1 00:00:01,800 --> 00:00:03,640 Speaker 1: Get your hands together, and we're going to stop and 2 00:00:03,720 --> 00:00:04,480 Speaker 1: party start. 3 00:00:05,080 --> 00:00:12,160 Speaker 2: I'm reading a party, the Elvis Duran after Party. 4 00:00:14,880 --> 00:00:17,240 Speaker 1: Okay, so on the podcast today, by the way, Hello, 5 00:00:17,360 --> 00:00:21,200 Speaker 1: what is it called the after party? I still think 6 00:00:21,200 --> 00:00:25,080 Speaker 1: it should be no, yeah, the aftermath. But that's fine. 7 00:00:25,680 --> 00:00:27,600 Speaker 1: I think there are two things that I wanted to 8 00:00:27,600 --> 00:00:31,640 Speaker 1: bring up. So the first one, how cool Mark Hoppus was. Oh, 9 00:00:32,400 --> 00:00:37,559 Speaker 1: he was amazing. He did something that no one has done, 10 00:00:38,080 --> 00:00:40,080 Speaker 1: I think, at least as far as Danielle and I know, 11 00:00:40,159 --> 00:00:42,919 Speaker 1: when it comes to taking pictures. He asked, hey, can 12 00:00:42,960 --> 00:00:45,519 Speaker 1: I put my arm around you? And I was like, 13 00:00:46,080 --> 00:00:50,640 Speaker 1: of course, I said I would like that. Actually, yeah. 14 00:00:50,800 --> 00:00:51,920 Speaker 1: He asked if it was okay if he did it. 15 00:00:51,920 --> 00:00:53,599 Speaker 1: Nobody ever asked if it's okay, they just do it? 16 00:00:53,880 --> 00:00:55,240 Speaker 3: Oh yeah. 17 00:00:55,280 --> 00:00:56,920 Speaker 1: And then I thought what a hypocrite I was because 18 00:00:56,920 --> 00:00:59,040 Speaker 1: I never asked, like, I really appreciated that he did, 19 00:00:59,080 --> 00:01:01,080 Speaker 1: because you know, some people were be with the hands 20 00:01:01,120 --> 00:01:04,520 Speaker 1: scary and he was cool about it. But I never 21 00:01:04,560 --> 00:01:06,160 Speaker 1: ask people I just put my arm around them. Should 22 00:01:06,160 --> 00:01:06,640 Speaker 1: I be asking? 23 00:01:07,160 --> 00:01:10,319 Speaker 4: Okay, so let's dig into this. Let's start with the 24 00:01:10,360 --> 00:01:14,040 Speaker 4: second half. First, where do you put your hand or arm? 25 00:01:14,240 --> 00:01:14,520 Speaker 2: Okay? 26 00:01:14,560 --> 00:01:16,119 Speaker 1: So it looks like I'm putting it all the way 27 00:01:16,160 --> 00:01:18,279 Speaker 1: around them, But I just put it like on their. 28 00:01:18,200 --> 00:01:20,400 Speaker 3: Upper back, so my arms behind that. 29 00:01:21,319 --> 00:01:23,920 Speaker 1: It depends. Sometimes I hover, Sometimes I just put it 30 00:01:23,959 --> 00:01:30,960 Speaker 1: on the right up a butthole. I never do that 31 00:01:31,000 --> 00:01:32,760 Speaker 1: weird like rubby thing. A lot of people do that 32 00:01:32,840 --> 00:01:34,640 Speaker 1: rub thing when there they had their arm around you, 33 00:01:34,680 --> 00:01:38,080 Speaker 1: and I'm like, Scary does Scary grabs some weird places. 34 00:01:38,959 --> 00:01:40,280 Speaker 5: You look at a lot of pictures of Scary with 35 00:01:40,280 --> 00:01:41,840 Speaker 5: celebrities and his hand is right on. 36 00:01:41,800 --> 00:01:46,840 Speaker 6: The Yeah, God, here, show where do you? 37 00:01:47,160 --> 00:01:48,280 Speaker 3: You're going to show you on the doll? 38 00:01:48,960 --> 00:01:50,960 Speaker 4: The doll? So hair, let's stand up. 39 00:01:52,000 --> 00:01:53,240 Speaker 1: Why are we doing this on a podcast? 40 00:01:54,560 --> 00:01:57,160 Speaker 3: Would I would? Actually, you don't do that on the shoulder, No, 41 00:01:57,800 --> 00:01:59,640 Speaker 3: but I do if I was the middle of the back, 42 00:01:59,680 --> 00:02:00,120 Speaker 3: if I the. 43 00:02:00,120 --> 00:02:02,600 Speaker 6: Middle of the middle of the back, yes, I will 44 00:02:02,640 --> 00:02:05,200 Speaker 6: touch it lightly. But I don't do this. I don't 45 00:02:05,280 --> 00:02:11,080 Speaker 6: like grab around the waist. I like the whole permission thing. 46 00:02:11,120 --> 00:02:11,919 Speaker 6: I never thought to. 47 00:02:11,919 --> 00:02:13,160 Speaker 3: Ask, well, you know what it is? Though? 48 00:02:13,240 --> 00:02:16,280 Speaker 5: They come and go so fast and they're rushed out 49 00:02:16,280 --> 00:02:18,160 Speaker 5: of here that when there's a line of people to 50 00:02:18,160 --> 00:02:19,880 Speaker 5: take pictures with them, there's really no time to say, 51 00:02:19,919 --> 00:02:22,160 Speaker 5: is it okay for my arm around Let's just hurry 52 00:02:22,240 --> 00:02:23,359 Speaker 5: up and take hurry up and take. 53 00:02:23,480 --> 00:02:27,760 Speaker 4: Yes, I can see why are we allowed to give theories? Sure, 54 00:02:28,760 --> 00:02:31,600 Speaker 4: maybe there was an incident in his past where somebody said. 55 00:02:31,600 --> 00:02:34,200 Speaker 3: Because you know, we were like us, we're asked to 56 00:02:34,240 --> 00:02:40,080 Speaker 3: take pictures all the time. Didn't that happen with Taylor Swift? 57 00:02:40,800 --> 00:02:42,560 Speaker 1: That wasn't an arm around her waist, that was allegedly 58 00:02:42,600 --> 00:02:44,280 Speaker 1: a hand of the right. 59 00:02:44,760 --> 00:02:48,399 Speaker 4: The guy says, nothing happened, she said it did. Who 60 00:02:48,440 --> 00:02:51,679 Speaker 4: the hell actually knows what actually happened. But I think, 61 00:02:51,720 --> 00:02:54,919 Speaker 4: for a while, I remember when that happened, we had 62 00:02:54,919 --> 00:02:56,840 Speaker 4: the discussion like, let's just not touch. 63 00:02:57,280 --> 00:03:00,320 Speaker 6: Yeah, we had Yes, we had an ex plus a 64 00:03:00,320 --> 00:03:03,040 Speaker 6: conversation about that right after that incident, and I remember 65 00:03:03,080 --> 00:03:08,560 Speaker 6: it's being very cautious, especially with the men in the room, 66 00:03:09,000 --> 00:03:10,280 Speaker 6: female celebrity. 67 00:03:10,040 --> 00:03:11,720 Speaker 1: Extra careful not to finger someone by accident. 68 00:03:12,320 --> 00:03:13,720 Speaker 5: You could see what happened, because you've looked at the 69 00:03:13,720 --> 00:03:15,400 Speaker 5: series of our pictures. You could see there's some with 70 00:03:15,480 --> 00:03:17,960 Speaker 5: no arms around people. So it was right around the time. 71 00:03:18,200 --> 00:03:21,120 Speaker 6: But you know what, if they lead, I'm okay with it. 72 00:03:21,200 --> 00:03:23,320 Speaker 6: If they if they like, bring bring me in for 73 00:03:23,360 --> 00:03:25,919 Speaker 6: a picture, like, all right now, now I could bring 74 00:03:26,000 --> 00:03:27,880 Speaker 6: put my arm back around unless finger. 75 00:03:27,720 --> 00:03:30,240 Speaker 1: Goes up your yeah, by accident, didn't mean to. 76 00:03:30,560 --> 00:03:32,639 Speaker 2: Scary You're holding for some of them to put their finger. 77 00:03:33,480 --> 00:03:36,960 Speaker 6: Listeners, No, if listeners actually want to take pictures with us, 78 00:03:37,320 --> 00:03:38,240 Speaker 6: I don't have a problem. 79 00:03:38,280 --> 00:03:40,040 Speaker 3: I let them man handle me. I don't you know 80 00:03:40,560 --> 00:03:41,240 Speaker 3: a carpenter. 81 00:03:42,080 --> 00:03:43,960 Speaker 2: Bring a carpenter came in there and wanted to put 82 00:03:44,000 --> 00:03:44,440 Speaker 2: our finger? 83 00:03:48,360 --> 00:03:51,440 Speaker 1: What do you mean to man handle you? Who man 84 00:03:51,480 --> 00:03:52,080 Speaker 1: handles you? 85 00:03:52,320 --> 00:03:54,800 Speaker 3: I would just say no. If a listener, well, sometimes 86 00:03:54,800 --> 00:03:55,920 Speaker 3: you know, back in the day. 87 00:03:55,760 --> 00:03:58,040 Speaker 6: When we used to do bar gigs, you all remember this, 88 00:03:58,120 --> 00:04:00,320 Speaker 6: some of you, uh we you know. He used to 89 00:04:00,360 --> 00:04:01,680 Speaker 6: get very drunk, and it used to be late to night. 90 00:04:01,720 --> 00:04:02,960 Speaker 6: He should be one o'clock in the morning on a 91 00:04:02,960 --> 00:04:05,200 Speaker 6: Saturday night and we're doing a live broadcast. And if 92 00:04:05,200 --> 00:04:07,840 Speaker 6: you're a DJ's in Bellmar and everyone's body to body 93 00:04:07,960 --> 00:04:11,640 Speaker 6: or at the Cadillact bar and Hoboken, Scotty knows you. 94 00:04:11,640 --> 00:04:13,360 Speaker 3: You're pushed around, you're shoved. 95 00:04:13,720 --> 00:04:16,240 Speaker 6: I'm trying to talk on the radio live into a 96 00:04:16,320 --> 00:04:22,680 Speaker 6: microphone with people around me spitting and screaming. They tried 97 00:04:22,680 --> 00:04:24,760 Speaker 6: to throw you off while you're on the air. But 98 00:04:24,760 --> 00:04:28,200 Speaker 6: but the point is, I'm okay, I'm I'm a huggy, touchy, 99 00:04:28,360 --> 00:04:30,160 Speaker 6: really person by nature. 100 00:04:30,320 --> 00:04:31,120 Speaker 3: I like affection. 101 00:04:31,240 --> 00:04:34,800 Speaker 6: He's Italian like Brokly, so I don't mind it when 102 00:04:34,839 --> 00:04:37,839 Speaker 6: it's done to me. I always just have to remind 103 00:04:37,880 --> 00:04:42,560 Speaker 6: myself to be careful to to not because not everybody's 104 00:04:42,600 --> 00:04:42,840 Speaker 6: like that. 105 00:04:42,960 --> 00:04:43,919 Speaker 3: Not everybody's like me. 106 00:04:44,120 --> 00:04:46,080 Speaker 4: I think that is a very polite thing for him 107 00:04:46,120 --> 00:04:49,320 Speaker 4: to do, though, right, because I'm sure he's Mark hoppics 108 00:04:49,640 --> 00:04:52,080 Speaker 4: Mark Hoppas hundreds of times a day for a picture, 109 00:04:52,880 --> 00:04:55,479 Speaker 4: and so for him to do that, I think he 110 00:04:55,560 --> 00:04:57,360 Speaker 4: made it memorable for you. You'll never forget that. 111 00:04:57,440 --> 00:04:59,279 Speaker 1: Oh definitely. I really appreciated it. And I was like, 112 00:04:59,320 --> 00:05:02,200 Speaker 1: ohsh probably ask people if I put around them, so 113 00:05:02,440 --> 00:05:04,200 Speaker 1: just going in and grabbing them. But it's totally different 114 00:05:04,200 --> 00:05:07,039 Speaker 1: between men and women, right. There are very few times 115 00:05:07,120 --> 00:05:09,080 Speaker 1: when a guy's like, she put her arm around me, 116 00:05:09,120 --> 00:05:11,560 Speaker 1: I'm sticked out, you know, But women are like, god, 117 00:05:11,880 --> 00:05:13,080 Speaker 1: get this guy off me. 118 00:05:13,279 --> 00:05:16,320 Speaker 6: What's it like being a woman in radio as opposed 119 00:05:16,320 --> 00:05:17,640 Speaker 6: to being a guy in radio? 120 00:05:17,920 --> 00:05:20,120 Speaker 1: To you, Danielle and I just sit here and wait. 121 00:05:26,600 --> 00:05:31,480 Speaker 3: Yeah, it was really acting. 122 00:05:32,800 --> 00:05:37,800 Speaker 6: We're doing what we're doing listener facing events, especially like okay, you. 123 00:05:37,839 --> 00:05:39,440 Speaker 3: Got to go back, we need to go back a 124 00:05:39,520 --> 00:05:40,599 Speaker 3: female I. 125 00:05:40,600 --> 00:05:44,680 Speaker 6: Think of a woman uh DJ personality doing a broadcast 126 00:05:44,960 --> 00:05:47,000 Speaker 6: a club event versus. 127 00:05:46,680 --> 00:05:50,520 Speaker 3: A guy you can pick up. Can you explain where 128 00:05:50,560 --> 00:05:51,359 Speaker 3: this is coming from? 129 00:05:51,760 --> 00:05:56,600 Speaker 1: During the show today, we were talking about how did 130 00:05:56,680 --> 00:05:59,040 Speaker 1: even know Danielle was going to do her entertainment report 131 00:05:59,320 --> 00:06:01,120 Speaker 1: but she didn't know was coming, so she was like, oh, 132 00:06:01,120 --> 00:06:03,400 Speaker 1: hold on, she grabbed her papers. Nate was like, god, 133 00:06:03,520 --> 00:06:06,360 Speaker 1: you have one job. So then she snapped on Nate 134 00:06:06,400 --> 00:06:09,239 Speaker 1: and then Scary jumped in with the bullshit where he said, 135 00:06:09,600 --> 00:06:13,200 Speaker 1: between Nate, Elvis and me, that's ninety seven percent of 136 00:06:13,240 --> 00:06:18,120 Speaker 1: the work in this room. Sorry, those girls just sit 137 00:06:18,160 --> 00:06:20,680 Speaker 1: there and wait, that is what you said. 138 00:06:20,720 --> 00:06:23,359 Speaker 6: Okay, I think okay, let me let me explain myself 139 00:06:23,480 --> 00:06:24,200 Speaker 6: behind Elvis. 140 00:06:24,200 --> 00:06:27,840 Speaker 4: By the way, Nate and Nate behind Elcious. 141 00:06:27,400 --> 00:06:30,559 Speaker 6: Back out of his parking space for a second during 142 00:06:30,600 --> 00:06:34,600 Speaker 6: the morning, Okay, there's a lot of driving going on 143 00:06:34,600 --> 00:06:37,960 Speaker 6: on the on that side of the console Elvis. Elvis 144 00:06:38,000 --> 00:06:41,160 Speaker 6: is constantly in flux thinking about this, what's to say next? 145 00:06:41,400 --> 00:06:44,719 Speaker 6: Pressing buttons. I'm doing the same thing I'm trying to 146 00:06:44,839 --> 00:06:46,520 Speaker 6: anticipate what he wants. 147 00:06:47,680 --> 00:06:48,120 Speaker 1: Terribly. 148 00:06:48,440 --> 00:06:50,360 Speaker 3: Nate is trying to run around manage the show. 149 00:06:50,560 --> 00:06:54,400 Speaker 6: There's a lot of physical things or mental anguish going 150 00:06:54,480 --> 00:06:57,800 Speaker 6: on on the over there, whereas I feel like one 151 00:06:57,920 --> 00:07:03,000 Speaker 6: side of the room tends to be more reactive than active. 152 00:07:03,160 --> 00:07:03,880 Speaker 3: So you. 153 00:07:06,000 --> 00:07:10,040 Speaker 6: Make the meal. I know that I do not mean 154 00:07:10,080 --> 00:07:13,200 Speaker 6: that in a negative way. That you guys don't do anything. 155 00:07:13,200 --> 00:07:14,960 Speaker 6: And it's like the law of inertia, a body of 156 00:07:15,000 --> 00:07:15,600 Speaker 6: motion stays in. 157 00:07:15,920 --> 00:07:16,840 Speaker 1: Ninety percent of it is you. 158 00:07:17,080 --> 00:07:17,920 Speaker 3: I'm trying to. 159 00:07:17,840 --> 00:07:23,320 Speaker 6: Explain that that's the dynamic of how it's set up by. 160 00:07:23,120 --> 00:07:31,760 Speaker 3: No fault of yours or yours coming from here. 161 00:07:32,800 --> 00:07:35,680 Speaker 2: You know you have no First of all, I think 162 00:07:35,680 --> 00:07:38,480 Speaker 2: Gandhi does more work than half of them on this, Daniel, 163 00:07:38,600 --> 00:07:41,200 Speaker 2: She's always doing games and this, that and the other thing, 164 00:07:41,240 --> 00:07:44,080 Speaker 2: and help them with this. That she is a producer's 165 00:07:44,120 --> 00:07:46,000 Speaker 2: brain more than you got a producer's brain. 166 00:07:46,280 --> 00:07:48,200 Speaker 1: Yeah, I could. If I did your job, I'd be 167 00:07:48,240 --> 00:07:51,640 Speaker 1: so much better at it. It would be crazy. However, I 168 00:07:51,680 --> 00:07:54,360 Speaker 1: can't because I'm on this side of the microphone contributing 169 00:07:54,440 --> 00:07:57,920 Speaker 1: thirty three point three percent of what goes onto the 170 00:07:57,960 --> 00:08:00,560 Speaker 1: air and content every day. So Danielle, I really do that. 171 00:08:00,880 --> 00:08:02,680 Speaker 3: My god, I see the prep work you do. But 172 00:08:02,760 --> 00:08:03,960 Speaker 3: I'm just scary. 173 00:08:04,000 --> 00:08:05,040 Speaker 2: He tells you to shut up. 174 00:08:05,400 --> 00:08:11,080 Speaker 3: I'm talking about leave the room in real time. Nobody 175 00:08:11,200 --> 00:08:14,800 Speaker 3: is going to do. They all left you. 176 00:08:14,880 --> 00:08:19,040 Speaker 6: They left about in real time, in real time of 177 00:08:19,040 --> 00:08:22,200 Speaker 6: the four hours going on at this end. There's a 178 00:08:22,240 --> 00:08:26,120 Speaker 6: lot of activity over there. But you are listen, you 179 00:08:26,160 --> 00:08:28,560 Speaker 6: come in three hours before the show, come, you know, 180 00:08:28,840 --> 00:08:31,640 Speaker 6: and you get everything ready. So like, my hat's off 181 00:08:31,640 --> 00:08:32,720 Speaker 6: to you for being able. 182 00:08:32,559 --> 00:08:33,240 Speaker 3: To do what you do. 183 00:08:33,679 --> 00:08:38,480 Speaker 6: But I'm just show itself with This was revolving around 184 00:08:38,520 --> 00:08:41,400 Speaker 6: Danielle's point that was. 185 00:08:45,720 --> 00:08:46,520 Speaker 1: Left him alone? 186 00:08:46,559 --> 00:08:48,240 Speaker 3: Can you explain what I told her to come in 187 00:08:48,280 --> 00:08:51,720 Speaker 3: here and shut your ass down? Did you explain? Could 188 00:08:51,720 --> 00:08:52,520 Speaker 3: you explain to. 189 00:08:52,480 --> 00:08:56,360 Speaker 6: Them what I meant when I said that the activity 190 00:08:56,400 --> 00:09:00,440 Speaker 6: goes on over there during the show, playing to them 191 00:09:00,600 --> 00:09:01,720 Speaker 6: what I meant and that I didn't mean. 192 00:09:01,880 --> 00:09:03,800 Speaker 3: I can't explain to them what you meant because what 193 00:09:03,840 --> 00:09:04,720 Speaker 3: you said was just. 194 00:09:07,080 --> 00:09:09,000 Speaker 6: But the thing is like like GANI will do things 195 00:09:09,040 --> 00:09:11,440 Speaker 6: before the show for like three hours and more. She's 196 00:09:11,520 --> 00:09:13,920 Speaker 6: she puts her heart and soul into it. Then yell preps. 197 00:09:14,120 --> 00:09:15,760 Speaker 6: But I'm just talking about as the show is in 198 00:09:15,840 --> 00:09:17,559 Speaker 6: real time, real time motion. 199 00:09:18,760 --> 00:09:20,720 Speaker 3: They're working, they're doing things. 200 00:09:20,880 --> 00:09:24,760 Speaker 6: Yeah, I feel like there's a lot of react. It's 201 00:09:24,800 --> 00:09:27,840 Speaker 6: like a lot of reactive. It's like active, reactive active. 202 00:09:28,559 --> 00:09:32,840 Speaker 3: You're on your own, align with you. 203 00:09:32,960 --> 00:09:34,080 Speaker 2: I don't know what you're saying. 204 00:09:35,520 --> 00:09:40,120 Speaker 1: I'll just say this, Danielle has more energy and does 205 00:09:40,200 --> 00:09:43,320 Speaker 1: more in a day than I could even process doing. 206 00:09:43,520 --> 00:09:47,680 Speaker 1: Between here and her kids and every activity and planning 207 00:09:48,040 --> 00:09:51,320 Speaker 1: charity events, she does so much stuff. I get it 208 00:09:51,320 --> 00:09:52,880 Speaker 1: that you come in and push buttons and then go 209 00:09:52,880 --> 00:09:54,880 Speaker 1: home and rot. I'm sure that feels like a lot, 210 00:09:55,280 --> 00:09:58,240 Speaker 1: But I'm just saying I don't think that that split 211 00:09:58,400 --> 00:10:00,360 Speaker 1: was necessarily hear it. 212 00:10:01,160 --> 00:10:05,120 Speaker 2: And like I said before, Gandhi comes in, there's games this. 213 00:10:05,520 --> 00:10:07,760 Speaker 2: She's keeping track of things over there that we do. 214 00:10:07,840 --> 00:10:09,839 Speaker 3: I don't see you keeping track of ship. I got stuff, 215 00:10:09,880 --> 00:10:11,440 Speaker 3: I got stuff I gotta do. None of the guys 216 00:10:11,480 --> 00:10:14,280 Speaker 3: are back, No, I gotta go. Nobody's gonna defend. We 217 00:10:14,320 --> 00:10:19,280 Speaker 3: gotta end this. SA good night, Bye Chicken Ship. The 218 00:10:19,520 --> 00:10:21,120 Speaker 3: Elvis DA Ran after party