WEBVTT - Thinking Sideways: Gloomy Sunday

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<v Speaker 1>Thinking Sideways is not brought to you by that tiny

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<v Speaker 1>Thinking Sideways. I don't understand it. You never know stories

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<v Speaker 1>of things we simply don't know the answer too. Hey, guys,

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<v Speaker 1>welcome to another episode of Thinking Sideways the podcast. I

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<v Speaker 1>Am Devin, joined per usu By and Steve. Yeah, before

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<v Speaker 1>we get into this mystery, this is part of our

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<v Speaker 1>summer series. Basically, we're doing shorter kind of episodes to

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<v Speaker 1>allow us to enjoy our summer a little bit because

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<v Speaker 1>we've been doing this for a long time three years now,

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<v Speaker 1>three years now out um, and also give us some

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<v Speaker 1>Yeah really we thought we were dead after you know,

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<v Speaker 1>six months. You guys just keep listening to us. Yeah really,

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<v Speaker 1>just kidding, don't do that. But it's going to give

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<v Speaker 1>us also time to work on some of those bigger

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<v Speaker 1>cases that we've been hoping to work on, which is

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<v Speaker 1>pretty good. Yeah, okay, so summer series. Yeah, tonight, we're

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<v Speaker 1>going to talk about a mystery which has a few

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<v Speaker 1>different names. We're going to call it Gloomy Sunday. This

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<v Speaker 1>was a listener suggestion from Mariana. I think it's how

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<v Speaker 1>you say it, So thank you, thanks Marianna. That was

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<v Speaker 1>in like fifteen, It wasn't that long ago. Yeah, Gloomy

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<v Speaker 1>Sunday has another name, doesn't it does. It's also known

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<v Speaker 1>as the Hungarian suicide song Do Do Do Do. Gloomy

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<v Speaker 1>Sunday is a rough translation of the original song, and

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<v Speaker 1>it's actually the second incarnation of the song. It's a

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<v Speaker 1>cover or a remix almost almost, it's just different lyrics.

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<v Speaker 1>What what happened was in nineteen thirty two or thirty three,

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<v Speaker 1>a Hungarian pianist by the name of Richau schirsch Is.

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<v Speaker 1>I think how you say it. I listened to a

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<v Speaker 1>lot of different pronunciations of it, and they all kind

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<v Speaker 1>of sounded like so I'm just gonna say it like that,

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<v Speaker 1>and this is the only time I'm going to say

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<v Speaker 1>his name. It was probably the best pronunciation yet. Yeah. Um,

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<v Speaker 1>And this is no offense to you know, the Hungarian

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<v Speaker 1>language or anything. That's just what it sounded like to

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<v Speaker 1>me on online, So sorry if I got that wrong anyway.

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<v Speaker 1>He he composed the music for the song, and then

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<v Speaker 1>he also wrote some original lyrics for the song Um,

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<v Speaker 1>and he titled this this particular song the World is Ending.

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<v Speaker 1>That's no. A few years after that, a poet decided

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<v Speaker 1>that he could probably do better at the lyrics, so

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<v Speaker 1>he rewrote them and retitled the song Gloomy Sunday. And

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<v Speaker 1>sounds like the composer was kind of in on the

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<v Speaker 1>whole thing. He was. He seemed to think, yeah, okay,

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<v Speaker 1>these these are fine. Okay, so he didn't have a

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<v Speaker 1>problem with somebody playing new lyrics to it. It didn't

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<v Speaker 1>sound like it. I think what happened is he wrote

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<v Speaker 1>the song and he really liked the composition, but he

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<v Speaker 1>wrote lyrics even though he wasn't a lyricist, and then

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<v Speaker 1>somebody heard it and said, hey, you know what, actually

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<v Speaker 1>let me try and compose some good lyrics for this,

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<v Speaker 1>and he was like, okay, fine. It was probably like, hey,

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<v Speaker 1>maybe this version will make some money. Yeah, I mean, well,

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<v Speaker 1>we'll talk about that in a little bit. Anyway. Gloomy Sunday,

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<v Speaker 1>the updated UM lyrics, was recorded and released in ninety five,

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<v Speaker 1>and as I said, it's kind of the more widely

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<v Speaker 1>accepted version of the song. The song isn't really a mystery, right,

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<v Speaker 1>very obvious. You can find on the net, you can

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<v Speaker 1>listen to it can be careful. We'll play a little

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<v Speaker 1>bit of it um in just a second. But the

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<v Speaker 1>real mystery here is that apparently the song is responsible

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<v Speaker 1>for at least nineteen suicides. So the mystery is does

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<v Speaker 1>this song actually drive people to commit suicide? This a

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<v Speaker 1>little depressing. It sounds like a dirge when you listen

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<v Speaker 1>to it. It's pretty sad. Well, and you know, furthermore

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<v Speaker 1>I want to know is that is it is it

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<v Speaker 1>deadly and only the original language, or is it deadly

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<v Speaker 1>in all languages? Well, and we'll talk about all those

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<v Speaker 1>things in a minute. Sweet First, we'll talk a little

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<v Speaker 1>bit more history of the song itself, and also listen

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<v Speaker 1>to a little bit of the song and also do

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<v Speaker 1>dramatic reading of the lyrics. Joe has to do the dramatic,

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<v Speaker 1>so he's going to actually I've I've actually got William

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<v Speaker 1>Shat to show up and do that. Oh thank god.

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<v Speaker 1>I've been wanting the shot in studio for so long.

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<v Speaker 1>So I wait for that knock. We're going to play

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<v Speaker 1>a little bit of the song, probably about fifteen seconds.

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<v Speaker 1>I guess skip it. If you're scared, if you're a

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<v Speaker 1>little stitious, skip it. Yeah, you know, I'm not superstitious,

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<v Speaker 1>but I'm a little stitious. Okay, you kids in your

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<v Speaker 1>new fangled words. Anyway, here we go. Here's fifteen seconds

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<v Speaker 1>of the very beginning of this song. You're back, good,

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<v Speaker 1>you made it out the other side. He congratulations, out

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<v Speaker 1>of the oven. I don't know if you can say

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<v Speaker 1>that or not, but we'll just keep going. So the

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<v Speaker 1>song that we've been talking about is actually kind of

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<v Speaker 1>two different songs. And that's not just the little bit

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<v Speaker 1>that we talked about a second ago. This goes further

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<v Speaker 1>than that. So the original song, we're just gonna say

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<v Speaker 1>gloomy one day, the five version original song. Fine will

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<v Speaker 1>ignore the old lyrics that. We'll ignore that for just

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<v Speaker 1>a minute. Okay, people to suicide, right, Well, I don't know.

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<v Speaker 1>In ninety six, Hal Kemp, he's an American jazz musician.

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<v Speaker 1>If you don't know who he has, look I'm up.

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<v Speaker 1>Awesome awesome artist recorded a new kind of americanized version

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<v Speaker 1>of the song. Um and the lyrics were by Desmond Carter,

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<v Speaker 1>who was worked often with Gershwin and Um. It was

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<v Speaker 1>really just a staple of American music at the time.

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<v Speaker 1>A few years later, Billy Holliday recorded the same version,

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<v Speaker 1>the same americanized version, Yeah, exactly, and it became a

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<v Speaker 1>huge hit. A lot of people really covered this thing that. Yeah,

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<v Speaker 1>there have been a ton of versions. I would encourage you,

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<v Speaker 1>if you are curious, to go out to the Wikipedia page,

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<v Speaker 1>which I know is everybody's favorite thing that I say,

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<v Speaker 1>But go out to the Wikipedia page and just look.

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<v Speaker 1>I there were more than I bothered to count. I

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<v Speaker 1>actually have a feeling that this is the go to

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<v Speaker 1>we need a tenth track on the record, so hey,

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<v Speaker 1>just record this and sticking in there. Yeah, like it's

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<v Speaker 1>just it's a filler. I gotta tell you, though, I did. Really,

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<v Speaker 1>I'm not I have. I've never really appreciated Billy Holiday

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<v Speaker 1>that much, and I really liked her version of it.

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<v Speaker 1>I loved Billy Holiday what I expected of it from her.

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<v Speaker 1>Having listened to some of her stuff before, I was like, oh, gosh,

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<v Speaker 1>it's actually she actually did a good job. I should

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<v Speaker 1>listening to it. I haven't. I haven't heard it. So

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<v Speaker 1>of note, you know, Billy Holiday did a did a

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<v Speaker 1>version of it. Um Rach Charles did a version of it.

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<v Speaker 1>Eda Jones, Elvis Costello did a version of it, did

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<v Speaker 1>a version of it. Peter Wolfe did a cop a

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<v Speaker 1>cover of it. I think Shad O'Connor did a version

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<v Speaker 1>of it. Sarah McLaughlin did a cover of it, of course,

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<v Speaker 1>Sarah mcla course she did. I think even Um York

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<v Speaker 1>might have even done. She did a version of that's

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<v Speaker 1>actually the only version that I'm I'm not a fan

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<v Speaker 1>of York. How do you say it? By the way,

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<v Speaker 1>I know I'm screwing it up every time I want

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<v Speaker 1>to say York, Is that correct? I just I think

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<v Speaker 1>that's wrong. Yeah. I actually really liked her version. It

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<v Speaker 1>was and I'm not a fan of her work either.

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<v Speaker 1>She actually she recorded it for do you guys know who?

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<v Speaker 1>Do you guys know who? Alexander McQueen is not Steve McQueen, No, No,

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<v Speaker 1>Alexander McQueen. He's like one of my favorite fashion designers

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<v Speaker 1>of all times ever died in a two thousand ten

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<v Speaker 1>and that's Byork performed it recorded that the gloomy Sunday

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<v Speaker 1>for his funeral or his commemoration. Got it? Uh, you

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<v Speaker 1>know it's funny, is I didn't know it was. It

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<v Speaker 1>was in the soundtrack of Wrist Cutters. Have you guys

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<v Speaker 1>seen that movie. It's just a I mean, it's a

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<v Speaker 1>pretty prolific song. Yeah, it's it's rist Cutters colon a

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<v Speaker 1>love Stories. It's a great movie. That's where I learned

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<v Speaker 1>the phrase the p i C the people in charge. Oh,

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<v Speaker 1>I like it every now and again. You'll hear me.

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<v Speaker 1>It's got to be the p i C. It's people

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<v Speaker 1>in charge. We've just always glossed over that. Well, yeah,

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<v Speaker 1>you two ignored because you didn't get my reference, got it? Well? Okay,

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<v Speaker 1>So the interesting thing about Billie Holliday's version of this

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<v Speaker 1>song is that reportedly the BBC actually banned it from

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<v Speaker 1>being played on any of their radio stations. They banned

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<v Speaker 1>music in general, didn't they know, I mean the love

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<v Speaker 1>band thing. Yeah, don't worry, I mean okay, so they

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<v Speaker 1>said that it was they cited detriment. It was detrim

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<v Speaker 1>detrimental to um morale. Yeah, morale like wartime morale. But

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<v Speaker 1>I'm don't worry. They have lifted the band. Um, they

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<v Speaker 1>lifted it in um. So you know, just just when

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<v Speaker 1>Gland was really recovering from the war, the wheels of

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<v Speaker 1>bureaucracy grind slowly. Well, apparently they didn't grind so slowly

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<v Speaker 1>when they were banning the thing, because they happen pretty Yeah,

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<v Speaker 1>let's go ahead and just take a moment to listen

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<v Speaker 1>to Joe dramatically read the lyrics. Okay, we gotta wait

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<v Speaker 1>for Shot to show up. Didn't show up. I'm going

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<v Speaker 1>to do it, but I'm going to use his voice,

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<v Speaker 1>his voice. Okay, this so for everyone. This is the original, original, original,

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<v Speaker 1>if the one that's actually called The World is ending? Yeah, okay,

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<v Speaker 1>autumn is slipping and the yellowing leaves. He died in

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<v Speaker 1>the land of human love. Who was in the autumn wind?

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<v Speaker 1>Crying tears? My eye has a new spring. Does not

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<v Speaker 1>expect our hope in vain. I cry and suffer in vain, heartless,

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<v Speaker 1>greedy and bad people. He died of love. End of

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<v Speaker 1>the world, the end of hope. Cities are destroyed, shrapnel

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<v Speaker 1>is making music. People's blood and meadows are colored red.

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<v Speaker 1>They're people on the streets everywhere. Once again, I said

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<v Speaker 1>another quiet prayer, sir. People are fallible and make mistakes.

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<v Speaker 1>It's the end of the world. That wasn't too melodramatic there, Yeah,

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<v Speaker 1>you went from Shatner to a bit irish to then

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<v Speaker 1>just reading that was that was the complete and total,

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<v Speaker 1>full range of Joe. That's why I'm not an actor.

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<v Speaker 1>That I mean, so the lyrics are for what was

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<v Speaker 1>going on in the time. It totally makes sense what

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<v Speaker 1>was going on in the world in general and thirty Yeah,

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<v Speaker 1>and as I understand it, actually the composer and his

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<v Speaker 1>girlfriend had just broken up and he was pretty cut

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<v Speaker 1>up about it. Was it the composer or the second

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<v Speaker 1>composer who had broken up with his girlfriend? I think

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<v Speaker 1>it was the composer. I thought it was the second

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<v Speaker 1>one who had just gone through a breakup, you know. Frankly,

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<v Speaker 1>I don't know. They may have both happened. Stranger things

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<v Speaker 1>have happened. I mean, this composer did seem to be

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<v Speaker 1>a pretty unhappy guy in general. He was They called

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<v Speaker 1>him just like a staunch nationalist. He you know. So

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<v Speaker 1>this song made it big in America, so he had

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<v Speaker 1>the rights to a lot of royalties in America, but

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<v Speaker 1>he had to go claim them and he just refused.

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<v Speaker 1>He said, no, um, I'm only going to make money

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<v Speaker 1>of this in Hungary. It's he only play. I'm going

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<v Speaker 1>to make money off this, and the royalties there were

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<v Speaker 1>like pretty beautiful. He actually he was kind of you know,

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<v Speaker 1>Van go Esque in his in his time because people

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<v Speaker 1>kind of liked what he was doing. But he wasn't

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<v Speaker 1>really collecting royalties, and he basically died in poverty, so

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<v Speaker 1>too bad. He seemed like he was not the happiest

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<v Speaker 1>of guys anyway. The lyrics that were rewritten so that

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<v Speaker 1>it became the official gloomy Sunday version of the song, Um,

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<v Speaker 1>we should probably listen to those two because that's the

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<v Speaker 1>one that was getting played every Yeah, so Joe, do

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<v Speaker 1>you want to do the owners again? Still was in here,

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<v Speaker 1>damn on a sad Sunday with a hundred white flowers.

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<v Speaker 1>I was waiting for you, not just kidding. He's doing

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<v Speaker 1>it in reverse this time he's eating a monotone, then irish.

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<v Speaker 1>Then yeah, on a sad Sunday with a hundred white flowers.

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<v Speaker 1>I was waiting for you, my dear, with the church

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<v Speaker 1>prayer that dream chasing Sunday morning, the charity of my

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<v Speaker 1>sadness returned without you. Ever since then, Sundays are always sad.

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<v Speaker 1>Tears in my drink, and sorrow was my bread. Sad Sunday,

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<v Speaker 1>Last Sunday, My dear, please come along. They were leaving

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<v Speaker 1>me priest coffin catalfac herst cloth. Even then, flowers will

0:13:36.320 --> 0:13:40.480
<v Speaker 1>be awaiting you, flowers and coffin under blossoming trees. My

0:13:40.559 --> 0:13:43.400
<v Speaker 1>journey be the last. My eyes will be open so

0:13:43.440 --> 0:13:45.920
<v Speaker 1>that I can see you one more time. Do not

0:13:46.000 --> 0:13:48.520
<v Speaker 1>be afraid of my eyes, as I'm blessing you, even

0:13:48.520 --> 0:13:53.920
<v Speaker 1>in my death. Last Sunday. Also super happy. This is

0:13:54.000 --> 0:13:57.959
<v Speaker 1>such a cheery song. What I love is in the

0:13:58.080 --> 0:14:00.480
<v Speaker 1>in the in the song is that not just the

0:14:00.480 --> 0:14:02.080
<v Speaker 1>whole moping, that's the whole thing. But they have to

0:14:02.080 --> 0:14:04.439
<v Speaker 1>have the church bell in there, which is super creepy

0:14:04.520 --> 0:14:08.360
<v Speaker 1>and again very few real Yeah, yeah, yeah I can.

0:14:08.480 --> 0:14:11.880
<v Speaker 1>Did you guys ever watch that that internet cartoon Happy

0:14:11.920 --> 0:14:15.880
<v Speaker 1>Tree Friends? Remember that? Yeah? We started watching that reason this.

0:14:15.880 --> 0:14:19.720
<v Speaker 1>This is the kind of thing that I could see them. Actually,

0:14:19.880 --> 0:14:21.600
<v Speaker 1>the guys who make that are the folks that make

0:14:21.640 --> 0:14:25.560
<v Speaker 1>that making this into an episode which would just be

0:14:25.680 --> 0:14:29.960
<v Speaker 1>another gore fest as all of their things. Absolutely, Okay,

0:14:31.400 --> 0:14:33.200
<v Speaker 1>you've seen it before, you just don't remember it. I've

0:14:33.200 --> 0:14:35.720
<v Speaker 1>showed them to you. I watched all of Oh no,

0:14:35.960 --> 0:14:38.000
<v Speaker 1>I do remember that that was that was like three

0:14:38.040 --> 0:14:41.360
<v Speaker 1>or four or five years. All bunnies and squirrels get

0:14:41.440 --> 0:14:44.680
<v Speaker 1>cut in half, remember that. Yeah, this is that sort

0:14:44.720 --> 0:14:48.960
<v Speaker 1>of thing. Yeah, and it's probably worth just briefly reading

0:14:49.000 --> 0:14:52.360
<v Speaker 1>the Billy Holiday lyrics as well, because apparently we're padding

0:14:52.360 --> 0:14:57.200
<v Speaker 1>episodes these days. Well they added, they added, it's different.

0:14:57.240 --> 0:15:01.280
<v Speaker 1>It's not any fourth um they well, no, the I

0:15:01.320 --> 0:15:06.040
<v Speaker 1>thought it was that the second version was added to.

0:15:06.240 --> 0:15:09.040
<v Speaker 1>In other words, they took at the end, they added

0:15:09.040 --> 0:15:11.760
<v Speaker 1>another is it a stanza? Is that correct? They added

0:15:11.800 --> 0:15:17.320
<v Speaker 1>a fourth stanza, which essentially made the whole thing sound

0:15:17.360 --> 0:15:20.440
<v Speaker 1>as if it was a dream the singer was having

0:15:20.920 --> 0:15:24.680
<v Speaker 1>instead of actually committing suicide or killing themselves. Well, this

0:15:24.760 --> 0:15:27.640
<v Speaker 1>is all alluding to, well, why don't I read the

0:15:27.680 --> 0:15:30.880
<v Speaker 1>Billy Holiday version because you know, these back past two

0:15:30.920 --> 0:15:34.080
<v Speaker 1>lyrics that we've read are obviously just translated from Hungarian,

0:15:34.480 --> 0:15:37.440
<v Speaker 1>so they're not written to be a song in English necessarily,

0:15:37.680 --> 0:15:41.080
<v Speaker 1>which is why we have this americanized version which was

0:15:41.200 --> 0:15:43.680
<v Speaker 1>meant to be sung in English, so it has a

0:15:43.720 --> 0:15:46.240
<v Speaker 1>different tone to it a little bit. So why don't

0:15:46.240 --> 0:15:48.000
<v Speaker 1>we just read this real quick and I'll read it,

0:15:48.040 --> 0:15:52.280
<v Speaker 1>because you know it's Billy Holliday so check me. I'm

0:15:52.320 --> 0:15:55.240
<v Speaker 1>not gonna change my voice at all. Please do your

0:15:55.240 --> 0:16:03.760
<v Speaker 1>best chat. No, Sunday is gloomy. My hours, uh sorry,

0:16:04.200 --> 0:16:07.640
<v Speaker 1>Sunday is gloomy. My hours are slumberless. Dearest, the shadows

0:16:07.680 --> 0:16:11.760
<v Speaker 1>I live with, our numberless little white flowers will never

0:16:11.800 --> 0:16:14.680
<v Speaker 1>waken you, not where the black coach of sorrow has

0:16:14.720 --> 0:16:18.200
<v Speaker 1>taken you. Angels have no thought of ever returning you.

0:16:18.480 --> 0:16:20.680
<v Speaker 1>Why would they be angry if I thought of joining you?

0:16:20.760 --> 0:16:24.120
<v Speaker 1>Gloomy Sunday. Gloomy is Sunday with shadows. I spend it

0:16:24.160 --> 0:16:27.560
<v Speaker 1>all my heart, and I have decided to end it all. Soon.

0:16:27.560 --> 0:16:30.040
<v Speaker 1>There will be candles and prayers that are said I know.

0:16:30.680 --> 0:16:32.640
<v Speaker 1>Let them not weep, let them know that I'm glad

0:16:32.680 --> 0:16:35.040
<v Speaker 1>to go. Death is no dream, for in death, I'm

0:16:35.080 --> 0:16:37.960
<v Speaker 1>caressing you with the last breath of my soul. I'll

0:16:38.000 --> 0:16:41.840
<v Speaker 1>be blessing you, Gloomy Sunday dreaming I was only dreaming.

0:16:42.200 --> 0:16:44.120
<v Speaker 1>I wake up to find you asleep in the deep

0:16:44.160 --> 0:16:46.600
<v Speaker 1>of my heart. Dear darling, I hope that my dream

0:16:46.640 --> 0:16:48.760
<v Speaker 1>has never haunted you. My heart is telling you how

0:16:48.840 --> 0:16:52.800
<v Speaker 1>much I wanted you. Gloomy Sunday. So yeah, they added

0:16:52.840 --> 0:16:55.840
<v Speaker 1>the stands of like it was just a dream. But

0:16:55.920 --> 0:17:01.800
<v Speaker 1>that's for takeing real dark. Oh yeah, it's definitely about suicide,

0:17:01.920 --> 0:17:04.320
<v Speaker 1>as are these other two versions of the song. And

0:17:04.359 --> 0:17:09.000
<v Speaker 1>I think in every language the song is about killing yourself. Well,

0:17:09.000 --> 0:17:11.960
<v Speaker 1>and I think I personally this is my personal opinion,

0:17:11.960 --> 0:17:14.840
<v Speaker 1>and I am pretty sure that that that last stands

0:17:15.040 --> 0:17:19.000
<v Speaker 1>about making it into a dream is added because if

0:17:19.040 --> 0:17:23.080
<v Speaker 1>you remember the way censorship was when like the when

0:17:23.160 --> 0:17:27.399
<v Speaker 1>Billy Holliday did her version, is that they couldn't just

0:17:27.560 --> 0:17:29.720
<v Speaker 1>push that through the sensors. I mean it's like, um,

0:17:30.359 --> 0:17:35.440
<v Speaker 1>there is This was ten or fifteen years later. There's

0:17:35.440 --> 0:17:38.200
<v Speaker 1>the Roy Orbison song. I want to say it's it's

0:17:38.200 --> 0:17:42.119
<v Speaker 1>not Layla, but the one where he's he's getting oysters

0:17:42.200 --> 0:17:45.199
<v Speaker 1>and he's swimming down with you know, it's it's the

0:17:45.359 --> 0:17:49.560
<v Speaker 1>free dive and he gets his hands stuck in a

0:17:49.600 --> 0:17:52.400
<v Speaker 1>clam and it bites down on him, and the whole

0:17:52.440 --> 0:17:54.960
<v Speaker 1>song at the end is that it's him. It's everything's

0:17:54.960 --> 0:17:58.480
<v Speaker 1>getting dark, it's getting cold, Like I'm amazed that got

0:17:58.520 --> 0:18:01.600
<v Speaker 1>through the sensors because they were so they were so

0:18:01.720 --> 0:18:06.600
<v Speaker 1>stern at the time. Yeah, exactly, remember that actually so

0:18:06.720 --> 0:18:10.640
<v Speaker 1>not happy in any any version of it. Definitely referencing

0:18:10.680 --> 0:18:14.200
<v Speaker 1>suicide versions of it. So let's talk about the deaths

0:18:14.240 --> 0:18:16.920
<v Speaker 1>that this song is supposedly responsible for. Thank you for

0:18:16.960 --> 0:18:21.560
<v Speaker 1>getting supposedly, Yeah, no problem, What do you mean supposedly? Well,

0:18:22.320 --> 0:18:28.040
<v Speaker 1>apparently eighteen suicides in Hungary had quote unquote close links

0:18:28.119 --> 0:18:32.240
<v Speaker 1>with Gloomy Sunday. Uh. There was a Time magazine article

0:18:32.359 --> 0:18:36.040
<v Speaker 1>called music calling the Suicide Song that was published in

0:18:36.280 --> 0:18:40.560
<v Speaker 1>UM March of nineteen thirty six. I read part of

0:18:40.600 --> 0:18:44.120
<v Speaker 1>this article, but you can't get past two paragraphs without

0:18:44.200 --> 0:18:46.320
<v Speaker 1>having subscription at Time, and I don't have a subscription

0:18:46.359 --> 0:18:52.880
<v Speaker 1>at time broke, so um I did not purchase said subscription.

0:18:53.160 --> 0:18:56.119
<v Speaker 1>But luckily there are enough articles around the internet that

0:18:56.160 --> 0:18:59.240
<v Speaker 1>have just totally you know, copy pasted from that article

0:18:59.320 --> 0:19:05.760
<v Speaker 1>that I have the information In this article in from

0:19:05.800 --> 0:19:10.719
<v Speaker 1>you know nineteen thirty six, they talk about Hungarian shoemaker

0:19:10.880 --> 0:19:15.679
<v Speaker 1>by the name of Joseph Keller, and police were reportedly

0:19:15.720 --> 0:19:20.560
<v Speaker 1>investigating his death and thinking that Gloomy Sunday was responsible

0:19:20.560 --> 0:19:22.399
<v Speaker 1>for it because he left a note in which he

0:19:22.480 --> 0:19:27.560
<v Speaker 1>quoted some of the lyrics from Gloomy Sunday. Okay, quote unquote.

0:19:27.560 --> 0:19:33.120
<v Speaker 1>Several bodies were found clutching the songs sheet music upon

0:19:33.200 --> 0:19:35.800
<v Speaker 1>their suicides or upon their discovery they were floating in

0:19:35.840 --> 0:19:38.560
<v Speaker 1>the river right in the Danube. Yeah that yeah, this

0:19:38.880 --> 0:19:41.080
<v Speaker 1>this makes me wonder if maybe somebody was trying to

0:19:41.359 --> 0:19:43.879
<v Speaker 1>it was actually murdering people, trying to frame the composer,

0:19:43.960 --> 0:19:47.000
<v Speaker 1>and and it's like, imagine this frustration. He keeps killing

0:19:47.000 --> 0:19:49.000
<v Speaker 1>people and planning this on them, and they keep saying,

0:19:49.000 --> 0:19:52.760
<v Speaker 1>oh my god, another suicide. Yeah, this is insane, it's crazy. Um.

0:19:52.800 --> 0:19:56.159
<v Speaker 1>Two people reportedly shot themselves while listening to different bands

0:19:56.200 --> 0:19:59.520
<v Speaker 1>play the song. There's some songs that that really do

0:19:59.600 --> 0:20:04.720
<v Speaker 1>make you one. I know of plenty these that makes

0:20:04.760 --> 0:20:06.159
<v Speaker 1>me want to stick my head in the oven. Is

0:20:09.960 --> 0:20:14.360
<v Speaker 1>apparently at least one other person, but maybe more, had

0:20:14.400 --> 0:20:17.600
<v Speaker 1>been found to have taken their own life while listening

0:20:17.640 --> 0:20:23.640
<v Speaker 1>to Gloomy Sunday So Hungry band the song right rational Yeah.

0:20:23.920 --> 0:20:26.440
<v Speaker 1>And then you know, in the n eighteen thirties there

0:20:26.440 --> 0:20:30.679
<v Speaker 1>were apparently attempted suicides and actual suicides that we were

0:20:30.720 --> 0:20:34.800
<v Speaker 1>being reported in conjunction with Gloomy Sunday. As we said,

0:20:34.920 --> 0:20:39.600
<v Speaker 1>the BBC did bann the song entirely and reportedly although

0:20:39.640 --> 0:20:43.400
<v Speaker 1>I've never seen anything to corroborate this Reportedly, certain outlets

0:20:43.400 --> 0:20:46.000
<v Speaker 1>in the US refused to play the song. That seems

0:20:46.000 --> 0:20:49.080
<v Speaker 1>silly to me. Also, it was such a big hit,

0:20:49.240 --> 0:20:52.000
<v Speaker 1>like Billy It's It's on one of Bill Holidays, like

0:20:52.320 --> 0:20:54.720
<v Speaker 1>Greatest Hits things. It was a huge song for her,

0:20:55.440 --> 0:20:58.800
<v Speaker 1>and it's silly to assume that outlets were not playing

0:20:58.800 --> 0:21:02.080
<v Speaker 1>the song. It not as though it's you know, two

0:21:02.119 --> 0:21:05.280
<v Speaker 1>thousand and sixteen. People are downloading and like getting it anyway,

0:21:05.359 --> 0:21:07.600
<v Speaker 1>even if the radio is not playing, that's not happening.

0:21:07.640 --> 0:21:10.200
<v Speaker 1>Then the radio is playing it or people are pretty

0:21:10.280 --> 0:21:14.680
<v Speaker 1>much not hearing it. Yeah, because records and a gramophone,

0:21:14.800 --> 0:21:17.480
<v Speaker 1>we're not a cheap purchase. So it's not as if

0:21:17.640 --> 0:21:21.320
<v Speaker 1>music was easy to get, not as easy as not

0:21:21.400 --> 0:21:24.440
<v Speaker 1>at all. Apparently, reportedly, there are more than a hundred

0:21:24.520 --> 0:21:28.560
<v Speaker 1>deaths connected to Gloomy Sunday. This is a air quotes,

0:21:28.920 --> 0:21:34.480
<v Speaker 1>yes death according to the Internet at this point. Yeah,

0:21:34.520 --> 0:21:36.960
<v Speaker 1>it's all according to the Internet. Okay. So I was

0:21:37.000 --> 0:21:41.800
<v Speaker 1>gonna ask because I couldn't find any of the easily,

0:21:42.080 --> 0:21:45.280
<v Speaker 1>and I admittedly just kind of thought about it earlier

0:21:45.320 --> 0:21:48.840
<v Speaker 1>today and started trying to find uh, you know, you

0:21:48.840 --> 0:21:51.800
<v Speaker 1>can find in Google sometimes copies and newspapers, but The

0:21:51.800 --> 0:21:54.240
<v Speaker 1>problem is is that I don't know how to read Hungarian,

0:21:54.320 --> 0:21:56.280
<v Speaker 1>so I was trying to find something that translated that.

0:21:56.440 --> 0:21:58.000
<v Speaker 1>So it was it was just it was utter a

0:21:58.040 --> 0:22:01.880
<v Speaker 1>crap show of my research process here. But it does

0:22:02.040 --> 0:22:04.639
<v Speaker 1>have either of you seen anything that actually points to

0:22:05.080 --> 0:22:09.520
<v Speaker 1>actual reports or newspaper accounts. Now? Is it all just

0:22:09.680 --> 0:22:13.240
<v Speaker 1>summations on the internet. Um, for the most part. I

0:22:13.320 --> 0:22:16.800
<v Speaker 1>mean they reference, you know, in a blah blah blah

0:22:16.880 --> 0:22:21.920
<v Speaker 1>article in you know, this year a woman named Lauren

0:22:22.560 --> 0:22:26.960
<v Speaker 1>drowned herself in the river clutching you know, I'm I'm

0:22:27.040 --> 0:22:29.680
<v Speaker 1>making that one up. I'm just pulling that from pieces.

0:22:29.760 --> 0:22:32.919
<v Speaker 1>But they'll say they'll cite their sources, but you know,

0:22:33.119 --> 0:22:35.480
<v Speaker 1>you always fall the link in there. It's like link

0:22:35.560 --> 0:22:38.600
<v Speaker 1>not found and it's you know, to a PDF that

0:22:38.680 --> 0:22:41.720
<v Speaker 1>was scanned at one point of an article in Hungarian

0:22:41.800 --> 0:22:45.040
<v Speaker 1>and you just have to take people's word for it. Um,

0:22:45.040 --> 0:22:49.840
<v Speaker 1>I'm disinclined to believe most of the stories. Well. Yeah.

0:22:49.880 --> 0:22:52.000
<v Speaker 1>The thing about it is too is this if there's

0:22:52.000 --> 0:22:54.320
<v Speaker 1>a connection, and there might be in a sense, but

0:22:54.359 --> 0:22:58.720
<v Speaker 1>it's a reverse connection. Because people who are depressed tanty

0:22:58.880 --> 0:23:01.920
<v Speaker 1>like they like to pressing music, you know, they will

0:23:01.920 --> 0:23:05.440
<v Speaker 1>seek that stuff out. Yeah, totally, So not it necessarily

0:23:05.600 --> 0:23:08.760
<v Speaker 1>cause of it. No, there's definitely there's definitely bands that

0:23:08.840 --> 0:23:10.840
<v Speaker 1>you know, there's rough times in all of our lives

0:23:10.840 --> 0:23:13.840
<v Speaker 1>where you've you look back through your your music collection.

0:23:13.880 --> 0:23:16.200
<v Speaker 1>I was about to say CD collection. You look back

0:23:16.240 --> 0:23:19.159
<v Speaker 1>through your music collection and you're like, wow, I have

0:23:19.280 --> 0:23:24.000
<v Speaker 1>like five albums from this one bad and that is

0:23:24.280 --> 0:23:31.200
<v Speaker 1>such a melancholy batch. Well, I even have it from

0:23:31.240 --> 0:23:33.679
<v Speaker 1>I've had the what is it it's Deathcat for Cutie.

0:23:33.680 --> 0:23:36.320
<v Speaker 1>Remember all of their stuff was That's all A lot

0:23:36.400 --> 0:23:38.920
<v Speaker 1>of that is the same vein. I was a teenage

0:23:38.960 --> 0:23:41.200
<v Speaker 1>girl in the early two thousands, so yes, I remember that.

0:23:42.960 --> 0:23:44.840
<v Speaker 1>I listened to it all the time, and you know,

0:23:44.920 --> 0:23:47.159
<v Speaker 1>I thought it was great, and then they did other stuff.

0:23:47.200 --> 0:23:49.199
<v Speaker 1>But after now I look back and like, oh, it

0:23:49.280 --> 0:23:52.119
<v Speaker 1>comes up on what I'll listen to my stuff on randomly,

0:23:52.480 --> 0:23:56.600
<v Speaker 1>like that that one about We'll go together in the dark. Yeah,

0:23:56.640 --> 0:24:00.800
<v Speaker 1>that I'll follow you into the dark. I've that's real

0:24:01.000 --> 0:24:03.440
<v Speaker 1>and h it's uh. There's another one that they cover

0:24:03.560 --> 0:24:07.520
<v Speaker 1>that's by um Iron and Wine, who is also it's

0:24:07.560 --> 0:24:10.679
<v Speaker 1>not Iron and Wine, that's the album name. Who is

0:24:10.760 --> 0:24:13.280
<v Speaker 1>it that has the album is called Iron and Wine.

0:24:13.680 --> 0:24:15.600
<v Speaker 1>No it is. It is Iron and Wine. I'm I'm

0:24:15.640 --> 0:24:17.920
<v Speaker 1>getting it all mixed up with the actual artist's name.

0:24:18.359 --> 0:24:20.879
<v Speaker 1>But anyway, you know they he's saying something which I

0:24:20.920 --> 0:24:22.399
<v Speaker 1>know was then to cover. So it's the same thing.

0:24:22.480 --> 0:24:25.560
<v Speaker 1>It's like one of those things that just hopscotches backthrough time.

0:24:26.280 --> 0:24:29.280
<v Speaker 1>So why don't we talk about theories we are? It's

0:24:29.320 --> 0:24:32.920
<v Speaker 1>pretty easy, Jay, I don't know where they already. There's

0:24:32.960 --> 0:24:37.879
<v Speaker 1>kind of like two, three, maybe four. I think there's two. Okay,

0:24:38.520 --> 0:24:40.560
<v Speaker 1>I don't see your Little Black Book anywhere, so I'm

0:24:40.560 --> 0:24:43.280
<v Speaker 1>gonna go ahead and solidly say there's two. Well, no,

0:24:43.480 --> 0:24:46.240
<v Speaker 1>I all I remembered about the stories was York and

0:24:46.359 --> 0:24:49.480
<v Speaker 1>then I was done. Yeah, I'll in a third. Okay.

0:24:50.200 --> 0:24:53.120
<v Speaker 1>So the first theory is that, yeah, this song has

0:24:53.160 --> 0:24:56.680
<v Speaker 1>some kind of supernatural ability to drive people to kill themselves.

0:24:57.240 --> 0:25:00.560
<v Speaker 1>I don't have any evidence to backing up putting it

0:25:00.600 --> 0:25:03.639
<v Speaker 1>out there. Yea there. I listened to it and I

0:25:03.680 --> 0:25:07.120
<v Speaker 1>didn't see I didn't feel my suicide quotient rising personally. Yeah,

0:25:07.160 --> 0:25:10.640
<v Speaker 1>I would think that if this was true in ninety

0:25:10.760 --> 0:25:14.000
<v Speaker 1>five and thirty six, when it was on when the

0:25:14.000 --> 0:25:17.560
<v Speaker 1>Billie Holiday version was playing, there would be droves of

0:25:17.720 --> 0:25:22.639
<v Speaker 1>people falling out of buildings as they were compelled to

0:25:22.880 --> 0:25:27.080
<v Speaker 1>end their lives. I mean that there's not a whole

0:25:27.119 --> 0:25:29.800
<v Speaker 1>lot of support. This is um This is one of

0:25:29.840 --> 0:25:34.399
<v Speaker 1>those anecdotal stories to me, well full of I knew

0:25:34.440 --> 0:25:37.159
<v Speaker 1>this person and they were listening to this gloomy music

0:25:37.200 --> 0:25:40.040
<v Speaker 1>all the time, and I saw this record in their

0:25:40.040 --> 0:25:43.440
<v Speaker 1>house after they had taken their own life. I mean

0:25:43.960 --> 0:25:46.679
<v Speaker 1>to add to that, if we're just gonna sit and

0:25:46.760 --> 0:25:50.640
<v Speaker 1>debunk the latest recording of this song is like two

0:25:50.680 --> 0:25:56.199
<v Speaker 1>thousand fifteen. It's been popularized in the modern era in

0:25:56.280 --> 0:25:59.400
<v Speaker 1>the two thousand's, in the nineties, there have been recordings

0:25:59.400 --> 0:26:03.120
<v Speaker 1>that have been popular and it's not as though we're

0:26:03.160 --> 0:26:07.400
<v Speaker 1>seeing a huge uptick in suicides in the demographic that's

0:26:07.440 --> 0:26:09.960
<v Speaker 1>listening to those songs. Well yeah, but they're saying, I

0:26:10.400 --> 0:26:13.040
<v Speaker 1>think the theory was that the original nineteen thirty five

0:26:13.200 --> 0:26:16.960
<v Speaker 1>version the originals. I mean, it's is the one that's

0:26:16.960 --> 0:26:21.320
<v Speaker 1>got the special you know note Senate that make But

0:26:21.440 --> 0:26:23.040
<v Speaker 1>I think there are a lot of people who listen

0:26:23.080 --> 0:26:27.360
<v Speaker 1>to this song because of this mystery. And uh wait,

0:26:27.400 --> 0:26:29.399
<v Speaker 1>I figured out how we can we can verify this.

0:26:29.840 --> 0:26:33.679
<v Speaker 1>All we have to do is get Usher to to

0:26:33.920 --> 0:26:38.720
<v Speaker 1>re sample the original version and do his own track

0:26:38.920 --> 0:26:42.720
<v Speaker 1>over the top and see if if it has any power.

0:26:42.840 --> 0:26:44.440
<v Speaker 1>I feel like we need to have a conversation about

0:26:44.480 --> 0:26:46.119
<v Speaker 1>the last time that Usher had a song that was

0:26:46.160 --> 0:26:50.640
<v Speaker 1>even played on the radio. That's to have a lot

0:26:50.640 --> 0:26:54.719
<v Speaker 1>of conversation about that, because his music is so good,

0:26:55.040 --> 0:26:58.200
<v Speaker 1>so he will be the nail in the coffin no

0:26:58.280 --> 0:27:02.760
<v Speaker 1>pun intended. I think that probably we need to get

0:27:02.760 --> 0:27:07.000
<v Speaker 1>a government grant. We need to like put together studies,

0:27:07.040 --> 0:27:09.480
<v Speaker 1>sample size about a hundred thousand people who will force

0:27:09.560 --> 0:27:11.200
<v Speaker 1>to listen to the song over and over again. We'll

0:27:11.200 --> 0:27:14.000
<v Speaker 1>see how many kill themselves. Yeah, this is not what

0:27:14.040 --> 0:27:17.600
<v Speaker 1>we're doing. And by the way, if anybody has taken

0:27:17.640 --> 0:27:21.800
<v Speaker 1>it that way, we are not making light of suicide now.

0:27:22.200 --> 0:27:26.399
<v Speaker 1>We are making light of the story itself. If anything,

0:27:26.480 --> 0:27:30.399
<v Speaker 1>we are making heavy of the fact that there's a

0:27:30.440 --> 0:27:33.720
<v Speaker 1>lot that goes into one's decision to kill themselves and

0:27:33.760 --> 0:27:36.520
<v Speaker 1>the fact that listening to a song once or twice

0:27:36.560 --> 0:27:40.240
<v Speaker 1>could drive someone to suicide is absurd. Well it is.

0:27:40.400 --> 0:27:42.280
<v Speaker 1>And like and like I said earlier, I think that

0:27:42.640 --> 0:27:44.960
<v Speaker 1>when you're depressed, do you want to listen to depressing music.

0:27:45.040 --> 0:27:49.879
<v Speaker 1>I agree, yeah, and that is usually the depression itself

0:27:50.040 --> 0:27:53.439
<v Speaker 1>is one of the key factors, not the music that

0:27:53.480 --> 0:27:55.760
<v Speaker 1>you listen to. So hey, actually, while we're talking about

0:27:55.800 --> 0:27:59.919
<v Speaker 1>the depression, let's talk about the second where you are

0:28:00.320 --> 0:28:02.679
<v Speaker 1>what else is happening. Let's think about what else is

0:28:02.720 --> 0:28:06.760
<v Speaker 1>happening societally around the world. In the thirties, it's the

0:28:06.760 --> 0:28:11.359
<v Speaker 1>Great Depression. People were killing themselves at a higher rate

0:28:12.160 --> 0:28:16.119
<v Speaker 1>and reporting being you know, sad and having nothing to

0:28:16.240 --> 0:28:20.160
<v Speaker 1>live for, and also starving and being really depressed about

0:28:20.160 --> 0:28:25.080
<v Speaker 1>the state of the world. And I just I think

0:28:25.080 --> 0:28:27.680
<v Speaker 1>it's silly to think that because somebody had the lyrics

0:28:27.720 --> 0:28:30.520
<v Speaker 1>to a song in their note, that that song should

0:28:30.520 --> 0:28:33.359
<v Speaker 1>be responsible for their suicide. Yeah, I think so. I

0:28:33.440 --> 0:28:37.919
<v Speaker 1>think those are good lyrics, man, Like they express a

0:28:38.040 --> 0:28:42.240
<v Speaker 1>really horrible, painful sentiment in a beautifully eloquent way. I

0:28:42.320 --> 0:28:45.160
<v Speaker 1>say that about the first version in terms of what

0:28:45.200 --> 0:28:50.240
<v Speaker 1>was going on globally time for the second version, Like

0:28:50.320 --> 0:28:53.560
<v Speaker 1>the second version, I feel is it's almost a selfish

0:28:53.560 --> 0:28:56.400
<v Speaker 1>set of lyrics. I have this pain, so I'm going

0:28:56.440 --> 0:28:59.640
<v Speaker 1>to write not that having pain is selfish, but like

0:29:00.240 --> 0:29:04.400
<v Speaker 1>taking and rewriting something just so you can have your

0:29:04.520 --> 0:29:08.440
<v Speaker 1>own bit go over something that is obviously aimed at

0:29:08.520 --> 0:29:12.240
<v Speaker 1>a much larger problem. So that's why I feel the

0:29:12.280 --> 0:29:18.920
<v Speaker 1>first one is actually very applicable for the timely Yeah, yeah,

0:29:18.960 --> 0:29:21.360
<v Speaker 1>well no, there's not the third theory yet because there's

0:29:21.400 --> 0:29:24.360
<v Speaker 1>something else about the time that we need to talk about,

0:29:24.960 --> 0:29:29.680
<v Speaker 1>which is initially a lot of the suicides were happening

0:29:29.840 --> 0:29:34.200
<v Speaker 1>in Hungary, uh and in in a general sense, in

0:29:34.320 --> 0:29:37.600
<v Speaker 1>the Germanic States and where the suicide rates are higher,

0:29:37.640 --> 0:29:41.120
<v Speaker 1>where the suicide rates are naturally higher, and the act

0:29:41.120 --> 0:29:45.240
<v Speaker 1>of suicide at the at that time and at that time,

0:29:45.320 --> 0:29:49.920
<v Speaker 1>and also within the culture, the act, you know, taking

0:29:49.960 --> 0:29:53.840
<v Speaker 1>your own life is not frowned upon. It's not looked

0:29:53.880 --> 0:29:56.960
<v Speaker 1>down upon as why did you do this? This is

0:29:57.000 --> 0:30:00.640
<v Speaker 1>such a you know, in in Western culture there is

0:30:00.920 --> 0:30:05.240
<v Speaker 1>kind of that you're doing something to yourself and everybody

0:30:05.280 --> 0:30:08.720
<v Speaker 1>else is paying the price, whereas in that culture it

0:30:08.800 --> 0:30:13.720
<v Speaker 1>was more of a noble act. It's almost like seppuku.

0:30:14.280 --> 0:30:16.920
<v Speaker 1>In Japanese culture, it was it was very it was

0:30:17.000 --> 0:30:21.240
<v Speaker 1>very honorable to into a degree, so that that plays

0:30:21.280 --> 0:30:24.320
<v Speaker 1>a huge role in well, there's a huge suicide rate

0:30:24.360 --> 0:30:26.560
<v Speaker 1>and by the way or not, but there's a larger

0:30:26.600 --> 0:30:28.959
<v Speaker 1>suicide rate in the culture in general. So oh, by

0:30:28.960 --> 0:30:31.760
<v Speaker 1>the way, then the song comes out, let's just put

0:30:32.200 --> 0:30:36.280
<v Speaker 1>A and D together and call it a pair. Yeah. So,

0:30:36.440 --> 0:30:40.440
<v Speaker 1>I mean, that's that's the theories. A third one that

0:30:40.560 --> 0:30:42.479
<v Speaker 1>was not theory, and that is it was a serial

0:30:42.520 --> 0:30:45.600
<v Speaker 1>killer who was planting copies of the lyrics on his body,

0:30:45.680 --> 0:30:48.720
<v Speaker 1>on the bodies, and and because maybe they've been maybe

0:30:48.720 --> 0:30:50.880
<v Speaker 1>there actually had been a few stories. Maybe there were

0:30:50.880 --> 0:30:52.880
<v Speaker 1>stories out about how this song came out and this

0:30:53.040 --> 0:30:55.400
<v Speaker 1>by my friend bought this record and listened to it

0:30:55.440 --> 0:30:57.800
<v Speaker 1>a lot, that it killed himself and if you have

0:30:57.840 --> 0:31:00.360
<v Speaker 1>to tell the stories like that, making another Hungarian press.

0:31:00.760 --> 0:31:02.640
<v Speaker 1>And then a serial coler decides, well, what the hell

0:31:02.720 --> 0:31:05.160
<v Speaker 1>you know, I'll just plant records and copies of lyrics

0:31:05.160 --> 0:31:07.920
<v Speaker 1>on people and after I had murdered them drowning in

0:31:08.400 --> 0:31:11.200
<v Speaker 1>the Danube. Yeah, so okay, that's the third one, absolutely

0:31:11.280 --> 0:31:14.040
<v Speaker 1>unsupported by facts. So wait, by the way, but where

0:31:14.120 --> 0:31:17.360
<v Speaker 1>the bodies were expected to have gone into the Danube?

0:31:17.760 --> 0:31:23.720
<v Speaker 1>Was there a smiley face painted anywhere in the area? No, stop, no,

0:31:23.880 --> 0:31:26.200
<v Speaker 1>we're not going to go there. Um, just as a

0:31:26.280 --> 0:31:29.760
<v Speaker 1>final fun factum, is this really a fun fact It's

0:31:29.800 --> 0:31:34.760
<v Speaker 1>not a fun fact, okay, Roschos our composer. I'm sorry,

0:31:34.760 --> 0:31:38.200
<v Speaker 1>I'm really sorry, you guys. He actually killed himself. Um,

0:31:38.200 --> 0:31:40.520
<v Speaker 1>he tried to do so by jumping out a window,

0:31:40.960 --> 0:31:44.480
<v Speaker 1>but he survived. So he strangled himself with a wire

0:31:44.520 --> 0:31:47.000
<v Speaker 1>in the hospital a few days later. And he I

0:31:47.000 --> 0:31:48.440
<v Speaker 1>mean it was he was pretty young. It was I

0:31:48.480 --> 0:31:53.160
<v Speaker 1>think in thirty six or thirty seven, maybe definitely before forty.

0:31:53.240 --> 0:31:55.760
<v Speaker 1>Well the person who I thought, the guy who rewrote

0:31:56.040 --> 0:32:00.920
<v Speaker 1>the lyrics, also committed suicide by throwing himself out of window.

0:32:01.240 --> 0:32:05.000
<v Speaker 1>But he was at age sixty three year sixty eight

0:32:05.080 --> 0:32:09.040
<v Speaker 1>something like. He was a very old man, remember, ye,

0:32:09.120 --> 0:32:11.360
<v Speaker 1>very old. I guess maybe for that maybe for that

0:32:11.480 --> 0:32:15.680
<v Speaker 1>at maybe that's very old, you know, sixties seven sixty eight.

0:32:15.760 --> 0:32:27.880
<v Speaker 1>Joe says, wait, that's not that's not that's not old. Um. Yeah,

0:32:27.880 --> 0:32:31.520
<v Speaker 1>so that's the whole story. I think. I think it's

0:32:31.560 --> 0:32:35.280
<v Speaker 1>just situational and it's stilly to blame us song anecdotal

0:32:36.840 --> 0:32:40.600
<v Speaker 1>and yeah, yeah, but yeah, don't listen to the song

0:32:40.680 --> 0:32:43.160
<v Speaker 1>whatever you do, or the other one that Joe didn't

0:32:43.160 --> 0:32:46.479
<v Speaker 1>want you to listen to, yeah, whichever with that one

0:32:46.520 --> 0:32:51.840
<v Speaker 1>by Royal Orbison. Yeah, Okay, so if you want to

0:32:51.840 --> 0:32:55.400
<v Speaker 1>see some of the research that we've done. Um, or

0:32:55.440 --> 0:32:57.719
<v Speaker 1>if you, I guess need a way to listen to episodes,

0:32:57.720 --> 0:32:59.120
<v Speaker 1>you're listening to it, so I figured you know how

0:32:59.160 --> 0:33:00.920
<v Speaker 1>to listen to it. But yeah, I think actually, if

0:33:00.960 --> 0:33:02.320
<v Speaker 1>you want to, like, if you want to read do

0:33:02.400 --> 0:33:05.520
<v Speaker 1>any research on this one, go watch cat videos instead,

0:33:05.560 --> 0:33:07.480
<v Speaker 1>because you know pretty much everything there is to be

0:33:07.480 --> 0:33:13.360
<v Speaker 1>No you officially do, and we've literally said, um, anyways,

0:33:13.400 --> 0:33:15.880
<v Speaker 1>our website where there's some research. If you want to

0:33:15.920 --> 0:33:18.040
<v Speaker 1>figure out where we found this stuff, or if you

0:33:18.040 --> 0:33:20.280
<v Speaker 1>want to see that list, maybe we'll post the Wikipedia.

0:33:20.400 --> 0:33:23.360
<v Speaker 1>We usually don't, but maybe you will this time. The

0:33:23.440 --> 0:33:27.560
<v Speaker 1>website is thinking sideways podcast dot com. You are probably

0:33:27.560 --> 0:33:30.200
<v Speaker 1>listening to us on iTunes. If you are, leave a

0:33:30.240 --> 0:33:32.240
<v Speaker 1>comment and leave a review and a rating, not a

0:33:32.280 --> 0:33:35.800
<v Speaker 1>comment and a rating. Um. If you haven't already, UM,

0:33:35.880 --> 0:33:38.320
<v Speaker 1>you can also subscribe if you haven't already, I think

0:33:38.360 --> 0:33:40.720
<v Speaker 1>that we're getting some more people who are just finding

0:33:40.800 --> 0:33:43.920
<v Speaker 1>us randomly. Yeah, more and more. UM, so subscribe because

0:33:43.920 --> 0:33:47.400
<v Speaker 1>we've got some good stuff. UM. You are streaming if

0:33:47.400 --> 0:33:49.520
<v Speaker 1>you're not on iTunes, you're streaming anywhere, or you're on

0:33:49.600 --> 0:33:53.280
<v Speaker 1>Google Play. If you can on any of those services also, um,

0:33:53.360 --> 0:33:58.440
<v Speaker 1>you know, rate and review, um and subscribe. We're on Facebook.

0:33:58.480 --> 0:34:01.120
<v Speaker 1>We've got a group in a page, so find the

0:34:01.160 --> 0:34:05.160
<v Speaker 1>group and join it. Like the page. UM. We've got

0:34:05.160 --> 0:34:08.400
<v Speaker 1>a Twitter we're Thinking Sideways. I post a lot of

0:34:08.440 --> 0:34:14.319
<v Speaker 1>really dumb stuff on there. It's genuinely dumb stuff, it

0:34:14.400 --> 0:34:17.560
<v Speaker 1>really is. Yeah, mostly just like really dank memes. We're

0:34:17.560 --> 0:34:20.160
<v Speaker 1>on Reddit as well, UM, so we have our own Subwreddit.

0:34:20.160 --> 0:34:23.759
<v Speaker 1>It's Thinking Sideways, it's not Thinking Sideways pod. Um. You

0:34:23.800 --> 0:34:29.000
<v Speaker 1>can email us if you have some constructive criticism of

0:34:29.080 --> 0:34:32.360
<v Speaker 1>the show, or you have some questions or just general

0:34:32.880 --> 0:34:40.320
<v Speaker 1>you know, praise, yeah, anything, Yeah, if you suggestions for episodes,

0:34:40.360 --> 0:34:42.640
<v Speaker 1>anything like that, you can email us. Our email address

0:34:42.719 --> 0:34:45.960
<v Speaker 1>is Thinking Sideway podcast at gmail dot com. And finally,

0:34:46.000 --> 0:34:48.120
<v Speaker 1>if you would like to support the show in some

0:34:48.360 --> 0:34:52.920
<v Speaker 1>monetary way, you can buy some merch We've got links

0:34:52.960 --> 0:34:55.480
<v Speaker 1>to both the Zazzle and the red Bubble on the website.

0:34:56.280 --> 0:34:59.400
<v Speaker 1>UM you can make a one time donation on PayPal

0:34:59.520 --> 0:35:02.160
<v Speaker 1>if you would, or you can set up a reoccurring

0:35:02.200 --> 0:35:06.600
<v Speaker 1>donation on Patreon. UM it's patreon dot com slash Thinking Sideways.

0:35:07.160 --> 0:35:13.160
<v Speaker 1>That is clearly a reoccurring donation. You donate per episode. Um,

0:35:13.200 --> 0:35:15.520
<v Speaker 1>and it's just the normal episodes, all those special ones

0:35:15.560 --> 0:35:17.879
<v Speaker 1>that we release, we don't charge for it. That's that's

0:35:17.880 --> 0:35:21.120
<v Speaker 1>what keeps this from working for the man. Yeah, exactly, Um,

0:35:21.160 --> 0:35:25.799
<v Speaker 1>what is it? Poc I no I was talking about

0:35:25.840 --> 0:35:29.560
<v Speaker 1>the boss man's daughter. Okay anyway, Um, Steve's trying to

0:35:29.560 --> 0:35:31.160
<v Speaker 1>make relevant references that none of you are going to

0:35:31.239 --> 0:35:38.640
<v Speaker 1>get because he's okay, fine, just in the episode. Okay, anyway,

0:35:38.680 --> 0:35:40.200
<v Speaker 1>So we're going to get out of here before Steve

0:35:40.280 --> 0:35:45.760
<v Speaker 1>kills me and play some weird music on my body's

0:35:45.840 --> 0:35:50.919
<v Speaker 1>so strange. I don't understand what's happening. Bye, guys, don't

0:35:50.960 --> 0:35:52.520
<v Speaker 1>listen to that song. You'll kill yourself.