WEBVTT - Episode 7: Good Fortune

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<v Speaker 1>It was twenty eighteen, still two years before George Floyd

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<v Speaker 1>and Breonna Taylor's names filled the streets, but the country

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<v Speaker 1>was already moving toward that eruption. In twenty twelve, Trayvon

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<v Speaker 1>Martin's killing gave rise to a new declaration that black

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<v Speaker 1>life had value. Soon it felt like an epidemic. Eric Garner,

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<v Speaker 1>I can't breathe. Michael Brown's death made Ferguson ground zero

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<v Speaker 1>for a movement. Hands up, don't shoot, spread like a

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<v Speaker 1>prayer and a plea, let me live. By twenty fifteen,

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<v Speaker 1>after Freddy Gray's death in Baltimore sparked a full scale riot,

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<v Speaker 1>America was shook. The mistreatment of black and brown people

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<v Speaker 1>by the criminal legal system had gone mainstream, The innocence

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<v Speaker 1>movement was gaining momentum, and a black family still lived

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<v Speaker 1>in the White House. It was a perfect storm and

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<v Speaker 1>Chicago sat in its eye. When thirteen year CPD veteran

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<v Speaker 1>Jason Van Dyke shot seventeen year old Lakwan MacDonald sixteen times,

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<v Speaker 1>he claimed self defense. The story held for months until

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<v Speaker 1>a journalist published the autopsy. Nine bullets had entered Laqwan's back.

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<v Speaker 1>Another reporter sued for the dash cam video. When a

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<v Speaker 1>judge ordered its release two days before Thanksgiving in twenty fifteen,

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<v Speaker 1>the truth hit the streets of Chicago like a shockwave.

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<v Speaker 1>La Kwan was walking away when the shots were fired.

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<v Speaker 1>Another cover up exposed. The protests erupted sixteen shots thirteen months,

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<v Speaker 1>but they had demands too, transparency, accountability, and new leadership.

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<v Speaker 1>Cook County State's Attorney Anita Alvarez, was up for reelection

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<v Speaker 1>in March. The movement had their target enter Kim Fox,

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<v Speaker 1>an unabashed progressive, the first African American to hold the seat,

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<v Speaker 1>and a former Cabrini Green resident. That I had to

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<v Speaker 1>be a good omen for Lee's case, thought Robert. It

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<v Speaker 1>was time for him to try the media again. This time,

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<v Speaker 1>he cold called an investigative reporter named Tory Marlin. She'd

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<v Speaker 1>made her name on Chicago's criminal justice beaten part because

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<v Speaker 1>she was good at choosing which he's definitely innocent. Cold

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<v Speaker 1>calls to pursue, Robert manages to pique her interest.

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<v Speaker 2>It was clear to me that this was somebody who

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<v Speaker 2>was very thoughtful and had a possible good story.

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<v Speaker 1>In a time when rapid reaction is rewarded. Tory Marlin

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<v Speaker 1>is something rare, thorough and considerate.

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<v Speaker 2>I was interested, but I wanted to know more, and

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<v Speaker 2>I wanted to just kind of sus it out.

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<v Speaker 1>And that meant meeting everyone in person. From Seattle, she

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<v Speaker 1>flew to see Lee in prison, Jennifer in Chicago, and

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<v Speaker 1>then took a four hour flight followed by a two

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<v Speaker 1>hour drive to reach Robert on his Del Rio farm.

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<v Speaker 2>Texas is known for its big skies. That was definitely

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<v Speaker 2>the case.

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<v Speaker 1>As I was driving, she passes through an arid landscape

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<v Speaker 1>dotted with colorful text mechs, roadsides, scattered strip malls, and

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<v Speaker 1>the endless rhythm of planned communities. Periodically, an orange and

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<v Speaker 1>white water burger, a frame shimmers in the heat like

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<v Speaker 1>an oasis. Then just before you reach the Rio Grande,

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<v Speaker 1>you're there. Del Rio.

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<v Speaker 2>I had never been in that part of Texas.

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<v Speaker 1>Before, a small, unassuming town named for the great river

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<v Speaker 1>that bends behind it. Robert's already there, idling in the

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<v Speaker 1>classic Mustang he's had since Chicago.

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<v Speaker 2>And then I followed him to the farm.

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<v Speaker 1>And that's probably for the best. Robert's place sits deep

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<v Speaker 1>inside the surrounding farm, and to get there you have

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<v Speaker 1>to take what feels like a wrong turn down a

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<v Speaker 1>narrow dirt road. But once Torris sees it, she's impressed.

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<v Speaker 2>He had an enormous property. There were some palm trees

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<v Speaker 2>and cacti. I don't think I was quite prepared for

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<v Speaker 2>what I saw. I mean, he he had described what

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<v Speaker 2>I was gonna see, but he didn't fully prepare me.

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<v Speaker 2>I don't think I quite understood that. But yeah, I

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<v Speaker 2>was floored.

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<v Speaker 1>I'm Dax Devlin Ross and from iHeart Podcasts. This is

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<v Speaker 1>Crying Wolf, episode seven, Good Fortune. By this point, Robert

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<v Speaker 1>had been talking to Lee Harris every single week for

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<v Speaker 1>seventeen years, and while Lee remained behind bars, life on

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<v Speaker 1>the outside had moved for Robert. He'd relocated to Del

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<v Speaker 1>Rio to help with his dad's printing business, and for

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<v Speaker 1>the past fifteen years had tended to a small farm

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<v Speaker 1>of sorts with plenty of space to care for an

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<v Speaker 1>ever growing, an increasingly eclectic family of rescue animals. He'd

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<v Speaker 1>also recently gotten married to Marcar, a fellow animal lover

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<v Speaker 1>with a soft spot for strays. This I had to

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<v Speaker 1>go see myself.

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<v Speaker 3>Yeah, come on, in, Tory is right.

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<v Speaker 1>No amount of explaining or google earthing can really prepare you.

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<v Speaker 1>For the Chattler's Farm, a one of a kind sanctuary.

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<v Speaker 1>At the point of recording at least nearly fifty animals.

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<v Speaker 4>And so these are dogs. They're really friendly, but they'll

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<v Speaker 4>jump all over you. The little pit bull will nut

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<v Speaker 4>punch you real quick.

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<v Speaker 1>There are dogs, of course, a motley pack of four

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<v Speaker 1>farcically different in stature, including an obese pitbull and a

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<v Speaker 1>giant labradoodle. But my eye is immediately drawn to a

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<v Speaker 1>large shape moving very slowly on the other side of

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<v Speaker 1>the farm.

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<v Speaker 3>So this is Morty, the Tordy.

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<v Speaker 1>Mardy Morty is a Galopagos tortoise about the size of

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<v Speaker 1>a coffee table, with an extraordinarily ornate shell. Something about

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<v Speaker 1>her heft and slowness feels majestic and prehistoric at the

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<v Speaker 1>same time.

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<v Speaker 3>Yeah, I mean, if you want to go sit on

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<v Speaker 3>her back or something.

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<v Speaker 1>Morty found his way to rob by way of a

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<v Speaker 1>wheeler dealer from a zoo that got shut down. Being

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<v Speaker 1>the kind of guy that already had the required permits

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<v Speaker 1>to house endangered tortoises, taking him in was not an issue.

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<v Speaker 1>I have little kids, they're gonna love, They're gonna love this.

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<v Speaker 1>I have to have this immediately. I rush over to

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<v Speaker 1>take a video for my kids. Mar Car assures me

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<v Speaker 1>Morty likes the attention and will stick her neck out

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<v Speaker 1>for selfies like.

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<v Speaker 3>A selfieite all she will stick her head out.

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<v Speaker 1>Morty is thirty one, but Galapago's turtles can live to

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<v Speaker 1>over one hundred, so both time and money wise, this

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<v Speaker 1>is no small commitment.

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<v Speaker 3>Yeah.

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<v Speaker 4>I get a couple of huge cases of this lettuce

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<v Speaker 4>delivered a couple times a week, and she grazes like horses.

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<v Speaker 1>The sound of the chewing is out of this world.

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<v Speaker 3>She'll sit there and make all the grass look raised.

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<v Speaker 1>And something magical happens when Robert starts talking about his animals,

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<v Speaker 1>a kind of care and attention to detail.

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<v Speaker 3>See all the big bumps on her show.

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<v Speaker 4>That's called pyramiding, And Robert really knows his stuff. People

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<v Speaker 4>will feed these things dog food, which and they'll eat it,

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<v Speaker 4>happily eat it. But it's it's too much protein and

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<v Speaker 4>it makes them grow too fast and it causes shell

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<v Speaker 4>growth like that.

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<v Speaker 1>As we walk around on the one and a half

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<v Speaker 1>acre site, I learned something new. At each stop you

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<v Speaker 1>pass three donkeys, beware of getting in their space. Their

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<v Speaker 1>guard animals Rob insists, and as for the sheep, that

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<v Speaker 1>sheep will.

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<v Speaker 3>Try to kill you, his name is Ramsey. Yeah I

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<v Speaker 3>didn't either. Yeah, I started looking into that.

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<v Speaker 4>If you have sheep, you don't want to befriend them,

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<v Speaker 4>because they look at you like you're part of the

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<v Speaker 4>pecking order, and they'll challenge you.

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<v Speaker 1>It's clear that Robert takes his responsibilities as sanctuary father

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<v Speaker 1>very seriously, no matter how hard it gets or how

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<v Speaker 1>much he feels like things will be easier without them.

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<v Speaker 4>I've got way too many. I want to I wish

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<v Speaker 4>I can get rid of them. Good home, good home them,

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<v Speaker 4>But I'm afraid they'll end up. I'm the menu in Chicago.

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<v Speaker 1>Perhaps surprisingly, his biggest challenge has been keeping the peace

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<v Speaker 1>amongst his seven cats. Two of them in particular.

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<v Speaker 4>They beat the other cats up so bad, and it

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<v Speaker 4>creates such a problem. I mean, I gotta I can't

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<v Speaker 4>even have furniture in this house anymore.

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<v Speaker 3>Hell yeah, I see, try to get rid of somebody's

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<v Speaker 3>done right. You guys can't leave them unless you take

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<v Speaker 3>a cat with you.

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<v Speaker 1>But Robert had saved the best for last.

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<v Speaker 4>Let's see she's taken off, yet she's still there to

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<v Speaker 4>watch her She's like, Oh, they're gonna come see me now.

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<v Speaker 1>An actual wolf, a dirty blonde coat, amber eyes, legs

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<v Speaker 1>that could walk me down with ease. When I squint

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<v Speaker 1>from a distance, she passes for a dog. When I

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<v Speaker 1>get closer, she's unmistakably something else entirely.

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<v Speaker 4>I wouldn't talk to her. I wouldn't say a thing, though,

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<v Speaker 4>Just be silent.

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<v Speaker 1>This is Robert's second wolf, Trouble, as in Base and Trouble.

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<v Speaker 1>But you'd be forgiven if you thought I made trouble.

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<v Speaker 1>As in strife with Robert is often an air of danger,

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<v Speaker 1>a hint of not strictly legal. He's the guy who

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<v Speaker 1>knows people who can procure a wolf or three, and

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<v Speaker 1>is not scared of the challenge. He did try to

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<v Speaker 1>get Trouble to how for the mic, but she wasn't

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<v Speaker 1>in the mood to perform for my benefit.

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<v Speaker 3>What is it? What is like being a wolf?

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<v Speaker 1>Dad?

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<v Speaker 3>Like? Like what do you do? What? You don't walk them? Like?

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<v Speaker 3>What do you play with them? Like? What is it?

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<v Speaker 3>You play with them?

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<v Speaker 4>You spend time with them, you pet them, It's like

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<v Speaker 4>having a dog.

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<v Speaker 1>Trouble even gets along with some of Robert's dogs.

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<v Speaker 4>Now I let her go with the pitbull, you know,

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<v Speaker 4>really yeah, yeah, the two of them get a long wall.

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<v Speaker 1>Really some but not all. I'm looking at you, labordoodle.

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<v Speaker 3>She'll kill it like that? Really? Yeah?

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<v Speaker 1>What is it?

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<v Speaker 4>Wolf eat pretty much what I eat? So you know,

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<v Speaker 4>if I'm eating steak, they're eating steak. If I'm eating chicken,

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<v Speaker 4>they're eating chicken. And she's making rice. She'll cook extra

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<v Speaker 4>for him.

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<v Speaker 3>They're living well, Yeah, they're they're living real well. They're

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<v Speaker 3>living well.

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<v Speaker 1>I was getting a taste of the extraordinary scene Tory

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<v Speaker 1>Marlin encountered when she visited Rob back in twenty eighteen,

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<v Speaker 1>and imagining what that moment must have meant for Rob too.

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<v Speaker 1>Up to that point, getting to Tory, getting anyone to

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<v Speaker 1>care about Lee's story had only been a cycle of

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<v Speaker 1>false hope and setbacks. What was happening with your impression

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<v Speaker 1>of the media over this period of time?

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<v Speaker 3>They wouldn't touch it.

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<v Speaker 4>You can pick up the phone and you can call

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<v Speaker 4>tip lines, but it's hard to get a hold of journalists.

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<v Speaker 4>How do you get a journalist's phone number? You can

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<v Speaker 4>find the emails and you can email them all day long.

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<v Speaker 4>It doesn't mean they're going to respond. I got a

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<v Speaker 4>little bit you aded. To be quite honest with you,

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<v Speaker 4>the response was the complete opposite of anything that I expected.

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<v Speaker 4>I expected them to look at that and go, oh

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<v Speaker 4>my god, we've got a story here. Let's hit the

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<v Speaker 4>ground running. And I was, Oh, that's interesting, maybe I'll

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<v Speaker 4>look into it.

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<v Speaker 1>When The Guardian had published its investigation into Detective Richard

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<v Speaker 1>Zulei back in twenty fifteen, and well, pretty much nothing

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<v Speaker 1>came of it. Being Robert contacted two of the other

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<v Speaker 1>people mentioned in the article. Both were serving time in

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<v Speaker 1>Illinois prisons. One, a man named Andre Griggs, called back

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<v Speaker 1>and the two men started talking. One call turned into two,

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<v Speaker 1>then weeks of calls became months, and it was in

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<v Speaker 1>one of their earliest calls that Andre tells Robert, if

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<v Speaker 1>you want to get to know my story, read an

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<v Speaker 1>article by a woman named Tory Marlin.

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<v Speaker 3>I remember coming home from work.

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<v Speaker 4>And I went into my bathroom and I started reading it.

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<v Speaker 4>And I didn't leave that bathroom until I was finished,

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<v Speaker 4>and it must have been two hours later.

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<v Speaker 1>The marathon and the John notwithstanding, Robert couldn't believe what

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<v Speaker 1>he was reading. This murder also had an ATM, a

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<v Speaker 1>sweater and a snitch that got a reward, and.

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<v Speaker 4>I felt like I was reading so many elements of

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<v Speaker 4>the Lee Harris case in this case.

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<v Speaker 1>Then in there Robert makes the decision to reach out

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<v Speaker 1>to Tory.

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<v Speaker 3>Tory was interested. She was interested in the case. She

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<v Speaker 3>loved what I was doing. She just thought it was

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<v Speaker 3>the greatest thing.

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<v Speaker 1>Tory was drawn to the story, but she was still

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<v Speaker 1>trying to put her finger on exactly why.

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<v Speaker 2>Well, initially, when I was still sussing it out, I

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<v Speaker 2>didn't know exactly.

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<v Speaker 3>What it was.

0:13:40.000 --> 0:13:44.880
<v Speaker 2>But it became clear pretty early on that this was

0:13:44.920 --> 0:13:46.640
<v Speaker 2>the story of a friendship.

0:13:46.520 --> 0:13:48.959
<v Speaker 1>A friendship forged behind bars.

0:13:49.480 --> 0:13:52.160
<v Speaker 2>They didn't have much in common when they got there,

0:13:53.120 --> 0:13:56.880
<v Speaker 2>and what they had in common was a short time

0:13:56.880 --> 0:14:00.920
<v Speaker 2>together in cell four three. So to me, it was

0:14:01.040 --> 0:14:06.200
<v Speaker 2>just it was incredible that this friendship endured and that

0:14:06.240 --> 0:14:10.440
<v Speaker 2>they became really, really important people to each other.

0:14:11.040 --> 0:14:13.679
<v Speaker 1>The truth was, in spite of the rise of prosecutors

0:14:13.760 --> 0:14:17.920
<v Speaker 1>promising reform, the growing calls for police accountability coming from

0:14:17.960 --> 0:14:21.720
<v Speaker 1>across the political spectrum, and the steady flow of exonerations

0:14:22.080 --> 0:14:26.640
<v Speaker 1>proving the systemic nature of injustice, there was also fatigue

0:14:26.680 --> 0:14:31.960
<v Speaker 1>in the media. Oh not another wrongful conviction story, especially

0:14:32.000 --> 0:14:34.760
<v Speaker 1>not another one about black men. And then there was

0:14:34.800 --> 0:14:37.360
<v Speaker 1>Donald Trump having run in one on the back of

0:14:37.400 --> 0:14:40.800
<v Speaker 1>the Blue platform that exploited the excesses of Black Lives Matter.

0:14:41.280 --> 0:14:44.480
<v Speaker 1>He was set on rolling back the police reform project.

0:14:45.200 --> 0:14:47.560
<v Speaker 1>Tory knew she was going to need a serious usp

0:14:47.800 --> 0:14:51.240
<v Speaker 1>to get people to care. In Lee's case, it was

0:14:51.280 --> 0:14:52.800
<v Speaker 1>his friendship with Robert.

0:14:53.680 --> 0:14:56.640
<v Speaker 2>So there was a bit of a different way into

0:14:57.800 --> 0:15:03.280
<v Speaker 2>the story of Lee's case. And that was intriguing because

0:15:04.520 --> 0:15:09.120
<v Speaker 2>there are a lot of wrongful conviction stories and I

0:15:09.160 --> 0:15:13.000
<v Speaker 2>really thought that that set this one apart.

0:15:13.840 --> 0:15:17.280
<v Speaker 1>Tory gets writing the Marshall Project. Article she produces is

0:15:17.320 --> 0:15:21.120
<v Speaker 1>the type of beautiful, meticulous long read that wins awards.

0:15:21.760 --> 0:15:22.960
<v Speaker 1>Later it became a book.

0:15:23.640 --> 0:15:26.560
<v Speaker 4>So anytime you look up Lee Harris, you have another

0:15:26.680 --> 0:15:29.120
<v Speaker 4>piece of information that points to.

0:15:29.160 --> 0:15:33.760
<v Speaker 3>Him not being guilty out there. So that was incredibly important.

0:15:34.120 --> 0:15:36.800
<v Speaker 4>You start typing in Robert Chatler, these things are starting

0:15:36.800 --> 0:15:40.000
<v Speaker 4>to pop up. You're starting to see my petition, you

0:15:40.120 --> 0:15:45.640
<v Speaker 4>see the Facebook, You're starting to see the YouTube. So

0:15:46.200 --> 0:15:48.760
<v Speaker 4>all these things, yeah, are starting to add up. And

0:15:49.200 --> 0:15:53.280
<v Speaker 4>the more things there are, it's easier to persuade. And

0:15:53.360 --> 0:15:56.560
<v Speaker 4>I thank God every day that he put Tory in

0:15:56.600 --> 0:15:59.560
<v Speaker 4>my life, meaning Andre did because that was a big

0:15:59.600 --> 0:16:00.440
<v Speaker 4>breakthrough for us.

0:16:04.160 --> 0:16:06.560
<v Speaker 1>In my hotel room, later that night, I get an

0:16:06.560 --> 0:16:10.520
<v Speaker 1>excited message from Robert. He was outside barbecuing brisket for dinner.

0:16:10.880 --> 0:16:14.960
<v Speaker 1>What else when Trouble the Wolf finally decided to perform

0:16:15.080 --> 0:17:00.800
<v Speaker 1>Lucky Me, he hit record just in time. While Robert

0:17:00.880 --> 0:17:02.880
<v Speaker 1>and Lee had finally caught a break with the media,

0:17:03.240 --> 0:17:06.600
<v Speaker 1>their attorney, Jennifer Black, had been thinking hard about her

0:17:06.680 --> 0:17:10.960
<v Speaker 1>next moves. After months of relentless searching for the sweater sample,

0:17:11.280 --> 0:17:14.000
<v Speaker 1>she had hit a dead end. The DNA tests on

0:17:14.040 --> 0:17:18.640
<v Speaker 1>the scraps of what's left comes back inconclusive. Jennifer's mind

0:17:18.720 --> 0:17:21.680
<v Speaker 1>goes back to David Toles, the snitch in Lee's case,

0:17:22.280 --> 0:17:26.160
<v Speaker 1>the one that Lee had supposedly confessed to his recantation

0:17:26.400 --> 0:17:29.760
<v Speaker 1>was not worth anything. But what if there was another angle?

0:17:30.440 --> 0:17:32.840
<v Speaker 1>What if she could prove he had snitched for a

0:17:32.880 --> 0:17:37.000
<v Speaker 1>reward before he even got involved in the Dana Fightler case.

0:17:37.800 --> 0:17:40.720
<v Speaker 5>In American jurisprudence, what that would mean is if someone

0:17:40.760 --> 0:17:43.760
<v Speaker 5>had gotten a benefit from snitching on someone before they

0:17:43.760 --> 0:17:46.200
<v Speaker 5>had a reasonable expectation that they would get benefit from

0:17:46.240 --> 0:17:50.880
<v Speaker 5>cooperating with the government again, which would make his testimony impeachable.

0:17:51.359 --> 0:17:54.280
<v Speaker 5>You could cast out on the credibility of his testimony

0:17:54.280 --> 0:17:57.280
<v Speaker 5>that Lee confessed to him.

0:17:57.400 --> 0:17:59.639
<v Speaker 1>A hunch leads to Jennifer back to the transcripts from

0:17:59.720 --> 0:18:02.600
<v Speaker 1>Lee's original trial back in nineteen ninety two, and there

0:18:02.640 --> 0:18:06.520
<v Speaker 1>she finds a rather curious interlude from the prosecution talking

0:18:06.560 --> 0:18:09.439
<v Speaker 1>about a previous case that David Toles had been an

0:18:09.440 --> 0:18:13.520
<v Speaker 1>informantint the case of a prison guard named Andrew Easily,

0:18:13.800 --> 0:18:17.960
<v Speaker 1>who had allegedly been selling drugs to prisoners, including Tolls,

0:18:18.240 --> 0:18:20.000
<v Speaker 1>who was inside at the time.

0:18:20.640 --> 0:18:25.360
<v Speaker 5>Somehow, the prosecution had disclosed that David Toles had called

0:18:25.920 --> 0:18:28.159
<v Speaker 5>the FBI and said they were selling drugs in the prison.

0:18:28.200 --> 0:18:28.680
<v Speaker 3>That was it.

0:18:28.920 --> 0:18:30.639
<v Speaker 5>They said he didn't get a benefit for it.

0:18:31.320 --> 0:18:36.800
<v Speaker 1>How curious Jennifer thinks. She reads on Andrea Lyon, Lee's

0:18:36.840 --> 0:18:40.440
<v Speaker 1>attorney follows up with the next logical question to Tolls.

0:18:41.280 --> 0:18:44.639
<v Speaker 1>You expected a benefit, didn't you when you called the FBI.

0:18:45.520 --> 0:18:48.320
<v Speaker 5>He played it like a choir boy. He's like, no,

0:18:48.600 --> 0:18:51.159
<v Speaker 5>drugs are bad and drugs are killing people, and I

0:18:51.200 --> 0:18:52.639
<v Speaker 5>did it because it was the right thing. And they

0:18:52.640 --> 0:18:56.520
<v Speaker 5>didn't have anything to substantiate their allegation that it was

0:18:56.680 --> 0:19:00.120
<v Speaker 5>not true.

0:19:00.320 --> 0:19:04.240
<v Speaker 1>How convenient, Jennifer thinks. She was certainly not going to

0:19:04.320 --> 0:19:08.040
<v Speaker 1>take Tolls's word for it. Because the case involved the FBI.

0:19:08.520 --> 0:19:11.639
<v Speaker 1>Jennifer asks to look at the court files. Housed in

0:19:11.720 --> 0:19:19.000
<v Speaker 1>Chicago's Federal Courthouse. Designed by MIAs Vanderroh in the early sixties,

0:19:19.400 --> 0:19:23.680
<v Speaker 1>the Dirkson Federal Building is a shimmering thirty story glass

0:19:23.720 --> 0:19:29.920
<v Speaker 1>and steel symbol of modern minimalism. Jennifer is nervous. She's

0:19:29.960 --> 0:19:35.680
<v Speaker 1>never done this before. She enlists Eric for moral support.

0:19:37.160 --> 0:19:40.840
<v Speaker 1>Inside it's quite formal, imposing in a way. The county

0:19:40.840 --> 0:19:46.080
<v Speaker 1>court just isn't. Jennifer has handed the documents by the clerk.

0:19:46.560 --> 0:19:48.200
<v Speaker 1>Some good news straight off the bat.

0:19:48.640 --> 0:19:51.280
<v Speaker 5>We got lucky enough that the transcripts from the trial

0:19:51.600 --> 0:19:53.080
<v Speaker 5>were in the court file.

0:19:53.680 --> 0:19:57.199
<v Speaker 1>Transcripts are not always a given, but when present, they

0:19:57.240 --> 0:20:01.399
<v Speaker 1>are so helpful. Jennifer sits down and starts reading, and

0:20:01.480 --> 0:20:04.959
<v Speaker 1>there it is, in black and white. She can't believe

0:20:05.000 --> 0:20:09.200
<v Speaker 1>what she's seeing. She grabs Eric and lets out a squeal.

0:20:09.119 --> 0:20:11.119
<v Speaker 5>And I was like, oh my god, Oh my god.

0:20:11.280 --> 0:20:14.159
<v Speaker 1>The transcript held the proof She had hoped to find

0:20:14.840 --> 0:20:20.240
<v Speaker 1>an FBI agent talking all about their arrangement with mister Toles.

0:20:20.760 --> 0:20:23.440
<v Speaker 5>It did show that the federal government had paid David

0:20:23.480 --> 0:20:27.880
<v Speaker 5>Toles to be an undercover agent for them. They paid

0:20:27.920 --> 0:20:30.080
<v Speaker 5>David Toles I think five hundred dollars.

0:20:30.119 --> 0:20:30.760
<v Speaker 3>To do that.

0:20:31.400 --> 0:20:35.000
<v Speaker 1>There was more. The benefit wasn't limited to cash. The

0:20:35.160 --> 0:20:38.760
<v Speaker 1>FBI threw its weight around got Tolls released early.

0:20:39.560 --> 0:20:41.600
<v Speaker 5>They had called the state's attorney's office and asked that

0:20:41.680 --> 0:20:43.600
<v Speaker 5>David Toles be released. He was in jail at the

0:20:43.640 --> 0:20:47.240
<v Speaker 5>time on a drug case, so they paid him and

0:20:47.400 --> 0:20:52.280
<v Speaker 5>got him out on bond when he had been rejected, just.

0:20:52.240 --> 0:20:55.119
<v Speaker 1>As they had known about Toles's recantation and remained silent.

0:20:55.440 --> 0:20:57.840
<v Speaker 1>The state had known all along that Tolls had been

0:20:57.880 --> 0:20:59.920
<v Speaker 1>rewarded in the past for his work as an en

0:21:00.080 --> 0:21:03.360
<v Speaker 1>form It not only that they had organized to get

0:21:03.440 --> 0:21:06.920
<v Speaker 1>him out of jail early. The law on this was unequivocal.

0:21:07.359 --> 0:21:10.720
<v Speaker 1>Prosecutors are required to hand over evidence in their possession

0:21:10.880 --> 0:21:14.320
<v Speaker 1>that can help the defense, and they hadn't. This was

0:21:14.560 --> 0:21:19.120
<v Speaker 1>a textbook Brady violation, as blatant as they come. This

0:21:19.520 --> 0:21:24.760
<v Speaker 1>was enormous. Jennifer needs to make copies. There's only one issue.

0:21:25.040 --> 0:21:29.239
<v Speaker 5>It was incredibly expensive to have the pages copied by

0:21:29.240 --> 0:21:32.399
<v Speaker 5>the clerk like I think it was like a dollar page,

0:21:32.600 --> 0:21:35.560
<v Speaker 5>you know, something just really really cost prohibitive. I didn't

0:21:35.600 --> 0:21:37.320
<v Speaker 5>have much money at the time either.

0:21:37.680 --> 0:21:40.760
<v Speaker 1>But Jennifer is anything if not industrious.

0:21:40.960 --> 0:21:44.080
<v Speaker 5>I had a scanner, and it wasn't a quick scanner

0:21:44.080 --> 0:21:44.600
<v Speaker 5>like I have now.

0:21:44.600 --> 0:21:45.520
<v Speaker 1>It's sort of slow.

0:21:46.040 --> 0:21:48.200
<v Speaker 5>They were a long thing of cubbies. So we went

0:21:48.240 --> 0:21:50.639
<v Speaker 5>down to the very end of the cubby the furthest

0:21:50.640 --> 0:21:54.520
<v Speaker 5>away from the desk where we got the transcripts. So

0:21:55.280 --> 0:21:59.560
<v Speaker 5>Eric and I undid the volumes and scan them underneath

0:21:59.600 --> 0:22:03.640
<v Speaker 5>the dead hiding it from the clerk instead of having

0:22:03.680 --> 0:22:05.040
<v Speaker 5>to pay for it.

0:22:05.040 --> 0:22:08.000
<v Speaker 1>It might not have been her proudest or most ethical move,

0:22:08.160 --> 0:22:11.440
<v Speaker 1>but when you're staring down a brady violation that helped

0:22:11.480 --> 0:22:15.080
<v Speaker 1>put an innocent man in prison, resourcefulness starts to look

0:22:15.119 --> 0:22:16.440
<v Speaker 1>a lot like justice.

0:22:16.840 --> 0:22:19.359
<v Speaker 5>Like I was really fired up. I couldn't believe it.

0:22:19.400 --> 0:22:23.080
<v Speaker 5>I couldn't believe our good fortune at having the transcripts

0:22:23.119 --> 0:22:25.480
<v Speaker 5>in the file. I couldn't believe the good fortune that

0:22:25.520 --> 0:22:27.719
<v Speaker 5>the agent got asked about it and admitted that they

0:22:27.760 --> 0:22:30.199
<v Speaker 5>had paid David Toles. I couldn't believe that it was

0:22:30.280 --> 0:22:32.240
<v Speaker 5>on the record that the agent said. I called the

0:22:32.280 --> 0:22:35.359
<v Speaker 5>prosecutor and asked if they would let David Toles out

0:22:35.680 --> 0:22:37.600
<v Speaker 5>like it was exactly what we needed. It's one of

0:22:37.600 --> 0:22:41.040
<v Speaker 5>those really rare moments in my investigations where I was like,

0:22:41.080 --> 0:22:43.280
<v Speaker 5>I can't believe we found this, Like this is amazing.

0:22:47.119 --> 0:22:50.960
<v Speaker 4>This is a prepaid collect call and NATed.

0:22:54.000 --> 0:22:56.639
<v Speaker 1>Jennifer passes on the good news to Lee. His buddy

0:22:56.720 --> 0:22:57.879
<v Speaker 1>Rob is the first to know.

0:22:58.280 --> 0:22:59.840
<v Speaker 6>You may start the conversation now.

0:23:00.440 --> 0:23:04.679
<v Speaker 3>She said at feet I know it's big. That's huge.

0:23:05.400 --> 0:23:08.600
<v Speaker 4>I never heard her get get so when she got excited,

0:23:08.920 --> 0:23:10.000
<v Speaker 4>I get excited, but I.

0:23:12.080 --> 0:23:17.360
<v Speaker 6>Got all these in years. It was just, uh oh,

0:23:18.560 --> 0:23:22.040
<v Speaker 6>I'm filled with emotion, dude. I see a light at

0:23:22.080 --> 0:23:26.560
<v Speaker 6>the end of the tunnel. Please, I do You're You're

0:23:26.600 --> 0:23:28.880
<v Speaker 6>on your way out, buddy. I don't see this going

0:23:28.920 --> 0:23:31.480
<v Speaker 6>any other way. I don't see a negative anything in this.

0:23:32.000 --> 0:23:35.399
<v Speaker 6>The question is when you know, and the question you

0:23:35.560 --> 0:23:36.960
<v Speaker 6>want to you want to know what my question is

0:23:37.000 --> 0:23:39.199
<v Speaker 6>before I forget, because I thought about this last night

0:23:39.240 --> 0:23:45.520
<v Speaker 6>and I laughed, Yeah, Burger King or McDonald's, Wendy's or.

0:23:48.480 --> 0:23:52.399
<v Speaker 3>Double whopper, triple whopper? What do you want? Double whopper

0:23:52.440 --> 0:23:56.119
<v Speaker 3>with cheese and a vanilla cha? All right? Man with

0:23:56.359 --> 0:24:02.920
<v Speaker 3>cheese bacon, but I want to that's what I want

0:24:02.920 --> 0:24:03.160
<v Speaker 3>to want.

0:24:04.000 --> 0:24:05.800
<v Speaker 6>Yeah, we'll get you on man, We'll get you a

0:24:05.960 --> 0:24:11.719
<v Speaker 6>good burger, all right, Go man, go go call me tomorrow.

0:24:12.520 --> 0:24:14.879
<v Speaker 3>Will do it all right? Likewise, bye bye.

0:24:15.600 --> 0:24:26.240
<v Speaker 1>The caller had hung up. Crying Wolf is an iHeart

0:24:26.320 --> 0:24:30.479
<v Speaker 1>and Clockwork Films podcast and association with Chalk and Blade.

0:24:31.280 --> 0:24:35.680
<v Speaker 1>I'm your host Dax Devlin Ross. The series producer is

0:24:35.760 --> 0:24:42.399
<v Speaker 1>Sarah Stollarts. The senior producer is Laura Hyde. The serious

0:24:42.400 --> 0:24:46.400
<v Speaker 1>script is written by me and by Sarah Stolarts. Bonus

0:24:46.480 --> 0:24:50.320
<v Speaker 1>episodes are written and produced by Me Dax Devlin Ross.

0:24:51.920 --> 0:24:56.320
<v Speaker 1>Our executive producers are Christina Everett for iHeart Podcasts, Naomi

0:24:56.440 --> 0:25:01.040
<v Speaker 1>Harvey and Jamie Cohen for Clockwork Films, and Ruth Barnes

0:25:01.240 --> 0:25:05.960
<v Speaker 1>and Jason Phipps for Chalk and Blade. Sound design is

0:25:06.040 --> 0:25:10.440
<v Speaker 1>by Kenny Koziak and George dre bing Hicks. Our theme

0:25:10.600 --> 0:25:15.600
<v Speaker 1>music is by Kenny Koziak. Additional production support from Stephen Paton.