1 00:00:00,440 --> 00:00:03,640 Speaker 1: Wake that ass up in the morning. The Breakfast Club 2 00:00:04,559 --> 00:00:05,360 Speaker 1: Morning everybody. 3 00:00:05,400 --> 00:00:09,080 Speaker 2: It's DJ Envy, Jess Hilarious, Charlamagne the God we are 4 00:00:09,160 --> 00:00:11,680 Speaker 2: the Breakfast Club. Jess is six, so she's not here. 5 00:00:11,920 --> 00:00:14,440 Speaker 2: Laurla Roe is feeling in and we got a special. 6 00:00:14,120 --> 00:00:16,840 Speaker 3: Guest in the building, legend himself. 7 00:00:16,600 --> 00:00:20,160 Speaker 1: Martin Laws, Ladies and gentlemen. How you feeling. 8 00:00:20,040 --> 00:00:22,880 Speaker 4: Good, great man, Glad to be here with you. Guys. 9 00:00:23,000 --> 00:00:24,599 Speaker 2: This weekend you're gonna be at the ball Clays and 10 00:00:24,640 --> 00:00:27,040 Speaker 2: also Atlantic City Performance. So if you haven't got your tickets, 11 00:00:27,040 --> 00:00:29,840 Speaker 2: get your tickets. We're actually today we're giving away front 12 00:00:29,960 --> 00:00:32,519 Speaker 2: row seats to go to the show. So calling one 13 00:00:32,560 --> 00:00:34,360 Speaker 2: on five right now, eight hundred and five eight five 14 00:00:34,400 --> 00:00:34,839 Speaker 2: one five. 15 00:00:35,000 --> 00:00:35,839 Speaker 1: We gotta don't. 16 00:00:35,640 --> 00:00:37,840 Speaker 5: Say nothing in the front row because I might get 17 00:00:37,920 --> 00:00:39,319 Speaker 5: you in front row. 18 00:00:39,960 --> 00:00:42,360 Speaker 1: Those tickets are yours. How you feeling, brother. 19 00:00:42,400 --> 00:00:46,520 Speaker 5: I'm feeling great man, feeling great, feeling blessed. I feel 20 00:00:46,560 --> 00:00:52,480 Speaker 5: for all the people going through uh tragic stuff in La. 21 00:00:52,880 --> 00:00:54,640 Speaker 4: You know with the fires. 22 00:00:54,640 --> 00:00:59,640 Speaker 5: My sister's house burned down. Sorry, yeah, so you know 23 00:00:59,680 --> 00:01:01,240 Speaker 5: we got start rebuilding. 24 00:01:01,880 --> 00:01:03,640 Speaker 1: You know, so you live in La too, right, but 25 00:01:03,640 --> 00:01:04,120 Speaker 1: it was your house? 26 00:01:04,160 --> 00:01:07,160 Speaker 4: Effective enough, No, but it was getting close. It was 27 00:01:07,200 --> 00:01:08,479 Speaker 4: getting close. Yeah. 28 00:01:08,600 --> 00:01:11,800 Speaker 3: Do they call you immediately, like you know, modern house 29 00:01:11,840 --> 00:01:12,320 Speaker 3: burned down? 30 00:01:12,440 --> 00:01:12,640 Speaker 4: Yeah? 31 00:01:12,680 --> 00:01:16,120 Speaker 5: Well I was at my ranch back in Virginia and 32 00:01:16,400 --> 00:01:19,200 Speaker 5: chilling in the snow and all that was going on. 33 00:01:19,640 --> 00:01:21,840 Speaker 5: I was just one nothing I could do, but my 34 00:01:21,959 --> 00:01:26,080 Speaker 5: family that I had in LA was holding it down. 35 00:01:26,280 --> 00:01:27,680 Speaker 3: Do you reach for your pockets first or do you 36 00:01:27,720 --> 00:01:29,399 Speaker 3: wait to see what the insurance gonna do? 37 00:01:30,560 --> 00:01:32,320 Speaker 4: Oh? Well both? 38 00:01:35,280 --> 00:01:36,920 Speaker 6: What's the rebuilding process going to be like? 39 00:01:36,959 --> 00:01:37,119 Speaker 1: Though? 40 00:01:37,120 --> 00:01:38,679 Speaker 7: Like you guys have to wait a certain amount of 41 00:01:38,680 --> 00:01:41,000 Speaker 7: time before you can even start like thinking about that. 42 00:01:41,120 --> 00:01:42,280 Speaker 6: Do they give you a. 43 00:01:42,120 --> 00:01:44,360 Speaker 4: I really don't know. I really don't know. 44 00:01:46,040 --> 00:01:49,000 Speaker 2: I got to ask about Bad Boys? You know, the 45 00:01:49,080 --> 00:01:51,560 Speaker 2: Bad Boys franchise picked back up right where y'all left 46 00:01:51,560 --> 00:01:55,120 Speaker 2: off years ago, right, Yeah, And it's pretty amazing because 47 00:01:55,160 --> 00:01:56,760 Speaker 2: as a kid, I grew up on it, right, but 48 00:01:56,800 --> 00:01:59,440 Speaker 2: now my kids are growing up on it. So do 49 00:01:59,560 --> 00:02:01,920 Speaker 2: you expected to catch so big? And how many are 50 00:02:01,960 --> 00:02:04,280 Speaker 2: y'all gonna do? Because it's not it's not like you know, 51 00:02:04,360 --> 00:02:06,960 Speaker 2: usually you do a sequel it's like, and then the 52 00:02:06,960 --> 00:02:09,639 Speaker 2: one after that it's like, but now it's not whack. 53 00:02:09,720 --> 00:02:11,359 Speaker 2: It keeps going, So how many more. You're gonna do it, 54 00:02:11,400 --> 00:02:12,400 Speaker 2: y'all shooting? 55 00:02:12,440 --> 00:02:15,560 Speaker 5: I really don't know, you know, you know, the business 56 00:02:15,639 --> 00:02:20,000 Speaker 5: is fickleed, you know. I hope to do uh more, 57 00:02:20,200 --> 00:02:23,240 Speaker 5: you know, as long as Will wants to do them, 58 00:02:23,639 --> 00:02:26,639 Speaker 5: you know, well, and the audience wants some we're doing 59 00:02:27,280 --> 00:02:30,880 Speaker 5: you know. We like giving you a good work, you know, 60 00:02:31,120 --> 00:02:33,360 Speaker 5: so you know, we have a lot of fun with 61 00:02:33,520 --> 00:02:34,280 Speaker 5: bad boys. 62 00:02:34,600 --> 00:02:37,280 Speaker 8: Why I was wondering about the toll, like, like you 63 00:02:38,000 --> 00:02:41,040 Speaker 8: got money, you're old enow, why even go back on 64 00:02:41,080 --> 00:02:42,640 Speaker 8: the grind and doing a comedy. 65 00:02:42,240 --> 00:02:45,440 Speaker 4: Tour because it's where I started. It's my baby, you know, 66 00:02:46,320 --> 00:02:49,080 Speaker 4: it's it's it's my bread winner. You know. 67 00:02:49,840 --> 00:02:52,160 Speaker 5: When I don't have nothing else to do, I can't 68 00:02:52,160 --> 00:02:56,960 Speaker 5: do movies or TV or whatever. I can always go 69 00:02:57,040 --> 00:03:00,240 Speaker 5: back to stand up and my audience is always there 70 00:03:00,280 --> 00:03:00,600 Speaker 5: for me. 71 00:03:01,000 --> 00:03:02,639 Speaker 8: Do you think that the stand up Do you think 72 00:03:02,639 --> 00:03:04,760 Speaker 8: the appetite of stand up is the same as it 73 00:03:04,840 --> 00:03:05,200 Speaker 8: used to be? 74 00:03:06,080 --> 00:03:08,600 Speaker 5: Yeah, if you're still hungry or you know, if you're 75 00:03:08,639 --> 00:03:10,760 Speaker 5: still hungry, Yeah, and I'm still hungry. 76 00:03:11,000 --> 00:03:13,000 Speaker 3: What about the audience? Because standup is kind of a 77 00:03:13,040 --> 00:03:13,440 Speaker 3: lost art. 78 00:03:13,480 --> 00:03:14,760 Speaker 8: I love stand up, you know what I mean, But 79 00:03:14,800 --> 00:03:16,520 Speaker 8: it feels like it's kind of a lost art because 80 00:03:16,520 --> 00:03:17,280 Speaker 8: of social media. 81 00:03:17,680 --> 00:03:20,440 Speaker 3: People. I don't even know people really know what funny 82 00:03:20,440 --> 00:03:21,240 Speaker 3: funny is anymore. 83 00:03:21,280 --> 00:03:23,560 Speaker 8: But to go on stage and the captivating audience just 84 00:03:23,600 --> 00:03:26,040 Speaker 8: you and the microphone, You think the audience still has it? 85 00:03:27,040 --> 00:03:30,239 Speaker 5: Yeah, people need to laugh, you know, and people want 86 00:03:30,240 --> 00:03:32,760 Speaker 5: to laugh. I mean you see the sound of the 87 00:03:32,800 --> 00:03:35,840 Speaker 5: times that we're in. I mean, people just really want 88 00:03:35,880 --> 00:03:38,960 Speaker 5: to come out and laugh, man, And that's what we 89 00:03:39,440 --> 00:03:40,080 Speaker 5: need to do. 90 00:03:40,520 --> 00:03:42,119 Speaker 4: Laughter. Hill's the world. Man. 91 00:03:43,280 --> 00:03:45,800 Speaker 7: I saw a quote you said, the way fighters trained, 92 00:03:45,840 --> 00:03:48,520 Speaker 7: that's how you train when you're getting ready for comedy. 93 00:03:48,600 --> 00:03:50,280 Speaker 7: How do you get ready for a tour like this 94 00:03:50,360 --> 00:03:53,320 Speaker 7: after ten years and getting back on the stage, Like, 95 00:03:53,440 --> 00:03:55,160 Speaker 7: is that a different level of training now or is 96 00:03:55,160 --> 00:03:55,880 Speaker 7: it still the same? 97 00:03:56,720 --> 00:03:57,800 Speaker 4: You know, it's same. 98 00:03:57,920 --> 00:04:01,360 Speaker 5: I go to the comedy clubs, you know, and I 99 00:04:01,480 --> 00:04:04,400 Speaker 5: work out. I go to the comedy store and work 100 00:04:04,440 --> 00:04:08,160 Speaker 5: out during the week and just keep working out, working 101 00:04:08,160 --> 00:04:12,440 Speaker 5: out til I built up our set and to it's ready. 102 00:04:12,200 --> 00:04:13,040 Speaker 4: To go on the road. 103 00:04:13,600 --> 00:04:15,280 Speaker 6: How you pick and choose what goes into your sets? 104 00:04:15,280 --> 00:04:16,840 Speaker 7: Because I was watching one of your old sets that 105 00:04:16,880 --> 00:04:18,840 Speaker 7: you did at that you mentioned, like the Rodney King 106 00:04:18,960 --> 00:04:20,359 Speaker 7: beatings and like but you made it. 107 00:04:20,360 --> 00:04:21,400 Speaker 6: Funny in a dark time. 108 00:04:21,800 --> 00:04:23,840 Speaker 7: Nowadays people so touchy, Like, so, do you stay away 109 00:04:23,839 --> 00:04:25,600 Speaker 7: from certain stuff cause you're like, now it's like the. 110 00:04:25,839 --> 00:04:29,000 Speaker 9: Icon right now, I'm I'm a little. 111 00:04:30,560 --> 00:04:35,960 Speaker 5: I'm more cautious about, you know, subjects that I that 112 00:04:36,040 --> 00:04:39,960 Speaker 5: I choose and everything. You know, when I was younger, 113 00:04:40,040 --> 00:04:43,760 Speaker 5: I was fearless, you know, I just I would talk 114 00:04:43,839 --> 00:04:48,640 Speaker 5: about anything or anybody. But it's a different time. 115 00:04:49,440 --> 00:04:51,559 Speaker 1: Do you remember that the times? 116 00:04:51,560 --> 00:04:53,400 Speaker 2: Because I always hear these stories and it's to me, 117 00:04:53,440 --> 00:04:56,080 Speaker 2: it's like, damn, this this really happened when you used 118 00:04:56,080 --> 00:05:00,360 Speaker 2: to work telemarketing, right and you were there with Pepper, 119 00:05:00,400 --> 00:05:02,920 Speaker 2: I guess can't play with. 120 00:05:02,839 --> 00:05:05,680 Speaker 4: That sis and robots and robot. 121 00:05:05,920 --> 00:05:07,560 Speaker 1: How was those experiences? 122 00:05:07,640 --> 00:05:10,720 Speaker 2: And are you ever amazed at all of y'all was 123 00:05:10,760 --> 00:05:12,560 Speaker 2: successful in your own way of going? 124 00:05:12,720 --> 00:05:16,720 Speaker 5: Well, well, see, I wasn't there with kidding play. I 125 00:05:16,800 --> 00:05:20,599 Speaker 5: was there with Salt and Pepper, and and I was 126 00:05:20,680 --> 00:05:24,279 Speaker 5: always clown and you know, joking around at work and everything, 127 00:05:24,480 --> 00:05:27,279 Speaker 5: not on the phone doing what I'm supposed to be doing. 128 00:05:27,360 --> 00:05:28,080 Speaker 1: What did you have to do? 129 00:05:28,160 --> 00:05:30,480 Speaker 4: I was trying. I was trying to crack on salt. 130 00:05:31,400 --> 00:05:33,720 Speaker 4: I was trying to crack on. 131 00:05:33,760 --> 00:05:38,400 Speaker 5: SAWT and Herbie Love was working there too, and and 132 00:05:38,480 --> 00:05:40,440 Speaker 5: I was like, Sor, you know, I'm trying to get 133 00:05:40,440 --> 00:05:45,080 Speaker 5: with you, and she was like, Martin, I'm with Herbie. 134 00:05:46,080 --> 00:05:49,080 Speaker 4: I said, Herbie is your your boyfriend? And I look 135 00:05:49,160 --> 00:05:52,040 Speaker 4: at Herbie. I said, Herbie, this is your girlfriend? He 136 00:05:52,120 --> 00:05:56,800 Speaker 4: said yeah. I said, oh man. So then I just 137 00:05:56,839 --> 00:05:58,000 Speaker 4: had to leave that alone. 138 00:05:58,120 --> 00:05:59,640 Speaker 1: So what were you selling on the phone? That's what 139 00:05:59,680 --> 00:06:01,280 Speaker 1: I never like. What was Sears selling? 140 00:06:01,400 --> 00:06:04,800 Speaker 4: You're selling maintenance agreement selling me? 141 00:06:05,640 --> 00:06:07,039 Speaker 1: Do you remember your pitch back then and what you 142 00:06:07,080 --> 00:06:07,400 Speaker 1: had to do? 143 00:06:08,160 --> 00:06:08,360 Speaker 4: Well? 144 00:06:08,520 --> 00:06:13,520 Speaker 5: You know, hello, how are you? I was wondering, you 145 00:06:13,600 --> 00:06:17,680 Speaker 5: just brought a new applying? How is it working for you? 146 00:06:17,680 --> 00:06:21,640 Speaker 5: You know, in thirty days or sixty days, something could 147 00:06:21,680 --> 00:06:22,520 Speaker 5: happen to it? 148 00:06:22,600 --> 00:06:26,000 Speaker 4: Would you like to extend your warranty and all that? 149 00:06:26,800 --> 00:06:28,480 Speaker 1: And the way they said no, did you curse him out? 150 00:06:28,480 --> 00:06:30,080 Speaker 1: Do you start cracking on them? Nah? 151 00:06:30,400 --> 00:06:31,920 Speaker 4: Because a lot of them just hang up. 152 00:06:32,120 --> 00:06:32,440 Speaker 3: Okay. 153 00:06:34,080 --> 00:06:35,960 Speaker 7: One of it shows to be like yo, you called 154 00:06:35,960 --> 00:06:38,080 Speaker 7: me like nobody. That's never happened. 155 00:06:38,480 --> 00:06:40,640 Speaker 6: No, No, I don't remember that. 156 00:06:41,640 --> 00:06:44,680 Speaker 8: Y'all was thinking too, My you're you're a very physical comedian, right, 157 00:06:44,720 --> 00:06:46,000 Speaker 8: that's like a lot, a lot of what you do 158 00:06:46,040 --> 00:06:48,320 Speaker 8: involved with your facial expression is how you move as 159 00:06:48,320 --> 00:06:50,760 Speaker 8: you got older. Do you believe that impacts your comedy? 160 00:06:51,000 --> 00:06:54,360 Speaker 5: Like, no, no, I still love being physical. I love 161 00:06:54,680 --> 00:06:55,120 Speaker 5: I love it. 162 00:06:55,120 --> 00:06:57,279 Speaker 4: It's ain't falling all over the floor. 163 00:06:57,600 --> 00:07:05,520 Speaker 5: No, no, no, I'm not doing that, but I love 164 00:07:05,680 --> 00:07:07,480 Speaker 5: still doing some physical comedy. 165 00:07:08,040 --> 00:07:09,960 Speaker 8: Yeah, And you said, you know you don't say what 166 00:07:09,960 --> 00:07:11,720 Speaker 8: you used to say on stage. I remember an episode 167 00:07:11,720 --> 00:07:14,400 Speaker 8: of Death Comedy Jam I forgot he was messing with 168 00:07:14,440 --> 00:07:15,880 Speaker 8: I feel like it was at level. But maybe I'm 169 00:07:15,880 --> 00:07:18,040 Speaker 8: making this up, but you were saying you was talking 170 00:07:18,040 --> 00:07:20,160 Speaker 8: about a girl. He was with a girl, and you 171 00:07:20,160 --> 00:07:22,840 Speaker 8: were saying, you remember that episode. 172 00:07:22,640 --> 00:07:24,080 Speaker 4: You're talking about mc light. 173 00:07:25,560 --> 00:07:30,480 Speaker 5: Like yeah, yeah, yeah, yeah, but that wasn't the true 174 00:07:30,560 --> 00:07:34,560 Speaker 5: joke all the time, all the time, Yeah that that 175 00:07:34,760 --> 00:07:35,440 Speaker 5: wasn't true. 176 00:07:35,560 --> 00:07:36,760 Speaker 4: That wasn't true. 177 00:07:36,800 --> 00:07:39,640 Speaker 5: I was just messing with her boyfriend and I was 178 00:07:39,720 --> 00:07:40,800 Speaker 5: just jaging at them. 179 00:07:41,280 --> 00:07:44,120 Speaker 4: So you know, I just said it. God damn. 180 00:07:44,280 --> 00:07:46,440 Speaker 9: You know he had to approach you about that. 181 00:07:46,800 --> 00:07:52,720 Speaker 4: He couldn't do nothing. He could whoop my ask. Yeah. Yeah, 182 00:07:52,760 --> 00:07:55,080 Speaker 4: it was todd at the time or something. 183 00:07:55,240 --> 00:07:56,480 Speaker 9: Why did you decide to heat him up? 184 00:07:56,480 --> 00:07:59,440 Speaker 4: Like that because I love her and was saying get 185 00:07:59,680 --> 00:08:00,720 Speaker 4: get him with a joke. 186 00:08:02,240 --> 00:08:03,600 Speaker 3: That's a hell of a joke to stay in front 187 00:08:03,600 --> 00:08:03,800 Speaker 3: of him. 188 00:08:04,920 --> 00:08:07,000 Speaker 2: Used to do the I used to do a rap 189 00:08:07,040 --> 00:08:08,240 Speaker 2: city with him, not rap city, but. 190 00:08:11,880 --> 00:08:14,200 Speaker 1: Has anybody about joke? 191 00:08:14,640 --> 00:08:17,920 Speaker 4: Nah? She she was real cool. No, she's real cool. 192 00:08:19,200 --> 00:08:20,920 Speaker 2: Did anybody ever coming to you after the show and 193 00:08:20,960 --> 00:08:23,680 Speaker 2: wanted to fight, because, like he said, you didn't hold 194 00:08:23,720 --> 00:08:26,160 Speaker 2: anything back, like you didn't care who was in that show. 195 00:08:26,160 --> 00:08:27,720 Speaker 2: You was going at him. Anybody said you, I'm gonna 196 00:08:27,760 --> 00:08:29,559 Speaker 2: be moaning outside after No. 197 00:08:30,120 --> 00:08:34,160 Speaker 4: Never, No, because I'm not that dude. Man, I'm not 198 00:08:34,200 --> 00:08:35,840 Speaker 4: that dude. And I got. 199 00:08:35,640 --> 00:08:41,320 Speaker 1: Goomed back then, so it wasn't happening. 200 00:08:41,640 --> 00:08:43,360 Speaker 4: Wasn't happening and then. 201 00:08:46,559 --> 00:08:51,920 Speaker 1: And I still got him. Go back to that. 202 00:08:52,840 --> 00:08:54,360 Speaker 7: You still lean into a lot of the crowd work 203 00:08:54,400 --> 00:08:56,880 Speaker 7: in your shows now you mentioned did you still do 204 00:08:56,920 --> 00:08:58,600 Speaker 7: a lot of CrowdWork today in your shows? 205 00:08:58,880 --> 00:08:59,120 Speaker 4: Yes? 206 00:09:00,240 --> 00:09:02,600 Speaker 5: I do a lot of meet and greets and stuff. 207 00:09:02,800 --> 00:09:07,720 Speaker 5: You know, I love, you know, hooking up with my audience. 208 00:09:07,760 --> 00:09:09,480 Speaker 1: He's talking about snapping on people in the audience. 209 00:09:09,480 --> 00:09:11,679 Speaker 7: I mean not snapping, but just like you know when 210 00:09:11,679 --> 00:09:13,240 Speaker 7: you go to the comedy shows, I feel like a lot. 211 00:09:13,320 --> 00:09:14,840 Speaker 7: I know for me when I go I want to 212 00:09:14,840 --> 00:09:16,600 Speaker 7: see the comedians of the crowd work because it's off 213 00:09:16,640 --> 00:09:19,360 Speaker 7: the top and like most people when they do it, well, 214 00:09:19,400 --> 00:09:21,120 Speaker 7: I'm like, oh dang, he's like really good at this. 215 00:09:21,440 --> 00:09:22,920 Speaker 7: So I think people look for that for you also too, 216 00:09:22,920 --> 00:09:24,439 Speaker 7: because it's in a lot of your stand ups. You 217 00:09:24,520 --> 00:09:25,520 Speaker 7: see you go off on the crowd. 218 00:09:25,800 --> 00:09:27,000 Speaker 4: Thank you now. 219 00:09:27,000 --> 00:09:29,280 Speaker 2: Also when it is your daughter got engaged to Eddie 220 00:09:29,360 --> 00:09:32,280 Speaker 2: murphy Son, Yeah, congratulations. 221 00:09:31,880 --> 00:09:35,040 Speaker 5: And he's a great kid. I'm a great young man, 222 00:09:35,559 --> 00:09:38,000 Speaker 5: great young man. I don't think she could have found 223 00:09:38,040 --> 00:09:38,800 Speaker 5: nobody better. 224 00:09:39,600 --> 00:09:41,319 Speaker 2: Now, we have this rule up here if we're ever 225 00:09:41,360 --> 00:09:44,120 Speaker 2: out and about that's Richard than us. Whoever has the 226 00:09:44,120 --> 00:09:45,079 Speaker 2: most money has to pay. 227 00:09:45,600 --> 00:09:48,240 Speaker 5: Well. Eddie already said I have to pay for it. 228 00:09:48,280 --> 00:09:50,880 Speaker 5: He said he paid for the last six weddings. You know, 229 00:09:50,960 --> 00:09:52,560 Speaker 5: because Eddie got a lot of kids. 230 00:09:54,760 --> 00:09:57,480 Speaker 4: He said he paid for the last six. So he said, no, 231 00:09:57,640 --> 00:10:00,640 Speaker 4: this is on you, he said. I said, I don't mind. 232 00:10:00,840 --> 00:10:03,400 Speaker 6: So he's still holding you today, I said, so he's 233 00:10:03,400 --> 00:10:04,199 Speaker 6: still holding you to that. 234 00:10:04,360 --> 00:10:06,520 Speaker 4: Yeah, he's holding me to that. He's holding me. 235 00:10:06,640 --> 00:10:08,559 Speaker 8: Did you ever did you envision that? Because it seemed 236 00:10:08,559 --> 00:10:09,959 Speaker 8: like back in the nineties, and I could be wrong. 237 00:10:10,000 --> 00:10:12,280 Speaker 8: It seemed like y'all had just like such a brotherhood 238 00:10:12,280 --> 00:10:14,360 Speaker 8: amongst each other, you know what I mean. And to 239 00:10:14,440 --> 00:10:17,600 Speaker 8: see that brotherhood y'all had. But now y'all kids getting married, 240 00:10:17,600 --> 00:10:18,800 Speaker 8: did you see that? 241 00:10:19,600 --> 00:10:23,640 Speaker 4: Never? I never couldn't believe it. Couldn't believe it when. 242 00:10:23,520 --> 00:10:25,320 Speaker 3: They first told you that they was connected. What you 243 00:10:25,360 --> 00:10:26,840 Speaker 3: did you call it and be like, hey man, you 244 00:10:26,880 --> 00:10:29,480 Speaker 3: know our children to day? 245 00:10:30,040 --> 00:10:31,000 Speaker 4: No, I just uh. 246 00:10:31,559 --> 00:10:33,800 Speaker 5: When I talked to him, I said, can you believe it? 247 00:10:34,000 --> 00:10:36,080 Speaker 5: He said, it's beautiful. 248 00:10:36,520 --> 00:10:40,280 Speaker 4: You know, long as they respect each other and love 249 00:10:40,320 --> 00:10:44,240 Speaker 4: each other. You know, hey, world two nah? 250 00:10:44,520 --> 00:10:45,000 Speaker 1: Nah nah. 251 00:10:45,400 --> 00:10:48,959 Speaker 2: I picture you and Will at the door and they 252 00:10:49,000 --> 00:10:50,280 Speaker 2: coming up and you having that conversation. 253 00:10:50,400 --> 00:10:51,600 Speaker 1: You never had to have that conversation. 254 00:10:51,720 --> 00:10:54,080 Speaker 4: No, with my daughters, I'm open. 255 00:10:54,200 --> 00:10:58,120 Speaker 5: I'm you know, I'm kind of father that gives them, 256 00:10:58,679 --> 00:11:03,160 Speaker 5: gives them room. You know, if they if the boyfriends 257 00:11:03,200 --> 00:11:07,400 Speaker 5: they're bringing me to meet are disrespectful, then they're going 258 00:11:07,440 --> 00:11:10,120 Speaker 5: to see another side of me. But if they're nice 259 00:11:10,160 --> 00:11:11,280 Speaker 5: young man or whatever. 260 00:11:11,720 --> 00:11:12,960 Speaker 4: I don't I don't do all. 261 00:11:14,320 --> 00:11:16,000 Speaker 7: By the time you meet, my dad needs to be right, 262 00:11:16,280 --> 00:11:18,040 Speaker 7: yeahund and my. 263 00:11:18,120 --> 00:11:19,800 Speaker 4: Reputation proceeds itself. 264 00:11:20,440 --> 00:11:21,760 Speaker 3: You mustn't people. 265 00:11:30,360 --> 00:11:37,440 Speaker 9: Thought in the comedy world, how important was it? 266 00:11:37,840 --> 00:11:40,480 Speaker 8: I mean, how hard was it to sell hip hop 267 00:11:40,760 --> 00:11:42,599 Speaker 8: the Hollywood in the nineties, Because when I think of 268 00:11:42,679 --> 00:11:48,320 Speaker 8: like Martin, y'all had Biggie on and Met Mann movies 269 00:11:48,360 --> 00:11:51,440 Speaker 8: like House Party was was was Hollywood. 270 00:11:51,000 --> 00:11:52,920 Speaker 3: Embracing of hip hop back then? Or did y'all have 271 00:11:52,960 --> 00:11:53,840 Speaker 3: to tell them. 272 00:11:53,720 --> 00:11:56,240 Speaker 5: We were coming up? We were coming up, but because 273 00:11:56,280 --> 00:11:58,520 Speaker 5: we were doing so good, you. 274 00:11:58,520 --> 00:11:59,960 Speaker 4: Know, they had to accept us. 275 00:12:00,520 --> 00:12:03,559 Speaker 5: They had to embrace us, you know, because hip hop 276 00:12:03,640 --> 00:12:04,440 Speaker 5: was hitting hard. 277 00:12:05,080 --> 00:12:07,160 Speaker 4: You know, you had all this talent. 278 00:12:07,000 --> 00:12:10,400 Speaker 5: And so they had to say, I open the door 279 00:12:10,440 --> 00:12:13,719 Speaker 5: and say we gotta let hip hop in because it's 280 00:12:13,800 --> 00:12:16,520 Speaker 5: impact in the world, you know, and you see what 281 00:12:16,640 --> 00:12:17,920 Speaker 5: hip hop is doing now. 282 00:12:18,520 --> 00:12:22,600 Speaker 8: You know what what do you think happened to television? 283 00:12:22,640 --> 00:12:24,160 Speaker 8: And what I mean by that is, you know, they 284 00:12:24,200 --> 00:12:27,160 Speaker 8: always talk about the negative images of black people that 285 00:12:27,240 --> 00:12:29,400 Speaker 8: exist now on TV and in film, But it's like 286 00:12:29,400 --> 00:12:31,000 Speaker 8: when we came up in the nineties, we didn't have that. 287 00:12:31,080 --> 00:12:33,760 Speaker 8: We had the Martins and the Cosby shows in the 288 00:12:33,760 --> 00:12:36,320 Speaker 8: Different Worlds and the living singles like what do you 289 00:12:36,360 --> 00:12:39,040 Speaker 8: think made Hollywood say? We're gonna stop doing that and 290 00:12:39,040 --> 00:12:40,800 Speaker 8: start doing reality TV. 291 00:12:41,920 --> 00:12:43,600 Speaker 4: I don't know. I don't know. 292 00:12:43,679 --> 00:12:47,120 Speaker 5: Maybe because reality when when they first put it on, 293 00:12:47,240 --> 00:12:51,200 Speaker 5: it hit, you know, people started gravitating to it or whatever. 294 00:12:51,920 --> 00:12:56,760 Speaker 5: And maybe it's it's ways they get tax breaks. 295 00:12:56,800 --> 00:12:57,360 Speaker 4: I don't know. 296 00:12:57,760 --> 00:13:00,199 Speaker 8: But y'all was hitting too, and it was great the 297 00:13:00,200 --> 00:13:02,000 Speaker 8: tation like you had a job, he was a radio person. 298 00:13:02,080 --> 00:13:04,120 Speaker 1: It was probably cheaper too, though you ain't. 299 00:13:05,040 --> 00:13:07,720 Speaker 5: That's why I'm saying tax breaks and all that stuff, 300 00:13:07,880 --> 00:13:08,520 Speaker 5: you know, but. 301 00:13:08,520 --> 00:13:10,319 Speaker 3: It don't stand the tother time. It ain't a sy indication. 302 00:13:10,960 --> 00:13:14,920 Speaker 8: Years later, thirty years later, yeah, you know, I also 303 00:13:14,960 --> 00:13:17,880 Speaker 8: wonder two. But growing up, you know, watching you play, 304 00:13:17,920 --> 00:13:20,520 Speaker 8: watching you in Big Mama's house, I never thought anything 305 00:13:20,520 --> 00:13:22,280 Speaker 8: of it. I just thought it was funny. But nowadays 306 00:13:22,280 --> 00:13:24,319 Speaker 8: you hear people say, oh, you know, that's you got 307 00:13:24,360 --> 00:13:28,319 Speaker 8: to sell your soul in Hollywood, and that's humiliation rituals 308 00:13:28,320 --> 00:13:29,400 Speaker 8: and nil zumanai. 309 00:13:30,040 --> 00:13:30,800 Speaker 3: What are you think of that? 310 00:13:31,160 --> 00:13:32,040 Speaker 4: It's bullshit. 311 00:13:32,480 --> 00:13:37,360 Speaker 5: It's it's all bullshit doing doing what I'm doing doing 312 00:13:37,440 --> 00:13:42,199 Speaker 5: Big Mama and characters like that and whatever. These are 313 00:13:42,240 --> 00:13:46,880 Speaker 5: strong black women, you know, and I'm a comedian, you know, 314 00:13:47,040 --> 00:13:51,360 Speaker 5: and I'm not above playing the character, putting on the 315 00:13:51,480 --> 00:13:54,439 Speaker 5: dress or whatever, because I'm in tune with my manhood, 316 00:13:55,040 --> 00:13:58,440 Speaker 5: you know, so I know who I am. So I 317 00:13:58,480 --> 00:13:59,679 Speaker 5: don't worry about all that. 318 00:14:00,040 --> 00:14:01,600 Speaker 2: Had a missed art because we've seen it with you, 319 00:14:01,640 --> 00:14:04,079 Speaker 2: We've seen it with Eddie. But now it seems like everybody, 320 00:14:04,120 --> 00:14:05,959 Speaker 2: like he said, is afraid to do that. 321 00:14:06,000 --> 00:14:07,079 Speaker 9: But except for talent. 322 00:14:07,640 --> 00:14:09,439 Speaker 1: Except for talent. 323 00:14:10,320 --> 00:14:15,080 Speaker 5: Yeah, it's if you're in tune with your manhood, you 324 00:14:15,080 --> 00:14:17,800 Speaker 5: shouldn't be worrying about it, you know, if you ain't 325 00:14:17,880 --> 00:14:19,640 Speaker 5: letting nobody get other than your dress. 326 00:14:31,400 --> 00:14:32,600 Speaker 9: Whatever a point. 327 00:14:34,400 --> 00:14:37,400 Speaker 8: Whatever, a point where you felt like the industry boxed 328 00:14:37,440 --> 00:14:39,040 Speaker 8: you in and they just wanted you to be the 329 00:14:39,080 --> 00:14:41,360 Speaker 8: funny guy and didn't give you, like I guess, room 330 00:14:41,400 --> 00:14:41,720 Speaker 8: to grow. 331 00:14:41,840 --> 00:14:45,200 Speaker 5: Was an actor, yeah, because I haven't been offered a 332 00:14:45,200 --> 00:14:46,520 Speaker 5: lot of dramatic roles. 333 00:14:46,960 --> 00:14:54,479 Speaker 4: You know. The closest I I. 334 00:14:51,800 --> 00:14:54,880 Speaker 5: Had to I got a dramatic role was I had 335 00:14:54,880 --> 00:14:58,120 Speaker 5: to do it myself was the line between eleven eight. 336 00:14:58,720 --> 00:14:59,960 Speaker 4: So that was the closest. 337 00:15:00,440 --> 00:15:05,160 Speaker 5: And then I wind up recently, about two years ago, 338 00:15:05,280 --> 00:15:09,240 Speaker 5: I did a movie called Mind Gauge that was total drama, 339 00:15:09,680 --> 00:15:11,520 Speaker 5: no comedy and everything else. 340 00:15:11,600 --> 00:15:13,040 Speaker 4: So I did about two. 341 00:15:13,440 --> 00:15:14,400 Speaker 3: Do you even want to do that? 342 00:15:14,480 --> 00:15:16,640 Speaker 4: Are you like, yeah, I wanted to try it. I 343 00:15:16,680 --> 00:15:19,200 Speaker 4: wanted to try to see if I could pull it. 344 00:15:19,520 --> 00:15:21,560 Speaker 7: When you saw it happening to you, though, were you 345 00:15:21,600 --> 00:15:23,520 Speaker 7: talking to your team like, yo, why is this happening? 346 00:15:23,560 --> 00:15:25,160 Speaker 7: Why are we not pushing back? Or were you just 347 00:15:25,160 --> 00:15:27,200 Speaker 7: like I gotta do what I gotta do to eat 348 00:15:27,280 --> 00:15:29,880 Speaker 7: to keep my family fat always. 349 00:15:30,280 --> 00:15:34,400 Speaker 5: You know, I'm not sell your soul, but what do 350 00:15:34,480 --> 00:15:37,240 Speaker 5: what's appealing to you now? 351 00:15:37,280 --> 00:15:40,000 Speaker 2: They also talk about Blue Streak the sequel. Yes, you 352 00:15:40,040 --> 00:15:42,120 Speaker 2: got the shooting that we're working on it. You're working 353 00:15:42,120 --> 00:15:44,560 Speaker 2: on right, we're writing the right to. 354 00:15:44,640 --> 00:15:46,880 Speaker 1: Leave off in Mexico or have you figured that out 355 00:15:46,880 --> 00:15:47,320 Speaker 1: as yet? 356 00:15:47,560 --> 00:15:49,200 Speaker 4: No, we haven't figured it out yet. 357 00:15:49,360 --> 00:15:52,280 Speaker 5: Yeah, but if they come get me from Mexico to 358 00:15:52,800 --> 00:15:55,680 Speaker 5: you know, because I have the diamond so I'm living 359 00:15:56,480 --> 00:15:58,920 Speaker 5: high off the hog, you know, so. 360 00:15:58,960 --> 00:16:01,160 Speaker 1: We'll see what happened to be a crazy soundtrack to 361 00:16:01,320 --> 00:16:01,880 Speaker 1: like the first one? 362 00:16:02,000 --> 00:16:04,440 Speaker 4: Oh yeah, yeah, how. 363 00:16:04,320 --> 00:16:06,160 Speaker 3: Do you choose what to do a sequel to? Because 364 00:16:06,240 --> 00:16:07,080 Speaker 3: Blue Streak was good? 365 00:16:07,120 --> 00:16:09,840 Speaker 8: But to me, I'm like, y'all rather see Life Part two, 366 00:16:09,920 --> 00:16:10,880 Speaker 8: like I like another one. 367 00:16:10,880 --> 00:16:13,080 Speaker 4: I like to see how y'all want, they want. 368 00:16:13,080 --> 00:16:16,040 Speaker 5: Everybody wants to be Life Part two. But you gotta remember, 369 00:16:17,040 --> 00:16:21,240 Speaker 5: uh me and Aaddy were we were what ninety bout time? 370 00:16:22,760 --> 00:16:25,360 Speaker 8: It can be a period, so it can be based 371 00:16:25,400 --> 00:16:27,760 Speaker 8: on when y'all first got out, wh y'all first broke out. 372 00:16:27,800 --> 00:16:29,600 Speaker 3: What did Ray and Claude do? What was their life 373 00:16:29,640 --> 00:16:30,520 Speaker 3: like when they first. 374 00:16:30,400 --> 00:16:33,440 Speaker 2: Broke Well, we went to the baseball Gamember, that's all 375 00:16:33,440 --> 00:16:39,880 Speaker 2: we saw right by, you know that getting introduced by Agron. 376 00:16:40,200 --> 00:16:43,120 Speaker 6: You know, they might not have made it through the experience. 377 00:16:44,440 --> 00:16:49,120 Speaker 9: I want you to die with you could right when y'all. 378 00:16:48,880 --> 00:16:53,360 Speaker 5: Broke out, right, Well, if somebody puts it together, man, hey, 379 00:16:53,680 --> 00:16:56,200 Speaker 5: I told her. I talked to Daddy about it and 380 00:16:56,280 --> 00:16:58,720 Speaker 5: ed he said, he Man, if somebody could make it 381 00:16:58,760 --> 00:17:01,080 Speaker 5: make sense, hey, we'll do it again. 382 00:17:01,680 --> 00:17:03,880 Speaker 8: You do you get I don't want to say frustrated, 383 00:17:03,880 --> 00:17:06,520 Speaker 8: but like having to convince people in Hollywood, like you, 384 00:17:06,640 --> 00:17:08,800 Speaker 8: Martin Lawrence, you know what I'm saying, Like having to 385 00:17:08,840 --> 00:17:10,360 Speaker 8: sit down and pitch things. 386 00:17:10,200 --> 00:17:12,480 Speaker 4: Or like, yeah, that's frustrating. 387 00:17:12,800 --> 00:17:16,600 Speaker 5: That's frustrating, but it's part of the business, you know, 388 00:17:16,840 --> 00:17:20,439 Speaker 5: And and it's hit a mess, you know, But uh, 389 00:17:21,000 --> 00:17:24,359 Speaker 5: I have a strong faith in uh in God and 390 00:17:24,480 --> 00:17:25,600 Speaker 5: uh he's my Asian. 391 00:17:26,200 --> 00:17:27,800 Speaker 7: It's crazy to me that you still have to pitch 392 00:17:27,880 --> 00:17:31,680 Speaker 7: things like just hearing that, it's like, wow, what about 393 00:17:32,240 --> 00:17:34,679 Speaker 7: a Martin reunion? Like I know you guys did the reunion, 394 00:17:34,680 --> 00:17:36,800 Speaker 7: but like people wanted to see like actual episodes like 395 00:17:37,320 --> 00:17:38,880 Speaker 7: maybe You're Not Sex and the City. They got back 396 00:17:38,880 --> 00:17:40,919 Speaker 7: there the dated episodes and then they had a movie 397 00:17:41,080 --> 00:17:43,240 Speaker 7: like is there anything on screen from you guys that 398 00:17:43,280 --> 00:17:45,480 Speaker 7: we're going to ever see from the Martin from the 399 00:17:45,680 --> 00:17:46,200 Speaker 7: Martin Cash? 400 00:17:46,240 --> 00:17:47,320 Speaker 4: Yes, no, No. 401 00:17:48,080 --> 00:17:51,360 Speaker 5: Tommy Ford was a big part of of what we 402 00:17:51,400 --> 00:17:55,480 Speaker 5: did and him not being there that's not the same 403 00:17:55,880 --> 00:18:00,760 Speaker 5: got you and we we can't. We called uh lightning 404 00:18:00,880 --> 00:18:05,760 Speaker 5: in a bottle, you know, and that that won't happen again. 405 00:18:06,800 --> 00:18:08,399 Speaker 2: Who came up with the idea of being a radio 406 00:18:08,440 --> 00:18:09,960 Speaker 2: host like that? 407 00:18:09,960 --> 00:18:10,520 Speaker 1: That was dope? 408 00:18:10,560 --> 00:18:12,320 Speaker 4: Like but I just I did? 409 00:18:13,200 --> 00:18:18,840 Speaker 5: And why yeah, just try something different, you know, you 410 00:18:18,880 --> 00:18:23,719 Speaker 5: know Detroit, you know, being able to say say what 411 00:18:23,800 --> 00:18:27,560 Speaker 5: I want on the radio and being you know outlandish 412 00:18:27,760 --> 00:18:33,600 Speaker 5: uh radio announcer and everything, having celebrities come through and everything. 413 00:18:33,640 --> 00:18:35,639 Speaker 4: It's just fun fun of radio. 414 00:18:36,240 --> 00:18:39,120 Speaker 8: Did you type cast yourself with Martin? Meaning like being 415 00:18:39,160 --> 00:18:41,520 Speaker 8: at the character name with Martin, and they saw how 416 00:18:41,840 --> 00:18:43,600 Speaker 8: you acted on the show, they expect you to be 417 00:18:43,680 --> 00:18:49,120 Speaker 8: like that in everyday life. Yes, yeah, yeah, yeah, because 418 00:18:49,200 --> 00:18:50,639 Speaker 8: every time I've been around you, it seem like you 419 00:18:50,800 --> 00:18:52,080 Speaker 8: very reserved, laid back. 420 00:18:52,400 --> 00:18:55,639 Speaker 5: Yeah, I'm nothing like the Martin on exactly. You know, 421 00:18:55,760 --> 00:18:58,800 Speaker 5: people do ask me that you like Tomorrow on TV. 422 00:18:59,119 --> 00:19:01,960 Speaker 5: Sometime I tell them, hell yeah, I'll throw your ass out. 423 00:19:04,200 --> 00:19:05,439 Speaker 8: But I think that's a lot like a lot of 424 00:19:05,440 --> 00:19:07,399 Speaker 8: times people see you when they think something's wrong. But 425 00:19:07,440 --> 00:19:09,960 Speaker 8: I'm like number one, he's older, Number two. How did 426 00:19:10,040 --> 00:19:12,440 Speaker 8: we ever know that was told us that was him? 427 00:19:13,000 --> 00:19:14,800 Speaker 4: Yeah, nah, that was my energy. 428 00:19:14,880 --> 00:19:20,479 Speaker 5: That was me just projecting, just just just being big, 429 00:19:20,760 --> 00:19:23,919 Speaker 5: just you know, giving you a bigger version of Martin 430 00:19:24,040 --> 00:19:26,760 Speaker 5: and you know, just. 431 00:19:26,119 --> 00:19:28,359 Speaker 4: Just having fun, just having fun. 432 00:19:28,480 --> 00:19:31,520 Speaker 5: But I'm not like that in real life. I'm I'm mature. 433 00:19:32,520 --> 00:19:37,840 Speaker 5: You know, it's that's my job. You know, you don't 434 00:19:37,880 --> 00:19:41,080 Speaker 5: want to be on all the time. That gets annoying 435 00:19:42,680 --> 00:19:44,520 Speaker 5: somebody people don't take you serious. 436 00:19:44,760 --> 00:19:46,480 Speaker 6: Was it exhausting having to be on all the time? 437 00:19:46,520 --> 00:19:48,400 Speaker 7: Because you did a really good job at that job, 438 00:19:48,480 --> 00:19:50,280 Speaker 7: Like I would have never known that that wasn't how 439 00:19:50,320 --> 00:19:51,400 Speaker 7: you were in real life. 440 00:19:51,320 --> 00:19:51,679 Speaker 4: Thank you. 441 00:19:51,800 --> 00:19:55,200 Speaker 5: Yeah, it g's exhausting, but when you're having fun with it, 442 00:19:55,440 --> 00:19:56,240 Speaker 5: you don't feel it. 443 00:19:57,040 --> 00:19:58,960 Speaker 3: And that the reason you had to whip ass because 444 00:19:59,000 --> 00:20:00,880 Speaker 3: people they. 445 00:20:03,880 --> 00:20:05,120 Speaker 4: You said that the reason. 446 00:20:04,920 --> 00:20:06,280 Speaker 3: Because they thought they could play with people, thought they 447 00:20:06,280 --> 00:20:08,600 Speaker 3: could play with you, so you have to show them. 448 00:20:08,640 --> 00:20:11,480 Speaker 4: Oh yeah, yeah, you. 449 00:20:11,480 --> 00:20:12,919 Speaker 8: Ever had somebody just laid out on the floor, They 450 00:20:13,040 --> 00:20:14,639 Speaker 8: just like Matt just got sucked up by Martin. 451 00:20:17,040 --> 00:20:17,720 Speaker 4: I don't have. 452 00:20:17,800 --> 00:20:24,200 Speaker 8: Some And what do y'all know what it is to 453 00:20:24,320 --> 00:20:25,920 Speaker 8: you got a lot of different comedians on there. You 454 00:20:25,960 --> 00:20:29,040 Speaker 8: got just hilarious of course, Adele Givings, be some Mom, 455 00:20:29,160 --> 00:20:32,280 Speaker 8: Chico being DC, Young Fly, Dion Cole, just to name 456 00:20:32,320 --> 00:20:34,679 Speaker 8: a few. How do you pick who you want to 457 00:20:34,720 --> 00:20:36,600 Speaker 8: be on the roll? Because that's such an honor for 458 00:20:36,680 --> 00:20:39,000 Speaker 8: a comedian to be on the roll with a Martin Lord. 459 00:20:39,280 --> 00:20:45,440 Speaker 5: Because they fire, they fire many. They're so talented there, 460 00:20:45,920 --> 00:20:50,760 Speaker 5: they're the next ones, you know, the next uh comedy stars, 461 00:20:51,160 --> 00:20:56,320 Speaker 5: you know, and uh to for me to just have 462 00:20:56,400 --> 00:21:00,399 Speaker 5: a little piece of helping them out, get them some 463 00:21:00,520 --> 00:21:03,720 Speaker 5: exposure or whatever, you know, I'm honored to do that. 464 00:21:03,720 --> 00:21:07,600 Speaker 5: That's what I'm supposed to do. Knowing my position, and 465 00:21:07,760 --> 00:21:11,520 Speaker 5: uh so I love it and I love working with them. 466 00:21:11,720 --> 00:21:13,240 Speaker 1: Well, call it one o five right now. 467 00:21:13,240 --> 00:21:15,640 Speaker 2: If you want to sit in the front row eight 468 00:21:15,760 --> 00:21:17,600 Speaker 2: hundred five eight five, one oh five. 469 00:21:17,440 --> 00:21:19,200 Speaker 1: One, you have to be in New York. We ain't 470 00:21:19,240 --> 00:21:21,399 Speaker 1: flying you, we ain't paying for a bus ticket. We 471 00:21:21,600 --> 00:21:23,960 Speaker 1: just got your tickets. If you're in New York. 472 00:21:23,840 --> 00:21:25,159 Speaker 2: Or you can make it to New York, call it 473 00:21:25,200 --> 00:21:27,520 Speaker 2: one o five right now. Eight hundred five eight five, 474 00:21:27,560 --> 00:21:29,200 Speaker 2: one oh five one. You're gonna be at the ball 475 00:21:29,280 --> 00:21:32,239 Speaker 2: plays tonight, so you get those tickets tonight, Saturday. He's 476 00:21:32,280 --> 00:21:36,119 Speaker 2: gonna be in Atlantic City. February eighth, Houston, Valentine's Day. 477 00:21:36,119 --> 00:21:38,360 Speaker 2: He's gonna be in your neck of the wood, South Carolina, Greenville. 478 00:21:39,680 --> 00:21:41,800 Speaker 1: No, it's not my just South Carolina. 479 00:21:41,880 --> 00:21:45,879 Speaker 3: Just it's the low country. 480 00:21:46,560 --> 00:21:49,080 Speaker 2: In February fifteen, Charlotte, North Carolina. Say, if you haven't 481 00:21:49,080 --> 00:21:51,280 Speaker 2: got your tickets, get your tickets, and we appreciate you 482 00:21:51,320 --> 00:21:51,840 Speaker 2: for joining. 483 00:21:51,720 --> 00:21:54,240 Speaker 5: Usways, man, thank you all for having me. Man, I'm 484 00:21:54,280 --> 00:21:56,600 Speaker 5: glad I came in. Man, it's been a minute. 485 00:21:56,680 --> 00:21:58,480 Speaker 9: You see you on the wall. 486 00:21:58,600 --> 00:22:01,280 Speaker 4: Yeah, I see yeah, man, thank. 487 00:22:01,119 --> 00:22:03,720 Speaker 1: You, that's what it is. It's Martin Lawrence it's the 488 00:22:03,720 --> 00:22:06,280 Speaker 1: Breakfast Club. Good morning, wake that ass. 489 00:22:06,119 --> 00:22:08,520 Speaker 4: Up ear in the morning. The Breakfast Club