

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Speaker 1: out of not that I had not that I had

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Speaker 1: no desire to act anymore. It's just like there's no opportunities,

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Speaker 1: you know. So here it is here, it is anyway, Um,

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Speaker 1: lots of fun. Back to Gilmore. We're gonna do uh.

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Speaker 1: Season three, episode ten, that I'll do pig And I

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Speaker 1: am Scott Patterson. This is the Eye am all in

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Speaker 1: podcast I Hurt Radio, one of them productions. I am

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Speaker 1: joined by Tara s Daniel Romo, Amy Sugarman. Tara, you

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Speaker 1: want to do the way? Who's doing this synopsis? Daniel

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Speaker 1: Daniels taken away. I'm more than happy. If Tara wants

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Speaker 1: to read the synopsis, you can go. She's got her

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Speaker 1: She's got her own segment. Now, Tara, leave the synopsis

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Speaker 1: to me. Alright, Okay, So, like Scott said, Season three,

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Speaker 1: episode ten, That'll do Pig Er date January four, two

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Speaker 1: thousand three. It's winter finally in stars Hollow, and a

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Speaker 1: surprise visit from Grandma Tricks makes Emily uneasy. Dean and

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Speaker 1: Rory decided to be friends, while Jess pretends like he

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Speaker 1: approves of this new decision. Plus when to Carnival makes

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Speaker 1: for a strange night out for Rory and Jess and

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Speaker 1: Dean and his little Sister Clara Awkward City. I feel

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Speaker 1: like I forgot about this episode. Like I was walking,

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Speaker 1: I'm like, oh, yeah, yeah, Well we're coming off of

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Speaker 1: those two huge Kenny Taga episodes. With that, We're just

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Speaker 1: so massive. I think there was something else in between,

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Speaker 1: but so this was more just a regular episode, right right? Oh,

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Speaker 1: I love this cute. I like this one. I've seen

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Speaker 1: this one many many times. I mean same, but it's

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Speaker 1: just like you said, it was all those two big

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Speaker 1: ones where it's like the dance and that pretty sad

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Speaker 1: to see the pumpkins gone in the snow appear, I

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Speaker 1: was quite thrilled. It really made me happy to not

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Speaker 1: see the pumpkins for the eighth episode. Did it don't cold? Scott?

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Speaker 1: Were you cold watching it? They? Really? I did? I did.

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Speaker 1: I didn't want to be in the snow. You know,

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Speaker 1: we're out here in eighty degrees and I'm like, no,

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Speaker 1: I don't want to see this now. I know. It's

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Speaker 1: so funny. Sometimes we line up directly, but right now

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Speaker 1: we're way off because it's full summer and it's full winter.

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Speaker 1: Don't get me, don't get me wrong, I like my snow.

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Speaker 1: It's just like I want it in winter, I don't

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Speaker 1: want it in summer. So they were fully beanies, gloves, scarves,

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Speaker 1: like they really were like using the wardrobe to accentuate

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Speaker 1: like it's cold. When you know these guys were shooting

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Speaker 1: them heat. I was gonna say, how funny, how hot

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Speaker 1: was roaring that beanie like for half the episode. So

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Speaker 1: we're talking a hundred and five in burbank on black

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Speaker 1: asphalt in the middle of August. Yeah, it's like when

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Speaker 1: everybody's like, uh, you know, off in CenTra, pain in

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Speaker 1: the shade, anything to make it feel cooler. Like do

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Speaker 1: they well they can't outdoors, they can indoors. They have

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Speaker 1: you know, they have air conditioning indoors. They well, they

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Speaker 1: have a generator they bring in with this huge snaky thing,

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Speaker 1: this huge fat hose and they try to pipe in

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Speaker 1: air and it works. It works. Do people get sweaty

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Speaker 1: because it's so hot and they're wearing like eight two

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Speaker 1: layers and they have to get like sweated down. I

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Speaker 1: sweat for seven solid years. You didn't need to really

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Speaker 1: work out, you just you just lost weight. Oh my god.

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Speaker 1: It's so true because it doesn't get that cold even

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Speaker 1: if you were shooting in November it's still seventy. Let

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Speaker 1: me let me think it was never seventy in Burbank ever.

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Speaker 1: I mean the cool cooling down to you know, it's

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Speaker 1: like but I'll tell you when when you get to

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Speaker 1: where I you put on the long sleep thermal. It's

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Speaker 1: it's already it's already ninety degrees and it's six am, right,

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Speaker 1: So you what does brand to have waiting for? You

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Speaker 1: get the long sleep thermal. When you get the you've

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Speaker 1: got the flannel on top of that, and you have

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Speaker 1: the winter army jacket with gloves, with gloves and a

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Speaker 1: scarf r exactly thick woolen socks. It makes me want

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Speaker 1: to gag. I don't know if it's my age, but

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Speaker 1: I'm hot, like all the time. I'm trying to be

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Speaker 1: professional Danna wearing full like shorts on the bar. I'm

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Speaker 1: the same way. I'm always hot. I'm my motors R.

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Speaker 1: I sleep with the windows open in the in her

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Speaker 1: because I gotta I gotta ice it out. And my

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Speaker 1: wife is like, what are you doing? Are you the undead?

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Speaker 1: What's happening? Are you? What's going on with you? And

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Speaker 1: I'm liked anyone ever like pass out her faint because

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Speaker 1: they were so hot and just bull winter like a

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Speaker 1: full parka. I think I think people did. I think

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Speaker 1: there were one or two occasions where somebody had to

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Speaker 1: take a name or they had to win to pause.

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Speaker 1: It was. It was hot as heck man, hot as

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Speaker 1: Hate's over there, all right back to it. So we

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Speaker 1: learned that Lane gets to rehearse in the garage. We

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Speaker 1: don't ever see them rehearsing in the garage, but we

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Speaker 1: learned that Loria is going to give them the garage,

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Speaker 1: which have we ever seen Rory and Lorels garage. That

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Speaker 1: was a nice scene because Lauren put her arm around

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Speaker 1: her and there they were going on. She's like, she's

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Speaker 1: like the other daughter. Yeah, it was a cool scene.

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Speaker 1: That was a nice We saw a great view of

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Speaker 1: the town. Okay, that's like a real walk and talk. Yeah,

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Speaker 1: that was very nice, very nice. And then the following

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Speaker 1: scene was my only scene in the thing. And no,

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Speaker 1: not yet, not quite yet, I think, didn't we have

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Speaker 1: to go to school first? We go to school first, right,

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Speaker 1: class with a doodling Paris? Was anyone else, like, I

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Speaker 1: don't know? Calculus, Yeah, I vividly remember calculus class though,

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Speaker 1: like I remember, I think I tapped out. I don't

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Speaker 1: think I did to us. I was a journalism major,

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Speaker 1: so the second I like didn't have to take math,

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Speaker 1: I was like, we're done and we're taking the simple

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Speaker 1: bath and getting out. Did you do calculus, Scott? I

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Speaker 1: did in my first year of college, and I didn't

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Speaker 1: have the trig background at all, so I was completely screwed.

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Speaker 1: So I taught myself trigonometry at night. Oh my god.

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Speaker 1: And then I and then I got to be in

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Speaker 1: the calculus class. Danielle, you took calculus. Yeah, everyone has

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Speaker 1: to high school. High school tapped out. I did this

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Speaker 1: is I'm done with them. If you're doing a peak math, yeah,

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Speaker 1: you'll do calculus in high school. But I definitely did calculus.

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Speaker 1: I know. The only thing I could get from what

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Speaker 1: that teacher was saying was I heard ex equals pie

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Speaker 1: and then the rest. I wonder if we could get

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Speaker 1: a mathematician to say like that was all real, Like

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Speaker 1: it was, Oh, I'm sure, I'm sure, sure, yeah, I'm

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Speaker 1: sure it was okay. So what do we think of

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Speaker 1: Paris just being got goo goof it? I love it

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Speaker 1: because we all did that. We all had the notebooks

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Speaker 1: with Danielle insert last name of the person you really

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Speaker 1: really like and like, you know, like all the doodles

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Speaker 1: you did that when you were like crushing on somebody,

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Speaker 1: you had that in a notebook. Who was your crash? God?

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Speaker 1: Probably a lot each year it was different. I don't know. Kids, Scott,

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Speaker 1: can you remember you're like high school crash your like

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Speaker 1: first girlfriend and my first girlfriend? Um, gosh, no was

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Speaker 1: her name? Laura? No? My for my high school crush? Gosh?

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Speaker 1: Now we went after you know what we went after?

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Speaker 1: That Always a weird question to ask because like I'm

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Speaker 1: thirty two years old and I still don't want to

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Speaker 1: say who I had a crush on it. Yeah, everybody, Hello,

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Speaker 1: Dan Richardson, I can't. I can't say it about Dylan Smith,

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Speaker 1: Danielle and Scott do it? Come on. But all I

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Speaker 1: can remember is when when we all got our freshman

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Speaker 1: year of high school, the girls that we had used

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Speaker 1: to date and sixth grade or fifth grade or junior

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Speaker 1: high or whatever, all of a sudden they're going out

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Speaker 1: with seniors and they're going out. And then when we

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Speaker 1: were sophomores there, some of them are are going out

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Speaker 1: with college guys and we're just these little skinny gnomes,

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Speaker 1: you know, sitting in the lunch room going what's going

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Speaker 1: on with us? So so yeah, the senior and junior

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Speaker 1: guys rated all our girls, right, and so we had nothing.

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Speaker 1: So I I swear to God and I devised the

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Speaker 1: plan my best friends. I said, we're gonna go after

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Speaker 1: at our sophomore party, We're going after junior girls. And

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Speaker 1: they all said yes, and we had a real hodown.

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Speaker 1: Let me tell you we had a hooting. Nanny barn Burner, Danielle,

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Speaker 1: you really will not admit. I mean, Kyle Nolan was

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Speaker 1: my my boyfriend. Kyle got to Kyle, if you're listening,

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Speaker 1: he speaking of prusious. How funny when Lane's like, do

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Speaker 1: I want Dave Dskey to see me? I keep saying

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Speaker 1: his name wrong, how do you say it? Okay? Uh?

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Speaker 1: The band uniform and they're all no one to den

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Speaker 1: and I said ten. But all that was just very

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Speaker 1: cute scenes. Yeah, and she spent Christmas break. Yeah, there's

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Speaker 1: a lot to dissect and that was insane. Let's talk

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Speaker 1: about it because in high school, that's what I said, Right,

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Speaker 1: you can't do that. You can't just go visit somebody's

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Speaker 1: family for weeks. But then again, like Paris's. Paris's parents

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Speaker 1: weren't really involved, so that's very valid, very valid. But

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Speaker 1: I love how she painted the scene with like the

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Speaker 1: egg nog and the twelve ft Christmas tree, and how

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Speaker 1: the place smelled like cinnamon, and the mom bought her gift.

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Speaker 1: Like it just seemed it seems like what Paris has

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Speaker 1: been wanting all like her whole life. But I did

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Speaker 1: think it was weird. I'm like a high school girl

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Speaker 1: with a boy. What she was trash in the eight

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Speaker 1: Days of Hanukah to what did she says? It was?

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Speaker 1: So she goes, want to waste the time? You just

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Speaker 1: kill in one night. I think it's interesting that Francie

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Speaker 1: is really the villain now because Paris and Rory are

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Speaker 1: getting along and becoming friends, so they needed that. We

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Speaker 1: did miss one detail, Jamie. He said that he loved her.

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Speaker 1: I feel like that we have to definitely say that

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Speaker 1: right like that. I was like, oh my gosh, this

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Speaker 1: is paris Is first love, you know, so she is

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Speaker 1: justified in being doodle doodling meeting canceling Paris. Yeah, I'm

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Speaker 1: I fear they're headed for a downfall. Oh no, well,

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Speaker 1: of course you have to factor that in that's baked

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Speaker 1: into the price. I was hoping it would last at

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Speaker 1: least a season, at least last this season. You'll see

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Speaker 1: I mean how I mean this. We we had this

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Speaker 1: guy on right. How many episodes did he do? He

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Speaker 1: did too? No, No, he's around. He's around for a

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Speaker 1: while because he comes in and goes. He comes and goes. Yeah,

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Speaker 1: but he's not leaving us. But I do have one

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Speaker 1: nitpick same, I have two beefs. The shots, did you

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Speaker 1: guys not notice the shot of chiltern and the in

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Speaker 1: again are like frozen photos. I did notice the chiltern

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Speaker 1: all this time. I didn't notice it. I did not

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Speaker 1: know neither. You guys need to notice because it's like

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Speaker 1: now that I've noticed it, it's jars me. It's so

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Speaker 1: I only noticed because you mentioned it last week. Then

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Speaker 1: I wouldn't have noticed. No if it if it was bad,

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Speaker 1: I would have noticed it. Hm, look again, you know

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Speaker 1: me not much because it's our first time watching it.

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Speaker 1: Scott that we don't like, Yeah, I didn't. I didn't.

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Speaker 1: Well now like the down pillow, I'm eagalized for it.

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Speaker 1: I'm like, have your time. I also love that Emily

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Speaker 1: gave the monkey lamp a shoutout, but we'll get to that. So, Scott,

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Speaker 1: so far in this episode, how are you feeling about it?

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Speaker 1: I'm feeling pretty good and it you know when, uh,

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Speaker 1: I mean actually pretty good. Yeah. I thought it was

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Speaker 1: a little bit off. I thought the pace was off

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Speaker 1: a little bit. It wasn't your normal. But but I

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Speaker 1: think we did need a breather. And I think Tara

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Speaker 1: made a good point, and you made a good point

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Speaker 1: about how I've had these huge episodes and now we

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Speaker 1: need kind of arrest, we need to just take a breather,

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Speaker 1: And this was that, right, It was that, And uh,

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Speaker 1: I don't know. Every time that Tricksy shows up, I

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Speaker 1: just don't like I don't find it funny. Yeah, I

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Speaker 1: don't find that whole stick funny. I don't like her.

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Speaker 1: I don't like the character, you know, I think it's

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Speaker 1: funny because of the way Emily acts. I just I

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Speaker 1: just wish Emily would would kick her chair over and

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Speaker 1: like stomp on her when she's like, I'm not done.

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Speaker 1: She got even right, like five like five things in

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Speaker 1: a row, like one green vean. And I like it

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Speaker 1: when everybody's getting along and there's still some wit and

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Speaker 1: a little bit of attention, but they're sort of trying

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Speaker 1: to get beyond it and sort of be a little

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Speaker 1: kumbaya trix Trixie shows up, but it was silly. But

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Speaker 1: when Tricks comes to Laurelize and they all follow her,

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Speaker 1: there's nothing said, but it was Yeah, I thought that

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Speaker 1: was kind of stupid. Yeah, it just took me right

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Speaker 1: out of the whole piece, because it's like, that is

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Speaker 1: so just manufactured. It's like, not how any of them

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Speaker 1: would behave I agree with and I and I get

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Speaker 1: it there. You know, it was an homage to something, right,

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Speaker 1: I mean, Amy and Dance all in a hundred year

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Speaker 1: old movie or something, and then let's put it in

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Speaker 1: I it's it's got to be drawn from something, and

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Speaker 1: they wanted to get it in there, and it was

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Speaker 1: and it was funny. Even though you're right, it took

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Speaker 1: you out immediately, you're like, wait, so okay, going back,

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Speaker 1: going back. So we're back at the inn and we

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Speaker 1: see there's like a meeting going on and it was

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Speaker 1: the same room where they had the Bracebridge dinner. And

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Speaker 1: then something bad happened. Michelle messed up something. Oh yeah,

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Speaker 1: he was speaking just some Polish speaking people and he

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Speaker 1: said something offensive and we don't know what figure out

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Speaker 1: what it was. Somebody will know. Somebody will know. It

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Speaker 1: was Hungarian, right, Hungarian? Yeah, it was Hungarian. I thought

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Speaker 1: you said it was Polish. Hungarians speaks, you know, I

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Speaker 1: have a buddy that's Hungarian. Maybe I should Can you

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Speaker 1: pop them a text? I don't think to put the

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Speaker 1: time into it. I will say laurelized turtleneck sweater was amazing.

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Speaker 1: And then we get on the phone with Emily, who

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Speaker 1: was wearing a Barbery sweater and a pony tap. My god,

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Speaker 1: I had that mark down to it was like that

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Speaker 1: Berbery satter. I want it now, like I want to

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Speaker 1: wear it. You have to like hunt the internet because

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Speaker 1: and her ponytail was so cute. And so then we

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Speaker 1: find out it's Richard's. Oh. Producer Hannah Scott reveal what

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Speaker 1: Michelle said. We didn't even have to text your Hungarian friend.

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Speaker 1: We found it. The translation of what Michelle said is

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Speaker 1: your country is full of ugly people. That is not

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Speaker 1: something you want to say to a room full of

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Speaker 1: It's such a Michelle thing to say, Oh my god,

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Speaker 1: that is funny. That is funny. So yeah, that was

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Speaker 1: sort of just a little bit, I guess to get

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Speaker 1: us to that the it's the sixtieth birthday for Richard

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Speaker 1: right now, we have the scene at home at Localized house. First, No,

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Speaker 1: but I'm just saying that the whole point of that

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Speaker 1: scene at the end was just for Emily to call,

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Speaker 1: so we learned that it's right right. Okay, So now

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Speaker 1: we're at Loyalized house. Talk to me what you guys

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Speaker 1: felt about Dean and the tighter and the dropping the

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Speaker 1: stuff off? Ouch. Oh yeah, that's rough. You know, I

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Speaker 1: think Dean's kind of playing dirty now and I'm I'm

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Speaker 1: here for it. I like it. I like his style. Man,

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Speaker 1: He's like he's being smooth. It's like pay you know,

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Speaker 1: paybacks are a being you know what paybacks. Because Jess

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Speaker 1: was like so obvious with wanting Rory, and now Dean

378
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Speaker 1: is playing the game, but he's really like slick with

379
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Speaker 1: it it off making her miss him, seeing her asking

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Speaker 1: her for coffee, like all these things. He's so confident

381
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Speaker 1: all of the stuff too. Yeah, and I feel like

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Speaker 1: he's kind of like, you know, I guess I got

383
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Speaker 1: nothing to lose now because he's already lost Rory. So

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Speaker 1: in like my the way that I'm perceiving it is.

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Speaker 1: He's kind of like, I'm going to show you now

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Speaker 1: what you're missing. And you know, isn't it amazing how

387
00:23:00,600 --> 00:23:11,800
Speaker 1: these guys get incredibly insecure once they get before they're cool, sexy, unattainable, interesting, deep,

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00:23:11,880 --> 00:23:14,800
Speaker 1: mysterious guys when they're with her. There, you know, Dean

389
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Speaker 1: was flipping out all the time. Now Jess is flipping out. Jesse.

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00:23:17,800 --> 00:23:24,639
Speaker 1: It's like they've swapped souls intention to that with the

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00:23:24,680 --> 00:23:29,439
Speaker 1: writers or the creators, like there is something there. Well,

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00:23:29,480 --> 00:23:31,520
Speaker 1: they're trying to push the narrative that rories all that,

393
00:23:31,840 --> 00:23:35,439
Speaker 1: and everybody's flipping out over and she is right, No,

394
00:23:35,560 --> 00:23:38,240
Speaker 1: she's not perfect, but she's she's quite the catch. I mean,

395
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Speaker 1: she's she's somebody you want and you want to protect her,

396
00:23:40,920 --> 00:23:45,159
Speaker 1: and she's you know, she's she's a delightful presence. So

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Speaker 1: who wouldn't want an angel on their shoulder like that?

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Speaker 1: So right, Yeah, And they're probably trying to show some

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Speaker 1: I mean, we know Jesse's flawed, but even more like

400
00:23:54,560 --> 00:23:57,040
Speaker 1: flaws that aren't about being a bad boy. You know,

401
00:23:57,119 --> 00:24:01,159
Speaker 1: maybe he's got a little bit more more vulnerability and

402
00:24:01,200 --> 00:24:04,560
Speaker 1: like insecurity inside of him too. Well, Yeah, he was

403
00:24:04,600 --> 00:24:07,199
Speaker 1: okay being a kid and a punky kid who was

404
00:24:07,240 --> 00:24:09,920
Speaker 1: all full of bluster. But now he stepped up into

405
00:24:09,960 --> 00:24:13,400
Speaker 1: the real world where he's gotta you know, there's he's

406
00:24:13,440 --> 00:24:15,360
Speaker 1: got to be vulnerable and any working out too good

407
00:24:15,359 --> 00:24:17,879
Speaker 1: for him. You know. Do you all think that if

408
00:24:17,920 --> 00:24:20,840
Speaker 1: Dean would have been this Dean, because he's very reminiscent

409
00:24:20,880 --> 00:24:23,679
Speaker 1: of the Dean at the beginning of the series, would

410
00:24:23,760 --> 00:24:27,160
Speaker 1: Rory have ever broken up? No, he lost his edge.

411
00:24:27,320 --> 00:24:29,919
Speaker 1: He was all like Smiley all the time and I

412
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Speaker 1: miss you, and you know he really he just went that. Yeah,

413
00:24:34,280 --> 00:24:36,880
Speaker 1: he just wimped out. And yeah, if he'd if he'd

414
00:24:36,880 --> 00:24:40,679
Speaker 1: have kept an edge, he'd have been okay. Yeah, I

415
00:24:40,720 --> 00:24:44,320
Speaker 1: did think LAURAA got some cool mom points in that

416
00:24:44,440 --> 00:24:47,560
Speaker 1: kitchen scene, well first of all the spider things. Later, Yeah,

417
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Speaker 1: but when she says to Rory like, I don't know.

418
00:24:50,920 --> 00:24:53,359
Speaker 1: I'm sorry, I don't mean to interrupt, but really, please

419
00:24:53,440 --> 00:24:55,960
Speaker 1: tell me what you think, Laura Gilmore afraid of a spider?

420
00:24:57,240 --> 00:25:01,040
Speaker 1: Are you serious? Yeah? It didn't work for me. I'm sorry.

421
00:25:01,040 --> 00:25:02,600
Speaker 1: There's there's a couple of things that bug me about

422
00:25:02,600 --> 00:25:04,960
Speaker 1: this episode. Trixie was one to walk around the house

423
00:25:04,960 --> 00:25:08,639
Speaker 1: with her. It was another Emily being all freaked out

424
00:25:08,680 --> 00:25:11,440
Speaker 1: about her all the time. I don't get that, you know, um,

425
00:25:12,320 --> 00:25:14,960
Speaker 1: I like that sometimes it's not all perfect. And then

426
00:25:15,240 --> 00:25:18,280
Speaker 1: you know Laura, like Gilmore, you know who you know?

427
00:25:18,520 --> 00:25:21,120
Speaker 1: Come on, did it seem like they threw a couple

428
00:25:21,119 --> 00:25:24,000
Speaker 1: of things in there for like comedy? Because it was funny.

429
00:25:24,160 --> 00:25:27,240
Speaker 1: I agree with you, Like I doubt she's afraid of spiders.

430
00:25:27,240 --> 00:25:31,840
Speaker 1: She's not really afraid of anything, but it was funny.

431
00:25:32,760 --> 00:25:35,840
Speaker 1: I kind of believed it. I hate spiders. It also

432
00:25:35,960 --> 00:25:39,680
Speaker 1: was a really sweet moment for Laura, Lae and Dean.

433
00:25:39,760 --> 00:25:43,800
Speaker 1: You really see how they are. They are they are good,

434
00:25:43,840 --> 00:25:47,359
Speaker 1: they are cool. But but how much better would it

435
00:25:47,359 --> 00:25:50,439
Speaker 1: have been if Lauraae kind of mocked that old trope

436
00:25:50,440 --> 00:25:53,199
Speaker 1: about women being afraid of mice and spiders and they

437
00:25:53,240 --> 00:25:55,520
Speaker 1: need a man to rescue them. You know, this kind

438
00:25:55,520 --> 00:25:57,639
Speaker 1: of stuff wouldn't have been funny if she just went

439
00:25:57,720 --> 00:26:03,000
Speaker 1: and go a spider and then bam, killed it and

440
00:26:03,040 --> 00:26:07,040
Speaker 1: don't come back. Derekle when I think Dean says like,

441
00:26:07,160 --> 00:26:08,879
Speaker 1: what are you? What were you gonna do if I

442
00:26:08,880 --> 00:26:10,840
Speaker 1: didn't come in? And she's also thinking of just giving

443
00:26:10,880 --> 00:26:17,160
Speaker 1: in the kitchen you know. I've done that before, where

444
00:26:17,160 --> 00:26:18,800
Speaker 1: I see like a bug in my house. I'm like,

445
00:26:18,800 --> 00:26:20,520
Speaker 1: you know what, for the rest of the day, I'm

446
00:26:20,560 --> 00:26:24,400
Speaker 1: just not going into the Yeah, that's that's fine, it's okay.

447
00:26:25,240 --> 00:26:27,440
Speaker 1: The worst is when you find one in your bedroom

448
00:26:27,480 --> 00:26:29,080
Speaker 1: and you're like about to go to bed and you're like,

449
00:26:29,119 --> 00:26:32,120
Speaker 1: what's it? Like, it's up the rest of the night.

450
00:26:32,560 --> 00:26:35,320
Speaker 1: My son walked into the media room where I was

451
00:26:35,400 --> 00:26:37,560
Speaker 1: massage and having my feet massage because I have a

452
00:26:37,560 --> 00:26:42,200
Speaker 1: foot massage and I was watching this episode device not

453
00:26:42,240 --> 00:26:45,479
Speaker 1: like a person a person. Yeah, I have a special

454
00:26:45,520 --> 00:26:52,720
Speaker 1: person on called all Times Scot's Paycheck. No, my son

455
00:26:52,800 --> 00:26:56,000
Speaker 1: walks in. He goes, Daddy, Daddy, there's a there's a

456
00:26:56,040 --> 00:27:00,480
Speaker 1: grasshopper in the there's a grasshopper in the bathroom downstairs.

457
00:27:00,480 --> 00:27:03,879
Speaker 1: But they wanted downstairs, and I'm like, you see me

458
00:27:04,000 --> 00:27:06,080
Speaker 1: what I'm doing here, I'm busy. I said, go kill

459
00:27:06,080 --> 00:27:08,119
Speaker 1: the thing. Come on, step up. You're not supposed to

460
00:27:08,240 --> 00:27:13,280
Speaker 1: kill grasshoppers, isn't it bad luck? Oh? No, you no,

461
00:27:13,400 --> 00:27:16,560
Speaker 1: bring mantis. I thought it's a grasshopper. I don't kill

462
00:27:16,560 --> 00:27:18,520
Speaker 1: spiders either. I pick them up, let him out, let

463
00:27:18,560 --> 00:27:21,439
Speaker 1: them out. Well, I think they do something, and he

464
00:27:21,520 --> 00:27:23,879
Speaker 1: told me, he told me he attempted to capture it

465
00:27:24,040 --> 00:27:27,399
Speaker 1: and and rehabilitate it. Actually, no, he told he told

466
00:27:27,400 --> 00:27:29,639
Speaker 1: me he attempted to capture it, but it was not successful.

467
00:27:30,080 --> 00:27:34,879
Speaker 1: Have seen a ton of late caterpillars. Is it caterpillar season?

468
00:27:35,880 --> 00:27:41,480
Speaker 1: I don't know. I don't know if there's a such season.

469
00:27:42,640 --> 00:27:46,920
Speaker 1: There's a butterfly season. I think in California with with

470
00:27:46,960 --> 00:27:50,320
Speaker 1: no rain for years, it's the season of the caterpillar

471
00:27:50,400 --> 00:27:54,800
Speaker 1: every season. So back on lor L, I thought it

472
00:27:54,840 --> 00:27:57,040
Speaker 1: was a very cool mom moment where she's like, what

473
00:27:57,080 --> 00:27:58,920
Speaker 1: are you feeling right now? Are you weirded out? It's

474
00:27:58,920 --> 00:28:00,720
Speaker 1: okay if you're weird without and it's okay that it

475
00:28:00,760 --> 00:28:03,560
Speaker 1: doesn't mean you don't like Jess, if you're feeling something

476
00:28:03,640 --> 00:28:07,440
Speaker 1: right now. I just thought, yeah, could definitely good insight, right,

477
00:28:07,560 --> 00:28:12,960
Speaker 1: good talk, right, good wisdom, good mom wisdom. Yes, absolutely,

478
00:28:13,320 --> 00:28:17,440
Speaker 1: and you could tell that Rory like she does feel something. Yeah,

479
00:28:17,440 --> 00:28:19,679
Speaker 1: like she couldn't open the box she wanted to and

480
00:28:19,720 --> 00:28:22,960
Speaker 1: then just closed it again. Yeah, there's a little sadness there,

481
00:28:23,119 --> 00:28:26,359
Speaker 1: and also like that that he got out of it

482
00:28:26,480 --> 00:28:32,000
Speaker 1: right away. He's just playing. He's doing so well. Yeah,

483
00:28:32,040 --> 00:28:34,400
Speaker 1: it's like, here, here, do with your feelings. Now I'm

484
00:28:34,440 --> 00:28:37,760
Speaker 1: giving your stuff back. He's coming across so cool and

485
00:28:38,080 --> 00:28:40,440
Speaker 1: at the carnival, he's such a cool brother. It's like,

486
00:28:40,440 --> 00:28:43,640
Speaker 1: what's not to like about? Yeah? That you see that.

487
00:28:43,640 --> 00:28:45,840
Speaker 1: That's another time that he was just playing at smooth.

488
00:28:46,080 --> 00:28:48,520
Speaker 1: He's like, you know what, I'll get you your snow

489
00:28:48,560 --> 00:28:52,840
Speaker 1: cone because Jess isn't like I'll do this. Rory is

490
00:28:52,840 --> 00:28:55,440
Speaker 1: the one that had to win the game because Jess couldn't,

491
00:28:55,600 --> 00:28:57,800
Speaker 1: you know, like for a little stuffed animal, Like all

492
00:28:57,800 --> 00:29:01,680
Speaker 1: these little things that just kind of added up leading

493
00:29:01,800 --> 00:29:05,920
Speaker 1: us to the how great? How great was Scout Taylor?

494
00:29:06,360 --> 00:29:10,920
Speaker 1: What's her name? So Compton? Scout Taylor Compton? Yeah, she

495
00:29:11,080 --> 00:29:14,080
Speaker 1: was perfect. Why is your hair stand up? Do you

496
00:29:14,080 --> 00:29:17,040
Speaker 1: watch it? How can it stand up that way? That's weird.

497
00:29:18,480 --> 00:29:22,600
Speaker 1: She's like the spunky, annoying sister but just poking him

498
00:29:23,280 --> 00:29:25,280
Speaker 1: and like, you don't even know if she knows what's

499
00:29:25,280 --> 00:29:28,920
Speaker 1: going down, but if maybe he teed her up And

500
00:29:28,960 --> 00:29:31,120
Speaker 1: I was like, hey, I'm trying to get Rory back.

501
00:29:31,360 --> 00:29:33,600
Speaker 1: Be real annoying to this dude. What is his last

502
00:29:33,680 --> 00:29:38,560
Speaker 1: name in the show, Dean? What do we know this Forster.

503
00:29:41,000 --> 00:29:45,880
Speaker 1: I'm telling you the Forrester kids stole this episode for me. Yeah,

504
00:29:46,040 --> 00:29:50,360
Speaker 1: they really did. I mean Dean Dean shined and Taylor

505
00:29:50,440 --> 00:29:56,400
Speaker 1: Shine what's her name in the show? Sorry? And also

506
00:29:56,600 --> 00:30:01,440
Speaker 1: it's rig Galski since we're on pronunciation, r y g

507
00:30:01,760 --> 00:30:05,160
Speaker 1: a l s k I, Dave red Galski, hang on,

508
00:30:05,240 --> 00:30:07,080
Speaker 1: let me get a pen. A lot of people write

509
00:30:07,080 --> 00:30:11,760
Speaker 1: it Rugowski. I thought it was Galski r y g

510
00:30:12,040 --> 00:30:19,600
Speaker 1: a l s k I. Okay, So then we we

511
00:30:19,600 --> 00:30:22,880
Speaker 1: we cut to a lot of making out Jess and

512
00:30:22,960 --> 00:30:27,600
Speaker 1: Rory just making out, walking and kissing. I didn't like it.

513
00:30:28,000 --> 00:30:30,360
Speaker 1: I didn't either. I'm with you on that. I didn't

514
00:30:30,480 --> 00:30:34,360
Speaker 1: like it, and you know what, Rory didn't like it either.

515
00:30:35,000 --> 00:30:39,480
Speaker 1: It was too much. Yeah, I agree, Yeah it was

516
00:30:39,520 --> 00:30:41,920
Speaker 1: a little too Yeah. I mean also like it was

517
00:30:41,960 --> 00:30:44,520
Speaker 1: just weird, like walking and kissing. I was like, what,

518
00:30:44,680 --> 00:30:47,080
Speaker 1: who does that? I wanted to be like, Jess, this

519
00:30:47,240 --> 00:30:57,040
Speaker 1: isn't Shane. Yeah, it was very Shane. That was like, right, Yeah,

520
00:30:57,080 --> 00:31:02,000
Speaker 1: I love when a moment where he puts his arm

521
00:31:02,360 --> 00:31:05,920
Speaker 1: hand on her back and I'm like, oh, milow, I

522
00:31:05,920 --> 00:31:08,040
Speaker 1: get all mixed up. If I love Milo, do I

523
00:31:08,080 --> 00:31:10,240
Speaker 1: love Jess? What do I love? What it gets your

524
00:31:10,280 --> 00:31:13,440
Speaker 1: milo love? I think so yeah, it was it was

525
00:31:13,480 --> 00:31:17,880
Speaker 1: like octopus like it's like, dude, go back in your aquarium.

526
00:31:17,880 --> 00:31:20,560
Speaker 1: What are you doing. I just couldn't get over the beanie,

527
00:31:20,720 --> 00:31:22,200
Speaker 1: like I was like, can we take it up? Like

528
00:31:22,240 --> 00:31:24,720
Speaker 1: I just felt like it was so hot, God, please

529
00:31:24,760 --> 00:31:28,040
Speaker 1: take all this beanie. And they talked about how they

530
00:31:28,040 --> 00:31:30,040
Speaker 1: have good teeth because if they had braces, it would

531
00:31:30,080 --> 00:31:33,600
Speaker 1: be a real book. That was another comment. I was like, right,

532
00:31:33,880 --> 00:31:38,240
Speaker 1: right right, why why why why why did you guys

533
00:31:38,240 --> 00:31:41,160
Speaker 1: notice those So they're hooking up arm around kiss kiss kiss.

534
00:31:41,480 --> 00:31:44,400
Speaker 1: It was very complicated seeing car crosses. They had to

535
00:31:44,440 --> 00:31:48,640
Speaker 1: just miss the car. Was yeah, that's not that big

536
00:31:48,720 --> 00:31:57,640
Speaker 1: a deal, trust me. That seems like cooreography. Okay, now

537
00:31:57,880 --> 00:32:03,360
Speaker 1: we get to the diner for Scott Slash. Luke's like

538
00:32:03,440 --> 00:32:07,320
Speaker 1: two lines and thank you, thank you. You get the

539
00:32:07,360 --> 00:32:16,640
Speaker 1: same payment either way either way. I was laughing on

540
00:32:16,680 --> 00:32:19,320
Speaker 1: that one. Let me tell you, kicking my feet up

541
00:32:19,360 --> 00:32:22,720
Speaker 1: on the on the sofa comes out because you have

542
00:32:22,800 --> 00:32:26,959
Speaker 1: many episodes where are like literally have thousands of lines.

543
00:32:27,160 --> 00:32:31,880
Speaker 1: So okay, so gloralized there and she's opening her crappy

544
00:32:31,960 --> 00:32:35,320
Speaker 1: presence showing not opening, you know, get taken out of

545
00:32:35,320 --> 00:32:38,200
Speaker 1: the bag, her crappy presence for Richard and showing Rory

546
00:32:39,360 --> 00:32:44,320
Speaker 1: and they were bad the like where don't we go?

547
00:32:44,600 --> 00:32:47,040
Speaker 1: Like what was she thinking buying these gifts? Like he's

548
00:32:47,040 --> 00:32:50,200
Speaker 1: actually going to use any of these? She hit Macy's

549
00:32:50,200 --> 00:32:52,440
Speaker 1: for that, Scott. If you could have a scale, a

550
00:32:52,440 --> 00:32:55,080
Speaker 1: coin disorder or the tie, which one would you pick?

551
00:32:56,840 --> 00:33:01,520
Speaker 1: A scale? What was she got? Se weight? He has

552
00:33:01,560 --> 00:33:04,760
Speaker 1: weight like a scale, like a like I weigh a

553
00:33:04,840 --> 00:33:09,200
Speaker 1: hundred and whatever pounds? Well, I don't wear bow ties. Um,

554
00:33:09,240 --> 00:33:11,560
Speaker 1: I don't need a coin sorder. I just put all

555
00:33:11,600 --> 00:33:14,800
Speaker 1: this change anymore. Now I have like these giant bottles

556
00:33:14,800 --> 00:33:17,680
Speaker 1: of change. I don't know what to do with him.

557
00:33:18,280 --> 00:33:30,960
Speaker 1: Change went away things change for change. What was the

558
00:33:31,040 --> 00:33:33,680
Speaker 1: gift at the end, it's like made noise or something

559
00:33:33,720 --> 00:33:36,920
Speaker 1: that they say this light up and makes noise, and

560
00:33:37,320 --> 00:33:42,040
Speaker 1: it was like, just don't think I think it, ladies.

561
00:33:42,120 --> 00:33:46,320
Speaker 1: I think it further demonstrates how um much of a

562
00:33:46,400 --> 00:33:48,880
Speaker 1: chasm there is between father and daughter. She doesn't know

563
00:33:49,320 --> 00:33:52,280
Speaker 1: doesn't know him well enough to buy him an appropriate gift,

564
00:33:53,000 --> 00:33:55,920
Speaker 1: you know. So the Rory nailed it, she called it,

565
00:33:56,120 --> 00:33:59,640
Speaker 1: and she asked him, I know, what did you? What

566
00:33:59,720 --> 00:34:01,720
Speaker 1: did you? What did Rory? Now? What did she get?

567
00:34:01,880 --> 00:34:06,080
Speaker 1: She got the chuck Berry vinyl. Oh yeah, because because

568
00:34:06,120 --> 00:34:09,879
Speaker 1: she has a relationship with actually talk lovingly, they talk

569
00:34:09,960 --> 00:34:12,799
Speaker 1: and they share, right. She was like, I have a

570
00:34:12,840 --> 00:34:15,920
Speaker 1: list of things he wanted. Now, Scott, you're not Your

571
00:34:15,960 --> 00:34:17,759
Speaker 1: lines were not a plenty, but the one you had

572
00:34:17,920 --> 00:34:20,399
Speaker 1: was pretty good, you said. You know, if you get

573
00:34:20,400 --> 00:34:22,480
Speaker 1: the big bottle, it usually comes with a top bag

574
00:34:22,520 --> 00:34:26,239
Speaker 1: and soap on a rope. There you go, just light

575
00:34:26,320 --> 00:34:28,480
Speaker 1: up the room and leave. There you go, ladies and gentlemen.

576
00:34:28,960 --> 00:34:31,239
Speaker 1: That's why I get the big dollars. Thank you very much.

577
00:34:31,920 --> 00:34:34,480
Speaker 1: Back to the trailer. Thanks for coming. I worked a

578
00:34:34,520 --> 00:34:40,640
Speaker 1: whole hour today. I'm out of here see in ten days.

579
00:34:40,680 --> 00:34:43,480
Speaker 1: So okay. So then we go to the bookstore and

580
00:34:43,520 --> 00:34:45,680
Speaker 1: we see Rory in front of Stars Hollow Books and

581
00:34:45,719 --> 00:34:49,040
Speaker 1: she literally crashes into Dean as he was admiring the

582
00:34:49,040 --> 00:34:52,279
Speaker 1: new benches in the square leather jacket. Was adorable. So

583
00:34:52,320 --> 00:34:53,719
Speaker 1: then what did you guys think that they went to

584
00:34:53,719 --> 00:34:56,799
Speaker 1: get coffee? I knew that. I knew the way he

585
00:34:56,920 --> 00:34:58,960
Speaker 1: knocked into her. It was a setup. I know. It

586
00:35:00,160 --> 00:35:03,440
Speaker 1: was so clever and I thought, boy is looking at

587
00:35:03,560 --> 00:35:07,440
Speaker 1: benches right right, I was looking at the benches, like

588
00:35:07,680 --> 00:35:10,879
Speaker 1: what great line? The great wasn't a great line though,

589
00:35:11,360 --> 00:35:13,799
Speaker 1: it's a small town thing, like oh look the new

590
00:35:13,840 --> 00:35:17,279
Speaker 1: bench like yeah, oh god, yeah, exactly, big city kid,

591
00:35:17,360 --> 00:35:19,520
Speaker 1: what a small town guys do? They look at the

592
00:35:19,560 --> 00:35:21,239
Speaker 1: bench and they bump into the decks. You know that

593
00:35:21,719 --> 00:35:26,360
Speaker 1: she's so nervous and awkward, like the window. Knew that

594
00:35:26,440 --> 00:35:29,040
Speaker 1: Jess was going to be She knew Jess would be mad.

595
00:35:29,080 --> 00:35:30,759
Speaker 1: I think that was in her head the whole time.

596
00:35:31,000 --> 00:35:33,759
Speaker 1: Was anyone else nervous that Jess was going to walk by? Said?

597
00:35:34,080 --> 00:35:36,799
Speaker 1: I was like, don't sit by the window, use the

598
00:35:36,840 --> 00:35:42,440
Speaker 1: bathroom table. Just showcase in front of Weston. We're sitting together.

599
00:35:43,160 --> 00:35:47,480
Speaker 1: That made me so nervous. Yeah, I kept he heard

600
00:35:47,560 --> 00:35:51,279
Speaker 1: works there and we're all like, okay, we don't even

601
00:35:51,440 --> 00:35:54,960
Speaker 1: think it's weird. This many jobs. So Scott, yeah, what

602
00:35:55,000 --> 00:35:57,880
Speaker 1: do you think about all the just Dean and Rory?

603
00:35:57,960 --> 00:36:01,040
Speaker 1: What are you thinking about Dean and Rory? Um? You

604
00:36:01,080 --> 00:36:04,480
Speaker 1: know it was my favorite part of the episode. Uh,

605
00:36:04,520 --> 00:36:09,799
Speaker 1: that whole Dean's you know, working his game now and

606
00:36:10,000 --> 00:36:13,680
Speaker 1: I'm like, yeah, this is something I can watch and enjoy.

607
00:36:14,520 --> 00:36:16,719
Speaker 1: You know, I'm invested in this and I like what

608
00:36:16,760 --> 00:36:19,719
Speaker 1: I'm seeing, and I, you know, I see how good

609
00:36:19,840 --> 00:36:22,600
Speaker 1: Jared is and and how much he's funny he's having

610
00:36:22,600 --> 00:36:24,719
Speaker 1: and they're giving him something to really chew on now

611
00:36:24,760 --> 00:36:28,360
Speaker 1: instead of being I don't like this guy around you,

612
00:36:28,360 --> 00:36:30,759
Speaker 1: you know, and like being he had to be the

613
00:36:30,760 --> 00:36:33,760
Speaker 1: woosey for what two full seasons two and a half seasons?

614
00:36:33,800 --> 00:36:36,279
Speaker 1: Now he gets to be like a dude. Right. Did

615
00:36:36,320 --> 00:36:42,160
Speaker 1: anybody also notice that Jared looks like hotter? Yeah? Whoa

616
00:36:43,600 --> 00:36:48,799
Speaker 1: dean really really glowed up, like looks great right now

617
00:36:48,840 --> 00:36:51,680
Speaker 1: that he's like now that he's in, now he's available

618
00:36:52,200 --> 00:36:56,840
Speaker 1: and he's being cool. He's looking he's looking mighty smoking,

619
00:36:58,040 --> 00:37:01,759
Speaker 1: and I'm a dude, you know, really is going to

620
00:37:01,800 --> 00:37:04,040
Speaker 1: go to college. Sorry, I was gonna say, I really

621
00:37:04,040 --> 00:37:07,040
Speaker 1: want a custard pie after this? What is this so gross?

622
00:37:07,080 --> 00:37:09,239
Speaker 1: What is that it's like just like custard. I don't

623
00:37:09,239 --> 00:37:10,920
Speaker 1: know how to explain, Like I thought it was hilarious,

624
00:37:10,920 --> 00:37:12,480
Speaker 1: but he goes, do you want ice cream? How many

625
00:37:12,520 --> 00:37:17,120
Speaker 1: flavors you have? But have we seen the inside of

626
00:37:17,160 --> 00:37:20,440
Speaker 1: Weston's before? No? I can't remember that we have because

627
00:37:20,440 --> 00:37:23,319
Speaker 1: that's different than where they went when they couldn't go

628
00:37:23,360 --> 00:37:26,560
Speaker 1: to lookes. They can't they can't go to lookes, no way.

629
00:37:27,120 --> 00:37:29,440
Speaker 1: So do you think they can be friends? You guys, like,

630
00:37:29,520 --> 00:37:32,440
Speaker 1: let's talk about it and Roy be friends. This is

631
00:37:32,480 --> 00:37:35,120
Speaker 1: really not he doesn't want to be friends. This is

632
00:37:35,160 --> 00:37:40,040
Speaker 1: a transition back to Dean. Yeah, this is this is

633
00:37:40,120 --> 00:37:43,759
Speaker 1: gamesmanship on a very high level. Yeah. I think if

634
00:37:43,800 --> 00:37:45,439
Speaker 1: they wanted to be friends, they just need a little

635
00:37:45,440 --> 00:37:48,560
Speaker 1: bit more time. It's been like, what a month, So

636
00:37:48,640 --> 00:37:51,440
Speaker 1: there's no chance they could be friends, you could, I agree,

637
00:37:51,440 --> 00:37:54,000
Speaker 1: there's too much passion on at least on his side

638
00:37:54,000 --> 00:37:56,560
Speaker 1: of it. He's not going to be able to be friends.

639
00:37:56,719 --> 00:38:01,520
Speaker 1: He's he's displaying a level of mastery, uh that border

640
00:38:01,600 --> 00:38:04,760
Speaker 1: z own obsession with like kind of a genius mind

641
00:38:04,800 --> 00:38:07,120
Speaker 1: to it, you know. Right, it's like this guy really

642
00:38:07,160 --> 00:38:11,080
Speaker 1: loves her. He's really showing his love. Yeah, yeah, right.

643
00:38:11,320 --> 00:38:14,279
Speaker 1: He misses her, he misses talking to her. So he

644
00:38:14,320 --> 00:38:16,719
Speaker 1: had a clubhouse meeting with himself. He devised his game

645
00:38:16,760 --> 00:38:18,000
Speaker 1: and this is how I'm going to be And he

646
00:38:18,040 --> 00:38:19,799
Speaker 1: read a book or something I don't know, and now

647
00:38:19,840 --> 00:38:24,080
Speaker 1: he's going to Connecticut State College. Right, a clubhouse meetings,

648
00:38:28,400 --> 00:38:30,920
Speaker 1: you know, and he got his act together, man, and

649
00:38:30,920 --> 00:38:34,080
Speaker 1: he's executed. It was really telling that he's going to

650
00:38:34,120 --> 00:38:39,200
Speaker 1: a four year trying to go to a four year university, Like, whoa, Yeah,

651
00:38:39,200 --> 00:38:41,399
Speaker 1: that only happened because of Rory. He wasn't even thinking

652
00:38:41,440 --> 00:38:43,719
Speaker 1: about it. But he said it to her too, and

653
00:38:43,760 --> 00:38:46,880
Speaker 1: I'm only doing this because, you know what a compliment

654
00:38:46,960 --> 00:38:51,920
Speaker 1: to her and he sure is. Man. It puts her

655
00:38:51,920 --> 00:38:53,600
Speaker 1: back on her heels, like, wow, you knew what to

656
00:38:53,640 --> 00:38:56,239
Speaker 1: say because now she like the opened up the conversation.

657
00:38:56,320 --> 00:38:58,360
Speaker 1: She got a little bit less nervous because she knew

658
00:38:58,880 --> 00:39:01,480
Speaker 1: she had that was that was always the thing that

659
00:39:01,560 --> 00:39:04,520
Speaker 1: she was like, he's not really into the books. He's

660
00:39:04,560 --> 00:39:08,120
Speaker 1: not really into those things that I'm into. And now

661
00:39:08,160 --> 00:39:12,040
Speaker 1: he's like kind of showing that he is smart and

662
00:39:12,080 --> 00:39:16,600
Speaker 1: he you know, has aspirations outside of Stars Hollow, and

663
00:39:16,640 --> 00:39:20,120
Speaker 1: I feel like it's again the perfect game to play.

664
00:39:20,200 --> 00:39:23,440
Speaker 1: He's sizing up his enemy Jess, who ain't is not

665
00:39:23,520 --> 00:39:26,879
Speaker 1: going to college, but who's a little bit bookish, more

666
00:39:26,920 --> 00:39:30,040
Speaker 1: bookish than him. And now he's up to this game

667
00:39:30,320 --> 00:39:33,600
Speaker 1: made himself. It's it's it's it's a it's the art

668
00:39:33,600 --> 00:39:36,919
Speaker 1: of war. It's it's really something. It's the art of War,

669
00:39:37,080 --> 00:39:41,240
Speaker 1: it's sun sou So I really enjoyed that. I enjoyed

670
00:39:41,239 --> 00:39:44,200
Speaker 1: watching everything with Dean and Rory and everything with Dean

671
00:39:44,400 --> 00:39:48,160
Speaker 1: and his sister and Taylor. Just just great stuff. Great.

672
00:39:48,239 --> 00:39:52,680
Speaker 1: So now here's the part you didn't love. So now

673
00:39:52,719 --> 00:39:56,160
Speaker 1: we're at Richard's birthday sixty, which I thought was, you know, great.

674
00:39:56,640 --> 00:39:58,400
Speaker 1: I think maybe I thought they were slightly older, but

675
00:39:58,480 --> 00:40:01,640
Speaker 1: that makes about sense. M hm. They had her in

676
00:40:01,680 --> 00:40:05,200
Speaker 1: their late twenties. And then there's grand grand shows up

677
00:40:05,440 --> 00:40:07,759
Speaker 1: and they're all sort of having a great time. The

678
00:40:07,800 --> 00:40:09,319
Speaker 1: four of them, I thought was so cute. They're all

679
00:40:09,360 --> 00:40:12,080
Speaker 1: kind of in the living room and on the ground

680
00:40:12,200 --> 00:40:14,319
Speaker 1: and opened the gifts and Richard's having a wonderful time

681
00:40:14,400 --> 00:40:23,160
Speaker 1: ding dong parties over. So yeah, I just love that

682
00:40:23,239 --> 00:40:26,000
Speaker 1: she was renting her house out to Corn. I thought

683
00:40:26,000 --> 00:40:29,800
Speaker 1: it was the funny is so random. It was so random.

684
00:40:30,400 --> 00:40:32,440
Speaker 1: I think that's what made it so funny. It's like

685
00:40:32,480 --> 00:40:35,440
Speaker 1: the fact that Tricks just randomly knows who Corn is,

686
00:40:35,840 --> 00:40:38,880
Speaker 1: and that there was multiple reverences and she's like Corn,

687
00:40:39,040 --> 00:40:43,879
Speaker 1: Corn's gone. So yeah, I just it was a more

688
00:40:43,920 --> 00:40:50,400
Speaker 1: appealing character. It would have been Rang Wrung Rang funnier

689
00:40:50,560 --> 00:40:53,120
Speaker 1: to me, But like you think it's a little over

690
00:40:53,120 --> 00:40:56,000
Speaker 1: the top. No, no, I just I just don't like her,

691
00:40:56,160 --> 00:40:59,200
Speaker 1: and I don't care what she says, and I just

692
00:40:59,200 --> 00:41:02,920
Speaker 1: just turn off. She comes on the screen, and I

693
00:41:03,000 --> 00:41:05,920
Speaker 1: think it's a great performance. I do. I'm not ragging

694
00:41:05,960 --> 00:41:09,520
Speaker 1: on Marion Ross. I think she's fantastic. I man, she

695
00:41:09,640 --> 00:41:12,440
Speaker 1: comes in there and makes Emily that uncomfortable, and it's

696
00:41:12,480 --> 00:41:15,440
Speaker 1: just it doesn't seem real to me. For me, it

697
00:41:15,600 --> 00:41:20,399
Speaker 1: just sets up this perfect way for Emily and Laura

698
00:41:20,480 --> 00:41:24,080
Speaker 1: la to bond. So it's like, because they had some

699
00:41:24,200 --> 00:41:28,479
Speaker 1: really good conversations. I think it weakens Emily. I don't

700
00:41:28,480 --> 00:41:31,520
Speaker 1: like how weakens Emily. I don't like how Emily goes

701
00:41:31,560 --> 00:41:37,879
Speaker 1: outside of what I think her character is. It goes

702
00:41:37,920 --> 00:41:41,880
Speaker 1: outside the parameters. Yeah, you're not wrong, because it really

703
00:41:42,080 --> 00:41:45,879
Speaker 1: makes Emily. I think everybody's breaking character here, Emily with

704
00:41:45,920 --> 00:41:49,920
Speaker 1: the Tricksie and tricks even being involved, and Richard not

705
00:41:49,960 --> 00:41:53,360
Speaker 1: paying attention to how TRICKSI is abusing his his wife,

706
00:41:53,760 --> 00:41:56,759
Speaker 1: and Laurel I screeching at a spider. I mean, it's

707
00:41:56,800 --> 00:41:59,279
Speaker 1: just like, what's going on here? You know, the only

708
00:41:59,320 --> 00:42:02,560
Speaker 1: thing that I thought is real. Was and in the

709
00:42:02,640 --> 00:42:04,480
Speaker 1: power of stuff too. It was just like, oh, what,

710
00:42:04,680 --> 00:42:06,799
Speaker 1: you know, the only thing I thought was real that

711
00:42:06,840 --> 00:42:10,120
Speaker 1: I could hang my hat on m was the Dean

712
00:42:11,160 --> 00:42:15,840
Speaker 1: Jess Rory stuff. Yeah. Nothing, that's really interesting, Scott. I

713
00:42:15,880 --> 00:42:19,240
Speaker 1: didn't realize that until you just said it, that everyone

714
00:42:19,280 --> 00:42:22,560
Speaker 1: in this episode kind of showed a different side. Like,

715
00:42:22,600 --> 00:42:25,239
Speaker 1: I didn't really realize that until you just said it.

716
00:42:25,239 --> 00:42:27,560
Speaker 1: It's just it's kind of too far out of character

717
00:42:27,680 --> 00:42:30,640
Speaker 1: for me. Yeah, I agree with that with Paris, because

718
00:42:30,719 --> 00:42:36,839
Speaker 1: the Paris wouldn't although she could crush and love Christmas

719
00:42:36,880 --> 00:42:40,239
Speaker 1: with Jamie, she would never go so far as to

720
00:42:40,360 --> 00:42:45,800
Speaker 1: like not be on top of her presidential duties. Yeah,

721
00:42:46,239 --> 00:42:49,040
Speaker 1: it is a bit of a stretch. It's like combine

722
00:42:49,080 --> 00:42:55,080
Speaker 1: those keep you know, don't lose her passion of her

723
00:42:55,120 --> 00:42:57,520
Speaker 1: her determination to get into Harvard, and her you know,

724
00:42:57,640 --> 00:43:00,520
Speaker 1: she'll step over anybody to do it. All of a sudden,

725
00:43:00,560 --> 00:43:05,319
Speaker 1: she's just like, you know, flaccid. It's like, what why

726
00:43:05,320 --> 00:43:07,680
Speaker 1: am I watching her now? And then we get we

727
00:43:07,719 --> 00:43:10,760
Speaker 1: get the scene of the kitchen back at the Inn

728
00:43:11,160 --> 00:43:14,000
Speaker 1: Suki with all that just phenomenal food. I mean, it's

729
00:43:14,040 --> 00:43:15,480
Speaker 1: just like, I don't even know how they do that,

730
00:43:15,520 --> 00:43:20,319
Speaker 1: but the food looks so beyond and then she's going

731
00:43:20,360 --> 00:43:24,560
Speaker 1: to create this menu for the scariest dinner of all time.

732
00:43:26,560 --> 00:43:28,520
Speaker 1: Melissa had one of the best comedy moments of the

733
00:43:28,680 --> 00:43:31,600
Speaker 1: entire show when she came out and physicalized how she

734
00:43:31,760 --> 00:43:35,200
Speaker 1: tore her. Did you see the four moves she did?

735
00:43:36,040 --> 00:43:38,600
Speaker 1: It was like ballet, It was it was like I

736
00:43:38,680 --> 00:43:42,240
Speaker 1: kept thinking, man, that's Chris Farley level. And you see

737
00:43:42,360 --> 00:43:47,480
Speaker 1: that later in her movies. You see that movie, that

738
00:43:47,640 --> 00:43:51,480
Speaker 1: exact move. There's nobody that can do that. I mean,

739
00:43:51,600 --> 00:43:56,799
Speaker 1: she's god. Man, that's funny stuff. So what did you

740
00:43:56,840 --> 00:43:59,520
Speaker 1: think of Emily racing over to try to fix up

741
00:43:59,560 --> 00:44:02,080
Speaker 1: the house? I mean, I don't really blame her. It's

742
00:44:02,080 --> 00:44:04,920
Speaker 1: out of character. It's just like, I'm not with it.

743
00:44:05,000 --> 00:44:09,120
Speaker 1: I'm sorry, and the emails of camouflying, but I was

744
00:44:09,160 --> 00:44:11,919
Speaker 1: just like, this is not Emily. This doesn't ring true

745
00:44:11,960 --> 00:44:14,640
Speaker 1: to me, This isn't real. Who cares? She did give

746
00:44:14,719 --> 00:44:18,160
Speaker 1: us that moment though, for for Laura Lae and Emily

747
00:44:18,239 --> 00:44:25,160
Speaker 1: to have that conversation about you do this to me? Yeah,

748
00:44:25,680 --> 00:44:28,480
Speaker 1: I think it's the only person in their life that

749
00:44:28,640 --> 00:44:31,280
Speaker 1: she doesn't have control over. And I think that scares

750
00:44:31,320 --> 00:44:34,480
Speaker 1: her because think about it, she does everything for Richard's

751
00:44:34,520 --> 00:44:37,279
Speaker 1: just everything for Laura Lae and she it's her way

752
00:44:37,360 --> 00:44:40,840
Speaker 1: or the highway. And for the first time Tricks in

753
00:44:41,040 --> 00:44:44,720
Speaker 1: charge with the gifts. She nails the gift until Tricks

754
00:44:44,840 --> 00:44:49,120
Speaker 1: comes in to one up it. Yeah, so, so when

755
00:44:49,239 --> 00:44:53,160
Speaker 1: is so? When does Emily back down to anyone? That's

756
00:44:53,160 --> 00:44:56,840
Speaker 1: her house, that's her husband, right, what is she? What

757
00:44:56,960 --> 00:45:01,000
Speaker 1: is she afraid of? She explain it to me. What

758
00:45:01,040 --> 00:45:05,440
Speaker 1: Emily is so afraid of? I'm just reminding you, also, Scott,

759
00:45:05,520 --> 00:45:09,120
Speaker 1: that you hated it before when Tricks came. It's coming

760
00:45:09,160 --> 00:45:14,239
Speaker 1: back to me. You were really bothered. Somebody needs to

761
00:45:14,280 --> 00:45:16,640
Speaker 1: go back and re listen to that podcast because when

762
00:45:16,640 --> 00:45:19,880
Speaker 1: we first met her this you weren't quite as clear

763
00:45:19,960 --> 00:45:24,200
Speaker 1: on why. But I remember you were like, you did

764
00:45:24,280 --> 00:45:28,880
Speaker 1: not like it. I think you, whatever it is, you

765
00:45:28,920 --> 00:45:31,560
Speaker 1: don't like Tricks. You don't like what it does because

766
00:45:31,560 --> 00:45:34,000
Speaker 1: you didn't like how Richard. Now it's come back to me,

767
00:45:34,680 --> 00:45:37,720
Speaker 1: you don't like how Richard treats Emily when Tricks is around.

768
00:45:37,960 --> 00:45:40,879
Speaker 1: We didn't see it so much in this one as

769
00:45:40,920 --> 00:45:44,560
Speaker 1: we did last time, but I think that really bothered you.

770
00:45:44,600 --> 00:45:46,920
Speaker 1: So this could still be like triggered from that this

771
00:45:47,000 --> 00:45:51,239
Speaker 1: is his birthday party. She wasn't invited. She shows up

772
00:45:51,239 --> 00:45:55,520
Speaker 1: and starts dumping on Emily again on Richard's birthday party,

773
00:45:55,600 --> 00:45:59,920
Speaker 1: his wife of you know, forty years, and he's gonna

774
00:45:59,719 --> 00:46:04,160
Speaker 1: it's just to me, it doesn't seem real at all,

775
00:46:04,800 --> 00:46:08,680
Speaker 1: Like it couldn't. It's it's it's not even falling within

776
00:46:08,719 --> 00:46:13,120
Speaker 1: the parameters of possible but not probable, probable but not possible. Well,

777
00:46:13,360 --> 00:46:19,200
Speaker 1: it's not improbable and it doesn't. Also, Richard doesn't stand

778
00:46:19,280 --> 00:46:22,120
Speaker 1: up for Emily that bothered you last time, And I'm

779
00:46:22,120 --> 00:46:24,840
Speaker 1: thinking it also doesn't make sense because the Richard we

780
00:46:25,000 --> 00:46:30,480
Speaker 1: know would not allow this to happen to his wife.

781
00:46:30,520 --> 00:46:32,600
Speaker 1: And I think the only reason he does is because,

782
00:46:32,640 --> 00:46:35,239
Speaker 1: like we talked about, it's his mommy. Why are we

783
00:46:35,280 --> 00:46:38,120
Speaker 1: watching the show? Why are we so sucked in and

784
00:46:38,160 --> 00:46:41,480
Speaker 1: so enamored with these characters with this dynamic, Because the

785
00:46:41,480 --> 00:46:44,200
Speaker 1: potential of this family coming together, all that tension, all

786
00:46:44,200 --> 00:46:46,440
Speaker 1: those narratives running back and forth, these cross currents are

787
00:46:46,440 --> 00:46:49,359
Speaker 1: trying to figure all this out. Right, we have we

788
00:46:49,560 --> 00:46:52,440
Speaker 1: as an audience, we root for them. We it's painful

789
00:46:52,440 --> 00:46:55,080
Speaker 1: to us to see and there is real drawing between

790
00:46:55,280 --> 00:46:57,160
Speaker 1: when Laura LA and Richard or Lorea L and M

791
00:46:57,160 --> 00:46:59,440
Speaker 1: and don't see eye to eye. But when you douce

792
00:46:59,520 --> 00:47:01,600
Speaker 1: this other orgy that comes in like Darth Vader and

793
00:47:01,640 --> 00:47:06,279
Speaker 1: just blows up everybody's relationship, it doesn't hold together for me.

794
00:47:07,120 --> 00:47:10,920
Speaker 1: These people start acting like they're in a different show.

795
00:47:11,719 --> 00:47:18,919
Speaker 1: It's very strange to me. Yea, what did you guys

796
00:47:19,000 --> 00:47:24,000
Speaker 1: think of the dinner at the end, Because essentially not horribly,

797
00:47:24,480 --> 00:47:30,480
Speaker 1: but Tricksie does mistreat everyone everyone. I suki a little bit,

798
00:47:30,520 --> 00:47:34,680
Speaker 1: not not not as much, but a little bit, And

799
00:47:34,760 --> 00:47:38,760
Speaker 1: so you almost see Lorala do the like uncomfortable smile,

800
00:47:38,920 --> 00:47:42,839
Speaker 1: like yeah, like I wish I could apologize for her,

801
00:47:42,880 --> 00:47:45,279
Speaker 1: but I warned you all like almost like we all

802
00:47:45,320 --> 00:47:46,840
Speaker 1: knew we were just going to have to muddle through that.

803
00:47:46,880 --> 00:47:49,440
Speaker 1: But I feel like Emily not really, but she kind

804
00:47:49,520 --> 00:47:51,920
Speaker 1: of stood up when she was like, I'm not done eating,

805
00:47:52,000 --> 00:47:54,440
Speaker 1: like it was the first time we saw, like I

806
00:47:54,480 --> 00:47:57,560
Speaker 1: don't want to have my meals twelve minutes apart whatever

807
00:47:57,560 --> 00:48:00,799
Speaker 1: it was, and like, let me just eat my what

808
00:48:00,960 --> 00:48:04,880
Speaker 1: was it? Peas green means and she ate it little

809
00:48:04,880 --> 00:48:06,560
Speaker 1: by little, and I think that was her first time

810
00:48:06,600 --> 00:48:10,120
Speaker 1: putting her foot down. Emily is what sixty, she's in

811
00:48:10,160 --> 00:48:13,279
Speaker 1: her late fifties in this show. This is how you

812
00:48:13,360 --> 00:48:16,759
Speaker 1: talk to some substantial woman who's in the in the

813
00:48:17,040 --> 00:48:19,680
Speaker 1: not yet in the last chapter of her life, but

814
00:48:19,719 --> 00:48:23,080
Speaker 1: approaching it. And I would think that at that point

815
00:48:23,160 --> 00:48:26,120
Speaker 1: somebody like Emily, especially an Emily character, has more of

816
00:48:26,160 --> 00:48:30,200
Speaker 1: a backbone than she's displaying, or Richard or any of

817
00:48:30,239 --> 00:48:32,960
Speaker 1: those Gilmore's have a backbone to say, you know what, lady,

818
00:48:33,480 --> 00:48:36,680
Speaker 1: don't talk to my grandmother that way. It's also mother

819
00:48:36,760 --> 00:48:40,160
Speaker 1: in law crab. This is what people all over the

820
00:48:40,200 --> 00:48:45,120
Speaker 1: world or say. I've personally had situations with my grandma,

821
00:48:45,160 --> 00:48:46,880
Speaker 1: one of my grandmasther don't get along with, and I

822
00:48:46,920 --> 00:48:49,760
Speaker 1: always leave it because I just don't. I'm not gonna

823
00:48:50,000 --> 00:48:52,719
Speaker 1: say anything. So I actually did relate with Rory on

824
00:48:52,760 --> 00:48:55,120
Speaker 1: that because it's just not worth a fight, because it's

825
00:48:55,120 --> 00:48:57,440
Speaker 1: going to get my parents involved and everything, and it's like,

826
00:48:57,480 --> 00:49:00,239
Speaker 1: I'll let my dad deal with that, but I'm not

827
00:49:00,239 --> 00:49:02,359
Speaker 1: getting involved. And I think that's why. But do you

828
00:49:02,400 --> 00:49:08,320
Speaker 1: see her actually psychologically harming your mother, like just sticking

829
00:49:08,360 --> 00:49:10,359
Speaker 1: the knife and every chance you got. I mean, there's

830
00:49:10,400 --> 00:49:14,759
Speaker 1: some crazy monsters and like I think people just don't

831
00:49:14,760 --> 00:49:16,400
Speaker 1: want to deal with it, and that's what it is.

832
00:49:16,480 --> 00:49:18,399
Speaker 1: You just you just let it be and keep going.

833
00:49:18,600 --> 00:49:22,160
Speaker 1: You know what, My my dad's grandparents tried to do

834
00:49:22,239 --> 00:49:26,759
Speaker 1: this to my mother and she wasn't having it. Yeah,

835
00:49:27,520 --> 00:49:32,480
Speaker 1: she wouldn't having it. How did stop it? There's one

836
00:49:32,520 --> 00:49:34,920
Speaker 1: thing you never did to my mother, and that is

837
00:49:35,000 --> 00:49:39,359
Speaker 1: condescend to her. She would get very quiet. She would say,

838
00:49:39,440 --> 00:49:43,040
Speaker 1: let me tell you about the facts of life. Don't

839
00:49:43,080 --> 00:49:47,080
Speaker 1: ever speak to me that way again ever, or you're

840
00:49:47,080 --> 00:49:50,120
Speaker 1: gonna have real trouble. You understand what I'm saying. And

841
00:49:50,239 --> 00:49:54,560
Speaker 1: she was small, she was five ft two. Anybody that condescend,

842
00:49:54,560 --> 00:49:56,719
Speaker 1: it didn't matter who it was, somebody in a grocery store,

843
00:49:56,760 --> 00:49:59,200
Speaker 1: somebody wherever. She said, let me. She get very quiet,

844
00:49:59,200 --> 00:50:01,520
Speaker 1: say let me tell you about the facts of life,

845
00:50:01,880 --> 00:50:05,160
Speaker 1: which she's very similar to what Rory did to Francy, like,

846
00:50:05,520 --> 00:50:09,600
Speaker 1: don't mess with me. That's Gilmore esque. So we go

847
00:50:09,680 --> 00:50:13,040
Speaker 1: to the carnival. So then we see Jess and Rory

848
00:50:13,080 --> 00:50:17,560
Speaker 1: looking all cute, walking all cute, looking all cute, and

849
00:50:17,760 --> 00:50:19,880
Speaker 1: he's going to meet her later just like they planned,

850
00:50:19,960 --> 00:50:22,279
Speaker 1: and all of a sudden, boom, he's going to the

851
00:50:22,320 --> 00:50:25,239
Speaker 1: carnival because here comes Dean and his sister. I will

852
00:50:25,280 --> 00:50:27,080
Speaker 1: say that kind of bug me because like, why couldn't

853
00:50:27,080 --> 00:50:29,000
Speaker 1: he just go to the carnival with Rory if it's

854
00:50:29,040 --> 00:50:31,920
Speaker 1: something she really really wants? Because he doesn't, because he

855
00:50:32,080 --> 00:50:36,520
Speaker 1: because he's an angry kid who doesn't He can love her,

856
00:50:36,600 --> 00:50:39,279
Speaker 1: but he can't love everybody else, and he doesn't want

857
00:50:39,280 --> 00:50:41,160
Speaker 1: to be put in a position where he has to.

858
00:50:41,880 --> 00:50:46,239
Speaker 1: But the second that Dean was going, right, No, I know,

859
00:50:46,480 --> 00:50:50,480
Speaker 1: but right, that just proves further how insecurious? And do

860
00:50:50,520 --> 00:50:55,520
Speaker 1: you think Jess would have been Rory's debutante escort like

861
00:50:55,640 --> 00:50:57,839
Speaker 1: Dean was, even though Dean didn't want to do it either,

862
00:50:58,360 --> 00:51:00,840
Speaker 1: No way, No, he would have. Uh, he would have

863
00:51:00,880 --> 00:51:03,200
Speaker 1: not shown up for something and had some kind of excuse.

864
00:51:03,280 --> 00:51:05,640
Speaker 1: He doesn't know, but he kind of like warmed up

865
00:51:05,640 --> 00:51:09,600
Speaker 1: to the idea. Yeah, because he would have gone. He

866
00:51:09,640 --> 00:51:14,759
Speaker 1: would have done what Rory wanted. Yeah, because he because

867
00:51:14,800 --> 00:51:18,000
Speaker 1: he really loves her. Do you not think Jess loves her?

868
00:51:18,680 --> 00:51:21,680
Speaker 1: I think it's got to be about Jess. Mm hmm,

869
00:51:22,480 --> 00:51:25,080
Speaker 1: it's got to be on his terms. That's not really love,

870
00:51:25,480 --> 00:51:28,840
Speaker 1: that's fear. He wants to possess her. He wants to

871
00:51:28,920 --> 00:51:31,600
Speaker 1: own her. He doesn't want to share, he doesn't want

872
00:51:31,600 --> 00:51:34,239
Speaker 1: to be vulnerable, he doesn't want to open himself up

873
00:51:34,280 --> 00:51:37,240
Speaker 1: to other people. If you can only love one person

874
00:51:37,360 --> 00:51:40,960
Speaker 1: and you hate everybody else, that's you know, he's got

875
00:51:41,160 --> 00:51:44,840
Speaker 1: he's got issues, you know. Yeah, yeah, right, sure we

876
00:51:44,960 --> 00:51:50,800
Speaker 1: see a real But I did think it was very

877
00:51:50,840 --> 00:51:54,560
Speaker 1: on point when Lane points out, like do any new glasses,

878
00:51:54,640 --> 00:51:58,759
Speaker 1: Like yeah, she's acknowledging like this is not this is

879
00:51:58,760 --> 00:52:06,760
Speaker 1: weird with two guys, like it was pretty what's happening

880
00:52:06,760 --> 00:52:11,880
Speaker 1: to my Rory's double dipping? You know they're all friendly.

881
00:52:13,600 --> 00:52:21,040
Speaker 1: Think it's not stars follow anymore, it's stars full. Okay,

882
00:52:22,000 --> 00:52:26,680
Speaker 1: So okay, should Rory have told Jess that she went

883
00:52:26,760 --> 00:52:32,960
Speaker 1: to the coffee pie with Dean? Yes, yes, I think

884
00:52:33,040 --> 00:52:36,440
Speaker 1: it would have backfired if it came up down the

885
00:52:36,480 --> 00:52:38,640
Speaker 1: line like I think it was, because it was the

886
00:52:38,719 --> 00:52:41,279
Speaker 1: day before, right they have, So you think she should

887
00:52:41,280 --> 00:52:42,680
Speaker 1: have gone to Jess right away and not had to

888
00:52:42,719 --> 00:52:45,319
Speaker 1: him find out. I think she should have been like, hey,

889
00:52:45,600 --> 00:52:48,880
Speaker 1: I just went to coffee with Dean and this is

890
00:52:48,920 --> 00:52:51,600
Speaker 1: what happened, rather than her like she was kind of

891
00:52:51,600 --> 00:52:55,520
Speaker 1: like going around saying what happened and that they met up.

892
00:53:01,160 --> 00:53:03,600
Speaker 1: I'll say my piece, and then Scott, you'd be the tiebreaker.

893
00:53:04,719 --> 00:53:08,040
Speaker 1: I don't think. I don't think that she needed to

894
00:53:08,080 --> 00:53:11,120
Speaker 1: tell him. She gets to what she wants to do.

895
00:53:11,239 --> 00:53:14,880
Speaker 1: I agree with you because I didn't love the only

896
00:53:14,920 --> 00:53:17,800
Speaker 1: part I didn't love because I do love Jess and Rory,

897
00:53:17,880 --> 00:53:20,560
Speaker 1: and I love I love everything that's happening. I didn't

898
00:53:20,680 --> 00:53:22,799
Speaker 1: like how she sort of was like, I'm sorry, I'm sorry,

899
00:53:22,840 --> 00:53:26,160
Speaker 1: I'm sorry, Jess. That was like, that's not what Rory

900
00:53:26,200 --> 00:53:28,759
Speaker 1: would do. Rory would be like, dude, I don't want

901
00:53:28,760 --> 00:53:30,479
Speaker 1: to hurt your feelings, but like I can be friends

902
00:53:30,480 --> 00:53:32,440
Speaker 1: with him. Yeah, and it doesn't. But that's what she

903
00:53:32,520 --> 00:53:36,160
Speaker 1: did with Dean when she was like hanging out with Jazz.

904
00:53:36,200 --> 00:53:38,160
Speaker 1: I'm sorry, I'm sorry, I'm sorry, I'm sorry. It's the

905
00:53:38,200 --> 00:53:40,400
Speaker 1: same thing. I don't like that. I'm sorry. Sorry. I

906
00:53:40,400 --> 00:53:44,000
Speaker 1: think it's a case where she both has seen their

907
00:53:44,440 --> 00:53:47,400
Speaker 1: violent side, and she might be a little scared of

908
00:53:47,440 --> 00:53:49,600
Speaker 1: bringing that out, you know, so she has to be

909
00:53:49,680 --> 00:53:52,799
Speaker 1: she has to, like, as a as a female, she

910
00:53:52,920 --> 00:53:55,759
Speaker 1: has to manage that somehow, and that's really not how

911
00:53:55,800 --> 00:53:59,160
Speaker 1: it should be. I agree with you, Scott, I really do.

912
00:53:59,200 --> 00:54:01,799
Speaker 1: It's not fair to her, like she feels that she

913
00:54:01,880 --> 00:54:04,919
Speaker 1: had to manage it, And I think Scott's right, that's

914
00:54:04,960 --> 00:54:07,640
Speaker 1: not how it should know. It's not. It's like, you know,

915
00:54:07,719 --> 00:54:11,520
Speaker 1: she's completely justified and saying and not telling him, and

916
00:54:11,520 --> 00:54:16,080
Speaker 1: then if she brings it up in any kind of way, says, well, um,

917
00:54:16,120 --> 00:54:18,920
Speaker 1: you know, I live my life and you live yours,

918
00:54:18,960 --> 00:54:22,239
Speaker 1: and it bothers you too bad? You know a note note.

919
00:54:22,360 --> 00:54:27,080
Speaker 1: Nobody can really handle that kind of clarity. I mean,

920
00:54:27,120 --> 00:54:30,680
Speaker 1: it scarce the heck out of guys to think it through,

921
00:54:31,480 --> 00:54:34,040
Speaker 1: because how many guys pull that crap on women? Right?

922
00:54:34,719 --> 00:54:36,879
Speaker 1: I said, well, I didn't tell you because it's really

923
00:54:36,920 --> 00:54:38,560
Speaker 1: none of your business and she's an ex and if

924
00:54:38,560 --> 00:54:41,480
Speaker 1: you can't handle it, too bad. But now I'm turned

925
00:54:41,480 --> 00:54:43,160
Speaker 1: off and I don't really want to see it tonight

926
00:54:43,160 --> 00:54:47,319
Speaker 1: by And they pulled that right, right, right, No, you're right,

927
00:54:47,360 --> 00:54:51,040
Speaker 1: you're right. I didn't believe Jess when he was like, yeah,

928
00:54:51,080 --> 00:54:52,880
Speaker 1: I'm good, like we're fine, Like I didn't believe him

929
00:54:52,880 --> 00:54:59,640
Speaker 1: at all, lying lying yeah, yeah, Danielle, Danielle, you look

930
00:54:59,680 --> 00:55:02,000
Speaker 1: like you wanted to sorry. I just I don't know.

931
00:55:02,120 --> 00:55:06,720
Speaker 1: I mean, like like personally, Like if I was talking

932
00:55:06,719 --> 00:55:09,360
Speaker 1: to an X, I would let my current partner know

933
00:55:09,480 --> 00:55:12,520
Speaker 1: that I don't know. I don't think that's like uncalled

934
00:55:12,560 --> 00:55:17,279
Speaker 1: for or not uncalled for, but U want fresh that

935
00:55:17,320 --> 00:55:19,960
Speaker 1: they're navigating it. Like that was the part where I

936
00:55:19,960 --> 00:55:23,239
Speaker 1: was like, you know, she's trying to close this, Yeah,

937
00:55:23,280 --> 00:55:27,160
Speaker 1: but I I wish because like Roary can absolutely get

938
00:55:27,239 --> 00:55:31,080
Speaker 1: pie and coffee with Dean, like there's nobody that could

939
00:55:31,080 --> 00:55:33,640
Speaker 1: tell her not to. But I would have loved if

940
00:55:33,719 --> 00:55:37,000
Speaker 1: she was like, Hey, you know, Jess, I'm letting you know,

941
00:55:37,080 --> 00:55:39,480
Speaker 1: I'm making an effort to be friends with Tean, like

942
00:55:39,560 --> 00:55:42,760
Speaker 1: I just wish doesn't She doesn't owe him that though,

943
00:55:44,000 --> 00:55:45,960
Speaker 1: but then she but she kind of does. She's an

944
00:55:46,000 --> 00:55:49,480
Speaker 1: relationship with this guy. You know. I agree with you both,

945
00:55:49,719 --> 00:55:52,439
Speaker 1: I really do. I think the messy part of this

946
00:55:52,520 --> 00:55:56,759
Speaker 1: one is there the timeline. The timeline is so tricky

947
00:55:56,840 --> 00:56:01,600
Speaker 1: because normally, in a in a normal somewhat situation, Rory

948
00:56:01,600 --> 00:56:02,920
Speaker 1: and Dean would have broken up and it would have

949
00:56:02,960 --> 00:56:07,040
Speaker 1: been months for some people years before they date someone again.

950
00:56:07,560 --> 00:56:11,120
Speaker 1: Then in that case, maybe you do need to say hey,

951
00:56:11,239 --> 00:56:13,279
Speaker 1: just so you know, like my ex boyfriend called, I'm

952
00:56:13,320 --> 00:56:16,080
Speaker 1: gonna go to lunch with him. This is also messy

953
00:56:16,120 --> 00:56:20,120
Speaker 1: and intertwined that it's like, oh, the regular rules might

954
00:56:20,160 --> 00:56:22,360
Speaker 1: be out the window. I think that can be perceived

955
00:56:22,400 --> 00:56:26,960
Speaker 1: as too honest and kind of cruel. I think it's

956
00:56:27,000 --> 00:56:31,840
Speaker 1: none of anybody's business. And if you jump into I

957
00:56:31,880 --> 00:56:34,839
Speaker 1: think you bring out a very salient point that if

958
00:56:34,880 --> 00:56:37,920
Speaker 1: you jump into a relationship right away, there's going to

959
00:56:38,000 --> 00:56:40,640
Speaker 1: be a mess with the X because you're not going

960
00:56:40,680 --> 00:56:42,760
Speaker 1: to get away from that X if it's been anything

961
00:56:42,760 --> 00:56:45,600
Speaker 1: deep and meaningful immediately, it's not. You just don't cut

962
00:56:45,640 --> 00:56:50,200
Speaker 1: people off like that, right So you know, maybe she

963
00:56:50,200 --> 00:56:52,960
Speaker 1: should have waited, but life, you know, delta these cards

964
00:56:53,000 --> 00:56:55,919
Speaker 1: and now she's with Jazz, but I don't. I don't

965
00:56:55,920 --> 00:56:59,279
Speaker 1: feel like she owes anybody any kind of explanations. And

966
00:56:59,320 --> 00:57:01,760
Speaker 1: it's like, you know, I went down, but they bumped

967
00:57:01,800 --> 00:57:04,959
Speaker 1: into each other. They like play on it. It's like, well,

968
00:57:05,680 --> 00:57:12,080
Speaker 1: purpose something other, hate somebody else, and you're going to

969
00:57:12,120 --> 00:57:14,520
Speaker 1: try to be friends with that person. I think you

970
00:57:14,840 --> 00:57:17,920
Speaker 1: hang on here person you're dating common you know what.

971
00:57:18,000 --> 00:57:19,880
Speaker 1: I understand that you guys don't get along, but I'm

972
00:57:19,880 --> 00:57:23,440
Speaker 1: going to be friends with them. I think that. But

973
00:57:23,520 --> 00:57:26,400
Speaker 1: that's disrespectful Wait a minute, isn't that disrespectful to you

974
00:57:26,440 --> 00:57:29,240
Speaker 1: because if you love that person, at one point you

975
00:57:29,360 --> 00:57:31,240
Speaker 1: fell out of love with that person, but you still

976
00:57:32,200 --> 00:57:35,920
Speaker 1: maybe like them as a friend because you were with

977
00:57:36,000 --> 00:57:38,720
Speaker 1: them for two years or whatever and sharing all this stuff.

978
00:57:39,800 --> 00:57:44,040
Speaker 1: So why can't your new guy respect that relationship that

979
00:57:44,120 --> 00:57:47,040
Speaker 1: it's changed is transition to something else, and that if

980
00:57:47,040 --> 00:57:49,880
Speaker 1: he's jealous about that's his problem. It's not your problem,

981
00:57:50,440 --> 00:57:53,680
Speaker 1: and you can't you can't be you can't completely cut

982
00:57:53,680 --> 00:57:56,760
Speaker 1: off somebody who was your your intimate for two years

983
00:57:56,880 --> 00:57:59,680
Speaker 1: because somebody has a problem with it. I have no

984
00:57:59,760 --> 00:58:03,480
Speaker 1: problem with Rory being friends with Dean. Zero love it.

985
00:58:03,680 --> 00:58:05,600
Speaker 1: I want them to be friends with Dean, you know,

986
00:58:05,680 --> 00:58:11,080
Speaker 1: like I have no call kiss again my buzz mine

987
00:58:12,160 --> 00:58:16,000
Speaker 1: who was yours? Daniel My first kiss was this guy

988
00:58:16,080 --> 00:58:19,720
Speaker 1: named Jared. So if you're going to go to with

989
00:58:19,840 --> 00:58:24,920
Speaker 1: Jared for coffee, you would tell your husband think I

990
00:58:24,960 --> 00:58:30,919
Speaker 1: meant one. It's not even a thing. No, no, no,

991
00:58:31,000 --> 00:58:33,600
Speaker 1: here's a here's a good example. If my if my

992
00:58:33,680 --> 00:58:36,320
Speaker 1: boyfriend that I was with for two years was like,

993
00:58:36,400 --> 00:58:39,280
Speaker 1: Danielle want to get lunch with you? Be like, hey,

994
00:58:39,800 --> 00:58:43,120
Speaker 1: you know, husband, we're getting lunch with this guy, but no,

995
00:58:43,360 --> 00:58:45,400
Speaker 1: you know, like whatever, Like I think it's much more

996
00:58:45,480 --> 00:58:51,200
Speaker 1: weirder and and shadier. Not to that's my opinion, but

997
00:58:51,360 --> 00:58:54,439
Speaker 1: like I have no problems with like her being friends

998
00:58:54,480 --> 00:58:56,320
Speaker 1: with Dean. Like I said, I just think that she

999
00:58:56,400 --> 00:58:59,120
Speaker 1: does kind of owe it to Jess to be like, hey,

1000
00:58:59,120 --> 00:59:01,000
Speaker 1: look this is happening, and we be friends with this guy.

1001
00:59:01,120 --> 00:59:03,360
Speaker 1: You don't have to be, but I want to be. Yeah,

1002
00:59:03,400 --> 00:59:07,680
Speaker 1: I think how it started, it started messy. I think

1003
00:59:07,720 --> 00:59:10,760
Speaker 1: that that plays a part in this, because she definitely

1004
00:59:10,800 --> 00:59:12,560
Speaker 1: was having feelings for Jazz while she was with Dean.

1005
00:59:12,600 --> 00:59:17,520
Speaker 1: It was so we all remember how piss Scott was. Yeah,

1006
00:59:18,160 --> 00:59:22,320
Speaker 1: remember when you were like, she needs to like remember

1007
00:59:22,360 --> 00:59:24,600
Speaker 1: we were all like, but Jess, I get thrown into

1008
00:59:24,640 --> 00:59:30,120
Speaker 1: this episodes when she was in d C. You really

1009
00:59:30,160 --> 00:59:33,120
Speaker 1: felt like Rory was hurting Jess, Like Rory should have

1010
00:59:33,160 --> 00:59:37,400
Speaker 1: gone after Jess, and we're like, but Jess didn't do anything,

1011
00:59:37,440 --> 00:59:39,200
Speaker 1: and now he's like making out with Shane and so

1012
00:59:39,240 --> 00:59:42,680
Speaker 1: she's sticking with you. It was also messy. It's all messy. Well,

1013
00:59:42,720 --> 00:59:44,479
Speaker 1: I grew up in a different time and that guys

1014
00:59:44,520 --> 00:59:47,040
Speaker 1: were a little more aggressive that way, and I, you know,

1015
00:59:47,120 --> 00:59:50,160
Speaker 1: I the emails came in, and I realized that that's

1016
00:59:50,160 --> 00:59:52,919
Speaker 1: not how things are anymore. Women are more empowered now

1017
00:59:53,440 --> 00:59:57,800
Speaker 1: and more independent, and they're not as needy as I guess,

1018
00:59:58,520 --> 01:00:03,400
Speaker 1: or or or society idle norms have changed. I guess.

1019
01:00:03,480 --> 01:00:07,160
Speaker 1: My point is we all, at one point or another,

1020
01:00:07,600 --> 01:00:11,480
Speaker 1: have been like, Rory's right, Rory's wrong, Dean's right, Deans wrong,

1021
01:00:11,560 --> 01:00:15,920
Speaker 1: my love, Jess's right, Jess's right. It's like, it really

1022
01:00:15,960 --> 01:00:20,240
Speaker 1: depends on this situation because we were all mad a

1023
01:00:20,280 --> 01:00:24,320
Speaker 1: couple of weeks ago that Dean was being so lame

1024
01:00:25,040 --> 01:00:27,440
Speaker 1: and just you know what, like we're just blowing like

1025
01:00:27,560 --> 01:00:31,840
Speaker 1: the wind here, and look, we're just giving. We're just

1026
01:00:31,960 --> 01:00:35,200
Speaker 1: commenting on what we're given. Okay, it's not we're not

1027
01:00:35,280 --> 01:00:38,440
Speaker 1: blowing in the wind anywhere. We are the freaking wind. Okay,

1028
01:00:40,480 --> 01:00:42,840
Speaker 1: they're blowing particles at us and we're just commenting. We're

1029
01:00:42,920 --> 01:00:45,840
Speaker 1: not really consistent, which is fine. Like I think, as

1030
01:00:45,960 --> 01:00:50,200
Speaker 1: this goes on, we see it differently each time. I think,

1031
01:00:50,720 --> 01:00:53,919
Speaker 1: I think I'm expecting these sixteen seventeen year olds act

1032
01:00:53,960 --> 01:00:59,040
Speaker 1: like mature adults, evolved, educated adults who wouldn't possibly act

1033
01:00:59,080 --> 01:01:01,120
Speaker 1: in these matters. But we're you gotta talk about the

1034
01:01:01,120 --> 01:01:03,560
Speaker 1: hormones that are raging with these kids and they're completely

1035
01:01:03,600 --> 01:01:09,440
Speaker 1: out of control. But but, but, um, I really do

1036
01:01:09,520 --> 01:01:12,000
Speaker 1: not like the fact that Rory has to manage the

1037
01:01:12,080 --> 01:01:15,400
Speaker 1: situation she does. Okay, I grant you that, Danielle, but

1038
01:01:15,520 --> 01:01:17,000
Speaker 1: I don't like the fact that she has to do it.

1039
01:01:17,040 --> 01:01:18,560
Speaker 1: I wish she could just say, you know, you know, go.

1040
01:01:20,280 --> 01:01:22,320
Speaker 1: And I think he makes such a great point because

1041
01:01:22,440 --> 01:01:26,240
Speaker 1: I thought hunches were going to get thrown anybody else.

1042
01:01:28,520 --> 01:01:29,920
Speaker 1: And you know what, You've got to be aware of

1043
01:01:30,000 --> 01:01:32,240
Speaker 1: the guy who wants to possess you on a percent

1044
01:01:32,280 --> 01:01:35,520
Speaker 1: no matter what age. He is right, those are dangerous guys.

1045
01:01:36,680 --> 01:01:39,640
Speaker 1: That's the guy that stalks and does crazy stuff. It's like,

1046
01:01:39,720 --> 01:01:42,120
Speaker 1: I can't own her. I can't control her. I you

1047
01:01:42,160 --> 01:01:45,320
Speaker 1: know this, going to has pie with her X, I'm

1048
01:01:45,320 --> 01:01:48,480
Speaker 1: gonna lose my mind. You know those you can't You

1049
01:01:48,560 --> 01:01:50,600
Speaker 1: can't date de range people like that, you know what

1050
01:01:50,760 --> 01:01:54,440
Speaker 1: means kind of I would say, maybe, I don't know,

1051
01:01:54,520 --> 01:01:56,480
Speaker 1: I could be wrong, but Dean sort of saying to

1052
01:01:56,600 --> 01:01:59,439
Speaker 1: Jess a watch out because I'm going to get her back.

1053
01:02:00,080 --> 01:02:03,960
Speaker 1: It's like everybody's talking about Rory instead of like or

1054
01:02:04,080 --> 01:02:05,640
Speaker 1: with Rory, It's like, what do you think? It was

1055
01:02:05,680 --> 01:02:08,400
Speaker 1: really interesting because he was like I was with Rory

1056
01:02:08,480 --> 01:02:11,320
Speaker 1: and you were her friend, and now I'm just a friend.

1057
01:02:11,800 --> 01:02:15,560
Speaker 1: Like he literally said it, like dude, like I'm coming

1058
01:02:15,600 --> 01:02:21,520
Speaker 1: for you. The only thing stopping them was Clara. Like

1059
01:02:21,520 --> 01:02:26,640
Speaker 1: the I think coming out of so well played, so

1060
01:02:26,760 --> 01:02:29,919
Speaker 1: well played by Jared, so well played. Seems like Dean

1061
01:02:29,960 --> 01:02:34,920
Speaker 1: grew a foot in the last exactly what are your

1062
01:02:35,040 --> 01:02:38,280
Speaker 1: dena is doing? Every seventeen year old, like a boy

1063
01:02:38,400 --> 01:02:41,440
Speaker 1: in high school, needs to take notes because he really

1064
01:02:42,320 --> 01:02:46,479
Speaker 1: because hair looks great. He got put, he got put

1065
01:02:46,520 --> 01:02:50,520
Speaker 1: through it. Now he's the Now he's in control. It's

1066
01:02:50,600 --> 01:02:54,120
Speaker 1: a breakup glow up, a breakup cup that I don't

1067
01:02:54,120 --> 01:02:58,000
Speaker 1: know what that'll do. Pig is from, Yeah, you know what,

1068
01:02:58,080 --> 01:03:00,720
Speaker 1: it's got to be at the table. I don't. I

1069
01:03:00,760 --> 01:03:06,720
Speaker 1: don't have to wait until pop culture. For some reason,

1070
01:03:06,760 --> 01:03:09,120
Speaker 1: one name pops into my head and it's Jimmy Breslin

1071
01:03:09,800 --> 01:03:12,760
Speaker 1: and or it's Jane Cagney. I don't know either one.

1072
01:03:13,440 --> 01:03:15,880
Speaker 1: All that came into my head was the Three Little Pigs.

1073
01:03:17,560 --> 01:03:20,320
Speaker 1: I don't know. We'll let you know. In pop culture. Yes,

1074
01:03:20,400 --> 01:03:22,680
Speaker 1: stay tuned, Okay, we're almost rapid. I'm just going through

1075
01:03:22,680 --> 01:03:24,480
Speaker 1: my notes because I feel like there was so much.

1076
01:03:25,080 --> 01:03:29,160
Speaker 1: I'm gonna make sure we didn't miss anything. No one

1077
01:03:29,200 --> 01:03:32,520
Speaker 1: thing we missed. I have? Should I say it? Go

1078
01:03:32,680 --> 01:03:36,040
Speaker 1: for it? Tricks is saying she's moving back into her

1079
01:03:37,080 --> 01:03:44,160
Speaker 1: corns out, corns out, and now doomed. What did they say?

1080
01:03:44,200 --> 01:03:46,680
Speaker 1: They had a nice mention of wheezer too? All right?

1081
01:03:46,800 --> 01:03:50,320
Speaker 1: I have here in my notes for the episode ready

1082
01:03:50,480 --> 01:03:56,160
Speaker 1: one opening credits, blatant misspelling of Marion Ross's name. It

1083
01:03:56,280 --> 01:04:04,040
Speaker 1: was spelled r O D d raw. No. Yes, how

1084
01:04:04,080 --> 01:04:11,360
Speaker 1: does that even happen? Okay? Now? Number two random unexplained

1085
01:04:11,520 --> 01:04:15,240
Speaker 1: prop in the diner, when Laurel I is showing Rory

1086
01:04:15,320 --> 01:04:18,000
Speaker 1: the gifts she brought for Richard's birthday, there is a

1087
01:04:18,040 --> 01:04:22,080
Speaker 1: small piece of paper propped on the marmalade jar. Looks

1088
01:04:22,120 --> 01:04:26,240
Speaker 1: like a receipt. It was already there before Laurel I

1089
01:04:26,400 --> 01:04:30,000
Speaker 1: removed anything from the bag, though I'm not sure why

1090
01:04:30,080 --> 01:04:35,760
Speaker 1: it was there. Need a screenshot of that, Uh huh.

1091
01:04:36,560 --> 01:04:40,600
Speaker 1: Emily driving the Jaguar we only talked to so I'm

1092
01:04:40,640 --> 01:04:46,240
Speaker 1: not done. Um. Number three clown pillow appears a minute mark.

1093
01:04:47,400 --> 01:04:50,440
Speaker 1: Number four Dean hands Rory a bright red snow cone,

1094
01:04:50,840 --> 01:04:55,479
Speaker 1: but it's pink throughout the rest of the scene. Yes,

1095
01:04:55,880 --> 01:04:59,760
Speaker 1: maybe just the color dripped down a little bit. There

1096
01:04:59,840 --> 01:05:05,120
Speaker 1: is there was no explanation for this was simply I

1097
01:05:05,160 --> 01:05:08,880
Speaker 1: love a snowclone, and I love a snow clone. Snow

1098
01:05:09,120 --> 01:05:16,440
Speaker 1: clone mystery controversy. Oh, I did think it was hilarious

1099
01:05:17,040 --> 01:05:21,320
Speaker 1: when Tricks comes around and goes through the house and

1100
01:05:21,360 --> 01:05:25,120
Speaker 1: then she's kind of leaving and she goes, let's go

1101
01:05:25,600 --> 01:05:30,160
Speaker 1: and where he goes? Are we moving? Like? And Emily

1102
01:05:30,160 --> 01:05:33,400
Speaker 1: comes like, you're not funny? Yeah, yeah, yeah. Danielle is

1103
01:05:33,440 --> 01:05:37,280
Speaker 1: just like totally trying to find you know what. For

1104
01:05:37,320 --> 01:05:39,480
Speaker 1: some reason, the guilt all the Gilmore's look like a

1105
01:05:39,480 --> 01:05:43,720
Speaker 1: bunch of little baby chickens behind her, you know, following

1106
01:05:43,760 --> 01:05:48,720
Speaker 1: their mother did definitely take you out, like you're like,

1107
01:05:48,960 --> 01:05:50,560
Speaker 1: it was just the one thing we missed at the

1108
01:05:50,680 --> 01:05:55,160
Speaker 1: very end when um Lorla asked about the carnival and

1109
01:05:55,160 --> 01:05:57,640
Speaker 1: she's like, yeah, it's great, Like they're fine, like the

1110
01:05:57,760 --> 01:06:00,800
Speaker 1: very very end clue. I was just like, oh, like,

1111
01:06:00,840 --> 01:06:04,520
Speaker 1: coming right after that scene in the school, one of

1112
01:06:04,560 --> 01:06:06,600
Speaker 1: them says, let's just watch this no, And I think

1113
01:06:06,640 --> 01:06:17,760
Speaker 1: that's loyal ize saying yeah, oh m g. Scot's right,

1114
01:06:17,960 --> 01:06:23,640
Speaker 1: that is really bad. I can't believe that. And how

1115
01:06:23,680 --> 01:06:25,360
Speaker 1: do they not fix it by the time it got

1116
01:06:25,360 --> 01:06:28,400
Speaker 1: to Netflix, Like that can't be hard. I think at

1117
01:06:28,440 --> 01:06:32,280
Speaker 1: that point they're like, yeah, cats out of the bag.

1118
01:06:32,480 --> 01:06:34,760
Speaker 1: We smelled it wrong. To this day of my favorites

1119
01:06:34,800 --> 01:06:36,520
Speaker 1: when you just see a boom mic and like the

1120
01:06:36,560 --> 01:06:40,840
Speaker 1: first season just it's like the one mistake I think

1121
01:06:40,840 --> 01:06:46,200
Speaker 1: it was like at Loyalized House. Dang, it was really bad.

1122
01:06:46,960 --> 01:06:49,960
Speaker 1: Take a picture from your two years later. They can't

1123
01:06:50,200 --> 01:06:54,600
Speaker 1: fix it. We believe you, Daniel. You don't have to

1124
01:06:54,600 --> 01:06:59,400
Speaker 1: prove it. No, I'm no, I better, I better really

1125
01:06:59,480 --> 01:07:02,560
Speaker 1: check on this new show how they do my name

1126
01:07:03,240 --> 01:07:12,200
Speaker 1: and Skeet Poterson, does anyone call you Scooter? That was

1127
01:07:12,280 --> 01:07:14,000
Speaker 1: my name when I was a kid my nickname? Oh

1128
01:07:14,120 --> 01:07:16,840
Speaker 1: my god, because I used to scoot around Scooter from

1129
01:07:16,880 --> 01:07:20,560
Speaker 1: now Yeah, I don't think so. I don't think you guys,

1130
01:07:20,600 --> 01:07:28,640
Speaker 1: I also have why not? Oh my god? You guys

1131
01:07:28,880 --> 01:07:33,200
Speaker 1: just needs to go on the Instagram immediately. Marian Rod,

1132
01:07:35,040 --> 01:07:37,360
Speaker 1: you know what's weird. You know the D is next

1133
01:07:37,360 --> 01:07:40,920
Speaker 1: to the S on the computer, so it's like somebody

1134
01:07:41,200 --> 01:07:46,640
Speaker 1: a typo oh my god, Marrion Rod, that's so bad.

1135
01:07:46,880 --> 01:07:51,040
Speaker 1: Well at least they got they butchered both ses. Look, Scooter,

1136
01:07:51,160 --> 01:07:55,920
Speaker 1: it's not that badson. I have one thing I wanted

1137
01:07:55,960 --> 01:07:59,040
Speaker 1: to bring up on this podcast because I'm so just

1138
01:07:59,200 --> 01:08:01,959
Speaker 1: kind of shock that Alexis and Milo like actually dated

1139
01:08:01,960 --> 01:08:05,040
Speaker 1: in real life. There was multiple comments saying that Dean

1140
01:08:05,160 --> 01:08:10,080
Speaker 1: and Alexis dated too. I think that they were a couple.

1141
01:08:10,360 --> 01:08:14,920
Speaker 1: So like, are these episodes that we're watching right now awkward? No,

1142
01:08:15,880 --> 01:08:19,719
Speaker 1: she seemed because it's real life, you guys. Did she also?

1143
01:08:20,000 --> 01:08:23,840
Speaker 1: Did she date Zukar? Did she date Matt? Is that

1144
01:08:23,920 --> 01:08:27,640
Speaker 1: the other? Oh? No, No, I don't know. So, you know,

1145
01:08:27,840 --> 01:08:30,559
Speaker 1: like I love me the no one at all is

1146
01:08:30,920 --> 01:08:33,320
Speaker 1: like stressed about this, like I am. I didn't. I

1147
01:08:33,320 --> 01:08:35,559
Speaker 1: didn't think that was true. I didn't know, you know,

1148
01:08:35,720 --> 01:08:38,200
Speaker 1: you know, it all made us feel very old because

1149
01:08:38,240 --> 01:08:41,040
Speaker 1: none of the older people were dating, you know what

1150
01:08:41,120 --> 01:08:43,960
Speaker 1: I mean. And we would watch we would watch all

1151
01:08:44,000 --> 01:08:49,519
Speaker 1: this activity going on. I'm just like, whoa it really

1152
01:08:50,439 --> 01:08:54,040
Speaker 1: are imitating yeah, are imitating life. But there were no

1153
01:08:54,160 --> 01:08:56,640
Speaker 1: there were no controversies or blow ups on set. She

1154
01:08:56,680 --> 01:09:01,599
Speaker 1: did not date Zukar. Okay, the Internet, the Worldwide web

1155
01:09:01,680 --> 01:09:06,599
Speaker 1: does say she dated Jared a little bit. Yeah, yeah, Jared,

1156
01:09:06,680 --> 01:09:10,639
Speaker 1: and yeah, I love I think it's awkward. I think

1157
01:09:10,640 --> 01:09:15,040
Speaker 1: it's real life happening right now. Yeah you really, uh,

1158
01:09:15,280 --> 01:09:22,040
Speaker 1: you really complicate a situation um when you do that. Yeah,

1159
01:09:22,439 --> 01:09:25,160
Speaker 1: and we know as from you know, we've all been

1160
01:09:25,200 --> 01:09:29,040
Speaker 1: there our very first acting classes. If you're the reason

1161
01:09:29,080 --> 01:09:31,479
Speaker 1: there's no tension or sexual tension in the scene is

1162
01:09:31,520 --> 01:09:34,000
Speaker 1: because there's no sexual tension in the scene because the

1163
01:09:34,040 --> 01:09:39,360
Speaker 1: actors are dating. Oh oh, but I feel like it's

1164
01:09:39,400 --> 01:09:43,920
Speaker 1: so good with Jessin and it is really good. But well,

1165
01:09:45,040 --> 01:09:46,920
Speaker 1: join for pop culture this week because I also have

1166
01:09:47,000 --> 01:09:50,720
Speaker 1: a giant pop culture revelation. Do you really all right,

1167
01:09:50,800 --> 01:09:52,760
Speaker 1: let's let's wrap this puppy up. But we're gonna do

1168
01:09:52,960 --> 01:09:56,639
Speaker 1: uh best lines I've done mine. You used to be funny?

1169
01:09:57,280 --> 01:10:00,120
Speaker 1: You feel like you you can't. You don't need to

1170
01:10:00,160 --> 01:10:01,880
Speaker 1: do that, You're not required to do them. Step up

1171
01:10:01,880 --> 01:10:04,400
Speaker 1: and I just have done it. I'm happy to repeat,

1172
01:10:04,439 --> 01:10:06,439
Speaker 1: but I don't want to. That's so generous. I show

1173
01:10:06,479 --> 01:10:18,880
Speaker 1: Scott's yours. Hey what Skeet Peterson says, I'll go, So

1174
01:10:21,600 --> 01:10:23,720
Speaker 1: I'm just gonna go. I'm just gonna respond to me.

1175
01:10:23,960 --> 01:10:30,320
Speaker 1: It's fine. Line is from Laura Lee to Dean and

1176
01:10:30,360 --> 01:10:33,600
Speaker 1: she goes, don't let its family see you. Spiders are vindictive.

1177
01:10:37,920 --> 01:10:41,760
Speaker 1: Oh and special shout out to Rory wearing uggs with

1178
01:10:41,840 --> 01:10:48,120
Speaker 1: her school uniform because I did that high school. Yeah.

1179
01:10:48,160 --> 01:10:51,240
Speaker 1: Shout out to Lauren just looking awesome. Amy. What what

1180
01:10:51,320 --> 01:10:52,960
Speaker 1: was your favorite best line? Just throw it in there

1181
01:10:53,000 --> 01:10:56,760
Speaker 1: so we know I'll send you a check. You know,

1182
01:10:56,760 --> 01:10:59,400
Speaker 1: the one I didn't say. I finally got a blankt

1183
01:10:59,479 --> 01:11:03,719
Speaker 1: much better? Oh, that was great? She had great lines?

1184
01:11:03,880 --> 01:11:07,519
Speaker 1: That was that was great? Yes, Tara, Tara. Sorry, mine

1185
01:11:07,560 --> 01:11:09,679
Speaker 1: was the same one where I think we mentioned it before.

1186
01:11:09,840 --> 01:11:12,200
Speaker 1: Um when she said, like the spider, I'm sorry to

1187
01:11:12,280 --> 01:11:14,040
Speaker 1: write it down. The spider can have the whole kitchen.

1188
01:11:14,400 --> 01:11:17,400
Speaker 1: Oh yeah yeah yeah, I was just thinking of giving

1189
01:11:17,400 --> 01:11:21,240
Speaker 1: it to him. What was my line about the thing? Oh,

1190
01:11:21,400 --> 01:11:23,320
Speaker 1: let me let me give you the whole line, give

1191
01:11:23,360 --> 01:11:27,120
Speaker 1: me the whole line going through and now if it qualifies,

1192
01:11:27,160 --> 01:11:31,280
Speaker 1: I'll use that, Like because the line before you have

1193
01:11:31,360 --> 01:11:33,360
Speaker 1: like a throw away, which I love how you do that.

1194
01:11:33,520 --> 01:11:35,960
Speaker 1: I think that's so brilliant, Like we hear it, but

1195
01:11:36,040 --> 01:11:38,800
Speaker 1: you'd never overdo it. And then you say, you know,

1196
01:11:38,840 --> 01:11:40,640
Speaker 1: if you get the big bottle. It usually comes with

1197
01:11:40,640 --> 01:11:42,320
Speaker 1: a tote bag and a soapball. There you go. That's

1198
01:11:42,360 --> 01:11:46,439
Speaker 1: my best line. That's my favorite. Thank you Amy Um. Alright, kids,

1199
01:11:46,520 --> 01:11:48,439
Speaker 1: that's it. That's the boy. It's along, it's an hour

1200
01:11:48,439 --> 01:11:58,519
Speaker 1: and a half. That's okay. We were really entertaining this week.

1201
01:12:00,000 --> 01:12:03,760
Speaker 1: Top of a good one. Everybody, stay safe. We'll see

1202
01:12:03,760 --> 01:12:36,920
Speaker 1: you next time. Hey everybody, and don't forget follow us

1203
01:12:36,920 --> 01:12:41,400
Speaker 1: on Instagram at I Am all In podcast and Emailie

1204
01:12:41,600 --> 01:12:45,760
Speaker 1: at Gilmore at I heart radio dot com. Oh you

1205
01:12:45,840 --> 01:12:47,680
Speaker 1: Gilmore fans. If you're looking for the best cup of

1206
01:12:47,680 --> 01:12:50,439
Speaker 1: coffee in the world, go to my website for my

1207
01:12:50,520 --> 01:12:53,640
Speaker 1: company scott EP dot com, s CEO T. T. Y

1208
01:12:53,760 --> 01:12:57,600
Speaker 1: P dot com, scott ep dot com Grade one Specialty

1209
01:12:57,840 --> 01:13:05,560
Speaker 1: Coffee