1
00:00:00,080 --> 00:00:01,280
Speaker 1: First of all, you don't know me.

2
00:00:02,240 --> 00:00:05,600
Speaker 2: Were all about that high school drama Girl Drama Girl,

3
00:00:05,680 --> 00:00:07,840
Speaker 2: all about them high school queens Forever.

4
00:00:08,160 --> 00:00:09,399
Speaker 3: We'll take you for a ride.

5
00:00:09,440 --> 00:00:13,120
Speaker 2: And our comic girl shared for the right teams Drama Queens,

6
00:00:13,240 --> 00:00:16,479
Speaker 2: Jaylee's my girl of girl Fashion, but your tough girl,

7
00:00:16,560 --> 00:00:17,480
Speaker 2: you could sit with us.

8
00:00:17,520 --> 00:00:21,640
Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drahma Queens

9
00:00:21,680 --> 00:00:24,680
Speaker 1: Drama Queens.

10
00:00:24,720 --> 00:00:28,000
Speaker 4: Sophia, Joy and Rob with an all new episode of

11
00:00:28,040 --> 00:00:29,680
Speaker 4: Drama Queens.

12
00:00:29,360 --> 00:00:37,320
Speaker 5: Where, Oh here Here, Welcome in everybody Today We've got

13
00:00:37,360 --> 00:00:41,240
Speaker 5: Season nine, Episode seven, Last known Surroundings.

14
00:00:41,360 --> 00:00:46,040
Speaker 4: Air date February twenty second, twenty twelve. Synopsis reads Hayley

15
00:00:46,159 --> 00:00:49,959
Speaker 4: seeks help from Lucas as Nathan makes an escape attempt.

16
00:00:50,159 --> 00:00:54,120
Speaker 4: Broke comes face to face with Xavier Julian uncovers evidence

17
00:00:54,160 --> 00:00:58,600
Speaker 4: that assists Dan in his search for Nathan, and Clay

18
00:00:58,640 --> 00:01:02,320
Speaker 4: makes a connection with another patient. This is not our

19
00:01:02,400 --> 00:01:05,800
Speaker 4: best synopsis, as Clay did not make a connection with

20
00:01:05,840 --> 00:01:08,319
Speaker 4: another patient in this episode.

21
00:01:08,640 --> 00:01:10,720
Speaker 6: That was like that was a previous.

22
00:01:10,280 --> 00:01:14,440
Speaker 4: Episode yet with logan. Nonetheless, let's not bury the lead.

23
00:01:14,560 --> 00:01:20,920
Speaker 4: It was directed by the sex Pylon himself, Austin Nicholas.

24
00:01:21,560 --> 00:01:27,280
Speaker 3: Hey, o oh wow, what a ride this episode was.

25
00:01:27,560 --> 00:01:31,520
Speaker 3: We went fully into the deep. There was just there

26
00:01:31,560 --> 00:01:35,640
Speaker 3: was no relief. It was fully like, let's just dive

27
00:01:35,680 --> 00:01:38,640
Speaker 3: into the darkness of all of it. Yeah, I mean,

28
00:01:38,680 --> 00:01:41,320
Speaker 3: all these storylines are needing to be resolved, so okay,

29
00:01:41,480 --> 00:01:43,800
Speaker 3: but it did feel a lot like all of these

30
00:01:43,800 --> 00:01:45,959
Speaker 3: storylines are been needing to be resolved and so we're

31
00:01:46,000 --> 00:01:49,200
Speaker 3: just gonna shove everything in there at once.

32
00:01:49,600 --> 00:01:54,560
Speaker 4: I know there was forty four minutes of content, but

33
00:01:54,720 --> 00:02:01,320
Speaker 4: I really like a lot didn't actually happen that part. Yeah,

34
00:02:01,360 --> 00:02:03,200
Speaker 4: and I'm not saying it's a bad episode, but as

35
00:02:03,200 --> 00:02:05,040
Speaker 4: I kind of reviewed my notes when even when I

36
00:02:05,040 --> 00:02:06,320
Speaker 4: woke up this smher, I was trying to just think

37
00:02:06,320 --> 00:02:08,920
Speaker 4: about the episode, It's like they're really it felt like

38
00:02:09,000 --> 00:02:11,960
Speaker 4: it could have been twenty two minutes of content, like

39
00:02:12,000 --> 00:02:15,160
Speaker 4: wall to wall, and they just sort of like stretched

40
00:02:15,160 --> 00:02:15,440
Speaker 4: it out.

41
00:02:15,600 --> 00:02:18,720
Speaker 3: Oh, so I just thought it was I kept pausing

42
00:02:18,720 --> 00:02:20,200
Speaker 3: it when I was watching it. I had to keep

43
00:02:20,200 --> 00:02:24,200
Speaker 3: pausing it for all different interruptions. So the episode felt

44
00:02:24,639 --> 00:02:26,919
Speaker 3: packed to me. I think because it was so long

45
00:02:27,000 --> 00:02:29,000
Speaker 3: and drawn out that I was like, man, there's just

46
00:02:29,080 --> 00:02:32,799
Speaker 3: so much going on up. But maybe all back to back.

47
00:02:32,840 --> 00:02:35,440
Speaker 3: It didn't feel that way. Yeah, I don't know.

48
00:02:35,520 --> 00:02:39,320
Speaker 7: I guess because so much of it was static and

49
00:02:39,400 --> 00:02:42,000
Speaker 7: so many things have been moving around, right, But we

50
00:02:42,080 --> 00:02:45,080
Speaker 7: spent so much time in the warehouse with Nathan and

51
00:02:45,120 --> 00:02:48,200
Speaker 7: the kidnappers. We spent so much time with Haley and

52
00:02:48,240 --> 00:02:51,560
Speaker 7: Lucas at the airport, which, by the way, like what

53
00:02:51,680 --> 00:02:55,440
Speaker 7: an iconic moment, right Lucas Scott walking through the doors.

54
00:02:55,480 --> 00:02:57,760
Speaker 7: You're like, oh my god, He's finally back. And then

55
00:02:57,800 --> 00:03:00,360
Speaker 7: they just I literally at one point, where are they

56
00:03:00,400 --> 00:03:02,840
Speaker 7: going to keep them in the airport for the whole episode?

57
00:03:03,080 --> 00:03:03,320
Speaker 1: Same?

58
00:03:03,840 --> 00:03:06,600
Speaker 7: Yeah, because I didn't remember that by the end, you

59
00:03:06,639 --> 00:03:08,480
Speaker 7: would figure out that he was going to take the

60
00:03:08,560 --> 00:03:11,840
Speaker 7: kids back, you know, to be with a night, And

61
00:03:11,960 --> 00:03:15,040
Speaker 7: I literally was like, why are we wasting Haley and

62
00:03:15,120 --> 00:03:17,959
Speaker 7: Lucas in the freakin' airport, Like you're going to go

63
00:03:18,000 --> 00:03:20,239
Speaker 7: to the food court. What's happening?

64
00:03:20,560 --> 00:03:23,240
Speaker 3: It felt like Chad flew into town and was like,

65
00:03:23,320 --> 00:03:26,240
Speaker 3: I'm going to land, have your cameras rolling. Yes, I'm

66
00:03:26,280 --> 00:03:29,840
Speaker 3: gonna shoot my scenes and my flight leaves four hours later.

67
00:03:30,440 --> 00:03:33,440
Speaker 4: Yeah, because I'm with you. So if I had notes

68
00:03:33,440 --> 00:03:35,440
Speaker 4: from like are we are? We really not going to

69
00:03:35,560 --> 00:03:39,520
Speaker 4: leave the airport, and especially what makes it extra awkward

70
00:03:39,720 --> 00:03:45,840
Speaker 4: is you guys are having such a sensitive, private discussion

71
00:03:46,120 --> 00:03:48,280
Speaker 4: and you're choosing to do it in the middle of

72
00:03:48,360 --> 00:03:53,320
Speaker 4: a sea of people. Yes, which just feels so counterintuitive.

73
00:03:52,840 --> 00:03:55,680
Speaker 7: Not to say the grossest thing in the world, but

74
00:03:55,840 --> 00:04:01,200
Speaker 7: like Haley, James Scott and Nathan Scott are both famous,

75
00:04:01,520 --> 00:04:03,440
Speaker 7: and guess what you don't do if you're in a

76
00:04:03,440 --> 00:04:07,600
Speaker 7: personal crisis and you're a public figure is talk about

77
00:04:07,640 --> 00:04:11,960
Speaker 7: it out loud and cry in public where people can

78
00:04:12,040 --> 00:04:17,560
Speaker 7: like easdrop and call like a tablet. It's it felt

79
00:04:17,600 --> 00:04:21,600
Speaker 7: so weird to me. And even the fact that you

80
00:04:21,640 --> 00:04:24,080
Speaker 7: guys wouldn't pick him up and like go for a

81
00:04:24,240 --> 00:04:26,760
Speaker 7: drive and go get lunch and then drive back to

82
00:04:26,839 --> 00:04:30,560
Speaker 7: the airport, yes, like to waste Lucas's return and not

83
00:04:30,640 --> 00:04:33,080
Speaker 7: go over the bridge like what are we doing.

84
00:04:32,960 --> 00:04:35,240
Speaker 3: And wondering it the whole time instead of just knowing

85
00:04:35,279 --> 00:04:36,760
Speaker 3: that he's there to pick up the kids like that

86
00:04:37,000 --> 00:04:38,599
Speaker 3: that would have solved the mystery right away, and then

87
00:04:38,640 --> 00:04:42,080
Speaker 3: I guess we would have understood. But to be yeah,

88
00:04:42,160 --> 00:04:46,080
Speaker 3: I also felt really dissatisfied with my performance in this

89
00:04:46,279 --> 00:04:50,880
Speaker 3: because I felt like it was so grossly underplayed. I

90
00:04:50,960 --> 00:04:52,880
Speaker 3: was just like, I mean, there's so many opportunities to

91
00:04:53,040 --> 00:04:56,920
Speaker 3: really get vulnerable and break down, and like, actually, she's

92
00:04:56,960 --> 00:04:58,680
Speaker 3: in the arms of her best friends, so she can

93
00:04:58,720 --> 00:05:02,640
Speaker 3: finally freak out. But now that you're saying that, I'm like,

94
00:05:02,640 --> 00:05:05,360
Speaker 3: actually that maybe that's why I didn't because we were

95
00:05:05,360 --> 00:05:07,480
Speaker 3: in a public place and I didn't want to freak

96
00:05:07,520 --> 00:05:11,040
Speaker 3: out my kids. But like, it just felt like I'm

97
00:05:11,080 --> 00:05:13,359
Speaker 3: listening to the dialogue and the stakes are so high,

98
00:05:13,440 --> 00:05:16,600
Speaker 3: and I was kind of barely It seemed like I

99
00:05:16,640 --> 00:05:18,680
Speaker 3: was barely upset. It seemed like I was upset in

100
00:05:18,720 --> 00:05:21,720
Speaker 3: a way that's like I'm worried that somebody I love

101
00:05:21,800 --> 00:05:24,440
Speaker 3: is going to die before I get there, Like somebody's

102
00:05:24,440 --> 00:05:26,320
Speaker 3: in a bed in a hospital somewhere dying, and I

103
00:05:26,360 --> 00:05:28,640
Speaker 3: feel sad and I'm a little anxious about getting there

104
00:05:28,640 --> 00:05:31,800
Speaker 3: on time, not like, oh my god, my husband is

105
00:05:31,880 --> 00:05:33,520
Speaker 3: missing and probably dead.

106
00:05:34,760 --> 00:05:36,680
Speaker 7: I hear you on that, But I think that's one

107
00:05:36,720 --> 00:05:38,800
Speaker 7: of those things where as an actor you wonder if

108
00:05:38,839 --> 00:05:41,159
Speaker 7: you should have done more, but as if you were

109
00:05:41,680 --> 00:05:44,440
Speaker 7: if you had fully again as a as a famous

110
00:05:44,520 --> 00:05:46,800
Speaker 7: rock star, if you had fully lost your shit in

111
00:05:46,880 --> 00:05:49,680
Speaker 7: the airport with four hundred people looking at you. I

112
00:05:49,680 --> 00:05:51,960
Speaker 7: would have been like, girl, you are famous, rein it in,

113
00:05:52,680 --> 00:05:52,960
Speaker 7: you know.

114
00:05:53,160 --> 00:05:57,440
Speaker 4: And your child is there watching and your baby's there. Yeah,

115
00:05:57,560 --> 00:05:59,520
Speaker 4: I'm with so fun this one. I completely get it.

116
00:05:59,560 --> 00:06:02,560
Speaker 6: But as a viewer I bought it because.

117
00:06:02,360 --> 00:06:05,920
Speaker 4: Also I don't even think Haley is all there right now.

118
00:06:06,200 --> 00:06:09,560
Speaker 4: One of my first notes was, just like the incredibly

119
00:06:09,680 --> 00:06:15,560
Speaker 4: difficult position Haley is in because she's never fully allowed

120
00:06:15,600 --> 00:06:20,200
Speaker 4: to just be with the Nathan situation, because she's she's

121
00:06:20,279 --> 00:06:23,039
Speaker 4: solo parenting and having to not break down in front

122
00:06:23,080 --> 00:06:25,880
Speaker 4: of these kids. So she is putting on this and

123
00:06:26,080 --> 00:06:31,320
Speaker 4: like this long form acting for her children's sake while

124
00:06:31,400 --> 00:06:34,719
Speaker 4: going through this. So I thought everything you played totally

125
00:06:34,760 --> 00:06:38,040
Speaker 4: made sense and was extra appropriate given that you never

126
00:06:38,160 --> 00:06:39,720
Speaker 4: left the middle of an airport.

127
00:06:40,320 --> 00:06:40,760
Speaker 7: Totally.

128
00:06:40,960 --> 00:06:43,000
Speaker 3: They really boxed Austin in, didn't they?

129
00:06:43,120 --> 00:06:43,240
Speaker 5: Like?

130
00:06:43,360 --> 00:06:45,600
Speaker 3: What what else was he supposed to do with that?

131
00:06:46,000 --> 00:06:48,279
Speaker 4: This whole episode, though, was odd in the sense that

132
00:06:48,440 --> 00:06:51,799
Speaker 4: everyone stayed in their spot, with the exception of Brook,

133
00:06:52,120 --> 00:06:53,680
Speaker 4: Like Brooke and Julian they got to be at their

134
00:06:53,680 --> 00:06:55,000
Speaker 4: house and they got to be at the jail, and

135
00:06:55,040 --> 00:06:57,000
Speaker 4: then you got to be at Karen's. But like we

136
00:06:57,080 --> 00:07:01,919
Speaker 4: had what four or five scenes with Clay, and respectfully like, yeah,

137
00:07:01,960 --> 00:07:07,160
Speaker 4: we don't really learn much new information at all, and we.

138
00:07:07,080 --> 00:07:09,200
Speaker 6: Don't get to see any big progress being made. I

139
00:07:09,240 --> 00:07:10,720
Speaker 6: feel like the Clay's stuff.

140
00:07:10,880 --> 00:07:12,440
Speaker 4: That's part of the reason why I'm like, wow, this

141
00:07:12,600 --> 00:07:14,720
Speaker 4: is like it got stretched a bit, is that the

142
00:07:14,760 --> 00:07:16,760
Speaker 4: four scenes of Clays felt like it could have been

143
00:07:17,520 --> 00:07:20,000
Speaker 4: one long one or two short ones and we would

144
00:07:20,000 --> 00:07:21,880
Speaker 4: have gotten exactly the same payoff.

145
00:07:22,560 --> 00:07:26,080
Speaker 7: It's interesting you say that, though as a watching it,

146
00:07:26,160 --> 00:07:31,120
Speaker 7: I really enjoyed watching you do the slow chip away

147
00:07:31,240 --> 00:07:35,440
Speaker 7: with the doctor. I thought the payoff of realizing that

148
00:07:35,560 --> 00:07:41,080
Speaker 7: he thinks about a family with Quinn was so lovely

149
00:07:41,240 --> 00:07:44,320
Speaker 7: because it was really tender and it was really sensitive.

150
00:07:44,880 --> 00:07:48,640
Speaker 7: But I get what you're saying, where if there'd been

151
00:07:48,680 --> 00:07:51,160
Speaker 7: one more pass on the script, we probably could have

152
00:07:51,200 --> 00:07:55,200
Speaker 7: had one less scene at the airport, one less scene

153
00:07:55,200 --> 00:07:58,640
Speaker 7: in therapy, Like it felt like they were drawing it

154
00:07:58,680 --> 00:08:01,920
Speaker 7: out to get to nine o eight instead of giving

155
00:08:02,000 --> 00:08:04,600
Speaker 7: nine oh seven a little more juice.

156
00:08:05,120 --> 00:08:07,920
Speaker 4: Yes, And that being said, though I'm with you, I

157
00:08:07,960 --> 00:08:10,840
Speaker 4: love I enjoy those scenes. I really I think David

158
00:08:10,920 --> 00:08:14,600
Speaker 4: Narnia is great in the role of the therapist. And

159
00:08:14,960 --> 00:08:17,160
Speaker 4: here's a fun one for me. I didn't remember the

160
00:08:17,200 --> 00:08:20,600
Speaker 4: whole Clay was going to drive until he couldn't drive

161
00:08:20,640 --> 00:08:22,840
Speaker 4: anymore and then take his own life.

162
00:08:23,080 --> 00:08:26,560
Speaker 6: That was news to me. Yeah he's me too.

163
00:08:26,680 --> 00:08:29,360
Speaker 7: I didn't remember that at all, which feels crazy.

164
00:08:29,760 --> 00:08:31,720
Speaker 4: So yeah, there there was just a lot of people

165
00:08:32,240 --> 00:08:37,920
Speaker 4: all of the kidnapping stuff, which guys, let's we'll get

166
00:08:37,960 --> 00:08:38,360
Speaker 4: to that.

167
00:08:38,520 --> 00:08:39,240
Speaker 6: But oh boy.

168
00:08:40,320 --> 00:08:41,960
Speaker 3: Yeah, you know what, I.

169
00:08:41,880 --> 00:08:48,120
Speaker 7: Will say, I really appreciated because I felt like certain

170
00:08:48,160 --> 00:08:51,880
Speaker 7: things were a little overwritten, like your stuff, Rob, I

171
00:08:51,880 --> 00:08:56,800
Speaker 7: thought was really beautiful. That big revelation for Clay, which

172
00:08:56,840 --> 00:09:00,959
Speaker 7: is so heavy, And again I thought I thought all

173
00:09:01,000 --> 00:09:03,720
Speaker 7: your stuff worked because it was this quiet time between

174
00:09:03,760 --> 00:09:07,120
Speaker 7: two men talking, and it's a different way to have

175
00:09:07,200 --> 00:09:11,200
Speaker 7: these big emotional reveals in a show like ours, And

176
00:09:11,280 --> 00:09:13,960
Speaker 7: I was refreshed by that, and I thought that was

177
00:09:14,000 --> 00:09:18,080
Speaker 7: so well done. I thought like, and this is no

178
00:09:18,160 --> 00:09:21,080
Speaker 7: knock obviously on James. He played it great, but I

179
00:09:21,120 --> 00:09:23,480
Speaker 7: was like, it's such a weird thing to have a

180
00:09:23,520 --> 00:09:26,400
Speaker 7: guy be told he's going to be killed and then

181
00:09:26,400 --> 00:09:28,520
Speaker 7: to say like, I'm not going to give you my fear.

182
00:09:28,840 --> 00:09:32,679
Speaker 7: I'm like, it felt a little overdone, like the kidnapper

183
00:09:32,800 --> 00:09:34,760
Speaker 7: quoting Shakespeare feels overdone to me.

184
00:09:35,040 --> 00:09:38,360
Speaker 3: This character choice for the re from the writers, like

185
00:09:38,400 --> 00:09:41,800
Speaker 3: this has almost ruined Shakespeare for me almost. I just

186
00:09:42,080 --> 00:09:45,040
Speaker 3: I don't I fully agree.

187
00:09:45,280 --> 00:09:47,920
Speaker 7: And so it was so weird, Like some of it

188
00:09:48,440 --> 00:09:51,120
Speaker 7: I thought was so almost poetic, and then some of

189
00:09:51,120 --> 00:09:54,640
Speaker 7: it felt so forced. And the one thing that I

190
00:09:54,720 --> 00:09:58,880
Speaker 7: was like, ooh, I really appreciated the officer Stevens's character

191
00:09:58,960 --> 00:10:01,440
Speaker 7: coming to check on you, because I wrote, wait, what

192
00:10:01,559 --> 00:10:03,320
Speaker 7: don't I remember? Is he a good guy or a

193
00:10:03,320 --> 00:10:07,160
Speaker 7: bad guy? I thought his choices were so great. I

194
00:10:07,200 --> 00:10:09,880
Speaker 7: thought the way Austin directed the two of you was

195
00:10:09,920 --> 00:10:12,560
Speaker 7: so great because I I was like, oh, thank god,

196
00:10:12,679 --> 00:10:16,000
Speaker 7: somebody cares because the cops aren't doing their job. And

197
00:10:16,000 --> 00:10:18,440
Speaker 7: then I was like, wait a minute, wait a minute,

198
00:10:18,600 --> 00:10:21,120
Speaker 7: is this like a double agent? So some of it

199
00:10:21,280 --> 00:10:24,679
Speaker 7: worked so well, and then some of it was just

200
00:10:24,880 --> 00:10:26,559
Speaker 7: like so heavy handed, and I.

201
00:10:26,480 --> 00:10:29,480
Speaker 3: Don't get it. When he switched the guns and took

202
00:10:29,520 --> 00:10:35,600
Speaker 3: the knife, I was like, oh no, no, that was good. Hmm,

203
00:10:36,080 --> 00:10:38,080
Speaker 3: it was fun I don't know about good, but it

204
00:10:38,160 --> 00:10:38,559
Speaker 3: was funny.

205
00:10:39,080 --> 00:10:41,640
Speaker 4: Well, it's just it's funny because the guy who you

206
00:10:41,720 --> 00:10:44,040
Speaker 4: just don't want to escape, why would you even put it.

207
00:10:44,080 --> 00:10:45,880
Speaker 4: Why wouldn't you just put the gun on him and

208
00:10:45,920 --> 00:10:46,920
Speaker 4: be like back in the.

209
00:10:46,920 --> 00:10:48,400
Speaker 6: Chair, right'.

210
00:10:48,520 --> 00:10:52,120
Speaker 4: It's it's it's just were well, why does he go

211
00:10:52,160 --> 00:10:54,120
Speaker 4: through the show of being like, Hey, I'm a good guy.

212
00:10:53,960 --> 00:10:56,200
Speaker 7: Come here, here's.

213
00:10:55,600 --> 00:10:57,760
Speaker 4: My gun that I've emptied without. You know, why wouldn't

214
00:10:57,800 --> 00:11:00,000
Speaker 4: he just be like, hey, pal back in the chain

215
00:11:00,559 --> 00:11:02,240
Speaker 4: and put the gun in James st Yeah.

216
00:11:04,480 --> 00:11:06,680
Speaker 3: He just wants to have fun. Do I have to

217
00:11:06,720 --> 00:11:07,720
Speaker 3: do everything myself?

218
00:11:07,800 --> 00:11:08,000
Speaker 6: Yeah?

219
00:11:08,040 --> 00:11:11,680
Speaker 4: What I don't get is why does every bad guy

220
00:11:11,840 --> 00:11:15,240
Speaker 4: want to punch Nathan. It's like every bad guy who

221
00:11:15,280 --> 00:11:17,839
Speaker 4: goes in there has to do it.

222
00:11:19,000 --> 00:11:23,840
Speaker 7: Oh wait, isn't it sort of like the comment section

223
00:11:23,920 --> 00:11:29,360
Speaker 7: of the internet, Like Nathan Scott is an NBA star,

224
00:11:29,520 --> 00:11:31,640
Speaker 7: So everyone's like, let me take this guy down a

225
00:11:31,679 --> 00:11:34,400
Speaker 7: notch and it's like no, literally, everyone who sees him

226
00:11:34,440 --> 00:11:38,240
Speaker 7: just hits him. And isn't that kind of like yeah.

227
00:11:38,080 --> 00:11:41,600
Speaker 3: He's like it's like he's the ultimate hero, and so

228
00:11:41,840 --> 00:11:43,480
Speaker 3: everybody gets a shot.

229
00:11:43,840 --> 00:11:46,640
Speaker 7: Everyone's like, oh, you think you're out, I'm gonna take

230
00:11:46,640 --> 00:11:48,360
Speaker 7: you down a peg. And it's like that's a fun

231
00:11:48,400 --> 00:11:50,600
Speaker 7: interaction to have with every human I run into in

232
00:11:50,640 --> 00:11:50,960
Speaker 7: a day.

233
00:11:51,520 --> 00:11:56,000
Speaker 3: By the way, James takes a punch so well, Like,

234
00:11:56,240 --> 00:11:58,480
Speaker 3: I just love the expression on his face. He looks

235
00:11:58,520 --> 00:12:01,400
Speaker 3: so genuinely like like emotionally hurt.

236
00:12:02,679 --> 00:12:04,640
Speaker 6: He's more disappointed than mad.

237
00:12:05,200 --> 00:12:05,440
Speaker 8: Yeah.

238
00:12:05,559 --> 00:12:09,280
Speaker 3: Yeah, yeah, it's like, oh, come on, guys, why don't

239
00:12:09,320 --> 00:12:10,120
Speaker 3: you do that to me?

240
00:12:10,840 --> 00:12:15,240
Speaker 7: Nathan Scott is so emotionally evolved, you know, he has

241
00:12:15,280 --> 00:12:17,840
Speaker 7: a nine year hero's journey on our show.

242
00:12:18,320 --> 00:12:19,280
Speaker 3: Yeah, and it is.

243
00:12:19,360 --> 00:12:21,240
Speaker 7: I wonder if part of what we see is that

244
00:12:21,280 --> 00:12:25,040
Speaker 7: he's like people still behave like this? Is that that

245
00:12:25,160 --> 00:12:26,440
Speaker 7: look on his fame with you?

246
00:12:27,000 --> 00:12:29,520
Speaker 3: Yeah?

247
00:12:29,760 --> 00:12:32,880
Speaker 4: You know what I did not have on my episode

248
00:12:32,960 --> 00:12:39,640
Speaker 4: nine oh seven Bingo card was the Russian kidnapper quoting

249
00:12:39,760 --> 00:12:40,600
Speaker 4: gossip Girl.

250
00:12:41,640 --> 00:12:43,760
Speaker 3: Oh my gosh. Yes, he's like, what are you.

251
00:12:43,840 --> 00:12:46,880
Speaker 4: Chuck referencing, yeah, referencing Gossip Girl.

252
00:12:47,520 --> 00:12:49,719
Speaker 3: And he says, it is what are you chuck? Is

253
00:12:49,760 --> 00:12:50,600
Speaker 3: this gossip Girl?

254
00:12:50,800 --> 00:13:03,439
Speaker 8: Yeah?

255
00:13:03,840 --> 00:13:07,520
Speaker 4: Let's rewind a bit when Dan goes up to the

256
00:13:07,600 --> 00:13:11,320
Speaker 4: drug dealer in the park earlier. Remember at the top

257
00:13:11,360 --> 00:13:13,840
Speaker 4: of it, he was finishing a call with a man

258
00:13:14,080 --> 00:13:17,280
Speaker 4: named Dimitri Dmitri who in this episode we see this

259
00:13:17,400 --> 00:13:20,880
Speaker 4: same Clays dealer going to this guy Dmitri for drugs.

260
00:13:20,880 --> 00:13:24,040
Speaker 4: So we realized it's the same guy, which means Dmitri

261
00:13:24,360 --> 00:13:29,880
Speaker 4: is a local criminal, which then just confuses me as

262
00:13:29,960 --> 00:13:34,840
Speaker 4: to how he became. Like, tree Hill is a small place,

263
00:13:34,880 --> 00:13:37,200
Speaker 4: and I'm always amazed that just some of the niche

264
00:13:37,200 --> 00:13:38,480
Speaker 4: people we have so like this.

265
00:13:39,320 --> 00:13:40,319
Speaker 6: He's he's like.

266
00:13:40,280 --> 00:13:42,800
Speaker 4: A homegrown criminal. He is a local guy, but he

267
00:13:42,880 --> 00:13:45,560
Speaker 4: has tied it Eastern Europe.

268
00:13:45,840 --> 00:13:48,960
Speaker 7: Yeah, it's like, so the so the Eastern Europeans sent

269
00:13:49,559 --> 00:13:54,760
Speaker 7: a syndicate block to tree Hill, North Carolina, of all places.

270
00:13:55,600 --> 00:13:58,480
Speaker 3: It seems like they've got an inn with the Tree

271
00:13:58,600 --> 00:14:01,040
Speaker 3: Hill cop. Somehow they knew how to find the bad

272
00:14:01,120 --> 00:14:04,120
Speaker 3: cop in tree Hill, and the bad cop knew how

273
00:14:04,120 --> 00:14:07,200
Speaker 3: to find the drug dealers that could help him out.

274
00:14:07,440 --> 00:14:09,640
Speaker 7: And by the way, the villain story for the bad

275
00:14:09,720 --> 00:14:12,160
Speaker 7: cop is that he's actually such a good cop and

276
00:14:12,200 --> 00:14:14,280
Speaker 7: no one will give him a shot, so he decides

277
00:14:14,360 --> 00:14:15,280
Speaker 7: to be a bad guy.

278
00:14:16,320 --> 00:14:17,280
Speaker 6: One guy.

279
00:14:18,880 --> 00:14:22,880
Speaker 3: That was fantastic. Oh my gosh.

280
00:14:23,160 --> 00:14:26,120
Speaker 4: I could also tell this was pre COVID in a

281
00:14:26,120 --> 00:14:30,000
Speaker 4: different time because in that opening scene, Nathan's like, I'm thirsty,

282
00:14:30,480 --> 00:14:32,200
Speaker 4: and the guy gives him a bottle of water and

283
00:14:32,200 --> 00:14:34,720
Speaker 4: like jams it into his mouth and James and Nathan

284
00:14:34,800 --> 00:14:37,840
Speaker 4: drinks it, and then the Dimitri walks away and then

285
00:14:37,880 --> 00:14:39,640
Speaker 4: he takes a big slug out of it with his

286
00:14:39,720 --> 00:14:42,560
Speaker 4: mouth on it, and I was like, eh, I remember,

287
00:14:42,600 --> 00:14:45,520
Speaker 4: oh yeah, back then that wouldn't have been cooties weren't

288
00:14:45,520 --> 00:14:46,200
Speaker 4: such a big deal.

289
00:14:46,760 --> 00:14:50,280
Speaker 3: It Also, that moment confused me just in terms of

290
00:14:50,320 --> 00:14:52,040
Speaker 3: a choice or if that was written on the page,

291
00:14:52,080 --> 00:14:55,920
Speaker 3: I'm not sure, but like what it felt like it

292
00:14:55,960 --> 00:14:58,200
Speaker 3: was supposed to be a threatening moment, and I didn't

293
00:14:58,280 --> 00:15:01,440
Speaker 3: understand what about him drinking water was supposed to feel

294
00:15:01,480 --> 00:15:05,440
Speaker 3: threatening to Nathan. We just like lingered on that, like

295
00:15:05,920 --> 00:15:08,160
Speaker 3: I'm gonna drink this water now.

296
00:15:08,040 --> 00:15:11,560
Speaker 7: I'm going to take your water for myself.

297
00:15:11,960 --> 00:15:15,240
Speaker 4: I think you both are underestimating how menacing hydration is.

298
00:15:16,280 --> 00:15:18,280
Speaker 4: We should take this one to the internets and ask

299
00:15:18,600 --> 00:15:19,000
Speaker 4: you guys.

300
00:15:19,080 --> 00:15:23,360
Speaker 7: Parts of this episode honestly made me feel driven to

301
00:15:23,440 --> 00:15:27,800
Speaker 7: drink like it just I don't know, man. And again

302
00:15:27,840 --> 00:15:30,120
Speaker 7: it's like it's a weird thing. I don't know if

303
00:15:30,160 --> 00:15:33,120
Speaker 7: you guys are having this experience, it's weird to me.

304
00:15:33,400 --> 00:15:37,400
Speaker 7: Knowing that nine thirteen is going to be our final episode.

305
00:15:37,720 --> 00:15:45,280
Speaker 7: Oh that we came into season nine absolutely certain everyone

306
00:15:45,400 --> 00:15:47,360
Speaker 7: was on the same page. We're going to do thirteen

307
00:15:48,000 --> 00:15:51,760
Speaker 7: final episodes. It's basically a mini series season.

308
00:15:51,600 --> 00:15:54,320
Speaker 3: Locked in, contracts done, there was no way they could renew,

309
00:15:54,400 --> 00:15:56,560
Speaker 3: there was no way they could and there was no

310
00:15:56,640 --> 00:15:59,360
Speaker 3: extraordinary circumstances that were going to happen. This was it.

311
00:15:59,760 --> 00:16:03,920
Speaker 7: And then some of these not well fought through things

312
00:16:04,480 --> 00:16:08,520
Speaker 7: are the plot points, and it's like, how was this not?

313
00:16:08,920 --> 00:16:11,640
Speaker 7: How was every scene in season nine not one of

314
00:16:11,640 --> 00:16:14,520
Speaker 7: the best scenes we ever they were ever written on

315
00:16:14,560 --> 00:16:15,680
Speaker 7: our show? You know what I mean?

316
00:16:16,000 --> 00:16:18,800
Speaker 3: Do you know when Game of Thrones ended and everybody

317
00:16:18,960 --> 00:16:21,200
Speaker 3: was like freaking out because it felt like it was

318
00:16:21,440 --> 00:16:24,040
Speaker 3: kind of a throwaway. I mean, I've gone back to

319
00:16:24,080 --> 00:16:26,200
Speaker 3: watch since and I actually think it was great and

320
00:16:26,440 --> 00:16:28,440
Speaker 3: all the signs were there from the beginning. But that's

321
00:16:28,440 --> 00:16:31,560
Speaker 3: beside my point right now, which is that the writers

322
00:16:31,840 --> 00:16:33,720
Speaker 3: had been hired, I believe, to go do the new

323
00:16:33,760 --> 00:16:37,840
Speaker 3: Star Wars series, and since they were a lot of

324
00:16:37,840 --> 00:16:40,200
Speaker 3: people felt like, oh, maybe they're phoning it in because

325
00:16:41,160 --> 00:16:43,200
Speaker 3: it's the end of Game of Thrones. It's all over,

326
00:16:43,240 --> 00:16:46,720
Speaker 3: and they've got other jobs. And I'm wondering watching this,

327
00:16:47,600 --> 00:16:51,240
Speaker 3: just to hit your point, Sophia, that I'm wondering if

328
00:16:51,240 --> 00:16:53,360
Speaker 3: it was like everybody was looking for another job, and

329
00:16:53,400 --> 00:16:55,640
Speaker 3: they were just like, how do we just get this

330
00:16:55,800 --> 00:16:56,120
Speaker 3: over with?

331
00:16:56,440 --> 00:16:58,760
Speaker 7: But it wasn't pilot season. That's the whole reason we

332
00:16:58,800 --> 00:17:03,440
Speaker 7: did thirteen episodes, oh, Like, the whole point was that

333
00:17:03,480 --> 00:17:07,359
Speaker 7: we were going to be wrapped by November, so everybody

334
00:17:07,400 --> 00:17:10,000
Speaker 7: would be able to take November and December and like

335
00:17:10,160 --> 00:17:12,400
Speaker 7: see their families for the first time in a decade,

336
00:17:12,800 --> 00:17:16,399
Speaker 7: and then get into pilot season in January February, so

337
00:17:16,840 --> 00:17:19,400
Speaker 7: nobody was staffed on other shows. There were no other

338
00:17:19,480 --> 00:17:22,840
Speaker 7: writers rooms hiring because everyone was on there. So it's

339
00:17:22,920 --> 00:17:26,800
Speaker 7: just so weird to me. And maybe maybe it's almost

340
00:17:26,800 --> 00:17:29,600
Speaker 7: that thing of when the pressure feels so high, you

341
00:17:29,640 --> 00:17:32,320
Speaker 7: almost I don't want to say sabotage yourself. I don't

342
00:17:32,320 --> 00:17:34,280
Speaker 7: want to like suggest that I think that's what was

343
00:17:34,280 --> 00:17:37,880
Speaker 7: happening here. But you know, I'm the first person who

344
00:17:37,880 --> 00:17:41,120
Speaker 7: if I'm like, I'm going to really be good to myself.

345
00:17:41,280 --> 00:17:43,560
Speaker 7: I'm not going to eat things that trigger my asthma,

346
00:17:43,720 --> 00:17:45,920
Speaker 7: and then like literally for the next three weeks all

347
00:17:45,960 --> 00:17:48,680
Speaker 7: I can do is eat fred Chicken. Like I don't

348
00:17:48,720 --> 00:17:50,160
Speaker 7: know if it's the kind of thing where you put

349
00:17:50,240 --> 00:17:52,959
Speaker 7: so much pressure on yourself that you kind of come

350
00:17:53,040 --> 00:17:55,360
Speaker 7: up short, or you panic or you you know, your

351
00:17:55,359 --> 00:17:56,760
Speaker 7: mind goes back or whatever.

352
00:17:57,240 --> 00:17:58,320
Speaker 3: Yeah, that happens to me.

353
00:17:58,600 --> 00:18:01,000
Speaker 7: But I mean even what you're saying job like the

354
00:18:01,160 --> 00:18:06,200
Speaker 7: ding ding for me seeing the park drug dealer punching Nathan,

355
00:18:06,880 --> 00:18:09,720
Speaker 7: I wrote like, there's the overlap with Dan. If Dan

356
00:18:09,800 --> 00:18:11,520
Speaker 7: threatened the guy and then the guy was like, you

357
00:18:11,560 --> 00:18:13,840
Speaker 7: don't know who you're threatening, and I could like ruin

358
00:18:13,880 --> 00:18:18,440
Speaker 7: your family's life. Who is Dan's family? Nathan? Like it

359
00:18:19,000 --> 00:18:21,359
Speaker 7: could be a thing where you go is it Dan?

360
00:18:21,760 --> 00:18:25,240
Speaker 7: Is Dan in on it? And it's just a throwaway moment.

361
00:18:25,359 --> 00:18:29,040
Speaker 7: There's no suspense, there's no moment for the guy to

362
00:18:29,040 --> 00:18:31,199
Speaker 7: say something in Nathan about like, yeah, last time I

363
00:18:31,200 --> 00:18:35,560
Speaker 7: saw your father. There's nothing that would be so good

364
00:18:35,720 --> 00:18:37,920
Speaker 7: to like say is he or isn't he for the audience?

365
00:18:38,000 --> 00:18:40,400
Speaker 7: And I'm like sad about it a little bit.

366
00:18:40,880 --> 00:18:44,480
Speaker 3: Well let's talk about that that you the whole Dan

367
00:18:44,640 --> 00:18:47,080
Speaker 3: of it, all of the like, is he is he

368
00:18:47,200 --> 00:18:49,840
Speaker 3: in on it? Is he not? Ye to be or

369
00:18:49,920 --> 00:18:53,800
Speaker 3: not to be? That is the question if Dan is

370
00:18:53,800 --> 00:18:56,600
Speaker 3: to be involved or not. I don't think now that

371
00:18:56,680 --> 00:18:59,520
Speaker 3: he is, now that I'm seeing him like behind computer screen,

372
00:18:59,640 --> 00:19:04,120
Speaker 3: staring and running his finger along clues on walls unless Rob,

373
00:19:04,160 --> 00:19:06,560
Speaker 3: do you still think it's all a show? Not as

374
00:19:06,640 --> 00:19:08,720
Speaker 3: much Rob's rolling his eyes.

375
00:19:09,080 --> 00:19:11,800
Speaker 4: Because you know, I want it's it's so fun to

376
00:19:12,000 --> 00:19:14,640
Speaker 4: run with a with a theory, you know. But as

377
00:19:14,680 --> 00:19:17,200
Speaker 4: I was watching, I mean, listen, I did. I laughed

378
00:19:17,280 --> 00:19:22,879
Speaker 4: to myself when Dan apparently knows an obscure Eastern European

379
00:19:22,960 --> 00:19:27,400
Speaker 4: gang sign from the graffiti. I just that that made

380
00:19:27,480 --> 00:19:30,119
Speaker 4: me laugh because why why wouldn't he? You know, of course,

381
00:19:31,080 --> 00:19:34,679
Speaker 4: But no, I feel as the like I said, I

382
00:19:34,720 --> 00:19:40,520
Speaker 4: don't quite understand the like the world of like if

383
00:19:40,560 --> 00:19:42,720
Speaker 4: if that drug dealer lives in tree Hill, how does

384
00:19:42,760 --> 00:19:44,920
Speaker 4: he mean does he have a relationship with the guy

385
00:19:44,960 --> 00:19:47,639
Speaker 4: who pays athletes out of a briefcase handcuffed to his

386
00:19:47,840 --> 00:19:51,640
Speaker 4: arm like that part. I'm still kind of confused as

387
00:19:51,680 --> 00:19:55,480
Speaker 4: to how they all like like know each other. But nah,

388
00:19:55,520 --> 00:19:58,040
Speaker 4: I'm starting to think Dan's Dan didn't do it maybe,

389
00:19:58,080 --> 00:20:00,359
Speaker 4: but look, let me tell you what though. In resting

390
00:20:00,400 --> 00:20:03,920
Speaker 4: that Dan had an interaction with the fella who's involved

391
00:20:03,960 --> 00:20:07,639
Speaker 4: with these people, I haven't given up on it, but

392
00:20:07,720 --> 00:20:11,560
Speaker 4: I've the temperature has definitely dropped in and the theory could.

393
00:20:11,359 --> 00:20:14,680
Speaker 3: Be a fault in some way. Maybe yeah, he's not involved.

394
00:20:14,960 --> 00:20:18,119
Speaker 7: Yeah, maybe he's so obsessed with fixing it because he

395
00:20:18,400 --> 00:20:22,040
Speaker 7: wonders if the guy from the park had something to

396
00:20:22,080 --> 00:20:27,600
Speaker 7: do with it. I will say the device of watching him,

397
00:20:27,800 --> 00:20:31,600
Speaker 7: like as an audience member, watching him work alone, so

398
00:20:31,880 --> 00:20:35,440
Speaker 7: you know, feverishly, certainly makes it feel like we can

399
00:20:35,480 --> 00:20:39,640
Speaker 7: trust him more. I also really do like the device

400
00:20:40,600 --> 00:20:43,959
Speaker 7: that Jamie doesn't want to leave without the video. At

401
00:20:43,960 --> 00:20:45,680
Speaker 7: first I didn't get it. I was like, bro you're

402
00:20:45,720 --> 00:20:49,480
Speaker 7: gonna go home after lunch, like what, you'll get your video?

403
00:20:49,520 --> 00:20:50,919
Speaker 7: And then it's like, oh, of course he wants it

404
00:20:50,920 --> 00:20:54,040
Speaker 7: because he's getting on the plane with his uncle. But

405
00:20:54,119 --> 00:20:56,879
Speaker 7: I like the device of, oh, Brooke and Julian have

406
00:20:56,920 --> 00:20:59,520
Speaker 7: a key to our house. He can go email it

407
00:20:59,560 --> 00:21:04,560
Speaker 7: to me Julian realizing this could be a clue for Dan. Yeah,

408
00:21:04,840 --> 00:21:08,119
Speaker 7: there's it's just a cool That was a good a

409
00:21:08,200 --> 00:21:10,040
Speaker 7: good piece of writing. I thought that would have a

410
00:21:10,119 --> 00:21:11,320
Speaker 7: nice little device there.

411
00:21:12,280 --> 00:21:14,280
Speaker 4: Yeah, and also there's a lot of good in this episode.

412
00:21:14,280 --> 00:21:16,880
Speaker 4: I realized we've sort of jumped into like the nitpicking

413
00:21:16,880 --> 00:21:17,280
Speaker 4: and things.

414
00:21:17,280 --> 00:21:19,280
Speaker 6: But I thought all of the.

415
00:21:21,040 --> 00:21:25,600
Speaker 4: Austin excuse me, the Julian and Brookes. Stuff was great here,

416
00:21:25,640 --> 00:21:27,680
Speaker 4: but I do have to say this, I have questions.

417
00:21:28,240 --> 00:21:34,280
Speaker 4: For example, I've never met Lucas before, So did Lucas

418
00:21:34,320 --> 00:21:36,359
Speaker 4: and Haley ever have a thing or were you we

419
00:21:36,440 --> 00:21:37,480
Speaker 4: all just like besties?

420
00:21:37,880 --> 00:21:40,040
Speaker 3: Oh, it's just best friends, like brother and sister.

421
00:21:40,640 --> 00:21:40,920
Speaker 6: Okay.

422
00:21:40,920 --> 00:21:42,520
Speaker 3: We had a night. There was like a Dare night

423
00:21:42,640 --> 00:21:44,760
Speaker 3: when we kissed in a car out off of a

424
00:21:44,840 --> 00:21:50,480
Speaker 3: Dare and we both were like, you know, and the.

425
00:21:50,440 --> 00:21:53,240
Speaker 4: Last time that we saw Lucas did he have this look?

426
00:21:53,320 --> 00:21:54,000
Speaker 6: Was his hair long?

427
00:21:54,560 --> 00:21:55,840
Speaker 3: No? No? Short?

428
00:21:56,119 --> 00:21:58,520
Speaker 6: Okay? Fans probably gasped.

429
00:21:58,400 --> 00:22:01,520
Speaker 3: Yeah, everybody gas. Everybody gas for sure, I gasped. I

430
00:22:01,560 --> 00:22:03,320
Speaker 3: didn't even know he was showing up in the airport.

431
00:22:03,320 --> 00:22:04,600
Speaker 3: I was like, who are they looking for?

432
00:22:06,520 --> 00:22:06,600
Speaker 8: That?

433
00:22:06,720 --> 00:22:08,919
Speaker 3: I was there. I didn't even remember filming it.

434
00:22:09,240 --> 00:22:11,679
Speaker 7: Do you want to know what's so crazy? The reason

435
00:22:11,800 --> 00:22:15,239
Speaker 7: I knew is like one of the one of the

436
00:22:15,280 --> 00:22:17,800
Speaker 7: photos I see a lot just you know, and things

437
00:22:17,800 --> 00:22:21,960
Speaker 7: were tagged in online. There's this really great set photography

438
00:22:22,080 --> 00:22:26,199
Speaker 7: photo that day of you and Chad and Chantelle and

439
00:22:26,240 --> 00:22:28,520
Speaker 7: she has that turquoise necklace on and I was like, wait,

440
00:22:29,280 --> 00:22:32,000
Speaker 7: I know that, oh bit, And then I was like wait,

441
00:22:32,359 --> 00:22:34,600
Speaker 7: I know that outfit from pictures of the three of you,

442
00:22:34,880 --> 00:22:36,560
Speaker 7: and I was like, Oh, he's coming.

443
00:22:36,680 --> 00:22:40,159
Speaker 3: That's right. Also, I thought it was really funny when

444
00:22:40,200 --> 00:22:42,120
Speaker 3: they did the shot of Chantella and I standing next

445
00:22:42,160 --> 00:22:44,640
Speaker 3: to each other and she's like an amazon. I mean,

446
00:22:44,680 --> 00:22:49,560
Speaker 3: she's legitimately like a two feet taller than me. It

447
00:22:49,560 --> 00:22:51,480
Speaker 3: looks like she must have been wearing heels. That was

448
00:22:51,520 --> 00:22:52,119
Speaker 3: pretty great.

449
00:22:53,400 --> 00:22:56,000
Speaker 7: Yeah, she has heels on under those flares. And I

450
00:22:56,080 --> 00:23:01,040
Speaker 7: was very glassed. Its like, it's hilarious actually, very like

451
00:23:01,160 --> 00:23:04,840
Speaker 7: Nathan and Haley coated, which I wondered. I was like, oh,

452
00:23:04,960 --> 00:23:08,640
Speaker 7: is there is there some sort of like subliminal message

453
00:23:08,760 --> 00:23:09,399
Speaker 7: you're funny.

454
00:23:10,200 --> 00:23:11,640
Speaker 3: I don't think anybody was thinking that hard.

455
00:23:11,840 --> 00:23:16,560
Speaker 4: I'm sure that the fans absolutely loved seeing Chad back,

456
00:23:16,640 --> 00:23:18,760
Speaker 4: but I got to say that I, as a viewer,

457
00:23:19,560 --> 00:23:23,760
Speaker 4: it felt like a really cruel tease because I was

458
00:23:24,119 --> 00:23:25,919
Speaker 4: because again, I've never met this guy. I just know

459
00:23:26,000 --> 00:23:28,600
Speaker 4: he's beloved, and you know, he's such a big part

460
00:23:28,640 --> 00:23:32,000
Speaker 4: of the story that I see him and I'm like, oh, great,

461
00:23:32,240 --> 00:23:34,960
Speaker 4: let's do it. Yeah, and then it's just like these

462
00:23:35,119 --> 00:23:39,159
Speaker 4: a couple short scenes and he's gone, yeah, and it

463
00:23:39,280 --> 00:23:41,879
Speaker 4: was like, oh, No, It's like I've had a taste

464
00:23:42,040 --> 00:23:44,440
Speaker 4: and now I've tasted the forbidden fruit and now.

465
00:23:44,320 --> 00:23:47,400
Speaker 6: I want me some Lucas, And just like that, he's.

466
00:23:47,240 --> 00:23:51,040
Speaker 3: Gone, and just like, yeah, I know that. Yeah, sad.

467
00:23:51,400 --> 00:23:55,480
Speaker 7: It feels like a tease. And I think I think

468
00:23:55,560 --> 00:24:00,840
Speaker 7: part of what adds to the bummer of it is just,

469
00:24:02,560 --> 00:24:04,480
Speaker 7: you know, especially in the last couple of years, what

470
00:24:04,560 --> 00:24:07,800
Speaker 7: we've all been able to unpack knowing that we were

471
00:24:07,840 --> 00:24:11,120
Speaker 7: being told on set that both Chad and Hillary had

472
00:24:11,119 --> 00:24:15,520
Speaker 7: been invited back, and then learning from Hillary that she

473
00:24:15,760 --> 00:24:18,439
Speaker 7: was actually never invited back, that that's just what our

474
00:24:18,480 --> 00:24:23,159
Speaker 7: boss was telling us. It feels even meaner because it

475
00:24:23,200 --> 00:24:26,120
Speaker 7: was such a letdown for so many fans. And it's

476
00:24:26,160 --> 00:24:29,680
Speaker 7: also like, wouldn't it have been so frickin' cool for

477
00:24:29,680 --> 00:24:32,639
Speaker 7: Peyton and Lucas to come home during this yeah, to

478
00:24:32,680 --> 00:24:35,159
Speaker 7: come stay, to be part of the finale of the

479
00:24:35,200 --> 00:24:39,200
Speaker 7: show that they also built, Like, it just doesn't feel right.

480
00:24:39,640 --> 00:24:43,160
Speaker 3: How does Nathan go missing? Yes, they don't come back

481
00:24:43,240 --> 00:24:46,800
Speaker 3: to exactly find him on what planet?

482
00:24:46,960 --> 00:24:50,320
Speaker 7: How does Brook Davis get married without Haley Ann Peyton?

483
00:24:50,400 --> 00:24:51,000
Speaker 6: You know what I mean?

484
00:24:51,440 --> 00:24:53,560
Speaker 3: Yes, it's ridiculous the fact that.

485
00:24:53,480 --> 00:24:56,440
Speaker 7: A fifty year old man was being like a baby

486
00:24:57,800 --> 00:25:01,560
Speaker 7: and was like, I have grudges against girls that didn't

487
00:25:02,280 --> 00:25:06,040
Speaker 7: you know, like me, Like what bro like it. It's

488
00:25:06,440 --> 00:25:08,919
Speaker 7: really a bummer, and I am glad at least that,

489
00:25:09,320 --> 00:25:12,560
Speaker 7: you know, Chad got to come back. But it's like

490
00:25:13,640 --> 00:25:16,320
Speaker 7: even the fact that he's like as soon as Nathan's back, like,

491
00:25:16,440 --> 00:25:20,280
Speaker 7: I'll bring the kids back, And then why didn't him

492
00:25:20,280 --> 00:25:21,960
Speaker 7: and Peyton come back with the kids? You know, it

493
00:25:22,080 --> 00:25:24,480
Speaker 7: just sucks for it sucks for us, It sucks for

494
00:25:24,520 --> 00:25:26,680
Speaker 7: the legacy of the show. It's a bummer.

495
00:25:27,359 --> 00:25:30,840
Speaker 3: It is. It actually felt really maybe that's part of

496
00:25:30,840 --> 00:25:33,840
Speaker 3: what hit me about that scene in the airport where

497
00:25:33,840 --> 00:25:36,919
Speaker 3: I was like upset with myself for not acting better,

498
00:25:37,080 --> 00:25:41,119
Speaker 3: and I thought, but now, like maybe that's part of it,

499
00:25:41,160 --> 00:25:45,080
Speaker 3: that the fact that Lucas is back in town, and

500
00:25:45,119 --> 00:25:47,960
Speaker 3: it felt so removed. He felt so disconnected, like as

501
00:25:47,960 --> 00:25:52,440
Speaker 3: though he and Nathan had not become real brothers, really close,

502
00:25:52,600 --> 00:25:55,359
Speaker 3: as though everything that had happened in the first four

503
00:25:55,400 --> 00:25:59,400
Speaker 3: seasons was just were they six or four? How long

504
00:25:59,400 --> 00:26:03,120
Speaker 3: were they there? Six seasons? Six seasons? And then suddenly

505
00:26:03,200 --> 00:26:06,000
Speaker 3: Lucas is just like, wow, I'm so sorry that my

506
00:26:06,160 --> 00:26:09,360
Speaker 3: brother is missing. Yeah, like that just sucks. What can

507
00:26:09,400 --> 00:26:11,600
Speaker 3: I do to help you? I'll take the kids, sure,

508
00:26:11,840 --> 00:26:14,080
Speaker 3: like you're on your own, but like, good luck and

509
00:26:14,160 --> 00:26:15,040
Speaker 3: I'll take the kids.

510
00:26:15,080 --> 00:26:19,240
Speaker 7: I mean even the weird scripted dig from Haley saying

511
00:26:19,280 --> 00:26:22,840
Speaker 7: you don't call, you don't write, Yeah, like that's a

512
00:26:22,960 --> 00:26:27,000
Speaker 7: choice for the actor playing with beloved character, Like, I

513
00:26:27,040 --> 00:26:27,600
Speaker 7: don't know it.

514
00:26:27,760 --> 00:26:30,680
Speaker 3: Just what is Lucas doing He's writing take a break, bro,

515
00:26:31,000 --> 00:26:32,280
Speaker 3: Like come help find your brother.

516
00:26:32,640 --> 00:26:35,760
Speaker 7: I just don't get Yeah, hits save on your novel.

517
00:26:36,119 --> 00:26:37,479
Speaker 3: Yeah and come home.

518
00:26:38,320 --> 00:26:39,960
Speaker 4: Oh you're your own boss, but you can't get the

519
00:26:40,000 --> 00:26:41,320
Speaker 4: time off? Got it?

520
00:26:41,840 --> 00:26:44,399
Speaker 3: Cool? Yeah? I mean honestly, that's what it feels like.

521
00:26:44,760 --> 00:26:48,080
Speaker 7: Yeah, it's really cool to hear your perspective, Rob, because

522
00:26:48,200 --> 00:26:52,960
Speaker 7: I think sometimes we forget, like what it feels like

523
00:26:53,040 --> 00:26:55,960
Speaker 7: to someone who didn't get to interact with those characters.

524
00:26:56,040 --> 00:26:58,359
Speaker 7: And even for you to be like, wait, this is

525
00:26:58,440 --> 00:27:01,800
Speaker 7: anti climactic for me having heard about this person for

526
00:27:01,880 --> 00:27:06,000
Speaker 7: so long. It's yeah, it helps me know that it

527
00:27:06,040 --> 00:27:08,199
Speaker 7: isn't just our kind of behind the scenes stuff that

528
00:27:08,240 --> 00:27:10,640
Speaker 7: can be a bummer that makes me feel that way.

529
00:27:10,680 --> 00:27:13,520
Speaker 7: I'm like, no, it really is like an actual just

530
00:27:13,600 --> 00:27:14,480
Speaker 7: on screen bummer.

531
00:27:14,720 --> 00:27:17,240
Speaker 4: It was a missed opportunity for sure, and I think

532
00:27:17,280 --> 00:27:21,560
Speaker 4: this last season took some or missed some opportunities to

533
00:27:21,640 --> 00:27:27,480
Speaker 4: really soar because of our boss' issues. Because you're absolutely right.

534
00:27:27,560 --> 00:27:29,960
Speaker 4: I mean, it makes all the sense in the world

535
00:27:30,640 --> 00:27:33,840
Speaker 4: for those two to come back during this crisis. Yeah,

536
00:27:33,880 --> 00:27:35,960
Speaker 4: and to be there just at the end.

537
00:27:37,280 --> 00:27:37,520
Speaker 6: Yeah.

538
00:27:37,560 --> 00:27:39,960
Speaker 3: Man, so weird. But we did get to watch Dan

539
00:27:40,000 --> 00:27:42,119
Speaker 3: barbecue on a sound stage, which was fun.

540
00:27:45,320 --> 00:27:48,439
Speaker 7: I also love Dan weirdly hitting on Julian in that scene,

541
00:27:48,520 --> 00:27:50,840
Speaker 7: being like they're gonna love you in prison. I'm like,

542
00:27:50,840 --> 00:27:51,720
Speaker 7: what's going on here?

543
00:27:51,840 --> 00:27:52,760
Speaker 3: What do we do?

544
00:27:53,320 --> 00:27:55,040
Speaker 7: Why is Dan Scott hitting on my husband?

545
00:27:55,160 --> 00:27:55,240
Speaker 5: Like?

546
00:27:55,320 --> 00:27:58,120
Speaker 7: It's funny? They have a funny dynamic toge, I.

547
00:27:58,080 --> 00:28:01,280
Speaker 3: Do really like it. I do like it too. Austin's like,

548
00:28:01,600 --> 00:28:03,160
Speaker 3: I hate you but all right.

549
00:28:04,359 --> 00:28:04,879
Speaker 6: Yeah.

550
00:28:04,920 --> 00:28:06,880
Speaker 7: Also, I feel like he kind of was like, you're

551
00:28:06,920 --> 00:28:09,960
Speaker 7: so annoying, but my butt does look good in these pants.

552
00:28:09,640 --> 00:28:09,840
Speaker 5: You know.

553
00:28:11,840 --> 00:28:14,520
Speaker 4: And to be fair, Julian's probably also lonely as hell

554
00:28:14,600 --> 00:28:17,640
Speaker 4: at his job. We've already seen him recreating the Goonies

555
00:28:17,680 --> 00:28:19,920
Speaker 4: by himself throwing a tenas ball against the wall, So

556
00:28:19,960 --> 00:28:22,679
Speaker 4: I'm sure even you know, think of Dan Scott what

557
00:28:22,800 --> 00:28:25,679
Speaker 4: you will that he's just like sweets, there's an adult

558
00:28:25,680 --> 00:28:26,240
Speaker 4: with a pulse.

559
00:28:26,359 --> 00:28:26,920
Speaker 6: Let's go check.

560
00:28:27,119 --> 00:28:29,040
Speaker 3: Yeah, and somebody who's not making fun of me. Because

561
00:28:29,040 --> 00:28:30,760
Speaker 3: all the other men on the show have been written

562
00:28:30,800 --> 00:28:33,359
Speaker 3: to make fun of Julian all the time, it feels

563
00:28:33,359 --> 00:28:36,720
Speaker 3: like Dan actually respects him in some way, you know.

564
00:28:36,760 --> 00:28:38,760
Speaker 3: I mean, they have an interesting they have a funny banter,

565
00:28:38,920 --> 00:28:42,880
Speaker 3: but it feels more like like a sibling friendly banter

566
00:28:43,080 --> 00:28:47,520
Speaker 3: rather than people actually just putting down Julian all the time.

567
00:28:48,040 --> 00:28:55,400
Speaker 4: But Dan choosing to go out buy a barbecue by braquettes,

568
00:28:55,880 --> 00:28:59,560
Speaker 4: buy raw meat, and then proceed to barbecue at indoors,

569
00:29:00,080 --> 00:29:02,680
Speaker 4: this feels like a lot of extra work when he

570
00:29:02,760 --> 00:29:05,640
Speaker 4: could have just got a couple of burgers.

571
00:29:06,280 --> 00:29:09,120
Speaker 3: Yeah, that is actually really funny. The backstory of that

572
00:29:09,120 --> 00:29:11,400
Speaker 3: that he's like that he's sitting in this trailer, he's

573
00:29:11,440 --> 00:29:13,840
Speaker 3: trying to solve the mystery of where his son has

574
00:29:13,880 --> 00:29:16,040
Speaker 3: disappeared to and he's like, you know what, I'm hungry.

575
00:29:16,280 --> 00:29:18,040
Speaker 3: You know what, I'm going to go to home depot

576
00:29:19,440 --> 00:29:24,920
Speaker 3: pick up a barbecue. I'm coming back, uh charcoal lighter. Yeah,

577
00:29:24,920 --> 00:29:27,680
Speaker 3: I'm grilling. The grilling is going to help me maybe

578
00:29:27,680 --> 00:29:30,320
Speaker 3: that's that might bee, that's the backstory that he's like,

579
00:29:30,360 --> 00:29:32,760
Speaker 3: the grilling is going to help me get my mental

580
00:29:32,840 --> 00:29:36,520
Speaker 3: juices flowing, So that's his meditation. We were talking about

581
00:29:36,600 --> 00:29:37,719
Speaker 3: him going to home deepot is that.

582
00:29:37,760 --> 00:29:40,719
Speaker 4: I'm just saying that, like the idea that he's feverishly

583
00:29:40,760 --> 00:29:43,440
Speaker 4: working to find his son, and he's like, I could

584
00:29:43,440 --> 00:29:47,360
Speaker 4: be back with a burger in twelve minutes, or or

585
00:29:47,640 --> 00:29:49,560
Speaker 4: I could find a way to turn this into a

586
00:29:49,800 --> 00:29:52,280
Speaker 4: five hour or deal. You know.

587
00:29:53,240 --> 00:29:54,280
Speaker 6: Yeah, I just thought that was odd.

588
00:29:54,360 --> 00:29:56,000
Speaker 4: No, the scene that I was going to talk about

589
00:29:56,120 --> 00:29:58,120
Speaker 4: was Chris.

590
00:29:57,960 --> 00:29:59,640
Speaker 6: Keller in Shape.

591
00:30:00,000 --> 00:30:00,640
Speaker 8: It's so good.

592
00:30:01,320 --> 00:30:05,120
Speaker 3: The Tyler wins for the best on camera wake up

593
00:30:05,320 --> 00:30:07,000
Speaker 3: I've ever seen in my life.

594
00:30:07,080 --> 00:30:07,720
Speaker 7: It was great.

595
00:30:08,200 --> 00:30:09,040
Speaker 6: He can do it all.

596
00:30:09,480 --> 00:30:12,680
Speaker 4: So here's the behind the scenes that our viewers probably

597
00:30:12,760 --> 00:30:17,640
Speaker 4: don't know. Is so the the gal who is who

598
00:30:17,840 --> 00:30:19,320
Speaker 4: it comes out of the bathroom or comes out of

599
00:30:19,320 --> 00:30:23,240
Speaker 4: the bed. Her name is Jess and she's a friend

600
00:30:23,280 --> 00:30:26,280
Speaker 4: of the show. And then the other girl who appears

601
00:30:26,320 --> 00:30:28,280
Speaker 4: at the end when you realize it's a four way

602
00:30:28,440 --> 00:30:31,640
Speaker 4: is actually her real life sister, Alexis, who was in

603
00:30:31,760 --> 00:30:33,080
Speaker 4: charge of extras casting.

604
00:30:33,720 --> 00:30:39,200
Speaker 3: What, yeah, what I did not know this yeah, friend,

605
00:30:39,680 --> 00:30:42,480
Speaker 3: and they were like, yeah, totally.

606
00:30:42,720 --> 00:30:47,640
Speaker 7: Yeah, yeah, it tracks, it tracks. Thank god. It was

607
00:30:47,680 --> 00:30:51,360
Speaker 7: Stephen and Tyler, who are the sweetest boys in the world.

608
00:30:52,200 --> 00:30:55,360
Speaker 7: The dialogue in that whole scene was so painful for me.

609
00:30:55,640 --> 00:30:58,840
Speaker 7: One more pony ride. You can't afford it, and you

610
00:30:58,880 --> 00:31:01,640
Speaker 7: weren't that good at it anywhere. I was like, this

611
00:31:01,840 --> 00:31:08,560
Speaker 7: is so rank. And then the immediate switch flip of

612
00:31:08,720 --> 00:31:11,720
Speaker 7: Chris Keller when he hears Chase is deploying, going you

613
00:31:11,800 --> 00:31:13,600
Speaker 7: got drafted? Can they do that?

614
00:31:13,880 --> 00:31:15,080
Speaker 3: Oh? It's so good.

615
00:31:15,080 --> 00:31:19,280
Speaker 7: Having no clue he's enlisted. No, like, it's just so.

616
00:31:19,680 --> 00:31:21,280
Speaker 7: They are so funny together.

617
00:31:21,840 --> 00:31:37,600
Speaker 3: It's brilliant. Honestly, friends, if you have not watched this

618
00:31:37,680 --> 00:31:40,160
Speaker 3: episode in a while, just even for the sake of

619
00:31:40,200 --> 00:31:42,960
Speaker 3: fast forwarding to the scene where Tyler wakes up, or

620
00:31:43,320 --> 00:31:44,960
Speaker 3: going to where Chase wakes up, and then you'll find

621
00:31:45,040 --> 00:31:49,160
Speaker 3: Chris Keller. It's the best wake. He's so believable, he's

622
00:31:49,160 --> 00:31:52,120
Speaker 3: so self deprecating, he's so unaware of himself on camera.

623
00:31:52,240 --> 00:31:56,240
Speaker 3: It's so realistic and hilarious. I could not stop laughing.

624
00:31:56,720 --> 00:31:58,680
Speaker 3: And you will too, Go enjoy it.

625
00:31:58,680 --> 00:31:59,440
Speaker 7: It's perfect.

626
00:32:00,120 --> 00:32:02,560
Speaker 4: Glad that they made a moment out of the fact

627
00:32:02,560 --> 00:32:07,960
Speaker 4: that she, Jessica the first girl, chose to not put

628
00:32:07,960 --> 00:32:11,160
Speaker 4: her clothes back on but just exit in a sexy

629
00:32:11,240 --> 00:32:14,480
Speaker 4: bron underwear, which I don't understand. I think it was

630
00:32:14,520 --> 00:32:16,480
Speaker 4: just so they could have the line of Chase going

631
00:32:17,040 --> 00:32:18,920
Speaker 4: did she just leave in her underwear?

632
00:32:19,080 --> 00:32:20,600
Speaker 6: And uh, then.

633
00:32:20,680 --> 00:32:23,520
Speaker 4: Chris goes, she's a stripper, I think, or vice versa.

634
00:32:24,000 --> 00:32:25,760
Speaker 4: Chris goes did she just leave in her underwear? And

635
00:32:25,840 --> 00:32:27,959
Speaker 4: Chase goes, she's a stripper. I think they do that

636
00:32:29,400 --> 00:32:32,720
Speaker 4: so it's a mildly funny line, but it's like, I

637
00:32:32,720 --> 00:32:34,800
Speaker 4: don't think anyone does that.

638
00:32:35,600 --> 00:32:36,520
Speaker 6: It was it was odd.

639
00:32:36,520 --> 00:32:41,000
Speaker 4: Also, here's my question. Have we ever actually seen Chase

640
00:32:41,840 --> 00:32:44,880
Speaker 4: getting into the Air Force? I know there's been talk

641
00:32:44,960 --> 00:32:45,800
Speaker 4: of this, but I didn't.

642
00:32:45,920 --> 00:32:50,960
Speaker 3: Yeah, this card scenes where he was on well with

643
00:32:51,240 --> 00:32:55,000
Speaker 3: Chasin X, Chase and Alex. Yeah, that's right. I was

644
00:32:55,040 --> 00:32:57,560
Speaker 3: gonna say campla June, but that's Marin's. I don't know

645
00:32:57,880 --> 00:33:00,160
Speaker 3: where we saw him, but there was something at a base.

646
00:33:01,320 --> 00:33:05,440
Speaker 7: Yeah, there was something, but I remember more specifically just

647
00:33:05,480 --> 00:33:07,360
Speaker 7: because it was such a sweet scene between the two

648
00:33:07,400 --> 00:33:12,000
Speaker 7: of them, with Chase and Alex talking and he was

649
00:33:12,080 --> 00:33:14,280
Speaker 7: going to leave and she said in a year, I'll

650
00:33:14,280 --> 00:33:16,160
Speaker 7: meet you here right at.

651
00:33:16,000 --> 00:33:18,720
Speaker 4: The airfield where it was the very awkward meetup where

652
00:33:18,720 --> 00:33:20,760
Speaker 4: it's like is he is he about to dateline her?

653
00:33:20,920 --> 00:33:22,960
Speaker 3: Yeah? Yeah, it's like a fair to remember, like I'll

654
00:33:22,960 --> 00:33:26,560
Speaker 3: meet you here in a year for still you know limit.

655
00:33:27,960 --> 00:33:28,600
Speaker 6: Yeah, Okay.

656
00:33:29,000 --> 00:33:30,520
Speaker 4: I just wasn't sure if I had missed that or

657
00:33:30,520 --> 00:33:33,120
Speaker 4: if it just fast forwarded in the background.

658
00:33:33,360 --> 00:33:35,640
Speaker 3: It was just really funny in the context of all

659
00:33:35,640 --> 00:33:40,200
Speaker 3: the other things happening in this episode. It was so random,

660
00:33:40,560 --> 00:33:43,200
Speaker 3: but I was glad to see. I was glad to

661
00:33:43,200 --> 00:33:45,320
Speaker 3: see Tyler do that. I was glad to see Stephen

662
00:33:45,480 --> 00:33:48,920
Speaker 3: and Chuck this storyline that continues to just tug at

663
00:33:49,000 --> 00:33:53,080
Speaker 3: my heart strings. I really love that they've continued this

664
00:33:53,240 --> 00:33:59,280
Speaker 3: on and kids aren't often given real storylines on TV shows.

665
00:33:59,280 --> 00:34:02,120
Speaker 3: They're just now as accessories. And the fact that they

666
00:34:02,160 --> 00:34:08,680
Speaker 3: really trusted Michael May with this material and it is

667
00:34:08,760 --> 00:34:14,480
Speaker 3: wonderful and it's an interaction that I didn't know I needed,

668
00:34:14,520 --> 00:34:17,640
Speaker 3: Like I wanted to see how I love seeing how

669
00:34:17,680 --> 00:34:23,200
Speaker 3: this young, hot single man running around in circles in

670
00:34:23,200 --> 00:34:27,520
Speaker 3: his life in many ways is centered by an unlikely

671
00:34:27,560 --> 00:34:30,960
Speaker 3: friendship with this sweet young boy who also is really

672
00:34:31,000 --> 00:34:35,279
Speaker 3: struggling in his own life, needing a father figure, needing

673
00:34:35,480 --> 00:34:40,040
Speaker 3: somebody who just is consistent. I really it's like the

674
00:34:40,080 --> 00:34:42,000
Speaker 3: spinoff that I need, do you know what I mean?

675
00:34:42,400 --> 00:34:44,839
Speaker 3: I love this show that I'm watching, of the two

676
00:34:44,840 --> 00:34:45,280
Speaker 3: of them.

677
00:34:45,480 --> 00:34:50,359
Speaker 7: Totally, and there's something really refreshing again because so many

678
00:34:50,520 --> 00:34:55,720
Speaker 7: characters in the show have such exceptional lives. The fact

679
00:34:55,800 --> 00:35:00,359
Speaker 7: that a boy whose home life is very unstable gets

680
00:35:00,400 --> 00:35:03,680
Speaker 7: to be supported by one of our characters also allows

681
00:35:03,719 --> 00:35:07,759
Speaker 7: one of our characters to go into an arena that's

682
00:35:07,800 --> 00:35:10,600
Speaker 7: really important to talk about that isn't all about excellence.

683
00:35:10,600 --> 00:35:13,080
Speaker 7: It's not a record label or a rock star or

684
00:35:13,120 --> 00:35:18,000
Speaker 7: the NBA or fashion or an agency. It's like, this

685
00:35:18,160 --> 00:35:20,680
Speaker 7: is a kid in the neighborhood that he mentors, and

686
00:35:21,520 --> 00:35:24,000
Speaker 7: he is a really volatile home life, and those are

687
00:35:24,120 --> 00:35:27,920
Speaker 7: often the things that don't get the spotlight. And I

688
00:35:28,000 --> 00:35:33,160
Speaker 7: think there's something that I just I so love about

689
00:35:33,200 --> 00:35:35,640
Speaker 7: the storyline to your point, And I was so touched

690
00:35:35,680 --> 00:35:39,160
Speaker 7: by Steven's performance in this episode. I thought the way

691
00:35:39,160 --> 00:35:43,680
Speaker 7: he played it was beautiful because he wasn't trying to

692
00:35:43,719 --> 00:35:47,480
Speaker 7: be macho, he wasn't trying to have all the answers.

693
00:35:47,719 --> 00:35:52,279
Speaker 7: He was figuring it out in real time and a

694
00:35:52,320 --> 00:35:56,120
Speaker 7: little panicked and wanting it to not be true, and

695
00:35:56,320 --> 00:36:00,040
Speaker 7: also wanting to not leave this kid alone. And and

696
00:36:00,160 --> 00:36:03,480
Speaker 7: it was so human and it was really special to

697
00:36:03,520 --> 00:36:05,600
Speaker 7: watch them play off of each other like this.

698
00:36:06,520 --> 00:36:09,719
Speaker 3: You know, it's something we don't see a lot on

699
00:36:10,360 --> 00:36:15,040
Speaker 3: our show, maybe well on our show with men, it

700
00:36:15,160 --> 00:36:19,359
Speaker 3: usually is like a woman who's providing this nurturing role.

701
00:36:19,440 --> 00:36:22,520
Speaker 3: But I'm realizing, I was realizing as you were talking,

702
00:36:22,640 --> 00:36:26,240
Speaker 3: he's stepping into the uncle Keith role that we haven't

703
00:36:26,280 --> 00:36:30,520
Speaker 3: seen in so long. Just so yeah, stepping up and

704
00:36:31,719 --> 00:36:34,360
Speaker 3: showing him what a good man looks like, even though

705
00:36:34,520 --> 00:36:36,279
Speaker 3: he's got his own flaws and he's got us trying

706
00:36:36,320 --> 00:36:38,560
Speaker 3: to figure out his own in his life, Like he

707
00:36:38,600 --> 00:36:42,120
Speaker 3: can still show up for this young for this boy.

708
00:36:42,840 --> 00:36:44,000
Speaker 3: It's just a man.

709
00:36:44,200 --> 00:36:45,120
Speaker 4: It's just something.

710
00:36:44,880 --> 00:36:47,200
Speaker 3: About it that's like balm on my heart. Every time

711
00:36:47,239 --> 00:36:50,040
Speaker 3: the two of them are together on camera. This makes

712
00:36:50,040 --> 00:36:51,200
Speaker 3: me happy and hopeful.

713
00:36:52,320 --> 00:36:56,680
Speaker 7: Yeah, and it's really also very cool to his credit

714
00:36:56,760 --> 00:37:00,400
Speaker 7: for Michael May. You know, it's not easy to be

715
00:37:00,440 --> 00:37:03,920
Speaker 7: a young kid and have a really heavy storyline, And

716
00:37:04,000 --> 00:37:08,080
Speaker 7: the way he delivered that line at the end of

717
00:37:08,120 --> 00:37:10,600
Speaker 7: that you know scene about the bike when he finally

718
00:37:10,640 --> 00:37:13,520
Speaker 7: reveals the bruise and he Chase asks him if his

719
00:37:13,560 --> 00:37:15,759
Speaker 7: mom knows that he got hurt, and he says, no,

720
00:37:15,840 --> 00:37:19,799
Speaker 7: you can't tell her. She'll take my bike away, and

721
00:37:19,880 --> 00:37:24,840
Speaker 7: the cover up. It was so heartbreaking to me, and

722
00:37:24,920 --> 00:37:27,759
Speaker 7: I was like, man, you know, not only are these

723
00:37:27,800 --> 00:37:31,480
Speaker 7: two actors crushing this, but like our sweet friend Michael,

724
00:37:31,520 --> 00:37:35,520
Speaker 7: this literal little boy is able to put so much

725
00:37:35,640 --> 00:37:39,120
Speaker 7: subtext in a scene like this, And I don't know,

726
00:37:39,239 --> 00:37:43,040
Speaker 7: I think they did a beautiful job. And I'm really

727
00:37:43,080 --> 00:37:46,759
Speaker 7: happy for them that they had Austin directing them in this. Yeah, yeah,

728
00:37:46,840 --> 00:37:47,880
Speaker 7: to have it in the family.

729
00:37:48,280 --> 00:37:51,120
Speaker 3: The kids are learning. He's really you could tell because

730
00:37:51,160 --> 00:37:52,960
Speaker 3: when he started the show, it was just it was

731
00:37:52,960 --> 00:37:54,759
Speaker 3: that sort of element of like, oh, you're a kid,

732
00:37:54,800 --> 00:37:57,400
Speaker 3: You're an accessory to the storyline, like this is just cuteness.

733
00:37:57,880 --> 00:38:02,360
Speaker 3: And then he actually started really learning how to act,

734
00:38:03,239 --> 00:38:05,680
Speaker 3: and they gave him an opportunity to. I mean, that's beautiful.

735
00:38:05,760 --> 00:38:07,359
Speaker 3: I was really cool about that.

736
00:38:08,000 --> 00:38:14,440
Speaker 6: So Exavier, ye bad guy, Yeah, so I do.

737
00:38:14,640 --> 00:38:16,000
Speaker 4: I haven't seen it, but I do remember I think

738
00:38:16,000 --> 00:38:18,320
Speaker 4: maybe a flashback. So he is the one who breaks

739
00:38:18,360 --> 00:38:21,320
Speaker 4: into close over Bros And assaults Brook and he also

740
00:38:21,480 --> 00:38:27,000
Speaker 4: is the same guy who shoots q. There's a shortage

741
00:38:27,000 --> 00:38:29,239
Speaker 4: remember those we said there's a shortage of bartenders in

742
00:38:29,280 --> 00:38:31,440
Speaker 4: tree Hill because we always see Chase doing it. Is

743
00:38:31,440 --> 00:38:33,160
Speaker 4: there a shortage of criminals as well?

744
00:38:33,200 --> 00:38:33,680
Speaker 3: I guess so.

745
00:38:34,280 --> 00:38:34,920
Speaker 6: Well, I don't know.

746
00:38:35,040 --> 00:38:42,040
Speaker 7: With the whole organized crime syndicate and a murderer.

747
00:38:42,080 --> 00:38:46,800
Speaker 3: How was there no conviction for him over Quentin's murder.

748
00:38:46,840 --> 00:38:49,920
Speaker 3: I didn't realize that. I think I didn't either, assumed

749
00:38:49,960 --> 00:38:52,799
Speaker 3: that that was all wrapped up. But you're telling me

750
00:38:53,000 --> 00:38:57,480
Speaker 3: a gas station didn't have camc TV. A liquor store

751
00:38:57,640 --> 00:39:00,560
Speaker 3: slash gap, it was not a gastic convenience storks. A

752
00:39:00,600 --> 00:39:04,680
Speaker 3: convenience store that sells liquor doesn't have a camera.

753
00:39:05,280 --> 00:39:10,720
Speaker 7: Well, also, Quintin was shot. Ballistics for bullets they match

754
00:39:10,760 --> 00:39:14,640
Speaker 7: a gun. I don't know what we missed in terms

755
00:39:14,680 --> 00:39:18,120
Speaker 7: of not getting a conviction on that crime.

756
00:39:19,840 --> 00:39:23,239
Speaker 3: But it also was useful for this storyline.

757
00:39:23,239 --> 00:39:29,400
Speaker 7: Though, yeah, useful for the storyline. It made me wonder.

758
00:39:30,040 --> 00:39:33,080
Speaker 7: I mean, listen, this is the story, right, Like she's

759
00:39:33,080 --> 00:39:35,480
Speaker 7: got to go to the parole hearings, so this is

760
00:39:35,520 --> 00:39:39,439
Speaker 7: the story. But I'm thinking about it and thinking if

761
00:39:39,440 --> 00:39:42,600
Speaker 7: someone were in jail and I knew they'd murdered a

762
00:39:42,640 --> 00:39:45,440
Speaker 7: person I knew and not been convicted of it, that

763
00:39:45,480 --> 00:39:49,279
Speaker 7: wouldn't make me more likely to go see them, you

764
00:39:49,280 --> 00:39:52,840
Speaker 7: know what I mean, like if they weren't going to

765
00:39:52,920 --> 00:39:54,759
Speaker 7: be held up against the full weight of the law.

766
00:39:55,040 --> 00:39:55,560
Speaker 7: I don't know.

767
00:39:56,200 --> 00:39:58,440
Speaker 3: How did you feel about this storyline when it came in.

768
00:39:58,640 --> 00:40:00,080
Speaker 3: I mean, this is kind of out of the Oh.

769
00:40:00,200 --> 00:40:01,279
Speaker 3: I think it.

770
00:40:01,200 --> 00:40:04,400
Speaker 7: Feels really out of the blue. I think what's really

771
00:40:04,440 --> 00:40:08,200
Speaker 7: surreal is in more recent years, I've been through something

772
00:40:08,280 --> 00:40:10,960
Speaker 7: like this with a friend of mine. Oh, and so

773
00:40:11,040 --> 00:40:14,320
Speaker 7: it's really surreal to watch it. You know. At the time,

774
00:40:15,160 --> 00:40:18,959
Speaker 7: you read articles, you study up on what you can

775
00:40:19,200 --> 00:40:23,600
Speaker 7: to try to understand systems, you know, and now having

776
00:40:23,800 --> 00:40:26,799
Speaker 7: sat with someone who's gone through this, I'm just like, man,

777
00:40:27,120 --> 00:40:31,080
Speaker 7: that is it is so heavy, and yeah, the victim,

778
00:40:31,200 --> 00:40:35,480
Speaker 7: either testimony or letter at a parole hearing is so important.

779
00:40:36,440 --> 00:40:41,839
Speaker 7: I think what I appreciated about it, even though, like

780
00:40:41,920 --> 00:40:43,799
Speaker 7: I was saying earlier about some of the stuff, I

781
00:40:43,840 --> 00:40:45,920
Speaker 7: think some of that writing in the episode is so great,

782
00:40:46,320 --> 00:40:49,000
Speaker 7: and I love the shift from being on the other

783
00:40:49,040 --> 00:40:51,800
Speaker 7: side of the glass and telling him the story of

784
00:40:51,840 --> 00:40:56,480
Speaker 7: the kids to it seamlessly going into the parole hearing testimony. Like,

785
00:40:56,520 --> 00:40:57,759
Speaker 7: that's a ten out of ten for me.

786
00:40:57,920 --> 00:40:58,120
Speaker 3: Yeah.

787
00:40:58,120 --> 00:41:02,680
Speaker 7: I thought the writing in the earlier scene with Julian

788
00:41:02,960 --> 00:41:05,480
Speaker 7: felt a little heavy handed, like I want to believe

789
00:41:06,120 --> 00:41:09,080
Speaker 7: in my heart I have the capacity for forgiveness or

790
00:41:09,200 --> 00:41:10,200
Speaker 7: you know, whatever it is.

791
00:41:10,880 --> 00:41:11,680
Speaker 6: But I like that.

792
00:41:11,960 --> 00:41:16,040
Speaker 7: I like I like when a character gets to say

793
00:41:16,160 --> 00:41:20,360
Speaker 7: I want to believe I could be this good, but

794
00:41:20,480 --> 00:41:25,200
Speaker 7: I'm also human. And I liked watching this married couple

795
00:41:25,360 --> 00:41:30,200
Speaker 7: have that conversation, you know, yeah, talk about what our

796
00:41:30,280 --> 00:41:33,480
Speaker 7: highest ideals are versus when we're really in a rock

797
00:41:33,520 --> 00:41:36,399
Speaker 7: and a hard place. How do they get applied? Can

798
00:41:36,440 --> 00:41:37,320
Speaker 7: they be applied?

799
00:41:37,800 --> 00:41:40,120
Speaker 3: Do they even matter if they're not applied in the

800
00:41:40,239 --> 00:41:41,560
Speaker 3: rock and the hard place spot?

801
00:41:41,680 --> 00:41:44,560
Speaker 7: Yes, exactly. And I like that they kind of went

802
00:41:44,600 --> 00:41:47,760
Speaker 7: around in circles. I liked that it wasn't so squeaky

803
00:41:47,800 --> 00:41:49,839
Speaker 7: clean and everyone just knew to do the right thing

804
00:41:49,920 --> 00:41:54,400
Speaker 7: right away or whatever. It felt really human to me

805
00:41:54,600 --> 00:42:00,799
Speaker 7: the whole their whole journey. But I don't know, man,

806
00:42:00,920 --> 00:42:08,239
Speaker 7: it's like a repeat offender like that. It's scary. And

807
00:42:08,640 --> 00:42:11,320
Speaker 7: he's such a good actor. He's so good at being.

808
00:42:11,080 --> 00:42:14,560
Speaker 3: Scary, so subtle. He was so he knew the camera.

809
00:42:14,880 --> 00:42:17,239
Speaker 3: That's one thing I love when an actor understands where

810
00:42:17,280 --> 00:42:20,600
Speaker 3: the camera is. Yea, Ki Kowalski, our DP was always

811
00:42:20,640 --> 00:42:22,239
Speaker 3: so great at telling us. He'd be like, we're in

812
00:42:22,280 --> 00:42:24,160
Speaker 3: a cowboy shop, which is like at your hips, or

813
00:42:24,160 --> 00:42:26,400
Speaker 3: we're like right up close on your face, so that

814
00:42:26,480 --> 00:42:28,759
Speaker 3: you knew how much to react based on where the

815
00:42:28,840 --> 00:42:30,600
Speaker 3: camera was. And he was one of those actors that

816
00:42:30,680 --> 00:42:33,439
Speaker 3: really understood like where the camera is and how much

817
00:42:33,600 --> 00:42:38,360
Speaker 3: or how little to give. And I was so I

818
00:42:38,520 --> 00:42:41,719
Speaker 3: really was impressed by that. But I loved what we

819
00:42:41,920 --> 00:42:44,600
Speaker 3: got from him when you asked him, what about Yesson?

820
00:42:45,200 --> 00:42:46,680
Speaker 8: Oh so good?

821
00:42:47,000 --> 00:42:51,120
Speaker 3: Uh huh that flash of rage yes, and then but

822
00:42:51,280 --> 00:42:58,040
Speaker 3: also like the genuine like I'm supposed to say, I'm sorry.

823
00:42:58,520 --> 00:43:02,160
Speaker 3: It was almost like this, like it was almost like

824
00:43:02,280 --> 00:43:06,719
Speaker 3: a bewilderment even that flashed through his eyes, Like but

825
00:43:06,840 --> 00:43:09,320
Speaker 3: I wasn't convicted of that. Why would I have to

826
00:43:09,400 --> 00:43:13,120
Speaker 3: apologize for? You know, like a real true psychopath, they

827
00:43:13,239 --> 00:43:18,200
Speaker 3: can't comprehend the idea that that yeah, well, but that

828
00:43:18,760 --> 00:43:20,719
Speaker 3: that's not that's not on my list of things I

829
00:43:20,840 --> 00:43:23,160
Speaker 3: need to perform in order to get what I want.

830
00:43:23,640 --> 00:43:26,560
Speaker 7: Yeah, h so unhungry.

831
00:43:27,480 --> 00:43:30,359
Speaker 4: Going back to the scene with Julian and Brooke at

832
00:43:30,400 --> 00:43:33,080
Speaker 4: their house, my favorite part of it was the very

833
00:43:33,280 --> 00:43:38,040
Speaker 4: very end when Brooke just says to him, you and me, Yeah,

834
00:43:38,520 --> 00:43:41,920
Speaker 4: that's just it's so true and it's so sweet that

835
00:43:42,000 --> 00:43:43,920
Speaker 4: it's like, no matter what's going on, it's like we're

836
00:43:44,000 --> 00:43:46,600
Speaker 4: the team. We're not we're not each other's enemy. I

837
00:43:46,680 --> 00:43:48,680
Speaker 4: just I loved I love to see that kind of

838
00:43:49,840 --> 00:43:51,160
Speaker 4: teamwork and partnership.

839
00:43:51,320 --> 00:43:51,440
Speaker 5: Oh.

840
00:43:51,480 --> 00:43:54,200
Speaker 3: We needed that after everything with him in the last

841
00:43:54,239 --> 00:43:57,080
Speaker 3: few episodes. We needed that and.

842
00:43:57,200 --> 00:44:01,120
Speaker 7: Letting him show up for her in that and also

843
00:44:01,440 --> 00:44:05,319
Speaker 7: mirror who she is back to her. Because when you're

844
00:44:05,440 --> 00:44:10,320
Speaker 7: questioning yourself your capabilities for either forgiveness or bravery or

845
00:44:10,360 --> 00:44:13,799
Speaker 7: any of the things required for this scenario, for him

846
00:44:13,880 --> 00:44:17,120
Speaker 7: to say you're capable of anything. I love you because

847
00:44:17,160 --> 00:44:18,800
Speaker 7: of how strong you are. I love you because of

848
00:44:18,840 --> 00:44:21,719
Speaker 7: how brave you are. I'm proud of you, Like I'm

849
00:44:21,800 --> 00:44:23,640
Speaker 7: right there with you even when you're scared.

850
00:44:24,360 --> 00:44:25,240
Speaker 3: It was great.

851
00:44:26,640 --> 00:44:29,520
Speaker 7: It was just great partnership stuff for them, and I

852
00:44:29,640 --> 00:44:34,120
Speaker 7: really I really enjoyed it and I liked that the

853
00:44:35,640 --> 00:44:39,120
Speaker 7: the device despite for some characters it feeling like a

854
00:44:39,160 --> 00:44:40,240
Speaker 7: little bit of a letdown.

855
00:44:40,360 --> 00:44:40,600
Speaker 4: I e.

856
00:44:40,760 --> 00:44:43,920
Speaker 7: You guys at the airport. I actually liked that this

857
00:44:44,280 --> 00:44:47,200
Speaker 7: quiet time at home or quiet time in the car.

858
00:44:47,920 --> 00:44:49,839
Speaker 7: It was nice just to see the two of them

859
00:44:50,600 --> 00:44:54,200
Speaker 7: talking through things together felt really grounded and true.

860
00:44:54,760 --> 00:44:56,360
Speaker 3: Yeah, I'm glad you brought that up, Rob, that's a

861
00:44:56,440 --> 00:44:59,239
Speaker 3: great point. I've kind of I kind of sidestepped it.

862
00:44:59,280 --> 00:45:02,239
Speaker 3: I didn't. I didn't really like notice it because I

863
00:45:02,320 --> 00:45:05,640
Speaker 3: think because it's the place that I feel most comfortable

864
00:45:05,640 --> 00:45:08,800
Speaker 3: with Brooke and Julian, that they're just that's where they belong.

865
00:45:09,280 --> 00:45:11,560
Speaker 3: So I just settled into it. I'm glad you noticed that.

866
00:45:12,360 --> 00:45:14,640
Speaker 4: And now that we're discussing it, I also wonder though,

867
00:45:14,680 --> 00:45:17,719
Speaker 4: because we're saying how another way of saying sort of

868
00:45:18,120 --> 00:45:20,160
Speaker 4: the opening thing about how I was saying that it

869
00:45:20,239 --> 00:45:22,839
Speaker 4: feels drawn out. I mean, another way you could look

870
00:45:22,840 --> 00:45:25,359
Speaker 4: at that is it's just we are allowed to sit

871
00:45:25,480 --> 00:45:28,000
Speaker 4: with things. And maybe that's just maybe that was an

872
00:45:28,000 --> 00:45:30,920
Speaker 4: actual choice, because we do have episodes that are just.

873
00:45:31,239 --> 00:45:33,279
Speaker 6: Wall to wall whiplash.

874
00:45:33,440 --> 00:45:37,239
Speaker 4: This happens, this happens mouth almost it's a pizza, you know,

875
00:45:37,840 --> 00:45:41,120
Speaker 4: And maybe maybe it was intentional. Maybe they did know

876
00:45:41,160 --> 00:45:43,960
Speaker 4: what was coming down the coming down the pike, and

877
00:45:44,440 --> 00:45:47,279
Speaker 4: they and they wanted to just give us sort of

878
00:45:47,640 --> 00:45:50,200
Speaker 4: a slower one to kind of as the change up pitch.

879
00:45:50,600 --> 00:45:53,120
Speaker 4: But here's the real burning question I have. Do you

880
00:45:53,239 --> 00:45:57,439
Speaker 4: think when you become a member of the Bad Guys Club,

881
00:45:58,200 --> 00:46:01,799
Speaker 4: you take an oath that you will only ever eat

882
00:46:01,920 --> 00:46:08,320
Speaker 4: an apple with a sharp knife? Why is that a trope?

883
00:46:08,640 --> 00:46:10,440
Speaker 4: I have never seen a bad guy just take a

884
00:46:10,520 --> 00:46:12,960
Speaker 4: bite like a human. They always have to do it

885
00:46:13,080 --> 00:46:15,600
Speaker 4: with a knife in a real menacing way.

886
00:46:16,160 --> 00:46:17,840
Speaker 7: Yeah, but there's something about it. And why is it

887
00:46:17,840 --> 00:46:20,080
Speaker 7: always an apple? Is that a reference to snow white

888
00:46:20,200 --> 00:46:20,560
Speaker 7: or something.

889
00:46:20,960 --> 00:46:23,640
Speaker 4: It's like, we just saw you shoot your coworker an

890
00:46:23,680 --> 00:46:26,120
Speaker 4: episode ago. I don't need you to eat an apple

891
00:46:26,480 --> 00:46:29,319
Speaker 4: like an irresponsible bad boy to be intimidating.

892
00:46:29,400 --> 00:46:30,520
Speaker 3: Yeah, it could be a peach.

893
00:46:31,280 --> 00:46:34,200
Speaker 6: Yeah, what It's just odd.

894
00:46:34,320 --> 00:46:35,759
Speaker 4: Every time I see it, I'm like, oh my god,

895
00:46:35,760 --> 00:46:37,800
Speaker 4: it's such a hat on a hat like he just

896
00:46:37,880 --> 00:46:38,520
Speaker 4: shot a guy.

897
00:46:38,760 --> 00:46:40,879
Speaker 7: Also, if you want him to have a knife, why

898
00:46:40,960 --> 00:46:45,719
Speaker 7: not have him like cutting into a steak? C Yeah,

899
00:46:46,040 --> 00:46:47,960
Speaker 7: it's like why why is it a piece of fruit?

900
00:46:49,160 --> 00:46:53,560
Speaker 4: Yeah, it's weird that his two flexes were hydration and

901
00:46:54,440 --> 00:46:56,040
Speaker 4: cutting an apple before eating it.

902
00:46:57,760 --> 00:46:59,919
Speaker 6: Amen teach their own so good.

903
00:47:00,200 --> 00:47:02,680
Speaker 7: Hey, maybe you know what, maybe when he's not bad guying,

904
00:47:02,760 --> 00:47:04,120
Speaker 7: he's a great pta dad.

905
00:47:04,200 --> 00:47:04,680
Speaker 4: What do we know?

906
00:47:05,320 --> 00:47:08,320
Speaker 3: Yeah, he's got to be. That apple came from his

907
00:47:08,680 --> 00:47:12,080
Speaker 3: preschool classrooms, kids, preschool classroom. He just took it with him.

908
00:47:12,520 --> 00:47:14,280
Speaker 3: I missed Mouth and Millie in this episode.

909
00:47:14,600 --> 00:47:20,120
Speaker 7: Yeah, it's weird when when your people are you feel

910
00:47:20,160 --> 00:47:20,800
Speaker 7: the absence.

911
00:47:21,280 --> 00:47:23,839
Speaker 3: Yeah, but the next episode, I know what's coming. I'm

912
00:47:23,840 --> 00:47:25,680
Speaker 3: actually excited for what's next. Wa you do?

913
00:47:26,000 --> 00:47:26,719
Speaker 6: I don't don't.

914
00:47:26,880 --> 00:47:27,760
Speaker 8: I don't know anything.

915
00:47:28,200 --> 00:47:28,320
Speaker 6: You know.

916
00:47:28,400 --> 00:47:31,560
Speaker 4: Here's here's my secret. My secret wish is that they

917
00:47:31,760 --> 00:47:35,440
Speaker 4: purposely didn't put them in this episode. So that next episode,

918
00:47:35,640 --> 00:47:38,160
Speaker 4: Mouth shows up in none of the prosthetics and then

919
00:47:38,320 --> 00:47:42,279
Speaker 4: just offhanded. That was some hike, wasn't it. He's like

920
00:47:42,400 --> 00:47:44,520
Speaker 4: it did the trick and then we never talk about

921
00:47:44,560 --> 00:47:44,919
Speaker 4: it again.

922
00:47:45,320 --> 00:47:47,280
Speaker 3: Lord hear our prayer. Please.

923
00:48:00,040 --> 00:48:03,360
Speaker 7: All right, We've got a listener question. Goofball wants to

924
00:48:03,520 --> 00:48:07,600
Speaker 7: know what's the last thing you've read or watched that

925
00:48:07,760 --> 00:48:08,479
Speaker 7: made you laugh?

926
00:48:09,080 --> 00:48:09,440
Speaker 6: Last thing?

927
00:48:09,960 --> 00:48:14,000
Speaker 4: I laughed like belly laughed out loud. I was watching

928
00:48:14,000 --> 00:48:15,879
Speaker 4: an episode of RuPaul's Drag Race.

929
00:48:16,960 --> 00:48:17,560
Speaker 3: What happened.

930
00:48:18,239 --> 00:48:21,120
Speaker 4: It was just the like, these guys are so funny,

931
00:48:21,160 --> 00:48:24,080
Speaker 4: and they are. It's also a culture I'm pretty unfamiliar with,

932
00:48:24,200 --> 00:48:27,600
Speaker 4: so I'm constantly hearing new words and you like turns

933
00:48:27,640 --> 00:48:31,319
Speaker 4: of phrase, and sometimes it just hits my funny bone

934
00:48:31,400 --> 00:48:33,960
Speaker 4: in the perfect way and kills me.

935
00:48:34,360 --> 00:48:34,880
Speaker 7: I love that.

936
00:48:35,080 --> 00:48:35,680
Speaker 3: It's great.

937
00:48:36,080 --> 00:48:36,600
Speaker 8: I love that.

938
00:48:37,640 --> 00:48:38,319
Speaker 6: What about you too.

939
00:48:39,120 --> 00:48:42,000
Speaker 7: I was just watching an episode of The Giggly Squad,

940
00:48:42,120 --> 00:48:47,719
Speaker 7: Hannah Burner's podcast, and I don't even remember what they

941
00:48:47,800 --> 00:48:49,680
Speaker 7: were talking about now that I want to tell you.

942
00:48:49,760 --> 00:48:53,160
Speaker 7: My mind is drawing a blank. But I was cackling,

943
00:48:53,480 --> 00:48:58,440
Speaker 7: like they really really got me just the other day.

944
00:48:58,440 --> 00:49:00,160
Speaker 7: I'll have to go back and see if I can

945
00:49:00,239 --> 00:49:01,480
Speaker 7: find you a clip mine.

946
00:49:01,560 --> 00:49:03,400
Speaker 3: I think mine's kind of lame. I watch a lot

947
00:49:03,480 --> 00:49:05,279
Speaker 3: of Fraser right now because I'm doing a lot of

948
00:49:05,360 --> 00:49:08,120
Speaker 3: writing and I kind of work all day long. I've

949
00:49:08,160 --> 00:49:11,440
Speaker 3: got so I don't watch shows for new things. I

950
00:49:11,600 --> 00:49:15,719
Speaker 3: just want comfort. So I've just been in a Fraser zone.

951
00:49:15,840 --> 00:49:17,799
Speaker 3: So that's the last thing that made me laugh. There

952
00:49:17,880 --> 00:49:23,080
Speaker 3: was an episode where Niles is really upset about something

953
00:49:23,120 --> 00:49:25,000
Speaker 3: I can't remember, think his marriage is over, and he

954
00:49:25,160 --> 00:49:29,440
Speaker 3: goes into the bathroom and Meanwhile, Martin, his older his

955
00:49:29,600 --> 00:49:34,160
Speaker 3: dad's been like trying to revive this this QVC purchase

956
00:49:34,239 --> 00:49:36,240
Speaker 3: that he had, which is called the Hot and Foamy,

957
00:49:36,400 --> 00:49:38,759
Speaker 3: and it's like a it makes your shaving cream hot.

958
00:49:39,480 --> 00:49:41,880
Speaker 3: So Niles goes into the bathroom where the Hot and

959
00:49:41,920 --> 00:49:43,719
Speaker 3: Foamy is and he slams the door and he's like

960
00:49:43,800 --> 00:49:45,440
Speaker 3: super distraught, and all of a sudden, you hear this

961
00:49:45,640 --> 00:49:48,919
Speaker 3: bang and everyone's like, oh my god, Niles, are you Niles? Niles.

962
00:49:49,160 --> 00:49:51,759
Speaker 3: Then he walks out and he's completely covered in shaving cream,

963
00:49:51,800 --> 00:49:55,120
Speaker 3: and I just laughed harder than I laughed so long.

964
00:49:55,400 --> 00:49:58,200
Speaker 3: It's like pure three Stooges comedy. But I don't know.

965
00:49:58,280 --> 00:50:00,239
Speaker 3: It got me out.

966
00:50:00,360 --> 00:50:07,000
Speaker 4: It's a podcast, but it's just joy retelling episodes of Fraser. Yeah,

967
00:50:07,080 --> 00:50:12,200
Speaker 4: oh my god, let's spin a wheel and why that

968
00:50:12,200 --> 00:50:16,000
Speaker 4: wheel spins? I will say you answering Fraser is perfect

969
00:50:16,000 --> 00:50:18,160
Speaker 4: because before we started recording and you stepped into your

970
00:50:18,239 --> 00:50:20,800
Speaker 4: zoom square, I was like, you, look, you're addressed like

971
00:50:20,880 --> 00:50:24,239
Speaker 4: a hipster who should be lawn bowling in Brooklyn. And

972
00:50:24,360 --> 00:50:26,800
Speaker 4: then the fact that you're like, go to comedy was

973
00:50:26,880 --> 00:50:34,040
Speaker 4: Fraser chess kiss most likely to steal a friend's baby name.

974
00:50:34,200 --> 00:50:36,520
Speaker 3: Oh horrendous. I mean Rachel.

975
00:50:37,480 --> 00:50:38,960
Speaker 8: Yeah, mm hmmm.

976
00:50:39,880 --> 00:50:41,759
Speaker 3: I don't think anyone in real life would do that.

977
00:50:41,800 --> 00:50:43,680
Speaker 3: Who would do that in real life? That's terrible?

978
00:50:43,920 --> 00:50:46,800
Speaker 7: No, No, no, I would hope not.

979
00:50:47,120 --> 00:50:50,000
Speaker 4: That's dark and we certainly wouldn't be outing them in

980
00:50:50,120 --> 00:50:55,680
Speaker 4: this fashion. No, and their Instagram handle is no, it's

981
00:50:56,000 --> 00:50:58,040
Speaker 4: I would say, Yeah, my first thought was Dan, just

982
00:50:58,120 --> 00:51:00,440
Speaker 4: because he has a propensity to be a dick. But yeah,

983
00:51:00,440 --> 00:51:02,040
Speaker 4: I'd say Rachel makes more sense.

984
00:51:02,520 --> 00:51:05,719
Speaker 3: Yeah, I can't think of anyone else. Who else? Nanny

985
00:51:05,800 --> 00:51:08,000
Speaker 3: Carey's psychotic. I guess she would do it.

986
00:51:08,320 --> 00:51:11,240
Speaker 7: I mean she she tried to literally steal your baby,

987
00:51:11,480 --> 00:51:13,600
Speaker 7: so yes, she'd probably try to steal a baby name.

988
00:51:13,760 --> 00:51:17,080
Speaker 4: Yeah, and Katie by the lady, Oh my god. If

989
00:51:17,160 --> 00:51:18,719
Speaker 4: Clay and Quinn as soon as they as soon as

990
00:51:18,800 --> 00:51:22,360
Speaker 4: she gets worried about Logan, she is one hundred percent

991
00:51:22,520 --> 00:51:25,440
Speaker 4: procuring a child and changing his or her name to Logan.

992
00:51:25,719 --> 00:51:26,000
Speaker 7: Oof.

993
00:51:26,280 --> 00:51:27,400
Speaker 8: God, that's so crazy.

994
00:51:27,719 --> 00:51:29,680
Speaker 3: Wait is she still alive? I thought she died.

995
00:51:30,080 --> 00:51:33,759
Speaker 4: No, she wheeled out very much alive, remember, and then

996
00:51:33,840 --> 00:51:36,520
Speaker 4: Quinn whispered in her ear She's like, I'm the store,

997
00:51:36,600 --> 00:51:37,240
Speaker 4: your store.

998
00:51:37,600 --> 00:51:37,799
Speaker 8: Yeah?

999
00:51:38,200 --> 00:51:40,640
Speaker 3: Yeah, But then we never we just never hear from

1000
00:51:40,680 --> 00:51:41,040
Speaker 3: her again.

1001
00:51:41,480 --> 00:51:43,640
Speaker 7: Nah, I mean, I think the idea is that she's

1002
00:51:43,719 --> 00:51:47,600
Speaker 7: in jail forever. But also like if Xavier got out

1003
00:51:47,680 --> 00:51:50,800
Speaker 7: after committing a literal murder, what what is reality?

1004
00:51:51,040 --> 00:51:53,760
Speaker 3: Yes, that was crazy too. At Karen's cafe that Xavier

1005
00:51:53,880 --> 00:51:55,719
Speaker 3: was out, wouldn't even talk about that? All right, Well,

1006
00:51:55,800 --> 00:51:59,440
Speaker 3: here we go. The next episode is season nine, episode eight,

1007
00:51:59,560 --> 00:52:02,279
Speaker 3: A Bush of Blood to the Head, and I think

1008
00:52:02,320 --> 00:52:04,759
Speaker 3: it's going to be This one's going to be quite

1009
00:52:04,800 --> 00:52:05,239
Speaker 3: a ride.

1010
00:52:05,640 --> 00:52:07,560
Speaker 7: We're going back to whiplash, I think.

1011
00:52:07,640 --> 00:52:07,680
Speaker 4: So.

1012
00:52:07,800 --> 00:52:09,080
Speaker 3: I don't know if it's going to be whiplash, but

1013
00:52:09,160 --> 00:52:12,720
Speaker 3: we'll be on a roller coaster six episodes laft.

1014
00:52:12,400 --> 00:52:18,440
Speaker 6: Of I don't like it.

1015
00:52:19,000 --> 00:52:22,880
Speaker 7: I'm getting the impending feeling, like from the actual end

1016
00:52:22,920 --> 00:52:25,000
Speaker 7: of season nine, where it's like, Oh, we're all gonna

1017
00:52:25,520 --> 00:52:27,440
Speaker 7: how cool, We're going to wrap this thing and then

1018
00:52:27,520 --> 00:52:29,120
Speaker 7: I'm just gonna sob for weeks.

1019
00:52:29,600 --> 00:52:30,959
Speaker 6: We just get on zooms to cry.

1020
00:52:31,400 --> 00:52:34,520
Speaker 3: Yeah, friends, don't forget though. If you want to see

1021
00:52:34,560 --> 00:52:36,719
Speaker 3: us live, there is a way to do that, because

1022
00:52:36,719 --> 00:52:41,000
Speaker 3: we're doing our finale episode live from the convention in

1023
00:52:41,160 --> 00:52:44,800
Speaker 3: Wilmington at Trick. You've got to be a part of it.

1024
00:52:44,920 --> 00:52:47,960
Speaker 3: If you're not going to be there in person, please

1025
00:52:48,320 --> 00:52:51,000
Speaker 3: please go get your tickets at veeps dot com, v

1026
00:52:51,160 --> 00:52:54,960
Speaker 3: E E p s dot com and join us for

1027
00:52:55,080 --> 00:52:56,840
Speaker 3: the final episode for.

1028
00:52:56,920 --> 00:52:58,160
Speaker 7: The laughs and the tears.

1029
00:52:58,920 --> 00:53:01,239
Speaker 6: See you next weekend, All right, y'all, See you later.

1030
00:53:02,160 --> 00:53:03,240
Speaker 3: Hey, thanks for listening.

1031
00:53:03,400 --> 00:53:05,600
Speaker 7: Don't forget to leave us a review. You can also

1032
00:53:05,719 --> 00:53:08,880
Speaker 7: follow us on Instagram at Drama Queens O t H.

1033
00:53:09,360 --> 00:53:13,200
Speaker 3: Or email us at Drama Queens at iHeartRadio dot com.

1034
00:53:13,800 --> 00:53:18,360
Speaker 3: See you next time. We all about that high school drama.

1035
00:53:18,440 --> 00:53:20,200
Speaker 7: Girl Drama Girl, all about them.

1036
00:53:20,160 --> 00:53:23,279
Speaker 2: High school queens. We'll take you for a ride at

1037
00:53:23,360 --> 00:53:26,920
Speaker 2: our comic Girl Cheering for the right teams. Drama Queens,

1038
00:53:27,680 --> 00:53:30,239
Speaker 2: My girl up girl fashion, but your tough girl.

1039
00:53:30,360 --> 00:53:33,000
Speaker 1: You could sit with us Girl Drama Queens, Drama Queens,

1040
00:53:33,080 --> 00:53:36,360
Speaker 1: Drama Queens, Drama Drama Queens, Drama Queens