WEBVTT - Tech N9ne Interview

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<v Speaker 1>It's DJ Envy Angela Yee Sharloman, the God. We all

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<v Speaker 1>the breakfast club. We have the independent King in the building. Yes, sir,

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<v Speaker 1>you know it was cool to be independent. Everybody keeps

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<v Speaker 1>saying that, man, everybody, it is the truth. Yeah. Well,

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<v Speaker 1>ladies and gentlemen, we have tech minie in the building.

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<v Speaker 1>And you still haven't sold out and sold to a

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<v Speaker 1>signed to a major. No, never, never will. I mean,

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<v Speaker 1>I don't know, man, it depends on how many millions

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<v Speaker 1>even now, and this climate is like I don't really know. Man,

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<v Speaker 1>Like somebody just called and offered the sixty million one enough, wow,

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<v Speaker 1>sixty million. Yeah, I can't say who it was. I

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<v Speaker 1>need my phone to ring like that. I talked to

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<v Speaker 1>my partner. I talked to my partner, Travis, and he said, man,

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<v Speaker 1>but we're about to do this year. Sixty million a't

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<v Speaker 1>gonna sound like nothing. I was like, yeah, you're right,

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<v Speaker 1>a deal worth sixty million, like advance everything up here?

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<v Speaker 1>Ain't nothing know for what for our blood sweat and

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<v Speaker 1>tears to me? I mean, I know, y'all sell a

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<v Speaker 1>lot with merchant and you gross a lot and show

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<v Speaker 1>how what kind of range were talking? Man? What do

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<v Speaker 1>you mean money wise, he makes the Forbes list, like all,

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<v Speaker 1>I know, you know last year, you know, I was

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<v Speaker 1>on the fourth list for eight millions, so you know,

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<v Speaker 1>I don't know, we do we do? Okay? Yeah? To

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<v Speaker 1>turn down sixty million dollars, I'm sure yeah, yeah, yeah,

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<v Speaker 1>And I've never turned down sixty million. That was the

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<v Speaker 1>first time I ever did it. Day before yesterday was no, no, no.

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<v Speaker 1>I was just flabbergasted, you know what I'm saying. I

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<v Speaker 1>was like, wow, that's what they want to say. And

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<v Speaker 1>he was like, man, but what we're about to do

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<v Speaker 1>after May fours, you know, after the album dropped. That's

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<v Speaker 1>not gonna sound like a lot of the money. I said,

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<v Speaker 1>You're right, though. Was it an easy decision of easy? Hey?

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<v Speaker 1>It was really, it was really easy. We laughed about it,

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<v Speaker 1>you know what I'm saying. We laughed about it. Is

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<v Speaker 1>that bad? No? Yes? Yeah, you regular people absolutely. Oh

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<v Speaker 1>somebody last thought that was funny? Yeah yeah yeah yeah.

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<v Speaker 1>But you know, things change all the time. Man. You

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<v Speaker 1>never know, somebody might call with the right number, and

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<v Speaker 1>it's probably easier for you to sell records, which makes

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<v Speaker 1>more money because of the internet, because yeah, it's doing

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<v Speaker 1>it before it was so easy to pres Yeah, yeah, yeah,

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<v Speaker 1>we had to start, you know, like Steve Rifkin did

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<v Speaker 1>it when with the Big pun thing. You know, we

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<v Speaker 1>have street teams, we still have everything grass roots. So

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<v Speaker 1>it's like the internet thing got for it because I

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<v Speaker 1>wouldn't be able to go over to Australia like I

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<v Speaker 1>just did in New Zealand and Honolulu for the first

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<v Speaker 1>time and have all sold out shows, you know what

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<v Speaker 1>I'm saying. And you know, it really is important, I

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<v Speaker 1>think for an artist like Tech nine to show these

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<v Speaker 1>other artists how important it is to have a great

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<v Speaker 1>live show exactly. You know a lot of people don't

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<v Speaker 1>understand the importance of having a live show. They get

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<v Speaker 1>sold out with Without the live show, man, you're not

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<v Speaker 1>gonna last, you know what I mean. And back in

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<v Speaker 1>the day when we were on the road, like early,

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<v Speaker 1>you know what I mean, it wasn't too many people

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<v Speaker 1>on the road, but toilet quality was on the road,

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<v Speaker 1>you know, atmosphere was on the road, Citizen Cope stuff

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<v Speaker 1>people like that. But then in later years I got

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<v Speaker 1>to see Asap Rocky hitting the road with Danny Brown

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<v Speaker 1>and scoopboard Q and I was loving to see it

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<v Speaker 1>that the youngsters is getting out their touring now because

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<v Speaker 1>one thing to be real told me a long time ago.

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<v Speaker 1>He said, they could try to take away djan and

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<v Speaker 1>buying on everything, but be able to take away the

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<v Speaker 1>live show. And if you have a great live show,

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<v Speaker 1>people will talk. Word of mouth really works, you know

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<v Speaker 1>what I mean. So when they say you gotta go

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<v Speaker 1>she tech now you gotta go see this. People come

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<v Speaker 1>and we're still on the incline because of that, because

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<v Speaker 1>we gave a damn about what the show is and

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<v Speaker 1>you did. Just don't ance your tour. Mers is on

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<v Speaker 1>the tour. Yes, I wondering was here. I had a

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<v Speaker 1>scriptle here for you to eat up. He's morderlized for that,

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<v Speaker 1>and I feel responsible people what happened. No, I'm gonna

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<v Speaker 1>tell you what really happened. Okay, okay, because the truth

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<v Speaker 1>of the maddest people don't know. It's explaining to people

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<v Speaker 1>what happened. I had a show called Lift Service and Merds.

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<v Speaker 1>I saw him at Rock the Bells, Yes, and he

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<v Speaker 1>told me, he said, bring some strippers up there. I

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<v Speaker 1>want to eat somebody out. He said that his mom

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<v Speaker 1>was there as well. Really close mouth, don't get fed, bro, exactly. Okay,

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<v Speaker 1>you know, no problem. I set it up and I did.

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<v Speaker 1>We had two shippers there for you. Yes, you came

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<v Speaker 1>through Roxy Reynolds. And still remember the name can Vine

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<v Speaker 1>Candas Vine. Yes, I'll never forget you ain't. Both of

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<v Speaker 1>the one was yeah, one one was you know, touching me.

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<v Speaker 1>Another one set on you put your face in candas ones.

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<v Speaker 1>But though yeah I didn't do that too as you

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<v Speaker 1>just get random. But it wasn't it was it smelled,

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<v Speaker 1>It smelled great. She was clean, very like you know,

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<v Speaker 1>you inspect before you, you know, dive in you know what.

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<v Speaker 1>I'm drunk. Nah, so I was okay, you a little crazy? Yeah,

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<v Speaker 1>he was definitely nervous. Was this your first sexual experience? No, No,

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<v Speaker 1>first on air, you know, on live on the internet. Yeah,

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<v Speaker 1>I did too. I got I had to take a

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<v Speaker 1>sidebar with the boss. Mostly what most people get when

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<v Speaker 1>they come to a radio interview. All you got some

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<v Speaker 1>cheap coffee or whatever. Yeah, but then he ended up dating. Yeah, Roxy,

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<v Speaker 1>you did a good job. Anything good in her professional opinion.

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<v Speaker 1>You know a lot of people do that for her barely,

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<v Speaker 1>And I guess I weren't high up. Yeah, you make

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<v Speaker 1>it come in the studio. I don't know I should

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<v Speaker 1>I hope so. And I think he didn't do it

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<v Speaker 1>long en Afterno, No, it wasn't that. It wasn't that long. Yeah,

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<v Speaker 1>but Murray says he's always told me that he gets

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<v Speaker 1>a lot of recognition for that. Yeah, people stopped me

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<v Speaker 1>with my wife. Now, I was a what did your

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<v Speaker 1>wife say? She hates that question because they'll just ask

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<v Speaker 1>me what it tastes like? What roxy Reyntals tastes like?

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<v Speaker 1>I'm here in the video. Yeah, she saw it all

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<v Speaker 1>before you got married, before he got married, some conversation

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<v Speaker 1>like babe, I want to shake you this just so

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<v Speaker 1>you know, she knew. She knew me who I was,

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<v Speaker 1>so she knew what had happened. But it's still awkward

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<v Speaker 1>when you put going to Walmarts and a dude walk

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<v Speaker 1>right up to you. Hey man, what roxy Reryntals taste

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<v Speaker 1>like you? It makes her feel a certain kind of way.

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<v Speaker 1>He was just talking about murders. I can't remember who

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<v Speaker 1>it is though. We're talking about what was it? Who

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<v Speaker 1>was it? I remember, I don't remember. Was it the

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<v Speaker 1>boss man? Who's the boss man? Be your own boss man?

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<v Speaker 1>I think it was. Yeah, Yeah, we have. What do

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<v Speaker 1>y'all got going on? No, I was. I was working

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<v Speaker 1>with him on this label before, while I was living

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<v Speaker 1>with him for a few few months. Got you and

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<v Speaker 1>up in upstate. Now I'm helping his son with the

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<v Speaker 1>cookie business. Me and his son are more more tight.

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<v Speaker 1>I haven't taught the damon in a while. Oh, that's

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<v Speaker 1>what it was too. It was it was Lucan Lucan. Yeah, okay, yeah,

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<v Speaker 1>I might messed with them. Tell but well, Lucan Bookie

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<v Speaker 1>got a regularly what I think you got something coming

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<v Speaker 1>out on the lag? Yeah, I put, I did a

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<v Speaker 1>single form of years ago. No, it was done years ago,

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<v Speaker 1>and they're just now getting around to put because they

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<v Speaker 1>opened the restaurant. That's what you're saying. The tech now,

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<v Speaker 1>you let him say saying it was done a long time.

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<v Speaker 1>They've done a long time ago. You know, it sounds

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<v Speaker 1>like it just happened. Technic. Yeah, now Techno and this

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<v Speaker 1>new album you have special effects here. You're saying this

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<v Speaker 1>is going to be your biggest album to date. Yes,

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<v Speaker 1>I know for a fact. Everybody else is gonna know

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<v Speaker 1>after May fourth too, you know what I mean, not

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<v Speaker 1>just because of all the major um collaborations. But it's

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<v Speaker 1>just the music is bigger, you know what I mean?

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<v Speaker 1>The concept. You know, my mom just passed. H June

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<v Speaker 1>said to Lupus, you know what I mean. So they

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<v Speaker 1>asked me was my inspiration? I dedicated the whole album

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<v Speaker 1>to her, and everything I always wanted I got after

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<v Speaker 1>she passed, you know. So it makes me feel like

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<v Speaker 1>I really have a real angel. You know what I'm saying?

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<v Speaker 1>What did you right here? I wanted a lot of

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<v Speaker 1>things over the years of my music career. Man, it

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<v Speaker 1>just so happens when she left, all these things started

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<v Speaker 1>happening for my music. Like know what I'm saying, Um,

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<v Speaker 1>I can't really say, man, you know, it's just big,

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<v Speaker 1>big I'll say it like this, and almost every genre,

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<v Speaker 1>whether it's d M, whether it's hip hop, whether it's metal,

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<v Speaker 1>it's all on my album. And we got the people

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<v Speaker 1>that are at the hilt of it the best collaboration. No,

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<v Speaker 1>I didn't say that. Why does everybody get saying that?

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<v Speaker 1>Why does everybody get saying that? That's so funny? Now?

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<v Speaker 1>The truth that your fans gave you flat for being

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<v Speaker 1>on Jimmy Kimmel last year, Oh yeah, and they're giving

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<v Speaker 1>me flat for the two chain something Bob Money that

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<v Speaker 1>people don't want to see you do stuff because they

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<v Speaker 1>feel like you're selling out. Well, not all my fans,

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<v Speaker 1>but some fans do not tech. Why would you do

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<v Speaker 1>something with two chains? He is not on your level lyrically.

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<v Speaker 1>I'm like, listen, that's my bro. When he gets on

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<v Speaker 1>a track, it says party. Why wouldn't I put him

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<v Speaker 1>on that party track? It's beautiful? And he lit it up?

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<v Speaker 1>You know what I'm saying in my opinion, And you know,

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<v Speaker 1>it's like I've been on the underground for so long.

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<v Speaker 1>A lot of those fans don't want to share you

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<v Speaker 1>with the mainstream, like, oh, he's tech technologs going mainstream.

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<v Speaker 1>I said, no, technog would never go mainstream, but mainstream

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<v Speaker 1>will go tech and that's happening, you know what I mean.

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<v Speaker 1>I didn't have to change anything. I didn't have to

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<v Speaker 1>conform for no amount of money or nothing. You know what,

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<v Speaker 1>I'm sizzling. So it's like I just fight with him

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<v Speaker 1>on Instagram. Hey, they imagine did a song with a

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<v Speaker 1>little Wayne? Oh yes, oh yes, I mean I had

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<v Speaker 1>to really stand behind Wayne, you know what I mean.

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<v Speaker 1>And after a while I went away. It always goes

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<v Speaker 1>away if I stand strong, and I'm always stand strong. Yes,

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<v Speaker 1>I did Riker's Island. That's how y'all the relationship for him? Yeah, yeah, yeah,

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<v Speaker 1>because he says something about me out of the blue.

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<v Speaker 1>I didn't know he knew me, you know. He said

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<v Speaker 1>something the mass reflection somebody I don't know, and said

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<v Speaker 1>he wanted to work with me. So when I came

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<v Speaker 1>out here for a press week like this week, I

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<v Speaker 1>went up there to see him. Ogs hooked it up,

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<v Speaker 1>you know what I mean, And I went in it's beautiful.

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<v Speaker 1>Soad you explain the afair that Jimmy Kimmel situated, because

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<v Speaker 1>I would be happy that my guy who look oh

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<v Speaker 1>yeah yeah yeah. A lot of them, a lot of

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<v Speaker 1>them were there, you know what I'm saying. They got

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<v Speaker 1>tickets for that, you know what I mean, And a

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<v Speaker 1>lot of them were happy for me. But the ones

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<v Speaker 1>you said that, oh, he's on TV now, you know

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<v Speaker 1>what I'm saying. He's not underground anymore. It's supposed I

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<v Speaker 1>told him. I tell him, real music is supposed to

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<v Speaker 1>spread and shine, you know what I mean. And since

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<v Speaker 1>we started, me and my partner Travis o'gwen, when we

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<v Speaker 1>started this, our goal was world domination. You know that

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<v Speaker 1>means I want everybody to know the name Tech nine.

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<v Speaker 1>You know what I'm sisling because I always thought I

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<v Speaker 1>had the talent to spread to everybody and something to

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<v Speaker 1>say to everybody, you know, And that's what we're gonna do.

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<v Speaker 1>And in order to do that, radio and TV has

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<v Speaker 1>to happen. No matter how weird the face paint is,

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<v Speaker 1>no matter how weird the the scrub top and pants are,

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<v Speaker 1>whatever it is, I'm just gonna beat me and it's working.

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<v Speaker 1>I'm questing that for a lot of people that don't

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<v Speaker 1>know your history, why did you decide to go independent

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<v Speaker 1>from the door and not necessarily stay looking for a

0:10:13.240 --> 0:10:16.120
<v Speaker 1>record deal? Well? I had major record deals, you know.

0:10:16.120 --> 0:10:18.360
<v Speaker 1>I meant. My first one was in ninety three with Jimmy, Jemmy,

0:10:18.400 --> 0:10:22.040
<v Speaker 1>Terry Lewis Prospective Records. That did not work because they

0:10:22.040 --> 0:10:23.320
<v Speaker 1>didn't know what to do with a black dude with

0:10:23.360 --> 0:10:26.480
<v Speaker 1>a red spiked hair and face paint and whatever. You know,

0:10:27.280 --> 0:10:28.839
<v Speaker 1>what do you do with that? Where do you put them?

0:10:29.320 --> 0:10:30.800
<v Speaker 1>Tell you something stupid stuff like hey, why don't you

0:10:30.800 --> 0:10:34.800
<v Speaker 1>go wrestle exactly exactly? You know, really that would probably work.

0:10:35.240 --> 0:10:41.199
<v Speaker 1>But in ninety seven, I gotta deal with Quincy Jones,

0:10:41.840 --> 0:10:46.199
<v Speaker 1>question Warner. The people he had working for him didn't

0:10:46.200 --> 0:10:47.880
<v Speaker 1>know what to do with me as well, you know

0:10:47.920 --> 0:10:50.600
<v Speaker 1>what I mean. Ninety nine we did a deal with

0:10:50.720 --> 0:10:57.120
<v Speaker 1>Interscope and Jacorp. They just totally destroyed the project and

0:10:57.400 --> 0:11:00.000
<v Speaker 1>canceled the video and everything. Man, and it just wouldn't work.

0:11:00.040 --> 0:11:02.880
<v Speaker 1>And me and my partner Travis would say, you know what,

0:11:02.920 --> 0:11:05.280
<v Speaker 1>We're gonna start Strange Music, our own label out of

0:11:05.320 --> 0:11:10.520
<v Speaker 1>Kansas City, Missouri. Man. And fifteen years well almost sixteen

0:11:10.600 --> 0:11:13.000
<v Speaker 1>years later, here we are, man, the number one independent.

0:11:13.360 --> 0:11:16.000
<v Speaker 1>You know, you ever wonder why anybody ever signed to

0:11:16.040 --> 0:11:18.880
<v Speaker 1>a major, especially being with I know why people. I

0:11:18.920 --> 0:11:20.520
<v Speaker 1>know why people signed to a major. They try to

0:11:20.559 --> 0:11:23.080
<v Speaker 1>get up out of poverty, man, and something is better

0:11:23.120 --> 0:11:25.560
<v Speaker 1>than nothing. I know exactly why. They unfortunate to have

0:11:25.559 --> 0:11:27.679
<v Speaker 1>a great partner who was also a great business Oh

0:11:27.679 --> 0:11:30.000
<v Speaker 1>my goodness, to save my life. Man, How did you

0:11:30.040 --> 0:11:34.120
<v Speaker 1>meet him? I was doing music back in Kansas City

0:11:34.200 --> 0:11:37.800
<v Speaker 1>and he was funding some dudes that I knew that

0:11:38.240 --> 0:11:41.760
<v Speaker 1>did clothing Paradise Originals, and they were having a fashion

0:11:41.800 --> 0:11:43.679
<v Speaker 1>show with a lot of chicks and everything. So they

0:11:43.679 --> 0:11:46.640
<v Speaker 1>wanted me to come perform my song that was popping

0:11:46.679 --> 0:11:48.400
<v Speaker 1>on the radio at that time. I planned Rock to

0:11:48.559 --> 0:11:52.760
<v Speaker 1>Q and I came and did it. Everybody was going bonkers,

0:11:52.760 --> 0:11:54.320
<v Speaker 1>and Travis said, I want to have a meeting with him.

0:11:54.360 --> 0:11:55.760
<v Speaker 1>I've been on his music for a long time. I

0:11:55.800 --> 0:11:58.880
<v Speaker 1>went to Travis's home the next day with my homeboy

0:11:59.040 --> 0:12:02.440
<v Speaker 1>George Forte, and he said, hey, tech Manum, I've been

0:12:02.480 --> 0:12:05.200
<v Speaker 1>a fan of your music for so many years, and

0:12:05.280 --> 0:12:07.080
<v Speaker 1>I wonder, like your music is better than a lot

0:12:07.120 --> 0:12:08.880
<v Speaker 1>of people out here on the radio. What does it take?

0:12:08.920 --> 0:12:10.160
<v Speaker 1>I said, it takes a lot. He said, well, I

0:12:10.200 --> 0:12:12.760
<v Speaker 1>have a lot. I own my own business, furniture works,

0:12:12.760 --> 0:12:14.560
<v Speaker 1>you know what I'm saying. And he's made up self

0:12:14.559 --> 0:12:16.840
<v Speaker 1>a millionaire by the time he was nineteen, and he said,

0:12:16.920 --> 0:12:18.800
<v Speaker 1>what do you think about doing a fifty fifty partnership,

0:12:18.840 --> 0:12:19.760
<v Speaker 1>you know what I'm saying. I was like, Yes, I

0:12:19.800 --> 0:12:22.200
<v Speaker 1>want to call it strange music because I'm a doors fans.

0:12:22.240 --> 0:12:24.800
<v Speaker 1>People are strange, strange days. Let's go you know, snake

0:12:24.840 --> 0:12:28.240
<v Speaker 1>in the bat And he was so smart he knew

0:12:28.280 --> 0:12:30.440
<v Speaker 1>to put it on a hat, or put it on

0:12:30.480 --> 0:12:32.800
<v Speaker 1>a g string, or put it on a belt, buck

0:12:32.920 --> 0:12:34.280
<v Speaker 1>or a money clip. You know what I'm saying, our

0:12:34.320 --> 0:12:38.160
<v Speaker 1>T shirt and people would be walking billboards. You know

0:12:38.160 --> 0:12:41.200
<v Speaker 1>what I'm saying, the people that believe what you're saying

0:12:41.320 --> 0:12:44.240
<v Speaker 1>in your music. And it's been happening for over sixteen

0:12:44.320 --> 0:12:47.679
<v Speaker 1>years now. The FTI movie, that's what Listeners were able

0:12:47.720 --> 0:12:51.079
<v Speaker 1>to legally download y albums through the artist website where

0:12:51.120 --> 0:12:52.760
<v Speaker 1>you charging for that. No, I gave it to him

0:12:52.760 --> 0:12:54.600
<v Speaker 1>for free. I gave it to him for free. Signs

0:12:55.160 --> 0:12:57.400
<v Speaker 1>they'll come to the shows. Well, this is what I believe.

0:12:57.480 --> 0:12:59.400
<v Speaker 1>This is what we believed, and we proved ourselves right.

0:12:59.600 --> 0:13:02.320
<v Speaker 1>You know, Um, if you have a beautiful project, if

0:13:02.320 --> 0:13:05.560
<v Speaker 1>you have wonderful musicum, people will buy it. If you

0:13:05.640 --> 0:13:08.920
<v Speaker 1>let them hear it for free, they will support it.

0:13:08.960 --> 0:13:10.880
<v Speaker 1>If you take time to do the music, if you

0:13:10.920 --> 0:13:12.800
<v Speaker 1>take time to do the artwork for the music, if

0:13:12.800 --> 0:13:15.200
<v Speaker 1>you make a collector's item something that they can collect

0:13:15.440 --> 0:13:18.640
<v Speaker 1>and keep for a long time. We prove that we

0:13:18.720 --> 0:13:21.480
<v Speaker 1>gave it away for free and people still bought absolute power,

0:13:21.640 --> 0:13:23.120
<v Speaker 1>you know what I mean. And we knew this, and

0:13:23.120 --> 0:13:24.600
<v Speaker 1>that's what he was trying to tell other artists, like

0:13:24.600 --> 0:13:26.480
<v Speaker 1>if you just got one songs on the radio and

0:13:26.520 --> 0:13:28.360
<v Speaker 1>the rest of your songs a bunk. They're just gonna

0:13:28.360 --> 0:13:30.280
<v Speaker 1>download that one song. They don't want your album, you

0:13:30.280 --> 0:13:32.120
<v Speaker 1>know what I mean, make them want it. That's what

0:13:32.120 --> 0:13:35.080
<v Speaker 1>What do you think about Jay Z's News Screaming System title.

0:13:35.120 --> 0:13:38.000
<v Speaker 1>If it's anything like Spotify just panis pennies, I don't

0:13:38.000 --> 0:13:39.720
<v Speaker 1>care about it, you know what I'm saying. If if

0:13:39.720 --> 0:13:42.200
<v Speaker 1>it's anything like that to where the artist gets pennies

0:13:42.240 --> 0:13:45.360
<v Speaker 1>for their masterpieces. Um, I hope that he. I haven't

0:13:45.360 --> 0:13:46.920
<v Speaker 1>really looked into it because I've been busy. I've been

0:13:47.000 --> 0:13:48.559
<v Speaker 1>out of the country to fight. That's why he's doing it.

0:13:50.000 --> 0:13:51.800
<v Speaker 1>If he's doing that, if he wants the artists to

0:13:51.800 --> 0:13:53.839
<v Speaker 1>make more money, that's kudos to him. Bro. Bro, you

0:13:53.880 --> 0:13:56.079
<v Speaker 1>know what I'm saying, Because what Spotify is doing, I'll

0:13:56.120 --> 0:13:58.080
<v Speaker 1>be ready to fight. I'm saying, seventy percent of a

0:13:58.120 --> 0:14:00.319
<v Speaker 1>fraction of a penny as a game crisis. Oh yeah,

0:14:00.320 --> 0:14:02.720
<v Speaker 1>that's how we Roberts. That happened to any other genre,

0:14:02.760 --> 0:14:04.640
<v Speaker 1>people would be in front of Congress. Oh my goodness,

0:14:04.960 --> 0:14:07.560
<v Speaker 1>you know what happened. It's like the people were asking me,

0:14:07.640 --> 0:14:09.640
<v Speaker 1>you know, overseas, because that's where they where they get

0:14:09.640 --> 0:14:12.520
<v Speaker 1>their music, Like why isn't Fragile on Spotify? It's on

0:14:12.559 --> 0:14:13.719
<v Speaker 1>there now, you know what. I don't know how to

0:14:13.760 --> 0:14:16.240
<v Speaker 1>hell back, but it's like, um, why can't I get

0:14:16.280 --> 0:14:18.719
<v Speaker 1>your album on Spotify? I said, because it's a masterpiece

0:14:18.720 --> 0:14:21.120
<v Speaker 1>and I will not get pennies for my masterpiece, right,

0:14:21.400 --> 0:14:22.840
<v Speaker 1>you know what I mean? So if jay Z is

0:14:22.880 --> 0:14:26.040
<v Speaker 1>doing something to better that, uh you know what, what

0:14:26.280 --> 0:14:28.520
<v Speaker 1>artists get paid and I'm all the way forward. Yeah,

0:14:28.520 --> 0:14:31.400
<v Speaker 1>he's giving artists equity in the company and everything. That's beautiful. Yeah,

0:14:31.440 --> 0:14:34.000
<v Speaker 1>that's beautiful. Able to think of doing something Oh yeah, yeah, yeah,

0:14:34.000 --> 0:14:35.440
<v Speaker 1>you know we we we do a lot of things

0:14:35.440 --> 0:14:37.960
<v Speaker 1>where our money and um, we're look into it, but

0:14:38.000 --> 0:14:41.000
<v Speaker 1>we're so swamped with everything we're doing. Man, we're so swamped.

0:14:41.040 --> 0:14:45.560
<v Speaker 1>So oh FILET Tech nine yeah yeah, oh yeah. I've

0:14:45.560 --> 0:14:46.920
<v Speaker 1>been on to Jay Z and I sent him a

0:14:46.920 --> 0:14:48.400
<v Speaker 1>track for this new album too, and they said he

0:14:48.440 --> 0:14:50.240
<v Speaker 1>wouldn't doing music at this time, so he owed me,

0:14:51.160 --> 0:14:54.240
<v Speaker 1>didn't reach out to you about title? No, no, no, no, no,

0:14:54.440 --> 0:14:56.080
<v Speaker 1>not not yet. You know what, But I know that

0:14:56.160 --> 0:14:57.880
<v Speaker 1>Jay Brown told him that I sent him a track,

0:14:58.120 --> 0:14:59.520
<v Speaker 1>you know what I mean. He's like, oh, man, we

0:14:59.640 --> 0:15:01.320
<v Speaker 1>know tech Yeah, yeah, yeah, but we aren't doing the

0:15:01.440 --> 0:15:03.640
<v Speaker 1>music right now. Okay, I get you next time, bro, Bro.

0:15:06.080 --> 0:15:08.320
<v Speaker 1>And when I sent him was hardcore too. And what

0:15:08.400 --> 0:15:10.720
<v Speaker 1>about the song you did with Ti? Was that something

0:15:10.720 --> 0:15:12.240
<v Speaker 1>that he wanted to do something with you or you

0:15:12.280 --> 0:15:14.320
<v Speaker 1>sent that to him? Well? I met him last year

0:15:14.440 --> 0:15:17.920
<v Speaker 1>when I was at Comic Con in Chicago. Trade the

0:15:17.920 --> 0:15:20.680
<v Speaker 1>Truth called me. Heard of was in Chicago doing comic Con.

0:15:20.720 --> 0:15:22.760
<v Speaker 1>He said, we have a show here tonight, me, Tip,

0:15:23.000 --> 0:15:24.760
<v Speaker 1>Wayne and two Chains and I was like, we're coming.

0:15:24.840 --> 0:15:27.040
<v Speaker 1>Me and my partner Travis. Jumped in the car, drove

0:15:27.080 --> 0:15:28.960
<v Speaker 1>an hour out of Chicago or something like that where

0:15:29.000 --> 0:15:33.520
<v Speaker 1>they were, and Trade the Truth met us at the gate,

0:15:33.840 --> 0:15:35.880
<v Speaker 1>got us right, took me right to Tip. I never

0:15:35.920 --> 0:15:37.480
<v Speaker 1>met him, and he said, Tech, I didn't even know

0:15:37.480 --> 0:15:40.360
<v Speaker 1>nothing about you until I was in prison and Arkansas.

0:15:40.440 --> 0:15:42.120
<v Speaker 1>They put me up on your music. Man. I did it,

0:15:42.160 --> 0:15:44.560
<v Speaker 1>and I said we're gonna hook and we ended up linking.

0:15:44.560 --> 0:15:46.880
<v Speaker 1>And next thing you know, I sent him a track

0:15:47.560 --> 0:15:49.280
<v Speaker 1>with Zeus on the chorus. You know what I mean.

0:15:49.400 --> 0:15:51.600
<v Speaker 1>Zeus from Kingston, Jamaica. I love his music and he's

0:15:51.600 --> 0:15:53.120
<v Speaker 1>going on tour with me on this tour as well,

0:15:53.560 --> 0:15:55.560
<v Speaker 1>and uh, tip sent him right back, and then I

0:15:55.600 --> 0:15:57.480
<v Speaker 1>just shot a video in Atlanta and he showed up.

0:15:57.480 --> 0:16:00.280
<v Speaker 1>I'm gonna tell you what he did. Man, this man

0:16:00.600 --> 0:16:04.360
<v Speaker 1>was at a LA movie premiere. Probably would get hard.

0:16:04.360 --> 0:16:06.200
<v Speaker 1>I don't know what movie. Maybe he didn't getting hard,

0:16:06.200 --> 0:16:08.720
<v Speaker 1>I don't know. Okay, that's probably the movie premiere he

0:16:08.760 --> 0:16:13.440
<v Speaker 1>was at. Really the country, you don't, I'm gone. So

0:16:13.560 --> 0:16:19.600
<v Speaker 1>it's like he got on the plane. Uh, got to

0:16:19.840 --> 0:16:25.000
<v Speaker 1>at L seven thirty, went to his nephew's wake, and

0:16:25.160 --> 0:16:27.400
<v Speaker 1>still came to my video set before he went home,

0:16:27.720 --> 0:16:29.400
<v Speaker 1>dressed in the clothes he was supposed to wear, man

0:16:29.440 --> 0:16:31.520
<v Speaker 1>and did that video for me, And I was like, Man,

0:16:31.840 --> 0:16:33.640
<v Speaker 1>so much love to you, bro, I know that you're moving.

0:16:33.720 --> 0:16:35.880
<v Speaker 1>He's like anytime anything you need. He brought so much

0:16:35.920 --> 0:16:40.040
<v Speaker 1>love and respect. Oh my god. And not just because

0:16:40.080 --> 0:16:42.320
<v Speaker 1>he did something for me, just a real you know,

0:16:42.360 --> 0:16:45.320
<v Speaker 1>a real dude when you meet fraudulent you know what

0:16:45.320 --> 0:16:47.360
<v Speaker 1>I'm saying. Now, you're very interesting to me because you

0:16:47.400 --> 0:16:49.280
<v Speaker 1>got the money. You know, you got a great career,

0:16:49.320 --> 0:16:51.560
<v Speaker 1>but it seems like you still want more. But it's not.

0:16:51.600 --> 0:16:53.960
<v Speaker 1>I don't think it's financial. No, I don't care about

0:16:54.240 --> 0:16:57.080
<v Speaker 1>making any more money. I m It's almost like you

0:16:57.120 --> 0:16:58.880
<v Speaker 1>want the fame kind of you want people to want

0:16:58.920 --> 0:17:00.720
<v Speaker 1>people to know that I give all my heart. You know.

0:17:01.040 --> 0:17:03.360
<v Speaker 1>The only thing hard about it now is I still

0:17:03.480 --> 0:17:05.440
<v Speaker 1>like to go to Walmart. And it's hard, you know,

0:17:05.520 --> 0:17:07.840
<v Speaker 1>still I still like to fly regular, you know what

0:17:07.880 --> 0:17:10.480
<v Speaker 1>I'm saying. It's hard taking pictures with all the TSA

0:17:11.000 --> 0:17:13.639
<v Speaker 1>or and all the people flying in from Persia or

0:17:13.640 --> 0:17:15.119
<v Speaker 1>something like, oh my gold Technoine, you know what, I

0:17:15.160 --> 0:17:17.320
<v Speaker 1>got to take pictures with them, take pictures with the

0:17:17.320 --> 0:17:18.960
<v Speaker 1>regular people that are in the US. You know what

0:17:19.000 --> 0:17:21.760
<v Speaker 1>I mean. It's hard for me. You know, it was

0:17:21.800 --> 0:17:24.760
<v Speaker 1>so hard at Walmart that you know, I went and

0:17:24.840 --> 0:17:27.159
<v Speaker 1>got a Costco card. But it's the same. It was

0:17:27.160 --> 0:17:29.879
<v Speaker 1>the same thing at Costco. So I still go. But

0:17:29.960 --> 0:17:32.440
<v Speaker 1>me and my roommate Maxilla, we just make the chicks

0:17:32.640 --> 0:17:34.639
<v Speaker 1>chase us, you know, through the aisles, and if they

0:17:34.680 --> 0:17:36.320
<v Speaker 1>catch us, they can get pictures, you know what I mean.

0:17:36.359 --> 0:17:39.160
<v Speaker 1>But yeah, it's fun. We try to make it fun. Man,

0:17:39.359 --> 0:17:44.440
<v Speaker 1>Because I asked somebody on a higher level than me, um,

0:17:44.600 --> 0:17:47.040
<v Speaker 1>does it get better? Do you still pump your own gas?

0:17:47.080 --> 0:17:48.640
<v Speaker 1>And this, that and the other. And he's like, man,

0:17:48.800 --> 0:17:50.840
<v Speaker 1>I used to pump my gass and I'm like, wow,

0:17:50.960 --> 0:17:57.280
<v Speaker 1>the artist. Yeah, oh man, it was somebody. Man, somebody

0:17:57.320 --> 0:17:59.000
<v Speaker 1>I'm cool with, you know what I'm saying, told me this,

0:17:59.119 --> 0:18:01.080
<v Speaker 1>you know, and I was like wow. So it doesn't

0:18:01.119 --> 0:18:03.679
<v Speaker 1>get easier because I need normalcy in the world that

0:18:03.720 --> 0:18:07.440
<v Speaker 1>I created. Strange Land. It's like, um, everybody call you God.

0:18:07.600 --> 0:18:08.880
<v Speaker 1>You know what I mean. You can lose your head.

0:18:08.960 --> 0:18:10.560
<v Speaker 1>There's a lot of women, a lot of everything. You

0:18:10.560 --> 0:18:12.000
<v Speaker 1>can lose your head, you know what I mean. That's

0:18:12.000 --> 0:18:14.240
<v Speaker 1>why I wonder why you even want the fame. Yeah. Wow,

0:18:14.920 --> 0:18:18.840
<v Speaker 1>it's more like I just show that's what I want.

0:18:19.040 --> 0:18:21.359
<v Speaker 1>I want to perform. Man, I I was. I was

0:18:21.359 --> 0:18:23.119
<v Speaker 1>a dancer before I was a rapper. You know what

0:18:23.119 --> 0:18:25.680
<v Speaker 1>I'm saying, poplock and break dance and empty hammer dancing everything.

0:18:25.720 --> 0:18:27.560
<v Speaker 1>You know what I'm saying. I wore the padding, leather

0:18:27.600 --> 0:18:29.960
<v Speaker 1>shoes and hammer pants everything. You know. How did you

0:18:30.000 --> 0:18:32.720
<v Speaker 1>grew out of that? Yeah? Yeah, they're going back to it.

0:18:33.040 --> 0:18:37.919
<v Speaker 1>Yeah wow, the hammer pants. But flattops having parts will

0:18:37.920 --> 0:18:39.880
<v Speaker 1>be back. Having parts are coming back, Dude. I didn't

0:18:39.880 --> 0:18:42.239
<v Speaker 1>see Chris Brown wear them. I then saw I went

0:18:42.320 --> 0:18:45.200
<v Speaker 1>to see r Kelly around New Year's and he had

0:18:45.240 --> 0:18:47.719
<v Speaker 1>on them. He don't count. He's going through me. Busted

0:18:47.760 --> 0:18:49.199
<v Speaker 1>him on the stage. I said, see that's what you

0:18:49.200 --> 0:18:52.840
<v Speaker 1>get from the comfortable. You know. No, I ain't never

0:18:52.880 --> 0:18:55.360
<v Speaker 1>gonna wear no parachute pants ever. Again. When you said

0:18:55.359 --> 0:18:57.719
<v Speaker 1>the song Fragile you did, has that been your biggest

0:18:57.720 --> 0:19:00.880
<v Speaker 1>song as far as radio? And yes, yes, yes, yes,

0:19:00.960 --> 0:19:03.640
<v Speaker 1>yes yes, Fragile is the biggest song that I've ever had.

0:19:03.960 --> 0:19:06.520
<v Speaker 1>Um they saying the Huggles Craize is gonna be even

0:19:06.520 --> 0:19:08.560
<v Speaker 1>bigger than that, so we'll see. I just do music

0:19:08.600 --> 0:19:10.600
<v Speaker 1>and my people put it where they think it should go.

0:19:10.800 --> 0:19:12.640
<v Speaker 1>You know, do you think about like, Okay, this song

0:19:12.680 --> 0:19:14.479
<v Speaker 1>could go on the radio or does that not matter? Well,

0:19:14.520 --> 0:19:16.160
<v Speaker 1>it don't matter to me. But when I hear a song,

0:19:16.240 --> 0:19:18.520
<v Speaker 1>we've been a dancer. When Bob sent me that beat

0:19:18.520 --> 0:19:21.959
<v Speaker 1>with this go Craiz, I'm like, ah, hell yeah, it

0:19:21.960 --> 0:19:23.399
<v Speaker 1>makes me want to move, So it's gonna make other

0:19:23.400 --> 0:19:26.520
<v Speaker 1>people want to move. And I know that much. So

0:19:26.560 --> 0:19:28.160
<v Speaker 1>that's why I do the party track and the things

0:19:28.359 --> 0:19:30.400
<v Speaker 1>down there. They got the hair that's missing. Keep bear,

0:19:30.400 --> 0:19:32.359
<v Speaker 1>I promise, and never tear that kitten. You know, I

0:19:32.480 --> 0:19:35.080
<v Speaker 1>know what that beat is doing because I'm a dancer,

0:19:35.119 --> 0:19:36.959
<v Speaker 1>you know what I mean. So the fact that it

0:19:36.960 --> 0:19:38.800
<v Speaker 1>makes other people move is a wonderful thing. You know.

0:19:38.960 --> 0:19:40.040
<v Speaker 1>Is it hard to deal with a lot of the

0:19:40.080 --> 0:19:42.200
<v Speaker 1>stuff that regular artists have to do it because you're

0:19:42.240 --> 0:19:45.480
<v Speaker 1>so successful, like dealing with the radio and I guess

0:19:45.480 --> 0:19:48.600
<v Speaker 1>asking DJ's to play records, talking to music directors. You're like,

0:19:49.040 --> 0:19:54.439
<v Speaker 1>I really don't have to be doing its front say this,

0:19:55.280 --> 0:19:57.520
<v Speaker 1>I should say. I should be real, right, absolutely, Okay,

0:19:57.560 --> 0:20:02.520
<v Speaker 1>So I'm never politically correct. So if I could just

0:20:03.640 --> 0:20:07.479
<v Speaker 1>do music in the studio and go on tour and

0:20:07.560 --> 0:20:09.359
<v Speaker 1>not have to do any of this, I'd be cool.

0:20:09.840 --> 0:20:11.960
<v Speaker 1>I'd be cool. I love seeing you guys faces. But

0:20:12.760 --> 0:20:15.439
<v Speaker 1>it's like, I just I just want to do music.

0:20:15.520 --> 0:20:18.520
<v Speaker 1>I don't care about you know, I'm promoting and all that,

0:20:18.560 --> 0:20:20.000
<v Speaker 1>but you have to write, you know what I mean.

0:20:20.000 --> 0:20:21.960
<v Speaker 1>I'm I'm just an artist. I just want to do

0:20:22.160 --> 0:20:24.920
<v Speaker 1>I love being on stage. Man. When I go out

0:20:24.960 --> 0:20:27.520
<v Speaker 1>there and I see everybody's smiling, I feel like Kevin

0:20:27.520 --> 0:20:28.879
<v Speaker 1>Hard or something. I don't know, man, you know what

0:20:28.880 --> 0:20:31.919
<v Speaker 1>I mean. It just feels good that you're making everybody smile,

0:20:32.440 --> 0:20:34.080
<v Speaker 1>you know what I mean. And that's what I love.

0:20:34.119 --> 0:20:37.720
<v Speaker 1>I love showing out for my fans. I remember the

0:20:37.800 --> 0:20:39.800
<v Speaker 1>first time seeing a tech Nice show was it Paid

0:20:39.840 --> 0:20:43.040
<v Speaker 1>Dudes Festival? Yeah? Because of him. He made it happen. Yeah,

0:20:43.040 --> 0:20:45.959
<v Speaker 1>and it was incredible. It's even better now I got

0:20:46.000 --> 0:20:48.160
<v Speaker 1>a live band with me, now, you know what I mean.

0:20:48.280 --> 0:20:50.800
<v Speaker 1>But I would just do that, man, you know, but

0:20:51.200 --> 0:20:53.320
<v Speaker 1>I'll keep on coming out here talking to everybody though.

0:20:53.359 --> 0:20:55.639
<v Speaker 1>You know, whatever it takes to get everybody on it.

0:20:55.720 --> 0:20:58.000
<v Speaker 1>You know. Actually you don't think directly the consumer is

0:20:58.040 --> 0:21:00.119
<v Speaker 1>good enough, like just talking to him online. Yeah, I

0:21:00.119 --> 0:21:01.800
<v Speaker 1>think I think it is. I think it is. I

0:21:01.800 --> 0:21:04.800
<v Speaker 1>think I think Jaycole proved that. I think Beyonce proved that.

0:21:05.000 --> 0:21:06.760
<v Speaker 1>You know what I mean. You know, when you have

0:21:06.800 --> 0:21:09.080
<v Speaker 1>a good product, man, you know your people are in tune.

0:21:09.480 --> 0:21:11.080
<v Speaker 1>You know. I went to Pandora and they showed me

0:21:11.119 --> 0:21:13.600
<v Speaker 1>how many people are playing my music and all these people,

0:21:13.640 --> 0:21:15.919
<v Speaker 1>these millions of ingiers and people that are tuned in

0:21:15.960 --> 0:21:18.480
<v Speaker 1>to Tech nine and have Technine stations. I'm like, wow,

0:21:18.720 --> 0:21:20.960
<v Speaker 1>my dumbath. I'm like, Pandora's a place. But he was

0:21:21.040 --> 0:21:29.359
<v Speaker 1>like talking about the album was out already and I

0:21:29.400 --> 0:21:32.680
<v Speaker 1>just didn't know about it because well I wasn't supposed

0:21:32.680 --> 0:21:35.520
<v Speaker 1>to put out the intro to the album, but it

0:21:35.560 --> 0:21:38.000
<v Speaker 1>was so now that I couldn't wait to make for it,

0:21:38.040 --> 0:21:39.639
<v Speaker 1>to get that message out to everybody. What I was

0:21:39.640 --> 0:21:42.760
<v Speaker 1>trying to say to God. You know what I mean? Yeah,

0:21:42.800 --> 0:21:45.720
<v Speaker 1>I did. I said, Um, so many circles will send

0:21:45.840 --> 0:21:48.200
<v Speaker 1>robbed me. That's why we go angel to grim Cosby's.

0:21:48.200 --> 0:21:50.320
<v Speaker 1>You know what I mean. Bad things happen and turn

0:21:50.440 --> 0:21:52.439
<v Speaker 1>us crazy. I guess I don't know. You know the

0:21:52.480 --> 0:21:54.840
<v Speaker 1>fact that you always give glory to God because the

0:21:55.119 --> 0:21:58.800
<v Speaker 1>deception don't look like you even believe in God. We

0:21:58.880 --> 0:22:00.560
<v Speaker 1>talked about that last time. You know, I'm saying the

0:22:00.560 --> 0:22:03.320
<v Speaker 1>devil worshiping thing, but my mom would kill me. I mean,

0:22:03.359 --> 0:22:05.800
<v Speaker 1>I grew up in the church. You know. I was

0:22:05.840 --> 0:22:07.720
<v Speaker 1>a part of the Sunshine Band. I go to cry

0:22:07.760 --> 0:22:10.240
<v Speaker 1>rehearsal with my aunties, you know what I mean. I

0:22:10.320 --> 0:22:12.199
<v Speaker 1>was at the sewing circle at the church. You know,

0:22:12.240 --> 0:22:15.560
<v Speaker 1>we're a breakfast, lunch and dinner at Barker Temple Baptist Church,

0:22:15.600 --> 0:22:18.719
<v Speaker 1>you know Bishop Moore. So it's like being in the

0:22:18.760 --> 0:22:22.119
<v Speaker 1>Bible belt. You know, we express our spirituality, so that

0:22:22.240 --> 0:22:25.280
<v Speaker 1>might when you hear the Holy Ghost that's dark. So

0:22:25.320 --> 0:22:27.119
<v Speaker 1>that's where the darkness is coming from, you know what

0:22:27.200 --> 0:22:29.920
<v Speaker 1>I mean? And people that don't understand and not to me,

0:22:30.000 --> 0:22:34.240
<v Speaker 1>people express their spirituality. I mean Tupac did Kanye does?

0:22:34.320 --> 0:22:36.960
<v Speaker 1>You know what I mean? You know a handful of

0:22:37.000 --> 0:22:39.239
<v Speaker 1>people do it. But sometimes when you do that, you know,

0:22:39.280 --> 0:22:41.480
<v Speaker 1>you can scare people. And especially if you got red

0:22:41.520 --> 0:22:45.239
<v Speaker 1>spiked hair and bishops row, they might If somebody say

0:22:45.320 --> 0:22:47.600
<v Speaker 1>he's a devil worshiper, everybody's gonna agree. But nobody knows

0:22:47.600 --> 0:22:49.160
<v Speaker 1>what the devil looks like. I don't know. I don't

0:22:49.160 --> 0:22:51.200
<v Speaker 1>even know what God or Jesus looks like. A picture

0:22:51.240 --> 0:22:53.040
<v Speaker 1>that they painted. It's not supposed to be the right

0:22:53.040 --> 0:22:56.520
<v Speaker 1>picture of Jesus. Jes might look like me. He's supposed

0:22:56.560 --> 0:23:00.480
<v Speaker 1>to you know, if you're talking about where that region? Absolutely,

0:23:00.560 --> 0:23:02.040
<v Speaker 1>can we have some bars? I know we usually don't

0:23:02.080 --> 0:23:03.280
<v Speaker 1>do this, but this is it's a pleasure when we

0:23:03.280 --> 0:23:05.159
<v Speaker 1>get an artists like tech nine and Hire. Do you

0:23:05.200 --> 0:23:10.080
<v Speaker 1>have some bars on deck? Um? Can? I curse? Yes?

0:23:10.920 --> 0:23:14.840
<v Speaker 1>Lately I've been like grab what did he say? Grab?

0:23:14.960 --> 0:23:16.800
<v Speaker 1>Oh no, no, I'm a writer a boat and plus

0:23:16.840 --> 0:23:20.280
<v Speaker 1>caps grab because all these tough cats really don't have

0:23:20.320 --> 0:23:23.480
<v Speaker 1>no nuts. Sacks. Trust that enough scratch does back much wackness.

0:23:23.480 --> 0:23:26.440
<v Speaker 1>Flush that down with the gowns, with the sounds for

0:23:26.480 --> 0:23:28.040
<v Speaker 1>the clowns not in a good way. You can drown

0:23:28.119 --> 0:23:30.399
<v Speaker 1>underground with the pounds where they gust that oh so

0:23:30.720 --> 0:23:33.800
<v Speaker 1>low we stole Joe holding donegro we flow though. Let

0:23:33.800 --> 0:23:38.520
<v Speaker 1>the soul glow mo Joe pillowcase over the head of

0:23:38.520 --> 0:23:41.840
<v Speaker 1>the industry. Illustrate with my mouth and murders my ministry,

0:23:41.840 --> 0:23:43.560
<v Speaker 1>seal the fate of my end, and me feel the

0:23:43.560 --> 0:23:47.480
<v Speaker 1>way of my energy. I hear the hate, facilitate this

0:23:47.720 --> 0:23:50.520
<v Speaker 1>jockey's what scriller. Make them play your records until your break.

0:23:50.600 --> 0:23:53.720
<v Speaker 1>Radio ain't nothing but real estate. It's still affect deal

0:23:53.760 --> 0:23:55.920
<v Speaker 1>of maso. Ain't rilla wick. But the midder is greater

0:23:55.920 --> 0:24:02.600
<v Speaker 1>than eight that can kill a yates. There you have it,

0:24:02.680 --> 0:24:05.919
<v Speaker 1>ladies and gentle don't pull it over here there, ladies

0:24:05.960 --> 0:24:11.280
<v Speaker 1>and gentlemen, tech Na, we appreciate you joining us doing

0:24:11.320 --> 0:24:18.359
<v Speaker 1>nothing my body man and the and the tour. Just

0:24:18.400 --> 0:24:21.280
<v Speaker 1>let people know when the tour starting. It starts April eighth.

0:24:21.400 --> 0:24:24.600
<v Speaker 1>It's called the Special Effects to support. It's in support

0:24:24.600 --> 0:24:27.960
<v Speaker 1>of my new album, UM Special Effects, and UM I'm

0:24:27.960 --> 0:24:30.600
<v Speaker 1>gonna let merders talk because my body is jittering right

0:24:30.600 --> 0:24:35.520
<v Speaker 1>now because I just screamed on everything I really felt. Yeah,

0:24:35.680 --> 0:24:39.320
<v Speaker 1>Chris Webby zeus k A well know myself. Chris Calicos

0:24:39.320 --> 0:24:42.160
<v Speaker 1>Special Effects Tour album and Stories May for Maye four.

0:24:42.240 --> 0:24:44.800
<v Speaker 1>There you have it club, Good morning,