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Speaker 1: I am all in you.

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Speaker 2: I Am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: Hey, everybody listen before we get sorry, I want to

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Speaker 1: tell you I'm gonna be at Indie Popcorn in Indianapolis, Indiana,

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Speaker 1: August twenty five through twenty seven. So come on down,

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Speaker 1: let's have some gilmore fun. Love seeing you guys, and uh,

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Speaker 1: we're gonna have a good time. Okay, sorry to make

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Speaker 1: Amy laugh. It's hurting. It's side splitting. It's like like

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Speaker 1: at this point it's like actual side splitting.

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Speaker 2: My side hurts, and no one realize side hurts. Yes,

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Speaker 2: no one realizes how much fun we have before we

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Speaker 2: go on, like just getting set up.

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Speaker 1: If we recorded that, we could release those as different

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Speaker 1: episodes of different podcasts. Maybe you know who knows.

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Speaker 3: The conversations we have before we go on, my side

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Speaker 3: are going are so good and like Danielle just got

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Speaker 3: back from her old sound so it's just like.

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Speaker 2: Pathoic.

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Speaker 1: Yeah, we cover a lot of ground very quickly. Anyway.

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Speaker 1: I Heart Radio one eleven Productions. This is uh, we're

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Speaker 1: getting to the end of season five here, episode twenty so.

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Speaker 4: We have two more after this.

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Speaker 1: That's crazy, two more. It's it's it's two more in

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Speaker 1: your O mama, right, you're going you.

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Speaker 4: Like how I move my yoga ball out of the

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Speaker 4: zoom video. It was just right here, and I was like,

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Speaker 4: I'm gonna move that.

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Speaker 1: I was going to mention that it didn't need to

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Speaker 1: be moved.

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Speaker 2: I'm not happy that season five is almost over because

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Speaker 2: I actually think season five could be one of the

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Speaker 2: best seasons.

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Speaker 1: It's very strong. Yeah, it's very strong.

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Speaker 4: You know.

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Speaker 2: So I don't know, I mean, we all know. Season

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Speaker 2: seven isn't quite what the first six were like. There's

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Speaker 2: no amy and dance.

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Speaker 1: Like old Judgment. I have not laid laying or laid

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Speaker 1: eyes on it.

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Speaker 2: I have high hopes for season six.

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Speaker 1: Really season i've ever seen.

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Speaker 2: We just I love Season five. I don't know that

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Speaker 2: it's going to happen for you with that Scott, But.

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Speaker 4: Yeah, four is still my favorite.

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Speaker 1: Yeah, I mean it's fourth great.

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Speaker 2: But they're all amazing.

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Speaker 1: I'd tell you this Huntsburger infusion is really it's making

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Speaker 1: it rock for me. I really like it.

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Speaker 2: I agree.

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Speaker 1: I mean, Luca Laurel are taking a little bit of

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Speaker 1: a backseat, I think.

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Speaker 2: But uh, hell, only a little bit, Only a little.

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Speaker 1: Bit only a little bit. Yeah, but anyway, so let's

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Speaker 1: do some synopsisizations while we can. And we do have

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Speaker 1: yoga balls, and we have food going.

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Speaker 4: Yeah, we got it.

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Speaker 2: Squeeze, I had chocolate chips. I had chocolate chips, but

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Speaker 2: I ate them. Daniel Scott's got Hello fresh, Hello Fresh.

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Speaker 1: Oh, I say I too. I have lots of that

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Speaker 1: every night.

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Speaker 2: The pregnant lady's eating healthy nuts and the old ladies

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Speaker 2: eating chocolate chip.

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Speaker 4: All right, guys, this is season five, episode twenty, How

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Speaker 4: Many crow POGs to Keep cod air date May third,

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Speaker 4: two thousand and five. After learning of Rory's dinner with

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Speaker 4: the Huntsburgers, Emily and Richard and buy her and Logan

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Speaker 4: to dine with them, prompting a suspicious lure Light to

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Speaker 4: tag along. Also, Rory receives a stressful introduction to the

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Speaker 4: newspaper business courtesy of Logan's hard driving dad, and Luke

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Speaker 4: persuades Taylor to close the museum.

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Speaker 1: And my apologies, I did not introduce my intrepid crew.

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Speaker 1: Danielle romel Amy Sugarman tarasued is in hours Zona doing

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Speaker 1: something incredibly special that they won't tell me what she's doing.

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Speaker 1: I've been trying to.

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Speaker 2: Get very cold there. It's only one hundred and eight.

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Speaker 1: I was gonna say she got out of the hot

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Speaker 1: weather and just went to cool down in Arizona. So, anyway,

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Speaker 1: what do we think of this episode? Gang m hmm.

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Speaker 2: I love I mean, I really do. I love There's

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Speaker 2: there's some flags. I've got a couple of flags, but

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Speaker 2: I do love it, Danielle.

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Speaker 4: I mean, as much as I kind of despise Logan,

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Speaker 4: I like this the drama that he's giving me, So

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Speaker 4: I'm going to take it with a grain of salt

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Speaker 4: and at least say, like, yeah, he gives me some

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Speaker 4: good TV watching.

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Speaker 1: Yeah, Yeah, I thought a very very good episode, very

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Speaker 1: strong episode. It didn't didn't have me belly laughing until

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Speaker 1: Emily dropped the bomb on her new maid about the

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Speaker 1: fragrant lilies. Are you insane?

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Speaker 2: This is the only episode where there are things about

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Speaker 2: Logan I don't like, but for the most part, I

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Speaker 2: still love him. Although, did you guys notice that the

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Speaker 2: open with the roombas was so quick? It's the quickest

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Speaker 2: open I think we've had in the series.

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Speaker 1: I think it was an attempt at a very clever

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Speaker 1: product placement.

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Speaker 4: Do you think you know that must have been like

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Speaker 4: the new technology of two thousand and five. Though you

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Speaker 4: know they're like throwing a roomba, people will be impressed.

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Speaker 2: And also if Lurla is opening in kind of broke,

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Speaker 2: she's not getting a rumba. They weren't cheap. They aren't cheap,

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Speaker 2: but maybe she got it for Christmas from the guild.

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Speaker 1: For Yeah, I don't remember seeing any of your checks

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Speaker 1: from Rumba. So it's like, the heck was that?

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Speaker 2: It was so quick?

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Speaker 1: Right? It was quick?

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Speaker 2: Seriously, so I think that they had so much meat

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Speaker 2: on the in the episode that they had to tighten

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Speaker 2: up the open.

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Speaker 1: The old saying confusion is the soul of wit? What what? What?

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Speaker 1: What is that? What was that open? It was mercifully,

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Speaker 1: mercifully brief.

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Speaker 2: Yeah, because it wasn't It wasn't great. It was just

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Speaker 2: them watching room buds.

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Speaker 1: On the phone, very happy to get to I'm very

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Speaker 1: happy to get to the Carol King song.

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Speaker 2: They weren't even in the same room watching the room,

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Speaker 2: but they're like just silent.

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Speaker 1: It's like, when have you ever seen this silence? Just

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Speaker 1: like staring at.

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Speaker 2: Something but odd. We got to the credits and then

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Speaker 2: things picked up quickly, although I don't know why Paris

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Speaker 2: was in her towel singing. I mean they let her

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Speaker 2: sing for a long time. I'm walking on sunshine, like

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Speaker 2: for a long time.

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Speaker 4: It's like I never thought I would hear Paris sing

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Speaker 4: those words.

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Speaker 2: And they're both happy, and Rory looked so cute, and

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Speaker 2: Logan was at the door and he had his weird

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Speaker 2: sweater with the squares on it.

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Speaker 1: I gotta, yeah, let's throw a flag on the sweater. Sorry,

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Speaker 1: that was the oddist. I mean, I couldn't stop looking

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Speaker 1: at it. It was just such a train rod.

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Speaker 2: Because Logan is like pretty bay delicious and has great style,

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Speaker 2: so I'm not sure he would have that was more

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Speaker 2: of a Rory Lorelei sweater with all those squares.

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Speaker 1: Was that some kind of a thing in the Ivy

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Speaker 1: League at that time for boys that wear that sweater?

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Speaker 1: I mean I must have been.

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Speaker 2: I think it was just your stylist picking that. Okay,

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Speaker 2: and Paris is in love, so you know, there we go,

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Speaker 2: and then we get sort of the scene in the

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Speaker 2: bedroom talking about the internship.

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Speaker 4: And her obsession over Dad.

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Speaker 5: I was like, Rory, yeah, she's the room.

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Speaker 1: Oh my god, she's blowing it fast, and Logan just

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Speaker 1: sort of staring at her like, oh God, what have

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Speaker 1: I gotten myself into here? You know?

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Speaker 2: Yeah, that was This is one of my first flags.

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Speaker 2: Nobody's doing that, Okay.

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Speaker 4: It it goes back to what I was saying about

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Speaker 4: the house. You know, when she goes to the house,

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Speaker 4: she's like whoa, Oh my gosh, it's like the same

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Speaker 4: thing with the dad, and I'm just like, I need

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Speaker 4: her to be cool for one second, Like she's gotta

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Speaker 4: shape it up because it's just too much.

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Speaker 2: Yes, you're nailing it. So because the cringiest, which we'll

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Speaker 2: get to is the first day at the internship, I

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Speaker 2: was like, you're acting a fool and you're not a fool.

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Speaker 2: You're the smartest girl in school, and you're acting like

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Speaker 2: there's so many but words that are coming into my

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Speaker 2: mind like Rory wouldn't act like that. Yeah, So, Scott,

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Speaker 2: what did you think of Rory with Let's go back

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Speaker 2: to just this bedroom and she's just googling the dad.

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Speaker 2: It's just like it.

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Speaker 1: It just makes her appear so desperate and so just

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Speaker 1: so needy and so just so stimulated at this opportunity

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Speaker 1: for what it's going to do for her career, and

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Speaker 1: you know, she's not even attempting to uh hide any

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Speaker 1: of it for the for for Logan says, so it

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Speaker 1: doesn't turn him off. I mean it's it's it's it's

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Speaker 1: like there's this complete like she completely dismisses any of

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Speaker 1: the social mores that one would want to exist within

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Speaker 1: so as not to your boyfriend. I mean it's like.

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Speaker 2: Exactly, and it's not like she's never had a boyfriend before.

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Speaker 2: She has had boyfriends. My thing is like, if you

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Speaker 2: were Logan, would you be like, are you just dating

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Speaker 2: me to get to my dad?

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Speaker 1: Totally exactly.

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Speaker 2: It was just weird. Like it's one thing is she's like,

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Speaker 2: you know, I'm really appreciative of the internship your dad's

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Speaker 2: giving me, whether it was for good or bad reasons,

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Speaker 2: any tips like simmer down, girl, Like it's just and

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Speaker 2: especially when he's like, you know, she says, oh, tell

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Speaker 2: me some things about your dad. All I know about

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Speaker 2: my dad is he says, Logan, you're not living up

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Speaker 2: to your potential, Like does your hand to shut up?

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Speaker 4: You know, like maybe some gloating about his dad when

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Speaker 4: Logan clearly has some kind of weird relationship with him.

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Speaker 2: Yeah, And like Danielle, you do the impression so well

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Speaker 2: of how do it again?

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Speaker 4: Just ringey, She's she's major cringe.

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Speaker 2: I Google, you know, and it's just the same way

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Speaker 2: on the first day of the internship, I was like,

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Speaker 2: where's Rory.

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Speaker 1: Yeah, like, yeah, she kind of lost it throughout the.

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Speaker 2: Whole She's been nervous before, but like not like that,

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Speaker 2: and even on like.

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Speaker 1: That, it's you know, it's it's it's like she was

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Speaker 1: more her energy sort of ratcheted up to Laurelize energy.

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Speaker 1: That's kind of how Laurel I would act in a situation,

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Speaker 1: you know, and a kind of you know what I mean.

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Speaker 1: I mean she became kind of Laurel I like, uh

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Speaker 1: in her attempt to do the comedy, you know, with

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Speaker 1: the pace of it, with the with the energy and

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Speaker 1: all that stuff. It really wasn't election. It really wasn't right, right,

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Speaker 1: I'm trying to she kind of came out of Karens yes.

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Speaker 2: And that's why it was so uncomposed.

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Speaker 4: I'm like, oh, I'm trying to like make it a

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Speaker 4: somewhat relatable to like today.

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Speaker 2: Right.

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Speaker 4: It would be as if like you're dating somebody and

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Speaker 4: you're the person that you're dating is like, so I Instagram,

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Speaker 4: Facebook and LinkedIn.

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Speaker 1: Stock to your dad.

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Speaker 4: And like, oh my god, he likes to fish, he

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Speaker 4: likes he worked out here, you went to here for college.

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Speaker 4: It's like, oh, like that would turn me off so fast,

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Speaker 4: like so fun.

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Speaker 2: The thing Logan likes about Rory, right, the reason Rory's

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Speaker 2: been able to sort of get Logan to, you know, commit,

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Speaker 2: is that they are on equal footing, like they have

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Speaker 2: that ping pong like we've always talked about they are equals,

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Speaker 2: and now she's like a puppy dog like Logan, tell

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Speaker 2: me about your dad. And it's just like, oh stop,

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Speaker 2: it be cool. Like she shouldn't have even taken this internship,

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Speaker 2: you know what, Like she should have gone with her

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Speaker 2: first gut u. And I get it that Mitcham had

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Speaker 2: that sort of line like why would you turn on

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Speaker 2: this opportunity? She should have been like, bro, I got

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Speaker 2: I'm at the you know, knob Hill Gazette. I don't

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Speaker 2: need yeah internship.

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Speaker 4: She was cool for a second when she turned it down,

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Speaker 4: and then oh yeah, it went out the window when

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Speaker 4: she was like oh yeah, you're right, okay, you know.

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Speaker 2: Yeah. I think many fans will also say, like there's

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Speaker 2: a turn in Rory here, and this is the beginning

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Speaker 2: of sort of a bad trajectory. It's like, I don't

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Speaker 2: like it. That's not the Rory I like.

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Speaker 1: But but given all of that, Okay, I still enjoyed

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Speaker 1: watching her go through the episode. I enjoyed the scenes

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Speaker 1: at the office. I was hanging on the edge of

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Speaker 1: my seat to see what was going to happen with Mitchell. Yeah,

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Speaker 1: and and Logan, And I didn't mind it. I like

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Speaker 1: that she took the selfie.

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Speaker 6: I like that.

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Speaker 1: R You know, I didn't know whether to go into

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Speaker 1: the room or not, so she didn't.

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Speaker 2: And at the end it's kind of baller because she's

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Speaker 2: got it together. Did you like the.

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Speaker 4: Taking off of the shoes you did?

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Speaker 1: I did?

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Speaker 2: Not me? Not me either.

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Speaker 1: Look, I think I think that stuff harkens back to,

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Speaker 1: you know, nineteen forties filmmaking. I saw Mickey Rooney, I

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Speaker 1: saw all those actresses from back in the day. I

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Speaker 1: say it was that kind of writing.

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Speaker 2: I don't know. Like, first of all, I liked her

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Speaker 2: first dress that she held up for Logan way better

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Speaker 2: than the outfit she wore on the first day. And

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Speaker 2: just like she was just too we'll get to it,

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Speaker 2: because I know we're jumping ahead to that scene. But

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Speaker 2: she was just too like Harry or whatever the guy's

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Speaker 2: name was, and she was just too weak.

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Speaker 1: Yeah, and har and Harry. And I thought that Harry

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Speaker 1: scene was a bit odd because he didn't even look

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Speaker 1: at her. He didn't even notice her. He didn't, you

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Speaker 1: know what I mean. And she was I mean, she

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Speaker 1: was looking great.

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Speaker 2: Yeah, and they don't have a very effective internship program.

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Speaker 2: So I guess if we're going in order, so we

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Speaker 2: go from that scene that made everybody taste vomit in

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Speaker 2: their mouth to Stars Hollow. Now there was a lot

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Speaker 2: happening if you. I don't know if you noticed, but

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Speaker 2: like Rory's walking and there's a car wash going on.

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Speaker 1: No, no, Laura, I was sorry, Laura, I was you know.

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Speaker 1: My takeaway from that scene was how great the grass

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Speaker 1: and the shrubs.

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Speaker 2: There was a lot sort of.

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Speaker 1: Back in burb because I'm thinking that's one hundred degrees.

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Speaker 2: I was sure it wasn't Rory walking through and she

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Speaker 2: had a pink owl shirt. That was Laura got, am

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Speaker 2: I crazy? Can someone pull up the scene just so

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Speaker 2: I can be sure?

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Speaker 1: No, Laura, I was walking through Stars hollow, and that's

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Speaker 1: when we saw the car wash and we saw the

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Speaker 1: grass and.

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Speaker 2: The creepy mannequins.

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Speaker 1: Oh god, yeah, Rory was at work.

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Speaker 2: Here's me. Yeah, I might be an idiot, so okay,

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Speaker 2: so we and then oh I know. So then we

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Speaker 2: get Luke going into the mansion museum house and Taylor's

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Speaker 2: under the horse. So that's when you're kind of convincing

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Speaker 2: Taylor shut down this dumb museum and like, I want

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Speaker 2: to buy this house.

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Speaker 1: Basically, yeah, his plan, Luke's plan is proceeding. Yeah, he's

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Speaker 1: getting what he wants in a roundabout way, so good

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Speaker 1: for him planting seeds. Right, we'll see what happens.

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Speaker 2: Well, right, exactly, we'll see what happens. So then we

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Speaker 2: get Rory at Friday Night dinner and we learn that

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Speaker 2: the Gilmours are losing their minds because they have not

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Speaker 2: reciprocated the invitation quickly enough to Logan. And this scene

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Speaker 2: I fully enjoyed.

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Speaker 4: Yeah, all the Emily and this episode.

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Speaker 1: I think totally they completely stole.

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Speaker 2: The And I also loved that at least we got

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Speaker 2: the normal Rory back because she was cool again, and

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Speaker 2: she called Logan about the dinner. She was so cool. Again,

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Speaker 2: she was a Rory we love with him, and she

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Speaker 2: was chill and she's like, I mean, you don't have

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Speaker 2: to do it, and then Logan's so cool being like

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Speaker 2: let's do it.

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Speaker 6: Like that.

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Speaker 2: I was like, oh, here they are, yeah the way

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Speaker 2: I like it.

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Speaker 4: That was cute because he was like, what's the chance

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Speaker 4: I can get out of this? And she's like zero

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Speaker 4: and he's like, then let's do it. You know, like

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Speaker 4: that was cute.

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Speaker 2: That was cute, and even I think she says I

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Speaker 2: didn't imply the B word like she was just that

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Speaker 2: was cool. She was again you know, they were equal,

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Speaker 2: and it was just back to the Rory I liked.

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Speaker 2: So that one was enjoyable. Then we bopped to the

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Speaker 2: diner and I think Laurel lies there and I think

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Speaker 2: this is where we learn that Rory's gonna go see

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Speaker 2: Lane's band at like oh dark in the morning, right

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Speaker 2: like two in the morning or something.

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Speaker 1: Oh was that why she was getting up to Yeah, because.

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Speaker 2: She had to go see Lane's fan and Lane was

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Speaker 2: like I missed that, which also doesn't really make sense

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Speaker 2: because like, no band is going on at three when

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Speaker 2: I think bars have to close it too, So it

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Speaker 2: would be like an After Hour's Grave or something. Anyway,

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Speaker 2: And I think we learned there that Rory reveals that

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00:18:32,200 --> 00:18:38,400
Speaker 2: they've invited Logan and Lorelai wants to come, which, okay,

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Speaker 2: this is big. She wants to come, and now she's

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Speaker 2: gonna have to like see her parents.

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Speaker 1: It was a funny phone call she made. She hesitated

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Speaker 1: and couldn't speak, and that's pretty good. And then that's good.

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Speaker 1: That's good, that's good acting, that's good community.

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Speaker 2: And then we learned also that well we knew, but

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Speaker 2: Rory tells Lauraai about the internship, right, I think that

345
00:19:05,080 --> 00:19:09,359
Speaker 2: there's the reveal there that Mitcham has given her this internship.

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Speaker 2: It might have been in the scene.

347
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Speaker 4: Before, yeah, the scene before, but yes, yeah.

348
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Speaker 2: And Laura Lai. I have to hand it to Laurai.

349
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Speaker 2: She's appropriately sort of red flagged by everything, like she

350
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Speaker 2: knows this just isn't good.

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Speaker 1: Yeah, I mean they dogged their daughter at dinner, I

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Speaker 1: mean in a big way. So right, like, you know,

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Speaker 1: she she's on the warpath man, but she doesn't want

354
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Speaker 1: to she doesn't want to start a fire, you know,

355
00:19:37,640 --> 00:19:39,800
Speaker 1: she want to blow up a relationship with Rory or

356
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Speaker 1: hurt LRORI in any way. So she's in a tough spot.

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Speaker 2: Yeah, yeah right, it's like.

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Speaker 1: Boy, she take over. She took a beaten in this

359
00:19:48,040 --> 00:19:51,520
Speaker 1: episode too, What to Drink.

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Speaker 2: We'll get to that. Those these those scenes were the

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Speaker 2: best of the holdings. So then we get to the

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Speaker 2: scene that just kind of pushed me over the edge

363
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Speaker 2: when Rory gets to this Danford Eagle Gazette and just

364
00:20:02,800 --> 00:20:07,879
Speaker 2: sort of acts like a freak is what I wrote.

365
00:20:09,440 --> 00:20:13,080
Speaker 4: Such a freak, like literally such a freak. The shoes

366
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Speaker 4: set me up, like over the edge.

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Speaker 2: Like I was just like, oh, exactly, get it together.

368
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Speaker 1: Yeah, but that's old timey film. That's that's the Golden

369
00:20:25,200 --> 00:20:28,119
Speaker 1: Age Hollywood. I've seen that a million times in films

370
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Speaker 1: and take the shoes off.

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Speaker 4: I will say it was pretty surprised that Mitcham like

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Speaker 4: actually like acknowledged her.

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Speaker 2: At first.

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Speaker 4: I thought he was just gonna walk right through and

375
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Speaker 4: she was gonna be like, I don't know, left in

376
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Speaker 4: the dush. I mean she kind of was, but like

377
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Speaker 4: he was like, all right, Rory, follow along, you know,

378
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Speaker 4: like he actually you ready to shadow me, yeah, which

379
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Speaker 4: I was like kind of surprised about. I thought he

380
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Speaker 4: was just gonna like blow over her and make her

381
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Speaker 4: feel really small.

382
00:21:00,119 --> 00:21:02,240
Speaker 2: Really have any beef about mitcham He was cool doing

383
00:21:02,240 --> 00:21:05,240
Speaker 2: his job, coming in there running the show. She was

384
00:21:05,280 --> 00:21:08,239
Speaker 2: what was just oh, it was so uncomfortable, and then

385
00:21:08,280 --> 00:21:11,040
Speaker 2: she's taking a selfie and then oh something about Mitcham

386
00:21:11,160 --> 00:21:15,280
Speaker 2: o he hates peas, Like what you know everything about

387
00:21:15,320 --> 00:21:18,600
Speaker 2: this guy? And then yes I did like when he

388
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Speaker 2: said you ready to shadow me? And then he disappeared

389
00:21:22,000 --> 00:21:24,080
Speaker 2: again and she couldn't find it. It was just like

390
00:21:24,240 --> 00:21:25,240
Speaker 2: she was a fool.

391
00:21:25,040 --> 00:21:27,440
Speaker 4: Shir coffee down, turned around and she was like where

392
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Speaker 4: did he go? It's like you run around and figure

393
00:21:29,760 --> 00:21:32,240
Speaker 4: it out. Fine, find him.

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Speaker 2: She's way too smart to be this dingus.

395
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Speaker 4: I agree with.

396
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Speaker 1: That, right she was. She was ditsy. Yeah, it was

397
00:21:40,080 --> 00:21:46,399
Speaker 1: a little ditsy again a nod to oh it.

398
00:21:46,520 --> 00:21:49,919
Speaker 2: Just for me. That was like even cringier than the

399
00:21:49,960 --> 00:21:54,239
Speaker 2: scene in the dorm room. But I'm still these are

400
00:21:54,280 --> 00:21:56,400
Speaker 2: my only flags, so I'm still kind of in it.

401
00:21:57,040 --> 00:22:01,239
Speaker 2: So then we get Lore like calling Emily, which was

402
00:22:01,280 --> 00:22:04,119
Speaker 2: sort of a funny line because remember she doesn't talk

403
00:22:04,240 --> 00:22:07,399
Speaker 2: at first, and then like finally she talks, and I

404
00:22:07,440 --> 00:22:09,440
Speaker 2: think Emily says something this is your idea of a

405
00:22:09,480 --> 00:22:16,680
Speaker 2: perverted phone call. It's not very good. So I think

406
00:22:16,720 --> 00:22:23,359
Speaker 2: we get we know, dinner's happening, and.

407
00:22:21,840 --> 00:22:27,080
Speaker 1: Everything's a negotiation to Emily. Yeah, she knows. Emily always

408
00:22:27,080 --> 00:22:29,560
Speaker 1: seizes the initiative when she's got the advantage and makes

409
00:22:29,560 --> 00:22:33,439
Speaker 1: a better deal for herself. You know. So she jumped

410
00:22:33,440 --> 00:22:37,680
Speaker 1: all over that up totally, you show up all coming.

411
00:22:39,119 --> 00:22:42,320
Speaker 4: She's not wrong, right, Like, she's not.

412
00:22:42,280 --> 00:22:46,000
Speaker 1: Wrong, right, she nailed her, she nailed her own daughter.

413
00:22:46,040 --> 00:22:48,200
Speaker 1: But you know, good, right, Laurel, I had a good

414
00:22:48,200 --> 00:22:48,800
Speaker 1: reason to do.

415
00:22:48,840 --> 00:22:52,880
Speaker 2: It, crazy like a fox, right, Like she's she knows

416
00:22:52,880 --> 00:22:53,639
Speaker 2: what she's doing.

417
00:22:53,800 --> 00:22:55,680
Speaker 4: Yeah.

418
00:22:55,760 --> 00:22:57,639
Speaker 2: So then we go back to the scene with Mitchen,

419
00:22:57,640 --> 00:22:59,560
Speaker 2: which I thought was even worse. At this point, I'm like,

420
00:22:59,600 --> 00:23:02,119
Speaker 2: she's act like an idiot. I can't stand it. And

421
00:23:02,160 --> 00:23:05,919
Speaker 2: then she makes that terrible remark like, oh, if you

422
00:23:06,000 --> 00:23:09,160
Speaker 2: had just run a four minute mile, like it was.

423
00:23:09,119 --> 00:23:14,719
Speaker 1: Just four minutes, well, let's fast woosh. I thought that

424
00:23:14,840 --> 00:23:16,240
Speaker 1: was funny.

425
00:23:16,840 --> 00:23:19,800
Speaker 4: Look, it was all funny, but it just made me

426
00:23:19,880 --> 00:23:20,960
Speaker 4: cringe for Rory.

427
00:23:21,400 --> 00:23:24,359
Speaker 1: You know. Look, yeah you laughed, you enjoyed yourself, you

428
00:23:24,400 --> 00:23:26,399
Speaker 1: had a good life. But we didn't like it. We

429
00:23:26,400 --> 00:23:30,600
Speaker 1: were cringing, you know, direct, I get it, but I

430
00:23:30,760 --> 00:23:34,320
Speaker 1: still enjoyed it. Yes, she wasn't herself. I get it,

431
00:23:34,640 --> 00:23:36,919
Speaker 1: We've never seen her in this situation, but it was

432
00:23:37,000 --> 00:23:39,639
Speaker 1: still you know, it's Gilmore girls. It was. It was

433
00:23:40,640 --> 00:23:46,199
Speaker 1: well shot and well acted, and you know, the story

434
00:23:46,320 --> 00:23:48,159
Speaker 1: was moving them, story.

435
00:23:48,600 --> 00:23:51,600
Speaker 2: Free with you. I didn't like it and I was cringing,

436
00:23:51,680 --> 00:23:54,040
Speaker 2: but yet when I stepped back from that, I'm still

437
00:23:54,080 --> 00:23:58,600
Speaker 2: totally enjoying the whole episode, even this part where Rory

438
00:23:58,680 --> 00:24:02,720
Speaker 2: calls Logan, and this I loved because Logan was such

439
00:24:02,760 --> 00:24:05,600
Speaker 2: a stud, right, Logan's like, what's the matter Ace? Like

440
00:24:05,640 --> 00:24:09,080
Speaker 2: he really is a good boyfriend. At this point, He's like,

441
00:24:10,200 --> 00:24:12,919
Speaker 2: you know, listening to her, and then finally he's like, okay,

442
00:24:13,160 --> 00:24:15,240
Speaker 2: like I'll help you, you know what I mean, Like

443
00:24:15,760 --> 00:24:19,040
Speaker 2: let me tell you some crap right about about him,

444
00:24:19,680 --> 00:24:21,439
Speaker 2: And so I thought okay, and then he's like, go

445
00:24:21,520 --> 00:24:23,320
Speaker 2: get a Mace, And like that part, I was like,

446
00:24:23,359 --> 00:24:29,560
Speaker 2: all right, she's acting like a wreck, but at least

447
00:24:29,600 --> 00:24:32,399
Speaker 2: he is cool and kind of helping her and giving

448
00:24:32,440 --> 00:24:35,800
Speaker 2: her a buss too, you know, like I think.

449
00:24:37,160 --> 00:24:39,639
Speaker 4: Everyone else would be like, hey, I need you to stop,

450
00:24:39,800 --> 00:24:41,320
Speaker 4: like you know.

451
00:24:42,800 --> 00:24:45,760
Speaker 2: Right, he's sort of tolerating this nonsense.

452
00:24:47,640 --> 00:24:49,520
Speaker 1: I mean, how much at this point would he be

453
00:24:49,600 --> 00:24:52,680
Speaker 1: questioning her motives for even being in a relationship with

454
00:24:52,760 --> 00:24:53,639
Speaker 1: him in the first.

455
00:24:53,359 --> 00:24:56,040
Speaker 2: Place exactly, or like just so turned off? But I

456
00:24:56,080 --> 00:24:59,520
Speaker 2: don't that's not happening. At least he's sort of dealing

457
00:24:59,560 --> 00:25:01,520
Speaker 2: with it and just like okay, and I guess I

458
00:25:01,640 --> 00:25:04,000
Speaker 2: get it because it's what she wants so much, right,

459
00:25:04,280 --> 00:25:06,159
Speaker 2: this is her whole career, this is her life, so

460
00:25:06,240 --> 00:25:08,879
Speaker 2: he is being supportive of it. It just would have

461
00:25:08,880 --> 00:25:10,679
Speaker 2: been so much better if she just was at the

462
00:25:10,680 --> 00:25:15,760
Speaker 2: Boston Globe instead of this his paper.

463
00:25:15,520 --> 00:25:19,639
Speaker 4: Yeah, or had the internship before they got together. I

464
00:25:19,640 --> 00:25:20,040
Speaker 4: don't know.

465
00:25:20,160 --> 00:25:23,080
Speaker 2: It's just she's at Yale, right and she works on

466
00:25:23,160 --> 00:25:25,840
Speaker 2: the Yale paper. This girl is not gonna have a

467
00:25:25,880 --> 00:25:32,399
Speaker 2: hard time getting an internship at a non Huntsburger owned entity,

468
00:25:32,960 --> 00:25:37,520
Speaker 2: right exactly, Like don't work it, you know, some some

469
00:25:37,680 --> 00:25:39,000
Speaker 2: other thing that he doesn't own.

470
00:25:41,119 --> 00:25:44,480
Speaker 4: Yeah, totally. And Also it's like his family just literally

471
00:25:44,520 --> 00:25:48,000
Speaker 4: berated you, saying that like we need a wife that

472
00:25:48,119 --> 00:25:51,640
Speaker 4: is not a career driven you know what I mean?

473
00:25:51,880 --> 00:25:55,520
Speaker 4: God right, and they're gonna give you a job like

474
00:25:55,640 --> 00:25:58,720
Speaker 4: that's that's a red flag girl, like you need to

475
00:25:58,760 --> 00:25:59,119
Speaker 4: see that.

476
00:26:01,720 --> 00:26:06,639
Speaker 2: Yeah. So then Lorli and Luke are, if I'm correct

477
00:26:06,680 --> 00:26:11,440
Speaker 2: in this, are having that dinner, that fancy dinner, right,

478
00:26:11,640 --> 00:26:16,080
Speaker 2: that was like romantic and cute and amazing. And then

479
00:26:16,440 --> 00:26:20,520
Speaker 2: Richard calls and this is about the Durham Group and

480
00:26:20,560 --> 00:26:25,320
Speaker 2: Mike Armstrong wanting to meet with lorra Lei, which was

481
00:26:25,400 --> 00:26:28,359
Speaker 2: cool and you know, some funny bits about send up

482
00:26:28,400 --> 00:26:31,800
Speaker 2: to my home facts, you know, call my office, and

483
00:26:31,840 --> 00:26:35,120
Speaker 2: then we get that line, I'm quite proud of you, Loralai.

484
00:26:35,440 --> 00:26:40,560
Speaker 2: So that was really cool and we're seeing that relationship.

485
00:26:40,800 --> 00:26:44,240
Speaker 2: So and Luke, that relationship.

486
00:26:43,760 --> 00:26:46,199
Speaker 1: Is why was any But here's the thing, why as

487
00:26:46,240 --> 00:26:49,720
Speaker 1: a father wasn'ty proud of her before? I think he

488
00:26:49,880 --> 00:26:51,160
Speaker 1: was spectacular?

489
00:26:51,880 --> 00:26:56,320
Speaker 2: Said he said he is that he is. Yeah.

490
00:26:56,359 --> 00:26:59,040
Speaker 4: But in the scene, you know, we see like Luke

491
00:27:01,680 --> 00:27:06,639
Speaker 4: like thinks he thinks it's crazy that that Lorelai would

492
00:27:06,760 --> 00:27:11,320
Speaker 4: potentially sell the in right, And it just kind of

493
00:27:11,359 --> 00:27:17,359
Speaker 4: made me wonder because Laura is not telling her dad no,

494
00:27:17,960 --> 00:27:20,440
Speaker 4: So like what do you guys think do you think

495
00:27:20,640 --> 00:27:22,959
Speaker 4: she wants to sell it? Like do you think she

496
00:27:23,000 --> 00:27:26,800
Speaker 4: would feel good about selling it? Or she is you know,

497
00:27:27,080 --> 00:27:29,240
Speaker 4: just wanting to impress her Dad, like, what do you

498
00:27:29,280 --> 00:27:33,119
Speaker 4: what do you think because personally I think there's twenty

499
00:27:33,119 --> 00:27:35,200
Speaker 4: five percent of her that's kind of like I want

500
00:27:35,200 --> 00:27:36,240
Speaker 4: to be a success.

501
00:27:37,119 --> 00:27:40,200
Speaker 2: Yeah, of course I agree, And I think Luke said

502
00:27:40,240 --> 00:27:42,399
Speaker 2: it right when even though at first he's like wait,

503
00:27:42,720 --> 00:27:44,359
Speaker 2: then he says, you should take the meeting, you should

504
00:27:44,400 --> 00:27:46,840
Speaker 2: take every meeting. So I think she's kind of.

505
00:27:47,359 --> 00:27:49,720
Speaker 1: He just got all he just got all insecure, and

506
00:27:49,720 --> 00:27:53,000
Speaker 1: then he got he rights self help takes, the self

507
00:27:53,040 --> 00:27:59,199
Speaker 1: help take and he said, oh, I should say that's right,

508
00:27:59,600 --> 00:28:01,760
Speaker 1: so he parted the tape.

509
00:28:02,720 --> 00:28:07,440
Speaker 2: Yeah, so I like all that. I thought it was

510
00:28:07,600 --> 00:28:12,920
Speaker 2: very sweet. Now I think there's sort of some interesting

511
00:28:13,080 --> 00:28:18,320
Speaker 2: things there, right, because you know, should she sell the

512
00:28:18,440 --> 00:28:20,119
Speaker 2: in what is going on? And then we get the

513
00:28:20,240 --> 00:28:22,600
Speaker 2: mention of the article, the article that we sort of

514
00:28:22,640 --> 00:28:26,919
Speaker 2: thought disappeared is coming out and Luke said, you never

515
00:28:26,960 --> 00:28:29,200
Speaker 2: should have pulled it, And I think it's just sort

516
00:28:29,240 --> 00:28:31,679
Speaker 2: of giving us some foreshadowing of oh I smelled.

517
00:28:31,880 --> 00:28:36,320
Speaker 1: Yeah, so the articles coming out in all its glory

518
00:28:37,400 --> 00:28:40,640
Speaker 1: with the Emily diss right, Okay, well there you go.

519
00:28:41,040 --> 00:28:43,280
Speaker 1: That's a bomb waiting to go off. Right, It's very

520
00:28:43,880 --> 00:28:48,880
Speaker 1: problematic and Mike Armstrong will probably go away, and why

521
00:28:48,920 --> 00:28:50,640
Speaker 1: would we want to work with somebody this time?

522
00:28:50,720 --> 00:28:51,200
Speaker 2: Oh? Why don't?

523
00:28:51,280 --> 00:28:54,520
Speaker 1: Yeah, yeah, trash your own family plant.

524
00:28:55,560 --> 00:28:58,640
Speaker 4: I truly thought that article was going to come out

525
00:28:58,680 --> 00:29:02,840
Speaker 4: before the Friday Night Dinner. I like was like, oh no,

526
00:29:03,080 --> 00:29:05,520
Speaker 4: it's dropping this episode and it's going to be right

527
00:29:05,600 --> 00:29:07,160
Speaker 4: before they all hang out with Logan.

528
00:29:13,280 --> 00:29:15,880
Speaker 2: Now before we speaking of Friday Night Dinner, before we

529
00:29:15,960 --> 00:29:18,520
Speaker 2: go to that, I'd like to commend your fake eating, Scott,

530
00:29:18,600 --> 00:29:21,960
Speaker 2: because you did excellent actual acting eating.

531
00:29:22,600 --> 00:29:27,480
Speaker 1: I don't, I don't. Yeah, that was very really eating.

532
00:29:27,280 --> 00:29:30,320
Speaker 2: I know, and it was not irritating, it was it

533
00:29:30,440 --> 00:29:32,240
Speaker 2: was good. I mean, you didn't have to like shove

534
00:29:32,920 --> 00:29:34,600
Speaker 2: pounds of food in your face, but you ate an

535
00:29:34,640 --> 00:29:36,560
Speaker 2: appropriate fork size of the mind.

536
00:29:36,600 --> 00:29:39,240
Speaker 1: But it's not acting. I'm always hungry on set, so

537
00:29:39,360 --> 00:29:43,760
Speaker 1: it's like I loved I love food scenes. I really don't.

538
00:29:43,800 --> 00:29:46,440
Speaker 4: You know, it's saying snack while I'm working.

539
00:29:47,800 --> 00:29:53,000
Speaker 1: It's like, what could be better to just chow down? Great,

540
00:29:53,640 --> 00:29:54,440
Speaker 1: let's do it for.

541
00:29:54,520 --> 00:29:59,080
Speaker 2: People listening when you're watching the Today Show or the

542
00:29:59,200 --> 00:30:01,680
Speaker 2: KTLA Morning News and you see those people doing those

543
00:30:01,760 --> 00:30:08,200
Speaker 2: food segments and they're eating it's because they're genuinely starving.

544
00:30:08,640 --> 00:30:11,600
Speaker 2: They've been on television and probably not had a crumbsince

545
00:30:11,800 --> 00:30:16,560
Speaker 2: six Am Kati La. When they get food, I mean

546
00:30:17,440 --> 00:30:21,920
Speaker 2: they go, they go hog wild because they are literally starving.

547
00:30:21,960 --> 00:30:24,040
Speaker 2: They've eaten nothing and they've been working. So they get

548
00:30:24,040 --> 00:30:28,120
Speaker 2: a food segment and you'll just watch now a full donut.

549
00:30:28,960 --> 00:30:33,000
Speaker 1: All right, So let me give me, let me, let

550
00:30:33,080 --> 00:30:37,840
Speaker 1: me give you a little behind the scenes between each take, right,

551
00:30:39,360 --> 00:30:43,840
Speaker 1: the prop guys come in and they refresh your plate

552
00:30:44,040 --> 00:30:48,520
Speaker 1: with fresh food. They keep track of what you ate.

553
00:30:49,800 --> 00:30:52,720
Speaker 1: The scripty keeps track of when you ate it. And

554
00:30:52,880 --> 00:30:54,680
Speaker 1: I always had a good memory of when I ate

555
00:30:54,720 --> 00:30:56,720
Speaker 1: stuff on what line because I had that sort of

556
00:30:56,760 --> 00:31:01,280
Speaker 1: plotted out, and so you don't you'd get this fresh

557
00:31:01,360 --> 00:31:04,760
Speaker 1: food every take, so by the time you know the

558
00:31:04,840 --> 00:31:08,560
Speaker 1: scene was done, you were like, oh yeah, ten meals deep,

559
00:31:08,880 --> 00:31:09,360
Speaker 1: pretty full?

560
00:31:10,240 --> 00:31:10,360
Speaker 3: Right.

561
00:31:10,800 --> 00:31:12,920
Speaker 2: Did you ever have a scene go or Rye where

562
00:31:12,920 --> 00:31:15,080
Speaker 2: you're like, oh my god, I'm on my fortieth bite.

563
00:31:17,360 --> 00:31:20,160
Speaker 1: In another series I did, Yeah, I did a pancakes

564
00:31:20,240 --> 00:31:23,200
Speaker 1: on the scene and I was like, what a big

565
00:31:23,360 --> 00:31:26,200
Speaker 1: mistake did I make? Because it was like it was

566
00:31:26,400 --> 00:31:28,560
Speaker 1: like an eight set, you know, six Am Call where

567
00:31:28,640 --> 00:31:31,520
Speaker 1: we were shooting by seven point thirty and I'm just

568
00:31:31,800 --> 00:31:35,600
Speaker 1: like rifling down pancakes and it's a long scene. It's

569
00:31:35,680 --> 00:31:38,600
Speaker 1: like a five page scene, and they did so many

570
00:31:38,680 --> 00:31:40,920
Speaker 1: different angles and I'm just like wolfing it down because

571
00:31:40,920 --> 00:31:42,960
Speaker 1: that's part of the scene. I got to eat that stuff.

572
00:31:43,320 --> 00:31:44,840
Speaker 1: So it got to the point where they had a

573
00:31:44,920 --> 00:31:45,880
Speaker 1: spit bucket for me.

574
00:31:46,240 --> 00:31:48,000
Speaker 2: Feel a little sicky, little sicky.

575
00:31:48,520 --> 00:31:51,080
Speaker 1: Yeah, no, no, so I could. I could. I was

576
00:31:51,160 --> 00:31:52,920
Speaker 1: chewing the food, but amore.

577
00:31:52,920 --> 00:31:54,040
Speaker 2: At least you got the flavor.

578
00:31:56,200 --> 00:31:57,800
Speaker 1: It was pancakes.

579
00:31:57,840 --> 00:32:00,760
Speaker 2: For like, I need to be like the actor next

580
00:32:00,800 --> 00:32:02,280
Speaker 2: to you, just watching you just spit that.

581
00:32:02,680 --> 00:32:05,000
Speaker 1: The person that has to hold I felt like that,

582
00:32:06,880 --> 00:32:07,520
Speaker 1: Oh god, I.

583
00:32:07,560 --> 00:32:09,840
Speaker 2: Think they hold their own. I don't think there's a bucket.

584
00:32:10,240 --> 00:32:14,440
Speaker 1: It's just a bucket underneath the table. But but it

585
00:32:14,600 --> 00:32:16,840
Speaker 1: was I felt like that Joey Chestnut guy, the hot

586
00:32:16,920 --> 00:32:18,720
Speaker 1: dog eating champion, you know, I was like, here we go.

587
00:32:19,040 --> 00:32:19,720
Speaker 1: Oh my god.

588
00:32:19,880 --> 00:32:24,360
Speaker 2: By the way, when I watch that, it actually makes me.

589
00:32:25,720 --> 00:32:28,680
Speaker 2: First of all, it's the dumb thing, like the hot dogs,

590
00:32:28,760 --> 00:32:30,120
Speaker 2: the water, it's the.

591
00:32:30,880 --> 00:32:32,280
Speaker 1: But that's the only way they can get them down.

592
00:32:32,440 --> 00:32:34,400
Speaker 2: I watched the ladies do it, and I was.

593
00:32:34,480 --> 00:32:39,000
Speaker 1: Like, they liquefy the bread. They understand, but.

594
00:32:39,080 --> 00:32:40,400
Speaker 4: That's just gross to look at.

595
00:32:40,800 --> 00:32:47,600
Speaker 2: They look like they are throwing. I want the fact

596
00:32:47,600 --> 00:32:49,840
Speaker 2: that on fourth of July, just everyone in America is

597
00:32:49,880 --> 00:32:51,880
Speaker 2: watching those people just down.

598
00:32:53,200 --> 00:32:55,400
Speaker 1: Talk about eating a lot of hot.

599
00:32:55,400 --> 00:32:57,880
Speaker 2: Water water hot dog.

600
00:32:58,160 --> 00:32:58,440
Speaker 3: Wow.

601
00:32:59,120 --> 00:33:01,080
Speaker 2: I don't even like to make a sip of water

602
00:33:01,240 --> 00:33:04,400
Speaker 2: until my bite has fully been chewed and swallowed, like

603
00:33:04,880 --> 00:33:06,720
Speaker 2: wet food is so.

604
00:33:09,600 --> 00:33:12,680
Speaker 1: Anyway, Now we get to human beings. Wow.

605
00:33:12,800 --> 00:33:15,320
Speaker 2: We get to the part that I'm just obsessed with,

606
00:33:15,480 --> 00:33:19,320
Speaker 2: which is the dinner with Logan and Laura Lai. And

607
00:33:19,400 --> 00:33:22,280
Speaker 2: I think we're like, yes, and they just don't even

608
00:33:22,360 --> 00:33:25,960
Speaker 2: care about or can you go sit with Laura La

609
00:33:26,360 --> 00:33:28,600
Speaker 2: I've been sitting all my life. Oh, I'll go sit

610
00:33:28,720 --> 00:33:33,920
Speaker 2: with her. It's so hilarious. So they get there and

611
00:33:33,960 --> 00:33:36,320
Speaker 2: they're talking about I think roast beef is for dinner,

612
00:33:36,320 --> 00:33:38,160
Speaker 2: And that's when you got your Lily's line. And they're

613
00:33:38,200 --> 00:33:40,480
Speaker 2: talking about should they get the cape and the vineyard

614
00:33:40,520 --> 00:33:43,040
Speaker 2: and it's time for them to own their acreage and

615
00:33:43,120 --> 00:33:47,080
Speaker 2: the ice bucket's not filled and can you imagine his

616
00:33:47,280 --> 00:33:49,440
Speaker 2: blonde hair and her blue eyes and they're just.

617
00:33:50,520 --> 00:33:53,760
Speaker 1: You know, it made me feel sorry for those two. Yeah,

618
00:33:54,440 --> 00:33:58,200
Speaker 1: that scene moved me because of everything they were saying,

619
00:33:59,320 --> 00:34:01,480
Speaker 1: the joy with which they were saying. It was so

620
00:34:01,720 --> 00:34:06,600
Speaker 1: delusional because they were so happy because they had a

621
00:34:06,680 --> 00:34:09,080
Speaker 1: second bite at the apple with Rory, but they it

622
00:34:09,239 --> 00:34:13,359
Speaker 1: was so premature because imagine the heartbreak. It just made

623
00:34:13,400 --> 00:34:15,520
Speaker 1: me think of the heartbreak of what happened with Laurel

624
00:34:15,560 --> 00:34:19,040
Speaker 1: I when she was sixteen and all their plans gone around,

625
00:34:19,120 --> 00:34:22,719
Speaker 1: you know, yeah, to the wayside, and now they get

626
00:34:22,760 --> 00:34:25,160
Speaker 1: to relive it. And it was very sad for me.

627
00:34:25,400 --> 00:34:29,360
Speaker 2: Totally. Yes, it's hilarious, which I'll give my favorite line,

628
00:34:29,719 --> 00:34:34,080
Speaker 2: It is sad on the same note though they were premature,

629
00:34:34,160 --> 00:34:36,719
Speaker 2: But yet were they because I think that.

630
00:34:38,520 --> 00:34:40,799
Speaker 1: Right in their mind, it's been you know, it's been

631
00:34:40,880 --> 00:34:45,160
Speaker 1: twenty one years, and they now they get to enjoy

632
00:34:45,320 --> 00:34:48,120
Speaker 1: something like this because maybe they had a little bit

633
00:34:48,160 --> 00:34:52,560
Speaker 1: of it with Crisper, right, maybe because they were in

634
00:34:52,680 --> 00:34:55,000
Speaker 1: love obviously, and Christopher had been over the house and

635
00:34:55,040 --> 00:34:56,800
Speaker 1: they just approved of him and they loved him and

636
00:34:56,840 --> 00:34:59,520
Speaker 1: all that, and they thought probably had the same conversations

637
00:34:59,520 --> 00:35:01,759
Speaker 1: about Chris for moral I that they're having about.

638
00:35:03,480 --> 00:35:06,279
Speaker 2: And I won't spoil anything for Danielle but it's not

639
00:35:06,560 --> 00:35:12,640
Speaker 2: like Rory and Logan aren't long game right like they could.

640
00:35:12,520 --> 00:35:13,320
Speaker 1: Be could be.

641
00:35:13,920 --> 00:35:18,399
Speaker 2: So yeah, So anyway, my favorite I have two.

642
00:35:19,040 --> 00:35:21,479
Speaker 1: It's exactly why, exactly I have two.

643
00:35:21,480 --> 00:35:24,080
Speaker 2: Favorite lines here. But I love when, like Emily says, Richard,

644
00:35:24,160 --> 00:35:28,440
Speaker 2: I need your help, I'm sitting with Laurelai Emily, I'm

645
00:35:28,560 --> 00:35:32,200
Speaker 2: sitting with Larela, So that kills me. Then I just

646
00:35:32,280 --> 00:35:35,279
Speaker 2: think it's so cute when they pull up and his look,

647
00:35:35,800 --> 00:35:38,279
Speaker 2: I'm a sucker. They pull up in his cute car,

648
00:35:38,920 --> 00:35:41,799
Speaker 2: his cool poor she comes around and opens the door.

649
00:35:42,280 --> 00:35:46,400
Speaker 2: He's got the hostess gifts, like I just fall for

650
00:35:46,600 --> 00:35:51,279
Speaker 2: it with him. He's very about it. Well, he's very

651
00:35:53,840 --> 00:35:56,160
Speaker 2: like very well prepared.

652
00:35:56,680 --> 00:35:59,840
Speaker 4: You know, he knows exactly what to do. All the

653
00:36:00,640 --> 00:36:02,640
Speaker 4: eyes to dot and the teas to cross, like he

654
00:36:02,880 --> 00:36:05,319
Speaker 4: knows exactly what he's doing.

655
00:36:06,360 --> 00:36:06,719
Speaker 1: You know what.

656
00:36:07,040 --> 00:36:12,320
Speaker 5: He's the gifts, the perfect gifts that they love the

657
00:36:12,480 --> 00:36:17,560
Speaker 5: gifts like it's just a Logan like, you know.

658
00:36:17,840 --> 00:36:23,560
Speaker 2: The perfect boy is here with our perfect granddaughter.

659
00:36:24,880 --> 00:36:27,920
Speaker 4: I just realized Rory never brought anything to the Huntsburgers,

660
00:36:27,960 --> 00:36:28,160
Speaker 4: did she.

661
00:36:28,960 --> 00:36:30,759
Speaker 2: Oh, she kind of screwed that up.

662
00:36:30,840 --> 00:36:31,320
Speaker 4: I think.

663
00:36:33,719 --> 00:36:36,080
Speaker 2: Then, I mean all these lines are just my favorite.

664
00:36:36,120 --> 00:36:38,239
Speaker 2: So then they go into the room and Laura's like,

665
00:36:38,520 --> 00:36:43,200
Speaker 2: Laura lies, like, how am I sitting? And then there's

666
00:36:43,280 --> 00:36:47,200
Speaker 2: something to the effect of demure, so demur, the demurrorst.

667
00:36:47,880 --> 00:36:51,120
Speaker 2: It just all was very entertaining. Then we realized the

668
00:36:51,200 --> 00:36:54,600
Speaker 2: Gilmours just don't give two bleeps about Loralai, like and

669
00:36:54,680 --> 00:36:57,719
Speaker 2: the whole oh you want a sidecar and she's like,

670
00:36:57,760 --> 00:36:59,479
Speaker 2: I've never had that drink in my whole life.

671
00:37:01,239 --> 00:37:03,759
Speaker 4: It's like we all know just by watching the show

672
00:37:03,920 --> 00:37:06,759
Speaker 4: that she drinks some martini every time she's there.

673
00:37:10,200 --> 00:37:10,680
Speaker 1: And then.

674
00:37:13,920 --> 00:37:16,759
Speaker 2: Are you kidding me? Then we get the line the

675
00:37:16,920 --> 00:37:21,759
Speaker 2: hole how far to whatever it is his dorm proposed?

676
00:37:22,560 --> 00:37:22,919
Speaker 1: How many?

677
00:37:26,760 --> 00:37:30,040
Speaker 2: We're so much fancy, You're.

678
00:37:30,000 --> 00:37:34,040
Speaker 6: So Yale's like, that's what that's Men are the greatest

679
00:37:34,520 --> 00:37:36,960
Speaker 6: hot and you just go back to them, just like

680
00:37:37,600 --> 00:37:41,440
Speaker 6: literally pooping on Lareli with a weird onion and moralize

681
00:37:41,520 --> 00:37:43,160
Speaker 6: so sad on the couch.

682
00:37:42,960 --> 00:37:47,120
Speaker 4: And I forgot about the onion instead of been olive.

683
00:37:48,200 --> 00:37:51,520
Speaker 4: Those onions are good cocktail onions in a martini. Don't

684
00:37:51,560 --> 00:37:58,440
Speaker 4: knock them down, lorel I don't knock them down, Oh God.

685
00:37:58,520 --> 00:38:01,719
Speaker 2: And then Emma he's just, you know, beside herself that

686
00:38:01,840 --> 00:38:04,400
Speaker 2: Logan's gonna hook her up with the tennis racket or

687
00:38:04,760 --> 00:38:08,200
Speaker 2: whatever it is, and the whole thing is just and

688
00:38:08,239 --> 00:38:10,120
Speaker 2: they're gonna have the roast and the wine with the

689
00:38:10,200 --> 00:38:14,080
Speaker 2: meal and yeada yah. Well then we get the part

690
00:38:14,200 --> 00:38:18,320
Speaker 2: where I sort of was amused but also cringey, was

691
00:38:18,400 --> 00:38:21,160
Speaker 2: when he swipes the sewing kit.

692
00:38:21,960 --> 00:38:22,160
Speaker 3: Ooh.

693
00:38:24,120 --> 00:38:26,719
Speaker 4: But I think the scene was necessary.

694
00:38:27,360 --> 00:38:32,520
Speaker 2: Totally, because totally the bit is funny. I do think

695
00:38:32,560 --> 00:38:35,480
Speaker 2: it's hilarious that when they go to rich people's houses

696
00:38:35,520 --> 00:38:38,720
Speaker 2: they take something and leave something. But then it actually

697
00:38:38,840 --> 00:38:44,360
Speaker 2: made me sad that Emily was so aware and beside

698
00:38:44,400 --> 00:38:47,520
Speaker 2: herself and then Loralai has to sort of come to

699
00:38:47,600 --> 00:38:50,120
Speaker 2: the rescue. I was just like, and the maid's getting

700
00:38:50,160 --> 00:38:51,800
Speaker 2: beat up about it the whole thing. I was just like,

701
00:38:52,560 --> 00:38:57,000
Speaker 2: ooh ooh, Like, how did you guys feel?

702
00:38:57,239 --> 00:39:00,239
Speaker 7: I was? I was.

703
00:39:00,400 --> 00:39:02,480
Speaker 4: I was the same way, But I felt like it

704
00:39:02,640 --> 00:39:08,560
Speaker 4: was needed to I think it was like Larela, It's

705
00:39:08,600 --> 00:39:11,920
Speaker 4: said that scene set up the fact that Lorla is

706
00:39:12,239 --> 00:39:16,920
Speaker 4: aware and on like she's like, I got eyes everywhere

707
00:39:18,040 --> 00:39:22,520
Speaker 4: I'm onto you don't mess around, you know, Like I

708
00:39:22,640 --> 00:39:25,440
Speaker 4: felt like that was necessary in that scene to portray

709
00:39:25,600 --> 00:39:29,040
Speaker 4: that message. She's like, they're all, you know, rose colored

710
00:39:29,080 --> 00:39:32,440
Speaker 4: glasses over there, over you, But I I saw what

711
00:39:32,560 --> 00:39:35,120
Speaker 4: you did, you know, And like she's just kind of

712
00:39:35,239 --> 00:39:37,800
Speaker 4: like checkmating him a little bit, which I kind.

713
00:39:37,640 --> 00:39:46,759
Speaker 1: Of I think it scared her because it displayed on

714
00:39:46,880 --> 00:39:50,280
Speaker 1: Logan's part of loyalty to a group above and beyond

715
00:39:50,760 --> 00:39:55,160
Speaker 1: even his girlfriend, his future his girlfriend, his future wife,

716
00:39:55,640 --> 00:40:00,719
Speaker 1: her family, their belongings, no consideration, sentimental value, and the

717
00:40:00,800 --> 00:40:04,480
Speaker 1: meaning of that he took the what did he take

718
00:40:04,520 --> 00:40:09,320
Speaker 1: a plated bonx? Yeah, and so he left the lighter,

719
00:40:09,480 --> 00:40:13,680
Speaker 1: you know, and he left the lighter. So the question

720
00:40:13,800 --> 00:40:16,239
Speaker 1: really is would he return it or was it gone?

721
00:40:16,280 --> 00:40:17,799
Speaker 2: It's gonna end up at the next time.

722
00:40:18,160 --> 00:40:20,439
Speaker 1: Yeah, that's the thing. That's that's the thing that scared Laural.

723
00:40:20,520 --> 00:40:23,160
Speaker 1: I was like, that is that's you know, skull and bones.

724
00:40:23,480 --> 00:40:28,839
Speaker 2: Yeah. I liked how Danielle said she checkmate in him.

725
00:40:29,280 --> 00:40:32,200
Speaker 2: I was going to say, she she still reigns supreme right.

726
00:40:32,680 --> 00:40:35,959
Speaker 2: She's like give it to me, you know, basically looked

727
00:40:35,960 --> 00:40:39,799
Speaker 2: at him, like give me it, and she's like, mom,

728
00:40:39,960 --> 00:40:40,640
Speaker 2: I found it.

729
00:40:40,960 --> 00:40:41,120
Speaker 7: You know.

730
00:40:41,360 --> 00:40:45,920
Speaker 2: She's she's saving the situation, calling everybody out being the

731
00:40:46,080 --> 00:40:51,360
Speaker 2: mom and also kind of the badass like yeah, no, Logan, so.

732
00:40:53,560 --> 00:40:53,960
Speaker 5: There was.

733
00:40:55,440 --> 00:40:58,080
Speaker 2: I liked it. I liked it for Laurla it made

734
00:40:58,120 --> 00:41:01,759
Speaker 2: me uncomfortable. I didn't Ar seems to be unfazed by

735
00:41:01,840 --> 00:41:05,239
Speaker 2: it too. She didn't feel the like this is a

736
00:41:05,400 --> 00:41:07,560
Speaker 2: joke gone awry like I did.

737
00:41:07,760 --> 00:41:14,160
Speaker 1: I was like, oh, I think Laura I getting the

738
00:41:14,239 --> 00:41:16,600
Speaker 1: box from Logan and said I found it. That was

739
00:41:16,680 --> 00:41:21,520
Speaker 1: her way of saying, uh, obviously I'm onto you, but

740
00:41:21,680 --> 00:41:25,000
Speaker 1: also that I'm putting a stop to this relationship and

741
00:41:25,239 --> 00:41:28,879
Speaker 1: anybody that I can. You're you're not appropriate for my daughter.

742
00:41:29,880 --> 00:41:32,440
Speaker 1: Your family's not appropriate for my daughter. They attacked her

743
00:41:32,440 --> 00:41:35,359
Speaker 1: at your dinner. You're done with me, right? I mean,

744
00:41:35,400 --> 00:41:40,080
Speaker 1: it's it's like worse than it's it's like worse than Jess. Yeah, yeah,

745
00:41:41,200 --> 00:41:44,520
Speaker 1: I see it. I see a big confrontation. Bro, I'm

746
00:41:44,760 --> 00:41:46,120
Speaker 1: pretty eager to see how this.

747
00:41:47,360 --> 00:41:50,040
Speaker 4: I do agree with you. It's kind of like, you know,

748
00:41:50,400 --> 00:41:54,000
Speaker 4: like you can fool them, you won't fool me, and

749
00:41:54,120 --> 00:41:57,200
Speaker 4: you know, like whatever, you have them wrap around your finger,

750
00:41:57,360 --> 00:42:01,520
Speaker 4: but you gotta can't get past me, you know. Like

751
00:42:02,000 --> 00:42:05,600
Speaker 4: I appreciated that scene though, because I think there needs

752
00:42:05,640 --> 00:42:10,239
Speaker 4: to be that kind that person in Rory's life that's like, dude.

753
00:42:11,239 --> 00:42:14,879
Speaker 2: Well then the the thing I loved. And again I'm

754
00:42:14,920 --> 00:42:18,920
Speaker 2: not a like film expert, but I thought the director

755
00:42:19,280 --> 00:42:22,480
Speaker 2: did something so clever in that, you know, he does

756
00:42:22,520 --> 00:42:24,680
Speaker 2: his soul. I've got an early day. Oh he's got

757
00:42:24,680 --> 00:42:25,239
Speaker 2: an early day.

758
00:42:25,320 --> 00:42:25,440
Speaker 4: You know.

759
00:42:25,520 --> 00:42:28,800
Speaker 2: They walk them to the door. We hear them, but

760
00:42:28,920 --> 00:42:31,880
Speaker 2: we never leave Loralai. The camera stays on Laura Liai

761
00:42:32,000 --> 00:42:35,040
Speaker 2: with her sort of eye roll, and we just hear them.

762
00:42:35,840 --> 00:42:39,640
Speaker 2: You know, Oh, look look at his nice perking you know,

763
00:42:40,000 --> 00:42:44,800
Speaker 2: like talking about with Rory and Logan as Loralai stayed

764
00:42:44,840 --> 00:42:48,160
Speaker 2: in the dining room and they're you know, kissing his butt. Still.

765
00:42:48,440 --> 00:42:50,640
Speaker 2: Oh oh, what a nice coop.

766
00:42:50,480 --> 00:42:53,440
Speaker 4: You have, you know, And didn't they say something like, oh,

767
00:42:53,520 --> 00:42:55,600
Speaker 4: he has something very important to do tomorrow morning.

768
00:42:55,640 --> 00:42:57,120
Speaker 2: He's got an early day.

769
00:42:57,360 --> 00:43:01,120
Speaker 4: Yeah, and you know, and Lola called it out again too,

770
00:43:01,400 --> 00:43:03,799
Speaker 4: She was like, he does not have an early day.

771
00:43:03,960 --> 00:43:08,759
Speaker 1: It's Saturday, right exactly. It's amazing. Laurel is the only

772
00:43:08,920 --> 00:43:11,920
Speaker 1: one that lives in the real world in that scene.

773
00:43:12,680 --> 00:43:16,080
Speaker 1: It's like, are these how delusional? Can all of these

774
00:43:16,239 --> 00:43:20,280
Speaker 1: people in this scene be they live in this fantasy

775
00:43:20,400 --> 00:43:23,720
Speaker 1: world of hopes and dreams that are never going to happen.

776
00:43:23,800 --> 00:43:29,120
Speaker 1: They don't see any of the the pock marks, right, Logan,

777
00:43:29,239 --> 00:43:33,960
Speaker 1: they don't see anytes And she's she's the truth teller

778
00:43:34,000 --> 00:43:35,920
Speaker 1: who's and she's.

779
00:43:35,760 --> 00:43:38,399
Speaker 2: So annoyed by it, and she's like they weren't nice

780
00:43:38,440 --> 00:43:40,840
Speaker 2: to her and the internship. Something is wrong with it.

781
00:43:41,280 --> 00:43:44,560
Speaker 1: She knows, well, you don't you don't mess it doesn't day.

782
00:43:45,200 --> 00:43:48,040
Speaker 4: It is interesting, not that like they're trying to compare

783
00:43:48,160 --> 00:43:52,320
Speaker 4: Logan and Christopher, but it is it is showing that

784
00:43:52,560 --> 00:43:57,160
Speaker 4: like we all know Christopher is is uh kryptonite for

785
00:43:57,480 --> 00:44:01,320
Speaker 4: laurel I, right, and same with Logan and Rory. And

786
00:44:01,440 --> 00:44:04,040
Speaker 4: it's like one of those things that's like obviously, like

787
00:44:05,400 --> 00:44:07,680
Speaker 4: at least in the case of Christopher and Lorelai, like

788
00:44:08,080 --> 00:44:10,440
Speaker 4: they shouldn't be together, you know what I mean, Like

789
00:44:10,640 --> 00:44:13,240
Speaker 4: at the end of the day, they shouldn't. But Emily

790
00:44:13,320 --> 00:44:16,640
Speaker 4: and Richard are so obsessed with his stature and his

791
00:44:16,880 --> 00:44:20,600
Speaker 4: family and like all the things that he represents that

792
00:44:20,760 --> 00:44:24,960
Speaker 4: they just like completely ignore everything else. And they're like

793
00:44:25,560 --> 00:44:29,040
Speaker 4: the like she did it this season where she's like, yeah,

794
00:44:29,080 --> 00:44:33,359
Speaker 4: you didn't help my daughter raise her daughter for her

795
00:44:33,400 --> 00:44:36,480
Speaker 4: whole life. You also had another baby, your wife just

796
00:44:36,640 --> 00:44:40,960
Speaker 4: left or your fiance just left you, right, but if

797
00:44:41,000 --> 00:44:45,080
Speaker 4: you want to come back, you know, it's like they

798
00:44:45,280 --> 00:44:49,560
Speaker 4: like they're more obsessed with the overall picture versus the

799
00:44:49,640 --> 00:44:52,680
Speaker 4: actual human at least when it comes to both of them.

800
00:44:52,920 --> 00:44:58,480
Speaker 2: They should have been so pissed at the Huntsburgers. We're

801
00:44:58,520 --> 00:45:03,440
Speaker 2: treating their granddaughter so badly, and these are their alleged friends,

802
00:45:03,880 --> 00:45:05,520
Speaker 2: Like that's also super weird.

803
00:45:05,880 --> 00:45:09,560
Speaker 1: But the Huntsburger, Yeah, they just sort of they just

804
00:45:09,640 --> 00:45:11,120
Speaker 1: sort of glossed over that.

805
00:45:11,480 --> 00:45:14,440
Speaker 2: And missus Hunsburger is so they didn't.

806
00:45:14,160 --> 00:45:16,480
Speaker 1: Really they inquired a little bit, but they didn't. I

807
00:45:16,520 --> 00:45:18,760
Speaker 1: guess I guess they were considering the source.

808
00:45:19,120 --> 00:45:19,920
Speaker 2: They don't believe it.

809
00:45:20,880 --> 00:45:24,960
Speaker 1: She has no credibility. Remember, they say she's right.

810
00:45:24,880 --> 00:45:26,799
Speaker 2: That's exactly right. They say you've had one too many

811
00:45:27,000 --> 00:45:31,120
Speaker 2: side cars, and it's like she's like, he, this internship

812
00:45:31,200 --> 00:45:33,560
Speaker 2: is sketchy. They were making out at your wedding, which

813
00:45:33,640 --> 00:45:35,960
Speaker 2: actually that if I would have been the grandparents, I'd

814
00:45:36,000 --> 00:45:38,359
Speaker 2: be like cool, that's fine. They were making out our wedding.

815
00:45:38,440 --> 00:45:41,200
Speaker 2: But otherwise she says he stole your sewing box.

816
00:45:41,320 --> 00:45:43,879
Speaker 1: But that was funny. The way she said kissing, She's

817
00:45:44,000 --> 00:45:45,799
Speaker 1: like kissing, kissing.

818
00:45:45,880 --> 00:45:49,520
Speaker 2: Kissing, she did twice anything.

819
00:45:49,640 --> 00:45:51,160
Speaker 4: She was like they were kissing.

820
00:45:52,680 --> 00:45:55,120
Speaker 1: They still didn't get it, and it's.

821
00:45:55,040 --> 00:45:57,640
Speaker 2: Like, oh, bless them, they're just so stoked. But yeah,

822
00:45:57,880 --> 00:46:01,879
Speaker 2: I mean it's messy and oralized. Instincts are so right

823
00:46:01,960 --> 00:46:06,080
Speaker 2: on about this internship. It is bad newspayers. And I

824
00:46:06,200 --> 00:46:09,759
Speaker 2: will say this now for everyone listening. Had Rory not

825
00:46:10,040 --> 00:46:13,279
Speaker 2: taken the internship and she went out and got her

826
00:46:13,320 --> 00:46:16,400
Speaker 2: own internship, all of season six would be completely different.

827
00:46:17,000 --> 00:46:24,040
Speaker 2: This internship is her undoing. I just I'm not going

828
00:46:24,120 --> 00:46:26,360
Speaker 2: to tell you more, but it's like it's important. Here's

829
00:46:26,360 --> 00:46:29,200
Speaker 2: the thing everybody gets so mad. Spoiler's spoiling. There's books,

830
00:46:29,440 --> 00:46:32,719
Speaker 2: but it's like part of what we're doing here. And yes,

831
00:46:32,880 --> 00:46:34,480
Speaker 2: you guys are seeing it for the first time, but

832
00:46:34,640 --> 00:46:38,960
Speaker 2: I'm not. And I want to analyze this show in

833
00:46:39,440 --> 00:46:44,040
Speaker 2: how important that decision is, in what a bad decision

834
00:46:44,040 --> 00:46:44,160
Speaker 2: it is.

835
00:46:44,239 --> 00:46:46,640
Speaker 4: I mean, also, you guys will see you're not spoiling

836
00:46:46,719 --> 00:46:49,880
Speaker 4: anything because the writing's on the wall here. We're just

837
00:46:49,960 --> 00:46:52,359
Speaker 4: waiting for the shoe to drop, like we know that's

838
00:46:52,600 --> 00:46:53,520
Speaker 4: what's gonna happen.

839
00:46:53,719 --> 00:46:57,080
Speaker 2: Thank you, Thank you, Danielle. You saved me five of

840
00:46:57,120 --> 00:47:05,960
Speaker 2: one hundred dms right there. But anyway, so look, I

841
00:47:06,200 --> 00:47:09,520
Speaker 2: was happy when we get to this sort of second

842
00:47:09,560 --> 00:47:11,920
Speaker 2: to last scene with Rory at the elevator with the

843
00:47:12,000 --> 00:47:15,480
Speaker 2: coffee and it's decaf and she's on her game right now.

844
00:47:15,719 --> 00:47:17,879
Speaker 2: She's the Rory I like, which she should have been

845
00:47:18,400 --> 00:47:21,719
Speaker 2: from the go. She should have been that person from

846
00:47:21,760 --> 00:47:23,719
Speaker 2: the go. We didn't need this clowny mess.

847
00:47:24,400 --> 00:47:28,840
Speaker 1: And no, you did. You needed detention, You just object

848
00:47:28,880 --> 00:47:32,760
Speaker 1: to how it was. Yes, yeah, you want that tension,

849
00:47:32,840 --> 00:47:36,879
Speaker 1: you want that you know, those first steps very often, right,

850
00:47:37,320 --> 00:47:37,680
Speaker 1: I don't know.

851
00:47:38,400 --> 00:47:41,600
Speaker 2: So then so now I'm happy and he invites her

852
00:47:41,640 --> 00:47:43,840
Speaker 2: in Gilmour, You coming in or whatever? He says, what

853
00:47:43,880 --> 00:47:44,880
Speaker 2: are you waiting for? Gilmore?

854
00:47:46,680 --> 00:47:46,840
Speaker 4: You know?

855
00:47:47,040 --> 00:47:51,560
Speaker 2: So the internship is now going well, So that part's good.

856
00:47:55,120 --> 00:48:00,200
Speaker 2: So in the final scene, again an important scene, we're

857
00:48:00,200 --> 00:48:02,920
Speaker 2: at Suki's house and Manny's in the kitchen, you know,

858
00:48:03,239 --> 00:48:06,000
Speaker 2: so she can test all the food and they're talking

859
00:48:06,000 --> 00:48:09,840
Speaker 2: about Mike Armstrong and how great it would be to

860
00:48:09,960 --> 00:48:13,279
Speaker 2: travel and go to Dooglador for whatever that place was,

861
00:48:14,280 --> 00:48:18,600
Speaker 2: and we realized, yeah, Lorlai does She's intrigued by this

862
00:48:18,840 --> 00:48:23,200
Speaker 2: dream and Suki squashes it because Suki can't travel. She's

863
00:48:23,239 --> 00:48:27,840
Speaker 2: got Davy and little no name and you know, Jackson.

864
00:48:28,080 --> 00:48:30,440
Speaker 2: So interesting ending.

865
00:48:32,320 --> 00:48:37,600
Speaker 1: Just more you know, they're they're you know, delusions, you

866
00:48:37,680 --> 00:48:42,440
Speaker 1: know they're they're they're not gonna but it's also comforting

867
00:48:42,520 --> 00:48:44,440
Speaker 1: to know that they know where their place is in

868
00:48:44,520 --> 00:48:46,400
Speaker 1: My life is here and we have to raise our

869
00:48:46,520 --> 00:48:49,239
Speaker 1: kids and we can't go on. I mean, how many

870
00:48:49,320 --> 00:48:52,120
Speaker 1: times do people talk about going off here and going

871
00:48:52,200 --> 00:48:56,120
Speaker 1: off there and you know, living yeah life, and wouldn't

872
00:48:56,120 --> 00:48:59,440
Speaker 1: that be glamorous until they actually do it and then

873
00:48:59,440 --> 00:49:02,400
Speaker 1: they realize that it's notice well, it's funny.

874
00:49:02,160 --> 00:49:04,280
Speaker 2: To say that. I was having a conversation with somebody

875
00:49:04,320 --> 00:49:07,759
Speaker 2: whose kids went off to college. They had twins, right,

876
00:49:08,200 --> 00:49:09,919
Speaker 2: and the twins went off to college for the first

877
00:49:09,960 --> 00:49:13,040
Speaker 2: time in eighteen years. She's just home with her husband

878
00:49:13,600 --> 00:49:17,160
Speaker 2: and it's lonely and quiet, and they don't love it.

879
00:49:17,360 --> 00:49:19,359
Speaker 2: They're not miserable, but they don't love it. And I thought,

880
00:49:19,400 --> 00:49:21,880
Speaker 2: what was so interesting What she said is everyone goes, oh,

881
00:49:22,040 --> 00:49:24,239
Speaker 2: but you can travel now, or you can do this,

882
00:49:24,840 --> 00:49:27,080
Speaker 2: and her point was, no, we can't. We have to

883
00:49:27,200 --> 00:49:30,080
Speaker 2: work to pay for these two kids to go to college.

884
00:49:30,840 --> 00:49:34,680
Speaker 2: So right, it's not like you can just uh do this.

885
00:49:34,920 --> 00:49:37,200
Speaker 2: But you see the sort of glimmer and Lorealiz's eye

886
00:49:37,239 --> 00:49:39,600
Speaker 2: that there is something intriguing to her about this life

887
00:49:39,719 --> 00:49:46,239
Speaker 2: she didn't get, not the Gilmour life, but not the

888
00:49:46,360 --> 00:49:50,600
Speaker 2: star's hollow life. A different choice that she didn't get.

889
00:49:51,080 --> 00:49:53,720
Speaker 2: And you see that there is sort of a longing

890
00:49:53,920 --> 00:49:56,759
Speaker 2: like hmm and what that is?

891
00:49:57,280 --> 00:49:59,440
Speaker 1: And that's a very good point. That could have been

892
00:49:59,520 --> 00:50:04,240
Speaker 1: her life had she not had Rory, or had Rory

893
00:50:04,320 --> 00:50:07,160
Speaker 1: and stayed with Christopher, you know, I mean, yes, of course, right,

894
00:50:07,239 --> 00:50:09,040
Speaker 1: we right, she would have been all over the world

895
00:50:09,120 --> 00:50:11,120
Speaker 1: with her parents or not with them.

896
00:50:11,600 --> 00:50:15,160
Speaker 2: That's my thing is we always think it was left

897
00:50:15,239 --> 00:50:20,000
Speaker 2: or right, right, Gilmore life, Star's hollow life. But here

898
00:50:20,160 --> 00:50:23,200
Speaker 2: we're seeing there was this third choice, sort of this

899
00:50:24,520 --> 00:50:26,799
Speaker 2: thing that she could have achieved all on her own,

900
00:50:26,960 --> 00:50:31,160
Speaker 2: not Gilmore. But now she could do it because she

901
00:50:31,440 --> 00:50:35,920
Speaker 2: could Rory's at school, Rory's grown, she could go off

902
00:50:36,040 --> 00:50:39,280
Speaker 2: and have Mike Armstrong work for Mike Armstrong and travel

903
00:50:39,320 --> 00:50:41,360
Speaker 2: the world and be a consultant all these ins. She

904
00:50:41,560 --> 00:50:45,640
Speaker 2: could do it, if not for you. Right now, the

905
00:50:45,680 --> 00:50:48,920
Speaker 2: reason she's not doing that is not necessarily because of Sukie,

906
00:50:48,960 --> 00:50:49,959
Speaker 2: but it's because of Luke.

907
00:50:50,440 --> 00:50:51,160
Speaker 4: That's a good point.

908
00:50:53,480 --> 00:51:00,279
Speaker 1: So well we shall say I didn't think of out that.

909
00:51:00,440 --> 00:51:01,759
Speaker 4: That's a really good point.

910
00:51:02,080 --> 00:51:05,440
Speaker 1: Right, you know see if his little world gets upset,

911
00:51:05,840 --> 00:51:08,279
Speaker 1: you know, well, but.

912
00:51:09,880 --> 00:51:16,160
Speaker 2: Yes, yes he does. That's right. He's very intuitive, like

913
00:51:16,880 --> 00:51:19,040
Speaker 2: he kind of always knows what's going on.

914
00:51:20,840 --> 00:51:24,280
Speaker 1: Well, he's you know, he's a complete he's completely paranoid

915
00:51:24,360 --> 00:51:27,280
Speaker 1: about her. So anything that comes into her world.

916
00:51:27,520 --> 00:51:30,480
Speaker 2: Right since the very since episode one, right, he's always

917
00:51:31,160 --> 00:51:32,200
Speaker 2: got his eyes on her.

918
00:51:33,680 --> 00:51:40,279
Speaker 1: Oh yeah, so I like, I like, what what are

919
00:51:40,320 --> 00:51:43,080
Speaker 1: we going to give it? Let's do you want to

920
00:51:43,080 --> 00:51:46,919
Speaker 1: do favorite lines? Let's do favorite lines from Emily.

921
00:51:46,800 --> 00:51:49,160
Speaker 4: When she goes I would have sworn you were a

922
00:51:49,280 --> 00:51:53,000
Speaker 4: sidecard girl, as if she just never met her before.

923
00:51:55,320 --> 00:51:57,320
Speaker 2: Yeah. I mean, for me, it's everything in that scene,

924
00:51:58,080 --> 00:52:03,520
Speaker 2: the sitting bit, just the whole thing, that whole run

925
00:52:03,920 --> 00:52:05,839
Speaker 2: I'm setting Laura.

926
00:52:05,960 --> 00:52:15,479
Speaker 1: I asked Roy, mine was Emily's uh friend to the maid?

927
00:52:15,600 --> 00:52:17,680
Speaker 1: Are you insane? He sets her up?

928
00:52:18,320 --> 00:52:21,520
Speaker 2: He chuckled quite a bit about Logan sort of lines

929
00:52:21,560 --> 00:52:25,680
Speaker 2: about Mitcham, you know, like really conveying what mit what

930
00:52:25,880 --> 00:52:30,200
Speaker 2: he thinks Mitcham thinks of him. Did he's such a disappointment?

931
00:52:30,280 --> 00:52:33,200
Speaker 2: You know all that there was I like Logan in

932
00:52:33,239 --> 00:52:38,240
Speaker 2: this episode other than stealing the sewing kit. I actually

933
00:52:38,320 --> 00:52:38,960
Speaker 2: really like him.

934
00:52:40,840 --> 00:52:45,800
Speaker 1: And other than that, we're having that sweater, sweater and

935
00:52:45,880 --> 00:52:48,399
Speaker 1: a sewing kit. Maybe you could use this, well, maybe

936
00:52:48,440 --> 00:52:50,759
Speaker 1: they used the sewing kit to put those horrible first.

937
00:52:50,920 --> 00:52:52,880
Speaker 2: Why would you have a sewing kit too? Even if

938
00:52:52,880 --> 00:52:55,640
Speaker 2: it's antique on your like side table in your beautiful

939
00:52:55,719 --> 00:52:56,520
Speaker 2: living room.

940
00:52:57,480 --> 00:52:58,960
Speaker 1: It's a family heirloine, you know.

941
00:52:59,080 --> 00:53:02,480
Speaker 4: Maybe it was probably like pure silver box.

942
00:53:03,239 --> 00:53:08,719
Speaker 1: Present exactly right, Sterling Silver. All right, what are we

943
00:53:08,800 --> 00:53:11,080
Speaker 1: giving it? And what's your measuring nine.

944
00:53:10,960 --> 00:53:12,000
Speaker 4: Out of ten crow pugs?

945
00:53:12,160 --> 00:53:14,280
Speaker 2: Oh my god, Danielle, you stole my things.

946
00:53:15,280 --> 00:53:19,120
Speaker 1: I don't know if you're allowed to use title a

947
00:53:20,239 --> 00:53:25,040
Speaker 1: title for your measuring sticks. So sorry, hang on, hang on,

948
00:53:25,120 --> 00:53:29,040
Speaker 1: I'm getting a ruling on that. We're talking to New York. Yeah,

949
00:53:29,360 --> 00:53:30,240
Speaker 1: I'm right, you can't.

950
00:53:30,360 --> 00:53:32,000
Speaker 4: Nine out of ten decaf coffee.

951
00:53:33,640 --> 00:53:38,239
Speaker 2: There you go, nine out of ten. Paris towels on

952
00:53:38,360 --> 00:53:42,160
Speaker 2: her head singing I'm walking on sunshine.

953
00:53:44,560 --> 00:53:46,640
Speaker 1: I don't know. I'm going to give it a nine

954
00:53:47,080 --> 00:53:53,040
Speaker 1: point three out of ten Sterling silver sewing.

955
00:53:53,000 --> 00:53:58,560
Speaker 2: Good one m that is all right. I don't want

956
00:53:58,600 --> 00:54:01,320
Speaker 2: it to serve, so I only have two more. I

957
00:54:01,400 --> 00:54:03,160
Speaker 2: feel like I need to tell you, guys a dumb story.

958
00:54:05,040 --> 00:54:07,280
Speaker 2: I have a sewing I have a needle, A sewing

959
00:54:07,360 --> 00:54:10,000
Speaker 2: needle story that will make every Yeah, that will make

960
00:54:10,080 --> 00:54:12,480
Speaker 2: everybody cringe. Danielle, I don't know if you know that

961
00:54:13,120 --> 00:54:15,640
Speaker 2: those kinds of stories. If you're listening and you want

962
00:54:15,719 --> 00:54:19,719
Speaker 2: to like literally feel physical pain, let me tell you

963
00:54:19,760 --> 00:54:23,720
Speaker 2: the story. One of our friends, a friend of Danielle

964
00:54:24,000 --> 00:54:27,040
Speaker 2: and mine, they have a little they have two kids,

965
00:54:27,840 --> 00:54:32,399
Speaker 2: and the baby daughter, who's like more like five or whatever,

966
00:54:33,280 --> 00:54:38,440
Speaker 2: was crawling on the floor playing baby at her grandma's

967
00:54:38,480 --> 00:54:43,800
Speaker 2: house and there was a sewing needle somehow in the

968
00:54:43,960 --> 00:54:52,960
Speaker 2: carpet and it went into the kid's leg fully in.

969
00:54:53,880 --> 00:54:57,320
Speaker 2: They had to get X rays to find you.

970
00:54:59,239 --> 00:55:03,560
Speaker 1: That is good story. I can't tell the story. What

971
00:55:03,680 --> 00:55:04,120
Speaker 1: are you doing?

972
00:55:05,280 --> 00:55:08,440
Speaker 2: To the end. Every time anyone says sewing, k it

973
00:55:08,560 --> 00:55:10,759
Speaker 2: to me, this is all it comes into my mind.

974
00:55:11,080 --> 00:55:13,360
Speaker 2: Is it two? Is it true? Gross? I think we

975
00:55:13,440 --> 00:55:13,880
Speaker 2: can tell it.

976
00:55:14,600 --> 00:55:16,240
Speaker 4: I have a bad story, too.

977
00:55:18,160 --> 00:55:20,560
Speaker 2: Daniel I'll give it. It's okay. The people can take it.

978
00:55:20,680 --> 00:55:21,680
Speaker 2: The people can take this one.

979
00:55:21,760 --> 00:55:22,640
Speaker 4: This one happened to me.

980
00:55:22,920 --> 00:55:25,600
Speaker 2: So the surgery went fine though they got it out,

981
00:55:27,040 --> 00:55:28,880
Speaker 2: so all is right, Okay, Daniel's friend.

982
00:55:29,040 --> 00:55:31,960
Speaker 4: That I don't think I can top it, but it's

983
00:55:32,080 --> 00:55:34,160
Speaker 4: it's kind of bad. My first job in high school

984
00:55:34,239 --> 00:55:35,800
Speaker 4: is working at Nords Drum. I was, you know, a

985
00:55:35,920 --> 00:55:39,360
Speaker 4: cashier person. Oh god, and uh, you know how you

986
00:55:39,440 --> 00:55:41,320
Speaker 4: have to like take the sensors off clothes and you

987
00:55:41,400 --> 00:55:44,520
Speaker 4: put in you know, you put in a little bucket

988
00:55:45,960 --> 00:55:46,800
Speaker 4: for whatever reason.

989
00:55:47,080 --> 00:55:47,560
Speaker 1: Oh god.

990
00:55:47,800 --> 00:55:50,880
Speaker 4: There was one face up on the floor and I

991
00:55:51,040 --> 00:55:55,719
Speaker 4: was back then. I was wearing a ballet slippers, you know,

992
00:55:55,800 --> 00:55:58,160
Speaker 4: like those are like really like ballet slipper flats, like

993
00:55:58,200 --> 00:55:59,080
Speaker 4: those were kind of in.

994
00:56:00,040 --> 00:56:00,800
Speaker 2: I stepped on it.

995
00:56:01,000 --> 00:56:03,640
Speaker 4: It went through my shoe and into my.

996
00:56:05,800 --> 00:56:06,360
Speaker 2: Straight up.

997
00:56:06,760 --> 00:56:09,000
Speaker 4: I'm not even lying. I mean I just took it out.

998
00:56:09,040 --> 00:56:12,600
Speaker 2: But that was like flood brutal. Yes, if you went

999
00:56:12,719 --> 00:56:14,800
Speaker 2: running out of the store and set off all the alarms.

1000
00:56:18,880 --> 00:56:21,360
Speaker 2: What do you give our sewing needle stories?

1001
00:56:24,280 --> 00:56:30,520
Speaker 1: But that wasn't But it's a needle, I guess. I mean,

1002
00:56:30,600 --> 00:56:32,719
Speaker 1: I can tell a really gross story if you want

1003
00:56:32,760 --> 00:56:36,160
Speaker 1: to about one more? Do you want me to tell

1004
00:56:36,200 --> 00:56:36,920
Speaker 1: about to talk.

1005
00:56:36,800 --> 00:56:41,120
Speaker 2: About We've got time for one more, everybody, Okay.

1006
00:56:42,239 --> 00:56:47,480
Speaker 1: Well, I was getting off a chair lift and the

1007
00:56:47,600 --> 00:56:52,640
Speaker 1: lady next to me fell. She was in the middle,

1008
00:56:52,680 --> 00:56:54,680
Speaker 1: her husband was on the other side of her, eyes

1009
00:56:54,760 --> 00:56:57,279
Speaker 1: on the left. So we stood up and we had

1010
00:56:57,320 --> 00:57:00,480
Speaker 1: to make a fairly quick right hand turn to get

1011
00:57:00,520 --> 00:57:02,200
Speaker 1: off the chair lift and cup and make a U

1012
00:57:02,480 --> 00:57:06,560
Speaker 1: to get off, and she fell. Her backs of her

1013
00:57:06,640 --> 00:57:09,280
Speaker 1: skis got on top of the backs of my skis,

1014
00:57:09,320 --> 00:57:11,440
Speaker 1: and she pulled me down by the shoulder. So I

1015
00:57:11,560 --> 00:57:13,360
Speaker 1: was kind of in the back seat, leaning all the

1016
00:57:13,400 --> 00:57:18,080
Speaker 1: way back, and then my skis took She released, and

1017
00:57:18,200 --> 00:57:21,240
Speaker 1: I took off forward with my back on the backs

1018
00:57:21,280 --> 00:57:24,200
Speaker 1: of my skis, and I tried to steer. I was

1019
00:57:24,240 --> 00:57:26,080
Speaker 1: going to hit the fence, so I had to go right,

1020
00:57:26,280 --> 00:57:30,760
Speaker 1: so I steered my right leg, you know, I angled

1021
00:57:30,800 --> 00:57:33,080
Speaker 1: the ski. I dug. I carved the ski in and

1022
00:57:33,440 --> 00:57:34,720
Speaker 1: the ski turned all the way.

1023
00:57:36,160 --> 00:57:40,320
Speaker 4: Your leg was like here as.

1024
00:57:40,760 --> 00:57:44,160
Speaker 1: No I heard the pop, it was like this pain

1025
00:57:44,800 --> 00:57:47,280
Speaker 1: like it was so twisted all the way around. And

1026
00:57:47,360 --> 00:57:49,840
Speaker 1: then the pop came and then and then I was

1027
00:57:49,920 --> 00:57:52,240
Speaker 1: laying there going, oh God, this is going to really hurt.

1028
00:57:52,320 --> 00:57:55,680
Speaker 1: And then the pain came in and I started screaming

1029
00:57:55,960 --> 00:57:59,120
Speaker 1: at the top of my lungs and a guy came

1030
00:57:59,160 --> 00:58:01,960
Speaker 1: out and these people just skid away.

1031
00:58:04,040 --> 00:58:04,640
Speaker 2: And then.

1032
00:58:06,040 --> 00:58:10,040
Speaker 1: Oh, like total and then some guy comes over to

1033
00:58:10,200 --> 00:58:12,920
Speaker 1: me and he goes, he grabs my hand like in

1034
00:58:13,040 --> 00:58:15,360
Speaker 1: a bro shake, and he goes, just just let it out,

1035
00:58:16,480 --> 00:58:18,920
Speaker 1: just scream. Don't worry about there's no kids around. Just

1036
00:58:18,960 --> 00:58:20,480
Speaker 1: scream any curse word you want.

1037
00:58:20,520 --> 00:58:22,080
Speaker 2: I know how the paint And then did you have

1038
00:58:22,160 --> 00:58:24,640
Speaker 2: to get themobile medical people?

1039
00:58:26,440 --> 00:58:32,400
Speaker 1: Yeah? They took me down in a toboggan. Yeah. Ouch, yeah,

1040
00:58:32,480 --> 00:58:34,040
Speaker 1: that's what I was. I was at the top of

1041
00:58:34,120 --> 00:58:36,160
Speaker 1: the mountain. Yeah, they had to take me all the

1042
00:58:36,160 --> 00:58:36,520
Speaker 1: way down.

1043
00:58:36,520 --> 00:58:39,200
Speaker 4: At least put you on a snowmobile. You probably felt everything.

1044
00:58:39,520 --> 00:58:41,440
Speaker 2: He couldn't set up to be zipped in that thing.

1045
00:58:41,920 --> 00:58:42,919
Speaker 2: I know how that goes.

1046
00:58:43,400 --> 00:58:45,280
Speaker 1: Yeah, you gotta be sick. They had to secure the

1047
00:58:45,360 --> 00:58:48,000
Speaker 1: leg and then take me down and slowly and then

1048
00:58:48,080 --> 00:58:50,120
Speaker 1: put me in the ambulance. And I couldn't get the

1049
00:58:50,200 --> 00:58:52,720
Speaker 1: surgery for I didn't get the surgery for another couple

1050
00:58:52,760 --> 00:58:53,680
Speaker 1: of months because of swelling.

1051
00:58:53,760 --> 00:58:56,760
Speaker 2: So here's what I'm thinking. If you're listening and you're

1052
00:58:56,760 --> 00:59:00,919
Speaker 2: still here, that's give a vote. Give us a vote.

1053
00:59:01,400 --> 00:59:04,880
Speaker 2: Whose story is the grosses I lose.

1054
00:59:04,800 --> 00:59:07,200
Speaker 4: Your Your two stories are way worse.

1055
00:59:08,160 --> 00:59:09,880
Speaker 1: Oh and by the way, I want to tell you this,

1056
00:59:10,760 --> 00:59:16,760
Speaker 1: that evening the hotel found out about the accident, and

1057
00:59:16,920 --> 00:59:23,440
Speaker 1: without consulting me cancel, they really wanted that. What I

1058
00:59:23,600 --> 00:59:26,240
Speaker 1: said to the front desk because I was fine, I

1059
00:59:26,320 --> 00:59:31,080
Speaker 1: had some what the heck? And so we went to

1060
00:59:31,200 --> 00:59:34,320
Speaker 1: the restaurant and I know the owner, and I said,

1061
00:59:35,000 --> 00:59:37,200
Speaker 1: what's up, you know, and they go, oh, they said,

1062
00:59:37,240 --> 00:59:40,000
Speaker 1: you were like incapacitated. I said, not, We're ready to eat,

1063
00:59:40,280 --> 00:59:41,880
Speaker 1: you know. So I had a nice cocktail, We had

1064
00:59:41,880 --> 00:59:43,840
Speaker 1: a nice dinner. There you go.

1065
00:59:44,320 --> 00:59:49,919
Speaker 2: Oh my good stories. See you all next week.

1066
00:59:50,480 --> 00:59:54,120
Speaker 1: Not all right, everybody that's going to do it for

1067
00:59:55,080 --> 01:00:02,919
Speaker 1: gross out week? Oh I am all in. Uh, thank

1068
01:00:02,960 --> 01:00:05,080
Speaker 1: you Daniel, thank you Amy. We will see you next time.

1069
01:00:05,160 --> 01:00:07,040
Speaker 1: Best fans on the planet, keep the cards and letters.

1070
01:00:07,080 --> 01:00:08,640
Speaker 1: Come and let us know how you feel about our

1071
01:00:08,720 --> 01:00:12,960
Speaker 1: real Who actually had the grossest story okay? And who

1072
01:00:13,080 --> 01:00:17,440
Speaker 1: told me the best grossest story, who told the best story,

1073
01:00:18,640 --> 01:00:21,960
Speaker 1: and who just didn't want to hear any of it anyway?

1074
01:00:22,080 --> 01:00:57,280
Speaker 1: All the best, Remember we I am all in. Stay safe, hey, everybody,

1075
01:00:57,280 --> 01:00:57,880
Speaker 1: and don't forget.

1076
01:00:57,960 --> 01:01:01,960
Speaker 7: Follow us on Instagram at I Am all In podcast,

1077
01:01:02,120 --> 01:01:06,480
Speaker 7: and email us at Gilmore at iHeartRadio dot com.

1078
01:01:07,080 --> 01:01:08,800
Speaker 1: Oh you're Gilmore fans. If you're looking for the best

1079
01:01:08,880 --> 01:01:09,800
Speaker 1: cup of coffee in the.

1080
01:01:09,800 --> 01:01:14,000
Speaker 7: World, go to my website from my company, Scottip dot com,

1081
01:01:14,160 --> 01:01:16,520
Speaker 7: s C O T. T y P dot com, Scottip

1082
01:01:16,680 --> 01:01:19,800
Speaker 7: dot com Grade one Specialty Coffee