1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,000 Speaker 1: just to touch, to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,520 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,520 --> 00:00:32,680 Speaker 1: a little thing we like to call the after party. 6 00:00:32,720 --> 00:00:34,960 Speaker 1: This is the show after the show, the party after 7 00:00:35,000 --> 00:00:36,400 Speaker 1: the party, the bridge to get you from one full 8 00:00:36,400 --> 00:00:38,920 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:39,000 --> 00:00:41,760 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:41,800 --> 00:00:44,600 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:44,680 --> 00:00:47,640 Speaker 1: we are discussing your favorite non traditional Christmas songs and 12 00:00:47,680 --> 00:00:50,120 Speaker 1: we're making a great Christmas mix along with our conversation. 13 00:00:50,240 --> 00:00:52,320 Speaker 1: In the exclusive portion, we're going to get into band 14 00:00:52,440 --> 00:00:55,279 Speaker 1: and obscene Christmas tunes. What's up below Fly, We get 15 00:00:55,320 --> 00:00:58,480 Speaker 1: into your emails, comments, dms, and as always, a whole 16 00:00:58,520 --> 00:01:01,080 Speaker 1: lot of rosie. This is the podcast the musically obsessed, 17 00:01:01,240 --> 00:01:03,560 Speaker 1: the outsiders, the independent thinkers who know that the best 18 00:01:03,600 --> 00:01:06,520 Speaker 1: history is the history that gets buried. Disgraceland is where 19 00:01:06,560 --> 00:01:08,800 Speaker 1: I tell the stories they didn't want told, the kind 20 00:01:08,880 --> 00:01:11,679 Speaker 1: you'll end up telling someone else. All Right, Discos, let's 21 00:01:12,000 --> 00:01:13,240 Speaker 1: get into it. 22 00:01:28,840 --> 00:01:29,000 Speaker 2: Man. 23 00:01:29,080 --> 00:01:32,399 Speaker 1: You guys love non traditional Christmas songs. That was our 24 00:01:32,480 --> 00:01:34,720 Speaker 1: question of the week last week here in the after Party, 25 00:01:35,400 --> 00:01:37,880 Speaker 1: and that was our question on social media, and we 26 00:01:37,880 --> 00:01:41,480 Speaker 1: were flooded with responses from you guys, both over the 27 00:01:41,520 --> 00:01:45,200 Speaker 1: phone and the comments on Patreon. So we're gonna do 28 00:01:45,319 --> 00:01:48,559 Speaker 1: something a little different this week. We're gonna dedicate most, 29 00:01:48,560 --> 00:01:51,400 Speaker 1: if not all, of this episode to your responses and 30 00:01:51,480 --> 00:01:54,960 Speaker 1: try to build a kick ass non traditional Christmas mix. 31 00:01:55,400 --> 00:01:57,960 Speaker 1: So let's get right into it, all right. Some of 32 00:01:58,000 --> 00:02:01,600 Speaker 1: the non traditional Christmas songs I sugested Where Christmas Must 33 00:02:01,680 --> 00:02:03,920 Speaker 1: Be Tonight by the Band, which I talked about last 34 00:02:03,920 --> 00:02:05,840 Speaker 1: week in the after Party, and it was kind of 35 00:02:05,840 --> 00:02:09,920 Speaker 1: the impetus for this whole conversation. I also mentioned on 36 00:02:10,040 --> 00:02:14,560 Speaker 1: social I mentioned winter Man by Clarence Reid. This song. 37 00:02:15,120 --> 00:02:20,120 Speaker 1: I can't recommend the song highly enough. It's incredible, all right. 38 00:02:20,280 --> 00:02:22,839 Speaker 1: But anyways, let's get into some of your recommendations. And 39 00:02:23,240 --> 00:02:26,320 Speaker 1: the goal here is to sort of informally throw a 40 00:02:26,320 --> 00:02:28,840 Speaker 1: bunch of recks into the mix, a bunch of songs, 41 00:02:28,840 --> 00:02:31,680 Speaker 1: and then call them down into a side one and 42 00:02:31,760 --> 00:02:35,920 Speaker 1: aside to track listening for you guys, and we can 43 00:02:35,919 --> 00:02:38,360 Speaker 1: put a little mix together. We can share on Spotify 44 00:02:38,480 --> 00:02:41,200 Speaker 1: and wherever else. All right, so let's get right into it. 45 00:02:41,560 --> 00:02:45,560 Speaker 1: Goozberg on Instagram recommended Christmas was Better in the eighties 46 00:02:45,840 --> 00:02:48,280 Speaker 1: by the future Heads. Future Heads are a great modern 47 00:02:48,919 --> 00:02:52,560 Speaker 1: Ish UK band who we've talked about before. This song 48 00:02:53,240 --> 00:02:57,680 Speaker 1: does not disappoint. It's fantastic. Check it out. Christmas was 49 00:02:57,760 --> 00:03:00,720 Speaker 1: Better in the eighties by the future Heads. Ellie Ordez 50 00:03:01,000 --> 00:03:05,160 Speaker 1: on Patreon suggested God Rest You Married, Gentleman by Black Sabbath, 51 00:03:05,240 --> 00:03:08,320 Speaker 1: Moronnie James Dio and Tony Iomi, which I had no 52 00:03:08,440 --> 00:03:12,120 Speaker 1: idea existed. This is deliciously weird and totally worthy of 53 00:03:12,120 --> 00:03:14,119 Speaker 1: your time, and this is going on the mix. Two 54 00:03:14,160 --> 00:03:18,920 Speaker 1: thousand Miles by Pretenders was recommended by a couple of you. 55 00:03:19,480 --> 00:03:22,120 Speaker 1: I really love this song and it seems like I 56 00:03:22,120 --> 00:03:24,760 Speaker 1: forget about it every year, so thank you guys for 57 00:03:24,919 --> 00:03:28,840 Speaker 1: calling it out. Jackie over in the Patreon chat brought 58 00:03:28,880 --> 00:03:31,600 Speaker 1: up another tune that I never ever think to listen 59 00:03:31,600 --> 00:03:35,520 Speaker 1: to during the holidays, but it's a tremendous non traditional 60 00:03:35,600 --> 00:03:39,640 Speaker 1: Christmas song, and that's Christmas Card to a Hooker in 61 00:03:39,680 --> 00:03:44,400 Speaker 1: Minneapolis by Tom waits Man. The Electric Piano sound in 62 00:03:44,440 --> 00:03:47,520 Speaker 1: this song. I just I love it. I love it. 63 00:03:47,600 --> 00:03:50,840 Speaker 1: Just makes me feel like the nineteen seventies are swallowing 64 00:03:50,880 --> 00:03:54,960 Speaker 1: me up. Charlie, I'm pregnant, living on Ninth Street, above 65 00:03:54,960 --> 00:03:57,600 Speaker 1: a dirty bookstore on Euclid Avenue, and I stopped taking 66 00:03:57,640 --> 00:03:59,880 Speaker 1: dope and quit taking whiskey. And my old man plays 67 00:03:59,880 --> 00:04:02,480 Speaker 1: a trombone and works out at the track. He says 68 00:04:02,480 --> 00:04:04,880 Speaker 1: that he loves me, even though it's not his baby. 69 00:04:05,120 --> 00:04:06,920 Speaker 1: He says that he'll raise him up like he would 70 00:04:06,960 --> 00:04:08,920 Speaker 1: his own son. And he gave me a ring that 71 00:04:09,000 --> 00:04:10,600 Speaker 1: was worn by his mother, and he takes me out 72 00:04:10,680 --> 00:04:15,280 Speaker 1: dance and every Saturday night. God, what lyrics? Huh. This 73 00:04:15,320 --> 00:04:17,920 Speaker 1: isn't a song, guys. This is a movie, all right. 74 00:04:18,640 --> 00:04:21,960 Speaker 1: And it's a movie that I want to see on Christmas. 75 00:04:22,400 --> 00:04:25,559 Speaker 1: Christmas Card to a Hooker in Minneapolis by Tom Waits. 76 00:04:25,600 --> 00:04:28,320 Speaker 1: And while we're talking about Tom Waits, the Tom Waits 77 00:04:28,360 --> 00:04:31,800 Speaker 1: and Shane McGowan and Elvis Costello's story that's in our 78 00:04:31,880 --> 00:04:36,240 Speaker 1: mini episode this week is an incredible slice of weird 79 00:04:36,839 --> 00:04:39,400 Speaker 1: music history. You gotta be an All Access member to 80 00:04:39,520 --> 00:04:41,839 Speaker 1: check that out. So go to disgracelanmdpod dot com to 81 00:04:41,880 --> 00:04:44,400 Speaker 1: sign up for exclusive content like the mini episodes that 82 00:04:44,400 --> 00:04:46,840 Speaker 1: we released pretty much every week. You also get added 83 00:04:46,839 --> 00:04:51,240 Speaker 1: free listening on all Disgraceland and hollywood Land episodes. And 84 00:04:51,600 --> 00:04:54,240 Speaker 1: I think I think Zeth figured out a way for 85 00:04:54,320 --> 00:04:58,400 Speaker 1: you guys to gift Disgraceland Patreon memberships to your friends 86 00:04:58,400 --> 00:05:00,839 Speaker 1: and family for the holidays. You can now become a 87 00:05:00,839 --> 00:05:02,839 Speaker 1: member for just a dollar a month, and of course 88 00:05:02,839 --> 00:05:05,599 Speaker 1: they're a five dollars and ten dollars tiers as well 89 00:05:05,600 --> 00:05:08,080 Speaker 1: with all kinds of different benefits that you guys can 90 00:05:08,200 --> 00:05:10,680 Speaker 1: gift to others. So you can give the gift of 91 00:05:10,680 --> 00:05:14,839 Speaker 1: Disgraceland in an all access membership, So check that out 92 00:05:14,839 --> 00:05:18,880 Speaker 1: at disgracelampod dot com. Back to our mix, Fairytale of 93 00:05:18,960 --> 00:05:22,880 Speaker 1: New York by this week's full episode subject the Pogues 94 00:05:23,520 --> 00:05:28,400 Speaker 1: goes without saying that this is on our playlist. M 95 00:05:28,520 --> 00:05:33,080 Speaker 1: Von twenty thirteen to twenty fifteen on Instagram recommends Sufion 96 00:05:33,240 --> 00:05:38,159 Speaker 1: Stevens put the Lights on the Tree. This song is fantastic, 97 00:05:38,560 --> 00:05:41,440 Speaker 1: and I just gotta say, I hope I'm pronouncing Sufion 98 00:05:41,560 --> 00:05:45,000 Speaker 1: Stevens correctly. I don't think I am, but I don't 99 00:05:45,040 --> 00:05:46,840 Speaker 1: care to go to Google and look it up. I 100 00:05:47,000 --> 00:05:50,920 Speaker 1: just you know, Sufion, if you're listening, know that I'm 101 00:05:50,920 --> 00:05:54,760 Speaker 1: pimping out your your five disc Christmas album. Man, okay, 102 00:05:55,040 --> 00:05:59,440 Speaker 1: five discs and it's it's damn good, fantastic and m 103 00:05:59,560 --> 00:06:02,440 Speaker 1: Von twenty thirteen, twenty fifteen is not the only one 104 00:06:02,480 --> 00:06:06,360 Speaker 1: who thinks so. Received a bunch of recommendations for songs 105 00:06:06,440 --> 00:06:10,120 Speaker 1: from Sufion Stevens's five disc Christmas album, and put the 106 00:06:10,200 --> 00:06:12,040 Speaker 1: Lights on the Tree is the one that I'm I'm 107 00:06:12,080 --> 00:06:17,240 Speaker 1: going with, Okay, Heather the Yinzer on Patreon recommends Careless 108 00:06:17,279 --> 00:06:20,520 Speaker 1: Santa by the Great Lincoln Sudbury High School Band They 109 00:06:20,600 --> 00:06:24,240 Speaker 1: might be Giants. This song gets special consideration not only 110 00:06:24,279 --> 00:06:26,840 Speaker 1: because these dudes are from Massachusetts, but because it's got 111 00:06:26,920 --> 00:06:29,960 Speaker 1: a heavy crime element to it as well. And I 112 00:06:29,960 --> 00:06:32,240 Speaker 1: didn't know about this tune, not at all. But I 113 00:06:32,320 --> 00:06:35,960 Speaker 1: did know about Horatio Sands and Julian Casablancas. I don't 114 00:06:35,960 --> 00:06:38,640 Speaker 1: care what your mama says. Christmas time is here, and 115 00:06:39,560 --> 00:06:41,680 Speaker 1: I'm throwing that one into the mix. And now we've 116 00:06:41,720 --> 00:06:44,919 Speaker 1: got ten songs for our side one, all right. We 117 00:06:45,080 --> 00:06:47,960 Speaker 1: just ripped through ten there pretty quickly, and we haven't 118 00:06:48,040 --> 00:06:53,719 Speaker 1: yet mentioned, not even one band Christmas song or potentially 119 00:06:53,800 --> 00:06:58,400 Speaker 1: banned Christmas or censored Christmas song. This is a weird list. 120 00:06:59,120 --> 00:07:01,880 Speaker 1: People get up tight hey about Christmas songs, man, whether 121 00:07:01,920 --> 00:07:06,640 Speaker 1: it's seemingly innocuous tune like it's beginning to look a 122 00:07:06,640 --> 00:07:09,920 Speaker 1: lot like Christmas, or I saw Mommy kissing Santa Claus, 123 00:07:10,840 --> 00:07:14,440 Speaker 1: or perhaps something a little more explicit from the likes 124 00:07:14,480 --> 00:07:18,040 Speaker 1: of Easy or Blowfly even We're going to be talking 125 00:07:18,040 --> 00:07:21,280 Speaker 1: about some of our more innocuous Christmas songs that were 126 00:07:21,320 --> 00:07:24,320 Speaker 1: banned or censored for music history, and we're going to 127 00:07:24,360 --> 00:07:27,400 Speaker 1: give you list of those tunes. You know, A adds 128 00:07:27,400 --> 00:07:29,280 Speaker 1: some others too that I don't want to say are 129 00:07:29,440 --> 00:07:32,040 Speaker 1: we're worthy of being censored. But there's a list of 130 00:07:32,120 --> 00:07:35,840 Speaker 1: absolutely filthy Christmas songs that are not only riskuy, but 131 00:07:35,880 --> 00:07:37,720 Speaker 1: they're kind of hilarious. And we're going to get into 132 00:07:37,760 --> 00:07:40,200 Speaker 1: these as well, and also going to talk about the 133 00:07:40,240 --> 00:07:44,440 Speaker 1: new viral deep fake Ella Fitzgerald so called band Christmas 134 00:07:44,480 --> 00:07:46,120 Speaker 1: song that's going to show up in your feed today. 135 00:07:46,200 --> 00:07:49,120 Speaker 1: Don't doubt as you scroll on the Gram and TikTok 136 00:07:49,840 --> 00:07:52,720 Speaker 1: all that's coming in the exclusive section of Today's after Party, 137 00:07:52,720 --> 00:07:54,520 Speaker 1: go to Disgrace aandpod dot com to sign up and 138 00:07:54,520 --> 00:07:56,560 Speaker 1: become a Disgrace and All Access member to get in 139 00:07:56,680 --> 00:08:00,120 Speaker 1: on this conversation. All right, speaking of Christmas songs, it 140 00:08:00,160 --> 00:08:03,120 Speaker 1: should be banned. We've got miss All I Want for Christmas, 141 00:08:03,120 --> 00:08:05,720 Speaker 1: Mariah Carey coming up in the rewind slot tomorrow and 142 00:08:05,760 --> 00:08:09,120 Speaker 1: then next week when Christmas finally gets here on Tuesday, 143 00:08:09,720 --> 00:08:12,240 Speaker 1: not the Christmas is on Tuesday, but on Tuesday in 144 00:08:12,320 --> 00:08:15,160 Speaker 1: the Disgrace Sland feed, we're going to be celebrating by 145 00:08:15,200 --> 00:08:18,320 Speaker 1: playing Russian Roulette with Johnny Ace and none other than 146 00:08:18,440 --> 00:08:21,480 Speaker 1: Elvis Presley the King himself, So don't miss those episodes. 147 00:08:22,480 --> 00:08:25,640 Speaker 1: Next after this break, we're going to get into your voicemails, 148 00:08:25,760 --> 00:08:28,760 Speaker 1: in your texts and your emails, and we're going to 149 00:08:28,840 --> 00:08:31,240 Speaker 1: figure outside two of our non traditional Christmas list. Don't 150 00:08:31,240 --> 00:08:53,080 Speaker 1: go anywhere back after this. All right, guys, we are back. 151 00:08:53,200 --> 00:08:56,280 Speaker 1: Last segment, I mentioned our Elvis Presley Johnny Ace episode, 152 00:08:56,280 --> 00:08:58,360 Speaker 1: and I wanted to mention that a couple of days ago, 153 00:08:58,360 --> 00:09:01,600 Speaker 1: I went onto the excellent pot podcast Ridiculous History and 154 00:09:01,600 --> 00:09:04,600 Speaker 1: talk to my guys Noel and Ben about the Johnny 155 00:09:04,600 --> 00:09:09,439 Speaker 1: Ace story. That episode is available wherever you get your podcasts, 156 00:09:09,520 --> 00:09:12,320 Speaker 1: so check that out. Pledging My Love, the Johnny A song, 157 00:09:12,400 --> 00:09:15,240 Speaker 1: deserves to go on our list for sure. It is 158 00:09:15,360 --> 00:09:18,559 Speaker 1: unintentionally Christmas. And that's what happens when you accidentally shoot 159 00:09:18,559 --> 00:09:21,360 Speaker 1: yourself in the head on Christmas at the same exact 160 00:09:21,400 --> 00:09:23,880 Speaker 1: time you release your new single. That single becomes an 161 00:09:23,960 --> 00:09:27,560 Speaker 1: unintentional Christmas song. All right. So Pledging My Love, the 162 00:09:27,600 --> 00:09:30,200 Speaker 1: song by Johnny Ace and the Elvis Presley cover, the 163 00:09:30,240 --> 00:09:35,400 Speaker 1: subject of next week's Disgraceland episode. Both versions have made 164 00:09:35,600 --> 00:09:39,040 Speaker 1: our Christmas Mix. And just for the record, I found 165 00:09:39,120 --> 00:09:43,240 Speaker 1: a great copy of Johnny Ace's memorial album, the record 166 00:09:43,559 --> 00:09:46,920 Speaker 1: featuring Pledging My Love, that was released after his death. 167 00:09:46,960 --> 00:09:50,400 Speaker 1: I was up in Boston last weekend, visited Stereo Jacks 168 00:09:50,480 --> 00:09:55,199 Speaker 1: and Somerville and damn man, anyone, anyone from Boston, Somerville, Cambridge. 169 00:09:55,440 --> 00:09:58,400 Speaker 1: You want to know what a great record store is, 170 00:09:58,960 --> 00:10:02,600 Speaker 1: go to Stereo Jacks in Summerville. And I don't mean 171 00:10:02,679 --> 00:10:04,720 Speaker 1: I'm not going by vibe, though the vibe is great. 172 00:10:05,200 --> 00:10:10,920 Speaker 1: I'm going by just the collection, the volume, what's available. 173 00:10:11,640 --> 00:10:17,200 Speaker 1: My goodness, it's tremendous. I spent an obscene amount of money. 174 00:10:17,240 --> 00:10:20,200 Speaker 1: Now granted, I bought a ton of records for Christmas gifts. 175 00:10:20,200 --> 00:10:23,760 Speaker 1: So that's I only bought. I bought like, I bought 176 00:10:23,760 --> 00:10:26,760 Speaker 1: the Johnny Ace record for myself, bought myself an old 177 00:10:26,800 --> 00:10:33,360 Speaker 1: Boston Boston Rock Christmas compilation with SSD and the Del 178 00:10:33,400 --> 00:10:35,560 Speaker 1: Fuegos on it, which I didn't know existed. And I 179 00:10:35,600 --> 00:10:41,880 Speaker 1: got this fantastic Dave Brubeck Christmas album from nineteen ninety 180 00:10:41,920 --> 00:10:45,120 Speaker 1: six that I had no idea existed. Matt Body, you 181 00:10:45,160 --> 00:10:47,760 Speaker 1: got to check this out. You probably already have it 182 00:10:48,280 --> 00:10:51,959 Speaker 1: if you guys are into into jazz and you want 183 00:10:52,000 --> 00:10:58,880 Speaker 1: to hear like really unique, unique takes on traditional Christmas songs. 184 00:10:59,520 --> 00:11:03,760 Speaker 1: This Brubeck double album of Christmas Jams from nineteen ninety six, 185 00:11:03,760 --> 00:11:06,680 Speaker 1: I think it's just called the Dave Brubeck Christmas is great. 186 00:11:07,160 --> 00:11:10,079 Speaker 1: I got that at Stereo Jacks as well. And then 187 00:11:10,080 --> 00:11:11,920 Speaker 1: I just I just bought a bunch of blues records 188 00:11:11,920 --> 00:11:15,800 Speaker 1: for my stepdad, and a bunch of soul and R 189 00:11:15,840 --> 00:11:20,200 Speaker 1: and B records from my mom. Got my godson something, 190 00:11:20,280 --> 00:11:22,360 Speaker 1: got my godmother something. Get a bunch of stuff, but 191 00:11:22,600 --> 00:11:25,240 Speaker 1: just stereo Jacks. If you haven't been in a while, 192 00:11:25,320 --> 00:11:27,720 Speaker 1: if you just remember the sign from massav and Cambridge 193 00:11:27,720 --> 00:11:31,360 Speaker 1: between between Harvard and Porter Square, and you're like, yeah, 194 00:11:31,360 --> 00:11:33,880 Speaker 1: I know that place that sounds familiar, and you think 195 00:11:33,920 --> 00:11:37,440 Speaker 1: you know what it is. You don't know, Like go go, 196 00:11:37,880 --> 00:11:41,000 Speaker 1: it has so much, so much, it's incredible. Check it out, 197 00:11:41,320 --> 00:11:44,559 Speaker 1: all right, let's check out your uh let's get to 198 00:11:44,640 --> 00:11:46,800 Speaker 1: some voicemails and calls here six one seven nine oh 199 00:11:46,840 --> 00:11:50,199 Speaker 1: six six six three eight. The call was put out 200 00:11:50,280 --> 00:11:52,480 Speaker 1: last week on We're talking about the band must be 201 00:11:52,559 --> 00:11:55,240 Speaker 1: Christmas Tonight, Christmas must be Tonight, and we're talking about 202 00:11:55,280 --> 00:11:58,600 Speaker 1: non traditional Christmas songs and you guys get back to 203 00:11:58,640 --> 00:12:00,560 Speaker 1: me full throated. Let's hear from the two. 204 00:12:00,760 --> 00:12:04,720 Speaker 3: Six Jayka, what's going on? It's Tony from the two six. 205 00:12:05,040 --> 00:12:07,679 Speaker 3: I'm gonna go ahead and get right to answer your 206 00:12:07,760 --> 00:12:10,800 Speaker 3: question what my favorite Christmas song is? I actually have 207 00:12:10,960 --> 00:12:14,520 Speaker 3: two that are fighting for the number one spot, and 208 00:12:14,559 --> 00:12:18,000 Speaker 3: not just of my favorite Christmas song, but arguably the 209 00:12:18,000 --> 00:12:21,640 Speaker 3: most obscure Christmas song, meaning you got to dive deep 210 00:12:21,679 --> 00:12:26,120 Speaker 3: define these. A casual Christmas music listener nine times out 211 00:12:26,160 --> 00:12:29,240 Speaker 3: ten hasn't heard these. But the first one is Thank 212 00:12:29,320 --> 00:12:33,280 Speaker 3: God It's Christmas by Queen, which is a phenomenal song 213 00:12:33,760 --> 00:12:36,839 Speaker 3: The second one was actually a b side by the 214 00:12:36,920 --> 00:12:41,160 Speaker 3: artist himself, Prince. It's called Another Lonely Christmas, which in 215 00:12:41,240 --> 00:12:44,240 Speaker 3: my opinion is kind of his version of Blue Christmas 216 00:12:44,240 --> 00:12:46,400 Speaker 3: if you listen to it. So I'm going to issue 217 00:12:46,400 --> 00:12:48,240 Speaker 3: a challenge, my brother. I want you to listen to 218 00:12:48,240 --> 00:12:52,480 Speaker 3: both those songs and hopefully you'll give me your thoughts 219 00:12:52,559 --> 00:12:56,120 Speaker 3: on them when you do your bonus episode this week. 220 00:12:56,120 --> 00:12:58,640 Speaker 3: I'd love to hear your thoughts on both those songs, 221 00:12:58,720 --> 00:13:01,320 Speaker 3: if you have or if you haven't heard them. And 222 00:13:01,320 --> 00:13:03,120 Speaker 3: then also one more thing I wanted to say. 223 00:13:03,800 --> 00:13:08,160 Speaker 4: If Mariah Carey is the Queen of Christmas, I think 224 00:13:08,160 --> 00:13:10,199 Speaker 4: it's only right. We give George Michael the title of 225 00:13:10,320 --> 00:13:14,480 Speaker 4: king every year we hear last Christmas, so I think 226 00:13:14,480 --> 00:13:17,280 Speaker 4: it's only right. All right, brother, Well listen, Merry Christmas, 227 00:13:17,280 --> 00:13:20,240 Speaker 4: Happy Holidays to you and yours. Say faith out there 228 00:13:20,280 --> 00:13:22,200 Speaker 4: and stay warm. Rock and roller. 229 00:13:22,360 --> 00:13:27,280 Speaker 1: Tony two great recommendations here. Of the two, i'd heard 230 00:13:27,280 --> 00:13:29,120 Speaker 1: the Queen one, never heard the Prince one, went and 231 00:13:29,240 --> 00:13:30,920 Speaker 1: went and checked it out. I love the princes thing here. 232 00:13:30,960 --> 00:13:36,040 Speaker 1: It's fantastic. It's just weird enough for a prince, and 233 00:13:36,400 --> 00:13:38,040 Speaker 1: just weird enough I think to not be a hit, 234 00:13:39,360 --> 00:13:41,120 Speaker 1: but it's great and I love it, and it's going 235 00:13:41,160 --> 00:13:42,720 Speaker 1: on the mix, and we'll put both of them on 236 00:13:42,760 --> 00:13:46,120 Speaker 1: the mix. Four one two text in, let's read this 237 00:13:46,160 --> 00:13:47,880 Speaker 1: one here. I want to read the whole thing here, 238 00:13:47,960 --> 00:13:50,200 Speaker 1: not just the recommendation. Four one two rets and hey, 239 00:13:50,200 --> 00:13:53,200 Speaker 1: probably the best monologue yet. Shane made the most amazing 240 00:13:53,280 --> 00:13:58,360 Speaker 1: Christmas song of decades. My favorite cover of the McGowan 241 00:13:58,760 --> 00:14:03,119 Speaker 1: fairy Tale of New York is in A Very Murray Christmas, 242 00:14:03,240 --> 00:14:06,240 Speaker 1: the late great buster David. He's talking about David Johansson 243 00:14:06,559 --> 00:14:10,800 Speaker 1: and the annoyingly lovable Paul good job, bro Okay, So 244 00:14:11,120 --> 00:14:15,200 Speaker 1: uh yeah, Very Murray Christmas is fantastic, and the David 245 00:14:15,280 --> 00:14:19,640 Speaker 1: Johanson stuff is especially great in that movie. So hold on, 246 00:14:20,240 --> 00:14:24,080 Speaker 1: someone else recommended, does David Johanson? Yeah, David Johansson cover 247 00:14:24,200 --> 00:14:27,040 Speaker 1: I saw the Light in that the rud Gren tune. 248 00:14:27,120 --> 00:14:29,520 Speaker 1: I believe someone else recommended that to us. That's kind 249 00:14:29,520 --> 00:14:32,080 Speaker 1: of an unintentional Christmas song, but I like it. I 250 00:14:32,200 --> 00:14:34,520 Speaker 1: like it. So both are going on the mix. All right, 251 00:14:34,600 --> 00:14:38,720 Speaker 1: Let's check out the text here. I wrote down from 252 00:14:38,760 --> 00:14:42,520 Speaker 1: the three to nine, Jake, it's Ryan from the three 253 00:14:42,600 --> 00:14:44,840 Speaker 1: oh nine, and I don't have a topic. But in 254 00:14:44,880 --> 00:14:47,440 Speaker 1: lieu of Christmas season, there's a Christmas song. I'm not 255 00:14:47,440 --> 00:14:49,280 Speaker 1: sure you're gonna know of it, but it's by Blink 256 00:14:49,320 --> 00:14:52,440 Speaker 1: one two and it's off there Take Off Your Pants 257 00:14:52,440 --> 00:14:55,360 Speaker 1: and Jacket album. The song is called Happy Holidays, you bastard. 258 00:14:55,520 --> 00:14:58,760 Speaker 1: Give it a listen. Happy Holidays, Jake in the rest 259 00:14:58,840 --> 00:15:02,200 Speaker 1: of the double elvis. I am familiar with the song 260 00:15:02,480 --> 00:15:03,880 Speaker 1: and I love it. We can put that on the 261 00:15:03,920 --> 00:15:06,440 Speaker 1: mix as well. A little Blink one two shout out, 262 00:15:06,480 --> 00:15:08,960 Speaker 1: Tom DeLong, shout out to all the aliens out there, 263 00:15:09,000 --> 00:15:13,400 Speaker 1: all the extraterrestrials, all the ultra terrestrials. Happy Holidays, guys. 264 00:15:13,760 --> 00:15:16,680 Speaker 1: I know you're watching and listening. Nine seven to one 265 00:15:16,800 --> 00:15:20,080 Speaker 1: text in Hey Jake, Jeff here from Oregon. This may 266 00:15:20,120 --> 00:15:23,160 Speaker 1: be late, but a great, very unknown Christmas album that 267 00:15:23,200 --> 00:15:28,520 Speaker 1: I love is Chet Baker's masterpiece, Silent Nights. All that 268 00:15:28,600 --> 00:15:30,360 Speaker 1: I know is that it was released in nineteen eighty six. 269 00:15:30,400 --> 00:15:33,120 Speaker 1: It isn't available on Spotify due to some licensing nonsense, 270 00:15:33,360 --> 00:15:35,840 Speaker 1: and it sounds like a cry for help or drug money. 271 00:15:36,360 --> 00:15:39,960 Speaker 1: That sounds like Chet Baker crying for help and drug money. 272 00:15:40,600 --> 00:15:43,680 Speaker 1: Some songs feel rushed and scattered, and others are coated 273 00:15:43,760 --> 00:15:47,160 Speaker 1: in that sugary, thick bourbonesque chet baker feel. In other words, 274 00:15:47,160 --> 00:15:51,120 Speaker 1: it's fantastic, good luck fine in a copy though, Merry Christmas, Jake, Well, 275 00:15:51,160 --> 00:15:54,000 Speaker 1: you know, maybe I can find it at at Stereo. Jack's. 276 00:15:54,160 --> 00:15:56,560 Speaker 1: Feels like the type of record they'd have there. Nine 277 00:15:56,760 --> 00:16:00,200 Speaker 1: seven to one. Thanks for the recommendation, appreciate it and 278 00:16:00,240 --> 00:16:02,680 Speaker 1: text in, Hey, Jake, here's another Christmas song that is 279 00:16:02,720 --> 00:16:05,360 Speaker 1: not on most people's radar. Emmanuel You're One of Us 280 00:16:05,400 --> 00:16:08,400 Speaker 1: by Ren Collective featuring Ellie Holcom. It came out in 281 00:16:08,400 --> 00:16:11,760 Speaker 1: twenty twenty as part of a compilation album called A 282 00:16:11,840 --> 00:16:14,400 Speaker 1: Jolly Irish Christmas Volume Too. It's stopped me in my 283 00:16:14,480 --> 00:16:16,360 Speaker 1: tracks when I heard it. I thought of it when 284 00:16:16,360 --> 00:16:18,400 Speaker 1: you told us about Christmas must be tonight during the 285 00:16:18,440 --> 00:16:21,040 Speaker 1: Last After Party episode. This is Lisa from the nine 286 00:16:21,080 --> 00:16:23,560 Speaker 1: oh seven. Lisa from the nine oh seven. Thanks very much, 287 00:16:23,600 --> 00:16:25,920 Speaker 1: great recommendation. I'm going to throw that one on the 288 00:16:25,960 --> 00:16:29,920 Speaker 1: list here seven seven five writes in and reminds us 289 00:16:30,160 --> 00:16:34,840 Speaker 1: of the squirrel Nut Zipper song Johnny Ace Christmas. We 290 00:16:34,920 --> 00:16:37,040 Speaker 1: know what that's in reference to, you guys, all right, 291 00:16:37,080 --> 00:16:41,280 Speaker 1: so it looks like we need two more to give 292 00:16:41,360 --> 00:16:44,560 Speaker 1: us a total of ten more songs for side B. 293 00:16:45,560 --> 00:16:48,280 Speaker 1: Let's go to the old email machine. This one from 294 00:16:48,560 --> 00:16:52,280 Speaker 1: Scott Ward, who writes in Jake, you magnificent bastard. My 295 00:16:52,480 --> 00:16:54,720 Speaker 1: choice is one you mentioned in the recent Merle Haggard 296 00:16:54,760 --> 00:16:56,960 Speaker 1: episode if We Make It Through December. Yes, it appeared 297 00:16:56,960 --> 00:16:59,200 Speaker 1: on Hagg's Christmas album, but the single was released in 298 00:16:59,240 --> 00:17:02,600 Speaker 1: October and Country Radio played a year round back during 299 00:17:02,640 --> 00:17:05,960 Speaker 1: Haggs Heyday, that's my choice. Thanks for what you do. 300 00:17:06,280 --> 00:17:08,679 Speaker 1: I'm asking for a subscription as a gift this season. 301 00:17:08,880 --> 00:17:12,000 Speaker 1: Love that, Scott Ward. We will see you in the 302 00:17:12,200 --> 00:17:15,720 Speaker 1: exclusive section of the after Party and in the Patreon chat. 303 00:17:16,160 --> 00:17:19,240 Speaker 1: And yeah, of course Haggs If We Make It Through 304 00:17:19,240 --> 00:17:22,920 Speaker 1: December is going on the list. Craig Cannon emails us. 305 00:17:23,240 --> 00:17:26,119 Speaker 1: Craig says, hey, good day mate. Thank you from Australia 306 00:17:26,160 --> 00:17:29,080 Speaker 1: for such a great podcast. I'm sure it's been mentioned before, 307 00:17:29,119 --> 00:17:32,480 Speaker 1: but we'd like to add again in Aussie's favorite Paul 308 00:17:32,600 --> 00:17:36,280 Speaker 1: Kelly's How to Make Gravy. It's very Australian and well 309 00:17:36,280 --> 00:17:38,440 Speaker 1: worth a mention from across the other side of the world. 310 00:17:38,520 --> 00:17:41,560 Speaker 1: Merry Christmas and happy New Year, or should I say 311 00:17:41,680 --> 00:17:45,280 Speaker 1: Mary Siplis and a happy Gonorrhea Craig Well, well put 312 00:17:45,320 --> 00:17:48,359 Speaker 1: there at the end, Craig Yeah. I love this Paul 313 00:17:48,440 --> 00:17:50,400 Speaker 1: Kelly tune. It was brought to my attention a couple 314 00:17:50,440 --> 00:17:52,760 Speaker 1: of years ago by our Australian listeners. Might have just 315 00:17:52,760 --> 00:17:57,960 Speaker 1: been last year, fairly recently great song and absolutely going 316 00:17:58,000 --> 00:18:01,920 Speaker 1: on the mix Paul Kelly's how to Make Gravy six 317 00:18:02,080 --> 00:18:04,560 Speaker 1: one seven nine oh six six six three eight voicemail 318 00:18:04,640 --> 00:18:08,040 Speaker 1: and text at disgracelamppod dot com. Hit me on the 319 00:18:08,040 --> 00:18:10,320 Speaker 1: Socialist Disgrace lampod at gmail dot com to email me. 320 00:18:10,440 --> 00:18:12,920 Speaker 1: What I'd like, uh for you guys to think about 321 00:18:13,119 --> 00:18:16,400 Speaker 1: this week is you know, this is great. I love 322 00:18:16,440 --> 00:18:18,600 Speaker 1: the non traditional Christmas music, but we got one more 323 00:18:18,600 --> 00:18:22,720 Speaker 1: week of content here before Christmas and we're going to 324 00:18:22,760 --> 00:18:25,200 Speaker 1: get into the after party next week, which I think 325 00:18:25,240 --> 00:18:27,439 Speaker 1: falls on Christmas Day? Is that right? Or is it 326 00:18:27,440 --> 00:18:30,639 Speaker 1: the day after Christmas? Let's see here, Thursday is no 327 00:18:30,800 --> 00:18:35,120 Speaker 1: Christmas Day, Christmas Day after party. So what I want 328 00:18:35,160 --> 00:18:39,719 Speaker 1: to talk about is unintentional Christmas song. Somebody last week 329 00:18:40,280 --> 00:18:43,080 Speaker 1: mentioned God Only Knows by the Beach Boys as an 330 00:18:43,200 --> 00:18:46,480 Speaker 1: unintentional Christmas song, and I can get with that. I 331 00:18:46,520 --> 00:18:49,080 Speaker 1: can also get with the Johnny Ace pledge in My Love. 332 00:18:49,400 --> 00:18:52,439 Speaker 1: And there's probably about ten others we can get to, 333 00:18:52,640 --> 00:18:55,439 Speaker 1: or twenty. There's a ton. Just as Diehard is an 334 00:18:55,520 --> 00:18:58,720 Speaker 1: unintentional Christmas movie, just as Good Fellows is an unintentional 335 00:18:58,840 --> 00:19:05,199 Speaker 1: Christmas movie. What are some unintentional Christmas or Holiday songs? 336 00:19:05,240 --> 00:19:08,080 Speaker 1: Six one seven nine oh six six six three eight 337 00:19:08,160 --> 00:19:12,640 Speaker 1: voicemail text at Disgrace sam Pod on Socials Disgrace sampod 338 00:19:12,720 --> 00:19:15,560 Speaker 1: at gmail dot com via email to hit me up 339 00:19:15,600 --> 00:19:19,359 Speaker 1: with your answers now. I will be back right after 340 00:19:19,400 --> 00:19:22,600 Speaker 1: this with the track listing for this new mix of 341 00:19:22,720 --> 00:19:27,160 Speaker 1: non traditional Christmas songs. This playlist that we were making here, 342 00:19:27,600 --> 00:19:30,359 Speaker 1: and I'll have information on where you can find this 343 00:19:30,400 --> 00:19:32,840 Speaker 1: playlist and where you can listen to it. Back after this, 344 00:19:48,359 --> 00:19:50,760 Speaker 1: all right, Thanks to everybody who submitted songs. We've got 345 00:19:50,880 --> 00:19:54,600 Speaker 1: twenty songs now, and here's how I'm sequencing them for 346 00:19:54,720 --> 00:19:59,840 Speaker 1: our new mix, entitled a Non Tradition Christmash in Disgrace. 347 00:20:00,480 --> 00:20:03,560 Speaker 1: Side one. We're gonna kick it off with fairy Tale 348 00:20:03,560 --> 00:20:05,920 Speaker 1: of New York by the POGs. Then we're gonna lean 349 00:20:05,960 --> 00:20:10,280 Speaker 1: into another Lonely Christmas by Prince straight into two Thousand 350 00:20:10,320 --> 00:20:14,120 Speaker 1: Miles by the Pretenders. From there we head down under 351 00:20:14,160 --> 00:20:17,240 Speaker 1: to how to Make Gravy with Paul Kelly. Christmas was 352 00:20:17,280 --> 00:20:20,320 Speaker 1: Better in the eighties by the Future Heads. Put the 353 00:20:20,440 --> 00:20:24,480 Speaker 1: Lights on the Tree by Sufion Stevens, A Christmas Treat 354 00:20:24,480 --> 00:20:29,480 Speaker 1: by Julian and Casablancis, Johnny Yace Christmas by Squirrel mud Zippers, 355 00:20:29,720 --> 00:20:32,480 Speaker 1: and then we end side one with Pledging My Love 356 00:20:32,760 --> 00:20:35,520 Speaker 1: by Johnny Yace. All right, that's a hell of a 357 00:20:35,600 --> 00:20:39,679 Speaker 1: side one of non traditional Christmas songs. Side two leading 358 00:20:39,720 --> 00:20:43,399 Speaker 1: off in the number one spot taking us all the 359 00:20:43,480 --> 00:20:47,840 Speaker 1: way home the band with Christmas must be Tonight. Next 360 00:20:47,920 --> 00:20:53,200 Speaker 1: up winter Man by Clarence Reid, straight into Christmas. Card 361 00:20:53,280 --> 00:20:57,320 Speaker 1: to a Hooker in Minneapolis by Tom Waits, Careless Sanna 362 00:20:57,400 --> 00:21:00,960 Speaker 1: by They Might Be Giants, I Saw the Light Todd Rudgren. 363 00:21:01,280 --> 00:21:05,960 Speaker 1: Thank God It's Christmas by Queen God Reste, Mary, Gentlemen Dio, 364 00:21:06,119 --> 00:21:10,360 Speaker 1: Ronnie James Dio. That is in Tony Iomi into Emmanuel, 365 00:21:10,440 --> 00:21:13,800 Speaker 1: You're one of us, Render Collective and Ellie hocom If 366 00:21:13,840 --> 00:21:16,600 Speaker 1: we make it through December by Merle Haggard, And we 367 00:21:16,840 --> 00:21:21,919 Speaker 1: end our mix with the King himself his cover of 368 00:21:22,040 --> 00:21:26,280 Speaker 1: Johnny Ace's Pledging My Love. All right, this mix is done. 369 00:21:26,600 --> 00:21:29,400 Speaker 1: It's up. I'll post a link to the playlist on 370 00:21:29,440 --> 00:21:32,720 Speaker 1: our Patreon, or you can just follow Disgrace Lampod on 371 00:21:32,760 --> 00:21:35,520 Speaker 1: Spotify and you can cop it there. I'll probably get 372 00:21:35,520 --> 00:21:38,879 Speaker 1: it up on Instagram as well, but again Patreon if 373 00:21:38,960 --> 00:21:41,520 Speaker 1: you really want to dive in. Speaking of Patreon, have 374 00:21:41,560 --> 00:21:44,439 Speaker 1: you guys seen our new video podcast. This film should 375 00:21:44,440 --> 00:21:48,159 Speaker 1: be played loud. This is a new monthly video podcast 376 00:21:48,359 --> 00:21:51,919 Speaker 1: that I am doing with doctor Zeth Lundy, where we 377 00:21:52,000 --> 00:21:57,119 Speaker 1: discuss the convergence of our two favorite things, music and film. 378 00:21:57,440 --> 00:22:02,159 Speaker 1: We pick one movie per episode. Our inaugural episode was 379 00:22:02,200 --> 00:22:06,040 Speaker 1: on Goodfellas, and we go through the soundtrack and or 380 00:22:06,119 --> 00:22:09,200 Speaker 1: the score if there is one, all the great needle drops, 381 00:22:09,240 --> 00:22:13,359 Speaker 1: all the fantastic moments in these films that we love, 382 00:22:13,600 --> 00:22:18,600 Speaker 1: these moments, however, that are elevated by incredible music. Okay, 383 00:22:19,000 --> 00:22:21,760 Speaker 1: we did Goodfellas, that was the first one. I'm not 384 00:22:21,800 --> 00:22:24,600 Speaker 1: sure what we're doing for a next month's episode. I'm 385 00:22:24,640 --> 00:22:27,359 Speaker 1: not sure which movie we're gonna cover, so hit us 386 00:22:27,440 --> 00:22:30,760 Speaker 1: up with some recommendations. We've talked a lot about Dazed 387 00:22:30,760 --> 00:22:36,119 Speaker 1: and Confused, Trained Spotting, Rachel getting married? What else do 388 00:22:36,200 --> 00:22:39,400 Speaker 1: we discuss? All quiet on the Western front. This is 389 00:22:39,400 --> 00:22:41,920 Speaker 1: a whole bunch of movies that we could do here, 390 00:22:41,960 --> 00:22:44,119 Speaker 1: pulp fiction, Once upon a Time in Hollywood, all the 391 00:22:44,160 --> 00:22:48,280 Speaker 1: great Tarantino movies. Anyways, this film should be played loud. 392 00:22:48,560 --> 00:22:51,920 Speaker 1: That's the name of this new podcast where it's video 393 00:22:51,920 --> 00:22:54,000 Speaker 1: podcast again, and we're bringing it to you once a month. 394 00:22:54,040 --> 00:22:55,920 Speaker 1: You gotta be a Patreon member to copy that, which 395 00:22:56,000 --> 00:22:58,479 Speaker 1: is easy to do. Just go to disgrace sampod dot 396 00:22:58,520 --> 00:23:01,520 Speaker 1: com to sign up and become an all access member 397 00:23:01,680 --> 00:23:04,080 Speaker 1: today so you don't miss an episode of any of 398 00:23:04,119 --> 00:23:07,280 Speaker 1: our exclusive content. All right, why don't we give you 399 00:23:07,320 --> 00:23:11,800 Speaker 1: guys a little taste of this film should be played loud? Matt, 400 00:23:12,200 --> 00:23:17,439 Speaker 1: go ahead and give him a little clip. So, and 401 00:23:18,240 --> 00:23:23,560 Speaker 1: just like the Rolling Stones in nineteen ninety were fucking dead, 402 00:23:24,840 --> 00:23:27,080 Speaker 1: Clapton was nothing in nineteen ninety. 403 00:23:27,240 --> 00:23:28,359 Speaker 2: Yeah, I mean. 404 00:23:28,359 --> 00:23:33,040 Speaker 1: The lamest, you know, like my friend's dad's like Derek Clapton, 405 00:23:33,119 --> 00:23:33,720 Speaker 1: you know what I mean. 406 00:23:33,800 --> 00:23:36,240 Speaker 2: There was that whole we joke about this, but it's 407 00:23:36,240 --> 00:23:40,880 Speaker 2: that whole divorce Rock era really is. What's that shit? 408 00:23:40,920 --> 00:23:42,000 Speaker 2: What was that record? He had out. 409 00:23:42,000 --> 00:23:45,760 Speaker 1: It was that's not the one, it's uh, it's promises. 410 00:23:45,800 --> 00:23:47,840 Speaker 1: He is a song promise I love, I love that ship. 411 00:23:47,920 --> 00:23:48,520 Speaker 1: Now that's the thing. 412 00:23:48,640 --> 00:23:50,320 Speaker 2: No, I do too, hold on. But he had a 413 00:23:50,800 --> 00:23:53,600 Speaker 2: like he had this incredible divorce rock record out at 414 00:23:53,600 --> 00:23:56,880 Speaker 2: that time. Journeyman came out in nineteen eighty nine. Journeyman 415 00:23:57,040 --> 00:24:01,760 Speaker 2: had Pretending Running on Faith, Bad Love, No Alibis. This 416 00:24:01,920 --> 00:24:06,960 Speaker 2: was like the super slick Aoar Eric Clapton, which which 417 00:24:07,240 --> 00:24:12,040 Speaker 2: sort of made him uh, super lame love. 418 00:24:16,800 --> 00:24:20,080 Speaker 1: Yeah, the I think the eyeshot, the sheriff shot stuff 419 00:24:20,119 --> 00:24:22,600 Speaker 1: is like nineteen eighty nineteen eighty one, that's okay, and 420 00:24:22,640 --> 00:24:26,560 Speaker 1: then it's bad. And then he has a Scorsese yeah, 421 00:24:26,600 --> 00:24:29,040 Speaker 1: like rise again with Color of Money. 422 00:24:28,880 --> 00:24:37,520 Speaker 2: Or Money, which is also lame. 423 00:24:37,560 --> 00:24:39,440 Speaker 1: I was like, this is like a fucking Miller. 424 00:24:39,200 --> 00:24:41,520 Speaker 2: Like it's latest. Well I know, but that's that's what 425 00:24:41,560 --> 00:24:43,600 Speaker 2: makes that movie so great. It's like the Phil Collinson 426 00:24:43,640 --> 00:24:45,520 Speaker 2: in that movie as well, Like it makes that it's 427 00:24:45,600 --> 00:24:46,600 Speaker 2: of that time, you know. 428 00:24:46,720 --> 00:24:54,200 Speaker 1: Yeah, yeah, Color of Money is it's it's essential. 429 00:24:54,280 --> 00:24:59,120 Speaker 2: It's amazing essential. Really, it's essential. It's essential. Scorsese, Yes, yeah, 430 00:24:59,480 --> 00:24:59,879 Speaker 2: it's it. 431 00:25:00,359 --> 00:25:02,679 Speaker 1: You know. Tom Cruise could have done nothing after that, 432 00:25:02,720 --> 00:25:04,520 Speaker 1: and we would have been like, Tom Cruise is fucking 433 00:25:04,720 --> 00:25:05,199 Speaker 1: the man. 434 00:25:05,280 --> 00:25:07,080 Speaker 2: He's amazing in that he's incredible. 435 00:25:07,720 --> 00:25:10,160 Speaker 1: Oh, that's real. The whole thing we're getting out track 436 00:25:10,280 --> 00:25:11,240 Speaker 1: with with Vince. 437 00:25:11,160 --> 00:25:13,159 Speaker 2: And just the fact that he's playing We don't have 438 00:25:13,200 --> 00:25:14,720 Speaker 2: to go in the weeds about this, but he's playing 439 00:25:15,040 --> 00:25:17,400 Speaker 2: Paul Newman. Thinks he's playing Tom Cruise, and Tom Cruise 440 00:25:17,440 --> 00:25:18,880 Speaker 2: has been playing Paul Newman the whole movie. 441 00:25:18,880 --> 00:25:22,320 Speaker 1: It's just as it is so good. It's so damn good. 442 00:25:22,960 --> 00:25:25,880 Speaker 1: All right, that is this film should be played loud. 443 00:25:25,960 --> 00:25:27,760 Speaker 1: You can hear that. Excuse me. You can watch that 444 00:25:28,320 --> 00:25:31,240 Speaker 1: on Patreon. Go to disgrace and pod dot com to 445 00:25:31,520 --> 00:25:35,800 Speaker 1: sign up. In addition to having access to this new 446 00:25:35,840 --> 00:25:38,439 Speaker 1: exclusive content, you're also going to get access to the 447 00:25:38,520 --> 00:25:42,639 Speaker 1: extended after Party bonus content. In today's all access portion 448 00:25:42,760 --> 00:25:46,439 Speaker 1: of the After Party, Zeth and I are discussing band 449 00:25:46,640 --> 00:25:50,960 Speaker 1: incensored Christmas songs as well as some pretty explicit Christmas 450 00:25:51,040 --> 00:25:54,760 Speaker 1: tunes that perhaps, well, I guess you could justify it. 451 00:25:54,800 --> 00:25:58,159 Speaker 1: If not justify it, you could understand if somebody wanted 452 00:25:58,200 --> 00:26:02,040 Speaker 1: to ban I'm never for banning or sensor anything, but anyhow, 453 00:26:02,359 --> 00:26:05,199 Speaker 1: we're going to get into all this. Some of it's 454 00:26:05,240 --> 00:26:09,199 Speaker 1: maddening and frustrating, and some of it is hysterical, and 455 00:26:09,480 --> 00:26:12,160 Speaker 1: as always, I have some fun with my men' zeth 456 00:26:12,240 --> 00:26:29,920 Speaker 1: here that's coming up right now. All right, welcome back. 457 00:26:30,160 --> 00:26:32,320 Speaker 1: We're about to land this plane. Before we do, I 458 00:26:32,320 --> 00:26:34,480 Speaker 1: should mention that we talked about Ronnie James Dio, and 459 00:26:34,480 --> 00:26:36,840 Speaker 1: we talked about Tony Iomi from Black Sabbath, and there 460 00:26:36,920 --> 00:26:39,199 Speaker 1: is a Black Sabbath episode in the archive for you 461 00:26:39,240 --> 00:26:44,280 Speaker 1: to check out right now. Also, we talked about Tom Waits. 462 00:26:44,720 --> 00:26:48,120 Speaker 1: We don't have a Tom Waits episode. We mentioned Tom 463 00:26:48,119 --> 00:26:51,280 Speaker 1: Waits because we're talking about Christmas card from Hooker in Minneapolis. 464 00:26:52,440 --> 00:26:56,920 Speaker 1: But there's this great Tom Waits story involves Elvis Costello 465 00:26:57,160 --> 00:26:59,840 Speaker 1: and Shane McGown. That's part of our mini episode from 466 00:27:00,000 --> 00:27:02,280 Speaker 1: this week, and you're gonna want to hear that. I 467 00:27:02,359 --> 00:27:05,000 Speaker 1: gotta get out of here. This episode is uh well, 468 00:27:05,200 --> 00:27:08,119 Speaker 1: I was supposed to be done with it like thirty 469 00:27:08,160 --> 00:27:11,159 Speaker 1: minutes ago, so I got to split. Anyhow, let's recap 470 00:27:11,200 --> 00:27:13,359 Speaker 1: real quick, all right. Number one, this week's episode on 471 00:27:13,440 --> 00:27:15,840 Speaker 1: Shane McGown is available for you all right now in 472 00:27:15,840 --> 00:27:18,320 Speaker 1: the feed. Number two, we got a new mini episode 473 00:27:18,400 --> 00:27:20,960 Speaker 1: like I just mentioned on Sean McGown, but with Tom 474 00:27:21,000 --> 00:27:24,760 Speaker 1: Waits and Elvis Costello. That's available for all Access members. 475 00:27:25,119 --> 00:27:27,679 Speaker 1: Rewind episode on Mariah Carey coming up right after this 476 00:27:27,800 --> 00:27:29,879 Speaker 1: and next week we've got our Johnny Ace and Elvis 477 00:27:29,880 --> 00:27:34,120 Speaker 1: Presley and Russian Roulette on Christmas episode number five. That's 478 00:27:34,119 --> 00:27:36,600 Speaker 1: is gonna give you all those Hollywood and crime vibes 479 00:27:36,600 --> 00:27:39,120 Speaker 1: in Hollywood Land. Check that out. Make sure you're subscribe 480 00:27:39,160 --> 00:27:42,040 Speaker 1: to that show. Six this film should be played loud. 481 00:27:42,200 --> 00:27:45,520 Speaker 1: Our new show with our new episode on the Goodfellas? 482 00:27:46,400 --> 00:27:51,160 Speaker 1: Did I say the Goodfellas? The Goodfellas on Goodfellas is 483 00:27:51,240 --> 00:27:52,880 Speaker 1: available right now. We've got to be a Patreon member 484 00:27:52,920 --> 00:27:54,840 Speaker 1: to cop that, So go to disgrace slampod dot com 485 00:27:54,840 --> 00:27:56,639 Speaker 1: to sign out number seven six one seven nine oh 486 00:27:56,640 --> 00:27:59,159 Speaker 1: six six six three eight your voice. It keeps us 487 00:27:59,200 --> 00:28:01,360 Speaker 1: digging into the dark corners of music history. So keep 488 00:28:01,400 --> 00:28:04,199 Speaker 1: calling text in with your answers, this week's question of 489 00:28:04,200 --> 00:28:06,080 Speaker 1: the week, or with whatever else you want to talk about. 490 00:28:06,160 --> 00:28:08,600 Speaker 1: Number eight. Don't forget this goes. This isn't just content. 491 00:28:08,840 --> 00:28:11,920 Speaker 1: It's a community, a community of the obsessed. No one 492 00:28:11,960 --> 00:28:14,040 Speaker 1: cares about music books records in the crime and crime 493 00:28:14,040 --> 00:28:15,960 Speaker 1: that ties them all together like you do. And well 494 00:28:15,960 --> 00:28:19,680 Speaker 1: that's a disgrace, all right. Shane McGowan, the barstool King 495 00:28:19,680 --> 00:28:22,680 Speaker 1: of Christmas, died on November thirty of twenty twenty three. 496 00:28:22,880 --> 00:28:25,680 Speaker 1: Here's what America was listening to on that day, according 497 00:28:25,720 --> 00:28:31,600 Speaker 1: to the Billboard Charts. Number one Cruel Summer Taylor Swift 498 00:28:32,119 --> 00:28:37,600 Speaker 1: last week one weeks on chart twenty eight, peak position one, 499 00:28:38,000 --> 00:28:42,680 Speaker 1: number two, Loving on Me Jack Harlowe, last week new 500 00:28:43,080 --> 00:28:47,640 Speaker 1: weeks on chart two peak peak position one, number three. 501 00:28:48,160 --> 00:28:52,960 Speaker 1: Pint the Town, Red Doja Cats last week weeks on 502 00:28:53,080 --> 00:29:01,040 Speaker 1: chart fifteen, peak position one, number four. Last Drink for 503 00:29:01,680 --> 00:29:06,360 Speaker 1: weeks on chart forty nine, peak position two, number five. 504 00:29:06,760 --> 00:29:13,720 Speaker 1: It's a No No Tailor's version Taylor Swift, last week 505 00:29:13,720 --> 00:29:14,080 Speaker 1: position 506 00:29:25,080 --> 00:29:28,360 Speaker 4: Quit talking and start mixing cult It