1 00:00:07,120 --> 00:00:10,360 Speaker 1: It's DJ Envy Angela Yee Sharloman, the God. We all 2 00:00:10,440 --> 00:00:14,120 Speaker 1: the breakfast club. We have the independent King in the building. Yes, sir, 3 00:00:14,480 --> 00:00:16,720 Speaker 1: you know it was cool to be independent. Everybody keeps 4 00:00:16,720 --> 00:00:20,439 Speaker 1: saying that, man, everybody, it is the truth. Yeah. Well, 5 00:00:20,560 --> 00:00:22,400 Speaker 1: ladies and gentlemen, we have tech minie in the building. 6 00:00:22,440 --> 00:00:24,720 Speaker 1: And you still haven't sold out and sold to a 7 00:00:24,800 --> 00:00:28,200 Speaker 1: signed to a major. No, never, never will. I mean, 8 00:00:28,360 --> 00:00:30,760 Speaker 1: I don't know, man, it depends on how many millions 9 00:00:31,480 --> 00:00:34,159 Speaker 1: even now, and this climate is like I don't really know. Man, 10 00:00:34,479 --> 00:00:37,839 Speaker 1: Like somebody just called and offered the sixty million one enough, wow, 11 00:00:38,000 --> 00:00:40,559 Speaker 1: sixty million. Yeah, I can't say who it was. I 12 00:00:40,640 --> 00:00:43,800 Speaker 1: need my phone to ring like that. I talked to 13 00:00:43,840 --> 00:00:46,160 Speaker 1: my partner. I talked to my partner, Travis, and he said, man, 14 00:00:46,240 --> 00:00:48,040 Speaker 1: but we're about to do this year. Sixty million a't 15 00:00:48,040 --> 00:00:49,680 Speaker 1: gonna sound like nothing. I was like, yeah, you're right, 16 00:00:49,800 --> 00:00:52,479 Speaker 1: a deal worth sixty million, like advance everything up here? 17 00:00:53,680 --> 00:00:55,680 Speaker 1: Ain't nothing know for what for our blood sweat and 18 00:00:55,720 --> 00:00:57,720 Speaker 1: tears to me? I mean, I know, y'all sell a 19 00:00:57,720 --> 00:01:00,240 Speaker 1: lot with merchant and you gross a lot and show 20 00:01:00,120 --> 00:01:02,160 Speaker 1: how what kind of range were talking? Man? What do 21 00:01:02,160 --> 00:01:06,600 Speaker 1: you mean money wise, he makes the Forbes list, like all, 22 00:01:06,600 --> 00:01:08,600 Speaker 1: I know, you know last year, you know, I was 23 00:01:08,600 --> 00:01:10,560 Speaker 1: on the fourth list for eight millions, so you know, 24 00:01:10,640 --> 00:01:13,280 Speaker 1: I don't know, we do we do? Okay? Yeah? To 25 00:01:13,319 --> 00:01:16,080 Speaker 1: turn down sixty million dollars, I'm sure yeah, yeah, yeah, 26 00:01:16,080 --> 00:01:18,200 Speaker 1: And I've never turned down sixty million. That was the 27 00:01:18,240 --> 00:01:22,680 Speaker 1: first time I ever did it. Day before yesterday was no, no, no. 28 00:01:22,720 --> 00:01:24,360 Speaker 1: I was just flabbergasted, you know what I'm saying. I 29 00:01:24,440 --> 00:01:26,360 Speaker 1: was like, wow, that's what they want to say. And 30 00:01:26,400 --> 00:01:28,320 Speaker 1: he was like, man, but what we're about to do 31 00:01:28,400 --> 00:01:30,959 Speaker 1: after May fours, you know, after the album dropped. That's 32 00:01:31,000 --> 00:01:32,640 Speaker 1: not gonna sound like a lot of the money. I said, 33 00:01:32,680 --> 00:01:35,520 Speaker 1: You're right, though. Was it an easy decision of easy? Hey? 34 00:01:35,600 --> 00:01:37,560 Speaker 1: It was really, it was really easy. We laughed about it, 35 00:01:37,600 --> 00:01:40,039 Speaker 1: you know what I'm saying. We laughed about it. Is 36 00:01:40,040 --> 00:01:45,679 Speaker 1: that bad? No? Yes? Yeah, you regular people absolutely. Oh 37 00:01:45,720 --> 00:01:50,000 Speaker 1: somebody last thought that was funny? Yeah yeah yeah yeah. 38 00:01:50,560 --> 00:01:52,400 Speaker 1: But you know, things change all the time. Man. You 39 00:01:52,440 --> 00:01:54,480 Speaker 1: never know, somebody might call with the right number, and 40 00:01:54,520 --> 00:01:57,200 Speaker 1: it's probably easier for you to sell records, which makes 41 00:01:57,240 --> 00:01:59,280 Speaker 1: more money because of the internet, because yeah, it's doing 42 00:01:59,320 --> 00:02:03,120 Speaker 1: it before it was so easy to pres Yeah, yeah, yeah, 43 00:02:03,120 --> 00:02:04,840 Speaker 1: we had to start, you know, like Steve Rifkin did 44 00:02:04,840 --> 00:02:06,320 Speaker 1: it when with the Big pun thing. You know, we 45 00:02:06,400 --> 00:02:09,079 Speaker 1: have street teams, we still have everything grass roots. So 46 00:02:09,120 --> 00:02:11,239 Speaker 1: it's like the internet thing got for it because I 47 00:02:11,280 --> 00:02:13,520 Speaker 1: wouldn't be able to go over to Australia like I 48 00:02:13,560 --> 00:02:16,200 Speaker 1: just did in New Zealand and Honolulu for the first 49 00:02:16,240 --> 00:02:18,639 Speaker 1: time and have all sold out shows, you know what 50 00:02:18,680 --> 00:02:21,040 Speaker 1: I'm saying. And you know, it really is important, I 51 00:02:21,080 --> 00:02:23,799 Speaker 1: think for an artist like Tech nine to show these 52 00:02:23,800 --> 00:02:25,640 Speaker 1: other artists how important it is to have a great 53 00:02:25,680 --> 00:02:27,880 Speaker 1: live show exactly. You know a lot of people don't 54 00:02:27,960 --> 00:02:30,320 Speaker 1: understand the importance of having a live show. They get 55 00:02:30,400 --> 00:02:33,560 Speaker 1: sold out with Without the live show, man, you're not 56 00:02:33,600 --> 00:02:36,080 Speaker 1: gonna last, you know what I mean. And back in 57 00:02:36,080 --> 00:02:37,799 Speaker 1: the day when we were on the road, like early, 58 00:02:38,000 --> 00:02:39,720 Speaker 1: you know what I mean, it wasn't too many people 59 00:02:39,720 --> 00:02:41,359 Speaker 1: on the road, but toilet quality was on the road, 60 00:02:41,360 --> 00:02:43,840 Speaker 1: you know, atmosphere was on the road, Citizen Cope stuff 61 00:02:43,880 --> 00:02:46,040 Speaker 1: people like that. But then in later years I got 62 00:02:46,120 --> 00:02:50,440 Speaker 1: to see Asap Rocky hitting the road with Danny Brown 63 00:02:50,600 --> 00:02:52,680 Speaker 1: and scoopboard Q and I was loving to see it 64 00:02:52,720 --> 00:02:54,760 Speaker 1: that the youngsters is getting out their touring now because 65 00:02:55,000 --> 00:02:56,720 Speaker 1: one thing to be real told me a long time ago. 66 00:02:56,720 --> 00:02:58,760 Speaker 1: He said, they could try to take away djan and 67 00:02:58,919 --> 00:03:00,760 Speaker 1: buying on everything, but be able to take away the 68 00:03:00,800 --> 00:03:03,080 Speaker 1: live show. And if you have a great live show, 69 00:03:03,240 --> 00:03:06,280 Speaker 1: people will talk. Word of mouth really works, you know 70 00:03:06,280 --> 00:03:08,480 Speaker 1: what I mean. So when they say you gotta go 71 00:03:08,520 --> 00:03:10,640 Speaker 1: she tech now you gotta go see this. People come 72 00:03:11,040 --> 00:03:12,840 Speaker 1: and we're still on the incline because of that, because 73 00:03:12,880 --> 00:03:15,240 Speaker 1: we gave a damn about what the show is and 74 00:03:15,240 --> 00:03:16,720 Speaker 1: you did. Just don't ance your tour. Mers is on 75 00:03:16,760 --> 00:03:20,120 Speaker 1: the tour. Yes, I wondering was here. I had a 76 00:03:20,120 --> 00:03:26,720 Speaker 1: scriptle here for you to eat up. He's morderlized for that, 77 00:03:26,800 --> 00:03:33,639 Speaker 1: and I feel responsible people what happened. No, I'm gonna 78 00:03:33,639 --> 00:03:35,520 Speaker 1: tell you what really happened. Okay, okay, because the truth 79 00:03:35,520 --> 00:03:37,720 Speaker 1: of the maddest people don't know. It's explaining to people 80 00:03:37,720 --> 00:03:40,520 Speaker 1: what happened. I had a show called Lift Service and Merds. 81 00:03:40,600 --> 00:03:43,360 Speaker 1: I saw him at Rock the Bells, Yes, and he 82 00:03:43,480 --> 00:03:45,320 Speaker 1: told me, he said, bring some strippers up there. I 83 00:03:45,320 --> 00:03:50,320 Speaker 1: want to eat somebody out. He said that his mom 84 00:03:50,400 --> 00:03:56,760 Speaker 1: was there as well. Really close mouth, don't get fed, bro, exactly. Okay, 85 00:03:56,920 --> 00:03:59,680 Speaker 1: you know, no problem. I set it up and I did. 86 00:04:00,080 --> 00:04:02,080 Speaker 1: We had two shippers there for you. Yes, you came 87 00:04:02,520 --> 00:04:06,280 Speaker 1: through Roxy Reynolds. And still remember the name can Vine 88 00:04:06,360 --> 00:04:09,360 Speaker 1: Candas Vine. Yes, I'll never forget you ain't. Both of 89 00:04:09,400 --> 00:04:14,040 Speaker 1: the one was yeah, one one was you know, touching me. 90 00:04:14,080 --> 00:04:17,599 Speaker 1: Another one set on you put your face in candas ones. 91 00:04:17,680 --> 00:04:24,840 Speaker 1: But though yeah I didn't do that too as you 92 00:04:24,920 --> 00:04:28,040 Speaker 1: just get random. But it wasn't it was it smelled, 93 00:04:28,040 --> 00:04:31,040 Speaker 1: It smelled great. She was clean, very like you know, 94 00:04:31,080 --> 00:04:33,480 Speaker 1: you inspect before you, you know, dive in you know what. 95 00:04:33,480 --> 00:04:37,320 Speaker 1: I'm drunk. Nah, so I was okay, you a little crazy? Yeah, 96 00:04:37,720 --> 00:04:41,160 Speaker 1: he was definitely nervous. Was this your first sexual experience? No, No, 97 00:04:41,320 --> 00:04:45,520 Speaker 1: first on air, you know, on live on the internet. Yeah, 98 00:04:45,520 --> 00:04:46,800 Speaker 1: I did too. I got I had to take a 99 00:04:46,800 --> 00:04:50,240 Speaker 1: sidebar with the boss. Mostly what most people get when 100 00:04:50,279 --> 00:04:51,760 Speaker 1: they come to a radio interview. All you got some 101 00:04:51,800 --> 00:04:56,200 Speaker 1: cheap coffee or whatever. Yeah, but then he ended up dating. Yeah, Roxy, 102 00:04:57,320 --> 00:05:01,640 Speaker 1: you did a good job. Anything good in her professional opinion. 103 00:05:01,680 --> 00:05:04,240 Speaker 1: You know a lot of people do that for her barely, 104 00:05:04,279 --> 00:05:08,599 Speaker 1: And I guess I weren't high up. Yeah, you make 105 00:05:08,640 --> 00:05:10,960 Speaker 1: it come in the studio. I don't know I should 106 00:05:11,000 --> 00:05:13,400 Speaker 1: I hope so. And I think he didn't do it 107 00:05:13,440 --> 00:05:16,520 Speaker 1: long en Afterno, No, it wasn't that. It wasn't that long. Yeah, 108 00:05:17,920 --> 00:05:19,720 Speaker 1: but Murray says he's always told me that he gets 109 00:05:19,760 --> 00:05:21,880 Speaker 1: a lot of recognition for that. Yeah, people stopped me 110 00:05:21,920 --> 00:05:24,160 Speaker 1: with my wife. Now, I was a what did your 111 00:05:24,160 --> 00:05:26,760 Speaker 1: wife say? She hates that question because they'll just ask 112 00:05:26,839 --> 00:05:28,960 Speaker 1: me what it tastes like? What roxy Reyntals tastes like? 113 00:05:29,000 --> 00:05:31,640 Speaker 1: I'm here in the video. Yeah, she saw it all 114 00:05:32,160 --> 00:05:34,920 Speaker 1: before you got married, before he got married, some conversation 115 00:05:35,000 --> 00:05:36,440 Speaker 1: like babe, I want to shake you this just so 116 00:05:36,520 --> 00:05:38,880 Speaker 1: you know, she knew. She knew me who I was, 117 00:05:38,920 --> 00:05:41,160 Speaker 1: so she knew what had happened. But it's still awkward 118 00:05:41,160 --> 00:05:43,120 Speaker 1: when you put going to Walmarts and a dude walk 119 00:05:43,240 --> 00:05:45,360 Speaker 1: right up to you. Hey man, what roxy Reryntals taste 120 00:05:45,400 --> 00:05:47,920 Speaker 1: like you? It makes her feel a certain kind of way. 121 00:05:48,240 --> 00:05:50,360 Speaker 1: He was just talking about murders. I can't remember who 122 00:05:50,400 --> 00:05:54,360 Speaker 1: it is though. We're talking about what was it? Who 123 00:05:54,440 --> 00:05:56,960 Speaker 1: was it? I remember, I don't remember. Was it the 124 00:05:56,960 --> 00:05:59,760 Speaker 1: boss man? Who's the boss man? Be your own boss man? 125 00:05:59,839 --> 00:06:05,720 Speaker 1: I think it was. Yeah, Yeah, we have. What do 126 00:06:05,800 --> 00:06:07,760 Speaker 1: y'all got going on? No, I was. I was working 127 00:06:07,760 --> 00:06:09,240 Speaker 1: with him on this label before, while I was living 128 00:06:09,240 --> 00:06:11,480 Speaker 1: with him for a few few months. Got you and 129 00:06:11,640 --> 00:06:14,360 Speaker 1: up in upstate. Now I'm helping his son with the 130 00:06:14,400 --> 00:06:16,320 Speaker 1: cookie business. Me and his son are more more tight. 131 00:06:16,320 --> 00:06:18,360 Speaker 1: I haven't taught the damon in a while. Oh, that's 132 00:06:18,360 --> 00:06:22,440 Speaker 1: what it was too. It was it was Lucan Lucan. Yeah, okay, yeah, 133 00:06:22,560 --> 00:06:25,520 Speaker 1: I might messed with them. Tell but well, Lucan Bookie 134 00:06:25,520 --> 00:06:26,880 Speaker 1: got a regularly what I think you got something coming 135 00:06:26,880 --> 00:06:28,080 Speaker 1: out on the lag? Yeah, I put, I did a 136 00:06:28,080 --> 00:06:31,320 Speaker 1: single form of years ago. No, it was done years ago, 137 00:06:31,360 --> 00:06:32,960 Speaker 1: and they're just now getting around to put because they 138 00:06:32,960 --> 00:06:34,840 Speaker 1: opened the restaurant. That's what you're saying. The tech now, 139 00:06:34,839 --> 00:06:36,440 Speaker 1: you let him say saying it was done a long time. 140 00:06:36,720 --> 00:06:39,000 Speaker 1: They've done a long time ago. You know, it sounds 141 00:06:39,000 --> 00:06:41,320 Speaker 1: like it just happened. Technic. Yeah, now Techno and this 142 00:06:41,360 --> 00:06:44,240 Speaker 1: new album you have special effects here. You're saying this 143 00:06:44,279 --> 00:06:46,320 Speaker 1: is going to be your biggest album to date. Yes, 144 00:06:46,360 --> 00:06:48,440 Speaker 1: I know for a fact. Everybody else is gonna know 145 00:06:48,480 --> 00:06:49,839 Speaker 1: after May fourth too, you know what I mean, not 146 00:06:49,880 --> 00:06:54,400 Speaker 1: just because of all the major um collaborations. But it's 147 00:06:54,400 --> 00:06:56,440 Speaker 1: just the music is bigger, you know what I mean? 148 00:06:56,880 --> 00:06:59,640 Speaker 1: The concept. You know, my mom just passed. H June 149 00:06:59,720 --> 00:07:02,840 Speaker 1: said to Lupus, you know what I mean. So they 150 00:07:02,839 --> 00:07:05,320 Speaker 1: asked me was my inspiration? I dedicated the whole album 151 00:07:05,360 --> 00:07:09,720 Speaker 1: to her, and everything I always wanted I got after 152 00:07:09,800 --> 00:07:11,520 Speaker 1: she passed, you know. So it makes me feel like 153 00:07:11,560 --> 00:07:13,720 Speaker 1: I really have a real angel. You know what I'm saying? 154 00:07:13,720 --> 00:07:16,280 Speaker 1: What did you right here? I wanted a lot of 155 00:07:16,320 --> 00:07:18,560 Speaker 1: things over the years of my music career. Man, it 156 00:07:18,600 --> 00:07:21,880 Speaker 1: just so happens when she left, all these things started 157 00:07:21,880 --> 00:07:24,679 Speaker 1: happening for my music. Like know what I'm saying, Um, 158 00:07:25,000 --> 00:07:27,480 Speaker 1: I can't really say, man, you know, it's just big, 159 00:07:27,520 --> 00:07:32,040 Speaker 1: big I'll say it like this, and almost every genre, 160 00:07:33,200 --> 00:07:37,960 Speaker 1: whether it's d M, whether it's hip hop, whether it's metal, 161 00:07:38,920 --> 00:07:40,680 Speaker 1: it's all on my album. And we got the people 162 00:07:40,720 --> 00:07:44,640 Speaker 1: that are at the hilt of it the best collaboration. No, 163 00:07:44,760 --> 00:07:48,400 Speaker 1: I didn't say that. Why does everybody get saying that? 164 00:07:51,440 --> 00:07:54,000 Speaker 1: Why does everybody get saying that? That's so funny? Now? 165 00:07:54,040 --> 00:07:56,080 Speaker 1: The truth that your fans gave you flat for being 166 00:07:56,080 --> 00:07:58,200 Speaker 1: on Jimmy Kimmel last year, Oh yeah, and they're giving 167 00:07:58,240 --> 00:08:03,120 Speaker 1: me flat for the two chain something Bob Money that 168 00:08:03,160 --> 00:08:04,920 Speaker 1: people don't want to see you do stuff because they 169 00:08:04,920 --> 00:08:07,360 Speaker 1: feel like you're selling out. Well, not all my fans, 170 00:08:07,400 --> 00:08:09,760 Speaker 1: but some fans do not tech. Why would you do 171 00:08:09,800 --> 00:08:12,400 Speaker 1: something with two chains? He is not on your level lyrically. 172 00:08:12,440 --> 00:08:15,720 Speaker 1: I'm like, listen, that's my bro. When he gets on 173 00:08:15,720 --> 00:08:17,960 Speaker 1: a track, it says party. Why wouldn't I put him 174 00:08:18,000 --> 00:08:20,160 Speaker 1: on that party track? It's beautiful? And he lit it up? 175 00:08:20,160 --> 00:08:22,320 Speaker 1: You know what I'm saying in my opinion, And you know, 176 00:08:22,440 --> 00:08:24,440 Speaker 1: it's like I've been on the underground for so long. 177 00:08:24,880 --> 00:08:26,760 Speaker 1: A lot of those fans don't want to share you 178 00:08:26,800 --> 00:08:30,240 Speaker 1: with the mainstream, like, oh, he's tech technologs going mainstream. 179 00:08:30,280 --> 00:08:32,640 Speaker 1: I said, no, technog would never go mainstream, but mainstream 180 00:08:32,640 --> 00:08:34,319 Speaker 1: will go tech and that's happening, you know what I mean. 181 00:08:34,559 --> 00:08:36,760 Speaker 1: I didn't have to change anything. I didn't have to 182 00:08:36,800 --> 00:08:38,920 Speaker 1: conform for no amount of money or nothing. You know what, 183 00:08:38,920 --> 00:08:42,160 Speaker 1: I'm sizzling. So it's like I just fight with him 184 00:08:42,200 --> 00:08:44,959 Speaker 1: on Instagram. Hey, they imagine did a song with a 185 00:08:44,960 --> 00:08:47,240 Speaker 1: little Wayne? Oh yes, oh yes, I mean I had 186 00:08:47,240 --> 00:08:50,040 Speaker 1: to really stand behind Wayne, you know what I mean. 187 00:08:50,080 --> 00:08:51,960 Speaker 1: And after a while I went away. It always goes 188 00:08:52,000 --> 00:08:55,760 Speaker 1: away if I stand strong, and I'm always stand strong. Yes, 189 00:08:55,800 --> 00:08:58,679 Speaker 1: I did Riker's Island. That's how y'all the relationship for him? Yeah, yeah, yeah, 190 00:08:58,720 --> 00:09:00,000 Speaker 1: because he says something about me out of the blue. 191 00:09:00,040 --> 00:09:01,400 Speaker 1: I didn't know he knew me, you know. He said 192 00:09:01,400 --> 00:09:03,880 Speaker 1: something the mass reflection somebody I don't know, and said 193 00:09:03,880 --> 00:09:05,240 Speaker 1: he wanted to work with me. So when I came 194 00:09:05,280 --> 00:09:07,400 Speaker 1: out here for a press week like this week, I 195 00:09:07,440 --> 00:09:09,200 Speaker 1: went up there to see him. Ogs hooked it up, 196 00:09:09,240 --> 00:09:11,880 Speaker 1: you know what I mean, And I went in it's beautiful. 197 00:09:11,880 --> 00:09:14,320 Speaker 1: Soad you explain the afair that Jimmy Kimmel situated, because 198 00:09:14,320 --> 00:09:18,520 Speaker 1: I would be happy that my guy who look oh 199 00:09:18,600 --> 00:09:20,160 Speaker 1: yeah yeah yeah. A lot of them, a lot of 200 00:09:20,200 --> 00:09:21,800 Speaker 1: them were there, you know what I'm saying. They got 201 00:09:21,800 --> 00:09:24,320 Speaker 1: tickets for that, you know what I mean, And a 202 00:09:24,320 --> 00:09:26,560 Speaker 1: lot of them were happy for me. But the ones 203 00:09:26,600 --> 00:09:29,079 Speaker 1: you said that, oh, he's on TV now, you know 204 00:09:29,120 --> 00:09:31,240 Speaker 1: what I'm saying. He's not underground anymore. It's supposed I 205 00:09:31,320 --> 00:09:33,880 Speaker 1: told him. I tell him, real music is supposed to 206 00:09:33,920 --> 00:09:36,280 Speaker 1: spread and shine, you know what I mean. And since 207 00:09:36,320 --> 00:09:39,160 Speaker 1: we started, me and my partner Travis o'gwen, when we 208 00:09:39,160 --> 00:09:43,280 Speaker 1: started this, our goal was world domination. You know that 209 00:09:43,280 --> 00:09:45,920 Speaker 1: means I want everybody to know the name Tech nine. 210 00:09:45,960 --> 00:09:47,640 Speaker 1: You know what I'm sisling because I always thought I 211 00:09:47,679 --> 00:09:50,240 Speaker 1: had the talent to spread to everybody and something to 212 00:09:50,280 --> 00:09:53,560 Speaker 1: say to everybody, you know, And that's what we're gonna do. 213 00:09:53,600 --> 00:09:56,560 Speaker 1: And in order to do that, radio and TV has 214 00:09:56,559 --> 00:09:58,960 Speaker 1: to happen. No matter how weird the face paint is, 215 00:09:59,000 --> 00:10:01,959 Speaker 1: no matter how weird the the scrub top and pants are, 216 00:10:02,120 --> 00:10:04,800 Speaker 1: whatever it is, I'm just gonna beat me and it's working. 217 00:10:05,280 --> 00:10:08,200 Speaker 1: I'm questing that for a lot of people that don't 218 00:10:08,240 --> 00:10:10,520 Speaker 1: know your history, why did you decide to go independent 219 00:10:10,559 --> 00:10:13,199 Speaker 1: from the door and not necessarily stay looking for a 220 00:10:13,240 --> 00:10:16,120 Speaker 1: record deal? Well? I had major record deals, you know. 221 00:10:16,120 --> 00:10:18,360 Speaker 1: I meant. My first one was in ninety three with Jimmy, Jemmy, 222 00:10:18,400 --> 00:10:22,040 Speaker 1: Terry Lewis Prospective Records. That did not work because they 223 00:10:22,040 --> 00:10:23,320 Speaker 1: didn't know what to do with a black dude with 224 00:10:23,360 --> 00:10:26,480 Speaker 1: a red spiked hair and face paint and whatever. You know, 225 00:10:27,280 --> 00:10:28,839 Speaker 1: what do you do with that? Where do you put them? 226 00:10:29,320 --> 00:10:30,800 Speaker 1: Tell you something stupid stuff like hey, why don't you 227 00:10:30,800 --> 00:10:34,800 Speaker 1: go wrestle exactly exactly? You know, really that would probably work. 228 00:10:35,240 --> 00:10:41,199 Speaker 1: But in ninety seven, I gotta deal with Quincy Jones, 229 00:10:41,840 --> 00:10:46,199 Speaker 1: question Warner. The people he had working for him didn't 230 00:10:46,200 --> 00:10:47,880 Speaker 1: know what to do with me as well, you know 231 00:10:47,920 --> 00:10:50,600 Speaker 1: what I mean. Ninety nine we did a deal with 232 00:10:50,720 --> 00:10:57,120 Speaker 1: Interscope and Jacorp. They just totally destroyed the project and 233 00:10:57,400 --> 00:11:00,000 Speaker 1: canceled the video and everything. Man, and it just wouldn't work. 234 00:11:00,040 --> 00:11:02,880 Speaker 1: And me and my partner Travis would say, you know what, 235 00:11:02,920 --> 00:11:05,280 Speaker 1: We're gonna start Strange Music, our own label out of 236 00:11:05,320 --> 00:11:10,520 Speaker 1: Kansas City, Missouri. Man. And fifteen years well almost sixteen 237 00:11:10,600 --> 00:11:13,000 Speaker 1: years later, here we are, man, the number one independent. 238 00:11:13,360 --> 00:11:16,000 Speaker 1: You know, you ever wonder why anybody ever signed to 239 00:11:16,040 --> 00:11:18,880 Speaker 1: a major, especially being with I know why people. I 240 00:11:18,920 --> 00:11:20,520 Speaker 1: know why people signed to a major. They try to 241 00:11:20,559 --> 00:11:23,080 Speaker 1: get up out of poverty, man, and something is better 242 00:11:23,120 --> 00:11:25,560 Speaker 1: than nothing. I know exactly why. They unfortunate to have 243 00:11:25,559 --> 00:11:27,679 Speaker 1: a great partner who was also a great business Oh 244 00:11:27,679 --> 00:11:30,000 Speaker 1: my goodness, to save my life. Man, How did you 245 00:11:30,040 --> 00:11:34,120 Speaker 1: meet him? I was doing music back in Kansas City 246 00:11:34,200 --> 00:11:37,800 Speaker 1: and he was funding some dudes that I knew that 247 00:11:38,240 --> 00:11:41,760 Speaker 1: did clothing Paradise Originals, and they were having a fashion 248 00:11:41,800 --> 00:11:43,679 Speaker 1: show with a lot of chicks and everything. So they 249 00:11:43,679 --> 00:11:46,640 Speaker 1: wanted me to come perform my song that was popping 250 00:11:46,679 --> 00:11:48,400 Speaker 1: on the radio at that time. I planned Rock to 251 00:11:48,559 --> 00:11:52,760 Speaker 1: Q and I came and did it. Everybody was going bonkers, 252 00:11:52,760 --> 00:11:54,320 Speaker 1: and Travis said, I want to have a meeting with him. 253 00:11:54,360 --> 00:11:55,760 Speaker 1: I've been on his music for a long time. I 254 00:11:55,800 --> 00:11:58,880 Speaker 1: went to Travis's home the next day with my homeboy 255 00:11:59,040 --> 00:12:02,440 Speaker 1: George Forte, and he said, hey, tech Manum, I've been 256 00:12:02,480 --> 00:12:05,200 Speaker 1: a fan of your music for so many years, and 257 00:12:05,280 --> 00:12:07,080 Speaker 1: I wonder, like your music is better than a lot 258 00:12:07,120 --> 00:12:08,880 Speaker 1: of people out here on the radio. What does it take? 259 00:12:08,920 --> 00:12:10,160 Speaker 1: I said, it takes a lot. He said, well, I 260 00:12:10,200 --> 00:12:12,760 Speaker 1: have a lot. I own my own business, furniture works, 261 00:12:12,760 --> 00:12:14,560 Speaker 1: you know what I'm saying. And he's made up self 262 00:12:14,559 --> 00:12:16,840 Speaker 1: a millionaire by the time he was nineteen, and he said, 263 00:12:16,920 --> 00:12:18,800 Speaker 1: what do you think about doing a fifty fifty partnership, 264 00:12:18,840 --> 00:12:19,760 Speaker 1: you know what I'm saying. I was like, Yes, I 265 00:12:19,800 --> 00:12:22,200 Speaker 1: want to call it strange music because I'm a doors fans. 266 00:12:22,240 --> 00:12:24,800 Speaker 1: People are strange, strange days. Let's go you know, snake 267 00:12:24,840 --> 00:12:28,240 Speaker 1: in the bat And he was so smart he knew 268 00:12:28,280 --> 00:12:30,440 Speaker 1: to put it on a hat, or put it on 269 00:12:30,480 --> 00:12:32,800 Speaker 1: a g string, or put it on a belt, buck 270 00:12:32,920 --> 00:12:34,280 Speaker 1: or a money clip. You know what I'm saying, our 271 00:12:34,320 --> 00:12:38,160 Speaker 1: T shirt and people would be walking billboards. You know 272 00:12:38,160 --> 00:12:41,200 Speaker 1: what I'm saying, the people that believe what you're saying 273 00:12:41,320 --> 00:12:44,240 Speaker 1: in your music. And it's been happening for over sixteen 274 00:12:44,320 --> 00:12:47,679 Speaker 1: years now. The FTI movie, that's what Listeners were able 275 00:12:47,720 --> 00:12:51,079 Speaker 1: to legally download y albums through the artist website where 276 00:12:51,120 --> 00:12:52,760 Speaker 1: you charging for that. No, I gave it to him 277 00:12:52,760 --> 00:12:54,600 Speaker 1: for free. I gave it to him for free. Signs 278 00:12:55,160 --> 00:12:57,400 Speaker 1: they'll come to the shows. Well, this is what I believe. 279 00:12:57,480 --> 00:12:59,400 Speaker 1: This is what we believed, and we proved ourselves right. 280 00:12:59,600 --> 00:13:02,320 Speaker 1: You know, Um, if you have a beautiful project, if 281 00:13:02,320 --> 00:13:05,560 Speaker 1: you have wonderful musicum, people will buy it. If you 282 00:13:05,640 --> 00:13:08,920 Speaker 1: let them hear it for free, they will support it. 283 00:13:08,960 --> 00:13:10,880 Speaker 1: If you take time to do the music, if you 284 00:13:10,920 --> 00:13:12,800 Speaker 1: take time to do the artwork for the music, if 285 00:13:12,800 --> 00:13:15,200 Speaker 1: you make a collector's item something that they can collect 286 00:13:15,440 --> 00:13:18,640 Speaker 1: and keep for a long time. We prove that we 287 00:13:18,720 --> 00:13:21,480 Speaker 1: gave it away for free and people still bought absolute power, 288 00:13:21,640 --> 00:13:23,120 Speaker 1: you know what I mean. And we knew this, and 289 00:13:23,120 --> 00:13:24,600 Speaker 1: that's what he was trying to tell other artists, like 290 00:13:24,600 --> 00:13:26,480 Speaker 1: if you just got one songs on the radio and 291 00:13:26,520 --> 00:13:28,360 Speaker 1: the rest of your songs a bunk. They're just gonna 292 00:13:28,360 --> 00:13:30,280 Speaker 1: download that one song. They don't want your album, you 293 00:13:30,280 --> 00:13:32,120 Speaker 1: know what I mean, make them want it. That's what 294 00:13:32,120 --> 00:13:35,080 Speaker 1: What do you think about Jay Z's News Screaming System title. 295 00:13:35,120 --> 00:13:38,000 Speaker 1: If it's anything like Spotify just panis pennies, I don't 296 00:13:38,000 --> 00:13:39,720 Speaker 1: care about it, you know what I'm saying. If if 297 00:13:39,720 --> 00:13:42,200 Speaker 1: it's anything like that to where the artist gets pennies 298 00:13:42,240 --> 00:13:45,360 Speaker 1: for their masterpieces. Um, I hope that he. I haven't 299 00:13:45,360 --> 00:13:46,920 Speaker 1: really looked into it because I've been busy. I've been 300 00:13:47,000 --> 00:13:48,559 Speaker 1: out of the country to fight. That's why he's doing it. 301 00:13:50,000 --> 00:13:51,800 Speaker 1: If he's doing that, if he wants the artists to 302 00:13:51,800 --> 00:13:53,839 Speaker 1: make more money, that's kudos to him. Bro. Bro, you 303 00:13:53,880 --> 00:13:56,079 Speaker 1: know what I'm saying, Because what Spotify is doing, I'll 304 00:13:56,120 --> 00:13:58,080 Speaker 1: be ready to fight. I'm saying, seventy percent of a 305 00:13:58,120 --> 00:14:00,319 Speaker 1: fraction of a penny as a game crisis. Oh yeah, 306 00:14:00,320 --> 00:14:02,720 Speaker 1: that's how we Roberts. That happened to any other genre, 307 00:14:02,760 --> 00:14:04,640 Speaker 1: people would be in front of Congress. Oh my goodness, 308 00:14:04,960 --> 00:14:07,560 Speaker 1: you know what happened. It's like the people were asking me, 309 00:14:07,640 --> 00:14:09,640 Speaker 1: you know, overseas, because that's where they where they get 310 00:14:09,640 --> 00:14:12,520 Speaker 1: their music, Like why isn't Fragile on Spotify? It's on 311 00:14:12,559 --> 00:14:13,719 Speaker 1: there now, you know what. I don't know how to 312 00:14:13,760 --> 00:14:16,240 Speaker 1: hell back, but it's like, um, why can't I get 313 00:14:16,280 --> 00:14:18,719 Speaker 1: your album on Spotify? I said, because it's a masterpiece 314 00:14:18,720 --> 00:14:21,120 Speaker 1: and I will not get pennies for my masterpiece, right, 315 00:14:21,400 --> 00:14:22,840 Speaker 1: you know what I mean? So if jay Z is 316 00:14:22,880 --> 00:14:26,040 Speaker 1: doing something to better that, uh you know what, what 317 00:14:26,280 --> 00:14:28,520 Speaker 1: artists get paid and I'm all the way forward. Yeah, 318 00:14:28,520 --> 00:14:31,400 Speaker 1: he's giving artists equity in the company and everything. That's beautiful. Yeah, 319 00:14:31,440 --> 00:14:34,000 Speaker 1: that's beautiful. Able to think of doing something Oh yeah, yeah, yeah, 320 00:14:34,000 --> 00:14:35,440 Speaker 1: you know we we we do a lot of things 321 00:14:35,440 --> 00:14:37,960 Speaker 1: where our money and um, we're look into it, but 322 00:14:38,000 --> 00:14:41,000 Speaker 1: we're so swamped with everything we're doing. Man, we're so swamped. 323 00:14:41,040 --> 00:14:45,560 Speaker 1: So oh FILET Tech nine yeah yeah, oh yeah. I've 324 00:14:45,560 --> 00:14:46,920 Speaker 1: been on to Jay Z and I sent him a 325 00:14:46,920 --> 00:14:48,400 Speaker 1: track for this new album too, and they said he 326 00:14:48,440 --> 00:14:50,240 Speaker 1: wouldn't doing music at this time, so he owed me, 327 00:14:51,160 --> 00:14:54,240 Speaker 1: didn't reach out to you about title? No, no, no, no, no, 328 00:14:54,440 --> 00:14:56,080 Speaker 1: not not yet. You know what, But I know that 329 00:14:56,160 --> 00:14:57,880 Speaker 1: Jay Brown told him that I sent him a track, 330 00:14:58,120 --> 00:14:59,520 Speaker 1: you know what I mean. He's like, oh, man, we 331 00:14:59,640 --> 00:15:01,320 Speaker 1: know tech Yeah, yeah, yeah, but we aren't doing the 332 00:15:01,440 --> 00:15:03,640 Speaker 1: music right now. Okay, I get you next time, bro, Bro. 333 00:15:06,080 --> 00:15:08,320 Speaker 1: And when I sent him was hardcore too. And what 334 00:15:08,400 --> 00:15:10,720 Speaker 1: about the song you did with Ti? Was that something 335 00:15:10,720 --> 00:15:12,240 Speaker 1: that he wanted to do something with you or you 336 00:15:12,280 --> 00:15:14,320 Speaker 1: sent that to him? Well? I met him last year 337 00:15:14,440 --> 00:15:17,920 Speaker 1: when I was at Comic Con in Chicago. Trade the 338 00:15:17,920 --> 00:15:20,680 Speaker 1: Truth called me. Heard of was in Chicago doing comic Con. 339 00:15:20,720 --> 00:15:22,760 Speaker 1: He said, we have a show here tonight, me, Tip, 340 00:15:23,000 --> 00:15:24,760 Speaker 1: Wayne and two Chains and I was like, we're coming. 341 00:15:24,840 --> 00:15:27,040 Speaker 1: Me and my partner Travis. Jumped in the car, drove 342 00:15:27,080 --> 00:15:28,960 Speaker 1: an hour out of Chicago or something like that where 343 00:15:29,000 --> 00:15:33,520 Speaker 1: they were, and Trade the Truth met us at the gate, 344 00:15:33,840 --> 00:15:35,880 Speaker 1: got us right, took me right to Tip. I never 345 00:15:35,920 --> 00:15:37,480 Speaker 1: met him, and he said, Tech, I didn't even know 346 00:15:37,480 --> 00:15:40,360 Speaker 1: nothing about you until I was in prison and Arkansas. 347 00:15:40,440 --> 00:15:42,120 Speaker 1: They put me up on your music. Man. I did it, 348 00:15:42,160 --> 00:15:44,560 Speaker 1: and I said we're gonna hook and we ended up linking. 349 00:15:44,560 --> 00:15:46,880 Speaker 1: And next thing you know, I sent him a track 350 00:15:47,560 --> 00:15:49,280 Speaker 1: with Zeus on the chorus. You know what I mean. 351 00:15:49,400 --> 00:15:51,600 Speaker 1: Zeus from Kingston, Jamaica. I love his music and he's 352 00:15:51,600 --> 00:15:53,120 Speaker 1: going on tour with me on this tour as well, 353 00:15:53,560 --> 00:15:55,560 Speaker 1: and uh, tip sent him right back, and then I 354 00:15:55,600 --> 00:15:57,480 Speaker 1: just shot a video in Atlanta and he showed up. 355 00:15:57,480 --> 00:16:00,280 Speaker 1: I'm gonna tell you what he did. Man, this man 356 00:16:00,600 --> 00:16:04,360 Speaker 1: was at a LA movie premiere. Probably would get hard. 357 00:16:04,360 --> 00:16:06,200 Speaker 1: I don't know what movie. Maybe he didn't getting hard, 358 00:16:06,200 --> 00:16:08,720 Speaker 1: I don't know. Okay, that's probably the movie premiere he 359 00:16:08,760 --> 00:16:13,440 Speaker 1: was at. Really the country, you don't, I'm gone. So 360 00:16:13,560 --> 00:16:19,600 Speaker 1: it's like he got on the plane. Uh, got to 361 00:16:19,840 --> 00:16:25,000 Speaker 1: at L seven thirty, went to his nephew's wake, and 362 00:16:25,160 --> 00:16:27,400 Speaker 1: still came to my video set before he went home, 363 00:16:27,720 --> 00:16:29,400 Speaker 1: dressed in the clothes he was supposed to wear, man 364 00:16:29,440 --> 00:16:31,520 Speaker 1: and did that video for me, And I was like, Man, 365 00:16:31,840 --> 00:16:33,640 Speaker 1: so much love to you, bro, I know that you're moving. 366 00:16:33,720 --> 00:16:35,880 Speaker 1: He's like anytime anything you need. He brought so much 367 00:16:35,920 --> 00:16:40,040 Speaker 1: love and respect. Oh my god. And not just because 368 00:16:40,080 --> 00:16:42,320 Speaker 1: he did something for me, just a real you know, 369 00:16:42,360 --> 00:16:45,320 Speaker 1: a real dude when you meet fraudulent you know what 370 00:16:45,320 --> 00:16:47,360 Speaker 1: I'm saying. Now, you're very interesting to me because you 371 00:16:47,400 --> 00:16:49,280 Speaker 1: got the money. You know, you got a great career, 372 00:16:49,320 --> 00:16:51,560 Speaker 1: but it seems like you still want more. But it's not. 373 00:16:51,600 --> 00:16:53,960 Speaker 1: I don't think it's financial. No, I don't care about 374 00:16:54,240 --> 00:16:57,080 Speaker 1: making any more money. I m It's almost like you 375 00:16:57,120 --> 00:16:58,880 Speaker 1: want the fame kind of you want people to want 376 00:16:58,920 --> 00:17:00,720 Speaker 1: people to know that I give all my heart. You know. 377 00:17:01,040 --> 00:17:03,360 Speaker 1: The only thing hard about it now is I still 378 00:17:03,480 --> 00:17:05,440 Speaker 1: like to go to Walmart. And it's hard, you know, 379 00:17:05,520 --> 00:17:07,840 Speaker 1: still I still like to fly regular, you know what 380 00:17:07,880 --> 00:17:10,480 Speaker 1: I'm saying. It's hard taking pictures with all the TSA 381 00:17:11,000 --> 00:17:13,639 Speaker 1: or and all the people flying in from Persia or 382 00:17:13,640 --> 00:17:15,119 Speaker 1: something like, oh my gold Technoine, you know what, I 383 00:17:15,160 --> 00:17:17,320 Speaker 1: got to take pictures with them, take pictures with the 384 00:17:17,320 --> 00:17:18,960 Speaker 1: regular people that are in the US. You know what 385 00:17:19,000 --> 00:17:21,760 Speaker 1: I mean. It's hard for me. You know, it was 386 00:17:21,800 --> 00:17:24,760 Speaker 1: so hard at Walmart that you know, I went and 387 00:17:24,840 --> 00:17:27,159 Speaker 1: got a Costco card. But it's the same. It was 388 00:17:27,160 --> 00:17:29,879 Speaker 1: the same thing at Costco. So I still go. But 389 00:17:29,960 --> 00:17:32,440 Speaker 1: me and my roommate Maxilla, we just make the chicks 390 00:17:32,640 --> 00:17:34,639 Speaker 1: chase us, you know, through the aisles, and if they 391 00:17:34,680 --> 00:17:36,320 Speaker 1: catch us, they can get pictures, you know what I mean. 392 00:17:36,359 --> 00:17:39,160 Speaker 1: But yeah, it's fun. We try to make it fun. Man, 393 00:17:39,359 --> 00:17:44,440 Speaker 1: Because I asked somebody on a higher level than me, um, 394 00:17:44,600 --> 00:17:47,040 Speaker 1: does it get better? Do you still pump your own gas? 395 00:17:47,080 --> 00:17:48,640 Speaker 1: And this, that and the other. And he's like, man, 396 00:17:48,800 --> 00:17:50,840 Speaker 1: I used to pump my gass and I'm like, wow, 397 00:17:50,960 --> 00:17:57,280 Speaker 1: the artist. Yeah, oh man, it was somebody. Man, somebody 398 00:17:57,320 --> 00:17:59,000 Speaker 1: I'm cool with, you know what I'm saying, told me this, 399 00:17:59,119 --> 00:18:01,080 Speaker 1: you know, and I was like wow. So it doesn't 400 00:18:01,119 --> 00:18:03,679 Speaker 1: get easier because I need normalcy in the world that 401 00:18:03,720 --> 00:18:07,440 Speaker 1: I created. Strange Land. It's like, um, everybody call you God. 402 00:18:07,600 --> 00:18:08,880 Speaker 1: You know what I mean. You can lose your head. 403 00:18:08,960 --> 00:18:10,560 Speaker 1: There's a lot of women, a lot of everything. You 404 00:18:10,560 --> 00:18:12,000 Speaker 1: can lose your head, you know what I mean. That's 405 00:18:12,000 --> 00:18:14,240 Speaker 1: why I wonder why you even want the fame. Yeah. Wow, 406 00:18:14,920 --> 00:18:18,840 Speaker 1: it's more like I just show that's what I want. 407 00:18:19,040 --> 00:18:21,359 Speaker 1: I want to perform. Man, I I was. I was 408 00:18:21,359 --> 00:18:23,119 Speaker 1: a dancer before I was a rapper. You know what 409 00:18:23,119 --> 00:18:25,680 Speaker 1: I'm saying, poplock and break dance and empty hammer dancing everything. 410 00:18:25,720 --> 00:18:27,560 Speaker 1: You know what I'm saying. I wore the padding, leather 411 00:18:27,600 --> 00:18:29,960 Speaker 1: shoes and hammer pants everything. You know. How did you 412 00:18:30,000 --> 00:18:32,720 Speaker 1: grew out of that? Yeah? Yeah, they're going back to it. 413 00:18:33,040 --> 00:18:37,919 Speaker 1: Yeah wow, the hammer pants. But flattops having parts will 414 00:18:37,920 --> 00:18:39,880 Speaker 1: be back. Having parts are coming back, Dude. I didn't 415 00:18:39,880 --> 00:18:42,239 Speaker 1: see Chris Brown wear them. I then saw I went 416 00:18:42,320 --> 00:18:45,200 Speaker 1: to see r Kelly around New Year's and he had 417 00:18:45,240 --> 00:18:47,719 Speaker 1: on them. He don't count. He's going through me. Busted 418 00:18:47,760 --> 00:18:49,199 Speaker 1: him on the stage. I said, see that's what you 419 00:18:49,200 --> 00:18:52,840 Speaker 1: get from the comfortable. You know. No, I ain't never 420 00:18:52,880 --> 00:18:55,360 Speaker 1: gonna wear no parachute pants ever. Again. When you said 421 00:18:55,359 --> 00:18:57,719 Speaker 1: the song Fragile you did, has that been your biggest 422 00:18:57,720 --> 00:19:00,880 Speaker 1: song as far as radio? And yes, yes, yes, yes, 423 00:19:00,960 --> 00:19:03,640 Speaker 1: yes yes, Fragile is the biggest song that I've ever had. 424 00:19:03,960 --> 00:19:06,520 Speaker 1: Um they saying the Huggles Craize is gonna be even 425 00:19:06,520 --> 00:19:08,560 Speaker 1: bigger than that, so we'll see. I just do music 426 00:19:08,600 --> 00:19:10,600 Speaker 1: and my people put it where they think it should go. 427 00:19:10,800 --> 00:19:12,640 Speaker 1: You know, do you think about like, Okay, this song 428 00:19:12,680 --> 00:19:14,479 Speaker 1: could go on the radio or does that not matter? Well, 429 00:19:14,520 --> 00:19:16,160 Speaker 1: it don't matter to me. But when I hear a song, 430 00:19:16,240 --> 00:19:18,520 Speaker 1: we've been a dancer. When Bob sent me that beat 431 00:19:18,520 --> 00:19:21,959 Speaker 1: with this go Craiz, I'm like, ah, hell yeah, it 432 00:19:21,960 --> 00:19:23,399 Speaker 1: makes me want to move, So it's gonna make other 433 00:19:23,400 --> 00:19:26,520 Speaker 1: people want to move. And I know that much. So 434 00:19:26,560 --> 00:19:28,160 Speaker 1: that's why I do the party track and the things 435 00:19:28,359 --> 00:19:30,400 Speaker 1: down there. They got the hair that's missing. Keep bear, 436 00:19:30,400 --> 00:19:32,359 Speaker 1: I promise, and never tear that kitten. You know, I 437 00:19:32,480 --> 00:19:35,080 Speaker 1: know what that beat is doing because I'm a dancer, 438 00:19:35,119 --> 00:19:36,959 Speaker 1: you know what I mean. So the fact that it 439 00:19:36,960 --> 00:19:38,800 Speaker 1: makes other people move is a wonderful thing. You know. 440 00:19:38,960 --> 00:19:40,040 Speaker 1: Is it hard to deal with a lot of the 441 00:19:40,080 --> 00:19:42,200 Speaker 1: stuff that regular artists have to do it because you're 442 00:19:42,240 --> 00:19:45,480 Speaker 1: so successful, like dealing with the radio and I guess 443 00:19:45,480 --> 00:19:48,600 Speaker 1: asking DJ's to play records, talking to music directors. You're like, 444 00:19:49,040 --> 00:19:54,439 Speaker 1: I really don't have to be doing its front say this, 445 00:19:55,280 --> 00:19:57,520 Speaker 1: I should say. I should be real, right, absolutely, Okay, 446 00:19:57,560 --> 00:20:02,520 Speaker 1: So I'm never politically correct. So if I could just 447 00:20:03,640 --> 00:20:07,479 Speaker 1: do music in the studio and go on tour and 448 00:20:07,560 --> 00:20:09,359 Speaker 1: not have to do any of this, I'd be cool. 449 00:20:09,840 --> 00:20:11,960 Speaker 1: I'd be cool. I love seeing you guys faces. But 450 00:20:12,760 --> 00:20:15,439 Speaker 1: it's like, I just I just want to do music. 451 00:20:15,520 --> 00:20:18,520 Speaker 1: I don't care about you know, I'm promoting and all that, 452 00:20:18,560 --> 00:20:20,000 Speaker 1: but you have to write, you know what I mean. 453 00:20:20,000 --> 00:20:21,960 Speaker 1: I'm I'm just an artist. I just want to do 454 00:20:22,160 --> 00:20:24,920 Speaker 1: I love being on stage. Man. When I go out 455 00:20:24,960 --> 00:20:27,520 Speaker 1: there and I see everybody's smiling, I feel like Kevin 456 00:20:27,520 --> 00:20:28,879 Speaker 1: Hard or something. I don't know, man, you know what 457 00:20:28,880 --> 00:20:31,919 Speaker 1: I mean. It just feels good that you're making everybody smile, 458 00:20:32,440 --> 00:20:34,080 Speaker 1: you know what I mean. And that's what I love. 459 00:20:34,119 --> 00:20:37,720 Speaker 1: I love showing out for my fans. I remember the 460 00:20:37,800 --> 00:20:39,800 Speaker 1: first time seeing a tech Nice show was it Paid 461 00:20:39,840 --> 00:20:43,040 Speaker 1: Dudes Festival? Yeah? Because of him. He made it happen. Yeah, 462 00:20:43,040 --> 00:20:45,959 Speaker 1: and it was incredible. It's even better now I got 463 00:20:46,000 --> 00:20:48,160 Speaker 1: a live band with me, now, you know what I mean. 464 00:20:48,280 --> 00:20:50,800 Speaker 1: But I would just do that, man, you know, but 465 00:20:51,200 --> 00:20:53,320 Speaker 1: I'll keep on coming out here talking to everybody though. 466 00:20:53,359 --> 00:20:55,639 Speaker 1: You know, whatever it takes to get everybody on it. 467 00:20:55,720 --> 00:20:58,000 Speaker 1: You know. Actually you don't think directly the consumer is 468 00:20:58,040 --> 00:21:00,119 Speaker 1: good enough, like just talking to him online. Yeah, I 469 00:21:00,119 --> 00:21:01,800 Speaker 1: think I think it is. I think it is. I 470 00:21:01,800 --> 00:21:04,800 Speaker 1: think I think Jaycole proved that. I think Beyonce proved that. 471 00:21:05,000 --> 00:21:06,760 Speaker 1: You know what I mean. You know, when you have 472 00:21:06,800 --> 00:21:09,080 Speaker 1: a good product, man, you know your people are in tune. 473 00:21:09,480 --> 00:21:11,080 Speaker 1: You know. I went to Pandora and they showed me 474 00:21:11,119 --> 00:21:13,600 Speaker 1: how many people are playing my music and all these people, 475 00:21:13,640 --> 00:21:15,919 Speaker 1: these millions of ingiers and people that are tuned in 476 00:21:15,960 --> 00:21:18,480 Speaker 1: to Tech nine and have Technine stations. I'm like, wow, 477 00:21:18,720 --> 00:21:20,960 Speaker 1: my dumbath. I'm like, Pandora's a place. But he was 478 00:21:21,040 --> 00:21:29,359 Speaker 1: like talking about the album was out already and I 479 00:21:29,400 --> 00:21:32,680 Speaker 1: just didn't know about it because well I wasn't supposed 480 00:21:32,680 --> 00:21:35,520 Speaker 1: to put out the intro to the album, but it 481 00:21:35,560 --> 00:21:38,000 Speaker 1: was so now that I couldn't wait to make for it, 482 00:21:38,040 --> 00:21:39,639 Speaker 1: to get that message out to everybody. What I was 483 00:21:39,640 --> 00:21:42,760 Speaker 1: trying to say to God. You know what I mean? Yeah, 484 00:21:42,800 --> 00:21:45,720 Speaker 1: I did. I said, Um, so many circles will send 485 00:21:45,840 --> 00:21:48,200 Speaker 1: robbed me. That's why we go angel to grim Cosby's. 486 00:21:48,200 --> 00:21:50,320 Speaker 1: You know what I mean. Bad things happen and turn 487 00:21:50,440 --> 00:21:52,439 Speaker 1: us crazy. I guess I don't know. You know the 488 00:21:52,480 --> 00:21:54,840 Speaker 1: fact that you always give glory to God because the 489 00:21:55,119 --> 00:21:58,800 Speaker 1: deception don't look like you even believe in God. We 490 00:21:58,880 --> 00:22:00,560 Speaker 1: talked about that last time. You know, I'm saying the 491 00:22:00,560 --> 00:22:03,320 Speaker 1: devil worshiping thing, but my mom would kill me. I mean, 492 00:22:03,359 --> 00:22:05,800 Speaker 1: I grew up in the church. You know. I was 493 00:22:05,840 --> 00:22:07,720 Speaker 1: a part of the Sunshine Band. I go to cry 494 00:22:07,760 --> 00:22:10,240 Speaker 1: rehearsal with my aunties, you know what I mean. I 495 00:22:10,320 --> 00:22:12,199 Speaker 1: was at the sewing circle at the church. You know, 496 00:22:12,240 --> 00:22:15,560 Speaker 1: we're a breakfast, lunch and dinner at Barker Temple Baptist Church, 497 00:22:15,600 --> 00:22:18,719 Speaker 1: you know Bishop Moore. So it's like being in the 498 00:22:18,760 --> 00:22:22,119 Speaker 1: Bible belt. You know, we express our spirituality, so that 499 00:22:22,240 --> 00:22:25,280 Speaker 1: might when you hear the Holy Ghost that's dark. So 500 00:22:25,320 --> 00:22:27,119 Speaker 1: that's where the darkness is coming from, you know what 501 00:22:27,200 --> 00:22:29,920 Speaker 1: I mean? And people that don't understand and not to me, 502 00:22:30,000 --> 00:22:34,240 Speaker 1: people express their spirituality. I mean Tupac did Kanye does? 503 00:22:34,320 --> 00:22:36,960 Speaker 1: You know what I mean? You know a handful of 504 00:22:37,000 --> 00:22:39,239 Speaker 1: people do it. But sometimes when you do that, you know, 505 00:22:39,280 --> 00:22:41,480 Speaker 1: you can scare people. And especially if you got red 506 00:22:41,520 --> 00:22:45,239 Speaker 1: spiked hair and bishops row, they might If somebody say 507 00:22:45,320 --> 00:22:47,600 Speaker 1: he's a devil worshiper, everybody's gonna agree. But nobody knows 508 00:22:47,600 --> 00:22:49,160 Speaker 1: what the devil looks like. I don't know. I don't 509 00:22:49,160 --> 00:22:51,200 Speaker 1: even know what God or Jesus looks like. A picture 510 00:22:51,240 --> 00:22:53,040 Speaker 1: that they painted. It's not supposed to be the right 511 00:22:53,040 --> 00:22:56,520 Speaker 1: picture of Jesus. Jes might look like me. He's supposed 512 00:22:56,560 --> 00:23:00,480 Speaker 1: to you know, if you're talking about where that region? Absolutely, 513 00:23:00,560 --> 00:23:02,040 Speaker 1: can we have some bars? I know we usually don't 514 00:23:02,080 --> 00:23:03,280 Speaker 1: do this, but this is it's a pleasure when we 515 00:23:03,280 --> 00:23:05,159 Speaker 1: get an artists like tech nine and Hire. Do you 516 00:23:05,200 --> 00:23:10,080 Speaker 1: have some bars on deck? Um? Can? I curse? Yes? 517 00:23:10,920 --> 00:23:14,840 Speaker 1: Lately I've been like grab what did he say? Grab? 518 00:23:14,960 --> 00:23:16,800 Speaker 1: Oh no, no, I'm a writer a boat and plus 519 00:23:16,840 --> 00:23:20,280 Speaker 1: caps grab because all these tough cats really don't have 520 00:23:20,320 --> 00:23:23,480 Speaker 1: no nuts. Sacks. Trust that enough scratch does back much wackness. 521 00:23:23,480 --> 00:23:26,440 Speaker 1: Flush that down with the gowns, with the sounds for 522 00:23:26,480 --> 00:23:28,040 Speaker 1: the clowns not in a good way. You can drown 523 00:23:28,119 --> 00:23:30,399 Speaker 1: underground with the pounds where they gust that oh so 524 00:23:30,720 --> 00:23:33,800 Speaker 1: low we stole Joe holding donegro we flow though. Let 525 00:23:33,800 --> 00:23:38,520 Speaker 1: the soul glow mo Joe pillowcase over the head of 526 00:23:38,520 --> 00:23:41,840 Speaker 1: the industry. Illustrate with my mouth and murders my ministry, 527 00:23:41,840 --> 00:23:43,560 Speaker 1: seal the fate of my end, and me feel the 528 00:23:43,560 --> 00:23:47,480 Speaker 1: way of my energy. I hear the hate, facilitate this 529 00:23:47,720 --> 00:23:50,520 Speaker 1: jockey's what scriller. Make them play your records until your break. 530 00:23:50,600 --> 00:23:53,720 Speaker 1: Radio ain't nothing but real estate. It's still affect deal 531 00:23:53,760 --> 00:23:55,920 Speaker 1: of maso. Ain't rilla wick. But the midder is greater 532 00:23:55,920 --> 00:24:02,600 Speaker 1: than eight that can kill a yates. There you have it, 533 00:24:02,680 --> 00:24:05,919 Speaker 1: ladies and gentle don't pull it over here there, ladies 534 00:24:05,960 --> 00:24:11,280 Speaker 1: and gentlemen, tech Na, we appreciate you joining us doing 535 00:24:11,320 --> 00:24:18,359 Speaker 1: nothing my body man and the and the tour. Just 536 00:24:18,400 --> 00:24:21,280 Speaker 1: let people know when the tour starting. It starts April eighth. 537 00:24:21,400 --> 00:24:24,600 Speaker 1: It's called the Special Effects to support. It's in support 538 00:24:24,600 --> 00:24:27,960 Speaker 1: of my new album, UM Special Effects, and UM I'm 539 00:24:27,960 --> 00:24:30,600 Speaker 1: gonna let merders talk because my body is jittering right 540 00:24:30,600 --> 00:24:35,520 Speaker 1: now because I just screamed on everything I really felt. Yeah, 541 00:24:35,680 --> 00:24:39,320 Speaker 1: Chris Webby zeus k A well know myself. Chris Calicos 542 00:24:39,320 --> 00:24:42,160 Speaker 1: Special Effects Tour album and Stories May for Maye four. 543 00:24:42,240 --> 00:24:44,800 Speaker 1: There you have it club, Good morning,