1 00:00:05,760 --> 00:00:10,720 Speaker 1: Ladies and gentlemen, are you ready, SHOT's about to hit 2 00:00:10,800 --> 00:00:17,800 Speaker 1: the fan. Welcome to on sanctioned Thursdays are wrestling with Friday. 3 00:00:19,320 --> 00:00:20,119 Speaker 2: What's up everybody? 4 00:00:20,120 --> 00:00:24,400 Speaker 1: And welcome to unsanctioned Thursdays, the show that you demanded 5 00:00:24,440 --> 00:00:28,000 Speaker 1: because our shows aren't long enough. Maybe they are long enough. 6 00:00:28,040 --> 00:00:31,159 Speaker 1: You just hate commercials, which I feel you on that. 7 00:00:31,280 --> 00:00:33,320 Speaker 1: I mean I fast forward and skip most of the time, 8 00:00:33,400 --> 00:00:36,280 Speaker 1: unless I had a cocktail, and then you kind of 9 00:00:36,280 --> 00:00:38,680 Speaker 1: get lost in the sauce, right, and the commercials on 10 00:00:38,760 --> 00:00:41,200 Speaker 1: and you can skip things there, but you don't even 11 00:00:41,200 --> 00:00:43,960 Speaker 1: press it until you have like five seconds left of 12 00:00:44,000 --> 00:00:45,760 Speaker 1: the commercial and you're like, I could have skip this, 13 00:00:46,680 --> 00:00:49,040 Speaker 1: but I forgot because martinis are good. 14 00:00:50,000 --> 00:00:52,639 Speaker 2: All right, people, Welcome to Thursday. 15 00:00:53,200 --> 00:00:56,120 Speaker 1: We're gonna talk a little old school wrestling, and I'll 16 00:00:56,120 --> 00:00:58,760 Speaker 1: give you a little update on the movie I just finished, 17 00:00:58,760 --> 00:01:01,560 Speaker 1: which was just a great experience that I'll never forget. 18 00:01:02,240 --> 00:01:02,840 Speaker 2: So here we go. 19 00:01:03,760 --> 00:01:06,760 Speaker 1: Survivor series just came and went, and it has always 20 00:01:06,800 --> 00:01:10,440 Speaker 1: been my least favorite pay per view, so much so 21 00:01:11,200 --> 00:01:12,560 Speaker 1: that I don't even think I should have to do 22 00:01:12,600 --> 00:01:15,240 Speaker 1: an episode about it. But we're here anyway, not to 23 00:01:15,280 --> 00:01:18,200 Speaker 1: bitch and complain, but to take you down memory lane 24 00:01:18,560 --> 00:01:20,759 Speaker 1: and to remind you that I met Johnson hated both 25 00:01:20,800 --> 00:01:23,880 Speaker 1: the other team and his team. Here we go the 26 00:01:24,040 --> 00:01:27,760 Speaker 1: nineteen eighties, otherwise known as the Golden Era of wrestling, 27 00:01:28,600 --> 00:01:31,320 Speaker 1: Team Hogan versus Team Andre. 28 00:01:31,760 --> 00:01:32,919 Speaker 2: Now come on this one. 29 00:01:33,400 --> 00:01:35,800 Speaker 1: I guess it doesn't matter if there's no stories ever, 30 00:01:36,760 --> 00:01:39,600 Speaker 1: aus Hogan and Andre were the story, so everybody else 31 00:01:39,640 --> 00:01:42,400 Speaker 1: you could just have in there. But the match was Hogan, 32 00:01:43,200 --> 00:01:47,880 Speaker 1: Paul Orndorf, mister Wonderful. He had the pile driver, he 33 00:01:47,920 --> 00:01:52,200 Speaker 1: had a great body, great hair. Don Morocco, Ken Petera, 34 00:01:52,280 --> 00:01:54,200 Speaker 1: who I met as a little kid, who's friends with 35 00:01:54,200 --> 00:01:58,360 Speaker 1: my godfather, Bob Wall. He was also in strongman competitions. 36 00:01:58,400 --> 00:01:59,960 Speaker 1: I met him at one of these strong man compet 37 00:02:00,120 --> 00:02:01,760 Speaker 1: not a strong man competition, but it was like a 38 00:02:01,880 --> 00:02:05,000 Speaker 1: charity event where a lot of strong men came. It 39 00:02:05,120 --> 00:02:08,120 Speaker 1: was like this go kart race with celebrities, and Lou 40 00:02:08,160 --> 00:02:10,960 Speaker 1: Farigno was there, Ken Peterra was there, one of the 41 00:02:11,000 --> 00:02:14,360 Speaker 1: Brady Bunch kids were there. I know it's the dad 42 00:02:14,400 --> 00:02:16,400 Speaker 1: that was there, and they're all gonna do like a 43 00:02:16,440 --> 00:02:20,640 Speaker 1: go kart race, and Lou Farigno's fucking go kart flips 44 00:02:21,400 --> 00:02:23,680 Speaker 1: and everyone's like, oh my god, what the hell, and 45 00:02:23,760 --> 00:02:25,640 Speaker 1: I'm freaking out. I'm a kid man. I don't know 46 00:02:25,639 --> 00:02:27,360 Speaker 1: how old I was, but I was young. And all 47 00:02:27,360 --> 00:02:29,800 Speaker 1: of a sudden, you see this huge, this huge friggin' 48 00:02:29,880 --> 00:02:31,680 Speaker 1: arm come out the side of the go kart on 49 00:02:31,760 --> 00:02:34,800 Speaker 1: the concrete and push the fucking cart and the whole 50 00:02:34,840 --> 00:02:35,880 Speaker 1: thing flips. 51 00:02:35,520 --> 00:02:36,919 Speaker 2: Back over with one arm. 52 00:02:36,960 --> 00:02:39,079 Speaker 1: He did it with one arm, and the thing still 53 00:02:39,200 --> 00:02:42,080 Speaker 1: ran in and he took off again. I was like, 54 00:02:42,200 --> 00:02:43,560 Speaker 1: I was a little kid. I was like, yo, he 55 00:02:43,639 --> 00:02:45,200 Speaker 1: really is a fucking hawk man. 56 00:02:45,240 --> 00:02:48,880 Speaker 2: It was crazy. Anyway, I met Camp peterra Bam Bam. 57 00:02:48,919 --> 00:02:52,760 Speaker 1: Bigelow was the last one on Hogan's team versus Andre's team, 58 00:02:53,040 --> 00:02:57,240 Speaker 1: the one man gang, dangerous wrestler King Kong Bundy. You 59 00:02:57,360 --> 00:02:59,840 Speaker 1: son of a bitch, Butcher read you better get out 60 00:02:59,880 --> 00:03:01,360 Speaker 1: of it here, dude, and Rick Rud. 61 00:03:01,720 --> 00:03:02,920 Speaker 2: Can't talk shit about Rick. 62 00:03:02,880 --> 00:03:05,799 Speaker 1: Rud because he was pretty jacked and had like one 63 00:03:05,840 --> 00:03:08,000 Speaker 1: of the best bodies in the history of professional wrestling, 64 00:03:08,040 --> 00:03:10,680 Speaker 1: So shout out Rick Rud. This was the main event 65 00:03:11,200 --> 00:03:14,360 Speaker 1: of the very first Survivor series, and it capitalized on 66 00:03:14,440 --> 00:03:18,679 Speaker 1: a massive Hogan versus Andre rivalry from WrestleMania three, which 67 00:03:18,720 --> 00:03:21,000 Speaker 1: is the only reason why I probably worked, and it 68 00:03:21,160 --> 00:03:24,880 Speaker 1: established the five on five elimination format as a Thanksgiving tradition. 69 00:03:25,480 --> 00:03:27,680 Speaker 2: Again, I always was like, why are they fighting? 70 00:03:27,919 --> 00:03:30,200 Speaker 1: Like I never got it right, But I always liked 71 00:03:30,240 --> 00:03:34,920 Speaker 1: stories more than that. I liked knowing the history of 72 00:03:35,000 --> 00:03:41,279 Speaker 1: Muhammad Ali and knowing about the fighter before he fought anybody. 73 00:03:41,480 --> 00:03:44,880 Speaker 1: But like the Joe Fraser story and the hate or 74 00:03:44,920 --> 00:03:48,800 Speaker 1: it wasn't really hate, but the projected hate and the 75 00:03:48,880 --> 00:03:51,560 Speaker 1: perceived hate that we thought existed between the two of 76 00:03:51,600 --> 00:03:54,320 Speaker 1: them made that fight more interesting. So that's kind of 77 00:03:54,320 --> 00:03:56,000 Speaker 1: where I come from when I say I want stories, 78 00:03:56,080 --> 00:03:59,400 Speaker 1: is because the old box old boxing fights always had stories. 79 00:04:00,440 --> 00:04:03,200 Speaker 1: So that was theirs and they started it. So they 80 00:04:03,200 --> 00:04:07,080 Speaker 1: get a shout out. The nineties, the New Generation and 81 00:04:07,120 --> 00:04:11,200 Speaker 1: the Attitude era, the Dream Team versus the Million Dollar Team, 82 00:04:11,280 --> 00:04:15,120 Speaker 1: and let me tell you, it's pretty great billing, pretty 83 00:04:15,160 --> 00:04:18,320 Speaker 1: great billing, Like you very much. The match was Dusty 84 00:04:18,400 --> 00:04:23,000 Speaker 1: Rhodes Gotta love Dusted Vivid Coco Beware with his little 85 00:04:23,040 --> 00:04:24,640 Speaker 1: parrot Frankie not a parrot? 86 00:04:24,640 --> 00:04:27,800 Speaker 2: What was that? A cock? A McCaw? Thank you. I 87 00:04:27,839 --> 00:04:29,520 Speaker 2: don't know who told me that. I don't know why 88 00:04:29,560 --> 00:04:30,120 Speaker 2: I said thank you. 89 00:04:30,240 --> 00:04:32,480 Speaker 1: Bret Hart with the worst sunglasses in the history of 90 00:04:32,480 --> 00:04:35,080 Speaker 1: professional wrestling. Don Callis will vouch for that because he's 91 00:04:35,120 --> 00:04:38,120 Speaker 1: got the top sunglasses in the game today. And Jim 92 00:04:38,160 --> 00:04:41,839 Speaker 1: Knight hard of course, because they rolled together versus Ted Dbiassi, 93 00:04:41,920 --> 00:04:43,919 Speaker 1: the Million Dollar Man. Met him when I was a 94 00:04:43,960 --> 00:04:46,599 Speaker 1: little kid because he was friends with my uncle. This 95 00:04:46,720 --> 00:04:49,800 Speaker 1: dude they called judo Jean LaBelle. It wasn't my blood uncle, 96 00:04:49,960 --> 00:04:52,320 Speaker 1: but he was my godfather's best friend, and he introduced 97 00:04:52,400 --> 00:04:54,200 Speaker 1: himself as Uncle Jean, so I always just called him 98 00:04:54,240 --> 00:04:57,760 Speaker 1: Uncle Jean. But Jean was a judo champion. They wrote 99 00:04:57,760 --> 00:04:59,640 Speaker 1: a book about him called the Most Dangerous Man in 100 00:04:59,680 --> 00:05:01,479 Speaker 1: the World because he was. 101 00:05:01,839 --> 00:05:04,279 Speaker 2: He had two tendons everywhere. 102 00:05:04,279 --> 00:05:07,240 Speaker 1: You and I have one. So I want you to 103 00:05:07,240 --> 00:05:09,240 Speaker 1: look at your thumb right now, just give yourself a 104 00:05:09,279 --> 00:05:11,400 Speaker 1: thumbs up and look at the back of it. You'll 105 00:05:11,400 --> 00:05:13,920 Speaker 1: see you have two tendons there that connect your thumb 106 00:05:13,960 --> 00:05:17,120 Speaker 1: to your wrist and that helps it bend in flex. 107 00:05:17,240 --> 00:05:23,080 Speaker 2: Right. He had four, so when he grabs you, it's over. 108 00:05:23,400 --> 00:05:25,200 Speaker 2: The fight is over. Oh and he. 109 00:05:25,200 --> 00:05:28,320 Speaker 1: Knew judo like even if he didn't know judo and 110 00:05:28,360 --> 00:05:32,599 Speaker 1: he got his hands on you. You're Donezo's now he's 111 00:05:32,640 --> 00:05:36,360 Speaker 1: got double tendon strength and he's a judoka, So yeah, 112 00:05:36,360 --> 00:05:39,799 Speaker 1: that was your ass. I met him at Tedy Biassi 113 00:05:39,920 --> 00:05:43,400 Speaker 1: at Jean's dojo in southern California. They were doing a 114 00:05:43,440 --> 00:05:46,760 Speaker 1: seminar on like submissions, and there was an old poster 115 00:05:46,839 --> 00:05:49,840 Speaker 1: of it that was in there like decades later, and 116 00:05:50,000 --> 00:05:50,880 Speaker 1: I remember seeing. 117 00:05:50,680 --> 00:05:52,160 Speaker 2: It being like, oh, yeah, I met him when I 118 00:05:52,160 --> 00:05:52,799 Speaker 2: was a little kid. 119 00:05:53,400 --> 00:05:57,599 Speaker 1: Greg Valentine was his second the Honkey talk Man and 120 00:05:57,680 --> 00:06:00,839 Speaker 1: a Mystery partner the Mystery and was revealed to be 121 00:06:00,880 --> 00:06:04,839 Speaker 1: the Undertaker, and this match marked the on screen debut 122 00:06:04,960 --> 00:06:09,480 Speaker 1: of arguably the greatest character and attraction wrestler in history. 123 00:06:10,560 --> 00:06:13,599 Speaker 1: Attraction wrestlers are far and few between, but he was 124 00:06:13,760 --> 00:06:16,320 Speaker 1: for sure the best. The latest was the late great 125 00:06:16,320 --> 00:06:21,159 Speaker 1: Bray Wyatt in my opinion. Ironically enough, it was also 126 00:06:21,200 --> 00:06:24,680 Speaker 1: the debut of the Gobbledygooker, which was the worst idea 127 00:06:25,240 --> 00:06:27,400 Speaker 1: in the history of wrestling. Well, maybe the Brawl for 128 00:06:27,480 --> 00:06:30,400 Speaker 1: All was the worst because dude's got hurt, but creatively speaking, 129 00:06:31,000 --> 00:06:32,440 Speaker 1: the gobbledy Goodman. 130 00:06:56,200 --> 00:06:56,560 Speaker 2: All right. 131 00:06:56,880 --> 00:07:02,039 Speaker 1: Next up Brett Hard versus Stone Cold Steve Austin one 132 00:07:02,040 --> 00:07:05,720 Speaker 1: of the greatest matches of all time, nineteen ninety six 133 00:07:06,920 --> 00:07:09,320 Speaker 1: standard singles match for the number one contender to the 134 00:07:09,440 --> 00:07:15,000 Speaker 1: WWF Championship. Everybody loves this match. Nobody's ever been like, yeah, 135 00:07:15,080 --> 00:07:17,800 Speaker 1: but it's overrated, Like nobody said that, and if they did, 136 00:07:17,840 --> 00:07:20,200 Speaker 1: they were shamed the way people should. 137 00:07:20,040 --> 00:07:21,280 Speaker 2: Still be shamed today. 138 00:07:22,480 --> 00:07:25,120 Speaker 1: You have to put a scarlet letter across your chest, 139 00:07:25,640 --> 00:07:28,560 Speaker 1: a D for dummy, for dumb ass, for saying something 140 00:07:28,640 --> 00:07:34,520 Speaker 1: so stupid. Awesome, awesome, awesome, awesome match. This was also 141 00:07:34,840 --> 00:07:37,600 Speaker 1: led to the legendary battle in nineteen ninety seven, the 142 00:07:37,680 --> 00:07:41,360 Speaker 1: Crimson Mask, where Stone Cold is just like bleeding everywhere crazy. 143 00:07:42,040 --> 00:07:46,160 Speaker 1: Also nineteen ninety seven, we got Brett Hart versus Sean Michaels. 144 00:07:46,720 --> 00:07:49,679 Speaker 1: It's funny how Brett Hart's and all these amazing matches weird. 145 00:07:50,640 --> 00:07:53,320 Speaker 1: I know people say he complains too much, but maybe 146 00:07:53,400 --> 00:07:56,200 Speaker 1: he is one of the greatest ever do it. He 147 00:07:56,280 --> 00:07:57,840 Speaker 1: just knows it, and you just don't like that he 148 00:07:57,920 --> 00:08:01,040 Speaker 1: knows it. I guess it would kind of be like 149 00:08:01,040 --> 00:08:04,160 Speaker 1: if an actor won an Academy Award and was like, yes, yes, 150 00:08:04,240 --> 00:08:07,240 Speaker 1: I am the greatest. Yes, you probably hate that guy too. 151 00:08:08,080 --> 00:08:10,360 Speaker 1: All right, we got the early two thousands. 152 00:08:11,040 --> 00:08:11,720 Speaker 2: This was like. 153 00:08:13,440 --> 00:08:16,880 Speaker 1: Primetime me not liking Survivor series. We had Team ww 154 00:08:17,040 --> 00:08:20,320 Speaker 1: F versus The Alliance. This was The Rock Chris Jericho, 155 00:08:20,520 --> 00:08:23,720 Speaker 1: Taker Caine and the Big Show versus Stone Cold, Kurt Angle, 156 00:08:23,880 --> 00:08:27,320 Speaker 1: Van Dam, Booker t and Shane McMahon. That's Rob Van Dam. 157 00:08:27,400 --> 00:08:29,720 Speaker 1: Jean Cloud was never a professional wrestler because he couldn't 158 00:08:29,720 --> 00:08:33,840 Speaker 1: handle it. Little punk ass bitch, you couldn't handle pro wrestling. 159 00:08:33,880 --> 00:08:38,440 Speaker 2: Bro with that ballet, get out of here, you know. 160 00:08:38,480 --> 00:08:41,160 Speaker 1: Jean Cloud, Van Dam and Steven Sagah got called out 161 00:08:41,200 --> 00:08:43,839 Speaker 1: by the original Dirty Dozen, like the first black belts 162 00:08:43,840 --> 00:08:46,840 Speaker 1: that ever graced the cover of Black Belt magazine, and 163 00:08:46,920 --> 00:08:49,160 Speaker 1: they would challenge them to fight all the time, not 164 00:08:49,240 --> 00:08:51,880 Speaker 1: to the death or anything, but just to fight to see, 165 00:08:51,920 --> 00:08:54,160 Speaker 1: you know, let's spark, let's let's see if you're as 166 00:08:54,240 --> 00:08:56,080 Speaker 1: good as as Bruce was, Let's see if you're as 167 00:08:56,080 --> 00:08:58,959 Speaker 1: good as Chuck is. And they would never do it 168 00:08:59,000 --> 00:09:01,720 Speaker 1: because they knew they'd get bosed and Steven Sagall one 169 00:09:01,760 --> 00:09:03,839 Speaker 1: time said I'll only fight to the death in all 170 00:09:03,920 --> 00:09:07,120 Speaker 1: twelve of the Dirty Dozen said yeah, all right, that 171 00:09:07,240 --> 00:09:11,079 Speaker 1: was it. Yeah, okay. They never fought it. He never 172 00:09:11,120 --> 00:09:14,840 Speaker 1: wanted that fight. He didn't want that heat. And if 173 00:09:14,880 --> 00:09:17,360 Speaker 1: there's any defenders of sigall or VANDAM out there, you 174 00:09:17,400 --> 00:09:18,920 Speaker 1: can shout us out on social media. 175 00:09:19,000 --> 00:09:22,840 Speaker 2: Good luck, all right, you guys. 176 00:09:23,440 --> 00:09:27,640 Speaker 1: Survivor Series two thousand and two famously one of the 177 00:09:27,679 --> 00:09:30,520 Speaker 1: few times in history that the event did not feature 178 00:09:30,520 --> 00:09:33,280 Speaker 1: a traditional five on five or four on four Survivor 179 00:09:33,320 --> 00:09:37,040 Speaker 1: Series elimination tag team match. It is a rare anomaly 180 00:09:37,120 --> 00:09:40,960 Speaker 1: in the event's history. Instead of the classic format, WW 181 00:09:41,120 --> 00:09:43,800 Speaker 1: filled the card with other types of elimination matches like 182 00:09:43,840 --> 00:09:48,200 Speaker 1: the Elimination Chamber, Elimination Tables match, and the triple Threat 183 00:09:48,200 --> 00:09:49,320 Speaker 1: elimination tag match. 184 00:09:49,320 --> 00:09:51,280 Speaker 2: Are you seeing the theme here? Are you starting to 185 00:09:51,320 --> 00:09:51,679 Speaker 2: see why? 186 00:09:51,720 --> 00:09:56,600 Speaker 1: I was like, you know, I'm not loving Survivors Series anyway, 187 00:09:58,160 --> 00:10:00,000 Speaker 1: that's our episode on Survivor Series, but it's. 188 00:09:59,920 --> 00:10:03,440 Speaker 2: Not at the end of the episode. So I've been 189 00:10:03,480 --> 00:10:05,000 Speaker 2: gone for a while, about a month. 190 00:10:06,000 --> 00:10:09,840 Speaker 1: I appreciate your patience, your tolerance, your love and support, 191 00:10:10,400 --> 00:10:13,440 Speaker 1: but I'm also an actor and these are both full 192 00:10:13,480 --> 00:10:17,560 Speaker 1: time jobs and sometimes one has to suffer over the other, 193 00:10:18,240 --> 00:10:20,760 Speaker 1: and so sorry for having to go, But I also 194 00:10:20,840 --> 00:10:22,640 Speaker 1: have to show my kids that it's important to chase 195 00:10:22,679 --> 00:10:25,320 Speaker 1: your dreams. My daughter wants to be an actor, so 196 00:10:25,360 --> 00:10:28,079 Speaker 1: it's important to set a good example for her so 197 00:10:28,080 --> 00:10:30,760 Speaker 1: she can see the sacrifice, the time away from your family, 198 00:10:32,040 --> 00:10:34,600 Speaker 1: the time committing yourself to a character and sort of 199 00:10:34,600 --> 00:10:37,960 Speaker 1: stepping outside yourself and stepping into that character and behaving 200 00:10:38,040 --> 00:10:40,800 Speaker 1: like that person and not being the same guy right 201 00:10:40,800 --> 00:10:44,120 Speaker 1: away when you talk to him. It takes time to adjust. 202 00:10:44,440 --> 00:10:46,840 Speaker 1: That sounds like artsybs, but it's just the way it 203 00:10:46,880 --> 00:10:50,480 Speaker 1: goes for certain types of actors. There's different types, right, 204 00:10:50,480 --> 00:10:54,960 Speaker 1: there's like Meisner, the method, there's the Shop, like all 205 00:10:55,000 --> 00:10:57,760 Speaker 1: these different techniques. The shop is like the simplest. They 206 00:10:57,760 --> 00:11:00,400 Speaker 1: just say, like look up the definition of and it 207 00:11:00,440 --> 00:11:03,640 Speaker 1: says to do so, just do it. Method is sort 208 00:11:03,640 --> 00:11:07,600 Speaker 1: of stepping outside yourself and becoming the character, making life 209 00:11:07,720 --> 00:11:10,559 Speaker 1: choices that the character would make. This guy doesn't drink, 210 00:11:10,679 --> 00:11:13,120 Speaker 1: so for a month, I'm not going to drink. Not 211 00:11:13,200 --> 00:11:16,120 Speaker 1: difficult to do, but still it's just a choice that 212 00:11:16,200 --> 00:11:19,120 Speaker 1: I made to kind of feel more like the dude, right, 213 00:11:19,640 --> 00:11:21,760 Speaker 1: And I thought it was important because the script was 214 00:11:21,760 --> 00:11:22,360 Speaker 1: so special. 215 00:11:22,960 --> 00:11:24,480 Speaker 2: We shot in Tulsa, Oklahoma. 216 00:11:24,679 --> 00:11:28,400 Speaker 1: Lovely town reminded me of Albuquerque, New Mexico a lot 217 00:11:28,520 --> 00:11:33,160 Speaker 1: like Albuquerque, New Mexico, just minus the Southwestern culture, the Adobe, 218 00:11:33,240 --> 00:11:34,320 Speaker 1: the Adobe. 219 00:11:33,920 --> 00:11:35,679 Speaker 2: And the Mexican culture. 220 00:11:35,679 --> 00:11:37,720 Speaker 1: Although there's a lot of Mexicans in Oklahoma, and the 221 00:11:37,760 --> 00:11:42,079 Speaker 1: Mexican food better than the barbecue. I'm just going to 222 00:11:42,120 --> 00:11:44,800 Speaker 1: put that out there. The Mexican food was better than 223 00:11:44,800 --> 00:11:48,439 Speaker 1: the barbecue. Now, granted, maybe I'm not an Oklahoma barbecue 224 00:11:48,440 --> 00:11:53,880 Speaker 1: sauce guy, you know, maybe I'm a more Texas barbecue dude. 225 00:11:54,400 --> 00:11:58,800 Speaker 1: But the Mexican food way better in Oklahoma than in Texas. 226 00:11:59,120 --> 00:12:02,880 Speaker 1: It's not even close, not even close. And I thought 227 00:12:03,000 --> 00:12:05,080 Speaker 1: there'd be though. I thought i'd be the only dude 228 00:12:05,080 --> 00:12:07,360 Speaker 1: that could speak a lick a Spanish out there, and 229 00:12:07,400 --> 00:12:09,280 Speaker 1: there were Spanish speakers everywhere. 230 00:12:09,320 --> 00:12:12,480 Speaker 2: So the food pretty good, pretty good. 231 00:12:13,640 --> 00:12:16,200 Speaker 1: But anyway, I read this script and it was called 232 00:12:16,360 --> 00:12:19,360 Speaker 1: The Road to Recovery, and no, it's not a drug 233 00:12:19,360 --> 00:12:23,040 Speaker 1: addicts road to recovery. It's it's a little girl, fifteen 234 00:12:23,080 --> 00:12:26,800 Speaker 1: year old girl with brain cancer, and it's her, it's 235 00:12:26,880 --> 00:12:29,680 Speaker 1: her road to recovery, and I play her father. And 236 00:12:29,760 --> 00:12:33,480 Speaker 1: it's basically a two hander. This movie just me and 237 00:12:33,520 --> 00:12:36,840 Speaker 1: her on a road trip. Maybe should get six months? 238 00:12:36,880 --> 00:12:39,720 Speaker 1: Maybe should get six years. We don't know, but a 239 00:12:39,760 --> 00:12:43,120 Speaker 1: really painful movie to play in a difficult role for me, 240 00:12:43,280 --> 00:12:46,400 Speaker 1: especially I don't normally do like a method approach. I 241 00:12:46,720 --> 00:12:49,280 Speaker 1: came up at the shop with Andrew mcgarryon and John Homa, 242 00:12:49,760 --> 00:12:52,320 Speaker 1: and they teach him much more simple, like just fucking 243 00:12:52,440 --> 00:12:54,800 Speaker 1: do it, Freddy, Just do it. Know your lines, have 244 00:12:54,920 --> 00:12:58,200 Speaker 1: a point of view, have motivation, Know what your challenge is, 245 00:12:58,280 --> 00:13:00,560 Speaker 1: know what the obstacle is, right the challenge, And how 246 00:13:00,600 --> 00:13:03,960 Speaker 1: does your character approach said challenge. Do they smash through it? 247 00:13:04,000 --> 00:13:05,920 Speaker 1: Do they sneak their way around it? Do they run 248 00:13:05,920 --> 00:13:08,160 Speaker 1: away from it? Do they leap over it? Whatever it 249 00:13:08,240 --> 00:13:09,920 Speaker 1: is that you just stay true to that right, And 250 00:13:09,920 --> 00:13:12,440 Speaker 1: that's how I always approached rom comms. But this was different, 251 00:13:12,880 --> 00:13:14,960 Speaker 1: and this felt like it needed a different like a 252 00:13:15,000 --> 00:13:17,520 Speaker 1: greater level of commitment, and so I just kind of 253 00:13:17,559 --> 00:13:21,600 Speaker 1: stepped inside and wanted to see how it felt. And 254 00:13:21,679 --> 00:13:25,600 Speaker 1: it felt horrible, but it was the best work that 255 00:13:25,720 --> 00:13:27,960 Speaker 1: I was ever capable of doing. 256 00:13:28,160 --> 00:13:32,080 Speaker 2: So it was this strand. And I spoke with a 257 00:13:32,080 --> 00:13:32,320 Speaker 2: friend of. 258 00:13:32,320 --> 00:13:34,720 Speaker 1: Mine who's a method actor and a really talented one, 259 00:13:34,760 --> 00:13:38,160 Speaker 1: and he's actually an Academy Award winner, and I spoke 260 00:13:38,200 --> 00:13:40,720 Speaker 1: to him about just sort of how to do this 261 00:13:40,760 --> 00:13:42,360 Speaker 1: and how to live it, and that's what he said. 262 00:13:42,360 --> 00:13:43,800 Speaker 1: He was like, you just have to live it. If 263 00:13:43,800 --> 00:13:46,160 Speaker 1: he doesn't drink, you don't drink. They were all going 264 00:13:46,240 --> 00:13:48,040 Speaker 1: to the whole cast and crew were going to go 265 00:13:48,040 --> 00:13:50,719 Speaker 1: to a Billie Eilish concert and he was like, my 266 00:13:50,840 --> 00:13:52,600 Speaker 1: character's name is Tom. And I was talking to him. 267 00:13:52,600 --> 00:13:53,680 Speaker 1: I was like, I don't think I should go, and 268 00:13:53,679 --> 00:13:56,280 Speaker 1: he's like, would Tom go? That's the character's name. I 269 00:13:56,320 --> 00:13:58,200 Speaker 1: was like, no, Tom doesn't have any friends, Like his 270 00:13:58,240 --> 00:13:59,120 Speaker 1: whole life is his daughter. 271 00:13:59,160 --> 00:14:01,240 Speaker 2: He's like, then you shouldn't go. So I didn't go. 272 00:14:01,360 --> 00:14:03,240 Speaker 1: Man, I missed out on a concert that was really good. 273 00:14:03,280 --> 00:14:06,040 Speaker 1: Everybody had a good time. But that was sort of 274 00:14:06,040 --> 00:14:09,439 Speaker 1: the discipline that was necessary in my mind to give 275 00:14:09,480 --> 00:14:12,760 Speaker 1: the performance that this guy deserved. And it was a 276 00:14:12,800 --> 00:14:15,120 Speaker 1: ton of fun. I just I loved every moment of 277 00:14:15,160 --> 00:14:17,080 Speaker 1: this movie. And I got to work with great people 278 00:14:17,160 --> 00:14:19,680 Speaker 1: like Thomas Lennon. I don't know if you guys remember 279 00:14:19,680 --> 00:14:22,680 Speaker 1: that show Reno nine to one one, but he was Dangle. 280 00:14:22,600 --> 00:14:24,800 Speaker 2: And he's also a great writer as well and wrote 281 00:14:24,800 --> 00:14:25,600 Speaker 2: a lot of that show. 282 00:14:26,200 --> 00:14:27,880 Speaker 1: I got to work with him which was wonderful. I 283 00:14:27,920 --> 00:14:30,560 Speaker 1: got to work with Sarah Shahee who's worked with The 284 00:14:30,640 --> 00:14:32,680 Speaker 1: Rock and been in a bunch of other movies as well. 285 00:14:33,480 --> 00:14:36,920 Speaker 1: And Ryan Kira Armstrong, who's the lead that was the 286 00:14:36,960 --> 00:14:38,760 Speaker 1: girl who played my daughter. She was on that Star 287 00:14:38,800 --> 00:14:42,000 Speaker 1: Wars show with Jude Law and she booked the lead 288 00:14:42,240 --> 00:14:44,360 Speaker 1: role on My Wife's Buffy remake. 289 00:14:44,720 --> 00:14:45,520 Speaker 2: And I just think. 290 00:14:45,400 --> 00:14:48,640 Speaker 1: She's wonderful and one of those old souls that's in 291 00:14:48,680 --> 00:14:50,680 Speaker 1: a young person's body, Like when you see those young 292 00:14:50,760 --> 00:14:52,640 Speaker 1: child actors and you're like, oh my god, they seem 293 00:14:52,680 --> 00:14:54,920 Speaker 1: like they're sixty years old. It's one of those kids 294 00:14:55,000 --> 00:14:57,920 Speaker 1: right where they're just wise beyond their years. And the 295 00:14:57,960 --> 00:15:01,680 Speaker 1: director was Taylor Scout Compton. She was a child actor, 296 00:15:01,760 --> 00:15:03,480 Speaker 1: so she knows how to end. She's a grown up 297 00:15:03,480 --> 00:15:07,280 Speaker 1: actor too, but she really knows how to communicate with actors, 298 00:15:07,320 --> 00:15:09,880 Speaker 1: so trust was easy to develop between the two of us. 299 00:15:09,920 --> 00:15:12,840 Speaker 1: And she wrote the script as well, based on personal 300 00:15:12,880 --> 00:15:17,320 Speaker 1: experiences with her father when he was battling cancer. And 301 00:15:17,400 --> 00:15:19,520 Speaker 1: I just thought it was a wonderful story that I 302 00:15:19,600 --> 00:15:21,720 Speaker 1: had to do, and that's why I had to leave 303 00:15:21,720 --> 00:15:25,080 Speaker 1: for a month and leave you guys, leave my podcast, 304 00:15:25,560 --> 00:15:29,480 Speaker 1: leave my family, leave my dogs, leave my two cool cars, 305 00:15:29,560 --> 00:15:32,120 Speaker 1: leave my neighborhood, leave my house, leave everything that I 306 00:15:32,160 --> 00:15:34,560 Speaker 1: love and that I'm comfortable with, and go to a 307 00:15:34,680 --> 00:15:37,040 Speaker 1: you know, a tiny little hotel in Tulsa and just 308 00:15:37,080 --> 00:15:40,080 Speaker 1: be alone and take walks in the cold and the rain. 309 00:15:42,280 --> 00:15:43,840 Speaker 1: I make it sound so sad, but it was a 310 00:15:43,840 --> 00:15:46,360 Speaker 1: great experience and I wouldn't trade it for anything. 311 00:15:46,360 --> 00:15:48,240 Speaker 2: Man, it was. It was wonderful. 312 00:15:47,840 --> 00:15:50,560 Speaker 1: And I've talked about this when we have guests on, 313 00:15:50,720 --> 00:15:53,480 Speaker 1: especially in season two, where I would say, you know, 314 00:15:53,680 --> 00:15:55,960 Speaker 1: I have these guests on a lot to inspire people 315 00:15:56,000 --> 00:15:58,040 Speaker 1: to not quit on their dreams, because no matter how 316 00:15:58,120 --> 00:16:00,720 Speaker 1: long it takes, you can eventually get there. People quit 317 00:16:00,920 --> 00:16:03,000 Speaker 1: give up and you move up the list just by 318 00:16:03,120 --> 00:16:06,960 Speaker 1: necessity because there's less people dreaming. So don't give up 319 00:16:06,960 --> 00:16:09,840 Speaker 1: on your dreams. Keep chasing him and keep listening to 320 00:16:09,880 --> 00:16:11,360 Speaker 1: this show. We'll see you next Wednesday. 321 00:16:11,400 --> 00:16:11,880 Speaker 2: Peace,