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Speaker 1: Look mare, Oh, I see you my own look over

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Speaker 1: there is that the culture?

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Speaker 2: Yes, lost culture ding dong lost Culturista's calling. Well, this

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Speaker 2: episode was supposed to start a different way. Tell them

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Speaker 2: the bit, Let's do the bit. I felt like I

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Speaker 2: wasn't feeling like a safe environment for the bit once

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Speaker 2: I brought it to the floor. No one, let's let's

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Speaker 2: gonna be a bit. The bit was gonna be bowen

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Speaker 2: and Josh Sharp start the show as if nothing. No

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Speaker 2: one was the wiser.

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Speaker 1: But tell them why Because Aaron and I came today

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Speaker 1: sort of wearing a shirt shirt but sort of.

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Speaker 2: Like button down shirts with like the bold statements, bright

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Speaker 2: statements and bold patterns. Was I referencing it? And floor?

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Speaker 2: Was the correction right to do? I was? It was

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Speaker 2: a risk, not a correction. Oh can you tell my

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Speaker 2: guard is up? Yeah? You seem so.

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Speaker 3: This is where it started to break down. That wise,

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Speaker 3: Josh and Air wearing T shirts. Aaron and Matt are

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Speaker 3: wearing button down with both statements and pattern right, and

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Speaker 3: so not a your drok reference.

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Speaker 2: Title of that reference title of that.

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Speaker 3: But I think it just it broke down because Matt

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Speaker 3: was saying, okay, so then Josh and Matt as in

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Speaker 3: I as in Matt, Josh and I will start the show.

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Speaker 2: Play yeah, I do think ultimately, let us try it.

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Speaker 2: Let you start the show. This is wearing broke down.

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Speaker 3: I said that Matt said that Matt Josh the show

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Speaker 3: and I would come in later.

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Speaker 1: That doesn't make any goddamn sense because I said, if if, if, okay,

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Speaker 1: if Aaron and I were both wearing statement shirts, bright

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Speaker 1: colors and bold patterns, we would sit on one couch

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Speaker 1: and you and Joshua, who are both in more simple tease,

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Speaker 1: would start the show.

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Speaker 2: Let us see the logic. Let us try again to

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Speaker 2: Dan Epic Orlando Universal, y'all lovers, it was the universal

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Speaker 2: experience for the guys. Goals and Day.

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Speaker 4: You were to be Matt, were you to be the guest?

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Speaker 4: You were to be? Can I just say what the

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Speaker 4: dream of the bit was, and maybe if.

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Speaker 2: With more time we could have executed the bit? Is if.

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Speaker 1: Day and Josh Sharp had started the podcast and not

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Speaker 1: said anything. It was just Bowen and Josh starting it,

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Speaker 1: and then we come in, me and Aaron Jackson and we.

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Speaker 2: Don't even knows.

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Speaker 3: You gave Josh and I the keys to your car,

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Speaker 3: which makes us feel a little little know how to

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Speaker 3: drive stick. But it's your car that you You were like,

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Speaker 3: I've got a car, y'all drive.

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Speaker 2: It's a beautiful hon A CRV, you screamed at us.

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Speaker 1: I guess I thought that the instructions for how to

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Speaker 1: drive the car were clearer than It's kind of an

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Speaker 1: you guys been dial bit that really just fox with

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Speaker 1: the form what's crazy. I didn't even think it was

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Speaker 1: that crazy. I didn't think you cold not address it.

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Speaker 1: It was not that's it was communicated.

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Speaker 2: And this is what it's.

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Speaker 4: The bit is what is so shocking. This is episode

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Speaker 4: fourteen or fifteen of the pod, right, yeah, we started

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Speaker 4: forever cut that out. We're fledgling. You know what's funny, Isle,

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Speaker 4: People have been begging for this. People have been begging

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Speaker 4: for this. Nine dollars you're nine.

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Speaker 2: Yes, and the cacophony is back. It's stuck. This is

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Speaker 2: an Obama era podcast.

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Speaker 1: Yeah, technically if it's it was the last months of

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Speaker 1: the Obama presence, So then yes, I'm sorry, do not

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Speaker 1: raise your voice.

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Speaker 2: I didn't. I didn't. Why what would you guys say

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Speaker 2: was the culture that you say culture was for you?

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Speaker 5: Because because I didn't really get culture until two weeks

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Speaker 5: ago Thursday Night, and then.

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Speaker 2: You saw what culture was when you saw Ross o'donald

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Speaker 2: have a great Emmy winning guest star. Y'all went.

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Speaker 3: Y'all learned about culture at the Mary Tony's party, which

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Speaker 3: we were not invited to.

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Speaker 2: You didn't get the invite. I don't think we don't.

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Speaker 2: Actually don't think we did, which is okay, because is

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Speaker 2: bad at you? I think so? And for what I

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Speaker 2: don't know, but apparently are you mad at Cole now?

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Speaker 2: They are now? For likely yes, But I'm gonna wait,

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Speaker 2: okay to say if I'm mad, I see, because what

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Speaker 2: were you going to say? I think it's all I'm

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Speaker 2: only madical if they're mad at me? Does that make sense?

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Speaker 2: And that and that's that it's tip for T and

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Speaker 2: that happens all the time. I think it's the same

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Speaker 2: with crushes. You do not realize you're into someone until

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Speaker 2: they say I'm into you and you say, oh mutual, yeah,

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Speaker 2: let's bookie.

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Speaker 3: But then does that does that make you second guess

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Speaker 3: it at all? You're like, oh, this was contingent on

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Speaker 3: them having a crush on me?

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Speaker 2: To me you propose, yeah, yeah, post anal marriage aal.

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Speaker 2: I mean someone being attracted to you is a turn on?

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Speaker 6: Right?

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Speaker 2: What do you say?

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Speaker 1: Yes, it's one of other guy's best qualities when they

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Speaker 1: want to.

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Speaker 2: My favorite thing about you is that you like That's

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Speaker 2: actually a good like greeting card.

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Speaker 1: My favorite thing about you and you open it is

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Speaker 1: that you like me winky faced emoji whatever requests Yeah, really.

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Speaker 7: She is host Allow me to say, that's a rule

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Speaker 7: of could that's rule which way?

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Speaker 2: What was? My favorite thing about you is that you

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Speaker 2: like which? Which number is that? That's one thousand and

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Speaker 2: six hundred and ninety one one. My favorite thing about

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Speaker 2: you is that you like me.

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Speaker 3: I just want to go back to something and Aaron

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Speaker 3: put out there a card and a Venmo request.

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Speaker 2: I just want to I can, I can I observe something.

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Speaker 3: Part of Aaron sort of lexicon of comedy is joella

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Speaker 3: to end.

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Speaker 2: Estatement with Venmo.

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Speaker 3: I mentioned a Venmo or Joela or both as in

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Speaker 3: a call to action venmo joella and it's funny.

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Speaker 2: Whar you describe that as comedic? Because I would say,

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Speaker 2: I'm incredibly serious. You say it both can be? Ye?

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Speaker 2: Thank you venmo Joel everyone podcast I do have to

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Speaker 2: say that the title of EP has to be the episode?

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Speaker 2: Can we explain who Joela is? Joela was a drag

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Speaker 2: race contestant on season I'm not seventeen nine. Yeah, and

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Speaker 2: if you don't know that, don't listen to this podcast.

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Speaker 2: Just the wrong podcast for you. Two episode run? Would

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Speaker 2: we three? Three? And it was since I would say

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Speaker 2: sensational a lot with a little yeah, I think history

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Speaker 2: will look back kindly on this season. She'll probably get

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Speaker 2: brought back at some point. It was so, I mean,

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Speaker 2: she really made a mark.

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Speaker 1: Can I say, like I was almost ready to say

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Speaker 1: something snide when you said she'll probably get brought back soon,

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Speaker 1: because I feel like they're bringing everybody back for All Stars.

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Speaker 2: But then I will also say, I'm kind of eating

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Speaker 2: my hat.

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Speaker 1: With the girls that I thought weren't going to give

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Speaker 1: on All Stars because I'm joys having every stars.

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Speaker 2: They're they're giving and gaming, They're giving and gaping and

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Speaker 2: gaping guys. I give them all proppers because I'm entertained

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Speaker 2: thoroughly the Tournament of All Stars. I like the tournament.

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Speaker 2: I like six sick me too, definitely. I said what

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Speaker 2: I said, devilish, devilish, Yeah, play.

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Speaker 7: This podcast while you watch Wizard of snk them up, yeah,

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Speaker 7: and you will speak to the devil.

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Speaker 2: Josh and I were at the gay bar Twist in Miami, Florida,

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Speaker 2: and it was the weekend Mayhem Lady Mayhem came out

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Speaker 2: and in that front bar if you've ever been, it's

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Speaker 2: sort of just casual with televisions, and they played Mayhem

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Speaker 2: and started House of Gucci at the same time as

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Speaker 2: if it was Wizard of All. It's synced up. I

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Speaker 2: don't know that what anytime? What just like Adrian Brody,

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Speaker 2: if it would like cut not Adrian Brody, Jared leto

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Speaker 2: driver driver, it would like cut d there's an egg sorry,

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Speaker 2: you just would if it was like on the beat

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Speaker 2: and would cut to him, we'd just scream yeah on

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Speaker 2: the beat. And I just like to take you to

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Speaker 2: the garden, like garden screaming. Anybody do that? Ben positive

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Speaker 2: pause again? Zinc up. Do you enjoy an hour long

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Speaker 2: album with a two hour long movie? Yes, Lucas. Do

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Speaker 2: you have a suggested donation to pay what you can?

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Speaker 2: Pay what you will, But honey, if you are going

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Speaker 2: to a Pride event that costs over fifty dollars at

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Speaker 2: least six thousand dollars exactly. And that's that's what radioheads

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Speaker 2: said about in Rainbows seven. They said, they said, Tom said,

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Speaker 2: if you're going to a Pride of It, yes, it's dollars.

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Speaker 2: Pay us six thousand dollars for this album. I gotta

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Speaker 2: tell you one of my biggest cultural blind spots is radio.

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Speaker 2: That's okay, they're always cracked my top five. What is

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Speaker 2: that true?

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Speaker 1: That's my big I believe I didn't know that about

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Speaker 1: the fucking revival of Parade. You're listening to Red.

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Speaker 2: Time be.

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Speaker 7: Can I give to your people one of the kindest

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Speaker 7: things you've ever done, because you know me, Aaron and

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Speaker 7: Patrick are big York girls.

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Speaker 2: Yes.

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Speaker 7: So when her last album came out, we got a

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Speaker 7: text from you that said, girls, I wanted you to

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Speaker 7: know I really tried to listen to the new so

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Speaker 7: I just said, but I had to turn it off

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Speaker 7: halfway through. I found a lot of the imagery imagery

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Speaker 7: to be disturbing. I did I really appreciate this?

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Speaker 2: I mean.

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Speaker 4: That you put that out from A Weird Girl, A

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Speaker 4: weird Girl album she has more like this is a

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Speaker 4: song with a chorus type of album.

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Speaker 2: Yeah, I mean I here's the thing. There's nothing like

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Speaker 2: sort of like being in Fire Island and watching all

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Speaker 2: your sister's vibe on. I think it was some some

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Speaker 2: hallucinogenic and watching you not just listen to, but commune

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Speaker 2: with both nature and existing inside of a Byork songs.

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Speaker 3: From Espertein, what was the song that we were the

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Speaker 3: Hunter not hunting? And of Vespertine where it.

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Speaker 2: Was like we're listening to uh, crystalline Crystaline. Yes, the

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Speaker 2: best song is kay I Twiggs one of the Daughters

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Speaker 2: of York. Absolutely, yeah, kind of all of them, there's many. Yeah,

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Speaker 2: is the daughter of York? Carolyn Pulacheck's the daughter of York. Yeah,

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Speaker 2: you don't feel that way. I didn't know you were

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Speaker 2: a metal head. Well, I like hardcore style talk. So

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Speaker 2: Josh is wearing a Turnston We're really trying to get

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Speaker 2: gay guys into Turnstile this summer, going so far the

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Speaker 2: Turnstile Show the other week. Who would you describe as everyone?

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Speaker 2: Because I wish there were.

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Speaker 1: White people of all shapes and sizes. Basically, when we're

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Speaker 1: talking about everyone, there's no real signifier. It would just

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Speaker 1: be anyone you could think of could be there in

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Speaker 1: that moment when we say everything.

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Speaker 2: I want to take by my question. Cut that question

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Speaker 2: from the nuts, like everyone for everyone, I had sugar.

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Speaker 2: We should go, you should go. It is I find hardcore.

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Speaker 2: It's it's like a queer space where it's metal yet but.

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Speaker 7: Hardcore hardcore hardcore people are erradically accepting in a way

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Speaker 7: that queer people are.

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Speaker 2: You know, they're like all shapes, all sizes, get in

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Speaker 2: the pit, you know, radically accepting. Yeah, I just didn't

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Speaker 2: hear you, correct. I love hardcore music. I love fugazi.

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Speaker 2: Gay guys should get into Fugazi. Gay guys should get

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Speaker 2: into fucked up. Gay guys should get into Turnstile. I

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Speaker 2: like sucked up. I loved your Canadians.

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Speaker 1: How would gay guys benefit from getting into this particular music?

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Speaker 1: I need to know what is it about gay men

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Speaker 1: that they're missing.

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Speaker 2: There's a lot of gen pop doesn't have a lot

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Speaker 2: of rage, and I do think there's one I haven't heard.

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Speaker 2: Olivia Rodrigo, Sure you have. I stung It live. That

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Speaker 2: was a sad moment. You heard her really in that song? Yeah,

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Speaker 2: cuss on this pod. You can cuss. Okay, just bag it, bucket, bucket,

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Speaker 2: See that wasn't the one I wasn't of. You're catching

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Speaker 2: me off guard in this climate, that's for sure. I

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Speaker 2: think you might like Radiohead because Josh always says Tom York,

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Speaker 2: Josh Vibrado. That's one I know you're lacking in male singers.

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Speaker 2: You like something else. We learned in fire.

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Speaker 4: We said name your favorite male singer and took you

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Speaker 4: so long, and then you said, Stevie Wonder question mark.

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Speaker 2: But well, did I arrive at a slayer walk?

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Speaker 7: I don't think, not so much that you disparage male singers.

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Speaker 7: You just worship female singers so much.

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Speaker 2: Can I ask you a.

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Speaker 1: Question, is that is there room for the possibility that

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Speaker 1: maybe I was just being thoughtful?

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Speaker 2: And the answer there was a little bit of maybe

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Speaker 2: y'all be more thoughtful. You shout out, yeah, you're right.

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Speaker 2: There is room for the idea that you were being

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Speaker 2: thoughtful in that moment you weren't. But there's room. But

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Speaker 2: there's room. But Tommy, are you there never power of

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Speaker 2: the room, of the power of the dog? What if

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Speaker 2: I just didn't let it go the whole time and

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Speaker 2: he just really started to fight and I just did it? Yeah,

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Speaker 2: my tender risks, what do you what should What's what's

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Speaker 2: Matt's syllabus on Radiohea? Do you think? I think? Okay?

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Speaker 4: Computers sometimes the benst is good. I chorus verus chorus,

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Speaker 4: which is nice. But I'd be curious what you think

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Speaker 4: of in Rainbow.

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Speaker 2: Okay, I'll start there, I really will, and I'll send

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Speaker 2: you a buyork esque text.

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Speaker 1: Hi, guys, how is everyone doing today? I want you

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Speaker 1: to know I started in Rainbows and I got approximately

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Speaker 1: six songs in before I found the imagery disturbing.

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Speaker 2: It's not disturbing. It starts a little, but then it

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Speaker 2: gets really pretty.

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Speaker 1: I guess being called in Rainbows that was sort of

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Speaker 1: you know, per suazees of the idea. There's going to

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Speaker 1: be terrors within the sonic. Now there's a song on

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Speaker 1: in Rainbow called called House of Cards. It's not a

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Speaker 1: about the TV show, so don't get scared.

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Speaker 2: Reference most on that, you know, how great? Yeah, she

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Speaker 2: should be married. He should replace Cole? Was Mary talk

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Speaker 2: Cole talking about please put Kevin Spacey in Mary.

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Speaker 1: There's no drag queen doing anything as subversive as Kevin Spacey, as.

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Speaker 7: O marriage, Joela accepting Joel accepting Joe Joe Joel, Kevin

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Speaker 7: Spaceyll Kevin Space Actually this is the actual casting. Joela

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Speaker 7: as Mary, Kevin Spacey as Abe, Yes, Mary's husband, and

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Speaker 7: who's Mary's teacher?

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Speaker 2: James Scully reprises, he goes back, no and does it better?

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Speaker 2: Could you beat the best? Whereas the other two can

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Speaker 2: easily be beat? I think Cole and Conrad I've seen,

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Speaker 2: I've seen, and we're madical And remember earlier, how was

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Speaker 2: the party A joyful? A total gag, A gag and awareness,

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Speaker 2: Oh I love that joyful? Please please be hear well?

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Speaker 2: This year we found we were saying, how much like

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Speaker 2: many of our dear friends were nominated. I've actually I

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Speaker 2: actually went two days in a row, and you talked

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Speaker 2: about it on the pod. Maybe I would love to

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Speaker 2: talk about it again.

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Speaker 7: Something for you know, is that Kimmy Bellflower who wrote it,

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Speaker 7: who's incredible, grew up with my boyfriend in the like

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Speaker 7: one stoplight rural town, and so they as teenagers pledged

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Speaker 7: to be like, if you ever get nominated for a Tony, I'll.

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Speaker 2: Take you, and went he was so good I will

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Speaker 2: say he did look look fantastic.

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Speaker 4: Plus one who made the carpet and the vogue right up?

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Speaker 4: And then have you seen dead out Laws starring and

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Speaker 4: Duran not yet.

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Speaker 2: I am an Andrew Duran fan. I loved him in Shocked,

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Speaker 2: he was so good and roped Spring Awakening ink over

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Speaker 2: in the West End. Why did they ever bring that here?

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Speaker 2: Because we're dumb? Because I think it, I think it

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Speaker 2: didn't like run, I don't think it right now. On

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Speaker 2: the No Offense, the me a show with.

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Speaker 1: Jokes, the show with real jokes made me realize last night.

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Speaker 1: I saw Alex Nowell at the Mets Pride game. She

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Speaker 1: sang the national anthem down taking it back.

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Speaker 2: One of the few who's probably like, could we raise it? Actually?

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Speaker 2: Could we make it higher?

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Speaker 1: And then Jeremiah Brant throughout the first pitch YEP, and

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Speaker 1: I saw Jan was there in the full get up.

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Speaker 2: Jan is one of my favorite people to kind of

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Speaker 2: just say. She's saying the national anthem.

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Speaker 1: Raree shows they were saying in the K corner. So

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Speaker 1: Jam was giving pre shows and they kept calling it

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Speaker 1: the K Corner and I was like, girl, what thinking

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Speaker 1: they were like a gay guy and talking about the

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Speaker 1: ketamine reference. It just means where they knock up, where

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Speaker 1: all this the strikeouts happen.

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Speaker 2: So let me just to listen to hardcore music. You

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Speaker 2: need to stop thinking K means kee.

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Speaker 1: You realize it means strikeout. So this is a big

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Speaker 1: difference between straight and queer culture. Is K two straight

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Speaker 1: men means strikeout and K two gay men means ketmines.

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Speaker 2: This is one way we can start to have a

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Speaker 2: conversation and a dialogue.

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Speaker 7: And it's also class, you're talking about working class. For

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Speaker 7: the K is thousands, one hundred, K two, it's money, y'all, yeah,

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Speaker 7: fight the rich the rich, yeah, okay.

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Speaker 2: And then for scientists it's Kelvin Yes, Kelvin yes, absolutely,

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Speaker 2: And for Kim Kardashian, it's her first and last name.

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Speaker 2: Clouds is out. Have you seen just a little beb whatever?

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Speaker 2: Clouds is out? What is this? He is a TikTok,

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Speaker 2: but back in the day, just an Instagram star. And

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Speaker 2: she used to now she does like all sex toy

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Speaker 2: it's like that's her lube, and but she.

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Speaker 7: Used to give inspirational messages and often they were done

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Speaker 7: where you could only see her nails on camera.

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Speaker 2: And she had this crazy blue synthetic wig. Okay, we're

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Speaker 2: getting visual. Where are you're going? Oh that's great, that's

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Speaker 2: really good, really interested in everyone listening at home. Josh

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Speaker 2: just crawled on the ground and went to camera and

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Speaker 2: made claws. I want us and I want us in

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Speaker 2: the video to not use that I want. I'm being

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Speaker 2: told to do it again. No, no, and then and

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Speaker 2: then we're gonna use the opposite camera. That's interesting. She'd

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Speaker 2: be like, don't use the wide on.

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Speaker 8: Kay.

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Speaker 2: So I just got a delicious that's that. That's very muppety.

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Speaker 2: I am seeing what it's doing in the video work

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Speaker 2: and she would have nails, nails.

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Speaker 4: She was wearing a blue wig and like eating a lollipop,

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Speaker 4: and she goes, if you have himself a bad day,

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Speaker 4: I ask yourself why she suck?

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Speaker 2: Living in Los Angeles, Angela's troubled on Last for always, bitch,

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Speaker 2: So trouble Last have always been. I have watched that

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Speaker 2: video when experiences.

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Speaker 7: Shape for when I'm having it down, and I watch

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Speaker 7: her go living in Los Angeles.

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Speaker 2: Out Trouble Last always bitch. That is beautiful.

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Speaker 3: That is a simplified way of what I've been saying lately,

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Speaker 3: which is a little bit IROLLI but I'm like, despair

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Speaker 3: is a transitional phase. Yeah, Trouble to Last for always, Yeah,

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Speaker 3: it's two ways of saying absolutely, I have to.

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Speaker 2: Say this to Wig blowing like a mother Yeah, come on,

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Speaker 2: that's what she's just. I mean, come on, blowing like

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Speaker 2: a motherfucker. Troubled on last night, Bitch, listen to It's beautiful.

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Speaker 2: You can put it in the Instagram. Trouble will last

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Speaker 2: for always. Bitch is very much a sibling of ain't miss.

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Speaker 7: God, their cousins, their ken okay, oh Mary party fabulous

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Speaker 7: for Cole to win, to Sam to win talent, people

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Speaker 7: that deserves talent.

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Speaker 2: Oh my god.

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Speaker 7: Then I linked up with Blake and Kimmy and we

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Speaker 7: ended the night. Kimmy, who should be on the at

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Speaker 7: some point, actually should be really good. Blake too, but

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Speaker 7: he'd be less fun. That's a quote probably from him.

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Speaker 7: He'd agreed O night and the Plaza Hotel getting banana

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Speaker 7: splits on room service at six.

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Speaker 2: In the morning. Oh I love that heaven. He and

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Speaker 2: Josh also is going to Pine that day and he

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Speaker 2: came much later. I didn't take it on the morning

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Speaker 2: ferry because he, you know, did the booger sugar did

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Speaker 2: banana split at six in the morning. The snow that goes,

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Speaker 2: that goes? I had the slopes, the Banana split slope.

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Speaker 3: Now we should we We didn't eve get a chance

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Speaker 3: to mention this because we did not bring y'all in.

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Speaker 3: But I'm Aaron and this is Josh.

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Speaker 2: I'm on women, and I didn't even realize that didn't happen.

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Speaker 3: Well, we just have to quickly plug because because we

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Speaker 3: said the name San Pankleton, Tony San Pinkleton, who is

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Speaker 3: now directing Josh's show at the Greenwich House Theater that's

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Speaker 3: July seventh, called da.

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Speaker 2: Yes, I'm doing the canonical one man Off Away Experience.

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Speaker 2: I'm gad, I'm so excited. I'm coming. I'm coming on

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Speaker 2: opening night. Yes, you said that. The opening night is

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Speaker 2: July seventh. Year, you'll be gone back and there'll be

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Speaker 2: other chances, but I'm coming because it runs through maybe

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Speaker 2: and maybe i'll see your preview. Absolute how about that

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Speaker 2: seven shows a week? Are you're going to be on

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Speaker 2: your your vocal health game? You have to be on

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Speaker 2: my vocal health games? Even you know, still talking, you're

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Speaker 2: still voice. I can't. I don't have a scene partner

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Speaker 2: to ya. Yeah, yeah, do you have an understudy? No?

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Speaker 2: Actually that would be people would love that. Yeah, I'll

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Speaker 2: talk about my deep personal specific life experience. Josh Show.

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Speaker 2: Did you see Aaron Aaron at aout? It coming good?

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Speaker 2: Josh is good.

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Speaker 7: But when Aaron talks about love in cancer, it really sings. Literally,

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Speaker 7: Aaron sings, Josh, he was amazing his mommy. He was gay,

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Speaker 7: but didn't know how to broach the subject, you.

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Speaker 2: Know, because I didn't think Josh was that.

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Speaker 1: Kevin was really sexy in the Wrongs he looks. I

407
00:23:11,440 --> 00:23:14,720
Speaker 1: think since he's come out, he's become even better. Yeah,

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00:23:15,520 --> 00:23:18,040
Speaker 1: we'll never know if Kevin Spacey was a better actor

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Speaker 1: as an out gay man, you know, yeah when he

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Speaker 1: was out, after he was Yeah, we don't have to talk.

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Speaker 2: Someone has to Well, I just got mine. I don't

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Speaker 2: think so, Honey. Everyone's too afraid. Don't you think everyone's

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00:23:36,240 --> 00:23:38,960
Speaker 2: too afraid. Everyone is too afraid to get into it.

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00:23:39,200 --> 00:23:42,600
Speaker 1: Too afraid to make Spacey jokes less Instagram find out

415
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Speaker 1: and say, hey, here's a grab but them talking about

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Speaker 1: how they wish Spacey was given another.

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Speaker 2: Chance to become an outday actor. When did we lose

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Speaker 2: him to society's disdain? Oh god, I think people think

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Speaker 2: I want to know the year I don't remember. I'm

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Speaker 2: gonna imagine twenty seventies seventeen. You think it was in

421
00:24:02,160 --> 00:24:03,520
Speaker 2: the Big me too? Do you think he did it

422
00:24:03,640 --> 00:24:05,960
Speaker 2: right after your pot started? You think they were linked?

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00:24:06,520 --> 00:24:10,840
Speaker 2: I think yeah. I mean House of Cards has been

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Speaker 2: what was going on from like twenty eleven? Can I say,

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Speaker 2: say a pilot episode ago.

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Speaker 3: I've seen Malcolm in the middle, I've seen the camera

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Speaker 3: ship turning off whispering.

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Speaker 2: I didn't like you never liked that season one. But

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Speaker 2: I can get loud to Carwe loud too. We got

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Speaker 2: to talk about we got to talk about the Traders

431
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Speaker 2: cast too. Oh yeah, and no one wants to really

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Speaker 2: talk about Australia versus the World Survivor, which is really

433
00:24:45,200 --> 00:24:47,719
Speaker 2: the big event. Yeah please, I would love to know more,

434
00:24:47,800 --> 00:24:50,920
Speaker 2: Please educate love, I do too. This is dull as

435
00:24:50,960 --> 00:24:57,240
Speaker 2: hell Australia. Australian Survivor is now the superior franchise, oh please,

436
00:24:57,320 --> 00:25:00,119
Speaker 2: absolutely has been for a few years in Australia. Is

437
00:25:00,240 --> 00:25:04,280
Speaker 2: the world is stars yea, all stars from all the franchises.

438
00:25:04,320 --> 00:25:05,920
Speaker 2: But there's like I'm just gonna make up numbers like

439
00:25:05,960 --> 00:25:09,000
Speaker 2: eight Australian Survivor players and then eight internationals and the

440
00:25:09,280 --> 00:25:12,480
Speaker 2: US we have our Tony poverty and Serren Yeah, Rety

441
00:25:12,560 --> 00:25:15,440
Speaker 2: good stuff. And then one of the Aussi people is

442
00:25:15,720 --> 00:25:18,800
Speaker 2: David the Golden God. David the Golden God Shawnee Shawn

443
00:25:19,840 --> 00:25:22,680
Speaker 2: King jo. Oh yeah, this is a good great friend

444
00:25:23,440 --> 00:25:31,040
Speaker 2: Joe friend actress Like, yeah, so tell everyone about actress.

445
00:25:30,760 --> 00:25:34,320
Speaker 4: Pa actress. I know what that was on a great

446
00:25:34,400 --> 00:25:39,240
Speaker 4: season with Luke Talky and he's gonna be Luke Talky

447
00:25:39,280 --> 00:25:42,320
Speaker 4: one Australia Big Brother. Okay, anyway, it's just so great,

448
00:25:42,359 --> 00:25:44,720
Speaker 4: it's gonna be great. It's really going to be a sensation. Wow,

449
00:25:45,440 --> 00:25:48,159
Speaker 4: even if even if it flops, it's like impossible that

450
00:25:48,240 --> 00:25:50,160
Speaker 4: there's like not an amazing episod. I will say, I've

451
00:25:50,280 --> 00:25:53,240
Speaker 4: never seen a group of hotter people than any given

452
00:25:53,840 --> 00:25:57,680
Speaker 4: Australia cast, which are really is tough about the US

453
00:25:57,800 --> 00:26:00,360
Speaker 4: version two because we're casting for brains not always his looks,

454
00:26:00,359 --> 00:26:01,880
Speaker 4: which is fine, but I know we can do better.

455
00:26:01,920 --> 00:26:03,440
Speaker 2: I think, what about when we go to Fire Island.

456
00:26:03,440 --> 00:26:07,240
Speaker 2: You don't think that's a hotter group of men? No,

457
00:26:09,240 --> 00:26:12,000
Speaker 2: it could be picking the hottest but the hottest eight

458
00:26:12,240 --> 00:26:15,320
Speaker 2: from that hot group and putting them on camera. Yeah,

459
00:26:15,640 --> 00:26:18,119
Speaker 2: starving from all from all of what weekend of fire Island,

460
00:26:18,640 --> 00:26:22,240
Speaker 2: your favorite, your hottest, your hottest weekend, the hottest weekend

461
00:26:22,280 --> 00:26:22,840
Speaker 2: you've ever been.

462
00:26:23,040 --> 00:26:25,480
Speaker 3: Yeah, because I bet, I bet those Australia Survivor guys

463
00:26:25,720 --> 00:26:29,400
Speaker 3: could never drink an Island special, could never know it's

464
00:26:30,480 --> 00:26:31,679
Speaker 3: our theory changed the.

465
00:26:33,280 --> 00:26:38,280
Speaker 2: Planet. Fucking crazy, crazy, popping off. It was a different color.

466
00:26:40,280 --> 00:26:41,480
Speaker 2: I had one Dean.

467
00:26:41,359 --> 00:26:44,000
Speaker 1: Planners punches and then I almost went over some guy's

468
00:26:44,080 --> 00:26:47,080
Speaker 1: house and he said, don't worry, my daughter's asleep.

469
00:26:47,400 --> 00:26:48,320
Speaker 2: My daughters.

470
00:26:48,680 --> 00:26:50,479
Speaker 1: I was like, okay, maybe I could have been two

471
00:26:50,560 --> 00:26:53,560
Speaker 1: Planners punches. I would have done something like, oh the

472
00:26:53,680 --> 00:26:57,480
Speaker 1: child next your daughter cat in the hat. I was like, honey,

473
00:26:57,560 --> 00:26:59,600
Speaker 1: bring your kids to dragon on no problem.

474
00:27:00,160 --> 00:27:04,600
Speaker 2: One time I had two on July the four, and

475
00:27:04,680 --> 00:27:08,480
Speaker 2: I got the spins. Yes I remember. I was like,

476
00:27:08,560 --> 00:27:10,840
Speaker 2: I have the spins on two of those the same

477
00:27:10,920 --> 00:27:15,399
Speaker 2: year that I beat out. You beat out. I brown

478
00:27:15,600 --> 00:27:19,080
Speaker 2: blocked out the difference because I noticed you used brown

479
00:27:19,160 --> 00:27:22,000
Speaker 2: out a lot. What's what's your personal that you can remember?

480
00:27:23,040 --> 00:27:24,720
Speaker 3: And I will just say, I don't know why I'm hedging.

481
00:27:24,760 --> 00:27:28,040
Speaker 3: It was a full blackout and yeah, I'm I'm ashamed.

482
00:27:28,240 --> 00:27:30,240
Speaker 2: Oh yeah. And then the island came together. The island

483
00:27:30,280 --> 00:27:33,639
Speaker 2: came together, the found me. Can I say something? So,

484
00:27:33,760 --> 00:27:35,480
Speaker 2: first of all, let's tee this up, which is that

485
00:27:35,640 --> 00:27:38,000
Speaker 2: Bowen lost his wallet and the community the island went

486
00:27:38,440 --> 00:27:41,200
Speaker 2: and Yang's wallet. You went crazy to try and bow

487
00:27:41,240 --> 00:27:45,200
Speaker 2: and Yang text from everyday in this great nation of ours.

488
00:27:45,440 --> 00:27:48,320
Speaker 7: Well, very similarly, when I was in Los Angeles the

489
00:27:48,359 --> 00:27:50,160
Speaker 7: other week doing an out of town tryout of josh

490
00:27:50,280 --> 00:27:52,320
Speaker 7: up to da tickets on sale joshup dot com.

491
00:27:52,600 --> 00:27:54,720
Speaker 2: I went to actpart one night. Didn't realize until I

492
00:27:54,840 --> 00:27:55,120
Speaker 2: was back.

493
00:27:55,240 --> 00:27:57,760
Speaker 7: I left my tote bag there with one of those

494
00:27:57,840 --> 00:28:00,400
Speaker 7: nice water bottles, like, oh god, I've just been fifty

495
00:28:00,400 --> 00:28:02,520
Speaker 7: dollars on a water bowl again, and some sundryes.

496
00:28:02,560 --> 00:28:04,240
Speaker 2: But I was like, whatever, you know, it is what

497
00:28:04,359 --> 00:28:07,040
Speaker 2: it is. Who do I get a DM from yesterday? Yes,

498
00:28:07,200 --> 00:28:11,879
Speaker 2: a bar? The account your New Yorker magazine was in

499
00:28:12,000 --> 00:28:13,639
Speaker 2: it with your name on it, So we figured out

500
00:28:13,720 --> 00:28:16,880
Speaker 2: it's you. Can we mail it to you? The akbar,

501
00:28:18,480 --> 00:28:25,280
Speaker 2: the investigating the gay bar. Have we actually all been

502
00:28:25,320 --> 00:28:26,919
Speaker 2: together to mourn Barracuda?

503
00:28:27,400 --> 00:28:27,440
Speaker 3: No?

504
00:28:27,600 --> 00:28:28,399
Speaker 2: I don't think we have.

505
00:28:29,400 --> 00:28:32,919
Speaker 7: Actually, let's give space to that, because this is now,

506
00:28:33,040 --> 00:28:36,520
Speaker 7: this could get genuine, because for once we've spoken of

507
00:28:36,600 --> 00:28:41,000
Speaker 7: some of the lore of just like coming together. But Barrakudah,

508
00:28:41,080 --> 00:28:42,560
Speaker 7: we have to put a pin in because that was

509
00:28:42,680 --> 00:28:45,160
Speaker 7: such like our clubhouse for.

510
00:28:45,200 --> 00:28:46,080
Speaker 2: Those formative years.

511
00:28:46,320 --> 00:28:49,280
Speaker 1: Yeah, god, I mean how many times did we like

512
00:28:49,400 --> 00:28:51,360
Speaker 1: how many times did we see Bob.

513
00:28:52,880 --> 00:28:55,200
Speaker 2: Pre era? And then like also I just think about

514
00:28:55,240 --> 00:28:58,520
Speaker 2: like that was really where we'd go to like pregame concerts.

515
00:28:58,640 --> 00:29:01,680
Speaker 7: Yes, still even still I find I like to do

516
00:29:01,760 --> 00:29:03,480
Speaker 7: it in that well, al I p but we would

517
00:29:03,520 --> 00:29:03,880
Speaker 7: still do that.

518
00:29:04,000 --> 00:29:05,800
Speaker 2: But I just missed those days where we were there

519
00:29:05,920 --> 00:29:11,040
Speaker 2: truly every week in the morning, like every Monday, it

520
00:29:11,160 --> 00:29:13,760
Speaker 2: was a Monday Bob shows on Monday. But it's like

521
00:29:13,840 --> 00:29:17,920
Speaker 2: the best show night that was. We would do identical

522
00:29:17,960 --> 00:29:20,720
Speaker 2: twins and then you'd see Bob the drag Queen. There's

523
00:29:20,760 --> 00:29:25,160
Speaker 2: no better to half of it is my show that

524
00:29:25,920 --> 00:29:28,680
Speaker 2: It was wild to get to watch Bob in that era.

525
00:29:28,920 --> 00:29:31,080
Speaker 2: It was the two technique of of of our of

526
00:29:31,160 --> 00:29:33,280
Speaker 2: that time. It was the technique of that time. And

527
00:29:33,520 --> 00:29:41,560
Speaker 2: ven I think it can be many different ways. You

528
00:29:41,640 --> 00:29:44,240
Speaker 2: are Canadian, maybe that's how they say it there is

529
00:29:44,680 --> 00:29:48,680
Speaker 2: you know, Yeah, it's like a formative. What's formative? Formative?

530
00:29:49,360 --> 00:29:52,360
Speaker 2: Couda formative. It's like I can't even be like, I'm

531
00:29:52,480 --> 00:29:56,280
Speaker 2: just mournful like im. I also, I hooked up a

532
00:29:56,440 --> 00:29:59,000
Speaker 2: lot there, like I remember, it was like or like

533
00:29:59,160 --> 00:30:01,560
Speaker 2: you have pull the pad I hooked up there.

534
00:30:01,680 --> 00:30:03,680
Speaker 1: It was like it was like something in the space

535
00:30:03,920 --> 00:30:06,080
Speaker 1: or not in the space. No, but I know I

536
00:30:06,240 --> 00:30:08,960
Speaker 1: know of some filth that's gone that used to go

537
00:30:09,080 --> 00:30:10,040
Speaker 1: down in that bathroom.

538
00:30:10,160 --> 00:30:12,520
Speaker 2: I touched crotches through jeans there, do you know what

539
00:30:12,560 --> 00:30:15,960
Speaker 2: I mean? I know full on breedings. I know full

540
00:30:16,040 --> 00:30:19,560
Speaker 2: on breedings that happened in the because it's it's a

541
00:30:19,600 --> 00:30:22,640
Speaker 2: small small it's small.

542
00:30:22,960 --> 00:30:26,880
Speaker 1: It smelt like ship yeah, figure spaces and also like

543
00:30:27,400 --> 00:30:30,800
Speaker 1: it was it was, it was always, it was always busy.

544
00:30:31,040 --> 00:30:33,920
Speaker 2: It was there because I think it was just the

545
00:30:34,000 --> 00:30:36,680
Speaker 2: one and one. Luckily when it closed down, because Aaron

546
00:30:36,680 --> 00:30:38,120
Speaker 2: and I went like early in the week as soon

547
00:30:38,160 --> 00:30:39,600
Speaker 2: as we heard. But then I was out of town

548
00:30:39,680 --> 00:30:41,040
Speaker 2: for the weekend, and I was like sort of sad

549
00:30:41,120 --> 00:30:43,440
Speaker 2: to miss the final festivities. But then I realized, if

550
00:30:43,440 --> 00:30:45,240
Speaker 2: you had told me by the way Barracuda closed a

551
00:30:45,280 --> 00:30:47,760
Speaker 2: month ago, I'd be like I put in Malcolm Gladwell

552
00:30:47,800 --> 00:30:48,800
Speaker 2: ten thousand hours there.

553
00:30:48,920 --> 00:30:51,520
Speaker 7: Like Luckily, I hold totally I had my time. You

554
00:30:51,640 --> 00:30:53,560
Speaker 7: just felt like, I'm like, shit, we gotta squeeze it in, right.

555
00:30:53,760 --> 00:30:57,880
Speaker 7: We really spent a lifetime. Yeah, yeah, dang love her.

556
00:30:58,640 --> 00:30:59,920
Speaker 2: One of the best spots to see Drag.

557
00:31:00,240 --> 00:31:03,880
Speaker 3: Truly, truly, absolutely where I saw alexis Michelle. This is

558
00:31:04,000 --> 00:31:07,000
Speaker 3: the same episode the Katia got kicked off, got eliminated

559
00:31:07,040 --> 00:31:11,360
Speaker 3: inta Gate season seven, and it was just five of

560
00:31:11,480 --> 00:31:14,600
Speaker 3: us in that room and me screaming caught you know,

561
00:31:14,720 --> 00:31:17,280
Speaker 3: tweeting it, and the community coming after.

562
00:31:17,200 --> 00:31:22,320
Speaker 7: Me wallet Fire Island, Yes, the community coming pitchforks and

563
00:31:22,400 --> 00:31:24,480
Speaker 7: him quickly it can turn wait.

564
00:31:24,400 --> 00:31:29,240
Speaker 2: Speaking he saw busted there, speaking of Fire Island. I

565
00:31:29,640 --> 00:31:33,920
Speaker 2: met Big Bro last night. No no, and it was

566
00:31:35,680 --> 00:31:39,960
Speaker 2: Sheila at hollow fabulous party. But this, but this lovely

567
00:31:40,040 --> 00:31:41,960
Speaker 2: gentleman like strikes a conversation with me and I'm like,

568
00:31:42,040 --> 00:31:43,440
Speaker 2: oh my god, what a sweet god. And he goes

569
00:31:43,680 --> 00:31:46,960
Speaker 2: and I just have to say, I'm big I I

570
00:31:47,040 --> 00:31:50,880
Speaker 2: am Big Bro. I was like, when was Big Bro?

571
00:31:51,000 --> 00:31:52,920
Speaker 1: And I texted a couple of weeks ago about meeting up.

572
00:31:53,040 --> 00:31:56,960
Speaker 1: He is so lovely, by the way, not what I expected. No,

573
00:31:57,880 --> 00:32:01,240
Speaker 1: I don't feel like it's maybe so wait can we

574
00:32:01,400 --> 00:32:03,600
Speaker 1: just we'll just level stuff for everyone who's joined us

575
00:32:03,720 --> 00:32:05,400
Speaker 1: since the Big Bro of it all, because a lot

576
00:32:05,400 --> 00:32:07,720
Speaker 1: of you are new here, they're basically.

577
00:32:09,440 --> 00:32:12,080
Speaker 2: Followers. Here's who Big Bro is. So he's a big

578
00:32:12,200 --> 00:32:15,440
Speaker 2: part of the lords. Ariana's coming on the pod soon

579
00:32:15,560 --> 00:32:17,959
Speaker 2: any minute now, She's coming in. It's so funny, Michelle.

580
00:32:18,080 --> 00:32:19,880
Speaker 1: But it's just so funny because two weeks ago we

581
00:32:19,960 --> 00:32:22,080
Speaker 1: have an episode called How the Salad Gets Tossed where

582
00:32:22,080 --> 00:32:24,320
Speaker 1: we talk about it like at length, like whether or

583
00:32:24,360 --> 00:32:27,480
Speaker 1: not it's like sort of like here nor there to

584
00:32:27,640 --> 00:32:30,360
Speaker 1: lay a towel down on the bed for anal sex

585
00:32:30,760 --> 00:32:31,840
Speaker 1: then Michelle Obama.

586
00:32:33,440 --> 00:32:37,160
Speaker 2: So this podcast continues to be everything everywhere. All that

587
00:32:37,560 --> 00:32:38,800
Speaker 2: was anyway.

588
00:32:38,880 --> 00:32:40,720
Speaker 1: We went to Fire Island a few years ago. I

589
00:32:40,880 --> 00:32:44,320
Speaker 1: was particularly on one. I met someone he's canonically known

590
00:32:44,320 --> 00:32:49,200
Speaker 1: on the podcast as Big brocau litl Bro while I

591
00:32:49,560 --> 00:32:53,040
Speaker 1: was having sex with him, and I think the vocabulary

592
00:32:53,040 --> 00:32:54,840
Speaker 1: I used at the time was I shot a load

593
00:32:55,080 --> 00:32:57,600
Speaker 1: up to heaven that has never come down. Yes, And

594
00:32:57,880 --> 00:33:00,760
Speaker 1: we have had sex many times since then. It remains

595
00:33:00,840 --> 00:33:02,120
Speaker 1: a great sort of.

596
00:33:02,640 --> 00:33:06,400
Speaker 9: Relationship in my life and I still to this I

597
00:33:06,520 --> 00:33:13,080
Speaker 9: have to say, best, Oh my gosh, that's okay.

598
00:33:13,160 --> 00:33:15,200
Speaker 1: If you're listening to this or watching this, and we've

599
00:33:15,240 --> 00:33:17,280
Speaker 1: had sex and it's not you. That doesn't mean it

600
00:33:17,400 --> 00:33:17,840
Speaker 1: wasn't great.

601
00:33:18,120 --> 00:33:22,280
Speaker 2: He's just the king, Yeah, just a king. And you

602
00:33:22,440 --> 00:33:25,360
Speaker 2: also famously kept you. You were like, I had sex

603
00:33:25,440 --> 00:33:28,120
Speaker 2: outside by the river. I had sex by We were like,

604
00:33:28,200 --> 00:33:30,320
Speaker 2: there is no river here, what are you talking about?

605
00:33:30,320 --> 00:33:31,920
Speaker 2: And it took days and then we realized you met

606
00:33:32,000 --> 00:33:36,800
Speaker 2: the bay. Why I was by the water.

607
00:33:37,200 --> 00:33:40,000
Speaker 1: You look at it quite like a river to me, Like,

608
00:33:40,080 --> 00:33:43,880
Speaker 1: I don't necessarily think you have to call things the

609
00:33:44,000 --> 00:33:49,160
Speaker 1: right thing, especially not in court, especially not in court.

610
00:33:50,480 --> 00:33:53,080
Speaker 2: What's the big fucking deal? Even in core have fun

611
00:33:57,360 --> 00:34:00,200
Speaker 2: fake news? You said it's the bay. Anyway you met Bro,

612
00:34:00,360 --> 00:34:01,600
Speaker 2: I'm shook behind.

613
00:34:01,840 --> 00:34:07,000
Speaker 3: Imagine big Bro is like me guy, someone with you know,

614
00:34:07,200 --> 00:34:10,880
Speaker 3: vim and vigor. He has it when it counts, and

615
00:34:11,040 --> 00:34:13,400
Speaker 3: now I'm like, oh, it's a toggle like he switches

616
00:34:13,440 --> 00:34:17,560
Speaker 3: it on. But otherwise in person and brotherly and that way,

617
00:34:17,680 --> 00:34:20,320
Speaker 3: big brotherly, he's actually seeking.

618
00:34:20,760 --> 00:34:21,320
Speaker 2: But he loves you.

619
00:34:21,520 --> 00:34:23,000
Speaker 1: It's it's one of those things where it's like and

620
00:34:23,040 --> 00:34:25,120
Speaker 1: I think people out there no where, during sex, it's

621
00:34:25,200 --> 00:34:28,440
Speaker 1: like one thing, one great lovely thing, and then afterwards

622
00:34:28,480 --> 00:34:29,680
Speaker 1: it's like such a sweet thing.

623
00:34:31,320 --> 00:34:35,600
Speaker 2: Your personality was not what it becomes, but in only

624
00:34:35,719 --> 00:34:39,279
Speaker 2: the best way. Of course, sex is fake and Big

625
00:34:39,320 --> 00:34:41,880
Speaker 2: Bro is in a committed relationship, so that's where that stays.

626
00:34:42,800 --> 00:34:44,040
Speaker 2: And you didn't breed Big Bro.

627
00:34:44,400 --> 00:34:47,440
Speaker 3: I know I was not Bro, but he did say

628
00:34:47,520 --> 00:34:51,759
Speaker 3: because now Matt is selling merch, that says Matt Matt

629
00:34:51,880 --> 00:34:52,680
Speaker 3: owes me are.

630
00:34:52,880 --> 00:34:56,840
Speaker 2: Yeah, you gotta cut him in. That's just intellectual property. Baby.

631
00:34:57,280 --> 00:34:59,719
Speaker 2: He's the one called you that we're in court? Now?

632
00:35:00,160 --> 00:35:02,719
Speaker 2: Can I say there's plans for him to wear the

633
00:35:02,840 --> 00:35:05,920
Speaker 2: jersey next time? Venmo, Big Bro? Don't you think that's

634
00:35:06,760 --> 00:35:09,719
Speaker 2: b Should I wear my little bro jersey? By the way,

635
00:35:09,760 --> 00:35:15,080
Speaker 2: you can still buy big real Little brow jersey dot

636
00:35:15,160 --> 00:35:18,120
Speaker 2: com for all your Matt Rogers. I would love if

637
00:35:18,120 --> 00:35:20,120
Speaker 2: we if I had a like landing page for my

638
00:35:20,239 --> 00:35:23,239
Speaker 2: merch on your nice collab. We should just link all

639
00:35:23,280 --> 00:35:25,520
Speaker 2: of our things to everything else. Why don't we just

640
00:35:25,520 --> 00:35:29,200
Speaker 2: start one big website. Let's start one big website. Let's

641
00:35:29,239 --> 00:35:32,400
Speaker 2: just do a website again. This is lander endorsing each other.

642
00:35:33,880 --> 00:35:39,919
Speaker 2: You're dating them, you're dating the podcast the first time

643
00:35:40,000 --> 00:35:41,560
Speaker 2: we've talked about something temporal.

644
00:35:44,560 --> 00:35:51,719
Speaker 7: Should for the tour let's get into committing to it

645
00:35:51,800 --> 00:35:54,240
Speaker 7: that I do feel always I'm like, this is real, though.

646
00:35:54,239 --> 00:35:55,000
Speaker 2: Will can I say?

647
00:35:55,040 --> 00:35:58,960
Speaker 1: This is literally how every other single thing that like

648
00:35:59,120 --> 00:36:01,200
Speaker 1: we or I have ever had successful.

649
00:36:01,239 --> 00:36:02,879
Speaker 2: It starts as a joke and then it becomes real.

650
00:36:02,960 --> 00:36:06,120
Speaker 3: Culture Awards start as a joke. Then one year it's like, Bowen,

651
00:36:06,680 --> 00:36:08,160
Speaker 3: you have a slot at Lincoln Center.

652
00:36:08,239 --> 00:36:10,000
Speaker 2: What do you want to do? Oh? I don't know, man,

653
00:36:10,040 --> 00:36:11,759
Speaker 2: do you want to do Culture Awards? Let's do it?

654
00:36:13,000 --> 00:36:16,200
Speaker 2: Culture was a joke. Have you heard of Christmas? Did

655
00:36:16,239 --> 00:36:18,960
Speaker 2: you entertain for the Lincoln Center? Was there anything else?

656
00:36:19,320 --> 00:36:20,120
Speaker 2: Are they gonna do an it? No?

657
00:36:20,239 --> 00:36:23,880
Speaker 1: I think it was like, oh, they get optity because

658
00:36:23,880 --> 00:36:26,000
Speaker 1: if you remember, we canceled the Cultural Awards because they

659
00:36:26,040 --> 00:36:28,040
Speaker 1: never actually were supposed to happen. We just were doing

660
00:36:28,080 --> 00:36:31,040
Speaker 1: nominee is just because we had to do an episode.

661
00:36:31,080 --> 00:36:32,480
Speaker 1: We were like, we had nothing to talk about, so

662
00:36:32,600 --> 00:36:34,440
Speaker 1: we did. And the bit was and we're going to

663
00:36:34,480 --> 00:36:36,680
Speaker 1: cancel this. We're gonna say that they're canceled, and that's.

664
00:36:36,520 --> 00:36:39,560
Speaker 2: The episode you had nothing to talk about. The only

665
00:36:39,680 --> 00:36:47,359
Speaker 2: one listener I know what they want anymore? They want

666
00:36:47,360 --> 00:36:50,520
Speaker 2: the floor about this. Okay, that's what you said, tell

667
00:36:50,560 --> 00:36:52,200
Speaker 2: them what that is. That's want you tell them about that.

668
00:36:53,719 --> 00:36:56,720
Speaker 2: By the way, last for Always and I were reflecting

669
00:36:56,800 --> 00:37:00,359
Speaker 2: on what a perfect story, what a perfect story.

670
00:37:00,400 --> 00:37:02,160
Speaker 3: It's a it's a it's a for sale baby shoes

671
00:37:02,200 --> 00:37:06,719
Speaker 3: never worn of of that drag race like like World

672
00:37:06,800 --> 00:37:07,840
Speaker 3: Pride twenty nineteen.

673
00:37:08,160 --> 00:37:10,440
Speaker 2: You know, people don't know about Stone, they don't know

674
00:37:10,840 --> 00:37:16,320
Speaker 2: you don't know about Stonewall what that is? And the

675
00:37:16,480 --> 00:37:19,480
Speaker 2: people were killed. Nobody was killed, nobody was.

676
00:37:19,560 --> 00:37:25,280
Speaker 7: Killed, nobody will for sale. You can't take a single

677
00:37:25,360 --> 00:37:29,399
Speaker 7: syllable from that perfectly. Nobody was killed, nobody was killed,

678
00:37:29,719 --> 00:37:35,080
Speaker 7: will killed, nobody was killed. Willem a true comedian, a historian.

679
00:37:35,280 --> 00:37:37,879
Speaker 1: I just think derren Berry and Willim are a comedy duo.

680
00:37:37,960 --> 00:37:41,600
Speaker 1: We don't think I need And if they don't think that,

681
00:37:41,880 --> 00:37:44,319
Speaker 1: at least I'm going to their Vegas two person show.

682
00:37:46,400 --> 00:37:47,440
Speaker 1: So anyways, speaking of.

683
00:37:48,920 --> 00:37:55,719
Speaker 2: Really quick, Willim Willem we met zigging and zagging. It's

684
00:37:55,920 --> 00:37:58,680
Speaker 2: crazy to try to keep up. I know, Willim we

685
00:37:58,800 --> 00:38:03,520
Speaker 2: met at maybe Drag maybe track the musical. I think

686
00:38:05,080 --> 00:38:07,040
Speaker 2: everybody what that is. She came up, she said hello,

687
00:38:07,400 --> 00:38:09,359
Speaker 2: she was like big fan of the movie. I was like, well,

688
00:38:09,400 --> 00:38:09,759
Speaker 2: I love you.

689
00:38:10,320 --> 00:38:12,439
Speaker 7: She goes, she goes, and if you ever need a drag, queen,

690
00:38:12,520 --> 00:38:14,840
Speaker 7: one of your projects, I'm a veil and walked away and.

691
00:38:14,920 --> 00:38:17,120
Speaker 2: She said to you, you said, I love you, and

692
00:38:17,200 --> 00:38:18,960
Speaker 2: she goes, you have good taste. Oh yeah, that too,

693
00:38:19,120 --> 00:38:20,480
Speaker 2: I love you, you have good taste. This is what

694
00:38:20,560 --> 00:38:20,799
Speaker 2: I said.

695
00:38:20,840 --> 00:38:22,960
Speaker 3: This is what what I tagged Camila this season on Survivor.

696
00:38:23,080 --> 00:38:24,520
Speaker 3: I was like, oh my god, she's my queen. She

697
00:38:24,640 --> 00:38:26,720
Speaker 3: responds to my DM, she goes, thank you for your honesty.

698
00:38:26,840 --> 00:38:33,839
Speaker 2: I was like, I love that honesty. For the tour

699
00:38:34,440 --> 00:38:39,239
Speaker 2: to what that is? Tell everybody what that is? I

700
00:38:39,320 --> 00:38:43,440
Speaker 2: think for the tour, nobody the tour was killed. I

701
00:38:43,520 --> 00:38:44,959
Speaker 2: think out of the four of us, I think Josh

702
00:38:45,120 --> 00:38:47,440
Speaker 2: might have the clearest. He's on the pitch, he's on

703
00:38:47,520 --> 00:38:50,279
Speaker 2: the pitch side. But yeah, he in the morning. I know,

704
00:38:50,320 --> 00:38:51,359
Speaker 2: Holly in the morning.

705
00:38:52,280 --> 00:38:54,800
Speaker 7: So you know, one of the centerpieces of Culture Awards

706
00:38:54,960 --> 00:38:56,680
Speaker 7: is that often the four of us sing a song

707
00:38:57,600 --> 00:38:58,880
Speaker 7: arranged for our four.

708
00:38:59,520 --> 00:39:03,600
Speaker 2: Story vocal trumpet like instrument.

709
00:39:03,239 --> 00:39:06,600
Speaker 7: More trump each higher than the last, and there's and

710
00:39:06,640 --> 00:39:08,880
Speaker 7: it's pretty rare that anyone sings alone. Really, it's not

711
00:39:09,000 --> 00:39:12,920
Speaker 7: really desired. It's mostly four voices together in community.

712
00:39:12,560 --> 00:39:16,280
Speaker 2: And more in harmony. Exactly at this point, our repertoire

713
00:39:16,320 --> 00:39:19,400
Speaker 2: includes three or even four songs, right, I imagine if

714
00:39:19,440 --> 00:39:22,640
Speaker 2: we added another five, that's a cont So we want

715
00:39:22,680 --> 00:39:25,239
Speaker 2: to do a show called four the tour for the tour,

716
00:39:25,600 --> 00:39:30,399
Speaker 2: four voices, four cities, four nights, yes, using four nights

717
00:39:30,440 --> 00:39:34,239
Speaker 2: in each or four that's sixteen. That's interesting. I see.

718
00:39:34,320 --> 00:39:36,759
Speaker 3: I was about to ask whether the whether the pitch

719
00:39:36,960 --> 00:39:39,400
Speaker 3: was counting down, four four.

720
00:39:41,239 --> 00:39:44,000
Speaker 2: Counting up. I would imagine we want to do more

721
00:39:44,000 --> 00:39:52,040
Speaker 2: than four singers five five cities, yes, cities, yeah, six hours.

722
00:39:53,680 --> 00:39:57,040
Speaker 2: It should be four four four four. So four singers,

723
00:39:57,120 --> 00:40:01,720
Speaker 2: four cities, four nights, four songs, four songs, four songs.

724
00:40:01,800 --> 00:40:04,640
Speaker 2: Like if we get on stage and say, let's just

725
00:40:04,719 --> 00:40:07,879
Speaker 2: get logistical about this, okay, okay, say it's an hour

726
00:40:08,040 --> 00:40:11,440
Speaker 2: hour and show. Four shows is a show when you

727
00:40:11,520 --> 00:40:13,560
Speaker 2: have so much pattern.

728
00:40:13,600 --> 00:40:16,640
Speaker 4: Like patter and you know, you know back, and if

729
00:40:16,640 --> 00:40:19,080
Speaker 4: it's invisible by four or forty songs, it's like a

730
00:40:19,160 --> 00:40:19,800
Speaker 4: mega maggs.

731
00:40:21,520 --> 00:40:25,279
Speaker 7: Four four four singers, four cities, four nights, forty for

732
00:40:25,640 --> 00:40:28,600
Speaker 7: song and they could be Medley's some of them fourteen

733
00:40:28,719 --> 00:40:29,880
Speaker 7: and fourteen songs.

734
00:40:29,920 --> 00:40:31,760
Speaker 2: What we like an album.

735
00:40:31,920 --> 00:40:34,800
Speaker 7: What we use is we will try to sing together

736
00:40:34,920 --> 00:40:38,239
Speaker 7: as four as much as we possibly can't.

737
00:40:37,960 --> 00:40:40,640
Speaker 4: Think anyone like on stage is like alone having a

738
00:40:40,719 --> 00:40:42,400
Speaker 4: solo and I even pitch a bit that you know,

739
00:40:42,880 --> 00:40:43,960
Speaker 4: the lead singer.

740
00:40:43,719 --> 00:40:45,279
Speaker 2: I would love at one point to you to come out,

741
00:40:45,360 --> 00:40:49,520
Speaker 2: maybe you start, be honest. It's like, of course solo

742
00:40:49,600 --> 00:40:51,840
Speaker 2: number from that, instantly the three of us appear. It

743
00:40:51,960 --> 00:40:54,080
Speaker 2: is a quartet. Just one of the songs is have

744
00:40:54,160 --> 00:40:54,840
Speaker 2: you heard of Christmas?

745
00:40:55,360 --> 00:40:57,880
Speaker 7: Example as an example, I like it because I like

746
00:40:57,960 --> 00:41:00,560
Speaker 7: the come out checks baby and come out to sing

747
00:41:00,640 --> 00:41:02,800
Speaker 7: one of our huge hits from Dixon the musical Trust,

748
00:41:03,120 --> 00:41:04,440
Speaker 7: You're in it, Trust you know.

749
00:41:05,080 --> 00:41:07,920
Speaker 2: Thank you, well you know, I'm so thank thankful this

750
00:41:08,040 --> 00:41:11,320
Speaker 2: time to be in it. Y time I'll get in it.

751
00:41:12,080 --> 00:41:14,279
Speaker 2: That's kind of interesting. That is kind of interesting. Larry

752
00:41:14,320 --> 00:41:18,440
Speaker 2: Charles has a book coming out that's really interesting. Swerve,

753
00:41:18,760 --> 00:41:20,560
Speaker 2: it's a really interesting segue. You tried to do that.

754
00:41:20,760 --> 00:41:26,239
Speaker 2: He Ultimately we should have cast put my special. You

755
00:41:26,320 --> 00:41:30,560
Speaker 2: guys are always on the podcast, feel like we always

756
00:41:33,360 --> 00:41:36,120
Speaker 2: Bellhouse not for the improvment and thank you for that

757
00:41:37,000 --> 00:41:41,000
Speaker 2: those platforms. The check is bigger for Bellhouse Impropt probably

758
00:41:41,040 --> 00:41:43,440
Speaker 2: for the movie. Now, which part do you feel you

759
00:41:43,440 --> 00:41:46,560
Speaker 2: should have played? Because whatever you say is correct, my honor,

760
00:41:46,600 --> 00:41:49,040
Speaker 2: we should have cast you in the film. Matt would

761
00:41:49,040 --> 00:41:53,440
Speaker 2: have been one of the neighbors. Probably I would have

762
00:41:53,480 --> 00:41:55,200
Speaker 2: been great as one of the neighbors. And you know

763
00:41:55,280 --> 00:41:55,680
Speaker 2: it's true.

764
00:41:55,719 --> 00:41:57,680
Speaker 7: Maybe when Darcy peaks her head out and goes the

765
00:41:57,880 --> 00:42:00,160
Speaker 7: fuck hearing us have sex, you're with her in night

766
00:42:00,480 --> 00:42:00,680
Speaker 7: you guys.

767
00:42:00,920 --> 00:42:03,240
Speaker 2: I could have said, Babe, get the funk back in, baby.

768
00:42:04,320 --> 00:42:06,760
Speaker 2: That would have been baby. Why in the hall? Always

769
00:42:10,200 --> 00:42:12,759
Speaker 2: get the funk back in? And you baby? They're gay guys,

770
00:42:13,040 --> 00:42:15,400
Speaker 2: fuck loud, baby, get back in here? Why are you

771
00:42:15,400 --> 00:42:19,080
Speaker 2: always in the wh like? You had no sturity for

772
00:42:19,120 --> 00:42:25,120
Speaker 2: the movie to be funny, and you squandered it, squandered

773
00:42:27,800 --> 00:42:28,040
Speaker 2: you guys.

774
00:42:28,080 --> 00:42:30,879
Speaker 3: I'm kidding, but I will have my revenge. Darcy's character

775
00:42:30,960 --> 00:42:34,360
Speaker 3: is homophobic in that. Do you think she's the fucking

776
00:42:34,560 --> 00:42:37,279
Speaker 3: like gay? Yes, gay guys, She's like, I don't like that.

777
00:42:37,360 --> 00:42:40,320
Speaker 3: I don't think she knows they're identical twin brothers having sex.

778
00:42:40,239 --> 00:42:41,080
Speaker 2: But she did.

779
00:42:41,239 --> 00:42:44,320
Speaker 3: It would make things even worse because do they fucked?

780
00:42:44,480 --> 00:42:47,120
Speaker 3: Do the boys fuck when they moved the same day

781
00:42:47,120 --> 00:42:47,600
Speaker 3: they moved in?

782
00:42:48,000 --> 00:42:52,560
Speaker 2: Yes? Some boxes everywhere, boxes that were fuck into and

783
00:42:52,840 --> 00:42:55,439
Speaker 2: and everywhere all the props people. I wasn't prop whoever

784
00:42:55,480 --> 00:42:56,920
Speaker 2: it was, I'm not throwing anyone at the bust kept

785
00:42:56,920 --> 00:43:00,319
Speaker 2: writing like jokes on the boxes like Dildo's porn him there.

786
00:43:00,400 --> 00:43:02,680
Speaker 2: He was like, that isn't funny. Why do I think

787
00:43:02,719 --> 00:43:05,600
Speaker 2: that's funny? And then we were like, it should say fragile, Yes,

788
00:43:06,000 --> 00:43:12,279
Speaker 2: that's funny. I'm talking to the box fragile chop if

789
00:43:12,320 --> 00:43:16,000
Speaker 2: you fucking a box, j the chock and why would

790
00:43:16,040 --> 00:43:19,359
Speaker 2: they have Joe do this is like the last day

791
00:43:19,400 --> 00:43:24,680
Speaker 2: of shooting ab Yeah, could say fragile.

792
00:43:27,040 --> 00:43:29,520
Speaker 7: You should have been neighbor to to Darcy's neighbor one,

793
00:43:29,840 --> 00:43:32,000
Speaker 7: It's okay, you guys did we say.

794
00:43:31,880 --> 00:43:33,719
Speaker 2: This last time? We hear that Nick Offerman who plays

795
00:43:33,719 --> 00:43:36,360
Speaker 2: one of the protesters. At one point when improvising, he

796
00:43:36,480 --> 00:43:38,840
Speaker 2: said his name like always, when everybody was like celebrating,

797
00:43:39,280 --> 00:43:41,080
Speaker 2: he turned to his neighbor and be like, the name's

798
00:43:41,200 --> 00:43:44,600
Speaker 2: Bill Smith. Steve Cheney was.

799
00:43:47,200 --> 00:43:49,200
Speaker 7: By the way, and I remember at a break we

800
00:43:49,239 --> 00:43:50,560
Speaker 7: went up to him. We're like, well, this is great.

801
00:43:50,600 --> 00:43:52,160
Speaker 7: The character has a name. You're Steve Cheney.

802
00:43:52,200 --> 00:43:54,680
Speaker 2: And he thought and he went although Protester number three

803
00:43:54,800 --> 00:43:57,839
Speaker 2: does have a nice ring because I think he likes

804
00:43:57,880 --> 00:44:03,520
Speaker 2: that his i dB says Protester number legend and not truly.

805
00:44:09,360 --> 00:44:12,880
Speaker 2: Did you guys watch Parker Posey and Lisa Krudo's Actors

806
00:44:12,920 --> 00:44:17,680
Speaker 2: on Actors Yes, Spring Meliley, Okay. I watched the first

807
00:44:17,800 --> 00:44:19,680
Speaker 2: like fifteen twenty minutes of it, and then I was

808
00:44:19,760 --> 00:44:22,480
Speaker 2: with some people who were like, I can't follow them.

809
00:44:23,000 --> 00:44:25,920
Speaker 2: It was just like I was like, it's Lisa and Parker,

810
00:44:26,120 --> 00:44:28,440
Speaker 2: Like it's not going to be just like more like

811
00:44:29,000 --> 00:44:34,200
Speaker 2: non levels like this that's they want.

812
00:44:35,600 --> 00:44:37,360
Speaker 1: But I was like, I was thinking to myself, like

813
00:44:37,560 --> 00:44:40,239
Speaker 1: what do you why would you want them to be Listen,

814
00:44:40,320 --> 00:44:43,440
Speaker 1: this is melodic watching the two of them be themselves

815
00:44:43,520 --> 00:44:46,200
Speaker 1: and each other like trump. I loved it Trumpets. So

816
00:44:46,320 --> 00:44:48,920
Speaker 1: people were malvi about. Some gays were very angsty and

817
00:44:48,960 --> 00:44:50,080
Speaker 1: malvi about that interview.

818
00:44:50,200 --> 00:44:52,240
Speaker 2: I have a question that I want us to decide

819
00:44:52,280 --> 00:44:54,960
Speaker 2: on on air because if it's for cities, are the

820
00:44:55,080 --> 00:45:03,000
Speaker 2: cities New York and of course or Land Florida? Interesting?

821
00:45:03,840 --> 00:45:06,440
Speaker 2: Interesting because then it pays for a trip New York

822
00:45:07,040 --> 00:45:09,480
Speaker 2: to like me, Can I tell you something? You have

823
00:45:09,760 --> 00:45:11,320
Speaker 2: to think like me? And we have to close the

824
00:45:11,360 --> 00:45:13,080
Speaker 2: tour there so we can hang out. If you don't

825
00:45:13,160 --> 00:45:17,600
Speaker 2: think like me, you might not go to Orlando to

826
00:45:17,680 --> 00:45:20,879
Speaker 2: think about that. True. I'm also looking at the crew.

827
00:45:21,320 --> 00:45:23,040
Speaker 1: If you don't start thinking like me, you're never going

828
00:45:23,080 --> 00:45:26,040
Speaker 1: to get to Orlando. Beautiful place, beautiful, you might never

829
00:45:26,120 --> 00:45:26,480
Speaker 1: get there.

830
00:45:26,560 --> 00:45:28,840
Speaker 2: They all pack up the cameras and leave. They understand

831
00:45:28,920 --> 00:45:30,920
Speaker 2: they're laughing right now, but it'll hit them later that

832
00:45:30,960 --> 00:45:33,239
Speaker 2: they should really think about it. It's not really you know,

833
00:45:33,320 --> 00:45:34,960
Speaker 2: you can't hear it, but the crew has been laughing

834
00:45:35,160 --> 00:45:38,799
Speaker 2: so much. Talking when they're laughing can't tell you something.

835
00:45:38,840 --> 00:45:39,279
Speaker 2: They don't love.

836
00:45:39,360 --> 00:45:45,239
Speaker 1: The dirty stuff scares them, right, Guys, I don't see

837
00:45:45,280 --> 00:45:46,560
Speaker 1: you in your pride outfits.

838
00:45:50,880 --> 00:45:51,880
Speaker 2: Can I say, who's okay?

839
00:45:52,280 --> 00:45:55,319
Speaker 1: You are okay because you voted. I'm okay because it's

840
00:45:55,320 --> 00:45:57,959
Speaker 1: the fun shirt you it's pride, it's turnstile. You claim

841
00:45:58,000 --> 00:46:01,320
Speaker 1: it's gay hard rock music. You Cheetah print makes me

842
00:46:01,400 --> 00:46:03,919
Speaker 1: think of Lisa Rinna. You're good, but she won the crew.

843
00:46:04,160 --> 00:46:14,840
Speaker 2: I don't know it's giving. What is what you call this? Yeah, chucks.

844
00:46:18,280 --> 00:46:20,279
Speaker 2: One thing he did say, we have mutual friends, and

845
00:46:20,320 --> 00:46:22,759
Speaker 2: one of them was Patty Harrison. So you're okay, so

846
00:46:22,920 --> 00:46:28,440
Speaker 2: respect of course. Yeah, he was okay with me.

847
00:46:28,960 --> 00:46:36,200
Speaker 1: Everyone here is okay, okay, now bringing civilians off the road.

848
00:46:37,320 --> 00:46:41,320
Speaker 1: We're actually around a really good dog today, mag Maggie

849
00:46:41,480 --> 00:46:41,960
Speaker 1: the dog.

850
00:46:42,080 --> 00:46:42,719
Speaker 2: Maggie the dog.

851
00:46:42,800 --> 00:46:45,520
Speaker 1: And you know Maggie, Maggie has a dog's name is

852
00:46:45,560 --> 00:46:46,799
Speaker 1: a little bit of a trigger for me because one

853
00:46:46,840 --> 00:46:49,960
Speaker 1: of my dogs, Yeah, do you do you find it?

854
00:46:50,440 --> 00:46:53,440
Speaker 2: You like it or you make it? Makes me remember her?

855
00:46:53,520 --> 00:46:59,920
Speaker 2: She actually was the best. She didn't make it past ten. Actually,

856
00:47:00,400 --> 00:47:02,480
Speaker 2: I'm telling you about some of these dogs. Now. Tell

857
00:47:02,560 --> 00:47:05,600
Speaker 2: Maggie to cover her ears out there, but they're in bread.

858
00:47:07,200 --> 00:47:09,640
Speaker 2: They're in bread. Aaron I, do you want to ask

859
00:47:09,719 --> 00:47:10,680
Speaker 2: you a vulnerable question?

860
00:47:10,960 --> 00:47:14,560
Speaker 1: Yeah, and we'll get you smiling, to try to get

861
00:47:14,640 --> 00:47:17,160
Speaker 1: to try to put up a front, put up a disguise.

862
00:47:17,800 --> 00:47:21,360
Speaker 2: Do you foresee you and Michael wanting to have another

863
00:47:21,440 --> 00:47:23,560
Speaker 2: dog because I had a dog who is dead. Lady

864
00:47:23,800 --> 00:47:27,160
Speaker 2: name lady. I think so, but I think in a while,

865
00:47:27,320 --> 00:47:29,560
Speaker 2: I want to be any time, I want to be well.

866
00:47:29,600 --> 00:47:31,200
Speaker 2: I want to be rich enough to pay for a

867
00:47:31,360 --> 00:47:35,120
Speaker 2: dog walk, yes, huge, yeah, clutch yea. And when you

868
00:47:35,160 --> 00:47:37,439
Speaker 2: want to go out of town be able to drop

869
00:47:37,600 --> 00:47:40,399
Speaker 2: some dog, well, well, let's set the ticket price before

870
00:47:40,480 --> 00:47:43,200
Speaker 2: the tour. But also, should we have a string section

871
00:47:43,640 --> 00:47:45,719
Speaker 2: like we should have an orchestra? Yeah, we should have

872
00:47:45,760 --> 00:47:50,360
Speaker 2: a string for strings, four strings, four of every instrument,

873
00:47:50,480 --> 00:47:54,480
Speaker 2: for drummers, for guitarists, for keyboards, for strings. I thought

874
00:47:54,719 --> 00:47:58,799
Speaker 2: the strings were like the four strings on most string instruments. Ah, yes,

875
00:47:59,320 --> 00:48:02,960
Speaker 2: but so many ways to go about this. Here, here's

876
00:48:02,960 --> 00:48:06,760
Speaker 2: how to fill out the show for four group groups,

877
00:48:06,880 --> 00:48:10,960
Speaker 2: group songs, four solos. But with with that, I don't

878
00:48:11,480 --> 00:48:14,520
Speaker 2: but four solos, I can't tell if that's too much

879
00:48:14,680 --> 00:48:16,120
Speaker 2: or if we just each do a solo and that's

880
00:48:16,120 --> 00:48:18,799
Speaker 2: eight songs? Can I actually literally tell you what we'll

881
00:48:18,880 --> 00:48:19,360
Speaker 2: have time for?

882
00:48:19,680 --> 00:48:22,239
Speaker 1: As someone who who's done a show with music, it

883
00:48:22,560 --> 00:48:26,440
Speaker 1: has to be it has to be four For we're

884
00:48:26,440 --> 00:48:28,800
Speaker 1: telling you four songs because we're going to be talking

885
00:48:28,880 --> 00:48:29,239
Speaker 1: so much.

886
00:48:29,480 --> 00:48:31,600
Speaker 2: We're gonna be we're not gonna be able to stop talking.

887
00:48:31,760 --> 00:48:34,680
Speaker 2: What if we what if we make the show and no,

888
00:48:34,880 --> 00:48:37,880
Speaker 2: listen to me, please, I'm trying. I'm trying. If you

889
00:48:38,000 --> 00:48:41,800
Speaker 2: think more like me, you won't have problems. I won't. No.

890
00:48:43,760 --> 00:48:46,960
Speaker 2: Four and they're each theme to a season, or they're

891
00:48:47,000 --> 00:48:49,440
Speaker 2: each theme to one of us or an element like

892
00:48:50,920 --> 00:48:54,200
Speaker 2: element like we come out or a cardinal direction. Wait

893
00:48:54,200 --> 00:48:56,239
Speaker 2: a minute, that's all. This is all good? Wait okay,

894
00:48:56,280 --> 00:49:01,040
Speaker 2: what are elements like? Like? Does we all have different signs?

895
00:49:01,520 --> 00:49:05,239
Speaker 3: We're both water and your air earth, so then your

896
00:49:05,280 --> 00:49:07,800
Speaker 3: earth your air. I think Matt, even though he's a

897
00:49:07,840 --> 00:49:11,520
Speaker 3: water sign, has fire quality. Do you know you're rising

898
00:49:11,760 --> 00:49:14,479
Speaker 3: or you're I'm water water water, I'm probably the most

899
00:49:14,640 --> 00:49:17,040
Speaker 3: water fire you you I don't have any water.

900
00:49:17,280 --> 00:49:19,719
Speaker 2: I think bowen is. And I'll say this just that

901
00:49:19,800 --> 00:49:22,719
Speaker 2: you guys confused because I'm wearing a yellow and red shirt.

902
00:49:22,960 --> 00:49:26,239
Speaker 2: Well you're Tina birds. But I mean I've seen him

903
00:49:26,280 --> 00:49:30,640
Speaker 2: because I'm dressed, because I'm dressed like Tina Burner. B

904
00:49:30,800 --> 00:49:36,160
Speaker 2: C before colors for color, before new colors, n C

905
00:49:36,800 --> 00:49:42,840
Speaker 2: before new colors. The t C fun you can use

906
00:49:43,000 --> 00:49:47,160
Speaker 2: you can use that CNA. It's yours. But yeah, no,

907
00:49:47,280 --> 00:49:50,120
Speaker 2: I could be fire. I just think you're you're, you're

908
00:49:50,200 --> 00:49:52,239
Speaker 2: you're the fiery one. What else is in your chart?

909
00:49:53,000 --> 00:49:56,319
Speaker 2: I have fire air, I think i'm water air air,

910
00:49:56,560 --> 00:49:58,719
Speaker 2: I'm air air water, I think or air water water,

911
00:49:58,760 --> 00:50:00,839
Speaker 2: but I think i'm double air water. You I don't

912
00:50:00,840 --> 00:50:10,520
Speaker 2: remember Aquarius. I don't remember you of Earth, Earth, er, Taurus, Earth, Gemini,

913
00:50:11,120 --> 00:50:14,640
Speaker 2: Moon Air and then aries rising Fire. Okay, yeah, so

914
00:50:14,719 --> 00:50:17,840
Speaker 2: yo wata. That's why I smile when i'm because my

915
00:50:17,920 --> 00:50:20,719
Speaker 2: emotions are not accessible to me. Yeah. I don't believe

916
00:50:20,760 --> 00:50:23,799
Speaker 2: that for a second. I'm an actress. You're kidding. Here's

917
00:50:23,880 --> 00:50:27,439
Speaker 2: what happened. Here's something that I have umbridge with Professor JK.

918
00:50:27,560 --> 00:50:35,040
Speaker 2: Rowling read. Yes, every time we say something like that,

919
00:50:35,160 --> 00:50:39,800
Speaker 2: it is, of course an endorsement. We were in Fire Island,

920
00:50:40,760 --> 00:50:44,120
Speaker 2: these three and someone named Matt Whitaker, and then they

921
00:50:44,160 --> 00:50:45,640
Speaker 2: all come up to me. They say, we found out

922
00:50:45,680 --> 00:50:49,120
Speaker 2: what little women we are? Oh we did? We did?

923
00:50:49,560 --> 00:50:52,960
Speaker 2: They say, Matt Whittaker's Joe, Matt Rogers is Amy Bowen's Beth,

924
00:50:53,000 --> 00:50:55,799
Speaker 2: and you're Meg. And I go, I'm met And they

925
00:50:55,840 --> 00:50:58,600
Speaker 2: go because you're the actress, and she lost her mind.

926
00:50:58,719 --> 00:51:01,120
Speaker 2: I go, You two are book and acting work every

927
00:51:01,200 --> 00:51:06,960
Speaker 2: day of your lives. I am a published novelist. You're right, Oh,

928
00:51:07,560 --> 00:51:13,000
Speaker 2: curious incense erases my whole identity calling me a word

929
00:51:13,080 --> 00:51:16,520
Speaker 2: an actor. Anyway, at least you gotta sign one of

930
00:51:16,560 --> 00:51:21,600
Speaker 2: the women where you were, you were? You away? I'm

931
00:51:21,719 --> 00:51:26,319
Speaker 2: rmy I'm Marmy. You are Mary Martin. I want Day

932
00:51:27,000 --> 00:51:30,440
Speaker 2: of Plenty? Is that for the musical? Yeah? Which I

933
00:51:30,520 --> 00:51:33,319
Speaker 2: saw you have to be. I don't know why I'm

934
00:51:33,320 --> 00:51:36,879
Speaker 2: doing that girl. It's good the girl. It's really bad

935
00:51:37,440 --> 00:51:41,160
Speaker 2: that it's not really bad when you take a chance

936
00:51:41,280 --> 00:51:45,000
Speaker 2: on me. It doesn't that just that earworm give you?

937
00:51:45,200 --> 00:51:51,160
Speaker 2: Luisa may Alco, I am astonished. Do you think Astonishing

938
00:51:51,520 --> 00:51:54,560
Speaker 2: blows so bad? People just think it's good because there

939
00:51:54,640 --> 00:51:59,160
Speaker 2: is a big note because st is belting is wrong

940
00:51:59,320 --> 00:52:03,080
Speaker 2: and don't forget Stanton King. But Amy was played by

941
00:52:03,080 --> 00:52:05,080
Speaker 2: the same actress, young and old, and everyone was gaged

942
00:52:05,120 --> 00:52:06,480
Speaker 2: for Florence Pew and I was like they did on

943
00:52:06,520 --> 00:52:10,520
Speaker 2: Broadway in two thousand and two. Oh this girl her flowers?

944
00:52:11,280 --> 00:52:11,600
Speaker 2: I did?

945
00:52:11,760 --> 00:52:14,040
Speaker 1: Okay, can I I'm going to bravely say my take

946
00:52:14,080 --> 00:52:17,120
Speaker 1: about the Florence Pugh performance as an adult as the

947
00:52:18,040 --> 00:52:18,960
Speaker 1: like older version.

948
00:52:19,400 --> 00:52:21,239
Speaker 2: Bring Kirsten Dunce back. I think it.

949
00:52:21,440 --> 00:52:23,360
Speaker 1: I think it should be to people c g I

950
00:52:23,600 --> 00:52:27,200
Speaker 1: Kirsten back in. Kirsten was perfect when she burned that book.

951
00:52:28,800 --> 00:52:30,880
Speaker 1: Oh yeah, yeah, yeah, No, Kirsten is perfect and everything

952
00:52:31,680 --> 00:52:34,240
Speaker 1: It's true and was a great job. I love Wana

953
00:52:34,280 --> 00:52:36,400
Speaker 1: and you know what else? What else Wanona is like

954
00:52:36,480 --> 00:52:39,240
Speaker 1: a perfect blueprint? Is Abigail Williams.

955
00:52:40,239 --> 00:52:41,959
Speaker 2: She's so good in the movie. And you'll be seeing

956
00:52:42,000 --> 00:52:45,560
Speaker 2: John Proctors The Villain today with Joan Allen as Elizabeth.

957
00:52:46,640 --> 00:52:52,680
Speaker 2: Joan Allen pronomination. Yeah, and for Ice Storm, Ice Storm too.

958
00:52:53,640 --> 00:52:56,040
Speaker 2: I believe marker. You have some marker on her keys

959
00:52:56,080 --> 00:52:59,040
Speaker 2: and you're gonna find her keys. Yeah, she's got one

960
00:52:59,080 --> 00:53:02,759
Speaker 2: for a movie called The Contender, Oh right, which n Yeah,

961
00:53:02,840 --> 00:53:07,160
Speaker 2: So Joe Allen is I saw her in a middling play.

962
00:53:07,320 --> 00:53:08,960
Speaker 2: Not her fault and not the play, right's fault and

963
00:53:09,000 --> 00:53:12,840
Speaker 2: no one's fault, my fault. Maybe maybe I was on

964
00:53:12,960 --> 00:53:17,040
Speaker 2: the front row and she's just crying real tears. J Allen. Yeah, God,

965
00:53:17,120 --> 00:53:20,279
Speaker 2: bless you, honey in this, in this fine play. Given

966
00:53:20,360 --> 00:53:23,239
Speaker 2: it all you got, love all love her. She was

967
00:53:23,280 --> 00:53:27,760
Speaker 2: a week they're crying for me. Wet woman, A wet woman.

968
00:53:28,320 --> 00:53:30,880
Speaker 2: Everyone making joke about Jonathan Groff being wet. Well, he

969
00:53:30,960 --> 00:53:33,600
Speaker 2: calls himself wet. It's a clip he did because he

970
00:53:33,719 --> 00:53:37,040
Speaker 2: spent spent and he was there like that, like I

971
00:53:37,120 --> 00:53:39,480
Speaker 2: get very wet. That is the way was asking. He

972
00:53:39,600 --> 00:53:41,560
Speaker 2: was like say that another way he was like I'm wet.

973
00:53:41,920 --> 00:53:43,200
Speaker 2: Cure yourself. Say it another way.

974
00:53:44,520 --> 00:53:50,359
Speaker 7: Please read Harry Potter. Please read all the books. If

975
00:53:50,400 --> 00:53:54,200
Speaker 7: you haven't yet, then they are really enchanting story.

976
00:53:56,320 --> 00:53:59,000
Speaker 2: Although did we have we ever talked about Hogwarts Legacy?

977
00:53:59,239 --> 00:54:01,560
Speaker 2: You would ever play? See, like there is such an

978
00:54:01,600 --> 00:54:04,920
Speaker 2: internal debate among gay gamers about whether or not we

979
00:54:05,040 --> 00:54:07,520
Speaker 2: can play. But it's like it's tough, Like I don't

980
00:54:07,520 --> 00:54:09,360
Speaker 2: know where to land on this because like the developers

981
00:54:09,440 --> 00:54:11,040
Speaker 2: have taken a stance where you can't make a trans

982
00:54:11,160 --> 00:54:14,960
Speaker 2: character right, and they're clearly like, hey, we were. We

983
00:54:15,040 --> 00:54:18,799
Speaker 2: don't fuck with JK. I don't think anyone cares except JK.

984
00:54:19,239 --> 00:54:19,880
Speaker 2: Like that's the thing is.

985
00:54:19,920 --> 00:54:21,840
Speaker 1: It's like I don't think anyone in that ecosystem is

986
00:54:21,920 --> 00:54:23,239
Speaker 1: like fuck trans people except j.

987
00:54:23,400 --> 00:54:26,480
Speaker 2: K Rowling, right, But then it's it's her shit, it's her,

988
00:54:26,960 --> 00:54:32,920
Speaker 2: She's getting correct. But like, but hey, Kevin Spacey's and

989
00:54:33,000 --> 00:54:35,279
Speaker 2: O Mary, you'll understand art and art.

990
00:54:35,320 --> 00:54:37,200
Speaker 1: That is when everything swings. All I know, are people

991
00:54:37,280 --> 00:54:39,200
Speaker 1: mad about the HBO show. People are up in arms

992
00:54:39,239 --> 00:54:40,960
Speaker 1: If everyone says yeah, I think I think it is

993
00:54:41,040 --> 00:54:42,960
Speaker 1: worth being up in arms about that for many reasons.

994
00:54:43,000 --> 00:54:44,640
Speaker 1: And I just you know what I can't get over

995
00:54:44,880 --> 00:54:48,520
Speaker 1: is how ruined those kids already are. Like I was

996
00:54:48,600 --> 00:54:51,600
Speaker 1: talking to someone who knows, and they were like, yeah,

997
00:54:51,760 --> 00:54:56,400
Speaker 1: like it's gonna be probably before the announcement of their casting,

998
00:54:56,560 --> 00:55:00,320
Speaker 1: like starting therapy about really making them understan and what

999
00:55:00,440 --> 00:55:02,600
Speaker 1: exactly they've signed up for and that their lives will

1000
00:55:02,640 --> 00:55:05,560
Speaker 1: be forever changed in like you know, media training for them.

1001
00:55:05,760 --> 00:55:11,120
Speaker 2: The parents like like real, real conditioning they didn't understand

1002
00:55:11,239 --> 00:55:18,239
Speaker 2: for Harold Knight, thank god came into it. Came into

1003
00:55:18,280 --> 00:55:20,680
Speaker 2: a US that got on Harold Knight, like is it

1004
00:55:20,800 --> 00:55:24,759
Speaker 2: a good thing to book Harry Potter. Probably No, Daniel's okay.

1005
00:55:25,680 --> 00:55:27,479
Speaker 2: I mean you're saying, but by the skin of his teeth,

1006
00:55:27,520 --> 00:55:30,799
Speaker 2: he's okay in a way that's remarkable when someone comes

1007
00:55:30,800 --> 00:55:34,399
Speaker 2: out of that experience. Yeah, I guess like English again,

1008
00:55:35,520 --> 00:55:39,160
Speaker 2: I think that helps because they're all like do the work, Darling. Yeah,

1009
00:55:39,360 --> 00:55:42,719
Speaker 2: what do you mean again? Like English in the movies, Yeah,

1010
00:55:42,880 --> 00:55:44,840
Speaker 2: which we love. Yeah, I think it's I think the

1011
00:55:44,960 --> 00:55:47,799
Speaker 2: English are a little more like this is a real doll.

1012
00:55:47,960 --> 00:55:51,160
Speaker 2: Like we're like in La it's like do coke, little girl, Like, Yeah,

1013
00:55:51,680 --> 00:55:54,480
Speaker 2: I think it's a little more like, you know, let's

1014
00:55:54,520 --> 00:56:02,840
Speaker 2: do Matilda together. I think anyway, the traders, the traders,

1015
00:56:04,480 --> 00:56:06,120
Speaker 2: the traders. But I'm excited for the traders.

1016
00:56:07,080 --> 00:56:10,960
Speaker 3: I mean a lot of people upset about Michael Rappaport, right,

1017
00:56:11,400 --> 00:56:15,480
Speaker 3: but you know whatever, he'll the trash take every time.

1018
00:56:16,200 --> 00:56:17,680
Speaker 2: But what did you think about how they did with

1019
00:56:17,760 --> 00:56:20,520
Speaker 2: the Survivors. I think the Survivors three they kicked that.

1020
00:56:20,920 --> 00:56:24,279
Speaker 1: I think they probably they probably like got rob Cesterernino

1021
00:56:24,360 --> 00:56:27,920
Speaker 1: because Survivor didn't and Natalie people and Natalie people were

1022
00:56:27,960 --> 00:56:30,840
Speaker 1: saying she was maybe rumored for fifty Oh wow, okay,

1023
00:56:30,920 --> 00:56:31,839
Speaker 1: like Natalie a lot.

1024
00:56:32,200 --> 00:56:38,680
Speaker 2: Yeah, I think who's the third one? And then this

1025
00:56:38,840 --> 00:56:42,920
Speaker 2: guy Ian Terry a great big brother and the housewives

1026
00:56:42,920 --> 00:56:44,640
Speaker 2: they've chosen her good to this is what I But

1027
00:56:44,760 --> 00:56:46,880
Speaker 2: they make the same mistake that they've made for the

1028
00:56:46,920 --> 00:56:50,800
Speaker 2: past three seasons, four seasons now one drag Ras contestant,

1029
00:56:51,040 --> 00:56:52,879
Speaker 2: I know, just give us to just give us too

1030
00:56:53,400 --> 00:56:55,560
Speaker 2: wired her a rumor that Jujubi was supposed to be

1031
00:56:55,640 --> 00:56:58,799
Speaker 2: on Juji would be amazing. That's what I had heard,

1032
00:56:58,960 --> 00:57:00,719
Speaker 2: because I think that they were trying to take the

1033
00:57:00,800 --> 00:57:03,120
Speaker 2: note of not just one drag race person and who

1034
00:57:03,239 --> 00:57:07,719
Speaker 2: is exchange? Well that's good, Yeah, well that I like, well,

1035
00:57:07,719 --> 00:57:11,239
Speaker 2: that's like I'm interested to see what allyships happen.

1036
00:57:11,360 --> 00:57:15,520
Speaker 1: I do think it's like on paper, it's my favorite people,

1037
00:57:15,640 --> 00:57:18,360
Speaker 1: and I think I know the most of these people,

1038
00:57:19,000 --> 00:57:21,040
Speaker 1: because sometimes I don't know the Big brother people. Feel

1039
00:57:21,040 --> 00:57:24,000
Speaker 1: like we really went away from the challenge. Yeah, we

1040
00:57:24,160 --> 00:57:27,000
Speaker 1: really did. I wonder if that was a note or something.

1041
00:57:27,040 --> 00:57:27,480
Speaker 2: Oh my god.

1042
00:57:27,520 --> 00:57:31,040
Speaker 4: You see Natalie's cry on or whatever it's called Lower

1043
00:57:31,080 --> 00:57:34,280
Speaker 4: Third Amazing Race, which she was on first, but it

1044
00:57:34,360 --> 00:57:38,120
Speaker 4: is so interesting she's a survivor survivor and then on

1045
00:57:38,200 --> 00:57:42,120
Speaker 4: the finals of another Survivor she's amazing.

1046
00:57:42,440 --> 00:57:44,640
Speaker 2: Well, you know what, maybe that's maybe she's pissed off

1047
00:57:45,320 --> 00:57:47,680
Speaker 2: at Survivor. Yeah, maybe I think it was maybe just

1048
00:57:47,800 --> 00:57:50,280
Speaker 2: NBC trying to be like we diverside our profile. I

1049
00:57:50,320 --> 00:57:53,920
Speaker 2: don't know. At first she was on there's definitely some

1050
00:57:54,160 --> 00:57:58,320
Speaker 2: type of war between the traders and traders, Yeah, which

1051
00:57:58,360 --> 00:58:01,000
Speaker 2: she should they like steal us people. But also it's like,

1052
00:58:01,320 --> 00:58:05,200
Speaker 2: well give them a chance. It's it's just Jeff.

1053
00:58:05,320 --> 00:58:10,040
Speaker 1: He's yeah, moratorium on Jeff. Maybe I hate to say it,

1054
00:58:11,000 --> 00:58:12,400
Speaker 1: not moratorium what does that mean?

1055
00:58:17,520 --> 00:58:20,840
Speaker 2: It means like, let's do like a discussion post discussion

1056
00:58:20,840 --> 00:58:22,520
Speaker 2: post mortem. I think it will be worth it to

1057
00:58:22,600 --> 00:58:27,080
Speaker 2: have confusing it with post mortem. Yes is what you

1058
00:58:27,160 --> 00:58:30,560
Speaker 2: say when one of your friends is being too gay? Yeah, yeah,

1059
00:58:30,800 --> 00:58:34,320
Speaker 2: moratorium on all that. Pause? Oh great drag name Maura.

1060
00:58:37,600 --> 00:58:39,640
Speaker 3: Wait, I'm still so pissed. I want I wanted to

1061
00:58:39,680 --> 00:58:41,720
Speaker 3: stay on my Criterion closet. My drag name would be

1062
00:58:41,800 --> 00:58:45,040
Speaker 3: Janis Films. That's really good, you know what I mean?

1063
00:58:45,400 --> 00:58:49,280
Speaker 2: That's really good. Anyway, My new drag name no beauty,

1064
00:58:49,280 --> 00:58:52,360
Speaker 2: beautiful dress. Oh mine has always been for a long time,

1065
00:58:52,400 --> 00:58:54,920
Speaker 2: pretty girl. And then go, hi, I'm pretty.

1066
00:58:55,400 --> 00:58:57,520
Speaker 7: I heard a great one in Fire Island at the

1067
00:58:57,720 --> 00:59:00,360
Speaker 7: you know, little wear away get to contest some gay

1068
00:59:00,440 --> 00:59:03,760
Speaker 7: guy who I'm crediting. Some gay guy guy said Donna

1069
00:59:03,800 --> 00:59:05,680
Speaker 7: Tella verse top me, and I've never heard that.

1070
00:59:06,720 --> 00:59:12,200
Speaker 2: That'sverse top me. So if you're the very top verse

1071
00:59:12,360 --> 00:59:15,760
Speaker 2: top me, daddy perfect as a verb first top me,

1072
00:59:16,480 --> 00:59:19,360
Speaker 2: missus verse top me. That's what? So? How was it

1073
00:59:19,440 --> 00:59:21,440
Speaker 2: last night? I got verse top.

1074
00:59:22,920 --> 00:59:26,000
Speaker 1: It was really good, he taught me, but reminded me

1075
00:59:26,120 --> 00:59:31,000
Speaker 1: he could bottom the whole time. I can, but I

1076
00:59:31,160 --> 00:59:32,280
Speaker 1: like to bottom.

1077
00:59:33,280 --> 00:59:36,240
Speaker 2: I like the bottom for verse topping.

1078
00:59:36,080 --> 00:59:38,520
Speaker 3: To be the full Jarrand is really funny. He was

1079
00:59:38,640 --> 00:59:40,360
Speaker 3: verse topping me, he's verse topping me.

1080
00:59:40,960 --> 00:59:48,560
Speaker 2: He's first versing topping, versing topping, versing top. Let's just

1081
00:59:48,600 --> 00:59:55,480
Speaker 2: say some top. That's good. Yeah, verse on top, tops,

1082
00:59:55,640 --> 00:59:56,480
Speaker 2: verse bottoms.

1083
00:59:56,960 --> 00:59:59,600
Speaker 1: We have to stop saying as three different things and

1084
00:59:59,720 --> 01:00:05,680
Speaker 1: we have to start a war tops verse. Oh wows

1085
01:00:06,040 --> 01:00:08,680
Speaker 1: time we settle this in the streets. And I think

1086
01:00:08,720 --> 01:00:10,680
Speaker 1: the bottoms are gonna win. You think they have something

1087
01:00:10,680 --> 01:00:15,080
Speaker 1: to prove, You think so well, they have skills. Wait,

1088
01:00:15,240 --> 01:00:15,960
Speaker 1: tops have skills.

1089
01:00:16,040 --> 01:00:18,240
Speaker 2: I know they don't know. They don't know, they don't

1090
01:00:18,560 --> 01:00:22,240
Speaker 2: what else No, that's no already no verbal verbal no,

1091
01:00:23,600 --> 01:00:28,680
Speaker 2: no skills okay. Bottom skills are everything, taking dick everything.

1092
01:00:29,120 --> 01:00:30,000
Speaker 2: I think of the bottoms.

1093
01:00:30,080 --> 01:00:35,640
Speaker 7: They are artists, bottom sculptors. They're intelligent, they're painters, their sculptors.

1094
01:00:35,680 --> 01:00:39,480
Speaker 7: They're your mother, you're they're your daughter. Tops are nothing.

1095
01:00:39,640 --> 01:00:42,040
Speaker 7: Tops are nothing. Tops are nothing, and they bring nothing.

1096
01:00:47,920 --> 01:00:49,840
Speaker 7: I really want to go to twins versus alls this.

1097
01:00:49,920 --> 01:00:52,600
Speaker 2: Year mean too, But it's always like it's so packed.

1098
01:00:52,720 --> 01:00:55,240
Speaker 2: It's packed that there's like there's there's no air conditioning,

1099
01:00:55,320 --> 01:00:57,800
Speaker 2: that you're allowed to smoke cigarettes, you're in a war

1100
01:00:57,880 --> 01:01:01,000
Speaker 2: torn Always the videos.

1101
01:01:01,400 --> 01:01:03,439
Speaker 3: Because one of the events is like who can smoke

1102
01:01:03,480 --> 01:01:04,520
Speaker 3: a cigarette the fastest?

1103
01:01:04,600 --> 01:01:07,800
Speaker 2: I celebrate, But as I recently walked into a house

1104
01:01:07,880 --> 01:01:09,880
Speaker 2: party and went I stepped through the door and said,

1105
01:01:09,920 --> 01:01:15,280
Speaker 2: I'm too old. That's amazing, I'm getting there. I don't.

1106
01:01:15,520 --> 01:01:18,320
Speaker 2: I loved the youth, and I love to be the old,

1107
01:01:18,480 --> 01:01:21,040
Speaker 2: weird grandmother with the youth. But sometimes you just walk

1108
01:01:21,080 --> 01:01:23,680
Speaker 2: in You're like, oh, of course, and that is that

1109
01:01:23,880 --> 01:01:25,760
Speaker 2: is simply I went with like air conditioning in the

1110
01:01:25,800 --> 01:01:28,840
Speaker 2: event in the middle of prize. Yes, not because of

1111
01:01:28,960 --> 01:01:30,520
Speaker 2: the twins and the dolls fighting. I would love to

1112
01:01:30,520 --> 01:01:32,360
Speaker 2: watch that at my age or any age. There was

1113
01:01:32,440 --> 01:01:34,960
Speaker 2: actually a time, like not long ago where I was

1114
01:01:35,080 --> 01:01:37,560
Speaker 2: I was sort of talking about like how oh, I

1115
01:01:37,640 --> 01:01:39,200
Speaker 2: was talking to someone, but then I realized they were

1116
01:01:39,240 --> 01:01:41,080
Speaker 2: twenty two and I just couldn't talk to them anymore.

1117
01:01:41,080 --> 01:01:43,120
Speaker 2: And I realized that age and I realized I was

1118
01:01:43,240 --> 01:01:45,400
Speaker 2: talking to a bunch of twenty four year olds, right,

1119
01:01:45,480 --> 01:01:48,720
Speaker 2: And I was just like, got it, where is the

1120
01:01:48,880 --> 01:01:52,720
Speaker 2: last And I realized I'm old and weird. Yeah, yeah, yeah,

1121
01:01:53,200 --> 01:01:58,200
Speaker 2: it's braved to be both brave to be old verse weird. Yeah,

1122
01:01:59,240 --> 01:02:02,400
Speaker 2: this is weird. That's gonna be a crazy cold chat.

1123
01:02:03,280 --> 01:02:06,680
Speaker 3: I missed cool shit, weird chat meets an era, an era,

1124
01:02:07,040 --> 01:02:08,440
Speaker 3: an era about.

1125
01:02:10,080 --> 01:02:10,480
Speaker 2: What that is?

1126
01:02:11,800 --> 01:02:14,840
Speaker 7: I'd love to So I'll be telling some of my

1127
01:02:14,960 --> 01:02:18,120
Speaker 7: jokes and my stories in the narrative stand up kind

1128
01:02:18,160 --> 01:02:21,440
Speaker 7: of way. Yet I'll be doing a two thousand slide

1129
01:02:21,440 --> 01:02:24,120
Speaker 7: PowerPoint where I'm powering it and I've memorized all the cues,

1130
01:02:24,680 --> 01:02:27,080
Speaker 7: so we're sort of juggling that tightrope walk. Wow, we

1131
01:02:27,200 --> 01:02:29,560
Speaker 7: give you the laughs and pathos that is the Off

1132
01:02:29,600 --> 01:02:30,800
Speaker 7: Broadway stand up experience.

1133
01:02:31,920 --> 01:02:34,400
Speaker 3: When what will it feel like, you know, when you

1134
01:02:35,360 --> 01:02:37,800
Speaker 3: you know, hopefully this is in decades from now, when

1135
01:02:37,840 --> 01:02:40,480
Speaker 3: you close the show, But what will it feel like

1136
01:02:40,600 --> 01:02:43,160
Speaker 3: to release those cues that have been sort of swimming

1137
01:02:43,200 --> 01:02:45,280
Speaker 3: in I'm gonna make them.

1138
01:02:46,760 --> 01:02:47,200
Speaker 2: The future.

1139
01:02:47,280 --> 01:02:50,280
Speaker 7: Yet, I'm gonna I know, when the show ends, I'm

1140
01:02:50,280 --> 01:02:53,200
Speaker 7: going to make them open source, copyright free. Everyone can

1141
01:02:53,320 --> 01:02:55,160
Speaker 7: own it, everyone can do with them what they want.

1142
01:02:55,880 --> 01:02:59,200
Speaker 2: So you're gonna make it funny. You gotta make you laugh.

1143
01:02:59,440 --> 01:03:03,640
Speaker 2: You got to make me laugh. What crazy thing to

1144
01:03:03,680 --> 01:03:04,080
Speaker 2: say to me.

1145
01:03:06,080 --> 01:03:08,240
Speaker 7: Is the person who's designed Because there's a lot of

1146
01:03:08,320 --> 01:03:12,040
Speaker 7: texts amazing. We got a custom font made by mister

1147
01:03:12,120 --> 01:03:15,000
Speaker 7: Teddy Blinks, who did the title cards for Wicked, and.

1148
01:03:19,280 --> 01:03:21,400
Speaker 2: He made me a fund that I'll be using. Can

1149
01:03:21,480 --> 01:03:25,000
Speaker 2: I say something about people who make typefaces, fonts and

1150
01:03:25,080 --> 01:03:28,400
Speaker 2: also who like graphic design and brand ship at the

1151
01:03:28,480 --> 01:03:30,280
Speaker 2: highest caliber? Is it appropriate?

1152
01:03:30,600 --> 01:03:33,240
Speaker 3: Different ones too? They felt different from once, they felt different.

1153
01:03:33,440 --> 01:03:36,640
Speaker 3: They're like, they're just like comedy nerds, Emily Pentagon and

1154
01:03:36,840 --> 01:03:37,880
Speaker 3: Teddy there's.

1155
01:03:37,880 --> 01:03:43,360
Speaker 2: Teddy did o'mary as well, like these people Kate show like,

1156
01:03:43,520 --> 01:03:45,400
Speaker 2: these people just love a comedy show.

1157
01:03:45,400 --> 01:03:48,920
Speaker 3: Like Emily Oberman like designed every SNL logo since the nineties,

1158
01:03:49,120 --> 01:03:51,440
Speaker 3: designed the thirty rock logo for the show, designed like

1159
01:03:52,400 --> 01:03:54,200
Speaker 3: it just designs everything.

1160
01:03:54,360 --> 01:04:00,640
Speaker 2: What can we say? And she's working on culture you

1161
01:04:00,640 --> 01:04:05,200
Speaker 2: can cut it. Yeah, no, she doesn't care. I love that.

1162
01:04:05,480 --> 01:04:07,760
Speaker 2: I don't care either. People don't know of her work.

1163
01:04:08,320 --> 01:04:11,240
Speaker 3: She does no, But Pentagon is Sleigh Pentagon. Like when

1164
01:04:11,240 --> 01:04:13,200
Speaker 3: I was working in graphic design, everyone was like, well,

1165
01:04:13,320 --> 01:04:14,720
Speaker 3: that's Emily Oberman, that's Pentagon.

1166
01:04:14,880 --> 01:04:19,880
Speaker 2: Yeah, and you're learning and that's a better eye for that.

1167
01:04:20,080 --> 01:04:22,400
Speaker 2: But I'm glad other people do. There you go. One

1168
01:04:22,440 --> 01:04:24,600
Speaker 2: time I was in a musical and I was playing

1169
01:04:24,640 --> 01:04:27,720
Speaker 2: a role, and usually like the roles don't dance a lot,

1170
01:04:28,080 --> 01:04:30,680
Speaker 2: and I was with another role and we were standing

1171
01:04:30,720 --> 01:04:31,880
Speaker 2: in the back and I was like, I wish I

1172
01:04:31,880 --> 01:04:34,080
Speaker 2: could dance, and then he goes to me, but then

1173
01:04:34,080 --> 01:04:39,840
Speaker 2: we wouldn't get to watch what beautiful, beautiful, that's gorgeous.

1174
01:04:40,160 --> 01:04:42,200
Speaker 2: Oh I love to watch. I love to watch.

1175
01:04:42,320 --> 01:04:44,680
Speaker 7: Can I just say that's how I feel when you

1176
01:04:44,720 --> 01:04:48,240
Speaker 7: all talk about the Traders? You would you like to

1177
01:04:48,280 --> 01:04:49,960
Speaker 7: know more about the Traders, but then I wouldn't get

1178
01:04:49,960 --> 01:04:51,480
Speaker 7: to watch, you know what I mean?

1179
01:04:51,600 --> 01:04:54,840
Speaker 2: You can always watch the show and then conversation pop

1180
01:04:55,000 --> 01:04:56,600
Speaker 2: it out. No, no, no no.

1181
01:04:56,760 --> 01:05:01,800
Speaker 3: But why what I asked, with no judge but only curiosity,

1182
01:05:01,960 --> 01:05:03,720
Speaker 3: why haven't you like been like, let.

1183
01:05:03,640 --> 01:05:06,760
Speaker 2: Me try My truth is I find it to be

1184
01:05:07,120 --> 01:05:11,480
Speaker 2: for I love that my sisters love it. It's tedious.

1185
01:05:11,960 --> 01:05:13,840
Speaker 7: I feel neutral on the show, and thus I don't

1186
01:05:13,880 --> 01:05:15,640
Speaker 7: really watch. But I can watch with my girls and

1187
01:05:15,720 --> 01:05:17,600
Speaker 7: be disconnected from the season and have fun watching.

1188
01:05:17,680 --> 01:05:20,840
Speaker 2: The challenges literally do not matter. So that is like

1189
01:05:20,880 --> 01:05:25,080
Speaker 2: a huge flaw. Yes, in theF of the episode could

1190
01:05:25,120 --> 01:05:26,800
Speaker 2: be cut and it wouldn't matter in.

1191
01:05:26,800 --> 01:05:29,000
Speaker 7: The slight And I know this isn't a requiss aspect

1192
01:05:29,040 --> 01:05:30,480
Speaker 7: of the show, But I also don't watch like any

1193
01:05:30,560 --> 01:05:31,880
Speaker 7: of the franchises they draw from.

1194
01:05:32,000 --> 01:05:33,960
Speaker 2: So I also don't really care about the Avengers of it.

1195
01:05:34,040 --> 01:05:36,160
Speaker 2: That's what I meant. I meant like even the survivors,

1196
01:05:36,280 --> 01:05:39,120
Speaker 2: and for both of you. And this is purely this

1197
01:05:39,280 --> 01:05:39,480
Speaker 2: is not.

1198
01:05:41,080 --> 01:05:43,280
Speaker 3: Housewives and all these things, Like I feel like you

1199
01:05:43,560 --> 01:05:46,800
Speaker 3: there is there is a alternate timling where you guys

1200
01:05:46,880 --> 01:05:47,800
Speaker 3: are obsessed with these.

1201
01:05:47,720 --> 01:05:50,479
Speaker 7: Well, let me say, if Traders was drawing from Okay,

1202
01:05:50,800 --> 01:05:54,360
Speaker 7: Love on the Spectrum, Couple's Therapy, and bake Off, I'd

1203
01:05:54,440 --> 01:05:58,680
Speaker 7: be watching they should be bake Off, Couples Therapy and

1204
01:05:58,800 --> 01:05:59,960
Speaker 7: Love on the Spectrum people.

1205
01:06:00,320 --> 01:06:03,440
Speaker 2: Then I'm wah, you know, I'm watching. I usually only

1206
01:06:03,560 --> 01:06:06,120
Speaker 2: like reality TV when when it's a contest. That's my

1207
01:06:06,160 --> 01:06:08,520
Speaker 2: problem with house is, like I find it tedious when

1208
01:06:08,600 --> 01:06:10,920
Speaker 2: like no one gets eliminated. See, I think your issue

1209
01:06:11,080 --> 01:06:15,400
Speaker 2: is you're not watching Housewives like it's a contest. Totally

1210
01:06:17,840 --> 01:06:19,800
Speaker 2: is no to be honest. When I see the reunion

1211
01:06:19,840 --> 01:06:22,080
Speaker 2: at the end and you see where they're it's almost

1212
01:06:22,160 --> 01:06:24,960
Speaker 2: like that those are their like final seeds and then

1213
01:06:25,160 --> 01:06:25,760
Speaker 2: people go there.

1214
01:06:26,360 --> 01:06:29,160
Speaker 4: But I like the like next season all new people

1215
01:06:29,280 --> 01:06:31,560
Speaker 4: playing the game again versus like and now.

1216
01:06:31,480 --> 01:06:33,760
Speaker 2: That you know and I don't care. I love someone

1217
01:06:33,880 --> 01:06:35,520
Speaker 2: to watch it with people while they tell me what

1218
01:06:35,680 --> 01:06:36,440
Speaker 2: I am watching.

1219
01:06:36,640 --> 01:06:40,280
Speaker 7: Yeah, Aaron's introduced me to all the Peak Survivor seasons.

1220
01:06:40,320 --> 01:06:43,320
Speaker 7: I've had an amazing time. Yeah, I often watch Housewives

1221
01:06:43,360 --> 01:06:45,040
Speaker 7: when I'm on a Jet Blue flight. I have an

1222
01:06:45,080 --> 01:06:48,160
Speaker 7: amazing time. So I get my sisters like them, even

1223
01:06:48,200 --> 01:06:49,680
Speaker 7: if they're not the shows that are for me. They're

1224
01:06:49,680 --> 01:06:51,120
Speaker 7: not the culture that made me say culture is for me.

1225
01:06:51,200 --> 01:06:53,600
Speaker 1: What is something that your lover was into that as

1226
01:06:53,640 --> 01:06:56,280
Speaker 1: a result of them just sort of being so into

1227
01:06:56,320 --> 01:06:57,760
Speaker 1: it that now you're into it?

1228
01:06:57,880 --> 01:06:58,040
Speaker 2: Oh?

1229
01:06:58,200 --> 01:07:01,680
Speaker 1: Yeah, you both have a long, long time partners, and

1230
01:07:01,680 --> 01:07:04,120
Speaker 1: I would imagine you at least picked up something from

1231
01:07:04,160 --> 01:07:04,800
Speaker 1: there and.

1232
01:07:04,840 --> 01:07:07,200
Speaker 2: Weren't just definitely into your thing.

1233
01:07:07,600 --> 01:07:10,560
Speaker 1: They're just only ever thinking about what you want to do,

1234
01:07:11,120 --> 01:07:14,120
Speaker 1: acting like a narcissist that I think at some point

1235
01:07:14,160 --> 01:07:15,240
Speaker 1: there must have been something.

1236
01:07:16,160 --> 01:07:19,440
Speaker 2: Sorry, I'm so sorry. Would you say that back? I

1237
01:07:19,560 --> 01:07:22,440
Speaker 2: was not listening. I was thinking about myself. Just say

1238
01:07:22,480 --> 01:07:23,080
Speaker 2: that all again.

1239
01:07:23,240 --> 01:07:25,720
Speaker 1: I that there was at least one time where you

1240
01:07:25,760 --> 01:07:28,360
Speaker 1: were like, hey, that's interesting something someone else was doing,

1241
01:07:28,600 --> 01:07:31,200
Speaker 1: saying being involved in what does that?

1242
01:07:31,440 --> 01:07:33,960
Speaker 2: Do I have to be into it now myself or

1243
01:07:34,000 --> 01:07:34,880
Speaker 2: can I just enjoy it?

1244
01:07:35,040 --> 01:07:38,000
Speaker 1: Well, ideally, Aaron, ideally it was something that was interesting

1245
01:07:38,080 --> 01:07:40,120
Speaker 1: enough that your partner was into that you wanted to

1246
01:07:40,200 --> 01:07:40,680
Speaker 1: stick with it.

1247
01:07:41,000 --> 01:07:43,680
Speaker 2: There's a meme that Michael that I trade. It's two

1248
01:07:43,760 --> 01:07:46,600
Speaker 2: kittens and one sort of has his or hers little

1249
01:07:46,640 --> 01:07:50,320
Speaker 2: hands out, and it goes me listening to my partner's interests.

1250
01:07:50,640 --> 01:07:54,400
Speaker 2: And that's really Michael likes to just sort of like

1251
01:07:55,080 --> 01:07:57,520
Speaker 2: often stand because he's a he's a mover around, whereas

1252
01:07:57,560 --> 01:07:59,920
Speaker 2: I'm sort of I'm always like draped across furniture, and

1253
01:08:01,240 --> 01:08:03,800
Speaker 2: he will just stand and tell me about something that

1254
01:08:03,920 --> 01:08:06,920
Speaker 2: I have no that I could never do or understand.

1255
01:08:07,400 --> 01:08:09,400
Speaker 2: I'm simply the cat. And so while you're like that,

1256
01:08:09,560 --> 01:08:11,600
Speaker 2: like the cat, are you remembering what he's saying? I

1257
01:08:11,760 --> 01:08:14,760
Speaker 2: remember some stuff, but you know, he gets granular. He's

1258
01:08:14,800 --> 01:08:16,840
Speaker 2: telling me about like sewing patterns and things, and I'm like,

1259
01:08:16,880 --> 01:08:19,200
Speaker 2: I'll never understand this. So that's not one of the

1260
01:08:19,280 --> 01:08:22,320
Speaker 2: things I'm asking about. You something that he yeah, what's

1261
01:08:22,360 --> 01:08:25,800
Speaker 2: something he loves? You? Now love because you know he no, no,

1262
01:08:27,600 --> 01:08:29,479
Speaker 2: I'm trying to think of a singing artist. He got

1263
01:08:29,520 --> 01:08:31,040
Speaker 2: me into bat but that would be like back in

1264
01:08:31,080 --> 01:08:34,400
Speaker 2: college because now we're so meshed. Well, what about twenty

1265
01:08:34,520 --> 01:08:37,360
Speaker 2: years of nison aa? I love he got me into

1266
01:08:37,360 --> 01:08:40,160
Speaker 2: those honey, couldn't get you out, couldn't get me out?

1267
01:08:40,240 --> 01:08:44,040
Speaker 2: You got stuck? Whoa hot? Tell it down to the hospital.

1268
01:08:44,240 --> 01:08:49,000
Speaker 2: There is this like subgenre of erotica, like you know,

1269
01:08:49,160 --> 01:08:52,640
Speaker 2: fiction where like that he got you into? No, I

1270
01:08:53,000 --> 01:08:54,880
Speaker 2: sadly got myself into this, but I don't even like

1271
01:08:54,960 --> 01:08:57,240
Speaker 2: this genre, but I have read it. It's like the

1272
01:08:57,400 --> 01:09:01,240
Speaker 2: Got the Top is really stupid, like very very dumb

1273
01:09:01,520 --> 01:09:06,880
Speaker 2: how novel? Yeah, and likely story he keeps accidentally like

1274
01:09:07,080 --> 01:09:12,200
Speaker 2: whoa like getting stuck in the bottom or the cocksucker? Oh, whoa?

1275
01:09:13,640 --> 01:09:18,160
Speaker 2: Up in their body or in things like in their

1276
01:09:18,600 --> 01:09:20,719
Speaker 2: or hole like whoa, I can't get it out? Whoa?

1277
01:09:21,560 --> 01:09:24,800
Speaker 4: It's like the bottom sort of like like I feel

1278
01:09:24,840 --> 01:09:27,000
Speaker 4: like it is usually like told from the bottom's POV.

1279
01:09:27,360 --> 01:09:29,640
Speaker 2: And they're like, and you're here, yeah, yeah, we're like

1280
01:09:29,760 --> 01:09:35,080
Speaker 2: I you know, my roommate was so first person wait,

1281
01:09:35,240 --> 01:09:39,360
Speaker 2: so sorry, it's sort of the almost got you into

1282
01:09:39,400 --> 01:09:44,920
Speaker 2: the Michael, your husband. Just to just to confirm, we

1283
01:09:45,120 --> 01:09:48,920
Speaker 2: did not find a thing. We didn't find a thing.

1284
01:09:49,200 --> 01:09:50,320
Speaker 2: You think of something? What about you?

1285
01:09:50,560 --> 01:09:52,800
Speaker 7: I don't want to give him more airtime. But Blake

1286
01:09:52,960 --> 01:09:54,760
Speaker 7: did get me into Harry Potter because I had not

1287
01:09:54,800 --> 01:09:56,919
Speaker 7: read and he was, let's get you more airtime.

1288
01:09:57,120 --> 01:10:01,240
Speaker 2: No, fuck her her, fuck the show. Oh yeah, I

1289
01:10:01,360 --> 01:10:03,000
Speaker 2: actually my real take because I don't want to watch

1290
01:10:03,040 --> 01:10:07,439
Speaker 2: that show. Who is gonna watch that show? Because we

1291
01:10:07,479 --> 01:10:11,120
Speaker 2: already know it the movies. Don't do the show movies.

1292
01:10:11,160 --> 01:10:12,840
Speaker 2: We already have the movies. You already have the books.

1293
01:10:12,920 --> 01:10:17,120
Speaker 2: What's done is it's the HBO max needing. They are

1294
01:10:17,160 --> 01:10:18,360
Speaker 2: desperate always for another game.

1295
01:10:19,880 --> 01:10:22,000
Speaker 7: But yeah, he did get me into that. And then

1296
01:10:22,000 --> 01:10:26,120
Speaker 7: there's more like you're saying, like not culture but timpermit things.

1297
01:10:26,360 --> 01:10:28,040
Speaker 7: He slows me down in ways that I appreciate.

1298
01:10:28,160 --> 01:10:31,920
Speaker 2: That's wonderful. I want to do something. I want each

1299
01:10:31,960 --> 01:10:33,840
Speaker 2: of us to go around and for each of the

1300
01:10:33,920 --> 01:10:36,040
Speaker 2: other three people say that say a thing that they

1301
01:10:36,280 --> 01:10:38,720
Speaker 2: that the person got them into. Oh I love that.

1302
01:10:39,320 --> 01:10:40,120
Speaker 2: This is really good.

1303
01:10:40,560 --> 01:10:43,760
Speaker 4: Wait, okay, I want to get this right. I think

1304
01:10:43,800 --> 01:10:47,400
Speaker 4: it's both of you. For me, it would be music

1305
01:10:47,479 --> 01:10:50,080
Speaker 4: I can think of like specific music.

1306
01:10:49,920 --> 01:10:54,240
Speaker 1: You and I would say for Aaron, you reinforcing like

1307
01:10:54,720 --> 01:10:58,400
Speaker 1: the survivor thing for maybecause I feel like my also

1308
01:10:58,479 --> 01:10:59,920
Speaker 1: Guy Brown and us to talk about it a lot,

1309
01:11:00,280 --> 01:11:02,479
Speaker 1: and I was just like, once I realized that, like gaze,

1310
01:11:03,120 --> 01:11:04,960
Speaker 1: like we're having fun talking about it.

1311
01:11:05,439 --> 01:11:10,320
Speaker 7: Like you, you you really have Matt Rogers broad in

1312
01:11:10,479 --> 01:11:12,479
Speaker 7: my pop music knowledge in a way that I appreciate

1313
01:11:12,520 --> 01:11:13,920
Speaker 7: because I even like pop, but I listen to a

1314
01:11:13,960 --> 01:11:15,920
Speaker 7: lot of other things, and you've like gotten me into

1315
01:11:15,920 --> 01:11:17,280
Speaker 7: some girls I wouldn't have gotten into.

1316
01:11:17,640 --> 01:11:20,559
Speaker 2: Really, yeah, you because it came up earlier. You did

1317
01:11:20,600 --> 01:11:22,599
Speaker 2: get me in a couple's therapy, which and he got

1318
01:11:22,640 --> 01:11:26,520
Speaker 2: me a couple of stories that came from you. I loves.

1319
01:11:27,200 --> 01:11:29,160
Speaker 2: I feel like earlier in our relationship, you helped me

1320
01:11:29,240 --> 01:11:32,240
Speaker 2: fill in some of the gaps of like Aaron canonical.

1321
01:11:32,320 --> 01:11:36,280
Speaker 2: This is to Aaron Jackson canonical, you know, old school

1322
01:11:36,280 --> 01:11:38,479
Speaker 2: Hollywood queer film. Yeah, because I'd see a lot of

1323
01:11:38,520 --> 01:11:40,439
Speaker 2: the top line. But it's like I had only seen

1324
01:11:40,520 --> 01:11:42,920
Speaker 2: like three Betty Davies movies before I met Aaron, and

1325
01:11:42,960 --> 01:11:45,720
Speaker 2: then it was sixty or something. I think, yes, and

1326
01:11:45,840 --> 01:11:47,960
Speaker 2: I think you definitely got me into Persona five and

1327
01:11:48,120 --> 01:11:51,720
Speaker 2: then probably other video It's most im I'm a video game.

1328
01:11:52,000 --> 01:11:52,639
Speaker 2: I'm not too.

1329
01:11:54,080 --> 01:11:58,439
Speaker 3: I will say weirdly. Weirdly, but like Jesus Christ Superstar.

1330
01:11:59,160 --> 01:12:00,920
Speaker 3: I never at the first I saw it was was

1331
01:12:01,000 --> 01:12:03,719
Speaker 3: the live version at your house.

1332
01:12:03,920 --> 01:12:06,160
Speaker 2: Yes, oh my god, that was. That was fun.

1333
01:12:06,800 --> 01:12:09,320
Speaker 3: A bunch of music for you, bunch of TV, but

1334
01:12:09,479 --> 01:12:14,280
Speaker 3: mostly TV for you. Reality comes yes, yes, and I

1335
01:12:15,040 --> 01:12:17,519
Speaker 3: but I it's but it is transferred in this direction

1336
01:12:17,680 --> 01:12:20,200
Speaker 3: to sometimes Aaron reinforces what Matt, what Matt?

1337
01:12:20,240 --> 01:12:22,720
Speaker 2: What Matt tells me about you Know what's interesting is

1338
01:12:22,760 --> 01:12:24,760
Speaker 2: it's like it's funny to like have that question and

1339
01:12:24,800 --> 01:12:27,320
Speaker 2: then us like I have to answer it about you guys,

1340
01:12:27,360 --> 01:12:29,760
Speaker 2: because it's not to be like tweet or earnest, but

1341
01:12:29,800 --> 01:12:32,360
Speaker 2: it truly is like comedy at large, like and being

1342
01:12:32,439 --> 01:12:35,760
Speaker 2: yourself on stage. Like so that's like actually true and real.

1343
01:12:36,000 --> 01:12:38,080
Speaker 1: I remember when you guys like were inviting us to

1344
01:12:38,120 --> 01:12:40,840
Speaker 1: hang out with you guys, it was like whoa, because

1345
01:12:40,880 --> 01:12:42,600
Speaker 1: you guys were the people that we looked up to.

1346
01:12:42,800 --> 01:12:47,720
Speaker 2: So I guess that's the answer. Do you remember to

1347
01:12:47,800 --> 01:12:53,040
Speaker 2: do that at the Duplex? No? Like waiting for the tour?

1348
01:12:53,120 --> 01:12:58,960
Speaker 2: Will you do that? That is? Actually I tell you something.

1349
01:12:59,080 --> 01:13:01,880
Speaker 1: Whenever I'm suggest thing Zola numbers, you're gonna think it's like, oh,

1350
01:13:02,000 --> 01:13:04,200
Speaker 1: so Mac can do his bullshit No, it's so bowen

1351
01:13:04,320 --> 01:13:05,639
Speaker 1: can oh?

1352
01:13:05,760 --> 01:13:05,960
Speaker 2: I know?

1353
01:13:06,160 --> 01:13:08,080
Speaker 7: And I like to get into some of the laur again.

1354
01:13:08,120 --> 01:13:11,120
Speaker 7: We gave them Barracuda. Yeah, Bang Bang is a signature

1355
01:13:11,160 --> 01:13:12,200
Speaker 7: piece that needs to come back.

1356
01:13:12,479 --> 01:13:14,479
Speaker 2: I literally think of you and I no matter who

1357
01:13:14,520 --> 01:13:16,400
Speaker 2: sings that's Nancy Sinatra or whatever, I've like, No, he

1358
01:13:16,439 --> 01:13:19,240
Speaker 2: doesn't better, he doesn't, he doesn't better than Gaga.

1359
01:13:20,560 --> 01:13:24,720
Speaker 3: I'm doing a Gaga impression when I'm Sangwhan.

1360
01:13:24,760 --> 01:13:27,320
Speaker 2: He would agree, it's the best performance of the song

1361
01:13:27,600 --> 01:13:28,120
Speaker 2: I've seen.

1362
01:13:28,800 --> 01:13:32,960
Speaker 7: Can I say something. I'm reading Jeff Hiller's memoir right now,

1363
01:13:33,520 --> 01:13:37,679
Speaker 7: Delightful Bug. He brings up this moment of like him

1364
01:13:37,800 --> 01:13:40,439
Speaker 7: being the you know, like holy gay guy at U

1365
01:13:40,520 --> 01:13:40,760
Speaker 7: c B.

1366
01:13:41,280 --> 01:13:44,080
Speaker 2: And how much he was like, you know, referencing Wicked

1367
01:13:44,320 --> 01:13:46,639
Speaker 2: on Harold Knight and the coach being like that's too niche,

1368
01:13:46,720 --> 01:13:48,600
Speaker 2: don't you know? I mean that?

1369
01:13:48,720 --> 01:13:51,760
Speaker 7: And then through like seeing us do twins and then

1370
01:13:52,040 --> 01:13:53,519
Speaker 7: all of this young he was like, I sort of

1371
01:13:53,600 --> 01:13:55,799
Speaker 7: learned from my daughters to be myself.

1372
01:13:56,479 --> 01:13:58,640
Speaker 2: I feel that in a big way too.

1373
01:13:58,800 --> 01:14:00,439
Speaker 7: Like when you're saying like, oh, you're talking, I'm like yeah,

1374
01:14:00,479 --> 01:14:03,200
Speaker 7: But then when you all were doing what you were doing,

1375
01:14:03,280 --> 01:14:05,439
Speaker 7: it allowed me to be like, oh, ship, there's parts

1376
01:14:05,520 --> 01:14:08,599
Speaker 7: of myself I'm not accessing and not leaning into. It's

1377
01:14:08,600 --> 01:14:11,960
Speaker 7: all cyclical, you know what I mean. It's intergenerational. Yeah, exactly,

1378
01:14:12,000 --> 01:14:17,120
Speaker 7: it's not. And this is Jeff his mother and everyone

1379
01:14:17,160 --> 01:14:18,519
Speaker 7: needs to put respect on Jeff Hiller.

1380
01:14:19,360 --> 01:14:24,360
Speaker 2: Hiller the moment, by his book, by by his book,

1381
01:14:24,439 --> 01:14:27,160
Speaker 2: and watch the show and watch the show. Love the show.

1382
01:14:28,360 --> 01:14:31,519
Speaker 2: That is interesting. But I think there's that because I'm

1383
01:14:31,520 --> 01:14:32,920
Speaker 2: like sitting here being like, but what is it? And

1384
01:14:32,960 --> 01:14:34,640
Speaker 2: then I'm like, oh, it's like it's it's hard to

1385
01:14:34,760 --> 01:14:39,720
Speaker 2: pinpoint because it's just like been everything. Mm hmm. I

1386
01:14:39,800 --> 01:14:41,479
Speaker 2: love that. We should I love it. It's everything. We

1387
01:14:41,479 --> 01:14:42,439
Speaker 2: should writ a Broadway show.

1388
01:14:42,560 --> 01:14:45,599
Speaker 7: We should write a Broadway show all of us. It's

1389
01:14:45,680 --> 01:14:47,920
Speaker 7: for the tour, for the tour, it's about I think

1390
01:14:47,920 --> 01:14:50,280
Speaker 7: it's a Broadway do you think getting.

1391
01:14:50,439 --> 01:14:53,559
Speaker 2: No, it's like nonfor cities. It's on Broadway. It's on Broadway.

1392
01:14:53,600 --> 01:14:59,400
Speaker 2: That's one of the four cities, Broadway, West and West End,

1393
01:14:59,600 --> 01:15:02,640
Speaker 2: Disney and Tokyo Disney. Should you do one of the

1394
01:15:02,720 --> 01:15:05,840
Speaker 2: like little amphitheaters in the park, you know what I mean? Yeah,

1395
01:15:05,960 --> 01:15:09,479
Speaker 2: like as one of the gazebo by the vision that

1396
01:15:09,600 --> 01:15:12,880
Speaker 2: theaters free vision for long put in.

1397
01:15:13,600 --> 01:15:16,840
Speaker 1: So the Muppet section in Hollywood Studios is going down

1398
01:15:16,960 --> 01:15:21,599
Speaker 1: so that Monsters Inc. Can be the Monsters. No, sorry,

1399
01:15:22,560 --> 01:15:25,840
Speaker 1: the Muppets are now going to Rock and roller Coaster. Okay,

1400
01:15:25,960 --> 01:15:28,160
Speaker 1: So it's sort of as is written, so it shall

1401
01:15:28,200 --> 01:15:32,679
Speaker 1: be done. Arrowsmith bequeaths to the muppettit hoo bequeathed to monsters.

1402
01:15:32,720 --> 01:15:34,200
Speaker 2: So rock and Roll Coasters is not gonna be about

1403
01:15:34,200 --> 01:15:36,200
Speaker 2: Aarosmith an what's come out? It will be rock and

1404
01:15:36,320 --> 01:15:39,400
Speaker 2: roller Coaster starring the Muppets, okay, which I think is

1405
01:15:39,479 --> 01:15:42,720
Speaker 2: kind of fierce, will make music. I always thought I

1406
01:15:42,880 --> 01:15:44,600
Speaker 2: learned the ride rock and roller Coaster, but I did

1407
01:15:44,720 --> 01:15:47,680
Speaker 2: think an Aerosmith ride was a little Disney straight, a

1408
01:15:47,720 --> 01:15:51,760
Speaker 2: little strange. It needs it needs to go ten years ago,

1409
01:15:51,840 --> 01:15:54,519
Speaker 2: where's the Muppets are a big family band working together.

1410
01:15:54,800 --> 01:15:57,400
Speaker 3: Matt had a theory that Rock and Roller Coaster was

1411
01:15:57,439 --> 01:15:59,640
Speaker 3: going to go to Olivia Rodrigo and I was.

1412
01:15:59,720 --> 01:16:02,439
Speaker 1: Told that in a real way, and it was someone

1413
01:16:02,479 --> 01:16:04,640
Speaker 1: who claimed that they knew it. Was like, well, you know,

1414
01:16:04,720 --> 01:16:07,519
Speaker 1: they're changing the theming of Rock and Roller Coaster from

1415
01:16:07,560 --> 01:16:09,080
Speaker 1: Aerosmith to Olivia Rori.

1416
01:16:09,720 --> 01:16:12,560
Speaker 2: In five kind of I kind of understand it on

1417
01:16:12,800 --> 01:16:15,400
Speaker 2: like an I'm gay level, but does that work on

1418
01:16:15,479 --> 01:16:18,280
Speaker 2: a world on a world level, like in five years,

1419
01:16:18,439 --> 01:16:25,720
Speaker 2: this woman is going to look completely different, will be this? Wait?

1420
01:16:25,800 --> 01:16:30,160
Speaker 2: Who is it? Should be the Goofy movie band? Yeah,

1421
01:16:30,200 --> 01:16:30,400
Speaker 2: thank you?

1422
01:16:30,680 --> 01:16:34,160
Speaker 4: Well tom Nye and Charlton who have the They have

1423
01:16:34,280 --> 01:16:37,439
Speaker 4: a bit that they want Disney to be. They want

1424
01:16:37,479 --> 01:16:40,479
Speaker 4: the characters to be controlled, like by each character as

1425
01:16:40,520 --> 01:16:43,280
Speaker 4: a president, so like Mickey has a president, Goofy has

1426
01:16:43,320 --> 01:16:45,800
Speaker 4: a president, or you know of the of there is

1427
01:16:45,880 --> 01:16:48,320
Speaker 4: there like main pr person and they're like working around

1428
01:16:48,400 --> 01:16:51,320
Speaker 4: like so they control everything, like putting Donald in the movie,

1429
01:16:51,360 --> 01:16:54,120
Speaker 4: getting Donald a ride, collabing with another character.

1430
01:16:54,840 --> 01:16:55,719
Speaker 2: It's just really funny.

1431
01:16:55,760 --> 01:16:58,519
Speaker 4: It was like a publicist war, and it called them

1432
01:16:58,560 --> 01:17:00,800
Speaker 4: the Big six. And who do you think the Big

1433
01:17:00,880 --> 01:17:02,479
Speaker 4: six is the I love.

1434
01:17:02,400 --> 01:17:06,040
Speaker 2: That, Well, it's Mickey, it's Minnie, but they probably share

1435
01:17:06,040 --> 01:17:09,360
Speaker 2: a publicist. No you don't think so, I don't think.

1436
01:17:09,600 --> 01:17:12,200
Speaker 1: Okay, we're giving her autonomy, and her autonomy is to

1437
01:17:12,320 --> 01:17:15,280
Speaker 1: choose everything is just the girl version of Mickey. Okay,

1438
01:17:15,760 --> 01:17:18,920
Speaker 1: if I'm her publicist, I'm fucking getting on the phone Mickey,

1439
01:17:19,000 --> 01:17:20,719
Speaker 1: goofy Donald, because they're all in Kingdom hearts.

1440
01:17:21,080 --> 01:17:23,240
Speaker 2: There you go, this is just a bad publicist if

1441
01:17:23,240 --> 01:17:24,160
Speaker 2: she's just getting her the girl.

1442
01:17:24,280 --> 01:17:27,639
Speaker 1: I can't believe I'm just saying telling me that Mickey

1443
01:17:27,720 --> 01:17:29,320
Speaker 1: and Minnie have a different publicist.

1444
01:17:29,439 --> 01:17:34,240
Speaker 2: They do. I think Mini's publicist fucking sucks. Well, do

1445
01:17:34,240 --> 01:17:36,680
Speaker 2: you think carry Coon and Tracy Let's have the same publicist?

1446
01:17:37,720 --> 01:17:38,679
Speaker 2: They do different things.

1447
01:17:38,880 --> 01:17:41,519
Speaker 1: I think Tracy lets says no to a lot more

1448
01:17:41,600 --> 01:17:44,640
Speaker 1: than carry Coon pul opportunity.

1449
01:17:44,080 --> 01:17:46,600
Speaker 2: Because they have different publicists. Yeah, I don't know that

1450
01:17:46,720 --> 01:17:46,920
Speaker 2: they do.

1451
01:17:47,120 --> 01:17:49,439
Speaker 1: I actually would you know what, I bet Tracy Letts

1452
01:17:49,560 --> 01:17:51,760
Speaker 1: is like, doesn't even really right.

1453
01:17:53,160 --> 01:17:56,040
Speaker 2: And so it's Mickey, Mickey's a writer, Minie's a star.

1454
01:17:56,840 --> 01:17:58,280
Speaker 2: We don't think that that's true.

1455
01:17:59,400 --> 01:18:02,960
Speaker 1: Mickey out there out there that much either. I got

1456
01:18:03,880 --> 01:18:08,000
Speaker 1: this is what I'm gonna say. I really think Mickey

1457
01:18:08,040 --> 01:18:10,400
Speaker 1: and Minni have the same publicist, just like I think

1458
01:18:10,479 --> 01:18:12,680
Speaker 1: Donald and Daisy. No, you know what, Daisy has a

1459
01:18:12,680 --> 01:18:13,160
Speaker 1: different day.

1460
01:18:15,040 --> 01:18:17,560
Speaker 2: You can talk about Daisy and what she's up to

1461
01:18:17,640 --> 01:18:19,800
Speaker 2: and what she's into, but you can't say that about Minny.

1462
01:18:19,960 --> 01:18:24,360
Speaker 3: No, but but but Donald, I fear Donald has scientologists

1463
01:18:24,479 --> 01:18:27,759
Speaker 3: vibes because Daisy is not showing up anywhere.

1464
01:18:27,960 --> 01:18:29,240
Speaker 2: It's Shelley mskivage vibes.

1465
01:18:29,320 --> 01:18:31,080
Speaker 1: When you talking about you know exactly where she is.

1466
01:18:31,120 --> 01:18:32,840
Speaker 1: She's in that room at the Disney World ride where

1467
01:18:32,840 --> 01:18:33,840
Speaker 1: she teaches uspell A.

1468
01:18:34,360 --> 01:18:35,960
Speaker 2: In media, don't.

1469
01:18:37,560 --> 01:18:41,320
Speaker 3: You don't see Daisy ow. It's a huge underrepresentation of

1470
01:18:41,560 --> 01:18:42,320
Speaker 3: You can't.

1471
01:18:42,120 --> 01:18:44,560
Speaker 1: Say that Daisy Duck is like Shelley Muskavision when no

1472
01:18:44,640 --> 01:18:46,280
Speaker 1: one knows where Shelley Muskavig is and.

1473
01:18:46,600 --> 01:18:51,000
Speaker 2: No one knows where she's in two places, the the

1474
01:18:51,080 --> 01:18:53,760
Speaker 2: Mickey and Minnie Runaway Railway in Orlando and the one

1475
01:18:53,800 --> 01:18:55,559
Speaker 2: in Anaheim. We've seen her twice.

1476
01:18:55,680 --> 01:19:00,519
Speaker 1: And what she does thing is serious. That Asy Duck

1477
01:19:00,600 --> 01:19:02,680
Speaker 1: thing is not. She's got her own publicist and she

1478
01:19:02,800 --> 01:19:07,080
Speaker 1: has a job. She's a dance teacher. I think this

1479
01:19:07,160 --> 01:19:08,280
Speaker 1: is I think this is good.

1480
01:19:08,640 --> 01:19:10,760
Speaker 2: This is good. And then we were thinking, what Chip

1481
01:19:10,880 --> 01:19:13,840
Speaker 2: and Dale, Goofy's got a fucked publicist, like it's what

1482
01:19:14,080 --> 01:19:19,679
Speaker 2: is gooner? He's a gooner. The publicist is a gooner. Goofy.

1483
01:19:24,920 --> 01:19:29,360
Speaker 2: Why I'm really saying getting on his toes, Josh has

1484
01:19:29,400 --> 01:19:31,360
Speaker 2: been saying that a lot due to his Spanish lessons.

1485
01:19:31,400 --> 01:19:33,559
Speaker 2: I guess, yeah, how are they going along?

1486
01:19:36,160 --> 01:19:42,880
Speaker 7: My Natalia Natalia Lesbiana Columbiana Malta.

1487
01:19:44,760 --> 01:19:51,120
Speaker 2: As Obsessediri. She's a Colombian lesbian. She's a lesbian living

1488
01:19:51,160 --> 01:19:55,280
Speaker 2: in Malta. That's cute. Did she sorry? How did it

1489
01:19:55,360 --> 01:19:57,160
Speaker 2: come up? Arianna? Did you tell her that you know

1490
01:19:57,320 --> 01:19:59,720
Speaker 2: someone who knew her? Well? Did you know her? Well?

1491
01:20:00,320 --> 01:20:03,080
Speaker 2: It's me. Oftentimes it's like what did you do this weekend?

1492
01:20:04,840 --> 01:20:06,639
Speaker 2: Oftentimes it's like what did you do this weekend? I'm

1493
01:20:06,680 --> 01:20:10,240
Speaker 2: like where Sam I went to Saturday Night Live and

1494
01:20:10,280 --> 01:20:12,040
Speaker 2: she's like, wait, Ariana Grende host, did you meet her?

1495
01:20:12,040 --> 01:20:14,280
Speaker 7: And I go, well, yeah, I was like she's sort

1496
01:20:14,280 --> 01:20:22,280
Speaker 7: of a friend. Wow, almost amigas and your Spanish sounds fat.

1497
01:20:22,320 --> 01:20:24,200
Speaker 7: It's it's gotten better.

1498
01:20:24,680 --> 01:20:26,560
Speaker 2: It was one of my things after the accident that

1499
01:20:26,640 --> 01:20:28,240
Speaker 2: I was like I want to reclaim this thing and

1500
01:20:28,360 --> 01:20:30,720
Speaker 2: be like, next time I go back to Mexico, I'm like, oh,

1501
01:20:30,760 --> 01:20:32,840
Speaker 2: remember last time you came, and now you speak better

1502
01:20:32,880 --> 01:20:34,519
Speaker 2: in Spanish. You know, like one of those where I

1503
01:20:34,600 --> 01:20:35,880
Speaker 2: was like I need to come back and not feel

1504
01:20:35,920 --> 01:20:37,920
Speaker 2: like I'm coming back after the time that almost killed me.

1505
01:20:38,000 --> 01:20:39,759
Speaker 2: It's like, oh, I'm coming back to her at Spanish

1506
01:20:39,800 --> 01:20:42,240
Speaker 2: and to learn more about the accident. Go to actually,

1507
01:20:44,160 --> 01:20:47,000
Speaker 2: are you literally at about the accident? It's yeah, there's

1508
01:20:47,000 --> 01:20:49,160
Speaker 2: like it's certain in the last like twenty minutes, I

1509
01:20:49,280 --> 01:20:51,280
Speaker 2: love Biente.

1510
01:20:53,840 --> 01:20:57,040
Speaker 1: See and if you don't know what the accident is,

1511
01:20:57,360 --> 01:20:59,679
Speaker 1: you gotta go to the you gotta go. The accident

1512
01:20:59,800 --> 01:21:01,479
Speaker 1: is profound, it's formative.

1513
01:21:01,600 --> 01:21:03,879
Speaker 7: Well, I know the cultre is just girls, the katies,

1514
01:21:04,080 --> 01:21:08,519
Speaker 7: the publicist theaters. They support in a deep and down way,

1515
01:21:09,600 --> 01:21:11,240
Speaker 7: and they'll be coming to Chesse Theater.

1516
01:21:11,640 --> 01:21:16,679
Speaker 2: I know this, dam. We don't know much more information.

1517
01:21:16,760 --> 01:21:19,080
Speaker 2: It's going to be incredible, fantastic. We were joking at

1518
01:21:19,120 --> 01:21:23,479
Speaker 2: this this disappearance on Moscle is for Josh Press and

1519
01:21:23,560 --> 01:21:25,920
Speaker 2: he goes, we should do it together, right, and I

1520
01:21:26,040 --> 01:21:28,400
Speaker 2: was like, yes, we did my novel one together too.

1521
01:21:29,080 --> 01:21:31,880
Speaker 2: We because because I'm sort of doing a bunch of

1522
01:21:31,960 --> 01:21:33,720
Speaker 2: podcasts right now for this and this is the only

1523
01:21:33,760 --> 01:21:37,280
Speaker 2: one we're doing together. That's true forever. I think if

1524
01:21:37,360 --> 01:21:40,960
Speaker 2: Aaron's like truly like on an Oscar campaign, you would

1525
01:21:41,000 --> 01:21:43,120
Speaker 2: be the biggest actors in the world. We'll be like, well,

1526
01:21:43,120 --> 01:21:46,320
Speaker 2: but you'll do everything that's being a mag on my

1527
01:21:46,920 --> 01:21:50,120
Speaker 2: Oscar campaign. But we've sworn to never be on this

1528
01:21:50,200 --> 01:21:52,840
Speaker 2: podcast alone. But what if your name isn't in the

1529
01:21:52,880 --> 01:21:55,679
Speaker 2: Gay Village like Spacey, I think we will.

1530
01:21:55,640 --> 01:21:58,400
Speaker 7: We will stick to each other. Well that's actually for y'all.

1531
01:21:58,439 --> 01:22:00,479
Speaker 7: Then if one of us becomes Spacey, it's like, well,

1532
01:22:00,520 --> 01:22:01,960
Speaker 7: are you going to book to.

1533
01:22:02,000 --> 01:22:05,360
Speaker 2: Get the other? I love the sentence blackened in the

1534
01:22:05,439 --> 01:22:10,439
Speaker 2: gay village, the gay village. There is a gay village

1535
01:22:12,160 --> 01:22:15,840
Speaker 2: and it's called Pines. I was gonna say it's called town,

1536
01:22:15,960 --> 01:22:19,880
Speaker 2: and it's called pe Town, and it's called the gay village. Meakura,

1537
01:22:21,320 --> 01:22:24,280
Speaker 2: it's called Chelsea Hell's Kitchen. It's called Chelsea Hell's Kitchen.

1538
01:22:24,439 --> 01:22:26,519
Speaker 2: So you're sort of cooked. Then. For the rest of

1539
01:22:26,560 --> 01:22:29,720
Speaker 2: the summer, it's been very fun as people are like,

1540
01:22:29,800 --> 01:22:31,400
Speaker 2: do you have any summer plans to go anywhere? I'm like,

1541
01:22:31,439 --> 01:22:33,640
Speaker 2: I'm actually traveling nowhere. I'm spending all summer treading the

1542
01:22:33,680 --> 01:22:34,679
Speaker 2: boards in the West Village.

1543
01:22:35,200 --> 01:22:37,360
Speaker 7: There's a romance to being like I'm doing my off

1544
01:22:37,439 --> 01:22:39,280
Speaker 7: Broadway show seven times a week, and then I'm going

1545
01:22:39,320 --> 01:22:40,920
Speaker 7: to Via Corona Fir Martini every night.

1546
01:22:41,200 --> 01:22:43,040
Speaker 2: You know what I mean. I'm living in that romance.

1547
01:22:43,120 --> 01:22:47,000
Speaker 2: Julia or temperance, wine bar. I'm living in the romance

1548
01:22:47,040 --> 01:22:48,640
Speaker 2: of being like a summer spin off Broadway in the

1549
01:22:48,680 --> 01:22:54,639
Speaker 2: West Village, Great else Theater. Don't worry Aaron A. Yeah,

1550
01:22:54,680 --> 01:22:56,760
Speaker 2: I want Texan, So I think it's it's not going

1551
01:22:56,800 --> 01:22:59,080
Speaker 2: to be Twins Versus Dolls. It's gonna be well er.

1552
01:23:00,080 --> 01:23:01,559
Speaker 4: I don't want to say everyone should go to Twins

1553
01:23:01,600 --> 01:23:03,760
Speaker 4: Versus and I'd love to come. I would love to

1554
01:23:03,800 --> 01:23:08,280
Speaker 4: get to air conditioning, and it's not I want to

1555
01:23:08,320 --> 01:23:10,519
Speaker 4: get a shirt soon that says I can't I have tech.

1556
01:23:13,240 --> 01:23:17,200
Speaker 2: I can't I have tex do the dry erase board

1557
01:23:17,200 --> 01:23:19,679
Speaker 2: around your neck because you're on vocal rest. I love

1558
01:23:19,800 --> 01:23:22,160
Speaker 2: that for some reason.

1559
01:23:22,200 --> 01:23:24,200
Speaker 3: An image that flashed in my mind last night was

1560
01:23:24,680 --> 01:23:27,479
Speaker 3: like Sadie Sink like her whole summer, just like I

1561
01:23:27,520 --> 01:23:29,920
Speaker 3: guess I'm going home after the show, like I'm not

1562
01:23:30,000 --> 01:23:31,880
Speaker 3: going out because I had the itch to go out

1563
01:23:31,960 --> 01:23:33,040
Speaker 3: last night. But it's like, do you know you know

1564
01:23:33,080 --> 01:23:38,080
Speaker 3: who's not going out this summer? Put some respect she's.

1565
01:23:37,920 --> 01:23:40,880
Speaker 2: Got at all? Can I just say she said? She said?

1566
01:23:40,920 --> 01:23:42,719
Speaker 2: She is adult. I've gotten to know her for Kimmy

1567
01:23:42,760 --> 01:23:45,360
Speaker 2: and the show really lovely in that way where sometimes

1568
01:23:45,360 --> 01:23:46,479
Speaker 2: when a person is that famous.

1569
01:23:46,600 --> 01:23:48,720
Speaker 7: You're like, we thought this about Megan thee Stallion. We're like,

1570
01:23:48,920 --> 01:23:50,560
Speaker 7: she can roll up and be a B I T

1571
01:23:50,760 --> 01:23:52,679
Speaker 7: C H down and I'd be like worth it because

1572
01:23:52,680 --> 01:23:55,200
Speaker 7: of your talent, because of your everything. And Megan Stallion

1573
01:23:55,280 --> 01:23:57,719
Speaker 7: the kindest person we've ever worked with, so lovely, Sadie

1574
01:23:57,760 --> 01:23:58,720
Speaker 7: sink nice at all.

1575
01:23:58,800 --> 01:24:02,839
Speaker 2: Damn Dough looks you in the eyes, asking you questions,

1576
01:24:02,880 --> 01:24:04,680
Speaker 2: remember things about you, you know what I mean, like

1577
01:24:04,840 --> 01:24:08,240
Speaker 2: wonderful and great, great from the show, and they all

1578
01:24:08,280 --> 01:24:09,280
Speaker 2: are everyday.

1579
01:24:10,439 --> 01:24:13,799
Speaker 7: Telling you true ensemble piece and Alsa speaks to Sadie

1580
01:24:13,800 --> 01:24:15,600
Speaker 7: to me that I'm like, it's very cool that in

1581
01:24:15,680 --> 01:24:18,120
Speaker 7: this moment of like herci, you're like, I want to

1582
01:24:18,160 --> 01:24:21,400
Speaker 7: do an ensemble piece a lot of other people you know.

1583
01:24:21,600 --> 01:24:23,360
Speaker 2: And it's about what it's about.

1584
01:24:23,680 --> 01:24:26,080
Speaker 1: I mean, that's what I left thinking, being like, Oh,

1585
01:24:26,200 --> 01:24:29,559
Speaker 1: she really, like you know, swung the big stick she's

1586
01:24:29,600 --> 01:24:31,840
Speaker 1: got in the industry, and you know, like in this

1587
01:24:32,000 --> 01:24:35,160
Speaker 1: way of highlighting this play, which is I think going

1588
01:24:35,240 --> 01:24:38,519
Speaker 1: to be made much more popular if she than if

1589
01:24:38,560 --> 01:24:38,920
Speaker 1: she hadn't.

1590
01:24:38,960 --> 01:24:41,000
Speaker 2: I agree, And actually I have a real request for

1591
01:24:41,120 --> 01:24:44,400
Speaker 2: katies and readers because Kimmy, who again is like rural

1592
01:24:44,520 --> 01:24:46,680
Speaker 2: Georgia girl and me were all North Carolina boy. And

1593
01:24:46,960 --> 01:24:49,040
Speaker 2: it happens that her Broadway show is running summer when

1594
01:24:49,080 --> 01:24:50,720
Speaker 2: my show is. I always joke that we're like my

1595
01:24:50,840 --> 01:24:53,000
Speaker 2: dream is someone does a two show day and goes

1596
01:24:53,040 --> 01:24:57,479
Speaker 2: to see John. Imagine the freak who does a two

1597
01:24:57,520 --> 01:24:59,280
Speaker 2: show day of our two shows and one of your

1598
01:24:59,360 --> 01:25:01,640
Speaker 2: people will do that And if you do, d m

1599
01:25:01,800 --> 01:25:04,200
Speaker 2: us because we want to celebrate you. Is John Proctor

1600
01:25:04,240 --> 01:25:05,679
Speaker 2: open ended? Do we notice that it's.

1601
01:25:05,560 --> 01:25:08,960
Speaker 7: Running through August right now, just leaving and they have

1602
01:25:09,080 --> 01:25:11,400
Speaker 7: this new girl whose name I'm forgetting, but she's fabulous

1603
01:25:12,120 --> 01:25:14,519
Speaker 7: and it's through into August right now, and show.

1604
01:25:15,920 --> 01:25:19,240
Speaker 2: She's leaving to mar a Marvel.

1605
01:25:19,479 --> 01:25:21,439
Speaker 1: Well, it's like you give them one one for you,

1606
01:25:21,600 --> 01:25:24,599
Speaker 1: one for them for the one John Procter is the villain,

1607
01:25:24,680 --> 01:25:25,560
Speaker 1: one Marvel.

1608
01:25:26,960 --> 01:25:29,680
Speaker 2: For them. Yes, the publicist to do both shows in

1609
01:25:29,760 --> 01:25:32,320
Speaker 2: one day. Now, do we settle who the Big six were?

1610
01:25:32,360 --> 01:25:39,720
Speaker 2: And Mickey Donald Donald, Daisy Goofy and Goofy Bluto have

1611
01:25:39,800 --> 01:25:43,720
Speaker 2: the same publicist. No is Goofy's dog? God? Do you

1612
01:25:43,800 --> 01:25:50,760
Speaker 2: think Goofy is a dog slave slave? So far as

1613
01:25:50,800 --> 01:25:54,440
Speaker 2: any pet is what you mean? Well, they're the same species.

1614
01:25:54,600 --> 01:25:58,559
Speaker 2: But one is yes, one is one is owner. One

1615
01:25:58,800 --> 01:25:59,519
Speaker 2: is or.

1616
01:26:01,600 --> 01:26:03,920
Speaker 1: Man's best friend by Sabrina Carpet or a cuple gay

1617
01:26:03,960 --> 01:26:08,080
Speaker 1: couple up play pop play. Goofy doesn't have a love

1618
01:26:08,200 --> 01:26:08,800
Speaker 1: interest quote.

1619
01:26:09,000 --> 01:26:13,519
Speaker 2: He doesn't. There's no Goofina. There's no Goofy. Uh, there's

1620
01:26:13,680 --> 01:26:18,840
Speaker 2: no it's actually really coaching number thirty. There's no there is.

1621
01:26:21,400 --> 01:26:26,639
Speaker 2: There is no Goofy, bring off Goofy. It doesn't even

1622
01:26:26,680 --> 01:26:29,559
Speaker 2: in Goofy movie. Doesn't he have a kid but no wife? Yeah,

1623
01:26:29,600 --> 01:26:33,160
Speaker 2: and there's no golfer. There's no golf Who is Goofy?

1624
01:26:33,200 --> 01:26:36,960
Speaker 2: Who's related to Goofina? Is she dead? Did his wife died? Sorry?

1625
01:26:37,000 --> 01:26:42,320
Speaker 2: There's good. There's Goofy. There's Goofina, goofa goof goof girlfriend

1626
01:26:42,439 --> 01:26:47,040
Speaker 2: that's is o and she's steady nous. They're non binary friends. Oh,

1627
01:26:48,360 --> 01:26:50,479
Speaker 2: they're all sletty. They're Goofy's X and they're not the

1628
01:26:52,160 --> 01:26:59,080
Speaker 2: whore gape flood Gabe. They're gay horse shop it with Gaber.

1629
01:26:59,400 --> 01:27:02,920
Speaker 2: I'm telling you you want to stop the games, stop

1630
01:27:03,000 --> 01:27:07,320
Speaker 2: the gapes, the steals, stop the gapes, mind the gapes,

1631
01:27:07,400 --> 01:27:11,360
Speaker 2: mind the gap on the gates. Uh huh ros gates

1632
01:27:11,400 --> 01:27:15,400
Speaker 2: what's your problem with gabes some big yeah looking in

1633
01:27:15,479 --> 01:27:19,200
Speaker 2: the mirror? Did you see did you see that character

1634
01:27:19,520 --> 01:27:22,360
Speaker 2: on gay Twitter that was going around with a big asshole?

1635
01:27:23,200 --> 01:27:27,920
Speaker 2: The character. When I say character, I mean real human

1636
01:27:28,040 --> 01:27:29,960
Speaker 2: man who was like No, And can I say to

1637
01:27:30,040 --> 01:27:32,080
Speaker 2: the earlier question, this is why you taught me, this

1638
01:27:32,120 --> 01:27:33,840
Speaker 2: is what you brought, you taught me, this is what

1639
01:27:33,920 --> 01:27:36,280
Speaker 2: you've taught me, this is what you've taught me. You

1640
01:27:36,520 --> 01:27:45,639
Speaker 2: have been because I do you think I've been changed

1641
01:27:46,120 --> 01:27:48,519
Speaker 2: for good? The way she goes for good for good?

1642
01:27:48,600 --> 01:27:51,360
Speaker 2: I was just like you say, I've never been to

1643
01:27:51,439 --> 01:27:55,160
Speaker 2: New York, never been to New York, New York's Remember

1644
01:27:55,240 --> 01:27:57,880
Speaker 2: she wants to come back to the boards, Rosie Broad

1645
01:27:58,640 --> 01:28:01,800
Speaker 2: the Irish boards. Yes, that's where she is. Maybe the

1646
01:28:01,880 --> 01:28:05,960
Speaker 2: West then the Northwest. Think she's coming back to America? Really?

1647
01:28:06,120 --> 01:28:08,040
Speaker 2: If you if she did, what do you want to

1648
01:28:08,080 --> 01:28:11,639
Speaker 2: see her? Well? She did for well anything, I would

1649
01:28:11,840 --> 01:28:14,200
Speaker 2: to be clear, I'd love this country to be safe

1650
01:28:14,280 --> 01:28:16,360
Speaker 2: enough for Rosy o'donald to be in it. Oh god,

1651
01:28:16,840 --> 01:28:22,600
Speaker 2: all that aside there I said it. I want to

1652
01:28:22,600 --> 01:28:25,080
Speaker 2: see you want to see, but do you want to

1653
01:28:25,120 --> 01:28:29,599
Speaker 2: see it? That? That was really good?

1654
01:28:30,240 --> 01:28:33,840
Speaker 8: Someone tell me what in my time?

1655
01:28:36,560 --> 01:28:38,080
Speaker 2: I get that dream from my eyes? Suck.

1656
01:28:40,880 --> 01:28:43,519
Speaker 1: I could kill the role. You can kill the role

1657
01:28:43,560 --> 01:28:45,920
Speaker 1: of actually is the role I was born to play?

1658
01:28:46,080 --> 01:28:48,920
Speaker 1: What Norma Desmond Nicole schures in her version.

1659
01:28:50,160 --> 01:28:52,800
Speaker 2: Actually, I actually would. You could tell the whole story

1660
01:28:52,840 --> 01:28:54,080
Speaker 2: with your eyes. It would be good in that.

1661
01:28:54,720 --> 01:28:57,080
Speaker 7: If I ever get the camera the little eye moment

1662
01:28:57,360 --> 01:28:59,200
Speaker 7: when they pull in on their eyes, do it to

1663
01:28:59,280 --> 01:28:59,680
Speaker 7: one of these.

1664
01:29:00,760 --> 01:29:05,479
Speaker 2: Yeah, the eyebrow left, that's really good. If I ever

1665
01:29:05,560 --> 01:29:09,000
Speaker 2: get what's it Broadway Backwards or whatever, whatever, I will

1666
01:29:09,040 --> 01:29:13,080
Speaker 2: do that miscast miscast yeah, yeah, yeah, probably think Broadway Bears.

1667
01:29:13,160 --> 01:29:15,160
Speaker 2: Oh you should do it at Broadway Bears in the nude,

1668
01:29:15,640 --> 01:29:20,120
Speaker 2: being like all close, like a huge, really heavy garment.

1669
01:29:20,840 --> 01:29:23,559
Speaker 2: Always one look at Broadway Bears while everyone fucking starts

1670
01:29:23,600 --> 01:29:27,479
Speaker 2: crying with one gate, they're not even there crying because

1671
01:29:27,479 --> 01:29:34,880
Speaker 2: they're paid so much money. Nick Adams, like, we have

1672
01:29:35,120 --> 01:29:41,000
Speaker 2: fucking not with one look my college my college friend. Really,

1673
01:29:41,520 --> 01:29:44,280
Speaker 2: I didn't know that you have dicks? No, no, no, no,

1674
01:29:44,439 --> 01:29:46,320
Speaker 2: all right, well that's a story.

1675
01:29:46,360 --> 01:29:51,840
Speaker 5: And I wouldn't kiss and tell even yeah I never kissed.

1676
01:29:54,960 --> 01:29:58,000
Speaker 5: It's the tape of him kissing Intel, Like I'm kissing this.

1677
01:30:00,880 --> 01:30:04,240
Speaker 2: I don't tell you. What's a time you really regretted

1678
01:30:04,320 --> 01:30:04,960
Speaker 2: hurting someone?

1679
01:30:05,960 --> 01:30:09,800
Speaker 7: When I didn't cast you in Dixon, when I didn't

1680
01:30:09,840 --> 01:30:12,600
Speaker 7: cast you as a neighbor number two as mister neighbors,

1681
01:30:12,680 --> 01:30:13,920
Speaker 7: miss mixed neighbor.

1682
01:30:15,240 --> 01:30:17,760
Speaker 2: It been funny. I don't know when I really regretted her.

1683
01:30:18,880 --> 01:30:21,519
Speaker 2: I threw sand in little girl's eyes when we were

1684
01:30:21,600 --> 01:30:24,519
Speaker 2: little evil bitch. She was nasty. What did she do

1685
01:30:24,640 --> 01:30:27,160
Speaker 2: to deserve that? She was being in some sort of way?

1686
01:30:27,520 --> 01:30:30,600
Speaker 2: And then she blamed the boy I was standing next to,

1687
01:30:30,680 --> 01:30:35,799
Speaker 2: and he went to the principal's office wanted to school.

1688
01:30:35,960 --> 01:30:39,160
Speaker 2: But I can see the whole emotional landscape of this. You.

1689
01:30:39,640 --> 01:30:41,600
Speaker 1: She probably was picking on you because she liked you.

1690
01:30:41,880 --> 01:30:43,920
Speaker 1: You took sand in your hand, through it in her face.

1691
01:30:44,200 --> 01:30:46,519
Speaker 1: She goes, it was the other boy still wanting to

1692
01:30:46,600 --> 01:30:50,360
Speaker 1: defend you still because she wanted she She's just she

1693
01:30:50,560 --> 01:30:51,240
Speaker 1: was blinded.

1694
01:30:51,280 --> 01:30:54,400
Speaker 2: She was in fact literally Yeah, well I wasn't even

1695
01:30:54,439 --> 01:30:58,439
Speaker 2: talking about it like that, But yes, little girl, I

1696
01:30:58,520 --> 01:31:00,679
Speaker 2: wish I had not throw a stand to your eyes.

1697
01:31:00,760 --> 01:31:02,760
Speaker 2: You don't remember her name, not all. I don't even

1698
01:31:02,760 --> 01:31:03,839
Speaker 2: think we were in the same class.

1699
01:31:05,000 --> 01:31:07,360
Speaker 1: Where do you guys stand one saying people from high

1700
01:31:07,400 --> 01:31:09,559
Speaker 1: schools first and last name just because you know.

1701
01:31:09,640 --> 01:31:12,760
Speaker 2: Them depends what you mean. Like on air, just in

1702
01:31:12,840 --> 01:31:13,920
Speaker 2: your sort of in life.

1703
01:31:15,479 --> 01:31:18,960
Speaker 1: You have there living their life and like they're they're

1704
01:31:19,040 --> 01:31:21,559
Speaker 1: you know, doing, going about their day, and someone goes,

1705
01:31:21,600 --> 01:31:25,360
Speaker 1: oh my god, you were mentioned front and behind name.

1706
01:31:27,080 --> 01:31:27,360
Speaker 8: We were?

1707
01:31:28,120 --> 01:31:28,240
Speaker 2: Was it?

1708
01:31:28,320 --> 01:31:30,760
Speaker 4: You and Patrick Rogers were out together one time and

1709
01:31:31,200 --> 01:31:34,839
Speaker 4: somebody was like, oh, my good friend from Honors English.

1710
01:31:35,000 --> 01:31:37,040
Speaker 4: This girl I used to know an Honors English texted me.

1711
01:31:37,479 --> 01:31:38,960
Speaker 4: And then we were all like, I'm going to text

1712
01:31:39,000 --> 01:31:41,120
Speaker 4: my good friend from Honors English because the girls.

1713
01:31:40,920 --> 01:31:45,439
Speaker 2: Your friend from Honors English. Real.

1714
01:31:45,720 --> 01:31:48,840
Speaker 7: We literally did this recently at a concerts. I don't

1715
01:31:48,840 --> 01:31:51,840
Speaker 7: know my exact girl. We'll do it as soon as

1716
01:31:51,840 --> 01:31:54,800
Speaker 7: it you have to say, God, I have.

1717
01:31:54,800 --> 01:31:57,000
Speaker 2: To do that. Could bring in my phone. We're all

1718
01:31:57,080 --> 01:32:00,200
Speaker 2: going to text a girl from high school honor or.

1719
01:32:00,280 --> 01:32:02,120
Speaker 9: No I know, I'm just gonna shout this person now

1720
01:32:02,320 --> 01:32:05,639
Speaker 9: and we're gonna who gets a text back first first,

1721
01:32:05,760 --> 01:32:06,840
Speaker 9: because you know you're not gonna win.

1722
01:32:08,320 --> 01:32:10,200
Speaker 2: I it' It is very out of the blue, like

1723
01:32:10,280 --> 01:32:12,519
Speaker 2: I have not reached out to this person like this

1724
01:32:12,640 --> 01:32:14,840
Speaker 2: is hence the bit. Okay, here comes Baca with the phone.

1725
01:32:15,640 --> 01:32:18,840
Speaker 2: But thank you. Okay, great, so you don't have your

1726
01:32:18,840 --> 01:32:23,920
Speaker 2: phone either, Jesus, do you okay? Giving professional three way

1727
01:32:24,000 --> 01:32:27,519
Speaker 2: three way raise? Okay? What are we saying to them?

1728
01:32:27,680 --> 01:32:31,120
Speaker 2: Textile girl from high school English? Goa? But what is

1729
01:32:31,200 --> 01:32:33,120
Speaker 2: the say? Whatever? You think? Whatever, whatever?

1730
01:32:33,280 --> 01:32:36,160
Speaker 7: Really, I'm just gonna say, back in New York, Back

1731
01:32:36,200 --> 01:32:37,960
Speaker 7: in New York, I just wanted you to know I'm

1732
01:32:38,000 --> 01:32:39,679
Speaker 7: doing well. I book all the time.

1733
01:32:40,760 --> 01:32:45,080
Speaker 2: Random here, I'm saying, random ass back in New York. Hello,

1734
01:32:45,280 --> 01:32:46,439
Speaker 2: when can we do berries?

1735
01:32:47,920 --> 01:32:49,800
Speaker 4: What are you going to say to yours? I'm saying, happy,

1736
01:32:50,880 --> 01:32:54,639
Speaker 4: happy belated birthday to the name of Minus Si child.

1737
01:32:55,560 --> 01:32:57,720
Speaker 2: I think I'm gonna I think I'm gonna get this

1738
01:32:57,840 --> 01:32:58,599
Speaker 2: is so huge.

1739
01:32:58,840 --> 01:33:00,640
Speaker 1: And mind you, I didn't say that. You couldn't have

1740
01:33:00,680 --> 01:33:02,080
Speaker 1: talked to this person in a long time. I just

1741
01:33:02,120 --> 01:33:03,920
Speaker 1: had that had to be a girl from high school English.

1742
01:33:04,000 --> 01:33:05,479
Speaker 2: And let me just say, I know we could have

1743
01:33:05,560 --> 01:33:07,960
Speaker 2: also fetched my phone and I could have participated, but

1744
01:33:07,960 --> 01:33:09,400
Speaker 2: then I wouldn't get a watch. I can't believe you

1745
01:33:09,400 --> 01:33:11,160
Speaker 2: guys are still texting you. You could have just shut

1746
01:33:11,200 --> 01:33:13,680
Speaker 2: off something sweet. It's because it's been a long time

1747
01:33:13,720 --> 01:33:17,519
Speaker 2: and it's it is such a wild like what the fuck? Like?

1748
01:33:17,640 --> 01:33:20,479
Speaker 2: Why enjoy this concert? To text that person? It is

1749
01:33:20,560 --> 01:33:23,000
Speaker 2: kind of girl from you and Yang.

1750
01:33:23,040 --> 01:33:25,080
Speaker 3: I don't know, but I'm just saying, like it's been

1751
01:33:25,240 --> 01:33:28,280
Speaker 3: like it. I don't know a decade, it's been a decade.

1752
01:33:28,320 --> 01:33:32,080
Speaker 3: But last text I sent her June twenty fifth, twenty thirteen, mine,

1753
01:33:32,120 --> 01:33:34,160
Speaker 3: Oh my god, what mine.

1754
01:33:34,120 --> 01:33:36,599
Speaker 2: Was on my birthday? Because I got a birthday text.

1755
01:33:36,680 --> 01:33:40,439
Speaker 2: I don't keep up with high school friends. I don't

1756
01:33:40,760 --> 01:33:42,559
Speaker 2: this one. I would love to more, but I just don't.

1757
01:33:43,240 --> 01:33:45,360
Speaker 2: These women say she's got her receipts on, and I

1758
01:33:45,400 --> 01:33:46,800
Speaker 2: say she hasn't read it yet. I just want to

1759
01:33:46,800 --> 01:33:49,400
Speaker 2: shout out, Kaylea Stirback. You really she she introduced me

1760
01:33:49,439 --> 01:33:55,760
Speaker 2: to Radiohead. You got to get my friend. I don't

1761
01:33:55,760 --> 01:33:56,960
Speaker 2: know if it was red, but she got me. She

1762
01:33:57,000 --> 01:34:00,439
Speaker 2: got me in to be or Melanie Chase back then.

1763
01:34:00,920 --> 01:34:04,320
Speaker 3: Those behind every gay guy with like good music taste

1764
01:34:04,560 --> 01:34:07,680
Speaker 3: is a straight girl in Honors English who taught them as.

1765
01:34:07,800 --> 01:34:10,960
Speaker 2: Sam didn't teach me any any any cool thing, teach

1766
01:34:11,000 --> 01:34:11,680
Speaker 2: me any cool thing.

1767
01:34:13,200 --> 01:34:17,120
Speaker 1: She was class president and I was the secretary. I

1768
01:34:17,240 --> 01:34:20,000
Speaker 1: was okay at that and we both won an award

1769
01:34:20,040 --> 01:34:22,600
Speaker 1: at our high school for being the top pe students.

1770
01:34:23,000 --> 01:34:25,439
Speaker 1: I went to prison with fic Zone Award.

1771
01:34:25,560 --> 01:34:27,719
Speaker 2: Did any of you go to prom with these women?

1772
01:34:28,040 --> 01:34:30,800
Speaker 4: I went to a prom, but I went to like

1773
01:34:30,880 --> 01:34:34,200
Speaker 4: a like freshman or sophomore year, like dance the Valentine's.

1774
01:34:34,200 --> 01:34:36,040
Speaker 2: As a gig guy, you needed the girl from Honors

1775
01:34:36,120 --> 01:34:37,840
Speaker 2: English who gave you cool music and would go with

1776
01:34:37,920 --> 01:34:39,599
Speaker 2: you to prom. So Pat Reagan was the one who

1777
01:34:39,640 --> 01:34:43,040
Speaker 2: inspired this. No Patrick, Patrick Rogers. But I can't remember

1778
01:34:43,040 --> 01:34:46,080
Speaker 2: why it came up. I was maybe texting. I think

1779
01:34:46,160 --> 01:34:48,000
Speaker 2: I was talking about how Melanie got me into all

1780
01:34:48,040 --> 01:34:49,920
Speaker 2: my cool musis. Maybe that was it. Yeah, oh yeah,

1781
01:34:49,920 --> 01:34:51,559
Speaker 2: we were having that conversation. We were having a real

1782
01:34:51,680 --> 01:34:54,479
Speaker 2: girl and all that. You to text that girl. This

1783
01:34:54,640 --> 01:34:56,280
Speaker 2: is the thing about like and say I love you,

1784
01:34:56,360 --> 01:34:58,320
Speaker 2: I cherished you, I love you. I chairs a lot

1785
01:34:58,360 --> 01:35:02,360
Speaker 2: of gay men who moved to New York City. Did

1786
01:35:02,439 --> 01:35:04,959
Speaker 2: the morning announcements? I did? I did the morning announcement?

1787
01:35:05,120 --> 01:35:07,000
Speaker 2: No way, I did. I did the morning announce I

1788
01:35:07,040 --> 01:35:08,800
Speaker 2: did not. You had four of us I did the

1789
01:35:08,840 --> 01:35:12,280
Speaker 2: morning announcement? Were either prom or homecoming royalty? I was,

1790
01:35:12,840 --> 01:35:15,759
Speaker 2: I was, Michael was, Michael was proming. Michael was prompting.

1791
01:35:15,960 --> 01:35:17,240
Speaker 2: So I was homecoming, we were.

1792
01:35:17,200 --> 01:35:18,920
Speaker 1: Homecoming king and read the announcements, and I was prom

1793
01:35:19,040 --> 01:35:22,320
Speaker 1: king and read the announcements. Period we I think we've

1794
01:35:22,320 --> 01:35:24,360
Speaker 1: been No, no, I mean we have, but now I'm just.

1795
01:35:26,040 --> 01:35:26,880
Speaker 2: Everyone knew at home.

1796
01:35:26,920 --> 01:35:28,800
Speaker 1: I'm kind of like, wow, that's and you're acting it

1797
01:35:28,880 --> 01:35:31,240
Speaker 1: like it's the first time. Yeah, And you know, Bowen

1798
01:35:31,280 --> 01:35:33,559
Speaker 1: superlative was morenday to get on Saturday Night Live?

1799
01:35:33,760 --> 01:35:35,439
Speaker 2: Was it really? Yeah? But that that was like the

1800
01:35:35,920 --> 01:35:38,439
Speaker 2: funny way of like funny is like class clown? Yeah,

1801
01:35:38,479 --> 01:35:40,280
Speaker 2: that was like, yeah, mine was. I was second place

1802
01:35:40,360 --> 01:35:42,920
Speaker 2: for three things. Mine was most likely to do a

1803
01:35:43,040 --> 01:35:49,880
Speaker 2: twenty first first movie first, I guess. I guess we'll

1804
01:35:50,160 --> 01:35:52,240
Speaker 2: see if that happened to twenty first. Mine was most

1805
01:35:52,280 --> 01:35:55,320
Speaker 2: likely to be on Broadway by it I haven't done,

1806
01:35:57,200 --> 01:35:59,920
Speaker 2: most likely to be on Broadway love. I was second

1807
01:36:00,040 --> 01:36:02,840
Speaker 2: place for best dressed, most athletic, and attached to the

1808
01:36:02,880 --> 01:36:06,040
Speaker 2: hip with my best I actually don't remember. I think

1809
01:36:06,080 --> 01:36:08,320
Speaker 2: it was class clown or something, but I don't remember sure.

1810
01:36:09,320 --> 01:36:09,679
Speaker 2: And then.

1811
01:36:11,760 --> 01:36:15,080
Speaker 3: Autos English class girl, who taught you cool music? Oh yeah,

1812
01:36:15,520 --> 01:36:16,720
Speaker 3: that's like the common.

1813
01:36:16,720 --> 01:36:22,400
Speaker 2: Yet of three ain't bad? I bet you have another

1814
01:36:22,439 --> 01:36:25,519
Speaker 2: one lead a place feels very gay. Guy going to

1815
01:36:25,600 --> 01:36:27,920
Speaker 2: New York to wait, Oh my god, did she get back?

1816
01:36:28,720 --> 01:36:32,360
Speaker 2: Oh my god, Oh my god? OMG? Is this for real?

1817
01:36:32,400 --> 01:36:34,479
Speaker 2: Every time I say, what did you say? Do you

1818
01:36:34,560 --> 01:36:36,040
Speaker 2: feel comfortable reading what you said?

1819
01:36:36,080 --> 01:36:37,840
Speaker 3: I said, random ass, Hello, it's going. If you're ever

1820
01:36:37,920 --> 01:36:39,599
Speaker 3: in New York, please reach out and say, hey, hope

1821
01:36:39,640 --> 01:36:42,040
Speaker 3: all is well? Kayla heart emog and what does she say?

1822
01:36:42,280 --> 01:36:43,120
Speaker 2: OMG? Is this for real?

1823
01:36:43,160 --> 01:36:44,320
Speaker 3: Every time I see you on screen, I get so

1824
01:36:44,360 --> 01:36:45,960
Speaker 3: excited you made it. I actually still have you saved

1825
01:36:46,000 --> 01:36:47,840
Speaker 3: in my phone. I'm so happy for you. I'll definitely

1826
01:36:47,840 --> 01:36:49,280
Speaker 3: reach out if I ever find myself.

1827
01:36:49,040 --> 01:36:54,679
Speaker 2: Out that way. Kay let's story back. Can I say?

1828
01:36:54,800 --> 01:36:58,240
Speaker 2: I can't believe Sam is flopping? So you made it

1829
01:36:58,320 --> 01:37:00,640
Speaker 2: a contact? This sucks, sa I found Some of this

1830
01:37:00,800 --> 01:37:02,240
Speaker 2: was after the accident, but some of it I think

1831
01:37:02,280 --> 01:37:04,400
Speaker 2: it's just becoming the age we're becoming. I have been

1832
01:37:04,479 --> 01:37:07,360
Speaker 2: a lot more wistful because I do feel like, especially

1833
01:37:07,400 --> 01:37:09,880
Speaker 2: being like, yeah, rural South and whatever, I moved on

1834
01:37:09,960 --> 01:37:11,560
Speaker 2: from that period of my life and then I just not.

1835
01:37:11,680 --> 01:37:13,320
Speaker 2: I don't think of it much, and I've become very

1836
01:37:13,360 --> 01:37:15,120
Speaker 2: wistful for some of that, and I've done a lot

1837
01:37:15,200 --> 01:37:17,240
Speaker 2: of this. I'll just like remember people in text, and

1838
01:37:17,520 --> 01:37:19,280
Speaker 2: I'm doing a lot of that recently. It's good.

1839
01:37:19,280 --> 01:37:21,840
Speaker 7: I think it's very healthy to keep these connections. I

1840
01:37:21,960 --> 01:37:24,519
Speaker 7: wanted to tell these people like, you know you did

1841
01:37:24,600 --> 01:37:26,960
Speaker 7: something because I.

1842
01:37:30,680 --> 01:37:36,120
Speaker 2: Have been changed. I've been changed for good. I really

1843
01:37:36,200 --> 01:37:41,639
Speaker 2: am for good because I knew we really we were

1844
01:37:41,800 --> 01:37:52,320
Speaker 2: more of that. No, we need I think I think

1845
01:37:52,520 --> 01:37:54,040
Speaker 2: that's been a discussion at one point.

1846
01:37:54,080 --> 01:37:57,920
Speaker 1: You need to have Bellflower and Rosie Donald I'm sure

1847
01:37:58,520 --> 01:38:00,479
Speaker 1: is a fan of yours. And Rosie won time said

1848
01:38:00,479 --> 01:38:02,240
Speaker 1: a very nice comment about something.

1849
01:38:02,400 --> 01:38:05,479
Speaker 2: I was she was gonna say.

1850
01:38:05,479 --> 01:38:07,960
Speaker 7: There's a class of celebrity where I go. I wonder

1851
01:38:08,000 --> 01:38:10,240
Speaker 7: if they've seen Dix, because I feel like they probably have,

1852
01:38:10,760 --> 01:38:11,520
Speaker 7: and Rosie.

1853
01:38:11,280 --> 01:38:12,920
Speaker 2: Is one of them. You think she has, don't you

1854
01:38:12,960 --> 01:38:15,479
Speaker 2: imagine she loves musical I think she loves musicals.

1855
01:38:15,720 --> 01:38:19,240
Speaker 1: She loves all things gay. Yeah, she said a nice

1856
01:38:19,280 --> 01:38:22,240
Speaker 1: thing about I love that for you her liking that.

1857
01:38:22,720 --> 01:38:23,880
Speaker 2: Yeah, I loved that show.

1858
01:38:23,960 --> 01:38:26,240
Speaker 3: This is what you tell A twenty four marketing Hey

1859
01:38:26,439 --> 01:38:29,960
Speaker 3: a twenty twenty Hey, Ariana Grande, huge fan of Picks

1860
01:38:30,000 --> 01:38:30,439
Speaker 3: the musical.

1861
01:38:30,640 --> 01:38:35,760
Speaker 7: Yeah, use that clip, that clip, that clip it she was,

1862
01:38:35,960 --> 01:38:38,519
Speaker 7: she was so put it, so put out. The blu

1863
01:38:38,600 --> 01:38:40,720
Speaker 7: ray A twenty four Marianna wants to buy you know.

1864
01:38:40,680 --> 01:38:43,160
Speaker 2: What Ari loves. I've told you guys, this does before

1865
01:38:43,240 --> 01:38:50,479
Speaker 2: your car, saying that her color Toura does before your car. Well,

1866
01:38:50,520 --> 01:38:59,000
Speaker 2: that is an amazing lyric. Mason Lane saying Cynthia were

1867
01:38:59,040 --> 01:39:04,640
Speaker 2: great on drag Race the fun now they've filmed it

1868
01:39:04,720 --> 01:39:09,240
Speaker 2: before the first one came out, but everything was very yes,

1869
01:39:09,400 --> 01:39:12,680
Speaker 2: which is very funny, just how time works and the

1870
01:39:12,720 --> 01:39:13,799
Speaker 2: falseness of show business.

1871
01:39:14,080 --> 01:39:15,680
Speaker 3: We've been over this in Bracket too, which like a

1872
01:39:15,720 --> 01:39:17,559
Speaker 3: moment that I think speaks to all four of us,

1873
01:39:17,600 --> 01:39:20,439
Speaker 3: which is when Bracket two first meets up in the

1874
01:39:20,479 --> 01:39:24,120
Speaker 3: work room, Lydia about whole Collins goes to mistress Mistress

1875
01:39:24,160 --> 01:39:26,080
Speaker 3: Isabel Brooks and goes, Mistress, it's so.

1876
01:39:26,120 --> 01:39:28,720
Speaker 2: Good to see you. And then mistress goes and it's

1877
01:39:29,320 --> 01:39:38,000
Speaker 2: interesting to see, interesting to see you. I loves bitch

1878
01:39:40,320 --> 01:39:44,519
Speaker 2: and they were crazy interesting to see, interesting to see you.

1879
01:39:45,439 --> 01:39:47,880
Speaker 2: I'm like, I want to use that. The girls really gay.

1880
01:39:48,000 --> 01:39:49,880
Speaker 2: I gotta tell you who also ate this up. Last

1881
01:39:49,920 --> 01:39:52,600
Speaker 2: episode up was the Ginger Midge should we in for

1882
01:39:52,760 --> 01:39:53,080
Speaker 2: the tour?

1883
01:39:53,320 --> 01:39:56,320
Speaker 7: Like Chapel Roan have a local Draguen open each show.

1884
01:39:56,920 --> 01:39:59,320
Speaker 7: And so now let's pick from New York, Chicago, l

1885
01:39:59,400 --> 01:40:01,920
Speaker 7: A and or Okay, who are the queens? New York

1886
01:40:03,400 --> 01:40:04,400
Speaker 7: the original New York.

1887
01:40:04,360 --> 01:40:08,360
Speaker 2: Beams opening for us. Bob is local in l A. Now, yeah,

1888
01:40:08,960 --> 01:40:15,719
Speaker 2: originally from Madonna. What it's about? Bob opens New York, Chicago,

1889
01:40:15,840 --> 01:40:20,120
Speaker 2: shau A Shake and Chicago. Yeah, I love that. Better

1890
01:40:20,200 --> 01:40:24,479
Speaker 2: pay up and we will, We will three thousand dollars.

1891
01:40:24,680 --> 01:40:27,800
Speaker 2: Actually love to text people when we're having people do

1892
01:40:27,880 --> 01:40:30,120
Speaker 2: our imprompt shows. We always say this is a paid

1893
01:40:30,160 --> 01:40:35,760
Speaker 2: opportunity because it is. Actually I enjoyed the chest. I

1894
01:40:35,800 --> 01:40:38,760
Speaker 2: should say that to the track. This is a paid

1895
01:40:38,840 --> 01:40:43,600
Speaker 2: opportunity for us. Probably what large venue would do this?

1896
01:40:43,680 --> 01:40:44,759
Speaker 2: Don't worry. This is a pair.

1897
01:40:46,720 --> 01:40:47,040
Speaker 8: In l A.

1898
01:40:47,680 --> 01:40:52,519
Speaker 2: Delta Work, Delta Walk. She could open Orlando. Roxy Andrews

1899
01:40:52,560 --> 01:40:58,240
Speaker 2: of course, yeah, the original double header double head, double doublehead.

1900
01:40:58,320 --> 01:41:00,400
Speaker 1: You'll never forget when me and Henry cap Ski ran

1901
01:41:00,439 --> 01:41:02,160
Speaker 1: into Roxy Andrews on Islands of Adventure.

1902
01:41:02,640 --> 01:41:05,479
Speaker 2: That's really that's just really good stuff. Love that really

1903
01:41:05,520 --> 01:41:12,639
Speaker 2: good stuff. Well, I think it's time for I don't

1904
01:41:12,680 --> 01:41:14,600
Speaker 2: think so, honey, I don't think so.

1905
01:41:14,720 --> 01:41:17,160
Speaker 1: Honey, this is our sixty second segment where we take

1906
01:41:17,240 --> 01:41:20,559
Speaker 1: some time, make a sixty seconds. I just said if

1907
01:41:20,560 --> 01:41:22,679
Speaker 1: you listened, and I can tell a lot of you aren't.

1908
01:41:22,720 --> 01:41:24,360
Speaker 1: A lot of you tuned us out a long time ago.

1909
01:41:24,560 --> 01:41:26,840
Speaker 1: Well listen now this part, next part is going to

1910
01:41:26,840 --> 01:41:28,840
Speaker 1: be good. Listen now this I don't think so honey,

1911
01:41:29,280 --> 01:41:31,400
Speaker 1: we ran something in Coach that we don't love. I'm

1912
01:41:31,439 --> 01:41:31,880
Speaker 1: ready to go.

1913
01:41:32,120 --> 01:41:35,040
Speaker 3: This is Matt Rodgers's I don't think so, honey, and

1914
01:41:35,200 --> 01:41:36,880
Speaker 3: his time starts now.

1915
01:41:37,000 --> 01:41:39,160
Speaker 2: I don't think so honey. People having a problem, because

1916
01:41:39,200 --> 01:41:40,720
Speaker 2: there are people out there that have a problem with

1917
01:41:40,800 --> 01:41:44,600
Speaker 2: Sabrina Carpenter's album cover being her getting walked around like

1918
01:41:44,680 --> 01:41:47,840
Speaker 2: a dog. Let me tell you something. This is you're

1919
01:41:47,880 --> 01:41:49,680
Speaker 2: never going to look back on rausing one of these

1920
01:41:49,680 --> 01:41:52,360
Speaker 2: pop girlies about the subversive thing they're doing and feel

1921
01:41:52,400 --> 01:41:53,160
Speaker 2: good about it later.

1922
01:41:53,240 --> 01:41:55,439
Speaker 1: You gotta let the girls be the girl. One of

1923
01:41:55,520 --> 01:41:58,200
Speaker 1: Madonna's early critics, you're likely embarrassed now. If you're one

1924
01:41:58,240 --> 01:42:00,920
Speaker 1: of Gaga's early critics, you're likely embars us now at all.

1925
01:42:01,320 --> 01:42:03,320
Speaker 1: Sabrina counts as this if she wants to get walked

1926
01:42:03,320 --> 01:42:05,120
Speaker 1: around like a dog and put it on the album cover.

1927
01:42:05,240 --> 01:42:07,200
Speaker 1: That was her empowered decision. I am sure of it.

1928
01:42:07,920 --> 01:42:10,200
Speaker 1: And lots of people like to get walked around like dogs,

1929
01:42:10,240 --> 01:42:13,479
Speaker 1: all right. I actually have been confronted with this myself sexually.

1930
01:42:13,800 --> 01:42:15,840
Speaker 1: It wasn't for me to walk the person around like

1931
01:42:15,920 --> 01:42:17,920
Speaker 1: a dog. But I celebrate that person.

1932
01:42:18,000 --> 01:42:20,240
Speaker 2: I know they're going to find an amazing partner, just

1933
01:42:20,280 --> 01:42:22,160
Speaker 2: like I know Sabrina is going to find an amazing place.

1934
01:42:22,280 --> 01:42:23,800
Speaker 1: I don't think she's looking for that when she put

1935
01:42:23,840 --> 01:42:25,519
Speaker 1: this album title together. I think she was looking for

1936
01:42:25,680 --> 01:42:29,280
Speaker 1: very very much this discussion. And guess what she won.

1937
01:42:29,400 --> 01:42:32,880
Speaker 2: You know who loses? Oh you losers who are criticizing her.

1938
01:42:33,200 --> 01:42:39,040
Speaker 2: You man, why don't you s t f you? And

1939
01:42:39,080 --> 01:42:45,360
Speaker 2: that's what really good. She's kind of a Pluto. I

1940
01:42:45,439 --> 01:42:49,040
Speaker 2: think she should be able to be walked on. Awf

1941
01:42:49,040 --> 01:42:51,200
Speaker 2: alish that guy who wrapshi stuff in the carpet. I

1942
01:42:51,280 --> 01:42:56,120
Speaker 2: think Sabrina and the publicist, yes, sah, that would be

1943
01:42:56,160 --> 01:42:59,559
Speaker 2: smart because they're they're they're because they're both different things.

1944
01:43:00,080 --> 01:43:05,120
Speaker 2: Sam Blonde walk around like dogs? Yeah? Can you believe

1945
01:43:05,160 --> 01:43:10,280
Speaker 2: though that people are literally like about now this conversation.

1946
01:43:10,760 --> 01:43:12,800
Speaker 1: It's just like the album cover is her and it's

1947
01:43:12,880 --> 01:43:14,880
Speaker 1: like it's called Man's Best Friend the album and she's

1948
01:43:14,960 --> 01:43:17,000
Speaker 1: on all fours and like someone's got a bunch of

1949
01:43:17,040 --> 01:43:18,040
Speaker 1: her hair in their hands.

1950
01:43:18,160 --> 01:43:20,320
Speaker 2: Cool, And it's like and people are like, well, what

1951
01:43:20,400 --> 01:43:22,760
Speaker 2: about the messages since the young girls? I'm like, are

1952
01:43:22,800 --> 01:43:25,479
Speaker 2: you actually saying that sentence term?

1953
01:43:26,040 --> 01:43:29,320
Speaker 7: I think boys non gendered? Man is non gendered, sis girl,

1954
01:43:29,400 --> 01:43:32,280
Speaker 7: These are all non gendered terms. He knows whose best friends.

1955
01:43:34,160 --> 01:43:39,840
Speaker 2: Friend is ungendered, best is gendered gender, best is best best.

1956
01:43:43,600 --> 01:43:46,040
Speaker 3: I don't mean to be this person, but I feel

1957
01:43:46,080 --> 01:43:49,800
Speaker 3: like this, this this discourse coming out while World War

1958
01:43:49,920 --> 01:43:54,240
Speaker 3: three is starting right also so kind of it's.

1959
01:43:54,160 --> 01:43:55,680
Speaker 2: Like, what, what's what are we doing? Well?

1960
01:43:55,760 --> 01:43:57,800
Speaker 1: I mean, like I do think it's gotten to the

1961
01:43:57,840 --> 01:44:00,599
Speaker 1: point now where in the like f for to talk

1962
01:44:00,640 --> 01:44:03,400
Speaker 1: about anything else other than whatever horrors. And by the way,

1963
01:44:03,439 --> 01:44:05,040
Speaker 1: we are recording this a couple of weeks before this

1964
01:44:05,120 --> 01:44:07,280
Speaker 1: comes out, so we may have experienced more horrors.

1965
01:44:07,800 --> 01:44:10,519
Speaker 2: Nice to meet you, but like it.

1966
01:44:11,520 --> 01:44:15,320
Speaker 1: It's kind of just like the desperation is jumping out

1967
01:44:15,400 --> 01:44:17,360
Speaker 1: in terms of like finding other things to talk about,

1968
01:44:17,400 --> 01:44:19,960
Speaker 1: and this is just so stupid because we've had the

1969
01:44:20,040 --> 01:44:24,840
Speaker 1: conversation a million fucking times, Like she is outside of

1970
01:44:24,920 --> 01:44:26,000
Speaker 1: this thing of like, what's she going.

1971
01:44:25,920 --> 01:44:27,719
Speaker 2: To mean to young girls? She is like an artist.

1972
01:44:29,760 --> 01:44:32,000
Speaker 1: And also, like she said in Rolling Stone, like it's

1973
01:44:32,040 --> 01:44:34,400
Speaker 1: not her that's making the songs popular. It's her that's

1974
01:44:34,439 --> 01:44:37,960
Speaker 1: making the song's quality. You are making them popular by

1975
01:44:38,040 --> 01:44:40,280
Speaker 1: consuming them. And so if you have a problem with it,

1976
01:44:40,400 --> 01:44:42,639
Speaker 1: stop consuming it. You just refuse to do that because

1977
01:44:42,680 --> 01:44:45,519
Speaker 1: you always be straining streaming, Sabrina, you can't help it.

1978
01:44:45,640 --> 01:44:47,920
Speaker 2: Did you watch the Idol the Weekends? The idol I

1979
01:44:48,000 --> 01:44:55,439
Speaker 2: did not know? The little girl star Lise her. She

1980
01:44:55,600 --> 01:45:00,560
Speaker 2: released an album cover this is fictional pick leaked of

1981
01:45:00,640 --> 01:45:03,599
Speaker 2: her with cum on her face, and then Troy sevonn

1982
01:45:03,720 --> 01:45:05,400
Speaker 2: is like, let's make that the album cover of Vibes

1983
01:45:06,120 --> 01:45:08,519
Speaker 2: so right in a fiction year world, a girl had

1984
01:45:08,560 --> 01:45:10,280
Speaker 2: come all over her face album.

1985
01:45:10,240 --> 01:45:14,040
Speaker 7: Never find Me, being like, never forget people did this

1986
01:45:14,160 --> 01:45:16,280
Speaker 7: to me in my album when the cover was my gape.

1987
01:45:17,040 --> 01:45:19,639
Speaker 2: Yeah, and look at them now you're that character from Twitter.

1988
01:45:20,160 --> 01:45:22,719
Speaker 2: I'm that character from Twitter. And they said, what about

1989
01:45:22,760 --> 01:45:25,760
Speaker 2: what this is saying to young girls? And I said, who,

1990
01:45:26,439 --> 01:45:30,640
Speaker 2: I don't care cues. This isn't four young girls speaking.

1991
01:45:30,360 --> 01:45:32,200
Speaker 3: Of com I've this is this part, this this kind

1992
01:45:32,240 --> 01:45:35,000
Speaker 3: of segues nicely into my own perfect So this is

1993
01:45:35,479 --> 01:45:36,960
Speaker 3: Bowen Yang's I don't think so, honey.

1994
01:45:37,120 --> 01:45:39,040
Speaker 2: His time starts now, I don't think so, Honeyone come

1995
01:45:39,120 --> 01:45:42,160
Speaker 2: mixes with water, then it becomes a little rubber bullets.

1996
01:45:43,280 --> 01:45:44,280
Speaker 2: Now you work with ice.

1997
01:45:44,760 --> 01:45:47,479
Speaker 3: Oh okay, honey, I see you got to pick a

1998
01:45:47,520 --> 01:45:48,960
Speaker 3: consistency and stick with it.

1999
01:45:49,040 --> 01:45:49,640
Speaker 2: I don't like that.

2000
01:45:49,720 --> 01:45:53,080
Speaker 3: It becomes hard and little rubbery congeals these It congeals

2001
01:45:53,120 --> 01:45:56,960
Speaker 3: into these little balls. You will never be flubber. You

2002
01:45:57,040 --> 01:46:02,200
Speaker 3: will never not with Robin Williams. May he right in

2003
01:46:02,640 --> 01:46:06,439
Speaker 3: peace and power and get it. Pick a color besides

2004
01:46:06,560 --> 01:46:10,240
Speaker 3: white white. First thought you could have been green. You

2005
01:46:10,320 --> 01:46:14,120
Speaker 3: could have been flubbered, but you will never be Come

2006
01:46:14,160 --> 01:46:18,000
Speaker 3: when it mixes with water, I don't like it. Speaking

2007
01:46:18,000 --> 01:46:20,120
Speaker 3: of spacey when I jerk off in the shower, I

2008
01:46:20,160 --> 01:46:22,200
Speaker 3: don't want to do that anymore because the cum gets

2009
01:46:22,240 --> 01:46:25,679
Speaker 3: all weak. American beauty, American beauty. It's an American beauty reference.

2010
01:46:25,840 --> 01:46:27,400
Speaker 3: And uh god, what else?

2011
01:46:28,120 --> 01:46:30,639
Speaker 2: What? What's what's the big pop culture moment that com

2012
01:46:30,680 --> 01:46:35,519
Speaker 2: has had something about Mary? You know, white House interns dress?

2013
01:46:36,080 --> 01:46:38,479
Speaker 2: You got you gotta pick Jeffrey Tube. That was all

2014
01:46:38,520 --> 01:46:42,120
Speaker 2: the nineties. You haven't had a big moment since the nineties. Come,

2015
01:46:42,240 --> 01:46:44,479
Speaker 2: you will never be flapped. You will never be You're

2016
01:46:44,560 --> 01:46:46,920
Speaker 2: stuck in the nineties. Not like Flubber. The thing that

2017
01:46:46,960 --> 01:46:50,320
Speaker 2: it gets lost about Flower Flubber was actually just trying

2018
01:46:50,360 --> 01:46:53,360
Speaker 2: to be helpful, like that's the thing, and he didn't

2019
01:46:53,479 --> 01:46:55,759
Speaker 2: like it's like you created to assistant.

2020
01:46:56,320 --> 01:46:58,280
Speaker 1: I mean they wanted to lift the mood. They wanted

2021
01:46:58,280 --> 01:47:00,960
Speaker 1: to live and create a better work environment. They wanted

2022
01:47:01,000 --> 01:47:02,080
Speaker 1: to get things done quickly.

2023
01:47:02,280 --> 01:47:05,120
Speaker 4: That was the idea of the invention, was lift the mood,

2024
01:47:05,240 --> 01:47:07,200
Speaker 4: like was to lift I can't remember. I've seen the film.

2025
01:47:07,560 --> 01:47:08,439
Speaker 4: I can't quite recall.

2026
01:47:08,560 --> 01:47:11,400
Speaker 1: I think the plot of the film was he created

2027
01:47:11,520 --> 01:47:15,439
Speaker 1: Flubber and correct was just trying to mine.

2028
01:47:17,120 --> 01:47:20,080
Speaker 2: A party. And also like I don't know, like be around.

2029
01:47:20,400 --> 01:47:22,240
Speaker 2: That's actually what's fucked up about cum that come is

2030
01:47:22,320 --> 01:47:24,360
Speaker 2: so like, oh shoot me, it's fun. It feels good.

2031
01:47:24,439 --> 01:47:26,200
Speaker 2: Ha ha ha. It's also like use me to make

2032
01:47:26,280 --> 01:47:29,760
Speaker 2: your family right, which is it? But also I'll ruin

2033
01:47:29,840 --> 01:47:33,840
Speaker 2: your sheets and the arm hair with the water. I

2034
01:47:33,920 --> 01:47:36,160
Speaker 2: caught the arm hair with the water. Despicable. You've been

2035
01:47:36,200 --> 01:47:39,040
Speaker 2: fucking in the tub lately or in a pool. I

2036
01:47:39,040 --> 01:47:42,800
Speaker 2: don't know where this comes from. You've been fucking no,

2037
01:47:43,120 --> 01:47:45,120
Speaker 2: where does this come from? Tell us where the cum

2038
01:47:45,280 --> 01:47:47,080
Speaker 2: actually hasn't happened in a while, but it's it's one

2039
01:47:47,080 --> 01:47:50,200
Speaker 2: of those. The first time it happened, you encountered this,

2040
01:47:50,280 --> 01:47:52,360
Speaker 2: you were like, what the what it should wash off?

2041
01:47:52,360 --> 01:47:54,599
Speaker 2: You're like, okay, now, I yeah, I know, I still

2042
01:47:54,640 --> 01:47:56,800
Speaker 2: won't go. I jacked off in a hot tub years

2043
01:47:56,840 --> 01:47:58,640
Speaker 2: ago and saw this with my own two eyes, and

2044
01:47:58,720 --> 01:48:00,640
Speaker 2: I was like, well, if that's what, howpons, that's the

2045
01:48:00,720 --> 01:48:03,040
Speaker 2: last time for that. You think you're sick, you think

2046
01:48:03,120 --> 01:48:06,840
Speaker 2: something's wrong with you, that's the last time for that. Yeah,

2047
01:48:06,880 --> 01:48:11,240
Speaker 2: I said, that's no, I think it was. I don't

2048
01:48:11,240 --> 01:48:13,040
Speaker 2: make it really a habit of doing it in the shower.

2049
01:48:13,160 --> 01:48:16,160
Speaker 2: You were fucking by the river? Yeah, yeah, advice ago.

2050
01:48:16,560 --> 01:48:18,439
Speaker 1: We can't ever tell what happened to that come because

2051
01:48:18,479 --> 01:48:21,080
Speaker 1: it never came out of the sky right yours, I

2052
01:48:21,200 --> 01:48:22,400
Speaker 1: was right into the sky, did not come.

2053
01:48:22,479 --> 01:48:25,080
Speaker 2: I actually didn't know that. He knows. He's big bro.

2054
01:48:26,320 --> 01:48:29,200
Speaker 2: He knows. I'm sure someone has listened to you, know

2055
01:48:29,800 --> 01:48:32,800
Speaker 2: they do you think? Matt Rogers in twenty twenty one, Yeah,

2056
01:48:34,479 --> 01:48:38,120
Speaker 2: down by the river, it might just be big bro

2057
01:48:39,800 --> 01:48:42,519
Speaker 2: God to text him after this? What was I I

2058
01:48:42,640 --> 01:48:47,519
Speaker 2: was going to say something, bro? He responds to you first,

2059
01:48:47,560 --> 01:48:48,519
Speaker 2: next your king top.

2060
01:48:48,800 --> 01:48:52,000
Speaker 3: But I will say, here's the only bodily thing that

2061
01:48:52,680 --> 01:48:55,479
Speaker 3: is allowed to ruin my sheets, poop and ship.

2062
01:48:56,080 --> 01:48:59,040
Speaker 2: And even that doesn't ruin it. You can get no no,

2063
01:48:59,200 --> 01:49:00,519
Speaker 2: no clean.

2064
01:49:00,960 --> 01:49:04,040
Speaker 4: Yeah, you need oxy. But you you you say when

2065
01:49:04,080 --> 01:49:07,080
Speaker 4: that happens, you say, God bless, I don't mind. I say,

2066
01:49:07,160 --> 01:49:08,400
Speaker 4: And this happens to you every morning.

2067
01:49:08,479 --> 01:49:14,240
Speaker 2: You're saying, and it's it's not and it's permissible poop poop?

2068
01:49:14,640 --> 01:49:16,519
Speaker 2: Do you guys think that we can see?

2069
01:49:19,120 --> 01:49:21,200
Speaker 1: Do you guys think out of Bone and Izs friendship

2070
01:49:21,240 --> 01:49:23,240
Speaker 1: that he's the top and I'm the bottom? Out of

2071
01:49:23,320 --> 01:49:27,479
Speaker 1: your friend like within the ship top friendship bottom? Who's

2072
01:49:27,520 --> 01:49:28,559
Speaker 1: the top and who's the bottom?

2073
01:49:28,720 --> 01:49:32,639
Speaker 2: Got my gut hmm, but when you're in the top,

2074
01:49:32,720 --> 01:49:34,160
Speaker 2: But I don't know if that's right. I'm just going

2075
01:49:34,240 --> 01:49:36,680
Speaker 2: with my gut. I think that's the top. Yeah, I'm

2076
01:49:36,680 --> 01:49:39,479
Speaker 2: gonna go top bottom. I'm a I'm a I'm a

2077
01:49:39,680 --> 01:49:45,160
Speaker 2: chic chill bottom, chill bottom. What's the lyrics? Who's the

2078
01:49:45,280 --> 01:49:47,840
Speaker 2: top the bottom in our friendship? Do you think two

2079
01:49:47,960 --> 01:49:55,840
Speaker 2: tops to top bottom. Never the twin shall meet never,

2080
01:49:57,040 --> 01:50:00,519
Speaker 2: Never the Twain shall twink. So what do you I

2081
01:50:00,560 --> 01:50:04,040
Speaker 2: don't think I have one. Yes, I'm ready, all right, Well,

2082
01:50:04,080 --> 01:50:05,840
Speaker 2: this is Josh Sharps. I don't think so, honey. As

2083
01:50:05,880 --> 01:50:08,720
Speaker 2: time starts now, I don't think so. People who I

2084
01:50:08,760 --> 01:50:11,280
Speaker 2: don't think so honey. No, people just take it from

2085
01:50:11,280 --> 01:50:13,000
Speaker 2: the time. That's all.

2086
01:50:13,479 --> 01:50:17,280
Speaker 1: That was insulting from the keep all of that in

2087
01:50:17,520 --> 01:50:20,680
Speaker 1: because that was insulting that you've been on the.

2088
01:50:20,680 --> 01:50:25,880
Speaker 3: Show for nine years. The pro fuck up so bad

2089
01:50:26,000 --> 01:50:28,839
Speaker 3: it's inspired. Let's take it from the TI al right, because.

2090
01:50:28,720 --> 01:50:32,560
Speaker 2: It doesn't happen during the off play. I have a

2091
01:50:32,800 --> 01:50:35,679
Speaker 2: very good one. Okay, this is Josh Sharps. I don't

2092
01:50:35,720 --> 01:50:38,000
Speaker 2: think so honey. His time starts now, I don't think

2093
01:50:38,040 --> 01:50:41,320
Speaker 2: so honey. People who don't like the things I like?

2094
01:50:42,479 --> 01:50:45,320
Speaker 2: I like things, yes, and when the things that I

2095
01:50:45,520 --> 01:50:48,120
Speaker 2: like happen, I like that. The feeling I feel is like,

2096
01:50:48,880 --> 01:50:52,360
Speaker 2: so if someone does something I like, maybe I join

2097
01:50:52,439 --> 01:50:54,680
Speaker 2: in because I like that thing too, even if the

2098
01:50:54,760 --> 01:50:56,479
Speaker 2: circumstances don't allow me to join in.

2099
01:50:56,720 --> 01:50:58,880
Speaker 7: I like that they're doing the thing I like. Don't

2100
01:50:58,920 --> 01:51:02,599
Speaker 7: do When people do something I don't like, I feel

2101
01:51:02,760 --> 01:51:04,120
Speaker 7: dislike gun it.

2102
01:51:04,439 --> 01:51:08,680
Speaker 2: I am frustrated, I am annoyed that why are you

2103
01:51:08,800 --> 01:51:11,840
Speaker 2: doing this thing I don't like? Would just do the

2104
01:51:11,920 --> 01:51:15,240
Speaker 2: things that I like? Do better? So I implore you,

2105
01:51:15,720 --> 01:51:19,040
Speaker 2: when you are around me, and honestly even when you aren't,

2106
01:51:19,280 --> 01:51:22,720
Speaker 2: because behind closed doors you're your most true self. Do

2107
01:51:22,960 --> 01:51:28,200
Speaker 2: things I like. Yeah, don't do things I dislike. I

2108
01:51:28,320 --> 01:51:30,640
Speaker 2: wish to feel like. I do not want to be

2109
01:51:30,760 --> 01:51:34,680
Speaker 2: clouded by dislike to day life. All of you need

2110
01:51:34,800 --> 01:51:37,120
Speaker 2: to do things that I like when you are around me,

2111
01:51:37,200 --> 01:51:39,400
Speaker 2: and even if not, I like what I like and

2112
01:51:39,520 --> 01:51:43,080
Speaker 2: you should. And that's that one. Wow, that was powerful,

2113
01:51:43,720 --> 01:51:49,839
Speaker 2: that was so good. It was poetry. That was poet.

2114
01:51:52,160 --> 01:51:54,160
Speaker 2: That's just gonna have a lot of people thinking, what

2115
01:51:54,240 --> 01:51:56,519
Speaker 2: are what are examples of things that you like? Things

2116
01:51:56,560 --> 01:51:58,960
Speaker 2: that I like? Are like things that I like? I like,

2117
01:51:59,520 --> 01:52:03,719
Speaker 2: and the the things I don't like, Oh girl, don't

2118
01:52:03,800 --> 01:52:05,320
Speaker 2: do them because those are the things I don't like.

2119
01:52:05,360 --> 01:52:07,240
Speaker 2: And you won't like that, and I will not like that.

2120
01:52:07,360 --> 01:52:09,600
Speaker 2: You know what I liked When you do things I like.

2121
01:52:09,880 --> 01:52:12,240
Speaker 2: You know what's good about all of us. We all

2122
01:52:12,439 --> 01:52:15,439
Speaker 2: know the things that each other likes that we just

2123
01:52:15,680 --> 01:52:18,200
Speaker 2: don't and we don't push it, of course, not like

2124
01:52:18,439 --> 01:52:20,320
Speaker 2: I told you when you guys were vibing out to

2125
01:52:20,360 --> 01:52:23,960
Speaker 2: b York at all, I just I sat and enjoyed

2126
01:52:25,040 --> 01:52:28,200
Speaker 2: our joy. Yeah, and I started at stick at that

2127
01:52:28,360 --> 01:52:31,160
Speaker 2: moment because of the drugs, not because of our joy. No,

2128
01:52:31,320 --> 01:52:34,599
Speaker 2: that was because of other things. Oh that was when

2129
01:52:34,600 --> 01:52:37,400
Speaker 2: I got whole fever. That was a whole fever. That

2130
01:52:37,560 --> 01:52:40,920
Speaker 2: was the great That was a whole other era, whole

2131
01:52:41,120 --> 01:52:43,720
Speaker 2: whole other gape. All right, Aaron, do you have an

2132
01:52:43,720 --> 01:52:45,960
Speaker 2: I don't think so, honey, I have when it came

2133
01:52:46,040 --> 01:52:48,400
Speaker 2: to me, all right, this is Aaron Jacksons. I don't

2134
01:52:48,400 --> 01:52:54,439
Speaker 2: think God girl, don't forget good God girl, I'm ready.

2135
01:52:54,800 --> 01:52:56,680
Speaker 2: This is Aaron Jackson's I don't think so many time

2136
01:52:56,680 --> 01:53:00,160
Speaker 2: stress now, I don't think so, honey. Why has no

2137
01:53:00,280 --> 01:53:04,240
Speaker 2: one started a business that's like a ride share, Like

2138
01:53:04,360 --> 01:53:06,519
Speaker 2: it's like a limo that you ride in with your friends,

2139
01:53:06,760 --> 01:53:12,960
Speaker 2: except it's in a hearse and it's really spooky, son.

2140
01:53:13,320 --> 01:53:16,519
Speaker 4: I think there'd be a coffin in there and it

2141
01:53:16,600 --> 01:53:19,559
Speaker 4: could pop up and scare you, and there's dry eyes.

2142
01:53:23,160 --> 01:53:25,080
Speaker 4: The show ever closes, which it won, he could be

2143
01:53:25,120 --> 01:53:28,639
Speaker 4: the dead outlaw and thirty seconds, and the driver could

2144
01:53:28,640 --> 01:53:35,200
Speaker 4: be kind of Dracula, would you like under And there's

2145
01:53:35,280 --> 01:53:38,320
Speaker 4: dry ice in your drink, spooky cocktails, and there's all

2146
01:53:38,400 --> 01:53:41,599
Speaker 4: sorts of spider webs everywhere.

2147
01:53:41,720 --> 01:53:43,760
Speaker 2: And I think that this is a business.

2148
01:53:43,439 --> 01:53:47,120
Speaker 4: Opportunity that could go year round, but certainly around Halloween

2149
01:53:47,280 --> 01:53:50,000
Speaker 4: or the fall. It could take you to a haunted house.

2150
01:53:52,760 --> 01:53:55,960
Speaker 4: And I just think it's a really strong idea and

2151
01:53:56,080 --> 01:53:57,519
Speaker 4: I need somebody to do it. I don't think so,

2152
01:54:00,000 --> 01:54:02,280
Speaker 4: say honey, honey, I'm sure this exists.

2153
01:54:02,479 --> 01:54:03,160
Speaker 2: You think you're sure.

2154
01:54:03,320 --> 01:54:06,599
Speaker 1: I think it's like you're looking for, essentially, like a mobile, haunted,

2155
01:54:06,800 --> 01:54:07,599
Speaker 1: haunted car.

2156
01:54:07,800 --> 01:54:11,200
Speaker 2: I want haunted limo, but a hearse. I think it's

2157
01:54:11,240 --> 01:54:15,920
Speaker 2: bigger than that. Different cars, and sometimes it's Lauren from them,

2158
01:54:16,400 --> 01:54:20,679
Speaker 2: Louren Ambrose, take some of your specifics. I think you'd

2159
01:54:20,760 --> 01:54:22,760
Speaker 2: be really excited to find out that this is a

2160
01:54:22,800 --> 01:54:27,600
Speaker 2: thing I don't want to take away. My cix are

2161
01:54:27,640 --> 01:54:29,320
Speaker 2: what make us us and make us unique.

2162
01:54:29,360 --> 01:54:35,600
Speaker 1: Yes, especially, I shouldn't have said that, especially when the

2163
01:54:35,680 --> 01:54:37,360
Speaker 1: powers that be are trying to take away all of

2164
01:54:37,440 --> 01:54:38,160
Speaker 1: our specifics.

2165
01:54:38,240 --> 01:54:41,320
Speaker 2: So you think it could be a long hearse, A

2166
01:54:41,440 --> 01:54:45,040
Speaker 2: long I loves and cobwebs. Now I was saying in

2167
01:54:45,120 --> 01:54:47,400
Speaker 2: the middle of that escape car as an escape room,

2168
01:54:47,480 --> 01:54:52,120
Speaker 2: but Cary, and that's just not just jumping out jumping car.

2169
01:54:52,280 --> 01:54:53,840
Speaker 2: But I think there should be an escape room that

2170
01:54:54,040 --> 01:54:59,040
Speaker 2: is themed to your kidnapped business. But that's different than

2171
01:54:59,080 --> 01:55:01,320
Speaker 2: what I want, I know, very different. But it's the

2172
01:55:01,400 --> 01:55:04,800
Speaker 2: potential revenue stream. Sure, it's just the idea is so

2173
01:55:04,920 --> 01:55:09,840
Speaker 2: good a businessman, so I don't have the capabilities to

2174
01:55:09,920 --> 01:55:13,160
Speaker 2: make this. If this bought you a dog walker, you

2175
01:55:13,320 --> 01:55:16,560
Speaker 2: would and a beautiful place to board the animal when

2176
01:55:16,600 --> 01:55:21,320
Speaker 2: I travel to and you want to like Pluto, that's

2177
01:55:21,360 --> 01:55:23,360
Speaker 2: what you were saying. Pluto is a slave to Goofy

2178
01:55:23,400 --> 01:55:25,800
Speaker 2: because you want a dog walker slave because they'd be

2179
01:55:25,840 --> 01:55:28,120
Speaker 2: the same species as you, and yet they have to

2180
01:55:28,160 --> 01:55:31,680
Speaker 2: walk your dog. No, because they get paid. Okay, learning

2181
01:55:31,800 --> 01:55:33,680
Speaker 2: is getting paid? Well, we don't know if it's enough.

2182
01:55:34,440 --> 01:55:36,400
Speaker 2: Do you think the persons why I wanted to get

2183
01:55:36,480 --> 01:55:38,880
Speaker 2: rid it makes sense. I hope the person watching walking

2184
01:55:38,880 --> 01:55:42,520
Speaker 2: Sabrina got paid. I think so. I think I probably

2185
01:55:42,560 --> 01:55:47,600
Speaker 2: that was. Dog walkers should be paid. Also, dogs, dogs

2186
01:55:47,600 --> 01:55:55,400
Speaker 2: are very empowered. Dogs are very empowered creatures. The sub

2187
01:55:55,520 --> 01:55:59,000
Speaker 2: is dom Maggie the dog that we met today, darling dog.

2188
01:55:59,080 --> 01:56:01,520
Speaker 2: Can I just say hand for that? For the last

2189
01:56:01,560 --> 01:56:07,640
Speaker 2: part of the episode, I think, and I get Maggie

2190
01:56:07,680 --> 01:56:10,320
Speaker 2: to sign a release. This won't make the dog nervous

2191
01:56:10,360 --> 01:56:13,280
Speaker 2: at all. Maggie, paw an ink and put it on

2192
01:56:13,360 --> 01:56:15,520
Speaker 2: a release. And then let's get Maggie in here.

2193
01:56:15,600 --> 01:56:17,640
Speaker 1: While they're getting Maggie in here, does anyone have anything

2194
01:56:17,680 --> 01:56:18,600
Speaker 1: final they want to say?

2195
01:56:18,760 --> 01:56:32,200
Speaker 6: Yes, come one, thank god, Yeah, beautiful bee, Oh my god.

2196
01:56:32,600 --> 01:56:36,920
Speaker 1: Any of the cameras getting this, she's presenting. Come Maggie,

2197
01:56:37,320 --> 01:56:38,560
Speaker 1: come over, Meggie, come over here.

2198
01:56:38,880 --> 01:56:39,520
Speaker 2: She's Maggie.

2199
01:56:39,560 --> 01:56:39,800
Speaker 8: Come on.

2200
01:56:40,560 --> 01:56:46,680
Speaker 2: Oh you're too Yes, stretch out down and that's where

2201
01:56:46,720 --> 01:56:49,760
Speaker 2: down where dog comes from. Just so you'll know. We

2202
01:56:49,880 --> 01:56:54,040
Speaker 2: woke her up seventeen hours a day. Yeah, yeah, and

2203
01:56:54,120 --> 01:56:57,520
Speaker 2: they love to be woken up. Turned five. She's thirty five,

2204
01:56:57,880 --> 01:57:02,000
Speaker 2: thirty five, same Z's girl. So you want a c

2205
01:57:02,120 --> 01:57:04,520
Speaker 2: it twins versus dolls too, don't you You know? I

2206
01:57:04,600 --> 01:57:05,040
Speaker 2: think too.

2207
01:57:05,480 --> 01:57:08,120
Speaker 1: I wonder how Maggie would respond for us singing one

2208
01:57:08,160 --> 01:57:11,160
Speaker 1: of our songs before the tour end the episode.

2209
01:57:11,320 --> 01:57:15,480
Speaker 2: Yea, Maggie mes piano for once. Yeahs piano, Maggie.

2210
01:57:15,520 --> 01:57:17,800
Speaker 1: This one is going to go out to you girl,

2211
01:57:18,440 --> 01:57:20,920
Speaker 1: and basically we want you to know you're perfect just

2212
01:57:21,040 --> 01:57:23,520
Speaker 1: the way you are, which doesn't necessarily have.

2213
01:57:23,560 --> 01:57:30,160
Speaker 2: To be a good understood understood Billy Joel, Yeah, what

2214
01:57:30,560 --> 01:57:33,000
Speaker 2: I was going to do, Billy Joel, I love you. Yes, Here,

2215
01:57:33,000 --> 01:57:35,360
Speaker 2: here we go. It's before the tour, Before the tour.

2216
01:57:36,200 --> 01:57:50,440
Speaker 8: Bang Babe, Down, Bang Bang Babe, Sound Bang, My.

2217
01:57:59,440 --> 01:58:08,680
Speaker 2: Sees split by Bye Bye, by Bye. Last Culture Racist

2218
01:58:08,720 --> 01:58:10,520
Speaker 2: is the production by Will Ferrell's Big Money Players and

2219
01:58:10,560 --> 01:58:14,600
Speaker 2: iHeartRadio podcasts, created and hosted by Matt Rogers and Bowen Yeg,

2220
01:58:14,800 --> 01:58:17,320
Speaker 2: executive produced by Anna Hasnier and produced

2221
01:58:17,320 --> 01:58:19,720
Speaker 3: By Becka Ramos, Edited and mixed by Doug Bamim and

2222
01:58:19,760 --> 01:58:22,240
Speaker 3: Nikola Board and our music is by Henry Koberski.