1 00:00:16,079 --> 00:00:19,360 Speaker 1: New face, new face Man, story time of legendary Jerry. 2 00:00:21,280 --> 00:00:25,400 Speaker 1: What's that for, Jerry hey Man? Because I had this 3 00:00:25,440 --> 00:00:27,800 Speaker 1: brother on the show before, but I really truly been 4 00:00:27,840 --> 00:00:31,760 Speaker 1: looking forward to having him back. And he's here, and 5 00:00:31,840 --> 00:00:34,839 Speaker 1: we got some real, real not just a line of royalty, 6 00:00:34,840 --> 00:00:39,760 Speaker 1: but we got man, We got hip hop orty. Anytime 7 00:00:39,840 --> 00:00:42,600 Speaker 1: it's you know, the King steps in the building, you 8 00:00:42,680 --> 00:00:44,919 Speaker 1: have to uh the reason he's here because we want 9 00:00:44,920 --> 00:00:48,360 Speaker 1: to give him more flowers, because of what he's meaning, 10 00:00:48,600 --> 00:00:52,240 Speaker 1: what he's meant to the culture. Sof I get in 11 00:00:52,320 --> 00:00:55,840 Speaker 1: all that, Jerry Clark a k a d. Legendary Jerry, 12 00:00:56,040 --> 00:00:58,400 Speaker 1: this is story time of legendary Jerry. I got my brother, 13 00:00:58,520 --> 00:01:01,200 Speaker 1: new face here, and y'all already heard intro. Who we 14 00:01:01,240 --> 00:01:09,040 Speaker 1: got here? The mother fucking king in the building. Well 15 00:01:09,080 --> 00:01:14,360 Speaker 1: we we We are truly incredible. Thank you for coming, man. 16 00:01:14,400 --> 00:01:16,680 Speaker 1: We appreciate having you again. This is the second time 17 00:01:16,680 --> 00:01:17,759 Speaker 1: you came about five years ago. 18 00:01:19,520 --> 00:01:21,640 Speaker 2: I know you see it might have been sick, see 19 00:01:21,680 --> 00:01:22,360 Speaker 2: I relocated. 20 00:01:22,440 --> 00:01:26,200 Speaker 1: Yeah, matter of fact, this is powered by iHeart. We 21 00:01:26,480 --> 00:01:28,960 Speaker 1: make sure this is powered by iHeart. But yeah, last 22 00:01:28,959 --> 00:01:30,040 Speaker 1: time we was on, you know, I was in a 23 00:01:30,040 --> 00:01:33,679 Speaker 1: little makeship spot did you see I came up, man, I. 24 00:01:33,760 --> 00:01:36,399 Speaker 2: Came You know what I'm saying, trap until you meet 25 00:01:36,440 --> 00:01:36,880 Speaker 2: the plug. 26 00:01:37,240 --> 00:01:44,360 Speaker 1: That's it. Man. Now I am the plug, that's right. 27 00:01:45,000 --> 00:01:47,200 Speaker 1: So let me just say this before we jump into 28 00:01:47,240 --> 00:01:50,840 Speaker 1: any music stuff. Man, sitting back watching what you're doing 29 00:01:51,080 --> 00:01:54,960 Speaker 1: on a philanthropy front and just being involved and entrenched 30 00:01:55,280 --> 00:01:58,520 Speaker 1: in the community. H Hey, man, I just want to 31 00:01:58,520 --> 00:02:00,920 Speaker 1: tell you, man that I'm proud you for the stuff 32 00:02:00,920 --> 00:02:04,560 Speaker 1: that you're doing for your hometown with the affordable house 33 00:02:04,680 --> 00:02:06,880 Speaker 1: and all of the stuff. 34 00:02:06,920 --> 00:02:07,080 Speaker 3: Man. 35 00:02:07,320 --> 00:02:07,600 Speaker 2: Thank you. 36 00:02:07,720 --> 00:02:09,360 Speaker 1: Just want to tell you, man, and man, tell us 37 00:02:09,360 --> 00:02:11,280 Speaker 1: a little bit about that. For those who don't know, 38 00:02:11,560 --> 00:02:13,880 Speaker 1: who are not here in Atlanta, might not watch it 39 00:02:13,919 --> 00:02:16,040 Speaker 1: on the media. What's going on with some of the 40 00:02:16,080 --> 00:02:17,680 Speaker 1: stuff you're doing here in your hometown. 41 00:02:18,000 --> 00:02:18,760 Speaker 2: Well, thank you man. 42 00:02:19,040 --> 00:02:20,520 Speaker 3: I mean, first of all, it's an honor to be 43 00:02:20,600 --> 00:02:26,200 Speaker 3: able to, you know, to help fill the gaps. 44 00:02:27,440 --> 00:02:29,359 Speaker 2: And feel the. 45 00:02:29,200 --> 00:02:34,399 Speaker 3: Need of you know, the problems that exist in our communities, 46 00:02:35,000 --> 00:02:37,840 Speaker 3: one of which, especially in Atlanta is affordable housing. 47 00:02:39,320 --> 00:02:40,839 Speaker 2: With so much. 48 00:02:42,040 --> 00:02:46,840 Speaker 3: Affluence moving into the city within the real estate market, 49 00:02:47,000 --> 00:02:51,520 Speaker 3: you know, the taxes arising, prices arising, uh and a 50 00:02:51,560 --> 00:02:55,120 Speaker 3: lot of people who are natives of the city who 51 00:02:55,440 --> 00:02:58,600 Speaker 3: are contributors to the culture that made this city what 52 00:02:58,680 --> 00:03:01,280 Speaker 3: it is can't really afford or to live in the 53 00:03:01,280 --> 00:03:02,720 Speaker 3: city any longer. 54 00:03:02,880 --> 00:03:04,760 Speaker 2: So they being pushed to the outskirts. You know what 55 00:03:04,800 --> 00:03:08,440 Speaker 2: I'm saying. And you know, one way to combat that. 56 00:03:09,120 --> 00:03:15,320 Speaker 3: Is to provide or assist with providing affordable housing. And 57 00:03:15,360 --> 00:03:17,520 Speaker 3: I had the pleasure of being a part of a 58 00:03:17,560 --> 00:03:24,120 Speaker 3: group that put together UH an affordable housing component that 59 00:03:24,120 --> 00:03:27,160 Speaker 3: that that has offered one hundred and forty three units 60 00:03:27,560 --> 00:03:31,120 Speaker 3: of a lot of affordable housing. Thank you, one hundred 61 00:03:31,160 --> 00:03:33,480 Speaker 3: and forty three units of affordable housing. Man to my 62 00:03:33,560 --> 00:03:37,800 Speaker 3: old community, my my home, the my all, my mata 63 00:03:38,000 --> 00:03:41,840 Speaker 3: of Bankhead, You feel me, and that that means a 64 00:03:41,880 --> 00:03:44,000 Speaker 3: lot to me because I come from you know, that's 65 00:03:44,000 --> 00:03:48,240 Speaker 3: that's the community that celebrated me first, recognized my talents 66 00:03:48,240 --> 00:03:51,080 Speaker 3: and abilities first that you know that that was the 67 00:03:51,080 --> 00:03:54,040 Speaker 3: first to put me on a on a on a platform, 68 00:03:54,120 --> 00:03:56,720 Speaker 3: on a pedestal and tell the rest of the world 69 00:03:56,720 --> 00:03:59,000 Speaker 3: what I was capable of. So to be able to 70 00:03:59,040 --> 00:04:02,720 Speaker 3: offer assistance, to be able to contribute to that community, 71 00:04:02,800 --> 00:04:03,960 Speaker 3: it is very special to me. 72 00:04:04,360 --> 00:04:06,480 Speaker 1: Now I know what you're doing is out of the 73 00:04:06,520 --> 00:04:10,040 Speaker 1: goodness of your heart, But are you looking to get 74 00:04:10,040 --> 00:04:14,480 Speaker 1: into politics? No? Oh, that was quick because me and me, 75 00:04:14,480 --> 00:04:17,200 Speaker 1: Me and Barrelocke and KP's other partner and your partner 76 00:04:17,200 --> 00:04:21,240 Speaker 1: as well, mister Killer, Mike, Michael, we always had these conversations. 77 00:04:21,279 --> 00:04:22,200 Speaker 1: I just wanted to ask. 78 00:04:22,040 --> 00:04:24,680 Speaker 3: You, I think Mike should I think Mike told him, don't. 79 00:04:24,960 --> 00:04:27,240 Speaker 3: I mean, well, I mean, you know, I think he's 80 00:04:28,720 --> 00:04:30,039 Speaker 3: I feel he's better suited. 81 00:04:30,400 --> 00:04:31,159 Speaker 1: Why you say that. 82 00:04:31,320 --> 00:04:33,800 Speaker 2: I just think that he has, you know, had a 83 00:04:33,880 --> 00:04:37,720 Speaker 2: past that that. No, I'm just saying, I feel like he. 84 00:04:37,839 --> 00:04:46,200 Speaker 3: Has a lot of the meticulous information. It takes the meticulous, 85 00:04:46,240 --> 00:04:50,200 Speaker 3: the details, the nuances, the minutia, you know. 86 00:04:50,200 --> 00:04:53,120 Speaker 2: What I'm saying, a lot of you know, a lot. 87 00:04:52,960 --> 00:04:58,960 Speaker 3: Of the the moving parts of the infrastructure of of 88 00:04:58,960 --> 00:04:59,960 Speaker 3: of politics. 89 00:05:00,720 --> 00:05:02,280 Speaker 2: You know what I'm saying. I think that he has 90 00:05:02,320 --> 00:05:04,120 Speaker 2: an understanding of that. 91 00:05:04,200 --> 00:05:07,560 Speaker 3: He grew up going to city council meetings and you 92 00:05:07,600 --> 00:05:10,520 Speaker 3: know what I'm saying, and being a part of student body, 93 00:05:11,240 --> 00:05:14,000 Speaker 3: you know, and all that kind of stuff. I didn't 94 00:05:14,279 --> 00:05:19,040 Speaker 3: you know what I'm saying. I'm just now beginning to learn, uh, 95 00:05:19,160 --> 00:05:24,760 Speaker 3: the way politics connect to the community and and and 96 00:05:24,760 --> 00:05:29,000 Speaker 3: and how they influence you know, things like funding and 97 00:05:29,080 --> 00:05:31,800 Speaker 3: you know school systems, and you know, I'm just not 98 00:05:31,839 --> 00:05:35,280 Speaker 3: figuring that out. You know, he's already had an awareness 99 00:05:35,360 --> 00:05:39,960 Speaker 3: of that. Therefore, I feel like he would be much 100 00:05:40,000 --> 00:05:46,880 Speaker 3: better suited given his experience, given his experience. But at 101 00:05:46,880 --> 00:05:50,840 Speaker 3: the same time, if he don't want to, he should not. 102 00:05:52,440 --> 00:05:55,680 Speaker 4: Well, I mean blue flames might you know that may 103 00:05:55,720 --> 00:05:59,440 Speaker 4: render punintended him from being a politicier he still wants to, 104 00:05:59,520 --> 00:06:01,320 Speaker 4: you knows. 105 00:06:02,040 --> 00:06:06,839 Speaker 3: I really think that, Uh. I think that's sad. I 106 00:06:06,880 --> 00:06:14,320 Speaker 3: think that's sad that absent a perfect image, a person 107 00:06:14,480 --> 00:06:19,719 Speaker 3: who's better suited for a position I can now be 108 00:06:19,920 --> 00:06:24,239 Speaker 3: considered for that position because the people who have the 109 00:06:24,440 --> 00:06:30,600 Speaker 3: perfect images one aren't the perfecttons, aren't the perfect people 110 00:06:30,720 --> 00:06:34,600 Speaker 3: for the position, and two probably doing more dirt than 111 00:06:34,640 --> 00:06:35,800 Speaker 3: the people without. 112 00:06:35,600 --> 00:06:36,599 Speaker 2: The perfect images. 113 00:06:36,960 --> 00:06:37,440 Speaker 1: Definitely. 114 00:06:37,440 --> 00:06:39,640 Speaker 2: So I just think, man, we got to wake up. 115 00:06:39,680 --> 00:06:42,039 Speaker 3: Man, we got to wake up and get out of 116 00:06:42,040 --> 00:06:45,760 Speaker 3: this fantasy world that everybody's living a life of perfection. 117 00:06:46,279 --> 00:06:49,200 Speaker 3: You know, you can't keep judging people just because they 118 00:06:49,360 --> 00:06:50,919 Speaker 3: seeing different than you, you know. 119 00:06:50,920 --> 00:06:51,360 Speaker 2: What I mean. 120 00:06:52,680 --> 00:06:56,200 Speaker 3: Everybody everybody got some everybody got something that they've had 121 00:06:56,240 --> 00:06:59,840 Speaker 3: to overcome in life. Everybody's still working to make them 122 00:06:59,839 --> 00:07:02,479 Speaker 3: so I was a better person. Every saint has a past, 123 00:07:02,520 --> 00:07:03,360 Speaker 3: every center has. 124 00:07:03,279 --> 00:07:04,680 Speaker 1: A few tip I'm growing deaily. 125 00:07:05,200 --> 00:07:07,880 Speaker 2: You feel me. I'm still and that's good man. You know, 126 00:07:08,400 --> 00:07:12,880 Speaker 2: I'm just glad that this ain't the end of my story. 127 00:07:13,040 --> 00:07:16,360 Speaker 3: You know, had my story ended in ninety five ninety six, 128 00:07:17,120 --> 00:07:19,800 Speaker 3: you know, it would have been a hard story. 129 00:07:21,920 --> 00:07:23,800 Speaker 2: You know what I'm saying. Wasn't no happy ending there. 130 00:07:25,560 --> 00:07:30,680 Speaker 3: But I think you know, the more God's grace continues 131 00:07:31,000 --> 00:07:34,440 Speaker 3: to bless me, and the more I have an opportunity 132 00:07:34,560 --> 00:07:38,960 Speaker 3: to evolve man into a more mature and more patient, 133 00:07:39,760 --> 00:07:44,760 Speaker 3: uh and more of a thinking man, I'm just happy 134 00:07:45,840 --> 00:07:46,440 Speaker 3: or thankful. 135 00:07:46,720 --> 00:07:50,960 Speaker 1: Yeah, you know what I'm saying. Speaking speaking of blessings, 136 00:07:51,320 --> 00:07:54,560 Speaker 1: you brought a brother with you that was very instrumental, 137 00:07:54,800 --> 00:07:56,560 Speaker 1: and I want to shout him out on Camera's name 138 00:07:56,640 --> 00:08:02,640 Speaker 1: is KP. Kawan Prather, right, K Great. It's always good 139 00:08:02,680 --> 00:08:05,080 Speaker 1: seeing his brother. Man. His brother always got great energy 140 00:08:05,120 --> 00:08:10,200 Speaker 1: and he was very, very very instrumental in your whole career. 141 00:08:10,200 --> 00:08:12,080 Speaker 1: And I just saw, I think it was recently you 142 00:08:12,160 --> 00:08:14,920 Speaker 1: posted something on social media pretty much giving him his flower. 143 00:08:15,360 --> 00:08:17,280 Speaker 1: A lot of people that's watching story Time of legend 144 00:08:17,360 --> 00:08:19,680 Speaker 1: of JED. They need to know who KP. Just let 145 00:08:19,680 --> 00:08:22,720 Speaker 1: them know how instrumental KP was, because let me tell 146 00:08:22,720 --> 00:08:24,880 Speaker 1: you something I got. I got a lot of respect 147 00:08:24,880 --> 00:08:25,360 Speaker 1: for KP. 148 00:08:25,440 --> 00:08:25,640 Speaker 2: Yeah. 149 00:08:25,800 --> 00:08:28,200 Speaker 3: Likewise, I think that I think I've told this story 150 00:08:28,200 --> 00:08:29,880 Speaker 3: requite quite a few times. 151 00:08:29,960 --> 00:08:32,360 Speaker 2: You know what I'm saying. KP is the gentleman. 152 00:08:31,960 --> 00:08:35,679 Speaker 3: Who saw my talent and the first person that I 153 00:08:35,760 --> 00:08:43,480 Speaker 3: met that actually had uh an opportunity or had a 154 00:08:43,559 --> 00:08:47,800 Speaker 3: position where they could offer me a record deal. The 155 00:08:47,840 --> 00:08:51,040 Speaker 3: first person that I actually came and had told Vision 156 00:08:51,880 --> 00:08:53,959 Speaker 3: Ghetto Vision the face. He also at A and r 157 00:08:54,840 --> 00:08:59,080 Speaker 3: Ussher that my Way album. If I'm not mistaken, Oh. 158 00:08:58,920 --> 00:08:59,560 Speaker 1: Look I'm looking. 159 00:09:00,160 --> 00:09:00,360 Speaker 3: Yeah. 160 00:09:00,480 --> 00:09:01,320 Speaker 2: But the thing. 161 00:09:01,320 --> 00:09:03,080 Speaker 1: Is, we're gonna have KP on the show coming up 162 00:09:03,080 --> 00:09:04,200 Speaker 1: to I believe. 163 00:09:04,000 --> 00:09:06,480 Speaker 3: I believe KP know correct me if I wrong. I 164 00:09:06,480 --> 00:09:10,880 Speaker 3: believe KP was instrumental in introducing or suggesting for us 165 00:09:11,120 --> 00:09:13,680 Speaker 3: to work with j D. Okay, you know what I'm saying. 166 00:09:13,760 --> 00:09:16,760 Speaker 1: So the I just wanted to briefly just touch on 167 00:09:16,800 --> 00:09:21,679 Speaker 1: that because what that brother with that we're gonna get 168 00:09:21,679 --> 00:09:24,880 Speaker 1: with that brother being in want you know, briefly touch on. 169 00:09:25,160 --> 00:09:27,800 Speaker 3: Yeah, that's that's that's who he is and he took 170 00:09:27,840 --> 00:09:29,599 Speaker 3: the influence of that success. 171 00:09:30,000 --> 00:09:32,520 Speaker 1: And turning to Megan Mobile, yeah well he. 172 00:09:32,559 --> 00:09:35,079 Speaker 3: Really just you know, offered me an opportunity, man, and 173 00:09:35,400 --> 00:09:37,199 Speaker 3: some of my talents and gave. 174 00:09:37,040 --> 00:09:40,319 Speaker 1: Me Maneter Great, he's here in the building with he's 175 00:09:40,360 --> 00:10:00,600 Speaker 1: coming up on one of the future episodes Legendary. Yeah, 176 00:10:00,640 --> 00:10:04,040 Speaker 1: we had Shorty Red on the show and we asked 177 00:10:04,040 --> 00:10:08,439 Speaker 1: Shorty Red new Face to name his uh what are 178 00:10:08,440 --> 00:10:13,720 Speaker 1: we asking the king of trap trap trap before before 179 00:10:13,720 --> 00:10:16,240 Speaker 1: we went to the Mount trap more. We asked him, like, 180 00:10:16,320 --> 00:10:18,800 Speaker 1: out of everybody, whether you worked with him or not, 181 00:10:18,840 --> 00:10:22,320 Speaker 1: Shorty Red, who is the king of trap? And he 182 00:10:22,440 --> 00:10:25,920 Speaker 1: named two artists, one A and one B. One of 183 00:10:25,960 --> 00:10:31,120 Speaker 1: them shocked me. One was a damn shame and the. 184 00:10:31,040 --> 00:10:33,800 Speaker 2: Other one was you mhm okay. 185 00:10:35,520 --> 00:10:39,199 Speaker 1: And who was Yeah so, and that's coming from Shorty Red. 186 00:10:39,200 --> 00:10:41,120 Speaker 1: And you know he had he didn't work with everybody. 187 00:10:41,160 --> 00:10:45,160 Speaker 1: Had his hands on some of the you know, some 188 00:10:45,200 --> 00:10:46,439 Speaker 1: of the biggest records. 189 00:10:46,160 --> 00:10:48,679 Speaker 2: And he definitely had, Yeah, definitely had. 190 00:10:48,800 --> 00:10:49,040 Speaker 1: Yeah. 191 00:10:49,160 --> 00:10:51,240 Speaker 4: He talked about the record to Wash the Duck record 192 00:10:51,240 --> 00:10:53,520 Speaker 4: and working with you later man, Yeah. 193 00:10:53,360 --> 00:10:55,040 Speaker 2: That was that was fat. 194 00:10:56,360 --> 00:10:58,319 Speaker 1: All these producers over the years you worked where you 195 00:10:58,360 --> 00:11:01,080 Speaker 1: work with some great ones. The my partner, that's my. 196 00:11:01,400 --> 00:11:03,640 Speaker 2: DJ too, That's that's my goal. 197 00:11:03,760 --> 00:11:05,960 Speaker 1: To who you didn't get a chance to work with 198 00:11:06,000 --> 00:11:07,640 Speaker 1: that you that you really look back and be like, 199 00:11:07,640 --> 00:11:13,000 Speaker 1: I wish I had to work with them. 200 00:11:13,000 --> 00:11:18,439 Speaker 3: Man, Timbling is somebody that I always felt like I 201 00:11:18,520 --> 00:11:21,800 Speaker 3: should we should have dedicated more time and attention to 202 00:11:21,800 --> 00:11:27,600 Speaker 3: to to Iye, collaboration, organized noise. 203 00:11:28,920 --> 00:11:31,280 Speaker 1: You know, God did not ever come to fish me 204 00:11:31,400 --> 00:11:34,559 Speaker 1: just talking about you know, it's not out of a 205 00:11:34,679 --> 00:11:35,480 Speaker 1: lack of effort. 206 00:11:35,600 --> 00:11:37,600 Speaker 2: You know what I'm saying. We always and we all 207 00:11:37,720 --> 00:11:39,120 Speaker 2: and also not. 208 00:11:39,200 --> 00:11:40,960 Speaker 3: Out of a lack of interest. You know, we have 209 00:11:41,000 --> 00:11:43,400 Speaker 3: a lot of love and respect for one another. Uh, 210 00:11:43,480 --> 00:11:47,920 Speaker 3: the whole Dungeon family. And I'm still you know, working 211 00:11:47,960 --> 00:11:52,960 Speaker 3: diligently to put it together. But while we add it, 212 00:11:53,000 --> 00:12:00,800 Speaker 3: you know, just just just think, oh, the bomb squad. Yeah, 213 00:12:00,880 --> 00:12:03,120 Speaker 3: let me see who. 214 00:12:02,960 --> 00:12:05,600 Speaker 1: Else I'm really tripping on this organized organized noise? 215 00:12:07,640 --> 00:12:20,240 Speaker 2: Warren g Uh battle Cat. Uh. 216 00:12:20,760 --> 00:12:24,719 Speaker 3: So let me see here, there's so many bro, there's 217 00:12:24,800 --> 00:12:30,280 Speaker 3: so many people Rizzle, There's so many people, bro, There's 218 00:12:30,320 --> 00:12:33,560 Speaker 3: so many people that I could just continue to name 219 00:12:33,679 --> 00:12:37,000 Speaker 3: on you know what I'm saying, Uh, because it's so 220 00:12:37,040 --> 00:12:42,360 Speaker 3: many phenomenal producers out there, so many legendary producers that 221 00:12:42,480 --> 00:12:45,520 Speaker 3: had such a chokehold on the game. You know what 222 00:12:45,559 --> 00:12:50,240 Speaker 3: I mean, track masters, you know what I'm saying. Uh, 223 00:12:50,280 --> 00:12:52,240 Speaker 3: it's a lot of people. It's a whole lot of people. 224 00:12:52,240 --> 00:12:54,600 Speaker 4: Bro And and speaking of a lot of people at 225 00:12:54,640 --> 00:12:57,000 Speaker 4: the Falcons game, all right, your name was on this 226 00:12:57,120 --> 00:13:00,640 Speaker 4: tier with a bunch of legendary contributors the culture of 227 00:13:00,679 --> 00:13:01,840 Speaker 4: the South to Atlanta. 228 00:13:02,360 --> 00:13:05,480 Speaker 2: How did that energy in that room feel for you. 229 00:13:05,520 --> 00:13:07,360 Speaker 4: And being a part of that, how did that you know, 230 00:13:07,480 --> 00:13:09,640 Speaker 4: and how did the city make you proud that day? 231 00:13:09,679 --> 00:13:11,760 Speaker 2: It was beautiful? Yeah, man, it was beautiful. 232 00:13:11,800 --> 00:13:16,559 Speaker 3: It was beautiful that for one, that the franchise acknowledge 233 00:13:16,640 --> 00:13:20,760 Speaker 3: that they even thought enough of us to consider and 234 00:13:20,840 --> 00:13:26,520 Speaker 3: acknowledge and celebrate our you know, our involvement and our 235 00:13:26,559 --> 00:13:32,120 Speaker 3: contributions to to the culture of this city. Of course, 236 00:13:32,120 --> 00:13:35,679 Speaker 3: the performance was was you know, that was amazing. It 237 00:13:35,760 --> 00:13:38,280 Speaker 3: was amazing to be able to bring the frast, bring 238 00:13:39,040 --> 00:13:42,640 Speaker 3: the tunnel to bring him out. That was Dopeer. It 239 00:13:42,720 --> 00:13:47,240 Speaker 3: was amazing to see, you know, the halftime show with 240 00:13:47,320 --> 00:13:51,880 Speaker 3: people like Geez and j D and and and Big 241 00:13:52,040 --> 00:13:55,880 Speaker 3: Big Boy and uh, Quavo, you know, to see Lula 242 00:13:55,920 --> 00:13:57,559 Speaker 3: wrap it up coming out the rafters. 243 00:13:57,640 --> 00:14:00,280 Speaker 2: That was dope, you know what I mean. And get 244 00:14:00,280 --> 00:14:04,079 Speaker 2: a win on top of that, to come away with. 245 00:14:04,120 --> 00:14:06,040 Speaker 1: The w about. 246 00:14:07,440 --> 00:14:08,920 Speaker 4: Even somebody that you know being on. 247 00:14:09,000 --> 00:14:11,400 Speaker 3: They couldn't they couldn't have not won that game. It 248 00:14:11,440 --> 00:14:13,960 Speaker 3: wouldn't have been a hot wing dip around this city. 249 00:14:14,000 --> 00:14:18,920 Speaker 3: You mean, I'm talking about you couldn't. 250 00:14:15,640 --> 00:14:18,880 Speaker 1: Have put you on fold in the fourth courn. 251 00:14:21,360 --> 00:14:23,840 Speaker 2: If you had lost. 252 00:14:23,880 --> 00:14:26,400 Speaker 3: I'm talking about you couldn't have said you couldn't You 253 00:14:26,440 --> 00:14:28,840 Speaker 3: couldn't have went to the east side and you couldn't 254 00:14:28,840 --> 00:14:29,840 Speaker 3: have went to the wind. 255 00:14:29,720 --> 00:14:31,720 Speaker 2: Side, to the north side. 256 00:14:31,800 --> 00:14:34,720 Speaker 3: We had the whole city's parameter to sold up in 257 00:14:34,800 --> 00:14:36,840 Speaker 3: that stadium and they lost. 258 00:14:36,880 --> 00:14:39,680 Speaker 2: It would have been smoking the city. But they didn't. 259 00:14:39,760 --> 00:14:40,240 Speaker 2: They won. 260 00:14:40,520 --> 00:14:43,200 Speaker 3: So I think it's worst celebrating. You should take the 261 00:14:43,240 --> 00:14:52,080 Speaker 3: rest of that angst Off five voice because they wore. Yeah. 262 00:14:52,120 --> 00:14:52,680 Speaker 2: I loved it. 263 00:14:52,720 --> 00:14:55,480 Speaker 1: A story time with legendary J. J. Clark, new face. 264 00:14:55,520 --> 00:14:56,840 Speaker 1: We got the king in this bit. 265 00:14:57,000 --> 00:14:57,560 Speaker 2: You feel me? 266 00:14:58,000 --> 00:14:59,920 Speaker 1: All right? So we've been celebrating fifty years a hip 267 00:15:00,400 --> 00:15:04,560 Speaker 1: Yeah yeah, and uh we're coming up. Well, we just 268 00:15:04,560 --> 00:15:05,600 Speaker 1: celebrated twenty. 269 00:15:05,440 --> 00:15:08,520 Speaker 2: Years trap trap, Yeah, same year South. 270 00:15:08,560 --> 00:15:10,640 Speaker 1: We've been running this shift over half of these fifty 271 00:15:11,400 --> 00:15:13,120 Speaker 1: let's just let's just we're just gonna keep it over 272 00:15:13,160 --> 00:15:17,440 Speaker 1: half the I mean, we've been controlling the narrative over 273 00:15:17,480 --> 00:15:18,800 Speaker 1: half of these fifty years. 274 00:15:18,880 --> 00:15:21,280 Speaker 3: I mean, we've been in it doing our thing for 275 00:15:21,760 --> 00:15:23,520 Speaker 3: a large part of the fifty. 276 00:15:23,960 --> 00:15:26,480 Speaker 2: But to to to. 277 00:15:26,520 --> 00:15:30,440 Speaker 3: Say we have been dominating, I don't think would be 278 00:15:30,560 --> 00:15:34,080 Speaker 3: quite accurate because part of that fifty because if we 279 00:15:34,360 --> 00:15:37,320 Speaker 3: just go think about it, so let's go, uh, let's 280 00:15:37,320 --> 00:15:40,360 Speaker 3: say twenty five years would be what. 281 00:15:40,280 --> 00:15:41,400 Speaker 2: That that that that that died? 282 00:15:41,640 --> 00:15:41,840 Speaker 3: Was that. 283 00:15:44,360 --> 00:15:45,040 Speaker 1: Ninety nine? 284 00:15:45,920 --> 00:15:49,280 Speaker 3: That'll be twenty five years, all right, So in ninety nine, 285 00:15:49,440 --> 00:15:54,200 Speaker 3: the South was not dominating. The South was beginning to 286 00:15:54,840 --> 00:15:57,600 Speaker 3: the South is not dominating. And because you still had 287 00:15:58,160 --> 00:15:58,840 Speaker 3: come on, just. 288 00:15:58,800 --> 00:16:01,040 Speaker 1: Now, what I'm telling you, we've been controlling the narrative. 289 00:16:01,200 --> 00:16:02,440 Speaker 2: What is controlling the narrative? 290 00:16:02,440 --> 00:16:05,880 Speaker 3: We didn't even have media out yet set in the side, and. 291 00:16:05,840 --> 00:16:09,520 Speaker 1: We damn sure still don't. That's when we got story. 292 00:16:09,680 --> 00:16:12,200 Speaker 1: We got this is we got a great podcast podcast 293 00:16:12,240 --> 00:16:14,960 Speaker 1: out in Line on the big podcasts out of l A, 294 00:16:15,080 --> 00:16:15,400 Speaker 1: New York. 295 00:16:16,520 --> 00:16:18,240 Speaker 2: We've definitely become a hub. 296 00:16:18,400 --> 00:16:21,920 Speaker 1: We've become never been a media like a New Yorker, 297 00:16:22,080 --> 00:16:23,800 Speaker 1: l a Chicago feel that. 298 00:16:23,920 --> 00:16:26,120 Speaker 2: I feel that. I feel like we worked ourselves to 299 00:16:26,200 --> 00:16:27,000 Speaker 2: a space and. 300 00:16:26,920 --> 00:16:33,920 Speaker 3: We've earned the right to command, even to say over 301 00:16:34,720 --> 00:16:37,600 Speaker 3: like the majority of the fifty years. That's you know, 302 00:16:37,760 --> 00:16:40,560 Speaker 3: that's a bit of gregious, I will say, because when 303 00:16:40,600 --> 00:16:41,840 Speaker 3: they when did dre say the South? 304 00:16:42,000 --> 00:16:42,960 Speaker 2: The South got under same? 305 00:16:43,000 --> 00:16:44,240 Speaker 1: What that nive? 306 00:16:46,600 --> 00:16:48,000 Speaker 2: Okay, so that's when it started. 307 00:16:49,000 --> 00:16:50,360 Speaker 1: That's thirty years ago. 308 00:16:51,080 --> 00:16:55,200 Speaker 3: Huh ninety five? Okay, so that's years ago. So if 309 00:16:55,480 --> 00:16:57,240 Speaker 3: we were dominating, he would have. 310 00:16:58,480 --> 00:17:01,840 Speaker 1: Listen, listen, listen, not I said, we have controlled the 311 00:17:01,960 --> 00:17:04,960 Speaker 1: narrator for more than half. If you look at the South. 312 00:17:05,200 --> 00:17:07,440 Speaker 2: What do you consider controlling the narrative? 313 00:17:08,760 --> 00:17:09,960 Speaker 1: Being semi dominant? 314 00:17:10,160 --> 00:17:10,680 Speaker 2: Influence? 315 00:17:10,800 --> 00:17:11,880 Speaker 1: Influence, that's. 316 00:17:20,400 --> 00:17:21,320 Speaker 3: The same anything. 317 00:17:22,920 --> 00:17:25,880 Speaker 2: You know what I mean, I know the world. 318 00:17:26,840 --> 00:17:30,359 Speaker 1: So look for twenty five for over half. Look, just 319 00:17:30,440 --> 00:17:33,320 Speaker 1: hear me out. I'm here, heritage, I waiting on you 320 00:17:33,400 --> 00:17:37,280 Speaker 1: to make some I've been making a look for over 321 00:17:37,359 --> 00:17:39,639 Speaker 1: half that for over half these fifty years, we have 322 00:17:39,720 --> 00:17:44,560 Speaker 1: been controlling the narrative and really controlling the coach. You 323 00:17:44,600 --> 00:17:46,520 Speaker 1: look at the South, from the cash money to mash 324 00:17:46,600 --> 00:17:49,040 Speaker 1: the peed to what Little Jay and then was doing 325 00:17:49,440 --> 00:17:52,240 Speaker 1: to the Miami and then you look at and then 326 00:17:52,280 --> 00:17:54,760 Speaker 1: at Lina really just grabbed that ship and just ran 327 00:17:54,880 --> 00:17:57,760 Speaker 1: with it. So when I'm saying I was leading into 328 00:17:57,800 --> 00:18:00,560 Speaker 1: a question, yeah, I want you and make sure you're 329 00:18:00,600 --> 00:18:01,480 Speaker 1: doing a lot, because I. 330 00:18:01,520 --> 00:18:03,879 Speaker 2: Hope you heard so I heard it along going on. 331 00:18:04,040 --> 00:18:07,119 Speaker 1: I don't want we definitely don't want nobody. I was. 332 00:18:07,160 --> 00:18:09,080 Speaker 1: I was leading in the summer, I'm still gonna stick 333 00:18:09,119 --> 00:18:15,840 Speaker 1: with my ship somebody, But no, I was, I was 334 00:18:15,920 --> 00:18:19,240 Speaker 1: leading into this question. What is your take on the 335 00:18:19,320 --> 00:18:21,600 Speaker 1: state of hip hop right now? 336 00:18:21,760 --> 00:18:21,920 Speaker 2: Man? 337 00:18:21,960 --> 00:18:23,680 Speaker 3: To be honest with you, man, I always felt the 338 00:18:23,720 --> 00:18:26,640 Speaker 3: same way about it, man, I feel like I fee Yeah, 339 00:18:26,720 --> 00:18:29,320 Speaker 3: my opinion of it has never changed. I feel like 340 00:18:30,440 --> 00:18:34,320 Speaker 3: it is in the best place that it could possibly 341 00:18:34,359 --> 00:18:36,760 Speaker 3: be and also the worst place that. 342 00:18:36,760 --> 00:18:37,560 Speaker 2: It could possibly be. 343 00:18:37,600 --> 00:18:41,600 Speaker 3: I don't think that there is you know, I don't 344 00:18:41,600 --> 00:18:50,000 Speaker 3: think that there is a like a significant benefit that 345 00:18:50,119 --> 00:18:55,119 Speaker 3: overwhelms the detriment in any time in hip hop, every moment. 346 00:18:55,840 --> 00:18:56,920 Speaker 1: I want to make sure say that. 347 00:18:56,800 --> 00:18:58,960 Speaker 3: Again, I said, I don't think that there is a 348 00:18:59,000 --> 00:19:04,960 Speaker 3: significant benefit it that overwhelms the detriment in any moment 349 00:19:05,000 --> 00:19:08,080 Speaker 3: in hip hop is always right, always, even when you 350 00:19:08,119 --> 00:19:11,240 Speaker 3: go back to let's say the Golden. 351 00:19:10,760 --> 00:19:12,639 Speaker 1: Era of hip hop and when was that was. 352 00:19:14,200 --> 00:19:16,639 Speaker 2: I mean, yeah, you could definitely say that, you say the. 353 00:19:16,680 --> 00:19:18,520 Speaker 3: Nineties, but what I was really talking about like l 354 00:19:18,560 --> 00:19:21,080 Speaker 3: al cool J eighty you know what I'm saying right there, 355 00:19:21,560 --> 00:19:24,040 Speaker 3: mid eighties going into the ninety NBA, you know what 356 00:19:24,040 --> 00:19:24,480 Speaker 3: I'm saying. 357 00:19:24,920 --> 00:19:27,320 Speaker 2: So that is a golden era. 358 00:19:27,480 --> 00:19:32,480 Speaker 3: But the problem about it was that it wasn't enough exposure, 359 00:19:32,520 --> 00:19:36,400 Speaker 3: It wasn't accepted, it wasn't you know, it wasn't embraced enough, 360 00:19:36,720 --> 00:19:42,000 Speaker 3: and it wasn't enough of equity in the art for 361 00:19:42,080 --> 00:19:45,600 Speaker 3: the artists at that time. So although it was a 362 00:19:45,640 --> 00:19:48,600 Speaker 3: golden era, but there still was a significant amount of 363 00:19:48,640 --> 00:19:51,560 Speaker 3: detriment that went against the benefit of it being the 364 00:19:51,600 --> 00:19:52,200 Speaker 3: golden era. 365 00:19:52,400 --> 00:19:53,919 Speaker 1: So let me make sure I get this right. What 366 00:19:53,920 --> 00:19:56,840 Speaker 1: you're saying is that there's just as much balance in 367 00:19:56,960 --> 00:19:58,639 Speaker 1: hip hop as it was then in the mid eighties 368 00:19:58,640 --> 00:20:03,159 Speaker 1: and mid nineties. It's more fuck reembullshit than this is. 369 00:20:03,160 --> 00:20:03,760 Speaker 2: What I'm saying. 370 00:20:03,960 --> 00:20:07,240 Speaker 3: I'm saying that just as much good as you can 371 00:20:07,280 --> 00:20:12,000 Speaker 3: consider for then there is just as much as much 372 00:20:12,040 --> 00:20:16,160 Speaker 3: negative and right now, just as much negative, you can 373 00:20:16,200 --> 00:20:18,640 Speaker 3: consider that there's as much good. 374 00:20:19,200 --> 00:20:19,560 Speaker 2: Uh. 375 00:20:19,640 --> 00:20:22,800 Speaker 3: And when I say that, right now we are at 376 00:20:22,840 --> 00:20:26,000 Speaker 3: a place where this is a direct to consumer. 377 00:20:27,119 --> 00:20:27,639 Speaker 2: Industry. 378 00:20:27,720 --> 00:20:30,199 Speaker 3: We've cut out the middle me in right, so that 379 00:20:30,320 --> 00:20:32,720 Speaker 3: means you don't have to wait on anyone's approval, of 380 00:20:32,760 --> 00:20:36,040 Speaker 3: anyone's validation. Anybody can get up, go out there and 381 00:20:36,440 --> 00:20:40,960 Speaker 3: stand on their talent and introduce their self to an 382 00:20:41,000 --> 00:20:47,000 Speaker 3: opportunity to reach a fan base. Okay, now that's positive. 383 00:20:48,000 --> 00:20:52,359 Speaker 3: Now what negative is there's no filtration system. There's no filter, 384 00:20:52,480 --> 00:20:54,920 Speaker 3: there's no one, there's no standard. 385 00:20:56,000 --> 00:20:59,000 Speaker 1: See, but you're talking about the process. I'm talking about 386 00:20:59,000 --> 00:21:02,480 Speaker 1: the actual muse. So let me give you these outisodes 387 00:21:02,480 --> 00:21:05,440 Speaker 1: when I came up eighty five from from the mid 388 00:21:05,480 --> 00:21:08,000 Speaker 1: eighties to mid nineties. 389 00:21:08,680 --> 00:21:10,040 Speaker 2: I look at it in the seventies. 390 00:21:10,280 --> 00:21:20,159 Speaker 1: But don't try me that much. We're getting up the 391 00:21:20,200 --> 00:21:22,720 Speaker 1: same from the age group. We are not just we 392 00:21:22,760 --> 00:21:25,080 Speaker 1: are we are not KP relaxed. 393 00:21:25,119 --> 00:21:25,720 Speaker 2: Now we are not. 394 00:21:26,200 --> 00:21:28,880 Speaker 1: So let me let me let me say so from 395 00:21:28,880 --> 00:21:31,280 Speaker 1: the mid eighties, say mid nineties, because I look at 396 00:21:31,280 --> 00:21:36,080 Speaker 1: the Golden there is probably nineties. What I listened to. 397 00:21:36,160 --> 00:21:38,600 Speaker 1: I'm just saying personally, I listened to N W. A 398 00:21:38,680 --> 00:21:41,119 Speaker 1: two short, two live crew, which what you would consider 399 00:21:41,160 --> 00:21:41,440 Speaker 1: to be. 400 00:21:42,600 --> 00:21:45,400 Speaker 2: I would say eighty seven to ninety seven, let's say that. 401 00:21:45,560 --> 00:21:48,320 Speaker 1: But then on the flip side, we had the public enemies, 402 00:21:48,320 --> 00:21:55,439 Speaker 1: the tribe called quest U diggable planets. Uh, what's speeching him? 403 00:21:55,480 --> 00:21:58,679 Speaker 1: Here in the rest of development. Then even when outcasting 404 00:21:58,720 --> 00:22:02,320 Speaker 1: them came out to south even gar face. It ain't 405 00:22:02,359 --> 00:22:03,840 Speaker 1: no balance like that now, bro, So. 406 00:22:03,840 --> 00:22:06,880 Speaker 2: That's not true. That is not true. That is not true. 407 00:22:07,000 --> 00:22:07,919 Speaker 1: Is it the same balance? 408 00:22:08,160 --> 00:22:12,240 Speaker 4: Yeah, I see what he's saying. Is it the same Well, 409 00:22:12,280 --> 00:22:15,200 Speaker 4: because we have the J Cole's, we have the same 410 00:22:15,320 --> 00:22:17,560 Speaker 4: dread the same thing. We had a two live crew 411 00:22:17,640 --> 00:22:18,800 Speaker 4: and the obady. 412 00:22:18,680 --> 00:22:20,879 Speaker 2: Again what but get with those? Get with those? So 413 00:22:21,200 --> 00:22:22,200 Speaker 2: back then, you're right. 414 00:22:22,240 --> 00:22:24,720 Speaker 3: We had the public enemies, we had the tribes, we 415 00:22:24,800 --> 00:22:26,280 Speaker 3: had the native tones. 416 00:22:26,000 --> 00:22:30,439 Speaker 2: And so on and so forth. But they weren't getting 417 00:22:31,600 --> 00:22:33,080 Speaker 2: the spotlight, the exposure. 418 00:22:33,080 --> 00:22:34,800 Speaker 3: They wasn't being exposed to the rest of the world 419 00:22:35,080 --> 00:22:37,040 Speaker 3: like to come and like come and look how long 420 00:22:37,119 --> 00:22:39,399 Speaker 3: it took for coming You know what I mean? 421 00:22:39,600 --> 00:22:41,200 Speaker 1: It took a minute exactly right. 422 00:22:41,240 --> 00:22:44,080 Speaker 3: Now, you got artists like Kendrick is out selling or 423 00:22:44,200 --> 00:22:46,000 Speaker 3: is right there? Nick and Nick out of the eye 424 00:22:46,000 --> 00:22:46,920 Speaker 3: with artists like Drake. 425 00:22:47,480 --> 00:22:48,840 Speaker 1: So I just want to make sure you send it. 426 00:22:48,840 --> 00:22:49,840 Speaker 1: It's the same balance. 427 00:22:50,280 --> 00:22:52,240 Speaker 3: You keep asking me the same question, like like you, 428 00:22:52,800 --> 00:22:53,399 Speaker 3: I just want to. 429 00:22:53,359 --> 00:22:56,160 Speaker 1: Make sure you stand like you gotta business. I said 430 00:22:56,160 --> 00:22:58,040 Speaker 1: what I said, he's standing on business. 431 00:22:58,080 --> 00:23:01,360 Speaker 2: I birthed. I birthed the young man who coined who 432 00:23:01,400 --> 00:23:05,080 Speaker 2: coined that phrase? That Burt, So you know what I'm saying. 433 00:23:05,119 --> 00:23:05,879 Speaker 2: That's my junior. 434 00:23:11,400 --> 00:23:14,760 Speaker 1: Story Time with the Legendary Jerry's hosted by me, the 435 00:23:14,800 --> 00:23:20,600 Speaker 1: one and only Jerry Clark. Music has been provided by July, 436 00:23:20,920 --> 00:23:25,560 Speaker 1: the producer. If you haven't already, please please make sure 437 00:23:25,600 --> 00:23:29,400 Speaker 1: you subscribe to Storytime with the Legendary Jerry on YouTube 438 00:23:29,800 --> 00:23:32,600 Speaker 1: and wherever you listen to podcasts, and make sure you 439 00:23:32,680 --> 00:23:36,800 Speaker 1: follow us on all social media platforms at the Legendary 440 00:23:36,840 --> 00:23:40,160 Speaker 1: Jerry podcast. For more podcasts from my Heart Media, visit 441 00:23:40,160 --> 00:23:42,879 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to 442 00:23:42,920 --> 00:23:44,000 Speaker 1: your favorite shows.