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Speaker 1: What up, y'all? This is your main man, Memphis Bleak

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Speaker 1: right here.

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Speaker 2: Welcome the Rock Solid, a production of iHeart Radio and

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Speaker 2: the Black Effect Network in partnership with my guys over

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Speaker 2: at Drink Champs.

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Speaker 1: Big with the year Memphis. I'm back at it, niggas.

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Speaker 1: Notice the difference, just pron present, no stones. Yeah, y'all

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Speaker 1: you already know what it is.

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Speaker 2: Back with another motherfucking exclusive of Rock Solid. Like I

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Speaker 2: always tell you when it's going down, it's only two

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Speaker 2: type of people that represent the show, either you from

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Speaker 2: the rock or you Solid. And these two brothers right here,

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Speaker 2: it's both one from the rock, but they both silid.

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Speaker 2: I got my guy Dave East and Young Chris and

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Speaker 2: the motherfucking building.

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Speaker 1: You know what it is. What's up, my guys? My

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Speaker 1: brother gun g Yo Gun had a mission getting here. Man.

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Speaker 1: I'm glad you made it safe. You know what I mean?

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Speaker 2: My gee got pulled over me like bleak yo, yeah,

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Speaker 2: he taking your bleak. They don't be fucking with you

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Speaker 2: with the weed no more. I'm like, yeah, damn, my man,

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Speaker 2: while my man threw his butter.

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Speaker 1: He yoed you lie swim Dan Dogg is legal?

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Speaker 2: He yeah, yeah yeah wid yeah, go to the next

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Speaker 2: on your word out yo, East, what's something like?

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Speaker 1: G I see you got the album dropping.

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Speaker 2: Ten fifteen before ten fifteen, twenty five.

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Speaker 1: Congrats my brother, yo. So what what what they could

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Speaker 1: expect on this one? Man?

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Speaker 3: Me man like without the without the influence of the outside. Yeah,

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Speaker 3: you know what I mean. Yeah, it's my first indie project.

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Speaker 3: Yeah me, I really I feel like I was able

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Speaker 3: to sit and take my time with this joint.

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Speaker 1: You know what I mean. I ain't I ain't had

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Speaker 1: to rush it. Yeah, you know what I mean.

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Speaker 3: I was able to put out other projects in the

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Speaker 3: meantime of still cooking this one.

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Speaker 1: And right, So anybody, specially your work with producer wise.

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Speaker 3: I'm on head the home team, definitely home team, budding grands,

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Speaker 3: Mike and Keys, Michael Keys, the family, he got that schmoke.

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Speaker 3: Locked in with them. It's it's a lot of different

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Speaker 3: some new producers. I worked with Nick craven h he

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Speaker 3: from Canada. He got he got that that soulful.

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Speaker 1: Shout out the new new producer, new blood.

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Speaker 3: I got new producers and and like they one you

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Speaker 3: know what I mean, A producers I've been locked in with.

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Speaker 2: So yeah, but y'all just dropped fine dying too. Man

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Speaker 2: going crazy crazy.

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Speaker 1: On up yo.

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Speaker 2: Like y'all, niggas both is individual assassins when they come

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Speaker 2: down to spit.

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Speaker 1: How was it going in the booth together? Was what?

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Speaker 2: Did y'all do a lot of songs together? Or was

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Speaker 2: y'all sending the verses? The majority was together together?

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Speaker 3: You might have might have said maybe one or two

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Speaker 3: joints everything else. He was in the booth together.

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Speaker 1: Keep it real, who yagga was just trying to murk

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Speaker 1: each other. I ain't gonna lie I was but that.

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Speaker 1: But so it was like damn, I got the I

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Speaker 1: got the up it.

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Speaker 4: That's the mindset every time it's friendly competition.

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Speaker 1: But one thing I said about bro, this nigga had

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Speaker 1: a good pace. Yeah yeah, yeah yeah his pace is

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Speaker 1: different than that bitch.

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Speaker 2: So yo ya niggas definitely definitely gave him ball for

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Speaker 2: ball for ball is the death on that one.

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Speaker 4: Poblo guns with the better the bars, you know.

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Speaker 1: You know what I'm saying, Man's the bar and always

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Speaker 1: not the country.

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Speaker 3: Big I told see I was, I am a fan

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Speaker 3: of y'all early on you up to that, so to

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Speaker 3: be able to spark with the nigga I was. I

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Speaker 3: was like, all right, let's get let's get it.

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Speaker 1: Gun.

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Speaker 2: The only one from the rock that's really a cheetah

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Speaker 2: though nobody don't know that. He came in young, so

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Speaker 2: he's still younger.

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Speaker 1: Like these old niggas, get out here. You the only

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Speaker 1: one he's not in the club like, ain't car ain't

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Speaker 1: that's facts, man, that's dope.

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Speaker 2: Man. I'm glad to see, you know, two artists working together,

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Speaker 2: because you don't really get to see that no more.

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Speaker 1: Man.

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Speaker 2: You know a lot of these artists they make album

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Speaker 2: years lay without no ego that then they make album

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Speaker 2: years later when it's when it's over y'all still in

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Speaker 2: the prime of your career, where y'all still putting it down.

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Speaker 1: Man, you know what I'm saying. So what's that even? Like? Man, Like,

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Speaker 1: do you feel like you accomplish what you needed to? Yes?

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Speaker 4: See, I ain't done. I'm just getting started, that's right,

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Speaker 4: you know what I'm saying. So for me, it's a

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Speaker 4: blessing in itself. We're talking twenty three years later, twenty.

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Speaker 1: Three years later that niggas still in his thirties, y'all.

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Speaker 1: That nigga cheated y'all you know upstairs every day.

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Speaker 4: I don't take it for granted, you know what I'm saying.

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Speaker 4: But one thing I do, I always work. Man, I

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Speaker 4: never got off my bike. Even when they haven't.

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Speaker 1: Heard me mainstream, I was delivering. That's right.

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Speaker 4: I got a network series from one through five. I

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Speaker 4: dropped Politically Incorrect, LL make Bully Last Man Standard Revival, Reintroduction,

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Speaker 4: I can go on forever.

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Speaker 1: You know what I'm saying.

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Speaker 4: You got great bodies of work out there. Niggas wasn't

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Speaker 4: checking for It's always and my boy.

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Speaker 1: Expectations. No disappoint ship with man Riders. Just drop clo.

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Speaker 1: You know what I say. See to that, you can't

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Speaker 1: say niggas wasn't checking for the right.

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Speaker 2: People who fuck with you checked for it, you know

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Speaker 2: what I mean, because I listened to it. I was

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Speaker 2: on a few of right, you know what I'm saying. Yeah,

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Speaker 2: for sure, like you definitely put your work and it

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Speaker 2: was doing your thing. And the link up with East

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Speaker 2: is crazy because I remember when I first met East

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Speaker 2: was with Wayne Though.

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Speaker 1: Yeah, that's what I mean. That's a rock of Philly rock,

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Speaker 1: rock fella fucking.

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Speaker 2: Originally original, and you know that's who introduced me today

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Speaker 2: when he first was coming out killing ship doing this thing.

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Speaker 2: So what was that like even you know, coming in

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Speaker 2: with the tutelage of a of a nigga who was

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Speaker 2: who was down with that?

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Speaker 3: I got mass stories early on, and you know it

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Speaker 3: was dope with it. Like like I was saying earlier,

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Speaker 3: I was a fan of the Rock in which which

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Speaker 3: y'all put out. So the so the come in the

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Speaker 3: game with somebody that came from that family from Harlem,

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Speaker 3: like you know what I mean? Like that was that

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Speaker 3: was just like an almost had like a cheek code

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Speaker 3: to knowing how sh it was gonna kind of play out,

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Speaker 3: how niggas act or just all all of the ship

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Speaker 3: that come outside of the lights and all that WAYNA

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Speaker 3: was putting me onto that early he was having them

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Speaker 3: convos on the train or like before the whips and

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Speaker 3: all that, like you know what I mean. So wain'n't

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Speaker 3: really he walked me in this ship. You know what

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Speaker 3: I'm saying. I always salute went on he walked me.

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Speaker 2: In the wain't know what's a pup When he came

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Speaker 2: through to the rock at first and he left, Yeah,

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Speaker 2: he was more and when he came in. He took

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Speaker 2: more to gun from Philly in the city where everybody

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Speaker 2: know what's from Philly.

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Speaker 1: I used to think it. I'm like, wait, now you're

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Speaker 1: from Hall.

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Speaker 2: It was from the city, Nigga, from the east side

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Speaker 2: of all the fact man ship east you went into

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Speaker 2: the movies. By g the fucking that's what was that?

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Speaker 2: That was fire, yeah, man, and I ain't gonna fry.

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Speaker 2: You killed meth. I think you might have killed meth

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Speaker 2: better than meth. Shout out Meth. That's my mother, man. Man,

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Speaker 2: that was I feel like that was one of them

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Speaker 2: once in a lifetime experiences, Like you know what I'm saying,

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Speaker 2: I can't redo that, Like that was one of the moments,

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Speaker 2: Like I'm always appreciative of that.

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Speaker 1: Shout the Rizard, you know what I'm saying, the whole

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Speaker 1: man ray, all of them. Man.

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Speaker 2: But I was on set with Rizzard day in, day out,

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Speaker 2: so there's a big, big shout the riser, you know

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Speaker 2: what I mean.

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Speaker 1: But me, everybody like, I just feel like.

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Speaker 3: That was dope because that was like, really my first

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Speaker 3: I had acted before.

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Speaker 1: I was in a movie called Beats with Anthony Anderson.

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Speaker 2: You know what I mean, big, big act shout to

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Speaker 2: set free, sept free, put me in that world, your big,

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Speaker 2: big shout out.

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Speaker 1: To set free.

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Speaker 3: But the Wu Tang we did three seasons, so that

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Speaker 3: was three years of me filming you know what I'm saying,

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Speaker 3: driving the stat now and five in the morning doing

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Speaker 3: makeup for two hours because they got to cover all

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Speaker 3: my tats up and.

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Speaker 1: All that, you know what I mean. But I'm around.

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Speaker 3: Actors should more and Ashton, people that do movies like

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Speaker 3: you know what I mean. As I'm on the set,

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Speaker 3: I'm picking up this from that one and picking up that.

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Speaker 3: So it just it made it easier for me to

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Speaker 3: just be more comfortable and room.

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Speaker 4: To play characters of people that's gone. I wasn't the

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Speaker 4: had like myth coaching you through the ship.

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Speaker 1: That was crazy.

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Speaker 3: And the fact that he kept giving me the like

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Speaker 3: body and that everything I'm seeing you yes right there.

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Speaker 3: That's all I really needed was him saying it, because

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Speaker 3: that's somebody that I'm re enacting, like you said, but

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Speaker 3: he hed, so Nigga can easily be like I wasn't

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Speaker 3: moving like.

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Speaker 1: That, like all killed that ship, that movie, that show

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Speaker 1: was fire.

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Speaker 2: Then you went in to the motherfucker ads with the

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Speaker 2: pooma shipped like one thing led in to another.

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Speaker 1: Nigga was just modeling what was just doing? Public service?

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Speaker 2: Right show That's another thing this nigga Dudo saying ship

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Speaker 2: become a sex symbol. This nigga he only sixteen, then

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Speaker 2: the sex symbol. Since then then they linked together. Yeah,

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Speaker 2: fucking dying yo, So out of like y'all both from

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Speaker 2: competitive fucking you from Philly bro top spinners in the world,

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Speaker 2: some of the you know, some of the best boxers

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Speaker 2: in the world. You out of Harlem, my nigga, that

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Speaker 2: legacy the follow from Harlem is insane. Do y'all feel

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Speaker 2: like y'all made y'all mark amongst the legendary marks everybody

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Speaker 2: else made me from? Like being from Harlem? You know

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Speaker 2: what I'm saying, Like you got Mace, you got you know,

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Speaker 2: puff ain't really from Harlem, but he claimed Harlem. You

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Speaker 2: know what I'm saying. And you got what they did

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Speaker 2: and what Dip said. Did you know what I'm saying? Though,

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Speaker 2: you feel like you made your mark?

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Speaker 3: You're this generation for the for the you if you

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Speaker 3: was born in two.

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Speaker 1: Thousand, you know what I mean.

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Speaker 3: Two thousand and five, like you twenty five. Now, I

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Speaker 3: feel like that that generation, like everybody who just named

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Speaker 3: inspired me to my.

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Speaker 1: Son to do it.

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Speaker 2: He definitely like, Yeah, even a nigga spit had my

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Speaker 2: man b g out of motherfucking Miami. That nigga like, Nope,

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Speaker 2: that that's nas guy, that's my guy off the yo.

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Speaker 1: You're talking generation. So I definitely felt that way.

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Speaker 4: You nigga started back out of Philly still putting on.

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Speaker 4: I carried it the right way they carrying. Yeah, it's

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Speaker 4: always wrong for growth.

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Speaker 1: That's right. So what's next for you? Gun? You got

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Speaker 1: any pro made the Tokyo okay ready to you? Why?

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Speaker 4: Hey that's about I think that's done ninety yep, Tokyo producer.

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Speaker 1: No way? Uh you have being ransom? Yeah, joint with you.

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Speaker 4: You know what I'm saying, that ship and I'm talking

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Speaker 4: about the rapping this shit. I'm talking about mixing a

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Speaker 4: mask that's in the bank. See you had banker here,

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Speaker 4: Oh yeah, let it out. Yeah, man, homie cooking on

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Speaker 4: the monster.

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Speaker 1: I'm on that small yeah thing pulling up.

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Speaker 2: That's one thing I love about doing this show cause

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Speaker 2: niggas like bank you know what I'm saying, he don't

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Speaker 2: know how much I don't think he understood how much

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Speaker 2: of a legend.

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Speaker 1: How much impact he's seen the response.

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Speaker 2: On the part, and then he hit me like, yo,

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Speaker 2: good luck bro. You know sometimes I think God's gotta

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Speaker 2: be reminded of who they are to remember what they

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Speaker 2: got in this ship.

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Speaker 1: For, you know what I mean.

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Speaker 2: So I heard you even say that too, where you

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Speaker 2: was like when you was talking about your album, it

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Speaker 2: was like, this is this is me. I'm doing this

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Speaker 2: for me, not for the fans like the outside voices. Right,

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Speaker 2: That's something I always say me. I can look back

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Speaker 2: now and say on my career that that's where my

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Speaker 2: train went off track. Because you know, when you first

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Speaker 2: start making music, you making music for yourself, like you

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Speaker 2: ain't making mus you don't even know, no fans even

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Speaker 2: fuck with you.

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Speaker 1: So you do it for yourself, my building, and then

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Speaker 1: when you get paid, you're.

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Speaker 2: Like, hold on these niggas like that, all right, let

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Speaker 2: me make this, let me do this.

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Speaker 1: Then you start making music for the niggas and you

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Speaker 1: lose your way. So stick to the script, man.

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Speaker 2: So for you to say that and to recognize that

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Speaker 2: this early meet, I recognized it too late, you know

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Speaker 2: what I'm saying like, that's a blessing, bro, because I

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Speaker 2: know for a fact just by you saying that there's

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Speaker 2: some classic material on this.

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Speaker 1: Shit, bro, you gotta think about it.

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Speaker 2: When I came in this shit bleak, it was twenty fifteen,

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Speaker 2: This is my tenth year all that hit Ice tenth.

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Speaker 1: Year, Yeah for the Ice, I'm for some Champagne tenth

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Speaker 1: year bleak. Oh yeah.

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Speaker 3: I came in with NAS big shot love you bro,

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Speaker 3: you know what. That's how I got it.

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Speaker 1: You feel me Jungle Nas, you know what I mean?

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Speaker 1: That's major.

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Speaker 3: Then I got with Depth, Jim, I want to say

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Speaker 3: twenty eighteen. Yeah, about eighteen I got with Depth Jen this.

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Speaker 3: So I always had not even nas per se but

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Speaker 3: massive pill.

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Speaker 2: Yeah.

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Speaker 3: I always had a bunch of different not do this

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Speaker 3: type of song, do that type of song, do this

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Speaker 3: type of record? You need the girls like you need

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Speaker 3: this type of song and not knocking, no advice coming in.

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Speaker 3: But that started to throw me off a little bit

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Speaker 3: because what I the ship I was making is what

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Speaker 3: attracted them, attracted them to me.

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Speaker 1: That's right, you know what I'm saying. So I thought

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Speaker 1: about that. I was like, Yo, this ain't I ain't

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Speaker 1: making a shit. I was made coming in like, don't

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Speaker 1: fix it, you know what I mean.

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Speaker 3: So I think this is the first time I really

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Speaker 3: was able to get back to that, Like you know,

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Speaker 3: that's why I told you, That's why I took a decade.

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Speaker 1: Like mixtapes, when you do mixtapes, you just that's when

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Speaker 1: you get right.

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Speaker 4: You're just not thinking about the best music.

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Speaker 2: You're not thinking about it that's the best music. That's

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Speaker 2: a fact. Like Ship. I feel like a lot of

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Speaker 2: artists gave away their best work on mixtapes, absolutely, like

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Speaker 2: it should be better than the album. Really just don't

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Speaker 2: know because the album is.

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Speaker 3: So uh strategic. You got like, I'll never forget with

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Speaker 3: def Jam, I'll play my album. It'd be a table

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Speaker 3: full of people. I'm sitting at the table full of

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Speaker 3: he might I don't know. Ship might be from Texas.

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Speaker 3: He might like not knocking where nobody from. But you're

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Speaker 3: not my world. Not you don't know my world. The

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Speaker 3: project done? They saying I don't hear a single, but

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Speaker 3: which one is the single?

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Speaker 1: Yeah, I ain't asked you to be to market.

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Speaker 3: I'm getting all the passage. Go get this Ship off, man,

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Speaker 3: that's it. I don't need your opinion. On what the

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Speaker 3: first listen man.

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Speaker 2: Definitely be too much pressure put on the artist, like, yo,

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Speaker 2: you need this kind of record, you need that kind

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Speaker 2: of record. To me, it's only two types of records,

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Speaker 2: good and not good. Like think about it, bro, we

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Speaker 2: listen to records that we don't even know. I got

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Speaker 2: a playlist on my phone called Spanish Ship.

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Speaker 1: I don't know nothing Spanish. I only know the curse

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Speaker 1: word fire off fires. Tell me these niggas ain't killing ship.

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Speaker 2: I know fies and I know this vibe is listen

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Speaker 2: fact hit.

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Speaker 4: They'll pick him every time we all be wealthy. You

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Speaker 4: gotta let the fans choose.

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Speaker 3: It is, because it'll be the song that the ain't

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Speaker 3: jacketing at the world love Yeah, Yeah, And then it's

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Speaker 3: like you know what I mean.

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Speaker 1: So that's for artists out there. Don't make your art, bro,

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Speaker 1: you know what I'm saying. Don't really let nobody distract yourn.

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Speaker 4: It's like a lot of records that might have came out.

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Speaker 4: We might not have liked it when the Ship first hit,

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Speaker 4: but the dj constantly play They're going to force the

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Speaker 4: ship on.

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Speaker 1: You while you find yourself singing it. You know what

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Speaker 1: I'm saying.

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Speaker 2: That's how that's eighty five percent of music here today.

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Speaker 1: The start off like that was control of the masses

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Speaker 1: when it was all radio. But now we got this internet.

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Speaker 1: So but it's kind of fair game, especially for new artists.

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Speaker 2: One thing I'm gonna bring up, and that leads me,

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Speaker 2: congratulations to you Dave for getting a billion fucking strings.

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Speaker 1: Amazing, Yo, that was heavy.

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Speaker 2: But yeah, that work, bro, I super appreciate that world.

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Speaker 2: My only thing with that is the half a billion

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Speaker 2: people play your music is fucking amazing, right, But the

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Speaker 2: money they give you for streaming this business, you feel me,

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Speaker 2: Like even if it was twenty five center spin, right,

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Speaker 2: you feel me. But that's my point right to where

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Speaker 2: I feel like the way the game went for y'all,

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Speaker 2: they tricked the new the new generation out of the

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Speaker 2: methods that made our generation rich. Because how we got

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Speaker 2: rich was radio. Radio produced the publishing checks, you.

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Speaker 1: Know what I mean.

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Speaker 2: Them spins on the radio matters, Like if you got

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Speaker 2: a hundred thousand spins on the radio, you can literally

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Speaker 2: go by a house, you know what I mean. Think

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Speaker 2: about a billion streams on the Internet. It's like that's

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Speaker 2: a major feat, but it don't what is it that's.

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Speaker 1: What I'm saying.

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Speaker 3: I was like, oh, that sound good might get a

358
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Speaker 3: plaque of soe what I want the new generation and

359
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Speaker 3: people to realize, Man, get back the radio, bro, don't

360
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Speaker 3: don't give up on radio.

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Speaker 1: Don't give up on the DJ. The DJ is very important. Bro.

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Speaker 2: It's like it's like, yeah, NBA players know how to

363
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Speaker 2: play the game, but you still need the coach. You

364
00:19:03,200 --> 00:19:06,440
Speaker 2: still need the assistant coach, you still need the conditioning coaches.

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Speaker 1: You know what I mean? Like the DJs is that important? Bro?

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Speaker 2: And I feel like a lot of people, yes, just

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Speaker 2: like forget about them and feel like, Yo, they chase

368
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Speaker 2: the playlist where the playlists bring you pop popularity, but

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Speaker 2: they don't bring you that paper.

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Speaker 1: DJ enough I said all the time, salute DJ enough.

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Speaker 1: You heard us. That's that's the That's the one thing.

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Speaker 2: Young niggas he got, he crept back in. He ain't

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Speaker 2: really a young nigga. He's just a young nigga. About

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Speaker 2: default with y'all niggas, Yo, y'all get the modeling that Brodie.

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Speaker 2: The companies, Mountain Dude, sprites, PEPSI fucking all these companies

376
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Speaker 2: just flooding. They was not fucking with us back in

377
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Speaker 2: the day, like you rapped ill, how'd your purse?

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Speaker 1: Girls?

379
00:20:00,640 --> 00:20:04,719
Speaker 2: Now like that gotta feel amazing man, like y'all pushing

380
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Speaker 2: it forward, man, And I commend y'all for that.

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Speaker 1: You know what I mean. The brands that I grew

382
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Speaker 1: up to, grew up on Spike.

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Speaker 3: Got actually got a bag doing something with them McDonald's.

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Speaker 1: See all that. That's crazy.

385
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Speaker 4: You know what I got to What.

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Speaker 1: You got a bag? Got a McDonald's.

387
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Speaker 2: Only bag I got was the bag of the big back.

388
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Speaker 2: What you got the big bag of fast. We used

389
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Speaker 2: to go to McDonald's. This ship, I said, oh ship

390
00:20:44,800 --> 00:20:48,159
Speaker 2: full circle. That's dope, man. Get the money back for

391
00:20:48,280 --> 00:20:50,120
Speaker 2: what they did to push your in them to man

392
00:20:50,520 --> 00:20:58,960
Speaker 2: funk that pushing the yeah for the jingle by damn.

393
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Speaker 1: I know that was That's what that's.

394
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Speaker 2: We got to pull the gun out of push you.

395
00:21:03,560 --> 00:21:09,520
Speaker 2: I'm a ride for you, but I need PC. They

396
00:21:09,600 --> 00:21:13,480
Speaker 2: pushed his credit on that. They made the jingle My

397
00:21:13,680 --> 00:21:16,160
Speaker 2: g you got a bag from That's what I'm saying.

398
00:21:16,200 --> 00:21:19,959
Speaker 2: Back in the days, ain't no wasn't no brands thinking

399
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Speaker 2: about what.

400
00:21:21,040 --> 00:21:23,439
Speaker 1: Even collaping with a rapper. I think we had the

401
00:21:23,520 --> 00:21:25,520
Speaker 1: hard knocked life tour rock the mic.

402
00:21:25,640 --> 00:21:27,800
Speaker 2: Now you look at j and them festivals, all the

403
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Speaker 2: festivals everybody doing.

404
00:21:28,920 --> 00:21:31,320
Speaker 4: And then we did the Sprite tour. You know where

405
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Speaker 4: the world niggas you.

406
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Speaker 1: We ain't even have no sprite in the dressing room

407
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Speaker 1: on that tour. She was cool. This is word.

408
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Speaker 2: I think that was the first time just got it

409
00:21:50,040 --> 00:21:52,760
Speaker 2: was like, Okay, we ain't here, new gag, new gag.

410
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Speaker 2: We ain't back to the ship. But yeah, man fucking

411
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Speaker 2: gun man, let me ask you this bro on some

412
00:21:59,400 --> 00:22:04,000
Speaker 2: Rocker Feller ship, the break up, I don't think Rockefeller

413
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Speaker 2: ever going back Together's just keep it all the way up.

414
00:22:11,760 --> 00:22:18,359
Speaker 1: Yeah, I don't think run back ye up the blizzards

415
00:22:19,119 --> 00:22:23,480
Speaker 1: had to put I said, yo, I don't think Rockefeller

416
00:22:23,560 --> 00:22:26,720
Speaker 1: ever coming back together. That naship.

417
00:22:27,200 --> 00:22:28,399
Speaker 3: You know, I look at it like I ain't got

418
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Speaker 3: nothing to do with it.

419
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Speaker 1: My younger opinion, I feel like, and this just going

420
00:22:37,440 --> 00:22:40,440
Speaker 1: with life. Some ship just gotta did what it did,

421
00:22:40,960 --> 00:22:43,400
Speaker 1: Gotta go and embrace what it did.

422
00:22:43,920 --> 00:22:47,880
Speaker 3: The next you know, like that time you remember, like

423
00:22:47,880 --> 00:22:50,119
Speaker 3: like now when I see all of that coming out

424
00:22:50,200 --> 00:22:52,960
Speaker 3: or whatever, and with me, I ain't seen none of

425
00:22:53,040 --> 00:22:56,200
Speaker 3: that with when we were sitting watching the state prop

426
00:22:56,320 --> 00:23:00,240
Speaker 3: movie or hearing them albums, it was like, that's crue.

427
00:23:02,040 --> 00:23:02,280
Speaker 2: Ship.

428
00:23:02,359 --> 00:23:04,320
Speaker 1: So to grow up and be like all them niggas

429
00:23:04,359 --> 00:23:06,520
Speaker 1: really wasn't They might have not really.

430
00:23:06,320 --> 00:23:08,240
Speaker 3: Been like you know what I mean, like I don't

431
00:23:08,240 --> 00:23:09,800
Speaker 3: want to see that. I don't even want to click

432
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Speaker 3: on the ship.

433
00:23:10,400 --> 00:23:16,920
Speaker 4: And see to get back together. Like over again, you're

434
00:23:16,960 --> 00:23:22,960
Speaker 4: talking like niggas money niggas like saying money.

435
00:23:23,040 --> 00:23:27,680
Speaker 2: It's money on the table, millions the table. It's definitely

436
00:23:28,280 --> 00:23:31,960
Speaker 2: on the table. So if niggas differences to the side

437
00:23:32,000 --> 00:23:36,119
Speaker 2: for that, you know, to that was leading to, do

438
00:23:36,200 --> 00:23:40,200
Speaker 2: you ever think it's a possibility state property we're doing

439
00:23:40,840 --> 00:23:45,119
Speaker 2: with all that's going on with the prop. See, we

440
00:23:45,240 --> 00:23:48,040
Speaker 2: all fucked up? Man, I think that s all fucked

441
00:23:48,080 --> 00:23:50,200
Speaker 2: up now. This is that ship Puff was saying, no

442
00:23:50,320 --> 00:23:51,480
Speaker 2: big album, all.

443
00:23:51,320 --> 00:23:54,399
Speaker 5: Fucked up now. I don't even know what he was

444
00:23:54,440 --> 00:23:57,719
Speaker 5: talking about this, but I get it. It's all fucked

445
00:23:57,800 --> 00:24:04,080
Speaker 5: up now. Ship crazy guys, get the young money.

446
00:24:04,119 --> 00:24:06,920
Speaker 2: Fuck this old see him outside. That's right, you know

447
00:24:06,920 --> 00:24:10,000
Speaker 2: what I'm saying. Dave he modeling.

448
00:24:11,040 --> 00:24:15,680
Speaker 1: Ship up. It's still out here. Sniper, he's fine, he says,

449
00:24:15,720 --> 00:24:19,960
Speaker 1: sniping no more, he said he sniper. He put his

450
00:24:20,080 --> 00:24:29,440
Speaker 1: right for right up, I put that up. This sniper

451
00:24:29,600 --> 00:24:34,960
Speaker 1: is old man, yo, yo cool, but it's still snipe right.

452
00:24:35,040 --> 00:24:40,920
Speaker 2: Let's let's let's get into this fucking that that gun.

453
00:24:40,000 --> 00:24:44,359
Speaker 1: Cheating he had old sniper and new sniper. I gotta

454
00:24:44,359 --> 00:24:47,840
Speaker 1: get out the gas generation. Yeah, he's a he's the

455
00:24:47,960 --> 00:24:57,160
Speaker 1: DC sniper. He was, yo.

456
00:24:57,520 --> 00:25:00,080
Speaker 2: Because back in the days she said that, you was like,

457
00:25:00,200 --> 00:25:03,639
Speaker 2: yo crazy, y'all niggas had the eerror before the cameras,

458
00:25:03,760 --> 00:25:06,600
Speaker 2: before the yeah, before they catch you in the bed

459
00:25:06,720 --> 00:25:08,480
Speaker 2: sleep and they hit you with the picture.

460
00:25:08,240 --> 00:25:10,960
Speaker 1: Like none of that, like it was none of that.

461
00:25:11,600 --> 00:25:13,960
Speaker 1: Anything was back then. Word of mouth. I got older

462
00:25:13,960 --> 00:25:18,800
Speaker 1: cousins and that was a T shirt or something. You

463
00:25:18,840 --> 00:25:19,640
Speaker 1: had to be there.

464
00:25:20,080 --> 00:25:22,320
Speaker 2: If you if you too many miles away, that word

465
00:25:22,320 --> 00:25:25,920
Speaker 2: of mouth ain't even making it, yo, you know who.

466
00:25:25,880 --> 00:25:26,720
Speaker 1: I always said.

467
00:25:27,680 --> 00:25:30,680
Speaker 2: I'm not going to say they single handedly did it,

468
00:25:31,119 --> 00:25:33,280
Speaker 2: but they played the major part.

469
00:25:33,040 --> 00:25:34,320
Speaker 1: In fucking the game up.

470
00:25:35,720 --> 00:25:39,760
Speaker 2: The unit unit. When they made the song Groupie love

471
00:25:40,400 --> 00:25:45,160
Speaker 2: give Me Give Me, that was a smack. They really

472
00:25:45,200 --> 00:25:47,200
Speaker 2: did everything about it because.

473
00:25:47,200 --> 00:25:49,240
Speaker 1: The bit just starts saying, I ain't no groopie.

474
00:25:49,400 --> 00:25:51,560
Speaker 2: When that song dropped, that's when you you didn't hear

475
00:25:51,560 --> 00:25:52,960
Speaker 2: that before that record gun.

476
00:25:55,359 --> 00:25:57,399
Speaker 1: Was still bro We used to call a bit of

477
00:25:57,440 --> 00:26:01,040
Speaker 1: skis Like what's that? They were like ship beautiful black woman.

478
00:26:01,119 --> 00:26:04,000
Speaker 1: She was like, yeah, I'm was ski up you thinking

479
00:26:04,040 --> 00:26:09,960
Speaker 1: about it? The dog town? Yeah, but that was my coach.

480
00:26:10,440 --> 00:26:14,760
Speaker 2: That was west side, the west But think about it.

481
00:26:15,040 --> 00:26:18,640
Speaker 2: That's why that's why I but think about it. You

482
00:26:18,680 --> 00:26:22,000
Speaker 2: meet a West Coacht girl, they automatically know you ain't ship.

483
00:26:22,840 --> 00:26:26,280
Speaker 2: They automatically know, like, just have some funny. These niggas

484
00:26:26,280 --> 00:26:29,320
Speaker 2: ain't ship anyway they treating That's like the niggas talking

485
00:26:29,400 --> 00:26:32,119
Speaker 2: out there on the west side. East Coach was different.

486
00:26:34,760 --> 00:26:37,480
Speaker 2: East Coach was different. The girls really thought you loved them.

487
00:26:37,560 --> 00:26:43,000
Speaker 2: They was down with the it's my But then niggas

488
00:26:43,000 --> 00:26:45,600
Speaker 2: fucked it up when it just start saying, ain't no groopie.

489
00:26:46,840 --> 00:26:51,120
Speaker 2: Now they think back then, wasn't no uber, no uber eat?

490
00:26:51,240 --> 00:26:53,200
Speaker 1: So if you ain't stopping getting nothing.

491
00:26:55,200 --> 00:26:58,560
Speaker 2: Yeah, before you get to the hotel, it is basically

492
00:26:58,720 --> 00:26:59,840
Speaker 2: was eating yard.

493
00:26:59,600 --> 00:27:01,560
Speaker 1: Me must have patched yo.

494
00:27:01,720 --> 00:27:03,639
Speaker 2: Put it this way, that half an a joint today

495
00:27:03,720 --> 00:27:07,280
Speaker 2: that that that that like that getting the uber would

496
00:27:07,400 --> 00:27:11,400
Speaker 2: would have not gotten a yellow cat, no yellow call

497
00:27:11,480 --> 00:27:13,040
Speaker 2: a cab but not back then.

498
00:27:13,080 --> 00:27:13,440
Speaker 1: We used to.

499
00:27:13,720 --> 00:27:15,840
Speaker 2: It was more expensive because we staffed to call car

500
00:27:15,920 --> 00:27:18,040
Speaker 2: service for you. If you wanted to move a joint

501
00:27:18,119 --> 00:27:18,919
Speaker 2: back in the day.

502
00:27:19,119 --> 00:27:21,040
Speaker 1: You had to call car service. And that was that.

503
00:27:22,000 --> 00:27:23,639
Speaker 1: We had car service in the projects. You used to

504
00:27:23,680 --> 00:27:32,960
Speaker 1: call it black truck we had today. Ship is bad man.

505
00:27:33,080 --> 00:27:34,080
Speaker 1: Like the girls.

506
00:27:34,320 --> 00:27:37,320
Speaker 2: Yo, listen, this is why y'all young niggas getting so

507
00:27:37,440 --> 00:27:40,080
Speaker 2: much money. I guess all the bottle, the deals and

508
00:27:40,119 --> 00:27:42,000
Speaker 2: all this because the girls wanted to eat.

509
00:27:42,000 --> 00:27:43,600
Speaker 1: They won't go to Capital.

510
00:27:43,320 --> 00:27:55,680
Speaker 2: Grill fleet greedy man, they won't go to steak forty eight.

511
00:27:56,359 --> 00:27:58,440
Speaker 1: You know what I mean? Got yo?

512
00:27:58,760 --> 00:28:02,960
Speaker 2: Sure, y'all young they is as ball as the ball,

513
00:28:07,960 --> 00:28:10,800
Speaker 2: this is yo. The most we used to do was

514
00:28:10,920 --> 00:28:16,280
Speaker 2: cheesecake factory. Just that was like sort, That's what I'm saying.

515
00:28:16,320 --> 00:28:21,639
Speaker 2: But that was like elite back then. I know, Philip

516
00:28:22,880 --> 00:28:27,400
Speaker 2: Fridays the jack damn you you got enjoy a jack

517
00:28:27,520 --> 00:28:28,760
Speaker 2: Damn you shrip or.

518
00:28:28,840 --> 00:28:33,240
Speaker 1: Steak chicken fingers.

519
00:28:34,560 --> 00:28:38,600
Speaker 2: Some Boston balket. You was that guy. None of that

520
00:28:38,640 --> 00:28:41,440
Speaker 2: should have worked today. That's why I got out the game.

521
00:28:44,960 --> 00:28:53,720
Speaker 1: That might not know what the fun that is used

522
00:28:53,760 --> 00:28:54,760
Speaker 1: to be paying you.

523
00:28:54,840 --> 00:28:59,680
Speaker 2: Yo, Boston was that ship. That's what I'm saying. I

524
00:28:59,720 --> 00:29:02,960
Speaker 2: couldn't even compete with a girl today. Like if I

525
00:29:03,080 --> 00:29:04,800
Speaker 2: just met a girl and be like, Yo, let's go

526
00:29:04,880 --> 00:29:07,640
Speaker 2: on the date, and she like, yeah, I want to

527
00:29:07,640 --> 00:29:08,320
Speaker 2: go to Ruth.

528
00:29:08,880 --> 00:29:11,240
Speaker 1: Like what the roof of my projects?

529
00:29:11,840 --> 00:29:16,600
Speaker 6: Not talking about Ruth print Yeah, Chris, We're gonna go

530
00:29:16,640 --> 00:29:21,880
Speaker 6: to Chris first date.

531
00:29:22,440 --> 00:29:28,600
Speaker 2: We're gonna go to see Ruth about.

532
00:29:37,400 --> 00:29:38,720
Speaker 1: Got it? Yo.

533
00:29:38,880 --> 00:29:42,240
Speaker 2: That's why I'm like, damn man, today it's different man,

534
00:29:42,520 --> 00:29:44,840
Speaker 2: like and my bugget or what's up?

535
00:29:45,680 --> 00:29:52,240
Speaker 1: Wow? Scammers man? Scammers? Oh man, I think the scammers

536
00:29:52,240 --> 00:29:52,480
Speaker 1: did it.

537
00:29:52,920 --> 00:29:54,920
Speaker 2: But think about that. If you take a joint now

538
00:29:54,960 --> 00:29:59,840
Speaker 2: in the peace stam I imagine being a scammer. You

539
00:30:00,040 --> 00:30:02,520
Speaker 2: take a joint out of your peace stole hit. Gotta

540
00:30:02,760 --> 00:30:07,960
Speaker 2: gotta run out of there immediately, the bathroom, Yo, that's

541
00:30:07,960 --> 00:30:18,160
Speaker 2: what they gotta need, the joint right getting. I gotta pee.

542
00:30:19,160 --> 00:30:21,680
Speaker 2: This piece ain't hit. I'm going to the bathroom, y'all.

543
00:30:22,160 --> 00:30:25,560
Speaker 2: Y'all scammers. And the grammar. The gram is bad, man, bro,

544
00:30:26,320 --> 00:30:27,240
Speaker 2: the gram is bad.

545
00:30:29,800 --> 00:30:31,200
Speaker 1: I think it's a given the courage world.

546
00:30:31,240 --> 00:30:33,400
Speaker 3: I agree with why you say that, because I feel

547
00:30:33,440 --> 00:30:36,200
Speaker 3: like you could you could literally you can have your talent,

548
00:30:36,680 --> 00:30:38,200
Speaker 3: you know what I mean, and and don't have no

549
00:30:38,280 --> 00:30:42,400
Speaker 3: connections to nothing. But you get you know, upload your

550
00:30:42,400 --> 00:30:45,360
Speaker 3: ship on internet, put it on the ground, keep you

551
00:30:45,360 --> 00:30:47,720
Speaker 3: know what I mean, create a following from that. It's

552
00:30:47,760 --> 00:30:50,720
Speaker 3: to the point where, like you don't even gotta really

553
00:30:50,760 --> 00:30:54,480
Speaker 3: be talented. You could just keep doing the same dumb

554
00:30:54,520 --> 00:30:57,960
Speaker 3: ship over and over and you're gonna get viewers, you know.

555
00:30:57,960 --> 00:30:58,480
Speaker 1: What I'm saying.

556
00:30:59,040 --> 00:31:02,000
Speaker 3: So I think in that space of getting whatever whatever

557
00:31:02,040 --> 00:31:04,280
Speaker 3: you think your talent is, getting it out to the world,

558
00:31:04,800 --> 00:31:05,200
Speaker 3: I think.

559
00:31:05,080 --> 00:31:07,720
Speaker 1: It's a good look. No, no, that's a fact. I think.

560
00:31:08,280 --> 00:31:08,560
Speaker 2: Uh.

561
00:31:09,360 --> 00:31:11,320
Speaker 1: The curse of it is.

562
00:31:13,360 --> 00:31:18,120
Speaker 3: Everybody is too familiar with everybody, so like like back

563
00:31:18,160 --> 00:31:21,040
Speaker 3: in the day, you couldn't you couldn't fucking DM bro.

564
00:31:21,080 --> 00:31:24,080
Speaker 1: I get mad dms from people. It's real ship. And

565
00:31:24,120 --> 00:31:25,120
Speaker 1: I'm not knocking to people.

566
00:31:25,120 --> 00:31:28,080
Speaker 3: I'm not gonna say nobody name, but I actually get

567
00:31:28,160 --> 00:31:31,400
Speaker 3: d MS from people that's telling me, yo, I'm about

568
00:31:31,400 --> 00:31:32,080
Speaker 3: to get evicted.

569
00:31:32,640 --> 00:31:33,760
Speaker 1: And these are people I don't know.

570
00:31:34,160 --> 00:31:39,560
Speaker 3: It's not family's a complete stranger.

571
00:31:40,280 --> 00:31:41,920
Speaker 1: So I had I'm telling my girl, I'm like, Yo,

572
00:31:42,080 --> 00:31:43,880
Speaker 1: what make up person? They like? Yo, they're shooting They

573
00:31:43,920 --> 00:31:45,600
Speaker 1: shot you might be one of the people that say,

574
00:31:45,640 --> 00:31:46,000
Speaker 1: all right.

575
00:31:46,000 --> 00:31:49,080
Speaker 2: Better fucking I got you, you know, but I get

576
00:31:49,160 --> 00:31:52,360
Speaker 2: DMS that saying I'm being evicted. It's me and my

577
00:31:53,120 --> 00:31:57,440
Speaker 2: eight month baby. The dad is in jail. I'm being

578
00:31:57,440 --> 00:31:59,200
Speaker 2: put out of it. Could you send me. I'm like,

579
00:32:00,200 --> 00:32:02,200
Speaker 2: y'all never got like back in the like you could

580
00:32:02,360 --> 00:32:03,880
Speaker 2: never just hit hole.

581
00:32:04,040 --> 00:32:06,800
Speaker 1: You couldn't just hits. You couldn't hit these dmax You

582
00:32:06,800 --> 00:32:10,640
Speaker 1: couldn't hit these people up. They through a message. No, no,

583
00:32:10,640 --> 00:32:14,160
Speaker 1: no fan clubs. We used to get the letters. Yeah,

584
00:32:15,680 --> 00:32:18,280
Speaker 1: the message is like you seriously hit me, just the

585
00:32:19,160 --> 00:32:21,800
Speaker 1: like the access. Motherfucker's got access to different.

586
00:32:21,840 --> 00:32:26,040
Speaker 2: Man, you know what I'm saying, wear your wear your

587
00:32:26,040 --> 00:32:28,440
Speaker 2: outfice more back then, Like, you know what I mean,

588
00:32:31,120 --> 00:32:31,800
Speaker 2: that's a fact.

589
00:32:31,960 --> 00:32:33,640
Speaker 1: You can wear that a few times yo. You know

590
00:32:33,680 --> 00:32:34,040
Speaker 1: what I mean.

591
00:32:34,120 --> 00:32:36,760
Speaker 2: Now, don't post it, yo, don't get caught in the

592
00:32:36,800 --> 00:32:39,960
Speaker 2: picture on the grim with it. Get it between the

593
00:32:40,680 --> 00:32:43,440
Speaker 2: in this fucking part. Oh, I don't got a closet

594
00:32:43,520 --> 00:32:47,040
Speaker 2: no more. My ship is crickets right now. It's like,

595
00:32:47,240 --> 00:32:48,320
Speaker 2: oh ship, I wore.

596
00:32:48,280 --> 00:32:48,960
Speaker 1: This on the part.

597
00:32:49,640 --> 00:32:52,080
Speaker 2: Damn I post this on the ground ship in your

598
00:32:52,080 --> 00:32:53,960
Speaker 2: conscience now you think about it be ship.

599
00:32:53,960 --> 00:32:56,040
Speaker 1: I'd be like, oh, I got these new feats and whatever,

600
00:32:56,040 --> 00:32:57,760
Speaker 1: and I'd be like, I had that on the video.

601
00:32:58,880 --> 00:32:59,680
Speaker 1: Can't wear that again.

602
00:33:00,000 --> 00:33:04,880
Speaker 2: I'm saying, see what I thought y'all would have changed that,

603
00:33:04,920 --> 00:33:06,200
Speaker 2: because that was some whack ship.

604
00:33:06,240 --> 00:33:09,320
Speaker 1: I felt like from our era we wore watch the video.

605
00:33:09,360 --> 00:33:11,440
Speaker 2: If the video ain't dropped yet, I'm wearing it again.

606
00:33:13,320 --> 00:33:16,360
Speaker 2: I'm put months between it. I can't go back to

607
00:33:16,520 --> 00:33:19,080
Speaker 2: back in the same I put some months. If it's

608
00:33:19,120 --> 00:33:22,000
Speaker 2: something that's like stand out, Yeah, yeah, certain.

609
00:33:21,680 --> 00:33:24,960
Speaker 3: Ship, I double up like jeans and should I do

610
00:33:25,040 --> 00:33:27,000
Speaker 3: that back to back? I don't care about that, But

611
00:33:27,120 --> 00:33:29,800
Speaker 3: certain pieces you know in your mind like yeah.

612
00:33:29,680 --> 00:33:30,200
Speaker 1: I can't do this.

613
00:33:31,480 --> 00:33:34,080
Speaker 3: Nigga's too you know what I mean, especially if Nigga's

614
00:33:34,080 --> 00:33:34,640
Speaker 3: talking about it.

615
00:33:35,200 --> 00:33:36,240
Speaker 1: Sweater was crazy.

616
00:33:36,840 --> 00:33:40,440
Speaker 3: You know it's over for that sweaterwa It's old for

617
00:33:40,480 --> 00:33:45,080
Speaker 3: that hoodie, that motherucking all that you can do with

618
00:33:45,120 --> 00:33:45,640
Speaker 3: a bankroll?

619
00:33:47,160 --> 00:33:49,920
Speaker 1: They talking about fucking weather.

620
00:33:50,200 --> 00:33:53,200
Speaker 2: One thing I commend y'all on, like I said before,

621
00:33:53,320 --> 00:33:57,560
Speaker 2: is you know the camaraderie do y'all think? What do

622
00:33:57,600 --> 00:33:59,880
Speaker 2: you think being from New York? What do you think

623
00:34:00,120 --> 00:34:03,640
Speaker 2: to take to get New York all on the same page,

624
00:34:03,760 --> 00:34:05,640
Speaker 2: Like you know what I mean, you think the city

625
00:34:05,680 --> 00:34:07,040
Speaker 2: could come together get money.

626
00:34:07,320 --> 00:34:08,680
Speaker 1: Like put it like this.

627
00:34:09,760 --> 00:34:11,759
Speaker 2: I was at a show with jeez one time, right,

628
00:34:11,800 --> 00:34:15,080
Speaker 2: shout out young Jeezy, Jezu my dog, and he said

629
00:34:15,120 --> 00:34:18,000
Speaker 2: the really shit to me. My nigga was like, yo, bleak.

630
00:34:18,719 --> 00:34:20,680
Speaker 2: A lot of niggas don't fuck with each other, but

631
00:34:20,760 --> 00:34:23,000
Speaker 2: you know the difference with us in the a He

632
00:34:23,120 --> 00:34:25,040
Speaker 2: was like, even if we don't like each other, we'll

633
00:34:25,040 --> 00:34:28,160
Speaker 2: come together get that bag after the bag is made

634
00:34:28,440 --> 00:34:30,120
Speaker 2: back to fuck you, but we're gonna.

635
00:34:29,920 --> 00:34:30,560
Speaker 1: Get that money.

636
00:34:30,719 --> 00:34:32,719
Speaker 2: We ain't gonna leave the money on the table, right,

637
00:34:32,920 --> 00:34:35,040
Speaker 2: And I feel like we need to pick that up.

638
00:34:35,160 --> 00:34:37,600
Speaker 1: And why do you think that's ever possible?

639
00:34:40,760 --> 00:34:41,000
Speaker 2: Mmm?

640
00:34:42,760 --> 00:34:45,160
Speaker 1: Yeah, and no, I think.

641
00:34:45,040 --> 00:34:49,080
Speaker 3: A New York nigga attitude is just different than the

642
00:34:49,160 --> 00:34:53,640
Speaker 3: average person. So a lot of times after ego go

643
00:34:53,800 --> 00:34:56,680
Speaker 3: getting away nine times out of ten.

644
00:34:56,880 --> 00:34:59,120
Speaker 1: You know what I'm saying. I'm not speaking me personally.

645
00:34:59,120 --> 00:35:01,279
Speaker 3: I don't have no problem working with anybody in New

646
00:35:01,360 --> 00:35:04,799
Speaker 3: York City, that's me, But I'm talking about as far

647
00:35:04,840 --> 00:35:09,319
Speaker 3: as as a whole, Like I think it takes more

648
00:35:09,360 --> 00:35:12,719
Speaker 3: of the top artists in the city to fuck with

649
00:35:12,719 --> 00:35:14,960
Speaker 3: the artists that they don't really got a name. I

650
00:35:14,960 --> 00:35:17,319
Speaker 3: think it takes more of that because you're gonna even saying,

651
00:35:17,400 --> 00:35:19,960
Speaker 3: you go to Atlanta and that's all you hear on

652
00:35:19,960 --> 00:35:22,359
Speaker 3: the radio, and you might not know who that artist is,

653
00:35:23,239 --> 00:35:25,560
Speaker 3: never heard of them, never seeing them, but they keep playing.

654
00:35:25,560 --> 00:35:29,040
Speaker 3: It's hot in Atlanta, that's right. And everybody with it,

655
00:35:29,120 --> 00:35:30,840
Speaker 3: you know what I'm saying, all the clubs with it.

656
00:35:30,880 --> 00:35:34,239
Speaker 3: The DJs that you come to New York and you

657
00:35:34,280 --> 00:35:36,359
Speaker 3: don't hear New York rate like I mean, no knock

658
00:35:36,680 --> 00:35:38,480
Speaker 3: to the radios or the DJs, but you're not really

659
00:35:38,680 --> 00:35:42,319
Speaker 3: it's like a certain hour you get to hear and

660
00:35:42,320 --> 00:35:45,279
Speaker 3: there's certain DJs that play the town, you know what

661
00:35:45,280 --> 00:35:45,560
Speaker 3: I mean.

662
00:35:45,600 --> 00:35:49,000
Speaker 2: So I feel like that I think it because you

663
00:35:49,080 --> 00:35:50,920
Speaker 2: know what I mean, a lot of the young boys

664
00:35:50,960 --> 00:35:53,480
Speaker 2: coming up, they don't fuck with the DJs, like, they

665
00:35:53,520 --> 00:35:56,120
Speaker 2: don't go to the parties mingle with the DJs because

666
00:35:56,120 --> 00:35:57,040
Speaker 2: they got their own loop.

667
00:35:57,040 --> 00:35:58,839
Speaker 1: They don't feel like they need them. They created their

668
00:35:58,880 --> 00:35:59,319
Speaker 1: own loop.

669
00:35:59,320 --> 00:36:02,680
Speaker 3: They got their own parties where it's lit, it's sold

670
00:36:02,680 --> 00:36:04,720
Speaker 3: out as pass the line around the corner.

671
00:36:05,360 --> 00:36:08,160
Speaker 2: So now that DJs gotta come to their party, they

672
00:36:08,800 --> 00:36:12,360
Speaker 2: to make that connection because you, like I said before,

673
00:36:12,400 --> 00:36:13,600
Speaker 2: you need radio man.

674
00:36:13,800 --> 00:36:16,200
Speaker 1: And I feel like there's.

675
00:36:16,040 --> 00:36:19,080
Speaker 2: So much money on the table if niggas want to

676
00:36:19,080 --> 00:36:21,200
Speaker 2: be rich like they say, they all like they dream

677
00:36:21,280 --> 00:36:25,080
Speaker 2: they are. You only better, You're only stronger together, So

678
00:36:25,480 --> 00:36:28,120
Speaker 2: we can't win the war by itself. Same thing in Philly,

679
00:36:28,160 --> 00:36:31,000
Speaker 2: My gee, I got so much talent in Philly, and

680
00:36:31,040 --> 00:36:34,360
Speaker 2: I always felt like Philly shouldn't have been as difficult

681
00:36:34,400 --> 00:36:35,920
Speaker 2: as New York because it's small.

682
00:36:36,000 --> 00:36:36,280
Speaker 1: Small.

683
00:36:36,440 --> 00:36:38,760
Speaker 2: Yeah, you know what I'm saying. New York, we fucked

684
00:36:38,880 --> 00:36:42,000
Speaker 2: every borough is probably the sides of Philly. What I'm saying,

685
00:36:42,239 --> 00:36:45,000
Speaker 2: real talk. But y'all segregated like New York, you know

686
00:36:45,040 --> 00:36:52,000
Speaker 2: what I mean, made it tougher town. You know what

687
00:36:52,000 --> 00:36:55,000
Speaker 2: I mean, It's only a select group and get on

688
00:36:55,080 --> 00:37:00,600
Speaker 2: out of that. I feel like more chill. I feel

689
00:37:00,680 --> 00:37:04,759
Speaker 2: like y'all know state property. Y'all made the biggest impact coming.

690
00:37:04,520 --> 00:37:07,640
Speaker 1: Out of phil and we covered every part of the city.

691
00:37:08,680 --> 00:37:12,160
Speaker 2: Each y'all was from you, each part of the city. Yeah,

692
00:37:12,400 --> 00:37:16,879
Speaker 2: like I feel like y'all. That's why everybody that comes

693
00:37:16,880 --> 00:37:18,879
Speaker 2: through Philly, they gotta grab one of y'all to come

694
00:37:18,880 --> 00:37:19,600
Speaker 2: out on stage.

695
00:37:20,239 --> 00:37:25,120
Speaker 1: You free thing, you know, what I mean. I just

696
00:37:25,160 --> 00:37:26,360
Speaker 1: had sparks up here.

697
00:37:26,239 --> 00:37:33,160
Speaker 2: Too, man, And that's what I'm saying. Like, even from

698
00:37:33,200 --> 00:37:36,160
Speaker 2: you being from New York, mans, so many fucking spinners

699
00:37:36,160 --> 00:37:38,800
Speaker 2: out of New York just to fucking make your impact

700
00:37:38,880 --> 00:37:43,160
Speaker 2: that you did, Bro, you gotta feel like yeah, like Bro,

701
00:37:43,320 --> 00:37:47,600
Speaker 2: it's since I still ask myself.

702
00:37:47,600 --> 00:37:51,399
Speaker 3: That's sometimes I still don't what I did, the work

703
00:37:51,440 --> 00:37:53,960
Speaker 3: I put in, But sometimes I'd be like this, Wow,

704
00:37:54,120 --> 00:37:55,400
Speaker 3: niggas nicer than me.

705
00:37:56,080 --> 00:37:57,399
Speaker 1: It's niggas that.

706
00:37:57,560 --> 00:38:01,440
Speaker 3: Never got that light, never got that And I can

707
00:38:01,480 --> 00:38:03,560
Speaker 3: still pull up on him in the and they still.

708
00:38:03,320 --> 00:38:08,279
Speaker 1: Got a thousand balls for me on the spot. Some

709
00:38:08,400 --> 00:38:14,279
Speaker 1: new ship. Yeah, everything today well not just you know,

710
00:38:14,480 --> 00:38:15,560
Speaker 1: I can't just rap no more.

711
00:38:15,560 --> 00:38:18,799
Speaker 2: I feel like I came in just rapping, but I

712
00:38:18,920 --> 00:38:23,440
Speaker 2: learned quick getting the gym, making image a certain way

713
00:38:23,480 --> 00:38:26,200
Speaker 2: where they seeing you now it's just a rapper, you

714
00:38:26,280 --> 00:38:26,680
Speaker 2: know what I mean?

715
00:38:26,760 --> 00:38:29,400
Speaker 3: Like, stop drinking and get off the line, Get off this.

716
00:38:29,560 --> 00:38:32,440
Speaker 3: Get I stopped. I got my ship together because I

717
00:38:32,480 --> 00:38:34,920
Speaker 3: start peeping. I'm about to be in a light, bro,

718
00:38:35,000 --> 00:38:36,960
Speaker 3: I'm about to be Cameras is about to be on me.

719
00:38:37,560 --> 00:38:40,000
Speaker 3: I don't want to look up on these cameras that's right.

720
00:38:40,040 --> 00:38:46,040
Speaker 3: You know what I'm saying. I never wanted to that

721
00:38:46,440 --> 00:38:49,920
Speaker 3: to make a mother fucking judge you in the wrong way.

722
00:38:50,280 --> 00:38:50,879
Speaker 1: I mean it be.

723
00:38:50,880 --> 00:38:53,640
Speaker 3: Somebody that you might be intelligent as a motherfucker. Somebody

724
00:38:53,719 --> 00:38:57,400
Speaker 3: see that one ship like that. Niggas a bozo.

725
00:38:58,239 --> 00:39:01,040
Speaker 1: I cuts down for that guy. Wanta be that guning them.

726
00:39:01,120 --> 00:39:05,840
Speaker 1: Used to be tripping to come out from with the wash.

727
00:39:08,800 --> 00:39:10,440
Speaker 1: Used to be looking at these niggas and.

728
00:39:10,440 --> 00:39:13,680
Speaker 4: We come for city where niggas drinking straight. When I

729
00:39:13,760 --> 00:39:15,719
Speaker 4: seen niggas mixing it, that was new to us.

730
00:39:15,800 --> 00:39:18,799
Speaker 1: Like you know what I'm saying. I know, I know

731
00:39:19,000 --> 00:39:20,080
Speaker 1: Texas is known for.

732
00:39:20,280 --> 00:39:23,680
Speaker 3: But the first time I see lean in the city

733
00:39:23,960 --> 00:39:26,759
Speaker 3: and it was in Little Jaws, it was not mixing.

734
00:39:26,800 --> 00:39:30,759
Speaker 1: That ship was soda. Nothing to the first time I

735
00:39:30,840 --> 00:39:33,040
Speaker 1: ever seen it. You feel meo. These niggas used to

736
00:39:33,040 --> 00:39:34,719
Speaker 1: be shipped on the tour bus.

737
00:39:34,920 --> 00:39:38,440
Speaker 2: Roused to hate these niggas. We used to go to

738
00:39:38,480 --> 00:39:41,719
Speaker 2: the show, go to the after niggas. One of our

739
00:39:41,800 --> 00:39:43,600
Speaker 2: niggas function on live.

740
00:39:44,600 --> 00:39:49,040
Speaker 1: Get record, because then your body know it. Get on

741
00:39:49,080 --> 00:39:49,719
Speaker 1: the cours.

742
00:39:49,800 --> 00:39:55,840
Speaker 2: These niggas especially c come on chill, M no, not

743
00:39:56,040 --> 00:39:59,600
Speaker 2: right now, you know you.

744
00:40:01,080 --> 00:40:01,640
Speaker 1: Bro we had.

745
00:40:01,640 --> 00:40:06,800
Speaker 2: The busier guys used to come fuck with niggas.

746
00:40:06,960 --> 00:40:13,120
Speaker 1: That's all season that you draw, not right down e draw.

747
00:40:16,520 --> 00:40:19,960
Speaker 2: I'm telling you the niggas, Nabby, the only one who

748
00:40:20,040 --> 00:40:22,920
Speaker 2: was up with me was free him, Beads and him

749
00:40:22,920 --> 00:40:24,160
Speaker 2: in the back of the bus.

750
00:40:24,239 --> 00:40:28,880
Speaker 1: Dad like niggas just filmed scar Face eight. Let she

751
00:40:29,000 --> 00:40:32,080
Speaker 1: have a nigga walking zombie. No, that's a fact, bro boy.

752
00:40:32,200 --> 00:40:34,440
Speaker 1: I'm glad both of youall niggas you know, was able

753
00:40:34,480 --> 00:40:36,000
Speaker 1: to that.

754
00:40:36,200 --> 00:40:40,080
Speaker 2: You know I will lay that's a fact, man, because

755
00:40:40,120 --> 00:40:42,040
Speaker 2: these young boys is wilent.

756
00:40:42,239 --> 00:40:46,080
Speaker 1: Nigga's crazy wild. It's the drugs that win so far.

757
00:40:46,239 --> 00:40:50,719
Speaker 2: Man, it's is insane man like no maount like weed

758
00:40:50,760 --> 00:40:52,120
Speaker 2: and liquor always been my vice.

759
00:40:52,200 --> 00:40:54,520
Speaker 1: I feel like, ain't no higher than high. I don't

760
00:40:54,520 --> 00:40:59,759
Speaker 1: want to sky dive. I won't get higher. I can't

761
00:40:59,760 --> 00:41:04,000
Speaker 1: come back. Sometimes you can't come back. That's a fact.

762
00:41:03,600 --> 00:41:05,839
Speaker 2: I ain't gonna say a nigga name, But we had

763
00:41:05,840 --> 00:41:07,720
Speaker 2: a nigga.

764
00:41:06,960 --> 00:41:09,560
Speaker 1: Before it was cool. They make the ship cool like that.

765
00:41:09,560 --> 00:41:12,000
Speaker 1: That's what I'm saying. That's why nigga start dropping.

766
00:41:12,800 --> 00:41:16,600
Speaker 2: We had a nigga that that what you said, you

767
00:41:16,640 --> 00:41:18,080
Speaker 2: get high and can't come back.

768
00:41:18,400 --> 00:41:20,160
Speaker 1: I know a nigga was fucking with you know what

769
00:41:20,160 --> 00:41:21,160
Speaker 1: I mean? What was them ships?

770
00:41:21,160 --> 00:41:23,040
Speaker 2: They used to put it on their tongue paws and

771
00:41:23,680 --> 00:41:25,080
Speaker 2: I think, don't I don't know what.

772
00:41:26,680 --> 00:41:30,239
Speaker 1: The yeah ship?

773
00:41:30,360 --> 00:41:37,359
Speaker 2: Yeah, something though going on. Nigga was starting chase level.

774
00:41:37,520 --> 00:41:39,880
Speaker 2: Fuck the dog chase you. He chased dogs.

775
00:41:40,640 --> 00:41:45,799
Speaker 1: He was a dog all that. I'm telling you. He

776
00:41:45,880 --> 00:41:47,640
Speaker 1: never came back bro with.

777
00:41:47,600 --> 00:41:50,680
Speaker 3: The shrooms like before, like and I feel like the

778
00:41:50,760 --> 00:41:56,560
Speaker 3: shrooms like the shrooms kind of the effect of acid,

779
00:41:57,080 --> 00:41:58,359
Speaker 3: but they don't fry you out.

780
00:41:58,640 --> 00:42:01,399
Speaker 2: You ain't never lose a limb on shrews before, right

781
00:42:02,000 --> 00:42:04,560
Speaker 2: because brad Man lost his feet, Nigga being the matrix.

782
00:42:04,800 --> 00:42:07,080
Speaker 2: But I've seen some ship off it. I definitely didn't, like,

783
00:42:08,200 --> 00:42:13,040
Speaker 2: definitely hallucinated. They had to hard. Not brad Man lost

784
00:42:13,040 --> 00:42:15,480
Speaker 2: his feet, Nigga shrews.

785
00:42:16,280 --> 00:42:20,640
Speaker 1: I lost my feet. I got no feet. That's why

786
00:42:20,640 --> 00:42:23,520
Speaker 1: I knew that. Yeah, that's why I knew.

787
00:42:23,719 --> 00:42:34,879
Speaker 2: I never take that, like, Yo.

788
00:42:34,840 --> 00:42:38,719
Speaker 1: That wouldn't me. Don't do that together. I ain't saying

789
00:42:38,719 --> 00:42:41,640
Speaker 1: you take them off jail. I ain't saying you chill

790
00:42:42,040 --> 00:42:42,560
Speaker 1: your word.

791
00:42:42,680 --> 00:42:42,839
Speaker 2: Man.

792
00:42:42,840 --> 00:42:45,839
Speaker 1: It was a bad mister x Era. Yo.

793
00:42:46,560 --> 00:42:48,799
Speaker 2: I never took it, man, Mi the ex era, I

794
00:42:48,840 --> 00:42:51,080
Speaker 2: never fun with it. That's what I'm saying. Man, don't

795
00:42:51,160 --> 00:42:52,319
Speaker 2: don't say was I.

796
00:42:52,239 --> 00:42:53,920
Speaker 3: Was a younger now, I was a younger when the

797
00:42:54,040 --> 00:42:57,600
Speaker 3: X was rocking because outside it was Miley.

798
00:42:58,880 --> 00:43:00,799
Speaker 2: Yeah, but I knew a nigga who took mad acts.

799
00:43:00,880 --> 00:43:04,640
Speaker 2: That that nigga study with Stanley. Now, yeah, you can't

800
00:43:04,640 --> 00:43:07,960
Speaker 2: talk say a straight sentence. Ship crazy now.

801
00:43:08,239 --> 00:43:10,479
Speaker 1: Pill to me, a pill is never the vibe because

802
00:43:10,520 --> 00:43:12,320
Speaker 1: I feel like you can't control do what it do?

803
00:43:12,480 --> 00:43:14,960
Speaker 1: Want you take it? Yeah, you can't tell the pill chill.

804
00:43:15,040 --> 00:43:19,719
Speaker 1: I'm high, Like stop, you can't. You can't stop it. Yeah,

805
00:43:20,040 --> 00:43:24,960
Speaker 1: you can't be like pill. That's enough. That ships still going,

806
00:43:25,640 --> 00:43:28,439
Speaker 1: that in motion, that ship doing what it does.

807
00:43:28,480 --> 00:43:34,920
Speaker 2: That's why that ship doing what it doster.

808
00:43:35,719 --> 00:43:36,359
Speaker 1: You can't stop.

809
00:43:36,400 --> 00:43:39,640
Speaker 2: You gotta get by yourself somewhere, like get me out here, bro,

810
00:43:41,280 --> 00:43:43,160
Speaker 2: I don't watch Pill whooping it as.

811
00:43:45,000 --> 00:43:49,640
Speaker 1: Whoop pill and whoop mine. Yeah, aything you can stop.

812
00:43:49,680 --> 00:43:51,920
Speaker 3: You can be like all right, I drunk enough, smoked enough,

813
00:43:51,960 --> 00:43:52,959
Speaker 3: I can put the blood down.

814
00:43:53,719 --> 00:43:56,960
Speaker 1: That pill is in motion, that ship keep going. That's

815
00:43:57,040 --> 00:44:00,360
Speaker 1: your night going on, your dam roller coaster, that whatever

816
00:44:00,440 --> 00:44:03,160
Speaker 1: going on you're like, oh, this is still ya.

817
00:44:04,120 --> 00:44:08,040
Speaker 2: Ship was different, man, Ship was different than pills. Has

818
00:44:08,120 --> 00:44:09,200
Speaker 2: never been my vice.

819
00:44:09,239 --> 00:44:19,680
Speaker 1: Man. These niggas like I take a talent, I take

820
00:44:19,719 --> 00:44:24,120
Speaker 1: a perking fuck your bitch, like I take a perk.

821
00:44:24,200 --> 00:44:32,799
Speaker 1: I'm falling asleep on that bench. Robbed me. I took

822
00:44:32,800 --> 00:44:36,879
Speaker 1: a perk. Yo, that's the new ship too.

823
00:44:36,920 --> 00:44:39,840
Speaker 2: You gotta be careful with these bitches out here drugging

824
00:44:39,840 --> 00:44:40,880
Speaker 2: and robbing niggas.

825
00:44:41,120 --> 00:44:46,640
Speaker 1: I know two victims. Yeah the white yo yo yo yo. Oh,

826
00:44:46,680 --> 00:44:49,239
Speaker 1: I wanted to ask you that. God, I heard it.

827
00:44:49,320 --> 00:44:52,480
Speaker 2: I heard it off the back niggas through the way

828
00:44:52,719 --> 00:44:59,960
Speaker 2: after you. How you feel being considered the original first

829
00:45:00,200 --> 00:45:03,640
Speaker 2: yn Yo? I've seen that video they call you the first,

830
00:45:03,680 --> 00:45:08,680
Speaker 2: and I'm gonna tell niggas whoever post that video five, Yeah,

831
00:45:08,680 --> 00:45:13,560
Speaker 2: you are so bullshit because coming only bleak though, that

832
00:45:14,120 --> 00:45:17,239
Speaker 2: was Yeah, that was that was reckless bleak.

833
00:45:17,400 --> 00:45:19,799
Speaker 1: Not standing on that. You're not the original, you not,

834
00:45:19,960 --> 00:45:20,759
Speaker 1: that's the same ship.

835
00:45:21,280 --> 00:45:23,680
Speaker 2: I'm a stand on. We was outside. We ain't give

836
00:45:23,680 --> 00:45:25,960
Speaker 2: a fuck. But I'm not gonna stand on the message

837
00:45:25,960 --> 00:45:26,479
Speaker 2: of that video.

838
00:45:26,520 --> 00:45:29,279
Speaker 3: If they had the yn og Awards and they and

839
00:45:29,320 --> 00:45:31,759
Speaker 3: they oh yeah we in there, You're gonna get the

840
00:45:32,120 --> 00:45:32,560
Speaker 3: get the win.

841
00:45:33,600 --> 00:45:35,840
Speaker 2: I go get it because I was the youngest nigga

842
00:45:35,880 --> 00:45:38,640
Speaker 2: performing in the tunnel, used to be in the skate

843
00:45:38,760 --> 00:45:43,319
Speaker 2: key Empire, sixteen years old. Myth bleak is shutting it

844
00:45:43,400 --> 00:45:46,200
Speaker 2: down like I think I wasn't even old enough to

845
00:45:46,200 --> 00:45:49,200
Speaker 2: be in the tunnel. I'm in there like seventeen, eighteen

846
00:45:49,320 --> 00:45:52,680
Speaker 2: years old. Let's get it, you feel me. So we

847
00:45:52,719 --> 00:45:57,640
Speaker 2: was outside first, Like, but that video that's circulating, I'm

848
00:45:57,719 --> 00:46:05,920
Speaker 2: be honest, true life gass me. Yeah, shout out Lindsey

849
00:46:05,960 --> 00:46:09,200
Speaker 2: the kid. Lindsey was outside blogging, so I'm looking at

850
00:46:09,320 --> 00:46:12,319
Speaker 2: him like yeah, yeah, yeah, that's how we do it.

851
00:46:12,360 --> 00:46:14,680
Speaker 2: Fuck these niggas, nigga fuck So.

852
00:46:14,719 --> 00:46:22,240
Speaker 1: I went crazy Lindsey. It was his fault Hard Knocked

853
00:46:22,280 --> 00:46:22,680
Speaker 1: Life tour.

854
00:46:22,760 --> 00:46:27,080
Speaker 2: I was about what eighteen hard knocked Yeah, eighteen on

855
00:46:27,160 --> 00:46:31,720
Speaker 2: the nineteen, and that tour was wicked because y'all niggas

856
00:46:31,760 --> 00:46:32,520
Speaker 2: had it easy.

857
00:46:33,080 --> 00:46:35,440
Speaker 1: When y'all started coming on tour. You was able to

858
00:46:35,480 --> 00:46:38,759
Speaker 1: bring your homemades. You this my man, my man, and

859
00:46:38,880 --> 00:46:39,880
Speaker 1: your this that me.

860
00:46:41,640 --> 00:46:43,719
Speaker 2: You only can bring one nigga, bleek. That's why I

861
00:46:43,719 --> 00:46:47,400
Speaker 2: ain't got no friends. See this is that talk. This

862
00:46:47,480 --> 00:46:51,279
Speaker 2: is the reason why niggas don't fuck with me. Yeah,

863
00:46:51,320 --> 00:46:54,000
Speaker 2: from that shit still affect this day today.

864
00:46:54,640 --> 00:46:56,239
Speaker 1: I go to the hood, niggas.

865
00:46:55,880 --> 00:46:58,560
Speaker 2: Like you laughing me, nigga still watch this fuck I

866
00:46:58,560 --> 00:47:01,279
Speaker 2: don't fuck with that nigga her me on tour, he

867
00:47:01,360 --> 00:47:02,040
Speaker 2: picked me out.

868
00:47:02,080 --> 00:47:09,480
Speaker 1: It was the nineties, yo hot. They really mad like

869
00:47:11,480 --> 00:47:15,759
Speaker 1: bring me yo.

870
00:47:16,719 --> 00:47:19,240
Speaker 2: We was jumping out of caves on that tour. See

871
00:47:20,000 --> 00:47:23,520
Speaker 2: running from the caves like we was popped. Like this

872
00:47:23,600 --> 00:47:26,000
Speaker 2: is what I mean is this is why y'all niggas

873
00:47:26,000 --> 00:47:29,600
Speaker 2: gotta thank social media because we didn't have none of that.

874
00:47:29,880 --> 00:47:31,960
Speaker 2: You know how we had to go find the weed

875
00:47:32,040 --> 00:47:34,640
Speaker 2: on the Hard Knocked Life tour. We had to go

876
00:47:34,680 --> 00:47:37,760
Speaker 2: to the mall and look for a nigga who looked

877
00:47:37,800 --> 00:47:41,560
Speaker 2: like us, yeah, and then you run down on him

878
00:47:41,600 --> 00:47:43,480
Speaker 2: like yo, fare without we out here on tour.

879
00:47:43,560 --> 00:47:43,960
Speaker 1: We need that.

880
00:47:44,800 --> 00:47:47,879
Speaker 2: Just imagine you do that today, nigga clapping you fuck

881
00:47:47,960 --> 00:47:50,839
Speaker 2: you mean I got the wi you police bang dad

882
00:47:50,920 --> 00:47:55,000
Speaker 2: Now back then, that's how we had to find the weed.

883
00:47:56,000 --> 00:48:00,319
Speaker 2: And no bullshit. Literally damn near every nigga ever met

884
00:48:00,400 --> 00:48:02,480
Speaker 2: them all and bought weed from still my man to

885
00:48:02,560 --> 00:48:03,360
Speaker 2: this day.

886
00:48:03,719 --> 00:48:06,400
Speaker 1: Oh god, Now nigga get twenty d ms before you

887
00:48:06,440 --> 00:48:10,520
Speaker 1: get to that city. Yeah, I got it, I got it.

888
00:48:10,760 --> 00:48:14,160
Speaker 1: I'm gonna meet you here, meet you, and I got

889
00:48:14,160 --> 00:48:19,279
Speaker 1: some smoke. Bro kind of crazy as I feel like

890
00:48:19,360 --> 00:48:24,600
Speaker 1: we now it's wave, It's wave. Are they it wasn't.

891
00:48:24,920 --> 00:48:26,840
Speaker 3: I feel like it always was probably man we but

892
00:48:26,840 --> 00:48:28,560
Speaker 3: it didn't feel like it was man. We feel like

893
00:48:28,600 --> 00:48:30,440
Speaker 3: you can get certain weed from certain you can go

894
00:48:30,480 --> 00:48:32,279
Speaker 3: to uptown with the dykman get certain bud.

895
00:48:32,520 --> 00:48:37,120
Speaker 2: I'm gonna tell you. I mean it's because it gave

896
00:48:37,160 --> 00:48:39,960
Speaker 2: out so many licenses. You know, I'm in the game now,

897
00:48:40,160 --> 00:48:42,839
Speaker 2: so I see what's going on. All the licenses they

898
00:48:42,880 --> 00:48:48,719
Speaker 2: gave out from Canada. Fucking uh coloradoody know. Yeah, So

899
00:48:48,760 --> 00:48:51,040
Speaker 2: they growing and then in a lot of these cities

900
00:48:51,080 --> 00:48:53,040
Speaker 2: and a lot of these states that they growing the weed.

901
00:48:53,719 --> 00:48:56,200
Speaker 1: The price of a pound is so cheap. So once

902
00:48:56,239 --> 00:48:58,879
Speaker 1: they feel figure out, hold on. It cost me three

903
00:48:59,000 --> 00:49:01,879
Speaker 1: hundred the greatest pound, and I'm selling it for six

904
00:49:01,960 --> 00:49:04,880
Speaker 1: hundred dollars and I could sell the same pound for

905
00:49:04,960 --> 00:49:07,240
Speaker 1: two thousand in New York. I send all this ship

906
00:49:07,239 --> 00:49:09,120
Speaker 1: to New York. So that's what happened.

907
00:49:09,120 --> 00:49:11,440
Speaker 2: How to how the streets is just so flooded with

908
00:49:11,520 --> 00:49:16,000
Speaker 2: so much weed from Kentucky everywhere. They don''t even flying

909
00:49:16,040 --> 00:49:20,879
Speaker 2: the wheel without it. But now now when I get this, somebody, yeah,

910
00:49:21,040 --> 00:49:21,640
Speaker 2: that's a fact.

911
00:49:21,960 --> 00:49:25,080
Speaker 3: Only places I ain't gonna make at nod, gad gay.

912
00:49:25,400 --> 00:49:29,520
Speaker 3: When I take my little my vacations and ship, when

913
00:49:29,560 --> 00:49:31,200
Speaker 3: I go to the islands and sh like that, I break.

914
00:49:31,239 --> 00:49:33,320
Speaker 3: I'm bringing that with you everywhere I go because I

915
00:49:33,320 --> 00:49:34,560
Speaker 3: don't really know when I get over.

916
00:49:34,600 --> 00:49:38,560
Speaker 1: It depends on what islands.

917
00:49:38,600 --> 00:49:43,080
Speaker 3: I got you plugged not I I'm beajing like you mean,

918
00:49:43,120 --> 00:49:45,080
Speaker 3: I got fair that's out there and all that. But

919
00:49:45,960 --> 00:49:48,040
Speaker 3: a lot of times it'd be like, you know what

920
00:49:48,040 --> 00:49:50,920
Speaker 3: I mean, I like to bring that gas.

921
00:49:51,080 --> 00:49:51,879
Speaker 1: You get what I'm saying.

922
00:49:51,920 --> 00:49:55,600
Speaker 2: I ain't gonna start over if you're going overseas Like me, Bro,

923
00:49:55,680 --> 00:49:58,920
Speaker 2: I did so much footwork because I always watch my

924
00:49:59,080 --> 00:50:02,080
Speaker 2: crew behind velvet rope, and I used to be like, nah,

925
00:50:02,160 --> 00:50:04,320
Speaker 2: I'm going over here, let me see what is really

926
00:50:04,360 --> 00:50:07,600
Speaker 2: out like outside. So Bro, don't give a fuck if

927
00:50:07,600 --> 00:50:15,080
Speaker 2: you in Africa or Finland, hit me, oh it's there now,

928
00:50:15,080 --> 00:50:17,920
Speaker 2: you know global man, Like you know.

929
00:50:17,920 --> 00:50:18,359
Speaker 1: What I mean?

930
00:50:19,280 --> 00:50:22,320
Speaker 2: Like Boogie and Them. He Boogie and Them was in Paris.

931
00:50:22,880 --> 00:50:25,439
Speaker 2: They hit my little man. Nigga called me, was like, yo, bleek,

932
00:50:25,480 --> 00:50:27,279
Speaker 2: you know somebody here, Yes, I do. I got you,

933
00:50:27,800 --> 00:50:30,600
Speaker 2: took care of them. My little man was just in Egypt.

934
00:50:31,640 --> 00:50:34,040
Speaker 2: It was like, your bleak, I need a plug. It's like,

935
00:50:34,080 --> 00:50:36,759
Speaker 2: I got you that, Nigga said. He came home and said, Yo,

936
00:50:36,840 --> 00:50:39,160
Speaker 2: I'm never gonna tell no you the You're the greatest

937
00:50:39,160 --> 00:50:39,839
Speaker 2: plug in the world.

938
00:50:39,840 --> 00:50:43,000
Speaker 1: You got Egypt, my nigga, I don't care where you go.

939
00:50:43,560 --> 00:50:45,359
Speaker 1: I was in the States. I just called you two

940
00:50:45,360 --> 00:50:48,279
Speaker 1: weeks ago. I got you. Now Egypt got it? Yeah,

941
00:50:48,320 --> 00:50:53,080
Speaker 1: he was in the oh. Yeah, Like just get past that, Like, yeah,

942
00:50:53,400 --> 00:50:56,960
Speaker 1: Egypt is crazy. That's what I'm telling you, bro. Right now,

943
00:50:58,400 --> 00:50:59,799
Speaker 1: I don't care where you go.

944
00:51:00,960 --> 00:51:05,440
Speaker 2: I got you broke Finland, Africa, New Zealand.

945
00:51:07,000 --> 00:51:08,279
Speaker 1: Wait, hold on, we're gonna get to that.

946
00:51:08,360 --> 00:51:13,160
Speaker 2: But listen, Finland, Africa, New Zealand. I don't give a

947
00:51:13,200 --> 00:51:16,040
Speaker 2: fuck what part of the globe you laying, bro. I

948
00:51:16,160 --> 00:51:18,200
Speaker 2: just had family in Santorini.

949
00:51:18,440 --> 00:51:19,040
Speaker 1: She hit me.

950
00:51:19,719 --> 00:51:21,680
Speaker 2: She said, I said, were you at Sint Terini, Greece?

951
00:51:21,760 --> 00:51:23,000
Speaker 2: She was like yeah, It's like all right, give me

952
00:51:23,000 --> 00:51:28,040
Speaker 2: ten minutes. Got the plug there? Done, listen, Blizzle, he

953
00:51:28,120 --> 00:51:30,720
Speaker 2: was everywhere for sure. You know what I'm saying, Blizzle.

954
00:51:30,760 --> 00:51:33,319
Speaker 2: It's like I'm to connect, just like y'all was on

955
00:51:33,360 --> 00:51:34,840
Speaker 2: the song Casino man.

956
00:51:34,719 --> 00:51:37,360
Speaker 1: Said, the earth is my turf. Yo anywhere, I'm the

957
00:51:37,400 --> 00:51:38,000
Speaker 1: plug man.

958
00:51:38,239 --> 00:51:41,520
Speaker 2: But yo, the song Casino, y'all niggas went fucking dumb man.

959
00:51:41,840 --> 00:51:45,239
Speaker 1: How is that? You know? Oh? Yeah, I record, we

960
00:51:45,239 --> 00:51:46,000
Speaker 1: was in there together.

961
00:51:46,680 --> 00:51:49,279
Speaker 4: See when we're in there and we'll be cooking about

962
00:51:49,320 --> 00:51:50,600
Speaker 4: three at least three.

963
00:51:50,400 --> 00:51:53,520
Speaker 2: So y'all got left over. So from find downa y'all

964
00:51:53,560 --> 00:51:54,280
Speaker 2: got left over.

965
00:51:55,920 --> 00:52:00,839
Speaker 1: Everything like that like that, Ye.

966
00:52:06,040 --> 00:52:06,600
Speaker 2: Give him the.

967
00:52:09,120 --> 00:52:12,040
Speaker 1: Definitely got left They got to get.

968
00:52:11,880 --> 00:52:20,560
Speaker 2: The left over whole number were already no a yeah.

969
00:52:21,840 --> 00:52:24,720
Speaker 3: But now Casino, I feel like that's you know, we flipped.

970
00:52:25,120 --> 00:52:31,839
Speaker 3: That's that's that's classic classic. Just to even with that beat.

971
00:52:31,920 --> 00:52:34,520
Speaker 1: For me, when when that ship was on and the sip,

972
00:52:34,600 --> 00:52:36,640
Speaker 1: it just took you back. It's just nostalgic.

973
00:52:37,480 --> 00:52:39,759
Speaker 4: And that's why even when I came with the verse

974
00:52:40,280 --> 00:52:43,799
Speaker 4: almost like the delivery, I was thinking about the record, the.

975
00:52:44,280 --> 00:52:46,759
Speaker 1: Record, yeah yeah, and that's why my delivery like that

976
00:52:46,800 --> 00:52:47,359
Speaker 1: ain't in front.

977
00:52:47,440 --> 00:52:50,200
Speaker 2: They tried to steal a z he from Brooklyn nigga

978
00:52:50,600 --> 00:52:57,160
Speaker 2: stopped by, Yo, my man, let's bring up my man

979
00:52:57,239 --> 00:52:59,160
Speaker 2: b G real quick though, Miami.

980
00:52:59,520 --> 00:53:02,880
Speaker 1: That niggas say, Yo, bleak you interview in nas protege

981
00:53:02,920 --> 00:53:05,279
Speaker 1: if you was young like him talking that no ship,

982
00:53:05,360 --> 00:53:06,000
Speaker 1: y'all have beat?

983
00:53:09,600 --> 00:53:14,960
Speaker 2: He was yo first, right now, that's some ship.

984
00:53:15,320 --> 00:53:18,279
Speaker 1: I was like at the time.

985
00:53:18,440 --> 00:53:21,120
Speaker 2: Yeah, depending on the year, that might have been like, man,

986
00:53:21,160 --> 00:53:24,040
Speaker 2: I ain't doing man, you.

987
00:53:24,040 --> 00:53:24,800
Speaker 1: Know what's crazy?

988
00:53:24,880 --> 00:53:27,520
Speaker 2: Right? I was telling Norri right because NOI was like, Yo,

989
00:53:27,880 --> 00:53:29,440
Speaker 2: who you think you want to interview?

990
00:53:29,520 --> 00:53:31,160
Speaker 1: Like who would your dream interview be?

991
00:53:31,360 --> 00:53:33,080
Speaker 2: So I told him, Yo, I would love to sit

992
00:53:33,160 --> 00:53:36,120
Speaker 2: down and talk to Nis, right, because I wanted to

993
00:53:36,120 --> 00:53:38,200
Speaker 2: ask him, right because one of the little homies from

994
00:53:38,200 --> 00:53:40,759
Speaker 2: my projects, my man, the one who called me and

995
00:53:40,800 --> 00:53:43,759
Speaker 2: told me your son dissing you on this track, and

996
00:53:43,760 --> 00:53:46,200
Speaker 2: that's what made me go at him. So I said

997
00:53:46,239 --> 00:53:48,680
Speaker 2: to Norri, Imagine I sit there and I asked the

998
00:53:48,760 --> 00:53:51,719
Speaker 2: nigga your son on this record, like, Yo, was you

999
00:53:51,840 --> 00:53:57,520
Speaker 2: talking about me? And he like, nah, your whole ship.

1000
00:53:57,680 --> 00:54:02,640
Speaker 2: I mean I started smoke for nothing talking about you, right, Yeah,

1001
00:54:02,680 --> 00:54:03,120
Speaker 2: that'd be.

1002
00:54:03,080 --> 00:54:04,640
Speaker 1: Some crazy ship nigga.

1003
00:54:04,680 --> 00:54:07,160
Speaker 2: That niggas would be like bleep, he made a good

1004
00:54:07,200 --> 00:54:09,200
Speaker 2: time and hippie, but he fucked up dog.

1005
00:54:11,080 --> 00:54:12,600
Speaker 1: Like, So what was that like?

1006
00:54:12,600 --> 00:54:15,200
Speaker 2: Like you ever been in the stool like that recognized

1007
00:54:15,239 --> 00:54:18,760
Speaker 2: getting points from him?

1008
00:54:19,000 --> 00:54:22,200
Speaker 1: Man, I feel like with him it was.

1009
00:54:24,320 --> 00:54:28,000
Speaker 3: As hype as I was to to to to. I know,

1010
00:54:28,080 --> 00:54:30,520
Speaker 3: it was real, like oh no, he really fucking with me,

1011
00:54:30,640 --> 00:54:34,440
Speaker 3: like the way he was and like the vibe we caught,

1012
00:54:34,560 --> 00:54:36,560
Speaker 3: like the hype went away immediately, like you know what

1013
00:54:36,560 --> 00:54:38,960
Speaker 3: I mean. I'm like, that's really mind my dog my

1014
00:54:39,080 --> 00:54:40,960
Speaker 3: nigga right here, you know what I mean? Like the

1015
00:54:41,000 --> 00:54:43,759
Speaker 3: fans ship kind of went out the way like it

1016
00:54:43,840 --> 00:54:47,120
Speaker 3: was always there, but it was like how years it

1017
00:54:47,239 --> 00:54:48,720
Speaker 3: was like, oh nah, funk with this nigga.

1018
00:54:48,760 --> 00:54:50,840
Speaker 1: Like you know what I'm saying, solid solid dude. That

1019
00:54:50,920 --> 00:54:51,359
Speaker 1: was a goat.

1020
00:54:51,440 --> 00:54:54,719
Speaker 2: Man, I bought it ain't hard to tell, you know

1021
00:54:54,760 --> 00:54:57,239
Speaker 2: what I'm saying, Like ship, I was a fan, you

1022
00:54:57,280 --> 00:54:58,960
Speaker 2: know what I mean? A lot of these you know

1023
00:54:59,000 --> 00:55:02,520
Speaker 2: what's so crazy? I telling Cam that that it's whacked

1024
00:55:02,520 --> 00:55:06,680
Speaker 2: that being from the same city. Of course, your music

1025
00:55:06,800 --> 00:55:09,120
Speaker 2: is all playing on one or two stations, so I'm

1026
00:55:09,239 --> 00:55:11,359
Speaker 2: forced to hear your music. And when you're getting smoke

1027
00:55:11,400 --> 00:55:14,000
Speaker 2: with niggas, it's like now, I'm not supposed to like

1028
00:55:14,080 --> 00:55:14,640
Speaker 2: your music.

1029
00:55:15,120 --> 00:55:17,239
Speaker 1: Niggas know they be playing your ship on the love

1030
00:55:17,360 --> 00:55:19,280
Speaker 1: like this, like nah.

1031
00:55:19,080 --> 00:55:28,680
Speaker 2: He can't like yeah, still get busy like God saluted.

1032
00:55:28,760 --> 00:55:31,200
Speaker 1: That was hot. You know what I'm saying, cannot.

1033
00:55:31,320 --> 00:55:34,279
Speaker 3: Feel like we were saying earlier with the difference with

1034
00:55:34,480 --> 00:55:37,440
Speaker 3: laying And it's the New York nigga. It's the ego

1035
00:55:37,480 --> 00:55:39,840
Speaker 3: of a nigga from the town, and like we just

1036
00:55:39,880 --> 00:55:43,440
Speaker 3: feel like you're from Brooklyn, y'all feel like what it

1037
00:55:43,520 --> 00:55:46,919
Speaker 3: is Brooklyn is Brooklyn over everything was raised. I feel

1038
00:55:46,920 --> 00:55:49,600
Speaker 3: like that, like that's that's just a new that's some

1039
00:55:49,640 --> 00:55:52,400
Speaker 3: New York ship. Bro like Biga and Queen's for the

1040
00:55:52,440 --> 00:55:54,239
Speaker 3: same way, Bronx for the same Like, I.

1041
00:55:54,239 --> 00:55:56,239
Speaker 2: Feel like we just need to put that energy towards

1042
00:55:56,239 --> 00:55:59,319
Speaker 2: getting that check instead of putting it towards each other.

1043
00:55:59,360 --> 00:55:59,719
Speaker 1: The bag.

1044
00:56:00,360 --> 00:56:04,160
Speaker 2: It's been there and it's waiting, you know, Like I said,

1045
00:56:04,280 --> 00:56:08,239
Speaker 2: unity brings checks. Man, You seen Queen Latifa ever since

1046
00:56:08,239 --> 00:56:10,759
Speaker 2: she made you and I t y out of here,

1047
00:56:14,680 --> 00:56:15,480
Speaker 2: out of here.

1048
00:56:15,719 --> 00:56:16,440
Speaker 1: You know what I'm saying.

1049
00:56:16,840 --> 00:56:20,360
Speaker 2: And you on that same wave like as rapper turning

1050
00:56:20,560 --> 00:56:22,000
Speaker 2: actor and that's that's dope.

1051
00:56:22,000 --> 00:56:24,520
Speaker 1: Man, It's not many of us who survived in that game.

1052
00:56:24,560 --> 00:56:25,160
Speaker 1: I did what.

1053
00:56:25,280 --> 00:56:28,160
Speaker 2: To two rolls and nobody never holloed back like the

1054
00:56:28,280 --> 00:56:30,280
Speaker 2: bleak out there, pack them up, pack.

1055
00:56:30,160 --> 00:56:34,080
Speaker 1: Them up, finishing yo.

1056
00:56:35,840 --> 00:56:38,680
Speaker 2: In that movie it was it was my nigga and

1057
00:56:39,080 --> 00:56:39,880
Speaker 2: finishing ship.

1058
00:56:40,080 --> 00:56:42,479
Speaker 1: YoY. They told me I'm gonna die.

1059
00:56:42,840 --> 00:56:47,719
Speaker 2: I'm like no, and Yo, I ain't gonna lie. The

1060
00:56:47,800 --> 00:56:51,680
Speaker 2: ain't never never bring up how beans ratted on me though,

1061
00:56:53,360 --> 00:56:56,719
Speaker 2: Beings called them people on me like yeah, get that

1062
00:56:56,800 --> 00:57:01,120
Speaker 2: nigga yo, or ain't put me to because they know

1063
00:57:01,160 --> 00:57:04,760
Speaker 2: how the toe.

1064
00:57:07,600 --> 00:57:11,640
Speaker 1: I said. They killed my son by run down on seat.

1065
00:57:11,719 --> 00:57:14,960
Speaker 1: No beads, ran down door seeing I was with beds.

1066
00:57:15,239 --> 00:57:16,240
Speaker 1: That was the muscles.

1067
00:57:16,280 --> 00:57:24,560
Speaker 2: Them niggas was like, yeah, get down, get there, get there,

1068
00:57:30,720 --> 00:57:31,600
Speaker 2: We're gonna get there.

1069
00:57:32,400 --> 00:57:34,480
Speaker 1: He threw that ship up the street that she said.

1070
00:57:36,120 --> 00:57:40,920
Speaker 3: That like y'all let y'all legends for that though, like

1071
00:57:40,960 --> 00:57:45,120
Speaker 3: in the hood that should want to oscar in the treasures.

1072
00:57:45,280 --> 00:57:47,360
Speaker 1: Crazy class to hell.

1073
00:57:47,520 --> 00:57:51,920
Speaker 2: Yeah, every shot in the school that's secret that you

1074
00:57:51,960 --> 00:57:53,440
Speaker 2: feel what I'm saying, think about it.

1075
00:57:53,520 --> 00:57:56,320
Speaker 1: That's so classic that us. My dressing room was in

1076
00:57:56,360 --> 00:57:59,400
Speaker 1: the school. These niggas were really young. It's like not

1077
00:57:59,760 --> 00:58:05,040
Speaker 1: want to mathterday. We ain't going to school today. Yo. Right,

1078
00:58:08,160 --> 00:58:14,400
Speaker 1: that's hard. See that's hard. And all that ship Bro

1079
00:58:14,880 --> 00:58:16,440
Speaker 1: used to get on like I got to go back

1080
00:58:16,440 --> 00:58:19,320
Speaker 1: to school, man was on my eyes, but you know

1081
00:58:20,320 --> 00:58:21,240
Speaker 1: it kept going up.

1082
00:58:21,960 --> 00:58:24,600
Speaker 4: Music business man, this ship that my homies where the

1083
00:58:24,680 --> 00:58:25,520
Speaker 4: Jersey to school?

1084
00:58:25,560 --> 00:58:27,960
Speaker 1: Now you want to drop my folks off school? That's

1085
00:58:28,000 --> 00:58:30,360
Speaker 1: what I mean. Man, Like, just think about it, bro.

1086
00:58:30,680 --> 00:58:34,200
Speaker 2: Yeah, just the words you think in your mind that

1087
00:58:34,280 --> 00:58:35,280
Speaker 2: you put on the paper.

1088
00:58:35,360 --> 00:58:37,919
Speaker 1: You was able to make a way to feed your family. Man,

1089
00:58:38,000 --> 00:58:39,040
Speaker 1: that's a blessing. Man.

1090
00:58:39,080 --> 00:58:41,400
Speaker 2: And to continue, like you said, you've been in it

1091
00:58:41,600 --> 00:58:43,000
Speaker 2: ten years.

1092
00:58:43,120 --> 00:58:45,320
Speaker 1: We've been in it twenty three years.

1093
00:58:45,520 --> 00:58:50,840
Speaker 2: See like, Bro, just to get one year run just

1094
00:58:51,000 --> 00:58:53,520
Speaker 2: five years, it's insane.

1095
00:58:53,960 --> 00:58:54,880
Speaker 1: I gotta feel like.

1096
00:58:55,000 --> 00:58:57,200
Speaker 2: I've seen so many come and go. This is what

1097
00:58:57,200 --> 00:58:59,480
Speaker 2: I'm saying, Bro. And to still be here, Bro, Like

1098
00:59:00,040 --> 00:59:02,840
Speaker 2: that's a blessing. People still checking for you, Like you

1099
00:59:02,880 --> 00:59:06,440
Speaker 2: said you got the joint October, I mean yeah, October

1100
00:59:06,480 --> 00:59:07,720
Speaker 2: twenty fifth, coming.

1101
00:59:07,440 --> 00:59:10,360
Speaker 3: Out, fifteenth Coma fourteen.

1102
00:59:10,480 --> 00:59:14,919
Speaker 1: Yeah the fifteenth y'all like Coma Ford We hear man,

1103
00:59:15,000 --> 00:59:16,080
Speaker 1: you're still moving.

1104
00:59:16,200 --> 00:59:19,680
Speaker 2: That's insane, bro, Like I come in y'all man, y'all

1105
00:59:19,680 --> 00:59:21,880
Speaker 2: the next wave, Ghanna, you really?

1106
00:59:22,320 --> 00:59:27,440
Speaker 1: I'm fucking y'all, well, bro, singa cheating one thing with me? Blake,

1107
00:59:28,480 --> 00:59:32,040
Speaker 1: I ain't. I ain't getting this ship? Oh yeah, oh yeah,

1108
00:59:32,120 --> 00:59:32,800
Speaker 1: y'all what you're said?

1109
00:59:33,080 --> 00:59:35,440
Speaker 3: I was saying, I ain't getting this ship to uh

1110
00:59:35,960 --> 00:59:39,720
Speaker 3: to to not keep doing what I'm doing, You know

1111
00:59:39,760 --> 00:59:40,040
Speaker 3: what I mean?

1112
00:59:40,080 --> 00:59:40,360
Speaker 1: I ain't.

1113
00:59:40,440 --> 00:59:42,640
Speaker 3: I didn't look at it as a I'm gonna do

1114
00:59:42,680 --> 00:59:44,560
Speaker 3: this ship for five years and get out to it.

1115
00:59:44,560 --> 00:59:47,880
Speaker 1: Ain't. No, I ain't never look at it like that,

1116
00:59:48,160 --> 00:59:49,040
Speaker 1: you know what I mean saying?

1117
00:59:49,160 --> 00:59:51,600
Speaker 2: Just for the people to even still be checking because

1118
00:59:52,000 --> 00:59:54,160
Speaker 2: I think about the niggas that I came in the

1119
00:59:54,280 --> 00:59:54,640
Speaker 2: game with.

1120
00:59:56,400 --> 01:00:02,000
Speaker 1: Excuse me, how many of them still here? Only really kiss?

1121
01:00:03,160 --> 01:00:06,680
Speaker 1: You know what I mean? Rude's still touring right? Who else?

1122
01:00:08,440 --> 01:00:12,919
Speaker 1: Anybody else? Background dances, nigga? You feel what I mean?

1123
01:00:13,640 --> 01:00:17,120
Speaker 2: Like he back there, put your hands behind, we put

1124
01:00:17,160 --> 01:00:19,960
Speaker 2: your put your hands with I can see.

1125
01:00:19,920 --> 01:00:22,320
Speaker 1: Hey, they hype it up, pump it up before I

1126
01:00:22,320 --> 01:00:25,720
Speaker 1: get on stage. You know what I'm saying? Like? Who else?

1127
01:00:25,800 --> 01:00:28,440
Speaker 1: They not? They not outside no more? Bro? So that's

1128
01:00:28,480 --> 01:00:28,960
Speaker 1: what I mean.

1129
01:00:29,040 --> 01:00:32,640
Speaker 2: To have that run and still be here is insane

1130
01:00:32,960 --> 01:00:37,800
Speaker 2: but Yo, I definitely gotta say, Yo, my man, you

1131
01:00:37,960 --> 01:00:42,360
Speaker 2: wow out due each you wow. You told niggas highly

1132
01:00:42,720 --> 01:00:46,320
Speaker 2: bleep they want to speak the whole hogh that mythh man, No,

1133
01:00:47,200 --> 01:00:54,240
Speaker 2: don't please don't ya. I'm like when I said that,

1134
01:00:54,320 --> 01:00:56,520
Speaker 2: then I was I might have said that a ball.

1135
01:00:56,480 --> 01:00:59,360
Speaker 1: Say yeah it was a ball. Yeah nigga like you.

1136
01:00:59,760 --> 01:01:05,000
Speaker 2: Just hopping my ship niggat niggas in my d M

1137
01:01:05,120 --> 01:01:08,080
Speaker 2: two like your big When I said that, get the

1138
01:01:08,120 --> 01:01:10,000
Speaker 2: word the hole and I'll be looking at that niggah

1139
01:01:10,240 --> 01:01:15,960
Speaker 2: like na like I even bring your name up, I

1140
01:01:16,080 --> 01:01:18,720
Speaker 2: might be kicked out the wind for six months.

1141
01:01:18,760 --> 01:01:24,440
Speaker 1: Like, no, don't want to hear from you from yo.

1142
01:01:24,840 --> 01:01:28,800
Speaker 1: Remember I went through that for the last years. Man, Yo,

1143
01:01:28,960 --> 01:01:31,840
Speaker 1: bro think just want to know bro. Bro.

1144
01:01:31,920 --> 01:01:34,760
Speaker 3: When I had oh Bro, he don't want to just

1145
01:01:34,880 --> 01:01:37,000
Speaker 3: not this some time in mind for this song.

1146
01:01:37,880 --> 01:01:38,640
Speaker 1: He don't want to hear that.

1147
01:01:38,680 --> 01:01:40,720
Speaker 2: Bro. When I had the Werehouse, I'm not about to

1148
01:01:40,760 --> 01:01:44,440
Speaker 2: be the middle man. Remember when I had the Wealehouse.

1149
01:01:44,520 --> 01:01:48,320
Speaker 1: Like where I'm at, I had a lot of artists

1150
01:01:48,440 --> 01:01:52,480
Speaker 1: under warehouse. And now remember a whole shded on me.

1151
01:01:53,000 --> 01:01:56,360
Speaker 2: I called him to talk about certain artists and that

1152
01:01:56,440 --> 01:01:59,760
Speaker 2: nigga was like, Yo, bleak, like Yo, you know, to

1153
01:01:59,840 --> 01:02:00,240
Speaker 2: you you.

1154
01:02:02,440 --> 01:02:05,440
Speaker 1: It's regular, this is bro shit. But you know when

1155
01:02:05,440 --> 01:02:08,680
Speaker 1: you're talking about these niggas this like I'm fucking jay

1156
01:02:08,760 --> 01:02:11,600
Speaker 1: Z Nigga, Like you know what I do in my day,

1157
01:02:12,200 --> 01:02:16,960
Speaker 1: I't fucking what about these niggas, Like, Nigga, you fucking

1158
01:02:17,040 --> 01:02:17,520
Speaker 1: kidding me?

1159
01:02:17,720 --> 01:02:21,880
Speaker 2: Like I was, like I had to sit there and

1160
01:02:21,880 --> 01:02:24,440
Speaker 2: really think about it, like this nigga could be on

1161
01:02:24,480 --> 01:02:28,120
Speaker 2: the phone discussing billion dollar deals, a hundred million dollar deals,

1162
01:02:28,160 --> 01:02:31,960
Speaker 2: and I'm over here talking about some big stonh this nigga, Like, Nigga,

1163
01:02:31,960 --> 01:02:34,080
Speaker 2: don't call nigga what levels?

1164
01:02:34,160 --> 01:02:37,160
Speaker 1: Man? Yes, always levels to ship. That's a fact. So

1165
01:02:37,240 --> 01:02:38,560
Speaker 1: that's why when you said.

1166
01:02:38,320 --> 01:02:41,920
Speaker 2: That, it was like, Nah, I don't want him to think, Yo,

1167
01:02:42,080 --> 01:02:44,360
Speaker 2: he's gonna be calling me about these niggas now, No,

1168
01:02:44,560 --> 01:02:45,320
Speaker 2: I'm not whole.

1169
01:02:45,600 --> 01:02:48,280
Speaker 1: I'm only calling you about me. Baby. That ship went

1170
01:02:48,320 --> 01:02:51,840
Speaker 1: with the rhyme, I ain't gonna finn it's cool niggas.

1171
01:02:51,880 --> 01:02:56,240
Speaker 1: Niggas it looked like they could high. I ain't behind that.

1172
01:02:56,320 --> 01:02:58,840
Speaker 2: We just better have that check. I'm gonna tell him whole.

1173
01:02:58,960 --> 01:03:01,880
Speaker 2: We're gonna do it like we dude, yo. Yeah, yeah,

1174
01:03:02,000 --> 01:03:04,120
Speaker 2: hold on the phone. Yeah, take him out, bro and them.

1175
01:03:04,120 --> 01:03:07,600
Speaker 2: You know what I'm saying, drop that bag, get that right? Yeah,

1176
01:03:08,000 --> 01:03:08,919
Speaker 2: they got that bag.

1177
01:03:09,000 --> 01:03:17,200
Speaker 1: We could go to We definitely gotta get the dog.

1178
01:03:17,360 --> 01:03:18,640
Speaker 1: We gotta get it with us.

1179
01:03:19,240 --> 01:03:23,320
Speaker 2: Niggas want to talk dog and that deposit here goes like, yeah,

1180
01:03:23,320 --> 01:03:26,640
Speaker 2: what I I'm telling y'all, man, take care of the bros.

1181
01:03:26,680 --> 01:03:31,240
Speaker 1: Man. Yo. You see the skip wear nigga talk about

1182
01:03:31,680 --> 01:03:34,560
Speaker 1: he ordered the Jay Voice, order it for the restaurant.

1183
01:03:34,840 --> 01:03:35,280
Speaker 1: Talk about me.

1184
01:03:35,360 --> 01:03:37,400
Speaker 2: I want to honey orders the chicken and the lady

1185
01:03:37,480 --> 01:03:39,320
Speaker 2: was like, I don't believe it's jay Z come in.

1186
01:03:39,640 --> 01:03:43,720
Speaker 1: He was like, bleak, she ain't going for damn. Why

1187
01:03:43,800 --> 01:03:44,520
Speaker 1: I'm in the car?

1188
01:03:50,560 --> 01:03:53,280
Speaker 2: Yo. That ship had me dying by nigga. The game

1189
01:03:53,480 --> 01:03:57,040
Speaker 2: is crazy. The skits in and thatt Yo. Do y'all

1190
01:03:57,040 --> 01:04:00,760
Speaker 2: see I just seen you on the with Jim and

1191
01:04:00,800 --> 01:04:05,400
Speaker 2: the Man shout out gym fab may know my guys. Yeah, man,

1192
01:04:05,520 --> 01:04:10,280
Speaker 2: how would rap about it? Y'all started one as a unit. Yeah,

1193
01:04:10,600 --> 01:04:12,080
Speaker 2: that's dope.

1194
01:04:12,480 --> 01:04:13,000
Speaker 1: That's dope.

1195
01:04:13,040 --> 01:04:16,040
Speaker 3: Man, that's gonna be that's dope. It's for me for

1196
01:04:16,400 --> 01:04:18,160
Speaker 3: like I feel like I'm you know, I'm the young

1197
01:04:18,200 --> 01:04:19,000
Speaker 3: and at the the.

1198
01:04:18,960 --> 01:04:26,080
Speaker 2: Group just just important, you know what I mean.

1199
01:04:26,160 --> 01:04:30,000
Speaker 1: But I'm also to them as well, you know what

1200
01:04:30,000 --> 01:04:30,280
Speaker 1: I mean.

1201
01:04:30,360 --> 01:04:33,040
Speaker 3: It's sure this whole ship for me be dope because

1202
01:04:33,040 --> 01:04:36,440
Speaker 3: like I feel like I'm still the young and still learning,

1203
01:04:38,440 --> 01:04:40,520
Speaker 3: you know what I mean, and I get to do

1204
01:04:41,160 --> 01:04:43,960
Speaker 3: different ship. I mean, whether it be the music, whatever

1205
01:04:44,000 --> 01:04:47,120
Speaker 3: it be, like that's right. I feel like I'm supposed

1206
01:04:47,160 --> 01:04:48,520
Speaker 3: to be at one thing.

1207
01:04:48,600 --> 01:04:51,439
Speaker 2: Got one piece of advice, I would say that all

1208
01:04:51,480 --> 01:04:55,720
Speaker 2: the young guys getting money now, man, please man, invest

1209
01:04:55,800 --> 01:05:01,800
Speaker 2: your money wisely, please invest, make moves because I never

1210
01:05:01,840 --> 01:05:04,760
Speaker 2: thought about the game stopping. I never thought about Rockefeller

1211
01:05:04,840 --> 01:05:05,440
Speaker 2: being over.

1212
01:05:05,920 --> 01:05:06,520
Speaker 1: So when they.

1213
01:05:06,440 --> 01:05:08,720
Speaker 2: Pulled the rug from under us, you know the magic trick,

1214
01:05:08,760 --> 01:05:12,160
Speaker 2: when they pulled the tablecloth and the glasses is still

1215
01:05:12,200 --> 01:05:16,200
Speaker 2: standing like nothing happened. That's how I felt. When Rockefeller ended.

1216
01:05:16,600 --> 01:05:20,760
Speaker 1: It was like I didn't feel it shift, but it shifts.

1217
01:05:20,920 --> 01:05:22,600
Speaker 2: You know what I'm saying. And when it did, I

1218
01:05:22,680 --> 01:05:26,720
Speaker 2: wasn't prepared. I was, so I always said to myself

1219
01:05:27,000 --> 01:05:29,600
Speaker 2: a familiar nigga, the next.

1220
01:05:29,320 --> 01:05:34,480
Speaker 1: Time I get a look out, I'm acquiring.

1221
01:05:34,000 --> 01:05:37,480
Speaker 2: Businesses all day, because if it ever stopped, you never

1222
01:05:37,520 --> 01:05:40,560
Speaker 2: want your incomes to stop. So that's my word of

1223
01:05:40,600 --> 01:05:43,440
Speaker 2: advice is like whatever you love, bro, I don't care

1224
01:05:43,520 --> 01:05:46,960
Speaker 2: what kind of business it is. And like, don't be

1225
01:05:47,040 --> 01:05:50,000
Speaker 2: the guy too trying to chase one hundred percent of businesses.

1226
01:05:50,400 --> 01:05:53,000
Speaker 2: One hundred percent of a business is a fail business.

1227
01:05:53,400 --> 01:05:55,720
Speaker 2: Anything you own one hundred percent of is not making

1228
01:05:55,760 --> 01:05:59,040
Speaker 2: no money. Like you have to break bread with everybody.

1229
01:05:59,120 --> 01:06:02,000
Speaker 2: So this injured, you know what I'm saying, Like people

1230
01:06:02,000 --> 01:06:04,320
Speaker 2: who look down on percent of me shit, give me

1231
01:06:04,400 --> 01:06:07,280
Speaker 2: one percent. That one percent turned into a billion. That's

1232
01:06:07,320 --> 01:06:09,960
Speaker 2: a hundred million for me. I'm good, you feel me so.

1233
01:06:11,080 --> 01:06:13,360
Speaker 3: And I got deal with distresses of having one hundred

1234
01:06:13,360 --> 01:06:14,040
Speaker 3: percent of it.

1235
01:06:14,040 --> 01:06:15,920
Speaker 1: And running it like you know what I'm saying.

1236
01:06:15,960 --> 01:06:17,720
Speaker 2: You don't have to run the business day to day,

1237
01:06:17,760 --> 01:06:22,800
Speaker 2: but definitely get your portfolio up and invest your money

1238
01:06:22,800 --> 01:06:27,160
Speaker 2: man like, because y'all y'all making way more money than

1239
01:06:27,200 --> 01:06:30,080
Speaker 2: we did for a show, bro. Like and my heyday,

1240
01:06:30,760 --> 01:06:34,280
Speaker 2: top top day, the most I ever got paid for

1241
01:06:34,320 --> 01:06:37,960
Speaker 2: a show was about thirteen bands. Y'all laugh at that.

1242
01:06:38,680 --> 01:06:40,920
Speaker 2: Y'all ain't just hitting the stage today, niggas. I been

1243
01:06:40,920 --> 01:06:44,160
Speaker 2: here a getting sixty seventy thousand, Like, huh, nigga, I

1244
01:06:44,200 --> 01:06:45,800
Speaker 2: take your kids to school tomorrow.

1245
01:06:45,800 --> 01:06:47,960
Speaker 1: You give me fifty mins you hit the stage.

1246
01:06:48,040 --> 01:06:50,040
Speaker 2: Don't worry. You got a babysit of them all. Your

1247
01:06:50,160 --> 01:06:53,360
Speaker 2: wife he could go out. I got it, straight up,

1248
01:06:54,040 --> 01:06:58,880
Speaker 2: straight up fifty send the kids to the crib. Don't worry.

1249
01:06:58,920 --> 01:06:59,959
Speaker 2: Disney right down the block.

1250
01:07:01,680 --> 01:07:03,880
Speaker 3: But you know what, or for that what you're saying,

1251
01:07:03,920 --> 01:07:06,080
Speaker 3: I wonder what was the shift? Because back then I

1252
01:07:06,080 --> 01:07:08,720
Speaker 3: felt like you made more money off your album going

1253
01:07:08,840 --> 01:07:09,920
Speaker 3: platinum whatever.

1254
01:07:10,520 --> 01:07:13,040
Speaker 1: Not necessarily not to recoup first.

1255
01:07:13,440 --> 01:07:15,440
Speaker 2: So a lot of niggas went to the studio, was

1256
01:07:15,600 --> 01:07:18,920
Speaker 2: ordering clicko Christyle.

1257
01:07:19,480 --> 01:07:22,200
Speaker 1: That came back on that going to Chris Roof.

1258
01:07:24,800 --> 01:07:28,640
Speaker 2: So all that studio budget was hitting bro like niggas

1259
01:07:28,640 --> 01:07:31,400
Speaker 2: blew millions. Like I remember looking at a budget the

1260
01:07:31,400 --> 01:07:33,520
Speaker 2: way Guru looked at me and was like, bleak, you

1261
01:07:33,800 --> 01:07:37,680
Speaker 2: fucking bugging We gotta finish this in the crib. Ain't

1262
01:07:37,720 --> 01:07:40,120
Speaker 2: no way we could finish this in baselin. We don't

1263
01:07:40,160 --> 01:07:43,160
Speaker 2: have no more money, Like you know what I'm saying.

1264
01:07:43,360 --> 01:07:45,240
Speaker 1: Budgets was way bigger though, yes, we.

1265
01:07:46,600 --> 01:07:49,680
Speaker 2: Didn't think about the recoupment, you know what I mean.

1266
01:07:49,760 --> 01:07:53,160
Speaker 2: So when you recouped a lot of people never.

1267
01:07:53,720 --> 01:07:56,720
Speaker 4: Spent well over one hundred thousand for no Better Love video.

1268
01:07:57,120 --> 01:08:01,320
Speaker 2: Look just for the video now niggas hopping out with

1269
01:08:01,520 --> 01:08:04,240
Speaker 2: just the one nigga with the rag on the blacks

1270
01:08:04,280 --> 01:08:11,760
Speaker 2: and that viral straight like, but niggas used to sit

1271
01:08:11,840 --> 01:08:15,000
Speaker 2: and wait to watch that video, whether it was Rap City,

1272
01:08:15,640 --> 01:08:17,599
Speaker 2: whatever it was on. Like they're doing the same thing

1273
01:08:17,640 --> 01:08:20,439
Speaker 2: with you. You know, barble shots and how many niggas

1274
01:08:20,439 --> 01:08:21,080
Speaker 2: cribs I go to.

1275
01:08:21,200 --> 01:08:25,400
Speaker 1: They just got rocking all yeah, just rocking all day.

1276
01:08:25,600 --> 01:08:28,559
Speaker 1: Ship ship. So I hit you one day and told you, like,

1277
01:08:28,600 --> 01:08:32,800
Speaker 1: you got some ship working ship all day, just rocking.

1278
01:08:32,880 --> 01:08:34,599
Speaker 1: That's what I'm saying. I see you all.

1279
01:08:34,479 --> 01:08:38,479
Speaker 2: Over the place, by nigga. You got videos with everybody everywhere, Nigga.

1280
01:08:38,600 --> 01:08:44,000
Speaker 2: You fucking working. Nigga. Can't say you ain't working und

1281
01:08:44,560 --> 01:08:46,840
Speaker 2: you got over probably fucking lady.

1282
01:08:49,840 --> 01:08:50,439
Speaker 1: Word up.

1283
01:08:50,600 --> 01:08:53,120
Speaker 3: That's the new that's the new ship though. You gotta stand.

1284
01:08:53,439 --> 01:08:56,920
Speaker 3: I mean the phones, Bro, they on them phones man, so.

1285
01:08:57,160 --> 01:08:59,559
Speaker 2: And I'm glad you got my bro working because Seeping

1286
01:09:00,120 --> 01:09:01,400
Speaker 2: a quiet assassin.

1287
01:09:01,520 --> 01:09:05,280
Speaker 1: He just wasn't seeing been one of my top, my

1288
01:09:05,439 --> 01:09:06,760
Speaker 1: top for forever. Bro.

1289
01:09:07,520 --> 01:09:09,360
Speaker 3: And the funny part with me and him, we've been

1290
01:09:09,560 --> 01:09:13,080
Speaker 3: locked in for years, you know what I'm saying.

1291
01:09:13,240 --> 01:09:17,000
Speaker 1: The chemistry better than that. It was finally like all right,

1292
01:09:17,160 --> 01:09:17,679
Speaker 1: what we're doing.

1293
01:09:18,120 --> 01:09:19,880
Speaker 2: He did a lot of work, he just didn't shoot

1294
01:09:19,920 --> 01:09:21,559
Speaker 2: a lot of videos.

1295
01:09:21,960 --> 01:09:22,639
Speaker 1: That's a fact.

1296
01:09:23,280 --> 01:09:25,680
Speaker 2: You dropped a lot of projects and you ain't capitalize

1297
01:09:25,720 --> 01:09:28,479
Speaker 2: on the videos audience.

1298
01:09:29,040 --> 01:09:32,080
Speaker 4: Now, as you can see, me and Bro shot majority

1299
01:09:32,080 --> 01:09:32,839
Speaker 4: of the shooting.

1300
01:09:33,000 --> 01:09:35,840
Speaker 1: We shooting. That's done because nigga want you know what

1301
01:09:35,840 --> 01:09:37,280
Speaker 1: I mean? When I learned now Bro.

1302
01:09:38,400 --> 01:09:41,360
Speaker 3: The youth, the youth is is on these bro like

1303
01:09:42,240 --> 01:09:45,160
Speaker 3: so they like our age and older.

1304
01:09:44,960 --> 01:09:47,840
Speaker 2: Is listening to what we're actually saying. Anybody else want

1305
01:09:47,840 --> 01:09:50,000
Speaker 2: to see something, you know what I mean? They want

1306
01:09:50,000 --> 01:09:51,439
Speaker 2: to see They want to see what we got on.

1307
01:09:51,920 --> 01:09:55,200
Speaker 2: You want to see who we are, you know what

1308
01:09:55,200 --> 01:09:55,479
Speaker 2: I mean?

1309
01:09:55,520 --> 01:09:58,800
Speaker 1: They want to see the holes in the video.

1310
01:09:58,960 --> 01:10:01,080
Speaker 3: They want to They just want to see the vibe

1311
01:10:01,479 --> 01:10:03,360
Speaker 3: watch that.

1312
01:10:03,520 --> 01:10:03,600
Speaker 1: You know.

1313
01:10:03,640 --> 01:10:03,920
Speaker 2: I mean.

1314
01:10:04,000 --> 01:10:07,400
Speaker 3: So, you're a fool at this day and age if

1315
01:10:07,439 --> 01:10:09,680
Speaker 3: you dropping music and you don't got a visual to

1316
01:10:09,720 --> 01:10:11,960
Speaker 3: follow it, you gotta The visual is just as important

1317
01:10:11,960 --> 01:10:12,880
Speaker 3: as the audio.

1318
01:10:12,920 --> 01:10:16,839
Speaker 2: To me, sometimes it's more important, probably more that sometimes

1319
01:10:16,840 --> 01:10:19,040
Speaker 2: it is because it's a lot of artists today like

1320
01:10:19,120 --> 01:10:22,800
Speaker 2: you were saying like you like in my day, you

1321
01:10:22,840 --> 01:10:25,439
Speaker 2: had the people like I heard this both from damn

1322
01:10:25,520 --> 01:10:27,080
Speaker 2: you know what I mean, God bless both of them.

1323
01:10:27,160 --> 01:10:30,120
Speaker 2: DMX and Earth got it man, like they both with

1324
01:10:30,320 --> 01:10:33,640
Speaker 2: two people on it, like you trying to write the

1325
01:10:33,640 --> 01:10:37,120
Speaker 2: best rhyme that nobody gonna remember. They only gonna remember

1326
01:10:37,120 --> 01:10:40,720
Speaker 2: the hook. So it ain't about being the nicest, you

1327
01:10:40,760 --> 01:10:44,000
Speaker 2: know what I'm saying. So that's one thing that in

1328
01:10:44,080 --> 01:10:47,280
Speaker 2: my mind, like bleak fucking just get the verses done, know,

1329
01:10:47,439 --> 01:10:48,880
Speaker 2: just the hook band get the verse?

1330
01:10:49,000 --> 01:10:49,120
Speaker 1: Well.

1331
01:10:49,160 --> 01:10:52,679
Speaker 4: We then set it off and uh Swiss was telling

1332
01:10:52,760 --> 01:10:55,520
Speaker 4: us like, yo, just do eight bars versus.

1333
01:10:55,560 --> 01:10:57,519
Speaker 1: It's like any time the hook big, like you always

1334
01:10:57,520 --> 01:10:59,160
Speaker 1: want to hurry up and get back to that hook,

1335
01:10:59,200 --> 01:10:59,720
Speaker 1: you know what I'm saying.

1336
01:11:00,080 --> 01:11:02,880
Speaker 3: Yet Tom up too crazy, that's what they're going to

1337
01:11:02,960 --> 01:11:06,800
Speaker 3: sing along to producers to work with, like everybody, Yeah,

1338
01:11:06,880 --> 01:11:08,559
Speaker 3: you got a favorite producer you love.

1339
01:11:08,479 --> 01:11:11,080
Speaker 1: Working with, like you fair, we would want to work with.

1340
01:11:13,200 --> 01:11:15,080
Speaker 3: I feel like I worked with the majority of my

1341
01:11:15,200 --> 01:11:17,160
Speaker 3: favorites besides.

1342
01:11:18,320 --> 01:11:25,759
Speaker 2: Like Alchemists, get that's crazy, you know it's crazy.

1343
01:11:26,920 --> 01:11:29,559
Speaker 3: I've wrapped on the Alchemists beat, But I was a

1344
01:11:29,600 --> 01:11:33,360
Speaker 3: feature somebody else me and we ain't got to sit

1345
01:11:33,439 --> 01:11:37,000
Speaker 3: together everybody that I got what I got with the

1346
01:11:37,040 --> 01:11:40,760
Speaker 3: majority of the people I wanted to work with, you.

1347
01:11:40,840 --> 01:11:44,840
Speaker 1: See, like a maybe like a doctor Dre, yeah, Dre

1348
01:11:45,000 --> 01:11:49,799
Speaker 1: for sure. For sure, Timbo. I got with Timbo on Survival.

1349
01:11:49,920 --> 01:11:51,800
Speaker 1: We did a joint. I got to go down there,

1350
01:11:52,640 --> 01:11:57,120
Speaker 1: came with him. Yeah, that's dope. Swiss was always one

1351
01:11:57,200 --> 01:11:58,320
Speaker 1: of my favorite producers.

1352
01:11:58,960 --> 01:12:02,519
Speaker 2: Swiss of course the zi yeah switch to give you

1353
01:12:02,520 --> 01:12:04,519
Speaker 2: that ship and he coach you through it too.

1354
01:12:05,000 --> 01:12:08,320
Speaker 1: You ain't leaving Swiss without nothing, for sure.

1355
01:12:08,360 --> 01:12:10,680
Speaker 2: But that's how y'all got set it off because I

1356
01:12:10,720 --> 01:12:13,160
Speaker 2: went down there and made like that and Swisch, yo, bro,

1357
01:12:13,240 --> 01:12:16,280
Speaker 2: it's so crazy like that the song and each verse

1358
01:12:16,720 --> 01:12:19,600
Speaker 2: which wrote out of sync. The third verse was the

1359
01:12:19,640 --> 01:12:22,120
Speaker 2: first verse I wrote, you know what I mean, and

1360
01:12:22,160 --> 01:12:24,200
Speaker 2: the first verse was the last verse I wrote, and

1361
01:12:24,240 --> 01:12:27,479
Speaker 2: Swiss was like sound first switch and do this one

1362
01:12:27,520 --> 01:12:29,679
Speaker 2: and do this and then when I said the slow

1363
01:12:29,760 --> 01:12:32,320
Speaker 2: down and this, he like, yo, put that in every verse.

1364
01:12:32,360 --> 01:12:34,800
Speaker 1: I'm like, ill got you. And that's how we made

1365
01:12:34,800 --> 01:12:35,200
Speaker 1: the record.

1366
01:12:35,200 --> 01:12:37,120
Speaker 2: And I remember going to the office because that's when

1367
01:12:37,120 --> 01:12:38,519
Speaker 2: they was playing their records too.

1368
01:12:38,600 --> 01:12:39,439
Speaker 1: When dropped out.

1369
01:12:39,479 --> 01:12:41,760
Speaker 2: But at the same time, and it was like, Yo,

1370
01:12:41,800 --> 01:12:44,679
Speaker 2: we're looking for a fucking single. I'm like, Yo, Swiss

1371
01:12:44,680 --> 01:12:47,439
Speaker 2: got that ship. He was like, for real, Like Yo,

1372
01:12:47,560 --> 01:12:48,800
Speaker 2: go down there right now.

1373
01:12:49,160 --> 01:12:54,080
Speaker 1: Nigga. Niggas came back with two singles. Sure Swiss Swiss different, different.

1374
01:12:53,880 --> 01:12:56,479
Speaker 2: Telling you he got that ship. My nigga, that's one

1375
01:12:56,560 --> 01:12:57,560
Speaker 2: of the best producers.

1376
01:12:57,600 --> 01:13:00,519
Speaker 1: I like worrying for sure. For sure his energy to

1377
01:13:00,840 --> 01:13:03,240
Speaker 1: be on beyond the beast switch and sell your corny

1378
01:13:03,280 --> 01:13:05,000
Speaker 1: beast just by how he moves.

1379
01:13:04,760 --> 01:13:08,800
Speaker 3: Swiss energy day one on one. I love Swiss swits

1380
01:13:08,880 --> 01:13:11,400
Speaker 3: to give you some ship. Just sitting there like this,

1381
01:13:11,560 --> 01:13:13,519
Speaker 3: You're like, that ship gotta be hot.

1382
01:13:14,320 --> 01:13:15,720
Speaker 1: He's bothering to it.

1383
01:13:15,840 --> 01:13:21,760
Speaker 2: That ship. You're gonna tell that it gotta be hot.

1384
01:13:22,439 --> 01:13:26,040
Speaker 2: Like to man, I appreciate y'all coming up, kicking it

1385
01:13:26,080 --> 01:13:29,759
Speaker 2: with the dog man dying out.

1386
01:13:29,800 --> 01:13:30,800
Speaker 1: What's coming.

1387
01:13:32,080 --> 01:13:35,719
Speaker 3: Dropping on the fifteenth, fourth and fourth.

1388
01:13:37,040 --> 01:13:41,360
Speaker 2: Listen, y'all niggas, man, keep killing, keep getting to that brand, man,

1389
01:13:41,760 --> 01:13:45,759
Speaker 2: stay healthy, man, family, you know, make sure family good

1390
01:13:46,200 --> 01:13:48,559
Speaker 2: and keep winning. My guys, man, I love that your

1391
01:13:48,640 --> 01:13:51,240
Speaker 2: niggas ain't involved with none of this bullshit hate that's

1392
01:13:51,240 --> 01:13:54,479
Speaker 2: gonna it ain't no room for that man, Man, that

1393
01:13:55,240 --> 01:13:55,720
Speaker 2: what I learned.

1394
01:13:55,920 --> 01:13:57,160
Speaker 1: You know what I learned, bro Like.

1395
01:13:58,640 --> 01:14:01,360
Speaker 3: And no knock that nobody that that that be going

1396
01:14:01,400 --> 01:14:02,960
Speaker 3: through it out here with the rap ship.

1397
01:14:03,000 --> 01:14:03,479
Speaker 1: You know what I mean?

1398
01:14:03,560 --> 01:14:06,000
Speaker 3: But I feel like when you really haven't been through

1399
01:14:06,000 --> 01:14:08,320
Speaker 3: it before.

1400
01:14:08,080 --> 01:14:11,559
Speaker 2: Rapt to bring I didn't get I didn't get in.

1401
01:14:13,840 --> 01:14:17,360
Speaker 1: Niggas. I don't know. I never met that don't ain't grown.

1402
01:14:19,960 --> 01:14:20,639
Speaker 1: I'm trying to.

1403
01:14:20,600 --> 01:14:22,599
Speaker 2: Get to it would be trying to say that these

1404
01:14:22,600 --> 01:14:25,680
Speaker 2: ships the kids up and go and go see the world, bro,

1405
01:14:25,840 --> 01:14:28,320
Speaker 2: that it used to be on some ship. You know,

1406
01:14:28,360 --> 01:14:31,080
Speaker 2: I'm a drill, y'all. I'm spending the block right now,

1407
01:14:31,160 --> 01:14:34,360
Speaker 2: a nigga. I ain't got time to be mad at

1408
01:14:34,400 --> 01:14:39,920
Speaker 2: you in the Chauff car. That's how I'm spending. And

1409
01:14:39,960 --> 01:14:43,679
Speaker 2: I'm gonna say what up that anybody outside to the world. Man,

1410
01:14:43,800 --> 01:14:47,280
Speaker 2: Like I said, I appreciate y'all. Keep killing, keep doing

1411
01:14:47,320 --> 01:14:52,920
Speaker 2: your thing, man, healthy, keep winning, bro manez man my

1412
01:14:53,040 --> 01:14:59,000
Speaker 2: niggas man right solid man anytime.

1413
01:14:59,160 --> 01:15:02,120
Speaker 1: Yes, my house is your house.

1414
01:15:02,200 --> 01:15:05,320
Speaker 2: My door's always open, family man, you know you my

1415
01:15:05,400 --> 01:15:08,720
Speaker 2: motherfucker brother dog anytime, even if y'all want to come

1416
01:15:08,800 --> 01:15:15,960
Speaker 2: up here and curse out of baby mama too. You

1417
01:15:16,040 --> 01:15:23,360
Speaker 2: know what it is, rock solid baby, do say Mafia shit.

1418
01:15:25,080 --> 01:15:30,320
Speaker 2: For more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,

1419
01:15:30,400 --> 01:15:32,800
Speaker 2: or wherever you listen to your favorite shows app. And

1420
01:15:32,920 --> 01:15:36,040
Speaker 2: you can follow me on any social media platform under

1421
01:15:36,040 --> 01:15:37,120
Speaker 2: the name Memphis Bleak.

1422
01:15:37,280 --> 01:15:39,519
Speaker 1: You see anybody fraud and flag them