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Speaker 1: I loved the one of my theasers.

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Speaker 2: Can call me privately. Y'all are coup on today manby

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Speaker 2: mm hmmmmm mm hmmm.

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Speaker 1: I don't love your pronouns sis a lot.

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Speaker 3: I say I'm a pacifist. I stabbed the nigga once

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Speaker 3: when I was listening to the super dug.

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Speaker 4: Its lack. I. I can't believe that his wife would

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Speaker 4: it good?

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Speaker 5: Be hoping should be this your boy and a O

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Speaker 5: N A what up as d J E f N

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Speaker 5: and it's drink chance will take me crazy?

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Speaker 4: War makes up.

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Speaker 5: And right now, I'm gonna be honest, man, when we're

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Speaker 5: looking at these two brothers here as at one point

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Speaker 5: I never thought I would see them back together. One

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Speaker 5: brother was in Africa like incense. The other brother was

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Speaker 5: in Uticavese. Then we got another brother. There's will Pop

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Speaker 5: in here and that the most legendary. But we'll talk

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Speaker 5: about that later. But let's just get they have just

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Speaker 5: dropped an album that is just for the fans. And

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Speaker 5: they could have put it on Spot the Fire, they

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Speaker 5: could have put it on iTunes, they could have put

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Speaker 5: it on your local jule ree. No, they wanted to

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Speaker 5: put it for their fans, their fans only these guys

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Speaker 5: are monkey footing and they're still the most lyrical motherfuckers

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Speaker 5: in the game.

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Speaker 4: And I'm listening to this album and they not slipping

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Speaker 4: up even a little bit. And they got a lot

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Speaker 4: of money.

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Speaker 5: In case you don't know what the fuck you're talking about,

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Speaker 5: we're talking about the one, the only motherfucker block. Now,

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Speaker 5: y'all seen, baby, I'm gonna start with you.

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Speaker 1: I don't have a lot of money. I live on

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Speaker 1: a stipend.

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Speaker 4: Yeah, me too. Do we have that clip?

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Speaker 6: Now?

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Speaker 5: Let me just tell you something, y'all seen, baby, This

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Speaker 5: is real talk. Whenever I'm down and I feel like

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Speaker 5: life is fucked up and I don't want to keep

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Speaker 5: moving on. Oh I feel like music it's not where

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Speaker 5: I wanted to be, I always go to this clip

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Speaker 5: and I watched this and this ship saves my life.

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Speaker 7: This is real talk. Can you play it please?

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Speaker 1: That's it's not even it's just you know, it's a lot,

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Speaker 1: It's all favorable.

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Speaker 4: It's beautiful. That blazer is gorgeous.

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Speaker 1: Don't forget the whole thing.

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Speaker 4: Is it is a good moment. I'm gonna tell you

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Speaker 4: why I love that clip.

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Speaker 8: The rag under the door, the success the success of

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Speaker 8: Your Soul, the success of Black Starter, suscept of Dave

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Speaker 8: Jappelle's show.

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Speaker 9: Your bars are not supposed.

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Speaker 10: To be like that, Yes they are, explain because.

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Speaker 1: This is what I'm here to do. This is a

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Speaker 1: large gift to me, right right, So you must, you know,

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Speaker 1: put your crown on. I mean much.

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Speaker 4: You always knew that I was.

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Speaker 1: I was great at ryman from the moment I started.

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Speaker 1: I was nine years old. I was never not good.

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Speaker 4: I think we should makes a noise of that.

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Speaker 7: You don't need that.

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Speaker 5: I'm gonna be out of sweet God, I really wasn't

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Speaker 5: because we just did this interview would just be just

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Speaker 5: us and not at the shock swearter God. This is

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Speaker 5: something that really motivates me because I fell out of

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Speaker 5: love of music a lot like I fell out of

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Speaker 5: love with the business.

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Speaker 4: That's a beastiness.

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Speaker 1: I mean, there's nothing it's not you know, you should

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Speaker 1: fall out of love. That means you're a human being,

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Speaker 1: you know what I mean. It's not worthy if your love.

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Speaker 1: You know what I'm saying.

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Speaker 4: This is not the music.

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Speaker 1: So the art is another thing all together. I mean,

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Speaker 1: the the fence around they called the industry is just

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Speaker 1: you know, it's just an industrial fence, you know.

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Speaker 5: So we had tot Level on the show, and we

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Speaker 5: actually asked him about you're a whereabouts and what the

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Speaker 5: time because we we had you was like a no

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Speaker 5: man at one point.

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Speaker 1: Right, I'm alive and planet of my country is Earth.

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Speaker 1: I'm from a country called Earth like everybody else. So

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Speaker 1: that's my perspective on life and living in place.

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Speaker 11: I never heard of this country because that was the

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Speaker 11: room of the rule was you went to Africa, I did,

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Speaker 11: and you lost the passport and then you became a

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Speaker 11: citizen of whatever country he was in.

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Speaker 1: I'll tell the food story at another time, you know,

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Speaker 1: that's like a whole other thing I was.

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Speaker 4: I was living in.

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Speaker 1: South Africa and doing my stay there. I obtained the

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Speaker 1: secondary travel document, which is well documented the history of

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Speaker 1: it and the province of it.

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Speaker 4: And and the like.

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Speaker 1: And I obtained one, and there was some disagreement between

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Speaker 1: you myself and the and the South African government as

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Speaker 1: it relates to what they qualify as valid travel document.

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Speaker 12: And that was the older part that I remember, because

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Speaker 12: this is supposed to part time, you know, but it's

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Speaker 12: still parts has many different outfits these days.

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Speaker 1: So I wouldn't classify so much as that, but it

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Speaker 1: wasn't experienced. I often invite people to look up the

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Speaker 1: World Passport for themselves and just take it from there

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Speaker 1: because I'm not here to make up anybody's mind about anything.

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Speaker 4: But that was a part of my experience. Okay, so

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Speaker 4: let me not get my hopes up. You said the

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Speaker 4: World's passport, the World pastor from a fella. I cannot

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Speaker 4: fill out for that, right, Let's be clear. You have

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Speaker 4: to look at it, but I'm sure that I.

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Speaker 9: Feel like I'm not going to be.

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Speaker 1: It's information about it. Anyone is invited to to take it.

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Speaker 4: Out and themselves like a community of people need to be.

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Speaker 4: I don't want to. You know, you felt it.

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Speaker 2: The first job.

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Speaker 6: I said you were going to Africa.

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Speaker 13: You said they got w's in Africa.

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Speaker 5: Because you know why they used to lie to me.

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Speaker 5: They to tell me I had to get vaccines.

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Speaker 4: I had to get.

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Speaker 9: Shots depending on the country going over there.

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Speaker 5: But this is this is Africa, total totality at this

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Speaker 5: time until I met Acon and then Akon said, Nigga,

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Speaker 5: you come out there now vaccine. I don't know if

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Speaker 5: I believe he just told everything to me. He was like,

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Speaker 5: come on, let us go.

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Speaker 14: I'm just like I'm forgive you in Jersey City is different?

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Speaker 4: Why is that at the.

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Speaker 5: Let's just let's just get back to this album, right,

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Speaker 5: you guys, these fans have been backing for this album

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Speaker 5: for so long. So on this is like a two

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Speaker 5: part question because on one part you gave the fans

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Speaker 5: everything they wanted.

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Speaker 4: But then some and this But.

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Speaker 5: To this generation, this might be the most laziest generation

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Speaker 5: I've ever seen.

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Speaker 4: Like they have Google, no fear of time, they have Google,

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Speaker 4: and they'll still be like, well, how do I get

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Speaker 4: it right?

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Speaker 5: So I remember a friend of mine had he threw

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Speaker 5: out a movie and this movie was so hard to download,

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Speaker 5: like it wasn't in the so and he was like, yo,

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Speaker 5: how was people not supporting us?

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Speaker 4: We can't find the ship? You know what ider saying?

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Speaker 4: I'm saying, because so, how do.

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Speaker 5: Y'all y'all navigate through this through the system of you know,

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Speaker 5: these fans that because luminary luminary, everyone doesn't notice. A

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Speaker 5: subscription based everyone doesn't notice.

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Speaker 9: How how do y'all navigate?

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Speaker 4: Is this the first album like music project on that?

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Speaker 4: Because do the podcast?

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Speaker 13: There you go? You knew we did a podcast today makes.

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Speaker 4: A noise of me.

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Speaker 13: Because I mean and listen, I'm not going to uh

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Speaker 13: differentiate between real and fake fans, because who knows what

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Speaker 13: station people are in life with what they are and.

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Speaker 6: They like to even know that we have.

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Speaker 13: But we have made a choice, for a lot of

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Speaker 13: valid reasons, to be in control of where and how

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Speaker 13: we distribute our art, and I think every artist should

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Speaker 13: have that choice, just like every human beings. You have

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Speaker 13: a choice where to sell. They war is that if

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Speaker 13: they if they got wears the cell and so because

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Speaker 13: of that choice to have our podcast on Luminary, people's

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Speaker 13: parties on Luminary.

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Speaker 6: People who have been following us, and I'm.

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Speaker 13: Not saying real fans, but people who have come on

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Speaker 13: a journey with us have been followed what we y'all

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Speaker 13: seen Bay is done with our installations. Who understand about

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Speaker 13: the albums that he's worked on, Who understand who follow

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Speaker 13: me and styles pr Me and domin d album. The

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Speaker 13: ones who follow who go to Netflix and see au

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Speaker 13: Dachapel specials. These people already on Luminic, They were already

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Speaker 13: listening to Midnight Miracle, you know. And again I want

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Speaker 13: to stress that's not a judgment or nothing, but at

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Speaker 13: this point in our careers and because of the way

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Speaker 13: the music business. Speaking for myself, we have to as

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Speaker 13: as men and as artists focus on not trying to

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Speaker 13: cast a why net and get everybody. Because even me

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Speaker 13: as a fan, as a fan of black Star, I

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Speaker 13: want to hear black Star wherever I feel like hearing it.

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Speaker 6: But me as a fan of black Star, I.

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Speaker 13: Also want to trust black Star, and I also want

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Speaker 13: to follow black Star lead. And for us, it makes

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Speaker 13: sense not to cast a white net try to get everybody.

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Speaker 13: But for the people who are following us and people

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Speaker 13: who are rocking with us, let's get them first. And

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Speaker 13: you know what, we may have Vinyl come out, we

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Speaker 13: may do other things.

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Speaker 4: No, this is just the beginning.

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Speaker 1: And also, I mean, you know, it's a principal choice.

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Speaker 4: It's not like.

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Speaker 1: There's an effort to make it unnecessarily inconvenient for people.

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Speaker 4: I mean, from my point of view, I.

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Speaker 1: Mean it seems fairly accessible, like a usonable distance for

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Speaker 1: any listener to cover. You know, we're consolidating the experience.

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Speaker 1: We're saying you don't have to go to all of

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Speaker 1: these different places. You could just come right here, and

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Speaker 1: you know, it's a question of value. If you value

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Speaker 1: what we're doing, and we've explained to you, I mean

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Speaker 1: quite clearly and in various formats, the reasons why we

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Speaker 1: why we've chosen to do this, and the principles behind it,

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Speaker 1: and what we're trying to establish and what we're trying

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Speaker 1: to reform in many ways that exists in the system,

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Speaker 1: then it's like it's a no brainer supporting a historical

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Speaker 1: project within a historical approach. So if that's too cumbersome

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Speaker 1: for you with then like just stay where you are

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Speaker 1: to be quite candid, because you know when it's not

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Speaker 1: when I here, it just bow to make things like

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Speaker 1: convenient for people per se. You know, we're not complicating

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Speaker 1: the process in this way. If the machine is it

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Speaker 1: exists now, was more amenable and fair within no problem.

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Speaker 1: But when they like in a legalized criminal enterprise and

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Speaker 1: essence and my observation, But then I mean, like back.

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Speaker 5: In the days, if you want a good you know,

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Speaker 5: gold front, you have to go to ib square more

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Speaker 5: might have.

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Speaker 4: No. No, it's not even that, I mean, it's not

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Speaker 4: even that.

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Speaker 1: It's like, you know, again, there's a prevailing metric that

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Speaker 1: exists that does not take the artists into consideration at all.

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Speaker 1: It really doesn't take humanity into consideration at all to

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Speaker 1: be perfectly canon. And what we're doing is a very

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Speaker 1: human thing. So's we're not gonna let the machine set

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Speaker 1: the pace for us when we build the machine.

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Speaker 15: In essence, you know, you can ask you because there's

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Speaker 15: gonna be people that listen they don't artists that don't

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Speaker 15: know there's creative ways to release their music and maintain ownership.

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Speaker 15: And without getting into the details of your business, it

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Speaker 15: seems like what you did here is to maintain ownership,

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Speaker 15: you know, get what you're going to get something out

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Speaker 15: of putting it out. You could do something else with

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Speaker 15: it down the line.

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Speaker 1: This is the life of it. I mean, it came

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Speaker 1: out two weeks ago, you know, barely. You know, this

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Speaker 1: is just the beginning. It's it's not like something that

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Speaker 1: just came out this week and it's going to go away.

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Speaker 4: You know.

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00:14:18,360 --> 00:14:21,880
Speaker 1: It's it's historically preserved and that's the difference.

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Speaker 13: And then you have to have the confidence of knowing

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Speaker 13: that you're in a position to do that and knowing

242
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Speaker 13: that your album, like we called it, No Fear of Time,

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00:14:28,960 --> 00:14:31,360
Speaker 13: will stand the test of time. If you're chasing the moment,

244
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Speaker 13: you're chasing clout, and you're chasing something that's not actually real.

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Speaker 15: It's not a promo room for first quarter or fourth

246
00:14:37,280 --> 00:14:38,480
Speaker 15: quarter numbers and something like that.

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Speaker 4: Right, don't just want to do a shot with you

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Speaker 4: for no reason.

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Speaker 16: I'm d alcoholics.

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Speaker 4: If you're watching this today, why are you over here

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Speaker 4: for a second?

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Speaker 9: Right you?

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00:15:15,240 --> 00:15:18,840
Speaker 5: I just want to say I studied you three nights

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Speaker 5: in a row.

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Speaker 4: All right. You know I'm not allowed to talk. You

256
00:15:22,800 --> 00:15:28,640
Speaker 4: don't have to talk. You don't have to talk. But

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Speaker 4: I'm gonna be honest.

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Speaker 7: This is this is the first.

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Speaker 4: Time I want to I want to.

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Speaker 9: Tell this to y'all.

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Speaker 4: I have the mic ready, niggas.

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Speaker 7: I want to tell y'all.

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Speaker 5: This is probably the first time I was seriously jealous

264
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Speaker 5: of a comedian, because I'm used to if I have

265
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Speaker 5: three shows, three nights in a row, this is a stabbing,

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Speaker 5: a shootout. I'm almost there wishing something like I'm there.

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Speaker 17: With the first night Friday, Everything's perfect.

268
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Speaker 4: I'm like, this is the way it works.

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Speaker 5: The second night perfect, and then the third night and

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00:16:11,920 --> 00:16:13,920
Speaker 5: I was like, and I really thought about it. I

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00:16:13,960 --> 00:16:18,760
Speaker 5: was like, yo, I'm traumatized being a hip hop artist

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00:16:19,000 --> 00:16:23,520
Speaker 5: that I don't even feel that going backstage when it's calm,

273
00:16:23,600 --> 00:16:24,880
Speaker 5: it's actually normal.

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Speaker 4: I don't know if you remember.

275
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Speaker 6: I think it was the third night.

276
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Speaker 4: Once backstage tang show.

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Speaker 7: Com Chaos of the difference.

278
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Speaker 4: What's you was about to get into the story? No, no,

279
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Speaker 4: because be talking about that night.

280
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Speaker 6: He was that Dave show at Dave Show.

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Speaker 5: One where's Donelle was Donelli is here.

282
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Speaker 6: Let me just tell you.

283
00:16:51,640 --> 00:16:56,040
Speaker 5: Something because I really you know, the same show that

284
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Speaker 5: was controversy that everyone spoke about.

285
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Speaker 4: I got to see it.

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Speaker 5: I got to see like I felt like he practiced

287
00:17:01,400 --> 00:17:02,680
Speaker 5: on me, like you know what I'm saying.

288
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Speaker 6: I mean for thirty thousand other month.

289
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Speaker 4: I'm but this, so I say, holy ship.

290
00:17:11,760 --> 00:17:13,440
Speaker 5: But then I would go every night and I would

291
00:17:13,480 --> 00:17:17,320
Speaker 5: see don Now and don Now don't give a fuck,

292
00:17:17,720 --> 00:17:18,840
Speaker 5: like like for.

293
00:17:18,880 --> 00:17:21,640
Speaker 4: Real, he's filthy. You fucking love.

294
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Speaker 11: When you're not.

295
00:17:28,480 --> 00:17:29,240
Speaker 4: Tell you this money.

296
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Speaker 18: I can't wait for your Netflix, specially some Netflix first dog.

297
00:17:35,080 --> 00:17:36,280
Speaker 19: I just want to say this. I know I'm not

298
00:17:36,280 --> 00:17:38,760
Speaker 19: gonna be here low right, but the level of disrespect

299
00:17:39,080 --> 00:17:43,560
Speaker 19: in his motherfucking I swear I saw y'all niggas talking

300
00:17:43,560 --> 00:17:46,840
Speaker 19: about law a type of ship here, pop and ship.

301
00:17:47,240 --> 00:17:51,320
Speaker 19: You disrespectful? You disrespected and you disrespectful?

302
00:17:51,640 --> 00:17:55,600
Speaker 9: Are you getting more disrespect? That's all I'm saying.

303
00:17:55,960 --> 00:17:56,720
Speaker 4: Do you know why?

304
00:17:57,040 --> 00:17:57,760
Speaker 2: You know how.

305
00:17:59,320 --> 00:17:59,560
Speaker 6: Different?

306
00:17:59,600 --> 00:18:00,639
Speaker 7: Because ress different?

307
00:18:00,680 --> 00:18:07,760
Speaker 20: Now, let me just apologizelze that hated time machine.

308
00:18:07,800 --> 00:18:12,080
Speaker 4: When y'all went back right and you was you was beautiful, right, Nigga,

309
00:18:12,080 --> 00:18:13,600
Speaker 4: You're about to set up a joke. Nigga, I could

310
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Speaker 4: tell I was beautiful.

311
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Speaker 7: Go ahead, Are you talking about to cast turn the charter?

312
00:18:18,800 --> 00:18:19,000
Speaker 4: Yes?

313
00:18:19,080 --> 00:18:22,359
Speaker 5: Okay, because everybody go with Athley Larry Now was now

314
00:18:22,600 --> 00:18:23,919
Speaker 5: was that activader?

315
00:18:25,280 --> 00:18:28,199
Speaker 21: It was Coconut Order, It was Wigi Vader, No, it was.

316
00:18:30,400 --> 00:18:31,440
Speaker 6: It was it was coming on.

317
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Speaker 19: The idea I had was to put in the champagne bottle.

318
00:18:34,760 --> 00:18:36,440
Speaker 19: They was like that, she's gonna get too messy, right,

319
00:18:36,880 --> 00:18:39,160
Speaker 19: so I do? I said, do the aerosol joint, right,

320
00:18:39,440 --> 00:18:41,399
Speaker 19: and that's where mother was born. But I got this

321
00:18:41,480 --> 00:18:43,439
Speaker 19: with a lot of people don't know. We did that

322
00:18:43,480 --> 00:18:46,640
Speaker 19: show sixteen seventeen hours a day, right. It was times

323
00:18:46,640 --> 00:18:48,719
Speaker 19: where niggas ain't had no more gas. We did did

324
00:18:48,800 --> 00:18:50,879
Speaker 19: all the last we were these niggas. Charlie Murphy with

325
00:18:50,960 --> 00:18:55,800
Speaker 19: everybody you cannot think of no funniest ship, and Dave

326
00:18:55,960 --> 00:18:58,040
Speaker 19: will always figure out this ship to go to the

327
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Speaker 19: next level. I don't know if y'all remember, if you

328
00:19:00,359 --> 00:19:02,480
Speaker 19: know the show, it was a scene where we was

329
00:19:02,520 --> 00:19:07,000
Speaker 19: looking at the the the actors and whatever. They flip

330
00:19:07,000 --> 00:19:09,840
Speaker 19: a card you like supposed to improv off of it.

331
00:19:09,840 --> 00:19:11,920
Speaker 19: It was Patersa O'Neill was Charlie Murphy and we was

332
00:19:12,040 --> 00:19:12,680
Speaker 19: gassed out.

333
00:19:13,280 --> 00:19:14,960
Speaker 4: We had no more laughs left.

334
00:19:15,440 --> 00:19:18,040
Speaker 19: I was like, there's no more laugh left in this

335
00:19:18,160 --> 00:19:23,240
Speaker 19: bigga said it looked like she wear boxes and addicted holes.

336
00:19:29,040 --> 00:19:32,399
Speaker 19: This was a cancer coach, nigga. We was like, this

337
00:19:32,800 --> 00:19:35,920
Speaker 19: night night, it is over. Yeah, but y'all are disrespect

338
00:19:35,960 --> 00:19:37,560
Speaker 19: I was looking forward to coming on the show.

339
00:19:37,960 --> 00:19:40,600
Speaker 7: If you're talking about.

340
00:19:43,320 --> 00:19:47,160
Speaker 4: Gonna talking, I'm gonna talking. I'm nothing happened.

341
00:19:54,440 --> 00:19:57,639
Speaker 7: So so this cribe to this area that we have

342
00:19:57,760 --> 00:20:00,520
Speaker 7: right now. It's called the shock. This cribe to us.

343
00:20:01,240 --> 00:20:03,919
Speaker 3: The other shack is an old car garage, probably from

344
00:20:03,920 --> 00:20:06,840
Speaker 3: the nineteen fifties. I didn't change the outside at all,

345
00:20:06,880 --> 00:20:10,480
Speaker 3: but inside we tricked it out right. I would drive

346
00:20:10,560 --> 00:20:12,119
Speaker 3: by here and I told my wife one day I

347
00:20:12,200 --> 00:20:14,040
Speaker 3: was gonna buy it. We're gonna do with that shack.

348
00:20:14,119 --> 00:20:17,800
Speaker 3: I said, we don't you worry about what I'm gonna

349
00:20:17,800 --> 00:20:20,960
Speaker 3: do with that shack. What I did was I made

350
00:20:21,040 --> 00:20:25,240
Speaker 3: this clubhouse. Nothing fancy, but man, this is like a

351
00:20:25,359 --> 00:20:28,919
Speaker 3: home for our culture. Yes means a lot. Nor is

352
00:20:28,960 --> 00:20:32,119
Speaker 3: they think you came here. Yes, the last time I

353
00:20:32,160 --> 00:20:33,600
Speaker 3: saw DMX.

354
00:20:33,080 --> 00:20:36,720
Speaker 4: We had a great night here. Quality brought them by. Wow.

355
00:20:37,560 --> 00:20:41,280
Speaker 3: We've had parties here with common with rhyme and freestyle

356
00:20:41,920 --> 00:20:42,800
Speaker 3: or chance to wrap.

357
00:20:42,960 --> 00:20:45,000
Speaker 4: All kinds of people just fall through.

358
00:20:45,080 --> 00:20:50,040
Speaker 3: And we make memories. The walls in the here splattered

359
00:20:50,080 --> 00:20:54,359
Speaker 3: with just random night memories. Yes, photographer Matchew Baton, I

360
00:20:54,359 --> 00:20:56,560
Speaker 3: think took all these photos, with the exception of the

361
00:20:56,600 --> 00:21:00,280
Speaker 3: block party poster. Right, it's me and most at a

362
00:21:00,320 --> 00:21:03,919
Speaker 3: comedy club in London. We had a great time that night.

363
00:21:03,960 --> 00:21:05,800
Speaker 3: We ended up watching the super Bowl and then in

364
00:21:05,920 --> 00:21:20,560
Speaker 3: halftime called Colin Kaepernick because we could. You know, like like,

365
00:21:22,840 --> 00:21:25,639
Speaker 3: this is a strange place, Ohio, but it's a good place.

366
00:21:26,400 --> 00:21:30,159
Speaker 3: But the memories we made here are legendary. Things have

367
00:21:30,280 --> 00:21:33,560
Speaker 3: happened in this room in this town people wouldn't even believe.

368
00:21:34,119 --> 00:21:36,600
Speaker 3: And Quality is a regularly I've seen the regular.

369
00:21:36,480 --> 00:21:39,359
Speaker 6: Recorded some of the Blackstar album here in this So

370
00:21:39,400 --> 00:21:40,120
Speaker 6: can I say.

371
00:21:39,920 --> 00:21:42,600
Speaker 5: Something beir Because a lot of times people move to

372
00:21:42,640 --> 00:21:45,520
Speaker 5: Miami and say, I'm never coming home, I'm going to

373
00:21:45,560 --> 00:21:47,719
Speaker 5: stay here. A lot of Positi people go to Japan

374
00:21:47,800 --> 00:21:49,600
Speaker 5: and say I'm never coming home and staying here. They

375
00:21:49,640 --> 00:21:51,680
Speaker 5: go to l A. This is probably the first time

376
00:21:51,720 --> 00:21:54,119
Speaker 5: a person said I'm going I'm staying in Ohio.

377
00:21:53,800 --> 00:21:57,600
Speaker 4: I'm never coming back. How did you How did you

378
00:21:57,840 --> 00:21:58,520
Speaker 4: discover this?

379
00:22:00,040 --> 00:22:06,960
Speaker 3: We don't know if that needs its own episode.

380
00:22:08,480 --> 00:22:09,000
Speaker 4: It's real.

381
00:22:09,119 --> 00:22:12,879
Speaker 3: It's like, look, look, when Lebron James left Ohio, I

382
00:22:12,960 --> 00:22:17,240
Speaker 3: understood this is not the kind of place that you

383
00:22:17,320 --> 00:22:20,000
Speaker 3: should stay your whole life. You should leave an income back.

384
00:22:20,600 --> 00:22:23,480
Speaker 3: It's a value that you appreciate once you have something

385
00:22:23,520 --> 00:22:27,680
Speaker 3: to contrast it. Leaving New York City was like kicking

386
00:22:27,720 --> 00:22:30,640
Speaker 3: a drug habit. New York is an addictive motherfucker. There's

387
00:22:30,720 --> 00:22:34,879
Speaker 3: no place quite like Thank God. I know, I know,

388
00:22:34,960 --> 00:22:36,520
Speaker 3: and I know you feel that way. I'm just saying

389
00:22:36,560 --> 00:22:38,520
Speaker 3: that they need one and we couldn't do it another.

390
00:22:38,680 --> 00:22:40,760
Speaker 22: We're supposed to make.

391
00:22:44,520 --> 00:22:47,399
Speaker 4: Continue. I mean, look, you guys are fucking.

392
00:22:48,880 --> 00:22:52,080
Speaker 3: Like quantum physicists or some ship in the culture.

393
00:22:52,119 --> 00:22:52,960
Speaker 4: You know, you guys.

394
00:22:53,080 --> 00:22:55,280
Speaker 3: All of you guys have made albums. I love like

395
00:22:55,320 --> 00:22:56,760
Speaker 3: what you scored my life.

396
00:22:58,280 --> 00:23:02,600
Speaker 4: You know you're all from New York City.

397
00:23:03,480 --> 00:23:07,639
Speaker 3: What a fucking amazing phenomenon that the genre of music

398
00:23:07,760 --> 00:23:09,960
Speaker 3: was created in New York City and now it's a

399
00:23:10,160 --> 00:23:13,399
Speaker 3: global phenomena.

400
00:23:13,800 --> 00:23:14,960
Speaker 4: It's snow.

401
00:23:15,040 --> 00:23:17,359
Speaker 3: It's no small thing that the boys from New York

402
00:23:17,560 --> 00:23:20,400
Speaker 3: put together. You know, any of the niggas I see

403
00:23:20,480 --> 00:23:24,160
Speaker 3: Jay I once saw Shook Knight across the room.

404
00:23:24,240 --> 00:23:26,080
Speaker 4: This nigga was eating a salad in the restaurant. I

405
00:23:26,119 --> 00:23:37,080
Speaker 4: was like, there he goes all that. It looked like

406
00:23:37,200 --> 00:23:42,560
Speaker 4: season from.

407
00:23:42,440 --> 00:23:43,080
Speaker 6: This like.

408
00:23:45,000 --> 00:23:46,000
Speaker 4: Shut around his mouth.

409
00:23:47,160 --> 00:23:52,480
Speaker 3: Yeah, niggas wildlife, Yeah man, but it means a lot.

410
00:23:52,600 --> 00:23:54,760
Speaker 3: You know that That night d m X came over

411
00:23:55,400 --> 00:23:59,880
Speaker 3: while they had called him, was five hours late. M Yeah,

412
00:24:00,160 --> 00:24:06,560
Speaker 3: that's normal. No, was remarkable. He was late because he

413
00:24:06,600 --> 00:24:09,720
Speaker 3: didn't want to come to my home empty handed. He

414
00:24:10,359 --> 00:24:12,520
Speaker 3: went to his trunk and I mean, we're in the

415
00:24:12,560 --> 00:24:19,360
Speaker 3: middle of nowhere. This nigga had crab lakes. We sat here,

416
00:24:19,480 --> 00:24:23,800
Speaker 3: we watched the game, We had a great conversation. We

417
00:24:23,840 --> 00:24:25,960
Speaker 3: was karaoke and songs, and then we went to my

418
00:24:26,040 --> 00:24:29,520
Speaker 3: house and d m X cooked the crabb dinner for

419
00:24:29,600 --> 00:24:31,600
Speaker 3: me and all my friends. My wife woke up in

420
00:24:31,640 --> 00:24:34,040
Speaker 3: the middle of the night and saw DMX in the

421
00:24:34,119 --> 00:24:35,879
Speaker 3: kitchen tasting.

422
00:24:35,720 --> 00:24:35,800
Speaker 2: So.

423
00:24:37,840 --> 00:24:39,080
Speaker 4: It blew a fucking mind.

424
00:24:41,040 --> 00:24:43,159
Speaker 3: We're in the middle of nowhere, but it's wherever we

425
00:24:43,240 --> 00:24:47,560
Speaker 3: put it. Me and Black started do our podcast right

426
00:24:47,600 --> 00:24:48,320
Speaker 3: here at this bar.

427
00:24:48,560 --> 00:24:50,320
Speaker 4: It was a very safe place for me.

428
00:24:51,640 --> 00:24:56,120
Speaker 5: We have to come here, private luminary show for here.

429
00:24:56,359 --> 00:24:59,320
Speaker 4: We gotta come fuck with us. I mean, we we

430
00:24:59,400 --> 00:25:03,119
Speaker 4: do the thing. I'm a home for a culture, and

431
00:25:03,160 --> 00:25:03,800
Speaker 4: I'm honored.

432
00:25:03,840 --> 00:25:11,960
Speaker 3: I'm honored you're here, man, and whatever donills complained about.

433
00:25:14,160 --> 00:25:15,520
Speaker 4: But let me say, let me tell you something.

434
00:25:15,600 --> 00:25:18,520
Speaker 5: Dave Off show was about giving people they flowers and

435
00:25:18,560 --> 00:25:23,040
Speaker 5: giving people their praises. Now, and I'm gonna just tell

436
00:25:23,040 --> 00:25:25,440
Speaker 5: you something I've seen the likes of I was too

437
00:25:25,480 --> 00:25:28,439
Speaker 5: young for Richard Pryor, so I came Eddie Murphy. I

438
00:25:28,440 --> 00:25:30,719
Speaker 5: remember wh people went to go see Eddie Murphy movies

439
00:25:30,920 --> 00:25:33,800
Speaker 5: and they got dipped like like they was taking pictures

440
00:25:33,800 --> 00:25:36,760
Speaker 5: for the money they were getting a movie. And I've

441
00:25:36,800 --> 00:25:40,679
Speaker 5: seen these comedians run. And I've always seen people go

442
00:25:40,800 --> 00:25:43,600
Speaker 5: Hollywood and you know, leave certain people.

443
00:25:44,040 --> 00:25:48,119
Speaker 4: The thing that special about Dave is you always have

444
00:25:48,320 --> 00:25:48,760
Speaker 4: hip hop?

445
00:25:48,800 --> 00:25:54,000
Speaker 3: Which man, let me tell you something. My parents were

446
00:25:54,000 --> 00:25:55,840
Speaker 3: split up, so I grew up in d C. I

447
00:25:55,840 --> 00:25:58,719
Speaker 3: grew up out here in Ohio. My father lived here.

448
00:26:00,119 --> 00:26:03,520
Speaker 3: Always associated this place with relaxing, and I went to

449
00:26:03,600 --> 00:26:08,000
Speaker 3: middle school here middle school. There was a guy must

450
00:26:08,000 --> 00:26:10,960
Speaker 3: have been twelve years old that was a homie.

451
00:26:11,000 --> 00:26:11,600
Speaker 4: This nigga had.

452
00:26:12,400 --> 00:26:15,160
Speaker 3: Remember the niggas wear high socks and had boomboxes.

453
00:26:15,440 --> 00:26:16,119
Speaker 4: He was one of them.

454
00:26:16,160 --> 00:26:24,520
Speaker 3: Niggas like that, but the socks were high. It's funtherfucker

455
00:26:24,600 --> 00:26:28,639
Speaker 3: played Eric Bean's president one day when we're playing basketball

456
00:26:28,640 --> 00:26:35,280
Speaker 3: on my driveway. I couldn't fucking believe it. Make him,

457
00:26:35,320 --> 00:26:38,359
Speaker 3: make him, make him clap to this ah thank you

458
00:26:38,520 --> 00:26:42,280
Speaker 3: DJs and that beat drop. Well, I get emotional thinking

459
00:26:42,280 --> 00:26:44,200
Speaker 3: about it. There was a guy, Frank Ski. He does

460
00:26:44,280 --> 00:26:46,760
Speaker 3: the radio in Atlanta now, but he was in Baltimore.

461
00:26:47,240 --> 00:26:49,000
Speaker 3: That nigga had a hip hop show. And I go

462
00:26:49,119 --> 00:26:51,680
Speaker 3: home to DC to see my mother and I could

463
00:26:51,720 --> 00:26:55,320
Speaker 3: barely get his station, but I recorded with the tape recorder.

464
00:26:55,600 --> 00:26:58,040
Speaker 4: Off the radio. I loved hip hop music like. Being

465
00:26:58,080 --> 00:27:02,240
Speaker 4: in New York was my desk to me, and it's weird.

466
00:27:02,840 --> 00:27:03,639
Speaker 4: I met.

467
00:27:04,960 --> 00:27:10,439
Speaker 3: Tal Quality and a Daylight SOULI show and Kenyon College

468
00:27:10,480 --> 00:27:16,200
Speaker 3: in Ohio. Whoa Stay Live? It was It was Quality.

469
00:27:16,359 --> 00:27:18,320
Speaker 3: It was a guy named Truth be no lie. They

470
00:27:18,480 --> 00:27:23,760
Speaker 3: killed that show. You know they got all the stuff

471
00:27:24,200 --> 00:27:28,480
Speaker 3: I need. And and that night me and Quality, you know,

472
00:27:28,560 --> 00:27:30,920
Speaker 3: hit it off. Quality is mean. When you first meet.

473
00:27:30,880 --> 00:27:38,120
Speaker 9: Him, everyone says that he's mean. Said what you think

474
00:27:38,160 --> 00:27:38,439
Speaker 9: you mean?

475
00:27:40,280 --> 00:27:42,800
Speaker 4: He said, I'm gonna make the baseball had the biggest hat.

476
00:27:42,840 --> 00:27:46,000
Speaker 6: This one was gonna say that what baseball?

477
00:27:50,280 --> 00:27:50,880
Speaker 4: But but.

478
00:27:52,720 --> 00:27:56,360
Speaker 3: I met Quality that night months not many months later,

479
00:27:56,520 --> 00:27:59,639
Speaker 3: one or two months later, weeks I was in New

480
00:27:59,720 --> 00:28:01,399
Speaker 3: York City that I was driving down the street and

481
00:28:01,920 --> 00:28:05,159
Speaker 3: I was carter the red light toilet. Quality ran up

482
00:28:05,200 --> 00:28:08,200
Speaker 3: to my car and goes, yo, Dave, we just met

483
00:28:08,400 --> 00:28:09,679
Speaker 3: the second time I ever met him.

484
00:28:09,720 --> 00:28:11,320
Speaker 4: I go, hey, hey, how are you?

485
00:28:11,760 --> 00:28:14,160
Speaker 3: He goes, I'm great, man, I'm recording with my friends

486
00:28:14,600 --> 00:28:15,680
Speaker 3: at Electric Lady Land.

487
00:28:15,720 --> 00:28:18,080
Speaker 4: He goes, pull Jimmy Hendrick Studio.

488
00:28:17,880 --> 00:28:21,880
Speaker 14: Jimmy Heady Street, right on Eighth Street, White Cat.

489
00:28:23,720 --> 00:28:28,040
Speaker 4: I pulled up. Man, These niggas hit the whole building.

490
00:28:28,240 --> 00:28:31,359
Speaker 3: DeAngelo was in the basement and the Roots was on

491
00:28:31,359 --> 00:28:33,320
Speaker 3: one floor, and by dude was had a session on

492
00:28:33,359 --> 00:28:35,640
Speaker 3: another floor all the way up to the top.

493
00:28:35,720 --> 00:28:37,600
Speaker 4: On the top floor was quality session.

494
00:28:38,600 --> 00:28:41,800
Speaker 3: And that day, I don't know if you remember this,

495
00:28:41,960 --> 00:28:44,800
Speaker 3: you laid the verse for a Common song. Common was

496
00:28:44,800 --> 00:28:49,400
Speaker 3: in there too, called the Questions. It was me you,

497
00:28:50,080 --> 00:28:55,240
Speaker 3: it was your session dealer, motherfucking James. That's the first

498
00:28:55,240 --> 00:28:59,160
Speaker 3: time I met Diyla James. Poison was the uh. It

499
00:28:59,280 --> 00:29:02,640
Speaker 3: was when I was writing and killing them softly, and

500
00:29:03,040 --> 00:29:06,760
Speaker 3: from them sessions we all became good friends. I never

501
00:29:06,840 --> 00:29:10,000
Speaker 3: seen music recording. I never met niggas my age who

502
00:29:10,080 --> 00:29:14,360
Speaker 3: had stamps in their passport. Like no, we were young.

503
00:29:14,480 --> 00:29:21,960
Speaker 3: We were young when I did Chappelle Shaw was not

504
00:29:22,120 --> 00:29:25,080
Speaker 3: long after that. I you know, I said I want

505
00:29:25,080 --> 00:29:27,560
Speaker 3: to do music on the show. The thing with Most

506
00:29:27,600 --> 00:29:30,320
Speaker 3: in the college because we was driving with Most and

507
00:29:30,360 --> 00:29:33,720
Speaker 3: a motherfucking sprinter van and he would make the driver

508
00:29:33,880 --> 00:29:36,240
Speaker 3: play beats and would just be like rhyming over beats.

509
00:29:39,200 --> 00:29:42,440
Speaker 4: It was just like that. I mean, all this in

510
00:29:42,480 --> 00:29:45,040
Speaker 4: a whip and y'all sing would be rhyming.

511
00:29:45,240 --> 00:29:47,240
Speaker 3: And we was like yo, people would want to see this,

512
00:29:48,320 --> 00:29:52,920
Speaker 3: like like it was alchemy with culture. These motherfuckers was

513
00:29:53,560 --> 00:29:56,800
Speaker 3: doing something. It was like an exciting time. I remember

514
00:29:56,840 --> 00:30:01,120
Speaker 3: I took Common you know that singer Bloud me coming Beloud.

515
00:30:01,120 --> 00:30:03,080
Speaker 3: A bunch of niggas from Electric Lady Land went to

516
00:30:03,200 --> 00:30:04,800
Speaker 3: the Comedy Seller New York.

517
00:30:05,040 --> 00:30:08,959
Speaker 4: They never seem like comedy before, like them. It's one

518
00:30:09,040 --> 00:30:11,240
Speaker 4: hundred and twenty seats that room to comedy sell in

519
00:30:11,280 --> 00:30:12,640
Speaker 4: New York. It was very special.

520
00:30:13,080 --> 00:30:17,040
Speaker 3: That was the first place where Richard Pryor saw Bill

521
00:30:17,080 --> 00:30:20,440
Speaker 3: Constant performed. It's that kind of is that kind of

522
00:30:20,520 --> 00:30:24,479
Speaker 3: room like wow, you know it's one of those New

523
00:30:24,560 --> 00:30:27,360
Speaker 3: York rooms, like only in New York, Only in New York, right,

524
00:30:28,120 --> 00:30:30,400
Speaker 3: it makes history like that like when I when I

525
00:30:30,440 --> 00:30:34,600
Speaker 3: showed up there, I was seventeen. John Stewart was twenty seven.

526
00:30:34,160 --> 00:30:37,200
Speaker 3: I remember Ray Ramono used to sell mattresses.

527
00:30:37,880 --> 00:30:40,840
Speaker 7: But but hi, lobs like that, Wait, did you say mattresses?

528
00:30:41,600 --> 00:30:44,120
Speaker 4: Ray Ramonde used to sell like mattresses. I don't remember.

529
00:30:44,120 --> 00:30:47,520
Speaker 4: I don't even know what I mean. Niggas was comedians,

530
00:30:47,600 --> 00:30:52,160
Speaker 4: but they had it. They had a whole other lives.

531
00:30:52,440 --> 00:30:53,800
Speaker 3: I remember one night it was me and a bunch

532
00:30:53,840 --> 00:30:56,320
Speaker 3: of comedians, all these niggas something what you do before

533
00:30:56,320 --> 00:30:58,520
Speaker 3: you did comedy one niggas Like yeah, I was gonna

534
00:30:58,520 --> 00:30:59,680
Speaker 3: play professional baseball.

535
00:31:00,040 --> 00:31:01,200
Speaker 4: I was in the fun That's grill.

536
00:31:02,560 --> 00:31:05,240
Speaker 3: Another guy was a Wall Street trader walked off the

537
00:31:05,320 --> 00:31:07,800
Speaker 3: floor today. She's just like, I can't do this anymore

538
00:31:07,960 --> 00:31:10,080
Speaker 3: and just start doing stand up full time.

539
00:31:11,000 --> 00:31:12,440
Speaker 4: I mean all kinds of stories like that. And then

540
00:31:12,440 --> 00:31:13,680
Speaker 4: they get to me, they go, day, what do you

541
00:31:13,720 --> 00:31:15,320
Speaker 4: doing for you to comedy? I said, I was an

542
00:31:15,320 --> 00:31:21,560
Speaker 4: eighth grader anyway.

543
00:31:23,200 --> 00:31:26,440
Speaker 3: When I did Chapel Show and I wanted to do music,

544
00:31:26,520 --> 00:31:30,320
Speaker 3: I couldn't get people come on. I would reach out

545
00:31:30,320 --> 00:31:33,000
Speaker 3: to artists and like, like, who could you remember that

546
00:31:33,080 --> 00:31:34,600
Speaker 3: you try to get I'm not gonna.

547
00:31:34,360 --> 00:31:38,640
Speaker 4: Say any names. He was a dirty motherfucker for doing that.

548
00:31:42,240 --> 00:31:46,400
Speaker 3: Niggas niggas you know in Love and I didn't know

549
00:31:46,480 --> 00:31:49,560
Speaker 3: in Love said no, but really in their defense or

550
00:31:49,600 --> 00:31:54,960
Speaker 3: whenever heard of this show anything but the first Yeah,

551
00:31:55,080 --> 00:31:57,640
Speaker 3: but half Bake was like a terrible movie until I

552
00:31:57,960 --> 00:31:58,240
Speaker 3: made it.

553
00:31:58,320 --> 00:31:58,600
Speaker 4: Made it.

554
00:31:59,040 --> 00:32:02,360
Speaker 7: No do you know I made the song gonna havel

555
00:32:02,480 --> 00:32:04,240
Speaker 7: bake and everything you know?

556
00:32:04,560 --> 00:32:08,200
Speaker 4: You do you know me, don't make me be the

557
00:32:08,320 --> 00:32:13,720
Speaker 4: first nigga cry on drink. We don't get photo, we

558
00:32:13,800 --> 00:32:17,120
Speaker 4: don't get We're gonna get half baked flowers. Man you

559
00:32:17,240 --> 00:32:18,600
Speaker 4: got to get to have Big.

560
00:32:22,080 --> 00:32:24,000
Speaker 5: By the way, let me just let me not only

561
00:32:24,120 --> 00:32:27,320
Speaker 5: say who hold Not only that, but when I went

562
00:32:27,400 --> 00:32:31,520
Speaker 5: to Maui for my first time and the guy gave Wowie, I.

563
00:32:31,560 --> 00:32:35,640
Speaker 9: Said, serious, I didn't think that was real.

564
00:32:37,160 --> 00:32:40,360
Speaker 3: Dave Chapelle movie, Oh bro, don't get here talking about that.

565
00:32:40,600 --> 00:32:46,200
Speaker 3: But but to finish the story, Sorry, no, I haven't

566
00:32:46,200 --> 00:32:47,240
Speaker 3: Big got his flowers.

567
00:32:50,040 --> 00:32:50,320
Speaker 4: Okay.

568
00:32:50,360 --> 00:32:55,200
Speaker 3: What I was gonna say is, Okay, when we did

569
00:32:55,320 --> 00:32:58,719
Speaker 3: Chappelle's show, these were the cats that pulled up.

570
00:32:58,880 --> 00:32:59,920
Speaker 4: You have seen more.

571
00:33:00,360 --> 00:33:03,120
Speaker 3: Was the first nigga that I mean, fellow, excuse me,

572
00:33:04,040 --> 00:33:08,960
Speaker 3: ever performed on Chapelle Show. Kwaley the second Person Every

573
00:33:09,040 --> 00:33:12,400
Speaker 3: Form special. First time I heard Kanye West, this nigga

574
00:33:12,480 --> 00:33:15,120
Speaker 3: played a get By remix that everybody.

575
00:33:14,800 --> 00:33:17,600
Speaker 4: I think it was on everybody.

576
00:33:20,440 --> 00:33:25,240
Speaker 3: The whole in New York did thee. But Kanye's versus

577
00:33:25,280 --> 00:33:27,840
Speaker 3: the first one. When he said the thing about miracle whips,

578
00:33:27,880 --> 00:33:29,400
Speaker 3: I remember, I rewinded.

579
00:33:29,040 --> 00:33:30,560
Speaker 4: It, like, what was that boy that get it?

580
00:33:30,640 --> 00:33:30,680
Speaker 2: That?

581
00:33:30,840 --> 00:33:35,160
Speaker 4: Who is that guy? What happened? Who wants me over there?

582
00:33:36,320 --> 00:33:36,480
Speaker 23: Oh?

583
00:33:37,000 --> 00:33:43,480
Speaker 4: Oh my bad? Nigga. This nigga was texting moves that

584
00:33:43,640 --> 00:33:44,920
Speaker 4: nigga five ft to the w.

585
00:33:46,560 --> 00:33:48,440
Speaker 5: So, so then I'll come over here to everyone, come

586
00:33:48,440 --> 00:33:50,640
Speaker 5: over here for one second because this is a funny part.

587
00:33:50,920 --> 00:33:51,800
Speaker 9: This is all funny.

588
00:33:54,000 --> 00:33:55,800
Speaker 4: We know you go over there.

589
00:33:56,080 --> 00:33:56,600
Speaker 13: We know we.

590
00:33:59,760 --> 00:34:01,640
Speaker 7: He's most professional.

591
00:34:02,600 --> 00:34:09,920
Speaker 4: Yeah, hold up and Dave, yeah, be a. Tyler has

592
00:34:09,920 --> 00:34:14,160
Speaker 4: always been great. I felt like after I had a certain.

593
00:34:13,920 --> 00:34:16,960
Speaker 5: Person on my show, we even got tighter, which is

594
00:34:17,360 --> 00:34:21,360
Speaker 5: not heard of, because when certain things like that happened,

595
00:34:21,480 --> 00:34:22,279
Speaker 5: most people.

596
00:34:25,560 --> 00:34:29,440
Speaker 4: I was with I had to live okay when they

597
00:34:29,600 --> 00:34:31,000
Speaker 4: drink champs came out okay.

598
00:34:31,160 --> 00:34:35,200
Speaker 5: So to warn them and if called each other or

599
00:34:35,239 --> 00:34:37,120
Speaker 5: I called you, you called me, or whatever, we called

600
00:34:37,120 --> 00:34:39,040
Speaker 5: each other, and we said, we can't just come out

601
00:34:39,040 --> 00:34:40,160
Speaker 5: without telling.

602
00:34:42,320 --> 00:34:45,520
Speaker 7: Without telling Tyler first, aut telling Tyler first.

603
00:34:46,160 --> 00:34:48,120
Speaker 5: So I would like to ask y'all where was y'all

604
00:34:48,160 --> 00:34:50,960
Speaker 5: at when y'all first heard Kanye say.

605
00:34:51,040 --> 00:34:55,600
Speaker 4: This was not the Kennedy assassination? First? Where were you.

606
00:35:00,040 --> 00:35:01,759
Speaker 9: When it came across the wire.

607
00:35:03,320 --> 00:35:12,200
Speaker 4: Shot? When we were again, we weren't, we were? And

608
00:35:12,280 --> 00:35:17,239
Speaker 4: what happened in because y'all getting high? Look look, no, no, no, no.

609
00:35:17,560 --> 00:35:21,400
Speaker 3: The only reason we're even smoking and drinking and entertaining

610
00:35:21,480 --> 00:35:24,600
Speaker 3: this Tomfooler is because on the show called drink Champs.

611
00:35:27,640 --> 00:35:29,360
Speaker 4: What do you mean drink Champs, nigga, I'm.

612
00:35:29,200 --> 00:35:31,560
Speaker 9: Standing next to mean drink.

613
00:35:33,040 --> 00:35:37,719
Speaker 4: Nobody's fucking with him. So y'all, y'all in Denver, and

614
00:35:37,880 --> 00:35:43,080
Speaker 4: what happens? I don't remember listening. Listen, no no, no, no, listen.

615
00:35:44,840 --> 00:35:48,919
Speaker 3: Pop culture is a desert right now, and your show

616
00:35:49,080 --> 00:35:49,880
Speaker 3: is an anomaly.

617
00:35:51,320 --> 00:35:53,640
Speaker 4: And that Kanye west.

618
00:35:55,080 --> 00:35:59,000
Speaker 3: Uh interview you did was one of my favorite things

619
00:35:59,120 --> 00:36:02,160
Speaker 3: that I've seen in old pop culture in recent history.

620
00:36:02,440 --> 00:36:08,040
Speaker 9: I think you gave I fucked.

621
00:36:07,800 --> 00:36:10,320
Speaker 4: With Kanye, but man, I ain't seen him like that

622
00:36:10,440 --> 00:36:11,000
Speaker 4: in a minute.

623
00:36:11,480 --> 00:36:16,680
Speaker 3: It was funny, it was engaging, and then this nigga

624
00:36:16,880 --> 00:36:18,480
Speaker 3: had to go in on Quality's head.

625
00:36:25,640 --> 00:36:26,360
Speaker 6: I forgot about this.

626
00:36:26,560 --> 00:36:29,440
Speaker 3: He said something about quality making baseball heads popular.

627
00:36:29,480 --> 00:36:36,959
Speaker 5: That ain't no disrespecting, because I would like I would

628
00:36:37,040 --> 00:36:40,520
Speaker 5: like to beat you up, Tyler, because honestly, I could

629
00:36:40,520 --> 00:36:42,560
Speaker 5: tell the first two days we spoke you were hot.

630
00:36:42,840 --> 00:36:45,920
Speaker 4: Okay, I can tell, but you trusted me as.

631
00:36:45,760 --> 00:36:49,800
Speaker 5: A friend, and I was really respect that because you

632
00:36:49,880 --> 00:36:53,080
Speaker 5: knew I say, your toddler, I couldn't stop anything. You know,

633
00:36:53,239 --> 00:36:55,920
Speaker 5: like once once a person starts to go, and a

634
00:36:56,000 --> 00:36:58,440
Speaker 5: person of that calibers just like damn, what do I do?

635
00:36:58,560 --> 00:36:59,960
Speaker 9: I can't throw a muscle on him.

636
00:37:00,520 --> 00:37:02,480
Speaker 4: But you could have. You could have took this the

637
00:37:02,600 --> 00:37:06,200
Speaker 4: wrong wrong way. You could have you could have called.

638
00:37:07,600 --> 00:37:11,800
Speaker 3: You talk about telling me about because I killed that

639
00:37:11,960 --> 00:37:15,480
Speaker 3: mother for that baseball hat comment.

640
00:37:16,280 --> 00:37:22,000
Speaker 4: Nobody, nobody hat. No, this nigga was. This thing was

641
00:37:22,120 --> 00:37:24,320
Speaker 4: not hot at all. I was with him when he

642
00:37:24,440 --> 00:37:27,160
Speaker 4: saw immediately, yeah he was not.

643
00:37:28,160 --> 00:37:31,800
Speaker 5: But my first two calls, I was nervous, okay, But

644
00:37:32,000 --> 00:37:34,640
Speaker 5: then the third and fourth and everyone you kind of

645
00:37:34,760 --> 00:37:37,719
Speaker 5: like just brush it off and was just like, but

646
00:37:38,320 --> 00:37:41,200
Speaker 5: you said something to me that was very, very probably

647
00:37:41,239 --> 00:37:43,880
Speaker 5: the most popular, probably the most illness things I've ever

648
00:37:43,960 --> 00:37:46,080
Speaker 5: heard in my life. You said to me, the thing

649
00:37:46,120 --> 00:37:49,600
Speaker 5: about Kanye is even when he distance you, he helps you.

650
00:37:52,000 --> 00:37:54,360
Speaker 5: And you said, the problem with him is he knows that.

651
00:37:55,320 --> 00:37:56,719
Speaker 5: I do remember saying that.

652
00:37:57,120 --> 00:38:02,040
Speaker 4: Oh boy, nail, that's the part. I agree with that.

653
00:38:02,719 --> 00:38:04,000
Speaker 4: So I didn't hear this.

654
00:38:06,320 --> 00:38:09,719
Speaker 6: You heard of this because you think I heard.

655
00:38:11,000 --> 00:38:11,680
Speaker 4: I heard.

656
00:38:15,840 --> 00:38:17,279
Speaker 6: I did have fun with it, but you know.

657
00:38:18,719 --> 00:38:23,160
Speaker 4: No, you're not alerted to smoke. I think it's American spirits.

658
00:38:23,560 --> 00:38:27,400
Speaker 4: But it's okay. I'm good, not bad. That's okay. So

659
00:38:30,560 --> 00:38:32,400
Speaker 4: I have to do it smoke smoke smoke?

660
00:38:32,480 --> 00:38:32,920
Speaker 2: So tal it.

661
00:38:35,520 --> 00:38:37,280
Speaker 9: Are you getting phone calls?

662
00:38:37,520 --> 00:38:37,640
Speaker 24: How?

663
00:38:37,800 --> 00:38:40,600
Speaker 4: How is this? How is this? I mean obviously me

664
00:38:40,680 --> 00:38:44,359
Speaker 4: and e FN called you, but the episode drops. Are

665
00:38:44,400 --> 00:38:47,239
Speaker 4: you getting phone calls? How does this work for you? Oh?

666
00:38:47,280 --> 00:38:47,480
Speaker 15: Yeah?

667
00:38:47,520 --> 00:38:51,040
Speaker 6: That was good times. It was a good times.

668
00:38:51,680 --> 00:38:53,800
Speaker 13: It felt like you know what it felt like. It

669
00:38:53,920 --> 00:38:57,839
Speaker 13: felt like having a hit record out. That's how it felt,

670
00:38:58,200 --> 00:39:00,520
Speaker 13: the way that I remember like when get I was out.

671
00:39:01,320 --> 00:39:04,880
Speaker 13: Just it just so so it just you know, it

672
00:39:05,000 --> 00:39:07,719
Speaker 13: reminded me of what Kanye meant to the culture. And

673
00:39:08,600 --> 00:39:12,640
Speaker 13: you know, the hatship was funny to me. It was hilarious.

674
00:39:13,040 --> 00:39:13,360
Speaker 17: Thought it was.

675
00:39:13,400 --> 00:39:15,680
Speaker 4: I laughed, but I didn't even realize you wear hats

676
00:39:15,719 --> 00:39:16,719
Speaker 4: like that. No, it was funny.

677
00:39:17,080 --> 00:39:19,600
Speaker 13: I was like, because you help me, because y'all put

678
00:39:19,600 --> 00:39:21,120
Speaker 13: it in two parts, right, so it was it was

679
00:39:21,160 --> 00:39:24,480
Speaker 13: a cliffhanger, rushing right, and the first part he just

680
00:39:24,560 --> 00:39:26,600
Speaker 13: dissed me, and I didn't see the second part. So

681
00:39:26,680 --> 00:39:28,560
Speaker 13: first part I was like, oh, that was weird. But

682
00:39:28,680 --> 00:39:30,920
Speaker 13: the second part you was like, yo, but didn't you

683
00:39:31,080 --> 00:39:33,160
Speaker 13: just see him? And what you was talking about was

684
00:39:33,239 --> 00:39:37,000
Speaker 13: pictures at my Dave Chappelle comedy show, which was on

685
00:39:37,080 --> 00:39:42,040
Speaker 13: my birthday. I DJ I'm DJing. Dave says, Kanye gonna

686
00:39:42,040 --> 00:39:44,879
Speaker 13: show U. Kanye shows up, no security nothing, I'm like, okay,

687
00:39:44,880 --> 00:39:47,279
Speaker 13: I'm gonna play all Kanye set. He sat next to me.

688
00:39:47,360 --> 00:39:50,160
Speaker 13: We had a great time. That was like a month before.

689
00:39:50,160 --> 00:39:53,160
Speaker 13: I saw him on drink chips at the at the

690
00:39:53,280 --> 00:39:54,560
Speaker 13: stand and I bring it up.

691
00:39:55,080 --> 00:39:56,799
Speaker 23: That was yeah.

692
00:39:59,000 --> 00:40:00,560
Speaker 6: Buster was there that night too, and.

693
00:40:00,600 --> 00:40:01,239
Speaker 7: It was rhyme.

694
00:40:01,360 --> 00:40:03,120
Speaker 4: By the way, for the public. It is the kind

695
00:40:03,160 --> 00:40:06,200
Speaker 4: of nigga you forget how much you love them till

696
00:40:06,200 --> 00:40:09,760
Speaker 4: you see them all that way. You see them, you mind.

697
00:40:12,040 --> 00:40:13,840
Speaker 3: It is. But even if you didn't know, it's just

698
00:40:13,920 --> 00:40:15,839
Speaker 3: seeing his facemasks, you want to tear the club up.

699
00:40:17,480 --> 00:40:19,439
Speaker 6: That's right, get down. He get the eyebrout of going

700
00:40:19,560 --> 00:40:20,160
Speaker 6: up real quick.

701
00:40:21,320 --> 00:40:21,960
Speaker 4: But now you know.

702
00:40:22,080 --> 00:40:23,680
Speaker 13: It was my birthday, so I had all my people

703
00:40:23,719 --> 00:40:26,800
Speaker 13: with me, a lot of flappish niggas, a lot of

704
00:40:26,840 --> 00:40:31,080
Speaker 13: baseball hats. So when Kanye said it's gonna be twelve

705
00:40:31,160 --> 00:40:35,759
Speaker 13: niggas with baseball hats, I wish niggas he was talking about,

706
00:40:36,320 --> 00:40:36,879
Speaker 13: you know what I'm saying.

707
00:40:37,480 --> 00:40:38,799
Speaker 6: And we on a group chat.

708
00:40:38,840 --> 00:40:40,839
Speaker 13: We you know we you know you're a certain age

709
00:40:41,080 --> 00:40:43,040
Speaker 13: on the group chat with your friends from back in

710
00:40:43,080 --> 00:40:45,200
Speaker 13: the day. We on a group chat just laughing about this.

711
00:40:46,719 --> 00:40:48,440
Speaker 13: But you know, it was a moment that I that

712
00:40:48,600 --> 00:40:50,560
Speaker 13: I had to I had to have fun with it

713
00:40:51,160 --> 00:40:54,440
Speaker 13: because I got a lot of love for Kanye, and

714
00:40:55,040 --> 00:40:58,320
Speaker 13: he seemed there was there was underlying context behind that.

715
00:40:58,960 --> 00:41:01,759
Speaker 6: You know, it really another with bars or common a

716
00:41:01,840 --> 00:41:03,719
Speaker 6: baseball hats and none of that and none to do

717
00:41:03,800 --> 00:41:03,960
Speaker 6: with that.

718
00:41:04,400 --> 00:41:10,279
Speaker 13: And so for me, there was at Kanye got a

719
00:41:10,360 --> 00:41:14,040
Speaker 13: huge platform, and I care and I you know, I'm

720
00:41:14,080 --> 00:41:15,719
Speaker 13: like Marlow from the wire. My name is my name.

721
00:41:16,400 --> 00:41:18,040
Speaker 6: You don't speak of my name in no disrespectful way.

722
00:41:18,040 --> 00:41:18,560
Speaker 4: That's how I feel.

723
00:41:19,160 --> 00:41:21,000
Speaker 13: And he got a huge platform, and I love him,

724
00:41:21,320 --> 00:41:23,400
Speaker 13: and he my friend and my brother. So this was

725
00:41:23,400 --> 00:41:27,640
Speaker 13: all very conflicting and difficult. Richie expressed on drink chairs

726
00:41:27,680 --> 00:41:31,200
Speaker 13: before right and me and and to be real, me

727
00:41:31,320 --> 00:41:33,360
Speaker 13: expressing that drink champs is what he was responding to

728
00:41:34,160 --> 00:41:35,680
Speaker 13: when he when he said what he had to say,

729
00:41:36,000 --> 00:41:39,120
Speaker 13: it was when I saw the documentary, a shout out

730
00:41:39,120 --> 00:41:40,560
Speaker 13: of Coolie because I think he did a great job.

731
00:41:41,160 --> 00:41:42,840
Speaker 13: But when I saw the documentary, there's moments in the

732
00:41:42,880 --> 00:41:45,360
Speaker 13: documentary and me and seen me together with Kanye, and

733
00:41:45,400 --> 00:41:47,560
Speaker 13: I'll be honest with you, my life was moving.

734
00:41:47,400 --> 00:41:49,560
Speaker 6: So fast at the time, a lot of shows, a

735
00:41:49,640 --> 00:41:51,279
Speaker 6: lot of drinking, a lot of smoking, a lot of

736
00:41:51,440 --> 00:41:52,200
Speaker 6: just rap.

737
00:41:53,480 --> 00:41:56,200
Speaker 4: Confess, there's a lot of.

738
00:41:56,200 --> 00:42:03,160
Speaker 13: Ship, can't I'm watching this documentary and I don't remember

739
00:42:03,239 --> 00:42:07,200
Speaker 13: those moments, and so me not remembering those moments, I

740
00:42:07,280 --> 00:42:09,919
Speaker 13: had to realize, well, if I don't even remember those moments,

741
00:42:10,160 --> 00:42:11,799
Speaker 13: I had to see him a film. The people who

742
00:42:11,880 --> 00:42:14,120
Speaker 13: wasn't there, they definitely don't know about that, so they

743
00:42:14,160 --> 00:42:16,680
Speaker 13: don't have no context. So I have to stop even

744
00:42:16,840 --> 00:42:20,320
Speaker 13: be considering the context of people who wasn't there, you

745
00:42:20,320 --> 00:42:22,080
Speaker 13: know what I'm saying. Like for the people who was there,

746
00:42:22,840 --> 00:42:25,080
Speaker 13: they know you know what I'm saying. And that's that's

747
00:42:25,160 --> 00:42:27,080
Speaker 13: that's what that documentary reminded me of.

748
00:42:27,600 --> 00:42:31,560
Speaker 5: Okay, very briefly, I spoke the consequence, right, It was

749
00:42:31,640 --> 00:42:33,160
Speaker 5: just when the first episode dropped.

750
00:42:33,960 --> 00:42:35,480
Speaker 3: By the way, this has nothing to do it with

751
00:42:35,560 --> 00:42:37,800
Speaker 3: this nigga consequence perfect teeth.

752
00:42:43,880 --> 00:42:46,680
Speaker 9: So I spoke the consequence.

753
00:42:55,160 --> 00:42:56,000
Speaker 7: So yeah, I see.

754
00:42:56,320 --> 00:42:59,280
Speaker 5: So when I spoke the consequence, at first, it seemed

755
00:42:59,320 --> 00:43:03,319
Speaker 5: like he was, you know, a little disgruntle because people

756
00:43:03,520 --> 00:43:07,680
Speaker 5: was using footage of him. That was from from from

757
00:43:07,760 --> 00:43:10,719
Speaker 5: early on and then later on it seemed like it

758
00:43:10,800 --> 00:43:15,200
Speaker 5: was like it was cool. But one of the the

759
00:43:15,280 --> 00:43:18,839
Speaker 5: Kanye documentary, which you just brung up, is you kept

760
00:43:18,920 --> 00:43:20,879
Speaker 5: saying this guy is going to be the guy.

761
00:43:21,400 --> 00:43:21,600
Speaker 4: Yeah.

762
00:43:22,640 --> 00:43:26,239
Speaker 9: Yeah, I did, like very confidently too.

763
00:43:26,880 --> 00:43:29,520
Speaker 4: Yeah. I mean I think you ever said just do

764
00:43:29,520 --> 00:43:30,320
Speaker 4: a whole album together.

765
00:43:30,600 --> 00:43:35,799
Speaker 1: It's fairly obvious to me from the from the get

766
00:43:35,880 --> 00:43:39,320
Speaker 1: go where I was had it where it already was

767
00:43:39,400 --> 00:43:42,840
Speaker 1: when you and him. I mean, he was amazing producer,

768
00:43:47,840 --> 00:43:49,240
Speaker 1: he had all the star quality.

769
00:43:50,640 --> 00:43:54,759
Speaker 4: He was different. He challenged, in my opinion, a lot of.

770
00:43:54,800 --> 00:44:02,640
Speaker 1: The macho notion disassociated with but hip hop specifically, Like he.

771
00:44:02,640 --> 00:44:05,359
Speaker 5: Even just said recently, he said, you won't do four

772
00:44:05,480 --> 00:44:07,319
Speaker 5: years in college, but he's twenty five of life.

773
00:44:07,440 --> 00:44:09,920
Speaker 4: That's disrespect to every gangster nigga in the world.

774
00:44:10,200 --> 00:44:11,399
Speaker 9: No one become caught down.

775
00:44:12,760 --> 00:44:14,880
Speaker 7: Well, he said what he said he won't.

776
00:44:14,800 --> 00:44:16,520
Speaker 1: He said, you mean in college, you won't do four

777
00:44:16,600 --> 00:44:18,480
Speaker 1: years in college, but you do twenty five in life.

778
00:44:19,880 --> 00:44:21,919
Speaker 4: What he's trying to say, man, this is very good

779
00:44:21,960 --> 00:44:25,319
Speaker 4: what I'm doing. It's all good. Okay, get your dental.

780
00:44:25,560 --> 00:44:27,560
Speaker 13: He's saying that where we place our values where you

781
00:44:27,600 --> 00:44:30,280
Speaker 13: place our values and then he also said.

782
00:44:30,160 --> 00:44:32,840
Speaker 5: Mellionaires where it changed like it's also like you this

783
00:44:33,000 --> 00:44:34,600
Speaker 5: in a millionnaire. I've never heard this before.

784
00:44:34,960 --> 00:44:36,480
Speaker 4: But who is this is a millionaire?

785
00:44:37,880 --> 00:44:38,040
Speaker 2: Yeah?

786
00:44:38,120 --> 00:44:46,279
Speaker 4: Yeah, which man? This all of us millions. I'm talking

787
00:44:46,320 --> 00:45:04,120
Speaker 4: about Bring over river Vision boats made out of Night Trial,

788
00:45:04,239 --> 00:45:04,880
Speaker 4: Robert Right.

789
00:45:07,200 --> 00:45:10,279
Speaker 5: I see what you're saying on the documentary, and I

790
00:45:10,360 --> 00:45:13,200
Speaker 5: see what even Dave said when Dave said, like you know,

791
00:45:13,480 --> 00:45:16,799
Speaker 5: he was watching these clips what Kanye and Kanye was said,

792
00:45:16,800 --> 00:45:19,040
Speaker 5: I'm dope w I'm doing dope ship. But what I'm

793
00:45:19,080 --> 00:45:22,280
Speaker 5: trying to get from you is what was the actual

794
00:45:22,440 --> 00:45:24,239
Speaker 5: thing that you knew that this guy was great?

795
00:45:25,480 --> 00:45:27,560
Speaker 4: You listened to the beast he did the truth for

796
00:45:27,680 --> 00:45:31,319
Speaker 4: being segull, just to listen.

797
00:45:31,520 --> 00:45:37,279
Speaker 1: If this guy is fifty percent is good rhyman and

798
00:45:37,400 --> 00:45:41,520
Speaker 1: he is with them bets, he's gonna ahead. Diamond D

799
00:45:42,120 --> 00:45:47,200
Speaker 1: there's another MC Producers said hip hop is a classic

800
00:45:48,840 --> 00:45:50,880
Speaker 1: Pete Rock who he was just kind of like flirted

801
00:45:50,920 --> 00:45:52,840
Speaker 1: with ramas sometimes whatever he would do it it was,

802
00:45:53,120 --> 00:45:54,919
Speaker 1: it was, it was a pure thing. I take It's

803
00:45:54,920 --> 00:45:59,759
Speaker 1: the same way Dylan is the same way for for all. Yeah,

804
00:46:00,160 --> 00:46:03,680
Speaker 1: Kannie just took it to the fullest, you know extension

805
00:46:03,760 --> 00:46:07,520
Speaker 1: where he was like, no, I'm and people weren't trying

806
00:46:07,560 --> 00:46:10,600
Speaker 1: to accept Conye because he didn't fit into the archetype

807
00:46:10,600 --> 00:46:13,800
Speaker 1: of what has been sold is a solo rapper image.

808
00:46:15,040 --> 00:46:17,600
Speaker 1: At that time, he changed the paradigm for what was

809
00:46:18,000 --> 00:46:24,920
Speaker 1: possible in terms of an audience connecting with with not

810
00:46:25,120 --> 00:46:27,960
Speaker 1: just the music, but also an approach. I mean the

811
00:46:28,000 --> 00:46:30,000
Speaker 1: whole thing with the you know, college drop out, with

812
00:46:30,080 --> 00:46:32,360
Speaker 1: the mascot all that. It's like, it's art, you know

813
00:46:32,360 --> 00:46:35,799
Speaker 1: what I'm saying. It wasn't about him, you know, I'm

814
00:46:35,840 --> 00:46:37,440
Speaker 1: on the block doing this and this and that. But

815
00:46:37,760 --> 00:46:41,279
Speaker 1: and he made soon as the appeal to everybody, no

816
00:46:41,360 --> 00:46:43,400
Speaker 1: matter where you were. You know, it was just it

817
00:46:43,560 --> 00:46:45,919
Speaker 1: was just good music. I mean, you know, good life

818
00:46:46,040 --> 00:46:50,040
Speaker 1: is not about some sort of macho pasta. It's just dope,

819
00:46:50,160 --> 00:46:54,759
Speaker 1: you know. So that's what I appreciated about him. And

820
00:46:55,040 --> 00:46:56,920
Speaker 1: so what Pof was doing with No Way Out, I

821
00:46:57,000 --> 00:46:59,800
Speaker 1: was like, if that's working, I know, just the proper

822
00:47:00,040 --> 00:47:02,440
Speaker 1: off is not ro my life Kanye had published not

823
00:47:02,440 --> 00:47:06,840
Speaker 1: even Ron my Life, Doctor Dre right, Doctor Dre is

824
00:47:06,880 --> 00:47:09,320
Speaker 1: going in on those bars, whether he wrote them or not.

825
00:47:09,400 --> 00:47:13,160
Speaker 1: Heard he sounds fantastic. They say that pop doesn't, but

826
00:47:13,239 --> 00:47:17,120
Speaker 1: it's just you know, it's another hemisphere. Kanye was like,

827
00:47:18,400 --> 00:47:20,480
Speaker 1: and he said it ain't nobody don't don't can hear

828
00:47:20,520 --> 00:47:22,360
Speaker 1: you go and get ain't nobody calls this due to

829
00:47:22,440 --> 00:47:24,759
Speaker 1: rapping at track Triple Double Norse says, it's like he's

830
00:47:25,080 --> 00:47:29,239
Speaker 1: telling you, you know, and when you have that type

831
00:47:29,239 --> 00:47:32,560
Speaker 1: of talent musically, well the naturally you're gonna have something interesting.

832
00:47:32,600 --> 00:47:35,080
Speaker 1: The same man through the wires. It's the most rock

833
00:47:35,120 --> 00:47:38,160
Speaker 1: and roll shit ever. Who does a verse with the

834
00:47:38,360 --> 00:47:41,200
Speaker 1: joy wire shit? After they you know, like and this

835
00:47:41,280 --> 00:47:44,200
Speaker 1: is the response to like flying out of the window

836
00:47:44,280 --> 00:47:46,360
Speaker 1: of a moving car at their driving like you know,

837
00:47:46,920 --> 00:47:49,759
Speaker 1: like you know, any barely thirty or like in his

838
00:47:49,840 --> 00:47:53,239
Speaker 1: early thirties and some shit, it's like that's a serious thing.

839
00:47:53,400 --> 00:47:56,880
Speaker 1: So yeah, it was just always evident to me he

840
00:47:56,960 --> 00:47:59,920
Speaker 1: had the vision after he came out with Graduate.

841
00:48:00,480 --> 00:48:04,560
Speaker 4: Let me say story, so graduation, I hope I have

842
00:48:04,600 --> 00:48:06,399
Speaker 4: nothing of my teeth because I was good.

843
00:48:07,480 --> 00:48:08,239
Speaker 9: What kind of food was?

844
00:48:08,920 --> 00:48:11,520
Speaker 4: That was very simple with chicken wing and some rice?

845
00:48:11,719 --> 00:48:17,320
Speaker 1: Okay, but thanks for asking and a recent pieces that

846
00:48:17,560 --> 00:48:18,640
Speaker 1: ill it's an appartee.

847
00:48:18,719 --> 00:48:19,640
Speaker 4: I have another one now.

848
00:48:21,960 --> 00:48:27,719
Speaker 1: Uh so Karane, this is before graduation, and this is

849
00:48:27,760 --> 00:48:29,640
Speaker 1: around the time that there was that whole thing between

850
00:48:29,680 --> 00:48:31,359
Speaker 1: him and fifty, like who's going to have the better

851
00:48:31,440 --> 00:48:31,839
Speaker 1: first year?

852
00:48:32,719 --> 00:48:34,200
Speaker 4: Who was going to be the king of hip hop

853
00:48:34,280 --> 00:48:34,719
Speaker 4: of a boom?

854
00:48:36,480 --> 00:48:40,640
Speaker 1: And you know this is this is fifty posts give

855
00:48:40,760 --> 00:48:44,000
Speaker 1: us to dot trying, So fifties like, uh, you know,

856
00:48:44,120 --> 00:48:45,440
Speaker 1: his presences up, it's.

857
00:48:45,320 --> 00:48:46,600
Speaker 4: Like, give us a trine.

858
00:48:46,680 --> 00:48:49,880
Speaker 1: It's like, I don't care what you feel about you know,

859
00:48:50,120 --> 00:48:54,800
Speaker 1: gangster rap or even fifty himself, but that's it is classic.

860
00:48:55,000 --> 00:48:59,640
Speaker 1: I mean that that was a classic record. So fifties

861
00:48:59,719 --> 00:49:02,279
Speaker 1: up and he's loaded up with another one, and you

862
00:49:02,640 --> 00:49:04,800
Speaker 1: nobody really knows what it's going to because people forget

863
00:49:05,000 --> 00:49:08,920
Speaker 1: power the dollar fifty like, well fifty was like spitting fifty.

864
00:49:10,160 --> 00:49:12,719
Speaker 9: Yeah, so you know, like fifty was like I never

865
00:49:12,760 --> 00:49:13,120
Speaker 9: got paid.

866
00:49:13,160 --> 00:49:20,279
Speaker 4: It's cool. I'm not just I feel you label ever

867
00:49:20,360 --> 00:49:28,399
Speaker 4: paid you. He tells me your favorite right right on here. Man.

868
00:49:34,440 --> 00:49:38,560
Speaker 1: So there was that whole battle that they you know

869
00:49:38,680 --> 00:49:43,920
Speaker 1: that they were very happy to have a man. Connie

870
00:49:44,080 --> 00:49:46,359
Speaker 1: had a listening session that was in a movie theater.

871
00:49:46,360 --> 00:49:49,719
Speaker 1: I never forget it was right over there by Chelsea. No,

872
00:49:50,200 --> 00:49:52,759
Speaker 1: it's like in the back of the Old Death Cham

873
00:49:52,800 --> 00:49:55,279
Speaker 1: but like in the forties and fifties, like just off there,

874
00:49:55,360 --> 00:49:58,040
Speaker 1: like by the way Cats. The Cats did it is

875
00:49:58,120 --> 00:50:00,200
Speaker 1: you looked that block over it's like forty.

876
00:50:02,160 --> 00:50:02,680
Speaker 4: By the winter.

877
00:50:02,760 --> 00:50:05,080
Speaker 1: God, it's not Sony Studios, but it's like it's like

878
00:50:05,280 --> 00:50:09,960
Speaker 1: forty ninth and not it's I think it's no, it's

879
00:50:10,000 --> 00:50:11,759
Speaker 1: before ten, so it's like night. It's right there on

880
00:50:11,800 --> 00:50:14,359
Speaker 1: the corner where the old Yeah, the Old Death JM.

881
00:50:14,640 --> 00:50:17,320
Speaker 1: The university used to say. Anyway, it was a local

882
00:50:17,400 --> 00:50:20,520
Speaker 1: movie theater. It was there, and what Kanye did is

883
00:50:20,560 --> 00:50:24,839
Speaker 1: that you came into the movie theater. He had programs

884
00:50:25,640 --> 00:50:27,279
Speaker 1: for like all of the songs and some of the

885
00:50:27,360 --> 00:50:31,880
Speaker 1: lyrics and all that, so so caramel popcorn and edited

886
00:50:33,120 --> 00:50:37,200
Speaker 1: visuals from anime movies that he liked and played that

887
00:50:38,160 --> 00:50:39,800
Speaker 1: in sync to the music.

888
00:50:40,680 --> 00:50:42,840
Speaker 4: The moment that he did that and the moment that

889
00:50:42,960 --> 00:50:44,840
Speaker 4: I left there, I was.

890
00:50:44,920 --> 00:50:49,359
Speaker 1: Like, Kanye wins that I don't care what fifty cent

891
00:50:49,480 --> 00:50:53,640
Speaker 1: got in the tank. He is not beating this album

892
00:50:53,800 --> 00:50:55,680
Speaker 1: at this time. It's just no way.

893
00:50:55,800 --> 00:50:56,720
Speaker 4: It was so creative.

894
00:50:56,760 --> 00:51:00,400
Speaker 1: It was I mean, good morning, it was graduate is

895
00:51:00,480 --> 00:51:03,759
Speaker 1: like it's like a thriller moment that people actually proper

896
00:51:03,800 --> 00:51:07,960
Speaker 1: appropriately appropriately appreciate you for this, I mean, and they

897
00:51:08,040 --> 00:51:10,040
Speaker 1: try to. I always feel like they try to hate

898
00:51:10,040 --> 00:51:12,600
Speaker 1: on it. Because he really sold a million records.

899
00:51:12,280 --> 00:51:12,759
Speaker 19: In the day.

900
00:51:13,320 --> 00:51:15,960
Speaker 1: I don't care what they say. I don't know about this,

901
00:51:17,160 --> 00:51:21,040
Speaker 1: but they say he sold his first day. The first

902
00:51:21,080 --> 00:51:24,560
Speaker 1: week is the first day. If I'm not mistakes, the

903
00:51:24,600 --> 00:51:25,960
Speaker 1: first week of the first day, I believe it's the

904
00:51:26,000 --> 00:51:31,680
Speaker 1: first day fifty so seven hundred thousand copies. This is

905
00:51:31,719 --> 00:51:40,480
Speaker 1: before Spotify and all of this. We sold nine hundred

906
00:51:40,600 --> 00:51:43,640
Speaker 1: thousand pieces, which means he sold the main pieces.

907
00:51:43,680 --> 00:51:46,560
Speaker 4: And you don't want to roll it off. Let's just like,

908
00:51:46,719 --> 00:51:47,719
Speaker 4: let's quit playing games.

909
00:51:47,760 --> 00:51:52,040
Speaker 1: Lets it kept it kept the record industry like floating

910
00:51:52,080 --> 00:51:54,320
Speaker 1: for at least the next five years with that, and

911
00:51:54,360 --> 00:51:57,719
Speaker 1: it helped them transition into this whole streamer model because.

912
00:51:57,520 --> 00:52:00,520
Speaker 4: They was just sitting on cash and who was like that.

913
00:52:00,640 --> 00:52:03,200
Speaker 1: It wasn't cold player, it wasn't YouTube, it wasn't any

914
00:52:03,360 --> 00:52:07,400
Speaker 1: it wasn't any other genre. It was Kanye West with

915
00:52:07,920 --> 00:52:12,440
Speaker 1: a beautifully cleanly produced album. There was pure hip hop

916
00:52:12,480 --> 00:52:15,359
Speaker 1: and Barry Bonds, like, what are we even talking about?

917
00:52:15,400 --> 00:52:20,360
Speaker 1: This ship is out of control, and yeah, I was like, fifties,

918
00:52:20,680 --> 00:52:22,920
Speaker 1: he don't have nothing. In response to that, I mean,

919
00:52:23,040 --> 00:52:25,880
Speaker 1: he's you know, he's he was riding in the tie

920
00:52:26,000 --> 00:52:29,719
Speaker 1: that Kanye created. In my opinion and from an observers

921
00:52:29,760 --> 00:52:32,840
Speaker 1: point of view, for me, it felt like a referendum on.

922
00:52:33,000 --> 00:52:36,200
Speaker 9: The on You'd be using words, I don't know what

923
00:52:36,280 --> 00:52:37,320
Speaker 9: the talking about.

924
00:52:41,680 --> 00:52:42,200
Speaker 6: This whole town.

925
00:52:42,200 --> 00:52:47,239
Speaker 1: I'll been like, yep, a referendum. It's like, you know what,

926
00:52:47,600 --> 00:52:49,920
Speaker 1: it's like a vote. It's like it's almost like a

927
00:52:50,000 --> 00:52:54,200
Speaker 1: public petition. Yeah, it's not exactly a vote, but it's

928
00:52:54,280 --> 00:52:56,319
Speaker 1: like something that happens before a vote.

929
00:52:57,520 --> 00:52:59,920
Speaker 4: But they have signed of cultural referendums like.

930
00:53:02,000 --> 00:53:06,239
Speaker 1: This side or this side is going to determine the

931
00:53:06,360 --> 00:53:11,239
Speaker 1: cultural direction for this group for at least the next

932
00:53:11,280 --> 00:53:16,600
Speaker 1: five years, if not the full generation. And in my opinion,

933
00:53:17,120 --> 00:53:21,640
Speaker 1: that's what Kanye West Graduation Album did. It opened up

934
00:53:22,400 --> 00:53:32,040
Speaker 1: the paradigm creatively for what could be viewed as groundbreaking

935
00:53:32,120 --> 00:53:36,400
Speaker 1: and inventive and also having big scale, and there was

936
00:53:36,520 --> 00:53:40,480
Speaker 1: no one at that type of pop culture scale was

937
00:53:40,560 --> 00:53:44,520
Speaker 1: being that creative, you know, particularly in hip hop. So

938
00:53:44,600 --> 00:53:47,040
Speaker 1: it's a big moment for the culture. I mean, and

939
00:53:47,760 --> 00:53:50,520
Speaker 1: you know, this kid from Chicago to everybody stepped on

940
00:53:50,600 --> 00:53:53,719
Speaker 1: because he was wearing hard bottom shoes and you know,

941
00:53:54,160 --> 00:53:56,960
Speaker 1: you know, fucking cardigans with button down shirts were not

942
00:53:57,040 --> 00:54:00,400
Speaker 1: everybody justice like that, but at least once too, you know,

943
00:54:00,520 --> 00:54:04,880
Speaker 1: like you know, you know, Kanye just stayed true to himself.

944
00:54:04,920 --> 00:54:06,320
Speaker 4: I think that's what the real powerble.

945
00:54:06,360 --> 00:54:10,480
Speaker 1: It's not about following the style that somebody introduced to you.

946
00:54:10,560 --> 00:54:12,680
Speaker 4: It's about being you.

947
00:54:13,160 --> 00:54:13,320
Speaker 6: You know.

948
00:54:13,840 --> 00:54:17,680
Speaker 9: And let me ask you. There was a cover right,

949
00:54:18,280 --> 00:54:19,239
Speaker 9: I believe it was you.

950
00:54:20,880 --> 00:54:24,120
Speaker 4: Black Thought in Phara months.

951
00:54:25,040 --> 00:54:28,760
Speaker 1: That's Source magazine, Source magazine, So magazine.

952
00:54:29,000 --> 00:54:29,960
Speaker 4: This is backpack.

953
00:54:32,400 --> 00:54:34,040
Speaker 5: I mean, I mean, okay, let me tell you what

954
00:54:34,120 --> 00:54:38,879
Speaker 5: the outside is looking at it saying backpack hip hop.

955
00:54:40,680 --> 00:54:45,560
Speaker 4: It's at the forefront now, I guess, but you know

956
00:54:45,600 --> 00:54:45,960
Speaker 4: what I mean.

957
00:54:46,280 --> 00:54:49,520
Speaker 25: Even you remember you remember the couple, But even the

958
00:54:49,600 --> 00:54:52,600
Speaker 25: backpack coach never accepted that terminology either.

959
00:54:53,120 --> 00:54:55,040
Speaker 1: It was like it's something that people came up with

960
00:54:55,160 --> 00:54:58,279
Speaker 1: to try to like, you know, I get where people

961
00:54:58,320 --> 00:55:00,480
Speaker 1: coming from with it, but it was like that stuff

962
00:55:00,520 --> 00:55:02,640
Speaker 1: because it doesn't have any gravity to it.

963
00:55:02,760 --> 00:55:06,920
Speaker 7: It's like, so that's not you know what it is.

964
00:55:07,000 --> 00:55:10,239
Speaker 13: It's like, okay, so I grew up in Flatbush Flat

965
00:55:10,320 --> 00:55:13,040
Speaker 13: Lambs area. It's a two fare zone. And so when

966
00:55:13,120 --> 00:55:16,239
Speaker 13: we went to what at that time Greenwich Village's Lower

967
00:55:16,280 --> 00:55:18,279
Speaker 13: east Side to go to parties in the city, we

968
00:55:18,400 --> 00:55:19,480
Speaker 13: hopped in the Turnstarle and.

969
00:55:19,520 --> 00:55:23,600
Speaker 6: We had backpacks on, and it was a very practical.

970
00:55:23,200 --> 00:55:29,800
Speaker 1: New York City thing, like a sign of dangers, like

971
00:55:30,520 --> 00:55:32,200
Speaker 1: Center Trade dust.

972
00:55:32,440 --> 00:55:36,400
Speaker 6: I get him on the other side. But then you

973
00:55:36,520 --> 00:55:37,160
Speaker 6: started seeing.

974
00:55:38,600 --> 00:55:40,919
Speaker 13: Then you start seeing in hip hop videos, you start

975
00:55:40,960 --> 00:55:43,600
Speaker 13: seeing Grand Puba went to backpack on. Then you have

976
00:55:43,719 --> 00:55:45,680
Speaker 13: kids from the suburbs coming and let me tell you

977
00:55:45,800 --> 00:55:48,560
Speaker 13: wearing empty backpacks at the show. Let me tell you

978
00:55:48,640 --> 00:55:49,360
Speaker 13: where backpack.

979
00:55:49,440 --> 00:55:50,160
Speaker 6: That's where he came.

980
00:55:50,320 --> 00:55:51,280
Speaker 4: Frowned upon.

981
00:55:53,760 --> 00:55:58,000
Speaker 5: Backpack and against the culture was simultaneously.

982
00:55:58,120 --> 00:56:01,120
Speaker 4: At one time we ran this saying it was one

983
00:56:01,320 --> 00:56:05,080
Speaker 4: video what they do the roots.

984
00:56:06,640 --> 00:56:10,440
Speaker 7: It's separated backpack and gangs stuff.

985
00:56:10,600 --> 00:56:13,080
Speaker 9: That sounds personal because it does.

986
00:56:13,400 --> 00:56:15,600
Speaker 4: It did know, because you know what it did.

987
00:56:16,120 --> 00:56:19,160
Speaker 5: Everything that represented gangs stuff, the roots had dissed at

988
00:56:19,239 --> 00:56:19,720
Speaker 5: that moment.

989
00:56:21,400 --> 00:56:22,800
Speaker 4: Damn, I'm full mad hip.

990
00:56:22,680 --> 00:56:23,120
Speaker 2: Hop right now.

991
00:56:25,520 --> 00:56:34,600
Speaker 3: You know, Lear played some outside baseballs, some outside baseball.

992
00:56:35,360 --> 00:56:41,400
Speaker 4: I'm not a rapper, no, no, no, because I need

993
00:56:41,480 --> 00:56:45,600
Speaker 4: to hear your face after Okay, here I go. We

994
00:56:45,680 --> 00:56:52,200
Speaker 4: ever got the most vicious win? Okay, gangs vicious?

995
00:56:52,560 --> 00:56:54,320
Speaker 9: Yes, what they do?

996
00:56:55,239 --> 00:57:01,080
Speaker 4: Who do what they do? And this is what yes

997
00:57:01,800 --> 00:57:06,120
Speaker 4: love video? Yes, and it was clever, right, But there

998
00:57:06,320 --> 00:57:10,279
Speaker 4: was more bites at the Biggie Show than it was

999
00:57:10,360 --> 00:57:14,120
Speaker 4: at the Roots one more more more particularly, there's more

1000
00:57:14,320 --> 00:57:17,400
Speaker 4: bitches at the NAS show. Okay, but that but that

1001
00:57:17,480 --> 00:57:20,240
Speaker 4: didn't come yet. What they do was before. Let me

1002
00:57:20,280 --> 00:57:22,600
Speaker 4: tell you something, what they do before. Let me tell

1003
00:57:22,600 --> 00:57:23,840
Speaker 4: you something. I don't know if.

1004
00:57:26,160 --> 00:57:29,680
Speaker 7: I remember me and NAS happened the meeting and him

1005
00:57:29,760 --> 00:57:31,200
Speaker 7: saying that is about me.

1006
00:57:31,440 --> 00:57:32,520
Speaker 4: You have a meeting about this.

1007
00:57:32,840 --> 00:57:37,400
Speaker 9: I'm saying, your son, this is not about you at all.

1008
00:57:37,880 --> 00:57:39,480
Speaker 9: But remember when they're.

1009
00:57:39,360 --> 00:57:41,760
Speaker 5: Chasing the wrapper through where they chasing the rapper through

1010
00:57:41,840 --> 00:57:47,600
Speaker 5: at Queensbridge, in the projects, not Queensbridge, any projects in America.

1011
00:57:47,960 --> 00:57:51,600
Speaker 9: What every project looks the same. So I remember that

1012
00:57:52,080 --> 00:57:53,520
Speaker 9: that was the time.

1013
00:57:53,800 --> 00:57:54,920
Speaker 4: This is a long grudge.

1014
00:57:55,240 --> 00:57:57,880
Speaker 26: I can't believe. I can't believe that you still have

1015
00:57:58,120 --> 00:58:05,680
Speaker 26: trauma over there. They do video fuck them backpack cut

1016
00:58:05,760 --> 00:58:06,120
Speaker 26: that out.

1017
00:58:06,200 --> 00:58:10,440
Speaker 6: No, no, but he sounded like, you know, he sounded

1018
00:58:10,440 --> 00:58:11,760
Speaker 6: like Memphis Bleef talking about the NA.

1019
00:58:11,920 --> 00:58:13,240
Speaker 7: So no, because you know what.

1020
00:58:13,400 --> 00:58:16,520
Speaker 5: You know what was crazy to me was when Kanye

1021
00:58:16,680 --> 00:58:19,240
Speaker 5: said that, he said I was faking being a backpack

1022
00:58:19,360 --> 00:58:22,320
Speaker 5: wrapper and boot Camp.

1023
00:58:22,360 --> 00:58:24,360
Speaker 4: People from boot Camp came.

1024
00:58:24,360 --> 00:58:27,080
Speaker 5: At us and said, yo, we want to respawn to Kanye,

1025
00:58:27,520 --> 00:58:29,880
Speaker 5: and I was like, I don't think they were talking

1026
00:58:29,960 --> 00:58:30,360
Speaker 5: about you.

1027
00:58:30,960 --> 00:58:33,200
Speaker 4: At No, Yeah, I don't think he was talking about me.

1028
00:58:33,320 --> 00:58:36,080
Speaker 9: He was talking about book shot box shots.

1029
00:58:36,240 --> 00:58:39,320
Speaker 7: People hit us and me because.

1030
00:58:43,320 --> 00:58:47,640
Speaker 13: Remember who got the prop video box Buckshot five foot

1031
00:58:47,680 --> 00:58:49,640
Speaker 13: with the backpacks jumping around.

1032
00:58:50,560 --> 00:58:53,280
Speaker 7: That was the first that considered. That's why they felt

1033
00:58:53,320 --> 00:58:53,600
Speaker 7: that way.

1034
00:58:53,880 --> 00:58:54,760
Speaker 4: That's why they backed up.

1035
00:58:54,800 --> 00:58:57,440
Speaker 7: That's why they felt that. They felt they brought it in.

1036
00:58:59,080 --> 00:59:08,080
Speaker 4: Cli big up Bucks. But I didn't understand that when Buck.

1037
00:59:09,000 --> 00:59:11,960
Speaker 6: Because they had the backpack, they got the person. When

1038
00:59:12,000 --> 00:59:14,560
Speaker 6: buckshot Buckshot performs, he wears a backpack.

1039
00:59:14,760 --> 00:59:17,800
Speaker 9: I just took the Apollo with Caros one that.

1040
00:59:17,920 --> 00:59:18,920
Speaker 6: Came out with the backpack.

1041
00:59:18,960 --> 00:59:20,560
Speaker 7: And you know what, Now I get now, I get it.

1042
00:59:20,840 --> 00:59:21,840
Speaker 4: Now I get what he was doing.

1043
00:59:23,040 --> 00:59:27,080
Speaker 9: He came, he took, he put the backpack on the

1044
00:59:27,160 --> 00:59:28,600
Speaker 9: ground and he turned around like this.

1045
00:59:30,680 --> 00:59:34,320
Speaker 6: That's what he did. Now I understand what he was doing. Yeah,

1046
00:59:34,920 --> 00:59:37,800
Speaker 6: he was making a statement about backpacks.

1047
00:59:37,920 --> 00:59:40,880
Speaker 15: But Kanye is definitely was talking about He was talking

1048
00:59:40,960 --> 00:59:43,760
Speaker 15: about the underground scene, which I was saying because that

1049
00:59:43,880 --> 00:59:45,600
Speaker 15: was a scene that was supporting him.

1050
00:59:47,480 --> 00:59:49,120
Speaker 4: Talk about Puerto Rican busy.

1051
00:59:55,760 --> 00:59:56,880
Speaker 9: So he's never died.

1052
00:59:59,600 --> 01:00:01,280
Speaker 4: Latins saying calls as nigger.

1053
01:00:04,600 --> 01:00:13,960
Speaker 22: You're not approved, man, He's approved. Hold On, hold on,

1054
01:00:14,080 --> 01:00:14,680
Speaker 22: Let's take a shot.

1055
01:00:15,360 --> 01:00:18,760
Speaker 7: Shot, shot, take a shot, man, Because listen, our show.

1056
01:00:18,640 --> 01:00:20,880
Speaker 4: Was about giving people they flowers. We will give all

1057
01:00:20,960 --> 01:00:23,440
Speaker 4: three shows about getting funked up, and this is not.

1058
01:00:25,200 --> 01:00:30,800
Speaker 4: It's also about getting It's the best out of this

1059
01:00:30,920 --> 01:00:31,520
Speaker 4: dark fantasy.

1060
01:00:31,920 --> 01:00:32,760
Speaker 7: Let's talk more about that.

1061
01:00:35,560 --> 01:00:40,040
Speaker 4: He did say that. Now I visited Kanye once. Let's

1062
01:00:40,080 --> 01:00:45,560
Speaker 4: take chanced to him. You visited.

1063
01:00:45,960 --> 01:00:48,160
Speaker 3: The only reason we're talking about him is because he's

1064
01:00:48,200 --> 01:00:53,040
Speaker 3: our friend and he's a great guy, superstar. Look, I

1065
01:00:53,080 --> 01:00:55,840
Speaker 3: went and visiting once in myom. He played for me

1066
01:00:56,720 --> 01:00:58,960
Speaker 3: what at the time he called Dona. Man, you might

1067
01:00:59,040 --> 01:01:00,960
Speaker 3: have to cut this out, boy, I gotta say it.

1068
01:01:03,640 --> 01:01:07,800
Speaker 3: It was incredible. First bar on the record, I guess

1069
01:01:07,880 --> 01:01:09,920
Speaker 3: you were just played on the Black Style album, and

1070
01:01:10,080 --> 01:01:12,080
Speaker 3: the first bar on his album he said, I just

1071
01:01:12,200 --> 01:01:15,120
Speaker 3: heard the new Black Star. Feels good to be a

1072
01:01:15,240 --> 01:01:15,840
Speaker 3: Black star.

1073
01:01:16,560 --> 01:01:20,080
Speaker 4: Man. It was it was the old Kanye. It wasn't

1074
01:01:20,120 --> 01:01:23,520
Speaker 4: the old Kanye. It was the forever Kanye. Like dad

1075
01:01:23,720 --> 01:01:24,200
Speaker 4: was Kanye.

1076
01:01:24,320 --> 01:01:27,959
Speaker 3: Man, he was just in the pocket now. He played

1077
01:01:28,000 --> 01:01:32,080
Speaker 3: this album he raved about a black style album. And

1078
01:01:32,560 --> 01:01:35,120
Speaker 3: when Donna came out, not a single song he played

1079
01:01:35,160 --> 01:01:36,800
Speaker 3: for me that day was on it. But whatever that

1080
01:01:36,880 --> 01:01:42,160
Speaker 3: ship was that he played was incredible. Yeah, I gotta

1081
01:01:42,240 --> 01:01:45,080
Speaker 3: tell you from the outside looking and this includes you.

1082
01:01:45,240 --> 01:01:47,000
Speaker 4: No listen.

1083
01:01:48,760 --> 01:01:51,520
Speaker 3: I remember one of the ten fucking cushions apart in

1084
01:01:51,600 --> 01:01:55,440
Speaker 3: the club when Super Thuck came on. I'm not joking,

1085
01:01:57,000 --> 01:02:00,640
Speaker 3: I'm not joking. I remember when the first Black Star

1086
01:02:00,720 --> 01:02:03,200
Speaker 3: album came out and bought Alexis at the time that

1087
01:02:03,400 --> 01:02:08,720
Speaker 3: was It's quite the car, and I bumped that Black

1088
01:02:08,800 --> 01:02:09,960
Speaker 3: Star Wall around.

1089
01:02:09,840 --> 01:02:13,880
Speaker 9: Manhattan is the first album as soon as the game.

1090
01:02:14,880 --> 01:02:17,520
Speaker 3: And I met this nigga like, I'm like, while it

1091
01:02:17,680 --> 01:02:20,640
Speaker 3: was happening, man, you tell him quality.

1092
01:02:22,840 --> 01:02:26,080
Speaker 4: I met him, I didn't recognize him, and he was

1093
01:02:26,240 --> 01:02:26,720
Speaker 4: so mean.

1094
01:02:32,200 --> 01:02:39,120
Speaker 9: Fucking around says about him. Not everybody says that's air

1095
01:02:39,200 --> 01:02:39,680
Speaker 9: wax City.

1096
01:02:39,880 --> 01:02:44,880
Speaker 3: Quality is not mean, but he's he's quality. How he

1097
01:02:45,120 --> 01:02:48,240
Speaker 3: make you feel like he's judging you because he's so

1098
01:02:48,440 --> 01:02:50,680
Speaker 3: smart stop living that.

1099
01:02:50,760 --> 01:02:55,680
Speaker 4: Way, smart pants. That's what a stranger was saying.

1100
01:02:58,600 --> 01:02:59,360
Speaker 9: It was a while.

1101
01:02:59,560 --> 01:03:02,120
Speaker 4: It was a wild, serendipitous time.

1102
01:03:02,280 --> 01:03:04,600
Speaker 3: They were scoring a moment in my life, and I

1103
01:03:04,720 --> 01:03:07,200
Speaker 3: met him in the moment they were scoring. I've heard

1104
01:03:07,240 --> 01:03:11,000
Speaker 3: their music before I met them. Oh you're that GUYVN

1105
01:03:11,080 --> 01:03:13,840
Speaker 3: Bump in the car. Hip Hop was still like that

1106
01:03:14,040 --> 01:03:18,200
Speaker 3: back then. Wow, beautiful, Right, everybody's trapping now?

1107
01:03:19,240 --> 01:03:21,480
Speaker 4: Yeah, no, no, not everybody.

1108
01:03:22,520 --> 01:03:23,520
Speaker 23: No, you know what I mean.

1109
01:03:27,920 --> 01:03:28,360
Speaker 4: Beautiful?

1110
01:03:28,680 --> 01:03:33,640
Speaker 9: Yeah, this real hip hop left. You're saying, of course, Well.

1111
01:03:33,600 --> 01:03:38,360
Speaker 1: I mean there's real everything left. There's real people aliva

1112
01:03:38,560 --> 01:03:39,920
Speaker 1: all the time doing things.

1113
01:03:40,560 --> 01:03:43,160
Speaker 6: You got to curate your own thing. You got to

1114
01:03:43,160 --> 01:03:44,160
Speaker 6: be a conscious consumer.

1115
01:03:44,240 --> 01:03:44,560
Speaker 2: You have to.

1116
01:03:45,760 --> 01:03:47,640
Speaker 6: You don't have to, but it would be wise to

1117
01:03:48,920 --> 01:03:51,160
Speaker 6: be in charge of what you take in or not.

1118
01:03:51,520 --> 01:03:54,160
Speaker 1: You know, we'll be fine, But it's not like we're

1119
01:03:54,240 --> 01:03:59,240
Speaker 1: like whatever we have, whatever we need. We've always had

1120
01:04:00,120 --> 01:04:01,120
Speaker 1: everything that we need.

1121
01:04:01,240 --> 01:04:01,880
Speaker 4: We have now.

1122
01:04:02,520 --> 01:04:05,360
Speaker 1: That doesn't mean we don't want or even need more.

1123
01:04:05,640 --> 01:04:08,920
Speaker 1: Things can't be better. But I'm you know, I'm very

1124
01:04:08,960 --> 01:04:11,280
Speaker 1: grateful to be allowed today and to be who I

1125
01:04:11,360 --> 01:04:12,640
Speaker 1: am and doing what I'm doing.

1126
01:04:12,880 --> 01:04:15,080
Speaker 4: That she was mad smart. That just makes a noise that.

1127
01:04:18,000 --> 01:04:20,000
Speaker 7: That's the simplest, smartest way ever.

1128
01:04:20,520 --> 01:04:22,960
Speaker 4: It's just being you know, just natural.

1129
01:04:23,040 --> 01:04:26,440
Speaker 1: I mean, I'm not a I'm not a genius about everything.

1130
01:04:27,160 --> 01:04:30,320
Speaker 4: Favorite country you visit? My favorite country to visit?

1131
01:04:32,200 --> 01:04:34,880
Speaker 6: Land? People that question never.

1132
01:04:37,360 --> 01:04:40,760
Speaker 1: Know, but I want to say, but I don't want

1133
01:04:40,840 --> 01:04:48,320
Speaker 1: everybody to come. No, No, it's Africa. Africa, Yeah, East Africa.

1134
01:04:50,000 --> 01:04:53,680
Speaker 6: Keep going, you might as well keep going there they start.

1135
01:04:53,480 --> 01:04:59,200
Speaker 1: Getting My favorite places I've visited so far in my life?

1136
01:04:59,320 --> 01:05:02,360
Speaker 4: Is the answer? W this hands a ball?

1137
01:05:03,360 --> 01:05:06,080
Speaker 9: I'm eight at the restaurant in thirty fourth streets.

1138
01:05:07,400 --> 01:05:07,880
Speaker 2: A ball.

1139
01:05:12,840 --> 01:05:19,160
Speaker 4: This is I went to Howard University for a party.

1140
01:05:28,040 --> 01:05:28,400
Speaker 6: The bars.

1141
01:05:29,400 --> 01:05:30,680
Speaker 9: Are you taking the show?

1142
01:05:31,120 --> 01:05:32,640
Speaker 4: Most? Okay? Taking the show?

1143
01:05:32,960 --> 01:05:34,600
Speaker 9: We do this, this is what we do it and

1144
01:05:34,720 --> 01:05:35,080
Speaker 9: off show.

1145
01:05:35,160 --> 01:05:36,120
Speaker 4: This is quick time.

1146
01:05:36,520 --> 01:05:40,080
Speaker 7: Let me make a baby man? You always too this look.

1147
01:05:40,240 --> 01:05:40,840
Speaker 14: I got the hold.

1148
01:05:41,040 --> 01:05:41,200
Speaker 3: Yeah.

1149
01:05:42,280 --> 01:05:44,160
Speaker 6: I just want to say, this is my this is

1150
01:05:44,200 --> 01:05:45,640
Speaker 6: my fourth time with drinks.

1151
01:05:45,520 --> 01:05:51,360
Speaker 4: Hips, this is my first, this is his first. I'm eating. Yeah,

1152
01:05:53,640 --> 01:05:55,200
Speaker 4: I need jack you get.

1153
01:05:57,880 --> 01:06:00,320
Speaker 7: You get time time club?

1154
01:06:02,360 --> 01:06:03,400
Speaker 4: So who else is in the club?

1155
01:06:03,520 --> 01:06:04,480
Speaker 6: Jada Kiss would be in it?

1156
01:06:04,720 --> 01:06:12,280
Speaker 9: Yes, yeah, so Jada Kiss the four Yeah yeah, you

1157
01:06:12,320 --> 01:06:13,040
Speaker 9: know I ain't go out.

1158
01:06:13,160 --> 01:06:14,040
Speaker 4: Yes, yes, yeah.

1159
01:06:14,400 --> 01:06:17,080
Speaker 9: Yeah, by the way, thank you, thank you.

1160
01:06:20,240 --> 01:06:21,200
Speaker 7: It's been a couple of times.

1161
01:06:21,240 --> 01:06:22,800
Speaker 5: If I thought I fucked up your money because I

1162
01:06:22,800 --> 01:06:24,080
Speaker 5: got you drunk and then you had to go to

1163
01:06:24,160 --> 01:06:24,560
Speaker 5: the show, you.

1164
01:06:24,560 --> 01:06:26,760
Speaker 9: Did my away and I was, that's that's what I mean.

1165
01:06:27,440 --> 01:06:30,200
Speaker 9: That's that was my first time with dream Chaps.

1166
01:06:30,240 --> 01:06:30,840
Speaker 6: I know better now.

1167
01:06:32,640 --> 01:06:35,400
Speaker 13: I took a napper fell sleeper problem. I was doing

1168
01:06:35,440 --> 01:06:38,160
Speaker 13: Dream Champs in a tag top bro I thought I

1169
01:06:38,280 --> 01:06:38,600
Speaker 13: was Dave.

1170
01:06:38,840 --> 01:06:47,880
Speaker 1: It was two thousand and fourteen, So I told annoyed today,

1171
01:06:48,000 --> 01:06:50,080
Speaker 1: I said, I said, we didn't judg up for you,

1172
01:06:50,440 --> 01:06:51,240
Speaker 1: but we kind of did.

1173
01:06:51,440 --> 01:06:52,320
Speaker 6: Just make me.

1174
01:06:55,080 --> 01:06:57,240
Speaker 4: So I just like this all the time. I was

1175
01:06:57,320 --> 01:07:00,080
Speaker 4: just I was ready to do what is that?

1176
01:07:00,200 --> 01:07:00,360
Speaker 6: You know?

1177
01:07:00,440 --> 01:07:03,080
Speaker 25: In the in f and and stand for the full name?

1178
01:07:03,240 --> 01:07:17,480
Speaker 25: Eric said, no, Yeah. One of my favorite songs ever

1179
01:07:17,600 --> 01:07:20,400
Speaker 25: did was with d j e f N Me and

1180
01:07:20,520 --> 01:07:24,960
Speaker 25: dj E f N recod Man recognize. It's a great song.

1181
01:07:25,560 --> 01:07:26,640
Speaker 4: That's a dope record.

1182
01:07:26,960 --> 01:07:29,520
Speaker 5: Okay, we don't have one together, and we we were

1183
01:07:29,560 --> 01:07:31,760
Speaker 5: getting one together because we're doing a drink cham this

1184
01:07:31,920 --> 01:07:34,120
Speaker 5: is this is quick time of slid Dave. You don't

1185
01:07:34,200 --> 01:07:36,640
Speaker 5: you don't have this is just an answer you don't

1186
01:07:36,640 --> 01:07:39,800
Speaker 5: have to say nothing. This is a multiple choice questions.

1187
01:07:40,200 --> 01:07:40,960
Speaker 9: You could, you can?

1188
01:07:41,240 --> 01:07:43,360
Speaker 4: You know you played this game before just before? Yes,

1189
01:07:43,680 --> 01:07:46,520
Speaker 4: let me give you some Japanese whiskey, all right, before.

1190
01:07:46,280 --> 01:07:47,080
Speaker 6: We play this game.

1191
01:07:49,600 --> 01:07:51,080
Speaker 7: Follow me shot glasses.

1192
01:07:52,040 --> 01:07:52,320
Speaker 4: Damn.

1193
01:07:52,560 --> 01:07:55,000
Speaker 17: So if you're big double hanging out with the devil,

1194
01:08:00,160 --> 01:08:04,240
Speaker 17: I love that, even.

1195
01:08:04,120 --> 01:08:06,280
Speaker 4: Far from the devil, I fuck with you.

1196
01:08:07,920 --> 01:08:10,520
Speaker 9: Yes, yes, and I ain't gonna lie today. Let me

1197
01:08:10,600 --> 01:08:11,120
Speaker 9: just tell you something.

1198
01:08:11,120 --> 01:08:12,400
Speaker 4: I told this story of a drink chance, but I

1199
01:08:12,480 --> 01:08:14,880
Speaker 4: want to tell this to your face. This is what happened.

1200
01:08:15,640 --> 01:08:19,800
Speaker 9: I land in Atlanta, I have no time to go

1201
01:08:20,120 --> 01:08:21,840
Speaker 9: to see the real weed.

1202
01:08:21,960 --> 01:08:26,200
Speaker 4: Man. Driver sees me. My people hold me from the hood.

1203
01:08:26,320 --> 01:08:30,400
Speaker 4: His name is Murdy. He's a great guy. Murders. Good dude,

1204
01:08:31,280 --> 01:08:36,920
Speaker 4: tells me, I'm not sure about this bar. So I

1205
01:08:37,040 --> 01:08:39,559
Speaker 4: got a choice either that goes to the hotel, got

1206
01:08:39,640 --> 01:08:41,519
Speaker 4: my bags off and missed this money.

1207
01:08:42,280 --> 01:08:46,160
Speaker 27: I said, fuck it, We go straight to the shall

1208
01:08:46,439 --> 01:08:52,360
Speaker 27: be chilling unbronounced to me. My favorite comedian in the

1209
01:08:52,439 --> 01:08:54,680
Speaker 27: world just walks through and says, what's up?

1210
01:08:59,040 --> 01:08:59,960
Speaker 6: He can't be this cool?

1211
01:09:00,720 --> 01:09:01,320
Speaker 7: What something?

1212
01:09:01,800 --> 01:09:05,160
Speaker 9: And then he just w and if he walks away,

1213
01:09:05,200 --> 01:09:05,600
Speaker 9: and I'm like.

1214
01:09:05,720 --> 01:09:08,320
Speaker 20: Holy ship, I said, Yo, whenever he comes back, I

1215
01:09:08,360 --> 01:09:09,160
Speaker 20: gotta give him a drink.

1216
01:09:09,200 --> 01:09:10,599
Speaker 7: And then like, I don't think Dave drinks.

1217
01:09:10,600 --> 01:09:11,840
Speaker 28: I'm like, I want me to give him fore, I

1218
01:09:11,880 --> 01:09:13,639
Speaker 28: just gotta give him a drink because that's just really

1219
01:09:13,720 --> 01:09:15,439
Speaker 28: what the focus is said. Over do so you walk

1220
01:09:15,520 --> 01:09:17,439
Speaker 28: back over, I give him a drink, and then I

1221
01:09:17,680 --> 01:09:19,280
Speaker 28: hand him my blood drink.

1222
01:09:20,120 --> 01:09:21,000
Speaker 9: Yes I didn't know that.

1223
01:09:21,400 --> 01:09:24,320
Speaker 27: And then I hand him and this was like the

1224
01:09:24,439 --> 01:09:27,840
Speaker 27: most unsecured you have a wore you ever not put

1225
01:09:27,920 --> 01:09:28,439
Speaker 27: on enough.

1226
01:09:28,360 --> 01:09:32,000
Speaker 4: Toyodorate, and then you smelled yourself. I'm like, this is

1227
01:09:32,080 --> 01:09:32,479
Speaker 4: not right.

1228
01:09:34,640 --> 01:09:37,800
Speaker 7: I had bloot and I was like, I'm not sure.

1229
01:09:37,880 --> 01:09:40,960
Speaker 7: I hope he's drunk, right, because I didn't know if

1230
01:09:41,040 --> 01:09:42,000
Speaker 7: the week was good or not.

1231
01:09:42,320 --> 01:09:43,519
Speaker 4: I had just lit it.

1232
01:09:43,800 --> 01:09:52,479
Speaker 7: I shot, let's give him quick time and slid real quick.

1233
01:09:52,880 --> 01:09:54,679
Speaker 7: Can you your drink?

1234
01:09:57,560 --> 01:09:58,200
Speaker 4: And you too, Dad?

1235
01:09:58,240 --> 01:10:00,360
Speaker 9: You just feel me a drinking drink? You drink the rules?

1236
01:10:01,280 --> 01:10:05,680
Speaker 4: Yeah all right? You want look move that sign? We

1237
01:10:05,800 --> 01:10:06,439
Speaker 4: have DJ.

1238
01:10:07,920 --> 01:10:08,160
Speaker 2: Drink.

1239
01:10:10,960 --> 01:10:13,880
Speaker 4: Okay, you know you want to get it, get it.

1240
01:10:14,040 --> 01:10:14,920
Speaker 4: I ain't gotta be right there.

1241
01:10:17,920 --> 01:10:19,559
Speaker 7: You ready, I'm ready here.

1242
01:10:19,720 --> 01:10:20,320
Speaker 4: This is so heard.

1243
01:10:20,920 --> 01:10:22,240
Speaker 6: You know I'm not gonna answer a lot of times.

1244
01:10:22,760 --> 01:10:24,920
Speaker 4: Yeah, but then you're gonna drink the game.

1245
01:10:27,439 --> 01:10:27,960
Speaker 7: Kendrick.

1246
01:10:28,080 --> 01:10:31,200
Speaker 9: Of course this were just rotting.

1247
01:10:31,479 --> 01:10:32,400
Speaker 4: Let me tell yourself.

1248
01:10:33,640 --> 01:10:34,080
Speaker 7: Gonna happen.

1249
01:10:34,120 --> 01:10:36,880
Speaker 4: I was like, I met them both in the same

1250
01:10:37,040 --> 01:10:41,120
Speaker 4: time in Australia. I would never pick, so take a

1251
01:10:41,200 --> 01:10:41,560
Speaker 4: drink for that.

1252
01:10:41,680 --> 01:10:51,960
Speaker 7: If you don't pick, you take a drink. I'm a

1253
01:10:52,080 --> 01:10:55,480
Speaker 7: drink from my sage couple.

1254
01:10:58,800 --> 01:11:00,679
Speaker 4: Yea passes out in the moments.

1255
01:11:05,320 --> 01:11:08,799
Speaker 2: Okay, I got.

1256
01:11:13,040 --> 01:11:16,800
Speaker 4: Cool g rapp Oh big punt.

1257
01:11:19,320 --> 01:11:21,439
Speaker 7: You gotta give it a g rap That's what I said, godfather,

1258
01:11:24,120 --> 01:11:26,800
Speaker 7: But absolutely, you know what.

1259
01:11:26,840 --> 01:11:28,160
Speaker 6: I'm glad you brought that up because I got to

1260
01:11:28,200 --> 01:11:29,519
Speaker 6: clear something up on drink Champs.

1261
01:11:30,520 --> 01:11:32,960
Speaker 13: A long time ago, I had a bar and I said,

1262
01:11:33,000 --> 01:11:35,880
Speaker 13: you just a fat joke, thinking you a big pun,

1263
01:11:36,880 --> 01:11:39,160
Speaker 13: and me personally, I think it's a great bar. But

1264
01:11:39,240 --> 01:11:41,400
Speaker 13: there was no rap genius and no Internet back then.

1265
01:11:41,520 --> 01:11:43,960
Speaker 13: So I just now realized that for years a lot

1266
01:11:44,000 --> 01:11:48,000
Speaker 13: of people thought I was saying you're just a fat joke, right,

1267
01:11:48,280 --> 01:11:51,280
Speaker 13: thinking you a big pun, which I would never say

1268
01:11:51,880 --> 01:11:54,720
Speaker 13: because I got a lot of respect for crass you

1269
01:11:55,720 --> 01:11:57,600
Speaker 13: so fat joke with a K.

1270
01:11:57,680 --> 01:11:59,040
Speaker 6: I want to clear it up because i'men seeing a

1271
01:11:59,040 --> 01:11:59,920
Speaker 6: lot of chatter about that.

1272
01:12:00,120 --> 01:12:02,519
Speaker 4: All people like it just ft joke, and I'm like, no, no, no,

1273
01:12:02,640 --> 01:12:07,640
Speaker 4: I was fat joke, Jesus joke. That's a terrible phone call.

1274
01:12:08,680 --> 01:12:09,800
Speaker 9: Joe's trying to kill your.

1275
01:12:12,560 --> 01:12:24,160
Speaker 4: Fat joke. Jesus terrifying quality. You're like this, terrified niggas

1276
01:12:24,160 --> 01:12:26,120
Speaker 4: stayed toilet.

1277
01:12:29,600 --> 01:12:32,960
Speaker 7: Start your niggas later.

1278
01:12:33,120 --> 01:12:39,639
Speaker 21: They came out two years ago. Everybody, all right, Jay,

1279
01:12:40,120 --> 01:12:43,200
Speaker 21: old biggie, Oh man, take a shot.

1280
01:12:43,520 --> 01:12:46,160
Speaker 4: Yeah, man, let's take a shot. Let's take a shot.

1281
01:12:46,320 --> 01:12:47,960
Speaker 6: Cheers or.

1282
01:12:49,840 --> 01:12:50,800
Speaker 4: Jesus, that's not fair.

1283
01:12:54,320 --> 01:12:54,559
Speaker 1: Fair.

1284
01:12:55,200 --> 01:12:58,480
Speaker 4: The game is not supposed to be fair, supposed.

1285
01:12:58,120 --> 01:13:01,000
Speaker 1: To already compare to them, though you said that on

1286
01:13:01,120 --> 01:13:01,920
Speaker 1: some Brooklyn ship.

1287
01:13:01,960 --> 01:13:05,599
Speaker 7: I see, I feel yeah, they make Brooklyn niggas In case.

1288
01:13:05,520 --> 01:13:11,120
Speaker 1: Y'all remember, yeah, it's something I heard big. It was

1289
01:13:11,240 --> 01:13:13,439
Speaker 1: on the Who's the Man sounds for Party and Bullshit.

1290
01:13:14,000 --> 01:13:16,679
Speaker 6: That was Party and Bullshit.

1291
01:13:18,800 --> 01:13:19,040
Speaker 4: Record.

1292
01:13:19,280 --> 01:13:28,320
Speaker 1: No, I was Class Squeeze and Nash smoking buses and

1293
01:13:28,360 --> 01:13:31,600
Speaker 1: Jay routine since thirteen on the scene. I used to

1294
01:13:31,640 --> 01:13:37,360
Speaker 1: pack up dudes training dude some backpack round that's backpack that.

1295
01:13:40,280 --> 01:13:43,840
Speaker 1: That was the first time I ever heard baby. Trying

1296
01:13:43,880 --> 01:13:45,559
Speaker 1: to remember the first time I heard Jay.

1297
01:13:46,920 --> 01:13:48,280
Speaker 6: For me, it was reasonable doubt.

1298
01:13:49,000 --> 01:13:50,320
Speaker 4: It was Dead Presidents.

1299
01:13:50,640 --> 01:13:54,160
Speaker 7: No excuse me, it's why, Sophie. It was original, flat, that.

1300
01:13:54,360 --> 01:13:56,200
Speaker 9: Foxy regular Big, you get to.

1301
01:13:56,240 --> 01:13:58,679
Speaker 6: Day, you can get away past Wow, also crazy.

1302
01:13:58,800 --> 01:14:01,880
Speaker 1: The reason about down album was going around heavy in

1303
01:14:01,960 --> 01:14:06,120
Speaker 1: Brooklyn at that time, so it's like you you, I think.

1304
01:14:06,200 --> 01:14:06,840
Speaker 4: The thing that that.

1305
01:14:09,560 --> 01:14:14,639
Speaker 1: Made J stand out to me was friend of Folk

1306
01:14:17,479 --> 01:14:18,560
Speaker 1: and a lot of it was like a lot of

1307
01:14:18,600 --> 01:14:20,080
Speaker 1: you know, the singles and stuff. I was like, oh,

1308
01:14:20,120 --> 01:14:23,639
Speaker 1: this friend of Folks is this dude is different approaching?

1309
01:14:24,280 --> 01:14:27,880
Speaker 6: For me, it was Liverture Regrets Regrets to made me

1310
01:14:28,000 --> 01:14:30,160
Speaker 6: be like, this is a problem.

1311
01:14:30,200 --> 01:14:32,000
Speaker 4: When I really became a J fan.

1312
01:14:32,560 --> 01:14:36,479
Speaker 1: Not that I was always respective, but when Volume three

1313
01:14:36,920 --> 01:14:37,880
Speaker 1: would come and get me.

1314
01:14:40,760 --> 01:14:40,920
Speaker 15: Three.

1315
01:14:41,040 --> 01:14:45,759
Speaker 13: Vol three was dope Man, modern day the solo MoMA

1316
01:14:45,920 --> 01:14:46,759
Speaker 13: modern day times.

1317
01:14:47,240 --> 01:14:47,720
Speaker 9: He said that.

1318
01:14:48,280 --> 01:14:53,080
Speaker 4: I said, that's when it's converging. Did but they didn't

1319
01:14:53,200 --> 01:14:54,240
Speaker 4: live long enough.

1320
01:14:55,160 --> 01:14:59,479
Speaker 1: Jay's a whole other thing, but that Big creatively, I mean,

1321
01:14:59,680 --> 01:15:03,840
Speaker 1: give me Lou, I mean, who shots to Big?

1322
01:15:04,080 --> 01:15:06,800
Speaker 4: Was a I mean, I remember where I was when

1323
01:15:06,800 --> 01:15:08,960
Speaker 4: I heard Unbelievable. I was I was.

1324
01:15:10,160 --> 01:15:13,960
Speaker 1: I was working with NBC on the Peers of Chelsea,

1325
01:15:14,080 --> 01:15:16,320
Speaker 1: piers Now offices on the Piers and she was on

1326
01:15:16,439 --> 01:15:16,880
Speaker 1: the radio.

1327
01:15:17,439 --> 01:15:19,000
Speaker 7: That's that's the difference between you.

1328
01:15:21,040 --> 01:15:23,439
Speaker 4: Yeah, seen like you're a real actor. I've seen you

1329
01:15:23,520 --> 01:15:29,320
Speaker 4: play Adoptor and I believed you. I'm glad you did that.

1330
01:15:33,040 --> 01:15:34,040
Speaker 7: I wanted to go see you.

1331
01:15:35,200 --> 01:15:35,880
Speaker 11: Look like.

1332
01:15:38,720 --> 01:15:40,760
Speaker 13: They told me, y'all seen babies in the movie and

1333
01:15:40,840 --> 01:15:42,920
Speaker 13: I don't even recognize him Anto forty five minutes in,

1334
01:15:44,000 --> 01:15:44,760
Speaker 13: because you is.

1335
01:15:44,800 --> 01:15:47,200
Speaker 4: A real actor. Actor. Man, I'm just a guy having

1336
01:15:47,280 --> 01:15:48,400
Speaker 4: a vegan burger right now.

1337
01:15:49,560 --> 01:15:51,240
Speaker 7: So is you not going to open a y'all seen

1338
01:15:51,439 --> 01:15:52,360
Speaker 7: school of acting?

1339
01:15:53,000 --> 01:15:53,040
Speaker 6: No?

1340
01:15:53,560 --> 01:15:54,519
Speaker 13: Like like.

1341
01:15:56,479 --> 01:16:01,240
Speaker 7: Like you don't know he opened the school.

1342
01:16:02,560 --> 01:16:12,639
Speaker 20: Schooper as, y'all see school for people's play niggas. Niggas

1343
01:16:12,680 --> 01:16:15,760
Speaker 20: don't know how to play doctors. You gotta show niggas.

1344
01:16:15,479 --> 01:16:16,120
Speaker 4: How to play doctor.

1345
01:16:16,439 --> 01:16:18,680
Speaker 13: It's like caning a school for them seeing for those

1346
01:16:18,720 --> 01:16:20,360
Speaker 13: who want to be in the field of dogs and

1347
01:16:20,439 --> 01:16:21,479
Speaker 13: then again a second dog.

1348
01:16:21,640 --> 01:16:23,479
Speaker 6: The half them se is coming out selling them a.

1349
01:16:23,520 --> 01:16:29,360
Speaker 9: Similar for you, perpetrator.

1350
01:16:29,680 --> 01:16:37,920
Speaker 18: But I'm come on, no, but I'm that serious because

1351
01:16:37,960 --> 01:16:40,680
Speaker 18: you because you really know how to act.

1352
01:16:42,880 --> 01:16:43,400
Speaker 7: That's serious.

1353
01:16:43,600 --> 01:16:47,879
Speaker 9: Like because if they called me to play shot Meek playing.

1354
01:16:50,080 --> 01:16:51,200
Speaker 7: From forty projects.

1355
01:16:51,240 --> 01:16:51,640
Speaker 4: I got that.

1356
01:16:51,760 --> 01:16:53,599
Speaker 7: You're talking about state property movie.

1357
01:16:53,680 --> 01:16:54,200
Speaker 9: Yeah, I got that.

1358
01:16:54,320 --> 01:16:55,040
Speaker 6: Hey he was good at that.

1359
01:16:55,200 --> 01:16:56,120
Speaker 7: But if they tell me.

1360
01:16:59,680 --> 01:17:04,880
Speaker 29: What reference, tell me your local, if you tell me

1361
01:17:05,000 --> 01:17:15,680
Speaker 29: to play child Japan child. But I was like, you know,

1362
01:17:15,840 --> 01:17:16,760
Speaker 29: you won't come out there.

1363
01:17:17,560 --> 01:17:20,479
Speaker 1: You have to and the desire you want to be

1364
01:17:20,600 --> 01:17:22,880
Speaker 1: in movies, it feels like like you want to make something.

1365
01:17:23,640 --> 01:17:24,040
Speaker 4: I'm good.

1366
01:17:25,840 --> 01:17:28,120
Speaker 7: I'm just gonna crase you good because you've been.

1367
01:17:30,360 --> 01:17:32,280
Speaker 1: That's very kind. I mean, I try to do the

1368
01:17:32,360 --> 01:17:36,439
Speaker 1: best work I can. I've enjoyed it all the time.

1369
01:17:36,920 --> 01:17:38,400
Speaker 1: I don't know if I will do it again, but

1370
01:17:38,479 --> 01:17:38,880
Speaker 1: we'll see.

1371
01:17:38,880 --> 01:17:41,880
Speaker 4: You don't know if because you haven't done it for

1372
01:17:41,920 --> 01:17:47,519
Speaker 4: a while, right, Yeah, he quick, I could do other

1373
01:17:47,600 --> 01:17:49,240
Speaker 4: things he retired.

1374
01:17:49,479 --> 01:17:52,479
Speaker 1: I appreciate it, and I'm grateful for the work that

1375
01:17:52,640 --> 01:17:55,800
Speaker 1: I've been able to do. But there are things, the

1376
01:17:55,880 --> 01:17:58,360
Speaker 1: projects that I would like to do, but you know,

1377
01:17:59,680 --> 01:18:01,960
Speaker 1: they they take time to develop them more of a

1378
01:18:02,280 --> 01:18:05,160
Speaker 1: you know, of a personal nature preference from So if

1379
01:18:05,200 --> 01:18:08,120
Speaker 1: they happened, great, If they don't. If something comes up

1380
01:18:08,200 --> 01:18:12,920
Speaker 1: interesting and that I'm available for and works out, wasn't sure,

1381
01:18:13,000 --> 01:18:13,960
Speaker 1: but you.

1382
01:18:14,040 --> 01:18:17,120
Speaker 5: Know what your greatest active debut besides when you was

1383
01:18:17,120 --> 01:18:17,800
Speaker 5: playing a doctor.

1384
01:18:18,200 --> 01:18:20,800
Speaker 4: You know what your other greatest active debut is, I.

1385
01:18:20,840 --> 01:18:22,719
Speaker 7: Mean the greatest active period.

1386
01:18:25,040 --> 01:18:25,519
Speaker 4: That's me what.

1387
01:18:28,000 --> 01:18:29,280
Speaker 2: Be kind? We want.

1388
01:18:32,439 --> 01:18:36,120
Speaker 7: You and Jack be creating movies almost try.

1389
01:18:36,040 --> 01:18:36,360
Speaker 4: To do that.

1390
01:18:42,880 --> 01:18:46,120
Speaker 7: Because so you know, Michelle Gondry who did that movie.

1391
01:18:46,160 --> 01:18:46,680
Speaker 6: He did.

1392
01:18:49,360 --> 01:18:53,960
Speaker 1: That's why goy Michelle, He's great, he's amazing. Michelle, he

1393
01:18:54,080 --> 01:18:54,719
Speaker 1: was the director.

1394
01:18:55,160 --> 01:19:00,920
Speaker 30: Beautiful, really really joy a wonderful story glory from working

1395
01:19:01,000 --> 01:19:03,600
Speaker 30: on the set with him, where we'll be setting up

1396
01:19:03,640 --> 01:19:05,160
Speaker 30: this long continuous shot.

1397
01:19:05,240 --> 01:19:06,719
Speaker 4: It was like a continuous shot.

1398
01:19:06,520 --> 01:19:08,880
Speaker 1: That was it was at least like two minutes long,

1399
01:19:09,439 --> 01:19:11,479
Speaker 1: and it was you know, it was outdoor, it was

1400
01:19:11,520 --> 01:19:14,360
Speaker 1: coming up, the camera was moving some distance in a

1401
01:19:14,439 --> 01:19:16,920
Speaker 1: continuous shot, and it had to you know, there's certain

1402
01:19:16,960 --> 01:19:20,560
Speaker 1: activity that needed to be choreographed, and you know, the

1403
01:19:20,680 --> 01:19:27,760
Speaker 1: stage and we started walking the trailer you know, where

1404
01:19:27,800 --> 01:19:28,840
Speaker 1: the camera track would be.

1405
01:19:30,360 --> 01:19:31,400
Speaker 4: And it was very timed.

1406
01:19:31,479 --> 01:19:34,200
Speaker 1: It was like if you see it's a film called

1407
01:19:34,240 --> 01:19:36,439
Speaker 1: Touch of Evil that has like an opening shot at

1408
01:19:36,479 --> 01:19:38,479
Speaker 1: continuous shot it's like several minutes long.

1409
01:19:38,520 --> 01:19:39,120
Speaker 4: It's brilliant.

1410
01:19:39,200 --> 01:19:41,679
Speaker 1: It's like you know, ballet, because all of these different

1411
01:19:41,920 --> 01:19:45,760
Speaker 1: pieces of activity of choreographed as the camera's moving, so

1412
01:19:46,439 --> 01:19:50,920
Speaker 1: timing is key. So this was something similar that Michelle

1413
01:19:51,080 --> 01:19:53,800
Speaker 1: was doing. And we started walking the camera track and

1414
01:19:53,920 --> 01:19:57,080
Speaker 1: he was with you know, a few of the other

1415
01:19:57,640 --> 01:20:05,200
Speaker 1: cinematography and associate direct and stuff like this, and not

1416
01:20:05,320 --> 01:20:10,240
Speaker 1: the associate director but one of the production officials. So

1417
01:20:11,479 --> 01:20:13,320
Speaker 1: he's playing it out the side. He's talking on with

1418
01:20:13,479 --> 01:20:15,719
Speaker 1: chemin oal here and this and this is what happened.

1419
01:20:16,120 --> 01:20:16,639
Speaker 6: And then.

1420
01:20:18,439 --> 01:20:20,840
Speaker 1: One of the assists the directors said, oh, you know

1421
01:20:20,960 --> 01:20:23,519
Speaker 1: that's not gonna work because this is this is not

1422
01:20:24,520 --> 01:20:27,240
Speaker 1: and Michelle, this is something that I'll never forget.

1423
01:20:27,400 --> 01:20:30,280
Speaker 4: He stopped. He said, the thick French accent goes, Please,

1424
01:20:32,080 --> 01:20:35,519
Speaker 4: it is early in the morning. Do not tell me

1425
01:20:35,600 --> 01:20:40,439
Speaker 4: what I cannot do. He was like, this is we

1426
01:20:40,760 --> 01:20:42,840
Speaker 4: just started to day, got the rest of the data.

1427
01:20:42,880 --> 01:20:44,040
Speaker 4: Figure Let me.

1428
01:20:44,280 --> 01:20:47,800
Speaker 1: Figure it out on my own before you, like pour

1429
01:20:47,920 --> 01:20:51,960
Speaker 1: some cold water on my vision. And I'll never forget that.

1430
01:20:52,080 --> 01:20:55,000
Speaker 1: He said, Please, it is the beginning of the day.

1431
01:20:56,040 --> 01:20:57,560
Speaker 1: Do not tell me what I cannot do.

1432
01:20:58,040 --> 01:21:02,920
Speaker 4: Somebody give me a biggie perpont du to go. Yeah,

1433
01:21:02,960 --> 01:21:04,400
Speaker 4: but I enjoyed making movies.

1434
01:21:04,400 --> 01:21:09,360
Speaker 1: I'm glad that people haven't enjoyed seeing them if I

1435
01:21:09,479 --> 01:21:11,680
Speaker 1: get an opportunity to do it in the future of them.

1436
01:21:12,439 --> 01:21:20,040
Speaker 4: Great. My favorite film that I've done, It's hard to say.

1437
01:21:21,760 --> 01:21:22,360
Speaker 4: I wouldn't say.

1438
01:21:22,400 --> 01:21:25,519
Speaker 1: My two favorite films that I've worked on have been

1439
01:21:26,720 --> 01:21:31,679
Speaker 1: be Kinming One and Hitchhikers Got to the Galaxy.

1440
01:21:33,040 --> 01:21:36,240
Speaker 4: That was. That was amazing. Thank you for the fish.

1441
01:21:36,880 --> 01:21:41,320
Speaker 1: Yeah, that was an amazing experience because it was all

1442
01:21:41,400 --> 01:21:42,200
Speaker 1: shot on stage.

1443
01:21:42,200 --> 01:21:44,639
Speaker 4: It was like very little green screen, so all.

1444
01:21:44,560 --> 01:21:49,719
Speaker 1: Those huge the vogons like their actual like people inside

1445
01:21:49,720 --> 01:21:50,519
Speaker 1: of them operating.

1446
01:21:50,560 --> 01:21:52,439
Speaker 4: It was like it was a it was a yeah,

1447
01:21:52,520 --> 01:21:55,080
Speaker 4: that was like. That was yeah.

1448
01:21:55,120 --> 01:21:58,519
Speaker 1: I really enjoyed that, and I like the relationships that

1449
01:21:58,520 --> 01:21:59,960
Speaker 1: I developed on the time.

1450
01:22:00,200 --> 01:22:05,479
Speaker 4: Job was fun, giant job. Bamboozoo was was historic to it.

1451
01:22:05,560 --> 01:22:09,320
Speaker 1: I was, Yeah, I really enjoyed working with Spike and

1452
01:22:09,560 --> 01:22:10,800
Speaker 1: Charlie Baltimore.

1453
01:22:10,479 --> 01:22:10,840
Speaker 2: Is and that.

1454
01:22:13,320 --> 01:22:13,599
Speaker 6: Mouse.

1455
01:22:16,439 --> 01:22:21,440
Speaker 4: Yeah, mom search some strange.

1456
01:22:22,720 --> 01:22:24,880
Speaker 1: It was the first major film that have been shot

1457
01:22:25,080 --> 01:22:30,800
Speaker 1: on on digital cameras at that time. It was like that, right, like,

1458
01:22:32,080 --> 01:22:35,599
Speaker 1: this is quality film, this is shot on digital crazy.

1459
01:22:37,840 --> 01:22:38,559
Speaker 4: Yeah, it's amazing.

1460
01:22:39,200 --> 01:22:41,720
Speaker 15: You guys don't think about merging the two worlds, the

1461
01:22:41,880 --> 01:22:43,080
Speaker 15: music and the cinema.

1462
01:22:43,560 --> 01:22:46,719
Speaker 4: Because of your background and bringing that together like Blackstar,

1463
01:22:46,880 --> 01:22:47,240
Speaker 4: I mean, like.

1464
01:22:48,840 --> 01:22:51,760
Speaker 9: Cast got the movie if it's something.

1465
01:22:51,640 --> 01:22:54,280
Speaker 4: Organic, I mean, but you know, I mean for me,

1466
01:22:55,080 --> 01:22:57,400
Speaker 4: I don't really.

1467
01:22:58,680 --> 01:23:00,800
Speaker 1: Of course I think in those terms in terms of

1468
01:23:00,920 --> 01:23:05,720
Speaker 1: like you know, awareness of you know, capabilities, but I

1469
01:23:05,800 --> 01:23:10,240
Speaker 1: don't really create entertainment products per se as products. No,

1470
01:23:10,600 --> 01:23:12,200
Speaker 1: I just don't have that type of And I'm not

1471
01:23:12,600 --> 01:23:14,200
Speaker 1: down in that. There's some people who do it and

1472
01:23:14,240 --> 01:23:17,360
Speaker 1: they're like they're really good at that, but that's never been.

1473
01:23:17,760 --> 01:23:20,960
Speaker 15: So when you create, thinking this thing is a commodity

1474
01:23:21,040 --> 01:23:24,280
Speaker 15: that's sold in I mean, I'm aware.

1475
01:23:24,000 --> 01:23:26,479
Speaker 28: Of that, but I'm not focused on that. That's not

1476
01:23:26,600 --> 01:23:33,080
Speaker 28: that they are worked with Eddie Murphy and and they

1477
01:23:33,120 --> 01:23:40,599
Speaker 28: stopped your crib to they that's an underrated movie. That's

1478
01:23:40,640 --> 01:23:41,360
Speaker 28: an underrated movie.

1479
01:23:41,439 --> 01:23:44,800
Speaker 1: Eddie was very like super cool to me, Like it

1480
01:23:44,920 --> 01:23:47,880
Speaker 1: was crazy, like it came up like it's a last

1481
01:23:48,040 --> 01:23:48,720
Speaker 1: minute kind of.

1482
01:23:51,080 --> 01:23:53,519
Speaker 4: Casting. And I had met him briefly before them.

1483
01:23:53,640 --> 01:23:56,960
Speaker 1: Was the only time that I met somebody, you know,

1484
01:23:57,080 --> 01:23:59,519
Speaker 1: it was it was the first time that I met somebody.

1485
01:24:00,439 --> 01:24:05,479
Speaker 1: Second time it was Prince that I was like really

1486
01:24:05,600 --> 01:24:08,439
Speaker 1: aware that like you need to hold it down and

1487
01:24:08,640 --> 01:24:16,080
Speaker 1: like he was saying out like you totally capable of

1488
01:24:16,200 --> 01:24:19,360
Speaker 1: doing at this moment, you know what I'm saying, Like Ede,

1489
01:24:20,560 --> 01:24:23,519
Speaker 1: I mean, it's Eddie. I mean, first of all, it

1490
01:24:23,640 --> 01:24:25,600
Speaker 1: was Eddie. It was crazy. The way I met it

1491
01:24:25,760 --> 01:24:30,160
Speaker 1: was crazy. Somebody was saying, I was in l A

1492
01:24:30,200 --> 01:24:32,599
Speaker 1: at the time, stand at the Chutte on my man.

1493
01:24:33,280 --> 01:24:38,360
Speaker 1: Somebody said, Prince is having an after party for his

1494
01:24:38,520 --> 01:24:42,599
Speaker 1: show at one of these little cafes on Sunset.

1495
01:24:42,640 --> 01:24:44,639
Speaker 4: I was like, where it was. The place is directly

1496
01:24:44,680 --> 01:24:47,560
Speaker 4: across the street from the hotel. I was like, you,

1497
01:24:47,680 --> 01:24:50,479
Speaker 4: gott was press ass out? Was his press ass out?

1498
01:24:52,080 --> 01:24:58,160
Speaker 4: He wasn't even there. I didn't see him at that place,

1499
01:24:58,320 --> 01:24:59,240
Speaker 4: but I can't.

1500
01:24:59,280 --> 01:25:02,200
Speaker 1: I walked in and they took me to a room

1501
01:25:03,240 --> 01:25:05,160
Speaker 1: and they said just wait here, you know less you know,

1502
01:25:05,240 --> 01:25:06,960
Speaker 1: and the show is about to start whatever like that.

1503
01:25:07,720 --> 01:25:10,760
Speaker 1: And then I walked into like another smaller room that

1504
01:25:10,880 --> 01:25:13,559
Speaker 1: was behind that like do like a saloon type door.

1505
01:25:14,040 --> 01:25:15,680
Speaker 1: It wasn't like with the bottom and the top of

1506
01:25:15,960 --> 01:25:17,720
Speaker 1: it was like, you know, like a swing door. And

1507
01:25:18,120 --> 01:25:22,120
Speaker 1: I pushed the door open and I see a woman

1508
01:25:22,640 --> 01:25:28,080
Speaker 1: very attractive Eddie Murphy and another woman an attractive woman,

1509
01:25:28,800 --> 01:25:31,519
Speaker 1: and it's just them sitting there like in this small room,

1510
01:25:31,720 --> 01:25:34,320
Speaker 1: like you know, like I've bench seating on both sides,

1511
01:25:35,240 --> 01:25:37,400
Speaker 1: and I was like, oh. And the moment that I

1512
01:25:38,320 --> 01:25:41,000
Speaker 1: poked my head through the door because I saw Eddie

1513
01:25:41,040 --> 01:25:43,600
Speaker 1: Murphy sitting there just with two other people, I immediately

1514
01:25:43,640 --> 01:25:48,320
Speaker 1: assumed I walked in the wrong room because Eddie Murphy

1515
01:25:48,360 --> 01:25:48,800
Speaker 1: sitting there.

1516
01:25:50,479 --> 01:25:53,920
Speaker 31: Give me room, and maybe I shouldn't be here, like

1517
01:25:54,000 --> 01:25:59,240
Speaker 31: I I walked into the super VP area. I'm sorry

1518
01:26:00,240 --> 01:26:01,120
Speaker 31: inside of the tiny room.

1519
01:26:01,160 --> 01:26:02,920
Speaker 1: But I was like, please don't have me thrown out

1520
01:26:02,960 --> 01:26:04,559
Speaker 1: of here, and I'm thinking of my mind. But then

1521
01:26:05,520 --> 01:26:06,920
Speaker 1: I was like, I don't know if I should go

1522
01:26:07,040 --> 01:26:08,880
Speaker 1: back to this room. I was talking to the people

1523
01:26:08,880 --> 01:26:10,120
Speaker 1: who would let us sit and they were like, no, no,

1524
01:26:10,200 --> 01:26:13,880
Speaker 1: you can go back there. So I'm by myself and

1525
01:26:14,000 --> 01:26:15,320
Speaker 1: I go back there.

1526
01:26:16,160 --> 01:26:18,120
Speaker 4: And I'm like, but Eddie Murphy is She's like, no, no,

1527
01:26:18,200 --> 01:26:22,000
Speaker 4: it's fine, you go. So it's nobody else. Eddie Murphy

1528
01:26:22,040 --> 01:26:25,800
Speaker 4: has people with him, it's just me. So now I

1529
01:26:25,880 --> 01:26:27,520
Speaker 4: got to like put myself.

1530
01:26:27,240 --> 01:26:31,639
Speaker 1: Together and make like the proper human person in control

1531
01:26:31,760 --> 01:26:35,960
Speaker 1: of themselves. Introduction like her good evening, everyone, Hew, were

1532
01:26:36,000 --> 01:26:38,080
Speaker 1: you lo lo off?

1533
01:26:38,800 --> 01:26:39,320
Speaker 4: Four of us?

1534
01:26:40,040 --> 01:26:44,120
Speaker 1: And I said, hi, you know, I'm Dante almost and

1535
01:26:44,200 --> 01:26:47,760
Speaker 1: then and then they're very polite. Eddie shook my hand

1536
01:26:47,800 --> 01:26:51,240
Speaker 1: and everything sat down, and then you know, and they're

1537
01:26:51,280 --> 01:26:52,240
Speaker 1: not really saying.

1538
01:26:52,040 --> 01:26:53,800
Speaker 4: Anything to each other, just back there, just kind of

1539
01:26:53,880 --> 01:26:56,160
Speaker 4: chilling listening to music. It's very it's very like what

1540
01:26:56,400 --> 01:26:59,799
Speaker 4: rich people do when it's you know, so just chilling. Serene.

1541
01:27:01,000 --> 01:27:02,559
Speaker 4: I went to Dave spell show and.

1542
01:27:08,439 --> 01:27:10,520
Speaker 6: Then a few moments.

1543
01:27:10,240 --> 01:27:13,120
Speaker 1: Later after that and he turns to his wife at

1544
01:27:13,160 --> 01:27:15,720
Speaker 1: the time it goes you'll be chilling with most depth.

1545
01:27:15,880 --> 01:27:22,400
Speaker 4: I was like what, I was like, do you I'm

1546
01:27:22,960 --> 01:27:28,080
Speaker 4: I said, I'm chilling with like I'm meetre with you.

1547
01:27:28,920 --> 01:27:29,719
Speaker 4: You don't understand.

1548
01:27:29,960 --> 01:27:33,080
Speaker 1: I could have like had a Michael Jackson like screaming

1549
01:27:33,160 --> 01:27:37,479
Speaker 1: crying over because that individual right there. For how when

1550
01:27:37,520 --> 01:27:39,360
Speaker 1: I was growing up to see him on essen L,

1551
01:27:39,400 --> 01:27:42,280
Speaker 1: it is what he was. It was like he was

1552
01:27:42,320 --> 01:27:44,760
Speaker 1: my career path and then all of this hip hop

1553
01:27:44,840 --> 01:27:47,680
Speaker 1: should happened. But that's where I was going. I was like,

1554
01:27:47,720 --> 01:27:51,200
Speaker 1: I'm gonna be eighteen and on SNL and that's my job.

1555
01:27:52,439 --> 01:27:54,160
Speaker 1: So when I met him, I was like what And

1556
01:27:54,320 --> 01:27:57,519
Speaker 1: then it was time after that, then then I got

1557
01:27:57,600 --> 01:28:00,439
Speaker 1: showtime and there.

1558
01:28:00,560 --> 01:28:05,560
Speaker 4: You mean Robert. Yeah, uh, Robertsonill was super cool, a

1559
01:28:05,680 --> 01:28:06,720
Speaker 4: very serious guy.

1560
01:28:07,200 --> 01:28:13,040
Speaker 7: You would you like, do you like this Japanese whiskey?

1561
01:28:13,520 --> 01:28:13,560
Speaker 2: No?

1562
01:28:13,680 --> 01:28:15,960
Speaker 7: No, no, that's all about it.

1563
01:28:16,439 --> 01:28:17,679
Speaker 4: That by the way, I'm thinking.

1564
01:28:19,040 --> 01:28:21,680
Speaker 22: That the name that is the name of a Blackstall

1565
01:28:21,840 --> 01:28:24,040
Speaker 22: record on Drake Sam's combination.

1566
01:28:24,479 --> 01:28:25,080
Speaker 6: He's called.

1567
01:28:28,920 --> 01:28:29,599
Speaker 4: That's allus.

1568
01:28:31,360 --> 01:28:35,840
Speaker 1: Robert Denill was cool, super cool, serious, you know. But

1569
01:28:35,960 --> 01:28:38,840
Speaker 1: I mean it's you know, you feel the gravity of

1570
01:28:39,120 --> 01:28:39,719
Speaker 1: his presidence.

1571
01:28:39,800 --> 01:28:45,160
Speaker 3: A second, Robert, think about yourself, nigga might feel the

1572
01:28:45,240 --> 01:28:46,439
Speaker 3: gravity of your presence.

1573
01:28:46,560 --> 01:28:49,680
Speaker 4: I like this phrase, gravity of your presence. That's what

1574
01:28:50,360 --> 01:28:54,400
Speaker 4: you feel that way, bitch, that's me. That's my presence.

1575
01:28:59,439 --> 01:29:04,560
Speaker 32: Is say, do I feel that way about myself? Sometimes?

1576
01:29:04,760 --> 01:29:08,000
Speaker 32: I mean to be honest, tell the truth. Yes, to

1577
01:29:08,080 --> 01:29:13,400
Speaker 32: be honest, yes, you see how people you know might respond.

1578
01:29:13,640 --> 01:29:16,120
Speaker 32: But to be honest, I don't want to I don't

1579
01:29:16,120 --> 01:29:16,360
Speaker 32: want to.

1580
01:29:16,360 --> 01:29:18,400
Speaker 4: Know how people feel about me. Either way, good little

1581
01:29:18,439 --> 01:29:18,640
Speaker 4: by it.

1582
01:29:18,720 --> 01:29:20,439
Speaker 9: It's really your business business.

1583
01:29:20,760 --> 01:29:24,400
Speaker 4: Say what you be saying. Sometimes body spray and drive

1584
01:29:24,680 --> 01:29:33,479
Speaker 4: pat you feel that's the gravity of my presence I'm

1585
01:29:33,479 --> 01:29:34,280
Speaker 4: talking about.

1586
01:29:37,360 --> 01:29:38,240
Speaker 9: I go too far.

1587
01:29:39,479 --> 01:29:39,720
Speaker 19: I know.

1588
01:29:41,600 --> 01:29:48,479
Speaker 6: You about to fuck with somebody right now? Say what

1589
01:29:48,600 --> 01:29:50,600
Speaker 6: you be saying to me about praise.

1590
01:29:51,880 --> 01:29:58,479
Speaker 4: Chair that I go too far. We haven't gone too far.

1591
01:29:58,840 --> 01:30:07,799
Speaker 1: Praise be as as detrimental as harsh criticism, right, because

1592
01:30:07,840 --> 01:30:10,720
Speaker 1: if you if you fall into being praised too much,

1593
01:30:11,800 --> 01:30:18,240
Speaker 1: and you get a custom or even develop an appetite

1594
01:30:18,320 --> 01:30:25,599
Speaker 1: for that, you could possibly be easily manipulated and very often,

1595
01:30:25,680 --> 01:30:29,960
Speaker 1: and I have a proper perspective on where you really are,

1596
01:30:30,240 --> 01:30:36,600
Speaker 1: you know, and critics get praised a lot. I tell you,

1597
01:30:37,760 --> 01:30:39,680
Speaker 1: what are you saying this? I'm like, oh no, you

1598
01:30:39,720 --> 01:30:45,920
Speaker 1: ain't a wanting to myself. But it's just you know,

1599
01:30:46,040 --> 01:30:47,439
Speaker 1: it's not adjustment on anybody.

1600
01:30:47,479 --> 01:30:47,840
Speaker 2: It's just like.

1601
01:30:49,760 --> 01:30:53,360
Speaker 1: For me, like but it's just like you know, now

1602
01:30:53,439 --> 01:30:56,240
Speaker 1: that we have the record out, I don't really read

1603
01:30:56,280 --> 01:30:58,840
Speaker 1: the reviews but so much, you know what I'm saying.

1604
01:30:58,840 --> 01:31:01,840
Speaker 1: I've seen certain comments or whatever, but I try not

1605
01:31:01,960 --> 01:31:05,600
Speaker 1: to pay attention to them, either way positive or otherwise,

1606
01:31:05,680 --> 01:31:09,640
Speaker 1: because ultimately, the thing is how I feel about it

1607
01:31:10,120 --> 01:31:13,439
Speaker 1: before I do it, as I'm doing it after it's done.

1608
01:31:14,080 --> 01:31:17,720
Speaker 1: So I have to live with my relationship with what

1609
01:31:17,920 --> 01:31:22,240
Speaker 1: I do longer than anybody anyway. So it's it's important

1610
01:31:22,320 --> 01:31:25,760
Speaker 1: for me to feel good about what it is I'm doing,

1611
01:31:25,920 --> 01:31:27,080
Speaker 1: and I mean, of course it's.

1612
01:31:27,000 --> 01:31:28,599
Speaker 4: Room for improving with human beings.

1613
01:31:28,640 --> 01:31:31,760
Speaker 1: I'm not perfect, but you know that I was damn there,

1614
01:31:31,840 --> 01:31:33,719
Speaker 1: that's the perfect man this new album?

1615
01:31:33,840 --> 01:31:36,200
Speaker 4: Yeah you.

1616
01:31:44,040 --> 01:31:44,160
Speaker 2: Did?

1617
01:31:44,200 --> 01:31:46,960
Speaker 4: You always feel that way about creating.

1618
01:31:48,479 --> 01:31:51,640
Speaker 1: I was always amazed by people who were able to

1619
01:31:51,800 --> 01:31:55,080
Speaker 1: do it professionally and not have to do anything else.

1620
01:31:55,560 --> 01:31:57,679
Speaker 4: And to me, that was the entire victory.

1621
01:31:58,320 --> 01:32:01,400
Speaker 1: If you could get to do this, to be an artist,

1622
01:32:01,560 --> 01:32:05,519
Speaker 1: to be a creative professionally without having to have a

1623
01:32:05,640 --> 01:32:09,360
Speaker 1: secondary gig that you may or may not like and

1624
01:32:09,439 --> 01:32:11,400
Speaker 1: that you're only doing, you know, to like keep the

1625
01:32:11,479 --> 01:32:15,000
Speaker 1: light song, so to speak. To me, that was the whole,

1626
01:32:16,600 --> 01:32:19,120
Speaker 1: the whole magic trick so to speak, you know, not

1627
01:32:19,240 --> 01:32:21,720
Speaker 1: even the trick, but like that was the like that

1628
01:32:21,880 --> 01:32:24,439
Speaker 1: was the measure of success because it means that it's

1629
01:32:24,479 --> 01:32:27,240
Speaker 1: something that you are good at doing, that you enjoy doing,

1630
01:32:27,640 --> 01:32:30,880
Speaker 1: that you can get to do on a like earned

1631
01:32:30,960 --> 01:32:34,240
Speaker 1: daily bread level. That's like, you know, short feet. I

1632
01:32:34,240 --> 01:32:38,400
Speaker 1: remember when Drake said that, you know, rappers when they

1633
01:32:38,439 --> 01:32:39,960
Speaker 1: wrapped to pay their bill shit and all, like this

1634
01:32:40,160 --> 01:32:41,040
Speaker 1: is not even a little bit.

1635
01:32:41,280 --> 01:32:42,080
Speaker 4: And I thought about that.

1636
01:32:42,160 --> 01:32:44,720
Speaker 1: I was like, if anybody can rap good enough, to

1637
01:32:44,800 --> 01:32:46,080
Speaker 1: get one bill paid.

1638
01:32:47,280 --> 01:32:48,760
Speaker 4: Like if somebody say like, oh, you.

1639
01:32:48,800 --> 01:32:50,680
Speaker 1: Know, what's your phone bill or what's your cable bill

1640
01:32:50,760 --> 01:32:52,160
Speaker 1: or whatever it be, Like, no, don't worry about it.

1641
01:32:52,360 --> 01:32:54,200
Speaker 1: You know I put in sixteen bars a month and

1642
01:32:54,280 --> 01:32:57,240
Speaker 1: then you know they just cover my my cable.

1643
01:32:57,439 --> 01:32:58,720
Speaker 9: Right, that's pretty good.

1644
01:32:59,000 --> 01:33:01,120
Speaker 4: They made it. I mean the man I have made it.

1645
01:33:01,200 --> 01:33:03,280
Speaker 1: But then you are good enough to get a bill

1646
01:33:03,360 --> 01:33:07,639
Speaker 1: paid or somebody will accept your creative work as currency.

1647
01:33:08,640 --> 01:33:09,320
Speaker 4: Incredible to me.

1648
01:33:12,720 --> 01:33:17,880
Speaker 3: We are never getting say I'm anna pacifist. I stabbed

1649
01:33:17,920 --> 01:33:19,840
Speaker 3: the nigga once when I was listening to the super stuff.

1650
01:33:22,080 --> 01:33:34,880
Speaker 14: That's a really good rerection. Allegedly. Okay, I gotta be

1651
01:33:35,160 --> 01:33:37,400
Speaker 14: quick Thomas line. Okay, I mean being back to the

1652
01:33:37,520 --> 01:33:42,519
Speaker 14: high tech or premo. Oh come on, Man's premiere.

1653
01:33:44,520 --> 01:33:50,479
Speaker 4: I'm gonna drink. Don't you answer me this question. I'm

1654
01:33:50,520 --> 01:33:53,400
Speaker 4: answering this question. Man, nigga was drunk.

1655
01:33:54,000 --> 01:33:58,880
Speaker 6: Listen jail premiere is that's my twin.

1656
01:33:59,040 --> 01:33:59,559
Speaker 4: That's my twin.

1657
01:33:59,640 --> 01:34:04,160
Speaker 23: First, that's my twin, Primo, that's my twin. That was fine,

1658
01:34:04,280 --> 01:34:07,000
Speaker 23: you know what I'm saying. You shot anyways, that's my twin.

1659
01:34:07,600 --> 01:34:11,880
Speaker 23: High Text's my favorite producer. High check for Cincinnatiohi, right down.

1660
01:34:11,800 --> 01:34:15,120
Speaker 9: The road, not mad mad Live is very good.

1661
01:34:15,640 --> 01:34:18,559
Speaker 4: I love how text is my text is my favorite.

1662
01:34:20,320 --> 01:34:20,880
Speaker 4: Taking a job.

1663
01:34:21,040 --> 01:34:25,720
Speaker 6: No, we're not taking a shot, he said, Primo, Yes,

1664
01:34:26,240 --> 01:34:27,080
Speaker 6: give me a shot.

1665
01:34:31,160 --> 01:34:31,840
Speaker 4: I won't say this.

1666
01:34:33,840 --> 01:34:34,559
Speaker 6: Hot check whatever.

1667
01:34:35,439 --> 01:34:37,840
Speaker 4: Absolutely, but I gotta what.

1668
01:34:37,920 --> 01:34:40,519
Speaker 6: I just gotta say. I I gotta say because Hot

1669
01:34:40,600 --> 01:34:42,200
Speaker 6: Tech we did this, We did this.

1670
01:34:42,320 --> 01:34:43,479
Speaker 4: Jock is incredible.

1671
01:34:43,520 --> 01:34:45,960
Speaker 7: We just black Stolbu with Mad Living Mad Live is

1672
01:34:46,280 --> 01:34:47,479
Speaker 7: we just whole album Maddlin.

1673
01:34:47,960 --> 01:34:50,240
Speaker 6: Nobody has done a whole black job except for Madlin.

1674
01:34:50,680 --> 01:34:52,600
Speaker 6: But I checkted eighty percent.

1675
01:34:52,920 --> 01:34:53,760
Speaker 4: That first Black Star.

1676
01:34:54,400 --> 01:34:57,320
Speaker 13: Hoig texted the whole Reflection Eternal album and people hear

1677
01:34:57,439 --> 01:34:59,920
Speaker 13: my voice until I wrapped on those hot Tech beats,

1678
01:35:00,040 --> 01:35:00,439
Speaker 13: damn space.

1679
01:35:02,840 --> 01:35:05,720
Speaker 4: Yeah, I take it, Master. I mean, that's really hard one.

1680
01:35:05,760 --> 01:35:07,599
Speaker 1: I mean it's like, you know, it's pretty much as

1681
01:35:07,640 --> 01:35:10,160
Speaker 1: Gang Star. It's like, you know, it's just another level,

1682
01:35:10,240 --> 01:35:14,679
Speaker 1: but you know they're definitely in the in the echelon together.

1683
01:35:15,320 --> 01:35:17,639
Speaker 4: For bias, it was a personal bias.

1684
01:35:19,080 --> 01:35:21,519
Speaker 9: How everyone let me ask you this one.

1685
01:35:22,800 --> 01:35:24,320
Speaker 4: I think you met him both, and I think you

1686
01:35:24,400 --> 01:35:26,599
Speaker 4: met him both, and I'm not sure if you met

1687
01:35:26,680 --> 01:35:28,640
Speaker 4: him both. M j.

1688
01:35:30,200 --> 01:35:37,519
Speaker 1: Or Prince I met them both, especially Price, but these

1689
01:35:37,560 --> 01:35:38,920
Speaker 1: are a hard dream that he worked with.

1690
01:35:39,000 --> 01:35:39,639
Speaker 6: Michael Jackson.

1691
01:35:40,439 --> 01:35:43,919
Speaker 3: Yeah, Brandon, Michael Jackson might not be mipples to apples.

1692
01:35:44,920 --> 01:35:47,879
Speaker 7: We're asking about that about Michael Jackson.

1693
01:35:48,040 --> 01:35:50,439
Speaker 4: Might Michael Johnson.

1694
01:35:50,560 --> 01:35:50,720
Speaker 2: Yeah.

1695
01:35:50,760 --> 01:35:52,320
Speaker 4: It was another video called Ghost.

1696
01:35:52,439 --> 01:35:56,360
Speaker 1: It was like his It was like Thriller, like ten

1697
01:35:56,479 --> 01:35:59,800
Speaker 1: or fifteen years later, and he was playing take one

1698
01:35:59,800 --> 01:36:04,920
Speaker 1: of the epic videos for one of his songs, and

1699
01:36:05,040 --> 01:36:07,479
Speaker 1: I played one of the cast members in it, and

1700
01:36:07,680 --> 01:36:10,040
Speaker 1: uh yeah, I got to see him do his choreography

1701
01:36:10,280 --> 01:36:14,679
Speaker 1: like yeah live it was I was like nineteen geez

1702
01:36:15,400 --> 01:36:16,599
Speaker 1: and they shot it in LA.

1703
01:36:18,479 --> 01:36:21,200
Speaker 32: That's say you know when you say Prince to Michael Jackson,

1704
01:36:21,200 --> 01:36:22,600
Speaker 32: I'll tell you this story, tell you.

1705
01:36:23,600 --> 01:36:25,439
Speaker 4: I was on tour two thousand and nine.

1706
01:36:26,040 --> 01:36:26,400
Speaker 19: It was the.

1707
01:36:26,439 --> 01:36:30,599
Speaker 1: Ecstatic, My my last album, but I first came out

1708
01:36:31,520 --> 01:36:34,840
Speaker 1: and I was on tour and the first date was

1709
01:36:34,960 --> 01:36:39,800
Speaker 1: in Minneapolis, and Jay Electronica.

1710
01:36:39,320 --> 01:36:41,960
Speaker 4: Was on our tour with me and.

1711
01:36:44,200 --> 01:36:46,360
Speaker 1: The album that come out in June. We were on

1712
01:36:46,479 --> 01:36:49,760
Speaker 1: too on August. It was our first date on the tour.

1713
01:36:50,479 --> 01:36:51,240
Speaker 4: We do the show.

1714
01:36:51,840 --> 01:36:52,599
Speaker 6: The show is good.

1715
01:36:52,760 --> 01:36:55,439
Speaker 4: People are with us, but it's also the record was new.

1716
01:36:55,439 --> 01:36:57,479
Speaker 1: It was our first day on tour, I kind of

1717
01:36:57,640 --> 01:36:58,840
Speaker 1: do you know how you get just kind of like

1718
01:36:59,000 --> 01:37:00,759
Speaker 1: still working out the k so to speak.

1719
01:37:00,840 --> 01:37:00,960
Speaker 2: You know.

1720
01:37:02,240 --> 01:37:05,200
Speaker 4: So the show ends, we backstage, dude comes back.

1721
01:37:05,760 --> 01:37:08,720
Speaker 1: He's a little you know, like toasty, and he's like,

1722
01:37:08,840 --> 01:37:12,360
Speaker 1: y'all our DJ for Prince and man, Prince will.

1723
01:37:12,320 --> 01:37:12,800
Speaker 9: Really meets you.

1724
01:37:12,840 --> 01:37:16,040
Speaker 1: And we was like, okay, all right, local winos and

1725
01:37:16,200 --> 01:37:20,839
Speaker 1: drop safely, and but he just kept of lingering around,

1726
01:37:21,000 --> 01:37:23,680
Speaker 1: like you know, he was there for like an hour more.

1727
01:37:23,760 --> 01:37:25,519
Speaker 1: After the show is just kind of kicking it at

1728
01:37:25,640 --> 01:37:27,160
Speaker 1: every ten to fifteen minutes.

1729
01:37:27,200 --> 01:37:29,920
Speaker 4: This dude come back, Prince want to meet you.

1730
01:37:30,080 --> 01:37:31,280
Speaker 2: Man for you.

1731
01:37:31,400 --> 01:37:33,360
Speaker 4: He's like, okay, crazy guy, we leave it now.

1732
01:37:33,520 --> 01:37:38,360
Speaker 1: You be job safe. So go to the hotel. It's

1733
01:37:38,479 --> 01:37:41,840
Speaker 1: like maybe two thirty in the morning. All I want

1734
01:37:41,920 --> 01:37:45,559
Speaker 1: to do is go to tell and sleep, right.

1735
01:37:45,800 --> 01:37:47,360
Speaker 4: I just shows you. I get on the bus in

1736
01:37:47,400 --> 01:37:48,000
Speaker 4: the morning.

1737
01:37:47,840 --> 01:37:50,519
Speaker 9: It's you know, you know the drug Prince comes out.

1738
01:37:50,800 --> 01:37:51,639
Speaker 6: No, okay.

1739
01:37:51,720 --> 01:37:54,040
Speaker 4: So I'm laying I'm laying I'm in we in the

1740
01:37:54,240 --> 01:37:56,800
Speaker 4: w a someplace like this, and I'm laying out on

1741
01:37:56,880 --> 01:37:57,160
Speaker 4: the bed.

1742
01:37:57,320 --> 01:37:59,840
Speaker 1: I haven't taken off I haven't put the sheets back on,

1743
01:38:00,080 --> 01:38:03,719
Speaker 1: took off my shoes. I'm laid out like little radcal

1744
01:38:03,800 --> 01:38:06,760
Speaker 1: style on the bed and I get a call from

1745
01:38:06,800 --> 01:38:09,479
Speaker 1: my tour manager at the time and he's like, yo,

1746
01:38:10,320 --> 01:38:12,680
Speaker 1: you want to meet Prince tonight. And I was like, look, man,

1747
01:38:14,120 --> 01:38:18,400
Speaker 1: everybody need to stop playing these reindeer games. It's two

1748
01:38:18,520 --> 01:38:19,400
Speaker 1: thirty in the morning.

1749
01:38:20,520 --> 01:38:21,320
Speaker 4: I'm going to bed.

1750
01:38:22,840 --> 01:38:25,400
Speaker 1: If this doesn't happen, like in the next five to

1751
01:38:25,520 --> 01:38:27,879
Speaker 1: ten minutes, I might gonna be conscious.

1752
01:38:27,960 --> 01:38:32,479
Speaker 4: So it's not gonna happen. So good night, and tell

1753
01:38:32,560 --> 01:38:33,400
Speaker 4: Prince that said hello.

1754
01:38:36,439 --> 01:38:43,000
Speaker 1: Laid out radio silence five minutes later, stood up five

1755
01:38:43,040 --> 01:38:45,240
Speaker 1: minutes later and I'm like, what are you talking about?

1756
01:38:45,640 --> 01:38:52,160
Speaker 4: Pick up the phone. My guy goes you ready. I'm like, yeah, yeah, bat,

1757
01:38:52,240 --> 01:38:54,479
Speaker 4: I'm ready because I want to see you.

1758
01:38:54,760 --> 01:38:56,600
Speaker 1: Make I see Prince to the quarter of this v

1759
01:38:56,720 --> 01:38:59,200
Speaker 1: in the morning, because right now you.

1760
01:38:59,280 --> 01:39:00,599
Speaker 4: Got to show me, right.

1761
01:39:02,120 --> 01:39:04,759
Speaker 1: So I walk downstairs on three o'clock in the morning,

1762
01:39:05,080 --> 01:39:08,160
Speaker 1: I'm walking in the corridor to the to the side

1763
01:39:08,640 --> 01:39:10,960
Speaker 1: exit of the hotel and I.

1764
01:39:11,040 --> 01:39:15,000
Speaker 4: See a man standing outside.

1765
01:39:16,120 --> 01:39:20,400
Speaker 1: With the black suits, perfectly pressed, white shirt, black tie.

1766
01:39:21,000 --> 01:39:24,640
Speaker 1: He's standing with his hands folded in front of a

1767
01:39:25,040 --> 01:39:36,479
Speaker 1: perfectly gleamingly polished forward focus. The ship is shining like

1768
01:39:36,600 --> 01:39:43,080
Speaker 1: it's a fucking double all Bentley coon with the fucking

1769
01:39:43,280 --> 01:39:47,719
Speaker 1: black I'll never forget this black with the white leather seats.

1770
01:39:50,120 --> 01:39:52,040
Speaker 1: And when I saw them let the seat so that

1771
01:39:52,280 --> 01:39:56,879
Speaker 1: fucking brilliantly polished the black forward focus like a company

1772
01:39:56,960 --> 01:39:57,519
Speaker 1: corporate car.

1773
01:39:57,640 --> 01:40:02,360
Speaker 4: I was like, I I think we're either going to

1774
01:40:02,439 --> 01:40:09,120
Speaker 4: see the biggest jug dealers over going to see press.

1775
01:40:10,760 --> 01:40:17,360
Speaker 1: Well twenty minutes later, I'm looking at the motorcycle from

1776
01:40:17,360 --> 01:40:17,960
Speaker 1: purple rank.

1777
01:40:19,200 --> 01:40:23,599
Speaker 4: Does he have a blow with something? Have a bow

1778
01:40:23,960 --> 01:40:25,719
Speaker 4: on trying to scrap?

1779
01:40:27,280 --> 01:40:28,920
Speaker 9: Yeah, he had it to.

1780
01:40:31,640 --> 01:40:35,599
Speaker 4: Shiah, Yeah, it's custom and she hit him prints clothes respect.

1781
01:40:36,640 --> 01:40:38,960
Speaker 1: It was a dude with a giant chef had It

1782
01:40:39,040 --> 01:40:40,479
Speaker 1: was like, I want some cookies. I was like, it's

1783
01:40:40,520 --> 01:40:44,519
Speaker 1: three o'clock in the morning. Who even has a chef on.

1784
01:40:46,600 --> 01:40:47,040
Speaker 6: Cookies?

1785
01:40:47,360 --> 01:40:48,519
Speaker 4: There's like, you want some cookies?

1786
01:40:48,560 --> 01:40:51,000
Speaker 1: And we're like, yeah, we take some cookies and brought

1787
01:40:51,040 --> 01:40:54,719
Speaker 1: out a tray of perfectly baked, warm chocolate cookies.

1788
01:40:55,240 --> 01:40:59,519
Speaker 9: Just context and you love cookies. This is the Chapelle show.

1789
01:41:02,880 --> 01:41:05,519
Speaker 4: He's it's like an airplane hangar and it's three in

1790
01:41:05,560 --> 01:41:11,439
Speaker 4: the morning. He's got full band on stage. Nobody in

1791
01:41:11,560 --> 01:41:16,559
Speaker 4: the hangar. It's like half a dozen people the party.

1792
01:41:20,160 --> 01:41:21,040
Speaker 7: It's not a competition.

1793
01:41:23,479 --> 01:41:25,439
Speaker 4: He was on States and then I'm saying, that's the

1794
01:41:25,560 --> 01:41:26,719
Speaker 4: relations to Michael Jackson.

1795
01:41:27,080 --> 01:41:33,639
Speaker 1: He prays a whole sets. It's incredible. Were stunned. He says,

1796
01:41:33,760 --> 01:41:35,000
Speaker 1: you can clap, you got.

1797
01:41:34,920 --> 01:41:40,920
Speaker 4: In for free and that, and then he ends the set.

1798
01:41:41,000 --> 01:41:44,320
Speaker 1: And this was like no more than forty days after

1799
01:41:44,400 --> 01:41:45,599
Speaker 1: Michael Jackson had died.

1800
01:41:46,640 --> 01:41:52,960
Speaker 4: Right, she plays I Want to Be where You are instrumental,

1801
01:41:53,760 --> 01:41:58,360
Speaker 4: no vocals. The band plays it. Prince stayed away to.

1802
01:42:02,680 --> 01:42:06,360
Speaker 33: Chris this is and he's he's talking to Michael Jazz. No,

1803
01:42:07,160 --> 01:42:16,120
Speaker 33: he did, Hans Lord, we recently see you get back

1804
01:42:16,160 --> 01:42:16,920
Speaker 33: your Netflix.

1805
01:42:17,800 --> 01:42:18,160
Speaker 4: You mean.

1806
01:42:20,080 --> 01:42:23,080
Speaker 5: Not the Netflix. Uh, well well it was through Netflix

1807
01:42:23,760 --> 01:42:28,560
Speaker 5: the Chapelle Show. I'm right now trying to buy my

1808
01:42:29,439 --> 01:42:33,160
Speaker 5: my first two albums and they're actually complying with me.

1809
01:42:34,920 --> 01:42:37,840
Speaker 4: They just did it too, the same label.

1810
01:42:44,120 --> 01:42:47,360
Speaker 5: How was that day for people that artists, you know,

1811
01:42:47,439 --> 01:42:49,800
Speaker 5: whether it's a comedian, whether it's a you.

1812
01:42:49,840 --> 01:42:52,600
Speaker 9: Know, come in and not knowing the deals that they

1813
01:42:52,720 --> 01:42:55,120
Speaker 9: signed and and and retracted those deals.

1814
01:42:56,560 --> 01:42:58,639
Speaker 4: How was it for you? Man?

1815
01:42:58,840 --> 01:43:03,800
Speaker 3: Look Laurd in all honesty, this is a complicated discussion, right,

1816
01:43:06,240 --> 01:43:07,280
Speaker 3: but you know what, I know.

1817
01:43:09,280 --> 01:43:14,240
Speaker 4: We should say much more than that. Well now, but

1818
01:43:14,400 --> 01:43:17,720
Speaker 4: I know, you know, you know, I know that.

1819
01:43:24,040 --> 01:43:30,200
Speaker 3: Black Star, black Star releases album away. Let nobody released

1820
01:43:30,240 --> 01:43:33,080
Speaker 3: the album for us? Yes, because they know too?

1821
01:43:34,160 --> 01:43:34,680
Speaker 16: What do we know?

1822
01:43:35,640 --> 01:43:38,400
Speaker 4: We need to own our own We well, whatever we

1823
01:43:38,600 --> 01:43:39,720
Speaker 4: know and we know.

1824
01:43:42,120 --> 01:43:42,559
Speaker 16: This is what.

1825
01:43:44,160 --> 01:43:48,960
Speaker 3: This is what I call expensive knowledge, which what you

1826
01:43:49,080 --> 01:43:51,200
Speaker 3: had to go through to know what you know? In

1827
01:43:51,280 --> 01:43:56,040
Speaker 3: this regard, that's a tough one, right, So what we already.

1828
01:43:55,800 --> 01:43:57,640
Speaker 2: Take, right, we know.

1829
01:44:00,960 --> 01:44:05,920
Speaker 9: And we know, yes, you know, it's confidence, right.

1830
01:44:07,439 --> 01:44:14,680
Speaker 3: And listen, it's the only career we got. I think

1831
01:44:14,720 --> 01:44:18,400
Speaker 3: we're all protecting something. There's a certain artistic truth.

1832
01:44:19,479 --> 01:44:20,000
Speaker 17: We have to be.

1833
01:44:21,840 --> 01:44:25,680
Speaker 3: True to, the true, to our muse. This is why

1834
01:44:25,720 --> 01:44:28,840
Speaker 3: I love this Black Star record. Twenty four years and

1835
01:44:28,920 --> 01:44:32,960
Speaker 3: they drop like it's nothing. It still sound as young

1836
01:44:33,000 --> 01:44:38,679
Speaker 3: as they did when they started, and the ill bars

1837
01:44:38,760 --> 01:44:41,360
Speaker 3: the albums called no Fear Time, What's young?

1838
01:44:41,920 --> 01:44:44,719
Speaker 4: But I was me the whole time.

1839
01:44:44,880 --> 01:44:47,760
Speaker 3: I can remember if I think back, how eight year

1840
01:44:47,800 --> 01:44:49,960
Speaker 3: old meat felt at this time of that time.

1841
01:44:51,760 --> 01:44:53,880
Speaker 6: Mhm, you close your eyes you can see it.

1842
01:44:54,080 --> 01:44:57,120
Speaker 4: I was me the whole time. I was me the

1843
01:44:57,240 --> 01:44:57,840
Speaker 4: whole time.

1844
01:45:00,520 --> 01:45:07,240
Speaker 3: Listen, whatever whatever happened happened, whatever will happen will happen.

1845
01:45:07,360 --> 01:45:08,519
Speaker 4: But man, what a moment.

1846
01:45:09,400 --> 01:45:13,200
Speaker 3: I'm doing the drink Champs and Yellow Springs Ohio with

1847
01:45:13,439 --> 01:45:19,560
Speaker 3: most death Tyler quality. We only need extra pages in

1848
01:45:19,640 --> 01:45:23,120
Speaker 3: our passports because we are those kinds of niggas.

1849
01:45:23,360 --> 01:45:25,240
Speaker 9: Yes, we travel this world.

1850
01:45:26,600 --> 01:45:29,599
Speaker 4: Everyone does it, and here we all are in Miller.

1851
01:45:29,680 --> 01:45:34,439
Speaker 4: Don'twhare beeing us? Feels good? Man? Listen.

1852
01:45:35,640 --> 01:45:38,880
Speaker 3: The fact that they do this out luminary is a bar.

1853
01:45:40,320 --> 01:45:43,519
Speaker 3: The fact that I get to touch this process.

1854
01:45:43,439 --> 01:45:47,280
Speaker 4: Like this is an honor. The fact that you are

1855
01:45:47,400 --> 01:45:53,719
Speaker 4: here doing drink Champs, nigga, This is for the culture.

1856
01:46:01,200 --> 01:46:04,600
Speaker 4: It means something. This is right now, It's just the

1857
01:46:04,720 --> 01:46:08,280
Speaker 4: day of our lives. Well you see his days going. Yeah,

1858
01:46:08,320 --> 01:46:12,759
Speaker 4: we've made a good memory, this one, This one should

1859
01:46:12,800 --> 01:46:18,800
Speaker 4: be on the wall. It was a good one the

1860
01:46:18,920 --> 01:46:21,080
Speaker 4: first and many times. Hopefully.

1861
01:46:21,280 --> 01:46:27,840
Speaker 3: Welcome to Ohio, Thanks and welcome back after twenty four years. Yes,

1862
01:46:28,920 --> 01:46:36,439
Speaker 3: let start, let's go, let's go, let's push this culture forward.

1863
01:46:37,160 --> 01:46:43,400
Speaker 4: Yes, because yes, seen Bebe and Tyler the same way.

1864
01:46:43,680 --> 01:46:45,720
Speaker 4: I'm gonna talk to Dave and I'm gonna talk to

1865
01:46:45,800 --> 01:46:47,439
Speaker 4: Don now I'm not talking.

1866
01:46:47,240 --> 01:46:48,639
Speaker 2: Them on I'm.

1867
01:46:51,560 --> 01:46:54,719
Speaker 5: No, no, no, but but let me just take something,

1868
01:46:56,160 --> 01:46:59,479
Speaker 5: the combination, the camaraderie, y'all.

1869
01:46:59,439 --> 01:47:00,680
Speaker 4: Together, the chemistry.

1870
01:47:00,880 --> 01:47:07,120
Speaker 5: This is your home too, you know, chemistry for Brooklynlyn

1871
01:47:07,920 --> 01:47:10,599
Speaker 5: because it's New York City and then it's.

1872
01:47:10,520 --> 01:47:15,439
Speaker 4: Brooklyn, no stop, other than Brooklyn, nigga, that's.

1873
01:47:17,080 --> 01:47:18,840
Speaker 6: The planet.

1874
01:47:19,640 --> 01:47:21,080
Speaker 4: No disagreed.

1875
01:47:29,920 --> 01:47:33,280
Speaker 1: Bears The of the population in New York City, Yes,

1876
01:47:33,640 --> 01:47:36,400
Speaker 1: that's just the facts. If that's changed in recent years,

1877
01:47:37,120 --> 01:47:39,960
Speaker 1: unberknownst to me. If there's a more populous city in

1878
01:47:40,439 --> 01:47:42,880
Speaker 1: in New York City and the boroughs right now, then

1879
01:47:42,920 --> 01:47:45,080
Speaker 1: I stand to be corrected. But as far as I know,

1880
01:47:45,640 --> 01:47:48,400
Speaker 1: as far as I'm aware, the majority of people who

1881
01:47:48,439 --> 01:47:51,040
Speaker 1: live in New York City live in Brooklyn, New York.

1882
01:47:51,720 --> 01:47:57,360
Speaker 1: It's a historic borough of historic events, of people, of

1883
01:47:57,680 --> 01:48:04,759
Speaker 1: of of prestige and great achievement from all areas legal

1884
01:48:04,920 --> 01:48:05,959
Speaker 1: and elicit.

1885
01:48:07,320 --> 01:48:09,920
Speaker 4: Uh you know what I mean, and.

1886
01:48:13,200 --> 01:48:16,160
Speaker 1: Home to some of the greatest of seas they have

1887
01:48:16,320 --> 01:48:20,400
Speaker 1: ever breathed air. And I mean it's not for like,

1888
01:48:20,640 --> 01:48:24,479
Speaker 1: you know, for Ego's sake. I mean, you know, we're

1889
01:48:24,560 --> 01:48:27,640
Speaker 1: doing what we've been allowed to do. You know, we

1890
01:48:27,880 --> 01:48:31,439
Speaker 1: have the facility capacities do it, and that's truly a gift.

1891
01:48:32,600 --> 01:48:34,960
Speaker 1: I want to avoid treating the gifts like an achievement,

1892
01:48:35,920 --> 01:48:36,519
Speaker 1: because it's not.

1893
01:48:38,479 --> 01:48:40,599
Speaker 4: What you do with your gift is the real achievement.

1894
01:48:40,760 --> 01:48:45,519
Speaker 1: And you know, without sounding to whatever I mean, that's

1895
01:48:45,600 --> 01:48:47,400
Speaker 1: just the way I really feel about it. We try

1896
01:48:47,439 --> 01:48:50,080
Speaker 1: to help as many as we can help, to do

1897
01:48:50,200 --> 01:48:52,000
Speaker 1: good for ourselves so we can do good for others.

1898
01:48:53,080 --> 01:48:54,760
Speaker 4: Say what me mean, mean what we.

1899
01:48:54,840 --> 01:49:01,200
Speaker 1: Say, don't be mean, don't take ship from nobody under

1900
01:49:01,240 --> 01:49:02,200
Speaker 1: any circumstance.

1901
01:49:04,000 --> 01:49:05,800
Speaker 4: Just remain humble and do.

1902
01:49:07,960 --> 01:49:11,519
Speaker 1: Beautiful things with the time that we've been given here

1903
01:49:11,600 --> 01:49:14,519
Speaker 1: on earth, with the capabilities and facilities that we have,

1904
01:49:15,560 --> 01:49:21,439
Speaker 1: so we express that in what we do. It's been

1905
01:49:21,479 --> 01:49:23,320
Speaker 1: the better part of my adult life. And I can

1906
01:49:23,360 --> 01:49:26,800
Speaker 1: say the same for Dave and for for Talban, for

1907
01:49:26,920 --> 01:49:30,600
Speaker 1: many of us in this room, and so honor to

1908
01:49:30,640 --> 01:49:32,600
Speaker 1: be here and chop of the children. Just about the

1909
01:49:32,880 --> 01:49:35,360
Speaker 1: about the culture too, And I wanted to say one

1910
01:49:35,439 --> 01:49:36,880
Speaker 1: thing too, because I see these you guys have to

1911
01:49:36,880 --> 01:49:41,639
Speaker 1: push the t on on yes recently, and you're asking

1912
01:49:41,680 --> 01:49:47,960
Speaker 1: the question about the crime narrative or the drug narrative

1913
01:49:48,160 --> 01:49:52,640
Speaker 1: that appears in so much of his work, and you know,

1914
01:49:53,120 --> 01:49:58,679
Speaker 1: I've spoken with pushed it directly about my very.

1915
01:50:02,160 --> 01:50:06,520
Speaker 4: My perspective or that directly, you know, And I wouldn't.

1916
01:50:06,120 --> 01:50:09,639
Speaker 1: Say that as many talented writers out here, many people

1917
01:50:09,720 --> 01:50:13,519
Speaker 1: with strong powers of observation, particularly as you know, people

1918
01:50:13,520 --> 01:50:15,920
Speaker 1: who call themselves mcs, are part of this thing that

1919
01:50:16,120 --> 01:50:24,280
Speaker 1: we're doing. What we put our talent towards promoting or

1920
01:50:26,760 --> 01:50:31,840
Speaker 1: speaking about or addressing is UH is important as far

1921
01:50:31,920 --> 01:50:35,120
Speaker 1: as as I could see, and particularly coming from our

1922
01:50:35,200 --> 01:50:40,920
Speaker 1: communities where so many people were negatively affected by that

1923
01:50:42,600 --> 01:50:45,599
Speaker 1: presence and still are. And with that being said, there's

1924
01:50:45,640 --> 01:50:49,599
Speaker 1: no judgment on anybody who's done that or is doing

1925
01:50:49,720 --> 01:50:54,160
Speaker 1: that this at this point, you know, I have no

1926
01:50:54,320 --> 01:50:56,120
Speaker 1: judgment on it. That's what I'm saying that Like, oh

1927
01:50:56,200 --> 01:50:59,320
Speaker 1: you you know, cause trust me, you know I have.

1928
01:51:00,040 --> 01:51:02,880
Speaker 1: We all got friends and family and somebody that was

1929
01:51:02,960 --> 01:51:05,120
Speaker 1: in that, and it's no judgment on the day humanity

1930
01:51:05,200 --> 01:51:05,519
Speaker 1: to them.

1931
01:51:05,479 --> 01:51:06,400
Speaker 4: Is That's not what I'm saying.

1932
01:51:07,040 --> 01:51:11,320
Speaker 1: But when it comes to what we promote as lifestyles

1933
01:51:11,439 --> 01:51:15,080
Speaker 1: or ideas, well, you know, that has impact, that has weight,

1934
01:51:15,479 --> 01:51:18,720
Speaker 1: you know, And I don't think we need any more

1935
01:51:18,840 --> 01:51:24,000
Speaker 1: crack commercials for our community or for our humanity at

1936
01:51:24,040 --> 01:51:27,040
Speaker 1: this point, particularly given the space and time that we

1937
01:51:27,160 --> 01:51:28,120
Speaker 1: are in as.

1938
01:51:29,880 --> 01:51:31,479
Speaker 4: Members of the human race.

1939
01:51:31,600 --> 01:51:33,720
Speaker 1: You know what I'm saying, try to do as much

1940
01:51:33,800 --> 01:51:36,880
Speaker 1: good as you can, you know, do no harm where

1941
01:51:36,880 --> 01:51:40,560
Speaker 1: it is possible, you know, especially if it's unnecessary. And

1942
01:51:40,680 --> 01:51:43,960
Speaker 1: I like to see the rights there are talented that

1943
01:51:44,040 --> 01:51:46,120
Speaker 1: actually have something to say. I'll be curious about what

1944
01:51:46,160 --> 01:51:47,559
Speaker 1: they have to say about what's.

1945
01:51:47,439 --> 01:51:49,400
Speaker 4: Going on with all of us, not just going on

1946
01:51:49,720 --> 01:51:53,560
Speaker 4: one niche of the world, you know.

1947
01:51:56,760 --> 01:51:58,840
Speaker 1: And when I see it put towards that, I'm like, damn,

1948
01:51:58,880 --> 01:52:01,680
Speaker 1: you know, I think those powers be put to better use,

1949
01:52:01,880 --> 01:52:07,840
Speaker 1: you know. With that being said, also, I feel like

1950
01:52:07,920 --> 01:52:12,639
Speaker 1: what we've done and what I've been contributing up until

1951
01:52:12,680 --> 01:52:18,360
Speaker 1: this point and with this current project is without powallel,

1952
01:52:19,320 --> 01:52:21,880
Speaker 1: you know, there's what we're doing is at the top

1953
01:52:21,960 --> 01:52:27,320
Speaker 1: of the register in terms of quality, consistency, theme, aim, creativity.

1954
01:52:28,120 --> 01:52:31,320
Speaker 1: I don't think we sacrifice any of the overall elements

1955
01:52:31,400 --> 01:52:35,000
Speaker 1: that people want to hear, you know, from MC's or

1956
01:52:35,040 --> 01:52:39,040
Speaker 1: from black Men in particular. I think I approaches courageous.

1957
01:52:39,160 --> 01:52:44,599
Speaker 1: I think it's noble. I think it's it's a classic. Yeah,

1958
01:52:44,680 --> 01:52:47,160
Speaker 1: for sure, don't stop avoid it that world. No no,

1959
01:52:47,320 --> 01:52:50,639
Speaker 1: but it's a classic because it embodies all of those elements,

1960
01:52:51,160 --> 01:52:55,200
Speaker 1: you know what I'm saying, and it's uh, it's well

1961
01:52:55,280 --> 01:53:04,040
Speaker 1: crafted as well as any well crafted class say material.

1962
01:53:05,200 --> 01:53:09,880
Speaker 1: So people may not some people may being doubted that.

1963
01:53:10,120 --> 01:53:13,840
Speaker 1: Some people may not recognize that right now, real hip hop,

1964
01:53:14,800 --> 01:53:15,720
Speaker 1: real hip hop.

1965
01:53:16,000 --> 01:53:26,719
Speaker 5: You're not talking to the y'allas, y'all, Yonders, Yonder Yonders

1966
01:53:26,880 --> 01:53:29,720
Speaker 5: is our cousins, y'all and.

1967
01:53:33,479 --> 01:53:33,839
Speaker 4: Cousins.

1968
01:53:33,960 --> 01:53:36,519
Speaker 5: But let me just tell y'all something, man, because I

1969
01:53:36,640 --> 01:53:39,200
Speaker 5: told you our show is about giving people they flowers,

1970
01:53:39,720 --> 01:53:40,840
Speaker 5: showing people they love.

1971
01:53:42,400 --> 01:53:44,280
Speaker 4: Thank y'all so much, Thank you.

1972
01:53:44,760 --> 01:53:47,760
Speaker 5: You brothers, because you know what it is the thing

1973
01:53:47,840 --> 01:53:51,120
Speaker 5: about it is now it's cool to give people their flowers,

1974
01:53:51,200 --> 01:53:54,280
Speaker 5: but we invented it. Were the ones that say, you

1975
01:53:54,360 --> 01:53:57,479
Speaker 5: know what, it's cool to make sure everyone knows that

1976
01:53:57,640 --> 01:53:59,519
Speaker 5: this hoodies are super cape.

1977
01:54:01,120 --> 01:54:02,160
Speaker 4: This hoodie is a cap.

1978
01:54:02,720 --> 01:54:05,960
Speaker 1: Oh, let me shout out my man sweatshirt. Shout out

1979
01:54:06,040 --> 01:54:09,599
Speaker 1: my man navy blue, shout out the wiki, shout out

1980
01:54:09,680 --> 01:54:14,879
Speaker 1: the coming anybody hanging out with right now, that's actually boxing,

1981
01:54:14,960 --> 01:54:16,520
Speaker 1: that's Alchemists.

1982
01:54:16,920 --> 01:54:20,120
Speaker 13: Don't even leave a shout out to Kenswick, a shout

1983
01:54:20,240 --> 01:54:24,280
Speaker 13: to Amy Fayla and deny to my favorite artists out

1984
01:54:24,360 --> 01:54:25,920
Speaker 13: right now and the children.

1985
01:54:27,600 --> 01:54:29,960
Speaker 4: Yeah, shout to arm and Hammer.

1986
01:54:32,320 --> 01:54:34,480
Speaker 9: Nobody fail my son him.

1987
01:54:39,880 --> 01:54:43,800
Speaker 4: Arm and Hammer of the group of York I know cocaine.

1988
01:54:46,240 --> 01:54:52,240
Speaker 6: Oh that's big. Look.

1989
01:54:52,640 --> 01:54:54,800
Speaker 5: Let me just let me just thank y'all once again. Man,

1990
01:54:54,960 --> 01:55:03,640
Speaker 5: because we really all coaches. Our culture limits the way

1991
01:55:03,680 --> 01:55:07,360
Speaker 5: of how we big each other. Shot no car, shot.

1992
01:55:07,120 --> 01:55:10,760
Speaker 1: At the Brownsville car and preservation. Shout at the Brownsville

1993
01:55:10,840 --> 01:55:13,720
Speaker 1: car now, don't even shout out the.

1994
01:55:13,720 --> 01:55:17,760
Speaker 4: Brownsville car that stuff. Wow, yeah, yeah, it's.

1995
01:55:17,960 --> 01:55:21,080
Speaker 7: Most We're going to get a shot at Puerto Rican beer.

1996
01:55:21,200 --> 01:55:22,560
Speaker 9: By the way, you want what you want?

1997
01:55:22,600 --> 01:55:24,360
Speaker 7: Another one? Take all that?

1998
01:55:25,240 --> 01:55:31,000
Speaker 9: Hey, they will somebody tell they to take him one

1999
01:55:31,080 --> 01:55:34,280
Speaker 9: Las shot. Don't that's take that good?

2000
01:55:34,440 --> 01:55:37,520
Speaker 4: Dang, you gotta do this, Just do it for the coach.

2001
01:55:40,800 --> 01:55:47,879
Speaker 4: Want to be Budha. You're Mexican.

2002
01:55:49,560 --> 01:55:58,840
Speaker 6: Mexican. Get we got Yeah, you have one of the Japanese, the.

2003
01:56:02,440 --> 01:56:02,919
Speaker 7: Japanese.

2004
01:56:05,120 --> 01:56:08,920
Speaker 4: Yes, lawyer, I can't believe it. Just I just watched

2005
01:56:09,040 --> 01:56:09,960
Speaker 4: drink Champs line.

2006
01:56:18,680 --> 01:56:20,720
Speaker 9: Yes on lie.

2007
01:56:21,160 --> 01:56:23,000
Speaker 5: We're about to take over the ranks of this shock

2008
01:56:23,320 --> 01:56:25,040
Speaker 5: because we coming here every once in a month.

2009
01:56:25,440 --> 01:56:31,320
Speaker 24: We just it, you know, and Manson or somebody you

2010
01:56:31,440 --> 01:56:34,080
Speaker 24: know what I'm talking about, you know, saying me. So

2011
01:56:34,800 --> 01:56:36,880
Speaker 24: he turned away and ship were going to interview this.

2012
01:56:39,120 --> 01:56:46,040
Speaker 24: Look yeah, so sale shows in somewhere. Listener's like, that's

2013
01:56:46,080 --> 01:56:52,000
Speaker 24: fun that it's true, you know, somt's take this down.

2014
01:56:52,080 --> 01:56:54,600
Speaker 24: You get them drops and we rap he did.

2015
01:56:54,960 --> 01:56:55,600
Speaker 9: Let's make some.

2016
01:57:00,960 --> 01:57:04,400
Speaker 15: Drink Champs is a drink Champs LLC production hosts and

2017
01:57:04,520 --> 01:57:07,920
Speaker 15: executive producers n o r E and dj e FN.

2018
01:57:09,080 --> 01:57:13,200
Speaker 15: Listen to Drink Champs on Apple podcast, Amazon Music, Spotify,

2019
01:57:13,520 --> 01:57:17,160
Speaker 15: or wherever you get your podcasts. Thanks for joining us

2020
01:57:17,200 --> 01:57:19,800
Speaker 15: for another episode of Drink Champs, hosted by Yours truly,

2021
01:57:19,960 --> 01:57:22,640
Speaker 15: dj e FN and n O r E. Please make

2022
01:57:22,680 --> 01:57:24,880
Speaker 15: sure to follow us on all our socials That's at

2023
01:57:25,000 --> 01:57:28,720
Speaker 15: drink Champs across all platforms at the Real noriagon ig

2024
01:57:29,440 --> 01:57:32,560
Speaker 15: at Noriega on Twitter, mine is at Who's Crazy on

2025
01:57:32,720 --> 01:57:36,600
Speaker 15: ig at dj e f N on Twitter, and most importantly,

2026
01:57:36,640 --> 01:57:39,440
Speaker 15: stay up to date with the latest releases, news and

2027
01:57:39,600 --> 01:57:41,920
Speaker 15: merch by going to drink Champs dot com