1 00:00:03,240 --> 00:00:05,360 Speaker 1: Hey, it is Steve Bolton and this week on in 2 00:00:05,480 --> 00:00:08,200 Speaker 1: service of Sage, Bob and I are still thrilled to 3 00:00:08,240 --> 00:00:12,039 Speaker 1: be joined by Mike Postner. Mike's an old friend. Amazing 4 00:00:12,119 --> 00:00:15,960 Speaker 1: conversation on his new music, on his place and life, 5 00:00:16,320 --> 00:00:19,280 Speaker 1: on all the things he's accomplished, whether it's climbing everest 6 00:00:19,840 --> 00:00:23,919 Speaker 1: or it's making great music. This was such a fun chat. 7 00:00:24,520 --> 00:00:26,560 Speaker 1: Mike is an incredible guy. I hope you enjoyed this 8 00:00:26,640 --> 00:00:39,839 Speaker 1: one as much as need it. This is my podcast 9 00:00:39,880 --> 00:00:42,120 Speaker 1: co host beautiful Sage. How's it going here? 10 00:00:42,120 --> 00:00:42,400 Speaker 2: Great? 11 00:00:42,560 --> 00:00:44,640 Speaker 3: Great to be here, excited to talk to you. I'm 12 00:00:44,680 --> 00:00:47,320 Speaker 3: such a fan of your music, your breath work and 13 00:00:47,320 --> 00:00:48,320 Speaker 3: the whole extraordinaire. 14 00:00:49,000 --> 00:00:49,360 Speaker 4: Thank you. 15 00:00:50,360 --> 00:00:52,600 Speaker 1: So yeah, it's you know, it's funny. I met this 16 00:00:52,680 --> 00:00:55,840 Speaker 1: woman yesterday and we were talking about stories, and you 17 00:00:55,880 --> 00:00:59,520 Speaker 1: know that first time meeting you and I had is 18 00:00:59,560 --> 00:01:01,920 Speaker 1: definitely up there. I mean I have a million stories, 19 00:01:01,960 --> 00:01:08,720 Speaker 1: but dude, I mean, you know, never forget that night 20 00:01:08,840 --> 00:01:13,800 Speaker 1: up in the dark on Moholand. Yeah, now it's funny. 21 00:01:13,800 --> 00:01:16,080 Speaker 1: I mean, it's such a weird thing. I was thinking 22 00:01:16,120 --> 00:01:19,880 Speaker 1: of you an association with grief. I heard my album 23 00:01:20,600 --> 00:01:23,560 Speaker 1: up on mohonk we went to a late listening and 24 00:01:23,600 --> 00:01:25,479 Speaker 1: it was right around the time that both of our 25 00:01:25,520 --> 00:01:28,119 Speaker 1: father your father had died and my mother had died, 26 00:01:28,600 --> 00:01:30,559 Speaker 1: and so we were just seeing up there talking about 27 00:01:30,640 --> 00:01:33,840 Speaker 1: this in this really surreal setting. But it makes for 28 00:01:33,880 --> 00:01:35,280 Speaker 1: this like lifetime bonding. 29 00:01:36,560 --> 00:01:38,240 Speaker 2: Yeah, it was a deep moment for sure. 30 00:01:38,680 --> 00:01:42,679 Speaker 1: For sure. It's funny because you feel it on this album. 31 00:01:43,040 --> 00:01:46,480 Speaker 1: You know it's a fucking great album, but you feel 32 00:01:46,560 --> 00:01:49,520 Speaker 1: it in the sense of like there's just this new 33 00:01:49,560 --> 00:01:52,680 Speaker 1: depth that comes from experience. You know that once you 34 00:01:52,760 --> 00:01:54,680 Speaker 1: have that experience, you never lose it. 35 00:01:56,200 --> 00:01:56,960 Speaker 2: Yeah, that's right. 36 00:01:57,120 --> 00:02:00,920 Speaker 4: This new album is all about album we listened to 37 00:02:01,240 --> 00:02:06,640 Speaker 4: years ago was about pain. This album is about alchemizing 38 00:02:06,680 --> 00:02:08,680 Speaker 4: the pain into beauty. 39 00:02:10,320 --> 00:02:13,320 Speaker 1: It's interesting. So for you, Yeah, I love underneath it 40 00:02:13,360 --> 00:02:17,560 Speaker 1: all and do the veil of my I mean, that's 41 00:02:17,600 --> 00:02:19,320 Speaker 1: some weird shit to put on a record, but I 42 00:02:19,360 --> 00:02:24,959 Speaker 1: love that. I love like just how consciousness it feels. 43 00:02:25,680 --> 00:02:27,120 Speaker 1: It's not a we good song to put in a 44 00:02:27,160 --> 00:02:30,840 Speaker 1: record in nineteen sixty seven or nineteen seventy. In twenty 45 00:02:30,919 --> 00:02:35,760 Speaker 1: twenty four, when everything is so superficial, it feels, you know, 46 00:02:36,280 --> 00:02:36,880 Speaker 1: very different. 47 00:02:38,320 --> 00:02:40,400 Speaker 2: Thank you take that as a compliment. 48 00:02:40,320 --> 00:02:42,000 Speaker 1: But it's a compliment is. 49 00:02:43,800 --> 00:02:45,919 Speaker 2: One of my favorite parts of that song. 50 00:02:46,800 --> 00:02:50,480 Speaker 4: Nobody knows this until now, but at the end of it, 51 00:02:50,520 --> 00:02:51,520 Speaker 4: there's kind of this. 52 00:02:53,000 --> 00:02:55,280 Speaker 2: Wushing sound almost sounds like wind on it. 53 00:02:56,120 --> 00:03:02,000 Speaker 4: And we used the software that basically scan photographs and 54 00:03:02,960 --> 00:03:08,520 Speaker 4: it analyzes the frequencies of the light of the colors 55 00:03:08,560 --> 00:03:13,760 Speaker 4: in the photograph and translates that into a sound, and 56 00:03:13,800 --> 00:03:16,880 Speaker 4: we use these sounds. And I scanned all these photographs 57 00:03:16,919 --> 00:03:19,239 Speaker 4: of people I love, some of them dead, some of 58 00:03:19,240 --> 00:03:21,480 Speaker 4: them alive, all these people that I loved in my life, 59 00:03:21,520 --> 00:03:26,120 Speaker 4: and we made that weird ethereal wishing sound almost like 60 00:03:26,240 --> 00:03:29,520 Speaker 4: wind from another world at the end of that song, 61 00:03:29,560 --> 00:03:31,720 Speaker 4: and it's just every time I hear it, it just really 62 00:03:31,760 --> 00:03:32,560 Speaker 4: means a lot to me. 63 00:03:34,760 --> 00:03:37,640 Speaker 1: Very cool. So it's funny when you started putting it together, 64 00:03:38,360 --> 00:03:41,360 Speaker 1: you know, were there photographs in there that kind of 65 00:03:42,800 --> 00:03:45,840 Speaker 1: you know, when you think about people you've lost, you know, 66 00:03:46,360 --> 00:03:49,960 Speaker 1: sometimes there are people who like kind of surprise you, 67 00:03:49,960 --> 00:03:52,040 Speaker 1: you know, because you haven't thought about them in a minute, 68 00:03:52,880 --> 00:03:56,200 Speaker 1: you know. So we're there, like, what kind of range 69 00:03:56,200 --> 00:03:57,280 Speaker 1: of people do you have in there? 70 00:03:58,440 --> 00:04:04,200 Speaker 4: It's like my father, you know, my dog, my my 71 00:04:04,280 --> 00:04:11,040 Speaker 4: friend Dawa Frent Ronnie, it's just yeah, different people from 72 00:04:11,040 --> 00:04:12,800 Speaker 4: different parts of my life. 73 00:04:14,160 --> 00:04:17,320 Speaker 1: I love that you include the dog. Yeah, I have 74 00:04:17,400 --> 00:04:18,880 Speaker 1: at that too of mine who passed. 75 00:04:19,400 --> 00:04:23,400 Speaker 2: Oh sorry, you. 76 00:04:23,360 --> 00:04:25,880 Speaker 1: Know again we've both gone through. It's part of life. 77 00:04:26,200 --> 00:04:28,600 Speaker 2: Yeah, okay, how are you doing now? 78 00:04:30,760 --> 00:04:35,120 Speaker 1: You know, just always trying to keep things interesting, doing 79 00:04:35,160 --> 00:04:36,320 Speaker 1: all kinds of different ship. 80 00:04:36,839 --> 00:04:37,000 Speaker 2: You know. 81 00:04:37,080 --> 00:04:39,760 Speaker 1: We can also catch up another time off interview, because 82 00:04:40,160 --> 00:04:42,520 Speaker 1: no one's interested in me, you know, they wanted to 83 00:04:42,520 --> 00:04:45,760 Speaker 1: know about you, you know. But yeah, I mean I'm 84 00:04:45,760 --> 00:04:48,440 Speaker 1: doing all kinds of crazy shape curating shows for MOCA 85 00:04:48,880 --> 00:04:55,040 Speaker 1: here in La. You know, just it gets boring just 86 00:04:55,080 --> 00:05:01,479 Speaker 1: doing straight you know, journalism, because it almost doesn't exist anymore, right, right, 87 00:05:02,040 --> 00:05:03,680 Speaker 1: you know so, and of course I know everybody, so 88 00:05:03,760 --> 00:05:04,600 Speaker 1: you got to keep it fun. 89 00:05:05,720 --> 00:05:08,480 Speaker 4: Yeah, your job must have just changed so much, or 90 00:05:08,520 --> 00:05:12,960 Speaker 4: the landscape on which you do your vocations have changed 91 00:05:13,000 --> 00:05:14,119 Speaker 4: so much in your career. 92 00:05:14,120 --> 00:05:15,680 Speaker 2: It's kind of crazy to think about. 93 00:05:16,760 --> 00:05:20,960 Speaker 1: Dude from when I started. Yes, but then you know, 94 00:05:21,040 --> 00:05:23,839 Speaker 1: in Stage is an incredible artist, so people are probably 95 00:05:23,839 --> 00:05:25,760 Speaker 1: more interested in Hurt than me. Like I said, you 96 00:05:25,760 --> 00:05:27,800 Speaker 1: and I can catch up a you know, off camera, 97 00:05:27,920 --> 00:05:31,000 Speaker 1: because you know, people want to hear about your album, 98 00:05:31,040 --> 00:05:33,360 Speaker 1: which is amazing. I also love the fact it's called 99 00:05:33,400 --> 00:05:36,159 Speaker 1: the Beginning because it feels like it's a new start 100 00:05:36,240 --> 00:05:41,839 Speaker 1: in a way. That title just has so much symbolism. 101 00:05:42,040 --> 00:05:46,200 Speaker 4: Yeah, thank you it. You know, like Joseph Campbe will 102 00:05:46,240 --> 00:05:48,960 Speaker 4: talk about the hero's journey, you know, and there's a beginning, 103 00:05:49,400 --> 00:05:52,320 Speaker 4: there's a call to adventure, there's the refusal of the call. 104 00:05:52,960 --> 00:05:55,200 Speaker 4: Then you go on the journey, you meet your allies, 105 00:05:55,360 --> 00:05:58,279 Speaker 4: then there's the point of no return, then there's a battle, 106 00:05:58,920 --> 00:06:02,279 Speaker 4: and then you go back to where you were, but 107 00:06:02,320 --> 00:06:07,920 Speaker 4: everything's different, you know, and uh, and when you go back, 108 00:06:08,000 --> 00:06:12,279 Speaker 4: then a new a new adventure begins. So I wrote 109 00:06:12,279 --> 00:06:16,000 Speaker 4: this album when I was at the end of a chapter. 110 00:06:16,279 --> 00:06:20,800 Speaker 4: It was dark chapter, and this was the soundtrack soundtrack 111 00:06:20,839 --> 00:06:25,880 Speaker 4: of me alchemizing that pain into beauty, alchemizing that pain 112 00:06:25,920 --> 00:06:36,800 Speaker 4: into growth, as pain plus perseverance equals growth. And my 113 00:06:37,040 --> 00:06:40,000 Speaker 4: hope is well one I just make the album because it, 114 00:06:40,320 --> 00:06:44,640 Speaker 4: you know, I needed to. But a nice byproduct would 115 00:06:44,640 --> 00:06:47,920 Speaker 4: be if it's the soundtrack to other people's journeys, other 116 00:06:47,960 --> 00:06:53,560 Speaker 4: people's alchemization of pain into beauty, if you will a 117 00:06:53,600 --> 00:06:58,400 Speaker 4: friend of mine I met last year, he said, Mike you. 118 00:06:58,400 --> 00:07:02,200 Speaker 4: You have a way of pointing towards the rainbows while 119 00:07:02,200 --> 00:07:06,000 Speaker 4: admitting that the sun doesn't always shine. And so that's 120 00:07:06,160 --> 00:07:07,479 Speaker 4: what I hope this album does. 121 00:07:08,600 --> 00:07:10,520 Speaker 1: I like that, but it's interesting. And I'll let's say 122 00:07:10,560 --> 00:07:12,840 Speaker 1: you take over one secondus. I don't want to monopolize, 123 00:07:13,040 --> 00:07:16,560 Speaker 1: but you know what you're saying about pain, you know, 124 00:07:17,120 --> 00:07:22,880 Speaker 1: plus growth equally growth, you know. I quote more often 125 00:07:22,880 --> 00:07:25,920 Speaker 1: than anyone now and interviews Nick Cave, And I'm obsessed 126 00:07:25,920 --> 00:07:28,160 Speaker 1: with Nick Cave, who's brilliant. But he once said to 127 00:07:28,200 --> 00:07:30,480 Speaker 1: me that he always, as an artist, write what is 128 00:07:30,520 --> 00:07:33,679 Speaker 1: you're longing for? And if you're happy, you write sad songs. 129 00:07:33,960 --> 00:07:36,920 Speaker 1: If you're sad, you write happy songs. So it's interesting 130 00:07:37,000 --> 00:07:40,520 Speaker 1: for you. Did this album come out of you said 131 00:07:40,560 --> 00:07:42,880 Speaker 1: it came out of a dark period. Did the eppy 132 00:07:43,000 --> 00:07:46,000 Speaker 1: nature of this come from the fact that you needed 133 00:07:46,400 --> 00:07:47,800 Speaker 1: the rainbows in your life? 134 00:07:49,880 --> 00:07:50,040 Speaker 2: Yeah? 135 00:07:50,080 --> 00:07:55,000 Speaker 4: I think that's really astute observation by mister Cave. It's 136 00:07:55,080 --> 00:08:00,360 Speaker 4: in some ways audio affirmations. You know, affirmations will say 137 00:08:00,400 --> 00:08:03,760 Speaker 4: I am strong right faith, I don't know. I love affirmations, 138 00:08:04,160 --> 00:08:07,520 Speaker 4: and these are like musical affirmations, you know, or if 139 00:08:07,520 --> 00:08:09,960 Speaker 4: you go to if you go to church, you worship, 140 00:08:10,160 --> 00:08:13,840 Speaker 4: you know, and you're essentially singing the things that you 141 00:08:13,920 --> 00:08:18,360 Speaker 4: want to become, knowing you're knowing you're not them yet, really, 142 00:08:19,320 --> 00:08:22,440 Speaker 4: and uh so, I think that's absolutely right. You know, 143 00:08:22,520 --> 00:08:27,760 Speaker 4: the album in some ways is is an invocation or 144 00:08:27,840 --> 00:08:33,280 Speaker 4: an invitation of the things I wanted to manifest, the 145 00:08:33,320 --> 00:08:34,560 Speaker 4: things I was longing for. 146 00:08:34,679 --> 00:08:36,480 Speaker 2: As he said, yes, spot on it. 147 00:08:38,160 --> 00:08:41,319 Speaker 3: I absolutely love everything you're saying speaking my language. I've 148 00:08:41,320 --> 00:08:45,080 Speaker 3: been trying to get Steeve hip to meditation and breath 149 00:08:45,080 --> 00:08:49,480 Speaker 3: work for a long time, and I absolutely love the 150 00:08:49,520 --> 00:08:52,280 Speaker 3: Inner Bloom community that you've done. I'm curious how that 151 00:08:53,920 --> 00:08:56,320 Speaker 3: the work that you've done with wim Hoff and breath 152 00:08:56,360 --> 00:09:00,439 Speaker 3: Work has influenced this album. It sounds like they've been 153 00:09:00,559 --> 00:09:03,480 Speaker 3: kind of very tied in the creation of. 154 00:09:05,880 --> 00:09:06,080 Speaker 2: Yeah. 155 00:09:06,120 --> 00:09:09,319 Speaker 4: Absolutely, Quincy Jones said, the deeper the human you are, 156 00:09:09,360 --> 00:09:14,480 Speaker 4: the deeper the artist you are. So you know, my teacher, 157 00:09:14,520 --> 00:09:16,920 Speaker 4: Norman Henry made me the time I went to the 158 00:09:18,000 --> 00:09:20,480 Speaker 4: he was my piano teacher, and I was still on 159 00:09:20,480 --> 00:09:22,199 Speaker 4: the piano bench and he'd be next to me, and 160 00:09:23,040 --> 00:09:26,040 Speaker 4: it's one day, start talking with me, and we're going 161 00:09:26,080 --> 00:09:28,960 Speaker 4: back and forth and like we have an hour lesson 162 00:09:29,000 --> 00:09:31,920 Speaker 4: it's like twenty minutes, still talking, thirty minutes, he's still 163 00:09:32,120 --> 00:09:34,280 Speaker 4: forty minutes, he's still talking, haven't played yet. 164 00:09:34,679 --> 00:09:35,520 Speaker 2: And I cut him off. 165 00:09:35,559 --> 00:09:38,360 Speaker 4: I said, Norman, shouldn't I like show you what I 166 00:09:38,400 --> 00:09:41,280 Speaker 4: practiced this week? And he said, Mike, you have to 167 00:09:41,360 --> 00:09:47,240 Speaker 4: understand everything out here, meaning life goes in here and 168 00:09:47,360 --> 00:09:50,840 Speaker 4: he pointing to the piano. And so it's all tied. 169 00:09:51,440 --> 00:09:55,400 Speaker 4: And I'm a student of life. I'm on a spiritual journey. 170 00:09:56,440 --> 00:10:00,559 Speaker 4: I'm a spiritual student and now a spiritual teacher as well. 171 00:10:01,559 --> 00:10:05,840 Speaker 4: And uh so it all goes into the album. 172 00:10:06,000 --> 00:10:06,200 Speaker 2: You know. 173 00:10:06,280 --> 00:10:13,000 Speaker 4: The only the only, the only funny thing I feel 174 00:10:13,040 --> 00:10:15,960 Speaker 4: in talking about at stage is old. 175 00:10:16,120 --> 00:10:18,280 Speaker 2: You know. It's like it's and it's been Spencer. The 176 00:10:18,320 --> 00:10:21,600 Speaker 2: bane of my existence as an artist is by. 177 00:10:21,440 --> 00:10:23,959 Speaker 4: The time I get I always get these like record 178 00:10:23,960 --> 00:10:26,440 Speaker 4: deals in order, and I get this thing mixed and mastered, 179 00:10:26,480 --> 00:10:29,160 Speaker 4: it's like a year goes by and I'm like, I'm 180 00:10:29,200 --> 00:10:31,280 Speaker 4: talking about who I was a year ago or a 181 00:10:31,360 --> 00:10:33,520 Speaker 4: year and a half ago, all the way constantly. 182 00:10:34,160 --> 00:10:37,840 Speaker 2: So that's just the only covet as I as I 183 00:10:37,880 --> 00:10:38,760 Speaker 2: speak with all this has. 184 00:10:38,920 --> 00:10:43,120 Speaker 4: So much happened since I made this album, and those 185 00:10:43,160 --> 00:10:45,760 Speaker 4: are the songs I'm writing now, but those are not 186 00:10:45,800 --> 00:10:49,120 Speaker 4: the songs that are coming out in a few days. 187 00:10:50,360 --> 00:10:52,080 Speaker 1: I was just gonna say, I'm so curious. So who 188 00:10:52,160 --> 00:10:52,640 Speaker 1: are you now? 189 00:10:52,679 --> 00:10:52,880 Speaker 2: Then? 190 00:10:53,679 --> 00:10:55,559 Speaker 1: Well, that's every artist by the way, you ask any 191 00:10:55,640 --> 00:10:58,319 Speaker 1: artists in the world, that's your favorite song, the last 192 00:10:58,320 --> 00:11:00,200 Speaker 1: one I wrote. 193 00:11:00,280 --> 00:11:04,560 Speaker 2: One, or the next one. Right now, I'm thriving. You know, 194 00:11:05,600 --> 00:11:08,120 Speaker 2: my life is the best it's ever been, for sure. 195 00:11:08,520 --> 00:11:09,920 Speaker 2: I've had a challenging week. 196 00:11:10,280 --> 00:11:12,120 Speaker 4: So you know, when you measure your life by your 197 00:11:12,200 --> 00:11:15,440 Speaker 4: last two minutes, your last two hours, or your last 198 00:11:15,480 --> 00:11:18,520 Speaker 4: two days, who knows, who knows like what you're gonna 199 00:11:18,520 --> 00:11:21,360 Speaker 4: come back with. But if you zoom out on the 200 00:11:21,400 --> 00:11:27,200 Speaker 4: aperture a little further, like the last two years, well yeah, 201 00:11:27,320 --> 00:11:30,960 Speaker 4: things are really the best thing they've ever been by far. 202 00:11:32,559 --> 00:11:34,760 Speaker 1: Interesting by the nick Cave theory, then though, that should 203 00:11:34,800 --> 00:11:38,440 Speaker 1: be you're writing a sad album. 204 00:11:38,559 --> 00:11:39,120 Speaker 2: What do you mean? 205 00:11:39,880 --> 00:11:41,480 Speaker 1: Well, like you said, you write what it is you're 206 00:11:41,520 --> 00:11:43,920 Speaker 1: longing for. So when you're happy, you write sad songs. 207 00:11:45,440 --> 00:11:47,920 Speaker 1: I'm kind of joking, but that's actually what he said. 208 00:11:48,240 --> 00:11:49,079 Speaker 2: Yeah, I don't know. 209 00:11:49,240 --> 00:11:53,280 Speaker 4: I guess when you're happy, are you longing for sadness, though. 210 00:11:54,120 --> 00:11:56,080 Speaker 1: I think I don't know as an artist, are you 211 00:11:56,120 --> 00:11:59,280 Speaker 1: longing for like that feeling of I mean sometimes you 212 00:11:59,320 --> 00:12:00,640 Speaker 1: do long for melancoligue. 213 00:12:01,960 --> 00:12:03,600 Speaker 2: Yeah, I think. I think. 214 00:12:05,880 --> 00:12:15,160 Speaker 4: Emotions like depression, cynicism, self pity are really addictive. So 215 00:12:16,800 --> 00:12:22,520 Speaker 4: if you use the verb longing, maybe that's true. But 216 00:12:22,600 --> 00:12:25,440 Speaker 4: they're but they're you can one can really indulge in 217 00:12:25,480 --> 00:12:30,000 Speaker 4: those feelings. I think it's normal to feel sadness or 218 00:12:30,040 --> 00:12:37,480 Speaker 4: guilt or scared at times, but there's a difference between 219 00:12:37,559 --> 00:12:40,280 Speaker 4: feeling it and indulging in it and making a story 220 00:12:40,280 --> 00:12:47,000 Speaker 4: out of it, and so uh yeahs human beings, sometimes 221 00:12:47,000 --> 00:12:50,800 Speaker 4: we have a have a set point. I know I've 222 00:12:50,800 --> 00:12:53,360 Speaker 4: done this in my life where things start getting really 223 00:12:53,400 --> 00:12:57,559 Speaker 4: good and I'll mess them up, like to bring them 224 00:12:57,600 --> 00:13:00,240 Speaker 4: back to like where I think I deserve things to 225 00:13:00,240 --> 00:13:05,280 Speaker 4: be and the more I have learned to love myself, 226 00:13:06,480 --> 00:13:08,600 Speaker 4: then you kind of raise that set point up. And 227 00:13:08,640 --> 00:13:13,840 Speaker 4: it's not an ego thing like just saying you know, 228 00:13:13,880 --> 00:13:16,640 Speaker 4: I deserve the best and so is everyone else. 229 00:13:18,040 --> 00:13:18,199 Speaker 2: Well. 230 00:13:18,200 --> 00:13:20,960 Speaker 1: No, It's funny though, because we interviewed this morning Lessiakara. 231 00:13:21,520 --> 00:13:24,520 Speaker 1: You know, when she was talking about how she doing, 232 00:13:25,280 --> 00:13:27,080 Speaker 1: she was awesome, but she was talking about, you know, 233 00:13:27,120 --> 00:13:30,520 Speaker 1: having never written happy songs before, and for some artists 234 00:13:30,760 --> 00:13:33,520 Speaker 1: that is a tough transition to make because now she's 235 00:13:33,559 --> 00:13:35,560 Speaker 1: in a good place, but it never written that. So 236 00:13:35,600 --> 00:13:38,720 Speaker 1: it's also interesting just as an artist. Sometimes I think you, 237 00:13:39,480 --> 00:13:42,040 Speaker 1: as an artist, feel like you can come from a 238 00:13:42,040 --> 00:13:43,439 Speaker 1: glace more of sadness. 239 00:13:45,240 --> 00:13:47,320 Speaker 2: Yeah, it's okay. 240 00:13:47,320 --> 00:13:48,960 Speaker 4: There's a couple of things that makes me think of 241 00:13:49,600 --> 00:13:59,760 Speaker 4: One is I resonate with what she shared because I 242 00:13:59,760 --> 00:14:01,880 Speaker 4: have a lot of popular songs that weren't happy, and 243 00:14:01,920 --> 00:14:04,800 Speaker 4: so it can kind of become a crutch, you know. 244 00:14:05,440 --> 00:14:07,800 Speaker 4: And see it's a it's a comfortable spot if you 245 00:14:07,920 --> 00:14:10,160 Speaker 4: if you write from that place over and over again 246 00:14:10,200 --> 00:14:14,800 Speaker 4: for years, but if you're it can become kind of 247 00:14:14,800 --> 00:14:16,800 Speaker 4: like a trap, you know, like you need to be 248 00:14:16,840 --> 00:14:19,080 Speaker 4: able to write outside of that box. 249 00:14:28,400 --> 00:14:29,720 Speaker 2: So I sink one. 250 00:14:29,840 --> 00:14:35,160 Speaker 4: And then two is there's kind of this this this 251 00:14:35,360 --> 00:14:36,840 Speaker 4: concept that I don't know if you ever heard of, 252 00:14:36,840 --> 00:14:40,720 Speaker 4: this career of like you know CEOs or these kind 253 00:14:40,720 --> 00:14:43,240 Speaker 4: of alpha males that are always in control, like they 254 00:14:43,240 --> 00:14:45,520 Speaker 4: have to make a thousand decisions every day. The buck 255 00:14:45,560 --> 00:14:49,120 Speaker 4: stops with them, and they're in control, like of their life. 256 00:14:49,680 --> 00:14:51,320 Speaker 2: And what are they into sexually? 257 00:14:51,680 --> 00:14:53,920 Speaker 4: They want to lose control, they want to get tied up, 258 00:14:53,960 --> 00:14:57,320 Speaker 4: they want to get like, you know, dominated right, And 259 00:14:57,480 --> 00:14:58,680 Speaker 4: so the. 260 00:14:58,680 --> 00:15:01,760 Speaker 2: Same kind of concept is is true, can be true. 261 00:15:01,800 --> 00:15:05,480 Speaker 4: I think of artists where they walk around really happy 262 00:15:06,000 --> 00:15:08,880 Speaker 4: and they never express their sadness in their life or 263 00:15:08,880 --> 00:15:11,400 Speaker 4: they don't have the skills too. Then all the sadness 264 00:15:11,440 --> 00:15:13,960 Speaker 4: goes into the music and vice versa. You like to 265 00:15:13,960 --> 00:15:15,520 Speaker 4: walk around really sad like. 266 00:15:16,840 --> 00:15:20,200 Speaker 2: I had this conversation with Jason Maraz before because I 267 00:15:20,240 --> 00:15:22,760 Speaker 2: was like, Dude, my songs are sad. Everyone thinks I'm sad, 268 00:15:22,760 --> 00:15:25,080 Speaker 2: but I'm actually happy in your life, and music is 269 00:15:25,080 --> 00:15:27,040 Speaker 2: the opposite With me. I'm like, I'm kind of. 270 00:15:27,000 --> 00:15:29,240 Speaker 4: Sad, but my music is happy, and everyone thinks I'm 271 00:15:29,240 --> 00:15:32,040 Speaker 4: a happy guy and I'm not. And so it's a 272 00:15:32,040 --> 00:15:35,640 Speaker 4: little bit of that can take place with artists as well. 273 00:15:36,520 --> 00:15:36,680 Speaker 2: Well. 274 00:15:36,680 --> 00:15:38,560 Speaker 1: It's interesting and then says I'm gonna let you take 275 00:15:38,560 --> 00:15:41,480 Speaker 1: over in the second guys, again, I'm monopolizing. But it's 276 00:15:41,520 --> 00:15:44,000 Speaker 1: interesting because I think the other thing, of course, is 277 00:15:44,040 --> 00:15:46,760 Speaker 1: too As an artist, you just get used to something. 278 00:15:47,440 --> 00:15:50,080 Speaker 1: I've known Ozzi for many years and I interviewed Ozzy 279 00:15:50,440 --> 00:15:52,120 Speaker 1: and he was telling me that Black Rain was the 280 00:15:52,160 --> 00:15:55,000 Speaker 1: first album ever made sober and you know, had nothing 281 00:15:55,040 --> 00:15:57,520 Speaker 1: to do with happiness or sadness. But he said he 282 00:15:57,640 --> 00:16:01,480 Speaker 1: was fucking scared shitless to make an album sober because 283 00:16:01,520 --> 00:16:03,800 Speaker 1: he had never done it. So just also when you're 284 00:16:03,880 --> 00:16:06,920 Speaker 1: used to doing something, to change it up can be scary. 285 00:16:08,360 --> 00:16:10,760 Speaker 2: Yeah. Well it's like a new skill set, you know. 286 00:16:10,760 --> 00:16:13,240 Speaker 4: It's like, how do I write a happy song it's 287 00:16:13,280 --> 00:16:13,840 Speaker 4: not corny? 288 00:16:14,320 --> 00:16:17,560 Speaker 2: You know? Yeah, you gotta figure it out. 289 00:16:18,080 --> 00:16:19,960 Speaker 1: Well, I love underneath it all. I say, that's a 290 00:16:19,960 --> 00:16:21,320 Speaker 1: happy song that's not corny. 291 00:16:21,960 --> 00:16:23,560 Speaker 2: Thank you. I love that song too. 292 00:16:24,560 --> 00:16:27,400 Speaker 3: Yeah, we were both hoping you might share the story 293 00:16:27,440 --> 00:16:31,880 Speaker 3: of that song and what inspired the seed of that. 294 00:16:33,520 --> 00:16:35,200 Speaker 4: I think it's I think it's right in line with 295 00:16:35,240 --> 00:16:37,480 Speaker 4: everything we're talking about. Are you writing the thing you're 296 00:16:37,480 --> 00:16:41,720 Speaker 4: longing for? And so that song's about having a child, 297 00:16:43,960 --> 00:16:45,880 Speaker 4: which is something I very much look forward to in 298 00:16:45,920 --> 00:16:46,320 Speaker 4: my life. 299 00:16:48,920 --> 00:16:52,120 Speaker 2: And I wrote it in the studio. 300 00:16:53,200 --> 00:16:58,000 Speaker 4: With the Swedish House Mafia guys, and it just kind 301 00:16:58,000 --> 00:16:59,160 Speaker 4: of came out really fast. 302 00:16:59,320 --> 00:17:01,720 Speaker 2: I mean, my friend Martin wrote it and it was 303 00:17:01,760 --> 00:17:02,800 Speaker 2: just yeah, just great. 304 00:17:05,080 --> 00:17:08,320 Speaker 3: You have such a remarkable presence and I know it's 305 00:17:08,640 --> 00:17:13,600 Speaker 3: the you know you as your own special being and 306 00:17:13,640 --> 00:17:16,280 Speaker 3: being the channel that you are and all the inner 307 00:17:16,280 --> 00:17:19,720 Speaker 3: work that you've done. I'm curious you've shared some of 308 00:17:20,280 --> 00:17:23,320 Speaker 3: your process, your breath work with the world, but could 309 00:17:23,359 --> 00:17:27,200 Speaker 3: you break down your your rituals how you keep your 310 00:17:27,600 --> 00:17:32,720 Speaker 3: your presence so beaming, both as a creator and just 311 00:17:32,840 --> 00:17:34,800 Speaker 3: as as your day to day self. 312 00:17:36,280 --> 00:17:39,040 Speaker 2: My girlfriend's buying the camera. She's laughing at me because 313 00:17:39,080 --> 00:17:44,240 Speaker 2: she knows I'm not always beaming. Yeah, and. 314 00:17:45,880 --> 00:17:49,879 Speaker 4: She's she's a beam of light as well, she really is. 315 00:17:50,440 --> 00:17:53,359 Speaker 4: But no, it's you know, it's so easy to play 316 00:17:53,440 --> 00:17:58,840 Speaker 4: perfect online and I want to give light into the world. 317 00:17:58,920 --> 00:18:03,520 Speaker 4: So but but I have darkness too, for sure. But uh, 318 00:18:04,800 --> 00:18:06,959 Speaker 4: your question, you know, comes that interesting time because I've 319 00:18:06,960 --> 00:18:10,320 Speaker 4: had a really challenging week. We've like kind of left home. 320 00:18:11,560 --> 00:18:14,040 Speaker 4: We lived in LA and like I haven't been home 321 00:18:14,080 --> 00:18:17,119 Speaker 4: for a while, and I kind of like unsettled this week. 322 00:18:16,880 --> 00:18:20,639 Speaker 2: And what have you and at times acted like a 323 00:18:20,680 --> 00:18:27,080 Speaker 2: total baby this week. So anyways, without a caveat of humility, 324 00:18:28,400 --> 00:18:33,840 Speaker 2: my rituals include, well, one the one I've kind of 325 00:18:33,840 --> 00:18:36,560 Speaker 2: been screwing up this week is I try to really sleep. 326 00:18:37,119 --> 00:18:42,040 Speaker 4: Okay, so I turned my I have two phones, Like 327 00:18:42,119 --> 00:18:44,480 Speaker 4: this phone is like my actual phone. This is my 328 00:18:44,560 --> 00:18:48,120 Speaker 4: old phone, and I use it like an iPod, so 329 00:18:48,160 --> 00:18:53,680 Speaker 4: it just has like music and books on it, podcast 330 00:18:53,760 --> 00:18:57,680 Speaker 4: but doesn't have social media and it doesn't have texting 331 00:18:58,000 --> 00:19:00,000 Speaker 4: or email or anything like that. So no one can 332 00:19:00,119 --> 00:19:02,320 Speaker 4: no one can talk to me on this phone. And 333 00:19:02,400 --> 00:19:08,080 Speaker 4: so after like ideally seven pm, when I eat, the 334 00:19:08,119 --> 00:19:10,200 Speaker 4: real phone goes off and I just have this one, 335 00:19:11,000 --> 00:19:13,280 Speaker 4: and then I go to bed. I keep it off 336 00:19:13,400 --> 00:19:17,000 Speaker 4: until I wake up. And the first thing I do 337 00:19:17,080 --> 00:19:19,640 Speaker 4: is I try to go outside and have the light 338 00:19:19,760 --> 00:19:22,240 Speaker 4: hit my eye so my body knows it's daytime. 339 00:19:23,720 --> 00:19:25,720 Speaker 2: And then I. 340 00:19:25,720 --> 00:19:29,680 Speaker 4: Do what Tony Robbins calls incantations, which is like an 341 00:19:29,720 --> 00:19:32,280 Speaker 4: affirmation mixed with a physical. 342 00:19:33,760 --> 00:19:34,320 Speaker 2: Activation. 343 00:19:34,520 --> 00:19:36,560 Speaker 4: So ill either be running or I do ice bath, 344 00:19:36,600 --> 00:19:39,199 Speaker 4: and I'll say, like we talked about, you write the 345 00:19:39,240 --> 00:19:40,080 Speaker 4: things you're longing for. 346 00:19:40,160 --> 00:19:41,080 Speaker 2: So I'll say who I am? 347 00:19:41,600 --> 00:19:44,080 Speaker 4: I say I am joy, I am faith, I am loving, 348 00:19:44,440 --> 00:19:46,280 Speaker 4: I say I am loud. I do that for at 349 00:19:46,320 --> 00:19:51,520 Speaker 4: least ten minutes. I work out, I meditate for twenty minutes. 350 00:19:52,000 --> 00:19:56,280 Speaker 4: The flavor of meditation I've been doing lately is called 351 00:19:56,320 --> 00:20:02,639 Speaker 4: you Passion of meditation, and then I try to write. 352 00:20:03,960 --> 00:20:07,960 Speaker 4: And so right now I've been working on a book, 353 00:20:08,000 --> 00:20:10,960 Speaker 4: so I'll write, or they work on music and ideally 354 00:20:11,000 --> 00:20:12,600 Speaker 4: and like on a perfect day, I do that for. 355 00:20:12,520 --> 00:20:14,520 Speaker 2: Four hours and then I turned my phone on. 356 00:20:17,160 --> 00:20:20,520 Speaker 4: This week, I always feel like a little bit hypocritical 357 00:20:20,560 --> 00:20:23,879 Speaker 4: this week because it's like I've been I'm like messed 358 00:20:23,920 --> 00:20:25,639 Speaker 4: up a lot of my habits this week. 359 00:20:26,000 --> 00:20:30,280 Speaker 2: But yeah, it's good. 360 00:20:30,320 --> 00:20:33,600 Speaker 4: And then I also try to eat not eat before bed. 361 00:20:34,280 --> 00:20:40,080 Speaker 4: That really helps me rest. And these are kind of 362 00:20:40,119 --> 00:20:41,960 Speaker 4: my rituals. And one of the things I try to 363 00:20:41,960 --> 00:20:44,959 Speaker 4: fit in one other twenty minute meditation in the afternoon. 364 00:20:47,040 --> 00:20:49,919 Speaker 3: So you've kind of practiced. Has been a part of 365 00:20:49,960 --> 00:20:52,920 Speaker 3: your life for a long long time or was there 366 00:20:53,280 --> 00:20:59,119 Speaker 3: a year that you really stepped into these kinds of 367 00:20:59,760 --> 00:21:00,520 Speaker 3: this kind of work. 368 00:21:02,680 --> 00:21:04,000 Speaker 2: It's been sort of a snowball. 369 00:21:05,080 --> 00:21:09,359 Speaker 4: I first started meditating got ten or fifteen years ago 370 00:21:09,920 --> 00:21:12,399 Speaker 4: indirectly through Big Sean. He gave me a book and 371 00:21:12,400 --> 00:21:14,600 Speaker 4: I read another book based off that, and it got 372 00:21:14,640 --> 00:21:15,680 Speaker 4: into and I learned. 373 00:21:15,480 --> 00:21:19,480 Speaker 2: TM and you know, then you just learn more. 374 00:21:19,520 --> 00:21:22,159 Speaker 4: You learn, Like two years ago, I learned about how 375 00:21:22,200 --> 00:21:24,480 Speaker 4: important is to see the sun when you wake up 376 00:21:24,840 --> 00:21:27,280 Speaker 4: after light hit your eyes and then not see light 377 00:21:27,359 --> 00:21:30,639 Speaker 4: after the sun goes down, like the artificial light can 378 00:21:30,680 --> 00:21:31,760 Speaker 4: re interfere with the sleep. 379 00:21:32,080 --> 00:21:33,240 Speaker 2: So that's something I added on. 380 00:21:33,280 --> 00:21:36,680 Speaker 4: And then yeah, each year just adding more and more, 381 00:21:36,800 --> 00:21:38,600 Speaker 4: like things that don't serve you. 382 00:21:38,680 --> 00:21:41,040 Speaker 2: Like two years ago, I. 383 00:21:41,040 --> 00:21:44,439 Speaker 4: Stopped watching porn, you know, that was that was like 384 00:21:44,480 --> 00:21:47,880 Speaker 4: really amazing. And then like a year and a half, 385 00:21:47,920 --> 00:21:50,560 Speaker 4: I stopped masturbating all together, which I thought that would 386 00:21:50,600 --> 00:21:55,119 Speaker 4: never happen, and so yeah, it just it just builds bills. 387 00:21:55,160 --> 00:21:58,360 Speaker 4: And then like this year, I got off all social media. 388 00:21:58,520 --> 00:22:00,520 Speaker 4: So I post on social media, but a team that 389 00:22:00,560 --> 00:22:03,439 Speaker 4: does it for me, and I write the things, but 390 00:22:03,480 --> 00:22:05,560 Speaker 4: I'm off it. And then I blocked YouTube because I 391 00:22:05,600 --> 00:22:07,200 Speaker 4: was like I was on YouTube a lot. 392 00:22:07,280 --> 00:22:09,080 Speaker 2: So it just snowballs. 393 00:22:09,119 --> 00:22:14,720 Speaker 4: But the thing I think, you know, that's my ritual. 394 00:22:14,800 --> 00:22:16,480 Speaker 4: That can sound like a lot. It's like, well when 395 00:22:16,480 --> 00:22:22,120 Speaker 4: do you actually work, dude? You know, but the thing 396 00:22:22,200 --> 00:22:25,520 Speaker 4: that people want to feel is just growth. You know, 397 00:22:25,720 --> 00:22:30,080 Speaker 4: happiness comes from growth, doesn't come from getting somewhere. So 398 00:22:30,080 --> 00:22:31,880 Speaker 4: as long as you have the areas of your life 399 00:22:31,880 --> 00:22:35,200 Speaker 4: like moving in the direction you want, like your health 400 00:22:35,280 --> 00:22:38,760 Speaker 4: or your creativity, your work, like each of them. Maybe 401 00:22:38,760 --> 00:22:40,440 Speaker 4: they're not where you want them to be at the 402 00:22:40,520 --> 00:22:42,280 Speaker 4: end of the day, but there isn't no actual end 403 00:22:42,320 --> 00:22:44,080 Speaker 4: of the day until you die. 404 00:22:44,920 --> 00:22:46,840 Speaker 2: As long as you just have things moving in the 405 00:22:46,920 --> 00:22:48,600 Speaker 2: right direction, that's what feels good. 406 00:22:51,359 --> 00:22:53,720 Speaker 1: I want to go back for a second, No, because 407 00:22:53,720 --> 00:22:57,919 Speaker 1: it's funny. The worst year of my career, like was 408 00:22:58,119 --> 00:23:02,200 Speaker 1: my second contract of Rolling Stone, the third year, when 409 00:23:02,359 --> 00:23:06,240 Speaker 1: everybody would just kiss your ass constantly. It was so tiring, 410 00:23:06,840 --> 00:23:09,399 Speaker 1: and it's funny just having a girlfriend who's laughing at 411 00:23:09,400 --> 00:23:11,919 Speaker 1: you in the background help keep you so grounded and 412 00:23:12,080 --> 00:23:14,560 Speaker 1: be like, yeah, she knows I'm not like that. 413 00:23:15,960 --> 00:23:18,480 Speaker 4: Oh, it's the ultimate, you know, because when you're single, 414 00:23:18,600 --> 00:23:23,719 Speaker 4: you can you know, we talked about those addictive emotions before, 415 00:23:23,760 --> 00:23:29,919 Speaker 4: like self pity or depression or cynicism or fear or guilt. 416 00:23:31,240 --> 00:23:33,160 Speaker 4: You know, you can really dwell and when you're single, 417 00:23:33,200 --> 00:23:35,160 Speaker 4: you can dwell in those for a long time before 418 00:23:35,200 --> 00:23:38,880 Speaker 4: you realize that you're messing stuff up because it's just alone. 419 00:23:40,080 --> 00:23:43,760 Speaker 4: But when you're with another human being, the feedback loops 420 00:23:43,760 --> 00:23:46,600 Speaker 4: a lot quicker. So I think it's just, yeah, she's 421 00:23:46,760 --> 00:23:51,480 Speaker 4: really mentally healthy to share life with. 422 00:23:51,520 --> 00:23:54,560 Speaker 1: Some money and wait, tell me about the freaking book 423 00:23:54,560 --> 00:23:55,040 Speaker 1: you're writing. 424 00:23:57,119 --> 00:23:59,960 Speaker 2: The freaking book I'm writing is about my walk across America, 425 00:24:00,840 --> 00:24:04,920 Speaker 2: and I've been writing it for like a year, over 426 00:24:05,000 --> 00:24:07,280 Speaker 2: a year, which is longer than it took to walk 427 00:24:07,320 --> 00:24:12,520 Speaker 2: across America. And it's gonna be great. I'll probably come 428 00:24:12,560 --> 00:24:15,160 Speaker 2: out sometime in twenty twenty six, and still working on it. 429 00:24:18,359 --> 00:24:21,359 Speaker 1: That's always interesting for me as a writer, because you know, 430 00:24:21,400 --> 00:24:24,520 Speaker 1: you uncover so much when you're writing things you haven't 431 00:24:24,520 --> 00:24:28,080 Speaker 1: thought about whatever. Does writing this give you a lot 432 00:24:28,080 --> 00:24:31,720 Speaker 1: of insight to not only the experience, but what led 433 00:24:31,840 --> 00:24:32,800 Speaker 1: up to the experience. 434 00:24:33,119 --> 00:24:35,439 Speaker 2: Yeah, you said, it's spot on, dude. Some of the 435 00:24:35,440 --> 00:24:38,480 Speaker 2: things you I uncovered even kind of didn't want to 436 00:24:38,560 --> 00:24:42,520 Speaker 2: uncover as someone where it's so nice. But yeah, it's 437 00:24:42,560 --> 00:24:49,600 Speaker 2: a very deep experience because we each we all have. 438 00:24:50,160 --> 00:24:53,360 Speaker 4: Sort of a talk track about why we do what 439 00:24:53,400 --> 00:24:57,040 Speaker 4: we do. You think of your life story, you have 440 00:24:57,119 --> 00:25:02,760 Speaker 4: some kind of prep speech that like spews out of 441 00:25:02,880 --> 00:25:04,920 Speaker 4: one's mouth when asked, like, you know, how did you 442 00:25:05,000 --> 00:25:05,560 Speaker 4: end up here? 443 00:25:05,720 --> 00:25:06,280 Speaker 2: Or who are you? 444 00:25:07,960 --> 00:25:11,040 Speaker 4: And I've certainly had, you know, my fair share of 445 00:25:11,320 --> 00:25:15,320 Speaker 4: can canned speeches about why I walked across America. You know, 446 00:25:16,200 --> 00:25:18,280 Speaker 4: all that kind of thing that I did a lot 447 00:25:18,320 --> 00:25:21,000 Speaker 4: of interviews, but when I sat down to write, you know, 448 00:25:21,240 --> 00:25:25,080 Speaker 4: there's I think anyone that writes a book and is 449 00:25:25,119 --> 00:25:30,600 Speaker 4: committed to the truth finds there's usually a capital T 450 00:25:30,600 --> 00:25:36,280 Speaker 4: true answer that lies underneath those canned responses, and it 451 00:25:36,320 --> 00:25:42,399 Speaker 4: is dormant inside one's own heart, waiting to be uncovered. 452 00:25:43,600 --> 00:25:48,880 Speaker 4: And so writing a book isn't just going through your diary. 453 00:25:49,080 --> 00:25:56,000 Speaker 4: It's an excavation, an emotional excavation, spiritual excavation, and uncovering. 454 00:25:56,840 --> 00:26:00,840 Speaker 4: So it's been a not so subtle experience for sure. 455 00:26:02,240 --> 00:26:05,520 Speaker 1: All Right, well see, I'm gonna read the book for sure, 456 00:26:06,160 --> 00:26:08,440 Speaker 1: But now I'm so curious because we have to wait 457 00:26:08,440 --> 00:26:11,520 Speaker 1: a year for it. What is the capitalisty truth? Bind 458 00:26:11,520 --> 00:26:13,920 Speaker 1: why you did? You know? 459 00:26:13,960 --> 00:26:16,240 Speaker 2: The capital T truth is that there's more than one answer. 460 00:26:17,280 --> 00:26:25,119 Speaker 4: And well, the answer that I didn't really want to 461 00:26:25,119 --> 00:26:29,720 Speaker 4: write was that I was partially doing it for attention, 462 00:26:33,119 --> 00:26:35,919 Speaker 4: and I was pretending I was the thing I wanted 463 00:26:35,920 --> 00:26:37,919 Speaker 4: to be. When I started walking like I had a 464 00:26:37,960 --> 00:26:41,720 Speaker 4: long beard, and I you know, Justin Bieber would. 465 00:26:41,560 --> 00:26:43,640 Speaker 2: Call me and say, hey, dude, you figured it out. 466 00:26:43,680 --> 00:26:46,119 Speaker 4: Man, you're just walking away, and I'd say, yes, I 467 00:26:46,200 --> 00:26:48,880 Speaker 4: have figured it all out, like would you like some advice? 468 00:26:48,960 --> 00:26:52,320 Speaker 4: You'm justin you know, And the truth is, like I 469 00:26:52,359 --> 00:26:54,679 Speaker 4: hadn't really figured it out. I was trying to figure 470 00:26:54,720 --> 00:26:57,600 Speaker 4: it out, pretending I pretending I already had. 471 00:27:00,160 --> 00:27:02,119 Speaker 1: But that goes back to the artistic nature of what 472 00:27:02,200 --> 00:27:04,760 Speaker 1: Nick was saying. You were trying to figure it out 473 00:27:05,280 --> 00:27:07,360 Speaker 1: and you were able to do so from doing it. 474 00:27:07,760 --> 00:27:11,240 Speaker 1: So you were looking for something, you know, as an artist, 475 00:27:11,280 --> 00:27:13,520 Speaker 1: you were looking for something and the only way to 476 00:27:13,560 --> 00:27:16,800 Speaker 1: do it was to do the artistic thing and try it. 477 00:27:18,000 --> 00:27:20,800 Speaker 2: That's right, I think that's I think that's right. And 478 00:27:22,000 --> 00:27:25,720 Speaker 2: I did uncover a lot on that journey. It wasn't 479 00:27:26,040 --> 00:27:31,520 Speaker 2: all the things I expected, and yeah, it just it 480 00:27:31,640 --> 00:27:34,399 Speaker 2: changed my life in ways that anticipate. 481 00:27:47,440 --> 00:27:51,720 Speaker 3: I'm so inspired by how you are an advocate for 482 00:27:52,800 --> 00:27:56,520 Speaker 3: just becoming more you. I think a lot of people 483 00:27:56,560 --> 00:27:59,879 Speaker 3: are afraid of that journey and just the endeavor to 484 00:28:00,680 --> 00:28:05,000 Speaker 3: walk across the America, the endeavor to Mount Everest and 485 00:28:05,560 --> 00:28:09,320 Speaker 3: share this. It's just kind of inspiring everyone to endeavor 486 00:28:09,320 --> 00:28:13,520 Speaker 3: that within themselves too. And then when you look back 487 00:28:13,520 --> 00:28:18,439 Speaker 3: on those experiences, it can illuminate more of actually walking 488 00:28:18,480 --> 00:28:23,119 Speaker 3: that path. Perhaps so turning to this album, when you 489 00:28:23,160 --> 00:28:27,119 Speaker 3: look back on it, what was perhaps prophetic in it 490 00:28:27,440 --> 00:28:31,480 Speaker 3: or something that you can now understand more than you 491 00:28:31,520 --> 00:28:33,320 Speaker 3: did when you were creating it. 492 00:28:35,000 --> 00:28:43,080 Speaker 2: That's a good question. Oh, I think most notably it's probably. 493 00:28:44,640 --> 00:28:48,840 Speaker 4: My love, who we already talked about earlier. No smallest 494 00:28:48,880 --> 00:28:53,920 Speaker 4: things like you talked about underneath it All. She's quite 495 00:28:53,960 --> 00:29:00,520 Speaker 4: enjoying this interview, by the way. Yeah, we talked about 496 00:29:00,600 --> 00:29:02,480 Speaker 4: underneath it All, which was really just kind of like 497 00:29:02,520 --> 00:29:08,400 Speaker 4: a fantasy. And now I guess at least be on 498 00:29:08,480 --> 00:29:11,440 Speaker 4: the track or in striking range of being the man 499 00:29:11,440 --> 00:29:14,040 Speaker 4: that can actually have that experience is pretty cool. 500 00:29:17,160 --> 00:29:19,560 Speaker 3: If you had to tell your younger self a piece 501 00:29:19,600 --> 00:29:20,960 Speaker 3: of advice, what would you say? 502 00:29:21,560 --> 00:29:23,360 Speaker 2: You have no idea how good it's going to get? 503 00:29:27,600 --> 00:29:31,280 Speaker 2: Keep going well. 504 00:29:31,320 --> 00:29:34,080 Speaker 1: The name of the podcast is in service of you know, 505 00:29:34,160 --> 00:29:37,080 Speaker 1: which I think has you know. It's a lie about 506 00:29:37,080 --> 00:29:39,560 Speaker 1: giving back for you. What does it mean to be 507 00:29:39,600 --> 00:29:42,280 Speaker 1: in service of and how does it influence your music? 508 00:29:48,480 --> 00:29:49,920 Speaker 2: The ultimate truth. 509 00:29:49,920 --> 00:29:56,880 Speaker 4: Is I hope to be in service of God or 510 00:29:57,920 --> 00:30:02,400 Speaker 4: life with a capital L, which just just changes moment 511 00:30:02,440 --> 00:30:05,320 Speaker 4: to moment. When I try to control my own life, 512 00:30:05,360 --> 00:30:07,680 Speaker 4: things go so well. But when I just surrender and 513 00:30:09,240 --> 00:30:14,520 Speaker 4: give over control to higher power. I'm just in service 514 00:30:14,520 --> 00:30:16,160 Speaker 4: of that, and so that can look a lot of 515 00:30:16,160 --> 00:30:18,840 Speaker 4: different ways. Like you know, when I'm on stage, it 516 00:30:18,880 --> 00:30:20,480 Speaker 4: looks a little different than if I'm just in the 517 00:30:20,520 --> 00:30:25,560 Speaker 4: moment or talking with you guys, or meeting meeting someone 518 00:30:25,640 --> 00:30:28,320 Speaker 4: on the street, or you know, these kind of things. 519 00:30:28,360 --> 00:30:32,040 Speaker 2: So that's it. It's just being a service of what 520 00:30:32,360 --> 00:30:33,560 Speaker 2: the moment calls for. 521 00:30:37,920 --> 00:30:39,479 Speaker 3: Can you tell us a little bit more about the 522 00:30:39,480 --> 00:30:45,360 Speaker 3: Inner Bloom community. It was in process, now it's there. 523 00:30:45,920 --> 00:30:48,280 Speaker 2: I would love to share and invite you guys and 524 00:30:48,280 --> 00:30:52,000 Speaker 2: all your listeners to join. Inner Bloom is a community 525 00:30:52,040 --> 00:30:57,320 Speaker 2: where miracles and transformation happen and it's totally free. 526 00:30:57,480 --> 00:31:01,120 Speaker 4: There's also a free album inside that community, so if 527 00:31:01,120 --> 00:31:02,640 Speaker 4: anyone wants to join, they can just go to Mike 528 00:31:02,680 --> 00:31:06,600 Speaker 4: Posner dot com. We do a call every Thursday that 529 00:31:06,680 --> 00:31:11,840 Speaker 4: involves breath work, and really people leave that call centered, 530 00:31:13,520 --> 00:31:17,040 Speaker 4: uh and in touch with what really matters. You know, 531 00:31:17,080 --> 00:31:18,479 Speaker 4: you ever go through your week and you're just like, 532 00:31:18,800 --> 00:31:22,400 Speaker 4: I'm so caught up in everything I'm doing and and 533 00:31:22,480 --> 00:31:24,880 Speaker 4: my own melodrama this, and you can kind of just 534 00:31:24,960 --> 00:31:28,000 Speaker 4: forget what you're doing. It for that call is just 535 00:31:28,720 --> 00:31:32,320 Speaker 4: a recenter, a reconnection meant to be a reconnection to 536 00:31:33,640 --> 00:31:37,280 Speaker 4: what really matters to one's heart. So yeah, we do 537 00:31:37,280 --> 00:31:40,520 Speaker 4: those every Thursday and people can sign up to be 538 00:31:40,600 --> 00:31:43,080 Speaker 4: a part of it at Mike Posner dot com. 539 00:31:43,400 --> 00:31:44,600 Speaker 2: And again it's totally free. 540 00:31:44,640 --> 00:31:47,760 Speaker 4: So would love to invite both of you and anyone 541 00:31:47,800 --> 00:31:48,120 Speaker 4: in your. 542 00:31:48,040 --> 00:31:51,320 Speaker 2: Audience is welcome to joint. It's just a wonderful community. 543 00:31:51,320 --> 00:31:54,560 Speaker 4: If it's not like social media where people are you know, 544 00:31:54,720 --> 00:31:58,040 Speaker 4: trolling or making fun of you, Like, there's no negativity involved. 545 00:31:58,400 --> 00:32:00,480 Speaker 4: So if there's anyone's negative in the me to get 546 00:32:00,520 --> 00:32:02,880 Speaker 4: kicked out. So it's just people praying for each other 547 00:32:02,960 --> 00:32:06,600 Speaker 4: and encouraging one another and people upliving upleveling their lives 548 00:32:06,640 --> 00:32:09,320 Speaker 4: and sharing their wins and and real stuff, you know, 549 00:32:09,680 --> 00:32:14,560 Speaker 4: like people with terminal cancer sharing. We have people that 550 00:32:14,680 --> 00:32:19,280 Speaker 4: are recovering from gunshot wounds, like and it's it's not me, 551 00:32:19,560 --> 00:32:22,680 Speaker 4: it's like them. It's so inspiring. You sees people like 552 00:32:22,720 --> 00:32:27,840 Speaker 4: who have every reason to be senecore give up. Just decide, 553 00:32:28,000 --> 00:32:29,560 Speaker 4: you know, they're going to live a life of joy 554 00:32:29,600 --> 00:32:32,920 Speaker 4: and faith and love and happiness and whatever they choose 555 00:32:32,960 --> 00:32:33,440 Speaker 4: to create. 556 00:32:35,400 --> 00:32:37,240 Speaker 3: That's amazing. I will definitely be there. 557 00:32:37,840 --> 00:32:39,200 Speaker 1: I know that you said you got to jump. Is 558 00:32:39,240 --> 00:32:41,040 Speaker 1: there anything you want to add we didn't ask you about. 559 00:32:41,640 --> 00:32:44,800 Speaker 2: That's it. Just I love you guys. Have a blessed day. 560 00:32:45,880 --> 00:32:47,440 Speaker 1: Oh man, Well it's good catching up with you. 561 00:32:47,920 --> 00:32:49,120 Speaker 2: Yeah. Good to see you brother. 562 00:32:50,720 --> 00:33:02,040 Speaker 1: Well, thanks man, love bye the po