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Speaker 1: Blending Vice's signature dynamic storytelling with the high octane world

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Speaker 2: The volume.

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Speaker 3: Remies you.

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Speaker 4: I'm all, I'm Rory, and we are starting for the

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Speaker 4: first time the best of the week new Rory and

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Speaker 4: Mall because they need more, Yes Rory, and more all

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Speaker 4: of our amazing moments. We understand people are busy. If

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Speaker 4: it gets to those weeks. On Sundays, you can come

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Speaker 4: right here and get the best of what happened from

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Speaker 4: this entire week Monday through Sunday.

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Speaker 5: The best of us, Yes, the best of the best

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Speaker 5: of me, the best of me, Yes, because there's two

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Speaker 5: of us, pressure bust pipes exactly every Sunday. Best of Us,

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Speaker 5: best of Us, best of Rory, mal best of us,

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Speaker 5: the best of us. We'll give you the best of us. Yeah, Mom,

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Speaker 5: only the best. This is only for the best, for

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Speaker 5: the best.

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Speaker 3: Peas drop that beat.

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Speaker 4: Well.

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Speaker 5: The one thing that happened is this, this this one

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Speaker 5: hundred men versus one gorilla, shit really took off again.

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Speaker 3: I'd like my flowers. This one is just all to

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Speaker 3: the team for whatever reason.

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Speaker 5: I just don't know why this is taken off again

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Speaker 5: and why everybody seems to be still debating this one hundred.

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Speaker 5: Let me explain something to people that I think people

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Speaker 5: don't understand because I see people with theories like, no,

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Speaker 5: we'll send the first twenty five in and then we'll

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Speaker 5: send the second wave in, and this that when y'all

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Speaker 5: see what that gorilla do to the first three niggas,

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Speaker 5: and when they start that gorilla start throwing niggas around

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Speaker 5: like nunchucks, just picking ning up by his leg is

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Speaker 5: just start doing whatever, and all his guts fall out

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Speaker 5: of his ears, and shit, I want to know who's

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Speaker 5: gonna keep charging the gorilla after that?

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Speaker 4: So the only I was raising I'm not a spartan.

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Speaker 4: I was not raised some birth to be this. If

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Speaker 4: you I am going to leave, this is wise bullshit.

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Speaker 5: If it was one hundred men in a park, same

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Speaker 5: Central Park, Million Man March.

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Speaker 3: If they said it's a gorilla.

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Speaker 5: Loose, every nigga in that park would start running for cover.

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Speaker 5: Niggas ain't gonna say where's that it start charging that.

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Speaker 3: That defeats all of that shit.

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Speaker 5: You could say it's a pit bull loose at the

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Speaker 5: Million Mare March, and niggas.

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Speaker 3: As run a gorilla.

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Speaker 4: Imagine somebody Mama and Muhammad Ali would get along, Yeah,

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Speaker 4: we got it.

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Speaker 5: Look gorilla, yo, come on, man, we gotta let's have

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Speaker 5: fun with it. Would come on, man, y'all not doing

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Speaker 5: nothing with no gorilla.

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Speaker 2: So to be fair, to be fair, these men would

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Speaker 2: be signing up, so it wouldn't just do dad, that's fine, right,

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Speaker 2: But the only thing.

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Speaker 3: Signed up for Afghanistan. He wasn't prepared.

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Speaker 4: That mean just sign up, don't mean you ready, no,

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Speaker 4: But he got shot in the leg in North Africa

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Speaker 4: and was like, I'm going to Temple University.

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Speaker 3: It's over a gorilla, right, go ahead baby, Okay.

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Speaker 2: But the only theory that I saw that made sense

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Speaker 2: is that if a gorilla saw one hundred men, because

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Speaker 2: he doesn't usually come into contact with men in the wild.

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Speaker 2: If he saw one hundred men, he might be afraid.

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Speaker 2: That's it might scare.

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Speaker 3: Him a little bit. That's all I'm saying.

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Speaker 5: Okay, that's great point right when you, Oh, hold, I

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Speaker 5: got this, I got this great point right now? What

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Speaker 5: you what you didn't factor in is they have that

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Speaker 5: gen at some point because it's one hundred minute versus

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Speaker 5: of meaning, these one hundred men are trying to get

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Speaker 5: this gorilla to submit and beat the gorilla. Right, It's like, basically,

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Speaker 5: kill the gorilla is what you're gonna have to do. Yes,

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Speaker 5: when that gorilla figures out where it's at on the

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Speaker 5: food chain, you don't want to be around when the

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Speaker 5: gorilla find out like, oh, I can kill all of

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Speaker 5: you niggas right now. You don't want to be around

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Speaker 5: when the gorilla figures because you're right, the gorilla might

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Speaker 5: be thrown off at first, like yo, what is this?

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Speaker 5: But when the gorilla, when that light bulb goes off

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Speaker 5: and the gorilla figures out like oh, like I can

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Speaker 5: kill each and every one of y'all, you just don't

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Speaker 5: want to be around. Like when the first you've never

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Speaker 5: seen a man split in half like his limbs pulled

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Speaker 5: off of his body. Nah, if you were to see

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Speaker 5: that happen twenty feet from you, the one thing I

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Speaker 5: can promise you is you're not going to keep engaging

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Speaker 5: the animal that just did that. You're going to retreat.

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Speaker 5: That's just a natural thing in your body that's gonna say,

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Speaker 5: get the fuck out of here. One hundred men versus

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Speaker 5: one gorilla, it would be ninety seven deaths. Three niggas

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Speaker 5: would get away.

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Speaker 4: Five if Joe Fraser was around in the prime to

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Speaker 4: throw the first chin shot and everyone realized that that

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Speaker 4: did nothing but make the gorilla go wish. I yeah,

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Speaker 4: everybody is be like I never never mind.

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Speaker 5: I think that people don't know what a gorilla is.

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Speaker 5: I think they kind of nosiously. I think people because

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Speaker 5: some people might think of it's probably a chimp or

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Speaker 5: just a monkey, you know what I'm saying. Like they're like, oh,

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Speaker 5: not a little cute, No, we're talking about like a

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Speaker 5: silver back.

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Speaker 3: No.

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Speaker 2: Then they then they upped it. This is when I

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Speaker 2: this is when niggas lost me. They said, all right,

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Speaker 2: what about two hundred niggas versus a full grown polar bear.

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Speaker 3: Bitch. I'm cool. It's just getting this getting crazy. I'm cool.

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Speaker 4: It's getting crazy, and I assume we're in his environment.

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Speaker 5: Well, naturally, Park niggas don't like the cold. First of all,

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Speaker 5: we got to start there.

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Speaker 4: It's gonna be slipping slided tickets to the house. We're

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Speaker 4: cooked on a fucking.

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Speaker 2: So somebody came up with their dream team for beating

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Speaker 2: the gorilla maul.

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Speaker 3: Can you read that for me? Please? Who is this? All? Right?

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Speaker 3: Fuck it, let's go.

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Speaker 5: So this gentleman says, give me three Baltimore niggas, thirty

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Speaker 5: some oens, twelve Chicago niggas, five Nola punks, and.

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Speaker 2: By punk told he needs punks, he meant them niggas.

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Speaker 3: That Rory was just about.

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Speaker 4: To say, I want I want to add this gentleman's

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Speaker 4: that if you gave me five of those transgenders with

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Speaker 4: the automatic rifles outside of poor boy, we might just

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Speaker 4: need five.

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Speaker 3: No weapons, no weapons, there's no weapons. It's hands. If

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Speaker 3: it's weapons, you can shoot a gorilla and killer. Yeah,

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Speaker 3: we know that. It's on a hand in hand combat. Nah,

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Speaker 3: everybody anyone else has guns?

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Speaker 5: Five Nola punks, the two thousand and four Detroit Pistons,

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Speaker 5: Draymond Green two thousand eight Lebron the Baby salon An

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Speaker 5: The baby comes with guns though, that's what I'm saying,

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Speaker 5: that's funny.

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Speaker 4: The only one that's really proven on this entire thing

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Speaker 4: is Clanne. The only one I've seen hands work before

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Speaker 4: on this list is Salaune.

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Speaker 3: The baby is frying. The twelve from Chicago will be

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Speaker 3: on Perks Yo, this is just bad.

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Speaker 2: Ninety seven Mike Tyson. Floyd Mayweather ain't gonna do shit.

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Speaker 3: It's twenty He's a finesse fighter. He ain't not doing

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Speaker 3: twenty Florida men slash women. Yeah, because Floyda is a counterpuncher,

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Speaker 3: so that means the gorilla.

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Speaker 4: They will figure out how to capitalize on this fight

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Speaker 4: and get out of dodge.

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Speaker 1: Yeah.

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Speaker 6: Yeah.

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Speaker 3: This will be promoted by moneyboy promotions.

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Speaker 5: And then it says in some here toity and we

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Speaker 5: bring home a Javanci silver Back for cod.

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Speaker 4: Not not even a tiny bit, fam I just not

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Speaker 4: even a tiny bit.

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Speaker 5: This is why, this is why you just gotta love

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Speaker 5: the social media, Because everybody that jumped in on this

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Speaker 5: and had fun with this, if they were in an

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Speaker 5: enclosed fucking location with one gorilla, they would literally pass

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Speaker 5: the fuck out. I'm talking about where you know the

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Speaker 5: gorilla is faced like eye level like not you're up

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Speaker 5: above a pit looking down. No, you're in the pit

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Speaker 5: with the gorilla. You're not doing nothing with that fucking gorilla.

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Speaker 3: Man.

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Speaker 4: I still think, three years later, since we were the

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Speaker 4: first people to have this conversation, my strategy, after watching

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Speaker 4: everyone's strategy this weekend, I think still stands.

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Speaker 3: They're ticklers. Who is gonna get that's trying to understand.

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Speaker 4: It sacrificing at least six of the guys from Chicago

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Speaker 4: and the other six can tickle, Like while he's tearing

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Speaker 4: apart everyone from O block.

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Speaker 3: You know we can somebody get You think they thumb

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Speaker 3: up his ass.

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Speaker 5: That's not enough. Y'all not listening. That's affecting. Y'are not listen.

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Speaker 5: You don't even know what his ass, y'all are. Y'all

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Speaker 5: are gonna die, man, y'all are gonna fucking die.

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Speaker 3: He just said ya yo, a gorilla. Yo. I would

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Speaker 3: pay to see a hundred niggas fight a girl.

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Speaker 5: I would pay top dollar to see a hundred stupid

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Speaker 5: niggas jump in the pit with a gorilla.

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Speaker 3: They would have to get on.

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Speaker 5: That gorilla is gonna take you niggas apart like mister

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Speaker 5: potato heads some.

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Speaker 3: Russell Crome maximum Ship.

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Speaker 4: But I mean he even had weapons, Like he's be

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Speaker 4: some strategy. What we said, go back to her old clip.

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Speaker 4: I was like, all right, ten at the time, maybe

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Speaker 4: there could be a shot.

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Speaker 3: Fam is no shot, bro, No, the.

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Speaker 4: First thirty getting sacrificed, like everybody's dying.

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Speaker 5: The only people that's gonna survive is the people that

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Speaker 5: were smart enough tough, like yo, get me out of here.

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Speaker 5: And that's after seeing ninety seven ninety at least ninety

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Speaker 5: people limbs ripped apart, blood everywhere, guts everywhere, and the

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Speaker 5: gorilla just sitting there playing, putting makeup on his face

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Speaker 5: with your blood like.

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Speaker 4: And my shit, I just don't know what when I

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Speaker 4: was reading, like everyone not even the jokes, like people

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Speaker 4: that were serious, like trying to put strategies together, like

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Speaker 4: all right, we'll take twenty just to get him down,

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Speaker 4: and then two people get him in a headlock. I say, so,

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Speaker 4: y'all know where a gorilla's windpipe is. Nobody tell y'all

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Speaker 4: get into a gorilla's win wind fight. Well, I mean,

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Speaker 4: if we organize him a bulletproof vest on regularly you

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Speaker 4: know it's nothing happened. If you could put a gorilla

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Speaker 4: in a choke hold, your arm is breaking, not his neck.

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Speaker 3: Yeah, it's not happening, Okny, y'all read this tweet had

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Speaker 3: me fucking crying.

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Speaker 4: Bro.

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Speaker 2: Twitter has had me in tears between Sinners and this

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Speaker 2: gorilla shit.

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Speaker 3: Twitter is back old, Twitter is back. Lay mass nigga

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Speaker 3: got the ops tatted because he got a gorilla on

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Speaker 3: his arm. Yo, Twitter Yo.

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Speaker 2: Somebody said, now we're down to ninety nine niggas because

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Speaker 2: this nigga w on Dick Ride.

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Speaker 3: I just don't get.

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Speaker 5: I just don't get how people are really trying to

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Speaker 5: break down how they can really do this.

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Speaker 4: I hit shot money and denounce my g unit affiliation.

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Speaker 3: I can't rock with him anymore. Hen't do no gorilla unit.

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Speaker 5: Fam Listen, let me tell you something. Y'all go ahead

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Speaker 5: and keep playing his one hundred dude Roysus is a

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Speaker 5: gorilla shit. If y'all want to, they're gonna end up

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Speaker 5: setting it up, you know what. I just who jo fam.

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Speaker 5: Let me tell you something. They need to go to

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Speaker 5: an exhibit, like go to a zoo or somewhere where

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Speaker 5: you could just see like a fake gorilla outside that

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Speaker 5: like and just stand next to it, you know what,

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Speaker 5: Put your hand in the palm of a real gorilla

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Speaker 5: hand and just rethink this thing again.

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Speaker 4: See I didn't like this because all the women were

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Speaker 4: getting their kikey laughs off, putting us in the field

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Speaker 4: about some entire thing.

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Speaker 3: Do a pop the balloon with a gorilla then?

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Speaker 1: What?

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Speaker 2: Rory?

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Speaker 3: Yeah, let him walk in that room and pop the balloon.

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Speaker 3: What he won't care?

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Speaker 5: What the fuck are you.

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Speaker 3: Tearing all them up? So disrespect him? You niggas never

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Speaker 3: want to fight, no fight. I'm not fighting a gorilla

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Speaker 3: like fight. Like you see what I'm saying. You see

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Speaker 3: how he running here a little scared so many of.

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Speaker 4: Us you missed Paul when he came back, he was

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Speaker 4: in other body parts to beat up other body parts.

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Speaker 5: Yeah, he gonna kill you swinging somebody else at you.

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Speaker 5: That's what you're not understanding, Like y'all, y'all are crazy, man.

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Speaker 4: And this is how sick demeris is now she really

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Speaker 4: not popping the balloon after she saw this, She like him?

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Speaker 2: Now, you Wow, that was I don't know something about

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Speaker 2: that felt racist?

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Speaker 3: What do you what do you think? Mam? All right?

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Speaker 4: See if y'all just because I'm wearing the shirt, I

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Speaker 4: know it seems crazier.

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Speaker 3: Yeah, but I don't think.

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Speaker 5: That we gotta take the duck Dynasty shirt off. You

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Speaker 5: gotta take that off.

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Speaker 3: It was to buy what does that say?

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Speaker 6: You got to?

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Speaker 3: They were definitely racist. There, don't do that.

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Speaker 2: Oh that was like the company I thought, you know,

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Speaker 2: you know Dynasty, the way you guys.

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Speaker 4: Go out to the sun and wear less clothes. I

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Speaker 4: have to put on like rubbery long sleeves.

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Speaker 3: Put on breathable fabric. Yeah, no, I was.

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Speaker 4: I was head to toe in my garments to be got.

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Speaker 4: But it is beautiful and I feel like it's it's

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Speaker 4: racist that demors thought that that was racist.

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Speaker 3: But yeah, yeah he tried it. It's way worse with

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Speaker 3: that said, do we avoids? You have got mal yo?

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Speaker 3: What's up?

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Speaker 6: Rory mal De marriage the whole pod crew. My name

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Speaker 6: is c J and I need some relationship advice. I

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Speaker 6: need you all perspective. So you know, recently got engaged.

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Speaker 6: You know, me and my fiance I've been together.

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Speaker 3: For a little while.

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Speaker 6: Now I trust her completely. My only issue right now

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Speaker 6: is when she goes home to our home state. We

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Speaker 6: live away from our home state. Right now, she'll go

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Speaker 6: home a couple of times, you know, throughout the year herself,

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Speaker 6: and when she goes home, she hangs out with her

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Speaker 6: single friends. And when they hang out, they go out

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Speaker 6: to bars and all that. But also they're staying out

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Speaker 6: super late, so they'll stay out til four sometimes five am.

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Speaker 6: And I feel like, especially now as a fiance, like

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Speaker 6: there's certain boundaries and things you should do differently, especially

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Speaker 6: around single friends. Like you know, like I'm sure there's

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Speaker 6: guys around at the crib. They're hanging out, you know,

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Speaker 6: late hours. So my question to you is, like, in

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Speaker 6: a relationship, do you have any like set time, like

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Speaker 6: you got a curfew for your partner or you to

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Speaker 6: be home by Also, you know, would you address it

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Speaker 6: in a certain way?

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Speaker 3: I know in New York, like.

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Speaker 6: You can stay out heller late and maybe it's not

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Speaker 6: that big of a deal, but I don't know, I

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Speaker 6: feel a way about it, Like how should I approach it?

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Speaker 3: My bugging? Should I just let her do her?

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Speaker 6: I appreciate any advice.

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Speaker 4: Thank you shouldn't be engaged with some do you think

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Speaker 4: would be fucking somebody at some late hours?

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Speaker 3: Like what I like the voicemail, But come on, like,

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Speaker 3: what are we doing here? Is that your advice? Yo?

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Speaker 3: You already My advice is this is stupid.

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Speaker 4: You don't try, Like why why did you get engaged

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Speaker 4: with somebody that you would feel that the very few

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Speaker 4: times that she goes up, very few which I believe

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Speaker 4: was quoted there, that she goes out, she stays out

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Speaker 4: late with her friend. But I'm if you think your

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Speaker 4: girl is gonna fuck somebody, why'd you?

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Speaker 3: Like? What are we doing? I don't think that's what

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Speaker 3: he's He's just saying.

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Speaker 4: What's wrong if your girl goes out till six am

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Speaker 4: every now and then we're her single friend.

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Speaker 3: First of all, that doesn't mean that it's an orgy.

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Speaker 5: First of all, first of all, ain't nothing outside till

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Speaker 5: six am but the devil and prostitutes.

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Speaker 3: So you think it's girl is getting prostitutes. I don't

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Speaker 3: know what or maybe they want.

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Speaker 5: I'm just saying, maybe they were to Wendy's and I'm

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Speaker 5: just passed out on her friends call that Wendy ship

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Speaker 5: passed out on the bitch couch, woke up with egg

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Speaker 5: yolk and ass I know how it goes.

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Speaker 3: What I'm saying is when you engaged.

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Speaker 4: You when you are engaged, you don't serve that at

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Speaker 4: Wendy's should getting her asked.

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Speaker 5: I'm talking about the lube, the lube in the butt,

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Speaker 5: when I'm talking about if you are engaged, there's no

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Speaker 5: reason for you to be out till six in the morning. Why,

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Speaker 5: because what the fuck is happening at in the morning?

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Speaker 5: What is going on the morning?

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Speaker 3: He does this consistently, the club thing.

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Speaker 5: First of all, my fiance ain't closing no club down

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Speaker 5: there for you. And let's get to that. That's number one,

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Speaker 5: first of all. So what are you doing till six am.

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Speaker 3: In the morning.

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Speaker 4: Well, we're adding these numbers in, he said. It's not

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Speaker 4: New York, so we assume it probably closed.

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Speaker 3: Probably two, he said, a specific time. He said five. Yeah,

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Speaker 3: but the club probably closes at two or three. I

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Speaker 3: don't care. What your girl not supposed to be in.

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Speaker 4: The streets in the morning is that her friends, her

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Speaker 4: high school friends, she never really goes out like that,

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Speaker 4: and they want to go to the club till one

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Speaker 4: two am and then go back to her own girl's

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Speaker 4: house and just fucking kick it and eat, and she

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Speaker 4: passes out.

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Speaker 3: I don't care. It is a regular thing where every setting,

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Speaker 3: every time she goes home, he said that from.

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Speaker 4: There, and rarely she goes by herself without him. If

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Speaker 4: that happens a few times, like you really think she's

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Speaker 4: doing something. You think she's trying to fuck old boy

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00:16:10,440 --> 00:16:13,240
Speaker 4: from freshman year. Listen, listen. They ain't got nothing to

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Speaker 4: do with that, because women could fuck in the daytime too.

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Speaker 2: I was just about to say, if she fucking is

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Speaker 2: during the daytime and they at five am when she drunk.

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Speaker 5: I'm just saying it's a respect thing because if he

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Speaker 5: was walking in the crib at Foxics in the morning,

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Speaker 5: she would have a problem with that. What come on, man,

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Speaker 5: cut the ship. Women have a problem. You walk in

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Speaker 5: the house, you get up at five, You need to

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Speaker 5: be home at five oh three.

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Speaker 3: What kind of women are you dating?

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Speaker 5: Women in America? American women, it's who I'm dating. Yes,

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Speaker 5: if you have you have a time to get up.

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Speaker 5: If you have a time, If you get up for

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Speaker 5: work at five and you ain't home by eight and

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Speaker 5: you didn't tell your spouse like y'all got plans, I'm stopping,

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Speaker 5: which is talking about eight to eight pm and you

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Speaker 5: ain't home, your phone is ringing, you know where you at.

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Speaker 4: You're proving my point more of the this is a consistent

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Speaker 4: thing or some weird shit. If she once or twice

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Speaker 4: a year goes back home without you and hangs out

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Speaker 4: with her high school friends whatever the fuck and they

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Speaker 4: go out, Now, why would you think your girl doing that?

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Speaker 4: If she's consistently trustworthy the entire time. No, if she

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Speaker 4: said some weird shit, he said, you caught her talking

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Speaker 4: to somebody from back there, like you get, then there's

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Speaker 4: some different factors in there.

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Speaker 3: Yeah, but you're missing what he's saying. He's just saying

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Speaker 3: to be out that late.

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Speaker 5: He's like, yo, like to find out not in your bed?

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Speaker 3: Is this his daughter?

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Speaker 5: It's his girl? Like with you, it's his fiance. He

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00:17:38,880 --> 00:17:40,560
Speaker 5: just like, Yo, at six am, why are you not

390
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Speaker 5: in the.

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Speaker 3: House and she asleep?

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Speaker 4: If she is in bed with her best friend from

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Speaker 4: fucking could start about going back home from this big Yeah,

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Speaker 4: go ahead, sleep at your fucking homegirl in her bed,

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Speaker 4: I don't care the fuck so nice And and you

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Speaker 4: also are like, they don't live there, so where supposed

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Speaker 4: to say? The who?

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Speaker 3: That ship sound good? Coming from him? That sound good?

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Speaker 3: He ain't going. He ain't going, like he ain't gonna

400
00:18:04,400 --> 00:18:08,640
Speaker 3: be smart with his bitch, leave him alone. Matter of fact,

401
00:18:09,000 --> 00:18:13,119
Speaker 3: do you stay the week? All right?

402
00:18:13,119 --> 00:18:15,280
Speaker 4: But if she's going there, she's probably either staying with

403
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Speaker 4: her parents or family or staying with her friends. Like, so,

404
00:18:19,880 --> 00:18:22,720
Speaker 4: what's the big If she out till six am and

405
00:18:22,800 --> 00:18:25,800
Speaker 4: the club's closed at one, what the fuck is you doing?

406
00:18:26,320 --> 00:18:29,360
Speaker 4: You out champing Black and Miles. If she's going I'm

407
00:18:29,359 --> 00:18:31,040
Speaker 4: gonna wonder what's going on. But if you back with

408
00:18:31,119 --> 00:18:33,520
Speaker 4: your friends and you left the club at one and

409
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Speaker 4: y'all are just at the crib being drunk, stupid and

410
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Speaker 4: laughing and like pass out, I don't give a fuck.

411
00:18:39,400 --> 00:18:40,919
Speaker 4: I'm going to sleep. You think I'm waiting up at

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Speaker 4: six am? If you think your girls cheating, that's a

413
00:18:44,920 --> 00:18:45,320
Speaker 4: different thing.

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Speaker 3: But if you trust your girl, he's just pardon right now,

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Speaker 3: that's all.

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00:18:49,760 --> 00:18:52,920
Speaker 5: No, I'm not. I'm telling you exactly. Let his bitch

417
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Speaker 5: stay out past.

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Speaker 3: Don't do that because I'm not that guy.

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Speaker 5: But till six am, you bugging the fuck out because

420
00:19:00,080 --> 00:19:01,639
Speaker 5: we could both play the six am game. And I

421
00:19:01,720 --> 00:19:05,679
Speaker 5: promise you I'm a vet ma, I'm not shot. I

422
00:19:05,680 --> 00:19:10,440
Speaker 5: could do from eight pm to six am. I'm a legend.

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00:19:10,240 --> 00:19:14,920
Speaker 5: I listen, I'll be you just go to Dairy Queen

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Speaker 5: with your friends.

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00:19:16,600 --> 00:19:17,399
Speaker 3: Know that's gay ship.

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Speaker 5: You go, I'll be in motherfucking I could go from

427
00:19:20,440 --> 00:19:22,160
Speaker 5: Beverly Hills to Tarzana back.

428
00:19:22,200 --> 00:19:23,560
Speaker 3: I could do a bunch of it from APM.

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00:19:23,640 --> 00:19:27,280
Speaker 4: It sounds like some fucking hometown hold on Middle American ship.

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Speaker 3: That's what the niggas is at. But this is the

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Speaker 3: thing of may no offense.

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Speaker 5: I'm talking about any nigga that my girls out till

433
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Speaker 5: six am with her single and a single for a reason. Oh,

434
00:19:39,240 --> 00:19:42,800
Speaker 5: that's such a bullshit. Like every single chicken ship, that's

435
00:19:42,800 --> 00:19:44,960
Speaker 5: such bullshit. I'm not saying every chickens fucking. I'm just

436
00:19:44,960 --> 00:19:46,600
Speaker 5: saying niggas, chicks get fucked.

437
00:19:48,680 --> 00:19:50,760
Speaker 4: That's what I'm saying, not disagreeing. I'm not saying every

438
00:19:50,800 --> 00:19:54,200
Speaker 4: chicken speak for every girl. No, I've had sex before.

439
00:19:54,240 --> 00:19:56,840
Speaker 4: I know I would never speak for every woman. But

440
00:19:56,880 --> 00:19:58,960
Speaker 4: women be out here fucking. I'm aware of that, all right,

441
00:19:59,040 --> 00:20:02,000
Speaker 4: So so let's let's then that's now.

442
00:20:02,040 --> 00:20:04,600
Speaker 5: What I'm saying is, if your girl is out till

443
00:20:04,680 --> 00:20:08,000
Speaker 5: six am, I just want to know what y'all doing

444
00:20:08,080 --> 00:20:08,760
Speaker 5: till six am.

445
00:20:09,080 --> 00:20:10,400
Speaker 3: Well, I can chime in.

446
00:20:11,040 --> 00:20:12,879
Speaker 2: This is you know, as the woman in the I

447
00:20:12,960 --> 00:20:15,399
Speaker 2: can chime in as the woman who is from a

448
00:20:15,400 --> 00:20:17,800
Speaker 2: small town and who goes home and often don't be

449
00:20:17,800 --> 00:20:19,120
Speaker 2: getting home to like four am.

450
00:20:19,640 --> 00:20:20,880
Speaker 3: When you're with your like.

451
00:20:20,960 --> 00:20:25,440
Speaker 2: Homegirls and you're like her hometown. She probably running around

452
00:20:25,480 --> 00:20:27,960
Speaker 2: in jeans and sneakers, probably pissy drunk because she know

453
00:20:28,040 --> 00:20:30,840
Speaker 2: the area, she feels safe. She's around a bunch of people,

454
00:20:30,880 --> 00:20:33,120
Speaker 2: she knows, she's having fun. They're probably doing dumb shit

455
00:20:33,160 --> 00:20:35,760
Speaker 2: waiting in the fucking McDonald's line, drunk, torking out the

456
00:20:35,760 --> 00:20:37,400
Speaker 2: fucking window, trying to get.

457
00:20:37,240 --> 00:20:38,840
Speaker 3: Cold out to be doing that.

458
00:20:39,480 --> 00:20:44,120
Speaker 5: Why my fiance don't like a year like at McDonald

459
00:20:44,160 --> 00:20:44,680
Speaker 5: If she's not doing.

460
00:20:44,640 --> 00:20:49,400
Speaker 4: That every Saturday, that a conversation, but like keV one

461
00:20:49,480 --> 00:20:51,680
Speaker 4: fucking night with her her friend from home.

462
00:20:51,840 --> 00:20:55,480
Speaker 2: Of course, also will probably be a different age than

463
00:20:55,520 --> 00:20:57,679
Speaker 2: his fiance. He sounds a little younger than you, so

464
00:20:57,720 --> 00:21:00,800
Speaker 2: his fiance is probably in her twenties, maybe early thirties.

465
00:21:01,280 --> 00:21:03,720
Speaker 2: Like if she's out, goes home every once in a while,

466
00:21:03,760 --> 00:21:06,080
Speaker 2: once or twice a year, and gets super drunk where

467
00:21:06,080 --> 00:21:07,000
Speaker 2: her friends having fun.

468
00:21:07,080 --> 00:21:07,919
Speaker 3: That's what girls do.

469
00:21:08,200 --> 00:21:10,320
Speaker 5: Yeah, I'm not saying I'm not saying she can't hang

470
00:21:10,320 --> 00:21:11,800
Speaker 5: out with her girls and get drunk and have fun.

471
00:21:11,840 --> 00:21:12,600
Speaker 3: That's not what I'm saying.

472
00:21:13,040 --> 00:21:15,520
Speaker 5: I'm saying he's saying that this is something that seems

473
00:21:15,560 --> 00:21:17,960
Speaker 5: to be happening every time she goes home.

474
00:21:19,320 --> 00:21:21,760
Speaker 3: So there's a pattern here a lot few times.

475
00:21:21,800 --> 00:21:24,680
Speaker 5: What are y'all doing till six in the morning every

476
00:21:24,720 --> 00:21:27,040
Speaker 5: time you go back home? Why is it you out

477
00:21:27,080 --> 00:21:27,920
Speaker 5: till six in the morning?

478
00:21:28,240 --> 00:21:30,560
Speaker 4: And I know you, I know you're iller than us

479
00:21:30,680 --> 00:21:33,560
Speaker 4: and like any chick that sees you like she fucking

480
00:21:33,800 --> 00:21:36,000
Speaker 4: But like not every girl just goes out and just

481
00:21:36,000 --> 00:21:36,840
Speaker 4: like fucks it, dude.

482
00:21:37,400 --> 00:21:40,280
Speaker 5: But who Sometimes girls go out and you keep saying fucking.

483
00:21:40,440 --> 00:21:43,719
Speaker 5: I've never said she was fucking anybody. I never said that.

484
00:21:43,800 --> 00:21:46,520
Speaker 3: It's recorded, I said she I said she fucks somebody.

485
00:21:46,560 --> 00:21:49,000
Speaker 2: No, he said you said women be fucking. No, yeah,

486
00:21:49,160 --> 00:21:51,639
Speaker 2: because women be fucking Are we talking about it?

487
00:21:52,040 --> 00:21:52,320
Speaker 6: Small?

488
00:21:52,440 --> 00:21:54,560
Speaker 3: But like some women really just go out and go home,

489
00:21:54,640 --> 00:21:56,720
Speaker 3: and someone would really go out and get fucked and

490
00:21:56,760 --> 00:22:01,879
Speaker 3: go back you that often he's now doing. You think

491
00:22:01,920 --> 00:22:03,320
Speaker 3: that that's what his fiance is doing.

492
00:22:03,480 --> 00:22:05,840
Speaker 5: I think that he feels like something is going on.

493
00:22:05,880 --> 00:22:07,840
Speaker 5: I'm not saying he feels like his fiance is fucking

494
00:22:08,240 --> 00:22:13,200
Speaker 5: but he feels he called here. He called me, He

495
00:22:13,240 --> 00:22:16,240
Speaker 5: called me job stop giggling. They called me and asked

496
00:22:16,280 --> 00:22:20,000
Speaker 5: the question. So let me give him concern here, because

497
00:22:20,000 --> 00:22:22,159
Speaker 5: he did call concern this.

498
00:22:22,280 --> 00:22:29,400
Speaker 3: It came on my back like I'm just put these papers.

499
00:22:29,720 --> 00:22:33,480
Speaker 2: The fact his call is, do you think it's inappropriate?

500
00:22:33,480 --> 00:22:35,760
Speaker 2: His call was never that he thinks something's going on.

501
00:22:35,880 --> 00:22:36,840
Speaker 3: That's why I never said that.

502
00:22:36,840 --> 00:22:41,200
Speaker 2: That's why inappropriate for a woman in a relationship to do, Yes.

503
00:22:41,000 --> 00:22:42,880
Speaker 3: It is. That's what it is. Inappropriate for a woman

504
00:22:42,920 --> 00:22:44,240
Speaker 3: in relationship to be out of suction.

505
00:22:44,520 --> 00:22:47,040
Speaker 2: If it happens more than three times a year, more

506
00:22:47,080 --> 00:22:49,760
Speaker 2: than twice a year, I think that it's I'll say

507
00:22:49,760 --> 00:22:52,440
Speaker 2: three times. I think that it's inappropriate. If she's coming

508
00:22:52,480 --> 00:22:55,520
Speaker 2: home past three four o'clock more than three times a year,

509
00:22:55,560 --> 00:22:57,560
Speaker 2: I think that it might be inappropriate because that shows

510
00:22:57,560 --> 00:23:00,280
Speaker 2: a pattern. But if it happens every once in a

511
00:23:00,280 --> 00:23:02,800
Speaker 2: while while she's with her girls, you know what she doing,

512
00:23:02,880 --> 00:23:05,480
Speaker 2: You got the location she's you.

513
00:23:05,480 --> 00:23:08,120
Speaker 3: You don't know. He probably knows what his shit. He

514
00:23:08,200 --> 00:23:11,080
Speaker 3: called him because he don't know.

515
00:23:11,240 --> 00:23:13,119
Speaker 2: That's not what he did. He never said he didn't

516
00:23:13,119 --> 00:23:15,520
Speaker 2: know what she was doing. He just said that she

517
00:23:15,680 --> 00:23:18,240
Speaker 2: was out late. For example, Alex, y'all know Alex, y'all

518
00:23:18,240 --> 00:23:20,439
Speaker 2: have met my best friend Alex. Alex is in a loving,

519
00:23:20,520 --> 00:23:24,280
Speaker 2: healthy relationship. I had Alex at Sahara East till four

520
00:23:24,280 --> 00:23:25,320
Speaker 2: o'clock in the morning.

521
00:23:25,080 --> 00:23:26,120
Speaker 3: And her man don't like you.

522
00:23:26,160 --> 00:23:28,840
Speaker 2: Oh no, he loves me because he know he has

523
00:23:28,880 --> 00:23:29,440
Speaker 2: her location.

524
00:23:29,600 --> 00:23:31,120
Speaker 3: He sees she has Sahara.

525
00:23:31,200 --> 00:23:33,679
Speaker 2: Now, usually we leave Saharah about twelve o'clock, right, we're

526
00:23:33,760 --> 00:23:34,880
Speaker 2: never at Sahara till four.

527
00:23:35,160 --> 00:23:36,400
Speaker 3: But it was just one of them nights.

528
00:23:36,440 --> 00:23:38,440
Speaker 2: We was just chilling, like we didn't pay attention to

529
00:23:38,480 --> 00:23:40,840
Speaker 2: how far along the time was. So at four he

530
00:23:40,920 --> 00:23:42,320
Speaker 2: texted her, was like, ah, it's time for you to

531
00:23:42,320 --> 00:23:43,000
Speaker 2: get your ass home.

532
00:23:43,160 --> 00:23:44,960
Speaker 3: She did not get in trouble. He was not mad.

533
00:23:45,000 --> 00:23:45,320
Speaker 3: It was like.

534
00:23:47,640 --> 00:23:47,800
Speaker 7: That.

535
00:23:47,880 --> 00:23:49,520
Speaker 3: It was just like, okay, girl's time for you to

536
00:23:49,560 --> 00:23:50,119
Speaker 3: come home.

537
00:23:50,520 --> 00:23:52,560
Speaker 2: But he knows what she was doing, where she at,

538
00:23:52,600 --> 00:23:54,560
Speaker 2: who she's with, because that's a safety issue. That's the

539
00:23:54,600 --> 00:23:56,760
Speaker 2: first thing I thought. Your girl also six am, where

540
00:23:56,800 --> 00:23:57,879
Speaker 2: is she at? Do you have a location?

541
00:23:58,119 --> 00:23:59,399
Speaker 3: Stuff? So much about the girl.

542
00:23:59,600 --> 00:24:02,720
Speaker 5: I don't know who you it, I don't know who

543
00:24:02,800 --> 00:24:06,399
Speaker 5: they invited, so I don't know who's around, Like, if

544
00:24:06,400 --> 00:24:07,159
Speaker 5: it's guys.

545
00:24:06,880 --> 00:24:09,000
Speaker 3: Around, I don't know. He never said I can't vouch

546
00:24:10,680 --> 00:24:11,280
Speaker 3: guys around.

547
00:24:11,280 --> 00:24:13,440
Speaker 4: He said that if you're getting engaged, you at least

548
00:24:13,520 --> 00:24:16,440
Speaker 4: have a pretty good grasp on her friend group and

549
00:24:16,520 --> 00:24:19,199
Speaker 4: which friends are, which I'll even speak to when I

550
00:24:19,320 --> 00:24:23,040
Speaker 4: was engaged. You're saying three times a year is crazy.

551
00:24:23,240 --> 00:24:25,240
Speaker 4: If we're in New York City, if you stay out

552
00:24:25,280 --> 00:24:27,240
Speaker 4: till five am three times, I don't think that's crazy.

553
00:24:27,280 --> 00:24:30,160
Speaker 3: Even that ain't ship in New York. It's same as

554
00:24:30,160 --> 00:24:31,160
Speaker 3: with Noel thought.

555
00:24:31,160 --> 00:24:33,560
Speaker 4: I know she Yeah, I don't want to get into

556
00:24:33,600 --> 00:24:35,560
Speaker 4: uber with some creepy fucking guy, or get on the train,

557
00:24:35,640 --> 00:24:38,440
Speaker 4: go fucking crash there y'all going to the bar till

558
00:24:38,560 --> 00:24:40,520
Speaker 4: two am and then going to her crib in Brooklyn

559
00:24:40,720 --> 00:24:42,160
Speaker 4: stay there like what the fuck?

560
00:24:42,200 --> 00:24:45,320
Speaker 2: Oh, I didn't even tell y'all are crazy at all.

561
00:24:45,440 --> 00:24:47,400
Speaker 2: I didn't even tell y'all how Rory had me out

562
00:24:47,440 --> 00:24:49,560
Speaker 2: till four o'clock in the morning. Fast know what never

563
00:24:49,640 --> 00:24:52,119
Speaker 2: find no recently. But we ain't even got to talk

564
00:24:52,119 --> 00:24:54,840
Speaker 2: about it. I'll completely forgot about that to tell mal

565
00:24:55,359 --> 00:24:58,639
Speaker 2: completely forgot Rory had me in a rapper section at

566
00:24:58,680 --> 00:25:01,320
Speaker 2: Starlit's at four clocking the motherfucking morning.

567
00:25:01,680 --> 00:25:04,600
Speaker 3: Oh man, nasty times. Who whould you sing?

568
00:25:04,800 --> 00:25:06,960
Speaker 2: Didn't want to do sing though I didn't want to

569
00:25:07,000 --> 00:25:10,160
Speaker 2: do it, you convinced me. I didn't want to do it.

570
00:25:10,320 --> 00:25:11,720
Speaker 2: I didn't want to do it. I was about to

571
00:25:11,760 --> 00:25:14,200
Speaker 2: go home, but you were my right to Jersey Rory,

572
00:25:14,240 --> 00:25:15,080
Speaker 2: don't fucking lie.

573
00:25:15,280 --> 00:25:17,000
Speaker 3: I did not want to do that ship No Rory

574
00:25:17,080 --> 00:25:18,680
Speaker 3: lying he'd be wanting to go sit with rappers and

575
00:25:18,720 --> 00:25:20,639
Speaker 3: stall its. I didn't even know that. I didn't even

576
00:25:20,640 --> 00:25:22,199
Speaker 3: say a word. I didn't know who the rapper was.

577
00:25:23,920 --> 00:25:25,480
Speaker 3: So y'all was in a rapper section and neither one

578
00:25:25,480 --> 00:25:27,479
Speaker 3: of y'a knew. I knew the rebel. I don't know

579
00:25:28,440 --> 00:25:32,359
Speaker 3: Justice like I was with Justice shout out to Justice rapper.

580
00:25:32,680 --> 00:25:33,480
Speaker 3: No no, but like.

581
00:25:35,280 --> 00:25:38,240
Speaker 4: They signed Gucci Gang whatever like that whole ship. I

582
00:25:38,240 --> 00:25:39,720
Speaker 4: don't you think I wanted to go there because of

583
00:25:39,760 --> 00:25:41,719
Speaker 4: him Justice and the Embers.

584
00:25:41,840 --> 00:25:45,480
Speaker 5: That's different, Justices, that's family. Yeah, that's different. I thought

585
00:25:45,520 --> 00:25:47,240
Speaker 5: you were saying, like, y'all just went to some rapper section.

586
00:25:47,520 --> 00:25:51,160
Speaker 3: No no, no, no, no, drove in my car, okay,

587
00:25:51,200 --> 00:25:54,600
Speaker 3: So yeah, that's cool. Four am no, this my second

588
00:25:54,640 --> 00:25:55,680
Speaker 3: four am night with Rory.

589
00:25:56,240 --> 00:25:58,600
Speaker 5: Alright, So now if you had a boyfriend, do you

590
00:25:58,640 --> 00:25:59,960
Speaker 5: think he would have had a problem with that.

591
00:26:00,119 --> 00:26:03,080
Speaker 2: Yes, because of where I was, Because of where I was.

592
00:26:03,160 --> 00:26:05,160
Speaker 3: Okay, So now we're getting somewhere we don't know where

593
00:26:05,200 --> 00:26:06,040
Speaker 3: his fiance was at.

594
00:26:06,080 --> 00:26:08,560
Speaker 2: That's because your guests, I guarantee you his fiance was

595
00:26:08,600 --> 00:26:10,720
Speaker 2: not in a rappers section at Starlets.

596
00:26:10,800 --> 00:26:14,200
Speaker 4: You can, okay, because y'all would have been mad, because

597
00:26:14,200 --> 00:26:15,960
Speaker 4: you know you was.

598
00:26:16,160 --> 00:26:18,240
Speaker 5: But what if he was with if his fiance was

599
00:26:18,280 --> 00:26:21,520
Speaker 5: with one of her girls that be with rappers in

600
00:26:21,600 --> 00:26:24,040
Speaker 5: their sections till six in the morning, if he.

601
00:26:24,160 --> 00:26:26,280
Speaker 2: If he, if it was that, he would have said that.

602
00:26:26,440 --> 00:26:28,400
Speaker 2: I fully believe he would have said that. I don't

603
00:26:28,400 --> 00:26:30,000
Speaker 2: think it's that. I don't think it's that.

604
00:26:29,960 --> 00:26:33,080
Speaker 5: You don't trust one of them friends. He knows something

605
00:26:33,080 --> 00:26:34,200
Speaker 5: about one of them friends that.

606
00:26:34,160 --> 00:26:37,000
Speaker 3: He might be. I'm not fighting it with that. Yeah,

607
00:26:37,160 --> 00:26:38,560
Speaker 3: he knows something about one of them girls.

608
00:26:38,560 --> 00:26:40,760
Speaker 4: He's except that as girl has a passed and they

609
00:26:40,760 --> 00:26:42,880
Speaker 4: did some missions and she'd still be around him.

610
00:26:43,359 --> 00:26:45,480
Speaker 5: One of them girls probably looked her pussy before, like

611
00:26:45,480 --> 00:26:47,399
Speaker 5: when they was in high school college. You know, it

612
00:26:47,400 --> 00:26:49,240
Speaker 5: would be that type of ship. You know, y'all be

613
00:26:49,280 --> 00:26:51,920
Speaker 5: looking each other pussy. Sometimes y'all be looking at each

614
00:26:51,920 --> 00:26:53,880
Speaker 5: other pussy on the friendly head tip, like I'm gonna

615
00:26:53,880 --> 00:26:54,880
Speaker 5: give a friendly little lick.

616
00:26:55,760 --> 00:26:59,120
Speaker 3: Girls do that, y'all do that. We'll never talk about that, Demarius,

617
00:26:59,440 --> 00:27:01,160
Speaker 3: the girls. I'm just saying. It's women.

618
00:27:01,200 --> 00:27:03,400
Speaker 5: We don't never talk about the women that like had

619
00:27:03,400 --> 00:27:06,320
Speaker 5: a gay experience, like one time with their best friend,

620
00:27:06,680 --> 00:27:08,600
Speaker 5: like in high school college. Like, but what does that

621
00:27:08,640 --> 00:27:10,480
Speaker 5: have to do with anything though, because he probably know

622
00:27:10,520 --> 00:27:12,800
Speaker 5: about it. Okay, but that's he over there, think his

623
00:27:12,840 --> 00:27:15,200
Speaker 5: girl getting licked like a motherfucking stamp till six.

624
00:27:15,000 --> 00:27:19,200
Speaker 3: In the morning. Just send me the video, yeah, just because.

625
00:27:19,000 --> 00:27:20,399
Speaker 5: It ain't a god don't mean a girl and she

626
00:27:20,400 --> 00:27:23,840
Speaker 5: ain't nobody having a gay experience. Yeah, because if my

627
00:27:23,880 --> 00:27:25,919
Speaker 5: gay experience, I'm just saying, because if my girl tell me,

628
00:27:25,920 --> 00:27:28,159
Speaker 5: you're in college. In college, one night, me and my

629
00:27:28,160 --> 00:27:30,199
Speaker 5: homegirl went out and you know, girls go to the

630
00:27:30,200 --> 00:27:32,359
Speaker 5: bathroom together, and she came into store with me and

631
00:27:32,400 --> 00:27:35,119
Speaker 5: I was using the bathroom and then she basically forced

632
00:27:35,240 --> 00:27:37,119
Speaker 5: like she forced herself down on me, like licked me

633
00:27:37,160 --> 00:27:40,440
Speaker 5: a little bit. I don't want my fiance spending the

634
00:27:40,520 --> 00:27:42,920
Speaker 5: night at that girl out now just because we adults. Now,

635
00:27:44,359 --> 00:27:46,840
Speaker 5: I'll never forget you ate my girl out when they're like, nah,

636
00:27:46,840 --> 00:27:49,040
Speaker 5: we ain't doing that complete side. Want to come to

637
00:27:49,080 --> 00:27:51,640
Speaker 5: the birth please? No, she's come to the birthday dinner.

638
00:27:51,680 --> 00:27:53,480
Speaker 5: But you're not every time you go home. You're not

639
00:27:53,520 --> 00:27:54,159
Speaker 5: just staying out.

640
00:27:54,000 --> 00:27:55,320
Speaker 3: Of the bread. We're not sharing a glass.

641
00:27:55,359 --> 00:27:57,560
Speaker 5: Yeah, she want to fuck you, Like, just because she

642
00:27:57,560 --> 00:27:59,880
Speaker 5: ain't a man, don't mean she don't want to fuck you.

643
00:28:00,320 --> 00:28:03,560
Speaker 5: She went just because it's gay. Go over there and

644
00:28:03,600 --> 00:28:05,160
Speaker 5: just let y'all bump pussies all night.

645
00:28:05,720 --> 00:28:09,040
Speaker 3: Nah, fam, But we debate before that bothers you. That

646
00:28:09,080 --> 00:28:11,840
Speaker 3: doesn't bother me. What the bumping up the pussy? Just

647
00:28:11,840 --> 00:28:15,800
Speaker 3: send me the video? Nah, you tripping not letting my girl.

648
00:28:15,880 --> 00:28:19,080
Speaker 3: I will say, we need to get rid of arrogance

649
00:28:19,119 --> 00:28:19,479
Speaker 3: that we have.

650
00:28:19,840 --> 00:28:21,679
Speaker 4: Because at one of the spots in New Orleans, they

651
00:28:21,720 --> 00:28:24,760
Speaker 4: was bumping pussies in the bathroom, and I got like nervous.

652
00:28:24,800 --> 00:28:27,159
Speaker 4: I thought, New York, we have seen everything. They just

653
00:28:27,200 --> 00:28:28,880
Speaker 4: fucking each other in bathrooms, Like.

654
00:28:29,560 --> 00:28:30,399
Speaker 3: So you got nervous to that.

655
00:28:30,440 --> 00:28:34,480
Speaker 4: But absolutely he's crazy.

656
00:28:34,800 --> 00:28:39,000
Speaker 5: He was scared of the bathroom two exactly had to

657
00:28:39,040 --> 00:28:41,440
Speaker 5: peep bumping pussies. He's scared of that, but he cool

658
00:28:41,480 --> 00:28:42,520
Speaker 5: with his girl getting licked.

659
00:28:42,880 --> 00:28:46,880
Speaker 4: It wasn't my girl bumping pussies in the bathroom, so.

660
00:28:46,840 --> 00:28:50,920
Speaker 3: You would have been okay with that bathroom. No, go

661
00:28:50,960 --> 00:28:51,680
Speaker 3: back to the hotel.

662
00:28:52,480 --> 00:28:55,920
Speaker 4: Yeah, Production, production house, Like you know the germs that

663
00:28:55,960 --> 00:28:57,120
Speaker 4: are on this fucking sink.

664
00:28:58,200 --> 00:29:00,959
Speaker 3: Production, has you got your wife an open wound?

665
00:29:01,320 --> 00:29:02,600
Speaker 4: Because if a giant at the end of the day

666
00:29:02,680 --> 00:29:04,960
Speaker 4: is an open womb, you bumping pussy's on Like.

667
00:29:04,880 --> 00:29:08,880
Speaker 5: It's not an open wom it's an open wound.

668
00:29:08,880 --> 00:29:10,840
Speaker 4: It's an entry to your body. It's the entry to

669
00:29:10,880 --> 00:29:14,320
Speaker 4: where life comes back out. So don't put that nasty

670
00:29:14,440 --> 00:29:19,920
Speaker 4: ass fucking backbar germs and rub it together.

671
00:29:19,960 --> 00:29:22,480
Speaker 3: That's all okay. But if you do send me the video.

672
00:29:22,920 --> 00:29:25,600
Speaker 2: Production has just informed me that the caller has an

673
00:29:25,720 --> 00:29:29,480
Speaker 2: DU email and production is assuming that they're probably young

674
00:29:29,520 --> 00:29:30,520
Speaker 2: and fresh out of college.

675
00:29:30,840 --> 00:29:34,560
Speaker 4: Oh, I mean you should have got engage.

676
00:29:35,120 --> 00:29:37,480
Speaker 3: I'm telling you, man, he knows something about his girl's friends.

677
00:29:37,520 --> 00:29:39,120
Speaker 4: Man, No, he don't know anything yet because he had

678
00:29:39,120 --> 00:29:40,880
Speaker 4: engaged with an EU email.

679
00:29:41,320 --> 00:29:43,320
Speaker 3: He knows, he knows something. He didn't give us. He

680
00:29:43,320 --> 00:29:45,800
Speaker 3: adin't give us all the info, but he knows something.

681
00:29:45,960 --> 00:29:49,000
Speaker 2: But some men also, I feel like, I feel like

682
00:29:49,080 --> 00:29:52,240
Speaker 2: sometimes there's a certain there's a spoken rule of your

683
00:29:52,280 --> 00:29:53,840
Speaker 2: girl shouldn't do this, your girl should't do that, your

684
00:29:53,840 --> 00:29:55,320
Speaker 2: girl should do this, your girl should do that. So

685
00:29:55,360 --> 00:29:57,320
Speaker 2: I think he was mainly calling to say, I don't

686
00:29:57,360 --> 00:30:01,040
Speaker 2: think that anything is going on, but just is this appropriate, right,

687
00:30:01,120 --> 00:30:03,080
Speaker 2: because you could not think your girls cheating on you

688
00:30:03,120 --> 00:30:04,800
Speaker 2: and just think that some things are inappropriate.

689
00:30:04,840 --> 00:30:06,600
Speaker 3: And I think that's what he was calling for. Like YO,

690
00:30:06,640 --> 00:30:07,640
Speaker 3: because if you say.

691
00:30:07,600 --> 00:30:09,480
Speaker 2: To somebody, yeah, my fiance was out till five am,

692
00:30:09,520 --> 00:30:11,840
Speaker 2: I'm like, oh, what the fuck she doing? But in reality,

693
00:30:11,840 --> 00:30:15,200
Speaker 2: what's what's really going on is nothing wrong? But just

694
00:30:15,840 --> 00:30:18,920
Speaker 2: by standards, that sounds crazy. It sounds crazy that your

695
00:30:18,920 --> 00:30:21,360
Speaker 2: fiance is out till five am. But anytime I've ever

696
00:30:21,400 --> 00:30:23,880
Speaker 2: been out till five am, I was like, it's if

697
00:30:23,920 --> 00:30:26,040
Speaker 2: I'm doing some shit I have no business doing. Whether

698
00:30:26,080 --> 00:30:28,719
Speaker 2: I'm in a relationship or single, it ain't happening at

699
00:30:28,760 --> 00:30:31,240
Speaker 2: five am. If I'm still out at five am, Like

700
00:30:31,280 --> 00:30:34,360
Speaker 2: I'm out with my friends, usually in the McDonald's line,

701
00:30:34,880 --> 00:30:37,280
Speaker 2: trying to get a smoothie nuggets and talking out the

702
00:30:37,280 --> 00:30:39,520
Speaker 2: summer off drunk. That's usually what's happening at five am

703
00:30:39,560 --> 00:30:43,080
Speaker 2: with women. Just be honest, or happened at five am

704
00:30:43,120 --> 00:30:44,800
Speaker 2: with you won't stay with women?

705
00:30:45,560 --> 00:30:48,320
Speaker 5: You that's what you're doing at five point that I've

706
00:30:48,360 --> 00:30:50,040
Speaker 5: known what some women have been doing at five am

707
00:30:50,040 --> 00:30:51,160
Speaker 5: because I was doing it with them.

708
00:30:51,520 --> 00:30:53,920
Speaker 3: Oh my bad, shit, exactly, my bad.

709
00:30:54,360 --> 00:30:57,360
Speaker 4: I just my bad, even when I was like five am,

710
00:30:57,480 --> 00:30:59,880
Speaker 4: six am, who's fucking at that time?

711
00:31:00,160 --> 00:31:03,320
Speaker 5: You see you never fucked that five. Definitely fucked that

712
00:31:03,360 --> 00:31:05,120
Speaker 5: five then, so that's who's fucking you.

713
00:31:05,400 --> 00:31:09,320
Speaker 4: But I will say anytime it's been club related or

714
00:31:09,320 --> 00:31:12,480
Speaker 4: going out, That's why I preferred every city but New York.

715
00:31:12,480 --> 00:31:16,600
Speaker 4: The ship ends at two o'clock. If we shutting down

716
00:31:16,640 --> 00:31:18,800
Speaker 4: a spot at four am and then we grabbing food

717
00:31:18,920 --> 00:31:20,560
Speaker 4: the sun coming up, I'm going to fuck to sleep,

718
00:31:21,080 --> 00:31:23,960
Speaker 4: even when I'm twenty three years old, I'm going to sleep, though.

719
00:31:23,960 --> 00:31:24,120
Speaker 3: You go.

720
00:31:25,040 --> 00:31:27,160
Speaker 5: If you're going to sleep, it's because if you're going

721
00:31:27,160 --> 00:31:29,200
Speaker 5: to sleep, it's because five minutes and rolling to sleep

722
00:31:29,240 --> 00:31:29,880
Speaker 5: like it's not even if.

723
00:31:29,880 --> 00:31:30,880
Speaker 3: You going to work.

724
00:31:30,960 --> 00:31:33,600
Speaker 5: If you're going to sleep after the minon in my

725
00:31:33,640 --> 00:31:35,840
Speaker 5: house with a girl, it's because she shut the fact

726
00:31:35,880 --> 00:31:38,320
Speaker 5: down and I'm not fucking you tonight, but you ain't.

727
00:31:38,360 --> 00:31:42,000
Speaker 3: You ain't tell her to go home. You're trying to it. Yeah,

728
00:31:42,000 --> 00:31:43,720
Speaker 3: you're trying to fuck. Yeah. I'm not saying I had

729
00:31:43,720 --> 00:31:45,520
Speaker 3: a conscious brother. There you go. That's all. I'm saying.

730
00:31:45,840 --> 00:31:48,320
Speaker 3: Somebody to fuck your girl at five six in the morning.

731
00:31:48,720 --> 00:31:50,560
Speaker 4: There's going to be somebody trying to fuck your girl

732
00:31:50,600 --> 00:31:51,800
Speaker 4: for the rest of that's why.

733
00:31:52,040 --> 00:31:53,600
Speaker 5: Then, that's why you need to have your ass in

734
00:31:53,600 --> 00:31:57,720
Speaker 5: the house, niggas, drunker and hornia as the night goes.

735
00:31:57,560 --> 00:32:00,320
Speaker 4: All right, So I handed her fucking mc nugget. That's

736
00:32:00,360 --> 00:32:02,760
Speaker 4: that's what you pressed about. No offense to anyone.

737
00:32:03,080 --> 00:32:04,520
Speaker 3: If your girl with cheat on you at five am,

738
00:32:04,560 --> 00:32:06,000
Speaker 3: she was cheat on you at twelve o'clas. That's what

739
00:32:06,040 --> 00:32:07,400
Speaker 3: I'm saying, just because she's in line.

740
00:32:07,440 --> 00:32:10,560
Speaker 2: As long as you have her location, it doesn't happen often.

741
00:32:11,200 --> 00:32:13,280
Speaker 2: And y'all are still like semi young, y'all don't have

742
00:32:13,320 --> 00:32:14,320
Speaker 2: any kids, y'all, don't.

743
00:32:15,080 --> 00:32:17,240
Speaker 3: This location ship what you mean?

744
00:32:17,400 --> 00:32:19,080
Speaker 5: Because as long as you have a location, I know

745
00:32:19,160 --> 00:32:21,520
Speaker 5: girl that her man got her location and she fucking

746
00:32:21,520 --> 00:32:22,160
Speaker 5: wherever she at.

747
00:32:24,040 --> 00:32:25,960
Speaker 3: So why y'all, So y'all, why.

748
00:32:25,880 --> 00:32:29,640
Speaker 5: Y'all he has the young Map're like, why y'all hanging

749
00:32:29,680 --> 00:32:31,680
Speaker 5: your hat on? As long as you got the location,

750
00:32:32,120 --> 00:32:33,920
Speaker 5: I'm not saying that there will funk right where that

751
00:32:34,000 --> 00:32:34,520
Speaker 5: dot is at.

752
00:32:35,480 --> 00:32:37,760
Speaker 4: Also, remember I came on here when was that serious?

753
00:32:37,800 --> 00:32:40,360
Speaker 4: And I found out that the girls be putting their

754
00:32:40,440 --> 00:32:43,160
Speaker 4: location on their laptop or iPad that they leave in

755
00:32:43,240 --> 00:32:46,280
Speaker 4: the crib and off their phone so they'll keep their

756
00:32:46,280 --> 00:32:51,160
Speaker 4: eye message on their laptop as long as there didn't

757
00:32:51,240 --> 00:32:54,400
Speaker 4: go out. So yeah, that location ship, but that means

758
00:32:54,440 --> 00:32:54,840
Speaker 4: nothing to me.

759
00:32:55,320 --> 00:32:55,680
Speaker 3: Okay.

760
00:32:55,840 --> 00:32:58,520
Speaker 2: My point is if she isn't fucking, if you trust

761
00:32:58,600 --> 00:33:00,440
Speaker 2: that she isn't fucking like you know or a fact

762
00:33:00,520 --> 00:33:02,440
Speaker 2: she isn't fucking, my point is, do you have her

763
00:33:02,480 --> 00:33:06,240
Speaker 2: location for safety reasons? Because what I'm assuming again is

764
00:33:06,280 --> 00:33:07,960
Speaker 2: he's just thinking that this is inappropriate.

765
00:33:08,080 --> 00:33:09,920
Speaker 3: I don't think that he did. That's I need to

766
00:33:09,960 --> 00:33:12,240
Speaker 3: know where she's at exactly, so you know where she's

767
00:33:12,280 --> 00:33:14,000
Speaker 3: at due to safety reasons.

768
00:33:14,120 --> 00:33:16,440
Speaker 2: That's why I think it's important at the location, not

769
00:33:16,480 --> 00:33:17,800
Speaker 2: because it's stopping her from fucking.

770
00:33:17,880 --> 00:33:19,600
Speaker 5: Okay, not because it was just sound like yall was

771
00:33:19,600 --> 00:33:22,920
Speaker 5: Paul laying at together, had the location. She's good, she

772
00:33:22,960 --> 00:33:25,720
Speaker 5: ain't doing nothing, that's what it's. That's what you read like.

773
00:33:25,720 --> 00:33:27,800
Speaker 5: It read like you was trying to say, Yo, he

774
00:33:27,880 --> 00:33:28,840
Speaker 5: got a location, Like.

775
00:33:30,480 --> 00:33:33,560
Speaker 3: Okay, anytime I fucked, it's been at a location. Every

776
00:33:33,600 --> 00:33:36,719
Speaker 3: time I fed, I was somewhere I could have been

777
00:33:36,760 --> 00:33:40,480
Speaker 3: located a location. I'm glad they did hit that door.

778
00:33:41,680 --> 00:33:43,920
Speaker 3: Wasn't the matrix. I was at a location. Just lock

779
00:33:44,040 --> 00:33:46,200
Speaker 3: the location. You got to get a hotel that's next

780
00:33:46,200 --> 00:33:55,200
Speaker 3: to the waffle house, no mall. Harkening back to family

781
00:33:55,240 --> 00:33:59,840
Speaker 3: matters are mal Do you.

782
00:33:59,840 --> 00:34:03,000
Speaker 2: Think domestic abuse allegations are too far in a battle,

783
00:34:03,200 --> 00:34:04,600
Speaker 2: especially if they're unproven.

784
00:34:05,120 --> 00:34:07,600
Speaker 5: Do I think domestic abuse allegations in a battle are

785
00:34:07,640 --> 00:34:08,239
Speaker 5: too far.

786
00:34:09,600 --> 00:34:11,680
Speaker 3: Unproven, unproven, unproven?

787
00:34:11,760 --> 00:34:15,440
Speaker 4: Yes, I think everyone can say proven domestic violence is

788
00:34:15,480 --> 00:34:16,160
Speaker 4: fair in a battle.

789
00:34:19,600 --> 00:34:22,839
Speaker 5: Maybe yeah, I guess I think that anything you start

790
00:34:22,880 --> 00:34:26,960
Speaker 5: talking about, you know, when you start talking about somebody's

791
00:34:27,040 --> 00:34:29,799
Speaker 5: family and things like that, may be a line that

792
00:34:29,880 --> 00:34:30,560
Speaker 5: may be too far.

793
00:34:30,640 --> 00:34:32,200
Speaker 3: But then again, this is rap hip hop.

794
00:34:32,200 --> 00:34:34,680
Speaker 5: But I don't think that there's any line as far

795
00:34:34,719 --> 00:34:37,120
Speaker 5: as calling somebody a pedophile. I think that's the worst

796
00:34:37,120 --> 00:34:39,360
Speaker 5: thing you can put on anybody's.

797
00:34:39,120 --> 00:34:39,680
Speaker 3: We're gonna get to that.

798
00:34:39,680 --> 00:34:41,719
Speaker 4: I'll get to that, But how do you think that

799
00:34:41,960 --> 00:34:44,040
Speaker 4: domestic violence allegations.

800
00:34:43,480 --> 00:34:47,440
Speaker 3: Are okay in a rab battle? It's nuanced to define

801
00:34:47,520 --> 00:34:48,480
Speaker 3: nuance in this situation.

802
00:34:49,160 --> 00:34:51,319
Speaker 7: It depends on what the line is and what and

803
00:34:51,320 --> 00:34:53,719
Speaker 7: where and what the rules of engagement are.

804
00:34:54,239 --> 00:35:00,719
Speaker 4: Drake, I think directly said that Kendrick had beat his girl.

805
00:35:02,320 --> 00:35:08,280
Speaker 3: Then to me, then was it warranted? I don't know, jeez,

806
00:35:08,320 --> 00:35:08,960
Speaker 3: I don't know. Yeah.

807
00:35:08,960 --> 00:35:11,600
Speaker 4: Do you think you think I'm proven domestic violence is okay?

808
00:35:11,600 --> 00:35:12,600
Speaker 4: To put?

809
00:35:12,000 --> 00:35:15,120
Speaker 7: I think anything is okay as long as both parties

810
00:35:15,120 --> 00:35:17,000
Speaker 7: are cool with what the outcome, like, you know how

811
00:35:17,080 --> 00:35:18,759
Speaker 7: like the yan would be like, hey, let's meet up

812
00:35:18,760 --> 00:35:19,120
Speaker 7: and die.

813
00:35:19,400 --> 00:35:22,560
Speaker 3: Yeah, if both y'are are cool with dying. No, I'm

814
00:35:22,600 --> 00:35:24,879
Speaker 3: just saying like, no, I get your point.

815
00:35:25,080 --> 00:35:26,920
Speaker 7: Me and you are okay with dying, then nothing's a

816
00:35:27,000 --> 00:35:28,879
Speaker 7: good table. So good, you know what I'm saying. It's

817
00:35:28,880 --> 00:35:31,320
Speaker 7: only a problem if one party disagrees to the terms.

818
00:35:31,400 --> 00:35:34,920
Speaker 3: Okay. With that said, do you think Drake is a pedophile?

819
00:35:35,560 --> 00:35:38,040
Speaker 3: Do I think he's a what? Do you think Drake

820
00:35:38,239 --> 00:35:45,080
Speaker 3: is a pedophile? By definition? No? Okay, by what? So

821
00:35:45,200 --> 00:35:46,680
Speaker 3: not by definition, but by what?

822
00:35:46,760 --> 00:35:48,440
Speaker 5: Because it sounds like you think he's a pedophile by

823
00:35:48,480 --> 00:35:50,479
Speaker 5: something of that's not what I said.

824
00:35:50,800 --> 00:35:51,680
Speaker 3: I said. It sounds like.

825
00:35:52,280 --> 00:35:53,680
Speaker 7: That's not what I said. I don't take credit for

826
00:35:53,719 --> 00:35:54,520
Speaker 7: anything I don't say.

827
00:35:54,600 --> 00:35:57,400
Speaker 5: Okay, So you don't think Drake is a pedophile by

828
00:35:57,440 --> 00:35:59,920
Speaker 5: the definition of a pedophile, correct, Okay.

829
00:36:00,000 --> 00:36:03,200
Speaker 4: Okay, I hate this is just going to demonetize us immediately,

830
00:36:03,920 --> 00:36:06,680
Speaker 4: and it's going to make my algorithms crazy. The definition

831
00:36:06,840 --> 00:36:10,440
Speaker 4: of pedophile is sexual perversion in which children are the

832
00:36:10,480 --> 00:36:14,200
Speaker 4: preferred sexual object. I'm going to close my laptop and

833
00:36:14,280 --> 00:36:15,359
Speaker 4: hope defense don't rate here.

834
00:36:15,680 --> 00:36:19,480
Speaker 7: And and the defined and the definitive definition of a

835
00:36:19,560 --> 00:36:20,200
Speaker 7: child is what.

836
00:36:21,640 --> 00:36:22,640
Speaker 3: Uh all right?

837
00:36:22,680 --> 00:36:25,000
Speaker 4: See, don't don't whack one hunder me where you know

838
00:36:25,080 --> 00:36:27,120
Speaker 4: the age of consent in every state?

839
00:36:27,400 --> 00:36:32,280
Speaker 3: Okay? I think, I think answer.

840
00:36:32,440 --> 00:36:35,239
Speaker 4: We also know, as like moral fiber, what a kid

841
00:36:35,280 --> 00:36:38,720
Speaker 4: is and what a kid is? The layman answer is no, okay, okay,

842
00:36:39,320 --> 00:36:42,120
Speaker 4: And I believe you did answer it. And if everyone's

843
00:36:42,160 --> 00:36:44,439
Speaker 4: ready to die, everything's off the table. But you think

844
00:36:44,600 --> 00:36:47,160
Speaker 4: pedophilia is okay to be brought up in a battle.

845
00:36:47,120 --> 00:36:52,160
Speaker 7: I think once if I do discuss with you, hey,

846
00:36:52,680 --> 00:36:56,120
Speaker 7: let's this is a line. My ear lobes are off

847
00:36:56,160 --> 00:36:58,640
Speaker 7: limits and I violate the sanctity of that.

848
00:36:59,080 --> 00:37:04,320
Speaker 3: Let's meet up and die. Okay, that on what he

849
00:37:04,440 --> 00:37:04,759
Speaker 3: just said.

850
00:37:05,280 --> 00:37:08,000
Speaker 5: I mean, you know that's fair if he feels like,

851
00:37:08,080 --> 00:37:11,160
Speaker 5: you know, again, if there was a conversation and you know,

852
00:37:11,239 --> 00:37:15,239
Speaker 5: certain things were deemed off limits. If somebody violates, you know,

853
00:37:15,280 --> 00:37:18,960
Speaker 5: the terms of the conversation, I think all bets are

854
00:37:18,960 --> 00:37:20,880
Speaker 5: off there's no rules of engagement.

855
00:37:21,040 --> 00:37:23,839
Speaker 3: Everything is, you know, fair game. I just think you know.

856
00:37:25,640 --> 00:37:28,200
Speaker 5: Just where your I think your moral compass kicks in

857
00:37:28,280 --> 00:37:31,640
Speaker 5: at some point, and it's just certain things. I just

858
00:37:32,440 --> 00:37:35,560
Speaker 5: certain energies I just wouldn't invite into you know, my

859
00:37:35,719 --> 00:37:36,640
Speaker 5: music and things like that.

860
00:37:36,680 --> 00:37:39,920
Speaker 3: And I just think, you know, just that word is.

861
00:37:39,920 --> 00:37:41,759
Speaker 5: Something that I just would never throw around unless it

862
00:37:41,840 --> 00:37:48,000
Speaker 5: was absolutely definitively true like then. But if not, I

863
00:37:48,000 --> 00:37:49,920
Speaker 5: don't think you play with that word at all. I

864
00:37:50,000 --> 00:37:50,960
Speaker 5: think that's the difference.

865
00:37:51,000 --> 00:37:51,239
Speaker 1: Though.

866
00:37:51,719 --> 00:37:53,399
Speaker 3: What the nuance of.

867
00:37:55,000 --> 00:37:58,920
Speaker 7: The nuance of I want to say, like cultural prowess, right,

868
00:37:59,120 --> 00:38:03,160
Speaker 7: like people who don't understand certain things.

869
00:38:05,880 --> 00:38:07,279
Speaker 3: Here's my thing had not to cut you off.

870
00:38:07,800 --> 00:38:11,280
Speaker 5: If Kendrick again, I've never had a conversation with Kendrick

871
00:38:11,280 --> 00:38:12,840
Speaker 5: about any of this shit. But if he feels like

872
00:38:13,880 --> 00:38:20,120
Speaker 5: Drake is indeed a pedophile. How long did he feel

873
00:38:20,160 --> 00:38:23,560
Speaker 5: like that? How long did he, you know, think Drake

874
00:38:23,640 --> 00:38:27,320
Speaker 5: was a pedophile? And why has he done music with

875
00:38:27,440 --> 00:38:31,479
Speaker 5: somebody he thinks is a pedophile. Now, I'm not saying,

876
00:38:31,480 --> 00:38:33,359
Speaker 5: I'm not saying you're telling you to answer. I would

877
00:38:33,360 --> 00:38:36,680
Speaker 5: just say to me, it's just like if we know,

878
00:38:36,960 --> 00:38:38,319
Speaker 5: you know, we come from a certain area, we see,

879
00:38:38,360 --> 00:38:41,080
Speaker 5: you know, he's a We didn't even play with that

880
00:38:41,160 --> 00:38:43,799
Speaker 5: word because where we're from, we know what happens to

881
00:38:43,840 --> 00:38:46,520
Speaker 5: those type of people. We see people creating content online

882
00:38:46,600 --> 00:38:48,160
Speaker 5: or meeting up with people that's trying to meet up

883
00:38:48,200 --> 00:38:51,720
Speaker 5: with kids and have sex, beat them up, you know whatever.

884
00:38:53,400 --> 00:38:56,279
Speaker 5: So in this battle to introduce that energy against someone

885
00:38:56,360 --> 00:38:58,520
Speaker 5: that you don't know if it's facts or not, you

886
00:38:58,560 --> 00:39:01,120
Speaker 5: may just feel like it is for whatever reasons, whatever

887
00:39:01,160 --> 00:39:06,120
Speaker 5: conversations you're privy to. My thing is, how long did

888
00:39:06,160 --> 00:39:08,960
Speaker 5: you feel like that? I get what you said, you

889
00:39:09,000 --> 00:39:10,759
Speaker 5: know what I mean? Like, let me ask ma All

890
00:39:10,800 --> 00:39:15,120
Speaker 5: a question. Yeah, Mall is beefing with Joe Budden. What's

891
00:39:15,160 --> 00:39:18,759
Speaker 5: off limits? What's off limits? What's off limits?

892
00:39:19,400 --> 00:39:19,520
Speaker 3: What?

893
00:39:19,719 --> 00:39:22,399
Speaker 5: Nothing is off limits? Nothing is off limits? Yeah, So

894
00:39:22,920 --> 00:39:28,759
Speaker 5: let's meet up and die. Yeah, okay, so by that

895
00:39:28,840 --> 00:39:32,880
Speaker 5: standard then you can't say, well, that goes against my

896
00:39:33,040 --> 00:39:37,959
Speaker 5: moral compass, and like you just said, nothing is off limits, right,

897
00:39:38,320 --> 00:39:39,040
Speaker 5: So that's what.

898
00:39:38,920 --> 00:39:42,080
Speaker 3: That You're right, and I understand that.

899
00:39:42,120 --> 00:39:46,600
Speaker 5: But when you when it comes to that, and we

900
00:39:46,719 --> 00:39:50,319
Speaker 5: both have children, right, so we can we can at

901
00:39:50,360 --> 00:39:52,000
Speaker 5: one point in our lives be ready to die and

902
00:39:52,040 --> 00:39:52,560
Speaker 5: crash out.

903
00:39:52,600 --> 00:39:53,759
Speaker 3: We'll burn all this shit down.

904
00:39:54,200 --> 00:39:58,480
Speaker 5: But now when we're fathers and we have children, we

905
00:39:58,520 --> 00:40:02,480
Speaker 5: don't think the same anymore, we don't speak the same anymore.

906
00:40:02,840 --> 00:40:05,239
Speaker 5: We look at life totally different. We're more, you know,

907
00:40:05,280 --> 00:40:09,280
Speaker 5: with different versions of what we used to be, because again,

908
00:40:09,360 --> 00:40:12,759
Speaker 5: you have children and you understand how sacred that is,

909
00:40:12,800 --> 00:40:16,400
Speaker 5: and you know how precious children are. So yeah, we

910
00:40:16,440 --> 00:40:19,239
Speaker 5: could be in this situation where we ready to go

911
00:40:19,280 --> 00:40:23,480
Speaker 5: all out, but at some point you got to be like, nah,

912
00:40:23,480 --> 00:40:24,279
Speaker 5: I ain't doing that.

913
00:40:24,160 --> 00:40:28,040
Speaker 3: Though you just brought up kids. Who brought the kids

914
00:40:28,120 --> 00:40:28,560
Speaker 3: up first?

915
00:40:30,080 --> 00:40:32,160
Speaker 5: No, I understand what you're saying. In the timeline of things,

916
00:40:32,200 --> 00:40:33,200
Speaker 5: I understand what you're saying.

917
00:40:33,400 --> 00:40:35,560
Speaker 7: So then, but even in that, you don't get the

918
00:40:35,640 --> 00:40:37,640
Speaker 7: right to dictate anything beyond that point.

919
00:40:37,680 --> 00:40:40,719
Speaker 5: I'm not trying to dictate shit I'm just saying. At

920
00:40:40,719 --> 00:40:46,560
Speaker 5: some point you have to say, all right, what I'm

921
00:40:46,600 --> 00:40:49,760
Speaker 5: saying is the worst thing you could say about somebody.

922
00:40:49,920 --> 00:40:53,640
Speaker 5: That better be a fact because once you do that,

923
00:40:54,960 --> 00:40:59,360
Speaker 5: once you label somebody that. Again, we somebody call somebody

924
00:40:59,360 --> 00:41:01,160
Speaker 5: a rat, We know what happened, what can happen. You

925
00:41:01,239 --> 00:41:04,520
Speaker 5: just caused mydy snitch coming from cars and coming from

926
00:41:04,760 --> 00:41:09,200
Speaker 5: New York, we know what happened. A pedophile is worse

927
00:41:09,200 --> 00:41:12,960
Speaker 5: than all of that shit. Okay, So when you label

928
00:41:13,080 --> 00:41:17,200
Speaker 5: a man that, I would just think that you would

929
00:41:17,239 --> 00:41:22,520
Speaker 5: have to be one thousand percent correcting what you're saying

930
00:41:22,560 --> 00:41:25,000
Speaker 5: and have facts on that before you throw it out there.

931
00:41:25,000 --> 00:41:27,560
Speaker 5: And I do understand there's no rules. Once you say, oh,

932
00:41:27,640 --> 00:41:30,080
Speaker 5: you know, my manager might be my kid's father.

933
00:41:31,239 --> 00:41:32,600
Speaker 3: Cool, disrespectful?

934
00:41:32,880 --> 00:41:36,520
Speaker 7: So no, no, no, not disrespectful. Again, you're trying to mitigate

935
00:41:38,200 --> 00:41:41,240
Speaker 7: how one perceives the disrespect. You don't have the privilege

936
00:41:41,239 --> 00:41:44,360
Speaker 7: of doing that. If if I tell somebody, if I

937
00:41:44,360 --> 00:41:48,080
Speaker 7: walk outside right now and I tell somebody SMD, I

938
00:41:48,160 --> 00:41:49,960
Speaker 7: have to be ready for whatever. I can't be like, oh,

939
00:41:50,000 --> 00:41:51,759
Speaker 7: I got a kid, and you got a kid. Let's

940
00:41:51,760 --> 00:41:52,239
Speaker 7: think about that.

941
00:41:52,400 --> 00:41:54,800
Speaker 5: Oh No, Drake was ready for them. Obviously he's the

942
00:41:54,840 --> 00:41:56,719
Speaker 5: one that said so. Then at that point there's no

943
00:41:56,800 --> 00:41:58,799
Speaker 5: more discussion. Let's meet up and die.

944
00:41:58,840 --> 00:42:01,840
Speaker 3: I get that, But here the problem is now. The

945
00:42:01,920 --> 00:42:02,800
Speaker 3: problem is now.

946
00:42:02,680 --> 00:42:07,720
Speaker 5: When this is a record that you are like grand

947
00:42:07,800 --> 00:42:10,800
Speaker 5: standing and this is a message that you are displaying

948
00:42:10,840 --> 00:42:12,880
Speaker 5: to the world, like you know what I mean, Like

949
00:42:12,920 --> 00:42:15,040
Speaker 5: you got your super Bowl show, and you got the

950
00:42:15,120 --> 00:42:16,200
Speaker 5: Amazon show and.

951
00:42:16,200 --> 00:42:18,520
Speaker 3: How you're doing stadiums and.

952
00:42:18,000 --> 00:42:19,840
Speaker 5: Things like that, and this is the record that is

953
00:42:19,920 --> 00:42:22,279
Speaker 5: like you know, that's where to me.

954
00:42:22,239 --> 00:42:25,440
Speaker 3: It's like, Okay, I just made a bad record than you.

955
00:42:26,760 --> 00:42:28,759
Speaker 5: If that's the line you want to stand on, cool,

956
00:42:28,800 --> 00:42:30,879
Speaker 5: I'm not listening. It's a battle. We pick sides. Who

957
00:42:30,880 --> 00:42:33,200
Speaker 5: you think one, who you think lost great. I'm just

958
00:42:33,239 --> 00:42:35,680
Speaker 5: saying now that all of that is kind of like

959
00:42:35,840 --> 00:42:37,480
Speaker 5: over well.

960
00:42:37,480 --> 00:42:39,399
Speaker 7: Would you feel the same way if family matters became

961
00:42:39,440 --> 00:42:39,719
Speaker 7: what not?

962
00:42:39,840 --> 00:42:44,440
Speaker 3: Like us? It is about the line of Dave Free being.

963
00:42:44,600 --> 00:42:46,799
Speaker 7: He performing at the super Bowl claiming that my kids

964
00:42:46,800 --> 00:42:48,200
Speaker 7: ain't his kids ain't his.

965
00:42:48,960 --> 00:42:50,560
Speaker 5: But I've said that, I've said I was like, yo,

966
00:42:52,080 --> 00:42:53,960
Speaker 5: he better have some information we don't have, because that's

967
00:42:53,960 --> 00:42:54,560
Speaker 5: crazy to put on.

968
00:42:54,719 --> 00:42:56,440
Speaker 7: That's not what I ask you. What I asked you is.

969
00:42:56,520 --> 00:42:59,000
Speaker 7: Do you feel the same way if family matters becomes

970
00:42:59,000 --> 00:42:59,880
Speaker 7: what not like us is?

971
00:43:01,080 --> 00:43:06,000
Speaker 5: Yeah, absolutely all right, No, my moral compasses is set

972
00:43:06,000 --> 00:43:07,840
Speaker 5: to where it's set to. It's certain things to me

973
00:43:07,920 --> 00:43:09,759
Speaker 5: that I'm just like, all right, Like you're gonna say that,

974
00:43:10,280 --> 00:43:13,680
Speaker 5: you got to stand on that. So you being from

975
00:43:13,719 --> 00:43:15,839
Speaker 5: where you're from and me being from where I'm from,

976
00:43:15,840 --> 00:43:19,400
Speaker 5: we have a certain level of I call it texture,

977
00:43:20,040 --> 00:43:22,719
Speaker 5: which I don't necessarily know how to describe it. You

978
00:43:22,760 --> 00:43:27,080
Speaker 5: can tell when somebody is not authentically of that texture

979
00:43:28,080 --> 00:43:29,320
Speaker 5: because they what texture.

980
00:43:30,160 --> 00:43:32,160
Speaker 7: You come from a certain environment where you operate in

981
00:43:32,200 --> 00:43:35,560
Speaker 7: a certain space, old code of conduct for instance. And

982
00:43:35,600 --> 00:43:37,440
Speaker 7: I've spoken this like that's why I don't That's why

983
00:43:37,480 --> 00:43:39,960
Speaker 7: I conduct myself a certain way. I can't get on

984
00:43:40,000 --> 00:43:43,200
Speaker 7: the internet, on the radio, on television and just crash out.

985
00:43:43,239 --> 00:43:45,440
Speaker 7: I can't say what I want. That's another gripe I have.

986
00:43:45,520 --> 00:43:47,400
Speaker 7: We can get to that later. But I can't just

987
00:43:47,400 --> 00:43:50,719
Speaker 7: say whatever I want because I have people that if

988
00:43:50,760 --> 00:43:52,799
Speaker 7: certain if certain people call my phone, I have to

989
00:43:52,800 --> 00:43:56,200
Speaker 7: answer the phone like there's no, there's no like I

990
00:43:56,280 --> 00:43:59,320
Speaker 7: have checks and balances. Because I don't get the freedom

991
00:43:59,360 --> 00:44:01,240
Speaker 7: to just say whatever the fuck I want to say,

992
00:44:01,440 --> 00:44:05,000
Speaker 7: because I represent too many or certain places and people

993
00:44:05,040 --> 00:44:09,200
Speaker 7: and individuals who look to me as a representation of them.

994
00:44:09,520 --> 00:44:13,040
Speaker 7: It's not just about me. And so that's a different

995
00:44:13,160 --> 00:44:17,359
Speaker 7: level of respect tenfold. There's another thing called and this

996
00:44:17,400 --> 00:44:19,040
Speaker 7: is why I mean, I'm not going to I'm not

997
00:44:19,040 --> 00:44:22,600
Speaker 7: gonna pick on y'all. But there's two things I which

998
00:44:22,640 --> 00:44:26,120
Speaker 7: I talked to Elliott about before. One is called journalistic integrity.

999
00:44:27,320 --> 00:44:31,000
Speaker 7: I'm like, I'm a professional broadcast I come from professional broadcasting, right,

1000
00:44:31,200 --> 00:44:34,120
Speaker 7: so we have to learn journalistic integrity, like Rory Maye,

1001
00:44:34,120 --> 00:44:35,560
Speaker 7: I know he was joking, but like, yo, we don't

1002
00:44:35,560 --> 00:44:38,080
Speaker 7: fact check here. That brings up the second point of contention,

1003
00:44:38,160 --> 00:44:40,400
Speaker 7: which is called libel, which I'm pretty sure like Benner

1004
00:44:40,520 --> 00:44:44,279
Speaker 7: is familiar with or whatever. Libel is when you say

1005
00:44:44,360 --> 00:44:48,200
Speaker 7: or do things that are false or disinformation, misinformation that

1006
00:44:48,200 --> 00:44:49,480
Speaker 7: can lead to you being sued.

1007
00:44:49,680 --> 00:44:51,239
Speaker 3: Tasha K Right.

1008
00:44:51,800 --> 00:44:55,799
Speaker 7: So I conduct myself in a manner in which I

1009
00:44:55,920 --> 00:44:58,000
Speaker 7: always have those three things in the back of my

1010
00:44:58,040 --> 00:45:00,520
Speaker 7: mind at all times. I don't get the luxury of

1011
00:45:00,640 --> 00:45:03,200
Speaker 7: just freestyl and speech and shit like that. So that

1012
00:45:03,320 --> 00:45:06,160
Speaker 7: being said, when you look at like your moral compass

1013
00:45:06,200 --> 00:45:08,520
Speaker 7: is set a certain way mine is set a certain way.

1014
00:45:08,880 --> 00:45:11,399
Speaker 7: You can look at certain individuals and how they move

1015
00:45:11,480 --> 00:45:12,040
Speaker 7: throughout the game.

1016
00:45:12,080 --> 00:45:13,120
Speaker 3: It doesn't even have to be drag.

1017
00:45:13,160 --> 00:45:16,360
Speaker 7: It could be other media personalities or streamers or artists

1018
00:45:16,400 --> 00:45:18,920
Speaker 7: or whatever. You can tell who never had to go

1019
00:45:18,960 --> 00:45:20,879
Speaker 7: to the park or never had to catch the frame,

1020
00:45:21,280 --> 00:45:24,040
Speaker 7: or never had to answer their phone. Absolutely, you can

1021
00:45:24,080 --> 00:45:25,080
Speaker 7: tell those individuals.

1022
00:45:25,160 --> 00:45:25,680
Speaker 3: That's the fact.

1023
00:45:26,560 --> 00:45:29,880
Speaker 7: So you can't be like, say, you can't make an

1024
00:45:29,880 --> 00:45:34,040
Speaker 7: accusation like Rory fathered mass kids and just because my

1025
00:45:34,120 --> 00:45:35,879
Speaker 7: record wasn't bigger than yours, be like, well, you can't

1026
00:45:35,880 --> 00:45:37,080
Speaker 7: say that about me on your record.

1027
00:45:37,280 --> 00:45:40,720
Speaker 3: No, we're we meet up and we're meeting up and we're.

1028
00:45:40,280 --> 00:45:42,279
Speaker 5: He didn't say. He didn't say he followed the kids.

1029
00:45:42,320 --> 00:45:44,960
Speaker 5: He said I heard he might. I understand that, but

1030
00:45:45,000 --> 00:45:47,320
Speaker 5: the insinuation is and so yeah, but you know the

1031
00:45:47,360 --> 00:45:49,520
Speaker 5: difference though, as a journalist you understand, I'm not a.

1032
00:45:49,560 --> 00:45:50,560
Speaker 3: Journalist, okay.

1033
00:45:50,719 --> 00:45:53,359
Speaker 5: As a broadcaster you had to you had to learn

1034
00:45:53,400 --> 00:45:55,480
Speaker 5: certain things about what you say. So if I say

1035
00:45:55,520 --> 00:46:00,960
Speaker 5: I heard that, it might be it's a totally different things.

1036
00:46:01,040 --> 00:46:03,040
Speaker 3: When did he call him? Why did he call him

1037
00:46:03,600 --> 00:46:04,280
Speaker 3: a pdf?

1038
00:46:06,560 --> 00:46:09,239
Speaker 5: Okay, say Drake, I heard you like I'm young. You

1039
00:46:09,280 --> 00:46:13,480
Speaker 5: better not ever go to sell block one fast forward.

1040
00:46:13,600 --> 00:46:17,200
Speaker 5: Certified love a boy, Certified pedophiles. There's a comma there,

1041
00:46:17,840 --> 00:46:22,440
Speaker 5: certified lovel boy, certified pedophiles. Who is he talking to?

1042
00:46:24,280 --> 00:46:24,360
Speaker 1: You?

1043
00:46:24,400 --> 00:46:26,279
Speaker 3: Tell me? Is he talking to the certified lovel boy?

1044
00:46:26,960 --> 00:46:27,560
Speaker 3: Do you tell me?

1045
00:46:27,600 --> 00:46:30,880
Speaker 5: Okay, I'm gonna asking you because this is your record.

1046
00:46:31,200 --> 00:46:34,200
Speaker 3: I was just my record. You played this at every party.

1047
00:46:34,000 --> 00:46:36,040
Speaker 7: Not every party. I did a corporate event. I didn't

1048
00:46:36,040 --> 00:46:40,760
Speaker 7: play that. Why not because they wanted like eighty ninety

1049
00:46:40,880 --> 00:46:41,919
Speaker 7: R and b oh play.

1050
00:46:42,160 --> 00:46:43,719
Speaker 5: But if it wasn't. If it wasn't, you would have played.

1051
00:46:43,719 --> 00:46:47,200
Speaker 5: It's in your set. I don't have a set. I

1052
00:46:47,239 --> 00:46:49,160
Speaker 5: read the crowd. I'm not lying to you. I've never

1053
00:46:49,200 --> 00:46:50,920
Speaker 5: prepared to set in twenty years.

1054
00:46:51,400 --> 00:46:52,280
Speaker 3: Good. I crowdy.

1055
00:46:52,320 --> 00:46:53,759
Speaker 7: That's why radio is so hard for me, because I

1056
00:46:53,760 --> 00:46:54,520
Speaker 7: can't see people.

1057
00:46:55,000 --> 00:46:57,239
Speaker 5: If you have five parties in the week, I'm gonna

1058
00:46:57,239 --> 00:46:59,640
Speaker 5: play the record out of how many of them parties?

1059
00:46:59,640 --> 00:47:01,400
Speaker 5: Where you play it depends on the crowd, That's what

1060
00:47:01,400 --> 00:47:04,240
Speaker 5: I'm telling I'm reading the crowd. If the energy calls

1061
00:47:04,239 --> 00:47:05,920
Speaker 5: for it, then that's I'm not one of them. DJs

1062
00:47:05,920 --> 00:47:07,480
Speaker 5: will make it about me. It's not what I want

1063
00:47:07,480 --> 00:47:09,600
Speaker 5: to hear. It's whatever the crowd is.

1064
00:47:09,600 --> 00:47:09,880
Speaker 3: Okay.

1065
00:47:10,120 --> 00:47:13,160
Speaker 5: How many times do you play Family Matters where at

1066
00:47:13,160 --> 00:47:14,680
Speaker 5: a party? Probably once?

1067
00:47:15,080 --> 00:47:19,399
Speaker 3: Okay? Maybe do you think it's a party record? No,

1068
00:47:19,680 --> 00:47:20,520
Speaker 3: that's my point.

1069
00:47:20,320 --> 00:47:22,160
Speaker 5: I don't think Drake was trying to make party records

1070
00:47:22,200 --> 00:47:24,640
Speaker 5: in this movie.

1071
00:47:25,560 --> 00:47:28,640
Speaker 4: Family Matters drops the exact same day, Maul, you posted

1072
00:47:28,640 --> 00:47:35,040
Speaker 4: a red button as well as Drake on his story, Maul,

1073
00:47:35,520 --> 00:47:37,799
Speaker 4: do you think that Dave Free Bar was the nuke

1074
00:47:38,600 --> 00:47:39,600
Speaker 4: that Drake thought it was?

1075
00:47:41,760 --> 00:47:43,680
Speaker 3: No? I don't think that Drake thought that was a

1076
00:47:43,760 --> 00:47:44,680
Speaker 3: newke that bar.

1077
00:47:45,239 --> 00:47:47,760
Speaker 4: He had set on red button on the Scary Hours

1078
00:47:48,440 --> 00:47:50,279
Speaker 4: Deluxe with for all the Dogs that he could hit

1079
00:47:50,320 --> 00:47:54,440
Speaker 4: the red button. Everyone's going to Heaven, So we're all

1080
00:47:54,480 --> 00:47:57,360
Speaker 4: anticipating that this red button was going to be something

1081
00:47:57,400 --> 00:47:59,560
Speaker 4: that was going to blow all of our fucking minds.

1082
00:48:00,680 --> 00:48:04,520
Speaker 4: Do you think that that red button was as effective

1083
00:48:05,160 --> 00:48:06,359
Speaker 4: as Drake may have thought it was?

1084
00:48:07,280 --> 00:48:09,080
Speaker 5: Now, I think you were just attaching that red button

1085
00:48:09,080 --> 00:48:10,280
Speaker 5: to anything at this point.

1086
00:48:10,280 --> 00:48:11,239
Speaker 3: But I think that.

1087
00:48:11,400 --> 00:48:13,360
Speaker 5: Because Fall the Dogs came out way before any of

1088
00:48:13,400 --> 00:48:17,399
Speaker 5: us even transpired, I don't think that the.

1089
00:48:17,440 --> 00:48:19,560
Speaker 3: Day Free Bar was.

1090
00:48:21,640 --> 00:48:24,200
Speaker 5: A bar that Drake was like hanging on, like, oh,

1091
00:48:24,239 --> 00:48:26,120
Speaker 5: this is gonna be the one that I don't think

1092
00:48:26,120 --> 00:48:28,919
Speaker 5: it was that. But if you go back and listen

1093
00:48:28,960 --> 00:48:31,440
Speaker 5: to Family Matters, I think that to this day, I

1094
00:48:31,520 --> 00:48:36,400
Speaker 5: still believe that that that's a better record than not

1095
00:48:36,520 --> 00:48:39,279
Speaker 5: like Us. I believe he wrapped better or not like Us.

1096
00:48:39,520 --> 00:48:42,120
Speaker 5: I believe the production is better than not like Us.

1097
00:48:42,640 --> 00:48:45,160
Speaker 5: I think Drake's the only thing I would have done

1098
00:48:45,200 --> 00:48:48,919
Speaker 5: differently looking back, I would have cut that brick in three.

1099
00:48:49,640 --> 00:48:52,400
Speaker 5: I wouldn't have released all three of the beat changes

1100
00:48:52,440 --> 00:48:56,160
Speaker 5: at once. I would have released the first one ended

1101
00:48:56,200 --> 00:48:59,360
Speaker 5: with the gunshots, wait to see what Kendrick does. If

1102
00:48:59,400 --> 00:49:02,319
Speaker 5: he takes too long, maybe released the second one. I

1103
00:49:02,320 --> 00:49:05,359
Speaker 5: would have done that. But if we go back now

1104
00:49:05,480 --> 00:49:07,520
Speaker 5: that it's all you know, said and done is you know?

1105
00:49:07,680 --> 00:49:11,120
Speaker 5: And just listen to bars and I was talking to

1106
00:49:11,560 --> 00:49:14,680
Speaker 5: I've spoken to a lot of rappers and and and

1107
00:49:14,960 --> 00:49:18,560
Speaker 5: artists that make music at a high level, and without

1108
00:49:18,560 --> 00:49:22,560
Speaker 5: even bringing it up, they say, like Drake may have

1109
00:49:22,719 --> 00:49:25,640
Speaker 5: in the perception of people, may have lost the strategy game,

1110
00:49:26,640 --> 00:49:29,239
Speaker 5: but as far as the better bars and music, not

1111
00:49:29,400 --> 00:49:31,520
Speaker 5: like Us, it's not better than Family Matters.

1112
00:49:32,239 --> 00:49:37,320
Speaker 3: He would you agree with that? He's from he's from Carson.

1113
00:49:37,360 --> 00:49:41,200
Speaker 7: He can't, he can't disagree with it, or I just

1114
00:49:41,320 --> 00:49:43,040
Speaker 7: go outside.

1115
00:49:44,239 --> 00:49:46,719
Speaker 4: Okay, well, since this was gonna be a post battle question,

1116
00:49:46,840 --> 00:49:51,000
Speaker 4: but let's ask it now, since Maul did bring it up.

1117
00:49:52,960 --> 00:49:54,040
Speaker 3: Who out rapped too?

1118
00:49:54,840 --> 00:49:54,920
Speaker 1: Not?

1119
00:49:55,040 --> 00:49:59,680
Speaker 4: Who out impact too? Who had the better strategy? Who

1120
00:49:59,680 --> 00:50:03,080
Speaker 4: had the better bars? In this entire battle.

1121
00:50:03,840 --> 00:50:05,560
Speaker 3: I stay on my side of a line of scrimmage.

1122
00:50:06,320 --> 00:50:09,080
Speaker 3: He got to he gotta check from the popoffs show.

1123
00:50:10,719 --> 00:50:12,279
Speaker 3: I don't have to. Yes, you do.

1124
00:50:12,440 --> 00:50:15,440
Speaker 5: You can't go against that. I no, you can't go

1125
00:50:15,440 --> 00:50:17,680
Speaker 5: against Kendrick. You can't do that. And I'm not mad

1126
00:50:17,680 --> 00:50:19,040
Speaker 5: at you. I fuck with you. I'm not mad at you.

1127
00:50:19,080 --> 00:50:21,840
Speaker 5: But you can't sit there and objectively say, nah, I

1128
00:50:21,840 --> 00:50:24,360
Speaker 5: don't think that you know I would if that's what

1129
00:50:24,440 --> 00:50:27,000
Speaker 5: I thought Drake Drake out rapped him.

1130
00:50:27,040 --> 00:50:28,759
Speaker 3: And I'm talking about fuck me saying it.

1131
00:50:29,200 --> 00:50:31,920
Speaker 5: Some of the rappers that you've played their records in respect,

1132
00:50:32,520 --> 00:50:34,200
Speaker 5: I've had conversations with them, and they like, you know,

1133
00:50:34,320 --> 00:50:37,400
Speaker 5: Kendrick may have got the strategy and the perception of

1134
00:50:37,480 --> 00:50:39,719
Speaker 5: him dropping right after family matters and all of that.

1135
00:50:39,960 --> 00:50:40,240
Speaker 3: Cool.

1136
00:50:40,480 --> 00:50:42,319
Speaker 5: But if you just go and listen to bars as

1137
00:50:42,320 --> 00:50:45,600
Speaker 5: an mc and as a rapper, there's no way you

1138
00:50:45,719 --> 00:50:48,200
Speaker 5: think Kendrick. I don't even think Kendrick was trying to

1139
00:50:48,200 --> 00:50:50,680
Speaker 5: really rap on not like Us. I think it was

1140
00:50:50,719 --> 00:50:53,800
Speaker 5: a song he was trying to get people to dance.

1141
00:50:54,160 --> 00:50:57,680
Speaker 5: He needed to galvanize the West Coast, get the whole,

1142
00:50:57,840 --> 00:51:00,440
Speaker 5: the whole California behind this song. This is like our

1143
00:51:00,480 --> 00:51:03,120
Speaker 5: new anthem, which is I'm not mad at that that strategy.

1144
00:51:03,360 --> 00:51:05,720
Speaker 5: But we're not gonna say he rapped better than Drake

1145
00:51:06,280 --> 00:51:07,880
Speaker 5: or not like us versus Family Matters.

1146
00:51:07,920 --> 00:51:11,319
Speaker 2: No fucking waka, So mal bringing that up when you're

1147
00:51:11,400 --> 00:51:14,239
Speaker 2: referencing that and everybody else that you're referring to, are

1148
00:51:14,280 --> 00:51:16,880
Speaker 2: you talking about just not like us versus Family Matters?

1149
00:51:16,920 --> 00:51:19,280
Speaker 2: Are you talking about Kendrick versus Drake in the entirety

1150
00:51:19,320 --> 00:51:20,520
Speaker 2: of all of these songs.

1151
00:51:20,400 --> 00:51:23,840
Speaker 4: Because also at this point, Family Matters was really again

1152
00:51:23,920 --> 00:51:24,760
Speaker 4: to meet the Grahams.

1153
00:51:24,840 --> 00:51:28,200
Speaker 5: In that Family Matters and Hart part six, Drake is

1154
00:51:28,280 --> 00:51:30,840
Speaker 5: rapping better than anything Kendrick put out during that moment.

1155
00:51:31,960 --> 00:51:35,279
Speaker 5: Just rapping. Absolutely, I aspire to have this level of

1156
00:51:37,200 --> 00:51:38,759
Speaker 5: He's still on the impact of a song. He's talking

1157
00:51:38,760 --> 00:51:41,399
Speaker 5: about a song. I'm talking about bars. No, I'm talking

1158
00:51:41,400 --> 00:51:43,879
Speaker 5: about lyrics. I'm talking about rhyme. I'm talking about rap,

1159
00:51:44,040 --> 00:51:46,160
Speaker 5: and I like us. The production is not even dope.

1160
00:51:46,239 --> 00:51:48,200
Speaker 2: Okay, So Mal you keep bringing up not like Us head,

1161
00:51:48,239 --> 00:51:50,480
Speaker 2: what do you think that not like Us as Kendrick's

1162
00:51:50,640 --> 00:51:54,359
Speaker 2: best rapped song in all of this battle? Which one

1163
00:51:54,400 --> 00:51:55,640
Speaker 2: would you pick out of all of them?

1164
00:51:55,800 --> 00:51:56,320
Speaker 3: Euphoria?

1165
00:51:57,000 --> 00:52:00,759
Speaker 5: Okay, I don't even remember that song. It's probably just

1166
00:52:00,760 --> 00:52:03,800
Speaker 5: probably a lot of bars too confusing. No, it's just

1167
00:52:03,880 --> 00:52:05,680
Speaker 5: it's just like when you open a bag of chips,

1168
00:52:05,680 --> 00:52:07,080
Speaker 5: it's a lot of the air at the top.

1169
00:52:06,920 --> 00:52:09,319
Speaker 3: And it's a few chips in there. Well, we ain't

1170
00:52:09,360 --> 00:52:10,160
Speaker 3: gonna go back to that.

1171
00:52:11,640 --> 00:52:15,000
Speaker 4: Had you being the coast guard and having some relationship

1172
00:52:15,080 --> 00:52:18,160
Speaker 4: with everybody in that camp and around that camp, what

1173
00:52:18,320 --> 00:52:20,959
Speaker 4: was everyone's reaction to the Dave free Bar.

1174
00:52:22,600 --> 00:52:24,440
Speaker 3: Comedy.

1175
00:52:25,760 --> 00:52:29,120
Speaker 7: It was just it was like, that's that's that's that's

1176
00:52:29,160 --> 00:52:32,879
Speaker 7: the that's the well.

1177
00:52:32,920 --> 00:52:34,759
Speaker 3: Actually there was two. There was two reactions.

1178
00:52:34,920 --> 00:52:38,880
Speaker 7: One from the music from the front facing standpoint like

1179
00:52:38,960 --> 00:52:43,520
Speaker 7: that we all had internally it was like, that's why

1180
00:52:43,520 --> 00:52:46,879
Speaker 7: would that's that's not even a good attempt, Like that's

1181
00:52:46,920 --> 00:52:51,360
Speaker 7: so sorry, that's like a lazy attempt at something, and

1182
00:52:51,400 --> 00:52:54,400
Speaker 7: then the second thing was from the hommies.

1183
00:52:55,120 --> 00:52:58,839
Speaker 3: What about kendrickson you have a daughter? Yea? That wasn't

1184
00:52:58,880 --> 00:53:00,680
Speaker 3: a lazy attempt? What about it?

1185
00:53:01,280 --> 00:53:03,880
Speaker 5: That was an a lazy attemp from Kendrick saying that

1186
00:53:03,960 --> 00:53:05,240
Speaker 5: Drake has a daughter that he's hiding.

1187
00:53:05,560 --> 00:53:07,719
Speaker 3: I don't know. Do we don't have one? You don't know?

1188
00:53:07,840 --> 00:53:09,319
Speaker 5: That was a lazy attemp. I'm actually do you think

1189
00:53:09,360 --> 00:53:11,520
Speaker 5: that was a lazy attempt? No, you don't.

1190
00:53:12,880 --> 00:53:16,800
Speaker 3: Why?

1191
00:53:19,280 --> 00:53:22,720
Speaker 5: And do you think Drake is hiding a daughter? Hiding

1192
00:53:22,800 --> 00:53:24,959
Speaker 5: is a verb? Okay, do you think Drake has a daughter?

1193
00:53:27,160 --> 00:53:29,080
Speaker 3: You are hiding your opinions? Yeah? Do you think Drake

1194
00:53:29,160 --> 00:53:33,040
Speaker 3: has a daughter? I think it's possible. Okay.

1195
00:53:33,840 --> 00:53:35,560
Speaker 5: Do you think it's possible that you think that Drake

1196
00:53:35,600 --> 00:53:37,239
Speaker 5: has a daughter or do you think it's possible Drake

1197
00:53:37,280 --> 00:53:37,640
Speaker 5: has a daughter?

1198
00:53:37,640 --> 00:53:39,360
Speaker 3: I think it's possible as well. Okay.

1199
00:53:40,000 --> 00:53:43,640
Speaker 4: I mean, I don't particularly care to get into Kendrick's

1200
00:53:43,680 --> 00:53:47,520
Speaker 4: personal life with his girl kids and his business partner.

1201
00:53:48,480 --> 00:53:51,080
Speaker 4: But do you see Mal's point in some degree that

1202
00:53:51,360 --> 00:53:56,719
Speaker 4: saying Dave Free might be your son's father? I agree

1203
00:53:56,760 --> 00:53:58,440
Speaker 4: it is lazy, and I thought if that was the

1204
00:53:58,520 --> 00:54:00,880
Speaker 4: new that's odd because it's not. No one's really going

1205
00:54:00,960 --> 00:54:03,000
Speaker 4: to believe that, even if for some weird reason it

1206
00:54:03,080 --> 00:54:03,480
Speaker 4: was true.

1207
00:54:04,600 --> 00:54:05,359
Speaker 3: The daughter thing.

1208
00:54:05,440 --> 00:54:08,160
Speaker 4: Is that not lazy because Push already did it and

1209
00:54:08,160 --> 00:54:09,279
Speaker 4: we saw what that did.

1210
00:54:09,320 --> 00:54:10,279
Speaker 3: And you're supposed to be.

1211
00:54:11,880 --> 00:54:14,239
Speaker 4: Light gears ahead of any rapper right now, and you're

1212
00:54:14,280 --> 00:54:17,680
Speaker 4: reusing the same strategy off something that can't be proven,

1213
00:54:17,680 --> 00:54:19,560
Speaker 4: whereas Push did it and it was proven.

1214
00:54:20,239 --> 00:54:21,560
Speaker 3: No, I get it. I get that point.

1215
00:54:21,800 --> 00:54:25,040
Speaker 7: But you also have to understand, like the way I'm

1216
00:54:25,080 --> 00:54:26,560
Speaker 7: looking at it, and this is I mean, you're not

1217
00:54:26,560 --> 00:54:28,600
Speaker 7: gonna believe me, but objectively looking at it, it's a

1218
00:54:28,640 --> 00:54:32,200
Speaker 7: Floyd Mayweather thing. Like God has been counterpunching the whole time.

1219
00:54:33,239 --> 00:54:36,839
Speaker 7: He's not aggressed. The only time he aggressed is once

1220
00:54:36,880 --> 00:54:39,240
Speaker 7: it was already fully on, you know what I'm saying.

1221
00:54:39,320 --> 00:54:41,720
Speaker 3: So if you think about it like that he aggressed,

1222
00:54:41,719 --> 00:54:42,279
Speaker 3: care you talking a mom.

1223
00:54:42,600 --> 00:54:47,120
Speaker 7: If you think about it when you say, like the

1224
00:54:47,800 --> 00:54:51,120
Speaker 7: day free thing came first and family matters correct, and

1225
00:54:51,200 --> 00:54:54,959
Speaker 7: then there was a response and then the other thing came.

1226
00:54:55,040 --> 00:54:58,040
Speaker 7: It wasn't like it's like oh okay, boom boom. It

1227
00:54:58,080 --> 00:54:59,239
Speaker 7: was like a one for one to me.

1228
00:55:00,640 --> 00:55:03,239
Speaker 3: Okay, so you are and I'm asking.

1229
00:55:04,520 --> 00:55:07,000
Speaker 4: Because we think that the Dave Free line was a

1230
00:55:07,080 --> 00:55:10,279
Speaker 4: lie that gave Kendrick also a green light to lie

1231
00:55:10,320 --> 00:55:12,799
Speaker 4: about the doughtor hypothetically because we do not know these

1232
00:55:12,840 --> 00:55:15,000
Speaker 4: people and their personal lives like that.

1233
00:55:15,120 --> 00:55:17,320
Speaker 3: Oh yeah, I mean sure, so it doesn't.

1234
00:55:17,480 --> 00:55:20,399
Speaker 4: You don't get a point taken away if you do

1235
00:55:20,520 --> 00:55:25,799
Speaker 4: a whole third verse about something that's completely unproven and

1236
00:55:25,880 --> 00:55:29,360
Speaker 4: possibly fed as information to you to give you the

1237
00:55:29,360 --> 00:55:29,799
Speaker 4: okie dough.

1238
00:55:30,520 --> 00:55:32,919
Speaker 7: Well no, even okay, let's do it this way. Let's

1239
00:55:32,960 --> 00:55:35,479
Speaker 7: take it out. Let's take the whole verse out. Okay,

1240
00:55:35,520 --> 00:55:37,600
Speaker 7: there's a record still I love. I love the record.

1241
00:55:37,760 --> 00:55:42,759
Speaker 7: I love. I don't like the record at all on

1242
00:55:42,800 --> 00:55:44,840
Speaker 7: no level. I've listened to it a total of maybe

1243
00:55:44,840 --> 00:55:46,920
Speaker 7: five times, and I told him, man, I don't like

1244
00:55:46,960 --> 00:55:47,400
Speaker 7: the record.

1245
00:55:48,040 --> 00:55:49,000
Speaker 3: Well, don't you like about it?

1246
00:55:49,000 --> 00:55:51,640
Speaker 7: It's too fucking it's dark, and it makes it makes

1247
00:55:51,640 --> 00:55:56,799
Speaker 7: me uncomfortable. I'm a I'm a jovial, like I'm a

1248
00:55:56,840 --> 00:55:59,320
Speaker 7: nerd and I'm like cerebral, but I'm a jovial individually,

1249
00:55:59,360 --> 00:56:00,759
Speaker 7: have good pose the frequencies.

1250
00:56:00,760 --> 00:56:01,680
Speaker 3: I don't like that shit.

1251
00:56:01,880 --> 00:56:05,319
Speaker 7: I don't like the depth and dark like shit that

1252
00:56:05,360 --> 00:56:07,600
Speaker 7: ain't that ain't my bag so I told him that

1253
00:56:07,600 --> 00:56:09,480
Speaker 7: that's one of my that's like my least favorite record

1254
00:56:09,520 --> 00:56:10,200
Speaker 7: out of everything.

1255
00:56:11,160 --> 00:56:11,319
Speaker 3: Mau.

1256
00:56:11,400 --> 00:56:14,680
Speaker 4: Do you think Meet the Grams even based off your

1257
00:56:14,719 --> 00:56:17,320
Speaker 4: opinion of the record, because even had said he doesn't

1258
00:56:17,320 --> 00:56:19,560
Speaker 4: really like it like that? Do you feel like it

1259
00:56:19,640 --> 00:56:24,920
Speaker 4: was effective off Drake's probably best record in this entire beef?

1260
00:56:25,360 --> 00:56:28,080
Speaker 3: No. Why.

1261
00:56:28,960 --> 00:56:31,440
Speaker 5: I mean, people don't even really talk about Meeting Grams.

1262
00:56:31,480 --> 00:56:33,719
Speaker 5: It's not even a song that people. I think, like

1263
00:56:33,760 --> 00:56:37,000
Speaker 5: Head said, I think most people kind of forget that record,

1264
00:56:37,040 --> 00:56:40,400
Speaker 5: like we get it. He dropped it right after, you know,

1265
00:56:40,600 --> 00:56:42,719
Speaker 5: and the timing of it when he dropped it was like,

1266
00:56:42,760 --> 00:56:44,879
Speaker 5: oh shit, you know, everybody who's running back and forth

1267
00:56:44,920 --> 00:56:48,200
Speaker 5: to YouTube, Kendrick just dropped and it's whatever. But I

1268
00:56:48,239 --> 00:56:50,000
Speaker 5: think when you go back and listen to it, it's

1269
00:56:50,000 --> 00:56:51,920
Speaker 5: probably the least favorite for most people.

1270
00:56:52,160 --> 00:56:55,480
Speaker 4: Fair But do you think if Family Matters, being the

1271
00:56:55,520 --> 00:56:58,240
Speaker 4: di record that it is, had more time to breathe,

1272
00:56:59,560 --> 00:57:02,440
Speaker 4: it would have been more effective in this battle, whereas

1273
00:57:02,520 --> 00:57:04,839
Speaker 4: Meet the Grams to not Like Us back to back

1274
00:57:05,000 --> 00:57:10,319
Speaker 4: after I think Drake's best diss record ever Family Matters. Yes,

1275
00:57:11,280 --> 00:57:14,440
Speaker 4: do you think that that was an effective step on

1276
00:57:14,840 --> 00:57:16,960
Speaker 4: when it came to Drake's best effort.

1277
00:57:18,120 --> 00:57:21,400
Speaker 5: No, I mean, no matter what Kendrick said or put out,

1278
00:57:21,600 --> 00:57:22,760
Speaker 5: I thought the timing of.

1279
00:57:22,760 --> 00:57:24,360
Speaker 3: It was dope.

1280
00:57:24,400 --> 00:57:26,160
Speaker 5: It's kind of like, if you know headed, you know,

1281
00:57:26,200 --> 00:57:29,080
Speaker 5: ahead of you DJing and somebody bump your table and

1282
00:57:29,160 --> 00:57:32,720
Speaker 5: fuck up your your needle and the record jump, the

1283
00:57:32,840 --> 00:57:34,760
Speaker 5: energy is completely different in the room at the party.

1284
00:57:35,080 --> 00:57:38,680
Speaker 5: So I think that's what Kendrick did. He bumped the needle,

1285
00:57:39,280 --> 00:57:41,360
Speaker 5: the record jumped, and it was kind of like, okay,

1286
00:57:41,520 --> 00:57:43,560
Speaker 5: people kind of like, you know, but not only the

1287
00:57:43,560 --> 00:57:46,479
Speaker 5: record jump, my record comes on, you know what I'm saying.

1288
00:57:46,480 --> 00:57:48,640
Speaker 5: So I thought the time and I thought the strategy

1289
00:57:48,680 --> 00:57:49,920
Speaker 5: of what Kendrick did to me.

1290
00:57:50,320 --> 00:57:51,920
Speaker 3: Was was dope. Like, Okay, I get it.

1291
00:57:52,280 --> 00:57:54,280
Speaker 5: But again, I'm going back just as a music head,

1292
00:57:54,280 --> 00:57:56,440
Speaker 5: as a consumer of hip hop and listening to bars

1293
00:57:56,440 --> 00:58:00,240
Speaker 5: and raps, And once I listened to that, I don't

1294
00:58:00,640 --> 00:58:03,200
Speaker 5: care when the record dropped how it dropped. In the moment,

1295
00:58:03,240 --> 00:58:06,320
Speaker 5: I understand, you know, the impact of that. But now

1296
00:58:06,360 --> 00:58:11,160
Speaker 5: that I'm just listening to bars and raps, nobody can

1297
00:58:11,240 --> 00:58:14,480
Speaker 5: convince me that Drake got out wrapped in this thing.

1298
00:58:14,560 --> 00:58:16,880
Speaker 5: Like there's no fucking way he got out wrapped. Now

1299
00:58:17,000 --> 00:58:20,280
Speaker 5: I understand what the optics of the record is and

1300
00:58:20,280 --> 00:58:22,200
Speaker 5: it being big and everything that Kendrick got off of

1301
00:58:22,200 --> 00:58:25,040
Speaker 5: that the Amazon show and the super Bowl halftime and

1302
00:58:25,080 --> 00:58:25,640
Speaker 5: things like that.

1303
00:58:26,040 --> 00:58:27,280
Speaker 3: I understand that part of it.

1304
00:58:27,320 --> 00:58:29,640
Speaker 5: And like I had said earlier, optics is a big

1305
00:58:29,680 --> 00:58:32,160
Speaker 5: part of it, and perception is a big part of it. Again,

1306
00:58:32,240 --> 00:58:35,440
Speaker 5: I'm just a consumer of hip hop and rap and

1307
00:58:35,440 --> 00:58:38,400
Speaker 5: listening to music and then me listening to it. There's

1308
00:58:38,440 --> 00:58:41,400
Speaker 5: a nobody that can convince me that Drake had the

1309
00:58:42,080 --> 00:58:43,200
Speaker 5: worst bars in this whole thing.

1310
00:58:43,520 --> 00:58:45,480
Speaker 3: Okay, whoaen?

1311
00:58:49,680 --> 00:58:52,320
Speaker 4: I want to get off Tailor made pretty quickly, but

1312
00:58:52,520 --> 00:58:54,640
Speaker 4: I do want to ask both of you. Was it

1313
00:58:54,680 --> 00:58:59,520
Speaker 4: a mistake for Drake to say in Tailor made call

1314
00:58:59,600 --> 00:59:00,320
Speaker 4: him a pedal file?

1315
00:59:01,880 --> 00:59:04,000
Speaker 3: No? Why?

1316
00:59:05,280 --> 00:59:07,760
Speaker 5: Because I think that that was obviously in a battle

1317
00:59:09,040 --> 00:59:11,960
Speaker 5: you you know what people are going to try to

1318
00:59:12,000 --> 00:59:15,360
Speaker 5: weaponize against you and say about you. You know, So

1319
00:59:15,400 --> 00:59:17,160
Speaker 5: you take that and you say, go ahead. I know,

1320
00:59:17,560 --> 00:59:19,960
Speaker 5: I don't have no skeletons in my closet, like I

1321
00:59:20,000 --> 00:59:22,400
Speaker 5: know the type of things that you're going to try

1322
00:59:22,440 --> 00:59:23,480
Speaker 5: to say about me, So.

1323
00:59:23,480 --> 00:59:25,600
Speaker 3: Go ahead say it, like, yeah, get it off, say

1324
00:59:25,640 --> 00:59:28,560
Speaker 3: it now.

1325
00:59:29,320 --> 00:59:31,200
Speaker 5: I think the issue came in. I think what the

1326
00:59:31,320 --> 00:59:35,200
Speaker 5: label did with the record and publishing it and you know,

1327
00:59:36,160 --> 00:59:38,160
Speaker 5: getting behind it, putting money behind it. I think that's

1328
00:59:38,160 --> 00:59:39,920
Speaker 5: where the problem came in for I don't think it

1329
00:59:39,960 --> 00:59:43,760
Speaker 5: was the fact that Kendrick said it. I think it

1330
00:59:43,800 --> 00:59:45,800
Speaker 5: was the fact that once Drake realized, like, oh, this

1331
00:59:45,840 --> 00:59:48,880
Speaker 5: is a play, like okay, like and obviously you know,

1332
00:59:48,880 --> 00:59:52,200
Speaker 5: we're not in Drake's business, but he's in negotiations currently

1333
00:59:52,240 --> 00:59:54,840
Speaker 5: with the same label. He probably asked for a number

1334
00:59:54,880 --> 00:59:57,320
Speaker 5: that not many artists have ever been in a position

1335
00:59:57,360 --> 01:00:01,680
Speaker 5: to even attempt to ask for. So he understood the

1336
01:00:01,760 --> 01:00:05,080
Speaker 5: deeper thing, like, Okay, this is to try to devalue

1337
01:00:05,080 --> 01:00:06,600
Speaker 5: me at a time where y'all know the business that

1338
01:00:06,640 --> 01:00:10,560
Speaker 5: we're sitting around handling or discussing. Kendrick is a new

1339
01:00:10,560 --> 01:00:12,440
Speaker 5: guy in the block with PG Lane. Y'all are now

1340
01:00:12,760 --> 01:00:15,480
Speaker 5: behind that. Okay, cool, there's nothing, no problem there. But

1341
01:00:15,720 --> 01:00:18,040
Speaker 5: I see what's happening now. And I think that's where

1342
01:00:18,600 --> 01:00:21,080
Speaker 5: Drake felt like he didn't lose the battle.

1343
01:00:21,160 --> 01:00:22,800
Speaker 3: He walked. The battle lost him.

1344
01:00:22,880 --> 01:00:24,240
Speaker 5: He stepped away from like, oh, this is a play,

1345
01:00:24,320 --> 01:00:27,280
Speaker 5: y'all are trying to get you know, some some some

1346
01:00:27,280 --> 01:00:29,520
Speaker 5: some data and some numbers behind this thing, like, Okay,

1347
01:00:29,560 --> 01:00:31,360
Speaker 5: I get it, Like, all right, I'm.

1348
01:00:31,280 --> 01:00:33,280
Speaker 2: Done, okay, mam, well, and we'll come back to that

1349
01:00:33,360 --> 01:00:35,000
Speaker 2: when we get to not like us.

1350
01:00:35,200 --> 01:00:36,600
Speaker 3: Did you want to respond to that? Do you think

1351
01:00:36,640 --> 01:00:39,400
Speaker 3: that it was a mistake that he did that? I

1352
01:00:39,440 --> 01:00:44,080
Speaker 3: don't think. I mean, I think I think every day

1353
01:00:44,160 --> 01:00:46,400
Speaker 3: he did with Taylor Mane was a mistake. How so.

1354
01:00:47,880 --> 01:00:52,240
Speaker 7: The like I wouldn't I understand the the like the

1355
01:00:52,280 --> 01:00:56,240
Speaker 7: whole like an eight mile approach to shit. But that's

1356
01:00:56,280 --> 01:01:00,600
Speaker 7: also a rap nerds pipe dream. That's not reality, Like

1357
01:01:00,640 --> 01:01:04,080
Speaker 7: you don't. You don't go into a fight like that.

1358
01:01:04,280 --> 01:01:06,480
Speaker 7: To me, that tells me that you've never been outside,

1359
01:01:07,320 --> 01:01:10,440
Speaker 7: like I'm not. I don't go to the park to

1360
01:01:10,480 --> 01:01:13,800
Speaker 7: fight somebody and hand them a weapon, you know what

1361
01:01:13,800 --> 01:01:15,720
Speaker 7: I mean. That's just not reality to me. That's some

1362
01:01:16,320 --> 01:01:18,920
Speaker 7: blog rap nerd shit, you know what I'm saying, Like

1363
01:01:19,280 --> 01:01:22,320
Speaker 7: in the sense of, at this point, you've already escalated things,

1364
01:01:22,880 --> 01:01:25,480
Speaker 7: so now you should probably understand that we're not It's

1365
01:01:25,640 --> 01:01:26,480
Speaker 7: not a friendly fade.

1366
01:01:26,520 --> 01:01:26,800
Speaker 3: Again.

1367
01:01:26,920 --> 01:01:29,960
Speaker 7: I've explained this that nauseum, a friendly is for someone

1368
01:01:30,000 --> 01:01:32,600
Speaker 7: who you're friendly with, A friendly fade, a fair one.

1369
01:01:32,720 --> 01:01:34,800
Speaker 7: We call it a fair one is for it a homie,

1370
01:01:35,000 --> 01:01:37,120
Speaker 7: Like we have a rapport and we're gonna go we're

1371
01:01:37,120 --> 01:01:39,439
Speaker 7: gonna go eat, after we're gonna go outside. We're gonna

1372
01:01:39,480 --> 01:01:41,000
Speaker 7: run a fair win and then we're gonna go eat.

1373
01:01:41,600 --> 01:01:45,040
Speaker 7: That's reserved for the homie. When you're an op quote

1374
01:01:45,120 --> 01:01:49,439
Speaker 7: unquote opposition, an enemy, whatever the case may be. Where

1375
01:01:49,480 --> 01:01:51,800
Speaker 7: how we came up, there are no fair ones. You

1376
01:01:51,840 --> 01:01:54,600
Speaker 7: get immediately viscerated, you get packed we call it maxed

1377
01:01:54,640 --> 01:01:56,720
Speaker 7: out or packed out. There is no such thing as

1378
01:01:56,720 --> 01:02:00,720
Speaker 7: a friendly amongst people who are oppositions. So to me,

1379
01:02:00,880 --> 01:02:03,320
Speaker 7: that like I said, this screams of somebody who's never

1380
01:02:03,440 --> 01:02:05,960
Speaker 7: had those been in those environments, because I would not

1381
01:02:06,080 --> 01:02:08,200
Speaker 7: hand somebody your weapon to use against me.

1382
01:02:08,240 --> 01:02:10,320
Speaker 3: In real in the real world. Right.

1383
01:02:11,240 --> 01:02:13,000
Speaker 5: The second thing, well, what if it's not a real weapon,

1384
01:02:14,920 --> 01:02:16,480
Speaker 5: it doesn't matter if it's perceived as one.

1385
01:02:17,320 --> 01:02:18,360
Speaker 3: The cops is gonna shoot you.

1386
01:02:18,400 --> 01:02:20,000
Speaker 7: If even if if you have a gun in this

1387
01:02:20,160 --> 01:02:23,240
Speaker 7: phone case, it don't matter, they're gonna shoot you. It's

1388
01:02:23,280 --> 01:02:26,000
Speaker 7: a perceived weapon. So we all know we live on

1389
01:02:26,000 --> 01:02:29,200
Speaker 7: the internet. Perception doesn't matter, I mean, reality doesn't matter

1390
01:02:29,200 --> 01:02:33,000
Speaker 7: if the perception is fucked up, right, So the second

1391
01:02:33,040 --> 01:02:35,280
Speaker 7: thing was the AI shit. The song would have just

1392
01:02:35,320 --> 01:02:36,680
Speaker 7: been a cool It would have been a dope rap

1393
01:02:36,680 --> 01:02:39,680
Speaker 7: song without the without the act, without the AI shit

1394
01:02:39,760 --> 01:02:43,040
Speaker 7: again screaming of lack of cultural awareness because you don't,

1395
01:02:43,520 --> 01:02:45,520
Speaker 7: I don't know. Maybe I could ask you, would you

1396
01:02:45,560 --> 01:02:49,760
Speaker 7: ever use someone's likeness who's currently walking around me?

1397
01:02:50,080 --> 01:02:52,040
Speaker 3: Yeah? No, why not?

1398
01:02:54,120 --> 01:02:57,160
Speaker 5: Well, I mean me, I wouldn't, but say that, why

1399
01:02:57,200 --> 01:02:59,200
Speaker 5: not though? And that because I'm just I don't not

1400
01:02:59,280 --> 01:03:00,520
Speaker 5: in general?

1401
01:03:00,560 --> 01:03:01,800
Speaker 3: Why not? I mean?

1402
01:03:02,040 --> 01:03:04,520
Speaker 5: But I have though, I mean I've We've done skits

1403
01:03:04,560 --> 01:03:06,480
Speaker 5: and things like that where I've acted like other people

1404
01:03:06,640 --> 01:03:09,520
Speaker 5: with AI, not with AI, but in the terms of

1405
01:03:09,840 --> 01:03:14,120
Speaker 5: acting and using somebody's likeness and personality, not necessarily AI.

1406
01:03:14,280 --> 01:03:17,640
Speaker 5: But with that record, with the Tailor made record, I

1407
01:03:17,680 --> 01:03:20,880
Speaker 5: thought that it was a It was a clever. First

1408
01:03:20,880 --> 01:03:24,480
Speaker 5: of all, we've never seen that in that type of situation,

1409
01:03:24,880 --> 01:03:27,040
Speaker 5: bad or not. So I thought it was a clever

1410
01:03:27,080 --> 01:03:29,160
Speaker 5: play everybody. It wasn't like one of those records where

1411
01:03:29,160 --> 01:03:30,800
Speaker 5: it was like, oh, he killing them. It was more

1412
01:03:30,840 --> 01:03:32,320
Speaker 5: so like, oh that was kind of that was clever.

1413
01:03:32,520 --> 01:03:34,840
Speaker 7: It would have been even more clever without that, because

1414
01:03:34,880 --> 01:03:38,360
Speaker 7: to me, again, somebody who has respect for elder. I

1415
01:03:38,400 --> 01:03:39,840
Speaker 7: don't given a fuck if I don't like you as

1416
01:03:39,840 --> 01:03:43,240
Speaker 7: an artist, I would never because I have respect for

1417
01:03:43,880 --> 01:03:46,640
Speaker 7: hip hop. I have respect for my elders, even people

1418
01:03:46,640 --> 01:03:48,560
Speaker 7: who don't like me as an elder in the game,

1419
01:03:48,600 --> 01:03:51,640
Speaker 7: I would never disrespect them publicly because I respect. Where

1420
01:03:51,680 --> 01:03:55,680
Speaker 7: was the disrespect to use someone likeness without their permission?

1421
01:03:56,800 --> 01:03:59,560
Speaker 3: Who's currently breathing? Yeah, but it wasn't.

1422
01:04:00,080 --> 01:04:02,560
Speaker 5: But see that's where that's where your people lose me

1423
01:04:02,600 --> 01:04:08,000
Speaker 5: in this because yes, he used a pot Tupac's voice

1424
01:04:08,000 --> 01:04:13,040
Speaker 5: on with a feel to use snoop. But when we

1425
01:04:13,080 --> 01:04:15,200
Speaker 5: say all he's using their likeness and this, that and that,

1426
01:04:15,400 --> 01:04:17,480
Speaker 5: like Drake wasn't using that as a single trying to

1427
01:04:17,520 --> 01:04:20,280
Speaker 5: get popping and it like that's where I think people

1428
01:04:20,400 --> 01:04:22,720
Speaker 5: was just this was a moment. It was a battle.

1429
01:04:22,720 --> 01:04:25,400
Speaker 5: It was like, all right, let's have some fun. He's

1430
01:04:25,440 --> 01:04:28,240
Speaker 5: taking too long to respond. You know, what are some

1431
01:04:28,320 --> 01:04:31,000
Speaker 5: of the West Coast, you know Mount Rushmore's what would

1432
01:04:31,000 --> 01:04:32,800
Speaker 5: they say in this moment to Kendrick if they could

1433
01:04:33,120 --> 01:04:34,919
Speaker 5: speak to him and get him, get him in a room.

1434
01:04:34,960 --> 01:04:37,439
Speaker 5: I think that was Drake's mindset, like Yo, we're doing

1435
01:04:37,440 --> 01:04:37,800
Speaker 5: this or not?

1436
01:04:37,920 --> 01:04:38,080
Speaker 3: Bro?

1437
01:04:38,200 --> 01:04:39,480
Speaker 5: Like you you know what I'm saying, Like you you

1438
01:04:39,760 --> 01:04:42,560
Speaker 5: jumped out there with the verse, let's do it like

1439
01:04:42,600 --> 01:04:44,960
Speaker 5: I'm fresh off tour, I'm in the studio. I'm not

1440
01:04:45,000 --> 01:04:47,640
Speaker 5: sleeping them up. I'm ready for this moment, Like what

1441
01:04:47,680 --> 01:04:49,880
Speaker 5: are you doing? And then obviously, you know, the record

1442
01:04:49,960 --> 01:04:52,840
Speaker 5: came out, somebody made a call to in the state.

1443
01:04:52,920 --> 01:04:55,400
Speaker 5: The state said take it down, delete the song. Okay, cool,

1444
01:04:55,440 --> 01:04:58,040
Speaker 5: no problem. Wasn't that serious of a song. I'll deleted

1445
01:04:58,040 --> 01:04:59,720
Speaker 5: it off my Instagram or whatever it was. It was

1446
01:04:59,760 --> 01:05:02,320
Speaker 5: living that it wasn't that deep. So that's why I

1447
01:05:02,320 --> 01:05:04,000
Speaker 5: feel like when people are like, oh, he used you know,

1448
01:05:04,680 --> 01:05:07,160
Speaker 5: Pok's likeness, or he used Snoop's likeness and this that

1449
01:05:07,200 --> 01:05:09,560
Speaker 5: and the third and it's like, bro, it wasn't that

1450
01:05:09,640 --> 01:05:11,720
Speaker 5: serious though. He wasn't trying to make He wasn't trying

1451
01:05:11,760 --> 01:05:14,560
Speaker 5: to make a living off of this song and publish

1452
01:05:14,600 --> 01:05:16,160
Speaker 5: it and then push it out to the map, like

1453
01:05:16,280 --> 01:05:18,840
Speaker 5: you understand I'm saying. So when people carry it that heavy,

1454
01:05:18,880 --> 01:05:21,080
Speaker 5: I'm like, bro, this was a battle. Bro, this was

1455
01:05:21,400 --> 01:05:23,200
Speaker 5: this was like a little and ten like yo, what's up? Fam,

1456
01:05:23,240 --> 01:05:24,920
Speaker 5: Like I'm here, I'm outside, I'm waiting for you, Like

1457
01:05:24,920 --> 01:05:25,680
Speaker 5: what you're gonna do like.

1458
01:05:26,240 --> 01:05:27,080
Speaker 3: I agree with you.

1459
01:05:27,360 --> 01:05:29,960
Speaker 7: But to me, even your rebuttals screams to me that

1460
01:05:30,000 --> 01:05:36,720
Speaker 7: you don't understand. That's disrespectful where we come from, where

1461
01:05:36,720 --> 01:05:38,920
Speaker 7: I'm from, that's disrespectful. It doesn't matter what the use

1462
01:05:38,960 --> 01:05:43,120
Speaker 7: case is. You don't violate the elders or the ogs.

1463
01:05:43,520 --> 01:05:46,440
Speaker 7: Where was the violation at though? Why did they tell

1464
01:05:46,480 --> 01:05:47,080
Speaker 7: him to take it down?

1465
01:05:47,800 --> 01:05:50,560
Speaker 5: Because he used somebody's likeness and their tone and their

1466
01:05:50,560 --> 01:05:55,440
Speaker 5: influctions and their voices. So the violation is using someone's

1467
01:05:55,440 --> 01:05:59,520
Speaker 5: shit without their permission. Yeah, but again you losing me

1468
01:05:59,600 --> 01:06:02,440
Speaker 5: because I get what you're saying. Yes, he used the

1469
01:06:02,480 --> 01:06:03,880
Speaker 5: AI the voice to filter.

1470
01:06:04,000 --> 01:06:04,600
Speaker 3: I get that.

1471
01:06:04,600 --> 01:06:07,240
Speaker 5: Part, but it's not like he used it and was

1472
01:06:07,320 --> 01:06:09,840
Speaker 5: disrespecting POC or Snoop.

1473
01:06:10,000 --> 01:06:12,480
Speaker 7: And that's what I'm telling you. You don't see. The

1474
01:06:12,480 --> 01:06:13,520
Speaker 7: bigger picture.

1475
01:06:13,320 --> 01:06:17,120
Speaker 5: Is the bigger picture is those are West Coast artist.

1476
01:06:17,640 --> 01:06:20,120
Speaker 5: Kendrick is a West Coast artist. And this turned into

1477
01:06:20,160 --> 01:06:23,720
Speaker 5: California versus Drake, not Kendrick versus Drake. No, that's the

1478
01:06:23,760 --> 01:06:24,400
Speaker 5: real situation.

1479
01:06:24,720 --> 01:06:26,880
Speaker 3: No, that's not what happened. That's exactly what Kendrick turned

1480
01:06:26,920 --> 01:06:28,440
Speaker 3: it into. That's not what happened.

1481
01:06:28,640 --> 01:06:33,120
Speaker 5: Kendrick didn't turn it into California versus Drake. You DJ

1482
01:06:33,280 --> 01:06:34,960
Speaker 5: the PopOut show. What are you talking about?

1483
01:06:36,280 --> 01:06:39,080
Speaker 3: Who used Who's like? So was you in Amazon? Who

1484
01:06:39,200 --> 01:06:40,240
Speaker 3: used whose likeness?

1485
01:06:40,760 --> 01:06:43,920
Speaker 7: Drake and Florida? Are are you saying that Dot conspired

1486
01:06:44,040 --> 01:06:48,000
Speaker 7: to have Dot? I mean you're saying Dot conspired to

1487
01:06:48,000 --> 01:06:51,400
Speaker 7: have Drake use those two West Coast legends, right. No,

1488
01:06:51,440 --> 01:06:53,080
Speaker 7: I'm not saying no, no, no, no no, I'm not saying

1489
01:06:53,120 --> 01:06:55,160
Speaker 7: Dot had anything to do with No, no no, I'm just listen.

1490
01:06:56,360 --> 01:07:00,600
Speaker 7: You're saying that Dot turned it into California versus Drake.

1491
01:07:00,640 --> 01:07:04,080
Speaker 3: That's on. But Drake used California first.

1492
01:07:04,920 --> 01:07:07,080
Speaker 5: He used it in a way of saying, Yo, dog,

1493
01:07:07,120 --> 01:07:09,520
Speaker 5: you're taking too long to drop your virtu or your

1494
01:07:09,560 --> 01:07:11,640
Speaker 5: record whatever you're putting out, Like, Yo, what's up?

1495
01:07:12,080 --> 01:07:13,880
Speaker 3: I'm waiting, Like this.

1496
01:07:13,800 --> 01:07:16,120
Speaker 5: Is what the ogs would say, or what I think

1497
01:07:16,160 --> 01:07:16,960
Speaker 5: the old g's would ge.

1498
01:07:16,880 --> 01:07:17,760
Speaker 3: If they could get to Kendrick.

1499
01:07:17,800 --> 01:07:20,720
Speaker 5: They're like, Kendrick, we need you West Coast Savior. All

1500
01:07:20,720 --> 01:07:22,720
Speaker 5: of that Like that was just fun shit. That was

1501
01:07:22,800 --> 01:07:25,920
Speaker 5: part of the moment. But to since didn't have the state.

1502
01:07:26,200 --> 01:07:28,240
Speaker 5: Whoever called this state? I don't know who called U state?

1503
01:07:28,280 --> 01:07:29,280
Speaker 5: Tupaca state, who.

1504
01:07:29,240 --> 01:07:30,320
Speaker 3: Has to call anybody.

1505
01:07:30,600 --> 01:07:34,520
Speaker 7: I'm just saying somebody and mall and to do stuff

1506
01:07:34,520 --> 01:07:37,640
Speaker 7: without your permission all the time to No, that's not

1507
01:07:37,680 --> 01:07:40,440
Speaker 7: what I'm asking you. Are you cool with people using

1508
01:07:40,640 --> 01:07:43,360
Speaker 7: Rory and mall Rory? Are you cool with people using

1509
01:07:43,440 --> 01:07:45,280
Speaker 7: Rory and Mall to just do whatever the fuck they

1510
01:07:45,280 --> 01:07:45,680
Speaker 7: want to do?

1511
01:07:46,120 --> 01:07:46,920
Speaker 3: No? Why not?

1512
01:07:48,080 --> 01:07:50,480
Speaker 4: It depends the light that it's put in. Okay, there's

1513
01:07:50,520 --> 01:07:53,600
Speaker 4: plenty of stuff that goes on YouTube that will never copyright,

1514
01:07:53,640 --> 01:07:55,960
Speaker 4: copy strike anything. If you want to use our content,

1515
01:07:56,480 --> 01:08:00,680
Speaker 4: i'ma there's been times where like homophobic, it was used

1516
01:08:00,680 --> 01:08:03,640
Speaker 4: in our likeness that we didn't feel was okay. We

1517
01:08:03,680 --> 01:08:07,320
Speaker 4: go with advertisers and it's different there. But as far

1518
01:08:07,360 --> 01:08:11,680
Speaker 4: as like someone clipping this exact conversation, nah, I'm fine

1519
01:08:11,680 --> 01:08:14,520
Speaker 4: with that, okay, because it promotes I mean, granted, that

1520
01:08:14,520 --> 01:08:16,960
Speaker 4: didn't promote Tupacer or snoop, So I see there's not

1521
01:08:17,080 --> 01:08:17,360
Speaker 4: it wasn't.

1522
01:08:18,400 --> 01:08:18,640
Speaker 3: I know.

1523
01:08:19,000 --> 01:08:21,880
Speaker 4: So it's a weird comparison that I think head is asking.

1524
01:08:21,960 --> 01:08:24,000
Speaker 3: No, No, No, it's not. I'm not I'm not comparing the two.

1525
01:08:24,560 --> 01:08:27,360
Speaker 7: I'm just simply just asking straight across because he was

1526
01:08:27,400 --> 01:08:30,639
Speaker 7: bringing up like somebody called the estate. Just straight across business.

1527
01:08:30,640 --> 01:08:32,639
Speaker 7: You can't even put out your album without getting clearance,

1528
01:08:32,640 --> 01:08:33,040
Speaker 7: oh for sure.

1529
01:08:33,120 --> 01:08:33,320
Speaker 3: Yeah.

1530
01:08:33,360 --> 01:08:36,040
Speaker 4: No, I don't think anyone needed to call Tupac's a state.

1531
01:08:36,120 --> 01:08:36,880
Speaker 4: They could just hear it.

1532
01:08:36,920 --> 01:08:39,160
Speaker 3: That's all I'm doing. The lawyer that they have on Rich,

1533
01:08:39,479 --> 01:08:44,160
Speaker 3: I don't think nobody called Tupac or state. I'll be honest.

1534
01:08:44,200 --> 01:08:47,840
Speaker 3: I don't know Kendrick no Master. Do you think anybody did.

1535
01:08:48,200 --> 01:08:51,679
Speaker 4: I think I think somebody probably did. I don't think

1536
01:08:51,680 --> 01:08:54,000
Speaker 4: they had anything to do with Kendrick, but I'm not

1537
01:08:54,040 --> 01:08:54,639
Speaker 4: in this debate.

1538
01:08:54,720 --> 01:08:55,080
Speaker 3: Okay.

1539
01:08:55,640 --> 01:09:00,280
Speaker 7: So my point is Drake brought California in before Dot

1540
01:09:00,280 --> 01:09:04,479
Speaker 7: did because he used Snoop and and Po's likeness. It

1541
01:09:04,479 --> 01:09:07,120
Speaker 7: would have been a cool record without it. Okay, it's

1542
01:09:07,160 --> 01:09:09,000
Speaker 7: just creatively, you have to have the bandwidth to do

1543
01:09:09,040 --> 01:09:09,639
Speaker 7: that on your own.

1544
01:09:10,439 --> 01:09:12,680
Speaker 3: How are you? No, Willian not.

1545
01:09:14,520 --> 01:09:15,120
Speaker 2: The volume

1546
01:09:18,000 --> 01:09:18,280
Speaker 1: M hm