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Speaker 1: Hello the Internet, and welcome to this episode of The

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Speaker 1: Weekly Zeitgeist. Uh. These are some of our favorite segments

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Speaker 1: from this week, all edited together into one NonStop infotainment

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Speaker 1: last stravaganza. Uh yeah, So, without further ado, here is

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Speaker 1: the Weekly Zeitgeist. What is something from your search history

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Speaker 1: that's re feeling about who you are? Well? I thought

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Speaker 1: about this because, um, well, I'm gonna tell the listeners

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Speaker 1: and you guys about one of the most important things

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Speaker 1: to me in the world. And I've thought about it

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Speaker 1: because I liked it. I like it to be a secret.

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Speaker 1: I like it to be my secret documentary that I

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Speaker 1: only know about. And I know that I'm not the

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Speaker 1: only one who knows about it, but but I know

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Speaker 1: that if everybody knew about it, it would cause, you know,

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Speaker 1: people would really go crazy. Um people just riding in

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Speaker 1: the streets. There would be like shirts and stuff. I think, like, oh,

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Speaker 1: with about this documentary. But the documentary is called Devil

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Speaker 1: at your Heels. It's called Devil at your Heels and

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Speaker 1: it's on YouTube and it has like all the great

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Speaker 1: documentary it has like a hundred thousand views or something

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Speaker 1: like that. But it should have it should have a

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Speaker 1: billion views. It is okay, so big. It's not about big,

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Speaker 1: It's about a guy named Ken Carter. And Ken Carter

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Speaker 1: was known as the Mad Canadian and he was a stuntman.

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Speaker 1: Um and he started out as a ramp boy. Uh

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Speaker 1: and and when he was a kid, he dropped out

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Speaker 1: of school to be a ramp boy. Which is I mean,

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Speaker 1: talk about me being born at the wrong time, like

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Speaker 1: my right arm. To a ramboy, ram just an extinct

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Speaker 1: job is no job, ramboy. It's a ramp boy, just

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Speaker 1: a guy who set ups ramps like a dropout ramps

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Speaker 1: like job I can you'd be a ramp man like

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Speaker 1: it's just not as many ramps. It's like being am

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Speaker 1: not the same ballman. You're a ball boy and a

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Speaker 1: ballman as a designer. But I think ram boy for

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Speaker 1: how important a ramp is to someone's performance, you would

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Speaker 1: want to treat them with respect because I'm ramp boys

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Speaker 1: they're treating We put it this way in nineteen seventies

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Speaker 1: six in Canada, you could say like, I'm dropping out

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Speaker 1: of school and your teacher was like, what he got

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Speaker 1: set up? You're probably gonna be on the street. And

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Speaker 1: he's like, no, I got a job. Set up as

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Speaker 1: a ram boy and they're like, alright, that's that's not

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Speaker 1: something you can say. Probably came with a pension too,

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Speaker 1: so he is all right. So I was watching like

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Speaker 1: a buzz feed or mash double or I don't know what.

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Speaker 1: It was, some kind of thing where they do top

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Speaker 1: ten lists, you know, like top ten car jumps, and

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Speaker 1: there was a clip of of a Lincoln Continental, a

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Speaker 1: yellow Lincoln Continental, trying to jump over. What he does

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Speaker 1: is he tries to jump over the St. Lawrence Seaway,

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Speaker 1: which is a mile wide in uh yellow Lincoln Continental

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Speaker 1: with with wings on it. And he had in the

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Speaker 1: documentary he had like a serious team. He had the

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Speaker 1: best best engine builders. He had a guy on that

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Speaker 1: camera that's like an engineer saying that he was once

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Speaker 1: he was in the air, he was gonna be able

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Speaker 1: to fly the car with the wings like a real

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Speaker 1: physicist was like, yes, I've designed this so he should

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Speaker 1: be able to steer it in the air. And and

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Speaker 1: there's no plan for the landing really, except he plans

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Speaker 1: he's going to land in a bunch of roses. And

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Speaker 1: then they say, well what about these trees? Are you

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Speaker 1: worried about the trees? And he said, no, we'll be

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Speaker 1: careful than not not to knock down the trees. And

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Speaker 1: they weren't saying, you know what I mean, he took

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Speaker 1: it wrong. They were like, aren't you worried about the trees,

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Speaker 1: like you're gonna kill yourself, And he's like, oh no,

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Speaker 1: we'll be very careful with the trees. Ken Carter is

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Speaker 1: one of the most inspiring, not that smart people in

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Speaker 1: the world, and he he will make you so because

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Speaker 1: he's so confident and he's really he doesn't have a

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Speaker 1: whole lot of charisma. He breaks his legs over and

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Speaker 1: over again. He's constantly on crutches. He says stuff like

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Speaker 1: I'm standing on the threshold of life when he's when

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Speaker 1: he's not when he's like forty eight. And he also

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Speaker 1: he said, I grew up in this poor area, but

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Speaker 1: I grew up and I'm a I'm a I'm a

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Speaker 1: what does he say? A beautiful physical specimen something like that.

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Speaker 1: But he's not at all. He's like he's limping. And

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Speaker 1: it's a very inspiring documentary. My favorite part is I

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Speaker 1: don't want to give it away because there's a twist

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Speaker 1: ending he dies, No, he dies later. He died later.

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Speaker 1: He died in a rocket car accident that you can

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Speaker 1: find on There's also you can watch that on YouTube too.

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Speaker 1: Um twist ending we won't spoil it. So the twist, dundy,

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Speaker 1: I won't spoil, but I will say that the jump

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Speaker 1: does not go well, um at all, like not at all,

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Speaker 1: you know. And so when I first showed it to

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Speaker 1: my brother, this is my favorite thing because it's like, okay,

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Speaker 1: so they build this hundred foot ramp and like a

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Speaker 1: mile long runway. I mean, he had funding and he's

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Speaker 1: gonna be on Why World of Sports. Evil can Els

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Speaker 1: in the documentary, he comes and checks out the jump

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Speaker 1: and says that he looking good, looking good. He says

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Speaker 1: that well, he says, he knows it's gonna be on

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Speaker 1: Wild World World of Sports. So we can't trash the

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Speaker 1: jump totally because they end up not televising it. But

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Speaker 1: he thinks it might be televised. So he's actually like,

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Speaker 1: this is a terrible idea, but he has to be like,

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Speaker 1: but if it, if it does happen, it'll be the

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Speaker 1: greatest daredevil jump in history. But he he tells ken

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Speaker 1: that there's no margin of he said, you got no

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Speaker 1: room for error. But it's like there's nothing, but he

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Speaker 1: has plenty of room for error. Like the whole area

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Speaker 1: off the ramples, everything passed the ramp is room for error.

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Speaker 1: So my brother watches what happens, which I don't have to.

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Speaker 1: It doesn't ruin it to say that car shreds. I

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Speaker 1: mean the car goes off the ramp and it shreds.

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Speaker 1: I mean because it's going it's a rocket car. It's

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Speaker 1: going like three hundred four hundred miles an hour, and

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Speaker 1: they've done nothing to modify the car to make it

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Speaker 1: better at this they just strapped a rocket to us.

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Speaker 1: And that's the thing that's actually really interesting about it

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Speaker 1: is the whole documentary they have have interviews with like

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Speaker 1: competent or seemingly comp didn't like engineers who are saying

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Speaker 1: that this is gonna go well, huh. But the whole

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Speaker 1: time you're like, how could it go well? And it's

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Speaker 1: made of the body of the cars made of fiberglass,

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Speaker 1: which is the reason that shreds, which is I guess

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Speaker 1: the reason they thought that would maybe flyer. I don't know,

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Speaker 1: but um my brother watched it shred and he said

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Speaker 1: he didn't have any context at the times I was

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Speaker 1: just like, check out this car jump on mashuble or whatever.

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Speaker 1: And he said, what didn't happen that was supposed to happen,

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Speaker 1: Which is the best question. When you watch it, you're like,

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Speaker 1: as a fair question. But I'm like, drive that thing

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Speaker 1: in the air. He was gonna land it. He was

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Speaker 1: gonna be careful not to break any of the trees. Um.

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Speaker 1: So he So why were all the sport anyway? Evil's Evil,

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Speaker 1: Evil's in it. It's great. He's wearing a cream colored

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Speaker 1: outfit and he comes out of a cream colored Cadillac

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Speaker 1: and tells and tells, yes, tells ken Carter, who you know?

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Speaker 1: Ken Carter looks up to Evil Evil, like, yeah, he

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Speaker 1: still likes I think he hits. He hits um. He

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Speaker 1: has a rolled up like like brochure or something in

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Speaker 1: his hand, probably bures everywhere he hits. He he like

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Speaker 1: he hit ken Carter. He's like, I'll tell you what, buddy,

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Speaker 1: and like you could tell that was the best moment

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Speaker 1: of ken Carter's life when he was hitting him with

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Speaker 1: that piece of paper, because he was like, listen, buddy,

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Speaker 1: you got to be careful. There's no room for error.

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Speaker 1: And he was like, it's been raining it's been raining,

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Speaker 1: because that's what ken Carter was like, We're gonna do

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Speaker 1: it though, we got to do it, but it's been raining.

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Speaker 1: That's the thing evil. It's been raining. It's been so

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Speaker 1: much rain. He's like, yeah, well you're not ready. So

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Speaker 1: ken Carter is just like, we're still gonna do it.

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Speaker 1: Ken Carter ends up dying years later. The end of

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Speaker 1: the documentary is not ken Carter dying. It's a much

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Speaker 1: more interesting ending. And anyway, this guy is one of

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Speaker 1: my favorite people. Ken Carter. He's he's he's a he.

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Speaker 1: He tries that he dries it drives a dragster and

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Speaker 1: he can't get the dragster because he's too fat. He

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Speaker 1: goes he tests he he he's trying to pull gs,

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Speaker 1: you know, getting ready for the jump. He goes up

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Speaker 1: in a in a biplane to do tricks or something

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Speaker 1: that he throws up and he's embarrassed about it. Um

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Speaker 1: like it's embarrassed. Man. He has a press he has

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Speaker 1: a press conference in like a romata in announcing that

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Speaker 1: the jumps delayed. That is one of the greatest pieces

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Speaker 1: of footage ever shot. I mean it's in Canada and like,

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Speaker 1: I mean there's just you can barely see him. There's

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Speaker 1: so much smoke in that room. You can barely see

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Speaker 1: Ken Carter announcing that the jump is delayed because everyone

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Speaker 1: in there smoking. Everybody everyone's drunk for some reason. At

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Speaker 1: this game, it's like a buffet, and it's like a

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Speaker 1: buffet for the Ken Carter jump delay announcement, speaking of

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Speaker 1: the the ramp boy being inadequate to the job. The

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Speaker 1: jump that ended up killing him had to be delayed

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Speaker 1: when he first attempted it because the start off ramp

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Speaker 1: collapsed under his car when he drove up. Yeah, you

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Speaker 1: can see it. It's all. You can go on on

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Speaker 1: there and see it. And there's a whole bunch of

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Speaker 1: people who have like found the car. And you know,

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Speaker 1: he's got like a little cult of people. But I

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Speaker 1: just gotta say, if you want to a midnight movie,

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Speaker 1: a movie for you guys to watch when a midnight movie,

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Speaker 1: like you know what I mean, a movie for you

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Speaker 1: guys to watch when your stone. If I was in

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Speaker 1: high school and college, I would just watch this movie

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Speaker 1: every night. I would have never left the So you

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Speaker 1: weren't encouraging high school students high school. In high school,

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Speaker 1: I was studying and then as soon as I hit college,

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Speaker 1: I watched documentary Stone. But um, my friends watched the

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Speaker 1: A Team every day and they put on a red

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Speaker 1: light and called it conditioned red. They were all Stone.

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Speaker 1: They all not. Well, what is a myth with something

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Speaker 1: people think it's true? Is that you think that you

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Speaker 1: probably I had such a hard time coming up with these.

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Speaker 1: You these are absurd. Um, you probably think I'm looking

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Speaker 1: at Anna. Anna. You probably think that you can't watch

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Speaker 1: the cur of Oak Island if you don't have cable.

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Speaker 1: She's been saying that all week. Actually, all I watch

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Speaker 1: is people do archaeology type stuff on on YouTube. I

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Speaker 1: mean right, So, so Curse of Oak Island? You know

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Speaker 1: that show on the History Channel. You don't know that show?

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Speaker 1: Oh I should have done that as my big one.

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Speaker 1: Then oh man, I go watch Devil at your Heels anyway,

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Speaker 1: but God, you should have. We should have talked about

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Speaker 1: Curse of Oak Island. Oak Island is this island off

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Speaker 1: the coast of Nova Scotia, and um, in the late

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Speaker 1: kids were out there playing and they found an area

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Speaker 1: where it looked like it had been dug up, and

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Speaker 1: they dug dug down, and they dug and they found

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Speaker 1: a stone with a bunch of markings on it, and

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Speaker 1: they found uh, um, like a bunch of platforms, like

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Speaker 1: every twenty feet there's a platform of like uh coconut fiber,

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Speaker 1: and that wasn't native to the area. And then they

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Speaker 1: realized that they think there were drains that had been

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Speaker 1: created on the beach that was so if you got

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Speaker 1: down to a certain level of digging, it would fill

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Speaker 1: the water, fill the pit pit with water, ocean water.

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Speaker 1: So anyway, these guys, these who hurt. I'd heard about

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Speaker 1: that story when I was since I was in grade school,

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Speaker 1: about this oak island and they people kept digging down,

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Speaker 1: but the water would come in, come in and destroy

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Speaker 1: the show. The design was in order to flood any

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Speaker 1: hull that somebody tried to dig it. They're guarding something. Yeah,

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Speaker 1: so it's like pretty elaborate. So I've read about it.

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Speaker 1: People have been trying to find it ever since the

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Speaker 1: early eighteen hundreds, and the people have died. Lots of

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Speaker 1: people have died because the because the shafts keep collapsing.

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Speaker 1: They build these hundred hundred foot deep shafts, and that

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Speaker 1: some guys died from from fumes from using a pump

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Speaker 1: down there, like six people died at once, I think,

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Speaker 1: or four people died at once, like a father and

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Speaker 1: his son. Some father dragged his son into this treasure

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Speaker 1: hunting business, you know, like we're gonna go find this,

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Speaker 1: and they both died. They both died from a pump

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Speaker 1: from pump fumes um, And yeah, I should have known

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Speaker 1: you were going to do this to me, Dad with

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Speaker 1: your nickname pump Fumes, so old pump Fumes, James pump Fumes.

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Speaker 1: So anyway, these guys, Rick and Marty Lagina have a

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Speaker 1: show on the History Channel, and there are two brothers

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Speaker 1: that are trying to find the damn except they have

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Speaker 1: big money behind him and they've got drills and cranes

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Speaker 1: and but they still haven't found much and the and

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Speaker 1: they and it's a great show. I love it. It's

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Speaker 1: so funny. It's it's great because Rick Lagina is the

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Speaker 1: dreamer and Marty Laguina, his brother, Rick Lagan is like

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Speaker 1: the sex symbol, and he is clearly a sex symbol,

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Speaker 1: Like I have a crush on Rick Lagina. It's like

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Speaker 1: running neck and neck with Nicola White mud Lark. And

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Speaker 1: for people, for treasure hunters, I want to fuck uh

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Speaker 1: so so anyway, this show is great, so I've been

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Speaker 1: but here's even the better part of it is that

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Speaker 1: I don't have cable, so I have to watch. I

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Speaker 1: have to go on YouTube and watch. But no, that

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Speaker 1: that's even better. They scramble the episodes like so the algorithm,

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Speaker 1: so it's like a nonsense version of the episode, which

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Speaker 1: I still watch. I've watched like every episode of the

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Speaker 1: show on YouTube where they've chopped the edit so like

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Speaker 1: the algorithm can't recognize it because the algorithm will be like,

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Speaker 1: this is a bootleg. Yeah, they're like, the algorithm will

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Speaker 1: be like, this looks a lot like a bootleg of

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Speaker 1: our show that we should take off YouTube. But it's

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Speaker 1: also gibberish. So it's like they cut the video doesn't

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Speaker 1: match the audio, and you have to watch it like that,

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Speaker 1: And and I like that show so much, you're like,

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Speaker 1: I'll figure that I watch it on that scramble. A

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Speaker 1: lot of times you'll see them do stuff like only

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Speaker 1: show you like the image and like speed up the seen.

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Speaker 1: I couldn't take that. I couldn't handle them. This sounds different.

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Speaker 1: This is what I like this one. The images are

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Speaker 1: all wrong, but the audios right, So anyway, if you

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Speaker 1: guys want to. And by the way, Cursive Oak Island

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Speaker 1: I think is heating up. I think they're gonna I

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Speaker 1: think they're gonna find something. But there have been six seasons.

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Speaker 1: Treasure hunting is so much fun to watch. This is

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Speaker 1: a tribute to me and making sense of my lifestyle.

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Speaker 1: Is that they've had six seasons or seven seasons, they

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Speaker 1: haven't found a damn thing. I would say, would that

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Speaker 1: they think might have come from his ship? I would

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Speaker 1: say your appetite for watching people pull just junk out

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Speaker 1: of mud is higher than many a listener. Possible, But yeah,

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Speaker 1: but he converts a lot of people. Yeah, I'm not

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Speaker 1: saying larking is you know for for new listeners, check

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Speaker 1: out Mudlarking. Larking is like the Thames River. I've talked

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Speaker 1: about this previous episodes. You just just London is a

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Speaker 1: two thousand year old city. They've been throwing stuff in

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Speaker 1: the river for two thousand years. And you go down

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Speaker 1: there in the one the low tide, because the Thames

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Speaker 1: is connected to the ocean, and you and you go

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Speaker 1: down there and just dig through the mud and you

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Speaker 1: find everything from a Roman helmets to um yeah, to

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Speaker 1: have cell phones from yesterday is something you think is overrated? Uh?

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Speaker 1: Cards against Humanity. I love comedy and I love games.

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Speaker 1: I just hosted a game night at my home last night.

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Speaker 1: You guys did not attend. I realized I also did

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Speaker 1: not invite you. Would have been amazing on the GRAM.

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Speaker 1: I'd be happy to have you in the future. Usually

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Speaker 1: host him every other week. Um, and we would probably

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Speaker 1: be happy to have you back on this podcast once

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Speaker 1: that happens. That work, I mean already I already had

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Speaker 1: him on my podcast that I'm back. We don't want

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Speaker 1: to reveal the dirty underbelly that we use our podcast

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Speaker 1: in part and and I should I point out that

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Speaker 1: I would have to let you win. I hate that.

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Speaker 1: So I know people that win. So I love games

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Speaker 1: and I love comedy, and I cannot stand Cards against

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Speaker 1: Humanity and I and even more so, I cannot stand

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Speaker 1: people posting photos of funny combinations that came up Cards

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Speaker 1: against Humanity. It's pretty much just well, but I love

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Speaker 1: class I play a lot of games from the eighties

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Speaker 1: and the early two thousands. I have no judgment on that.

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Speaker 1: I just find it completely creative and unfunny. And then

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Speaker 1: when people post something of like, look at this crazy

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Speaker 1: combination of things. It's like, yeah, that would happen because

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Speaker 1: those things were already preprinted and pre manufactured, and eventually

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Speaker 1: those combinations would It doesn't mean that you're clever for

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Speaker 1: having selected them. And and you know, it's based on

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Speaker 1: Apples to Apples, which is a great game that you

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Speaker 1: can play with with kids or with with the elderly humanity. Yeah,

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Speaker 1: but but at least with Apples to Apples, you're you're

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Speaker 1: you're a you're learning a little something about what the

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Speaker 1: certain topics are, but you also you also get some

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Speaker 1: insight into the people that you're playing with, like, oh,

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Speaker 1: I think that person would choose that combination of things.

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Speaker 1: And for Cartagons humanity, there's none of that. It's it's

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Speaker 1: just all random guessing. Well, I will say I agree

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Speaker 1: with manufactured outrage. I think there is something though, like

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Speaker 1: when you're playing cards, you do have to predict, like

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Speaker 1: based on their sense of humor. It's like I could

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Speaker 1: put something that's witty because based on the person who's picking,

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Speaker 1: or something that's just completely absurd. I'm not saying that that.

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Speaker 1: It's more it's more about like outright, you know, it's

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Speaker 1: being being the craziest, wackiest. I just think it loses

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Speaker 1: its excitement after you play it the first time, I think,

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Speaker 1: and the only other times I've enjoyed playing it has

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Speaker 1: been like I've not been sober, and then even then

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Speaker 1: the only good chainsaws for arms or whatever that card

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Speaker 1: is love that one. No, it's like play it once,

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Speaker 1: be amazed, like, oh my gosh, this thing is so

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Speaker 1: what rageious and they put it in print. Wow, that's

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Speaker 1: kind of weird to see something so what ragious in

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Speaker 1: print and then and then move on to something. That's

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Speaker 1: why they need all those modifier decks now, because I

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Speaker 1: think people at a certain point it's like, right, you said,

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Speaker 1: the pope likes to jerk off on an old foot

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Speaker 1: or whatever the weird combo is, and wow, I mean

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Speaker 1: I'd rather play scategories, but the holy yeah, exactly why

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Speaker 1: would he? Guys? I mean, let me let me explain

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Speaker 1: why it's funny. Yeah, I mean Apples and Apples is

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Speaker 1: a fun game, but not enough, Pope? What is a coming?

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Speaker 1: What is a good comedy game to yous? Uh? Well,

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Speaker 1: I like regular games where it ends up being funny

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Speaker 1: because people are under pressure and doing something unexpected. So

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Speaker 1: For me, Pictionary is always funny money celebrities. One of

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Speaker 1: my favorite games Balderdash, you can at least be witty

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Speaker 1: and clever and how you can get people to guess

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Speaker 1: fake definitions of things. I like those kinds of things,

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Speaker 1: but also I just have fun playing, you know. There's

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Speaker 1: also just not much very conversational about that game. Also,

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Speaker 1: it's like you you're waiting for someone to play something,

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Speaker 1: they play the wacky thing you make a statement about, like, oh,

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Speaker 1: that's so crazy, and then you move on to the

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Speaker 1: next thing. Like it doesn't It doesn't allow conversation. It

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Speaker 1: doesn't allow other than being amazed at how crazy those

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Speaker 1: combinations are. I'm not very tapped into the game world

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Speaker 1: unless it's on console. But like, there was a version

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Speaker 1: of Charades where it started off as just sort of

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Speaker 1: acting something out, but as each round got harder, there's

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Speaker 1: like the same twenty things people had to act out,

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Speaker 1: but you had less and less ability to actually emote

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Speaker 1: or gesture. So like first you would actually do you know,

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Speaker 1: proper shirt, you don't act it out. Then you could

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Speaker 1: only just use like your face, and then as it

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Speaker 1: got one of the more extreme rounds is you put

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Speaker 1: a sheet over yourself and then you try and act

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Speaker 1: it out with a sheet over you And that was

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Speaker 1: just kind of got funny because you began to just

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Speaker 1: pick up on like micro movements that suggest it was

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Speaker 1: this one answer. But you know, I play that. It's

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Speaker 1: like people who are too good at celebrity or too

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Speaker 1: comfortable in a sheet, they just come out from under

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Speaker 1: in their naked Yeah. Yeah, I've never played a game

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Speaker 1: of celebrity that didn't include people like laughing their ass

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Speaker 1: off at each other themselves until I overturned the table

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Speaker 1: and then and you're like much less laughter. All right, guys,

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Speaker 1: let's take a quick break and we'll be right back.

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Speaker 1: And we're back. Let's talk about clowns. Scary clown Are

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Speaker 1: you chlorophobic? No, not at all. I don't really have

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Speaker 1: I have been. I have been interested in in looking

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Speaker 1: at old TV from the fifties, like clowns were Breakfast

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Speaker 1: Cereal mascot then they fucking loved him. Seems very strange

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00:20:18,920 --> 00:20:21,520
Speaker 1: to me because they they do seem like scary, like

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Speaker 1: inherently not like a thing that children would like. Well,

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00:20:25,600 --> 00:20:29,520
Speaker 1: it's someone who has painted themselves to convey an emotion

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00:20:29,560 --> 00:20:34,320
Speaker 1: that they might not be experiencing underneath implicit they can't

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00:20:34,359 --> 00:20:37,159
Speaker 1: be trusted and they're disgusting, but their danger society, and

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Speaker 1: I mean that kind of is the general take is

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Speaker 1: it seems like people are like fun clowns. Clowns are scary,

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Speaker 1: so it's not super surprising, but it is interesting to

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Speaker 1: me that they're still so salient that it chapter two

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Speaker 1: was set the record for the biggest September opening and

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Speaker 1: biggest horror movie opening, outpaced only by IT Chapter one. Uh.

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Speaker 1: And then also the Venice Film Festival gave out its

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Speaker 1: awards at the end of the festival, and the Golden Lion,

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Speaker 1: which has been given to movies like Raschman, Broke Back

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00:21:13,920 --> 00:21:18,080
Speaker 1: Mountain and Roma, went to the Joker movie Joker, which

402
00:21:18,560 --> 00:21:21,920
Speaker 1: pretty wild. That's pretty big departure for a comic book

403
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Speaker 1: movie to get the award um even though this is

404
00:21:24,640 --> 00:21:28,960
Speaker 1: apparently less comic book movie than like Taxi Driver influenced

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Speaker 1: character study. But clowns are still a powerful symbol apparently.

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Speaker 1: I don't know why. Is it because there's like a

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Speaker 1: generation of us who absolutely did not like clowns, Like

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00:21:42,119 --> 00:21:45,240
Speaker 1: I feel like baby boomers, like my dad. I've seen

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Speaker 1: like photos of like his room as a kid, and

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00:21:47,480 --> 00:21:50,200
Speaker 1: there was like clowns shit, Like I remember my grandparents

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Speaker 1: as they would have some clowns shipped up, and I'm

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00:21:52,320 --> 00:21:55,080
Speaker 1: like this is yeah, no, my grandma collected clowns, right,

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00:21:55,200 --> 00:21:58,720
Speaker 1: and then like maybe maybe then our parents weren't so

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00:21:58,760 --> 00:22:01,040
Speaker 1: into the clowns, and then we're like full on, like

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00:22:01,080 --> 00:22:03,560
Speaker 1: your clowns are fucked up and weird. Like I don't

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Speaker 1: know if it's is it Is it a the passage

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Speaker 1: of time. Is it just purely because we or or

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00:22:08,560 --> 00:22:11,320
Speaker 1: maybe we're introduced to more examples of clowns being like

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00:22:11,760 --> 00:22:15,000
Speaker 1: possibly weird with like John Wayne gaycy Art or like

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Speaker 1: the other Ship. Yeah, it does seem like a it's

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00:22:18,840 --> 00:22:23,800
Speaker 1: tapping into maybe something like it's just such a break

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Speaker 1: from the past, like how I inherently respond to the

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00:22:26,640 --> 00:22:31,080
Speaker 1: clown versus how like my grandmother collected them and thought

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00:22:31,080 --> 00:22:34,160
Speaker 1: they were like cute, like little ceramic clowns. Maybe the minority.

425
00:22:34,280 --> 00:22:37,960
Speaker 1: I find clowns neither scary nor entertaining. I just send

426
00:22:38,000 --> 00:22:40,440
Speaker 1: them kind of there, all right. I'm just not ambivalent.

427
00:22:40,480 --> 00:22:43,119
Speaker 1: I don't necessarily like get upset at the clown, but

428
00:22:43,160 --> 00:22:46,040
Speaker 1: I'm also like I'm like, okay, fine, do you know,

429
00:22:46,160 --> 00:22:49,080
Speaker 1: I've known people who are like coloraphobic, and I funked

430
00:22:49,160 --> 00:22:53,560
Speaker 1: up around them because I didn't take it seriously. Cry

431
00:22:54,000 --> 00:22:56,760
Speaker 1: because you show him like a wild montage with clowns

432
00:22:57,080 --> 00:23:00,120
Speaker 1: cut into it unexpectedly. Uh, And you know, I'm sorry,

433
00:23:00,200 --> 00:23:02,399
Speaker 1: you gotta jump scare from a did I did from

434
00:23:02,440 --> 00:23:05,119
Speaker 1: a coworker and I had to apologize. I didn't realize

435
00:23:05,160 --> 00:23:07,760
Speaker 1: what had happened. But like, in a way to me,

436
00:23:07,800 --> 00:23:09,640
Speaker 1: I didn't take it seriously, like yeah, yeah, you're doing

437
00:23:09,680 --> 00:23:12,359
Speaker 1: that thing where like culturally you hate clowns. And I

438
00:23:12,400 --> 00:23:15,080
Speaker 1: was like, oh no, you have a full on yeah,

439
00:23:15,400 --> 00:23:20,840
Speaker 1: take people's phobia seriously. Yeah, it was you know earlier times. No,

440
00:23:21,000 --> 00:23:23,159
Speaker 1: I I've done that too. I once I had a

441
00:23:23,160 --> 00:23:26,160
Speaker 1: friend in college who was had a like this role

442
00:23:26,200 --> 00:23:30,000
Speaker 1: reaction of the word cotton balls and uh. I was like,

443
00:23:30,080 --> 00:23:32,040
Speaker 1: oh yeah right and said it like a bunch of

444
00:23:32,040 --> 00:23:34,720
Speaker 1: times and she was like like really it really fucked

445
00:23:34,720 --> 00:23:38,359
Speaker 1: her up. Um. Anyways, we're just called two horrible people

446
00:23:38,880 --> 00:23:42,040
Speaker 1: now host a podcast. But it's still like, why is

447
00:23:42,119 --> 00:23:46,520
Speaker 1: the Joker the character that has brought out like some

448
00:23:46,560 --> 00:23:49,760
Speaker 1: of the best performances in film like the It's just

449
00:23:49,880 --> 00:23:53,200
Speaker 1: interesting to me that like a clown bad guy would

450
00:23:53,200 --> 00:23:58,879
Speaker 1: be the character that draws these you know, iconic performances

451
00:23:58,920 --> 00:24:04,360
Speaker 1: out when that as a cultural symbol has become sort

452
00:24:04,400 --> 00:24:07,200
Speaker 1: of irrelevant or maybe it's just been co opted. I

453
00:24:07,200 --> 00:24:09,920
Speaker 1: don't know. Symbolically, I think it really sums up like

454
00:24:09,960 --> 00:24:12,760
Speaker 1: the waning influence of like white men in America. Yeah,

455
00:24:14,600 --> 00:24:17,440
Speaker 1: just in general, to like a clown, right, Like most

456
00:24:17,440 --> 00:24:20,440
Speaker 1: of the time, this character is an impotent man who

457
00:24:20,520 --> 00:24:23,240
Speaker 1: isn't achieving at the rate of the other men around him,

458
00:24:23,680 --> 00:24:27,080
Speaker 1: and then puts on a face to obscure that inner

459
00:24:27,119 --> 00:24:31,240
Speaker 1: failure and sell the clown right, and then resorts to again.

460
00:24:31,240 --> 00:24:32,960
Speaker 1: I talked about this all the time. When you are

461
00:24:33,200 --> 00:24:36,200
Speaker 1: you feel powerless. The next if you cannot create, then

462
00:24:36,240 --> 00:24:38,760
Speaker 1: you will destroy. And that's the next way you can

463
00:24:38,800 --> 00:24:41,480
Speaker 1: feel potent is by saying, well, if I can't build

464
00:24:41,480 --> 00:24:43,760
Speaker 1: the things I want, I can destroy the things around

465
00:24:43,800 --> 00:24:47,280
Speaker 1: me with great effectiveness, which is another thing the Joker does.

466
00:24:47,600 --> 00:24:50,200
Speaker 1: So I don't know, there's like, you know, there's there's

467
00:24:50,240 --> 00:24:52,199
Speaker 1: many layers I think to just sort of like what

468
00:24:52,240 --> 00:24:55,600
Speaker 1: the Joker could. Yeah, that was pretty that was great analysis.

469
00:24:58,119 --> 00:25:00,760
Speaker 1: I just think it's because they're cute. I don't know.

470
00:25:00,840 --> 00:25:06,200
Speaker 1: It's laughs weird he's got a red nose, but also too,

471
00:25:06,359 --> 00:25:08,280
Speaker 1: but you know, shout out to clowns too. I recently

472
00:25:08,280 --> 00:25:11,320
Speaker 1: saw like a clowning show, like proper French clowning. That's

473
00:25:11,440 --> 00:25:13,119
Speaker 1: that's that really is an art form. I think if

474
00:25:13,119 --> 00:25:15,439
Speaker 1: people got in touch with that style of conning, we

475
00:25:15,440 --> 00:25:18,440
Speaker 1: would maybe we respect our clowns. Baskets was a good show,

476
00:25:18,600 --> 00:25:22,400
Speaker 1: is it? Is? It? Actually? Uh funny the French clowning

477
00:25:22,440 --> 00:25:26,280
Speaker 1: that you saw it because they all have different emotions,

478
00:25:26,320 --> 00:25:28,520
Speaker 1: so there are ones. It was more impressive to me

479
00:25:28,560 --> 00:25:32,600
Speaker 1: as performance, like what the what the clowns can symbolize?

480
00:25:32,640 --> 00:25:36,400
Speaker 1: And you know, the facets of our humanity? Well ship man,

481
00:25:36,840 --> 00:25:41,680
Speaker 1: that sounds pretty weird anyways, so pretty well you should go. Man,

482
00:25:44,119 --> 00:25:49,159
Speaker 1: what is something that is overrated? I think overrated? Is uh?

483
00:25:49,359 --> 00:25:54,280
Speaker 1: Is this idea of of of thinking like oh people

484
00:25:54,359 --> 00:25:58,960
Speaker 1: are are are are so soft now? And that and

485
00:25:58,960 --> 00:26:02,080
Speaker 1: and and you know you can't take Dave Chappelle special

486
00:26:02,400 --> 00:26:05,000
Speaker 1: because like I was thinking about this a lot. Uh

487
00:26:05,000 --> 00:26:06,879
Speaker 1: when it when it was in the height and you

488
00:26:06,880 --> 00:26:08,679
Speaker 1: know I saw it, I was like, okay, yeah, you

489
00:26:08,680 --> 00:26:11,120
Speaker 1: know there's stuff I like stuff I didn't but like

490
00:26:11,160 --> 00:26:16,640
Speaker 1: this super like Martyrdom performance that's been going on online

491
00:26:16,680 --> 00:26:20,080
Speaker 1: where it's like, you know that people were like picketing

492
00:26:20,200 --> 00:26:23,879
Speaker 1: Andrew Dice Clay shows like so like that compared to

493
00:26:24,000 --> 00:26:26,639
Speaker 1: someone saying, oh, that's kind of shitty on Twitter, is

494
00:26:26,680 --> 00:26:28,520
Speaker 1: nothing like can you imagine trying to walk into your

495
00:26:28,520 --> 00:26:30,920
Speaker 1: show and you have to walk across a picket line?

496
00:26:31,000 --> 00:26:33,960
Speaker 1: That is not happening, So like the I I think

497
00:26:34,000 --> 00:26:36,320
Speaker 1: that just negates two ideas. One that there is a

498
00:26:36,440 --> 00:26:40,879
Speaker 1: new softening of society, and to that it's just so bad,

499
00:26:41,000 --> 00:26:43,760
Speaker 1: like cool, yeah, you know that's it's just you know,

500
00:26:44,400 --> 00:26:46,840
Speaker 1: freedom of speech, not freedom of concept. I mean softening

501
00:26:46,880 --> 00:26:49,320
Speaker 1: of society is a way to not actually accept that

502
00:26:49,400 --> 00:26:54,439
Speaker 1: society might be progressing. Yeah, it's just the same thing

503
00:26:54,480 --> 00:26:57,200
Speaker 1: when old heads in like you know, music or or

504
00:26:57,280 --> 00:27:00,520
Speaker 1: some art, uh feel that they're the things they like

505
00:27:00,600 --> 00:27:02,880
Speaker 1: are being dated and people have moved on from it.

506
00:27:03,080 --> 00:27:05,720
Speaker 1: They they try and push this idea of like, oh

507
00:27:05,960 --> 00:27:09,080
Speaker 1: music sucks trash, this trash. It's like, well, the people

508
00:27:09,200 --> 00:27:14,240
Speaker 1: making money seething, Yeah, their shows are still packed, so

509
00:27:14,359 --> 00:27:17,560
Speaker 1: maybe maybe it's not trash and it's just not for you.

510
00:27:18,760 --> 00:27:21,719
Speaker 1: Like I can kind of see the argument from the

511
00:27:21,840 --> 00:27:25,879
Speaker 1: left because they're like, well, the left has traditionally been about,

512
00:27:26,000 --> 00:27:29,280
Speaker 1: you know, completely free speech and like opening like just

513
00:27:29,520 --> 00:27:32,639
Speaker 1: saying whatever the funk we want, but people on the

514
00:27:32,760 --> 00:27:36,360
Speaker 1: right being like, man, you guys just try and censor

515
00:27:36,400 --> 00:27:40,080
Speaker 1: speech when the right has been like the most all

516
00:27:40,119 --> 00:27:44,400
Speaker 1: about censoring speech, like from Jump Street and like all

517
00:27:44,440 --> 00:27:47,399
Speaker 1: along that. They would then act like this is something

518
00:27:47,440 --> 00:27:50,720
Speaker 1: new that they would never be a part of. It's

519
00:27:50,840 --> 00:27:55,719
Speaker 1: just wild so funny because like, uh, because I've follow

520
00:27:55,760 --> 00:28:00,000
Speaker 1: Hassan Abi from the Young Turks and he was recently

521
00:28:00,240 --> 00:28:04,120
Speaker 1: under fire because he was cracking jokes on Dan Crenshaw

522
00:28:04,280 --> 00:28:07,399
Speaker 1: and his lack of an eye and depth perception. Uh

523
00:28:07,440 --> 00:28:10,800
Speaker 1: and uh. And I remember, like, you know, the right

524
00:28:10,920 --> 00:28:13,080
Speaker 1: just being like how could you do this? How could you?

525
00:28:13,359 --> 00:28:16,120
Speaker 1: And then those same people, the same people are like, oh,

526
00:28:16,240 --> 00:28:18,880
Speaker 1: you want to be mad about some jokes from Dave Chappelle'

527
00:28:18,880 --> 00:28:22,720
Speaker 1: is like would you just just the words? Haven't finished

528
00:28:22,840 --> 00:28:27,600
Speaker 1: escaping your mouth from like dragging Hassan on Fox News

529
00:28:27,680 --> 00:28:31,240
Speaker 1: to like debate after he's coming after the guy who's like, yeah,

530
00:28:31,240 --> 00:28:35,920
Speaker 1: I lend my handguns out the friends. You never know. Anyway,

531
00:28:35,920 --> 00:28:37,679
Speaker 1: I was with Pete Davidson and I flamed him. So

532
00:28:41,080 --> 00:28:49,680
Speaker 1: let's talk about Hasbro's new Monopoly addition. Yeah, because Monopoly

533
00:28:49,760 --> 00:28:54,440
Speaker 1: socialism was so funny where they like ship on laser

534
00:28:54,480 --> 00:29:01,280
Speaker 1: focused sharing things, and now they have to decided to

535
00:29:01,320 --> 00:29:05,720
Speaker 1: take a crack at feminism. It seems like with Miss Monopoly.

536
00:29:06,040 --> 00:29:09,960
Speaker 1: Oh watch out girl. Yeah, with a nice young woman

537
00:29:10,160 --> 00:29:12,600
Speaker 1: holding a cup of starbuck like what could only be

538
00:29:12,680 --> 00:29:15,720
Speaker 1: presumed to be like Starbucks coffee right with her hand

539
00:29:15,760 --> 00:29:17,560
Speaker 1: on her hip, and it says, first of all, who

540
00:29:17,600 --> 00:29:20,680
Speaker 1: is Miss Monopoly? She is Mr Monopoly's niece and a

541
00:29:20,800 --> 00:29:25,080
Speaker 1: self made investment guru here to update a few things.

542
00:29:25,280 --> 00:29:29,200
Speaker 1: It's about time. Um now when you look into it, though,

543
00:29:29,320 --> 00:29:32,280
Speaker 1: this is obviously just a cynical cash grab for people

544
00:29:32,320 --> 00:29:34,320
Speaker 1: who are maybe dumb enough to think that this is

545
00:29:34,320 --> 00:29:38,040
Speaker 1: meant to be an empowering addition of Monopoly. Uh, they

546
00:29:38,040 --> 00:29:41,120
Speaker 1: made her a niece. They call it a celebration of

547
00:29:41,200 --> 00:29:44,960
Speaker 1: women entrepreneurs and inventors. In it, female players start the

548
00:29:45,000 --> 00:29:47,880
Speaker 1: game with more money than men and also collect more

549
00:29:48,040 --> 00:29:51,440
Speaker 1: when passing up what the front cover declares it, quote

550
00:29:51,560 --> 00:29:55,800
Speaker 1: the first game where women make more than men. Yes, queen,

551
00:29:56,080 --> 00:29:59,080
Speaker 1: I mean, look, it's true. The pay pay gap is

552
00:29:59,240 --> 00:30:03,000
Speaker 1: very real, but what a flipping way to deal with it? Right? Also, like,

553
00:30:03,120 --> 00:30:07,480
Speaker 1: isn't monopoly? The idea behind actual monopoly is like, this

554
00:30:07,560 --> 00:30:10,080
Speaker 1: is how it is out there, guys, Like this is

555
00:30:10,080 --> 00:30:14,080
Speaker 1: supposed to mimic actual capitalism, and to mimic actual capitalism,

556
00:30:14,080 --> 00:30:18,840
Speaker 1: they're giving women like a leg up like that. It

557
00:30:18,960 --> 00:30:21,280
Speaker 1: just seems like it's I don't know, I don't know

558
00:30:21,360 --> 00:30:24,440
Speaker 1: that how that's supposed to feel empowering. Yeah, especially because

559
00:30:24,440 --> 00:30:28,280
Speaker 1: like miss monopolies from generational wealth. Obviously, well she's a niece.

560
00:30:28,320 --> 00:30:30,360
Speaker 1: You don't know how Mr Monopoly's brother did. He could

561
00:30:30,400 --> 00:30:31,920
Speaker 1: be a deadbeat, that's true, you know what I mean?

562
00:30:31,960 --> 00:30:34,200
Speaker 1: Maybe she inherited from from him. Could be like that

563
00:30:34,320 --> 00:30:36,600
Speaker 1: kid in Succession who was like vomiting in his like

564
00:30:37,000 --> 00:30:39,800
Speaker 1: animal suit in that first season and then somehow got

565
00:30:39,800 --> 00:30:41,600
Speaker 1: swept up in the company. But the way they keep

566
00:30:41,640 --> 00:30:46,400
Speaker 1: going on is, dude, a fun new take on the game.

567
00:30:46,440 --> 00:30:48,720
Speaker 1: That's a world where women have an advantage often enjoyed

568
00:30:48,720 --> 00:30:51,200
Speaker 1: by men. Okay, then it says, although the company adds

569
00:30:51,200 --> 00:30:52,959
Speaker 1: that quote, if men play their cards right, they can

570
00:30:53,000 --> 00:30:56,840
Speaker 1: make money too. Great um players rather than purchasing properties,

571
00:30:56,880 --> 00:30:59,880
Speaker 1: will quote invest in inventions, created by women, things like

572
00:31:00,000 --> 00:31:08,160
Speaker 1: WiFi and chocolate chip cookies. Amazing. That is incredible. This

573
00:31:08,280 --> 00:31:14,320
Speaker 1: was invented by the has BROI by fucking talks Bro.

574
00:31:15,800 --> 00:31:17,640
Speaker 1: It's on the cup on the front of the box.

575
00:31:17,680 --> 00:31:20,640
Speaker 1: It says, without women, we wouldn't have WiFi or chocolate

576
00:31:20,680 --> 00:31:24,840
Speaker 1: chip cookies. Way to like send just full you turn.

577
00:31:25,680 --> 00:31:29,160
Speaker 1: I'm like, oh dope, WiFi and chocolate chip cookies. Yeah.

578
00:31:29,760 --> 00:31:32,640
Speaker 1: Do you want your head to fully fall off please?

579
00:31:33,040 --> 00:31:35,560
Speaker 1: So they're one of the new tokens you can play with,

580
00:31:36,040 --> 00:31:37,800
Speaker 1: like you know, like race card thing or whatever. This

581
00:31:37,840 --> 00:31:41,640
Speaker 1: one has a watch Okay, but has Bros Jen bozz

582
00:31:41,680 --> 00:31:45,920
Speaker 1: Winking boz Winkle told USA Today this is because it's

583
00:31:45,960 --> 00:31:50,720
Speaker 1: about time for some changes. That's you know what I mean.

584
00:31:50,760 --> 00:31:55,200
Speaker 1: That's I think that conveys that message, says it all.

585
00:31:55,640 --> 00:31:57,800
Speaker 1: They should just be like rather mis monopoly should be

586
00:31:57,840 --> 00:32:03,560
Speaker 1: like manless earthly, yeah, or all men have died because

587
00:32:03,560 --> 00:32:07,960
Speaker 1: they're useless. How do y'all think first reformed monopoly? Yeah, yeah,

588
00:32:08,040 --> 00:32:12,000
Speaker 1: they understand again, you know, cash grabs hollar truly that

589
00:32:12,160 --> 00:32:15,280
Speaker 1: is you're really at a loss for words. Yeah, the

590
00:32:15,360 --> 00:32:19,200
Speaker 1: chocolate chip thing really sucked you up. Chip cookie what

591
00:32:19,440 --> 00:32:22,640
Speaker 1: like that? That's the thing that they keep coming back

592
00:32:22,640 --> 00:32:26,360
Speaker 1: to chocolate chip cookies as like, yeah, women can invent things,

593
00:32:26,480 --> 00:32:29,040
Speaker 1: like they can bake a neat one of the pieces

594
00:32:29,080 --> 00:32:31,960
Speaker 1: should be a whisp. Don't get crazy. Don't let people

595
00:32:32,000 --> 00:32:34,840
Speaker 1: think that women are actually capable of creating things like WiFi.

596
00:32:35,000 --> 00:32:38,800
Speaker 1: Bring it back a little bit, tamper the WiFi thing

597
00:32:39,200 --> 00:32:46,320
Speaker 1: and totally just obscure like the also that, by the way,

598
00:32:47,040 --> 00:32:49,840
Speaker 1: the CEO of WiFi do you know what I mean?

599
00:32:49,880 --> 00:32:53,640
Speaker 1: Like like that invest in I just hate it so much.

600
00:32:53,880 --> 00:32:57,880
Speaker 1: It's like so patronizing already that like I failed to Hey,

601
00:32:58,080 --> 00:33:02,960
Speaker 1: look hasbro y'all fuckingp it is not ye wait till

602
00:33:03,000 --> 00:33:08,160
Speaker 1: the Black Lives Matter monopoly. White people get less money

603
00:33:08,200 --> 00:33:12,520
Speaker 1: than black people and when they go to jail, Oh,

604
00:33:12,760 --> 00:33:15,360
Speaker 1: like I guarantee you that has been at some point

605
00:33:15,360 --> 00:33:21,320
Speaker 1: pitched out. Imagine what the discard pile is ideas in

606
00:33:21,360 --> 00:33:26,120
Speaker 1: those meetings. Oh my god, I can't. Actually it almost

607
00:33:26,200 --> 00:33:28,840
Speaker 1: pains me to think of what things I mean again

608
00:33:28,880 --> 00:33:30,520
Speaker 1: every day with the kind of ship that's set out

609
00:33:30,520 --> 00:33:33,400
Speaker 1: out in these boardrooms or even advertising agencies. But like

610
00:33:33,960 --> 00:33:37,400
Speaker 1: if we got miss monopoly and they made socialism monopoly,

611
00:33:37,400 --> 00:33:41,200
Speaker 1: that were such fucking bizarre off bad takes on things.

612
00:33:41,840 --> 00:33:43,760
Speaker 1: What what didn't make it through the field? And who

613
00:33:43,800 --> 00:33:45,680
Speaker 1: did they test these two? Did they bring people in

614
00:33:45,720 --> 00:33:48,000
Speaker 1: that they're like, how would you feel about a miss

615
00:33:48,000 --> 00:33:52,680
Speaker 1: Monopoly or a misss Monopoly or you know, yeah, I'm surprised,

616
00:33:52,720 --> 00:33:53,920
Speaker 1: Like and in this one, you can play with a

617
00:33:53,960 --> 00:33:58,800
Speaker 1: new token, the biological clock, because it's tacking and that

618
00:33:58,960 --> 00:34:00,800
Speaker 1: you have to turn on an actual ticking clock while

619
00:34:00,840 --> 00:34:03,320
Speaker 1: you're going around the board, and it's like, oh, you

620
00:34:03,440 --> 00:34:08,760
Speaker 1: got too successful, We're shutting the timer off. She can't

621
00:34:08,760 --> 00:34:10,719
Speaker 1: be self made though she has to be related to

622
00:34:10,840 --> 00:34:13,680
Speaker 1: Mr Monopoly. I guess what in their like in the

623
00:34:13,960 --> 00:34:18,759
Speaker 1: expanded universe of Monopoly, this unbelievable tiny guy, we like,

624
00:34:18,840 --> 00:34:21,360
Speaker 1: we needed to think that he had a niece, and

625
00:34:21,360 --> 00:34:23,160
Speaker 1: did they make it a niece so it didn't seem

626
00:34:23,200 --> 00:34:25,440
Speaker 1: like too much like there wasn't that much nepotism involved,

627
00:34:25,520 --> 00:34:27,200
Speaker 1: or maybe just so that they had the same last

628
00:34:27,280 --> 00:34:31,120
Speaker 1: name Monopoly, you know, right, because they didn't want to

629
00:34:31,120 --> 00:34:36,320
Speaker 1: make it like his younger wife. Let's talk about face off, guys.

630
00:34:37,680 --> 00:34:41,799
Speaker 1: This is one of the most preposterous premises for a

631
00:34:41,840 --> 00:34:45,440
Speaker 1: movie that has ever ended up being good. In my opinion,

632
00:34:46,120 --> 00:34:53,560
Speaker 1: it's ye, and it's it's a bad movie because of

633
00:34:53,600 --> 00:34:56,640
Speaker 1: how ridiculous it is, but it's still it's like a

634
00:34:56,719 --> 00:35:01,000
Speaker 1: great plot. Holes are gigantic, you, I mean, the idea

635
00:35:01,040 --> 00:35:04,000
Speaker 1: that you're like, okay, man, you're gonna go undercover just

636
00:35:04,080 --> 00:35:06,560
Speaker 1: with this dude's face, not even your body, right, you

637
00:35:06,680 --> 00:35:10,080
Speaker 1: got the same motherfucking body, your face, and then like

638
00:35:10,280 --> 00:35:13,960
Speaker 1: you're supposed to also download like there's no information about

639
00:35:13,960 --> 00:35:16,799
Speaker 1: emotional relationships aside from maybe like what you could clean

640
00:35:16,800 --> 00:35:18,360
Speaker 1: off a piece of paper, and then you just become

641
00:35:18,360 --> 00:35:21,239
Speaker 1: this person. Yeah. Also that voice changing thing they put

642
00:35:21,280 --> 00:35:25,920
Speaker 1: on his throat, Yeah, that's the one technology I remember, right. So,

643
00:35:26,800 --> 00:35:30,560
Speaker 1: I mean, so they're gonna recast this because I mean,

644
00:35:30,600 --> 00:35:32,880
Speaker 1: the thing that made it work was it was Nicolas

645
00:35:32,960 --> 00:35:36,600
Speaker 1: Cage and John Travolta at the top of their game. Uh,

646
00:35:36,640 --> 00:35:38,560
Speaker 1: And I thought they did a pretty good job like

647
00:35:38,640 --> 00:35:42,280
Speaker 1: imitating each other, and Castor Troy was a good character.

648
00:35:43,040 --> 00:35:46,120
Speaker 1: Wait wait imitating each other? You mean so when Travolta

649
00:35:46,440 --> 00:35:50,719
Speaker 1: became Castor Troy that he did a good version of

650
00:35:50,800 --> 00:35:54,200
Speaker 1: the Nicolas Cages Castor Troy. Yeah, and he was like,

651
00:35:54,200 --> 00:35:58,520
Speaker 1: oh what a predicament? Yeah, yeah, okay with that. Um,

652
00:35:58,560 --> 00:36:00,680
Speaker 1: I mean it's like an acting X your size. It's

653
00:36:00,719 --> 00:36:02,840
Speaker 1: like that. That's kind of what's cool about it. I

654
00:36:02,880 --> 00:36:04,880
Speaker 1: would love to see a deep dive comparing them, Like,

655
00:36:05,040 --> 00:36:09,200
Speaker 1: you know, Travolta really nailed these radiosyncrasies about his performance.

656
00:36:09,239 --> 00:36:11,920
Speaker 1: But yeah, like I wonder how much communication there was

657
00:36:12,040 --> 00:36:14,279
Speaker 1: between them, because they're both huge stars, Like I wonder

658
00:36:14,320 --> 00:36:16,239
Speaker 1: how much he was like so I'm doing this, like

659
00:36:16,280 --> 00:36:19,000
Speaker 1: this is my like a little hand gesture that I'm doing,

660
00:36:19,120 --> 00:36:21,080
Speaker 1: or if they just like looked at each other's scenes

661
00:36:21,920 --> 00:36:25,000
Speaker 1: how they did it. But um, anyways, they're gonna try

662
00:36:25,000 --> 00:36:28,560
Speaker 1: and recast it. Uh. I think it should be The

663
00:36:28,680 --> 00:36:34,320
Speaker 1: Rock and Nicolas Cage again. Just yeah, Nicolas Cage, I

664
00:36:34,320 --> 00:36:38,520
Speaker 1: think should be for whatever reason he's there. I kind

665
00:36:38,520 --> 00:36:40,520
Speaker 1: of need him there. But if you're going off of

666
00:36:40,560 --> 00:36:44,919
Speaker 1: people who were like fucking crushing this year, you got

667
00:36:44,960 --> 00:36:50,400
Speaker 1: like I guess Chris Evans and Dwayne Johnson. Yeah, yeah,

668
00:36:50,600 --> 00:36:53,120
Speaker 1: like would be one or look, my I say, look,

669
00:36:53,160 --> 00:36:56,399
Speaker 1: let's just get it done with Jeremy Renner and Jackie Chan.

670
00:36:58,719 --> 00:37:00,920
Speaker 1: Just give the people what they want. Chad had apparently

671
00:37:00,920 --> 00:37:02,600
Speaker 1: had a big year in en. I did not know

672
00:37:02,640 --> 00:37:06,560
Speaker 1: that yeah, And I was just searching, like highest grossing

673
00:37:06,560 --> 00:37:08,200
Speaker 1: actors because I was like, you know, because in my

674
00:37:08,239 --> 00:37:10,239
Speaker 1: mind that was sort of the peri for face off,

675
00:37:10,280 --> 00:37:11,880
Speaker 1: the original one. I'm like, it's just sort of the

676
00:37:11,960 --> 00:37:15,640
Speaker 1: natural who was making the sh money this year? Actually, well,

677
00:37:15,760 --> 00:37:19,360
Speaker 1: number one is Samuel Jackson. So Samuel Jackson and The

678
00:37:19,440 --> 00:37:22,279
Speaker 1: Rock are one and two for highest grossing and I

679
00:37:22,280 --> 00:37:27,600
Speaker 1: think because of Avengers movies. Yeah, he was an Avengers Captain, Marvel,

680
00:37:27,800 --> 00:37:31,359
Speaker 1: Marvel spider Man Far from Home. I mean, this dude

681
00:37:31,440 --> 00:37:36,560
Speaker 1: is big. They should do like a five person face

682
00:37:36,600 --> 00:37:41,680
Speaker 1: off with all the Chris Is, Chris Evans, Chris Hemsworth,

683
00:37:42,160 --> 00:37:51,239
Speaker 1: Chris Pratt. Yeah, because Chris Rock, Chris Paul would be great. Yeah.

684
00:37:51,280 --> 00:37:53,960
Speaker 1: I mean, let's just keep one of one of the

685
00:37:54,000 --> 00:37:56,680
Speaker 1: worst actors in the history of commercial acts dud. What

686
00:37:56,719 --> 00:37:59,879
Speaker 1: if it was Benicio and Nicholas Cage. That would be fun.

687
00:38:00,000 --> 00:38:03,319
Speaker 1: And they both have that same they're aging kind of

688
00:38:03,320 --> 00:38:06,239
Speaker 1: the same way. They already have faces that look like

689
00:38:06,280 --> 00:38:11,720
Speaker 1: fucked up masks. Yeah. I mean that's the one issue

690
00:38:11,760 --> 00:38:14,239
Speaker 1: that I see is when it first came out, like

691
00:38:14,360 --> 00:38:18,040
Speaker 1: the idea of a face transplant was far enough off

692
00:38:18,360 --> 00:38:21,080
Speaker 1: that or like you know, it hadn't been done, so

693
00:38:21,120 --> 00:38:23,600
Speaker 1: we were like, could that be done? But now they've

694
00:38:23,640 --> 00:38:26,640
Speaker 1: done face transplants, and like you've seen the pictures of

695
00:38:26,640 --> 00:38:29,239
Speaker 1: what they look like, and they're they don't they're not

696
00:38:29,280 --> 00:38:34,719
Speaker 1: like seamless. Yeah, yeah, I mean honestly, actually, like I

697
00:38:34,960 --> 00:38:37,279
Speaker 1: saw a picture of the frenchwoman who was the first

698
00:38:37,280 --> 00:38:40,560
Speaker 1: successful face transplant, and she looks really good. Like now

699
00:38:40,760 --> 00:38:44,440
Speaker 1: like the face has like sort of adjusted, yes, settled

700
00:38:44,440 --> 00:38:47,920
Speaker 1: a little bit, but it's still like now that we

701
00:38:47,960 --> 00:38:50,759
Speaker 1: know what a phase transplant looks like and that it

702
00:38:50,800 --> 00:38:54,440
Speaker 1: takes years for your like things to settle, uh and

703
00:38:54,560 --> 00:38:57,719
Speaker 1: for your body to like not fully rejected. They don't

704
00:38:57,760 --> 00:38:59,759
Speaker 1: just lay it on and then a laser just goes

705
00:39:01,680 --> 00:39:04,120
Speaker 1: and then you are that's that person put a little

706
00:39:04,160 --> 00:39:07,480
Speaker 1: microchip on. My wife can't tell that it's a different

707
00:39:07,640 --> 00:39:13,160
Speaker 1: person's dick. Maybe they just had very similar dicks. Yeah,

708
00:39:13,280 --> 00:39:16,160
Speaker 1: that's really the deep dive we need to do. I mean,

709
00:39:16,440 --> 00:39:18,520
Speaker 1: you know, this would be a great podcast where you

710
00:39:18,520 --> 00:39:21,359
Speaker 1: you dive into the realities of these films and really

711
00:39:21,400 --> 00:39:24,440
Speaker 1: try and find out there's a there's a scene that

712
00:39:24,520 --> 00:39:27,440
Speaker 1: never made the cut where his wife goes, when did

713
00:39:27,440 --> 00:39:33,280
Speaker 1: you get circumcised. That would be I'm just pulling it back.

714
00:39:38,440 --> 00:39:40,480
Speaker 1: All right, We're gonna take a quick break. We'll be

715
00:39:40,600 --> 00:39:52,200
Speaker 1: right back, and we're back. Let's listen to this clip

716
00:39:52,719 --> 00:39:56,560
Speaker 1: from I think it's CNBC. Is that the Financial one? Yep? Yeah,

717
00:39:56,560 --> 00:40:02,239
Speaker 1: where Jim Kramer, who I hadn't heard, you can like years.

718
00:40:02,600 --> 00:40:05,160
Speaker 1: He doesn't seem to be able to put a sentence

719
00:40:05,239 --> 00:40:08,200
Speaker 1: together anymore. I'm not totally sure why, but he's talking

720
00:40:08,239 --> 00:40:11,120
Speaker 1: to a couple of business guys. It's one of those

721
00:40:11,160 --> 00:40:14,360
Speaker 1: like financial shows where they're like three thousand numbers in

722
00:40:14,400 --> 00:40:17,120
Speaker 1: the frame, like on boards in the backgrounds and then

723
00:40:17,200 --> 00:40:21,160
Speaker 1: racing by below. Uh and there. Yeah, let's just hear

724
00:40:21,200 --> 00:40:23,680
Speaker 1: what they what they have to say about Elizabeth Warren.

725
00:40:24,160 --> 00:40:27,160
Speaker 1: I don't know. In the end, I know Elizabeth Warren.

726
00:40:27,239 --> 00:40:33,680
Speaker 1: Don't listen. I favor CEOs. You think it's positive to

727
00:40:33,680 --> 00:40:37,800
Speaker 1: have a sea I think, you know, maybe not, and

728
00:40:37,920 --> 00:40:42,960
Speaker 1: I it is. I don't know. If she becomes the president,

729
00:40:43,000 --> 00:40:45,879
Speaker 1: what do you think is going to happen to the banks, Well,

730
00:40:45,880 --> 00:40:50,719
Speaker 1: it's not a could be a suboptimal situation. I think

731
00:40:50,760 --> 00:40:54,680
Speaker 1: you think Elizabeth Warren pushes banks into they're already down.

732
00:40:56,120 --> 00:40:59,359
Speaker 1: But yeah, I just think, you know, there were these

733
00:40:59,440 --> 00:41:04,280
Speaker 1: uh yours in the thirties where they what rich people

734
00:41:04,480 --> 00:41:09,040
Speaker 1: in front of Congress during the depression, a traction effective

735
00:41:10,520 --> 00:41:13,279
Speaker 1: about twenty years later. We had the least discrepancy and

736
00:41:13,320 --> 00:41:16,279
Speaker 1: incomes in the fifties and sixties. I don't know what's

737
00:41:16,280 --> 00:41:18,160
Speaker 1: gonna happen. Look, I've gotta tell you, when you get

738
00:41:18,160 --> 00:41:21,040
Speaker 1: off the desk, you talked to executives. They're more fearful

739
00:41:21,080 --> 00:41:25,719
Speaker 1: of her winning. I mean, I've never heard anybody say, look,

740
00:41:26,280 --> 00:41:29,759
Speaker 1: she's gotta be stopped. She's gotta be I don't know.

741
00:41:29,800 --> 00:41:35,040
Speaker 1: It's she's very uh. She keeps going up in the polls. Wow,

742
00:41:35,120 --> 00:41:38,120
Speaker 1: these motherfucker's sound like the people that winter fell when

743
00:41:38,120 --> 00:41:41,280
Speaker 1: the White Walkers are coming. They're like, um, uh fuck

744
00:41:41,800 --> 00:41:45,600
Speaker 1: the polls. He's also doing a parody of a panic person.

745
00:41:45,640 --> 00:41:50,640
Speaker 1: He's like what in the middle. I don't know. I

746
00:41:50,640 --> 00:41:53,759
Speaker 1: mean they're either way Bernie or Elizabeth. They both have

747
00:41:53,800 --> 00:41:57,760
Speaker 1: Wall Streets number. And I think, yeah, maybe because Warren

748
00:41:57,960 --> 00:42:00,799
Speaker 1: is cutting through to maybe people they to more. They're

749
00:42:00,800 --> 00:42:03,480
Speaker 1: more afraid because either one of them, it's gonna be

750
00:42:04,000 --> 00:42:07,560
Speaker 1: suboptimal for Walters. And it always referenced these things that

751
00:42:07,600 --> 00:42:09,440
Speaker 1: when it was the other time that it was the

752
00:42:09,480 --> 00:42:11,239
Speaker 1: worst for the working class, like well, you know, the

753
00:42:11,239 --> 00:42:14,839
Speaker 1: thirties knew what was happening to rich people. Then someone

754
00:42:14,880 --> 00:42:17,640
Speaker 1: after goes but then that followed up with theirst amount

755
00:42:17,680 --> 00:42:21,280
Speaker 1: of income inequality because yeah, but you know, but remember

756
00:42:21,280 --> 00:42:23,840
Speaker 1: the thirties they had like an existential moment too, or

757
00:42:23,840 --> 00:42:26,319
Speaker 1: they're trying to figure out if CEOs were necessary, like

758
00:42:26,360 --> 00:42:29,239
Speaker 1: the no one wanted to like handle that thought. They're like, huh, well,

759
00:42:29,280 --> 00:42:31,200
Speaker 1: I don't. They were talking about a bank that hasn't

760
00:42:31,200 --> 00:42:33,640
Speaker 1: had a CEO, they've just had an acting CEO for

761
00:42:33,680 --> 00:42:36,960
Speaker 1: the past like year, and they were like, I mean

762
00:42:37,040 --> 00:42:41,200
Speaker 1: CEOs are a good thing, right, Like man, well, I

763
00:42:41,239 --> 00:42:43,040
Speaker 1: mean yeah. When you look at what she's proposing, she's

764
00:42:43,040 --> 00:42:45,319
Speaker 1: sort of like, I'm going to break up the big bank,

765
00:42:45,360 --> 00:42:47,680
Speaker 1: similar to what Birdie's talking about, and they want to

766
00:42:47,719 --> 00:42:50,720
Speaker 1: basically separate like a lot of the commercial banking ship

767
00:42:51,080 --> 00:42:54,320
Speaker 1: that managed like everyday people's money from the parts of

768
00:42:54,360 --> 00:42:56,920
Speaker 1: the bank that do the high risk investment ship. Because

769
00:42:56,920 --> 00:42:59,680
Speaker 1: she's going from the inside out and that's what she's

770
00:42:59,680 --> 00:43:01,600
Speaker 1: seen everything. And I think like a lot of these

771
00:43:01,640 --> 00:43:04,560
Speaker 1: people who are savvy about what's actually wrong with our

772
00:43:04,560 --> 00:43:07,200
Speaker 1: banking system and our financial system. They're like, just so

773
00:43:07,280 --> 00:43:09,960
Speaker 1: you know, this is what's happening. They're like, our deposits

774
00:43:09,960 --> 00:43:12,120
Speaker 1: are ensured by the government, and then they use that

775
00:43:12,320 --> 00:43:15,359
Speaker 1: like are basically we're gambling money that's ensured and they're saying,

776
00:43:15,440 --> 00:43:18,120
Speaker 1: let's let's knock that ship off. And I think also

777
00:43:18,200 --> 00:43:20,200
Speaker 1: to like a lot of it is basically trying to

778
00:43:20,280 --> 00:43:23,560
Speaker 1: bring back the Glass Stiegel Act, which was repealed in

779
00:43:23,680 --> 00:43:27,960
Speaker 1: nine and that's when it became casino time, casebo time,

780
00:43:28,360 --> 00:43:29,759
Speaker 1: and a lot of people say, you know, that's the

781
00:43:30,160 --> 00:43:33,000
Speaker 1: financial crisis was definitely spurred along by the fact that

782
00:43:33,000 --> 00:43:36,240
Speaker 1: that act was repealed. And I mean, just like we've

783
00:43:36,280 --> 00:43:39,600
Speaker 1: been saying with Trump and the you know, since Trump

784
00:43:39,680 --> 00:43:42,880
Speaker 1: was elected, the stock market has been doing well, like

785
00:43:42,960 --> 00:43:46,759
Speaker 1: it might not do great under Elizabeth Warren, but like

786
00:43:46,880 --> 00:43:50,080
Speaker 1: that is not the economy exactly. Well. Her whole thing

787
00:43:50,160 --> 00:43:53,920
Speaker 1: is like if we want financial independence and freedom for

788
00:43:54,000 --> 00:43:57,400
Speaker 1: working people and to like just make everything more equitable,

789
00:43:57,680 --> 00:43:59,719
Speaker 1: we have to go right through the one per cent

790
00:44:00,000 --> 00:44:03,400
Speaker 1: fucking face. And that's why, Yeah, you see these shows

791
00:44:03,440 --> 00:44:06,640
Speaker 1: and one per centers are hundled up, and like, I mean,

792
00:44:06,680 --> 00:44:09,400
Speaker 1: how do we stop the walkers there like a dragon?

793
00:44:09,520 --> 00:44:11,880
Speaker 1: Do we have a dragon? You know, it's curious that

794
00:44:11,880 --> 00:44:14,360
Speaker 1: they don't mention Bernie whatsoever. And that's like Elizabeth Warren,

795
00:44:14,360 --> 00:44:17,239
Speaker 1: That's what I think in their mind, they may have

796
00:44:17,280 --> 00:44:20,080
Speaker 1: already dismissed him, because I like, if they're thinking, like

797
00:44:20,239 --> 00:44:22,440
Speaker 1: most of these hacks do, it's like, well, he's a socialist.

798
00:44:22,520 --> 00:44:24,279
Speaker 1: I'm like, no one's gonna buy that. Like what she's

799
00:44:24,280 --> 00:44:26,640
Speaker 1: got is like occupy Walla Street people. And I think

800
00:44:26,640 --> 00:44:31,680
Speaker 1: maybe they see because Elizabeth Warren isn't outright describing herself

801
00:44:31,680 --> 00:44:33,600
Speaker 1: as a socialist, but someone about you know, what is

802
00:44:33,640 --> 00:44:36,160
Speaker 1: it the thing like fair capital or something like like

803
00:44:36,200 --> 00:44:40,680
Speaker 1: whatever the other code word for still capitalism is um

804
00:44:40,719 --> 00:44:42,839
Speaker 1: that maybe that's why they see maybe her is more

805
00:44:42,960 --> 00:44:46,560
Speaker 1: viable and yeah, but it's like but she likes, uh,

806
00:44:46,760 --> 00:44:50,120
Speaker 1: what is it compassionate capitalism or whatever? Yeah, because also,

807
00:44:50,239 --> 00:44:53,080
Speaker 1: like what's really also ridiculous about this is that none

808
00:44:53,080 --> 00:44:55,640
Speaker 1: of them are going to change anyone's minds in that conversation.

809
00:44:55,760 --> 00:44:58,279
Speaker 1: There's no one watching that that's like, yeah, should I

810
00:44:58,320 --> 00:45:01,000
Speaker 1: go with Bernie and stuff? You know what I mean? Like, yeah, yeah,

811
00:45:01,120 --> 00:45:03,760
Speaker 1: they're like, wait, what she's coming for all of our money,

812
00:45:03,880 --> 00:45:05,920
Speaker 1: because you know, a lot of the a lot of

813
00:45:05,960 --> 00:45:08,040
Speaker 1: the stuff both of them are proposing is about having

814
00:45:08,040 --> 00:45:10,319
Speaker 1: to do a lot with like CEO pay and like

815
00:45:10,520 --> 00:45:12,399
Speaker 1: you know when these people come in and like buy

816
00:45:12,440 --> 00:45:15,719
Speaker 1: companies and you know, just like loot them legally and

817
00:45:15,760 --> 00:45:18,359
Speaker 1: then like not honor the pensions that they've actually put

818
00:45:18,400 --> 00:45:20,759
Speaker 1: forward for like their employees. Like they're saying no, no,

819
00:45:20,760 --> 00:45:23,440
Speaker 1: no, no no, no, we're fucking putting an into that. If

820
00:45:23,480 --> 00:45:29,520
Speaker 1: we're elected. Yeah, hopefully neither Sanders or Warren have any

821
00:45:29,800 --> 00:45:32,680
Speaker 1: skeletons in their closet because they would have been out

822
00:45:32,719 --> 00:45:35,240
Speaker 1: well I mean, I don't know, like maybe they didn't

823
00:45:35,280 --> 00:45:38,160
Speaker 1: take them seriously and they were just happy they were

824
00:45:38,200 --> 00:45:42,080
Speaker 1: taking votes away from each other. But rich people will,

825
00:45:42,520 --> 00:45:47,440
Speaker 1: you know, the corporate interests they've stayed However, how this

826
00:45:47,600 --> 00:45:50,400
Speaker 1: long for a reason, considering where we're at, what the

827
00:45:50,440 --> 00:45:54,160
Speaker 1: fund could they have done that we're looking at the situation.

828
00:45:54,160 --> 00:45:56,440
Speaker 1: We're looking like, you know what, maybe I'm gonna go

829
00:45:56,560 --> 00:46:00,200
Speaker 1: for Biden or the mainstream media is very persue ways

830
00:46:00,480 --> 00:46:04,440
Speaker 1: or at least influential, and yeah, it's like absolutely, yeah,

831
00:46:04,560 --> 00:46:07,759
Speaker 1: I agree. I feel like the mainstream media ignoring Sanders

832
00:46:07,840 --> 00:46:12,040
Speaker 1: has hurt his standing in the polls. Well, the bar

833
00:46:12,120 --> 00:46:15,320
Speaker 1: is so low that like a mood of centrist Democrat

834
00:46:15,520 --> 00:46:18,000
Speaker 1: is like a meal ticket for some people. They're just

835
00:46:18,040 --> 00:46:19,520
Speaker 1: looking they're like, well, you know, it's not going to

836
00:46:19,600 --> 00:46:22,080
Speaker 1: be Trump, that's time. Why not just And that's what

837
00:46:22,160 --> 00:46:25,040
Speaker 1: a lot of polls show recently too, Like there's a

838
00:46:25,160 --> 00:46:28,399
Speaker 1: I think close to sixty pcent like fifty of Democrats

839
00:46:28,480 --> 00:46:32,320
Speaker 1: and like left leaning independence just want someone that is

840
00:46:32,360 --> 00:46:35,960
Speaker 1: going to beat Trump, not someone that they're excited to

841
00:46:36,040 --> 00:46:38,880
Speaker 1: vote for. So just that idea of the of a

842
00:46:38,960 --> 00:46:42,320
Speaker 1: second term is I guess making a lot of people

843
00:46:42,400 --> 00:46:46,000
Speaker 1: circling their wagons around just like just beat him first,

844
00:46:46,080 --> 00:46:49,200
Speaker 1: him fucking we'll clean up the mess after when most

845
00:46:49,200 --> 00:46:53,240
Speaker 1: people have perished from student dead or methical. But electability

846
00:46:54,239 --> 00:46:56,800
Speaker 1: is you know, we've talked about how in the media

847
00:46:57,080 --> 00:47:03,560
Speaker 1: it's a way for you know, people sublimate their own biases, like, oh,

848
00:47:03,680 --> 00:47:07,040
Speaker 1: she's not electable, and it's like why, you know, because

849
00:47:07,040 --> 00:47:12,959
Speaker 1: she's a woman. It's like, yeah, Joe Biden's electable. Why, well,

850
00:47:13,000 --> 00:47:16,319
Speaker 1: you know, he just looks presidential. Well, what how are

851
00:47:16,360 --> 00:47:20,120
Speaker 1: you defining presidential by the size of their veneers? Took

852
00:47:20,200 --> 00:47:23,520
Speaker 1: was a blood vessel to get his numbers down. Burst

853
00:47:23,960 --> 00:47:25,239
Speaker 1: vessel in his eye, and people are like, you know what,

854
00:47:25,280 --> 00:47:28,080
Speaker 1: maybe he's not the most best choice. Yeah, well look,

855
00:47:28,520 --> 00:47:31,440
Speaker 1: although that the media definitely ignored the ship out of that,

856
00:47:31,560 --> 00:47:33,360
Speaker 1: I know, right, And he was like, it's like he

857
00:47:33,400 --> 00:47:38,640
Speaker 1: was auditioning for twenty days later. Really, He's like, I

858
00:47:38,680 --> 00:47:42,720
Speaker 1: was exposed to some experimental chips, been exposed to the

859
00:47:42,840 --> 00:47:49,880
Speaker 1: rage back to virus. Yeah, all right, that's gonna do

860
00:47:49,920 --> 00:47:54,200
Speaker 1: it for this week's weekly Zeitgeist. Please like and review

861
00:47:54,239 --> 00:47:58,279
Speaker 1: the show. If you like the show, uh means the

862
00:47:58,280 --> 00:48:02,759
Speaker 1: world to Miles. He needs your validation, folks. I hope

863
00:48:02,800 --> 00:48:05,759
Speaker 1: you're having a great weekend and I will talk to

864
00:48:05,800 --> 00:48:51,600
Speaker 1: you Monday. By