WEBVTT - Conscious Rap vs. Club Bangers

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<v Speaker 1>Hey, everybody, Welcome to hold Up. I have now realized

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<v Speaker 1>that a podcast hosted by two black people called hold up.

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<v Speaker 1>It's a problem. It's a problem, but we already named it.

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<v Speaker 1>This is this is five we can't do. First Okay,

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<v Speaker 1>first of all, it might be better because it's like,

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<v Speaker 1>this is a hold up, Like I hear what you're saying.

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<v Speaker 1>I hear. I feel I feel like hold up works though.

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<v Speaker 1>I think it gives people's attention. Man hold up. Yeah,

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<v Speaker 1>it's like or it can only be called like okay,

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<v Speaker 1>listen like and there's no way to like type that

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<v Speaker 1>out copy for that, so we need to go and

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<v Speaker 1>hold up, hold up, all right, hold up? All right. Well,

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<v Speaker 1>if you heard that last part, you already know what

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<v Speaker 1>the name of the show is. Welcome to hold Up.

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<v Speaker 1>It's me Josh Johnson, writer for The Daily Show, with

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<v Speaker 1>my partner in conversations that go on way too long,

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<v Speaker 1>duel say sloan, and we're gonna be taking it to

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<v Speaker 1>to the true edge, the brim of issues that don't

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<v Speaker 1>matter at all to anybody but us, and we're gonna

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<v Speaker 1>have it out. So you need to know ahead of time.

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<v Speaker 1>This is what we do. This is how we talk

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<v Speaker 1>to each other anyway, all right, I don't want I

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<v Speaker 1>don't want anybody listening in thinking wow, while they're getting heated.

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<v Speaker 1>It's not heated. It's just the truth. It's what's happening.

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<v Speaker 1>Sometimes when you're right, you have to let people know.

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<v Speaker 1>And sometimes those people are some of your good friends. Okay,

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<v Speaker 1>because like Josh, how many times and we've been like

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<v Speaker 1>I think people would call it arguing, but for us,

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<v Speaker 1>it's just a regular conversation discussion the situation. People from

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<v Speaker 1>far away definitely think it's arguing because I have a

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<v Speaker 1>lot of like we'll get will give me a second

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<v Speaker 1>to like, I have a lot of those stunted sentences,

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<v Speaker 1>and those always sound like they go in an argument,

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<v Speaker 1>when really I'm just trying to think, right, So it's

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<v Speaker 1>just like, okay, so hold on, wait a minute, So

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<v Speaker 1>like you have have that thought process, because it's like,

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<v Speaker 1>there's so many times I've been talking in the office

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<v Speaker 1>and somebody was like, y'all should do this as a podcast.

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<v Speaker 1>I'm like, I'm Matt, are you doing this for free?

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<v Speaker 1>I'm already getting paid to be at work to talk

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<v Speaker 1>to this man. I ain't gonna do it on this

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<v Speaker 1>white man's Internet not getting no points for it. So

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<v Speaker 1>we out here being Josh talking about things that only

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<v Speaker 1>really well, like we care about them, but I think

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<v Speaker 1>like people as a whole care about them. I would,

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<v Speaker 1>I would hope. So here's the thing today, We're gonna

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<v Speaker 1>be talking about conscious hip hop versus club hits. Which

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<v Speaker 1>one is better? And see, I think see we're already

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<v Speaker 1>in a place that's wow, because you can't say which

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<v Speaker 1>one is better? Right, it's which one do you? No,

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<v Speaker 1>you can't listen, It's which one you prefer? Okay, it's like,

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<v Speaker 1>which one do you prefer? Because I'm gonna say, because

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<v Speaker 1>you have one that you think is like better, and

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<v Speaker 1>then I have one that I think is preferable to

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<v Speaker 1>listen to. Okay, all right, when we say better, what

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<v Speaker 1>are the qualifications for that? Okay, that's a good point,

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<v Speaker 1>because my thing is I'm gonna go with conscious hip

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<v Speaker 1>hop because one I think I enjoy the journey more

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<v Speaker 1>that hat. Okay, Wow. For personal attacks that have nothing

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<v Speaker 1>to do with the argument, I love this hat. It

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<v Speaker 1>says achieve on the side. It says a chief on

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<v Speaker 1>the front, you turn into the side. It says a

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<v Speaker 1>chief on the side that I chose to be the

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<v Speaker 1>side it's round. Any side could be the side. You

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<v Speaker 1>can have it in the bat Absolutely I could, and

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<v Speaker 1>the people from the back would be like, who is

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<v Speaker 1>that a chief for walking past me? Back to the

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<v Speaker 1>topic of hat about. All I've said is that conscious

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<v Speaker 1>hip hop it takes you. It takes you to a

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<v Speaker 1>place that helps you digest society as it's happening in

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<v Speaker 1>the moment or the past, as as the people living

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<v Speaker 1>in it saw it. And club hits. It's just heathenism,

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<v Speaker 1>you know, it's just it's just sort of rubbing together. Listen,

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<v Speaker 1>as a Christian woman, all right, I don't know what

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<v Speaker 1>you believe, and I don't know what God you serve,

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<v Speaker 1>but we've never really talked about what faith you have.

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<v Speaker 1>Uh so this is the thing. It's I listen to MPR. Okay,

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<v Speaker 1>listen to MPR. I get on seeing it. I am

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<v Speaker 1>very aware of all of the things that are happening rightly,

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<v Speaker 1>This is happening here, this is a problem here. Oh,

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<v Speaker 1>we gotta go march again? Right? So is that way?

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<v Speaker 1>Is that how you react? You? Oh, we gotta go

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<v Speaker 1>march again. I mean we've been marching my mother's we've

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<v Speaker 1>been marching forever. Yeah, we've been margin for that. Feel

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<v Speaker 1>like that's obviously just a prerequisite to black fitness. You know.

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<v Speaker 1>It's just guys, we gotta get out there, and it

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<v Speaker 1>is way over there, so we're gonna be building these calves,

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<v Speaker 1>could be fighting the power. The best thing that ever

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<v Speaker 1>happened to marching was a sneaker, Yeah, because it would

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<v Speaker 1>stop it. That's when sneakers came out. They were like,

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<v Speaker 1>who is going to stop these blocks? Listen? Because before

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<v Speaker 1>they was out there marching in a straight church shoe.

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<v Speaker 1>You try to march church shoes, you really have to

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<v Speaker 1>think about how much you care about the thing that

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<v Speaker 1>you march it for. Because about after eight steps you're like, hey,

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<v Speaker 1>hey listen, could we stay We can still sing? We

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<v Speaker 1>can sing and be still. Can everything be a sitting?

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<v Speaker 1>Can everything be just sit right now? The city came

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<v Speaker 1>from the marches b like like, hey, hey listen, we

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<v Speaker 1>can't make all of us, can't make it all the

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<v Speaker 1>way over there, So let's just take over a lunch

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<v Speaker 1>counter because they don't less either there anyway, So let's

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<v Speaker 1>we'll kill two with one. Let's make it happen. I'll

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<v Speaker 1>let you help hit me with the milkshake before I

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<v Speaker 1>walk in these church shoes for seven miles. Yeah, because

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<v Speaker 1>you know what a milkshake washes off Bunians don't know. No,

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<v Speaker 1>I can get a new pressing curl, Okay, I can

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<v Speaker 1>wash the stress. But my feet, on the other hand,

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<v Speaker 1>my achilles is going through it. So man, I mean,

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<v Speaker 1>I understand why it's such an issue, So sucking up

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<v Speaker 1>my c l um. When I'm listening to music. I

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<v Speaker 1>don't want to think about all this ship that's wrong

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<v Speaker 1>in the world. Okay, I want to stop. I'm here

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<v Speaker 1>to listen. I don't want to hear about all the

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<v Speaker 1>hardships in your neighborhood and all another nonsense. Okay, I

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<v Speaker 1>want to hear about that ship. I don't want to

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<v Speaker 1>hear about your local struggle. No, I don't want to

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<v Speaker 1>hear about how hard it is in your corner and America. Bro, No, oh,

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<v Speaker 1>you robbing where everybody's robbing? Okay, first of allemost ninth, right, Like, oh,

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<v Speaker 1>let's go to the Bronx, Like I don't want this

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<v Speaker 1>play by play news story of what the funk what's

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<v Speaker 1>funked up in your area? Like I'm not I don't

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<v Speaker 1>want I don't need that. I don't want that because

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<v Speaker 1>I already know. I already know sh it's bad over here.

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<v Speaker 1>Ship's bad over here. There's already the misconception that people

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<v Speaker 1>think like, oh, well, like the North's not as racist,

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<v Speaker 1>which is a lie, and it's like, oh, it's not

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<v Speaker 1>as in your face. I'm just like, okay, so yes,

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<v Speaker 1>this man not might not have a Confederate flag T

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<v Speaker 1>shirt on, but he's still not gonna let you with

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<v Speaker 1>this apartment. Who gives a ship? So like, oh, it's

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<v Speaker 1>not in your face racism all racism in your face.

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<v Speaker 1>If you won't let me live here, it's in my face.

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<v Speaker 1>Some goofy bitches in the lobby asking me to prove

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<v Speaker 1>when I live here. I'm like, bitch, I gotta key file.

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<v Speaker 1>You touch me, I'm gonna slap you back to like,

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<v Speaker 1>we already have the ships. So when I'm listening to

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<v Speaker 1>my musica, I don't want to hear that ship. You

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<v Speaker 1>know what I want to hear about what I'm listening

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<v Speaker 1>to my music call what is that guns hose money?

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<v Speaker 1>That's what the fun I want to hear about. I

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<v Speaker 1>want to hear what you out here doing is you're

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<v Speaker 1>getting these holes and you're taking these drugs. How many

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<v Speaker 1>bottles did you pop today? Like, that's what I want

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<v Speaker 1>to hear. I want to hear a repetitive beat that

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<v Speaker 1>will let me shake something that conscious wrap you can't.

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<v Speaker 1>I was like, I always think about this. I was like,

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<v Speaker 1>so do they have like conscientious wrap clubs? Like you're

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<v Speaker 1>just sitting there thinking with a bunch of other niggas.

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<v Speaker 1>You're just sitting thinking. Yeah, he just bobbing back and forth.

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<v Speaker 1>It's hard out here. No, bro, I want to shake something.

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<v Speaker 1>I'm trying to forget. I'm trying to see how many

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<v Speaker 1>men want me to rub my butt on their pelvis.

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<v Speaker 1>I don't appreciate that, but see what happens. He could

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<v Speaker 1>be a nice man. People are throwing in books that

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<v Speaker 1>people putting their clothes on. Right, it's like a sticking

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<v Speaker 1>here to jacket or all you aware at jack. Everybody

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<v Speaker 1>got to be clothed on this club. So okay, I

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<v Speaker 1>don't I want like for me. It's like I don't

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<v Speaker 1>want to say like escapism. But it's like I already

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<v Speaker 1>know about all of the ship that's bad. I don't

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<v Speaker 1>need you. I don't need you to put the news

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<v Speaker 1>to a beat. I don't need that, so I will

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<v Speaker 1>say this, Okay, So you you have perfectly made your

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<v Speaker 1>point and tied me up for mine. Because the guns,

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<v Speaker 1>the hose, the money, the butt rubbing, it's it's all.

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<v Speaker 1>It's since it's all the same, I can't. I can't

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<v Speaker 1>after a while you lose me, you know. But it's

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<v Speaker 1>like I want you to rub a butt like this.

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<v Speaker 1>I want to rub all your butt like that. It's

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<v Speaker 1>just it's it's not only a bit repetitive, but it's

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<v Speaker 1>like I can guess the ending of the song, okay,

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<v Speaker 1>but in your social conscious rap, I can also guess

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<v Speaker 1>the in there because y'all still out here being broke.

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<v Speaker 1>The government still, the cops are still killing us Like

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<v Speaker 1>fun the Police is a song that could come out

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<v Speaker 1>every single year. Sure, Like we're not like it's the

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<v Speaker 1>same thing. We're not learning new ship. Nothing new is happening,

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<v Speaker 1>nothing is truly you're still what the what? What the

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<v Speaker 1>new topic? Gentrification? What are you talking about now? Dose coin?

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<v Speaker 1>Are you trying to fix the hood? Are they that's what?

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<v Speaker 1>That's not what's happening in these songs. No one's giving

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<v Speaker 1>you like, Hey, we're gonna strategize like no one's the

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<v Speaker 1>comments not telling you how to win a local election,

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<v Speaker 1>like that's not happening, Like these are that that is

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<v Speaker 1>that is good. Then that means that the only thing

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<v Speaker 1>missing bridging this gap between us would be a conscious

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<v Speaker 1>rap that wasn't about something that happened. It was it's

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<v Speaker 1>about a plan. So if you if you heard a

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<v Speaker 1>song that was about a plan that was like this

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<v Speaker 1>is how we're gonna take all for half of Mississippi,

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<v Speaker 1>you would be down for it. You couldn't couldn't bop

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<v Speaker 1>to it, but you could you could be like, Okay,

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<v Speaker 1>this is a nice flow and a good plan. I

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<v Speaker 1>like this plan. I mean, isn't the goal always to

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<v Speaker 1>Bob though, you gotta get if it's not a bot,

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<v Speaker 1>people gonna listen to it. So you guys still not

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<v Speaker 1>get somebody about here's the thing about Bob's though. People

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<v Speaker 1>are now, especially with club hits, people are now forgetting

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<v Speaker 1>to even check for the lyrics. You don't know what

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<v Speaker 1>you're bopping your head too. You could be bopping. You

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<v Speaker 1>could be bopping your head to just pure unadulterated gag

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<v Speaker 1>violence on you. This song could be about beating you

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<v Speaker 1>and you're like this thing slaps and then all the

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<v Speaker 1>sudden people jump you and you have no idea why

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<v Speaker 1>my thing is. I truly understand that the j Coles

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<v Speaker 1>of the world you can't you can't really dance to it,

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<v Speaker 1>you can't really like like like swing your hips. But

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<v Speaker 1>if he can't ride a flow, if he if he

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<v Speaker 1>if he can't put something out there that not only

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<v Speaker 1>I understand that you don't want to think as much

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<v Speaker 1>because this is kind of like how I like, I

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<v Speaker 1>think that we're this mirrors our personalities though, because I

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<v Speaker 1>very much like documentaries and you very much like Korean dramas.

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<v Speaker 1>You know, I love a documentary. The problem is all

0:12:11.520 --> 0:12:17.079
<v Speaker 1>the documentaries now about true crime, and I don't want

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<v Speaker 1>to see true crime. Also, it's always true crime documentaries

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<v Speaker 1>about white people getting murdered, like niggas getting murdered, people

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<v Speaker 1>who called it getting murdered, Like y'all ain't trying to

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<v Speaker 1>do no cold case of you know a black man

0:12:28.559 --> 0:12:32.280
<v Speaker 1>who was incarcerated, uh, and he was an innocent person,

0:12:32.800 --> 0:12:35.719
<v Speaker 1>like the Innocence Project. If the Innocence Project became a

0:12:35.800 --> 0:12:40.360
<v Speaker 1>production house, they win every oscar can I can I'm

0:12:40.440 --> 0:12:43.240
<v Speaker 1>digressing for a second, but this is that you just survived.

0:12:43.280 --> 0:12:47.760
<v Speaker 1>To me of this as someone who is seeing real crime, yeah,

0:12:50.800 --> 0:12:55.280
<v Speaker 1>this is messed up. But like I wonder what it's

0:12:55.320 --> 0:12:57.600
<v Speaker 1>like when you see a crime and then you see

0:12:57.640 --> 0:13:00.080
<v Speaker 1>a documentary about that crime. But you're like, man, they

0:13:00.080 --> 0:13:02.640
<v Speaker 1>should have interviewed me. They got it all wrong. Listen, listening,

0:13:03.080 --> 0:13:06.959
<v Speaker 1>like what happened. I'm in the shot. I'm in the shot,

0:13:07.080 --> 0:13:09.560
<v Speaker 1>and they didn't get me. Listen. I had a neighbor

0:13:09.640 --> 0:13:12.079
<v Speaker 1>on gangland one time, and my mother was like, this

0:13:12.240 --> 0:13:16.480
<v Speaker 1>is nonsense. This is absolute lies, lies, not this was happening.

0:13:16.760 --> 0:13:19.559
<v Speaker 1>Like she was so aggravated because she was just like

0:13:20.280 --> 0:13:23.200
<v Speaker 1>they wasn't doing having it ship. So when it came out,

0:13:23.280 --> 0:13:24.800
<v Speaker 1>we were like like me and my homeboy, like I

0:13:24.840 --> 0:13:27.160
<v Speaker 1>was talking to my homeboy and like in his sister,

0:13:27.600 --> 0:13:30.959
<v Speaker 1>it were like was lie yang like the whole time

0:13:31.000 --> 0:13:32.440
<v Speaker 1>he was watching it. And then there was some dude

0:13:32.480 --> 0:13:34.280
<v Speaker 1>on there who was supposed to be in the gang,

0:13:35.440 --> 0:13:37.640
<v Speaker 1>and then nobody knew who he was, so like they

0:13:37.720 --> 0:13:39.559
<v Speaker 1>just hired some actor, like they didn't have enough of

0:13:39.600 --> 0:13:41.440
<v Speaker 1>the story because this gang wasn't doing what they said

0:13:41.440 --> 0:13:44.360
<v Speaker 1>it was doing. Also, you were a gang in the suburbs,

0:13:44.800 --> 0:13:48.240
<v Speaker 1>like calm down, like they must have just like I

0:13:48.280 --> 0:13:50.480
<v Speaker 1>don't know Gangland that week was just out of gangs.

0:13:51.320 --> 0:13:53.319
<v Speaker 1>And I was like, well, we heard about this over

0:13:53.400 --> 0:13:55.520
<v Speaker 1>in Gwynette County and I'm just like, hey man, this

0:13:55.679 --> 0:14:01.400
<v Speaker 1>is wild, but um but my mother was like, this

0:14:01.520 --> 0:14:03.920
<v Speaker 1>is nonsense. My mother wit. They should have interview with

0:14:04.000 --> 0:14:06.240
<v Speaker 1>me and have told him. I was like, the last

0:14:06.280 --> 0:14:11.480
<v Speaker 1>thing you need beyond gay Land. The thing that I

0:14:11.600 --> 0:14:14.520
<v Speaker 1>love about gay glad type stuff, though, is its a

0:14:14.559 --> 0:14:16.880
<v Speaker 1>perfect oportunity to hype up your gags. So you could

0:14:16.920 --> 0:14:19.160
<v Speaker 1>be a lot of people don't know we killed JFK.

0:14:19.560 --> 0:14:24.040
<v Speaker 1>That was They thought we weren't really out here like that,

0:14:24.160 --> 0:14:26.840
<v Speaker 1>but we've been out here okay, and we we got

0:14:26.920 --> 0:14:30.760
<v Speaker 1>that man, all right. Could you imagine if like it

0:14:30.960 --> 0:14:34.200
<v Speaker 1>was like moo this it was like, yeah, Holmes, we

0:14:34.320 --> 0:14:38.160
<v Speaker 1>got JFK. We got okay, all right. At the FBI

0:14:38.280 --> 0:14:42.400
<v Speaker 1>was so scared that they covered it up. What if

0:14:42.440 --> 0:14:47.880
<v Speaker 1>the crypt what if the crypts just killed I imagine

0:14:48.040 --> 0:14:53.760
<v Speaker 1>that they could have done it, but by accident they

0:14:53.880 --> 0:14:55.640
<v Speaker 1>just saw dropped top and they were just like, yeah,

0:14:55.720 --> 0:14:59.880
<v Speaker 1>that's that fool. You're like, oh that was the president. Dang,

0:15:00.480 --> 0:15:03.320
<v Speaker 1>Yeah that that's are bad because he was gonna side

0:15:03.320 --> 0:15:05.600
<v Speaker 1>of voter Rice Bill too. He was definitely got a

0:15:05.640 --> 0:15:08.640
<v Speaker 1>sign of civil rights sac Fuck, we should ask my questions.

0:15:13.920 --> 0:15:18.160
<v Speaker 1>So here's the thing about club hits, all right. The

0:15:18.280 --> 0:15:22.280
<v Speaker 1>other thing is that this is this I'm gonna make

0:15:22.360 --> 0:15:26.560
<v Speaker 1>this point and you don't even want to make it.

0:15:26.960 --> 0:15:30.520
<v Speaker 1>I'm excited to hear your counter though, because I understand

0:15:30.560 --> 0:15:37.640
<v Speaker 1>I'm stepping into to precarious waters. So basically, a lot

0:15:37.680 --> 0:15:40.240
<v Speaker 1>of the club hit game is so rigged that I

0:15:40.520 --> 0:15:43.760
<v Speaker 1>honestly have a hard time respecting it. There are some

0:15:44.080 --> 0:15:48.120
<v Speaker 1>like Atlanta is a great example. Atlanta club hits are authentic.

0:15:48.600 --> 0:15:51.040
<v Speaker 1>They're like they're like people run up on a DJ

0:15:51.280 --> 0:15:53.240
<v Speaker 1>or they have a friend that that can get their

0:15:53.360 --> 0:15:55.960
<v Speaker 1>stuff played, and then some people play it. Then they

0:15:56.040 --> 0:15:58.520
<v Speaker 1>play it in that club, people follow that person on Instagram,

0:15:58.640 --> 0:16:00.520
<v Speaker 1>DJ gives him a shout out, they build up a

0:16:00.560 --> 0:16:04.720
<v Speaker 1>real following and everything. But the rest of the game

0:16:04.800 --> 0:16:08.960
<v Speaker 1>at large, the broad like brushstrokes of music, it's still

0:16:09.080 --> 0:16:12.880
<v Speaker 1>the same like label Paola type thing that we pretend

0:16:12.960 --> 0:16:15.800
<v Speaker 1>we aren't still doing from the seventies or whatever. Like like,

0:16:15.920 --> 0:16:18.160
<v Speaker 1>it's still very much like Okay, I have the back

0:16:18.280 --> 0:16:20.040
<v Speaker 1>end of this person to get me a feature by

0:16:20.080 --> 0:16:22.080
<v Speaker 1>this person and get pumped up by this person. So

0:16:22.240 --> 0:16:24.360
<v Speaker 1>now all of a sudden, my club hit is is

0:16:25.080 --> 0:16:27.400
<v Speaker 1>it's like on fire. But I'm like, if this was

0:16:27.640 --> 0:16:29.920
<v Speaker 1>if this had to exist in a vacuum, it would

0:16:29.920 --> 0:16:31.600
<v Speaker 1>have never got here. Whereas I feel like a lot

0:16:31.640 --> 0:16:34.680
<v Speaker 1>of conscious songs don't really have that problem. It's like

0:16:35.080 --> 0:16:37.640
<v Speaker 1>most of the most of the conscious rappers that I

0:16:38.440 --> 0:16:42.640
<v Speaker 1>enjoy are only semi famous. They're not like because the

0:16:42.720 --> 0:16:47.040
<v Speaker 1>ship is boring, then they's still working office depot because

0:16:47.160 --> 0:16:51.320
<v Speaker 1>nobody fucking cares. That's the thing. Like nobody is like

0:16:51.400 --> 0:16:53.360
<v Speaker 1>sitting up running them to a club is like, hey,

0:16:53.480 --> 0:16:55.000
<v Speaker 1>let me hear this. I don't even know those social

0:16:55.040 --> 0:16:57.520
<v Speaker 1>concious rappers because that's how much I don't care. But

0:16:58.760 --> 0:17:01.720
<v Speaker 1>they give me a socially like a real socially conscious rapper,

0:17:01.880 --> 0:17:05.720
<v Speaker 1>like a conscious content give him in my name. Okay,

0:17:05.880 --> 0:17:09.240
<v Speaker 1>I've heard a no name. Yeah, but no name is not.

0:17:09.560 --> 0:17:11.960
<v Speaker 1>No name is not Cardi B. No name is not

0:17:12.359 --> 0:17:15.800
<v Speaker 1>like like she is at a place where I don't

0:17:15.840 --> 0:17:18.359
<v Speaker 1>think this should happen, but I think very well she

0:17:19.280 --> 0:17:22.080
<v Speaker 1>is going to plateau where she's at because now the

0:17:22.160 --> 0:17:24.879
<v Speaker 1>people that know about her lover talk about her and everything,

0:17:24.960 --> 0:17:30.199
<v Speaker 1>but for whatever reason, it doesn't spread even more. Everything

0:17:30.280 --> 0:17:33.800
<v Speaker 1>everything hits, everything hits critical masks. At a certain point,

0:17:33.840 --> 0:17:38.720
<v Speaker 1>you're just famous, Like there's not new people. Like Brad

0:17:38.760 --> 0:17:43.760
<v Speaker 1>Pitt is famous, he's established, right, like Angela Bassett established,

0:17:43.800 --> 0:17:48.240
<v Speaker 1>like angel Bassett legit famous. But Loretta Divine is not

0:17:48.640 --> 0:17:52.879
<v Speaker 1>as famous as angel Bassett. But Loretta Divine, Like it's crazy.

0:17:53.080 --> 0:17:54.920
<v Speaker 1>Like I feel like sometimes like certain people are like

0:17:56.040 --> 0:17:58.840
<v Speaker 1>black famous, Like a lot of time when I'm in

0:17:58.840 --> 0:18:00.560
<v Speaker 1>the shade room, They'll be talking abou like who the

0:18:00.680 --> 0:18:03.880
<v Speaker 1>funk is this? Who the fund is that? Like there's

0:18:03.880 --> 0:18:05.320
<v Speaker 1>so many people that talk about in the shade. I'm like,

0:18:05.320 --> 0:18:07.119
<v Speaker 1>I don't know who any of these motherfucker's are, but

0:18:07.200 --> 0:18:10.359
<v Speaker 1>I should know so. But I think the other thing

0:18:10.440 --> 0:18:12.359
<v Speaker 1>that I think about, like when it comes like socially

0:18:12.720 --> 0:18:15.840
<v Speaker 1>like conscious rap or like stuff like that, is like

0:18:16.880 --> 0:18:19.840
<v Speaker 1>like when I think about, like first like the number

0:18:20.200 --> 0:18:25.600
<v Speaker 1>of when I look at like the number of white

0:18:25.640 --> 0:18:27.440
<v Speaker 1>people that try to like talk to me about like

0:18:27.600 --> 0:18:30.439
<v Speaker 1>rap like music. If it's if it's a white girl,

0:18:30.480 --> 0:18:32.280
<v Speaker 1>she's asking me if I know who Lizzo is? When

0:18:32.400 --> 0:18:34.480
<v Speaker 1>I'm just like, well, first of all, I'm not Lizzo,

0:18:34.760 --> 0:18:39.399
<v Speaker 1>so leave me alone. Uh second, beat it, lady, Like

0:18:39.600 --> 0:18:42.280
<v Speaker 1>I get it, go away, stop talking. You're not going

0:18:42.320 --> 0:18:45.320
<v Speaker 1>to connect with me on this Okay, talking to a

0:18:45.359 --> 0:18:49.320
<v Speaker 1>little way and you goofy, lady. But when I look

0:18:49.359 --> 0:18:51.600
<v Speaker 1>at like, what do think the number of white people

0:18:51.600 --> 0:18:53.119
<v Speaker 1>that are like, well, I'm really in an old school

0:18:53.200 --> 0:18:55.600
<v Speaker 1>hip hop? But I'm like really, because we're done with it.

0:18:55.960 --> 0:18:59.879
<v Speaker 1>That's why we call it old school hip hop. Like

0:19:00.040 --> 0:19:01.800
<v Speaker 1>it's not because like if you think about like hip

0:19:01.840 --> 0:19:05.600
<v Speaker 1>hop back like because the style changes so much, because

0:19:05.640 --> 0:19:10.280
<v Speaker 1>at first it was all conscious, right, sure, and then

0:19:10.359 --> 0:19:13.240
<v Speaker 1>there was a break like a whole you know, like

0:19:13.320 --> 0:19:16.320
<v Speaker 1>a Protestant Catholic situation where which is like we're all

0:19:16.359 --> 0:19:18.840
<v Speaker 1>doing the same thing. And then there was a break

0:19:18.880 --> 0:19:20.960
<v Speaker 1>where it was just like I just want to have fun.

0:19:21.920 --> 0:19:24.240
<v Speaker 1>I just want to I just want to go out,

0:19:24.520 --> 0:19:26.800
<v Speaker 1>I want to dance, and that is it. Because I

0:19:27.000 --> 0:19:31.920
<v Speaker 1>am very aware of like who consumes what. So it's

0:19:32.040 --> 0:19:34.119
<v Speaker 1>interesting that people are like, well because they try to

0:19:34.200 --> 0:19:36.359
<v Speaker 1>act like that. You know, Black people don't contribute to

0:19:36.400 --> 0:19:40.280
<v Speaker 1>the American economy whatsoever, which is wild because we are

0:19:40.440 --> 0:19:43.879
<v Speaker 1>some of the biggest consumers. But when it comes to

0:19:44.040 --> 0:19:46.080
<v Speaker 1>like when I talk to my next like it's conscious

0:19:46.160 --> 0:19:49.160
<v Speaker 1>rap music, the people who are talking to me about

0:19:49.160 --> 0:19:51.800
<v Speaker 1>conscious rap music a lot of times are white people.

0:19:53.240 --> 0:19:57.760
<v Speaker 1>So it's like they're getting new information because like as

0:19:57.840 --> 0:20:02.840
<v Speaker 1>black people, because we're not the dominant culture. Because where

0:20:02.840 --> 0:20:06.639
<v Speaker 1>minorities in this country quote unquote, we have to know

0:20:06.920 --> 0:20:11.000
<v Speaker 1>all of the white things, but white people aren't required

0:20:11.119 --> 0:20:16.040
<v Speaker 1>to know the black things. So they're listening and he's like,

0:20:16.160 --> 0:20:18.000
<v Speaker 1>oh my god, I didn't know that this was such

0:20:18.359 --> 0:20:20.760
<v Speaker 1>a problem. I'm like, what do y'all do all day?

0:20:22.359 --> 0:20:24.399
<v Speaker 1>What do you do? Like? How do you not know

0:20:26.160 --> 0:20:30.120
<v Speaker 1>that there are issues and other community? Like It's that's

0:20:30.119 --> 0:20:32.040
<v Speaker 1>the thing that's always been wild to me where it's

0:20:32.040 --> 0:20:34.439
<v Speaker 1>just like I just I just wasn't. I mean, are

0:20:34.520 --> 0:20:39.879
<v Speaker 1>y'all really shut? Like you're a are you sure? Like

0:20:40.040 --> 0:20:43.120
<v Speaker 1>when I like if I interacting with him, like I've

0:20:43.160 --> 0:20:44.920
<v Speaker 1>had a dude like be aggressive to me and like

0:20:45.080 --> 0:20:47.800
<v Speaker 1>rude to me on set and then I had someone

0:20:47.880 --> 0:20:50.840
<v Speaker 1>say to me, well, is that your perception of it?

0:20:51.000 --> 0:20:53.680
<v Speaker 1>And I just went, I don't know. I don't need that,

0:20:54.560 --> 0:20:57.480
<v Speaker 1>yeah at all. I don't need you to second guess

0:20:57.520 --> 0:20:59.720
<v Speaker 1>what I'm doing. What I need you to do is

0:21:00.000 --> 0:21:04.240
<v Speaker 1>don't know what I'm saying and fucking fix it. That's

0:21:04.280 --> 0:21:06.800
<v Speaker 1>what I need you to do. So in those situations

0:21:06.840 --> 0:21:08.520
<v Speaker 1>where it's just like people just second guessing, like what

0:21:08.600 --> 0:21:12.800
<v Speaker 1>you're saying and what your experiences, I think a lot

0:21:12.880 --> 0:21:14.600
<v Speaker 1>of times when it comes to stuff like this, it's

0:21:14.640 --> 0:21:16.640
<v Speaker 1>just people going, well, I didn't know they were going

0:21:16.680 --> 0:21:18.560
<v Speaker 1>through so much, So they're like catching up on news

0:21:18.600 --> 0:21:25.080
<v Speaker 1>that happened twenty years ago because because it's like now,

0:21:25.760 --> 0:21:30.480
<v Speaker 1>like as I was saying before, it's we're gonna dance

0:21:30.520 --> 0:21:32.480
<v Speaker 1>for everyone and shake forever. Like I feel like that's

0:21:32.480 --> 0:21:35.040
<v Speaker 1>why sometimes like on a bunch of black people laughing

0:21:36.160 --> 0:21:41.600
<v Speaker 1>bothers white people so much because no matter they've done

0:21:41.680 --> 0:21:44.239
<v Speaker 1>all of these things for all, Like we've literally been

0:21:44.280 --> 0:21:48.080
<v Speaker 1>in America for like four hundred and two years, and

0:21:48.200 --> 0:21:51.000
<v Speaker 1>it's gotten better than it was before because before we

0:21:51.080 --> 0:21:54.040
<v Speaker 1>were stolen and brought here answers were someone brought here

0:21:54.080 --> 0:21:58.520
<v Speaker 1>its property. So it's better than it was before, but

0:21:58.760 --> 0:22:01.359
<v Speaker 1>we're still dealing with things that we've been dealing with

0:22:02.200 --> 0:22:05.680
<v Speaker 1>since Jim Crow, Like Jim Crow ended on paper. But

0:22:05.800 --> 0:22:09.440
<v Speaker 1>now it's like we desegregated schools, and now they've resegregated schools,

0:22:10.000 --> 0:22:12.040
<v Speaker 1>but they've done it so slowly. You just look up

0:22:12.040 --> 0:22:17.200
<v Speaker 1>and you're held damn, you know, white getting the school

0:22:17.280 --> 0:22:21.199
<v Speaker 1>what they got us again. So when I look at

0:22:21.240 --> 0:22:24.400
<v Speaker 1>stuff like that, it's like we are what are we doing?

0:22:24.440 --> 0:22:28.040
<v Speaker 1>Because there's still gonna be the break happened for a reason,

0:22:29.320 --> 0:22:31.720
<v Speaker 1>like the like the split happened for a reason. Because

0:22:31.760 --> 0:22:32.960
<v Speaker 1>it just gets to the point where you're just like

0:22:33.680 --> 0:22:37.840
<v Speaker 1>every time I turn on a record, I can't hear

0:22:37.880 --> 0:22:41.520
<v Speaker 1>about this ship because it's like, is their conscious R

0:22:41.600 --> 0:22:47.000
<v Speaker 1>and B? Or is that just neo soul music? I mean, yeah,

0:22:47.080 --> 0:22:51.520
<v Speaker 1>he might be alone in that right, Or they're just

0:22:51.600 --> 0:22:55.679
<v Speaker 1>spoken word. Also spoken word, it's just poetry. What are

0:22:55.720 --> 0:22:59.119
<v Speaker 1>we talking? It's just poetry. It's low key rapping, Like

0:22:59.200 --> 0:23:01.440
<v Speaker 1>what are we talking out right now? But I do

0:23:01.640 --> 0:23:04.600
<v Speaker 1>feel like spoken word is for conscious rappers who have

0:23:04.760 --> 0:23:12.119
<v Speaker 1>trouble staying on beat. You know, they're like, I just

0:23:12.200 --> 0:23:15.199
<v Speaker 1>gotta go with you know, my guy giving gifts. Let

0:23:15.280 --> 0:23:20.560
<v Speaker 1>me be the beat. There's like that that basis throwing

0:23:20.600 --> 0:23:25.200
<v Speaker 1>me off. Let me just do my thing, because it's

0:23:25.840 --> 0:23:29.399
<v Speaker 1>I mean, I've never seen a spoken word poem that

0:23:29.560 --> 0:23:32.720
<v Speaker 1>I thought was like, oh, this should like I felt

0:23:32.920 --> 0:23:34.679
<v Speaker 1>before that some of them should be songs. But then

0:23:34.680 --> 0:23:36.800
<v Speaker 1>I was like, no, there's no beat to like like

0:23:37.000 --> 0:23:40.040
<v Speaker 1>his top end and his back end or like completely.

0:23:40.080 --> 0:23:41.440
<v Speaker 1>So I guess if he had a beat switch, he

0:23:41.520 --> 0:23:43.920
<v Speaker 1>could make it work with both. But that's saying that

0:23:43.960 --> 0:23:46.440
<v Speaker 1>seems too hard now. But they're all doing But the

0:23:46.520 --> 0:23:48.520
<v Speaker 1>thing is, they're all doing the same. It's like like,

0:23:49.040 --> 0:23:53.320
<v Speaker 1>have ever been in like a salsa club. Yeah, but

0:23:53.440 --> 0:23:56.920
<v Speaker 1>so it's basically the same song all night. It kind

0:23:56.960 --> 0:24:00.879
<v Speaker 1>of is. But some people like so I don't know,

0:24:00.960 --> 0:24:04.199
<v Speaker 1>if you watch any spoken word, I used to one

0:24:04.240 --> 0:24:08.520
<v Speaker 1>of them slut not, and two things happened. There was

0:24:08.560 --> 0:24:11.199
<v Speaker 1>a big schism in spoken word where some of them

0:24:11.320 --> 0:24:16.800
<v Speaker 1>stayed with like that like bongo beat type and my

0:24:17.040 --> 0:24:21.320
<v Speaker 1>brother like that that, and then other ones really did

0:24:21.520 --> 0:24:25.480
<v Speaker 1>start like almost rapping, but they would just go so

0:24:25.680 --> 0:24:27.560
<v Speaker 1>fast until they were out of breath, and you would

0:24:27.560 --> 0:24:30.160
<v Speaker 1>actually hear them go like it was like you could

0:24:30.240 --> 0:24:33.560
<v Speaker 1>hear them gas because they were just like streamlining the

0:24:33.680 --> 0:24:36.280
<v Speaker 1>whole poem. And my brother, I'm trying to tell you

0:24:36.320 --> 0:24:39.320
<v Speaker 1>that it's like you're not twisted. Just tell me the words. Yeah,

0:24:39.680 --> 0:24:42.400
<v Speaker 1>and both of them I couldn't go to a beat.

0:24:42.520 --> 0:24:46.200
<v Speaker 1>They stopped doing the Okay, so this is they stopped

0:24:46.200 --> 0:24:48.480
<v Speaker 1>doing the fast thing because it made no sense. No, no, no,

0:24:48.600 --> 0:24:52.679
<v Speaker 1>I wish. But in Chicago, I went to an open

0:24:52.760 --> 0:24:54.520
<v Speaker 1>mic night a couple of times, Like as I was

0:24:54.560 --> 0:24:56.880
<v Speaker 1>getting it to stand, it was a mixed open mic.

0:24:56.960 --> 0:24:58.640
<v Speaker 1>It was like stand up a little bit of everything.

0:25:00.400 --> 0:25:03.639
<v Speaker 1>There was this guy that would do spoken word, and

0:25:03.760 --> 0:25:09.639
<v Speaker 1>the first two times he the first two times he

0:25:09.760 --> 0:25:12.640
<v Speaker 1>brought bogos, but even he could tell he could keep

0:25:12.720 --> 0:25:16.159
<v Speaker 1>up with what his hands were doing. So then the

0:25:16.240 --> 0:25:19.760
<v Speaker 1>next two times I saw me didn't have any He

0:25:19.960 --> 0:25:22.720
<v Speaker 1>just left him at home. I mean, you have to

0:25:22.800 --> 0:25:25.000
<v Speaker 1>realize because it's like they're kind of beat Nick thing

0:25:25.160 --> 0:25:28.000
<v Speaker 1>from the fit. Like it's funny because like the only

0:25:28.080 --> 0:25:31.920
<v Speaker 1>people like certain people still swing dance and then like

0:25:32.040 --> 0:25:34.359
<v Speaker 1>this beat nick like the rockabilly kind of vibe that

0:25:34.480 --> 0:25:37.479
<v Speaker 1>some people still funk with, and then like the fifties

0:25:37.520 --> 0:25:41.360
<v Speaker 1>was such an amazing time. Um, it's kind of rough

0:25:41.400 --> 0:25:45.320
<v Speaker 1>for everybody. Basically, uh, it's like black people went, yeah

0:25:45.440 --> 0:25:47.560
<v Speaker 1>that beat Nick ship will keep it and then just

0:25:47.680 --> 0:25:53.000
<v Speaker 1>turning the spoken word because okay, so where does Kendrick

0:25:53.240 --> 0:25:57.840
<v Speaker 1>Lamar fall on this He I think he falls in

0:25:58.080 --> 0:26:02.359
<v Speaker 1>conscious because of the the Damn Album and the Pulitzer,

0:26:02.560 --> 0:26:04.600
<v Speaker 1>Like he was already like Section eight and to Pimp

0:26:04.640 --> 0:26:06.880
<v Speaker 1>a Butterfly all that stuff like that, those weren't really

0:26:08.040 --> 0:26:10.320
<v Speaker 1>He did kind of bridge a little bit because he

0:26:10.440 --> 0:26:14.600
<v Speaker 1>had songs like Um, he had songs like I he had,

0:26:14.680 --> 0:26:17.040
<v Speaker 1>he had songs like like d n A. He had

0:26:17.119 --> 0:26:19.800
<v Speaker 1>things that people like Bob two in a in a

0:26:19.920 --> 0:26:22.280
<v Speaker 1>way that was not like club dancing, but it was

0:26:22.359 --> 0:26:24.480
<v Speaker 1>like they were really rocking with it and everything. So

0:26:24.720 --> 0:26:27.840
<v Speaker 1>he's sort of like an outlier of a lot of

0:26:27.880 --> 0:26:30.240
<v Speaker 1>these other people because but like if you played be

0:26:30.520 --> 0:26:34.240
<v Speaker 1>Humble in a club, it would Bob like people would

0:26:34.359 --> 0:26:38.760
<v Speaker 1>dance to that. So he kind of found a way

0:26:38.840 --> 0:26:47.520
<v Speaker 1>to like bridget I am not what what blasphemy? What

0:26:47.640 --> 0:26:50.239
<v Speaker 1>do you go ahead and say what you're gonna say?

0:26:50.240 --> 0:26:56.639
<v Speaker 1>Be cause I'm already upset. Go ahead, And I do

0:26:57.240 --> 0:27:01.320
<v Speaker 1>enjoy his music. But what I will say is that

0:27:01.520 --> 0:27:06.000
<v Speaker 1>I'm not a huge kinds look Lamar fan, because I

0:27:06.960 --> 0:27:09.720
<v Speaker 1>think he sounds like a muppet. So you could have

0:27:09.840 --> 0:27:18.600
<v Speaker 1>stopped at not a huge fan. See this is this

0:27:18.680 --> 0:27:21.000
<v Speaker 1>is what you do. This is this is your whole vibe.

0:27:21.080 --> 0:27:22.800
<v Speaker 1>You like to put your foot on the line and

0:27:22.880 --> 0:27:27.160
<v Speaker 1>make sure your toe is over it like tin toe

0:27:27.280 --> 0:27:30.080
<v Speaker 1>is down. Baby? Why why would why would you even

0:27:30.160 --> 0:27:33.040
<v Speaker 1>need to include that. I can respect you not being

0:27:33.080 --> 0:27:35.959
<v Speaker 1>a huge fan. I'm just saying I figured but when

0:27:36.000 --> 0:27:37.840
<v Speaker 1>you say you're not a big like when you say

0:27:37.880 --> 0:27:41.439
<v Speaker 1>you're like people like people want quantifiers, Well why well

0:27:41.480 --> 0:27:46.040
<v Speaker 1>what is it? And my reason is his voice sounds

0:27:46.119 --> 0:27:49.920
<v Speaker 1>like it's being done by Jim Hinson. That's my It's

0:27:50.000 --> 0:27:54.199
<v Speaker 1>like a Frank Oz kind of like just Sesame Street

0:27:54.320 --> 0:27:58.280
<v Speaker 1>Muppets take Manhattan more like a muppet and Sesame Street

0:27:58.320 --> 0:28:01.560
<v Speaker 1>way more muppet. What you So, here's the thing. First

0:28:01.600 --> 0:28:03.720
<v Speaker 1>of all, you all those people don't think. Second, the

0:28:03.800 --> 0:28:06.840
<v Speaker 1>qualifier doesn't make it better. The quality, Like the qualifier

0:28:07.119 --> 0:28:10.000
<v Speaker 1>is only gonna take what you're doing right now, which

0:28:10.119 --> 0:28:13.240
<v Speaker 1>is taking a Kidrick mar Fan and coming to you

0:28:13.400 --> 0:28:16.120
<v Speaker 1>actually had Cobba growl and then you decided to jack

0:28:16.200 --> 0:28:18.720
<v Speaker 1>hammer it. You had like I was like, hey, you're

0:28:18.760 --> 0:28:21.560
<v Speaker 1>not a huge I could live with that, and then

0:28:21.600 --> 0:28:23.600
<v Speaker 1>you were like, let me throw in a couple of things.

0:28:25.760 --> 0:28:30.320
<v Speaker 1>I like what he's saying. I just don't like I can.

0:28:30.440 --> 0:28:33.639
<v Speaker 1>I can say this. I'm very into people's voices, right,

0:28:35.080 --> 0:28:39.760
<v Speaker 1>so that is important for me, Like I listened to

0:28:39.840 --> 0:28:44.680
<v Speaker 1>like the quality, the timber of someone's the musicality of

0:28:44.840 --> 0:28:50.480
<v Speaker 1>someone's voice. Right. So to me, if you sound like

0:28:50.560 --> 0:28:54.080
<v Speaker 1>you should be standing next to Gonzo, I'm not. I'm

0:28:54.160 --> 0:28:57.960
<v Speaker 1>not really gonna be, so I will. I will ask

0:28:58.000 --> 0:29:01.480
<v Speaker 1>you this question about club hits in general. I understand

0:29:01.520 --> 0:29:04.600
<v Speaker 1>what you're saying about the consciousness sometimes being a bit

0:29:04.640 --> 0:29:08.720
<v Speaker 1>too much. But here's the thing. I there there's two

0:29:08.800 --> 0:29:11.480
<v Speaker 1>points that I basically want to try to make simultaneously.

0:29:11.640 --> 0:29:13.880
<v Speaker 1>So address whichever one of them first, that you that

0:29:14.000 --> 0:29:19.880
<v Speaker 1>you feel these Addressing one, I would make conscious socially

0:29:20.000 --> 0:29:24.280
<v Speaker 1>conscious rap only a part of the pie of what

0:29:24.480 --> 0:29:27.720
<v Speaker 1>I feel like conscious rap is. Sometimes I think conscious

0:29:27.760 --> 0:29:32.600
<v Speaker 1>rap is just all outright lyricism, like like outright saying anything,

0:29:32.920 --> 0:29:35.760
<v Speaker 1>because because I understand the socially conscious stuff is is

0:29:35.880 --> 0:29:38.280
<v Speaker 1>exhausting to a to a degree, especially when you live

0:29:38.360 --> 0:29:40.280
<v Speaker 1>in and you know, being at the Daily Show, we

0:29:40.320 --> 0:29:43.520
<v Speaker 1>have to read about it and like in it. So

0:29:43.600 --> 0:29:45.920
<v Speaker 1>I understand needing a break and not being like I

0:29:46.080 --> 0:29:48.400
<v Speaker 1>want to reminder of what I left when I go home.

0:29:48.920 --> 0:29:52.320
<v Speaker 1>But I think that when you take the time to

0:29:52.480 --> 0:29:57.440
<v Speaker 1>put in incredible alliteration and like all of these aspects

0:29:57.480 --> 0:30:01.720
<v Speaker 1>of poetry into your lyrics, I I personally, only me

0:30:02.000 --> 0:30:06.480
<v Speaker 1>personally also put that in a conscious vibe because I'm

0:30:06.600 --> 0:30:09.720
<v Speaker 1>so you think there aren't club rappers that are writing

0:30:09.840 --> 0:30:13.040
<v Speaker 1>good lyrics. I think that there are some, But I

0:30:13.160 --> 0:30:15.640
<v Speaker 1>think that overall the same way that you told me

0:30:15.840 --> 0:30:19.480
<v Speaker 1>that like a at a certain point, we we get it.

0:30:20.000 --> 0:30:21.560
<v Speaker 1>I think that that's how I feel about a lot

0:30:21.600 --> 0:30:23.640
<v Speaker 1>of club hits because I'm like, here are all the

0:30:23.760 --> 0:30:27.160
<v Speaker 1>things that I at least because because of who I am,

0:30:27.200 --> 0:30:29.480
<v Speaker 1>Because I'm like, you know, you know me, but if

0:30:29.640 --> 0:30:32.520
<v Speaker 1>if you're listening, you might not. I'm like a nerd.

0:30:32.680 --> 0:30:36.600
<v Speaker 1>I'm like, I'm like a pretty Uh would you would?

0:30:36.760 --> 0:30:38.320
<v Speaker 1>What would you call it? I'm like, you got that

0:30:38.400 --> 0:30:41.440
<v Speaker 1>book learning person, you know, yeah, you got the book

0:30:41.520 --> 0:30:44.680
<v Speaker 1>learning you real chill um. I mean I don't have

0:30:44.800 --> 0:30:47.800
<v Speaker 1>this much with the club themes. So that that's why

0:30:47.920 --> 0:30:50.040
<v Speaker 1>I'm That's what knocks me out of it, because I'm

0:30:50.080 --> 0:30:53.440
<v Speaker 1>just like, well, I don't drink um, you know, I'm

0:30:53.440 --> 0:30:56.960
<v Speaker 1>more of a relationship person. I don't I can't do

0:30:57.160 --> 0:31:02.000
<v Speaker 1>the the the mushon together strangers. You know, I have

0:31:02.160 --> 0:31:04.840
<v Speaker 1>to I have to know a person. So a lot

0:31:04.920 --> 0:31:07.040
<v Speaker 1>of that, a lot of that stuff is out for me.

0:31:07.560 --> 0:31:09.680
<v Speaker 1>I mean, I'm not in the harlot out here just

0:31:09.800 --> 0:31:14.240
<v Speaker 1>rubbing up against any man anytime, dicking jamal ud say

0:31:14.320 --> 0:31:16.160
<v Speaker 1>that was that was it at all? I'm sorry. That's

0:31:16.160 --> 0:31:19.320
<v Speaker 1>what knocks me out. I'm not talking, I hear you.

0:31:19.480 --> 0:31:21.920
<v Speaker 1>I mean it's like, you know, sometimes you know, some

0:31:22.000 --> 0:31:24.600
<v Speaker 1>man starts rubbing on you and you're like, okay, start

0:31:24.720 --> 0:31:27.760
<v Speaker 1>get off me. You feel broke? Beat it? Um wait

0:31:27.840 --> 0:31:29.720
<v Speaker 1>wait wait wait wait wait wait wait wait wait wait

0:31:29.760 --> 0:31:33.320
<v Speaker 1>wait wait wait wait wait wait wait. Sorry to digress again,

0:31:34.000 --> 0:31:41.680
<v Speaker 1>but how does somebody dance broke? How does somebody dance

0:31:41.760 --> 0:31:47.760
<v Speaker 1>behind you broke? It's a feeling, It's it's a vibe,

0:31:48.040 --> 0:31:50.680
<v Speaker 1>it's a it's just a it's just a knowing. Like

0:31:50.920 --> 0:31:53.040
<v Speaker 1>I've only probably been in a relationship like one really

0:31:53.080 --> 0:31:58.960
<v Speaker 1>good man and he was a convicted felon, so, which

0:31:59.040 --> 0:32:05.280
<v Speaker 1>is neither here nor there. So just like the American

0:32:05.400 --> 0:32:09.480
<v Speaker 1>justice system hates us, uh, But like, for instance, I

0:32:09.560 --> 0:32:12.720
<v Speaker 1>can spot a trash ass dude from fifty paces. I

0:32:12.760 --> 0:32:15.479
<v Speaker 1>could feel him right, just like I always know when

0:32:15.480 --> 0:32:17.640
<v Speaker 1>I see a theater kid. You always know, like within

0:32:17.720 --> 0:32:20.040
<v Speaker 1>five seconds of talking to somebody, Like when people are

0:32:20.080 --> 0:32:21.720
<v Speaker 1>like I'm a comic and I was like, no, you're

0:32:21.720 --> 0:32:25.480
<v Speaker 1>an open micer like stuff. Um, it's kind of like

0:32:25.560 --> 0:32:28.200
<v Speaker 1>the same kind of thing. But there have been times

0:32:28.240 --> 0:32:29.720
<v Speaker 1>where you just be out and some dude to just

0:32:29.800 --> 0:32:31.640
<v Speaker 1>come up behind you and you're just like, dude, no,

0:32:32.440 --> 0:32:33.920
<v Speaker 1>because like some days you go out, You're like, I

0:32:34.000 --> 0:32:35.880
<v Speaker 1>just want to dance with my friends. I'm not here

0:32:35.920 --> 0:32:38.400
<v Speaker 1>to give some man a partial erection. Get off me

0:32:38.760 --> 0:32:42.720
<v Speaker 1>right now, this is my question. So I had a dude,

0:32:42.720 --> 0:32:44.520
<v Speaker 1>so we were out one night because like I quit

0:32:44.600 --> 0:32:46.200
<v Speaker 1>wearing heels to the club because I was just like,

0:32:47.360 --> 0:32:50.320
<v Speaker 1>it's stupid, right, I don't want to be in this girl.

0:32:50.400 --> 0:32:51.640
<v Speaker 1>I don't want to be in the group of girls

0:32:51.680 --> 0:32:54.400
<v Speaker 1>around a pile of shoes. Like I'm okay, keep dropping

0:32:54.440 --> 0:32:57.240
<v Speaker 1>cups in here. The Flora's slippery, my busting my ass,

0:32:57.680 --> 0:32:59.400
<v Speaker 1>this is all a fire has it. I'm not doing it.

0:33:00.080 --> 0:33:02.160
<v Speaker 1>But this dude came up behind me one time at

0:33:02.160 --> 0:33:07.400
<v Speaker 1>a club in Atlanta, and I was dancing and then

0:33:07.440 --> 0:33:12.480
<v Speaker 1>he came up behind me and I stopped moving and

0:33:12.560 --> 0:33:14.880
<v Speaker 1>he was like hey, and I was like no, and

0:33:14.960 --> 0:33:17.320
<v Speaker 1>he started hitting me on my side and I'm like, sir,

0:33:17.560 --> 0:33:20.920
<v Speaker 1>i am not sea biscuit. Stop hitting me on my side.

0:33:22.400 --> 0:33:24.920
<v Speaker 1>I'm not I'm not doing it. No, thank you. And

0:33:25.720 --> 0:33:27.120
<v Speaker 1>when he came up behind me, I was just like,

0:33:28.200 --> 0:33:34.840
<v Speaker 1>I feel unsavory individual. Uh Like, sometimes you're just known

0:33:34.880 --> 0:33:37.040
<v Speaker 1>as a criminal behind like sometimes you just know they

0:33:37.160 --> 0:33:39.320
<v Speaker 1>like this is not a good part. There's plans have

0:33:39.440 --> 0:33:43.600
<v Speaker 1>them and tricked just recently, just a fooled. But also

0:33:43.640 --> 0:33:45.120
<v Speaker 1>sometimes you just want to go out. You wanna be

0:33:45.200 --> 0:33:47.040
<v Speaker 1>with your friends, and I don't want some man behind

0:33:47.120 --> 0:33:51.640
<v Speaker 1>me like off me, get off beat a nerd. So

0:33:52.440 --> 0:33:55.120
<v Speaker 1>like I understand, but there is those times'm like listening

0:33:55.200 --> 0:33:57.360
<v Speaker 1>to like you know, club hits and stuff like that

0:33:57.400 --> 0:34:01.120
<v Speaker 1>where I'm just like, all right, we're drinking again. We're

0:34:01.200 --> 0:34:03.760
<v Speaker 1>drinking again, we're taking all the drugs again. We're getting

0:34:03.800 --> 0:34:07.720
<v Speaker 1>these hos and not as other ships. So it's just

0:34:09.160 --> 0:34:11.960
<v Speaker 1>you can get too full of one or the other. Right.

0:34:12.600 --> 0:34:14.000
<v Speaker 1>It's like when you go to like a Latin club

0:34:14.080 --> 0:34:16.239
<v Speaker 1>and they're just like, Okay, we're gonna play my get

0:34:16.239 --> 0:34:17.840
<v Speaker 1>for a little bit. We're gonna pay Chat for a

0:34:17.880 --> 0:34:19.440
<v Speaker 1>little bit more and play Sausa for a little bit,

0:34:19.600 --> 0:34:21.440
<v Speaker 1>because like if you're just hearing like a salt like

0:34:21.560 --> 0:34:25.680
<v Speaker 1>salsa all night long or by Chopped or Anger or

0:34:25.680 --> 0:34:28.800
<v Speaker 1>any of that, because of the dance that you do

0:34:28.960 --> 0:34:32.320
<v Speaker 1>to those songs, basically the same melody just said a

0:34:32.360 --> 0:34:34.359
<v Speaker 1>little bit different and then it's just someone else singing

0:34:34.400 --> 0:34:38.200
<v Speaker 1>about being in love. So atter a certain point, you're

0:34:38.239 --> 0:34:40.560
<v Speaker 1>just like, I can't hear this song again. But if

0:34:40.600 --> 0:34:43.480
<v Speaker 1>you put on Swave mente, it's going down, please know

0:34:43.560 --> 0:34:47.399
<v Speaker 1>that about me. But like I feel the way about

0:34:47.440 --> 0:34:49.239
<v Speaker 1>Swave and Mentate like I feel about NK a few buck,

0:34:49.360 --> 0:34:51.640
<v Speaker 1>Like that's where I am with both of It's just

0:34:51.760 --> 0:34:54.000
<v Speaker 1>like if it comes on, I go all the words

0:34:54.960 --> 0:34:56.840
<v Speaker 1>it's going down. We used to singing in the hallway

0:34:56.840 --> 0:35:01.000
<v Speaker 1>in my high school, um so just somebody would just

0:35:01.000 --> 0:35:03.719
<v Speaker 1>be in the Harvey and somebody else save thing and

0:35:03.920 --> 0:35:07.960
<v Speaker 1>everybody going to classes, bestman, and then we keep going

0:35:08.040 --> 0:35:10.799
<v Speaker 1>to class, so also in the Joe to see who. Yeah,

0:35:11.120 --> 0:35:14.440
<v Speaker 1>we had fun. So but it does get to a

0:35:14.520 --> 0:35:17.320
<v Speaker 1>point where you're just like I can't hear about the

0:35:17.360 --> 0:35:20.320
<v Speaker 1>club shot anymore. I can't hear about the social sit anymore.

0:35:20.840 --> 0:35:23.640
<v Speaker 1>You just have to. That's why I can confusing people

0:35:23.680 --> 0:35:26.279
<v Speaker 1>like don't listen to different genres of music, Like so

0:35:26.560 --> 0:35:30.080
<v Speaker 1>this is all you listen to. I have met people

0:35:30.160 --> 0:35:35.120
<v Speaker 1>like that. It's wild. I'll throw on it like it's listening.

0:35:35.239 --> 0:35:37.800
<v Speaker 1>I have Like the other day I listened to Ariana

0:35:37.840 --> 0:35:42.879
<v Speaker 1>Grande but chat to song and then a gospel song

0:35:43.040 --> 0:35:47.439
<v Speaker 1>and this was one two three yeah. Yeah. So it's

0:35:47.880 --> 0:35:52.280
<v Speaker 1>like people people who would agree with me about conscious

0:35:52.480 --> 0:35:56.040
<v Speaker 1>rap that only listened to it, and they're too much

0:35:56.120 --> 0:35:59.640
<v Speaker 1>for me. I'm like, hey, unlessia, unless you're gonna go

0:35:59.760 --> 0:36:03.680
<v Speaker 1>do uthing, we can't just sit here like I've been.

0:36:03.800 --> 0:36:05.800
<v Speaker 1>I've been in those sessions where you just chill with

0:36:05.880 --> 0:36:08.239
<v Speaker 1>a fread and they're like, oh yeah, put on put

0:36:08.320 --> 0:36:10.440
<v Speaker 1>on that other album, put on that other album. And

0:36:10.520 --> 0:36:13.760
<v Speaker 1>I'm like, this clearly doesn't motivate you to do anything

0:36:13.840 --> 0:36:20.520
<v Speaker 1>because because they're sad, Josh, because they're sad. At least

0:36:20.600 --> 0:36:22.319
<v Speaker 1>when you're listening to a little John you least want

0:36:22.320 --> 0:36:24.239
<v Speaker 1>to get up and run around or just yell yeah,

0:36:24.520 --> 0:36:29.600
<v Speaker 1>like you want to do something. Yeah, but is the

0:36:29.719 --> 0:36:32.560
<v Speaker 1>sound track to my friends getting arrested? That Like, like

0:36:33.760 --> 0:36:36.200
<v Speaker 1>I'm telling you that's I think that's the other reason

0:36:36.320 --> 0:36:39.320
<v Speaker 1>why I don't vide with club stuff as much, because

0:36:39.400 --> 0:36:42.440
<v Speaker 1>I just have a lot of bad memory. Okay, this

0:36:42.600 --> 0:36:44.239
<v Speaker 1>is that this may have to be cut. This is

0:36:44.320 --> 0:36:46.879
<v Speaker 1>five though. But I went to a club one time

0:36:46.960 --> 0:36:49.640
<v Speaker 1>where it was a local you talked about you don't

0:36:49.680 --> 0:36:53.600
<v Speaker 1>want to hear local conscious rap. That's like, what's going

0:36:53.680 --> 0:36:56.359
<v Speaker 1>on over there? What I tell you that a lot

0:36:56.480 --> 0:36:59.440
<v Speaker 1>of because you're from Atlanta, so I think I think

0:37:00.000 --> 0:37:04.799
<v Speaker 1>afely say, you've been spoiled with good like underground hip hop,

0:37:04.920 --> 0:37:07.440
<v Speaker 1>beats good. You know, a lot of it's trash. A

0:37:07.520 --> 0:37:10.480
<v Speaker 1>lot of the time you'll see some dude and you're

0:37:10.520 --> 0:37:13.120
<v Speaker 1>at a club or something or a bar. You're at

0:37:13.160 --> 0:37:15.320
<v Speaker 1>a club and then theyre does have some local act

0:37:15.920 --> 0:37:17.640
<v Speaker 1>come up and just tell you what's happening on, like

0:37:18.000 --> 0:37:22.160
<v Speaker 1>Bouldercrest and you're just like, yeah, that's one street dude,

0:37:22.280 --> 0:37:25.279
<v Speaker 1>or like whatever they're doing on the South Side, and

0:37:25.360 --> 0:37:29.239
<v Speaker 1>I'm like, hey, man, like you gotta Also, I think

0:37:29.320 --> 0:37:35.399
<v Speaker 1>you're dry snitching first and foremost. Yeahs, that's that's I think.

0:37:35.440 --> 0:37:38.040
<v Speaker 1>That's my other issue is that a lot of these

0:37:38.280 --> 0:37:42.440
<v Speaker 1>these club hits are not they're not put together in

0:37:42.520 --> 0:37:45.239
<v Speaker 1>the most creative way. So then you just end up

0:37:45.440 --> 0:37:49.120
<v Speaker 1>presenting Exhibit A in court like like you don't you

0:37:49.200 --> 0:37:51.200
<v Speaker 1>don't have anything else? Does that you don't have any

0:37:51.480 --> 0:37:54.320
<v Speaker 1>sort of flowery language to hide the fact that this

0:37:54.480 --> 0:37:58.320
<v Speaker 1>is exactly what you did, Like yeah, it's like okay,

0:37:58.400 --> 0:38:00.279
<v Speaker 1>and I shot him and it was like, you know,

0:38:00.320 --> 0:38:02.719
<v Speaker 1>there's like a whole camp of sketch about it where

0:38:03.440 --> 0:38:08.160
<v Speaker 1>it was Tuesday. Yeah, and you're like, guys, you're making

0:38:08.280 --> 0:38:10.719
<v Speaker 1>me nervous because I'm here to watch the show. Like

0:38:10.840 --> 0:38:14.719
<v Speaker 1>they I'm an accessory, so what's happening right now? But

0:38:14.840 --> 0:38:17.440
<v Speaker 1>it's like, but I think they're there's a place for

0:38:17.560 --> 0:38:20.279
<v Speaker 1>both of them. I just think for me it's I mean,

0:38:20.360 --> 0:38:22.760
<v Speaker 1>I do understand that it's a way to let people

0:38:22.880 --> 0:38:26.840
<v Speaker 1>know who aren't on the up and up when it

0:38:26.960 --> 0:38:30.840
<v Speaker 1>comes to like getting their news or before there was

0:38:30.920 --> 0:38:35.560
<v Speaker 1>like social media and you really only knew you didn't

0:38:35.680 --> 0:38:40.960
<v Speaker 1>have a whole worldwide kind of like perception of what

0:38:41.160 --> 0:38:44.280
<v Speaker 1>was really happening in other places. So I think socially

0:38:44.280 --> 0:38:48.799
<v Speaker 1>conscious rap could tell you what was happening somewhere else.

0:38:48.840 --> 0:38:51.040
<v Speaker 1>Because the West Coast came out was some club boppers

0:38:51.200 --> 0:38:55.760
<v Speaker 1>South known for it, but like I don't know because

0:38:55.840 --> 0:38:58.320
<v Speaker 1>like you know, when I like, you know, one of

0:38:58.400 --> 0:39:02.000
<v Speaker 1>our friends just howstainly likes to ship on like Southern

0:39:02.080 --> 0:39:05.520
<v Speaker 1>hip hop because he thinks that Northern hip hop is better.

0:39:05.640 --> 0:39:07.560
<v Speaker 1>And I'm just like, what do you niggas do when

0:39:07.560 --> 0:39:12.000
<v Speaker 1>you go to the club, truly, truly, if you're in

0:39:12.080 --> 0:39:14.640
<v Speaker 1>here playing Wu Tang all that, what are you really

0:39:15.560 --> 0:39:17.920
<v Speaker 1>because the thing is they're talking about that much different

0:39:17.960 --> 0:39:21.319
<v Speaker 1>ship It's it's just the beat is different. Like your

0:39:21.400 --> 0:39:24.359
<v Speaker 1>issue is like how they sound and what the beat

0:39:24.440 --> 0:39:28.839
<v Speaker 1>sounds like. But it's like, no one's really I've never

0:39:29.000 --> 0:39:32.080
<v Speaker 1>been because even like those fucking like spoken with shows,

0:39:32.239 --> 0:39:35.880
<v Speaker 1>how depressing the neo soul shows is just like, okay,

0:39:36.080 --> 0:39:39.440
<v Speaker 1>everyone in here is you're currently I don't know how

0:39:39.480 --> 0:39:41.720
<v Speaker 1>you burn in sense in your own dreads, but whatever.

0:39:42.400 --> 0:39:45.720
<v Speaker 1>So it's like I get it, alright. White man's religion

0:39:45.840 --> 0:39:47.920
<v Speaker 1>is trash, got it, got it, got it, got it.

0:39:48.200 --> 0:39:50.359
<v Speaker 1>These crystals will help you cool cool, cool cool cool,

0:39:50.520 --> 0:39:53.360
<v Speaker 1>that's what you believe in. Fine, funk with it. But

0:39:53.800 --> 0:39:56.000
<v Speaker 1>you get in those shows, I'm just like, okay, everyone's

0:39:56.000 --> 0:40:00.080
<v Speaker 1>in earth tones and they're still talking about fucking it

0:40:00.440 --> 0:40:02.600
<v Speaker 1>like that's the thing. At the end of the day,

0:40:02.840 --> 0:40:06.600
<v Speaker 1>everybody's talking about fucking, and whatever way you're doing it,

0:40:08.080 --> 0:40:10.920
<v Speaker 1>you're talking about fucking. So like, I think, like one

0:40:10.960 --> 0:40:13.439
<v Speaker 1>of the best examples, like a socially conscious rap song

0:40:13.760 --> 0:40:15.360
<v Speaker 1>that I could funk with, it's like, you know, the

0:40:15.400 --> 0:40:20.200
<v Speaker 1>Tupac song Brenda is having a baby. Great example of

0:40:20.600 --> 0:40:23.799
<v Speaker 1>a socially conscious song that you can bop to, right,

0:40:24.239 --> 0:40:26.840
<v Speaker 1>it's like, damn team, pregnancy is a problem in our community.

0:40:27.680 --> 0:40:38.640
<v Speaker 1>Also a I also was like in college when like

0:40:38.719 --> 0:40:41.480
<v Speaker 1>a Little John was popping off, when that whole crunk

0:40:41.640 --> 0:40:45.120
<v Speaker 1>music ship was popping off, I was in college. Yeah,

0:40:45.360 --> 0:40:47.680
<v Speaker 1>well that's That's a huge thing with music though, is

0:40:47.800 --> 0:40:50.800
<v Speaker 1>that I've been told and this is not it's not

0:40:50.960 --> 0:40:54.280
<v Speaker 1>science or anything, but I haven't been seeing it proved

0:40:54.320 --> 0:40:57.120
<v Speaker 1>wrong yet that whatever you listened to in high school

0:40:57.320 --> 0:40:59.239
<v Speaker 1>and the early part of college is going to be

0:40:59.360 --> 0:41:02.279
<v Speaker 1>music to you forever. You're never gonna get broken from

0:41:02.360 --> 0:41:06.359
<v Speaker 1>that thing. Like if you liked a specific thing when

0:41:06.440 --> 0:41:08.480
<v Speaker 1>you were in high school, even if you veer away

0:41:08.560 --> 0:41:10.600
<v Speaker 1>from it, you're always gonna have a soft spot for

0:41:10.719 --> 0:41:14.800
<v Speaker 1>like that that little piece of the genre, right, Like

0:41:14.880 --> 0:41:17.160
<v Speaker 1>I always like, you know, it's like I was also

0:41:17.280 --> 0:41:20.200
<v Speaker 1>in like middle school and like when Nirvana was popping off,

0:41:20.360 --> 0:41:24.880
<v Speaker 1>or like, um the amount of hood at the amount

0:41:24.960 --> 0:41:28.600
<v Speaker 1>of I don't think that the Red Hot Chili Peppers

0:41:28.680 --> 0:41:30.919
<v Speaker 1>know how many black people funk with them. I don't

0:41:30.920 --> 0:41:33.919
<v Speaker 1>think they know. I don't think they wouldn't know they would.

0:41:34.680 --> 0:41:37.680
<v Speaker 1>I think they I think they might notice that there

0:41:38.040 --> 0:41:40.359
<v Speaker 1>are plenty of them at the concert, but I don't

0:41:40.400 --> 0:41:45.160
<v Speaker 1>think they They don't know enough to then be like

0:41:45.440 --> 0:41:48.560
<v Speaker 1>we would like to do the Source Awards. I don't

0:41:48.600 --> 0:41:52.480
<v Speaker 1>know if it's that deep. I'll say that it's like

0:41:55.360 --> 0:41:59.879
<v Speaker 1>all of subourbon black people I knew really funk with them.

0:42:00.480 --> 0:42:02.400
<v Speaker 1>I think about like there's so many times where I

0:42:02.480 --> 0:42:05.959
<v Speaker 1>was like trying to like listen to socially conscious wrap

0:42:06.080 --> 0:42:08.720
<v Speaker 1>and been like okay, and I feel like I should

0:42:08.719 --> 0:42:12.000
<v Speaker 1>be taking notes. Like every time I listened to one

0:42:12.000 --> 0:42:14.640
<v Speaker 1>of those songs, I'm just like, oh, we have such

0:42:14.880 --> 0:42:17.920
<v Speaker 1>we have such Like it's just like it's holding a

0:42:18.040 --> 0:42:21.080
<v Speaker 1>mirror up to America. It's holding up your mirrors up here,

0:42:21.120 --> 0:42:26.239
<v Speaker 1>like experience as a black person in America, and I'm

0:42:26.280 --> 0:42:31.319
<v Speaker 1>just like, I don't want this. I don't want this. Um,

0:42:32.239 --> 0:42:35.839
<v Speaker 1>I mean, I understand what you're saying, but like I think,

0:42:35.920 --> 0:42:39.520
<v Speaker 1>like when it comes to like the lyrics, because like

0:42:40.239 --> 0:42:43.359
<v Speaker 1>we can all we can both agree that like Little

0:42:43.400 --> 0:42:48.160
<v Speaker 1>Wayne is l Wayne is amazing, like the use of

0:42:48.239 --> 0:42:50.840
<v Speaker 1>a metaphor the use of as similar, like the imagery

0:42:50.880 --> 0:42:53.960
<v Speaker 1>is ship like it's you can don't do that. I

0:42:54.120 --> 0:42:57.720
<v Speaker 1>so appreciate the concession that you're making at the common

0:42:57.800 --> 0:43:03.200
<v Speaker 1>ground that you're trying to build. But I Little Wayne

0:43:03.280 --> 0:43:09.640
<v Speaker 1>is my one where I'm like, I don't don't really care. Okay,

0:43:09.960 --> 0:43:12.919
<v Speaker 1>I here's the thing. I respect his you know, people

0:43:12.960 --> 0:43:16.640
<v Speaker 1>talk about lyricism, people talk about his um adaptability and

0:43:16.760 --> 0:43:21.160
<v Speaker 1>how he's kept his music consistently relevant over the years.

0:43:21.320 --> 0:43:23.759
<v Speaker 1>I completely respect that. But overall, if you want to

0:43:23.760 --> 0:43:26.120
<v Speaker 1>talk about voices, you want to talk about Kendrick's voice,

0:43:26.400 --> 0:43:32.480
<v Speaker 1>Little Wayne. Six babies that got possessed by one big baby,

0:43:32.560 --> 0:43:35.920
<v Speaker 1>all talking at the same time. I've never heard I've

0:43:36.000 --> 0:43:41.000
<v Speaker 1>never heard Little Wayne sound like a grown man. You

0:43:41.160 --> 0:43:43.719
<v Speaker 1>did his first album when he was fourteen. What it's

0:43:43.760 --> 0:43:45.839
<v Speaker 1>confusing to me about Little Wayne is that he had

0:43:45.880 --> 0:43:50.480
<v Speaker 1>a deeper voice at fourteen. Yeah, then he does right now.

0:43:51.000 --> 0:43:53.000
<v Speaker 1>But it's just the way he performed. It's just his

0:43:53.160 --> 0:43:57.040
<v Speaker 1>performance voice, I guess because I think when you hear

0:43:57.120 --> 0:44:01.040
<v Speaker 1>him talking like an interview, that sound like an adult,

0:44:01.320 --> 0:44:04.080
<v Speaker 1>but then he sounds dangerous. Then I'm like, no, if

0:44:04.080 --> 0:44:07.040
<v Speaker 1>I don't know if we could be friends, Okay, we

0:44:07.160 --> 0:44:09.480
<v Speaker 1>both know you'd never be friends. A little way I

0:44:09.560 --> 0:44:15.040
<v Speaker 1>could try. I mean, listen, honestly, everybody has somebody to

0:44:15.080 --> 0:44:18.120
<v Speaker 1>talk to, you know, maybe I can. It's so funny

0:44:18.120 --> 0:44:20.400
<v Speaker 1>because like, have ever had been friends with somebody and

0:44:20.480 --> 0:44:22.840
<v Speaker 1>when of your other friends was like, I wouldn't expect

0:44:22.880 --> 0:44:24.160
<v Speaker 1>you to be friends with them, and you just go,

0:44:24.520 --> 0:44:28.960
<v Speaker 1>I don't know what that means, but it sounds like disrespect. Yeah, yeah, like,

0:44:29.040 --> 0:44:31.120
<v Speaker 1>oh your friends, I wouldn't have expected that. I'm like,

0:44:31.239 --> 0:44:33.440
<v Speaker 1>I don't know if we're gonna I didn't see that coming. Like,

0:44:33.440 --> 0:44:34.799
<v Speaker 1>I don't know if we're gonna stay friends. We keep

0:44:34.840 --> 0:44:40.000
<v Speaker 1>having a conversation, but like, okay, it's like I understand,

0:44:40.239 --> 0:44:45.600
<v Speaker 1>Like my concession would be, it's reporting the news, right,

0:44:45.760 --> 0:44:48.040
<v Speaker 1>It's telling what's happening in your hood, because sometimes like

0:44:48.120 --> 0:44:51.879
<v Speaker 1>you feel like what's happening to you where you live

0:44:52.600 --> 0:44:54.600
<v Speaker 1>sometimes feel like this is the only You're the only

0:44:54.680 --> 0:44:57.960
<v Speaker 1>one going through that so like when it's like when

0:44:58.000 --> 0:45:00.960
<v Speaker 1>you have like more visibility of life when you just

0:45:01.040 --> 0:45:05.360
<v Speaker 1>incruise visibility of different groups of people, so like you know,

0:45:05.480 --> 0:45:10.520
<v Speaker 1>minority groups, people with different like you know, plus size people,

0:45:10.640 --> 0:45:13.000
<v Speaker 1>people in the disabled community, people in the l g B,

0:45:13.120 --> 0:45:14.920
<v Speaker 1>t q I A community, you know, the v I,

0:45:15.040 --> 0:45:18.000
<v Speaker 1>P O C community, like all of these groups, like

0:45:18.080 --> 0:45:21.840
<v Speaker 1>we're not We're starting to see more, right, You're like, Okay,

0:45:22.160 --> 0:45:24.759
<v Speaker 1>It's like it's almost like a representation thing, which just like, oh,

0:45:25.200 --> 0:45:27.640
<v Speaker 1>so you know how your hood is sucked up. Guess

0:45:27.760 --> 0:45:31.399
<v Speaker 1>what my hood is also fucked up? What's happening over here?

0:45:31.760 --> 0:45:34.239
<v Speaker 1>I can understand. I can give you that concession work

0:45:34.280 --> 0:45:36.400
<v Speaker 1>and kind of just show people like you're not the

0:45:36.520 --> 0:45:41.360
<v Speaker 1>only ones going through this. Sure, But at the same time,

0:45:42.360 --> 0:45:45.960
<v Speaker 1>you can't play it at a party though. My concession

0:45:46.000 --> 0:45:52.160
<v Speaker 1>to you is that I definitely definitely have enjoyed many

0:45:52.480 --> 0:45:56.160
<v Speaker 1>club hits over the years, and while I don't always

0:45:57.080 --> 0:46:00.360
<v Speaker 1>I don't always vibe with everything that comes out, there's

0:46:00.440 --> 0:46:05.080
<v Speaker 1>usually one about each topic that I'm like, Okay, I

0:46:05.200 --> 0:46:08.239
<v Speaker 1>arrivee with this. This is this is like so, so

0:46:08.520 --> 0:46:12.920
<v Speaker 1>you know, we talked about money, sex, alcohol, all the stuff.

0:46:13.040 --> 0:46:15.080
<v Speaker 1>I have at least every year, I feel like I

0:46:15.120 --> 0:46:17.839
<v Speaker 1>have at least one money song, one alcohol song, one

0:46:17.880 --> 0:46:20.480
<v Speaker 1>sex song out of the out of the club hits

0:46:21.120 --> 0:46:23.840
<v Speaker 1>that I that's just to me, undeniably good, and for

0:46:24.000 --> 0:46:26.960
<v Speaker 1>that reason, I can understand why going down that rabbit

0:46:27.000 --> 0:46:31.000
<v Speaker 1>hole more. I might. I'm I might be more into

0:46:31.280 --> 0:46:35.919
<v Speaker 1>club hits eventually. Okay, now listen, now, when I find

0:46:35.960 --> 0:46:40.480
<v Speaker 1>me a husban, right, maybe they'll bees we find one

0:46:40.480 --> 0:46:43.239
<v Speaker 1>when I start saying the word correctly. I don't know. Um,

0:46:44.000 --> 0:46:45.479
<v Speaker 1>of course it would be right. It's in my wedding

0:46:45.760 --> 0:46:53.640
<v Speaker 1>right now. On the program for the way, it will

0:46:53.800 --> 0:47:00.799
<v Speaker 1>have a designated time t swag surf. It is going

0:47:00.920 --> 0:47:05.000
<v Speaker 1>to happen. Okay, how do you feel about that song?

0:47:05.480 --> 0:47:09.040
<v Speaker 1>I can start preparing now and then and then I

0:47:09.120 --> 0:47:11.440
<v Speaker 1>think I'll be good to go. So you don't know

0:47:11.480 --> 0:47:14.120
<v Speaker 1>how to swag serve. I don't know how to swags serve. Well,

0:47:14.880 --> 0:47:19.280
<v Speaker 1>m m, that's not required the way that I swag serve,

0:47:19.400 --> 0:47:22.239
<v Speaker 1>though I most of the dances I think I know

0:47:22.360 --> 0:47:27.799
<v Speaker 1>how to do. I've been told to stop. Yeah. Now

0:47:27.840 --> 0:47:30.080
<v Speaker 1>I go to a club and I try to dance

0:47:30.120 --> 0:47:33.400
<v Speaker 1>toward these club hits. I'm you I usually end up

0:47:33.400 --> 0:47:35.520
<v Speaker 1>having to apologize. It's about it because I don't know

0:47:35.600 --> 0:47:38.480
<v Speaker 1>how it is that that no one else is knocking

0:47:38.600 --> 0:47:41.000
<v Speaker 1>drinks out of people's hands. It's just me, but I'm

0:47:41.320 --> 0:47:43.760
<v Speaker 1>I'm trying to stay coredy. I've tried to stay on beat.

0:47:45.640 --> 0:47:47.600
<v Speaker 1>As someone who has known you for a few years now,

0:47:49.200 --> 0:47:52.000
<v Speaker 1>you do strike me as someone who has a body

0:47:53.440 --> 0:47:55.960
<v Speaker 1>that would not match up well to music. This is

0:47:56.239 --> 0:47:59.160
<v Speaker 1>exactly like the Kendrick that because I already said what

0:47:59.320 --> 0:48:01.839
<v Speaker 1>I did, I didn't need you to add to the thing.

0:48:02.160 --> 0:48:05.080
<v Speaker 1>Thank you so much for listening to our podcast. Hold

0:48:05.200 --> 0:48:08.439
<v Speaker 1>up or is it called hold up? Hold up? There

0:48:08.600 --> 0:48:11.960
<v Speaker 1>is no way that we can get off a podcast

0:48:12.440 --> 0:48:15.759
<v Speaker 1>talking about club hits without talking about the song that

0:48:15.880 --> 0:48:19.200
<v Speaker 1>has caused us the most amount of contention. And what

0:48:19.320 --> 0:48:21.640
<v Speaker 1>are you talking about? You know exactly the song I'm

0:48:21.680 --> 0:48:24.160
<v Speaker 1>talking about. Don't you look at me. I tend to

0:48:24.280 --> 0:48:27.200
<v Speaker 1>wipe things that I think are absolute trash from memory.

0:48:27.520 --> 0:48:30.480
<v Speaker 1>I tend to I tend to try to scrub that

0:48:30.760 --> 0:48:33.360
<v Speaker 1>out of my consciousness. Don't act like you don't know

0:48:33.400 --> 0:48:36.719
<v Speaker 1>what I'm talking about. That's right. The Amazing crime Mob

0:48:36.920 --> 0:48:40.040
<v Speaker 1>hit nuck. If you buck, don't act like I wasn't

0:48:40.080 --> 0:48:43.480
<v Speaker 1>gonna bring it up. Here's the thing, here's the here's

0:48:43.480 --> 0:48:49.120
<v Speaker 1>the Nuck if You Buck is probably one of the

0:48:49.280 --> 0:48:54.560
<v Speaker 1>songs that I most despise because it's not It's not

0:48:54.760 --> 0:49:00.480
<v Speaker 1>only is it not good flies, it just doesn't make

0:49:01.120 --> 0:49:03.440
<v Speaker 1>any sense to me. So we were having a thing

0:49:03.520 --> 0:49:05.920
<v Speaker 1>at work one day. We were talking about if there

0:49:06.040 --> 0:49:09.440
<v Speaker 1>was a new Negro spiritual. I cannot believe we went

0:49:09.480 --> 0:49:11.400
<v Speaker 1>this long, I bringing us up. If there was a

0:49:11.480 --> 0:49:16.479
<v Speaker 1>new Negro spiritual, what would it be? I of course said,

0:49:16.560 --> 0:49:19.600
<v Speaker 1>nuck if You Buck. Josh came out of fucking not

0:49:19.760 --> 0:49:24.399
<v Speaker 1>even left field the parking lot of a baseball game

0:49:25.280 --> 0:49:31.720
<v Speaker 1>and said Georgia, but not the Ray Charles version of Georgia,

0:49:32.360 --> 0:49:37.919
<v Speaker 1>the ludicrous version with Jamie Fox singing the Ray Charles verse.

0:49:39.160 --> 0:49:40.560
<v Speaker 1>I didn't know. I thought it had to be a

0:49:40.640 --> 0:49:42.680
<v Speaker 1>hip hop song. If I had known, it was just

0:49:42.800 --> 0:49:48.160
<v Speaker 1>completely I picked a hip hop, no any any song

0:49:48.760 --> 0:49:53.080
<v Speaker 1>in the realm of blackness. I picked nuck if You Buck?

0:49:53.120 --> 0:49:55.759
<v Speaker 1>That has brought many people together but also divided so

0:49:55.960 --> 0:49:59.560
<v Speaker 1>many and you as many people as it has set free.

0:50:00.040 --> 0:50:02.239
<v Speaker 1>One The issue was you brought up a song that

0:50:02.480 --> 0:50:06.360
<v Speaker 1>only I knew and you knew anyone else in the

0:50:06.400 --> 0:50:11.600
<v Speaker 1>conversation because it was right, And I made it just

0:50:11.960 --> 0:50:13.880
<v Speaker 1>you and me thing because it was just you. I

0:50:13.920 --> 0:50:15.440
<v Speaker 1>didn't know you were gonna blast it out to the

0:50:15.520 --> 0:50:17.040
<v Speaker 1>rest of the office. It was. It was a blast.

0:50:17.200 --> 0:50:19.560
<v Speaker 1>It wasn't blasted out like that. It wasn't blasted out

0:50:19.600 --> 0:50:21.440
<v Speaker 1>like that because there were other black people standing in

0:50:21.480 --> 0:50:24.040
<v Speaker 1>their room. We're having this conversation, and they all leeched you, like,

0:50:24.520 --> 0:50:29.680
<v Speaker 1>what song is that? Even Alonso Boden, Uncle Alonso, who

0:50:29.800 --> 0:50:32.560
<v Speaker 1>was in the office one day, said knock a few buck,

0:50:32.800 --> 0:50:36.920
<v Speaker 1>of course, and he knew the song. Even someone who's

0:50:36.960 --> 0:50:39.000
<v Speaker 1>not even who was black, who woul didn't even grow

0:50:39.120 --> 0:50:43.439
<v Speaker 1>up in America, who is British, was like, of course,

0:50:43.520 --> 0:50:45.480
<v Speaker 1>like a few buck. And I said why And they're like,

0:50:45.520 --> 0:50:48.800
<v Speaker 1>because how it makes you feel? Now? I understand that

0:50:48.880 --> 0:50:50.960
<v Speaker 1>you don't like this song, because what did you tell me?

0:50:51.040 --> 0:50:55.440
<v Speaker 1>It sounds like to you? I don't remember. I can

0:50:55.520 --> 0:50:58.360
<v Speaker 1>tell you because it hurt me, you said, but it

0:50:58.480 --> 0:51:00.560
<v Speaker 1>hurt because it was accurate. Okay, it didn't hurt me,

0:51:00.640 --> 0:51:02.360
<v Speaker 1>hurt me. But I was like, damn, he's right. You

0:51:02.600 --> 0:51:05.719
<v Speaker 1>said that knuck if you buck sounds like a G E.

0:51:05.920 --> 0:51:09.160
<v Speaker 1>D getting thrown down the hallway of a juvenile detention center.

0:51:10.400 --> 0:51:13.880
<v Speaker 1>I do recall that, now. Yeah, Now, anyone I've ever

0:51:13.960 --> 0:51:17.120
<v Speaker 1>said that too has been like, he's completely accurate. But

0:51:18.040 --> 0:51:22.200
<v Speaker 1>the song still slaps. That song still slaps, Okay. And

0:51:22.280 --> 0:51:25.480
<v Speaker 1>the thing is, this became a running thing in the office.

0:51:25.800 --> 0:51:29.840
<v Speaker 1>So me being the individual that I am, got Josh

0:51:29.920 --> 0:51:33.439
<v Speaker 1>a trophy that said for knocking and bucking and being

0:51:33.520 --> 0:51:38.040
<v Speaker 1>ready to fight Josh Johnson. Now, I was gonna say

0:51:38.120 --> 0:51:40.520
<v Speaker 1>first place, but I was telling Roy about it, and

0:51:40.640 --> 0:51:44.279
<v Speaker 1>Roy said, no, put runner up, which makes it so

0:51:44.480 --> 0:51:47.279
<v Speaker 1>much funnier, It makes it so much mainer. And you

0:51:47.400 --> 0:51:53.879
<v Speaker 1>also it was it was it. I felt hazed because

0:51:54.000 --> 0:51:56.520
<v Speaker 1>I was I was new. I didn't like I hadn't

0:51:56.560 --> 0:51:58.600
<v Speaker 1>been at the show that long and I and you

0:51:58.760 --> 0:52:01.000
<v Speaker 1>mailed it to me. You couldn't just bring it to

0:52:01.120 --> 0:52:03.680
<v Speaker 1>me like a regular Christian. You mailed it to me.

0:52:04.040 --> 0:52:07.640
<v Speaker 1>So then I got sent down to security to get

0:52:07.680 --> 0:52:09.960
<v Speaker 1>my mail. And I was excited because I had never

0:52:10.080 --> 0:52:12.000
<v Speaker 1>got mail at the show before. I was like, who

0:52:12.080 --> 0:52:14.400
<v Speaker 1>knows that I'm here? And I opened it up and

0:52:14.480 --> 0:52:22.880
<v Speaker 1>it was that travesty, the way you looked when you

0:52:23.000 --> 0:52:25.560
<v Speaker 1>walked in my office holding it down by your side.

0:52:27.840 --> 0:52:29.600
<v Speaker 1>You know, if you've made it this far and listening

0:52:29.680 --> 0:52:33.200
<v Speaker 1>to the podcast, you're absolute Jim. He really appreciate you.

0:52:33.480 --> 0:52:35.440
<v Speaker 1>I just want to thank you all for me, for

0:52:35.600 --> 0:52:39.400
<v Speaker 1>us listening. I didn't want to bring up not if

0:52:39.440 --> 0:52:41.359
<v Speaker 1>you Buck at the beginning conversation because I didn't want

0:52:41.360 --> 0:52:44.120
<v Speaker 1>to Josh to be mad at me the entire time. Um,

0:52:44.840 --> 0:52:46.960
<v Speaker 1>but we had to bring up the Pinnacle. I mean,

0:52:46.960 --> 0:52:48.520
<v Speaker 1>we talked about Little John. We have talked about the

0:52:48.560 --> 0:52:55.400
<v Speaker 1>Pinnacle Club hit the banger Ah Bangers okay, banger of

0:52:55.480 --> 0:52:59.800
<v Speaker 1>all bankers, really making me regret my concession. Um, so

0:53:00.040 --> 0:53:03.040
<v Speaker 1>much for listening. I'm Josh Johnson and I'm du Say

0:53:03.160 --> 0:53:06.959
<v Speaker 1>Sloan and you've been listening to a bit of hold

0:53:07.040 --> 0:53:14.399
<v Speaker 1>Up because we held up their lives. We'll be back

0:53:14.480 --> 0:53:22.520
<v Speaker 1>with more hold Up in the future future. Bye. Thank you.

0:53:26.680 --> 0:53:28.480
<v Speaker 1>Listen to Hold Up wherever you get your podcast and

0:53:28.520 --> 0:53:31.880
<v Speaker 1>watch the video version at Daily show dot com. Backslash

0:53:31.960 --> 0:53:32.400
<v Speaker 1>hold Up