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Speaker 1: Jazz.

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Speaker 2: I'm excited to take a back seat today. I mean,

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Speaker 2: does anything feel better than when you actually We've talked

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Speaker 2: a couple of times recently about like there's some episodes

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Speaker 2: who the person is? I don't know what's going on.

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Speaker 3: There's some episodes, Oh, it's my friend, what kind of jog?

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Speaker 3: And then there's some episodes where I'm like, oh, I'm

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Speaker 3: actually off today. Yeah, you know what I mean, don't

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Speaker 3: have to do it.

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Speaker 4: Normally, we alternate and we kind of coordinate ahead of

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Speaker 4: time so we don't end up both taking a back

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Speaker 4: seat simultaneously. But today we did not coordinate and I'm

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Speaker 4: excited to take a back seat today.

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Speaker 3: Well, yeah, and that's what I'm That was kind of

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Speaker 3: my point. It's like we both get to take a

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Speaker 3: back seat. It's usually because I think sometimes when one

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Speaker 3: person's taking a backseat, and you'll understand this, obviously you're

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Speaker 3: in the podcast game, which is why we both.

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Speaker 4: Get to take a back seat, who better?

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Speaker 2: But when we do, when one person does, the other

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Speaker 2: person is probably a little bit resentful of it looks

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Speaker 2: nice to be taking a back seat. And by the way,

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Speaker 2: the view from the back seat sometimes.

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Speaker 3: Is like, well, I wish I was getting my shit

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Speaker 3: off the way this person is.

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Speaker 4: And truly, who better to take a back seat with it?

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Speaker 4: Who loves the sound of his tongue slapping against his

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Speaker 4: own teeth better than this guy? Like the guy who

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Speaker 4: has done it so goddamn lawea.

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Speaker 2: This guy gave Cereal the idea they were going to.

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Speaker 1: Do discrete episodes, each one different from the last. And

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Speaker 1: I suggested to Ira and Julie, I said, what if

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Speaker 1: each one related to the previous episode?

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Speaker 3: Yes, and that of course created this entire environment we

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Speaker 3: exist in now.

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Speaker 4: Yes, and you built it up with.

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Speaker 1: Yes.

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Speaker 2: I mean, you have your own building and offices and network,

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Speaker 2: but you gotta walk through here and go whoa, whoa, whoa.

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Speaker 2: I mean, you see how bustling it is out there, right?

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Speaker 1: But I recognize, like when I see it, it's sort

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Speaker 1: of like it's like an eighth Day situation. Are you

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Speaker 1: familiar with the eighth day? God sort of regarded.

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Speaker 2: Seventh day, He rested eighth day.

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Speaker 4: Regarding you can actually be a very exhausting, exhausting. So

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Speaker 4: if you're really regarding, because you know me the way

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Speaker 4: I regard it, I got it.

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Speaker 2: I gotta look, I gotta regard.

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Speaker 1: I have known you guys a long time that you

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Speaker 1: know what they call me? What do they call you

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Speaker 1: regarding Henry? Oh? Really, even though your name is says

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Speaker 1: I'm regarding so hard? Is that because they're confused what

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Speaker 1: your first name is?

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Speaker 4: The name of the movie is regarding Henry.

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Speaker 1: God, that's the name of the famous movie. I said

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Speaker 1: to my wife this morning. My wife said to me,

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Speaker 1: I was eating cereal, just relaxing.

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Speaker 2: Get what they call me?

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Speaker 1: Fine, Sean might as well. Yeah, he's already said what

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Speaker 1: they call him. I don't know if you should.

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Speaker 2: Yeah, maybe I'll wait.

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Speaker 1: So you're eating cereal this morning, I'm eating cereal. I'm relaxing.

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Speaker 1: My wife is with the kids and her wife. Yeah,

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Speaker 1: she said, well where are you? Where are you headed

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Speaker 1: this morning? I said, I'm headed over to Headgum. Yeah,

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Speaker 1: I'm gonna see the Hollywood Handbook guys. Okay, And she said,

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Speaker 1: I love how they regard mm hmmmmm. They really they

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Speaker 1: really see they take the time and see what I

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Speaker 1: regard you, hm hmm. Anyway, I'm thrilled to be here.

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Speaker 1: I'm so excited, you know, I'm I'm such a fan

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Speaker 1: of yours. I've done so much for the show over

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Speaker 1: the years.

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Speaker 2: Yeah, you've helped us a lot. I listened to your

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Speaker 2: ship man and you know here I'm joking. This guy

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Speaker 2: gives you the idea. I remember listening to you.

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Speaker 5: Try too, Yeah, translate some of the good like improv

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Speaker 5: that you'd seen into a podcast format, Andy Daily, who else?

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Speaker 2: I remember what I'm talking about something Besser had to

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Speaker 2: be there.

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Speaker 4: Yeah, it was sort of a pre.

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Speaker 2: Improv for Humans Improper Humans episode as well.

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Speaker 1: That was a long time fifteen plus years ago, and

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Speaker 1: I thought, this is close, and it was called you

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Speaker 1: had to be there.

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Speaker 2: This is close.

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Speaker 1: It's almost that, it almost almost. Over the years, over

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Speaker 1: the years, I've done so many different things, and so

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Speaker 1: many of them have come so close to working.

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Speaker 2: They're so close. We're all around it.

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Speaker 1: A lot of people have learned a lot from what

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Speaker 1: I've done because they see what I'm doing and they think,

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Speaker 1: you know, that could be improved upon.

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Speaker 4: Yes, is the time to help you now?

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Speaker 2: The idea that gets you too, The idea that's a

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Speaker 2: great idea, you know what I mean, Like that's a

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Speaker 2: huge important piece of the process.

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Speaker 3: It gets totally disregarded sometimes, but I think you need

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Speaker 3: that piece.

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Speaker 2: It's obviously not it's not the you know, it's not

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Speaker 2: the Yeah.

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Speaker 4: He's done so much for the medium, for this show,

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Speaker 4: for so many shows, and he's had the idea, not

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Speaker 4: the idea before the idea, but the couple ideas before that.

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Speaker 1: Yes, yes, how many ideas total would you say are

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Speaker 1: necessary to get to the you know.

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Speaker 4: I don't know if it was necessary, but it was before, yes, Yes,

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Speaker 4: it was definitely before.

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Speaker 2: Yes, I don't know if it's necessary.

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Speaker 1: Got it?

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Speaker 4: Uh, you brought some hardware?

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Speaker 1: Huh. I'm in the Podcasting Hall of.

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Speaker 4: Fame, which trophy.

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Speaker 1: I had seen your studio before, and I was because,

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Speaker 1: of course, you know, watch it on social media, watch

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Speaker 1: it on YouTube and so on and so forth, and

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Speaker 1: it looks good. I like the grapes a lot, but

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Speaker 1: I thought it needed a little something extra, So yes,

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Speaker 1: I did bring my Podcasting Hall of Fame trophy.

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Speaker 4: And just to be clear, that is Jesse's.

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Speaker 1: That isn't ours, right, So it says Jess, we actually

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Speaker 1: have more.

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Speaker 4: In the tank, and they give those out as kind

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Speaker 4: of a light nudge.

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Speaker 2: Just a little encouragement.

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Speaker 1: You know.

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Speaker 2: Yeah, I feel like we've kind of done what we're

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Speaker 2: gonna do here and it's and we're even famous for it.

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Speaker 2: Put it in the hall because one of the rules

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Speaker 2: on the Hall of Fame induction.

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Speaker 4: Five years I.

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Speaker 2: Retired from the sport, yes, so hmm, so that's interesting.

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Speaker 1: But you know, I'm not afraid to eat you ro.

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Speaker 1: I still do my sit ups, I still do my

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Speaker 1: push ups, and I still get out out there on

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Speaker 1: the field and hit fungos.

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Speaker 4: You know, people give you a gift every time you

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Speaker 4: play for years exactly. I noticed that, you guys before,

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Speaker 4: every single time you play for three years.

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Speaker 1: Yeah, I have so many bottles of scotch. Mhm.

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Speaker 4: Who.

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Speaker 2: So the induction ceremony ye.

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Speaker 1: Doctor Drew first of all?

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Speaker 2: Who yeah?

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Speaker 1: Who?

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Speaker 2: Yes, it must have been it must been live televised. Yeah,

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Speaker 2: I mean it must have been primetime. But who was

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Speaker 2: it that actually hands puts this fucking bad bird in

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Speaker 2: your hands? Who's holding it?

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Speaker 3: And you probably give a little hog on stage and

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Speaker 3: maybe even a kiss.

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Speaker 1: Well. The event was hosted by Doctor Drew from MTV's Loveline. Yes,

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Speaker 1: and of course that was really exciting for me. Yeah,

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Speaker 1: because of my addictions, I guess. And it was in Orlando, Florida,

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Speaker 1: which I don't know if you guys have been there,

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Speaker 1: but they have Adam there. Adam is in the Hall

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Speaker 1: of Fame. What about Psycho Mike, that's one of the guys.

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Speaker 4: He sort of took over after Adam. Yeah, for about

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Speaker 4: fifteen twenty years.

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Speaker 1: I think I was listening to the Wrap station at

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Speaker 1: the time. Okay, yeah, I was in Orlando floor. I

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Speaker 1: did not go to it. Oh no, I kind of

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Speaker 1: had stuff to do. I had stuff to do. There

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Speaker 1: was a dinner that I missed out.

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Speaker 2: Did you get the menu?

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Speaker 1: At least they did. They did send the menu. They

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Speaker 1: actually sent a few medallions of beef with the when

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Speaker 1: they sent me the trophy, they sent a few beef

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Speaker 1: medallions with it. Was it sou speed? They weren't cooked

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Speaker 1: sous feed?

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Speaker 2: Yeah, perfect temperature, oh so tender?

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Speaker 1: Yes, anyway, it was it. Really it was a tremendous

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Speaker 1: honor to get this trophy in the mail. As you

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Speaker 1: can see, they got it at a trophy store, which

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Speaker 1: is like the perfect place to get it. It has

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Speaker 1: my name, the year, it's this podcast Hall of Fame,

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Speaker 1: and then it has this symbol. Do you see the

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Speaker 1: star symbol? Yeah, I'm assuming it's people.

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Speaker 2: Actually, so.

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Speaker 1: Yeah. So there's there's five heads perfectly round heads or

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Speaker 1: are they microphones? And then in the center that represents me,

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Speaker 1: And as you can see, there's lines radiating out from

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Speaker 1: me like radio waves or radio waves, podcast waves, look

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Speaker 1: at me, radio the power of I guess they could

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Speaker 1: be interpreted as just signifying charisma aura yeah.

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Speaker 3: Plus ten thousand aura points carrying your Hall of Fame

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Speaker 3: trophy in here.

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Speaker 1: You know, I think if I were in gen Z,

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Speaker 1: I might call it vibes. It might be called riz ah.

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Speaker 4: But this was twenty twenty four. Studying it feels like

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Speaker 4: a long time ago, isn't it?

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Speaker 1: Twenty twenty five? Now? That's fair. That's fair.

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Speaker 2: And by the way, twenty twenty six coming up, isn't it?

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Speaker 2: We can't ignore that.

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Speaker 1: Ye were here at Footfalls? When is twenty twenty sixty?

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Speaker 1: Sorry Sean, it's twenty twenty five now, is that right?

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Speaker 2: Heyes, just informed of this.

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Speaker 1: Yeah, so why would twenty twenty six be around the corner?

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Speaker 2: I can see it from where I am, really, yeah.

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Speaker 1: You can feel these things coming, all right.

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Speaker 2: I'm like, you know, animals know when there's an earthquake coming?

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Speaker 1: Yeah? Cool? Id right, I know when an earthquake is happening.

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Speaker 1: You can feel it in when it's Tozies, I usually

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Speaker 1: roast beef check.

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Speaker 2: You see me start like shooting around the room and

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Speaker 2: kind of like just like acting really weird, climbing a

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Speaker 2: tree for no reason.

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Speaker 1: I mean cameras.

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Speaker 2: Yeah, well it could Yeah, it could be that too,

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Speaker 2: I guess and Jesse, I mean we laugh, we laugh,

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Speaker 2: Oh gott it feel.

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Speaker 1: It's nice to see you, guys. It's nice to laugh again.

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Speaker 1: The road. It's been what twenty four years since nine

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Speaker 1: to eleven.

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Speaker 4: It's really it's been a minute a minute other show

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Speaker 4: on public radio.

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Speaker 1: Not that public. Uh huh right? Really really like it's

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Speaker 1: public national public Radio. Lost, it's it's federal funding. Is

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Speaker 1: that what you're referring to? It no longer in the

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Speaker 1: sense of if it's really public, more people would let

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Speaker 1: me sit in your car and listen to it, Okay?

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Speaker 1: Is that what a driveway moment? Is? A driveway is

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Speaker 1: me sitting crisscross apple sauce, get your driveway.

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Speaker 4: Waiting for you to come home. I sit in your car.

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Speaker 4: If it's actually public, then I should be allowed to

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Speaker 4: sit in the car as long as I want listen

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Speaker 4: to it.

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Speaker 3: And by the way, I should be allowed to change

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Speaker 3: the channel on the car radio.

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Speaker 4: Is something else?

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Speaker 2: Something that public sho listen to? Something else?

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Speaker 1: Extreme? Frank, What was the guy called that you like

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Speaker 1: listening to? From fifteen to twenty mic?

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Speaker 4: Yeah, do you.

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Speaker 1: Have this week? My show is on? My show is on?

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Speaker 4: He says, who do you have this week?

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Speaker 1: Who do I have? This? Well, I'm headed to Santa

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Speaker 1: Cruz this weekend as we record this, I'm gonna have

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Speaker 1: Adam Scott Boots, Riley, and Glenn Washington from Snap Judgment,

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Speaker 1: plus The Murman and stand up comedian Scott Simpson Eugene Merman.

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Speaker 1: Uh No, this would be the band The Murman, m

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Speaker 1: psych psych surf band, The Murman. I worry, Yeah, I

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Speaker 1: worry about the show. I'm listening. I'm worried.

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Speaker 4: I'm listening to you talk about the different guys and

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Speaker 4: I'm my teeth chatter.

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Speaker 2: I don't think it's gonna I'm biting my fingernails.

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Speaker 1: We need to be making moves right now, Jessica, can

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Speaker 1: you mentioned the thing with the funding being taken away?

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Speaker 4: I ask you guys a question, because the Big Man

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Speaker 4: listened to we don't I mean, he doesn't want to

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Speaker 4: talk about this.

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Speaker 2: He can ask me a question.

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Speaker 1: Okay, Sean, I have a question.

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Speaker 2: Yeah.

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Speaker 1: So, obviously, I've been hosting the NPR show Bulls Eye

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Speaker 1: with Jesse Thorn for the last twenty five years, so

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Speaker 1: he admitted it hasn't been on NPR that whole time.

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Speaker 1: But this is my twenty fifth anniversary. Yeahs nineteen years old,

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Speaker 1: and obviously, like I'm trying to stay fresh. I said

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Speaker 1: the thing about rez I heard that, yeah, and I

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Speaker 1: knew it was twenty twenty five, though I didn't. I

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Speaker 1: appreciate you letting me know about twenty twenty six being

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Speaker 1: right around the corner. I guess I've been interviewing ouran

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Speaker 1: this long personality. Well, so that's the first it's so

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Speaker 1: that first lesson, that's the first lesson, Pays mentioned. I'm

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Speaker 1: here in large part to learn from you guys, I

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Speaker 1: had I've been doing it a lot longer, yeah, but

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Speaker 1: maybe you guys have been doing it a lot differently. Yeah,

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Speaker 1: And so I'm hoping that I can learn something from

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Speaker 1: you guys about the work that I do on the show.

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Speaker 4: If we could sort of just like lay at Bay

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Speaker 4: or here st level set where we're at, can you.

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Speaker 1: Give me a baseline, we find our So in the

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Speaker 1: situation where a lot of the funding has been pulled

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Speaker 1: and I don't know where you're out on your accountability

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Speaker 1: journey for that, But were you guys also federally funded?

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Speaker 4: Part a part of we are now a part of.

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Speaker 1: The funding story. I go somewhere, Gotta go somewhere, got

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Speaker 1: to go somewhere. Water will find its level.

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Speaker 4: A part of the story was in I want to

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Speaker 4: say twenty twenty two. Roughly you had the three busy

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Speaker 4: debros on your show. That's true, and the big Man

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Speaker 4: listened and he was seated.

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Speaker 1: He didn't like.

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Speaker 4: Big Man said, three busy depras. I am seated, and

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Speaker 4: he thought you didn't let them get their sillies out really?

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Speaker 1: Yes, that I was too serious with the three busy Deboras.

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Speaker 4: Yes, and that was like swim.

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Speaker 2: But what they're busy doing is they're busy getting their

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Speaker 2: sillies out right, you know what I mean? Sure, and

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Speaker 2: it can be really and when you stop that from them,

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Speaker 2: like when you like don't allow space for that, uh,

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Speaker 2: that energy actually gets directed internally and they can explode.

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Speaker 1: I got the opposite note from NPR Robert Siegel actually

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Speaker 1: sent me an email, which he then followed up with

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Speaker 1: a phone call. Robert, you give me some bread, personal

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Speaker 1: personal visit.

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Speaker 2: Right, you know what? You know what nps? You know

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Speaker 2: what NPR stands for, Jesse.

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Speaker 1: Why don't feed them?

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Speaker 2: I don't because it's because public are what we're learning

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Speaker 2: it stands for is not particularly relevant.

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Speaker 1: Okay, So.

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Speaker 2: Whatever Robert Siegel had to say, unless it was give.

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Speaker 1: You some bread. You have a little bit of little

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Speaker 1: piece of French fry. Yeah, you wanted get that. Just

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Speaker 1: want finish that. I gave him a few onion rings.

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Speaker 4: Onion rings.

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Speaker 1: Well, that's a premium offering.

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Speaker 4: Jeez, act like they need all this Robert eating onion.

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Speaker 2: What we talked about you having the idea that gets

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Speaker 2: us to the idea, but I've also seen you sometimes

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Speaker 2: have the.

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Speaker 1: Idea that gets us further from the idea, the idea

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Speaker 1: after the idea. So the thing that the thing that

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Speaker 1: Seagulls said to me at the time was he's kind

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Speaker 1: of said with three sillies, he said.

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Speaker 3: Cork it, cork it, and that the sort of condensed

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Speaker 3: energy that we feel building up throughout the episode will

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Speaker 3: allow the listener to pop. It's interesting, it's incorrect, but

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Speaker 3: it's definitely interesting.

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Speaker 1: And look where it got us.

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Speaker 2: The big man obviously disagreed with the medium man, and

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Speaker 2: we're looking for hang on again.

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Speaker 1: I'm here to learn. I'm here to learn. I'm here

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Speaker 1: to learn. I'm here to learn.

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Speaker 2: Well, I know this appearance is effectively an extension of

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Speaker 2: your therapy.

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Speaker 1: Well, my therapist is a big Hollywood Handbook fan.

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Speaker 2: So when I see you do a big sales I go,

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Speaker 2: this is a tool, right, you know what I mean

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Speaker 2: that you're using to kind of get through this, But

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Speaker 2: I I want to be a part of your healing. Right,

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Speaker 2: So like, what what can we do right now to

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Speaker 2: kind of allow you to continue?

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Speaker 1: I'm trying to grow. I'm here, I mean obviously in

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Speaker 1: large part, I'm here to impress my therapist. Yeah, I

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Speaker 1: said her name, or right, I did, that's doctor Sonya Munson. Wow.

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Speaker 1: I've been seeing her for six or seven years basically

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Speaker 1: that whole time. She said, oh, do you know Hollywood

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Speaker 1: Handbook guys. You met them before? I said, oh, yeah,

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Speaker 1: you remember the Grease Nose Eggs show. I was a

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Speaker 1: consultant on that. She said, well, well, can you introduce

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Speaker 1: me or go on their show or do you have

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Speaker 1: a message with them? Do they send you pictures? Anything

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Speaker 1: like that, et cetera. What I said to her ultimately

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Speaker 1: she wanted to see the pictures, but we don't send that.

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Speaker 1: What I didn't say that what pictures? Did you? I'm

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Speaker 1: not going to do it. I'm not going to do

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Speaker 1: it now. I didn't say, you know, I didn't say.

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Speaker 1: What I said is I understand those guys are artists.

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Speaker 1: I understand those guys have a gift, and I'm hoping

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Speaker 1: they have something to teach and share. That's why I'm

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Speaker 1: going there. I said. I wouldn't go there to try

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Speaker 1: and pretend to have that last idea. What I'm doing

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Speaker 1: is I'm kind of going as I mean ultimately, Alex,

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Speaker 1: Alex knows this. We're all students, you know, so I'm here.

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Speaker 1: I'm here as a student. Obviously. I bought my podcast

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Speaker 1: Hall of Fame trophy just so you know, just my reputation,

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Speaker 1: just so you figure out.

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Speaker 2: What you want to say that you brought it for,

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Speaker 2: and then do it. We have time.

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Speaker 1: I want you to know what the fuck my deal is. Okay,

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Speaker 1: I ask you a question.

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Speaker 2: I want you to know what the fuck your deal is.

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Speaker 4: What's your hand, say my hands say playball. Playball.

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Speaker 1: That's okay, so obviously tattoos on my hand to say playball.

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Speaker 4: And the message is that's the last thing I'll see

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Speaker 4: before you put my lights out.

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Speaker 1: Mm hmm. You know me, I wonder about the ring

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Speaker 1: from if I hadn't brought the trophy, you probably wouldn't

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Speaker 1: even realized that.

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Speaker 2: No, I don't think. I don't think I would have

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Speaker 2: been as intimidated by.

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Speaker 4: The What I can see is just the right hand

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Speaker 4: and and there's a ring over the second letter.

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Speaker 1: Yeah, so.

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Speaker 4: It you know, it's leaving me to uld say play

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Speaker 4: a bill. Well that's well on your side, maybe you're

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Speaker 4: maybe you're losing.

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Speaker 1: Yeah, I could say play I could say it, could

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Speaker 1: say playbill, right, yeah, and my side are we just

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Speaker 1: doing we're doing anagrams?

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Speaker 2: Now?

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Speaker 1: Well no, is that what my NPR show is missing?

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Speaker 1: Anagrams dropping? You're leaving.

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Speaker 2: N PR audience like, no anagrams for me?

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Speaker 1: I think they Actually that's fair.

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Speaker 2: Very soothed by that.

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Speaker 4: An introduction of Will Schartz the puzzle Master. Maybe trying

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Speaker 4: it with some of these uh upcoming episodes, inject.

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Speaker 1: A little life and give it a little zip. Yeah,

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Speaker 1: and is there such a thing as an audio crossword

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Speaker 1: puzzle that.

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Speaker 4: Could be interesting? Sorry, that could be more interesting. Yeah, okay,

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Speaker 4: I don't know about interesting. It could be more interesting.

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Speaker 1: It could be on the way towards interesting. Yes, got it.

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Speaker 4: What I'm wondering about what the ring choice on my

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Speaker 4: side is the L is blocked out, So to me

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Speaker 4: it could say S.

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Speaker 1: I could say s, so that would be p a

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Speaker 1: Why why what was that?

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Speaker 2: What if it said it could say pray pray ball,

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Speaker 2: that would be or pray Bill, pray Bill, pray Bill? Right?

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Speaker 3: That Like it's like you ever run into Clinton? You

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Speaker 3: ever actually see Clinton out of a diner or something?

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Speaker 2: You gotta pray Bill.

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Speaker 1: You're talking about You're talking about Billy c from Arkansas?

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Speaker 2: That's right, babe.

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Speaker 1: Wow, Yeah, I'm more of a Roger guy.

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Speaker 4: Why stop at Will's? Why stop at Will Schwartz?

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Speaker 1: Okay? Who else could I bring on? Tombo Debt? Well,

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Speaker 1: I've always left the lights on for him. You could

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Speaker 1: pound pound a little stone while you're at it, you're

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Speaker 1: thinking I could bring in stone and Tombo Debt? Yeah,

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00:22:51,240 --> 00:22:52,920
Speaker 1: what's Peter Sege gonna get? You know?

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Speaker 2: What you say to tom probably let me get my

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Speaker 2: ship off. I'm getting out of the back seat. You know,

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Speaker 2: he gets hit a tompo that I'll put the lights

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Speaker 2: out for you. One punch brother, Yeah yeah, just one.

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Speaker 1: That hat he wears a hat, he wears one. Yeah,

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Speaker 1: we do too. It's true. You got that hat to cat?

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00:23:18,800 --> 00:23:22,160
Speaker 2: Yeah, hat pack therapist wear a hat pack hat during

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Speaker 2: the sessions.

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Speaker 1: Can I justk a question about Morocca? You know what

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Speaker 1: you have? You ever seen him on CBS Sunday Morning Morocca?

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Speaker 1: Of course? Is that a Is that a comedy segment

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Speaker 1: or a new segment.

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Speaker 4: It's a new segment about comedy.

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Speaker 1: Okay, try it sometime, thanks, Try that on for size.

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Speaker 4: Put that on, Sean?

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Speaker 1: Did are you not wearing the same shoes that me

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Speaker 1: and Hayes are wearing?

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Speaker 6: No?

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Speaker 2: I couldn't get him. Oh yeah, didn't get them.

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Speaker 1: It was an exclusive drop.

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00:24:02,440 --> 00:24:04,920
Speaker 2: Well, yeah, I waited in line all night.

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00:24:05,000 --> 00:24:06,960
Speaker 4: He wore those shoes to run really fast to the

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Speaker 4: store so we could get them.

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Speaker 2: I know I wore these things. Yeah, these are court shoes.

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Speaker 1: So I guess what I'm asking is is there anything

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Speaker 1: from yours? How long? How long have you been doing

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Speaker 1: this show? I mean ten plus years, right.

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Speaker 2: Yeah, ten plus plus.

444
00:24:23,680 --> 00:24:30,080
Speaker 1: What have you learned in your five years doing this

445
00:24:30,200 --> 00:24:36,280
Speaker 1: show that I could learn from or even our listeners

446
00:24:36,600 --> 00:24:39,159
Speaker 1: could learn from in terms of their own podcasts, or

447
00:24:39,160 --> 00:24:41,040
Speaker 1: in terms of my podcast.

448
00:24:41,119 --> 00:24:44,919
Speaker 2: What your listeners could learn from this show?

449
00:24:45,240 --> 00:24:47,359
Speaker 1: Yeah?

450
00:24:47,400 --> 00:24:50,280
Speaker 2: Wow, that's that's powerful. What could your listeners know?

451
00:24:50,359 --> 00:24:51,960
Speaker 1: I'm glad you rephrased that question.

452
00:24:52,600 --> 00:24:55,640
Speaker 2: That's about what would your listeners be able to when

453
00:24:55,680 --> 00:24:56,760
Speaker 2: I listened to your show?

454
00:24:57,080 --> 00:25:01,120
Speaker 4: Yeah, I can feel you fighting a against the restraints

455
00:25:01,160 --> 00:25:04,360
Speaker 4: a little bit. There's certain things you can't say.

456
00:25:04,600 --> 00:25:07,679
Speaker 1: Sometimes I feel like I'm boxed in. Yeah, and you

457
00:25:07,760 --> 00:25:08,040
Speaker 1: want it.

458
00:25:08,080 --> 00:25:11,720
Speaker 4: I can feel it almost coming out, and you want

459
00:25:11,760 --> 00:25:16,600
Speaker 4: to say words that I think actually your audience is

460
00:25:16,640 --> 00:25:21,280
Speaker 4: excited for you to expand into words like.

461
00:25:23,240 --> 00:25:29,000
Speaker 1: I'm listening vagina, so you think on the show, I should.

462
00:25:30,640 --> 00:25:39,639
Speaker 1: It feels weird even coming out of my mouth. Like

463
00:25:39,760 --> 00:25:43,800
Speaker 1: let's say I'm with Pedro. Yeah, been against on the program?

464
00:25:43,920 --> 00:25:48,360
Speaker 1: Good right? Yeah? Just once? Uh yeah, he didn't want

465
00:25:48,400 --> 00:25:50,120
Speaker 1: to eight years ago. Run that one back.

466
00:25:50,960 --> 00:25:53,840
Speaker 4: He has other stuff a couple of years ago.

467
00:25:54,040 --> 00:25:56,600
Speaker 1: We're already we're already friends, so we don't need to

468
00:25:56,600 --> 00:25:59,280
Speaker 1: have back. Say I'm sitting across.

469
00:25:59,320 --> 00:26:01,680
Speaker 3: This would feel weird to talk on the show now

470
00:26:01,720 --> 00:26:02,920
Speaker 3: because you guys talk so much.

471
00:26:03,359 --> 00:26:08,480
Speaker 1: Yeah, he actually asked me filmmaking advice, like what color

472
00:26:08,520 --> 00:26:14,520
Speaker 1: he should paint the walls in the apartments. I'm freaking red,

473
00:26:14,600 --> 00:26:20,720
Speaker 1: some bullshit. So I'm sitting there with legendary Spanish filmmaker Pedro. Okay,

474
00:26:20,720 --> 00:26:25,119
Speaker 1: he's just a legendary filmmaker to me, And then I

475
00:26:25,119 --> 00:26:33,040
Speaker 1: would say to him, Uh, I'd say vagina.

476
00:26:34,480 --> 00:26:35,960
Speaker 2: Mm hmmm, mm hmm.

477
00:26:38,760 --> 00:26:40,760
Speaker 1: It feels good to say it. No, it does feel

478
00:26:40,800 --> 00:26:43,280
Speaker 1: good to say it. It's scary though, it's scary to

479
00:26:43,320 --> 00:26:44,240
Speaker 1: say it, but it feels.

480
00:26:44,400 --> 00:26:46,240
Speaker 2: What some of them, you know, some of the movies

481
00:26:46,280 --> 00:26:46,800
Speaker 2: are about.

482
00:26:47,320 --> 00:26:50,919
Speaker 1: His movies are kind of about and that I can't even.

483
00:26:54,359 --> 00:26:56,560
Speaker 3: Audience would be excited because we do this stuff all

484
00:26:56,600 --> 00:26:58,440
Speaker 3: the time, like we just don't even.

485
00:26:58,440 --> 00:26:59,440
Speaker 1: You use language.

486
00:26:59,680 --> 00:27:01,639
Speaker 2: We've we've taken the filters off.

487
00:27:01,880 --> 00:27:04,800
Speaker 3: I mean obviously early on we were, you know, trying

488
00:27:04,840 --> 00:27:06,800
Speaker 3: to do an impression of some of these other shows,

489
00:27:06,840 --> 00:27:10,240
Speaker 3: and we were very buttoned up and behaving properly. And

490
00:27:10,280 --> 00:27:13,679
Speaker 3: then I think what has allowed us to kind of

491
00:27:15,080 --> 00:27:18,560
Speaker 3: reach the place that we're at now a little lower

492
00:27:18,560 --> 00:27:23,680
Speaker 3: than where we started is that we removed those restrictions.

493
00:27:23,760 --> 00:27:26,000
Speaker 2: And we are fully ourselves. We are fully.

494
00:27:25,720 --> 00:27:29,080
Speaker 3: Honest, and we do say vagina, is it cream load?

495
00:27:29,840 --> 00:27:33,919
Speaker 3: We say things like greens, uh, prenus, we say.

496
00:27:34,640 --> 00:27:36,200
Speaker 4: Uh, is it okay?

497
00:27:38,080 --> 00:27:40,840
Speaker 2: Anal gland? We say you know what I mean? Like

498
00:27:40,920 --> 00:27:41,959
Speaker 2: we say this stuff?

499
00:27:42,040 --> 00:27:46,439
Speaker 1: What is podcasting about if not expression? Yeah? Is it

500
00:27:46,480 --> 00:27:50,760
Speaker 1: okay to be when you're doing when you're broadcasting or

501
00:27:50,800 --> 00:27:53,440
Speaker 1: doing comedies, it okay to be politically incorrect?

502
00:27:54,080 --> 00:27:59,199
Speaker 2: So wow, okay, So here I am all fame were

503
00:27:59,280 --> 00:27:59,800
Speaker 2: asking me.

504
00:28:00,119 --> 00:28:02,600
Speaker 1: Yeah, yeah, mentioned Bill Clinton? Is it okay to be

505
00:28:02,640 --> 00:28:03,640
Speaker 1: politically incorrect?

506
00:28:05,600 --> 00:28:08,679
Speaker 2: I think that there has to be room in the

507
00:28:08,760 --> 00:28:15,879
Speaker 2: conversation for really bad ideas to dominate the dialogue. And

508
00:28:17,000 --> 00:28:19,800
Speaker 2: I am proud to be a part of the culture

509
00:28:19,880 --> 00:28:22,879
Speaker 2: that has carved out that space and then and then

510
00:28:23,000 --> 00:28:25,840
Speaker 2: made the grooves so deep that nothing will ever rest

511
00:28:25,920 --> 00:28:30,160
Speaker 2: loose some of the absolute worst ideas to ever be said.

512
00:28:30,640 --> 00:28:33,760
Speaker 1: So great, I'm so glad that I'm driving the bus.

513
00:28:33,800 --> 00:28:43,880
Speaker 4: What I call politically correct, what you and some other

514
00:28:43,880 --> 00:28:48,240
Speaker 4: people would call politically incorrect, and what I call politically

515
00:28:48,400 --> 00:28:52,520
Speaker 4: incorrect is some of the type of stuff that, like

516
00:28:53,840 --> 00:29:00,120
Speaker 4: other people, you would call politically correct. So when when

517
00:29:00,200 --> 00:29:09,280
Speaker 4: you say politically incorrect, my answer is no, but because

518
00:29:09,280 --> 00:29:16,440
Speaker 4: it is correct, which when Hayes uses that term.

519
00:29:15,320 --> 00:29:17,400
Speaker 3: What he's talking about are the kind of things that

520
00:29:17,640 --> 00:29:24,680
Speaker 3: you would classify and other people, primarily you, as politically

521
00:29:26,120 --> 00:29:27,040
Speaker 3: whichever one.

522
00:29:27,640 --> 00:29:30,280
Speaker 1: I feel like. I feel like you guys are so

523
00:29:30,440 --> 00:29:33,320
Speaker 1: incredible that you can do this without Will Shortz even

524
00:29:33,360 --> 00:29:37,960
Speaker 1: being here. It's the puzzle master. I mean, if it

525
00:29:38,640 --> 00:29:42,120
Speaker 1: wouldn't hurt, I think I don't want to rely on

526
00:29:42,200 --> 00:29:44,800
Speaker 1: him too much, but it wouldn't hurt to have him

527
00:29:45,080 --> 00:29:50,920
Speaker 1: skitingering around like puzzling away something as we go.

528
00:29:51,560 --> 00:29:53,800
Speaker 3: Yeah, but you'd have to put on some will pants

529
00:29:53,800 --> 00:29:59,440
Speaker 3: if he's going to be here. I'm sorry, but there's

530
00:29:59,800 --> 00:30:03,200
Speaker 3: the is a dress code, you know. I think there

531
00:30:03,200 --> 00:30:06,800
Speaker 3: are certain freedoms that we are allowed the name Virgina.

532
00:30:06,920 --> 00:30:11,120
Speaker 2: Yes, like, let's be open to that premus. We're gonna

533
00:30:11,120 --> 00:30:13,400
Speaker 2: want to talk about a little bit, you know, if

534
00:30:13,440 --> 00:30:17,040
Speaker 2: it comes up cream, we're gonna say, yeah, we're gonna

535
00:30:17,080 --> 00:30:18,800
Speaker 2: probably talk about a cream load.

536
00:30:18,920 --> 00:30:19,120
Speaker 1: You know.

537
00:30:19,400 --> 00:30:24,080
Speaker 4: We talk about our back there belly buttons, which is yeah,

538
00:30:25,160 --> 00:30:28,120
Speaker 4: like the whole but whole m that's our.

539
00:30:28,040 --> 00:30:31,600
Speaker 3: Back there belly budd that's what that's what that there

540
00:30:31,600 --> 00:30:32,160
Speaker 3: belly button.

541
00:30:32,200 --> 00:30:34,280
Speaker 4: And now I think we can actually finally admit of

542
00:30:34,360 --> 00:30:35,360
Speaker 4: this show that that's what the.

543
00:30:35,280 --> 00:30:38,360
Speaker 1: Back there belly but does because you're not afraid to

544
00:30:38,400 --> 00:30:42,280
Speaker 1: be politically correct, which for you, for us, which yes

545
00:30:43,120 --> 00:30:45,720
Speaker 1: is what some some people, some.

546
00:30:45,960 --> 00:30:53,240
Speaker 2: Football out there, you, et cetera. Mm hmm, yeah, I

547
00:30:53,320 --> 00:30:57,480
Speaker 2: would consider politically incorrect. Yeah, he's got his hand up future.

548
00:30:57,520 --> 00:31:00,120
Speaker 1: Some form of ID. I found my camera.

549
00:31:02,400 --> 00:31:04,840
Speaker 4: And so yeah, if we had if we had Will

550
00:31:04,880 --> 00:31:06,640
Speaker 4: on the show, well, of course he'd be won't shorts

551
00:31:06,680 --> 00:31:07,200
Speaker 4: on this show.

552
00:31:08,560 --> 00:31:08,920
Speaker 1: That's it.

553
00:31:10,760 --> 00:31:12,760
Speaker 4: That would be it's a hard and fast rule.

554
00:31:12,840 --> 00:31:16,400
Speaker 1: That would be the politically correct way to refer to him. Sure,

555
00:31:17,120 --> 00:31:21,920
Speaker 1: to me, thank you, but the other people, yeah you,

556
00:31:22,760 --> 00:31:26,360
Speaker 1: it would be the politically yes, got it. What are

557
00:31:26,360 --> 00:31:27,720
Speaker 1: you doing in Santa Cruz?

558
00:31:27,840 --> 00:31:29,520
Speaker 2: Yeah, what's gonna happen?

559
00:31:29,960 --> 00:31:34,560
Speaker 1: Well, because it's the twenty fifth anniversary of Bullseye. I

560
00:31:34,640 --> 00:31:37,320
Speaker 1: did a twenty fifth anniversary show here in Los Angeles

561
00:31:38,440 --> 00:31:42,560
Speaker 1: November one, I'm doing a show in Santa Cruz. November fifteenth.

562
00:31:42,600 --> 00:31:46,640
Speaker 1: I'm doing a show in New York. So it'll be interviews, comedy,

563
00:31:47,040 --> 00:31:50,880
Speaker 1: music in each venue. New York. We got Tony Shaloub

564
00:31:51,240 --> 00:31:55,640
Speaker 1: from Monk. Uh huh. Yeah, okay, we got Bobby and

565
00:31:55,720 --> 00:32:02,480
Speaker 1: Kristin Anderson Lopez Bobby's an egot. We got John Benjamin

566
00:32:02,560 --> 00:32:03,520
Speaker 1: from bobs Burger's.

567
00:32:04,000 --> 00:32:10,760
Speaker 4: Tony Shaloub just like getting ready, yeah, to talk Tony. Yeah,

568
00:32:11,000 --> 00:32:14,120
Speaker 4: it's not really like from Monk. Is not really how

569
00:32:14,120 --> 00:32:17,000
Speaker 4: we want to be referring to him. Now, he's actually

570
00:32:17,000 --> 00:32:18,200
Speaker 4: been up to a lot since.

571
00:32:18,960 --> 00:32:19,960
Speaker 1: Give me an example.

572
00:32:20,960 --> 00:32:24,960
Speaker 4: He's doing a show about bread right now. I think, yeah,

573
00:32:26,480 --> 00:32:28,240
Speaker 4: so you should probably inter I did.

574
00:32:28,120 --> 00:32:31,719
Speaker 1: Not know that. Again, I did not know that. I

575
00:32:31,760 --> 00:32:34,680
Speaker 1: appreciate you, guys. This is why I'm here. This is

576
00:32:34,760 --> 00:32:39,959
Speaker 1: why I'm here. He's he's getting very Tucci with it. Okay,

577
00:32:40,400 --> 00:32:41,880
Speaker 1: right now they're friends.

578
00:32:42,280 --> 00:32:48,520
Speaker 4: So you're watching Tucci like, first of all, people are

579
00:32:48,600 --> 00:32:52,440
Speaker 4: are thirsting for him. This guy does nothing but exercise,

580
00:32:52,560 --> 00:32:57,120
Speaker 4: right and pasta's yes, pasta and wine, and he's charming

581
00:32:57,200 --> 00:32:59,800
Speaker 4: everyone bald in his favor.

582
00:33:00,040 --> 00:33:00,440
Speaker 1: Uh huh.

583
00:33:01,040 --> 00:33:03,040
Speaker 4: And so you're Tony and you're like, okay, this is

584
00:33:03,080 --> 00:33:04,880
Speaker 4: my friend, but also give.

585
00:33:04,720 --> 00:33:08,560
Speaker 2: Me that here's one for Jesse to Maine to Chi.

586
00:33:08,600 --> 00:33:16,880
Speaker 1: Main so Toucci Maine. That would be like if Stanley Tucci.

587
00:33:17,400 --> 00:33:21,400
Speaker 2: Mm hmm. This is.

588
00:33:23,400 --> 00:33:33,440
Speaker 1: So he he like, did they mate.

589
00:33:31,280 --> 00:33:35,080
Speaker 4: Breaking bread? Breaking Bread? That's the name of the show,

590
00:33:36,720 --> 00:33:38,720
Speaker 4: thanks case, And that's why he's talking to.

591
00:33:38,680 --> 00:33:42,480
Speaker 1: You, Okay. I honestly I thought that's the only our

592
00:33:42,520 --> 00:33:46,240
Speaker 1: relationship to you. We had a relationship previously. But mm hmmm.

593
00:33:46,640 --> 00:33:49,600
Speaker 1: He he's done the show before, he's done the show before,

594
00:33:49,640 --> 00:33:52,440
Speaker 1: you lovely man. Okay, I mean once you know, our

595
00:33:53,120 --> 00:33:56,400
Speaker 1: our mutual friend Tom Sharpling from the Grease nos Egg Show. Yeah,

596
00:33:57,800 --> 00:34:02,160
Speaker 1: interest to you at the anniversary show here introduced me.

597
00:34:02,320 --> 00:34:05,560
Speaker 1: You want people to go to yours, your twenty fifth

598
00:34:05,560 --> 00:34:10,400
Speaker 1: anniversary show, but other people have a twenty fifth anniversary show, and.

599
00:34:10,920 --> 00:34:11,680
Speaker 2: You're I don't know.

600
00:34:11,760 --> 00:34:18,759
Speaker 1: During the roll call, you were nowhere to be heard. Well,

601
00:34:18,840 --> 00:34:23,000
Speaker 1: I don't know. I mean twenty three years or so ago,

602
00:34:23,400 --> 00:34:26,560
Speaker 1: I had the opportunity to visit our friend Tom on

603
00:34:26,640 --> 00:34:30,520
Speaker 1: the set of Monk right in downtown San Francisco. Yeah,

604
00:34:30,560 --> 00:34:33,360
Speaker 1: and that's the first time I met Tony Shaloub. He

605
00:34:33,520 --> 00:34:37,600
Speaker 1: was he was handed. That was a real social currency

606
00:34:37,920 --> 00:34:40,280
Speaker 1: at the time. Evan to go on the Monk sat huh,

607
00:34:40,320 --> 00:34:46,279
Speaker 1: I mean it was that then was being in the

608
00:34:46,280 --> 00:34:48,640
Speaker 1: studio fifty five in like a two thousand and four.

609
00:34:49,880 --> 00:34:52,520
Speaker 1: That was sort of the equivalent of if it was

610
00:34:52,560 --> 00:34:58,319
Speaker 1: twenty twenty four and you had the opportunity to meet

611
00:34:58,320 --> 00:35:01,920
Speaker 1: doctor Drew. It's like if you were elected to the

612
00:35:01,920 --> 00:35:03,040
Speaker 1: Podcasting Hall of Fame.

613
00:35:03,239 --> 00:35:05,239
Speaker 3: You know, they say every they say, everyone that ever

614
00:35:05,239 --> 00:35:07,719
Speaker 3: saw the Velvet Underground live and concert went on to

615
00:35:07,760 --> 00:35:10,560
Speaker 3: start a band. And and now they say everyone whoever

616
00:35:10,680 --> 00:35:13,560
Speaker 3: visited the Monk sat and started my own about it.

617
00:35:13,680 --> 00:35:20,439
Speaker 1: Yeah, huh, yeah, huh. For just because I visited a monk,

618
00:35:20,440 --> 00:35:23,279
Speaker 1: I started my own show on TBS. It's about a

619
00:35:23,320 --> 00:35:24,200
Speaker 1: quirky detective.

620
00:35:27,160 --> 00:35:28,840
Speaker 2: Oh well, I was saying that they've just I was

621
00:35:28,880 --> 00:35:30,040
Speaker 2: just saying that they.

622
00:35:29,880 --> 00:35:32,600
Speaker 1: Think about it, talk about it literally decades later, bring

623
00:35:32,640 --> 00:35:32,880
Speaker 1: it up.

624
00:35:32,960 --> 00:35:35,160
Speaker 2: Yeah, they bring it up for quite sometimes.

625
00:35:34,840 --> 00:35:38,240
Speaker 1: Weirdly brag about it. They drop it many years later,

626
00:35:38,440 --> 00:35:39,160
Speaker 1: they drop.

627
00:35:38,960 --> 00:35:43,520
Speaker 2: It whenever, for however long it takes. Right, And that's

628
00:35:43,640 --> 00:35:45,400
Speaker 2: just been something that's been going on.

629
00:35:45,680 --> 00:35:46,919
Speaker 1: Maybe they have a point to make.

630
00:35:47,680 --> 00:35:52,680
Speaker 2: Well, I and and and that actually that brings up

631
00:35:52,719 --> 00:35:54,160
Speaker 2: something that's very interesting.

632
00:35:54,400 --> 00:35:55,360
Speaker 1: Okay, let's hear it.

633
00:35:55,400 --> 00:35:58,680
Speaker 2: Because I've I've been waiting up something minutes.

634
00:35:58,440 --> 00:36:00,880
Speaker 1: On the clock. I'd love to talk about something interesting.

635
00:36:01,040 --> 00:36:11,640
Speaker 2: M m okay, it's okay to say legends of the Regardian,

636
00:36:13,840 --> 00:36:21,480
Speaker 2: Legends of the Regardian. Remember hen legends of the Regardian

637
00:36:21,760 --> 00:36:24,200
Speaker 2: owls of Goho, owls of gohool.

638
00:36:24,760 --> 00:36:29,520
Speaker 1: Right, So you're thinking legends of the Regardian is what

639
00:36:29,760 --> 00:36:35,960
Speaker 1: people call. People call him? They all yeah, like when

640
00:36:36,000 --> 00:36:39,160
Speaker 1: you so, when you run into, say a barista that

641
00:36:39,280 --> 00:36:46,160
Speaker 1: recognizes you from Hollywood Handbook, Okay, thank you for specifying.

642
00:36:46,239 --> 00:36:48,920
Speaker 2: There's a lot I could be recognized from you.

643
00:36:48,920 --> 00:36:55,440
Speaker 1: You ordered? You order yourself a Moca just a regular Moca.

644
00:36:55,719 --> 00:36:57,600
Speaker 2: Yeah one please?

645
00:36:58,520 --> 00:37:09,120
Speaker 4: Oh this apple lap of bullshit and the sweet caramel again.

646
00:37:09,719 --> 00:37:14,120
Speaker 1: Just orders I get a cup of mocha.

647
00:37:15,520 --> 00:37:19,000
Speaker 2: They get a fucking normal whatever happened and just getting

648
00:37:19,040 --> 00:37:23,960
Speaker 2: the cup of mocha please.

649
00:37:24,640 --> 00:37:31,560
Speaker 1: So you order yourself a Moca one Moca regular size. Yeah,

650
00:37:31,760 --> 00:37:33,400
Speaker 1: And the baristas said.

651
00:37:33,280 --> 00:37:36,600
Speaker 2: Easy on the what.

652
00:37:35,360 --> 00:37:38,120
Speaker 1: But what's the name on that? And then they stop

653
00:37:38,239 --> 00:37:42,920
Speaker 1: themselves and they say, well, of course the name on

654
00:37:43,000 --> 00:37:46,920
Speaker 1: this order is and they take their mark rout and

655
00:37:46,960 --> 00:37:47,799
Speaker 1: they write.

656
00:37:49,480 --> 00:37:56,319
Speaker 2: Regarding legends of the Legends regard owls owls of And

657
00:37:56,360 --> 00:37:57,520
Speaker 2: if they don't know, it's him.

658
00:37:57,880 --> 00:38:02,400
Speaker 4: Pretty quick for me because we're regarding so much and

659
00:38:02,440 --> 00:38:05,520
Speaker 4: we do have to get behind the counter to regard

660
00:38:05,560 --> 00:38:07,840
Speaker 4: them at some point, because you got to get the

661
00:38:07,880 --> 00:38:09,360
Speaker 4: full three to sixty regard.

662
00:38:09,640 --> 00:38:12,000
Speaker 3: Yeah, the counter is cutting off some of the stuff

663
00:38:12,040 --> 00:38:13,440
Speaker 3: that I need to regard.

664
00:38:13,480 --> 00:38:14,799
Speaker 1: So I'm like bumping into it.

665
00:38:15,000 --> 00:38:17,560
Speaker 3: Yeah, I'm like sort of like leaning all the way

666
00:38:17,600 --> 00:38:20,719
Speaker 3: over it. I'm pretending that I'm sick or something, and

667
00:38:20,800 --> 00:38:22,719
Speaker 3: I have to lie down on the counter and then

668
00:38:22,760 --> 00:38:25,359
Speaker 3: I'm like sort of rolling myself off, falling down.

669
00:38:25,560 --> 00:38:27,160
Speaker 1: Do you even have to pretend? Maybe real?

670
00:38:27,760 --> 00:38:29,760
Speaker 2: A lot of times I am. I will be I'm

671
00:38:29,880 --> 00:38:32,200
Speaker 2: cly not feeling good. Yeah, I will be if I

672
00:38:32,239 --> 00:38:36,040
Speaker 2: don't get to look. I will get really sick if

673
00:38:36,040 --> 00:38:37,120
Speaker 2: I don't get to look soon.

674
00:38:37,440 --> 00:38:40,920
Speaker 1: It's sort of your lifeblood. Yeah, I know, I understand that.

675
00:38:41,080 --> 00:38:44,640
Speaker 4: And so they better lift that little enclosure open for

676
00:38:44,719 --> 00:38:47,160
Speaker 4: me so I can get back there. Oh like the flap, Yeah,

677
00:38:47,200 --> 00:38:49,160
Speaker 4: so I can do the full three sixty regard.

678
00:38:49,760 --> 00:38:54,360
Speaker 1: Love that flap. Love that flap because it's a combination table.

679
00:38:54,600 --> 00:38:57,160
Speaker 4: I'm not there on the flap yet. What a cool idea.

680
00:38:57,640 --> 00:39:01,200
Speaker 2: I just can't believe it, because for so long there

681
00:39:01,239 --> 00:39:06,000
Speaker 2: was no flap right, Well, if people thought you you

682
00:39:06,040 --> 00:39:07,560
Speaker 2: were either behind the counter in front of it.

683
00:39:07,800 --> 00:39:11,960
Speaker 1: Okay, when I was in school. When I was in school,

684
00:39:12,000 --> 00:39:17,400
Speaker 1: this is like forever ago. Now, okay, boomer, this is

685
00:39:17,440 --> 00:39:23,719
Speaker 1: forever ago. When I was in school, they said door

686
00:39:23,880 --> 00:39:29,759
Speaker 1: or table both never able? This thing, they would say

687
00:39:29,760 --> 00:39:33,680
Speaker 1: door or table both never able because you can't combine

688
00:39:33,719 --> 00:39:38,680
Speaker 1: door and table. Then a new generation comes around that

689
00:39:38,880 --> 00:39:42,080
Speaker 1: isn't afraid of new ideas and they say, what if

690
00:39:42,120 --> 00:39:45,600
Speaker 1: a door and a table were both something? What if

691
00:39:45,640 --> 00:39:50,279
Speaker 1: both were a thing? And some guy or lady or

692
00:39:50,400 --> 00:39:55,800
Speaker 1: non binary person said, yeah, if the door opens flap style,

693
00:39:56,880 --> 00:39:58,200
Speaker 1: then it can also be a table.

694
00:39:58,239 --> 00:40:01,759
Speaker 3: But is that ablest to say to take something that

695
00:40:01,800 --> 00:40:07,160
Speaker 3: has been said is never able and spit in the face.

696
00:40:07,040 --> 00:40:10,000
Speaker 2: And go that's bad. I'm changing that? Is that ablest?

697
00:40:10,360 --> 00:40:12,600
Speaker 1: It's a really good question. I don't know. Let's throw

698
00:40:12,600 --> 00:40:13,640
Speaker 1: it out there to the audience.

699
00:40:13,840 --> 00:40:18,680
Speaker 2: My thing is, let's hear everybody, please respond to Jesse online.

700
00:40:19,080 --> 00:40:23,440
Speaker 2: Let him know is counterflapes isn't there yet on it?

701
00:40:23,440 --> 00:40:24,800
Speaker 2: I'm starting to come around to what hazes?

702
00:40:25,000 --> 00:40:28,080
Speaker 4: I want to knock nine one foehead on a knock.

703
00:40:28,719 --> 00:40:31,000
Speaker 1: The lights are already lighting up let's let's go to

704
00:40:31,080 --> 00:40:35,360
Speaker 1: line three into Mecula. This is Hank. It's just a

705
00:40:35,400 --> 00:40:37,080
Speaker 1: little bit. It was just a I don't want to

706
00:40:37,080 --> 00:40:37,760
Speaker 1: talk about honey.

707
00:40:37,840 --> 00:40:38,680
Speaker 2: Yeah, I know.

708
00:40:38,800 --> 00:40:39,399
Speaker 4: I like that.

709
00:40:39,440 --> 00:40:43,239
Speaker 2: Hank's on the phone. Yeah, I like that idea. It's

710
00:40:43,239 --> 00:40:45,360
Speaker 2: not for this show, but I like the idea. I

711
00:40:45,440 --> 00:40:46,120
Speaker 2: think that could be.

712
00:40:46,160 --> 00:40:50,080
Speaker 1: Actually, I feel like, can I characterize that idea? Go

713
00:40:50,120 --> 00:40:51,720
Speaker 1: ahead most of the way there.

714
00:40:52,560 --> 00:40:55,880
Speaker 2: Oh yeah, it's getting really close.

715
00:40:56,000 --> 00:41:00,320
Speaker 4: If you knock on the flap, sometimes you're like hitting

716
00:41:00,480 --> 00:41:02,760
Speaker 4: the things that are on it because it is a table.

717
00:41:02,800 --> 00:41:04,480
Speaker 4: As you said, it's a door and a table.

718
00:41:04,760 --> 00:41:06,760
Speaker 1: Are you against the flap so they put stuff?

719
00:41:06,800 --> 00:41:09,480
Speaker 2: He doesn't look he's not there.

720
00:41:10,080 --> 00:41:12,719
Speaker 1: Yeah, oh yeah, So literally you're against it, But are

721
00:41:12,719 --> 00:41:15,440
Speaker 1: you opposed to it? I'm not there yet. You're not

722
00:41:15,480 --> 00:41:16,479
Speaker 1: there because I want to knock.

723
00:41:17,120 --> 00:41:19,600
Speaker 4: And if I not hitting some of the syrups and

724
00:41:19,640 --> 00:41:22,360
Speaker 4: some of the items that I think I'm actually depressing

725
00:41:22,400 --> 00:41:23,960
Speaker 4: the syrup dispenser.

726
00:41:25,239 --> 00:41:31,120
Speaker 1: So you're not my area which syrup dispenser, caramel, the

727
00:41:31,160 --> 00:41:35,600
Speaker 1: menth the area.

728
00:41:38,360 --> 00:41:49,040
Speaker 6: Right right right? Active Wow, Yeah, it's the thing you

729
00:41:49,280 --> 00:41:50,640
Speaker 6: review today.

730
00:41:50,800 --> 00:41:51,160
Speaker 1: I know.

731
00:41:51,280 --> 00:41:53,160
Speaker 4: But I've started to feel bad for them because they're

732
00:41:53,160 --> 00:41:56,600
Speaker 4: getting knocked on so much. This part trying to access

733
00:41:56,640 --> 00:41:57,040
Speaker 4: the back.

734
00:41:58,360 --> 00:42:00,719
Speaker 2: If you get ment on that area, man, it will

735
00:42:00,760 --> 00:42:01,440
Speaker 2: be pretty active.

736
00:42:01,520 --> 00:42:09,120
Speaker 1: Is this there is this podcast part of the menthosphere.

737
00:42:05,960 --> 00:42:07,680
Speaker 4: We're trying to get in there?

738
00:42:08,120 --> 00:42:08,719
Speaker 1: Yeah? Not.

739
00:42:09,320 --> 00:42:12,040
Speaker 3: This is our formal submission. Actually, we know they're going

740
00:42:12,080 --> 00:42:12,920
Speaker 3: to pay attention to this.

741
00:42:13,239 --> 00:42:16,799
Speaker 4: I made an informal submission after I got some menth

742
00:42:16,880 --> 00:42:17,239
Speaker 4: on there.

743
00:42:18,960 --> 00:42:21,919
Speaker 1: Wow. Is it informal emission? Yeah?

744
00:42:22,320 --> 00:42:24,080
Speaker 2: I think that's what I was trying to That's probably

745
00:42:24,120 --> 00:42:26,720
Speaker 2: better and then submission.

746
00:42:27,880 --> 00:42:30,439
Speaker 4: But that would have taken two steps. I could only

747
00:42:30,480 --> 00:42:32,200
Speaker 4: really do the one, so I was sort of hoping

748
00:42:32,200 --> 00:42:33,320
Speaker 4: submission would be.

749
00:42:33,239 --> 00:42:35,960
Speaker 1: They always tell you to be Yeah.

750
00:42:35,800 --> 00:42:40,160
Speaker 4: What sort of clear the flat for you? Well, and

751
00:42:40,200 --> 00:42:42,400
Speaker 4: if I get a running start, I will be able.

752
00:42:42,160 --> 00:42:46,320
Speaker 1: To get all the way over that thing.

753
00:42:46,600 --> 00:42:50,520
Speaker 3: Oh yeah yeah, And I'm just that's never gonna happen

754
00:42:50,560 --> 00:42:53,480
Speaker 3: for me. The best I can hope for is that

755
00:42:54,000 --> 00:42:55,120
Speaker 3: I can crawl under it.

756
00:42:55,680 --> 00:42:56,000
Speaker 1: You know what.

757
00:42:56,040 --> 00:42:58,759
Speaker 3: The reason I always have the they always have it

758
00:42:59,160 --> 00:42:59,920
Speaker 3: set up like that.

759
00:43:00,080 --> 00:43:03,160
Speaker 1: You know what. The reason I'm here today is I

760
00:43:03,239 --> 00:43:06,360
Speaker 1: realize because before I thought it was just good my publicist,

761
00:43:07,320 --> 00:43:11,160
Speaker 1: But now I know it is just to convey the

762
00:43:11,200 --> 00:43:23,680
Speaker 1: message to you, guys. Hayes Sean. Regarding Henry, I'm here

763
00:43:23,719 --> 00:43:26,080
Speaker 1: to convey to you that I believe in you, like

764
00:43:26,160 --> 00:43:30,120
Speaker 1: I really think you can do it. I think I

765
00:43:30,160 --> 00:43:34,439
Speaker 1: speak for the audience. I think that no matter what

766
00:43:34,560 --> 00:43:37,719
Speaker 1: kind of flap stands in your way, whether you have

767
00:43:37,800 --> 00:43:41,879
Speaker 1: to go under it, over it, through it, open it,

768
00:43:42,400 --> 00:43:46,520
Speaker 1: close it, creme de menth, you can handle this thing.

769
00:43:48,000 --> 00:43:48,479
Speaker 1: That is.

770
00:43:50,280 --> 00:43:52,719
Speaker 4: So awesome to hear from you, Jesse, and I just

771
00:43:52,800 --> 00:43:55,680
Speaker 4: want to share in return thank you that I have

772
00:43:55,760 --> 00:43:57,000
Speaker 4: opinions about you as well.

773
00:43:57,960 --> 00:44:01,719
Speaker 2: Thank you, and regarding regarding specifically to your ability to

774
00:44:01,760 --> 00:44:04,759
Speaker 2: handle it. Yep, yeah, yep. So it's like we're all

775
00:44:04,800 --> 00:44:05,560
Speaker 2: in the same.

776
00:44:06,960 --> 00:44:09,600
Speaker 4: That I share around.

777
00:44:10,840 --> 00:44:13,400
Speaker 1: Just with that, I say, just with yeah, we're in alignment.

778
00:44:13,960 --> 00:44:16,200
Speaker 1: I say it to people just like you said it.

779
00:44:16,280 --> 00:44:17,840
Speaker 1: I'm saying you said it out loud.

780
00:44:18,080 --> 00:44:23,080
Speaker 3: I've said about you whether I feel that you can

781
00:44:23,120 --> 00:44:25,719
Speaker 3: handle it, take that home, you know what I mean?

782
00:44:25,800 --> 00:44:28,480
Speaker 2: Or take it to Santa Cruz. I guess go banana slugs?

783
00:44:29,280 --> 00:44:33,399
Speaker 1: Have you can I ask with whom you have been

784
00:44:33,400 --> 00:44:36,320
Speaker 1: talking I have been.

785
00:44:36,239 --> 00:44:40,480
Speaker 3: Talking, well, I meet I meet up with Sonya Monson

786
00:44:41,560 --> 00:44:42,200
Speaker 3: kind of get.

787
00:44:43,800 --> 00:44:45,680
Speaker 4: Sean and I will be well, like you said, she's

788
00:44:45,719 --> 00:44:46,560
Speaker 4: a fan of the show.

789
00:44:46,800 --> 00:44:48,880
Speaker 1: She's a big fan. Her nephew turned her on to.

790
00:44:48,960 --> 00:44:53,279
Speaker 4: It, and so, you know, like she she wants to

791
00:44:53,320 --> 00:44:58,000
Speaker 4: give us some material, some funny stories. In return, We've

792
00:44:58,000 --> 00:45:00,319
Speaker 4: been given her a few over the years. It's a

793
00:45:00,360 --> 00:45:01,120
Speaker 4: lot of laughs.

794
00:45:01,560 --> 00:45:05,160
Speaker 3: Our show the form of therapy for her, and she goes, well,

795
00:45:05,160 --> 00:45:08,719
Speaker 3: you guys should be allowed to laugh as well. Tell

796
00:45:08,719 --> 00:45:10,920
Speaker 3: you some of the fucked up ship. I've been listening

797
00:45:10,960 --> 00:45:13,640
Speaker 3: to you know what I mean, And it's actually really cool.

798
00:45:14,120 --> 00:45:17,600
Speaker 3: It's like sort of like just to get behind the

799
00:45:17,600 --> 00:45:20,280
Speaker 3: curtain in that way with someone in that field.

800
00:45:21,200 --> 00:45:23,719
Speaker 1: Okay, is there anybody else you guys have been talking to?

801
00:45:25,560 --> 00:45:26,479
Speaker 1: Is this what you do?

802
00:45:26,600 --> 00:45:30,960
Speaker 4: Like someone gives you a great answer for something?

803
00:45:31,760 --> 00:45:34,839
Speaker 1: I can you do just another one? Yeah?

804
00:45:35,480 --> 00:45:38,600
Speaker 2: I believe questions are so long and then they get

805
00:45:38,719 --> 00:45:41,080
Speaker 2: answered and then it's like I get enough.

806
00:45:41,880 --> 00:45:43,120
Speaker 1: We just do that again.

807
00:45:43,400 --> 00:45:44,120
Speaker 2: I got a couple more.

808
00:45:44,400 --> 00:45:46,640
Speaker 1: I brought my trophy. Is that not enough for you people?

809
00:45:47,640 --> 00:45:48,480
Speaker 1: It's kind of sharp.

810
00:45:49,400 --> 00:45:51,640
Speaker 2: I really am nervous seing the trophy here and I

811
00:45:51,719 --> 00:45:52,920
Speaker 2: wish it would wait outside.

812
00:45:54,040 --> 00:45:55,000
Speaker 1: I'm going to keep it here.

813
00:45:56,160 --> 00:45:57,719
Speaker 2: I guess it's better if I know where it is.

814
00:45:58,120 --> 00:45:59,040
Speaker 4: It's clear, though.

815
00:45:59,280 --> 00:46:02,360
Speaker 1: I like seeing it makes me feel good. It's a

816
00:46:02,560 --> 00:46:06,319
Speaker 1: hollow man. Reminds me of the work I've done over

817
00:46:06,320 --> 00:46:15,160
Speaker 1: the past twenty five years, which is what Again? Podcast Hollywood,

818
00:46:15,239 --> 00:46:15,719
Speaker 1: Hamburg