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Speaker 1: Pushkin. It's my firm belief that our culture doesn't put

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Speaker 1: enough stock in family bands. I mean, just think about

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Speaker 1: the groups that include siblings, Sliing the Family Stone, the

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Speaker 1: Beach Boys, the Beeg's, hiam Oasis, ac DC, the Jacksons.

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Speaker 1: It makes sense that Ken would develop uniquely powerful musical chemistry.

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Speaker 1: After all, a love of music usually does start in

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Speaker 1: the home, and the same is true of our guests today, Momo,

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Speaker 1: Abraham Angel and Israel Boyd of the group Infinity Saw.

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Speaker 1: The four siblings were raised in musical households between Detroit

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Speaker 1: and New York, honing their sound wherever they could, in

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Speaker 1: churches and parks, subway stations, even around the kitchen table.

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Speaker 1: That devotion to performing carried them to bigger stages, guided

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Speaker 1: by their father and manager, John Boyd, and eventually jay

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Speaker 1: Z's rock Nation and their fervent love of me music

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Speaker 1: fuels their unmistakable blend of R and B and folk,

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Speaker 1: a mix they proudly described as modern day soft rock.

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Speaker 1: I spoke to the Boyd's siblings at the Tribeca Festival

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Speaker 1: in New York for a live Broken Record event. We

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Speaker 1: discussed the role of music and their family, how their

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Speaker 1: Dad came through in the clutch during a make or

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Speaker 1: Break meeting with jay Z and graciously they performed a

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Speaker 1: couple of songs from their album Metamorphosis Complete. This is

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Speaker 1: broken record, real musicians, real conversations. Infinity Song opened our

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Speaker 1: conversation with the performance of their song Lotus. It's so

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Speaker 1: great to be here with you guys, and to be

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Speaker 1: here with Infinity Song at Tribeca Festival of all places.

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Speaker 1: It's a storied festival, and I think we're here tonight

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Speaker 1: with talent that will be held in that regard. This

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Speaker 1: is a new group and they are already have such

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Speaker 1: incredible music as you'll see tonight their live show and

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Speaker 1: this is stripped down is phenomenal. So without further Ado Israel,

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Speaker 1: Angel Abraham and Momo Infinity Song.

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Speaker 2: Everything short off th yards say the world.

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Speaker 3: Listen to you, cans me. You're a love honest flower.

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Speaker 3: You may be.

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Speaker 4: Everything nassy and last long.

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Speaker 5: Again and ye now I know the wonderful love.

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Speaker 3: And please don't make me want to again.

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Speaker 5: The appliance is less. Just send me for for because

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Speaker 5: now it's take the love to say.

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Speaker 6: Since you don't get for love, settle for.

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Speaker 5: We could let you because I still go.

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Speaker 3: Your alone, Flory.

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Speaker 5: May weed.

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Speaker 6: Everything last see and last still long.

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Speaker 5: And now how know ware the food.

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Speaker 3: Maybe please don't make me laugh again, MANSI.

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Speaker 5: Place, just let me fall for because I would take

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Speaker 5: a lot to sais.

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Speaker 4: Toever I lose myself to love. Then last year, I's fine.

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Speaker 4: And if you're love, it's just a lie.

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Speaker 7: If it's telling me lies.

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Speaker 3: But not let live to me just a crag me

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Speaker 3: dona not tell him as now I know, beautiful baby, Please.

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Speaker 1: Don't make me wise.

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Speaker 3: Man spends some awful because you would say the love

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Speaker 3: seems since my aness, I would say the scious less.

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Speaker 3: Just let me all, because I would say.

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Speaker 8: Thank you so much, thank you, thank youes and gentlemen.

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Speaker 8: Once again we are infinity song. My name is Abraham,

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Speaker 8: my name is Momo.

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Speaker 9: Hey, I'm angel and I'm in Drew and we've got

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Speaker 9: one more song for you before we get into the evening.

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Speaker 10: Yeah, let's go.

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Speaker 5: Now here you go again.

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Speaker 11: You say you want your freeedom, Well, well, my gi me,

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Speaker 11: it's trying to ride.

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Speaker 5: You should play away your feeling.

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Speaker 12: But listen carefully to that sounds a long meess, like.

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Speaker 7: A harpy jassy man.

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Speaker 5: Still song never not all want to tell you now

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Speaker 5: as you all know, pray enough place they say A

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Speaker 5: little man, welcome man when watches you thing you know? No,

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Speaker 5: I'll go again see the crystal leave.

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Speaker 6: I came up vi first want.

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Speaker 13: It's only me who wants you Apparon your dream.

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Speaker 5: Have you an your dreams?

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Speaker 6: You like to sell loneliness like.

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Speaker 14: The Holy Giving in the stool and star remembering, watch

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Speaker 14: and watch Lounlogynagy.

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Speaker 5: Wonders mistress when last.

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Speaker 7: And say, well, man go mad in.

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Speaker 4: Clean you.

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Speaker 5: Watch, Let you know, let you know.

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Speaker 15: Lest too much.

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Speaker 5: Names mus be racy, let's to much you.

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Speaker 15: Want?

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Speaker 5: You don't want? You listen at mess too.

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Speaker 3: Small Spot sweet team to Scott Spot.

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Speaker 1: I gotta say, through this job, I've been privileged to

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Speaker 1: be around a lot of performers. Baby Face comes to

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Speaker 1: mind seeing him perform up close and personal. Neil Young, Right,

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Speaker 1: but this is my first time getting a chance to

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Speaker 1: see you guys, and just getting to see the love

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Speaker 1: of music that you guys have and the passion you

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Speaker 1: guys have for performing. It warms my heart because it's

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Speaker 1: something that I see a lot in an older generation.

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Speaker 1: But I don't always see the love of performance, and

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Speaker 1: I don't see I don't always see that passion flowing

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Speaker 1: through people. When you guys perform, it's evident that there

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Speaker 1: was probably nothing else you guys could have done, but

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Speaker 1: be musicians. Do you feel like there's anything else you

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Speaker 1: guys can I mean, this seems like what you were

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Speaker 1: born to do.

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Speaker 9: Well, I guess that's a loaded question in the sense. Well,

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Speaker 9: first of all, thank you for having us. We've had

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Speaker 9: many conversations since being here, but this is for you guys,

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Speaker 9: So thank you justin for having us. We are so

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Speaker 9: appreciative have the privilege of this conversation. So our parents

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Speaker 9: raised us, I think, to be able to do anything.

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Speaker 9: That was a mindset in our family. But so they

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Speaker 9: raised us to pursue excellence and to pursue being well

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Speaker 9: rounded people with integrity and character.

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Speaker 10: But music was the.

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Speaker 9: Tool that was used to develop that in us. So

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Speaker 9: I probably couldn't be anything but a singer only by choice.

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Speaker 9: I could be more, but it's it just wouldn't work

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Speaker 9: for me. But that everybody has their own answer.

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Speaker 16: Yeah, I would say performance is definitely like one of

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Speaker 16: the loves of our lives.

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Speaker 17: We've been performing for so long. It's really funny.

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Speaker 16: Some people who have seen us perform more than once

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Speaker 16: know that usually on dreams we actually come back in.

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Speaker 1: Did I ruin it? Did I come up too soon?

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Speaker 17: We should have warned you.

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Speaker 5: I should have come earlier in.

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Speaker 1: The week and got to the blue note.

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Speaker 5: I messed up.

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Speaker 17: So we do like we fake end it, you know,

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Speaker 17: built the tension, and then we come back.

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Speaker 1: Guys, let me go walk off this day. I failed already.

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Speaker 1: I have failed everyone here. I have failed you, guys, myself.

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Speaker 1: I mean, she just wanted to say that, Yeah, that's what.

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Speaker 16: Okay, you know, if you still want us to come

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Speaker 16: back and we can.

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Speaker 1: Bring it back, bring it back, bring it back.

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Speaker 17: So serious, I want it to come back in.

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Speaker 10: Don't go no, no, no, you gotta no. This is

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Speaker 10: a part of the conversation.

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Speaker 5: Let's you know, you know, cities, the.

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Speaker 7: Watching, the watch, the watching, the.

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Speaker 3: Us cher, the house, the lot, hot y log house,

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Speaker 3: the fine fine.

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Speaker 5: Fine, spe.

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Speaker 4: Berg, spurge, urgie, scrge.

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Speaker 13: Thunder bad, when it's raining, play.

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Speaker 12: Well, let's say weapon they will come and then well go.

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Speaker 5: Sh shoes clean.

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Speaker 10: Okay, okay, so now we have been anything else.

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Speaker 1: Let's back to the qu not all the hold though

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Speaker 1: that was worth the public shaming.

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Speaker 17: All right, that was wonderful, just public informant.

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Speaker 1: It was a wonderful PSA. I am so glad you

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Speaker 1: brought that to my attention. Yes, but back to the court.

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Speaker 1: I mean, come on, there's no way you guys were

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Speaker 1: born to do this. Did you hear that? Unbelievable but

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Speaker 1: loaded question, leading question? You guys probably have your own thoughts,

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Speaker 1: you know.

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Speaker 18: I mean obviously there's like you can get into a

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Speaker 18: lot of philosophy and all that, but I would say, yeah,

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Speaker 18: we were you know, we were born to do this.

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Speaker 1: This cover of Dreams is beautiful, you know, and it's

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Speaker 1: not something that would have been not even that long ago.

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Speaker 1: It would have been shocking to see, you know, four

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Speaker 1: black siblings just killing Dreams by Fleetwood Mac. You know,

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Speaker 1: like because that's in the territory of classic rock, and.

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Speaker 10: You know, there's so much that could be said.

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Speaker 9: I mean, it really isn't novelty to us on that

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Speaker 9: On that side, it's it's real and it's organic to us.

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Speaker 9: It's music that we enjoy and most importantly, it's music

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Speaker 9: that we can all come together around. A song is

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Speaker 9: a song, and a song sure, different cultures contribute songs

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Speaker 9: to the world, and your different cultures contribute perspectives to

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Speaker 9: the world, but once it leaves and it's released to

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Speaker 9: the world, it belongs to the world, quite frankly, and

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Speaker 9: so you know, unless you're gonna block the dissemination of the.

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Speaker 10: Creative, Like I like that song, I want to sing it.

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Speaker 9: That's that's what it is super cool about music, and

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Speaker 9: we're starting to see it, you know, boundaries and different

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Speaker 9: cultural and ethnic backgrounds, the way hip hop really got

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Speaker 9: like the biggest consumers of say hip hop suddenly or

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Speaker 9: not or not who created hip hop or not.

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Speaker 10: It's just changed the way that.

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Speaker 1: It's ship Like blue happened to blues music and everything,

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Speaker 1: and it's just like.

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Speaker 9: Okay, suddenly it's for the world, yes, and it's kind

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Speaker 9: of nice. Yeah, it's a really beautiful way of putting

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Speaker 9: it that music and music is for the world. And

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Speaker 9: that was the for so many years, the issue with

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Speaker 9: putting music in a in a genre and essentially in

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Speaker 9: a box and done by a marketing team to market

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Speaker 9: to certain audit you know, and it's like it.

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Speaker 1: Does it don't even matter, It doesn't matter what Everyone

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Speaker 1: likes the same stuff. Everyone likes the same stuff, who

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Speaker 1: doesn't like Dolly part who doesn't like Beyonce, who doesn't

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Speaker 1: like Whitney.

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Speaker 17: You know, it's like, come on, yeah, okay, yes I will.

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Speaker 17: Music is for the world. Music is great, but.

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Speaker 16: There's still very much an ongoing conversation about genre and

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Speaker 16: about who's allowed to sing this genre or that genre.

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Speaker 16: I think specifically, I think Cowboy Carter is a great

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Speaker 16: example of you know, a woman who grew up in

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Speaker 16: Texas who really identifies with country roots and has so much,

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Speaker 16: so much, so much, so much to say in this sphere,

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Speaker 16: but then wasn't necessarily embraced, you know, because she hasn't

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Speaker 16: been doing that like full out for years.

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Speaker 17: And you know, that's.

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Speaker 3: To be clear.

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Speaker 9: I think genre is valuable, and I think building a

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Speaker 9: culture is valuable. So I don't really have too crazy

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Speaker 9: of a problem with gatekeeping a culture, because if you

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Speaker 9: build a culture and it becomes potent and important to

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Speaker 9: the world, I think you can be protective of it.

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Speaker 9: I think the challenge is, and my thinking is, let's

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Speaker 9: not be controversial this conversation. I think the challenge is

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Speaker 9: that it's not equal, meaning the guardianship of genres is

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Speaker 9: not equal, of course, and the beneficiaries of genres are

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Speaker 9: not I don't want to go to right, you're right.

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Speaker 16: But one thing I will say is that specifically, you know,

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Speaker 16: America is a very.

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Speaker 17: Particular place.

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Speaker 1: You are so politic, let's wrap it up, okay, But.

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Speaker 16: But a lot of the genres, the roots of them,

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Speaker 16: you know, these genres did not just pop up out

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Speaker 16: of nowhere in the last fifty years, you know. And

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Speaker 16: then I think where the problem lies is when people

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Speaker 16: forget or they're not educated, and they and and by

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Speaker 16: the way, it's not only like if we're talking strictly

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Speaker 16: white and black. It's not only white people who will

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Speaker 16: look at us or you know, someone black and say like, oh,

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Speaker 16: you shouldn't.

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Speaker 17: Be doing country, you shouldn't been doing rock.

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Speaker 16: A lot of times we'll say that to ourselves, not us,

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Speaker 16: but you know, black people will say that to ourselves

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Speaker 16: because there just is like a lack of education on

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Speaker 16: just how the foundation of these genres came to be,

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Speaker 16: you know. And so I think overall, we just don't

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Speaker 16: know the history of things, which is why Cowboy Carter

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Speaker 16: is so cool because now we're getting into the nitty gritty.

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Speaker 16: Now we're saying, now we're seeing like with the backlash.

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Speaker 16: It forces all of us to study, to read, to

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Speaker 16: learn to look past the past like twenty five fifty

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Speaker 16: years and look really look into like the origins of

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Speaker 16: these things, right, and then so it then opens up

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Speaker 16: the conversation for all of us to feel at home

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Speaker 16: here instead of it being like one person, one group

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Speaker 16: of people, it's like, no, the evolution of this genre.

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Speaker 17: Was actually very integrated.

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Speaker 16: It's a lot of people coming together and just trying

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Speaker 16: to make something good, you know. And so when you

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Speaker 16: kind of are forced to look back into the history

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Speaker 16: of things, I think that's when change is made and

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Speaker 16: you know, we can move forward because because if we're

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Speaker 16: if we're listening to like, okay, granted I'm twenty six,

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Speaker 16: but if we're listening to twenty year olds, they're only

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Speaker 16: gonna know what's you know, what's been put in front

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Speaker 16: of their face over the past like ten fifteen years,

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Speaker 16: if they haven't actively gone and looked and studied. So

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Speaker 16: we've got to really and the people who are leading

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Speaker 16: the conversations a lot of times on the internet are

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Speaker 16: twenty year olds.

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Speaker 17: So yes, you know, so it's just very very very

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Speaker 17: you know, it's very layered.

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Speaker 1: Naturally, that's why a group like you guys is so important.

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Speaker 1: It's so beautiful, you know. And I grew up playing guitar,

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Speaker 1: and it was like it was like, you know, it

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Speaker 1: wasn't a rock band. You know, people be like, yo,

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Speaker 1: what the I'm like, well, yeah, I like I like,

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Speaker 1: you know what I saw Hendrix. I was like, I

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Speaker 1: want to be I groom my hair out. I was like,

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Speaker 1: I want to be Hendrix. You know, I didn't turn

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Speaker 1: out to be Hendrix. You're closer to him than me.

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Speaker 1: It's real. But you know, it's like there's there really

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Speaker 1: shouldn't be limitations put on us again not to get

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Speaker 1: we can move out of the controversial as.

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Speaker 10: It shouldn't be that controversial.

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Speaker 9: But I think it's a it's a it's like a

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Speaker 9: minefield because one of these sidebars you could really say

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Speaker 9: something crazy.

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Speaker 10: That's what I asked.

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Speaker 1: Have you guys met Beyonce?

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Speaker 17: Yeah, we have. We didn't sign an NDA, so yeah,

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Speaker 17: we can talk about it a few times, just casually, casually.

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Speaker 10: There's no such things. No, there's no such thing as

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Speaker 10: meeting Beyonce casually.

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Speaker 16: I just mean it wasn't under the like you know,

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Speaker 16: under like a work environment. So we didn't have to

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Speaker 16: sign anything.

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Speaker 1: Okay, Okay, well, I mean yeah, for context, you guys

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Speaker 1: are signed to rock Nation, which is jay Z's label,

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Speaker 1: which is why I asked if you guys have met

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Speaker 1: Beyonce is the affiliation? Did you guys play her any music?

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Speaker 1: Had she heard it?

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Speaker 10: Or we didn't play her music?

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Speaker 18: But I believe that we have heard that she has

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Speaker 18: heard our music. But yeah, it was just an honor

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Speaker 18: always to meet such an icon and a legend. Always

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Speaker 18: been very gracious to us as well, and so yeah,

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Speaker 18: we love her, big fans of her on and off

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Speaker 18: the stage.

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Speaker 17: Yeah, she's really nice.

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Speaker 19: And she always points at our eyebrows because we like

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Speaker 19: Israel has a very strong example of this, but in

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Speaker 19: our I don't know, in our fan our geens, we

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Speaker 19: have like an eyebrow flick or something, and I think

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Speaker 19: she has the same thing. And like in her childhood

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Speaker 19: pictures you can see she has one eyebrow that goes

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Speaker 19: really up, so she'll like.

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Speaker 20: The eyebrows rounds them now always it might be a stretch,

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Speaker 20: but well, the few times we've met her, she has

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Speaker 20: been very excited to see that we have that in common.

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Speaker 17: She's like my cousins.

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Speaker 10: Please thank you.

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Speaker 1: Yeah, I would die to have some cons family life.

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Speaker 1: This message is brought to you by Starbucks. It's the

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Speaker 1: best time of the year. The Punkin Spice Latte is

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Speaker 1: back at Starbucks. The return of the PSL marks the

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Speaker 1: unf official start of the fall season, and thinking back

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Speaker 1: to when I used to work at a Starbucks cafe,

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Speaker 1: I can remember the excitement that came with the return

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Speaker 1: of the beloved classic. The Starbucks Pumpkin Spice Latte is

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Speaker 1: hand crafted with Starbucks signature espresso, steamed milk, and real pumpkin,

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Speaker 1: then topped with whipped cream and pumpkin pie spices for

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Speaker 1: an indulgent taste of fall. And it's available as a

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Speaker 1: hotter ice drink, perfect for whatever you're craving this season.

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Speaker 1: The Starbucks PSL is my signal that fall is here.

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Speaker 1: There's something about the bright notes of real pumpkin, cinnamon,

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Speaker 1: and nutmeg. The flavors are so rich and vibrant, like

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Speaker 1: they bottled the best parts of the season. From the

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Speaker 1: very first sip, it feels like fall has arrived no

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Speaker 1: matter the weather outside, and the return of fall also

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Speaker 1: reminds me of fall playlists, songs, layered with rich vocals,

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Speaker 1: acoustic textures, and a hint of nostalgia. And just like

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Speaker 1: how we all have favorite tracks for the summer, there

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Speaker 1: are some songs that just feel like fall. So to

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Speaker 1: help me celebrate the return of the starbar psl and

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Speaker 1: the start of the fall season, I'm joined to buy

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Speaker 1: a broken record co host Leah Rhodse to build a

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Speaker 1: fall playlist with some of our favorites. Leah, thanks for

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Speaker 1: joining me.

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Speaker 21: Thank you, justin I'm so excited to build this playlist.

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Speaker 1: First song I thought to add to this was Villain

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Speaker 1: by Anastasia, an artist who just had on broken record.

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Speaker 1: Her new album Tether is incredible and for me, when

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Speaker 1: I think about a fall song, I don't think there's

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Speaker 1: much daylight between what a fall song is and the

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Speaker 1: song that you might play if you wake up before

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Speaker 1: everyone else in your house five forty five am, six am,

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Speaker 1: and put on a pot of coffee Starbucks roast of course,

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Speaker 1: and then you sit at your kitchen table and just

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Speaker 1: watch that misclear, watch that sun come up fully, and

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Speaker 1: you're sitting there in your house in the morning in peace,

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Speaker 1: like whatever that feeling is that happens when you do that,

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Speaker 1: like that's what this song feels like to me, so

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Speaker 1: that that would be my first pick to start us

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Speaker 1: off here.

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Speaker 22: Yes, I feel that so deeply, and I feel like

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Speaker 22: Anastasia especially you mentioned fall songs having rich vocals, and

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Speaker 22: she has just like such deeply rich vocals.

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Speaker 1: Absolutely, Leo, what would what would you add?

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Speaker 22: My first pick would be Simon and Garfunkel's America. Oh

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Speaker 22: my gosh, there's something about this song. It's just like

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Speaker 22: so grand and sweeping and you know, thinking about possibility

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Speaker 22: and potential, and I feel like for some reason it

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Speaker 22: suits fall.

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Speaker 1: It fits that it fits that in line. Yeah, you

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Speaker 1: know of a question I found myself asking when when

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Speaker 1: fall hits, like where does the time go?

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Speaker 22: You know?

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Speaker 1: And so I felt like a really natural pick for

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Speaker 1: a playlist like this was Fairport Convention, Who Knows Where

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Speaker 1: the Time goes, which is also just beautiful, beautiful song.

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Speaker 1: It's a fall morning for me.

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Speaker 22: Yeah, sometimes, especially fall mornings, especially if you have a

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Speaker 22: PSL in hand, you get a little hop to your step,

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Speaker 22: you might leave the house go on a nice brisk,

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Speaker 22: crisp walk. A song that I would put on for

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Speaker 22: that moment would be Tom Petty's Time to Move.

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Speaker 1: On that's a walking in rhythm right there, that's pick

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Speaker 1: me up walk in rhythm.

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Speaker 8: Yeah.

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Speaker 22: There's something about the tone of Tom Petty's voice too,

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Speaker 22: that somehow plays into the Fall theme.

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Speaker 21: It's hard to explain, but I hear it.

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Speaker 3: Yeah.

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Speaker 1: Well, it feels very familiar, and it feels very warm,

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Speaker 1: you know, if Tom has such a warm voice and

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Speaker 1: the songwriting is just you know, unbelievable. Of course, I'm

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Speaker 1: gonna add Junior Varsity Cross the Street to this list

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Speaker 1: because even though this song is much more a beat

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Speaker 1: than the other songs I've picked so far, it has

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Speaker 1: I don't know, it's like maybe it's that that almost

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Speaker 1: cheerleader chant one of the singers does on this song,

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Speaker 1: but it reminds me of like a back to school moment.

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Speaker 16: Yeah.

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Speaker 22: I think it's good to include some of the upbeat

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Speaker 22: songs too, because for Fall, it's really easy to get

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Speaker 22: stuck in like a like the cozy, nostalgic, almost kind

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Speaker 22: of down tempo songs, but there is a feeling of like,

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Speaker 22: all right, we gotta get going, we're back.

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Speaker 1: Yeah, yeah, it's the back to school There is an upbeat.

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00:34:14,836 --> 00:34:17,036
Speaker 1: Fall isn't all slow and languid.

403
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Speaker 22: Like it can be it can be fast, it can

404
00:34:19,396 --> 00:34:22,836
Speaker 22: also be very moody and kind of vibe. So my

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00:34:22,996 --> 00:34:27,196
Speaker 22: next pick is Ermano Scutierre's Low Sun.

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Speaker 5: Mom My Boys.

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Speaker 21: I love these guys so beautiful.

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Speaker 1: Yeah, the way these guys play, they play with such

409
00:34:33,516 --> 00:34:36,356
Speaker 1: feeling and that just gets transmitted right through the record,

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Speaker 1: Like I love it.

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Speaker 21: And this is a more contemplative song.

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Speaker 22: So if you're in the fall mood where you just

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Speaker 22: sort of want to sit and you want to just

414
00:34:44,316 --> 00:34:46,436
Speaker 22: sort of think about where you're going, what you want

415
00:34:46,476 --> 00:34:48,836
Speaker 22: to do, this is an incredible song.

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Speaker 17: For that too.

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Speaker 1: And it's an instrumental, So you know what I'm gonna

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00:34:51,756 --> 00:34:54,836
Speaker 1: I'm gonna pick. I'm gonna pick an instrumental. This is

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Speaker 1: from the album We three from the drummer Roy Haynes,

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00:34:59,156 --> 00:35:03,556
Speaker 1: pianist Phineas Newborn Junior, and bass player Paul Chambers. Three

421
00:35:03,756 --> 00:35:07,956
Speaker 1: classic classic incredible jazz musicians. I'll pick the song Reflection

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00:35:08,116 --> 00:35:10,796
Speaker 1: from the Week three album. There's just like a crispness

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00:35:10,876 --> 00:35:13,636
Speaker 1: to this song and there's like a Christnas to Roy

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00:35:13,716 --> 00:35:15,516
Speaker 1: Haynes playing. I mean, he used to call him snap

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00:35:15,676 --> 00:35:18,596
Speaker 1: Crackle because it's just that the way he would just

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00:35:18,676 --> 00:35:20,716
Speaker 1: hit that snare and hit the ride and the high hat.

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Speaker 1: So that song feels like Chris fall Day to me.

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Speaker 1: Plus you know, gotta have some jazz representation on the playlist.

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Speaker 21: Yeah, okay, So my next pick it's a little bit.

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00:35:29,116 --> 00:35:32,436
Speaker 21: It's a little bit different. Crosby still's a Nash Sweet

431
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Speaker 21: Judy blue Eyes, whoa one.

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Speaker 1: Of the great songs of all. I love that song.

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00:35:36,476 --> 00:35:40,196
Speaker 21: Come on, oh this song again. I don't know what

434
00:35:40,356 --> 00:35:40,676
Speaker 21: it is.

435
00:35:40,916 --> 00:35:43,836
Speaker 22: It's hard to describe, but something about like the reflection

436
00:35:44,076 --> 00:35:45,436
Speaker 22: talking about I am lonely.

437
00:35:46,436 --> 00:35:48,716
Speaker 21: It's so beautiful and it has those acoustic tones.

438
00:35:48,796 --> 00:35:50,396
Speaker 22: It has all the things that you were talking about,

439
00:35:50,396 --> 00:35:53,276
Speaker 22: has the beautiful harmonies, has the vintage feel.

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00:35:53,796 --> 00:35:54,636
Speaker 21: It's a perfect song.

441
00:35:55,396 --> 00:35:58,796
Speaker 1: Okay, okay, so you know what, I'm gonna round out

442
00:35:58,996 --> 00:36:00,676
Speaker 1: my portion of the list. I'll less you have last

443
00:36:00,676 --> 00:36:02,436
Speaker 1: pick LEO, but I'll round out my portion of this

444
00:36:02,516 --> 00:36:07,716
Speaker 1: list with this great young Newish Australian artist, Grace Cummins,

445
00:36:08,116 --> 00:36:13,716
Speaker 1: with the song you gave unbelievable the vocals, incredible, songwriting

446
00:36:13,836 --> 00:36:16,356
Speaker 1: is amazing. You know, it doesn't have the patina on

447
00:36:16,476 --> 00:36:19,036
Speaker 1: it that like a Sweet Jerty blue Eyes does, But

448
00:36:19,316 --> 00:36:21,796
Speaker 1: in my view, it's it's equally undeniable.

449
00:36:22,476 --> 00:36:22,676
Speaker 8: Yeah.

450
00:36:22,756 --> 00:36:25,956
Speaker 22: Her voice is just so magnetic, it just pulls you in.

451
00:36:26,676 --> 00:36:28,236
Speaker 1: All right, Lea, I'll let you round this out. I'll

452
00:36:28,276 --> 00:36:29,836
Speaker 1: let you take us home. Okay.

453
00:36:29,956 --> 00:36:31,956
Speaker 22: My final pick, I'm going to stick with the Laurel

454
00:36:32,076 --> 00:36:36,796
Speaker 22: Canyon scene. I'm gonna go with Joni Mitchell from Blue

455
00:36:37,236 --> 00:36:37,916
Speaker 22: A Case of You.

456
00:36:38,556 --> 00:36:42,996
Speaker 1: Oh yeah, Man, Blue this song, but Blue in general.

457
00:36:43,076 --> 00:36:44,916
Speaker 1: Come on, that's the consummate Fall album.

458
00:36:45,516 --> 00:36:45,676
Speaker 10: Oh.

459
00:36:46,316 --> 00:36:50,516
Speaker 21: Just the songwriting is just unmatched, so gorgeous.

460
00:36:51,316 --> 00:36:55,916
Speaker 1: Well, we've book ended this playlist with two great singer songwriters,

461
00:36:56,156 --> 00:37:00,276
Speaker 1: Anastasia Joni Mitchell. Incredible voices on the two of them.

462
00:37:00,996 --> 00:37:02,916
Speaker 21: Yeah, for sure, I'm going to be listening to this

463
00:37:03,556 --> 00:37:04,476
Speaker 21: all throughout Fall.

464
00:37:05,396 --> 00:37:07,996
Speaker 1: I'll be listening to them too. If you haven't heard

465
00:37:08,316 --> 00:37:10,076
Speaker 1: some of these songs, to add them to your cue.

466
00:37:10,436 --> 00:37:12,676
Speaker 1: We'll drop the full play list in this episode show

467
00:37:12,756 --> 00:37:15,716
Speaker 1: notes so you can sip on your PSL and enjoy

468
00:37:15,996 --> 00:37:17,436
Speaker 1: a soundtrack for the season.

469
00:37:17,916 --> 00:37:18,556
Speaker 10: Hotter Iced.

470
00:37:18,636 --> 00:37:21,636
Speaker 1: The Pumpkin Spice Latte is available now at Starbucks for

471
00:37:21,676 --> 00:37:24,556
Speaker 1: a limited time. Grab one, throw on your headphones, and

472
00:37:24,676 --> 00:37:28,236
Speaker 1: let the season begin. It doesn't fall without the PSL.

473
00:37:28,596 --> 00:37:31,516
Speaker 1: The Starbucks Pumpkin spice Latte, get it while it's hot

474
00:37:31,876 --> 00:37:36,636
Speaker 1: or iced your Rock Nation is such a cool group.

475
00:37:36,876 --> 00:37:38,676
Speaker 1: There's so many great and cool artists on it. I

476
00:37:38,716 --> 00:37:40,636
Speaker 1: just interviewed Bootsy Collins like last week and they just

477
00:37:40,676 --> 00:37:42,476
Speaker 1: picked up like Bootsy Collins and you're like, what, like,

478
00:37:42,556 --> 00:37:45,356
Speaker 1: what in the world, Like, it's such a wonderful collection

479
00:37:45,596 --> 00:37:50,316
Speaker 1: of artists. What's it like being heralded by someone like

480
00:37:50,436 --> 00:37:53,116
Speaker 1: jay Z? You know, because it's like it's an honor,

481
00:37:53,196 --> 00:37:55,156
Speaker 1: but it also could be like heavy, I'd imagine, right,

482
00:37:55,356 --> 00:37:57,036
Speaker 1: Like one thing.

483
00:37:56,996 --> 00:37:59,236
Speaker 10: That it has not been is heavy.

484
00:37:59,476 --> 00:38:02,916
Speaker 9: I do have to say that because when we signed,

485
00:38:02,956 --> 00:38:06,796
Speaker 9: we signed roughly almost we signed nine years ago as

486
00:38:06,876 --> 00:38:10,876
Speaker 9: a family. It was a joint venture between our famili's

487
00:38:10,916 --> 00:38:14,156
Speaker 9: company and rock Nation and there was really a connection

488
00:38:14,276 --> 00:38:18,436
Speaker 9: between him and our dad that set the relationship off

489
00:38:18,636 --> 00:38:22,236
Speaker 9: to a really, really good start, and there was an

490
00:38:22,356 --> 00:38:27,636
Speaker 9: understanding there. I can't really speak to it crazy, but

491
00:38:28,156 --> 00:38:32,316
Speaker 9: because I think it was like a relationship man to man,

492
00:38:32,436 --> 00:38:37,196
Speaker 9: and sure we were there, but there was a trust

493
00:38:37,276 --> 00:38:41,036
Speaker 9: there that so it's been very free for us as

494
00:38:41,116 --> 00:38:45,556
Speaker 9: a group. So we switched genres. We were doing more

495
00:38:45,716 --> 00:38:49,316
Speaker 9: R and B leaning and then we walked into the

496
00:38:49,436 --> 00:38:53,156
Speaker 9: label one day and said, we're doing soft rock.

497
00:38:53,316 --> 00:38:53,476
Speaker 14: Now.

498
00:38:56,356 --> 00:38:58,756
Speaker 10: Can you imagine the freedom that you have to have

499
00:38:58,956 --> 00:39:00,156
Speaker 10: to be able to do that.

500
00:39:00,716 --> 00:39:03,236
Speaker 9: And early on in the relationship, one of the meetings,

501
00:39:03,636 --> 00:39:07,356
Speaker 9: jay Z he gave us permission and empowered us to

502
00:39:07,836 --> 00:39:12,196
Speaker 9: run our own race. He said the words, don't try

503
00:39:12,276 --> 00:39:14,476
Speaker 9: to catch up to us, wait for us to catch

504
00:39:14,556 --> 00:39:16,836
Speaker 9: up to you, and so that that was very empowering

505
00:39:16,876 --> 00:39:18,956
Speaker 9: and to set the tone for the relationship. I'm not

506
00:39:19,076 --> 00:39:22,716
Speaker 9: going to say that we've never, you know, disagreed on

507
00:39:22,836 --> 00:39:26,436
Speaker 9: anything within the label, because that just wouldn't be honest.

508
00:39:27,116 --> 00:39:29,116
Speaker 1: Controversially, Brahm, No, no, No.

509
00:39:29,436 --> 00:39:32,316
Speaker 9: What I'm saying is it's been a great relationship. It's

510
00:39:32,396 --> 00:39:35,116
Speaker 9: worked out really really well. So you have to put

511
00:39:35,156 --> 00:39:37,036
Speaker 9: I mean, that's cool. It's a record label, meaning you

512
00:39:37,196 --> 00:39:39,396
Speaker 9: have to kind of set the tone in some way,

513
00:39:39,436 --> 00:39:43,036
Speaker 9: and you were given permission by you know, this is incredible,

514
00:39:43,116 --> 00:39:45,436
Speaker 9: and that's what I That's why I said, of course

515
00:39:45,516 --> 00:39:48,396
Speaker 9: we've disagreed, and he said that in the meeting. He's like,

516
00:39:48,556 --> 00:39:51,556
Speaker 9: we will disagree on some things, but he said, do

517
00:39:51,756 --> 00:39:54,356
Speaker 9: not try to catch up. I want to frame it

518
00:39:54,556 --> 00:39:58,236
Speaker 9: in a way that just because you're given permission does

519
00:39:58,316 --> 00:40:02,436
Speaker 9: not mean that you don't have challenges. That's more my

520
00:40:02,636 --> 00:40:03,876
Speaker 9: thinking in the framing.

521
00:40:04,156 --> 00:40:08,396
Speaker 1: Yeah, the change from R and B soft rock, How

522
00:40:08,436 --> 00:40:11,716
Speaker 1: does that happen? That transpire within the group? Liked what

523
00:40:11,836 --> 00:40:14,796
Speaker 1: made you guys gravitate towards that kind of music.

524
00:40:15,876 --> 00:40:21,356
Speaker 19: It's something that kind of happened organically. It's really hard

525
00:40:21,436 --> 00:40:25,876
Speaker 19: to when you're trying to figure out how to position

526
00:40:26,076 --> 00:40:29,276
Speaker 19: yourself or market yourself. I think you can get really

527
00:40:29,316 --> 00:40:32,916
Speaker 19: in your head about what's the right move for me.

528
00:40:34,116 --> 00:40:36,116
Speaker 19: It just so happened that I was in a space

529
00:40:36,156 --> 00:40:40,236
Speaker 19: where I wanted to keep doing things in life that

530
00:40:40,356 --> 00:40:43,876
Speaker 19: felt good. We were posting covers online of songs and

531
00:40:44,036 --> 00:40:46,396
Speaker 19: dreams by Fleetwood. Mac was one of these covers that

532
00:40:46,476 --> 00:40:49,316
Speaker 19: we posted went viral. Was just a huge you know,

533
00:40:49,436 --> 00:40:53,996
Speaker 19: our arrangement of it was so singular, and so when

534
00:40:54,036 --> 00:40:57,356
Speaker 19: we put it online, like everybody loved it and we

535
00:40:57,476 --> 00:41:00,516
Speaker 19: moved on. We did other covers a few months goes by,

536
00:41:01,156 --> 00:41:05,676
Speaker 19: and there was something about the way that we performed

537
00:41:05,796 --> 00:41:08,276
Speaker 19: that song and arranged that song. I just remember us

538
00:41:08,636 --> 00:41:12,156
Speaker 19: before ever posting it, like coming up with that like

539
00:41:12,756 --> 00:41:15,356
Speaker 19: end tag in the back room of our house where

540
00:41:15,396 --> 00:41:17,716
Speaker 19: we rehearse, Like I just remember us wanting to sing

541
00:41:17,796 --> 00:41:21,916
Speaker 19: it over and over and over again, and being completely honest,

542
00:41:21,996 --> 00:41:24,636
Speaker 19: when you're working with your siblings, that doesn't happen every day.

543
00:41:24,916 --> 00:41:27,076
Speaker 19: It's more so like you want to stop singing as

544
00:41:27,116 --> 00:41:33,036
Speaker 19: soon as possible and move on so fast forward, like okay,

545
00:41:33,276 --> 00:41:35,356
Speaker 19: thinking about the future of the band, Like if I

546
00:41:35,596 --> 00:41:38,236
Speaker 19: wanted this to feel like something every day, it would

547
00:41:38,276 --> 00:41:38,876
Speaker 19: be that moment.

548
00:41:39,436 --> 00:41:40,236
Speaker 17: So that's how I.

549
00:41:40,276 --> 00:41:42,276
Speaker 19: Kind of framed it in my mind, and I was

550
00:41:42,316 --> 00:41:44,796
Speaker 19: thinking about it, I was like, maybe we need to

551
00:41:44,876 --> 00:41:48,036
Speaker 19: sing more of that kind of style of music, and

552
00:41:48,876 --> 00:41:52,916
Speaker 19: I just presented the idea to everyone else after thinking

553
00:41:52,916 --> 00:41:54,716
Speaker 19: about it for a long time. I was like, actually,

554
00:41:55,276 --> 00:41:59,316
Speaker 19: as a collective, I think soft rock really does represent

555
00:41:59,476 --> 00:42:04,796
Speaker 19: us because it's a genre where we can each collectively

556
00:42:04,956 --> 00:42:07,676
Speaker 19: like play to our strengths all at the same time.

557
00:42:07,796 --> 00:42:10,636
Speaker 19: It's not one person's you know, in their sweet spot

558
00:42:10,716 --> 00:42:13,756
Speaker 19: and the other people are like struggling or whatever. It's

559
00:42:13,836 --> 00:42:17,556
Speaker 19: like equally across the board, able to highlight us as

560
00:42:17,836 --> 00:42:20,676
Speaker 19: both a group and individuals at the same time. So

561
00:42:21,316 --> 00:42:23,916
Speaker 19: everyone kind of was like, oh, yeah, that makes sense.

562
00:42:24,436 --> 00:42:28,716
Speaker 16: I would also say when we did sign to rock Nation,

563
00:42:29,116 --> 00:42:32,996
Speaker 16: we didn't really we didn't necessarily sign with a genre

564
00:42:33,756 --> 00:42:36,996
Speaker 16: picked out. You know, we like kind of I don't

565
00:42:37,036 --> 00:42:38,836
Speaker 16: want to say we auditioned for jay Z, but we

566
00:42:38,956 --> 00:42:42,316
Speaker 16: did perform on the top floor for him in the office,

567
00:42:42,356 --> 00:42:46,436
Speaker 16: and it looked something like this with a guitar and

568
00:42:47,556 --> 00:42:49,756
Speaker 16: us just singing like we did with the guitar. No, no,

569
00:42:49,916 --> 00:42:52,596
Speaker 16: Victory was playing the guitar, and then we were all singing.

570
00:42:52,756 --> 00:42:57,596
Speaker 16: So it wasn't like we came in with five songs

571
00:42:57,716 --> 00:42:59,996
Speaker 16: ready to be played that are in the studio and

572
00:43:00,036 --> 00:43:03,596
Speaker 16: they're leaning towards a genre. Like there was no genre

573
00:43:03,756 --> 00:43:07,716
Speaker 16: picked out for us, but he more so saw the

574
00:43:07,876 --> 00:43:11,156
Speaker 16: vision of us, and he saw similarities.

575
00:43:10,516 --> 00:43:12,316
Speaker 17: Between our story and his story.

576
00:43:12,396 --> 00:43:14,756
Speaker 16: And you know, he sold his CDs out the back

577
00:43:14,796 --> 00:43:17,796
Speaker 16: of his truck and we would sell CDs when we

578
00:43:17,956 --> 00:43:20,396
Speaker 16: were growing up, Like our dad would have us in

579
00:43:20,476 --> 00:43:25,436
Speaker 16: the studio just working on old songs like hymns and

580
00:43:25,516 --> 00:43:28,556
Speaker 16: gospel songs, but also songs that he had written or

581
00:43:28,916 --> 00:43:31,516
Speaker 16: we'd written together, and we would sell those like we

582
00:43:31,556 --> 00:43:33,396
Speaker 16: would sell them to people on the street, like, hey

583
00:43:33,476 --> 00:43:35,956
Speaker 16: want to buy our music, and so like that kind

584
00:43:36,036 --> 00:43:41,836
Speaker 16: of foundational drive, I think more is what he signed

585
00:43:41,916 --> 00:43:46,036
Speaker 16: us for. So when we did start getting in the

586
00:43:46,076 --> 00:43:49,476
Speaker 16: studio and making music commercially. I think it was more

587
00:43:49,556 --> 00:43:54,676
Speaker 16: of a maybe a self imposed pressure to do what

588
00:43:54,996 --> 00:43:58,156
Speaker 16: felt like it could be commercially viable. Like he never

589
00:43:58,436 --> 00:44:01,036
Speaker 16: told us like you gotta do R and B, but

590
00:44:01,636 --> 00:44:04,676
Speaker 16: you know, trying to find your legs and trying to

591
00:44:04,836 --> 00:44:05,596
Speaker 16: find out.

592
00:44:05,596 --> 00:44:08,076
Speaker 17: Like, Okay, it's just a part of the process.

593
00:44:08,156 --> 00:44:10,916
Speaker 16: You go through different genres, you go through different things

594
00:44:10,996 --> 00:44:13,916
Speaker 16: until you kind of return home, or you kind of

595
00:44:13,996 --> 00:44:18,396
Speaker 16: return back to what you've always done, which is melding

596
00:44:18,476 --> 00:44:24,996
Speaker 16: our voices together in sweet harmonic ways and writing very

597
00:44:25,156 --> 00:44:29,316
Speaker 16: honest and truthful lyrics and finding a place, like Angel said,

598
00:44:29,356 --> 00:44:31,756
Speaker 16: finding a place for us all to shine. So we

599
00:44:31,876 --> 00:44:34,596
Speaker 16: were never told to be R and B or pop.

600
00:44:34,756 --> 00:44:37,636
Speaker 16: It was just kind of part of the process until

601
00:44:37,676 --> 00:44:40,796
Speaker 16: we landed to something that felt so natural.

602
00:44:41,756 --> 00:44:42,396
Speaker 1: It's amazing.

603
00:44:43,196 --> 00:44:46,476
Speaker 9: Wait very quickly, there's one aspect of this story that

604
00:44:46,596 --> 00:44:48,956
Speaker 9: I feel like I need to tell because people don't

605
00:44:48,996 --> 00:44:52,196
Speaker 9: know it. So this might be the first time I'm

606
00:44:52,236 --> 00:44:56,556
Speaker 9: telling this story. So key fact, our dad he somehow

607
00:44:57,036 --> 00:44:59,876
Speaker 9: got I don't remember how it happened, but he got

608
00:44:59,916 --> 00:45:03,756
Speaker 9: in contact with jay Z and he sent him an email.

609
00:45:04,476 --> 00:45:07,876
Speaker 9: I don't know how it happened, but we ended up

610
00:45:07,916 --> 00:45:11,916
Speaker 9: in the office. Then our dad had a pitch a pit.

611
00:45:12,036 --> 00:45:14,476
Speaker 9: He was going to pitch the family to Jay Z.

612
00:45:15,196 --> 00:45:19,596
Speaker 9: He brought a deck, a whole deck. Spent I don't

613
00:45:19,636 --> 00:45:23,236
Speaker 9: know how many days building this deck, and so we

614
00:45:23,356 --> 00:45:26,276
Speaker 9: get in the room. It's just it's it's our family.

615
00:45:26,916 --> 00:45:31,116
Speaker 9: It's Jay and it's Tai Chai. And now someone else

616
00:45:31,276 --> 00:45:33,756
Speaker 9: was there, and it's our family. And he starts going

617
00:45:33,836 --> 00:45:36,876
Speaker 9: through the deck line by line by line by line

618
00:45:36,996 --> 00:45:40,276
Speaker 9: by line, and it probably the presentation probably took twenty

619
00:45:40,316 --> 00:45:41,156
Speaker 9: minutes or something.

620
00:45:42,236 --> 00:45:45,796
Speaker 10: And he was nervous for sure. I don't know.

621
00:45:45,876 --> 00:45:47,476
Speaker 9: I would have to ask him how he felt, but

622
00:45:47,676 --> 00:45:50,956
Speaker 9: he I anticipate he was nervous by the time he

623
00:45:51,076 --> 00:45:52,556
Speaker 9: got done through the deck.

624
00:45:53,236 --> 00:45:58,076
Speaker 10: The next thing we were being offered was a record deal.

625
00:45:59,036 --> 00:46:00,716
Speaker 10: Like it was instant.

626
00:46:01,556 --> 00:46:05,476
Speaker 9: It's hard to put into as we're talking about this

627
00:46:05,716 --> 00:46:09,916
Speaker 9: relationship and the nine years and the work and all

628
00:46:09,956 --> 00:46:14,276
Speaker 9: of that stuff and our story and our history. It's

629
00:46:14,316 --> 00:46:18,716
Speaker 9: pretty crazy and pretty admirable, and it's just a byproduct

630
00:46:18,796 --> 00:46:23,596
Speaker 9: of what we keep in mind as we continue forward,

631
00:46:24,236 --> 00:46:26,396
Speaker 9: Like I'll never forget that deck.

632
00:46:27,276 --> 00:46:29,356
Speaker 1: Yeah, I feel like you should teach a masterclass all

633
00:46:29,396 --> 00:46:30,796
Speaker 1: the way. We don't bring that deck out.

634
00:46:30,836 --> 00:46:34,836
Speaker 9: That's oh, I just made the connection. Okay, Yeah, Father's

635
00:46:34,876 --> 00:46:40,556
Speaker 9: Day is on Sunday. Heavy Father's Day, great occasion on

636
00:46:40,636 --> 00:46:40,956
Speaker 9: our fall.

637
00:46:41,076 --> 00:46:46,476
Speaker 1: Mister boy After one last break, we're back with the

638
00:46:46,516 --> 00:46:49,796
Speaker 1: rest of my conversation with Infinity Song from the Tribeca Festival.

639
00:46:54,316 --> 00:46:56,996
Speaker 1: You said, Abraham that you're when you guys were raised

640
00:46:56,996 --> 00:46:59,316
Speaker 1: And by the way, hometown band was an asking top

641
00:46:59,436 --> 00:47:02,116
Speaker 1: New York. Yes, New York by way of Detroit. Yes,

642
00:47:02,236 --> 00:47:04,596
Speaker 1: I just want to make that clear because Detroit is

643
00:47:04,716 --> 00:47:07,516
Speaker 1: one of the great American cities produce some of the

644
00:47:07,596 --> 00:47:11,796
Speaker 1: great American votevocalists, and you guys in some way are

645
00:47:11,836 --> 00:47:14,236
Speaker 1: in that tradition and some others as well. But it's

646
00:47:14,356 --> 00:47:18,276
Speaker 1: just but you were raised in Detroit and you partially

647
00:47:18,676 --> 00:47:20,916
Speaker 1: and you said that your dad used music as an

648
00:47:20,956 --> 00:47:24,476
Speaker 1: instrument to teach you guys all kinds of things.

649
00:47:24,276 --> 00:47:27,636
Speaker 23: And yeah, he's here, by the way, it's right there,

650
00:47:28,276 --> 00:47:35,356
Speaker 23: mister Boyd, And he used it growing up.

651
00:47:35,676 --> 00:47:39,316
Speaker 9: But it's also something that he still uses to kind

652
00:47:39,356 --> 00:47:42,276
Speaker 9: of mentor us and teach us. He's our manager as well,

653
00:47:42,476 --> 00:47:45,876
Speaker 9: so we it's been a tool since childhood and it's

654
00:47:45,956 --> 00:47:50,236
Speaker 9: something that is still a tool of learning for us

655
00:47:51,196 --> 00:47:54,636
Speaker 9: as a family. So Detroit gave us our talent. New

656
00:47:54,756 --> 00:47:57,836
Speaker 9: York gave us our dreams, and that's often the story.

657
00:47:58,796 --> 00:48:04,036
Speaker 9: Usually it's hard to break through in the Midwest. The

658
00:48:04,156 --> 00:48:06,436
Speaker 9: South has figured it out that the Midwest is not.

659
00:48:06,916 --> 00:48:09,036
Speaker 9: So that's our story as well.

660
00:48:09,956 --> 00:48:12,596
Speaker 1: Yeah, yeah, yeah, I just want to make clear. So

661
00:48:12,796 --> 00:48:15,636
Speaker 1: four siblings are here, but how many total were in

662
00:48:15,676 --> 00:48:16,436
Speaker 1: the house growing up?

663
00:48:16,636 --> 00:48:18,956
Speaker 17: There are nine of us and in total.

664
00:48:19,076 --> 00:48:22,396
Speaker 1: Yeah, yeah, that's a job alled don dad. As a

665
00:48:22,476 --> 00:48:24,196
Speaker 1: dad myself, I'm not can only hope to.

666
00:48:25,796 --> 00:48:26,716
Speaker 10: Wait, how many do you have?

667
00:48:27,596 --> 00:48:27,756
Speaker 4: Two?

668
00:48:27,836 --> 00:48:28,556
Speaker 1: And one on the way?

669
00:48:28,836 --> 00:48:31,316
Speaker 10: So when when is the new one?

670
00:48:31,476 --> 00:48:31,996
Speaker 1: September?

671
00:48:32,436 --> 00:48:36,476
Speaker 9: Ooh yeah yeah, yeah, I'm a bar full summer.

672
00:48:36,676 --> 00:48:42,276
Speaker 1: This is so many ways, but yeah, I could only

673
00:48:42,716 --> 00:48:45,996
Speaker 1: I mean, without pushing music on my kids, I hope

674
00:48:45,996 --> 00:48:48,916
Speaker 1: I try to keep the house musical. And similarly, I

675
00:48:48,996 --> 00:48:50,636
Speaker 1: hope I'm trying to use music as a way to

676
00:48:51,236 --> 00:48:53,076
Speaker 1: teach my kids, not mean that that there'll be musicians,

677
00:48:53,116 --> 00:48:56,596
Speaker 1: but just to teach them that you mentioned integrity. You

678
00:48:56,676 --> 00:49:01,436
Speaker 1: can learn so much about integrity and character through music

679
00:49:01,956 --> 00:49:03,836
Speaker 1: and through having a love of music, because it really

680
00:49:03,876 --> 00:49:07,676
Speaker 1: connects you to humanity and the people around you. Were

681
00:49:07,756 --> 00:49:11,116
Speaker 1: you guys in a musical house? What was the how

682
00:49:11,436 --> 00:49:13,476
Speaker 1: or how was it musical? It was clearly musical, But

683
00:49:13,636 --> 00:49:14,676
Speaker 1: how was it musical?

684
00:49:15,316 --> 00:49:19,676
Speaker 17: It was musical in the small ways and the big ways.

685
00:49:19,836 --> 00:49:24,476
Speaker 16: So like waking my dad waking us up by blasting

686
00:49:24,756 --> 00:49:28,436
Speaker 16: music through the speaker, you know, singing, we're.

687
00:49:28,396 --> 00:49:29,636
Speaker 17: Just singing really loudly.

688
00:49:31,116 --> 00:49:36,036
Speaker 16: Or every day gathering around the table and he's beating

689
00:49:36,076 --> 00:49:38,316
Speaker 16: on the table, using the table as a drum, and

690
00:49:38,476 --> 00:49:41,956
Speaker 16: he has us improvising on the spot. I remember being

691
00:49:42,036 --> 00:49:46,836
Speaker 16: so young when my older siblings would jump in and

692
00:49:47,236 --> 00:49:49,036
Speaker 16: be able to make up words and make.

693
00:49:48,956 --> 00:49:52,356
Speaker 17: Up melodies, and I was like, will I ever be

694
00:49:52,436 --> 00:49:53,996
Speaker 17: able to improvise like that?

695
00:49:54,836 --> 00:49:54,996
Speaker 3: You know?

696
00:49:55,196 --> 00:50:00,236
Speaker 16: So it was just the household of adapting, learning on

697
00:50:00,356 --> 00:50:06,356
Speaker 16: the spot, being able to be creative and think outside

698
00:50:06,396 --> 00:50:09,316
Speaker 16: of the box a little bit. I think that's when

699
00:50:09,636 --> 00:50:12,356
Speaker 16: you're young, you don't really understand all the lessons that

700
00:50:12,476 --> 00:50:15,196
Speaker 16: you're being taught, you know. And a lot of people

701
00:50:15,956 --> 00:50:19,396
Speaker 16: use so many mediums to teach their kids. Their sports families,

702
00:50:19,596 --> 00:50:22,636
Speaker 16: they are like film family. There are so many different

703
00:50:22,676 --> 00:50:26,476
Speaker 16: ways to teach your kids these fundamental life lessons. But

704
00:50:26,596 --> 00:50:31,356
Speaker 16: I think music being our dads, our parents' way was

705
00:50:31,396 --> 00:50:34,796
Speaker 16: so powerful because that's what you need. You need a

706
00:50:34,876 --> 00:50:37,076
Speaker 16: spirit of creativity. You need to be able to think

707
00:50:37,676 --> 00:50:41,596
Speaker 16: on your feet. You need to be able to deliver

708
00:50:41,716 --> 00:50:45,916
Speaker 16: a riveting performance in other ways in other areas of life,

709
00:50:45,996 --> 00:50:49,716
Speaker 16: and you know, win people over and speak people's language from.

710
00:50:49,556 --> 00:50:52,436
Speaker 17: Heart to heart and unite people.

711
00:50:52,716 --> 00:50:55,316
Speaker 16: You know, there's so many lessons that music teaches us

712
00:50:55,436 --> 00:50:58,356
Speaker 16: that you only start to realize when you get a

713
00:50:58,396 --> 00:50:59,116
Speaker 16: little bit older.

714
00:51:00,196 --> 00:51:01,916
Speaker 1: I imagine the church as well had to do that

715
00:51:01,996 --> 00:51:02,436
Speaker 1: for you guys.

716
00:51:02,516 --> 00:51:02,636
Speaker 19: Right.

717
00:51:03,436 --> 00:51:07,916
Speaker 9: So for us growing up, we were exposed to a

718
00:51:08,036 --> 00:51:11,276
Speaker 9: lot of music, but we were not exposed.

719
00:51:10,836 --> 00:51:13,036
Speaker 10: To all music growing up.

720
00:51:13,276 --> 00:51:19,236
Speaker 9: So what that means is we grew up really steeped

721
00:51:19,356 --> 00:51:25,636
Speaker 9: in gospel music, classical music, and jazz, and then fourth

722
00:51:25,876 --> 00:51:28,876
Speaker 9: it was soul, but it wasn't like all soul.

723
00:51:29,356 --> 00:51:35,316
Speaker 10: It was like Marvin Gay and the Earth Wind and

724
00:51:35,396 --> 00:51:39,676
Speaker 10: Fire and like ron Isley. It was a limited list.

725
00:51:39,876 --> 00:51:44,676
Speaker 9: It wasn't it wasn't it wasn't everybody, and so I

726
00:51:44,756 --> 00:51:49,156
Speaker 9: think it was by design. Those were really foundational genres

727
00:51:50,156 --> 00:51:53,796
Speaker 9: that taught us. Music are to being a choir director,

728
00:51:53,956 --> 00:51:58,876
Speaker 9: having multiple choirs. Back in Detroit, choral music was was

729
00:51:59,516 --> 00:52:05,356
Speaker 9: key to our foundation. So we really didn't get into

730
00:52:05,436 --> 00:52:10,596
Speaker 9: pop music until teenage years. Which it's funny because now

731
00:52:10,676 --> 00:52:14,276
Speaker 9: we do prop me. I don't know, well, how.

732
00:52:14,156 --> 00:52:17,076
Speaker 1: Does that happen? How how do you guys go from

733
00:52:17,796 --> 00:52:20,196
Speaker 1: you know, if the order of operations musically in the

734
00:52:20,516 --> 00:52:24,996
Speaker 1: home was gospel, classical, jazz, and a smattering of top

735
00:52:25,276 --> 00:52:28,876
Speaker 1: shelf soul, then how do you guys go from that's

736
00:52:28,916 --> 00:52:33,156
Speaker 1: your diet to when you guys are performing becoming more

737
00:52:33,196 --> 00:52:33,996
Speaker 1: of a pop group?

738
00:52:34,476 --> 00:52:36,316
Speaker 18: I would say Also a big part of it is

739
00:52:36,396 --> 00:52:41,756
Speaker 18: that we all grew up obviously informed by the same

740
00:52:42,476 --> 00:52:45,956
Speaker 18: you know route, but we all took different things. We're

741
00:52:45,956 --> 00:52:48,916
Speaker 18: all different branches of the same tree. So you know,

742
00:52:49,676 --> 00:52:53,156
Speaker 18: Momo or Abram or Angel or whoever might gravitate more

743
00:52:53,196 --> 00:52:56,596
Speaker 18: towards one thing, and then I might gravitate gravitate more

744
00:52:56,636 --> 00:52:59,876
Speaker 18: towards another thing, and I think over time that just

745
00:53:00,396 --> 00:53:04,076
Speaker 18: that shaped us. You're hearing kind of an amalgamation, you know,

746
00:53:04,676 --> 00:53:08,956
Speaker 18: Like I remember growing up on gospel and classical in jazz,

747
00:53:09,476 --> 00:53:12,716
Speaker 18: but I didn't actually like I didn't understand music for

748
00:53:12,836 --> 00:53:15,956
Speaker 18: myself or even really listen to music. Until I was

749
00:53:16,676 --> 00:53:19,636
Speaker 18: sixteen or seventeen. So there was like when I was

750
00:53:19,676 --> 00:53:22,396
Speaker 18: a child and I would hear gospel or classical and

751
00:53:22,476 --> 00:53:25,196
Speaker 18: jazz in the house and I loved especially like an

752
00:53:25,276 --> 00:53:28,356
Speaker 18: artist my dad would play, Pat Metheeni was a really

753
00:53:28,396 --> 00:53:31,796
Speaker 18: big fan of him. I was around thirteen, maybe fourteen.

754
00:53:32,036 --> 00:53:35,196
Speaker 18: We were doing an interview and somebody asked, what's who

755
00:53:35,236 --> 00:53:39,236
Speaker 18: are your favorite artists? And I had no idea because

756
00:53:39,276 --> 00:53:40,996
Speaker 18: I didn't I understood music.

757
00:53:41,076 --> 00:53:41,636
Speaker 5: I just didn't.

758
00:53:42,116 --> 00:53:44,036
Speaker 18: I had not discovered it for myself. So I was

759
00:53:44,076 --> 00:53:49,316
Speaker 18: like Michael Jackson and I don't know, I liked these genres.

760
00:53:49,796 --> 00:53:53,116
Speaker 18: And then as I got older personally, it was it

761
00:53:53,236 --> 00:53:56,596
Speaker 18: wasn't so much discovering what I like more so it

762
00:53:56,796 --> 00:54:01,036
Speaker 18: was like putting faces to the things I already knew

763
00:54:01,076 --> 00:54:03,036
Speaker 18: I liked since I was a child. So I remember,

764
00:54:03,356 --> 00:54:06,196
Speaker 18: I don't know if we're supposed to say his name anymore,

765
00:54:06,356 --> 00:54:09,516
Speaker 18: but Kanye. I remember the first time, first time I

766
00:54:09,596 --> 00:54:11,356
Speaker 18: listened to him, I was like, oh, this puts this

767
00:54:11,516 --> 00:54:13,076
Speaker 18: puts a I think the first song I heard was

768
00:54:13,116 --> 00:54:16,516
Speaker 18: Blood on the Leaves, and I was like, this sounds

769
00:54:16,636 --> 00:54:19,716
Speaker 18: like you know, it was almost rock, you know, the

770
00:54:19,796 --> 00:54:22,876
Speaker 18: way he the spirit with which he, you know, wrote

771
00:54:22,916 --> 00:54:26,836
Speaker 18: that music. And but that's just one example. Then you

772
00:54:26,956 --> 00:54:31,036
Speaker 18: have just you know, over time, just musicians that I

773
00:54:31,156 --> 00:54:35,036
Speaker 18: personally gravitated towards that just uncovered what I like and

774
00:54:35,436 --> 00:54:38,436
Speaker 18: all that. I think that's kind of the thing for

775
00:54:38,516 --> 00:54:40,756
Speaker 18: all of us. The way, the way we developed as

776
00:54:40,796 --> 00:54:44,316
Speaker 18: a unit was that we all obviously have the same foundation,

777
00:54:44,636 --> 00:54:49,236
Speaker 18: but we all are very unique and Infinity Song does

778
00:54:49,316 --> 00:54:52,196
Speaker 18: not sound like any one of us. It sounds like

779
00:54:52,556 --> 00:54:55,716
Speaker 18: the collection of us truly. So that's how we get

780
00:54:55,796 --> 00:54:58,356
Speaker 18: to this. It's like, well, what do you like and

781
00:54:58,396 --> 00:54:58,836
Speaker 18: what do you like?

782
00:54:58,876 --> 00:55:01,196
Speaker 10: What do you like? And then it comes to this

783
00:55:01,356 --> 00:55:01,836
Speaker 10: kind of home.

784
00:55:02,836 --> 00:55:05,956
Speaker 1: Is that part of the writing process too, Like someone

785
00:55:06,036 --> 00:55:10,516
Speaker 1: brings an idea and then each person teases out what

786
00:55:10,636 --> 00:55:12,516
Speaker 1: their part is, or do you does someone come with

787
00:55:12,596 --> 00:55:16,356
Speaker 1: a fully formed idea like I believe you wrote pink

788
00:55:16,476 --> 00:55:17,276
Speaker 1: Sky right.

789
00:55:17,956 --> 00:55:19,316
Speaker 10: So yeah, usually it's someone.

790
00:55:19,796 --> 00:55:23,436
Speaker 18: Sometimes we write together, but actually we usually write separately.

791
00:55:23,596 --> 00:55:26,836
Speaker 18: But I think that even in our separate writings, I

792
00:55:26,876 --> 00:55:29,396
Speaker 18: think we all take into account the ear and the

793
00:55:29,836 --> 00:55:32,956
Speaker 18: temperament of the other performers, because you know, we're not

794
00:55:33,036 --> 00:55:35,596
Speaker 18: performing ourselves. So when I write, or when Angel writes

795
00:55:35,676 --> 00:55:38,836
Speaker 18: or whoever writes. I we just write for the group,

796
00:55:39,316 --> 00:55:41,756
Speaker 18: not for ourselves, because that's a whole whole different thing,

797
00:55:42,076 --> 00:55:44,236
Speaker 18: different temperament, different everything.

798
00:55:45,556 --> 00:55:48,276
Speaker 1: Yeah, and you guys had it at one point another

799
00:55:48,396 --> 00:55:52,236
Speaker 1: sister in the group, Victory, and she did some of

800
00:55:52,276 --> 00:55:53,916
Speaker 1: the writing too, So I imagine, and do you guys

801
00:55:53,956 --> 00:55:55,476
Speaker 1: still work with her or are you guys writing with

802
00:55:55,556 --> 00:55:57,916
Speaker 1: her on any level?

803
00:55:58,316 --> 00:56:01,116
Speaker 10: We look forward to I think that.

804
00:56:01,556 --> 00:56:05,636
Speaker 9: I mean, that's our sister, So there's always an opportunity

805
00:56:05,716 --> 00:56:10,116
Speaker 9: to collaborate, always an opportunity to work together right together.

806
00:56:10,876 --> 00:56:13,916
Speaker 9: When she went solo, I think there was a real

807
00:56:14,036 --> 00:56:18,836
Speaker 9: desire for her to build her own sound, and also

808
00:56:18,956 --> 00:56:21,116
Speaker 9: we had to do a lot of work because Victory

809
00:56:21,556 --> 00:56:25,156
Speaker 9: is a founding member of Infinity Song and our sound

810
00:56:25,996 --> 00:56:30,756
Speaker 9: was very much rooted in her musical paradigm when she

811
00:56:30,916 --> 00:56:33,036
Speaker 9: was in the band, and so we actually had to

812
00:56:33,556 --> 00:56:37,916
Speaker 9: relearn how we do music when she went solo. And

813
00:56:37,996 --> 00:56:41,796
Speaker 9: that was a blessing, but it was also extremely challenging

814
00:56:42,516 --> 00:56:46,556
Speaker 9: in terms of just the anatomy of what do we

815
00:56:46,756 --> 00:56:51,396
Speaker 9: sound like now? Going from twenty losing twenty percent of

816
00:56:51,476 --> 00:56:54,076
Speaker 9: the band and then also like fifty percent of the

817
00:56:54,156 --> 00:56:58,876
Speaker 9: creative DNA that was that was that was very challenging.

818
00:56:59,396 --> 00:57:02,116
Speaker 1: But until you can learn to, of course, reconfigure the

819
00:57:02,196 --> 00:57:05,676
Speaker 1: creative process and supplement the fifty and become your own

820
00:57:05,756 --> 00:57:08,436
Speaker 1: and find you right like I imagine you guys now

821
00:57:08,596 --> 00:57:11,596
Speaker 1: as a four some are finding your path creatively, like

822
00:57:11,716 --> 00:57:16,116
Speaker 1: Metamorphous is complete. It's such a wonderful project. And American

823
00:57:16,196 --> 00:57:18,716
Speaker 1: Love Song is a new song that came out. It's incredible,

824
00:57:18,956 --> 00:57:24,836
Speaker 1: really well written, beautiful song. So yeah, it seems like

825
00:57:24,996 --> 00:57:29,036
Speaker 1: you guys are are without victory finding it'd be like

826
00:57:29,276 --> 00:57:31,276
Speaker 1: earth Wind and Fire finding the way without you know,

827
00:57:31,476 --> 00:57:33,516
Speaker 1: Maurice or something. You guys are figuring it out.

828
00:57:33,636 --> 00:57:35,636
Speaker 17: Oh absolutely, I think so.

829
00:57:35,836 --> 00:57:40,716
Speaker 16: Metamorphosis complete was like completely written by US four, completely

830
00:57:40,756 --> 00:57:44,196
Speaker 16: written and produced by US four, and at this point

831
00:57:44,236 --> 00:57:50,196
Speaker 16: it is exactly like, Yeah, it was.

832
00:57:50,236 --> 00:57:51,916
Speaker 10: A hard year, to be clear.

833
00:57:52,036 --> 00:57:54,196
Speaker 9: It was one year where we were trying to figure

834
00:57:54,236 --> 00:57:58,236
Speaker 9: it out and then thank god, we came out with

835
00:57:58,436 --> 00:58:00,676
Speaker 9: better music than we've ever created together.

836
00:58:00,836 --> 00:58:02,316
Speaker 10: So it's it's quite remarkable.

837
00:58:02,836 --> 00:58:05,276
Speaker 17: Yeah, I would agree for.

838
00:58:05,356 --> 00:58:08,836
Speaker 1: You, momo. How what was your sort of trajectory through

839
00:58:09,556 --> 00:58:12,476
Speaker 1: discovering guitar and finding your voice?

840
00:58:13,356 --> 00:58:17,836
Speaker 16: So obviously the foundation that we've already you know, disclosed

841
00:58:18,116 --> 00:58:22,556
Speaker 16: like growing up in the household that I did, learning

842
00:58:22,676 --> 00:58:27,036
Speaker 16: so much from my dad. But then, as Israel pointed out,

843
00:58:27,156 --> 00:58:29,756
Speaker 16: like once you, once each of us reached a certain

844
00:58:29,876 --> 00:58:35,036
Speaker 16: age in like adolescence, you kind of have an awakening

845
00:58:35,236 --> 00:58:38,356
Speaker 16: like Okay, what do I really want to do? How

846
00:58:38,396 --> 00:58:41,996
Speaker 16: do I really want to sound? And I remember being

847
00:58:42,156 --> 00:58:49,876
Speaker 16: about eleven or twelve or something, and the biggest woman

848
00:58:50,236 --> 00:58:53,756
Speaker 16: singer influence that I had was Victory actually, funnily enough,

849
00:58:54,316 --> 00:58:57,276
Speaker 16: and I remember thinking, she has the best voice I've

850
00:58:57,276 --> 00:59:00,236
Speaker 16: ever heard. I want to sound just like her. And

851
00:59:00,836 --> 00:59:03,596
Speaker 16: you know, I would just watch her warming up, watch

852
00:59:03,676 --> 00:59:06,596
Speaker 16: her performing, and I would be like, Okay, if I

853
00:59:06,676 --> 00:59:09,716
Speaker 16: can sound like her, I will be very happy. And

854
00:59:09,836 --> 00:59:11,996
Speaker 16: that was my only goal. How do I sound like her?

855
00:59:12,636 --> 00:59:16,036
Speaker 16: Like when people cite their influences and like they say like, oh,

856
00:59:16,356 --> 00:59:18,236
Speaker 16: I learned this from Lauren Hill, And I learned that

857
00:59:18,356 --> 00:59:22,116
Speaker 16: from She's one of my initial influences.

858
00:59:22,316 --> 00:59:25,636
Speaker 17: You know, No, Victory, Okay.

859
00:59:26,556 --> 00:59:28,156
Speaker 1: Also Lauren, you said Lauren and that sort of thing

860
00:59:28,156 --> 00:59:29,236
Speaker 1: about unplugged.

861
00:59:28,836 --> 00:59:31,556
Speaker 16: In the guitar and no, absolutely I was gonna get

862
00:59:31,596 --> 00:59:36,596
Speaker 16: to her next because absolutely huge. The Unplugged album actually

863
00:59:36,756 --> 00:59:41,236
Speaker 16: changed my life. Also, Donnie Hathaway, just excellent in every way.

864
00:59:42,076 --> 00:59:45,156
Speaker 16: Nina Simone as well, just excellent at what she does,

865
00:59:45,276 --> 00:59:48,396
Speaker 16: but so unique. Same for Ella Fitzgerald.

866
00:59:48,556 --> 00:59:50,596
Speaker 17: Like I love vocalists that.

867
00:59:52,276 --> 00:59:56,996
Speaker 16: They aren't necessarily doing every riff and run under the sun,

868
00:59:57,116 --> 01:00:01,836
Speaker 16: but they have a very distinct voice. Donnie Hathaway, his

869
01:00:01,996 --> 01:00:03,956
Speaker 16: voice can come on and you know just who that is,

870
01:00:04,316 --> 01:00:06,836
Speaker 16: there's no question, and he can stop time, he can

871
01:00:06,876 --> 01:00:09,916
Speaker 16: stop the room. Same for Nina Simone, lingud comes on,

872
01:00:10,516 --> 01:00:15,356
Speaker 16: everybody silent, you know, So like that type of grounded

873
01:00:15,476 --> 01:00:20,756
Speaker 16: vocal ability is rare but so powerful. Really inspired me

874
01:00:20,836 --> 01:00:23,636
Speaker 16: when I was like sixteen seventeen and just finding my

875
01:00:23,796 --> 01:00:28,716
Speaker 16: legs and then from there discovering more like current artists

876
01:00:28,916 --> 01:00:29,396
Speaker 16: and being like.

877
01:00:29,396 --> 01:00:32,036
Speaker 17: Wait, okay, I kind of like pop, okay, kind of

878
01:00:32,076 --> 01:00:33,276
Speaker 17: like rock that's cool.

879
01:00:33,116 --> 01:00:37,956
Speaker 16: Too, and then just taking what I like from each

880
01:00:37,996 --> 01:00:40,556
Speaker 16: of these, each of these artists, each of these genres,

881
01:00:40,556 --> 01:00:43,156
Speaker 16: and doing my best to, like you know, as any

882
01:00:43,236 --> 01:00:46,356
Speaker 16: artist does, doing your best to use it all to

883
01:00:46,556 --> 01:00:50,116
Speaker 16: make one one thing for yourself, one lane for yourself.

884
01:00:50,716 --> 01:00:53,076
Speaker 1: I'm gonna let you guys do your song metamorphosis.

885
01:01:11,636 --> 01:01:18,436
Speaker 24: I've never had a decent answer to a single question

886
01:01:19,836 --> 01:01:27,156
Speaker 24: I don't say my oveniance to I'm already sacond guessing.

887
01:01:27,876 --> 01:01:31,676
Speaker 3: I can't take a man. The chance is I just

888
01:01:31,956 --> 01:01:42,596
Speaker 3: stick to ward the person I guess answer the first impressions.

889
01:01:47,796 --> 01:01:48,556
Speaker 15: I gat.

890
01:01:51,156 --> 01:02:04,116
Speaker 5: Give me a God, but I do to something ever

891
01:02:07,196 --> 01:02:13,276
Speaker 5: to be so much not now, I'm stuck.

892
01:02:15,156 --> 01:02:27,756
Speaker 3: On out of mis Sometimes I don't like myself and

893
01:02:28,316 --> 01:02:34,836
Speaker 3: I be someone else, someone people makes that dreams not

894
01:02:35,276 --> 01:02:40,916
Speaker 3: true and drinks from the way she us, someone that

895
01:02:41,396 --> 01:02:48,436
Speaker 3: thy going and never seen to fall list.

896
01:02:48,476 --> 01:02:54,196
Speaker 5: Sometimes I an't like myself and I be so much

897
01:02:54,556 --> 01:03:00,996
Speaker 5: use to get it out of God.

898
01:03:04,356 --> 01:03:17,356
Speaker 3: Perhaps it's a bit of hell to be so no short,

899
01:03:20,996 --> 01:03:22,356
Speaker 3: no suck.

900
01:03:24,356 --> 01:04:00,316
Speaker 5: A lot ca it the cord you can't see way

901
01:04:00,796 --> 01:04:06,556
Speaker 5: to look out on it? Things you do lo at rad.

902
01:04:06,956 --> 01:04:13,556
Speaker 3: Offices five and loud to get allow around.

903
01:04:13,636 --> 01:04:17,316
Speaker 5: A rock ship. He's in there on.

904
01:04:17,636 --> 01:04:23,116
Speaker 3: A say job because you have the faith. You're basking

905
01:04:23,356 --> 01:04:31,676
Speaker 3: in light alas ride come out grave a thousing, the breeziest,

906
01:04:32,476 --> 01:04:33,356
Speaker 3: the brud.

907
01:05:41,996 --> 01:05:49,676
Speaker 5: You don't confidence in joint.

908
01:05:50,716 --> 01:06:00,076
Speaker 3: Look God, oh thank you did look at the mais.

909
01:05:58,836 --> 01:06:07,676
Speaker 5: I found against the ship you say.

910
01:06:07,636 --> 01:06:27,516
Speaker 3: Ala stage because she phone me a great flouson prazu shay.

911
01:06:51,156 --> 01:06:53,036
Speaker 1: I was real scared. I was real scared to come

912
01:06:53,076 --> 01:06:57,316
Speaker 1: out this stuff. That was great, y'all. I want to

913
01:06:57,356 --> 01:07:02,876
Speaker 1: thank Infinity song Abraham Momo Angel Israel shredding the guitar

914
01:07:02,956 --> 01:07:06,116
Speaker 1: I was beautiful. I want to think Trybecca for having

915
01:07:06,196 --> 01:07:08,476
Speaker 1: broken the record here. It's wonderful live tape. And and

916
01:07:08,556 --> 01:07:11,836
Speaker 1: thank you guys for coming out and watching us up here.

917
01:07:11,876 --> 01:07:13,836
Speaker 1: It was great to have you guys, and hope to

918
01:07:13,876 --> 01:07:15,316
Speaker 1: do this again. Let us do it.

919
01:07:17,036 --> 01:07:17,316
Speaker 17: Thank you.

920
01:07:21,236 --> 01:07:23,676
Speaker 1: In episode description, you'll find a link to a playlist

921
01:07:23,716 --> 01:07:26,276
Speaker 1: of some of our favorite Infinity song tracks and also

922
01:07:26,436 --> 01:07:29,556
Speaker 1: some of our favorite soft rock songs. Be sure to

923
01:07:29,636 --> 01:07:32,196
Speaker 1: check out YouTube dot com slash Broken Record Podcast to

924
01:07:32,276 --> 01:07:34,716
Speaker 1: see all of our video interviews, and be sure to

925
01:07:34,756 --> 01:07:37,996
Speaker 1: follow us on Instagram at the Broken Record Pod. You

926
01:07:38,036 --> 01:07:41,396
Speaker 1: can follow us on Twitter at Broken Record. Broken Record

927
01:07:41,476 --> 01:07:44,436
Speaker 1: is produced and edited by Leah Rose, with marketing help

928
01:07:44,476 --> 01:07:48,316
Speaker 1: from Eric Sandler and Jordan McMillan. Our engineer is Ben Tollinay.

929
01:07:48,956 --> 01:07:52,436
Speaker 1: Broken Record is a production of Pushkin Industries. If you

930
01:07:52,516 --> 01:07:55,756
Speaker 1: love this show and others from Pushkin, consider subscribing to

931
01:07:55,956 --> 01:07:59,876
Speaker 1: Pushkin Plus. Pushkin Plus is a podcast subscription that offers

932
01:07:59,916 --> 01:08:02,996
Speaker 1: bonus content and ad free listening for four ninety nine

933
01:08:03,076 --> 01:08:07,036
Speaker 1: a month. Look for Pushkin Plus on Apple podcast subscriptions,

934
01:08:07,836 --> 01:08:10,396
Speaker 1: and if you like this show, please remember to share, rate,

935
01:08:10,476 --> 01:08:13,316
Speaker 1: and review us on your podcast app Our theme music's

936
01:08:13,316 --> 01:08:14,036
Speaker 1: by Kenny Beats.

937
01:08:14,316 --> 01:08:15,316
Speaker 10: I'm justin Richmond.