WEBVTT - #341: Bad Booth Behavior

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<v Speaker 1>Start Up, dot Up, start Up, Brooklyn Boy, start Up,

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<v Speaker 1>Brooklyn Buy, start Up, dot Up, DoD up, They making noise,

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<v Speaker 1>dight up, start up up, dad.

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<v Speaker 2>Us dot Up, Episode three forty one, The Brooklyn Boys Podcast.

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<v Speaker 2>Do you hear that, Bruty? Yes, you're slapping yourself on

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<v Speaker 2>the face.

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<v Speaker 3>Yeah, because I gotta wake up, wake up, wake up,

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<v Speaker 3>wake up. I'm on vacation, bro, And I'm not used

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<v Speaker 3>to this. See at what are you talking about? You

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<v Speaker 3>worked this morning?

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<v Speaker 2>I didn't know. I didn't. Oh, you were on vacation

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<v Speaker 2>as of yesterday. Yesterday. Yeah, Oh, that's why you were

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<v Speaker 2>out partying last night. I was Instagram. I was out

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<v Speaker 2>partying last night. But the problem is, it's crazy because

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<v Speaker 2>on days that I get up at four in the

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<v Speaker 2>morning and I have a full day, and I go

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<v Speaker 2>to work and I come back, I'm usually okay for

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<v Speaker 2>a good part of the afternoon, and then I peter

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<v Speaker 2>out toward evening. But here we are. When you when

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<v Speaker 2>you say you petered out towards evening, is that I

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<v Speaker 2>mean you tried to ask your own d exactly, Okay,

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<v Speaker 2>But on.

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<v Speaker 3>A day like this where I wake up at ten

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<v Speaker 3>o'clock in the morning, I'm only like four or five

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<v Speaker 3>hours into my day when we're recording this, and I'm

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<v Speaker 3>already tired.

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<v Speaker 2>So why is it like that? Why do you get

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<v Speaker 2>tired when you don't when you get too much sleep?

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<v Speaker 2>Is that right? Does that make sense? I don't know.

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<v Speaker 2>I mean I woke up around the same time today.

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<v Speaker 2>I'm on vacation as well as you know, are you. Yeah. Yeah,

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<v Speaker 2>it's a permanent vacation, as Aero Smith would say. And

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<v Speaker 2>I'm not There are days I'm tired in the afternoon. Yeah,

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<v Speaker 2>because you're doing a lot more. You're doing stuff like

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<v Speaker 2>your job doesn't involve a lot of activity. You stand

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<v Speaker 2>around in radio and talk. Now you know you're up,

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<v Speaker 2>you're walking around the house. You may have gone out

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<v Speaker 2>for a little while. Your body's not used to this

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<v Speaker 2>exercise as people call it. You should get one of

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<v Speaker 2>those watches and account how many steps you took today.

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<v Speaker 2>It's probably more than you normally did. Well.

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<v Speaker 3>Let me say, oh, that reminds me, bro I did

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<v Speaker 3>something that I've never done in my life before a

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<v Speaker 3>few days ago. And uh, go ahead, math, yeah, hold

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<v Speaker 3>on a second, way, hold on, Hey, Siri, turn off

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<v Speaker 3>the kitchen lights.

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<v Speaker 2>Thanks, thank you, Siria had to turn off the lazy

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<v Speaker 2>You're a lazy bastard. You look at a one bedroom apartment. Yeah,

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<v Speaker 2>and I told Siri to turn my lights off. Your

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<v Speaker 2>light switches are never more than three steps away, and

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<v Speaker 2>you have everything on voice activity. My kitchen lights are

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<v Speaker 2>in my kitchen, But you expect me to stop the

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<v Speaker 2>podcast and go close shut the lights off myself. No,

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<v Speaker 2>I just expect you to turn them off or not

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<v Speaker 2>care about them, being on energy conservation. I don't want

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<v Speaker 2>to like bro the guy. The guy who leaves his

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<v Speaker 2>car running when he gets gas is now worried about

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<v Speaker 2>the lights in his kitchen for an hour. Yeah that's me.

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<v Speaker 2>Oh yeah, well yeah, yeah, so you'll be proud of me, Brodie,

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<v Speaker 2>I did something I did not, but go ahead, I

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<v Speaker 2>did a thing. So you know. I've been working out

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<v Speaker 2>twice a week with a personal trainerting quotes. Yeah, oh no, No.

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<v Speaker 2>He puts me to work when I'm there, but I

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<v Speaker 2>refuse to go above that threshold of two times a week.

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<v Speaker 2>I refuse for whatever reason, I don't know. I don't

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<v Speaker 2>want to give him that much time. And he's always

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<v Speaker 2>been saying, in your spare time when you're not with me.

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<v Speaker 2>You have a full gym up in your apartment building.

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<v Speaker 2>Why don't you work out in your building on your

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<v Speaker 2>own when you're not with me in other days? Like

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<v Speaker 2>the kind of the alternate days? Okay? He asked that

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<v Speaker 2>with a straight face. He asked you, like, whoa a

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<v Speaker 2>Scary Jones? Why this person I see in the gym

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<v Speaker 2>and I know very well? Now? Why don't you work

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<v Speaker 2>out in the gym in your building? How long have

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<v Speaker 2>you lived in that building? Scary? Seven years? Seventeen years,

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<v Speaker 2>seventeen years? Have you ever been in the gym ever?

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<v Speaker 2>Love me? No, I have with William Sam's husband, the

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<v Speaker 2>one who went into the sauna together, remember that one?

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<v Speaker 2>All right, right, that doesn't really count yet. No, No, I've worked.

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<v Speaker 3>No, I've no, no, but I've worked out with him

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<v Speaker 3>up there. I've had personal trainers here over the years,

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<v Speaker 3>but I never stuck with it well anyway. For the

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<v Speaker 3>first time ever, I took it upon myself to say

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<v Speaker 3>to get into some gym clothes and go up the

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<v Speaker 3>elevator into the gym and work out on my own, unguided,

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<v Speaker 3>and do my own things. And I sat there for

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<v Speaker 3>forty five minutes.

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<v Speaker 2>In when you got on the elevator and you pushed

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<v Speaker 2>the button to go up to the gym. Yeah, were

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<v Speaker 2>you exhausted? Did you have to stop and take a

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<v Speaker 2>break on like floor twelve and just relax?

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<v Speaker 3>You are something else, You are a character. No, so

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<v Speaker 3>I so I had my I did my own workout.

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<v Speaker 3>I went on the rower for five minutes.

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<v Speaker 2>I did some weight training on my own, and then

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<v Speaker 2>I went back to the rower for another five minutes.

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<v Speaker 2>And I worked out for about thirty to forty minutes

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<v Speaker 2>on my own, without any guidance, without anyone telling me

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<v Speaker 2>what to do, without having to keep an appointment. How

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<v Speaker 2>many reps of the elevator doors opening and closing did

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<v Speaker 2>you do? Open? Close, open, close? One more rep? Did

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<v Speaker 2>you do? Ten? Some of the elevated doors opening, closing?

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<v Speaker 2>Make all the fun I will? Did you really row

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<v Speaker 2>the boat for five minutes? Did you you did the

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<v Speaker 2>rowing machine?

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<v Speaker 1>I did?

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<v Speaker 2>I did about nine hundred meters each one each time? Wow? Yeah?

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<v Speaker 2>Oh yeah, I just nonstyle with the rower. When you

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<v Speaker 2>got back to your apartment, what did you eat a yogurt? Yeah?

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<v Speaker 2>That's it? Are you you thought I was gonna say? Oh?

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<v Speaker 2>And I and I jumped into some entimens donuts. Yes,

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<v Speaker 2>such some devil dogs. Right, ah, very good. Well listen,

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<v Speaker 2>you're you're this is uh it's a start, it's a start.

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<v Speaker 2>You're you're approaching third quarter scary. Yeah. Yeah, well well

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<v Speaker 2>hold on a second. No, no, we are approaching the

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<v Speaker 2>third quarter on the calendar. My my mistake, my mistake.

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<v Speaker 2>We're approaching third quarter. Yeah, this is the danger zone, Brody, Yes,

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<v Speaker 2>I know, thank you. Uh Hi, it's the highway to

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<v Speaker 2>the danger zone. Thank you. Uh are you trying, Kenny Loggins?

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<v Speaker 2>Are you trying to avoid third quarter skary? Yes? And

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<v Speaker 2>now are you trying to avoid third and fourth? Are

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<v Speaker 2>you trying to push off third to fourth so that

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<v Speaker 2>fourth is only as bad as third? That's what I'm

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<v Speaker 2>trying to do.

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<v Speaker 3>Well, the lofty goals, that's my beginning goal, But the

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<v Speaker 3>ultimate goal would be to stay second quarter, maybe second

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<v Speaker 3>and a half right through the fourth quarter. If I

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<v Speaker 3>can do that, I actually stand a great chance next

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<v Speaker 3>in January, when I do the detox, that that I'll

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<v Speaker 3>actually see better results. But but it's so difficult this

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<v Speaker 3>time of year.

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<v Speaker 2>If if you were to start next year as second

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<v Speaker 2>and a half quarter skiers, yes, you could conceivably then

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<v Speaker 2>lose the weight and get down to like negative first

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<v Speaker 2>quarter skiars. That is, you could be, you could almost

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<v Speaker 2>be You'll almost be brody thin at that point. Brody thin,

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<v Speaker 2>that's right? Is that a trademarked word. Trademark friend? It is? Now? Yeah,

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<v Speaker 2>I'd like, yeah, you could be bru thin. Yes, I

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<v Speaker 2>don't know. Well, here's the but.

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<v Speaker 3>But here's why it's it's dangerous because I'm now e'mbarking

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<v Speaker 3>on a two and a half week vacation. Right, we

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<v Speaker 3>don't go back till July seventh to the morning show,

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<v Speaker 3>and we we've been lost since yesterday morning. And now

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<v Speaker 3>what starts happening? All the drinking events start piling up,

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<v Speaker 3>the dinners, barbecues. My buddy will is having a big

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<v Speaker 3>barbecue Saturday night. You think I'm gonna hold back?

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<v Speaker 2>You think last Saturday he had an indoor barbecue with

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<v Speaker 2>some with some ribs. They did rib racks of ribs.

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<v Speaker 2>And then tonight we got our friend UK Chris is

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<v Speaker 2>in town and yeah, I like Chris.

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<v Speaker 3>Yeah, and he wants to go to dinner tonight. By

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<v Speaker 3>the way, you want to come to dinner with us?

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<v Speaker 3>He just texted me, I got No, I have a

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<v Speaker 3>pick to pickleball. No, it'll be too late to go

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<v Speaker 3>to dinner with you.

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<v Speaker 2>No, won't. The night's just because I can't. I got

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<v Speaker 2>a you got pickleball? But thank you? But that and

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<v Speaker 2>that wasn't even that wasn't even the last minute thing

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<v Speaker 2>because he texted me that's his last minute. Well for me,

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<v Speaker 2>you're asking me last minute. But I'm not blaming youbody.

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<v Speaker 2>Let's move on right. So the point is, I'm gonna

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<v Speaker 2>be eating tonight. You know. No, wait a minute, you

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<v Speaker 2>said you're having a barbecue Will's place. When I called

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<v Speaker 2>you on Tuesday to see about doing slice time, you

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<v Speaker 2>were in the car with Will and I said, oh,

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<v Speaker 2>where are you guys going to eat? And you were like,

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<v Speaker 2>how funny you should ask? We're going to a barbecue.

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<v Speaker 2>You know?

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<v Speaker 1>That was?

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<v Speaker 2>That was That was Frank Locerto's barbecue. It was a

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<v Speaker 2>barbecue though it's a barbecue season. But don't say it's

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<v Speaker 2>because you're on vacation. You were. You were at a

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<v Speaker 2>barbecue two days ago during the week. Yeah, it was

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<v Speaker 2>on a Tuesday. Got the grill slices like that. Slices

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<v Speaker 2>have no idea who Frank is you're like, oh, that

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<v Speaker 2>was Frank, Baba bas Frank barbecue. Okay, okay, barbecue, And

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<v Speaker 2>and I realized that the word barbecue means something very

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<v Speaker 2>different than it does for some people.

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<v Speaker 3>Like like grilling. People say, what I consider a barbecue

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<v Speaker 3>is grilling for much of the South and other parts

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<v Speaker 3>of the country. So we were, we did grilling, and

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<v Speaker 3>we're going to be doing grilling on Saturday night. Barbecue

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<v Speaker 3>does not mean barbecue. Is what a form of yah barbecue.

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<v Speaker 2>In the in the South, and if you're from the South,

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<v Speaker 2>I know I'm a little off, but they call it

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<v Speaker 2>when you cook, when you cook food that's actually bought,

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<v Speaker 2>like barbecue, ribs, barbecue, chicken. It's a style of cooking.

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<v Speaker 2>Whereas up north, anything on the grill is barbecue, hot dogs, hamburgers,

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<v Speaker 2>barbecue on barbecue, you barbecue and going to the backyard

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<v Speaker 2>for barbecue. That's what it is in the North. In

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<v Speaker 2>the South, we actually have to have to cook food

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<v Speaker 2>that is considered barbecue food. Up North, you could put

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<v Speaker 2>shrimp on a grill. You're like on barbecue and shrimp, right.

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<v Speaker 3>But in the North, if you're in the South, if

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<v Speaker 3>you're eating hot dogs and hamburgers.

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<v Speaker 2>You're grilling. Oh, we're gonna put it thrown on the grill,

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<v Speaker 2>chicken on the grill. But for us, Yeah, when I

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<v Speaker 2>when I say barbecue, we did a barbecue on Tuesday,

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<v Speaker 2>I got another one on Saturday. That means that means

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<v Speaker 2>everything steaks, chicken. Yeah, could be you're gonna have so

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<v Speaker 2>you're gonna have to work out a lot more than

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<v Speaker 2>once in your building. Well, I think you're gonna hold

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<v Speaker 2>off the ocean of the third quarter scary coming in

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<v Speaker 2>because that tsunami's coming. My friend, You're a whole lot

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<v Speaker 2>of ketchup and potato salad on it mustard on its

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<v Speaker 2>way coming your away. My friend, I don't know what

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<v Speaker 2>to do. I mean I slowed down, to slow down.

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<v Speaker 2>Maybe maybe only go to six barbecues this week while

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<v Speaker 2>you're on vacation. I want you to do on vacation.

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<v Speaker 2>I went to the Island of Barbeque. That's what I

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<v Speaker 2>went to the ABC Islands. I went to BBQ BBQ

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<v Speaker 2>right all right, yeah, thank you? Podcast with Scary and

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<v Speaker 2>Rode Scary. I want to I want to tell you

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<v Speaker 2>about a lunch I had yesterday. But but before I

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<v Speaker 2>do that, I need your opinion and the slices opinion.

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<v Speaker 2>This is an opportunity to leave talkbacks. Now. This is

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<v Speaker 2>your homework assignment. I messaged a guy that we worked

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<v Speaker 2>with a long time ago. I'm friendly with him on Facebook.

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<v Speaker 2>Good guy. I haven't spoken to him in a few years,

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<v Speaker 2>but you know, interact on Facebook a little bit. And

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<v Speaker 2>I messaged him asking him for a favor. First, I said, first,

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<v Speaker 2>I messaged him and I messaged him through Facebook Messenger,

0:11:23.160 --> 0:11:25.040
<v Speaker 2>so I don't have his phone number. He's new, he

0:11:25.120 --> 0:11:28.160
<v Speaker 2>changed his number in the past few years. And I

0:11:28.200 --> 0:11:30.600
<v Speaker 2>messaged him and I said, hey, man, can I ask

0:11:30.640 --> 0:11:32.320
<v Speaker 2>you a question? I hate to bob they out of nowhere.

0:11:32.320 --> 0:11:34.480
<v Speaker 2>I hope everything's good. He said, yeah, man, what's up.

0:11:34.480 --> 0:11:40.200
<v Speaker 2>Great to hear from you. So I said, hey, I

0:11:40.280 --> 0:11:44.720
<v Speaker 2>kind of need a favor from you. What do you

0:11:44.720 --> 0:11:46.280
<v Speaker 2>think about doing this? Would you be able to do

0:11:46.320 --> 0:11:48.840
<v Speaker 2>this for me? This favor doesn't matter what the favor is.

0:11:51.200 --> 0:11:56.760
<v Speaker 2>And as soon as I hit send, I see his profile.

0:11:57.000 --> 0:12:00.160
<v Speaker 2>His avatar in the left side popped up, which means

0:12:00.000 --> 0:12:03.280
<v Speaker 2>he's on. Then I see the three dots he's typing,

0:12:03.880 --> 0:12:07.800
<v Speaker 2>and it says he's typing, and he's typing and he's typing.

0:12:07.920 --> 0:12:10.760
<v Speaker 2>I'm like, oh, I'm hoping he answers the question I asked,

0:12:11.040 --> 0:12:12.840
<v Speaker 2>and he says he can do the favor for me.

0:12:13.400 --> 0:12:18.000
<v Speaker 2>This is great. So I'm stating I'm all anxious. I'm like, oh, yes,

0:12:18.040 --> 0:12:19.679
<v Speaker 2>what's this. He's doing me the favor. Its gonna be

0:12:19.720 --> 0:12:22.920
<v Speaker 2>huge for me. I really need his favor. And then

0:12:22.960 --> 0:12:24.920
<v Speaker 2>the dots are going, the dots are going, The dots stop,

0:12:28.000 --> 0:12:30.520
<v Speaker 2>wait a minute, and then the dots start again. It's like, go, oh,

0:12:30.520 --> 0:12:32.200
<v Speaker 2>he must have paused or he had everything what he

0:12:32.280 --> 0:12:34.439
<v Speaker 2>was thinking, and the dots start. He's typing again, and

0:12:34.559 --> 0:12:38.240
<v Speaker 2>he's typing. He's typing, he's typing, and then it stops. Now,

0:12:38.400 --> 0:12:40.880
<v Speaker 2>underneath what I wrote it is his avatar, which shows

0:12:40.920 --> 0:12:45.160
<v Speaker 2>me he read what I wrote. That was four hours ago.

0:12:46.240 --> 0:12:49.280
<v Speaker 2>He has not responded, and I know he's not working

0:12:49.320 --> 0:12:53.040
<v Speaker 2>because I know his work schedule. So my question is,

0:12:53.840 --> 0:12:56.439
<v Speaker 2>did he need a couple of hours to like answer

0:12:56.520 --> 0:12:58.720
<v Speaker 2>the question, find out the question I asked the answer

0:12:58.760 --> 0:13:00.520
<v Speaker 2>to the question and didn't want to give me the

0:13:00.559 --> 0:13:02.520
<v Speaker 2>wrong answer, Or does he not want to do me

0:13:02.559 --> 0:13:04.240
<v Speaker 2>the favor and has to figure out how he's going

0:13:04.320 --> 0:13:06.720
<v Speaker 2>to tell me that or ignore me if it was.

0:13:06.800 --> 0:13:10.280
<v Speaker 2>If it was if it was anyone else, I would say,

0:13:10.480 --> 0:13:13.000
<v Speaker 2>he needs some time to get it done. But because

0:13:13.000 --> 0:13:16.560
<v Speaker 2>it's you, you ain't getting the favor done. He thought

0:13:16.600 --> 0:13:18.880
<v Speaker 2>twice about that. Again, he thought twice about helping that

0:13:19.240 --> 0:13:23.560
<v Speaker 2>he because he was clearly so. The initial the initial

0:13:23.600 --> 0:13:27.400
<v Speaker 2>response was, h you got It's not like you just

0:13:27.440 --> 0:13:29.560
<v Speaker 2>threw a question out and you waited for him to respond.

0:13:29.600 --> 0:13:32.160
<v Speaker 2>It was basically you started a convo. So he had

0:13:32.160 --> 0:13:36.240
<v Speaker 2>his phone in his hand, he had the mindset to

0:13:36.320 --> 0:13:37.320
<v Speaker 2>go back and forth.

0:13:37.120 --> 0:13:39.040
<v Speaker 3>With you on a couple of back and forth, and

0:13:39.120 --> 0:13:42.160
<v Speaker 3>he just said, yes, absolutely, whatever you need, okay. And

0:13:42.200 --> 0:13:44.160
<v Speaker 3>then you asked him and then you presented him what

0:13:44.160 --> 0:13:46.559
<v Speaker 3>the favor was. I asked him a question.

0:13:47.400 --> 0:13:50.120
<v Speaker 2>Answer to this question, yep, And and if you do

0:13:50.200 --> 0:13:52.400
<v Speaker 2>know answer to that question, could you do me this favor?

0:13:52.440 --> 0:13:55.000
<v Speaker 2>Would you mind doing me this favor? Well, do you

0:13:55.040 --> 0:13:59.280
<v Speaker 2>mind sharing what the question was? If scared him? Asked

0:13:59.280 --> 0:14:01.440
<v Speaker 2>your question? Because I know you're not You're not the

0:14:01.480 --> 0:14:04.720
<v Speaker 2>smarter person on this podcast. I've gone out of my

0:14:04.760 --> 0:14:07.600
<v Speaker 2>way to not say what it was right and your

0:14:07.640 --> 0:14:12.120
<v Speaker 2>response is but that makes it not interesting. I think

0:14:12.160 --> 0:14:15.120
<v Speaker 2>you should just tell everybody what the favor was, and

0:14:15.160 --> 0:14:18.360
<v Speaker 2>I will judge based on the favor you asked if

0:14:18.760 --> 0:14:20.640
<v Speaker 2>he's going to do you the film or not scary?

0:14:20.680 --> 0:14:23.520
<v Speaker 2>If I want slices. Do you have a friend like

0:14:23.560 --> 0:14:26.160
<v Speaker 2>this who doesn't take a fucking hint? Okay, so you

0:14:26.200 --> 0:14:30.040
<v Speaker 2>don't want to be you don't want to Okay, So okay, fine, fine, fine, fine, fine, Yes,

0:14:30.160 --> 0:14:33.880
<v Speaker 2>based on based on what you said, which is very vague, okay,

0:14:33.920 --> 0:14:36.200
<v Speaker 2>I I asked him if he had naked pictures of

0:14:36.240 --> 0:14:38.160
<v Speaker 2>your girlfriend Robin, and then as a favor, I said,

0:14:38.200 --> 0:14:40.720
<v Speaker 2>could you send me those naked pictures Brody with the

0:14:40.720 --> 0:14:43.200
<v Speaker 2>clutch joke to save it and turn it all? Right,

0:14:43.240 --> 0:14:45.800
<v Speaker 2>So here's here's what I want to say. Okay, based

0:14:45.840 --> 0:14:48.440
<v Speaker 2>on based on what can you pick that up? Can

0:14:48.440 --> 0:14:49.520
<v Speaker 2>you pick it up? And you get a chance, can

0:14:49.560 --> 0:14:53.000
<v Speaker 2>you pick it up? Pick what up? The hint I dropped?

0:14:53.040 --> 0:14:57.760
<v Speaker 2>Can you pick it up? You are an asshole? Okay,

0:14:58.320 --> 0:15:02.160
<v Speaker 2>all that being said, based on what little info I

0:15:02.200 --> 0:15:04.600
<v Speaker 2>have or the limited info, because we do have limited

0:15:04.640 --> 0:15:07.320
<v Speaker 2>info here, I'm not gonna I'm not gonna dig. I'm

0:15:07.320 --> 0:15:08.840
<v Speaker 2>not gonna dig. I'll tell you a little bit. I

0:15:08.880 --> 0:15:10.200
<v Speaker 2>asked him to put in a good word for me

0:15:10.240 --> 0:15:13.320
<v Speaker 2>about something. Okay, all right, fair enough, I say, hey,

0:15:13.320 --> 0:15:14.280
<v Speaker 2>can you put a good word for me?

0:15:14.320 --> 0:15:14.560
<v Speaker 1>All right?

0:15:14.600 --> 0:15:17.160
<v Speaker 2>So right now, okay, you've given me more to go on,

0:15:17.720 --> 0:15:21.760
<v Speaker 2>and already I'm telling you based on that little knowledge

0:15:21.800 --> 0:15:25.200
<v Speaker 2>I have. Yeah, he thought about what he thought of

0:15:25.240 --> 0:15:27.200
<v Speaker 2>you as a character, as a person, and he said, no,

0:15:27.240 --> 0:15:28.760
<v Speaker 2>I don't want to put in a good word for him.

0:15:28.960 --> 0:15:31.000
<v Speaker 2>I don't because I don't have a good word to

0:15:31.040 --> 0:15:34.360
<v Speaker 2>say about him. So now for sure, I'm leaning with

0:15:34.920 --> 0:15:37.360
<v Speaker 2>this guy ghosted you, and you're not getting a He's

0:15:37.360 --> 0:15:41.240
<v Speaker 2>not gonna do you a favor, all right. Well, here's

0:15:41.280 --> 0:15:44.800
<v Speaker 2>the thing. I had a good relationship with him, uh huh,

0:15:44.800 --> 0:15:47.120
<v Speaker 2>so other other than other than the fact he may

0:15:47.160 --> 0:15:50.920
<v Speaker 2>not agree with me a lot on Facebook, in real life,

0:15:51.160 --> 0:15:55.160
<v Speaker 2>we had a good relationship, gotcha, gotcha. I don't know

0:15:55.200 --> 0:15:58.240
<v Speaker 2>if he doesn't want to do me this favor based

0:15:58.240 --> 0:16:02.360
<v Speaker 2>on your Facebook relationship, right, or if he's basing it

0:16:02.400 --> 0:16:05.920
<v Speaker 2>on our old relationship, which was a good one, our

0:16:05.960 --> 0:16:08.040
<v Speaker 2>real life relationship. How long did you know this person,

0:16:09.160 --> 0:16:12.680
<v Speaker 2>oh boy? Ten twelve years? When was the last time

0:16:12.720 --> 0:16:15.560
<v Speaker 2>you had any real interaction with this person? Beat besides

0:16:15.720 --> 0:16:22.920
<v Speaker 2>this dialogue? Oh maybe five or six years. So you

0:16:22.960 --> 0:16:26.640
<v Speaker 2>came out of nowhere with hey, how you doing? I said,

0:16:26.680 --> 0:16:28.520
<v Speaker 2>how you doing? Helpe all his gun? It's been a

0:16:28.520 --> 0:16:31.560
<v Speaker 2>while based on your previous relationship. I don't know, Brody,

0:16:31.640 --> 0:16:34.200
<v Speaker 2>I'm I want to say that.

0:16:34.320 --> 0:16:37.240
<v Speaker 3>Maybe he said, rather than to respond to him, I'm

0:16:37.240 --> 0:16:39.080
<v Speaker 3>just gonna go find out what I can do and

0:16:39.120 --> 0:16:41.720
<v Speaker 3>then get back to him later. Which, yeah, But when

0:16:41.880 --> 0:16:43.680
<v Speaker 3>you write that, when you writ yes, well, that's the thing.

0:16:43.720 --> 0:16:45.400
<v Speaker 3>If he really felt he was going to help you,

0:16:45.920 --> 0:16:49.080
<v Speaker 3>he would have. He would have said it right there,

0:16:49.840 --> 0:16:53.520
<v Speaker 3>let be brb, hold my beer stand by right, something

0:16:53.560 --> 0:16:53.800
<v Speaker 3>like that.

0:16:53.920 --> 0:16:54.040
<v Speaker 2>Right.

0:16:54.160 --> 0:16:57.280
<v Speaker 3>The fact that he started meeting, he was having second

0:16:57.280 --> 0:16:59.160
<v Speaker 3>thoughts as he wrote the text, and he took.

0:16:59.080 --> 0:17:01.080
<v Speaker 2>Me about how do you how do ghost somebody? When

0:17:01.120 --> 0:17:03.840
<v Speaker 2>I can see that you read my post and my

0:17:04.200 --> 0:17:06.719
<v Speaker 2>message and I can see that you are typing, you

0:17:06.760 --> 0:17:09.040
<v Speaker 2>can't ghost me. Then you can't be like, oh, bro

0:17:09.119 --> 0:17:12.040
<v Speaker 2>I didn't see it. I saw that you saw it, right?

0:17:12.080 --> 0:17:14.040
<v Speaker 2>But does he know you saw you saw does he

0:17:14.119 --> 0:17:16.720
<v Speaker 2>know that you saw us? Because he knows how messenger

0:17:16.760 --> 0:17:20.200
<v Speaker 2>works on Facebook Messenger, you can see the avatar goes

0:17:20.280 --> 0:17:24.320
<v Speaker 2>underneath once you read it. He knows I saw him typing.

0:17:24.359 --> 0:17:27.679
<v Speaker 2>Because he was typing, he knows how it works. So

0:17:27.800 --> 0:17:30.760
<v Speaker 2>now it's a question of it is does he give

0:17:30.840 --> 0:17:35.560
<v Speaker 2>a ship that you know that he you correct that

0:17:35.600 --> 0:17:40.760
<v Speaker 2>you saw it. He knows, he knows that, he knows right,

0:17:40.840 --> 0:17:43.480
<v Speaker 2>he knows that you know that he knows that you

0:17:43.520 --> 0:17:45.639
<v Speaker 2>know he saw that. I know he knows right, you know,

0:17:45.760 --> 0:17:48.080
<v Speaker 2>so if you know you know, but you know so,

0:17:47.640 --> 0:17:52.720
<v Speaker 2>he so he probably he probably said, well, he doesn't

0:17:52.760 --> 0:17:55.760
<v Speaker 2>want to help you that much that he's willing willing

0:17:55.800 --> 0:17:59.119
<v Speaker 2>to ghost me, be embarrassed by it or not if

0:17:59.160 --> 0:18:00.760
<v Speaker 2>he wants. If he wants to make sure I never

0:18:00.800 --> 0:18:04.280
<v Speaker 2>asked him another favor, He's now made sure I never

0:18:04.280 --> 0:18:07.119
<v Speaker 2>asked him another favor. He's like, oh, Brodie's gonna be

0:18:07.119 --> 0:18:08.640
<v Speaker 2>so mad at me for not getting back to him.

0:18:08.760 --> 0:18:10.520
<v Speaker 2>He'll leave me the fuck alone and never asked me

0:18:10.520 --> 0:18:12.520
<v Speaker 2>for a favor again. Could it be an off chance

0:18:12.760 --> 0:18:15.840
<v Speaker 2>that he was busy with family stuff? He said he

0:18:15.840 --> 0:18:18.600
<v Speaker 2>wasn't working today, so maybe there was something in his

0:18:18.680 --> 0:18:21.879
<v Speaker 2>family or he got he got distracted, and he's like,

0:18:21.920 --> 0:18:23.960
<v Speaker 2>I can't give my full attention to his Now I'll

0:18:23.960 --> 0:18:26.119
<v Speaker 2>come back to that because I do that sometimes sometimes

0:18:26.119 --> 0:18:27.679
<v Speaker 2>I'm like in the middle of a conversation, yes, and

0:18:27.720 --> 0:18:29.840
<v Speaker 2>then I just go, you know, go dark. But how

0:18:29.920 --> 0:18:33.119
<v Speaker 2>long does it take when you're already typing for like

0:18:33.200 --> 0:18:36.560
<v Speaker 2>thirty seconds to just say let me get back to you.

0:18:39.680 --> 0:18:40.159
<v Speaker 2>It does hit?

0:18:40.320 --> 0:18:44.159
<v Speaker 3>Yeah, yeah, well okay. So the question now is what

0:18:44.160 --> 0:18:45.960
<v Speaker 3>do you follow up with? Or do you not follow

0:18:46.000 --> 0:18:47.639
<v Speaker 3>up at all? Or do you throw in one of

0:18:47.680 --> 0:18:49.320
<v Speaker 3>your brodeisms one of your like.

0:18:49.280 --> 0:18:52.879
<v Speaker 2>Slide slices, Part two slices is that he never if

0:18:52.920 --> 0:18:56.120
<v Speaker 2>he never writes back, do I be like, okay, thanks anyway,

0:18:56.240 --> 0:18:58.520
<v Speaker 2>or hey, sorry, you know, I'm sorry if I was

0:18:58.560 --> 0:19:00.639
<v Speaker 2>it was an imposition, or or do I be like

0:19:01.240 --> 0:19:03.199
<v Speaker 2>cool man, thanks, Or do I put a ghost emoji

0:19:03.240 --> 0:19:05.960
<v Speaker 2>because he ghosted me? Do I would just passive aggressive

0:19:06.000 --> 0:19:08.239
<v Speaker 2>about it? Or like aggressive aggressive? You would just go

0:19:08.680 --> 0:19:10.480
<v Speaker 2>ghost him back and never ask him another favor.

0:19:10.520 --> 0:19:12.520
<v Speaker 3>Now, what I would do is I would send him

0:19:12.560 --> 0:19:16.240
<v Speaker 3>the meme of the of the skeleton sitting there with

0:19:16.359 --> 0:19:17.040
<v Speaker 3>his hand.

0:19:17.160 --> 0:19:21.000
<v Speaker 2>His hand under his shin and you know, waiting.

0:19:20.720 --> 0:19:24.760
<v Speaker 3>With his waiting, with with the five fingers on the desk,

0:19:25.640 --> 0:19:27.159
<v Speaker 3>putting his fingers on the desk.

0:19:27.400 --> 0:19:29.440
<v Speaker 2>Waiting, waiting, waiting.

0:19:30.280 --> 0:19:36.080
<v Speaker 3>Yeah, I would send that or or just be snarky

0:19:36.119 --> 0:19:39.440
<v Speaker 3>and be like, all right, great chat, great chat, good times.

0:19:39.520 --> 0:19:42.200
<v Speaker 2>Yeah, yeah, good times, Yeah, good time. Hey man, great

0:19:42.200 --> 0:19:48.960
<v Speaker 2>catching up, great catching up, catching up. I don't know, man, Yeah,

0:19:48.960 --> 0:19:52.720
<v Speaker 2>so that's my dilemma. Slices helped me out. Thanks. I

0:19:52.720 --> 0:19:56.320
<v Speaker 2>don't know. I would. I gotta say I would feel

0:19:56.960 --> 0:20:00.640
<v Speaker 2>filthy doing that to somebody, knowing that they I saw

0:20:01.400 --> 0:20:06.320
<v Speaker 2>that I was texting them back and stops. Yes, I

0:20:06.359 --> 0:20:11.119
<v Speaker 2>would at least cover my ass and say yeah, let

0:20:11.160 --> 0:20:13.200
<v Speaker 2>me get back to you on that, and then ghost them.

0:20:13.359 --> 0:20:15.879
<v Speaker 2>So this way the closure on the conversation. But to

0:20:15.920 --> 0:20:18.920
<v Speaker 2>be moretal sentence, tell me you couldn't figure out the

0:20:18.920 --> 0:20:21.600
<v Speaker 2>answer to the question, uh, and then tell me yeah,

0:20:21.680 --> 0:20:23.959
<v Speaker 2>I couldn't help you out. I wasn't able to you know,

0:20:24.160 --> 0:20:26.680
<v Speaker 2>to put in a good word for you for whatever.

0:20:27.200 --> 0:20:30.760
<v Speaker 2>That's like taking a piss midstream. You cut yourself off.

0:20:30.760 --> 0:20:34.000
<v Speaker 2>You're like gotta go when you're in the middle of

0:20:34.119 --> 0:20:35.680
<v Speaker 2>maybe you're in the middle of a flow, you're in

0:20:35.680 --> 0:20:38.520
<v Speaker 2>the middle of something, yes, or maybe you say, hey,

0:20:38.600 --> 0:20:40.200
<v Speaker 2>I put in that good word for you. Just no,

0:20:40.320 --> 0:20:41.880
<v Speaker 2>I would ever know one way or the other. That's

0:20:41.920 --> 0:20:43.920
<v Speaker 2>the other thing. You can lie it lie through your teeth,

0:20:44.000 --> 0:20:45.760
<v Speaker 2>and I don't know why he didn't change that route.

0:20:47.240 --> 0:20:49.520
<v Speaker 2>I don't either. How little respect does he have for you?

0:20:49.560 --> 0:20:54.720
<v Speaker 2>Then he's apparently apparently very little Jesus, apparently very very

0:20:54.720 --> 0:21:04.679
<v Speaker 2>fucking little. It's I gotta tell you what happened. A

0:21:04.720 --> 0:21:06.920
<v Speaker 2>couple of times. Let me hold on, let me update you,

0:21:07.000 --> 0:21:10.240
<v Speaker 2>let me update you. Date. I'm looking on my phone.

0:21:11.040 --> 0:21:13.959
<v Speaker 2>Still no comment. Okay, let's see if he comments back

0:21:13.960 --> 0:21:15.520
<v Speaker 2>by the end of the podcast. How long was it?

0:21:15.640 --> 0:21:18.360
<v Speaker 2>It was it three hours ago, four hours ago? Let

0:21:18.359 --> 0:21:25.600
<v Speaker 2>me check, Yeah, three and a half hours ago. There

0:21:25.720 --> 0:21:28.240
<v Speaker 2>is a slight chance he got interrupted and then went

0:21:28.240 --> 0:21:30.520
<v Speaker 2>ahead to do the favor, to try and do the favor,

0:21:30.560 --> 0:21:33.160
<v Speaker 2>and he'll get back to you later. I will see.

0:21:33.440 --> 0:21:37.320
<v Speaker 2>All right, we need an update by Slice time on Monday. Yes, yeah,

0:21:37.400 --> 0:21:40.720
<v Speaker 2>Slice time on the very remember that set a note

0:21:41.280 --> 0:21:43.560
<v Speaker 2>very beginning of the Slice Time. The first thing you

0:21:43.640 --> 0:21:45.439
<v Speaker 2>do is update us, and then we moved on. I

0:21:45.480 --> 0:21:47.800
<v Speaker 2>won't have to update as a reminder because Slice is

0:21:47.840 --> 0:21:50.040
<v Speaker 2>gonna leave talkbacks about this and that'll remind me for

0:21:50.040 --> 0:21:54.560
<v Speaker 2>an hour. That's true. That's true. So thank you, slices man.

0:21:56.320 --> 0:22:01.200
<v Speaker 2>A buddy of mine has been dating this girl for well,

0:22:01.240 --> 0:22:04.600
<v Speaker 2>he was dating this girl for a few months. And

0:22:05.520 --> 0:22:10.119
<v Speaker 2>he's not sex on the way, Dave. No, he is

0:22:10.160 --> 0:22:14.120
<v Speaker 2>one of the Hoboken Well he's a satellite Hoboken satellite crew.

0:22:14.160 --> 0:22:16.480
<v Speaker 2>He used to look at Hoboken and now he's moved away.

0:22:17.000 --> 0:22:23.320
<v Speaker 2>But so he was with this girl. He's been playing

0:22:23.359 --> 0:22:26.920
<v Speaker 2>the playing the you know, dating roulette. And he was

0:22:26.960 --> 0:22:31.280
<v Speaker 2>with this girl for I would say three or four months.

0:22:31.600 --> 0:22:35.400
<v Speaker 2>But it was more casual. It was more like, yeah, whatever,

0:22:35.520 --> 0:22:37.560
<v Speaker 2>let's get together when we can. And you know, they'll

0:22:37.560 --> 0:22:41.040
<v Speaker 2>do dinner, they'll do drinks, they'll smash, they'll go you know,

0:22:41.080 --> 0:22:46.560
<v Speaker 2>over each other's house whatever. But she became too clingy

0:22:46.560 --> 0:22:48.919
<v Speaker 2>for him. He does not want to get you know,

0:22:49.119 --> 0:22:52.719
<v Speaker 2>to get married. He doesn't want to you know, have

0:22:52.760 --> 0:22:55.439
<v Speaker 2>any of any of these feelings. He just wants to

0:22:56.280 --> 0:22:58.399
<v Speaker 2>do what he does at his own pace, you know,

0:22:58.720 --> 0:23:05.040
<v Speaker 2>like a lot of guys. Right. So he's casual and

0:23:05.080 --> 0:23:08.320
<v Speaker 2>so he he's been uh with this girl back and

0:23:08.359 --> 0:23:12.879
<v Speaker 2>forth on and north and and then he ghosted her

0:23:13.040 --> 0:23:16.159
<v Speaker 2>about a week and a half ago, just ghosted her

0:23:16.200 --> 0:23:18.879
<v Speaker 2>altogether and said it's not for me. Did she did

0:23:18.920 --> 0:23:20.560
<v Speaker 2>she ask him to put in a good word for her,

0:23:20.640 --> 0:23:24.080
<v Speaker 2>and then I think that's might have been what happened.

0:23:24.280 --> 0:23:27.240
<v Speaker 2>But he felt she was too clingy, it was getting

0:23:27.280 --> 0:23:30.240
<v Speaker 2>too serious. He doesn't want serious. She wanted to know

0:23:30.240 --> 0:23:32.280
<v Speaker 2>where it was going one of they, you know, she

0:23:32.359 --> 0:23:34.520
<v Speaker 2>was ready to move in with the guy. So so

0:23:35.119 --> 0:23:38.040
<v Speaker 2>he started distancing himself until finally he faded away and

0:23:38.040 --> 0:23:42.000
<v Speaker 2>started ghosting her. Now fast forward to it's better to

0:23:42.000 --> 0:23:45.360
<v Speaker 2>burnout than fade away. Yeah, fast forward to last night.

0:23:48.520 --> 0:23:52.200
<v Speaker 2>I went out with this guy and uh, oh I didn't.

0:23:52.160 --> 0:23:56.080
<v Speaker 2>I didn't realize. Congratulations are exactly now you know who

0:23:56.080 --> 0:23:57.800
<v Speaker 2>I am? Right, I went out with this guy. So

0:23:58.320 --> 0:24:00.240
<v Speaker 2>the merse was my The merse was my clue. So

0:24:00.280 --> 0:24:02.040
<v Speaker 2>I went to go hang out with him and we

0:24:02.080 --> 0:24:04.840
<v Speaker 2>were we were at a at a party, at a

0:24:04.840 --> 0:24:09.320
<v Speaker 2>at a restaurant barbecue oh right, okay, lounge, and we

0:24:09.320 --> 0:24:14.520
<v Speaker 2>were chilling and he was chatting up maybe two three

0:24:14.640 --> 0:24:16.920
<v Speaker 2>four different women. He's like, wow, this this place is

0:24:16.960 --> 0:24:20.520
<v Speaker 2>a hotbed. There's so much tail in here. So he's like,

0:24:20.680 --> 0:24:23.080
<v Speaker 2>and he's did he really say did he really say that?

0:24:24.200 --> 0:24:27.200
<v Speaker 2>He called he called it tail? Yeah, Oh, this guy's

0:24:27.200 --> 0:24:29.880
<v Speaker 2>a catch. Okay, he calls it ass. There's so much

0:24:29.920 --> 0:24:32.000
<v Speaker 2>ass in here. You know. It was like it was like,

0:24:32.119 --> 0:24:34.440
<v Speaker 2>you know, eight to one women to men, but it

0:24:34.480 --> 0:24:36.800
<v Speaker 2>was it was an after work thing. It was like,

0:24:36.840 --> 0:24:39.520
<v Speaker 2>you know, it wasn't late night bars and club it

0:24:39.600 --> 0:24:42.119
<v Speaker 2>was you know, it was a professional crowd, upscale, and

0:24:42.160 --> 0:24:44.000
<v Speaker 2>we were just kind of hanging out having some drinks,

0:24:44.280 --> 0:24:46.560
<v Speaker 2>and you know, he's like chatting away at people here

0:24:46.600 --> 0:24:50.240
<v Speaker 2>and there, and you know, we had some mutual friends

0:24:50.560 --> 0:24:52.480
<v Speaker 2>in the room too, so we were, you know, talking

0:24:52.520 --> 0:25:00.159
<v Speaker 2>to them. But he's he he's his one woman, and

0:25:00.200 --> 0:25:03.399
<v Speaker 2>he's like, oh my god, she's hot, and he starts

0:25:03.440 --> 0:25:05.359
<v Speaker 2>talking to her and chatting her up. And I think

0:25:05.680 --> 0:25:08.040
<v Speaker 2>she happens to be popular on social media. I don't

0:25:08.040 --> 0:25:11.280
<v Speaker 2>want he saw some tale that he liked.

0:25:11.280 --> 0:25:14.280
<v Speaker 3>He saw some tale, Yeah, and she was on social

0:25:14.320 --> 0:25:18.000
<v Speaker 3>media and she's pretty popular, and so he they're going

0:25:18.040 --> 0:25:20.000
<v Speaker 3>back and forth and like, hey, get to know each other.

0:25:20.920 --> 0:25:23.119
<v Speaker 2>And I'm hanging out there too. Of course I'm the

0:25:23.119 --> 0:25:29.520
<v Speaker 2>third wheel. And he goes, oh shit, scary, like he

0:25:29.560 --> 0:25:31.640
<v Speaker 2>backs away from the girl he's talking to for a second.

0:25:32.080 --> 0:25:36.520
<v Speaker 2>Oh my god, here comes so and so the girl

0:25:36.520 --> 0:25:38.960
<v Speaker 2>that I ghosted. I'm like, what what the fuck is

0:25:39.000 --> 0:25:42.399
<v Speaker 2>she doing? She enters the room. Now, she had no clue,

0:25:42.480 --> 0:25:44.919
<v Speaker 2>no prior knowledge that he was gonna be there.

0:25:45.000 --> 0:25:47.600
<v Speaker 3>No, no, no, no, no no, she had no idea.

0:25:48.040 --> 0:25:50.800
<v Speaker 3>But because of the circles of friends, we run, we

0:25:50.920 --> 0:25:55.520
<v Speaker 3>run in. It was she showed up there through somebody

0:25:55.560 --> 0:25:57.760
<v Speaker 3>else and she happened to be coming to the same party.

0:25:58.040 --> 0:26:03.680
<v Speaker 2>Wow. Well, oh shit did not go well because as

0:26:03.680 --> 0:26:08.800
<v Speaker 2>soon as she enters the room, she was like a magnet. Hey,

0:26:08.920 --> 0:26:12.720
<v Speaker 2>how you doing so? And so, oh my god, hug

0:26:12.880 --> 0:26:18.040
<v Speaker 2>kiss like a suction cup, sat there and would not

0:26:18.240 --> 0:26:22.240
<v Speaker 2>let him go. It's totally sandbagged this guy. And now

0:26:22.560 --> 0:26:25.840
<v Speaker 2>he's like, hold on, hold on, hold on hard. Let's

0:26:25.880 --> 0:26:30.040
<v Speaker 2>call him Pete, so I can Pete Pete. So Pete

0:26:30.080 --> 0:26:33.320
<v Speaker 2>sees her, Yeah, and doesn't hide. He just stands there. Unlets,

0:26:33.359 --> 0:26:35.080
<v Speaker 2>they're come up to it. It's a small room. It's

0:26:35.200 --> 0:26:37.159
<v Speaker 2>you could only hide for so long. Wait, maybe you

0:26:37.160 --> 0:26:39.080
<v Speaker 2>can get away with it for forty five minutes. At

0:26:39.160 --> 0:26:41.480
<v Speaker 2>some point your paths are going to cross. This wasn't

0:26:41.480 --> 0:26:44.320
<v Speaker 2>a moment. Yeah, And is she not acting like she

0:26:44.440 --> 0:26:47.439
<v Speaker 2>knows he ghosted her. She's acting like, yeah, oh I

0:26:47.520 --> 0:26:49.520
<v Speaker 2>just had Well that's the thing. I'm like, God, if

0:26:49.640 --> 0:26:52.360
<v Speaker 2>I if you ghosted me and then I saw you,

0:26:52.760 --> 0:26:54.960
<v Speaker 2>I'd be like, oh fuck yourself, bro, or like I

0:26:55.000 --> 0:26:57.040
<v Speaker 2>don't want to deal with you. What the hell?

0:26:57.240 --> 0:27:02.280
<v Speaker 3>But obviously she's got low self esteem and insecure, so she's.

0:27:01.480 --> 0:27:03.600
<v Speaker 2>Like, oh no that's the case. Well why else would

0:27:03.640 --> 0:27:06.000
<v Speaker 2>you be a boomerang and come right back in and

0:27:06.040 --> 0:27:09.399
<v Speaker 2>go boom here I am and well like nothing and

0:27:09.400 --> 0:27:11.560
<v Speaker 2>by the way, like nothing happened because I saw the

0:27:11.600 --> 0:27:14.520
<v Speaker 2>initial interaction and I'm like, this does not look like

0:27:15.280 --> 0:27:18.439
<v Speaker 2>how long had it been since they interacted about it?

0:27:18.480 --> 0:27:22.560
<v Speaker 2>Two weeks? Okay? Maybe it's like the Seinfeld episode where

0:27:22.600 --> 0:27:26.200
<v Speaker 2>George quits his job on Friday and then on Monday

0:27:26.240 --> 0:27:28.080
<v Speaker 2>morning goes back to work as if he didn't quit

0:27:28.119 --> 0:27:30.440
<v Speaker 2>and walks back in like nothing ever happened. Oh that's right,

0:27:30.480 --> 0:27:31.640
<v Speaker 2>what a great episode.

0:27:32.040 --> 0:27:37.720
<v Speaker 3>So she she's basically like a goldfish. She forgets everything,

0:27:37.800 --> 0:27:39.439
<v Speaker 3>like you know, goldfish, as they say, has like a

0:27:39.480 --> 0:27:40.640
<v Speaker 3>five second yes.

0:27:40.520 --> 0:27:42.280
<v Speaker 2>Kay, And that's what we call you. We always say

0:27:42.280 --> 0:27:44.720
<v Speaker 2>you're the goldfish. Well, if you're a goldfish in a

0:27:44.720 --> 0:27:48.200
<v Speaker 2>bowl and you know you're circling the bowl, you say, oh, look,

0:27:48.440 --> 0:27:50.239
<v Speaker 2>call you that analogy. It's a comedian. He's like, oh,

0:27:50.240 --> 0:27:51.919
<v Speaker 2>look at treasure chest. Oh, look at treasure chest. Oh,

0:27:51.920 --> 0:27:53.639
<v Speaker 2>look at treasure chest. Oh look at treasure chest, over

0:27:53.680 --> 0:27:53.920
<v Speaker 2>and over.

0:27:54.000 --> 0:27:55.520
<v Speaker 3>So that could be the type of person she is,

0:27:55.520 --> 0:27:58.120
<v Speaker 3>where she just forgets or she lets it roll off

0:27:58.160 --> 0:27:58.400
<v Speaker 3>of her.

0:27:58.760 --> 0:28:01.480
<v Speaker 2>But anyway, I don't know what in what she thought

0:28:01.720 --> 0:28:05.040
<v Speaker 2>would make him want to change his mind about her. Okay,

0:28:05.080 --> 0:28:08.000
<v Speaker 2>so so did Pete say, like, listen, I kind of

0:28:08.080 --> 0:28:09.399
<v Speaker 2>with aw the end of this. Did he say it

0:28:09.480 --> 0:28:13.119
<v Speaker 2>into her? No, he got roped in sitting on the

0:28:13.160 --> 0:28:17.360
<v Speaker 2>couch and talking to her for a good hour hour

0:28:17.400 --> 0:28:20.159
<v Speaker 2>and a half, and every chance he got, well, she

0:28:20.160 --> 0:28:21.800
<v Speaker 2>went to go get a drink or went to the bathroom.

0:28:22.160 --> 0:28:23.680
<v Speaker 2>He's coming over to me, goes, Oh my god, I'm

0:28:23.680 --> 0:28:25.600
<v Speaker 2>so miserable right now. Oh my god, this is awful.

0:28:25.640 --> 0:28:27.359
<v Speaker 2>Oh my god, she's fucking she said, why doesn't he

0:28:27.520 --> 0:28:30.000
<v Speaker 2>just tell you see the problem? She's cock blocking him

0:28:30.040 --> 0:28:32.560
<v Speaker 2>though she com flocked him from it, from getting to

0:28:32.720 --> 0:28:34.560
<v Speaker 2>one and all the other girls. No, he this was

0:28:34.600 --> 0:28:37.120
<v Speaker 2>his prime time, This is Pete, and then prime time

0:28:37.200 --> 0:28:40.640
<v Speaker 2>Pete was ready to go. Okay, He's like, you know,

0:28:40.680 --> 0:28:44.680
<v Speaker 2>and he calls me this morning saying, dude, I had three,

0:28:44.760 --> 0:28:47.040
<v Speaker 2>four or five different girls on the hook. I could

0:28:47.040 --> 0:28:49.600
<v Speaker 2>have gotten these numbers here. I could have, but she

0:28:50.040 --> 0:28:54.800
<v Speaker 2>fucking came in and she wouldn't tail blocked him. Yeah,

0:28:55.240 --> 0:28:57.240
<v Speaker 2>so I wanted tail, he got no tail. No, I

0:28:57.240 --> 0:28:59.960
<v Speaker 2>don't understand something. Are you telling me that this general

0:29:00.320 --> 0:29:02.520
<v Speaker 2>or the generation we're in now, or the society we're

0:29:02.520 --> 0:29:04.360
<v Speaker 2>in now, if you want to break up with someone,

0:29:04.400 --> 0:29:06.000
<v Speaker 2>you just stop texting them, right, you just stop? You

0:29:06.040 --> 0:29:09.440
<v Speaker 2>just ghost them? Yeah, but in person, he can't go

0:29:09.480 --> 0:29:11.800
<v Speaker 2>old school and be like, listen, it's over between us.

0:29:12.040 --> 0:29:14.320
<v Speaker 2>Like I ended it. It wasn't working. Why do you

0:29:14.360 --> 0:29:16.680
<v Speaker 2>think I didn't invite into this party tonight? Why he

0:29:17.400 --> 0:29:19.720
<v Speaker 2>what is he gonna do? He's gonna reghost her tonight?

0:29:19.760 --> 0:29:23.520
<v Speaker 2>Like when she texted, he just won't respond. Well, apparently

0:29:24.640 --> 0:29:27.200
<v Speaker 2>nothing happened to come over his house tonight. Well, I

0:29:27.240 --> 0:29:30.440
<v Speaker 2>think that the offer was made, but he was not

0:29:30.560 --> 0:29:32.960
<v Speaker 2>into it. He's like, fuck this, I'm out and that's it,

0:29:33.440 --> 0:29:37.239
<v Speaker 2>and so he went back don't fuck this? Right? But

0:29:37.520 --> 0:29:39.480
<v Speaker 2>I feel bad. The thing is this, I feel bad

0:29:39.480 --> 0:29:42.520
<v Speaker 2>for her because I feel like she should have seen

0:29:42.560 --> 0:29:45.080
<v Speaker 2>the writing on the wall, and just so you insulted

0:29:45.080 --> 0:29:47.560
<v Speaker 2>her earlier and said she had low self esteem, and well.

0:29:47.680 --> 0:29:51.520
<v Speaker 3>Why what other kind of person would just would take it?

0:29:51.920 --> 0:29:54.800
<v Speaker 3>And well here's the I mean, her ego had to

0:29:54.840 --> 0:29:56.760
<v Speaker 3>have been damaged by this.

0:29:57.240 --> 0:29:58.960
<v Speaker 2>I'm not saying well, by the way, I'm not saying

0:29:58.960 --> 0:30:01.160
<v Speaker 2>what he did was right either. I'm not saying it.

0:30:01.240 --> 0:30:04.240
<v Speaker 2>But you've you've never been in a relationship where the

0:30:04.280 --> 0:30:06.920
<v Speaker 2>other person didn't care for you as much as you

0:30:07.000 --> 0:30:10.400
<v Speaker 2>cared for them and it didn't deter you. In other words,

0:30:10.920 --> 0:30:14.360
<v Speaker 2>let's say they're like ambivalent towards you. They are five,

0:30:14.400 --> 0:30:17.560
<v Speaker 2>there are six for you, they'll hang out with you, whatever,

0:30:17.720 --> 0:30:19.400
<v Speaker 2>but your head over heels for them. You've never been

0:30:19.440 --> 0:30:21.760
<v Speaker 2>in a relationship like that where, despite the fact that

0:30:21.800 --> 0:30:26.000
<v Speaker 2>they didn't love you ten, you love them ten. I

0:30:26.000 --> 0:30:28.760
<v Speaker 2>guess it's always uneven, right, I guess that's what causes problems.

0:30:28.800 --> 0:30:31.760
<v Speaker 2>I don't know, I've I don't know, but either way,

0:30:31.920 --> 0:30:35.680
<v Speaker 2>but the second it's damaged. Never you've never been in

0:30:35.680 --> 0:30:37.960
<v Speaker 2>a relationship where you liked the other person more than

0:30:38.120 --> 0:30:40.840
<v Speaker 2>you got the feeling they liked you in your whole life.

0:30:43.000 --> 0:30:46.280
<v Speaker 2>Maybe I have, Yeah, maybe I have. Okay, Then did

0:30:46.320 --> 0:30:47.800
<v Speaker 2>you have low self esteem or did you really like

0:30:47.840 --> 0:30:52.080
<v Speaker 2>that person. I don't I really liked them, but I

0:30:52.120 --> 0:30:54.560
<v Speaker 2>don't think I could. You can't change them. Logic would

0:30:54.600 --> 0:30:57.880
<v Speaker 2>dictate that you cannot change somebody. There's no logic when

0:30:57.880 --> 0:31:00.280
<v Speaker 2>it comes to love, because in your mind you can

0:31:00.320 --> 0:31:02.560
<v Speaker 2>be better. You could be more like them, You can

0:31:02.640 --> 0:31:06.360
<v Speaker 2>be more, uh in line with what they might like.

0:31:06.440 --> 0:31:09.000
<v Speaker 2>You might try to change yourself, you might try change

0:31:09.040 --> 0:31:12.040
<v Speaker 2>them be better. Well, you try to figure out what

0:31:12.080 --> 0:31:13.800
<v Speaker 2>it is that they don't like that, what would make

0:31:13.840 --> 0:31:16.520
<v Speaker 2>them like you more than bebe even you try everything

0:31:16.520 --> 0:31:19.600
<v Speaker 2>when it comes to that, and it's love isn't rational.

0:31:20.640 --> 0:31:23.040
<v Speaker 2>It takes a long time to realize like it ain't working,

0:31:23.560 --> 0:31:25.320
<v Speaker 2>and even then you go, well it could have worked.

0:31:25.600 --> 0:31:27.160
<v Speaker 2>And then like six months, lady, you're like, I wonder

0:31:27.200 --> 0:31:32.800
<v Speaker 2>if I give it another shot and might work this time. Absolutely, dude,

0:31:32.800 --> 0:31:34.560
<v Speaker 2>we were all we were all younger, we all had

0:31:34.560 --> 0:31:35.760
<v Speaker 2>that ship when we were single.

0:31:35.880 --> 0:31:43.120
<v Speaker 3>Come on, yeah, but I whatever, whatever, the case was

0:31:43.320 --> 0:31:46.880
<v Speaker 3>ruined because this week's gonna be ruined because she's gonna

0:31:46.880 --> 0:31:49.720
<v Speaker 3>call him this week. Of course, well she already called

0:31:49.760 --> 0:31:53.840
<v Speaker 3>them like today. All right, you said she's gonna she

0:31:53.920 --> 0:31:57.720
<v Speaker 3>invited him out. She invited him out today. I think

0:31:57.920 --> 0:31:59.280
<v Speaker 3>I think to go to six flags.

0:32:00.040 --> 0:32:02.840
<v Speaker 2>Oh my god. If they've got mutual friends or mutual circles,

0:32:03.080 --> 0:32:05.840
<v Speaker 2>they're gonna run into each other barbecues and pool parties

0:32:05.880 --> 0:32:08.360
<v Speaker 2>and she keeps showing up. Yeah, I think that's what's

0:32:08.360 --> 0:32:12.680
<v Speaker 2>gonna happen. But I mean, look, I don't know. I

0:32:12.920 --> 0:32:15.600
<v Speaker 2>guess you're right when you say that love is love

0:32:15.680 --> 0:32:19.200
<v Speaker 2>is blind. I don't know. Player Pete, player Pete, Uh,

0:32:20.280 --> 0:32:23.440
<v Speaker 2>maybe gets what he deserves. Maybe he shouldn't be stringing

0:32:23.440 --> 0:32:25.640
<v Speaker 2>all these people along and spinning plates all over all

0:32:25.680 --> 0:32:27.960
<v Speaker 2>over town, because sooner or later, one of those plates

0:32:28.000 --> 0:32:31.160
<v Speaker 2>is gonna crack on your head. It's very true. Well,

0:32:31.440 --> 0:32:34.560
<v Speaker 2>Pete is very Uh. Pete was distraught because he felt

0:32:34.600 --> 0:32:38.160
<v Speaker 2>like it was an opportunity missed for him to Well

0:32:38.200 --> 0:32:40.240
<v Speaker 2>what if he was in the process of getting Tail

0:32:40.400 --> 0:32:43.120
<v Speaker 2>and she walked up and like interrupted him talking to Tail?

0:32:44.040 --> 0:32:44.920
<v Speaker 2>What would he have done? Then?

0:32:45.480 --> 0:32:47.400
<v Speaker 3>How would you have introduce her? Well, that's what you think.

0:32:47.440 --> 0:32:50.400
<v Speaker 3>He was talking to somebody. He was at the moment,

0:32:50.480 --> 0:32:53.240
<v Speaker 3>at that very moment. He yeah, he was.

0:32:53.320 --> 0:32:56.600
<v Speaker 2>He was in the middle and said what oh hi Pete, Hey,

0:32:56.640 --> 0:32:59.680
<v Speaker 2>how are you? What's up? And then what did he say?

0:32:59.680 --> 0:33:01.040
<v Speaker 2>To the girl. He was looking at it the bar

0:33:01.240 --> 0:33:01.960
<v Speaker 2>like talking nothing.

0:33:02.000 --> 0:33:03.920
<v Speaker 3>Well, she just kind of drifted away because she took

0:33:03.920 --> 0:33:05.920
<v Speaker 3>a hint that, oh they know each other, I'll let

0:33:05.960 --> 0:33:10.520
<v Speaker 3>them catch up, and she walked away.

0:33:08.640 --> 0:33:12.880
<v Speaker 2>Oh oh that's harsh. But you know what, I don't

0:33:12.880 --> 0:33:15.000
<v Speaker 2>feel bad for Pete. You don't feel bad for I

0:33:15.040 --> 0:33:16.959
<v Speaker 2>don't know, because he didn't have the decency to tell

0:33:17.000 --> 0:33:18.760
<v Speaker 2>her I don't want to see you anymore. Well, that's

0:33:20.200 --> 0:33:21.959
<v Speaker 2>hold on. He either ghosted her because he's a coward,

0:33:22.360 --> 0:33:24.760
<v Speaker 2>or he ghosted her because he wanted to see if

0:33:24.760 --> 0:33:26.479
<v Speaker 2>she'd come back, and then maybe three months from now

0:33:26.560 --> 0:33:28.120
<v Speaker 2>or three two weeks from now, when he was horning

0:33:28.160 --> 0:33:31.000
<v Speaker 2>on a Sunday, he might call her up and go, hey, sorry,

0:33:31.000 --> 0:33:33.760
<v Speaker 2>I've been a little busy lately. Let's bang. I don't

0:33:33.760 --> 0:33:35.720
<v Speaker 2>think he wanted to get rid of her completely. And

0:33:35.760 --> 0:33:38.720
<v Speaker 2>now he's paying that price now he is. So it's

0:33:38.760 --> 0:33:42.400
<v Speaker 2>his own damn fault because he's a he's player, Pete player,

0:33:42.440 --> 0:33:46.960
<v Speaker 2>Pete prick. You have sympathy for Pete. You feel bad

0:33:46.960 --> 0:33:52.080
<v Speaker 2>for Pete only in the sense that he was he

0:33:52.240 --> 0:33:56.120
<v Speaker 2>had some chances last night to make some new relationships.

0:33:56.320 --> 0:34:01.160
<v Speaker 2>And yes, the last one. Yeah, well that right, But

0:34:01.200 --> 0:34:06.120
<v Speaker 2>that's how that that's how gen Z communicates with communicates,

0:34:06.200 --> 0:34:09.520
<v Speaker 2>gen Z is pe gen Z No, but that's how.

0:34:09.719 --> 0:34:12.800
<v Speaker 2>But that's how people communicate today. Is they just ghost

0:34:13.040 --> 0:34:16.799
<v Speaker 2>but beyond all, be honest. Did Pete say to you

0:34:16.920 --> 0:34:19.040
<v Speaker 2>I ghosted her and I planned on never talking to

0:34:19.080 --> 0:34:21.359
<v Speaker 2>her again? Or did he say I ghosted her? Left

0:34:21.400 --> 0:34:24.080
<v Speaker 2>the door? Probably left the door open. Then the door

0:34:24.120 --> 0:34:27.040
<v Speaker 2>then the door swung back and hit him right in

0:34:27.080 --> 0:34:30.799
<v Speaker 2>the ass, right, got hit in the ass. Don't don't

0:34:30.840 --> 0:34:33.800
<v Speaker 2>don't look hit you in the way out.

0:34:36.920 --> 0:34:38.520
<v Speaker 3>Don't you wish you were back in the dating game?

0:34:38.520 --> 0:34:41.400
<v Speaker 3>PROTI don't you wish you could go back to your

0:34:41.440 --> 0:34:42.080
<v Speaker 3>club days?

0:34:42.880 --> 0:34:46.000
<v Speaker 2>No, I can. I can without a doubt say I

0:34:46.040 --> 0:34:48.200
<v Speaker 2>don't miss it, and I I I don't think I

0:34:48.200 --> 0:34:50.239
<v Speaker 2>would ever do that again. If given given the the

0:34:50.320 --> 0:34:53.200
<v Speaker 2>unfortunate opportunity to be single again, I would I would

0:34:53.200 --> 0:34:55.239
<v Speaker 2>not do that. You do have my You do have

0:34:55.239 --> 0:34:58.000
<v Speaker 2>my curiosity peaked. You told me earlier today when we

0:34:58.000 --> 0:35:00.799
<v Speaker 2>were on the phone, that you have a you found

0:35:00.800 --> 0:35:04.520
<v Speaker 2>a cassette tape from the mid eighties. Oh yeah, I

0:35:04.560 --> 0:35:07.440
<v Speaker 2>don't have that ready yet. I could tease it. Yeah,

0:35:07.440 --> 0:35:09.640
<v Speaker 2>I'm kind of exciting from the from the mid from

0:35:09.640 --> 0:35:15.120
<v Speaker 2>the mid eighties. Okay, that thing, oh so uh. When

0:35:15.120 --> 0:35:17.080
<v Speaker 2>I used to work at Chuck E Cheese, a bunch

0:35:17.120 --> 0:35:21.799
<v Speaker 2>of us, the same people I went to dinner with

0:35:22.440 --> 0:35:24.400
<v Speaker 2>a couple of months back, where they all wouldn't let

0:35:24.400 --> 0:35:28.759
<v Speaker 2>the woman pay my broke my my Brooklyn crew, there

0:35:28.840 --> 0:35:32.359
<v Speaker 2>was There was the mixtape. Someone knew a guy who

0:35:32.400 --> 0:35:35.279
<v Speaker 2>was a DJ who had a basement studio, and the

0:35:35.280 --> 0:35:36.759
<v Speaker 2>guy came into work one day He's like, I got

0:35:36.760 --> 0:35:40.200
<v Speaker 2>this great mixtape, both sides of a cassette that shows

0:35:40.200 --> 0:35:42.680
<v Speaker 2>you it's a long time ago people, and he goes,

0:35:42.719 --> 0:35:45.560
<v Speaker 2>it's fun. It's a great mix. And it was every

0:35:45.640 --> 0:35:48.920
<v Speaker 2>big hit from the early eighties dance tracks, and they

0:35:48.920 --> 0:35:51.960
<v Speaker 2>were over they were overlapped, and they were like perfectly timed,

0:35:52.280 --> 0:35:54.440
<v Speaker 2>where like the lyrics would end on one and then

0:35:54.480 --> 0:35:57.120
<v Speaker 2>the beat would kick in from the next beautiful. So

0:35:57.200 --> 0:36:00.640
<v Speaker 2>it was. It wasn't taped off the radio, no, no, no,

0:36:00.520 --> 0:36:02.319
<v Speaker 2>no no no, I'm telling you. It was a DJ

0:36:02.400 --> 0:36:05.640
<v Speaker 2>put it together DJJ and we all had this. We

0:36:05.680 --> 0:36:07.560
<v Speaker 2>all had this mix in our cars and we went

0:36:07.640 --> 0:36:11.480
<v Speaker 2>cruising on the Avenue in Brooklyn. Everyone played this mixtape,

0:36:11.760 --> 0:36:13.840
<v Speaker 2>and it was like everybody had the tape. It was

0:36:13.880 --> 0:36:16.239
<v Speaker 2>the tape. We called it the tape you get like

0:36:16.400 --> 0:36:18.400
<v Speaker 2>you're getting Sal's callie like, so I got the tape,

0:36:18.600 --> 0:36:22.160
<v Speaker 2>but tape it, Hey, Ronnie got the tape to tape it.

0:36:22.600 --> 0:36:25.200
<v Speaker 2>We all had to tape. Everyone had the tape, right,

0:36:25.360 --> 0:36:30.719
<v Speaker 2>the disco mixtape. The tape. Okay, Well, at lunch when

0:36:30.760 --> 0:36:32.920
<v Speaker 2>we wouldn't let the girl pay for they wouldn't let

0:36:32.920 --> 0:36:37.080
<v Speaker 2>the girl pay someone mentioned the tape. They're like, oh man,

0:36:37.120 --> 0:36:39.800
<v Speaker 2>what I wouldn't do to hear that tape again? Both

0:36:39.840 --> 0:36:44.080
<v Speaker 2>sides ninety minute tape, forty five minutes, forty five minutes. Well,

0:36:44.120 --> 0:36:47.120
<v Speaker 2>I was like, that's so long ago. Who's got that tape?

0:36:47.800 --> 0:36:49.959
<v Speaker 2>I said, I got that tape? Of course you did.

0:36:51.040 --> 0:36:54.520
<v Speaker 2>I said, I got boxes and cassettes and VHS tapes

0:36:54.560 --> 0:36:58.319
<v Speaker 2>and reel turreels. I got overting I had. I had

0:36:58.360 --> 0:37:00.120
<v Speaker 2>a big house, so everything was in my attic. It

0:37:00.280 --> 0:37:02.640
<v Speaker 2>was the base where I So I had that tape

0:37:02.640 --> 0:37:05.680
<v Speaker 2>when I lived with my parents, and then I I

0:37:06.000 --> 0:37:07.640
<v Speaker 2>took it with me to my first apartment. It took

0:37:07.760 --> 0:37:09.000
<v Speaker 2>me and I moved in with my wife. I took

0:37:09.000 --> 0:37:11.400
<v Speaker 2>it to the house. I kept it in the box

0:37:11.440 --> 0:37:13.800
<v Speaker 2>of tapes and the you know, I have multiple boxes

0:37:14.080 --> 0:37:16.480
<v Speaker 2>of cassettes whatever. I kept them in a cool you know,

0:37:16.680 --> 0:37:19.440
<v Speaker 2>a cool dry place. You know it's you know whatever.

0:37:19.640 --> 0:37:23.799
<v Speaker 2>So you got your I So I I happened this

0:37:23.880 --> 0:37:27.879
<v Speaker 2>week to find the tape and I digitized it nice

0:37:27.960 --> 0:37:30.720
<v Speaker 2>and uh. I sent a digital copy to my boys

0:37:31.160 --> 0:37:33.239
<v Speaker 2>and they flipped if they flipped the funk out all

0:37:34.239 --> 0:37:36.520
<v Speaker 2>of the tape. Yeah, the tape?

0:37:36.880 --> 0:37:39.080
<v Speaker 3>So can I What are some of the songs on

0:37:39.120 --> 0:37:40.879
<v Speaker 3>the tape? I want to hear? I want to hear

0:37:40.920 --> 0:37:41.359
<v Speaker 3>some of it.

0:37:42.200 --> 0:37:43.680
<v Speaker 2>I mean, we don't have to play it here and

0:37:43.719 --> 0:37:47.160
<v Speaker 2>now on the podcast, but I just want to I

0:37:47.200 --> 0:37:50.000
<v Speaker 2>just want to know what what kind of was it? Hair?

0:37:50.200 --> 0:37:52.919
<v Speaker 2>See you? I know you to be a hair metal band.

0:37:53.000 --> 0:37:57.120
<v Speaker 2>I said it was dance. I know your dance dance.

0:38:00.440 --> 0:38:02.279
<v Speaker 2>I get to my favorite, my favorite mix, Here we go,

0:38:03.280 --> 0:38:03.719
<v Speaker 2>Here we go.

0:38:04.840 --> 0:38:11.279
<v Speaker 3>Oh that's Heaven must have sent an angel by it.

0:38:13.480 --> 0:38:22.400
<v Speaker 2>And plat Yeah, oh this is Brooklyn. Yeah, this is

0:38:23.200 --> 0:38:24.600
<v Speaker 2>what do you got? All? Let me jump ahead? Hold on,

0:38:24.760 --> 0:38:33.280
<v Speaker 2>let me hear sir? This? Okay? It was Where's born

0:38:34.040 --> 0:38:39.640
<v Speaker 2>Born to be Alive? Yeah?

0:38:39.920 --> 0:38:41.560
<v Speaker 3>Born to be alive is on here. All right, you

0:38:41.600 --> 0:38:43.319
<v Speaker 3>need to send that to me. I gotta send that

0:38:43.360 --> 0:38:47.520
<v Speaker 3>to my dad. Tony loves old school Brooklyn dance music.

0:38:48.640 --> 0:38:50.239
<v Speaker 2>Well, I'll have to come up with a price for you.

0:38:51.239 --> 0:38:53.520
<v Speaker 2>You're not gonna give it to me for free. No,

0:38:53.719 --> 0:38:56.600
<v Speaker 2>this is the tape, dude, This is like uh gold,

0:38:57.360 --> 0:38:59.120
<v Speaker 2>get out of here. I can't just get I'm your

0:38:59.120 --> 0:39:02.040
<v Speaker 2>boy if you no, no, no, my boys gave me

0:39:02.080 --> 0:39:04.360
<v Speaker 2>the tape. My boys, My boys. Who I go to

0:39:04.440 --> 0:39:06.279
<v Speaker 2>my Brooklyn boys. You just fucking see it out to

0:39:06.320 --> 0:39:09.160
<v Speaker 2>twenty people and you haven't. No, no, you have it.

0:39:09.160 --> 0:39:12.880
<v Speaker 2>Wait hard, it's digitized. It's not a fucking MP three. No,

0:39:12.960 --> 0:39:14.400
<v Speaker 2>it's not too big for an MP three. It's on

0:39:14.400 --> 0:39:16.680
<v Speaker 2>a Google drive. Okay, I send the link out. Give

0:39:16.719 --> 0:39:20.480
<v Speaker 2>me access, give me access to the wak No, you're

0:39:20.480 --> 0:39:21.799
<v Speaker 2>not one of my you're not one of my old

0:39:21.800 --> 0:39:24.399
<v Speaker 2>school peeps. But I like the fucking music. I love

0:39:24.400 --> 0:39:28.239
<v Speaker 2>that music. Oh, there was a word to you might

0:39:28.480 --> 0:39:29.600
<v Speaker 2>be a stake. I give it to you to stak

0:39:29.760 --> 0:39:31.040
<v Speaker 2>Give me take me to stak Din. I'll give it

0:39:31.080 --> 0:39:34.960
<v Speaker 2>to you. You're gonna charge me for the tape. It's

0:39:34.960 --> 0:39:38.080
<v Speaker 2>the tape, man, it's the tape. It's the tape, dude.

0:39:38.080 --> 0:39:40.520
<v Speaker 2>This was Brooklyn's tape at one point in the eighties.

0:39:40.600 --> 0:39:43.239
<v Speaker 2>This was the ship. This was this was come on,

0:39:43.280 --> 0:39:44.440
<v Speaker 2>let me see it. I was like, god, you hold on,

0:39:45.719 --> 0:39:53.080
<v Speaker 2>this is the ship. Mandoalid Mandalay, Mandela Mandala. Yeah, it's

0:39:53.080 --> 0:39:58.399
<v Speaker 2>not sayn done. I need it. I need the takee,

0:39:58.520 --> 0:40:01.319
<v Speaker 2>I need the tape. This this has lime, baby, were

0:40:01.360 --> 0:40:03.920
<v Speaker 2>gonna love tonight? That's even dude, that's a Brooklyn staple.

0:40:04.200 --> 0:40:07.680
<v Speaker 2>Give me that ship. Oh I we'll talk. We'll have

0:40:07.680 --> 0:40:10.040
<v Speaker 2>the covered price. Slices. How much should charge him for

0:40:10.120 --> 0:40:15.919
<v Speaker 2>the tape? Nothing? Zero? Do you have this? Native Love

0:40:15.960 --> 0:40:19.640
<v Speaker 2>is Restless? And I'm just not satisfied. Yes, I think

0:40:19.640 --> 0:40:24.439
<v Speaker 2>that's Oni. Hold on, Oh my god, hold on. That's

0:40:24.440 --> 0:40:27.880
<v Speaker 2>a great song. I listen.

0:40:28.080 --> 0:40:31.040
<v Speaker 3>This is the stuff that I remember too. I mean

0:40:31.080 --> 0:40:34.080
<v Speaker 3>I was an infant when it came out. I was like,

0:40:34.120 --> 0:40:36.239
<v Speaker 3>you know, but but my father used to play it

0:40:36.239 --> 0:40:37.120
<v Speaker 3>when I was growing up.

0:40:40.000 --> 0:40:46.360
<v Speaker 2>What else you got, Shannon? Yeah, okay, let the music

0:40:46.360 --> 0:40:48.799
<v Speaker 2>play or give me tonight? Okay, all right, all right,

0:40:49.160 --> 0:40:55.359
<v Speaker 2>we're reminiscent too hard? All right, slices, don't know what's

0:40:55.360 --> 0:40:58.200
<v Speaker 2>going on? Hold on this may be. OVERE have a

0:40:58.200 --> 0:41:01.040
<v Speaker 2>lot of people's heads. Really they don't know some of

0:41:01.080 --> 0:41:09.400
<v Speaker 2>them do. All right, stop teasing me, just sending you

0:41:09.400 --> 0:41:12.040
<v Speaker 2>don't have to play it, now, send me the tape. Dude,

0:41:12.160 --> 0:41:15.080
<v Speaker 2>scary shaken. He's so excited about the tape. I wonder

0:41:15.200 --> 0:41:17.080
<v Speaker 2>I want a guy. I gotta get the tape. Oh,

0:41:17.320 --> 0:41:25.000
<v Speaker 2>so let's let's go current. Speaking of current things, did

0:41:25.040 --> 0:41:29.960
<v Speaker 2>you see the cover art for Sabrina Carpenter's new album

0:41:29.960 --> 0:41:31.759
<v Speaker 2>that's coming out? No, but but I got a bunch

0:41:31.800 --> 0:41:33.719
<v Speaker 2>of alerts today that everyone's talking about it. Let me

0:41:34.680 --> 0:41:37.960
<v Speaker 2>it's called Her new album is called Man's Best Friend.

0:41:38.719 --> 0:41:42.160
<v Speaker 2>And here is look, Brodie, take a look. That's the

0:41:42.160 --> 0:41:45.520
<v Speaker 2>The album cover is heart in a in a short

0:41:45.600 --> 0:41:49.799
<v Speaker 2>black dress with black heels on, and she is on

0:41:49.960 --> 0:41:54.920
<v Speaker 2>all fours and on her knees and on all and

0:41:55.560 --> 0:41:58.200
<v Speaker 2>with her yeah, with a guy in a suit standing

0:41:58.280 --> 0:42:01.960
<v Speaker 2>over her, and her head is just a few inches

0:42:01.960 --> 0:42:05.520
<v Speaker 2>away from his crotch, and he's got one hand he's

0:42:05.520 --> 0:42:08.520
<v Speaker 2>got one hand on her hair pulling, and he's pulling

0:42:08.640 --> 0:42:11.239
<v Speaker 2>her hair, so he's one hand in her pocket. So

0:42:11.280 --> 0:42:12.880
<v Speaker 2>it's basically the leash.

0:42:13.040 --> 0:42:15.520
<v Speaker 3>He's like almost like the leash is her hair being

0:42:15.520 --> 0:42:18.800
<v Speaker 3>pulled and it's literally her on all fours.

0:42:18.920 --> 0:42:25.120
<v Speaker 2>I gotta say that is one of the sexiest album covers,

0:42:25.200 --> 0:42:26.719
<v Speaker 2>even though there's not a whole lot of skin or

0:42:26.719 --> 0:42:31.400
<v Speaker 2>anything that is very suggestive, very sexual. I expect nothing

0:42:31.480 --> 0:42:35.200
<v Speaker 2>less from Sabrina. It's very She's very fully dressed though,

0:42:35.239 --> 0:42:39.040
<v Speaker 2>which is also surprising. But she's on all fours and

0:42:39.120 --> 0:42:41.359
<v Speaker 2>like looking at the camera with this longing stare, and

0:42:41.400 --> 0:42:45.520
<v Speaker 2>I gotta say, I've got no problem with it. And

0:42:46.200 --> 0:42:51.799
<v Speaker 2>people are livid. This sets the women's movement back to

0:42:51.880 --> 0:42:55.960
<v Speaker 2>the nineteen fifties. What does she think she's doing? Look

0:42:56.000 --> 0:42:58.520
<v Speaker 2>at her? She's a disgrace.

0:43:00.480 --> 0:43:06.600
<v Speaker 3>I gotta say, listen, artistic impression is artistic impression. Who

0:43:06.640 --> 0:43:10.360
<v Speaker 3>the hell are you to be like commenting and the

0:43:10.440 --> 0:43:13.359
<v Speaker 3>fact that it made you feel some sort of way

0:43:14.719 --> 0:43:17.359
<v Speaker 3>is mission accomplished for Sabrina, because that's all she wants

0:43:17.440 --> 0:43:20.799
<v Speaker 3>is a reaction. She's not but like and it's a

0:43:20.840 --> 0:43:24.560
<v Speaker 3>play on words man's best friend, she's a dog's she's

0:43:24.560 --> 0:43:27.680
<v Speaker 3>in a doggy style position, she's on all fours. But

0:43:28.280 --> 0:43:34.000
<v Speaker 3>but people are saying, well, this, you know, this objectifies

0:43:34.040 --> 0:43:36.400
<v Speaker 3>her or this makes her look like, you know, a

0:43:36.440 --> 0:43:39.160
<v Speaker 3>possession looks like, oh, it's also.

0:43:38.920 --> 0:43:41.919
<v Speaker 2>She's a dog now, or she's she belongs to this guy.

0:43:41.920 --> 0:43:43.600
<v Speaker 2>I don't know. I don't have a problem with it,

0:43:43.640 --> 0:43:46.160
<v Speaker 2>but I'm very liberal in my thoughts of you know, I,

0:43:46.280 --> 0:43:48.840
<v Speaker 2>I don't know. You're an older guy looking at a

0:43:48.840 --> 0:43:50.960
<v Speaker 2>hot blonde girl on her knees, thinking about how hot

0:43:50.960 --> 0:43:53.680
<v Speaker 2>that picture looks. It's the problem. Okay, let me you

0:43:53.719 --> 0:43:57.319
<v Speaker 2>ask me my opinion. Here's my opinion. Sabrina Corpenter is

0:43:57.360 --> 0:44:01.399
<v Speaker 2>a sexual artist. She's she's a talented artist, but she's

0:44:01.400 --> 0:44:05.520
<v Speaker 2>a sexual seen her concerts. Yes, we talked about the

0:44:05.560 --> 0:44:08.440
<v Speaker 2>position everybody, and when she plays the song Juno, she

0:44:08.480 --> 0:44:11.520
<v Speaker 2>does a new sexual position. I taught you that. I

0:44:11.560 --> 0:44:13.200
<v Speaker 2>told you that, I know. But then after you taught

0:44:13.239 --> 0:44:15.120
<v Speaker 2>that to me, I went to go look on TikTok

0:44:15.160 --> 0:44:18.080
<v Speaker 2>to see as many videos in as many positions. Yes,

0:44:18.120 --> 0:44:19.880
<v Speaker 2>I bet you did, Yes, I bet you did. And

0:44:19.880 --> 0:44:22.200
<v Speaker 2>there's a lot of them. Okay, So here's my point.

0:44:22.600 --> 0:44:29.040
<v Speaker 2>Sabrina Carpenter originally was a Disney style artist right Nickelodeon, Disney,

0:44:29.280 --> 0:44:32.919
<v Speaker 2>appealing to young girls. Her audience, her lyrics, her fan

0:44:33.040 --> 0:44:37.560
<v Speaker 2>base is not thirty forty fifty year old men looking

0:44:37.600 --> 0:44:41.160
<v Speaker 2>at that album cover and fantasizing about getting a BJ

0:44:41.280 --> 0:44:43.600
<v Speaker 2>from her, although some of us slipped through the cracks,

0:44:43.600 --> 0:44:46.719
<v Speaker 2>and she does have some older fans, so I'm sure

0:44:46.719 --> 0:44:51.480
<v Speaker 2>she does. I look you you had said six months

0:44:51.480 --> 0:44:54.359
<v Speaker 2>ago or whatever it was, that Sabrina Carpenter is going

0:44:54.400 --> 0:44:57.399
<v Speaker 2>to be as big as Taylor Swift, right, the next

0:44:57.400 --> 0:45:00.800
<v Speaker 2>Taylor Swift. And my opinion, as I'm who understands the

0:45:00.880 --> 0:45:02.719
<v Speaker 2>music industry, who is part of the industry for many

0:45:02.800 --> 0:45:06.400
<v Speaker 2>years and it has daughters and whatever, is that is

0:45:06.440 --> 0:45:08.560
<v Speaker 2>what is going to keep her from being the next

0:45:08.600 --> 0:45:12.080
<v Speaker 2>Taylor Swift. Now, could she be the next Madonna, next

0:45:12.160 --> 0:45:16.279
<v Speaker 2>Lady Gaga or you know, sex kitten whatever. Sure, but

0:45:16.320 --> 0:45:20.160
<v Speaker 2>what puts Taylor Swift on that other level is that

0:45:20.200 --> 0:45:25.279
<v Speaker 2>she appeals to everyone that she's supposed to right, and

0:45:25.600 --> 0:45:28.400
<v Speaker 2>she's safe for parents to buy tickets to their concert. Concert.

0:45:28.960 --> 0:45:33.520
<v Speaker 2>This is going to cost concert tickets from from more

0:45:33.560 --> 0:45:38.280
<v Speaker 2>conservative families that are not going to want to send her. So, yes,

0:45:38.360 --> 0:45:41.000
<v Speaker 2>she's a sex symbol of sex pot she barely is

0:45:41.040 --> 0:45:44.560
<v Speaker 2>dressed on stage. You know, my kids would probably enjoy

0:45:44.600 --> 0:45:46.920
<v Speaker 2>her concert. They like her, or two of my kids

0:45:47.040 --> 0:45:50.120
<v Speaker 2>like her. I don't think that's going to help her

0:45:50.239 --> 0:45:55.120
<v Speaker 2>with the fringes of the audience. Right. I understand she's

0:45:55.160 --> 0:45:59.160
<v Speaker 2>not casting a wider net, like like a tailor, but

0:45:59.560 --> 0:46:02.040
<v Speaker 2>I just can't believe so many people do I see

0:46:02.040 --> 0:46:05.279
<v Speaker 2>anything that's wrong with it. How old is she twenty two,

0:46:05.320 --> 0:46:07.759
<v Speaker 2>twenty three? Yeah, she didn't mid twenties. So yeah, so

0:46:07.800 --> 0:46:09.480
<v Speaker 2>she taught to do that, she gets to do it.

0:46:09.520 --> 0:46:11.799
<v Speaker 2>She's part of the Part of the problem is that

0:46:11.840 --> 0:46:16.239
<v Speaker 2>Sabrina Coppinger looks like she's fifteen. I think that's on you.

0:46:16.400 --> 0:46:18.719
<v Speaker 2>I mean, you know what I'm saying with the person

0:46:18.760 --> 0:46:22.600
<v Speaker 2>who's She's not on me, that's on the person who

0:46:23.120 --> 0:46:25.800
<v Speaker 2>takes exception to it, because I don't feel that she

0:46:25.920 --> 0:46:28.520
<v Speaker 2>looked that way. You know what I'm saying is, I

0:46:28.520 --> 0:46:31.399
<v Speaker 2>don't think people remember she's twenty three. I don't think

0:46:31.400 --> 0:46:34.360
<v Speaker 2>people remember she's a woman. I don't think they remember

0:46:34.440 --> 0:46:36.680
<v Speaker 2>she's twenty three, twenty four, whatever she is. I think

0:46:36.680 --> 0:46:38.719
<v Speaker 2>they look at her and think she's seventeen eighteen from

0:46:38.800 --> 0:46:41.640
<v Speaker 2>Nickelodeon or whatever. She's still a young girl and why

0:46:41.680 --> 0:46:45.000
<v Speaker 2>she's doing But a lot of the backlash is is

0:46:45.080 --> 0:46:48.319
<v Speaker 2>not that though a lot of the backlash is she's

0:46:48.719 --> 0:46:52.920
<v Speaker 2>objectifying herself and she's making it terrible for a But

0:46:52.960 --> 0:46:55.279
<v Speaker 2>if nick but if Nicki Minaj did it, or or

0:46:55.320 --> 0:46:56.839
<v Speaker 2>what's the other way, Cardi B? No one would give

0:46:56.840 --> 0:46:59.120
<v Speaker 2>her Josa cat they all, they all know one would,

0:46:59.200 --> 0:47:01.840
<v Speaker 2>can't they all? No one would care. It's it's the

0:47:01.880 --> 0:47:05.480
<v Speaker 2>fact that she's a seventeen year old looking white girl

0:47:05.840 --> 0:47:09.160
<v Speaker 2>that used to be safe and now she's horing it up.

0:47:09.840 --> 0:47:12.600
<v Speaker 2>In their opinion, not my words. I think it's a difference.

0:47:12.600 --> 0:47:15.560
<v Speaker 2>I think I don't think anyone thinks Cardi B is

0:47:15.600 --> 0:47:18.640
<v Speaker 2>setting the women's movement back by talking about shit being

0:47:18.680 --> 0:47:20.799
<v Speaker 2>stuck up in her ass or whatever. That song is up,

0:47:20.800 --> 0:47:23.040
<v Speaker 2>it's stuck at whatever. If it's up, then it's up,

0:47:23.040 --> 0:47:26.200
<v Speaker 2>then it's up, then it's stuck right, which she says

0:47:26.239 --> 0:47:30.279
<v Speaker 2>is about poop whatever. My point is, nobody looks it's

0:47:30.320 --> 0:47:34.400
<v Speaker 2>nothing sexual fund But anyway, nobody thinks Gaga set the

0:47:34.440 --> 0:47:36.520
<v Speaker 2>woman's No one thought Madonna said the well, people thought

0:47:36.520 --> 0:47:39.520
<v Speaker 2>Madonna's at the women's movement back. The point is that

0:47:39.680 --> 0:47:43.719
<v Speaker 2>she doesn't represent women. She represents Sabrina Carpenter. That is right,

0:47:43.760 --> 0:47:47.120
<v Speaker 2>That is correct. If you want to be a doctor

0:47:47.239 --> 0:47:50.040
<v Speaker 2>or a lawyer, woman who wants to go to you know,

0:47:50.160 --> 0:47:53.320
<v Speaker 2>Harvard or your medical degree or whatever. You want to

0:47:53.320 --> 0:47:56.400
<v Speaker 2>be a politician, a world leader. This has nothing to

0:47:56.440 --> 0:47:59.839
<v Speaker 2>do with you. It doesn't. If you think it sets

0:47:59.840 --> 0:48:01.440
<v Speaker 2>the mentioned the little girls like, oh I'm gonna grow

0:48:01.480 --> 0:48:03.480
<v Speaker 2>up and crawl on my hands and knees, then your

0:48:03.520 --> 0:48:06.360
<v Speaker 2>parenting skills are poor. That is right, because because I

0:48:06.360 --> 0:48:09.319
<v Speaker 2>don't think Sabrina Coppiner's parents taught her that. But that's

0:48:09.360 --> 0:48:11.440
<v Speaker 2>how who she is. Kids are gonna grow up to

0:48:11.440 --> 0:48:14.200
<v Speaker 2>be who they are. Yep, they are, and they're either

0:48:14.200 --> 0:48:17.120
<v Speaker 2>gonna want to be Taylor Swift or Sabrina Carpenter or

0:48:17.160 --> 0:48:22.200
<v Speaker 2>the next astronaut, not Katie Perry. But so I don't

0:48:22.239 --> 0:48:25.239
<v Speaker 2>think I don't think it's a good career move on

0:48:25.280 --> 0:48:26.720
<v Speaker 2>her part, but it fits the character.

0:48:26.880 --> 0:48:29.320
<v Speaker 3>I think it's a great career move. I think it's awesome.

0:48:29.360 --> 0:48:31.440
<v Speaker 3>I think it gets more people talking. I think it

0:48:31.480 --> 0:48:32.280
<v Speaker 3>breaks the internet.

0:48:33.040 --> 0:48:35.160
<v Speaker 2>Yeah, but it is the thing. Nobody buys albums and

0:48:35.440 --> 0:48:38.720
<v Speaker 2>guess what, like the song the first single off that album,

0:48:39.320 --> 0:48:44.400
<v Speaker 2>I'm Man Child, is already number one, number one her

0:48:44.719 --> 0:48:46.600
<v Speaker 2>song because it's because it's because it's a good song.

0:48:46.640 --> 0:48:50.280
<v Speaker 3>Well, it's her popular, it's her second number one single,

0:48:50.719 --> 0:48:53.200
<v Speaker 3>all right, but album number.

0:48:53.000 --> 0:48:56.440
<v Speaker 2>One because she's Sabrina Corpenter, not because she's on all fours.

0:48:56.719 --> 0:48:58.880
<v Speaker 2>But really, album covers, think about it? Scary? When was

0:48:58.880 --> 0:49:00.560
<v Speaker 2>the last time. Now, look, I'm a student, I'm a

0:49:00.680 --> 0:49:03.120
<v Speaker 2>child of album covers. I used to love looking at

0:49:03.160 --> 0:49:05.840
<v Speaker 2>album covers. Some of the look at the Stones covers,

0:49:05.960 --> 0:49:10.160
<v Speaker 2>weren't they the zipper, the physical zipper on the cover,

0:49:10.280 --> 0:49:13.280
<v Speaker 2>he unzip it the person. There was always sexual content

0:49:14.160 --> 0:49:16.640
<v Speaker 2>on album covers. My point is, how often do you

0:49:16.640 --> 0:49:19.919
<v Speaker 2>see an album cover now unless you're in Target looking

0:49:19.920 --> 0:49:21.560
<v Speaker 2>at an album cover and Walmart is gonna put a

0:49:21.560 --> 0:49:23.759
<v Speaker 2>black sticker over it, or you won't be able to

0:49:23.760 --> 0:49:25.440
<v Speaker 2>see the album cover. Well, they'll put it in a

0:49:25.440 --> 0:49:28.680
<v Speaker 2>bag because they're you know, they're more conservative, uh, you

0:49:28.680 --> 0:49:30.880
<v Speaker 2>know in some of the parts of the country. But

0:49:30.920 --> 0:49:33.799
<v Speaker 2>how often you see how you go on Spotify, you

0:49:33.880 --> 0:49:36.040
<v Speaker 2>might see the album cover, you know, if you look

0:49:36.120 --> 0:49:38.560
<v Speaker 2>bit I mean it's it's it's well, yeah, when you're

0:49:38.600 --> 0:49:41.320
<v Speaker 2>in in the car where you're playing music, the album

0:49:41.440 --> 0:49:43.799
<v Speaker 2>cover comes up as the vision if you have that,

0:49:44.080 --> 0:49:46.200
<v Speaker 2>if you have that type of car, sure, I get it.

0:49:46.520 --> 0:49:48.040
<v Speaker 2>But even though you're looking at a two by two

0:49:48.080 --> 0:49:51.560
<v Speaker 2>album cover. My point is, I'm not offended by it,

0:49:51.600 --> 0:49:53.360
<v Speaker 2>but I'm not the person. I'm not the I'm not

0:49:53.400 --> 0:49:55.279
<v Speaker 2>the demographic that would have a problem with it.

0:49:55.480 --> 0:49:58.239
<v Speaker 3>I just don't know why anyone has a problem with it,

0:49:58.320 --> 0:49:59.719
<v Speaker 3>And and and I don't think people have a right

0:49:59.760 --> 0:50:01.920
<v Speaker 3>to have a problem with it. This is poetic license

0:50:02.040 --> 0:50:04.680
<v Speaker 3>or artistic express, artistic expression.

0:50:04.719 --> 0:50:07.279
<v Speaker 2>You could you get to do what you want to

0:50:07.280 --> 0:50:10.360
<v Speaker 2>do and paint your own palate. And that's how she wanted,

0:50:10.640 --> 0:50:12.040
<v Speaker 2>you know. And by the way, it wasn't. She wasn't

0:50:12.080 --> 0:50:15.399
<v Speaker 2>coerced or forced into that. She chose that. That's her.

0:50:16.080 --> 0:50:20.040
<v Speaker 2>So everyone can go fuck off. That's it. Look you

0:50:20.040 --> 0:50:22.000
<v Speaker 2>don't like it, don't look at it. Close your eyes.

0:50:22.560 --> 0:50:25.239
<v Speaker 2>There are lots of women and men who might be

0:50:25.600 --> 0:50:28.600
<v Speaker 2>submissive in the bedroom, in their sex lives and their

0:50:28.600 --> 0:50:32.400
<v Speaker 2>relationships and then go out and lead a very powerful life. Yeah,

0:50:32.520 --> 0:50:35.000
<v Speaker 2>how many? How many like you? Watch Succession? If remember

0:50:35.000 --> 0:50:38.160
<v Speaker 2>the main ki nuts succession, billion Billionaire, Billions, Billions. The

0:50:38.239 --> 0:50:41.080
<v Speaker 2>main character in Billions is this highly successful rich Wall

0:50:41.080 --> 0:50:43.799
<v Speaker 2>Street guy. Does he get peede on to a he

0:50:43.840 --> 0:50:48.719
<v Speaker 2>goes to a he goes to a mistress. Uh yeah,

0:50:48.760 --> 0:50:51.399
<v Speaker 2>dominate trix, a dominate strix who walks on his back

0:50:51.440 --> 0:50:53.560
<v Speaker 2>and treats him like shit because he spends his whole

0:50:53.600 --> 0:50:55.319
<v Speaker 2>day in power and needs to be like knocked down

0:50:55.360 --> 0:50:57.680
<v Speaker 2>a peg. The fact that she might be submissive to

0:50:57.719 --> 0:51:00.920
<v Speaker 2>her man and and go on all four if that's

0:51:00.960 --> 0:51:04.120
<v Speaker 2>their relationship in this album cover, that doesn't mean she's

0:51:04.160 --> 0:51:06.160
<v Speaker 2>not a strong, powerful woman the rest of for life.

0:51:06.880 --> 0:51:08.640
<v Speaker 2>So I think people make to them like, oh, that's

0:51:08.640 --> 0:51:12.320
<v Speaker 2>setting women back. Listen, men can be on all fours.

0:51:12.360 --> 0:51:14.640
<v Speaker 2>Women who gives a fuck? You know what I mean.

0:51:15.719 --> 0:51:18.279
<v Speaker 2>I'm looking forward to the next album. I'm looking forward.

0:51:18.440 --> 0:51:21.480
<v Speaker 2>I just don't think it's gonna help her be Taylor

0:51:21.480 --> 0:51:24.000
<v Speaker 2>Swift in your words, but it's gonna help her be

0:51:24.120 --> 0:51:26.000
<v Speaker 2>the next Madonna, which is totally fine.

0:51:26.000 --> 0:51:28.200
<v Speaker 3>All yeah, Well that next thing, you know, she'll be

0:51:28.200 --> 0:51:31.840
<v Speaker 3>whipping out the cones and putting along her boobs. Remember

0:51:31.840 --> 0:51:33.000
<v Speaker 3>when Mada Madonna did that.

0:51:33.480 --> 0:51:35.919
<v Speaker 2>The cone bra That was not a very attractive look.

0:51:35.960 --> 0:51:38.680
<v Speaker 2>I don't whatever it would be would be like coffee

0:51:38.719 --> 0:51:44.080
<v Speaker 2>filters for Sabrina the Boys podcast, We will be right back.

0:51:45.360 --> 0:51:47.600
<v Speaker 2>Is this the last break? Yeah? Man, it is. You

0:51:47.640 --> 0:51:50.920
<v Speaker 2>can't keep caring. I'm surprised. So I'm only going to

0:51:50.960 --> 0:51:53.440
<v Speaker 2>tell you about half of my lunch with my friend.

0:51:53.680 --> 0:51:57.600
<v Speaker 2>So I mean to just tell you about the This

0:51:57.640 --> 0:52:00.960
<v Speaker 2>is a slice conversation. This is a scary at age.

0:52:00.960 --> 0:52:05.160
<v Speaker 2>Your opinion, Okay. So I make up to have lunch

0:52:05.280 --> 0:52:07.880
<v Speaker 2>with my friend. We see each other like once a

0:52:07.920 --> 0:52:10.160
<v Speaker 2>month maybe or so. When we go, we go to

0:52:10.200 --> 0:52:12.840
<v Speaker 2>a casual dining place. You know, I've mentioned the places

0:52:12.880 --> 0:52:15.279
<v Speaker 2>I go to. I don't go to expensive places. It's

0:52:16.280 --> 0:52:19.360
<v Speaker 2>casual dining theme type place. So we go to the

0:52:19.719 --> 0:52:22.319
<v Speaker 2>go to the location near his house, and I get

0:52:22.520 --> 0:52:25.360
<v Speaker 2>before him because he's always a half hour late, always

0:52:25.719 --> 0:52:29.200
<v Speaker 2>half hour late, which we'll talk about next episode. So

0:52:29.360 --> 0:52:31.640
<v Speaker 2>I get, I go, I walk in and I'm not

0:52:31.640 --> 0:52:34.320
<v Speaker 2>sure he's there because I texted him I would be

0:52:34.320 --> 0:52:36.279
<v Speaker 2>eight minutes late. I was running a few minutes late.

0:52:36.280 --> 0:52:40.080
<v Speaker 2>There was some traffic on getting there. So I walk in.

0:52:40.120 --> 0:52:42.640
<v Speaker 2>I say, I'm looking for a friend of mine. He's

0:52:42.640 --> 0:52:45.480
<v Speaker 2>about this tall and whatever, and I'm like, no, nobody

0:52:45.480 --> 0:52:48.040
<v Speaker 2>about that description. I said, Well, I'm waiting for my friend.

0:52:48.080 --> 0:52:50.960
<v Speaker 2>Can I get a booth? Yeah, no problem, a booth

0:52:50.960 --> 0:52:53.279
<v Speaker 2>for the host? You want a boo booth. I want

0:52:53.280 --> 0:52:57.080
<v Speaker 2>a booth with a thh I could be so the

0:52:57.160 --> 0:52:58.920
<v Speaker 2>men so I said, there's just the two of us.

0:52:59.000 --> 0:53:02.960
<v Speaker 2>Can we get a booth? So he grabs the menus

0:53:03.480 --> 0:53:05.759
<v Speaker 2>and walks me over to a booth for four. Now,

0:53:05.800 --> 0:53:10.320
<v Speaker 2>this particular restaurant puts out a plate with a napkin

0:53:10.400 --> 0:53:13.120
<v Speaker 2>wrapped around the silverware on top of the plate at

0:53:13.160 --> 0:53:16.480
<v Speaker 2>each of the four spots at the booth, and all

0:53:16.480 --> 0:53:20.360
<v Speaker 2>the tables have a white plate and silverware wrapped in

0:53:20.400 --> 0:53:22.880
<v Speaker 2>a napkin, a plate like a serving, a place setting

0:53:23.080 --> 0:53:25.359
<v Speaker 2>on top of the napkin. You got the picture so far? Yes,

0:53:25.480 --> 0:53:30.239
<v Speaker 2>so far? Yeah? Okay. So I sit down in the booth,

0:53:30.280 --> 0:53:34.480
<v Speaker 2>which is against the wall, and I sit on the

0:53:34.480 --> 0:53:37.680
<v Speaker 2>booth in the booth, on the outside seat with my

0:53:37.880 --> 0:53:41.040
<v Speaker 2>right hand near the waiter. So the seat to my

0:53:41.120 --> 0:53:44.200
<v Speaker 2>left is empty, okay, And the two seats across from

0:53:44.239 --> 0:53:46.160
<v Speaker 2>you are empty, and the waiter is to my right.

0:53:47.239 --> 0:53:50.640
<v Speaker 2>And the waiter says, this is the menu. I go, yep,

0:53:50.760 --> 0:53:52.759
<v Speaker 2>no problem, I'm here all the time. And I put

0:53:52.800 --> 0:53:55.960
<v Speaker 2>the menu to my left because there's a plate in

0:53:55.960 --> 0:53:57.799
<v Speaker 2>front of me with a serving, So I just put

0:53:57.840 --> 0:54:00.080
<v Speaker 2>the menu on the seat next to me okay, and

0:54:00.160 --> 0:54:02.000
<v Speaker 2>he goes and this is the drink menu. Yep. I know,

0:54:02.040 --> 0:54:04.120
<v Speaker 2>I'm here all the time and this is the specials

0:54:04.120 --> 0:54:05.479
<v Speaker 2>but yep, no, I got it here all the time.

0:54:06.000 --> 0:54:08.120
<v Speaker 2>And I take the three menus now and I put

0:54:08.160 --> 0:54:11.200
<v Speaker 2>them on the seat next to me. Yep. He then

0:54:11.360 --> 0:54:15.279
<v Speaker 2>hands me another set of menus, the three menus, and

0:54:15.320 --> 0:54:19.040
<v Speaker 2>puts it on top of my play setting. So I'm like,

0:54:19.440 --> 0:54:23.720
<v Speaker 2>that's awfully weird, because why do I need two play settings? Okay?

0:54:25.080 --> 0:54:27.799
<v Speaker 2>So typically in a restaurant, when you sit down at

0:54:27.840 --> 0:54:30.200
<v Speaker 2>a table and there's only two of you and there's

0:54:30.239 --> 0:54:33.040
<v Speaker 2>four play settings, what is the waiter do or the host?

0:54:33.800 --> 0:54:35.880
<v Speaker 2>They take the two away that you're not using. Yes,

0:54:36.200 --> 0:54:40.600
<v Speaker 2>thank you. So I lift up my I lift up

0:54:40.640 --> 0:54:45.000
<v Speaker 2>my menus serving in front. Yeah, and I assume he's

0:54:45.040 --> 0:54:48.400
<v Speaker 2>going to take my play setting and the one across

0:54:48.440 --> 0:54:51.240
<v Speaker 2>from me, leaving one next to me and one across

0:54:51.239 --> 0:54:53.160
<v Speaker 2>from me. Yes, And I said, yeah, my friend will

0:54:53.200 --> 0:54:56.120
<v Speaker 2>be in a little while. Great. He takes the two

0:54:56.200 --> 0:55:00.080
<v Speaker 2>play settings on the other side of the table, and

0:55:00.400 --> 0:55:03.120
<v Speaker 2>I now realize he gave me the second menu because

0:55:03.160 --> 0:55:05.640
<v Speaker 2>he thinks I put the first menu to my left.

0:55:06.160 --> 0:55:10.919
<v Speaker 2>He thinks my male friend that I described is gonna

0:55:10.960 --> 0:55:11.680
<v Speaker 2>sit next to me.

0:55:12.560 --> 0:55:14.840
<v Speaker 3>Even if it wasn't a male friend. When you're in

0:55:14.880 --> 0:55:17.480
<v Speaker 3>a booth and your two people, you don't sit on

0:55:17.520 --> 0:55:18.800
<v Speaker 3>the same side of the fucking booth.

0:55:19.040 --> 0:55:24.120
<v Speaker 2>You absolutely the rules of the booth will dictate that

0:55:24.239 --> 0:55:26.879
<v Speaker 2>you must have. You must be looking at each other

0:55:27.000 --> 0:55:30.720
<v Speaker 2>and sitting across from each other. Now, if I had said, listen,

0:55:30.920 --> 0:55:33.880
<v Speaker 2>my wife, my girlfriend will be here any minute, and

0:55:34.000 --> 0:55:36.680
<v Speaker 2>I put the menu down next to me, you know

0:55:36.840 --> 0:55:38.359
<v Speaker 2>he might be thinking, all he wants to sit next

0:55:38.400 --> 0:55:41.000
<v Speaker 2>to his well even men. No, that defies the rules

0:55:41.040 --> 0:55:44.839
<v Speaker 2>of the booth. Correct. Now, before you slices say, well,

0:55:44.880 --> 0:55:47.080
<v Speaker 2>you put the menu there. No, No, I took the

0:55:47.120 --> 0:55:49.000
<v Speaker 2>menu and I put it there like I was like,

0:55:49.120 --> 0:55:50.319
<v Speaker 2>I don't need the menu, I'm here all the time,

0:55:50.320 --> 0:55:52.680
<v Speaker 2>and I put it down. I didn't put it there

0:55:52.680 --> 0:55:54.279
<v Speaker 2>because the person who's going to sit next to me.

0:55:55.480 --> 0:55:58.560
<v Speaker 3>No, the default has got to be take away the

0:55:58.560 --> 0:56:01.120
<v Speaker 3>two settings on one on either side of you and

0:56:01.320 --> 0:56:04.040
<v Speaker 3>assume that the person coming, whether it be a male

0:56:04.200 --> 0:56:06.680
<v Speaker 3>or female, whether it be your wife or your girlfriend,

0:56:06.960 --> 0:56:09.640
<v Speaker 3>or your gumaud or the or you or your son

0:56:09.920 --> 0:56:13.560
<v Speaker 3>or whoever, is going to sit across, because when you

0:56:13.719 --> 0:56:17.880
<v Speaker 3>enter a booth, you already enter. You already enter a

0:56:17.960 --> 0:56:22.799
<v Speaker 3>space that is designed for correct two people looking at

0:56:22.800 --> 0:56:27.000
<v Speaker 3>each other on either side, you look ridiculous. If two

0:56:27.080 --> 0:56:30.400
<v Speaker 3>people let's say it's a booth for six people, and

0:56:30.800 --> 0:56:33.239
<v Speaker 3>would it be it would be awfully weird if three

0:56:33.280 --> 0:56:36.080
<v Speaker 3>people all just came in and sat on the same side.

0:56:35.920 --> 0:56:38.560
<v Speaker 2>With nobody on the other side. It doesn't make any sense,

0:56:39.160 --> 0:56:42.200
<v Speaker 2>but hell does that. I have gone in my life

0:56:42.320 --> 0:56:44.360
<v Speaker 2>to many restaurants with my wife, and you've gone with

0:56:44.440 --> 0:56:48.960
<v Speaker 2>Robin many many Okay, And if I'm with my wife,

0:56:49.760 --> 0:56:51.720
<v Speaker 2>I would love to sit next to her and cuddle

0:56:51.760 --> 0:56:55.200
<v Speaker 2>and hold her hand at dinner and snuggle or whatever. Right,

0:56:55.800 --> 0:56:57.919
<v Speaker 2>but I also want to talk to her and look

0:56:57.960 --> 0:57:00.200
<v Speaker 2>her in the eye and have a conversation and not

0:57:00.239 --> 0:57:02.360
<v Speaker 2>be like that we had couple staring at an empty booth.

0:57:02.960 --> 0:57:05.880
<v Speaker 2>I have never sat next to my wife at a

0:57:05.960 --> 0:57:07.799
<v Speaker 2>booth now where no one was on the other side. Now,

0:57:07.840 --> 0:57:11.400
<v Speaker 2>I will say this. At a table, if it's a

0:57:11.400 --> 0:57:15.400
<v Speaker 2>square table and your two people and you're a couple,

0:57:16.000 --> 0:57:18.640
<v Speaker 2>we do do the right angle thing where it's like

0:57:18.680 --> 0:57:21.160
<v Speaker 2>an l like I'll sit I'll sit in one spot

0:57:21.320 --> 0:57:23.520
<v Speaker 2>and Robin will sit to my left or to my right,

0:57:23.600 --> 0:57:24.960
<v Speaker 2>but not across.

0:57:25.240 --> 0:57:30.040
<v Speaker 3>Because that's that's that's acceptable, that's acceptable. That's fine if

0:57:30.040 --> 0:57:32.240
<v Speaker 3>you're at a square if you're at a square table,

0:57:32.560 --> 0:57:36.880
<v Speaker 3>not a booth, and then your partner because it's weird sometimes.

0:57:37.000 --> 0:57:40.720
<v Speaker 2>But if I'm with my boys, that's awkward. If I'm

0:57:40.720 --> 0:57:43.720
<v Speaker 2>with you, Brody, and we answer a square table situation

0:57:44.400 --> 0:57:49.320
<v Speaker 2>across across across, you cannot can I no, I don't

0:57:49.320 --> 0:57:51.640
<v Speaker 2>want my knee, my knee bumping into your knee. But

0:57:51.960 --> 0:57:53.800
<v Speaker 2>we would not want to be close like a like

0:57:53.840 --> 0:57:56.040
<v Speaker 2>a right angle. That would be all that would be weird,

0:57:56.120 --> 0:57:59.640
<v Speaker 2>right unless we're dating, correct? Yeah? Correct? Now? I I

0:57:59.720 --> 0:58:02.120
<v Speaker 2>knew a couple ones that used to like to sit

0:58:02.200 --> 0:58:05.080
<v Speaker 2>next to each other in a booth. They did, really,

0:58:05.160 --> 0:58:06.720
<v Speaker 2>they like they like to be next to each other.

0:58:07.400 --> 0:58:10.040
<v Speaker 2>But I thought that was weird. And I it was

0:58:10.160 --> 0:58:12.320
<v Speaker 2>a long time ago, but I do know a couple

0:58:12.360 --> 0:58:14.040
<v Speaker 2>that I don't know them anymore, but I knew a

0:58:14.040 --> 0:58:15.800
<v Speaker 2>couple that would sit They were like, oh, yeah, we

0:58:16.040 --> 0:58:18.840
<v Speaker 2>sit next to each other. I'm like, what the what slices?

0:58:18.920 --> 0:58:21.560
<v Speaker 2>You don't do that right? You don't sit next to

0:58:21.600 --> 0:58:24.920
<v Speaker 2>your partner and this guy like, wait, guys, hold on.

0:58:25.120 --> 0:58:29.080
<v Speaker 2>Exception all the rules, here's this one. If you are

0:58:29.120 --> 0:58:32.360
<v Speaker 2>at a table, right, a longer table, like a rectangular

0:58:32.440 --> 0:58:35.560
<v Speaker 2>table or whatever, and it's the two of you and

0:58:36.360 --> 0:58:39.320
<v Speaker 2>there's something to be seen in the distance, like a

0:58:39.440 --> 0:58:44.040
<v Speaker 2>view of something, then are you're looking there's an attraction

0:58:44.280 --> 0:58:47.640
<v Speaker 2>in the distance, Yes, that is a focal point. Then

0:58:48.000 --> 0:58:50.400
<v Speaker 2>it is fine for the two of you to sit

0:58:50.480 --> 0:58:52.480
<v Speaker 2>on the same side of the table. Yes, and not

0:58:52.560 --> 0:58:55.520
<v Speaker 2>even ye. I'll tell you when that's when that's allowed.

0:58:56.360 --> 0:58:59.720
<v Speaker 2>One when you're at medieval times watching people just look

0:59:00.120 --> 0:59:02.120
<v Speaker 2>and you're all sitting in bleacher seats or at the

0:59:02.120 --> 0:59:04.680
<v Speaker 2>movie theater, yes, that's too. Or if you're Jesus's last

0:59:04.680 --> 0:59:06.320
<v Speaker 2>supper and everyone has to sit on the same side

0:59:06.320 --> 0:59:08.920
<v Speaker 2>of the table because that's how you're drawn, that's how

0:59:08.960 --> 0:59:12.840
<v Speaker 2>you're painted. Right, that's it. Jesus was the last person

0:59:13.040 --> 0:59:14.760
<v Speaker 2>to sit on the same side of the booth with

0:59:14.800 --> 0:59:18.240
<v Speaker 2>all those other people. I will say, though, in Europe,

0:59:18.520 --> 0:59:22.560
<v Speaker 2>you go to any piazza, I don't understand Mike piazza,

0:59:22.760 --> 0:59:25.680
<v Speaker 2>any piazza, not Mike. But if you go to any

0:59:26.080 --> 0:59:28.760
<v Speaker 2>any of these town squares where there's like a center

0:59:28.840 --> 0:59:31.200
<v Speaker 2>of whatever, and all these cafes and restaurants and people

0:59:31.280 --> 0:59:35.440
<v Speaker 2>sitting outside eating, they absolutely sit on the same side

0:59:35.960 --> 0:59:40.000
<v Speaker 2>of the tables, one another, facing out, facing the action. Like, hey,

0:59:40.000 --> 0:59:42.440
<v Speaker 2>we're about to see a movie and there the movie

0:59:42.480 --> 0:59:45.360
<v Speaker 2>is people walking through the piazza or the water in

0:59:45.360 --> 0:59:47.840
<v Speaker 2>the middle. So people do sit on the same side.

0:59:48.200 --> 0:59:50.560
<v Speaker 2>If you're in Italy and you have like a table

0:59:50.600 --> 0:59:54.280
<v Speaker 2>facing the Trevy fountain or like a beautiful piazza, Like

0:59:54.320 --> 0:59:57.920
<v Speaker 2>I said, there's an attraction, there's a point right, that's different.

0:59:58.160 --> 0:59:59.760
<v Speaker 2>But if you're at a booth looking at the other

0:59:59.800 --> 1:00:08.320
<v Speaker 2>side of the booth, no, no, it doesn't make sense. Yeah, no,

1:00:08.440 --> 1:00:11.040
<v Speaker 2>good Sorry, Ay, slices got a lot of homework. Brodie,

1:00:11.040 --> 1:00:14.640
<v Speaker 2>are you gonna Brodie, Let's let's do something awkward. Let's

1:00:14.680 --> 1:00:18.680
<v Speaker 2>go out to dinner. Nonner. I'll tell you what. I'll

1:00:18.720 --> 1:00:21.520
<v Speaker 2>give you your steak dinner if you agree to sit

1:00:21.560 --> 1:00:24.120
<v Speaker 2>at a square table with me on a right angle,

1:00:24.280 --> 1:00:26.400
<v Speaker 2>or even better, were still on the same side of

1:00:26.560 --> 1:00:29.080
<v Speaker 2>a booth, not at a booth, not at a booth,

1:00:29.160 --> 1:00:32.720
<v Speaker 2>at a table, but we're in the middle of everything. Okay,

1:00:32.800 --> 1:00:34.600
<v Speaker 2>let me get this straight. You will buy me a

1:00:34.640 --> 1:00:37.840
<v Speaker 2>steak dinner. If I sit right angle next to you

1:00:37.880 --> 1:00:41.480
<v Speaker 2>in a steak dinner steakhouse. No, no, I want you

1:00:41.520 --> 1:00:46.160
<v Speaker 2>to see on the same side as me. I'll have

1:00:46.200 --> 1:00:49.080
<v Speaker 2>to get back here next to me. Yeah, I may

1:00:49.080 --> 1:00:51.240
<v Speaker 2>be out the slices. I'm out. I don't know. I mean,

1:00:51.240 --> 1:01:01.720
<v Speaker 2>I got that steakner. Is it old homestead? It would

1:01:01.720 --> 1:01:03.520
<v Speaker 2>be so they have booths there. But you know what,

1:01:03.560 --> 1:01:04.960
<v Speaker 2>that would be awkward if we sat on the same

1:01:04.960 --> 1:01:08.320
<v Speaker 2>side of a you know what. I'm just thinking of

1:01:08.320 --> 1:01:11.480
<v Speaker 2>the visual. But here's here's the thing scary. If we

1:01:11.520 --> 1:01:14.400
<v Speaker 2>take pictures and then talk about it and post it,

1:01:14.600 --> 1:01:16.080
<v Speaker 2>we can write it off on our taxes as a

1:01:16.120 --> 1:01:18.280
<v Speaker 2>business expense. Oh. I kind of like where that's going.

1:01:19.400 --> 1:01:21.800
<v Speaker 2>All right, steak dinner, same side of the table, So

1:01:22.120 --> 1:01:25.080
<v Speaker 2>I may say yes, So listen. So we're going to

1:01:25.120 --> 1:01:28.480
<v Speaker 2>deliver you guys another slice time on Monday. I'm even

1:01:29.360 --> 1:01:30.880
<v Speaker 2>I'm on vacation for two and a half weeks, but

1:01:31.440 --> 1:01:34.960
<v Speaker 2>I will be in town until at least Monday. I

1:01:35.000 --> 1:01:38.520
<v Speaker 2>got my my nephew, Lucas, who's graduating, you know, because

1:01:38.520 --> 1:01:41.560
<v Speaker 2>I'm the last I'm the switch. Well I'm getting he's

1:01:41.600 --> 1:01:42.960
<v Speaker 2>getting the Nintendo switch.

1:01:42.760 --> 1:01:44.960
<v Speaker 3>To But but yeah, you know, I'm his I'm his

1:01:45.080 --> 1:01:47.560
<v Speaker 3>afterthought for the fourth ticket of the of the graduation.

1:01:48.000 --> 1:01:51.160
<v Speaker 2>So we're doing that. And then I have a question

1:01:51.240 --> 1:01:54.640
<v Speaker 2>for you. It's it's gonna be one hundred degrees and

1:01:54.680 --> 1:01:57.320
<v Speaker 2>it's outdoors. Can I wear shorts and a T shirt

1:01:57.400 --> 1:01:59.960
<v Speaker 2>or shorts and like a button down short sleep share

1:02:01.160 --> 1:02:03.919
<v Speaker 2>because I'm debating in my head and a hundred people

1:02:03.920 --> 1:02:07.240
<v Speaker 2>were to keep graduations one hundred. I wore shorts to

1:02:07.280 --> 1:02:10.920
<v Speaker 2>my daughter's college graduation. Yes, so, but I try to

1:02:10.920 --> 1:02:13.280
<v Speaker 2>be dressed up with two parents being suits and stuff

1:02:13.320 --> 1:02:16.240
<v Speaker 2>with the parents of the kids. I mean, my sister's

1:02:16.520 --> 1:02:19.920
<v Speaker 2>SNAr semi casual. I don't know, you're an uncle. The

1:02:20.000 --> 1:02:21.919
<v Speaker 2>kid doesn't even want you there. He's not gonna carry

1:02:22.040 --> 1:02:26.840
<v Speaker 2>watch there. But you know, to an extent, uncle scary.

1:02:26.880 --> 1:02:28.919
<v Speaker 2>I don't want to switch the switch to you're giving

1:02:28.960 --> 1:02:30.840
<v Speaker 2>me because you were in shorts. I think you're fine,

1:02:30.920 --> 1:02:33.360
<v Speaker 2>all right, So Monday, June twenty third, we're giving you

1:02:33.400 --> 1:02:36.720
<v Speaker 2>slice time for this episode. It's a short window, so

1:02:36.720 --> 1:02:38.400
<v Speaker 2>if you haven't left the talk back by Sunday night,

1:02:39.000 --> 1:02:41.720
<v Speaker 2>hold your breath because it's bound to get deleted while

1:02:41.720 --> 1:02:44.680
<v Speaker 2>we're away. And pause that until week of July seventh,

1:02:44.800 --> 1:02:46.880
<v Speaker 2>which is the next time we're giving you a Brooklyn

1:02:46.920 --> 1:02:49.640
<v Speaker 2>Boys episode, all right, and then I may put up

1:02:49.680 --> 1:02:52.680
<v Speaker 2>some bonus content while Scary is away. Okay. The most

1:02:52.720 --> 1:02:55.960
<v Speaker 2>importantly my guy has not messaged me back is still

1:02:56.160 --> 1:02:59.720
<v Speaker 2>dead space there, son of us slices. Enjoy the nice weather.

1:02:59.760 --> 1:03:01.440
<v Speaker 2>If you that nice weather, wever you are, and we'll

1:03:01.520 --> 1:03:05.000
<v Speaker 2>we'll see if it's Slice time on Monday, Yes we will.

1:03:06.600 --> 1:03:19.680
<v Speaker 2>What's Tuesday? On Tuesday? Brooklyn Boys, Brooklyn Boys, bro