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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and they termino and gay.

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Speaker 3: We want to send you off in style. We wanna

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Speaker 3: welcome you back home. Tell us all about it.

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Speaker 1: We scared her? Was it fine?

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Speaker 2: Malborn?

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Speaker 4: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 2: Do your need you ride?

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Speaker 4: Ride? Do you need with Karen and Chris welcome to

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Speaker 4: Do you need a ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgara.

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Speaker 4: Just off the heels of a real good solo episode recording.

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Speaker 4: We are back with a guest that we're picking up.

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Speaker 4: We're doing this one starting with the guests almost immediately.

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Speaker 4: But first, Karen, how are you my friend?

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Speaker 2: I'm really good. I'm doing some kind of intensively driving

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Speaker 2: right now. There's a hill that we're about to go

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Speaker 2: down a little bit, so it's not.

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Speaker 4: A good time to ask what you've been up to.

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Speaker 1: Oh this guy? Yeah, hi guy. We know this guy.

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Speaker 4: Yes, we know this guy from many things, including a

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Speaker 4: very memorable drunk history episode. You know I'm from clubs

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Speaker 4: and colleges throughout the country. He's getting in the wrong

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Speaker 4: door right now, and it's tinted windows. It's totally understandable.

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Speaker 4: So put your ears together. Put your ears together right

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Speaker 4: now for our Today's wonderful guest, say it, Ian McLeod,

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Speaker 4: Today's wonderful guest, Alan McLeod, By Alan, Sorry about that

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Speaker 4: snaffo there.

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Speaker 2: Sorry, I thought you were being dramatic, and then I

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Speaker 2: was like playing the party.

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Speaker 4: There is a time and I hate to start with

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Speaker 4: a story like this, and I'll welcome you in a minute, Alan.

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Speaker 4: But one time, after working all week with this comic

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Speaker 4: on the last show the Sunday night we had done

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Speaker 4: like six shows, I drew that blank. I got hit

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Speaker 4: with an invisible laser today and it's been messing up things.

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Speaker 4: I couldn't remember his name in that moment, and I

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Speaker 4: panicked and I just doubled over, feigning abdominal pain.

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Speaker 1: Oh did it get you out of it?

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Speaker 4: Yes?

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Speaker 1: It works.

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Speaker 4: Yeah. I was like, I'm sorry, I just felt some

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Speaker 4: stomach pain. Everyone put your hands together for Kenny Smith.

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Speaker 4: It was the weirdest thing and a problem I have, Alan,

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Speaker 4: I know you well. I have stories. I follow up

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Speaker 4: about interactions we've had in the past. I only love

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Speaker 4: you and speak kindly of you. I'm sorry. I don't

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Speaker 4: know who this Ian fuck is.

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Speaker 3: I usually get like an Alex or something that so

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Speaker 3: Ian is a real step up.

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Speaker 4: A Yeah, I mean it's cool. Yeah, Alex, it's kind

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Speaker 4: of clunky. Ian Ian's got the juice.

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Speaker 1: Ian zero allan Alex has nothing to do with it.

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Speaker 4: Well, he said, yeah, he said he'd gotten Alex. Sorry, yeah, no,

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Speaker 4: you thought I did it again?

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Speaker 1: Yeah, I really did.

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Speaker 4: Ellen. Have you been my friend?

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Speaker 3: I've been great. I've been great. I'm so happy to

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Speaker 3: be here and thank you so much for this ride.

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Speaker 1: Oh absolutely.

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Speaker 4: This is an episode where we are actually serving as

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Speaker 4: a functional podcast and taking you to the best place

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Speaker 4: in Glendale, the Americana.

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Speaker 3: That's right. Yeah, what do.

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Speaker 4: You plan on doing at the Americana?

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Speaker 3: I'm going to see a movie and i'max.

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Speaker 4: Yeah, I think that's what I would have guessed. Which movie?

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Speaker 1: Do you want to talk about it?

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Speaker 3: Sure? I mean, I'm not I have no I don't

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Speaker 3: know why I'm saying. I have no affiliation with them.

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Speaker 3: I'm just going to see a movie.

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Speaker 4: You're not.

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Speaker 3: I was invited to go see no, I it's the

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Speaker 3: new Apes movie, Kingdom of the Planet of the Apes.

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Speaker 3: Who uh, that's that's that's that's gosh. I guess they

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Speaker 3: might have me rooting for humans in this one. Really yeah,

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Speaker 3: I mean, you know, I think that they've the Apes

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Speaker 3: of fully My understanding is the Apes of fully taking

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Speaker 3: control of the planet fitness or whatever that they're they're

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Speaker 3: you know, they've broken into and.

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Speaker 1: They take over a gym.

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Speaker 4: Yeah, they got they became the gym.

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Speaker 1: Rats, just of this one location.

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Speaker 3: Not the franchise, No, no, not, Oh my gosh, that

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Speaker 3: would be what a budget.

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Speaker 1: I mean, the headsets.

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Speaker 4: I had no interest in, uh, any Planet of the

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Speaker 4: Apes movie because after Heston, why bother? You know, uh,

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Speaker 4: such an impressive man.

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Speaker 3: But on every level, I love every every thing he

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Speaker 3: fought for. Yeah that in the movies, in in life.

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Speaker 4: Love killing that little clip where that we're getting used

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Speaker 4: to promote I hope you know we But I randomly

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Speaker 4: watched the other night The Rise, the last one where

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Speaker 4: they are fully like yelling and talking. I don't know

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Speaker 4: if that it's been a thing, and then you watched

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Speaker 4: it last night, just the other night, three nights ago,

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Speaker 4: and I'm I was so into it. I got so emotional.

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Speaker 4: I'm like, this is one of the better movies I've seen.

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Speaker 4: Oh and I one hundred percent wanted to also see

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Speaker 4: this film. They're good. Yeah, I No one told me.

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Speaker 3: My friend Mookie who invited me. He's a big he's

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Speaker 3: a big eight Movies proponent. He's he's always been the

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Speaker 3: guys like these are good and so you know, when

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Speaker 3: someone really stands up for move for like a franchise

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Speaker 3: or whatever, and so yeah, I mean every time one

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Speaker 3: comes out, we generally go see the whatever the eight

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Speaker 3: movie is with Mookie.

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Speaker 4: Mookie Yeah, yeah, yeah, I've not seen him in uh

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Speaker 4: longer than I've not seen you twelve years fifteen, Oh

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Speaker 4: my gosh. Yeah.

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Speaker 3: Now wait, so Chris, we did, like I think probably

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Speaker 3: what would you call it? Was that like a pilot

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Speaker 3: presentation he did. It was and I that was my

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Speaker 3: first I mean, that was my first time meeting you.

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Speaker 3: I believe it was.

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Speaker 4: Yeah, we had not met. It was a pilot presentation

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Speaker 4: based on my experience with a skate shop in Missoula,

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Speaker 4: Montana that to deal with like the there was a

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Speaker 4: dip in the popularity of skateboarding and the shop started

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Speaker 4: selling Frisbees for Frisbee golf, kayaks, rollerblades. It became like

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Speaker 4: this general action sports thing. They were trying to make money.

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Speaker 4: I understood, but I was upset because I wanted it

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Speaker 4: to be a core skate shop and that wasn't how

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Speaker 4: we pitched it. We're like, it'll be great to have

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Speaker 4: comedians on improvising. You were on it. Johnny Pemberton was

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Speaker 4: great on it, and Matt Fultron and I really like

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Speaker 4: the finished thing. I don't know if you ever saw it.

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Speaker 4: I don't think I did, but I would like to

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Speaker 4: show it to you should. But you have a great

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Speaker 4: part in it where I I said we had some

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Speaker 4: used video. Asked about a specific skate video.

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Speaker 3: Like a shopper or something. Yeah, yeah, and I.

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Speaker 4: Said, we have one that's opened, but it's been you know,

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Speaker 4: it's been watched. And then you said how many people

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Speaker 4: have watched it? I'm like, I don't know. I'd like

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Speaker 4: to do an inventory. It was just a funny choice

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Speaker 4: because you are an improv actor and it really stood

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Speaker 4: out at this understated moment was like really a standout moment.

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Speaker 1: You were great in it, living hell to be on

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Speaker 1: the show.

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Speaker 3: Well, you can tell there was a lot of pressure

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Speaker 3: on Chris. You really wanted to work and it was

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Speaker 3: really coming out of this character. I think you really

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Speaker 3: channeled it and you're frustrated. Yeah, grumpy clerk, yes, manager role,

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Speaker 3: you know, that is not at all that was. That

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Speaker 3: was your choice, and that was a great choice because

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Speaker 3: that was that's a fun such a fun character to

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Speaker 3: be the purest the skate purist.

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Speaker 2: You know.

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Speaker 4: Yeah, it was. It was really fun, and we thought

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Speaker 4: it was a way to have guest athletes on and

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Speaker 4: have them read a line, you know, or act in it.

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Speaker 4: I really fought for that to be on the network

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Speaker 4: because Fuel TV was all action sports and they had

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Speaker 4: a bunch of comedy like animated things. But I really

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Speaker 4: wanted to do a live action, scripted thing, and I

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Speaker 4: fought for it. I would be in meetings like we

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Speaker 4: got to do Skate Shop, the TV show starring Alan McCloud,

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Speaker 4: and they didn't they didn't listen to me.

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Speaker 3: Well, yeah, maybe there's like a spin off or something.

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Speaker 2: Maybe I should pitch it to more of like an

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Speaker 2: FX type of place or character based more narrative base.

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Speaker 4: Yes, this was before things like Always Sunny and Philadelphia

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Speaker 4: were happening or maybe at the start of it. M hmm,

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Speaker 4: and it was. I really had high hopes for it.

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Speaker 4: I really believed in that thing.

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Speaker 2: But you were kind of trying to have a second

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Speaker 2: show where this is supposed to be doing. It's so

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Speaker 2: fucking confusing over here, Alan, I'm really pissed.

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Speaker 3: I mean, hey, you could just pull over to the

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Speaker 3: side of the road and I'd have a ball. So

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Speaker 3: I'm in no hurry.

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Speaker 1: It's hard. There's a lot of like hook turns and ship.

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Speaker 3: Oh yeah, no, that's I like this neighborhood for all

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Speaker 3: the switchbacks.

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Speaker 1: Yeah, people can't. There's no straightaways where people can just

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Speaker 1: follow you from Yeah.

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Speaker 3: No, no, there's always a little something little, a little

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Speaker 3: yeah to run down and get away.

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Speaker 4: It's like speed hiking.

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Speaker 2: Yeah.

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Speaker 4: In a car, it's great. Yeah.

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Speaker 3: I've jumped into there were passing through the Arroyo Seco

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Speaker 3: over the not through it, over it sorry, cars filling

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Speaker 3: with water. Yeah, I jump over this railing to get

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Speaker 3: into the This is the Arroyo Seco rip he then, yeah,

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Speaker 3: this is the.

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Speaker 4: Old Arroyo Seco, the old Seco And much like the

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Speaker 4: La River is it? Do you know it to be

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Speaker 4: a naturally existing river.

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Speaker 3: It once was. Yeah, it goes up more into the

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Speaker 3: I guess the San Gabriel Mountains and uh, it's where

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Speaker 3: it flows, you know it flows. I've been nurtured many

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Speaker 3: many ancient civilizations. Yes, before it was all filled with concrete.

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Speaker 3: And speaking of.

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Speaker 4: History, we're about to get California's oldest.

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Speaker 1: Freeware and most killings.

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Speaker 3: Most dangerous. Yes, So if we need a moment of

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Speaker 3: silence so you can look around this. I mean this

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Speaker 3: is a neck breaker right here.

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Speaker 1: This especial.

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Speaker 3: You gotta have, you gotta have. I mean E. T

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Speaker 3: would have a hard time turning his head to look around.

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Speaker 1: That quarters so ridiculous, so dangerous.

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Speaker 4: Yeah, it's really and and it's almost like a weird competition.

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Speaker 4: People drive in that right hand lane just to make

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Speaker 4: it hard for you.

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Speaker 3: Yeah, to see it's yeah you got you got to

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Speaker 3: ride in the middle lane or the or the far

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Speaker 3: left lane up until the last minute.

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Speaker 4: Yeah, I've always been amazed that this exists and everyone's

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Speaker 4: okay with it.

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Speaker 3: I mean getting off is just as crazy, because it's

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Speaker 3: just like you go from sixty to five.

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Speaker 4: And yeah, no temporary lanes, no off ramps are like

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Speaker 4: ten feet long and immediately hairpin turn. When I moved

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Speaker 4: to Texas, which has every freeway there has killed the

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Speaker 4: most people. It's just Houston Austin. They have crazy freeways.

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Speaker 4: And one of the things I learned when I moved

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Speaker 4: there was the guy that designed them had had off himself.

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Speaker 4: I guess out of guilt.

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Speaker 3: Oh no, yes, with the design.

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Speaker 4: What the freeway system and I thirty five one, I remember,

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Speaker 4: but they My earliest stand up was just talking about

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Speaker 4: the freeways there, like what are we all thinking? You

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Speaker 4: had to cross like there was two lane frontage roads,

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Speaker 4: so you would have to cross an oncoming lane of

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Speaker 4: traffic that had a yield sign for them to get

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Speaker 4: off the freeway, so there was a potential to head

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Speaker 4: on collide with someone just getting off the freeway. Like

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Speaker 4: there was these walls, not vertical walls, but slightly angled

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Speaker 4: so your car could drive up there and flip over,

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Speaker 4: and it happened all the time. There's like these round

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Speaker 4: skid marks of cars just being left spinning like turtles,

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Speaker 4: and that was normal. I it was the only thing

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Speaker 4: I ever got outspoken or political about. It's a freeway system,

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Speaker 4: and this reminds me of it.

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Speaker 1: Yeah, that was real that.

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Speaker 3: I felt like you really tapped into some deep memories there.

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Speaker 3: That's you know, that's what this place does to you.

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Speaker 3: After a long time, you try to pass through a

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Speaker 3: little pocket and you just are flooded, flooded with memories,

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Speaker 3: good and bad.

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Speaker 4: Trauma based memories, bad ones.

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Speaker 3: Where are you from originally Alabama?

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Speaker 1: Oh?

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Speaker 3: Yeah, I grew up mostly in Mobile, Alabama.

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Speaker 4: You say mobile a lot of people mobile? Yeah, corrected me,

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Speaker 4: it's mobile.

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Speaker 3: Mobile.

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Speaker 4: Yeah, that sounds right. That's what I had hanging over

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Speaker 4: my crib.

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Speaker 1: And the person that's from there saying it's right. Yeah.

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Speaker 4: So these guys mobile, they oh, maybe it was mobile.

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Speaker 3: I've heard people say mobile, but right, I've always said mobile.

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Speaker 4: Well that you I believe you. These guys are just

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Speaker 4: so what does the governor say?

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Speaker 3: Yes, oh my god, the governor of Alabama? K Ivy, Well,

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Speaker 3: I don't know, but she would. You know what, there's

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Speaker 3: several videos of her, k Ivy if you look up, gosh,

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Speaker 3: there's at least there's got to be at least two

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Speaker 3: videos of her doing a press conference. She's she's kind

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Speaker 3: of this this very stereotypical or prototypical like old southern

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Speaker 3: lady who just has the most insane, cartoonish Southern accent

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Speaker 3: you've ever heard. But when she she's done like public

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Speaker 3: speeches where she'll be in the middle of saying something

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Speaker 3: about Alabama and then she just belches the loudest burp

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Speaker 3: right into the microphone but does not acknowledge it and

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Speaker 3: keeps on going, and no one says anything, and she

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Speaker 3: just it's like a deep, guttural burp. No, And it's

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Speaker 3: the most insane, hilarious thing I've ever seen.

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Speaker 4: Are there YouTube compilations, I'm hoping.

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Speaker 3: If they're. I mean, I'm I'm trying to learn how

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Speaker 3: to do imovies.

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Speaker 4: So I yeah, if I could just give you an

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Speaker 4: afternoon project, please assemble these moments.

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Speaker 1: Do you think it's like do you think she's truly unaware?

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Speaker 2: Do you think because that I used to do that

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Speaker 2: when I would drink a lot of diet coke, where

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Speaker 2: like for you, you don't really see it.

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Speaker 3: At all, unconscious reaction.

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Speaker 1: I like speaking that way.

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Speaker 3: I think when you are a certain age, maybe because

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Speaker 3: like I do it now, like a burple just fly

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Speaker 3: out of me at the even at the dinner table. Yeah,

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Speaker 3: and it takes me a second ago. Oh gosh, oh, sorry,

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Speaker 3: excuse me. And because I don't even notice it, so

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Speaker 3: I would imagine if I'm, you know, twice my age,

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Speaker 3: it's just gonna be I'm just gonna be letting it fly.

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Speaker 1: And then she says, she doesn't go yeah, I'm sorry.

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Speaker 3: Yeah, yeah, no, no, there's no acknowledgement of it.

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Speaker 4: That is almost what makes me appreciate it.

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Speaker 3: I know, I do. That's the thing that's probably the one,

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Speaker 3: maybe the one thing I like about her.

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Speaker 4: Right after that, it kind of goes downhill. Wow, yeah,

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Speaker 4: I love I need to look that up. I love

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Speaker 4: the improbability of certain comics to tell their rowdy stand

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Speaker 4: up material and at the end just just punctuate it

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Speaker 4: with a burp. I've seen that a few times and

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Speaker 4: it has made me laugh. And it shouldn't. Like many

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Speaker 4: Jerry Lewis moments, I can't control what makes me look.

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Speaker 1: You can't. You shouldn't apologize.

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Speaker 4: It's not a lot with Texas comics.

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Speaker 1: They just sorry. So it's like a story about partying

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Speaker 1: and then or getting mad.

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Speaker 4: It's a heckler. I grew up with heckling was a norm,

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Speaker 4: and it's becoming one. So I got gig Or burp's ready.

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Speaker 4: But I many comics would get into an antagonizing an

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Speaker 4: argument with an audience person and then burp at the end.

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Speaker 4: And I know I'm thinking of someone specific, but I

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Speaker 4: can't remember. Maybe it was Dug Stanope, I don't I literally.

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Speaker 1: Was gonna guess.

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Speaker 4: Yeah, I swear to god, Yeah, he could fire off

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Speaker 4: a burp if it's comedically timed.

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Speaker 3: I remember seeing an improv show years and years ago

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Speaker 3: that the actor Brendan Hunt was in Who's a friend

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Speaker 3: of mine? I don't know if he's on ted Lasso

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Speaker 3: Coach Beard. Oh sure, sure, Yeah, he was in the

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Speaker 3: show and I was watching it, and I can't remember

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Speaker 3: the context of the scene, and of course I can't

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Speaker 3: remember like why, I'm sure, But anyway, for some reason,

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Speaker 3: he was basically I think he was basically like coaxed

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Speaker 3: or coursed or pimped as you might say, into farting

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Speaker 3: on stage, and instead of doing like a mouth fart

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Speaker 3: or something in character or whatever, he immediately was able

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Speaker 3: to harness a real fart and just kick it out. Well,

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Speaker 3: he kicked it out right right on stage and it

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Speaker 3: was just the monies.

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Speaker 4: Yeah, that's a dangerous road, I mean usually it was

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Speaker 4: completely appropriate. Yeah, yeah, I envy that too. I mean

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Speaker 4: a burp gone south. You're not going to just stop

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Speaker 4: throwing it start throwing up, but that trick can go

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Speaker 4: south if you force it. Oh yeah, it's impressive when

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Speaker 4: someone else that kind of control.

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Speaker 1: Yeah, you have to really know yourself.

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Speaker 4: Yeah, it shrink drilla kegles and things.

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Speaker 3: Yeah yeah, yeah, Well his pants were full of ship, right,

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Speaker 3: so we forgive. You know, the audience was very forgiving.

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Speaker 4: The audience.

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Speaker 1: Are you this was pre lasso?

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Speaker 4: Yeah that's yeah. You used to be able to get

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Speaker 4: away with that stuff.

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Speaker 3: Yeah we've been canceled.

349
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Speaker 4: Yeah, no, everything's thought in se Are you still doing

350
00:20:08,080 --> 00:20:12,960
Speaker 4: things that UCB and live performance and improv like a

351
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Speaker 4: little bit here and there?

352
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Speaker 3: Not a ton like I don't have like a I

353
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Speaker 3: don't have like a group like you need like a

354
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Speaker 3: like a crew, And I haven't really like my you know,

355
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Speaker 3: I was on several what they call Harald teams THECB

356
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Speaker 3: for many years and sitting in on shows, and that's

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Speaker 3: what I occasionally do now, is sitting on the odd show.

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Speaker 1: But why do you think you don't have a group anymore?

359
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Speaker 1: Let's get real.

360
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Speaker 3: A plane crash they all know, well, you know, I

361
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Speaker 3: mean these things like they have. You know, I'd say

362
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Speaker 3: I never got on one that got promoted, like after

363
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Speaker 3: a year or whatever. They would always get I kept

364
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Speaker 3: popping onto groups the teams that didn't get promoted to

365
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Speaker 3: like regular shows, right, And so I feel like most

366
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Speaker 3: of those teams that got promoted are still together, weirdly,

367
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Speaker 3: because that's how much everybody loves, you know, doingccess those

368
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Speaker 3: success So yeah, no, I I I'm not so, I'm

369
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Speaker 3: not opposed. I I do occasionally do shows. It's really

370
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Speaker 3: up to me to like just start reaching out and

371
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Speaker 3: going want to.

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Speaker 2: Do you know?

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Speaker 4: I mean that's my problem. I don't ask.

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Speaker 3: Yeah, you can also do you know, I mean you're

375
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Speaker 3: you know, you do stand up and you can hang

376
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Speaker 3: in there alone, which is right wild to me. Every

377
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Speaker 3: time I try to do an open mic, it's just

378
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Speaker 3: the most humbling thing I've ever done. It keeps me grounded.

379
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Speaker 2: Yeah, you have to skip open mics and goes straight

380
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Speaker 2: to middling. It's much easier to open micsert garbage. But

381
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Speaker 2: also I wonder if you could call up oh not

382
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Speaker 2: stay in my land. You could call ups young people

383
00:22:00,880 --> 00:22:04,760
Speaker 2: and pitch them you're building an improv group around yourself

384
00:22:04,920 --> 00:22:07,960
Speaker 2: and you call it the albatross, and then it's like

385
00:22:08,200 --> 00:22:10,720
Speaker 2: I could be the reason that you don't move forward

386
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Speaker 2: in impact.

387
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Speaker 1: Yeah, I've done it for others.

388
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Speaker 4: Yeah, always ragtag groups.

389
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Speaker 3: Yeah, if you want someone to blame for dragging you down,

390
00:22:22,160 --> 00:22:24,400
Speaker 3: then you found the right guy.

391
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Speaker 1: I like that I'm being this casually insulting to you.

392
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Speaker 3: And I don't know you at all, but you can

393
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Speaker 3: just tell I have that dark cloud over it.

394
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Speaker 2: Yeah.

395
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Speaker 3: No, it's just one of those things where I don't know,

396
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Speaker 3: you know, it really is like if I anybody that's

397
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Speaker 3: that's not the only it's not like the only teams

398
00:22:41,440 --> 00:22:44,359
Speaker 3: that are doing shows at UCB where they graduated teams.

399
00:22:44,400 --> 00:22:48,119
Speaker 3: It was just that's kind of just a reflection of

400
00:22:48,160 --> 00:22:50,159
Speaker 3: how lazy I am to get off my ass and

401
00:22:50,320 --> 00:22:53,320
Speaker 3: create a team, because there's probably more teams that were

402
00:22:53,440 --> 00:22:56,520
Speaker 3: just self assembled and you're doing plenty of shows and

403
00:22:56,640 --> 00:22:58,800
Speaker 3: I don't know, I just I kind of got burnt

404
00:22:58,840 --> 00:23:00,560
Speaker 3: out on it, and I was doing it up to

405
00:23:00,640 --> 00:23:03,919
Speaker 3: the pandemic and then I don't know, it just kind

406
00:23:03,960 --> 00:23:06,360
Speaker 3: of just got burned out out on everything, and yeah,

407
00:23:06,359 --> 00:23:09,879
Speaker 3: you know, and then UCB sort of changed Ryans and

408
00:23:10,119 --> 00:23:13,320
Speaker 3: was going through a lot of stuff that there for

409
00:23:13,440 --> 00:23:15,879
Speaker 3: many years. Yes, I know, yeah, you know I was

410
00:23:15,960 --> 00:23:18,440
Speaker 3: doing I was doing the thing there and then yeah,

411
00:23:18,480 --> 00:23:22,280
Speaker 3: it just uh, I kind of uh. I didn't fall

412
00:23:22,840 --> 00:23:24,879
Speaker 3: one hundred out of the mix. But I'm I'm not

413
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Speaker 3: performing five nights a week like I was first.

414
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Speaker 4: And that's okay.

415
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Speaker 3: It's kind of like I I do still you know,

416
00:23:37,240 --> 00:23:40,560
Speaker 3: have the educationally to do it. But also I fall

417
00:23:40,640 --> 00:23:45,280
Speaker 3: asleep when I sit down after nine Yeah, yeah, don't

418
00:23:45,280 --> 00:23:47,880
Speaker 3: even know, like that's my brain just switches off.

419
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Speaker 1: You get your blood sugar check.

420
00:23:51,840 --> 00:23:56,520
Speaker 4: I should go to a doctor, Yeah I did. Yeah,

421
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Speaker 4: I won't go into that list. Yeah, I'm the same

422
00:24:00,280 --> 00:24:04,800
Speaker 4: right now. I've been taking sort of a break from

423
00:24:04,920 --> 00:24:08,680
Speaker 4: worrying about it and enjoying other things in life because

424
00:24:08,680 --> 00:24:12,000
Speaker 4: I know comedy is always going to be there and

425
00:24:12,160 --> 00:24:15,080
Speaker 4: I can always get back to it and get good

426
00:24:15,160 --> 00:24:18,400
Speaker 4: at it again or be good at it, whichever happens.

427
00:24:18,480 --> 00:24:20,240
Speaker 4: I don't know yet. That's the future.

428
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Speaker 3: What do you mean taking a break from stand up?

429
00:24:22,920 --> 00:24:27,120
Speaker 4: Yeah, just the like you said, the going up four

430
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Speaker 4: or five times a week and those shows, Like the

431
00:24:31,160 --> 00:24:34,760
Speaker 4: environment just isn't the same. So much has changed. I

432
00:24:34,920 --> 00:24:37,640
Speaker 4: agree also with the wanting to sleep at night thing.

433
00:24:37,800 --> 00:24:40,520
Speaker 4: That's new to me. I used to peak at night.

434
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Speaker 4: I'm like, my brain doesn't work till like ten pm,

435
00:24:43,760 --> 00:24:47,600
Speaker 4: yeah or seven pm. And yeah, I think it's okay.

436
00:24:47,880 --> 00:24:49,840
Speaker 4: It'll come back whenever you want it to.

437
00:24:51,160 --> 00:24:53,600
Speaker 3: Yeah. I had to take a nap like before even this,

438
00:24:54,080 --> 00:25:00,000
Speaker 3: so yeah, go see a movie. It's like everything requires

439
00:25:00,080 --> 00:25:05,560
Speaker 3: are so much planning, yes, to accommodate my brain switching off.

440
00:25:06,200 --> 00:25:11,000
Speaker 4: You're also someone with a family, and I you know,

441
00:25:11,280 --> 00:25:14,280
Speaker 4: I know that that takes a lot of time, and

442
00:25:14,440 --> 00:25:19,720
Speaker 4: people like me, you know, grow renegades who drive through

443
00:25:19,760 --> 00:25:30,440
Speaker 4: the desert alone at night. I can't even relate. So congratulations, Yeah,

444
00:25:31,440 --> 00:25:32,400
Speaker 4: like a mad Max.

445
00:25:36,080 --> 00:25:39,200
Speaker 3: I have a son who's seven now, and so he's

446
00:25:39,320 --> 00:25:42,080
Speaker 3: basically he's almost pretty much on his own.

447
00:25:42,200 --> 00:25:49,080
Speaker 4: Your son has a famous name. Yeah, what I well,

448
00:25:49,240 --> 00:25:49,600
Speaker 4: maybe he.

449
00:25:52,400 --> 00:25:53,880
Speaker 1: He loving pumpkins.

450
00:25:54,359 --> 00:25:58,960
Speaker 4: It's a great name, which my wife was not a

451
00:25:59,040 --> 00:26:02,960
Speaker 4: fan of. We can go with a kabad, but I

452
00:26:03,080 --> 00:26:05,360
Speaker 4: don't know about this pumpkin business.

453
00:26:05,600 --> 00:26:11,439
Speaker 3: She was like, you push, but uh yeah, Sonny Sonny,

454
00:26:11,520 --> 00:26:13,240
Speaker 3: he's got Sonny Sonny McLoud.

455
00:26:13,480 --> 00:26:14,840
Speaker 1: Yeah, that's a great name.

456
00:26:14,960 --> 00:26:17,520
Speaker 3: He'll be Yeah, like a he'll be like maybe like

457
00:26:17,600 --> 00:26:19,480
Speaker 3: a saxophone player, I mean.

458
00:26:19,600 --> 00:26:22,920
Speaker 4: Or a private eye. Oh yeah, wait, wasn't there a show?

459
00:26:23,520 --> 00:26:26,639
Speaker 4: There was a show called Not Sunny Spoon with the

460
00:26:26,720 --> 00:26:31,920
Speaker 4: great Mario van Peebles. But a I will figure it out.

461
00:26:32,200 --> 00:26:34,480
Speaker 4: There's a something you would know. Wasn't there a show

462
00:26:34,520 --> 00:26:35,600
Speaker 4: with a McLeod something.

463
00:26:35,680 --> 00:26:37,760
Speaker 3: Yeah, there was a McLeod who's like a he's I

464
00:26:38,280 --> 00:26:40,120
Speaker 3: want to say, he was kind of like a cowboy

465
00:26:40,680 --> 00:26:44,199
Speaker 3: detective or yes, okay, I think it was just called McLeod,

466
00:26:44,200 --> 00:26:45,119
Speaker 3: but I don't remember it was.

467
00:26:46,760 --> 00:26:51,200
Speaker 4: So I've just turned that that crime solving detective indo,

468
00:26:51,240 --> 00:26:55,240
Speaker 4: your sweet toddler boy. Okay, good, good to know my

469
00:26:55,320 --> 00:26:58,360
Speaker 4: brain's still working. That's terrific.

470
00:26:59,720 --> 00:27:01,639
Speaker 3: I'm in no hurry, by the way, if you're driving

471
00:27:01,640 --> 00:27:02,920
Speaker 3: around or I don't know how this works.

472
00:27:02,960 --> 00:27:05,080
Speaker 4: Yeah, wouldn't show time for this this?

473
00:27:05,240 --> 00:27:07,520
Speaker 3: Oh it's not till like eight or something. Oh good?

474
00:27:07,640 --> 00:27:09,960
Speaker 3: Oh yeah, well no, I'm all good. I'm in the

475
00:27:10,000 --> 00:27:12,520
Speaker 3: neighborhood where I'm gonna meet up beforehand.

476
00:27:12,640 --> 00:27:16,359
Speaker 4: But okay, cool, I've got some other stuff in the area.

477
00:27:17,880 --> 00:27:20,560
Speaker 3: Go to the Apple store.

478
00:27:21,240 --> 00:27:26,000
Speaker 4: Maybe you could go down computers, Yeah, and the neon Museum,

479
00:27:26,480 --> 00:27:27,440
Speaker 4: the Neon Museum.

480
00:27:27,560 --> 00:27:29,200
Speaker 3: You check out the old signage.

481
00:27:29,520 --> 00:27:34,680
Speaker 4: Yeah, I've actually been meaning to do that. There are classes, yeah,

482
00:27:35,600 --> 00:27:39,679
Speaker 4: Neon signs. There's an old sign that had an animated

483
00:27:39,880 --> 00:27:42,800
Speaker 4: like a train with puffs of plumes of smoke coming

484
00:27:42,880 --> 00:27:46,040
Speaker 4: out of it. At this the Spirit Liquor store near

485
00:27:46,160 --> 00:27:48,600
Speaker 4: my old house. One day it was gone. I thought

486
00:27:48,640 --> 00:27:51,120
Speaker 4: someone stole it. No, it was off to the museum.

487
00:27:52,400 --> 00:27:54,080
Speaker 3: The park.

488
00:27:54,320 --> 00:27:57,440
Speaker 4: Yeah, so that's in there, and I would really love

489
00:27:57,520 --> 00:27:59,840
Speaker 4: to see it. Yeah, it was right next to the Halloway.

490
00:28:00,160 --> 00:28:00,360
Speaker 1: Yeah.

491
00:28:01,119 --> 00:28:03,680
Speaker 4: Wow, I want to visit these old times.

492
00:28:03,720 --> 00:28:05,920
Speaker 3: That's so funny. That a sign that I remember from

493
00:28:05,960 --> 00:28:07,160
Speaker 3: when I lived in Echo Parks.

494
00:28:07,480 --> 00:28:12,399
Speaker 4: Yeah, yeah, yeah, it's it's iconic. Yeah, I am so

495
00:28:12,600 --> 00:28:16,720
Speaker 4: old as hell. It's is an old friend. I want

496
00:28:16,760 --> 00:28:19,760
Speaker 4: to get into Neon. I just that's something I want

497
00:28:19,800 --> 00:28:22,800
Speaker 4: to do. My dad always wanted to do paintings and

498
00:28:22,920 --> 00:28:27,040
Speaker 4: then add neon lights to them, and apparently it's an

499
00:28:27,080 --> 00:28:28,520
Speaker 4: expensive hobby to get into.

500
00:28:29,280 --> 00:28:34,520
Speaker 3: Yeah oh yeah, oh yeah, like making me making me, Yeah,

501
00:28:35,240 --> 00:28:35,720
Speaker 3: flowing a.

502
00:28:35,760 --> 00:28:37,800
Speaker 4: Thin tube of glass and manipulating it.

503
00:28:37,880 --> 00:28:42,920
Speaker 3: Over it seems like if it's like I don't know,

504
00:28:43,280 --> 00:28:47,440
Speaker 3: it seems like dealing with mercury and a thermometer or something. Right, Yeah,

505
00:28:47,640 --> 00:28:51,240
Speaker 3: like you're dealing with some kind of what the like

506
00:28:51,440 --> 00:28:54,440
Speaker 3: the the T one thousand is made out of right?

507
00:28:54,600 --> 00:28:57,840
Speaker 4: Right, it's it seems like everyone your place will blow

508
00:28:57,920 --> 00:29:00,360
Speaker 4: up and everyone just assume you were a cook. Math,

509
00:29:00,440 --> 00:29:04,960
Speaker 4: but you were just following here dreams. Yeah, that would be.

510
00:29:06,600 --> 00:29:11,000
Speaker 4: This wasn't math your last words. I thought it was.

511
00:29:11,480 --> 00:29:18,280
Speaker 4: He I'm uh, I'm excited for your day, Frankly.

512
00:29:18,360 --> 00:29:21,320
Speaker 3: Oh, thank you. Yeah, I'm excited. I'm I'm pumped to

513
00:29:21,360 --> 00:29:24,160
Speaker 3: be here. It's uh, I don't get to I don't

514
00:29:24,200 --> 00:29:27,640
Speaker 3: come over to Glendell a ton.

515
00:29:29,720 --> 00:29:31,280
Speaker 1: Did you get an a ball of coke?

516
00:29:34,720 --> 00:29:36,120
Speaker 4: They ball?

517
00:29:37,800 --> 00:29:38,920
Speaker 3: So I got two four balls?

518
00:29:39,000 --> 00:29:41,280
Speaker 1: Don't share it out? Okay, no you can.

519
00:29:44,200 --> 00:29:47,440
Speaker 4: Did they do it for a lower measurements? Different balls?

520
00:29:49,400 --> 00:29:54,320
Speaker 3: That's what the That's what my guy does, no question.

521
00:29:54,480 --> 00:29:56,600
Speaker 3: I mean he's always in a hurry, and it's always

522
00:29:56,720 --> 00:29:57,480
Speaker 3: like a whole thing.

523
00:29:57,920 --> 00:30:00,719
Speaker 1: He's a little nervous. He's got that guy on the table.

524
00:30:01,280 --> 00:30:02,560
Speaker 1: Just let him do what he wants.

525
00:30:03,440 --> 00:30:05,560
Speaker 4: Yeah, four ball and then goes corner pocket and he

526
00:30:05,640 --> 00:30:09,280
Speaker 4: puts it in your pants for you. There's certain things

527
00:30:09,360 --> 00:30:12,040
Speaker 4: I would love to do as a drug dealer mostly jokes,

528
00:30:12,880 --> 00:30:17,000
Speaker 4: and that that would be a big one, a bucket.

529
00:30:17,400 --> 00:30:18,200
Speaker 3: A great drug dealer.

530
00:30:18,280 --> 00:30:20,480
Speaker 4: I think. I thank you. I've always thought so, But

531
00:30:21,720 --> 00:30:27,360
Speaker 4: there's always that you gotta get tough at some point. Well,

532
00:30:27,360 --> 00:30:31,560
Speaker 4: I'm worried, that's the part I'd like. Yeah, power trip, Yeah,

533
00:30:32,000 --> 00:30:35,600
Speaker 4: just feeling that and acting on that rage and having

534
00:30:35,640 --> 00:30:36,640
Speaker 4: it be part of my job.

535
00:30:36,880 --> 00:30:38,960
Speaker 3: I think you could do that vocally. Is instill some

536
00:30:39,200 --> 00:30:40,200
Speaker 3: sort of theory?

537
00:30:40,840 --> 00:30:41,080
Speaker 4: Yeah?

538
00:30:41,200 --> 00:30:41,720
Speaker 3: Yeah, different?

539
00:30:42,960 --> 00:30:45,160
Speaker 4: Yeah, likely, I would just be doing it in a

540
00:30:45,280 --> 00:30:46,840
Speaker 4: voiceover actor kind of way.

541
00:30:47,160 --> 00:30:47,640
Speaker 1: Let's hear it.

542
00:30:47,800 --> 00:30:51,600
Speaker 2: Let's hear both of your scary drug dealers.

543
00:30:52,240 --> 00:30:56,480
Speaker 4: Okay, Oh, it's funny that I gave you the drugs,

544
00:30:56,880 --> 00:30:59,560
Speaker 4: but you don't seem to have the money.

545
00:31:04,440 --> 00:31:04,800
Speaker 3: How was that?

546
00:31:07,360 --> 00:31:10,240
Speaker 4: It's the rise tanger that I like to keep.

547
00:31:12,280 --> 00:31:18,840
Speaker 3: Ok Uh, well, I sure, I'm glad you showed up

548
00:31:18,880 --> 00:31:23,480
Speaker 3: to buy these drugs, but you're fifteen minutes early.

549
00:31:25,280 --> 00:31:35,080
Speaker 4: I'm watching Bosh. I like the years. This amount of

550
00:31:35,360 --> 00:31:37,080
Speaker 4: keeping a tight schedule.

551
00:31:39,560 --> 00:31:40,000
Speaker 3: Shows.

552
00:31:41,760 --> 00:31:44,920
Speaker 4: See, that's why you're an improv actor. You just brought

553
00:31:45,040 --> 00:31:49,920
Speaker 4: two storylines, yep. And the specificity that you're always on

554
00:31:50,040 --> 00:31:53,600
Speaker 4: your phone, You're you're very organized calendar wise, and you're

555
00:31:53,640 --> 00:31:57,720
Speaker 4: obsessed with the TV show Bosh, which could lead into

556
00:31:57,800 --> 00:32:04,040
Speaker 4: me talking about never missing a season of Bones. Start

557
00:32:04,080 --> 00:32:05,200
Speaker 4: a troop. I'm part of your rest.

558
00:32:05,240 --> 00:32:07,160
Speaker 3: Here I go. Maybe this is how it happens.

559
00:32:08,560 --> 00:32:10,680
Speaker 4: What is a herald, by the way, That is a

560
00:32:12,120 --> 00:32:15,680
Speaker 4: that is just long form, uh huh. You get a

561
00:32:15,840 --> 00:32:19,680
Speaker 4: suggestion or a view from the audience and see where

562
00:32:19,720 --> 00:32:20,080
Speaker 4: it goes.

563
00:32:20,280 --> 00:32:24,480
Speaker 3: Right, Yeah, that's that's pretty much it. I mean in

564
00:32:24,560 --> 00:32:27,000
Speaker 3: the in the Herald, there's like you do basically, you

565
00:32:27,120 --> 00:32:29,000
Speaker 3: do some sort of an after you get the suggestion,

566
00:32:29,160 --> 00:32:32,320
Speaker 3: you do an opening, some type of opening where you

567
00:32:32,480 --> 00:32:37,960
Speaker 3: generate sort of potential areas that you can later pull

568
00:32:38,080 --> 00:32:42,120
Speaker 3: scene ideas from, and then you do three scenes, the

569
00:32:42,240 --> 00:32:44,600
Speaker 3: first beats of scenes, and then you have a group

570
00:32:44,720 --> 00:32:46,640
Speaker 3: game that everybody gets involved in. And then you do

571
00:32:46,760 --> 00:32:49,520
Speaker 3: three more scenes which are like the follow up, the

572
00:32:49,720 --> 00:32:53,040
Speaker 3: revisiting of whatever the funny game was you were playing

573
00:32:53,080 --> 00:32:56,880
Speaker 3: in the first three, and then you do another like

574
00:32:57,040 --> 00:33:01,160
Speaker 3: a you know, group game. And basically it works like that.

575
00:33:01,280 --> 00:33:04,320
Speaker 3: You just kind of you just kind of run through these.

576
00:33:04,240 --> 00:33:06,760
Speaker 1: Beats, okay, and this is like a three day event.

577
00:33:08,360 --> 00:33:09,240
Speaker 1: Just keep on doing.

578
00:33:09,840 --> 00:33:15,360
Speaker 4: You're describing a festival. Yeah, and that's what's it. Okay,

579
00:33:15,800 --> 00:33:16,840
Speaker 4: what's an Armando?

580
00:33:18,480 --> 00:33:23,760
Speaker 3: Okay, I do that. That's that's going back. Yeah, that's

581
00:33:23,880 --> 00:33:26,280
Speaker 3: like I remember I only saw that at like Improv

582
00:33:26,360 --> 00:33:28,680
Speaker 3: Olympic when I first moved out here. I think it's

583
00:33:28,800 --> 00:33:31,840
Speaker 3: essentially the same thing. I feel, right, because I feel

584
00:33:31,880 --> 00:33:37,680
Speaker 3: like that's like Armando whatever his last name is was

585
00:33:38,080 --> 00:33:41,040
Speaker 3: he he was like an improv guy who kind of

586
00:33:41,080 --> 00:33:44,400
Speaker 3: started his own thing and then but he was basically

587
00:33:44,560 --> 00:33:47,360
Speaker 3: doing the same format as somebody else. You know, it's

588
00:33:47,400 --> 00:33:52,760
Speaker 3: just some old improv beats, right, Yeah, maybe it was

589
00:33:52,800 --> 00:33:55,000
Speaker 3: something like that. Gosh, I forget what the drama there?

590
00:33:55,160 --> 00:33:59,520
Speaker 4: So then what is ass asscat? Where that's my I'm

591
00:33:59,600 --> 00:34:02,360
Speaker 4: just lee to where I can talk about my involvement

592
00:34:03,280 --> 00:34:04,600
Speaker 4: as a monology that just.

593
00:34:04,560 --> 00:34:07,000
Speaker 3: A little bit more of like anything goes kind of

594
00:34:07,120 --> 00:34:10,520
Speaker 3: like okay, doing montages of scenes and stuff like that.

595
00:34:10,760 --> 00:34:13,839
Speaker 3: So you're you're you're definitely having callbacks and you might

596
00:34:14,040 --> 00:34:17,040
Speaker 3: you know, and you might race through like you know,

597
00:34:17,239 --> 00:34:22,280
Speaker 3: second and third beats like right, but you're not trying

598
00:34:22,320 --> 00:34:25,600
Speaker 3: to do like a larger overarching right.

599
00:34:25,760 --> 00:34:30,480
Speaker 4: For me, I guess I've always really enjoyed, well, it's

600
00:34:30,560 --> 00:34:34,479
Speaker 4: kind of self indulgent to be on stage. I would

601
00:34:34,520 --> 00:34:38,719
Speaker 4: tell stories that maybe had some jokes, which I think

602
00:34:38,800 --> 00:34:41,520
Speaker 4: the improv group are there like, don't do your jokes,

603
00:34:41,640 --> 00:34:44,759
Speaker 4: we will we want to have jokes to go to

604
00:34:45,280 --> 00:34:48,680
Speaker 4: uh because sometimes I would take the obvious thing, so

605
00:34:48,840 --> 00:34:51,480
Speaker 4: I was bad at it, but it was so fun

606
00:34:51,560 --> 00:34:55,720
Speaker 4: to watch them play things out and be right about

607
00:34:57,000 --> 00:35:00,640
Speaker 4: details that I didn't share and guessing what had happened,

608
00:35:00,719 --> 00:35:04,959
Speaker 4: and then having moments from my life. I think that's

609
00:35:05,000 --> 00:35:07,600
Speaker 4: what they asked for, is like stories about your life. Yeah.

610
00:35:07,960 --> 00:35:11,400
Speaker 4: Times I did it, and it was so fun to

611
00:35:11,480 --> 00:35:14,080
Speaker 4: watch that, and you just sit there as they act

612
00:35:14,160 --> 00:35:17,960
Speaker 4: these things out. I never or maybe I was supposed

613
00:35:17,960 --> 00:35:20,040
Speaker 4: to jump in at some point, but I didn't. I

614
00:35:20,239 --> 00:35:24,279
Speaker 4: just laughed so hard because they're basically being my mom

615
00:35:24,360 --> 00:35:25,000
Speaker 4: in the eighties.

616
00:35:27,080 --> 00:35:27,239
Speaker 1: You know.

617
00:35:27,520 --> 00:35:29,239
Speaker 4: It was it was so fun to watch.

618
00:35:29,320 --> 00:35:31,239
Speaker 3: Oh yeah, typically yeah no, I think you can just

619
00:35:31,320 --> 00:35:36,200
Speaker 3: hang back and and enjoy man, you know, yeah, yeah, yeah,

620
00:35:37,160 --> 00:35:38,400
Speaker 3: soak in that improv.

621
00:35:39,040 --> 00:35:42,920
Speaker 4: It's weird though, to be on stage, like it's a

622
00:35:43,040 --> 00:35:45,760
Speaker 4: show at the Apollo or something. They're they're talking about

623
00:35:45,760 --> 00:35:49,359
Speaker 4: you and the audience is looking at you sitting there

624
00:35:49,560 --> 00:35:52,759
Speaker 4: and please stop looking at me, so that won't make

625
00:35:52,840 --> 00:35:55,520
Speaker 4: me laugh at anything.

626
00:35:56,320 --> 00:35:57,279
Speaker 1: The other thing, can you.

627
00:35:57,280 --> 00:35:59,319
Speaker 5: See the car behind us with the light on its

628
00:36:00,800 --> 00:36:06,880
Speaker 5: Is that a policeman or is it a mobile miner?

629
00:36:07,640 --> 00:36:09,799
Speaker 5: There's a little mining hat on top of that car.

630
00:36:10,120 --> 00:36:12,560
Speaker 5: It's pass that's one case lamp.

631
00:36:13,000 --> 00:36:15,600
Speaker 3: Maybe he doesn't know that his little light is on.

632
00:36:15,960 --> 00:36:18,640
Speaker 3: But yeah, he's got sort of a little mini flood light.

633
00:36:19,040 --> 00:36:22,600
Speaker 1: Yeah, like he's gonna go mudding later, right right.

634
00:36:22,840 --> 00:36:27,920
Speaker 3: But it's the tiniest little it's just one inch bigger

635
00:36:27,960 --> 00:36:28,719
Speaker 3: than a smart car.

636
00:36:31,600 --> 00:36:31,880
Speaker 4: It is.

637
00:36:33,120 --> 00:36:36,080
Speaker 3: I believe that's a day wound. I mean he's got

638
00:36:36,160 --> 00:36:38,400
Speaker 3: a he's fully got a bed in the back and everything.

639
00:36:38,440 --> 00:36:40,799
Speaker 3: He goes camping in that sucker.

640
00:36:40,800 --> 00:36:43,400
Speaker 4: Yeah, or he has some sort of there's some vibe

641
00:36:43,400 --> 00:36:47,160
Speaker 4: about that car that like is an amateur storm chaser

642
00:36:47,680 --> 00:36:51,880
Speaker 4: or his hobby is finding bodies in the l a

643
00:36:52,000 --> 00:36:56,239
Speaker 4: river or something. There's like some makeshift. I would love

644
00:36:56,280 --> 00:37:00,480
Speaker 4: to chew that person's brain. But unfortunately the turning into there.

645
00:37:00,600 --> 00:37:03,040
Speaker 1: Oh yeah, you'd look at that turn.

646
00:37:03,520 --> 00:37:04,239
Speaker 4: That tight.

647
00:37:04,680 --> 00:37:05,520
Speaker 3: That was a tight.

648
00:37:06,480 --> 00:37:08,640
Speaker 1: It looks like he might think he's on patrol.

649
00:37:08,800 --> 00:37:12,239
Speaker 2: That's what I'm worried about, is that he's trying to

650
00:37:12,280 --> 00:37:15,080
Speaker 2: pull over teenage girls to tell them that they have to.

651
00:37:15,080 --> 00:37:15,600
Speaker 1: Come with him.

652
00:37:15,800 --> 00:37:18,080
Speaker 4: Oh yike, So I thought you meant citizen, like he

653
00:37:18,280 --> 00:37:21,200
Speaker 4: was going to make some arrests, bad.

654
00:37:21,600 --> 00:37:24,400
Speaker 1: Law kind of a yeah, well just a little bit,

655
00:37:24,480 --> 00:37:25,239
Speaker 1: that's all I think of.

656
00:37:25,600 --> 00:37:26,840
Speaker 3: Yeah, yeah, because I was.

657
00:37:26,880 --> 00:37:28,920
Speaker 1: Like, oh, no, I saw the light and I was like,

658
00:37:29,040 --> 00:37:29,800
Speaker 1: am I in trouble?

659
00:37:30,239 --> 00:37:31,800
Speaker 4: Right? And I was like, you fool.

660
00:37:32,280 --> 00:37:33,279
Speaker 1: I'd never fall for that.

661
00:37:33,840 --> 00:37:38,760
Speaker 4: Yeah, impersonating officers or sometimes real ones that have scary hobbies.

662
00:37:38,920 --> 00:37:42,960
Speaker 4: But that's that's just a bunch of documentaries say allegedly

663
00:37:43,360 --> 00:37:45,040
Speaker 4: allegedly y'all.

664
00:37:45,120 --> 00:37:48,320
Speaker 3: Have y'all ever witnessed any kind of like a crazy

665
00:37:49,520 --> 00:37:52,240
Speaker 3: thing like a van, you know, trying to grab somebody

666
00:37:52,360 --> 00:37:53,200
Speaker 3: or anything. Oh wow?

667
00:37:53,480 --> 00:37:57,239
Speaker 4: While podcasting? Yeah, yeah, that's a good question. I don't

668
00:37:57,320 --> 00:38:02,959
Speaker 4: know that I've witnessed any near abductions or successful ones

669
00:38:03,120 --> 00:38:05,359
Speaker 4: if you want to call them a success.

670
00:38:06,120 --> 00:38:08,040
Speaker 1: If that's what you consider a success.

671
00:38:08,320 --> 00:38:10,680
Speaker 4: We've there's a number of things we've seen on here,

672
00:38:11,480 --> 00:38:14,000
Speaker 4: a lot of fights, a lot of people getting mad

673
00:38:14,080 --> 00:38:17,120
Speaker 4: at us. Most recently, someone just stopped in the road

674
00:38:17,200 --> 00:38:19,480
Speaker 4: and put their knees on the bumper of the car

675
00:38:19,600 --> 00:38:24,520
Speaker 4: and would not would not leave us alone. Wow, And

676
00:38:24,760 --> 00:38:28,120
Speaker 4: it was a showdown. And finally some police that happened

677
00:38:28,120 --> 00:38:31,080
Speaker 4: to be driving by just removed the guy because we

678
00:38:31,239 --> 00:38:33,960
Speaker 4: didn't know what to do and it was scary. It

679
00:38:34,080 --> 00:38:38,759
Speaker 4: was like a very intense episode. So things like that

680
00:38:38,920 --> 00:38:41,919
Speaker 4: have happened. That happened all the time. It's just we're

681
00:38:42,000 --> 00:38:46,480
Speaker 4: recording and so it's uh and sometimes we try and

682
00:38:46,560 --> 00:38:47,200
Speaker 4: help fireman.

683
00:38:49,480 --> 00:38:50,200
Speaker 1: That's not true.

684
00:38:50,800 --> 00:38:53,319
Speaker 4: We talk about it a lot. We haven't done anything yet,

685
00:38:53,840 --> 00:39:00,920
Speaker 4: but we want to help solve some mysteries investigations. I'm

686
00:39:00,960 --> 00:39:02,920
Speaker 4: not going to actively run into a building. I'm not

687
00:39:03,080 --> 00:39:05,200
Speaker 4: Ralph Manchio, but I will like.

688
00:39:05,280 --> 00:39:07,520
Speaker 3: A like a third responder.

689
00:39:07,800 --> 00:39:11,320
Speaker 1: Yeah, put a little light on your roof, you know,

690
00:39:11,920 --> 00:39:13,200
Speaker 1: that's what that guy was.

691
00:39:14,719 --> 00:39:17,680
Speaker 2: He was Also, did you notice he was very tall

692
00:39:17,760 --> 00:39:21,080
Speaker 2: and skinny ichabog crane style, yes, driving that tiny car.

693
00:39:21,320 --> 00:39:21,480
Speaker 4: Yes.

694
00:39:21,760 --> 00:39:23,640
Speaker 3: Yeah. He reminds me of my son.

695
00:39:26,239 --> 00:39:34,279
Speaker 1: Yep. And that's what you call a Harald great, you know.

696
00:39:34,320 --> 00:39:38,560
Speaker 4: But I don't like people that don't do callbacks. There's

697
00:39:38,600 --> 00:39:41,840
Speaker 4: my new take. Remind me I've been here a.

698
00:39:41,840 --> 00:39:47,160
Speaker 2: While, you know, Alan, what's the most recent movie you've

699
00:39:47,200 --> 00:39:48,759
Speaker 2: seen in the theater before this?

700
00:39:49,000 --> 00:39:49,320
Speaker 1: Apes?

701
00:39:49,400 --> 00:39:54,520
Speaker 4: Movie. It's the other Apes movie. Okay, sorry, I.

702
00:39:58,760 --> 00:40:01,400
Speaker 3: Went and saw Civil War or how was it?

703
00:40:02,239 --> 00:40:06,640
Speaker 4: I liked it? War is a movie name the.

704
00:40:06,719 --> 00:40:11,680
Speaker 3: Civil War movie? You know what I'm talking about movie?

705
00:40:12,040 --> 00:40:16,240
Speaker 4: Sure, I remember the salastin Dunce so Dunce.

706
00:40:17,520 --> 00:40:22,200
Speaker 3: Uh and uh, I can't remember. I can't remember anybody

707
00:40:22,239 --> 00:40:27,680
Speaker 3: else's name. Yeah, yeah, it those two you've got there.

708
00:40:31,040 --> 00:40:35,320
Speaker 3: It's good. It's good. I mean it's like very it's dreadful.

709
00:40:35,440 --> 00:40:38,320
Speaker 3: I mean it's very like, uh, it's bleak.

710
00:40:39,360 --> 00:40:42,880
Speaker 4: Do they do they have drummers in it?

711
00:40:44,560 --> 00:40:44,800
Speaker 1: It's not.

712
00:40:44,880 --> 00:40:46,879
Speaker 2: I don't think it's a period piece, chriss. I think

713
00:40:46,920 --> 00:40:51,160
Speaker 2: it's about like some sort of wrong the title.

714
00:40:51,440 --> 00:40:54,280
Speaker 3: Well, they have like a guy who walks around, marches

715
00:40:54,280 --> 00:40:55,400
Speaker 3: around with a drum machine.

716
00:40:56,080 --> 00:41:00,360
Speaker 4: Okay, but it's modern day yeah, okay, what but.

717
00:41:00,400 --> 00:41:03,080
Speaker 3: He serves the same purpose as a little drummer boy.

718
00:41:03,080 --> 00:41:06,799
Speaker 4: Yeah, helping soldiers march to the rhythm of the beat.

719
00:41:07,120 --> 00:41:10,480
Speaker 3: Yeah. Back then he'll do a drop it's like a

720
00:41:10,560 --> 00:41:15,319
Speaker 3: long bill's yeah, and also has control like a DJ

721
00:41:15,520 --> 00:41:16,960
Speaker 3: of the lights and stuff.

722
00:41:17,200 --> 00:41:18,680
Speaker 4: Well, that sounds like a great.

723
00:41:21,000 --> 00:41:23,120
Speaker 2: It's the first married couple to fall into a k

724
00:41:23,320 --> 00:41:27,640
Speaker 2: hole together. It's an amazing documentary the.

725
00:41:27,680 --> 00:41:32,800
Speaker 4: Only way to enjoy that music. Wow, maybe I'll watch it.

726
00:41:33,120 --> 00:41:36,440
Speaker 4: It's the civil war about their their unshaked their marriage.

727
00:41:37,719 --> 00:41:40,640
Speaker 3: Uh like it's a sort of a civil war of

728
00:41:40,719 --> 00:41:41,280
Speaker 3: the roses.

729
00:41:41,440 --> 00:41:46,200
Speaker 4: Yeah, I wrote, Yes, it is.

730
00:41:46,920 --> 00:41:49,319
Speaker 3: All of the movies gauge the reaction there.

731
00:41:50,280 --> 00:41:56,440
Speaker 4: I was, Okay, there's the guy that wrote that and

732
00:41:57,719 --> 00:42:01,160
Speaker 4: wrote My Cousin Vinnie and some other movies that are

733
00:42:01,160 --> 00:42:08,000
Speaker 4: all about uh, couples falling apart and then fighting over money,

734
00:42:08,080 --> 00:42:11,960
Speaker 4: and most of his movies dirty rotten scoundrels. He was

735
00:42:12,040 --> 00:42:16,960
Speaker 4: sitting next to me on an airplane and uh, just

736
00:42:17,080 --> 00:42:19,359
Speaker 4: pointing out people that he because we were all going

737
00:42:19,440 --> 00:42:23,120
Speaker 4: to Aspen. I was going for a comedy festival. He's like,

738
00:42:23,239 --> 00:42:26,280
Speaker 4: see that, see that guy there? Yeah, he's an asshole.

739
00:42:26,400 --> 00:42:29,279
Speaker 4: He's my neighbor. He was just confiding in me to

740
00:42:29,400 --> 00:42:33,120
Speaker 4: roast all these people. And he seemed like he had

741
00:42:33,120 --> 00:42:35,200
Speaker 4: an edge to him, like he was angry. But I

742
00:42:35,360 --> 00:42:38,040
Speaker 4: really liked him for some reason. He just was a cool,

743
00:42:39,080 --> 00:42:43,040
Speaker 4: grumpy guy. Maybe I related. And then and then I

744
00:42:43,160 --> 00:42:45,799
Speaker 4: asked Wade in and he's like, I wrote My Cousin

745
00:42:45,920 --> 00:42:50,080
Speaker 4: Vinny and uh or the Roses.

746
00:42:50,440 --> 00:42:50,560
Speaker 1: Uh?

747
00:42:51,040 --> 00:42:53,200
Speaker 4: I don't know. I wrote some movies, haven't written when

748
00:42:53,239 --> 00:42:56,840
Speaker 4: anything late, Like he just started talking shit about himself.

749
00:42:56,960 --> 00:42:59,840
Speaker 1: Yes, I just like he was just a regular.

750
00:43:00,239 --> 00:43:03,920
Speaker 4: But I'm like my cousin Vinnie, that's a that's a classic.

751
00:43:04,960 --> 00:43:06,279
Speaker 3: I mean, and that would have been enough.

752
00:43:06,680 --> 00:43:11,000
Speaker 1: Yeah, and War the Roses was very well received.

753
00:43:11,520 --> 00:43:13,880
Speaker 3: Yeah, I mean we're talking about it.

754
00:43:14,360 --> 00:43:14,520
Speaker 4: Yeah.

755
00:43:14,600 --> 00:43:17,640
Speaker 3: Gosh, I pulled it right out and said it, said

756
00:43:17,680 --> 00:43:19,800
Speaker 3: it out there, yeah, right into the world.

757
00:43:19,880 --> 00:43:22,360
Speaker 4: It's the only reason I bring this guy up. And

758
00:43:22,680 --> 00:43:24,759
Speaker 4: but then I had my show and he watched, and

759
00:43:25,400 --> 00:43:28,879
Speaker 4: he sent me notes, He mailed me notes about my act.

760
00:43:29,040 --> 00:43:30,879
Speaker 4: What I could what I could do better?

761
00:43:31,360 --> 00:43:31,799
Speaker 3: Was he right?

762
00:43:32,120 --> 00:43:35,600
Speaker 4: Uh? Probably, He's like a lot of your jokes, I

763
00:43:35,680 --> 00:43:39,960
Speaker 4: didn't hear them because you were rambling or moving on

764
00:43:40,080 --> 00:43:43,480
Speaker 4: to the next subject without finishing. But I like your

765
00:43:44,160 --> 00:43:48,120
Speaker 4: loose style. It was all just I'm realizing now failed insults.

766
00:43:48,160 --> 00:43:51,040
Speaker 3: But uh, he could have said nothing.

767
00:43:51,520 --> 00:43:54,759
Speaker 2: Yes, now you realize that all those relationship movies he

768
00:43:54,880 --> 00:43:57,280
Speaker 2: was writing about, he was the asshole in the situation.

769
00:43:57,920 --> 00:44:01,440
Speaker 4: Yeah, that is the I got because most of the

770
00:44:01,520 --> 00:44:03,920
Speaker 4: people he's like, see that asshole over there, they were

771
00:44:04,800 --> 00:44:07,960
Speaker 4: women that he had maybe dated. Sure, Yeah, and I

772
00:44:08,120 --> 00:44:10,480
Speaker 4: was like, I'm uncomfortable, but please keep talking.

773
00:44:10,640 --> 00:44:11,560
Speaker 1: This is sultry.

774
00:44:12,320 --> 00:44:16,200
Speaker 4: Is like a riding next to episode of Dynasty, but

775
00:44:16,719 --> 00:44:19,160
Speaker 4: the one that is a regret though, because at one

776
00:44:19,239 --> 00:44:21,799
Speaker 4: point he said, hey, have you ever want to learn

777
00:44:21,880 --> 00:44:26,280
Speaker 4: more about screenwriting or have any ideas? Like he reached

778
00:44:26,320 --> 00:44:28,520
Speaker 4: out and of course that's something I would have liked

779
00:44:28,560 --> 00:44:32,440
Speaker 4: to do, but like like you, Ellen, Alan, and I

780
00:44:33,160 --> 00:44:36,680
Speaker 4: I was scared to ask for something. I let it go.

781
00:44:38,120 --> 00:44:40,279
Speaker 3: Yeah, yeah, there you go. You know, we got to

782
00:44:40,280 --> 00:44:41,040
Speaker 3: get better about that.

783
00:44:41,280 --> 00:44:42,320
Speaker 4: Yeah, I gotta ask.

784
00:44:42,640 --> 00:44:45,600
Speaker 2: Well, but may I just argue for your past self

785
00:44:45,880 --> 00:44:48,160
Speaker 2: to say you kind of had the sense to not

786
00:44:48,360 --> 00:44:50,000
Speaker 2: become a partner with that guy?

787
00:44:51,640 --> 00:44:52,799
Speaker 1: Yes, what could happen there?

788
00:44:53,880 --> 00:44:59,279
Speaker 4: Yeah? I uh, maybe his sensibilities wouldn't line up well.

789
00:44:59,320 --> 00:45:01,680
Speaker 2: Also, if he does, doesn't get that your whole mumbly

790
00:45:01,800 --> 00:45:05,879
Speaker 2: thing and dropping jokes and not hitting them directly is stylistic.

791
00:45:06,120 --> 00:45:08,040
Speaker 4: Well, you're a mind reader, because that's what it was.

792
00:45:08,160 --> 00:45:10,319
Speaker 4: It's like, no, you just insulted what I do. That's

793
00:45:10,400 --> 00:45:13,520
Speaker 4: what me. Wanting to write a thing would be an

794
00:45:13,560 --> 00:45:16,560
Speaker 4: extension of that unfinished sentences on paper.

795
00:45:17,560 --> 00:45:18,520
Speaker 1: A lot of ellipses.

796
00:45:19,800 --> 00:45:23,320
Speaker 4: Oh man, I do use I overuse those three dots.

797
00:45:23,560 --> 00:45:25,680
Speaker 1: Guys, what do you think the modern animal is as

798
00:45:25,680 --> 00:45:29,920
Speaker 1: a store? Do you think it's food? Do you think

799
00:45:29,960 --> 00:45:30,480
Speaker 1: it's a set.

800
00:45:31,800 --> 00:45:35,319
Speaker 4: I'm very worried, and I think I'm right that it's

801
00:45:35,440 --> 00:45:39,200
Speaker 4: not about animals at all. It's a place for humans

802
00:45:39,239 --> 00:45:42,600
Speaker 4: to eat, because if you think about it, with our

803
00:45:42,680 --> 00:45:45,600
Speaker 4: cars and our body hair, we are just modern animals.

804
00:45:46,360 --> 00:45:47,480
Speaker 3: We're the modern animals.

805
00:45:47,680 --> 00:45:55,560
Speaker 4: Yeah, which is a perfect you know intro to play. Yeah,

806
00:45:57,280 --> 00:45:59,239
Speaker 4: what is the setting of this one? Are they in

807
00:45:59,400 --> 00:46:02,600
Speaker 4: the John Goal or are they in this city like Jason?

808
00:46:03,880 --> 00:46:06,239
Speaker 3: It looks like based on the trailer, there was a

809
00:46:06,440 --> 00:46:08,800
Speaker 3: sort of a glimpse of, you know, one of my

810
00:46:08,880 --> 00:46:13,839
Speaker 3: favorite things, like a post apocalyptic city that nature has retaken. Yeah,

811
00:46:14,440 --> 00:46:16,320
Speaker 3: just like a mossie. I mean it's kind of like

812
00:46:16,400 --> 00:46:19,319
Speaker 3: what I would like and what I always admire when

813
00:46:19,360 --> 00:46:23,879
Speaker 3: I in a town that's got like vertical shrubbery or whatever,

814
00:46:24,440 --> 00:46:26,640
Speaker 3: like there just plants that are growing on walls. It's

815
00:46:26,719 --> 00:46:32,360
Speaker 3: a thing, you know. Yeah, I love that vibe. I

816
00:46:32,520 --> 00:46:36,440
Speaker 3: like when nature kind of the rewilding or something that happens.

817
00:46:36,480 --> 00:46:38,440
Speaker 2: You know. Now, do you like that better or do

818
00:46:38,520 --> 00:46:41,719
Speaker 2: you like drain the ocean? Better in terms of satisfying.

819
00:46:42,440 --> 00:46:45,120
Speaker 2: Those are two different shows, I believe on the History Channel.

820
00:46:45,680 --> 00:46:48,520
Speaker 2: One is like When the Earth takes back over or

821
00:46:48,600 --> 00:46:51,400
Speaker 2: something like that, and the other one is Drain the Ocean,

822
00:46:51,520 --> 00:46:55,040
Speaker 2: but they both watch cgi Have you never watched these shows?

823
00:46:55,239 --> 00:46:56,920
Speaker 3: No heard about Drain the Ocean.

824
00:46:57,080 --> 00:47:00,160
Speaker 1: Drain the Ocean is like for me because I of

825
00:47:00,280 --> 00:47:03,600
Speaker 1: the what's the actual show called. It's called When Earth.

826
00:47:04,800 --> 00:47:07,520
Speaker 2: It's almost like when We're finally gone, Like it's when

827
00:47:07,600 --> 00:47:09,400
Speaker 2: Earth finally takes over and they just show you like

828
00:47:09,560 --> 00:47:11,040
Speaker 2: Ivy in New York City or whatever.

829
00:47:11,480 --> 00:47:14,680
Speaker 1: So satisfying. But then then the most.

830
00:47:14,560 --> 00:47:17,680
Speaker 2: Recent version of that is Drained the Ocean, which is

831
00:47:17,800 --> 00:47:19,360
Speaker 2: just like, here's all the shelves.

832
00:47:19,520 --> 00:47:22,000
Speaker 1: Here's where all the shelves are, the.

833
00:47:22,120 --> 00:47:26,960
Speaker 3: Shell, like the not like a Kia shelves, the the

834
00:47:27,960 --> 00:47:28,839
Speaker 3: mantle of the earth.

835
00:47:29,080 --> 00:47:34,440
Speaker 2: Yes, the underwater. Here's all the underwater I don't know,

836
00:47:34,719 --> 00:47:36,440
Speaker 2: mountains or whatever that you can't.

837
00:47:36,280 --> 00:47:37,960
Speaker 1: See and you will never see it.

838
00:47:38,560 --> 00:47:44,360
Speaker 4: And they're computer generated with actual footage, I think fully

839
00:47:44,440 --> 00:47:46,840
Speaker 4: computer Wow, yeah, I would love.

840
00:47:46,760 --> 00:47:49,240
Speaker 1: That, like a dinosaur show. But just the ocean.

841
00:47:49,480 --> 00:47:52,400
Speaker 3: That's neat. It's pretty cool because that's that's that's the

842
00:47:52,680 --> 00:47:55,920
Speaker 3: last front that's all. That's almost the final frontier, you know,

843
00:47:56,080 --> 00:47:56,800
Speaker 3: the ocean.

844
00:47:57,200 --> 00:48:04,000
Speaker 4: Mm hmmm, yeah, we gotta figure that out. We gotta

845
00:48:04,000 --> 00:48:04,640
Speaker 4: get down there.

846
00:48:05,840 --> 00:48:06,000
Speaker 1: You know.

847
00:48:06,160 --> 00:48:09,319
Speaker 3: I like to snorkel and stuff, So do you really

848
00:48:09,840 --> 00:48:10,719
Speaker 3: I know a lot about that.

849
00:48:11,400 --> 00:48:14,480
Speaker 1: Yeah, there's tons of rocks down there.

850
00:48:14,760 --> 00:48:16,719
Speaker 3: Yeah. Have you seen some of this out there? You

851
00:48:16,880 --> 00:48:19,120
Speaker 3: just kind of poke your head down. You're not even

852
00:48:19,120 --> 00:48:21,200
Speaker 3: all the way down, but you put on a snorkel. Boy,

853
00:48:21,520 --> 00:48:24,680
Speaker 3: you see some ship, see some stuff. Have you seen me?

854
00:48:25,000 --> 00:48:28,200
Speaker 2: There's like a manta ray drone that they're sending down

855
00:48:28,320 --> 00:48:29,879
Speaker 2: to like the deepest steps.

856
00:48:29,560 --> 00:48:30,080
Speaker 1: Of the ocean.

857
00:48:30,200 --> 00:48:31,439
Speaker 4: Oh my god, I can't wait.

858
00:48:31,640 --> 00:48:33,480
Speaker 1: We're about to find out what the's going on.

859
00:48:35,040 --> 00:48:37,000
Speaker 4: And I think it's a new discovery. There is a

860
00:48:37,120 --> 00:48:40,840
Speaker 4: shark that just looks like a puddle of moss that

861
00:48:41,080 --> 00:48:44,360
Speaker 4: has an open mouth and eyes like it kind of

862
00:48:44,480 --> 00:48:46,880
Speaker 4: looks like a sting ray. But and I don't know

863
00:48:46,920 --> 00:48:52,960
Speaker 4: if it was just covered with liking, but it was green,

864
00:48:54,160 --> 00:48:56,160
Speaker 4: and it was flat and as.

865
00:48:56,000 --> 00:48:56,719
Speaker 3: A giant mouth.

866
00:48:56,800 --> 00:48:59,719
Speaker 4: And I'm realizing right now it might be uh a

867
00:49:00,000 --> 00:49:03,440
Speaker 4: photo chopped, But it was a type of shark that

868
00:49:03,760 --> 00:49:06,840
Speaker 4: just layers on the ground and waits to eat things,

869
00:49:07,040 --> 00:49:10,160
Speaker 4: and of course is in the depths down where you

870
00:49:10,239 --> 00:49:13,840
Speaker 4: know where those fish with head lamps stuff that you

871
00:49:13,960 --> 00:49:18,440
Speaker 4: go down in a submarine to see. Very horrifying. It's

872
00:49:18,480 --> 00:49:21,200
Speaker 4: another planet, it really is.

873
00:49:23,600 --> 00:49:24,759
Speaker 3: Oh there you go.

874
00:49:25,360 --> 00:49:27,400
Speaker 1: She's like, Okay, thank you.

875
00:49:28,760 --> 00:49:29,480
Speaker 3: I don't know why.

876
00:49:29,680 --> 00:49:31,440
Speaker 4: I don't even know that they look alike, but that

877
00:49:31,520 --> 00:49:33,000
Speaker 4: girl made me, Miss Martha Kelly.

878
00:49:35,160 --> 00:49:36,120
Speaker 3: Something happened to Martha.

879
00:49:37,160 --> 00:49:41,239
Speaker 4: She's fine, I mean, and by that we mean move

880
00:49:41,360 --> 00:49:49,400
Speaker 4: to Torrance. Martha's been listening and comments on our podcast,

881
00:49:49,600 --> 00:49:59,680
Speaker 4: Martha Martha Love Martha real wobble. Oh wow. So that

882
00:50:00,000 --> 00:50:03,560
Speaker 4: hairy thing there that looks like a plant is the

883
00:50:03,680 --> 00:50:09,040
Speaker 4: shark's mouth eating that traditional shark. Yeah, so imagine, uh,

884
00:50:10,000 --> 00:50:14,239
Speaker 4: you're gonna want to wear flip flops that day. That's horrifying.

885
00:50:15,120 --> 00:50:17,520
Speaker 1: So it kind of just like looks like a bunch

886
00:50:17,560 --> 00:50:20,480
Speaker 1: of moss can eat like apex predators.

887
00:50:20,800 --> 00:50:24,759
Speaker 4: The inside this bush of moss is several rows of

888
00:50:24,920 --> 00:50:29,680
Speaker 4: sharp shark teeth. I mean, you would have to give

889
00:50:31,120 --> 00:50:36,520
Speaker 4: caffeinated children crayons and a piece of paper to come

890
00:50:36,640 --> 00:50:39,360
Speaker 4: up with half of those fish and animals.

891
00:50:39,480 --> 00:50:43,200
Speaker 1: You'll see why I want so badly to drain the ocean.

892
00:50:44,880 --> 00:50:47,040
Speaker 4: You want these guys on lands.

893
00:50:47,120 --> 00:50:47,759
Speaker 1: I want them dead.

894
00:50:49,080 --> 00:50:51,719
Speaker 3: So what is the water? Where's the ocean water drain

895
00:50:51,840 --> 00:50:53,759
Speaker 3: out to? That's what I want to know.

896
00:50:54,120 --> 00:50:58,360
Speaker 1: Um, I feel like these just pour pour.

897
00:50:58,239 --> 00:50:59,920
Speaker 3: Into the corainus.

898
00:51:00,200 --> 00:51:02,759
Speaker 1: Sorry, sorry, I love it.

899
00:51:03,000 --> 00:51:07,600
Speaker 4: I'm no, we haven't.

900
00:51:07,680 --> 00:51:09,760
Speaker 3: No one said that appreciated.

901
00:51:14,040 --> 00:51:15,160
Speaker 1: I think it's more of like.

902
00:51:17,080 --> 00:51:20,680
Speaker 2: The Seven Chinese Brothers, where like the water's gone whether

903
00:51:21,239 --> 00:51:23,840
Speaker 2: like however it happens, you can now look at what's

904
00:51:24,080 --> 00:51:27,440
Speaker 2: down there, but it'll be back, because it's just a

905
00:51:27,520 --> 00:51:32,560
Speaker 2: computer concept, right, Wow, it's not the way I'm I'm

906
00:51:32,760 --> 00:51:36,000
Speaker 2: making it sound like a governmental suggestion, but that's not real.

907
00:51:36,680 --> 00:51:43,640
Speaker 3: You might like, uh, glass bottom boats, taking a ride

908
00:51:43,640 --> 00:51:44,160
Speaker 3: in one of those.

909
00:51:44,560 --> 00:51:49,360
Speaker 4: No, I never have. That would make me nervous. I

910
00:51:49,440 --> 00:51:51,760
Speaker 4: don't even like a glass bottom balcony.

911
00:51:52,320 --> 00:51:54,680
Speaker 3: Oh you know those like bridges. I see videos of

912
00:51:54,760 --> 00:51:58,000
Speaker 3: those glass bridges that like some kid steps on it

913
00:51:58,040 --> 00:52:00,160
Speaker 3: and it does a little fake like crack in it

914
00:52:00,320 --> 00:52:00,680
Speaker 3: or whatever.

915
00:52:01,200 --> 00:52:07,959
Speaker 4: Yeah, that is called a no way, no way worse.

916
00:52:08,040 --> 00:52:08,319
Speaker 3: I think.

917
00:52:08,520 --> 00:52:10,399
Speaker 1: Yeah, I wouldn't like that more.

918
00:52:11,600 --> 00:52:15,720
Speaker 4: Yeah, that's not I don't like pranks on kids. Also,

919
00:52:15,800 --> 00:52:20,360
Speaker 4: it's just such a my phone thinks I do you

920
00:52:20,600 --> 00:52:23,200
Speaker 4: made it think that I watch a lot of them

921
00:52:23,320 --> 00:52:27,319
Speaker 4: and like them, but not actually enjoying them.

922
00:52:27,760 --> 00:52:31,800
Speaker 1: Oh, you're just hitting my thumbs are big.

923
00:52:33,160 --> 00:52:38,040
Speaker 4: Accidentally. Yeah, maybe I like it. There's a you know

924
00:52:38,480 --> 00:52:40,480
Speaker 4: I follow One of the first things I ever followed

925
00:52:40,640 --> 00:52:45,120
Speaker 4: was called kids getting hurt. They don't really get hurt.

926
00:52:45,600 --> 00:52:50,200
Speaker 4: They trip over ten poles or or get scared by

927
00:52:50,239 --> 00:52:53,160
Speaker 4: a cat. You know, they're not actually being injured.

928
00:52:53,320 --> 00:52:55,399
Speaker 1: I feel like you're digging a deeper hole.

929
00:52:55,560 --> 00:52:59,120
Speaker 4: You would love this more than you would love them

930
00:53:00,040 --> 00:53:00,880
Speaker 4: first told me about it.

931
00:53:04,400 --> 00:53:07,000
Speaker 3: There, I will say, there is something. There is something

932
00:53:07,080 --> 00:53:09,320
Speaker 3: to seeing like a little a little kid. You know,

933
00:53:09,400 --> 00:53:12,279
Speaker 3: they they have they don't have as far to fall right,

934
00:53:13,239 --> 00:53:16,880
Speaker 3: So that's I don't know effected that in. You know,

935
00:53:16,960 --> 00:53:19,480
Speaker 3: it's like may is a little more okay to laugh,

936
00:53:19,600 --> 00:53:22,080
Speaker 3: you know when a kid trips over something.

937
00:53:22,400 --> 00:53:27,720
Speaker 1: Yeah, but alan to subscribe to kids getting that's different.

938
00:53:27,880 --> 00:53:30,120
Speaker 4: Here's the one that pulled me in. There was like

939
00:53:30,320 --> 00:53:34,240
Speaker 4: ten kids getting out of a tent and they're sweet

940
00:53:34,320 --> 00:53:37,200
Speaker 4: little they're toddlers, they're ready to go camping. They had

941
00:53:37,200 --> 00:53:41,759
Speaker 4: little headlamps, and each one of them tripped out coming

942
00:53:41,840 --> 00:53:44,359
Speaker 4: out of not learning by watching the kid in front

943
00:53:44,360 --> 00:53:46,440
Speaker 4: of them. They all spilled out of this tent like

944
00:53:46,520 --> 00:53:49,360
Speaker 4: it was a clown car, and every single one of

945
00:53:49,480 --> 00:53:54,759
Speaker 4: them fell and they kept falling, and I laugh so hard.

946
00:53:54,840 --> 00:53:57,960
Speaker 4: We've talked about how we like watching people fall. That's

947
00:53:58,080 --> 00:54:02,239
Speaker 4: not true, never once so well, we we've had entire

948
00:54:02,320 --> 00:54:06,120
Speaker 4: episodes dedicated to the guy that fell with the bag

949
00:54:06,200 --> 00:54:10,439
Speaker 4: of eyes still slid on. He was an adult. I'm

950
00:54:10,560 --> 00:54:15,160
Speaker 4: just saying I love miniatures, and when the smaller person's

951
00:54:15,160 --> 00:54:17,440
Speaker 4: a little smaller, it makes my enjoyment even more. And

952
00:54:17,520 --> 00:54:23,160
Speaker 4: that includes falling footage. They don't get hurt. They don't

953
00:54:23,239 --> 00:54:27,040
Speaker 4: actually get hurt. It's more about feelings. They just get scared.

954
00:54:28,239 --> 00:54:31,600
Speaker 4: I'm not worse, it is. It is worse. I'm not

955
00:54:31,920 --> 00:54:33,400
Speaker 4: trying to be father of the year.

956
00:54:33,320 --> 00:54:38,879
Speaker 1: Here, Alan, have you ever won father of the year? Uh?

957
00:54:40,360 --> 00:54:41,320
Speaker 3: Seven years running?

958
00:54:44,600 --> 00:54:47,000
Speaker 1: Sonny says it. Therefore, it has.

959
00:54:46,920 --> 00:54:48,600
Speaker 3: A little little word show for me.

960
00:54:50,400 --> 00:54:51,600
Speaker 1: Wouldn't that be the cutest?

961
00:54:54,719 --> 00:54:57,280
Speaker 3: That would be cute that happen.

962
00:54:58,920 --> 00:55:03,320
Speaker 4: My any I gave my dad a shirt that said

963
00:55:03,520 --> 00:55:06,560
Speaker 4: anyone can be a father, but it takes someone special

964
00:55:06,719 --> 00:55:10,960
Speaker 4: to be a daddy, And I feel like that shirt

965
00:55:12,440 --> 00:55:13,239
Speaker 4: didn't age well.

966
00:55:13,960 --> 00:55:17,200
Speaker 3: Agree, Yeah, but every time I switch.

967
00:55:22,200 --> 00:55:25,000
Speaker 4: I bet it's googled. But we could buy that shirt

968
00:55:25,080 --> 00:55:29,560
Speaker 4: right now, your Zaddy version. It's out there. Anything I

969
00:55:29,680 --> 00:55:31,920
Speaker 4: think of, I look it up and it's on a shirt,

970
00:55:32,800 --> 00:55:37,640
Speaker 4: but that's next day printers usually anything you say, hey

971
00:55:37,719 --> 00:55:40,200
Speaker 4: do you like this shirt? It said you like watching

972
00:55:40,280 --> 00:55:41,000
Speaker 4: kids get hurt?

973
00:55:42,320 --> 00:55:43,840
Speaker 1: It said you like to hurt kids.

974
00:55:43,960 --> 00:55:46,120
Speaker 4: I don't want people to know I just mentioned it

975
00:55:46,280 --> 00:55:47,000
Speaker 4: on the podcast.

976
00:55:48,800 --> 00:55:51,320
Speaker 3: It's it's a reference to the thing we all know

977
00:55:51,480 --> 00:55:52,200
Speaker 3: we don't like that.

978
00:55:52,680 --> 00:55:57,200
Speaker 4: Yes, yeah, I play the villain on this show, much

979
00:55:57,360 --> 00:56:00,759
Speaker 4: like the explosive drug dealer. I like it's falling as

980
00:56:00,800 --> 00:56:04,520
Speaker 4: one of my many characters. Who are you meeting? Tell

981
00:56:04,600 --> 00:56:06,560
Speaker 4: us who you're meeting, what their names are.

982
00:56:08,560 --> 00:56:09,200
Speaker 1: Of movies?

983
00:56:09,600 --> 00:56:11,239
Speaker 3: You know, it might be like for you know, I

984
00:56:11,280 --> 00:56:12,920
Speaker 3: don't know who all's going to show up. It was

985
00:56:13,000 --> 00:56:15,400
Speaker 3: like it was Mookie posted it on a little thread

986
00:56:16,680 --> 00:56:22,560
Speaker 3: of UCB fun and uh, I don't know who. Sometimes

987
00:56:22,600 --> 00:56:24,000
Speaker 3: it's just a little surprised.

988
00:56:24,040 --> 00:56:28,200
Speaker 4: I have a feeling, Yeah, you're about to meet people.

989
00:56:28,280 --> 00:56:31,759
Speaker 3: I like, oh, yeah, well you're welcome to come.

990
00:56:31,960 --> 00:56:33,840
Speaker 4: I think you had to say that because of the

991
00:56:33,880 --> 00:56:37,520
Speaker 4: way I appreciate the but I got a very full

992
00:56:37,960 --> 00:56:39,520
Speaker 4: I gotta drop off some balls.

993
00:56:41,560 --> 00:56:42,080
Speaker 3: You're all caught.

994
00:56:42,200 --> 00:56:46,600
Speaker 4: Well, you watched the first one, yeah, and I'm not kidding,

995
00:56:46,920 --> 00:56:49,120
Speaker 4: and now you're I was so affected by that. I

996
00:56:49,239 --> 00:56:50,719
Speaker 4: then watched the one before that.

997
00:56:51,960 --> 00:56:53,399
Speaker 3: I can't old older one.

998
00:56:53,719 --> 00:56:56,640
Speaker 4: It's the one right after the one where James Franco

999
00:56:56,840 --> 00:57:00,640
Speaker 4: is discovering a cure for Alzheimer's and on left Gow

1000
00:57:00,800 --> 00:57:04,239
Speaker 4: is his dad and it is of course both of

1001
00:57:04,320 --> 00:57:07,200
Speaker 4: us would cry at that. It's the Alzheimer's thing, but

1002
00:57:08,320 --> 00:57:13,200
Speaker 4: that wasn't that was too much human interaction. Once these

1003
00:57:13,280 --> 00:57:17,520
Speaker 4: apes are wearing little hats. I guess they'll wear hats clothes,

1004
00:57:18,120 --> 00:57:22,800
Speaker 4: and they're like yelling and fingerless gloves there. Yeah, it's

1005
00:57:23,000 --> 00:57:27,560
Speaker 4: like the warriors, but they do have face paint and

1006
00:57:28,760 --> 00:57:32,720
Speaker 4: the simple way with which they communicate, whether they're mad

1007
00:57:33,080 --> 00:57:37,600
Speaker 4: or saying something supportive. I like the way these apes are.

1008
00:57:37,760 --> 00:57:38,800
Speaker 4: I root for the apes.

1009
00:57:39,360 --> 00:57:41,480
Speaker 3: Yeah, No, I think there'll be some good apes. I

1010
00:57:41,560 --> 00:57:43,520
Speaker 3: think that there's just like a lot of there's a

1011
00:57:43,560 --> 00:57:44,120
Speaker 3: lot of apes.

1012
00:57:44,200 --> 00:57:48,560
Speaker 4: And now drump Carnelius didn't really die, see, I know

1013
00:57:49,680 --> 00:57:51,360
Speaker 4: a little. I know a little bit going into it.

1014
00:57:51,400 --> 00:57:53,520
Speaker 3: I'm not sure I'm gonna have to skim a little. Uh,

1015
00:57:54,800 --> 00:57:58,040
Speaker 3: I don't know, some kind of summary. Yeah, what's happened

1016
00:57:58,080 --> 00:57:59,440
Speaker 3: because it's been a minute for.

1017
00:57:59,560 --> 00:58:01,000
Speaker 4: Reading the book right before.

1018
00:58:01,480 --> 00:58:05,200
Speaker 3: Yeah, I'm gonna go to the bookstore just kind of

1019
00:58:05,520 --> 00:58:08,280
Speaker 3: put my feet up and read there.

1020
00:58:09,080 --> 00:58:13,000
Speaker 4: Yeah, there's there's a whole underbelly of people that do

1021
00:58:13,160 --> 00:58:17,800
Speaker 4: that daily bookstore hangout, bookstore loiterers to the level where

1022
00:58:17,840 --> 00:58:21,440
Speaker 4: they'll go, excuse me, you're in my regular seats.

1023
00:58:22,760 --> 00:58:26,680
Speaker 3: Forging. She's forging, she's stealing cheese, cheese weed.

1024
00:58:27,720 --> 00:58:30,920
Speaker 4: I always wonder when I see I mean, she had

1025
00:58:30,960 --> 00:58:32,880
Speaker 4: a nice thrasher.

1026
00:58:32,600 --> 00:58:35,680
Speaker 3: Magazine of Manila. I've always wanted to go to Max's

1027
00:58:35,720 --> 00:58:36,240
Speaker 3: of Manila.

1028
00:58:37,000 --> 00:58:40,320
Speaker 4: It is inviting, isn't that meat? They got that second

1029
00:58:40,360 --> 00:58:42,080
Speaker 4: story hot top it does.

1030
00:58:44,240 --> 00:58:45,760
Speaker 1: That is really cool looking.

1031
00:58:46,120 --> 00:58:49,240
Speaker 4: Oh my gosh, I've done stand up there. No, yes,

1032
00:58:49,640 --> 00:58:53,160
Speaker 4: I'm up where there's those pillars.

1033
00:58:54,040 --> 00:58:56,160
Speaker 1: There was that uh.

1034
00:58:56,880 --> 00:59:01,280
Speaker 4: Me and our friend that Robert Hawkins. Oh yeah, when

1035
00:59:01,320 --> 00:59:04,760
Speaker 4: I first moved here. Yes, I've been in that building

1036
00:59:04,840 --> 00:59:07,920
Speaker 4: and done stand stand up a long time ago. Weird,

1037
00:59:08,440 --> 00:59:12,160
Speaker 4: I don't it's weird. Driving around l A. I think

1038
00:59:12,200 --> 00:59:13,920
Speaker 4: I'm in a part of town I've never been to.

1039
00:59:14,680 --> 00:59:16,600
Speaker 4: I'm like, oh, no, I actually have done stand up

1040
00:59:16,640 --> 00:59:22,600
Speaker 4: and most of these buildings. Yeah, yep, I vividly remember

1041
00:59:22,680 --> 00:59:26,280
Speaker 4: that was the night I met bj Novak wows on

1042
00:59:26,360 --> 00:59:27,480
Speaker 4: the old office.

1043
00:59:27,640 --> 00:59:29,680
Speaker 3: Oh, another flood of nostalgia.

1044
00:59:31,720 --> 00:59:32,520
Speaker 1: Care yourself.

1045
00:59:33,920 --> 00:59:35,919
Speaker 3: You stop and look around every once in a while

1046
00:59:36,000 --> 00:59:36,760
Speaker 3: and see what happened.

1047
00:59:36,800 --> 00:59:39,800
Speaker 4: I'm afraid of losing my mind, So anything that comes

1048
00:59:39,880 --> 00:59:42,120
Speaker 4: up in my memory, I blurt it out and share it.

1049
00:59:43,520 --> 00:59:49,480
Speaker 2: That's podcasting, Yeah, verbal sudokus, That's what I do, Allen.

1050
00:59:49,520 --> 00:59:52,360
Speaker 1: I think we're going to drop you off like it'll

1051
00:59:52,440 --> 00:59:54,040
Speaker 1: be wherever you feel comfortable.

1052
00:59:54,680 --> 00:59:56,600
Speaker 3: I think you're feel comfortable.

1053
00:59:56,720 --> 00:59:58,760
Speaker 4: You just have a ball in these streets.

1054
00:59:59,040 --> 01:00:02,360
Speaker 3: Oh yeah, Look I can get out anywhere, any any

1055
01:00:02,440 --> 01:00:03,200
Speaker 3: flat surface.

1056
01:00:03,960 --> 01:00:05,000
Speaker 1: You can handle any of it.

1057
01:00:05,480 --> 01:00:05,720
Speaker 2: Yeah.

1058
01:00:06,320 --> 01:00:09,120
Speaker 3: What if we leave you off in a big pothole,

1059
01:00:09,240 --> 01:00:09,720
Speaker 3: that's right.

1060
01:00:09,880 --> 01:00:11,760
Speaker 4: I don't want that a slide incline.

1061
01:00:12,200 --> 01:00:14,480
Speaker 3: Yeah, if it's a slide incline, I don't have any

1062
01:00:14,520 --> 01:00:17,480
Speaker 3: of these shoes or these are just some dance shoes. Yeah,

1063
01:00:17,960 --> 01:00:19,520
Speaker 3: they're gonna slide me right down.

1064
01:00:21,160 --> 01:00:22,280
Speaker 1: To slide down the streets.

1065
01:00:22,440 --> 01:00:24,760
Speaker 4: Yeah, we'll just open the door and rolling it down

1066
01:00:24,800 --> 01:00:25,120
Speaker 4: a hill.

1067
01:00:26,160 --> 01:00:32,200
Speaker 3: No, right, something Glendale's relatively flat here in the in

1068
01:00:32,320 --> 01:00:33,840
Speaker 3: the I don't know, the foothills.

1069
01:00:34,080 --> 01:00:38,360
Speaker 4: Yeah. I guess that's why people on this street drive

1070
01:00:38,560 --> 01:00:41,600
Speaker 4: like it's the auto Bond, because it's nice and flat

1071
01:00:41,720 --> 01:00:43,520
Speaker 4: and straight. It is.

1072
01:00:43,800 --> 01:00:47,360
Speaker 3: Well, this has been a delight. I'm so happy. Thank

1073
01:00:47,440 --> 01:00:50,280
Speaker 3: you so much for having me. This has been so fun,

1074
01:00:50,440 --> 01:00:53,040
Speaker 3: absolutely great. This is how long y'all been doing this?

1075
01:00:53,200 --> 01:00:59,280
Speaker 4: Now we constantly wish we knew, but it's I'm going

1076
01:00:59,360 --> 01:01:00,280
Speaker 4: to say, eleven years.

1077
01:01:01,080 --> 01:01:01,840
Speaker 1: Years and years.

1078
01:01:02,160 --> 01:01:05,240
Speaker 3: Yeah, that's amazing. Congratulations, that's so cool.

1079
01:01:05,480 --> 01:01:06,160
Speaker 4: Thanks so much.

1080
01:01:06,360 --> 01:01:08,720
Speaker 2: Well, and you know, good luck to you getting any

1081
01:01:08,880 --> 01:01:10,280
Speaker 2: kind of an improv group back.

1082
01:01:10,520 --> 01:01:14,240
Speaker 3: Thank you, thank you. Yeah, I know maybe, yeah, maybe

1083
01:01:14,320 --> 01:01:16,840
Speaker 3: twenty twenty five. I'll start getting it together.

1084
01:01:17,560 --> 01:01:20,120
Speaker 1: Don't rush it. I think that's what's important with the improv.

1085
01:01:20,680 --> 01:01:22,080
Speaker 3: Yeah, right, is it is?

1086
01:01:22,360 --> 01:01:22,400
Speaker 1: This?

1087
01:01:22,520 --> 01:01:23,760
Speaker 3: Are we am? I hopping out here?

1088
01:01:24,000 --> 01:01:24,320
Speaker 1: I think?

1089
01:01:24,400 --> 01:01:24,440
Speaker 2: So?

1090
01:01:24,640 --> 01:01:27,080
Speaker 1: Okay, I can't turn in there?

1091
01:01:28,200 --> 01:01:31,040
Speaker 3: Yeah that's the Maericana right there yet?

1092
01:01:31,120 --> 01:01:31,280
Speaker 1: Yeah?

1093
01:01:31,400 --> 01:01:34,000
Speaker 3: Okay, yeah, thank you. I will get an improv group

1094
01:01:34,120 --> 01:01:36,040
Speaker 3: together and claim it after.

1095
01:01:38,440 --> 01:01:41,240
Speaker 1: Karens. I would love that so much.

1096
01:01:42,040 --> 01:01:43,000
Speaker 4: It's good to see you all.

1097
01:01:43,120 --> 01:01:43,800
Speaker 3: Good to see.

1098
01:01:47,400 --> 01:01:50,160
Speaker 4: Yeah, isn't that interesting? You don't know about how I've

1099
01:01:50,200 --> 01:01:50,960
Speaker 4: been disfigured.

1100
01:01:52,800 --> 01:01:54,560
Speaker 3: Thanks, thank you to see you.

1101
01:01:57,800 --> 01:02:00,480
Speaker 4: I always feel bad when you're dropping someone off and

1102
01:02:01,320 --> 01:02:05,120
Speaker 4: there's cars behind you. Yeah, and you're like, yeah, bye bye,

1103
01:02:05,160 --> 01:02:07,360
Speaker 4: get out, get out, and it seems like a bad

1104
01:02:07,440 --> 01:02:08,520
Speaker 4: way to end a podcast.

1105
01:02:08,680 --> 01:02:10,640
Speaker 3: It is great, Uh huh, you.

1106
01:02:10,680 --> 01:02:14,160
Speaker 1: Gotta get out now, but we have to end it

1107
01:02:14,240 --> 01:02:14,520
Speaker 1: now too.

1108
01:02:14,840 --> 01:02:17,640
Speaker 4: Oh god, well, I hope that he doesn't listen to

1109
01:02:17,720 --> 01:02:20,640
Speaker 4: that part. I didn't. Oh, this person's backing into us

1110
01:02:20,680 --> 01:02:25,080
Speaker 4: and a strange decision. The hazards don't mean I'm going

1111
01:02:25,200 --> 01:02:25,840
Speaker 4: in reverse.

1112
01:02:26,280 --> 01:02:28,920
Speaker 2: And also, hazards don't mean that what you're doing is

1113
01:02:29,080 --> 01:02:30,439
Speaker 2: what you're supposed to be doing.

1114
01:02:30,720 --> 01:02:36,160
Speaker 4: This is the street. Brand Boulevard is the street where

1115
01:02:36,320 --> 01:02:39,200
Speaker 4: if we want to have an episode where we're just like,

1116
01:02:39,360 --> 01:02:41,960
Speaker 4: what the hell are you doing? Why are you driving

1117
01:02:42,040 --> 01:02:44,560
Speaker 4: this way? Episode? This is where we do it.

1118
01:02:44,760 --> 01:02:47,520
Speaker 1: I mean I was kind of doing it myself as well,

1119
01:02:47,840 --> 01:02:49,400
Speaker 1: and in front of a cop, but.

1120
01:02:50,880 --> 01:02:55,400
Speaker 4: It's everybody Glendale rubs off on you fast. You've been

1121
01:02:55,520 --> 01:02:59,480
Speaker 4: listening to this special episode, I'm just gonna put it

1122
01:02:59,560 --> 01:03:01,640
Speaker 4: in that category of do you need to write I

1123
01:03:01,680 --> 01:03:01,960
Speaker 4: don't know.

1124
01:03:02,400 --> 01:03:04,080
Speaker 1: You just liked it? Yeah I did, Yeah, it was

1125
01:03:04,120 --> 01:03:04,520
Speaker 1: really good.

1126
01:03:04,800 --> 01:03:08,000
Speaker 4: Do you need a Ride d y n he r.

1127
01:03:15,200 --> 01:03:19,560
Speaker 2: This has been an exactly right production produced by Analise Nelson,

1128
01:03:19,960 --> 01:03:23,720
Speaker 2: mixed by Edson Choi. Our talent booker is Patrick Kottner.

1129
01:03:24,000 --> 01:03:25,920
Speaker 4: Theme song by Karen Kilgarrett.

1130
01:03:26,360 --> 01:03:27,800
Speaker 1: Artwork by Chris Fairbanks.

1131
01:03:28,040 --> 01:03:31,120
Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

1132
01:03:31,240 --> 01:03:34,280
Speaker 2: podcast That's d y n ar Podcast.

1133
01:03:34,760 --> 01:03:37,960
Speaker 4: For more information, go to exactly rightmedia dot com.

1134
01:03:38,320 --> 01:03:40,560
Speaker 1: Thank you, Oh You're welcome