WEBVTT - Jason Alexander & Peter Tilden

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<v Speaker 1>I had braces for nine years. I got them on,

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<v Speaker 1>they came off. I was seventeen and I remember the

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<v Speaker 1>braces came off and I had a date that evening.

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<v Speaker 1>So I went to the gym and I'm in the

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<v Speaker 1>shower and I'm, you know, coming out of the shower,

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<v Speaker 1>and I'm drying off my hair and I look in

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<v Speaker 1>the mirror and I see something like a thin spot

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<v Speaker 1>at the very very top, about the size of a quarter.

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<v Speaker 1>And I went, I literally said, are you frigging me?

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<v Speaker 1>I don't get a day one day.

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<v Speaker 2>Hello, this is Jason Alexander and I was on Seinfeld. Hi,

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<v Speaker 2>this is legendary radio DJ and writer producer Peter Tilden. Okay, no,

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<v Speaker 2>it's just me, Brian Baumgartner. But I swear you're going

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<v Speaker 2>to hear from them soon. Hi everybody, and welcome back

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<v Speaker 2>to Off the Beat. We've lost a recording somewhere. We

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<v Speaker 2>didn't hear them introduce themselves. But that's okay. I can

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<v Speaker 2>not only host the show. I can I can play

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<v Speaker 2>different characters as well. Apparently today, as you just heard,

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<v Speaker 2>we've got not one not too well, yes, two guests,

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<v Speaker 2>and they are real life besties. Jason Alexander and Peter Tilden.

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<v Speaker 2>You may know Jason Yes from his time on Seinfeld

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<v Speaker 2>playing George Costanza, or perhaps you know him from his

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<v Speaker 2>extensive Broadway career, which we discuss in depth today, or

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<v Speaker 2>from Pretty Woman he played Philip Stuckey. And of course

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<v Speaker 2>we also have writer producer Peter Tilden on today to

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<v Speaker 2>talk about his career and working from KABC to co

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<v Speaker 2>creating Hit the Road with You Guessed Jason Alexander. Also,

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<v Speaker 2>they just started a brand new podcast together called Really, No,

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<v Speaker 2>Really and Yes Really that is the name, and it's

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<v Speaker 2>a good one. So I'm not going to keep you waiting.

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<v Speaker 2>I know many of you have wanted the stars of

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<v Speaker 2>Seinfeld on today. You have my favorite because he's the first.

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<v Speaker 2>Jason Alexander and Peter Tilden. Everybody enjoy.

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<v Speaker 3>Bubble and Squeak.

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<v Speaker 1>I love it.

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<v Speaker 4>Bubble and Squeakna.

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<v Speaker 3>Bubble and Squeak.

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<v Speaker 1>I cook get every mon lift ooh from the ninety.

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<v Speaker 5>Before, Hello, everybody there, We look at this.

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<v Speaker 4>Wow, look at you too, look at you?

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<v Speaker 2>Really no, really you even have the poster strategically placed.

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<v Speaker 1>You bet. We don't get around and we know this

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<v Speaker 1>is just audio. We don't care.

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<v Speaker 2>I promise we'll grab a picture to at least show that.

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<v Speaker 2>How are you How are you both doing?

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<v Speaker 1>Oh? We're living the dream right you saw?

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<v Speaker 3>So we were at the the Our Heart Award show

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<v Speaker 3>where you hosted, which that's amazing.

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<v Speaker 4>That's right.

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<v Speaker 3>We're just we're, like Jason said, couldn't get any better. Yeah,

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<v Speaker 3>pinch me.

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<v Speaker 4>When when did the two of you meet? Now? Was

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<v Speaker 4>it on Bob Patterson?

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<v Speaker 1>No? No, no, it was so As you probably know,

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<v Speaker 1>Peter was one of the foremost talk radio hosts in

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<v Speaker 1>Los Angeles for thirty years.

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<v Speaker 4>Yes, and Peter, what.

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<v Speaker 1>Was that KBC back then when I met you?

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<v Speaker 4>Or it was KBC?

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<v Speaker 1>It was KBC and I came in, you know, promoting

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<v Speaker 1>Seinfeld in its earlier years. So it's probably around ninety two.

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<v Speaker 1>I would imagine maybe second season or third season, went

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<v Speaker 1>in to you know, do a straight up interview with Peter,

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<v Speaker 1>which does not exist, by the way, there is no

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<v Speaker 1>straight up interviews with Peter. And we were giggling and

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<v Speaker 1>having a good old time and it just felt like,

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<v Speaker 1>you know, we clicked. And after the after we went

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<v Speaker 1>off the air, Peter said, Hey, it's early I want

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<v Speaker 1>to go grab some breakfast and I went, I kind

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<v Speaker 1>of do.

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<v Speaker 3>We've been eating for twenty seven more years. We haven't

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<v Speaker 3>stopped eating.

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<v Speaker 1>He was actually at that breakfast where he said, I've

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<v Speaker 1>got your next show after Seinfeld. It was exactly the

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<v Speaker 1>one we did, but but we've been the best friends

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<v Speaker 1>ever since.

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<v Speaker 4>That's amazing.

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<v Speaker 2>I want to go back even before that and talk

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<v Speaker 2>a little bit about both of you growing up. When

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<v Speaker 2>did you realize you started to have interest either in

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<v Speaker 2>performing or the arts, or Peter, you know, having a

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<v Speaker 2>career in the arts as well. When did you start

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<v Speaker 2>getting excited and interested about that.

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<v Speaker 3>I'll go first and get it out of the way,

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<v Speaker 3>because it's not as interesting as yours with magic and Broadway. Now.

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<v Speaker 3>I was trapped in a home with insane people. Okay,

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<v Speaker 3>who would help if you open my refrigerator. Everything was

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<v Speaker 3>upside down, waiting for the last drop. They came from Europe.

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<v Speaker 3>They had nothing, so I always thought I was upside down.

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<v Speaker 3>The heat in the house it was convection currents coming

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<v Speaker 3>up with my father's body. The only time I saw

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<v Speaker 3>my parents touch was for a brief Heimlich So I

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<v Speaker 3>had to get out of there. So when I got out,

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<v Speaker 3>I tried a bunch of different things, and then ended

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<v Speaker 3>up working at radio station briefly then realizing I could

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<v Speaker 3>write copy to help sales, and I liked the copy,

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<v Speaker 3>and then I started doing that and got creative with that.

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<v Speaker 3>Was heard on the radio in Philadelphia, just sitting in

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<v Speaker 3>and they said, you want to come out to LA.

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<v Speaker 3>I came out to LA, kept the ad agency I

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<v Speaker 3>had going, and then started branching out really quickly from

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<v Speaker 3>radio into doing TV and other stuff. So it was

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<v Speaker 3>not till later, not till I had no sense that

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<v Speaker 3>this was going to happen. It was kind of accidental

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<v Speaker 3>until you know, well, well after college. Unlike Jay, who

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<v Speaker 3>I think, well, Jay will tell you it was a child.

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<v Speaker 3>He wanted to perform well. In a way, I was

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<v Speaker 3>much in juxtaposition to my seemingly gregarious personality. I was

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<v Speaker 3>I was and.

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<v Speaker 1>In many ways still am, you know, a kind of

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<v Speaker 1>a small personality kid.

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<v Speaker 3>I was.

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<v Speaker 1>I was a bullied kid. My parents both worked, My

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<v Speaker 1>siblings were much older than me, so I was kind

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<v Speaker 1>of a latchkey kid, a little bit of a loner,

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<v Speaker 1>a little bit of an introvert, kind of a you know,

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<v Speaker 1>a scared little kid. And my escape was into magic,

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<v Speaker 1>magic tricks.

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<v Speaker 4>Yeah.

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<v Speaker 1>I had seen Mark Wilson and family on The Sullivan

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<v Speaker 1>Show or something or wonder Rama or whatever the hell

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<v Speaker 1>it was, and I said, oh, that looks like fun

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<v Speaker 1>to have to have powers. That sounds interesting when you're

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<v Speaker 1>intimidated a little kid. So I was I really did

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<v Speaker 1>you know? For however, it started when I was six

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<v Speaker 1>years old, and I was I got books and I

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<v Speaker 1>got magic kids, and I really put in the time,

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<v Speaker 1>and I thought magic would be an avenue for me,

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<v Speaker 1>not really thinking of it as performing. I didn't really

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<v Speaker 1>equate it that way. I just thought I was somehow

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<v Speaker 1>empowering myself in some very juvenile way. When I was

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<v Speaker 1>twelve or thirteen years old, we moved from one town

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<v Speaker 1>in New Jersey to about five towns over where I

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<v Speaker 1>knew absolutely nobody, and two things happened at the same time.

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<v Speaker 1>One I went to, you know, is sort of a

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<v Speaker 1>what was called a magic camp. It was just a

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<v Speaker 1>really bunch of courses, and I realized that I just

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<v Speaker 1>was not keeping up with my peers. My ability to

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<v Speaker 1>do close up magic was considerably less skillful than anybody else,

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<v Speaker 1>and I went, I'm not going to be good enough

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<v Speaker 1>for this. And at the same time, the first kids

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<v Speaker 1>that picked me up in the new town were the

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<v Speaker 1>theater kids. And again I didn't think of it as performing.

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<v Speaker 1>I thought of it as, oh, suddenly I have friends.

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<v Speaker 1>I have friends, never friends before. So I got pulled

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<v Speaker 1>into this community, and it turned out that I had

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<v Speaker 1>an affinity for being on stage, and it just kept growing.

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<v Speaker 1>And soon after that my enjoyment of actually going, Oh

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<v Speaker 1>I like doing this as much as I liked being

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<v Speaker 1>with these people started to develop, and then it became

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<v Speaker 1>a goal.

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<v Speaker 2>So right, So for you to start, it was really

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<v Speaker 2>about just being a part of something.

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<v Speaker 1>Yeah, it was I. I was not an athletic kid,

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<v Speaker 1>so it was my team. I suddenly had a sports team,

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<v Speaker 1>you know, And you didn't find that magic Magic Camp.

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<v Speaker 4>The team wasn't.

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<v Speaker 1>There, Uh, not so much a team sport.

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<v Speaker 3>Yeah, how sad was on the Tale of One to Ten.

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<v Speaker 3>How sad was Magic Camp?

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<v Speaker 1>Oh?

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<v Speaker 4>It was.

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<v Speaker 1>First of all, every kid there was in desperate needo therapy,

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<v Speaker 1>and you know, we were all we were all bottom

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<v Speaker 1>of the barrel on our you know, home turf, and

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<v Speaker 1>but some very talented kids there. I don't know if

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<v Speaker 1>they went on to have careers, but I I wanted

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<v Speaker 1>to be a close up magician. I have teeny tiny

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<v Speaker 1>little hands. To this day, I have a six month

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<v Speaker 1>old grandson. His hands are almost my size. So I

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<v Speaker 1>just couldn't manipulate the cards and the coins. And I

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<v Speaker 1>knew I wasn't going to catch up. I wasn't gonna

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<v Speaker 1>I wasn't gonna get ahead of the curve. And I went,

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<v Speaker 1>it's not gonna work out for me, So got'll look elsewhere.

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<v Speaker 2>You you start falling in love with with actually acting performing,

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<v Speaker 2>and for you, did you feel like you needed more training,

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<v Speaker 2>that you needed to go somewhere and study. Talk to

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<v Speaker 2>me a little bit about for you how because for me,

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<v Speaker 2>what's fascinating is making the jump right from which was

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<v Speaker 2>me which was like, oh this is a fun activity, right,

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<v Speaker 2>this is an extra curricular to then like, oh no, no,

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<v Speaker 2>this is what I want to do for the rest

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<v Speaker 2>of my life.

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<v Speaker 1>There were two people who were very influential to me

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<v Speaker 1>deciding I wanted to be an actor. One we just

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<v Speaker 1>had on our podcast, Bill Shatner. I was a star

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<v Speaker 1>trek nut, and I was a star trek nut because

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<v Speaker 1>I fell in love with the charisma that Shatner had

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<v Speaker 1>on constant display in the role of Kirk, so I

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<v Speaker 1>understood that that was what acting was. I would basically

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<v Speaker 1>do anything as Bill Shatner. I would just be Bill Shannon.

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<v Speaker 1>But when I was twelve years old, thirteen years old,

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<v Speaker 1>these kids that I had fallen in with the fact

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<v Speaker 1>that I had grown up in New Jersey, we kept

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<v Speaker 1>going into New York to see Broadway shows and it

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<v Speaker 1>was very cheap to do that back then. And I

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<v Speaker 1>saw a very early performance of Pippen with Ben Vereen,

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<v Speaker 1>and Pippen was the first show that had magic tricks

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<v Speaker 1>in it that I went, oh, magic and I could

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<v Speaker 1>do that. Yeah, And I know this sounds as I

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<v Speaker 1>understand how ridiculous this sounds. But as I sat in

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<v Speaker 1>that chair, I went, I could be Ben Veren, which

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<v Speaker 1>means I have to learn to sing, I have to

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<v Speaker 1>learn to dance like that, and I have to have

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<v Speaker 1>that much charisma, I have to have that much power

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<v Speaker 1>on a stage. So I did. Literally the next week,

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<v Speaker 1>I was in tap dance classes and I was studying,

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<v Speaker 1>you know, voice, So I knew those were skills I

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<v Speaker 1>had to develop. I didn't really understand that I also

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<v Speaker 1>needed that there were skills in craft to acting. I

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<v Speaker 1>didn't realize that, but my parents were dead set as

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<v Speaker 1>supportive as they were because I started working professionally when

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<v Speaker 1>I was fourteen. I couldn't have done that if my

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<v Speaker 1>parents weren't behind that effort. But they were very realistic about,

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<v Speaker 1>you know, life in this business, and they wanted me

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<v Speaker 1>to go and have a college education. They were not

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<v Speaker 1>thrilled with the fact that my college education was going

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<v Speaker 1>to be as a theater major. But it was when

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<v Speaker 1>I got to Boston University and started studying theater that

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<v Speaker 1>I went, oh, there's like a craft to this, There's

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<v Speaker 1>like things you have to know. So that's when it

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<v Speaker 1>started to be when my eyes were open to you,

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<v Speaker 1>just don't imitate Bill Shatner every time his.

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<v Speaker 2>Mother, Bill Shatner and Ben Vereen. I know, that's what

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<v Speaker 2>I was thinking. It's also for me really interesting as

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<v Speaker 2>people began to find their place in in the business

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<v Speaker 2>and you know, to hear from you or to know

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<v Speaker 2>about you, that your your Broadway debut happens and merrily

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<v Speaker 2>we roll along. Obviously, as you mentioned singing and dancing

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<v Speaker 2>and acting, was there a part of you that felt

0:12:37.600 --> 0:12:40.920
<v Speaker 2>like you wanted to be a musical theater actor. That

0:12:40.920 --> 0:12:43.240
<v Speaker 2>that's that, that was your career, that's where you wanted

0:12:43.240 --> 0:12:43.600
<v Speaker 2>to live.

0:12:43.679 --> 0:12:47.040
<v Speaker 1>Well, that was that was the Ben Vereen influence. Yeah,

0:12:47.080 --> 0:12:50.240
<v Speaker 1>you know, part of the magic of Veren was the

0:12:50.240 --> 0:12:54.000
<v Speaker 1>way he moved. I I had. You know, we'd all

0:12:54.040 --> 0:12:56.839
<v Speaker 1>watched dancers. I grew up with Freda Staire and Jean

0:12:56.920 --> 0:13:01.840
<v Speaker 1>Kelly and you know, great dancers. But the the fossy

0:13:02.640 --> 0:13:08.560
<v Speaker 1>sense of sexualized, sensuous movement on a guy and a

0:13:08.600 --> 0:13:11.120
<v Speaker 1>guy that had some street swag to him, you know,

0:13:12.679 --> 0:13:16.360
<v Speaker 1>was just the most I went, well, that's, of course,

0:13:16.440 --> 0:13:17.959
<v Speaker 1>that's what you got to do. That's what I want

0:13:18.000 --> 0:13:20.160
<v Speaker 1>to do. And you know, my eyes had to be

0:13:20.200 --> 0:13:22.199
<v Speaker 1>opened to the fact that I was never going to

0:13:22.240 --> 0:13:26.680
<v Speaker 1>cut the same dash as a been for me. Now

0:13:26.720 --> 0:13:29.360
<v Speaker 1>that that reality check came along a little later, but

0:13:30.440 --> 0:13:33.319
<v Speaker 1>in the moment of my childhood when that all happened,

0:13:33.360 --> 0:13:35.520
<v Speaker 1>I went, Yeah, the musical theater. And that's what I

0:13:35.559 --> 0:13:37.520
<v Speaker 1>got pulled into by these theater kids. You know, first

0:13:37.559 --> 0:13:39.040
<v Speaker 1>thing I did with them was sound of music and

0:13:39.080 --> 0:13:43.280
<v Speaker 1>I was a Von Trapp kid, So musical theater was

0:13:43.360 --> 0:13:47.920
<v Speaker 1>what I thought would be my best and maybe only

0:13:48.000 --> 0:13:50.360
<v Speaker 1>area of success. I wasn't even sure that I could

0:13:50.360 --> 0:13:52.440
<v Speaker 1>carry the ball as a non musical actor.

0:13:53.600 --> 0:13:59.240
<v Speaker 2>Okay, Peter, at this time you have started working out

0:13:59.280 --> 0:14:03.720
<v Speaker 2>of college in radio and you come to LA, how

0:14:03.720 --> 0:14:04.120
<v Speaker 2>old are you?

0:14:04.200 --> 0:14:06.200
<v Speaker 3>Much much later? I didn't come out here in my thirties.

0:14:06.200 --> 0:14:08.679
<v Speaker 3>I was I had a first family, and I had

0:14:08.679 --> 0:14:10.679
<v Speaker 3>an that agency that was doing okay. And then when

0:14:10.840 --> 0:14:13.200
<v Speaker 3>when the guy called said come out, that was a

0:14:13.240 --> 0:14:17.280
<v Speaker 3>big risk to come out, and I came out, kept

0:14:17.280 --> 0:14:20.200
<v Speaker 3>the agency going for as long as I could for

0:14:20.240 --> 0:14:22.440
<v Speaker 3>the people that were there, and then I didn't know

0:14:22.440 --> 0:14:24.200
<v Speaker 3>what I was doing in morning drive radio. Your first

0:14:24.280 --> 0:14:27.680
<v Speaker 3>job was a was a real eye opener for me,

0:14:27.680 --> 0:14:28.920
<v Speaker 3>and I thought I was going to go back. After

0:14:29.040 --> 0:14:31.160
<v Speaker 3>a year, I just thought it was over. It was

0:14:31.200 --> 0:14:33.000
<v Speaker 3>a failed experiment. But I got to meet some people

0:14:33.000 --> 0:14:35.360
<v Speaker 3>and it was really cool. And then talk radio called me.

0:14:35.480 --> 0:14:38.200
<v Speaker 3>This was Cale that was KLSS before Howard Stern. Talk

0:14:38.320 --> 0:14:41.240
<v Speaker 3>Radio called and I went and it was wild. They

0:14:41.240 --> 0:14:43.040
<v Speaker 3>were the number one station in the country at the time.

0:14:43.040 --> 0:14:45.680
<v Speaker 3>And here I am with everyone's coming in. Every guest

0:14:45.840 --> 0:14:50.240
<v Speaker 3>that you could have a president's actors, actresses, politicians, everybody

0:14:50.360 --> 0:14:53.800
<v Speaker 3>met everybody and interviewed everybody. So it was and amagenta.

0:14:53.840 --> 0:14:57.000
<v Speaker 3>I'm a professional guy who really wants to know everything

0:14:57.000 --> 0:14:59.440
<v Speaker 3>about you. I think you know we did a court

0:14:59.440 --> 0:15:01.760
<v Speaker 3>of course of thing and I never met you, but

0:15:01.880 --> 0:15:04.400
<v Speaker 3>I like coming in. I mean today, I prepped today

0:15:04.880 --> 0:15:06.680
<v Speaker 3>for what you and Jason have in common. You knew,

0:15:06.720 --> 0:15:09.600
<v Speaker 3>you knew my, you knew the brand of underwe what

0:15:09.640 --> 0:15:12.400
<v Speaker 3>just about? Yeah, I don't know you knew to think

0:15:12.520 --> 0:15:15.160
<v Speaker 3>that now people are going to a different place, disgusting,

0:15:15.600 --> 0:15:18.640
<v Speaker 3>But but like today, what you and Jason have in common.

0:15:19.160 --> 0:15:23.200
<v Speaker 3>Both studied theater right, both did nine seasons on this sitcom.

0:15:23.840 --> 0:15:27.200
<v Speaker 3>Both have a daytime emmy. Both of you didn't want

0:15:27.200 --> 0:15:28.440
<v Speaker 3>to be kind of type gests because you do a

0:15:28.480 --> 0:15:31.840
<v Speaker 3>lot of other stuff. Both were our directors at small theaters,

0:15:32.520 --> 0:15:35.520
<v Speaker 3>artistic directors at small theaters. So it's just cool to

0:15:35.600 --> 0:15:37.240
<v Speaker 3>come from that place. So I also want to be

0:15:37.280 --> 0:15:39.320
<v Speaker 3>here as an audience and not mentioned what I'm doing

0:15:39.720 --> 0:15:41.960
<v Speaker 3>because it's fascinating watching you guys. And you asked a

0:15:41.960 --> 0:15:44.440
<v Speaker 3>great prerect question, which was when's that moment when it

0:15:44.480 --> 0:15:47.880
<v Speaker 3>goes to hobby the holy crap, I got to deliver?

0:15:48.000 --> 0:15:49.520
<v Speaker 3>And then when does it go from I got to

0:15:49.600 --> 0:15:51.560
<v Speaker 3>deliver to how do I keep delivering. It looks a

0:15:51.600 --> 0:15:54.800
<v Speaker 3>competition and my nightmare. Always stay to Jason. And if

0:15:54.880 --> 0:15:58.040
<v Speaker 3>you're listening to this and haven't seen Jason onstage, He's

0:15:58.040 --> 0:16:00.320
<v Speaker 3>my buddy, He's my best friend. We are you all

0:16:00.360 --> 0:16:02.720
<v Speaker 3>the time, we have the podcast, we've done shows together.

0:16:03.320 --> 0:16:06.120
<v Speaker 3>I'm still in awe when he walks on stage, even

0:16:06.160 --> 0:16:09.240
<v Speaker 3>if I've helped write the piece. There's a different power

0:16:09.400 --> 0:16:11.880
<v Speaker 3>that happens. He just it's just this thing happens. And

0:16:11.920 --> 0:16:14.920
<v Speaker 3>you know, thats Brian, how amazing that is to own

0:16:15.000 --> 0:16:17.040
<v Speaker 3>a piece of that stage for X amount of time

0:16:17.040 --> 0:16:18.920
<v Speaker 3>and it's yours. You own it and you can do

0:16:19.040 --> 0:16:22.880
<v Speaker 3>with it whatever you want, and not everybody succeeds. And

0:16:22.920 --> 0:16:25.280
<v Speaker 3>it fascinates me when I watch him go out there

0:16:25.480 --> 0:16:29.920
<v Speaker 3>and he transforms into this thing. It's goosebump time. He

0:16:29.960 --> 0:16:31.720
<v Speaker 3>does it every time. It is really powerful.

0:16:32.040 --> 0:16:34.680
<v Speaker 1>Thanks Pety, and thank you Peter for not mentioning the

0:16:34.720 --> 0:16:36.240
<v Speaker 1>hairline that Brian and I.

0:16:36.240 --> 0:16:39.440
<v Speaker 3>Point Well, yeah you both have, Okay, don't I don't

0:16:39.480 --> 0:16:42.000
<v Speaker 3>thank Thank goodness, but both which, by the way, must

0:16:42.000 --> 0:16:44.680
<v Speaker 3>have played into both of your psyches growing up young,

0:16:44.760 --> 0:16:47.880
<v Speaker 3>because I remember everybody around me. It's that age I

0:16:47.880 --> 0:16:50.440
<v Speaker 3>remember asking this, this girl Anne, who I was dating

0:16:50.480 --> 0:16:53.120
<v Speaker 3>at the time, constantly at the back, the back standing,

0:16:53.160 --> 0:16:54.880
<v Speaker 3>it's standing in it. It's stinning, isn't it. She say,

0:16:54.880 --> 0:16:57.520
<v Speaker 3>you're neurotic. I go, no, I'm thinning. I'm sinning. And

0:16:57.560 --> 0:16:59.720
<v Speaker 3>she ran into me like thirty years later and I said, look,

0:16:59.760 --> 0:17:00.920
<v Speaker 3>see she said, it's the same.

0:17:01.240 --> 0:17:01.880
<v Speaker 4>It's the same.

0:17:02.440 --> 0:17:05.639
<v Speaker 3>But what age, like, what age did it happen to you?

0:17:07.040 --> 0:17:08.879
<v Speaker 4>Yeah? What? What? What about you? Jason?

0:17:08.960 --> 0:17:11.840
<v Speaker 1>I remember it almost of the day. I had braces

0:17:11.880 --> 0:17:14.880
<v Speaker 1>for nine years. I got them off. I came off.

0:17:15.000 --> 0:17:19.640
<v Speaker 1>I was seventeen, and uh, I remember the braces came off.

0:17:19.680 --> 0:17:22.200
<v Speaker 1>And I had a date that evening. So I went

0:17:22.240 --> 0:17:25.639
<v Speaker 1>to the gym and I'm in the shower and I'm,

0:17:26.040 --> 0:17:28.119
<v Speaker 1>you know, coming out of the shower and I'm drying

0:17:28.119 --> 0:17:30.159
<v Speaker 1>off my hair and I look in the mirror and

0:17:30.240 --> 0:17:33.000
<v Speaker 1>I see something like a thin spot at the very

0:17:33.160 --> 0:17:37.320
<v Speaker 1>very top, about the size of a quarter. And I went,

0:17:37.960 --> 0:17:42.240
<v Speaker 1>I literally said, are you freaking didn't me? I don't

0:17:42.240 --> 0:17:49.880
<v Speaker 1>get a day one day? And it was it really

0:17:49.920 --> 0:17:51.960
<v Speaker 1>was the beginning. By the time I got to college,

0:17:52.280 --> 0:17:54.919
<v Speaker 1>you know, my sophomore year of college, I had you know,

0:17:55.480 --> 0:18:01.320
<v Speaker 1>like like a solid drinkcoaster spot up there, you know,

0:18:01.359 --> 0:18:04.199
<v Speaker 1>and I and I panicked over and I cried about it,

0:18:04.240 --> 0:18:07.280
<v Speaker 1>and I really really thought it was the end of everything.

0:18:07.880 --> 0:18:11.760
<v Speaker 1>But you know, if you always say, what do you

0:18:11.760 --> 0:18:14.639
<v Speaker 1>want to tell your younger self? If it hadn't happened,

0:18:14.640 --> 0:18:16.360
<v Speaker 1>my career would not have happened the way it did

0:18:16.400 --> 0:18:19.640
<v Speaker 1>because I kept getting cast much older than I was,

0:18:20.040 --> 0:18:23.080
<v Speaker 1>which was far more interesting roles, right, and I had

0:18:23.119 --> 0:18:26.520
<v Speaker 1>an energy about those roles that guys that age didn't have,

0:18:27.240 --> 0:18:30.000
<v Speaker 1>so it made me kind of unique. I met my

0:18:30.080 --> 0:18:32.119
<v Speaker 1>wife when I was twenty, so it wasn't like I

0:18:32.240 --> 0:18:35.720
<v Speaker 1>was looking good and she got fooled. She's was going

0:18:35.760 --> 0:18:37.479
<v Speaker 1>on with anywhere?

0:18:41.359 --> 0:18:45.240
<v Speaker 2>Did you ever, I mean, this is I guess this

0:18:45.359 --> 0:18:51.119
<v Speaker 2>is personal. Did you ever or consider doing something to

0:18:51.320 --> 0:18:51.720
<v Speaker 2>change it?

0:18:51.800 --> 0:18:51.960
<v Speaker 6>Oh?

0:18:52.000 --> 0:18:54.760
<v Speaker 1>My god, are you kidding? First of all, I was

0:18:54.800 --> 0:19:00.879
<v Speaker 1>one of the first rogaine users. But rogain, you know,

0:19:00.960 --> 0:19:03.399
<v Speaker 1>rogain now comes in two forms. There's a there's like

0:19:03.440 --> 0:19:06.760
<v Speaker 1>an oil base and there's a foam the oil base.

0:19:06.840 --> 0:19:08.840
<v Speaker 1>Back in the beginning, it was like all oil. So

0:19:08.880 --> 0:19:10.399
<v Speaker 1>if you have thinning hair and you put oil on

0:19:10.440 --> 0:19:12.920
<v Speaker 1>your head, you look like you belong on the street,

0:19:13.240 --> 0:19:15.400
<v Speaker 1>you know, so that was no good. Then I went

0:19:15.440 --> 0:19:18.480
<v Speaker 1>to hair club for men for a year and they

0:19:18.560 --> 0:19:20.719
<v Speaker 1>had the thing where they make fishing line and they

0:19:20.760 --> 0:19:22.679
<v Speaker 1>take your hair and they make a braid and then

0:19:22.720 --> 0:19:25.320
<v Speaker 1>they sew the to pey onto that braid and you

0:19:25.359 --> 0:19:27.520
<v Speaker 1>have to go every four weeks to have it to

0:19:27.600 --> 0:19:30.640
<v Speaker 1>have the crud the cottage cheese scraped off your head

0:19:30.640 --> 0:19:32.320
<v Speaker 1>because you can't shampoo under that.

0:19:33.320 --> 0:19:34.679
<v Speaker 3>So, by the way, if they want to use that

0:19:34.760 --> 0:19:38.440
<v Speaker 3>as they're out, yeah, right, the Cottage.

0:19:39.240 --> 0:19:43.000
<v Speaker 1>After Seinfeld, there was a period of time where people

0:19:43.040 --> 0:19:44.840
<v Speaker 1>where I got really close to a couple of rolls

0:19:44.920 --> 0:19:47.080
<v Speaker 1>and they ultimately didn't go with me because they said,

0:19:47.119 --> 0:19:49.720
<v Speaker 1>he looks so much like his character on Seinfeld, And

0:19:49.359 --> 0:19:52.040
<v Speaker 1>I'm going, you honestly can't see me, Like if I

0:19:52.040 --> 0:19:53.879
<v Speaker 1>grow a mustache or I put on a wig, you

0:19:53.920 --> 0:19:56.639
<v Speaker 1>can't figure that out. So as a sort of fu

0:19:56.920 --> 0:20:00.359
<v Speaker 1>I wore a to pay for two of you years,

0:20:00.720 --> 0:20:04.000
<v Speaker 1>publicly making no bones about it, going see, see, it

0:20:04.080 --> 0:20:09.440
<v Speaker 1>changed nothing, right, So if I could have changed it easily,

0:20:09.800 --> 0:20:13.119
<v Speaker 1>I probably would have, but nothing was was going to

0:20:13.200 --> 0:20:18.880
<v Speaker 1>be easy. And frankly, who you know, nobody cares anymore?

0:20:19.320 --> 0:20:22.680
<v Speaker 2>No I know, I mean, I'll tell you briefly mine

0:20:22.680 --> 0:20:26.480
<v Speaker 2>because it's it's similar in a way. Now, I already

0:20:26.520 --> 0:20:31.760
<v Speaker 2>was playing older roles. I'm convinced that it was sped

0:20:31.880 --> 0:20:35.680
<v Speaker 2>up by that old makeup company ben Nye. Remember ben

0:20:35.840 --> 0:20:41.120
<v Speaker 2>Nye does the theater makeup. And I convinced that cutting

0:20:41.480 --> 0:20:45.480
<v Speaker 2>thinning for older roles and putting makeup on did something,

0:20:45.520 --> 0:20:48.200
<v Speaker 2>because it was right after that where it really took

0:20:48.240 --> 0:20:51.399
<v Speaker 2>a turn. So I went in, I got the I

0:20:51.440 --> 0:20:53.520
<v Speaker 2>got the prescription. I had to get a prescription for

0:20:53.600 --> 0:20:57.399
<v Speaker 2>the ro game. My dad was a he is a

0:20:57.480 --> 0:21:01.960
<v Speaker 2>doctor and got a dermatology that was just like buddy

0:21:02.760 --> 0:21:06.240
<v Speaker 2>and got me the stuff. And then it was explained

0:21:06.280 --> 0:21:10.960
<v Speaker 2>to me that it could have no effect, it could

0:21:11.080 --> 0:21:15.840
<v Speaker 2>stop the loss, or it could reverse like a clock.

0:21:16.640 --> 0:21:18.840
<v Speaker 2>But then what was explained to me was if you

0:21:18.960 --> 0:21:23.520
<v Speaker 2>ever stop, the clock speeds up to wherever you would say,

0:21:23.600 --> 0:21:26.000
<v Speaker 2>it leaves up. And I thought, am I going to

0:21:26.119 --> 0:21:29.760
<v Speaker 2>do this forever? Like that was for me? That was

0:21:29.800 --> 0:21:32.679
<v Speaker 2>the decision. And yeah, it was oily back then at

0:21:32.680 --> 0:21:34.119
<v Speaker 2>the time at least it kind.

0:21:34.000 --> 0:21:37.960
<v Speaker 1>Of had a alcohol.

0:21:38.240 --> 0:21:42.320
<v Speaker 4>Yes kind of smell anyway, so I stopped.

0:21:43.640 --> 0:21:48.480
<v Speaker 1>I blame the jew fro phenomena of nineteen seventy six,

0:21:48.840 --> 0:21:51.800
<v Speaker 1>where every Joe boy was getting an afro, and I

0:21:51.880 --> 0:21:56.240
<v Speaker 1>did it. And that's what I noticed. Oh sure, I

0:21:56.320 --> 0:21:59.760
<v Speaker 1>burnt every follicle, I assid and eat and I killed

0:21:59.760 --> 0:22:00.399
<v Speaker 1>every all.

0:22:19.960 --> 0:22:23.960
<v Speaker 2>You premieerarily we roll on, then a number of other

0:22:24.000 --> 0:22:30.359
<v Speaker 2>Broadway shows, the Rank personals, Broadway Bound, Jerome Robbins, Uh Broadway.

0:22:31.640 --> 0:22:33.200
<v Speaker 4>Were you happy? Was that?

0:22:33.440 --> 0:22:37.040
<v Speaker 1>Yeah? I was delirious. I I had only one.

0:22:36.960 --> 0:22:39.280
<v Speaker 2>Living in New York performing on Broadway.

0:22:38.880 --> 0:22:41.520
<v Speaker 1>When I once, you know, Ben Vereen got under my skin.

0:22:41.640 --> 0:22:44.000
<v Speaker 1>I had one ambition in life that was to somehow

0:22:45.080 --> 0:22:47.760
<v Speaker 1>get to make a living on the New York stage.

0:22:47.960 --> 0:22:50.439
<v Speaker 1>I had no fantasies about film or television. It was

0:22:50.440 --> 0:22:52.000
<v Speaker 1>all about how do I get across the river and

0:22:52.000 --> 0:22:55.520
<v Speaker 1>make a living on that stage. And I realistically thought,

0:22:55.560 --> 0:22:59.120
<v Speaker 1>and I was pretty optimistic, you know, I didn't think

0:22:59.119 --> 0:23:02.960
<v Speaker 1>anything was gonna stop. But optimistically I thought, well, I'll

0:23:02.960 --> 0:23:06.040
<v Speaker 1>get out of college, I'll have to go do summer stock,

0:23:06.080 --> 0:23:08.040
<v Speaker 1>I'll have to do touring companies. Maybe by the time

0:23:08.080 --> 0:23:10.960
<v Speaker 1>i'm forty, if I'm lucky, i'll get to New York.

0:23:10.960 --> 0:23:13.840
<v Speaker 1>I'll get to Broadway. And I turn around and I

0:23:13.880 --> 0:23:16.639
<v Speaker 1>can't even finish college because I get cast in my

0:23:16.680 --> 0:23:20.680
<v Speaker 1>first Broadway show at twenty and not only AH Broadway show,

0:23:21.160 --> 0:23:23.760
<v Speaker 1>but Hal Prince and Steve Somedheim, which were the two

0:23:23.840 --> 0:23:26.840
<v Speaker 1>biggest figures in the American musical theater of the twentieth century.

0:23:27.200 --> 0:23:29.879
<v Speaker 1>And suddenly, you know, I'm calling them Hal and Steve

0:23:30.240 --> 0:23:35.600
<v Speaker 1>and my Way debut. It was I was. I was

0:23:35.840 --> 0:23:38.280
<v Speaker 1>all through the eighties doing all that theater in New

0:23:38.359 --> 0:23:41.880
<v Speaker 1>York as my primary living and living well, my wife

0:23:41.920 --> 0:23:44.679
<v Speaker 1>and I. You know, we had a lovely apartment that

0:23:44.720 --> 0:23:46.760
<v Speaker 1>we rented. We were able to put money in the

0:23:46.800 --> 0:23:50.359
<v Speaker 1>bank every year, and I thought, this is it. This

0:23:50.440 --> 0:23:52.240
<v Speaker 1>is as good as it gets. If I'm lucky enough

0:23:52.240 --> 0:23:55.360
<v Speaker 1>to keep this going, what a happy man am I?

0:23:55.440 --> 0:23:57.480
<v Speaker 1>And then you know, all the other stuff happened, and

0:23:57.520 --> 0:24:00.720
<v Speaker 1>you go, okay, what are you doing? Dream of now?

0:24:01.760 --> 0:24:06.520
<v Speaker 1>This is nuts? And it all gets through a podcast

0:24:06.560 --> 0:24:07.520
<v Speaker 1>with my friend Peter.

0:24:10.080 --> 0:24:18.480
<v Speaker 2>Finally, you were nominated for a Tony for Jerome Robbins's Broadway.

0:24:18.680 --> 0:24:22.040
<v Speaker 2>Talk to me a little bit about finding out that

0:24:22.119 --> 0:24:24.160
<v Speaker 2>you were nominated for a Tony.

0:24:24.359 --> 0:24:27.520
<v Speaker 1>Well again, you know, twelve year old kid in New

0:24:27.600 --> 0:24:31.440
<v Speaker 1>Jersey fantasizing in the bathroom I'm not holding the Oscar.

0:24:31.480 --> 0:24:33.280
<v Speaker 1>I'm holding of Tony. That's what it was all about.

0:24:34.840 --> 0:24:38.080
<v Speaker 1>It was I don't even know where to put it.

0:24:38.400 --> 0:24:40.560
<v Speaker 1>I mean, I know where it all sits for me now.

0:24:40.680 --> 0:24:43.840
<v Speaker 1>At the time, it was hard to remember. It was

0:24:43.880 --> 0:24:51.879
<v Speaker 1>all terribly exciting and a little bit confusing because it

0:24:52.000 --> 0:24:55.680
<v Speaker 1>felt like my life was happening at a very accelerated pace.

0:24:55.800 --> 0:24:58.840
<v Speaker 1>You know, when you dream of something as kind of

0:24:58.880 --> 0:25:03.160
<v Speaker 1>an end goal and it comes early, right, it really can't.

0:25:03.160 --> 0:25:05.520
<v Speaker 1>As much as it's exciting, it can throw you because

0:25:05.560 --> 0:25:08.000
<v Speaker 1>you go, well, what the hell do I dream of next?

0:25:08.119 --> 0:25:12.240
<v Speaker 1>I mean, I'm already disproportionately blessed. Where can this go

0:25:12.359 --> 0:25:18.480
<v Speaker 1>but down in some ways? So I was overwhelmed by

0:25:18.520 --> 0:25:21.159
<v Speaker 1>it all. And I can tell you I've said it

0:25:21.200 --> 0:25:24.840
<v Speaker 1>on things before. I was I would have been horribly

0:25:24.840 --> 0:25:27.919
<v Speaker 1>disappointed if I had lost the award. But I won it,

0:25:29.320 --> 0:25:32.840
<v Speaker 1>and it was a great night and I'm very, very

0:25:33.840 --> 0:25:36.120
<v Speaker 1>thrilled and proud to have it. But when I got

0:25:36.119 --> 0:25:37.960
<v Speaker 1>home that night, you know, we had done the party

0:25:38.000 --> 0:25:41.920
<v Speaker 1>and we had done everything, and I got home and

0:25:42.920 --> 0:25:45.879
<v Speaker 1>you know, I had twenty messages on my phone machine,

0:25:45.880 --> 0:25:48.760
<v Speaker 1>which was a lot. You know, it's a normal day

0:25:48.800 --> 0:25:51.119
<v Speaker 1>would be three or four twenties a lot, but it

0:25:51.160 --> 0:25:54.000
<v Speaker 1>wasn't one hundred, it wasn't a thousand. But the world

0:25:54.080 --> 0:25:57.080
<v Speaker 1>didn't change. And I got into bed that night with

0:25:57.119 --> 0:25:59.600
<v Speaker 1>my wife and there was a line in Pippin that

0:25:59.640 --> 0:26:01.160
<v Speaker 1>I used to quote all the time, because the story

0:26:01.160 --> 0:26:05.240
<v Speaker 1>of Pippen that Ben Maveren show is Pippen knows he's extraordinary,

0:26:05.240 --> 0:26:06.520
<v Speaker 1>but he doesn't know what he's supposed to do with

0:26:06.560 --> 0:26:08.400
<v Speaker 1>his life, so he tries a bunch of different things,

0:26:08.400 --> 0:26:10.639
<v Speaker 1>and at one point he tries being a soldier, and

0:26:10.680 --> 0:26:13.400
<v Speaker 1>at the end of that sequence, Ben Marien says to him,

0:26:13.520 --> 0:26:16.000
<v Speaker 1>well how was that for you? And Pippen says, I

0:26:16.040 --> 0:26:18.840
<v Speaker 1>thought there'd be more plumes. And I got in bed

0:26:18.840 --> 0:26:21.560
<v Speaker 1>that night with my wife, Dana, and she said, what

0:26:22.000 --> 0:26:24.399
<v Speaker 1>are you feeling? And I said, I thought there'd be

0:26:24.440 --> 0:26:28.760
<v Speaker 1>more plumes? And what I learned was, you know, it

0:26:28.840 --> 0:26:33.520
<v Speaker 1>was the beginning of learning that the destined. You hear

0:26:33.560 --> 0:26:36.360
<v Speaker 1>it all the time, It's not the destination, it's the journey.

0:26:37.040 --> 0:26:39.960
<v Speaker 1>It began to prove itself very very true for me

0:26:40.040 --> 0:26:46.760
<v Speaker 1>that night, so I'd no longer put energy on those

0:26:47.080 --> 0:26:50.360
<v Speaker 1>kinds of milestones. There are very different kinds of markers

0:26:50.359 --> 0:26:55.199
<v Speaker 1>and milestones and goals in my life that I think

0:26:55.320 --> 0:26:57.679
<v Speaker 1>ultimately have more personal value.

0:26:58.920 --> 0:27:02.679
<v Speaker 4>Yeah, that's I mean, that's that's so true.

0:27:02.960 --> 0:27:07.200
<v Speaker 2>The journey, I mean, it's everything, and especially when you're

0:27:07.400 --> 0:27:12.679
<v Speaker 2>in a business such as ours, where there's a strive

0:27:12.800 --> 0:27:18.560
<v Speaker 2>for some sort of artistic creativity. There's wanting to be different,

0:27:18.680 --> 0:27:21.879
<v Speaker 2>wanting to change things, even roles that you play that

0:27:21.920 --> 0:27:26.160
<v Speaker 2>have happened before that you find your own way within that.

0:27:27.080 --> 0:27:30.560
<v Speaker 2>Performing in front of a live audience, then performing in

0:27:30.560 --> 0:27:35.400
<v Speaker 2>front of millions, I mean, all of those things. When

0:27:35.560 --> 0:27:37.720
<v Speaker 2>you know, when people would ask us about the show

0:27:37.840 --> 0:27:40.480
<v Speaker 2>or the Emmys or the Golden Globes or this or that,

0:27:40.960 --> 0:27:42.879
<v Speaker 2>it's like, you know, yeah, we had a couple of

0:27:42.920 --> 0:27:46.119
<v Speaker 2>great parties. We had a couple, but it's never what

0:27:46.240 --> 0:27:47.159
<v Speaker 2>I think about.

0:27:48.119 --> 0:27:50.639
<v Speaker 1>It's also, you know, Peter, you should talk about this

0:27:50.720 --> 0:27:52.639
<v Speaker 1>a little bit. But you know, Peter and I have

0:27:52.720 --> 0:27:58.120
<v Speaker 1>done several projects together that by a barometer, a showbiz barometer,

0:27:58.720 --> 0:28:01.679
<v Speaker 1>they didn't succeed, they didn't become the goal that we

0:28:01.680 --> 0:28:05.600
<v Speaker 1>had hoped for. But Pete, they are probably the best

0:28:06.160 --> 0:28:09.640
<v Speaker 1>parts of our life together. Was every one of.

0:28:09.560 --> 0:28:12.199
<v Speaker 3>Those objects I always say to Jason, you know, the

0:28:12.240 --> 0:28:14.520
<v Speaker 3>reason I came up with the first TV show was

0:28:14.560 --> 0:28:16.560
<v Speaker 3>so we could work together, because there's a different thing

0:28:16.640 --> 0:28:18.520
<v Speaker 3>to be friends, and then there's a real different thing

0:28:18.560 --> 0:28:21.920
<v Speaker 3>to share the stage together. You know, that's really something special.

0:28:22.280 --> 0:28:24.040
<v Speaker 3>And then when that went away, I said, oh, I

0:28:24.080 --> 0:28:25.399
<v Speaker 3>got to come up with the next thing so we

0:28:25.400 --> 0:28:27.720
<v Speaker 3>can be together. Came up with another show about a

0:28:27.720 --> 0:28:30.560
<v Speaker 3>family on a buss withfore covid who. I thought that

0:28:30.600 --> 0:28:32.320
<v Speaker 3>would be the nurse worst nightmare. You have kids in

0:28:32.359 --> 0:28:34.560
<v Speaker 3>your family and you know exactly what they're doing every

0:28:34.600 --> 0:28:37.680
<v Speaker 3>minute of the day. I don't want to know most

0:28:37.680 --> 0:28:40.560
<v Speaker 3>of that because the responsibility would be insane. So we

0:28:40.600 --> 0:28:43.240
<v Speaker 3>got to do that. Sold that, and then when the

0:28:43.360 --> 0:28:46.240
<v Speaker 3>corporate when the Donnie Clay is Bob Patterson's give me

0:28:46.280 --> 0:28:47.920
<v Speaker 3>the TV show we was a motivational guy went away,

0:28:48.480 --> 0:28:51.160
<v Speaker 3>we created a live show where we played corporations as

0:28:51.200 --> 0:28:53.320
<v Speaker 3>that character so we could continue doing that. We traveled

0:28:53.320 --> 0:28:56.840
<v Speaker 3>all over, then created a stand up show, and then

0:28:56.960 --> 0:28:58.840
<v Speaker 3>this podcast I didn't want to do. You know, I

0:28:58.880 --> 0:29:00.640
<v Speaker 3>was in radio. I didn't want to do a podcast

0:29:00.680 --> 0:29:03.600
<v Speaker 3>because there's so many wasn't sure. Then researched it came

0:29:03.680 --> 0:29:07.160
<v Speaker 3>up with the concept. Jason was in and thought and

0:29:07.240 --> 0:29:09.160
<v Speaker 3>the greatest thing. We were doing an interview the other day,

0:29:09.280 --> 0:29:13.800
<v Speaker 3>Jason said, the most amazing thing is like this. This

0:29:13.880 --> 0:29:16.080
<v Speaker 3>was the magic in my radio career that I got

0:29:16.080 --> 0:29:18.840
<v Speaker 3>to interview everybody and anybody and ask these kinds of

0:29:18.920 --> 0:29:20.600
<v Speaker 3>questions that you really want to know about if you're

0:29:20.680 --> 0:29:23.959
<v Speaker 3>really an interested person, and you can travel through cultural

0:29:24.000 --> 0:29:27.560
<v Speaker 3>time and space and find out about them and live

0:29:27.640 --> 0:29:30.840
<v Speaker 3>experientially through them. I mean, Jason's talking about Broadway. It

0:29:30.880 --> 0:29:32.640
<v Speaker 3>takes you on that stage. I always asked them, how

0:29:32.640 --> 0:29:35.840
<v Speaker 3>do you it's the same show every night? Are the

0:29:35.880 --> 0:29:39.200
<v Speaker 3>little nuances? Is that? What's the magic? I couldn't imagine

0:29:39.200 --> 0:29:42.719
<v Speaker 3>the redundancy. So it's such a different world, you know.

0:29:42.920 --> 0:29:45.240
<v Speaker 3>And I know you're laughing because you're smiling because the

0:29:45.240 --> 0:29:48.920
<v Speaker 3>same question. But it's been such an amazing journey to

0:29:48.920 --> 0:29:50.280
<v Speaker 3>share this. I wouldn't have gotten to meet you. I

0:29:50.320 --> 0:29:52.040
<v Speaker 3>wouldn't have gotten to do this with Jason with you.

0:29:52.560 --> 0:29:55.720
<v Speaker 3>So the next chapter that we create always is really exciting.

0:29:55.760 --> 0:29:58.520
<v Speaker 3>And again, will this be a huge success. It doesn't,

0:29:58.760 --> 0:30:00.440
<v Speaker 3>it'd be nice, and it's great of a lot of

0:30:00.440 --> 0:30:02.120
<v Speaker 3>people can hear it, and we move the ball and

0:30:02.240 --> 0:30:04.640
<v Speaker 3>kind of educate some people and make them laugh. But

0:30:04.760 --> 0:30:06.880
<v Speaker 3>you know what, this was already, what a great look

0:30:06.920 --> 0:30:09.640
<v Speaker 3>at that, What a great way to spend an afternoon

0:30:09.680 --> 0:30:11.320
<v Speaker 3>for a bit, you know, hanging out with you and

0:30:11.360 --> 0:30:13.200
<v Speaker 3>you can get into a jacent in a different way

0:30:13.200 --> 0:30:13.760
<v Speaker 3>in the audience.

0:30:14.160 --> 0:30:18.040
<v Speaker 1>And it's a definition, it's a redefinition of what success is.

0:30:18.160 --> 0:30:22.680
<v Speaker 1>We tend as human beings to define success by the

0:30:22.720 --> 0:30:25.440
<v Speaker 1>response we get from other people as opposed to our

0:30:25.520 --> 0:30:29.600
<v Speaker 1>own experience of the thing we're doing. And the nice

0:30:29.600 --> 0:30:32.960
<v Speaker 1>thing for Peter and I is that the experience of

0:30:33.040 --> 0:30:37.520
<v Speaker 1>the doing of everything we've done has been some of

0:30:37.560 --> 0:30:41.320
<v Speaker 1>the best times in my life. We laughed together and

0:30:42.720 --> 0:30:45.720
<v Speaker 1>and worst stuff. And you know, when we were doing

0:30:45.760 --> 0:30:48.880
<v Speaker 1>about Patterson, when that show ended, Peter went into the

0:30:48.880 --> 0:30:52.120
<v Speaker 1>hospital and died on the table. He was that ill.

0:30:52.880 --> 0:30:54.840
<v Speaker 1>And so when I think about, you know, what was

0:30:54.880 --> 0:30:57.800
<v Speaker 1>the cost of trying to make a success for other people?

0:30:57.920 --> 0:31:02.320
<v Speaker 1>And yet we we laughed ourselves sick through them.

0:31:02.240 --> 0:31:04.719
<v Speaker 3>And continue and continue to that's the only way to go.

0:31:05.000 --> 0:31:06.719
<v Speaker 3>And that was what we figured the showd let's learn

0:31:06.800 --> 0:31:10.120
<v Speaker 3>some stuff. But also if we're not laughing and we're

0:31:10.160 --> 0:31:13.040
<v Speaker 3>doing something, this device that we don't. The world doesn't say, hey,

0:31:13.080 --> 0:31:16.160
<v Speaker 3>we need another divisive thing, so if we can, yeah,

0:31:16.680 --> 0:31:19.640
<v Speaker 3>let's not do that. Let's let's educate a little bit.

0:31:19.720 --> 0:31:21.840
<v Speaker 3>Let's learn what we want to do, because we're both bumpkins.

0:31:21.880 --> 0:31:23.920
<v Speaker 3>And the funniest thing is is this evolves. Jason and

0:31:24.000 --> 0:31:26.680
<v Speaker 3>I argue all day long about everything when we do

0:31:26.800 --> 0:31:33.480
<v Speaker 3>when when we do these it becomes this sickening love.

0:31:34.640 --> 0:31:35.960
<v Speaker 3>And then we go back and go you talk to

0:31:36.040 --> 0:31:38.560
<v Speaker 3>my shut up you talking your show?

0:31:38.600 --> 0:31:40.920
<v Speaker 4>Why did you ask? We're not doing that.

0:31:41.440 --> 0:31:45.280
<v Speaker 3>We're not doing it now. But it is a joy.

0:31:45.280 --> 0:31:47.479
<v Speaker 3>You know that you do it. No need to do

0:31:47.520 --> 0:31:50.880
<v Speaker 3>this right, You can be out playing golf. Absolutely no.

0:31:51.440 --> 0:31:54.680
<v Speaker 2>In fact, I have said so, I hope it sounds

0:31:54.680 --> 0:31:58.560
<v Speaker 2>like you are having the same experience. People ask about

0:31:58.960 --> 0:32:07.160
<v Speaker 2>me doing the podcast. I universally it is my favorite

0:32:07.200 --> 0:32:10.760
<v Speaker 2>and the best time of my day because getting to

0:32:11.440 --> 0:32:16.800
<v Speaker 2>hear people's stories and you know, being genuinely interested in

0:32:17.280 --> 0:32:20.280
<v Speaker 2>the question that I'm about to ask Jason, which is

0:32:21.480 --> 0:32:27.480
<v Speaker 2>you you're on Broadway. It's your dream, it's your it

0:32:27.600 --> 0:32:30.960
<v Speaker 2>is your everything. There may not be as many plumes

0:32:31.440 --> 0:32:34.959
<v Speaker 2>as you say when you finally get there and you

0:32:35.160 --> 0:32:40.800
<v Speaker 2>have the Ultimate and you win the Tony. Why the

0:32:40.920 --> 0:32:45.320
<v Speaker 2>change another opportunity or do you make a conscious decision

0:32:45.480 --> 0:32:48.920
<v Speaker 2>that you're ready for something else when you start moving Which,

0:32:48.960 --> 0:32:51.280
<v Speaker 2>by the way, for people who don't know, the year

0:32:52.120 --> 0:32:54.640
<v Speaker 2>that Jerome Robbins Broadway comes out and he wins the

0:32:54.680 --> 0:32:57.600
<v Speaker 2>Tony and that's his he gets the twenty phone calls,

0:32:57.880 --> 0:33:00.440
<v Speaker 2>this is the year that Seinfeld comes out for you.

0:33:01.400 --> 0:33:04.160
<v Speaker 2>For me, let me just say this first. For me,

0:33:05.480 --> 0:33:08.520
<v Speaker 2>when I was doing theater, I considered it a career change.

0:33:09.040 --> 0:33:11.720
<v Speaker 2>That's what it was for me when I moved to

0:33:11.720 --> 0:33:15.440
<v Speaker 2>Los Angeles and said I'm going to say no to

0:33:15.520 --> 0:33:19.360
<v Speaker 2>theater projects for the next year, and it really, for

0:33:19.400 --> 0:33:23.040
<v Speaker 2>me felt like a career change. For you, what is

0:33:23.080 --> 0:33:27.560
<v Speaker 2>the decision for you to begin to transition into television.

0:33:27.520 --> 0:33:30.719
<v Speaker 1>Was Brian, There was no decision. I am always I

0:33:30.800 --> 0:33:35.440
<v Speaker 1>was so happy. Thirty five years ago, Robert Duval won

0:33:35.600 --> 0:33:39.920
<v Speaker 1>an Oscar for Great Santini and he was being interviewed

0:33:39.960 --> 0:33:42.160
<v Speaker 1>on television and the interviewer said to him, it must

0:33:42.200 --> 0:33:44.080
<v Speaker 1>be great to get to a point in your career

0:33:44.600 --> 0:33:47.160
<v Speaker 1>where you're making your choices and you're doing the things

0:33:47.160 --> 0:33:48.960
<v Speaker 1>you want to do and people are coming to you,

0:33:49.320 --> 0:33:50.960
<v Speaker 1>And Duval looked at her and went, I don't know

0:33:50.960 --> 0:33:55.000
<v Speaker 1>what the hell you're talking about. Nothing has changed. Anybody

0:33:55.080 --> 0:33:57.320
<v Speaker 1>who basically wants to hire me, All they got to

0:33:57.360 --> 0:33:59.640
<v Speaker 1>do is ask, if it's not porn, I'll do it.

0:33:59.680 --> 0:34:05.120
<v Speaker 1>You know, I think there's maybe twenty five people in

0:34:05.160 --> 0:34:07.880
<v Speaker 1>our business at any given time, but we're literally making

0:34:08.000 --> 0:34:11.239
<v Speaker 1>choices and decisions and plotting a course. The rest of

0:34:11.320 --> 0:34:15.160
<v Speaker 1>us schmucks are just going, what someone wants me to

0:34:15.200 --> 0:34:19.160
<v Speaker 1>do something, Oh, that sounds interesting. So all of a sudden,

0:34:19.440 --> 0:34:23.080
<v Speaker 1>you know, I'm doing theater and Gary Marshall hires me

0:34:23.120 --> 0:34:24.960
<v Speaker 1>for Pretty Woman, Like, go, okay, I've been in a

0:34:24.960 --> 0:34:27.120
<v Speaker 1>couple of movies. Didn't change my life. This isn't gonna

0:34:27.200 --> 0:34:28.839
<v Speaker 1>Who knew Pretty One was going to be Pretty Woman?

0:34:29.200 --> 0:34:31.359
<v Speaker 1>And then this pilot comes up and they go, it's

0:34:31.400 --> 0:34:36.960
<v Speaker 1>the Seinfeld experience with the Seinfeld whatever, and I go, oh,

0:34:37.400 --> 0:34:39.719
<v Speaker 1>I saw Jerry Seinfeld the club. It seems fun. And

0:34:39.880 --> 0:34:42.799
<v Speaker 1>you know, I audition, I auditioned. It didn't come get me.

0:34:42.920 --> 0:34:46.640
<v Speaker 1>I didn't audition and I got it and we did it,

0:34:46.880 --> 0:34:50.040
<v Speaker 1>and you know, it was a failed pilot. It wasn't

0:34:50.040 --> 0:34:51.640
<v Speaker 1>going I went back to New York and they went, now,

0:34:51.640 --> 0:34:53.680
<v Speaker 1>we're going to do four more. I went, okay, you know,

0:34:53.760 --> 0:34:57.359
<v Speaker 1>I got nothing else going on, and it became a thing.

0:34:57.400 --> 0:34:59.600
<v Speaker 1>There was no choice. The next thing I knew, I'm

0:34:59.600 --> 0:35:03.359
<v Speaker 1>living in la I got kids, and I can't get

0:35:03.400 --> 0:35:06.319
<v Speaker 1>back to New York to do theater. And once I

0:35:06.360 --> 0:35:09.040
<v Speaker 1>had the kids, I kind of that was the change.

0:35:09.120 --> 0:35:12.920
<v Speaker 1>The children were the change, because doing eight shows a week,

0:35:13.080 --> 0:35:17.359
<v Speaker 1>it's the antithesis of a child's schedule. You know, they

0:35:17.400 --> 0:35:19.520
<v Speaker 1>come home from school, you go to work, they come

0:35:19.560 --> 0:35:21.960
<v Speaker 1>home on weekends, you go to work. They're not going

0:35:22.000 --> 0:35:25.040
<v Speaker 1>to school on holidays. You're working double on holidays. So

0:35:25.160 --> 0:35:28.080
<v Speaker 1>I knew if I wanted to be a participatory father,

0:35:28.719 --> 0:35:32.120
<v Speaker 1>the theater had to be a very very selective, small

0:35:32.160 --> 0:35:34.640
<v Speaker 1>piece in my life. So I focused on film and

0:35:34.640 --> 0:35:38.879
<v Speaker 1>television specifically until my kids got through high school, right

0:35:38.920 --> 0:35:41.520
<v Speaker 1>and then now I'm really more back in the theater

0:35:41.600 --> 0:35:42.359
<v Speaker 1>than anything else.

0:35:42.560 --> 0:35:45.799
<v Speaker 2>That's that's really interesting, and I think that's partly that's

0:35:46.080 --> 0:35:51.200
<v Speaker 2>got to be. You know, I worked all around the country,

0:35:51.200 --> 0:35:55.040
<v Speaker 2>including New York and other places. I was more you know,

0:35:55.080 --> 0:35:58.000
<v Speaker 2>I was working at the Guthrie and Berkeley rep and

0:35:58.080 --> 0:36:01.120
<v Speaker 2>doing touring shows, and you know, for me, it felt

0:36:01.160 --> 0:36:05.879
<v Speaker 2>like it felt like I had to make a decision.

0:36:06.320 --> 0:36:06.640
<v Speaker 1>Yeah.

0:36:06.760 --> 0:36:12.080
<v Speaker 2>Yeah, it wasn't sort of happening as simultaneously as it

0:36:12.160 --> 0:36:15.960
<v Speaker 2>was for you. I mean simultaneously, but I mean moving

0:36:16.040 --> 0:36:18.839
<v Speaker 2>back and forth between doing this movie or doing that.

0:36:19.160 --> 0:36:20.680
<v Speaker 2>You know, I had done a couple of films, but

0:36:20.719 --> 0:36:23.840
<v Speaker 2>that was like, oh, they came to you know, Minneapolis

0:36:23.960 --> 0:36:26.200
<v Speaker 2>or whatever, and I just happened to get cast in

0:36:26.239 --> 0:36:30.000
<v Speaker 2>this or that. But that's interesting that for you it

0:36:30.040 --> 0:36:32.880
<v Speaker 2>wasn't a change, and so really was it was after

0:36:33.840 --> 0:36:38.480
<v Speaker 2>Seinfeld happened and your kids came that you decide to

0:36:38.520 --> 0:36:40.879
<v Speaker 2>focus exclusively there for them.

0:36:41.760 --> 0:36:45.719
<v Speaker 1>Yeah. I remember when Seinfeld ended. My sons were ten

0:36:45.760 --> 0:36:49.760
<v Speaker 1>and six years old, and I said to my wife,

0:36:49.800 --> 0:36:51.719
<v Speaker 1>you know, honey, I think the best thing we could

0:36:51.719 --> 0:36:53.120
<v Speaker 1>do is go back to New York and go back

0:36:53.160 --> 0:36:54.800
<v Speaker 1>on the stage. I don't know what's going to happen

0:36:54.840 --> 0:36:58.400
<v Speaker 1>in film and television. I mean, I've got this elevated visibility,

0:36:58.440 --> 0:37:01.080
<v Speaker 1>but that's going to be really powerful on the stage.

0:37:01.080 --> 0:37:03.040
<v Speaker 1>I don't know if it's going to be meaningful out here.

0:37:03.719 --> 0:37:09.160
<v Speaker 1>And my wife, you know, has achieved more wisdom in

0:37:09.200 --> 0:37:12.279
<v Speaker 1>one lifetime than I will get in ten says to me,

0:37:12.840 --> 0:37:15.480
<v Speaker 1>you know, absolutely, whatever you want to do, we will go.

0:37:15.600 --> 0:37:17.719
<v Speaker 1>Let me just ask you a question. You know what

0:37:18.400 --> 0:37:23.760
<v Speaker 1>a the week is like on your deathbed? That's always

0:37:23.760 --> 0:37:27.080
<v Speaker 1>a good sentence on your deathbed. Do you think you

0:37:27.080 --> 0:37:30.640
<v Speaker 1>will remember your great nights on the stage or the

0:37:30.760 --> 0:37:34.160
<v Speaker 1>nights you tucked your boys to sleep? And I went okay,

0:37:37.920 --> 0:37:40.120
<v Speaker 1>and so the decision got made. And that's why I

0:37:40.160 --> 0:37:41.840
<v Speaker 1>started a theater. Well I didn't start it, but I

0:37:41.880 --> 0:37:44.920
<v Speaker 1>took over a theater company out here for several years.

0:37:45.040 --> 0:37:48.200
<v Speaker 1>Just I did the producers in LA for a year

0:37:48.239 --> 0:37:51.240
<v Speaker 1>with Marty Short. You know, I would keep my toe

0:37:51.280 --> 0:37:55.200
<v Speaker 1>in the water. But I was really working in Peter

0:37:55.280 --> 0:37:57.440
<v Speaker 1>Knows because we did a lot of it together. I

0:37:57.520 --> 0:37:59.640
<v Speaker 1>was working to try and get a television thing happening

0:37:59.680 --> 0:38:02.320
<v Speaker 1>again because I knew that was the best parenting schedule

0:38:02.360 --> 0:38:05.960
<v Speaker 1>I had ever had, and so was that I was

0:38:06.000 --> 0:38:08.799
<v Speaker 1>actively pursuing. But everything else has been pretty much a

0:38:08.800 --> 0:38:09.600
<v Speaker 1>happy accident.

0:38:27.480 --> 0:38:31.400
<v Speaker 2>You come from the theater, which is the genesis of

0:38:31.400 --> 0:38:37.680
<v Speaker 2>this question. How close to you is George?

0:38:38.360 --> 0:38:40.279
<v Speaker 1>You know, my knee jerk answer used to be not

0:38:40.400 --> 0:38:45.160
<v Speaker 1>at all, But you know now I don't honestly know.

0:38:45.320 --> 0:38:49.600
<v Speaker 1>I can tell you, George, there were three role models

0:38:49.640 --> 0:38:53.640
<v Speaker 1>in my head over the years that I played him. Initially,

0:38:53.640 --> 0:38:55.800
<v Speaker 1>when I was auditioning for it, I had Woody Allen

0:38:55.840 --> 0:38:59.200
<v Speaker 1>in my head. As we were doing some of the

0:38:59.239 --> 0:39:02.360
<v Speaker 1>early episodes. There was a good little doll up of

0:39:02.440 --> 0:39:05.080
<v Speaker 1>Jackie Gleeson that got in there as well.

0:39:05.480 --> 0:39:06.839
<v Speaker 4>Yeah, I see that.

0:39:07.239 --> 0:39:10.440
<v Speaker 1>But as soon as I as soon as I understood

0:39:10.520 --> 0:39:14.760
<v Speaker 1>that George was some sort of alter ego for Larry,

0:39:15.719 --> 0:39:17.839
<v Speaker 1>I had the great good fortune of having the role

0:39:17.920 --> 0:39:21.040
<v Speaker 1>model standing next to me for the next seven years.

0:39:21.480 --> 0:39:25.840
<v Speaker 1>And I feel like most of what I was doing

0:39:26.719 --> 0:39:33.759
<v Speaker 1>as George was trying to run Larry's physicalities and Larry's

0:39:33.960 --> 0:39:39.000
<v Speaker 1>vocal rhythms and Larry's I'm going to say performative sensibilities,

0:39:39.000 --> 0:39:43.719
<v Speaker 1>because actually I know Larry to be a much, for

0:39:43.840 --> 0:39:45.920
<v Speaker 1>lack of a better word, sweeter human being than the

0:39:46.000 --> 0:39:50.040
<v Speaker 1>character he plays. But I was just trying to funnel

0:39:50.080 --> 0:39:53.359
<v Speaker 1>all that through something that would fit on me. So

0:39:53.480 --> 0:39:56.000
<v Speaker 1>I would I would have always said, it's well, it's

0:39:56.000 --> 0:40:01.560
<v Speaker 1>not me, it's mostly my interpretation of Larry. But as

0:40:01.600 --> 0:40:03.799
<v Speaker 1>I go back of late and I sometimes look at

0:40:03.840 --> 0:40:08.240
<v Speaker 1>an old episode and I go that little piece of timing,

0:40:08.400 --> 0:40:13.759
<v Speaker 1>that look that I did, that little thing. That is

0:40:13.760 --> 0:40:16.040
<v Speaker 1>something I can see in my sons, and I go,

0:40:16.200 --> 0:40:22.960
<v Speaker 1>So that's pure Jason Arry. So I can tell you

0:40:23.080 --> 0:40:30.280
<v Speaker 1>only I understand George. George could be a despicable human being.

0:40:30.640 --> 0:40:34.680
<v Speaker 1>He is selfish, he's unethical, you know, he behaves very

0:40:34.760 --> 0:40:36.880
<v Speaker 1>badly at times, and.

0:40:38.400 --> 0:40:40.000
<v Speaker 3>I get it.

0:40:40.920 --> 0:40:43.000
<v Speaker 1>And what saves him from me, and the reason I

0:40:43.040 --> 0:40:46.840
<v Speaker 1>have affection for the character is because he is so

0:40:47.040 --> 0:40:50.919
<v Speaker 1>driven by a sense of I'm not cutting it, I'm

0:40:50.920 --> 0:40:55.040
<v Speaker 1>not worthy, I'm not good enough to be anything. But

0:40:55.160 --> 0:40:59.720
<v Speaker 1>he can't live with that, so he overcompensates and exaggerates

0:40:59.760 --> 0:41:03.200
<v Speaker 1>and lies and manufactures and acts out out of a

0:41:03.239 --> 0:41:09.680
<v Speaker 1>desperation that you know, who of us has not been

0:41:10.160 --> 0:41:12.960
<v Speaker 1>prey to that at one time or another, acted in

0:41:13.040 --> 0:41:17.680
<v Speaker 1>ways we're not proud of. I mean, I've been in

0:41:17.719 --> 0:41:22.120
<v Speaker 1>therapy for thirty five years. Try and not do that

0:41:22.160 --> 0:41:25.680
<v Speaker 1>stuff because it's such a common And I think that's

0:41:25.719 --> 0:41:29.160
<v Speaker 1>why George has the touch of the common man is

0:41:29.200 --> 0:41:34.879
<v Speaker 1>because everybody to some degree feels their own inadequacies, even

0:41:34.880 --> 0:41:37.920
<v Speaker 1>if they have a healthy ego, they feel their own inadequacies.

0:41:38.280 --> 0:41:40.799
<v Speaker 1>They feel when they go into any given room, that

0:41:40.840 --> 0:41:44.560
<v Speaker 1>they're not enough, they don't deserve to be there, And

0:41:44.719 --> 0:41:49.840
<v Speaker 1>for many, many people, they compensate by exaggerating, overblowing, making

0:41:50.320 --> 0:41:54.960
<v Speaker 1>inorganic choices to who they really are, and they get

0:41:55.000 --> 0:41:57.560
<v Speaker 1>hoisted on their own petard, much like a George. And

0:41:57.640 --> 0:42:00.239
<v Speaker 1>so I have sympathy because I think he is, in

0:42:00.280 --> 0:42:03.600
<v Speaker 1>many ways the human race trying to figure it out.

0:42:03.920 --> 0:42:07.120
<v Speaker 1>You know, No, I look at Peter. Peter has come

0:42:07.239 --> 0:42:10.480
<v Speaker 1>so so far and yet has so far to go.

0:42:11.880 --> 0:42:15.400
<v Speaker 3>You know something, I'm thinking, you're much more like George

0:42:15.880 --> 0:42:20.840
<v Speaker 3>than you admit. So there's this there's a sense of

0:42:21.000 --> 0:42:24.320
<v Speaker 3>entitlement and George that Jason doesn't have. But when Jason

0:42:24.440 --> 0:42:26.640
<v Speaker 3>is slighted, and it's really funny, and I'm not trying

0:42:26.640 --> 0:42:30.240
<v Speaker 3>to segue back to the podcast, but Jason the the

0:42:30.960 --> 0:42:34.000
<v Speaker 3>origin of the podcast. The phrase came up with Jason

0:42:34.040 --> 0:42:36.520
<v Speaker 3>would I would crack up because and this is a George.

0:42:37.080 --> 0:42:38.600
<v Speaker 3>If we're driving and I get cut off, I go,

0:42:38.680 --> 0:42:40.680
<v Speaker 3>what the hell does it? You know, Jason does a

0:42:40.719 --> 0:42:43.319
<v Speaker 3>difference thing when he's cut off, or the waiter doesn't

0:42:43.320 --> 0:42:47.359
<v Speaker 3>bring the check in time, whatever. Really, really, it's this

0:42:47.560 --> 0:42:56.520
<v Speaker 3>huge enormous slight It really encompasses so much, they just

0:42:56.920 --> 0:42:58.400
<v Speaker 3>they just stupid.

0:42:58.000 --> 0:43:01.760
<v Speaker 1>On the road and not just really really.

0:43:01.480 --> 0:43:04.120
<v Speaker 3>Yeah, but something is done and politically, something that's done

0:43:04.160 --> 0:43:08.000
<v Speaker 3>in the world that you really Jason noise really, which

0:43:08.040 --> 0:43:10.759
<v Speaker 3>is a succinct the way of saying, what are.

0:43:10.680 --> 0:43:12.440
<v Speaker 4>They doing to me? What are they doing to me?

0:43:12.560 --> 0:43:13.680
<v Speaker 4>What are they doing to me? Exactly?

0:43:14.120 --> 0:43:16.040
<v Speaker 3>And I couldn't get, by the way, Brian, I couldn't get.

0:43:16.080 --> 0:43:17.919
<v Speaker 3>They wanted really dark out, they wanted like a half

0:43:17.920 --> 0:43:20.719
<v Speaker 3>moneion bucks, and I went, there's no way. So I thought,

0:43:20.960 --> 0:43:22.680
<v Speaker 3>how do we make it even more absurd that I

0:43:22.719 --> 0:43:25.880
<v Speaker 3>don't believe your first answer, So I don't believe you

0:43:25.920 --> 0:43:29.040
<v Speaker 3>shows answer. So I'm already going really, no, really, I'm

0:43:29.080 --> 0:43:31.160
<v Speaker 3>assuming you're gonna bes me, and I'm going right to

0:43:31.280 --> 0:43:33.719
<v Speaker 3>the second. But that's Jason that when you say his house,

0:43:33.719 --> 0:43:36.600
<v Speaker 3>he like George, that's Jason. I see it. He's sweet,

0:43:36.640 --> 0:43:38.799
<v Speaker 3>he's a dad, he's this, And then it dissolves in

0:43:38.840 --> 0:43:42.480
<v Speaker 3>a second when that slight comes on.

0:43:42.880 --> 0:43:44.759
<v Speaker 1>I'm one line away from going, you know, we're living

0:43:44.800 --> 0:43:48.560
<v Speaker 1>in a society, and I see it.

0:43:48.640 --> 0:43:51.239
<v Speaker 3>So he's not George because he doesn't go to there, right,

0:43:51.480 --> 0:43:55.520
<v Speaker 3>but he will go there for money, but he doesn't

0:43:55.520 --> 0:43:58.560
<v Speaker 3>go there. But it's lurking. It is lurking under the skin.

0:43:58.600 --> 0:44:00.240
<v Speaker 3>Because you saw easily.

0:44:00.120 --> 0:44:10.800
<v Speaker 2>How easily he went, Jason, How important for you, because

0:44:10.800 --> 0:44:15.240
<v Speaker 2>you just brought it up? How important for you is physicality,

0:44:16.320 --> 0:44:20.560
<v Speaker 2>vocal rhythm, posture. For lack of a better word, that's

0:44:20.560 --> 0:44:23.200
<v Speaker 2>an awful, non actory word. I don't know where that

0:44:23.280 --> 0:44:26.399
<v Speaker 2>just came from. But how important is that for you

0:44:26.640 --> 0:44:27.920
<v Speaker 2>to creating a character?

0:44:28.760 --> 0:44:33.000
<v Speaker 1>Essential? Brian, I've been teaching acting for the last I

0:44:33.040 --> 0:44:37.120
<v Speaker 1>don't know, twenty five years, and it's been developing. My guru,

0:44:37.640 --> 0:44:41.160
<v Speaker 1>the man who really sort of brought clarity to me

0:44:41.239 --> 0:44:43.840
<v Speaker 1>about the craft is a gentleman who's still teaching and

0:44:43.880 --> 0:44:46.440
<v Speaker 1>a friend of mine. His name is Larry Moss. He's

0:44:46.520 --> 0:44:50.680
<v Speaker 1>New York based, and I started building off the principles

0:44:50.680 --> 0:44:52.799
<v Speaker 1>that Larry gave me about twenty five years ago when

0:44:52.800 --> 0:44:56.799
<v Speaker 1>I started doing masterclasses. But one of the main components

0:44:56.840 --> 0:45:00.759
<v Speaker 1>that's developed in my own look at stuff is that

0:45:02.320 --> 0:45:04.840
<v Speaker 1>without getting too much into how we make the sausage,

0:45:04.880 --> 0:45:09.160
<v Speaker 1>but you know, actors do many things. We portray feelings,

0:45:09.200 --> 0:45:13.280
<v Speaker 1>but we're not called emmotors or feelers. We speak the lines,

0:45:13.320 --> 0:45:16.560
<v Speaker 1>but we're not called speakers or orators, We're called actors.

0:45:16.600 --> 0:45:20.000
<v Speaker 1>And the thing we bring to text that makes it

0:45:20.040 --> 0:45:25.680
<v Speaker 1>more than a reading is actions, physicality, verbs, things we

0:45:25.760 --> 0:45:29.120
<v Speaker 1>try to do to each other as these lines tell

0:45:29.160 --> 0:45:34.080
<v Speaker 1>their story. And so the physicality of not only how

0:45:34.120 --> 0:45:37.640
<v Speaker 1>does my character inhabit and move through space? Is there?

0:45:38.120 --> 0:45:41.040
<v Speaker 1>You know, is there a person that I want to

0:45:41.160 --> 0:45:43.040
<v Speaker 1>use as a sort of a role model? Is there

0:45:43.080 --> 0:45:46.800
<v Speaker 1>an animal? Is there an idea that informs my body

0:45:46.800 --> 0:45:50.520
<v Speaker 1>in a different way? And then you know with the text,

0:45:50.680 --> 0:45:55.000
<v Speaker 1>what am I? What am I physically doing? What actions

0:45:55.040 --> 0:45:57.160
<v Speaker 1>are being played through all this? What am I trying

0:45:57.160 --> 0:46:00.120
<v Speaker 1>to get the other actors or other characters rather to

0:46:00.239 --> 0:46:04.120
<v Speaker 1>do in any given scene. So there's a huge physical

0:46:04.160 --> 0:46:08.160
<v Speaker 1>component to it. And it's the thing that a lot

0:46:08.160 --> 0:46:11.479
<v Speaker 1>of American actors in particular don't put much thinking into.

0:46:11.680 --> 0:46:14.000
<v Speaker 1>And it's the thing that I when I teach, I

0:46:14.080 --> 0:46:17.160
<v Speaker 1>kind of lead with it. And in many ways it

0:46:17.200 --> 0:46:20.239
<v Speaker 1>can screw up actors because they're being asked to think

0:46:20.239 --> 0:46:22.560
<v Speaker 1>in a different way and it's very off putting. But

0:46:22.680 --> 0:46:26.640
<v Speaker 1>for those that rally to it, you just see these huge,

0:46:27.480 --> 0:46:31.799
<v Speaker 1>huge leaps in their ability and what they can do,

0:46:32.000 --> 0:46:36.480
<v Speaker 1>and the sort of uniqueness of their performance, So it's exciting.

0:46:37.160 --> 0:46:38.840
<v Speaker 4>What do you think the legacy of Sidefeld is?

0:46:39.560 --> 0:46:42.440
<v Speaker 1>Oh gosh, you know, I have no idea, you know,

0:46:42.640 --> 0:46:47.959
<v Speaker 1>I keep waiting for us, for someone to have enough

0:46:48.000 --> 0:46:51.480
<v Speaker 1>perspective on it to really be able to answer that question.

0:46:51.560 --> 0:46:55.000
<v Speaker 1>I'm honest to God. Other than I really do think

0:46:55.040 --> 0:46:58.000
<v Speaker 1>it was a funny show. I can objectively stand back

0:46:58.040 --> 0:47:03.319
<v Speaker 1>and go, really funny and really performed and written exquisitely well,

0:47:03.320 --> 0:47:08.000
<v Speaker 1>and I give so much, you know, high fives to

0:47:08.080 --> 0:47:10.719
<v Speaker 1>the writers. People always say you guys were so good,

0:47:10.719 --> 0:47:12.480
<v Speaker 1>you were and I go, well, you know, if they

0:47:12.520 --> 0:47:14.400
<v Speaker 1>throw the ball to the five yard line, it's not

0:47:14.520 --> 0:47:18.920
<v Speaker 1>hard to fall. And the writers, the writing on the

0:47:18.920 --> 0:47:22.919
<v Speaker 1>show was consistently handing you, you know, a touchdown every week.

0:47:22.960 --> 0:47:27.879
<v Speaker 1>You just had to not fumble it. It's a very

0:47:27.920 --> 0:47:31.520
<v Speaker 1>funny show, and it's celebrated funny. It's but I guess

0:47:32.800 --> 0:47:37.480
<v Speaker 1>it in its zeitgeist, it was able to ask the

0:47:37.520 --> 0:47:40.200
<v Speaker 1>audience to look in the mirror at the things they

0:47:40.200 --> 0:47:44.720
<v Speaker 1>were going through all the time and do what Jerry

0:47:44.760 --> 0:47:46.680
<v Speaker 1>and Larry are able to do, and most good comics

0:47:46.680 --> 0:47:51.239
<v Speaker 1>are able to do, is to take the stuff that

0:47:51.320 --> 0:47:57.120
<v Speaker 1>seems mundane or oppressive or wrong or just crazy about

0:47:57.160 --> 0:47:59.799
<v Speaker 1>their lives, and see what's funny about it, To see

0:47:59.840 --> 0:48:03.160
<v Speaker 1>what it's funny in the human condition to give voice

0:48:03.280 --> 0:48:08.319
<v Speaker 1>to the false inflations of ego. And and you know,

0:48:08.440 --> 0:48:11.000
<v Speaker 1>I deserve this and I'm gonna get that, and I

0:48:11.080 --> 0:48:13.640
<v Speaker 1>don't deserve this, and this is right for me and

0:48:13.680 --> 0:48:16.719
<v Speaker 1>every man for himself and need before you know, there

0:48:16.760 --> 0:48:20.000
<v Speaker 1>was something about the way they portrayed those things. And

0:48:20.040 --> 0:48:22.440
<v Speaker 1>the fact, I mean the fact that we did an

0:48:22.440 --> 0:48:29.000
<v Speaker 1>episode on masturbation and got away with it and involved

0:48:29.280 --> 0:48:32.240
<v Speaker 1>a girl in it. At the time, I mean, forget

0:48:32.280 --> 0:48:35.120
<v Speaker 1>even just doing a show up masturbation to a girl

0:48:35.280 --> 0:48:39.120
<v Speaker 1>be part of it was unheard of. And but that's

0:48:39.200 --> 0:48:42.439
<v Speaker 1>what I mean about. I'm going to take a wild

0:48:42.480 --> 0:48:44.840
<v Speaker 1>swing and say ninety percent of the human population at

0:48:44.880 --> 0:48:49.200
<v Speaker 1>one time or another has probably touched themselves. To make

0:48:49.320 --> 0:48:53.400
<v Speaker 1>fun of that reality is so bold and so interesting

0:48:53.520 --> 0:48:57.719
<v Speaker 1>and makes it all so much more human to say, hey,

0:48:57.760 --> 0:49:00.359
<v Speaker 1>you know what, we all have. We all well think

0:49:00.400 --> 0:49:03.279
<v Speaker 1>too highly of ourselves at one time or another. We

0:49:03.560 --> 0:49:06.960
<v Speaker 1>all take the selfish path or the past the least

0:49:07.000 --> 0:49:11.120
<v Speaker 1>resistance every now and then, and we look awfully stupid

0:49:11.120 --> 0:49:14.840
<v Speaker 1>when we do. It did that, and I think it

0:49:14.920 --> 0:49:18.400
<v Speaker 1>allowed people to do what we are not as capable

0:49:18.440 --> 0:49:20.799
<v Speaker 1>of doing right now, which is to laugh at ourselves.

0:49:21.800 --> 0:49:25.120
<v Speaker 1>You know, I am as progressive a human as I

0:49:25.160 --> 0:49:28.480
<v Speaker 1>think I can be, But I worry. The only thing

0:49:28.520 --> 0:49:31.680
<v Speaker 1>I worry about is that as we struggle to figure

0:49:31.680 --> 0:49:34.120
<v Speaker 1>out how we all fit together, no matter who we

0:49:34.160 --> 0:49:37.320
<v Speaker 1>are and what we represent, if we lose our ability

0:49:37.360 --> 0:49:40.319
<v Speaker 1>to go, we are all kind of silly. We're all

0:49:40.440 --> 0:49:42.920
<v Speaker 1>kind of I mean, the struggles are real and the

0:49:43.000 --> 0:49:47.040
<v Speaker 1>wants are real, but we do behave in kind of

0:49:47.080 --> 0:49:49.640
<v Speaker 1>crazy ways every now and then. And if we can't

0:49:49.760 --> 0:49:52.960
<v Speaker 1>enjoy that about ourselves and about each other, then I

0:49:53.320 --> 0:49:57.120
<v Speaker 1>truly do worry for humanity. In some ways we lose

0:49:57.160 --> 0:50:01.080
<v Speaker 1>our sense of humor and the ability to go, we're

0:50:01.200 --> 0:50:03.640
<v Speaker 1>kind of silly. I mean, the things we want to

0:50:03.680 --> 0:50:06.680
<v Speaker 1>do are serious and they're vital, but we're kind of

0:50:06.719 --> 0:50:10.120
<v Speaker 1>silly in the way we navigate this crazy world.

0:50:10.920 --> 0:50:16.200
<v Speaker 2>Dude, I I look, I'm a nerd for the business.

0:50:16.320 --> 0:50:18.799
<v Speaker 2>I love the business. I read a lot about it.

0:50:18.840 --> 0:50:21.680
<v Speaker 2>And for whatever it's worth, the answer that you just

0:50:21.800 --> 0:50:25.120
<v Speaker 2>gave about Seinfeld, maybe it's been said a thousand times before.

0:50:25.800 --> 0:50:28.399
<v Speaker 2>But it's the smartest and most scinct answer that I've

0:50:28.440 --> 0:50:31.799
<v Speaker 2>ever heard about. It makes sense because you're you're a

0:50:31.840 --> 0:50:33.440
<v Speaker 2>smart guy, and you worked on it for a hell

0:50:33.480 --> 0:50:37.000
<v Speaker 2>of a long time. But you know, people talk about

0:50:37.080 --> 0:50:41.400
<v Speaker 2>the Office, and especially when the Office first started, because

0:50:41.440 --> 0:50:45.040
<v Speaker 2>it was different, like Seinfeld was different.

0:50:45.719 --> 0:50:48.680
<v Speaker 4>They sort of connected.

0:50:48.320 --> 0:50:51.359
<v Speaker 2>Us in a in a way like we're we're a

0:50:51.360 --> 0:50:55.760
<v Speaker 2>progression for that, And for me that never made sense

0:50:56.440 --> 0:51:00.440
<v Speaker 2>to me because to me, our even though you know,

0:51:00.520 --> 0:51:04.439
<v Speaker 2>the form was totally different, I saw us as being

0:51:04.520 --> 0:51:08.080
<v Speaker 2>born out of Cheers, which is a collection of people

0:51:08.280 --> 0:51:13.600
<v Speaker 2>who are stuck together, either by choice or not in

0:51:13.640 --> 0:51:18.600
<v Speaker 2>different environments. But ultimately, you know, to be simplistic right now,

0:51:18.719 --> 0:51:25.040
<v Speaker 2>to not give an hour dissertation celebrating the ordinariness of people,

0:51:25.520 --> 0:51:30.520
<v Speaker 2>like finding small victories that may seem mundane to other

0:51:30.560 --> 0:51:32.920
<v Speaker 2>people that are but are very important. And for me,

0:51:32.960 --> 0:51:36.080
<v Speaker 2>Seinfeld was never that. It wasn't a show about nothing,

0:51:36.800 --> 0:51:41.839
<v Speaker 2>but your answer right there is finding those idiosyncrasies and

0:51:41.920 --> 0:51:46.359
<v Speaker 2>being able to laugh at ourselves and how important that

0:51:46.600 --> 0:51:51.000
<v Speaker 2>is and how today, yeah, we run the risk of

0:51:51.360 --> 0:51:55.239
<v Speaker 2>we need that lesson again, I should say, I think

0:51:55.280 --> 0:51:59.040
<v Speaker 2>that's for what it's worth. It's really smart to me,

0:51:59.640 --> 0:52:03.960
<v Speaker 2>so thank you, thank you for doing that. You already

0:52:03.960 --> 0:52:07.040
<v Speaker 2>told a little bit of the story. You're you're doing

0:52:07.120 --> 0:52:10.920
<v Speaker 2>Seinfeld and you meet this guy Peter who tells you

0:52:10.960 --> 0:52:15.440
<v Speaker 2>what you're going to start working on on next. Was

0:52:15.480 --> 0:52:16.480
<v Speaker 2>that Bob Patterson?

0:52:16.680 --> 0:52:17.160
<v Speaker 4>Yeah? Yeah.

0:52:17.200 --> 0:52:19.480
<v Speaker 3>By the way, I just want to announce our new podcast,

0:52:19.480 --> 0:52:23.160
<v Speaker 3>which we Lighten Up. Is a new podcast. You'll be

0:52:23.200 --> 0:52:25.439
<v Speaker 3>launching it today right after Lighting the Hell Up. Lighting

0:52:25.480 --> 0:52:28.360
<v Speaker 3>the Hell Up. Yeah, that was Bob Patterson right to you.

0:52:28.680 --> 0:52:31.880
<v Speaker 1>Yeah, Peter Pete, right right down to the name. Peter

0:52:31.960 --> 0:52:33.919
<v Speaker 1>took me to that breakfast and he said, your next

0:52:33.920 --> 0:52:36.520
<v Speaker 1>show crazy, He said, do you know who Tony Robbins is?

0:52:36.600 --> 0:52:38.239
<v Speaker 1>I said sure. He said, I want to do a

0:52:38.239 --> 0:52:42.160
<v Speaker 1>show where Tony Robbins can't motivate his own family. And

0:52:42.239 --> 0:52:44.480
<v Speaker 1>the guy's name is going to be Bob Patterson and

0:52:44.520 --> 0:52:46.839
<v Speaker 1>he's gonna be and I went, well, that's not I said,

0:52:46.840 --> 0:52:49.200
<v Speaker 1>that's that's not. I don't think anybody's ever touched that.

0:52:49.200 --> 0:52:52.040
<v Speaker 1>That's really funny. A guy who's made a living telling

0:52:52.040 --> 0:52:54.600
<v Speaker 1>everybody else how to live their lives to improve it.

0:52:54.680 --> 0:53:00.879
<v Speaker 3>And because we all know the behind closed doors allegedly

0:53:01.120 --> 0:53:04.319
<v Speaker 3>that's what's going on, you know. And I'm fascinated by

0:53:04.680 --> 0:53:08.960
<v Speaker 3>the self improvement, that whole movement that somebody says, you know,

0:53:09.040 --> 0:53:11.239
<v Speaker 3>what's going to take you to the next level, what's

0:53:11.280 --> 0:53:13.440
<v Speaker 3>going to really make you feel good about yourself and growth?

0:53:13.880 --> 0:53:16.319
<v Speaker 3>Walking on hot coals without any shoes for fifteenth ape

0:53:16.640 --> 0:53:19.320
<v Speaker 3>that is the thing that is going to that sweat

0:53:19.360 --> 0:53:21.200
<v Speaker 3>lodge is going to do it. And it's like, you go,

0:53:21.600 --> 0:53:25.440
<v Speaker 3>in what world? In what world do they have that formula?

0:53:25.560 --> 0:53:28.040
<v Speaker 3>And it's it's fascinating because I never know if it's

0:53:28.040 --> 0:53:30.040
<v Speaker 3>about people who want somebody else to do the push

0:53:30.080 --> 0:53:33.360
<v Speaker 3>ups for them, But I just always picture these motivational

0:53:33.400 --> 0:53:34.360
<v Speaker 3>guys at home going.

0:53:34.320 --> 0:53:35.840
<v Speaker 1>Oh, no, we can't get a divorce.

0:53:36.040 --> 0:53:37.200
<v Speaker 4>You know what that looks like to me?

0:53:37.440 --> 0:53:40.480
<v Speaker 3>I got a book coming out, So we created the

0:53:40.480 --> 0:53:43.200
<v Speaker 3>show Bob Patterson, who what was his slogan, help me,

0:53:43.239 --> 0:53:46.760
<v Speaker 3>help you help me or whatever? Yeah, And then because

0:53:46.880 --> 0:53:51.680
<v Speaker 3>Jason circling Back was so intimidated by William Shantner, I

0:53:51.719 --> 0:53:56.480
<v Speaker 3>made William Shantner his nemesis just to watch the two

0:53:56.520 --> 0:54:00.040
<v Speaker 3>of them on stage together and watch Jason get to

0:54:00.080 --> 0:54:04.960
<v Speaker 3>act with the legend who launched his career, which was

0:54:05.000 --> 0:54:05.880
<v Speaker 3>stunning to watch.

0:54:06.480 --> 0:54:07.600
<v Speaker 4>It was great, very.

0:54:07.480 --> 0:54:24.600
<v Speaker 6>True, very true.

0:54:26.800 --> 0:54:30.920
<v Speaker 2>Hit the Road another collaboration. You co created that series

0:54:30.960 --> 0:54:35.000
<v Speaker 2>together as well. Talk to me a little bit about that.

0:54:35.000 --> 0:54:37.759
<v Speaker 3>That was Jason, as we can hear when he plays aggravated.

0:54:37.760 --> 0:54:39.120
<v Speaker 3>There's nobody funnier than that.

0:54:39.640 --> 0:54:39.839
<v Speaker 4>Yeah.

0:54:39.880 --> 0:54:42.040
<v Speaker 3>So I remember in country music because I did country

0:54:42.120 --> 0:54:44.160
<v Speaker 3>music for about nine years. I know you're Willie Nelson

0:54:44.200 --> 0:54:46.600
<v Speaker 3>fan and from Texas. I guess you know Pat Green too,

0:54:46.760 --> 0:54:49.560
<v Speaker 3>right the whole Yeah, there you go. Yes, So I

0:54:49.560 --> 0:54:52.160
<v Speaker 3>helped him want to with wa wa.

0:54:51.760 --> 0:54:55.040
<v Speaker 2>Wait, hold on a second, Hold on a second, Pat,

0:54:55.280 --> 0:54:56.920
<v Speaker 2>How did you know that?

0:54:57.080 --> 0:54:59.680
<v Speaker 3>Because I did country music for nine years and I

0:54:59.760 --> 0:55:02.640
<v Speaker 3>was the Westco station that that supported Wave on Wave

0:55:02.680 --> 0:55:04.799
<v Speaker 3>and hung with Pat. Yeah.

0:55:05.160 --> 0:55:14.560
<v Speaker 4>Pat Green was a childhood friend, fraternity brother of my

0:55:15.000 --> 0:55:19.719
<v Speaker 4>friend in my dorm's brother who I started listening to

0:55:19.800 --> 0:55:24.000
<v Speaker 4>Pat Green on the in my dorm room. Outside. Nobody

0:55:24.080 --> 0:55:26.239
<v Speaker 4>knew who Pat Green. This is what I mean about

0:55:26.280 --> 0:55:28.640
<v Speaker 4>my underwear. I don't know how you could put the

0:55:28.719 --> 0:55:30.640
<v Speaker 4>cool thing about Pat that we should do now. And

0:55:30.800 --> 0:55:32.759
<v Speaker 4>I'm thinking about this if you're a Pat Green fan.

0:55:33.640 --> 0:55:36.759
<v Speaker 4>Pat also, so Pat had a hit with Wave on

0:55:36.840 --> 0:55:39.560
<v Speaker 4>Wave with which with a national hit and he did

0:55:39.640 --> 0:55:42.120
<v Speaker 4>charity for us. Brad Paisley, who was a friend, played

0:55:42.120 --> 0:55:44.719
<v Speaker 4>with him. Whatever I put that together. But Pat, if

0:55:44.719 --> 0:55:47.120
<v Speaker 4>you're in Texas, you know Pat because Pat sells out

0:55:47.680 --> 0:55:49.759
<v Speaker 4>and he tours Texas and he played, you know what,

0:55:49.800 --> 0:55:53.640
<v Speaker 4>his big passion is golf. He's like an eight handicap,

0:55:53.920 --> 0:55:56.399
<v Speaker 4>you close to close to your handicap. So you guy,

0:55:56.560 --> 0:55:59.920
<v Speaker 4>if if you love him, you could play eighteen holl

0:56:00.040 --> 0:56:01.560
<v Speaker 4>And I singing for you, we should go play.

0:56:02.280 --> 0:56:06.520
<v Speaker 2>I knew him when he was just I mean like literally,

0:56:06.560 --> 0:56:09.000
<v Speaker 2>like not even the note, Like he just was like

0:56:09.520 --> 0:56:12.640
<v Speaker 2>my friend's friend. But it was Pat Green And now

0:56:12.680 --> 0:56:13.560
<v Speaker 2>he's a big.

0:56:13.600 --> 0:56:17.960
<v Speaker 3>Exploded in tex Willie Nelson, you're one, by the way,

0:56:18.000 --> 0:56:21.680
<v Speaker 3>I was on Willie Downson's bus and it's a combination

0:56:21.880 --> 0:56:25.360
<v Speaker 3>of a dope den in your grand grandmother's apartment because

0:56:25.360 --> 0:56:28.480
<v Speaker 3>there's like all these Danish boxes are open, and it's

0:56:29.320 --> 0:56:31.880
<v Speaker 3>it's really an amazing because he's older, I mean, Moie's

0:56:31.920 --> 0:56:33.880
<v Speaker 3>older now at this point. But what a what a

0:56:34.280 --> 0:56:37.600
<v Speaker 3>you've met him, obviously, he's what a character. What an amazing,

0:56:37.920 --> 0:56:44.080
<v Speaker 3>amazing birthday, amazing ninety Jason. Back to Jason and the

0:56:44.120 --> 0:56:48.520
<v Speaker 3>bus when he was doing country music. Jamie O'Neill was

0:56:48.560 --> 0:56:50.520
<v Speaker 3>in a family band with her parents, and she used

0:56:50.520 --> 0:56:52.720
<v Speaker 3>to say never always stuck with me that right before

0:56:52.760 --> 0:56:55.160
<v Speaker 3>you go in stages, well score you, I don't care

0:56:55.200 --> 0:56:58.799
<v Speaker 3>about you. One, two, three, I see America singing and

0:56:58.800 --> 0:57:01.480
<v Speaker 3>then you come off stage one dad, and I thought,

0:57:01.520 --> 0:57:03.719
<v Speaker 3>what a great thing that is that you're stuck and

0:57:03.760 --> 0:57:05.879
<v Speaker 3>you know that your kid is doing. You don't want

0:57:06.080 --> 0:57:07.440
<v Speaker 3>all the stuff you don't want to know that your

0:57:07.480 --> 0:57:09.719
<v Speaker 3>kids are doing you're forced to deal with because you're

0:57:09.760 --> 0:57:12.799
<v Speaker 3>on a bus traveling across the country and you're not

0:57:12.880 --> 0:57:15.560
<v Speaker 3>doing so well. So all of that and that's why

0:57:15.600 --> 0:57:17.720
<v Speaker 3>we launched it. And it was originally called Swallow, which

0:57:17.800 --> 0:57:20.480
<v Speaker 3>was the family of the family name and it takes agard.

0:57:20.520 --> 0:57:23.680
<v Speaker 1>We said, it's the it's the it's the dysfunctional Partridge family.

0:57:23.720 --> 0:57:26.320
<v Speaker 1>So we said, what's another bird, and we went, oh, Swallow.

0:57:26.600 --> 0:57:29.120
<v Speaker 1>That's smart enough to realize that's not a good name

0:57:29.120 --> 0:57:30.360
<v Speaker 1>for a family man.

0:57:30.400 --> 0:57:32.120
<v Speaker 3>And the bus would be defaced all the time, but

0:57:32.160 --> 0:57:33.840
<v Speaker 3>the network changed it to hit the Road.

0:57:34.760 --> 0:57:40.120
<v Speaker 2>Okay, are you better work collaborators or friends?

0:57:40.600 --> 0:57:41.440
<v Speaker 1>There's no difference.

0:57:41.560 --> 0:57:43.000
<v Speaker 3>I was just going to say that too. There's no

0:57:43.120 --> 0:57:46.880
<v Speaker 3>line as we do this. I love him so honestly, Brian.

0:57:47.040 --> 0:57:49.080
<v Speaker 3>You know the other part of Seinfeld, the other part

0:57:49.120 --> 0:57:53.320
<v Speaker 3>of the Office is, especially in today's world with COVID isolation,

0:57:54.080 --> 0:57:58.320
<v Speaker 3>you got to see friendships that were really and because

0:57:58.360 --> 0:58:01.440
<v Speaker 3>they spoke like real people spoke. They didn't speak in

0:58:01.520 --> 0:58:04.240
<v Speaker 3>sitcom set up in punchline, and there was stasis there

0:58:04.240 --> 0:58:06.640
<v Speaker 3>like there's in real life, and there was emotion and

0:58:06.680 --> 0:58:10.000
<v Speaker 3>you could actually play stuff out. It wasn't the old sitcom.

0:58:10.360 --> 0:58:13.040
<v Speaker 3>I think that people connected with that in such a

0:58:13.040 --> 0:58:16.640
<v Speaker 3>big way, just like they do reality television, which they loved.

0:58:16.800 --> 0:58:20.320
<v Speaker 3>They just loved. They were immersed in those characters. It

0:58:20.360 --> 0:58:22.600
<v Speaker 3>becomes part of who you are, touched on just like

0:58:22.680 --> 0:58:25.840
<v Speaker 3>music is powerful and you remember when that song came out,

0:58:25.840 --> 0:58:28.200
<v Speaker 3>what you're going through. I hear it with the next

0:58:28.200 --> 0:58:30.800
<v Speaker 3>generation for Seinfeld, where they go they're just finding it.

0:58:31.080 --> 0:58:32.840
<v Speaker 3>When you say what are they finding, They're finding the

0:58:32.920 --> 0:58:36.280
<v Speaker 3>joy of four people who were honest with each other

0:58:36.720 --> 0:58:39.000
<v Speaker 3>and talked in a way that no sitcom did before.

0:58:39.000 --> 0:58:40.840
<v Speaker 3>And the same with the Office, and then on and

0:58:40.880 --> 0:58:44.040
<v Speaker 3>on this real thing like independent movies. I think that

0:58:44.160 --> 0:58:47.080
<v Speaker 3>was a huge thing. So Jason and I are pretty

0:58:47.160 --> 0:58:49.840
<v Speaker 3>much off the air on the air, same the same deal.

0:58:50.720 --> 0:58:53.000
<v Speaker 3>And I'm blessed to have your best friend and be

0:58:53.080 --> 0:58:55.400
<v Speaker 3>able to do to hang like that and I'm forced

0:58:55.600 --> 0:58:56.400
<v Speaker 3>forced to be together.

0:58:56.560 --> 0:58:57.600
<v Speaker 4>It's pretty cool.

0:58:57.800 --> 0:59:01.880
<v Speaker 1>And you know, honestly, Brian the difference from me and

0:59:01.960 --> 0:59:04.320
<v Speaker 1>I'm trying to figure it out, and I've been trying

0:59:04.320 --> 0:59:07.720
<v Speaker 1>to figure it out for many, many years. I know

0:59:07.800 --> 0:59:10.160
<v Speaker 1>this sounds like I'm trying to be cute and I'm not.

0:59:11.000 --> 0:59:14.440
<v Speaker 1>I never thought of myself as particularly funny, and suddenly

0:59:14.680 --> 0:59:19.280
<v Speaker 1>I was making a living playing comedy before Seinfeld, even

0:59:19.320 --> 0:59:22.640
<v Speaker 1>on stage in my Broadway days, I was doing comedy, comedy, comedy, comedy.

0:59:23.480 --> 0:59:27.760
<v Speaker 1>Unlike many people who sort of thought about comedy all

0:59:27.800 --> 0:59:34.040
<v Speaker 1>their lives, I didn't create a comedic persona for myself

0:59:34.240 --> 0:59:39.360
<v Speaker 1>in life prior to having to sort of present that way.

0:59:39.960 --> 0:59:43.320
<v Speaker 1>So with the podcast is so interesting for me. My

0:59:43.520 --> 0:59:48.760
<v Speaker 1>sense of humor, for whatever it may be, is informed

0:59:48.800 --> 0:59:50.600
<v Speaker 1>by the fact I grew up in New Jersey and

0:59:50.800 --> 0:59:53.840
<v Speaker 1>my dad and all his friends and a bunch of

0:59:53.840 --> 0:59:58.200
<v Speaker 1>my friends have that sort of Joe Peshy, if I

0:59:58.240 --> 1:00:00.600
<v Speaker 1>really think you're great and I like you a lot,

1:00:00.720 --> 1:00:03.200
<v Speaker 1>I'm gonna I'm gonna nudge at you, right, I'm gonna

1:00:03.200 --> 1:00:05.200
<v Speaker 1>try I'm gonna pick at you like a little like

1:00:05.200 --> 1:00:08.160
<v Speaker 1>a little chicken. And that is a that I found

1:00:08.200 --> 1:00:10.680
<v Speaker 1>that to be a real Jersey thing. And so that

1:00:10.840 --> 1:00:12.960
<v Speaker 1>is the sense of humor I grew up with. And

1:00:13.040 --> 1:00:16.680
<v Speaker 1>so often it'll become my Oh, I have to be funny.

1:00:17.320 --> 1:00:19.720
<v Speaker 1>They're expecting Jason to be funny. Let me go to that.

1:00:20.280 --> 1:00:22.280
<v Speaker 1>And I don't often like the way it comes off,

1:00:22.600 --> 1:00:24.840
<v Speaker 1>you know, because it's not it's not really who I am.

1:00:25.400 --> 1:00:25.520
<v Speaker 6>Uh.

1:00:25.960 --> 1:00:27.760
<v Speaker 1>If Peter and I are doing the show, what you're

1:00:27.800 --> 1:00:30.280
<v Speaker 1>gonna hear from me is picking at Peter, and he'll

1:00:30.360 --> 1:00:33.040
<v Speaker 1>picking at me. But if you ask me off the show,

1:00:33.360 --> 1:00:36.000
<v Speaker 1>tell me about Peter Tilden, I go, he has my heart,

1:00:36.640 --> 1:00:38.600
<v Speaker 1>you know, I mind, we really do.

1:00:38.680 --> 1:00:40.240
<v Speaker 4>But it's genuine. The picking is genuine.

1:00:40.320 --> 1:00:42.800
<v Speaker 1>Yeah, my default is not to go to the sense

1:00:42.800 --> 1:00:45.360
<v Speaker 1>of humor. So even with the podcast now, in developing

1:00:45.360 --> 1:00:50.200
<v Speaker 1>our podcast personas has been so interesting because you know,

1:00:50.240 --> 1:00:52.360
<v Speaker 1>he says, we argue all the time, we discuss all

1:00:52.400 --> 1:00:55.320
<v Speaker 1>the time, we have different points of view, but on

1:00:55.400 --> 1:00:58.320
<v Speaker 1>the show we do what we step it up, you know,

1:00:58.440 --> 1:01:00.560
<v Speaker 1>we go what's your take, what's my take? Let's make

1:01:00.600 --> 1:01:04.720
<v Speaker 1>sure that you know that we have something. And it's

1:01:04.800 --> 1:01:09.440
<v Speaker 1>become a really interesting fun thing. But the most laughs

1:01:09.480 --> 1:01:13.800
<v Speaker 1>we've ever had in our life together outside is when

1:01:14.240 --> 1:01:17.280
<v Speaker 1>you know he'll be he'll be working on something, we'll

1:01:17.320 --> 1:01:20.040
<v Speaker 1>be working on a piece of material and he'll he'll

1:01:20.120 --> 1:01:22.840
<v Speaker 1>start to say something structural and I go, that's not

1:01:22.880 --> 1:01:26.160
<v Speaker 1>your area. Structure is not your area the structure, and

1:01:26.320 --> 1:01:28.120
<v Speaker 1>he's like, not my area. I did it. I did

1:01:28.120 --> 1:01:30.280
<v Speaker 1>a radio show for thirty years. I had four hours

1:01:30.280 --> 1:01:32.240
<v Speaker 1>to feel all about structure. It's not my area and

1:01:32.280 --> 1:01:33.760
<v Speaker 1>not your area. What do you what do you ask?

1:01:33.880 --> 1:01:35.720
<v Speaker 3>So when you say is that really ramp it up?

1:01:35.720 --> 1:01:37.280
<v Speaker 3>And then I go, so what's my area? And he'll go,

1:01:37.520 --> 1:01:39.320
<v Speaker 3>I haven't found it yet. We don't know what you are.

1:01:40.560 --> 1:01:42.760
<v Speaker 1>For your area.

1:01:43.280 --> 1:01:46.080
<v Speaker 3>It's a great question, Brian, What a great question that was.

1:01:46.120 --> 1:01:48.000
<v Speaker 3>We've never been I've never thought of that. Is there

1:01:48.040 --> 1:01:51.200
<v Speaker 3>a line between the work and the friendship thing? And

1:01:51.360 --> 1:01:53.320
<v Speaker 3>he when I heard himself, I was really curious to

1:01:53.360 --> 1:01:55.320
<v Speaker 3>hear his answer because I feel the same way.

1:01:55.320 --> 1:01:59.680
<v Speaker 1>It's it's yeah, we we The only difference is we

1:01:59.680 --> 1:02:04.400
<v Speaker 1>we don't generally lead with there is no bigger heart

1:02:04.440 --> 1:02:08.200
<v Speaker 1>in the world than Peter Tilden. If he found out

1:02:08.240 --> 1:02:10.200
<v Speaker 1>you had a charity, or you have a kid, or

1:02:10.240 --> 1:02:12.760
<v Speaker 1>you have somebody in need or you need he's not

1:02:12.800 --> 1:02:15.040
<v Speaker 1>only going, oh my gosh, that's so sweet. If there's

1:02:15.040 --> 1:02:16.800
<v Speaker 1>anything I can do. No, no, no, it's not. If

1:02:16.840 --> 1:02:19.360
<v Speaker 1>there's anything I can do, He's going, here's what I

1:02:19.400 --> 1:02:21.120
<v Speaker 1>can do. I'm going to make a call. I'm gonna

1:02:21.120 --> 1:02:26.160
<v Speaker 1>do a thing. The heart is stupid. We know that

1:02:26.920 --> 1:02:30.840
<v Speaker 1>with each other, and that is a big bonding thing

1:02:30.880 --> 1:02:33.760
<v Speaker 1>between us, but we on air, we would never talk

1:02:33.800 --> 1:02:34.160
<v Speaker 1>about it.

1:02:35.680 --> 1:02:38.640
<v Speaker 3>Well, that's also the pathetic desire to be loved by everybody.

1:02:38.640 --> 1:02:43.720
<v Speaker 3>I mean the downside, pathetic because you just need that

1:02:43.840 --> 1:02:44.320
<v Speaker 3>much love.

1:02:46.600 --> 1:02:52.400
<v Speaker 2>Well, uh, your answer is supremely interesting to me. Yeah,

1:02:52.440 --> 1:02:57.200
<v Speaker 2>I mean our stories are very similar. When I am

1:02:57.240 --> 1:03:06.120
<v Speaker 2>introduced as a comedian, I feel physically uncomfortable. And I'm

1:03:06.120 --> 1:03:08.640
<v Speaker 2>not saying that as a joke, Like I feel like

1:03:08.680 --> 1:03:14.560
<v Speaker 2>I start like having to adjust because it's not It's

1:03:14.560 --> 1:03:18.560
<v Speaker 2>not how I define myself or see or or see myself.

1:03:18.680 --> 1:03:22.600
<v Speaker 2>I see myself as someone who creates characters and is

1:03:22.640 --> 1:03:28.160
<v Speaker 2>interested in building relationships and characters, not as making people.

1:03:27.960 --> 1:03:30.040
<v Speaker 4>Laugh, but that's what he s expected.

1:03:30.320 --> 1:03:32.440
<v Speaker 3>Yeah, yeah, yeah, is your best friend in the business,

1:03:32.440 --> 1:03:33.240
<v Speaker 3>by the way.

1:03:33.320 --> 1:03:36.920
<v Speaker 2>No, no, And in part I'll be honest with you

1:03:36.960 --> 1:03:38.960
<v Speaker 2>actually now just to share something with you. Not that

1:03:40.120 --> 1:03:45.000
<v Speaker 2>like every single person is different. But I talked to Pendolette,

1:03:45.520 --> 1:03:50.560
<v Speaker 2>Penn and Teller Pendelette, very smart guy. He tells me

1:03:51.040 --> 1:03:53.760
<v Speaker 2>they've been together. I'm gonna mess it up now, whatever

1:03:53.800 --> 1:03:59.480
<v Speaker 2>it is, thirty forty years. They have dinner once a year. Yeah, yeah, yeah, yeah, right,

1:04:00.080 --> 1:04:02.880
<v Speaker 2>they you know, they keep it totally separate.

1:04:03.000 --> 1:04:03.600
<v Speaker 1>Absolutely.

1:04:03.760 --> 1:04:06.080
<v Speaker 4>I didn't expect that to be your answer. But that's

1:04:06.080 --> 1:04:06.640
<v Speaker 4>what made me.

1:04:06.880 --> 1:04:08.960
<v Speaker 1>That's what made me think, you know, there's been a

1:04:08.960 --> 1:04:11.600
<v Speaker 1>lot of great working well. You know, here's the thing.

1:04:12.080 --> 1:04:15.760
<v Speaker 1>People assume that Jerry and Michael and Julia and I

1:04:15.800 --> 1:04:19.280
<v Speaker 1>are the closest social friends. I honest to god, I

1:04:19.280 --> 1:04:22.000
<v Speaker 1>love them to death, all three of them. If they

1:04:22.040 --> 1:04:23.600
<v Speaker 1>asked me to walk through a hoop of fire, I

1:04:23.720 --> 1:04:26.080
<v Speaker 1>do it in a second. We are constantly doing things

1:04:26.120 --> 1:04:30.040
<v Speaker 1>for each other. But our experience on the show is

1:04:30.080 --> 1:04:33.000
<v Speaker 1>because of everyone's schedule. We were we were were friends,

1:04:33.000 --> 1:04:35.760
<v Speaker 1>we weren't really social friends. We didn't write all that

1:04:35.840 --> 1:04:38.320
<v Speaker 1>often and when the show ended, we didn't have that

1:04:38.480 --> 1:04:42.880
<v Speaker 1>history of being social friends. So unfortunately, you know, we

1:04:42.880 --> 1:04:47.000
<v Speaker 1>we chat and see each other very very rarely, and

1:04:47.200 --> 1:04:50.120
<v Speaker 1>when we do see each other it falls right back together.

1:04:50.200 --> 1:04:53.680
<v Speaker 1>But you know, it's just we sort of have the

1:04:53.920 --> 1:04:57.200
<v Speaker 1>pent Andella relationship of you know, tell you on your

1:04:57.200 --> 1:04:58.880
<v Speaker 1>birthday and say happy birthday.

1:04:58.600 --> 1:05:00.400
<v Speaker 4>And happy birth yeah exactly.

1:05:00.080 --> 1:05:02.360
<v Speaker 1>And your success and good luck on this project, and

1:05:02.560 --> 1:05:04.040
<v Speaker 1>you know, yeah, I see it.

1:05:04.280 --> 1:05:07.840
<v Speaker 2>Yeah, we've talked about it quite a bit your new

1:05:07.880 --> 1:05:12.680
<v Speaker 2>podcast really no, really, by the way, I don't know

1:05:12.680 --> 1:05:14.520
<v Speaker 2>how you could listen to the to the two of

1:05:14.520 --> 1:05:19.680
<v Speaker 2>you together and not want to go deeper into your relationship.

1:05:20.840 --> 1:05:26.640
<v Speaker 2>This bizarre and awkward, craziest thing that you've learned from

1:05:26.720 --> 1:05:28.000
<v Speaker 2>a guest so far.

1:05:29.320 --> 1:05:33.000
<v Speaker 1>Oh, it's one that hasn't aired yet. And in fact,

1:05:33.160 --> 1:05:35.520
<v Speaker 1>you give it away, you tease it, don't give it away.

1:05:35.720 --> 1:05:38.480
<v Speaker 1>Boiler no, no, no, boiler alert inclusive.

1:05:38.640 --> 1:05:39.800
<v Speaker 4>He'll blow it, he'll give it away.

1:05:39.880 --> 1:05:41.480
<v Speaker 1>We may not use it. I think it's important that

1:05:41.520 --> 1:05:45.800
<v Speaker 1>we share it. Peter introduced me to a guy who

1:05:45.960 --> 1:05:50.160
<v Speaker 1>was a former white supremacist, and the really, no, really,

1:05:50.160 --> 1:05:51.680
<v Speaker 1>of why we had him on the air is one

1:05:51.720 --> 1:05:54.160
<v Speaker 1>of the reasons he was compelled to leave the movement

1:05:54.280 --> 1:05:55.920
<v Speaker 1>is he was a big scient Feld fan. Anyway, these

1:05:55.960 --> 1:05:58.320
<v Speaker 1>Jews can't be all bat so.

1:06:00.200 --> 1:06:01.000
<v Speaker 4>The white supremacist.

1:06:01.000 --> 1:06:04.040
<v Speaker 3>He's a major He was a major voice of a

1:06:04.120 --> 1:06:07.160
<v Speaker 3>brand new movement and had and for many years. And

1:06:08.680 --> 1:06:10.760
<v Speaker 3>when I when I booked him, because I'd known him

1:06:10.760 --> 1:06:13.840
<v Speaker 3>from radio when I did my radio, He's fascinating, he's articulate,

1:06:13.920 --> 1:06:16.760
<v Speaker 3>he's smart, really and and the really, you know really

1:06:16.880 --> 1:06:20.280
<v Speaker 3>was that he left partially because of Seinfold, But the big.

1:06:21.240 --> 1:06:23.320
<v Speaker 1>Yeah we had we were having, you know, a conversation

1:06:23.440 --> 1:06:26.240
<v Speaker 1>that went funny and went not funny, and but we

1:06:26.400 --> 1:06:31.520
<v Speaker 1>said to him, tell tell me something about these rank

1:06:31.560 --> 1:06:35.000
<v Speaker 1>and file, you know guys that we see on the street,

1:06:35.000 --> 1:06:38.200
<v Speaker 1>and we go, these are not good people. You know,

1:06:38.800 --> 1:06:43.320
<v Speaker 1>these are scary people. I I I I wish I

1:06:43.360 --> 1:06:46.120
<v Speaker 1>didn't have to share a world with this kind of energy. Right,

1:06:46.280 --> 1:06:48.560
<v Speaker 1>What what don't I know about them? That I could

1:06:48.600 --> 1:06:51.760
<v Speaker 1>see them differently? And without blinking an eye? He said,

1:06:52.600 --> 1:06:57.560
<v Speaker 1>they're all broken, they all have a trauma. And he said,

1:06:57.720 --> 1:07:02.480
<v Speaker 1>I will tell you that you will move them far

1:07:02.720 --> 1:07:06.840
<v Speaker 1>faster and far further by looking at them and saying,

1:07:07.440 --> 1:07:10.880
<v Speaker 1>you know, what some stuff really must have happened to you.

1:07:11.400 --> 1:07:14.640
<v Speaker 1>I'm sorry it happened to you. And if you can

1:07:14.680 --> 1:07:17.320
<v Speaker 1>find your way to not shouting at me or hating me,

1:07:17.480 --> 1:07:20.680
<v Speaker 1>maybe we could talk about it sometime. Because you're a

1:07:20.760 --> 1:07:22.440
<v Speaker 1>human being. I'm a human being, he said, You'll go

1:07:22.960 --> 1:07:25.520
<v Speaker 1>so much further. In the fact, it was part of

1:07:25.640 --> 1:07:28.640
<v Speaker 1>his conversion was people who should not have been kind

1:07:28.680 --> 1:07:32.920
<v Speaker 1>to him. That's what you mean, because what got him

1:07:32.920 --> 1:07:38.600
<v Speaker 1>into the movement was people being unkind, people taking advantage

1:07:38.600 --> 1:07:41.880
<v Speaker 1>of him, people not seeing his heart or taking advantage

1:07:41.920 --> 1:07:44.920
<v Speaker 1>of his heart until it shattered, and then he was

1:07:44.960 --> 1:07:49.480
<v Speaker 1>susceptible to wanting to feel powerful. And that wasn't like

1:07:49.600 --> 1:07:52.360
<v Speaker 1>the most revelatory thing I ever heard, but to hear

1:07:52.440 --> 1:07:55.480
<v Speaker 1>it coming from someone who had been through it, and

1:07:55.600 --> 1:07:59.760
<v Speaker 1>to hear the prescription for the greatest thing you can

1:07:59.840 --> 1:08:04.360
<v Speaker 1>do to help mend it is to find your compassion

1:08:04.480 --> 1:08:08.320
<v Speaker 1>for that human being at their very worst. And I

1:08:08.440 --> 1:08:10.080
<v Speaker 1>thought that that was a huge lesson.

1:08:10.240 --> 1:08:13.120
<v Speaker 3>He said, it's tough because it's counterintuitive for you to

1:08:13.200 --> 1:08:15.520
<v Speaker 3>reach out but know that they're broken. And he said

1:08:15.600 --> 1:08:18.639
<v Speaker 3>everyone that I hated that chipped away at me because

1:08:18.640 --> 1:08:22.160
<v Speaker 3>they were nice to me along the way. It eventually

1:08:22.280 --> 1:08:25.120
<v Speaker 3>wore me down because the kindness is what got me

1:08:25.200 --> 1:08:28.240
<v Speaker 3>out and mine is a little bit my Oh wow,

1:08:29.040 --> 1:08:32.040
<v Speaker 3>was recent fascinating astronaut who was in a space station.

1:08:32.120 --> 1:08:34.760
<v Speaker 3>We were talking about space junk. It was really not

1:08:34.840 --> 1:08:36.400
<v Speaker 3>really are we going to be landlocked in a couple

1:08:36.400 --> 1:08:38.519
<v Speaker 3>of years, because there's so much space hunt that it's glowing,

1:08:38.600 --> 1:08:40.920
<v Speaker 3>and we got an astronaut to talk about it. And

1:08:41.040 --> 1:08:43.439
<v Speaker 3>I didn't know if space walk was seven hours long

1:08:44.200 --> 1:08:46.720
<v Speaker 3>that your arms are exhausted because you're doing it with

1:08:46.760 --> 1:08:50.200
<v Speaker 3>your arms and if you get untethered, there is a

1:08:50.280 --> 1:08:52.479
<v Speaker 3>major tether, but it can pull you back really fast

1:08:52.600 --> 1:08:56.680
<v Speaker 3>and you could hit the vehicle and bad stuff out

1:08:57.240 --> 1:08:59.640
<v Speaker 3>your helmet, brakes, whatever. But the best moment for me

1:08:59.840 --> 1:09:02.880
<v Speaker 3>was he's got something to hydrate himself in his suit

1:09:04.000 --> 1:09:06.880
<v Speaker 3>so he can sip on it some water. And he said,

1:09:06.960 --> 1:09:10.000
<v Speaker 3>I'm in my spacewalk, it's is my space walk, and

1:09:10.040 --> 1:09:12.760
<v Speaker 3>I see something really little plastic piece float by my

1:09:12.840 --> 1:09:17.160
<v Speaker 3>eyeline And at that moment, I realized the tip broke

1:09:17.240 --> 1:09:19.800
<v Speaker 3>off the thing I hidrate with, and I'm going to

1:09:19.880 --> 1:09:24.920
<v Speaker 3>drown on my helmet while I'm doing a spacewalk. Uh,

1:09:25.040 --> 1:09:30.040
<v Speaker 3>huh right, So he starts stipping, like, can you imagine. Yeah,

1:09:30.720 --> 1:09:32.080
<v Speaker 3>it's one of the little things you have to put

1:09:32.160 --> 1:09:34.839
<v Speaker 3>up with doing his spacewalk, drowning the other helmet.

1:09:34.680 --> 1:09:37.639
<v Speaker 1>The other part of that, and then I may have Yeah.

1:09:38.320 --> 1:09:40.680
<v Speaker 1>He talks about doing a spacewalk for seven hours with

1:09:41.000 --> 1:09:43.240
<v Speaker 1>a partner and they go out and they retrieve this

1:09:43.479 --> 1:09:45.800
<v Speaker 1>piece of a thing that they need. This is like

1:09:45.880 --> 1:09:48.599
<v Speaker 1>a handle, he said. It looks like a steering wheel,

1:09:48.920 --> 1:09:52.120
<v Speaker 1>and it's about a half inch of solid aluminum and

1:09:52.200 --> 1:09:54.160
<v Speaker 1>they've got it under one guy's got it under his

1:09:54.280 --> 1:09:55.920
<v Speaker 1>arm and they come back in after the whole thing,

1:09:55.960 --> 1:09:57.400
<v Speaker 1>and they get in the air lock and they hold

1:09:57.479 --> 1:10:00.280
<v Speaker 1>up that piece of material and there's a hole right

1:10:00.360 --> 1:10:03.439
<v Speaker 1>through it, which meant that some piece of space junk

1:10:03.520 --> 1:10:08.720
<v Speaker 1>traveling at seventeen five hundred miles per second or per

1:10:08.800 --> 1:10:12.360
<v Speaker 1>minute passed through that thing that he was holding under

1:10:12.400 --> 1:10:14.479
<v Speaker 1>his armpit. And he said, they looked at each other

1:10:14.560 --> 1:10:16.360
<v Speaker 1>and they said, you know, if that had hit one

1:10:16.439 --> 1:10:18.880
<v Speaker 1>of us, done, good night.

1:10:21.320 --> 1:10:24.120
<v Speaker 3>Yeah, it's really there's so much that's there's so much

1:10:24.160 --> 1:10:25.880
<v Speaker 3>we find out when you dig deep, you know, you

1:10:25.960 --> 1:10:29.559
<v Speaker 3>start peeling the onion about just living in that space

1:10:29.600 --> 1:10:33.519
<v Speaker 3>station is insay in weightlessness the entire time. It's the

1:10:33.600 --> 1:10:36.240
<v Speaker 3>size of a six bedroom house, accept so much bigger

1:10:36.360 --> 1:10:38.439
<v Speaker 3>because you're using all the all the ilume, the ceiling,

1:10:38.520 --> 1:10:40.760
<v Speaker 3>the walls, whatever. So but it's bizarre. You got to

1:10:40.760 --> 1:10:43.360
<v Speaker 3>tether yourself to a sleeping bag, and I think Mark

1:10:43.439 --> 1:10:46.320
<v Speaker 3>Kelly bunged himself so you could feel gravity a little

1:10:46.320 --> 1:10:48.040
<v Speaker 3>bit of gravity and you don't feel your arms, so

1:10:48.600 --> 1:10:51.759
<v Speaker 3>you got like phantom limbs going and your eyes change shape,

1:10:51.800 --> 1:10:53.639
<v Speaker 3>so your visions are bizarre.

1:10:54.479 --> 1:10:54.719
<v Speaker 1>Wow.

1:10:55.040 --> 1:11:01.599
<v Speaker 2>Yeah, really no, really airs weakly on Tuesdays the same

1:11:01.680 --> 1:11:05.280
<v Speaker 2>day as get your off the beat and really no,

1:11:05.479 --> 1:11:07.360
<v Speaker 2>really double let's do a double.

1:11:07.600 --> 1:11:11.439
<v Speaker 1>Do milk and a cookie, A milk and a cookie.

1:11:11.720 --> 1:11:13.519
<v Speaker 4>I'll be whatever you don't want to be.

1:11:14.360 --> 1:11:14.479
<v Speaker 6>Uh.

1:11:14.640 --> 1:11:18.479
<v Speaker 2>You can listen on iHeartRadio or wherever you get your podcast. Guys,

1:11:18.720 --> 1:11:23.360
<v Speaker 2>thank you so much for coming on. I appreciate both

1:11:23.439 --> 1:11:25.439
<v Speaker 2>of you so much getting to know you both better.

1:11:26.120 --> 1:11:29.040
<v Speaker 2>And yeah, this is wonderful. You have an idea for

1:11:29.080 --> 1:11:30.240
<v Speaker 2>the two of us. You give me a call.

1:11:30.400 --> 1:11:30.800
<v Speaker 6>You got it.

1:11:31.280 --> 1:11:33.280
<v Speaker 3>I'm halfway there already. It's called lighting up.

1:11:34.240 --> 1:11:40.960
<v Speaker 4>It's working. Thanks for being so gracious.

1:11:41.040 --> 1:11:56.680
<v Speaker 2>Thanks you guys, Jason Peter, thank you so much for

1:11:56.800 --> 1:11:57.559
<v Speaker 2>joining me today.

1:11:57.600 --> 1:11:59.880
<v Speaker 4>That was that was a lot of fun.

1:12:00.320 --> 1:12:04.120
<v Speaker 2>And look your podcast, I mean a podcast that somehow

1:12:04.360 --> 1:12:10.679
<v Speaker 2>both breaches space and finds humanity in the worst of us. Guys,

1:12:11.000 --> 1:12:15.880
<v Speaker 2>I'm all ears. Congratulations on that. Listeners, We're gonna see

1:12:15.920 --> 1:12:18.920
<v Speaker 2>you next week for another episode. We're gonna have another

1:12:19.000 --> 1:12:22.240
<v Speaker 2>one of your favorite people on the podcast. I mean,

1:12:22.880 --> 1:12:26.200
<v Speaker 2>besides me, We're gonna have me and then also someone

1:12:26.280 --> 1:12:28.200
<v Speaker 2>else that you love equally as much.

1:12:28.800 --> 1:12:29.640
<v Speaker 3>I know who it is.

1:12:29.920 --> 1:12:34.080
<v Speaker 2>And you know what I'm not telling. Nope, I am

1:12:34.280 --> 1:12:37.719
<v Speaker 2>not telling. But come back and join us. We're gonna

1:12:37.720 --> 1:12:39.920
<v Speaker 2>tell some stories. We're gonna have some laughs, we're gonna

1:12:39.960 --> 1:12:43.240
<v Speaker 2>learn a little bit, and who knows, I might even cry.

1:12:43.920 --> 1:12:44.720
<v Speaker 4>We'll talk to you then.

1:12:52.760 --> 1:12:55.720
<v Speaker 2>Off the Beat is hosted and executive produced by me

1:12:56.080 --> 1:13:00.559
<v Speaker 2>Brian Baumgartner, alongside our executive producer Ling Lee. Our senior

1:13:00.640 --> 1:13:05.120
<v Speaker 2>producer is Diego Tapia. Our producers are Liz Hayes, Hannah Harris,

1:13:05.320 --> 1:13:09.479
<v Speaker 2>and Emily Carr. Our talent producer is Ryan Papa Zachary,

1:13:09.720 --> 1:13:13.400
<v Speaker 2>and our intern is Sammy Katz. Our theme song Bubble

1:13:13.520 --> 1:13:17.479
<v Speaker 2>and Squeak, performed by the one and only Creed Bretton,