WEBVTT - INTERVIEW: Martin Lawrence Talks Return To Standup, 'Blue Streak' Sequel, Fearless Comedy + More

0:00:00.440 --> 0:00:03.640
<v Speaker 1>Wake that ass up in the morning. The Breakfast Club

0:00:04.559 --> 0:00:05.360
<v Speaker 1>Morning everybody.

0:00:05.400 --> 0:00:09.080
<v Speaker 2>It's DJ Envy, Jess Hilarious, Charlamagne the God we are

0:00:09.160 --> 0:00:11.680
<v Speaker 2>the Breakfast Club. Jess is six, so she's not here.

0:00:11.920 --> 0:00:14.440
<v Speaker 2>Laurla Roe is feeling in and we got a special.

0:00:14.120 --> 0:00:16.840
<v Speaker 3>Guest in the building, legend himself.

0:00:16.600 --> 0:00:20.160
<v Speaker 1>Martin Laws, Ladies and gentlemen. How you feeling.

0:00:20.040 --> 0:00:22.880
<v Speaker 4>Good, great man, Glad to be here with you. Guys.

0:00:23.000 --> 0:00:24.599
<v Speaker 2>This weekend you're gonna be at the ball Clays and

0:00:24.640 --> 0:00:27.040
<v Speaker 2>also Atlantic City Performance. So if you haven't got your tickets,

0:00:27.040 --> 0:00:29.840
<v Speaker 2>get your tickets. We're actually today we're giving away front

0:00:29.960 --> 0:00:32.519
<v Speaker 2>row seats to go to the show. So calling one

0:00:32.560 --> 0:00:34.360
<v Speaker 2>on five right now, eight hundred and five eight five

0:00:34.400 --> 0:00:34.839
<v Speaker 2>one five.

0:00:35.000 --> 0:00:35.839
<v Speaker 1>We gotta don't.

0:00:35.640 --> 0:00:37.840
<v Speaker 5>Say nothing in the front row because I might get

0:00:37.920 --> 0:00:39.319
<v Speaker 5>you in front row.

0:00:39.960 --> 0:00:42.360
<v Speaker 1>Those tickets are yours. How you feeling, brother.

0:00:42.400 --> 0:00:46.520
<v Speaker 5>I'm feeling great man, feeling great, feeling blessed. I feel

0:00:46.560 --> 0:00:52.480
<v Speaker 5>for all the people going through uh tragic stuff in La.

0:00:52.880 --> 0:00:54.640
<v Speaker 4>You know with the fires.

0:00:54.640 --> 0:00:59.640
<v Speaker 5>My sister's house burned down. Sorry, yeah, so you know

0:00:59.680 --> 0:01:01.240
<v Speaker 5>we got start rebuilding.

0:01:01.880 --> 0:01:03.640
<v Speaker 1>You know, so you live in La too, right, but

0:01:03.640 --> 0:01:04.120
<v Speaker 1>it was your house?

0:01:04.160 --> 0:01:07.160
<v Speaker 4>Effective enough, No, but it was getting close. It was

0:01:07.200 --> 0:01:08.479
<v Speaker 4>getting close. Yeah.

0:01:08.600 --> 0:01:11.800
<v Speaker 3>Do they call you immediately, like you know, modern house

0:01:11.840 --> 0:01:12.320
<v Speaker 3>burned down?

0:01:12.440 --> 0:01:12.640
<v Speaker 4>Yeah?

0:01:12.680 --> 0:01:16.120
<v Speaker 5>Well I was at my ranch back in Virginia and

0:01:16.400 --> 0:01:19.200
<v Speaker 5>chilling in the snow and all that was going on.

0:01:19.640 --> 0:01:21.840
<v Speaker 5>I was just one nothing I could do, but my

0:01:21.959 --> 0:01:26.080
<v Speaker 5>family that I had in LA was holding it down.

0:01:26.280 --> 0:01:27.680
<v Speaker 3>Do you reach for your pockets first or do you

0:01:27.720 --> 0:01:29.399
<v Speaker 3>wait to see what the insurance gonna do?

0:01:30.560 --> 0:01:32.320
<v Speaker 4>Oh? Well both?

0:01:35.280 --> 0:01:36.920
<v Speaker 6>What's the rebuilding process going to be like?

0:01:36.959 --> 0:01:37.119
<v Speaker 1>Though?

0:01:37.120 --> 0:01:38.679
<v Speaker 7>Like you guys have to wait a certain amount of

0:01:38.680 --> 0:01:41.000
<v Speaker 7>time before you can even start like thinking about that.

0:01:41.120 --> 0:01:42.280
<v Speaker 6>Do they give you a.

0:01:42.120 --> 0:01:44.360
<v Speaker 4>I really don't know. I really don't know.

0:01:46.040 --> 0:01:49.000
<v Speaker 2>I got to ask about Bad Boys? You know, the

0:01:49.080 --> 0:01:51.560
<v Speaker 2>Bad Boys franchise picked back up right where y'all left

0:01:51.560 --> 0:01:55.120
<v Speaker 2>off years ago, right, Yeah, And it's pretty amazing because

0:01:55.160 --> 0:01:56.760
<v Speaker 2>as a kid, I grew up on it, right, but

0:01:56.800 --> 0:01:59.440
<v Speaker 2>now my kids are growing up on it. So do

0:01:59.560 --> 0:02:01.920
<v Speaker 2>you expected to catch so big? And how many are

0:02:01.960 --> 0:02:04.280
<v Speaker 2>y'all gonna do? Because it's not it's not like you know,

0:02:04.360 --> 0:02:06.960
<v Speaker 2>usually you do a sequel it's like, and then the

0:02:06.960 --> 0:02:09.639
<v Speaker 2>one after that it's like, but now it's not whack.

0:02:09.720 --> 0:02:11.359
<v Speaker 2>It keeps going, So how many more. You're gonna do it,

0:02:11.400 --> 0:02:12.400
<v Speaker 2>y'all shooting?

0:02:12.440 --> 0:02:15.560
<v Speaker 5>I really don't know, you know, you know, the business

0:02:15.639 --> 0:02:20.000
<v Speaker 5>is fickleed, you know. I hope to do uh more,

0:02:20.200 --> 0:02:23.240
<v Speaker 5>you know, as long as Will wants to do them,

0:02:23.639 --> 0:02:26.639
<v Speaker 5>you know, well, and the audience wants some we're doing

0:02:27.280 --> 0:02:30.880
<v Speaker 5>you know. We like giving you a good work, you know,

0:02:31.120 --> 0:02:33.360
<v Speaker 5>so you know, we have a lot of fun with

0:02:33.520 --> 0:02:34.280
<v Speaker 5>bad boys.

0:02:34.600 --> 0:02:37.280
<v Speaker 8>Why I was wondering about the toll, like, like you

0:02:38.000 --> 0:02:41.040
<v Speaker 8>got money, you're old enow, why even go back on

0:02:41.080 --> 0:02:42.640
<v Speaker 8>the grind and doing a comedy.

0:02:42.240 --> 0:02:45.440
<v Speaker 4>Tour because it's where I started. It's my baby, you know,

0:02:46.320 --> 0:02:49.080
<v Speaker 4>it's it's it's my bread winner. You know.

0:02:49.840 --> 0:02:52.160
<v Speaker 5>When I don't have nothing else to do, I can't

0:02:52.160 --> 0:02:56.960
<v Speaker 5>do movies or TV or whatever. I can always go

0:02:57.040 --> 0:03:00.240
<v Speaker 5>back to stand up and my audience is always there

0:03:00.280 --> 0:03:00.600
<v Speaker 5>for me.

0:03:01.000 --> 0:03:02.639
<v Speaker 8>Do you think that the stand up Do you think

0:03:02.639 --> 0:03:04.760
<v Speaker 8>the appetite of stand up is the same as it

0:03:04.840 --> 0:03:05.200
<v Speaker 8>used to be?

0:03:06.080 --> 0:03:08.600
<v Speaker 5>Yeah, if you're still hungry or you know, if you're

0:03:08.639 --> 0:03:10.760
<v Speaker 5>still hungry, Yeah, and I'm still hungry.

0:03:11.000 --> 0:03:13.000
<v Speaker 3>What about the audience? Because standup is kind of a

0:03:13.040 --> 0:03:13.440
<v Speaker 3>lost art.

0:03:13.480 --> 0:03:14.760
<v Speaker 8>I love stand up, you know what I mean, But

0:03:14.800 --> 0:03:16.520
<v Speaker 8>it feels like it's kind of a lost art because

0:03:16.520 --> 0:03:17.280
<v Speaker 8>of social media.

0:03:17.680 --> 0:03:20.440
<v Speaker 3>People. I don't even know people really know what funny

0:03:20.440 --> 0:03:21.240
<v Speaker 3>funny is anymore.

0:03:21.280 --> 0:03:23.560
<v Speaker 8>But to go on stage and the captivating audience just

0:03:23.600 --> 0:03:26.040
<v Speaker 8>you and the microphone, You think the audience still has it?

0:03:27.040 --> 0:03:30.239
<v Speaker 5>Yeah, people need to laugh, you know, and people want

0:03:30.240 --> 0:03:32.760
<v Speaker 5>to laugh. I mean you see the sound of the

0:03:32.800 --> 0:03:35.840
<v Speaker 5>times that we're in. I mean, people just really want

0:03:35.880 --> 0:03:38.960
<v Speaker 5>to come out and laugh, man, And that's what we

0:03:39.440 --> 0:03:40.080
<v Speaker 5>need to do.

0:03:40.520 --> 0:03:42.119
<v Speaker 4>Laughter. Hill's the world. Man.

0:03:43.280 --> 0:03:45.800
<v Speaker 7>I saw a quote you said, the way fighters trained,

0:03:45.840 --> 0:03:48.520
<v Speaker 7>that's how you train when you're getting ready for comedy.

0:03:48.600 --> 0:03:50.280
<v Speaker 7>How do you get ready for a tour like this

0:03:50.360 --> 0:03:53.320
<v Speaker 7>after ten years and getting back on the stage, Like,

0:03:53.440 --> 0:03:55.160
<v Speaker 7>is that a different level of training now or is

0:03:55.160 --> 0:03:55.880
<v Speaker 7>it still the same?

0:03:56.720 --> 0:03:57.800
<v Speaker 4>You know, it's same.

0:03:57.920 --> 0:04:01.360
<v Speaker 5>I go to the comedy clubs, you know, and I

0:04:01.480 --> 0:04:04.400
<v Speaker 5>work out. I go to the comedy store and work

0:04:04.440 --> 0:04:08.160
<v Speaker 5>out during the week and just keep working out, working

0:04:08.160 --> 0:04:12.440
<v Speaker 5>out til I built up our set and to it's ready.

0:04:12.200 --> 0:04:13.040
<v Speaker 4>To go on the road.

0:04:13.600 --> 0:04:15.280
<v Speaker 6>How you pick and choose what goes into your sets?

0:04:15.280 --> 0:04:16.840
<v Speaker 7>Because I was watching one of your old sets that

0:04:16.880 --> 0:04:18.840
<v Speaker 7>you did at that you mentioned, like the Rodney King

0:04:18.960 --> 0:04:20.359
<v Speaker 7>beatings and like but you made it.

0:04:20.360 --> 0:04:21.400
<v Speaker 6>Funny in a dark time.

0:04:21.800 --> 0:04:23.840
<v Speaker 7>Nowadays people so touchy, Like, so, do you stay away

0:04:23.839 --> 0:04:25.600
<v Speaker 7>from certain stuff cause you're like, now it's like the.

0:04:25.839 --> 0:04:29.000
<v Speaker 9>Icon right now, I'm I'm a little.

0:04:30.560 --> 0:04:35.960
<v Speaker 5>I'm more cautious about, you know, subjects that I that

0:04:36.040 --> 0:04:39.960
<v Speaker 5>I choose and everything. You know, when I was younger,

0:04:40.040 --> 0:04:43.760
<v Speaker 5>I was fearless, you know, I just I would talk

0:04:43.839 --> 0:04:48.640
<v Speaker 5>about anything or anybody. But it's a different time.

0:04:49.440 --> 0:04:51.559
<v Speaker 1>Do you remember that the times?

0:04:51.560 --> 0:04:53.400
<v Speaker 2>Because I always hear these stories and it's to me,

0:04:53.440 --> 0:04:56.080
<v Speaker 2>it's like, damn, this this really happened when you used

0:04:56.080 --> 0:05:00.360
<v Speaker 2>to work telemarketing, right and you were there with Pepper,

0:05:00.400 --> 0:05:02.920
<v Speaker 2>I guess can't play with.

0:05:02.839 --> 0:05:05.680
<v Speaker 4>That sis and robots and robot.

0:05:05.920 --> 0:05:07.560
<v Speaker 1>How was those experiences?

0:05:07.640 --> 0:05:10.720
<v Speaker 2>And are you ever amazed at all of y'all was

0:05:10.760 --> 0:05:12.560
<v Speaker 2>successful in your own way of going?

0:05:12.720 --> 0:05:16.720
<v Speaker 5>Well, well, see, I wasn't there with kidding play. I

0:05:16.800 --> 0:05:20.599
<v Speaker 5>was there with Salt and Pepper, and and I was

0:05:20.680 --> 0:05:24.279
<v Speaker 5>always clown and you know, joking around at work and everything,

0:05:24.480 --> 0:05:27.279
<v Speaker 5>not on the phone doing what I'm supposed to be doing.

0:05:27.360 --> 0:05:28.080
<v Speaker 1>What did you have to do?

0:05:28.160 --> 0:05:30.480
<v Speaker 4>I was trying. I was trying to crack on salt.

0:05:31.400 --> 0:05:33.720
<v Speaker 4>I was trying to crack on.

0:05:33.760 --> 0:05:38.400
<v Speaker 5>SAWT and Herbie Love was working there too, and and

0:05:38.480 --> 0:05:40.440
<v Speaker 5>I was like, Sor, you know, I'm trying to get

0:05:40.440 --> 0:05:45.080
<v Speaker 5>with you, and she was like, Martin, I'm with Herbie.

0:05:46.080 --> 0:05:49.080
<v Speaker 4>I said, Herbie is your your boyfriend? And I look

0:05:49.160 --> 0:05:52.040
<v Speaker 4>at Herbie. I said, Herbie, this is your girlfriend? He

0:05:52.120 --> 0:05:56.800
<v Speaker 4>said yeah. I said, oh man. So then I just

0:05:56.839 --> 0:05:58.000
<v Speaker 4>had to leave that alone.

0:05:58.120 --> 0:05:59.640
<v Speaker 1>So what were you selling on the phone? That's what

0:05:59.680 --> 0:06:01.280
<v Speaker 1>I never like. What was Sears selling?

0:06:01.400 --> 0:06:04.800
<v Speaker 4>You're selling maintenance agreement selling me?

0:06:05.640 --> 0:06:07.039
<v Speaker 1>Do you remember your pitch back then and what you

0:06:07.080 --> 0:06:07.400
<v Speaker 1>had to do?

0:06:08.160 --> 0:06:08.360
<v Speaker 4>Well?

0:06:08.520 --> 0:06:13.520
<v Speaker 5>You know, hello, how are you? I was wondering, you

0:06:13.600 --> 0:06:17.680
<v Speaker 5>just brought a new applying? How is it working for you?

0:06:17.680 --> 0:06:21.640
<v Speaker 5>You know, in thirty days or sixty days, something could

0:06:21.680 --> 0:06:22.520
<v Speaker 5>happen to it?

0:06:22.600 --> 0:06:26.000
<v Speaker 4>Would you like to extend your warranty and all that?

0:06:26.800 --> 0:06:28.480
<v Speaker 1>And the way they said no, did you curse him out?

0:06:28.480 --> 0:06:30.080
<v Speaker 1>Do you start cracking on them? Nah?

0:06:30.400 --> 0:06:31.920
<v Speaker 4>Because a lot of them just hang up.

0:06:32.120 --> 0:06:32.440
<v Speaker 3>Okay.

0:06:34.080 --> 0:06:35.960
<v Speaker 7>One of it shows to be like yo, you called

0:06:35.960 --> 0:06:38.080
<v Speaker 7>me like nobody. That's never happened.

0:06:38.480 --> 0:06:40.640
<v Speaker 6>No, No, I don't remember that.

0:06:41.640 --> 0:06:44.680
<v Speaker 8>Y'all was thinking too, My you're you're a very physical comedian, right,

0:06:44.720 --> 0:06:46.000
<v Speaker 8>that's like a lot, a lot of what you do

0:06:46.040 --> 0:06:48.320
<v Speaker 8>involved with your facial expression is how you move as

0:06:48.320 --> 0:06:50.760
<v Speaker 8>you got older. Do you believe that impacts your comedy?

0:06:51.000 --> 0:06:54.360
<v Speaker 5>Like, no, no, I still love being physical. I love

0:06:54.680 --> 0:06:55.120
<v Speaker 5>I love it.

0:06:55.120 --> 0:06:57.279
<v Speaker 4>It's ain't falling all over the floor.

0:06:57.600 --> 0:07:05.520
<v Speaker 5>No, no, no, I'm not doing that, but I love

0:07:05.680 --> 0:07:07.480
<v Speaker 5>still doing some physical comedy.

0:07:08.040 --> 0:07:09.960
<v Speaker 8>Yeah, And you said, you know you don't say what

0:07:09.960 --> 0:07:11.720
<v Speaker 8>you used to say on stage. I remember an episode

0:07:11.720 --> 0:07:14.400
<v Speaker 8>of Death Comedy Jam I forgot he was messing with

0:07:14.440 --> 0:07:15.880
<v Speaker 8>I feel like it was at level. But maybe I'm

0:07:15.880 --> 0:07:18.040
<v Speaker 8>making this up, but you were saying you was talking

0:07:18.040 --> 0:07:20.160
<v Speaker 8>about a girl. He was with a girl, and you

0:07:20.160 --> 0:07:22.840
<v Speaker 8>were saying, you remember that episode.

0:07:22.640 --> 0:07:24.080
<v Speaker 4>You're talking about mc light.

0:07:25.560 --> 0:07:30.480
<v Speaker 5>Like yeah, yeah, yeah, yeah, but that wasn't the true

0:07:30.560 --> 0:07:34.560
<v Speaker 5>joke all the time, all the time, Yeah that that

0:07:34.760 --> 0:07:35.440
<v Speaker 5>wasn't true.

0:07:35.560 --> 0:07:36.760
<v Speaker 4>That wasn't true.

0:07:36.800 --> 0:07:39.640
<v Speaker 5>I was just messing with her boyfriend and I was

0:07:39.720 --> 0:07:40.800
<v Speaker 5>just jaging at them.

0:07:41.280 --> 0:07:44.120
<v Speaker 4>So you know, I just said it. God damn.

0:07:44.280 --> 0:07:46.440
<v Speaker 9>You know he had to approach you about that.

0:07:46.800 --> 0:07:52.720
<v Speaker 4>He couldn't do nothing. He could whoop my ask. Yeah. Yeah,

0:07:52.760 --> 0:07:55.080
<v Speaker 4>it was todd at the time or something.

0:07:55.240 --> 0:07:56.480
<v Speaker 9>Why did you decide to heat him up?

0:07:56.480 --> 0:07:59.440
<v Speaker 4>Like that because I love her and was saying get

0:07:59.680 --> 0:08:00.720
<v Speaker 4>get him with a joke.

0:08:02.240 --> 0:08:03.600
<v Speaker 3>That's a hell of a joke to stay in front

0:08:03.600 --> 0:08:03.800
<v Speaker 3>of him.

0:08:04.920 --> 0:08:07.000
<v Speaker 2>Used to do the I used to do a rap

0:08:07.040 --> 0:08:08.240
<v Speaker 2>city with him, not rap city, but.

0:08:11.880 --> 0:08:14.200
<v Speaker 1>Has anybody about joke?

0:08:14.640 --> 0:08:17.920
<v Speaker 4>Nah? She she was real cool. No, she's real cool.

0:08:19.200 --> 0:08:20.920
<v Speaker 2>Did anybody ever coming to you after the show and

0:08:20.960 --> 0:08:23.680
<v Speaker 2>wanted to fight, because, like he said, you didn't hold

0:08:23.720 --> 0:08:26.160
<v Speaker 2>anything back, like you didn't care who was in that show.

0:08:26.160 --> 0:08:27.720
<v Speaker 2>You was going at him. Anybody said you, I'm gonna

0:08:27.760 --> 0:08:29.559
<v Speaker 2>be moaning outside after No.

0:08:30.120 --> 0:08:34.160
<v Speaker 4>Never, No, because I'm not that dude. Man, I'm not

0:08:34.200 --> 0:08:35.840
<v Speaker 4>that dude. And I got.

0:08:35.640 --> 0:08:41.320
<v Speaker 1>Goomed back then, so it wasn't happening.

0:08:41.640 --> 0:08:43.360
<v Speaker 4>Wasn't happening and then.

0:08:46.559 --> 0:08:51.920
<v Speaker 1>And I still got him. Go back to that.

0:08:52.840 --> 0:08:54.360
<v Speaker 7>You still lean into a lot of the crowd work

0:08:54.400 --> 0:08:56.880
<v Speaker 7>in your shows now you mentioned did you still do

0:08:56.920 --> 0:08:58.600
<v Speaker 7>a lot of CrowdWork today in your shows?

0:08:58.880 --> 0:08:59.120
<v Speaker 4>Yes?

0:09:00.240 --> 0:09:02.600
<v Speaker 5>I do a lot of meet and greets and stuff.

0:09:02.800 --> 0:09:07.720
<v Speaker 5>You know, I love, you know, hooking up with my audience.

0:09:07.760 --> 0:09:09.480
<v Speaker 1>He's talking about snapping on people in the audience.

0:09:09.480 --> 0:09:11.679
<v Speaker 7>I mean not snapping, but just like you know when

0:09:11.679 --> 0:09:13.240
<v Speaker 7>you go to the comedy shows, I feel like a lot.

0:09:13.320 --> 0:09:14.840
<v Speaker 7>I know for me when I go I want to

0:09:14.840 --> 0:09:16.600
<v Speaker 7>see the comedians of the crowd work because it's off

0:09:16.640 --> 0:09:19.360
<v Speaker 7>the top and like most people when they do it, well,

0:09:19.400 --> 0:09:21.120
<v Speaker 7>I'm like, oh dang, he's like really good at this.

0:09:21.440 --> 0:09:22.920
<v Speaker 7>So I think people look for that for you also too,

0:09:22.920 --> 0:09:24.439
<v Speaker 7>because it's in a lot of your stand ups. You

0:09:24.520 --> 0:09:25.520
<v Speaker 7>see you go off on the crowd.

0:09:25.800 --> 0:09:27.000
<v Speaker 4>Thank you now.

0:09:27.000 --> 0:09:29.280
<v Speaker 2>Also when it is your daughter got engaged to Eddie

0:09:29.360 --> 0:09:32.280
<v Speaker 2>murphy Son, Yeah, congratulations.

0:09:31.880 --> 0:09:35.040
<v Speaker 5>And he's a great kid. I'm a great young man,

0:09:35.559 --> 0:09:38.000
<v Speaker 5>great young man. I don't think she could have found

0:09:38.040 --> 0:09:38.800
<v Speaker 5>nobody better.

0:09:39.600 --> 0:09:41.319
<v Speaker 2>Now, we have this rule up here if we're ever

0:09:41.360 --> 0:09:44.120
<v Speaker 2>out and about that's Richard than us. Whoever has the

0:09:44.120 --> 0:09:45.079
<v Speaker 2>most money has to pay.

0:09:45.600 --> 0:09:48.240
<v Speaker 5>Well. Eddie already said I have to pay for it.

0:09:48.280 --> 0:09:50.880
<v Speaker 5>He said he paid for the last six weddings. You know,

0:09:50.960 --> 0:09:52.560
<v Speaker 5>because Eddie got a lot of kids.

0:09:54.760 --> 0:09:57.480
<v Speaker 4>He said he paid for the last six. So he said, no,

0:09:57.640 --> 0:10:00.640
<v Speaker 4>this is on you, he said. I said, I don't mind.

0:10:00.840 --> 0:10:03.400
<v Speaker 6>So he's still holding you today, I said, so he's

0:10:03.400 --> 0:10:04.199
<v Speaker 6>still holding you to that.

0:10:04.360 --> 0:10:06.520
<v Speaker 4>Yeah, he's holding me to that. He's holding me.

0:10:06.640 --> 0:10:08.559
<v Speaker 8>Did you ever did you envision that? Because it seemed

0:10:08.559 --> 0:10:09.959
<v Speaker 8>like back in the nineties, and I could be wrong.

0:10:10.000 --> 0:10:12.280
<v Speaker 8>It seemed like y'all had just like such a brotherhood

0:10:12.280 --> 0:10:14.360
<v Speaker 8>amongst each other, you know what I mean. And to

0:10:14.440 --> 0:10:17.600
<v Speaker 8>see that brotherhood y'all had. But now y'all kids getting married,

0:10:17.600 --> 0:10:18.800
<v Speaker 8>did you see that?

0:10:19.600 --> 0:10:23.640
<v Speaker 4>Never? I never couldn't believe it. Couldn't believe it when.

0:10:23.520 --> 0:10:25.320
<v Speaker 3>They first told you that they was connected. What you

0:10:25.360 --> 0:10:26.840
<v Speaker 3>did you call it and be like, hey man, you

0:10:26.880 --> 0:10:29.480
<v Speaker 3>know our children to day?

0:10:30.040 --> 0:10:31.000
<v Speaker 4>No, I just uh.

0:10:31.559 --> 0:10:33.800
<v Speaker 5>When I talked to him, I said, can you believe it?

0:10:34.000 --> 0:10:36.080
<v Speaker 5>He said, it's beautiful.

0:10:36.520 --> 0:10:40.280
<v Speaker 4>You know, long as they respect each other and love

0:10:40.320 --> 0:10:44.240
<v Speaker 4>each other. You know, hey, world two nah?

0:10:44.520 --> 0:10:45.000
<v Speaker 1>Nah nah.

0:10:45.400 --> 0:10:48.959
<v Speaker 2>I picture you and Will at the door and they

0:10:49.000 --> 0:10:50.280
<v Speaker 2>coming up and you having that conversation.

0:10:50.400 --> 0:10:51.600
<v Speaker 1>You never had to have that conversation.

0:10:51.720 --> 0:10:54.080
<v Speaker 4>No, with my daughters, I'm open.

0:10:54.200 --> 0:10:58.120
<v Speaker 5>I'm you know, I'm kind of father that gives them,

0:10:58.679 --> 0:11:03.160
<v Speaker 5>gives them room. You know, if they if the boyfriends

0:11:03.200 --> 0:11:07.400
<v Speaker 5>they're bringing me to meet are disrespectful, then they're going

0:11:07.440 --> 0:11:10.120
<v Speaker 5>to see another side of me. But if they're nice

0:11:10.160 --> 0:11:11.280
<v Speaker 5>young man or whatever.

0:11:11.720 --> 0:11:12.960
<v Speaker 4>I don't I don't do all.

0:11:14.320 --> 0:11:16.000
<v Speaker 7>By the time you meet, my dad needs to be right,

0:11:16.280 --> 0:11:18.040
<v Speaker 7>yeahund and my.

0:11:18.120 --> 0:11:19.800
<v Speaker 4>Reputation proceeds itself.

0:11:20.440 --> 0:11:21.760
<v Speaker 3>You mustn't people.

0:11:30.360 --> 0:11:37.440
<v Speaker 9>Thought in the comedy world, how important was it?

0:11:37.840 --> 0:11:40.480
<v Speaker 8>I mean, how hard was it to sell hip hop

0:11:40.760 --> 0:11:42.599
<v Speaker 8>the Hollywood in the nineties, Because when I think of

0:11:42.679 --> 0:11:48.320
<v Speaker 8>like Martin, y'all had Biggie on and Met Mann movies

0:11:48.360 --> 0:11:51.440
<v Speaker 8>like House Party was was was Hollywood.

0:11:51.000 --> 0:11:52.920
<v Speaker 3>Embracing of hip hop back then? Or did y'all have

0:11:52.960 --> 0:11:53.840
<v Speaker 3>to tell them.

0:11:53.720 --> 0:11:56.240
<v Speaker 5>We were coming up? We were coming up, but because

0:11:56.280 --> 0:11:58.520
<v Speaker 5>we were doing so good, you.

0:11:58.520 --> 0:11:59.960
<v Speaker 4>Know, they had to accept us.

0:12:00.520 --> 0:12:03.559
<v Speaker 5>They had to embrace us, you know, because hip hop

0:12:03.640 --> 0:12:04.440
<v Speaker 5>was hitting hard.

0:12:05.080 --> 0:12:07.160
<v Speaker 4>You know, you had all this talent.

0:12:07.000 --> 0:12:10.400
<v Speaker 5>And so they had to say, I open the door

0:12:10.440 --> 0:12:13.719
<v Speaker 5>and say we gotta let hip hop in because it's

0:12:13.800 --> 0:12:16.520
<v Speaker 5>impact in the world, you know, and you see what

0:12:16.640 --> 0:12:17.920
<v Speaker 5>hip hop is doing now.

0:12:18.520 --> 0:12:22.600
<v Speaker 8>You know what what do you think happened to television?

0:12:22.640 --> 0:12:24.160
<v Speaker 8>And what I mean by that is, you know, they

0:12:24.200 --> 0:12:27.160
<v Speaker 8>always talk about the negative images of black people that

0:12:27.240 --> 0:12:29.400
<v Speaker 8>exist now on TV and in film, But it's like

0:12:29.400 --> 0:12:31.000
<v Speaker 8>when we came up in the nineties, we didn't have that.

0:12:31.080 --> 0:12:33.760
<v Speaker 8>We had the Martins and the Cosby shows in the

0:12:33.760 --> 0:12:36.320
<v Speaker 8>Different Worlds and the living singles like what do you

0:12:36.360 --> 0:12:39.040
<v Speaker 8>think made Hollywood say? We're gonna stop doing that and

0:12:39.040 --> 0:12:40.800
<v Speaker 8>start doing reality TV.

0:12:41.920 --> 0:12:43.600
<v Speaker 4>I don't know. I don't know.

0:12:43.679 --> 0:12:47.120
<v Speaker 5>Maybe because reality when when they first put it on,

0:12:47.240 --> 0:12:51.200
<v Speaker 5>it hit, you know, people started gravitating to it or whatever.

0:12:51.920 --> 0:12:56.760
<v Speaker 5>And maybe it's it's ways they get tax breaks.

0:12:56.800 --> 0:12:57.360
<v Speaker 4>I don't know.

0:12:57.760 --> 0:13:00.199
<v Speaker 8>But y'all was hitting too, and it was great the

0:13:00.200 --> 0:13:02.000
<v Speaker 8>tation like you had a job, he was a radio person.

0:13:02.080 --> 0:13:04.120
<v Speaker 1>It was probably cheaper too, though you ain't.

0:13:05.040 --> 0:13:07.720
<v Speaker 5>That's why I'm saying tax breaks and all that stuff,

0:13:07.880 --> 0:13:08.520
<v Speaker 5>you know, but.

0:13:08.520 --> 0:13:10.319
<v Speaker 3>It don't stand the tother time. It ain't a sy indication.

0:13:10.960 --> 0:13:14.920
<v Speaker 8>Years later, thirty years later, yeah, you know, I also

0:13:14.960 --> 0:13:17.880
<v Speaker 8>wonder two. But growing up, you know, watching you play,

0:13:17.920 --> 0:13:20.520
<v Speaker 8>watching you in Big Mama's house, I never thought anything

0:13:20.520 --> 0:13:22.280
<v Speaker 8>of it. I just thought it was funny. But nowadays

0:13:22.280 --> 0:13:24.319
<v Speaker 8>you hear people say, oh, you know, that's you got

0:13:24.360 --> 0:13:28.319
<v Speaker 8>to sell your soul in Hollywood, and that's humiliation rituals

0:13:28.320 --> 0:13:29.400
<v Speaker 8>and nil zumanai.

0:13:30.040 --> 0:13:30.800
<v Speaker 3>What are you think of that?

0:13:31.160 --> 0:13:32.040
<v Speaker 4>It's bullshit.

0:13:32.480 --> 0:13:37.360
<v Speaker 5>It's it's all bullshit doing doing what I'm doing doing

0:13:37.440 --> 0:13:42.199
<v Speaker 5>Big Mama and characters like that and whatever. These are

0:13:42.240 --> 0:13:46.880
<v Speaker 5>strong black women, you know, and I'm a comedian, you know,

0:13:47.040 --> 0:13:51.360
<v Speaker 5>and I'm not above playing the character, putting on the

0:13:51.480 --> 0:13:54.439
<v Speaker 5>dress or whatever, because I'm in tune with my manhood,

0:13:55.040 --> 0:13:58.440
<v Speaker 5>you know, so I know who I am. So I

0:13:58.480 --> 0:13:59.679
<v Speaker 5>don't worry about all that.

0:14:00.040 --> 0:14:01.600
<v Speaker 2>Had a missed art because we've seen it with you,

0:14:01.640 --> 0:14:04.079
<v Speaker 2>We've seen it with Eddie. But now it seems like everybody,

0:14:04.120 --> 0:14:05.959
<v Speaker 2>like he said, is afraid to do that.

0:14:06.000 --> 0:14:07.079
<v Speaker 9>But except for talent.

0:14:07.640 --> 0:14:09.439
<v Speaker 1>Except for talent.

0:14:10.320 --> 0:14:15.080
<v Speaker 5>Yeah, it's if you're in tune with your manhood, you

0:14:15.080 --> 0:14:17.800
<v Speaker 5>shouldn't be worrying about it, you know, if you ain't

0:14:17.880 --> 0:14:19.640
<v Speaker 5>letting nobody get other than your dress.

0:14:31.400 --> 0:14:32.600
<v Speaker 9>Whatever a point.

0:14:34.400 --> 0:14:37.400
<v Speaker 8>Whatever, a point where you felt like the industry boxed

0:14:37.440 --> 0:14:39.040
<v Speaker 8>you in and they just wanted you to be the

0:14:39.080 --> 0:14:41.360
<v Speaker 8>funny guy and didn't give you, like I guess, room

0:14:41.400 --> 0:14:41.720
<v Speaker 8>to grow.

0:14:41.840 --> 0:14:45.200
<v Speaker 5>Was an actor, yeah, because I haven't been offered a

0:14:45.200 --> 0:14:46.520
<v Speaker 5>lot of dramatic roles.

0:14:46.960 --> 0:14:54.479
<v Speaker 4>You know. The closest I I.

0:14:51.800 --> 0:14:54.880
<v Speaker 5>Had to I got a dramatic role was I had

0:14:54.880 --> 0:14:58.120
<v Speaker 5>to do it myself was the line between eleven eight.

0:14:58.720 --> 0:14:59.960
<v Speaker 4>So that was the closest.

0:15:00.440 --> 0:15:05.160
<v Speaker 5>And then I wind up recently, about two years ago,

0:15:05.280 --> 0:15:09.240
<v Speaker 5>I did a movie called Mind Gauge that was total drama,

0:15:09.680 --> 0:15:11.520
<v Speaker 5>no comedy and everything else.

0:15:11.600 --> 0:15:13.040
<v Speaker 4>So I did about two.

0:15:13.440 --> 0:15:14.400
<v Speaker 3>Do you even want to do that?

0:15:14.480 --> 0:15:16.640
<v Speaker 4>Are you like, yeah, I wanted to try it. I

0:15:16.680 --> 0:15:19.200
<v Speaker 4>wanted to try to see if I could pull it.

0:15:19.520 --> 0:15:21.560
<v Speaker 7>When you saw it happening to you, though, were you

0:15:21.600 --> 0:15:23.520
<v Speaker 7>talking to your team like, yo, why is this happening?

0:15:23.560 --> 0:15:25.160
<v Speaker 7>Why are we not pushing back? Or were you just

0:15:25.160 --> 0:15:27.200
<v Speaker 7>like I gotta do what I gotta do to eat

0:15:27.280 --> 0:15:29.880
<v Speaker 7>to keep my family fat always.

0:15:30.280 --> 0:15:34.400
<v Speaker 5>You know, I'm not sell your soul, but what do

0:15:34.480 --> 0:15:37.240
<v Speaker 5>what's appealing to you now?

0:15:37.280 --> 0:15:40.000
<v Speaker 2>They also talk about Blue Streak the sequel. Yes, you

0:15:40.040 --> 0:15:42.120
<v Speaker 2>got the shooting that we're working on it. You're working

0:15:42.120 --> 0:15:44.560
<v Speaker 2>on right, we're writing the right to.

0:15:44.640 --> 0:15:46.880
<v Speaker 1>Leave off in Mexico or have you figured that out

0:15:46.880 --> 0:15:47.320
<v Speaker 1>as yet?

0:15:47.560 --> 0:15:49.200
<v Speaker 4>No, we haven't figured it out yet.

0:15:49.360 --> 0:15:52.280
<v Speaker 5>Yeah, but if they come get me from Mexico to

0:15:52.800 --> 0:15:55.680
<v Speaker 5>you know, because I have the diamond so I'm living

0:15:56.480 --> 0:15:58.920
<v Speaker 5>high off the hog, you know, so.

0:15:58.960 --> 0:16:01.160
<v Speaker 1>We'll see what happened to be a crazy soundtrack to

0:16:01.320 --> 0:16:01.880
<v Speaker 1>like the first one?

0:16:02.000 --> 0:16:04.440
<v Speaker 4>Oh yeah, yeah, how.

0:16:04.320 --> 0:16:06.160
<v Speaker 3>Do you choose what to do a sequel to? Because

0:16:06.240 --> 0:16:07.080
<v Speaker 3>Blue Streak was good?

0:16:07.120 --> 0:16:09.840
<v Speaker 8>But to me, I'm like, y'all rather see Life Part two,

0:16:09.920 --> 0:16:10.880
<v Speaker 8>like I like another one.

0:16:10.880 --> 0:16:13.080
<v Speaker 4>I like to see how y'all want, they want.

0:16:13.080 --> 0:16:16.040
<v Speaker 5>Everybody wants to be Life Part two. But you gotta remember,

0:16:17.040 --> 0:16:21.240
<v Speaker 5>uh me and Aaddy were we were what ninety bout time?

0:16:22.760 --> 0:16:25.360
<v Speaker 8>It can be a period, so it can be based

0:16:25.400 --> 0:16:27.760
<v Speaker 8>on when y'all first got out, wh y'all first broke out.

0:16:27.800 --> 0:16:29.600
<v Speaker 3>What did Ray and Claude do? What was their life

0:16:29.640 --> 0:16:30.520
<v Speaker 3>like when they first.

0:16:30.400 --> 0:16:33.440
<v Speaker 2>Broke Well, we went to the baseball Gamember, that's all

0:16:33.440 --> 0:16:39.880
<v Speaker 2>we saw right by, you know that getting introduced by Agron.

0:16:40.200 --> 0:16:43.120
<v Speaker 6>You know, they might not have made it through the experience.

0:16:44.440 --> 0:16:49.120
<v Speaker 9>I want you to die with you could right when y'all.

0:16:48.880 --> 0:16:53.360
<v Speaker 5>Broke out, right, Well, if somebody puts it together, man, hey,

0:16:53.680 --> 0:16:56.200
<v Speaker 5>I told her. I talked to Daddy about it and

0:16:56.280 --> 0:16:58.720
<v Speaker 5>ed he said, he Man, if somebody could make it

0:16:58.760 --> 0:17:01.080
<v Speaker 5>make sense, hey, we'll do it again.

0:17:01.680 --> 0:17:03.880
<v Speaker 8>You do you get I don't want to say frustrated,

0:17:03.880 --> 0:17:06.520
<v Speaker 8>but like having to convince people in Hollywood, like you,

0:17:06.640 --> 0:17:08.800
<v Speaker 8>Martin Lawrence, you know what I'm saying, Like having to

0:17:08.840 --> 0:17:10.360
<v Speaker 8>sit down and pitch things.

0:17:10.200 --> 0:17:12.480
<v Speaker 4>Or like, yeah, that's frustrating.

0:17:12.800 --> 0:17:16.600
<v Speaker 5>That's frustrating, but it's part of the business, you know,

0:17:16.840 --> 0:17:20.439
<v Speaker 5>And and it's hit a mess, you know, But uh,

0:17:21.000 --> 0:17:24.359
<v Speaker 5>I have a strong faith in uh in God and

0:17:24.480 --> 0:17:25.600
<v Speaker 5>uh he's my Asian.

0:17:26.200 --> 0:17:27.800
<v Speaker 7>It's crazy to me that you still have to pitch

0:17:27.880 --> 0:17:31.680
<v Speaker 7>things like just hearing that, it's like, wow, what about

0:17:32.240 --> 0:17:34.679
<v Speaker 7>a Martin reunion? Like I know you guys did the reunion,

0:17:34.680 --> 0:17:36.800
<v Speaker 7>but like people wanted to see like actual episodes like

0:17:37.320 --> 0:17:38.880
<v Speaker 7>maybe You're Not Sex and the City. They got back

0:17:38.880 --> 0:17:40.919
<v Speaker 7>there the dated episodes and then they had a movie

0:17:41.080 --> 0:17:43.240
<v Speaker 7>like is there anything on screen from you guys that

0:17:43.280 --> 0:17:45.480
<v Speaker 7>we're going to ever see from the Martin from the

0:17:45.680 --> 0:17:46.200
<v Speaker 7>Martin Cash?

0:17:46.240 --> 0:17:47.320
<v Speaker 4>Yes, no, No.

0:17:48.080 --> 0:17:51.360
<v Speaker 5>Tommy Ford was a big part of of what we

0:17:51.400 --> 0:17:55.480
<v Speaker 5>did and him not being there that's not the same

0:17:55.880 --> 0:18:00.760
<v Speaker 5>got you and we we can't. We called uh lightning

0:18:00.880 --> 0:18:05.760
<v Speaker 5>in a bottle, you know, and that that won't happen again.

0:18:06.800 --> 0:18:08.399
<v Speaker 2>Who came up with the idea of being a radio

0:18:08.440 --> 0:18:09.960
<v Speaker 2>host like that?

0:18:09.960 --> 0:18:10.520
<v Speaker 1>That was dope?

0:18:10.560 --> 0:18:12.320
<v Speaker 4>Like but I just I did?

0:18:13.200 --> 0:18:18.840
<v Speaker 5>And why yeah, just try something different, you know, you

0:18:18.880 --> 0:18:23.719
<v Speaker 5>know Detroit, you know, being able to say say what

0:18:23.800 --> 0:18:27.560
<v Speaker 5>I want on the radio and being you know outlandish

0:18:27.760 --> 0:18:33.600
<v Speaker 5>uh radio announcer and everything, having celebrities come through and everything.

0:18:33.640 --> 0:18:35.639
<v Speaker 4>It's just fun fun of radio.

0:18:36.240 --> 0:18:39.120
<v Speaker 8>Did you type cast yourself with Martin? Meaning like being

0:18:39.160 --> 0:18:41.520
<v Speaker 8>at the character name with Martin, and they saw how

0:18:41.840 --> 0:18:43.600
<v Speaker 8>you acted on the show, they expect you to be

0:18:43.680 --> 0:18:49.120
<v Speaker 8>like that in everyday life. Yes, yeah, yeah, yeah, because

0:18:49.200 --> 0:18:50.639
<v Speaker 8>every time I've been around you, it seem like you

0:18:50.800 --> 0:18:52.080
<v Speaker 8>very reserved, laid back.

0:18:52.400 --> 0:18:55.639
<v Speaker 5>Yeah, I'm nothing like the Martin on exactly. You know,

0:18:55.760 --> 0:18:58.800
<v Speaker 5>people do ask me that you like Tomorrow on TV.

0:18:59.119 --> 0:19:01.960
<v Speaker 5>Sometime I tell them, hell yeah, I'll throw your ass out.

0:19:04.200 --> 0:19:05.439
<v Speaker 8>But I think that's a lot like a lot of

0:19:05.440 --> 0:19:07.399
<v Speaker 8>times people see you when they think something's wrong. But

0:19:07.440 --> 0:19:09.960
<v Speaker 8>I'm like number one, he's older, Number two. How did

0:19:10.040 --> 0:19:12.440
<v Speaker 8>we ever know that was told us that was him?

0:19:13.000 --> 0:19:14.800
<v Speaker 4>Yeah, nah, that was my energy.

0:19:14.880 --> 0:19:20.479
<v Speaker 5>That was me just projecting, just just just being big,

0:19:20.760 --> 0:19:23.919
<v Speaker 5>just you know, giving you a bigger version of Martin

0:19:24.040 --> 0:19:26.760
<v Speaker 5>and you know, just.

0:19:26.119 --> 0:19:28.359
<v Speaker 4>Just having fun, just having fun.

0:19:28.480 --> 0:19:31.520
<v Speaker 5>But I'm not like that in real life. I'm I'm mature.

0:19:32.520 --> 0:19:37.840
<v Speaker 5>You know, it's that's my job. You know, you don't

0:19:37.880 --> 0:19:41.080
<v Speaker 5>want to be on all the time. That gets annoying

0:19:42.680 --> 0:19:44.520
<v Speaker 5>somebody people don't take you serious.

0:19:44.760 --> 0:19:46.480
<v Speaker 6>Was it exhausting having to be on all the time?

0:19:46.520 --> 0:19:48.400
<v Speaker 7>Because you did a really good job at that job,

0:19:48.480 --> 0:19:50.280
<v Speaker 7>Like I would have never known that that wasn't how

0:19:50.320 --> 0:19:51.400
<v Speaker 7>you were in real life.

0:19:51.320 --> 0:19:51.679
<v Speaker 4>Thank you.

0:19:51.800 --> 0:19:55.200
<v Speaker 5>Yeah, it g's exhausting, but when you're having fun with it,

0:19:55.440 --> 0:19:56.240
<v Speaker 5>you don't feel it.

0:19:57.040 --> 0:19:58.960
<v Speaker 3>And that the reason you had to whip ass because

0:19:59.000 --> 0:20:00.880
<v Speaker 3>people they.

0:20:03.880 --> 0:20:05.120
<v Speaker 4>You said that the reason.

0:20:04.920 --> 0:20:06.280
<v Speaker 3>Because they thought they could play with people, thought they

0:20:06.280 --> 0:20:08.600
<v Speaker 3>could play with you, so you have to show them.

0:20:08.640 --> 0:20:11.480
<v Speaker 4>Oh yeah, yeah, you.

0:20:11.480 --> 0:20:12.919
<v Speaker 8>Ever had somebody just laid out on the floor, They

0:20:13.040 --> 0:20:14.639
<v Speaker 8>just like Matt just got sucked up by Martin.

0:20:17.040 --> 0:20:17.720
<v Speaker 4>I don't have.

0:20:17.800 --> 0:20:24.200
<v Speaker 8>Some And what do y'all know what it is to

0:20:24.320 --> 0:20:25.920
<v Speaker 8>you got a lot of different comedians on there. You

0:20:25.960 --> 0:20:29.040
<v Speaker 8>got just hilarious of course, Adele Givings, be some Mom,

0:20:29.160 --> 0:20:32.280
<v Speaker 8>Chico being DC, Young Fly, Dion Cole, just to name

0:20:32.320 --> 0:20:34.679
<v Speaker 8>a few. How do you pick who you want to

0:20:34.720 --> 0:20:36.600
<v Speaker 8>be on the roll? Because that's such an honor for

0:20:36.680 --> 0:20:39.000
<v Speaker 8>a comedian to be on the roll with a Martin Lord.

0:20:39.280 --> 0:20:45.440
<v Speaker 5>Because they fire, they fire many. They're so talented there,

0:20:45.920 --> 0:20:50.760
<v Speaker 5>they're the next ones, you know, the next uh comedy stars,

0:20:51.160 --> 0:20:56.320
<v Speaker 5>you know, and uh to for me to just have

0:20:56.400 --> 0:21:00.399
<v Speaker 5>a little piece of helping them out, get them some

0:21:00.520 --> 0:21:03.720
<v Speaker 5>exposure or whatever, you know, I'm honored to do that.

0:21:03.720 --> 0:21:07.600
<v Speaker 5>That's what I'm supposed to do. Knowing my position, and

0:21:07.760 --> 0:21:11.520
<v Speaker 5>uh so I love it and I love working with them.

0:21:11.720 --> 0:21:13.240
<v Speaker 1>Well, call it one o five right now.

0:21:13.240 --> 0:21:15.640
<v Speaker 2>If you want to sit in the front row eight

0:21:15.760 --> 0:21:17.600
<v Speaker 2>hundred five eight five, one oh five.

0:21:17.440 --> 0:21:19.200
<v Speaker 1>One, you have to be in New York. We ain't

0:21:19.240 --> 0:21:21.399
<v Speaker 1>flying you, we ain't paying for a bus ticket. We

0:21:21.600 --> 0:21:23.960
<v Speaker 1>just got your tickets. If you're in New York.

0:21:23.840 --> 0:21:25.159
<v Speaker 2>Or you can make it to New York, call it

0:21:25.200 --> 0:21:27.520
<v Speaker 2>one o five right now. Eight hundred five eight five,

0:21:27.560 --> 0:21:29.200
<v Speaker 2>one oh five one. You're gonna be at the ball

0:21:29.280 --> 0:21:32.239
<v Speaker 2>plays tonight, so you get those tickets tonight, Saturday. He's

0:21:32.280 --> 0:21:36.119
<v Speaker 2>gonna be in Atlantic City. February eighth, Houston, Valentine's Day.

0:21:36.119 --> 0:21:38.360
<v Speaker 2>He's gonna be in your neck of the wood, South Carolina, Greenville.

0:21:39.680 --> 0:21:41.800
<v Speaker 1>No, it's not my just South Carolina.

0:21:41.880 --> 0:21:45.879
<v Speaker 3>Just it's the low country.

0:21:46.560 --> 0:21:49.080
<v Speaker 2>In February fifteen, Charlotte, North Carolina. Say, if you haven't

0:21:49.080 --> 0:21:51.280
<v Speaker 2>got your tickets, get your tickets, and we appreciate you

0:21:51.320 --> 0:21:51.840
<v Speaker 2>for joining.

0:21:51.720 --> 0:21:54.240
<v Speaker 5>Usways, man, thank you all for having me. Man, I'm

0:21:54.280 --> 0:21:56.600
<v Speaker 5>glad I came in. Man, it's been a minute.

0:21:56.680 --> 0:21:58.480
<v Speaker 9>You see you on the wall.

0:21:58.600 --> 0:22:01.280
<v Speaker 4>Yeah, I see yeah, man, thank.

0:22:01.119 --> 0:22:03.720
<v Speaker 1>You, that's what it is. It's Martin Lawrence it's the

0:22:03.720 --> 0:22:06.280
<v Speaker 1>Breakfast Club. Good morning, wake that ass.

0:22:06.119 --> 0:22:08.520
<v Speaker 4>Up ear in the morning. The Breakfast Club