WEBVTT - The Case of the Two Nancy Drews

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<v Speaker 1>Art originals.

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<v Speaker 2>This is an iHeart original.

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<v Speaker 3>So as the woman here at very special episodes, I

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<v Speaker 3>feel like it's incumbent upon me to note that, as

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<v Speaker 3>we all know, Friday, March eighth is International Women's Day,

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<v Speaker 3>So it feels important at least to take a few

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<v Speaker 3>minutes at the top of the episode to honor some

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<v Speaker 3>of the incredible women in our lives, especially because this

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<v Speaker 3>is such a female centric episode.

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<v Speaker 4>So Dana, I'm going to queue you up.

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<v Speaker 5>I don't think we need my perspective as a father

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<v Speaker 5>of daughters, nephew of aunts.

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<v Speaker 4>Why don't you tell us.

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<v Speaker 5>About a professional person in your life who's been an

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<v Speaker 5>idol or a mentor, Oh.

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<v Speaker 3>My god, an idle. I have a lot of idols.

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<v Speaker 3>Alyssa Mastromonico, who is just an incredible woman in person.

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<v Speaker 3>She worked in the Obama administration and now I've worked

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<v Speaker 3>with her on this podcast called Hysteria. She's just so

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<v Speaker 3>smart and grounded and cool and down to earth. She's

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<v Speaker 3>just sort of like the model that I try to

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<v Speaker 3>base everything I do on in terms of just like

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<v Speaker 3>other idols. Sometimes when I feel too good about myself,

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<v Speaker 3>I'll read a Joan Didion book and be like Oh,

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<v Speaker 3>we're both writers, but we're not doing the same thing.

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<v Speaker 1>Oh, man, I know exactly what.

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<v Speaker 4>You mean by that. Saren.

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<v Speaker 5>Any any women mentors you want to shout out for

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<v Speaker 5>International Women's Day?

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<v Speaker 1>Oh well, I mean, I wouldn't even be on this

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<v Speaker 1>show with y'all if it wasn't for my two English teachers,

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<v Speaker 1>Vicki Serati and Pamela Mauri. Thank you both. But like

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<v Speaker 1>I have, and I think as a guy, it's incumbent

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<v Speaker 1>upon me to point out how many female role models,

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<v Speaker 1>women who inspire me, Like I have a list here

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<v Speaker 1>before me, Jason, I just kind of jotted down a couple.

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<v Speaker 1>Agatha Christi right, mystery writer, Lucy Parson's political organizer, stage coach,

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<v Speaker 1>Mary Black woman on the front here alone, Erica Jong, writer,

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<v Speaker 1>Bessie Coleman pilot, Thelma Shuna maker editor, Catherine Bigelow filmmaker,

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<v Speaker 1>Agnes Varda filmmaker, Anita Franco Folk sanger, Vera Rubin astronomer,

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<v Speaker 1>Poncho Barnes, pilot friend of the early astronauts, Emily Noather,

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<v Speaker 1>mathematician who developed the theory of least action, and of

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<v Speaker 1>course Amelia Earhart, my first role model.

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<v Speaker 4>So there you go, that's pretty impressed.

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<v Speaker 5>I think we got five or six future episodes out

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<v Speaker 5>of that list right there. Just taking notes, but I

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<v Speaker 5>feel like we should probably start to get to the

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<v Speaker 5>episode here, Dana, in honor of International Women's Day. Yes,

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<v Speaker 5>we're have Zaren tell you the story this week.

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<v Speaker 3>This is great. I get a week off. This is

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<v Speaker 3>exactly how I want to spend International Women's Day.

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<v Speaker 5>Saren, you want to just set this one up for

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<v Speaker 5>us before we get in.

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<v Speaker 4>We'll talk about it at the end.

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<v Speaker 1>Okay, Well, this one is. I loved this story. It

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<v Speaker 1>was told to me, and the question of the story

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<v Speaker 1>I think is so central to the story. I'll just

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<v Speaker 1>hit you with the question, which is, do you know

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<v Speaker 1>who wrote Nancy Drew?

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<v Speaker 3>No, but here's an really embarrassing confession. So I don't

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<v Speaker 3>know who wrote Nancy Drew, just like off the top

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<v Speaker 3>of my head, which I feel like I should. I

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<v Speaker 3>was never a big Nancy Drew kid, but I did

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<v Speaker 3>like the computer games.

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<v Speaker 4>Okay, I feel ja hunky.

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<v Speaker 3>That's my Nancy Drew connection. If anyone shout out to

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<v Speaker 3>the Nancy Drew computer games, hit me up in my DMS.

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<v Speaker 3>If you also loved those games.

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<v Speaker 1>Rereader's gammers. You're all welcome to this story, because this

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<v Speaker 1>is Nancy Drew. In the late nineteen seventies, an eleven

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<v Speaker 1>year old girl was kidnapped from the town of Richfield, Minnesota.

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<v Speaker 1>The eighty pound girl was trapped in the trunk of

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<v Speaker 1>her kidnappers car for fourteen hours. The young girl never

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<v Speaker 1>gave up. She eventually figured out how to escape from

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<v Speaker 1>the trunk of the nineteen seventy Ford. She unscrewed the

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<v Speaker 1>bolts from the car's tail light. Then she kicked out

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<v Speaker 1>the light and squeezed her way out. The girl was

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<v Speaker 1>able to flag down a passing car. How did an

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<v Speaker 1>eleven year old manage to do this simple? She asked herself,

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<v Speaker 1>what would Nancy Drew do? Then she did exactly that.

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<v Speaker 1>The astounded police told the local press that the girl

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<v Speaker 1>had read around forty five Nancy Drew books, and the

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<v Speaker 1>mystery stories prepared her mind to deal with the situation

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<v Speaker 1>and to escape. The story was often repeated in nineteen eighty,

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<v Speaker 1>the fiftieth anniversary of the publication of the first Nancy

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<v Speaker 1>Drew books. Nineteen eighty was also the year that the

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<v Speaker 1>mysterious publishing syndicate behind Nancy Drew was dragged into court

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<v Speaker 1>to settle a dispute over who owned the rights to

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<v Speaker 1>the mystery series. Millions of dollars of profits and royalties

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<v Speaker 1>were on the line. Two women, both accomplished and successful

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<v Speaker 1>in their respective careers, sat in that New York courtroom.

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<v Speaker 1>One was seventy four years old, dressed in a powder

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<v Speaker 1>blue pantsuit and not exactly eager to take the stand.

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<v Speaker 1>The other was an eighty seven year old woman, and

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<v Speaker 1>she owned the publishing house. It had been decades since

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<v Speaker 1>the two women had seen each other. Both would be

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<v Speaker 1>called to testify, and both would swear to the judge

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<v Speaker 1>and jury that she was the real writer behind Nancy Drew.

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<v Speaker 1>Welcome to very special episodes an iHeart original podcast. I'm

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<v Speaker 1>your host, Zaren Burnett, and this is the case of

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<v Speaker 1>the two Nancy Drews. It should be no surprise that

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<v Speaker 1>Nancy Drew has enjoyed an enduring relevance in the culture,

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<v Speaker 1>nor should it surprise anyone that she remains such a

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<v Speaker 1>beloved fictional character. Nancy Drew was and is the plucky

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<v Speaker 1>teen girl detective with a wicked, sharp mind who's just

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<v Speaker 1>as fearless as she is smart, It's a rather irresistible

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<v Speaker 1>combination for a detective. The most interesting mystery of this

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<v Speaker 1>teen girl detective isn't her popularity, and it also isn't

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<v Speaker 1>hidden in the plots of the books. The greatest mystery

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<v Speaker 1>is right there on the cover of the books. It's

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<v Speaker 1>the name of the author. Most folks have no idea

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<v Speaker 1>the author, Carolyn Keene, never really existed, which begs the question, well, then,

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<v Speaker 1>who was Carolyn Keene? That was not the mystery that

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<v Speaker 1>author Melanie Rayjak set out to solve. Melanie originally was

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<v Speaker 1>just looking for a good story to tell. She'd wanted

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<v Speaker 1>to write a biography of the Ohio based journalist in

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<v Speaker 1>general all around badass, Mildred Wirt Benson.

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<v Speaker 6>And there were all these tidbits in the obituary that

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<v Speaker 6>were really fascinating to me, like that she had a

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<v Speaker 6>pilot's license and that she had been a journalist for decades.

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<v Speaker 1>Mildred was the first woman to graduate with a master's

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<v Speaker 1>degree from the University of Iowa's School of Journalism, and

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<v Speaker 1>she went on to be one of America's great mid

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<v Speaker 1>century journalists, one who happened to be a woman. Mildred's

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<v Speaker 1>other claim to fame. She was the main writer behind

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<v Speaker 1>the Nancy Drew books. There was another big reason that

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<v Speaker 1>Melanie was interested in that fact.

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<v Speaker 7>I was a crazy Nancy Drew reader.

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<v Speaker 6>These books were sort of always floating around in our house,

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<v Speaker 6>and I read all of them millions of times.

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<v Speaker 1>But as she started looking through Mildred's archives, she kept

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<v Speaker 1>running across something else, another.

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<v Speaker 6>Name I kept coming across. Threaded in with all of

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<v Speaker 6>her stuff about you know, her upbringing and her schoolwork

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<v Speaker 6>and all the things she'd done in Iowa and her

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<v Speaker 6>career afterwards, these stories about Harriet Straatemeyer. And although clearly

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<v Speaker 6>was connected to Nancy Drew, that seems odd to me

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<v Speaker 6>that she would preserve the story of this other person

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<v Speaker 6>in her personal documents.

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<v Speaker 1>It grabbed Melanie's full attention, intrigued her, and as she

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<v Speaker 1>looked further into it, she hit upon a realization.

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<v Speaker 6>It kind of emerged, you know, as if sort of

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<v Speaker 6>out of the ether. I was like, oh, she's preserved

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<v Speaker 6>this story because there are these competing narratives about how

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<v Speaker 6>Nancy Drew came to be.

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<v Speaker 1>Melanie stepped into her own real life Nancy Drew mystery.

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<v Speaker 1>It was up to her to solve the mystery of

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<v Speaker 1>who is the real Carolyn Keene. The next thing Melanie

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<v Speaker 1>Rayjak discovered was that she was not alone. Others had

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<v Speaker 1>also attempted to solve this mystery before her, most importantly

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<v Speaker 1>one other teen detective Jeffrey s. Laban.

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<v Speaker 6>He didn't do it for anything. He did it for Mildred.

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<v Speaker 6>I think that to be a fan is to be

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<v Speaker 6>a volunteer champion, and is only ever motivated by love

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<v Speaker 6>and passion. And those are great things in the world.

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<v Speaker 1>Motivated by love and passion. This quite accurately describes our

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<v Speaker 1>other amateur detective, Jeffrey s Laban.

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<v Speaker 8>Jeff is fine, saves time.

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<v Speaker 1>Jeff is a retired cellist. He played for four decades

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<v Speaker 1>with the Indianapolis Symphony Orchestra. He is a man powered

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<v Speaker 1>by love and passion. Back when he was a boy

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<v Speaker 1>in the nineteen fifties, he was a young reader of

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<v Speaker 1>series mystery books. Later, those same forces would fuel his

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<v Speaker 1>desire to solve the mystery of who is the real

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<v Speaker 1>Carolyn Keene.

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<v Speaker 8>One of the department stores downtown would have once a

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<v Speaker 8>year a sale on children's series books, and so it

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<v Speaker 8>would generally be the first two or the three volumes

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<v Speaker 8>of each series.

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<v Speaker 1>His mother would order a box of these books for

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<v Speaker 1>her young, voracious reader, and one of those boxes of

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<v Speaker 1>books would change the shape and the course of her

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<v Speaker 1>young son's life.

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<v Speaker 8>I remember that the first one that I opened to

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<v Speaker 8>read was The Hidden Staircase. And here she sneaks into

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<v Speaker 8>the house during a rainstorm, and while she is hiding

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<v Speaker 8>in the closet in this room, she feels something poking

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<v Speaker 8>in her back, and she turns around and pushes it,

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<v Speaker 8>and its door slides open, and she falls down this

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<v Speaker 8>long stone staircase.

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<v Speaker 1>Jeff poured through all of the available Nancy Drew books.

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<v Speaker 1>Along the way, he grew more and more enamored with

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<v Speaker 1>the voice of this author. What so clearly resonated with

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<v Speaker 1>young Jeff was not just the dark and moody vibe,

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<v Speaker 1>but also the mysterious presence on the other side of

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<v Speaker 1>the page. He'd read a lot of series books, but

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<v Speaker 1>the writing of the Nancy Drew books was a cut above.

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<v Speaker 1>Over time, Jeff also noticed that in some Nancy Drew

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<v Speaker 1>books the writing was noticeably better than in others. He

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<v Speaker 1>didn't yet know it then, but even as a young reader,

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<v Speaker 1>Jeff could intuitively tell one writer hadn't written all of

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<v Speaker 1>the books in the Nancy Drew series. Indeed, there was

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<v Speaker 1>more than one Carolyn Keene. What that meant was a

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<v Speaker 1>mystery yet for him to solve. But soon enough he

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<v Speaker 1>would discover that truth, which would lead to the most

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<v Speaker 1>important question, who is the heroine of this tale? And

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<v Speaker 1>could that same woman also be the villain? Our two

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<v Speaker 1>amateur detectives, Jeff and Melanie, were both undaunted. They'd cracked

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<v Speaker 1>this case, just like their girl, Nancy Drew. The long

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<v Speaker 1>hot days of summer finally gave way to the embrace

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<v Speaker 1>of the cool and brisk of autumn. It was nineteen

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<v Speaker 1>twenty nine September, to be exact. Looking to the future,

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<v Speaker 1>a businessman put his thoughts to paper as he typed

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<v Speaker 1>up a memo. Edward Stratamier had first started his company

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<v Speaker 1>Stratamire Syndicate back in nineteen oh five. Back then, he

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<v Speaker 1>wrote and published dime novels, most notably books that were

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<v Speaker 1>aimed at children. This was his main business series books,

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<v Speaker 1>adventure books, mystery books. He was quite good a natural storyteller.

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<v Speaker 1>Edward eventually began to use pen names so he could

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<v Speaker 1>write more and more books in different genres. Soon enough,

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<v Speaker 1>he couldn't keep up with all of the contracts for

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<v Speaker 1>books he had signed, so he hired ghostwriters. He'd come

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<v Speaker 1>up with the story and they'd write it out.

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<v Speaker 4>To keep things.

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<v Speaker 1>Simple and to make sure that there were plenty of books,

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<v Speaker 1>Edward attached a pen name to each series. That way,

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<v Speaker 1>if the author behind it changed, the public would never

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<v Speaker 1>be the wiser. This marked the true beginning of the

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<v Speaker 1>Stratamier syndicate, and then for decades his firm cranked out

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<v Speaker 1>series novels meant to be devoured by young readers. His

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<v Speaker 1>business plan proved steadily profitable. In nineteen twenty nine, Edward

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<v Speaker 1>Stratemier had an idea for a new series. He put

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<v Speaker 1>his thinking down in a memo. It was straightforward, matter

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<v Speaker 1>of fact, as was his style.

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<v Speaker 9>These suggestions are for a new series for girls verging

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<v Speaker 9>on novels. I've called this line the Stella Strong Stories.

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<v Speaker 9>Stella Strong, a girl of sixteen, is the daughter of

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<v Speaker 9>a district attorney. He is a widower and often talks

0:12:30.242 --> 0:12:34.722
<v Speaker 9>over his affairs with Stella. Then, quite unexpectedly, Stella plunged

0:12:34.762 --> 0:12:37.442
<v Speaker 9>into some mysteries of her own and found herself wound

0:12:37.522 --> 0:12:40.522
<v Speaker 9>up in a series of exciting situations and up to

0:12:40.602 --> 0:12:45.082
<v Speaker 9>date American girl at her best, Bright, clever, resourceful, and

0:12:45.162 --> 0:12:45.922
<v Speaker 9>full of energy.

0:12:49.002 --> 0:12:51.842
<v Speaker 1>Edward found a partner in a small publishing house called

0:12:51.962 --> 0:12:55.122
<v Speaker 1>Grosset and Dunlap. They agreed to a contract for three

0:12:55.202 --> 0:12:58.522
<v Speaker 1>books of the new series. After Edward Stratemire got the

0:12:58.562 --> 0:13:01.042
<v Speaker 1>green light, one of the first things he did was

0:13:01.082 --> 0:13:04.202
<v Speaker 1>to rework the name of the girl. Detective Stella Strong

0:13:04.322 --> 0:13:07.482
<v Speaker 1>lacked a certain realism. She sounded like a comic Carowin.

0:13:07.722 --> 0:13:10.442
<v Speaker 1>Edward wanted something that made her seem more relatable to

0:13:10.482 --> 0:13:14.722
<v Speaker 1>the everyday girl. He and the publisher traded ideas until boom,

0:13:14.882 --> 0:13:18.482
<v Speaker 1>they landed on it. The name we all know Nancy Drew.

0:13:19.482 --> 0:13:22.122
<v Speaker 1>Now with the right name and a contract in place

0:13:22.162 --> 0:13:25.682
<v Speaker 1>for a three book series, Edward took his next important step.

0:13:26.002 --> 0:13:28.082
<v Speaker 1>He reached out to a young writer he'd worked with

0:13:28.162 --> 0:13:30.882
<v Speaker 1>a few times before on a series for girls, in

0:13:30.922 --> 0:13:33.122
<v Speaker 1>particular his Ruth Fielding series.

0:13:33.762 --> 0:13:36.322
<v Speaker 9>I have just succeeded in signing up one of our

0:13:36.322 --> 0:13:39.362
<v Speaker 9>publishers for a new series of books for girls. These

0:13:39.402 --> 0:13:42.722
<v Speaker 9>will be bright, vigorous stories for older girls, having to

0:13:42.722 --> 0:13:44.922
<v Speaker 9>do with the solving of several mysteries.

0:13:45.842 --> 0:13:49.482
<v Speaker 1>Edward laid out his expectations for their working relationship. The

0:13:49.522 --> 0:13:52.162
<v Speaker 1>writer would pen all three books for the Nancy Drew

0:13:52.242 --> 0:13:55.882
<v Speaker 1>mystery stories. The novels would be based on outlines supplied

0:13:55.962 --> 0:13:58.722
<v Speaker 1>by him. The writer would have four weeks to turn

0:13:58.762 --> 0:14:02.082
<v Speaker 1>in a manuscript, and in turn, the writer would receive

0:14:02.242 --> 0:14:05.682
<v Speaker 1>one hundred and twenty five dollars for their work. That's

0:14:05.802 --> 0:14:10.242
<v Speaker 1>one hundred and twenty five per book, no royalties, nothing else.

0:14:10.802 --> 0:14:13.602
<v Speaker 1>Most importantly, the ghostwriters would sign away their rights to

0:14:13.682 --> 0:14:16.842
<v Speaker 1>their work and would receive no credit for their writing. Instead,

0:14:16.842 --> 0:14:20.442
<v Speaker 1>the author of the series would be the fictitious Carolyn Keene.

0:14:21.642 --> 0:14:24.162
<v Speaker 1>The young writer considered the offer, and then in October

0:14:24.282 --> 0:14:27.922
<v Speaker 1>nineteen twenty nine, she agreed to the deal. The writer's

0:14:28.002 --> 0:14:32.282
<v Speaker 1>name was Mildred Augustine. Later Mildred worked by marriage, and

0:14:32.362 --> 0:14:36.402
<v Speaker 1>even later Mildred worked Benson by a second marriage. As contracted,

0:14:36.482 --> 0:14:39.522
<v Speaker 1>Mildred wrote the first three books in the Nancy Drew series,

0:14:39.882 --> 0:14:43.082
<v Speaker 1>The Secret of the Old Clock, The Hidden Staircase, and

0:14:43.322 --> 0:14:46.602
<v Speaker 1>The Bungalow Mystery. Those first three books would become an

0:14:46.642 --> 0:14:49.722
<v Speaker 1>instant success for the publisher. They marked the beginning of

0:14:49.762 --> 0:14:54.322
<v Speaker 1>a new American icon. While Edward Stratemeyer created the bones

0:14:54.362 --> 0:14:57.002
<v Speaker 1>of Nancy Drew, and he drew the sketches of the

0:14:57.002 --> 0:15:00.442
<v Speaker 1>outlines of the first three stories. It was Mildred who

0:15:00.482 --> 0:15:02.962
<v Speaker 1>would go on to flesh out the character and give

0:15:03.282 --> 0:15:07.042
<v Speaker 1>Nancy Drew life. She transformed the outlines into a compelling,

0:15:07.082 --> 0:15:10.562
<v Speaker 1>in vivid world of mystery and spooky portent, culminating in

0:15:10.602 --> 0:15:14.162
<v Speaker 1>the payoff of well earned justice at the end. According

0:15:14.202 --> 0:15:18.402
<v Speaker 1>to Mildred's diaries, Edward Stratamier never really gave her much

0:15:18.442 --> 0:15:20.442
<v Speaker 1>to work with In those original outlines.

0:15:20.682 --> 0:15:23.002
<v Speaker 2>The basic plot was simply that there was an old

0:15:23.042 --> 0:15:25.482
<v Speaker 2>clock in which there was a booklet hidden, and the

0:15:25.522 --> 0:15:27.962
<v Speaker 2>booklet gave the clue to the fact that the will

0:15:28.242 --> 0:15:31.482
<v Speaker 2>was in a safe deposit box. Then there was detail

0:15:31.522 --> 0:15:34.002
<v Speaker 2>on that and the conflict of people wanting to get

0:15:34.002 --> 0:15:36.882
<v Speaker 2>the old man's money. But that was the basic plot,

0:15:36.922 --> 0:15:39.522
<v Speaker 2>which was a very old, hackneyed thing.

0:15:39.882 --> 0:15:43.202
<v Speaker 1>That's all there was, which left much for Mildred to do.

0:15:43.842 --> 0:15:46.362
<v Speaker 1>What was particularly fresh about Nancy Drew was that she

0:15:46.522 --> 0:15:49.522
<v Speaker 1>was made specifically four girls, and not only that she

0:15:49.642 --> 0:15:53.202
<v Speaker 1>was a new type of American girl, as Edward Stratamier put.

0:15:53.042 --> 0:15:57.682
<v Speaker 9>It, an up to date American girl at her best right, clever,

0:15:57.962 --> 0:15:59.722
<v Speaker 9>resourceful and full of energy.

0:16:00.282 --> 0:16:03.122
<v Speaker 1>This same attitude was reflected in his own home and

0:16:03.322 --> 0:16:06.282
<v Speaker 1>in how Edward raised his daughters.

0:16:06.322 --> 0:16:11.442
<v Speaker 6>Stratamar were a very sort of upstanding, fairly upper class family,

0:16:11.602 --> 0:16:15.042
<v Speaker 6>and I think he cared a lot about patriotism of

0:16:15.082 --> 0:16:19.882
<v Speaker 6>the day, and he educated his daughters, which was not

0:16:19.962 --> 0:16:21.962
<v Speaker 6>always the case in that era.

0:16:22.882 --> 0:16:26.122
<v Speaker 1>More than a mere capitalist, Edward Stratmeier was the sort

0:16:26.122 --> 0:16:28.202
<v Speaker 1>of American we don't see much of these days.

0:16:28.362 --> 0:16:29.882
<v Speaker 7>I would have loved to sit down and talk to him.

0:16:29.882 --> 0:16:33.682
<v Speaker 6>I mean, I think that he really was a wonderful

0:16:34.002 --> 0:16:38.082
<v Speaker 6>person who was very smart and cared a lot about

0:16:38.642 --> 0:16:40.842
<v Speaker 6>how people take up their place in the world.

0:16:42.242 --> 0:16:44.842
<v Speaker 1>Yet Edward was still a man of his time, and

0:16:44.882 --> 0:16:48.082
<v Speaker 1>thus he never actually expected his daughters to follow him

0:16:48.082 --> 0:16:51.802
<v Speaker 1>into business and take over his publishing empire. But cruel

0:16:51.882 --> 0:16:55.322
<v Speaker 1>reality stepped in. The first Nancy Drew mystery story was

0:16:55.362 --> 0:16:59.042
<v Speaker 1>published on April twenty eighth, nineteen thirty. The thing about

0:16:59.202 --> 0:17:02.282
<v Speaker 1>any beginning is that it also marks the end of something.

0:17:02.802 --> 0:17:06.002
<v Speaker 1>In this case, that was the literal truth, because just

0:17:06.042 --> 0:17:09.762
<v Speaker 1>as this new American icon first came into being, Edward

0:17:09.922 --> 0:17:13.002
<v Speaker 1>stepped out of the frame. On May tenth, nineteen thirty,

0:17:13.042 --> 0:17:15.602
<v Speaker 1>a mere twelve days after the first Nancy Drew book

0:17:15.682 --> 0:17:19.962
<v Speaker 1>was published, Edward Stratemeyer dropped dead. He passed away at

0:17:19.962 --> 0:17:23.122
<v Speaker 1>home after a bout of pneumonia. He was sixty seven.

0:17:23.802 --> 0:17:26.882
<v Speaker 1>Left behind in his impressive wake of success and brought

0:17:26.922 --> 0:17:31.322
<v Speaker 1>low by loss and bereavement were Edward's two daughters, Harriet

0:17:31.362 --> 0:17:34.962
<v Speaker 1>and Edna. After his sudden passing, his daughters inherited their

0:17:34.962 --> 0:17:38.482
<v Speaker 1>father's publishing empire, built on the backs of ghostwriters in

0:17:38.562 --> 0:17:42.362
<v Speaker 1>series books. Their father never taught them about business affairs,

0:17:42.842 --> 0:17:45.562
<v Speaker 1>so most folks assumed his daughters would sell the company

0:17:45.562 --> 0:17:48.122
<v Speaker 1>and live off the profits. But the trouble for that

0:17:48.202 --> 0:17:51.162
<v Speaker 1>plan there was this thing called a Great Depression. In

0:17:51.202 --> 0:17:54.602
<v Speaker 1>October nineteen twenty nine, the same month Mildred first started

0:17:54.642 --> 0:17:58.402
<v Speaker 1>work on the new series, the stock market cratered, plunging

0:17:58.442 --> 0:18:03.562
<v Speaker 1>America into a financial catastrophe. America entered the Great Depression.

0:18:03.922 --> 0:18:08.602
<v Speaker 1>The heiresses tried the reasonable response first, they actively courted buyers,

0:18:09.002 --> 0:18:12.282
<v Speaker 1>but the collapse of America's economy six months prior to

0:18:12.322 --> 0:18:15.802
<v Speaker 1>their father's death made it exceedingly difficult for the two

0:18:15.842 --> 0:18:19.842
<v Speaker 1>heiresses to sell their father's publishing company. There were no

0:18:19.962 --> 0:18:22.042
<v Speaker 1>buyers to be found anywhere.

0:18:22.402 --> 0:18:24.882
<v Speaker 6>They are unable to do that because it's the depression

0:18:24.922 --> 0:18:26.642
<v Speaker 6>and no one is buying this company, no one has

0:18:26.642 --> 0:18:29.682
<v Speaker 6>any money. And so this is the moment at which

0:18:30.002 --> 0:18:33.322
<v Speaker 6>my feelings about Harriet's Roudemyer Adams and the story kind

0:18:33.362 --> 0:18:34.682
<v Speaker 6>of changed.

0:18:35.082 --> 0:18:38.562
<v Speaker 1>It's a real and raw moment. What would or could

0:18:38.722 --> 0:18:42.242
<v Speaker 1>the Stratomeyer daughters do. The one asset the daughters had

0:18:42.282 --> 0:18:45.762
<v Speaker 1>on their side was their father's personal secretary. She'd worked

0:18:45.802 --> 0:18:49.282
<v Speaker 1>with Edward for fifteen years and was familiar with the

0:18:49.282 --> 0:18:50.722
<v Speaker 1>inner workings of the business.

0:18:51.602 --> 0:18:53.762
<v Speaker 6>They decide they're going to have to keep the company,

0:18:53.802 --> 0:18:56.402
<v Speaker 6>and they're going to have to run the company. To me,

0:18:56.682 --> 0:19:01.802
<v Speaker 6>Harriet sort of emerges in this moment as someone who

0:19:01.922 --> 0:19:06.562
<v Speaker 6>has suddenly been given an opportunity to really do something

0:19:06.602 --> 0:19:08.082
<v Speaker 6>in the world, which she.

0:19:08.882 --> 0:19:10.922
<v Speaker 7>Hadn't had and probably wouldn't have had any other.

0:19:10.802 --> 0:19:13.202
<v Speaker 6>Way, because she was sort of well to do, housewife

0:19:13.202 --> 0:19:16.842
<v Speaker 6>and mother for and I think she was really into it.

0:19:16.922 --> 0:19:19.922
<v Speaker 6>I think she was like, I'm going to actually have

0:19:19.962 --> 0:19:23.282
<v Speaker 6>a chance to use my education and to run this

0:19:23.362 --> 0:19:25.922
<v Speaker 6>company that I love, which was started by my father

0:19:26.002 --> 0:19:29.082
<v Speaker 6>who I adored. And so they take it up and

0:19:29.802 --> 0:19:32.082
<v Speaker 6>they really made a go of it.

0:19:33.282 --> 0:19:36.362
<v Speaker 1>In the beginning, the sisters shared the daily workload of

0:19:36.402 --> 0:19:39.762
<v Speaker 1>they're new to them publishing empire. But rather quickly it

0:19:39.802 --> 0:19:42.642
<v Speaker 1>became self evident that Harriet had a head for business.

0:19:43.002 --> 0:19:45.442
<v Speaker 1>Edna did not, so she took a step back.

0:19:45.722 --> 0:19:45.882
<v Speaker 7>Well.

0:19:45.962 --> 0:19:49.762
<v Speaker 1>Harriet, whose married name was Adams, plunged herself into the

0:19:49.762 --> 0:19:53.042
<v Speaker 1>business world, which was not at all ready for someone

0:19:53.162 --> 0:19:53.562
<v Speaker 1>like her.

0:19:53.922 --> 0:19:57.762
<v Speaker 6>There's a lot of correspondence in the files where people

0:19:58.482 --> 0:20:02.282
<v Speaker 6>just address her as mister Adams, like they can't even

0:20:02.322 --> 0:20:05.202
<v Speaker 6>conceive of the idea that a woman is running this

0:20:05.282 --> 0:20:07.042
<v Speaker 6>company and she just sort of.

0:20:07.122 --> 0:20:09.122
<v Speaker 7>To deal with it. And so I really sort of

0:20:09.122 --> 0:20:10.522
<v Speaker 7>came to admire her this way.

0:20:10.682 --> 0:20:12.562
<v Speaker 6>It really gave me a different perspective on her, to

0:20:12.602 --> 0:20:14.442
<v Speaker 6>think about what it must have been like in nineteen

0:20:14.482 --> 0:20:18.282
<v Speaker 6>thirty to take that over, and how in some ways

0:20:18.282 --> 0:20:21.882
<v Speaker 6>it must have fulfilled some dream she had.

0:20:22.162 --> 0:20:25.002
<v Speaker 1>To aid the fulfillment of her dream. Harriet had a

0:20:25.042 --> 0:20:28.762
<v Speaker 1>few key assets on her side. One her father's publishing

0:20:28.762 --> 0:20:33.442
<v Speaker 1>empire's track record of success, two his profit minded business model,

0:20:34.202 --> 0:20:38.842
<v Speaker 1>three the guidance of her father's personal secretary. And above

0:20:38.882 --> 0:20:43.762
<v Speaker 1>all else, Harriet had one all important asset Nancy drew

0:20:44.362 --> 0:20:50.042
<v Speaker 1>that said, Harriet also had one other key asset, her ghostwriter, Mildred.

0:20:50.442 --> 0:20:52.682
<v Speaker 1>The sisters reached out to their ghostwriter and asked her

0:20:52.682 --> 0:20:55.842
<v Speaker 1>about writing another Nancy Drew book, a fourth in the series.

0:20:56.082 --> 0:20:58.922
<v Speaker 1>It would be followed by many, many more. The resulting

0:20:58.962 --> 0:21:03.402
<v Speaker 1>contracts made official their long and lucrative partnership. When our

0:21:03.442 --> 0:21:06.442
<v Speaker 1>other amateur sleuth, Jeff, first encountered the mystery of who

0:21:06.522 --> 0:21:09.682
<v Speaker 1>is the real Carolyn Keen, he didn't yet know it

0:21:09.722 --> 0:21:12.082
<v Speaker 1>at the time, but he'd stepped into a role he'd

0:21:12.122 --> 0:21:16.802
<v Speaker 1>only ever imagined, a real life teen detective. For both

0:21:16.842 --> 0:21:20.322
<v Speaker 1>real and fictional detectives, to solve a mystery often requires

0:21:20.682 --> 0:21:23.762
<v Speaker 1>a great deal of shoe leather. For Jeff, just like

0:21:23.802 --> 0:21:26.482
<v Speaker 1>for Melanie RayJack, it meant a great deal of time

0:21:26.522 --> 0:21:29.922
<v Speaker 1>spent in the library. Before the Internet, the library was

0:21:29.962 --> 0:21:33.002
<v Speaker 1>a great place to solve a stubborn mystery. There the

0:21:33.082 --> 0:21:36.362
<v Speaker 1>library in the nineteen sixties, That's where Jeff came across

0:21:36.402 --> 0:21:40.402
<v Speaker 1>his first big clue that Carolyn Keene wasn't who he

0:21:40.442 --> 0:21:43.442
<v Speaker 1>thought she was. The clue was discovered in the library's

0:21:43.482 --> 0:21:47.122
<v Speaker 1>card catalog index. Jeff recalls well that moment when he

0:21:47.202 --> 0:21:52.642
<v Speaker 1>first read those three magic words Carolyn Keene pseudonym.

0:21:53.042 --> 0:21:55.482
<v Speaker 8>Well, first of all, I didn't one with pseudonym meant,

0:21:55.722 --> 0:21:59.762
<v Speaker 8>and so I asked the librarian and she said, well,

0:21:59.802 --> 0:22:02.162
<v Speaker 8>that means. It is what they also call a pen name.

0:22:02.482 --> 0:22:05.282
<v Speaker 8>They have made up a name to write under to

0:22:05.442 --> 0:22:07.922
<v Speaker 8>hide their identity. For some reason, he.

0:22:08.042 --> 0:22:10.202
<v Speaker 1>Had to know more. It was like a magic spell

0:22:10.242 --> 0:22:13.842
<v Speaker 1>had been cast, or perhaps more accurately, it felt like

0:22:13.922 --> 0:22:17.882
<v Speaker 1>the burn for justice of a gumshoe. Detective Jeff knew

0:22:17.962 --> 0:22:19.882
<v Speaker 1>he had to solve this mystery.

0:22:20.242 --> 0:22:23.322
<v Speaker 8>I had gotten bitten by the bug, so that's why

0:22:23.402 --> 0:22:25.642
<v Speaker 8>I just went on this quest to figure out what

0:22:25.842 --> 0:22:26.682
<v Speaker 8>is going on here.

0:22:26.962 --> 0:22:30.682
<v Speaker 1>The teen detective discovered his next clue at a second library,

0:22:30.962 --> 0:22:33.362
<v Speaker 1>Baltimore's Enoch Pratt Free Library.

0:22:33.802 --> 0:22:37.242
<v Speaker 8>It was really exciting. On the main floor they had

0:22:37.362 --> 0:22:41.442
<v Speaker 8>their general reference section, and on the one set of

0:22:41.482 --> 0:22:47.562
<v Speaker 8>bookcases they had these huge, huge volumes, massive tones, and

0:22:47.962 --> 0:22:50.562
<v Speaker 8>they listed by year all the books that had just

0:22:50.642 --> 0:22:54.402
<v Speaker 8>been published or came into print that year. And I

0:22:54.522 --> 0:22:58.162
<v Speaker 8>remember just simply looking up the name Carolyn Keene because

0:22:58.242 --> 0:23:01.282
<v Speaker 8>I was wondering, well, what can I find out about

0:23:01.322 --> 0:23:06.602
<v Speaker 8>this pseudonym? And someone had very thoughtfully penciled in an

0:23:06.642 --> 0:23:09.202
<v Speaker 8>ass to risk next to the name Carolyn Keene and

0:23:09.242 --> 0:23:12.082
<v Speaker 8>it says real name word Comma Mildred A.

0:23:13.122 --> 0:23:18.882
<v Speaker 1>Wirt Mildred A. The asterisk note led Jeff to another

0:23:18.922 --> 0:23:22.322
<v Speaker 1>one of those massive tones where he found more.

0:23:22.122 --> 0:23:25.802
<v Speaker 8>Clues, and they listed not only her name, but a

0:23:25.802 --> 0:23:30.122
<v Speaker 8>lot of other pseudonyms. It also said Carolyn Keene. Well,

0:23:30.202 --> 0:23:32.282
<v Speaker 8>so that was when the bells went off for me,

0:23:32.322 --> 0:23:35.602
<v Speaker 8>and I said aha. And then also in the same

0:23:35.722 --> 0:23:39.082
<v Speaker 8>reference room, they had telephone books from around the country,

0:23:39.122 --> 0:23:41.882
<v Speaker 8>and since it listed that she lived in Toledo, I

0:23:41.922 --> 0:23:44.762
<v Speaker 8>looked at the Toledo telephone book and sure enough, there

0:23:44.842 --> 0:23:45.602
<v Speaker 8>she was listed.

0:23:45.922 --> 0:23:50.002
<v Speaker 1>Jeff jotted down the information, but then time passed. In fact,

0:23:50.242 --> 0:23:54.482
<v Speaker 1>it was years. During college, Jeff moved Indianapolis. Once there,

0:23:54.522 --> 0:23:57.762
<v Speaker 1>he realized he didn't live far from Toledo, Ohio. Jeff

0:23:57.802 --> 0:23:59.882
<v Speaker 1>was no longer a teen detective. Now he was a

0:23:59.882 --> 0:24:02.842
<v Speaker 1>young adult about to pursue his own career, and one

0:24:02.962 --> 0:24:05.922
<v Speaker 1>day he was reminded of the mystery who is the

0:24:06.002 --> 0:24:10.442
<v Speaker 1>real Caroline Keen? When The Saturday Review published an article

0:24:10.442 --> 0:24:12.802
<v Speaker 1>in nineteen sixty nine with the title The Secret of

0:24:12.842 --> 0:24:16.442
<v Speaker 1>Nancy Drew and in the article the writer credited Harriet

0:24:16.482 --> 0:24:20.442
<v Speaker 1>Strademeier as the author of all at the time forty

0:24:20.482 --> 0:24:24.442
<v Speaker 1>three published Nancy Drew Books. Jeff was surprised to see

0:24:24.442 --> 0:24:27.042
<v Speaker 1>that that was much different information than what he'd learned

0:24:27.042 --> 0:24:30.122
<v Speaker 1>in the library as a kid. So Jeff decided, since

0:24:30.162 --> 0:24:33.042
<v Speaker 1>he was so close, perhaps he could meet Mildred in

0:24:33.082 --> 0:24:35.842
<v Speaker 1>person and hear what she had to say about that

0:24:35.882 --> 0:24:39.522
<v Speaker 1>particular article. Since it was the nineteen sixties, Jeff sent

0:24:39.562 --> 0:24:43.242
<v Speaker 1>Mildred a letter sure enough good to her Midwestern nature.

0:24:43.402 --> 0:24:47.162
<v Speaker 1>She responded she invited him to come meet her, not

0:24:47.282 --> 0:24:49.082
<v Speaker 1>at her home, because who knows what sort of fan

0:24:49.122 --> 0:24:51.882
<v Speaker 1>he might be, but he could meet her at her office.

0:24:52.162 --> 0:24:53.562
<v Speaker 1>Jeff was elated.

0:24:54.042 --> 0:24:58.082
<v Speaker 8>I took a Greyhound bus over to Toledo and met

0:24:58.122 --> 0:25:01.522
<v Speaker 8>her at a newspaper office where she worked, the Toledo Blade.

0:25:01.962 --> 0:25:04.762
<v Speaker 8>And I remember that when she would just opened her

0:25:04.762 --> 0:25:07.882
<v Speaker 8>desk drawer to put away her scarf, sitting in the

0:25:07.882 --> 0:25:10.762
<v Speaker 8>top of the drawer was that issue of Saturday Review.

0:25:11.322 --> 0:25:12.842
<v Speaker 8>I knew I had come to the right place.

0:25:14.202 --> 0:25:17.722
<v Speaker 1>When Mildred was confronted by the diligent young detective, she

0:25:17.882 --> 0:25:20.962
<v Speaker 1>wasn't keen to talk. You see, Mildred had legally sworn

0:25:21.002 --> 0:25:23.722
<v Speaker 1>in contracts that she'd never speak publicly about her work

0:25:23.762 --> 0:25:27.882
<v Speaker 1>for the Stratamyer Syndicate. Consequently, Mildred rarely revealed her identity

0:25:27.922 --> 0:25:31.082
<v Speaker 1>as a ghostwriter, whether out of professional courtesy or out

0:25:31.082 --> 0:25:34.602
<v Speaker 1>of fear of the syndicate's lawyers. She was a professional,

0:25:34.842 --> 0:25:37.762
<v Speaker 1>and she had her newspaper career to think of. The result,

0:25:37.962 --> 0:25:41.962
<v Speaker 1>her identity remained a secret. That is save for in

0:25:42.002 --> 0:25:45.962
<v Speaker 1>the Ohio area, where local newspapers often proudly cited Mildred

0:25:46.002 --> 0:25:48.362
<v Speaker 1>as the author and ghostwriter of the Nancy Drew books.

0:25:48.682 --> 0:25:51.842
<v Speaker 1>So Mildred's neighbors they may have known the secret of

0:25:51.882 --> 0:25:55.242
<v Speaker 1>the Stratamyer Syndicate, but most folks, even those in the

0:25:55.242 --> 0:25:59.922
<v Speaker 1>publishing industry itself, had no idea. However, Mildred was still human,

0:26:00.282 --> 0:26:04.242
<v Speaker 1>and slowly, over time and after numerous visits, she warmed

0:26:04.322 --> 0:26:06.842
<v Speaker 1>to Jeff and she trusted him with her secret.

0:26:07.002 --> 0:26:10.322
<v Speaker 8>It eventually got to the point where there were quite

0:26:10.322 --> 0:26:14.282
<v Speaker 8>a few Thanksgivings when I would drive over and have

0:26:14.442 --> 0:26:17.722
<v Speaker 8>Thanksgiving dinner with her at the Toledo Club, and after

0:26:17.762 --> 0:26:19.762
<v Speaker 8>that we would go back to her house and just

0:26:19.962 --> 0:26:21.402
<v Speaker 8>sit and talk and talk.

0:26:21.842 --> 0:26:25.562
<v Speaker 1>During these long conversations, Mildred opened up about her secret

0:26:25.562 --> 0:26:29.242
<v Speaker 1>life as Carolyn Keene. For one, it wasn't super glamorous.

0:26:29.402 --> 0:26:31.442
<v Speaker 1>When Mildred was writing the books, she had to make

0:26:31.522 --> 0:26:34.922
<v Speaker 1>time to write. She paid serious costs to get those

0:26:34.962 --> 0:26:38.802
<v Speaker 1>words down on paper. Her routine was this, She'd return

0:26:38.842 --> 0:26:41.242
<v Speaker 1>home from work at the newspaper. Her mother would be

0:26:41.322 --> 0:26:44.602
<v Speaker 1>there taking care of Mildred's kids. Her husband, Asa worked

0:26:44.962 --> 0:26:48.402
<v Speaker 1>was sickly in bedridden, so there at his bedside, she'd

0:26:48.402 --> 0:26:51.882
<v Speaker 1>set up a little table, situate her typewriter and write

0:26:51.962 --> 0:26:53.202
<v Speaker 1>her Nancy Drew stories.

0:26:54.162 --> 0:26:56.882
<v Speaker 2>Lots of people think that Nancy Drew just came, but

0:26:56.962 --> 0:27:00.482
<v Speaker 2>I paid for that with blood, with real blood. I

0:27:00.602 --> 0:27:02.762
<v Speaker 2>sweat when I wrote the books, and I worked hard,

0:27:03.002 --> 0:27:06.322
<v Speaker 2>unbelievably hard. I don't think very many people would ever

0:27:06.322 --> 0:27:08.282
<v Speaker 2>work as hard as I worked during the most active

0:27:08.362 --> 0:27:10.802
<v Speaker 2>years of my life. I would never do it again.

0:27:12.002 --> 0:27:15.002
<v Speaker 1>Over the course of their friendship, Mildred expressed the same

0:27:15.122 --> 0:27:18.682
<v Speaker 1>sentiment to Jeff. She shared the cost of bringing Nancy

0:27:18.762 --> 0:27:21.522
<v Speaker 1>Drew to life, and she spoke of the time that

0:27:21.602 --> 0:27:22.442
<v Speaker 1>she lost.

0:27:22.162 --> 0:27:22.762
<v Speaker 9>From her own.

0:27:24.162 --> 0:27:27.602
<v Speaker 8>There were certain things that I felt I needed to

0:27:27.642 --> 0:27:30.962
<v Speaker 8>steer clear of with her her first husband Asa, when

0:27:31.202 --> 0:27:33.762
<v Speaker 8>he was ill, and she just set up her typewriter

0:27:33.962 --> 0:27:37.322
<v Speaker 8>next to his bed, and I remember asking her a

0:27:37.402 --> 0:27:39.762
<v Speaker 8>question and she said, oh, there, don't go digging up

0:27:39.802 --> 0:27:42.202
<v Speaker 8>all his memories again. And she just didn't want to

0:27:42.202 --> 0:27:45.482
<v Speaker 8>deal with it, so I would never press her for

0:27:45.562 --> 0:27:48.482
<v Speaker 8>details about anything in her personal life.

0:27:48.362 --> 0:27:50.762
<v Speaker 1>At the time, back when she spent all those sleepless

0:27:50.842 --> 0:27:53.962
<v Speaker 1>nights tending to her ill husband as she breathed life

0:27:53.962 --> 0:27:57.562
<v Speaker 1>into a teen detective. There was a very understandable reason

0:27:57.602 --> 0:28:00.362
<v Speaker 1>why Mildred did it, as she told Harriet in a

0:28:00.362 --> 0:28:01.522
<v Speaker 1>thank you note.

0:28:01.722 --> 0:28:04.042
<v Speaker 2>During the past four and a half years, while my

0:28:04.202 --> 0:28:08.402
<v Speaker 2>husband has steadily gone downhill following a series of seven strokes,

0:28:09.202 --> 0:28:12.362
<v Speaker 2>there have been times when I seriously considered giving up writing.

0:28:13.122 --> 0:28:14.882
<v Speaker 2>Some of the copy I turned out a year or

0:28:14.962 --> 0:28:18.322
<v Speaker 2>so ago probably was not my best. But you are

0:28:18.402 --> 0:28:21.002
<v Speaker 2>very patient, and I feel now that I am over

0:28:21.002 --> 0:28:24.202
<v Speaker 2>the hump, so to speak. The syndicate gift of one

0:28:24.242 --> 0:28:27.482
<v Speaker 2>thousand dollars is more than generous, and to say I'm

0:28:27.522 --> 0:28:31.442
<v Speaker 2>appreciative expresses it mildly. I trust Nancy will go on

0:28:31.562 --> 0:28:33.922
<v Speaker 2>for many years, and that she will vie with the

0:28:34.002 --> 0:28:37.122
<v Speaker 2>Rover Boys in carving a lasting name for herself in

0:28:37.162 --> 0:28:38.162
<v Speaker 2>popular fiction.

0:28:38.842 --> 0:28:42.322
<v Speaker 1>Which Nancy Drew certainly did, but Mildred did not seek

0:28:42.322 --> 0:28:44.322
<v Speaker 1>to make a name for herself as the writer of

0:28:44.322 --> 0:28:47.802
<v Speaker 1>the beloved Teen Girl Detective, and thus no one could

0:28:47.882 --> 0:28:51.762
<v Speaker 1>ever know about what she'd sacrificed to give them. Nancy Drew,

0:28:52.282 --> 0:28:54.642
<v Speaker 1>that was the deal, and she knew it. She accepted it.

0:28:55.002 --> 0:28:59.002
<v Speaker 1>So then why did she open up to Jeff. Maybe

0:28:59.042 --> 0:29:02.282
<v Speaker 1>it's because, at that very human level, it must have

0:29:02.362 --> 0:29:05.082
<v Speaker 1>been nice to have someone know what she'd done, what

0:29:05.162 --> 0:29:07.962
<v Speaker 1>she'd given, to have someone come and thank her and

0:29:08.002 --> 0:29:10.642
<v Speaker 1>tell her what she and her work meant to him.

0:29:10.722 --> 0:29:13.402
<v Speaker 1>It must have felt like a small but meaningful reward

0:29:13.722 --> 0:29:16.122
<v Speaker 1>for her labors. She got to see and feel for

0:29:16.162 --> 0:29:19.482
<v Speaker 1>herself the impact her writing had on her readers. While

0:29:19.522 --> 0:29:22.802
<v Speaker 1>Jeff was slowly uncovering the details of the woman behind

0:29:22.882 --> 0:29:25.842
<v Speaker 1>Nancy Drew, the rest of the world was hearing a

0:29:26.002 --> 0:29:29.442
<v Speaker 1>much different story. Back to that Saturday Review story that

0:29:29.522 --> 0:29:33.242
<v Speaker 1>Jeff mentioned in the January twenty fifth, nineteen sixty nine

0:29:33.322 --> 0:29:35.922
<v Speaker 1>issue of Saturday Review, and a story with the title

0:29:36.082 --> 0:29:39.322
<v Speaker 1>The Secret of Nancy Drew, the writer purported that the

0:29:39.402 --> 0:29:43.202
<v Speaker 1>quote grandmotherly lady end quote who penned the Nancy Drew

0:29:43.242 --> 0:29:47.202
<v Speaker 1>mystery stories was Harriet Strathemier, and that she with the

0:29:47.322 --> 0:29:51.242
<v Speaker 1>lightly mentioned help before ghostwriters, but mainly she had written

0:29:51.282 --> 0:29:54.602
<v Speaker 1>the series dating back to nineteen thirty. That same story

0:29:54.642 --> 0:29:57.242
<v Speaker 1>claim that in nineteen sixty nine, Harriet was about to

0:29:57.282 --> 0:30:00.562
<v Speaker 1>complete her forty third Nancy Drew book. That was not

0:30:00.642 --> 0:30:03.602
<v Speaker 1>exactly true. The number was true, but not the part

0:30:03.642 --> 0:30:06.082
<v Speaker 1>about her completing the work. But who could question her

0:30:06.162 --> 0:30:10.722
<v Speaker 1>version of events? The ghostwriter contracts made that near impossible. Meanwhile,

0:30:10.762 --> 0:30:13.042
<v Speaker 1>at this same time, the end of the sixties and

0:30:13.082 --> 0:30:15.682
<v Speaker 1>the beginning of the seventies marked a renaissance for the

0:30:15.722 --> 0:30:19.402
<v Speaker 1>teen girl detective. In the culture, Nancy Drew was highlighted

0:30:19.442 --> 0:30:23.562
<v Speaker 1>as an early feminist icon and heroin for multiple generations

0:30:23.562 --> 0:30:25.962
<v Speaker 1>of girls and women. And while the articles of the

0:30:26.082 --> 0:30:28.762
<v Speaker 1>day did credit Harriet as the writer, there was some

0:30:28.882 --> 0:30:32.402
<v Speaker 1>growing skepticism. For example, an article in the Chicago Tribune.

0:30:32.762 --> 0:30:35.922
<v Speaker 1>It praised Harriet, but it also included this line that

0:30:36.042 --> 0:30:39.402
<v Speaker 1>Harriet's secretary quote said she prefers not to answer the

0:30:39.482 --> 0:30:42.082
<v Speaker 1>questions of whether her boss had written every book in

0:30:42.122 --> 0:30:45.762
<v Speaker 1>the series end quote. The answer to that all important

0:30:45.802 --> 0:30:49.522
<v Speaker 1>question was about to be revealed in a very public place,

0:30:50.002 --> 0:30:51.562
<v Speaker 1>specifically in a courtroom.

0:30:51.602 --> 0:30:52.202
<v Speaker 4>In New York.

0:30:58.042 --> 0:31:00.722
<v Speaker 1>There had been early attempts to get at the truth

0:31:00.762 --> 0:31:03.762
<v Speaker 1>of who is the real Caroline Keene In the first

0:31:03.802 --> 0:31:07.682
<v Speaker 1>decade of Nancy Drew's existence. The trade publication Blusher's Weekly

0:31:07.802 --> 0:31:11.722
<v Speaker 1>did the legwork. The subsequent story revealed the actual inner

0:31:11.762 --> 0:31:16.202
<v Speaker 1>workings of the Stratmeier syndicate under Harriet's leadership. There was

0:31:16.362 --> 0:31:20.402
<v Speaker 1>mention of ghostwriters. There was another article by Fortune magazine,

0:31:20.402 --> 0:31:22.842
<v Speaker 1>and it was more of an expose, laying out in

0:31:22.962 --> 0:31:26.442
<v Speaker 1>detail how Edward used uncredited writers to churn out book

0:31:26.482 --> 0:31:31.122
<v Speaker 1>after book. The expose by Fortune provided the undeniable proof

0:31:31.402 --> 0:31:35.442
<v Speaker 1>that no real Carolyn Keene existed, that Nancy Drew, The

0:31:35.482 --> 0:31:38.122
<v Speaker 1>Hardy Boys and all the other book series were the

0:31:38.162 --> 0:31:42.442
<v Speaker 1>product of a small cabal of ghostwriters, and Mildred was

0:31:42.562 --> 0:31:46.322
<v Speaker 1>but one. This is another important fact. Mildred was not

0:31:46.442 --> 0:31:49.962
<v Speaker 1>the only ghostwriter who penned Nancy Drew books, but she

0:31:50.162 --> 0:31:53.602
<v Speaker 1>wrote the vast majority of them. Yet, in nineteen thirty seven,

0:31:53.962 --> 0:31:57.482
<v Speaker 1>for reasons we perhaps can only assume, the Library of

0:31:57.562 --> 0:32:01.842
<v Speaker 1>Congress credited another ghostwriter as the sole author behind the

0:32:01.842 --> 0:32:05.602
<v Speaker 1>pseudonym Carolyn Keene, a man by the name of Walter Kerrig.

0:32:06.362 --> 0:32:10.522
<v Speaker 1>He'd written just three Nancy Drew Mysteries. For many years after,

0:32:10.842 --> 0:32:14.642
<v Speaker 1>this error was often repeated in the press. This confusion

0:32:14.762 --> 0:32:19.602
<v Speaker 1>was particularly irritating to Harriet's Stratamire, and consequently it motivated

0:32:19.602 --> 0:32:24.482
<v Speaker 1>her to erect barriers around the Stratamire Syndicate and its operations.

0:32:24.882 --> 0:32:28.882
<v Speaker 1>As well, she labored to correct the record in her favor.

0:32:29.442 --> 0:32:32.522
<v Speaker 1>Whenever she had the opportunity with the press, Harriet worked

0:32:32.562 --> 0:32:36.122
<v Speaker 1>to construct a new narrative. The story she spun was that,

0:32:36.282 --> 0:32:40.202
<v Speaker 1>despite any talk of ghostwriters, she was the real author

0:32:40.282 --> 0:32:44.922
<v Speaker 1>of Nancy Drew stories. As the years marched on, newspapers

0:32:44.922 --> 0:32:49.682
<v Speaker 1>and magazines began to exclusively tell Harriet's carefully curated story,

0:32:49.962 --> 0:32:53.482
<v Speaker 1>the one where she was the real Carolyn Keene, and

0:32:53.562 --> 0:32:57.442
<v Speaker 1>through it all, Mildred remained quiet. She didn't come forward

0:32:57.442 --> 0:33:00.642
<v Speaker 1>to dispute the narrative at first, and for many years

0:33:00.682 --> 0:33:04.082
<v Speaker 1>decades even things were good. The Nancy Drew books allowed

0:33:04.082 --> 0:33:07.562
<v Speaker 1>the syndicate to survive the Depression, to thrive after, and

0:33:07.642 --> 0:33:10.082
<v Speaker 1>to grow into the home of one of the most

0:33:10.082 --> 0:33:14.082
<v Speaker 1>beloved American characters. As thanks for her hard work and

0:33:14.162 --> 0:33:18.242
<v Speaker 1>her loyalty, Harriet was often generous with Mildred. For instance,

0:33:18.362 --> 0:33:21.282
<v Speaker 1>she'd sent Mildred the extra money while her husband was ill,

0:33:21.642 --> 0:33:25.602
<v Speaker 1>but gestures like that bonus were infrequent, and over time

0:33:26.242 --> 0:33:30.002
<v Speaker 1>tensions crept into their relationship. The two women had developed

0:33:30.122 --> 0:33:33.602
<v Speaker 1>vastly differing ideas of who Nancy Drew was, and as

0:33:33.602 --> 0:33:36.362
<v Speaker 1>the years wore on, the tastes of the day changed,

0:33:36.642 --> 0:33:40.762
<v Speaker 1>the styles and politics followed suit that divide between the

0:33:40.802 --> 0:33:44.282
<v Speaker 1>women and their view of Nancy Drew only grew more obvious.

0:33:44.642 --> 0:33:47.042
<v Speaker 1>Eventually it was as if they were talking about two

0:33:47.162 --> 0:33:50.482
<v Speaker 1>different girls. In the end, it was Harriet who decided

0:33:50.482 --> 0:33:53.402
<v Speaker 1>to cut ties. She and her sister Edna felt that

0:33:53.442 --> 0:33:57.842
<v Speaker 1>Mildred had become argumentative and difficult. The sisters preferred to

0:33:57.922 --> 0:34:00.882
<v Speaker 1>replace Mildred with someone who'd gladly accept the assignment and

0:34:00.922 --> 0:34:04.202
<v Speaker 1>do as instructed and contracted without so much hassle, someone

0:34:04.202 --> 0:34:06.882
<v Speaker 1>who'd likely do it for less money, and, as Harry

0:34:07.002 --> 0:34:10.802
<v Speaker 1>it saw it, with far less headaches. Finally, in the

0:34:10.882 --> 0:34:13.882
<v Speaker 1>nineteen fifties, she made it official. After two decades of

0:34:13.922 --> 0:34:17.962
<v Speaker 1>working together and twenty three books, Harriet and her sister

0:34:18.082 --> 0:34:22.082
<v Speaker 1>Edna decided to sever their professional relationship with Mildred when

0:34:22.122 --> 0:34:25.922
<v Speaker 1>they replaced her. They never even wrote to tell her. Instead,

0:34:26.362 --> 0:34:32.642
<v Speaker 1>they ghosted her. The irony is almost comical. Mildred turned

0:34:32.682 --> 0:34:35.162
<v Speaker 1>her back on the Stratamire Syndicate. She went on with

0:34:35.202 --> 0:34:37.682
<v Speaker 1>her life as a newspaper writer. There would be no

0:34:37.802 --> 0:34:41.802
<v Speaker 1>more Nancy Drew for her. Yet, that small indignity and

0:34:41.922 --> 0:34:44.922
<v Speaker 1>the bitter pill of Harriet taking credit for Mildred's work,

0:34:45.402 --> 0:34:48.442
<v Speaker 1>those weren't the only insults that she had to endure.

0:34:48.922 --> 0:34:51.522
<v Speaker 1>Around that same time. In the nineteen fifties, the Stratamire

0:34:51.562 --> 0:34:54.922
<v Speaker 1>Syndicate began a series of revisions of the original Nancy

0:34:55.002 --> 0:34:59.602
<v Speaker 1>Drew books. Times had changed, technologies had changed, Television was

0:34:59.642 --> 0:35:03.202
<v Speaker 1>disrupting everything. Nancy Drew books needed to be updated to

0:35:03.242 --> 0:35:07.242
<v Speaker 1>reflect this. One example, her age was up to eight team.

0:35:07.762 --> 0:35:10.642
<v Speaker 1>Why because it allowed Nancy Drew to drive in all

0:35:10.722 --> 0:35:14.202
<v Speaker 1>fifty states. This was just one of the many changes

0:35:14.402 --> 0:35:16.922
<v Speaker 1>made to reflect the real world of the readers.

0:35:18.002 --> 0:35:20.682
<v Speaker 7>They did need to make the books shorter.

0:35:20.802 --> 0:35:23.482
<v Speaker 6>They were like these books now, you know, children are

0:35:23.482 --> 0:35:29.042
<v Speaker 6>like watching television and a kind of like precursor to

0:35:29.082 --> 0:35:32.682
<v Speaker 6>our current era, Like everything started moving faster and kids

0:35:32.682 --> 0:35:35.802
<v Speaker 6>had less attention, and so the action has to happen

0:35:35.882 --> 0:35:39.002
<v Speaker 6>much faster, Like we can't have these sort of wandering

0:35:39.082 --> 0:35:40.442
<v Speaker 6>byways down.

0:35:40.242 --> 0:35:43.282
<v Speaker 7>The dark road with the.

0:35:42.722 --> 0:35:45.762
<v Speaker 6>Large spooky trees overhanging it as the rain begins, you know,

0:35:45.882 --> 0:35:48.282
<v Speaker 6>and all that stuff, that atmospheric stuff that made the

0:35:48.322 --> 0:35:49.122
<v Speaker 6>book so great.

0:35:50.442 --> 0:35:53.042
<v Speaker 1>There were also the vast social changes developing in the

0:35:53.122 --> 0:35:57.042
<v Speaker 1>nineteen fifties, namely the civil rights movement and the sprouting

0:35:57.082 --> 0:36:01.362
<v Speaker 1>seeds of feminism. These social changes also pushed the Stratumier

0:36:01.442 --> 0:36:05.082
<v Speaker 1>Syndicate's revisions of some characters and scenes in the Nancy

0:36:05.162 --> 0:36:08.362
<v Speaker 1>Drew books, especially the carecharacters, who were rendered as rather

0:36:08.562 --> 0:36:13.042
<v Speaker 1>racist stereotypes of the times. Harriet had labored diligently to

0:36:13.122 --> 0:36:17.722
<v Speaker 1>make Nancy Drew less independent and more like the new

0:36:17.882 --> 0:36:22.282
<v Speaker 1>nineteen fifties ideas of femininity. It was Nancy Drew as

0:36:22.322 --> 0:36:23.522
<v Speaker 1>a young June Cleaver.

0:36:24.482 --> 0:36:29.562
<v Speaker 8>She made Nancy much more wishy, washy and like toned

0:36:29.602 --> 0:36:35.002
<v Speaker 8>down because the readers could identify with a more wishy

0:36:35.162 --> 0:36:38.362
<v Speaker 8>washy person and they could you know, make themselves, you know,

0:36:38.402 --> 0:36:39.482
<v Speaker 8>fitting into that role.

0:36:40.122 --> 0:36:43.602
<v Speaker 1>Harriet rewrote the series to her taste. Doing those revisions

0:36:43.642 --> 0:36:47.042
<v Speaker 1>gave Harriet Stratemeyer the rare opportunity to try her hand

0:36:47.162 --> 0:36:50.402
<v Speaker 1>at writing, while she also erased and forever changed the

0:36:50.442 --> 0:36:53.522
<v Speaker 1>work of Mildred. This gave her more of a feeling

0:36:53.522 --> 0:36:57.202
<v Speaker 1>that she'd actually written the books, since now technically she had,

0:36:57.402 --> 0:37:00.242
<v Speaker 1>even if it was just a rewrite of the ghostwriter's words.

0:37:00.762 --> 0:37:03.842
<v Speaker 8>First of all, she said that, well, her father had

0:37:03.842 --> 0:37:07.122
<v Speaker 8>written the first three Nancy Drew books, and when he died,

0:37:07.282 --> 0:37:10.562
<v Speaker 8>she had found them all and she revised them and

0:37:10.602 --> 0:37:14.202
<v Speaker 8>sold them to the publisher. But then she changed the stories.

0:37:14.442 --> 0:37:17.922
<v Speaker 8>Eventually she took credit for having written them all herself.

0:37:19.122 --> 0:37:21.522
<v Speaker 1>If Harriet wanted to claim credit for the ghostwriter's work,

0:37:21.522 --> 0:37:24.122
<v Speaker 1>there was little they could do to stop her. All

0:37:24.162 --> 0:37:27.602
<v Speaker 1>Mildred could do was watch wordlessly as her beloved creation

0:37:27.842 --> 0:37:32.562
<v Speaker 1>morphed into someone unrecognizable to her. But while Mildred couldn't

0:37:32.562 --> 0:37:36.642
<v Speaker 1>say anything publicly, that certainly didn't stop Jeff. Harriet's claims

0:37:36.682 --> 0:37:40.002
<v Speaker 1>on Mildred's legacy bothered him. He decided he'd do something

0:37:40.042 --> 0:37:42.122
<v Speaker 1>about it. He wanted the rest of the world to

0:37:42.162 --> 0:37:45.082
<v Speaker 1>know about his friend Mildred. To Jeff, this was an

0:37:45.122 --> 0:37:48.562
<v Speaker 1>act of justice, just like something Nancy Drew would do.

0:37:49.602 --> 0:37:53.082
<v Speaker 8>It just wasn't fair that somebody else was taking credit

0:37:53.402 --> 0:37:57.882
<v Speaker 8>for somebody else's work. I just thought that, well, I

0:37:58.002 --> 0:38:00.002
<v Speaker 8>have a mission, and I can do this.

0:38:01.482 --> 0:38:05.082
<v Speaker 1>Jeff wrote articles, He wrote a journal paper. He pushed

0:38:05.162 --> 0:38:08.162
<v Speaker 1>newspapers to dig into the story and discover the truth.

0:38:08.442 --> 0:38:11.882
<v Speaker 1>By the nineteen seventies, the public narrative began to shift.

0:38:12.162 --> 0:38:16.162
<v Speaker 1>One newspaper story carried the title quote the Artful ways

0:38:16.242 --> 0:38:20.322
<v Speaker 1>of Millie Nancy Drew was her brainchild end quote. That

0:38:20.442 --> 0:38:23.962
<v Speaker 1>story detailed how Mildred was quote afraid any publicity will

0:38:24.002 --> 0:38:25.762
<v Speaker 1>get her in touch with Stradamerson.

0:38:26.242 --> 0:38:26.562
<v Speaker 4>Close.

0:38:26.642 --> 0:38:29.922
<v Speaker 1>Quote in that same article, Mildred confided.

0:38:29.922 --> 0:38:33.282
<v Speaker 2>You say anything that hurts sales, and they'll be right

0:38:33.442 --> 0:38:34.442
<v Speaker 2>on my neck.

0:38:35.482 --> 0:38:38.682
<v Speaker 1>This ongoing correcting of the record was a similar motivation

0:38:38.762 --> 0:38:42.802
<v Speaker 1>for Melanie Rayhack to write her book Girl Sleuth, Nancy

0:38:42.882 --> 0:38:46.282
<v Speaker 1>Drew and the women who created her. She also wanted

0:38:46.282 --> 0:38:48.562
<v Speaker 1>to put facts down on paper for all to see,

0:38:48.602 --> 0:38:50.482
<v Speaker 1>so that they could make up their minds about who

0:38:50.642 --> 0:38:54.402
<v Speaker 1>is the real Carolyn Keene. Eventually, as with all things,

0:38:54.642 --> 0:38:58.322
<v Speaker 1>the truth would went out. Back when Melanie Rayhack first

0:38:58.322 --> 0:39:01.442
<v Speaker 1>stepped inside the University of Iowa's library to pore over

0:39:01.482 --> 0:39:04.762
<v Speaker 1>the archive of Mildred's papers, she'd come to track down

0:39:04.882 --> 0:39:08.482
<v Speaker 1>a pioneering woman. What she disa discovered was not a mystery,

0:39:08.482 --> 0:39:12.522
<v Speaker 1>but confirmation that Mildred was a badass of mid century America.

0:39:13.402 --> 0:39:18.242
<v Speaker 6>All of Nancy's sort of intrepid intelligence comes from Mildred,

0:39:18.602 --> 0:39:21.442
<v Speaker 6>and I think that's why Edward had her picked out

0:39:21.442 --> 0:39:22.282
<v Speaker 6>to write the series.

0:39:22.362 --> 0:39:24.802
<v Speaker 7>I mean he knew. He was like, this is what this.

0:39:24.842 --> 0:39:27.362
<v Speaker 6>Character is supposed to be, and this is a person

0:39:27.442 --> 0:39:30.282
<v Speaker 6>who is naturally going to be able to put that

0:39:30.642 --> 0:39:34.122
<v Speaker 6>quality into her, you know, and all this sort of athletic.

0:39:33.762 --> 0:39:35.122
<v Speaker 7>Stuff and the physical stuff.

0:39:35.162 --> 0:39:38.562
<v Speaker 6>So Mildred was a diver, I mean, she was athletic,

0:39:38.882 --> 0:39:41.602
<v Speaker 6>so she put all that stuff into Nancy too. You know,

0:39:41.602 --> 0:39:43.842
<v Speaker 6>there's all kinds of like scrape where she's dumped out

0:39:43.882 --> 0:39:45.802
<v Speaker 6>of a boat in the middle of the lake and

0:39:45.842 --> 0:39:46.642
<v Speaker 6>she's swimming.

0:39:47.002 --> 0:39:49.562
<v Speaker 7>They were thrilling for readers at the time.

0:39:49.402 --> 0:39:54.762
<v Speaker 6>To see this teenage girl performing also these physical acts

0:39:54.762 --> 0:39:56.522
<v Speaker 6>which now we think of as like, oh yeah, sure,

0:39:56.562 --> 0:39:59.002
<v Speaker 6>swimming whatever, but you know, kind of a big deal.

0:39:59.082 --> 0:40:01.962
<v Speaker 6>So Mildred brought all of that to Nancy.

0:40:02.522 --> 0:40:05.762
<v Speaker 1>She had put her heart and soul into Nancy. And

0:40:05.842 --> 0:40:09.722
<v Speaker 1>so over time, Harriet's rewrites would come to bother Mildred

0:40:10.242 --> 0:40:13.522
<v Speaker 1>to Melanie. That tension between Harriet and Mildred's conceptions of

0:40:13.642 --> 0:40:16.202
<v Speaker 1>Nancy Drew. It wasn't so easy to sort.

0:40:15.922 --> 0:40:19.802
<v Speaker 6>Out I saw from both women's standpoints at that point, right.

0:40:19.842 --> 0:40:23.282
<v Speaker 6>I mean, I think it's indisputable that Mildred really helped

0:40:24.042 --> 0:40:26.842
<v Speaker 6>create her as the sort of iconic character that we

0:40:26.882 --> 0:40:30.002
<v Speaker 6>all remember, and really put a lot of herself into

0:40:30.002 --> 0:40:33.082
<v Speaker 6>the character. I think where I had a lot more

0:40:33.602 --> 0:40:37.522
<v Speaker 6>sympathy for Harriet than I originally thought I would was that,

0:40:37.602 --> 0:40:39.682
<v Speaker 6>you know, without her, we wouldn't have had Nancy Drew,

0:40:39.802 --> 0:40:41.842
<v Speaker 6>like if they had not taken over the company, if

0:40:41.842 --> 0:40:43.082
<v Speaker 6>they had just let it fall apart.

0:40:43.962 --> 0:40:46.802
<v Speaker 1>Eventually, life did offer up a way to parse the

0:40:46.802 --> 0:40:50.362
<v Speaker 1>two women's contributions and to determine who was responsible for

0:40:50.402 --> 0:40:54.842
<v Speaker 1>the enduring popularity of Nancy Drew. In nineteen eighty, the

0:40:54.882 --> 0:40:58.922
<v Speaker 1>Stratamier Syndicate decided to part ways with their long term publisher,

0:40:58.962 --> 0:41:02.682
<v Speaker 1>across It and Dunlap. This action would drag the truth

0:41:02.762 --> 0:41:06.322
<v Speaker 1>into the light of a courtroom for all to see.

0:41:06.402 --> 0:41:09.482
<v Speaker 1>After Harry announced her plans to switch publishers to Simon

0:41:09.522 --> 0:41:12.682
<v Speaker 1>and Schuster, Grossid and Dunlap came forward to protest the

0:41:12.722 --> 0:41:15.562
<v Speaker 1>sale and sued them both for one hundred and fifty

0:41:15.682 --> 0:41:19.202
<v Speaker 1>million dollars. Grossid and Dunlap did not want to lose

0:41:19.242 --> 0:41:21.322
<v Speaker 1>their golden goose, and they were willing to fight in

0:41:21.402 --> 0:41:25.162
<v Speaker 1>court to prevent the sale. Their lawyers alleged that there

0:41:25.162 --> 0:41:29.082
<v Speaker 1>were financial improprieties, for instance the royalties that should have

0:41:29.082 --> 0:41:32.642
<v Speaker 1>been paid to the firm's many ghostwriters. To help make

0:41:32.682 --> 0:41:37.762
<v Speaker 1>their case, Grosset and Dunlap flew in a very special witness, Mildred.

0:41:37.922 --> 0:41:40.882
<v Speaker 1>She was set to testify about how she'd not received

0:41:40.962 --> 0:41:44.802
<v Speaker 1>proper royalties from the syndicate, which ultimately was the sole

0:41:44.882 --> 0:41:48.242
<v Speaker 1>credit she did receive for her work the money. The

0:41:48.322 --> 0:41:51.482
<v Speaker 1>stage was now set. The two women would finally be

0:41:51.722 --> 0:41:54.802
<v Speaker 1>face to face with a judge and jury to weigh

0:41:54.882 --> 0:41:58.442
<v Speaker 1>the truth and decide their fates. At the time, Harriet

0:41:58.482 --> 0:42:01.362
<v Speaker 1>was eighty seven years old and not in good health.

0:42:01.802 --> 0:42:05.842
<v Speaker 1>Mildred was seventy four and still in fighting shape. Jeff

0:42:05.922 --> 0:42:07.642
<v Speaker 1>was there too to support his friend.

0:42:07.962 --> 0:42:10.642
<v Speaker 8>She was wearing a powder blue pantsuit and had a

0:42:10.642 --> 0:42:13.682
<v Speaker 8>black shoulder bag. She had her handler with her, you know,

0:42:13.722 --> 0:42:17.242
<v Speaker 8>somebody driving her around, whose name was Dick Molina. He

0:42:17.282 --> 0:42:22.162
<v Speaker 8>was an attorney. And when we arrived, Harriet was already

0:42:22.202 --> 0:42:26.762
<v Speaker 8>there and Dick Molina introduced Millie to Harriet.

0:42:27.082 --> 0:42:30.802
<v Speaker 1>As Melanie Rayhak recorded in her book, when Harriet saw Mildred,

0:42:30.922 --> 0:42:32.802
<v Speaker 1>she said to her, just one.

0:42:32.562 --> 0:42:34.682
<v Speaker 7>Thing, Arthorn, you were dead.

0:42:35.802 --> 0:42:39.642
<v Speaker 1>That's ice cold. That's cinema in fact. A moment like

0:42:39.722 --> 0:42:43.642
<v Speaker 1>that is why fact will always beat fiction. Inside that

0:42:43.682 --> 0:42:46.962
<v Speaker 1>New York courtroom, the two women met and through sworn testimony,

0:42:47.002 --> 0:42:50.962
<v Speaker 1>they battled slyly, fighting over the legacy of Nancy Drew.

0:42:51.202 --> 0:42:53.322
<v Speaker 1>Both women rose to the occasion.

0:42:54.162 --> 0:42:58.202
<v Speaker 6>It's like they both have total transference. They both basically

0:42:58.242 --> 0:43:01.762
<v Speaker 6>speak as though they are Nancy Drew, like I created Nancy.

0:43:01.882 --> 0:43:02.282
<v Speaker 4>She is me.

0:43:02.842 --> 0:43:06.082
<v Speaker 6>I mean, they're elderly by this point, and they're in

0:43:06.162 --> 0:43:12.442
<v Speaker 6>this courtroom defending their rights to this character that they

0:43:12.642 --> 0:43:14.242
<v Speaker 6>became involved with as young women.

0:43:14.922 --> 0:43:19.122
<v Speaker 1>Mildred showed up at court dressed in Nancy Drew's iconic

0:43:19.202 --> 0:43:22.522
<v Speaker 1>powder blue color. She attempted to make her points clear

0:43:22.802 --> 0:43:25.802
<v Speaker 1>as she distinguished the two Nancys. And when she says,

0:43:25.842 --> 0:43:29.242
<v Speaker 1>missus Adams, this is, of course, Harriet Strathmier Adams.

0:43:29.882 --> 0:43:33.882
<v Speaker 2>My Nancy would not be Missus Adams. Nancy, Missus Adams,

0:43:34.002 --> 0:43:37.362
<v Speaker 2>was an entirely different person. She was more cultured, and

0:43:37.402 --> 0:43:40.922
<v Speaker 2>she was more refined. I was probably a rough and

0:43:40.962 --> 0:43:43.482
<v Speaker 2>tumble newspaper person who had to earn a living, and

0:43:43.682 --> 0:43:46.682
<v Speaker 2>I was out in the world. That was my type

0:43:46.682 --> 0:43:49.362
<v Speaker 2>of Nancy. Nancy was making her way in life and

0:43:49.482 --> 0:43:52.722
<v Speaker 2>trying to compete and have fun. We just had two

0:43:52.762 --> 0:43:53.882
<v Speaker 2>different kinds of Nancies.

0:43:55.042 --> 0:43:57.202
<v Speaker 1>Mildred took her a moment on the stand to claim

0:43:57.242 --> 0:43:58.522
<v Speaker 1>her credit for herself.

0:43:59.122 --> 0:44:02.122
<v Speaker 2>Now, I'm not angry at them. I don't resent anything.

0:44:02.882 --> 0:44:05.722
<v Speaker 2>I think if there are misstatements of fact, they should

0:44:05.722 --> 0:44:08.882
<v Speaker 2>be corrected, because when a statement is made wrong and

0:44:09.002 --> 0:44:14.042
<v Speaker 2>is repeated over and over and over again, it becomes

0:44:14.122 --> 0:44:17.722
<v Speaker 2>firmly entrenched in the mind of the reading public as truth.

0:44:19.362 --> 0:44:21.882
<v Speaker 1>Mildred didn't come to court to fight over money from

0:44:21.922 --> 0:44:25.442
<v Speaker 1>the sale of the company. Nope. She just wanted the

0:44:25.482 --> 0:44:28.602
<v Speaker 1>world to know she had given them Nancy Drew. Mildred

0:44:28.722 --> 0:44:32.002
<v Speaker 1>wanted the truth to be known. When Harriet Stratamier took

0:44:32.042 --> 0:44:35.242
<v Speaker 1>the witness stand in the trial, she made quite a scene.

0:44:35.402 --> 0:44:38.882
<v Speaker 1>She testified for five days. At one point she got

0:44:38.922 --> 0:44:41.282
<v Speaker 1>so worked up she even fell out of her chair

0:44:41.322 --> 0:44:42.642
<v Speaker 1>and out of the witness.

0:44:42.322 --> 0:44:45.722
<v Speaker 4>Stand order in the court.

0:44:46.042 --> 0:44:48.722
<v Speaker 1>But through it all she stuck to her story.

0:44:49.202 --> 0:44:51.522
<v Speaker 8>A friend of mine who was the head of Juvenile

0:44:51.842 --> 0:44:54.922
<v Speaker 8>Literature division at the Library of Congress. At one point

0:44:54.962 --> 0:44:57.402
<v Speaker 8>she said of Harriet, she's gone off with the fairies.

0:44:57.522 --> 0:45:00.242
<v Speaker 8>I mean, she was believing her own hype that she

0:45:00.322 --> 0:45:02.082
<v Speaker 8>had written all these books herself.

0:45:02.922 --> 0:45:05.522
<v Speaker 1>Hearing the account of the courtroom scenes, it feels like

0:45:05.642 --> 0:45:10.122
<v Speaker 1>poetic justice from Mildred and the other ghostwriters. The enduring

0:45:10.162 --> 0:45:14.082
<v Speaker 1>mystery was finally revealed and confirmed in a courtroom. Nancy

0:45:14.162 --> 0:45:18.042
<v Speaker 1>Drew had been written by Mildred and other ghostwriters based

0:45:18.082 --> 0:45:21.122
<v Speaker 1>off of outlines supplied first by Edward Stratemeyer and later

0:45:21.482 --> 0:45:25.162
<v Speaker 1>his daughter Harriet, who'd also revised the books after they'd

0:45:25.202 --> 0:45:29.282
<v Speaker 1>been published. Outside the courtroom, it felt like Mildred had won.

0:45:29.322 --> 0:45:32.202
<v Speaker 1>The truth was now on the public record. People would

0:45:32.362 --> 0:45:35.522
<v Speaker 1>know Mildred had written the books that first made them

0:45:35.562 --> 0:45:39.042
<v Speaker 1>fall in love with Nancy Drew, while Harriet had merely

0:45:39.122 --> 0:45:43.682
<v Speaker 1>rewritten them. However, inside the courtroom it was Harriet and

0:45:43.762 --> 0:45:46.922
<v Speaker 1>Simon and Schuster who won the lawsuit. The sale of

0:45:46.962 --> 0:45:49.442
<v Speaker 1>the book rights could go forward, and the publisher did

0:45:49.482 --> 0:45:52.002
<v Speaker 1>not have to pay Grosset and Dunlap for any of

0:45:52.042 --> 0:45:56.682
<v Speaker 1>the ghostwriters any additional money. Sometimes justice and truth are

0:45:56.762 --> 0:45:59.562
<v Speaker 1>not the same thing as any good mystery writer will

0:45:59.562 --> 0:46:02.482
<v Speaker 1>tell you. So what was it like for Jeff to

0:46:02.562 --> 0:46:05.042
<v Speaker 1>witness his friend Mildred finally be acknowledged.

0:46:07.002 --> 0:46:12.082
<v Speaker 8>Well, let's just say I'm very proud, because it was

0:46:12.122 --> 0:46:15.282
<v Speaker 8>so important for her to get, you know, the fair

0:46:15.442 --> 0:46:18.682
<v Speaker 8>credits that she deserved for so much. We were, you know,

0:46:18.762 --> 0:46:21.922
<v Speaker 8>without being related, We were really family and we had

0:46:22.282 --> 0:46:26.002
<v Speaker 8>the most gotten Going to start cheering up, we had

0:46:26.042 --> 0:46:30.442
<v Speaker 8>the most wonderful, loving relationship that was unlike any that

0:46:30.482 --> 0:46:31.722
<v Speaker 8>I had had with anybody.

0:46:32.202 --> 0:46:34.962
<v Speaker 1>For Melanie Rayhak, she also got to come full circle

0:46:35.162 --> 0:46:38.282
<v Speaker 1>emotionally as well. In writing her book on Nancy and

0:46:38.322 --> 0:46:40.882
<v Speaker 1>the women who created her. She got to live as

0:46:40.922 --> 0:46:45.322
<v Speaker 1>an amateur literary detective inspired by her girlhood hero as

0:46:45.322 --> 0:46:48.282
<v Speaker 1>she chased down a real life mystery. It made her

0:46:48.282 --> 0:46:51.402
<v Speaker 1>feel more connected to the women at the heart of

0:46:51.442 --> 0:46:53.122
<v Speaker 1>this story, both women.

0:46:53.802 --> 0:46:59.802
<v Speaker 6>Writing this book gave me really a new appreciation of

0:46:59.962 --> 0:47:03.722
<v Speaker 6>what all the generations of women who came before me.

0:47:04.602 --> 0:47:06.202
<v Speaker 7>Had gone through.

0:47:07.002 --> 0:47:09.722
<v Speaker 6>That I can do what I do in all kinds

0:47:09.722 --> 0:47:13.442
<v Speaker 6>of ways as a parent and as a writer just

0:47:13.642 --> 0:47:15.722
<v Speaker 6>made me very It made me very grateful in a

0:47:15.722 --> 0:47:18.442
<v Speaker 6>way that I had not been. There's a lot of

0:47:18.842 --> 0:47:21.442
<v Speaker 6>warring in the Nancy Drew world, and people tend to

0:47:21.442 --> 0:47:24.162
<v Speaker 6>take a side are you. Are you on the Mildred

0:47:24.162 --> 0:47:27.442
<v Speaker 6>side or the Harriet side? And I think where I

0:47:27.562 --> 0:47:30.802
<v Speaker 6>tried to land and my book is in the middle.

0:47:30.842 --> 0:47:35.282
<v Speaker 6>That it's important to recognize what each of them did,

0:47:35.322 --> 0:47:39.602
<v Speaker 6>which was not the same thing, but equally valuable or

0:47:39.682 --> 0:47:43.922
<v Speaker 6>equally necessary, because without them we wouldn't have her.

0:47:46.122 --> 0:47:48.882
<v Speaker 1>Eventually, even Mildred grew a little sick of all the

0:47:48.922 --> 0:47:51.602
<v Speaker 1>attention on her and the teen girl detective. As The

0:47:51.642 --> 0:47:54.482
<v Speaker 1>New York Times quoted in her obituary, she'd once told

0:47:54.482 --> 0:47:56.522
<v Speaker 1>a Times report her quote.

0:47:56.282 --> 0:47:59.722
<v Speaker 2>I'm so sick of Nancy Drew i could vomit.

0:48:00.242 --> 0:48:02.962
<v Speaker 1>Which this seems sensible considering all that she'd been through

0:48:03.002 --> 0:48:06.442
<v Speaker 1>over the decades. In the end, though, we'll give Mildred

0:48:06.482 --> 0:48:10.522
<v Speaker 1>the final word on Nancy Drew a kinder word. Mildred

0:48:10.562 --> 0:48:13.282
<v Speaker 1>once told the San Francisco newspaper that while Nancy Drew

0:48:13.602 --> 0:48:17.002
<v Speaker 1>may have seemed a lot like Mildred, it was actually

0:48:17.202 --> 0:48:18.722
<v Speaker 1>the reverse quote.

0:48:19.202 --> 0:48:22.122
<v Speaker 2>I didn't consciously make her like myself. I made her

0:48:22.162 --> 0:48:25.922
<v Speaker 2>good looking, smart and a perfectionist. I made her a

0:48:26.002 --> 0:48:28.402
<v Speaker 2>concept of the girl I'd like to be.

0:48:33.562 --> 0:48:34.962
<v Speaker 4>So, Zaren Dana.

0:48:35.122 --> 0:48:38.602
<v Speaker 5>There were certain book series that I was introduced to

0:48:38.682 --> 0:48:41.162
<v Speaker 5>as a kid that now I know we're part of

0:48:41.202 --> 0:48:42.562
<v Speaker 5>the Stratameier syndicate.

0:48:42.682 --> 0:48:44.402
<v Speaker 4>The Bobbsey Twins.

0:48:44.082 --> 0:48:48.122
<v Speaker 5>The Happy Hollisters, Pardy Boys, Yeah, the Hardy Boys, and

0:48:48.202 --> 0:48:52.402
<v Speaker 5>Nancy Drew though, have somehow remained in the zeitgeist far.

0:48:52.202 --> 0:48:54.202
<v Speaker 4>Longer than all these other ones.

0:48:54.562 --> 0:48:56.282
<v Speaker 3>What do you think is it about Nancy Drew that

0:48:56.282 --> 0:48:57.482
<v Speaker 3>people keep coming back to?

0:48:57.962 --> 0:49:00.802
<v Speaker 1>Well, I mean, having just you know, done all this

0:49:00.882 --> 0:49:03.002
<v Speaker 1>research about her and her appeal and listening to a

0:49:03.002 --> 0:49:04.882
<v Speaker 1>lot of people have like formed their opinions about it.

0:49:05.282 --> 0:49:09.802
<v Speaker 1>There is this irresistible qualit about a girl who is defying,

0:49:10.042 --> 0:49:11.962
<v Speaker 1>not you know, like in an aggressive way, but just

0:49:12.002 --> 0:49:15.442
<v Speaker 1>defying all of the expectations of her time period, in

0:49:15.442 --> 0:49:19.042
<v Speaker 1>particular of girlhood. And so she's just out there being adventurous.

0:49:19.042 --> 0:49:21.802
<v Speaker 1>She's carrying guns, she's driving her own car. She's just

0:49:21.802 --> 0:49:24.962
<v Speaker 1>like downright cool, but not in an attitude per se,

0:49:25.002 --> 0:49:26.962
<v Speaker 1>but in her actions, you know, and everybody was just

0:49:26.962 --> 0:49:28.642
<v Speaker 1>so impressed with her. You're just like, I want to

0:49:28.682 --> 0:49:29.442
<v Speaker 1>be like that girl.

0:49:29.802 --> 0:49:32.602
<v Speaker 3>I love a mystery book. I read a lot of

0:49:32.642 --> 0:49:35.242
<v Speaker 3>mystery which is why it's so baffling that I skipped

0:49:35.282 --> 0:49:38.282
<v Speaker 3>over Nancy Dry For some reason, I loved when I

0:49:38.322 --> 0:49:40.922
<v Speaker 3>was a kid, cam Jansen, did you ever read those books?

0:49:41.282 --> 0:49:43.682
<v Speaker 3>This is like our generational divide. It was a girl,

0:49:43.722 --> 0:49:46.002
<v Speaker 3>like a very plucky girl, solving mysteries because she had

0:49:46.002 --> 0:49:49.522
<v Speaker 3>a photographic memory. Ooh, I love it, which I'm like,

0:49:49.682 --> 0:49:52.722
<v Speaker 3>give us that you know network for ce Durrel.

0:49:53.482 --> 0:49:56.362
<v Speaker 5>I can remember being in fifth grade. We had something

0:49:56.402 --> 0:49:58.842
<v Speaker 5>called the book chain, where anytime you read a book

0:49:58.882 --> 0:50:00.802
<v Speaker 5>you got to write the name of the book and

0:50:00.842 --> 0:50:03.802
<v Speaker 5>the author, make a little construction paper.

0:50:04.482 --> 0:50:06.322
<v Speaker 4>Ring and put it on the chain.

0:50:07.082 --> 0:50:10.202
<v Speaker 5>And we came back from from probably Christmas break, and

0:50:10.242 --> 0:50:14.922
<v Speaker 5>I'd read nine Nancy Drew and Nancy Drew Slash Hardy

0:50:14.962 --> 0:50:17.922
<v Speaker 5>Boys and Hardy Boys books like this was my wheelhouse

0:50:17.922 --> 0:50:20.522
<v Speaker 5>for a while. I was so proud, like I was

0:50:20.562 --> 0:50:23.722
<v Speaker 5>going to walk in here with so much construction paper.

0:50:23.762 --> 0:50:25.362
<v Speaker 4>It was going to be like an art class me

0:50:25.922 --> 0:50:26.762
<v Speaker 4>cutting this up.

0:50:27.442 --> 0:50:30.242
<v Speaker 5>And I made all my nine rings and I went

0:50:30.282 --> 0:50:33.682
<v Speaker 5>to put them on the chain. My teacher said, Jason,

0:50:33.722 --> 0:50:36.642
<v Speaker 5>you really need to diversify your reading. She was a

0:50:36.682 --> 0:50:40.682
<v Speaker 5>spot on, totally right, but that stuck with me. Like,

0:50:40.682 --> 0:50:45.562
<v Speaker 5>all right, don't get too cocky walking into these reading competitions.

0:50:45.762 --> 0:50:48.322
<v Speaker 1>Oh my god, this summer reading competition. If you read

0:50:48.322 --> 0:50:50.482
<v Speaker 1>so much, I'm sure you guys are both readers like

0:50:50.522 --> 0:50:52.842
<v Speaker 1>I was, where you would come back to people like

0:50:52.882 --> 0:50:55.362
<v Speaker 1>the teacher, the librarian and they would not believe your list.

0:50:55.402 --> 0:50:58.242
<v Speaker 1>They're like, come on, did you really read all these books?

0:50:59.522 --> 0:51:01.082
<v Speaker 3>I was one of those kids. I was like the

0:51:01.122 --> 0:51:04.042
<v Speaker 3>annoying kid. He threw off the reading curve totally.

0:51:04.522 --> 0:51:06.242
<v Speaker 4>It worked. Look where it got you today.

0:51:07.042 --> 0:51:09.802
<v Speaker 5>Casting, No, you don't know if this could be a

0:51:09.882 --> 0:51:11.122
<v Speaker 5>movie's Aaron, what do you got?

0:51:11.642 --> 0:51:13.842
<v Speaker 1>Okay? I thought about this one right, and I did

0:51:13.882 --> 0:51:17.642
<v Speaker 1>it two ways. I thought modern casting and then timeless casting. Right,

0:51:17.882 --> 0:51:21.402
<v Speaker 1>So modern casting, imagine Mildred wort Is played by Kathy

0:51:21.482 --> 0:51:25.642
<v Speaker 1>Bates and Harriet Stratamyer Adams She's played by Jane Fonda,

0:51:26.162 --> 0:51:29.162
<v Speaker 1>and then you have Edward Stratamyer played by Paul Giamatti.

0:51:30.202 --> 0:51:32.562
<v Speaker 1>Now timeless casting.

0:51:32.242 --> 0:51:36.522
<v Speaker 3>Right, Paul Giamatti, As.

0:51:35.682 --> 0:51:38.322
<v Speaker 1>I know, I struggled on that one. I'll freely admit it.

0:51:38.522 --> 0:51:40.442
<v Speaker 1>I was like, I don't know, but I just kind

0:51:40.442 --> 0:51:42.922
<v Speaker 1>of liked he had like an honesty and like when

0:51:42.962 --> 0:51:45.242
<v Speaker 1>he played John Adams. He has this decency that just

0:51:45.282 --> 0:51:47.722
<v Speaker 1>emotes from him. But either way, I may not be

0:51:47.722 --> 0:51:50.562
<v Speaker 1>spot on in that call. But say, for timeless one

0:51:50.602 --> 0:51:55.922
<v Speaker 1>Mildred Wort, how about Shirley Maclain, Harriet Stratamyer Adams as

0:51:56.162 --> 0:51:59.882
<v Speaker 1>Catherine Hepburn, and Edward Stratimyer as Claude Rains.

0:52:00.202 --> 0:52:02.802
<v Speaker 4>Oh how's that?

0:52:02.922 --> 0:52:04.922
<v Speaker 3>I mean, you're really good at this.

0:52:04.922 --> 0:52:07.802
<v Speaker 5>This is just your segment from now because no one

0:52:07.882 --> 0:52:08.802
<v Speaker 5>can compete with this.

0:52:08.922 --> 0:52:10.322
<v Speaker 4>I love the Giamati.

0:52:10.842 --> 0:52:14.002
<v Speaker 5>You could have a big, big name actor there who

0:52:14.642 --> 0:52:16.762
<v Speaker 5>dies in the first ten minutes and then.

0:52:17.042 --> 0:52:20.002
<v Speaker 3>Yeah it is you gotta have someone with integrity, someone

0:52:20.082 --> 0:52:21.762
<v Speaker 3>with some real gravitas.

0:52:21.282 --> 0:52:23.522
<v Speaker 1>Right, Yeah, it's because it feels like he's a decent guy.

0:52:23.562 --> 0:52:25.562
<v Speaker 1>You don't want him to seem like just like a businessman,

0:52:25.722 --> 0:52:28.122
<v Speaker 1>you know. So, yeah, did you guys have a very

0:52:28.122 --> 0:52:30.882
<v Speaker 1>special character from this one? Did anyone jump out for you?

0:52:31.242 --> 0:52:31.842
<v Speaker 2>Oh?

0:52:31.882 --> 0:52:34.722
<v Speaker 1>I like Jeff Lapan, the amateur detective.

0:52:34.242 --> 0:52:34.442
<v Speaker 4>You know?

0:52:34.762 --> 0:52:37.722
<v Speaker 3>Oh yeah, yeah, I love an amateur detective showing up

0:52:37.762 --> 0:52:39.842
<v Speaker 3>in a Nancy Jerry story the right.

0:52:40.202 --> 0:52:43.082
<v Speaker 1>How about also as writers, I want for every writer

0:52:43.202 --> 0:52:45.962
<v Speaker 1>for them to have a like, basically a champion, like

0:52:46.042 --> 0:52:48.202
<v Speaker 1>Jeff who just goes out there and defends them, defends

0:52:48.242 --> 0:52:51.442
<v Speaker 1>their work, fights the publishing industry. I think, especially women

0:52:51.482 --> 0:52:54.082
<v Speaker 1>writers in particular, I think they all deserve at least

0:52:54.082 --> 0:52:55.002
<v Speaker 1>one Jeffrey Laypan.

0:52:55.322 --> 0:52:58.002
<v Speaker 5>One of the things that keeps coming up again and

0:52:58.042 --> 0:53:01.442
<v Speaker 5>again on these episodes, even episodes that have very little

0:53:01.482 --> 0:53:05.122
<v Speaker 5>to do with each other topics, is the idea of

0:53:05.162 --> 0:53:09.042
<v Speaker 5>people's motivations, like why what was so important for Jeff

0:53:09.122 --> 0:53:11.882
<v Speaker 5>to get involved in this story? And we see this

0:53:12.042 --> 0:53:16.322
<v Speaker 5>in earlier episodes with the people trying to recapture the

0:53:16.322 --> 0:53:18.962
<v Speaker 5>moon rocks and the people trying to prove the Pledge

0:53:18.962 --> 0:53:22.322
<v Speaker 5>of Allegiance is not written by who you think it is.

0:53:22.602 --> 0:53:26.322
<v Speaker 4>Yeah, I mean that's just what life is. Find your thing,

0:53:26.482 --> 0:53:28.042
<v Speaker 4>go be obsessed with something.

0:53:28.202 --> 0:53:30.602
<v Speaker 5>I don't know what it's going to be for the

0:53:30.642 --> 0:53:32.562
<v Speaker 5>three of us, but we will find it by the

0:53:32.682 --> 0:53:34.522
<v Speaker 5>end of the series and let those enrich us.

0:53:35.402 --> 0:53:37.162
<v Speaker 3>So I mentioned it at the start of the show,

0:53:37.282 --> 0:53:40.522
<v Speaker 3>but the team here at Very Special Episodes is celebrating

0:53:40.562 --> 0:53:43.402
<v Speaker 3>International Women's Day this week, and so if you're looking

0:53:43.402 --> 0:53:46.802
<v Speaker 3>for more programming honoring the incredible women at the network

0:53:46.842 --> 0:53:51.402
<v Speaker 3>and worldwide, head over to iHeart Podcasts. International Women's Day

0:53:51.402 --> 0:53:55.482
<v Speaker 3>feed by searching Women take the Mic. Wherever you look

0:53:55.522 --> 0:53:59.282
<v Speaker 3>for podcasts, We're featured along shows like The Psychology of

0:53:59.282 --> 0:54:03.562
<v Speaker 3>Your Twenties, Dear Chelsea, Therapy for Black Girls. So if

0:54:03.602 --> 0:54:06.322
<v Speaker 3>any of those sound good, that's Women take the Mic

0:54:06.602 --> 0:54:12.962
<v Speaker 3>on the iHeartRadio app or wherever you get your podcasts.

0:54:13.082 --> 0:54:16.322
<v Speaker 5>Very Special Episodes is made by some very special people.

0:54:16.962 --> 0:54:21.442
<v Speaker 5>This episode was written by Zarn Burnett. Our producer, editor

0:54:21.522 --> 0:54:26.042
<v Speaker 5>and sound designer is Josh Fisher. Our story editor is

0:54:26.082 --> 0:54:31.482
<v Speaker 5>Marissa Brown. Additional editing and sound design by Jonathan Washington,

0:54:32.402 --> 0:54:37.682
<v Speaker 5>Mixing and mastering by Beheid Fraser. Original music by Elise McCoy.

0:54:38.602 --> 0:54:43.922
<v Speaker 5>Research and fact checking by Jocelyn Sears, Austin Thompson, Marissa Brown,

0:54:44.202 --> 0:54:49.682
<v Speaker 5>and Zaren Burnett. Show logo by Lucy Quintonia. Very Special

0:54:49.722 --> 0:54:53.722
<v Speaker 5>Episodes is hosted by Danish Schwartz, Zaren Burnette, and me

0:54:54.082 --> 0:54:58.042
<v Speaker 5>Jason English. I am your executive producer and we'll see

0:54:58.082 --> 0:55:02.322
<v Speaker 5>you back here next Wednesday. Special Thanks to Julia Weaver,

0:55:02.882 --> 0:55:07.922
<v Speaker 5>Ali Perry, Laura Tropiano and Carry Lieberman for including Very

0:55:07.962 --> 0:55:12.922
<v Speaker 5>Special Episodes and the International Women's Day festivities. Very Special

0:55:12.962 --> 0:55:15.962
<v Speaker 5>Episodes is a production of iHeart podcasts,