WEBVTT - Algo-Rhythm Is A Bad Dancer (with Michael Christmas)

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<v Speaker 1>Yeah, there's there's a couple of day smooths that I've seen. Um,

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<v Speaker 1>somebody this wild ship the day I can't remember girl,

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<v Speaker 1>A little bit of this left, but the listeners at home,

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<v Speaker 1>he meant it, he really is. He's taking it straight today. Yeah,

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<v Speaker 1>because it wasn't like that much left. Like it wasn't

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<v Speaker 1>that much love. It's half a bottom ship, racist money stuff.

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<v Speaker 1>I can't tell me. Yep, yep, yep. There it is.

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<v Speaker 1>There it is. Ladies and gentlemen, welcome to another phenomenal

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<v Speaker 1>episode of My Mama Told Me, the podcast where we

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<v Speaker 1>dive deep, deep into the pockets of black conspiracy theories

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<v Speaker 1>and we finally work to prove that the p Intaj

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<v Speaker 1>p Henson stands for boy don't play with me. You

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<v Speaker 1>know that's what that p is for. You know, Toraj

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<v Speaker 1>is saying something sassy from start to finishing that goddamn name.

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<v Speaker 1>And we love you to rise, you big fan. If

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<v Speaker 1>you ever want to come here and talk some bullshit,

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<v Speaker 1>you're welcome this. Sometimes the conspiracies that I spread about

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<v Speaker 1>people are harmless. I think this is a pretty harmless one. Sometimes,

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<v Speaker 1>like us people of murder and mayhem, But mostly, you know,

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<v Speaker 1>you run out and you just make fun of names

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<v Speaker 1>and ships. Sup. We're hoping that this is gonna be

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<v Speaker 1>a murder conspiracy that I can believe all days. Well,

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<v Speaker 1>I'm sorry to disappoint. I guess at least brutality murder

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<v Speaker 1>that's actually a pretty good one. Quille O'Neill, for those

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<v Speaker 1>of you that don't know, did volunteer after his NBA

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<v Speaker 1>career to become a sheriff and and I guess brutalized

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<v Speaker 1>the local people in his community. And the possibility that

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<v Speaker 1>Shaquille O'Neill killed someone seems pretty high. Yeah, for sure,

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<v Speaker 1>he's seven ft eighteen, there's no question with the gun.

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<v Speaker 1>He's RoboCop Bro's. Yeah, he's also not a sheriff anymore. So.

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<v Speaker 1>It feels like some sort of dishonorable discharged situation, right

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<v Speaker 1>because they didn't give him like a medal of honor

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<v Speaker 1>when he retired from it feels like he crushed someone's

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<v Speaker 1>skull like a great and then they were just like, hey, Shack,

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<v Speaker 1>you can't come back here no more. Man. He was

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<v Speaker 1>acting like Batman. Yeah, and Bro, we're big fans of

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<v Speaker 1>your work, but this ain't gonna work out. You gotta

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<v Speaker 1>leave man, you can't knock and take ahead. Well, this

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<v Speaker 1>is we've really broken the fourth wall here. We we

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<v Speaker 1>didn't do the intro the way intros are meant to

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<v Speaker 1>be done, but fuck it, we'll do it live. My

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<v Speaker 1>guest today, he's phenomenal. He's an amazing musician, talented artist,

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<v Speaker 1>he's a comedian of sorts. He does all this ship.

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<v Speaker 1>I love him. Please give it up for my guest,

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<v Speaker 1>Mr Michael christ Man. I'm drinking what we're talking about.

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<v Speaker 1>What a bold way to come back. Hell yeah, I'm

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<v Speaker 1>I'm so excited you're here because you came with a

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<v Speaker 1>conspiracy theory that I think I bought into. Like I don't.

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<v Speaker 1>I don't know that I've done enough research to know

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<v Speaker 1>for sure. But I saw it and I was like,

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<v Speaker 1>this guy is saying something. This is this is legit.

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<v Speaker 1>I've been thinking about it and it's it feels like

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<v Speaker 1>it has like a level of legitimacy to it. And

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<v Speaker 1>I won't hold it up. You said, my mama told

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<v Speaker 1>me tis secretly trying to make black people bad at dancing. Yes, bro, Yes,

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<v Speaker 1>I've had this thought for a long time to like this.

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<v Speaker 1>It's it's really kismet that you happen to have a

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<v Speaker 1>podcast where you talk about ship like this with no

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<v Speaker 1>facts if necessary, because I'm like, man, what a perfect

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<v Speaker 1>platform for me to come and discuss how I feel

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<v Speaker 1>about this. Yeah, and I should let our our listeners

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<v Speaker 1>know that you were You were so enthusiastic about it

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<v Speaker 1>that you hit me up and you were like, dog,

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<v Speaker 1>I'm sitting on something, what's up? And I was already

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<v Speaker 1>thinking about having you as a guest, but then once

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<v Speaker 1>you hit me with the conspiracy theory, it felt like, oh,

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<v Speaker 1>we have to do this now immediately. Yes, thank you

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<v Speaker 1>for allowing me. Yes, TikTok is secretly trying to make

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<v Speaker 1>trying to make people black people bad at dancing. Bro,

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<v Speaker 1>I see the signs, So tell me more. Give me

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<v Speaker 1>the full breakdown of where you discovered the what's making

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<v Speaker 1>you feel that way. Let's let's really dive in deep here. Okay.

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<v Speaker 1>I think what it started this whole thought process was like,

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<v Speaker 1>I know you've seen them now, The TikTok dances all arms.

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<v Speaker 1>You know what I'm saying. It's all very stiff boom

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<v Speaker 1>pop boo. It's like the mediocre cheerleading squad level of dancing.

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<v Speaker 1>But these dances are becoming so popular that now you're

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<v Speaker 1>seeing like adults do them because they're popular and you

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<v Speaker 1>can get fuse off. So now people are incorporating them.

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<v Speaker 1>And when you spend so much time doing this little

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<v Speaker 1>stupid ass move, this move get you get used to it,

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<v Speaker 1>and then you go outside and then you go to

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<v Speaker 1>the club and some good ship is playing and you

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<v Speaker 1>start doing TikTok dances. Now now it's spreading right now

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<v Speaker 1>all the kids. The kids are on what TikTok? So

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<v Speaker 1>our children are growing up with no rhythm. It's it's

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<v Speaker 1>it's just it's a massive wipe out and and it

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<v Speaker 1>speaks to bigger things. But to start, yes, we're gonna

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<v Speaker 1>be bad to dancing if you don't get it together.

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<v Speaker 1>I like what you're saying because it reminds me of

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<v Speaker 1>a video I saw and it was probably like a

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<v Speaker 1>year ago where Jason Derulo I think, was in Vegas

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<v Speaker 1>and he was performing and he had like an ensemble

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<v Speaker 1>of bad bitches standing beside him while he performed TikTok dances,

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<v Speaker 1>and it was a bunch of adults in the crowd

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<v Speaker 1>being like, is this naked doing TikTok dancers like you

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<v Speaker 1>do regular dance, Jason bro It's not like Jason Derulo

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<v Speaker 1>is a bad dancer. He's a pretty good dancer. He's

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<v Speaker 1>a fucking loser in a lot of ways, but he's

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<v Speaker 1>a god. He's a great fighter, and he's a great dancer.

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<v Speaker 1>He's a winner in a lot of ways too. That's

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<v Speaker 1>the that part about Jason Derulo. I would love to

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<v Speaker 1>hate on Jason Derulo, but then Jason Derulo pull up. Yeah, listen,

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<v Speaker 1>I would not say that to Jason Derulo's face. That

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<v Speaker 1>motherfucker is big for no reason. I'm trying to go away,

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<v Speaker 1>Jameson and the Rulo about to go and well you

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<v Speaker 1>gotta start doing TikTok dances in public exactly selling my

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<v Speaker 1>soul and see it. But to that point, it was

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<v Speaker 1>a a very visceral reaction from the crowd of being like,

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<v Speaker 1>this is bad dancing in person. I'm sure whatever it

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<v Speaker 1>looks like on the internet is a different conversation, but objectively,

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<v Speaker 1>it looks terrible when you're just standing in front of us,

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<v Speaker 1>like you said, moving elbows and arms instead of the

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<v Speaker 1>thing is it's meant for kids. These challenges are for

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<v Speaker 1>eight year olds to do during spring break when they're

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<v Speaker 1>at the crib. They're not They're not to be done

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<v Speaker 1>by grown people with you know what I'm saying. But

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<v Speaker 1>they get you so many views that you as a

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<v Speaker 1>fucking forty year old nurse and like, on my break,

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<v Speaker 1>I'm about to try to get my TikTok numbers up

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<v Speaker 1>and then boom, now you're hitting that ship, you know,

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<v Speaker 1>looking crazy. If somebody's walking by and seeing that, do

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<v Speaker 1>you think that that this because I I honestly I

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<v Speaker 1>feel like this question is almost jumping ahead of where

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<v Speaker 1>we're at. But I'm curious because you're talking about it.

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<v Speaker 1>Do you think this is an unbeatable challenge? Not to

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<v Speaker 1>to make it a pun and ship, but like, is

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<v Speaker 1>this is this an unbeatable challenge being presented in front

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<v Speaker 1>of us where we are, no matter what, going to

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<v Speaker 1>end up becoming bad dancers because of TikTok culture. It's

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<v Speaker 1>tough to say. On the one hand, yes, you can

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<v Speaker 1>get hell of views by doing these awful dances. You

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<v Speaker 1>don't need to do anything else, would do exactly what

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<v Speaker 1>they did in the other video, and you're just gonna

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<v Speaker 1>pick up steam. On the flip side, what it really

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<v Speaker 1>is is about, like this is stuff we're supposed to

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<v Speaker 1>know how to do right. All these good dance moves

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<v Speaker 1>that we do have, the wobble, the electric slide. This

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<v Speaker 1>is stuff that like I don't remember how I learned it,

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<v Speaker 1>but I knew it. So partially we have to combat

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<v Speaker 1>this with teaching people dances because even you see our TikTok,

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<v Speaker 1>they're jerking now, they're trying to lean with it, rock

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<v Speaker 1>with and doing our dances from when I was a kid,

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<v Speaker 1>and they're not doing them right either. So it's like

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<v Speaker 1>it's like, raise your kids. You need where where's the

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<v Speaker 1>Casper slide? Man? We need a part part four, Part five.

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<v Speaker 1>You gotta save the community. We need the DJs at

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<v Speaker 1>the basketball birthday parties to come out and to do

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<v Speaker 1>with the trends. You know what I'm saying. And he's him,

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<v Speaker 1>he's hitting moves. Bobby Brown used to do dance moves.

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<v Speaker 1>That's what we need more of. But you know, anybody,

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<v Speaker 1>everybody's looking at their phones. Nobody wants to. Nobody wants

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<v Speaker 1>to use their legs. You got to use your Nobody

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<v Speaker 1>wants to. All these videos are waste up. They don't

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<v Speaker 1>even know that you could do ship with your legs

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<v Speaker 1>because it's all waste s up on it. So, Okay,

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<v Speaker 1>you're seeing this, you you are, You're recognizing a problem

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<v Speaker 1>that's happening. Are you now hitting the streets. Are you

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<v Speaker 1>becoming a prophet of this truth? Are you indifferent to

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<v Speaker 1>this this sort of like wave that's taking over? Do

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<v Speaker 1>you know what I mean? I feel like the Hughey

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<v Speaker 1>Freeman of this in the sense that nobody else really

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<v Speaker 1>feels me the way I feel me on this saying

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<v Speaker 1>like nobody thinks that there's a devastating effect in the

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<v Speaker 1>future to this. It's just like the kids doing dances,

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<v Speaker 1>you know what I'm saying, but that adults are doing

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<v Speaker 1>the dances though, And I don't have a problem with

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<v Speaker 1>adults dancing either. The problem is you look silly, and

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<v Speaker 1>you're gonna make your kids look silly and twenty years

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<v Speaker 1>and they're like, remember twenty years ago and this was

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<v Speaker 1>the move. You know, it's just not you know, we

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<v Speaker 1>whatever to Also, it doesn't matter, And I will say,

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<v Speaker 1>take that gives a lot of access to other ship

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<v Speaker 1>I didn't know, like how to put on toilet paper

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<v Speaker 1>rolls easy and stupid and ship like that. That stuff

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<v Speaker 1>is extremely helpful. But yeah, the dancing it's gonna cause

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<v Speaker 1>it's gonna it's a ripple effect, you know, it's a

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<v Speaker 1>it's snowball effect. Well, that's that's I think at the

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<v Speaker 1>core of the question I want to ask you is

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<v Speaker 1>what do you think the ultimate ripple effect is? If

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<v Speaker 1>this is full butterfly effect, where are you seeing this

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<v Speaker 1>little like you know, wing flap ultimately landing the avalanche.

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<v Speaker 1>I think part of my big worry is also rooted

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<v Speaker 1>in the fact that this may also just be a

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<v Speaker 1>thing that happens to every generation where I'm worried that

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<v Speaker 1>erasure is about to happen to the things or like

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<v Speaker 1>washing it or like cornballing the things that I'm used

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<v Speaker 1>to and the things that I know. And then I realized,

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<v Speaker 1>like Brome, I just like an old head, is that

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<v Speaker 1>was actually the issue? Or you know what I'm saying.

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<v Speaker 1>And then you started to think, damn. When I was

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<v Speaker 1>listening to like you know and my parents thought it

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<v Speaker 1>was whack? Was it whack? And He's like, nah, it

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<v Speaker 1>wasn't wet, But like, yeah, that's the thing. Is like

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<v Speaker 1>part of me is like it's a racier and part

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<v Speaker 1>of me is like I'm overreacting and it's just me

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<v Speaker 1>getting older and not understanding. Well, that was my fear

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<v Speaker 1>when I because I immediately, like I said, latched onto

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<v Speaker 1>this being a a possible truth. But then another part

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<v Speaker 1>of me was like, man, you you're the kids dad.

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<v Speaker 1>You're truly an old man yelling about your blood. If

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<v Speaker 1>this is where your heart lives, Like maybe they're bad

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<v Speaker 1>at dancing or maybe they're fucking phenomenal at dancing, and

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<v Speaker 1>I'll never find out because I'm not doing the arm moves,

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<v Speaker 1>you know what I mean. Like this might be the

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<v Speaker 1>hardest arm hard is moves that anybody can do, and

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<v Speaker 1>I'm truly not I'm so much a coward i won't

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<v Speaker 1>even try it. They're not they're not hard, but we

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<v Speaker 1>can try it if you want. But they're not hard.

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<v Speaker 1>I can see that they're not hard because I had

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<v Speaker 1>to learn how to jerk and heel toe and do

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<v Speaker 1>ship like that stuff that was very difficult to do.

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<v Speaker 1>And that's all. That's all I want, Just some like

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<v Speaker 1>the last dance that I think that was created that

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<v Speaker 1>was cool. It was like the shoot dance that like

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<v Speaker 1>a black dude that like a black person at the

0:12:51.800 --> 0:12:55.920
<v Speaker 1>crib in his neighborhood. You know, I'm saying broke with

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<v Speaker 1>the homies made that dancing ain't got big And that's

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<v Speaker 1>a part of it too. It's like the organic ship

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<v Speaker 1>like these what you know what I'm saying, who's coming

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<v Speaker 1>up with this? And how's it happening? You know what

0:13:06.040 --> 0:13:09.280
<v Speaker 1>I'm saying, like pose to Alright, So what I'll say

0:13:09.480 --> 0:13:13.720
<v Speaker 1>is that, uh, that sideways moonwalk thing that's that's circulating

0:13:13.880 --> 0:13:17.040
<v Speaker 1>that ship is hard fun with that sadeways moonwalk. I

0:13:17.080 --> 0:13:21.400
<v Speaker 1>think there are dances out there that I do. Go, okay,

0:13:21.480 --> 0:13:23.959
<v Speaker 1>listen to your point. There's a chance that people are

0:13:24.000 --> 0:13:27.600
<v Speaker 1>still striving to make cool stuff and like add to

0:13:27.679 --> 0:13:31.320
<v Speaker 1>the culture. The frustrating part of it becomes how much

0:13:31.360 --> 0:13:35.240
<v Speaker 1>of that is being I guess sort of buried under

0:13:35.760 --> 0:13:39.640
<v Speaker 1>a bunch of other sort of like bullshit. Yeah. Well,

0:13:39.640 --> 0:13:42.079
<v Speaker 1>one thing that made me feel like the official oldest

0:13:42.160 --> 0:13:44.880
<v Speaker 1>nigga around the other day was like this dance moved

0:13:44.880 --> 0:13:48.080
<v Speaker 1>the Gritty and the Memphis Grizzlies simply John Muren hit

0:13:48.080 --> 0:13:51.000
<v Speaker 1>the hole every time they win a game, and somebody

0:13:51.000 --> 0:13:53.040
<v Speaker 1>put a video but Michael Jackson, I don't remember which

0:13:53.040 --> 0:13:55.240
<v Speaker 1>Michael Jackson video is, but he's doing that ship all

0:13:55.280 --> 0:13:57.880
<v Speaker 1>through the village just sucking. It was like, damn, Michael

0:13:57.960 --> 0:14:01.000
<v Speaker 1>Jackson was hitting the gritty early. Either he's a time

0:14:01.000 --> 0:14:04.240
<v Speaker 1>traveler or he invented all the dance moves, and like

0:14:04.280 --> 0:14:07.920
<v Speaker 1>he invented all the dance moves and he did all

0:14:07.960 --> 0:14:09.720
<v Speaker 1>of them. If you see if you see it tomorrow

0:14:09.720 --> 0:14:12.440
<v Speaker 1>and you've never seen it before, you've seen Mike doing still. Yeah,

0:14:12.480 --> 0:14:16.280
<v Speaker 1>we're just all doing variations of things Mike did. And

0:14:16.280 --> 0:14:18.080
<v Speaker 1>he was like, I'm not gonna keep doing that. That's

0:14:18.120 --> 0:14:20.680
<v Speaker 1>not the problem is I'm mad niggas is not doing

0:14:20.720 --> 0:14:24.200
<v Speaker 1>Michael Jackson stuff. No more like trying to dance like

0:14:24.240 --> 0:14:25.880
<v Speaker 1>Michael Jackson. I don't know if you want to end

0:14:25.920 --> 0:14:29.400
<v Speaker 1>that sentence where you ended that sentence, Nick starn't doing

0:14:29.400 --> 0:14:36.880
<v Speaker 1>Michael Jackson stuff. I don't know. We all my mama

0:14:36.960 --> 0:14:41.600
<v Speaker 1>told me, I'm mad Nick is not doing Michael Jackson.

0:14:43.920 --> 0:14:45.960
<v Speaker 1>What a way to go into a commercial break. I

0:14:46.000 --> 0:14:48.120
<v Speaker 1>love it. We're gonna take a break. We'll be back

0:14:48.120 --> 0:14:50.600
<v Speaker 1>with more Michael Christmas and more, my mama told me.

0:15:00.040 --> 0:15:08.760
<v Speaker 1>And we are back. Yeah, we're back here with more

0:15:08.920 --> 0:15:11.560
<v Speaker 1>Michael Christmas more. My mama told me. We're still talking

0:15:11.600 --> 0:15:17.720
<v Speaker 1>about the possibility that TikTok is destroying the black dances.

0:15:17.520 --> 0:15:21.760
<v Speaker 1>It's taking dance culture away from our our black youth

0:15:21.840 --> 0:15:25.320
<v Speaker 1>and really families and and and society as a whole.

0:15:25.760 --> 0:15:29.920
<v Speaker 1>Do you think that there is, I guess, a way

0:15:30.680 --> 0:15:34.280
<v Speaker 1>to to introduce the legs to TikTok. Is there a

0:15:34.280 --> 0:15:37.560
<v Speaker 1>way that we can start to make this more of

0:15:37.560 --> 0:15:41.440
<v Speaker 1>of a reassessment of what is valuable on these apps?

0:15:41.880 --> 0:15:45.240
<v Speaker 1>I think I don't have the research on this, I

0:15:45.280 --> 0:15:49.160
<v Speaker 1>didn't do any but I feel I feel like there

0:15:49.160 --> 0:15:52.000
<v Speaker 1>are a lot of black creators on TikTok who, for

0:15:52.120 --> 0:15:55.760
<v Speaker 1>whatever reasons, are not being pushed to the forefront. That's

0:15:56.040 --> 0:15:58.000
<v Speaker 1>That's one if I was actually gonna walk up to

0:15:58.040 --> 0:16:01.720
<v Speaker 1>the doors and be like hey he Aside from that,

0:16:02.600 --> 0:16:06.320
<v Speaker 1>I think the main issue is the leveling of the

0:16:06.440 --> 0:16:09.640
<v Speaker 1>dancing playing field. You know what I'm saying. TikTok will

0:16:09.680 --> 0:16:12.320
<v Speaker 1>have you believe we all can dance at the same level.

0:16:12.680 --> 0:16:15.760
<v Speaker 1>This is incorrect. Niggas is dancing. They ask off in

0:16:15.760 --> 0:16:17.640
<v Speaker 1>other places, but you'll never see it because they're not

0:16:17.640 --> 0:16:21.400
<v Speaker 1>the cracking this niggas on TikTok. Yeah, so it's interesting

0:16:21.440 --> 0:16:25.520
<v Speaker 1>that that's that that's your interpretation because it aligns pretty

0:16:25.520 --> 0:16:28.320
<v Speaker 1>well with a lot of what I read about sort

0:16:28.360 --> 0:16:30.920
<v Speaker 1>of like what's happening with TikTok. There there are a

0:16:31.080 --> 0:16:34.240
<v Speaker 1>crazy amount of articles the people who are very angry

0:16:34.320 --> 0:16:37.600
<v Speaker 1>at TikTok or at least assessing what's happening in TikTok,

0:16:37.920 --> 0:16:41.160
<v Speaker 1>not just in terms of dance but also music as

0:16:41.160 --> 0:16:43.640
<v Speaker 1>a whole. They're real worried about what TikTok is doing

0:16:43.680 --> 0:16:48.120
<v Speaker 1>to the music industry and to dance culture. Yeah, yeah,

0:16:48.120 --> 0:16:49.920
<v Speaker 1>and that's the That's the other thing I think, aside

0:16:49.960 --> 0:16:52.160
<v Speaker 1>from like the old head of Ratio theme is like

0:16:52.240 --> 0:16:54.640
<v Speaker 1>it is scary to think that, bro. Like like the

0:16:54.760 --> 0:16:57.800
<v Speaker 1>video of Shorty repping with the bud light that went viral,

0:16:57.840 --> 0:17:00.920
<v Speaker 1>I don't know. I still I still didn't actually watched

0:17:00.960 --> 0:17:03.240
<v Speaker 1>the video for real. I just keep seeing it moving

0:17:03.280 --> 0:17:05.640
<v Speaker 1>all my timeline and being like, I'm about to watch this,

0:17:05.920 --> 0:17:08.639
<v Speaker 1>but she knew all the words. It went up because

0:17:08.640 --> 0:17:11.480
<v Speaker 1>she knew all the words, and like that level of like,

0:17:11.800 --> 0:17:16.280
<v Speaker 1>that's not impressive. It's not impressive. But then on the

0:17:16.320 --> 0:17:20.200
<v Speaker 1>other end, I do think we create this dangerous space

0:17:20.240 --> 0:17:24.159
<v Speaker 1>where we then go, bitch, that's not impressive. You we

0:17:24.160 --> 0:17:26.720
<v Speaker 1>shouldn't celebrate this and it's like, yeah, but you're just

0:17:26.880 --> 0:17:29.800
<v Speaker 1>telling everybody to go watch the motherfucker when you do

0:17:29.880 --> 0:17:33.920
<v Speaker 1>that exactly exactly, And that's my kind of my point

0:17:34.000 --> 0:17:35.960
<v Speaker 1>is like the pumping, because you know what I'm saying,

0:17:36.119 --> 0:17:38.639
<v Speaker 1>TikTok is the I think probably the number one have

0:17:38.760 --> 0:17:42.280
<v Speaker 1>to get followers and used you follow, you follow the

0:17:42.359 --> 0:17:44.840
<v Speaker 1>trend and you get followers and views, you know what

0:17:44.920 --> 0:17:47.400
<v Speaker 1>I'm saying, And everybody can't spend on the goddamn hit

0:17:47.720 --> 0:17:54.360
<v Speaker 1>what you're saying everybody, But what everybody and understand I'm

0:17:54.359 --> 0:17:59.520
<v Speaker 1>saying everybody can do is these whack dances, which gives

0:18:00.000 --> 0:18:03.199
<v Speaker 1>at playing field the level it needs to put the

0:18:03.280 --> 0:18:06.240
<v Speaker 1>hump over people who are actually very talented. And to

0:18:06.760 --> 0:18:09.560
<v Speaker 1>the original point you were making, which I think is

0:18:09.640 --> 0:18:12.120
<v Speaker 1>one that a lot of these articles sort of address,

0:18:12.320 --> 0:18:16.560
<v Speaker 1>is that everybody can do these dances, but TikTok intentionally

0:18:16.840 --> 0:18:22.720
<v Speaker 1>amplifies the voices and the dances of specific users, so

0:18:22.880 --> 0:18:26.639
<v Speaker 1>they are why while there are a million people learning

0:18:26.640 --> 0:18:30.320
<v Speaker 1>to do this ship, only eight people are truly getting

0:18:30.400 --> 0:18:34.200
<v Speaker 1>like the TikTok bump and saying like, yo, Addison Ray,

0:18:34.320 --> 0:18:37.320
<v Speaker 1>you are the face of these dances or the face

0:18:37.400 --> 0:18:40.400
<v Speaker 1>of these things that are very often not created by

0:18:40.400 --> 0:18:44.440
<v Speaker 1>the people that TikTok is choosing to amplify. And also

0:18:44.520 --> 0:18:46.520
<v Speaker 1>on the on the back to the petty side, like

0:18:46.560 --> 0:18:49.399
<v Speaker 1>I'm sick of hearing really good songs get remixed like

0:18:49.440 --> 0:18:52.800
<v Speaker 1>five six songs in because of a challenge, like I

0:18:52.880 --> 0:18:57.560
<v Speaker 1>want to hear DMX do it, God damn it, yeah,

0:18:59.560 --> 0:19:05.959
<v Speaker 1>kick yeah, yeah, don't let me enjoy the song that

0:19:06.000 --> 0:19:09.639
<v Speaker 1>it was meant to actually be. Fuck you know what?

0:19:09.800 --> 0:19:12.359
<v Speaker 1>Really and this I did not think about this until

0:19:12.400 --> 0:19:15.720
<v Speaker 1>this conversation, but it reminds me a lot of like, uh,

0:19:15.760 --> 0:19:20.440
<v Speaker 1>that Harlem shake ship. I was going to say, that's

0:19:20.480 --> 0:19:23.840
<v Speaker 1>the beginning of this, yeah, of all of this is

0:19:23.880 --> 0:19:27.560
<v Speaker 1>that that's the first thing where black young people from

0:19:27.560 --> 0:19:30.440
<v Speaker 1>the hood create something and then it's a phrase. But

0:19:30.640 --> 0:19:33.840
<v Speaker 1>when you go google Harlem shake, it's not is not

0:19:33.880 --> 0:19:37.359
<v Speaker 1>gonna come up. None of them boys that were killing

0:19:37.359 --> 0:19:41.240
<v Speaker 1>it in that video are involved anymore going to come up.

0:19:41.280 --> 0:19:45.119
<v Speaker 1>And that's what's happening to like everything, And what bugs me,

0:19:45.160 --> 0:19:48.560
<v Speaker 1>I think, especially with that one, is that like literally

0:19:48.640 --> 0:19:51.600
<v Speaker 1>it has nothing to do with the Harlem shake, you

0:19:51.600 --> 0:19:53.840
<v Speaker 1>know what I mean? Like there is if you were

0:19:53.960 --> 0:19:57.680
<v Speaker 1>if you were fucking using a bad boy song. If

0:19:57.720 --> 0:20:00.520
<v Speaker 1>you were like you even using elements of the thing

0:20:00.680 --> 0:20:04.280
<v Speaker 1>that made the thing, then maybe there's a level of

0:20:04.320 --> 0:20:06.560
<v Speaker 1>this that I can negotiate with. I don't want to,

0:20:06.680 --> 0:20:09.080
<v Speaker 1>but I can hear it out. But it truly was

0:20:09.160 --> 0:20:12.080
<v Speaker 1>them just being like, we're gonna use the words you

0:20:12.160 --> 0:20:15.480
<v Speaker 1>like and then make a completely different thing that has

0:20:15.560 --> 0:20:18.119
<v Speaker 1>nothing to do with it. Yeah, I'm saying and and

0:20:18.320 --> 0:20:22.240
<v Speaker 1>it's all you know, my spiraling and the thought process

0:20:22.280 --> 0:20:24.480
<v Speaker 1>of this brought me to like thinking about damn like

0:20:24.600 --> 0:20:28.800
<v Speaker 1>people using my god damn vernacular, taking the songs that

0:20:28.880 --> 0:20:30.720
<v Speaker 1>I love that I grew up with, made by people

0:20:30.760 --> 0:20:32.920
<v Speaker 1>that's poor because they don't even own the motherfucker's and

0:20:33.040 --> 0:20:35.199
<v Speaker 1>taking them and enrich off of them because you did

0:20:35.240 --> 0:20:37.240
<v Speaker 1>a dance to it in a nice little house. Like

0:20:37.280 --> 0:20:39.399
<v Speaker 1>you know what I'm saying, these spirrows then get me

0:20:39.480 --> 0:20:42.119
<v Speaker 1>the star treatment where I'm like, god damn, this is

0:20:42.160 --> 0:20:44.919
<v Speaker 1>all a part of the same thing. Well, no, I

0:20:44.960 --> 0:20:48.080
<v Speaker 1>think that's a hundred percent correct, And frankly, it's something

0:20:48.119 --> 0:20:49.959
<v Speaker 1>that I I think we've talked about a little bit

0:20:50.000 --> 0:20:52.680
<v Speaker 1>on the podcast before, but there is now a big

0:20:52.720 --> 0:20:55.800
<v Speaker 1>push from from young people to say that there is

0:20:55.840 --> 0:20:58.439
<v Speaker 1>no longer that the way that they speak on the

0:20:58.480 --> 0:21:01.560
<v Speaker 1>Internet is Internet talk, and it that there is no

0:21:01.600 --> 0:21:05.040
<v Speaker 1>longer like ebonics or a A V. Whatever you decide

0:21:05.080 --> 0:21:08.920
<v Speaker 1>to call it, like African American vernacular is gone. It's

0:21:09.000 --> 0:21:13.600
<v Speaker 1>just how the Internet speaks. And that's crazy. It's dangerous

0:21:13.640 --> 0:21:17.680
<v Speaker 1>because those small passes turn into big passes turned into

0:21:17.760 --> 0:21:19.760
<v Speaker 1>you know what I'm saying, somebody being able to go

0:21:19.840 --> 0:21:23.680
<v Speaker 1>put on the brownest possible shade of makeup from fucking

0:21:23.840 --> 0:21:27.240
<v Speaker 1>Serbia and put on curly hair and it's cool. It's

0:21:27.280 --> 0:21:30.440
<v Speaker 1>cool because this is just style. This isn't braids isn't

0:21:31.119 --> 0:21:35.439
<v Speaker 1>isn't for anybody people was wearing braids like like, guess

0:21:35.440 --> 0:21:38.080
<v Speaker 1>my fucking ass right, you don't need to protective. You

0:21:38.080 --> 0:21:40.600
<v Speaker 1>know what the you're doing, like you know what to do.

0:21:40.880 --> 0:21:42.960
<v Speaker 1>And it feels like laughing in my face. And this

0:21:43.040 --> 0:21:47.080
<v Speaker 1>is why it overall, just be like stop doing this

0:21:47.240 --> 0:21:51.119
<v Speaker 1>ship because then it starts to spiral and I'm like,

0:21:51.160 --> 0:21:53.480
<v Speaker 1>maybe I'm just a crazy nig in the house. No,

0:21:53.680 --> 0:21:56.040
<v Speaker 1>but I think I look, I'm a crazy nig in

0:21:56.040 --> 0:21:58.800
<v Speaker 1>the different house because I I hear what you're saying

0:21:58.840 --> 0:22:01.600
<v Speaker 1>and it feels correct to me that like, while I

0:22:01.640 --> 0:22:04.000
<v Speaker 1>don't want to be an old man yelling about young

0:22:04.040 --> 0:22:06.040
<v Speaker 1>people and what they should be doing with like their

0:22:06.080 --> 0:22:09.359
<v Speaker 1>bodies and dances, at some point we do have to

0:22:09.400 --> 0:22:13.000
<v Speaker 1>acknowledge there is a danger and just allowing culture to

0:22:13.080 --> 0:22:17.520
<v Speaker 1>become blanketed where like everybody can access anything at any time,

0:22:17.600 --> 0:22:20.800
<v Speaker 1>because part of what makes culture matter is it is

0:22:20.840 --> 0:22:24.720
<v Speaker 1>a lived experience for people that like they truly are

0:22:24.760 --> 0:22:27.000
<v Speaker 1>a part of these things, like the fact that that

0:22:27.000 --> 0:22:30.159
<v Speaker 1>that white girl knows little baby doesn't bug me, but

0:22:30.200 --> 0:22:33.120
<v Speaker 1>the idea that like, then a bunch of people are

0:22:33.200 --> 0:22:36.200
<v Speaker 1>giving her some version of like a hood pass because

0:22:36.200 --> 0:22:39.920
<v Speaker 1>the bitch can wrap little baby. This bich is good

0:22:39.960 --> 0:22:41.919
<v Speaker 1>with me wherever. And then you find out, you know

0:22:41.960 --> 0:22:44.200
<v Speaker 1>when three years ago she said, and then this little

0:22:44.240 --> 0:22:47.840
<v Speaker 1>nigga on Twitter, and then you're like, oh no, yeah,

0:22:47.920 --> 0:22:50.000
<v Speaker 1>why did I Why was I okay with this where

0:22:50.040 --> 0:22:54.080
<v Speaker 1>you loved it when when light like he was a

0:22:55.600 --> 0:22:58.040
<v Speaker 1>But then it's also like, yo, why do we need

0:22:58.480 --> 0:23:01.639
<v Speaker 1>I don't need a new teammate. What I'm saying like,

0:23:00.640 --> 0:23:03.480
<v Speaker 1>I don't. I got all the homies unkned, like I

0:23:03.480 --> 0:23:05.920
<v Speaker 1>got the homies I need, And for sure, I definitely

0:23:05.920 --> 0:23:08.080
<v Speaker 1>don't need somebody else coming to eat food at my

0:23:08.119 --> 0:23:10.240
<v Speaker 1>fucking cookout. Like, I don't even know why that is

0:23:10.240 --> 0:23:14.720
<v Speaker 1>the thing, right, Look, we have a very specific amount

0:23:14.720 --> 0:23:19.320
<v Speaker 1>of food here at this cookout. Dirty dirty hamburgers, thirty

0:23:19.359 --> 0:23:24.440
<v Speaker 1>how dogs, none of them. It's for you. This bitch

0:23:24.440 --> 0:23:26.680
<v Speaker 1>gonna come and she's gonna ask for mayonnaise. And now

0:23:26.720 --> 0:23:29.680
<v Speaker 1>what now? Now where are we? You know, it's stressed

0:23:29.680 --> 0:23:33.240
<v Speaker 1>me out because I don't want the kids to allow

0:23:33.320 --> 0:23:36.439
<v Speaker 1>ship to slide because they think it's cool. Because we

0:23:36.480 --> 0:23:38.679
<v Speaker 1>live in that world, and that's where the ultimate danger

0:23:38.840 --> 0:23:42.240
<v Speaker 1>is from, is like the kids being like, no, it's cool, pup.

0:23:42.359 --> 0:23:44.720
<v Speaker 1>They we all say nigga, Like that was a long

0:23:44.760 --> 0:23:48.320
<v Speaker 1>time ago. It's like, no, we don't all say nigga.

0:23:48.359 --> 0:23:53.359
<v Speaker 1>We all say nigga. What I'm saying. Yeah, you talked

0:23:53.359 --> 0:23:55.280
<v Speaker 1>about this a little bit in the beginning, and I

0:23:55.320 --> 0:23:58.480
<v Speaker 1>do think that this is a really important detail that

0:23:58.480 --> 0:24:00.679
<v Speaker 1>that I don't want us to just skip over. But

0:24:00.760 --> 0:24:02.680
<v Speaker 1>in the research that I was doing or the reading

0:24:02.720 --> 0:24:04.320
<v Speaker 1>I was doing, one of the things that they talked

0:24:04.320 --> 0:24:06.800
<v Speaker 1>about because I wanted to know why do TikTok dances

0:24:07.240 --> 0:24:10.359
<v Speaker 1>look specifically the way that they do, And like you said,

0:24:10.480 --> 0:24:13.120
<v Speaker 1>part of it is that the videos are shot vertically,

0:24:13.440 --> 0:24:15.200
<v Speaker 1>which is the way that they have to show up

0:24:15.240 --> 0:24:18.320
<v Speaker 1>for the app to look normal whatever the fun. And

0:24:18.359 --> 0:24:21.439
<v Speaker 1>so because they're shot vertically and for you to be

0:24:21.480 --> 0:24:23.719
<v Speaker 1>actually be able to see who the person is, they

0:24:23.760 --> 0:24:26.120
<v Speaker 1>have to do it from a certain distance, which means

0:24:26.119 --> 0:24:28.720
<v Speaker 1>that they have to cut off their legs. Often sometimes

0:24:28.760 --> 0:24:30.760
<v Speaker 1>people figure out ways to do it where they get

0:24:30.760 --> 0:24:34.280
<v Speaker 1>their whole body in it. Yeah, exactly, but for the

0:24:34.320 --> 0:24:36.320
<v Speaker 1>most part, off your cell phone, you kind of have

0:24:36.400 --> 0:24:38.520
<v Speaker 1>to cut off a portion of your body, which is

0:24:38.560 --> 0:24:41.160
<v Speaker 1>why they isolate in the arms. And then the other

0:24:41.280 --> 0:24:43.560
<v Speaker 1>detail that I think is really important, as they say

0:24:43.600 --> 0:24:46.160
<v Speaker 1>that the reason that the arm movements are so sort

0:24:46.200 --> 0:24:49.359
<v Speaker 1>of tight into the body is because you have to

0:24:49.440 --> 0:24:52.760
<v Speaker 1>keep it inside of the frame, so you can't reach

0:24:52.800 --> 0:24:56.080
<v Speaker 1>your arms all the way out extend them fully, because

0:24:56.080 --> 0:24:57.600
<v Speaker 1>then they'll be out of the frame and then you

0:24:57.640 --> 0:25:00.080
<v Speaker 1>don't get to see the entirety of the moves. So

0:25:00.160 --> 0:25:04.880
<v Speaker 1>it really is like a very strategic structure to say, like, Yo,

0:25:05.080 --> 0:25:08.560
<v Speaker 1>this is how you can dance and still make it

0:25:08.680 --> 0:25:12.840
<v Speaker 1>a well crafted video. Bro. People you just said they

0:25:12.880 --> 0:25:18.920
<v Speaker 1>put niggas in a box. Oh ship people, you just said,

0:25:19.040 --> 0:25:22.679
<v Speaker 1>brot niggas in a box. You can't move past these parameters.

0:25:22.720 --> 0:25:24.719
<v Speaker 1>And now when you're out, you're doing the same dances

0:25:24.720 --> 0:25:28.679
<v Speaker 1>and you're still not moving past these parameters. WHOA all right,

0:25:29.000 --> 0:25:32.960
<v Speaker 1>So that's how they get okay, yeah, that's crazy because

0:25:33.000 --> 0:25:36.840
<v Speaker 1>now we're doing like yeah, fuck all right, that's put

0:25:36.920 --> 0:25:40.560
<v Speaker 1>niggas in a box. There are sometimes when metaphors ain't metaphors,

0:25:40.600 --> 0:25:42.560
<v Speaker 1>do you know what I mean? When they just they're

0:25:42.600 --> 0:25:48.520
<v Speaker 1>just worried. It's just what happened, because your phone is

0:25:48.680 --> 0:25:51.600
<v Speaker 1>it's literally what's happening. And somebody's gonna call it a

0:25:51.600 --> 0:25:55.679
<v Speaker 1>beta because they don't want to process it. But come on, y'all,

0:25:56.280 --> 0:25:58.919
<v Speaker 1>Michael Christmas just woke you the funk up. If niggers

0:25:58.960 --> 0:26:05.320
<v Speaker 1>at home just like me, like bro, he's talking bro.

0:26:05.920 --> 0:26:08.480
<v Speaker 1>So one of the things that they also talk about,

0:26:08.640 --> 0:26:11.560
<v Speaker 1>and this this is something you addressed, is that because

0:26:11.560 --> 0:26:13.560
<v Speaker 1>they do and some of these articles talk about the

0:26:13.600 --> 0:26:17.440
<v Speaker 1>fact that the dancing is technically not always great, right

0:26:17.520 --> 0:26:19.919
<v Speaker 1>that like plenty of the people who are stars on

0:26:20.000 --> 0:26:24.320
<v Speaker 1>these apps are not probably great dancers per se. And

0:26:24.359 --> 0:26:26.800
<v Speaker 1>one of the things that they said is that TikTok

0:26:27.040 --> 0:26:33.119
<v Speaker 1>isn't about talent. Necessarily, TikTok is about enthusiasm and energy,

0:26:33.320 --> 0:26:35.199
<v Speaker 1>and so one of the things that they're tracking is

0:26:35.240 --> 0:26:37.680
<v Speaker 1>that the the people who are successful in the app

0:26:37.960 --> 0:26:41.919
<v Speaker 1>are dressed well. They're giving off a cool vibe and energy,

0:26:42.280 --> 0:26:44.840
<v Speaker 1>and that is driving people to want to see more

0:26:44.840 --> 0:26:47.080
<v Speaker 1>of their videos much more than whether or not they

0:26:47.080 --> 0:26:50.160
<v Speaker 1>can hit the dougie the douggist. You know what I mean.

0:26:50.640 --> 0:26:53.320
<v Speaker 1>Let me say this you you sort of talked about

0:26:53.320 --> 0:26:58.720
<v Speaker 1>this on another episode where you talked about Jay Hoover. Okay, yeah, yeah, TikTok.

0:26:58.960 --> 0:27:02.840
<v Speaker 1>TikTok is the g men bro. It's just following the

0:27:03.000 --> 0:27:06.320
<v Speaker 1>it's Abricambie and Fitch bro. It's just like, this is

0:27:06.359 --> 0:27:09.879
<v Speaker 1>what we want to show, so we could get more this. Yes,

0:27:10.040 --> 0:27:13.480
<v Speaker 1>And I think to that point when they say energy

0:27:13.520 --> 0:27:17.199
<v Speaker 1>and they say vibes, they're selecting that energy and vibes

0:27:17.240 --> 0:27:20.040
<v Speaker 1>based off of the ship that they like. Yeah, they

0:27:20.080 --> 0:27:23.040
<v Speaker 1>want a nice crib right like from the sun hitting

0:27:23.040 --> 0:27:25.600
<v Speaker 1>you because you've got a high apartment saying like that.

0:27:25.960 --> 0:27:28.320
<v Speaker 1>There's rules to this ship. You can't be in a

0:27:28.440 --> 0:27:30.720
<v Speaker 1>dark crib and being on TikTok popp and it just

0:27:30.800 --> 0:27:33.160
<v Speaker 1>won't happen. Right kind of thing, you know what I'm saying,

0:27:33.200 --> 0:27:35.159
<v Speaker 1>Like while doing dance moves, at least you gotta do

0:27:35.240 --> 0:27:37.440
<v Speaker 1>something about why your crib is so dark in order

0:27:37.520 --> 0:27:40.520
<v Speaker 1>for that ship to catch on. Yeah, and like even

0:27:40.680 --> 0:27:43.640
<v Speaker 1>you know, like you hear about like, uh, these people

0:27:43.680 --> 0:27:46.960
<v Speaker 1>who all like all these young sort of like internet

0:27:47.000 --> 0:27:49.520
<v Speaker 1>people who like buy a place together and they live

0:27:49.560 --> 0:27:53.600
<v Speaker 1>in these communes trying to to create content and ship

0:27:53.920 --> 0:27:58.040
<v Speaker 1>and even that is about creating a space that kind

0:27:58.080 --> 0:28:00.359
<v Speaker 1>of looks like you're staying with Diddy, do you know

0:28:00.359 --> 0:28:02.399
<v Speaker 1>what I mean? Like they never are like in a

0:28:02.520 --> 0:28:07.280
<v Speaker 1>fucking like hell hole. All take let's all take our

0:28:07.280 --> 0:28:10.480
<v Speaker 1>five thousand dollars and get this fifty thousand dollar house. Yes,

0:28:10.920 --> 0:28:13.119
<v Speaker 1>but we all just put in our our last five

0:28:13.200 --> 0:28:15.400
<v Speaker 1>and then we're in here, and then we could come

0:28:15.480 --> 0:28:17.439
<v Speaker 1>up off of that if we just shoot some videos

0:28:17.480 --> 0:28:20.160
<v Speaker 1>by the pool every day it's like always in front

0:28:20.200 --> 0:28:24.439
<v Speaker 1>of some giant uh glass like staircase or whatever. And

0:28:24.480 --> 0:28:26.879
<v Speaker 1>then you're doing that and now I know you you

0:28:27.000 --> 0:28:30.240
<v Speaker 1>have resources even though yeah, you got money, you got money,

0:28:30.320 --> 0:28:32.560
<v Speaker 1>you you TikTok. We want to follow you and see

0:28:32.560 --> 0:28:35.640
<v Speaker 1>what else you got going on exactly, Like clearly You're

0:28:35.680 --> 0:28:38.920
<v Speaker 1>already benefiting from these silly dances, so why would I

0:28:39.000 --> 0:28:42.040
<v Speaker 1>not continue down the train of enjoying more of yourself.

0:28:42.200 --> 0:28:44.280
<v Speaker 1>Every time there's a challenge, I want to see you

0:28:44.320 --> 0:28:48.960
<v Speaker 1>do it. Yes, hold on, I want to see this

0:28:49.040 --> 0:28:54.160
<v Speaker 1>one like the crazy legs, like like I want to

0:28:54.200 --> 0:28:56.360
<v Speaker 1>see fucking little Loosely do all the challenges. I don't

0:28:56.360 --> 0:28:58.880
<v Speaker 1>want to see everybody do all the damn challenges. I

0:28:58.960 --> 0:29:01.400
<v Speaker 1>read in one of the uh the articles that I

0:29:01.480 --> 0:29:04.240
<v Speaker 1>was reading a person and this goes back to to

0:29:04.280 --> 0:29:07.560
<v Speaker 1>your point about sort of like the taking of culture

0:29:07.600 --> 0:29:10.160
<v Speaker 1>or the recreation of culture. And a person who I

0:29:10.200 --> 0:29:13.360
<v Speaker 1>guess is like a TikTok dancer type person that we're

0:29:13.360 --> 0:29:17.880
<v Speaker 1>talking to talking to name mood Ferris been as a mash.

0:29:18.160 --> 0:29:20.920
<v Speaker 1>I don't probably fucking his name up bad, but that

0:29:20.960 --> 0:29:24.200
<v Speaker 1>doesn't matter. One he doesn't mean anything to me. But

0:29:24.560 --> 0:29:27.080
<v Speaker 1>he said, and I thought this was really interesting. He

0:29:27.120 --> 0:29:32.120
<v Speaker 1>said that TikTok is weirdly transforming into a dance genre itself.

0:29:32.520 --> 0:29:37.040
<v Speaker 1>And I think that that it It has twofold interest

0:29:37.120 --> 0:29:40.120
<v Speaker 1>to me because we've already sort of addressed the fact

0:29:40.160 --> 0:29:43.480
<v Speaker 1>that they are creating something that's completely of its own world.

0:29:43.880 --> 0:29:46.400
<v Speaker 1>But what they also say in the article is that

0:29:46.480 --> 0:29:50.760
<v Speaker 1>TikTok is still pulling from things that we recognize outside

0:29:50.760 --> 0:29:53.640
<v Speaker 1>of its own genre. So it becomes a way of

0:29:53.720 --> 0:29:58.480
<v Speaker 1>sort of softening everybody else's ship while still claiming, well,

0:29:58.520 --> 0:30:00.960
<v Speaker 1>this is just something of its it has nothing to

0:30:01.000 --> 0:30:03.960
<v Speaker 1>do with you. Well, this comes back to one of

0:30:04.040 --> 0:30:07.720
<v Speaker 1>a dance I mentioned earlier and the point I had

0:30:08.000 --> 0:30:12.120
<v Speaker 1>daughter before. It's like when Blackboy JB invented to shoot dance.

0:30:12.200 --> 0:30:14.920
<v Speaker 1>He invented it, whether somebody else did it around him,

0:30:15.040 --> 0:30:17.520
<v Speaker 1>Block what JB did it and made Vegas do it right.

0:30:18.360 --> 0:30:21.440
<v Speaker 1>Fortnite took that dance and put it in their game

0:30:21.520 --> 0:30:24.880
<v Speaker 1>and didn't ask Block what JB And then that was

0:30:24.920 --> 0:30:28.400
<v Speaker 1>a Fortnite dance, and whether they paid that nigga after

0:30:28.560 --> 0:30:30.840
<v Speaker 1>or not, and whether they gave him the credit or not,

0:30:31.120 --> 0:30:34.960
<v Speaker 1>that dances a Fortnite dance now, and so anything it's

0:30:35.000 --> 0:30:37.560
<v Speaker 1>like TikTok is almost like a filter or anything that

0:30:37.600 --> 0:30:40.760
<v Speaker 1>passes through it just becomes TikTok. Yes, you know what

0:30:40.760 --> 0:30:43.360
<v Speaker 1>I'm saying. Yeah, I think that's I think that's the

0:30:43.560 --> 0:30:46.720
<v Speaker 1>perfect articulation of it. It reminds me, you know, it's

0:30:46.760 --> 0:30:50.240
<v Speaker 1>push your t losing to McDonald's. You know what I'm saying, Like,

0:30:50.320 --> 0:30:55.080
<v Speaker 1>it's it's it's you made the McDonald's song. The McDonald's

0:30:55.080 --> 0:30:58.720
<v Speaker 1>song technically is yours, but once McDonald's has it, that's

0:30:58.760 --> 0:31:02.440
<v Speaker 1>the McDonald's song. I guess McDonald's b Yeah, like you

0:31:02.520 --> 0:31:05.719
<v Speaker 1>sold it to McDonald's. It's like, uh, it's like buying

0:31:05.920 --> 0:31:08.640
<v Speaker 1>a beat. I'm rapper, right, I buy a beat. They

0:31:08.640 --> 0:31:10.960
<v Speaker 1>can sell the exclusive rights to that beat for five

0:31:11.040 --> 0:31:13.440
<v Speaker 1>hundred dollars and then you go make a hit with

0:31:13.480 --> 0:31:16.160
<v Speaker 1>that ship. But like you sold the exclusive rights for

0:31:16.240 --> 0:31:19.720
<v Speaker 1>five hundred dollars. Yeah, that's my it's mine now yea, yeah,

0:31:20.360 --> 0:31:23.560
<v Speaker 1>that's my million dollar banger. You keep your five hundred

0:31:23.600 --> 0:31:26.800
<v Speaker 1>dollars and in some ways and that's it's sad and

0:31:26.880 --> 0:31:29.320
<v Speaker 1>it's fucked up. But then there's another star that you

0:31:29.400 --> 0:31:33.120
<v Speaker 1>go like, well, when would I expect a major corporation

0:31:33.240 --> 0:31:36.160
<v Speaker 1>to be like, you know what, we gotta do right

0:31:36.160 --> 0:31:38.520
<v Speaker 1>by the little black girl that did the renegade dance.

0:31:38.640 --> 0:31:40.680
<v Speaker 1>We got to make sure that she's taken care of

0:31:40.800 --> 0:31:45.200
<v Speaker 1>and fed, because that doesn't service their needs in any way. Right,

0:31:45.400 --> 0:31:48.200
<v Speaker 1>It's like, um, what the there was a girl who

0:31:48.280 --> 0:31:50.360
<v Speaker 1>actually was doing a dance she like made it up

0:31:50.360 --> 0:31:52.200
<v Speaker 1>and then like a small white girl got to do

0:31:52.240 --> 0:31:54.160
<v Speaker 1>it at the All Star Game. Yeah that I think

0:31:54.160 --> 0:31:56.920
<v Speaker 1>that was the Renegade ship, right, Okay, yeah, that was

0:31:57.000 --> 0:32:01.680
<v Speaker 1>that ship. That was crazy bro. Right, Jimmy Fallon had

0:32:02.040 --> 0:32:06.760
<v Speaker 1>literally brought Addison Ray onto fucking Uh which we're called

0:32:06.800 --> 0:32:10.760
<v Speaker 1>the Tonight Show to have her do various TikTok dances,

0:32:10.800 --> 0:32:15.480
<v Speaker 1>all of which belonged to different black performers and creators

0:32:15.520 --> 0:32:18.280
<v Speaker 1>and all that ship. It's like the on fleet girl, Bro,

0:32:18.400 --> 0:32:20.560
<v Speaker 1>This ship happens all the time and then like it

0:32:20.680 --> 0:32:23.360
<v Speaker 1>just goes under the radar, Like where's on fleek? That

0:32:23.400 --> 0:32:25.960
<v Speaker 1>happened a shorty, bro, because that word was applashed on

0:32:26.080 --> 0:32:28.960
<v Speaker 1>everything in Forever twenty one for like a long time.

0:32:29.080 --> 0:32:31.600
<v Speaker 1>So like, what how's she doing? Like you know what

0:32:31.600 --> 0:32:33.320
<v Speaker 1>I'm saying, she should be living like Madam C. J.

0:32:33.440 --> 0:32:37.960
<v Speaker 1>Walker Off and she fucking won't be. Yeah, you want

0:32:37.960 --> 0:32:46.040
<v Speaker 1>to know about fleektek. I guess The question I do

0:32:46.160 --> 0:32:49.880
<v Speaker 1>ask though myself, and I'm gonna ask you, is what

0:32:50.120 --> 0:32:53.480
<v Speaker 1>would be the appropriate compensation? What would be the appropriate

0:32:53.520 --> 0:32:58.040
<v Speaker 1>acknowledgement of these people's contributions? Because the reality is that

0:32:58.080 --> 0:33:00.800
<v Speaker 1>girl was just talking into her phone. It's not like

0:33:00.960 --> 0:33:04.480
<v Speaker 1>she sat and crafted a piece from this ship. She

0:33:04.560 --> 0:33:07.360
<v Speaker 1>was just being a similibilly and hit a moment and

0:33:07.480 --> 0:33:11.200
<v Speaker 1>that wave went crazy. So like, how do we actually

0:33:11.960 --> 0:33:14.560
<v Speaker 1>make sure that people are getting what they deserve without

0:33:14.680 --> 0:33:18.440
<v Speaker 1>overdoing it and being like nobody says this because this

0:33:18.640 --> 0:33:22.480
<v Speaker 1>my long stud Tanya or whoever the funk she is. Well,

0:33:22.520 --> 0:33:26.120
<v Speaker 1>I think the the thing to remember is the problem

0:33:26.240 --> 0:33:30.320
<v Speaker 1>isn't people saying her word. It's Wendy's tweeting this new

0:33:30.400 --> 0:33:34.040
<v Speaker 1>fucking chicken sandwich is on fleet. The original thing needs

0:33:34.080 --> 0:33:36.720
<v Speaker 1>to be acknowledgement, Like whether it's a quick phrase, you know,

0:33:36.760 --> 0:33:39.040
<v Speaker 1>I'm saying one of my homeboys, my DJ. He is

0:33:39.080 --> 0:33:40.680
<v Speaker 1>one of the biggest memes in the world. I don't

0:33:40.680 --> 0:33:42.040
<v Speaker 1>know if you ever seen the meme and the nigger

0:33:42.040 --> 0:33:44.520
<v Speaker 1>in the yellow hoodie and he's doing this ship looking mad.

0:33:46.080 --> 0:33:49.040
<v Speaker 1>That's my DJ. But you met him at the shop, Yes,

0:33:49.360 --> 0:33:52.800
<v Speaker 1>exactly right. Niggas is on Twitter every day. That's Jock Quis,

0:33:52.840 --> 0:33:56.320
<v Speaker 1>that's Quevo, that's this person, that's that person. He went

0:33:56.480 --> 0:33:59.760
<v Speaker 1>and fucking made sure he got that ship and all

0:33:59.760 --> 0:34:02.200
<v Speaker 1>of that so that he gets paid from that fucking meme.

0:34:02.720 --> 0:34:05.760
<v Speaker 1>And I think we need to make it clear that

0:34:05.800 --> 0:34:09.239
<v Speaker 1>you can do that for people, so when you hit

0:34:09.239 --> 0:34:12.080
<v Speaker 1>a wave, you can jump on it immediately instead of

0:34:12.080 --> 0:34:14.239
<v Speaker 1>like where the money reside. That Nigga jumped on that

0:34:14.280 --> 0:34:18.160
<v Speaker 1>wave immediately, and it was his wave, you know, nobody else's.

0:34:18.160 --> 0:34:20.440
<v Speaker 1>He got paid off it, he went got cool with

0:34:20.520 --> 0:34:22.319
<v Speaker 1>celebrities off it. You know what I'm saying. That was

0:34:22.440 --> 0:34:24.920
<v Speaker 1>his wave. But I think it's not very clear how

0:34:24.960 --> 0:34:26.719
<v Speaker 1>to do that versus other people can see it and

0:34:26.719 --> 0:34:28.440
<v Speaker 1>be like, oh, I can make all I gotta do

0:34:28.480 --> 0:34:30.080
<v Speaker 1>is yeah, I'm gonna take that ship right now, and

0:34:30.080 --> 0:34:32.399
<v Speaker 1>then they go get big off of it, bigger they

0:34:32.480 --> 0:34:35.160
<v Speaker 1>monetize it. You never got the chance to even try to.

0:34:35.560 --> 0:34:38.319
<v Speaker 1>And I would say this additionally, that's the corny thing

0:34:38.360 --> 0:34:41.120
<v Speaker 1>that the Internet does, where they go, oh, you should

0:34:41.239 --> 0:34:44.879
<v Speaker 1>just be grateful that we're celebrating you, or that you're

0:34:44.920 --> 0:34:47.600
<v Speaker 1>getting the attention that you otherwise wouldn't be getting it,

0:34:47.800 --> 0:34:51.080
<v Speaker 1>or you offset my life for like six months with

0:34:51.200 --> 0:34:53.680
<v Speaker 1>this bullshit and then expect me to go back to

0:34:53.719 --> 0:34:55.880
<v Speaker 1>living a normal life while y'all make a hell of

0:34:55.960 --> 0:34:59.000
<v Speaker 1>money like that, Having a viral moment like that I've

0:34:59.040 --> 0:35:01.400
<v Speaker 1>never had a viral video moment like that. I've had

0:35:01.400 --> 0:35:03.160
<v Speaker 1>a couple of stupid ass tweets go up and they

0:35:03.200 --> 0:35:05.920
<v Speaker 1>suck my Twitter up for days. So I can imagine

0:35:05.960 --> 0:35:08.400
<v Speaker 1>having something as big as on Fleek that's sucking your

0:35:08.480 --> 0:35:10.120
<v Speaker 1>life up a little bit. Whether it's a good way

0:35:10.200 --> 0:35:12.400
<v Speaker 1>or a bad way, it's in the way, you know

0:35:12.400 --> 0:35:14.040
<v Speaker 1>what I'm saying. You have to take a break to

0:35:14.160 --> 0:35:17.680
<v Speaker 1>deal with that. In some ways, even being made a

0:35:17.760 --> 0:35:22.000
<v Speaker 1>new whether whether it is like you said, good or bad,

0:35:22.280 --> 0:35:24.320
<v Speaker 1>you don't get to just go back to the version

0:35:24.320 --> 0:35:26.319
<v Speaker 1>of your life that it was. And then that's it's

0:35:26.360 --> 0:35:29.719
<v Speaker 1>not even like y'all owe me. It's like if somebody's

0:35:29.800 --> 0:35:33.640
<v Speaker 1>getting paid, then y'all owe me. Yes, if nobody was

0:35:33.680 --> 0:35:36.640
<v Speaker 1>getting shipped off on Fleek and everybody just used the phrasing,

0:35:36.640 --> 0:35:38.600
<v Speaker 1>it wouldn't even be an issue. But that's not the case.

0:35:38.640 --> 0:35:42.839
<v Speaker 1>That became branding for some people. That became fucking commercials

0:35:42.880 --> 0:35:45.319
<v Speaker 1>for a lot of people, you know what I'm saying. No,

0:35:45.440 --> 0:35:47.480
<v Speaker 1>I think that's that's a hundred percent true. I think

0:35:47.520 --> 0:35:49.560
<v Speaker 1>about that all the time with like you know it.

0:35:49.840 --> 0:35:51.400
<v Speaker 1>I think it used to be more of a trend

0:35:51.400 --> 0:35:54.560
<v Speaker 1>and now it's a little more dangerous to pull off.

0:35:54.600 --> 0:35:58.239
<v Speaker 1>But like when rappers would use like internet ship for

0:35:58.360 --> 0:36:01.400
<v Speaker 1>like interludes and ship and you have to wonder how

0:36:01.440 --> 0:36:05.200
<v Speaker 1>many of these people are actually getting compensated for those

0:36:05.239 --> 0:36:07.279
<v Speaker 1>internet things or is it just you thought it was

0:36:07.320 --> 0:36:10.080
<v Speaker 1>funny you put it in your interlude and these people

0:36:10.120 --> 0:36:12.120
<v Speaker 1>just sort of have to be grateful that, like, oh,

0:36:12.160 --> 0:36:15.160
<v Speaker 1>they they threw me in there, you know what I mean? Right,

0:36:15.239 --> 0:36:17.880
<v Speaker 1>Like I'm I'm I'm something on there real quick, you

0:36:17.880 --> 0:36:19.920
<v Speaker 1>know what I'm saying. Like with me, I've used you know,

0:36:19.960 --> 0:36:22.400
<v Speaker 1>I've used a million of the motherfucker's I make songs.

0:36:22.440 --> 0:36:24.120
<v Speaker 1>You know what I'm saying. I want my computer, of

0:36:24.200 --> 0:36:27.360
<v Speaker 1>course I got. I got a whole album about comedians

0:36:27.480 --> 0:36:31.080
<v Speaker 1>that I've made about my favorite comedians. Every song starts

0:36:31.239 --> 0:36:33.960
<v Speaker 1>and ends with some ship I pulled from YouTube, you know,

0:36:34.120 --> 0:36:36.440
<v Speaker 1>saying like that's just what that is. But there's a

0:36:36.480 --> 0:36:38.239
<v Speaker 1>reason for it, you know what I'm saying. And on

0:36:38.320 --> 0:36:40.160
<v Speaker 1>top of that, I reach out to a lot of

0:36:40.200 --> 0:36:43.680
<v Speaker 1>these motherfucker's that I try to involve to be like, yo,

0:36:44.719 --> 0:36:46.520
<v Speaker 1>you want to do a sketch on here or something

0:36:46.520 --> 0:36:48.120
<v Speaker 1>like I want to miss the hospital to do some

0:36:48.160 --> 0:36:50.560
<v Speaker 1>ship I've reached out to about to do some ship.

0:36:50.600 --> 0:36:52.759
<v Speaker 1>You know what I'm saying, Uh, Nick COLLETTI We never

0:36:52.880 --> 0:36:55.120
<v Speaker 1>used it, but on my second album reached out to

0:36:55.200 --> 0:36:57.160
<v Speaker 1>Nick COLLETTI had to make a bunch of joke phone

0:36:57.160 --> 0:37:00.520
<v Speaker 1>calls for it. Like I find the people, they're there,

0:37:00.640 --> 0:37:02.959
<v Speaker 1>and they're they're willing to listen, you know what I'm saying,

0:37:02.960 --> 0:37:04.759
<v Speaker 1>And they're not about to Like I realized a lot

0:37:04.800 --> 0:37:07.120
<v Speaker 1>of people are willing to work and for like a

0:37:07.200 --> 0:37:11.000
<v Speaker 1>realistic price or for something real because everybody's bullshitting all day.

0:37:11.120 --> 0:37:13.440
<v Speaker 1>But I think to that point, it truly is just

0:37:13.840 --> 0:37:16.960
<v Speaker 1>acknowledge me, dog, you know what I mean, Like like

0:37:17.000 --> 0:37:20.600
<v Speaker 1>you said, acknowledge that that I made a contribution to

0:37:20.680 --> 0:37:25.080
<v Speaker 1>the grander cultural imprint. And if you acknowledge that, and

0:37:25.120 --> 0:37:27.759
<v Speaker 1>if you compensate that, knowing that you are going to

0:37:27.840 --> 0:37:32.880
<v Speaker 1>also be compensated, then if you out bag me, I

0:37:32.880 --> 0:37:34.959
<v Speaker 1>I had fun, you know what I mean? Like I

0:37:34.960 --> 0:37:37.879
<v Speaker 1>I'm truly not at least and again I can only

0:37:37.880 --> 0:37:41.160
<v Speaker 1>speak for myself. I'm not terrified of somebody becoming a

0:37:41.160 --> 0:37:44.480
<v Speaker 1>millionaire off of some ship I said. I'm more terrified

0:37:44.520 --> 0:37:48.320
<v Speaker 1>of them truly, like pretending as if I don't exist

0:37:48.520 --> 0:37:51.400
<v Speaker 1>while be exactly there off of my ship because again

0:37:51.520 --> 0:37:54.319
<v Speaker 1>it's it's it's not a it's a principal thing. Bro,

0:37:54.440 --> 0:37:57.200
<v Speaker 1>It's like I'm here, like I did that. You know,

0:37:57.320 --> 0:38:01.719
<v Speaker 1>I'm saying I did that like so like and so like,

0:38:01.800 --> 0:38:04.920
<v Speaker 1>you know, I think about Craig Mac. Somebody's gonna make

0:38:04.920 --> 0:38:08.440
<v Speaker 1>a pup and ask Craig Mac TikTok remix and Craig

0:38:08.520 --> 0:38:11.080
<v Speaker 1>Mac ain't seeing bred off making his music and how

0:38:11.120 --> 0:38:14.160
<v Speaker 1>long you know what I'm saying, And it's gonna be huge,

0:38:15.000 --> 0:38:18.840
<v Speaker 1>Like that's frustrating. Yeah, yeah, yeah. Do you think this,

0:38:18.840 --> 0:38:22.239
<v Speaker 1>this accountability is something that we are going to have

0:38:22.320 --> 0:38:25.719
<v Speaker 1>to fight for for other people because it seems like

0:38:25.880 --> 0:38:28.960
<v Speaker 1>at a certain point, either people don't have the resources

0:38:29.120 --> 0:38:31.799
<v Speaker 1>or the the Internet doesn't give enough of a funk,

0:38:32.080 --> 0:38:34.760
<v Speaker 1>like you're talking about Craig Mac, and I can't imagine

0:38:34.800 --> 0:38:36.840
<v Speaker 1>there's about to be like a big wave of people

0:38:36.880 --> 0:38:40.160
<v Speaker 1>being like justice for Craig Mac. We Craig Mac made

0:38:40.160 --> 0:38:43.719
<v Speaker 1>this song. You guys, gotta nobody's gonna give a fuck,

0:38:43.880 --> 0:38:45.640
<v Speaker 1>you know what I mean? If we're being truly honest,

0:38:45.640 --> 0:38:47.920
<v Speaker 1>and is that fair? No? Is it right? No? But

0:38:48.040 --> 0:38:50.880
<v Speaker 1>that's the reality of where we're at. So like, is

0:38:50.920 --> 0:38:54.359
<v Speaker 1>that then something where like we as artists are gonna

0:38:54.400 --> 0:38:56.719
<v Speaker 1>have to step in and be like, yo, I don't

0:38:56.760 --> 0:38:58.120
<v Speaker 1>want to be a part of this or I'm not

0:38:58.160 --> 0:39:01.160
<v Speaker 1>gonna do this unless we gotta jumping We gotta jump

0:39:01.160 --> 0:39:03.440
<v Speaker 1>in on this stuff faster. That's the other thing, is

0:39:03.480 --> 0:39:06.320
<v Speaker 1>like they need to acknowledge faster, and if they don't,

0:39:06.440 --> 0:39:11.000
<v Speaker 1>we need to acknowledge the problem faster and as a

0:39:11.080 --> 0:39:14.640
<v Speaker 1>bigger unit. Because this is you know, it's small potatoes.

0:39:14.680 --> 0:39:17.600
<v Speaker 1>Now you said something, it got cracking and somebody else

0:39:17.640 --> 0:39:20.400
<v Speaker 1>made a meal. You made eight dollars. Yeah, that's trash.

0:39:20.520 --> 0:39:23.960
<v Speaker 1>But that's again slippery slopan to deal with it. Deal

0:39:24.000 --> 0:39:25.880
<v Speaker 1>with it, deal with it, deal with it, deal with it.

0:39:26.280 --> 0:39:28.440
<v Speaker 1>And now you just gotta deal with it. Like you

0:39:28.480 --> 0:39:31.279
<v Speaker 1>know what I'm saying. It's just like it's it's not

0:39:31.400 --> 0:39:37.280
<v Speaker 1>cool to race things people have done because it doesn't

0:39:37.280 --> 0:39:42.120
<v Speaker 1>matter to you what I'm saying. Yeah, it matters to somebody,

0:39:42.160 --> 0:39:44.800
<v Speaker 1>and that's that's why we're here in the first nigga

0:39:45.120 --> 0:39:51.759
<v Speaker 1>g depth matters to me what I'm saying. Yeah, I'm

0:39:51.800 --> 0:39:54.239
<v Speaker 1>little boys with them big ass church and chains. I

0:39:54.320 --> 0:39:58.759
<v Speaker 1>love them. Yes, God damn it, flavor in your end.

0:40:00.320 --> 0:40:02.040
<v Speaker 1>We're gonna take one more break. We'll be back with

0:40:02.120 --> 0:40:13.680
<v Speaker 1>more Michael Christmas and more, my mama told me. And

0:40:14.160 --> 0:40:24.680
<v Speaker 1>we are back speak Hell yeah, We're back here with

0:40:24.760 --> 0:40:27.080
<v Speaker 1>more Michael Christmas, more, my mama told me. We're still

0:40:27.120 --> 0:40:33.080
<v Speaker 1>talking about the possibility that TikTok is destroying homes, specifically

0:40:33.120 --> 0:40:37.160
<v Speaker 1>black homes with ship dances that are making grandma's disappointed

0:40:37.200 --> 0:40:41.280
<v Speaker 1>in their grandchildren, grandfathers. They lower their heads, they say,

0:40:41.400 --> 0:40:44.000
<v Speaker 1>I welcome to Menia. Sooner if it's gonna make me

0:40:44.040 --> 0:40:46.879
<v Speaker 1>forget about this bullshit that I gotta see my grandchild.

0:40:46.920 --> 0:40:50.359
<v Speaker 1>Do do you think I guess this is going back

0:40:50.360 --> 0:40:54.480
<v Speaker 1>to the larger question. Do you feel like this is

0:40:54.520 --> 0:40:57.799
<v Speaker 1>a feeling that other generations have had to deal with?

0:40:58.080 --> 0:41:01.239
<v Speaker 1>Like were they looking at the whist and being like that,

0:41:01.320 --> 0:41:07.000
<v Speaker 1>ain't that ain't dancing? This is this is trash in whatever.

0:41:08.400 --> 0:41:13.239
<v Speaker 1>I can only point to the post nineties because I

0:41:13.280 --> 0:41:17.200
<v Speaker 1>was born in ninety four, and everything that came out

0:41:17.280 --> 0:41:19.600
<v Speaker 1>when I was a kid was an issue to the

0:41:19.719 --> 0:41:24.680
<v Speaker 1>people older than me. Always jerking was an issue land

0:41:24.719 --> 0:41:27.239
<v Speaker 1>with a rock with it that was kind of a

0:41:27.280 --> 0:41:30.640
<v Speaker 1>silly dance walking out. But at the same time, these

0:41:30.719 --> 0:41:35.080
<v Speaker 1>dances were all being done way more than like the

0:41:35.520 --> 0:41:38.759
<v Speaker 1>mats dances of right now slash like progressively, like I

0:41:38.800 --> 0:41:41.719
<v Speaker 1>think the Soldier Boys when older, older people stopped doing

0:41:45.239 --> 0:41:47.239
<v Speaker 1>like Okay, well he'll tell I can, He'll tell I

0:41:47.280 --> 0:41:49.160
<v Speaker 1>can walk it out, I can check a noodle suit,

0:41:49.239 --> 0:41:53.239
<v Speaker 1>but like hitting a choreograph dance move, which is exactly

0:41:53.280 --> 0:41:56.600
<v Speaker 1>the problem now. I also think the part of the

0:41:56.640 --> 0:42:00.360
<v Speaker 1>problem was that Soldier Boy was the face of the product,

0:42:00.800 --> 0:42:04.319
<v Speaker 1>and for older people it felt like, all right, what

0:42:04.400 --> 0:42:06.440
<v Speaker 1>are we what game is this? Now? Do you know

0:42:06.440 --> 0:42:10.960
<v Speaker 1>what I mean? Like all respective, But but he is not.

0:42:11.200 --> 0:42:13.960
<v Speaker 1>If you're an older person in that generation, you're not

0:42:14.000 --> 0:42:16.200
<v Speaker 1>looking at this and being like, now that's a man

0:42:16.239 --> 0:42:20.440
<v Speaker 1>I'll take seriously. Yeah no. And luckily I was a

0:42:20.520 --> 0:42:22.520
<v Speaker 1>kid when Soldier Boy came out, so I got to

0:42:22.680 --> 0:42:27.080
<v Speaker 1>enjoy every year of Soldier Boys started uninterrupted while just

0:42:27.160 --> 0:42:29.520
<v Speaker 1>being hated on about older folks that don't get it.

0:42:30.200 --> 0:42:33.640
<v Speaker 1>But I'm grown now and I funk with the Soldier

0:42:33.680 --> 0:42:37.880
<v Speaker 1>Boys still, like I think every dance from then it's good,

0:42:37.920 --> 0:42:39.880
<v Speaker 1>I think, is there's something I'm not about to do.

0:42:39.960 --> 0:42:41.799
<v Speaker 1>I don't want to do to cup the shuffle like

0:42:41.880 --> 0:42:45.080
<v Speaker 1>ever again if possible, Like you know what I'm saying.

0:42:45.120 --> 0:42:47.600
<v Speaker 1>But otherwise, like and you know what, when I was

0:42:47.640 --> 0:42:49.040
<v Speaker 1>a kid, I went to camp and I don't know

0:42:49.080 --> 0:42:51.400
<v Speaker 1>if you've ever heard the song Cotton I Joe. Yeah,

0:42:51.440 --> 0:42:53.760
<v Speaker 1>I know Cotton I Joe. Do you know the dance?

0:42:53.800 --> 0:42:55.760
<v Speaker 1>I don't know what anymore, but there was a dance.

0:42:55.800 --> 0:43:00.279
<v Speaker 1>It was like front step, front step. Yeah, yeah, them

0:43:00.480 --> 0:43:05.120
<v Speaker 1>that bullshit. That's that's what TikTok dances look like. Yeah yeah,

0:43:05.160 --> 0:43:08.080
<v Speaker 1>but but that's what they will also say that you

0:43:08.120 --> 0:43:10.920
<v Speaker 1>get in those groups and you see motherfucker's doing Cotton

0:43:10.960 --> 0:43:12.879
<v Speaker 1>I Joe and you're like, goddamn, they look like they're

0:43:12.880 --> 0:43:15.480
<v Speaker 1>having a good time. They do look like they're having

0:43:15.480 --> 0:43:18.200
<v Speaker 1>a good time, for sure. The group was ten year

0:43:18.200 --> 0:43:21.000
<v Speaker 1>olds across the board, but it did look like you

0:43:21.080 --> 0:43:23.759
<v Speaker 1>were having a good headtime for sure. But again it

0:43:23.800 --> 0:43:25.520
<v Speaker 1>goes back to what we were saying. You have to

0:43:25.560 --> 0:43:28.160
<v Speaker 1>strike a balance right where it's like, I am not

0:43:28.280 --> 0:43:32.600
<v Speaker 1>at all interested in taking the fun away from anybody,

0:43:32.640 --> 0:43:35.279
<v Speaker 1>Like I do want every generation to have their ship,

0:43:35.440 --> 0:43:38.040
<v Speaker 1>have their fun. I'm not I don't want to be

0:43:38.080 --> 0:43:41.440
<v Speaker 1>the person that stops it at the same time, let's

0:43:41.560 --> 0:43:44.200
<v Speaker 1>just figure out a way to make your fun not

0:43:44.320 --> 0:43:50.879
<v Speaker 1>feel like it's destroying valuable like uh, just generations of

0:43:50.880 --> 0:43:54.440
<v Speaker 1>of work that we've done. Yeah, and and again, Like

0:43:54.520 --> 0:43:57.799
<v Speaker 1>the the issue really for me, like this is all

0:43:57.840 --> 0:43:59.919
<v Speaker 1>an agenda for me to dig a lot deeper into

0:44:00.000 --> 0:44:04.160
<v Speaker 1>how my things are going away without you know, anybody,

0:44:04.200 --> 0:44:08.400
<v Speaker 1>anybody's approval from the blacks. You know what I'm saying,

0:44:08.480 --> 0:44:12.560
<v Speaker 1>Like like, where where is the most depth in the

0:44:12.600 --> 0:44:17.920
<v Speaker 1>red suit with the curly hair on Chappelle's show to delegate, bro,

0:44:18.040 --> 0:44:21.000
<v Speaker 1>we need a delegator, we need delegate everybody. Just let's

0:44:21.000 --> 0:44:23.880
<v Speaker 1>just slide goddamn Tim McGraw or whoever. Then it was

0:44:23.880 --> 0:44:26.479
<v Speaker 1>on the song a little Dirk just doing whatever after

0:44:26.480 --> 0:44:30.200
<v Speaker 1>he just got finished saying Nigga somewhere else like hey, hey,

0:44:30.239 --> 0:44:34.440
<v Speaker 1>somebody regulates this ship man, And that's what That is

0:44:34.480 --> 0:44:37.320
<v Speaker 1>the part that I think I often find myself feeling

0:44:37.360 --> 0:44:40.000
<v Speaker 1>frustrated with because I don't want to find myself blaming

0:44:40.040 --> 0:44:43.799
<v Speaker 1>black people, right Like I want to be not that

0:44:43.920 --> 0:44:47.239
<v Speaker 1>dude who's like Nigga's y'all, y'all should have done something.

0:44:47.239 --> 0:44:50.680
<v Speaker 1>But it's like Lebron, don't do that. Don't do that,

0:44:51.000 --> 0:44:52.839
<v Speaker 1>you know what I mean? Like when you did you know,

0:44:52.960 --> 0:44:56.280
<v Speaker 1>when you do the fucking Harlem shake ship, you're truly

0:44:56.360 --> 0:44:59.400
<v Speaker 1>just doing it for views and you're not considering the

0:44:59.440 --> 0:45:02.840
<v Speaker 1>fact that you were a kid. Miami kids is gonna

0:45:02.880 --> 0:45:05.000
<v Speaker 1>love this, Like, bro, you know what I'm saying, Just

0:45:05.040 --> 0:45:07.799
<v Speaker 1>throw the move in there at least just to be like,

0:45:08.160 --> 0:45:10.920
<v Speaker 1>I see it. I see that's the thing. That's what

0:45:11.000 --> 0:45:13.360
<v Speaker 1>it feels like. It's it feels like as it's always

0:45:13.400 --> 0:45:15.799
<v Speaker 1>felt like this as a black person in America. It

0:45:15.800 --> 0:45:18.479
<v Speaker 1>always felt like when I make contact with another black

0:45:18.480 --> 0:45:21.440
<v Speaker 1>person that we are thinking the same thing. For the

0:45:21.520 --> 0:45:23.640
<v Speaker 1>most part, we have the same ideas, we know what

0:45:23.760 --> 0:45:26.280
<v Speaker 1>it is. And it's starting to feel just less overall,

0:45:26.360 --> 0:45:28.719
<v Speaker 1>like we know what it is as a unit. Yes,

0:45:28.880 --> 0:45:30.640
<v Speaker 1>I don't want to lose I just don't want to

0:45:30.640 --> 0:45:33.319
<v Speaker 1>lose us all knowing what it is when we get there, No,

0:45:33.440 --> 0:45:36.240
<v Speaker 1>And I think it got even weirder because then there's

0:45:36.280 --> 0:45:39.640
<v Speaker 1>that wave that we hit where it became cool to

0:45:39.680 --> 0:45:43.239
<v Speaker 1>be like, I don't think like other black people think

0:45:43.400 --> 0:45:45.560
<v Speaker 1>like I'm not trapped in the same you know, Kanye

0:45:45.680 --> 0:45:48.239
<v Speaker 1>did it, Chance did it where they were like, yeah,

0:45:48.160 --> 0:45:50.359
<v Speaker 1>why do we have to be like that. It's like

0:45:50.560 --> 0:45:53.839
<v Speaker 1>you don't have to be but come on, but come on,

0:45:54.640 --> 0:45:56.520
<v Speaker 1>but you know what it is because because for one

0:45:57.040 --> 0:45:59.120
<v Speaker 1>and this isn't to come out here or a chance

0:45:59.200 --> 0:46:01.239
<v Speaker 1>or anybody in PARTICU dealer. But when you do that,

0:46:01.600 --> 0:46:05.160
<v Speaker 1>do not get in trouble or do anything else and

0:46:05.200 --> 0:46:07.359
<v Speaker 1>then expect nigga's to come give you a big old

0:46:07.400 --> 0:46:13.560
<v Speaker 1>hook b because we're not gonna do it. Bro. Maybe

0:46:13.600 --> 0:46:16.520
<v Speaker 1>you said you don't eat coligreenes, you don't eat coligreens

0:46:17.800 --> 0:46:22.600
<v Speaker 1>different and you got it. Show me how different handles

0:46:22.960 --> 0:46:32.640
<v Speaker 1>frustrating situations turn around and die. Yeah, we'll make it value.

0:46:33.520 --> 0:46:36.640
<v Speaker 1>So I guess the last question that sort of has

0:46:36.680 --> 0:46:40.920
<v Speaker 1>been living in this for me is I wonder and

0:46:41.000 --> 0:46:43.200
<v Speaker 1>I do think that this is the scary thing with

0:46:43.239 --> 0:46:45.960
<v Speaker 1>this situation, right is I think that part of the

0:46:46.000 --> 0:46:48.360
<v Speaker 1>problem that we're facing is that there is too much

0:46:48.960 --> 0:46:52.759
<v Speaker 1>of everything all the time, and so we were inevitably

0:46:52.840 --> 0:46:56.080
<v Speaker 1>going to find ourselves getting worse at stuff because we

0:46:56.280 --> 0:46:59.440
<v Speaker 1>just have to keep making more stuff. Do what I mean, Like,

0:46:59.480 --> 0:47:02.239
<v Speaker 1>there's no a for eight it's fucking loose steel Ball

0:47:02.760 --> 0:47:07.640
<v Speaker 1>trying to stuff the chocolates and I love Lucy. Eventually

0:47:07.680 --> 0:47:10.160
<v Speaker 1>there's just too much, so you're gonna do a ship job.

0:47:10.520 --> 0:47:12.640
<v Speaker 1>And so I wonder I'd love to hear your thoughts

0:47:12.680 --> 0:47:15.959
<v Speaker 1>of like is the truly the only way that black

0:47:15.960 --> 0:47:18.000
<v Speaker 1>people can get back to being like the true like

0:47:18.160 --> 0:47:21.520
<v Speaker 1>heroes of dance and culture is for the Internet to

0:47:21.600 --> 0:47:25.440
<v Speaker 1>go away and we just have less stuff. No, And

0:47:25.480 --> 0:47:29.520
<v Speaker 1>I think this goes back to an earlier point of acknowledgement,

0:47:29.640 --> 0:47:32.520
<v Speaker 1>But this is on the level of the people in

0:47:32.560 --> 0:47:35.279
<v Speaker 1>control as well as the creators, because we need to

0:47:35.360 --> 0:47:39.000
<v Speaker 1>acknowledge real talent too, you know what I'm saying it

0:47:39.200 --> 0:47:42.200
<v Speaker 1>we need to put things on the forefront now because

0:47:42.239 --> 0:47:44.600
<v Speaker 1>they adhere to the guidelines of what we want our

0:47:44.680 --> 0:47:48.440
<v Speaker 1>viewers to see, but because they're actually good yeah as well.

0:47:48.640 --> 0:47:52.400
<v Speaker 1>And I think that's a problem with that platform, is

0:47:52.480 --> 0:47:55.520
<v Speaker 1>that it just seems very aimed, like you just see him.

0:47:55.560 --> 0:47:57.680
<v Speaker 1>Because the thing is like, you can post all the

0:47:57.719 --> 0:48:00.000
<v Speaker 1>same things across your socials, you will not get more

0:48:00.000 --> 0:48:03.160
<v Speaker 1>agement then you'll get on TikTok. But it's only if

0:48:03.239 --> 0:48:05.279
<v Speaker 1>you do it the way TikTok wants you to do it,

0:48:05.400 --> 0:48:07.600
<v Speaker 1>you know what I'm saying. And so I think just

0:48:07.800 --> 0:48:09.719
<v Speaker 1>like That's what I mean by by the people who

0:48:09.719 --> 0:48:11.680
<v Speaker 1>are in control is like, you know, make it fair.

0:48:11.960 --> 0:48:14.040
<v Speaker 1>But also like for the people who are not in control,

0:48:14.080 --> 0:48:16.719
<v Speaker 1>I think we we just need more people to be

0:48:16.960 --> 0:48:19.879
<v Speaker 1>in Like when I think about my childhood, bro, even

0:48:19.920 --> 0:48:22.840
<v Speaker 1>if they weren't the best role models, are black folks

0:48:22.880 --> 0:48:25.200
<v Speaker 1>are in charge for real? You know what I'm saying.

0:48:25.239 --> 0:48:27.879
<v Speaker 1>They said things and they stuck. You know what I'm saying.

0:48:27.920 --> 0:48:30.240
<v Speaker 1>We And it's not to say that all these niggas

0:48:30.239 --> 0:48:32.360
<v Speaker 1>are not good. A lot of my heroes a terrible

0:48:32.400 --> 0:48:36.200
<v Speaker 1>people growing up and learning, but that's not the point.

0:48:36.239 --> 0:48:40.200
<v Speaker 1>The point is having a good voice, or a good

0:48:40.239 --> 0:48:42.960
<v Speaker 1>few voices to actually look to and learn from. You

0:48:42.960 --> 0:48:45.399
<v Speaker 1>know what I'm saying, I gotta look. I gotta look

0:48:45.440 --> 0:48:47.359
<v Speaker 1>at movies where these people who are some of them

0:48:47.440 --> 0:48:50.959
<v Speaker 1>terrible people, play incredible characters that can teach me things.

0:48:51.080 --> 0:48:53.040
<v Speaker 1>But there's really people out there, you know what I'm saying,

0:48:53.040 --> 0:48:55.520
<v Speaker 1>who can teach me those same things. And that's you know,

0:48:55.640 --> 0:48:57.759
<v Speaker 1>we need those Like niggas could be mad at they

0:48:57.760 --> 0:48:59.840
<v Speaker 1>should pall all they want, but that heat he to

0:49:00.200 --> 0:49:04.759
<v Speaker 1>me a lot. But like, yeah, I think about like

0:49:04.800 --> 0:49:09.840
<v Speaker 1>Isaiah Washington, where it's like that is a phenomenal fucking actor.

0:49:10.160 --> 0:49:12.680
<v Speaker 1>He was real good at acting. Yeah, he had a

0:49:12.680 --> 0:49:16.360
<v Speaker 1>whole bunch of other problematic ship that made his relationship

0:49:16.440 --> 0:49:20.000
<v Speaker 1>with with a public complicated. But at the at its core,

0:49:20.040 --> 0:49:22.319
<v Speaker 1>and I think this is the point you're making. At

0:49:22.360 --> 0:49:25.760
<v Speaker 1>its core, we were celebrating a person for their talents,

0:49:25.800 --> 0:49:30.000
<v Speaker 1>not just their big personality or like their edginess or

0:49:30.000 --> 0:49:33.160
<v Speaker 1>whatever the funk it is. And now, whether we we

0:49:33.239 --> 0:49:35.640
<v Speaker 1>can control it or not, there are a lot of

0:49:35.680 --> 0:49:39.560
<v Speaker 1>people that are just existing off of their personality more

0:49:39.640 --> 0:49:42.359
<v Speaker 1>than an actual skill set. And until we can go

0:49:42.400 --> 0:49:45.839
<v Speaker 1>back to celebrating skill sets, we're gonna be chasing our

0:49:45.880 --> 0:49:49.200
<v Speaker 1>tails in this ship. I feel like our last like leader.

0:49:49.560 --> 0:49:51.560
<v Speaker 1>And I'm saying because we lost a bunch at one

0:49:51.600 --> 0:49:54.760
<v Speaker 1>time because of the pandemic, but our last like leader,

0:49:54.800 --> 0:49:56.880
<v Speaker 1>I feel like it Nipsey hustle as far as like

0:49:56.920 --> 0:49:59.040
<v Speaker 1>at least the niggas, I like, that's the type of

0:49:59.080 --> 0:50:01.160
<v Speaker 1>person that I would can that are a leader? Yeah,

0:50:01.400 --> 0:50:03.799
<v Speaker 1>a lot of my niggas. Because he'll say things that

0:50:03.840 --> 0:50:06.000
<v Speaker 1>will resonate and make you think about your life and

0:50:06.040 --> 0:50:07.560
<v Speaker 1>want to change it, you know what I'm saying. And

0:50:07.600 --> 0:50:09.960
<v Speaker 1>there's not that many of those anymore. We had a

0:50:09.960 --> 0:50:12.120
<v Speaker 1>lot more of those when I was a kid, for sure,

0:50:12.600 --> 0:50:15.200
<v Speaker 1>Like these people that even even if they weren't doing that,

0:50:15.280 --> 0:50:18.759
<v Speaker 1>like just these larger than life inaccessible personalities. And it's

0:50:18.760 --> 0:50:20.799
<v Speaker 1>not to say like obviously the internet makes that a

0:50:20.800 --> 0:50:23.560
<v Speaker 1>lot harder to but also these personalities are a little

0:50:23.560 --> 0:50:25.520
<v Speaker 1>bit all the same now, you know what I'm saying,

0:50:25.560 --> 0:50:27.680
<v Speaker 1>all ruded and kind of the same thing. We all

0:50:27.719 --> 0:50:30.399
<v Speaker 1>do this, we all like this, we all go here,

0:50:30.520 --> 0:50:33.080
<v Speaker 1>we all like this ship. That's how we live like this.

0:50:33.320 --> 0:50:36.239
<v Speaker 1>We just need more standout personalities to take charge in

0:50:36.320 --> 0:50:40.280
<v Speaker 1>the black community, thinks. And I don't know how we

0:50:40.280 --> 0:50:43.280
<v Speaker 1>we make that, but I do think at least acknowledging

0:50:44.080 --> 0:50:47.920
<v Speaker 1>people's skills and their goodness is a is a starting point.

0:50:48.040 --> 0:50:51.160
<v Speaker 1>But we need more black comedians to be really, really

0:50:51.160 --> 0:50:54.600
<v Speaker 1>famous yesterday. And that's what I mean is like you

0:50:54.640 --> 0:50:57.680
<v Speaker 1>know what I'm saying. You know, eight hunted nigga. Everybody

0:50:57.760 --> 0:51:00.960
<v Speaker 1>on your list of people on your cast excluding me,

0:51:01.080 --> 0:51:04.719
<v Speaker 1>is a goddamn generational talent or whatever it is they do.

0:51:05.719 --> 0:51:08.120
<v Speaker 1>This has been a phenomenal episode and I'm a big fan.

0:51:08.239 --> 0:51:10.680
<v Speaker 1>You watch your mouth. I know these niggas. When I

0:51:10.719 --> 0:51:12.919
<v Speaker 1>went to when I found your podcast just because I Google,

0:51:12.960 --> 0:51:14.480
<v Speaker 1>I looked up Zach Fox and I was like, oh,

0:51:14.719 --> 0:51:17.600
<v Speaker 1>this is two of my niggas right here. And I'm like, oh,

0:51:17.640 --> 0:51:19.279
<v Speaker 1>this is good. Then I started looking at the list,

0:51:19.280 --> 0:51:20.680
<v Speaker 1>I'm like, oh, I'm a fan of them. I'm afan

0:51:20.719 --> 0:51:23.719
<v Speaker 1>of them. These niggas need to be bigger. And it's like,

0:51:23.960 --> 0:51:25.920
<v Speaker 1>it's it's not them, you know what I'm saying. The

0:51:25.960 --> 0:51:29.080
<v Speaker 1>talents there, the work is there, it's just the world. Yeah,

0:51:29.600 --> 0:51:32.919
<v Speaker 1>it is very hard to be any version of what

0:51:32.960 --> 0:51:36.839
<v Speaker 1>your talent is set up to be right that Like,

0:51:36.920 --> 0:51:40.440
<v Speaker 1>you have to figure out a almost a scam sometimes

0:51:40.800 --> 0:51:43.800
<v Speaker 1>to make the world see you as a talented person

0:51:43.920 --> 0:51:47.840
<v Speaker 1>you may already be. And that's the scary part about

0:51:47.880 --> 0:51:51.080
<v Speaker 1>all of this game. It's like, truly, we're not just

0:51:51.280 --> 0:51:53.520
<v Speaker 1>figuring out how to get good at a job. We're

0:51:53.520 --> 0:51:57.240
<v Speaker 1>then figuring out a way to trick someone into looking

0:51:57.280 --> 0:51:59.920
<v Speaker 1>at us long enough to go, fuck, he's good at

0:52:00.040 --> 0:52:02.839
<v Speaker 1>that job. It's like you gotta spend time getting real,

0:52:02.920 --> 0:52:05.279
<v Speaker 1>real good at some ship. Then you've gotta straight away

0:52:05.320 --> 0:52:07.600
<v Speaker 1>from that and spend time trying to figure out how

0:52:08.320 --> 0:52:10.480
<v Speaker 1>to make people watch you do that ship that you're

0:52:10.520 --> 0:52:14.719
<v Speaker 1>amazing at now Exactly, it's a miserables. That's part of

0:52:15.000 --> 0:52:17.640
<v Speaker 1>that's part of the hustle. Yeah, that's just life in general.

0:52:17.719 --> 0:52:19.960
<v Speaker 1>But I don't want that to happen to people who

0:52:20.000 --> 0:52:22.200
<v Speaker 1>have like a quick strike opportunity. Some of these people

0:52:22.200 --> 0:52:25.760
<v Speaker 1>are not aiming their lives towards having a viral moment

0:52:26.000 --> 0:52:28.239
<v Speaker 1>or having a viral dance, you know what I'm saying.

0:52:29.280 --> 0:52:30.920
<v Speaker 1>And so when they get it, I want them to

0:52:31.000 --> 0:52:34.279
<v Speaker 1>keep it, yeah, saying when they get it, I want

0:52:34.280 --> 0:52:37.879
<v Speaker 1>them to keep it. I always think about, um, the

0:52:37.880 --> 0:52:41.080
<v Speaker 1>the lady that uh ain't nobody got time for that?

0:52:41.080 --> 0:52:44.640
<v Speaker 1>That that late bro, what's upwhere her? Well, I'll say this,

0:52:44.800 --> 0:52:46.920
<v Speaker 1>and this is I think a little bit of a

0:52:46.960 --> 0:52:50.160
<v Speaker 1>hopeful ending for for what we've been talking about. Is

0:52:50.600 --> 0:52:54.560
<v Speaker 1>she was a lady struggling with drugs. She was in

0:52:54.600 --> 0:52:58.919
<v Speaker 1>a fire and then got went viral, and she capitalized

0:52:58.920 --> 0:53:02.720
<v Speaker 1>on that moment her teeth fixed and then did fucking

0:53:02.920 --> 0:53:06.359
<v Speaker 1>commercials for the dentists that fixed her teeth and got

0:53:06.360 --> 0:53:08.400
<v Speaker 1>paid off the ship. And I don't know if she

0:53:08.520 --> 0:53:11.080
<v Speaker 1>was able to like to modify it beyond that point,

0:53:11.360 --> 0:53:14.120
<v Speaker 1>but I do think that even that is a beautiful

0:53:14.360 --> 0:53:18.319
<v Speaker 1>sort of like, okay, this is correct for what she

0:53:18.480 --> 0:53:21.600
<v Speaker 1>offered us. She became a meme that we all enjoyed.

0:53:21.880 --> 0:53:24.680
<v Speaker 1>If nothing else, let this lady have some new teeth

0:53:24.800 --> 0:53:27.320
<v Speaker 1>and some money to be able to like move forward

0:53:27.719 --> 0:53:31.319
<v Speaker 1>however she chooses. Yeah, yeah, that's the new ship. Bro.

0:53:31.400 --> 0:53:33.040
<v Speaker 1>If you get like, if you have a viral moment,

0:53:33.080 --> 0:53:35.080
<v Speaker 1>you should give you, like whatever, the two things you

0:53:35.120 --> 0:53:39.279
<v Speaker 1>need most. I love that, and then you can have it, bro.

0:53:39.360 --> 0:53:42.040
<v Speaker 1>Then you can put it in the Wendy's commercial, McDonald's whatever,

0:53:42.120 --> 0:53:44.120
<v Speaker 1>so long, John Silvers, whatever, and they can put it

0:53:44.239 --> 0:53:47.680
<v Speaker 1>go ahead. But yeah, fix my back and get me

0:53:47.840 --> 0:53:50.239
<v Speaker 1>a new bed. You don't need to fix. You don't

0:53:50.239 --> 0:53:52.799
<v Speaker 1>need to to set me up for life. But if

0:53:52.880 --> 0:53:55.200
<v Speaker 1>you know I'm sleeping on a mattress on the floor,

0:53:55.600 --> 0:53:58.839
<v Speaker 1>get me a bed frame and help me out. It's

0:53:58.880 --> 0:54:01.880
<v Speaker 1>like people who go role for like having some fileship

0:54:02.040 --> 0:54:04.040
<v Speaker 1>at the crib or having a file crib and they

0:54:04.040 --> 0:54:07.080
<v Speaker 1>throw that ship up on Damn Jimmy Kimmel, Jimmy, send

0:54:07.120 --> 0:54:11.239
<v Speaker 1>that motherfucker check, bro, so they can stop doing that

0:54:13.680 --> 0:54:17.960
<v Speaker 1>this show anymore. Help them, help them, bro, Like they're sad,

0:54:18.120 --> 0:54:20.040
<v Speaker 1>Like I remember I've seen. I think I saw Drew

0:54:20.080 --> 0:54:22.600
<v Speaker 1>Sky on a five South talking to DC Young fly In.

0:54:22.719 --> 0:54:24.600
<v Speaker 1>DC Young Flyer was talking about how he didn't have

0:54:25.120 --> 0:54:28.560
<v Speaker 1>the resources to shoot these big videos that King Bacha

0:54:28.680 --> 0:54:31.440
<v Speaker 1>was making. He had to just show he had around him,

0:54:31.440 --> 0:54:33.799
<v Speaker 1>so he was making vines of the cockroaches on his

0:54:33.880 --> 0:54:37.120
<v Speaker 1>wall to which too, because Drew Ski was like, I

0:54:37.160 --> 0:54:39.200
<v Speaker 1>remember that he was on VON and he was taking

0:54:39.360 --> 0:54:41.520
<v Speaker 1>videos of cockroaches on your wall, and I'm like, is

0:54:41.560 --> 0:54:43.799
<v Speaker 1>this nigga okay? Like we need to send in and

0:54:43.840 --> 0:54:46.359
<v Speaker 1>he's like and then that was DC's response was, well,

0:54:46.400 --> 0:54:49.280
<v Speaker 1>these niggas on Vaughn is making these big production movies

0:54:49.320 --> 0:54:51.400
<v Speaker 1>in these six seconds. I ain't got a movie studio,

0:54:51.520 --> 0:54:54.080
<v Speaker 1>I't on cameras for no explosions. So I'm using what

0:54:54.120 --> 0:54:55.719
<v Speaker 1>I got, you know what I'm saying in here, And

0:54:55.760 --> 0:54:59.080
<v Speaker 1>look at him. He's a super He's a goddamn superstar. Now, no,

0:54:59.160 --> 0:55:01.880
<v Speaker 1>I mean it, it's crazy and like to that point,

0:55:01.960 --> 0:55:05.080
<v Speaker 1>like I even you know, I'm not a person without resources,

0:55:05.160 --> 0:55:07.120
<v Speaker 1>but like even just being able to put together a

0:55:07.160 --> 0:55:11.040
<v Speaker 1>self tape of like yo, I need another person to

0:55:11.239 --> 0:55:13.800
<v Speaker 1>be to set up a camera. I need somebody to

0:55:13.880 --> 0:55:16.760
<v Speaker 1>read lines. Maybe it's that same person, but you need

0:55:17.120 --> 0:55:20.160
<v Speaker 1>a level of like commitment from your community and from

0:55:20.200 --> 0:55:22.480
<v Speaker 1>around you to even make that ship happen. So the

0:55:22.520 --> 0:55:26.440
<v Speaker 1>fact that these dudes we're making full production, three camera

0:55:26.520 --> 0:55:30.720
<v Speaker 1>productions for internet videos tells you that they were sitting

0:55:30.800 --> 0:55:34.120
<v Speaker 1>on profit already, or at least sitting on a cushion

0:55:34.520 --> 0:55:36.719
<v Speaker 1>that to the point that d C was making, he

0:55:36.760 --> 0:55:39.560
<v Speaker 1>didn't have And unless somebody is gonna come in and

0:55:39.600 --> 0:55:41.560
<v Speaker 1>be like, yo, I see a potential in him, and

0:55:41.600 --> 0:55:45.880
<v Speaker 1>I'm gonna make sure he gets correctly compensated for that potential,

0:55:46.320 --> 0:55:49.840
<v Speaker 1>he's just gonna be a nigga making roach video Roach videos. Bro.

0:55:49.960 --> 0:55:52.200
<v Speaker 1>It's like anytime you see somebody do a quick dance

0:55:52.239 --> 0:55:55.040
<v Speaker 1>move on the tail, but nobody tagged them and they

0:55:55.040 --> 0:55:57.600
<v Speaker 1>weren't the posted person to post it. They were just

0:55:57.640 --> 0:56:00.279
<v Speaker 1>caught doing the dance moved. Nike is never my never

0:56:00.320 --> 0:56:04.320
<v Speaker 1>even know that he went viral. Well, that he changed

0:56:04.360 --> 0:56:06.399
<v Speaker 1>the world a little bit, you know what I'm saying, Like,

0:56:06.480 --> 0:56:10.480
<v Speaker 1>that's just crazy. You should be given something for making

0:56:10.560 --> 0:56:13.080
<v Speaker 1>kids in Wisconsin do your fucking dance move while you

0:56:13.160 --> 0:56:17.360
<v Speaker 1>was outside of the projects. That's just what it is,

0:56:17.960 --> 0:56:20.799
<v Speaker 1>pretty straightforward two things you need. I love that. I

0:56:20.840 --> 0:56:23.799
<v Speaker 1>think that's the I think that's the thesis, the real

0:56:23.840 --> 0:56:26.839
<v Speaker 1>big takeaway. We can leave everybody with, Give people two

0:56:26.880 --> 0:56:29.720
<v Speaker 1>things they need for the great things they need in life,

0:56:30.040 --> 0:56:33.120
<v Speaker 1>for their contributions, and then do what you will or

0:56:33.160 --> 0:56:35.279
<v Speaker 1>we're gonna smack you. That's the new ship, bro, we

0:56:35.600 --> 0:56:42.040
<v Speaker 1>gonna start pulling up and smacking people tough. Do that?

0:56:42.320 --> 0:56:48.200
<v Speaker 1>Do that dance again real quick? Yeah? All right, I

0:56:48.200 --> 0:56:50.680
<v Speaker 1>think we did it. Michael, did you tell the people

0:56:50.719 --> 0:56:52.959
<v Speaker 1>at home where they can find you what cool ship

0:56:53.000 --> 0:56:56.719
<v Speaker 1>you have? Yeah? Man, Michael Christmas, my birthday is in

0:56:56.920 --> 0:56:59.000
<v Speaker 1>like a week. That's like probably my only cool ship.

0:56:59.040 --> 0:57:02.000
<v Speaker 1>But I'm gonna trying to should happen around it. Um,

0:57:02.040 --> 0:57:05.160
<v Speaker 1>I got dumb music out of music, Spotify that stuff,

0:57:05.200 --> 0:57:09.160
<v Speaker 1>Michael Christmas at, Michael Christmas on Instagram, making Christmas on Twitter,

0:57:09.760 --> 0:57:12.000
<v Speaker 1>and yeah, go enjoy some of that. I've also been

0:57:12.080 --> 0:57:15.799
<v Speaker 1>dabbling and stand up. So if you end Boston, specifically

0:57:15.920 --> 0:57:18.360
<v Speaker 1>on a Wednesday night, you walk into an empty bar

0:57:18.440 --> 0:57:20.680
<v Speaker 1>and see a stage I might be on. All right,

0:57:20.920 --> 0:57:23.600
<v Speaker 1>well go watch Michael do stand up. More importantly, go

0:57:23.760 --> 0:57:27.680
<v Speaker 1>listen to his music. It's fired. Support, support, support and

0:57:27.760 --> 0:57:31.200
<v Speaker 1>As always, you can follow me at Langston Kerman all

0:57:31.240 --> 0:57:33.520
<v Speaker 1>of my bullshit. I don't make no music, but yeah,

0:57:33.640 --> 0:57:39.080
<v Speaker 1>it's nonsense either way. And uh, you can uh subscribe

0:57:39.120 --> 0:57:42.120
<v Speaker 1>to the podcast, you can review do the thing I

0:57:42.120 --> 0:57:43.600
<v Speaker 1>don't know, And if you want to send me your

0:57:43.600 --> 0:57:46.000
<v Speaker 1>own conspiracy theories or drops, you can send them to

0:57:46.120 --> 0:57:50.040
<v Speaker 1>my Mama pod at gmail dot com. Okay, that's it.

0:57:50.640 --> 0:58:07.000
<v Speaker 1>By bit Unclela bears were racist. The Oasto player for

0:58:07.160 --> 0:58:12.680
<v Speaker 1>oasting money versions of many turkey stuff in I can't

0:58:12.680 --> 0:58:13.680
<v Speaker 1>tell me about