WEBVTT - 1: The Groupchat

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<v Speaker 1>Novel.

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<v Speaker 2>Hey listeners, I'm your host, Ellie Flymm. Before we get started,

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<v Speaker 2>I just want to let you know that this episode

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<v Speaker 2>contains swearing, explicit sexual language, and claims of sexual abuse.

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<v Speaker 2>It's also a story of female empowerment and camaraderie thanks

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<v Speaker 2>to the women who have shared their stories with us.

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<v Speaker 2>We contacted the photographer mentioned in this podcast multiple times

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<v Speaker 2>for comment, but we never heard back. He has not

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<v Speaker 2>been charged with any crimes and is presumed innocent under

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<v Speaker 2>the law. We also contacted Playboy USA. They state that

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<v Speaker 2>they have asked their licensees to blacklist the photographer mentioned

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<v Speaker 2>in this series and that they prohibit paid to play

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<v Speaker 2>which you'll hear more about later in the series. Our

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<v Speaker 2>research into his association to Playboy and their statement will

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<v Speaker 2>be detailed in episode four of this series.

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<v Speaker 3>But enough of the admin, let's get started.

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<v Speaker 2>We've been sitting manning all the entrances and exits for

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<v Speaker 2>like two hours now, no sign of him or anyone

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<v Speaker 2>that looks like a models of yet. I'm sitting in

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<v Speaker 2>a white SUV parked on the edge of the Nevada Desert.

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<v Speaker 2>The heat is stifling, so we've wound the windows down

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<v Speaker 2>the whole.

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<v Speaker 3>Way a lot of nervous energy.

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<v Speaker 2>To my right is a hotel complex, massive orange buildings

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<v Speaker 2>stretching up to a bright blue sky. To my left

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<v Speaker 2>a long freeway which leads back to the sparkling lights

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<v Speaker 2>of the Las Vegas Strip. But I haven't come to

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<v Speaker 2>Vegas for a holiday. I'm here for a steakhout.

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<v Speaker 3>God, this is fucking stressing. It is really stressful.

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<v Speaker 2>In the back of the car is my producer, Eleanor,

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<v Speaker 2>and next to me in the driver's seat is an

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<v Speaker 2>armed security agent, an ex cop experienced in tracking down

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<v Speaker 2>dangerous criminals. I'm here on the trail of a man

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<v Speaker 2>accused of horrendous behavior who I've been investigating for the

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<v Speaker 2>past four years, a photographer named Luis.

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<v Speaker 4>Do you guys know the vehicles we're looking for?

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<v Speaker 2>So a model that was shooting with Luis yesterday uploaded

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<v Speaker 2>a video of them doing some shooting in some sort

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<v Speaker 2>of white car.

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<v Speaker 3>There's a problem.

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<v Speaker 2>We've been staking out the hotel for eight hours and

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<v Speaker 2>there's been no sign of him anywhere. Oh now, just

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<v Speaker 2>got this horrible anxiety of like what if he left

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<v Speaker 2>last night or early this morning and he's just not

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<v Speaker 2>here anymore.

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<v Speaker 3>Suddenly we spot something Oh my god, that looked like him.

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<v Speaker 2>Yeah.

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<v Speaker 4>Fuck, okay, shit shit shit, shit shit.

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<v Speaker 2>Our agent gets on the phone to another security guard

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<v Speaker 2>who's been monitoring a separate entrance, and jeep four by

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<v Speaker 2>just came to the back.

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<v Speaker 5>Looks like a wagon. Ear take a look at the

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<v Speaker 5>mail in it. It's a male.

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<v Speaker 2>Subject wearing a ball cap.

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<v Speaker 5>Windows are down.

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<v Speaker 3>We start to move, letting our third and final agent though.

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<v Speaker 1>Hey start looking for a looks like a jeep.

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<v Speaker 2>Not a jeep Cherokee, but an actual jeep.

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<v Speaker 3>The jeep comes into vision again.

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<v Speaker 4>Okay, I've got it up front.

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<v Speaker 2>We slip into the traffic behind the car and follow

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<v Speaker 2>it as it weaves down a busy boulevard.

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<v Speaker 1>Okay, you guys, get up front and copy this plate.

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<v Speaker 5>Get a camera out, Get a camera out.

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<v Speaker 3>The jeep makes a sudden turn. It's picking up speed.

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<v Speaker 2>This guy I think he does. We're followeeno. The jeep's

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<v Speaker 2>heading north, away from the strip, the casinos and the

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<v Speaker 2>hotel complex. He's going towards the desert with red canyons

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<v Speaker 2>stretching out in all directions.

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<v Speaker 3>As we slip onto a dirt road, we're moving closer.

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<v Speaker 2>Oh yeah. As we gain on him, He's winding and weaving,

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<v Speaker 2>trying to shake us.

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<v Speaker 3>This is so intense. We get ready to face him.

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<v Speaker 3>I'm just gonna pull right at Barney.

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<v Speaker 2>I can't believe that I might finally be coming face

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<v Speaker 2>to face with the man I've been after since twenty twenty.

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<v Speaker 2>Suddenly the jeep speed drops. We lurched the side after him,

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<v Speaker 2>slamming on the brakes.

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<v Speaker 4>Let's see, he's gonna all over.

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<v Speaker 3>It all comes down to this.

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<v Speaker 2>The story of how I came to be chasing that

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<v Speaker 2>jeep through the Nevada Desert began in the summer of

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<v Speaker 2>twenty twenty. What started as an investigation into one man

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<v Speaker 2>ended up going much much deeper.

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<v Speaker 3>It became a.

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<v Speaker 2>Journey into the fringes of the sex industry, a world

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<v Speaker 2>full of smoke and mirrors where exploitation is rife. Unraveling

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<v Speaker 2>this story has taken years and has sent me around

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<v Speaker 2>the world as I uncovered a rotten industry with scams

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<v Speaker 2>more outlandish than I ever thought possible, a world where dreams.

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<v Speaker 3>Are twisted into nightmares.

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<v Speaker 2>But I'd never have taken on this mission if it

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<v Speaker 2>weren't for a group of around a dozen brave women

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<v Speaker 2>who came together first to share their allegations of abuse.

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<v Speaker 2>I'm Ellie Flynn and from the team at Novel. This

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<v Speaker 2>is the Bunny Trap, Episode one the group chat.

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<v Speaker 3>It all began with an email.

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<v Speaker 2>I'm an investigative journalist and I've dug into a lot

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<v Speaker 2>of different stories over the years, but mostly my work's

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<v Speaker 2>about women and the abuses and injustices they face. A

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<v Speaker 2>fair bit of that has taken me into the sex industry,

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<v Speaker 2>where experiences of abuse are depressingly common. I get a

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<v Speaker 2>lot of emails tipping me off about news stories, and

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<v Speaker 2>most of the time they don't lead anywhere. But every

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<v Speaker 2>now and then you get a tip that catches your attention.

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<v Speaker 3>It's like you get a.

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<v Speaker 2>Gut feeling that this could be something big, and this

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<v Speaker 2>email was one of them. It was addressed to me

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<v Speaker 2>and the news desks of twelve international newspapers. The subject

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<v Speaker 2>line read sexually abused by Playboy photographer. The writers were

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<v Speaker 2>a group of models on a mission to expose the

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<v Speaker 2>alleged behavior of a glamour photographer named Luis Gomes. If

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<v Speaker 2>you grew up in the UK like me, you probably

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<v Speaker 2>know what I mean by the glamour industry. It's basically

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<v Speaker 2>soft porn, adult modeling, anything from lingerie and bikinis to

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<v Speaker 2>nude centerfold spreads. It used to be all about magazines,

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<v Speaker 2>but now it's mainly moved online. In a London recording studio,

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<v Speaker 2>I'm meeting one of the models behind that email.

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<v Speaker 4>I love your bag. It's fake?

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<v Speaker 3>Oh is it so good?

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<v Speaker 4>My real bags? Because I just trashed them.

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<v Speaker 2>Yeah, obviously we're not here to talk about her bag.

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<v Speaker 2>We're here to talk about Luis Gomes, who, I want

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<v Speaker 2>to be clear, is the photographer based in Austin, Texas.

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<v Speaker 2>There are other photographers named Luis Gomes around the world,

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<v Speaker 2>but I'm not talking about them.

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<v Speaker 3>What do you want me to call you?

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<v Speaker 4>Emily's fine?

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<v Speaker 3>Is that fine? Yeah?

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<v Speaker 2>Emily's in her late twenties. We're not using her last

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<v Speaker 2>name because it's risky for glammor models to reveal their

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<v Speaker 2>real identities online, so in her work she goes by

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<v Speaker 2>a pseudonym, Emily Ray. On Instagram, Emily's your quintessential modern

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<v Speaker 2>day glamor model. Her profile is littered with glamorous photos

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<v Speaker 2>of her in lingerie or latex costumes. But the first

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<v Speaker 2>thing Emily wants me to know is that she's much

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<v Speaker 2>more than her sex bond persona.

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<v Speaker 1>I am very goofy. I am so goofy. I'm a

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<v Speaker 1>bit of a nerd. I am the most squishy emotional person.

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<v Speaker 1>I cry at the Andrex advert with the puppies. I

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<v Speaker 1>love musical theater. I'm just a regular person and people

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<v Speaker 1>do forget actually that we.

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<v Speaker 4>Are real people. I'm a big family.

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<v Speaker 2>Emily grew up in a market town in the southeast

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<v Speaker 2>of England with her mum, dad and brother, and it

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<v Speaker 2>was there, in her completely normal, far from glamorous home

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<v Speaker 2>that she first became interested in glamor modeling. In the

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<v Speaker 2>early noughties, when Emily was around eleven years old, she

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<v Speaker 2>saw something in her older brother's bedroom.

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<v Speaker 1>This massive poster of this blonde girl dressed in an

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<v Speaker 1>army outfit and she had these tiny little shorts on,

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<v Speaker 1>fake bullets, blonde hair, big eyelashes, and these massive, massive boobs.

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<v Speaker 2>She'd creep into her brother's room when he was out

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<v Speaker 2>with his mates just to stare at this poster. To

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<v Speaker 2>little Emily, who was skinny and a bit of a tomboy,

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<v Speaker 2>the model in the poster represented everything she longed to be,

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<v Speaker 2>but it was about much more than just her massive,

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<v Speaker 2>massive boobs.

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<v Speaker 1>She looks so sexy and happy and like she looked

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<v Speaker 1>like a strong, independent female.

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<v Speaker 3>Like her confidence. That's what Emily wanted the most.

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<v Speaker 2>Let me take you back to Britain in the early

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<v Speaker 2>noughties when I was growing up. Craig David and the

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<v Speaker 2>Sugar Babes are on the radio, the Olsen Twins are

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<v Speaker 2>on TV, and glamour magazines are everywhere. I remember standing

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<v Speaker 2>outside the newsagents with my mates, all of us sniggering

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<v Speaker 2>as we passed around copies of FHM, feeling my cheeks

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<v Speaker 2>go bright red as we leave through page after page

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<v Speaker 2>of gorgeous women in skimpy bikinis. It felt funny and embarrassing,

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<v Speaker 2>but also we secretly aspired to be like those girls.

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<v Speaker 2>There was just something about the models in those days.

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<v Speaker 2>It wasn't just their looks, hour glass figures, perfect teeth

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<v Speaker 2>and big boobs.

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<v Speaker 3>It was something else.

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<v Speaker 2>They had a kind of relatability that didn't exist on

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<v Speaker 2>high fashion catwalks. Glamour girls were cheeky, they had a

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<v Speaker 2>sense of humor. They seemed like they'd be fun to

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<v Speaker 2>hang out with, which, of course, for young girls like Emily,

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<v Speaker 2>was the point.

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<v Speaker 1>I just loved the look, and then that sort of

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<v Speaker 1>started a I'd love to be a glamor model, but

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<v Speaker 1>I don't look like that.

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<v Speaker 3>So Emily gave up on the dream.

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<v Speaker 2>She finished school, worked a series of jobs, and got

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<v Speaker 2>a steady boyfriend. But one day in twenty eighteen, her

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<v Speaker 2>boyfriend introduced her to OnlyFans. OnlyFans burst onto the scene

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<v Speaker 2>in twenty sixteen. It's an online platform, but unlike Instagram

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<v Speaker 2>and Facebook, its subscription model means followers have to pay

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<v Speaker 2>to see your posts. It also allows explicit content for

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<v Speaker 2>the sex industry, it changed everything. It blurred the lines

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<v Speaker 2>between influencing glamor modeling and sex work and opened the

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<v Speaker 2>doors to anyone who wanted to post explicit content for cash.

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<v Speaker 1>I thought, well, I used to take pictures of myself

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<v Speaker 1>from lingerie all the time. I had two years worth

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<v Speaker 1>of photos on my camera roll.

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<v Speaker 4>So I was like, kil what have I got to lose?

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<v Speaker 2>She unlocked her phone and started browsing for the perfect

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<v Speaker 2>first post.

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<v Speaker 1>I think it was a thirty second video of me

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<v Speaker 1>pulling shorts over my bum. You can just hear the

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<v Speaker 1>as the jeans go up open my bum and this

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<v Speaker 1>little jiggle, and I absolutely loved it.

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<v Speaker 4>I was like, that will be the first one.

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<v Speaker 1>So I uploaded and I started advertising it on my

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<v Speaker 1>social media and it just took off.

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<v Speaker 2>To Emily's surprise, dozens of people started subscribing to her

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<v Speaker 2>only Fans account, and then hundreds.

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<v Speaker 3>She was kind of a hit, and with each new

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<v Speaker 3>fan she got paid.

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<v Speaker 1>And then you go on your balanced and you keep

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<v Speaker 1>refreshing it, and it's just going up and up and

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<v Speaker 1>up and up.

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<v Speaker 2>Emily says that in her first twenty four hours on

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<v Speaker 2>the site, she made about two grand and.

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<v Speaker 1>I thought, oh my god, if I can keep this

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<v Speaker 1>up for six months, I'll quit my job.

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<v Speaker 3>And that's exactly what happened.

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<v Speaker 2>Soon OnlyFans was her full time job, led by her

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<v Speaker 2>online autery.

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<v Speaker 3>Emily Ray, You've.

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<v Speaker 1>Got to get out of bed and you've got to

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<v Speaker 1>create the content otherwise you're not going to get paid.

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<v Speaker 1>So there was a bit of anxiety, but nice to

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<v Speaker 1>know that your sort of destinies in your hands.

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<v Speaker 4>It's not somebody else's decision to make. I had the

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<v Speaker 4>free run of the world. It was lovely.

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<v Speaker 2>A typical post might be a photo of Emily Ray

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<v Speaker 2>in a lingeriser, something like a lace balconet bra with

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<v Speaker 2>a thong and suspenders. She's usually on her bed with

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<v Speaker 2>a sultry half smile or pout, a tattoo of a

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<v Speaker 2>rose winding around her waist. Her captions are short, snappy,

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<v Speaker 2>and often flirty, like the one of her looking sunkissed

0:13:38.559 --> 0:13:43.280
<v Speaker 2>on holiday that says Pamela t Anderson, she ooses confidence

0:13:43.360 --> 0:13:48.640
<v Speaker 2>and sex appeal. Emily Ray was strong and tough, sexually empowered.

0:13:48.960 --> 0:13:52.640
<v Speaker 2>She didn't take any shit, and her fans ate it up.

0:13:53.440 --> 0:13:55.720
<v Speaker 2>But the Emily Ray persona was also a way for

0:13:55.760 --> 0:13:58.480
<v Speaker 2>the real Emily to come to terms with a difficult past.

0:13:59.480 --> 0:14:04.120
<v Speaker 1>I suffered trauma, a sexual abuse thing when I was fifteen,

0:14:05.760 --> 0:14:07.880
<v Speaker 1>so that's always been in my mind. That's always been

0:14:07.880 --> 0:14:10.480
<v Speaker 1>a big, big part of me, but I didn't really

0:14:10.480 --> 0:14:13.400
<v Speaker 1>talk about it for a long time. I found it

0:14:13.480 --> 0:14:18.000
<v Speaker 1>quite liberating doing only Fans because I regained control of

0:14:18.080 --> 0:14:21.200
<v Speaker 1>my body and I was getting almost like reparations I

0:14:21.240 --> 0:14:23.200
<v Speaker 1>call it from men.

0:14:23.720 --> 0:14:25.240
<v Speaker 4>Not that it was all men that hurt me.

0:14:25.720 --> 0:14:28.280
<v Speaker 1>But it just felt like it was nice to get

0:14:28.280 --> 0:14:32.040
<v Speaker 1>that control back and have control over my images and

0:14:32.080 --> 0:14:34.240
<v Speaker 1>my body, and I think that helped me cope.

0:14:35.720 --> 0:14:39.040
<v Speaker 2>When Emily started doing OnlyFans, it didn't take long for

0:14:39.120 --> 0:14:41.760
<v Speaker 2>her to go all in. What photos and videos did

0:14:41.800 --> 0:14:45.880
<v Speaker 2>you post on OnlyFans when you first started cool?

0:14:46.760 --> 0:14:49.560
<v Speaker 1>I went straight into it, Honestly, I did not hold back,

0:14:50.000 --> 0:14:51.520
<v Speaker 1>putting everything out there from day dot.

0:14:52.320 --> 0:14:55.680
<v Speaker 2>Overnight, her boyfriend became her own personal photographer.

0:14:56.080 --> 0:14:58.240
<v Speaker 4>If I was going for a shower, he would literally

0:14:58.280 --> 0:14:59.200
<v Speaker 4>be there by the door.

0:14:59.240 --> 0:15:01.560
<v Speaker 1>I'm like, can you oh wait, I just want five minutes,

0:15:02.000 --> 0:15:03.880
<v Speaker 1>five minutes of peace to wash my hair.

0:15:05.200 --> 0:15:08.880
<v Speaker 2>They quickly graduated to filming sex scenes together. It's not

0:15:08.920 --> 0:15:11.920
<v Speaker 2>something everyone on OnlyFans does, but it is pretty common.

0:15:12.320 --> 0:15:15.360
<v Speaker 4>There was filming couple stuff. Extreme levels.

0:15:16.080 --> 0:15:21.680
<v Speaker 2>Levels are a crucial concept in the glamour world. All

0:15:21.760 --> 0:15:25.360
<v Speaker 2>models know the different levels because they're about boundaries about

0:15:25.360 --> 0:15:27.600
<v Speaker 2>how much of your body you're willing to expose.

0:15:28.120 --> 0:15:33.360
<v Speaker 1>With glamour, you can do lingerie topless implied nude, which

0:15:33.400 --> 0:15:37.480
<v Speaker 1>is where you would essentially, for example, have your legs open,

0:15:37.480 --> 0:15:41.440
<v Speaker 1>but you have your hand in front of your genitals,

0:15:41.800 --> 0:15:44.160
<v Speaker 1>so you're fully nude but there's nothing on show. You've

0:15:44.200 --> 0:15:47.200
<v Speaker 1>got obviously full nude, and then you've got explicit, which

0:15:47.240 --> 0:15:49.080
<v Speaker 1>is when you move towards sort of like the porn.

0:15:48.840 --> 0:15:54.080
<v Speaker 2>Industry, but Here's another important thing about levels. They can

0:15:54.160 --> 0:15:58.120
<v Speaker 2>change depending on who's behind the camera. Just because Emily

0:15:58.240 --> 0:16:01.680
<v Speaker 2>had high levels and was comfortable filming open leg herself,

0:16:02.040 --> 0:16:04.840
<v Speaker 2>that doesn't mean that she'd be comfortable with anyone else

0:16:04.920 --> 0:16:08.440
<v Speaker 2>filming her that way. But with her boyfriend behind the camera,

0:16:08.880 --> 0:16:12.600
<v Speaker 2>Emily was happy, and soon she was earning up to

0:16:12.720 --> 0:16:16.160
<v Speaker 2>eight grand a month. She did so well that she

0:16:16.200 --> 0:16:21.000
<v Speaker 2>bought a house with her earnings. In twenty twenty, COVID

0:16:21.080 --> 0:16:25.160
<v Speaker 2>hit and after an early boom on OnlyFans, Emily's incomes

0:16:25.200 --> 0:16:27.200
<v Speaker 2>started to drop and I.

0:16:27.280 --> 0:16:29.880
<v Speaker 1>Was starting stressing about money because of my mortgage payments.

0:16:29.920 --> 0:16:31.800
<v Speaker 1>You know, I've got used to living a lifestyle.

0:16:32.040 --> 0:16:35.000
<v Speaker 2>All that forward momentum was gone. She wondered if this

0:16:35.120 --> 0:16:37.600
<v Speaker 2>was the end of her financial freedom and also the

0:16:37.680 --> 0:16:39.720
<v Speaker 2>end of the modeling career that she dreamed about all

0:16:39.760 --> 0:16:44.720
<v Speaker 2>her life. But then she caught a photographer's attention, who

0:16:44.720 --> 0:16:47.240
<v Speaker 2>said he shot for one of the most iconic glamour

0:16:47.320 --> 0:16:51.680
<v Speaker 2>brands in the world, Playboy magazine, and that he wanted

0:16:51.720 --> 0:17:19.679
<v Speaker 2>to make her a star. In the spring of twenty twenty,

0:17:19.960 --> 0:17:22.640
<v Speaker 2>when the world was under lockdown and Emily was desperate

0:17:22.640 --> 0:17:28.439
<v Speaker 2>for opportunities, a photographer named Luis Gomez messaged her he

0:17:28.520 --> 0:17:30.320
<v Speaker 2>was coming to the UK as soon as the board

0:17:30.320 --> 0:17:32.800
<v Speaker 2>has opened up and he wanted to shoot with her.

0:17:34.080 --> 0:17:35.280
<v Speaker 3>Emily had heard of Luis.

0:17:35.760 --> 0:17:38.240
<v Speaker 1>I thought he was an amazing photographer. I'd always admired

0:17:38.280 --> 0:17:38.720
<v Speaker 1>his work.

0:17:39.600 --> 0:17:42.320
<v Speaker 2>He's from Venezuela but had been based in the United

0:17:42.359 --> 0:17:46.119
<v Speaker 2>States for years. He did photoshoots all over the world,

0:17:46.520 --> 0:17:50.200
<v Speaker 2>had forty five thousand Instagram followers and was a big

0:17:50.440 --> 0:17:54.919
<v Speaker 2>deal in the industry. Instagram is, without a doubt, the

0:17:54.960 --> 0:17:58.600
<v Speaker 2>foundation of a successful career in glamour. It's where photographers

0:17:58.640 --> 0:18:01.840
<v Speaker 2>and models find each other, where everyone builds their reputation.

0:18:02.760 --> 0:18:06.399
<v Speaker 2>Luisa's profile was full of photos he'd taken of women

0:18:06.480 --> 0:18:07.879
<v Speaker 2>on Playboy covers.

0:18:10.800 --> 0:18:13.959
<v Speaker 3>And how big a deal was Playboy to you at

0:18:13.960 --> 0:18:14.359
<v Speaker 3>the time.

0:18:15.119 --> 0:18:17.879
<v Speaker 1>It's just the name, I think, the legacy. You know,

0:18:17.920 --> 0:18:22.399
<v Speaker 1>everybody loves Playboy. Everybody knows Playboy. It's universal. It just

0:18:22.520 --> 0:18:25.920
<v Speaker 1>sort of became a little dream that I didn't really

0:18:25.960 --> 0:18:28.159
<v Speaker 1>know that i'd had, because I still love Playboy. Just

0:18:28.240 --> 0:18:32.959
<v Speaker 1>have the necklace, the watch, the bedding all of us

0:18:32.960 --> 0:18:34.080
<v Speaker 1>did remember.

0:18:34.480 --> 0:18:36.560
<v Speaker 3>I remember one of my friends had it as a wallpaper.

0:18:37.160 --> 0:18:40.720
<v Speaker 2>It's crazy, insane as it seems now there was once

0:18:40.760 --> 0:18:45.080
<v Speaker 2>a time where preteen girls in the UK loved Playboy.

0:18:45.200 --> 0:18:48.600
<v Speaker 2>The bunny logo was a staple of Naughty's Fashion and

0:18:48.680 --> 0:18:51.840
<v Speaker 2>The Girls next Door. The reality TV program showing life

0:18:51.880 --> 0:18:55.480
<v Speaker 2>inside the Playboy Mansion ran for season after season.

0:18:56.320 --> 0:18:57.440
<v Speaker 3>It had this very.

0:18:57.240 --> 0:19:00.560
<v Speaker 2>Catchy theme tune about candy that invite you into the

0:19:00.560 --> 0:19:01.400
<v Speaker 2>world of Playboy.

0:19:02.440 --> 0:19:03.800
<v Speaker 4>Welcome to the Playboy Mansion.

0:19:04.000 --> 0:19:06.800
<v Speaker 3>Come on to my house and the house I'm gone,

0:19:07.040 --> 0:19:07.480
<v Speaker 3>give me.

0:19:09.200 --> 0:19:09.640
<v Speaker 4>Good morning.

0:19:11.080 --> 0:19:12.800
<v Speaker 2>I could probably have told you the names of more

0:19:12.840 --> 0:19:14.960
<v Speaker 2>people living in the Playboy Mansion than I could have

0:19:14.960 --> 0:19:17.440
<v Speaker 2>world leaders at the time. But Playboys and Law was

0:19:17.480 --> 0:19:20.159
<v Speaker 2>about more than cute March and Hugh Hefner. It was

0:19:20.200 --> 0:19:24.959
<v Speaker 2>about fame, beauty, and most of all, power. For Emily,

0:19:25.480 --> 0:19:29.000
<v Speaker 2>it wasn't just about clout or fulfilling a childhood fantasy.

0:19:29.119 --> 0:19:31.879
<v Speaker 2>She also saw being published in Playboy as a huge

0:19:32.000 --> 0:19:36.280
<v Speaker 2>business opportunity. This was a chance to set herself apart

0:19:36.320 --> 0:19:40.000
<v Speaker 2>from all the other thousands of models on Instagram and OnlyFans.

0:19:40.720 --> 0:19:42.960
<v Speaker 2>Maybe this could lead to a ton of new followers.

0:19:43.359 --> 0:19:46.200
<v Speaker 2>Maybe big brands would want to work with her. I mean,

0:19:46.400 --> 0:19:51.480
<v Speaker 2>this could be huge. Luis could be the one to

0:19:51.520 --> 0:19:54.320
<v Speaker 2>help her get there. But if she wanted him, a

0:19:54.320 --> 0:19:57.960
<v Speaker 2>Playboy photographer, to take her photos, she'd have to pay

0:19:58.560 --> 0:19:59.000
<v Speaker 2>a lot.

0:20:00.400 --> 0:20:02.639
<v Speaker 1>The rates to shoot with him were sort of like

0:20:02.800 --> 0:20:06.879
<v Speaker 1>three thousand pounds up if you wanted to pay for it.

0:20:06.960 --> 0:20:09.920
<v Speaker 2>This might sound weird. Louise asked Emily to shoot. Why

0:20:10.000 --> 0:20:13.200
<v Speaker 2>is she paying? But actually it's pretty common for models

0:20:13.200 --> 0:20:15.760
<v Speaker 2>to pay photographers. It's like an actor paying for a

0:20:15.800 --> 0:20:18.160
<v Speaker 2>new headshot. But his rates were too expensive.

0:20:18.560 --> 0:20:19.640
<v Speaker 4>I said I can't. I'm sorry.

0:20:19.680 --> 0:20:21.240
<v Speaker 1>I don't have any spare money. It's all tied up

0:20:21.240 --> 0:20:23.120
<v Speaker 1>in my new house. And then he said, yeah, that's fine.

0:20:23.280 --> 0:20:26.120
<v Speaker 1>We'll give you a golden ticket. We give out golden tickets.

0:20:28.560 --> 0:20:33.240
<v Speaker 2>A golden ticket the chance to shoot with Luis Gomez

0:20:33.600 --> 0:20:36.560
<v Speaker 2>world class photos that might just get published in Playboy,

0:20:36.960 --> 0:20:37.680
<v Speaker 2>all for free.

0:20:38.240 --> 0:20:41.440
<v Speaker 1>I thought it was this Charlie the chocolate factory. So yeah,

0:20:41.640 --> 0:20:45.000
<v Speaker 1>got my golden ticket and we booked a shoot date.

0:20:51.600 --> 0:20:55.600
<v Speaker 2>On August eighth, twenty twenty, a swelteringly hot summer day.

0:20:56.240 --> 0:20:58.840
<v Speaker 2>Emily arrives at the venue Louise has chosen for the shoot.

0:20:59.440 --> 0:21:03.240
<v Speaker 2>It's an air in a victorian townhouse in London. It's

0:21:03.280 --> 0:21:05.239
<v Speaker 2>taken Emily a couple of hours to get here from

0:21:05.280 --> 0:21:07.520
<v Speaker 2>the town where she lives. She's going to stay in

0:21:07.520 --> 0:21:10.280
<v Speaker 2>a hotel nearby and is lugging a suitcase of outfit

0:21:10.320 --> 0:21:14.119
<v Speaker 2>options and accessories. Her friend's going to join her, because

0:21:14.160 --> 0:21:16.880
<v Speaker 2>even with a well known photographer, it's best to take

0:21:16.920 --> 0:21:20.359
<v Speaker 2>someone with you, especially for a first shoot. But her

0:21:20.359 --> 0:21:24.040
<v Speaker 2>friend's running late, so for now Emily's alone and it's

0:21:24.080 --> 0:21:26.520
<v Speaker 2>not quite the glamorous location she expected.

0:21:27.400 --> 0:21:31.560
<v Speaker 1>There were bin bags everywhere, like nappy bags, all piled

0:21:31.640 --> 0:21:34.320
<v Speaker 1>up on the porch, and I was like, surely I'm

0:21:34.359 --> 0:21:36.919
<v Speaker 1>at the wrong place. Rang the buzzer, rang the buzzer,

0:21:36.960 --> 0:21:37.520
<v Speaker 1>rang the buzzer.

0:21:37.720 --> 0:21:38.080
<v Speaker 4>Nothing.

0:21:39.160 --> 0:21:42.200
<v Speaker 3>Just when Emily's wondering if she should leave, Luise.

0:21:41.920 --> 0:21:46.959
<v Speaker 1>Comes flying down the stairs, absolutely driven with sweat and

0:21:47.119 --> 0:21:52.120
<v Speaker 1>was like hello. It was like, Hi, he's five for eight,

0:21:52.240 --> 0:21:55.920
<v Speaker 1>he's quite a strong build, dark brown hair, He's got

0:21:56.080 --> 0:21:58.760
<v Speaker 1>dark olive skin, brown eyes.

0:21:59.280 --> 0:22:02.440
<v Speaker 2>Louisa's dre all in black with a cap on backwards

0:22:02.440 --> 0:22:04.960
<v Speaker 2>and a Star Wars T shirt. He's wearing knee length

0:22:05.000 --> 0:22:09.240
<v Speaker 2>cargo shorts with pulled up socks and black lace up boots.

0:22:11.640 --> 0:22:14.359
<v Speaker 2>Luise leaves Emily into the building and up a narrow

0:22:14.400 --> 0:22:18.800
<v Speaker 2>spiral staircase. It opens up onto a landing with two bedrooms,

0:22:19.200 --> 0:22:22.560
<v Speaker 2>each with a small balcony overlooking tiny terraced gardens below.

0:22:23.320 --> 0:22:26.400
<v Speaker 2>The balcony doors are open, allowing some of the stifling

0:22:26.440 --> 0:22:32.240
<v Speaker 2>heat to escape. They walk together up to the top floor,

0:22:32.600 --> 0:22:35.240
<v Speaker 2>into a small kitchen area and sit down to talk.

0:22:35.960 --> 0:22:39.200
<v Speaker 1>He was asking me why I wanted to be in Playboy,

0:22:39.840 --> 0:22:41.960
<v Speaker 1>how long I've wanted to be in it. What are

0:22:41.960 --> 0:22:45.280
<v Speaker 1>my goals and expectations for shooting? Like, what did I

0:22:45.320 --> 0:22:46.600
<v Speaker 1>want to do going forward?

0:22:48.400 --> 0:22:50.840
<v Speaker 2>Emily says she's doing this for the exposure, for the

0:22:50.960 --> 0:22:53.880
<v Speaker 2>chance to build her portfolio and set herself apart from

0:22:53.880 --> 0:22:56.639
<v Speaker 2>the crowd, and she explains her levels for the shoot.

0:22:57.040 --> 0:23:00.360
<v Speaker 2>She's happy to shoot clothed, implied, and nude. She wants

0:23:00.400 --> 0:23:04.040
<v Speaker 2>to get a range of beautiful images. Luise tells her

0:23:04.040 --> 0:23:07.000
<v Speaker 2>he can also shoot some more X rated content for her.

0:23:07.720 --> 0:23:10.760
<v Speaker 2>Emily's open to the idea. She shoots with sex toys

0:23:10.760 --> 0:23:13.240
<v Speaker 2>for her OnlyFans, so she has a couple in her bag.

0:23:13.520 --> 0:23:15.600
<v Speaker 1>I think I literally took like one dildo and a

0:23:15.640 --> 0:23:17.199
<v Speaker 1>vibrator and that was it. It wasn't going to be

0:23:17.240 --> 0:23:19.000
<v Speaker 1>like a crazy shoot. I just thought, oh, if you've

0:23:19.000 --> 0:23:21.560
<v Speaker 1>got time at the end, then could get some cool shots,

0:23:21.760 --> 0:23:23.360
<v Speaker 1>like proper four K shots.

0:23:23.680 --> 0:23:24.320
<v Speaker 3>High levels.

0:23:24.400 --> 0:23:27.480
<v Speaker 2>Sure, But as far as Emily's concerned, Luis is a

0:23:27.480 --> 0:23:28.920
<v Speaker 2>photographer that she can trust.

0:23:29.600 --> 0:23:30.520
<v Speaker 3>I mean, he says, he.

0:23:30.480 --> 0:23:33.639
<v Speaker 2>Works with Playboy, he should be the best of the best.

0:23:34.720 --> 0:23:38.560
<v Speaker 2>But then Luise says something that puts her on edge.

0:23:39.240 --> 0:23:42.600
<v Speaker 1>He said, I'm giving you this for free because you've

0:23:42.600 --> 0:23:46.120
<v Speaker 1>got a golden ticket, so you know you're gonna stay

0:23:46.160 --> 0:23:48.040
<v Speaker 1>with me here tonight.

0:23:53.359 --> 0:23:54.440
<v Speaker 4>This was the arrangement.

0:23:54.520 --> 0:23:56.800
<v Speaker 1>You have a free photo shoot, and you spend the

0:23:56.880 --> 0:23:58.360
<v Speaker 1>night with me, and I'll take you to the top.

0:23:58.359 --> 0:24:02.119
<v Speaker 1>I'll make you a star. I said, no, what do

0:24:02.200 --> 0:24:04.840
<v Speaker 1>you mean arrangement? Why would I be staying the night.

0:24:04.880 --> 0:24:08.680
<v Speaker 1>I'm at a photo shoot. And at that moment, my heart

0:24:08.760 --> 0:24:12.240
<v Speaker 1>literally sank, my stomach flipped. I thought, oh my god,

0:24:13.320 --> 0:24:16.600
<v Speaker 1>now it's clear to me what he wants from this shoot.

0:24:17.400 --> 0:24:19.960
<v Speaker 4>Do I get up and leave? Do I just get

0:24:19.960 --> 0:24:20.720
<v Speaker 4>my stuff and go?

0:24:25.080 --> 0:24:26.840
<v Speaker 3>Just then Emily's friend arrives.

0:24:27.720 --> 0:24:29.280
<v Speaker 4>I said I need to go and let my friend in.

0:24:29.560 --> 0:24:31.639
<v Speaker 1>So I just like jumped out from the table and

0:24:31.720 --> 0:24:34.600
<v Speaker 1>ran downstairs and I opened the door, and I was like, oh.

0:24:34.440 --> 0:24:36.119
<v Speaker 4>My god, Oh my god, he thinks I'm going to

0:24:36.119 --> 0:24:36.640
<v Speaker 4>sleep with him.

0:24:36.720 --> 0:24:38.560
<v Speaker 3>And she was like, what was like, I don't.

0:24:38.359 --> 0:24:38.800
<v Speaker 4>Know what to do?

0:24:39.160 --> 0:24:41.600
<v Speaker 2>She said, you want to just go leaving with me

0:24:41.680 --> 0:24:45.080
<v Speaker 2>and passing up the biggest opportunity of her career so far.

0:24:45.800 --> 0:24:53.560
<v Speaker 2>Emily knows she might not get another chance. This silent

0:24:53.600 --> 0:24:56.280
<v Speaker 2>debate is something I know many women will relate to.

0:24:57.200 --> 0:25:00.920
<v Speaker 2>It's that internal voice quickly rattling through the possible outcomes

0:25:00.920 --> 0:25:03.760
<v Speaker 2>of a situation you're not feeling one hundred percent comfortable with.

0:25:04.720 --> 0:25:06.440
<v Speaker 2>It's keeping a smile on your face as you scan

0:25:06.560 --> 0:25:09.840
<v Speaker 2>the room for exits while simultaneously telling yourself that you're

0:25:09.880 --> 0:25:15.119
<v Speaker 2>probably overreacting. It's wanting or needing something so badly that

0:25:15.200 --> 0:25:17.359
<v Speaker 2>you silence the alarm bells sounding in your chest.

0:25:20.119 --> 0:25:21.120
<v Speaker 4>And I said, no, you're here.

0:25:21.160 --> 0:25:21.360
<v Speaker 1>Now.

0:25:21.720 --> 0:25:24.000
<v Speaker 4>I can hold my own I can look after myself.

0:25:24.400 --> 0:25:25.320
<v Speaker 4>We've come all this way.

0:25:25.800 --> 0:25:27.720
<v Speaker 1>We'll see how it goes, and if he crosses the

0:25:27.720 --> 0:25:30.120
<v Speaker 1>line again, I'll get my stuff and we'll leave.

0:25:31.160 --> 0:25:35.560
<v Speaker 2>Emily takes a deep breath, steals herself and makes her

0:25:35.600 --> 0:25:58.720
<v Speaker 2>way back inside. Upstairs, in a bedroom with high ceilings,

0:25:58.800 --> 0:26:02.320
<v Speaker 2>a four poster bed and windows draped with long white curtains.

0:26:02.840 --> 0:26:06.040
<v Speaker 2>Emily's posing in her first outfit, a short poker dot

0:26:06.119 --> 0:26:07.800
<v Speaker 2>dress and black patent hills.

0:26:08.040 --> 0:26:11.440
<v Speaker 1>I look like a housewife. I was comfortable doing that.

0:26:12.040 --> 0:26:14.440
<v Speaker 1>We had music on. It was a bit more of

0:26:14.480 --> 0:26:15.320
<v Speaker 1>a chilled vibe.

0:26:15.600 --> 0:26:18.399
<v Speaker 2>Luise gets into all sorts of positions to capture her

0:26:18.440 --> 0:26:22.080
<v Speaker 2>best angles. He's going to a lot of effort. He's

0:26:22.119 --> 0:26:25.480
<v Speaker 2>even wearing knee pads. Emily's warming up to the camera

0:26:25.560 --> 0:26:29.359
<v Speaker 2>and starting to enjoy herself. After another quick outfit change

0:26:29.400 --> 0:26:33.080
<v Speaker 2>and some more lifestyle shots, it's time for lingerie. This

0:26:33.119 --> 0:26:36.560
<v Speaker 2>could end up in Playboy after all. Emily's friend decides

0:26:36.600 --> 0:26:37.640
<v Speaker 2>to give her some privacy.

0:26:38.240 --> 0:26:40.840
<v Speaker 1>She was like, Oh, I don't want to sort of

0:26:40.920 --> 0:26:44.520
<v Speaker 1>impose because sometimes obviously you can do some risk a stuff.

0:26:44.520 --> 0:26:46.159
<v Speaker 1>And I said, oh yeah, I'll just call you if

0:26:46.200 --> 0:26:46.639
<v Speaker 1>I need you.

0:26:49.040 --> 0:26:52.000
<v Speaker 2>Emily and Luis are now alone. Emily poses by the

0:26:52.000 --> 0:26:55.640
<v Speaker 2>wall in a lazy black lingerie set. She's in her element.

0:26:56.000 --> 0:27:00.879
<v Speaker 2>She loves shooting in lingerie. Then something strange happens. Luise

0:27:00.920 --> 0:27:03.240
<v Speaker 2>puts down his camera and picks up his guitar.

0:27:08.280 --> 0:27:10.840
<v Speaker 1>He was playing his own music in the background, so

0:27:10.920 --> 0:27:12.640
<v Speaker 1>in the middle of the shoot he'd stop and he'd

0:27:12.680 --> 0:27:14.720
<v Speaker 1>get out of his guitar and he'd start playing chords

0:27:14.760 --> 0:27:16.280
<v Speaker 1>and playing along to music.

0:27:18.400 --> 0:27:22.720
<v Speaker 2>But then it shifts from weird to worse. Just a

0:27:22.800 --> 0:27:26.000
<v Speaker 2>heads up. What Emily describes next might be distressing.

0:27:30.080 --> 0:27:33.960
<v Speaker 1>It was lingerie, and then it was lingerie with my

0:27:34.040 --> 0:27:35.919
<v Speaker 1>brass strapped down, and then it was lingerie with my

0:27:36.240 --> 0:27:37.040
<v Speaker 1>off and then.

0:27:36.880 --> 0:27:38.800
<v Speaker 4>It was here, here's an ice cube.

0:27:39.040 --> 0:27:40.600
<v Speaker 1>Put it in your mouth, suck it, put it on

0:27:40.640 --> 0:27:43.560
<v Speaker 1>your nipples, you know, like, play with it. Things kind

0:27:43.560 --> 0:27:47.960
<v Speaker 1>of sort of started escalating to pornographic, and I just thought,

0:27:48.160 --> 0:27:49.440
<v Speaker 1>what is going on?

0:27:50.280 --> 0:27:53.199
<v Speaker 2>Emily racks her brain, thinking back to Luis's shots that

0:27:53.240 --> 0:27:56.359
<v Speaker 2>she'd seen on the front cover of Playboy magazines, gorgeous

0:27:56.359 --> 0:28:01.280
<v Speaker 2>girls on exostic beaches and tiny bikinis looking tall, strong, sexy,

0:28:01.880 --> 0:28:06.280
<v Speaker 2>hair flowing in the breeze, amazing makeup, flattering angles, not

0:28:06.520 --> 0:28:11.440
<v Speaker 2>ice cubes in a shitty airbnb. But then again, maybe

0:28:11.440 --> 0:28:17.359
<v Speaker 2>it's fine. After all, Playboy editorials are pretty sexy. Maybe

0:28:17.359 --> 0:28:18.920
<v Speaker 2>this is just what Playboy models do.

0:28:21.200 --> 0:28:23.800
<v Speaker 4>Okay, we'll just go with it for now.

0:28:23.920 --> 0:28:26.320
<v Speaker 1>Like he's far away, he's not near me kind of thing,

0:28:26.440 --> 0:28:27.760
<v Speaker 1>so I could deal with that.

0:28:30.160 --> 0:28:31.800
<v Speaker 3>But then Louise moves closer.

0:28:33.800 --> 0:28:36.280
<v Speaker 1>He would physically come over and grab your hand and

0:28:36.480 --> 0:28:40.000
<v Speaker 1>put it somewhere, and he was very aggressive and pushy,

0:28:41.000 --> 0:28:44.600
<v Speaker 1>and he gets very in your space and I just

0:28:44.640 --> 0:28:46.640
<v Speaker 1>sort of just went with it because you don't really

0:28:46.680 --> 0:28:51.920
<v Speaker 1>know what to do. I was just anxious and eager

0:28:51.960 --> 0:28:53.080
<v Speaker 1>for it to be over with.

0:28:55.720 --> 0:28:57.800
<v Speaker 2>Louise should know that he's not supposed to touch her,

0:28:58.200 --> 0:29:01.240
<v Speaker 2>but by now this shoot isn't feeling very professional at all.

0:29:02.160 --> 0:29:04.840
<v Speaker 2>Emily had been so excited for a glamorous sheet with

0:29:04.840 --> 0:29:07.120
<v Speaker 2>a photographer who had the power to make her name,

0:29:07.680 --> 0:29:09.800
<v Speaker 2>but it feels like he's hell bent on getting to

0:29:09.800 --> 0:29:10.840
<v Speaker 2>the OnlyFans content.

0:29:12.200 --> 0:29:16.160
<v Speaker 1>He wanted me fully nude with just heels on, like

0:29:16.280 --> 0:29:18.720
<v Speaker 1>on the bed. He was asking me to spread my legs.

0:29:19.360 --> 0:29:22.040
<v Speaker 1>Then he went in my suitcase and took out one

0:29:22.040 --> 0:29:24.600
<v Speaker 1>of my toys and sort of like throw at me

0:29:24.640 --> 0:29:25.720
<v Speaker 1>and was telling me what to.

0:29:25.600 --> 0:29:29.000
<v Speaker 2>Do with it. Emily wants to push back to focus

0:29:29.000 --> 0:29:31.560
<v Speaker 2>on the glamour shots, but her resolver is worn down,

0:29:31.920 --> 0:29:32.960
<v Speaker 2>so she does as she's told.

0:29:35.280 --> 0:29:38.720
<v Speaker 1>The way he was behind the camera, he's a very

0:29:38.720 --> 0:29:41.360
<v Speaker 1>strong presence. He's very old, do this, do that, do this,

0:29:41.520 --> 0:29:43.720
<v Speaker 1>and then it was right now, put it in you,

0:29:43.880 --> 0:29:46.280
<v Speaker 1>and then it was just going on and on and on.

0:29:47.440 --> 0:29:50.719
<v Speaker 1>I didn't mind having toys and being seductive or like

0:29:51.080 --> 0:29:52.880
<v Speaker 1>putting a toy in my mouth. It's not like I'd

0:29:52.880 --> 0:29:55.360
<v Speaker 1>never done open leg, but the way he made me

0:29:55.400 --> 0:29:58.400
<v Speaker 1>feel was very uncomfortable and dirty and horrible.

0:29:58.960 --> 0:30:01.880
<v Speaker 2>Emily thinks that if she stops the shoot now, she'll

0:30:01.880 --> 0:30:04.440
<v Speaker 2>blow the whole thing and ruin her chance to get

0:30:04.440 --> 0:30:05.160
<v Speaker 2>into Playboy.

0:30:05.800 --> 0:30:08.600
<v Speaker 1>So she rationalizes, I'll just do it and get out.

0:30:09.120 --> 0:30:11.760
<v Speaker 1>I remember just looking up at the ceiling. I'm just

0:30:11.800 --> 0:30:13.520
<v Speaker 1>thinking this is too much.

0:30:24.920 --> 0:30:28.160
<v Speaker 3>Emily notices that the room has become eerily quiet.

0:30:28.640 --> 0:30:32.680
<v Speaker 1>He stopped clicking. Yeah, he'd switched his camera from shoot

0:30:32.840 --> 0:30:33.720
<v Speaker 1>to film.

0:30:33.840 --> 0:30:37.480
<v Speaker 2>According to Emily, Luis has stopped taking photos. Now he's

0:30:37.520 --> 0:30:40.960
<v Speaker 2>taking videos. She never agreed to this, and he must have.

0:30:41.000 --> 0:30:44.480
<v Speaker 1>Been doing this for a good five minutes before I'd realized.

0:30:45.200 --> 0:30:48.080
<v Speaker 1>And he was getting closer and closer and closer to

0:30:48.120 --> 0:30:52.160
<v Speaker 1>me with this camera between my legs. His camera lens

0:30:52.920 --> 0:30:57.080
<v Speaker 1>was probably about two inches away from me. It was

0:30:57.160 --> 0:31:00.640
<v Speaker 1>basically inside me at one point. And then he was

0:31:00.680 --> 0:31:03.760
<v Speaker 1>asking to perform oral sex on him for the camera,

0:31:04.840 --> 0:31:06.920
<v Speaker 1>and I said to him, I'm not doing things like that.

0:31:07.720 --> 0:31:09.960
<v Speaker 1>He was just so pushy and persistent, and I thought,

0:31:09.960 --> 0:31:11.600
<v Speaker 1>when is he going to give up? I said no,

0:31:11.960 --> 0:31:15.640
<v Speaker 1>like no literally means no. Emily gets up and starts

0:31:15.640 --> 0:31:18.880
<v Speaker 1>putting on her clothes. She's not thinking about stardom anymore.

0:31:19.760 --> 0:31:22.200
<v Speaker 1>The thing that two hours ago she'd have done anything

0:31:22.200 --> 0:31:25.239
<v Speaker 1>to achieve, she no longer wants it, not if this

0:31:25.360 --> 0:31:25.920
<v Speaker 1>is the cost.

0:31:26.440 --> 0:31:32.800
<v Speaker 2>She doesn't care about anything except getting out of that room.

0:31:32.920 --> 0:31:35.120
<v Speaker 3>What was his proximity to you? Where was he standing?

0:31:35.440 --> 0:31:39.560
<v Speaker 1>He was very close in my breathing space. He kissed

0:31:39.560 --> 0:31:42.800
<v Speaker 1>me and he was so sweaty, and he kept going

0:31:42.840 --> 0:31:44.880
<v Speaker 1>for my mouth and I had to turn my head

0:31:45.240 --> 0:31:47.239
<v Speaker 1>and he put his hands like round my waist, and

0:31:47.280 --> 0:31:52.280
<v Speaker 1>that was enough to make me feel disgusting. He was

0:31:52.320 --> 0:31:55.880
<v Speaker 1>always touching my lower back or trying to touch my bum.

0:31:56.160 --> 0:31:59.080
<v Speaker 1>He was like, nobody has to know. I said no

0:31:59.360 --> 0:32:01.520
<v Speaker 1>and not doing that that I've told you when I

0:32:01.560 --> 0:32:04.960
<v Speaker 1>got here. That's not the arrangement. He kept saying, But

0:32:05.040 --> 0:32:06.360
<v Speaker 1>you're staying here, You're staying here.

0:32:06.560 --> 0:32:09.560
<v Speaker 4>No, I'm not, and just got my stuff and I

0:32:09.760 --> 0:32:11.800
<v Speaker 4>just left with my friend.

0:32:11.800 --> 0:32:13.560
<v Speaker 3>Which you think would have happened if your friend wasn't there.

0:32:15.920 --> 0:32:19.640
<v Speaker 1>God do you know what, I don't even want to

0:32:19.680 --> 0:32:22.400
<v Speaker 1>think about it. That's such a hard thing to think about.

0:32:24.640 --> 0:32:34.440
<v Speaker 1>I had a lucky escape, a really lucky escape. I

0:32:34.480 --> 0:32:35.920
<v Speaker 1>was like, I need to get back to my hotel

0:32:35.960 --> 0:32:36.840
<v Speaker 1>and I need to shower.

0:32:36.960 --> 0:32:38.240
<v Speaker 4>I've never felt so dirty.

0:32:38.400 --> 0:32:44.360
<v Speaker 1>I felt gross, I felt sweaty, I felt degraded. I

0:32:44.400 --> 0:32:47.080
<v Speaker 1>remember just scrubbing my skin in the shower. It's like

0:32:47.120 --> 0:32:50.120
<v Speaker 1>there's things under your skin. It's just that you can't

0:32:50.120 --> 0:32:53.040
<v Speaker 1>get something off you. Literally, somebody's got under your skin.

0:32:53.840 --> 0:32:54.720
<v Speaker 1>You can't get it out.

0:32:56.960 --> 0:33:00.040
<v Speaker 2>In the following days, Emily couldn't stop thinking about what

0:33:00.120 --> 0:33:04.920
<v Speaker 2>happened to her. It all felt somehow planned. She had

0:33:04.960 --> 0:33:07.040
<v Speaker 2>an instinct that she might not be the first model

0:33:07.080 --> 0:33:09.960
<v Speaker 2>he'd felt this way after a photo shoot with Luis Gomes.

0:33:10.400 --> 0:33:12.360
<v Speaker 1>I think I put out a post on my Instagram

0:33:12.400 --> 0:33:14.960
<v Speaker 1>story actually to see if anybody had had a bad

0:33:14.960 --> 0:33:18.920
<v Speaker 1>experience with a photographer, and I didn't name anybody, and

0:33:18.960 --> 0:33:20.880
<v Speaker 1>a lot of people that clicked yes sent me a

0:33:20.880 --> 0:33:24.880
<v Speaker 1>direct message straight away saying is this about Louis Gomas.

0:33:26.000 --> 0:33:30.280
<v Speaker 2>And suddenly Emily wasn't alone. She was one of around

0:33:30.360 --> 0:33:33.600
<v Speaker 2>a dozen pissed off models, all of the voice notes

0:33:33.600 --> 0:33:35.880
<v Speaker 2>you're about to hear are the words of real women,

0:33:36.120 --> 0:33:39.880
<v Speaker 2>but to protect their identities, some have been voiced by actors.

0:33:40.600 --> 0:33:42.720
<v Speaker 2>I couldn't really get out that he had the door locked,

0:33:42.720 --> 0:33:43.240
<v Speaker 2>he had the key.

0:33:43.280 --> 0:33:44.320
<v Speaker 4>I was the only person.

0:33:44.120 --> 0:33:46.080
<v Speaker 3>There scaring models.

0:33:46.240 --> 0:33:50.480
<v Speaker 1>He's intimidating them, preying on them, sexually harassing them.

0:33:50.680 --> 0:33:52.200
<v Speaker 3>He was fucking horrible.

0:33:52.520 --> 0:33:56.480
<v Speaker 2>He's a level pusher and a fucking dirty perve.

0:33:57.120 --> 0:34:00.320
<v Speaker 1>I'm a really like experienced model and I was modeling

0:34:00.360 --> 0:34:02.880
<v Speaker 1>for like three years before I shot with Louise, but

0:34:02.920 --> 0:34:06.440
<v Speaker 1>even he made me uncomfortable. He's like the Harvey weinscene

0:34:06.480 --> 0:34:07.800
<v Speaker 1>of the photography industry.

0:34:07.960 --> 0:34:09.400
<v Speaker 4>He's disgusting.

0:34:11.719 --> 0:34:14.120
<v Speaker 2>To Emily, it was clear that what she'd experienced with

0:34:14.200 --> 0:34:16.040
<v Speaker 2>Louise hadn't been a one off.

0:34:16.800 --> 0:34:19.920
<v Speaker 4>He's just spinning the web for you to get.

0:34:19.760 --> 0:34:23.839
<v Speaker 1>Trapped in it. Predatorish, that's the only word for it.

0:34:23.880 --> 0:34:25.360
<v Speaker 1>He is literally a predator.

0:34:26.440 --> 0:34:29.760
<v Speaker 2>It felt like these shoots weren't about the pictures or Playboy.

0:34:30.360 --> 0:34:33.200
<v Speaker 2>It felt like they were an opportunity to abuse models

0:34:33.239 --> 0:34:34.360
<v Speaker 2>behind closed doors.

0:34:35.080 --> 0:34:37.440
<v Speaker 4>We thought, we can't let this happen again.

0:34:37.760 --> 0:34:38.960
<v Speaker 3>The women organized.

0:34:41.320 --> 0:34:43.319
<v Speaker 1>I'm getting a group chat together of girls that have

0:34:43.320 --> 0:34:44.759
<v Speaker 1>all had a really bad experience.

0:34:45.120 --> 0:34:49.000
<v Speaker 2>So yeah, WhatsApp group for all the models who claimed

0:34:49.000 --> 0:34:51.600
<v Speaker 2>they'd been abused by Louise. It would be a place

0:34:51.640 --> 0:34:54.759
<v Speaker 2>to share experiences, support each other, and come up with

0:34:54.800 --> 0:34:57.399
<v Speaker 2>a plan to make sure that no other model would

0:34:57.400 --> 0:35:02.120
<v Speaker 2>shoot with Louise without hearing their allegations. First, they'd all

0:35:02.160 --> 0:35:05.640
<v Speaker 2>realized one thing Luis was hiding behind his self proclaimed

0:35:05.680 --> 0:35:07.440
<v Speaker 2>statis as a playboy photographer.

0:35:08.120 --> 0:35:10.400
<v Speaker 3>That's what had got them all in the room.

0:35:10.520 --> 0:35:11.960
<v Speaker 2>So when it came to choosing a name for the

0:35:11.960 --> 0:35:14.600
<v Speaker 2>group chat, well that was only one choice.

0:35:14.840 --> 0:35:24.560
<v Speaker 1>Fuck playboy coming up on the bunny trap?

0:35:27.440 --> 0:35:28.680
<v Speaker 3>Why do I start relying?

0:35:28.760 --> 0:35:31.680
<v Speaker 4>Oh my god, it's way darker and white, deeper than

0:35:31.719 --> 0:35:32.720
<v Speaker 4>I could every imagine.

0:35:32.800 --> 0:35:34.880
<v Speaker 2>I wanted to be cool, and I wanted to be

0:35:34.920 --> 0:35:36.720
<v Speaker 2>in the magazine, and I wanted to be in the limelight.

0:35:36.880 --> 0:35:39.840
<v Speaker 1>He said, for five thousand pounds, I could be the

0:35:39.840 --> 0:35:40.680
<v Speaker 1>playboy playmame.

0:35:40.880 --> 0:35:43.760
<v Speaker 5>If they're asking you for money, it's a scam because

0:35:44.040 --> 0:35:45.760
<v Speaker 5>why do you have to pay to be a model.

0:35:45.880 --> 0:35:48.799
<v Speaker 3>The whole industry has just changed. I was stupid in

0:35:48.880 --> 0:35:52.080
<v Speaker 3>naives because I didn't know, like, what the fuck is mam?

0:35:52.200 --> 0:35:55.920
<v Speaker 5>Right, He's everywhere and has been everywhere ladies.

0:35:56.239 --> 0:35:56.920
<v Speaker 3>I got it all.

0:35:56.960 --> 0:35:58.520
<v Speaker 4>I got it all. It's not just me.

0:35:59.120 --> 0:36:11.800
<v Speaker 5>We're an army and perison to him.

0:36:11.840 --> 0:36:14.120
<v Speaker 2>Thanks to the women who shared their stories with us.

0:36:14.840 --> 0:36:18.279
<v Speaker 2>We contacted Luis Gomez multiple times for comment, but we

0:36:18.360 --> 0:36:21.000
<v Speaker 2>never heard back. He has not been charged with any

0:36:21.040 --> 0:36:24.759
<v Speaker 2>crimes and is presumed innocent under the law. We also

0:36:24.840 --> 0:36:28.160
<v Speaker 2>sought comment from Playboy USA. They declined our request for

0:36:28.200 --> 0:36:30.560
<v Speaker 2>an interview, but you can hear their statement later in

0:36:30.600 --> 0:36:39.960
<v Speaker 2>the series. The Bonnie Trap is produced by Novel. For

0:36:40.040 --> 0:36:44.360
<v Speaker 2>more from Novel, visit novel dot Audio. The show is

0:36:44.400 --> 0:36:46.880
<v Speaker 2>hosted by me Ellie Flynn. You can find me on

0:36:46.920 --> 0:36:49.880
<v Speaker 2>social media by searching my name that's eb l i

0:36:50.000 --> 0:36:54.040
<v Speaker 2>e fy double n. This season is produced by Eleanor

0:36:54.080 --> 0:36:57.800
<v Speaker 2>Biggs and written by me Ellie Flynn and Eleen the Biggs.

0:36:58.520 --> 0:37:02.239
<v Speaker 2>Our assistant producer is Amla Sortland, with additional production from

0:37:02.280 --> 0:37:06.840
<v Speaker 2>Lee Meyer and Saskia Collette. Additional research by Valeria Rocker.

0:37:07.480 --> 0:37:11.200
<v Speaker 2>The editors are Georgia Moody and Austin Mitchell. Our executive

0:37:11.200 --> 0:37:14.960
<v Speaker 2>producers are Max O'Brien and Craig Strachan. Our fat checker

0:37:15.160 --> 0:37:20.000
<v Speaker 2>is Fendall Fulton. Production management from Scherie Houston and Charlotte Wolfe.

0:37:20.600 --> 0:37:24.719
<v Speaker 2>Sound design, mixing and scoring by Daniel Kempson and Nicholas Alexander,

0:37:25.400 --> 0:37:29.360
<v Speaker 2>Music supervision by Nicholas Alexander, Eleana Biggs and Max O'Brien.

0:37:29.800 --> 0:37:33.480
<v Speaker 2>Original music composed and performed by Jake Long, and additional

0:37:33.520 --> 0:37:37.920
<v Speaker 2>production by Nicholas Alexander, Louisa Gerstein and Daniel Kempson. The

0:37:38.040 --> 0:37:42.600
<v Speaker 2>series artwork was designed by Christina Limcole, Willard Foxton's creative

0:37:42.600 --> 0:37:46.040
<v Speaker 2>director of development. Various women from the group Chat were

0:37:46.080 --> 0:37:48.759
<v Speaker 2>voiced by Boo Miller. The theme Team You Heard was

0:37:48.760 --> 0:37:51.960
<v Speaker 2>from the TV series The Girls next Door, produced by

0:37:51.960 --> 0:37:56.920
<v Speaker 2>Fox Television Studios, Alta Loma Entertainment and Prometheus Entertainment, and

0:37:57.000 --> 0:37:57.880
<v Speaker 2>distributed by E

0:38:10.080 --> 0:38:10.480
<v Speaker 1>Novel