1 00:00:00,560 --> 00:00:06,559 Speaker 1: From Hollywood. Thank you for listening to us with a 2 00:00:06,720 --> 00:00:12,400 Speaker 1: Ryan Seacrest. Okay, Hi, good morning. Are we doing, Patty, 3 00:00:13,600 --> 00:00:18,400 Speaker 1: We're doing beautiful? You're happy? We are. I'm very happy. Okay, 4 00:00:18,400 --> 00:00:21,560 Speaker 1: good Tony, You're happy. I'm happy. I'm a little sore 5 00:00:21,600 --> 00:00:25,560 Speaker 1: in places, but I'm fine. Do we dare ask or? 6 00:00:25,960 --> 00:00:27,840 Speaker 1: I mean you you mentioned it so clearly you want 7 00:00:27,840 --> 00:00:32,160 Speaker 1: to follow up question? Okay, what parts are sore? Back? 8 00:00:34,200 --> 00:00:37,040 Speaker 1: Just my back, but I'm thinking that it's just this 9 00:00:37,120 --> 00:00:42,800 Speaker 1: is what happens in your thirties. Yeah, you're right, and 10 00:00:42,840 --> 00:00:47,760 Speaker 1: it snowballs. It's snowballs. I was just asking for an 11 00:00:47,880 --> 00:00:51,680 Speaker 1: m R. I on what on your ankle? And my knee? 12 00:00:52,120 --> 00:00:55,280 Speaker 1: Now it's been ever gets contagious my ankle, I spraying 13 00:00:55,320 --> 00:00:57,360 Speaker 1: my ankle. Now my knees sprained. It's like it's like 14 00:00:57,400 --> 00:01:01,960 Speaker 1: the ligaments are contagious in their an me, can I 15 00:01:02,000 --> 00:01:03,720 Speaker 1: get Can you just roll me into that tunnel and 16 00:01:03,720 --> 00:01:05,759 Speaker 1: take pictures of the entire body and tell me what's wrong. 17 00:01:06,600 --> 00:01:08,559 Speaker 1: I usually get so hurt when I would like box 18 00:01:08,600 --> 00:01:11,319 Speaker 1: and do like intense workouts. I would really hurt myself. 19 00:01:11,360 --> 00:01:13,120 Speaker 1: And now it's like my backs hurting from how I 20 00:01:13,120 --> 00:01:18,880 Speaker 1: sleep oh, I twisted my knee aup on a cardio 21 00:01:19,000 --> 00:01:22,440 Speaker 1: machine like not even going, just like pivoting to pick 22 00:01:22,520 --> 00:01:24,880 Speaker 1: up my phone, like pivot. You know, you pivot fast, 23 00:01:25,240 --> 00:01:27,039 Speaker 1: not even doing the exercise like a Pivot's like a 24 00:01:27,080 --> 00:01:33,200 Speaker 1: frustrating injury. Harry, Patty, God, you're in a good mood, happiness. 25 00:01:34,640 --> 00:01:36,360 Speaker 1: I like that you have a you think for a 26 00:01:36,400 --> 00:01:37,920 Speaker 1: bit before you respond to us. I think I like 27 00:01:38,040 --> 00:01:41,920 Speaker 1: that part because actually, no, I have to one mute myself, 28 00:01:42,200 --> 00:01:44,360 Speaker 1: so it's not that I'm thinking. It just takes like 29 00:01:44,640 --> 00:01:47,960 Speaker 1: like half a second. Don't confuse her delay with thinking, then, guys, 30 00:01:48,040 --> 00:01:54,200 Speaker 1: she's you should look at the positive, the positive side 31 00:01:54,200 --> 00:01:57,880 Speaker 1: of things. You know, at least we can feel the 32 00:01:57,920 --> 00:02:01,800 Speaker 1: aches and paints. A positive thought really was a struggle 33 00:02:01,840 --> 00:02:03,800 Speaker 1: to come up with. I mean, that makes sense. At 34 00:02:03,840 --> 00:02:06,680 Speaker 1: least we can stel feel. That means we're alive, hey, right, 35 00:02:06,920 --> 00:02:11,400 Speaker 1: we feel pain, We are alive. Hey. A mix of 36 00:02:11,440 --> 00:02:13,880 Speaker 1: clouds and sunshine all weekend highs in the upper sixties 37 00:02:13,880 --> 00:02:17,760 Speaker 1: and seventies got some rain rolling in beginning of the week. 38 00:02:18,040 --> 00:02:22,680 Speaker 1: Monday free Gas sold up, jingerbout tickets presented by Capital One, 39 00:02:22,760 --> 00:02:25,400 Speaker 1: Your Morning Hat coming up, and a comedian. I saw that. 40 00:02:25,440 --> 00:02:27,760 Speaker 1: I told tiny to see. Did you watch Taylor Thomlinson. 41 00:02:28,440 --> 00:02:31,880 Speaker 1: I watched the full thing with my boyfriend and we 42 00:02:31,880 --> 00:02:35,960 Speaker 1: were both laughing out loud. Okay, we were laughing out 43 00:02:36,000 --> 00:02:41,079 Speaker 1: loud too, and it was we were who is we? 44 00:02:41,200 --> 00:02:44,480 Speaker 1: Who were you watching it with George and I? You 45 00:02:44,480 --> 00:02:47,440 Speaker 1: know that she watches everything with me? I know, but 46 00:02:47,480 --> 00:02:51,440 Speaker 1: you don't always say we. Then I was saying more 47 00:02:51,480 --> 00:02:55,360 Speaker 1: often often? Do you like weed better? I'm just are you? 48 00:02:55,600 --> 00:02:57,000 Speaker 1: Are you telling me the full truth? And nothing but 49 00:02:57,120 --> 00:03:02,760 Speaker 1: the truth? I'm telling you the truth you passed? Was 50 00:03:02,800 --> 00:03:05,919 Speaker 1: there as somebody else? Don't confuse my gea, don't confuse 51 00:03:06,000 --> 00:03:09,120 Speaker 1: my pause with anything other than I had to mute myself. 52 00:03:11,320 --> 00:03:15,359 Speaker 1: Was there a wee outside of Georgia? Oh? Sure, yeah, 53 00:03:15,360 --> 00:03:19,400 Speaker 1: there was another human being? And that's what I want 54 00:03:19,400 --> 00:03:21,400 Speaker 1: to talk about. Okay, we'll put a pin in your 55 00:03:21,400 --> 00:03:23,840 Speaker 1: pin cushion. Okay, I'll put a pin in when you 56 00:03:23,840 --> 00:03:30,080 Speaker 1: want me to pull that pin out? Year two Taylor 57 00:03:30,160 --> 00:03:33,960 Speaker 1: Tomlinson very. I think she's new, but she's out of Temecula, 58 00:03:34,040 --> 00:03:35,560 Speaker 1: like she grew up in Temecula, So I thought she 59 00:03:35,560 --> 00:03:39,240 Speaker 1: should star her comedes all about what sucks in your twenties. Yea, 60 00:03:39,600 --> 00:03:42,960 Speaker 1: and yet tiny not related to every single bit, every 61 00:03:43,000 --> 00:03:50,840 Speaker 1: single bit. All right, let's see, hello, Leslie, Leslie, I 62 00:03:50,880 --> 00:03:53,440 Speaker 1: heard the words shaf perked. You perked me right up? 63 00:03:53,480 --> 00:03:57,080 Speaker 1: How are you? How are you good? Thanks? How can 64 00:03:57,120 --> 00:03:59,880 Speaker 1: I help you? Okay? So the other day you were 65 00:04:00,000 --> 00:04:02,800 Speaker 1: telling this great story about well, actually it was kind 66 00:04:02,840 --> 00:04:04,800 Speaker 1: of a cringe e story about how you went to 67 00:04:04,840 --> 00:04:08,600 Speaker 1: the party with the chef that cater that was so 68 00:04:08,680 --> 00:04:10,720 Speaker 1: amazing that you got his name wrong, and I felt 69 00:04:10,760 --> 00:04:13,440 Speaker 1: so bad for you, but you never got around to 70 00:04:13,480 --> 00:04:15,880 Speaker 1: telling us how great the food was. How was the food? 71 00:04:16,279 --> 00:04:20,440 Speaker 1: Let me see if I can answer his phone? Yeah, 72 00:04:20,480 --> 00:04:23,839 Speaker 1: I think it It's really early to call chef, isn't it. Uh? 73 00:04:23,880 --> 00:04:28,680 Speaker 1: Maybe later? So, yes, what was the question? Okay, the 74 00:04:28,800 --> 00:04:32,080 Speaker 1: chef his name is. I think it's Funk. Yes, what 75 00:04:32,200 --> 00:04:35,920 Speaker 1: was a question? On? Not Alan Funk? But I want 76 00:04:35,960 --> 00:04:37,920 Speaker 1: to know? How was the food was? The food was 77 00:04:37,960 --> 00:04:41,040 Speaker 1: the most was the most amazing pasta ever? First of all, 78 00:04:41,160 --> 00:04:46,279 Speaker 1: the food was incredible. We had multiple pastas, like a 79 00:04:46,360 --> 00:04:49,719 Speaker 1: trio on a plate. And so first was Anglode, the 80 00:04:49,760 --> 00:04:53,440 Speaker 1: Anglode to Die, and then there was pasta JAMELI if 81 00:04:53,440 --> 00:04:56,960 Speaker 1: you very pasta. It's so good. I had not what 82 00:04:57,200 --> 00:05:00,480 Speaker 1: is it? I don't know, but it was great. This guy, 83 00:05:00,560 --> 00:05:02,360 Speaker 1: I didn't have my pastacaust in the c I am, 84 00:05:02,440 --> 00:05:04,760 Speaker 1: but this guy, Evan Funk with any He's got a 85 00:05:04,800 --> 00:05:07,800 Speaker 1: documentary on Prime Video. Check it out anyway. He said 86 00:05:07,839 --> 00:05:11,800 Speaker 1: he mastered two twenty different shapes of Posta mastered or 87 00:05:11,880 --> 00:05:16,000 Speaker 1: Nate Apostas turned in twenty different shapes and so uh. 88 00:05:16,200 --> 00:05:18,560 Speaker 1: I don't know if he has other places, but his 89 00:05:18,640 --> 00:05:21,520 Speaker 1: name is Evan Funk is a place in Venice called Felix. 90 00:05:21,560 --> 00:05:24,320 Speaker 1: And it was one of those situations where I was 91 00:05:24,400 --> 00:05:26,320 Speaker 1: so kind of excited to meet and I called him 92 00:05:26,360 --> 00:05:28,200 Speaker 1: the wrong name when I introduced him, I called him 93 00:05:28,240 --> 00:05:31,800 Speaker 1: Alan Funk, and that was like a hybrid of a 94 00:05:31,800 --> 00:05:33,640 Speaker 1: guy that used to host a TV show many many 95 00:05:33,720 --> 00:05:35,719 Speaker 1: years ago named Alan Funt, and it got in my 96 00:05:35,720 --> 00:05:40,919 Speaker 1: head and screwed me up. I didn't know, but no, 97 00:05:40,960 --> 00:05:42,880 Speaker 1: I didn't know. I felt bad un till afterwards when 98 00:05:42,880 --> 00:05:45,960 Speaker 1: someone corrected me. I felt good and to like a 99 00:05:46,000 --> 00:05:48,120 Speaker 1: few minutes later when Kurt my buddies like, hey, you know, 100 00:05:48,160 --> 00:05:51,599 Speaker 1: it's not Alan Funk. That's a host from the and 101 00:05:51,640 --> 00:05:54,279 Speaker 1: it wasn't by the way, Kurt, it's Auld Funt, not 102 00:05:54,360 --> 00:05:57,080 Speaker 1: even Alan Funk, and Evan is his name, But I 103 00:05:57,120 --> 00:05:59,760 Speaker 1: will try. I need, I need to call him and apologize. 104 00:06:00,360 --> 00:06:02,560 Speaker 1: Let's see, tell me about garden grove this morning? How's 105 00:06:02,560 --> 00:06:06,320 Speaker 1: it going well? I'm actually in Fountain Valley at work. 106 00:06:07,000 --> 00:06:09,200 Speaker 1: How can about garden grow from Fountain Valley? Tell me? 107 00:06:09,720 --> 00:06:13,400 Speaker 1: And there's forklifts beeping around me because I work at Costco? 108 00:06:15,279 --> 00:06:17,800 Speaker 1: All right? What shortages are at Costco? What can you 109 00:06:17,800 --> 00:06:22,880 Speaker 1: not get from the containers? Everything? Everything? You know? How 110 00:06:22,920 --> 00:06:25,600 Speaker 1: we have those coupon books. Half the stuff in the 111 00:06:25,640 --> 00:06:28,120 Speaker 1: coupon book is not available right now because it's on 112 00:06:28,160 --> 00:06:33,480 Speaker 1: a container somewhere. Wow, God, if I could we could 113 00:06:33,520 --> 00:06:36,680 Speaker 1: just have X ray vision of all those containers on 114 00:06:36,720 --> 00:06:38,719 Speaker 1: those ships to see what's out there. Would be such 115 00:06:38,760 --> 00:06:42,120 Speaker 1: a movie. Wouldn't it be amazing? Aren't you dying to 116 00:06:42,160 --> 00:06:44,240 Speaker 1: know what's on those ships out there? By the way, 117 00:06:44,560 --> 00:06:47,360 Speaker 1: you don't understand, let'sie, my fascination with shipping yards goes 118 00:06:47,400 --> 00:06:50,680 Speaker 1: way back. I've been very fascinated by shipping yards. Honestly, 119 00:06:51,120 --> 00:06:56,159 Speaker 1: I've been containers like ships. I've been way into for decades. 120 00:06:56,200 --> 00:06:59,039 Speaker 1: I don't understand. I love the whole process of canals. 121 00:06:59,120 --> 00:07:03,880 Speaker 1: I like canals. I like the whole cross ocean transatlantic 122 00:07:03,920 --> 00:07:06,560 Speaker 1: shipping path. I'm way into It's true, you are way 123 00:07:06,600 --> 00:07:08,919 Speaker 1: into it. Little things. Think there should be a TV 124 00:07:09,080 --> 00:07:13,760 Speaker 1: show about longshoreman. Any longshoreman listening, call me. Let's cast. 125 00:07:14,040 --> 00:07:16,560 Speaker 1: All right, listen, we're gonna run. Thank you for cost 126 00:07:16,600 --> 00:07:19,560 Speaker 1: going and you take care of you too. I mean, 127 00:07:19,680 --> 00:07:24,000 Speaker 1: Costco saved us during the pending. All right now, who 128 00:07:24,000 --> 00:07:26,640 Speaker 1: doesn't love a good compliment. A compliment can break the ice, 129 00:07:27,080 --> 00:07:30,480 Speaker 1: it can sue the fire. This is what a whole 130 00:07:30,480 --> 00:07:33,320 Speaker 1: bunch of research around the world has determined. This like 131 00:07:33,360 --> 00:07:38,280 Speaker 1: in every language, the compliments that we as individuals, as 132 00:07:38,360 --> 00:07:40,280 Speaker 1: humans want to hear. What I would suggest is put 133 00:07:40,280 --> 00:07:45,600 Speaker 1: your open up your notes section, okay in your phone 134 00:07:46,960 --> 00:07:50,000 Speaker 1: and drop these down. These are what people want to hear. 135 00:07:51,920 --> 00:07:54,440 Speaker 1: If you are talking to a parent, compliment them as 136 00:07:54,480 --> 00:07:59,160 Speaker 1: a good mom or a good dad. Mhm. Next, say 137 00:07:59,160 --> 00:08:00,960 Speaker 1: to somebody you know what love about you? You never 138 00:08:01,000 --> 00:08:05,840 Speaker 1: give up. People love being coming up. Perseverance, perseverance. You 139 00:08:05,840 --> 00:08:09,680 Speaker 1: didn't like that when I saw your face. I like 140 00:08:09,760 --> 00:08:11,800 Speaker 1: that one. I like that one a lot of perseverance. Okay, 141 00:08:11,920 --> 00:08:13,520 Speaker 1: So you give me a sour face. So I don't 142 00:08:13,520 --> 00:08:15,680 Speaker 1: know how to spell it, and I'm over you selling 143 00:08:15,760 --> 00:08:19,320 Speaker 1: that face. Yeah yeah, okay, So it's you don't underspend, 144 00:08:19,360 --> 00:08:22,520 Speaker 1: never give up. No, I wrote perseverance. I guess she 145 00:08:22,880 --> 00:08:25,640 Speaker 1: never give up. Well, I'll spell it for you if 146 00:08:25,640 --> 00:08:32,120 Speaker 1: you want pr se okay V and then the rest 147 00:08:32,120 --> 00:08:35,440 Speaker 1: still fill in if you type that much okay perfect. 148 00:08:36,040 --> 00:08:39,200 Speaker 1: Your best is enough. Your best is enough. You don't 149 00:08:39,200 --> 00:08:43,720 Speaker 1: have to worry about it. People love this. That is good. 150 00:08:43,800 --> 00:08:48,040 Speaker 1: That's today's quote. Letting go means realizing some people are 151 00:08:48,120 --> 00:08:54,320 Speaker 1: part of your history, but not a part of your destiny. 152 00:08:52,000 --> 00:08:59,920 Speaker 1: All right, So Tanya on this kiss FM birthday, kissing 153 00:09:00,000 --> 00:09:01,839 Speaker 1: and debuted forty six years ago. We'll get to that 154 00:09:01,960 --> 00:09:07,480 Speaker 1: later this morning today. And look at you, forty six 155 00:09:07,559 --> 00:09:13,240 Speaker 1: years later, you are doing the news. Who thought that? Right? Say, 156 00:09:13,480 --> 00:09:15,319 Speaker 1: he's out and you're doing it headlines. What do you got? 157 00:09:15,679 --> 00:09:18,800 Speaker 1: All right? Well, the FBI identified human remains found in 158 00:09:18,920 --> 00:09:22,480 Speaker 1: a Florida nature preserve as those of Brian Laundry, a 159 00:09:22,520 --> 00:09:25,320 Speaker 1: person of interest in the death of girlfriend Gabby Petito, 160 00:09:25,640 --> 00:09:28,120 Speaker 1: while the couple was on a cross country road trip. 161 00:09:28,440 --> 00:09:31,040 Speaker 1: The area where the remains were found had been underwater 162 00:09:31,280 --> 00:09:36,080 Speaker 1: during earlier searches. Kid sized doses of Fiser's COVID nineteen 163 00:09:36,160 --> 00:09:41,400 Speaker 1: vaccine appears safe and effective at preventing symptomatic infections in 164 00:09:41,520 --> 00:09:44,400 Speaker 1: five to eleven year olds. The shots could begin in 165 00:09:44,480 --> 00:09:48,000 Speaker 1: early November, with the first children in line fully protected 166 00:09:48,120 --> 00:09:51,680 Speaker 1: by Christmas and Chris. Taylor kept the Dodgers alive with 167 00:09:51,760 --> 00:09:54,640 Speaker 1: three home runs last night as l A beat Atlanta 168 00:09:54,760 --> 00:09:58,160 Speaker 1: eleven to two in Game five of the NLCS. The 169 00:09:58,200 --> 00:10:01,360 Speaker 1: Braves still lead the series three games to two. Games 170 00:10:01,360 --> 00:10:09,520 Speaker 1: six is tomorrow afternoon in Atlanta on air with Ryan Seacrest. Alright, 171 00:10:09,520 --> 00:10:14,240 Speaker 1: Seacrest with you, Tanya, Patti Scity is out on maternity lead. 172 00:10:15,040 --> 00:10:20,240 Speaker 1: She'll be back very soon. Friday Night lights tonight, you 173 00:10:20,320 --> 00:10:22,839 Speaker 1: got another big Friday night for high school football across 174 00:10:22,840 --> 00:10:27,240 Speaker 1: southern California. And football is my sport m HM many years. 175 00:10:27,520 --> 00:10:30,600 Speaker 1: Just the smell of cut grass brings back memories of 176 00:10:30,600 --> 00:10:35,200 Speaker 1: two days, three days, all the grind Um seven and one, 177 00:10:35,440 --> 00:10:38,559 Speaker 1: the agre Chargers heading out the Thousand Oaks to take 178 00:10:38,600 --> 00:10:42,640 Speaker 1: on the Lancers. Also, you got the Bonita High School 179 00:10:42,760 --> 00:10:48,000 Speaker 1: bear Cats and their star receiver Isaiah Portillon and n 180 00:10:48,120 --> 00:10:52,040 Speaker 1: Chino Hills take on the Yalla Bulldogs, Go Dogs, Go 181 00:10:52,640 --> 00:10:56,280 Speaker 1: bear Cats, whoever you're rooting for. At their sophomore quarterback 182 00:10:56,320 --> 00:10:59,160 Speaker 1: Brian Wilson out there. Both teams seven and one and 183 00:10:59,240 --> 00:11:02,360 Speaker 1: this one tomorrow. It's a big one, number one team 184 00:11:02,400 --> 00:11:04,960 Speaker 1: in America, number one on the charts, number one in 185 00:11:05,000 --> 00:11:09,319 Speaker 1: the USA according to USA Today. The Modern Day montarctions 186 00:11:09,360 --> 00:11:15,079 Speaker 1: Santana about that they're battling number seven. Both teams are undefeated. 187 00:11:15,440 --> 00:11:19,600 Speaker 1: Goes down tomorrow night, nine thousand seat Santa Anna Stadium. 188 00:11:19,800 --> 00:11:22,199 Speaker 1: That's big time in high school, number one in the country. 189 00:11:22,440 --> 00:11:27,920 Speaker 1: There there's some great football clubs around this nation. Chilian 190 00:11:28,040 --> 00:11:32,840 Speaker 1: game time tonight partly Claude temps in the low sixties. Hey, 191 00:11:32,880 --> 00:11:36,199 Speaker 1: so in a few minutes, we're gonna meet Taylor Tomlinson. 192 00:11:37,240 --> 00:11:38,800 Speaker 1: I don't know how. A friend of mine said, you 193 00:11:38,840 --> 00:11:42,800 Speaker 1: gotta watch this special Netflix. I've been watching more comedians 194 00:11:42,840 --> 00:11:48,840 Speaker 1: lately anyway, and I caught her special. It's called The 195 00:11:48,920 --> 00:11:51,800 Speaker 1: quarter Life Crisis. Anyway, she's from here. I didn't know 196 00:11:51,840 --> 00:11:58,480 Speaker 1: she's it's very she's right struggles. You recommended it to me, 197 00:11:58,559 --> 00:12:01,559 Speaker 1: and I wanted did you get what I got? Oh? 198 00:12:01,840 --> 00:12:06,040 Speaker 1: Laughing out loud, like rolling laughing. Right, Listen, here's here's 199 00:12:06,080 --> 00:12:07,959 Speaker 1: part of her stand aback. She grew up into Mecula, 200 00:12:08,640 --> 00:12:12,000 Speaker 1: and she grew up in the church, and the church 201 00:12:12,640 --> 00:12:16,679 Speaker 1: would not be the stage for some of her material, right, 202 00:12:17,600 --> 00:12:20,600 Speaker 1: But she's talking about things you deal with in your twenties. Listen. 203 00:12:20,720 --> 00:12:23,360 Speaker 1: I am halfway through my twenties and I am done 204 00:12:23,520 --> 00:12:27,120 Speaker 1: with it. Oh my god, I'm sick of my twenties. 205 00:12:27,200 --> 00:12:29,240 Speaker 1: I'm so sick of people telling me to enjoy them. 206 00:12:29,240 --> 00:12:31,960 Speaker 1: They're not fun. They are ten years of asking yourself, 207 00:12:32,200 --> 00:12:36,760 Speaker 1: will I outgrow this? Or is it a problem? Like? 208 00:12:36,920 --> 00:12:40,240 Speaker 1: Is this a phase or a demon? It isn't like 209 00:12:40,280 --> 00:12:42,120 Speaker 1: am I fun? Or should I go to a meeting? 210 00:12:42,400 --> 00:12:47,160 Speaker 1: So if you're sitting there and Taylor, you should be grateful. 211 00:12:47,200 --> 00:12:49,600 Speaker 1: I miss my twenties. No, you don't. What you miss 212 00:12:49,679 --> 00:12:51,120 Speaker 1: is a time in your life where you didn't have 213 00:12:51,160 --> 00:12:54,720 Speaker 1: a lot of responsibilities because nobody expected anything from you. 214 00:12:55,960 --> 00:12:59,560 Speaker 1: But do you remember why nobody expected anything from you? 215 00:13:00,520 --> 00:13:07,319 Speaker 1: Because you sucked? That's what you are. Garbage, thinner garbage. 216 00:13:07,400 --> 00:13:11,880 Speaker 1: But you were garbage. So I laughed first all of it, 217 00:13:11,960 --> 00:13:14,320 Speaker 1: and then I thought, Wow, why is it that I 218 00:13:14,400 --> 00:13:17,520 Speaker 1: find this this in your twenties humor so relatable. It's 219 00:13:17,600 --> 00:13:20,040 Speaker 1: bizarre to me. I don't I can't explain it. Is 220 00:13:20,080 --> 00:13:23,160 Speaker 1: it because we've all been there? We look back on 221 00:13:23,200 --> 00:13:27,600 Speaker 1: it fondly? Unfondly? Is it because of my friends are 222 00:13:27,600 --> 00:13:34,520 Speaker 1: in their twenties? I don't say. But I've never met her, 223 00:13:35,559 --> 00:13:40,560 Speaker 1: and I don't understand something about comedians, like what I 224 00:13:40,600 --> 00:13:42,760 Speaker 1: can barely remember how to tell a story here in 225 00:13:42,800 --> 00:13:47,720 Speaker 1: a minute. I don't know how they seamlessly remember stories 226 00:13:47,800 --> 00:13:50,480 Speaker 1: that segue into stories, into jokes and timing. I just 227 00:13:50,520 --> 00:13:53,679 Speaker 1: don't understand the concept. There's gotta be some sort of 228 00:13:53,760 --> 00:13:56,560 Speaker 1: cute cards that line up, like which joke comes after 229 00:13:56,640 --> 00:13:58,920 Speaker 1: which joke? There has to be something on the stage 230 00:13:59,400 --> 00:14:04,120 Speaker 1: kind of artists have, like the artist like you go 231 00:14:04,200 --> 00:14:08,480 Speaker 1: to a concert room five. Maybe they do, maybe they don't, 232 00:14:08,520 --> 00:14:11,120 Speaker 1: But artists like that. They have the city on the stage. 233 00:14:11,440 --> 00:14:13,959 Speaker 1: Then they got the set list. You're in des Moines. 234 00:14:15,120 --> 00:14:17,760 Speaker 1: Here's the set list. And then they even have the 235 00:14:17,840 --> 00:14:20,120 Speaker 1: like you know when you go to a concert and 236 00:14:20,200 --> 00:14:22,560 Speaker 1: they say it everybody. Then they come back for the encore. 237 00:14:23,280 --> 00:14:26,400 Speaker 1: Theyven at the encore written down in front on the page. 238 00:14:26,800 --> 00:14:29,800 Speaker 1: You know they're you know, they know they know you 239 00:14:29,800 --> 00:14:31,560 Speaker 1: know you're gonna ask for it, and they know they're 240 00:14:31,560 --> 00:14:36,480 Speaker 1: coming back. You know, I had an You're not even 241 00:14:36,520 --> 00:14:39,560 Speaker 1: know who you're dealing with. I had an onion garlic 242 00:14:39,680 --> 00:14:44,040 Speaker 1: bagel this morning. I had an onion. I don't even 243 00:14:44,040 --> 00:14:45,680 Speaker 1: eat bagels, but I had one this morning. The onion 244 00:14:45,720 --> 00:14:48,280 Speaker 1: and garlic. And you ever noticed that garlic and onion 245 00:14:48,400 --> 00:14:51,080 Speaker 1: gets on your tongue and makes it heavy? Like I 246 00:14:51,120 --> 00:14:52,480 Speaker 1: don't know if I can speak as well as I 247 00:14:52,560 --> 00:14:55,800 Speaker 1: normally speak because of the garlic and the onion taste delicious. 248 00:14:55,840 --> 00:14:58,200 Speaker 1: It's worth it really isn't worth it. It's really not 249 00:14:58,480 --> 00:15:00,880 Speaker 1: because the aftermath and the car ride right apart not 250 00:15:00,960 --> 00:15:04,200 Speaker 1: worth it. I don't want to bring Taylor Thomason into 251 00:15:04,240 --> 00:15:07,400 Speaker 1: our family drama. She's here now, Taylor, good morning. How 252 00:15:07,440 --> 00:15:11,680 Speaker 1: you doing good? I mean better now that I've learned 253 00:15:11,800 --> 00:15:14,080 Speaker 1: that thing about garlic an onion. You know it's funny. 254 00:15:14,080 --> 00:15:15,640 Speaker 1: I was going to mention it. I was like, why 255 00:15:15,640 --> 00:15:20,800 Speaker 1: did this sound heavier? Wait, don't mention it. Don't mention it. 256 00:15:20,800 --> 00:15:23,200 Speaker 1: It's a it's a sore spot with me. It's true. 257 00:15:23,200 --> 00:15:25,080 Speaker 1: I don't know if before Taylor Thompson, by the way, 258 00:15:25,160 --> 00:15:29,920 Speaker 1: her special on Netflix is called Taylor Tomlinson quarter Life Crisis. 259 00:15:30,320 --> 00:15:34,240 Speaker 1: I related to it so well, which worries me. But 260 00:15:34,320 --> 00:15:36,520 Speaker 1: we'll get back to that. But do you ever before 261 00:15:36,560 --> 00:15:38,640 Speaker 1: you go on stage, Taylor, do you ever like not 262 00:15:38,760 --> 00:15:42,400 Speaker 1: have something because you have to speak so much? Oh? Absolutely, 263 00:15:42,520 --> 00:15:44,840 Speaker 1: I mean there are lots of heavy foods. I think 264 00:15:44,880 --> 00:15:46,720 Speaker 1: that would weigh down your tongue. I mean I can't 265 00:15:46,760 --> 00:15:48,960 Speaker 1: do like a banana before I go on stage. It's 266 00:15:48,960 --> 00:15:53,000 Speaker 1: too much work. You can't tire out your draw before 267 00:15:53,000 --> 00:15:55,200 Speaker 1: you're going out to literally speak for an hour. I've 268 00:15:55,240 --> 00:15:57,720 Speaker 1: definitely done that thing where I eat right before I 269 00:15:57,760 --> 00:16:00,280 Speaker 1: go on stage and then the entire set, I'm just 270 00:16:00,400 --> 00:16:03,720 Speaker 1: picking things out of my molars as my tongue to 271 00:16:03,760 --> 00:16:06,240 Speaker 1: the point where you have to say something or like, look, guys, 272 00:16:06,600 --> 00:16:09,800 Speaker 1: I had a black bean burger before I came up here, 273 00:16:09,840 --> 00:16:12,240 Speaker 1: and I wasn't the right call, and I apologize for that. 274 00:16:12,800 --> 00:16:15,240 Speaker 1: But yes, but you make it through and we have 275 00:16:15,280 --> 00:16:19,080 Speaker 1: to say, Um, I watched your special I really really 276 00:16:19,240 --> 00:16:20,560 Speaker 1: a friend of mine aitein and they told me to 277 00:16:20,600 --> 00:16:22,880 Speaker 1: watch it and I loved it. I was really laughing 278 00:16:22,880 --> 00:16:26,800 Speaker 1: out loud at a lot of it, and it made 279 00:16:26,840 --> 00:16:29,120 Speaker 1: me so interested in who you are. Right, you see 280 00:16:29,160 --> 00:16:31,480 Speaker 1: somebody that tells these these jokes and that does it 281 00:16:31,600 --> 00:16:34,200 Speaker 1: like you do it, and you're like, who, what's their background? 282 00:16:34,200 --> 00:16:35,960 Speaker 1: Where did all this come from? Because you refer to 283 00:16:35,960 --> 00:16:40,440 Speaker 1: a little bit in your act you're from Temecula. I 284 00:16:40,480 --> 00:16:43,000 Speaker 1: grew up in like Modesto until I was like ten, 285 00:16:43,080 --> 00:16:46,400 Speaker 1: and then I was into Macula after that. Yeah, and 286 00:16:46,400 --> 00:16:49,280 Speaker 1: you grew up in the church. Yeah, I grew up 287 00:16:49,280 --> 00:16:51,480 Speaker 1: going to church. I grew up going to church. I 288 00:16:51,480 --> 00:16:55,440 Speaker 1: a very religious family. Um who does not watch my 289 00:16:55,480 --> 00:16:59,560 Speaker 1: stands up anymore, as you can probably imagine. But because 290 00:16:59,600 --> 00:17:02,560 Speaker 1: you grew in a family like that, which is great 291 00:17:02,640 --> 00:17:05,120 Speaker 1: to grow up in, do you feel like you're even 292 00:17:05,160 --> 00:17:09,239 Speaker 1: more rebellious? Honestly No, And you know it's weird. I 293 00:17:09,280 --> 00:17:12,840 Speaker 1: had a lot of friends parents tell me growing up, 294 00:17:12,840 --> 00:17:15,399 Speaker 1: which in hindsight is so inappropriate, where they were like, 295 00:17:15,440 --> 00:17:18,320 Speaker 1: your parents are so strict, you're just gonna go nuts 296 00:17:18,840 --> 00:17:21,320 Speaker 1: when you're like in high school and college. I'm like, ken, 297 00:17:21,520 --> 00:17:26,120 Speaker 1: I'm like, you're drunk. Mrs Anderson. Uh, just like so 298 00:17:26,200 --> 00:17:30,280 Speaker 1: strange that they were like predicting my downfall. But I 299 00:17:30,320 --> 00:17:32,360 Speaker 1: do think that happens to a lot of kids who 300 00:17:32,400 --> 00:17:35,720 Speaker 1: grow up in a really strict religious household, is they 301 00:17:35,800 --> 00:17:38,359 Speaker 1: like go to college and they have all this newfound freedom. 302 00:17:38,640 --> 00:17:40,959 Speaker 1: I was not like that, probably because I have anxiety, 303 00:17:41,440 --> 00:17:45,680 Speaker 1: so I've always been super responsible, and like even now 304 00:17:45,840 --> 00:17:48,640 Speaker 1: as an adult woman, I'm like, I don't know if 305 00:17:48,640 --> 00:17:50,840 Speaker 1: I should go see that movie because my dad might 306 00:17:50,920 --> 00:17:53,800 Speaker 1: find out. And then I remember, I pay all my 307 00:17:53,840 --> 00:17:56,640 Speaker 1: bills what you do, and it sounds like you're gonna 308 00:17:56,680 --> 00:17:59,000 Speaker 1: keep doing that. I really loved all of your act, 309 00:17:59,080 --> 00:18:01,480 Speaker 1: but one part, in addition to all of it was 310 00:18:02,080 --> 00:18:06,879 Speaker 1: um weddings, because I too have issues with weddings, being 311 00:18:07,920 --> 00:18:10,520 Speaker 1: the wedding person and being the wedding guest, and you 312 00:18:10,600 --> 00:18:14,320 Speaker 1: go off on all of it, which I loved. Oh yeah, 313 00:18:14,400 --> 00:18:17,159 Speaker 1: I mean it. I had gone to a friend's wedding 314 00:18:17,280 --> 00:18:19,000 Speaker 1: and it was like one of my first friends to 315 00:18:19,040 --> 00:18:23,040 Speaker 1: get married, and the wedding party was so huge. I'm like, 316 00:18:23,080 --> 00:18:25,399 Speaker 1: you're too young to be getting married if you have 317 00:18:25,560 --> 00:18:29,280 Speaker 1: this many friends, though, like, if you've retained this many relationships, 318 00:18:29,760 --> 00:18:33,080 Speaker 1: you're not far enough into adulthood because I think they 319 00:18:33,080 --> 00:18:35,480 Speaker 1: were still in college or like right out of college, 320 00:18:35,520 --> 00:18:37,239 Speaker 1: and it's just a different vibe than when you go 321 00:18:37,320 --> 00:18:39,560 Speaker 1: to like, you know, people who waited till they were 322 00:18:39,600 --> 00:18:43,679 Speaker 1: like forty to get married and are more like whole people. 323 00:18:44,119 --> 00:18:46,760 Speaker 1: And so going to all these like weird early twentysomething 324 00:18:46,840 --> 00:18:51,120 Speaker 1: wedding where it's more of like a production, was so 325 00:18:51,240 --> 00:18:55,240 Speaker 1: strange like and end up weirdly enough. Once I started 326 00:18:55,280 --> 00:18:57,439 Speaker 1: talking about it on stage, I'm like, Oh, everybody my 327 00:18:57,560 --> 00:19:01,520 Speaker 1: age is feeling this way at these weddings, except for 328 00:19:01,560 --> 00:19:06,560 Speaker 1: the people who are actually getting married. It's I agree, Well, 329 00:19:06,600 --> 00:19:09,399 Speaker 1: I hope you're having fun, but many of them are not. 330 00:19:09,480 --> 00:19:10,800 Speaker 1: To believe me, We talked to a lot of them 331 00:19:10,840 --> 00:19:14,560 Speaker 1: who have called into us during and after. Tanya, you 332 00:19:14,600 --> 00:19:17,480 Speaker 1: have a question about dating and doing material right, about 333 00:19:17,520 --> 00:19:19,679 Speaker 1: people you're actually dating in real life. How does that 334 00:19:19,720 --> 00:19:22,960 Speaker 1: go over? Yeah, I was wondering if you are currently 335 00:19:23,240 --> 00:19:25,919 Speaker 1: currently dating anybody, and if so, does he come to 336 00:19:25,960 --> 00:19:29,080 Speaker 1: your shows and does that alter what you say, because 337 00:19:29,119 --> 00:19:31,000 Speaker 1: I can't imagine you saying some of those jokes if 338 00:19:31,040 --> 00:19:35,760 Speaker 1: you're dating something he's in the audience. Well, my current 339 00:19:35,800 --> 00:19:39,520 Speaker 1: boyfriend is a comedian, uh Sam Murl, who's a very 340 00:19:39,680 --> 00:19:44,159 Speaker 1: good comedian. So he and I obviously are are a 341 00:19:44,200 --> 00:19:46,520 Speaker 1: little more in sync with that where it's like, well, 342 00:19:46,560 --> 00:19:49,080 Speaker 1: we're gonna do jokes about each other. It's funny though, 343 00:19:49,119 --> 00:19:52,119 Speaker 1: because it's good for me to date a comedian because 344 00:19:52,240 --> 00:19:55,080 Speaker 1: I get to see how sensitive I am where I'm like, 345 00:19:55,200 --> 00:19:57,520 Speaker 1: you're really gonna do a joke about that? Right? You 346 00:19:57,920 --> 00:20:01,560 Speaker 1: get this right? Right? This is what it's been like 347 00:20:01,680 --> 00:20:05,679 Speaker 1: to date me for years. It's just like, oh god, 348 00:20:05,760 --> 00:20:08,120 Speaker 1: I'm sure there have been guys I've dated who are like, 349 00:20:08,240 --> 00:20:11,280 Speaker 1: really you're gonna do You're gonna do that fight on stage, 350 00:20:11,400 --> 00:20:14,679 Speaker 1: just the whole thing, line for line, all right, like 351 00:20:15,119 --> 00:20:18,679 Speaker 1: but weird, Like I do think that sometimes non comedians 352 00:20:18,680 --> 00:20:21,399 Speaker 1: are like flattered when you do jokes about them too, 353 00:20:21,560 --> 00:20:24,560 Speaker 1: So it really just depends on the person um. Everyone 354 00:20:24,600 --> 00:20:27,359 Speaker 1: I've dated has been, for the most part, pretty like 355 00:20:28,240 --> 00:20:30,520 Speaker 1: now we get it, we understand. But yeah, there's been 356 00:20:30,560 --> 00:20:32,680 Speaker 1: like once or twice where they're like, oh, is that 357 00:20:32,720 --> 00:20:34,800 Speaker 1: how you actually feel? And I'm like, of course not, 358 00:20:34,960 --> 00:20:39,040 Speaker 1: but it is. Before we let you go, I have 359 00:20:39,119 --> 00:20:45,760 Speaker 1: to understand how one yourself goes through all of the 360 00:20:45,840 --> 00:20:53,120 Speaker 1: materials seamlessly from story to story with specificity, by the way, 361 00:20:53,760 --> 00:20:56,119 Speaker 1: without missing a beat or forgetting anything. How do you 362 00:20:56,240 --> 00:21:00,000 Speaker 1: prepare and how do you execute that? I'm so curious. Oh, 363 00:21:00,080 --> 00:21:02,639 Speaker 1: thank you so much. Transitions are really important to me. 364 00:21:02,760 --> 00:21:04,760 Speaker 1: It's hard for me to listen to someone for a 365 00:21:04,760 --> 00:21:08,200 Speaker 1: long time who doesn't have smooth segue, so I think 366 00:21:08,240 --> 00:21:11,000 Speaker 1: it's just a personal preference. I also, you know, I've 367 00:21:11,119 --> 00:21:13,560 Speaker 1: lived in a live for twenty seven years. There's not 368 00:21:13,760 --> 00:21:16,919 Speaker 1: much for me to talk about with authority. So if 369 00:21:16,960 --> 00:21:18,800 Speaker 1: you really look at what I'm talking about, I'm talking 370 00:21:18,800 --> 00:21:21,919 Speaker 1: about like four things, so it's pretty easy to connect 371 00:21:22,000 --> 00:21:24,040 Speaker 1: them all. Uh, and then yeah, I just I mean, 372 00:21:24,080 --> 00:21:26,440 Speaker 1: I'm on the road constantly, like we're doing this tour 373 00:21:26,560 --> 00:21:28,920 Speaker 1: right now. I was in comic clubs before this, Like 374 00:21:29,600 --> 00:21:32,679 Speaker 1: you just do it so many times that by the 375 00:21:32,720 --> 00:21:34,800 Speaker 1: time you film it, you're like, well, I know this 376 00:21:34,920 --> 00:21:37,199 Speaker 1: like the back of my hand, and even if I 377 00:21:37,320 --> 00:21:39,720 Speaker 1: change the order, I know how to how to transition 378 00:21:39,800 --> 00:21:42,639 Speaker 1: from one subject to another. I mean, I I really 379 00:21:42,680 --> 00:21:45,200 Speaker 1: don't understand it because I am on a radio show 380 00:21:45,200 --> 00:21:47,840 Speaker 1: on the television show every day, and without notes or 381 00:21:47,920 --> 00:21:52,320 Speaker 1: que cards, I am lost. Really, Oh my gosh, that 382 00:21:52,359 --> 00:21:54,440 Speaker 1: makes me feel so much better. I mean, well, I'm 383 00:21:54,480 --> 00:21:56,920 Speaker 1: only doing the same thing every day though, Like I'm 384 00:21:56,960 --> 00:21:59,400 Speaker 1: doing the same hour every day. That makes me feel 385 00:21:59,440 --> 00:22:04,240 Speaker 1: much better for a new thing. Look like this is 386 00:22:04,240 --> 00:22:07,520 Speaker 1: the first right, we didn't rehearse this. I've never pretended 387 00:22:07,560 --> 00:22:09,040 Speaker 1: that I didn't know you to know you, you know 388 00:22:09,040 --> 00:22:13,879 Speaker 1: what I mean. So this is on the fly, Taylor. 389 00:22:13,920 --> 00:22:16,479 Speaker 1: I'm a big fan. Thank you so much for coming on. 390 00:22:16,640 --> 00:22:18,639 Speaker 1: Tickets to her Deal with It to Our on sale 391 00:22:18,640 --> 00:22:22,960 Speaker 1: now at t tom Comedy dot com, and her stand 392 00:22:23,040 --> 00:22:27,160 Speaker 1: up special Quarter Life Crisis on Netflix. Uh, continued success, Taylor, 393 00:22:27,160 --> 00:22:30,040 Speaker 1: thank you very much. Thank you so much for having me. Guys. 394 00:22:30,040 --> 00:22:36,680 Speaker 1: I appreciate it. Okay, bye bye comedians. I am so 395 00:22:37,040 --> 00:22:40,560 Speaker 1: curious and fascinated by comedians. I know. It's so like 396 00:22:40,680 --> 00:22:43,080 Speaker 1: the thing that she says about engagements. When she got engaged, 397 00:22:43,119 --> 00:22:45,000 Speaker 1: and she says there was something in her head that 398 00:22:45,040 --> 00:22:47,760 Speaker 1: just went level completed and she felt like she was 399 00:22:47,800 --> 00:22:51,960 Speaker 1: better than everybody. I was like that, yes, But when 400 00:22:52,040 --> 00:22:54,560 Speaker 1: I was twenty she did this. One wrote that when 401 00:22:54,560 --> 00:22:57,040 Speaker 1: she was twenty five. I think right right when I 402 00:22:57,160 --> 00:22:59,800 Speaker 1: was twenty five, I couldn't have comprehended that kind of 403 00:23:00,240 --> 00:23:03,880 Speaker 1: process of thinking. You did, that's the thing. You were 404 00:23:03,880 --> 00:23:06,520 Speaker 1: talking to your friends about it, I'm sure. And she 405 00:23:06,640 --> 00:23:16,560 Speaker 1: just organized and went on stage, you know. Uh, there's 406 00:23:16,560 --> 00:23:18,879 Speaker 1: a real crisis at the ports of this country. The 407 00:23:18,920 --> 00:23:22,119 Speaker 1: ports of l A and Long Beach now running seven 408 00:23:22,119 --> 00:23:26,200 Speaker 1: around the clock. Those containers out there are being dumped 409 00:23:26,200 --> 00:23:28,919 Speaker 1: in nearby neighborhoods when they're emptied. They're just they have 410 00:23:29,000 --> 00:23:33,879 Speaker 1: to move them out fast. It's crazy. So here's Melo, 411 00:23:34,200 --> 00:23:37,439 Speaker 1: a part of l A worker. Melo, good morning, Hi, 412 00:23:37,560 --> 00:23:40,680 Speaker 1: how are you doing? Brom good? So what is your 413 00:23:40,760 --> 00:23:45,600 Speaker 1: role at the port? Basically, the majority of what I 414 00:23:45,640 --> 00:23:47,240 Speaker 1: do is drive the U t R s of the 415 00:23:47,240 --> 00:23:50,960 Speaker 1: trucks that delivers the the cargo from the ship to 416 00:23:51,000 --> 00:23:52,960 Speaker 1: the yard and the yard of the ship. Okay, is 417 00:23:53,000 --> 00:23:55,120 Speaker 1: mostly what I do, all right. So you have a 418 00:23:55,640 --> 00:23:58,440 Speaker 1: you have a trailer that's got nothing on it till 419 00:23:58,440 --> 00:24:02,200 Speaker 1: a container gets put on it, right correct, And you 420 00:24:02,240 --> 00:24:06,000 Speaker 1: get the container at the yard, and then you take 421 00:24:06,000 --> 00:24:09,280 Speaker 1: it to where's it go next. If it's going from 422 00:24:09,280 --> 00:24:12,480 Speaker 1: the yard, it's going to the ship to be exported. 423 00:24:12,520 --> 00:24:14,639 Speaker 1: If it's coming from the ship, then we take it 424 00:24:14,680 --> 00:24:18,240 Speaker 1: to the yard where it's either staged for rails or 425 00:24:18,280 --> 00:24:21,520 Speaker 1: it's staged to be delivered to an outside trucker to 426 00:24:21,560 --> 00:24:26,719 Speaker 1: be delivered to warehouses on land. Okay, And why just 427 00:24:26,800 --> 00:24:29,960 Speaker 1: for people who don't understand it. Why is there such 428 00:24:29,960 --> 00:24:32,160 Speaker 1: a backup with the ships right now and the offloading. 429 00:24:33,840 --> 00:24:36,320 Speaker 1: For the most part, it's it's space at the terminals. 430 00:24:36,400 --> 00:24:39,240 Speaker 1: There's just no space to put the cargo. They've these 431 00:24:39,359 --> 00:24:43,120 Speaker 1: terminals have put stack containers and areas of the yard 432 00:24:43,160 --> 00:24:46,800 Speaker 1: that they've never had things before. They've moved their operations 433 00:24:46,840 --> 00:24:50,679 Speaker 1: around to make more space. They've even least land outside 434 00:24:51,320 --> 00:24:54,040 Speaker 1: of their own terminal to to store these containers. So 435 00:24:54,800 --> 00:24:56,760 Speaker 1: it's it's just a matter of the fact that there's 436 00:24:56,760 --> 00:24:59,520 Speaker 1: so much coming in and it's not leaving the terminals 437 00:24:59,520 --> 00:25:01,680 Speaker 1: fast enough. I mean, when did they tell you will 438 00:25:01,720 --> 00:25:06,040 Speaker 1: catch up? Oh, they don't tell us when we It 439 00:25:06,119 --> 00:25:07,760 Speaker 1: sounds like it's gonna be like this for well over 440 00:25:07,800 --> 00:25:12,600 Speaker 1: another year. And what fascinates me is, and I guess 441 00:25:12,640 --> 00:25:14,199 Speaker 1: it shouldn't, but if you really look at it, this 442 00:25:14,280 --> 00:25:16,720 Speaker 1: is a chain reaction. So there's a massive ripple effect 443 00:25:16,840 --> 00:25:20,960 Speaker 1: right absolutely, not only to the consumer when they purchase, 444 00:25:21,040 --> 00:25:23,320 Speaker 1: as you're going to see in our seeing, but also 445 00:25:23,840 --> 00:25:27,240 Speaker 1: could you even and and some of your your colleagues 446 00:25:27,480 --> 00:25:30,119 Speaker 1: we were driving trucks, I was reading that they're waiting 447 00:25:30,240 --> 00:25:34,480 Speaker 1: ten twelve hours just to get in Okay. So to 448 00:25:34,560 --> 00:25:38,200 Speaker 1: understand the difference that the trucks that I drive are 449 00:25:38,240 --> 00:25:41,280 Speaker 1: on the moving are on the lot, and they're the 450 00:25:41,400 --> 00:25:44,679 Speaker 1: drivers that are driving it off the lot. So um, 451 00:25:44,720 --> 00:25:47,560 Speaker 1: it's for example, I worked a couple of days ago. 452 00:25:48,560 --> 00:25:50,840 Speaker 1: We had five gangs or cranes working on the ship. 453 00:25:51,000 --> 00:25:53,640 Speaker 1: We're off floading the cargo as fast as we can safely, 454 00:25:53,680 --> 00:25:56,040 Speaker 1: of course, and taking into the yard. But there was 455 00:25:56,080 --> 00:25:59,520 Speaker 1: hardly any outside truckers they're pulling any cargo off the terminal. 456 00:25:59,640 --> 00:26:03,919 Speaker 1: Why that that, I couldn't tell you other than what 457 00:26:04,000 --> 00:26:06,560 Speaker 1: I've heard because I haven't talked to many truckers because 458 00:26:06,600 --> 00:26:09,760 Speaker 1: they haven't seen that many. But it just there's just 459 00:26:09,920 --> 00:26:13,840 Speaker 1: not as many truckers pulling them off. Some they say 460 00:26:13,880 --> 00:26:17,880 Speaker 1: as part of the emissions that have gone into effect 461 00:26:18,480 --> 00:26:22,959 Speaker 1: for the trucks the Clean Air Act, and that there's uh, 462 00:26:24,440 --> 00:26:27,280 Speaker 1: not as many people purchasing those trucks because they can't 463 00:26:27,320 --> 00:26:30,600 Speaker 1: use the older trucks. That's one of the things listen 464 00:26:30,640 --> 00:26:32,720 Speaker 1: to that. That's I mean that we wouldn't I wouldn't 465 00:26:32,720 --> 00:26:35,159 Speaker 1: think about, right, but they can't use that truck that 466 00:26:35,240 --> 00:26:37,760 Speaker 1: they normally would buy, which results in a labor shortage. 467 00:26:37,760 --> 00:26:41,480 Speaker 1: And offloading the goods. Yes, who so that that plays? 468 00:26:41,560 --> 00:26:44,240 Speaker 1: That plays a small factor, and I guess yeah, well, 469 00:26:44,400 --> 00:26:46,760 Speaker 1: thank you very much for coming on. I appreciate it. 470 00:26:46,800 --> 00:26:49,680 Speaker 1: Thanks for all the hard work you're doing. Man, no problem, 471 00:26:49,880 --> 00:27:00,280 Speaker 1: thank you, Ryan secrets. Shall we let's let's suck him Lily, 472 00:27:01,520 --> 00:27:05,200 Speaker 1: Lily like Shah. He is on the line, Lily, how 473 00:27:05,240 --> 00:27:09,760 Speaker 1: are you this morning? Yes, high, good morning, good morning. 474 00:27:09,760 --> 00:27:14,640 Speaker 1: So I want to say it Lily falla Shah He correct, yes, yes, 475 00:27:15,240 --> 00:27:19,280 Speaker 1: good well, it's great to meet you, so, Lily, it's 476 00:27:19,280 --> 00:27:21,199 Speaker 1: our pleasure, it's our pleasure. I want to give some 477 00:27:22,160 --> 00:27:26,200 Speaker 1: people your background here, Lily has I guess you came 478 00:27:26,200 --> 00:27:29,399 Speaker 1: to America in the eighties, is that right? Yes? Became 479 00:27:29,560 --> 00:27:35,639 Speaker 1: eighties six yees. Can you shed some light on the 480 00:27:35,720 --> 00:27:41,320 Speaker 1: decision and then what that journey was like? Um? Yes, 481 00:27:41,480 --> 00:27:43,360 Speaker 1: it was a hard time to live in your own 482 00:27:43,400 --> 00:27:46,520 Speaker 1: with the war and revolution. And I had a son 483 00:27:46,680 --> 00:27:48,960 Speaker 1: that we thought he's going to have a better life here, 484 00:27:49,960 --> 00:27:53,560 Speaker 1: and that made that decision easier to move here. And 485 00:27:54,320 --> 00:27:58,840 Speaker 1: I was Siberian in Iran, but when I moved here, 486 00:27:58,880 --> 00:28:01,920 Speaker 1: I found that that's not to happen with my um 487 00:28:02,920 --> 00:28:07,399 Speaker 1: very broken language English, Um, that was not the possibility. 488 00:28:07,880 --> 00:28:10,560 Speaker 1: So I was trying to find a way to make 489 00:28:10,560 --> 00:28:15,000 Speaker 1: a living and I ended up to have a coffee shop. 490 00:28:15,960 --> 00:28:18,959 Speaker 1: So that's what I've been doing. And you were a 491 00:28:18,960 --> 00:28:23,800 Speaker 1: librarian back in and run. Yes, yeah, okay, I find it. 492 00:28:23,840 --> 00:28:25,720 Speaker 1: This is not crazy. I know coffee shops everywhere, but 493 00:28:25,720 --> 00:28:27,760 Speaker 1: I find it very difficult to get a good cup 494 00:28:27,800 --> 00:28:31,880 Speaker 1: of coffee on the go, very difficult to me. Coffees 495 00:28:31,920 --> 00:28:36,200 Speaker 1: have this weird aftertaste or this burnt bean flavor. Right, 496 00:28:37,240 --> 00:28:39,120 Speaker 1: and I've never had your coffee, so can you tell 497 00:28:39,120 --> 00:28:42,960 Speaker 1: me about yours? And white people love it? Um, well, 498 00:28:43,320 --> 00:28:45,120 Speaker 1: I don't want to brag about it, but I think 499 00:28:45,280 --> 00:28:50,440 Speaker 1: we try to make a good coffee for everybody. Um. 500 00:28:50,480 --> 00:28:53,760 Speaker 1: The reason maybe you have that taste is maybe they 501 00:28:53,760 --> 00:28:57,600 Speaker 1: don't clean the machine very well or the equipment very well, 502 00:28:57,760 --> 00:29:00,680 Speaker 1: and that burned coffee space there and keep skipped that 503 00:29:01,120 --> 00:29:05,040 Speaker 1: after it tastes. And whenever you're passing by, we love 504 00:29:05,080 --> 00:29:07,040 Speaker 1: to make a good coffee for you. Okay, well I 505 00:29:07,080 --> 00:29:09,760 Speaker 1: do pass by. That's my vessel over the hill sometimes 506 00:29:10,040 --> 00:29:17,840 Speaker 1: she's stuff an absolutely, are you above patching? Yes, that's 507 00:29:17,840 --> 00:29:19,800 Speaker 1: the thing I am. Yeah, I've seen you. I've not. 508 00:29:20,440 --> 00:29:23,640 Speaker 1: I've seen you a million times, then why don't you 509 00:29:23,720 --> 00:29:26,160 Speaker 1: seen you? Stop? I'm going to stop now. But you 510 00:29:26,280 --> 00:29:28,520 Speaker 1: looks like a little tree house. It's like a little 511 00:29:28,520 --> 00:29:31,000 Speaker 1: tree house shopping center. Yeah, it's so cute. It is. 512 00:29:31,240 --> 00:29:33,600 Speaker 1: It is. It's been there since um, I don't know, 513 00:29:33,720 --> 00:29:37,880 Speaker 1: thirties or four least. And it's a magical place. It is. 514 00:29:38,160 --> 00:29:40,360 Speaker 1: I don't want to again brag about it, but it's 515 00:29:40,440 --> 00:29:45,600 Speaker 1: really magical. It's something in the air that attracts creativity, 516 00:29:45,720 --> 00:29:48,760 Speaker 1: and that's what it is. It's a lot of young 517 00:29:49,120 --> 00:29:57,360 Speaker 1: people come pursuing of their music or um writing or whatever. Um. 518 00:29:57,440 --> 00:30:01,360 Speaker 1: They just come and find peace. And what we have 519 00:30:01,480 --> 00:30:05,000 Speaker 1: created is a place that everybody comes and they meet, 520 00:30:06,000 --> 00:30:11,160 Speaker 1: they connect, they tell the stories, they do projects. Um, 521 00:30:11,320 --> 00:30:13,959 Speaker 1: that's what it is. Um. We just try to make 522 00:30:14,000 --> 00:30:17,040 Speaker 1: a good cup of coffee and environment that people can 523 00:30:17,120 --> 00:30:21,120 Speaker 1: come and be happy and start their day, charge their 524 00:30:21,200 --> 00:30:25,680 Speaker 1: batteries and ordn't real life every day. That's that's the mission. 525 00:30:26,560 --> 00:30:28,280 Speaker 1: Let me tell people how they can check out images 526 00:30:28,320 --> 00:30:32,480 Speaker 1: and follow you at Laurel Canyon Coffee at Laurel Canyon 527 00:30:32,480 --> 00:30:35,880 Speaker 1: Coffee on Instagram and Lily's with one l Well two 528 00:30:35,880 --> 00:30:39,560 Speaker 1: hours really it's the capital L than yeah, but not 529 00:30:39,600 --> 00:30:41,320 Speaker 1: a double L in the middle. It's l I L 530 00:30:41,520 --> 00:30:45,880 Speaker 1: y S Cafe dot com. And this is by the way. 531 00:30:45,960 --> 00:30:48,440 Speaker 1: So you're so sweet because we're literally calling you on 532 00:30:48,480 --> 00:30:51,360 Speaker 1: the air to brag about everything, and you're so humble 533 00:30:51,360 --> 00:30:53,720 Speaker 1: to say, I don't Yeah, of course you don't want 534 00:30:53,720 --> 00:30:56,920 Speaker 1: to brag, but we'll brag for you. All right. Next 535 00:30:56,920 --> 00:30:58,600 Speaker 1: time I go over the hill, I'm not gonna suppul 536 00:30:58,640 --> 00:31:01,360 Speaker 1: but I'm coming in. I'm taking the canyon. Yeah, I 537 00:31:01,440 --> 00:31:03,400 Speaker 1: love that. I'd love to make a good coffee for you, 538 00:31:03,960 --> 00:31:06,040 Speaker 1: but I like it strong, Lily. Just so you know, 539 00:31:07,440 --> 00:31:13,400 Speaker 1: I do remember that I like a red eye. Yeah, absolutely, 540 00:31:13,520 --> 00:31:15,960 Speaker 1: next time, all right, next time you take good Karen. 541 00:31:16,000 --> 00:31:17,640 Speaker 1: Thank you for coming on and thank you for waking 542 00:31:17,680 --> 00:31:19,959 Speaker 1: people up in the Thank you very much for having us. 543 00:31:20,000 --> 00:31:24,680 Speaker 1: Thank you bye bye, Patch. Also stop for coffee and 544 00:31:24,720 --> 00:31:28,120 Speaker 1: have dinner. That p A C Is another story. We 545 00:31:28,160 --> 00:31:30,200 Speaker 1: should get them on their home. They're not really home 546 00:31:30,240 --> 00:31:31,960 Speaker 1: on us or though, but they I like it. It's good. 547 00:31:32,160 --> 00:31:34,480 Speaker 1: I think it's homegrown. It's so good, and it's so cute. 548 00:31:34,520 --> 00:31:36,880 Speaker 1: Actually went on one of my very first dates there 549 00:31:37,160 --> 00:31:40,080 Speaker 1: is it still as cozy as it always was. Yeah, 550 00:31:40,200 --> 00:31:42,120 Speaker 1: still as cozy. And they have like those things on 551 00:31:42,160 --> 00:31:46,840 Speaker 1: the on the tables where you can drop pictures, you know. No, 552 00:31:47,000 --> 00:31:49,040 Speaker 1: it's like it's like the brown It's no, it's like 553 00:31:49,080 --> 00:31:52,600 Speaker 1: that brown paper that you can just like drawn on 554 00:31:52,640 --> 00:31:58,920 Speaker 1: the tables a paper tablecloth. Yeah, it's really cute in 555 00:31:59,000 --> 00:32:02,080 Speaker 1: the doctor's office when you lay on the bed the paper. Yeah, 556 00:32:02,240 --> 00:32:03,920 Speaker 1: kind of like that, and you can like drap pictures 557 00:32:03,920 --> 00:32:07,600 Speaker 1: for each other. Okay, Patty, please next time they go 558 00:32:07,600 --> 00:32:09,640 Speaker 1: out to dinner and draw pictures of each other on 559 00:32:09,720 --> 00:32:13,160 Speaker 1: their paper tablecloth, give me a picture. Send it to 560 00:32:13,200 --> 00:32:22,240 Speaker 1: the group Air with Ryan Seacrest, Ryan Seacrest, Tanya, Patty Sistan. 561 00:32:22,280 --> 00:32:25,160 Speaker 1: He's out on maternity leave. I wanted to follow up 562 00:32:25,160 --> 00:32:28,040 Speaker 1: with one of our former interns. You don't when a 563 00:32:28,120 --> 00:32:31,440 Speaker 1: former intern makes it big. I don't want to say 564 00:32:31,440 --> 00:32:33,920 Speaker 1: I feel parental about it, but I kind of do. 565 00:32:34,920 --> 00:32:38,560 Speaker 1: Are we bringing in Jack Jack collins Worth? Remember Jack Collinsworth? Tonny, 566 00:32:38,600 --> 00:32:42,080 Speaker 1: do you remember when Jack it back in? Jack Collinsworth 567 00:32:42,160 --> 00:32:44,640 Speaker 1: rolls in as the new intern, and I feel like 568 00:32:44,840 --> 00:32:47,160 Speaker 1: you did a double take on Jack, right, I Mean, 569 00:32:47,160 --> 00:32:49,600 Speaker 1: You're like, who is this kid? Seems like he's got 570 00:32:49,920 --> 00:32:53,560 Speaker 1: got like star quality, remember that. Yeah, And he was 571 00:32:53,640 --> 00:32:56,040 Speaker 1: so nice and he was so funny. He was just 572 00:32:56,240 --> 00:32:59,160 Speaker 1: truly just a pleasure to have around. Welcome back to 573 00:32:59,160 --> 00:33:03,080 Speaker 1: your radio. It's Jack Collinsworth. This is like checking back 574 00:33:03,120 --> 00:33:05,280 Speaker 1: in with family right here. This just feels right, man, 575 00:33:05,320 --> 00:33:07,800 Speaker 1: this feels right. Thanks for having me back. It's great 576 00:33:07,840 --> 00:33:09,360 Speaker 1: to have you back now that you've made it big 577 00:33:09,360 --> 00:33:12,000 Speaker 1: time on NBC talking. I mean, there's nothing bigger than 578 00:33:12,040 --> 00:33:15,760 Speaker 1: being on NBC Sports. Uh, you're welcome. We'll get to 579 00:33:15,800 --> 00:33:19,480 Speaker 1: that in a second, but first welcome. But first Jack, 580 00:33:19,840 --> 00:33:22,920 Speaker 1: talk about your journey, you know, from being in them 581 00:33:22,960 --> 00:33:25,160 Speaker 1: the phone rooms of Kiss FM to being in the 582 00:33:25,240 --> 00:33:27,400 Speaker 1: big time of NBC Sports. What was that journey like 583 00:33:27,480 --> 00:33:30,600 Speaker 1: for you. Yeah, Well, the journey was pretty simple. It 584 00:33:30,680 --> 00:33:32,680 Speaker 1: was I came out there, I gotta look at the 585 00:33:32,720 --> 00:33:36,040 Speaker 1: inner workings and the mastery and the machine that you've built, 586 00:33:36,040 --> 00:33:38,040 Speaker 1: and I go, if that's what it takes, then we 587 00:33:38,120 --> 00:33:40,080 Speaker 1: got to go to Copa Comando Beach and we gotta 588 00:33:40,120 --> 00:33:43,120 Speaker 1: recreate this. So then we go to Copa Comanda Beach 589 00:33:43,160 --> 00:33:45,200 Speaker 1: and we're throwing parties on the beach every night. And 590 00:33:45,240 --> 00:33:47,760 Speaker 1: somehow that they called her a job for us. They 591 00:33:47,840 --> 00:33:50,720 Speaker 1: brought the TV crews in there. I'm watching Bryan Seacrest 592 00:33:50,840 --> 00:33:53,840 Speaker 1: operate where in the green room we Sean White comes 593 00:33:53,920 --> 00:33:55,600 Speaker 1: over there with us. The next thing you know, we're 594 00:33:55,640 --> 00:33:57,480 Speaker 1: on Sunday Night Football. Man. It was it was a 595 00:33:57,560 --> 00:33:59,760 Speaker 1: quick journey, you know. The next thing you know, we're 596 00:34:00,760 --> 00:34:04,040 Speaker 1: we're not on Sunday Football, You're on Say Football. We're 597 00:34:04,080 --> 00:34:06,920 Speaker 1: here at Kiss FM still, which is good, but no. 598 00:34:07,440 --> 00:34:08,920 Speaker 1: So we went to the Olympics. You were doing that. 599 00:34:09,000 --> 00:34:12,160 Speaker 1: Were you doing social reporting during the Olympics too? It 600 00:34:12,200 --> 00:34:15,080 Speaker 1: was sixteen, so it was the first ever social media 601 00:34:15,160 --> 00:34:18,120 Speaker 1: correspondent for the Olympics at that time. If you remember, 602 00:34:18,120 --> 00:34:22,239 Speaker 1: we're gonna like Facebook Live, Instagram, and nobody had ever 603 00:34:22,320 --> 00:34:24,040 Speaker 1: heard of it. You know. It was like the first 604 00:34:24,080 --> 00:34:26,439 Speaker 1: time that anybody'd ever heard those words. Jack kept coming 605 00:34:26,480 --> 00:34:28,680 Speaker 1: over and say, hey, we gotta do this on Facebook Live. 606 00:34:28,719 --> 00:34:30,759 Speaker 1: It's gonna it's gonna be it's gonna be big. Let 607 00:34:30,760 --> 00:34:35,920 Speaker 1: make a splash. Alright, alright, alright, alright, so now this 608 00:34:36,320 --> 00:34:39,279 Speaker 1: at first of all, really congratulations, it is fantastic to 609 00:34:39,320 --> 00:34:44,359 Speaker 1: see you on NBC doing the sports and you so 610 00:34:44,400 --> 00:34:46,879 Speaker 1: you were explained that you were at ESPN and then 611 00:34:46,960 --> 00:34:50,640 Speaker 1: got on NBC. What happened. So I was that ESPN 612 00:34:50,760 --> 00:34:53,319 Speaker 1: at first and had three years over there NFL Live 613 00:34:53,480 --> 00:34:56,000 Speaker 1: hosting that show. It's like a daily NFL show that 614 00:34:56,040 --> 00:34:58,600 Speaker 1: they do. Then did some stuff on the college football 615 00:34:58,600 --> 00:35:01,239 Speaker 1: side hosting over there, and and it came to a 616 00:35:01,320 --> 00:35:03,920 Speaker 1: decision point where I could go back and work at 617 00:35:04,040 --> 00:35:07,560 Speaker 1: NBC or I could continue on with ESPN. And it's 618 00:35:07,560 --> 00:35:09,279 Speaker 1: about as good of a decision as you can come to, 619 00:35:09,400 --> 00:35:11,919 Speaker 1: I think, And probably what put it over the top 620 00:35:11,960 --> 00:35:14,040 Speaker 1: for me was the chance to work with Dad and 621 00:35:14,160 --> 00:35:16,440 Speaker 1: to spend some time with him on the road and 622 00:35:16,719 --> 00:35:19,240 Speaker 1: getting to get dinners on the road with Al Michaels 623 00:35:19,280 --> 00:35:22,360 Speaker 1: and Dad the night before the game. From my standpoint, 624 00:35:22,360 --> 00:35:24,880 Speaker 1: you can't get any better than that. So Al Michaels 625 00:35:24,920 --> 00:35:27,759 Speaker 1: and Chris Collinsworth called the games right, and then you 626 00:35:27,840 --> 00:35:29,480 Speaker 1: and then when do you? When do you come on? 627 00:35:29,520 --> 00:35:31,480 Speaker 1: And what do you do now? So we do the 628 00:35:31,520 --> 00:35:33,840 Speaker 1: pregame show and then we do the post game show 629 00:35:33,960 --> 00:35:36,680 Speaker 1: on Peacock after the game. So that's our two things. 630 00:35:36,680 --> 00:35:39,239 Speaker 1: So this week we got USC coming into Notre Dame 631 00:35:39,280 --> 00:35:41,759 Speaker 1: as well, so we got that Saturday, so there's a 632 00:35:41,760 --> 00:35:44,279 Speaker 1: little l a connection for you. And then drive up 633 00:35:44,280 --> 00:35:47,360 Speaker 1: to Chicago, fly to San Francisco for Sunday night. Where's 634 00:35:47,400 --> 00:35:50,719 Speaker 1: this southern accent come from? The southern accent? I mean, 635 00:35:50,760 --> 00:35:53,480 Speaker 1: I grew up in Kentucky. Okay, is that where you are? 636 00:35:53,520 --> 00:35:57,399 Speaker 1: Because it looks very like a Kentucky library. Yeah, yeah 637 00:35:57,440 --> 00:36:00,000 Speaker 1: it is. So I'm right across the river from since 638 00:36:00,000 --> 00:36:01,719 Speaker 1: the Natty. That's where we grew up. Well, I think 639 00:36:01,760 --> 00:36:04,399 Speaker 1: I'm sorry about the bulldogs in Kentucky. I think I'm 640 00:36:04,400 --> 00:36:08,240 Speaker 1: sorry about that. I forgot about that. That's that's your homeland. 641 00:36:08,280 --> 00:36:10,759 Speaker 1: And yeah we did go down. We ned forget about that. 642 00:36:11,400 --> 00:36:14,600 Speaker 1: There's there's levels to this thing. There's levels. So that's 643 00:36:14,640 --> 00:36:17,160 Speaker 1: the college football thing. And George is just a level up, 644 00:36:17,239 --> 00:36:19,680 Speaker 1: if you know what I'm saying. Um, he's so good. 645 00:36:19,719 --> 00:36:23,120 Speaker 1: Didn't He's so smooth that Jack our little boy, Chris 646 00:36:23,160 --> 00:36:27,399 Speaker 1: collins Worth, and my little boy grows up. Um, so 647 00:36:27,880 --> 00:36:32,359 Speaker 1: Jared golf coming home this weekend, right, he's coming back 648 00:36:32,400 --> 00:36:35,799 Speaker 1: to So far the rams are looking strong. I mean, 649 00:36:35,960 --> 00:36:38,239 Speaker 1: what are they saying? What are Al and Chris and 650 00:36:38,239 --> 00:36:41,040 Speaker 1: You're saying at the dinner table about this? You know 651 00:36:41,120 --> 00:36:43,760 Speaker 1: the truth? We were just talking about you like maybe 652 00:36:43,800 --> 00:36:46,279 Speaker 1: two weeks ago. Ryan. That's that's why this was weird. Man, 653 00:36:46,600 --> 00:36:49,120 Speaker 1: That's why this was weird. There's there's so much respect 654 00:36:49,160 --> 00:36:52,239 Speaker 1: for you on that set. That's the crazy thing that's real. 655 00:36:52,320 --> 00:36:54,840 Speaker 1: And um, I remember Al was sort of telling a 656 00:36:54,840 --> 00:36:57,279 Speaker 1: few stories. Dad was telling the story when you guys 657 00:36:57,360 --> 00:36:59,680 Speaker 1: ran into each other there on Copacabana Beach and you're 658 00:36:59,680 --> 00:37:02,000 Speaker 1: walking behind your hat, he's like sort of bumped into 659 00:37:02,000 --> 00:37:04,040 Speaker 1: You're like, hey, what's up. He's like, wait, Manute, that's 660 00:37:04,120 --> 00:37:07,080 Speaker 1: Ryan Seacrest, right. There is spun background. So there's a 661 00:37:07,080 --> 00:37:09,000 Speaker 1: whole bunch of respect for you on that set, man. 662 00:37:09,040 --> 00:37:11,960 Speaker 1: But I will say that I will say that there 663 00:37:12,120 --> 00:37:14,840 Speaker 1: is you know, everybody kind of feels like Jared Golf 664 00:37:14,880 --> 00:37:18,359 Speaker 1: got put in a difficult position going over there to Detroit, right, 665 00:37:18,400 --> 00:37:20,680 Speaker 1: I mean, this is a complete rebuild and probably more 666 00:37:20,680 --> 00:37:23,400 Speaker 1: of the five year variety of rebuild. And he's in 667 00:37:23,440 --> 00:37:25,919 Speaker 1: there trying to win and trying to pick up where 668 00:37:25,920 --> 00:37:28,319 Speaker 1: he left off in l A. I think it's probably unrealistic. 669 00:37:28,360 --> 00:37:30,920 Speaker 1: There's a much better team in Los Angeles and there 670 00:37:30,960 --> 00:37:32,839 Speaker 1: is a Detroit. Yeah, I mean he's got owing six 671 00:37:32,880 --> 00:37:36,160 Speaker 1: with the Lions, rams five and one l A February fifteen. 672 00:37:36,719 --> 00:37:39,600 Speaker 1: Rams are legit. What are the odds? What Al Chris 673 00:37:39,600 --> 00:37:41,719 Speaker 1: and yourself say about an l A l A Super Bowl? 674 00:37:42,600 --> 00:37:45,800 Speaker 1: I think it's very real. So the Chargers are Dad's 675 00:37:46,000 --> 00:37:49,680 Speaker 1: super Bowl pick. The Rams are as dangerous as any 676 00:37:49,680 --> 00:37:51,880 Speaker 1: team that there is. Like Stafford, there's sort of this 677 00:37:51,920 --> 00:37:55,560 Speaker 1: whole master playing going on with Stafford and McVeigh. McVeigh 678 00:37:55,560 --> 00:37:57,439 Speaker 1: has been waiting for a quarterback that he can sort 679 00:37:57,480 --> 00:37:59,360 Speaker 1: of just trust, you know what I mean when he 680 00:37:59,360 --> 00:38:02,000 Speaker 1: gets to the line of scrimmage, trust to change things 681 00:38:02,000 --> 00:38:05,120 Speaker 1: on the fly and operate that offense completely. And that's 682 00:38:05,120 --> 00:38:08,279 Speaker 1: sort of immediately what Staffords brought to them. So I 683 00:38:08,280 --> 00:38:10,440 Speaker 1: think the l A l A Super Bowl on NBC 684 00:38:10,560 --> 00:38:13,959 Speaker 1: sounds like a possibility, right and listen to him listen. 685 00:38:14,239 --> 00:38:16,920 Speaker 1: I love watching and listening to your dad and our 686 00:38:17,000 --> 00:38:19,520 Speaker 1: call games. I don't know how honestly I've said to 687 00:38:20,000 --> 00:38:24,680 Speaker 1: Megan Michael's Owl's niece that I want to come watch 688 00:38:24,719 --> 00:38:26,600 Speaker 1: them work, but not being a way because I don't 689 00:38:26,600 --> 00:38:29,640 Speaker 1: know how they do it so seamlessly. Well, we are 690 00:38:29,680 --> 00:38:32,600 Speaker 1: in l A. We go l A too. In November, 691 00:38:32,680 --> 00:38:35,799 Speaker 1: we go l A for a Rams game. Then we're 692 00:38:35,840 --> 00:38:38,920 Speaker 1: in Las Vegas for a Raiders game, and then we 693 00:38:38,960 --> 00:38:41,160 Speaker 1: are back in l A again for a Chargers game. 694 00:38:41,200 --> 00:38:44,120 Speaker 1: All over the two week periods. So and that's eight 695 00:38:44,120 --> 00:38:46,200 Speaker 1: team the eight teams doing that, eight teams doing that, 696 00:38:46,520 --> 00:38:49,239 Speaker 1: eight teams doing a baby. We're right there. Any week 697 00:38:49,280 --> 00:38:51,839 Speaker 1: you want to, may even bring out Shaun White, will 698 00:38:51,880 --> 00:38:54,120 Speaker 1: make it a full reunion. I would love that. I 699 00:38:54,120 --> 00:38:55,960 Speaker 1: would love that. All right, listen, We're so happy before 700 00:38:55,960 --> 00:38:59,200 Speaker 1: you check it out. Jack Collinsworth, Host reporter, NBC Sports, 701 00:38:59,239 --> 00:39:02,200 Speaker 1: host to Sunday at for a postgame show Colts Niner, 702 00:39:02,280 --> 00:39:06,200 Speaker 1: Sunday Night, five o'clock NBC. Big hugs to Alan Dad. 703 00:39:06,200 --> 00:39:08,839 Speaker 1: All right, thanks again for coming on. Absolutely, you guys 704 00:39:08,880 --> 00:39:11,600 Speaker 1: are the best. So great to see everybody. Are you? 705 00:39:11,640 --> 00:39:16,799 Speaker 1: Are you single? I am. I'm sort of dating somebody currently. Yes, 706 00:39:16,880 --> 00:39:19,359 Speaker 1: I'm sort of currently dating somebody. It's sort of new, 707 00:39:19,400 --> 00:39:21,439 Speaker 1: fresh and exciting, you know what I mean? All Right, Well, 708 00:39:21,480 --> 00:39:25,759 Speaker 1: when it's still fresh, great, When it's not, reach back out, 709 00:39:27,080 --> 00:39:32,520 Speaker 1: we'll put you all right later. He's very playing goodbye, 710 00:39:33,160 --> 00:39:35,479 Speaker 1: reach back out, because that's a guy that people would 711 00:39:35,480 --> 00:39:39,560 Speaker 1: want to date. Yeah, I feel how old is he's cool? 712 00:39:39,960 --> 00:39:42,920 Speaker 1: He's twenty six. He's very cool. I feel like I 713 00:39:42,960 --> 00:39:44,520 Speaker 1: tried to Well, no, I don't know if I tried 714 00:39:44,520 --> 00:39:45,839 Speaker 1: to date him. I think he was too young at 715 00:39:45,840 --> 00:39:47,120 Speaker 1: the time when he was an intern, But I liked 716 00:39:47,200 --> 00:39:50,640 Speaker 1: him a lot and we are very aware of that fact. 717 00:39:51,920 --> 00:39:56,160 Speaker 1: But thank you for reiterating. All right, let's grab ann 718 00:39:56,400 --> 00:40:00,319 Speaker 1: and good morning. How you doing. I'm good, how are 719 00:40:00,320 --> 00:40:03,239 Speaker 1: you doing wellly? And thank you for asking? So you're 720 00:40:03,280 --> 00:40:07,120 Speaker 1: calling for some advice? Yes, what's the time? I'm got 721 00:40:07,120 --> 00:40:11,160 Speaker 1: in a little situation? Um. So basically, well, it's it's 722 00:40:11,200 --> 00:40:12,759 Speaker 1: my friend best friend asked me to be in her 723 00:40:12,800 --> 00:40:19,919 Speaker 1: wedding next year. Okay, this never comes without right. See, 724 00:40:19,960 --> 00:40:22,800 Speaker 1: I'm really excited obviously, um, because I love weddings and 725 00:40:22,840 --> 00:40:25,560 Speaker 1: all that. So it's next April. Um. But the thing 726 00:40:25,719 --> 00:40:27,479 Speaker 1: is is my husband and I we just got married 727 00:40:27,480 --> 00:40:31,080 Speaker 1: a few months ago, and our plan was to you know, 728 00:40:31,120 --> 00:40:33,359 Speaker 1: start having kids right away. Wait, like, we don't really 729 00:40:33,360 --> 00:40:36,439 Speaker 1: want to wait that long. Um. But when I told 730 00:40:36,440 --> 00:40:39,000 Speaker 1: my friend this, um, she asked me if my husband 731 00:40:39,040 --> 00:40:41,720 Speaker 1: and I would consider like waiting till after the wedding 732 00:40:42,320 --> 00:40:44,000 Speaker 1: because she doesn't want me to be pregnant for her 733 00:40:44,040 --> 00:40:46,400 Speaker 1: bauchelor atte party, you know, in the weddings and I 734 00:40:46,440 --> 00:40:51,200 Speaker 1: can just drinking out fun. Yeah, and I think she's 735 00:40:51,239 --> 00:40:57,440 Speaker 1: serious when she's saying this, you know, l O L. 736 00:40:57,920 --> 00:41:01,960 Speaker 1: That is so ridict you list, I'm telling you, there's 737 00:41:02,080 --> 00:41:04,920 Speaker 1: this is not okay, Like, I mean, I kind of 738 00:41:04,920 --> 00:41:10,080 Speaker 1: get what she's saying, you know, but but I think, 739 00:41:10,120 --> 00:41:11,879 Speaker 1: han't you had friends and say don't go on a cleanse? 740 00:41:11,880 --> 00:41:15,280 Speaker 1: So after our trip to Florida going on to cleanse, 741 00:41:15,360 --> 00:41:17,960 Speaker 1: this monthing telling somebody not to get pregnant so that 742 00:41:18,000 --> 00:41:21,000 Speaker 1: they can and get drunk at your bachelrette party, is 743 00:41:23,080 --> 00:41:26,560 Speaker 1: not it? Okay? Well right, yeah, okay, you wouldn't do that, 744 00:41:26,880 --> 00:41:30,320 Speaker 1: all right? I mean I kind of ingest and see 745 00:41:30,360 --> 00:41:36,520 Speaker 1: what she's saying. Maybe she's being funny. Well, I mean 746 00:41:36,920 --> 00:41:41,080 Speaker 1: he's being serious. It's actually yeah, well look it's not 747 00:41:41,080 --> 00:41:44,120 Speaker 1: over business, by the way. And also maybe you can't 748 00:41:44,120 --> 00:41:46,600 Speaker 1: control when you get pregnant. I don't know, right, I'm 749 00:41:46,640 --> 00:41:49,160 Speaker 1: speaking out of school on this from friends of mine 750 00:41:49,200 --> 00:41:52,520 Speaker 1: that have had babies, They try, try, try, and then happen. Happened, happened. 751 00:41:52,560 --> 00:41:54,480 Speaker 1: So you kind of gotta go with God on this, 752 00:41:54,520 --> 00:41:57,040 Speaker 1: don't you. Yeah, I mean, yeah, that's what I was 753 00:41:57,080 --> 00:41:59,759 Speaker 1: kind of thinking too. So I just don't even know 754 00:42:00,320 --> 00:42:04,480 Speaker 1: what to do. Well, no, this is no you can 755 00:42:04,600 --> 00:42:06,279 Speaker 1: get you if you get pregnant. Used to go to 756 00:42:06,280 --> 00:42:10,560 Speaker 1: the bachelor thing. That's the right thing, right I could. Yeah, 757 00:42:10,840 --> 00:42:12,960 Speaker 1: I guess she's gonna be like, well, you're not a 758 00:42:13,040 --> 00:42:16,680 Speaker 1: son somebody else. First of all, prove her wrong. And 759 00:42:16,719 --> 00:42:19,040 Speaker 1: second of all, if she gives you this much grief, 760 00:42:19,080 --> 00:42:24,439 Speaker 1: how close of a friend is she? Yeah, that's true also, 761 00:42:25,000 --> 00:42:28,280 Speaker 1: and also a little more reality check here, she's getting married. 762 00:42:28,360 --> 00:42:31,080 Speaker 1: She's gonna disappear from your life, and about a flash, 763 00:42:31,160 --> 00:42:34,640 Speaker 1: your kids coming into all your life. Married people disappear 764 00:42:34,680 --> 00:42:37,200 Speaker 1: on me all the time. They get married, they disappear. 765 00:42:37,400 --> 00:42:39,120 Speaker 1: I've lived it. I've seen it tight. Don't tell me 766 00:42:39,160 --> 00:42:41,840 Speaker 1: about my history. I know I live. They get married, 767 00:42:41,920 --> 00:42:44,600 Speaker 1: they disappear after contact list goodbye because they're doing their 768 00:42:44,600 --> 00:42:46,840 Speaker 1: own thing. Your child's gonna be with you all your life. 769 00:42:47,080 --> 00:42:56,040 Speaker 1: So build a better future with your priorities. Okay, you 770 00:42:56,160 --> 00:42:59,759 Speaker 1: know the fact that you're actually afraid of getting pregnant 771 00:43:00,000 --> 00:43:03,880 Speaker 1: because she will be upset should make you reconsider this 772 00:43:03,960 --> 00:43:06,640 Speaker 1: friendship you that's not a friend you want in your life. 773 00:43:07,440 --> 00:43:09,040 Speaker 1: You don't want to be partner. I know like, I 774 00:43:09,080 --> 00:43:11,120 Speaker 1: can't believe that. Actually you're a gread right now, like 775 00:43:11,160 --> 00:43:13,680 Speaker 1: you're like, well, she's going to be upset with you. Yeah, 776 00:43:13,680 --> 00:43:16,560 Speaker 1: I agree, it's all petty, petty, petty, Go get pregnant 777 00:43:16,560 --> 00:43:20,440 Speaker 1: and go for it, right, good bye to that friendship 778 00:43:20,560 --> 00:43:22,439 Speaker 1: and tell her you are thrilled to have your first 779 00:43:22,520 --> 00:43:24,279 Speaker 1: child with your husband, and you hope that she finds 780 00:43:24,280 --> 00:43:27,640 Speaker 1: as much join her life. Ba ba Exactly, Well, man, 781 00:43:27,719 --> 00:43:29,480 Speaker 1: I mean, like I don't want a friendship to end, 782 00:43:29,719 --> 00:43:31,520 Speaker 1: you know, like I guess maybe just why do you 783 00:43:31,520 --> 00:43:35,799 Speaker 1: want a friend will be upset that you're pregnant. We're not. 784 00:43:36,000 --> 00:43:38,319 Speaker 1: We're not here for that and we're not here for it. No, 785 00:43:38,560 --> 00:43:40,560 Speaker 1: I don't believe this is your friend. I believe that 786 00:43:40,640 --> 00:43:44,040 Speaker 1: something comes over people when they get engaged and or 787 00:43:44,120 --> 00:43:46,560 Speaker 1: get getting married, and there's just like something that comes 788 00:43:46,600 --> 00:43:49,920 Speaker 1: over them where they just think that nothing else matters 789 00:43:49,920 --> 00:43:53,640 Speaker 1: aside from their wedding. I don't believe that that's your friend. 790 00:43:53,719 --> 00:43:56,960 Speaker 1: That's get that thought from Taylor Tomlinson's act, because it 791 00:43:56,960 --> 00:44:01,160 Speaker 1: certainly sounds like it it's a game exactly what she says. 792 00:44:01,760 --> 00:44:04,680 Speaker 1: I don't think it's your friend. That is necessarily horrible. 793 00:44:04,719 --> 00:44:06,880 Speaker 1: I wouldn't poo poo that friendship, but I would just 794 00:44:06,960 --> 00:44:09,640 Speaker 1: kind of laugh it off and say, okay, and then 795 00:44:09,680 --> 00:44:14,520 Speaker 1: you do your own thing, okay, yeah, because I honestly 796 00:44:14,520 --> 00:44:17,600 Speaker 1: I can't even imagine, you know, as saying that to her. 797 00:44:17,719 --> 00:44:21,200 Speaker 1: I just what what, it's crazy? Well, your work is 798 00:44:21,200 --> 00:44:23,279 Speaker 1: done here, thank you very much, and good luck and 799 00:44:23,320 --> 00:44:27,120 Speaker 1: congratulations before all of it. And we're here for you. 800 00:44:27,400 --> 00:44:31,640 Speaker 1: And you know that's crazy talk. And by the way, 801 00:44:31,640 --> 00:44:34,080 Speaker 1: are these people you know what? Tanya? Is a point 802 00:44:34,239 --> 00:44:38,880 Speaker 1: that Taylor Tomlinson said that Tanya reiterated. Sometimes when people 803 00:44:38,960 --> 00:44:42,640 Speaker 1: start having their weddings, brides and grooms, it's like nobody 804 00:44:42,680 --> 00:44:45,120 Speaker 1: else matters but themselves, and everybody's can wait and be 805 00:44:45,200 --> 00:44:47,879 Speaker 1: on a hold because their life is starting. I'm not 806 00:44:47,920 --> 00:44:50,359 Speaker 1: here for that. That's about choosing a color for your 807 00:44:50,400 --> 00:44:53,360 Speaker 1: brides maid dresses, not about you know, whether you should 808 00:44:53,360 --> 00:44:59,480 Speaker 1: have a child before the bridal party. Use me, guys, 809 00:44:59,719 --> 00:45:06,799 Speaker 1: but as the unmarried guy here, some married couples look 810 00:45:06,920 --> 00:45:10,120 Speaker 1: down upon those who are not, and especially when they're 811 00:45:10,120 --> 00:45:14,120 Speaker 1: about to get into their marriage, nothing else matters but them. 812 00:45:14,200 --> 00:45:18,400 Speaker 1: Mm hmm, right, and Eastern you know who I'm talking about. 813 00:45:20,960 --> 00:45:23,760 Speaker 1: I think I'm telling you, Patty, I think you'd be surprised. 814 00:45:23,760 --> 00:45:26,480 Speaker 1: You think you're like very level headed. I think if 815 00:45:26,520 --> 00:45:28,680 Speaker 1: you got engaged and you were planning a wedding, you 816 00:45:28,680 --> 00:45:32,920 Speaker 1: would start doing some things you don't even recognize about yourself. 817 00:45:31,760 --> 00:45:34,480 Speaker 1: That's her, that's her disclaiming what she's going to do 818 00:45:34,520 --> 00:45:38,080 Speaker 1: to us when she gets married. This isn't even preparing you, guys. 819 00:45:38,680 --> 00:45:41,839 Speaker 1: I would never tell anyone don't have a child, don't 820 00:45:41,880 --> 00:45:45,520 Speaker 1: get pregnant. No, of course, that's that's crazy. We gotta 821 00:45:45,600 --> 00:45:47,920 Speaker 1: get Maybe later in the show, Nick can find the 822 00:45:48,000 --> 00:45:50,319 Speaker 1: bit that Tanya is talking about that Taylor Tomlinson says 823 00:45:50,320 --> 00:45:56,880 Speaker 1: about once you can engage, right, Yeah, Actually, can we 824 00:45:56,920 --> 00:45:58,919 Speaker 1: please have Jamie Fox on to talk about what Timy 825 00:45:58,960 --> 00:46:01,080 Speaker 1: is about to talk about. I think that this could 826 00:46:01,120 --> 00:46:03,799 Speaker 1: be conversation he and I should have. You Tani are 827 00:46:03,800 --> 00:46:06,359 Speaker 1: gonna do a trending report about Jamie Fox and you 828 00:46:06,400 --> 00:46:10,040 Speaker 1: say he says in his book he's not the marrying type. Yes, 829 00:46:10,080 --> 00:46:11,560 Speaker 1: But what I want you guys to think about is 830 00:46:11,600 --> 00:46:13,880 Speaker 1: if you could be with somebody that right out the 831 00:46:13,920 --> 00:46:16,839 Speaker 1: gate says that, because that means that you're not hold 832 00:46:16,880 --> 00:46:19,279 Speaker 1: on I need to understand not the marrying type, But 833 00:46:19,320 --> 00:46:22,000 Speaker 1: could you be the committed to type just don't have 834 00:46:22,000 --> 00:46:24,960 Speaker 1: to call marriage exactly? So is it more? I think 835 00:46:24,960 --> 00:46:27,759 Speaker 1: it's more about deciding if it's about finding the right 836 00:46:27,800 --> 00:46:30,040 Speaker 1: person you want to do life with or does the 837 00:46:30,160 --> 00:46:31,960 Speaker 1: term and the concept of marriage mean more to you? 838 00:46:32,280 --> 00:46:35,279 Speaker 1: And you got to treat each other as equals with 839 00:46:35,360 --> 00:46:39,839 Speaker 1: respect and guess what you gotta do? Listen, keep going. Okay, So, 840 00:46:40,160 --> 00:46:42,080 Speaker 1: like you mentioned in his book, act like you got 841 00:46:42,160 --> 00:46:44,799 Speaker 1: some sense, he is basically stating that he isn't the 842 00:46:44,800 --> 00:46:47,799 Speaker 1: marrying type. And this is exactly what he said. He says, 843 00:46:47,840 --> 00:46:50,600 Speaker 1: because I've had two children without being married to their mothers, 844 00:46:50,920 --> 00:46:54,279 Speaker 1: everyone's been asking me about getting married. I've just never 845 00:46:54,360 --> 00:46:57,120 Speaker 1: been convinced that marriage was a good idea for me. 846 00:46:57,239 --> 00:47:01,000 Speaker 1: I've had friends that have great marriages, others not so much. 847 00:47:01,239 --> 00:47:03,880 Speaker 1: And so it got me thinking, like if you if somebody, 848 00:47:04,360 --> 00:47:06,960 Speaker 1: let's say, you're gonna start dating Jamie FOXX and you 849 00:47:07,000 --> 00:47:09,480 Speaker 1: know he doesn't want to get married, but you guys 850 00:47:09,520 --> 00:47:11,480 Speaker 1: have a really great connection, would you nip it in 851 00:47:11,520 --> 00:47:13,680 Speaker 1: the bud because ultimately you wanted to get married, or 852 00:47:13,680 --> 00:47:16,640 Speaker 1: would you just go with it and the person is 853 00:47:16,640 --> 00:47:23,200 Speaker 1: more important than the the union piece of paper, whatever, Patty, 854 00:47:23,280 --> 00:47:26,480 Speaker 1: I'd like to hear your thoughts. I don't think the 855 00:47:26,480 --> 00:47:31,319 Speaker 1: paper matters, but I do feel that some people are 856 00:47:31,440 --> 00:47:36,560 Speaker 1: just not meant to get married. Maybe you know, it's 857 00:47:36,600 --> 00:47:39,840 Speaker 1: just trauma that they had as children in relationships, and 858 00:47:39,840 --> 00:47:42,000 Speaker 1: it's just I just don't believe in the paper. But 859 00:47:42,080 --> 00:47:44,960 Speaker 1: I also understand that people don't want to get married. 860 00:47:45,360 --> 00:47:48,160 Speaker 1: And what about people who got divorced. Were they not 861 00:47:48,280 --> 00:47:53,000 Speaker 1: meant to be married to they tried? Maybe they tried it, 862 00:47:53,040 --> 00:47:54,759 Speaker 1: maybe they knew they weren't meant to be married. They 863 00:47:54,760 --> 00:47:57,440 Speaker 1: got married, and they're like, you know what, we're divorced, 864 00:47:57,880 --> 00:48:02,120 Speaker 1: But then they're not exactly because I got divorced. I 865 00:48:02,120 --> 00:48:03,680 Speaker 1: think it's the opposite of what you guys are saying. 866 00:48:03,680 --> 00:48:07,120 Speaker 1: I think that they think they're the marrying that's not 867 00:48:07,160 --> 00:48:10,600 Speaker 1: a breaking news statement. They think they're the marrying kind, 868 00:48:10,680 --> 00:48:13,360 Speaker 1: and so they want to get married right away, and 869 00:48:13,400 --> 00:48:16,000 Speaker 1: so they marry the wrong person because they just want marriage. 870 00:48:16,239 --> 00:48:17,799 Speaker 1: But then then it's the wrong persons to end up 871 00:48:17,800 --> 00:48:21,279 Speaker 1: getting divorced. Okay, well, don't be that person on you, 872 00:48:22,120 --> 00:48:24,760 Speaker 1: But it's also okay to say I'm not the marrying type. 873 00:48:24,800 --> 00:48:27,000 Speaker 1: And then change your mind and then get married, and 874 00:48:27,000 --> 00:48:30,200 Speaker 1: then get divorced and then get married again. Tubbs. Whoa, whoa, 875 00:48:30,440 --> 00:48:34,920 Speaker 1: whoa on all that. I mean, it's like it's light complicated. 876 00:48:35,480 --> 00:48:39,400 Speaker 1: But then if you're that person, you're not the marrying type. 877 00:48:39,160 --> 00:48:43,319 Speaker 1: But are we just talk about the elephant in the room. 878 00:48:43,360 --> 00:48:45,279 Speaker 1: Who are we to know that we're not the marrying kind? 879 00:48:46,520 --> 00:48:50,040 Speaker 1: I mean, as human beings, that's a lot to ask 880 00:48:50,160 --> 00:48:54,840 Speaker 1: for a lifetime, and I see it going wrong a lot. Well, right, 881 00:48:55,680 --> 00:48:59,919 Speaker 1: all right, Toms was bringing in on this the elef 882 00:49:00,000 --> 00:49:03,000 Speaker 1: been in the room. Yeah, I'm unmarried because I'm afraid 883 00:49:03,040 --> 00:49:06,640 Speaker 1: of it going wrong. I've seen that. I've listened. I've 884 00:49:06,680 --> 00:49:10,080 Speaker 1: heard people calling up for twenty years talking about And 885 00:49:10,200 --> 00:49:12,719 Speaker 1: by the way, I was at a urinal three days 886 00:49:12,719 --> 00:49:15,359 Speaker 1: ago and a guy I kind of know said, don't 887 00:49:15,360 --> 00:49:19,239 Speaker 1: ever get married. I was like, what like unsolicited? Unsolicited? 888 00:49:19,239 --> 00:49:21,880 Speaker 1: At a euro It's not unsolicited. You're asking for it 889 00:49:21,880 --> 00:49:24,080 Speaker 1: because you're pushing up. Yeah, you're bringing in that energy 890 00:49:24,080 --> 00:49:27,319 Speaker 1: I've been saying Urinal. A stranger says to me, hey, bro, 891 00:49:27,880 --> 00:49:29,880 Speaker 1: like he listens to the show, don't ever get married. 892 00:49:29,920 --> 00:49:33,040 Speaker 1: I'm like, wow, that's bold, you know, that's what you're 893 00:49:33,080 --> 00:49:35,799 Speaker 1: looking for, so you get those answers from the universe. No, 894 00:49:35,960 --> 00:49:37,600 Speaker 1: I had to pee. I was not looking for any 895 00:49:37,640 --> 00:49:40,440 Speaker 1: answers in any universes at that point, Tubbs, what say you? 896 00:49:43,600 --> 00:49:48,120 Speaker 1: I'm confused. Now, okay, let's let's bring it back to 897 00:49:48,120 --> 00:49:50,960 Speaker 1: the basics for tubs. Tubs, if you started dating somebody 898 00:49:51,040 --> 00:49:53,680 Speaker 1: that said they weren't the marrying type and you wanted 899 00:49:53,719 --> 00:49:57,239 Speaker 1: to get married, would you continue dating them? I guess 900 00:49:57,239 --> 00:50:01,080 Speaker 1: it depends on your where you are in your Are 901 00:50:01,080 --> 00:50:04,879 Speaker 1: you the marrying type? Yeah? I think so. Yeah? He said, yeah, 902 00:50:04,920 --> 00:50:07,840 Speaker 1: I think so. Yeah, unsure he doesn't know either. No, 903 00:50:07,920 --> 00:50:10,799 Speaker 1: he's unclear. All right, I just want to say, I 904 00:50:10,800 --> 00:50:13,520 Speaker 1: don't think that you aren't the marrying type. I think 905 00:50:13,560 --> 00:50:16,319 Speaker 1: you're exactly the marrying type and you want it. You're 906 00:50:16,360 --> 00:50:18,799 Speaker 1: just scared of failure, That's what I think you are. 907 00:50:19,080 --> 00:50:21,440 Speaker 1: Could you put a pin in that? Jamie Fox, Amy Sugarman, 908 00:50:21,440 --> 00:50:23,880 Speaker 1: could you book him. Let's have this conversation with Jamie 909 00:50:23,880 --> 00:50:28,360 Speaker 1: Fox who might be on my side. We found famous 910 00:50:28,400 --> 00:50:33,080 Speaker 1: chef Evan Funk, who's documentary Funk F You and k 911 00:50:33,239 --> 00:50:36,080 Speaker 1: E is a great story about a chef in l 912 00:50:36,200 --> 00:50:38,520 Speaker 1: A that bounced around a bit and then said, I've 913 00:50:38,520 --> 00:50:40,080 Speaker 1: had it. I'm going to Italy Ifigrett to make the 914 00:50:40,120 --> 00:50:43,600 Speaker 1: best ornate pastas came back, learned how to pastas. He 915 00:50:43,719 --> 00:50:47,759 Speaker 1: catered this. Uh. I. Then I went to and I 916 00:50:47,800 --> 00:50:49,440 Speaker 1: got excited. I called him the wrong name when I 917 00:50:49,440 --> 00:50:51,239 Speaker 1: introduced him. Anyway, we'll get back to that. I'm gonna 918 00:50:51,239 --> 00:50:54,200 Speaker 1: apologize him in a second. It wasn't a wedding that 919 00:50:54,239 --> 00:50:58,799 Speaker 1: you were at. It was no, it was not. It 920 00:50:58,920 --> 00:51:01,000 Speaker 1: was a what do you call him? Reception? The wedding 921 00:51:01,040 --> 00:51:07,560 Speaker 1: happened during COVID. This was the reception, uh, Kiss FM 922 00:51:07,600 --> 00:51:12,000 Speaker 1: forty six years ago. It is before I was in radio. 923 00:51:12,280 --> 00:51:15,440 Speaker 1: This all happened. There was a radio station kk DJ 924 00:51:15,760 --> 00:51:19,200 Speaker 1: that forty six years ago changed it turned into K 925 00:51:19,480 --> 00:51:21,719 Speaker 1: I I S. Do you want to hear it? This 926 00:51:21,840 --> 00:51:26,320 Speaker 1: is a birthday birthday party for Kiss FM. Here is 927 00:51:26,360 --> 00:51:29,360 Speaker 1: the beginning were you have officially received permission now to 928 00:51:29,560 --> 00:51:32,040 Speaker 1: change our call letters as of six o'clock tomorrow morning 929 00:51:32,040 --> 00:51:34,920 Speaker 1: over here to K double I S FM, And of 930 00:51:34,960 --> 00:51:37,280 Speaker 1: course you will remain K double I S A M 931 00:51:37,320 --> 00:51:39,239 Speaker 1: at eleven fifty and we're here at one or two 932 00:51:39,280 --> 00:51:42,279 Speaker 1: point seven FM. By the way, Charlie Tuna. And that 933 00:51:42,360 --> 00:51:44,080 Speaker 1: sounds like an AM broadcast, because I think that was 934 00:51:44,120 --> 00:51:48,640 Speaker 1: an AM broadcast. Sounds like an astronaut in space. Well 935 00:51:49,160 --> 00:51:53,040 Speaker 1: technology was different. Officially received permission now to change our 936 00:51:53,080 --> 00:51:55,560 Speaker 1: call letters as of six o'clock tomorrow morning over here 937 00:51:55,960 --> 00:51:58,320 Speaker 1: to K double I s FM, and of course you 938 00:51:58,360 --> 00:52:01,839 Speaker 1: will remain K double I S A M. We're here 939 00:52:01,840 --> 00:52:04,359 Speaker 1: at one or two point seven. I'm glad I didn't 940 00:52:04,400 --> 00:52:06,719 Speaker 1: worked here back then. I'm not near as official as 941 00:52:06,760 --> 00:52:13,120 Speaker 1: that sound. That's a big time. It sounds like yeah right, 942 00:52:13,160 --> 00:52:18,520 Speaker 1: the exactly. It sounds like take cover, take cover, Yeah, yeah, 943 00:52:19,440 --> 00:52:21,680 Speaker 1: all right. Let me bring in Evan Funk. Evan, sorry 944 00:52:21,680 --> 00:52:23,399 Speaker 1: to bother you on the fly. How are you, chef? 945 00:52:24,560 --> 00:52:27,399 Speaker 1: What's the man? I was gone, Hey, it's gone. I 946 00:52:27,440 --> 00:52:29,239 Speaker 1: was just talking about you on the air. And I 947 00:52:29,320 --> 00:52:32,359 Speaker 1: realized when I was telling them the story when I 948 00:52:32,400 --> 00:52:34,839 Speaker 1: introduced you to my friends after saying I was such 949 00:52:34,840 --> 00:52:38,640 Speaker 1: a big fan, I introduced you as Alan Funk. Well, 950 00:52:38,680 --> 00:52:41,840 Speaker 1: not only did you mispronounce my first name, you're mispronouncing 951 00:52:41,880 --> 00:52:44,520 Speaker 1: my last name. Okay, well, let me get it all right, 952 00:52:44,560 --> 00:52:47,080 Speaker 1: because I am I'm desperate to get to know you 953 00:52:47,120 --> 00:52:50,879 Speaker 1: in real life. So what is it? Likewise, so it's 954 00:52:50,960 --> 00:52:54,440 Speaker 1: Evan Funky. All right, So I've screwed it up for years. 955 00:52:55,000 --> 00:52:58,239 Speaker 1: All right, let me tell you what I was. I 956 00:52:58,320 --> 00:53:01,360 Speaker 1: was so excited to meet you that in my brain 957 00:53:01,600 --> 00:53:05,200 Speaker 1: there's an old TV host named Alan Funt, and my 958 00:53:05,280 --> 00:53:09,160 Speaker 1: brain crossed wires and called you Alan Funk, which was 959 00:53:09,239 --> 00:53:11,640 Speaker 1: all wrong, and I had my foot in my mouth. 960 00:53:11,680 --> 00:53:13,680 Speaker 1: I didn't even realize I did it till Kurt said 961 00:53:13,719 --> 00:53:15,640 Speaker 1: to me, I think you called him by the host 962 00:53:15,680 --> 00:53:19,480 Speaker 1: of Candy Camera's name. Listen at that. I mean, that's 963 00:53:19,480 --> 00:53:21,320 Speaker 1: a great company to be in. So I'm all go 964 00:53:21,480 --> 00:53:25,120 Speaker 1: with that. All right. Now, let's talk about Evan Funky. 965 00:53:25,320 --> 00:53:29,759 Speaker 1: His documentary Funky is on Prime. Evan, as I understand it, 966 00:53:30,000 --> 00:53:34,440 Speaker 1: you can make how many different pastas now? A hundred 967 00:53:34,480 --> 00:53:39,399 Speaker 1: and fifty five singular shapes, all by hand, no machine snow, 968 00:53:39,400 --> 00:53:42,959 Speaker 1: extrude or anything like that. And uh, I think all 969 00:53:43,000 --> 00:53:45,520 Speaker 1: but one of those has been taught to me by 970 00:53:45,560 --> 00:53:48,960 Speaker 1: a woman. And was that the woman we see in 971 00:53:48,960 --> 00:53:54,120 Speaker 1: the documentary? Uh? Yeah, well I started that. That's Alessandro 972 00:53:54,200 --> 00:53:58,560 Speaker 1: speaks me of Skola Bolnes. I began my training with 973 00:53:58,640 --> 00:54:00,880 Speaker 1: her in two thousand seven. I moved to Bologna in 974 00:54:00,920 --> 00:54:04,680 Speaker 1: two thousand seven, and she was the one pasta maker 975 00:54:04,800 --> 00:54:08,960 Speaker 1: to kind of open my eyes to uh, to start 976 00:54:09,000 --> 00:54:12,360 Speaker 1: seeking out other pasta makers throughout the peninsula of Italy. 977 00:54:12,480 --> 00:54:16,439 Speaker 1: And that was twelve almost thirteen years ago now, uh, 978 00:54:16,480 --> 00:54:21,680 Speaker 1: and it's been countless uh, countless histories, countless uh shapes 979 00:54:21,800 --> 00:54:28,320 Speaker 1: and amazing, amazing uh, you know, opportunities and adventures. Uh, 980 00:54:28,480 --> 00:54:31,520 Speaker 1: you know, kind of on this journey of of learning 981 00:54:31,560 --> 00:54:35,640 Speaker 1: Henry pasta from the people who lived every single day. 982 00:54:36,080 --> 00:54:38,720 Speaker 1: This guy opened a place called Felix down on Abbock, Kenny, 983 00:54:38,719 --> 00:54:41,840 Speaker 1: which is like the hottest restaurant down there and most beautiful. 984 00:54:42,040 --> 00:54:43,520 Speaker 1: I've never been, but my friends have been and told 985 00:54:43,520 --> 00:54:46,040 Speaker 1: me about it. And you and I think, you know, 986 00:54:46,120 --> 00:54:49,200 Speaker 1: fascinated by restaurants and kitchens, I don't know. There are 987 00:54:49,200 --> 00:54:51,239 Speaker 1: a lot of tough jobs out there. On that list 988 00:54:51,320 --> 00:54:53,439 Speaker 1: is being in a kitchen in a restaurant, on your 989 00:54:53,480 --> 00:54:55,839 Speaker 1: feet for hours and hours and hours. And you kind 990 00:54:55,840 --> 00:54:57,600 Speaker 1: of got piste off and fed up, didn't you? At 991 00:54:57,640 --> 00:55:01,160 Speaker 1: one point? I did? I did, for sure. I mean 992 00:55:01,320 --> 00:55:05,200 Speaker 1: multiple times. It's an extremely difficult job to do. Uh. 993 00:55:05,360 --> 00:55:09,560 Speaker 1: It's high pressure. You're dealing with multiple facets of anything 994 00:55:10,040 --> 00:55:12,800 Speaker 1: can go wrong at any given time because you're dealing 995 00:55:12,840 --> 00:55:15,200 Speaker 1: with the human element, and you're also dealing with the 996 00:55:15,239 --> 00:55:19,040 Speaker 1: animals of pasta, the animals of bread, the animals of fire. 997 00:55:19,480 --> 00:55:21,480 Speaker 1: So you're dealing with a lot of different elements, and 998 00:55:21,840 --> 00:55:24,400 Speaker 1: everyone in their own mind is an expert at what 999 00:55:24,520 --> 00:55:27,680 Speaker 1: tastes delicious. Uh. So we're trying to kind of fit 1000 00:55:28,320 --> 00:55:33,880 Speaker 1: in the PenTile of making everyone happy as many times 1001 00:55:33,880 --> 00:55:37,120 Speaker 1: as we can. Um. And that's you know, it's a 1002 00:55:37,200 --> 00:55:40,480 Speaker 1: very difficult job. Yes, it's long hours, but you know, 1003 00:55:40,640 --> 00:55:43,359 Speaker 1: it's really a sickness. We love it. We we don't 1004 00:55:43,360 --> 00:55:46,960 Speaker 1: want to do anything else. Exploring the Mind of a 1005 00:55:47,040 --> 00:55:50,040 Speaker 1: Chef is a series that I'm going to host, I mean, 1006 00:55:51,200 --> 00:55:58,560 Speaker 1: really is before you go? I mean Felix, Felix, is 1007 00:55:58,600 --> 00:56:02,840 Speaker 1: it right? So Felix has been opened for five years. 1008 00:56:02,840 --> 00:56:06,960 Speaker 1: I'm opening a new restaurant called Mother Wolf. It's in Hollywood, 1009 00:56:07,480 --> 00:56:11,399 Speaker 1: just off of Coanga. Should be opening probably back end 1010 00:56:11,400 --> 00:56:14,880 Speaker 1: of November, early December. Um, we're very very excited. It's 1011 00:56:14,880 --> 00:56:18,640 Speaker 1: going to be a Roman restaurant, strictly Roman. Uh and uh, 1012 00:56:19,120 --> 00:56:25,680 Speaker 1: very very excited about that project. Yeah, what what is Roman? 1013 00:56:26,040 --> 00:56:31,080 Speaker 1: What's our indigenous Roman pasta. So at the very basis 1014 00:56:31,120 --> 00:56:34,000 Speaker 1: that I'm gonna simplified super quick. If you talk about 1015 00:56:34,080 --> 00:56:40,640 Speaker 1: Roman pastas, there's the four quintessential Roman pastas, castrop La, Gricia, 1016 00:56:40,880 --> 00:56:45,319 Speaker 1: and Carbonara. So those four are the bangers that everybody 1017 00:56:45,400 --> 00:56:47,880 Speaker 1: are gonna want to order at this restaurant, and they 1018 00:56:47,920 --> 00:56:50,520 Speaker 1: should eat and order when they're in Rome. So my 1019 00:56:50,600 --> 00:56:54,360 Speaker 1: goal is to is to cook the most authentic Roman 1020 00:56:54,440 --> 00:56:57,600 Speaker 1: cuisine in America. And you can do it right there 1021 00:56:57,600 --> 00:57:00,040 Speaker 1: in Hollywood. And Evans got his place. Also, Felix on 1022 00:57:00,120 --> 00:57:02,319 Speaker 1: advict Kenny All, I'm gonna text you so we can 1023 00:57:02,320 --> 00:57:04,200 Speaker 1: figure out the time I can actually see you and 1024 00:57:04,280 --> 00:57:08,480 Speaker 1: eat food. Not with a lot of people looking forward 1025 00:57:08,520 --> 00:57:10,680 Speaker 1: to man, thanks for having me on by. I mean, 1026 00:57:10,760 --> 00:57:13,080 Speaker 1: what's amazing that he did this pasta like he does 1027 00:57:13,200 --> 00:57:16,520 Speaker 1: for like I didn't cooking for four as hard catering. 1028 00:57:16,800 --> 00:57:18,840 Speaker 1: How people do catering? I don't understand it, Like, I 1029 00:57:18,840 --> 00:57:20,840 Speaker 1: don't know how you do that many dishes at once. 1030 00:57:20,920 --> 00:57:24,800 Speaker 1: What it's so cute watching you like try and make friends. 1031 00:57:25,800 --> 00:57:28,480 Speaker 1: I'm actually trying to make him a friend. I know 1032 00:57:28,560 --> 00:57:29,960 Speaker 1: you are. It's like really cute and it's hard to 1033 00:57:29,960 --> 00:57:31,880 Speaker 1: do it. As an adult, it's awkward to make friends 1034 00:57:31,880 --> 00:57:33,360 Speaker 1: and then especially when you call them the wrong name 1035 00:57:33,400 --> 00:57:35,000 Speaker 1: and you're like have to really dig yourself out of 1036 00:57:35,000 --> 00:57:39,160 Speaker 1: that one. But you know what's great this show. I 1037 00:57:39,200 --> 00:57:43,200 Speaker 1: can admit to that on this show and apologize and 1038 00:57:43,240 --> 00:57:48,120 Speaker 1: then treat him like a guest, right like like like 1039 00:57:48,200 --> 00:57:51,120 Speaker 1: a guest. I asked questions and doing I turned that 1040 00:57:51,720 --> 00:57:56,000 Speaker 1: foot in mouth moment into an interview. I'm not recommending 1041 00:57:56,080 --> 00:57:59,520 Speaker 1: one does that, but when in dire straits nowhere else 1042 00:57:59,560 --> 00:58:04,520 Speaker 1: to turn turn into an interview. But you can't now 1043 00:58:04,600 --> 00:58:06,920 Speaker 1: wait too long before you meet up. I don't know. 1044 00:58:06,920 --> 00:58:08,680 Speaker 1: I'm gonna texting. What are we doing, I'm gonna taking 1045 00:58:08,680 --> 00:58:10,480 Speaker 1: I'm gonna take a break and texting right now. We'll 1046 00:58:10,520 --> 00:58:12,040 Speaker 1: be back. I'm texting. You need to like meet up 1047 00:58:12,080 --> 00:58:14,240 Speaker 1: in in I r L to keep the friendship, keep 1048 00:58:14,280 --> 00:58:17,400 Speaker 1: them a minute tonight. Okay, not tonight, but definitely within 1049 00:58:17,440 --> 00:58:20,320 Speaker 1: the next week. You guys give bad adult friend advice. 1050 00:58:20,400 --> 00:58:23,040 Speaker 1: But yes, I r L. I r L. Hang on 1051 00:58:22,960 --> 00:58:31,200 Speaker 1: on air with Ryan Seacrest. That's it for us. We 1052 00:58:31,240 --> 00:58:34,280 Speaker 1: are going to roll out. Garty Diaz is next. All 1053 00:58:34,320 --> 00:58:37,440 Speaker 1: new Ryan's Roses coming Monday. We'll talk to them until 1054 00:58:37,480 --> 00:58:40,240 Speaker 1: I have a great weekend. Be safe, take your car 1055 00:58:40,240 --> 00:58:43,560 Speaker 1: of somebid. Thanks for listening to On Air with Ryan Seacrest. 1056 00:58:43,920 --> 00:58:46,400 Speaker 1: Make sure to subscribe and we'll talk to you again Monday.