WEBVTT - Why is Chinese art being stolen?

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<v Speaker 1>Welcome to Stuff You Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 2>Chuck and Jerry's here too, and this is Stuff you

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<v Speaker 2>Should Know, and we're going to talk a little bit

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<v Speaker 2>about Chinese art heists. So let's get started.

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<v Speaker 1>Go that's right, big thanks to Olivia, she did a

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<v Speaker 1>banger of an article.

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<v Speaker 2>For us, But also thanks to you. Where'd you come

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<v Speaker 2>up with this idea?

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<v Speaker 1>Oh? Was this a recommendation? God, I'm so bad about that.

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<v Speaker 1>I don't know. But we also have to thank reporter

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<v Speaker 1>for GQ magazine named Alex W. Palmer, who in twenty

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<v Speaker 1>eighteen wrote a pretty a banger of an article as

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<v Speaker 1>well about these art heists of cultural, very specific cultural

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<v Speaker 1>and art artifacts from China that have been stolen from

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<v Speaker 1>museums in the twenty tens and basically pose the question

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<v Speaker 1>is the Chinese government behind this? Right?

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<v Speaker 2>Are they commissioning people to rob art museums? And I

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<v Speaker 2>mean not just like you know, some Tinkertown museum on

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<v Speaker 2>the corner of a neighborhood that like, I don't know,

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<v Speaker 2>you know, not a good museum. So talking like world

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<v Speaker 2>class museums like the Fountain Blue and outside Paris, Paris,

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<v Speaker 2>France said it's not Texas. Yeah, so yeah, there's like

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<v Speaker 2>a still to this day, people don't know exactly what

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<v Speaker 2>the deal was, and it seems like despite what Palmer

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<v Speaker 2>Alex Palmer was saying, Palmer basically was like, you know,

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<v Speaker 2>didn't point the finger directly, but that was kind of

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<v Speaker 2>the premise of the article that who knows who's behind this,

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<v Speaker 2>and it's possible that the government of China has some

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<v Speaker 2>hand in it, but also the Chinese art market, as

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<v Speaker 2>we'll see, has blown up so much that it's also

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<v Speaker 2>entirely possible that it's just like that makes a lot

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<v Speaker 2>of sense for thieves to steal Chinese art. The thing

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<v Speaker 2>is is these the string of particular heists that Alex

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<v Speaker 2>Palmer talks about that really kind of form this galaxy

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<v Speaker 2>of particular heights. The thieves would go in and steal

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<v Speaker 2>really specific stuff that were Chinese antiquities. A lot of

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<v Speaker 2>times they've been looted, and they would walk right past

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<v Speaker 2>other things that were really really valuable, and it almost

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<v Speaker 2>seemed like they had a shopping list of items that

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<v Speaker 2>were particularly Chinese that they wanted to steal.

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<v Speaker 1>Yeah, I don't think almost seem like it. That seems

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<v Speaker 1>like a certainty to me.

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<v Speaker 2>It's true, it is. You could see that like you know,

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<v Speaker 2>Imperial Seal, China dog or that the waving cat. That's fortunate,

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<v Speaker 2>and then you know eggs, butter and apples.

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<v Speaker 1>Yeah, the Picasso.

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<v Speaker 2>Nah, they just walk right past really expensive stuff. But yeah,

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<v Speaker 2>it wasn't because they didn't know what they were doing.

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<v Speaker 2>It seems like some of the people who were caught

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<v Speaker 2>with this were clearly professional thieves.

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<v Speaker 1>Yeah, and some not so great. But we'll get to that.

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<v Speaker 1>We should do a little backstory here to kind of

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<v Speaker 1>set this all up, and we are going to go

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<v Speaker 1>back to about one hundred and close to one hundred

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<v Speaker 1>and ten year period known as the Century of Humiliation,

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<v Speaker 1>and this is when China was kind of getting just

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<v Speaker 1>beat up on all fronts. Back then, a lot of

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<v Speaker 1>global powers at the time were kind of coming in

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<v Speaker 1>and saying, you know, in China, you should just sort

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<v Speaker 1>of listen to us and do what we say. Particularly

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<v Speaker 1>during the Opium Wars from eighteen forty one to eighteen sixty,

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<v Speaker 1>a lot of European countries in the UK forced China to,

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<v Speaker 1>you know, to accept treaties they didn't want to accept,

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<v Speaker 1>force them to accept opium import Yeah. I think it

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<v Speaker 1>was nineteen different countries, you know, opening these treaty ports

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<v Speaker 1>for imports from those nineteen countries and accept them and

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<v Speaker 1>basically said you have no choice in the matter. Add

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<v Speaker 1>to this, later that century, in the eighteen nineties to

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<v Speaker 1>nineteen hundreds, when China battled with Japan, which ended up

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<v Speaker 1>losing parts of Manchuria, losing Taiwan had a lot of

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<v Speaker 1>control over Korea at the time. That was, you know,

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<v Speaker 1>they no longer had control over And this all sort

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<v Speaker 1>of leads up to the Chinese Communist Party taking power

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<v Speaker 1>and chairman Mao Zeidong saying in nineteen forty nine, We're

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<v Speaker 1>not going to be subject to insult in humiliation any longer.

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<v Speaker 1>That century of humiliation was a dark part of our

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<v Speaker 1>past and we need to forget about it.

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<v Speaker 2>Yeah. So this idea, this concept of the century of

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<v Speaker 2>humiliation was coined by Mao, and then the twenty first century,

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<v Speaker 2>the Chinese Communist Party that Mao founded have kind of

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<v Speaker 2>really kind of used that as a point of pride

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<v Speaker 2>and as a point of unity among the country, which

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<v Speaker 2>is really interesting because it's it. They view it as

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<v Speaker 2>a really shameful period of their history, and yet they

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<v Speaker 2>it does generate pride in them and brings them together,

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<v Speaker 2>and I think a sense of like we're going to

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<v Speaker 2>overcome that, We're never going to go back to that.

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<v Speaker 2>But that's a change from how Chairman Mao approached it.

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<v Speaker 2>He was like, we're never turning backwards, and in fact,

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<v Speaker 2>everything that reminds us of the past, we're just going

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<v Speaker 2>to destroy. So go into museums, go into libraries, go

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<v Speaker 2>into you know, anywhere that like landmarks, things that remind

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<v Speaker 2>us of the past. They call them the four Olds

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<v Speaker 2>that were just meant to be destroyed. And it was

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<v Speaker 2>the cultural revolution, is what they called it. And that's

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<v Speaker 2>how it was approached for the for about fifty years,

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<v Speaker 2>and then finally it kind of turned and then that

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<v Speaker 2>pride kind of extended to Chinese antiquities, and in particular

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<v Speaker 2>today in China, there's a tremendous amount of there's a

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<v Speaker 2>tremendous sense of loss over some particular items that came

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<v Speaker 2>from a particular place called the yuan ming Yu. The

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<v Speaker 2>Garden of perfect Brightness, I think is what it's called,

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<v Speaker 2>but less formally it's called the Old Summer Palace. It's

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<v Speaker 2>in Beijing, I believe, and it was magnificent from what

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<v Speaker 2>I can tell.

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<v Speaker 1>Yeah, it was. And these aren't the only things. I mean,

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<v Speaker 1>all Chinese artifacts and cultural relics were looked at this way.

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<v Speaker 1>But this was just a pretty notable space at the

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<v Speaker 1>time it was built in seventeen oh nine, and then

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<v Speaker 1>for the next century and a half basically just got

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<v Speaker 1>bigger and bigger, and it had temples, it had gardens

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<v Speaker 1>and pools, and it had a lot of art, all

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<v Speaker 1>kinds of art like you name it. They had it

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<v Speaker 1>some of the most important art of you know, that

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<v Speaker 1>period of China and preceding it. And during the Second

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<v Speaker 1>Opium War in eighteen sixty, the Europeans you know, were

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<v Speaker 1>again coming in and kind of doing their thing against China,

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<v Speaker 1>and the government of China said, you know what, you

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<v Speaker 1>have some people here on a negotiating mission. We're going

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<v Speaker 1>to capture them, We're going to torture them. And so

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<v Speaker 1>British I think about five thousand British and French forces

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<v Speaker 1>took part in what has been kind of looked back

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<v Speaker 1>on now as one of the greatest acts of cultural

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<v Speaker 1>vandalism in modern history when they looted and either stole

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<v Speaker 1>or just could just outright destroyed or vandalize everything at

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<v Speaker 1>the Old Summer Palace essentially.

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<v Speaker 2>Yeah, they were apparently already in the process of looting

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<v Speaker 2>the palace when they heard about the torture deaths of

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<v Speaker 2>that delegation that was trying to broker peace for the

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<v Speaker 2>Second Opium War, and they're like, oh, okay, well, I

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<v Speaker 2>guess we'll burn the place down too, And they did

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<v Speaker 2>so over I think two days and nights, but the

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<v Speaker 2>fire kept going for like three days, and rather than rebuild,

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<v Speaker 2>China decided to preserve the place in ruins. It's kind

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<v Speaker 2>of like Hiroshima, like they decided to preserve some of

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<v Speaker 2>the bombed out areas. It's just a reminder, but rather

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<v Speaker 2>than a reminder to never use nukes ever again, this

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<v Speaker 2>was a reminder to China of like what outside powers

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<v Speaker 2>did to China, Like this is what happened to China

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<v Speaker 2>in the past, and it's something to use to kind

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<v Speaker 2>of motivate you to become the best kind of China

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<v Speaker 2>there is that could never let something like that happen again.

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<v Speaker 1>Yeah, a lot of this stuff, as you would imagine,

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<v Speaker 1>like a lot of you know, looted things during wartime

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<v Speaker 1>ended up in control of royalty in other countries, private

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<v Speaker 1>collection sometimes, but a lot of royal palaces in Europe

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<v Speaker 1>ended up with this stuff. Queen Victoria even and this

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<v Speaker 1>is a great little fine from Libya. Besides art, Queen

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<v Speaker 1>Victoria apparently also got a Pekinese dog that she named

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<v Speaker 1>Lootie as in loot.

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<v Speaker 2>Yeah, as in the dog itself was looted, yeah, exactly.

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<v Speaker 2>And I think it was the first Pekinese in all

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<v Speaker 2>of England, I would believe it. I also read that

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<v Speaker 2>at the time the press reported that the dog had

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<v Speaker 2>to be taken to a different palace because it was

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<v Speaker 2>being ostracized by the other dogs for its Eastern ways,

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<v Speaker 2>whatever that means.

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<v Speaker 1>Well. One of the most prized sort of things at

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<v Speaker 1>this palace was this water clock, and it was you know,

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<v Speaker 1>don't think of it as a normal clock, because it

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<v Speaker 1>was what it really was was a big fountain and

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<v Speaker 1>the twelve spouts were carved in the shape of the

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<v Speaker 1>heads of the animals of the Chinese zodiac, and whenever

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<v Speaker 1>one of the fountains squirted, that was what time it was.

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<v Speaker 1>So that was it became a really big symbol of

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<v Speaker 1>this whole looting. Basically it was in the European wing

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<v Speaker 1>of the palace, but it went away and part of

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<v Speaker 1>and again they were, you know, some of these some

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<v Speaker 1>of the repatriation and these tests. As we'll see, it

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<v Speaker 1>was all kinds of stuff, but it seems like that

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<v Speaker 1>these fountain heads hold particular significance.

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<v Speaker 2>They're the most symbolic. So again, this Summer Palace stuff,

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<v Speaker 2>it was just such a big deal, like you said,

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<v Speaker 2>one of the biggest acts of cultural vandalism ever. It's

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<v Speaker 2>such a symbol in this country of China's shame, and

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<v Speaker 2>these things are like the greatest symbol of that larger symbol,

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<v Speaker 2>Like these zodiac heads mean everything to China, and to

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<v Speaker 2>get them back is enormous. The Commist Party kind of

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<v Speaker 2>took a shift, especially as China became more and more

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<v Speaker 2>economically powerful, and it started to kind of look at

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<v Speaker 2>getting some of these antiquities back rather than looking at

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<v Speaker 2>them as reminders of some terrible backwards passed. They became

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<v Speaker 2>part of China's heritage, and the Chinese government in particular

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<v Speaker 2>started to want to get these back, and they started

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<v Speaker 2>a kind of a trend I think culturally that was like, Hey,

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<v Speaker 2>start having pride in these heritage antiques, and let's see

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<v Speaker 2>if we can get them back into China. How who cares?

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<v Speaker 2>Just go get them?

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<v Speaker 1>Yeah, And one good way to do that is I

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<v Speaker 1>have a ton of money. So a lot of billionaires

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<v Speaker 1>from China obviously stepped forward and showed a lot of

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<v Speaker 1>interest in growing their collections or probably even starting and

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<v Speaker 1>then growing in their collections of Chinese art from history,

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<v Speaker 1>and some of them even open private museums to showcase

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<v Speaker 1>this stuff. They were working with the auction houses very closely,

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<v Speaker 1>and like you mentioned earlier, the Chinese art market, it

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<v Speaker 1>went from really not much of anything in the year

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<v Speaker 1>two thousand to about a billion dollars a year in

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<v Speaker 1>value by twenty eighteen, especially this stuff that was looted

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<v Speaker 1>by the UK and by Europe and the United States.

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<v Speaker 1>And like I said, it's everything you can think of.

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<v Speaker 1>It's you know, statues, paintings, carvings, in any kind of

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<v Speaker 1>art you can imagine. According to UNESCO, close to one

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<v Speaker 1>point seven million Chinese objects are currently held in forty

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<v Speaker 1>seven countries other than China in two hundred different museums.

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<v Speaker 2>And those are just museums in just forty seven countries.

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<v Speaker 2>I saw that the Chinese government itself estimates as there's

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<v Speaker 2>about ten million antiquities spread throughout the world outside of China,

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<v Speaker 2>and China considers basically all of these stolen. Even if

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<v Speaker 2>a Westerner came in and paid for them back in

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<v Speaker 2>nineteen hundred, the Chinese government basically considers whoever sold it

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<v Speaker 2>to have been taken advantage of by that westerner. So

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<v Speaker 2>if you have a piece of Chinese art and antique

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<v Speaker 2>that's Chinese.

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<v Speaker 1>Hang on to it.

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<v Speaker 2>You may want to hide it actually, because there's a

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<v Speaker 2>good chance that China considers that stolen and that that's

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<v Speaker 2>not rightfully yours. Maybe there's some law in your country

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<v Speaker 2>that says it's yours. China doesn't really recognize that because

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<v Speaker 2>in a lot of cases they weren't They weren't sold legitimately,

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<v Speaker 2>they were stolen. They were part of war loot, like

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<v Speaker 2>with the Old Summer Palace. And they have a great point.

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<v Speaker 2>There's a lot of stuff out there, not just from China,

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<v Speaker 2>but from other countries that colonial powers went to and

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<v Speaker 2>said we really like this, We're going to literally steal it,

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<v Speaker 2>and we're going to display in our museums in one

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<v Speaker 2>hundred and fifty years from now, you're going to ask

0:13:37.160 --> 0:13:38.959
<v Speaker 2>for it back and we're going to say no.

0:13:40.280 --> 0:13:42.240
<v Speaker 1>Yeah, but we're going to ask for our stuff back

0:13:42.280 --> 0:13:42.800
<v Speaker 1>and get.

0:13:42.640 --> 0:13:45.240
<v Speaker 2>Most of it right after World War two, right.

0:13:45.679 --> 0:13:47.640
<v Speaker 1>Yeah, which we'll you know, we'll talk more about that,

0:13:47.679 --> 0:13:49.640
<v Speaker 1>I guess in a little bit. But as far as

0:13:49.679 --> 0:13:54.840
<v Speaker 1>the government's involvement officially, there was one group called the

0:13:54.960 --> 0:13:59.079
<v Speaker 1>China poly Group. It's a state owned industrial company and

0:13:59.240 --> 0:14:02.240
<v Speaker 1>it was original part of the Chinese military and they

0:14:02.520 --> 0:14:05.400
<v Speaker 1>traded arms. But in two thousand they said, you know what,

0:14:05.520 --> 0:14:09.080
<v Speaker 1>let's diversify and let's start a wing of this company

0:14:09.400 --> 0:14:12.520
<v Speaker 1>called poly Culture, and let's make it one of our

0:14:12.520 --> 0:14:15.320
<v Speaker 1>missions to go and get some of these artifacts. They

0:14:15.360 --> 0:14:17.599
<v Speaker 1>had their own museum to put some of these in

0:14:17.679 --> 0:14:20.280
<v Speaker 1>in Beijing. So that was one of the big sort

0:14:20.280 --> 0:14:23.480
<v Speaker 1>of groups trying to head up this effort along with

0:14:23.520 --> 0:14:28.600
<v Speaker 1>the Chinese billionaires. And then in two thousand, Sotheby's and

0:14:28.680 --> 0:14:32.160
<v Speaker 1>Christie's auction houses in Hong Kong auctioned off three of

0:14:32.200 --> 0:14:35.680
<v Speaker 1>those heads, three of those zodiac fountain heads, and this

0:14:35.840 --> 0:14:38.560
<v Speaker 1>was a big deal. The Chinese Bureau of Cultural Relics

0:14:38.640 --> 0:14:42.080
<v Speaker 1>was like, you can't sell this stuff like this stuff's

0:14:42.080 --> 0:14:44.040
<v Speaker 1>really important to us. It was stolen, it was looted.

0:14:45.400 --> 0:14:48.040
<v Speaker 1>They had no luck. I think they were trying to

0:14:48.040 --> 0:14:50.240
<v Speaker 1>get it back for free, and they eventually said all right,

0:14:50.320 --> 0:14:51.920
<v Speaker 1>well we'll just bid on it and get it the

0:14:51.960 --> 0:14:53.320
<v Speaker 1>old fashioned way, which they.

0:14:53.160 --> 0:14:58.160
<v Speaker 2>Did, right. Okay, So in two thousand China, China, as

0:14:58.200 --> 0:15:02.760
<v Speaker 2>far as like it's searched for repatriating its art and antiquities,

0:15:03.320 --> 0:15:06.400
<v Speaker 2>was so powerless that Christie's and Sotheby's felt comfortable telling

0:15:06.440 --> 0:15:09.400
<v Speaker 2>the government of China, sorry, now, we're not going to

0:15:09.440 --> 0:15:12.120
<v Speaker 2>give these back to you. Less than ten years later,

0:15:12.160 --> 0:15:14.880
<v Speaker 2>in two thousand and nine, when the estate of East

0:15:15.080 --> 0:15:21.320
<v Speaker 2>Aves Saint Laurent went up for auction, China contacted Christie's

0:15:21.880 --> 0:15:24.280
<v Speaker 2>and said, hey, you're about to auction off two more

0:15:24.280 --> 0:15:27.040
<v Speaker 2>of those zodiac heads. If you do it, it's going

0:15:27.080 --> 0:15:30.080
<v Speaker 2>to be really bad for you. And China had become

0:15:30.200 --> 0:15:34.280
<v Speaker 2>such a player in the global art market that Christie's

0:15:34.280 --> 0:15:37.280
<v Speaker 2>would they handed them over. They gave them to them,

0:15:37.800 --> 0:15:40.200
<v Speaker 2>and in exchange, I think Christie's was the first auction

0:15:40.280 --> 0:15:43.480
<v Speaker 2>house to have an independent or license to independently operate

0:15:43.600 --> 0:15:46.520
<v Speaker 2>in China. Within the next year or something like that,

0:15:46.840 --> 0:15:49.720
<v Speaker 2>so that's how powerful they became. And then also as

0:15:49.800 --> 0:15:53.920
<v Speaker 2>kind of a nod to how valuable Chinese antiquities became

0:15:54.280 --> 0:15:57.000
<v Speaker 2>when China started to become interested in them, there was

0:15:57.040 --> 0:16:00.800
<v Speaker 2>an auction in twenty fifteen, less than two decades after

0:16:00.880 --> 0:16:05.040
<v Speaker 2>China became interested in its own heritage. The presale of

0:16:05.200 --> 0:16:08.840
<v Speaker 2>this the sixteen inch vase, sorry, this is twenty ten,

0:16:09.240 --> 0:16:12.320
<v Speaker 2>a sixteen inch vase. Presale value was eight hundred thousand dollars.

0:16:12.800 --> 0:16:16.120
<v Speaker 2>A half hour after it went under the gavel, it

0:16:16.240 --> 0:16:20.160
<v Speaker 2>sold for almost seventy million dollars to a Chinese billionaire.

0:16:20.480 --> 0:16:21.920
<v Speaker 1>It's a lot of dough, it is.

0:16:22.160 --> 0:16:25.520
<v Speaker 2>It also just shows how bad they want this stuff back,

0:16:26.120 --> 0:16:28.400
<v Speaker 2>because there's one other thing, Chuck, you mentioned the billionaire's

0:16:28.400 --> 0:16:30.400
<v Speaker 2>gating involved. It's not just one way to show off

0:16:30.400 --> 0:16:32.720
<v Speaker 2>how much money they have. It's also to show everybody

0:16:32.760 --> 0:16:36.040
<v Speaker 2>how patriotic they are, because they're buying these things at

0:16:36.080 --> 0:16:40.760
<v Speaker 2>astronomical prices to bring back to China for China.

0:16:41.360 --> 0:16:44.600
<v Speaker 1>For sure. So let's take a break and we'll come

0:16:44.640 --> 0:16:46.960
<v Speaker 1>back and talk about what China was going to do

0:16:47.000 --> 0:17:19.960
<v Speaker 1>about this officially right after this, all right, so we're

0:17:20.000 --> 0:17:22.639
<v Speaker 1>back and wondering what China was going to officially do

0:17:22.680 --> 0:17:26.760
<v Speaker 1>about this. In two thousand and nine, the government said,

0:17:26.920 --> 0:17:29.760
<v Speaker 1>you know what, We're all bets are off. Now, We're

0:17:29.800 --> 0:17:33.400
<v Speaker 1>officially gonna get a treasure hunting team together, and we're

0:17:33.440 --> 0:17:35.879
<v Speaker 1>going to go send them around the world and investigate

0:17:35.920 --> 0:17:38.359
<v Speaker 1>all this art that's in the United States, that's in Europe,

0:17:38.400 --> 0:17:41.240
<v Speaker 1>that's in the UK. One of these guys, one of

0:17:41.280 --> 0:17:45.560
<v Speaker 1>the chief detectives, whose name was Lou Yang, and he

0:17:45.800 --> 0:17:47.560
<v Speaker 1>went all over the place and he was like, Hey,

0:17:48.600 --> 0:17:50.520
<v Speaker 1>this was in the Summer Palace. This was in the

0:17:50.520 --> 0:17:54.560
<v Speaker 1>Summer Palace. You guys have our stuff, And they noticed

0:17:54.680 --> 0:17:56.800
<v Speaker 1>kind of not too long after that, a lot of

0:17:56.840 --> 0:18:00.359
<v Speaker 1>these museums on their website started sort of quietly moving

0:18:00.880 --> 0:18:05.000
<v Speaker 1>mentions and web pages about these Chinese artifacts on their websites.

0:18:05.440 --> 0:18:07.960
<v Speaker 2>Yeah, Lou Yang had quite a reputation. I read in

0:18:08.000 --> 0:18:12.320
<v Speaker 2>that Alex Palmer GQ article that he wrote a comprehensive

0:18:12.320 --> 0:18:15.480
<v Speaker 2>book on all the looted antiquities, at least from the

0:18:15.480 --> 0:18:20.320
<v Speaker 2>old Summer Palace, and could show you printouts of websites

0:18:20.680 --> 0:18:24.119
<v Speaker 2>from museums around the world where that thing was being held.

0:18:24.520 --> 0:18:26.680
<v Speaker 2>So I guess there was also a really tense meeting

0:18:26.760 --> 0:18:29.880
<v Speaker 2>at the Metropolitan Museum of Art in New York when

0:18:29.920 --> 0:18:32.440
<v Speaker 2>he showed up too, because he would just walk around

0:18:32.480 --> 0:18:35.200
<v Speaker 2>and be like, that's China's, that's China's that was stolen,

0:18:35.280 --> 0:18:39.080
<v Speaker 2>that was looted, and very strangely, that was what'd you

0:18:39.119 --> 0:18:42.600
<v Speaker 2>say two thousand and nine. Yeah, the very next year

0:18:44.080 --> 0:18:48.000
<v Speaker 2>the string of museum heists of Chinese antiquities began.

0:18:49.280 --> 0:18:51.640
<v Speaker 1>Yeah, for sure. I did want to point out though,

0:18:51.800 --> 0:18:54.360
<v Speaker 1>when I was making the previous point that they took

0:18:54.400 --> 0:18:58.920
<v Speaker 1>down these websites, but not everybody, because the fontaine Bleue

0:18:59.520 --> 0:19:02.520
<v Speaker 1>and Ants was one of those that were like, no,

0:19:02.800 --> 0:19:04.360
<v Speaker 1>you can see right here on our website and we'll

0:19:04.359 --> 0:19:06.960
<v Speaker 1>tell you like what this is and when and where

0:19:07.000 --> 0:19:10.200
<v Speaker 1>it was looted, like what palace was sacked at the time,

0:19:10.680 --> 0:19:13.199
<v Speaker 1>So they kind of, you know, held firm in their

0:19:13.240 --> 0:19:16.480
<v Speaker 1>belief that it was theirs. I guess. But yeah, these

0:19:16.920 --> 0:19:22.120
<v Speaker 1>robberies started in twenty ten, and we don't know exactly

0:19:22.200 --> 0:19:24.040
<v Speaker 1>how many of these have happened. We're going to talk

0:19:24.040 --> 0:19:26.880
<v Speaker 1>about quite a few of these, but they were detailed

0:19:26.880 --> 0:19:29.600
<v Speaker 1>in the GQ article, and then since twenty eighteen, there's

0:19:29.600 --> 0:19:33.120
<v Speaker 1>also been more and it seems like it there may

0:19:33.119 --> 0:19:36.600
<v Speaker 1>have been a concerted effort and then other people just started,

0:19:36.680 --> 0:19:38.600
<v Speaker 1>you know, because they became really valuable and there was

0:19:38.600 --> 0:19:41.320
<v Speaker 1>a market for it, people kind of piggybacked on stealing

0:19:41.359 --> 0:19:44.399
<v Speaker 1>this Chinese art and that the entire thing may not

0:19:44.520 --> 0:19:48.359
<v Speaker 1>be some you know, complete masterminded by one group or

0:19:48.359 --> 0:19:49.240
<v Speaker 1>government kind of thing.

0:19:49.480 --> 0:19:51.320
<v Speaker 2>Yeah, that was my interpretation too.

0:19:51.880 --> 0:19:52.400
<v Speaker 1>Yeah.

0:19:52.520 --> 0:19:57.560
<v Speaker 2>So apparently the whole thing started in Stockholm, Sweden, at

0:19:57.600 --> 0:20:03.080
<v Speaker 2>the Drottningholm Palace, which is well a Swedish royal palace,

0:20:03.400 --> 0:20:06.560
<v Speaker 2>and they have a Chinese pavilion there and there's a

0:20:06.600 --> 0:20:12.119
<v Speaker 2>state owned collection of Chinese antiquities. And on August six,

0:20:12.280 --> 0:20:17.560
<v Speaker 2>twenty ten, they it was quite a surprise because there

0:20:17.600 --> 0:20:19.679
<v Speaker 2>was a group of cars that were set fire to

0:20:20.000 --> 0:20:24.280
<v Speaker 2>elsewhere in Stockholm, and as the police ran over there,

0:20:24.359 --> 0:20:27.560
<v Speaker 2>and we're very much distracted by these sudden car fires

0:20:27.880 --> 0:20:30.919
<v Speaker 2>because usually that means riot, so I can imagine that

0:20:30.960 --> 0:20:34.760
<v Speaker 2>put the police on edge. The thieves ran over to

0:20:34.800 --> 0:20:39.640
<v Speaker 2>the palace in their China pavilion, Chinese pavilion, and started

0:20:40.040 --> 0:20:44.280
<v Speaker 2>ransacking some specific items. I think they smashed three display

0:20:44.320 --> 0:20:47.479
<v Speaker 2>cases and I'm not sure how many items they stole,

0:20:47.960 --> 0:20:50.760
<v Speaker 2>but I believe it seemed pretty specific and they were

0:20:50.800 --> 0:20:53.800
<v Speaker 2>out of there in six minutes, so they were clearly pros.

0:20:54.760 --> 0:20:57.080
<v Speaker 1>Do you think the Swedish police were like, guys, we

0:20:57.160 --> 0:20:59.439
<v Speaker 1>might have our first riot in the country's history.

0:21:00.040 --> 0:21:02.399
<v Speaker 2>I've been waiting for this since I was a boy.

0:21:02.840 --> 0:21:04.639
<v Speaker 1>I've been told a car fire means a riot. They

0:21:04.640 --> 0:21:06.680
<v Speaker 1>were like, what is a riot? And it's well, Spin,

0:21:06.760 --> 0:21:08.520
<v Speaker 1>we'll explain it to you.

0:21:08.560 --> 0:21:10.600
<v Speaker 2>Spin's been out of the country before.

0:21:11.560 --> 0:21:14.480
<v Speaker 1>So yeah, smash and grab, six minutes in and out.

0:21:14.520 --> 0:21:18.080
<v Speaker 1>They hopped on some mopeds, they drove those over to

0:21:18.320 --> 0:21:20.560
<v Speaker 1>a lake and they got on a boat and they

0:21:20.600 --> 0:21:24.240
<v Speaker 1>got out of there. And this was a very sort

0:21:24.280 --> 0:21:27.680
<v Speaker 1>of you know, clearly professional job. Knew exactly what they

0:21:27.680 --> 0:21:29.159
<v Speaker 1>were going for, and you'll see, you know, in a

0:21:29.200 --> 0:21:32.120
<v Speaker 1>lot of these cases it's pretty similar, like they knew

0:21:32.160 --> 0:21:34.639
<v Speaker 1>where this stuff was, they knew exactly what they wanted

0:21:34.640 --> 0:21:38.000
<v Speaker 1>on their little grocery list, like you mentioned. The next

0:21:38.000 --> 0:21:40.600
<v Speaker 1>one was a few months after that at the Code

0:21:40.720 --> 0:21:45.879
<v Speaker 1>Museum in Norway. They busted a glass ceiling and not

0:21:46.000 --> 0:21:49.080
<v Speaker 1>in a good way and repelled down just like a movie.

0:21:49.280 --> 0:21:52.360
<v Speaker 2>Yeah, just like Charles Groden and Miss Picky, that's right.

0:21:52.200 --> 0:21:55.240
<v Speaker 1>And took fifty six things from the China collection. There.

0:21:56.200 --> 0:21:58.720
<v Speaker 1>A lot of this stuff was from a Norwegian army

0:21:58.720 --> 0:22:04.320
<v Speaker 1>officer named Johannville Norman Munt, who was a big art guy.

0:22:05.400 --> 0:22:09.520
<v Speaker 1>Eventually fought on China's side in the Sino Japanese Wars

0:22:09.560 --> 0:22:12.119
<v Speaker 1>in eighteen ninety four and eighteen ninety five, but he

0:22:12.240 --> 0:22:14.440
<v Speaker 1>was big into art, had a lot of this stuff,

0:22:15.400 --> 0:22:18.840
<v Speaker 1>including stuff from the Summer Palace, and that stuff was

0:22:18.880 --> 0:22:22.520
<v Speaker 1>taken in the first of the Code Museum's burglaries.

0:22:22.920 --> 0:22:27.119
<v Speaker 2>Right, yeah, there was another one, what three years later,

0:22:27.880 --> 0:22:29.840
<v Speaker 2>And this is a big deal, and a museum gets

0:22:29.840 --> 0:22:35.400
<v Speaker 2>struck like it's not good, especially if word gets out, because,

0:22:35.440 --> 0:22:38.040
<v Speaker 2>as Livia was pointing out, museums a lot of times

0:22:38.080 --> 0:22:41.080
<v Speaker 2>don't announce the fact that they've been robbed. Number One,

0:22:41.320 --> 0:22:46.760
<v Speaker 2>it's very humiliating because they're entrusted with protecting these things

0:22:46.760 --> 0:22:50.680
<v Speaker 2>that are part of humanity's cultural heritage. And then secondly,

0:22:50.760 --> 0:22:53.119
<v Speaker 2>it also practically means that they need to beef up

0:22:53.160 --> 0:22:55.960
<v Speaker 2>security because now thieves are on alert, like, oh, the

0:22:56.000 --> 0:22:58.720
<v Speaker 2>Code Museum is really easy to break into, and they'll

0:22:58.720 --> 0:23:02.440
<v Speaker 2>become a much bigger target. So for two different break

0:23:02.520 --> 0:23:06.800
<v Speaker 2>ins to become public knowledge, it's just not really a

0:23:06.840 --> 0:23:09.239
<v Speaker 2>good thing, but it was also very curious that they

0:23:09.240 --> 0:23:12.360
<v Speaker 2>were both they both seemed to be Chinese art heists.

0:23:13.320 --> 0:23:18.360
<v Speaker 2>Right after that, they suddenly became very interested in negotiating

0:23:18.400 --> 0:23:21.520
<v Speaker 2>with China to give back some of the antiquities that

0:23:21.560 --> 0:23:25.159
<v Speaker 2>they held, and in particular Chinese billionaire named Huang Nubo.

0:23:25.960 --> 0:23:27.720
<v Speaker 2>I'm quite sure that's not exactly how you say his

0:23:27.800 --> 0:23:30.760
<v Speaker 2>last name, because I said it like I'm from Mississippi

0:23:30.840 --> 0:23:37.159
<v Speaker 2>or something. He came to Stockholm or no Bergen and said,

0:23:37.240 --> 0:23:39.200
<v Speaker 2>what do you got. I can give you a donation

0:23:39.320 --> 0:23:41.879
<v Speaker 2>if you want, and they showed him some columns from

0:23:41.920 --> 0:23:44.280
<v Speaker 2>the old Summer Pals and I read that he wept

0:23:44.320 --> 0:23:45.840
<v Speaker 2>when he saw them.

0:23:46.320 --> 0:23:48.320
<v Speaker 1>Yeah, and this was a case where they used the

0:23:48.359 --> 0:23:51.360
<v Speaker 1>car fire thing again, which is really surprising to use

0:23:51.480 --> 0:23:52.479
<v Speaker 1>sort of the same method.

0:23:52.800 --> 0:23:56.199
<v Speaker 2>Hey, it works, it works in Scandinavia, I guess so.

0:23:56.320 --> 0:23:58.800
<v Speaker 1>But it just seems like that would be a tip

0:23:58.840 --> 0:24:02.880
<v Speaker 1>off maybe, like watch the museum, because you know, Sweden

0:24:02.880 --> 0:24:05.520
<v Speaker 1>and Norway aren't big Riot countries as far as I.

0:24:05.480 --> 0:24:08.760
<v Speaker 2>Know, I would hope it would be now, you know, after.

0:24:08.600 --> 0:24:11.600
<v Speaker 1>Two yeah, yeah, I would think after one. But anyway,

0:24:11.680 --> 0:24:14.600
<v Speaker 1>they use the same method they ended up the Museum

0:24:14.680 --> 0:24:20.560
<v Speaker 1>at Code closed the China Collection for renovation when that

0:24:20.680 --> 0:24:23.560
<v Speaker 1>was in twenty thirteen, and it's still closed for renovation.

0:24:23.640 --> 0:24:25.320
<v Speaker 1>So if that tells you anything, I don't. I'm not

0:24:25.320 --> 0:24:27.399
<v Speaker 1>sure if that thing's opening again anytime soon. No.

0:24:27.520 --> 0:24:29.960
<v Speaker 2>I think by renovation they mean the head curators in

0:24:30.000 --> 0:24:33.800
<v Speaker 2>the basement clutching the remaining objects to their chest exactly,

0:24:34.560 --> 0:24:40.200
<v Speaker 2>get back, get away. So the Swedish burglars and both

0:24:40.520 --> 0:24:44.639
<v Speaker 2>Code burglars were not caught, but kind of an indicator

0:24:44.680 --> 0:24:47.760
<v Speaker 2>that really does point a bit of a finger at China.

0:24:47.920 --> 0:24:52.320
<v Speaker 2>Someone in China. They got a tip, the Code museum

0:24:52.400 --> 0:24:56.760
<v Speaker 2>did from the publicity the second robbery brought. They got

0:24:56.800 --> 0:24:58.760
<v Speaker 2>a tip about one of the objects that was stolen

0:24:58.800 --> 0:25:02.320
<v Speaker 2>in the first robbery that it was in a Shanghai

0:25:02.359 --> 0:25:07.159
<v Speaker 2>airport on display. So that does kind of show you

0:25:07.200 --> 0:25:09.040
<v Speaker 2>that China is very much like where'd you get this?

0:25:09.119 --> 0:25:11.719
<v Speaker 2>Who cares? They probably didn't even ask that unless they

0:25:11.760 --> 0:25:16.399
<v Speaker 2>were congratulating. And so when Norway found this out, they

0:25:17.240 --> 0:25:19.400
<v Speaker 2>decided not to do anything about it because they had

0:25:19.440 --> 0:25:22.639
<v Speaker 2>just recently ticked China off by giving the twenty ten

0:25:22.720 --> 0:25:27.640
<v Speaker 2>Nobel Peace Prize to Chinese dissident lou Jabo Chobo, who

0:25:27.760 --> 0:25:31.080
<v Speaker 2>was imprisoned at the time in China. So China wasn't

0:25:31.080 --> 0:25:33.600
<v Speaker 2>happy with Norway. Sonari I was like, you just keep

0:25:33.640 --> 0:25:36.720
<v Speaker 2>your airport antiquity. We're gonna just not say anything about

0:25:36.720 --> 0:25:38.040
<v Speaker 2>it exactly.

0:25:38.880 --> 0:25:42.800
<v Speaker 1>So that was Scandinavia. In England around the same time,

0:25:42.840 --> 0:25:47.640
<v Speaker 1>this is April of twenty twelve. Meanwhile, in England, the

0:25:47.680 --> 0:25:51.840
<v Speaker 1>Fitzwilliam Museum at Cambridge was robbed. There were eighteen items

0:25:51.880 --> 0:25:56.600
<v Speaker 1>taken from here, again very specific Chinese artifacts. These were

0:25:56.680 --> 0:26:00.280
<v Speaker 1>valued between eight and twenty three million bucks. The same

0:26:00.320 --> 0:26:04.480
<v Speaker 1>month in England, the Malcolm McDonald gallery at Durham University's

0:26:04.480 --> 0:26:08.480
<v Speaker 1>Oriental Museum was hit and they took two items this time,

0:26:08.520 --> 0:26:10.919
<v Speaker 1>but they were super valuable. They were three million dollars

0:26:10.920 --> 0:26:14.000
<v Speaker 1>between the two of them. But these guys were caught.

0:26:14.080 --> 0:26:18.560
<v Speaker 1>They finally nabbed somebody. The judge said and sentencing that

0:26:19.119 --> 0:26:23.879
<v Speaker 1>they displayed crass ineptitude because they stashed the stuff in

0:26:23.960 --> 0:26:26.280
<v Speaker 1>a sort of a swamp, a parcel of land that

0:26:26.359 --> 0:26:29.080
<v Speaker 1>was super swampy. Went back to get it, couldn't find

0:26:29.080 --> 0:26:32.119
<v Speaker 1>where they put it, and a witness saw somebody like

0:26:32.160 --> 0:26:35.840
<v Speaker 1>searching the area and was really agitated on their cell phone,

0:26:36.320 --> 0:26:40.879
<v Speaker 1>seemed suspicious, phoned it in and authorities searched the area

0:26:41.040 --> 0:26:46.720
<v Speaker 1>and not only found the objects, but eventually arrested dudes.

0:26:47.320 --> 0:26:49.199
<v Speaker 2>They did. They got some people. From what I was

0:26:49.240 --> 0:26:51.880
<v Speaker 2>reading up about it, they were like in their early twenties,

0:26:53.240 --> 0:26:56.480
<v Speaker 2>not very pro I think they were up and coming criminals,

0:26:56.760 --> 0:26:58.320
<v Speaker 2>is the impresson.

0:26:57.720 --> 0:27:01.200
<v Speaker 1>That I have, But I think crass ineptitudes it really does.

0:27:01.600 --> 0:27:05.719
<v Speaker 2>They Also, this is another giveaway, the police found a

0:27:05.880 --> 0:27:08.119
<v Speaker 2>cell phone in one of their underpants while they were

0:27:08.160 --> 0:27:11.440
<v Speaker 2>being arrested, and they used that cell phone to kind

0:27:11.440 --> 0:27:15.320
<v Speaker 2>of build a case that connected that heist to I

0:27:15.359 --> 0:27:19.600
<v Speaker 2>think the Cambridge heist and a bunch of other ones actually,

0:27:20.119 --> 0:27:24.320
<v Speaker 2>and they ended up tracing it back to a group

0:27:24.400 --> 0:27:30.040
<v Speaker 2>of travelers like Brad Pitt and Snatched. Snatch. Now snatched,

0:27:30.119 --> 0:27:33.760
<v Speaker 2>is that the Amy what's her name?

0:27:33.880 --> 0:27:35.119
<v Speaker 1>Oh? Yeah, yeah, Amy Schumer?

0:27:35.200 --> 0:27:38.679
<v Speaker 2>Schumer, Yes, thank you. That was a stupid sidetrack. But

0:27:39.440 --> 0:27:42.560
<v Speaker 2>so these were real life travelers and they had a

0:27:42.600 --> 0:27:46.359
<v Speaker 2>gang called the Rathkeel Rovers and they were responsible for

0:27:46.400 --> 0:27:49.760
<v Speaker 2>a bunch of different burglaries and robberies and things like that.

0:27:49.920 --> 0:27:52.520
<v Speaker 2>But they seem to be behind all of the Chinese

0:27:52.640 --> 0:27:57.159
<v Speaker 2>art heists in the country. What's significant about it is

0:27:57.160 --> 0:28:00.040
<v Speaker 2>that there was a member of this gang named he

0:28:00.200 --> 0:28:03.760
<v Speaker 2>Chong Donald Wong. He was from South London and he

0:28:03.840 --> 0:28:07.360
<v Speaker 2>seems to be their Chinese connection because he kept traveling

0:28:07.400 --> 0:28:09.960
<v Speaker 2>in and out of the country, going to China and

0:28:10.040 --> 0:28:13.639
<v Speaker 2>smuggling their loot over there. And I don't think they

0:28:13.680 --> 0:28:16.040
<v Speaker 2>recovered a single thing from those heists, did they.

0:28:17.680 --> 0:28:22.159
<v Speaker 1>I don't think so. Yeah. I mean they'd figured this

0:28:22.200 --> 0:28:25.240
<v Speaker 1>stuff was just successfully smuggled and eventually sold in private

0:28:25.280 --> 0:28:29.560
<v Speaker 1>collectors have them. But this was I I was sort

0:28:29.560 --> 0:28:32.719
<v Speaker 1>of just surprised for some reason that these were, you know,

0:28:33.119 --> 0:28:35.320
<v Speaker 1>Irish travelers, and I just figured they would all be

0:28:35.560 --> 0:28:40.200
<v Speaker 1>Chinese people. But yeah, they were just hired robbers basically.

0:28:40.280 --> 0:28:42.520
<v Speaker 1>So yes, oh okay, once I wrapped my head around

0:28:42.560 --> 0:28:45.280
<v Speaker 1>that they were just doing a job for money exactly.

0:28:45.560 --> 0:28:48.200
<v Speaker 2>So the question remains though, because the police are like,

0:28:48.240 --> 0:28:50.680
<v Speaker 2>we never caught the highest person at the top of this,

0:28:50.760 --> 0:28:54.400
<v Speaker 2>the head cheese, the ultima ombre, that kind of person,

0:28:55.640 --> 0:28:58.680
<v Speaker 2>and they think that even if they had found that person,

0:28:59.000 --> 0:29:03.560
<v Speaker 2>that person was probably commissioned by Chinese mafia, Chinese billionaires,

0:29:03.600 --> 0:29:08.160
<v Speaker 2>maybe the Poly group who knows, but that seems to

0:29:08.200 --> 0:29:10.560
<v Speaker 2>be the case for all of the robberies where they

0:29:10.720 --> 0:29:13.920
<v Speaker 2>found the people who carried out the robbery, they were

0:29:13.960 --> 0:29:19.200
<v Speaker 2>just hired criminals. They were not doing this because, you know,

0:29:19.240 --> 0:29:21.480
<v Speaker 2>they loved China or something like that. They were either

0:29:21.520 --> 0:29:25.400
<v Speaker 2>commissioned to or they knew that the Chinese art market

0:29:25.520 --> 0:29:27.920
<v Speaker 2>was so hot that it would just make sense to

0:29:27.960 --> 0:29:30.000
<v Speaker 2>steal Chinese objects because they were going to fetch a

0:29:30.000 --> 0:29:30.840
<v Speaker 2>pretty high price.

0:29:31.800 --> 0:29:35.320
<v Speaker 1>Yeah. Should we take another break? Yeah, all right, we'll

0:29:35.320 --> 0:29:37.480
<v Speaker 1>take a break and we'll talk about more heist right

0:29:37.480 --> 0:29:37.840
<v Speaker 1>after this.

0:30:08.200 --> 0:30:11.400
<v Speaker 2>Okay, Chuck, So we're back, and you promised talk of

0:30:11.440 --> 0:30:13.760
<v Speaker 2>more heists. And I'm going to take this to France,

0:30:13.920 --> 0:30:14.880
<v Speaker 2>won't you come with me?

0:30:15.840 --> 0:30:16.560
<v Speaker 1>I love France.

0:30:16.880 --> 0:30:19.920
<v Speaker 2>How about France in twenty fifteen. Wasn't that a particularly

0:30:19.960 --> 0:30:22.160
<v Speaker 2>pretty summer? I think? Or spring?

0:30:22.600 --> 0:30:23.239
<v Speaker 1>I think it was.

0:30:23.320 --> 0:30:26.400
<v Speaker 2>Well, let's go find out. Because March first, twenty fifteen,

0:30:26.800 --> 0:30:31.360
<v Speaker 2>at the Chateau de Fantbleau outside Paris, which is a

0:30:31.440 --> 0:30:34.280
<v Speaker 2>I think, beginning back in medieval times, one of the

0:30:34.320 --> 0:30:39.080
<v Speaker 2>homes of the French monarchs, there was a collection assembled

0:30:39.080 --> 0:30:42.080
<v Speaker 2>by Empress Eugenie, who was the wife of Napoleon the

0:30:42.120 --> 0:30:44.880
<v Speaker 2>third She was the last Empress of France, and she

0:30:45.000 --> 0:30:48.840
<v Speaker 2>put together a collection of at least eight hundred objects

0:30:48.880 --> 0:30:51.800
<v Speaker 2>that those were just the ones on display. Three hundred

0:30:51.840 --> 0:30:55.480
<v Speaker 2>of them these were Chinese objects antiquities. Three hundred of

0:30:55.520 --> 0:30:58.960
<v Speaker 2>them were from the Old Summer Palace alone, mostly taken

0:30:59.000 --> 0:31:02.840
<v Speaker 2>by French soldiers who were there to sack the Old

0:31:02.840 --> 0:31:08.600
<v Speaker 2>Summer Palace in eighteen sixty. Right, yeah, yeah, so I

0:31:08.600 --> 0:31:11.000
<v Speaker 2>think thieves when they broke into the Fountain Blue in

0:31:11.040 --> 0:31:14.440
<v Speaker 2>twenty fifteen, they made off with like fifteen different things,

0:31:15.200 --> 0:31:17.400
<v Speaker 2>one of which sticks out to me. It was a

0:31:17.480 --> 0:31:22.280
<v Speaker 2>replica of the King of Siam's crown. Siam is now Thailand,

0:31:23.040 --> 0:31:25.240
<v Speaker 2>and that really has very little to do with China.

0:31:25.320 --> 0:31:28.040
<v Speaker 2>It was certainly not a Chinese heritage object. From what

0:31:28.120 --> 0:31:31.760
<v Speaker 2>I can tell. That one seems a little hinky to me.

0:31:31.800 --> 0:31:34.120
<v Speaker 2>I'm not sure if that was a commissioned robbery or not,

0:31:34.480 --> 0:31:38.080
<v Speaker 2>but regardless, I don't Oh, they did find at least

0:31:38.120 --> 0:31:39.880
<v Speaker 2>some of the people who were behind it, and again

0:31:40.480 --> 0:31:43.280
<v Speaker 2>these were just hired guns basically.

0:31:44.160 --> 0:31:45.760
<v Speaker 1>Yeah, And it was, you know, sort of the same

0:31:45.800 --> 0:31:48.040
<v Speaker 1>pattern as before as far as getting in and out

0:31:48.080 --> 0:31:50.560
<v Speaker 1>of the air. In this time it was you know,

0:31:50.560 --> 0:31:52.960
<v Speaker 1>they were pretty good at what they were doing. Even though,

0:31:53.000 --> 0:31:56.480
<v Speaker 1>like you said, they got six of them. They questioned them,

0:31:57.320 --> 0:31:59.640
<v Speaker 1>didn't they They still couldn't get the big fish, you know.

0:31:59.720 --> 0:32:04.920
<v Speaker 1>I guess they're maybe not good at questioning, but they couldn't.

0:32:04.920 --> 0:32:11.080
<v Speaker 1>They couldn't land the whale. Unfortunately, Paul Harris is an

0:32:11.200 --> 0:32:14.920
<v Speaker 1>art dealer from Britain who he thought it was French

0:32:14.960 --> 0:32:19.320
<v Speaker 1>professional criminals who did this. Again, I just hired people,

0:32:19.360 --> 0:32:22.520
<v Speaker 1>in one case Irish travelers, in this case French you

0:32:22.560 --> 0:32:26.760
<v Speaker 1>know art art deeds. I guess, yeah, pretty good specialty.

0:32:28.000 --> 0:32:31.840
<v Speaker 2>This apparently was the origin of the phrase no Sherlock.

0:32:33.840 --> 0:32:37.480
<v Speaker 1>So if you look at you know, research on this,

0:32:38.240 --> 0:32:42.960
<v Speaker 1>a lot of the research will say like, hey, all

0:32:42.960 --> 0:32:44.960
<v Speaker 1>of these events are sort of part of this larger

0:32:45.000 --> 0:32:49.000
<v Speaker 1>operation like we've been talking about since that article. Though

0:32:49.040 --> 0:32:53.440
<v Speaker 1>I mentioned there have been other other you know, art heist,

0:32:53.480 --> 0:32:56.560
<v Speaker 1>other crimes. There was one in June of twenty nineteen

0:32:57.160 --> 0:32:59.920
<v Speaker 1>at the Museum of Our Eastern Art in Switzerland. The

0:33:00.120 --> 0:33:04.160
<v Speaker 1>time in Geneva took some couple of things from the

0:33:04.280 --> 0:33:08.080
<v Speaker 1>Ming dynasty in less than a minute. This time they

0:33:08.120 --> 0:33:10.600
<v Speaker 1>had DNA evidence in this case and they did catch

0:33:10.640 --> 0:33:14.240
<v Speaker 1>the people. These were British dudes. They said they were

0:33:14.280 --> 0:33:15.760
<v Speaker 1>just trying to make money to pay off a debt.

0:33:15.840 --> 0:33:20.480
<v Speaker 1>So again it looks like another either hired people to

0:33:20.520 --> 0:33:24.360
<v Speaker 1>return these or just people being hired out because this

0:33:24.360 --> 0:33:26.840
<v Speaker 1>stuff's valuable, or just guys doing it because they know

0:33:26.880 --> 0:33:27.520
<v Speaker 1>it's valuable.

0:33:27.720 --> 0:33:29.760
<v Speaker 2>Yeah, it's just too It's just.

0:33:29.640 --> 0:33:31.120
<v Speaker 1>You can't you don't know for sure, you know.

0:33:31.240 --> 0:33:34.440
<v Speaker 2>No, Again, that hot Chinese art market kind of dilutes

0:33:34.520 --> 0:33:39.240
<v Speaker 2>the possibility that yet Chinese government there was one. There

0:33:39.280 --> 0:33:42.200
<v Speaker 2>was a second robbery on the Fountain Blue or in

0:33:42.200 --> 0:33:45.479
<v Speaker 2>an attempt, the police broke it up before it could happen,

0:33:46.000 --> 0:33:50.640
<v Speaker 2>in Operation Bamboo. The I guess Spanish and French police

0:33:50.680 --> 0:33:53.400
<v Speaker 2>got together and they said, let's get these guys, and

0:33:53.440 --> 0:33:55.560
<v Speaker 2>they did before they could rob the place. And those

0:33:55.600 --> 0:33:59.200
<v Speaker 2>guys said that they were hired by the Chinese mafia

0:33:59.520 --> 0:34:02.320
<v Speaker 2>and that they had been going after three specific pieces

0:34:02.320 --> 0:34:07.320
<v Speaker 2>of art, Chinese art. And I don't think that that

0:34:07.400 --> 0:34:10.840
<v Speaker 2>led anywhere either. I think also though, even if you

0:34:10.880 --> 0:34:14.160
<v Speaker 2>could trace it back to say the Poly group or

0:34:15.440 --> 0:34:20.880
<v Speaker 2>the Prime Minister, it wouldn't matter. China would basically just

0:34:20.920 --> 0:34:24.200
<v Speaker 2>say so, or they would deny it or whatever, and

0:34:24.320 --> 0:34:28.080
<v Speaker 2>everybody needs to be essentially an at least good economic

0:34:28.160 --> 0:34:31.160
<v Speaker 2>terms with China right now that it's just the issue

0:34:31.200 --> 0:34:34.360
<v Speaker 2>is not going to get pressed, so it doesn't really matter.

0:34:34.680 --> 0:34:38.160
<v Speaker 2>It's more just an academic kind of interesting thing to

0:34:38.200 --> 0:34:40.960
<v Speaker 2>try to track it back to who's behind it. It's

0:34:41.000 --> 0:34:44.960
<v Speaker 2>not actually going to result in any kind of geopolitical differences.

0:34:45.400 --> 0:34:48.520
<v Speaker 1>No, of course, not as far as the Chinese government.

0:34:48.560 --> 0:34:51.560
<v Speaker 1>You know, this whole time, they've maintained like, hey, this

0:34:52.000 --> 0:34:55.960
<v Speaker 1>isn't us that's doing this. The Polyculture group, I believe

0:34:56.000 --> 0:34:59.560
<v Speaker 1>the general manager even talk to the Global Times about

0:34:59.560 --> 0:35:02.480
<v Speaker 1>it instead of was a nonsense story, the GQ story.

0:35:03.239 --> 0:35:05.719
<v Speaker 1>We may sue. I don't think anything ever became of that.

0:35:06.320 --> 0:35:07.440
<v Speaker 2>My dad's gonna see you.

0:35:07.960 --> 0:35:11.840
<v Speaker 1>Yeah, do with that, which you will. But you know,

0:35:12.120 --> 0:35:15.719
<v Speaker 1>their official position as a government is like all of

0:35:15.760 --> 0:35:19.960
<v Speaker 1>that stuff is illegitimate, Like everything you own, you own illegally.

0:35:21.320 --> 0:35:26.200
<v Speaker 1>There's nothing like if you have one like they had

0:35:26.239 --> 0:35:27.799
<v Speaker 1>one in the airport, like you mentioned, if you have

0:35:27.840 --> 0:35:31.440
<v Speaker 1>something like this in your private collection. The Chinese government

0:35:31.480 --> 0:35:34.560
<v Speaker 1>doesn't dissuade any of that. I don't know that they

0:35:34.640 --> 0:35:38.120
<v Speaker 1>officially encourage it, but they they definitely don't say like, hey,

0:35:38.640 --> 0:35:40.560
<v Speaker 1>you have the stolen thing in your private collection.

0:35:41.040 --> 0:35:44.160
<v Speaker 2>No, and there's no apparently there's no legal repercussions for

0:35:44.239 --> 0:35:47.960
<v Speaker 2>it either. Even if somebody from Norway or Sweden came

0:35:48.000 --> 0:35:51.160
<v Speaker 2>over and said this is ours, like this was stolen

0:35:51.560 --> 0:35:54.799
<v Speaker 2>from our museum, China would just be like, well, there's

0:35:54.840 --> 0:35:57.360
<v Speaker 2>no laws here that could punish whoever did this, so

0:35:57.480 --> 0:36:04.080
<v Speaker 2>go home and you. They officially apparently do discourage theft.

0:36:04.840 --> 0:36:08.920
<v Speaker 2>But because the item could become damaged in the robbery, right,

0:36:09.800 --> 0:36:13.600
<v Speaker 2>that's why, Not because it violates any laws or treaties

0:36:13.719 --> 0:36:16.000
<v Speaker 2>or anything like that. Because again, there's a lot of

0:36:16.040 --> 0:36:22.279
<v Speaker 2>soreness from the idea that these things were stolen and

0:36:22.320 --> 0:36:24.360
<v Speaker 2>there's I mean, it's not even like they make a

0:36:24.400 --> 0:36:27.719
<v Speaker 2>good case that's exactly what happened historically. And so I

0:36:27.760 --> 0:36:30.240
<v Speaker 2>was trying to figure out, like, okay, if there's museums

0:36:30.280 --> 0:36:33.480
<v Speaker 2>around the country that you know, there's this growing movement

0:36:33.520 --> 0:36:37.560
<v Speaker 2>for repatriation here in America. We have like the Indigenous

0:36:37.560 --> 0:36:40.520
<v Speaker 2>Graves Act, which is like, if you have Native American

0:36:40.600 --> 0:36:43.200
<v Speaker 2>remains in your museum collection, you should give them back

0:36:43.320 --> 0:36:47.719
<v Speaker 2>to the to the group who from which they came,

0:36:48.000 --> 0:36:50.960
<v Speaker 2>so that they can you know, bury the remains or

0:36:51.320 --> 0:36:54.440
<v Speaker 2>do whatever custom they do rather than keeping them in

0:36:54.440 --> 0:36:58.000
<v Speaker 2>a museum collection. That's a good example of this, this

0:36:58.640 --> 0:37:04.160
<v Speaker 2>kind of growing awareness of responsibility museums have for giving

0:37:04.200 --> 0:37:07.799
<v Speaker 2>stuff back that was stolen from a country. But museums

0:37:07.880 --> 0:37:11.200
<v Speaker 2>just aren't really going with it. And I was looking

0:37:11.239 --> 0:37:14.080
<v Speaker 2>at it and I sent you I think some parts

0:37:14.080 --> 0:37:17.960
<v Speaker 2>of a I think an artsy article that talks about this,

0:37:18.120 --> 0:37:23.319
<v Speaker 2>like China, Greece, Nigeria, They're all like, you, guys have

0:37:23.400 --> 0:37:27.240
<v Speaker 2>some really important cultural treasures of ours, so give them back,

0:37:27.640 --> 0:37:30.440
<v Speaker 2>and museums are basically saying like, no, you won't be

0:37:30.440 --> 0:37:32.520
<v Speaker 2>able to take good care of them. We can take

0:37:32.560 --> 0:37:34.720
<v Speaker 2>better care of them. And then I think the British

0:37:34.800 --> 0:37:39.840
<v Speaker 2>Museum was just discovered to have suffered an extensive robbery

0:37:39.880 --> 0:37:43.040
<v Speaker 2>from inside that really kind of undermines that argument that

0:37:43.200 --> 0:37:45.600
<v Speaker 2>you know, they can protect these things better than the

0:37:45.640 --> 0:37:49.399
<v Speaker 2>countries can, because this curator at the British Museum stole

0:37:49.480 --> 0:37:52.520
<v Speaker 2>something like two thousand pieces from the museum's collection was

0:37:52.560 --> 0:37:55.799
<v Speaker 2>selling them on eBay. So it's not like China and

0:37:55.840 --> 0:37:58.359
<v Speaker 2>other countries don't have a legitimate claim to this. It's

0:37:58.440 --> 0:38:02.400
<v Speaker 2>just more like Western museums are just basically they're just

0:38:02.520 --> 0:38:04.480
<v Speaker 2>digging in and saying like, no, we're not going to

0:38:04.560 --> 0:38:05.320
<v Speaker 2>give these back.

0:38:06.320 --> 0:38:09.600
<v Speaker 1>Yeah. I think if every piece of ill gotten art,

0:38:09.680 --> 0:38:14.840
<v Speaker 1>whether it was through looting or stealing or even you know,

0:38:14.920 --> 0:38:18.200
<v Speaker 1>started out that way and then we're purchased and repurchased

0:38:18.320 --> 0:38:21.120
<v Speaker 1>like that, there'd be a lot of half empty museums

0:38:21.840 --> 0:38:26.600
<v Speaker 1>if only like super legitimate, legitimately acquired art was on display.

0:38:26.760 --> 0:38:30.040
<v Speaker 2>Yeah, maybe even more than half. And that's got to

0:38:30.080 --> 0:38:32.440
<v Speaker 2>be ultimately the reason why they don't want.

0:38:32.280 --> 0:38:34.160
<v Speaker 1>To do it. Yeah, they're like, what are we going

0:38:34.239 --> 0:38:36.879
<v Speaker 1>to put in the Chinese art wing right of the.

0:38:36.840 --> 0:38:40.920
<v Speaker 2>Mets, Yeah, exactly. I think also in the UK in particular,

0:38:41.000 --> 0:38:43.360
<v Speaker 2>they have a law that says museums aren't allowed to

0:38:43.400 --> 0:38:49.000
<v Speaker 2>repatriate cultural artifacts to other countries, and they're like, yep,

0:38:49.080 --> 0:38:51.799
<v Speaker 2>that's the law, and I think the Chinese government is like,

0:38:52.000 --> 0:38:55.360
<v Speaker 2>that's your law. You can change that law. Stop hiding

0:38:55.400 --> 0:38:55.880
<v Speaker 2>behind that.

0:38:56.000 --> 0:38:57.440
<v Speaker 1>So yeah, I agree.

0:38:57.520 --> 0:38:59.759
<v Speaker 2>Yeah. I mean there were a couple of instances where

0:38:59.760 --> 0:39:02.399
<v Speaker 2>I'm like, Okay, this makes sense to not give it back,

0:39:02.480 --> 0:39:05.759
<v Speaker 2>like if there's a lot of instability and turmoil in

0:39:05.800 --> 0:39:08.279
<v Speaker 2>that country. Another one that really kind of stuck out

0:39:08.320 --> 0:39:11.800
<v Speaker 2>to me is if the cultural heritage is now divided

0:39:11.840 --> 0:39:15.239
<v Speaker 2>among multiple countries. So let's say it was a Yugo

0:39:15.520 --> 0:39:21.279
<v Speaker 2>slobban item and now, yeah, Czechoslovakia and Slovenia, they're both

0:39:21.320 --> 0:39:24.359
<v Speaker 2>saying like, that's ours, that's a tickler spot. But for

0:39:24.400 --> 0:39:27.280
<v Speaker 2>the most part, if it's you know, a stable country,

0:39:27.360 --> 0:39:30.319
<v Speaker 2>is like, that's ours. Give it back, especially if it

0:39:30.360 --> 0:39:32.920
<v Speaker 2>was looted, there really shouldn't be any discussion about that.

0:39:33.680 --> 0:39:35.360
<v Speaker 1>I'm with you.

0:39:35.360 --> 0:39:36.240
<v Speaker 2>You got anything else?

0:39:36.920 --> 0:39:38.000
<v Speaker 1>I got nothing else.

0:39:38.239 --> 0:39:40.640
<v Speaker 2>Oh well, you can look out for a movie by

0:39:41.040 --> 0:39:45.640
<v Speaker 2>Crazy Rich Asians director John M. Chew coming out sometime soon.

0:39:46.120 --> 0:39:48.640
<v Speaker 2>Netflix is gonna have something based on Grace D. Lee's

0:39:48.680 --> 0:39:51.800
<v Speaker 2>novel Portrait of a Thief. And there's a twenty twelve

0:39:51.880 --> 0:39:56.520
<v Speaker 2>Jackie Chan movie called CZ twelve about this very kind

0:39:56.520 --> 0:39:57.040
<v Speaker 2>of stuff.

0:39:58.080 --> 0:39:58.640
<v Speaker 1>Jackie Chan.

0:39:59.400 --> 0:40:03.040
<v Speaker 2>Well, since you said Jackie Champ, he unlocked with Sermail.

0:40:05.719 --> 0:40:07.840
<v Speaker 1>All right. This is on swamp coolers. Hey, guys, you

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<v Speaker 1>talked about swamp coolers in the History of Refrigeration episode.

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<v Speaker 1>We live in Santa Fe, New Mexico, at seven thousand

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<v Speaker 1>feet elevation, where it's historically hasn't gotten hot enough to

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<v Speaker 1>need air conditioning. Although summers are getting hotter here, with

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<v Speaker 1>a couple of weeks in the high to mid nineties

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<v Speaker 1>every year. Now it's pretty hot. Our house was a

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<v Speaker 1>custom built house in two thousand and five and it

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<v Speaker 1>does not have AC. So we bought a portable swamp

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<v Speaker 1>cooler last summer to help just on those handfuls of

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<v Speaker 1>really hot days when it's too hot to sleep, and

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<v Speaker 1>it's really effective, I have to say. In the dry

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<v Speaker 1>desert air, some people have whole house swamp coolers on

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<v Speaker 1>the roof with thermostats inside. They use a lot less

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<v Speaker 1>energy than AC, so there are good option in places

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<v Speaker 1>where it's dry and not too hot. They only lower

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<v Speaker 1>the temperature ten to fifteen degrees. That's not bad at all,

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<v Speaker 1>So anything ninety five we get for a short time

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<v Speaker 1>wouldn't really work. I disagree. Eighty to ninety five is

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<v Speaker 1>pretty substantial, Yeah for sure, But that is from Chandra.

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<v Speaker 2>Thanks a lot, Chandra, whole house swamp cooler. Can you

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<v Speaker 2>just see like the tops like open and it says

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<v Speaker 2>igloo and giant letters on the side.

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<v Speaker 1>Yeah, it sounds like a record name too, like an

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<v Speaker 1>album title.

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<v Speaker 2>Whole house swamp cooler.

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<v Speaker 1>Yeah. Yeah, the chick us all mudpuppies or.

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<v Speaker 2>Something very nice, Chuck, very nice. Well, if you want

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<v Speaker 2>to be like Chandra and write in and tell us

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<v Speaker 2>about something that we talked about, that's whole house size.

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<v Speaker 2>We love hearing that kind of stuff. You can shoot

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<v Speaker 2>us an email to stuff podcast at iHeartRadio dot com.

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<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

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