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Speaker 1: Hey, everybody, We're in DC March twenty third. Maul is

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Speaker 1: going to storm the capitol and we cannot wait. Let

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Speaker 1: us know what the declaration of independence is. Like, well,

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Speaker 1: I mean you were there already, but anyways, Howard Theater,

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Speaker 1: March twenty third, Washington, d C.

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Speaker 2: We cannot wait, Maul cannot wait.

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Speaker 1: It's an election year, so we'll be at the edge

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Speaker 1: of our seats when we go to our nation's capital.

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Speaker 1: It's gonna be an amazing show. Who knows who's gonna

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Speaker 1: pop up. I met Bill.

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Speaker 3: You never know, the big Oh you're a big guy.

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Speaker 4: No, Willian.

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Speaker 5: Now it's like, wow, man, Wow.

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Speaker 1: Y'all.

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Speaker 6: We are back. Good to see you.

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Speaker 7: Guys.

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Speaker 6: Back from the weekend. Had an interesting week and I

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Speaker 6: went to the movies. You know, that's my my interesting

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Speaker 6: weekends whenever I go to the movies by yourself. Yes,

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Speaker 6: because you used to shit on me for years for

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Speaker 6: going to the movie. No, but then no, don't do that,

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Speaker 6: because then I told you how wrong I was about that.

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Speaker 6: And it's actually a pretty like peaceful thing.

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Speaker 1: I think it's the only way to go to the movies,

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Speaker 1: not the only way, but you know, it is a

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Speaker 1: cool way to go I'd rather just be at home

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Speaker 1: and watch a movie with somebody, and I'd rather go

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Speaker 1: to the movies by myself.

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Speaker 6: But it's common the same though.

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Speaker 1: If I'm in the movies, I'm there just just for

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Speaker 1: the movie, not for the experience with the other person. Yeah,

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Speaker 1: but if i'm there, if I'm watching sound the big

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Speaker 1: ass screen, if I could just stay at home with somebody.

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Speaker 6: I mean, first of all, staying at home is always

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Speaker 6: the number one thing to do, but I think watching

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Speaker 6: the movie is cool. Go to the movies with people

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Speaker 6: definitely depends on what type of movie it is, and

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Speaker 6: definitely depends on who you're with, because there's such thing

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Speaker 6: as movie theater etiquette. A lot of your friends don't

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Speaker 6: have movie theater etiquette. A lot of girls they want

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Speaker 6: to be on their phone checking Snapchat, and a lot

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Speaker 6: of girls have that light up case with the whole

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Speaker 6: phone lights up, and everybody in the theater is disturbed

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Speaker 6: because you want to check your snap or your Instagram

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Speaker 6: with this whole light thing on your case. So definitely

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Speaker 6: don't want to go to the movies with those type

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Speaker 6: of girls.

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Speaker 1: There's a great stand up bit here between white people

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Speaker 1: going to the movies and black people without sleeping alone.

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Speaker 6: You'll leave that alone.

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Speaker 1: No, why the most cliches stand up bit of all time. Yeah,

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Speaker 1: black people speaking in a movie there.

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Speaker 4: I like those movies though. I like when black people movies.

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Speaker 6: No, when white people go to when black people go

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Speaker 6: to the theater in loud, so other theater.

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Speaker 8: You like that when it's the type of movie that

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Speaker 8: requires certain interactions.

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Speaker 3: No movie requires crowd participation.

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Speaker 6: But no, no, no. But I know what she mean though,

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Speaker 6: because sometimes if you're watching the movie and it's somebody

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Speaker 6: in the theater that's laughing hysterically at a part that

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Speaker 6: you thought was funny too, it makes like you'll start

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Speaker 6: laughing because you're like, Yo, that was fun I'm talking about.

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Speaker 9: I'm talking about like in a classic Ski serial color

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Speaker 9: movie and there's the killers around the corner and someone

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Speaker 9: in the back goes run bitch.

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Speaker 3: It's like it's that, I'm sorry, we don't need that.

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Speaker 4: If it is, that's kind of like an ad lib.

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Speaker 6: That's nothing.

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Speaker 4: Mad that to me.

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Speaker 6: I'm not mad at.

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Speaker 4: Don't oh d on it.

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Speaker 8: But every once in a while with that happens, like

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Speaker 8: that's like if you're or if you're watching like a

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Speaker 8: ridiculous movie. Like when I went to see Aquaman two,

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Speaker 8: there were people that they are like uh like because

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Speaker 8: we were. It was like a collective.

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Speaker 6: Everybody realized, why did we spend our money to come

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Speaker 6: see this regular again?

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Speaker 3: Every time the hero pops up, you're like man again.

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Speaker 6: You know what's crazy about Aquaman now that I think

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Speaker 6: about it, His power is that he could talk to

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Speaker 6: all the fishing to see.

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Speaker 10: Right.

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Speaker 1: Yes, I didn't see Jaws attack anybody like point I

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Speaker 1: was a great White and Aquaman two doesn't kill nothing,

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Speaker 1: orca nothing, none of these.

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Speaker 4: None of there wasn't the affair.

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Speaker 6: But like he just summons them to come help them,

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Speaker 6: and I didn't see them kill anybody.

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Speaker 3: He doesn't mobilize him to like do stuff. No, they're

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Speaker 3: just there.

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Speaker 6: Like he calls them when he's about to like go

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Speaker 6: fight whoever he's fighting.

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Speaker 1: But you don't want him, none of fight. But like

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Speaker 1: you don't see them in action. You don't see like

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Speaker 1: a jaw, like a great white like kill anything. You

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Speaker 1: don't see an orca killing anything.

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Speaker 2: It's like what he's called like flounders. I didn't see it.

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Speaker 6: No, it's him with his it's him with his pitch

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Speaker 6: fork called neo.

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Speaker 1: Yeah, it's just like yo, I want to see like

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Speaker 1: make it that, make the sharks kill something, make the

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Speaker 1: fish on fish violence.

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Speaker 2: Well, who is his like enemy?

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Speaker 1: Who is he fighting?

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Speaker 6: He's always fighting just random people like the other ocean.

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Speaker 2: But are they in the ocean.

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Speaker 6: They're doing stuff in the ocean, so they try to

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Speaker 6: land in the land people that try to do things

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Speaker 6: in the ocean. You understand what I'm saying.

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Speaker 1: It's like one of those type of like don't pollute

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Speaker 1: the ocean type of Achaman is really captain planet but

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Speaker 1: just like more handsome. But like if I was losing

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Speaker 1: the fight, I could just like take a step onto

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Speaker 1: the sand and I'd be out of the fight, right, No.

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Speaker 6: He could, well Alcamen can value on saying.

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Speaker 2: But like can he do anything to me and the

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Speaker 2: breathing world?

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Speaker 4: Yes, he's half human.

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Speaker 6: He can breathe.

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Speaker 2: Not no, he can breathe. But like does he have

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Speaker 2: any special powers?

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Speaker 4: Like I mean he can fight?

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Speaker 1: Like is it is it a fair one? If we're

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Speaker 1: on the board.

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Speaker 6: Got he's out numbered because the fish or not?

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Speaker 11: Was it?

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Speaker 6: Say's point?

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Speaker 3: He can't like call the lions and girafts. They don't

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Speaker 3: funk with him.

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Speaker 6: No, he just awkw with anything in the water. Is

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Speaker 6: he he owns?

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Speaker 1: What if I had a gun? Roll credits, Yes, But

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Speaker 1: that's see on land he's out numbered because but even

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Speaker 1: in the warter, he's out number because the sharks are

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Speaker 1: not killing nothing for him.

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Speaker 9: What if you don't got nobody slided back? Nobody did

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Speaker 9: a casual oil spill. There goes his whole team and

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Speaker 9: that's dump some oil.

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Speaker 1: That little little fucking loser kid got free willy to

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Speaker 1: jump over the rocks, like he can't even give he

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Speaker 1: could do that way?

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Speaker 4: Why did he have to be a loser? Like why he.

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Speaker 1: Then the movie start with him like throwing a baseball

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Speaker 1: through a window because his parents were arguing, like shut

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Speaker 1: up and take your trauma. He's like, oh god, the

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Speaker 1: argument and like just randomly throws a brand new baseball

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Speaker 1: through a window. That kid should not be around marine life.

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Speaker 9: I mean, if your best friends are way impulsive, that's

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Speaker 9: a pretty long to tell.

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Speaker 6: Yeah, those are those are the school shooters right there.

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Speaker 4: Michael Jackson's best friend was a rat.

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Speaker 6: So you guys are one of my best friends was

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Speaker 6: a rat. I just found out two years ago.

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Speaker 1: It is what it is me and me and a

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Speaker 1: kick a pop got more in common, Like, yeah, that's

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Speaker 1: what happens, y'all.

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Speaker 6: Don't never we don't never tell that story. Like when

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Speaker 6: one of your homies that you grew up with, that

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Speaker 6: you was crazy cool with and y'all get old and

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Speaker 6: he do something he rat like it literally tells understand

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Speaker 6: it's like, damn, you got to delete that whole chapter

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Speaker 6: in your life. You got to delete that. You can't

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Speaker 6: be friends with him no more, or you can. I

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Speaker 6: don't know, that's up to you. I mean, I just don't.

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Speaker 2: We're not really the audience that's been through the experience.

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Speaker 6: You never had a friend that rad it.

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Speaker 1: Like rated for real, like like sattle tales sure.

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Speaker 6: Like in court?

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Speaker 2: No, yeah, I got to live more, not like a

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Speaker 2: like a friend though, I like, I.

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Speaker 1: Know we're not doing that. We're not doing a friend.

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Speaker 1: I'm not going to even call me out. I'm not

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Speaker 1: doing I would never say names. But you have a

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Speaker 1: friend that's a rat or well you're not friends. I

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Speaker 1: don't know where y'all staying today. But oh yeah that

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Speaker 1: was alleged. I don't know alleged. I know we're talking

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Speaker 1: about the same I know him as well.

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Speaker 6: Yeah, yeah, no he did.

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Speaker 1: I know him very well. I saw him at a

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Speaker 1: baby shower not too long ago.

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Speaker 6: Yeah, rat.

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Speaker 1: He rat it. He's a rat. Yeah, he's a rat.

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Speaker 1: We all got to we're not We're not friends anymore.

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Speaker 1: So I'm saying, but, but, but but you were friends

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Speaker 1: after that? I was, Yeah, but I honestly didn't know.

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Speaker 1: I was not friends with him when I was in

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Speaker 1: high school when that whole thing happened. Okay, okay, we

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Speaker 1: became friends when I was like twenty okay, twenty one.

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Speaker 1: But my thing is that we all I had heard

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Speaker 1: rumors about it. But then see, this is where it

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Speaker 1: got weird too, because he went to jail as well.

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Speaker 2: I visited him at Rikers Island.

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Speaker 1: Like, it's not like he told everyone, went to jail

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Speaker 1: and did pretty much close the same. Moneys, Well, your

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Speaker 1: man did a little bit more. But he's a good

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Speaker 1: dude too. So what happened you rad to get less

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Speaker 1: of though I was at I'll tell a quick story,

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Speaker 1: I totally forgot about that entire thing. I really thought

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Speaker 1: I had you in a corner until I realized, yes,

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Speaker 1: somebody that was really I was. I was at a

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Speaker 1: birthday party. How I really found out about most of

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Speaker 1: it was I went to a birthday party and I

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Speaker 1: got there a little bit early, and then I got

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Speaker 1: cornered by like three people, one of which he had

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Speaker 1: just came home and was like, Yo, your man's coming tonight.

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Speaker 1: And I'm like, what fuck are you talking about? Then

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Speaker 1: I got the story. Yeah, and I can't lie. I

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Speaker 1: was a little uncomfortable in that bar, being surrounded by

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Speaker 1: four people, one who was fresh home and like, yo,

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Speaker 1: your best friend was he? Yet I don't know? Yeah why?

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Speaker 1: I thought this was a kapa thingy.

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Speaker 6: No, that's not.

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Speaker 1: Then then a girl cornered me and screened at me.

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Speaker 1: That was awkward. I'm like, guys, I was in high

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Speaker 1: school in this happened. I have no idea what the fuck.

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Speaker 6: You're talking about? So, yeah, you do excluded from that.

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Speaker 1: Damn even you know about that? I thought that was

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Speaker 1: like internal, No.

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Speaker 6: That's my people from uptown, like his family, his his

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Speaker 6: his cousin and me are cool.

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Speaker 1: Gosh, you okay, we're cool people. He's a good dude.

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Speaker 1: Though we get along at the baby shower, was all

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Speaker 1: all fun.

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Speaker 3: That's so.

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Speaker 6: I mean, it happens, man, But I don't know, man,

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Speaker 6: everyone did the time, Well listen, it is what it is.

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Speaker 6: But I went to the movies this weekend. I did.

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Speaker 6: I went to go see the Book of Clarence. Shout

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Speaker 6: out to James Samuel on another good, a great project.

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Speaker 6: I thought it was really good. I en, George, I

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Speaker 6: love to spend on the whole story of Jesus of

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Speaker 6: Nazareth and giving that perspective on it, Jesus of ISRAELI me, well,

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Speaker 6: yes too, so sorry, too soon. But I do love

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Speaker 6: James sam in the way he's depicting his movies and

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Speaker 6: his stories, telling it from our our perspective and our culture.

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Speaker 6: Just a beautiful, beautiful story. And I think that a

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Speaker 6: lot of people that didn't see this because I went

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Speaker 6: to the theater and it was empty. I almost thought

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Speaker 6: it wasn't showing at the theater. But like we spoke

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Speaker 6: about it off Mike, a lot people didn't know about

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Speaker 6: the movie coming out this week, and a lot of

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Speaker 6: people didn't know what the movie was about. If you

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Speaker 6: do have a chance, go see The Book of Clarence.

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Speaker 6: Is a great movie. Another edition of James Samuel in

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Speaker 6: another edition to his collection of movie and film, And

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Speaker 6: I thought it was dope.

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Speaker 3: I liked it.

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Speaker 1: It did. I mean, we knew about the movie obviously,

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Speaker 1: because we knew when James was shooting it. But I

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Speaker 1: did see a lot of people feeling like this just

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Speaker 1: sprung up kind of out of nowhere, and there wasn't

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Speaker 1: a lot of lead time with the promo. Even the

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Speaker 1: convo with Elliott, Jay and James, which was great, I

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Speaker 1: almost feel like was kind of underpromoted. Like even some

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Speaker 1: of the clips that came out were like bad cell

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Speaker 1: phone videos and like, I don't know, just it felt

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Speaker 1: like it was a secret.

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Speaker 6: It felt no, it felt like that in the theater,

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Speaker 6: Like I'm telling you, I went to the theater and

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Speaker 6: I was surprised at how empty the theater was. I

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Speaker 6: couldn't believe that the theater was that empty.

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Speaker 2: But it was in select ones. It's gonna go to

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Speaker 2: streaming soon, right.

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Speaker 6: It wasn't in all theaters though, because there was certain

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Speaker 6: theaters that I usually go to to watch, like if

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Speaker 6: I go see a movie like I just like did it.

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Speaker 6: It wasn't in those theaters. I had to go to

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Speaker 6: like a different one. But it isn't theaters, so I

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Speaker 6: don't know. Again, it was promoted it wasn't promoted. Well,

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Speaker 6: A lot of people didn't know it was out this weekend.

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Speaker 6: A lot of people didn't know the soundtrack was out.

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Speaker 6: I don't know, it just was underpromoted.

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Speaker 1: I guess you know. I'm a whole venger, but I

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Speaker 1: didn't know we're gonna start with Clarence. But I was

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Speaker 1: prepared to come in here and be objective about Jay Z. Okay, one,

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Speaker 1: I'll start with the topic that we're discussing now. I

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Speaker 1: think studios and production companies need to stop relying on

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Speaker 1: Jay Z for promo. Okay, I'm not saying a negative way,

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Speaker 1: but I understand that that's a big card and it's

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Speaker 1: gonna get me to click something at any point. But

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Speaker 1: I don't know if there's a million people just like

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Speaker 1: me in that regard. I think when Jay launches a

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Speaker 1: lot of stuff, his team relies on just Jay to

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Speaker 1: do one thing and like it's over and that's going

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Speaker 1: to be the promo. Jay did one thing. He popped out,

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Speaker 1: said hello, they took a photo with Beyonce, and that's

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Speaker 1: the only promo we need to do for the remainder

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Speaker 1: of this entire thing. Like I saw James at Breakfast

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Speaker 1: Club which was great, but we're talking about a forty

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Speaker 1: million dollar move is a major picture. Yeah, you can't

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Speaker 1: rely on just jay Z to get the word out

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Speaker 1: three days before the release. He's powerful, but he's not.

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Speaker 1: He's not literally the only promotion that you should not.

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Speaker 6: No, he's not.

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Speaker 1: Julian, thank you for that, cause I feel like even

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Speaker 1: even Beyonce doesn't do that, Like even Beyonce puts more

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Speaker 1: promo assets and build up for certain stuff, Like I

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Speaker 1: just think some people just lean on Jay Like even

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Speaker 1: when a lot of times with like the roster with Rock,

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Speaker 1: sometimes I've seen it's like, well, if this isn't bubbling,

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Speaker 1: let's just throw a picture with Hove in the office.

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Speaker 1: And it's like not just think things needs to add

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Speaker 1: a few more things around that when it's something of

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Speaker 1: this magnitude.

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Speaker 6: I think things have changed significantly in the way promotion

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Speaker 6: needs to go and needs to happen. I think that's

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Speaker 6: a very old card that people use when it's just

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Speaker 6: you know, put jay Z's name on something, or stand

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Speaker 6: next to jay Z or have jay Z come out

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Speaker 6: to the video this that and third cool that's still

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Speaker 6: a great thing because great, look talking about one of

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Speaker 6: the greatest artists, greatest rapper ever. So it is a

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Speaker 6: great look. But at the end of the day, like

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Speaker 6: you said, I think the consumers are just different now.

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Speaker 6: Consumers are not just like that's cool, but what about

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Speaker 6: the product though, Like I don't care about you know,

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Speaker 6: the name, How great is the product? How good is

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Speaker 6: the product? And I think that's where, excuse me, a

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Speaker 6: lot of consumers are now. They care more about the

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Speaker 6: end results. It's not about the bells and the whistles

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Speaker 6: that you put around the whole thing. It's about, Okay,

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Speaker 6: what am I paying for? What am I getting? And

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Speaker 6: I think that a lot of people need to focus

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Speaker 6: more on just delivering great quality, because when you deliver

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Speaker 6: a great quality, great quality promotes itself. Yeah, you can

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Speaker 6: have everybody show up to the premiere, everybody show up

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Speaker 6: look great and addressed. Cool. If the product is terrible,

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Speaker 6: none of that matters.

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Speaker 1: And because I went to the heart of They Fall premiere,

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Speaker 1: which was great, and I think they grabbed a lot

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Speaker 1: of promo clips for that one, which similar case James

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Speaker 1: directing produced by Jay z.

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Speaker 6: If that was the Neflix, wasn't it. Yeah, So that's different.

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Speaker 2: Of course, way more money with promotion in that regard.

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Speaker 1: But if you look at and I'm not going to

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Speaker 1: pretend like I know the movie business or how to

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Speaker 1: market it correctly, I'm simply speaking as a consumer that's observing.

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Speaker 1: I'm just a consumer in this. I've noticed that when

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Speaker 1: there's premieres for huge movies, down a fucking Scorsese movie,

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Speaker 1: we don't ever really see the premiere. It's not that

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Speaker 1: big of a deal as far as promo goes. They

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Speaker 1: put promo into everything else with these movies. It feels

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Speaker 1: like the premiere is the only promo piece. My second

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Speaker 1: thing here to hate on Hope. I want to start

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Speaker 1: by saying the soundtrack is great. James fucking smoked it.

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Speaker 1: I had that on repeat. I didn't really get around

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Speaker 1: to most of the albums because I was listening.

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Speaker 6: To when you see the movie and how the music

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Speaker 6: plays into the movie is dope smoke.

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Speaker 1: The soundtrack that Doja and Kodak Black record is fucking crazy.

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Speaker 1: Kodak went nuts. I forget sometimes how dope Kodak is

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Speaker 1: when he feels like rapping, rapping.

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Speaker 2: He was rapping on that shit. Content was great. Dojah

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Speaker 2: went Nuts.

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Speaker 1: Hats off the most unnecessary jay Z verse I've ever

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Speaker 1: heard in my entire life. Just make it a ten

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Speaker 1: minute d'angelo's song. I feel you like, either commit or don't.

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Speaker 1: I didn't know where he was taking us, Like wherever

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Speaker 1: he took us, I didn't go. I was just waiting

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Speaker 1: for it to go somewhere, and it didn't really go anywhere.

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Speaker 1: And I get like trying to put a different spin

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Speaker 1: on it because it's di Angelo and understand the inflections

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Speaker 1: in your voice. With the type of record I saw

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Speaker 1: the attempt, it just felt unnecessary.

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Speaker 2: I think like it was a weird point in the

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Speaker 2: song that just didn't need to be.

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Speaker 6: I think that it's we're at a point where we're

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Speaker 6: just so used to hearing Jay a certain type of way,

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Speaker 6: and when we hear it, hear him do different things,

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Speaker 6: especially at this stage in his career. It's kind of like,

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Speaker 6: I don't know if I wanted that from Jay.

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Speaker 1: I'm fine with experimenting, and I'm not saying I wanted

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Speaker 1: a God did verse on this Dangel record. I don't

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Speaker 1: think it called for that. It just felt so incomplete.

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Speaker 1: I'm fine with an experiment. If Jay gave us a

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Speaker 1: better verse in that type of tone, and that was

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Speaker 1: only what like eight bars, maybe like twelve. Yeah, I

380
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Speaker 1: just didn't really know where where was going. It was

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Speaker 1: just unnecessary. It was the first time where I was like,

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Speaker 1: I really just didn't need that that jay verse, and

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Speaker 1: that's never happened before.

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Speaker 6: Well, I mean, then that's okay. I think that this

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Speaker 6: was a different type of sound, a different type of

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Speaker 6: First of all, we haven't I don't remember the last

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Speaker 6: time we even heard D'Angelo.

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Speaker 9: Oh, this was more than a twelve. It just felt

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Speaker 9: like no, it was just Yeah, the cadence was weird.

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Speaker 9: It sounded spoken wordy.

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Speaker 1: I would have been fine with if he delivered better

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Speaker 1: incomplete thought find spoken word.

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Speaker 6: Yeah, it was like random, sporadic thought.

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Speaker 3: Yeah, he was doing it. It was more couplet base

395
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Speaker 3: rather than he drew out.

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Speaker 6: That was just like his thoughts in his head and

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Speaker 6: he just kind of threw them out there on the

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Speaker 6: beat like so it was. It was. It was unorthodox.

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Speaker 6: It was verox.

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Speaker 9: But even to Roy's point because when we came in

401
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Speaker 9: Friday and we were talking about it, when the official

402
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Speaker 9: whole song came out, we were like, okay, the leak

403
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Speaker 9: was the full verse, so we were out of the

404
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Speaker 9: impression of Okay, this is this is like the the

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Speaker 9: pre verse, mumble like, talk through the talk through. What

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Speaker 9: am I going to say on this verse before I

407
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Speaker 9: really get into it? And then we came out and

408
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Speaker 9: we heard it. We're like, oh no, this is That

409
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Speaker 9: was the verse.

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Speaker 3: That's it.

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Speaker 9: The next seven minutes is D'Angel, which is great, but

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Speaker 9: that was the verse. There's no okay, I've found this.

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Speaker 9: Let me really lock in and give you because I

414
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Speaker 9: also am like against the God did versus cool, but

415
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Speaker 9: I'm against the whole like cut the beat on and

416
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Speaker 9: let him go for sixty four bars like we don't

417
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Speaker 9: need to do that every time.

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Speaker 6: He could have just.

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Speaker 9: Done like a cool sixteen or like thirty to now

420
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Speaker 9: would have been dope like after this, but yeah, I

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Speaker 9: mean it just didn't.

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Speaker 1: If you're gonna do if you're gonna do a ten

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Speaker 1: minute song, that's where I'm saying. It felt pointless. Yeah,

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Speaker 1: if this was a four minute song you wanted to

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Speaker 1: get that Jay and dan'low moment, and this filled up

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Speaker 1: a minute of the song, I'd still be disappointed in

427
00:18:16,920 --> 00:18:19,119
Speaker 1: the verse, but I would see the purpose of it.

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Speaker 1: If you have ten minutes and then just randomly throw

429
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Speaker 1: this in the middle, it's like, if you're gonna do

430
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Speaker 1: ten minutes, let jay Z really do something here.

431
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Speaker 6: Yeah, but definitely was unorthodox. Definitely wasn't expecting that type

432
00:18:30,840 --> 00:18:35,040
Speaker 6: of flow and that type of cadence. But the overall

433
00:18:35,080 --> 00:18:37,000
Speaker 6: soundtrack is really good though, and especially in the flow

434
00:18:37,000 --> 00:18:39,440
Speaker 6: of the movie in the scenes that they use certain

435
00:18:39,520 --> 00:18:42,439
Speaker 6: songs really well put together. Jim, but James's, you know,

436
00:18:42,840 --> 00:18:43,679
Speaker 6: his hands on with everything.

437
00:18:43,680 --> 00:18:48,359
Speaker 1: He's a producer, director, writer, artist like he's he's hands

438
00:18:48,359 --> 00:18:50,359
Speaker 1: on with everything, so he he has his vision in

439
00:18:50,400 --> 00:18:52,200
Speaker 1: his mind and I think he did a great job

440
00:18:52,240 --> 00:18:54,280
Speaker 1: at putting his vision out to everybody.

441
00:18:54,320 --> 00:18:56,520
Speaker 6: And again we should support it. So if you haven't

442
00:18:56,520 --> 00:18:59,159
Speaker 6: seen Book of Clarence, go check it out, go support it.

443
00:18:59,160 --> 00:19:02,280
Speaker 6: Shout out to jameson on another great job. I'll tell

444
00:19:02,280 --> 00:19:03,119
Speaker 6: a very quick story.

445
00:19:03,760 --> 00:19:08,760
Speaker 1: I think I was in the studio the same time

446
00:19:10,119 --> 00:19:13,040
Speaker 1: this was cut or was being mixed in October when

447
00:19:13,040 --> 00:19:14,840
Speaker 1: I guess remember when I blocked out a whole week

448
00:19:16,320 --> 00:19:17,919
Speaker 1: to start on the second album. So I was at

449
00:19:17,920 --> 00:19:19,760
Speaker 1: Flux Studio. Shout out to Flux love that place. And

450
00:19:19,760 --> 00:19:21,800
Speaker 1: again I have no Danseel could have cut this in Australia.

451
00:19:21,880 --> 00:19:25,440
Speaker 1: I have no idea if what I'm saying is accurate.

452
00:19:25,760 --> 00:19:28,399
Speaker 1: But in the basement of Flux, there's two studios. I

453
00:19:28,440 --> 00:19:30,880
Speaker 1: was in one, the other one was closed, and there's

454
00:19:30,920 --> 00:19:32,760
Speaker 1: like a water cooler area in between.

455
00:19:33,640 --> 00:19:36,280
Speaker 2: So I was going back to get water or use

456
00:19:36,320 --> 00:19:37,360
Speaker 2: the bathroom.

457
00:19:37,400 --> 00:19:39,200
Speaker 1: And he was trying to hear what they was working,

458
00:19:39,240 --> 00:19:40,960
Speaker 1: and it was right next to the studio and it

459
00:19:41,040 --> 00:19:42,080
Speaker 1: was like, is that D'Angelo?

460
00:19:43,000 --> 00:19:44,760
Speaker 6: So then you had to go to the bathroom seven times.

461
00:19:44,960 --> 00:19:47,280
Speaker 1: Then I went back into the studio and I told

462
00:19:47,440 --> 00:19:50,600
Speaker 1: Yanni Child that was like, I think DiAngelo is the

463
00:19:50,640 --> 00:19:51,359
Speaker 1: next door and he was.

464
00:19:51,359 --> 00:19:54,000
Speaker 2: Like, get the come on, shut up. So we both

465
00:19:54,080 --> 00:19:55,240
Speaker 2: kept walking back and forth.

466
00:19:55,320 --> 00:19:58,240
Speaker 1: I started pulling out Shazam because I was like, maybe

467
00:19:58,280 --> 00:20:00,600
Speaker 1: this like this, I don't know this Angelo's song and

468
00:20:00,600 --> 00:20:03,159
Speaker 1: I know it's catalog pretty fucking well. Wasn't popping up

469
00:20:03,160 --> 00:20:05,480
Speaker 1: on Shazam Like this is weird.

470
00:20:05,920 --> 00:20:07,560
Speaker 2: Then another engineer came.

471
00:20:07,680 --> 00:20:09,720
Speaker 1: I was like like, I don't want to be that guy,

472
00:20:09,760 --> 00:20:13,119
Speaker 1: but like D'Angelo in there, he's like they're doing something.

473
00:20:13,400 --> 00:20:15,879
Speaker 1: He's not in there, but they're doing something. Then I

474
00:20:15,920 --> 00:20:18,200
Speaker 1: went back in the studio and another engineer came and said, Hey,

475
00:20:18,200 --> 00:20:19,480
Speaker 1: can you guys not go over there again.

476
00:20:20,520 --> 00:20:23,640
Speaker 6: Oh yeah, that was definitely. That was definitely Rory going

477
00:20:23,640 --> 00:20:25,520
Speaker 6: over there too many times and then had his phone

478
00:20:25,560 --> 00:20:26,000
Speaker 6: like this at the.

479
00:20:26,000 --> 00:20:28,439
Speaker 9: Door, he dropped the Micah, I was smoother with it

480
00:20:28,600 --> 00:20:30,920
Speaker 9: that you had your ear pressed on the door.

481
00:20:31,280 --> 00:20:33,399
Speaker 1: But you got to understand, like when you're in studio

482
00:20:33,520 --> 00:20:35,800
Speaker 1: sometimes you walk down the hall and just teared. She's like,

483
00:20:35,840 --> 00:20:37,960
Speaker 1: oh wow, was cool. When you hear a D'Angelo song,

484
00:20:38,000 --> 00:20:41,000
Speaker 1: you stopped, like, what the fuck is going on in there?

485
00:20:41,000 --> 00:20:42,600
Speaker 6: Well, he's one of those artists you definitely if he's

486
00:20:42,600 --> 00:20:44,360
Speaker 6: in the studio while you're in the studio, it's kind

487
00:20:44,359 --> 00:20:45,040
Speaker 6: of like, oh shit.

488
00:20:45,200 --> 00:20:46,960
Speaker 1: And I don't know if it was. I can't really

489
00:20:47,000 --> 00:20:51,000
Speaker 1: remember the song because this was in October, but I

490
00:20:51,040 --> 00:20:52,119
Speaker 1: can't think of anything.

491
00:20:51,840 --> 00:20:54,000
Speaker 2: Else to Dan Angelo's put out.

492
00:20:54,119 --> 00:20:57,840
Speaker 6: Recently, or maybe something that he has that's coming pause.

493
00:20:58,640 --> 00:21:01,600
Speaker 1: And it doesn't make sense because they were working on

494
00:21:01,600 --> 00:21:05,520
Speaker 1: one record for you for like six hours, and now

495
00:21:05,520 --> 00:21:07,000
Speaker 1: it makes sense if it was ten minutes that they

496
00:21:07,040 --> 00:21:08,920
Speaker 1: were mixing red.

497
00:21:08,920 --> 00:21:10,679
Speaker 6: They mix it down from six hours to ten minutes.

498
00:21:11,080 --> 00:21:14,200
Speaker 1: Crazy, Yeah, but I don't that story doesn't matter too much,

499
00:21:14,240 --> 00:21:17,720
Speaker 1: but it just made things full circle for Yanni and

500
00:21:17,760 --> 00:21:19,560
Speaker 1: I because the whole time we were bragging the people

501
00:21:19,560 --> 00:21:21,359
Speaker 1: that we were next to a D'Angelo.

502
00:21:21,640 --> 00:21:23,320
Speaker 9: You said you did it. You told people you did it.

503
00:21:23,359 --> 00:21:26,920
Speaker 9: Danelos for sure, he said you did the drums on.

504
00:21:27,320 --> 00:21:29,640
Speaker 6: The you know, you know Rory if Dangelos did, Rory

505
00:21:29,720 --> 00:21:31,640
Speaker 6: was like, Yo, I got this, this track, that'll be

506
00:21:31,880 --> 00:21:32,240
Speaker 6: I would.

507
00:21:32,400 --> 00:21:34,880
Speaker 1: Of course I would do that. Why wouldn't not diangel

508
00:21:35,119 --> 00:21:36,800
Speaker 1: If I was in a session with D'Angelo, I don't

509
00:21:36,800 --> 00:21:38,040
Speaker 1: think I would play any of my beats.

510
00:21:38,359 --> 00:21:40,840
Speaker 6: No, no, not if you were in a session with him.

511
00:21:40,920 --> 00:21:43,160
Speaker 6: If you happened to be in the studio and D'Angelo

512
00:21:43,280 --> 00:21:46,760
Speaker 6: is in another room recording, Hey, you saw D'Angelo, like,

513
00:21:46,800 --> 00:21:48,760
Speaker 6: you would definitely be like, yo, I got this.

514
00:21:49,680 --> 00:21:51,919
Speaker 1: If I wasn't, if he wasn't in the middle of

515
00:21:52,000 --> 00:21:54,880
Speaker 1: actually recording and I felt like it was a downtime,

516
00:21:54,920 --> 00:21:57,760
Speaker 1: of course I would. Why wouldn't you do that?

517
00:21:57,760 --> 00:21:59,760
Speaker 6: That's crazy, that's not crazy.

518
00:22:00,040 --> 00:22:00,800
Speaker 1: How is that? That is?

519
00:22:00,920 --> 00:22:01,200
Speaker 3: You do it?

520
00:22:01,240 --> 00:22:03,200
Speaker 1: And respectful? I'm not gonna if he's in the middle

521
00:22:03,200 --> 00:22:05,640
Speaker 1: of writing or listening to Yo, you want to listen

522
00:22:05,680 --> 00:22:07,679
Speaker 1: to some beats, like, I wouldn't do that. But if

523
00:22:07,720 --> 00:22:11,000
Speaker 1: there was some downtime, I would introduce myself and check

524
00:22:11,040 --> 00:22:11,639
Speaker 1: the temperature.

525
00:22:12,160 --> 00:22:13,840
Speaker 4: Well, I think it beats trashed. That's why he's saying

526
00:22:13,840 --> 00:22:14,440
Speaker 4: this disrespect.

527
00:22:14,480 --> 00:22:14,880
Speaker 1: That's fine.

528
00:22:14,960 --> 00:22:16,520
Speaker 6: No, I'm not saying this beat is Strapp'm just saying

529
00:22:16,560 --> 00:22:19,000
Speaker 6: it's a certain a certain level. No, it's just a

530
00:22:19,000 --> 00:22:22,000
Speaker 6: certain level. It's a certain it's like artists, and.

531
00:22:22,080 --> 00:22:22,800
Speaker 1: It's not at the level.

532
00:22:23,119 --> 00:22:23,239
Speaker 3: No.

533
00:22:23,520 --> 00:22:25,639
Speaker 6: If you if it's your first time meeting D'Angelo, no,

534
00:22:25,720 --> 00:22:28,000
Speaker 6: you should absolutely not pitch your beats on him here.

535
00:22:28,080 --> 00:22:29,680
Speaker 1: I just don't think that if there if I thought

536
00:22:29,680 --> 00:22:32,320
Speaker 1: there was a world where I would maybe meet D'Angelo

537
00:22:32,440 --> 00:22:35,720
Speaker 1: again or we would form some type of relationship, no,

538
00:22:35,840 --> 00:22:38,520
Speaker 1: I would not out the gate be like, yo, listen

539
00:22:38,560 --> 00:22:41,280
Speaker 1: to some stuff. But D'Angelo is D'Angelo.

540
00:22:41,400 --> 00:22:41,520
Speaker 6: Bro.

541
00:22:41,680 --> 00:22:44,359
Speaker 1: If he was at Flux that day, I'm sure he

542
00:22:44,480 --> 00:22:48,560
Speaker 1: disappeared to Antarctica the next day. I'm gonna shoot my

543
00:22:48,600 --> 00:22:50,679
Speaker 1: shot because I don't think I'm going to build a

544
00:22:50,680 --> 00:22:53,080
Speaker 1: relationship with D'Angelo later on or running to be like, hey,

545
00:22:53,119 --> 00:22:54,840
Speaker 1: you remember me at Flux last year, how about you

546
00:22:54,880 --> 00:22:55,720
Speaker 1: listen to some beats now?

547
00:22:56,040 --> 00:22:59,520
Speaker 6: No, I mean listen. I'm never mad at anybody, especially

548
00:22:59,560 --> 00:23:02,640
Speaker 6: like if you're a recording artist. I'm never mad at

549
00:23:02,800 --> 00:23:05,000
Speaker 6: you if you bump into artists that you you know,

550
00:23:05,840 --> 00:23:07,600
Speaker 6: you like or that you would love to work with.

551
00:23:08,240 --> 00:23:12,000
Speaker 6: Never mad at somebody trying to like shoot this shot

552
00:23:12,119 --> 00:23:15,560
Speaker 6: or get there, get an opportunity to work with that artist.

553
00:23:15,760 --> 00:23:17,639
Speaker 6: I me personally, I just feel like, if it's my

554
00:23:17,680 --> 00:23:21,359
Speaker 6: first time ever meeting that artist, I'm never pitching anything

555
00:23:21,400 --> 00:23:24,280
Speaker 6: to them. I'm not doing it because it's just like yo,

556
00:23:24,400 --> 00:23:27,959
Speaker 6: this person like, especially an artists like D'Angelo, he's not

557
00:23:28,119 --> 00:23:31,160
Speaker 6: he doesn't just work with any and everybody like even

558
00:23:31,200 --> 00:23:32,520
Speaker 6: if your music is great.

559
00:23:32,480 --> 00:23:35,800
Speaker 2: I mean he produced if it's not the Soquarians.

560
00:23:35,160 --> 00:23:36,960
Speaker 6: Like this, but this is what I'm saying. So even

561
00:23:36,960 --> 00:23:39,280
Speaker 6: an artist like that is more so like yo, I'm

562
00:23:39,320 --> 00:23:42,199
Speaker 6: just I'm just here to listen and learn whatever from

563
00:23:42,240 --> 00:23:45,159
Speaker 6: this conversation. Take from this conversation. I'm not trying to

564
00:23:45,320 --> 00:23:47,359
Speaker 6: work with him and it's the first time or pitching

565
00:23:47,359 --> 00:23:49,520
Speaker 6: something and it's my first time meeting this artist. I

566
00:23:49,520 --> 00:23:52,199
Speaker 6: would never do that because especially the artists like D'Angelo,

567
00:23:52,240 --> 00:23:54,439
Speaker 6: he's nine times out of ten to one, he's probably

568
00:23:54,520 --> 00:23:57,240
Speaker 6: gonna be pissed that you even did that, or he's

569
00:23:57,240 --> 00:24:00,359
Speaker 6: not he's not gonna do the record. So it's like

570
00:24:01,040 --> 00:24:03,000
Speaker 6: now you're in the space of you look awkward. It's

571
00:24:03,000 --> 00:24:06,720
Speaker 6: awkward now. The energy is just weird now because you know,

572
00:24:06,800 --> 00:24:08,919
Speaker 6: he's like he wasn't receptive to it because he's that

573
00:24:08,960 --> 00:24:11,000
Speaker 6: type of artist. He's not he's not here for that.

574
00:24:11,040 --> 00:24:12,480
Speaker 6: He doesn't even know you, but he's not going to

575
00:24:12,560 --> 00:24:14,160
Speaker 6: work with you. He don't know you the right time.

576
00:24:14,440 --> 00:24:16,439
Speaker 9: Because we've seen so many stories in hip hop of

577
00:24:16,520 --> 00:24:19,919
Speaker 9: the younger artists running into their idol and they do

578
00:24:19,960 --> 00:24:22,239
Speaker 9: it quick whatever, and then they're like, okay, like I

579
00:24:22,359 --> 00:24:24,480
Speaker 9: like that, or like send me something like that, like

580
00:24:24,520 --> 00:24:25,359
Speaker 9: big know who?

581
00:24:25,440 --> 00:24:28,639
Speaker 6: You know who you're pitching to. Di Angelo is not

582
00:24:28,680 --> 00:24:31,480
Speaker 6: somebody that's just jumping on anybody's record. That's not happening,

583
00:24:31,520 --> 00:24:32,480
Speaker 6: of course, not no.

584
00:24:32,720 --> 00:24:34,800
Speaker 1: But I also don't think there's a world where there

585
00:24:34,800 --> 00:24:38,160
Speaker 1: would be a relationship later where you don't know that

586
00:24:38,200 --> 00:24:40,040
Speaker 1: you could you know, I don't want to know that

587
00:24:40,080 --> 00:24:41,960
Speaker 1: because you keep you just put out listening.

588
00:24:41,960 --> 00:24:44,960
Speaker 6: You just put out a phenomenal first record, right, first album, Right,

589
00:24:45,480 --> 00:24:47,400
Speaker 6: You keep doing your thing, you keep building your career.

590
00:24:47,440 --> 00:24:50,640
Speaker 6: The Angelo finds you now. But I think the first

591
00:24:50,680 --> 00:24:52,480
Speaker 6: time that you meet the Angelo you should not pitch

592
00:24:52,480 --> 00:24:53,840
Speaker 6: a record to him. No, I don't. I don't think

593
00:24:53,840 --> 00:24:56,960
Speaker 6: that's not di Angelo. That's like pitching the record. That's

594
00:24:56,960 --> 00:24:59,280
Speaker 6: like pitching a beat to Audre th thousand. He's not

595
00:24:59,359 --> 00:25:02,800
Speaker 6: cutting that, you know, that's not happening. That's not happening.

596
00:25:02,960 --> 00:25:06,120
Speaker 1: I did that. Uh the Hip Boy Nods session, which

597
00:25:06,119 --> 00:25:07,639
Speaker 1: I've told that story. When I walked in, I didn't know.

598
00:25:07,720 --> 00:25:09,159
Speaker 1: NAS was like, what the fuck? It was just me,

599
00:25:09,240 --> 00:25:11,960
Speaker 1: hip Boy and Nas in the fucking studio. I played beats.

600
00:25:12,480 --> 00:25:14,440
Speaker 6: Yeah, but okay, did anybody cut it?

601
00:25:14,560 --> 00:25:17,840
Speaker 1: Cut to the Beatna? They were done? Nas was leading.

602
00:25:17,840 --> 00:25:19,560
Speaker 1: That's why I was meeting with Hip Boy and they

603
00:25:19,560 --> 00:25:22,480
Speaker 1: were finishing up a session. NAS was about to leave

604
00:25:22,520 --> 00:25:25,040
Speaker 1: and hung out for a little bit and they played me.

605
00:25:25,600 --> 00:25:30,159
Speaker 1: I think that was King's disease too around that time. Yeah, whatever,

606
00:25:30,680 --> 00:25:34,199
Speaker 1: They played me some stuff and then as NAS was,

607
00:25:34,400 --> 00:25:36,720
Speaker 1: you know, getting ready to leave whatever, hip Boy just

608
00:25:36,720 --> 00:25:40,280
Speaker 1: passed me the auxiliary. I started playing shit. I played

609
00:25:40,280 --> 00:25:43,199
Speaker 1: a great mob deep flip that he loved. Like it

610
00:25:43,240 --> 00:25:46,280
Speaker 1: didn't amount to anything. But I'm not gonna take that chance.

611
00:25:47,200 --> 00:25:49,359
Speaker 1: If NAS is next to speakers and I have an

612
00:25:49,359 --> 00:25:50,960
Speaker 1: auxiliary records and not play him something.

613
00:25:51,840 --> 00:25:53,800
Speaker 6: I just I just think it's more about knowing who

614
00:25:53,840 --> 00:25:54,520
Speaker 6: the artist is.

615
00:25:55,040 --> 00:25:57,320
Speaker 1: I agree, and I think that as hundred.

616
00:25:57,119 --> 00:25:59,159
Speaker 6: Three thousand, never play a beat for him. He's not

617
00:25:59,200 --> 00:25:59,959
Speaker 6: gonna do shit too.

618
00:26:00,480 --> 00:26:01,919
Speaker 2: I don't know if that's entirely true.

619
00:26:02,520 --> 00:26:05,600
Speaker 6: What he didn't lay beats, he made, beats that he

620
00:26:05,600 --> 00:26:08,760
Speaker 6: didn't rap on. Just he's not even wrapping on his

621
00:26:08,760 --> 00:26:09,160
Speaker 6: own ship.

622
00:26:10,240 --> 00:26:13,320
Speaker 9: So yeah, but to Roy's I still think there's value.

623
00:26:13,320 --> 00:26:16,560
Speaker 9: And I don't think the expectation is I played him something,

624
00:26:16,600 --> 00:26:18,600
Speaker 9: therefore we're going to have a record together. It's just

625
00:26:18,680 --> 00:26:21,520
Speaker 9: why not just be take advantage of that moment and

626
00:26:21,600 --> 00:26:27,080
Speaker 9: just play something like why.

627
00:26:24,200 --> 00:26:27,560
Speaker 6: I'd rather I'd rather I'd rather just have a conversation

628
00:26:27,640 --> 00:26:29,800
Speaker 6: with certain artists. I don't need to play any music.

629
00:26:29,800 --> 00:26:31,639
Speaker 6: I would rather have a conversation to talk to you

630
00:26:31,720 --> 00:26:34,439
Speaker 6: learn from something, something we develop a type of like

631
00:26:34,640 --> 00:26:35,520
Speaker 6: that's what I would rather.

632
00:26:35,800 --> 00:26:38,600
Speaker 9: You're like you're leaning into like the development of a rapport.

633
00:26:38,920 --> 00:26:43,080
Speaker 9: These instances don't come about ever, It's certainly not in

634
00:26:43,119 --> 00:26:46,000
Speaker 9: a repeating way. So like Roy can't be like, all right,

635
00:26:46,040 --> 00:26:48,800
Speaker 9: I'm in the studio sharing a wall with D'Angelo. I'll

636
00:26:48,800 --> 00:26:50,600
Speaker 9: catch him on the next one, like.

637
00:26:50,560 --> 00:26:52,680
Speaker 1: I wouldn't know why he kept going to the water curse,

638
00:26:52,720 --> 00:26:55,439
Speaker 1: Like there's no fucking way Dangelo's but Angelo's, and.

639
00:26:55,359 --> 00:26:57,040
Speaker 6: You keep saying catch him on the next one. Though

640
00:26:57,080 --> 00:26:59,679
Speaker 6: I'm not talking about like that. I'm just saying, like,

641
00:27:00,080 --> 00:27:03,960
Speaker 6: it's certain artists that you just know, like Bro, I wouldn't.

642
00:27:04,080 --> 00:27:06,720
Speaker 6: I'm not gonna this is my first time ever seeing

643
00:27:06,720 --> 00:27:12,960
Speaker 6: his artist in real life. If we have a conversation, great,

644
00:27:13,119 --> 00:27:14,800
Speaker 6: but I'm not going to push it and then be

645
00:27:14,840 --> 00:27:18,960
Speaker 6: like yo, I also produce and make beats, But I.

646
00:27:18,880 --> 00:27:22,160
Speaker 8: Don't think Rory would do that in an awkward like yeah,

647
00:27:22,160 --> 00:27:23,080
Speaker 8: I would check the tip.

648
00:27:23,000 --> 00:27:27,359
Speaker 4: DM the sounds your SoundCloud link to my like I don't.

649
00:27:27,520 --> 00:27:29,280
Speaker 8: Rory doesn't give me that, like he's gonna if the

650
00:27:29,320 --> 00:27:32,760
Speaker 8: opportunity presents itself in an authentic way, he'll do it.

651
00:27:32,760 --> 00:27:34,520
Speaker 8: I don't think he's just awkward to say, oh, you're

652
00:27:34,520 --> 00:27:36,639
Speaker 8: in there making music, hold on, like, listen to my beats?

653
00:27:36,720 --> 00:27:40,080
Speaker 8: Like No, that would only come if they are already

654
00:27:40,119 --> 00:27:42,879
Speaker 8: having a conversation where he felt comfortable enough to do that.

655
00:27:42,920 --> 00:27:44,600
Speaker 4: I think Rory's pretty good at reading the room in

656
00:27:44,640 --> 00:27:45,200
Speaker 4: that way.

657
00:27:45,680 --> 00:27:48,680
Speaker 1: And I would if I would introduce myself to start

658
00:27:48,680 --> 00:27:50,280
Speaker 1: to check the temperature, and if for some.

659
00:27:50,200 --> 00:27:52,160
Speaker 2: Reason he seemed like in a warm mood and.

660
00:27:53,600 --> 00:27:58,160
Speaker 1: Had some idea of podcast well or any cool conversation

661
00:27:58,200 --> 00:28:00,520
Speaker 1: we could have to connect dots. I would want hundredercent

662
00:28:00,520 --> 00:28:03,040
Speaker 1: and say, hey, do you have like five minutes you

663
00:28:03,040 --> 00:28:04,639
Speaker 1: want to hear what we're working on next door? I

664
00:28:04,640 --> 00:28:06,280
Speaker 1: would ask something like that. Wouldn't be like, yo, thisten

665
00:28:06,320 --> 00:28:08,280
Speaker 1: my fucking beats like I would easy.

666
00:28:08,400 --> 00:28:09,840
Speaker 6: I know you wouldn't say it like that.

667
00:28:09,840 --> 00:28:11,320
Speaker 2: I wouldn't treat it like the Spotify dinner.

668
00:28:11,400 --> 00:28:11,640
Speaker 3: See.

669
00:28:11,840 --> 00:28:15,680
Speaker 6: I'm just I just feel like through conversation, if that's

670
00:28:15,760 --> 00:28:17,560
Speaker 6: meant to be, it had just happened through conversation, Like

671
00:28:17,600 --> 00:28:19,879
Speaker 6: if we're conversion and I'm like, yeah, now I'm next door,

672
00:28:19,920 --> 00:28:23,000
Speaker 6: you know, I right, produced da da da, and DiAngelo says, oh,

673
00:28:23,240 --> 00:28:26,240
Speaker 6: let me hear what y'all doing? Then cool. But I'm

674
00:28:26,280 --> 00:28:27,840
Speaker 6: not gonna be like, yo, you got five minutes like

675
00:28:27,840 --> 00:28:29,960
Speaker 6: I want to play like okay, but I'm just not

676
00:28:30,480 --> 00:28:31,840
Speaker 6: certain people. I'm definitely never doing that.

677
00:28:31,880 --> 00:28:34,440
Speaker 1: We can close, but I will say that nos situation,

678
00:28:35,560 --> 00:28:40,520
Speaker 1: it wasn't awkward personally, just for my own sake. A

679
00:28:40,640 --> 00:28:44,080
Speaker 1: bucketless shit know that I played nas beats and he

680
00:28:44,200 --> 00:28:46,840
Speaker 1: enjoyed them, Like even if he was faking, he was

681
00:28:46,840 --> 00:28:47,320
Speaker 1: great at it.

682
00:28:48,120 --> 00:28:49,000
Speaker 2: That's still cool with me.

683
00:28:49,800 --> 00:28:52,400
Speaker 1: And the amount of times I've gotten a response from

684
00:28:52,440 --> 00:28:54,880
Speaker 1: an artist that said, damn, I had no idea we

685
00:28:54,920 --> 00:28:57,560
Speaker 1: should work, as opposed to the one time with Nads

686
00:28:57,600 --> 00:29:01,600
Speaker 1: that nothing happened. I'm always gonna go with the times

687
00:29:01,640 --> 00:29:04,600
Speaker 1: it's it's worked. I've gotten the response, Dan Roll, I

688
00:29:04,640 --> 00:29:06,640
Speaker 1: had no idea. Way more times than I'd had someone

689
00:29:06,680 --> 00:29:08,200
Speaker 1: listen to something leave and never hit me again.

690
00:29:08,760 --> 00:29:10,520
Speaker 6: Well, listen, at the end of the day, my brother,

691
00:29:10,520 --> 00:29:11,760
Speaker 6: you gotta do what works for you, right.

692
00:29:11,840 --> 00:29:15,080
Speaker 2: Who would you play beats for first, Most Death or Drake?

693
00:29:15,880 --> 00:29:16,160
Speaker 6: Drake?

694
00:29:18,440 --> 00:29:21,080
Speaker 2: You're not hip hop's crazy.

695
00:29:21,120 --> 00:29:23,720
Speaker 6: I'm very hip hop. I just know my Most Death

696
00:29:23,760 --> 00:29:25,520
Speaker 6: probably ain't gonna do nothing with He's gonna disappear for

697
00:29:25,560 --> 00:29:26,320
Speaker 6: another seven years.

698
00:29:26,560 --> 00:29:29,560
Speaker 1: Fucking play beats for Most for it. He probably won't

699
00:29:29,640 --> 00:29:32,760
Speaker 1: lay to it. Drake could probably put at least he

700
00:29:32,840 --> 00:29:36,600
Speaker 1: may use it. He's putting out two albums a year. Well,

701
00:29:36,920 --> 00:29:39,080
Speaker 1: let's get everyone up to speed. For those that don't know.

702
00:29:39,680 --> 00:29:43,120
Speaker 1: On Saturday afternoon, the Internet was set a fire. Hip hop.

703
00:29:43,240 --> 00:29:48,600
Speaker 1: Twitter was in a frenzy. Most Deaf aka y'a Seen

704
00:29:48,640 --> 00:29:51,080
Speaker 1: Bay went on the cutting room floor, which is a

705
00:29:51,080 --> 00:29:54,440
Speaker 1: great platform shout out to them, and was asked if

706
00:29:54,440 --> 00:29:56,120
Speaker 1: he considers Drake to be hip hop.

707
00:29:56,360 --> 00:29:58,640
Speaker 6: Hey, Jack is a hip hop shit? That's all I'm.

708
00:29:58,520 --> 00:30:01,719
Speaker 3: Saying, no, because this has nothing to do with sexuality.

709
00:30:01,840 --> 00:30:03,720
Speaker 1: This had nothing to do This is purely.

710
00:30:03,400 --> 00:30:04,520
Speaker 3: A real music question.

711
00:30:04,560 --> 00:30:07,840
Speaker 6: It had nothing to do with shopping either. Well turned

712
00:30:07,880 --> 00:30:08,240
Speaker 6: it into that.

713
00:30:08,600 --> 00:30:10,880
Speaker 1: Let's listen to what to what ye had to say?

714
00:30:11,120 --> 00:30:13,360
Speaker 1: I mean points for me, That's all I'm saying.

715
00:30:13,560 --> 00:30:14,160
Speaker 6: Listen to you.

716
00:30:14,600 --> 00:30:19,680
Speaker 3: Yeah, let's check it out. Okay, Drake has popped to me.

717
00:30:20,280 --> 00:30:24,120
Speaker 7: And this is like if I was in Target in

718
00:30:24,240 --> 00:30:27,080
Speaker 7: Houston and I heard a Drake's song. It feels like

719
00:30:27,200 --> 00:30:38,640
Speaker 7: a lot of his music is compatible with shopping, commercial music,

720
00:30:40,680 --> 00:30:42,040
Speaker 7: shopping with the edge.

721
00:30:44,640 --> 00:30:46,640
Speaker 4: Fair. I like Drinke's music, but I understand exactly what

722
00:30:46,720 --> 00:30:52,720
Speaker 4: you're saying. It's commercial, entertaining, fun, good formulate music.

723
00:30:52,960 --> 00:30:54,760
Speaker 2: It's likable music.

724
00:30:54,840 --> 00:30:57,480
Speaker 1: Yeah, it's likeable.

725
00:31:00,400 --> 00:31:02,480
Speaker 6: But see this is not. But see this is a

726
00:31:02,640 --> 00:31:06,600
Speaker 6: very you know y'all, see is is hip hop? Like

727
00:31:07,040 --> 00:31:09,960
Speaker 6: to the core, Like he's hip hop of course.

728
00:31:09,960 --> 00:31:14,200
Speaker 1: So asking somebody like him is Drake, who is obviously

729
00:31:15,000 --> 00:31:17,960
Speaker 1: who raps, who makes hip hop music, who makes pop music,

730
00:31:18,000 --> 00:31:18,720
Speaker 1: popular music.

731
00:31:19,320 --> 00:31:21,400
Speaker 6: So asking y'all seen is Drake hip hop?

732
00:31:22,680 --> 00:31:23,160
Speaker 3: It's like.

733
00:31:24,840 --> 00:31:31,840
Speaker 6: That's like asking, you know, is asking Henry Ford? Whoever

734
00:31:31,880 --> 00:31:34,440
Speaker 6: made the Ford car? Is a Tesla car.

735
00:31:35,240 --> 00:31:38,520
Speaker 1: It's kind of like it's a car, but it's not

736
00:31:38,760 --> 00:31:40,880
Speaker 1: you know what I mean, It's like, where's the.

737
00:31:40,960 --> 00:31:42,320
Speaker 2: It doesn't burn fossil fuels.

738
00:31:42,400 --> 00:31:43,000
Speaker 6: Yeah, it's like.

739
00:31:44,560 --> 00:31:46,920
Speaker 1: Yeah, like you know you want that that that that

740
00:31:46,920 --> 00:31:48,880
Speaker 1: that original, that that core.

741
00:31:49,120 --> 00:31:52,280
Speaker 6: So I mean, yes, Drake is Drake. To me, Drake

742
00:31:52,400 --> 00:31:54,760
Speaker 6: is hip hop. But Drake is more than just hip hop.

743
00:31:54,800 --> 00:31:58,640
Speaker 6: He's a he makes pop music, he makes R and

744
00:31:58,680 --> 00:32:02,120
Speaker 6: B music, he makes you know, afro beats, he makes

745
00:32:02,160 --> 00:32:04,800
Speaker 6: he Drake is just one of those artists that touches

746
00:32:04,920 --> 00:32:08,920
Speaker 6: many different genres, many different parts of the world. So

747
00:32:08,920 --> 00:32:13,280
Speaker 6: it's not Drake is hip hop. Would I would say

748
00:32:13,280 --> 00:32:15,000
Speaker 6: he is hip hop, but he's more than just hip hop.

749
00:32:15,080 --> 00:32:17,920
Speaker 9: He's hip hop, and he's not just Handy's R and

750
00:32:17,960 --> 00:32:20,080
Speaker 9: B and he's yeah, he's everything.

751
00:32:20,160 --> 00:32:23,920
Speaker 1: Yeah, and very few artists are like that. So before

752
00:32:23,960 --> 00:32:26,200
Speaker 1: I get to my point that I want to make.

753
00:32:26,960 --> 00:32:29,440
Speaker 1: I want to ask, was this hating was most death hating.

754
00:32:30,520 --> 00:32:32,880
Speaker 6: I'm not gonna say hating. I'm gonna say that this

755
00:32:33,120 --> 00:32:36,760
Speaker 6: was just somebody who to his core is a hip

756
00:32:36,800 --> 00:32:41,480
Speaker 6: hop head, and I think that he's always going to

757
00:32:41,560 --> 00:32:44,640
Speaker 6: push hip hop first. And I think that you know,

758
00:32:45,440 --> 00:32:48,880
Speaker 6: it wasn't hating, but it was like, that's not the

759
00:32:49,000 --> 00:32:52,040
Speaker 6: hip hop that we know and that we push and

760
00:32:52,080 --> 00:32:56,520
Speaker 6: that we you know, stand for. But you know he

761
00:32:56,640 --> 00:32:57,880
Speaker 6: makes good music.

762
00:32:58,560 --> 00:33:01,600
Speaker 3: The initial comment and hating because it.

763
00:33:01,680 --> 00:33:02,720
Speaker 1: Was it was hate.

764
00:33:02,760 --> 00:33:05,760
Speaker 9: It was funny hate shade the initial It wasn't because

765
00:33:05,800 --> 00:33:06,680
Speaker 9: Drake is pop.

766
00:33:06,960 --> 00:33:08,840
Speaker 3: I think there's more that we said. He is also

767
00:33:09,280 --> 00:33:10,120
Speaker 3: also all these other things.

768
00:33:10,200 --> 00:33:11,920
Speaker 1: That's the hate.

769
00:33:12,440 --> 00:33:16,160
Speaker 9: The hate is the extra the shopping ship to dig

770
00:33:16,200 --> 00:33:20,160
Speaker 9: about if I'm in the Target in Houston, that's the hate.

771
00:33:20,560 --> 00:33:23,000
Speaker 3: He's not Roy. Drake is pop, and I know.

772
00:33:24,400 --> 00:33:26,960
Speaker 6: He's more than Drake is. He's more than anomaly, bro,

773
00:33:27,000 --> 00:33:29,680
Speaker 6: He's more than all that ship. Like, I'm pretty sure

774
00:33:29,760 --> 00:33:35,480
Speaker 6: if you know, if Drake wanted to just rap every album,

775
00:33:35,600 --> 00:33:37,520
Speaker 6: he can do that. He can make rap songs, you

776
00:33:37,520 --> 00:33:40,320
Speaker 6: can make hip hop records. But he realizes that his

777
00:33:40,360 --> 00:33:43,480
Speaker 6: fan base calls for different sounds. It calls for different

778
00:33:43,520 --> 00:33:46,960
Speaker 6: type of music because his reach and his platform is

779
00:33:47,000 --> 00:33:49,600
Speaker 6: so vast and and and it goes around the world

780
00:33:49,640 --> 00:33:52,280
Speaker 6: twice that he has different audiences that he has to

781
00:33:52,320 --> 00:33:56,760
Speaker 6: try to, you know, please, on each project. So it's like, yeah,

782
00:33:56,800 --> 00:33:59,840
Speaker 6: he's not just hip hop, He's not. You're never gonna

783
00:33:59,840 --> 00:34:02,880
Speaker 6: see Drake, you know, walking down the street and see

784
00:34:02,920 --> 00:34:05,520
Speaker 6: a cipher and jumping the cipher and start giving You

785
00:34:05,600 --> 00:34:06,680
Speaker 6: might not see that.

786
00:34:06,680 --> 00:34:07,520
Speaker 1: That's how he started.

787
00:34:07,560 --> 00:34:07,760
Speaker 4: Though.

788
00:34:08,000 --> 00:34:10,719
Speaker 1: We know for a fact Drake is a hip hop nerd,

789
00:34:10,719 --> 00:34:13,600
Speaker 1: and I mean that as a compliment. Comeback Season is

790
00:34:13,640 --> 00:34:16,799
Speaker 1: wrapping over fucking Kanye West, soubeats and Dilla beats.

791
00:34:16,960 --> 00:34:19,239
Speaker 2: We know that Drake loves hip hop.

792
00:34:19,520 --> 00:34:22,840
Speaker 1: I could even make a fucking case that his first

793
00:34:23,120 --> 00:34:24,960
Speaker 1: single that got him out best I Ever had is

794
00:34:25,000 --> 00:34:25,759
Speaker 1: a boombab record.

795
00:34:25,760 --> 00:34:27,920
Speaker 2: If you really want to get down to it. I

796
00:34:27,960 --> 00:34:29,040
Speaker 2: know people would disagree with me.

797
00:34:29,320 --> 00:34:29,600
Speaker 6: It had.

798
00:34:29,680 --> 00:34:32,520
Speaker 1: It derives from boom. It's a pop song as far

799
00:34:32,560 --> 00:34:36,839
Speaker 1: as the hook that's that beat derives from me from

800
00:34:36,840 --> 00:34:39,399
Speaker 1: Boom Ba Booma. And we know Drake is boom back

801
00:34:39,440 --> 00:34:43,240
Speaker 1: and that's where he comes from. Y'all. Seen is obviously

802
00:34:43,400 --> 00:34:45,319
Speaker 1: entitled to his opinion, and when I said it was

803
00:34:45,360 --> 00:34:49,920
Speaker 1: funny hate, he took it a little further. Then someone

804
00:34:50,040 --> 00:34:54,160
Speaker 1: brought up that old screenshot of when Drake put out

805
00:34:54,160 --> 00:34:58,279
Speaker 1: his poetry book, and I said, okay, I take it back.

806
00:34:58,360 --> 00:35:02,120
Speaker 1: As far as hate, it's one. Aren't to hate, y'all

807
00:35:02,120 --> 00:35:04,839
Speaker 1: seen what's holding onto this Drake DM complex. I believe

808
00:35:04,840 --> 00:35:09,400
Speaker 1: it was when they did the piece where like models

809
00:35:09,400 --> 00:35:10,760
Speaker 1: were reading Drake's poetry.

810
00:35:10,760 --> 00:35:10,960
Speaker 3: Shit.

811
00:35:11,080 --> 00:35:12,960
Speaker 1: Yeah, so he reached out and said, can you do

812
00:35:13,000 --> 00:35:15,520
Speaker 1: an article now where the baddest Instagram girls in the

813
00:35:15,560 --> 00:35:18,560
Speaker 1: world review my poetry book, not the head of the

814
00:35:18,600 --> 00:35:23,239
Speaker 1: most step fan club? Thanks laughing emoji. Y'all, Seene is

815
00:35:23,280 --> 00:35:26,280
Speaker 1: allowed to hate. It was hate, but he's allowed to hate.

816
00:35:26,640 --> 00:35:29,239
Speaker 1: It was he was to an unnecessary shot at me

817
00:35:29,320 --> 00:35:32,959
Speaker 1: for no fucking reason. I don't think it's hate because

818
00:35:33,080 --> 00:35:36,520
Speaker 1: it's a little joke. Somebody somebody could take that personally.

819
00:35:36,680 --> 00:35:39,040
Speaker 6: No you yeah, but then you told him a boy

820
00:35:39,080 --> 00:35:42,200
Speaker 6: somebody that's just being overly sensitive, because like I understand

821
00:35:42,200 --> 00:35:44,520
Speaker 6: what it's hip hop. I understand what Drake is saying

822
00:35:44,560 --> 00:35:45,399
Speaker 6: in that right there.

823
00:35:45,600 --> 00:35:47,720
Speaker 3: Hip hop is extremely artists.

824
00:35:47,760 --> 00:35:50,200
Speaker 6: No, no, not just hip hop artists are hip hop

825
00:35:50,200 --> 00:35:53,200
Speaker 6: in particular. It's just you know, that's a dig. It's

826
00:35:53,280 --> 00:35:56,840
Speaker 6: like you know, of course, we don't expect those type

827
00:35:56,880 --> 00:36:00,920
Speaker 6: of girls to understand this off the table book that

828
00:36:00,960 --> 00:36:03,520
Speaker 6: I put out, or to understand just the joke behind it.

829
00:36:03,600 --> 00:36:05,920
Speaker 6: Like I get it, but like that's if you're talking

830
00:36:05,960 --> 00:36:08,160
Speaker 6: to that type of person. Can you talk to the

831
00:36:08,200 --> 00:36:11,400
Speaker 6: type of person that this was intended for? So I

832
00:36:11,480 --> 00:36:13,719
Speaker 6: understand that. So why he used Most Death's name, but

833
00:36:13,840 --> 00:36:15,839
Speaker 6: any any artist name that he would have put there.

834
00:36:15,960 --> 00:36:16,600
Speaker 6: It's a dig.

835
00:36:16,680 --> 00:36:20,080
Speaker 1: But just leave me alone. I don't bother anyone. Why

836
00:36:20,080 --> 00:36:20,480
Speaker 1: are you no?

837
00:36:21,800 --> 00:36:23,160
Speaker 6: But the reason why I can't say that's hate is

838
00:36:23,160 --> 00:36:24,920
Speaker 6: because I well, from what I from what I know

839
00:36:25,120 --> 00:36:27,919
Speaker 6: announced looking at, I don't think that Drake has any

840
00:36:28,120 --> 00:36:30,600
Speaker 6: hate for Most Death unless he asks for a verse

841
00:36:30,600 --> 00:36:33,000
Speaker 6: and Most never sent it, or a record that you

842
00:36:33,080 --> 00:36:34,560
Speaker 6: know he wanted to do it Most and Most said no.

843
00:36:34,680 --> 00:36:36,839
Speaker 6: Maybe something that we don't know about. But just from

844
00:36:36,880 --> 00:36:38,800
Speaker 6: the house I looking in, I don't see why it

845
00:36:38,840 --> 00:36:41,480
Speaker 6: would be hate. Now dig and a shot is you

846
00:36:41,480 --> 00:36:42,120
Speaker 6: know that's different.

847
00:36:42,280 --> 00:36:44,600
Speaker 1: I say all that to say, Drake, towards the latter

848
00:36:44,640 --> 00:36:50,480
Speaker 1: part of his career, has started to insult the fan

849
00:36:50,560 --> 00:36:54,160
Speaker 1: base in which he comes from. He is hip hop

850
00:36:54,440 --> 00:36:56,960
Speaker 1: and started out boom Back. We know his favorite His

851
00:36:57,080 --> 00:37:00,760
Speaker 1: favorite rapper is Fontec. We know what Rake was listening

852
00:37:00,840 --> 00:37:06,600
Speaker 1: to growing up. Lately, anytime someone has brought up and

853
00:37:06,680 --> 00:37:09,440
Speaker 1: he digs towards for all the dogs, he always resorts

854
00:37:09,480 --> 00:37:12,799
Speaker 1: back to people that like the type of hip hop

855
00:37:12,880 --> 00:37:16,359
Speaker 1: that is a yasin bay, that we're losers, we don't

856
00:37:16,400 --> 00:37:19,680
Speaker 1: go outside, we don't get women. And he is now

857
00:37:19,719 --> 00:37:22,520
Speaker 1: making fun of the community in which he comes from

858
00:37:22,520 --> 00:37:24,719
Speaker 1: and who he really is. So I can see why

859
00:37:24,760 --> 00:37:27,480
Speaker 1: most would look at that and be like, my fan

860
00:37:27,520 --> 00:37:29,840
Speaker 1: base is who you want to take a dig at.

861
00:37:31,680 --> 00:37:36,240
Speaker 1: You're making a mockery of in what you come from. Now,

862
00:37:37,080 --> 00:37:39,000
Speaker 1: the point I wanted to make on the flip cooint

863
00:37:39,000 --> 00:37:44,840
Speaker 1: of that most deaf is sort has a hand in

864
00:37:44,880 --> 00:37:48,919
Speaker 1: the responsibility of why Drake is a pop star. Now.

865
00:37:49,360 --> 00:37:53,480
Speaker 1: Nobody champion Kanye West more than most deaf. He said

866
00:37:54,160 --> 00:37:57,520
Speaker 1: at the first Deaf Poetry Jam, I want to introduce

867
00:37:57,560 --> 00:38:00,719
Speaker 1: to you the future of hip hop, Kanye West. That

868
00:38:00,800 --> 00:38:06,120
Speaker 1: was before College Dropout came out. Nobody championed Kanye more

869
00:38:06,160 --> 00:38:11,480
Speaker 1: than most. Kanye is the reason Drake is a pop star.

870
00:38:11,600 --> 00:38:13,759
Speaker 1: He has said that we had never seen the real

871
00:38:13,840 --> 00:38:16,200
Speaker 1: rap pop star until Kanye West. That was the crossover.

872
00:38:16,760 --> 00:38:21,439
Speaker 1: Stronger was the crossover. Drake and Kanye are extremely sill

873
00:38:21,640 --> 00:38:22,399
Speaker 1: in their career path.

874
00:38:22,800 --> 00:38:26,240
Speaker 6: Kanye is the reason that Drake is a pop star. Yes,

875
00:38:27,719 --> 00:38:29,240
Speaker 6: that's too much to give Kanye.

876
00:38:29,560 --> 00:38:30,360
Speaker 3: I don't think.

877
00:38:30,200 --> 00:38:33,279
Speaker 1: It's Drake has said on stage at ovio Fest, this

878
00:38:33,360 --> 00:38:36,279
Speaker 1: is the This man is the reason I exist.

879
00:38:36,360 --> 00:38:39,640
Speaker 2: He said it in interviews. He is a saying mean

880
00:38:39,680 --> 00:38:40,320
Speaker 2: that as a compliment.

881
00:38:40,440 --> 00:38:42,960
Speaker 1: I love Kanye. He's a part of a copy of

882
00:38:43,320 --> 00:38:47,280
Speaker 1: some We talked about it all the time. Curtis version.

883
00:38:47,600 --> 00:38:50,880
Speaker 1: Graduation was the day that the street ship took a

884
00:38:50,920 --> 00:38:55,040
Speaker 1: backseat and the quote unquote nerds took over. If that

885
00:38:55,080 --> 00:38:58,120
Speaker 1: doesn't happen, Drake, I think, admittedly would say he probably

886
00:38:58,120 --> 00:39:01,160
Speaker 1: would not have the welcome that he had because he's

887
00:39:01,239 --> 00:39:03,760
Speaker 1: very much a Kanye West baby. And then Ita Waits

888
00:39:03,800 --> 00:39:05,799
Speaker 1: comes and we obviously know so far gone, We know

889
00:39:06,080 --> 00:39:07,920
Speaker 1: that path. I don't need to explain that to people

890
00:39:07,920 --> 00:39:10,760
Speaker 1: that have been around for a little bit. It starts

891
00:39:10,760 --> 00:39:14,240
Speaker 1: with most. I think Kanye was comfortable singing in college

892
00:39:14,280 --> 00:39:18,240
Speaker 1: dropout hooks because most was singing hooks. Most has been,

893
00:39:18,800 --> 00:39:20,920
Speaker 1: in my opinion, one of the best rapper singers that

894
00:39:20,960 --> 00:39:24,440
Speaker 1: we've had. He doesn't agree, he doesn't lean always into

895
00:39:24,440 --> 00:39:27,920
Speaker 1: singing all the time, but he was definitely a blueprint

896
00:39:28,200 --> 00:39:33,360
Speaker 1: for that mid two thousands Crew Chappelle block party, if

897
00:39:33,400 --> 00:39:39,759
Speaker 1: you will, that class. Drake is their kid. Most is

898
00:39:39,760 --> 00:39:41,839
Speaker 1: the one that champion Kanye West when no one would

899
00:39:41,880 --> 00:39:43,760
Speaker 1: before before your brother did.

900
00:39:44,120 --> 00:39:46,920
Speaker 6: I got would. I could say that more for like

901
00:39:46,920 --> 00:39:50,560
Speaker 6: a J Cole, like when you say Most and Kanye,

902
00:39:50,840 --> 00:39:54,239
Speaker 6: and like, I think that Drake obviously was influenced by

903
00:39:54,320 --> 00:39:57,520
Speaker 6: Kanye loves most fine tale of those guys. It's just talent.

904
00:39:57,520 --> 00:40:00,680
Speaker 6: We're talking about just talented artists. But I think that

905
00:40:01,280 --> 00:40:03,719
Speaker 6: you know, Drake was gonna be Drake no matter what.

906
00:40:04,239 --> 00:40:06,239
Speaker 6: Just his skill set in his artistry is.

907
00:40:06,239 --> 00:40:09,680
Speaker 1: Just outside of laurn Hill. I don't think we've seen

908
00:40:11,000 --> 00:40:16,200
Speaker 1: a rapper turn pop before Kanye. And when I say that,

909
00:40:16,320 --> 00:40:19,319
Speaker 1: we've had rappers make rap songs that go pop, hmm.

910
00:40:19,440 --> 00:40:21,640
Speaker 1: But Kanye West, who is a rapper and who is

911
00:40:21,719 --> 00:40:25,279
Speaker 1: hip hop to me, was the first mainstream artist to

912
00:40:25,400 --> 00:40:29,239
Speaker 1: pop making elements of hip hop, but it's not really

913
00:40:29,320 --> 00:40:32,120
Speaker 1: hip hop stronger with a daft punk thing he's rapping

914
00:40:32,160 --> 00:40:34,319
Speaker 1: on that shit. Don't get me wrong, but that's not

915
00:40:34,440 --> 00:40:38,440
Speaker 1: a rap song. That's a pop song. Kanye was the

916
00:40:38,440 --> 00:40:41,560
Speaker 1: one that commercialized that and made that happen. And that's

917
00:40:41,600 --> 00:40:45,120
Speaker 1: how we have a Drake as well. We had never

918
00:40:45,160 --> 00:40:47,759
Speaker 1: really seen that before. We had seen rap songs go pop.

919
00:40:48,320 --> 00:40:52,839
Speaker 1: We had not seen rappers make pop music. Kanye made

920
00:40:52,880 --> 00:40:54,400
Speaker 1: pop music by graduation.

921
00:40:54,520 --> 00:40:56,839
Speaker 9: Yeah, because on graduation he said a lot of the

922
00:40:57,080 --> 00:40:58,000
Speaker 9: impetus of that album.

923
00:40:58,040 --> 00:40:59,719
Speaker 3: He's like, I want to make stadium music. I want

924
00:40:59,760 --> 00:41:00,520
Speaker 3: to make music, he.

925
00:41:00,440 --> 00:41:03,760
Speaker 9: Said, you get the I'm inspired by Coldplay, I'm inspired

926
00:41:03,760 --> 00:41:07,759
Speaker 9: by big room music, whether it be electronic or alternative rock.

927
00:41:08,160 --> 00:41:10,479
Speaker 9: He said, I want to make songs where when we're

928
00:41:10,480 --> 00:41:13,239
Speaker 9: playing these at arenas, the whole crowd knows the cue

929
00:41:13,280 --> 00:41:15,040
Speaker 9: to join in at certain points, just like at a

930
00:41:15,120 --> 00:41:18,719
Speaker 9: rock show. And so he kind of Troy's point neglected

931
00:41:18,719 --> 00:41:20,480
Speaker 9: the elements of hip hop where it's a lot of

932
00:41:20,520 --> 00:41:22,400
Speaker 9: like head nodding and watching, and he was like, I

933
00:41:22,400 --> 00:41:27,000
Speaker 9: want more participation in comes like the strongers, the bigger hooks, the.

934
00:41:27,080 --> 00:41:29,280
Speaker 3: Yeah, the punchlines yeah.

935
00:41:29,320 --> 00:41:32,759
Speaker 9: And because of the success of that, Drake could comfortably

936
00:41:33,040 --> 00:41:35,600
Speaker 9: go down that lane and be like, Okay, this is working.

937
00:41:35,960 --> 00:41:37,440
Speaker 3: He doesn't have to be the person to pave it.

938
00:41:37,600 --> 00:41:39,239
Speaker 9: He just needs to be the person that follows something

939
00:41:39,280 --> 00:41:40,560
Speaker 9: that's already trending in that direction.

940
00:41:40,960 --> 00:41:42,440
Speaker 2: Yeah, and that's not to take away anything.

941
00:41:42,520 --> 00:41:45,759
Speaker 1: Yeah, because he said on record before that that it

942
00:41:45,800 --> 00:41:50,160
Speaker 1: was Kanye that laid this path down for me. And

943
00:41:50,200 --> 00:41:51,759
Speaker 1: I know people can be in the comments bringing up

944
00:41:51,800 --> 00:41:54,600
Speaker 1: like jay Z, Lincoln Park and all that we've never

945
00:41:54,640 --> 00:41:58,560
Speaker 1: seen a go pop before Kanye West. And I'm saying

946
00:41:58,640 --> 00:42:01,080
Speaker 1: I love that most and maybe I'm reaching a bit

947
00:42:01,120 --> 00:42:03,319
Speaker 1: here and I'm thinking way too hard into it. I

948
00:42:03,320 --> 00:42:06,279
Speaker 1: think it was a bit of a hypocritical statement by

949
00:42:06,280 --> 00:42:09,960
Speaker 1: putting the tone on that because I give him so

950
00:42:10,120 --> 00:42:14,319
Speaker 1: much credit for producing the first pop rapper, which is

951
00:42:14,400 --> 00:42:15,000
Speaker 1: Kanye West.

952
00:42:16,239 --> 00:42:17,399
Speaker 6: You're given that to most death.

953
00:42:17,800 --> 00:42:21,319
Speaker 1: I think he was a him and quality were a

954
00:42:21,719 --> 00:42:27,239
Speaker 1: very intricate part to Kanye becoming a rapper because as

955
00:42:27,280 --> 00:42:31,880
Speaker 1: we've you know, we've all heard last call your brothers.

956
00:42:31,560 --> 00:42:36,080
Speaker 2: Just they wanted the beats. They eventually was there.

957
00:42:36,120 --> 00:42:37,000
Speaker 6: But that's not true.

958
00:42:37,000 --> 00:42:39,040
Speaker 1: But okay, I know I'm adding little salut to it

959
00:42:39,040 --> 00:42:41,480
Speaker 1: just because you're sitting next to your brothers, But he

960
00:42:41,600 --> 00:42:43,440
Speaker 1: was not taken seriously as a rapper.

961
00:42:44,239 --> 00:42:46,160
Speaker 2: Most in Quality were the ones like naw, we like

962
00:42:46,200 --> 00:42:46,880
Speaker 2: your raps.

963
00:42:47,280 --> 00:42:49,879
Speaker 6: Well, I mean yo, I'm open for us a lot

964
00:42:49,920 --> 00:42:52,360
Speaker 6: of the labels and things like that, you know, because

965
00:42:52,719 --> 00:42:55,399
Speaker 6: Kanye was producing for a lot of people, and then

966
00:42:55,719 --> 00:42:57,759
Speaker 6: you know he was telling people, well, you know, I

967
00:42:57,840 --> 00:43:00,000
Speaker 6: got the hook already on it. And once he started

968
00:43:00,000 --> 00:43:01,680
Speaker 6: playing to Beach the Hook, they was like, oh, that's you.

969
00:43:01,760 --> 00:43:04,440
Speaker 6: Like He's like, yeah, rap what too? And that's how

970
00:43:04,520 --> 00:43:08,960
Speaker 6: people started paying attention. But it wasn't until Dame Big.

971
00:43:09,080 --> 00:43:12,239
Speaker 1: You know, like even if you watched in the uh

972
00:43:13,320 --> 00:43:18,719
Speaker 1: is it Easis of the doc? Yeah, if genius genius genius.

973
00:43:19,320 --> 00:43:24,200
Speaker 1: If you look at that point, Most brings Kanye West

974
00:43:24,239 --> 00:43:27,920
Speaker 1: out at Irving Plaza and introduce him as this is.

975
00:43:27,880 --> 00:43:30,520
Speaker 2: The guy that made the h to the Izzo beat.

976
00:43:30,880 --> 00:43:31,279
Speaker 6: Mm hmm.

977
00:43:32,200 --> 00:43:34,759
Speaker 1: Nobody was taking him serious as a rapper, and most

978
00:43:34,840 --> 00:43:36,520
Speaker 1: was like, he's gonna freestyle for a second. This was

979
00:43:36,520 --> 00:43:38,440
Speaker 1: in the middle and you know how crazy Black Star

980
00:43:38,600 --> 00:43:42,480
Speaker 1: was at that time. Mm hmm. Yet who else was

981
00:43:42,480 --> 00:43:44,160
Speaker 1: giving him Look, he was putting him on Death Poetry

982
00:43:44,360 --> 00:43:49,080
Speaker 1: Jam before anything. Most was the one and quality as

983
00:43:49,080 --> 00:43:52,640
Speaker 1: well that champion Kanye West to become a rapper, not

984
00:43:52,680 --> 00:43:55,239
Speaker 1: just a beat maker in the public eye. I'm not

985
00:43:55,280 --> 00:43:56,839
Speaker 1: saying there wasn't people behind the scenes like, bro, I

986
00:43:56,880 --> 00:43:59,239
Speaker 1: like your raps or Scarface like now you're dope, I'll

987
00:43:59,239 --> 00:44:01,040
Speaker 1: give you a swat for the first if you can

988
00:44:01,080 --> 00:44:03,279
Speaker 1: give me this beat. Not saying that wasn't it, But

989
00:44:03,320 --> 00:44:08,720
Speaker 1: Most was the first person that I feel championed Kanye

990
00:44:08,760 --> 00:44:09,920
Speaker 1: West from the rap side.

991
00:44:10,520 --> 00:44:12,719
Speaker 6: He would. I mean those guys, because those were guys

992
00:44:12,719 --> 00:44:14,520
Speaker 6: that was he was with, He was hanging out with,

993
00:44:14,640 --> 00:44:17,319
Speaker 6: he was popping up at their shows. They was letting him,

994
00:44:17,320 --> 00:44:18,920
Speaker 6: like you said, get on the stage and things like that.

995
00:44:18,960 --> 00:44:21,560
Speaker 6: So you're not wrong in that they definitely, Most and

996
00:44:21,640 --> 00:44:24,880
Speaker 6: Tyler was definitely some of the few artists that embraced

997
00:44:24,920 --> 00:44:27,759
Speaker 6: him early and gave him a platform to get his

998
00:44:27,800 --> 00:44:28,480
Speaker 6: shit off, for sure.

999
00:44:28,520 --> 00:44:30,759
Speaker 1: And I'm not saying Most knew that he was gonna well,

1000
00:44:30,760 --> 00:44:33,879
Speaker 1: even though I've heard Quality and y'all seen both say

1001
00:44:33,920 --> 00:44:35,680
Speaker 1: like they knew Kanye was going to be a superstar,

1002
00:44:36,239 --> 00:44:37,799
Speaker 1: I don't think they were like he's going to become

1003
00:44:37,800 --> 00:44:38,319
Speaker 1: a pop star.

1004
00:44:39,840 --> 00:44:41,279
Speaker 8: That's what I was going to say, where I'm like, Ory,

1005
00:44:41,320 --> 00:44:42,759
Speaker 8: you can't really blame him for that, because I don't

1006
00:44:42,760 --> 00:44:44,400
Speaker 8: think they knew the direction that he was going to

1007
00:44:44,440 --> 00:44:44,839
Speaker 8: go with it.

1008
00:44:45,480 --> 00:44:49,520
Speaker 1: I mean, but you have to see your involvement in

1009
00:44:50,560 --> 00:44:52,840
Speaker 1: what you champion. I don't put every last thing of

1010
00:44:52,880 --> 00:44:55,400
Speaker 1: Kanye West on y'all seen. I just think it was

1011
00:44:55,440 --> 00:45:00,200
Speaker 1: interesting to have that tone about a genre that you

1012
00:45:00,360 --> 00:45:02,960
Speaker 1: kind of helped create. Yeah, like that's all.

1013
00:45:03,400 --> 00:45:06,040
Speaker 9: My favorite part of this whole uh back and forth

1014
00:45:06,280 --> 00:45:09,000
Speaker 9: is rap Twitter if the rap Twitter back and forth

1015
00:45:09,080 --> 00:45:11,799
Speaker 9: is the is younger kids, younger fans that I who

1016
00:45:11,800 --> 00:45:14,520
Speaker 9: are unfamiliar with most deaf being able to see, oh,

1017
00:45:14,600 --> 00:45:16,160
Speaker 9: if this is a thing, who is this guy? And

1018
00:45:16,200 --> 00:45:18,400
Speaker 9: now they can go back and do the back catalog research.

1019
00:45:18,440 --> 00:45:20,080
Speaker 9: I spent most of my week and listening to most deaf.

1020
00:45:20,080 --> 00:45:21,320
Speaker 9: I was like, it felt like I was in middle

1021
00:45:21,320 --> 00:45:24,120
Speaker 9: school again. It was super nostalgic. I'm just happy that

1022
00:45:24,120 --> 00:45:27,240
Speaker 9: these new kids can see you are probably more listening

1023
00:45:27,320 --> 00:45:28,560
Speaker 9: to his music now than ever.

1024
00:45:28,680 --> 00:45:31,160
Speaker 3: So for me, that's the win of this whole thing's And.

1025
00:45:31,160 --> 00:45:32,920
Speaker 6: I was about to say that's to me A lot

1026
00:45:33,000 --> 00:45:35,440
Speaker 6: of the times when moments like this go viral, Yeah,

1027
00:45:35,520 --> 00:45:37,600
Speaker 6: I'm cool with that because I know what it's going

1028
00:45:37,680 --> 00:45:39,719
Speaker 6: to cause. It's going to cause people to want to

1029
00:45:39,760 --> 00:45:42,719
Speaker 6: go back, and the kids that are will do, like,

1030
00:45:42,800 --> 00:45:44,880
Speaker 6: you know, bring up old interviews and listen to some

1031
00:45:44,920 --> 00:45:47,319
Speaker 6: old records and things like that. So, I mean, you know,

1032
00:45:47,360 --> 00:45:50,200
Speaker 6: it's all part of the ecosystem of music. And I'll

1033
00:45:50,280 --> 00:45:52,279
Speaker 6: culture at the end of the day, whether it comes

1034
00:45:52,320 --> 00:45:55,080
Speaker 6: from artists throwing to dig at each other things like that,

1035
00:45:55,200 --> 00:46:00,719
Speaker 6: or a little bit of celebratory hate, you know, I

1036
00:46:00,760 --> 00:46:02,480
Speaker 6: think that is it's a it's a win no matter what.

1037
00:46:02,520 --> 00:46:04,239
Speaker 1: And I'm gonna choose my words carefully because i want

1038
00:46:04,280 --> 00:46:08,360
Speaker 1: to you know, y'all scene is a private person. To

1039
00:46:08,440 --> 00:46:11,720
Speaker 1: the people that think y'all seen most of music scares

1040
00:46:11,719 --> 00:46:14,560
Speaker 1: the hose, you should do some research on y'all scenes.

1041
00:46:14,640 --> 00:46:16,840
Speaker 1: Roster who know what I'm saying.

1042
00:46:16,640 --> 00:46:17,960
Speaker 6: Who said his music scares those?

1043
00:46:18,560 --> 00:46:20,279
Speaker 1: That was that was the thing, like when people are

1044
00:46:20,280 --> 00:46:23,680
Speaker 1: going back and forth all day Saturday, you know, like

1045
00:46:24,239 --> 00:46:26,239
Speaker 1: scare the scare the hose has become a term that

1046
00:46:26,280 --> 00:46:29,160
Speaker 1: I think replaced a lyrical miracle. I want to hear

1047
00:46:29,200 --> 00:46:33,080
Speaker 1: that lyrical miracle ship. Now that term is scare the host,

1048
00:46:33,120 --> 00:46:36,200
Speaker 1: which doesn't necessarily mean actually scaring promiscuous wind.

1049
00:46:36,040 --> 00:46:36,399
Speaker 6: It is coming.

1050
00:46:36,560 --> 00:46:39,759
Speaker 1: It just kill. It kills the vibe room. Yeah, y'all,

1051
00:46:39,840 --> 00:46:42,120
Speaker 1: y'all should do a little bit more research on on

1052
00:46:42,239 --> 00:46:43,560
Speaker 1: y'all scenes back catalog.

1053
00:46:43,600 --> 00:46:45,479
Speaker 2: That's not music what I'm saying.

1054
00:46:45,520 --> 00:46:49,319
Speaker 4: I don't think he makes scares women loved, maybe scare

1055
00:46:49,360 --> 00:46:50,439
Speaker 4: the young hose.

1056
00:46:51,600 --> 00:46:54,080
Speaker 1: I mean, but j I d surround sound is I mean,

1057
00:46:54,080 --> 00:46:56,279
Speaker 1: of course it's samples Aretha Franklin. But we know where

1058
00:46:56,320 --> 00:46:58,759
Speaker 1: he got that sample from, and it was from Miss Fabulty. Yeah,

1059
00:46:59,160 --> 00:47:02,080
Speaker 1: I've seen that blend together and the host kept dancing.

1060
00:47:02,680 --> 00:47:04,440
Speaker 6: They definitely did Miss fat Booty is it?

1061
00:47:04,480 --> 00:47:07,240
Speaker 3: Yeah, that's it. That's a positive. I was like that one.

1062
00:47:07,920 --> 00:47:09,600
Speaker 6: There was also a time when but you don't like

1063
00:47:09,640 --> 00:47:10,680
Speaker 6: fat Booty? So is it?

1064
00:47:10,719 --> 00:47:11,400
Speaker 3: What are you talking?

1065
00:47:11,480 --> 00:47:14,000
Speaker 9: You literally set off camera right before you started recording

1066
00:47:14,200 --> 00:47:15,239
Speaker 9: I fun skinny with it.

1067
00:47:15,320 --> 00:47:17,000
Speaker 6: You literally said that what does they have to do

1068
00:47:17,040 --> 00:47:20,200
Speaker 6: with me saying you don't like I like fat? What

1069
00:47:20,280 --> 00:47:20,960
Speaker 6: is he talking about?

1070
00:47:21,000 --> 00:47:24,000
Speaker 1: What does that have to do Now that you got no, no, no,

1071
00:47:24,160 --> 00:47:26,760
Speaker 1: now that you got the mic, what does that telling

1072
00:47:26,800 --> 00:47:27,399
Speaker 1: you that you.

1073
00:47:27,320 --> 00:47:29,719
Speaker 6: Don't like fatoo? I like fat Booty showed me.

1074
00:47:30,719 --> 00:47:31,319
Speaker 4: I don't believe it.

1075
00:47:31,400 --> 00:47:34,200
Speaker 3: I like a fat ass. He said about dad.

1076
00:47:35,680 --> 00:47:38,960
Speaker 1: But my dad actually likes yeah, yeah, I like, like, no,

1077
00:47:39,000 --> 00:47:40,440
Speaker 1: I'm coming right at you.

1078
00:47:40,440 --> 00:47:42,239
Speaker 9: Show me a girl with a fat ass that you

1079
00:47:42,320 --> 00:47:45,719
Speaker 9: ever on Patreon. I will not right now, I'll show

1080
00:47:45,760 --> 00:47:47,520
Speaker 9: you I got Come on, we're not doing that.

1081
00:47:47,600 --> 00:47:49,800
Speaker 2: We actually not do that. I don't want them to

1082
00:47:49,800 --> 00:47:50,120
Speaker 2: find it.

1083
00:47:50,120 --> 00:47:52,040
Speaker 3: Well, they won't see No, no, we're not sharing photos.

1084
00:47:52,719 --> 00:47:55,239
Speaker 6: I just want him to show me personally. I don't

1085
00:47:55,239 --> 00:47:57,040
Speaker 6: need nobody got to see that. I just want to

1086
00:47:57,040 --> 00:47:59,680
Speaker 6: see because you know your your interpretation of fat booty

1087
00:47:59,760 --> 00:48:00,440
Speaker 6: might be like.

1088
00:48:00,520 --> 00:48:03,120
Speaker 1: I like you put one up really quickly to not

1089
00:48:03,200 --> 00:48:08,440
Speaker 1: show and just text from a photo even just say

1090
00:48:08,480 --> 00:48:09,440
Speaker 1: yes or no.

1091
00:48:09,840 --> 00:48:12,399
Speaker 6: I got you going to demaras and demarics gonna let us.

1092
00:48:12,360 --> 00:48:14,279
Speaker 1: Know what's happening right but you already know it's gonna

1093
00:48:14,280 --> 00:48:15,320
Speaker 1: get no no.

1094
00:48:15,680 --> 00:48:18,239
Speaker 6: Demarriage, and she gonna let us know what's happening right now.

1095
00:48:18,400 --> 00:48:19,480
Speaker 6: I don't even got to see it.

1096
00:48:19,960 --> 00:48:20,680
Speaker 3: That is fat?

1097
00:48:24,040 --> 00:48:26,160
Speaker 6: Say it, Julian, that's fat?

1098
00:48:27,080 --> 00:48:29,080
Speaker 1: Or is it just or is it just a fat girl?

1099
00:48:29,840 --> 00:48:32,480
Speaker 6: It's definitely, it's definitely not a fat girl. It's definitely

1100
00:48:32,840 --> 00:48:35,399
Speaker 6: you ain't never had, You ain't never had two hundred

1101
00:48:35,400 --> 00:48:38,440
Speaker 6: and fifty pounds. That's that's a big ass. We're not

1102
00:48:38,600 --> 00:48:38,920
Speaker 6: doing that.

1103
00:48:39,200 --> 00:48:42,080
Speaker 4: She has a nice but for her shape, it is

1104
00:48:42,160 --> 00:48:42,839
Speaker 4: not a fat ass.

1105
00:48:42,960 --> 00:48:47,480
Speaker 1: Mall okay, defensive, but you ain't never had two hundred

1106
00:48:47,480 --> 00:48:49,480
Speaker 1: and fifty pounds of loving though, No, definitely not.

1107
00:48:49,800 --> 00:48:52,160
Speaker 6: I know she he don't know what he misses.

1108
00:48:54,600 --> 00:48:56,040
Speaker 2: Broke my little frame, but it was worth it.

1109
00:48:57,680 --> 00:49:00,720
Speaker 6: I ensured the ride. My hip ain't been this, say bucket.

1110
00:49:01,120 --> 00:49:04,479
Speaker 1: My pelvis was shattered. Yeah, yeah, I love great.

1111
00:49:04,800 --> 00:49:06,880
Speaker 4: Were you fucking two hundred and fifty pound girl before?

1112
00:49:07,440 --> 00:49:07,560
Speaker 11: Uh?

1113
00:49:08,239 --> 00:49:12,120
Speaker 1: Probably two hundred twenty?

1114
00:49:12,880 --> 00:49:13,560
Speaker 3: I got more too.

1115
00:49:13,920 --> 00:49:16,520
Speaker 6: This ain't twenty all though. Yeah, this ain't a fat boot,

1116
00:49:16,560 --> 00:49:17,319
Speaker 6: This ain't a fat boob.

1117
00:49:17,640 --> 00:49:20,399
Speaker 1: I don't know if I've hit nice fifty twenty.

1118
00:49:20,920 --> 00:49:22,040
Speaker 6: You never hit it two fifty.

1119
00:49:22,320 --> 00:49:23,880
Speaker 1: I don't. I didn't weigh her before.

1120
00:49:24,560 --> 00:49:26,000
Speaker 6: I was just scale.

1121
00:49:26,560 --> 00:49:27,240
Speaker 3: Get off the scale.

1122
00:49:27,320 --> 00:49:29,120
Speaker 6: Well, you ain't never see a boxing fight when they

1123
00:49:29,120 --> 00:49:30,680
Speaker 6: didn't weigh in, right. You gotta weigh in before you

1124
00:49:30,760 --> 00:49:32,400
Speaker 6: go in there with that big girl. You gotta get

1125
00:49:32,440 --> 00:49:33,560
Speaker 6: on the scale. So I know what I'm doing.

1126
00:49:33,760 --> 00:49:36,240
Speaker 9: I'm really trying to think, because I don't. I always

1127
00:49:36,320 --> 00:49:41,680
Speaker 9: I don't never know how much people weigh always grossly ned. No,

1128
00:49:41,920 --> 00:49:43,200
Speaker 9: definitely not now I know that.

1129
00:49:43,560 --> 00:49:45,120
Speaker 6: So he's scared you, Julian, how much do you think

1130
00:49:45,160 --> 00:49:45,440
Speaker 6: I weigh?

1131
00:49:45,960 --> 00:49:46,920
Speaker 3: I'm not going to do that.

1132
00:49:47,120 --> 00:49:48,839
Speaker 1: I really don't like. You can't offend me. I'm telling

1133
00:49:48,880 --> 00:49:50,839
Speaker 1: you how to look at baby. Did tell I'm good

1134
00:49:50,880 --> 00:49:55,040
Speaker 1: at all? Baby d A solid? You a solid because I'm.

1135
00:49:56,080 --> 00:49:56,880
Speaker 6: You you bowed.

1136
00:49:58,360 --> 00:49:59,040
Speaker 1: I'm nervous too.

1137
00:50:00,040 --> 00:50:05,440
Speaker 4: You about one sixty eight Julian, Oh, I'm not answering this,

1138
00:50:05,760 --> 00:50:08,799
Speaker 4: just going to sue. I won't. I wouldn't add a joke,

1139
00:50:08,880 --> 00:50:10,000
Speaker 4: but I am not going to be offended.

1140
00:50:10,800 --> 00:50:14,399
Speaker 9: I would sure, I'll do I'll take I'll do less

1141
00:50:14,440 --> 00:50:19,160
Speaker 9: than mall. I'll say, uh, one fifty eight, I'll do

1142
00:50:19,280 --> 00:50:22,640
Speaker 9: ten pounds first in sales predictions. But demeris is weight.

1143
00:50:22,640 --> 00:50:27,160
Speaker 1: Yeah, one sixty eight, one seventy one. Well, I told you,

1144
00:50:27,960 --> 00:50:31,399
Speaker 1: come on, Yomi man at eight ball sitting on the table.

1145
00:50:31,440 --> 00:50:37,279
Speaker 1: I don't know how many grams is right? God, she

1146
00:50:37,440 --> 00:50:41,680
Speaker 1: looks like she weighs one hundred bricks. Yeah yeah, yeah, yeah,

1147
00:50:41,840 --> 00:50:42,239
Speaker 1: that's what.

1148
00:50:44,080 --> 00:50:44,359
Speaker 11: You hear.

1149
00:50:44,640 --> 00:50:47,200
Speaker 1: You remember what the weight was of the ninety yeah

1150
00:50:47,239 --> 00:50:49,120
Speaker 1: yeah yeah when they were shipped. So that's how you

1151
00:50:49,200 --> 00:50:49,880
Speaker 1: gauge everything.

1152
00:50:50,239 --> 00:50:52,600
Speaker 9: Demari said it is the proportion, because like I I weigh,

1153
00:50:53,200 --> 00:50:57,120
Speaker 9: I'm like six pounds more than Demarus and I mean

1154
00:50:58,040 --> 00:51:00,520
Speaker 9: it's like I'm significantly larger than the Maris.

1155
00:51:00,840 --> 00:51:02,080
Speaker 4: You're you're taller.

1156
00:51:02,360 --> 00:51:03,880
Speaker 3: But I just I don't know. I guess I'm just

1157
00:51:03,920 --> 00:51:05,759
Speaker 3: I'm fucked up. I don't know how. I always base

1158
00:51:05,800 --> 00:51:06,560
Speaker 3: it off a height, not.

1159
00:51:06,680 --> 00:51:09,080
Speaker 1: Like Buel that waits.

1160
00:51:09,680 --> 00:51:11,280
Speaker 3: Yeah, yeah, some grams.

1161
00:51:11,360 --> 00:51:13,480
Speaker 2: Yeah, what do you what do you think Rel's weigh

1162
00:51:13,560 --> 00:51:15,000
Speaker 2: is real?

1163
00:51:16,160 --> 00:51:18,439
Speaker 6: About a smooth smooth.

1164
00:51:20,280 --> 00:51:20,520
Speaker 10: Three?

1165
00:51:22,440 --> 00:51:23,960
Speaker 3: Really? How do you know this?

1166
00:51:24,160 --> 00:51:24,200
Speaker 11: So?

1167
00:51:24,480 --> 00:51:32,359
Speaker 3: Yeah, yeah, forty eight? I go, okay, all right, right there,

1168
00:51:32,760 --> 00:51:33,480
Speaker 3: but how tall are you?

1169
00:51:34,440 --> 00:51:35,600
Speaker 4: Five seven?

1170
00:51:35,800 --> 00:51:37,040
Speaker 3: That's probably that's probably good.

1171
00:51:37,080 --> 00:51:37,680
Speaker 1: It's a healthy way.

1172
00:51:37,800 --> 00:51:38,600
Speaker 3: That's like a good BMI.

1173
00:51:38,840 --> 00:51:40,239
Speaker 6: Yeah, definitely, it's like.

1174
00:51:40,239 --> 00:51:41,960
Speaker 2: What Europeans weigh, because there's not.

1175
00:51:42,040 --> 00:51:44,360
Speaker 3: Before I started lifting, I was one fifty five and

1176
00:51:44,480 --> 00:51:45,760
Speaker 3: that looked sick.

1177
00:51:47,880 --> 00:51:49,839
Speaker 6: Then it looked like the women had.

1178
00:51:49,840 --> 00:51:51,840
Speaker 3: Thrown twenty pounds of muscle immediately shot.

1179
00:51:54,560 --> 00:51:55,920
Speaker 6: All right, And I ain't gonna lie, man. I don't

1180
00:51:55,960 --> 00:51:58,280
Speaker 6: like the way most death started sound like Sir Ben Kingsley.

1181
00:51:58,320 --> 00:52:00,680
Speaker 6: Towards the end of the day, you get that accent

1182
00:52:00,760 --> 00:52:02,560
Speaker 6: from I know he's been out of it. I know

1183
00:52:02,600 --> 00:52:04,320
Speaker 6: he's been out of America for a few years. He

1184
00:52:04,760 --> 00:52:06,880
Speaker 6: started sounding like Sir Ben Kingsley at the end of

1185
00:52:06,920 --> 00:52:09,239
Speaker 6: that podcast a little bit. I don't know.

1186
00:52:09,320 --> 00:52:11,400
Speaker 2: I mean, we've seen him do characters before. He's a

1187
00:52:11,440 --> 00:52:12,360
Speaker 2: great actor, That's.

1188
00:52:12,200 --> 00:52:14,040
Speaker 6: What I'm saying. I can't take these guys because it's like,

1189
00:52:14,200 --> 00:52:15,680
Speaker 6: are you acting? Are you for right now?

1190
00:52:15,800 --> 00:52:20,000
Speaker 2: I think he was executing a hilarious joke and put

1191
00:52:20,080 --> 00:52:22,280
Speaker 2: on that accent shopping.

1192
00:52:22,200 --> 00:52:24,320
Speaker 6: Like, yeah, you're I mean, it's like it was, what

1193
00:52:24,520 --> 00:52:25,719
Speaker 6: is this? Oh so good?

1194
00:52:27,160 --> 00:52:32,640
Speaker 1: Alex Well? Actually, speaking of Drake, he doesn't make scare

1195
00:52:32,640 --> 00:52:35,399
Speaker 1: of the whole music. Obviously, probably makes the greatest music

1196
00:52:35,480 --> 00:52:37,520
Speaker 1: for the Hose. I just don't know who he's hanging

1197
00:52:37,520 --> 00:52:39,399
Speaker 1: out with at the club. Shouldn't it be the Hose

1198
00:52:40,200 --> 00:52:42,719
Speaker 1: Well he does? Why is there little kids in the

1199
00:52:42,760 --> 00:52:46,040
Speaker 1: club with Drake? Not make relax. I'm not doing an

1200
00:52:46,040 --> 00:52:51,080
Speaker 1: Aaron Rodgers thing here. I'm not saying that whatsoever. And

1201
00:52:51,200 --> 00:52:54,040
Speaker 1: it's not just Drake. What's this young man's name?

1202
00:52:55,080 --> 00:52:55,520
Speaker 6: Young man?

1203
00:52:58,040 --> 00:53:00,920
Speaker 1: So this kid is a rapper that just goes to

1204
00:53:01,040 --> 00:53:03,560
Speaker 1: the club with other rappers.

1205
00:53:03,480 --> 00:53:06,719
Speaker 9: Don't It was his eleventh birthday, so they were, you know,

1206
00:53:06,840 --> 00:53:08,640
Speaker 9: like most rappers going to the club to celebrate a

1207
00:53:08,680 --> 00:53:11,080
Speaker 9: birthdays FNNG Lil King.

1208
00:53:11,560 --> 00:53:13,600
Speaker 6: Well, happy birthday to F ANDNG Little King. You don't

1209
00:53:13,640 --> 00:53:16,560
Speaker 6: mean the big one one. We told about him on

1210
00:53:16,640 --> 00:53:18,440
Speaker 6: his eleventh birthday weekend.

1211
00:53:18,520 --> 00:53:21,680
Speaker 2: But you like you're really excited about his birthday.

1212
00:53:21,880 --> 00:53:22,760
Speaker 6: I'm not excited.

1213
00:53:22,800 --> 00:53:25,359
Speaker 1: I'm just wishing him a happy birth But you found

1214
00:53:25,360 --> 00:53:27,920
Speaker 1: out about him just now, Well, yeah.

1215
00:53:27,840 --> 00:53:29,640
Speaker 6: I don't. I don't know who he is. I don't

1216
00:53:30,080 --> 00:53:32,880
Speaker 6: I don't follow uh, I don't follow him as his music.

1217
00:53:33,000 --> 00:53:34,399
Speaker 1: But do you think he listened to my beats?

1218
00:53:34,520 --> 00:53:37,719
Speaker 6: Paul's definitely not. He don't look like you make the

1219
00:53:37,800 --> 00:53:39,800
Speaker 6: type of beats that F and G Little King would be.

1220
00:53:40,000 --> 00:53:40,120
Speaker 12: Uh.

1221
00:53:40,280 --> 00:53:42,319
Speaker 2: So, I don't make beats for di' angelo. I don't

1222
00:53:42,360 --> 00:53:43,960
Speaker 2: make him for I didn't know.

1223
00:53:44,000 --> 00:53:45,960
Speaker 1: I never said you didn't make beats for D'Angelo. I

1224
00:53:46,080 --> 00:53:47,680
Speaker 1: just said when and where you play a beat for

1225
00:53:47,760 --> 00:53:49,080
Speaker 1: D'Angelo is the difference?

1226
00:53:49,080 --> 00:53:49,319
Speaker 3: All right?

1227
00:53:49,400 --> 00:53:52,040
Speaker 1: So can you guys give me a little bit more backstories?

1228
00:53:52,080 --> 00:53:54,239
Speaker 6: This just I have? Who is this kid?

1229
00:53:54,280 --> 00:53:56,440
Speaker 1: It's just another thing that celebrities take a photo of

1230
00:53:56,480 --> 00:53:57,560
Speaker 1: him because it's the moment.

1231
00:53:57,520 --> 00:54:00,440
Speaker 6: Sat little Terrio. That's how old I am.

1232
00:54:00,760 --> 00:54:01,480
Speaker 4: F G King.

1233
00:54:02,440 --> 00:54:03,680
Speaker 1: I have a story about love Terry.

1234
00:54:04,000 --> 00:54:06,319
Speaker 8: He's connected to Finesse two Times. I don't know if

1235
00:54:06,320 --> 00:54:07,200
Speaker 8: you guys know who finessed.

1236
00:54:07,840 --> 00:54:08,640
Speaker 3: That's his management.

1237
00:54:08,800 --> 00:54:11,600
Speaker 6: He has two girls, two sisters pregnant at the same time,

1238
00:54:11,719 --> 00:54:12,239
Speaker 6: right does he?

1239
00:54:13,040 --> 00:54:14,879
Speaker 3: Oh swacked? This kid's in good hands.

1240
00:54:15,120 --> 00:54:16,120
Speaker 4: I don't know where his dick's been.

1241
00:54:16,640 --> 00:54:19,560
Speaker 6: Honestly, No, I think no. Finess two Times is very

1242
00:54:19,600 --> 00:54:21,759
Speaker 6: open about that. Like I think I think he has

1243
00:54:22,120 --> 00:54:24,240
Speaker 6: sisters pregnant or he has two girlfriends.

1244
00:54:23,840 --> 00:54:24,640
Speaker 3: What the two stands for?

1245
00:54:25,320 --> 00:54:27,440
Speaker 6: Problem? I mean he's literally listen, he's liberal his art.

1246
00:54:27,480 --> 00:54:30,000
Speaker 6: He gotta respect art. But I do think he has

1247
00:54:30,120 --> 00:54:33,040
Speaker 6: either sisters or two girls pregnant like currently or something

1248
00:54:33,080 --> 00:54:33,200
Speaker 6: like that.

1249
00:54:33,440 --> 00:54:36,759
Speaker 8: Well, FNG King has a song that went viral he

1250
00:54:37,040 --> 00:54:39,759
Speaker 8: is called Gloryala Mode. It came out seven months ago

1251
00:54:39,800 --> 00:54:43,120
Speaker 8: and it has four point four million views on YouTube.

1252
00:54:43,800 --> 00:54:45,840
Speaker 8: And his latest one, he dropped a month ago, has

1253
00:54:45,880 --> 00:54:49,000
Speaker 8: six hundred and forty eight thousand views okay on YouTube,

1254
00:54:49,040 --> 00:54:51,000
Speaker 8: So he's he's not unpopular.

1255
00:54:51,880 --> 00:54:55,880
Speaker 6: Oh No, he's popular amongst who though, amongst his his

1256
00:54:56,080 --> 00:55:01,759
Speaker 6: his piographic, amongst his demographic, amongst you. Obviously, he has

1257
00:55:01,800 --> 00:55:04,000
Speaker 6: four million views on his video like he's popular.

1258
00:55:04,920 --> 00:55:07,680
Speaker 9: I mean, we know how that. As a former digital marketer,

1259
00:55:07,840 --> 00:55:09,920
Speaker 9: optics are one thing. You can fabricate everything.

1260
00:55:10,239 --> 00:55:13,239
Speaker 3: That's true. This four million on YouTube means jack shit.

1261
00:55:14,200 --> 00:55:15,719
Speaker 4: I don't know about I mean, jack shit.

1262
00:55:15,840 --> 00:55:17,160
Speaker 9: I could get it. I could get it in one

1263
00:55:17,160 --> 00:55:19,080
Speaker 9: of our videos. Four million views tomorrow, then.

1264
00:55:19,000 --> 00:55:21,719
Speaker 1: They might take us off YouTube. I'm saying, it's like

1265
00:55:21,760 --> 00:55:24,000
Speaker 1: that happens when people buy views, their fucking pages get

1266
00:55:24,040 --> 00:55:24,480
Speaker 1: taken down.

1267
00:55:25,440 --> 00:55:26,480
Speaker 3: Labels do it every week.

1268
00:55:27,040 --> 00:55:27,479
Speaker 1: That's true.

1269
00:55:28,120 --> 00:55:29,840
Speaker 2: I mean, but then they just you know, text legor

1270
00:55:29,920 --> 00:55:31,640
Speaker 2: on the side. Yeah, they'll take this one down.

1271
00:55:33,320 --> 00:55:36,359
Speaker 1: I was a little nervous to have this conversation because

1272
00:55:36,360 --> 00:55:39,320
Speaker 1: I didn't want to sound like the DeBie Downer and

1273
00:55:39,440 --> 00:55:42,759
Speaker 1: like ruining all the fun because I feel like I

1274
00:55:42,880 --> 00:55:44,520
Speaker 1: do that a lot, and I don't know what. We've

1275
00:55:44,600 --> 00:55:47,400
Speaker 1: seen a bunch of kids that are viral for the

1276
00:55:47,480 --> 00:55:51,960
Speaker 1: moment and it never works out well for them, like

1277
00:55:52,040 --> 00:55:56,000
Speaker 1: it never, it never helps their growth as going into adulthood.

1278
00:55:56,239 --> 00:55:58,680
Speaker 6: Well, he's a he's an artist, he's a rapper, right, yes,

1279
00:55:59,160 --> 00:56:04,000
Speaker 6: so he's up. He's pretty big on YouTube. I'm assuming, so,

1280
00:56:04,040 --> 00:56:05,960
Speaker 6: I mean, I guess he's just you know, this is

1281
00:56:06,600 --> 00:56:10,799
Speaker 6: what's different from this, and then when obviously, well he's

1282
00:56:10,960 --> 00:56:13,279
Speaker 6: probably not as big as Boo I was at that time,

1283
00:56:13,360 --> 00:56:15,200
Speaker 6: but bow I was in the clubs when he.

1284
00:56:15,320 --> 00:56:17,040
Speaker 3: Was twelve, different time thirteen.

1285
00:56:17,520 --> 00:56:19,960
Speaker 2: Also, I think bow I would say that just did

1286
00:56:20,080 --> 00:56:20,680
Speaker 2: not help.

1287
00:56:20,640 --> 00:56:21,719
Speaker 6: Well to overall.

1288
00:56:22,239 --> 00:56:24,440
Speaker 3: Yeah, but still you don't see this as like grooming

1289
00:56:24,640 --> 00:56:25,480
Speaker 3: in a sense.

1290
00:56:26,560 --> 00:56:29,920
Speaker 6: It is, but again it's you know, if that's the

1291
00:56:30,040 --> 00:56:34,439
Speaker 6: music that he's making, then he's right on par.

1292
00:56:35,120 --> 00:56:37,160
Speaker 1: I don't see it as grooming. I think it's taking

1293
00:56:37,400 --> 00:56:41,520
Speaker 1: advantage of a moment that is only going to affect

1294
00:56:41,840 --> 00:56:43,440
Speaker 1: that kid in a negative way and no one else.

1295
00:56:43,640 --> 00:56:45,640
Speaker 2: Yeah, like this, and that's why I want to be

1296
00:56:45,640 --> 00:56:47,600
Speaker 2: the Debbie Downer here. But this this is fucked up.

1297
00:56:47,960 --> 00:56:50,520
Speaker 9: Yeah, this video isn't going to affect Drake or change

1298
00:56:50,640 --> 00:56:53,920
Speaker 9: Drake's lifestyle or perception on women at all.

1299
00:56:54,280 --> 00:56:56,400
Speaker 6: This kid is going to be the one catching all

1300
00:56:56,440 --> 00:56:57,400
Speaker 6: the yeah.

1301
00:56:57,760 --> 00:56:58,240
Speaker 3: The trauma.

1302
00:56:58,520 --> 00:56:59,800
Speaker 1: Then I was scared that I'm now going to go

1303
00:56:59,840 --> 00:57:04,680
Speaker 1: down the gender path because we'd all be up in arms, rightfully,

1304
00:57:04,760 --> 00:57:08,239
Speaker 1: so if they had an eleven year old girl in

1305
00:57:08,360 --> 00:57:13,000
Speaker 1: the club dancing with female rappers, But because it's a boy,

1306
00:57:13,360 --> 00:57:15,920
Speaker 1: we don't give a fuck. And this is gonna possibly

1307
00:57:16,000 --> 00:57:20,040
Speaker 1: ruin his life and his perception on women, nightlife, just

1308
00:57:20,160 --> 00:57:23,560
Speaker 1: everything in general materialism. But because it's a little boy,

1309
00:57:23,600 --> 00:57:25,520
Speaker 1: we don't give a fuck. Well, I mean, we'd be

1310
00:57:25,600 --> 00:57:27,560
Speaker 1: up in arms if this was a little girl, as

1311
00:57:27,640 --> 00:57:29,200
Speaker 1: we should be, but we should also be up in

1312
00:57:29,320 --> 00:57:31,960
Speaker 1: arms of how this could be extremely arming to a

1313
00:57:32,120 --> 00:57:34,280
Speaker 1: young boy. And I'm sorry that I'm the Debbie downer

1314
00:57:34,320 --> 00:57:36,080
Speaker 1: of this topic because I know it's just fun viral

1315
00:57:36,160 --> 00:57:38,320
Speaker 1: stuff and little kids rap with money.

1316
00:57:38,160 --> 00:57:39,960
Speaker 6: Like why we had to hit a total?

1317
00:57:41,640 --> 00:57:48,320
Speaker 1: So yeah, I don't know. I watched little Tario be

1318
00:57:48,520 --> 00:57:55,080
Speaker 1: in a hotel lobby after Trilectro in twenty thirteen, twenty twelve,

1319
00:57:55,080 --> 00:57:59,000
Speaker 1: whenever it was a whole group of adults at three

1320
00:57:59,080 --> 00:58:04,440
Speaker 1: am surround Litle Tarrio with their cameras out, trying to

1321
00:58:04,520 --> 00:58:05,680
Speaker 1: get him to do the dance.

1322
00:58:06,760 --> 00:58:08,640
Speaker 2: Then it's three am and this kid is like, what

1323
00:58:08,960 --> 00:58:11,720
Speaker 2: what are y'all doing? Yeah, this is not this is

1324
00:58:11,800 --> 00:58:13,479
Speaker 2: not healthy for a developing brain.

1325
00:58:13,840 --> 00:58:16,040
Speaker 6: But when we sat down with JD and Booo, that

1326
00:58:16,160 --> 00:58:17,720
Speaker 6: was one of the things we asked, Bow, do we

1327
00:58:17,800 --> 00:58:19,880
Speaker 6: think that you know that part of his life him

1328
00:58:20,000 --> 00:58:22,439
Speaker 6: being in the clubs and being around women and having

1329
00:58:22,520 --> 00:58:24,440
Speaker 6: access to all these women at that young of an age.

1330
00:58:24,560 --> 00:58:28,840
Speaker 6: Did it affect him and and you know, his adulthood,

1331
00:58:28,920 --> 00:58:31,720
Speaker 6: and he said, absolutely it did. There's no doubt about

1332
00:58:31,760 --> 00:58:34,400
Speaker 6: it that it definitely affected him in a negative way

1333
00:58:34,480 --> 00:58:37,080
Speaker 6: when it came to his relationships with a with women

1334
00:58:37,160 --> 00:58:40,280
Speaker 6: as as as an adult. I think that this is

1335
00:58:41,120 --> 00:58:43,720
Speaker 6: some of the same. I mean I think this he's around,

1336
00:58:43,800 --> 00:58:45,200
Speaker 6: he's in the strip club, looks like he's in the

1337
00:58:45,200 --> 00:58:48,320
Speaker 6: strip clubs throwing money, he's around. So at eleven years

1338
00:58:48,320 --> 00:58:50,120
Speaker 6: old doing that, you start to, you know, at a

1339
00:58:50,200 --> 00:58:53,000
Speaker 6: young age, look at women very differently. You start to

1340
00:58:53,040 --> 00:58:56,640
Speaker 6: have interactions with your peers differently, so by his age group,

1341
00:58:56,640 --> 00:58:58,280
Speaker 6: because you know, at eleven years old, you're hanging out

1342
00:58:58,320 --> 00:59:01,200
Speaker 6: with Drake and little Baby, you know these You know,

1343
00:59:01,280 --> 00:59:03,280
Speaker 6: what does that do when you go if he's even

1344
00:59:03,320 --> 00:59:05,600
Speaker 6: in school, I don't know if you go to school now, like,

1345
00:59:05,680 --> 00:59:08,360
Speaker 6: how do you act with you know, keep your peers

1346
00:59:08,400 --> 00:59:08,920
Speaker 6: in your school?

1347
00:59:09,080 --> 00:59:10,520
Speaker 1: And we've all and that's why I do give bow

1348
00:59:10,600 --> 00:59:14,480
Speaker 1: Out a lot of credit for coming out relatively sane,

1349
00:59:14,920 --> 00:59:18,160
Speaker 1: like because we've seen plenty of child stars. Oh yeah,

1350
00:59:18,200 --> 00:59:20,439
Speaker 1: it goes go off the fucking rocker, It goes bad.

1351
00:59:20,600 --> 00:59:24,160
Speaker 1: And while this kid is not a child star if

1352
00:59:24,160 --> 00:59:24,600
Speaker 1: you look.

1353
00:59:24,480 --> 00:59:24,840
Speaker 6: At like the.

1354
00:59:26,520 --> 00:59:30,200
Speaker 1: Colleague Cocin Drew barrymore list goes on with child stars

1355
00:59:30,240 --> 00:59:32,120
Speaker 1: that did just stay in the business and continue on.

1356
00:59:32,760 --> 00:59:34,640
Speaker 1: We saw that they got fucked up, but they were

1357
00:59:34,680 --> 00:59:38,480
Speaker 1: always still in the spotlight somehow this kid, And I'm

1358
00:59:38,480 --> 00:59:40,440
Speaker 1: sorry if I'm hating on eleven year olds, there's a

1359
00:59:40,520 --> 00:59:44,600
Speaker 1: high possibility that this is just a moment thing. So

1360
00:59:44,680 --> 00:59:47,320
Speaker 1: who's going to explain to eleven year old when nobody

1361
00:59:47,440 --> 00:59:49,640
Speaker 1: cares about the viral moment anymore?

1362
00:59:49,680 --> 00:59:50,920
Speaker 3: When you turn thirteen.

1363
00:59:51,440 --> 00:59:53,840
Speaker 1: It's already damaging to have a kid in the spotlight

1364
00:59:53,920 --> 00:59:56,520
Speaker 1: as we've seen, but those kids at least maintained a

1365
00:59:56,680 --> 01:00:00,320
Speaker 1: success level and an attention level while they were hooked

1366
01:00:00,320 --> 01:00:04,040
Speaker 1: on drugs and fucking up their life. What happens when

1367
01:00:04,080 --> 01:00:06,680
Speaker 1: this passes? Who's explaining to when he turns twelve and

1368
01:00:07,440 --> 01:00:09,320
Speaker 1: little baby doesn't reply to his DM Sorry if I'm

1369
01:00:09,320 --> 01:00:11,600
Speaker 1: putting this on people on their jacket, But when Drake

1370
01:00:11,640 --> 01:00:13,760
Speaker 1: doesn't reply to his dms, when all the people that

1371
01:00:13,840 --> 01:00:15,959
Speaker 1: wanted to take pictures with him and use this moment

1372
01:00:16,440 --> 01:00:18,840
Speaker 1: no longer care, and when he goes to the club

1373
01:00:18,880 --> 01:00:20,280
Speaker 1: and the bouncer says, you're twelve years old.

1374
01:00:20,320 --> 01:00:22,680
Speaker 2: You can't come in because you're not. This isn't a

1375
01:00:22,720 --> 01:00:23,240
Speaker 2: thing anymore.

1376
01:00:23,880 --> 01:00:26,160
Speaker 1: Who's going to explain to that twelve year old why

1377
01:00:26,320 --> 01:00:28,320
Speaker 1: nobody is paying attention to him anymore?

1378
01:00:28,320 --> 01:00:30,520
Speaker 6: But what if he grow? What if he continues to

1379
01:00:30,760 --> 01:00:32,760
Speaker 6: have a flourishing help that happen career?

1380
01:00:32,960 --> 01:00:35,120
Speaker 1: But what sucks is now I'm just going off the

1381
01:00:35,160 --> 01:00:37,720
Speaker 1: basis of viral moments and how long they usually last.

1382
01:00:37,800 --> 01:00:39,920
Speaker 1: That's all I'm saying. Yeah, and that's why I was

1383
01:00:39,920 --> 01:00:41,520
Speaker 1: scared to talk about this because I'm sounding.

1384
01:00:41,280 --> 01:00:44,400
Speaker 2: Like a Debbie Downer haters an adult.

1385
01:00:44,720 --> 01:00:47,000
Speaker 3: You're right, because he's a vict now, he's a victim of.

1386
01:00:47,240 --> 01:00:48,720
Speaker 6: Change that you had a kid. I'm about to tell

1387
01:00:48,760 --> 01:00:50,280
Speaker 6: you that in a bad way.

1388
01:00:50,440 --> 01:00:53,680
Speaker 9: No, So, I think to Roy's point, he's a victim

1389
01:00:53,840 --> 01:00:58,360
Speaker 9: of the people that he's the people that are controlling

1390
01:00:58,520 --> 01:01:01,520
Speaker 9: his likeness in his career, like his life is in

1391
01:01:01,640 --> 01:01:03,840
Speaker 9: their hands. So he's a victim of how they want

1392
01:01:03,880 --> 01:01:05,640
Speaker 9: to push him in, how well they can push him,

1393
01:01:05,680 --> 01:01:09,200
Speaker 9: and how he's publicly perceived. So, like we know in

1394
01:01:09,240 --> 01:01:11,800
Speaker 9: the music business, it's a revolving door. This will run

1395
01:01:11,840 --> 01:01:14,800
Speaker 9: its course and either they find a younger, not a younger,

1396
01:01:14,840 --> 01:01:18,200
Speaker 9: they're not gonna whatever. They find another artist that's even hotter,

1397
01:01:18,560 --> 01:01:20,560
Speaker 9: and they'll divert and put all their attention into that.

1398
01:01:21,160 --> 01:01:23,520
Speaker 9: And like most artists, you get benched or you're no

1399
01:01:23,600 --> 01:01:26,320
Speaker 9: longer the priority. Like that's going to happen. It's going

1400
01:01:26,400 --> 01:01:28,200
Speaker 9: to happen at some point with this kid. He will

1401
01:01:28,240 --> 01:01:31,040
Speaker 9: no longer be the face that they're pushing. Then it's okay,

1402
01:01:31,120 --> 01:01:33,280
Speaker 9: Now what when you have to be alone and when

1403
01:01:33,280 --> 01:01:36,240
Speaker 9: you're not the hottest thing in the club. But also

1404
01:01:36,520 --> 01:01:39,960
Speaker 9: you're not in your twenties, you're a child, right, that's

1405
01:01:40,000 --> 01:01:41,840
Speaker 9: gonna It's just you're setting this kid up for a

1406
01:01:42,000 --> 01:01:42,400
Speaker 9: long time.

1407
01:01:42,400 --> 01:01:46,360
Speaker 6: Again we're speaking of if he absolutely has no career,

1408
01:01:46,920 --> 01:01:48,080
Speaker 6: no long standing career.

1409
01:01:48,080 --> 01:01:49,640
Speaker 3: We know how this industry works.

1410
01:01:49,760 --> 01:01:51,520
Speaker 6: I mean well now more than ever. Yet it is

1411
01:01:51,720 --> 01:01:54,080
Speaker 6: fly by night. Yeah, it's like it's over pretty quickly

1412
01:01:54,120 --> 01:01:54,760
Speaker 6: for a lot of people.

1413
01:01:54,960 --> 01:01:58,000
Speaker 1: Not everyone has the her story where they put her

1414
01:01:58,000 --> 01:02:01,520
Speaker 1: out at thirteen as Gabby Willson and it didn't work out,

1415
01:02:01,760 --> 01:02:05,440
Speaker 1: and then she came back as an adult. Rarely fucking appened.

1416
01:02:05,800 --> 01:02:08,880
Speaker 1: And I hope I am not wishing anything ill on

1417
01:02:10,000 --> 01:02:12,360
Speaker 1: little King. I actually is the opposite. I really hope

1418
01:02:12,360 --> 01:02:16,160
Speaker 1: he has a good support system and family around him,

1419
01:02:16,800 --> 01:02:19,960
Speaker 1: because I don't care if you're eleven, twenty one, forty.

1420
01:02:20,280 --> 01:02:24,760
Speaker 2: This is the worst business as far as maintaining it is.

1421
01:02:25,240 --> 01:02:29,680
Speaker 1: And it it fucks up thirty year olds, imagine how

1422
01:02:29,680 --> 01:02:31,400
Speaker 1: it could fuck up in eleven year old. That's all

1423
01:02:31,440 --> 01:02:33,720
Speaker 1: I'm really getting at. And not to go back to

1424
01:02:33,840 --> 01:02:35,440
Speaker 1: most death, but the last part that no one really

1425
01:02:35,480 --> 01:02:39,720
Speaker 1: talking about, what happens when the empire crumbles? What happens

1426
01:02:39,760 --> 01:02:41,680
Speaker 1: when the values of everything that we're talking about in

1427
01:02:41,720 --> 01:02:47,440
Speaker 1: the music destroys the genre that we have. Obviously this

1428
01:02:47,520 --> 01:02:50,800
Speaker 1: is an extremely small portion of it, but it's part

1429
01:02:50,840 --> 01:02:54,479
Speaker 1: of a crumbling empire when we're having eleven year olds

1430
01:02:54,520 --> 01:02:57,400
Speaker 1: in the club with rappers and chains and money and like,

1431
01:02:57,520 --> 01:02:59,280
Speaker 1: I mean, I can't speak but now, and I sound

1432
01:02:59,320 --> 01:03:02,240
Speaker 1: like a debute Like I like ignorant music too, I

1433
01:03:02,440 --> 01:03:08,200
Speaker 1: like ignorant shit, but when there's no balance, Yeah, yeah,

1434
01:03:08,240 --> 01:03:09,160
Speaker 1: what's the messaging here?

1435
01:03:09,440 --> 01:03:09,640
Speaker 3: Listen?

1436
01:03:09,680 --> 01:03:11,840
Speaker 1: I'm guilty, man. I clubbed with Bow when he was

1437
01:03:11,920 --> 01:03:16,640
Speaker 1: like twelve thirteen. Yeah, you were like sixteen, you were

1438
01:03:16,680 --> 01:03:18,480
Speaker 1: both legally and I was like eighteen nineteen.

1439
01:03:18,560 --> 01:03:20,160
Speaker 6: I was like nineteen. I think I think he might

1440
01:03:20,240 --> 01:03:21,800
Speaker 6: may have been twelve thirteen. I may have been like

1441
01:03:21,880 --> 01:03:25,320
Speaker 6: eighteen nineteen. Paint the picture for us. It was All

1442
01:03:25,440 --> 01:03:30,680
Speaker 6: Star Weekend, Sick DC two thousand and one. I think

1443
01:03:30,720 --> 01:03:31,960
Speaker 6: it was DC All Star Weekend.

1444
01:03:32,040 --> 01:03:33,760
Speaker 4: Oh, I know, it's crazy up in there.

1445
01:03:33,920 --> 01:03:34,800
Speaker 6: Oh man, it was.

1446
01:03:35,000 --> 01:03:35,240
Speaker 11: It was.

1447
01:03:35,360 --> 01:03:36,800
Speaker 6: It was a time. It was a time to be

1448
01:03:36,840 --> 01:03:40,520
Speaker 6: a live prelim. Yeah, because this was February and.

1449
01:03:40,560 --> 01:03:43,240
Speaker 9: This is probably right after they wrapped shooting like Mike,

1450
01:03:43,280 --> 01:03:44,960
Speaker 9: because like Mike came out in two thousand and two.

1451
01:03:45,040 --> 01:03:47,000
Speaker 6: I don't know, but I know, listen, I was with

1452
01:03:47,320 --> 01:03:50,520
Speaker 6: my brother Jay. It's you know, Jay, this is some

1453
01:03:50,680 --> 01:03:52,680
Speaker 6: star God blessed Lea. It was whatever. So it was

1454
01:03:53,480 --> 01:03:55,240
Speaker 6: when Boo I walked in't.

1455
01:03:55,040 --> 01:03:55,840
Speaker 1: Know, superstar.

1456
01:03:56,160 --> 01:04:00,160
Speaker 6: It was like yo, it was grown women going, I'm

1457
01:04:00,240 --> 01:04:01,800
Speaker 6: just like, yo, short.

1458
01:04:01,560 --> 01:04:03,480
Speaker 3: He's like twelve, Covin Coolidge.

1459
01:04:04,000 --> 01:04:05,760
Speaker 6: But you know he was with JD and you know

1460
01:04:06,000 --> 01:04:09,280
Speaker 6: they walked in the in the club. But yeah, so

1461
01:04:09,360 --> 01:04:11,360
Speaker 6: I'm guilty. I party with a twelve year old man?

1462
01:04:12,640 --> 01:04:13,640
Speaker 4: Is he passed him the bottle?

1463
01:04:14,200 --> 01:04:17,560
Speaker 1: No see them? I was just asking, no know, I

1464
01:04:17,640 --> 01:04:20,120
Speaker 1: did not pass little bowow a twelve year old bow

1465
01:04:20,400 --> 01:04:21,880
Speaker 1: bottle of his baby bottle.

1466
01:04:22,000 --> 01:04:24,360
Speaker 2: But you could imagine that there was probably a very

1467
01:04:24,400 --> 01:04:25,320
Speaker 2: irresponsible person.

1468
01:04:25,840 --> 01:04:29,760
Speaker 1: No, he was with my family. Was passing me that? Yeah,

1469
01:04:30,080 --> 01:04:31,800
Speaker 1: at family parties? No, no, no, I'm not he was

1470
01:04:31,840 --> 01:04:34,800
Speaker 1: judging anyone. I'm at a club. I know somebody passed

1471
01:04:34,800 --> 01:04:35,240
Speaker 1: a little while.

1472
01:04:35,400 --> 01:04:38,720
Speaker 3: I can only me yeah, but that's an Irish like way.

1473
01:04:39,520 --> 01:04:42,080
Speaker 6: The culture I'm talking about, just that I'm only speaking

1474
01:04:42,120 --> 01:04:46,480
Speaker 6: on that night in the in DC. Sure. I think

1475
01:04:46,520 --> 01:04:48,680
Speaker 6: it was Zanzibar. Might have been the name of the club.

1476
01:04:50,360 --> 01:04:52,120
Speaker 6: This is twenty years ago. Zanzibar, I think that was

1477
01:04:52,160 --> 01:04:55,040
Speaker 6: the name of the club, whatever it was. But he

1478
01:04:55,160 --> 01:04:56,760
Speaker 6: was with JD and they had him like he was

1479
01:04:56,800 --> 01:04:59,920
Speaker 6: just intersection with them, just chilling like he wasn't drinking

1480
01:05:00,040 --> 01:05:01,880
Speaker 6: anything like that, but he was. He was deal with them.

1481
01:05:01,920 --> 01:05:05,440
Speaker 6: And I remember the pandemonium that he definitely caused when

1482
01:05:06,120 --> 01:05:08,040
Speaker 6: everybody saw that bow. I was then I'm just like,

1483
01:05:08,120 --> 01:05:11,640
Speaker 6: that's crazy. That's twelve years old and I was young.

1484
01:05:11,680 --> 01:05:14,160
Speaker 6: I was like only eighteen nineteen. I wasn't twenty one

1485
01:05:14,280 --> 01:05:16,680
Speaker 6: legal to be in the club. But seeing a twelve

1486
01:05:16,760 --> 01:05:18,480
Speaker 6: year old bow while walking the club and how people

1487
01:05:19,120 --> 01:05:21,560
Speaker 6: reacted to him and then obviously seeing a career he

1488
01:05:21,640 --> 01:05:24,440
Speaker 6: had beyond that and after that. I mean, he's one

1489
01:05:24,440 --> 01:05:26,720
Speaker 6: of the success stories that we could talk about. But

1490
01:05:26,800 --> 01:05:29,040
Speaker 6: even him, he said it with us and how it

1491
01:05:29,160 --> 01:05:31,960
Speaker 6: definitely affected him and changed his life and his relationship

1492
01:05:31,960 --> 01:05:34,760
Speaker 6: with women for sure. Having that success early and having

1493
01:05:34,800 --> 01:05:38,680
Speaker 6: access to women that early definitely changed his view and

1494
01:05:38,760 --> 01:05:39,720
Speaker 6: his energy with women.

1495
01:05:39,840 --> 01:05:42,360
Speaker 8: So why you ain't bring that up? Like, why you

1496
01:05:42,400 --> 01:05:43,920
Speaker 8: adn't bring up about you? Remember he was in the

1497
01:05:43,920 --> 01:05:45,520
Speaker 8: club with me, Like when we did our interview.

1498
01:05:45,520 --> 01:05:47,960
Speaker 6: I think I would do that. Do you think I'm

1499
01:05:48,000 --> 01:05:48,880
Speaker 6: that type of thing now?

1500
01:05:48,960 --> 01:05:50,760
Speaker 1: But you could have brought not like brought it up.

1501
01:05:50,880 --> 01:05:54,320
Speaker 6: We shared a section one here two thousand and one, Yo,

1502
01:05:54,360 --> 01:05:56,560
Speaker 6: you don't remember me? Was crazy?

1503
01:05:56,960 --> 01:05:57,000
Speaker 11: Was?

1504
01:05:57,160 --> 01:05:59,000
Speaker 8: I was joking when I said that, But I do

1505
01:05:59,200 --> 01:06:01,360
Speaker 8: think that in our interview that would have been something

1506
01:06:01,440 --> 01:06:02,560
Speaker 8: funny to bring up.

1507
01:06:03,000 --> 01:06:03,880
Speaker 1: Yeah, would have been funny.

1508
01:06:04,200 --> 01:06:05,760
Speaker 6: He didn't even remember when we was in the strip

1509
01:06:05,800 --> 01:06:09,040
Speaker 6: club together, like a month before that. I was like,

1510
01:06:09,520 --> 01:06:11,280
Speaker 6: he's like, Yo, why you ain't called me? I'm like, yo,

1511
01:06:11,360 --> 01:06:13,960
Speaker 6: you was standing right there, man, like you was there?

1512
01:06:14,040 --> 01:06:16,000
Speaker 6: He was like, oh you think like yo? Two thousand

1513
01:06:16,000 --> 01:06:17,960
Speaker 6: and one DC All Star he was twelve. You don't

1514
01:06:17,960 --> 01:06:18,400
Speaker 6: remember me.

1515
01:06:19,480 --> 01:06:22,280
Speaker 1: Also, like fifteen minutes before that, he screamed, I'm going

1516
01:06:22,360 --> 01:06:23,720
Speaker 1: to take a million dollars out cash.

1517
01:06:24,560 --> 01:06:27,680
Speaker 6: We went to the ship club. Yeah, hilarious, classic ship

1518
01:06:28,320 --> 01:06:31,800
Speaker 6: but I don't know, I mean birthday little king? Yeah,

1519
01:06:31,840 --> 01:06:33,000
Speaker 6: have you fuck all?

1520
01:06:33,080 --> 01:06:36,560
Speaker 1: That turned when all the grown women started screaming when

1521
01:06:36,600 --> 01:06:38,520
Speaker 1: bow Wow came in like did you hate a little bit?

1522
01:06:39,520 --> 01:06:41,360
Speaker 6: Nah? You kind of like yeah, you were.

1523
01:06:41,400 --> 01:06:44,080
Speaker 3: You were like, he's like four six, that's a little kid. Yeah,

1524
01:06:44,320 --> 01:06:46,960
Speaker 3: I can't even dunk said that was cgi.

1525
01:06:47,200 --> 01:06:48,640
Speaker 1: Let's tell you some funny bottle.

1526
01:06:48,680 --> 01:06:50,240
Speaker 6: You know who was out? You know who was outside

1527
01:06:50,280 --> 01:06:52,240
Speaker 6: our hotel that was getting off his tour bus with

1528
01:06:52,360 --> 01:06:54,880
Speaker 6: like fifteen girls trying to run on his tour bus.

1529
01:06:54,920 --> 01:06:59,680
Speaker 3: That's Arry Kettles, little Romeo. Oh Kelly, oh well.

1530
01:07:01,160 --> 01:07:05,760
Speaker 6: Walked all up right? Were they running running?

1531
01:07:05,920 --> 01:07:07,640
Speaker 3: Were they running on the bus at their wheel or

1532
01:07:07,760 --> 01:07:08,080
Speaker 3: was he like.

1533
01:07:08,360 --> 01:07:11,040
Speaker 6: Oh no, they was lined up for the r two

1534
01:07:11,040 --> 01:07:12,840
Speaker 6: thousand and one. It was still awe like he ain't

1535
01:07:12,880 --> 01:07:14,440
Speaker 6: have all the ship he had on his name now

1536
01:07:14,720 --> 01:07:17,800
Speaker 6: actually he did. Now think heap was out. That tape

1537
01:07:17,920 --> 01:07:19,360
Speaker 6: was out after that, but we got all kicked that

1538
01:07:19,480 --> 01:07:19,920
Speaker 6: under the road.

1539
01:07:20,000 --> 01:07:20,720
Speaker 3: That was a promo run.

1540
01:07:20,840 --> 01:07:23,240
Speaker 6: Yeah, but nah, they they was outside his tour bus

1541
01:07:23,320 --> 01:07:25,120
Speaker 6: trying to get on his tour bus. For sure, I

1542
01:07:25,280 --> 01:07:25,720
Speaker 6: remember that.

1543
01:07:25,920 --> 01:07:28,480
Speaker 2: He's I mean even at the court hearings, he had

1544
01:07:28,520 --> 01:07:29,040
Speaker 2: them lined up.

1545
01:07:29,200 --> 01:07:30,600
Speaker 3: Wait, you clubbed with R Kelly?

1546
01:07:30,960 --> 01:07:34,960
Speaker 6: Yeah, this two This is the early two thousands. Man,

1547
01:07:34,960 --> 01:07:36,840
Speaker 6: don't put that on my jacket. Man, No, I'm not.

1548
01:07:37,440 --> 01:07:39,120
Speaker 3: I'm not saying you should have had the hindsight.

1549
01:07:39,240 --> 01:07:43,320
Speaker 6: This is DC Chocolate City All Star Week and everybody

1550
01:07:43,440 --> 01:07:44,280
Speaker 6: was there. Are you kidding me?

1551
01:07:44,560 --> 01:07:47,960
Speaker 1: Finally, Moll, you are opening up with stories from that

1552
01:07:48,080 --> 01:07:50,400
Speaker 1: time period when we were all extremely young, and I

1553
01:07:50,480 --> 01:07:52,280
Speaker 1: was like, I try to pry these stories out of you.

1554
01:07:52,440 --> 01:07:55,880
Speaker 1: I'm I'm a nerd that idolized Yoe as a kid.

1555
01:07:56,400 --> 01:07:57,920
Speaker 1: I want to hear the stories, but you keep them

1556
01:07:57,960 --> 01:07:59,040
Speaker 1: to yourself, and it bothers me.

1557
01:07:59,360 --> 01:08:01,040
Speaker 6: I mean, I only pep it to myself because it's

1558
01:08:02,000 --> 01:08:04,000
Speaker 6: I mean, it's one of those when you was there

1559
01:08:04,080 --> 01:08:06,360
Speaker 6: in the moment, it was it was cool, but it's

1560
01:08:06,480 --> 01:08:08,480
Speaker 6: it's it's It's a lot of stories, man, It's a

1561
01:08:08,560 --> 01:08:10,880
Speaker 6: lot of stories. But that was one though. All Kelly

1562
01:08:11,000 --> 01:08:14,680
Speaker 6: like being outside the hotel was hilarious. But I Remember

1563
01:08:14,760 --> 01:08:17,080
Speaker 6: everybody was like, yo, it's about thirty girls trying to

1564
01:08:17,080 --> 01:08:17,639
Speaker 6: get on his bus.

1565
01:08:18,080 --> 01:08:22,839
Speaker 2: Do you have any great hove clubbing stories or anything

1566
01:08:23,680 --> 01:08:25,680
Speaker 2: one to help a nerd like me out?

1567
01:08:25,840 --> 01:08:28,559
Speaker 6: Remember the first time, the first time I actually drove,

1568
01:08:30,120 --> 01:08:34,519
Speaker 6: like the first time I actually drove, like nighttime on

1569
01:08:34,680 --> 01:08:41,839
Speaker 6: the Highway in Manhattan was a night that me bigs,

1570
01:08:42,560 --> 01:08:45,479
Speaker 6: Jay and Tata I went to the club went to

1571
01:08:45,680 --> 01:08:46,639
Speaker 6: I think it was Cheetahs.

1572
01:08:47,040 --> 01:08:48,040
Speaker 4: That's a nasty crew.

1573
01:08:48,120 --> 01:08:48,679
Speaker 3: What a crew?

1574
01:08:49,240 --> 01:08:49,439
Speaker 6: Yeah?

1575
01:08:50,000 --> 01:08:51,400
Speaker 1: How old work? Where are you at this now?

1576
01:08:52,520 --> 01:08:56,639
Speaker 6: Might have been like around the same age, eighteen nineteen, okay,

1577
01:08:57,160 --> 01:08:59,880
Speaker 6: might have been like eighteen. I think definitely was Like

1578
01:09:00,160 --> 01:09:01,560
Speaker 6: I think I was just out of high school, so

1579
01:09:01,760 --> 01:09:02,679
Speaker 6: maybe maybe eighteen.

1580
01:09:03,120 --> 01:09:05,559
Speaker 2: So you were asking them like, yo, when we pull up,

1581
01:09:05,600 --> 01:09:06,120
Speaker 2: let me drive?

1582
01:09:06,479 --> 01:09:08,160
Speaker 6: No no, no, no, no, no, no, what it was

1583
01:09:08,439 --> 01:09:09,000
Speaker 6: what I'm working with?

1584
01:09:09,120 --> 01:09:09,799
Speaker 3: Put it in neutral?

1585
01:09:09,880 --> 01:09:11,880
Speaker 1: It was a total opposite, Like I was, letd two

1586
01:09:12,040 --> 01:09:13,960
Speaker 1: laps around, total opposite.

1587
01:09:13,960 --> 01:09:16,040
Speaker 6: I wasn't even I wasn't even driving. I wasn't even

1588
01:09:16,120 --> 01:09:19,040
Speaker 6: driving at that at that point yet I think, I mean,

1589
01:09:19,040 --> 01:09:21,080
Speaker 6: I knew how to drive, but I hadn't like driven

1590
01:09:21,160 --> 01:09:24,120
Speaker 6: by myself, like in a car at that point yet.

1591
01:09:24,040 --> 01:09:28,280
Speaker 1: I'm also going to assume that Jay probably had a car.

1592
01:09:28,640 --> 01:09:30,600
Speaker 1: It wasn't a Honda, which is a little easier to

1593
01:09:30,680 --> 01:09:33,000
Speaker 1: drive for the first time. No, I still have trouble

1594
01:09:33,080 --> 01:09:34,120
Speaker 1: driving like a Mayback.

1595
01:09:34,360 --> 01:09:37,479
Speaker 6: Yeah. No, this was uh, this was uh, we was chilling.

1596
01:09:37,640 --> 01:09:39,439
Speaker 6: I think I think we was just chilling at the

1597
01:09:39,520 --> 01:09:43,559
Speaker 6: crib and uh damn looking back, because Jay, my bro,

1598
01:09:43,720 --> 01:09:46,400
Speaker 6: they was young. He was only like thirty three or

1599
01:09:46,439 --> 01:09:48,640
Speaker 6: something like that. So that was like, yeah, that was

1600
01:09:48,800 --> 01:09:52,200
Speaker 6: like them wanting to be out all the time. But

1601
01:09:52,320 --> 01:09:53,880
Speaker 6: we went to uh we went to a club. Somebody's

1602
01:09:53,880 --> 01:09:55,240
Speaker 6: having party. It is like, we're going to the club,

1603
01:09:55,560 --> 01:09:58,960
Speaker 6: go to the club. So Jay had uh, he he

1604
01:09:59,080 --> 01:10:02,280
Speaker 6: had uh, he had Puffs. He had Puffs Bentley. I

1605
01:10:02,360 --> 01:10:05,479
Speaker 6: think Puffat gave him his car for the week. Puff

1606
01:10:05,600 --> 01:10:07,519
Speaker 6: was like out of town or something like that, and

1607
01:10:07,640 --> 01:10:09,240
Speaker 6: so that my brother was like, Yo, I'm gonna take

1608
01:10:09,720 --> 01:10:12,280
Speaker 6: your Bentley. So I remember we had it was back

1609
01:10:12,320 --> 01:10:14,320
Speaker 6: to back Bentley were going down the West Side. I'm like,

1610
01:10:14,360 --> 01:10:16,519
Speaker 6: the nigga's on the block ain't gonna never believe this shit.

1611
01:10:16,840 --> 01:10:20,599
Speaker 6: We're going down the West Side Highway, baby Blue Bentley.

1612
01:10:20,640 --> 01:10:23,400
Speaker 6: I think Puffs Bentley was darker blue. I think Jays

1613
01:10:23,439 --> 01:10:25,040
Speaker 6: Bentley was like baby blue or something like that, or

1614
01:10:25,040 --> 01:10:27,800
Speaker 6: it might have been reversed. We driving, so we pull

1615
01:10:27,880 --> 01:10:30,560
Speaker 6: up to the club. It's a bunch of people outside.

1616
01:10:30,880 --> 01:10:34,800
Speaker 6: It was lit. This was like before nobody had camera phone,

1617
01:10:34,840 --> 01:10:36,240
Speaker 6: So it was like if you wasn't on that block,

1618
01:10:36,320 --> 01:10:38,040
Speaker 6: you ain't see the movie. That's just how it was.

1619
01:10:38,160 --> 01:10:39,760
Speaker 6: It was like, if you ain't outside, you didn't see

1620
01:10:39,760 --> 01:10:40,040
Speaker 6: the movie.

1621
01:10:40,120 --> 01:10:41,320
Speaker 3: They were like, oh my god, it's mam.

1622
01:10:41,479 --> 01:10:43,400
Speaker 6: Now I'm young. Yeah right, I'm young.

1623
01:10:43,520 --> 01:10:45,760
Speaker 1: So I'm just like nigga, I'm in all of this

1624
01:10:45,840 --> 01:10:47,880
Speaker 1: shit is just like yo, like I'm not use supposed

1625
01:10:47,880 --> 01:10:49,360
Speaker 1: to be I'm not supposed to be here.

1626
01:10:49,600 --> 01:10:51,800
Speaker 2: You definitely told a girl you gotta give me your

1627
01:10:51,880 --> 01:10:53,040
Speaker 2: number before you could talk to Jay.

1628
01:10:54,479 --> 01:10:55,320
Speaker 1: You were one of those guys.

1629
01:10:55,760 --> 01:10:57,200
Speaker 6: Nah, but I was because this was the time.

1630
01:10:57,320 --> 01:10:59,599
Speaker 1: This was the time before it was before the whole

1631
01:10:59,640 --> 01:11:02,679
Speaker 1: club was VP, but before the whole club was table

1632
01:11:03,080 --> 01:11:03,799
Speaker 1: bottle sect.

1633
01:11:03,600 --> 01:11:03,880
Speaker 3: Before you.

1634
01:11:05,720 --> 01:11:07,080
Speaker 6: It was like, so if you want to if you

1635
01:11:07,160 --> 01:11:09,400
Speaker 6: want to come over here, I was like I had

1636
01:11:09,439 --> 01:11:11,840
Speaker 6: to go out and and and and you know, find

1637
01:11:11,880 --> 01:11:15,040
Speaker 6: the girls. So it was like cool, So I'm young,

1638
01:11:15,120 --> 01:11:16,800
Speaker 6: I'm like fuck, whatever y'all want me to do, just

1639
01:11:16,840 --> 01:11:19,439
Speaker 6: to hang out with y'all, I'm doing it. Going to club,

1640
01:11:19,520 --> 01:11:21,439
Speaker 6: bring some girls back to the to the section whatever.

1641
01:11:23,000 --> 01:11:26,400
Speaker 6: They got so twisted, right, So I'm like I'm looking around.

1642
01:11:26,439 --> 01:11:30,640
Speaker 6: They're like, yo, who's gonna drive. So my brother like Biggs, like, yo,

1643
01:11:30,760 --> 01:11:32,920
Speaker 6: I'm I can't. Fucking I'm twisted. He's like, yo, you

1644
01:11:32,960 --> 01:11:35,160
Speaker 6: know how to drive. Fucking you gotta drive. I'm fucked up.

1645
01:11:36,479 --> 01:11:38,560
Speaker 6: So at first it's cool because you're coming out of it.

1646
01:11:38,560 --> 01:11:40,599
Speaker 6: There was the parking lot. The parking lot was right

1647
01:11:40,680 --> 01:11:43,160
Speaker 6: across the street from the club, so it's like, all right,

1648
01:11:43,200 --> 01:11:45,360
Speaker 6: it's cool right here. But mind I never got on

1649
01:11:45,439 --> 01:11:48,920
Speaker 6: the highway. Then I got Jay's this fucking big ass

1650
01:11:49,000 --> 01:11:51,360
Speaker 6: Bentley Like I'm like, oh, man, like, I'm a fucking

1651
01:11:51,400 --> 01:11:52,040
Speaker 6: crashy ship.

1652
01:11:52,560 --> 01:11:56,680
Speaker 3: Were you driving or puffs? No, Jay's car, Okay, So

1653
01:11:57,040 --> 01:11:57,479
Speaker 3: start a car.

1654
01:11:57,680 --> 01:11:59,880
Speaker 1: So we we learned to drive.

1655
01:12:00,960 --> 01:12:03,400
Speaker 9: Yeah, I knew how to drive, but it was still like,

1656
01:12:03,479 --> 01:12:06,439
Speaker 9: you know, onway, Yeah, I'm just like yo, And and

1657
01:12:06,600 --> 01:12:07,200
Speaker 9: it's like, you know.

1658
01:12:07,560 --> 01:12:10,280
Speaker 6: People drunk. I'm just like so I'm nervous. I'm like, god,

1659
01:12:10,320 --> 01:12:12,519
Speaker 6: damn gonna end up crashing the ship. So we pull

1660
01:12:12,560 --> 01:12:15,000
Speaker 6: out the lot or whatever. So now I'm kind of you,

1661
01:12:15,120 --> 01:12:17,439
Speaker 6: I'm feeling myself because it's like I'm just I'm driving,

1662
01:12:17,479 --> 01:12:20,240
Speaker 6: but we ain't really going nowhere because the block is

1663
01:12:20,320 --> 01:12:23,000
Speaker 6: packed that the club is on. As soon as we

1664
01:12:23,120 --> 01:12:26,080
Speaker 6: turn around because it was right there by, Uh I

1665
01:12:26,200 --> 01:12:28,599
Speaker 6: want to say, Houston. I think that's what club cheatd

1666
01:12:28,680 --> 01:12:30,719
Speaker 6: right there in that area. So soon we came around

1667
01:12:30,800 --> 01:12:32,519
Speaker 6: to get back on the West Side Highway, go back

1668
01:12:32,520 --> 01:12:36,720
Speaker 6: to Jersey, nigga, I start shipping bricks. I'm like, yo, dog,

1669
01:12:36,920 --> 01:12:39,880
Speaker 6: like I hope to them. Yeah, like ninety two bricks. Yeah,

1670
01:12:40,080 --> 01:12:42,519
Speaker 6: like yo, like dog, like what the fuck? But you know,

1671
01:12:42,640 --> 01:12:45,040
Speaker 6: I did the speed limit. Jay was like, yo, listen,

1672
01:12:45,160 --> 01:12:47,400
Speaker 6: just stay behind me, and so you gotta do to

1673
01:12:47,439 --> 01:12:49,880
Speaker 6: stay behind me. Were just going. I was like, all right,

1674
01:12:49,960 --> 01:12:52,519
Speaker 6: bet So we literally might have did about sixty up

1675
01:12:52,840 --> 01:12:56,400
Speaker 6: the West Side Highway twisted though, like them niggas was twisted.

1676
01:12:56,960 --> 01:12:59,320
Speaker 6: But that was the first time I remember driving, like

1677
01:13:00,720 --> 01:13:04,799
Speaker 6: leaving the club young behind his wheel. I was drinking

1678
01:13:05,880 --> 01:13:07,920
Speaker 6: like it was just a bad bad influences.

1679
01:13:08,000 --> 01:13:08,160
Speaker 3: Man.

1680
01:13:11,600 --> 01:13:13,920
Speaker 9: Imagine being an eleven year old and those cars are

1681
01:13:14,120 --> 01:13:15,240
Speaker 9: very difficult to drive.

1682
01:13:15,840 --> 01:13:18,560
Speaker 1: The only time I ever drove like a Mayback or

1683
01:13:18,800 --> 01:13:23,240
Speaker 1: a Bentley. Was the intro to the Emotional Oranges Down

1684
01:13:23,280 --> 01:13:25,439
Speaker 1: to Miami Video. They had this great idea that I

1685
01:13:25,479 --> 01:13:29,920
Speaker 1: would play the driver, and they got a Bentley. I

1686
01:13:30,000 --> 01:13:31,080
Speaker 1: think I forgot.

1687
01:13:31,120 --> 01:13:34,479
Speaker 6: I think it was the Bentley that was on It

1688
01:13:34,640 --> 01:13:37,320
Speaker 6: was on uh on the on the cover of what

1689
01:13:37,479 --> 01:13:40,719
Speaker 6: was it? Is it Hard Knock Life? Was it the Bentley?

1690
01:13:40,800 --> 01:13:41,479
Speaker 6: J had the blue one?

1691
01:13:41,520 --> 01:13:43,519
Speaker 4: Okay, so that just makes it like Super the Dark.

1692
01:13:43,760 --> 01:13:44,439
Speaker 1: Yeah, the Navy.

1693
01:13:45,560 --> 01:13:47,680
Speaker 2: I think that was the same car you parked it

1694
01:13:47,760 --> 01:13:49,519
Speaker 2: in in the studio on the white cycle.

1695
01:13:50,240 --> 01:13:52,920
Speaker 6: No, not that one. That wasn't It wasn't. It wasn't convertible.

1696
01:13:53,160 --> 01:13:55,200
Speaker 6: I can't remember, but it was like the Bentley Andnage.

1697
01:13:55,200 --> 01:13:56,600
Speaker 6: I think that's what the name of that one was.

1698
01:13:57,280 --> 01:14:02,080
Speaker 1: Go great Time, Go real quick to The video started

1699
01:14:02,080 --> 01:14:07,120
Speaker 1: from the top. They then I see, I forgot, I

1700
01:14:07,200 --> 01:14:12,519
Speaker 1: drive a Masta. They put like a mark down to

1701
01:14:12,640 --> 01:14:14,519
Speaker 1: he supposed to stop at Yeah, and here's I had

1702
01:14:14,560 --> 01:14:17,200
Speaker 1: never driven a Rolls Royce before, and I'm a I

1703
01:14:17,439 --> 01:14:20,880
Speaker 1: realized them breaks was kind of yeah, like I think

1704
01:14:21,000 --> 01:14:23,760
Speaker 1: I'm a pretty old that weight driver. So I tried

1705
01:14:23,800 --> 01:14:27,040
Speaker 1: it once, completely fucked it up. Because the break and

1706
01:14:27,160 --> 01:14:30,800
Speaker 1: even just touching that pedal that ship jumps. I then

1707
01:14:30,840 --> 01:14:32,360
Speaker 1: took that. I took it around the block a few

1708
01:14:32,400 --> 01:14:34,799
Speaker 1: times to practice, and like I almost hit a mailbox

1709
01:14:34,880 --> 01:14:38,560
Speaker 1: practice because I had to pull it into it, Like

1710
01:14:38,680 --> 01:14:42,080
Speaker 1: that's a big body fucking rolls Royce to get into

1711
01:14:42,160 --> 01:14:45,439
Speaker 1: the entrance of that driveway. Thank God for practicing driving

1712
01:14:45,479 --> 01:14:48,360
Speaker 1: into Queen's driveways, because you only get this much between

1713
01:14:48,400 --> 01:14:50,800
Speaker 1: the house, so I had some experience.

1714
01:14:50,320 --> 01:14:52,840
Speaker 6: At least trying to do that practice smaller driveway.

1715
01:14:52,840 --> 01:14:54,760
Speaker 1: When I say, the director was like starting to get

1716
01:14:54,800 --> 01:14:57,720
Speaker 1: a little upset with me that I kept missing that

1717
01:14:57,800 --> 01:14:58,320
Speaker 1: fucking mark.

1718
01:15:00,280 --> 01:15:03,360
Speaker 6: But yeah, you're like a Karen driver though you're like

1719
01:15:03,720 --> 01:15:05,800
Speaker 6: you would be a great like carpool driver for like

1720
01:15:05,920 --> 01:15:08,640
Speaker 6: soccer moms, like you like a soccer mom driver, go

1721
01:15:08,760 --> 01:15:12,800
Speaker 6: on very safe, like land it very safe safe.

1722
01:15:12,840 --> 01:15:15,160
Speaker 2: I'm not a safe driver. I'm a great driver, but

1723
01:15:15,240 --> 01:15:15,800
Speaker 2: not a safe one.

1724
01:15:16,120 --> 01:15:16,360
Speaker 11: He is.

1725
01:15:16,720 --> 01:15:18,880
Speaker 3: Yeah, yes, you're a good driver. You're not. He's not

1726
01:15:19,080 --> 01:15:19,799
Speaker 3: like the safest.

1727
01:15:19,800 --> 01:15:20,800
Speaker 6: Why you say he's not safe.

1728
01:15:20,880 --> 01:15:22,040
Speaker 3: I've been in the cars roy a lot.

1729
01:15:22,200 --> 01:15:24,000
Speaker 6: But what's like not safe about his driver?

1730
01:15:25,400 --> 01:15:29,240
Speaker 4: Fast and angry? You think he'll dip in it? Out

1731
01:15:29,280 --> 01:15:30,080
Speaker 4: of traffic too, Like.

1732
01:15:30,280 --> 01:15:32,120
Speaker 3: He's the king of like the cheat slides too.

1733
01:15:32,280 --> 01:15:35,559
Speaker 9: Yeah, he's like if there's a if he's getting off

1734
01:15:35,600 --> 01:15:37,599
Speaker 9: the ramp and the line is you know, a quarter

1735
01:15:37,760 --> 01:15:40,439
Speaker 9: mile up the freeway, he'll go right up until the end.

1736
01:15:41,520 --> 01:15:42,639
Speaker 6: You stay on the back of the line.

1737
01:15:42,800 --> 01:15:44,080
Speaker 9: No, I'm not saying it's a bad move, but I'm

1738
01:15:44,080 --> 01:15:47,479
Speaker 9: saying there's a lot of like aggressive moves that he makes.

1739
01:15:47,640 --> 01:15:49,479
Speaker 6: But you got to be aggressive driving in New York

1740
01:15:49,520 --> 01:15:52,000
Speaker 6: City though, like when you grow up learning to drive

1741
01:15:52,040 --> 01:15:54,479
Speaker 6: in New York City, Like you're just necessary aggressive driver

1742
01:15:54,640 --> 01:15:57,200
Speaker 6: because if you're not, you'll be at the same one

1743
01:15:57,479 --> 01:15:59,280
Speaker 6: traffic light for eight minutes.

1744
01:15:59,400 --> 01:16:03,040
Speaker 2: Like tell me how to drive passively on the Grand

1745
01:16:03,120 --> 01:16:04,080
Speaker 2: Central or Van Wick.

1746
01:16:04,439 --> 01:16:06,080
Speaker 6: No, there's no way, No I'm not, but that's the thing.

1747
01:16:06,120 --> 01:16:07,360
Speaker 3: You're luckily you draw on.

1748
01:16:07,360 --> 01:16:09,599
Speaker 2: The FDR at four pm and let me know how

1749
01:16:10,200 --> 01:16:11,559
Speaker 2: how passive you know to drive.

1750
01:16:11,920 --> 01:16:13,880
Speaker 3: Yeah, I ve drove upstate. I don't bet that.

1751
01:16:14,520 --> 01:16:15,760
Speaker 6: Yeah, you upstate driving?

1752
01:16:15,800 --> 01:16:17,720
Speaker 3: I drive like once or twice a year.

1753
01:16:17,800 --> 01:16:19,720
Speaker 1: Now. You drove with them when we drove back from DC,

1754
01:16:19,840 --> 01:16:21,280
Speaker 1: we split Yeah, I d split time.

1755
01:16:21,680 --> 01:16:24,320
Speaker 9: I was I'm like a little tamer version of rory.

1756
01:16:25,240 --> 01:16:27,080
Speaker 9: I won't make like the wild aggressive moves, but I

1757
01:16:27,200 --> 01:16:28,640
Speaker 9: like to move fat. I like to be in the

1758
01:16:28,720 --> 01:16:31,000
Speaker 9: lane that's like actually going. I'm a very fat I'm

1759
01:16:31,000 --> 01:16:31,800
Speaker 9: not a stop go guy.

1760
01:16:31,880 --> 01:16:32,240
Speaker 3: Let me go.

1761
01:16:32,680 --> 01:16:33,720
Speaker 6: Oh baby, do you drive too?

1762
01:16:34,040 --> 01:16:34,799
Speaker 4: I'm from Upstates.

1763
01:16:34,960 --> 01:16:36,599
Speaker 6: We had Oh yeah, yeah, I had to drive when

1764
01:16:36,640 --> 01:16:37,400
Speaker 6: I was like fourteen.

1765
01:16:37,840 --> 01:16:40,439
Speaker 3: I haven't had a car though, since twenty twelve.

1766
01:16:40,880 --> 01:16:43,000
Speaker 8: I've never owned my own car. I always used my

1767
01:16:43,080 --> 01:16:45,599
Speaker 8: parents brother this, so whoever I was dating, I never

1768
01:16:45,680 --> 01:16:46,240
Speaker 8: have my own car.

1769
01:16:46,560 --> 01:16:48,200
Speaker 1: But have y'all been in the car with me when

1770
01:16:48,240 --> 01:16:51,000
Speaker 1: I drive with amor because that's a drastically different. Yeah.

1771
01:16:51,120 --> 01:16:53,240
Speaker 4: Yes, but we were that drive city, so it's like

1772
01:16:53,360 --> 01:16:54,759
Speaker 4: you're not really going anywhere.

1773
01:16:54,880 --> 01:16:57,799
Speaker 1: That drive home from the hospital was like the scariest.

1774
01:16:58,520 --> 01:16:59,840
Speaker 1: I went five miles and it's like the end of

1775
01:17:00,040 --> 01:17:03,320
Speaker 1: Locked Up. You're gonna break it, you know, the end,

1776
01:17:04,439 --> 01:17:07,920
Speaker 1: break it, break it break. I don't want to break her.

1777
01:17:08,080 --> 01:17:11,000
Speaker 1: Like what, he's really fragile, right, she's.

1778
01:17:10,880 --> 01:17:13,320
Speaker 4: A brand new mirror you just bought from fucking Creighton Barrel.

1779
01:17:13,439 --> 01:17:13,600
Speaker 11: You know.

1780
01:17:14,240 --> 01:17:16,720
Speaker 1: Nothing was worse because tomorrow was earlier than the dow

1781
01:17:16,880 --> 01:17:19,519
Speaker 1: date by almost a week, so I hadn't put the

1782
01:17:19,840 --> 01:17:24,000
Speaker 1: uh the thing together. I did that in the front

1783
01:17:24,000 --> 01:17:27,760
Speaker 1: of the hospital and like ten degree weather. That was

1784
01:17:27,800 --> 01:17:30,519
Speaker 1: the worst experience ever trying to put together a fucking car.

1785
01:17:30,520 --> 01:17:34,320
Speaker 4: Seat, linear fingers are freezing, and then having.

1786
01:17:34,240 --> 01:17:37,439
Speaker 2: The nerve like she's gonna be down here like ten minutes.

1787
01:17:37,640 --> 01:17:38,640
Speaker 2: What if I don't strap this in?

1788
01:17:38,760 --> 01:17:40,320
Speaker 3: Yeah? What if I fuck this up? Yeah?

1789
01:17:40,439 --> 01:17:44,000
Speaker 2: I still still have flashbacks of that paranoia.

1790
01:17:44,120 --> 01:17:49,120
Speaker 6: Y'all love like women drivers that are great drivers. I

1791
01:17:49,160 --> 01:17:51,080
Speaker 6: had I had a female Uber drop. I always have

1792
01:17:51,200 --> 01:17:53,280
Speaker 6: one right there. I had a female Uber driver one day,

1793
01:17:53,280 --> 01:17:55,799
Speaker 6: and if you know me, I just it fucking annoys

1794
01:17:55,840 --> 01:17:57,720
Speaker 6: me when I hate women. No, I love women. I

1795
01:17:57,840 --> 01:17:59,360
Speaker 6: just feel like I don't want to be in a

1796
01:17:59,439 --> 01:18:00,720
Speaker 6: I don't want to be show for by women. I

1797
01:18:00,760 --> 01:18:02,080
Speaker 6: don't want a woman driving me around.

1798
01:18:02,120 --> 01:18:04,760
Speaker 4: I just you don't think women can drive? It's fine, no, no, no, no.

1799
01:18:05,040 --> 01:18:07,000
Speaker 6: Women could drive, but I just don't when I'm in

1800
01:18:07,040 --> 01:18:09,800
Speaker 6: an uber. It just feels weird having a woman driving

1801
01:18:09,840 --> 01:18:10,200
Speaker 6: me around.

1802
01:18:10,240 --> 01:18:14,040
Speaker 1: That's that's a very dame perspective. That's like, we don't

1803
01:18:14,120 --> 01:18:16,000
Speaker 1: let women drive us in Harlem. That's not wrong, Yeah,

1804
01:18:16,080 --> 01:18:18,120
Speaker 1: like you don't. That's just like, let me woman can't be.

1805
01:18:18,760 --> 01:18:20,840
Speaker 1: Let me sit in the front with you, like if

1806
01:18:20,880 --> 01:18:22,479
Speaker 1: I'm not gonna be. But being in the back and

1807
01:18:22,560 --> 01:18:24,040
Speaker 1: having a woman driving, it's crazy.

1808
01:18:24,080 --> 01:18:26,000
Speaker 9: The only time I don't like having a woman driver

1809
01:18:26,160 --> 01:18:28,280
Speaker 9: is when we're going to the airport and she wants

1810
01:18:28,320 --> 01:18:29,200
Speaker 9: to do the luggage thing.

1811
01:18:29,240 --> 01:18:31,639
Speaker 3: I'm like, i'll take you. Let me do the bad thing.

1812
01:18:31,720 --> 01:18:32,640
Speaker 6: I never you never like.

1813
01:18:32,720 --> 01:18:34,200
Speaker 3: But then they feel offended. They're like, well, a don't

1814
01:18:34,200 --> 01:18:34,640
Speaker 3: you like?

1815
01:18:34,720 --> 01:18:36,880
Speaker 6: But come on, like, I actually let One time I

1816
01:18:36,960 --> 01:18:38,840
Speaker 6: was on my ways to the airport. I actually let

1817
01:18:38,880 --> 01:18:41,280
Speaker 6: her try to lift up my luggage because I was like, yo,

1818
01:18:41,360 --> 01:18:42,880
Speaker 6: it's heavy. She was like, I got it. I was like,

1819
01:18:43,080 --> 01:18:46,240
Speaker 6: it's heavy. So I was, and I want to you

1820
01:18:46,320 --> 01:18:48,560
Speaker 6: want to try to pick that shit up shit to me?

1821
01:18:48,600 --> 01:18:50,360
Speaker 6: She's like, yeah, no, I can't do it. I'll say exactly,

1822
01:18:50,479 --> 01:18:52,720
Speaker 6: like but you know, I got it. It's okay. Now

1823
01:18:53,360 --> 01:18:54,720
Speaker 6: drive fast because I'm late.

1824
01:18:56,920 --> 01:18:59,879
Speaker 1: But I love You're never late for flights though, flight.

1825
01:18:59,800 --> 01:19:01,600
Speaker 6: Well, no, I don't. I don't miss no, but I

1826
01:19:01,880 --> 01:19:03,759
Speaker 6: don't like to us. I don't miss flights.

1827
01:19:03,840 --> 01:19:05,559
Speaker 2: You respect Delta way more than you respect US.

1828
01:19:05,560 --> 01:19:07,640
Speaker 6: No, No, I don't miss flights, but I have I

1829
01:19:07,720 --> 01:19:10,120
Speaker 6: have been laid to the airport though, Okay, like we

1830
01:19:10,200 --> 01:19:12,160
Speaker 6: know when you rushing, like damn, like I gotta get

1831
01:19:12,160 --> 01:19:14,160
Speaker 6: to the airport. Like, I haven't missed it, but there's

1832
01:19:14,200 --> 01:19:15,920
Speaker 6: been times where I cut it close get into the airport.

1833
01:19:15,920 --> 01:19:16,280
Speaker 3: For sure.

1834
01:19:16,560 --> 01:19:19,160
Speaker 1: This is a very me thing. I've never come close

1835
01:19:19,200 --> 01:19:22,840
Speaker 1: to missing a flight getting to the airport. I've almost

1836
01:19:22,880 --> 01:19:26,000
Speaker 1: missed my flight sitting at the gate. Yep, that's a

1837
01:19:26,120 --> 01:19:27,920
Speaker 1: me thing. I don't. I just get my own world

1838
01:19:28,800 --> 01:19:30,599
Speaker 1: and then it's like last called board.

1839
01:19:30,400 --> 01:19:32,320
Speaker 6: Don't see everybody else getting up getting on them.

1840
01:19:32,520 --> 01:19:34,839
Speaker 1: I sometimes just get in my head, especially at airports,

1841
01:19:34,920 --> 01:19:37,240
Speaker 1: because I just like block out everybody.

1842
01:19:37,400 --> 01:19:38,519
Speaker 3: Yeah, because if you've.

1843
01:19:38,400 --> 01:19:40,640
Speaker 6: Been your flight sitting at the gate, you gotta go

1844
01:19:40,800 --> 01:19:41,320
Speaker 6: get checked.

1845
01:19:41,360 --> 01:19:43,880
Speaker 2: I've never done it, but I've come very close multiple times.

1846
01:19:44,000 --> 01:19:46,120
Speaker 8: Yeah, I've fallen asleep at Like I'm sitting up there

1847
01:19:46,160 --> 01:19:49,519
Speaker 8: lying and they're like boarding, and the gate came and

1848
01:19:49,720 --> 01:19:51,760
Speaker 8: the lady came intap me, like is this your flight?

1849
01:19:51,880 --> 01:19:52,679
Speaker 4: Like we're about to close.

1850
01:19:52,800 --> 01:19:52,960
Speaker 1: Yeah.

1851
01:19:53,120 --> 01:19:54,120
Speaker 6: The usually be able to do that.

1852
01:19:54,760 --> 01:19:55,960
Speaker 3: That's nice, but also the.

1853
01:19:56,600 --> 01:19:58,080
Speaker 8: I will be on time to the airport because I

1854
01:19:58,200 --> 01:20:00,559
Speaker 8: have to get a glass of champagne at the airport

1855
01:20:00,600 --> 01:20:01,560
Speaker 8: every single time I go.

1856
01:20:01,640 --> 01:20:02,439
Speaker 6: It's just like you just want to.

1857
01:20:02,439 --> 01:20:04,280
Speaker 3: Overhoe the team everything Champagne.

1858
01:20:04,320 --> 01:20:07,920
Speaker 1: They want to get there by a dollar, want those bubbles.

1859
01:20:07,439 --> 01:20:10,760
Speaker 8: At thirty kind of become like I just become my thing,

1860
01:20:10,960 --> 01:20:13,160
Speaker 8: Like I have to eat and have a glass of

1861
01:20:13,240 --> 01:20:15,120
Speaker 8: champagne at the airport. I do it every flight. So

1862
01:20:15,200 --> 01:20:16,640
Speaker 8: what I'll do is I'll be sitting up there like

1863
01:20:16,760 --> 01:20:18,679
Speaker 8: just chilling and I'll miss my flight that way.

1864
01:20:18,720 --> 01:20:21,200
Speaker 6: Like you gotta drink, you gotta like you want champagne

1865
01:20:21,400 --> 01:20:21,920
Speaker 6: to fly to.

1866
01:20:22,040 --> 01:20:24,400
Speaker 4: Like champagne for scond Detroit.

1867
01:20:26,200 --> 01:20:27,840
Speaker 1: Matter of fact, only Detroit is where I would do that.

1868
01:20:28,400 --> 01:20:30,400
Speaker 3: Well, when we flew back from London, Ry and I

1869
01:20:30,520 --> 01:20:32,080
Speaker 3: got and we drank a lot of.

1870
01:20:32,120 --> 01:20:35,000
Speaker 1: It wasn't our fault at an actual bar.

1871
01:20:35,640 --> 01:20:39,240
Speaker 9: The first class had a full bar. So we just

1872
01:20:39,520 --> 01:20:41,559
Speaker 9: once they were cruising, we just got up and sat.

1873
01:20:41,600 --> 01:20:43,080
Speaker 9: There were seats at the bars. We were just at

1874
01:20:43,120 --> 01:20:44,519
Speaker 9: a bar and it was just two of us.

1875
01:20:44,600 --> 01:20:46,840
Speaker 3: We went through. It was like us in a flight

1876
01:20:46,880 --> 01:20:49,519
Speaker 3: attendant who just became our bartender. We just went through

1877
01:20:49,640 --> 01:20:51,120
Speaker 3: like four or five bottles of wine.

1878
01:20:51,280 --> 01:20:52,120
Speaker 6: Was that Virgin Atlantic?

1879
01:20:52,360 --> 01:20:55,760
Speaker 1: Yeah, I would have bought a fucking economy middle seat

1880
01:20:56,520 --> 01:20:58,880
Speaker 1: because we snuck Julian up there, no problem.

1881
01:20:59,080 --> 01:21:00,720
Speaker 9: Yeah, I was right beyond the and I just got

1882
01:21:00,840 --> 01:21:02,840
Speaker 9: up and walked in. And then right when they were

1883
01:21:02,840 --> 01:21:04,439
Speaker 9: like take your seats, were about to land, the one

1884
01:21:04,520 --> 01:21:06,760
Speaker 9: flight attendant came up to mes like were you up there?

1885
01:21:06,800 --> 01:21:08,800
Speaker 9: And now you know you can't do that? And I'm

1886
01:21:08,880 --> 01:21:10,640
Speaker 9: drunk and ship at this point, like what too late?

1887
01:21:10,680 --> 01:21:11,200
Speaker 9: We're about to.

1888
01:21:11,240 --> 01:21:15,000
Speaker 6: Land landing the JFK, sir, get out of my way,

1889
01:21:16,280 --> 01:21:16,720
Speaker 6: find me.

1890
01:21:19,360 --> 01:21:23,000
Speaker 1: Speaking of Dame Andre before we get well, I was

1891
01:21:23,400 --> 01:21:26,759
Speaker 1: saying it sounded like a very much Dame Harlem mentality

1892
01:21:26,800 --> 01:21:28,880
Speaker 1: that you don't you don't want women uber drivers.

1893
01:21:28,880 --> 01:21:31,120
Speaker 2: That's not Harlem y don't do that. A woman could

1894
01:21:31,160 --> 01:21:31,800
Speaker 2: never be your boss.

1895
01:21:33,280 --> 01:21:36,240
Speaker 6: What you try to put that out there? Yeah, I got.

1896
01:21:37,880 --> 01:21:41,479
Speaker 1: Dame responded to Fat Joe. I keep up with all

1897
01:21:41,560 --> 01:21:46,360
Speaker 1: Dame interviews. I love Dame interviews. I am fine with

1898
01:21:46,479 --> 01:21:49,120
Speaker 1: him always talking about Hove. I know that's now starting

1899
01:21:49,120 --> 01:21:49,640
Speaker 1: to become a thing.

1900
01:21:49,680 --> 01:21:52,519
Speaker 6: No, no, no, he doesn't always talk about ask him

1901
01:21:52,600 --> 01:21:56,040
Speaker 6: and he responds, that's that's that's the narrative that people

1902
01:21:56,160 --> 01:21:59,160
Speaker 6: painting about Dame that. Well, I get it, I understand it.

1903
01:21:59,240 --> 01:22:00,880
Speaker 6: But it's like if he people asking him and he's

1904
01:22:00,920 --> 01:22:01,600
Speaker 6: responded to it.

1905
01:22:02,560 --> 01:22:06,360
Speaker 1: If anyone understands narratives and about talking about other people,

1906
01:22:06,840 --> 01:22:09,479
Speaker 1: it's you and I. So I fully understand that Dame

1907
01:22:09,479 --> 01:22:11,920
Speaker 1: has just asked questions and he answered them. But also

1908
01:22:12,040 --> 01:22:14,160
Speaker 1: Dame is fully aware that when he does interviews it's

1909
01:22:14,200 --> 01:22:15,519
Speaker 1: going to be nobody else.

1910
01:22:15,720 --> 01:22:17,519
Speaker 6: He says, he always says, why y'all don't ask them

1911
01:22:17,560 --> 01:22:18,639
Speaker 6: when y'all sit down with them.

1912
01:22:18,560 --> 01:22:20,360
Speaker 1: Because they don't sit down with those platforms.

1913
01:22:20,400 --> 01:22:23,960
Speaker 6: Now, some have, some have h some have I think

1914
01:22:24,360 --> 01:22:25,840
Speaker 6: with some people like y'all just had him on here,

1915
01:22:25,840 --> 01:22:26,720
Speaker 6: why y'all didn't ask him?

1916
01:22:26,720 --> 01:22:28,639
Speaker 1: That give Breakfast Club some credit. I think they asked

1917
01:22:29,000 --> 01:22:30,880
Speaker 1: Jay the one time he went on Breakfast Club about Dame.

1918
01:22:30,960 --> 01:22:36,120
Speaker 1: That's why he never went Meg Yeah, sorry, yeah, that's

1919
01:22:36,120 --> 01:22:41,120
Speaker 1: why he only Texas Ebro now. But Fat Joe on

1920
01:22:41,200 --> 01:22:45,760
Speaker 1: his platform discussed Dame and you know the interviews that

1921
01:22:45,840 --> 01:22:48,920
Speaker 1: he does and said that delusion is a real thing

1922
01:22:49,000 --> 01:22:51,960
Speaker 1: and if you want to just go if you made hove,

1923
01:22:52,040 --> 01:22:53,840
Speaker 1: go make another hove. We all know the line from

1924
01:22:54,000 --> 01:22:58,760
Speaker 1: Lost Ones and Dame rightfully so replied back, and I

1925
01:22:58,800 --> 01:23:00,840
Speaker 1: thought it was fucking hilarious Dame.

1926
01:23:01,640 --> 01:23:03,840
Speaker 6: Again, Dame gets a lot of flak for how he

1927
01:23:04,000 --> 01:23:07,040
Speaker 6: says things here I rupts people the wrong way, But

1928
01:23:07,200 --> 01:23:10,200
Speaker 6: when you listen to the things he says and you

1929
01:23:10,240 --> 01:23:11,960
Speaker 6: know the points that he makes, he's always on the

1930
01:23:12,040 --> 01:23:15,519
Speaker 6: right side of, you know, just doing things the right way,

1931
01:23:16,080 --> 01:23:20,040
Speaker 6: treating people fairly, artists being treated fairly. You know, if

1932
01:23:20,080 --> 01:23:22,840
Speaker 6: you're somebody that owns a product, you should, you know,

1933
01:23:23,000 --> 01:23:25,840
Speaker 6: be able to know and control everything that goes on

1934
01:23:25,960 --> 01:23:28,759
Speaker 6: around your business. Like he's always preaching that know your business,

1935
01:23:29,800 --> 01:23:31,880
Speaker 6: every single part of your business. Know it because if not,

1936
01:23:32,439 --> 01:23:35,040
Speaker 6: somebody is gonna come in and take advantage of your business,

1937
01:23:35,520 --> 01:23:37,160
Speaker 6: or you're gonna have to pay somebody to do something

1938
01:23:37,200 --> 01:23:40,840
Speaker 6: that you can do yourself. So Dame always preaches, you know,

1939
01:23:41,000 --> 01:23:43,720
Speaker 6: just being a CEO, being a leader, being a boss, like,

1940
01:23:43,880 --> 01:23:45,519
Speaker 6: and there's nothing wrong with that message, and I think

1941
01:23:45,560 --> 01:23:48,920
Speaker 6: it's great. Sometimes it just gets you know, the message

1942
01:23:48,960 --> 01:23:52,720
Speaker 6: is delivered a little differently than people sometimes, like, which

1943
01:23:52,800 --> 01:23:55,920
Speaker 6: is you know, that's up to you. But the message

1944
01:23:55,960 --> 01:23:58,000
Speaker 6: to me that Dame always preaches is very important. And

1945
01:23:58,040 --> 01:23:59,960
Speaker 6: this was him responding to something that fact Joe said.

1946
01:24:00,000 --> 01:24:02,000
Speaker 6: And then when I saw fat Joe speak on that.

1947
01:24:03,040 --> 01:24:03,360
Speaker 4: I can't.

1948
01:24:03,400 --> 01:24:07,200
Speaker 6: I knew Dame would respond only because you know, Fat

1949
01:24:07,320 --> 01:24:10,360
Speaker 6: Joe guys like Dame, they're from a certain era, a

1950
01:24:10,439 --> 01:24:14,920
Speaker 6: certain place, certain time where you don't speak on certain

1951
01:24:15,000 --> 01:24:16,439
Speaker 6: things that you have nothing to do with.

1952
01:24:16,920 --> 01:24:19,960
Speaker 2: Well, they also had like a real beef for a

1953
01:24:20,040 --> 01:24:22,160
Speaker 2: long time. And oh and Jay was the only one

1954
01:24:22,200 --> 01:24:22,840
Speaker 2: that squashed it.

1955
01:24:22,880 --> 01:24:24,760
Speaker 1: I don't think Dame and Fat Joe ever had a

1956
01:24:24,800 --> 01:24:27,080
Speaker 1: conbo no, but it was still I mean, Dame as

1957
01:24:27,120 --> 01:24:28,680
Speaker 1: a scar on the top of his head because of

1958
01:24:28,840 --> 01:24:30,720
Speaker 1: terror squad. No no, no, no, no, no, that's when

1959
01:24:30,720 --> 01:24:31,400
Speaker 1: else that came from.

1960
01:24:31,439 --> 01:24:32,080
Speaker 6: That was in London.

1961
01:24:32,200 --> 01:24:36,559
Speaker 1: Yeah, okay, they got a thing in London, but wrong

1962
01:24:36,920 --> 01:24:38,040
Speaker 1: Combat Jack podcast that.

1963
01:24:38,320 --> 01:24:41,000
Speaker 6: Yeah, no, they got into they got it was just

1964
01:24:41,040 --> 01:24:43,800
Speaker 6: something that happened in London. But but Dame to me

1965
01:24:43,960 --> 01:24:46,640
Speaker 6: is somebody that is you know, if you listen to

1966
01:24:46,680 --> 01:24:50,600
Speaker 6: his interviews and you know, you pay attention to you know,

1967
01:24:50,760 --> 01:24:52,840
Speaker 6: his words and things like that, you can always find

1968
01:24:52,880 --> 01:24:55,040
Speaker 6: something to take from it and just to add to

1969
01:24:55,120 --> 01:24:56,640
Speaker 6: whatever it is that you're doing, especially if you're in

1970
01:24:56,680 --> 01:25:01,120
Speaker 6: a space of creating or you know, you know, doing

1971
01:25:01,160 --> 01:25:03,120
Speaker 6: any type of business. Like He's definitely a person that

1972
01:25:03,200 --> 01:25:05,439
Speaker 6: has done it at a very high level, has had

1973
01:25:05,439 --> 01:25:07,560
Speaker 6: a lot of success. So he has a lot of

1974
01:25:07,680 --> 01:25:09,360
Speaker 6: jewels and a lot of ideas and a lot of

1975
01:25:09,479 --> 01:25:12,240
Speaker 6: you know, things to share. But I knew he would

1976
01:25:12,280 --> 01:25:15,479
Speaker 6: respond to that, and I thought the way he responded

1977
01:25:15,600 --> 01:25:19,120
Speaker 6: was very uh. I thought it was very gentleman like

1978
01:25:19,160 --> 01:25:19,479
Speaker 6: of him.

1979
01:25:20,080 --> 01:25:23,240
Speaker 2: I had found out that that Joe promotes hair products.

1980
01:25:23,240 --> 01:25:23,760
Speaker 1: I had no idea.

1981
01:25:24,640 --> 01:25:28,160
Speaker 6: I didn't know that either. But if you know, if

1982
01:25:28,200 --> 01:25:31,599
Speaker 6: you know Dame, you know, like how we said earlier

1983
01:25:31,640 --> 01:25:34,120
Speaker 6: with most death with the Drake shit like this was

1984
01:25:34,680 --> 01:25:38,560
Speaker 6: Dame's dig and slight at you know, that's not my

1985
01:25:38,680 --> 01:25:42,320
Speaker 6: business model. I would never die my beard to look younger.

1986
01:25:42,960 --> 01:25:44,320
Speaker 3: We play this yep.

1987
01:25:46,200 --> 01:25:49,200
Speaker 10: As to other businesses. Now I see him doing other

1988
01:25:49,280 --> 01:25:50,960
Speaker 10: businesses like beard die.

1989
01:25:51,439 --> 01:25:55,200
Speaker 1: Fat, Joe, DJ cal and Tank Tyson back for the

1990
01:25:55,320 --> 01:26:00,280
Speaker 1: wonder Boy, Travis Kelsey right for the holidays, get that glo.

1991
01:26:00,439 --> 01:26:01,599
Speaker 4: You see how that thing going?

1992
01:26:02,120 --> 01:26:03,400
Speaker 3: We wind it to baby?

1993
01:26:03,840 --> 01:26:06,320
Speaker 6: Why fight the time where you can rewind.

1994
01:26:06,000 --> 01:26:11,960
Speaker 10: The jibe and promoting putting die on your face to

1995
01:26:12,040 --> 01:26:13,200
Speaker 10: make yourself look younger.

1996
01:26:13,920 --> 01:26:14,839
Speaker 1: Go in the bathroom.

1997
01:26:15,240 --> 01:26:17,400
Speaker 3: I wint it off of water, simple as that.

1998
01:26:17,680 --> 01:26:21,000
Speaker 1: That's crazy. North the South, I got that glow.

1999
01:26:21,760 --> 01:26:26,600
Speaker 6: That's not my business model. I've heard that's Dame in

2000
01:26:26,680 --> 01:26:30,000
Speaker 6: a nutshell like he's going like, that's what you do. Cool.

2001
01:26:30,360 --> 01:26:32,519
Speaker 6: I never spoke on that because that's not my business.

2002
01:26:33,240 --> 01:26:34,840
Speaker 1: And if you're telling me the make money off it, no,

2003
01:26:35,120 --> 01:26:36,760
Speaker 1: I mean power to cool.

2004
01:26:37,439 --> 01:26:39,040
Speaker 6: They made it, gave your bag for it. Cool. He's

2005
01:26:39,080 --> 01:26:41,880
Speaker 6: just saying that's not something that I would attach myself

2006
01:26:42,040 --> 01:26:44,240
Speaker 6: my brand too. That's not my business model. So I

2007
01:26:44,280 --> 01:26:48,120
Speaker 6: thought Dame that he responded in a very professional, very respectful,

2008
01:26:48,320 --> 01:26:51,840
Speaker 6: very you know. I didn't like that, so I'm gonna

2009
01:26:51,840 --> 01:26:55,560
Speaker 6: throw a shot at you, but it's a very Dame, respectful,

2010
01:26:56,479 --> 01:27:00,200
Speaker 6: bass type of way. And you know, I underst saying

2011
01:27:00,240 --> 01:27:02,040
Speaker 6: why he did it. And you know, also if you

2012
01:27:02,120 --> 01:27:03,599
Speaker 6: know Dame, you knew that he was going to respond

2013
01:27:03,600 --> 01:27:04,240
Speaker 6: to that at some point.

2014
01:27:04,960 --> 01:27:06,559
Speaker 1: Do you think Dame comes off better sometimes?

2015
01:27:07,840 --> 01:27:08,120
Speaker 6: Bitter?

2016
01:27:09,840 --> 01:27:10,120
Speaker 3: Sure?

2017
01:27:10,240 --> 01:27:10,680
Speaker 6: But why not?

2018
01:27:11,280 --> 01:27:13,240
Speaker 1: I mean that was gonna be my answer.

2019
01:27:13,560 --> 01:27:15,559
Speaker 6: I think that it could be bitter, okay to feel

2020
01:27:15,600 --> 01:27:18,000
Speaker 6: better sometimes, yeah, But I think that when you're you know,

2021
01:27:18,880 --> 01:27:23,679
Speaker 6: when you created the business businesses and you know, molded

2022
01:27:23,720 --> 01:27:25,960
Speaker 6: the artists that he has and the success that these

2023
01:27:26,080 --> 01:27:28,640
Speaker 6: artists have had and people in business have had with him,

2024
01:27:29,160 --> 01:27:32,200
Speaker 6: and then you know, for something to happen to where

2025
01:27:32,280 --> 01:27:34,960
Speaker 6: now you're the relationships are not there with these people,

2026
01:27:35,120 --> 01:27:38,000
Speaker 6: and people kind of turned it back. So for whatever reason,

2027
01:27:38,040 --> 01:27:40,479
Speaker 6: whatever it may be, I think there's room for it

2028
01:27:40,920 --> 01:27:41,760
Speaker 6: to be a little bitter.

2029
01:27:42,280 --> 01:27:44,360
Speaker 2: I think if you come across bitter and have every

2030
01:27:44,439 --> 01:27:45,639
Speaker 2: right to feel that way, it's fine.

2031
01:27:46,320 --> 01:27:47,000
Speaker 6: It's totally fine.

2032
01:27:47,040 --> 01:27:48,320
Speaker 1: I mean, of course you need to heal for your

2033
01:27:48,360 --> 01:27:52,639
Speaker 1: own personal peace, But what's wrong with explaining a situation

2034
01:27:52,800 --> 01:27:56,479
Speaker 1: the way you felt it happens, and it can come

2035
01:27:56,520 --> 01:27:59,680
Speaker 1: across emotional and pissed off because it was fucked up.

2036
01:28:00,160 --> 01:28:02,200
Speaker 6: The one thing that Dame always says is that you know,

2037
01:28:02,240 --> 01:28:04,360
Speaker 6: when you tell the truth, you gotta be ready to

2038
01:28:04,400 --> 01:28:07,280
Speaker 6: be the sacrificial land. And I think that that's something

2039
01:28:07,320 --> 01:28:12,000
Speaker 6: that resonates, you know, with anybody that is on that side,

2040
01:28:12,040 --> 01:28:13,800
Speaker 6: Like when you're standing on the truth and you speak

2041
01:28:13,840 --> 01:28:15,840
Speaker 6: the truth of things like that, you got to always

2042
01:28:15,880 --> 01:28:17,760
Speaker 6: be prepared for certain doors to close on you, for

2043
01:28:17,800 --> 01:28:19,599
Speaker 6: certain people to turn their backs on you, for certain

2044
01:28:19,600 --> 01:28:21,720
Speaker 6: people that would speak to you. Again, like it's just

2045
01:28:21,760 --> 01:28:24,599
Speaker 6: certain things that come with that. But if that's who

2046
01:28:24,680 --> 01:28:27,120
Speaker 6: you are at the core, and that's who you decided

2047
01:28:27,160 --> 01:28:29,799
Speaker 6: that you're gonna be, and you're not, you're not budget

2048
01:28:29,840 --> 01:28:32,439
Speaker 6: off of that, then you welcome that with open arms too,

2049
01:28:32,479 --> 01:28:33,920
Speaker 6: because you know what, that's just part of the game.

2050
01:28:36,040 --> 01:28:39,240
Speaker 1: Lost One speaks to the genius of hothe And I

2051
01:28:39,320 --> 01:28:41,280
Speaker 1: know this kind of became a whole podcast out of nowhere,

2052
01:28:41,360 --> 01:28:47,559
Speaker 1: but I after hearing all sides multiple times and being

2053
01:28:47,600 --> 01:28:52,400
Speaker 1: someone that has admittedly been obsessed with that era, I

2054
01:28:52,920 --> 01:28:56,439
Speaker 1: tend to lean on Dame's side of the story in

2055
01:28:56,600 --> 01:29:01,040
Speaker 1: what happened with the breakup. The way Jay flipped that

2056
01:29:01,160 --> 01:29:03,719
Speaker 1: unlost ones, I just think speaks to his absolute fucking

2057
01:29:03,760 --> 01:29:09,160
Speaker 1: genius that versus flawless, and Dame is probably right in

2058
01:29:09,240 --> 01:29:13,479
Speaker 1: his storytelling the way Jay if you made Hove go

2059
01:29:13,600 --> 01:29:16,559
Speaker 1: make another hole like he smoked Dame.

2060
01:29:16,800 --> 01:29:19,880
Speaker 2: While I think Dame was probably right, m I just.

2061
01:29:19,960 --> 01:29:22,640
Speaker 1: That's to me the genius of jay Z, like the

2062
01:29:22,720 --> 01:29:24,760
Speaker 1: whole he was probably Ja was probably Ryan. Of course,

2063
01:29:24,760 --> 01:29:26,559
Speaker 1: there's always three sides of every story, and it's it's

2064
01:29:26,640 --> 01:29:29,840
Speaker 1: very complicated, and honestly, who cares because we weren't really

2065
01:29:29,880 --> 01:29:31,760
Speaker 1: there and we don't really know the story and never will.

2066
01:29:33,280 --> 01:29:35,040
Speaker 1: It's wild how he flipped that entire thing.

2067
01:29:36,080 --> 01:29:38,760
Speaker 6: I mean, I you know, the whole genius, the whole

2068
01:29:38,920 --> 01:29:41,080
Speaker 6: make hole where you made hole. And you know, I

2069
01:29:41,240 --> 01:29:43,360
Speaker 6: just don't like when people say shit like that because

2070
01:29:44,439 --> 01:29:47,000
Speaker 6: you know, I don't like it's not making somebody? Did you?

2071
01:29:47,240 --> 01:29:50,880
Speaker 6: Did you help mold somebody and help guide them and help,

2072
01:29:51,439 --> 01:29:53,760
Speaker 6: you know, bring things to them and and work on

2073
01:29:53,840 --> 01:29:56,080
Speaker 6: a goal and work on a dream together. Absolutely, But

2074
01:29:57,120 --> 01:30:00,920
Speaker 6: to say anybody made anybody is just like, Bro, you

2075
01:30:00,960 --> 01:30:03,000
Speaker 6: didn't make this person, Like you know what I'm saying. Now,

2076
01:30:03,080 --> 01:30:06,240
Speaker 6: did you assist in helping? And yeah, maybe sure, but

2077
01:30:06,360 --> 01:30:08,920
Speaker 6: you know we both benefited from that. But I just

2078
01:30:08,960 --> 01:30:11,040
Speaker 6: don't like when people start saying, oh, this person made

2079
01:30:11,080 --> 01:30:14,360
Speaker 6: this person or that person made that as Nah, Bro,

2080
01:30:14,439 --> 01:30:15,519
Speaker 6: I can't. I don't subscribe to.

2081
01:30:15,800 --> 01:30:18,880
Speaker 1: Like two things can be true as well. Dame obviously

2082
01:30:18,960 --> 01:30:23,760
Speaker 1: had a crazy hand in jay Z's success, but jay

2083
01:30:23,840 --> 01:30:26,320
Speaker 1: Z's also one of a kind and that pairing was

2084
01:30:26,360 --> 01:30:29,120
Speaker 1: one of the kind. Dame could be the biggest genius

2085
01:30:29,160 --> 01:30:31,360
Speaker 1: on Earth, doesn't mean he's There's also going to be

2086
01:30:31,400 --> 01:30:36,320
Speaker 1: another jay Z. And also, maybe you put jay Z

2087
01:30:36,479 --> 01:30:38,679
Speaker 1: with someone else and it doesn't work out the same

2088
01:30:38,680 --> 01:30:41,880
Speaker 1: way I think it was two geniuses in their own

2089
01:30:42,000 --> 01:30:43,759
Speaker 1: right and what they were doing at that time.

2090
01:30:43,680 --> 01:30:46,240
Speaker 2: Coming together as like the rarest fucking thing ever.

2091
01:30:46,560 --> 01:30:50,599
Speaker 6: And it gave us an era of legendary.

2092
01:30:50,120 --> 01:30:53,160
Speaker 1: Shit and you got to drive a mayback like it

2093
01:30:53,240 --> 01:30:56,800
Speaker 1: was crazy Bentley Bentley, Sorry, watch them mouth. Before we

2094
01:30:56,840 --> 01:30:58,519
Speaker 1: get to voicemails, I just want to ask you one

2095
01:30:58,600 --> 01:31:01,040
Speaker 1: quick question. It doesn't have to be a topic where

2096
01:31:01,080 --> 01:31:04,479
Speaker 1: we can discuss it on Patreon later. How would you

2097
01:31:04,560 --> 01:31:08,840
Speaker 1: feel if you found out your girl participated in twenty

2098
01:31:08,880 --> 01:31:12,599
Speaker 1: Women Versus One Rapper on YouTube My girl For those

2099
01:31:12,680 --> 01:31:14,759
Speaker 1: that don't know, there's a platform that's actually pretty hilarious.

2100
01:31:14,760 --> 01:31:17,479
Speaker 1: Shout out to them. They built a great platform. It's

2101
01:31:17,560 --> 01:31:21,599
Speaker 1: twenty women verse one rapper versus one uncle versus one actor.

2102
01:31:21,680 --> 01:31:23,960
Speaker 1: They had little met you on there. One cup quaved

2103
01:31:24,640 --> 01:31:30,439
Speaker 1: twenty two girls girls, one cup, two girls, twenty cups. Essentially,

2104
01:31:30,520 --> 01:31:33,519
Speaker 1: it's really just twenty women go and shoot their shot

2105
01:31:33,680 --> 01:31:38,519
Speaker 1: with somebody that's famous. And it's some of the most

2106
01:31:38,600 --> 01:31:40,720
Speaker 1: basic entertaining concept of all time.

2107
01:31:40,840 --> 01:31:42,200
Speaker 6: And I just want to ask and it's some of

2108
01:31:42,280 --> 01:31:43,760
Speaker 6: the most cringe shit to watch too.

2109
01:31:44,080 --> 01:31:46,080
Speaker 2: I want to ask you later on Patreon, just one

2110
01:31:46,160 --> 01:31:48,760
Speaker 2: quick question. What if you found out, like.

2111
01:31:50,600 --> 01:31:54,160
Speaker 1: Five months into the relationship that she was one of

2112
01:31:54,280 --> 01:31:58,200
Speaker 1: twenty to shoot her shot at Charleston White.

2113
01:31:59,439 --> 01:32:01,240
Speaker 6: You want me to ask that now on a Patreots

2114
01:32:01,360 --> 01:32:06,040
Speaker 6: We can talk about on patre Austin White. Come, they'll

2115
01:32:06,040 --> 01:32:06,360
Speaker 6: shoot you.

2116
01:32:06,479 --> 01:32:06,759
Speaker 1: Relax.

2117
01:32:07,720 --> 01:32:08,680
Speaker 2: Do we have voicemails?

2118
01:32:09,000 --> 01:32:09,200
Speaker 3: We do?

2119
01:32:09,800 --> 01:32:12,439
Speaker 1: Uh, Demarus, would you do a twenty women verse one rapper?

2120
01:32:12,439 --> 01:32:13,080
Speaker 1: If you like the rapper?

2121
01:32:14,600 --> 01:32:16,439
Speaker 6: Do you know the Marius was lined up for stove?

2122
01:32:17,000 --> 01:32:19,200
Speaker 6: Don't do that for whole though.

2123
01:32:20,439 --> 01:32:23,519
Speaker 4: I didn't violate you all episode I tried, man, you.

2124
01:32:23,600 --> 01:32:26,120
Speaker 1: Did said some slick ship early When I say what

2125
01:32:26,280 --> 01:32:27,720
Speaker 1: I say, you said some slick I don't know what

2126
01:32:27,800 --> 01:32:28,360
Speaker 1: you should.

2127
01:32:29,840 --> 01:32:30,280
Speaker 4: Exactly.

2128
01:32:30,760 --> 01:32:35,120
Speaker 1: No, I didn't gaslight right now you talk about I

2129
01:32:35,240 --> 01:32:36,400
Speaker 1: have the gas and the letter.

2130
01:32:37,880 --> 01:32:40,760
Speaker 9: That's like when Roy said definitively that dolphins derived from

2131
01:32:40,840 --> 01:32:42,920
Speaker 9: birds and then doubled down on it.

2132
01:32:43,040 --> 01:32:43,920
Speaker 6: We're like, no, they didn't.

2133
01:32:44,280 --> 01:32:45,439
Speaker 1: Oh I thought we found out they did.

2134
01:32:45,680 --> 01:32:49,800
Speaker 4: No, no, see, And that's gaslighting right there.

2135
01:32:50,479 --> 01:32:52,720
Speaker 1: Back to the missing of flight, sitting at your own gate,

2136
01:32:52,960 --> 01:32:55,479
Speaker 1: if that really does happen to me, I'm gonna lie

2137
01:32:55,520 --> 01:32:57,240
Speaker 1: to you guys and say that the flight was canceled.

2138
01:32:57,960 --> 01:32:59,960
Speaker 1: I'm telling you guys that I'm telling you guys that

2139
01:33:00,479 --> 01:33:01,960
Speaker 1: I would be so embarrassed that I would tell you.

2140
01:33:02,080 --> 01:33:03,639
Speaker 6: I would never tell you. I would never tell y'all

2141
01:33:03,640 --> 01:33:04,840
Speaker 6: missed a flight and I was sitting at the gate.

2142
01:33:05,120 --> 01:33:05,960
Speaker 6: I would never heard about that.

2143
01:33:06,680 --> 01:33:07,599
Speaker 3: No, that's crazy.

2144
01:33:07,840 --> 01:33:10,040
Speaker 1: Never the flight was careful. Yeah, I don't care if

2145
01:33:10,040 --> 01:33:12,320
Speaker 1: you can grab that. It landed in the city we

2146
01:33:12,400 --> 01:33:15,200
Speaker 1: were going to. I am going to lie to y'all faces.

2147
01:33:15,520 --> 01:33:17,600
Speaker 4: Julian and Benner were also on the same flight, and.

2148
01:33:18,040 --> 01:33:20,439
Speaker 1: They didn't wake me up. They were at the gate. Yo,

2149
01:33:20,640 --> 01:33:22,240
Speaker 1: it's time to you've got mail.

2150
01:33:22,840 --> 01:33:25,960
Speaker 9: At the end of the last week's Thursday episode, I

2151
01:33:26,000 --> 01:33:27,560
Speaker 9: asked you guys if you wanted a happy one or

2152
01:33:27,600 --> 01:33:30,240
Speaker 9: a sad one, and we went out on a high note.

2153
01:33:30,280 --> 01:33:32,519
Speaker 9: So I figured we'd play the other option that I

2154
01:33:32,600 --> 01:33:33,160
Speaker 9: had lined up.

2155
01:33:33,600 --> 01:33:41,400
Speaker 12: So get ready, how y'all doing, Roy Maul, Julian, de Young,

2156
01:33:43,479 --> 01:33:47,200
Speaker 12: Bob Y out here in North Carolina. My more so

2157
01:33:47,320 --> 01:33:48,360
Speaker 12: like childhood trauma.

2158
01:33:49,080 --> 01:33:50,880
Speaker 11: Uh Like.

2159
01:33:52,400 --> 01:33:55,640
Speaker 12: My dad died when I was five years old. So

2160
01:33:55,920 --> 01:34:01,759
Speaker 12: like certain things, I wasn't like certain conversations or certain

2161
01:34:02,280 --> 01:34:04,120
Speaker 12: you know, just as man things I had to learned

2162
01:34:04,160 --> 01:34:06,439
Speaker 12: on my own growing up and I feel like that

2163
01:34:06,600 --> 01:34:09,439
Speaker 12: kind of affected me as a father. I have a

2164
01:34:09,520 --> 01:34:13,519
Speaker 12: son who's eleven, and I still have a hard time

2165
01:34:13,600 --> 01:34:20,920
Speaker 12: having certain conversations about, you know, women, even though he's

2166
01:34:21,320 --> 01:34:24,040
Speaker 12: he's eleven. But now, you know, they're starting to ask

2167
01:34:24,160 --> 01:34:28,000
Speaker 12: questions now about girls in school and you know about

2168
01:34:28,080 --> 01:34:30,599
Speaker 12: you know, those type of conversations like how to address

2169
01:34:30,720 --> 01:34:33,760
Speaker 12: those type of conversations with your child even sometimes my

2170
01:34:33,840 --> 01:34:35,639
Speaker 12: mom was like, you know, you don't tell you don't

2171
01:34:35,680 --> 01:34:37,479
Speaker 12: tell you know your son you love him or nothing.

2172
01:34:37,479 --> 01:34:40,800
Speaker 12: I'm like, I mean, I tell him I love him,

2173
01:34:40,800 --> 01:34:42,479
Speaker 12: but he should not. I should have to tell him,

2174
01:34:42,520 --> 01:34:46,680
Speaker 12: you know all the time, Like, uh, you know, he

2175
01:34:46,760 --> 01:34:49,720
Speaker 12: should know. But I feel like some of that came

2176
01:34:49,800 --> 01:34:53,920
Speaker 12: from probably some something I've been missing my Child'll know,

2177
01:34:54,840 --> 01:34:57,759
Speaker 12: what do y'all think about that? Could childhood trauma affect

2178
01:34:57,880 --> 01:34:59,759
Speaker 12: the way you raise your child?

2179
01:35:02,000 --> 01:35:05,800
Speaker 1: Well, I mean appreciate it. Short answer was that nigga crying.

2180
01:35:07,120 --> 01:35:13,160
Speaker 9: Probably there's such an insensitive assault something like what this

2181
01:35:13,240 --> 01:35:14,760
Speaker 9: is why people don't come to you when they have

2182
01:35:14,960 --> 01:35:16,439
Speaker 9: like real emotional issues.

2183
01:35:16,720 --> 01:35:18,240
Speaker 6: Bobby, don't leave no voicemail crime?

2184
01:35:18,280 --> 01:35:18,559
Speaker 1: All right?

2185
01:35:19,200 --> 01:35:22,439
Speaker 9: Come on, what you want to hear? Grown man trying

2186
01:35:22,520 --> 01:35:25,800
Speaker 9: to work on being a better father. Crime like the

2187
01:35:25,880 --> 01:35:26,959
Speaker 9: guy's being vulnerable.

2188
01:35:27,080 --> 01:35:29,400
Speaker 1: This is a very important that's my trauma. See, I'm

2189
01:35:29,400 --> 01:35:30,200
Speaker 1: pushing my trauma.

2190
01:35:31,200 --> 01:35:33,120
Speaker 3: Damn, that's true.

2191
01:35:33,200 --> 01:35:34,400
Speaker 6: My mother said you crying, nigga.

2192
01:35:34,479 --> 01:35:36,880
Speaker 4: Get your mother did not say that.

2193
01:35:37,400 --> 01:35:38,080
Speaker 3: She never said that.

2194
01:35:39,280 --> 01:35:45,040
Speaker 1: The sweetest Damaris and I had a conversation at a

2195
01:35:46,320 --> 01:35:49,320
Speaker 1: at a hookah spot yesterday sort of similar to this

2196
01:35:49,520 --> 01:35:52,360
Speaker 1: in some degree. It was me demarson low right, Yes,

2197
01:35:53,160 --> 01:35:56,160
Speaker 1: And you know, eventually I want to have another child,

2198
01:35:56,240 --> 01:35:58,920
Speaker 1: and I'll be honest, it'd be nice to have a son.

2199
01:35:59,200 --> 01:36:02,040
Speaker 1: I wanted a daughter first and was happy that I

2200
01:36:02,840 --> 01:36:04,760
Speaker 1: got a daughter, but eventually, you know, got to carry

2201
01:36:04,760 --> 01:36:07,519
Speaker 1: on the name and all that shit, immy child. I

2202
01:36:07,640 --> 01:36:13,040
Speaker 1: do fear how I will treat a future son to

2203
01:36:13,160 --> 01:36:22,120
Speaker 1: the way I treat Amara. I'm maybe call it toxic masculinity.

2204
01:36:22,400 --> 01:36:24,400
Speaker 1: I don't know if I'm going to be as affectionate

2205
01:36:25,240 --> 01:36:29,439
Speaker 1: and loving to a son like it. It bothers me

2206
01:36:29,479 --> 01:36:31,080
Speaker 1: in my head a little bit just thinking about it.

2207
01:36:31,720 --> 01:36:34,000
Speaker 1: Of how I already treat tomorrow and will continue to

2208
01:36:34,040 --> 01:36:38,320
Speaker 1: treat tomorrow in such a sensitive and caring way. I

2209
01:36:38,439 --> 01:36:42,200
Speaker 1: don't know if I'm going to have that same process

2210
01:36:42,479 --> 01:36:44,080
Speaker 1: with a son, which is fucked up because we were

2211
01:36:44,080 --> 01:36:46,760
Speaker 1: just talking about the little king thing where you know,

2212
01:36:46,840 --> 01:36:51,120
Speaker 1: we typically don't care about boys, like I say, go

2213
01:36:51,200 --> 01:36:55,280
Speaker 1: figure it out, like we're a second thought when it

2214
01:36:55,360 --> 01:36:59,439
Speaker 1: comes to the emotional side of everything, and that may

2215
01:36:59,520 --> 01:37:03,360
Speaker 1: come from childhood trauma as well, but we have that like, yeah,

2216
01:37:03,400 --> 01:37:04,479
Speaker 1: you got to raise a man.

2217
01:37:05,120 --> 01:37:07,240
Speaker 6: Yes, so I feel him.

2218
01:37:07,280 --> 01:37:10,120
Speaker 1: It's it's a little different conversation, but it is tied

2219
01:37:10,160 --> 01:37:14,600
Speaker 1: into I think what he's saying, we weren't raised affectionately

2220
01:37:15,160 --> 01:37:18,840
Speaker 1: from the men in our family. We're not going to

2221
01:37:18,920 --> 01:37:20,439
Speaker 1: do it once we have a son either.

2222
01:37:20,560 --> 01:37:23,160
Speaker 3: Well he lost his father at five, so he's saying

2223
01:37:23,240 --> 01:37:24,960
Speaker 3: I literally didn't have a dad.

2224
01:37:25,080 --> 01:37:27,200
Speaker 1: Uh no, no, no, I'm saying it's it's tied into

2225
01:37:27,520 --> 01:37:30,960
Speaker 1: kind of what his conversation was. If that's completely absent,

2226
01:37:31,000 --> 01:37:34,559
Speaker 1: then you really have no reference and you're just going

2227
01:37:34,640 --> 01:37:39,439
Speaker 1: to probably go with the toxic male situation. But it

2228
01:37:39,560 --> 01:37:41,479
Speaker 1: is something you have to get over and understand that

2229
01:37:42,520 --> 01:37:45,160
Speaker 1: your sons need the same type of love and affection

2230
01:37:45,760 --> 01:37:49,000
Speaker 1: that your daughters require and that you want to give

2231
01:37:49,080 --> 01:37:51,800
Speaker 1: to them. I think that it's listen, man, your sons

2232
01:37:51,840 --> 01:37:53,000
Speaker 1: need a hug to No.

2233
01:37:54,040 --> 01:37:54,400
Speaker 3: I think that.

2234
01:37:54,560 --> 01:37:57,040
Speaker 6: You know why you say you don't know if you'll

2235
01:37:57,040 --> 01:37:59,080
Speaker 6: be as affectionate. I think it's the opposite. I think

2236
01:37:59,120 --> 01:38:03,840
Speaker 6: you'll be very affectionate with your son only because maybe

2237
01:38:04,560 --> 01:38:07,640
Speaker 6: you weren't didn't have an affectionate relationship with your dad.

2238
01:38:07,640 --> 01:38:10,000
Speaker 6: I always feel like it's going to be It's very

2239
01:38:10,160 --> 01:38:13,679
Speaker 6: rare that because I feel like the way I was raised,

2240
01:38:13,960 --> 01:38:16,840
Speaker 6: and I don't know the way some of my brothers

2241
01:38:16,880 --> 01:38:20,640
Speaker 6: and sisters were raised, like they don't. We're not. We

2242
01:38:20,720 --> 01:38:24,000
Speaker 6: don't treat our nieces and nephews the same way we

2243
01:38:24,120 --> 01:38:26,800
Speaker 6: were treated growing up. It's like, yo, I would never

2244
01:38:26,880 --> 01:38:29,960
Speaker 6: like how you said, like even you know, yelling or

2245
01:38:30,400 --> 01:38:33,120
Speaker 6: spanking your you could never see yourself doing that to

2246
01:38:33,160 --> 01:38:35,599
Speaker 6: your daughter. No, Like I don't think my sister has

2247
01:38:35,760 --> 01:38:38,960
Speaker 6: ever like spanked my nephew. You know what I'm saying. Like,

2248
01:38:39,040 --> 01:38:41,280
Speaker 6: it's just it's certain things that I think once you

2249
01:38:41,560 --> 01:38:44,120
Speaker 6: went through it and you remember the feeling that you had,

2250
01:38:44,200 --> 01:38:46,600
Speaker 6: and like, yo, like mom, you didn't even have to

2251
01:38:46,680 --> 01:38:47,840
Speaker 6: hit me there, Like you could have just told me

2252
01:38:47,920 --> 01:38:49,600
Speaker 6: to clean up my room and it would have been

2253
01:38:49,600 --> 01:38:51,439
Speaker 6: done like I would have did it. Like we just

2254
01:38:51,800 --> 01:38:54,639
Speaker 6: are at a different I think generation a different era

2255
01:38:54,840 --> 01:38:57,160
Speaker 6: now where we just realized the way that we were raised.

2256
01:38:58,320 --> 01:39:01,479
Speaker 6: Certain things were like okay, I understan and why our

2257
01:39:01,600 --> 01:39:04,479
Speaker 6: parents were just trying to figure things out too. They didn't.

2258
01:39:04,520 --> 01:39:06,760
Speaker 6: You know, you don't have a manual on how to

2259
01:39:06,800 --> 01:39:10,960
Speaker 6: be a parent. But it's like, once you become an adult,

2260
01:39:11,080 --> 01:39:13,200
Speaker 6: you just remember certain ways that you felt as a

2261
01:39:13,320 --> 01:39:16,000
Speaker 6: kid in certain situations where I think that you are

2262
01:39:16,320 --> 01:39:19,120
Speaker 6: gonna do the exact opposite, like Okay, I'm not gonna

2263
01:39:19,200 --> 01:39:21,320
Speaker 6: yell at my daughter or my son because I know

2264
01:39:21,439 --> 01:39:24,640
Speaker 6: how I felt when my parents yelled at me, or

2265
01:39:24,680 --> 01:39:26,240
Speaker 6: I know what that did to me. Like you know

2266
01:39:26,240 --> 01:39:27,800
Speaker 6: what I'm saying. There's certain things I think that you

2267
01:39:28,000 --> 01:39:31,040
Speaker 6: just adjust and find different ways to parent now that

2268
01:39:31,680 --> 01:39:33,439
Speaker 6: you're an adult and you have your own kids.

2269
01:39:33,640 --> 01:39:40,240
Speaker 2: But it's a little conflicting because I'm very progressive.

2270
01:39:40,800 --> 01:39:43,839
Speaker 1: I feel like, despite the jokes you make on this podcast,

2271
01:39:44,840 --> 01:39:49,040
Speaker 1: I also have a side of me that believes in

2272
01:39:49,200 --> 01:39:52,960
Speaker 1: masculinity and raising a man, and sometimes that's not the

2273
01:39:53,040 --> 01:39:57,719
Speaker 1: same way as raising a daughter. Men and women are equal,

2274
01:39:57,760 --> 01:40:01,880
Speaker 1: but we are different. So yes, I fully believe that

2275
01:40:02,040 --> 01:40:05,880
Speaker 1: our sons need affection, love, understanding. They need to be coddled,

2276
01:40:06,000 --> 01:40:09,360
Speaker 1: like a lot of us are a little fucked up

2277
01:40:09,400 --> 01:40:14,880
Speaker 1: now because we were never coddled. But there is value

2278
01:40:16,040 --> 01:40:18,759
Speaker 1: in where we ended up because there was some neglect

2279
01:40:18,880 --> 01:40:20,599
Speaker 1: and like, you know, go figure it the fuck out

2280
01:40:20,680 --> 01:40:21,680
Speaker 1: for yourself. You're a man.

2281
01:40:21,880 --> 01:40:24,360
Speaker 3: But that's not that's not neglect. And that's also that's

2282
01:40:24,400 --> 01:40:30,040
Speaker 3: not Yeah, it's not in all or nothing system.

2283
01:40:30,880 --> 01:40:34,479
Speaker 9: You can be supportive and not leave your kid to

2284
01:40:34,680 --> 01:40:39,080
Speaker 9: defend for themselves. That makes sense, you know, Yeah, you

2285
01:40:39,200 --> 01:40:42,559
Speaker 9: figure it out. As a parent, you should not solve

2286
01:40:42,560 --> 01:40:44,840
Speaker 9: the problem immediately, and let's pretend this never happened. But

2287
01:40:45,520 --> 01:40:48,080
Speaker 9: every like when I when you, when I taught, every

2288
01:40:48,240 --> 01:40:50,639
Speaker 9: moment with the student is a learning a teaching moment.

2289
01:40:50,880 --> 01:40:53,200
Speaker 9: So if they make the mistake, you identify the mistake

2290
01:40:53,280 --> 01:40:55,439
Speaker 9: and help them see it and then come to the

2291
01:40:55,520 --> 01:40:57,880
Speaker 9: conclusion together, so then the next time, when you're not there,

2292
01:40:58,200 --> 01:40:59,320
Speaker 9: they can solve it on their own.

2293
01:40:59,439 --> 01:41:00,120
Speaker 6: I just think that that.

2294
01:41:03,439 --> 01:41:03,479
Speaker 1: You.

2295
01:41:04,120 --> 01:41:08,479
Speaker 6: I think if you're mentally a healthy mentally mentally healthy person,

2296
01:41:08,920 --> 01:41:11,040
Speaker 6: that will take me out of this. You know you're

2297
01:41:11,080 --> 01:41:14,280
Speaker 6: mentally healthy. I think that. I just think that you.

2298
01:41:14,560 --> 01:41:17,760
Speaker 6: I just think that you just know, for the most part,

2299
01:41:17,760 --> 01:41:20,600
Speaker 6: as adults, you know right from wrong. If you're a

2300
01:41:20,680 --> 01:41:24,720
Speaker 6: mentally healthy, functioning adult, you just know right like no

2301
01:41:24,840 --> 01:41:28,200
Speaker 6: matter what it is, across across anything, you just know

2302
01:41:28,680 --> 01:41:30,479
Speaker 6: when something is right and something is wrong. You know

2303
01:41:30,520 --> 01:41:32,880
Speaker 6: when you're doing something right, you know when you're doing

2304
01:41:32,920 --> 01:41:34,880
Speaker 6: something wrong. I just think you just have that ability

2305
01:41:34,920 --> 01:41:37,240
Speaker 6: as humans, as a function, healthy function of human, you

2306
01:41:37,280 --> 01:41:40,880
Speaker 6: have that ability. Now in raising kids, I think sometimes

2307
01:41:40,960 --> 01:41:45,519
Speaker 6: people chastise and raise their kids differently. They set certain

2308
01:41:45,560 --> 01:41:48,320
Speaker 6: boundaries for their kids that other parents don't set for

2309
01:41:48,400 --> 01:41:51,120
Speaker 6: their kids, and things like that, and they reprimand some

2310
01:41:51,320 --> 01:41:54,400
Speaker 6: some of their kids differently. But I think in raising kids,

2311
01:41:54,520 --> 01:41:59,160
Speaker 6: I think that you just know, like, Okay, I gave

2312
01:41:59,280 --> 01:42:02,400
Speaker 6: my kid these these skills and they know how to

2313
01:42:02,479 --> 01:42:04,280
Speaker 6: do this. Now, your kids get to a point sometime

2314
01:42:04,320 --> 01:42:07,320
Speaker 6: they get lazy, they don't want to do certain things. Dad,

2315
01:42:07,360 --> 01:42:09,519
Speaker 6: And that's when you're throwing up. Figure it out, because

2316
01:42:09,560 --> 01:42:11,679
Speaker 6: I know that you're equipped to do what I'm asking

2317
01:42:11,720 --> 01:42:14,240
Speaker 6: you or telling you to do. You're just being a

2318
01:42:14,360 --> 01:42:16,640
Speaker 6: brat or kid right now. You know you're acting like

2319
01:42:16,680 --> 01:42:18,640
Speaker 6: a baby and you don't want to do this. You're

2320
01:42:18,680 --> 01:42:20,760
Speaker 6: throwing a fit. Cool, this is a learning this we

2321
01:42:20,880 --> 01:42:24,160
Speaker 6: can use this as a learning experience. Now, this is

2322
01:42:24,240 --> 01:42:27,000
Speaker 6: what happens when you don't use the skill sets that

2323
01:42:27,160 --> 01:42:28,920
Speaker 6: you have and you want to just act like, oh

2324
01:42:28,920 --> 01:42:30,240
Speaker 6: I don't want to do this, and you throw a fit,

2325
01:42:30,520 --> 01:42:33,519
Speaker 6: you're not gonna get what you want. Some parents they'll

2326
01:42:33,600 --> 01:42:34,960
Speaker 6: just do it for their kid or whatever that's the

2327
01:42:35,000 --> 01:42:37,880
Speaker 6: to do. They'll just do it themselves. Some it's gonna

2328
01:42:37,880 --> 01:42:39,560
Speaker 6: stay there until you fix it, until you do it,

2329
01:42:39,680 --> 01:42:42,000
Speaker 6: like clean your room. You want to clean your room, okay, cool?

2330
01:42:42,040 --> 01:42:44,080
Speaker 6: And you don't get to play PlayStation. Know, you don't

2331
01:42:44,080 --> 01:42:46,320
Speaker 6: get to use your VR headset and things like that.

2332
01:42:46,479 --> 01:42:49,360
Speaker 6: Like you just raise your kids differently, but you don't

2333
01:42:49,560 --> 01:42:54,400
Speaker 6: just you know, beat your kids or put your hands

2334
01:42:54,479 --> 01:42:56,640
Speaker 6: or yell or curse at your kids. Like to me,

2335
01:42:56,840 --> 01:42:59,360
Speaker 6: that's just a little like that's a little too Now.

2336
01:43:00,040 --> 01:43:02,000
Speaker 6: I'm not here to tell anybody how to parent and

2337
01:43:02,080 --> 01:43:05,000
Speaker 6: raise their children. That's not what I'm trying to do.

2338
01:43:05,160 --> 01:43:07,400
Speaker 6: But I just think that you know, when yo, dad

2339
01:43:07,560 --> 01:43:09,679
Speaker 6: was right or dann that was wrong, I shouldn't yelled.

2340
01:43:09,720 --> 01:43:12,120
Speaker 9: But all yeah, Like the thing with cursing at kids

2341
01:43:12,360 --> 01:43:15,120
Speaker 9: and beating them, it's all it does is remind the

2342
01:43:15,240 --> 01:43:16,880
Speaker 9: kids that what they did is wrong when it doesn't

2343
01:43:16,920 --> 01:43:20,280
Speaker 9: identify why they did was. You're not explaining them or

2344
01:43:20,320 --> 01:43:22,680
Speaker 9: giving them a concrete reason for why they shouldn't do

2345
01:43:22,840 --> 01:43:25,000
Speaker 9: that behavior. You're just telling them, oh, you did it,

2346
01:43:25,360 --> 01:43:28,960
Speaker 9: here's the reaction for doing that. Talk to your kid like, look,

2347
01:43:29,000 --> 01:43:30,960
Speaker 9: I get it. Some families, you hit your kid if

2348
01:43:30,960 --> 01:43:32,880
Speaker 9: you're gonna hit them, because I know it still happens.

2349
01:43:33,000 --> 01:43:36,120
Speaker 9: At least have that conversation either before or after, and

2350
01:43:36,280 --> 01:43:39,200
Speaker 9: explain why this consequence is happening. Don't just beat them

2351
01:43:39,280 --> 01:43:41,120
Speaker 9: up and be like, well I feel better as a parent.

2352
01:43:41,160 --> 01:43:42,800
Speaker 3: I hit my kid. I'm gonna go about my day now.

2353
01:43:43,800 --> 01:43:44,680
Speaker 3: They know what they did as bad.

2354
01:43:44,840 --> 01:43:47,880
Speaker 1: It's boy, girl, they would I would never hit my kid.

2355
01:43:47,920 --> 01:43:51,639
Speaker 1: I don't believe in that. I think it's fucking insane.

2356
01:43:51,760 --> 01:43:53,040
Speaker 1: Looking back, I got hit with a belt.

2357
01:43:54,160 --> 01:43:54,920
Speaker 6: A belt, that's it.

2358
01:43:55,479 --> 01:43:55,840
Speaker 7: I mean.

2359
01:43:58,280 --> 01:44:00,639
Speaker 6: Anything that was in alms reach where I come from.

2360
01:44:00,760 --> 01:44:02,479
Speaker 3: Yeah, well I was right here.

2361
01:44:03,000 --> 01:44:04,560
Speaker 9: But it was weird because my dad came from that

2362
01:44:04,640 --> 01:44:08,479
Speaker 9: school of thought, whereas my mom. Her family was very

2363
01:44:08,840 --> 01:44:11,960
Speaker 9: like well educated and articulate. So my mom would be

2364
01:44:12,040 --> 01:44:14,679
Speaker 9: the one that would always talk and communicate the things,

2365
01:44:15,320 --> 01:44:16,519
Speaker 9: and she didn't agree with my dad.

2366
01:44:16,560 --> 01:44:19,160
Speaker 3: But she understood what my dad's side came.

2367
01:44:19,400 --> 01:44:22,639
Speaker 6: I understood why I got hit, like as a man

2368
01:44:22,720 --> 01:44:24,760
Speaker 6: now like I'm looking back, I understood why my mom

2369
01:44:24,880 --> 01:44:27,680
Speaker 6: hit me in certain circumstances because I was at that

2370
01:44:27,760 --> 01:44:31,960
Speaker 6: age where I was I was testing my mother like

2371
01:44:32,040 --> 01:44:35,280
Speaker 6: I was testing her authority. I was testing that boundary

2372
01:44:35,600 --> 01:44:38,000
Speaker 6: and you know she had to show that. You know, listen,

2373
01:44:38,080 --> 01:44:41,400
Speaker 6: I'm still big, Yeah, like this is still my house,

2374
01:44:41,479 --> 01:44:43,439
Speaker 6: this is still you're still under my rules. And you know,

2375
01:44:43,479 --> 01:44:47,200
Speaker 6: when you get to that age thirteen fourteen, you start,

2376
01:44:47,240 --> 01:44:50,120
Speaker 6: you know, feeling yourself a little bit like and yeah,

2377
01:44:50,160 --> 01:44:51,920
Speaker 6: my mom's had to tag me a few times, like

2378
01:44:53,120 --> 01:44:55,080
Speaker 6: and I remember that, but you know then I didn't.

2379
01:44:55,080 --> 01:44:56,920
Speaker 6: I'm like, why is my mom may't been Now looking back,

2380
01:44:57,800 --> 01:44:59,519
Speaker 6: one hundred percent understand why she did this.

2381
01:44:59,640 --> 01:45:06,600
Speaker 8: Yeah, I understand more popping toddlers than no. Listen to

2382
01:45:06,680 --> 01:45:09,080
Speaker 8: what I'm saying. I'm not talking about I'm not talking

2383
01:45:09,160 --> 01:45:13,320
Speaker 8: about whoop it. Listen to what I'm saying so I

2384
01:45:13,400 --> 01:45:15,280
Speaker 8: can clarify that, because I don't want that just being

2385
01:45:15,360 --> 01:45:17,639
Speaker 8: hung on my jacket. When I say pop, I don't

2386
01:45:17,720 --> 01:45:20,759
Speaker 8: mean hit, I don't mean spank. I mean I stop

2387
01:45:20,880 --> 01:45:23,639
Speaker 8: going to touch the stuff. That's what I'm talking I'm

2388
01:45:23,640 --> 01:45:26,680
Speaker 8: not talking about spanking your child, your toddler because they

2389
01:45:26,720 --> 01:45:31,160
Speaker 8: did something wrong, Because you can't explain to a.

2390
01:45:32,720 --> 01:45:35,240
Speaker 6: Baby took another I just changed the diype.

2391
01:45:36,120 --> 01:45:37,559
Speaker 2: I thought that in my head. Don't get me wrong,

2392
01:45:38,720 --> 01:45:39,679
Speaker 2: like you're shitting again.

2393
01:45:40,240 --> 01:45:43,720
Speaker 8: Fuck, But you can't to a two or three or

2394
01:45:43,760 --> 01:45:47,880
Speaker 8: four or five year old. You can't really explain certain

2395
01:45:48,240 --> 01:45:51,080
Speaker 8: like concepts. There's certain things you have to learn. Like,

2396
01:45:51,200 --> 01:45:53,439
Speaker 8: for example, my parents used to tell me, don't run

2397
01:45:53,479 --> 01:45:55,519
Speaker 8: around this coffee table. Don't run around his coffee table.

2398
01:45:55,560 --> 01:45:57,000
Speaker 4: It's sharp. Stop stop stop.

2399
01:45:57,320 --> 01:45:59,240
Speaker 8: And it took for me to run into it and

2400
01:45:59,320 --> 01:46:02,080
Speaker 8: hurt myself, and it's like, well here, like see now

2401
01:46:02,120 --> 01:46:04,720
Speaker 8: you learn not to do that anymore. They learn more

2402
01:46:04,840 --> 01:46:07,800
Speaker 8: from they have to You can't talk to them. You

2403
01:46:07,840 --> 01:46:09,519
Speaker 8: can't talk to a fucking three four year old and

2404
01:46:09,640 --> 01:46:12,080
Speaker 8: really get them to understand why something they're doing is

2405
01:46:12,240 --> 01:46:14,719
Speaker 8: dangerous for them. They don't understand the concept of danger

2406
01:46:15,040 --> 01:46:17,920
Speaker 8: until danger is introduced to them. So that's why I said,

2407
01:46:18,200 --> 01:46:20,240
Speaker 8: when it comes to like popping, that makes sense for

2408
01:46:20,360 --> 01:46:22,800
Speaker 8: younger kids, but once a kid is old enough to

2409
01:46:22,880 --> 01:46:26,639
Speaker 8: like understand a conversation beating them is not doing anything.

2410
01:46:26,800 --> 01:46:30,360
Speaker 2: I don't well, some of y basically hitting kids is uh,

2411
01:46:31,560 --> 01:46:32,120
Speaker 2: what's kids?

2412
01:46:32,240 --> 01:46:33,559
Speaker 6: What's the age to cut off a kid?

2413
01:46:33,640 --> 01:46:34,000
Speaker 1: Period?

2414
01:46:34,720 --> 01:46:35,000
Speaker 3: It's just.

2415
01:46:36,520 --> 01:46:39,080
Speaker 6: I just don't think some of y'all out here raising

2416
01:46:39,160 --> 01:46:41,439
Speaker 6: future serial killers. They need to get their ass spank.

2417
01:46:42,400 --> 01:46:43,200
Speaker 3: How is that gonna help?

2418
01:46:43,280 --> 01:46:44,360
Speaker 1: It's yeah, I guarantee you that.

2419
01:46:44,479 --> 01:46:45,679
Speaker 6: I meant, what's the fix?

2420
01:46:45,800 --> 01:46:46,000
Speaker 1: You think?

2421
01:46:46,080 --> 01:46:47,840
Speaker 3: Do you think the kid that gets beat is going

2422
01:46:47,880 --> 01:46:49,679
Speaker 3: to be like, you know what, I shouldn't shoot this school?

2423
01:46:50,400 --> 01:46:52,120
Speaker 6: I think it helps. I think I think there's a

2424
01:46:52,160 --> 01:46:54,479
Speaker 6: study we can conduct with every school shooter and never

2425
01:46:54,520 --> 01:46:55,519
Speaker 6: got spanking is growing.

2426
01:46:55,400 --> 01:46:57,640
Speaker 2: Up well white people Alex Jones, and see if you

2427
01:46:57,640 --> 01:46:58,320
Speaker 2: can get that one done.

2428
01:46:58,360 --> 01:46:59,680
Speaker 6: Yeah, I think I think we need to do a

2429
01:46:59,720 --> 01:47:02,720
Speaker 6: certain out of old school shooters. How many of y'all

2430
01:47:02,880 --> 01:47:03,920
Speaker 6: was raised a certain way?

2431
01:47:05,200 --> 01:47:06,200
Speaker 1: I think there's just way.

2432
01:47:07,680 --> 01:47:08,200
Speaker 3: Variables.

2433
01:47:08,400 --> 01:47:09,880
Speaker 6: Yet, Like I'm trying to.

2434
01:47:09,880 --> 01:47:13,719
Speaker 2: Like real mental issues that don't derive from its not being.

2435
01:47:13,680 --> 01:47:16,200
Speaker 1: No, it's definitely mental issues. I'm I feel like it's

2436
01:47:16,200 --> 01:47:18,000
Speaker 1: two were actually beat a little bit too hard and that.

2437
01:47:19,800 --> 01:47:22,000
Speaker 8: Yeah, but I think there's also a I think there's

2438
01:47:22,040 --> 01:47:24,880
Speaker 8: a I'm not pro spanking, but I understand how there

2439
01:47:25,000 --> 01:47:29,200
Speaker 8: is a medium between a spanking and getting beat. Some

2440
01:47:29,320 --> 01:47:32,560
Speaker 8: people away there's abuse and then there's a like you

2441
01:47:32,680 --> 01:47:35,560
Speaker 8: got a spanking, There's a difference.

2442
01:47:35,240 --> 01:47:36,760
Speaker 6: He says, when your mom take a time off to

2443
01:47:36,800 --> 01:47:40,439
Speaker 6: catch up, breath and then proceed. That's what I ain't

2444
01:47:40,479 --> 01:47:41,240
Speaker 6: never been beat before.

2445
01:47:41,920 --> 01:47:44,280
Speaker 1: I said this on this podcast. When I used to

2446
01:47:44,320 --> 01:47:48,160
Speaker 1: think that I was being beat, I talked to my

2447
01:47:48,280 --> 01:47:52,560
Speaker 1: West Indian friends to like exchange chat stating stories and

2448
01:47:52,680 --> 01:47:55,639
Speaker 1: I was like, oh, I was no y'all y'all were abused.

2449
01:47:57,760 --> 01:47:59,320
Speaker 1: Like I thought I had it.

2450
01:47:59,640 --> 01:48:01,799
Speaker 2: I didn't not have it bad. It was fucking fine

2451
01:48:01,840 --> 01:48:02,760
Speaker 2: compared to what y'all went through.

2452
01:48:02,760 --> 01:48:04,000
Speaker 6: I keep telling you my mom hit me with a

2453
01:48:04,040 --> 01:48:06,559
Speaker 6: tennis racket one day. I didn't even know she played tennis. Back,

2454
01:48:06,880 --> 01:48:08,680
Speaker 6: where'd you get that from? She came out of her

2455
01:48:08,680 --> 01:48:13,479
Speaker 6: bedroom with a tennis racket? Where did you get that?

2456
01:48:14,320 --> 01:48:14,719
Speaker 4: He started?

2457
01:48:14,800 --> 01:48:17,280
Speaker 6: Hit me with a tennis racket? But I understand though,

2458
01:48:17,600 --> 01:48:20,719
Speaker 6: Like looking back, I know one hundred because the hand

2459
01:48:20,880 --> 01:48:22,960
Speaker 6: wasn't hurting me no more. The belt wasn't hurting me

2460
01:48:23,120 --> 01:48:27,360
Speaker 6: like the tennis racket. Though, Yeah, I think I ain't

2461
01:48:27,360 --> 01:48:28,840
Speaker 6: fucking up the whole school. YEA, after that I was.

2462
01:48:28,920 --> 01:48:30,160
Speaker 6: I was chilled the whole rest of that school.

2463
01:48:30,200 --> 01:48:32,240
Speaker 1: Yeah, I guess I still have the same fear though,

2464
01:48:32,400 --> 01:48:34,840
Speaker 1: the way I'm talking about a hypothetical sun and how

2465
01:48:34,880 --> 01:48:39,920
Speaker 1: I would probably be a little less affectionate, leanient and

2466
01:48:40,200 --> 01:48:42,360
Speaker 1: amazing the way I would with Amara. I have that

2467
01:48:42,479 --> 01:48:45,960
Speaker 1: fear with Amara of like I still need to raise

2468
01:48:46,000 --> 01:48:49,720
Speaker 1: this girl to go out into the world, Like there

2469
01:48:49,840 --> 01:48:53,519
Speaker 1: needs to be some pullback on coddling, because the world

2470
01:48:53,600 --> 01:48:56,280
Speaker 1: is not going to coddle Amara when it's time to

2471
01:48:56,360 --> 01:49:00,479
Speaker 1: go out and be an adult. Likes me too, Like

2472
01:49:00,520 --> 01:49:03,280
Speaker 1: I don't. I'm swear I'm just going to always be

2473
01:49:04,439 --> 01:49:07,880
Speaker 1: whatever the fuck she wants. Like that's what scares me. Yeah,

2474
01:49:07,920 --> 01:49:09,439
Speaker 1: because I just look at her and I'm like, how

2475
01:49:09,479 --> 01:49:11,200
Speaker 1: could I ever say no to this human being?

2476
01:49:11,720 --> 01:49:13,639
Speaker 2: But is that gonna do her any good?

2477
01:49:14,160 --> 01:49:14,360
Speaker 4: Yeah?

2478
01:49:14,360 --> 01:49:16,320
Speaker 1: And but and this is where it's fucked up. Because

2479
01:49:16,320 --> 01:49:19,400
Speaker 1: I know everyone on the internet is amazing and progressive

2480
01:49:19,479 --> 01:49:21,560
Speaker 1: and raised really good. I can admit that I was

2481
01:49:21,600 --> 01:49:26,120
Speaker 1: probably raised in a pretty misogynistic way that even at

2482
01:49:26,160 --> 01:49:28,680
Speaker 1: thirty three, I'm still thinking that I would tell my son, like,

2483
01:49:28,800 --> 01:49:31,000
Speaker 1: go figure it out while I'm coddling them.

2484
01:49:31,000 --> 01:49:31,760
Speaker 6: A you would not.

2485
01:49:31,880 --> 01:49:32,439
Speaker 4: You're not gonna do that.

2486
01:49:32,640 --> 01:49:35,880
Speaker 3: You're you're as soon as you see that kid, no

2487
01:49:36,240 --> 01:49:36,799
Speaker 3: change everything.

2488
01:49:38,040 --> 01:49:38,679
Speaker 6: You're gonna cry.

2489
01:49:39,320 --> 01:49:41,880
Speaker 4: I think you're sounding gonna soften you more than a virus.

2490
01:49:43,479 --> 01:49:43,639
Speaker 11: Uh.

2491
01:49:43,920 --> 01:49:48,080
Speaker 1: I mean, I guess yeah, probably, But I still have

2492
01:49:48,200 --> 01:49:51,880
Speaker 1: them back in my mind raising kids, and I don't

2493
01:49:51,880 --> 01:49:53,280
Speaker 1: know because it's only been a fucking year, so I

2494
01:49:53,320 --> 01:49:57,960
Speaker 1: don't have the answers here or try to. But outside

2495
01:49:58,000 --> 01:50:00,760
Speaker 1: of not having a traumatic childhood your kid, you also

2496
01:50:00,840 --> 01:50:03,519
Speaker 1: have to raise them to be a fucking adult. And

2497
01:50:03,600 --> 01:50:11,040
Speaker 1: I'm gonna sound very much Fox Newsy here, but it's

2498
01:50:11,080 --> 01:50:13,479
Speaker 1: the parents responsibility to raise a child that is going

2499
01:50:13,560 --> 01:50:15,680
Speaker 1: to contribute to society as well. You need to go

2500
01:50:15,840 --> 01:50:19,040
Speaker 1: be a fucking adult. I can't coddle you all the time,

2501
01:50:19,160 --> 01:50:22,400
Speaker 1: even though I want to. Children deserve nothing but love

2502
01:50:22,640 --> 01:50:26,639
Speaker 1: in a healthy environment. But like, where do you draw

2503
01:50:26,720 --> 01:50:28,760
Speaker 1: the line on certain things? Because when am I doing

2504
01:50:28,800 --> 01:50:29,519
Speaker 1: you a disservice?

2505
01:50:29,680 --> 01:50:30,400
Speaker 6: This is how you raise it.

2506
01:50:30,439 --> 01:50:31,320
Speaker 4: But when am I.

2507
01:50:31,840 --> 01:50:34,920
Speaker 1: Really just making you so soft that when the real

2508
01:50:35,000 --> 01:50:39,000
Speaker 1: world hits you that first week you'll be like too hard,

2509
01:50:39,200 --> 01:50:43,920
Speaker 1: I'll run back home. That's not creating a person that

2510
01:50:44,080 --> 01:50:47,560
Speaker 1: is going to contribute to not only themselves, but to

2511
01:50:48,000 --> 01:50:48,880
Speaker 1: the world we live in.

2512
01:50:49,040 --> 01:50:51,600
Speaker 6: That goes back to the school shooter theory. See, all

2513
01:50:51,640 --> 01:50:53,400
Speaker 6: these kids that shoot up schools is the ones that

2514
01:50:53,560 --> 01:50:55,960
Speaker 6: was coddled and as soon as they were the first

2515
01:50:56,000 --> 01:50:58,639
Speaker 6: time they were told no, didn't make a school team,

2516
01:50:58,760 --> 01:50:59,880
Speaker 6: got cut all.

2517
01:51:00,120 --> 01:51:01,920
Speaker 1: Type of ship, probably mentally ill as well.

2518
01:51:01,840 --> 01:51:04,360
Speaker 6: Then well you're probably that too. Then they know the

2519
01:51:04,400 --> 01:51:07,160
Speaker 6: world is against them and also dignoally just got cut

2520
01:51:07,200 --> 01:51:09,000
Speaker 6: from the team, Like you didn't make the team, It's okay,

2521
01:51:09,400 --> 01:51:12,519
Speaker 6: that's your first sign of not being accepted, Like it's okay,

2522
01:51:12,800 --> 01:51:15,320
Speaker 6: you can just try to get next year. But I

2523
01:51:15,360 --> 01:51:17,800
Speaker 6: would say you raise your daughter to telet that all

2524
01:51:17,840 --> 01:51:19,720
Speaker 6: boys have aids and teach you how to change a

2525
01:51:19,800 --> 01:51:20,200
Speaker 6: car tire.

2526
01:51:20,280 --> 01:51:20,840
Speaker 3: That's a fact.

2527
01:51:21,040 --> 01:51:23,479
Speaker 2: Yeah, I think those are like one and two one A,

2528
01:51:23,680 --> 01:51:23,920
Speaker 2: one B.

2529
01:51:24,120 --> 01:51:25,639
Speaker 4: Did you go as a daughter?

2530
01:51:26,720 --> 01:51:29,960
Speaker 8: Don't worry so much about teaching her how to prepare

2531
01:51:30,040 --> 01:51:32,800
Speaker 8: for like the real world, because the real world is

2532
01:51:32,840 --> 01:51:34,840
Speaker 8: going to come regardless. The real world does not start

2533
01:51:34,920 --> 01:51:36,000
Speaker 8: once she leaves your house.

2534
01:51:36,200 --> 01:51:38,920
Speaker 6: And what world and what world? Because the world that

2535
01:51:39,040 --> 01:51:40,760
Speaker 6: my mom raised me for was different from the world

2536
01:51:40,800 --> 01:51:41,400
Speaker 6: that she grew up in.

2537
01:51:41,680 --> 01:51:43,760
Speaker 4: Exactly, that's true. That's a really good point, man.

2538
01:51:43,760 --> 01:51:46,920
Speaker 9: You know what I'm saying, So preparing your kids for Yeah,

2539
01:51:47,040 --> 01:51:49,400
Speaker 9: you might have a son in a few years being

2540
01:51:49,640 --> 01:51:50,360
Speaker 9: being a woman.

2541
01:51:50,320 --> 01:51:52,559
Speaker 6: Or you might have a kid that tomorrow might identify

2542
01:51:52,600 --> 01:51:53,000
Speaker 6: as a boy.

2543
01:51:53,040 --> 01:51:54,559
Speaker 3: And that was what I was saying.

2544
01:51:55,400 --> 01:51:57,639
Speaker 4: Yeah, the world, that's where we are now.

2545
01:51:57,800 --> 01:52:00,040
Speaker 8: I know we're in, I know where like a we

2546
01:52:00,160 --> 01:52:02,200
Speaker 8: make these We make these jokes on the podcast all

2547
01:52:02,200 --> 01:52:05,320
Speaker 8: the time. Life is easy for women and all you're sick.

2548
01:52:05,880 --> 01:52:08,240
Speaker 8: Life is easy for women and all of these things.

2549
01:52:09,520 --> 01:52:11,920
Speaker 4: Sorry, no, finish the joke.

2550
01:52:12,000 --> 01:52:13,920
Speaker 1: It's just Mario.

2551
01:52:14,200 --> 01:52:19,639
Speaker 11: I'm sorry, but he just called my daughter on Mario Mari.

2552
01:52:20,320 --> 01:52:25,920
Speaker 11: She keep saying, you don't know that's the world we in, Bro,

2553
01:52:26,320 --> 01:52:28,200
Speaker 11: you don't know that's the world we end.

2554
01:52:28,400 --> 01:52:30,519
Speaker 1: I'm just saying, what you what you left from the

2555
01:52:30,600 --> 01:52:34,240
Speaker 1: hospital with might not be walk across that graduation stage.

2556
01:52:34,479 --> 01:52:34,800
Speaker 6: That's all.

2557
01:52:35,600 --> 01:52:36,920
Speaker 1: I'm so happy we have a new HR.

2558
01:52:37,640 --> 01:52:38,320
Speaker 6: I'm just trying to.

2559
01:52:40,200 --> 01:52:40,400
Speaker 5: Tell you.

2560
01:52:40,840 --> 01:52:41,760
Speaker 6: I'm just trying to tell you.

2561
01:52:42,240 --> 01:52:42,720
Speaker 4: Funny as.

2562
01:52:44,280 --> 01:52:44,479
Speaker 7: It was.

2563
01:52:44,640 --> 01:52:46,880
Speaker 2: It was a one joke, freak.

2564
01:52:47,360 --> 01:52:50,560
Speaker 4: That was great. Good job I didn't hear him, you know.

2565
01:52:50,840 --> 01:52:53,320
Speaker 1: Key and I had that conversation actually over the weekend

2566
01:52:54,280 --> 01:52:55,680
Speaker 1: in the event you had a lot of deep time

2567
01:52:55,720 --> 01:52:57,680
Speaker 1: books this weekend, yeah, man, and the.

2568
01:52:57,720 --> 01:53:00,880
Speaker 6: Event that Amara wants to be like change your sex, yeah,

2569
01:53:01,000 --> 01:53:01,759
Speaker 6: or her gender.

2570
01:53:04,120 --> 01:53:07,840
Speaker 1: I mean, we had the the debate because I think

2571
01:53:07,880 --> 01:53:12,120
Speaker 1: we were watching. We were HBO has the debates now,

2572
01:53:12,479 --> 01:53:14,600
Speaker 1: like with the Republican candidates. I don't think they have

2573
01:53:14,600 --> 01:53:18,200
Speaker 1: the democratic ones. So we missed it when it was live.

2574
01:53:18,240 --> 01:53:21,040
Speaker 6: Oh wait, they don't have a democratic I didn't.

2575
01:53:20,800 --> 01:53:21,479
Speaker 2: See it on Max.

2576
01:53:21,560 --> 01:53:24,519
Speaker 1: That could be wrong, but we wanted to watch it,

2577
01:53:24,640 --> 01:53:28,120
Speaker 1: and when it aired, Amara was awake and it was whatever.

2578
01:53:28,200 --> 01:53:29,439
Speaker 2: So we watched it a few days.

2579
01:53:29,360 --> 01:53:31,760
Speaker 6: Later, and of course watching Bill Maher with your daughter

2580
01:53:31,880 --> 01:53:32,920
Speaker 6: is It was not Bill.

2581
01:53:32,840 --> 01:53:35,839
Speaker 1: Maher CNN, which I thought was great that CNN conducted

2582
01:53:35,880 --> 01:53:42,000
Speaker 1: the Republican debate, but we watched it, and naturally the

2583
01:53:42,720 --> 01:53:47,120
Speaker 1: transgender conversation, which again to me, is just another distraction.

2584
01:53:47,280 --> 01:53:50,160
Speaker 1: It's the new gay marriage. It's the like, why can't

2585
01:53:50,200 --> 01:53:54,040
Speaker 1: we really address It's not not real issues, it's just like,

2586
01:53:54,080 --> 01:53:55,800
Speaker 1: who gives a fuck? Just let people do what the

2587
01:53:55,840 --> 01:53:58,840
Speaker 1: fuck they want. You're doing this to avoid any accountability

2588
01:53:58,880 --> 01:54:01,800
Speaker 1: on the real issues that are affecting every last person

2589
01:54:01,880 --> 01:54:04,599
Speaker 1: in America. But it got key and I talking about

2590
01:54:04,680 --> 01:54:09,040
Speaker 1: in the event that tomorrow felt that way and wanted

2591
01:54:09,080 --> 01:54:14,840
Speaker 1: to get surgery, puberty blockers and everything. And that's kind

2592
01:54:14,880 --> 01:54:18,160
Speaker 1: of where we differed a little bit. If Amar came

2593
01:54:18,400 --> 01:54:20,280
Speaker 1: to me and said, hey, I feel like a boy,

2594
01:54:21,080 --> 01:54:24,519
Speaker 1: I would support and love any last thing that she

2595
01:54:24,640 --> 01:54:30,040
Speaker 1: wanted to do. In that regard. I'm not with surgery

2596
01:54:30,520 --> 01:54:33,120
Speaker 1: under eighteen at all.

2597
01:54:33,320 --> 01:54:37,080
Speaker 3: My only question for you was one age, seriously, But I.

2598
01:54:37,120 --> 01:54:39,920
Speaker 1: Mean he was making the point that, okay, but that

2599
01:54:40,000 --> 01:54:44,360
Speaker 1: can drive kids into more of depression because they feel

2600
01:54:44,400 --> 01:54:46,640
Speaker 1: like they can't be themselves. And I was like, maybe

2601
01:54:46,680 --> 01:54:48,720
Speaker 1: it's a little optimistic of me, I think, because this

2602
01:54:48,800 --> 01:54:50,960
Speaker 1: would be a healthy environment that if she came to

2603
01:54:51,120 --> 01:54:54,720
Speaker 1: us and said that, we would be very understanding and

2604
01:54:54,840 --> 01:54:58,560
Speaker 1: loving and treat her as such. But you can't get

2605
01:54:58,640 --> 01:55:01,880
Speaker 1: this surgery. I mean, in my opinion, i'd prefer twenties,

2606
01:55:02,000 --> 01:55:05,320
Speaker 1: but like eighteen, I guess it is just a better

2607
01:55:06,120 --> 01:55:09,160
Speaker 1: cut off there. If Amara, when she was an adult

2608
01:55:09,360 --> 01:55:12,080
Speaker 1: wanted to go get surgery to change her sex, I

2609
01:55:12,120 --> 01:55:14,280
Speaker 1: would be at the hospital next to her bed in

2610
01:55:14,360 --> 01:55:17,920
Speaker 1: the recovery room. But I'm not letting a fourteen year

2611
01:55:17,920 --> 01:55:20,760
Speaker 1: old get surgery. No, I think like, I'm just, I'm

2612
01:55:20,800 --> 01:55:22,880
Speaker 1: just I can't live that way. And I don't know

2613
01:55:22,920 --> 01:55:25,200
Speaker 1: if that's transphobic. I don't know if everyone's going to

2614
01:55:25,280 --> 01:55:26,760
Speaker 1: kill me because I like to live in the middle.

2615
01:55:27,560 --> 01:55:32,480
Speaker 1: I just I wouldn't let any kid get any type

2616
01:55:32,920 --> 01:55:36,320
Speaker 1: of surgery of altering. That's not a physical altering surgery,

2617
01:55:36,440 --> 01:55:36,800
Speaker 1: that was it.

2618
01:55:36,960 --> 01:55:38,560
Speaker 6: That's not a decision for a kid to make. No

2619
01:55:38,720 --> 01:55:42,760
Speaker 6: type of surgery, no type of live Yeah, like, no,

2620
01:55:43,240 --> 01:55:45,560
Speaker 6: it's not that's that's not a decision for a kid

2621
01:55:45,640 --> 01:55:47,560
Speaker 6: to make, and adults are supposed to make that decision.

2622
01:55:47,600 --> 01:55:50,480
Speaker 1: I understood Kia's point in that regard of how many

2623
01:55:50,560 --> 01:55:56,440
Speaker 1: kids really just drive into depression and possible suicide if

2624
01:55:56,480 --> 01:55:59,520
Speaker 1: they cannot be who they want to be, especially through puberty,

2625
01:55:59,520 --> 01:56:01,840
Speaker 1: because we know our brains are fucking nuts when you're

2626
01:56:01,880 --> 01:56:04,960
Speaker 1: going through puberty. I just think if you're in a

2627
01:56:05,080 --> 01:56:08,360
Speaker 1: loving environment, I think that happens with kids that feel

2628
01:56:08,440 --> 01:56:11,400
Speaker 1: rejected by their support system. They can't get surgery, and

2629
01:56:11,520 --> 01:56:15,200
Speaker 1: everyone around them feels like, yeah, what's wrong with you?

2630
01:56:16,160 --> 01:56:18,480
Speaker 1: I think it would be a loving environment be like, hey,

2631
01:56:19,160 --> 01:56:20,840
Speaker 1: you're just gonna have to wait to do that. We're

2632
01:56:20,880 --> 01:56:23,080
Speaker 1: here to help you. In any other way. But now

2633
01:56:23,120 --> 01:56:28,000
Speaker 1: I'm not letting a teenager get surgery in that regard,

2634
01:56:28,120 --> 01:56:30,440
Speaker 1: like that's that's crazy.

2635
01:56:30,760 --> 01:56:32,080
Speaker 4: Agreed, Man, I don't really.

2636
01:56:32,280 --> 01:56:33,760
Speaker 1: I'm not going to pretend like I know all the

2637
01:56:33,800 --> 01:56:37,360
Speaker 1: research and puberty blockers and this and that. It's just

2638
01:56:37,480 --> 01:56:40,000
Speaker 1: not something I would run to do. I just think

2639
01:56:40,280 --> 01:56:41,960
Speaker 1: two things can be true, and I can live in

2640
01:56:42,040 --> 01:56:44,240
Speaker 1: the middle and gray area of saying I support how

2641
01:56:44,280 --> 01:56:47,320
Speaker 1: you feel. It's just not happening. Now you're a fucking kid,

2642
01:56:47,520 --> 01:56:50,560
Speaker 1: like you're just not getting surgery. And I found out

2643
01:56:50,680 --> 01:56:51,880
Speaker 1: that was I'm transphobic.

2644
01:56:52,000 --> 01:56:53,800
Speaker 3: You toss her fitted and say, wait a few more years.

2645
01:56:53,880 --> 01:56:56,640
Speaker 2: Yeah, well no, they don't get certain Yon's where fit is.

2646
01:56:56,680 --> 01:57:00,440
Speaker 6: Don't get remember Tomboys that was an era. Yeah, like

2647
01:57:00,480 --> 01:57:01,920
Speaker 6: where's a Tomboys at.

2648
01:57:02,080 --> 01:57:05,040
Speaker 1: Chicksa where they were teenagers? Are my type?

2649
01:57:05,080 --> 01:57:05,200
Speaker 6: Now?

2650
01:57:06,040 --> 01:57:08,920
Speaker 2: Something from tomboys to like more feminine culture.

2651
01:57:09,000 --> 01:57:10,560
Speaker 1: That was my that's my type.

2652
01:57:11,040 --> 01:57:13,640
Speaker 6: Like I like the Tomboys, like, but they the Tomboys

2653
01:57:13,720 --> 01:57:17,920
Speaker 6: never went like full like surgery, like it's oh that's aggressive.

2654
01:57:19,600 --> 01:57:22,280
Speaker 1: A different part of that. You could be that community

2655
01:57:22,320 --> 01:57:26,760
Speaker 1: of they just want to like I said, listen to Jadakiss,

2656
01:57:26,880 --> 01:57:28,480
Speaker 1: were fitted and champ of mild.

2657
01:57:29,680 --> 01:57:32,280
Speaker 6: What happened to that y'all want to go out there

2658
01:57:33,000 --> 01:57:34,160
Speaker 6: to people?

2659
01:57:34,280 --> 01:57:36,600
Speaker 1: Was killing me? Like everyone in this room, are you

2660
01:57:36,680 --> 01:57:40,360
Speaker 1: guys gonna tell me you have not met that lesbian

2661
01:57:41,200 --> 01:57:45,120
Speaker 1: that war fitted either a car heart or champion jacket,

2662
01:57:46,520 --> 01:57:49,040
Speaker 1: always had a mild on them and knew every Jadakis

2663
01:57:49,120 --> 01:57:49,920
Speaker 1: freestyle by heart.

2664
01:57:50,720 --> 01:57:52,360
Speaker 2: Yes, everyone knows that lesbian.

2665
01:57:52,600 --> 01:57:54,920
Speaker 1: No, I don't know that lesbian. Yes you do not

2666
01:57:55,040 --> 01:57:58,920
Speaker 1: that not that we're smokes black. You You matched weed

2667
01:57:59,040 --> 01:58:02,640
Speaker 1: with her one hundred percent. You matched with her. Paul

2668
01:58:02,720 --> 01:58:04,040
Speaker 1: wasn't deep enough in the hood. You gotta go to

2669
01:58:04,080 --> 01:58:04,760
Speaker 1: the hood to find.

2670
01:58:04,640 --> 01:58:06,000
Speaker 2: The You might have busted down a bogie.

2671
01:58:06,120 --> 01:58:10,960
Speaker 6: I wasn't deep enough. I grew up. You was driving

2672
01:58:12,240 --> 01:58:14,520
Speaker 6: that questioned it and for them, and it'll get more

2673
01:58:14,560 --> 01:58:16,400
Speaker 6: hood than that in the bros. Crazy is a very

2674
01:58:16,440 --> 01:58:19,480
Speaker 6: scary area. What No, it just was a different time.

2675
01:58:19,520 --> 01:58:20,400
Speaker 6: I guess I don't know.

2676
01:58:21,280 --> 01:58:23,360
Speaker 9: Well to bring it back really quickly to Bobby, I

2677
01:58:23,440 --> 01:58:27,320
Speaker 9: would encourage I would encourage him to because of the

2678
01:58:27,640 --> 01:58:31,480
Speaker 9: insecurities he has around him not having a father, and

2679
01:58:31,800 --> 01:58:34,760
Speaker 9: they feel like he's currently missing something. I think it's

2680
01:58:34,800 --> 01:58:37,200
Speaker 9: important to you're in the position to break that cycle.

2681
01:58:37,760 --> 01:58:40,240
Speaker 9: Be that person for your son, so eventually, when he

2682
01:58:40,400 --> 01:58:42,680
Speaker 9: is a son and so on and so forth, they

2683
01:58:42,880 --> 01:58:45,360
Speaker 9: are in a better place and healthier and have healthy

2684
01:58:45,400 --> 01:58:48,120
Speaker 9: relationships with the men in their lives, especially their fathers.

2685
01:58:48,520 --> 01:58:50,960
Speaker 9: So you're here for a reason, your inner son's life.

2686
01:58:51,400 --> 01:58:53,560
Speaker 9: Do yourself a service and be that person that you

2687
01:58:53,640 --> 01:58:53,960
Speaker 9: didn't have.

2688
01:58:54,560 --> 01:58:55,320
Speaker 4: I go to therapy.

2689
01:58:55,760 --> 01:58:57,880
Speaker 2: I can empathize to what DeMar said.

2690
01:58:58,320 --> 01:59:01,520
Speaker 1: Therapy, and I appreciate that this is a conscious thing

2691
01:59:01,560 --> 01:59:03,400
Speaker 1: in his head already, and I think that's the best step,

2692
01:59:03,480 --> 01:59:05,360
Speaker 1: and he's going to be fine. As someone that was

2693
01:59:05,480 --> 01:59:09,240
Speaker 1: raised by a mother that did not have parents, deal

2694
01:59:09,280 --> 01:59:09,680
Speaker 1: with this shit.

2695
01:59:09,760 --> 01:59:09,880
Speaker 10: Now.

2696
01:59:11,320 --> 01:59:13,400
Speaker 1: I know you had no example, so go talk to

2697
01:59:13,520 --> 01:59:17,400
Speaker 1: someone so you can start forming your own examples, because

2698
01:59:17,480 --> 01:59:20,160
Speaker 1: neglect is the number one thing that's going to happen

2699
01:59:20,560 --> 01:59:24,200
Speaker 1: when you don't have an example of parents. I was

2700
01:59:24,320 --> 01:59:27,240
Speaker 1: raised by someone that didn't lost both their parents as

2701
01:59:27,240 --> 01:59:30,160
Speaker 1: a teenager and had no reference of what parenting was.

2702
01:59:30,680 --> 01:59:35,200
Speaker 1: She was an amazing mother, but trust me it it

2703
01:59:35,320 --> 01:59:38,760
Speaker 1: definitely is part of I mean her parenting. Yeah, look

2704
01:59:38,800 --> 01:59:40,360
Speaker 1: at how crazy I am. I think it's just I

2705
01:59:40,440 --> 01:59:41,960
Speaker 1: think it's I think it's very simple.

2706
01:59:42,080 --> 01:59:43,840
Speaker 2: I'm fucking missing flights when I'm at the gate.

2707
01:59:44,520 --> 01:59:46,600
Speaker 6: I think it just comes down to people just always

2708
01:59:46,760 --> 01:59:50,960
Speaker 6: raise your kids with love. It's really it's really that simple.

2709
01:59:51,000 --> 01:59:52,880
Speaker 4: You can't Yeah, that's the one part you can't go wrong.

2710
01:59:52,960 --> 01:59:54,120
Speaker 4: I genuine raise your.

2711
01:59:54,120 --> 01:59:58,640
Speaker 6: Kids with genuine, unconditional love. Like everything else figures, it

2712
01:59:58,720 --> 02:00:00,920
Speaker 6: will fall into place. And figure yourself out and just

2713
02:00:01,040 --> 02:00:03,840
Speaker 6: love your kids, raise them in love, teach them to love,

2714
02:00:05,280 --> 02:00:07,640
Speaker 6: and all that other shit. You'll figure it out.

2715
02:00:08,120 --> 02:00:10,200
Speaker 2: And Uh, it takes a village. That's something that I

2716
02:00:10,360 --> 02:00:13,160
Speaker 2: came up with that. I it takes a village.

2717
02:00:13,280 --> 02:00:14,080
Speaker 3: Yeah, it's the phrase.

2718
02:00:14,160 --> 02:00:15,880
Speaker 6: You came up with it. Yeah phrase, that's what's up.

2719
02:00:16,120 --> 02:00:18,000
Speaker 6: I appreciate you bringing that to the YEAH system.

2720
02:00:18,160 --> 02:00:20,040
Speaker 2: I don't think a lot of people. Takes a whole

2721
02:00:20,120 --> 02:00:21,120
Speaker 2: village to do so.

2722
02:00:21,320 --> 02:00:23,960
Speaker 6: So, speaking of DC, we're in DC March twenty third,

2723
02:00:24,200 --> 02:00:25,760
Speaker 6: speaking with the club.

2724
02:00:26,440 --> 02:00:28,520
Speaker 3: I'll start weekend. That's a wild call back.

2725
02:00:29,000 --> 02:00:31,000
Speaker 4: Oh, let's we got to redo that club night?

2726
02:00:31,080 --> 02:00:33,280
Speaker 1: Then should we hit should we hit a half bars?

2727
02:00:33,400 --> 02:00:35,680
Speaker 6: Not there anymore? I can promise you're close. In twenty ten,

2728
02:00:35,760 --> 02:00:37,560
Speaker 6: I did it. We're in a group chat with the

2729
02:00:37,800 --> 02:00:43,440
Speaker 6: shad Yeah to pay for a flight no sh but

2730
02:00:43,680 --> 02:00:45,480
Speaker 6: we will be in DC March twenty third at the

2731
02:00:45,520 --> 02:00:47,960
Speaker 6: Howard Theatre. Coming back to the Howard Theaters to fuck

2732
02:00:48,000 --> 02:00:50,760
Speaker 6: with the beautiful people down in the DMV. Don't hit

2733
02:00:50,800 --> 02:00:53,440
Speaker 6: me talmingmorrow. Yo, y'all coming to Baltimore, nigga, it's thirty

2734
02:00:53,520 --> 02:00:56,120
Speaker 6: five minutes away. Bring your ass to DC for the

2735
02:00:56,240 --> 02:00:59,440
Speaker 6: Night's true. We're not going to be any more on purpose.

2736
02:00:59,640 --> 02:01:02,080
Speaker 6: Bring you, I asked the DC for the night. Oh no,

2737
02:01:02,160 --> 02:01:03,520
Speaker 6: we may go to there maybe.

2738
02:01:04,200 --> 02:01:06,480
Speaker 2: But a great crowd too. I feel like they can

2739
02:01:06,520 --> 02:01:07,560
Speaker 2: make they can make the trip.

2740
02:01:07,800 --> 02:01:10,400
Speaker 6: Make the trip. Come rock with us, Washington, d C.

2741
02:01:11,040 --> 02:01:14,480
Speaker 6: March twenty third. I would did it? Get your tickets now?

2742
02:01:14,920 --> 02:01:19,680
Speaker 6: Tickets available New roryinmall dot com. And yeah, let's have

2743
02:01:19,800 --> 02:01:20,160
Speaker 6: some fun.

2744
02:01:20,440 --> 02:01:21,160
Speaker 1: You got him in d C.

2745
02:01:23,920 --> 02:01:24,400
Speaker 6: No, I don't.

2746
02:01:25,080 --> 02:01:27,360
Speaker 3: I used to. He thought about it. Come on, I don't.

2747
02:01:27,640 --> 02:01:29,880
Speaker 3: My brother's done. It's his birthday today. Happy birthday, Kendle.

2748
02:01:31,160 --> 02:01:32,360
Speaker 6: Thanks, Today's Kendall's birthday.

2749
02:01:32,440 --> 02:01:35,360
Speaker 3: Yeahir, happy birthday?

2750
02:01:36,200 --> 02:01:38,200
Speaker 1: Used they happy birthday the little King, but not Kendle.

2751
02:01:38,360 --> 02:01:39,960
Speaker 6: No, Kendle's the one that came to the DC show.

2752
02:01:40,240 --> 02:01:41,040
Speaker 6: It was cool. I like him.

2753
02:01:41,040 --> 02:01:42,320
Speaker 3: They'll be there when we're back.

2754
02:01:42,360 --> 02:01:43,480
Speaker 6: Happy birthday the Kendle man.

2755
02:01:43,600 --> 02:01:44,280
Speaker 4: Kendle's cute.

2756
02:01:44,600 --> 02:01:45,720
Speaker 3: Yeah, we know he's engaged.

2757
02:01:46,480 --> 02:01:49,839
Speaker 6: Yeah, I don't stop baby D from wanting the motherfucking

2758
02:01:49,880 --> 02:01:50,520
Speaker 6: suck that clip.

2759
02:01:50,960 --> 02:01:51,080
Speaker 11: Yo.

2760
02:01:51,240 --> 02:01:54,160
Speaker 3: What wait, he's a brother, man is a man.

2761
02:01:55,320 --> 02:01:57,800
Speaker 1: Let's let's see. This is bad parenting right here.

2762
02:01:58,480 --> 02:01:59,160
Speaker 3: That was awful.

2763
02:02:00,360 --> 02:02:01,720
Speaker 1: Your mother did not raise you this way?

2764
02:02:03,440 --> 02:02:04,920
Speaker 6: Mom' sorry what this guy say?

2765
02:02:04,960 --> 02:02:07,040
Speaker 9: The thing is my mom's like, oh, that's very nice.

2766
02:02:07,040 --> 02:02:08,240
Speaker 9: They made a shout out and then you're going to

2767
02:02:08,280 --> 02:02:10,320
Speaker 9: say that completely undercut.

2768
02:02:13,080 --> 02:02:14,560
Speaker 1: I'm nervous to say, how do I say this as

2769
02:02:14,600 --> 02:02:16,080
Speaker 1: respectful as possib because I don't want my all to

2770
02:02:16,080 --> 02:02:16,560
Speaker 1: get mad at me.

2771
02:02:17,160 --> 02:02:19,440
Speaker 6: I'm not fuck him.

2772
02:02:19,800 --> 02:02:20,640
Speaker 4: I'm sorry, my bad.

2773
02:02:21,800 --> 02:02:25,680
Speaker 1: You guys follow Mall's sister right, Oh that's my homie. Yes,

2774
02:02:27,040 --> 02:02:27,600
Speaker 1: that's family.

2775
02:02:27,720 --> 02:02:28,680
Speaker 4: Yeah for sure.

2776
02:02:30,040 --> 02:02:35,880
Speaker 1: She did post a photo of Mal's mom like back

2777
02:02:35,920 --> 02:02:38,720
Speaker 1: in the heyday on her I G story over the weekend,

2778
02:02:39,480 --> 02:02:40,920
Speaker 1: did she Yes?

2779
02:02:41,760 --> 02:02:42,160
Speaker 3: I liked it.

2780
02:02:43,360 --> 02:02:45,880
Speaker 6: You hearted it, of course, I know what's up with you, bro?

2781
02:02:47,720 --> 02:02:49,560
Speaker 6: It just was It was a great fun. It was

2782
02:02:49,600 --> 02:02:51,040
Speaker 6: just great fun. This was the end of the episode.

2783
02:02:51,040 --> 02:02:54,280
Speaker 6: We could out and we got right all this.

2784
02:02:54,800 --> 02:02:57,640
Speaker 1: I mean an extremely respectable place.

2785
02:02:57,680 --> 02:02:58,000
Speaker 10: It just.

2786
02:03:00,200 --> 02:03:01,920
Speaker 1: It wasn't it was you.

2787
02:03:01,920 --> 02:03:02,920
Speaker 4: Could not see.

2788
02:03:02,960 --> 02:03:06,040
Speaker 6: That's so the crowd that got to end up getting

2789
02:03:06,040 --> 02:03:06,240
Speaker 6: you know what.

2790
02:03:06,280 --> 02:03:11,080
Speaker 1: Mean, uh, your mom is very beautiful, thank you now,

2791
02:03:11,200 --> 02:03:14,520
Speaker 1: and then thank you here come to disrespect, not just

2792
02:03:15,720 --> 02:03:18,640
Speaker 1: you know, the disrespect comes right after that. Just your

2793
02:03:18,680 --> 02:03:22,000
Speaker 1: sister was alluding to like the Clay Sisters and like

2794
02:03:22,120 --> 02:03:25,960
Speaker 1: that era. Mhm, and I wanted to ask you, like what,

2795
02:03:26,400 --> 02:03:28,920
Speaker 1: like what that era was because they look like they

2796
02:03:29,000 --> 02:03:32,600
Speaker 1: had they had Harlem. They looked like they had Harlem

2797
02:03:32,640 --> 02:03:32,920
Speaker 1: on lock.

2798
02:03:33,000 --> 02:03:35,600
Speaker 6: No, my mom and my aunts were they were they were,

2799
02:03:35,920 --> 02:03:38,680
Speaker 6: they were those sisters Like if you dated one, you're like, yo,

2800
02:03:38,760 --> 02:03:40,720
Speaker 6: I got one of the Clay sisters. Like they was

2801
02:03:41,280 --> 02:03:41,920
Speaker 6: that growing up on.

2802
02:03:42,000 --> 02:03:44,240
Speaker 2: The way your sister put the caption, like everybody knows

2803
02:03:44,280 --> 02:03:45,560
Speaker 2: about to Clay because.

2804
02:03:45,920 --> 02:03:48,280
Speaker 1: I want to Clay sisters tell me more because you know,

2805
02:03:49,080 --> 02:03:49,320
Speaker 1: you know.

2806
02:03:49,360 --> 02:03:51,480
Speaker 6: How we do in our culture. They all my my

2807
02:03:51,600 --> 02:03:54,160
Speaker 6: mom and my aunts are all light skin. Yes, you

2808
02:03:54,240 --> 02:03:58,280
Speaker 6: know how that growing up light skin and pretty girls,

2809
02:03:58,400 --> 02:04:01,560
Speaker 6: and you know all the dope boys wanted, you know,

2810
02:04:01,720 --> 02:04:04,600
Speaker 6: to date them. My moms came from that. My moms out,

2811
02:04:04,640 --> 02:04:05,400
Speaker 6: she was out in the streets.

2812
02:04:05,480 --> 02:04:06,920
Speaker 4: I could look at how your mom looked out and

2813
02:04:07,000 --> 02:04:07,320
Speaker 4: tell that.

2814
02:04:07,400 --> 02:04:08,400
Speaker 3: She was one of the ones.

2815
02:04:08,640 --> 02:04:10,400
Speaker 6: Yo, What you mean trying to say my mom's was

2816
02:04:10,440 --> 02:04:11,400
Speaker 6: a Hucci So no.

2817
02:04:11,720 --> 02:04:13,320
Speaker 4: Like when I say one of the ones, I mean

2818
02:04:13,400 --> 02:04:15,080
Speaker 4: like one of the ones that like everybody.

2819
02:04:14,800 --> 02:04:16,360
Speaker 3: Wanted you said all his mam would have gone on

2820
02:04:16,440 --> 02:04:17,480
Speaker 3: twenty women one rapper.

2821
02:04:17,680 --> 02:04:19,000
Speaker 6: No, my mom's definitely when they did that.

2822
02:04:19,680 --> 02:04:22,040
Speaker 3: She I thought you were saying, definitely she would have

2823
02:04:22,080 --> 02:04:22,760
Speaker 3: been the one rapper.

2824
02:04:23,760 --> 02:04:25,640
Speaker 6: Yeah, exactly, exactly.

2825
02:04:27,480 --> 02:04:30,400
Speaker 2: It's fine, but she posting sh like that, like it

2826
02:04:30,560 --> 02:04:31,800
Speaker 2: was a really nice photo.

2827
02:04:31,760 --> 02:04:32,200
Speaker 11: You to do that.

2828
02:04:32,560 --> 02:04:35,840
Speaker 1: No, she ain't. That's her mama too, And I feel

2829
02:04:35,840 --> 02:04:38,400
Speaker 1: like your sister's isn't her IG privately.

2830
02:04:38,080 --> 02:04:40,280
Speaker 4: It's mad Loki. She's mad Loki.

2831
02:04:40,400 --> 02:04:43,640
Speaker 6: Yeah, but like posting old pictures of moms like talking

2832
02:04:43,680 --> 02:04:45,600
Speaker 6: about Yo, what she says she was one of the ones.

2833
02:04:45,640 --> 02:04:49,160
Speaker 1: What she said like something about everyone knew the Clay sisters.

2834
02:04:49,320 --> 02:04:51,360
Speaker 1: She was reposting her Facebook or some ship.

2835
02:04:51,760 --> 02:04:52,000
Speaker 4: I don't.

2836
02:04:52,040 --> 02:04:53,720
Speaker 1: I don't want to miscall your sister because I love her.

2837
02:04:53,880 --> 02:04:56,720
Speaker 6: To bring it Facebook to IG. You don't cross promote,

2838
02:04:56,760 --> 02:04:59,400
Speaker 6: you don't do that. You don't put Facebook business on IG.

2839
02:05:00,200 --> 02:05:02,760
Speaker 1: There's rules there's rules, there's rules to the ship. It

2840
02:05:02,800 --> 02:05:04,920
Speaker 1: made me an animal exactly. You don't put you put

2841
02:05:05,000 --> 02:05:09,560
Speaker 1: Facebook ship on the marriage exactly. It's called it's called

2842
02:05:09,680 --> 02:05:12,720
Speaker 1: social media etiquette. My mom could have been an ad

2843
02:05:12,840 --> 02:05:18,040
Speaker 1: model before. Yeah, my mom sent me this photo over

2844
02:05:18,080 --> 02:05:20,680
Speaker 1: the weekend. Definitely a little swaggy in that. I can't

2845
02:05:20,680 --> 02:05:22,280
Speaker 1: even lie. That look like a good new port ad

2846
02:05:22,760 --> 02:05:25,400
Speaker 1: that might that might be at in Van Cortland Park.

2847
02:05:26,240 --> 02:05:30,760
Speaker 1: Oh that's that's a Mount Saint Vincent for real vincent.

2848
02:05:32,240 --> 02:05:34,680
Speaker 1: I was I was conceived there. So let me wrap it.

2849
02:05:38,760 --> 02:05:41,360
Speaker 6: Do we have any more? Not fucking voicemails? Man, Bobby

2850
02:05:41,480 --> 02:05:45,080
Speaker 6: crying and ship Bobby. We love you Bobby.

2851
02:05:45,880 --> 02:05:47,480
Speaker 4: What I just said, we love Bobby. Opened up your

2852
02:05:47,840 --> 02:05:48,640
Speaker 4: to your self aware.

2853
02:05:48,720 --> 02:05:50,440
Speaker 1: That's the first. That's the first part.

2854
02:05:51,000 --> 02:05:53,320
Speaker 6: Raise your kids in love, man. Everything else to figure

2855
02:05:53,360 --> 02:05:55,960
Speaker 6: yourself out. Just raise your kids and love. Love your kids,

2856
02:05:56,080 --> 02:05:59,280
Speaker 6: teach them to love and everything everything work.

2857
02:05:59,160 --> 02:06:01,000
Speaker 8: Out and except check is for who they are. Don't

2858
02:06:01,040 --> 02:06:02,720
Speaker 8: try to make your kids little you. And if they're

2859
02:06:02,760 --> 02:06:05,120
Speaker 8: different from you and you can't understand them, like, just

2860
02:06:05,240 --> 02:06:07,520
Speaker 8: love them anyway. Don't like there's nothing wrong with them

2861
02:06:07,520 --> 02:06:08,160
Speaker 8: because they aren't.

2862
02:06:08,240 --> 02:06:10,520
Speaker 6: You just can't understand and let them hang out every

2863
02:06:10,520 --> 02:06:12,320
Speaker 6: cos that live in the projects for a few weeks.

2864
02:06:13,360 --> 02:06:13,640
Speaker 3: That's how.

2865
02:06:13,720 --> 02:06:15,760
Speaker 6: That's how you always get to Yeah, back on track.

2866
02:06:15,920 --> 02:06:17,640
Speaker 6: That's the best. I want to see poverty. Were going

2867
02:06:17,680 --> 02:06:18,760
Speaker 6: to see poverty this weekend.

2868
02:06:18,840 --> 02:06:19,800
Speaker 1: Show you how good you got it?

2869
02:06:19,840 --> 02:06:20,720
Speaker 6: Show you yeah, show you.

2870
02:06:20,760 --> 02:06:22,160
Speaker 3: How my dad that with us.

2871
02:06:22,560 --> 02:06:24,120
Speaker 4: You got to do that to your kids, the pier

2872
02:06:24,160 --> 02:06:25,040
Speaker 4: cousins is important.

2873
02:06:25,120 --> 02:06:27,040
Speaker 6: Taking to the poor cousins. How let them run around

2874
02:06:27,080 --> 02:06:28,840
Speaker 6: all night, Let them try to find the space in

2875
02:06:28,880 --> 02:06:31,000
Speaker 6: the crib to lay down to sleep. Ain't no beds.

2876
02:06:32,080 --> 02:06:34,600
Speaker 6: Get your jacket balled up, you know what I'm saying.

2877
02:06:34,840 --> 02:06:37,320
Speaker 6: That's your pillow. You know what I mean. Take that

2878
02:06:37,440 --> 02:06:40,600
Speaker 6: little sofa, that that that piece of the couch putting

2879
02:06:40,640 --> 02:06:41,120
Speaker 6: on top of you.

2880
02:06:41,520 --> 02:06:43,360
Speaker 4: Oh oh, the couches.

2881
02:06:43,680 --> 02:06:46,240
Speaker 1: I was always my mom's side. Yes, you got to

2882
02:06:46,240 --> 02:06:48,360
Speaker 1: get my dad's side, that my mom's side. I was like,

2883
02:06:48,440 --> 02:06:52,880
Speaker 1: these people are crazy, yeah, so good. These people are poor.

2884
02:06:57,560 --> 02:06:58,400
Speaker 1: I don't like it over here.

2885
02:06:58,480 --> 02:07:00,720
Speaker 6: That's real. You gotta go to your poor, your poor

2886
02:07:00,760 --> 02:07:02,480
Speaker 6: cousin's house. Man character.

2887
02:07:02,640 --> 02:07:04,280
Speaker 1: We'll close right now, but I do want to give

2888
02:07:04,400 --> 02:07:07,960
Speaker 1: a huge congrats to little nas X. He's on pace

2889
02:07:08,040 --> 02:07:16,080
Speaker 1: to be number eighty on Billboards. Congrats your your rollout

2890
02:07:16,120 --> 02:07:19,520
Speaker 1: did great, bro, that's spectacle you made did so well?

2891
02:07:19,720 --> 02:07:22,160
Speaker 3: I mean, is this the fall of Christianity?

2892
02:07:22,440 --> 02:07:24,440
Speaker 1: Is the fall of the fall of Little na X.

2893
02:07:24,480 --> 02:07:25,480
Speaker 3: People don't like God anymore.

2894
02:07:25,480 --> 02:07:26,800
Speaker 2: He's on pace to be number eighty.

2895
02:07:27,920 --> 02:07:29,320
Speaker 4: I mean, that's not bad.

2896
02:07:29,440 --> 02:07:32,840
Speaker 1: Though it's not bad for any other artist besides Little

2897
02:07:32,880 --> 02:07:35,480
Speaker 1: nas X. What would be accepting everything he does is

2898
02:07:35,480 --> 02:07:36,600
Speaker 1: the spectacle number one?

2899
02:07:38,960 --> 02:07:39,280
Speaker 4: Everybody?

2900
02:07:39,480 --> 02:07:40,560
Speaker 2: What did the Jack Harlow record do?

2901
02:07:40,600 --> 02:07:41,040
Speaker 6: The last one?

2902
02:07:41,840 --> 02:07:42,480
Speaker 3: I love it on me?

2903
02:07:42,560 --> 02:07:42,880
Speaker 1: When one?

2904
02:07:42,960 --> 02:07:43,760
Speaker 3: Yeah, what does that do?

2905
02:07:43,840 --> 02:07:47,040
Speaker 4: The Oh you're talking about the industry? Maybe that one.

2906
02:07:47,560 --> 02:07:49,960
Speaker 1: Every time he's put a single and made a spectacle

2907
02:07:50,280 --> 02:07:54,360
Speaker 1: and done a rollout, he's if not been number one, close,

2908
02:07:55,160 --> 02:07:55,960
Speaker 1: he's number eighty.

2909
02:07:56,520 --> 02:08:00,520
Speaker 4: It didn't work, so slow bill a grower, not a shower.

2910
02:08:01,600 --> 02:08:02,920
Speaker 4: Saying a Little nas.

2911
02:08:02,800 --> 02:08:06,080
Speaker 1: X record is a slow build is fucking crazy, especially when.

2912
02:08:05,920 --> 02:08:08,000
Speaker 3: You watch it, watch it, watch it take off. He'll

2913
02:08:08,040 --> 02:08:08,160
Speaker 3: do it.

2914
02:08:08,440 --> 02:08:09,720
Speaker 9: It's one of those you know, you gotta let it

2915
02:08:09,960 --> 02:08:12,840
Speaker 9: look bro, Not everybody. Jesus was a slow build, now

2916
02:08:12,920 --> 02:08:17,200
Speaker 9: look not really. Domination was a slow build. Its hilarious,

2917
02:08:17,440 --> 02:08:20,720
Speaker 9: he was It took a while took a while from

2918
02:08:20,760 --> 02:08:21,720
Speaker 9: the pop I mean, look at it.

2919
02:08:21,760 --> 02:08:23,440
Speaker 6: They hated him in his time. That's true.

2920
02:08:23,520 --> 02:08:24,800
Speaker 4: He learned that from the Book of Clearance.

2921
02:08:25,040 --> 02:08:27,160
Speaker 3: Yeah, for sure. I was one of the two people

2922
02:08:27,200 --> 02:08:28,160
Speaker 3: that saw the movie.

2923
02:08:28,560 --> 02:08:30,920
Speaker 2: As someone that was My mom was a Sunday school

2924
02:08:30,960 --> 02:08:32,280
Speaker 2: teacher CCD that whole ship.

2925
02:08:32,720 --> 02:08:34,640
Speaker 1: I always asked and never got to answer, Like what

2926
02:08:34,920 --> 02:08:38,480
Speaker 1: Jesus did for like twenty years mid carpentering?

2927
02:08:38,760 --> 02:08:38,960
Speaker 11: Like what?

2928
02:08:39,320 --> 02:08:39,360
Speaker 10: Like?

2929
02:08:39,800 --> 02:08:40,440
Speaker 1: What was Jesus?

2930
02:08:40,560 --> 02:08:40,600
Speaker 11: Like?

2931
02:08:40,640 --> 02:08:42,240
Speaker 3: We not one piece of furniture.

2932
02:08:42,240 --> 02:08:45,040
Speaker 1: When he was born, you know, trash carpenter. Obviously it

2933
02:08:45,080 --> 02:08:49,160
Speaker 1: was the summer twenty fifth. Obvious, everyone knows that.

2934
02:08:51,080 --> 02:08:54,560
Speaker 2: What happened after the we went from manger to walking

2935
02:08:54,640 --> 02:08:55,640
Speaker 2: on water at thirty?

2936
02:08:58,720 --> 02:08:59,280
Speaker 3: What was he doing?

2937
02:08:59,440 --> 02:08:59,480
Speaker 11: Me?

2938
02:09:00,160 --> 02:09:00,720
Speaker 3: What happened?

2939
02:09:00,960 --> 02:09:03,000
Speaker 1: It's like, what what was his upbringing?

2940
02:09:03,240 --> 02:09:04,200
Speaker 3: Higunnels?

2941
02:09:05,920 --> 02:09:08,080
Speaker 1: How was the profit? Just chilling for thirty years?

2942
02:09:08,200 --> 02:09:11,080
Speaker 6: That's all a private gotta do is chill. I do

2943
02:09:11,160 --> 02:09:12,080
Speaker 6: nothing with profit.

2944
02:09:13,760 --> 02:09:15,920
Speaker 4: I know when the fuck gonna happen? You running around stress?

2945
02:09:15,960 --> 02:09:18,720
Speaker 6: You know who my daddy is? You're doing it out here.

2946
02:09:19,040 --> 02:09:20,960
Speaker 1: All I know is if I was thirteen and was

2947
02:09:21,320 --> 02:09:23,400
Speaker 1: had the ability to turn water to wine, we wouldn't

2948
02:09:23,400 --> 02:09:25,160
Speaker 1: have gotten a thirty No, definitely not.

2949
02:09:26,000 --> 02:09:28,160
Speaker 3: Yeah, that would that would have been a quick run.

2950
02:09:28,600 --> 02:09:31,280
Speaker 1: The parties I would have had. Yeah, I had a

2951
02:09:31,320 --> 02:09:32,640
Speaker 1: fake idea at fourteen.

2952
02:09:32,680 --> 02:09:33,160
Speaker 3: I was the man.

2953
02:09:33,560 --> 02:09:35,240
Speaker 1: Imagine if I could turn water to wine?

2954
02:09:35,640 --> 02:09:36,000
Speaker 6: Is lit?

2955
02:09:36,280 --> 02:09:39,640
Speaker 1: Yeah? Anyways, shout out to Jesus, Shout out to Jesus,

2956
02:09:39,760 --> 02:09:42,520
Speaker 1: Shout out to James Samuel, Shout out to a booker,

2957
02:09:42,600 --> 02:09:45,839
Speaker 1: Clarence Man. Go see the movie, Support black directors, support

2958
02:09:45,920 --> 02:09:49,400
Speaker 1: black artists, and again We'll be in DC March twenty third.

2959
02:09:49,440 --> 02:09:51,120
Speaker 6: The High with you the new roorymal dot com. Now

2960
02:09:51,200 --> 02:09:54,120
Speaker 6: go get your tickets. Subscribe to the Patreon new Roryamal

2961
02:09:54,160 --> 02:09:59,880
Speaker 6: dot com. Subscribe to the YouTube. Merch is still a

2962
02:10:00,000 --> 02:10:03,520
Speaker 6: bailable Some new merch coming soon.

2963
02:10:04,040 --> 02:10:08,160
Speaker 2: Yeah, only fans on the way, that's really all we got.

2964
02:10:08,760 --> 02:10:09,520
Speaker 6: You got only fans?

2965
02:10:09,840 --> 02:10:16,000
Speaker 1: Maybe, Okay, what's up? Listen, man, gotta support? All right,

2966
02:10:17,440 --> 02:10:21,280
Speaker 1: just say, would y'all subscribe out of curiosity.

2967
02:10:21,000 --> 02:10:22,720
Speaker 4: To your only fans?

2968
02:10:22,960 --> 02:10:26,800
Speaker 6: I'm never that curious enough, Glory, I would never subscribe

2969
02:10:26,800 --> 02:10:27,320
Speaker 6: to you only fans.

2970
02:10:27,400 --> 02:10:29,160
Speaker 2: Was like, I wouldn't subscribe to y'alls either, Like, I

2971
02:10:29,240 --> 02:10:30,160
Speaker 2: take it, I'm not offended.

2972
02:10:30,240 --> 02:10:31,960
Speaker 4: If you started only fans, you will subscribe to it

2973
02:10:32,000 --> 02:10:32,400
Speaker 4: to support.

2974
02:10:33,360 --> 02:10:33,400
Speaker 10: No.

2975
02:10:34,640 --> 02:10:36,400
Speaker 6: No, because you answer that to what are you doing

2976
02:10:36,440 --> 02:10:37,240
Speaker 6: on your yeah, like.

2977
02:10:37,960 --> 02:10:40,320
Speaker 4: I mean I'm not sucking it open?

2978
02:10:40,520 --> 02:10:42,440
Speaker 2: Well, then that's a that's a shitty only fans, that

2979
02:10:42,440 --> 02:10:43,200
Speaker 2: would be my first thing.

2980
02:10:43,320 --> 02:10:45,520
Speaker 6: Yeah, but you busting it open like you button naked.

2981
02:10:45,760 --> 02:10:48,120
Speaker 3: No, so what you're doing here?

2982
02:10:48,280 --> 02:10:49,920
Speaker 4: People do other things on only.

2983
02:10:50,840 --> 02:10:51,560
Speaker 3: In the way.

2984
02:10:53,320 --> 02:10:54,800
Speaker 1: Just go ahead and say it in two thousand twenty.

2985
02:10:54,800 --> 02:10:56,920
Speaker 1: If you ain't on only fans busting it open, you're

2986
02:10:56,920 --> 02:10:57,640
Speaker 1: doing the bare minimum.

2987
02:10:57,720 --> 02:10:59,440
Speaker 6: Yeah, like, get the fuck out the way, man. We're

2988
02:10:59,480 --> 02:11:01,560
Speaker 6: trying to see the pink in the brown man, that's

2989
02:11:01,600 --> 02:11:03,320
Speaker 6: what we're trying to see. An only fans. Ain't nobody

2990
02:11:03,400 --> 02:11:05,640
Speaker 6: coming to see anything else. Don't let them lie to you.

2991
02:11:05,960 --> 02:11:07,560
Speaker 6: We don't want to see them nipples. We don't want

2992
02:11:07,800 --> 02:11:10,600
Speaker 6: them nipples. We see them nipples at the club. We

2993
02:11:10,640 --> 02:11:13,960
Speaker 6: don't need fuck them nipples. If you ain't busting open,

2994
02:11:14,040 --> 02:11:14,880
Speaker 6: get off only fans.

2995
02:11:15,480 --> 02:11:17,800
Speaker 1: You're never curious. This is gonna sound creepy. We should

2996
02:11:17,800 --> 02:11:19,920
Speaker 1: really end now. You don't sometimes see a girl and

2997
02:11:20,000 --> 02:11:21,880
Speaker 1: just like wonder what the ratio is like? No on

2998
02:11:22,000 --> 02:11:29,800
Speaker 1: the nips never mind mat Ariola. Yeah, so good, like

2999
02:11:29,880 --> 02:11:33,520
Speaker 1: a big are I'm a fan of. I do wonder

3000
02:11:33,600 --> 02:11:35,400
Speaker 1: remember when someone said all got big areolas.

3001
02:11:35,560 --> 02:11:36,400
Speaker 3: That was a fact.

3002
02:11:36,440 --> 02:11:41,560
Speaker 6: Though that's not you, that's crazy. I just yo.

3003
02:11:44,280 --> 02:11:47,800
Speaker 1: Yo, nigga having big ariolas is niggas do be having

3004
02:11:47,840 --> 02:11:49,920
Speaker 1: big What niggas got big arioles?

3005
02:11:50,000 --> 02:11:51,960
Speaker 6: Now we're doing this? What niggas got big ariols?

3006
02:11:52,960 --> 02:11:54,200
Speaker 3: Yes? What nigga?

3007
02:11:54,680 --> 02:11:56,800
Speaker 6: What dude? You know got big ariolas?

3008
02:11:57,440 --> 02:11:59,960
Speaker 4: Man big ariolas.

3009
02:12:00,400 --> 02:12:02,080
Speaker 1: I've been at I've been at the public pool. Yeah,

3010
02:12:02,120 --> 02:12:02,400
Speaker 1: there's some.

3011
02:12:04,280 --> 02:12:05,480
Speaker 6: Like big guys like fat guys.

3012
02:12:05,760 --> 02:12:10,680
Speaker 1: No or often it's a bigger guy. Ain't no slim nigga,

3013
02:12:11,000 --> 02:12:12,800
Speaker 1: No big heriol out there.

3014
02:12:12,920 --> 02:12:13,720
Speaker 6: That's not out there.

3015
02:12:14,480 --> 02:12:20,480
Speaker 1: He need to be in the zoo, pet zoo. I

3016
02:12:20,480 --> 02:12:23,200
Speaker 1: don't know if this is like offensive. Sorry Mom, What

3017
02:12:23,360 --> 02:12:27,840
Speaker 1: if like Mal's Vita Lago like was you had white nipples?

3018
02:12:27,880 --> 02:12:29,320
Speaker 1: That would have been the funniest thing on earth.

3019
02:12:29,360 --> 02:12:31,120
Speaker 6: That's white nipples. That would be fire.

3020
02:12:33,240 --> 02:12:36,800
Speaker 4: Zebra nipple, ass bitch, that'd be fire if.

3021
02:12:36,640 --> 02:12:38,200
Speaker 1: You had on your nipples.

3022
02:12:38,240 --> 02:12:40,680
Speaker 2: I would ask you during an episode on camera, it's

3023
02:12:40,760 --> 02:12:41,400
Speaker 2: like can I see?

3024
02:12:41,840 --> 02:12:43,480
Speaker 1: And I would definitely tell you that we no longer

3025
02:12:43,520 --> 02:12:46,440
Speaker 1: work together right after that I'm like, Yo, I don't

3026
02:12:46,480 --> 02:12:47,760
Speaker 1: know what lifestyle you went told me.

3027
02:12:47,960 --> 02:12:49,920
Speaker 6: They don't a lie. That's not my business model.

3028
02:12:50,000 --> 02:12:53,080
Speaker 4: I would just no, that's not hip hop. That's not

3029
02:12:53,160 --> 02:12:53,640
Speaker 4: my business.

3030
02:12:53,720 --> 02:12:55,840
Speaker 6: Not my business model. You know what I'm saying. Niggas

3031
02:12:55,880 --> 02:12:58,440
Speaker 6: asked to see my nipples. That ain't my business model.

3032
02:12:58,480 --> 02:13:00,280
Speaker 6: That's what I'm saying. That we not do doing that

3033
02:13:00,360 --> 02:13:01,320
Speaker 6: over here. You know what I'm saying.

3034
02:13:01,720 --> 02:13:04,120
Speaker 1: If that's your company, that's just yo. Listen, let's do

3035
02:13:04,320 --> 02:13:06,440
Speaker 1: what you do. We're not doing that over here.

3036
02:13:06,720 --> 02:13:08,480
Speaker 6: Yeah, we'll talk to y'all later on this week. Have

3037
02:13:08,520 --> 02:13:11,000
Speaker 6: a safe week, be blessed, be safe. Happy birthday, Martin

3038
02:13:11,040 --> 02:13:13,760
Speaker 6: Luther King Jr. The dream still lives on. I'm that nigga.

3039
02:13:13,880 --> 02:13:15,120
Speaker 6: He's just ginger peace.

3040
02:13:15,360 --> 02:13:16,760
Speaker 4: No worrying now