1 00:00:00,560 --> 00:00:05,519 Speaker 1: Hello, Internet, and welcome to season three one three, Episode 2 00:00:05,720 --> 00:00:07,760 Speaker 1: four of The dailyes Eye. Guys are production of My 3 00:00:07,840 --> 00:00:10,360 Speaker 1: Heart Radio. This is a podcast where we take a 4 00:00:10,360 --> 00:00:16,840 Speaker 1: deep dive into America's shared consciousness. It's Thursday. What that means, 5 00:00:16,880 --> 00:00:20,000 Speaker 1: November sixteenth, That's what that means, which means it's also 6 00:00:20,040 --> 00:00:24,200 Speaker 1: a World Pancreatic Cancer Day. International Check your damn Wiper's day. 7 00:00:24,320 --> 00:00:27,080 Speaker 1: Check your window, your windshield wipers because let me tell you, 8 00:00:27,160 --> 00:00:29,400 Speaker 1: I used to not give a fuck and they were 9 00:00:29,440 --> 00:00:32,800 Speaker 1: just windows smears and they do not actually keep you 10 00:00:32,840 --> 00:00:37,200 Speaker 1: saved during inclement weather. Also International Day for Tolerance, National 11 00:00:37,280 --> 00:00:41,120 Speaker 1: Rural Health Day, National Indiana Day, National Button Day, And 12 00:00:41,280 --> 00:00:44,040 Speaker 1: what the fuck is Great American Smokeout Day? Oh they saying, hey, 13 00:00:44,080 --> 00:00:45,960 Speaker 1: don't be smoking cigarettes no more, you know what I mean? 14 00:00:46,120 --> 00:00:49,240 Speaker 1: Unless that's your five, but hey leave it alone. And hey, 15 00:00:49,320 --> 00:00:51,159 Speaker 1: something close to my heart National fast Foods. But I'm 16 00:00:51,159 --> 00:00:53,559 Speaker 1: not saying that's a good thing. That's just a vice. Okay? 17 00:00:54,120 --> 00:00:55,279 Speaker 2: Uh who am I? 18 00:00:55,560 --> 00:00:59,360 Speaker 1: Oh that's right, I'm Miles Gray aka AMA Chiatric. Get 19 00:00:59,440 --> 00:01:02,440 Speaker 1: hurt like this, pick my back, won't stop, won't quit. 20 00:01:02,640 --> 00:01:06,520 Speaker 1: Just pulled it, pulled it, pulled it, pulled it pulled 21 00:01:06,520 --> 00:01:09,679 Speaker 1: it now, pulled it good. Pulled that back that I 22 00:01:09,720 --> 00:01:13,440 Speaker 1: knew I would my neck my back, kicked the ball 23 00:01:13,520 --> 00:01:17,839 Speaker 1: and heard a snap shout out to Jimboku on discord. 24 00:01:17,920 --> 00:01:22,120 Speaker 1: You heard I've strained my back watching TV and I 25 00:01:22,240 --> 00:01:25,040 Speaker 1: was watching a soccer game and I decided to do 26 00:01:25,120 --> 00:01:28,039 Speaker 1: a kiss kicking a ball that was not there, just 27 00:01:28,040 --> 00:01:30,280 Speaker 1: to kind of participate along with what I was saying, 28 00:01:30,520 --> 00:01:32,920 Speaker 1: and I did my back. It's getting a little bit better. 29 00:01:32,959 --> 00:01:35,360 Speaker 1: But thank you for that at AKA if I see it, 30 00:01:35,440 --> 00:01:36,680 Speaker 1: and thank you to the people that reached out with 31 00:01:36,760 --> 00:01:39,320 Speaker 1: They're like, hey, just check out this place for your back. 32 00:01:39,959 --> 00:01:43,360 Speaker 1: I really appreciate all the outreach. Uh. And I am 33 00:01:43,400 --> 00:01:45,640 Speaker 1: thrilled to be joined by my co host. You know 34 00:01:46,080 --> 00:01:49,680 Speaker 1: a wonderful guy. You know, someone who's got many talents, 35 00:01:49,720 --> 00:01:54,280 Speaker 1: someone who is not also nice with the DAW's for 36 00:01:54,600 --> 00:01:59,000 Speaker 1: editing purpose, but nice with the DAWs for music making purposes. 37 00:01:59,160 --> 00:02:02,520 Speaker 1: He's a fantastic DJ. He has a voice that has 38 00:02:02,600 --> 00:02:06,040 Speaker 1: the quality of vocal butter. Okay, that's what we like 39 00:02:06,080 --> 00:02:08,519 Speaker 1: to say around here. That's a good thing. Please welcome 40 00:02:08,560 --> 00:02:11,160 Speaker 1: to the microphone. Today's guest call host Justin Connor. 41 00:02:13,080 --> 00:02:15,480 Speaker 2: This year is the story of my life before is 42 00:02:15,520 --> 00:02:18,640 Speaker 2: to host the daily Ziight guys, and it feels so 43 00:02:18,800 --> 00:02:22,359 Speaker 2: sad here without Jack. I absolutely love to host with 44 00:02:22,639 --> 00:02:26,360 Speaker 2: my oh how many days in the year. And I'm 45 00:02:26,360 --> 00:02:30,680 Speaker 2: just y'all, it's the shutdown shy guy on a ten 46 00:02:30,800 --> 00:02:36,480 Speaker 2: years SoCal sabbatical, ready to do damage to some clavicles. There, 47 00:02:36,520 --> 00:02:37,880 Speaker 2: you gos go, let's go. 48 00:02:38,080 --> 00:02:43,079 Speaker 1: Okay, Okay, mc J I see you out there. Thank 49 00:02:43,120 --> 00:02:44,920 Speaker 1: you for so much for joining us. As you know, 50 00:02:45,040 --> 00:02:48,720 Speaker 1: Jack is on assignment in uh, he's he's he's recovery. 51 00:02:48,840 --> 00:02:51,720 Speaker 1: He's under the weather. But that's how that's how we move, 52 00:02:51,800 --> 00:02:52,480 Speaker 1: you know, we on. 53 00:02:52,480 --> 00:02:56,040 Speaker 2: An innerspace adventure and yeah, yeah. 54 00:02:54,880 --> 00:02:57,400 Speaker 1: Yeah, exactly exactly. But rest up, Jack, I know you'll 55 00:02:57,400 --> 00:03:00,680 Speaker 1: be back. Uh. And hey, let's get to our guest, 56 00:03:01,120 --> 00:03:04,919 Speaker 1: somebody who's honestly one of my favorite guests. Okay, and 57 00:03:05,560 --> 00:03:07,880 Speaker 1: this person is not on the show enough for my liking, 58 00:03:08,080 --> 00:03:11,440 Speaker 1: and I've been I'm actually making an effort to have 59 00:03:11,560 --> 00:03:15,079 Speaker 1: them back as much as possible because our shared love 60 00:03:15,120 --> 00:03:17,200 Speaker 1: for the state of California. Look, I'm from so called 61 00:03:17,320 --> 00:03:19,960 Speaker 1: they represent the Yay area. 62 00:03:20,160 --> 00:03:20,240 Speaker 3: Uh. 63 00:03:20,400 --> 00:03:24,560 Speaker 1: You know, this is somebody who fantastic stand up comedian, 64 00:03:24,760 --> 00:03:28,520 Speaker 1: a writer, an actor, producer. You can find some of 65 00:03:28,600 --> 00:03:31,280 Speaker 1: their very writings in things like We Had a Little 66 00:03:31,280 --> 00:03:34,880 Speaker 1: Real Estate Problem, The Unherlded Story of Native Americans and comedy. 67 00:03:35,440 --> 00:03:38,960 Speaker 1: Also seen them on Comedy Central Team Coco Illuminative twenty 68 00:03:38,960 --> 00:03:41,560 Speaker 1: five Native American Comedians to follow. I don't know, maybe 69 00:03:41,600 --> 00:03:44,119 Speaker 1: you read the Vulture, you read the La Times, maybe 70 00:03:44,200 --> 00:03:46,520 Speaker 1: listen to the Daily ZEITGEI said, know how fantastic this 71 00:03:46,560 --> 00:03:49,360 Speaker 1: person is. Please welcome to the microphone, Jackie Kha. 72 00:03:51,880 --> 00:03:53,360 Speaker 4: Oh my god, I love it. 73 00:03:53,440 --> 00:03:58,160 Speaker 3: Miles, what a beautiful introduction there. Oh I'm just feeling great, amazing. 74 00:03:58,400 --> 00:04:00,800 Speaker 1: Like I said, I was like talking and I was like, wait, 75 00:04:00,840 --> 00:04:02,600 Speaker 1: who wasn't been on the man? I'm like, you were 76 00:04:02,600 --> 00:04:03,320 Speaker 1: a Jackie yet. 77 00:04:04,480 --> 00:04:05,000 Speaker 4: I love it. 78 00:04:05,040 --> 00:04:07,320 Speaker 3: I love being here, I love I love hanging out 79 00:04:07,320 --> 00:04:10,640 Speaker 3: with you. It's always a good time. It's Native American 80 00:04:10,720 --> 00:04:13,280 Speaker 3: Heritage months. You know, there's just a lot happening in 81 00:04:13,320 --> 00:04:15,080 Speaker 3: the world. I have a lot of shows, a lot 82 00:04:15,080 --> 00:04:17,680 Speaker 3: of gigs. I'm tired, but I'm going. I'm still going. 83 00:04:17,680 --> 00:04:19,320 Speaker 3: We got a couple more you got a couple more 84 00:04:19,360 --> 00:04:22,120 Speaker 3: weeks left, so you know, making it happen. But yeah, 85 00:04:22,160 --> 00:04:23,720 Speaker 3: I love being here. You guys are the best. It's 86 00:04:23,760 --> 00:04:26,200 Speaker 3: great and I love just getting to hang with Justin today. 87 00:04:26,680 --> 00:04:26,880 Speaker 1: Yeah. 88 00:04:26,960 --> 00:04:29,240 Speaker 2: Yeah. We were talking yesterday, me and Myles, and we 89 00:04:29,279 --> 00:04:31,719 Speaker 2: were like, man, every time Jackie pulls up, it feels 90 00:04:31,760 --> 00:04:34,000 Speaker 2: like the homie. It feels like it feels like a 91 00:04:34,000 --> 00:04:36,719 Speaker 2: pleasant you're pulling up on at a cookout, just ready 92 00:04:36,760 --> 00:04:37,160 Speaker 2: to vibe. 93 00:04:37,640 --> 00:04:40,120 Speaker 1: We already know. I'm like, man, fuck with Jackie heavy. 94 00:04:40,160 --> 00:04:40,960 Speaker 2: Yeah you know what I mean. 95 00:04:41,080 --> 00:04:42,919 Speaker 1: You know, ever since you corrected me when I was 96 00:04:42,920 --> 00:04:44,000 Speaker 1: calling them slide shows. 97 00:04:44,200 --> 00:04:49,000 Speaker 3: You remember that slide show. For the record, it is side. 98 00:04:48,600 --> 00:04:51,680 Speaker 1: Yeah, that's what. But that's what it's about. You know, 99 00:04:51,680 --> 00:04:53,840 Speaker 1: you need those people to come to hey. Man, Yeah, 100 00:04:54,279 --> 00:04:55,920 Speaker 1: stupid out here it's all love. 101 00:04:56,080 --> 00:04:56,720 Speaker 2: It's all love. 102 00:04:58,000 --> 00:05:00,320 Speaker 3: It doesn't Stupid in the bay is a good thing. Honestly, 103 00:05:00,400 --> 00:05:01,360 Speaker 3: we love being stupid. 104 00:05:01,440 --> 00:05:05,080 Speaker 2: Yeah, go down stupid. Yeah yeah yeah, yeah, you know. 105 00:05:05,040 --> 00:05:07,080 Speaker 1: We already know. But anyway, have you been You've been good. 106 00:05:07,440 --> 00:05:08,000 Speaker 2: I've been good. 107 00:05:08,040 --> 00:05:08,440 Speaker 4: I've been good. 108 00:05:08,480 --> 00:05:10,159 Speaker 3: Yeah, I would saying it's a it's been a busy month. 109 00:05:10,279 --> 00:05:12,880 Speaker 3: Things are good. I've got some projects going that I 110 00:05:12,920 --> 00:05:15,719 Speaker 3: can't talk about just yet. But yeah, I'm staying busy 111 00:05:15,760 --> 00:05:17,920 Speaker 3: doing that you know, a little bit of that writing, 112 00:05:17,960 --> 00:05:20,080 Speaker 3: a little bit of that about development stuff, a little bit 113 00:05:20,080 --> 00:05:21,200 Speaker 3: of that you know, stand up. 114 00:05:21,200 --> 00:05:22,240 Speaker 4: There's just a lot going on. 115 00:05:22,360 --> 00:05:23,720 Speaker 2: But yeah, it's cool. 116 00:05:23,760 --> 00:05:26,600 Speaker 1: And it's you got your show good Medicine, right, it's 117 00:05:26,680 --> 00:05:29,320 Speaker 1: you're you're doing in New York. Yeah. 118 00:05:29,400 --> 00:05:33,400 Speaker 3: Yeah, we debut at the Pearlman Performing Arts Center PACK 119 00:05:33,440 --> 00:05:36,200 Speaker 3: and YC in twenty twenty four, so February ninth. 120 00:05:36,240 --> 00:05:36,919 Speaker 4: So excited. 121 00:05:37,160 --> 00:05:38,920 Speaker 1: Basically, I know you're in New York. 122 00:05:39,200 --> 00:05:39,880 Speaker 4: You've got to come. 123 00:05:39,839 --> 00:05:43,280 Speaker 2: Frost your calendars. It's not too early jot it down 124 00:05:43,320 --> 00:05:44,000 Speaker 2: so you don't forget. 125 00:05:44,680 --> 00:05:47,080 Speaker 3: Yeah, it's going to be a really great time to 126 00:05:47,400 --> 00:05:49,640 Speaker 3: check out PACK and YC. So just for folks who 127 00:05:49,640 --> 00:05:52,040 Speaker 3: don't know yet, it has been under construction for years. 128 00:05:52,040 --> 00:05:56,240 Speaker 3: It literally opened its doors in September, so for us 129 00:05:56,240 --> 00:05:58,480 Speaker 3: to be part of their inaugural season is such an honor. 130 00:05:58,960 --> 00:06:01,760 Speaker 3: And the week that we're perform forming the fourteen ninety ones. 131 00:06:01,760 --> 00:06:04,080 Speaker 3: They're an all Native comedy sketch group. Folks may know 132 00:06:04,120 --> 00:06:06,360 Speaker 3: them from Reservation Dogs, which is one of their biggest 133 00:06:06,360 --> 00:06:10,920 Speaker 3: projects that blew up on FX and their play Between 134 00:06:10,960 --> 00:06:13,719 Speaker 3: Two Knees is also going to be at the Pelman 135 00:06:14,040 --> 00:06:17,320 Speaker 3: in February, So go check out the play, Go check 136 00:06:17,320 --> 00:06:19,440 Speaker 3: out Good Medicine. We've got two shows that night. We've 137 00:06:19,480 --> 00:06:21,880 Speaker 3: got a killer lineup. We've got Dallas Goldtooth. Folks know 138 00:06:21,960 --> 00:06:25,560 Speaker 3: him as William knife Man from res Dogs. Oh you 139 00:06:25,600 --> 00:06:29,039 Speaker 3: guys know him. Jannash Meeting, amazing actor also in res 140 00:06:29,080 --> 00:06:33,719 Speaker 3: Dogs and Brutherford falls At, Adrian challipaw Brian Bahi. He 141 00:06:33,880 --> 00:06:36,200 Speaker 3: was the pick for Just for Laughs and he just 142 00:06:36,240 --> 00:06:39,279 Speaker 3: debuted some really cool stuff on Comedy Central. So yeah, 143 00:06:39,279 --> 00:06:40,920 Speaker 3: it's going to be a killer lineup. Come through, check 144 00:06:40,960 --> 00:06:44,400 Speaker 3: it out, support between two knees, come see us. And 145 00:06:44,440 --> 00:06:47,560 Speaker 3: then on Saturday, we've got a panel about Native representation 146 00:06:47,640 --> 00:06:48,080 Speaker 3: in media. 147 00:06:48,160 --> 00:06:49,680 Speaker 4: So it's going to be it's gonna be amazing. 148 00:06:49,680 --> 00:06:52,080 Speaker 1: You guys, come through, Please come through. I know you're 149 00:06:52,120 --> 00:06:54,400 Speaker 1: in New York. Look, that's one of our We've got 150 00:06:54,440 --> 00:06:56,320 Speaker 1: a lot of listeners there, and I know every time 151 00:06:56,839 --> 00:06:59,320 Speaker 1: our guests come on, they're like, damn fuck is this 152 00:06:59,400 --> 00:07:00,840 Speaker 1: that gang to the show? 153 00:07:01,040 --> 00:07:03,520 Speaker 2: Yeah? That sounds like a memorable show, Like that sounds 154 00:07:03,560 --> 00:07:06,000 Speaker 2: like something you might take something away home with you. 155 00:07:06,120 --> 00:07:08,720 Speaker 1: Yeah yeah, yeah you're not here, Yeah, yeah, some some 156 00:07:08,760 --> 00:07:11,080 Speaker 1: good comedy, something something for the mind. 157 00:07:11,200 --> 00:07:12,720 Speaker 4: And there you go, you there you go. 158 00:07:12,920 --> 00:07:15,400 Speaker 3: Yeah, we changed hearts and minds one joke at a time, y'all. 159 00:07:15,440 --> 00:07:17,800 Speaker 3: But also above and beyond everything is funny, and it's 160 00:07:17,840 --> 00:07:19,160 Speaker 3: kind of exactly we'll come through. 161 00:07:19,880 --> 00:07:23,040 Speaker 1: You know, it's funny because who's more funny than oppressed people? 162 00:07:26,600 --> 00:07:29,760 Speaker 4: But we know how to laugh. We don't time. 163 00:07:29,880 --> 00:07:31,520 Speaker 1: You know how to make you know how to make 164 00:07:32,000 --> 00:07:34,040 Speaker 1: gold necklaces out of lemons, you know what I mean? 165 00:07:34,160 --> 00:07:38,000 Speaker 1: We know how to go beyond lemonade. Anyway, Jackie, we're 166 00:07:38,000 --> 00:07:40,800 Speaker 1: gonna get to know you even better. But let's tell 167 00:07:40,880 --> 00:07:42,960 Speaker 1: some people what are not some people? All the people 168 00:07:43,000 --> 00:07:45,080 Speaker 1: that are listening right now, we're going to talk about Uh, 169 00:07:45,160 --> 00:07:46,600 Speaker 1: I just want to check back in with the GP 170 00:07:46,680 --> 00:07:49,720 Speaker 1: because Congressman Chip Roy he had one of those moments 171 00:07:49,760 --> 00:07:53,160 Speaker 1: are like he's starting to realize the clownery of his 172 00:07:53,240 --> 00:07:56,280 Speaker 1: party but not quite there. But it's also you know, 173 00:07:56,360 --> 00:07:59,080 Speaker 1: we'll get into that he had a brief moment of 174 00:07:59,120 --> 00:08:02,679 Speaker 1: clarity like jay Z. Then we'll talk about there's a flight. 175 00:08:02,720 --> 00:08:04,240 Speaker 1: I think a lot of people saw this on Twitter 176 00:08:04,280 --> 00:08:07,000 Speaker 1: that like a plane had to turn around because horse 177 00:08:07,560 --> 00:08:10,400 Speaker 1: a board was loose. Well, we'll just kind of we 178 00:08:10,440 --> 00:08:12,320 Speaker 1: need to dig through that. Yeah, I just understand that 179 00:08:12,360 --> 00:08:15,560 Speaker 1: a little bit more. Gonna touch back in with our 180 00:08:15,560 --> 00:08:19,320 Speaker 1: homies in the seas, the proletarian folk heroes, the Orca 181 00:08:19,600 --> 00:08:24,280 Speaker 1: gang who were fucking sinking yachts and shites. Yeah for real, 182 00:08:24,360 --> 00:08:27,040 Speaker 1: you know what I mean to watch watch your rudders 183 00:08:27,280 --> 00:08:31,040 Speaker 1: yacht Yachty's okay because like now there's like full on 184 00:08:31,120 --> 00:08:34,120 Speaker 1: Facebook groups of like sailors and yacht people who are like, yo, 185 00:08:34,160 --> 00:08:35,920 Speaker 1: what the fuck you do to try and get them away? 186 00:08:36,040 --> 00:08:39,400 Speaker 1: But luckily the solution is so simple and it's actually 187 00:08:39,440 --> 00:08:41,920 Speaker 1: quite beautiful. So we'll get into that. Uh, and then 188 00:08:42,400 --> 00:08:45,640 Speaker 1: just a quick reminder as we deal with increased anti Semitism, 189 00:08:45,720 --> 00:08:49,280 Speaker 1: is Islamophobia in this country and just just generally how 190 00:08:49,360 --> 00:08:52,679 Speaker 1: much the media informs our perception of certain groups in 191 00:08:52,679 --> 00:08:55,320 Speaker 1: the United States. Got to talk about the movie True Lies, 192 00:08:55,360 --> 00:08:57,920 Speaker 1: because that's coming back on Blu Ray And if you 193 00:08:57,960 --> 00:09:02,319 Speaker 1: want to talk about a stinky, a Islamophobic piece of trash, 194 00:09:02,360 --> 00:09:06,440 Speaker 1: it's fucking True Lies. And I've like always like known this, 195 00:09:06,520 --> 00:09:08,319 Speaker 1: you know what I mean, but to really look at 196 00:09:08,320 --> 00:09:09,000 Speaker 1: it and you're like, bro. 197 00:09:08,960 --> 00:09:10,760 Speaker 2: You can't what the fuck is this shit? 198 00:09:11,200 --> 00:09:13,240 Speaker 1: And especially in the time that we're in. So we're 199 00:09:13,240 --> 00:09:15,720 Speaker 1: gonna delve into that, so we can, you know, take 200 00:09:15,760 --> 00:09:20,280 Speaker 1: a second to slightly deprogram ourselves of that propaganda we 201 00:09:20,280 --> 00:09:23,160 Speaker 1: were just inhaling in the nineties. Okay, But before we 202 00:09:23,200 --> 00:09:26,520 Speaker 1: do that, Jackie was something from your search history that's 203 00:09:26,559 --> 00:09:29,120 Speaker 1: revealing about who you are, what you're into right now. 204 00:09:29,400 --> 00:09:29,800 Speaker 4: Okay. 205 00:09:29,960 --> 00:09:32,439 Speaker 3: So I always do a lot of my googling right 206 00:09:32,440 --> 00:09:35,600 Speaker 3: before bed. It's like doom scrolling followed by any of 207 00:09:35,640 --> 00:09:39,559 Speaker 3: my questions for the evening. So City of Angels is 208 00:09:39,600 --> 00:09:42,400 Speaker 3: what came up in my search history last night, Altis 209 00:09:42,440 --> 00:09:45,320 Speaker 3: More said, do you guys remember she sang that song Uninvited? 210 00:09:45,360 --> 00:09:47,920 Speaker 3: It was part of the City of Angels. Okay, killer 211 00:09:48,120 --> 00:09:52,120 Speaker 3: amazing song, very haunting, very gorgeous. Anyway, it was like 212 00:09:52,120 --> 00:09:54,320 Speaker 3: a really quick reel that I saw last night of 213 00:09:54,360 --> 00:09:56,520 Speaker 3: her on The Kelly Clarkson Show, and she just she 214 00:09:56,600 --> 00:09:57,560 Speaker 3: still hits that pitch. 215 00:09:57,679 --> 00:09:58,280 Speaker 4: She can do it. 216 00:09:58,400 --> 00:10:00,720 Speaker 3: Yeah, she wrote the song in fifteen and it's shut 217 00:10:00,840 --> 00:10:03,680 Speaker 3: up and so anyway, I just yes, she said I 218 00:10:03,679 --> 00:10:05,760 Speaker 3: wrote it in fifteen minutes and boom there it was. 219 00:10:06,040 --> 00:10:09,080 Speaker 3: And so yeah, so anyways, I was like, oh my god, 220 00:10:09,080 --> 00:10:11,520 Speaker 3: Alana's more set, like I Jagged Little Pill like that 221 00:10:11,559 --> 00:10:14,440 Speaker 3: whole situation, like loved it. So I was like, I 222 00:10:14,480 --> 00:10:16,600 Speaker 3: gotta figure out City of Angels and I gotta like 223 00:10:16,640 --> 00:10:18,520 Speaker 3: find out where I can stream it. So it's a 224 00:10:18,559 --> 00:10:23,240 Speaker 3: beautiful film. Make Ryan nick Cage. He's an angel, she's 225 00:10:23,280 --> 00:10:27,120 Speaker 3: a human. It's a love story. So it's it's it's 226 00:10:27,120 --> 00:10:30,120 Speaker 3: the fall. It's dark by five. This is the kind 227 00:10:30,120 --> 00:10:31,320 Speaker 3: of shit that I watch at night. 228 00:10:31,320 --> 00:10:33,160 Speaker 1: So I gotta hold on. Let me remind myself of 229 00:10:33,200 --> 00:10:34,160 Speaker 1: that track really quick. 230 00:10:34,440 --> 00:10:36,920 Speaker 2: Yeah, I have a glimpse of it in my mind. 231 00:10:36,920 --> 00:10:40,360 Speaker 2: And the slow like piano, oh yeah, like he's it's 232 00:10:40,400 --> 00:10:42,960 Speaker 2: it sounds like leaves falling. I think you're you're right. 233 00:10:42,840 --> 00:10:44,720 Speaker 1: On the mind. This one is haunting as fuck. 234 00:10:45,040 --> 00:10:48,960 Speaker 2: Yeah, yeah, it's beautiful. Excit, yes, there you go. 235 00:10:49,440 --> 00:10:52,800 Speaker 1: Her whole thing. Her voice is still I saw her 236 00:10:53,040 --> 00:10:56,440 Speaker 1: do jet like most of the Jagged Little Pill, like 237 00:10:57,000 --> 00:10:58,640 Speaker 1: maybe last year, eighteen months ago. 238 00:11:00,000 --> 00:11:00,839 Speaker 4: I would love to see that. 239 00:11:01,559 --> 00:11:05,240 Speaker 1: I was blown through. Her voice is like she's kept 240 00:11:05,240 --> 00:11:08,160 Speaker 1: her voice, yesh, Like it's wild when you can hear 241 00:11:08,200 --> 00:11:11,080 Speaker 1: somebody what was that fucking thirty years twenty five years 242 00:11:11,120 --> 00:11:13,040 Speaker 1: whatever since that album came out and then they just 243 00:11:13,200 --> 00:11:15,480 Speaker 1: rip it like it's fucking ninety four. 244 00:11:16,040 --> 00:11:18,440 Speaker 2: Yeah, and it's been so long since I've heard this song. 245 00:11:18,679 --> 00:11:21,920 Speaker 2: I forgot how good it sounds. Immediately it sounds like powerful, 246 00:11:21,960 --> 00:11:24,760 Speaker 2: like yeah, pretty pretty quickly. It draws you in and 247 00:11:25,120 --> 00:11:27,360 Speaker 2: miles because you hear the first thing I thought was like, 248 00:11:27,360 --> 00:11:30,080 Speaker 2: oh man, this could be a crazy like jungle edit 249 00:11:30,200 --> 00:11:31,200 Speaker 2: or something under here. 250 00:11:31,559 --> 00:11:31,839 Speaker 5: Yeah. 251 00:11:31,960 --> 00:11:34,160 Speaker 2: Yeah, but I don't want to ruin the don't want 252 00:11:34,160 --> 00:11:36,880 Speaker 2: to ruin the vibe of autumn evening. So we'll save 253 00:11:36,920 --> 00:11:37,680 Speaker 2: that for a lot of time. 254 00:11:37,800 --> 00:11:39,800 Speaker 1: Now, we can throw some Reese base on there and like, 255 00:11:39,920 --> 00:11:42,400 Speaker 1: you know, do some you know predecessors to dub stuff 256 00:11:42,480 --> 00:11:45,720 Speaker 1: for sure, the Remick flip that one. Wait, so you 257 00:11:45,720 --> 00:11:48,120 Speaker 1: said you heard the track, like the track was on 258 00:11:48,160 --> 00:11:48,959 Speaker 1: TikTok or something. 259 00:11:49,200 --> 00:11:51,440 Speaker 4: Yeah, she's she's promoting her tour. 260 00:11:51,720 --> 00:11:52,080 Speaker 2: She was. 261 00:11:52,160 --> 00:11:54,040 Speaker 3: I don't know if you guys seen the Kelly Clarkson Show, 262 00:11:54,080 --> 00:11:56,960 Speaker 3: but she'll Kelly Clarkson will sing with her guests, and 263 00:11:57,040 --> 00:11:59,160 Speaker 3: so the two of them saying this. 264 00:11:59,320 --> 00:12:01,400 Speaker 1: Track, Oh, I was got it. 265 00:12:01,600 --> 00:12:03,320 Speaker 3: I just got all the little goose bumps and I 266 00:12:03,360 --> 00:12:06,400 Speaker 3: was like, oh fuck, because so many TikTok, Like, there's 267 00:12:06,440 --> 00:12:09,199 Speaker 3: so many TikTok edits that like, well, like gen Z 268 00:12:09,480 --> 00:12:11,360 Speaker 3: just like revives a song from. 269 00:12:11,200 --> 00:12:14,480 Speaker 1: They're like, yo, like you can edit like hurt Animals, 270 00:12:14,520 --> 00:12:17,080 Speaker 1: like of compilation to this and make you cry. And 271 00:12:17,120 --> 00:12:18,600 Speaker 1: it's so funny because every now and then I hear 272 00:12:18,600 --> 00:12:19,920 Speaker 1: a track, I'm like, bro, I haven't heard that's just 273 00:12:19,960 --> 00:12:23,520 Speaker 1: since college. But okay, y'all, really I'm invested in this 274 00:12:23,640 --> 00:12:25,760 Speaker 1: dog learning how to walk again after being hit by car. 275 00:12:25,920 --> 00:12:30,240 Speaker 3: You did it, That's that's I just brought it back 276 00:12:30,280 --> 00:12:31,880 Speaker 3: and I was like, I have to see City of Angels. 277 00:12:31,880 --> 00:12:34,480 Speaker 3: I remember seeing it in the theater, so like I was like, 278 00:12:34,559 --> 00:12:37,000 Speaker 3: I've got to see this. We're queuing us up to 279 00:12:37,040 --> 00:12:41,080 Speaker 3: watch tonight. So okay, yeah, it's uh, it's a good one. 280 00:12:41,280 --> 00:12:42,200 Speaker 3: I really enjoyed that one. 281 00:12:42,640 --> 00:12:45,959 Speaker 1: I mean is I mean I remember when this came out. 282 00:12:46,000 --> 00:12:47,680 Speaker 1: I felt like this was like kind of towards the 283 00:12:47,840 --> 00:12:51,520 Speaker 1: end of Meg Ryan's like appearances because like you know, 284 00:12:51,640 --> 00:12:54,760 Speaker 1: since she took that break. But like, is how is 285 00:12:54,880 --> 00:12:57,280 Speaker 1: Nick Cage in that in that? I think I saw 286 00:12:57,320 --> 00:12:58,920 Speaker 1: it when like it came out, But I have no 287 00:12:59,200 --> 00:13:01,480 Speaker 1: like now that I'm have some experience and I know 288 00:13:01,480 --> 00:13:03,440 Speaker 1: what romance is. Is he believable? 289 00:13:04,360 --> 00:13:06,880 Speaker 4: He's very intense because he's an angel. 290 00:13:09,280 --> 00:13:11,959 Speaker 2: I think he's an Oscar winner, and I think that's 291 00:13:11,960 --> 00:13:15,160 Speaker 2: how he gets some of these roles where you're like, huh. 292 00:13:14,600 --> 00:13:16,760 Speaker 4: Well, he's also a copola. He's also a copla. 293 00:13:16,800 --> 00:13:19,920 Speaker 3: You guys know that, right, So, like he's killing somebody's 294 00:13:19,920 --> 00:13:22,560 Speaker 3: always making sure he gets the script, you know. 295 00:13:22,240 --> 00:13:24,880 Speaker 1: Yeah, but with all that power, he couldn't get that 296 00:13:24,880 --> 00:13:27,320 Speaker 1: Superman movie made. So there are limits to that Nepo 297 00:13:27,400 --> 00:13:28,040 Speaker 1: baby power. 298 00:13:28,160 --> 00:13:30,360 Speaker 3: Like you, there's limits, there's lits, but there's still a 299 00:13:30,400 --> 00:13:33,000 Speaker 3: lot of opportunities. And he's an interesting character. I did 300 00:13:33,080 --> 00:13:36,640 Speaker 3: like a little walking tour in New Orleans last year, 301 00:13:36,880 --> 00:13:41,720 Speaker 3: and he loves New Orleans. And he purchased a plot 302 00:13:42,440 --> 00:13:46,760 Speaker 3: at the Lafayette Cemetery in New Orleans and it's shaped 303 00:13:46,840 --> 00:13:50,000 Speaker 3: like a pyramid, you know, kind of like National Treasure style. 304 00:13:50,480 --> 00:13:53,240 Speaker 3: So he's an interesting he's an interesting one. 305 00:13:53,760 --> 00:13:56,000 Speaker 2: Didn't have to give back a bunch of dinosaur bones 306 00:13:56,120 --> 00:13:57,439 Speaker 2: or something like his purchases. 307 00:13:57,640 --> 00:13:59,559 Speaker 1: I think he did. Yeah, he had some dinosaur bones. 308 00:13:59,559 --> 00:14:05,719 Speaker 1: And then he was like identify as Emo something when 309 00:14:05,760 --> 00:14:08,760 Speaker 1: he was he was getting ready for the Vampire movie 310 00:14:08,840 --> 00:14:10,520 Speaker 1: he did. He was like, yo, I'm kind of like 311 00:14:10,600 --> 00:14:12,440 Speaker 1: fucking with this whole dark vibe. 312 00:14:12,480 --> 00:14:15,800 Speaker 3: Now, he like lived in a very creepy, very haunted 313 00:14:15,960 --> 00:14:20,320 Speaker 3: vampire esque place right there, like near Bourbon Street in 314 00:14:20,440 --> 00:14:21,040 Speaker 3: New Orleans. 315 00:14:21,080 --> 00:14:24,520 Speaker 4: And I'm like that you like it for him? 316 00:14:25,240 --> 00:14:27,840 Speaker 2: For him, yeah, because it feels like he's occupying his lane. 317 00:14:27,840 --> 00:14:29,880 Speaker 2: I don't want that in my life. But like it 318 00:14:29,880 --> 00:14:33,680 Speaker 2: feels like a very like eccentric celebrity thing to do, 319 00:14:33,800 --> 00:14:35,840 Speaker 2: and if that's what makes him happy, it feels like 320 00:14:35,880 --> 00:14:38,640 Speaker 2: it's not hurting anybody, like you know what happened to 321 00:14:38,720 --> 00:14:39,120 Speaker 2: do it? Man? 322 00:14:39,160 --> 00:14:42,120 Speaker 1: It's funny though. I feel like the one interior design 323 00:14:42,160 --> 00:14:44,040 Speaker 1: aesthetic that has me a little bit like I don't 324 00:14:44,080 --> 00:14:45,400 Speaker 1: know if I can go to sleep in here is 325 00:14:45,440 --> 00:14:50,960 Speaker 1: like gothic. Oh yeah, I remember seeing like I remember 326 00:14:51,040 --> 00:14:54,000 Speaker 1: like on like those Zillow Gone Wild type websites I 327 00:14:54,080 --> 00:14:55,800 Speaker 1: show you just like wild ass houses that are for sale, 328 00:14:55,840 --> 00:14:57,360 Speaker 1: Like there was one that the interior looked like a 329 00:14:57,480 --> 00:15:00,720 Speaker 1: vampire's nightclub, and I'm like, this ship is I cannot 330 00:15:00,720 --> 00:15:01,400 Speaker 1: relax in here? 331 00:15:01,560 --> 00:15:05,000 Speaker 3: Like I Yeah, if it looks like the set, you 332 00:15:05,040 --> 00:15:06,400 Speaker 3: know what I mean? It looks like a set of 333 00:15:06,440 --> 00:15:08,760 Speaker 3: some sort of like nineties vampire film nope. 334 00:15:08,840 --> 00:15:11,280 Speaker 4: Yeah, not gonna chill, not gonna be, not gonna sleep. 335 00:15:11,600 --> 00:15:14,400 Speaker 1: My whole esthetic is from dust till dawn. You're like, Okay, 336 00:15:14,760 --> 00:15:18,600 Speaker 1: that's that's Flag City Jackie. What's something you think is overrated? 337 00:15:19,000 --> 00:15:21,480 Speaker 3: Okay, so this is gonna split the room. And I'm 338 00:15:21,480 --> 00:15:23,800 Speaker 3: a little nervous to say this out loud, but Killers 339 00:15:23,880 --> 00:15:25,040 Speaker 3: of the Flower. 340 00:15:25,000 --> 00:15:26,360 Speaker 1: Moon, Okay, go ahead. 341 00:15:26,520 --> 00:15:27,920 Speaker 4: Yeah, I don't know if you guys. Have you guys 342 00:15:27,920 --> 00:15:28,560 Speaker 4: seen it yet, by the. 343 00:15:28,520 --> 00:15:29,080 Speaker 2: Way, I have not. 344 00:15:29,320 --> 00:15:32,280 Speaker 1: No, I've I've been actually wait i've. When I saw it, 345 00:15:32,320 --> 00:15:35,240 Speaker 1: I was like, let me start seeing some First Nations 346 00:15:35,280 --> 00:15:39,120 Speaker 1: indigenous people comment on it, because I can definitely see 347 00:15:39,160 --> 00:15:42,800 Speaker 1: the Scorsese vibes, and people are like, oh my god, 348 00:15:42,880 --> 00:15:44,640 Speaker 1: this white guy, what did he go there? I'm like, 349 00:15:44,840 --> 00:15:46,680 Speaker 1: who the fuck's being centered in the one I saw? 350 00:15:46,720 --> 00:15:51,160 Speaker 1: Whoever the language consultant was on the red carpet started 351 00:15:51,200 --> 00:15:54,840 Speaker 1: dropping some knowledge, but not fully, you know, fucking shit up. 352 00:15:55,000 --> 00:15:57,480 Speaker 1: I was like, okay, yeah, yeah, this is this is 353 00:15:57,640 --> 00:16:00,480 Speaker 1: obviously going to be flawed in some right. 354 00:16:00,920 --> 00:16:01,560 Speaker 4: Yeah. 355 00:16:01,600 --> 00:16:03,600 Speaker 3: So, just like a bit of background, I actually worked 356 00:16:03,600 --> 00:16:06,600 Speaker 3: for the Osage Nation back in my urban planning days. 357 00:16:06,600 --> 00:16:08,400 Speaker 3: Like I'm focused more on comedy now, But I worked 358 00:16:08,400 --> 00:16:10,520 Speaker 3: as an urban planner. I have a master's in that, 359 00:16:10,560 --> 00:16:13,320 Speaker 3: and I was working out there, and so I got 360 00:16:13,360 --> 00:16:15,800 Speaker 3: a chance to see this story come to life in 361 00:16:15,840 --> 00:16:18,800 Speaker 3: the community and got a chance to like really understand 362 00:16:18,840 --> 00:16:21,360 Speaker 3: that this is still very much an open wound, still 363 00:16:21,440 --> 00:16:24,600 Speaker 3: very much a very tragic, awful thing that's happened to 364 00:16:24,600 --> 00:16:27,680 Speaker 3: the community. And so I knew once they started announcing like, oh, 365 00:16:27,760 --> 00:16:30,240 Speaker 3: Martin Scorsese's going to do this and Leonardo. 366 00:16:29,920 --> 00:16:31,400 Speaker 4: Kapper, I was like, Oh, how are they. 367 00:16:31,600 --> 00:16:33,560 Speaker 3: I was like, let's hope they're handling it with reverence 368 00:16:33,560 --> 00:16:36,200 Speaker 3: because this is a big one. And so I was 369 00:16:36,240 --> 00:16:38,680 Speaker 3: already just kind of curious how it was all going 370 00:16:38,720 --> 00:16:41,240 Speaker 3: to play out. But I will say they did consult 371 00:16:41,360 --> 00:16:45,120 Speaker 3: left and right with community, and so that's huge, the 372 00:16:45,120 --> 00:16:47,600 Speaker 3: fact that they were working with the tribe and working 373 00:16:47,680 --> 00:16:49,720 Speaker 3: with tribal members just to put the story together. But 374 00:16:49,920 --> 00:16:52,920 Speaker 3: that said, it is about the reign of terror and 375 00:16:53,200 --> 00:16:56,720 Speaker 3: murder of O Sage people and for their head rights. 376 00:16:56,800 --> 00:17:00,000 Speaker 3: So a head right essentially is basically it's oil money, 377 00:17:00,240 --> 00:17:03,320 Speaker 3: and so people were coming in and and and it 378 00:17:03,600 --> 00:17:06,000 Speaker 3: so I guess there's a lot of rampant violence essentially, 379 00:17:06,280 --> 00:17:08,520 Speaker 3: and going in and watching three and a half hours 380 00:17:08,520 --> 00:17:11,520 Speaker 3: of that as a Native person not the business for me. 381 00:17:11,760 --> 00:17:14,520 Speaker 4: I was angry. I was very frustrated. 382 00:17:15,119 --> 00:17:19,359 Speaker 3: And I will say, Leonardo DiCaprio's character, this is actually 383 00:17:19,400 --> 00:17:21,040 Speaker 3: the hot take you were talking about on the red 384 00:17:21,040 --> 00:17:23,200 Speaker 3: carpet with the Osage consultant. I want to pull his 385 00:17:23,280 --> 00:17:24,480 Speaker 3: name up in a second, because we got to give 386 00:17:24,520 --> 00:17:26,480 Speaker 3: him credit for what he said. But it just so 387 00:17:26,680 --> 00:17:30,240 Speaker 3: much centered Leonardo DiCaprio's character, and we could see him 388 00:17:30,280 --> 00:17:32,879 Speaker 3: wrestling with what he was doing, which was part of 389 00:17:32,920 --> 00:17:36,120 Speaker 3: a murder plot centered on this one very specific family, 390 00:17:36,680 --> 00:17:39,399 Speaker 3: and I'm like, why are we giving him this multi 391 00:17:39,440 --> 00:17:43,320 Speaker 3: dimensional approach? Yes, his name is Christopher Cote and that's 392 00:17:43,359 --> 00:17:46,360 Speaker 3: the Osage consultant, and I just felt like it gave 393 00:17:46,400 --> 00:17:48,920 Speaker 3: him a lot of texture. 394 00:17:49,160 --> 00:17:51,080 Speaker 4: And I'm like, what about the Native people in this? 395 00:17:51,359 --> 00:17:51,600 Speaker 3: You know? 396 00:17:51,680 --> 00:17:52,200 Speaker 4: And I didn't. 397 00:17:52,200 --> 00:17:55,760 Speaker 3: I would love to see Molly. Molly's character have a 398 00:17:55,840 --> 00:17:58,959 Speaker 3: little bit more nuance and and I just I wanted 399 00:17:59,119 --> 00:18:02,120 Speaker 3: something different. But again, I will say, I do think 400 00:18:02,119 --> 00:18:04,040 Speaker 3: it's important to watch the film because there's a lot 401 00:18:04,080 --> 00:18:06,439 Speaker 3: of people who never heard about the story, who know 402 00:18:06,560 --> 00:18:10,440 Speaker 3: nothing about it, and this was the first ever FBI investigation, 403 00:18:10,720 --> 00:18:15,159 Speaker 3: you know what I mean, So like this exactly, and 404 00:18:15,280 --> 00:18:18,720 Speaker 3: so I think that the acting is amazing. It's it's 405 00:18:18,760 --> 00:18:22,120 Speaker 3: amazing acting. The set, like the set design, like you're 406 00:18:22,160 --> 00:18:24,560 Speaker 3: in there, they got flies going around, and I'm like 407 00:18:24,560 --> 00:18:26,680 Speaker 3: in the theater, like you know, like they really put 408 00:18:26,760 --> 00:18:29,119 Speaker 3: you in it, right, they put you in it. And 409 00:18:29,200 --> 00:18:33,200 Speaker 3: so I really think that's that's great and lovely and wonderful. 410 00:18:33,440 --> 00:18:35,439 Speaker 3: But yeah, it was just really hard for me to 411 00:18:35,440 --> 00:18:38,000 Speaker 3: sit there and watch three and a half hours of 412 00:18:38,240 --> 00:18:41,840 Speaker 3: violence against state of people. And so but here's the 413 00:18:41,920 --> 00:18:45,359 Speaker 3: ultimate thing. So we're putting a spotlight on something that 414 00:18:45,400 --> 00:18:48,560 Speaker 3: happened a long time ago, lots of people stealing head 415 00:18:48,640 --> 00:18:51,439 Speaker 3: rights and from tribal peoples. But like, what do we 416 00:18:51,480 --> 00:18:53,440 Speaker 3: do next? Like what comes after this? And I think 417 00:18:53,480 --> 00:18:56,800 Speaker 3: that's the question that I have. And that's not necessarily 418 00:18:56,960 --> 00:19:00,119 Speaker 3: a question for the tribe or the question for the 419 00:19:00,160 --> 00:19:02,919 Speaker 3: film crew, But like Leo made a fat check on 420 00:19:03,000 --> 00:19:05,080 Speaker 3: this one. Does he contribute some of that back to 421 00:19:05,119 --> 00:19:07,040 Speaker 3: the community so they can get their head rights and 422 00:19:07,160 --> 00:19:09,959 Speaker 3: lands back. I mean, like that's that's what I'm just like, 423 00:19:10,400 --> 00:19:12,520 Speaker 3: I want to see what happens next. And I hate 424 00:19:12,520 --> 00:19:15,200 Speaker 3: to say it, But I don't know if this is gonna, 425 00:19:15,280 --> 00:19:18,119 Speaker 3: you know, be a catalyst for other bigger questions about 426 00:19:18,440 --> 00:19:20,200 Speaker 3: lots of people, because this is this is one thing 427 00:19:20,240 --> 00:19:22,720 Speaker 3: that we know about. This is one investigation, but there 428 00:19:22,760 --> 00:19:25,280 Speaker 3: was all kind of crazy shit happening out there at 429 00:19:25,280 --> 00:19:28,760 Speaker 3: that time, with people coming in and stealing lands and 430 00:19:28,800 --> 00:19:31,840 Speaker 3: stealing head rights directly from tribal members and in scrupulous 431 00:19:31,880 --> 00:19:34,919 Speaker 3: ways and violent ways. So anyway, that's where I'm like, 432 00:19:35,520 --> 00:19:38,639 Speaker 3: I think, as a piece, it's important for people to 433 00:19:38,680 --> 00:19:42,040 Speaker 3: have watched it, but if your native, like, take your time, 434 00:19:42,480 --> 00:19:45,080 Speaker 3: you don't need to see it right away, schedule a 435 00:19:45,160 --> 00:19:48,159 Speaker 3: therapy session in advance and after, you know, like you 436 00:19:48,320 --> 00:19:51,080 Speaker 3: just got to really be there to support yourself because 437 00:19:51,080 --> 00:19:52,160 Speaker 3: it's a heavy one. 438 00:19:52,240 --> 00:19:52,919 Speaker 4: It's so heavy. 439 00:19:53,119 --> 00:19:55,359 Speaker 1: Yeah, there are those films that are made for audiences 440 00:19:55,400 --> 00:19:57,520 Speaker 1: that like you're like, that's important for them to understand. 441 00:19:57,520 --> 00:19:59,920 Speaker 1: But if you come from that community, I mean, it's 442 00:20:00,520 --> 00:20:02,520 Speaker 1: like that's why man, like Twelve Years of Slave and 443 00:20:02,600 --> 00:20:05,639 Speaker 1: certain movies like that. I'm like, bro, I mean, go ahead, like, 444 00:20:05,680 --> 00:20:07,080 Speaker 1: if you need to see it, go ahead, Like I 445 00:20:07,119 --> 00:20:09,399 Speaker 1: don't need I don't need to be convinced or know 446 00:20:09,520 --> 00:20:12,440 Speaker 1: even more or a depiction of it. But I get 447 00:20:12,440 --> 00:20:14,600 Speaker 1: it because everyone, you know, we grapple with our own 448 00:20:14,600 --> 00:20:17,040 Speaker 1: personal histories in our own ways. But yeah, if like 449 00:20:17,680 --> 00:20:20,680 Speaker 1: Leonardo Dicapriolan out here on some like land back shit, 450 00:20:21,080 --> 00:20:23,000 Speaker 1: then what's up? You know what I mean? 451 00:20:23,080 --> 00:20:25,879 Speaker 2: Yeah, that was my main concern when starting to see 452 00:20:25,920 --> 00:20:28,760 Speaker 2: the movie being promoted. You know, the audience reaction of 453 00:20:28,800 --> 00:20:31,399 Speaker 2: the trailers was immediately, wow, that looks beautiful, Wow, that 454 00:20:31,440 --> 00:20:33,960 Speaker 2: looks great. And I saw Martin Scorsese. I didn't know 455 00:20:34,040 --> 00:20:36,320 Speaker 2: much about the film, and then I was like, this 456 00:20:36,400 --> 00:20:40,159 Speaker 2: seems like this could be very delicate and hard to 457 00:20:40,240 --> 00:20:43,800 Speaker 2: pull off for a white man in his eighties, I believe. 458 00:20:44,320 --> 00:20:47,479 Speaker 2: And I and the entire time as I was hearing 459 00:20:47,520 --> 00:20:49,879 Speaker 2: the reaction to the film and how the hype build up, 460 00:20:50,000 --> 00:20:51,879 Speaker 2: I was like, why isn't there any criticism? I was like, 461 00:20:51,960 --> 00:20:53,919 Speaker 2: is it really that good? Did he really handle it 462 00:20:54,280 --> 00:20:57,919 Speaker 2: that carefully and with that much depth and understanding? And 463 00:20:58,000 --> 00:21:00,879 Speaker 2: I'm hearing that it's like kind into but not as 464 00:21:00,960 --> 00:21:02,879 Speaker 2: much as you'd hope. Is that I don't want to 465 00:21:02,880 --> 00:21:06,000 Speaker 2: put words in your mouth, Jackie. Is that I mean? 466 00:21:06,119 --> 00:21:08,080 Speaker 1: I guess, Oh, sorry, go ahead, No, I'm just saying 467 00:21:08,200 --> 00:21:09,760 Speaker 1: or it feels like it's just inherently hard to make 468 00:21:09,800 --> 00:21:13,680 Speaker 1: a movie like this, yeah yeah, and pull it off 469 00:21:13,760 --> 00:21:16,440 Speaker 1: in the way that you need to. Like it's yeah right. 470 00:21:16,359 --> 00:21:18,760 Speaker 2: Yeah, but so does that I guess my I guess 471 00:21:18,800 --> 00:21:22,320 Speaker 2: my misgiving with is like should was he the best 472 00:21:22,359 --> 00:21:26,119 Speaker 2: person to do it? Or I guess because my whole 473 00:21:26,200 --> 00:21:28,560 Speaker 2: my whole reaction to it when I first saw I 474 00:21:28,600 --> 00:21:32,000 Speaker 2: was like, really, Martin Scorsese and that that was That 475 00:21:32,119 --> 00:21:35,359 Speaker 2: was when I guess. I was like the Irishman fine, 476 00:21:35,480 --> 00:21:38,399 Speaker 2: but this felt that different for me, and I was like, 477 00:21:38,440 --> 00:21:41,360 Speaker 2: I wasn't as excited as I thought the hype was, 478 00:21:41,440 --> 00:21:45,160 Speaker 2: and I was questioning, like why I wasn't getting there right? 479 00:21:45,280 --> 00:21:47,720 Speaker 3: I mean, so, so, it's actually based on a book 480 00:21:47,880 --> 00:21:51,000 Speaker 3: called Killers of the Flower Moon by David Grant, who's 481 00:21:51,000 --> 00:21:53,960 Speaker 3: a non native person who writes about the Osage murders 482 00:21:54,280 --> 00:21:57,240 Speaker 3: and the birth of the FBI. But so so yes, 483 00:21:57,320 --> 00:21:59,480 Speaker 3: so that this essentially is a film based off of 484 00:21:59,520 --> 00:22:01,520 Speaker 3: the books. So I think in that way, a lot 485 00:22:01,520 --> 00:22:03,080 Speaker 3: of I didn't read the book, I'll tell you that. 486 00:22:03,160 --> 00:22:06,560 Speaker 3: But again, I'm not like jumping into reading about these 487 00:22:06,600 --> 00:22:08,720 Speaker 3: things myself, but I have quite a few friends who 488 00:22:08,760 --> 00:22:11,399 Speaker 3: read it. And they were like, okay, Like it was 489 00:22:11,440 --> 00:22:13,720 Speaker 3: definitely a little bit more mystery oriented in the book 490 00:22:13,760 --> 00:22:16,479 Speaker 3: according to you know, my friend's assessment of reading it. 491 00:22:17,000 --> 00:22:19,400 Speaker 3: But yeah, they were like, yeah, I think it did 492 00:22:19,560 --> 00:22:22,720 Speaker 3: sort of a good job of laying out what happened 493 00:22:22,760 --> 00:22:25,639 Speaker 3: in the book. But at the same time, this, like 494 00:22:25,680 --> 00:22:28,200 Speaker 3: I said, this is a very heavy topic for this 495 00:22:28,440 --> 00:22:32,320 Speaker 3: very real community that's living with this right now. And 496 00:22:32,400 --> 00:22:34,080 Speaker 3: so I think that's the piece of it where I 497 00:22:34,080 --> 00:22:36,640 Speaker 3: don't know if I'm just naive, but I was like, look, 498 00:22:36,680 --> 00:22:39,240 Speaker 3: this is this is Hollywood. We can we have some 499 00:22:39,320 --> 00:22:42,679 Speaker 3: creative license. Like I thought that the murders might be 500 00:22:43,640 --> 00:22:46,520 Speaker 3: like not so in your face. Like I felt like maybe, 501 00:22:46,600 --> 00:22:49,959 Speaker 3: and I felt like, maybe there's some creative interpretation of 502 00:22:50,000 --> 00:22:53,480 Speaker 3: what happened to inject more agency and power into the 503 00:22:53,560 --> 00:22:55,600 Speaker 3: native perspective, because that's what I would do if I 504 00:22:55,600 --> 00:22:57,760 Speaker 3: had an opportunity to do it, right, I'd be like, 505 00:22:57,760 --> 00:23:00,040 Speaker 3: all right, here's a story, but here's a story I 506 00:23:00,080 --> 00:23:02,600 Speaker 3: want to tell about this story, you know, And so 507 00:23:02,680 --> 00:23:05,200 Speaker 3: I think, like I guess I was silly to think 508 00:23:05,359 --> 00:23:07,959 Speaker 3: maybe it wouldn't be so in your face. And then 509 00:23:07,960 --> 00:23:10,199 Speaker 3: the opening scene, like a couple of moments into the 510 00:23:10,200 --> 00:23:12,840 Speaker 3: opening scene, we see our first murder, and I'm like, aha, 511 00:23:12,880 --> 00:23:14,879 Speaker 3: it was just so real, and it was like literally 512 00:23:14,880 --> 00:23:16,359 Speaker 3: the people were gasping in the audience. 513 00:23:16,400 --> 00:23:17,760 Speaker 2: Okay, you know, and. 514 00:23:17,760 --> 00:23:20,760 Speaker 3: So you said that, yeah, yeah, so but I get it, 515 00:23:20,800 --> 00:23:23,640 Speaker 3: like I think probably, And I haven't read any of 516 00:23:23,680 --> 00:23:26,680 Speaker 3: their sort of the film, the directors, and I haven't 517 00:23:26,720 --> 00:23:28,840 Speaker 3: read any of what they've said in response to any 518 00:23:28,840 --> 00:23:31,080 Speaker 3: of some of the criticism that's coming out, but I'm 519 00:23:31,080 --> 00:23:32,679 Speaker 3: sure they're like, we want it to be real, we 520 00:23:32,720 --> 00:23:34,240 Speaker 3: want it to be in your face because we don't 521 00:23:34,240 --> 00:23:38,119 Speaker 3: want to hide the horrors of what this was. But simultaneously, 522 00:23:38,160 --> 00:23:40,119 Speaker 3: if that's your goal, then I'm gonna recommend dat. If 523 00:23:40,160 --> 00:23:42,240 Speaker 3: people do not watch, you know, anyone who has been 524 00:23:42,240 --> 00:23:44,560 Speaker 3: from a community that has been targeted and oppressed in 525 00:23:44,600 --> 00:23:48,800 Speaker 3: a very violent, awful way. That's where I'm like, ooh, 526 00:23:48,080 --> 00:23:52,240 Speaker 3: I I just just be prepared, basically. And Lily Gladstone, 527 00:23:52,280 --> 00:23:55,680 Speaker 3: who's the amazing actor who plays Molly, she even said 528 00:23:55,760 --> 00:23:59,359 Speaker 3: because unfortunately, because of SAG, and because of the SAG 529 00:23:59,400 --> 00:24:02,080 Speaker 3: after strike, wasn't even able to promote or say much 530 00:24:02,119 --> 00:24:06,520 Speaker 3: about it. And so finally once the strike was lifted 531 00:24:06,560 --> 00:24:09,880 Speaker 3: and all that, Lily came forward and said, like, please 532 00:24:10,280 --> 00:24:12,359 Speaker 3: take care of yourselves because this is a heavy one. 533 00:24:12,600 --> 00:24:14,520 Speaker 3: And I'm like, yeah, that's kind of the vibe we 534 00:24:14,560 --> 00:24:17,600 Speaker 3: should have gone in with. But unfortunately, because of the strike, 535 00:24:17,680 --> 00:24:19,679 Speaker 3: no one was able to say much, you know. So 536 00:24:19,800 --> 00:24:21,879 Speaker 3: and I watched it like I had an advanced screening 537 00:24:22,320 --> 00:24:24,080 Speaker 3: and so like I saw it with a lot of 538 00:24:24,119 --> 00:24:27,320 Speaker 3: people like well before it came out, and so you know. Anyway, 539 00:24:27,520 --> 00:24:30,159 Speaker 3: So also I think it's a little overrated, and I 540 00:24:30,200 --> 00:24:32,280 Speaker 3: do think that people who don't know about the story 541 00:24:32,480 --> 00:24:35,040 Speaker 3: should absolutely watch it. And again, amazing acting. And I 542 00:24:35,040 --> 00:24:38,320 Speaker 3: do hope that Lily Gladstone gets a knom like she 543 00:24:38,440 --> 00:24:40,560 Speaker 3: has to, like she fucking killed it and she and 544 00:24:40,640 --> 00:24:44,240 Speaker 3: people might recognize her from Reservation Dogs. She plays the 545 00:24:44,280 --> 00:24:47,679 Speaker 3: anti who's in prison. So and I can't remember her 546 00:24:47,720 --> 00:24:50,439 Speaker 3: name right now, I'm sorry, but anyway, killer acting, a 547 00:24:50,480 --> 00:24:51,679 Speaker 3: lot of amazing acting. 548 00:24:52,320 --> 00:24:54,040 Speaker 2: It was a good nuanced take. I like that. 549 00:24:54,440 --> 00:24:56,080 Speaker 1: Yeah, you know, you just split the room because we 550 00:24:56,119 --> 00:24:56,639 Speaker 1: didn't see it. 551 00:24:58,040 --> 00:25:01,040 Speaker 3: I wanted you guys to watch it, and I want 552 00:25:01,080 --> 00:25:03,520 Speaker 3: to watch it, please, and let's debrief this case. 553 00:25:03,720 --> 00:25:05,760 Speaker 2: You need to watch it. Absolutely. I was on the 554 00:25:05,800 --> 00:25:07,919 Speaker 2: fence and now the fact that you were like, no, 555 00:25:07,960 --> 00:25:10,000 Speaker 2: it's it's essential. You're just gonna need to take care 556 00:25:10,000 --> 00:25:12,080 Speaker 2: of yourself. That over the edge. 557 00:25:12,200 --> 00:25:15,320 Speaker 1: Yeah, because it's hard I think in general, Yeah, like 558 00:25:15,400 --> 00:25:22,679 Speaker 1: to see just that kind of untethered violence towards marginalized people, 559 00:25:22,760 --> 00:25:26,720 Speaker 1: that is that goes unpunished. It's hard to watch that 560 00:25:26,840 --> 00:25:27,800 Speaker 1: over and over and over. 561 00:25:27,920 --> 00:25:29,600 Speaker 3: And then it's like and then Native women on top 562 00:25:29,640 --> 00:25:31,600 Speaker 3: of that, like we already have, like folks are familiar 563 00:25:31,600 --> 00:25:34,679 Speaker 3: with mm i W murdered Indigenous women. So this is 564 00:25:34,680 --> 00:25:37,879 Speaker 3: nothing new, and it's just really hard to stomach. And 565 00:25:38,520 --> 00:25:41,000 Speaker 3: you know, and also it's three and a half hours long, 566 00:25:41,240 --> 00:25:43,960 Speaker 3: so do not drink anything before you go in. 567 00:25:44,480 --> 00:25:46,240 Speaker 1: Yeah, or we're a diaper, you know. 568 00:25:46,280 --> 00:25:47,080 Speaker 2: Yeah, what you got to do? 569 00:25:47,280 --> 00:25:51,520 Speaker 4: You know, there's no there's no intermission, it's just NonStop. 570 00:25:51,840 --> 00:25:53,720 Speaker 1: Yeah, all right, let's take a quick break. We'll be 571 00:25:53,800 --> 00:25:55,679 Speaker 1: right back and we'll find out what's overrated and then 572 00:25:55,720 --> 00:26:09,199 Speaker 1: we'll get some news and we're back. Let's switch gears. 573 00:26:09,600 --> 00:26:13,040 Speaker 1: We didn't forget about your underrated Jackie. What's something some 574 00:26:13,119 --> 00:26:15,040 Speaker 1: things I don't know what's something that's underrated. 575 00:26:15,400 --> 00:26:18,600 Speaker 4: I think what's really underrated is acupuncture. 576 00:26:18,880 --> 00:26:21,720 Speaker 3: Okay, so I'm in that point in my life where 577 00:26:21,800 --> 00:26:23,440 Speaker 3: I'm having psiatic nerve pain. 578 00:26:23,640 --> 00:26:25,359 Speaker 4: What no fun? No fun. 579 00:26:25,840 --> 00:26:29,240 Speaker 3: And and honestly, it happened because I just got really sedentary. 580 00:26:29,280 --> 00:26:31,120 Speaker 3: I started working from home about three and a half 581 00:26:31,200 --> 00:26:33,080 Speaker 3: years ago, and I stay working at home, so I'm 582 00:26:33,080 --> 00:26:36,439 Speaker 3: not doing that like active movement, just running to and 583 00:26:36,480 --> 00:26:39,680 Speaker 3: from the office like I used to. So anyway, I 584 00:26:39,720 --> 00:26:41,560 Speaker 3: had a really bad flare up and one of my 585 00:26:41,560 --> 00:26:43,840 Speaker 3: good friends was like, Yo, you got to check out 586 00:26:43,960 --> 00:26:47,200 Speaker 3: this acupuncture clinic. This woman's amazing. You go in there, 587 00:26:47,200 --> 00:26:49,040 Speaker 3: you walk out with no back pain, and you, guys, 588 00:26:49,240 --> 00:26:51,399 Speaker 3: I'm not even lying. I would be pretty aggressive about it. 589 00:26:51,400 --> 00:26:54,280 Speaker 3: Go three times a week. But yeah, I have got 590 00:26:54,320 --> 00:26:57,200 Speaker 3: it down to a point where I'm sitting, I'm able 591 00:26:57,240 --> 00:26:58,680 Speaker 3: to stand for long periods of time. 592 00:26:58,800 --> 00:27:01,159 Speaker 4: Like it's such a what's so cool about it that 593 00:27:01,200 --> 00:27:01,679 Speaker 4: I didn't know? 594 00:27:01,760 --> 00:27:04,280 Speaker 3: I don't know the total science behind it, you know, 595 00:27:04,640 --> 00:27:07,000 Speaker 3: but this is like traditional Chinese medicine. 596 00:27:07,320 --> 00:27:09,879 Speaker 4: It is used widely across the globe. 597 00:27:10,000 --> 00:27:13,640 Speaker 3: Multiple countries have it just built into their medical systems, 598 00:27:13,680 --> 00:27:15,760 Speaker 3: you know. But the US is, you know, a little 599 00:27:15,760 --> 00:27:18,240 Speaker 3: on the fence, probably because they love pharmaceuticals anyway. 600 00:27:18,359 --> 00:27:21,320 Speaker 1: Yeah, well did it come from one of the colonial 601 00:27:21,400 --> 00:27:22,600 Speaker 1: powers exactly? 602 00:27:23,359 --> 00:27:25,639 Speaker 3: We don't know if we can trust it, yeah, exactly. 603 00:27:25,720 --> 00:27:30,280 Speaker 3: But it basically gets your body into a relaxed state. 604 00:27:30,880 --> 00:27:33,000 Speaker 3: And so like in the beginning, I was nervous because 605 00:27:33,040 --> 00:27:36,480 Speaker 3: I'm afraid of needles, but you kind of just get 606 00:27:36,560 --> 00:27:38,520 Speaker 3: used to it after a while, and they'll like put 607 00:27:38,560 --> 00:27:40,679 Speaker 3: like a couple of pins like like for me anyway, 608 00:27:40,720 --> 00:27:43,640 Speaker 3: based on what I need in my on the top 609 00:27:43,680 --> 00:27:46,159 Speaker 3: of my scalp right here, and I swear whenever she 610 00:27:46,240 --> 00:27:48,919 Speaker 3: pops that in, it's like my body goes m like 611 00:27:48,960 --> 00:27:50,760 Speaker 3: it just it kind of like powers down in a 612 00:27:50,760 --> 00:27:53,959 Speaker 3: really beautiful way. Because I'm a very active creative and 613 00:27:54,040 --> 00:27:57,040 Speaker 3: sometimes I cannot get this thing to shut down on 614 00:27:57,080 --> 00:28:00,520 Speaker 3: its own. So I love to just chill. And I'll 615 00:28:00,560 --> 00:28:03,000 Speaker 3: just like chill there for like forty minutes with these 616 00:28:03,000 --> 00:28:05,080 Speaker 3: little needles on me, and then when I walk out, 617 00:28:05,119 --> 00:28:09,040 Speaker 3: I feel like this little post acupuncture glow where I'm 618 00:28:09,119 --> 00:28:09,639 Speaker 3: just like. 619 00:28:09,880 --> 00:28:12,040 Speaker 4: Everything's beautiful and I'm relaxed, you know. 620 00:28:12,240 --> 00:28:14,199 Speaker 3: And so I just think it's really underrated and I 621 00:28:14,200 --> 00:28:16,840 Speaker 3: don't hear enough people talking about it, and like you 622 00:28:16,960 --> 00:28:19,439 Speaker 3: kind of depending on your healthcare. You may or may 623 00:28:19,480 --> 00:28:23,600 Speaker 3: not have options, but there are definitely community clinics that 624 00:28:23,760 --> 00:28:26,119 Speaker 3: try to get this tutted more reasonable sliding scale. So 625 00:28:26,119 --> 00:28:28,320 Speaker 3: I'm sure it's available a lot of places, but I 626 00:28:28,320 --> 00:28:31,080 Speaker 3: could I couldn't tell you like how surprised I was 627 00:28:31,080 --> 00:28:33,800 Speaker 3: at how it was able to address like my acute 628 00:28:34,280 --> 00:28:35,840 Speaker 3: like I was having a major flare up. And so 629 00:28:35,880 --> 00:28:39,480 Speaker 3: I'm just gonna go continuously and yeah, so I'm a 630 00:28:39,480 --> 00:28:41,440 Speaker 3: big fan and I highly recommend it for anybody. 631 00:28:41,600 --> 00:28:44,320 Speaker 1: I need that for my back after I slipped and kicked. 632 00:28:44,520 --> 00:28:46,840 Speaker 4: Yeah, yeah, no, Miles, you need that. 633 00:28:47,320 --> 00:28:49,200 Speaker 2: I was just gonna say, it's it's so wild you 634 00:28:49,240 --> 00:28:51,960 Speaker 2: say that I have. I spend a lot of hours 635 00:28:51,960 --> 00:28:54,280 Speaker 2: in this Batman chair that I'm sitting in right now. 636 00:28:54,560 --> 00:28:59,000 Speaker 2: And as I was doing the AKA, right after I 637 00:28:59,040 --> 00:29:00,280 Speaker 2: was done, say, I don't know if you can, guys 638 00:29:00,280 --> 00:29:03,719 Speaker 2: noticed me, my back started freaking out. I have no 639 00:29:03,840 --> 00:29:08,360 Speaker 2: idea what happened, was yo, I have no I think 640 00:29:08,400 --> 00:29:11,600 Speaker 2: I busted my classical my oh my god, no, no, 641 00:29:11,720 --> 00:29:14,880 Speaker 2: my back was spasming, and I was I just turned 642 00:29:14,880 --> 00:29:17,880 Speaker 2: thirty two, so I'm discovering new things about my body 643 00:29:18,200 --> 00:29:20,240 Speaker 2: all the time, and this really you hit on a 644 00:29:20,320 --> 00:29:23,840 Speaker 2: number of things. I definitely spend too much time in 645 00:29:23,840 --> 00:29:26,560 Speaker 2: a chair. I become more sedentary as well, and I'm 646 00:29:26,760 --> 00:29:29,440 Speaker 2: my lower back is doing some weird stuff, and I 647 00:29:29,520 --> 00:29:33,280 Speaker 2: think I also have a hard time relaxing, especially if 648 00:29:33,280 --> 00:29:35,760 Speaker 2: I'm like in a in a place where I think, 649 00:29:35,960 --> 00:29:38,120 Speaker 2: you know, the idea of massage and like spas and 650 00:29:38,120 --> 00:29:41,160 Speaker 2: stuff it really really appeals to me. I love the 651 00:29:41,240 --> 00:29:44,280 Speaker 2: idea of it, but being comfortable in that space, like 652 00:29:44,280 --> 00:29:47,000 Speaker 2: I cannot turn my head off. I'm constantly like body 653 00:29:47,000 --> 00:29:49,440 Speaker 2: conscious and wondering what's going on. The fact that someone 654 00:29:49,440 --> 00:29:51,880 Speaker 2: can just like place a thing on me it's and 655 00:29:51,960 --> 00:29:54,440 Speaker 2: just take a step back. That's really appealing to me 656 00:29:54,440 --> 00:29:56,600 Speaker 2: in a way I never thought about before. I mean, 657 00:29:56,680 --> 00:29:57,360 Speaker 2: it's powerful. 658 00:29:57,440 --> 00:29:59,560 Speaker 3: It's powerful stuff, and like again like I don't know 659 00:29:59,600 --> 00:30:02,240 Speaker 3: all this su vices of it. It's basically about energy flow, 660 00:30:02,640 --> 00:30:06,200 Speaker 3: and it's about basically cleaning up those sort of intersections 661 00:30:06,200 --> 00:30:07,680 Speaker 3: of energy that are going through our body and some 662 00:30:07,720 --> 00:30:10,080 Speaker 3: of them are kind of stuck, if you will. And 663 00:30:10,120 --> 00:30:13,080 Speaker 3: it's really big on like lowering inflammation. Like there's just 664 00:30:13,160 --> 00:30:14,680 Speaker 3: a lot of people I know who now it's a 665 00:30:14,760 --> 00:30:17,880 Speaker 3: part of their general health care practices. It's a week 666 00:30:17,920 --> 00:30:20,040 Speaker 3: they go to their acupuncturists, they do their thing. But 667 00:30:20,440 --> 00:30:23,360 Speaker 3: I will like fully take naps in that chair, you know. 668 00:30:23,760 --> 00:30:26,760 Speaker 3: So anyway, I just I love it and I feel 669 00:30:26,760 --> 00:30:28,840 Speaker 3: like and you said, you just turned thirty two, Happy, 670 00:30:28,960 --> 00:30:32,680 Speaker 3: happy birthday, belated birthday. And that's about that age when 671 00:30:32,720 --> 00:30:35,520 Speaker 3: stuff starts to move around and I feel like it's 672 00:30:35,680 --> 00:30:40,040 Speaker 3: really taken the like I need to start building stuff 673 00:30:40,040 --> 00:30:43,640 Speaker 3: into my regular practice because it's just going to keep. 674 00:30:43,480 --> 00:30:44,760 Speaker 4: Getting more challenging. 675 00:30:44,960 --> 00:30:50,000 Speaker 1: Unfortunately, I take care yourself, unless unless we can find 676 00:30:50,040 --> 00:30:52,200 Speaker 1: the found of youth, you know what I mean? 677 00:30:52,560 --> 00:30:53,520 Speaker 2: Right right? 678 00:30:53,920 --> 00:30:55,800 Speaker 1: Or that just means, you know, taking the blood of 679 00:30:56,000 --> 00:30:57,720 Speaker 1: younger people and then to put it in your body 680 00:30:57,760 --> 00:30:59,280 Speaker 1: and maybe that works. I don't know if people are 681 00:30:59,280 --> 00:30:59,640 Speaker 1: trying it. 682 00:30:59,720 --> 00:31:02,880 Speaker 2: So, yeah, a couple of bong rips. It's all however 683 00:31:02,920 --> 00:31:04,760 Speaker 2: you get through your day. It's however you get. 684 00:31:04,680 --> 00:31:07,440 Speaker 1: Through yeah, yeah, yeah, yeah, the bong of youth. That's 685 00:31:07,480 --> 00:31:09,800 Speaker 1: what I call it, the blunt of youth, you know 686 00:31:09,840 --> 00:31:12,160 Speaker 1: what I mean? Who would have known that the secret 687 00:31:12,200 --> 00:31:15,080 Speaker 1: to long life was in a pack of backwoodsy Okay, 688 00:31:15,440 --> 00:31:19,000 Speaker 1: let's move on to some news. The GOP. We were 689 00:31:19,040 --> 00:31:23,160 Speaker 1: just talking about how the habit of tripling and doubling, 690 00:31:23,240 --> 00:31:27,400 Speaker 1: quadrupling down on this terrible hand of like transphobia and 691 00:31:27,800 --> 00:31:32,040 Speaker 1: healthcare denial or health access to healthcare denial is like 692 00:31:32,080 --> 00:31:33,880 Speaker 1: their whole thing, and they keep losing. They're like, no, 693 00:31:34,000 --> 00:31:37,320 Speaker 1: we can win, man, we can win. And also, I 694 00:31:37,320 --> 00:31:39,240 Speaker 1: know it's a total clown show in the Congress, but 695 00:31:39,360 --> 00:31:42,200 Speaker 1: like we can't even keep the government funded, but don't worry, 696 00:31:42,200 --> 00:31:45,560 Speaker 1: you still vote for us. There's this moment on Tuesday 697 00:31:45,680 --> 00:31:48,960 Speaker 1: where Chip Roy, who's a congressman of Texas, was getting 698 00:31:49,040 --> 00:31:51,960 Speaker 1: really upset with just kind of like yo, like there's 699 00:31:52,080 --> 00:31:55,040 Speaker 1: so much infighting, like we can barely keep the government funding. 700 00:31:55,400 --> 00:31:58,560 Speaker 1: What like, just started grand standing as if he wasn't 701 00:31:58,560 --> 00:32:01,040 Speaker 1: a Republican too. But it's just interesting to see him 702 00:32:01,160 --> 00:32:04,400 Speaker 1: come for his fellow colleagues on the right because he's 703 00:32:04,480 --> 00:32:09,040 Speaker 1: big mad about the perceived nonsense that's happening, although he 704 00:32:09,080 --> 00:32:11,520 Speaker 1: probably isn't. He's just he's probably doing this to help 705 00:32:11,560 --> 00:32:14,000 Speaker 1: his election chances. But anyway, let's listen to Chip Roy. 706 00:32:14,560 --> 00:32:15,120 Speaker 2: One thing. 707 00:32:16,400 --> 00:32:19,720 Speaker 6: I want my Republican colleagues to give me one thing, 708 00:32:20,280 --> 00:32:23,080 Speaker 6: one that I can go campaign on and say we 709 00:32:23,120 --> 00:32:28,400 Speaker 6: did one anybody's sitting in the complex if you want 710 00:32:28,400 --> 00:32:30,040 Speaker 6: to come down to the floor and come explain to 711 00:32:30,080 --> 00:32:36,560 Speaker 6: me one material, meaningful, significant thing the Republican majority has done. 712 00:32:37,120 --> 00:32:40,400 Speaker 1: So that's very interesting. It should be noted that he 713 00:32:40,520 --> 00:32:42,760 Speaker 1: decided to talk with his chest out like that when 714 00:32:42,880 --> 00:32:46,120 Speaker 1: it was empty. So can't really give you full points 715 00:32:46,160 --> 00:32:48,280 Speaker 1: there chip for going after your colleagues because you're like, 716 00:32:48,280 --> 00:32:51,280 Speaker 1: all right, everybody gone, now watch this shit. Because also, 717 00:32:51,360 --> 00:32:53,680 Speaker 1: let's like this is where it's a little bit funny, right, 718 00:32:53,720 --> 00:32:56,800 Speaker 1: I get that he's saying, like, name one thing, but sir, 719 00:32:57,240 --> 00:33:00,160 Speaker 1: you are wasting your time trying to get divers the 720 00:33:00,240 --> 00:33:03,800 Speaker 1: bills like canned from the Department of Defense, or you know, 721 00:33:03,920 --> 00:33:07,880 Speaker 1: going after just like very basic things like like there's 722 00:33:08,120 --> 00:33:11,280 Speaker 1: a federal law that bans people from blocking abortion clinics 723 00:33:11,400 --> 00:33:13,720 Speaker 1: and he wanted to repeal that. So, sir, you're you're 724 00:33:13,720 --> 00:33:15,640 Speaker 1: putting a lot of your energy behind shit that I 725 00:33:15,680 --> 00:33:17,600 Speaker 1: don't know if you can actually go back to your 726 00:33:17,600 --> 00:33:20,280 Speaker 1: constituents and be like, yeah, I did that, I kept 727 00:33:20,320 --> 00:33:24,480 Speaker 1: a rainbow flag out of the Pentagon. Okay, But it's 728 00:33:24,480 --> 00:33:26,440 Speaker 1: just like one of those things where it's like a 729 00:33:26,480 --> 00:33:28,760 Speaker 1: little bit of trying to say like I'm better than everybody, 730 00:33:28,760 --> 00:33:30,560 Speaker 1: but if you really look at the receipts, you're like, bro, 731 00:33:30,640 --> 00:33:33,040 Speaker 1: you were what the fuck are you saying for? Really? 732 00:33:33,120 --> 00:33:33,360 Speaker 2: Yeah? 733 00:33:33,520 --> 00:33:33,720 Speaker 6: Yeah. 734 00:33:33,760 --> 00:33:35,880 Speaker 2: He reminds me of my dog who makes a huge 735 00:33:35,880 --> 00:33:37,840 Speaker 2: frust room. There's like a shadow at the door, and 736 00:33:37,840 --> 00:33:39,440 Speaker 2: as soon as you open it up, she's like, oh, 737 00:33:39,520 --> 00:33:43,400 Speaker 2: new friend, It's yeah, I don't, I can't. I'm really tired. 738 00:33:43,600 --> 00:33:46,680 Speaker 2: I so I love to see people being passionate. I 739 00:33:46,800 --> 00:33:50,160 Speaker 2: just hate to see people being inauthentic. And it's I 740 00:33:50,160 --> 00:33:54,080 Speaker 2: think that's what's really made the populous like so apathetic, 741 00:33:54,320 --> 00:33:58,200 Speaker 2: cause it's hard to trust anything in politics. It always 742 00:33:58,280 --> 00:34:01,840 Speaker 2: has been. But even when they're it's like some modicum 743 00:34:01,920 --> 00:34:05,840 Speaker 2: of like an impassioned speech, it's always tacked on with 744 00:34:05,960 --> 00:34:08,120 Speaker 2: the caveat of like, you know, this isn't real, this 745 00:34:08,200 --> 00:34:11,240 Speaker 2: is a performance, blah blah blah. And I just can't 746 00:34:11,880 --> 00:34:14,239 Speaker 2: sit here and stuff because otherwise when it's when it's real, 747 00:34:14,360 --> 00:34:16,200 Speaker 2: you get that weird ship like we got the other 748 00:34:16,280 --> 00:34:18,839 Speaker 2: day with Mark Wayne Mullen trying to beat people up 749 00:34:18,880 --> 00:34:21,160 Speaker 2: in like a Senate chamber, and that was a real 750 00:34:21,239 --> 00:34:25,200 Speaker 2: impassion thing, but it was so stupid that everyone felt 751 00:34:25,239 --> 00:34:27,800 Speaker 2: embarrassed by it, and this is these are the options 752 00:34:27,800 --> 00:34:29,880 Speaker 2: we have. It's fake or it's stupid. 753 00:34:30,239 --> 00:34:32,400 Speaker 1: Yeah, well that's not that was more. I feel like 754 00:34:32,440 --> 00:34:36,800 Speaker 1: toxic mask. I don't want to I don't care, and 755 00:34:37,480 --> 00:34:39,920 Speaker 1: you fuck with my mask. Oh I'll fight you right here. 756 00:34:39,960 --> 00:34:41,919 Speaker 2: I want to pretend to take my wedding ring off 757 00:34:41,960 --> 00:34:45,760 Speaker 2: because I don't want to hurt anyone exactly like an idiot. 758 00:34:45,880 --> 00:34:48,439 Speaker 1: Yeah if you started taking his wristwatch off and doing 759 00:34:48,440 --> 00:34:50,200 Speaker 1: the whole clear out of my okay, and they're like, 760 00:34:50,239 --> 00:34:51,600 Speaker 1: oh he's wearing black Air Forces. 761 00:34:51,640 --> 00:34:53,880 Speaker 2: Oh oh shit, okay, Oh. 762 00:34:53,760 --> 00:34:56,600 Speaker 1: I didn't know. I didn't know. Maybe maybe Mark Wayne 763 00:34:56,920 --> 00:34:58,000 Speaker 1: is trying to make. 764 00:34:58,640 --> 00:35:03,440 Speaker 2: Smokest even just smears it on about to get ready, 765 00:35:03,560 --> 00:35:04,400 Speaker 2: He's like, let me till. 766 00:35:04,280 --> 00:35:06,120 Speaker 1: My hair back really quick, let me take my farings out. 767 00:35:06,400 --> 00:35:07,239 Speaker 4: Yeah the. 768 00:35:08,760 --> 00:35:12,920 Speaker 1: Baby, hold my baby, hold my baby. But yeah, it's 769 00:35:13,200 --> 00:35:15,319 Speaker 1: but yeah, this is kind of like what's what it's 770 00:35:15,320 --> 00:35:18,800 Speaker 1: been reduced to. It's just people getting clips on Twitter 771 00:35:19,120 --> 00:35:22,000 Speaker 1: and then hopefully they can campaign on that. Meanwhile, like 772 00:35:22,080 --> 00:35:25,480 Speaker 1: the Democrats don't have to do anything because the Republicans 773 00:35:25,480 --> 00:35:28,200 Speaker 1: are so bad, so everybody loses because they can just 774 00:35:28,200 --> 00:35:30,160 Speaker 1: be like because everyone's just like, this is gonna make 775 00:35:30,200 --> 00:35:32,560 Speaker 1: re election so easy for all the Democrats. It's like, yeah, 776 00:35:32,600 --> 00:35:34,920 Speaker 1: but here's the issue here. If we're not trying to 777 00:35:35,000 --> 00:35:36,960 Speaker 1: change the status quo for something that looks a little 778 00:35:37,000 --> 00:35:39,480 Speaker 1: more equitable, then we're not doing we're doing fuck all. 779 00:35:39,480 --> 00:35:42,560 Speaker 1: We're actually going backwards. And I just I always say, like, 780 00:35:42,600 --> 00:35:45,600 Speaker 1: I just hate how easy like it is for Democrats 781 00:35:45,600 --> 00:35:47,560 Speaker 1: when you have Republicans like this who are just like 782 00:35:47,640 --> 00:35:52,439 Speaker 1: completely lost the plot. But anyway, here we are. Shall 783 00:35:52,480 --> 00:35:55,200 Speaker 1: we move on to something a little bit more, I guess, 784 00:35:55,200 --> 00:35:59,399 Speaker 1: more chaotic than the dysfunction of Congress. A horse being 785 00:35:59,560 --> 00:36:03,759 Speaker 1: loose on a plane. I saw this headline it said 786 00:36:04,000 --> 00:36:07,719 Speaker 1: plane forced to return to JFK Airport after horse on 787 00:36:07,840 --> 00:36:13,239 Speaker 1: board gets loose. Now I'm pretty sure everyone is picturing 788 00:36:13,440 --> 00:36:16,239 Speaker 1: like a full on fucking horse, like fucking up the 789 00:36:16,320 --> 00:36:20,600 Speaker 1: fuselage right like where people are like, ah uh, well, 790 00:36:20,719 --> 00:36:24,239 Speaker 1: it turns out because obviously that shit wouldn't happen, Although 791 00:36:24,239 --> 00:36:25,960 Speaker 1: I don't know why. My mind's like how to get 792 00:36:26,000 --> 00:36:27,960 Speaker 1: the horse in the plane like that It was in 793 00:36:28,000 --> 00:36:31,040 Speaker 1: the cargo hold and got out of the its crate, 794 00:36:31,360 --> 00:36:34,080 Speaker 1: which is why the plane had to land and which 795 00:36:34,120 --> 00:36:37,000 Speaker 1: is interesting too. The pilot was like, no, we're good 796 00:36:37,000 --> 00:36:39,120 Speaker 1: to fly. But the pilot was really concerned about the 797 00:36:39,160 --> 00:36:41,160 Speaker 1: well being of the horse and was saying like, hey, 798 00:36:41,200 --> 00:36:43,640 Speaker 1: when we landed, JFK, like, we need veterinary care to 799 00:36:43,719 --> 00:36:45,839 Speaker 1: check this horse out, like want to make sure this 800 00:36:45,920 --> 00:36:48,400 Speaker 1: horse is doing all good. And I'm like, damn, like 801 00:36:48,440 --> 00:36:50,480 Speaker 1: this's a lot of you know, we don't even give 802 00:36:50,520 --> 00:36:53,319 Speaker 1: a fucking human beings this kind of consideration. But but 803 00:36:53,440 --> 00:36:56,680 Speaker 1: go on, pilot, Yeah, bring this thing down and save 804 00:36:56,760 --> 00:37:00,239 Speaker 1: the horse. But yeah, I didn't realize horses do fly 805 00:37:00,320 --> 00:37:01,440 Speaker 1: on planes all the time. 806 00:37:01,719 --> 00:37:04,319 Speaker 2: Yeah, I didn't know this either. And as someone who 807 00:37:04,440 --> 00:37:07,080 Speaker 2: I think we've talked many times about like the anxieties 808 00:37:07,120 --> 00:37:09,720 Speaker 2: of flying on air traveling when you have a pet 809 00:37:09,920 --> 00:37:12,440 Speaker 2: and you're worried about like it shitting in the airport 810 00:37:12,480 --> 00:37:15,560 Speaker 2: or whatever, I have committed to never taking my dog 811 00:37:15,640 --> 00:37:18,840 Speaker 2: on a plane unless I somehow make enough money to 812 00:37:19,000 --> 00:37:22,200 Speaker 2: like go on a chartered flight at some point. 813 00:37:22,000 --> 00:37:25,799 Speaker 1: But may only fly private, right, right, But I. 814 00:37:25,800 --> 00:37:29,960 Speaker 2: Was thinking, why isn't there a airline that caters to 815 00:37:30,480 --> 00:37:33,719 Speaker 2: animal lovers, pet owners or whatever where you can make it. 816 00:37:33,800 --> 00:37:35,879 Speaker 2: So it's like, no, we're pretty chill about your dog 817 00:37:35,920 --> 00:37:37,680 Speaker 2: shitting in the eye. We have someone to clean it up. 818 00:37:37,800 --> 00:37:39,080 Speaker 2: I would pay extra for that. 819 00:37:39,480 --> 00:37:42,800 Speaker 1: You would, Yeah, you know that fucking airline would smell 820 00:37:43,000 --> 00:37:43,839 Speaker 1: like straight. 821 00:37:43,640 --> 00:37:46,799 Speaker 2: Up, and that's fine. I don't care. I don't have 822 00:37:47,000 --> 00:37:49,360 Speaker 2: I don't. I pretty much have to pay like so 823 00:37:49,520 --> 00:37:51,520 Speaker 2: much money to put my dog in daycare when I 824 00:37:51,640 --> 00:37:53,719 Speaker 2: like to travel myself. I don't know if they went 825 00:37:53,760 --> 00:37:54,640 Speaker 2: around to take care of it. 826 00:37:54,680 --> 00:37:56,000 Speaker 1: I guess you could make it work if you use 827 00:37:56,080 --> 00:37:58,560 Speaker 1: like a decommissioned like C one thirty or something like 828 00:37:58,560 --> 00:38:00,200 Speaker 1: a military aircraft. 829 00:37:59,680 --> 00:38:01,879 Speaker 2: Where and limit it too. Don't make it like three 830 00:38:01,960 --> 00:38:05,160 Speaker 2: hundred people on a plane, like make it very limited. 831 00:38:05,360 --> 00:38:07,080 Speaker 1: Or just being like or when you get on, you're like, 832 00:38:07,120 --> 00:38:09,279 Speaker 1: y'all know what time it is. There's no fucking snacks, bro, 833 00:38:09,400 --> 00:38:11,600 Speaker 1: this is the bus for your dog to ship on 834 00:38:11,680 --> 00:38:13,520 Speaker 1: while we go to fucking Buffalo, New York. Yeah. 835 00:38:13,520 --> 00:38:16,080 Speaker 2: And also we're not doing we're not doing twelve hour flights. 836 00:38:16,080 --> 00:38:18,560 Speaker 2: We're doing like two hours, you know whatever, where your 837 00:38:18,560 --> 00:38:20,239 Speaker 2: dog can handle it. I'm trying to be I'm trying 838 00:38:20,239 --> 00:38:21,319 Speaker 2: to be practical here, but. 839 00:38:21,400 --> 00:38:24,000 Speaker 1: Okay, okay, yeah, yeah, do you have any experience with 840 00:38:24,040 --> 00:38:27,080 Speaker 1: horses on a with traveling with horses. I mean I 841 00:38:27,160 --> 00:38:31,080 Speaker 1: knew somebody who was dating like a horse, a horse 842 00:38:31,120 --> 00:38:33,879 Speaker 1: girl for lack of a better term, a horse. Yeah. 843 00:38:33,920 --> 00:38:36,120 Speaker 1: You know, like there's like the girls I like, I 844 00:38:36,200 --> 00:38:38,000 Speaker 1: have a horse and they're like and you're like, and 845 00:38:38,080 --> 00:38:39,440 Speaker 1: you realize that They're like, oh, that means you were 846 00:38:39,560 --> 00:38:41,400 Speaker 1: rich as fuck. I didn't. We just thought you were 847 00:38:41,400 --> 00:38:44,279 Speaker 1: always like drawing pictures of horses and ship. But my 848 00:38:44,360 --> 00:38:46,799 Speaker 1: friend was dating someone like that who like came from 849 00:38:46,840 --> 00:38:50,800 Speaker 1: apparently like hidden dynastic wealth and was like flying. 850 00:38:50,440 --> 00:38:52,719 Speaker 7: Her horses like all over the place. And that was 851 00:38:52,719 --> 00:38:54,080 Speaker 7: the first time I heard him like you can just 852 00:38:54,080 --> 00:38:55,600 Speaker 7: put them. They're like, yeah, let's how you get them 853 00:38:55,600 --> 00:38:57,400 Speaker 7: across the country, and like you need your horse to 854 00:38:57,440 --> 00:39:00,680 Speaker 7: go Again, I'm ignorant of the those things that are 855 00:39:00,719 --> 00:39:04,520 Speaker 7: all equine, but apparently like this is normal too. There 856 00:39:04,560 --> 00:39:07,440 Speaker 7: was like a bear cub got loose on a flight 857 00:39:07,520 --> 00:39:09,640 Speaker 7: to bag Dad if that was like on the internet, 858 00:39:09,640 --> 00:39:12,680 Speaker 7: where like a little bear club bear cub bear crub 859 00:39:12,719 --> 00:39:13,560 Speaker 7: bear cub. 860 00:39:14,160 --> 00:39:16,319 Speaker 1: Was just wilding out on the plane. And then also 861 00:39:16,400 --> 00:39:18,800 Speaker 1: like on viet Jet there was a flight where someone 862 00:39:19,000 --> 00:39:22,640 Speaker 1: an otter and a rat that were smuggling into someone's suitcase, 863 00:39:22,680 --> 00:39:23,560 Speaker 1: got out. 864 00:39:23,840 --> 00:39:26,640 Speaker 3: No, no, man, this is too much. I already hate 865 00:39:26,640 --> 00:39:29,600 Speaker 3: flying to begin with. If some animal pops up and 866 00:39:29,680 --> 00:39:31,520 Speaker 3: some shit, I'm out, you know, I. 867 00:39:31,480 --> 00:39:33,080 Speaker 4: Mean you can't be out. That's the whole problem. You're 868 00:39:33,080 --> 00:39:34,560 Speaker 4: just stuck on a plane with these critters. 869 00:39:34,880 --> 00:39:37,440 Speaker 1: Yeah, I mean, I can't just open the emergency exit. 870 00:39:37,760 --> 00:39:40,759 Speaker 3: Yeah, exactly, you know what I mean, deal with it 871 00:39:40,800 --> 00:39:43,320 Speaker 3: that way. I mean it would be terrifying. Can you imagine, 872 00:39:43,360 --> 00:39:45,279 Speaker 3: Because here's what's happening. Right, They're in the plane and 873 00:39:45,320 --> 00:39:46,680 Speaker 3: they hear clank clank, clank, clink clink. 874 00:39:46,840 --> 00:39:47,760 Speaker 4: They're like, what the fuck. 875 00:39:47,600 --> 00:39:48,760 Speaker 2: Is that sound? Oh? Ship? 876 00:39:48,920 --> 00:39:51,319 Speaker 4: The horse cut right? 877 00:39:52,080 --> 00:39:54,920 Speaker 1: Those you don't want to have like barn problems on 878 00:39:55,000 --> 00:39:58,839 Speaker 1: a plane, you know, the horse got out like that. 879 00:39:59,320 --> 00:40:01,640 Speaker 1: I I like that in the context of like a 880 00:40:02,080 --> 00:40:04,560 Speaker 1: you know, like a rural setting, but not on my 881 00:40:04,640 --> 00:40:08,000 Speaker 1: overpriced flight, because it's our shi It's already too much. 882 00:40:08,080 --> 00:40:09,279 Speaker 4: It's too much, it's too much. 883 00:40:09,320 --> 00:40:12,000 Speaker 3: And then also like poor horses, Like horses are actually 884 00:40:12,040 --> 00:40:15,440 Speaker 3: really sensitive, so I'm sure damn horse was having the 885 00:40:15,480 --> 00:40:18,399 Speaker 3: worst panic attack of its life yet five thousand feet 886 00:40:18,400 --> 00:40:20,840 Speaker 3: in the air. Very unfair to that point, not. 887 00:40:20,880 --> 00:40:21,760 Speaker 1: Even find private. 888 00:40:22,120 --> 00:40:24,279 Speaker 2: Yeah, that's that's one of the that that honestly is 889 00:40:24,320 --> 00:40:25,839 Speaker 2: one of the reasons I don't even I don't think 890 00:40:25,880 --> 00:40:28,160 Speaker 2: my dog would like flying private. She's that bougie. She 891 00:40:28,160 --> 00:40:29,680 Speaker 2: would make me drive her like I don't. 892 00:40:29,760 --> 00:40:32,920 Speaker 1: I'm not. I don't like resisting getting on the plane when. 893 00:40:34,360 --> 00:40:36,240 Speaker 2: Absolutely why do we walking past. 894 00:40:36,000 --> 00:40:37,879 Speaker 1: The late flat seats? Why are we walking past these 895 00:40:37,920 --> 00:40:40,520 Speaker 1: seats the back? Yeah? 896 00:40:40,600 --> 00:40:43,359 Speaker 2: Yeah, I don't want to make anyone uncomfortable. I think, yeah, 897 00:40:43,360 --> 00:40:45,560 Speaker 2: I think I would always could. I will take four 898 00:40:45,600 --> 00:40:48,240 Speaker 2: extra travel days to like take my dog. Planes freaked 899 00:40:48,239 --> 00:40:50,840 Speaker 2: me out so much already, Like you said, it's too expensive, 900 00:40:51,120 --> 00:40:53,880 Speaker 2: it's too uncomfortable. We already dealing with people taking their 901 00:40:53,880 --> 00:40:55,840 Speaker 2: shoes off. I don't want to deal with. 902 00:40:55,680 --> 00:40:58,120 Speaker 3: When you people with the feet. Yeah, I'll take a 903 00:40:58,120 --> 00:40:59,919 Speaker 3: horse over a foot any day. Yeah. 904 00:41:00,080 --> 00:41:02,400 Speaker 2: Oh yeah, I don't need I don't need any of that. 905 00:41:02,480 --> 00:41:05,239 Speaker 2: Wasn't that an RFK junior thing? Recently he went to 906 00:41:05,320 --> 00:41:09,000 Speaker 2: like like an airport bathroom without socks or shoes on, 907 00:41:09,440 --> 00:41:10,440 Speaker 2: like you know when you do. 908 00:41:11,120 --> 00:41:15,800 Speaker 1: Someone caught him walking through first class one to the bathroom. 909 00:41:16,080 --> 00:41:19,160 Speaker 2: Yeah, so no, thank you? So yeah, I think I 910 00:41:19,200 --> 00:41:24,319 Speaker 2: think sure, maybe we need to relook at how we're 911 00:41:24,360 --> 00:41:27,200 Speaker 2: transporting these animals, because that doesn't sound like it would. 912 00:41:27,440 --> 00:41:28,919 Speaker 2: I mean, how do you get out of that without 913 00:41:28,920 --> 00:41:30,839 Speaker 2: traumatizing the horse, like. 914 00:41:31,040 --> 00:41:33,200 Speaker 1: I mean, give a bunch of horses or something. 915 00:41:33,400 --> 00:41:35,760 Speaker 2: Yeah, I mean, well, yeah, I think it's still probably 916 00:41:35,800 --> 00:41:36,680 Speaker 2: going to be traumatized. 917 00:41:36,760 --> 00:41:41,799 Speaker 1: Yeah, yeah, yeah, I heard. I heard it was not 918 00:41:41,880 --> 00:41:47,160 Speaker 1: really for humans at first. 919 00:41:44,960 --> 00:41:48,360 Speaker 4: More tranquilizer find it at any concert. 920 00:41:48,560 --> 00:41:51,600 Speaker 1: Yeah, right exactly, and now at therapist too. 921 00:41:51,760 --> 00:41:57,840 Speaker 2: Yeah, they're like, yeah, it's the hottest rage in l a. 922 00:41:57,920 --> 00:41:58,040 Speaker 6: Hell. 923 00:41:58,120 --> 00:41:59,719 Speaker 1: Yeah, yeah, I think in the West coast too, like 924 00:41:59,800 --> 00:42:02,279 Speaker 1: it's you see it up and down. Look, we're people 925 00:42:02,640 --> 00:42:06,240 Speaker 1: understand the power the things that can be unlocked with psychedelics. Anyway, 926 00:42:06,640 --> 00:42:11,040 Speaker 1: let's move on to uh, orcas, our brethren in the 927 00:42:11,200 --> 00:42:16,160 Speaker 1: fight against you know, just just obscene wealth and also 928 00:42:16,239 --> 00:42:18,040 Speaker 1: fishing boats. You know, it's not really on the fishermen, 929 00:42:18,120 --> 00:42:21,360 Speaker 1: but in the last year there was like just increased 930 00:42:21,400 --> 00:42:25,520 Speaker 1: reporting of orcas killer whales going after yachts and fishing 931 00:42:25,600 --> 00:42:28,840 Speaker 1: boats in the Atlantic, primarily near the Iberian Peninsula, but 932 00:42:29,000 --> 00:42:31,399 Speaker 1: just like generally in the Atlantic, and some boats look 933 00:42:31,520 --> 00:42:35,120 Speaker 1: damage so bad they fucking sank and others were like 934 00:42:35,280 --> 00:42:37,400 Speaker 1: disabled to the point that they needed to be towed 935 00:42:37,480 --> 00:42:39,759 Speaker 1: because like the rudders were like bitten off by the 936 00:42:39,920 --> 00:42:41,719 Speaker 1: orcas and shit, and they're like, I can't fucking steer 937 00:42:41,800 --> 00:42:43,560 Speaker 1: this shit anymore, Like what the fuck am I supposed 938 00:42:43,560 --> 00:42:47,080 Speaker 1: to do? So this has led to many in the sailing, yachting, 939 00:42:47,400 --> 00:42:51,080 Speaker 1: boating world of that region the world to like get together. 940 00:42:51,120 --> 00:42:55,000 Speaker 1: They're like Facebook groups where they're like, Yo, I figured 941 00:42:55,040 --> 00:42:58,120 Speaker 1: it out. I know how to actually deter the orcas. 942 00:42:58,719 --> 00:43:03,280 Speaker 1: Some swear that blasting heavy metal from an underwater speaker 943 00:43:03,560 --> 00:43:06,880 Speaker 1: will help. Others have said that painting the whole different 944 00:43:06,920 --> 00:43:10,359 Speaker 1: colors will not attract them. Meanwhile, on Facebook groups, they're 945 00:43:10,360 --> 00:43:13,480 Speaker 1: saying that scattering sand behind the boat will maybe throw 946 00:43:13,560 --> 00:43:16,640 Speaker 1: them off, and others have gone as far as throwing 947 00:43:16,760 --> 00:43:20,960 Speaker 1: fucking firecrackers in the water to scare them, which every 948 00:43:21,080 --> 00:43:24,080 Speaker 1: expert is like, don't fucking throw little bang bangs in 949 00:43:24,120 --> 00:43:25,960 Speaker 1: the water at these fucking animals. First of all, you 950 00:43:26,000 --> 00:43:29,000 Speaker 1: will harm them and also like the other creatures around them, 951 00:43:29,080 --> 00:43:32,879 Speaker 1: like it's very fucking detrimental to that ecosystem. And at first, 952 00:43:33,600 --> 00:43:36,680 Speaker 1: like I think, like everybody were like, yo, the fucking 953 00:43:36,840 --> 00:43:40,080 Speaker 1: orcas get it, like they're fucking they have god leveled intelligence, 954 00:43:40,160 --> 00:43:42,720 Speaker 1: like they understand that these boats are a fucking stain 955 00:43:42,840 --> 00:43:47,840 Speaker 1: on our society. But it turns out many researchers have 956 00:43:48,200 --> 00:43:50,719 Speaker 1: just thrown cold water on that. They're like it to us, 957 00:43:50,880 --> 00:43:53,719 Speaker 1: it sort of looks like, you know, the Orcas have 958 00:43:53,840 --> 00:43:56,160 Speaker 1: just found a new way to play with the boats. 959 00:43:56,239 --> 00:43:59,320 Speaker 1: Like it seems more like play more than them actually 960 00:43:59,360 --> 00:44:03,080 Speaker 1: being like, yo oh, how wouts your fucking income type shit. 961 00:44:03,560 --> 00:44:06,960 Speaker 1: It's more about them having, you know, a good time. 962 00:44:07,400 --> 00:44:10,239 Speaker 1: So I think it's just like interesting that the like 963 00:44:10,480 --> 00:44:12,840 Speaker 1: a lot of people as they argue about this, the 964 00:44:12,960 --> 00:44:15,920 Speaker 1: one thing that people have all said that they're just 965 00:44:15,960 --> 00:44:18,560 Speaker 1: starting to do, rather than throw fucking bombs at them, 966 00:44:18,920 --> 00:44:20,840 Speaker 1: is to be like, how about we just stay the 967 00:44:20,960 --> 00:44:23,520 Speaker 1: fuck away from them, like where we know they're at. 968 00:44:23,840 --> 00:44:27,400 Speaker 1: How about that that's actually full proof? And now slowly 969 00:44:27,480 --> 00:44:29,960 Speaker 1: it sounds like that is catching on, which is nice 970 00:44:30,000 --> 00:44:31,680 Speaker 1: to see, rather than people be like, no, you need 971 00:44:31,719 --> 00:44:34,719 Speaker 1: this fucking hardpoom bro, Like I like that where we've 972 00:44:34,760 --> 00:44:37,680 Speaker 1: come back to now matter respect, respect the fucking seed, 973 00:44:37,960 --> 00:44:38,759 Speaker 1: Like that's it is. 974 00:44:38,800 --> 00:44:39,160 Speaker 2: What it is. 975 00:44:39,320 --> 00:44:41,400 Speaker 1: You don't want smoke, then don't go near them and 976 00:44:41,520 --> 00:44:43,240 Speaker 1: then sorry, take a detour. 977 00:44:44,080 --> 00:44:46,399 Speaker 3: I mean this is the animals are animal ing, that's 978 00:44:46,440 --> 00:44:48,680 Speaker 3: what they do. Like people will just stroll up on 979 00:44:48,719 --> 00:44:51,680 Speaker 3: their territories and get all mad when they can't do 980 00:44:51,800 --> 00:44:55,800 Speaker 3: their whatever fishing trip or whatever. It's like it's like orcas, 981 00:44:56,239 --> 00:44:58,479 Speaker 3: it's bears. Like the amount of people who just stroll 982 00:44:58,560 --> 00:45:00,960 Speaker 3: up on a bear being cute and it's like the 983 00:45:01,000 --> 00:45:04,040 Speaker 3: bear is gonna bear real good. Yeah, you know, I 984 00:45:04,160 --> 00:45:06,239 Speaker 3: just I just hate seeing these stories of people who 985 00:45:06,880 --> 00:45:09,520 Speaker 3: are just out there and getting mad like oh, they're 986 00:45:09,640 --> 00:45:11,800 Speaker 3: they're ruining our things, and it's like you're literally ruining 987 00:45:11,840 --> 00:45:12,400 Speaker 3: their habitat. 988 00:45:12,719 --> 00:45:14,960 Speaker 2: Yeah, well it's yeah. 989 00:45:14,800 --> 00:45:15,280 Speaker 4: It's awful. 990 00:45:15,719 --> 00:45:18,560 Speaker 1: Definitely like colonize our mindset, you know what I mean, 991 00:45:18,920 --> 00:45:21,480 Speaker 1: where it's like, what you mean, I'm on this fucking boat, 992 00:45:21,680 --> 00:45:25,040 Speaker 1: the fucking the laws of nature should conform to my 993 00:45:25,239 --> 00:45:28,560 Speaker 1: fucking needs and wants and a fucking killer whale. Not today, 994 00:45:28,920 --> 00:45:31,879 Speaker 1: I will throw a bomb at you when which again, 995 00:45:31,920 --> 00:45:33,759 Speaker 1: I'm just so glad that it's like they have these 996 00:45:33,800 --> 00:45:37,440 Speaker 1: places they call them like Orca alleys where they're like, yo, 997 00:45:37,640 --> 00:45:40,640 Speaker 1: they tend to kick it like in these spots, and 998 00:45:41,239 --> 00:45:44,239 Speaker 1: so now they're just like just fucking avoid it, you 999 00:45:44,280 --> 00:45:46,040 Speaker 1: know what I mean. How about we just fucking respect 1000 00:45:46,160 --> 00:45:50,080 Speaker 1: nature and I start trying to conquer it. But hey, 1001 00:45:50,120 --> 00:45:51,600 Speaker 1: shout out to the orcas, you know, do your thing, 1002 00:45:51,719 --> 00:45:54,680 Speaker 1: keep playing if that's what you want to say. Yeah, yeah, 1003 00:45:54,719 --> 00:45:55,319 Speaker 1: we love to play. 1004 00:45:55,560 --> 00:45:57,680 Speaker 2: We love to play that targeted play. 1005 00:45:57,960 --> 00:46:01,480 Speaker 3: Yeah yeah, yeah, I think it's beautiful though, Like honestly, 1006 00:46:01,560 --> 00:46:04,000 Speaker 3: like the orct have really become the symbol for the underdog, 1007 00:46:04,400 --> 00:46:07,640 Speaker 3: you know, Like it's really like the people who are like, yeah, 1008 00:46:07,840 --> 00:46:10,440 Speaker 3: go ahead and get them, you know, right, Yeah, it's 1009 00:46:10,520 --> 00:46:13,439 Speaker 3: just it's a lot of incredibly rich people who don't 1010 00:46:13,480 --> 00:46:14,960 Speaker 3: give a fuck about the environment. 1011 00:46:15,160 --> 00:46:18,880 Speaker 1: So true, now, it's exactly that's why it's good. Like apparently, 1012 00:46:18,920 --> 00:46:20,759 Speaker 1: like in these Facebook groups there are people who are like, 1013 00:46:21,280 --> 00:46:25,359 Speaker 1: y'all are fucking really missing the point here, Like it's 1014 00:46:25,440 --> 00:46:27,960 Speaker 1: not about like they're not attacking you, like especially if 1015 00:46:27,960 --> 00:46:30,160 Speaker 1: they're just they're they're playing or whatever, they're not really 1016 00:46:30,239 --> 00:46:33,839 Speaker 1: going after you. But to understand that, just make way 1017 00:46:33,920 --> 00:46:36,120 Speaker 1: for nature, you know what I mean, because we know 1018 00:46:36,640 --> 00:46:38,239 Speaker 1: we don't know shit about the ocean as it. 1019 00:46:38,320 --> 00:46:41,480 Speaker 2: Is, Like people on a state of the art, million 1020 00:46:41,600 --> 00:46:45,640 Speaker 2: dollar thing are claiming victimhood like they're being attacked. 1021 00:46:45,719 --> 00:46:48,680 Speaker 1: Well, look, my boat was only six hundred thousand dollars. 1022 00:46:49,080 --> 00:46:51,320 Speaker 2: Okay, I'm sorry, Okay, you're at the low end of 1023 00:46:51,400 --> 00:46:52,040 Speaker 2: the spectrum there. 1024 00:46:52,080 --> 00:46:53,800 Speaker 1: But yeah, they call me the broke boy in the 1025 00:46:53,880 --> 00:46:57,319 Speaker 1: young community. But that's okay, that's okay, that's okay. I'll 1026 00:46:57,400 --> 00:47:00,560 Speaker 1: own my truth. Also, I did not know that orchids 1027 00:47:00,600 --> 00:47:05,960 Speaker 1: are technically dolphins. Wait oh, they're mammals right, yeah, largest 1028 00:47:05,960 --> 00:47:07,359 Speaker 1: member of whales and mammals too. 1029 00:47:07,440 --> 00:47:10,600 Speaker 2: Yeah, so is there a whale family? I don't know. 1030 00:47:10,800 --> 00:47:13,839 Speaker 1: There's gotta be like now I'm playing myself to like, yeah, 1031 00:47:14,280 --> 00:47:20,680 Speaker 1: they're all fucking dolphins. Uh no, no, because it's whales. See, 1032 00:47:20,760 --> 00:47:22,440 Speaker 1: this is why I have to look, this is I'm 1033 00:47:22,440 --> 00:47:24,439 Speaker 1: trying to be transparent with donnies. I don't know. Look, 1034 00:47:24,440 --> 00:47:24,719 Speaker 1: I don't know. 1035 00:47:24,760 --> 00:47:27,120 Speaker 2: I don't know about whales either. 1036 00:47:28,080 --> 00:47:30,600 Speaker 1: They didn't know that the ship was a dolphin, so 1037 00:47:30,680 --> 00:47:31,680 Speaker 1: shout out dolphins too. 1038 00:47:31,880 --> 00:47:33,600 Speaker 3: I did not know there. But it makes sense though, 1039 00:47:33,600 --> 00:47:36,960 Speaker 3: because dolphins are actually pretty aggressive. They're very smart, very 1040 00:47:37,200 --> 00:47:39,840 Speaker 3: I actually swam with dolphins once, and now that I 1041 00:47:39,920 --> 00:47:42,000 Speaker 3: know about dolphins, I will never do that ship again. 1042 00:47:42,080 --> 00:47:44,440 Speaker 3: Wild ass dolphins in New Zealand right now. 1043 00:47:44,480 --> 00:47:47,400 Speaker 1: Oh wild, Yeah, I've heard too many videos where like 1044 00:47:47,520 --> 00:47:49,400 Speaker 1: dolphins are kind of like they're violating. 1045 00:47:50,000 --> 00:47:53,200 Speaker 4: They do violate. There are yes, we don't got to 1046 00:47:53,239 --> 00:47:55,680 Speaker 4: get into it, but yeah they violate. 1047 00:47:56,160 --> 00:47:59,480 Speaker 1: Yeah, like enough that I'm like, Joe, what the like 1048 00:48:00,080 --> 00:48:00,720 Speaker 1: of that dolphin? 1049 00:48:01,200 --> 00:48:03,000 Speaker 4: Yeah? Cancel the dolphins. 1050 00:48:03,360 --> 00:48:06,680 Speaker 5: Yeah, canceled dolphins. I mean not all but hey, we 1051 00:48:06,760 --> 00:48:11,239 Speaker 5: got to be know dophins. No, no, no, no, no, 1052 00:48:14,120 --> 00:48:16,040 Speaker 5: all right, let's take a quick break and. 1053 00:48:16,080 --> 00:48:18,319 Speaker 1: We'll be coming right back to talk about some new 1054 00:48:18,840 --> 00:48:33,560 Speaker 1: bullshit available on lou Ray and we're back. So just 1055 00:48:33,640 --> 00:48:36,080 Speaker 1: full disclosure off top. I'm a I'm a I'm a 1056 00:48:36,360 --> 00:48:39,080 Speaker 1: I'm a geriatric millennial. You knew that, which means I 1057 00:48:39,160 --> 00:48:41,640 Speaker 1: came of age. You know, with the media of the nineties, 1058 00:48:42,160 --> 00:48:45,759 Speaker 1: eight two thousands, it was all me true lies. I 1059 00:48:45,880 --> 00:48:48,960 Speaker 1: fucked with that movie Heavy, Okay. I thought that ship 1060 00:48:49,160 --> 00:48:51,759 Speaker 1: was action packed. I thought I was like, Yo, they 1061 00:48:51,800 --> 00:48:56,400 Speaker 1: got fucking Dana on the fucking Harrier jet and ship 1062 00:48:56,960 --> 00:48:59,239 Speaker 1: Crimson g hot. I was like, Yo, what the fuck 1063 00:48:59,400 --> 00:49:03,920 Speaker 1: this ship is? Child. Then I had some life experience, 1064 00:49:04,239 --> 00:49:06,040 Speaker 1: I learned some things, I met some people, I talked 1065 00:49:06,040 --> 00:49:10,000 Speaker 1: to people, I got some perspective and looking back kind 1066 00:49:10,000 --> 00:49:13,239 Speaker 1: of biggest piece of his long over trash that one 1067 00:49:13,239 --> 00:49:15,160 Speaker 1: of the biggest ones that came out in the nineties 1068 00:49:15,560 --> 00:49:18,279 Speaker 1: that does not get talked about enough. So I'm not 1069 00:49:18,320 --> 00:49:19,759 Speaker 1: gonna say I'm not gonna sit here and act like 1070 00:49:19,800 --> 00:49:21,920 Speaker 1: I wasn't fucking with True Lives before, and not that 1071 00:49:22,000 --> 00:49:23,360 Speaker 1: I was fucking with it, because I was, like the 1072 00:49:23,480 --> 00:49:25,800 Speaker 1: message in it. I was just a you know, a 1073 00:49:25,920 --> 00:49:29,640 Speaker 1: preteen teenager who liked watching ship blow up and watching 1074 00:49:29,640 --> 00:49:31,680 Speaker 1: somebody drop a Uzi down the staircase and then mark 1075 00:49:31,760 --> 00:49:33,640 Speaker 1: like twenty people with it if you remember that scene 1076 00:49:33,680 --> 00:49:38,600 Speaker 1: with Jamie the Curtis. So apparently it's coming back out 1077 00:49:38,800 --> 00:49:40,960 Speaker 1: on Blu Ray along with like a bunch of other 1078 00:49:41,080 --> 00:49:44,840 Speaker 1: James Cameron films, and you know, like it was a 1079 00:49:45,080 --> 00:49:47,759 Speaker 1: huge movie and like there was like even a TV 1080 00:49:47,880 --> 00:49:49,960 Speaker 1: show that got canceled that was based on it. It 1081 00:49:50,120 --> 00:49:52,520 Speaker 1: was not really it wasn't available to stream like at 1082 00:49:52,600 --> 00:49:54,640 Speaker 1: all until the end of last year. Like you had 1083 00:49:54,680 --> 00:49:57,080 Speaker 1: to like actually own that shit or buy that, you know, 1084 00:49:57,160 --> 00:49:58,840 Speaker 1: buy a digital copy or whatever you like. You couldn't 1085 00:49:58,840 --> 00:50:02,040 Speaker 1: just stream it. Now. It's just interesting because as this 1086 00:50:02,160 --> 00:50:06,520 Speaker 1: movie's coming back right the conversation sounds like me from 1087 00:50:06,960 --> 00:50:09,400 Speaker 1: the year nineteen ninety eight or something like that, going like, 1088 00:50:09,719 --> 00:50:10,960 Speaker 1: oh my god, True. 1089 00:50:10,840 --> 00:50:13,480 Speaker 2: Lies is coming back. Yes, True Lies. 1090 00:50:13,600 --> 00:50:15,560 Speaker 1: We love it, we love it, we love it. Like 1091 00:50:15,719 --> 00:50:17,319 Speaker 1: it's just like just such like one of the best 1092 00:50:17,400 --> 00:50:21,359 Speaker 1: action movies, rather than being like this was actually one 1093 00:50:21,360 --> 00:50:24,640 Speaker 1: of the most backwards racist movies of the nineties that 1094 00:50:24,719 --> 00:50:27,520 Speaker 1: we aren't really grappling with because in general, we don't 1095 00:50:27,560 --> 00:50:31,279 Speaker 1: really examine Islamophobia in this country because we've been fed 1096 00:50:31,360 --> 00:50:33,440 Speaker 1: as steady diet of like, oh, yeah, them people, Yeah, 1097 00:50:33,440 --> 00:50:35,600 Speaker 1: they're just the bad guys. Those are called those are 1098 00:50:35,680 --> 00:50:39,560 Speaker 1: just bad guys. And some recent articles like talking about 1099 00:50:39,600 --> 00:50:42,800 Speaker 1: the film's return, note that True Lies is now quote 1100 00:50:43,120 --> 00:50:47,520 Speaker 1: a bit dated now in terms of quote cultural depictions, 1101 00:50:48,160 --> 00:50:52,399 Speaker 1: which is that's the understatement of the century. First of all, 1102 00:50:52,480 --> 00:50:54,719 Speaker 1: I did not know this, so like the I mean, 1103 00:50:54,760 --> 00:50:56,279 Speaker 1: I did know that the film is sexist, but I 1104 00:50:56,320 --> 00:50:58,719 Speaker 1: didn't know that like at the time the outrage I 1105 00:50:58,800 --> 00:51:00,920 Speaker 1: was happening because I was like fucking ten years old. 1106 00:51:01,320 --> 00:51:05,320 Speaker 1: But like the James Cameron like dismissed a lot of 1107 00:51:05,360 --> 00:51:07,960 Speaker 1: these sort of accusations of sexism or like like what 1108 00:51:08,080 --> 00:51:10,439 Speaker 1: the fuck, Like what is this guy doing like this guy, 1109 00:51:10,800 --> 00:51:15,279 Speaker 1: Arnold Schwarzenegger, Harry, he arrests his wife like disappears her 1110 00:51:15,400 --> 00:51:17,880 Speaker 1: and then puts her in a fucking interrogation room and 1111 00:51:18,000 --> 00:51:21,840 Speaker 1: then gets her to fucking like confess to some weird shit. Apparently, 1112 00:51:21,960 --> 00:51:25,799 Speaker 1: he said. In defense of that scene, James Camera said, quote, 1113 00:51:25,920 --> 00:51:28,520 Speaker 1: I've had a lot of guys say I need one 1114 00:51:28,560 --> 00:51:33,480 Speaker 1: of those rooms at my house. Bruh, that's not the 1115 00:51:33,600 --> 00:51:38,800 Speaker 1: fucking defense. You're okay, all right, well you've proved your critics. 1116 00:51:38,840 --> 00:51:41,640 Speaker 1: Well no, no, could you imagine he's like, yeah, he's 1117 00:51:41,640 --> 00:51:44,160 Speaker 1: just said that shit right now in the But like, 1118 00:51:44,280 --> 00:51:47,840 Speaker 1: even like women's rights groups they were even just straight 1119 00:51:47,920 --> 00:51:52,080 Speaker 1: up said they wouldn't protest the movie specifically because quote, 1120 00:51:52,360 --> 00:51:54,839 Speaker 1: compared to the Arabs in this film, women come off 1121 00:51:54,960 --> 00:51:57,840 Speaker 1: relatively well in this one. That they were even like, 1122 00:51:58,239 --> 00:52:01,000 Speaker 1: I don't know if really we have the most complaints 1123 00:52:01,040 --> 00:52:06,080 Speaker 1: here because they are doing these characters absolutely just disrespectfully filthy, 1124 00:52:06,520 --> 00:52:09,520 Speaker 1: and it's really I think it's just wild to call 1125 00:52:09,600 --> 00:52:12,440 Speaker 1: the movie like sort of dated, because even when the 1126 00:52:12,600 --> 00:52:17,200 Speaker 1: film came out, there were people protesting and boycotting the 1127 00:52:17,320 --> 00:52:20,160 Speaker 1: film because of how racist it was. They're in like 1128 00:52:20,440 --> 00:52:24,080 Speaker 1: fifty four Arab and Muslim countries just fucking banned it. 1129 00:52:24,160 --> 00:52:27,319 Speaker 1: They're like right now, fucking catch this shit here at all, 1130 00:52:27,880 --> 00:52:29,640 Speaker 1: which is so wild. And I'm like, when you look 1131 00:52:29,640 --> 00:52:31,200 Speaker 1: at all of the night, you're like, oh yeah, h 1132 00:52:31,719 --> 00:52:34,680 Speaker 1: m hm, oh yeah, it's all adding up because if 1133 00:52:34,760 --> 00:52:38,720 Speaker 1: the films is specifically right about Harry Trasker I believe 1134 00:52:38,840 --> 00:52:41,080 Speaker 1: is his name or whatever his his his full name is, 1135 00:52:41,400 --> 00:52:45,839 Speaker 1: and he's battling a Palestinian specifically Palestinian terrorist group called 1136 00:52:46,200 --> 00:52:52,239 Speaker 1: the Crimson Gihad. Okay, I don't know what that. I 1137 00:52:52,280 --> 00:52:54,759 Speaker 1: don't know where he fucking got that. Uh, maybe because 1138 00:52:54,800 --> 00:52:57,600 Speaker 1: Cameron just thought jihad means like violent gang or something, 1139 00:52:57,680 --> 00:52:59,560 Speaker 1: and he's like, yeah, you call him Crimson Gihad or 1140 00:52:59,600 --> 00:52:59,960 Speaker 1: something like that. 1141 00:53:00,080 --> 00:53:00,239 Speaker 2: Yeah. 1142 00:53:00,520 --> 00:53:03,359 Speaker 1: And and these and like the Palesitinians in this film 1143 00:53:03,440 --> 00:53:07,560 Speaker 1: are portrayed as just like bloodthirsty, willing to torture like 1144 00:53:07,719 --> 00:53:11,040 Speaker 1: anyone they come across, because they are hell bent on 1145 00:53:11,239 --> 00:53:14,680 Speaker 1: destroying the United States and Israel. And by the way, 1146 00:53:15,080 --> 00:53:18,319 Speaker 1: like when you watch it, they are like absolute clowns too, 1147 00:53:18,600 --> 00:53:22,080 Speaker 1: like the most incapable people ever, Like they don't they 1148 00:53:22,680 --> 00:53:25,000 Speaker 1: don't have their camera batteries charged when they're trying to 1149 00:53:25,040 --> 00:53:25,600 Speaker 1: show off. 1150 00:53:25,440 --> 00:53:27,280 Speaker 2: Their basically stormtroopers. 1151 00:53:27,400 --> 00:53:30,680 Speaker 1: It's yeah, right exactly, which makes it easy, like when 1152 00:53:30,680 --> 00:53:33,759 Speaker 1: they're reduced to sort of like these comedic depictions that 1153 00:53:33,960 --> 00:53:36,200 Speaker 1: Harry can just be like aim, gun at and blast 1154 00:53:36,280 --> 00:53:38,040 Speaker 1: and you're like, yeah, yeah, cool, cool dude, Like I 1155 00:53:38,080 --> 00:53:40,920 Speaker 1: don't even know if that's a person really. And Jack Shaheen, 1156 00:53:41,000 --> 00:53:43,880 Speaker 1: who is the author of the book Real Bad Arabs 1157 00:53:44,280 --> 00:53:48,760 Speaker 1: called True Lies quote perhaps the most anti Palestinian film 1158 00:53:48,880 --> 00:53:51,839 Speaker 1: Hollywood has ever made. It says there is no form 1159 00:53:51,920 --> 00:53:55,840 Speaker 1: of communication more powerful than film in creating propaganda, and 1160 00:53:56,000 --> 00:53:59,320 Speaker 1: Golan and Globist took it to another level. A certainly 1161 00:53:59,440 --> 00:54:02,840 Speaker 1: American producers play a role in vilifying Palestinians. Perhaps the 1162 00:54:02,880 --> 00:54:05,040 Speaker 1: most anti Palaestinian film is True Lies. 1163 00:54:05,840 --> 00:54:08,480 Speaker 3: Is the full quote there, I didn't even like as 1164 00:54:08,520 --> 00:54:10,800 Speaker 3: a kid, same thing, Miles, Like, I grew up watching 1165 00:54:10,880 --> 00:54:14,560 Speaker 3: this and you know again ten so just wasn't critical 1166 00:54:14,760 --> 00:54:18,560 Speaker 3: of what was happening. But I never attached the Crimson 1167 00:54:18,640 --> 00:54:21,200 Speaker 3: Jihad or any of those folks to an actual nation, 1168 00:54:21,600 --> 00:54:23,600 Speaker 3: like and so I'm kind of getting my mind blown 1169 00:54:23,680 --> 00:54:27,000 Speaker 3: right now, like thinking about like it was it was 1170 00:54:27,360 --> 00:54:29,080 Speaker 3: they were supposed to be Palestinian in the film. 1171 00:54:29,160 --> 00:54:30,960 Speaker 4: Yeah, and I didn't even know that. 1172 00:54:31,320 --> 00:54:35,200 Speaker 1: It's just it's really it's it's fucking bad. It's bad. 1173 00:54:35,360 --> 00:54:38,200 Speaker 1: It's bad. And like, even like Fox who put out 1174 00:54:38,239 --> 00:54:40,360 Speaker 1: the movie, they defended it by saying that, like the 1175 00:54:40,440 --> 00:54:42,759 Speaker 1: villains in the movie quote, we don't label them as 1176 00:54:42,840 --> 00:54:46,840 Speaker 1: Arabs or Muslims. That was that was actually a statement 1177 00:54:46,920 --> 00:54:47,520 Speaker 1: from Fox. 1178 00:54:48,000 --> 00:54:51,279 Speaker 2: Really we just cast them that way, like, yeah, what 1179 00:54:51,440 --> 00:54:52,120 Speaker 2: the fuck the. 1180 00:54:52,160 --> 00:54:55,680 Speaker 1: Actors are all yeah, like I think that we had 1181 00:54:55,760 --> 00:54:59,160 Speaker 1: some Arab performers in there. They are wearing the kafias. 1182 00:55:00,400 --> 00:55:03,880 Speaker 1: But it's like, sir, is it because you literally didn't 1183 00:55:03,920 --> 00:55:05,719 Speaker 1: say the words, That's how you're trying to make it 1184 00:55:05,880 --> 00:55:09,400 Speaker 1: Like it's such a such a cheap, fucking defense. And 1185 00:55:09,520 --> 00:55:12,719 Speaker 1: so they tried to fucking calm the waters a bit 1186 00:55:13,120 --> 00:55:15,920 Speaker 1: by adding a disclaimer in the film that said, quote, 1187 00:55:16,160 --> 00:55:17,920 Speaker 1: this film is a work of fiction and does not 1188 00:55:18,000 --> 00:55:21,360 Speaker 1: represent the actions or beliefs of a particular culture or religion. 1189 00:55:22,120 --> 00:55:24,920 Speaker 1: The wild part is that shit came at the very 1190 00:55:25,600 --> 00:55:29,080 Speaker 1: end of the film, and that statement came right after 1191 00:55:29,280 --> 00:55:31,160 Speaker 1: this one that said no animals were harmed in the 1192 00:55:31,200 --> 00:55:31,919 Speaker 1: making of this film. 1193 00:55:32,040 --> 00:55:32,879 Speaker 4: Oh my god. 1194 00:55:33,800 --> 00:55:36,040 Speaker 3: They were more concerned about the horse in that probably 1195 00:55:39,280 --> 00:55:40,160 Speaker 3: the representation. 1196 00:55:40,800 --> 00:55:43,440 Speaker 1: Yeah, oh my god, that is wild to say. Literally, 1197 00:55:43,840 --> 00:55:47,359 Speaker 1: we're going to actually ensure that for people who are 1198 00:55:47,440 --> 00:55:50,800 Speaker 1: concerned about the animals that will take that will actually 1199 00:55:50,840 --> 00:55:54,560 Speaker 1: take priority, just in the sequence of disclaimers before we're like, yo, 1200 00:55:54,760 --> 00:55:57,880 Speaker 1: sorry if this was like straight up islamophobic propaganda. But 1201 00:55:58,000 --> 00:55:59,960 Speaker 1: the horses though, just just a reminder of the horse 1202 00:56:00,560 --> 00:56:03,400 Speaker 1: was cared for. Yeah, absolutely, And the dog, even the 1203 00:56:03,440 --> 00:56:04,960 Speaker 1: little dog that he would walk when he would just 1204 00:56:05,000 --> 00:56:06,000 Speaker 1: pull it along on the leash. 1205 00:56:06,120 --> 00:56:08,640 Speaker 3: Oh right, Oh my god, you're like you're sending me 1206 00:56:08,760 --> 00:56:11,200 Speaker 3: back like I'm trying to try to put Tom in real. 1207 00:56:11,120 --> 00:56:13,640 Speaker 4: Tom Arnold was in it. Tom Arnold was in it too. 1208 00:56:13,760 --> 00:56:15,200 Speaker 4: He played his like little sidekick. 1209 00:56:15,560 --> 00:56:18,000 Speaker 3: Yeah, and he had a couple of really good lines though, 1210 00:56:18,200 --> 00:56:20,279 Speaker 3: Like there's this one silly line about how he broke 1211 00:56:20,360 --> 00:56:21,719 Speaker 3: up with his wife and he's like, what kind of 1212 00:56:21,760 --> 00:56:23,600 Speaker 3: sick bitch takes the ice trays out. 1213 00:56:23,480 --> 00:56:27,000 Speaker 1: Of the free Yeah, she took the ice cube trays. 1214 00:56:27,120 --> 00:56:30,040 Speaker 1: I remember that was like one of my favorite curse 1215 00:56:30,120 --> 00:56:32,239 Speaker 1: words like sequences in a movie. I was like, what 1216 00:56:32,320 --> 00:56:33,600 Speaker 1: kind of see bitch takes the ice? 1217 00:56:35,520 --> 00:56:38,799 Speaker 4: Miles is ASMR debut yes, bitch. 1218 00:56:41,080 --> 00:56:44,000 Speaker 1: She was from Tom Marnold fam I. 1219 00:56:44,080 --> 00:56:46,759 Speaker 3: Remember, remember like there's the angsty teen and she like 1220 00:56:46,960 --> 00:56:49,640 Speaker 3: and he like he hides a little camera in the 1221 00:56:49,920 --> 00:56:52,520 Speaker 3: and then and then she steals twenty bucks from him. Yeah, 1222 00:56:52,520 --> 00:56:54,080 Speaker 3: and she gets on the on the bike with her 1223 00:56:54,080 --> 00:56:56,440 Speaker 3: boyfriend and then she ends up being in that final 1224 00:56:56,520 --> 00:56:57,680 Speaker 3: scene with Dana. 1225 00:56:59,239 --> 00:57:03,440 Speaker 2: Dana, you do a great job. Honestly, give me the guy, 1226 00:57:03,520 --> 00:57:05,799 Speaker 2: damn page the goddag and. 1227 00:57:05,800 --> 00:57:10,480 Speaker 4: He's like really rock hard data. Yeah it's a little soft. 1228 00:57:12,600 --> 00:57:15,440 Speaker 3: Okay, So there is there are some Okay, there are 1229 00:57:15,480 --> 00:57:18,240 Speaker 3: some great lines and they're Okay, this is not. 1230 00:57:18,280 --> 00:57:20,080 Speaker 1: A defensive film. We're just being. 1231 00:57:21,520 --> 00:57:23,320 Speaker 3: I'm just getting really missed out. Like my head is 1232 00:57:23,440 --> 00:57:27,040 Speaker 3: just full of these stupid like sound bites from that 1233 00:57:27,240 --> 00:57:29,480 Speaker 3: fucking you know movie, or. 1234 00:57:29,520 --> 00:57:32,880 Speaker 1: Like when Simon he's like, you're gonna shoot me. I 1235 00:57:33,000 --> 00:57:36,560 Speaker 1: got a tiny dick. It's pathetic. There's like there's that 1236 00:57:36,680 --> 00:57:39,800 Speaker 1: whole ship. There's a lot of again ship that made 1237 00:57:39,840 --> 00:57:43,160 Speaker 1: you laugh. That was that was just sandwiched around everything too, 1238 00:57:43,200 --> 00:57:46,400 Speaker 1: because also Simon's character was fucking grimy as fuck. Remember 1239 00:57:46,440 --> 00:57:49,560 Speaker 1: he was doing what the guy who sounded the dude 1240 00:57:49,600 --> 00:57:51,640 Speaker 1: who's the main character in Sound of Freedom was being 1241 00:57:51,640 --> 00:57:54,240 Speaker 1: accused of was saying, you got to pretend to be 1242 00:57:54,400 --> 00:57:57,280 Speaker 1: my wife on this mission and then coerce them into 1243 00:57:57,360 --> 00:57:59,960 Speaker 1: like sexual ship. Like that's exactly what Simon did anyway, 1244 00:58:00,520 --> 00:58:03,800 Speaker 1: when Bill Paxton, Yeah, yeah, I got a little ditch. 1245 00:58:08,680 --> 00:58:11,160 Speaker 4: Oh my god, you are like taking it back right now, 1246 00:58:11,240 --> 00:58:12,160 Speaker 4: like I am just. 1247 00:58:14,840 --> 00:58:18,960 Speaker 1: So then when I I put it away forever memories, 1248 00:58:19,040 --> 00:58:21,120 Speaker 1: you know, these memories when I when I knew not 1249 00:58:21,480 --> 00:58:24,800 Speaker 1: of American hegemony, I mean I knew it was. 1250 00:58:24,840 --> 00:58:27,520 Speaker 3: Bad, and I knew it was stupid, like and especially 1251 00:58:27,560 --> 00:58:29,720 Speaker 3: when they make them all very goofy like the whole 1252 00:58:29,880 --> 00:58:32,400 Speaker 3: like just like when they're trying to have their big 1253 00:58:33,040 --> 00:58:35,600 Speaker 3: moment and then the battery dies in the camera. 1254 00:58:35,560 --> 00:58:38,720 Speaker 4: Like it to me, I was like, yeah, but again 1255 00:58:38,840 --> 00:58:40,280 Speaker 4: a kid, but this is so silly. 1256 00:58:40,320 --> 00:58:42,240 Speaker 3: I just looked at the poster for True Lies and 1257 00:58:42,320 --> 00:58:45,720 Speaker 3: it said when he said I do, he never said 1258 00:58:45,840 --> 00:58:49,840 Speaker 3: what he did kind of like it's all centered around 1259 00:58:50,200 --> 00:58:53,400 Speaker 3: his relationship because he's supposed to be like what a 1260 00:58:53,560 --> 00:58:54,520 Speaker 3: paper salesman? 1261 00:58:54,760 --> 00:58:55,320 Speaker 2: Is that what it is? 1262 00:58:55,480 --> 00:59:01,200 Speaker 1: Yeah? Oh my god, yeah, I mean it's just wild too, 1263 00:59:01,440 --> 00:59:05,600 Speaker 1: because like when when they were asked to James Cameron 1264 00:59:05,760 --> 00:59:08,280 Speaker 1: he like did not want to take any kind of responsibility, 1265 00:59:08,360 --> 00:59:11,480 Speaker 1: and he said, quote, I just needed some convenient villains. 1266 00:59:11,880 --> 00:59:13,640 Speaker 1: I could have picked Irish terrorists. 1267 00:59:14,280 --> 00:59:19,040 Speaker 2: Oh shut up, James, but marginalized brown people. That's that 1268 00:59:19,160 --> 00:59:20,960 Speaker 2: was your decision. Yeah, he loves it. 1269 00:59:21,080 --> 00:59:23,680 Speaker 3: I mean, come on, did Avatar, which is basically yeah, 1270 00:59:23,840 --> 00:59:26,400 Speaker 3: I was just gonna John Smith in the space. 1271 00:59:27,880 --> 00:59:31,440 Speaker 1: So it's like, I mean he just but he got 1272 00:59:31,520 --> 00:59:34,120 Speaker 1: a blue face though too. That's how dedicated he was 1273 00:59:34,200 --> 00:59:39,760 Speaker 1: to the movement. I think it's also just like whack. Obviously, 1274 00:59:39,880 --> 00:59:42,800 Speaker 1: like we're in such an era to where the like 1275 00:59:42,960 --> 00:59:46,800 Speaker 1: labels of terrorism are thrown around like just basically deployed 1276 00:59:47,160 --> 00:59:50,120 Speaker 1: to discredit people that are in most cases oppressed and 1277 00:59:50,240 --> 00:59:53,360 Speaker 1: have no other recourse except for uprisings. And like you 1278 00:59:53,440 --> 00:59:55,440 Speaker 1: see that throughout history, like the kinds of groups that 1279 00:59:55,640 --> 00:59:58,240 Speaker 1: like now be like they called this group, they used 1280 00:59:58,240 --> 01:00:00,280 Speaker 1: to be called terrorists, and now we're like, oh, yeah, 1281 01:00:00,360 --> 01:00:02,760 Speaker 1: the people that were for black liberation or other kinds 1282 01:00:02,800 --> 01:00:05,440 Speaker 1: of liberation or you know, calling like you know when 1283 01:00:05,800 --> 01:00:10,120 Speaker 1: enslaved people were like okay, so this is not happening anymore, 1284 01:00:10,240 --> 01:00:13,840 Speaker 1: like the terrorism that these people endured in Haiti. You're 1285 01:00:13,920 --> 01:00:15,040 Speaker 1: like well okay, all. 1286 01:00:15,000 --> 01:00:18,480 Speaker 2: Right, Yeah, it's very cyclical. Yeah, we don't we don't 1287 01:00:18,560 --> 01:00:21,120 Speaker 2: know the difference like what is terrorism, what is what 1288 01:00:21,280 --> 01:00:23,960 Speaker 2: is fascism and what isn't That's been the hot topic 1289 01:00:24,040 --> 01:00:26,360 Speaker 2: reason like Trump can say the most fascist it in 1290 01:00:26,440 --> 01:00:28,960 Speaker 2: the world and then call all this enemies fascists, like 1291 01:00:29,200 --> 01:00:33,160 Speaker 2: there is really an effort to communists. Yeah, yeah, right 1292 01:00:33,440 --> 01:00:38,160 Speaker 2: is China everyone it seems to be not literally like 1293 01:00:38,840 --> 01:00:44,640 Speaker 2: understanding the definition of words is. It's very important, and 1294 01:00:44,720 --> 01:00:49,400 Speaker 2: I think we're using so so so much ability to 1295 01:00:49,800 --> 01:00:52,960 Speaker 2: see through the bullshit. It's very concerning what and. 1296 01:00:53,000 --> 01:00:56,520 Speaker 1: I think just Americans in general, like people don't am 1297 01:00:56,560 --> 01:00:59,880 Speaker 1: not I'd say not all Americans, but the concept of 1298 01:01:00,240 --> 01:01:04,080 Speaker 1: like oppression and hegemony are kind of like foreign because 1299 01:01:04,080 --> 01:01:06,360 Speaker 1: a lot of people are like living on this fucking 1300 01:01:06,440 --> 01:01:10,120 Speaker 1: spaceship that is like the hegemonic power, right, Like we're 1301 01:01:10,120 --> 01:01:11,800 Speaker 1: you talking about what that means. They're like, I don't know, 1302 01:01:11,880 --> 01:01:15,520 Speaker 1: that looks bad, like without understanding, like do you this is? 1303 01:01:15,680 --> 01:01:18,040 Speaker 1: This is such a larger picture here and it's not 1304 01:01:18,240 --> 01:01:20,520 Speaker 1: just crimson gy hod and they their back their camera 1305 01:01:20,560 --> 01:01:23,040 Speaker 1: ran out of batteries, like but hey, when we want 1306 01:01:23,040 --> 01:01:24,840 Speaker 1: to reduce it to those kinds of things that flatten 1307 01:01:24,960 --> 01:01:28,360 Speaker 1: it into easy to understand things. It gets away from 1308 01:01:28,480 --> 01:01:29,919 Speaker 1: us and then we get this kind of shit. 1309 01:01:30,600 --> 01:01:34,120 Speaker 3: And that's why it's so important to have people from 1310 01:01:34,320 --> 01:01:36,680 Speaker 3: their own communities tell their stories, because you're gonna have 1311 01:01:36,720 --> 01:01:41,120 Speaker 3: someone like James Cameron tell the story and put their funky. 1312 01:01:40,840 --> 01:01:41,640 Speaker 4: Ass spin on it. 1313 01:01:41,880 --> 01:01:44,320 Speaker 1: Oh so you know something, you know nav you know, NAVI. 1314 01:01:48,040 --> 01:01:49,560 Speaker 4: Representation in this. 1315 01:01:50,320 --> 01:01:52,440 Speaker 1: Yeah, there's someone on Instagram. They're like, I've been here 1316 01:01:52,520 --> 01:01:55,440 Speaker 1: the whole time talking about navvy rights and y'all really 1317 01:01:55,560 --> 01:01:57,080 Speaker 1: just fuck let me out of the conversation. 1318 01:01:57,840 --> 01:02:00,160 Speaker 4: There's someone who's already learning the Navy language, you know 1319 01:02:00,200 --> 01:02:00,520 Speaker 4: what I mean. 1320 01:02:00,640 --> 01:02:03,800 Speaker 3: Like, there's someone who's yeah, they're LARPing with the navvy 1321 01:02:04,160 --> 01:02:06,200 Speaker 3: and it's Yeah, it's one of those things where I 1322 01:02:06,400 --> 01:02:09,320 Speaker 3: just like, we we gotta like just James Cameron, like, 1323 01:02:09,400 --> 01:02:12,200 Speaker 3: let's make way for other creators and other filmmakers who 1324 01:02:12,240 --> 01:02:14,160 Speaker 3: have like really compelling stories to tell and are from 1325 01:02:14,200 --> 01:02:14,800 Speaker 3: those communities. 1326 01:02:14,880 --> 01:02:15,400 Speaker 4: Let's just do that. 1327 01:02:15,720 --> 01:02:18,760 Speaker 3: Yeah, you know, because I'm just I'm so over I'm 1328 01:02:18,840 --> 01:02:20,800 Speaker 3: just so over it. Like the Yellowstone of it all 1329 01:02:20,960 --> 01:02:24,000 Speaker 3: where it's like someone comes in and like writes these 1330 01:02:24,080 --> 01:02:25,640 Speaker 3: lines and they're supposed to be from this community and 1331 01:02:25,680 --> 01:02:29,360 Speaker 3: it sounds insane and I'm just I'm just over it. 1332 01:02:29,800 --> 01:02:32,000 Speaker 3: But yeah, Tom Arnold was a dumbass in that movie, 1333 01:02:32,000 --> 01:02:33,960 Speaker 3: and it was so funny to watch him just. 1334 01:02:36,040 --> 01:02:37,520 Speaker 4: Yeah, it was, oh my god. 1335 01:02:37,880 --> 01:02:39,680 Speaker 1: I mean we used to just scream. I remember, like 1336 01:02:39,800 --> 01:02:42,320 Speaker 1: there was someone in our high school named Dana and 1337 01:02:42,400 --> 01:02:43,040 Speaker 1: we would just be like. 1338 01:02:49,840 --> 01:02:52,520 Speaker 3: That was That was probably his audition tape for the 1339 01:02:52,560 --> 01:02:57,160 Speaker 3: whole film was probably like I don't know, I can't 1340 01:02:57,360 --> 01:03:00,400 Speaker 3: that was a bad one. No, that was actually okay, 1341 01:03:00,440 --> 01:03:04,520 Speaker 3: But what is what is Arnold Swarzenegger without his allergy medicine? 1342 01:03:04,960 --> 01:03:11,400 Speaker 3: What is? I don't know? 1343 01:03:11,440 --> 01:03:13,160 Speaker 4: Anyway, that was my best attempt I call you that 1344 01:03:13,280 --> 01:03:13,560 Speaker 4: I can't. 1345 01:03:13,600 --> 01:03:19,080 Speaker 1: Actually, it's fantastic. That's why I take twenty four tech. 1346 01:03:19,120 --> 01:03:23,000 Speaker 1: It's fantastic for people like me with the allergies aalogies. 1347 01:03:24,800 --> 01:03:28,320 Speaker 1: All right, well, Jackie, Yeah, it has been fantastic having 1348 01:03:28,400 --> 01:03:31,640 Speaker 1: you yet again. Where do the people find you? Follow 1349 01:03:31,760 --> 01:03:34,440 Speaker 1: you here? You support you? And what is a tweet 1350 01:03:34,480 --> 01:03:35,320 Speaker 1: that you've been liking? 1351 01:03:35,640 --> 01:03:36,320 Speaker 2: Oh my god? 1352 01:03:36,400 --> 01:03:38,600 Speaker 4: Okay, so you guys can find me at Jackie Comedy 1353 01:03:38,720 --> 01:03:40,480 Speaker 4: J A C K I E C O M. 1354 01:03:40,520 --> 01:03:40,920 Speaker 1: E d y. 1355 01:03:41,280 --> 01:03:42,520 Speaker 4: I'm on all things. 1356 01:03:42,320 --> 01:03:48,439 Speaker 3: That's on Twitter and Instagram and venmore you and uh yeah, 1357 01:03:48,440 --> 01:03:50,160 Speaker 3: I'm a tweet that I love. And this was on 1358 01:03:50,400 --> 01:03:52,800 Speaker 3: November first, as you guys know as Dave American Heritage Month. 1359 01:03:52,880 --> 01:03:56,200 Speaker 3: So it says this is from res Princess here at 1360 01:03:56,360 --> 01:03:59,360 Speaker 3: is chack and bake for this Native American Heritage Month. 1361 01:03:59,440 --> 01:04:02,800 Speaker 3: I'm accept payments for any time anyone has used the 1362 01:04:02,880 --> 01:04:06,120 Speaker 3: word tribe to describe their front group. And I saw 1363 01:04:06,240 --> 01:04:08,760 Speaker 3: that and I was like, fucking thank god because the 1364 01:04:08,840 --> 01:04:12,160 Speaker 3: amount of people who's it my tribe, my people, and 1365 01:04:12,240 --> 01:04:14,120 Speaker 3: it's like, bitch, I got a tribe. I gotta people, 1366 01:04:14,320 --> 01:04:16,920 Speaker 3: Like can you not talk about you and your little 1367 01:04:17,520 --> 01:04:19,000 Speaker 3: friends as a tribe? 1368 01:04:19,080 --> 01:04:19,680 Speaker 4: I would love that. 1369 01:04:19,920 --> 01:04:22,400 Speaker 3: So anyway, they shout outs to res Princess because that 1370 01:04:22,520 --> 01:04:25,400 Speaker 3: was a hilarious tweet, and I was like, fuck, yeah, 1371 01:04:25,440 --> 01:04:26,880 Speaker 3: that's the mood this month for. 1372 01:04:26,960 --> 01:04:29,360 Speaker 1: Sure, Oh for sure. Yeah. In so many ways that 1373 01:04:29,480 --> 01:04:32,800 Speaker 1: we can decolonize our own language too, Like I've been 1374 01:04:33,720 --> 01:04:37,240 Speaker 1: here saying stuff about total polls or my spirit animals 1375 01:04:37,280 --> 01:04:39,680 Speaker 1: and shit like that, and I'm like, yeah, there's other 1376 01:04:39,720 --> 01:04:40,840 Speaker 1: ways to expressing. 1377 01:04:41,680 --> 01:04:43,600 Speaker 3: Yeah, I mean it's like it just it irks me, 1378 01:04:43,880 --> 01:04:46,200 Speaker 3: like when it happens in the moments most like at work, like, hey, 1379 01:04:46,280 --> 01:04:47,960 Speaker 3: let's get a powout going, And I'm like, can you 1380 01:04:48,200 --> 01:04:51,800 Speaker 3: not like just there's other words to describe that, you know. 1381 01:04:52,080 --> 01:04:52,520 Speaker 4: It's simple. 1382 01:04:52,640 --> 01:04:54,840 Speaker 1: How about how about another useless ass meeting? 1383 01:04:55,520 --> 01:04:56,280 Speaker 2: Yeah, thank you? 1384 01:04:56,480 --> 01:04:58,400 Speaker 4: And that should have been a fucking email. That should 1385 01:04:58,400 --> 01:04:59,920 Speaker 4: have been a fucking email is what that should be. 1386 01:05:00,240 --> 01:05:02,400 Speaker 2: I hate we save you. That's why if you're an ally, 1387 01:05:02,440 --> 01:05:04,200 Speaker 2: it's a good reason to get your tickets to good 1388 01:05:04,280 --> 01:05:07,520 Speaker 2: medicine right now. Yes, make sure get your tickets, make 1389 01:05:07,560 --> 01:05:09,320 Speaker 2: sure you support the community, learn something. 1390 01:05:09,880 --> 01:05:13,479 Speaker 3: Yes, go to PACNYC dot RG get your tickets again. 1391 01:05:13,640 --> 01:05:16,680 Speaker 3: Killer lineup. I'll see you guys there in New York. 1392 01:05:16,600 --> 01:05:21,240 Speaker 1: City, beautiful justin. Thanks so much man for co hosting today. 1393 01:05:21,320 --> 01:05:24,680 Speaker 1: Where do the people find you? Follow you? What to tweet? 1394 01:05:24,720 --> 01:05:24,760 Speaker 3: You? 1395 01:05:24,920 --> 01:05:25,200 Speaker 1: Like all that? 1396 01:05:26,080 --> 01:05:28,600 Speaker 2: You can find me at j con the Smith that's 1397 01:05:28,760 --> 01:05:31,040 Speaker 2: j C O N T H E S M I 1398 01:05:31,160 --> 01:05:34,720 Speaker 2: t H. Only on Instagram. I don't have a very 1399 01:05:34,840 --> 01:05:37,840 Speaker 2: active social media presence, but I'm out here, you know, 1400 01:05:38,040 --> 01:05:41,320 Speaker 2: doing my thing. Uh piece of media I enjoyed. I 1401 01:05:41,440 --> 01:05:44,120 Speaker 2: was trying to come up with something cooler, but really. 1402 01:05:44,560 --> 01:05:47,919 Speaker 2: As Miles knows, I've been really into this Blue Rye 1403 01:05:48,360 --> 01:05:53,560 Speaker 2: show on Netflix. It's just I love seeing stories once 1404 01:05:53,640 --> 01:05:57,360 Speaker 2: again coming from people who have that lived experience, but 1405 01:05:58,080 --> 01:06:02,000 Speaker 2: trying to give you a relatable story that is just 1406 01:06:02,160 --> 01:06:05,400 Speaker 2: so fascinating that it stays with you for days afterwards. 1407 01:06:05,440 --> 01:06:08,280 Speaker 2: That's what happened with me. I don't know much about 1408 01:06:08,400 --> 01:06:11,600 Speaker 2: the Ato period of Japan during that time, but it 1409 01:06:11,760 --> 01:06:13,640 Speaker 2: really struck a chord with me as a person of 1410 01:06:13,720 --> 01:06:17,320 Speaker 2: mixed raced heritage to see like where you might stand 1411 01:06:17,440 --> 01:06:19,840 Speaker 2: in the history of your culture, like coming down on 1412 01:06:19,960 --> 01:06:22,360 Speaker 2: you as like kind of carrying two parts of your 1413 01:06:22,440 --> 01:06:23,960 Speaker 2: identity and you don't know what to do with it, 1414 01:06:24,040 --> 01:06:26,640 Speaker 2: and it's a struggle. But it's also such a beautiful story, 1415 01:06:26,760 --> 01:06:29,560 Speaker 2: Like all of the characters are fully developed, and even 1416 01:06:29,600 --> 01:06:31,560 Speaker 2: though you might predict one or two things that will 1417 01:06:31,600 --> 01:06:34,160 Speaker 2: shock you eventually, I want to shout out a specific 1418 01:06:34,240 --> 01:06:37,840 Speaker 2: episode because at one point they simultaneously start telling a 1419 01:06:37,960 --> 01:06:41,400 Speaker 2: story within a story within a story, and each of 1420 01:06:41,480 --> 01:06:45,520 Speaker 2: them moves their own insular narratives at a really fun pace, 1421 01:06:45,880 --> 01:06:49,440 Speaker 2: and then the overall story arc coincides with what's being 1422 01:06:49,480 --> 01:06:51,960 Speaker 2: told in all of these stories and it's just showing 1423 01:06:52,040 --> 01:06:56,120 Speaker 2: off the creator's ability to master their craft of storytelling. 1424 01:06:56,480 --> 01:06:58,600 Speaker 2: And it's kind of an ode to their daughter, the 1425 01:06:59,280 --> 01:07:01,600 Speaker 2: Michael Green and I want to make sure I get 1426 01:07:01,640 --> 01:07:06,680 Speaker 2: the name right, Amber Noizumi. They both created the the show, 1427 01:07:06,880 --> 01:07:09,760 Speaker 2: and it's a like an homage to their daughter, who 1428 01:07:09,840 --> 01:07:12,320 Speaker 2: they also called the Blue Eyed Samurai growing up, and 1429 01:07:12,920 --> 01:07:14,680 Speaker 2: they formed the show a little bit after that nickname 1430 01:07:14,720 --> 01:07:17,400 Speaker 2: came up. But man, it's so beautiful. It's very violent, 1431 01:07:17,920 --> 01:07:21,000 Speaker 2: so you know, don't you don't yeh yeah, yeah, beware, 1432 01:07:21,120 --> 01:07:25,600 Speaker 2: there's there's a wide yes, yeah. But the choreography like 1433 01:07:25,640 --> 01:07:28,600 Speaker 2: if you loved Avatar the Last Airbender, but you want 1434 01:07:28,680 --> 01:07:32,200 Speaker 2: a more grown up, less fantasy involved version of that, 1435 01:07:32,440 --> 01:07:36,320 Speaker 2: but but very moving. Nonetheless, Man, check the show out. 1436 01:07:36,440 --> 01:07:38,680 Speaker 2: I really hope it gets all the accolades. 1437 01:07:38,800 --> 01:07:41,400 Speaker 1: And what if you liked Avatar the James Cameron. 1438 01:07:42,000 --> 01:07:47,840 Speaker 2: Oh okay, well, blue eyed Samurai not blue face caricature. 1439 01:07:49,960 --> 01:07:52,160 Speaker 2: That's what that's what we need right now. And the 1440 01:07:52,240 --> 01:07:53,880 Speaker 2: name of that episode is called the Tale of the 1441 01:07:54,000 --> 01:07:57,680 Speaker 2: Ronan and the Bride, and you could watch it on 1442 01:07:57,800 --> 01:07:59,840 Speaker 2: your own. It's episode five. I believe you could watch 1443 01:07:59,880 --> 01:08:01,480 Speaker 2: it on your own. Is like a short film. It's 1444 01:08:01,520 --> 01:08:04,280 Speaker 2: like forty eight minutes, but the story they build up 1445 01:08:04,360 --> 01:08:07,680 Speaker 2: before and after it is so beautiful and worth checking out. 1446 01:08:08,400 --> 01:08:11,320 Speaker 4: It's also one on Rotten Tomatoes, so you sold me 1447 01:08:11,400 --> 01:08:12,360 Speaker 4: on that one justin. 1448 01:08:12,400 --> 01:08:14,640 Speaker 2: Yeah, it's oh man, you can finish it in the weekend. 1449 01:08:14,720 --> 01:08:18,360 Speaker 2: Told me, I think you'll you'll learn a lot about 1450 01:08:19,040 --> 01:08:19,960 Speaker 2: a lot of things here. 1451 01:08:20,080 --> 01:08:23,240 Speaker 1: Yeah. Yeah, very cool. So wow, yeah like this shit, 1452 01:08:23,680 --> 01:08:25,800 Speaker 1: Like when you told me, I was like, that's I'm 1453 01:08:26,080 --> 01:08:29,840 Speaker 1: I was. I'm considered a half Japanese beast over there 1454 01:08:30,120 --> 01:08:32,479 Speaker 1: from back then. This is exactly me And it's dope 1455 01:08:32,520 --> 01:08:35,360 Speaker 1: too because it's voiced by Maya Erskine from Penn fifteen 1456 01:08:37,000 --> 01:08:42,120 Speaker 1: is biracial, white and Japanese. So this is down to everything. Yeah, yeah, 1457 01:08:42,160 --> 01:08:45,719 Speaker 1: really dope show. Anyway. You can find me at Miles 1458 01:08:45,760 --> 01:08:47,679 Speaker 1: of Gray wherever they got ad symbols. You can also 1459 01:08:47,760 --> 01:08:49,880 Speaker 1: find Jack and I on our basketball podcast Miles and 1460 01:08:49,960 --> 01:08:52,800 Speaker 1: Jack Got Mad Boosties. If you like, you know Weed 1461 01:08:52,880 --> 01:08:55,160 Speaker 1: and ninety Day Fiance, then come check out for twenty 1462 01:08:55,240 --> 01:08:57,800 Speaker 1: Day Fiance. That's another show I do with Sophia Alexandra. 1463 01:08:58,720 --> 01:09:01,360 Speaker 1: Let's see a tweet I like comes from Ellerie Smith 1464 01:09:01,479 --> 01:09:04,120 Speaker 1: at Ellerie Smith tweeted when a restaurant only has their 1465 01:09:04,160 --> 01:09:07,360 Speaker 1: own homemade catchup, I'm like, don't you know hubris is 1466 01:09:07,439 --> 01:09:11,320 Speaker 1: the hero's fatal flaw, which I feel that it's like, 1467 01:09:11,680 --> 01:09:14,640 Speaker 1: what do you really do? Okay, Okay, we'll see you, 1468 01:09:14,720 --> 01:09:17,800 Speaker 1: see We'll see you. So you can find us at 1469 01:09:17,880 --> 01:09:20,320 Speaker 1: Daily Zeitgeist on Twitter, at the Daily zeit Guys on Instagram, 1470 01:09:20,320 --> 01:09:22,679 Speaker 1: got a Facebook fan page, website guys dot comway post 1471 01:09:22,720 --> 01:09:27,400 Speaker 1: our episodes and our footnoights footnotes thank you justin where 1472 01:09:27,439 --> 01:09:30,000 Speaker 1: we post all the articles and clips and links that 1473 01:09:30,040 --> 01:09:32,040 Speaker 1: we talked about today, as well as a song that 1474 01:09:32,120 --> 01:09:34,400 Speaker 1: we're gonna ride out on. We are going to go 1475 01:09:34,560 --> 01:09:37,200 Speaker 1: out on this track, let me bring it back up. 1476 01:09:37,680 --> 01:09:41,439 Speaker 1: This is called Elsen by the band called La Lom 1477 01:09:41,680 --> 01:09:44,000 Speaker 1: l A l o M. They are an LA band, 1478 01:09:44,520 --> 01:09:47,920 Speaker 1: but they're kind of like, they're sort of trippy. They've 1479 01:09:48,160 --> 01:09:52,439 Speaker 1: they've got like Cumbia influences, but like also like this 1480 01:09:52,640 --> 01:09:56,240 Speaker 1: kind of psychedelic, nostalgic vibe to it. It feels like 1481 01:09:56,320 --> 01:09:58,439 Speaker 1: you listen into stuff like on an old radio or 1482 01:09:58,479 --> 01:10:01,599 Speaker 1: something like that. But this track is called Else by 1483 01:10:01,840 --> 01:10:05,439 Speaker 1: La Loon and it's dope, just some nice easy music 1484 01:10:06,000 --> 01:10:09,759 Speaker 1: to start warming us up for the weekend. Okay, that'll 1485 01:10:09,800 --> 01:10:11,600 Speaker 1: do it for us. Obviously, The Daily sit Case is 1486 01:10:11,640 --> 01:10:13,519 Speaker 1: a production by Heart Radio, so for more podcast check 1487 01:10:13,560 --> 01:10:16,400 Speaker 1: out the iHeartRadio app, Apple Podcasts wherever get your podcasts 1488 01:10:16,439 --> 01:10:19,080 Speaker 1: for free. We'll see you later to tell you what's trending. Okay, 1489 01:10:19,240 --> 01:10:20,719 Speaker 1: bye bye bye