WEBVTT - Lenny Kravitz

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<v Speaker 1>Pushkin. In the opening lines of his New York Times

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<v Speaker 1>best selling memoir Let Love Rule, Lenny Kravitz writes that

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<v Speaker 1>he is deeply two sided. His young life was all

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<v Speaker 1>about opposites and extremes, black and white. He grew up

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<v Speaker 1>between his West Indian grandparents home in Brooklyn and his parents'

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<v Speaker 1>home on the Upper East Side, where he was surrounded

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<v Speaker 1>by his family's famous friends, legends like Miles Davis and

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<v Speaker 1>Duke Ellington. When Lenny was eleven, his mother, Roxy Roker,

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<v Speaker 1>landed his starring role on the iconic sitcom The Jeffersons,

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<v Speaker 1>moving the family out west to Los Angeles, where Lenny

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<v Speaker 1>fell in love with classic rock, funk, and skate culture.

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<v Speaker 1>It's also where Lenny and Rick Rubin eventually became fast

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<v Speaker 1>friends in the late eighties. In this conversation, Lenny tells

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<v Speaker 1>Rick candid stories about his relationship with Lisa Bonne and

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<v Speaker 1>talks about how writing his memoir helped him finally find

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<v Speaker 1>peace with his overbearing father. They also talk about the

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<v Speaker 1>time Lenny, Rick, and Johnny Cash were all roommates, and

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<v Speaker 1>the day Lenny received the most devastating news of his life.

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<v Speaker 1>This is broken record. Liner notes for the digital age.

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<v Speaker 1>I'm justin Richmonds. Here's Rick Ruben and Lenny Kravitz. For

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<v Speaker 1>some reason, I didn't realize that you grew up in

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<v Speaker 1>New York City. I had no idea. For some reason,

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<v Speaker 1>I thought you were a California kid. So I was

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<v Speaker 1>born in bed Sty, and for the first five years

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<v Speaker 1>in my life, I lived in bed Sty on the

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<v Speaker 1>weekdays and then lived on the Opper east Side with

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<v Speaker 1>my parents on the weekends. My mom was doing theater,

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<v Speaker 1>my mom was working at NBC, my father was at NBC,

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<v Speaker 1>and so they were real busy, but I saw them

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<v Speaker 1>every day. They'd come from Rockefeller Center over the bridge

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<v Speaker 1>to Brooklyn, have dinner with me, play with me, hang

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<v Speaker 1>out for a bit, put me to bed, and then

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<v Speaker 1>my mom would go to a play. My dad would

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<v Speaker 1>go to a jazz club or do whatever because he

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<v Speaker 1>was also promoting jazz. And then when I turned five,

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<v Speaker 1>I moved to the Upper east Side, which was eighty

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<v Speaker 1>second between Fifth and Madison, across from the Metropolitan Museum

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<v Speaker 1>of Art, and I lived there on the weekdays. But

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<v Speaker 1>that was my life, going back and forth between Bedstein

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<v Speaker 1>the Upper east Side, which was a very interesting contrast. Yeah,

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<v Speaker 1>do you know. Do you know how your parents met. Yeah,

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<v Speaker 1>they met at Rockefeller Center. My mother was a secretary

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<v Speaker 1>working for some you know, big cat there, and my

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<v Speaker 1>father was an assignmon editor for NBC News and they met.

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<v Speaker 1>My father started out as a page worked his way up,

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<v Speaker 1>was there for many years, and he met my mom

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<v Speaker 1>at work. I think they bonded over, you know, theater

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<v Speaker 1>and music and the arts, and they started dating and

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<v Speaker 1>then he asked her to marry him, and they got married. Yet, beautiful,

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<v Speaker 1>do you have any brothers and sisters or just you?

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<v Speaker 1>I have two sisters from my father's first marriage, so

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<v Speaker 1>half sisters, but you know they're my sisters, don't We

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<v Speaker 1>don't do the half and the whatever. They're my sisters.

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<v Speaker 1>But it was really nice to find out that I

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<v Speaker 1>had sisters. When did you find out? I was small.

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<v Speaker 1>I remember being like, I don't know, three or something

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<v Speaker 1>when I met them. They lived up state in New York.

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<v Speaker 1>They lived in Monroe, about an hour and twenty minutes

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<v Speaker 1>outside of the city. I was an only child, and

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<v Speaker 1>I always kind of wished I had brothers or sisters,

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<v Speaker 1>and then all of a sudden, I had these two sisters,

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<v Speaker 1>and it was it was cool, and then they started,

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<v Speaker 1>you know, spending more time with us. They started going

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<v Speaker 1>on family holidays with us. My mom insisted that my father,

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<v Speaker 1>you know, men in this relationship. I think he wasn't

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<v Speaker 1>so close to them at the time that they got together,

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<v Speaker 1>or just that he was you know, you know, taking

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<v Speaker 1>his time or whatever from whatever breakup he had had before.

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<v Speaker 1>But my mom let him know that she could not

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<v Speaker 1>marry him and be with him if he hadn't if

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<v Speaker 1>he didn't fix that and he didn't get tight with

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<v Speaker 1>his family. That's the kind of person that my mother was,

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<v Speaker 1>as you know personally, you you knew her, and so

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<v Speaker 1>that's how that happened. I understood your mom was a

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<v Speaker 1>strong force, yeah, and all about family and love. I

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<v Speaker 1>think I only met your dad one time, if I

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<v Speaker 1>remember correctly. We were I can't remember where it was,

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<v Speaker 1>but we were next to a tour bus. I remember

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<v Speaker 1>we were outside. Really yeah, we were outside of a

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<v Speaker 1>tour bus, either coming before or after a show, and

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<v Speaker 1>we just talked for a little bit. But I remember

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<v Speaker 1>he seemed like a cool cat. No, he was cool

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<v Speaker 1>with all of our dynamics you know that were interesting

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<v Speaker 1>and tough and beautiful. He was a cool person. And

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<v Speaker 1>you know, in writing this book that I just wrote,

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<v Speaker 1>it helped me to understand and love him even more

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<v Speaker 1>because for the first time I saw him as a character.

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<v Speaker 1>I saw him as a person, as a man living

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<v Speaker 1>his life, dealing with whatever demons and things that he

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<v Speaker 1>had to deal with. And I realized that he was

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<v Speaker 1>operating on what he had, what he experienced with his parents,

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<v Speaker 1>what he experienced in the military, all the things that

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<v Speaker 1>he went through. He was dealing with what he had

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<v Speaker 1>and he did the best he could with it. And

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<v Speaker 1>for the first time, as I said, I was able

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<v Speaker 1>to see him as not my dad, but as this person,

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<v Speaker 1>and it was really freeing. Even though we made peace

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<v Speaker 1>before he died, there were still things I realized that

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<v Speaker 1>I was holding onto, and in writing this book, it

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<v Speaker 1>all vanished and I loved him and liked him more

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<v Speaker 1>than I ever had. And that was beautiful. That was

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<v Speaker 1>the gift and the reward and the success of writing

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<v Speaker 1>this book. Beautiful, beautiful. What motivated what motivated to do

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<v Speaker 1>the book? I never thought I would write a book.

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<v Speaker 1>I wasn't interested in writing a book. A mutual friend

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<v Speaker 1>introduced me to David Ritz, who is an incredible writer

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<v Speaker 1>and has written all of these books on everybody from

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<v Speaker 1>Ray Charles to Marvin Gaye to woul Rita Franklin. And

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<v Speaker 1>I met him at a dinner. We were at a

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<v Speaker 1>Japanese restaurant in New York, and he said, you should

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<v Speaker 1>write a book, and I want to help you write it.

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<v Speaker 1>And I basically told him that I really never thought

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<v Speaker 1>about it and wasn't interested in it. But by the

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<v Speaker 1>time the dinner was over, he convinced me. I thought

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<v Speaker 1>he was really interesting and smart, and I took it

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<v Speaker 1>as a challenge. I thought, well, why not. And then

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<v Speaker 1>he and I started hanging out, and then I spent

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<v Speaker 1>a lot of time on my own, and then we'd

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<v Speaker 1>hang out again. And you know, it took a few

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<v Speaker 1>years to slowly put together, and it took me a

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<v Speaker 1>while to actually find my voice how I wanted to

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<v Speaker 1>tell the story. And then in writing the book, I

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<v Speaker 1>realized that I only wanted it to be about the

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<v Speaker 1>first twenty five years from my birth to the release

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<v Speaker 1>of the first album and and the beginning of that tour.

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<v Speaker 1>So the album came out when I was twenty four. Actually, yeah,

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<v Speaker 1>that's that's right around the time we met. If I

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<v Speaker 1>remember correctly, we met. We actually met before the album

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<v Speaker 1>came out. I met you at the Roxy. No, yeah,

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<v Speaker 1>I remember I did that. I did that showcase at

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<v Speaker 1>the Roxy, and you were there after the show waiting

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<v Speaker 1>to talk to me, and I was like so excited

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<v Speaker 1>to meet you, and we hit it off right away.

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<v Speaker 1>It was just very natural. You felt like a brother,

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<v Speaker 1>and then we never stopped hanging out. It's true. I remember.

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<v Speaker 1>I remember being at a music convention where all of

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<v Speaker 1>the different labels were talking about their new upcoming artists,

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<v Speaker 1>and I remember thinking everything was terrible, like all the

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<v Speaker 1>everyone's presentation was like all this new music and nothing

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<v Speaker 1>was interesting. And then there was a clip of you

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<v Speaker 1>and it was like, oh, there's one good new artist.

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<v Speaker 1>It was like I was so excited that there was

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<v Speaker 1>one new good artist. And that's what got me to

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<v Speaker 1>come to see the showcase at the Roxy, just based

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<v Speaker 1>on seeing a little clip at a record event and

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<v Speaker 1>thinking this is you know, this stands apart from everything.

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<v Speaker 1>And then I saw the live performance, which was unbelievable.

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<v Speaker 1>And you probably met my mother that night because she

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<v Speaker 1>was there. I can't remember. I mean I met her

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<v Speaker 1>plenty of times. He was there, Lisa was there. We

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<v Speaker 1>were all there. Yeah, but you and I hung out

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<v Speaker 1>for a while. I remember it was in the It

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<v Speaker 1>was in the audience. Everybody had left and there's just

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<v Speaker 1>a few people around and you and I were just out.

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<v Speaker 1>I remember you were wearing the audience You're wearing kind

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<v Speaker 1>of a winter over. Yep, it was long. I remember

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<v Speaker 1>it was kind of like an old pimp coat to

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<v Speaker 1>be to be honest. So funny the details that we remember. Yeah, Man,

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<v Speaker 1>in the in the process of working on the book,

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<v Speaker 1>did you remember pieces of stories that, over time and

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<v Speaker 1>thinking about it, came back to you in a way

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<v Speaker 1>that you didn't know that you knew them. I was

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<v Speaker 1>quite surprised at how much I remembered, But I tend

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<v Speaker 1>to have a really good, you know, long term memory.

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<v Speaker 1>I remember things from my childhood from you know, when

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<v Speaker 1>I was three years old with detail. Wow. But then

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<v Speaker 1>you know, don't ask me what you know happened yesterday

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<v Speaker 1>or where I put something, you know. But for some reason,

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<v Speaker 1>you know, I didn't have to dig as hard as

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<v Speaker 1>I thought I would have to. And I think it's

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<v Speaker 1>also a time in my life that I really cherished,

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<v Speaker 1>like I understood somehow that I had a really good childhood.

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<v Speaker 1>Whatever it was, like, the ups and the downs, whatever,

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<v Speaker 1>I enjoyed my childhood. I enjoyed, you know, growing up

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<v Speaker 1>in New York City in the late sixties as a

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<v Speaker 1>very small child and the seventies at a time where

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<v Speaker 1>music was so incredible. I mean, all you had to

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<v Speaker 1>do was turn on the radio and everything was there.

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<v Speaker 1>I remember listening to w ABC and my father's VW

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<v Speaker 1>Bug and you'd hear Simon and Garfunkel next to Aritha Franklin,

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<v Speaker 1>next to Jimmy Hendrix, next to Led Zeppelin, next to

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<v Speaker 1>you know, whomever. You know. It just was all over

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<v Speaker 1>the place. And my mother was an actress. She was

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<v Speaker 1>in the theater doing avant garde theater. She was in

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<v Speaker 1>this incredible theater group called the Niger Ensemble Company. So

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<v Speaker 1>I was going to plays. We were going to operas

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<v Speaker 1>and ballets and symphonies in Central Park and Shakespeare in

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<v Speaker 1>the Park and the Jackson Five at Madison Square Garden

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<v Speaker 1>and James Brown at the Apollo and you know, Miles

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<v Speaker 1>Davis and you know Duke Ellington at the Rainbow Room

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<v Speaker 1>and wow, Sarah Vaughan, and I mean it was so colorful,

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<v Speaker 1>and my parents had so many wonderful characters around. I

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<v Speaker 1>thoroughly enjoyed my childhood and then growing up on the

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<v Speaker 1>Upper East Side and having the Metropolitan Museum as your backyard.

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<v Speaker 1>I'd go in there by myself and get lost and

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<v Speaker 1>look at the art. And I even had a notebook.

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<v Speaker 1>I mean, I must have been nine years old. I

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<v Speaker 1>had a notebook, and I would take notes on the

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<v Speaker 1>art that I saw and what I liked, and I

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<v Speaker 1>would buy They had postcards in there that you could

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<v Speaker 1>buy with pictures of the art, and I would get postcards,

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<v Speaker 1>and you know, I was a member of the chess club,

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<v Speaker 1>played chess, and and then I'd go to bed Sty

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<v Speaker 1>and have that whole life. I got to see the

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<v Speaker 1>birth of hip hop, which of course Brooklyn was one

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<v Speaker 1>of the spots, right absolutely. And I remember the first

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<v Speaker 1>time seeing a guy in the front of his house

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<v Speaker 1>in the in the yard in front of his house

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<v Speaker 1>with two turntables and these big old speakers that he

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<v Speaker 1>had built, and he was mixing and doing this whole thing.

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<v Speaker 1>And I didn't understand what he was doing. Like he's like,

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<v Speaker 1>I'm playing music, right, but I didn't. I didn't understand it.

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<v Speaker 1>I was like you're playing records like but then I

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<v Speaker 1>it caught on quickly and I saw what they were doing,

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<v Speaker 1>and you know, guys started break dancing and bringing out

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<v Speaker 1>the linoleum floors, you know, onto the sidewalk and it.

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<v Speaker 1>You know, I got to see all that, and then

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<v Speaker 1>I moved to LA when I was eleven, moved to

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<v Speaker 1>Santa Monica. Went to school in Santa Monica John Adams

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<v Speaker 1>Junior High. It's nineteen seventy five when my mom started

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<v Speaker 1>the Jeffersons and I got to see the birth of

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<v Speaker 1>Dogtown and Z boys incredible. I went to school. I

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<v Speaker 1>had English class with this guy named Mike Humpston. His

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<v Speaker 1>big brother was West Humpston, and I remember him bringing

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<v Speaker 1>in a Dogtown board that was hand drawn with the

0:13:02.480 --> 0:13:05.760
<v Speaker 1>cross and the Dogtown and the whole thing, and he

0:13:05.840 --> 0:13:07.719
<v Speaker 1>brought it in and showed, yeah, this is this is

0:13:07.760 --> 0:13:11.760
<v Speaker 1>what my brother's doing. This is Dogtown. So I got

0:13:11.800 --> 0:13:15.000
<v Speaker 1>to see so many things happen as a as a

0:13:15.080 --> 0:13:21.640
<v Speaker 1>child that were so exciting and cultural, groundbreaking, historical InCred

0:13:21.720 --> 0:13:25.760
<v Speaker 1>It's funny. It's funny you talk about Dogtown and seeing

0:13:25.800 --> 0:13:29.840
<v Speaker 1>the birth of hip hop and how cool is that? Right? No,

0:13:29.960 --> 0:13:35.360
<v Speaker 1>it's unbelievable, and it's they're almost the same thing. You know,

0:13:35.440 --> 0:13:41.360
<v Speaker 1>they're both Yes, they're both examples of counterculture movements. You know,

0:13:41.400 --> 0:13:43.760
<v Speaker 1>we tend to think of hip hop as a music movement.

0:13:44.120 --> 0:13:48.640
<v Speaker 1>It's a counterculture movement. When I saw the Dogtown documentary,

0:13:49.080 --> 0:13:51.880
<v Speaker 1>I watched it not looking at it as this is

0:13:51.880 --> 0:13:54.600
<v Speaker 1>about skateboarding. I thought, Oh, this is the Deaf Jam story,

0:13:54.640 --> 0:13:58.440
<v Speaker 1>except they're riding skateboards instead of making music. It's it's

0:13:58.480 --> 0:14:03.440
<v Speaker 1>a it was a counterculture rebellion story, and you got

0:14:03.480 --> 0:14:06.319
<v Speaker 1>to witness two in a row that, even though they

0:14:06.440 --> 0:14:10.600
<v Speaker 1>looked different, we're really tapping into the same kind of

0:14:10.720 --> 0:14:16.840
<v Speaker 1>youth culture energy of changing the world. Super exciting, super

0:14:16.880 --> 0:14:20.760
<v Speaker 1>exciting and inspiring. And then on top of it, I'm

0:14:20.760 --> 0:14:24.080
<v Speaker 1>growing up between a so called black and white world,

0:14:24.880 --> 0:14:30.000
<v Speaker 1>Jewish and Christian, both my parents, all these people not

0:14:30.040 --> 0:14:35.960
<v Speaker 1>having any understanding of the problems with race. For the

0:14:36.000 --> 0:14:38.200
<v Speaker 1>first six years of my life, I had no clue

0:14:38.240 --> 0:14:40.840
<v Speaker 1>that any of this was an issue, because that's just

0:14:40.880 --> 0:14:42.840
<v Speaker 1>the way it was. My mother looked like she did,

0:14:42.920 --> 0:14:47.360
<v Speaker 1>my father looked like he did. Both sets of grandparents, aunts, uncle's, cousins, etc.

0:14:48.400 --> 0:14:51.320
<v Speaker 1>Our house is full of every race and every type

0:14:51.360 --> 0:14:55.840
<v Speaker 1>of person from every background, religion, you name it, and

0:14:55.880 --> 0:14:58.680
<v Speaker 1>it was that was normal life. And then I went

0:14:58.680 --> 0:15:02.400
<v Speaker 1>to first grade and uh me and my parents because

0:15:02.440 --> 0:15:04.280
<v Speaker 1>we walked in this first day of school, your parents

0:15:04.280 --> 0:15:08.960
<v Speaker 1>walk into school and as it seemed, everybody else's parents

0:15:09.080 --> 0:15:14.120
<v Speaker 1>matched except mine. And this kid ran out in front

0:15:14.160 --> 0:15:16.440
<v Speaker 1>of us and he pointed with his finger and he said,

0:15:16.960 --> 0:15:20.760
<v Speaker 1>your father's white and your mother's black. And it was

0:15:20.800 --> 0:15:23.360
<v Speaker 1>like this moment like what is what is that? What

0:15:23.400 --> 0:15:25.080
<v Speaker 1>does that mean? What is that? And why are you

0:15:25.120 --> 0:15:29.200
<v Speaker 1>making a scene? You know? And that's when my mother

0:15:29.280 --> 0:15:33.760
<v Speaker 1>started to talk to me and explain, you know, what

0:15:33.800 --> 0:15:37.000
<v Speaker 1>was what, you know, how the how society operated, you know,

0:15:37.040 --> 0:15:40.360
<v Speaker 1>how the world was seeing things. So it was a

0:15:40.400 --> 0:15:44.040
<v Speaker 1>really rich upbringing, you know, being able to have all

0:15:44.040 --> 0:15:47.520
<v Speaker 1>of these contrasts and to be able to have, you know,

0:15:47.600 --> 0:15:49.880
<v Speaker 1>both of these sides, to be able to spend your

0:15:50.240 --> 0:15:53.640
<v Speaker 1>childhood in between two opposites like the Upper East Side

0:15:53.720 --> 0:15:58.840
<v Speaker 1>and Bad Sty was phenomenal and taught me so much.

0:15:58.880 --> 0:16:01.200
<v Speaker 1>And then what's funny is Okay, So I moved to

0:16:01.320 --> 0:16:05.680
<v Speaker 1>la and I'm seeing the birth of all this skate culture.

0:16:06.680 --> 0:16:09.840
<v Speaker 1>So then I go back to New York. Skateboarding hadn't

0:16:09.880 --> 0:16:12.640
<v Speaker 1>reached then yet. So I'm I got my board and

0:16:12.680 --> 0:16:17.440
<v Speaker 1>I'm explaining all this stuff. It's nineteen seventy five, seventy six,

0:16:17.920 --> 0:16:20.560
<v Speaker 1>and they have no idea what I'm talking about. Nobody's

0:16:20.560 --> 0:16:24.240
<v Speaker 1>in the street riding skateboards in New York, and hip

0:16:24.240 --> 0:16:27.400
<v Speaker 1>hop hadn't reached the West Coast in that way yet.

0:16:28.040 --> 0:16:31.480
<v Speaker 1>So I'm watching all these guys breakdance and they're they're

0:16:31.480 --> 0:16:34.240
<v Speaker 1>getting together in their apartments and they're having these you know,

0:16:34.280 --> 0:16:37.080
<v Speaker 1>get together. Everybody's showing their moves and what's going on.

0:16:37.440 --> 0:16:39.840
<v Speaker 1>I remember hearing the bridges over for the first time,

0:16:40.680 --> 0:16:45.400
<v Speaker 1>you know, Boogie Down Productions, KRS one, and I'm going

0:16:45.440 --> 0:16:47.240
<v Speaker 1>back to LA and no one has a clue of

0:16:47.240 --> 0:16:50.320
<v Speaker 1>what I'm talking about, you know. So I felt like

0:16:50.880 --> 0:16:53.680
<v Speaker 1>I was on the I was on the inside of

0:16:53.680 --> 0:17:00.000
<v Speaker 1>these things that the opposite coast had no idea about. Yeah, incredible,

0:17:00.400 --> 0:17:06.320
<v Speaker 1>incredible timing, magic times, very very also in addition to

0:17:06.680 --> 0:17:09.359
<v Speaker 1>hip hop, because I was I was there at that

0:17:09.440 --> 0:17:11.760
<v Speaker 1>time too in New York. Well obviously you're you know,

0:17:11.800 --> 0:17:14.159
<v Speaker 1>you're one of the pioneers, my brother, but there was

0:17:14.200 --> 0:17:18.960
<v Speaker 1>also an incredible club dance music scene in New York

0:17:19.280 --> 0:17:25.680
<v Speaker 1>that's revolutionary, you know, like the ESG and Bush Tetras

0:17:25.680 --> 0:17:29.280
<v Speaker 1>and Conk all of the music that that, I guess

0:17:29.359 --> 0:17:33.040
<v Speaker 1>now the closest version of it in the world would

0:17:33.080 --> 0:17:35.800
<v Speaker 1>be LCD sound System. You know, they're they're sort of

0:17:35.800 --> 0:17:40.000
<v Speaker 1>in the lineage of that New York club dance music

0:17:40.680 --> 0:17:46.639
<v Speaker 1>that was so insistent and hypnotic and exciting. Yeah, and

0:17:46.720 --> 0:17:49.040
<v Speaker 1>that didn't exist anywhere else. That was a real New

0:17:49.119 --> 0:17:52.879
<v Speaker 1>York yeah vibe. And I didn't get that till later.

0:17:53.040 --> 0:17:55.200
<v Speaker 1>Like I missed that early hip hop, like that club

0:17:55.240 --> 0:17:57.399
<v Speaker 1>thing in New York. I was too young, But I

0:17:57.440 --> 0:18:00.680
<v Speaker 1>started to party in New York when I was you know, eighteen,

0:18:00.760 --> 0:18:02.960
<v Speaker 1>when I started going back to New York after high school,

0:18:03.680 --> 0:18:06.359
<v Speaker 1>and it was beginning of the house music and the

0:18:06.800 --> 0:18:09.720
<v Speaker 1>you know, the Paradise Garage and all those spots and

0:18:10.400 --> 0:18:13.560
<v Speaker 1>all those great DJs, and yeah, but I missed. I

0:18:13.600 --> 0:18:15.960
<v Speaker 1>missed that part of the of the clubbing. I was

0:18:15.960 --> 0:18:18.159
<v Speaker 1>too young. Do you remember punk Rocotole or was that

0:18:18.560 --> 0:18:24.760
<v Speaker 1>before you? My first introduction to punk was in Santa Monica,

0:18:25.000 --> 0:18:28.600
<v Speaker 1>that that sort of West Coast version of what was

0:18:28.680 --> 0:18:33.360
<v Speaker 1>going on there were like Black Flag black Flag, Circle Jerks,

0:18:34.040 --> 0:18:38.399
<v Speaker 1>Circle Jerks. There was a band that my that my

0:18:38.520 --> 0:18:42.160
<v Speaker 1>girlfriend's brother was in called Sin thirty four. But yeah,

0:18:42.160 --> 0:18:44.520
<v Speaker 1>it was that whole LA thing was Red Cross. One

0:18:44.560 --> 0:18:47.480
<v Speaker 1>of them absolutely, Red Cross had long hair and they

0:18:47.640 --> 0:18:49.879
<v Speaker 1>had more of a sixties punk rock style. They were

0:18:49.920 --> 0:18:53.480
<v Speaker 1>really cool. Yeah, they used to play, you know, on

0:18:53.520 --> 0:18:57.359
<v Speaker 1>the pier in different places in town and you know,

0:18:57.440 --> 0:19:00.639
<v Speaker 1>Santa Monica in Venice. So what else was going on

0:19:00.760 --> 0:19:03.000
<v Speaker 1>musically when you came to California? In addition to the

0:19:03.000 --> 0:19:06.439
<v Speaker 1>punk rock, they didn't have hip hop yet. Okay, So

0:19:06.480 --> 0:19:09.520
<v Speaker 1>when I got to La, Okay, I in New York City,

0:19:09.840 --> 0:19:13.720
<v Speaker 1>it was RMB, it was WBLS Frankie Crockery, so that

0:19:13.840 --> 0:19:16.520
<v Speaker 1>was R and B and funk. You know. I was

0:19:16.560 --> 0:19:19.040
<v Speaker 1>going to see things with my parents, So I knew

0:19:19.080 --> 0:19:23.000
<v Speaker 1>about blues, I knew about gospel, I knew about you know,

0:19:23.119 --> 0:19:28.159
<v Speaker 1>funk and R and B and soul. But rock was

0:19:28.280 --> 0:19:32.159
<v Speaker 1>not around me so much then and my parents weren't

0:19:32.280 --> 0:19:36.080
<v Speaker 1>so into it at that time. So I moved to LA.

0:19:36.320 --> 0:19:38.639
<v Speaker 1>I come to Santa Monica and I meet all these

0:19:38.760 --> 0:19:41.159
<v Speaker 1>kids who were skating and smoking weed and their parents

0:19:41.200 --> 0:19:44.400
<v Speaker 1>or hippies, and I hear led Zeppelin for the first time,

0:19:45.160 --> 0:19:48.440
<v Speaker 1>and I hear the Who, and I hear Cream and

0:19:48.840 --> 0:19:52.879
<v Speaker 1>you know, Hendrix and everything and that, the Doors and everybody.

0:19:53.080 --> 0:19:55.520
<v Speaker 1>That opened my head up and blew my mind. Yeah,

0:19:56.000 --> 0:20:01.240
<v Speaker 1>it's interesting that for you rock music is your music

0:20:01.440 --> 0:20:04.040
<v Speaker 1>as opposed to your parents music. Do you know what

0:20:04.080 --> 0:20:05.880
<v Speaker 1>I'm saying. It's like R and B would have been

0:20:05.920 --> 0:20:08.720
<v Speaker 1>your parents' music, and jazz of course that was in there,

0:20:08.880 --> 0:20:11.200
<v Speaker 1>that was in their wheelhouse, you know, so you grew

0:20:11.280 --> 0:20:14.320
<v Speaker 1>up always hearing that. But then when you heard I

0:20:14.359 --> 0:20:17.080
<v Speaker 1>guess hard rock music, that was sort of yeah, that

0:20:17.200 --> 0:20:20.760
<v Speaker 1>was yours. Yeah, absolutely, I discovered that on my own

0:20:21.359 --> 0:20:24.639
<v Speaker 1>with my friends, and you know that all went together,

0:20:24.760 --> 0:20:29.040
<v Speaker 1>skating and surfing and Zeppelin and smoking weed and you know,

0:20:29.600 --> 0:20:32.159
<v Speaker 1>hanging out. That was all one thing. We'll be right

0:20:32.200 --> 0:20:34.840
<v Speaker 1>back with more from Lenny Kravitz and Rick Rubin after

0:20:34.880 --> 0:20:42.400
<v Speaker 1>a quick break. We're back with Rick Rubin and Lenny Kravitz.

0:20:42.920 --> 0:20:46.320
<v Speaker 1>When did you start playing? Well, we had a piano

0:20:46.720 --> 0:20:49.040
<v Speaker 1>in New York in our apartment. We had a little

0:20:49.119 --> 0:20:53.000
<v Speaker 1>spin it upright piano in our little one bedroom apartment

0:20:53.320 --> 0:20:55.280
<v Speaker 1>that I used to bang on. And then my dad

0:20:55.320 --> 0:20:59.760
<v Speaker 1>had an acoustic guitar, a classical one with nylon strings

0:20:59.760 --> 0:21:04.240
<v Speaker 1>that my mother apparently had bought him because he sort

0:21:04.240 --> 0:21:06.639
<v Speaker 1>of expressed some interest in maybe learning how to play it,

0:21:06.680 --> 0:21:09.920
<v Speaker 1>and I think she was into the idea of being

0:21:09.960 --> 0:21:13.560
<v Speaker 1>serenaded by her husband. But he never he never quite

0:21:13.560 --> 0:21:16.800
<v Speaker 1>got it. So this guitar used to be in the

0:21:16.840 --> 0:21:19.120
<v Speaker 1>closet and I used to bring I used to take

0:21:19.160 --> 0:21:20.880
<v Speaker 1>it out when they would go out. When I had,

0:21:20.920 --> 0:21:23.399
<v Speaker 1>you know, the babysitter would come watch me, and I

0:21:23.400 --> 0:21:25.560
<v Speaker 1>would go into the closet and it was this forbidden

0:21:25.600 --> 0:21:27.800
<v Speaker 1>thing that I wasn't allowed to play with, but I

0:21:27.840 --> 0:21:31.000
<v Speaker 1>was completely attracted to it. So I started like that.

0:21:31.720 --> 0:21:34.080
<v Speaker 1>And then my father bought me my first guitar when

0:21:34.080 --> 0:21:38.040
<v Speaker 1>I was maybe eight, took me to Manny's on forty

0:21:38.080 --> 0:21:42.320
<v Speaker 1>eight Street and bought me an acoustic guitar. And that's

0:21:42.320 --> 0:21:44.080
<v Speaker 1>how I started. And then I went I went to

0:21:44.160 --> 0:21:47.240
<v Speaker 1>a I went to a summer camp upstate New York

0:21:47.880 --> 0:21:50.400
<v Speaker 1>in Roscoe, New York. It was a camp called Lincoln

0:21:50.440 --> 0:21:53.679
<v Speaker 1>Farm where kids learned how to live on a farm

0:21:53.720 --> 0:21:57.320
<v Speaker 1>and deal with animals and deal with you know, planting

0:21:57.400 --> 0:22:00.680
<v Speaker 1>and kayaking and you know, all the things you would do.

0:22:01.320 --> 0:22:04.320
<v Speaker 1>And there was a guy there who was teaching kids

0:22:04.359 --> 0:22:07.520
<v Speaker 1>how to play basic chords on guitar, and I learned

0:22:07.560 --> 0:22:10.800
<v Speaker 1>how to play you know, country roads, Take Me Home,

0:22:11.040 --> 0:22:15.000
<v Speaker 1>you know, West Virginia and all that, and learning how

0:22:15.000 --> 0:22:17.800
<v Speaker 1>to play folk songs. Then when I went to LA,

0:22:18.080 --> 0:22:20.840
<v Speaker 1>I got my first electric guitar, and my dad bought

0:22:20.840 --> 0:22:24.560
<v Speaker 1>me a Fender jazz Master like Elvis Costello. I didn't

0:22:24.600 --> 0:22:27.399
<v Speaker 1>know about Elvis Costello then, but and then I traded

0:22:27.440 --> 0:22:28.840
<v Speaker 1>it in a couple of years later for a less

0:22:28.880 --> 0:22:32.520
<v Speaker 1>Paul and that's where I started copying, you know, learning

0:22:32.520 --> 0:22:36.000
<v Speaker 1>how to play Zeppelin and Kiss and you know, Jimmy

0:22:36.080 --> 0:22:39.359
<v Speaker 1>Hendricks and trying to figure all that stuff out. And

0:22:39.400 --> 0:22:43.359
<v Speaker 1>then drums came, and then bass came after that. What

0:22:43.520 --> 0:22:45.400
<v Speaker 1>was the first band who put together or first band

0:22:45.400 --> 0:22:47.960
<v Speaker 1>who played with They weren't bands at first. They were

0:22:48.800 --> 0:22:52.439
<v Speaker 1>jam sessions. We used to have friends that we'd go

0:22:52.480 --> 0:22:55.199
<v Speaker 1>to their houses near where I grew up, most of

0:22:55.200 --> 0:22:58.920
<v Speaker 1>them in Baldwin Hills, and we would jam and we

0:22:58.960 --> 0:23:01.720
<v Speaker 1>would sit there and just calm up on two chords

0:23:01.720 --> 0:23:05.119
<v Speaker 1>for you know, five hours. Those those jam sessions in

0:23:05.200 --> 0:23:08.000
<v Speaker 1>Baldwin Hills were like funk jam sessions. We're learning how

0:23:08.000 --> 0:23:12.480
<v Speaker 1>to play Rick James and the Gap Band and you know,

0:23:12.560 --> 0:23:14.879
<v Speaker 1>earth Wind and Fire and all that. And then I

0:23:14.920 --> 0:23:17.720
<v Speaker 1>would jam with my friends in Santa Monica and we'd

0:23:17.720 --> 0:23:20.760
<v Speaker 1>be playing the rock stuff, you know. Yeah, so I

0:23:20.800 --> 0:23:23.959
<v Speaker 1>had two group of friends learning again. Everything was always

0:23:24.000 --> 0:23:27.200
<v Speaker 1>like that. It was the yin and the yang, the contrast,

0:23:27.760 --> 0:23:29.879
<v Speaker 1>and then I slowly figured out how to put it

0:23:29.920 --> 0:23:33.320
<v Speaker 1>all together because I loved both sides. I remember going

0:23:33.320 --> 0:23:35.439
<v Speaker 1>to your house in Baldwin Hills. You went to my

0:23:35.480 --> 0:23:41.000
<v Speaker 1>mom's house, absolutely okay. And it's interesting too bringing up that,

0:23:41.119 --> 0:23:45.120
<v Speaker 1>like Funk, Funk wasn't so big in New York, but

0:23:45.280 --> 0:23:49.760
<v Speaker 1>Funk was really big in California. So it's it's interesting

0:23:49.760 --> 0:23:52.280
<v Speaker 1>that you got to be in that world. The fact

0:23:52.280 --> 0:23:54.120
<v Speaker 1>that you moved around the way you did really did

0:23:54.160 --> 0:23:59.720
<v Speaker 1>expose you to completely different experiences culturally and musically, and

0:23:59.760 --> 0:24:03.280
<v Speaker 1>it's almost like you lived multiple lives, even in even

0:24:03.359 --> 0:24:06.560
<v Speaker 1>just going from Baldwin Hills to Santa Monica. In those

0:24:06.600 --> 0:24:09.920
<v Speaker 1>two worlds, it's like most of the kids in each

0:24:09.960 --> 0:24:13.359
<v Speaker 1>of those places only played in that one play, and

0:24:13.440 --> 0:24:18.040
<v Speaker 1>you got to experience school. School was extremely clicky, like

0:24:18.359 --> 0:24:22.199
<v Speaker 1>at John Adams the surfer skater kids sat in one area,

0:24:22.440 --> 0:24:24.959
<v Speaker 1>you know when outside, you know, for lunch and whatever.

0:24:25.440 --> 0:24:29.560
<v Speaker 1>The black kids were in one area. The Dungeons and

0:24:29.640 --> 0:24:32.200
<v Speaker 1>Dragons kids are in hanging out in one group. And

0:24:32.240 --> 0:24:36.000
<v Speaker 1>then you had the Mexican kids, which a lot of

0:24:36.000 --> 0:24:38.280
<v Speaker 1>them came from Venice, and you had them and it

0:24:38.320 --> 0:24:41.360
<v Speaker 1>was the whole V thirteen thing. And you know, then

0:24:41.400 --> 0:24:44.280
<v Speaker 1>you had like, we even had guys that were like truckers.

0:24:44.320 --> 0:24:46.600
<v Speaker 1>I don't even know how that happened, but guys who

0:24:46.600 --> 0:24:49.920
<v Speaker 1>would wear like Peter Built hats and t shirts and

0:24:49.920 --> 0:24:53.480
<v Speaker 1>they were into trucks. I mean, it was just all

0:24:53.520 --> 0:24:55.760
<v Speaker 1>these groups of people. And then you had the musicians

0:24:55.840 --> 0:24:58.679
<v Speaker 1>and the rock guys and then this guy's It was

0:24:59.160 --> 0:25:01.800
<v Speaker 1>very clicky. And I had a really hard time figuring

0:25:01.800 --> 0:25:04.000
<v Speaker 1>out who I was going to hang out with, because

0:25:04.040 --> 0:25:05.920
<v Speaker 1>I dug them all. So I did that. I hung

0:25:05.920 --> 0:25:08.520
<v Speaker 1>out with everybody. Do you remember any music shows that

0:25:08.560 --> 0:25:11.479
<v Speaker 1>you got to see concerts or performances once you got

0:25:11.520 --> 0:25:15.000
<v Speaker 1>to la that as a kid that really like caught you.

0:25:15.800 --> 0:25:19.360
<v Speaker 1>The first one was Earthwit and Fire, Incredible seventy five

0:25:19.480 --> 0:25:22.959
<v Speaker 1>went to the Forum. My godmother had tickets. I mean,

0:25:23.000 --> 0:25:25.200
<v Speaker 1>I knew Shining Star. I knew like I'd heard a

0:25:25.280 --> 0:25:28.280
<v Speaker 1>couple of tunes, but I wasn't into them. Went to

0:25:28.359 --> 0:25:31.760
<v Speaker 1>the Forum to go see them and changed my life. So, uh,

0:25:32.200 --> 0:25:33.800
<v Speaker 1>that was my first show. And then we used to

0:25:33.840 --> 0:25:36.879
<v Speaker 1>go see a lot of jazz concerts in LA. I

0:25:36.920 --> 0:25:39.679
<v Speaker 1>remember going to see going to Playboy Jazz. My parents

0:25:39.840 --> 0:25:41.480
<v Speaker 1>used to take me every year to the Playboy Jazz

0:25:41.520 --> 0:25:45.320
<v Speaker 1>Festival at the Hollywood Bowl and I, you know, we'd

0:25:45.320 --> 0:25:48.119
<v Speaker 1>go see all their friends from Miles to Sarah to

0:25:49.320 --> 0:25:51.879
<v Speaker 1>you know, Count Basie and you know everybody. It was.

0:25:52.960 --> 0:25:57.200
<v Speaker 1>I remember seeing Weather Report, getting to getting to hang

0:25:57.240 --> 0:26:01.480
<v Speaker 1>around with those jazz legends because they were frenzy your parents.

0:26:01.840 --> 0:26:04.119
<v Speaker 1>What was it like being a kid being around most people?

0:26:04.119 --> 0:26:06.280
<v Speaker 1>Could you tell they were different? And if they were,

0:26:06.359 --> 0:26:09.720
<v Speaker 1>how were they different? See, that's the thing. The first

0:26:09.720 --> 0:26:13.359
<v Speaker 1>person I met was Duke Ellington and I'm like five,

0:26:13.600 --> 0:26:16.560
<v Speaker 1>so I don't know anything, but they took me to

0:26:16.680 --> 0:26:20.120
<v Speaker 1>sound check because it was my birthday. My fifth birthday

0:26:20.320 --> 0:26:23.840
<v Speaker 1>was a Duke Ellington concert at the Rainbow Room and

0:26:24.320 --> 0:26:26.520
<v Speaker 1>they wanted to see him before the show sound check.

0:26:27.040 --> 0:26:29.200
<v Speaker 1>They sent me on his lap and I remember him

0:26:29.240 --> 0:26:31.400
<v Speaker 1>just being he had a white suit on head to

0:26:31.400 --> 0:26:34.760
<v Speaker 1>toe and his hair was greased back. It was like

0:26:34.840 --> 0:26:40.840
<v Speaker 1>salt and pepper, mostly mostly white, really elegant, soft spoken cat.

0:26:41.359 --> 0:26:43.320
<v Speaker 1>And I just loved the fact that I was sitting

0:26:43.880 --> 0:26:47.040
<v Speaker 1>there while this guy played piano and I misremember the

0:26:47.440 --> 0:26:51.480
<v Speaker 1>energy coming off of that piano. And then during the show,

0:26:51.920 --> 0:26:55.119
<v Speaker 1>the Duke Ellington Orchestra plays Happy Birthday for Me Wow,

0:26:55.640 --> 0:27:01.640
<v Speaker 1>and his lead saxophonist, Paul all Gonzalvez was his name

0:27:02.520 --> 0:27:05.119
<v Speaker 1>comes up to me right in my face, playing the

0:27:05.160 --> 0:27:08.639
<v Speaker 1>melody to Happy Birthday, right while the orchestra's playing, you

0:27:08.680 --> 0:27:13.119
<v Speaker 1>know the arrangement. And I didn't realize until I was

0:27:13.160 --> 0:27:17.240
<v Speaker 1>probably thirteen, who Duke Ellington really was. I mean the

0:27:17.280 --> 0:27:22.240
<v Speaker 1>American songbook, you know, the compositions, And it was the

0:27:22.280 --> 0:27:26.520
<v Speaker 1>same for Miles. Miles was this really dark. When I

0:27:26.560 --> 0:27:30.320
<v Speaker 1>say dark, I don't mean dark evil dark, just dark,

0:27:30.600 --> 0:27:35.520
<v Speaker 1>interesting character. And he'd be around us because he was.

0:27:35.640 --> 0:27:38.439
<v Speaker 1>He was around me my whole life because he was

0:27:38.480 --> 0:27:41.479
<v Speaker 1>married to my godmother, Cecily Tyson, and she and my

0:27:41.520 --> 0:27:45.080
<v Speaker 1>mother were like sisters. So I was around Miles my

0:27:45.119 --> 0:27:47.399
<v Speaker 1>whole life and he was just this character, and I

0:27:47.480 --> 0:27:52.120
<v Speaker 1>knew he was magical, and I could feel that energy. Yeah,

0:27:52.240 --> 0:27:54.440
<v Speaker 1>but again, not until I became a teenager did I

0:27:54.520 --> 0:27:57.199
<v Speaker 1>understand who Miles Davis was. And we're going to the

0:27:57.280 --> 0:27:59.360
<v Speaker 1>you know, I remember that was during the time when

0:27:59.359 --> 0:28:01.119
<v Speaker 1>he was turning his back to the audience and he

0:28:01.119 --> 0:28:03.840
<v Speaker 1>would just play with his back to the audience because

0:28:03.840 --> 0:28:06.520
<v Speaker 1>he liked the way it sounded. And it was also

0:28:07.200 --> 0:28:10.159
<v Speaker 1>you know, a motherfucker of a move too, you know.

0:28:10.960 --> 0:28:14.640
<v Speaker 1>But I think the beauty of my childhood and those

0:28:14.680 --> 0:28:17.760
<v Speaker 1>experiences were the fact that I did not understand who

0:28:17.760 --> 0:28:21.280
<v Speaker 1>these people were. Yeah. Of course, when your kid, it's

0:28:21.320 --> 0:28:24.919
<v Speaker 1>like you go into every situation open, you know, you

0:28:24.920 --> 0:28:28.320
<v Speaker 1>don't have, yes, you don't have a backstory to compare

0:28:28.359 --> 0:28:31.680
<v Speaker 1>things to, and you're just experiencing the world and it's

0:28:31.840 --> 0:28:34.159
<v Speaker 1>you know, anything we can do to maintain that state

0:28:34.560 --> 0:28:36.800
<v Speaker 1>as long as possible or tap back into it as

0:28:36.880 --> 0:28:41.120
<v Speaker 1>much as possible, keeps you alive and able to move

0:28:41.200 --> 0:28:45.240
<v Speaker 1>forward and grow. Yes, And then it's beautiful to have

0:28:45.320 --> 0:28:48.080
<v Speaker 1>been around them, to know them as human beings and

0:28:48.120 --> 0:28:53.960
<v Speaker 1>then say, oh shite, he's like, oh my god, this

0:28:53.960 --> 0:28:57.280
<v Speaker 1>guy had been around is like an alien, you know,

0:28:58.720 --> 0:29:02.960
<v Speaker 1>just the most incredible you know. So I'm glad that

0:29:03.000 --> 0:29:05.760
<v Speaker 1>it happened that way, you know, and there was nothing

0:29:05.800 --> 0:29:10.280
<v Speaker 1>about fame or stardom or it was just like these

0:29:10.280 --> 0:29:14.000
<v Speaker 1>were artists, you know. Yeah. So another another part of

0:29:14.000 --> 0:29:17.280
<v Speaker 1>it that's interesting is the more you spend time around

0:29:17.280 --> 0:29:21.040
<v Speaker 1>people like that. Yes, you can look back and step

0:29:21.040 --> 0:29:24.000
<v Speaker 1>away and think about how incredible they are and that

0:29:24.040 --> 0:29:25.840
<v Speaker 1>they're aliens and you can't believe it and they're the

0:29:25.840 --> 0:29:28.720
<v Speaker 1>greatest of all time, right, But then also you realize

0:29:29.440 --> 0:29:32.440
<v Speaker 1>they're just people too, you know, they really are just people.

0:29:32.440 --> 0:29:35.479
<v Speaker 1>They're just regular people. They may be good at what

0:29:35.520 --> 0:29:40.520
<v Speaker 1>they do, but they are regular people and everyone has

0:29:40.680 --> 0:29:43.720
<v Speaker 1>that in them. You know, everyone has that, So it's

0:29:43.800 --> 0:29:48.400
<v Speaker 1>not it's not we all absolutely everybody's. Everybody has a

0:29:48.480 --> 0:29:51.840
<v Speaker 1>unique gift, absolutely, and it's just for finding it into

0:29:51.960 --> 0:29:55.400
<v Speaker 1>it exactly. And my mother was always really good at

0:29:56.040 --> 0:30:01.360
<v Speaker 1>explain teaching me that through example by example, because she was,

0:30:01.520 --> 0:30:05.200
<v Speaker 1>you know, in her own right, extremely famous. During that time,

0:30:05.840 --> 0:30:10.680
<v Speaker 1>The Jeffersons was a cultural phenomena. You know, eleven seasons

0:30:10.720 --> 0:30:15.480
<v Speaker 1>of this historical TV show, the first interracial couple on

0:30:15.560 --> 0:30:19.880
<v Speaker 1>primetime television, the first interracial kiss, and you know, the

0:30:19.880 --> 0:30:24.800
<v Speaker 1>show was groundbreaking. But during this time where she was

0:30:24.960 --> 0:30:30.120
<v Speaker 1>experiencing this new level of fame, because fame in the

0:30:30.120 --> 0:30:33.120
<v Speaker 1>theater world in New York is a different it's a

0:30:33.160 --> 0:30:36.200
<v Speaker 1>whole different thing. It's about artistry, and if you know,

0:30:36.360 --> 0:30:38.080
<v Speaker 1>you know. But if you don't know, you don't know.

0:30:38.560 --> 0:30:42.760
<v Speaker 1>If you're not a theatergoer, you know. And all of

0:30:42.800 --> 0:30:47.640
<v Speaker 1>a sudden, she became extremely famous, very fast. She was

0:30:47.680 --> 0:30:52.200
<v Speaker 1>already a grown woman, knew who she was, and was

0:30:52.320 --> 0:30:56.480
<v Speaker 1>so humble and kept her feet on the ground. I mean,

0:30:56.520 --> 0:30:59.160
<v Speaker 1>my mother during the height of her fame, we have

0:30:59.280 --> 0:31:01.640
<v Speaker 1>no made we have no housekeepers, we have no assistance,

0:31:01.680 --> 0:31:07.440
<v Speaker 1>there's no nothing. It's us. We're living together as a family,

0:31:07.720 --> 0:31:10.400
<v Speaker 1>and we're taking care of our house. Saturday morning, my

0:31:10.440 --> 0:31:14.520
<v Speaker 1>mother is scrubbing the toilet in her bathroom, scrubbing the floor,

0:31:14.560 --> 0:31:18.040
<v Speaker 1>cleaning the house. I'm cleaning the house, I'm ironing, I'm vacuuming,

0:31:18.040 --> 0:31:21.320
<v Speaker 1>I'm doing the laundry, I'm washing the cars. When you know,

0:31:21.880 --> 0:31:24.680
<v Speaker 1>that's the way I grew up, and she was all

0:31:24.800 --> 0:31:28.360
<v Speaker 1>She would always tell me, that's my job, it's my craft.

0:31:28.840 --> 0:31:30.880
<v Speaker 1>But that's not just who I am, and that's not

0:31:30.920 --> 0:31:33.600
<v Speaker 1>the only thing that defines me. I'm a person and

0:31:33.960 --> 0:31:36.920
<v Speaker 1>She kept it real her entire life, and I'm so

0:31:37.000 --> 0:31:40.680
<v Speaker 1>fortunate that. And I didn't understand it then, because you know,

0:31:40.720 --> 0:31:44.520
<v Speaker 1>you're becoming fifteen and sixteen, and you know, my mom's

0:31:44.560 --> 0:31:49.800
<v Speaker 1>driving Oldsmobile Cutless Supreme, and you know, I'm like, where's

0:31:50.000 --> 0:31:54.120
<v Speaker 1>where's the roles, where's the Mercedes? Like what's going on here?

0:31:54.160 --> 0:31:55.960
<v Speaker 1>You're on you're you're you're on the number one show

0:31:56.000 --> 0:31:58.440
<v Speaker 1>in the country, and and she was like, I don't.

0:31:58.480 --> 0:32:00.360
<v Speaker 1>I don't need that. I don't I don't require her that.

0:32:00.400 --> 0:32:02.239
<v Speaker 1>I don't. You know, it just wasn't her thing, and

0:32:02.960 --> 0:32:05.280
<v Speaker 1>she just kept it so real. And by the time

0:32:06.120 --> 0:32:08.920
<v Speaker 1>I released my first album when I was twenty four,

0:32:09.800 --> 0:32:12.400
<v Speaker 1>I had that in me. I had that base. You know.

0:32:12.960 --> 0:32:15.520
<v Speaker 1>I'd be on tour, come home from a you know,

0:32:15.760 --> 0:32:19.840
<v Speaker 1>sell out world tour, and uh, I'd come visit her

0:32:19.880 --> 0:32:22.880
<v Speaker 1>and she'd be like, all right, I needed to take

0:32:22.880 --> 0:32:24.560
<v Speaker 1>out the trash and do this and do that and

0:32:24.600 --> 0:32:28.000
<v Speaker 1>do this and that. And it was wonderful, you know,

0:32:28.120 --> 0:32:30.520
<v Speaker 1>because people are kissing your ass all over the planet

0:32:31.240 --> 0:32:35.840
<v Speaker 1>and you come home and it's like reality, no, and

0:32:35.880 --> 0:32:39.120
<v Speaker 1>I'm just and I'm just so thankful for that. All

0:32:39.240 --> 0:32:42.960
<v Speaker 1>all of that stuff kept me on the ground. Yeah,

0:32:43.000 --> 0:32:45.520
<v Speaker 1>what was it like for you having a mom who

0:32:45.600 --> 0:32:48.280
<v Speaker 1>was so famous. Well, that was weird because I was

0:32:48.320 --> 0:32:50.360
<v Speaker 1>not used to that. I mean, we were we lived

0:32:50.360 --> 0:32:53.600
<v Speaker 1>our life lives as New Yorkers and you and especially

0:32:53.640 --> 0:32:55.719
<v Speaker 1>you know, because we lived off a Fifth Avenue. So

0:32:55.800 --> 0:32:57.719
<v Speaker 1>of course along Fifth Avenue you have a lot of

0:32:58.120 --> 0:33:01.800
<v Speaker 1>rich folks that live in gigantic apartments, you know, pre

0:33:01.920 --> 0:33:06.640
<v Speaker 1>war buildings, and so in New York City, if you

0:33:06.680 --> 0:33:09.520
<v Speaker 1>were poor, if you were middle class, if you were

0:33:09.520 --> 0:33:12.960
<v Speaker 1>extremely rich, you still took the bus. But that was

0:33:13.040 --> 0:33:15.640
<v Speaker 1>New York life. You take the bus if you try

0:33:15.680 --> 0:33:18.720
<v Speaker 1>to go down Fifth Avenue. So we moved around New

0:33:18.800 --> 0:33:21.560
<v Speaker 1>York City. You know, no one ever came up to

0:33:21.600 --> 0:33:25.400
<v Speaker 1>my mother, or very few people. Once we got to

0:33:25.520 --> 0:33:27.520
<v Speaker 1>La and the Jefferson's broke, you know, all of a sudden,

0:33:27.520 --> 0:33:31.560
<v Speaker 1>we're in Lucky Supermarket on Lincoln Boulevard, you know, and

0:33:31.640 --> 0:33:35.880
<v Speaker 1>Pico and people are chasing my mother down the aisle

0:33:35.920 --> 0:33:39.040
<v Speaker 1>while we're trying to buy groceries and people are freaking

0:33:39.120 --> 0:33:41.800
<v Speaker 1>out and you know, autographs and it was just it

0:33:41.840 --> 0:33:43.320
<v Speaker 1>was it was just a new thing, and she was

0:33:43.360 --> 0:33:46.760
<v Speaker 1>really gracious about it. She was so good about it

0:33:46.800 --> 0:33:49.320
<v Speaker 1>and took her time to deal with the people because

0:33:49.360 --> 0:33:53.720
<v Speaker 1>she knew that these people were making her life. Yeah,

0:33:53.760 --> 0:33:57.000
<v Speaker 1>you know, and you know, if they're not watching those

0:33:57.080 --> 0:34:01.800
<v Speaker 1>Nielsen ratings aren't going anywhere, you know. But it was odd.

0:34:01.840 --> 0:34:05.320
<v Speaker 1>It was odd for a while too, like whoa people

0:34:05.480 --> 0:34:08.080
<v Speaker 1>like coming into your space and freaking out, you know,

0:34:08.440 --> 0:34:11.680
<v Speaker 1>I imagine, tell me about the first album? How did you?

0:34:12.400 --> 0:34:15.440
<v Speaker 1>How did the first album come to be? At that time,

0:34:15.560 --> 0:34:18.880
<v Speaker 1>I was hustling. I was trying to play, you know,

0:34:19.320 --> 0:34:22.360
<v Speaker 1>do studio work, which was sparse for me because I

0:34:22.440 --> 0:34:26.200
<v Speaker 1>wasn't known. Then I found a gig that was pretty good.

0:34:26.239 --> 0:34:28.719
<v Speaker 1>I would make demos for people if you if you

0:34:28.800 --> 0:34:31.560
<v Speaker 1>had a song and you needed it produced and you

0:34:31.840 --> 0:34:34.560
<v Speaker 1>needed a demo, you'd bring it to me. I'll play

0:34:34.560 --> 0:34:37.440
<v Speaker 1>all the instruments, I'll arrange it, I'll put it together

0:34:37.480 --> 0:34:40.319
<v Speaker 1>for you and then you you know, i'll produce your

0:34:40.400 --> 0:34:42.440
<v Speaker 1>vocal and do and okay, you got a demo, you

0:34:42.440 --> 0:34:44.960
<v Speaker 1>can go. So I used to do that. I played

0:34:44.960 --> 0:34:48.200
<v Speaker 1>behind other people in bands that were trying to make

0:34:48.239 --> 0:34:52.960
<v Speaker 1>it guitar player, bass player, drummer or whatever. And then

0:34:54.040 --> 0:34:57.520
<v Speaker 1>I realized that I needed to make my own expression,

0:34:57.840 --> 0:35:00.360
<v Speaker 1>but I didn't know what it was. I started trying,

0:35:01.200 --> 0:35:05.000
<v Speaker 1>but it was labored and it didn't feel right yet.

0:35:05.040 --> 0:35:08.359
<v Speaker 1>But I was searching. And then during the time when

0:35:09.040 --> 0:35:13.600
<v Speaker 1>Lisa and I got together, we were having just an incredible,

0:35:13.640 --> 0:35:20.280
<v Speaker 1>incredible relationship and a lot of magic and supernatural vibes

0:35:20.320 --> 0:35:26.560
<v Speaker 1>around us and love, creativity. And I moved into her

0:35:26.960 --> 0:35:30.560
<v Speaker 1>house in Venice at that time, and I put all

0:35:30.560 --> 0:35:33.480
<v Speaker 1>my instruments in a room and just all came to me.

0:35:33.960 --> 0:35:39.319
<v Speaker 1>Those songs started downloading, and it was from all my

0:35:39.400 --> 0:35:43.120
<v Speaker 1>experiences that I had before that, everybody that I'd seen,

0:35:43.160 --> 0:35:46.359
<v Speaker 1>everybody I'd heard, all the life that I'd lived, and

0:35:46.400 --> 0:35:50.760
<v Speaker 1>then it was our life and our love that opened

0:35:50.840 --> 0:35:54.399
<v Speaker 1>up that portal beautiful and let love rules spilled out.

0:35:54.440 --> 0:35:57.440
<v Speaker 1>I had no idea what style I was going to do,

0:35:57.480 --> 0:35:59.800
<v Speaker 1>what it was going to be, no idea, but it

0:36:00.040 --> 0:36:05.920
<v Speaker 1>started coming and coming. And then I borrowed money from

0:36:05.920 --> 0:36:09.719
<v Speaker 1>my dad, which he was good enough to lend me

0:36:10.239 --> 0:36:13.480
<v Speaker 1>to go into the studio to try to get this

0:36:13.520 --> 0:36:17.040
<v Speaker 1>stuff out of me, and I did. I went back

0:36:17.080 --> 0:36:19.440
<v Speaker 1>to New York, watch it did New Jersey to Hoboken

0:36:20.200 --> 0:36:23.400
<v Speaker 1>and hired Henry Hirsch, who became my longtime engineer for

0:36:23.440 --> 0:36:26.840
<v Speaker 1>many years, because when I was working with him earlier,

0:36:27.320 --> 0:36:31.400
<v Speaker 1>we realized that we had very similar tastes to music

0:36:31.480 --> 0:36:36.400
<v Speaker 1>and also to recordings and recording techniques. Went worked with

0:36:36.480 --> 0:36:40.320
<v Speaker 1>him put this stuff down. Wanted to hire a band

0:36:40.880 --> 0:36:43.360
<v Speaker 1>because I wanted a band experience. I wanted to be

0:36:43.400 --> 0:36:46.799
<v Speaker 1>in the studio like the documentaries I'd seen on all

0:36:46.840 --> 0:36:50.239
<v Speaker 1>the great bands, the Stones and the Beatles and everybody,

0:36:50.239 --> 0:36:53.960
<v Speaker 1>and you know, I wanted to have fun. I wanted

0:36:54.040 --> 0:36:55.799
<v Speaker 1>people there, and I wanted it to be this hang

0:36:55.960 --> 0:36:58.360
<v Speaker 1>and you're gonna have girls around and you're gonna be

0:36:58.360 --> 0:37:01.319
<v Speaker 1>doing you know. And I didn't have the money to

0:37:01.480 --> 0:37:05.960
<v Speaker 1>hire musicians, and the guys that would play for very

0:37:06.040 --> 0:37:10.680
<v Speaker 1>cheap weren't cutting it. So Henry said to me, I

0:37:10.760 --> 0:37:13.640
<v Speaker 1>heard you play keyboards, I heard you play drums, I

0:37:13.640 --> 0:37:16.160
<v Speaker 1>heard you play bass, I heard you play guitar. Just

0:37:16.280 --> 0:37:19.120
<v Speaker 1>do it, you know, do it like you know Stevie

0:37:19.120 --> 0:37:22.520
<v Speaker 1>Wonder and Paul McCartney and Prince and just just do it.

0:37:23.040 --> 0:37:25.040
<v Speaker 1>I thought, well, that's gonna be boring. I want to

0:37:25.040 --> 0:37:27.560
<v Speaker 1>be around people. I want to have this this vibe.

0:37:27.960 --> 0:37:30.600
<v Speaker 1>But I had no choice, so I said, all right,

0:37:30.640 --> 0:37:33.360
<v Speaker 1>I'll do it. And it's funny because I was so

0:37:33.440 --> 0:37:37.919
<v Speaker 1>influenced and educated by people like Stevie Wonder and Paul

0:37:38.000 --> 0:37:41.840
<v Speaker 1>McCartney and Prince and you got guys like Todd Rundgren

0:37:41.960 --> 0:37:44.960
<v Speaker 1>and you know who were one man bands. But I

0:37:45.040 --> 0:37:47.839
<v Speaker 1>never thought of it. And once I started doing it,

0:37:48.000 --> 0:37:50.040
<v Speaker 1>that was it. I fell into a hole, man, that

0:37:50.200 --> 0:37:54.279
<v Speaker 1>was it became my sound. I had no idea. By

0:37:54.280 --> 0:37:56.120
<v Speaker 1>the way, I never knew that you played everything on

0:37:56.160 --> 0:37:59.000
<v Speaker 1>that record. I never knew that until now, what would

0:37:59.000 --> 0:38:01.400
<v Speaker 1>be the order of events to put down a song

0:38:01.800 --> 0:38:05.960
<v Speaker 1>when you're playing everything yourself. I'd start with drums, which

0:38:06.600 --> 0:38:10.400
<v Speaker 1>was challenging because I'm singing the song in my head

0:38:10.920 --> 0:38:16.439
<v Speaker 1>with the arrangement while I'm playing the drum track. So okay, shit,

0:38:16.719 --> 0:38:19.319
<v Speaker 1>oh wait a minute, Am I on the second verse?

0:38:19.360 --> 0:38:22.399
<v Speaker 1>Like you had to really know where the hell you were? Okay,

0:38:22.440 --> 0:38:24.960
<v Speaker 1>now I'm on the bridge. Now I'm on the outro,

0:38:25.280 --> 0:38:27.960
<v Speaker 1>and and I would just sing the song in my head,

0:38:28.280 --> 0:38:34.440
<v Speaker 1>or Henry would play piano or Offender Rhodes or something

0:38:35.080 --> 0:38:38.600
<v Speaker 1>and keep me. I teach him the arrangement, and now

0:38:38.680 --> 0:38:40.839
<v Speaker 1>I had somebody to play too, to actually groove with.

0:38:41.600 --> 0:38:44.919
<v Speaker 1>And then we would take that part off or keep

0:38:44.960 --> 0:38:48.520
<v Speaker 1>it in a couple of instances, and then build on

0:38:48.560 --> 0:38:51.000
<v Speaker 1>top of that. And then after I would normally have

0:38:51.040 --> 0:38:55.480
<v Speaker 1>a drum, then I would do the guitar and get

0:38:55.560 --> 0:38:58.359
<v Speaker 1>the chords and the rhythm, and then bass and then

0:38:58.440 --> 0:39:01.120
<v Speaker 1>keyboards and then whatever else. Then if I was doing

0:39:01.120 --> 0:39:04.400
<v Speaker 1>an orchestration, you know, I'd bring in the string players

0:39:04.600 --> 0:39:07.279
<v Speaker 1>or whatever, and you know, just keep building on top.

0:39:07.600 --> 0:39:12.040
<v Speaker 1>And then since the first album, you really haven't stopped. No,

0:39:12.360 --> 0:39:15.840
<v Speaker 1>how many albums have you made. I don't know, twelve, wow,

0:39:16.000 --> 0:39:19.600
<v Speaker 1>thirteen twelve? Yeah, and you've done at least at least

0:39:19.640 --> 0:39:22.440
<v Speaker 1>one world tour for every one of those albums, I imagine.

0:39:22.480 --> 0:39:25.239
<v Speaker 1>Oh no, absolutely. The reason that the albums were two

0:39:25.320 --> 0:39:27.080
<v Speaker 1>or you know, most of them were three years apart,

0:39:27.440 --> 0:39:31.239
<v Speaker 1>sometimes four. You know, I tour a lot, and I

0:39:31.239 --> 0:39:33.759
<v Speaker 1>would go around the world and I would tour for

0:39:34.120 --> 0:39:37.040
<v Speaker 1>two years, you know, and then I have to chill

0:39:37.080 --> 0:39:39.799
<v Speaker 1>and I have to feel myself and see what's going

0:39:39.840 --> 0:39:42.120
<v Speaker 1>on inside of me, and you know, before I can

0:39:42.160 --> 0:39:44.719
<v Speaker 1>do another record. But yeah, I have not stopped. I

0:39:44.760 --> 0:39:47.200
<v Speaker 1>have I have two albums in the can right now.

0:39:47.800 --> 0:39:49.680
<v Speaker 1>What's the most fun part of the process for you?

0:39:49.719 --> 0:39:54.120
<v Speaker 1>Would you say recording, man, I love the studio. I

0:39:54.200 --> 0:39:56.600
<v Speaker 1>still love the studio as much as I did when

0:39:56.680 --> 0:39:59.360
<v Speaker 1>I was a kid. I remember going to recording studios

0:40:00.040 --> 0:40:02.359
<v Speaker 1>I was a young teenager with my dad in LA

0:40:02.440 --> 0:40:05.560
<v Speaker 1>when he was producing folks and trying to do things

0:40:05.560 --> 0:40:08.439
<v Speaker 1>in the music business. Just the magic of walking into

0:40:08.480 --> 0:40:13.799
<v Speaker 1>this space where music is made with the console and

0:40:13.840 --> 0:40:16.040
<v Speaker 1>the instruments and the equipment and the producer and the

0:40:16.120 --> 0:40:18.719
<v Speaker 1>arrangers and you know, all these folks that used to

0:40:18.719 --> 0:40:20.960
<v Speaker 1>hang out back in the day. And I still have

0:40:21.080 --> 0:40:24.760
<v Speaker 1>that feeling when I walk into my own studio because

0:40:24.800 --> 0:40:29.480
<v Speaker 1>it's a place where magic happens, and you don't know

0:40:29.520 --> 0:40:31.680
<v Speaker 1>what it's going to be. You don't know when it's

0:40:31.680 --> 0:40:34.200
<v Speaker 1>gonna come, you don't know how it's going to be

0:40:34.239 --> 0:40:35.759
<v Speaker 1>until you finish it. Even if you have it in

0:40:35.760 --> 0:40:38.840
<v Speaker 1>your head, A lot of times it comes out different

0:40:39.080 --> 0:40:43.919
<v Speaker 1>differently then you had imagined it. And I love that

0:40:44.880 --> 0:40:49.319
<v Speaker 1>process of painting with music and not knowing what you've

0:40:49.320 --> 0:40:54.480
<v Speaker 1>got until it's done, and there are always surprises, there

0:40:54.480 --> 0:40:57.719
<v Speaker 1>are always challenges. As you know. I love being in

0:40:57.760 --> 0:40:59.759
<v Speaker 1>the studio. I can be in here day and night

0:41:00.560 --> 0:41:03.440
<v Speaker 1>and I'm not I don't get tired of it. I've

0:41:03.480 --> 0:41:07.680
<v Speaker 1>been doing this now professionally for thirty one years, and

0:41:07.760 --> 0:41:09.879
<v Speaker 1>I was in studios hanging out, you know, during my

0:41:10.520 --> 0:41:15.920
<v Speaker 1>mid to late teens. Not jaded, beautiful. And there's something

0:41:15.960 --> 0:41:18.920
<v Speaker 1>also about being able to play all the instruments so

0:41:18.960 --> 0:41:22.160
<v Speaker 1>I can come in here, you know, by myself essentially,

0:41:22.200 --> 0:41:25.640
<v Speaker 1>and I can I can make something. There's something very

0:41:25.680 --> 0:41:28.759
<v Speaker 1>satisfying about that as well. We're gonna take a quick

0:41:28.760 --> 0:41:31.680
<v Speaker 1>break and then we'll be back with more from Lenny Kravitz.

0:41:36.200 --> 0:41:40.280
<v Speaker 1>We're back with Rick Rubin and Lenny Kravitz. You've started

0:41:40.440 --> 0:41:44.080
<v Speaker 1>doing creative work beyond music. What's the first thing you

0:41:44.120 --> 0:41:47.839
<v Speaker 1>got to do outside of music? Design? That was my

0:41:47.920 --> 0:41:51.600
<v Speaker 1>first thing. I didn't I didn't even see that really coming.

0:41:51.640 --> 0:41:57.120
<v Speaker 1>But it started by just designing my own places and working,

0:41:57.160 --> 0:42:02.040
<v Speaker 1>you know, working on furniture and interiors, which was which

0:42:02.080 --> 0:42:05.480
<v Speaker 1>came because again not having any bread in the beginning

0:42:05.760 --> 0:42:09.399
<v Speaker 1>when I lived in Soho, before Soho was all chic

0:42:09.440 --> 0:42:12.360
<v Speaker 1>and all living on Broom Street, I used to go

0:42:12.400 --> 0:42:16.120
<v Speaker 1>out and take the furniture that people have put on

0:42:16.160 --> 0:42:18.920
<v Speaker 1>the side of the street for garbage, and I used

0:42:18.920 --> 0:42:22.080
<v Speaker 1>to take it and fix it or change it. Or

0:42:22.120 --> 0:42:25.040
<v Speaker 1>you know, recover it or And it kind of started

0:42:25.080 --> 0:42:28.640
<v Speaker 1>like that when I did my first loft on Broom

0:42:28.680 --> 0:42:30.399
<v Speaker 1>Street back in the day when I was making Let

0:42:30.400 --> 0:42:35.080
<v Speaker 1>Love Rule. And you know, I've always been into design

0:42:35.239 --> 0:42:38.799
<v Speaker 1>as you have been. I mean I remember walking into

0:42:38.840 --> 0:42:41.920
<v Speaker 1>your house for the first time on Miller and I

0:42:42.040 --> 0:42:44.600
<v Speaker 1>was I was like, man, this guy, this guy's got

0:42:44.680 --> 0:42:49.279
<v Speaker 1>some taste. I mean, you such such beautiful place and

0:42:49.760 --> 0:42:53.560
<v Speaker 1>concepts and the way you put things together, so I

0:42:53.600 --> 0:42:56.520
<v Speaker 1>mean your designer as well, bro. But um, then I

0:42:56.640 --> 0:43:00.600
<v Speaker 1>ended up you know, buying places, fixing them up, selling them,

0:43:00.640 --> 0:43:03.640
<v Speaker 1>buying them, fixing it, selling it up. And then I

0:43:03.640 --> 0:43:05.279
<v Speaker 1>got to the point where it just got ridiculous. I

0:43:05.320 --> 0:43:08.040
<v Speaker 1>was like, I can't keep doing this. So I started

0:43:08.040 --> 0:43:09.800
<v Speaker 1>a company where I could do it for other people.

0:43:10.280 --> 0:43:13.720
<v Speaker 1>So I started Kravitz Design and it's been really great.

0:43:13.760 --> 0:43:17.240
<v Speaker 1>We've been working a lot and still working now even

0:43:17.360 --> 0:43:22.240
<v Speaker 1>during this time, on several private homes, a hotel in Detroit,

0:43:23.080 --> 0:43:27.279
<v Speaker 1>different products, working with different companies. And the last two

0:43:27.360 --> 0:43:31.680
<v Speaker 1>years I was creative director for Don Perignon, so I

0:43:32.320 --> 0:43:34.719
<v Speaker 1>did I did their photography, which is another thing I do.

0:43:35.600 --> 0:43:42.080
<v Speaker 1>I shot their ads, I designed their products, redesigned bottles, labels,

0:43:42.920 --> 0:43:46.719
<v Speaker 1>you know, their whole presentations. That's something that I do

0:43:47.840 --> 0:43:50.799
<v Speaker 1>even when I'm recording, even when I'm on tour, I

0:43:50.920 --> 0:43:53.160
<v Speaker 1>continue to work. If I have to be working on

0:43:53.200 --> 0:43:56.880
<v Speaker 1>a project, say a hotel project that we're designing and

0:43:56.920 --> 0:44:00.080
<v Speaker 1>making furniture and doing things, my team will fly out

0:44:00.080 --> 0:44:02.040
<v Speaker 1>me when I'm on the road, hang out on the

0:44:02.080 --> 0:44:06.439
<v Speaker 1>tour bus or the plane or whatever. The hotel will

0:44:06.440 --> 0:44:08.879
<v Speaker 1>work and then they'll go back and you know, put

0:44:08.880 --> 0:44:10.640
<v Speaker 1>that into play. But it's something that I continue to

0:44:10.680 --> 0:44:14.480
<v Speaker 1>do no matter what I'm doing. It's it's interesting how

0:44:14.480 --> 0:44:19.279
<v Speaker 1>the different creative avenues play off each other and how

0:44:19.360 --> 0:44:22.120
<v Speaker 1>ultimately it really is just all about taste. It's the

0:44:22.160 --> 0:44:24.640
<v Speaker 1>same thing. It's the same thing. I would assume that

0:44:24.680 --> 0:44:28.080
<v Speaker 1>whether you're producing a record or designing your house, it's

0:44:28.520 --> 0:44:31.040
<v Speaker 1>the same thing. It's the same energy, it's the same flow.

0:44:31.480 --> 0:44:35.320
<v Speaker 1>You start with nothing, you start with an idea, a concept,

0:44:35.400 --> 0:44:38.960
<v Speaker 1>and you start and you it just grows until it's finished.

0:44:39.000 --> 0:44:42.400
<v Speaker 1>I mean, it's the same process. In fact, you influenced

0:44:42.480 --> 0:44:45.600
<v Speaker 1>me a lot, actually, because the first time that i'd

0:44:45.640 --> 0:44:49.680
<v Speaker 1>really what was actually it's actually you and Sean Lennon

0:44:49.719 --> 0:44:52.759
<v Speaker 1>and Yoko, because you guys were the first people that

0:44:52.840 --> 0:44:55.840
<v Speaker 1>I saw that had opium beds in their houses. And

0:44:55.920 --> 0:44:58.080
<v Speaker 1>I remember getting into that whole thing and then starting

0:44:58.080 --> 0:45:02.120
<v Speaker 1>to learn about Balini Asian furniture and furniture from you know,

0:45:02.520 --> 0:45:07.000
<v Speaker 1>different places in the East, and but definitely you know,

0:45:07.000 --> 0:45:09.480
<v Speaker 1>as people. We haven't talked about it yet, but for

0:45:09.560 --> 0:45:12.319
<v Speaker 1>your listeners, I mean Rick and I lived together by

0:45:12.440 --> 0:45:16.360
<v Speaker 1>virtue of his generosity and his kindness. I remember you

0:45:16.400 --> 0:45:20.760
<v Speaker 1>just saying, you're saying, I just got this house, and uh,

0:45:20.800 --> 0:45:22.640
<v Speaker 1>you know, when you're in La, you're you're you know,

0:45:22.840 --> 0:45:24.799
<v Speaker 1>stay there. It's all good. Just you can stay there.

0:45:24.840 --> 0:45:28.000
<v Speaker 1>It's a big house. I got room, and I remember

0:45:28.880 --> 0:45:32.520
<v Speaker 1>moving in there actually before you did. Yeah, this was

0:45:32.560 --> 0:45:34.000
<v Speaker 1>this was right at the time I was doing the

0:45:34.040 --> 0:45:36.480
<v Speaker 1>Argument and Go my Way video, or right before actually

0:45:36.520 --> 0:45:39.920
<v Speaker 1>because I uh, Cindy Blackman came. I flew her out

0:45:39.920 --> 0:45:42.000
<v Speaker 1>from New York and she came and stayed in the

0:45:42.000 --> 0:45:45.719
<v Speaker 1>house and auditioned and got the got the uh the

0:45:45.760 --> 0:45:48.399
<v Speaker 1>gig in your house. It was actually in your girl

0:45:48.560 --> 0:45:51.400
<v Speaker 1>in your it was like the gym, the gym downstairs.

0:45:51.440 --> 0:45:55.200
<v Speaker 1>Yeah that's right. And uh, but I remember living in

0:45:55.200 --> 0:45:58.960
<v Speaker 1>your house while there was plastic everywhere, it was dusty,

0:45:59.040 --> 0:46:02.680
<v Speaker 1>they were still paying and plastering and doing and I

0:46:02.719 --> 0:46:05.000
<v Speaker 1>loved it. I was like, yeah, construction, it was full,

0:46:05.040 --> 0:46:08.200
<v Speaker 1>construction zone full and I had like a futon on

0:46:08.239 --> 0:46:11.000
<v Speaker 1>the floor. But I was in heaven. I had this

0:46:11.080 --> 0:46:14.680
<v Speaker 1>I had this place to myself and it was a

0:46:14.719 --> 0:46:19.560
<v Speaker 1>really so very special time for me. Craig Ross was

0:46:19.840 --> 0:46:22.560
<v Speaker 1>was was living there with me as well, and we

0:46:22.560 --> 0:46:26.840
<v Speaker 1>were just having I remember having all these drummers coming in. Fact,

0:46:27.360 --> 0:46:32.440
<v Speaker 1>River Phoenix had a friend that he knew from Florida

0:46:32.520 --> 0:46:35.240
<v Speaker 1>that he flew in because he said, this is your drummer.

0:46:35.440 --> 0:46:40.280
<v Speaker 1>And it actually got down to that guy and Cindy Wow,

0:46:40.360 --> 0:46:42.440
<v Speaker 1>and we must have seen about fifty drummers that were

0:46:42.480 --> 0:46:45.680
<v Speaker 1>coming through your place. Man. Yeah. But it was just

0:46:45.719 --> 0:46:49.680
<v Speaker 1>a really special time where I was exploring La again

0:46:50.200 --> 0:46:54.120
<v Speaker 1>during this time of you know, my success, which was

0:46:54.239 --> 0:46:58.960
<v Speaker 1>very interesting. Yeah. I learned so much hanging out with

0:46:59.040 --> 0:47:02.960
<v Speaker 1>you and just I mean you really treated me like family, bro.

0:47:03.120 --> 0:47:06.719
<v Speaker 1>And I mean the whole story of you know, my

0:47:06.840 --> 0:47:10.240
<v Speaker 1>mother and her going through her sickness and her passing

0:47:11.239 --> 0:47:14.080
<v Speaker 1>with such a monumental song. There's a song on my

0:47:14.160 --> 0:47:16.160
<v Speaker 1>last album I don't even think we've talked about this,

0:47:16.719 --> 0:47:20.120
<v Speaker 1>but there's a song on my last album called Johnny Cash.

0:47:20.200 --> 0:47:22.520
<v Speaker 1>You should check it out. It was on Ray's Vibration,

0:47:23.280 --> 0:47:27.239
<v Speaker 1>and it's dealing with that with the day that I

0:47:27.280 --> 0:47:30.160
<v Speaker 1>found out that my mother passed, I was in Japan

0:47:30.719 --> 0:47:32.919
<v Speaker 1>touring for a month. I didn't know that my mother

0:47:33.000 --> 0:47:36.839
<v Speaker 1>was going to, you know, die that quickly. We thought

0:47:36.840 --> 0:47:40.080
<v Speaker 1>she had more time. I didn't want to go on

0:47:40.120 --> 0:47:42.560
<v Speaker 1>the tour, but she and my grandfather made me go.

0:47:42.719 --> 0:47:46.200
<v Speaker 1>My grandfather said, if you don't go, it's gonna kill her.

0:47:46.480 --> 0:47:50.640
<v Speaker 1>You have to go do your job. So I reluctantly went.

0:47:50.920 --> 0:47:53.880
<v Speaker 1>I flew home from Japan. I went straight to your house,

0:47:54.120 --> 0:47:57.319
<v Speaker 1>went to my room, went to the hospital, went and

0:47:57.360 --> 0:48:00.680
<v Speaker 1>saw her. We were there for hours, hours. My dad

0:48:00.680 --> 0:48:03.840
<v Speaker 1>had flown from New York. The family was there, and

0:48:04.520 --> 0:48:06.400
<v Speaker 1>it was time for everybody to take a break, go

0:48:06.520 --> 0:48:08.800
<v Speaker 1>get something to eat. I needed to take a shower,

0:48:09.000 --> 0:48:12.440
<v Speaker 1>do whatever. I drove to your house, and this was

0:48:12.480 --> 0:48:15.880
<v Speaker 1>when Johnny Cash was living in your house as well,

0:48:15.920 --> 0:48:20.840
<v Speaker 1>doing that classic album that y'all did. And I walked

0:48:20.880 --> 0:48:25.600
<v Speaker 1>in the house and the phone rang. I don't remember

0:48:25.600 --> 0:48:27.719
<v Speaker 1>who gave me the phone and they told me that

0:48:27.760 --> 0:48:30.280
<v Speaker 1>my mom passed. And the time that I was driving

0:48:30.320 --> 0:48:33.600
<v Speaker 1>from the hospital to your house. So I'm standing there

0:48:34.080 --> 0:48:37.399
<v Speaker 1>by the staircase with this portable phone in my hand.

0:48:37.920 --> 0:48:39.799
<v Speaker 1>Even though I knew it was coming, it was still

0:48:39.960 --> 0:48:44.080
<v Speaker 1>a very hard moment for me. And Johnny and June

0:48:44.120 --> 0:48:46.640
<v Speaker 1>are coming down the stairs and they looked at me

0:48:46.719 --> 0:48:49.719
<v Speaker 1>and said, hey, Lenny, Like I mean, I didn't know them.

0:48:50.120 --> 0:48:52.120
<v Speaker 1>We knew each other because we passed each other in

0:48:52.120 --> 0:48:54.759
<v Speaker 1>your hallways, you know. That's the extent that I knew

0:48:54.800 --> 0:48:58.160
<v Speaker 1>Johnny Cash. We were flatmates in Rick Rubin's house, right,

0:48:58.920 --> 0:49:01.560
<v Speaker 1>And so they said what's wrong, and I said, my

0:49:01.640 --> 0:49:06.680
<v Speaker 1>mother just died. And the two of them came to

0:49:06.840 --> 0:49:10.960
<v Speaker 1>me and surrounded me and held me. I don't know

0:49:11.000 --> 0:49:13.520
<v Speaker 1>these people. And by the way, it's Johnny Cash, right,

0:49:13.600 --> 0:49:17.759
<v Speaker 1>and June Carter, and they held me and consoled me

0:49:17.960 --> 0:49:22.600
<v Speaker 1>and just were saying the most beautiful, comforting things and

0:49:22.640 --> 0:49:25.360
<v Speaker 1>that they were sorry. And it was just a real

0:49:25.520 --> 0:49:30.840
<v Speaker 1>moment of humanity, of just being human. And it was

0:49:30.880 --> 0:49:34.600
<v Speaker 1>a monumental moment in my life because the only people

0:49:34.680 --> 0:49:38.719
<v Speaker 1>that were there when I found out was them. Then

0:49:38.960 --> 0:49:44.200
<v Speaker 1>you drove with me to the hospital, and you were

0:49:44.239 --> 0:49:47.160
<v Speaker 1>the first. I mean, you came in there with me.

0:49:47.600 --> 0:49:52.399
<v Speaker 1>We saw my mother there together. Remember you were with me.

0:49:52.760 --> 0:49:56.360
<v Speaker 1>And anyway, So there's a song on the last album

0:49:56.960 --> 0:49:59.640
<v Speaker 1>where I was going through a breakup and I'm writing

0:49:59.680 --> 0:50:02.520
<v Speaker 1>to this person, and the chorus of the song says,

0:50:02.960 --> 0:50:06.400
<v Speaker 1>just hold me like Johnny Cash when I lost my mother,

0:50:07.040 --> 0:50:10.920
<v Speaker 1>whisper in my ear, just like June Carter, beautiful and

0:50:10.960 --> 0:50:14.040
<v Speaker 1>though I fight these tears that I hide, just hold

0:50:14.080 --> 0:50:16.320
<v Speaker 1>me tight for the rest of my life. And so

0:50:17.000 --> 0:50:20.480
<v Speaker 1>it deals with me reflecting on the last time that

0:50:20.560 --> 0:50:23.760
<v Speaker 1>I was comforted in such a way. What I needed

0:50:23.760 --> 0:50:26.520
<v Speaker 1>from this person that I was singing to was that

0:50:26.640 --> 0:50:31.040
<v Speaker 1>Johnny Cash held me when my mother died. It's it's deep,

0:50:31.239 --> 0:50:35.759
<v Speaker 1>but it's yeah, this was all part of the adventure

0:50:35.840 --> 0:50:41.719
<v Speaker 1>of the experience of living with you. Yeah. My greatest

0:50:41.880 --> 0:50:44.560
<v Speaker 1>memory from that night. It's the only time I've ever

0:50:44.600 --> 0:50:49.480
<v Speaker 1>been in the room with a body after the soul

0:50:49.520 --> 0:50:53.120
<v Speaker 1>had passed. Yes, And I remember walking in and thinking

0:50:53.640 --> 0:50:56.080
<v Speaker 1>and I had seen her much more recently than you did.

0:50:56.280 --> 0:50:58.040
<v Speaker 1>I don't know if you remember this part of the story.

0:50:58.560 --> 0:51:01.120
<v Speaker 1>I ran into her, I saw at a restaurant, I

0:51:01.160 --> 0:51:03.880
<v Speaker 1>saw in a restaurant at a weird time, at a

0:51:03.920 --> 0:51:07.640
<v Speaker 1>time when the restaurant should have been closed, an unusual time.

0:51:07.680 --> 0:51:09.719
<v Speaker 1>I went to a restaurant that I didn't normally go

0:51:09.840 --> 0:51:14.080
<v Speaker 1>to at a weird time of the day. It was empty.

0:51:14.200 --> 0:51:17.400
<v Speaker 1>I sit down and it was like three thirty in

0:51:17.400 --> 0:51:21.200
<v Speaker 1>the afternoon, which is like way after lunchtime. Most restaurants close,

0:51:21.719 --> 0:51:24.160
<v Speaker 1>you know, usually they're open for lunch and open for dinner.

0:51:24.200 --> 0:51:26.400
<v Speaker 1>And just felt like going to get something needed a

0:51:26.400 --> 0:51:29.719
<v Speaker 1>weird time. Found that Angelie was open. Don't know why

0:51:29.760 --> 0:51:31.560
<v Speaker 1>I went there because it was a restaurant I never

0:51:31.600 --> 0:51:35.640
<v Speaker 1>went to sing. Sitting in there with my friend Fred,

0:51:35.760 --> 0:51:37.680
<v Speaker 1>who was the designer who helped me work on my

0:51:38.080 --> 0:51:41.279
<v Speaker 1>who built your house in Sutherland. We're sitting there and

0:51:41.320 --> 0:51:44.720
<v Speaker 1>who comes in but your mom. And this is maybe

0:51:45.320 --> 0:51:48.720
<v Speaker 1>I'm gonna say, three weeks before, so I was in Japan.

0:51:48.880 --> 0:51:53.680
<v Speaker 1>You're in Japan, maybe two weeks before, very soon. And

0:51:53.719 --> 0:51:56.839
<v Speaker 1>I remember the conversation we had because it was so

0:51:57.080 --> 0:52:01.799
<v Speaker 1>different than any conversation we had had over the last

0:52:01.840 --> 0:52:04.720
<v Speaker 1>few years. Because over the last few years, your mom

0:52:04.800 --> 0:52:08.319
<v Speaker 1>was very defiant, and she was very clear that she

0:52:08.400 --> 0:52:10.719
<v Speaker 1>was going to beat this and that she was going

0:52:10.760 --> 0:52:13.560
<v Speaker 1>to do everything it took to beat it, and she would.

0:52:13.320 --> 0:52:16.640
<v Speaker 1>And she was really strong and she was always doing

0:52:16.680 --> 0:52:19.719
<v Speaker 1>well through this and would try everything and do every

0:52:19.760 --> 0:52:22.840
<v Speaker 1>type of alternative therapy. Oh yeah, she went to Mexico,

0:52:23.000 --> 0:52:25.360
<v Speaker 1>did the whole holistic thing. Yeah, And we would I

0:52:25.360 --> 0:52:27.759
<v Speaker 1>remember we would research together for her and with her

0:52:28.080 --> 0:52:31.839
<v Speaker 1>and share ideas all the time. And I saw her

0:52:31.840 --> 0:52:36.000
<v Speaker 1>in the restaurant and she was completely different and in

0:52:36.000 --> 0:52:41.040
<v Speaker 1>this state of peace that was unbelievable. And I asked

0:52:41.040 --> 0:52:43.719
<v Speaker 1>her how things were going, and she said, everything is.

0:52:43.880 --> 0:52:49.320
<v Speaker 1>It's like, it's wonderful. I know that I'm going to pass.

0:52:50.000 --> 0:52:55.279
<v Speaker 1>I'm completely at peace with it. I'm ready and this

0:52:55.560 --> 0:52:58.520
<v Speaker 1>is this is like, this is what happens now. And

0:52:58.600 --> 0:53:02.600
<v Speaker 1>she was at one with the experience, ready for the experience.

0:53:03.000 --> 0:53:06.440
<v Speaker 1>And then back at the house, you came from Japan,

0:53:07.280 --> 0:53:10.400
<v Speaker 1>and I told you the story because I didn't know

0:53:10.440 --> 0:53:12.200
<v Speaker 1>if she got to tell you this, I don't know.

0:53:12.440 --> 0:53:14.920
<v Speaker 1>I didn't know if she didn't. So I got to

0:53:14.920 --> 0:53:19.279
<v Speaker 1>tell you that she was ready to go, and it

0:53:19.360 --> 0:53:25.960
<v Speaker 1>was okay. And as we're having this conversation, the phone

0:53:26.080 --> 0:53:32.600
<v Speaker 1>rang because you need it felt like the energy of

0:53:32.680 --> 0:53:38.120
<v Speaker 1>you fighting for her with her shifted when you knew

0:53:38.440 --> 0:53:41.160
<v Speaker 1>that she was ready to go. It's like when you

0:53:41.320 --> 0:53:46.000
<v Speaker 1>heard the story, the energy changed. She was she you

0:53:46.239 --> 0:53:48.880
<v Speaker 1>now knew that she was ready to go, because she was.

0:53:49.640 --> 0:53:53.160
<v Speaker 1>And then the phone rings and it's the hospital, And

0:53:53.239 --> 0:53:57.160
<v Speaker 1>it was almost like energetically, once you knew the story,

0:53:57.400 --> 0:54:02.440
<v Speaker 1>she could go because until then you she was fighting

0:54:02.560 --> 0:54:04.319
<v Speaker 1>and she was obviously waiting for me to get off

0:54:04.360 --> 0:54:07.000
<v Speaker 1>that plane, you know exactly, because by the time I

0:54:07.040 --> 0:54:10.760
<v Speaker 1>got there that day, I mean, it was the last moment.

0:54:11.040 --> 0:54:13.719
<v Speaker 1>And I remember when we went. You went to the

0:54:13.760 --> 0:54:16.520
<v Speaker 1>hospital with me, but I thought you were just like like, Okay,

0:54:16.520 --> 0:54:18.160
<v Speaker 1>you're gonna go to the hospital with me and you're

0:54:18.200 --> 0:54:21.680
<v Speaker 1>gonna support me. And then I went in and you

0:54:21.760 --> 0:54:23.960
<v Speaker 1>kept walking. I was like, you want to come in

0:54:24.000 --> 0:54:25.520
<v Speaker 1>the room and you and you looked at me and

0:54:25.560 --> 0:54:27.880
<v Speaker 1>you were like yes. Like it was like it was

0:54:27.920 --> 0:54:31.600
<v Speaker 1>the most definite yes, Like yes, there was some connection.

0:54:32.160 --> 0:54:34.440
<v Speaker 1>And I'm sure from your years of knowing her and

0:54:34.480 --> 0:54:36.960
<v Speaker 1>also that that moment you guys had at that restaurant,

0:54:37.640 --> 0:54:40.719
<v Speaker 1>but you you wanted to be there and you went

0:54:40.760 --> 0:54:45.600
<v Speaker 1>in there with me, and uh, yeah, that was that

0:54:45.680 --> 0:54:48.960
<v Speaker 1>was her send off. Man. Yeah, And what so My

0:54:49.080 --> 0:54:52.320
<v Speaker 1>takeaway in that moment of seeing her was and having

0:54:52.320 --> 0:54:55.640
<v Speaker 1>just seen her two weeks earlier, was whatever was laying

0:54:55.680 --> 0:54:59.200
<v Speaker 1>on the table there was not her. That was just yeah,

0:54:59.200 --> 0:55:02.279
<v Speaker 1>of course, and I've never experienced that before, but it

0:55:02.360 --> 0:55:05.600
<v Speaker 1>was clear. It's like, that's just clothing, that's just bones,

0:55:06.440 --> 0:55:12.000
<v Speaker 1>that's just flesh. But the vessel, it's a vessel, and

0:55:12.080 --> 0:55:14.200
<v Speaker 1>it couldn't have been clear. That's where I learned it

0:55:14.280 --> 0:55:19.719
<v Speaker 1>in that moment, was that's not her. Yeah, it's amazing

0:55:20.280 --> 0:55:26.360
<v Speaker 1>all in all extraordinary memories and you know, the blessings

0:55:26.360 --> 0:55:30.600
<v Speaker 1>that I've had thus far, and you being a big

0:55:30.640 --> 0:55:32.719
<v Speaker 1>part of that story, that part of my life is

0:55:33.200 --> 0:55:37.000
<v Speaker 1>I'm really grateful, man, I'm really grateful. Same. I love

0:55:37.040 --> 0:55:39.200
<v Speaker 1>having you in my life. We've been good friends for

0:55:39.239 --> 0:55:41.640
<v Speaker 1>a long time in their heart, their heart to come

0:55:41.640 --> 0:55:45.160
<v Speaker 1>by and one day and we're gonna we're gonna make

0:55:45.200 --> 0:55:48.560
<v Speaker 1>some music together. Great. I look forward, Yes, sir, well,

0:55:48.600 --> 0:55:50.919
<v Speaker 1>I love you. I love you, brother. I'm so glad

0:55:50.920 --> 0:55:54.480
<v Speaker 1>to see your face and uh, let's speak sooner than later. Man,

0:55:54.600 --> 0:55:57.560
<v Speaker 1>I'm down, all right, my brother. Love love, love love.

0:56:01.640 --> 0:56:03.759
<v Speaker 1>Thanks to Lenny Kravitz for sharing so much of his

0:56:03.840 --> 0:56:06.600
<v Speaker 1>incredible story with Ray. You can hear all of our

0:56:06.640 --> 0:56:09.440
<v Speaker 1>favorite Lenny Kravitz songs on the playlist at broken record

0:56:09.440 --> 0:56:12.680
<v Speaker 1>podcast dot com and be sure to subscribe to our

0:56:12.719 --> 0:56:16.000
<v Speaker 1>YouTube channel at YouTube dot com slash broken record Podcast.

0:56:16.560 --> 0:56:18.320
<v Speaker 1>There you can find extended cuts of our new and

0:56:18.520 --> 0:56:21.839
<v Speaker 1>old episodes. Broken Record is produced with help from Leah Rose,

0:56:22.040 --> 0:56:26.600
<v Speaker 1>Jason Gambrel, Urtin Gonzalez, Eric Sandler and his executive produced

0:56:26.680 --> 0:56:29.600
<v Speaker 1>by Mio LaBelle Broken Record is a production of Pushkin

0:56:29.680 --> 0:56:32.719
<v Speaker 1>Industries and if you like Broken Record, please remember to share, rate,

0:56:32.719 --> 0:56:35.560
<v Speaker 1>and review our show on your podcast. Daft our theme

0:56:35.640 --> 0:56:38.480
<v Speaker 1>musics by Kenny Beats. I'm justin Richmond Bass