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Speaker 1: Wait that answer in the morning Breakfast Club Morning, everybody

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Speaker 1: is DJ Envy Angela Yee, Charlomane the guy. We are

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Speaker 1: to Breakfast Club. We got a special guest in the building, sir,

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Speaker 1: if y'all Crocket's handing over ya man, A long time

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Speaker 1: since I've been in the seat. That hoodie hard? Thank you, brother? Yeah,

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Speaker 1: I like that with the pick on the front. Yeah. Yeah,

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Speaker 1: my girl, Keisha, hook me up with this real quick.

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Speaker 1: What's up? Keisha? What Kasha? Now? You? I saw you

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Speaker 1: you was hosting the Martin Reunion man on BT Plus. Yeah,

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Speaker 1: how was that? Let me tell you something, man, we

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Speaker 1: all grew up on Martin, and you know, it's one

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Speaker 1: thing to be able to Let imagine if you watch

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Speaker 1: shamfond his soun all your life and he was able

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Speaker 1: to sit on the junkyard and interview them on the set,

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Speaker 1: you know what I mean. So for me, it was

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Speaker 1: like Martin is one of my biggest influences, So to

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Speaker 1: be able to sit in that seat and ask all

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Speaker 1: of the questions as a fan that it's still mind blowing.

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Speaker 1: It hasn't even sunk in that I was on the

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Speaker 1: set talking to Martin and the cash did he hand

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Speaker 1: pick you or like, how did that come about? Yeah?

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Speaker 1: I got a relationship with Mark. He's my big brok,

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Speaker 1: so we've worked together before. T Shirt Tesina. I got

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Speaker 1: relationship with them and uh yeah, they reached out. It

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Speaker 1: was like, Yo, if we want you to do it,

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Speaker 1: you're the guy. I was like, say less, dope, get

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Speaker 1: my mov suit. It's small, small, it's small. Now you

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Speaker 1: do small. You do it pretty much everybody's voices, you

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Speaker 1: make fun, everybody with skits. Has anybody ever step to

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Speaker 1: you where it was like, you know what, maybe I

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Speaker 1: should stop being the same building with that person. Just Charlomagne,

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Speaker 1: charlemagn Charlemagne threat my life one time. Never never happened.

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Speaker 1: Come on, nah, how does that look? Charlemagne threatening my life?

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Speaker 1: Exactly anybody's life, right nahum nobody. The thing about it

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Speaker 1: is when people see me do impressions of them, especially

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Speaker 1: in the hip hop world, they know that I'm a

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Speaker 1: hip hop head. So Nahs, for example, asked me to

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Speaker 1: do him before he asked pause as Jesus Christ, before

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Speaker 1: you got to it was way wait a second, that

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Speaker 1: didn't come out right, But yeah, he asked me to

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Speaker 1: do an impression of him. And I know your niggas

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Speaker 1: ain't laughing because y'all was fingering a booty hole with

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Speaker 1: no it was nothing but plenty of lubrication. And this

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Speaker 1: nigga was giggling, and he was like, you you want

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Speaker 1: me to put my finger in there? Wait? Wait, I've

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Speaker 1: never done this before, Like you want me to put

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Speaker 1: my finger in there? I thought it was a cake.

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Speaker 1: I was like, the only thing left to do is

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Speaker 1: to cut this ship and eat it with no pause.

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Speaker 1: Do you ever play gay gay games with your friends?

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Speaker 1: Whoa wait, wait a second, how did we get here? No?

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Speaker 1: I've never done. What you guys have done is going on.

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Speaker 1: Manhere's angel When you need the female presence in this bit,

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Speaker 1: I need too much, too much masculine. I think it's masculine.

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Speaker 1: I think they ain't maskling, but it definitely dicks a

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Speaker 1: lot of balls in the ball. Where would you rank

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Speaker 1: yourself as an impressionist when it comes to like Jay Farrell,

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Speaker 1: I don't. I've gone on record as I say Jay

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Speaker 1: farrell Is impression is two point oh. I don't consider

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Speaker 1: myself an impressionist. That's if you believe that or not.

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Speaker 1: I consider myself an artist who plays the part. I'm

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Speaker 1: an actor. So the same way you see Denzel play

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Speaker 1: whoever a Hurricane, Carter or Malcolm X, he dives into

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Speaker 1: the role and he gives you, you know what I'm saying,

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Speaker 1: the details that you need for that character. That's how

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Speaker 1: I end with impressions too, because I don't just do impressions.

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Speaker 1: But as far as the ranking the impressionists, to me,

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Speaker 1: Jay Farrell and Godfrey are two of the best that

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Speaker 1: I've ever seen hunt of Yeah. So so if I

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Speaker 1: had to rank myself out of them, I mean Aery

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Speaker 1: Spears too, He's another goat with it. I don't rate myself.

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Speaker 1: I would put all of them before me Jay, but

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Speaker 1: he put you up there. Jay said, he thinks you

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Speaker 1: wanted the best impressions. Well that's very humble of him.

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Speaker 1: Thank you, Jay Farrell. Appreciate that. But now I think

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Speaker 1: they do way more impressions than me. Way nahs. Yeah,

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Speaker 1: I mean I do a few, like I do the

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Speaker 1: russell siment Russell Jay, and then the newest one I've

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Speaker 1: been doing over the pandemic was My Angelo. Everybody was like,

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Speaker 1: how the fuck you do my Angel? Because I just

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Speaker 1: do Okay, it just is it? Why my Angel I

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Speaker 1: have no idea, Like literally she I was talking to

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Speaker 1: a couple of my homegirls and they just randomly mentioned

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Speaker 1: Maya and I just started doing it one night and

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Speaker 1: they fell on the ground laughing. So I was just like, okay,

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Speaker 1: And if you listen to the way I do to

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Speaker 1: my Angelo's voice, it's not too far from jay Z

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Speaker 1: because Jay has he has just stay stopped. I didn't

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Speaker 1: say the thing yet, nigga, don't half yet, Sharlamagne. It's

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Speaker 1: kind of in the same register. So as Jay talks

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Speaker 1: like this, you know you have to just go right

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Speaker 1: there it blad and to right hen to man old on.

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Speaker 1: I never thought about that. Yo. It's the same person

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Speaker 1: because of but he don't rhyme when he talked, when

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Speaker 1: the words like that, they're both. They're both rappers both man,

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Speaker 1: it's the best rapper that ever lived. Whatever you choose

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Speaker 1: to take is whatever you give phenomenal. Woman in had phenomenally.

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Speaker 1: It's me, not jay Z. Now Hope company and even

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Speaker 1: find it funny or not funny. No, Hope loves the impression.

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Speaker 1: Like the first time I met him, I thought I

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Speaker 1: was gonna get slapped. I ain't gonna lie. This was

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Speaker 1: This was a long time ago in UM in DC

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Speaker 1: when Obama first Scott inaugurated. So Jay did the concert

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Speaker 1: right before and this ain't a flex at all. I

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Speaker 1: happen to run into Charlie Mac. I'm just walking taking

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Speaker 1: pictures in DC and I see Charlie Mac. Everybody know

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Speaker 1: Charlie and Charlie standing outside the venue back backstage. I

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Speaker 1: was like, Charlie, what up? And he's already was over

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Speaker 1: come on, come on. No, I'm all waiting for people,

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Speaker 1: for people, But I got you, I got you, come on,

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Speaker 1: come on, come on. So I get backstage with Charlie Mack.

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Speaker 1: It's just me and him, so he wasn't invited. He

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Speaker 1: just snuck it. I just snuck in. I was with

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Speaker 1: Charlie Mac and I'm sitting on a speaker. I'm just

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Speaker 1: in the back. I'm watching dudes working and ship and

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Speaker 1: then all of a sudden, a wave of people come

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Speaker 1: down the stairs and it's Jay and his entourage. They

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Speaker 1: about to go to the stage, right So I'm sitting

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Speaker 1: on the speaker. The stage is right here. He's coming

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Speaker 1: down the stairs and they're all about to go to

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Speaker 1: the stage. He sees me and starts walking over to

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Speaker 1: me and I you know how to in the movies

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Speaker 1: when the camera's coming towards you, but you started get smaller.

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Speaker 1: That's how I felt. I was like, oh shit, here

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Speaker 1: you go, here you go. It's going down by myself.

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Speaker 1: I'm solo. Jay would never get his hands dirty either way.

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Speaker 1: I thought someone was gonna you know what I'm saying.

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Speaker 1: And he walks into me. He extends his hand, He's like, yo,

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Speaker 1: you'd be doing the jigger man. I like that, and

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Speaker 1: he gave it, you know, the third person acknowledgement. You

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Speaker 1: know you'd be doing the jigger man. I was like,

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Speaker 1: all right, whatever name you choose to use, yes sir, Yeah,

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Speaker 1: you're right. And that whole night he just kept walking

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Speaker 1: up to me making shot was good, like yeah. And

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Speaker 1: then Mary was on stage Major Blox and he was like, yeah,

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Speaker 1: I bet you can't do that, and I bet you

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Speaker 1: can't sing like that. So he was like really cool.

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Speaker 1: He was really cool. And then we did a drop

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Speaker 1: on video and he showed the love and he made

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Speaker 1: me do the laugh in front of him. Wow. So

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Speaker 1: nothing but respect man. So if he didn't want to

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Speaker 1: do the laugh, he had to do do the laugh.

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Speaker 1: You're like no, no, no, he put he put his

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Speaker 1: arm around my neck and v I think you know

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Speaker 1: what that means when laugh, do you do the lab

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Speaker 1: if the nigga does that to youse? Like DJ, you

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Speaker 1: was like, chick, did you see the viral video of

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Speaker 1: the woman who was complaining that her child father only

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Speaker 1: boys food man the kids? What's your thoughts on that?

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Speaker 1: She need to shut the fuck up. She need to

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Speaker 1: go viral shutting the funk up? Did you see it though?

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Speaker 1: Did I see her? Yeah? She did. Literally, I was

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Speaker 1: just watching out in a lobby, um and she was

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Speaker 1: explaining with her wig on and she was like, you know,

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Speaker 1: he knew what this situation was. And I had four

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Speaker 1: other kids, bitch, just those kids came out of your vagina.

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Speaker 1: Those are your responsibility. Yeah, that's how I feel about it.

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Speaker 1: I'm paying, I'm buying my kid food. Now. If I

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Speaker 1: got a relationship with those other kids and it's that

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Speaker 1: kind of day and it's my kids party and I

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Speaker 1: invite them all, I'm gonna take care of all of them.

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Speaker 1: But it was a situation where we broke up and

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Speaker 1: I'm visiting my kids every day. He brings McDonald's. What

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Speaker 1: she's saying that he used to buy McDonald's for the

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Speaker 1: other kids. But now that they're not together, we broke

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Speaker 1: up with the kids too, the bit kids. I broke

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Speaker 1: up with the kids too when I left you, them

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Speaker 1: kids got left. They didn't come out of my dick. Yeah,

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Speaker 1: you kids didn't come out of my balls. Yo. They

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Speaker 1: don't get McDonald's. That's all my dimes. It is a

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Speaker 1: sympi of entitlement she has, though, and it's a privilege

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Speaker 1: that she clearly wasn't appreciating, you know what I mean.

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Speaker 1: And now that that guy's gone, she's not realizing, like

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Speaker 1: he doesn't have to do this. He don't. And what

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Speaker 1: she failed to realize too is most guys, unfortunately, don't

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Speaker 1: take care of their own kids. So the fact that

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Speaker 1: he showed up every day to see his kids, even

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Speaker 1: though he got tensioned with her, not to say that

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Speaker 1: he get a point for that, because you supposed to

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Speaker 1: take care of your kid. But she's just she's bugging.

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Speaker 1: That's that's all I can say. She's bugging. Now. I

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Speaker 1: was gonna ask you, now, you ain't carolyzed this weekend

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Speaker 1: Friday Saturday, No Thursday, Friday Saturday. So when you're on stage.

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Speaker 1: Now everything is so sensitive. Do you watch what you

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Speaker 1: say and do you curb your jokes or nah? I uh?

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Speaker 1: Because I don't say, well let me out, I do say,

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Speaker 1: will you just yeah? You never know what's going to

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Speaker 1: bed When I hear you say the word be I understand, coach,

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Speaker 1: you know what I mean. But something I say it

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Speaker 1: a lot. And when I say it and I see

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Speaker 1: the women laugh, they understand that I'm saying it in

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Speaker 1: the funny way, like I'm never being derogatory. But the

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Speaker 1: point to answer your question, no, I don't. I don't. Uh.

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Speaker 1: I don't edit what I say because it comes from

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Speaker 1: a real place to me, and it's not coming from

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Speaker 1: a disrespectful place. And when you hear the context of

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Speaker 1: what I'm saying, people don't get offended by that. I mean,

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Speaker 1: I had I did have a Karen last year. I

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Speaker 1: saw that that was a mix of alcohol and entitlement,

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Speaker 1: you know, Karen, entitlement on the stage. What do you do?

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Speaker 1: What do you think? Because that, first of all, there

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Speaker 1: was no storm. Let's just let's just talk about it, right,

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Speaker 1: Let's get let's get into the nitty gritty of it. No, no,

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Speaker 1: she actually crawled. I ain't gonna hold I'm on stage

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Speaker 1: and I'm talking. I'm I'm playing to my left side

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Speaker 1: and I look out my peripheral and she literally has

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Speaker 1: her hands on the stage like a baby learning the

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Speaker 1: walk like she's and in my mind when in Jacksonville,

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Speaker 1: shout out to du Vall. We're in Jacksonville, Florida, and

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Speaker 1: the stage is packed, like in front of the stage

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Speaker 1: is packed, and I'm thinking she has to go to

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Speaker 1: the bathroom and she can't get her way around. So

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Speaker 1: the only way for her to get to the bathroom

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Speaker 1: is to come on stage and the walk down the

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Speaker 1: stairs in the front. And then when she she stands

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Speaker 1: up and then she had her hands in the Sally

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Speaker 1: Struther's hands like she's about to save a little nigga

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Speaker 1: right like like she's about to play. I say, oh,

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Speaker 1: she has something she wants to say. I need to

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Speaker 1: hear this now. Some people were like, hey, man, she

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Speaker 1: could have killed you. She could have nigga. I assessed

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Speaker 1: her vital organs like the terminator within two seconds. Like

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Speaker 1: I'm a martial artist. I know I know danger when

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Speaker 1: I'm around it. I don't I don't have to look.

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Speaker 1: You don't have to be in front of me for

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Speaker 1: me to feel the danger, right, at no point that

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Speaker 1: I feel like my life was threatened. So I don't know, man,

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Speaker 1: I saw all white thugs to them the stage on you, Avion.

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Speaker 1: That's what you didn't see that that's all white. She's

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Speaker 1: a white doug. She was. She was a white thug

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Speaker 1: who was trying to creep up on you. That's why

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Speaker 1: she was crawling. And she she needed to be treated.

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Speaker 1: She need to be treated like the thugs she is. Yeah,

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Speaker 1: you know what, I didn't think of it and look

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Speaker 1: at it in that way. I stand corrected. That woman

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Speaker 1: was a dangerous and to my young black life, that's right, right,

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Speaker 1: even though I'm not that young. But nah, man, I

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Speaker 1: could have easily gave her the end to the dragon

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Speaker 1: Bruce Lee slow motion sidekick and had a bitch fly

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Speaker 1: over eighteen people. And you can't give you a black

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Speaker 1: man so soon as you do. So that's what I knew.

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Speaker 1: I was like, Yeah, what am I gonna do to

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Speaker 1: this woman That's gonna be positive for me other than

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Speaker 1: you know. I talked about it for about twenty minutes,

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Speaker 1: so verbally she caught that ass woman. Yeah, but outside

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Speaker 1: of that, she was wobbling and doing her thing in

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Speaker 1: because I told my sex. I told my sex, and

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Speaker 1: she was just like, you're offending a lot of people

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Speaker 1: in here. And I asked, I said, all these grown

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Speaker 1: ass black people there, I asked them, are y'all offended

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Speaker 1: by me talking about fucking? And it was like, hell, no,

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Speaker 1: get your white ass off the stage, is what they said.

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Speaker 1: How you come to a comedy show on your macat

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Speaker 1: somebody talking about sex? Clearly she wasn't getting enough. Well,

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Speaker 1: who was the boys? The context? Come to Carolines this weekend.

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Speaker 1: You'll find out the context of the sex jokes that

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Speaker 1: I'd be talking about. I'm talking about my dick going

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Speaker 1: inside vaginas and the creative party. They let her, They

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Speaker 1: let her sit back in the show after doing that. No,

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Speaker 1: I don't know. She got kicked out, Okay, scored her

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Speaker 1: right out and I did twenty long minutes on her

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Speaker 1: after that. It was it was because it was unexpected,

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Speaker 1: like she threw off the floor of the show for everybody.

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Speaker 1: And then it made TMZ and it caught on. And

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Speaker 1: then the next city I went to, another white woman

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Speaker 1: tried it. What yeah, yeah, But my boy Carlos, he

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Speaker 1: was like bitch he was. He flew to the front

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Speaker 1: of the stage was like, no, we're not even gonna

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Speaker 1: acknowledge this now. It was just before the Will Chris

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Speaker 1: rock thing. Yeah before okay, okay, okay, So this I mean,

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Speaker 1: I got I think it was a cloud chase. It

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Speaker 1: was a TMG moment. She was like, oh, that other

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Speaker 1: white one got on DMZ, so let me try my

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Speaker 1: hand at it. And we didn't even acknowledge it. Are

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Speaker 1: you concerned about that type of stuff as a comedian now,

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Speaker 1: because it seemed like you see what happened to day,

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Speaker 1: you know, I mean Will and Chris. That's I hate

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Speaker 1: when people even bring that, because that's the ones in

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Speaker 1: a generation to hate when people start saying comedians are

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Speaker 1: under attack. No the fuck we're not. These are all

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Speaker 1: isolated incidents, even the guy I was there when Chappelle

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Speaker 1: got attacked, and you know, I knew what was about

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Speaker 1: to happen to him because I knew who all we

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Speaker 1: were all there, So um, that was even an isolated incident.

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Speaker 1: That was somebody who had a personal beef with Dave

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Speaker 1: and his content and whatever his cloud chase moment was.

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Speaker 1: But I'm not concerned. Scary though you look at the

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Speaker 1: weapon he brought in and the fact that he was

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Speaker 1: able to get on that stage, none of that that

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Speaker 1: that's very scary, you know, Like you said, you could

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Speaker 1: be looking to the less talking to these people and

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Speaker 1: he come behind you. Right. But again, if I feared that,

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Speaker 1: then I would fear going to the grocery storell going

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Speaker 1: to the air for it, because niggas is wilding the

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Speaker 1: airports now. I don't know if you don't know, even

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Speaker 1: watching they've been fighting and doing all kinds of stuff.

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Speaker 1: So it is what it is. Man. If it's my time,

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Speaker 1: it's my time. But I'm not. I don't walk in

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Speaker 1: or live in fear of that. I didn't know you

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Speaker 1: knew martial arts. There's a lot you don't know, you know,

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Speaker 1: you guys finger booty holes in here, big rubber that

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Speaker 1: is martial arts. That is martial arts. That is not

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Speaker 1: wax on, wax off. That martial arts. We can kill

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Speaker 1: people with these fingers. We were practicing martial arts and

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Speaker 1: then but yeah, you know, I don't I'm not a

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Speaker 1: I'm not a master or anything like that, but I

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Speaker 1: know enough to get away. No, ok way, you know,

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Speaker 1: you know, it's so interesting I say this all about

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Speaker 1: time Nick Cannon. Those martial arts two people think, if

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Speaker 1: you want to know nigga's a nigga's a little bro.

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Speaker 1: I've known Nick for a long time, obviously wilding out,

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Speaker 1: but Nick Nick trains. The thing about Nick that people

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Speaker 1: sleep on is how multi talented he really is. Yeah, Like,

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Speaker 1: I don't know where he got caught up in this

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Speaker 1: what people call him corny, but he's far from corny.

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Speaker 1: The dude I used to watch him on set. He

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Speaker 1: would have a programming music board in front of him.

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Speaker 1: He'd be programming beats, and the MTV execs will be

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Speaker 1: trying to have a meeting with him, and he's meeting

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Speaker 1: with him. He's talking about the next line of shows

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Speaker 1: and blah blah blah. Then he's djan and after party

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Speaker 1: literally DJAM and then he's getting on stage with us

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Speaker 1: and he's doing characters and he's doing then he freestyle

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Speaker 1: raps and then he dances too, So he's really he's

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Speaker 1: really a multi hyphen And then he got a bunch

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Speaker 1: of kids to who's more talented? Nick Cannon and Michael Jackson,

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Speaker 1: Shut up, man, you can karate cha. That's a valid question.

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Speaker 1: Come on, man, let's let's just move on from that. Charlomagne, Okay,

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Speaker 1: it's clearly Nick Cannon. You know, we talked about it.

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Speaker 1: Charlomagne was out this way, Chris Brown, Michael Jackson. Who's

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Speaker 1: more talented? Chris said it himself, he said, that's that's

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Speaker 1: cap You can't. You can't. You can't even compare the

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Speaker 1: two because Michael is the influence of Chris. Right, So

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Speaker 1: it's almost like saying, who's more talented between Eddie Murphy

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Speaker 1: and Richard Pryor you can't one doesn't cancel out the other.

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Speaker 1: I actually heard Eddie say this years ago on our cineo.

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Speaker 1: He said there was a time when people were trying

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Speaker 1: to pit him and Richard against each other, and Richard

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Speaker 1: was feeling like, oh, you're the new young guy that's

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Speaker 1: stealing my thunder. And so Eddie says, if I come

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Speaker 1: to high school and get a hundred on my tests

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Speaker 1: this year and years ago you got a hundred on

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Speaker 1: your test, does my hundred cancel out your hundred? No?

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Speaker 1: It doesn't. So why can't we just let Chris be

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Speaker 1: great now and Michael was great then? Period. There's there's

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Speaker 1: no there's no who's more talented because to me, they're

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Speaker 1: talented in different ways. Chris is a more youthful Chris

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Speaker 1: crumps and does be's a b boy, He's a multiple hyphening.

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Speaker 1: He does all that shit. Michael wasn't flipping both the

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Speaker 1: stuff Michael. I saw Michael in concert. I saw people

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Speaker 1: fainting in front of them. I've seen a lot of

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Speaker 1: people in concert, and let me tell you something, I've

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Speaker 1: never seen niggas faint at any other concert. And I've

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Speaker 1: seen all the greats. Michael by far was the one

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Speaker 1: that was an alien on stage. He made people come,

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Speaker 1: he made people float. It was niggas was wild and

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Speaker 1: they was. They had emergency tents on the side of

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Speaker 1: his shows for er like for people that was passing

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Speaker 1: out or or or whatever. They were convulsion. They were

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Speaker 1: doing all kinds of shit. Um, but Michael just had

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Speaker 1: that effect on people. So his his gift is beyond

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Speaker 1: a talent. Like all, he can dance really good. Michael

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Speaker 1: was phenomenal. Yeah, the problem with the Michael Jackson Chris

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Speaker 1: Brown debates that they're not even talking music and dancing

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Speaker 1: no more like they start. Oh he can play bath

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Speaker 1: ball and even spray paint. It's like, what that gotta do?

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Speaker 1: What we're dealing with a series of people that don't

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Speaker 1: recognize talent the generation that we're in. You don't have

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Speaker 1: to be talented to make it, So you have a

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Speaker 1: lot of people who have no idea what talent is.

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Speaker 1: You know, everything is viral videos and reality shows. You

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Speaker 1: don't have to be talented to be famous now. So

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Speaker 1: when people are talking about talent and who's more talented,

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Speaker 1: they don't know what the fuck they're saying. I don't

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Speaker 1: even know what fame is anymore. We had Kim Fields

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Speaker 1: and here here yesterday, and I was saying that Kim, like, man,

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Speaker 1: you came up in the eighties when celebrity feb Yeah,

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Speaker 1: that's why it's still last night. That's why you see

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Speaker 1: them now be like, oh shit, right famous real? Yeah,

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Speaker 1: it's it's you don't have to do anything to qualify

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Speaker 1: to be famous now. You just have to be seen

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Speaker 1: a whole bunch of times. And when people see you

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Speaker 1: on the street and recognize you and want to take

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Speaker 1: a picture with you, now you're famous. So there's that

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Speaker 1: cheapened uh, like somebody like yourself who's actually talented? Right,

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Speaker 1: do you think people appreciate that talent. They probably don't,

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Speaker 1: but I don't. I don't base my I don't hate

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Speaker 1: my validation on that. I know who I am, I

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Speaker 1: know what I got. Like, I haven't been on y'all show,

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Speaker 1: and damn they're eleven years. It's been that long. Yeah,

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Speaker 1: it's been a long time. This is only my second

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Speaker 1: time on this show. Yet I'm still relevant eleven years later, right,

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Speaker 1: So for me, it don't matter what they're saying or

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Speaker 1: how they define me. I just do what the funk

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Speaker 1: I do. And because I know that they're not qualified

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Speaker 1: to put me in a category or a box, I

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Speaker 1: just keep doing what I do. And you made those adjustments.

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Speaker 1: You know, you see you on social media. We saw

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Speaker 1: you on the joint with Cardi bad when y'all was

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Speaker 1: out in the woods. You know what I mean. Cardi

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Speaker 1: tried shout out to Cardi bad Man. She wanted the

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Speaker 1: sweetest people in the world. Cardi's dope. Yeah, I was

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Speaker 1: gonna ask, you know, since you grind it. We talked

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Speaker 1: about your grinding. How long you've been grinding? Do you

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Speaker 1: respect some of these these new comedians that come up

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Speaker 1: and necessarily don't have to grind the same way A

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Speaker 1: thousand percent a thousand. I was just talking to Country

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Speaker 1: Wayne the other day and telling him the same thing, Like,

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Speaker 1: we put so much emphasis on the platform that they're

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Speaker 1: using when we all have the access to the same platform.

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Speaker 1: So just because they're using it and it looks easier

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Speaker 1: and they don't have to grind that, you sound like

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Speaker 1: the old nigga like man beg in my day, we

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Speaker 1: had to walk eighteen miles in snow, bad footage. Nah.

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Speaker 1: When I see those guys, it puts me in the

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Speaker 1: mindset of deaf comedy jam back in the day or

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Speaker 1: a comic view. Right, that's so called the traditional way

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Speaker 1: of how you grind to be a comedian. Right. There

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Speaker 1: was garbage niggas there too, and there was greatness in

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Speaker 1: that platform too, So now you have garbage on the

421
00:21:34,880 --> 00:21:38,800
Speaker 1: Internet and you have greatness on the Internet. So haha, Davis,

422
00:21:39,119 --> 00:21:45,719
Speaker 1: Country Wayne, Desi Banks Jest hilarious, pretty mist They are

423
00:21:45,840 --> 00:21:48,920
Speaker 1: all hilarious. I literally watch their pages. I don't just

424
00:21:49,000 --> 00:21:50,960
Speaker 1: watch one video. I will scroll through their pages and

425
00:21:51,040 --> 00:21:53,600
Speaker 1: just have a good laugh because they're very clever, they're

426
00:21:53,680 --> 00:21:56,280
Speaker 1: very funny, and they've taken that platform and use it

427
00:21:56,359 --> 00:21:58,720
Speaker 1: to their advantage. So why wouldn't I use it in

428
00:21:58,760 --> 00:22:00,240
Speaker 1: the same way. I have the ability to do it,

429
00:22:00,840 --> 00:22:04,120
Speaker 1: and I'm a traditional stand up So I don't feel

430
00:22:04,160 --> 00:22:06,600
Speaker 1: no kind of way. I feel like, thank god they

431
00:22:06,640 --> 00:22:08,440
Speaker 1: found a newer way to do it and to reach

432
00:22:08,720 --> 00:22:11,800
Speaker 1: the audience directly. It cuts out the middleman, you know

433
00:22:11,800 --> 00:22:14,359
Speaker 1: what I mean. Agency managers don't always have the answer,

434
00:22:14,440 --> 00:22:16,920
Speaker 1: and a lot of times they don't have the patience

435
00:22:17,080 --> 00:22:22,280
Speaker 1: or the desire to help develop you. And so I'm

436
00:22:22,359 --> 00:22:24,520
Speaker 1: thankful that these guys figure out a way. The white

437
00:22:24,560 --> 00:22:28,840
Speaker 1: boy Trevor Wilds its hilarious. Look up Trevor Wilds. He's

438
00:22:29,200 --> 00:22:34,119
Speaker 1: he's stupid, but he's selling out theaters just off the internet.

439
00:22:34,680 --> 00:22:37,080
Speaker 1: You know, you don't need necessarily to have a stand

440
00:22:37,160 --> 00:22:40,280
Speaker 1: up special anymore to get that visibility and to have

441
00:22:40,400 --> 00:22:42,760
Speaker 1: people want to come see you. Like we were just

442
00:22:42,840 --> 00:22:45,720
Speaker 1: saying earlier, your fame is based on how many times

443
00:22:45,760 --> 00:22:48,000
Speaker 1: they see you over and over and over. Yeah, so

444
00:22:48,200 --> 00:22:51,080
Speaker 1: that's that's what famous is cumulative. Now you can you

445
00:22:51,119 --> 00:22:54,119
Speaker 1: can put a number to it. But to answer your question,

446
00:22:54,880 --> 00:22:57,560
Speaker 1: I feel no kind of way. I love these the

447
00:22:58,280 --> 00:23:00,879
Speaker 1: folks that are on the internet that Anny I was

448
00:23:00,920 --> 00:23:03,359
Speaker 1: just watching in the lobby y'all, y'all watch File at

449
00:23:03,680 --> 00:23:07,920
Speaker 1: the dude that the basketball? Yeah, hey man, I get

450
00:23:08,080 --> 00:23:10,560
Speaker 1: great laughs watching him and all he's doing his commentary.

451
00:23:11,760 --> 00:23:14,080
Speaker 1: But it's the way he's saying. It's a talent. It's

452
00:23:14,080 --> 00:23:17,200
Speaker 1: how he's describing basketball, something we all love to watch.

453
00:23:17,320 --> 00:23:20,080
Speaker 1: But he's he because he plays, he's watching it in

454
00:23:20,119 --> 00:23:22,480
Speaker 1: a certain way. And then he's singing the you know

455
00:23:22,760 --> 00:23:25,800
Speaker 1: file you know it's it's just dope. I get I

456
00:23:25,880 --> 00:23:27,160
Speaker 1: get a kick out of all that shit. And I'm

457
00:23:27,200 --> 00:23:29,440
Speaker 1: not a hater. I support anybody that's doing it the

458
00:23:29,520 --> 00:23:31,960
Speaker 1: right way. Or that's that's funny, you think because we

459
00:23:32,080 --> 00:23:34,639
Speaker 1: were born in like the nineteen hundreds right right that

460
00:23:34,960 --> 00:23:37,800
Speaker 1: we're looking we're looking for these people. We're looking for

461
00:23:38,000 --> 00:23:41,280
Speaker 1: something to validate these people like instead of just enjoying

462
00:23:41,320 --> 00:23:43,280
Speaker 1: them and realizing this is the new way, we're waiting

463
00:23:43,320 --> 00:23:45,440
Speaker 1: for them to get signed to a TV show or movie.

464
00:23:45,560 --> 00:23:48,199
Speaker 1: I think I think we live in a hater culture.

465
00:23:48,840 --> 00:23:51,440
Speaker 1: That's what hip hop has become. We can't wait to hate,

466
00:23:52,000 --> 00:23:54,320
Speaker 1: you know what I'm saying. I've seen it with y'all.

467
00:23:54,359 --> 00:23:57,120
Speaker 1: I've seen it with anyone who is doing their thing.

468
00:23:57,800 --> 00:24:00,920
Speaker 1: People want to find something to say to tear you down,

469
00:24:01,119 --> 00:24:02,560
Speaker 1: and that's just our coach. I don't know why the

470
00:24:02,640 --> 00:24:06,080
Speaker 1: fuck that is. Back in the seventies, Uh, it was

471
00:24:06,160 --> 00:24:08,000
Speaker 1: more peace loving and you know what I'm saying in

472
00:24:08,040 --> 00:24:10,440
Speaker 1: hair Grease and everybody was more like yeah brother, yeah sister,

473
00:24:10,520 --> 00:24:13,560
Speaker 1: and it was more unity and something about this hip

474
00:24:13,600 --> 00:24:15,760
Speaker 1: hop world man, where we want to throw away everything

475
00:24:16,000 --> 00:24:18,359
Speaker 1: tomorrow and are you wearing them? You still wearing them

476
00:24:18,400 --> 00:24:22,600
Speaker 1: slides last week? You need the new ship and it's

477
00:24:22,640 --> 00:24:24,600
Speaker 1: just the new ship. So we do that with our

478
00:24:24,680 --> 00:24:26,720
Speaker 1: gems too, you know what I mean. Thank God for

479
00:24:26,960 --> 00:24:30,600
Speaker 1: the New Addition movie, for example, because we all loved

480
00:24:30,640 --> 00:24:32,960
Speaker 1: New Addition, right, but it opened them up to a

481
00:24:33,080 --> 00:24:35,960
Speaker 1: new fan base that that that that movie, and now

482
00:24:36,000 --> 00:24:38,800
Speaker 1: they're thriving again. They're having another wave and they've had

483
00:24:38,800 --> 00:24:41,640
Speaker 1: about seventy five waves. But I say that to say

484
00:24:42,480 --> 00:24:44,600
Speaker 1: it's a shame that a lot of our artists got

485
00:24:44,720 --> 00:24:49,360
Speaker 1: to do joint concerts in theaters when Rolling Stones can

486
00:24:49,440 --> 00:24:52,040
Speaker 1: do arenas for the rest of their life or you two,

487
00:24:52,520 --> 00:24:55,440
Speaker 1: because they don't throw away their gems. We always want

488
00:24:55,480 --> 00:24:57,200
Speaker 1: the next new hot shit. I would say that in

489
00:24:57,800 --> 00:24:59,280
Speaker 1: radio as well, Like you listen to some of the

490
00:24:59,520 --> 00:25:02,440
Speaker 1: pop stag. They still play Rolling Stones, right, But like

491
00:25:02,480 --> 00:25:04,840
Speaker 1: if you listen to to some of these hip hop stations,

492
00:25:05,080 --> 00:25:07,520
Speaker 1: you won't hear a ll cool J. You won't hear

493
00:25:07,600 --> 00:25:10,920
Speaker 1: a new edition unless it's Poison. Poison. They're they're gonna

494
00:25:10,920 --> 00:25:12,960
Speaker 1: play poison, but like you don't even hear montell Jordan,

495
00:25:13,040 --> 00:25:14,920
Speaker 1: this is how we do it, unless it's throwback our

496
00:25:15,000 --> 00:25:16,600
Speaker 1: You know what I mean. It's crazy because, like you said,

497
00:25:16,600 --> 00:25:18,160
Speaker 1: it's still our gems. It's still a lot of music,

498
00:25:18,200 --> 00:25:20,280
Speaker 1: it's still hits, and we need to value that. We

499
00:25:20,359 --> 00:25:24,480
Speaker 1: need to value We need to value to the gems. Man.

500
00:25:24,760 --> 00:25:26,560
Speaker 1: I think we're so quick to throw away and to

501
00:25:26,720 --> 00:25:29,080
Speaker 1: hate on. And you know, people want to see you fall,

502
00:25:29,280 --> 00:25:31,360
Speaker 1: they want to see the scandal. But what I've learned

503
00:25:31,440 --> 00:25:33,639
Speaker 1: on how to pivot out of all that shit is

504
00:25:33,720 --> 00:25:36,920
Speaker 1: because of all of that, we live in a short

505
00:25:36,960 --> 00:25:41,800
Speaker 1: attention span generation. So you do some dumb shit today

506
00:25:42,440 --> 00:25:46,399
Speaker 1: and it's by next Thursday, they're gonna forget about that

507
00:25:46,440 --> 00:25:48,640
Speaker 1: shit because there's gonna be forty other things that happensolutely.

508
00:25:48,800 --> 00:25:51,600
Speaker 1: And by the way, people don't really care because here's

509
00:25:51,600 --> 00:25:53,800
Speaker 1: the truth, didn't matter if all of those people that

510
00:25:53,960 --> 00:25:57,520
Speaker 1: critique us got the same type of critique every day.

511
00:25:57,760 --> 00:26:00,680
Speaker 1: That culture wouldn't even exist because nobody body would want that,

512
00:26:00,840 --> 00:26:03,560
Speaker 1: that smoke, nobody would want that for themself. And you're right,

513
00:26:03,680 --> 00:26:06,639
Speaker 1: So the people that sit back and critique everything that

514
00:26:06,720 --> 00:26:08,800
Speaker 1: we do. Right. And I don't like his beard. This

515
00:26:09,200 --> 00:26:11,359
Speaker 1: beard is fake. I've heard people saying that, but it's true.

516
00:26:11,400 --> 00:26:15,360
Speaker 1: That's true. I've heard it saying that, and they're talking

517
00:26:15,359 --> 00:26:18,320
Speaker 1: about your your your transformation of your face. That's true too.

518
00:26:19,119 --> 00:26:22,440
Speaker 1: I never bleached, but I got a vibes cartel. No, No,

519
00:26:23,160 --> 00:26:25,719
Speaker 1: I got a good dermatologist. No surgery that they think

520
00:26:25,720 --> 00:26:31,119
Speaker 1: I got surgery. And he gets his eyebrows though, never

521
00:26:31,160 --> 00:26:33,320
Speaker 1: got my brows done. You get your eye No I don't.

522
00:26:34,160 --> 00:26:37,280
Speaker 1: I've never got my eyebrows done. I would tell y'all no,

523
00:26:37,359 --> 00:26:41,240
Speaker 1: they didn't getting that one thread. No, no reconstruction surgery

524
00:26:41,280 --> 00:26:42,600
Speaker 1: on my brow. That's why goes up like this. Not

525
00:26:42,680 --> 00:26:44,119
Speaker 1: to be honest, I did get him ars back in

526
00:26:44,160 --> 00:26:47,359
Speaker 1: the day. But I'll tell you why. The truth always

527
00:26:47,400 --> 00:26:51,600
Speaker 1: comes out. It always come out. I never never touched

528
00:26:51,640 --> 00:26:54,800
Speaker 1: my hint brown, except for one time back in nineteen

529
00:26:55,280 --> 00:26:58,639
Speaker 1: seventy nine when I had one incident. I did. I

530
00:26:58,720 --> 00:27:01,520
Speaker 1: used to do tell the marketing, but my two home brothers,

531
00:27:01,920 --> 00:27:03,840
Speaker 1: Nina and you don't care about the story. Now. Is

532
00:27:03,880 --> 00:27:05,680
Speaker 1: the fact that you had it done, but they gasped

533
00:27:05,680 --> 00:27:06,879
Speaker 1: me up. They told me too, pot got the liye

534
00:27:06,920 --> 00:27:10,399
Speaker 1: brother dos all right. The fact that you got it

535
00:27:10,440 --> 00:27:12,440
Speaker 1: done and you're fucking lied about it two minutes ago,

536
00:27:12,640 --> 00:27:14,960
Speaker 1: and now you had to face up. So that means

537
00:27:14,960 --> 00:27:20,960
Speaker 1: every other thing is true. Ye, reconstructive surgery, surgery, BELI

538
00:27:21,200 --> 00:27:24,800
Speaker 1: dream is real. It's all real. I forgot what our

539
00:27:24,800 --> 00:27:28,560
Speaker 1: point was. But what was he talking about? I don't know. No,

540
00:27:28,680 --> 00:27:30,679
Speaker 1: he's not getting to stop it. What do you think?

541
00:27:30,800 --> 00:27:33,480
Speaker 1: What do you think about the current state of like

542
00:27:33,640 --> 00:27:37,440
Speaker 1: just comedy, is its standing stand up still matter or

543
00:27:37,480 --> 00:27:40,119
Speaker 1: one thousand percent? Um? I think I think comedy is

544
00:27:40,160 --> 00:27:42,200
Speaker 1: in a great place actually, Like we're all making money

545
00:27:42,760 --> 00:27:45,359
Speaker 1: off of it. The bags are nice. Um, it's a

546
00:27:45,440 --> 00:27:48,399
Speaker 1: way for you to control your own voice and destiny. Um,

547
00:27:49,960 --> 00:27:51,920
Speaker 1: it's a lot of us out here getting it and

548
00:27:52,520 --> 00:27:57,639
Speaker 1: with legitimate fan bases. And comedy is very necessary. You know.

549
00:27:57,800 --> 00:28:00,280
Speaker 1: I get people all the time coming up to me saying, man,

550
00:28:00,400 --> 00:28:02,720
Speaker 1: during the pandemic, you saved my life. These are the

551
00:28:02,760 --> 00:28:05,320
Speaker 1: words that they use. I'm just doing what I'm doing.

552
00:28:05,640 --> 00:28:08,640
Speaker 1: I don't think about who I'm affecting, whose life I'm

553
00:28:08,880 --> 00:28:12,240
Speaker 1: so called saving, but the fact that they feel that

554
00:28:12,400 --> 00:28:15,200
Speaker 1: I had helped them through whatever dark time they was in.

555
00:28:16,400 --> 00:28:18,040
Speaker 1: I know what my purpose is. I know that I'm

556
00:28:18,080 --> 00:28:19,760
Speaker 1: in my purpose, and even though I go through my

557
00:28:19,800 --> 00:28:21,119
Speaker 1: own dark shit. You know what I'm saying, I go

558
00:28:21,200 --> 00:28:23,600
Speaker 1: through my own struggles and I'm glad you are one

559
00:28:23,640 --> 00:28:27,760
Speaker 1: of the first advocates of therapy. Um. I've been in

560
00:28:27,800 --> 00:28:30,160
Speaker 1: therapy for the last three years too, So just managing

561
00:28:30,280 --> 00:28:34,399
Speaker 1: my own transparency, of my own you know, my my

562
00:28:34,520 --> 00:28:40,440
Speaker 1: bags of darkness or my bags of trauma. I'm happy

563
00:28:40,480 --> 00:28:42,560
Speaker 1: that I can help somebody else to my gift. You

564
00:28:42,600 --> 00:28:44,040
Speaker 1: know what I'm saying, Well, got you in therapy. What

565
00:28:44,160 --> 00:28:47,000
Speaker 1: was the reason you decided to relationship? I was I

566
00:28:47,120 --> 00:28:50,800
Speaker 1: was breaking up with this with this girl, and in

567
00:28:50,920 --> 00:28:55,080
Speaker 1: the middle of an argument we were having, I saw

568
00:28:55,160 --> 00:28:57,480
Speaker 1: the spotlight turn around on me and I was like, wait,

569
00:28:57,520 --> 00:29:00,440
Speaker 1: I've been here before with several other women and this

570
00:29:00,640 --> 00:29:04,080
Speaker 1: same type of argument, the same exact energy. It has

571
00:29:04,160 --> 00:29:06,520
Speaker 1: to be me. It has to be something that I'm

572
00:29:06,560 --> 00:29:10,040
Speaker 1: doing to attract this type of toxicity. And I literally

573
00:29:10,080 --> 00:29:12,160
Speaker 1: got on the phone with my boy jay Lee. Jay

574
00:29:12,200 --> 00:29:16,000
Speaker 1: Lee as an actor, he's comedian too, but he's one

575
00:29:16,000 --> 00:29:19,360
Speaker 1: of the first friends that I had that talked about therapy. Right.

576
00:29:20,360 --> 00:29:22,280
Speaker 1: He did a whole movie about it with Michael Eally

577
00:29:22,600 --> 00:29:26,880
Speaker 1: called Atypical Wednesdays. And so I call him in the

578
00:29:26,920 --> 00:29:29,160
Speaker 1: midst of that argument, like she's packing her ship, she's

579
00:29:29,160 --> 00:29:31,920
Speaker 1: doing all that shit. I said, Yo, man, can you

580
00:29:32,040 --> 00:29:34,000
Speaker 1: refer media therapist? I think I need to talk to

581
00:29:34,040 --> 00:29:36,200
Speaker 1: somebody like I was really in that in that mindset.

582
00:29:36,800 --> 00:29:40,480
Speaker 1: And so anyway, long story short, I ended up getting

583
00:29:40,480 --> 00:29:41,960
Speaker 1: a therapist, and I wanted to make sure it was

584
00:29:41,960 --> 00:29:43,720
Speaker 1: a black therapist because I didn't want to explain the

585
00:29:43,760 --> 00:29:47,200
Speaker 1: black experience to somebody too on top of other traumas, right,

586
00:29:48,040 --> 00:29:51,120
Speaker 1: And yeah, I saw I started going and we clicked immediately,

587
00:29:51,600 --> 00:29:54,720
Speaker 1: and she helped me really navigate my life and to

588
00:29:55,640 --> 00:29:57,640
Speaker 1: put her on the table. And that's something that I

589
00:29:57,720 --> 00:30:00,200
Speaker 1: don't mind doing anyway. I like to be trans parent

590
00:30:00,320 --> 00:30:02,040
Speaker 1: with myself and I don't like to lie to myself.

591
00:30:02,280 --> 00:30:04,200
Speaker 1: I mean, most comedians are very self aware. That's why

592
00:30:04,240 --> 00:30:07,400
Speaker 1: y'all are able to be so observational. Yeah, but a

593
00:30:07,480 --> 00:30:09,640
Speaker 1: lot of us feel like, especially in this hip hop culture,

594
00:30:09,640 --> 00:30:10,800
Speaker 1: a lot of us feel like we still have to

595
00:30:10,840 --> 00:30:13,480
Speaker 1: be tough and we gotta be cool. We gotta be

596
00:30:13,960 --> 00:30:16,320
Speaker 1: we think we're rappers, you know. We we try to

597
00:30:16,360 --> 00:30:20,360
Speaker 1: act like with rappers personify and I'm not trying to

598
00:30:20,400 --> 00:30:23,400
Speaker 1: do that. Man Like I can rap, but that don't

599
00:30:23,440 --> 00:30:26,040
Speaker 1: mean I gotta act like sh is all good nigga,

600
00:30:26,080 --> 00:30:29,960
Speaker 1: you know me, I'm out here so good like my entourage.

601
00:30:30,920 --> 00:30:35,120
Speaker 1: These niggas. Comedians are way really. The rappers comedians way

602
00:30:35,400 --> 00:30:38,120
Speaker 1: really and rappers to me, none, no, But we're rappers

603
00:30:38,160 --> 00:30:40,719
Speaker 1: aren't allowed to be real. The culture of rap does

604
00:30:40,800 --> 00:30:45,080
Speaker 1: not allow them to be vulnerable. And I don't I

605
00:30:45,240 --> 00:30:49,880
Speaker 1: use the word soft loosely, but you get looked at

606
00:30:50,000 --> 00:30:54,880
Speaker 1: as soft if you're a rapper that's crying or or

607
00:30:55,000 --> 00:30:58,760
Speaker 1: showing emotion about something. It's just you know, rappers still

608
00:30:58,760 --> 00:31:01,080
Speaker 1: built on that street mentality. And I get it, like

609
00:31:01,120 --> 00:31:03,240
Speaker 1: I bumped that shit in the whip, but I don't

610
00:31:03,320 --> 00:31:05,240
Speaker 1: want to feel angry all the time. Yeah, you know,

611
00:31:05,280 --> 00:31:07,240
Speaker 1: it's an undressing. Some comedians say they don't want to

612
00:31:07,240 --> 00:31:09,440
Speaker 1: go to therapy and stuff because they don't want to

613
00:31:09,440 --> 00:31:11,280
Speaker 1: fix that trauma. Because they feel like that trauma is

614
00:31:11,320 --> 00:31:14,280
Speaker 1: like the source of a lot of their their their inspiration,

615
00:31:14,360 --> 00:31:18,160
Speaker 1: their creativity, their jokes. Now, get that shit out. Get

616
00:31:18,200 --> 00:31:20,800
Speaker 1: that shit out. I don't give a fuck how how

617
00:31:21,080 --> 00:31:23,880
Speaker 1: creative you think is making you go to therapy and

618
00:31:24,000 --> 00:31:26,880
Speaker 1: get that stuff out, because there's always a pattern that

619
00:31:26,960 --> 00:31:30,240
Speaker 1: you're leaving when there's trauma, there's a pattern that you're living,

620
00:31:30,280 --> 00:31:32,120
Speaker 1: and there's a pattern that you're leaving in the wake

621
00:31:32,240 --> 00:31:36,080
Speaker 1: of whoever's path that you cross. You have to get

622
00:31:36,160 --> 00:31:37,680
Speaker 1: that out. You know. It's a lot of people that

623
00:31:38,120 --> 00:31:41,800
Speaker 1: that say cocaine makes them a better artist. Yeah, all right,

624
00:31:41,840 --> 00:31:43,880
Speaker 1: but that shit is sucking your brain up though. You know,

625
00:31:43,920 --> 00:31:47,000
Speaker 1: I'm saying, you may have five fire projects off of

626
00:31:47,040 --> 00:31:49,640
Speaker 1: that cocaine, but you need to get healed from that.

627
00:31:49,680 --> 00:31:52,080
Speaker 1: You need you need to flush. Did it? Did it

628
00:31:52,160 --> 00:31:54,560
Speaker 1: help you? Can? You know? Breaking up? People don't realize

629
00:31:54,560 --> 00:31:56,680
Speaker 1: that's like that's grieving. You know what I'm saying, when

630
00:31:56,680 --> 00:31:59,000
Speaker 1: you break up with somebody, Oh for sure. Cor the

631
00:31:59,040 --> 00:32:04,280
Speaker 1: radio yesterday he was hurt. Emmins girl broken up. It's real. Um.

632
00:32:05,920 --> 00:32:07,840
Speaker 1: I was on tour years ago when I when I

633
00:32:07,880 --> 00:32:12,600
Speaker 1: first started with this this older comedian and he said calmly.

634
00:32:12,640 --> 00:32:14,520
Speaker 1: He said, a woman can make you feel your best

635
00:32:15,320 --> 00:32:18,760
Speaker 1: and a woman can make you feel your worst. That's

636
00:32:18,760 --> 00:32:24,040
Speaker 1: all he said. Bars And hell yeah, I agrieve. I

637
00:32:24,200 --> 00:32:27,400
Speaker 1: grieve because it's it's it's it's hard when you really

638
00:32:27,440 --> 00:32:30,120
Speaker 1: are in love with somebody and you cannot figure out

639
00:32:30,160 --> 00:32:32,280
Speaker 1: how to make it work. And then you start going

640
00:32:32,360 --> 00:32:35,240
Speaker 1: back and saying, man, where did I go wrong? Somewhere?

641
00:32:35,560 --> 00:32:38,520
Speaker 1: Did I not get to notice person enough to to

642
00:32:38,720 --> 00:32:40,800
Speaker 1: bond with them and to make it real, to make

643
00:32:40,840 --> 00:32:43,440
Speaker 1: it last? Yeah, that shit is, it's crazy. And you know,

644
00:32:44,120 --> 00:32:46,640
Speaker 1: a lot of times we breaking up with one person,

645
00:32:46,720 --> 00:32:48,120
Speaker 1: it's hard, and some of us have broken up with

646
00:32:48,520 --> 00:32:50,920
Speaker 1: five people, and that shit is, it's tough, it's tough

647
00:32:50,920 --> 00:32:53,400
Speaker 1: to carry. So you got to get therapy for those

648
00:32:53,440 --> 00:32:56,320
Speaker 1: things and then realize how the relationship that your parents

649
00:32:56,360 --> 00:32:58,600
Speaker 1: had affected you. No, absolutely, you know what I mean.

650
00:32:58,720 --> 00:33:01,520
Speaker 1: That's that's where a lot of the trama lives. So

651
00:33:02,880 --> 00:33:06,640
Speaker 1: um therapy, therapy, therapy, go get it word. This weekend

652
00:33:06,640 --> 00:33:09,360
Speaker 1: you will be at Carolines They didn't believe in Me.

653
00:33:09,600 --> 00:33:14,680
Speaker 1: Friday Carolines did five, Saturday at seven and Saturday at

654
00:33:14,760 --> 00:33:16,880
Speaker 1: nine forty five. You can get your tickets at Carolines

655
00:33:16,920 --> 00:33:18,920
Speaker 1: dot com. And we appreciate you for your New York

656
00:33:18,960 --> 00:33:23,680
Speaker 1: didn't believe in me. Carolines did when when this all said,

657
00:33:24,600 --> 00:33:27,880
Speaker 1: how do you think people gonna remember Avion Crock? They

658
00:33:27,960 --> 00:33:30,680
Speaker 1: gonna remember me as the guy that did it his way,

659
00:33:31,600 --> 00:33:34,640
Speaker 1: you know, with the with a good attitude. You know,

660
00:33:35,240 --> 00:33:37,800
Speaker 1: I don't complain. I don't ask people for shit. I

661
00:33:37,960 --> 00:33:40,280
Speaker 1: just do it my way. I don't mind putting my

662
00:33:40,320 --> 00:33:43,880
Speaker 1: money where my mouth is. I financed my own projects.

663
00:33:44,480 --> 00:33:49,120
Speaker 1: Um I I have the attitude of gratitude and I

664
00:33:49,160 --> 00:33:51,400
Speaker 1: don't feel entitled to anything. No one owes me anything.

665
00:33:51,960 --> 00:33:54,480
Speaker 1: So hopefully when they remember me, they're like, yo, that

666
00:33:54,560 --> 00:33:56,640
Speaker 1: dude worked his ass off and he did it with

667
00:33:56,680 --> 00:33:59,800
Speaker 1: a smile. We appreciate you for joining us. And how

668
00:33:59,800 --> 00:34:04,440
Speaker 1: do you pronounce the name the correct name? Now? But

669
00:34:04,560 --> 00:34:08,120
Speaker 1: I think that all these years has been Apion. There's

670
00:34:08,120 --> 00:34:10,399
Speaker 1: no va. My fucking name Charlotta Magne. I just thought

671
00:34:10,600 --> 00:34:14,160
Speaker 1: I can say Chota. I didn't you say Charlotte Mane.

672
00:34:15,160 --> 00:34:18,920
Speaker 1: There's a G in that motherfucker. How did I know

673
00:34:19,000 --> 00:34:20,800
Speaker 1: how to say that? I didn't say Charlotte Magnee. I

674
00:34:20,840 --> 00:34:23,880
Speaker 1: don't think i've ever heard that a fion. How did

675
00:34:23,920 --> 00:34:26,120
Speaker 1: you not hear it? Nigga? I always thought they was

676
00:34:26,160 --> 00:34:31,239
Speaker 1: saying afion this whole time. Wow, you learned something new

677
00:34:31,320 --> 00:34:34,840
Speaker 1: every day. Goodness, charlotmagine, fuck you and just give me

678
00:34:35,000 --> 00:34:38,440
Speaker 1: the number to your eyebrows. Specially before my shows at Caroline,

679
00:34:38,440 --> 00:34:39,920
Speaker 1: I want to make sure my shit is lined up

680
00:34:40,560 --> 00:34:43,920
Speaker 1: and plucked and all going in the right direction. So

681
00:34:44,080 --> 00:34:45,640
Speaker 1: last question before we get a patt of here, we

682
00:34:45,719 --> 00:34:49,440
Speaker 1: always asked the mount Rushmore of comedians, Yeah, who do

683
00:34:49,520 --> 00:34:52,440
Speaker 1: you have? That's that's a long list. But for me,

684
00:34:53,280 --> 00:34:55,760
Speaker 1: I had to talk about who influenced me. The most correct.

685
00:34:56,239 --> 00:35:02,440
Speaker 1: Number one is Eddie Murphy, Eddie Murphy, Um, Martin Lawrence. Okay,

686
00:35:03,680 --> 00:35:07,719
Speaker 1: the Wayn's family, I count his one because it's a

687
00:35:07,800 --> 00:35:10,200
Speaker 1: lot of faces on that. But but you know, Kenan

688
00:35:10,280 --> 00:35:12,839
Speaker 1: and Damon and all of them. So you mean when

689
00:35:12,840 --> 00:35:14,640
Speaker 1: you say way, you mean just with the show I

690
00:35:14,719 --> 00:35:19,439
Speaker 1: would stand up everything, everything wins. Those those they don't

691
00:35:19,440 --> 00:35:27,279
Speaker 1: get talked about enough as a comedy royalty right um, writing, producing, performing,

692
00:35:27,719 --> 00:35:31,520
Speaker 1: stand up nepotism right in the in the in the

693
00:35:31,680 --> 00:35:34,160
Speaker 1: right way. You know what I'm saying, Like, they just

694
00:35:34,239 --> 00:35:36,719
Speaker 1: don't get they don't get talked about enough and kind

695
00:35:36,760 --> 00:35:39,719
Speaker 1: of unofficial in a way. Yeah, I'm ways they they

696
00:35:39,760 --> 00:35:44,880
Speaker 1: adopted me. They definitely adopted me, but rightfully so. And

697
00:35:45,040 --> 00:35:46,719
Speaker 1: I was able to say this to Keenan when we

698
00:35:46,800 --> 00:35:48,719
Speaker 1: did dance Flick. I said, I said, you know, I

699
00:35:48,800 --> 00:35:51,200
Speaker 1: went to the School of Wains, I went to your school.

700
00:35:51,239 --> 00:35:54,120
Speaker 1: I studied everything you did. And he looked at me

701
00:35:54,160 --> 00:35:56,600
Speaker 1: and said, he said, you did it the right way.

702
00:35:56,640 --> 00:35:58,960
Speaker 1: You you did great. You soaked up all the right

703
00:35:59,000 --> 00:36:04,320
Speaker 1: information and that's why you're here. So yeah, I definitely

704
00:36:04,520 --> 00:36:08,440
Speaker 1: I no, no, no, cap Like, I really studied those

705
00:36:08,560 --> 00:36:11,360
Speaker 1: those folks who's the first one that embraced you with it? Marlin,

706
00:36:12,320 --> 00:36:14,920
Speaker 1: Marlon and Sean because I auditioned for them, uh for

707
00:36:15,040 --> 00:36:17,680
Speaker 1: this this pilot that we did on VH one, And

708
00:36:19,040 --> 00:36:21,719
Speaker 1: I made them niggas laugh so hard in the room,

709
00:36:22,520 --> 00:36:24,480
Speaker 1: Sean through a water bottle at me while I was

710
00:36:24,520 --> 00:36:27,200
Speaker 1: still in audition mode. Right I was playing this this

711
00:36:27,360 --> 00:36:30,640
Speaker 1: rapper and I was freestyle rapping. I was going going

712
00:36:30,719 --> 00:36:33,040
Speaker 1: off in the room. But anyway, the two of them

713
00:36:33,239 --> 00:36:36,400
Speaker 1: were the ones that, uh that understood the DNA because

714
00:36:36,400 --> 00:36:38,400
Speaker 1: I studied them. They were the younger Wayans and so

715
00:36:38,760 --> 00:36:40,560
Speaker 1: when they used to do those characters snuff in Rome.

716
00:36:41,360 --> 00:36:43,640
Speaker 1: I copied that, like I really was just you know,

717
00:36:44,000 --> 00:36:47,200
Speaker 1: I dialed into that voice of what they did. Um.

718
00:36:47,840 --> 00:36:56,920
Speaker 1: But anyways, Um, George Carlin, Oh yeah, I would have

719
00:36:56,960 --> 00:36:59,799
Speaker 1: said Chris Rock because he's up there too, but he's

720
00:36:59,840 --> 00:37:01,840
Speaker 1: in fluenced by Carlin as well, so we got to

721
00:37:01,880 --> 00:37:05,320
Speaker 1: go to the source. But again, that Mount Rushmore is

722
00:37:05,320 --> 00:37:06,880
Speaker 1: a it's a it's a long list of people I

723
00:37:06,960 --> 00:37:08,799
Speaker 1: slept on calling. And I mean, don't get me wrong,

724
00:37:08,840 --> 00:37:11,239
Speaker 1: I've always heard the greatness of George Colin. But when

725
00:37:11,239 --> 00:37:13,480
Speaker 1: I saw that doctor that's on HBO Max right now,

726
00:37:13,760 --> 00:37:16,360
Speaker 1: oh my god, yeah, I was like, man, there's nobody

727
00:37:16,480 --> 00:37:19,560
Speaker 1: doing that right now fearlessly. Yeah. And he was doing

728
00:37:19,600 --> 00:37:21,800
Speaker 1: it way back then. So you know, imagine if he

729
00:37:21,960 --> 00:37:24,280
Speaker 1: was alive today and doing some of that same material,

730
00:37:24,640 --> 00:37:27,640
Speaker 1: how it would be received or not received because of

731
00:37:27,719 --> 00:37:30,600
Speaker 1: the sensitivities that we're in. But honorable mention that Richard

732
00:37:30,640 --> 00:37:32,239
Speaker 1: Pryor like, he's the guy frother of it at all.

733
00:37:32,239 --> 00:37:34,680
Speaker 1: I don't think he can even be ranked. Um and

734
00:37:34,960 --> 00:37:37,360
Speaker 1: like it or love it? Uh, the genius of Cosby

735
00:37:37,400 --> 00:37:43,120
Speaker 1: as a comedian as a comedian, Um, it's it's it's warranted. Um.

736
00:37:43,239 --> 00:37:45,960
Speaker 1: He did some brilliant stuff as a businessman, as a comedian,

737
00:37:46,320 --> 00:37:48,560
Speaker 1: all the other shit I can't vouch for. Got you,

738
00:37:48,920 --> 00:37:51,880
Speaker 1: fellow me. You will say his name right? What's my name? Afion,

739
00:37:54,600 --> 00:37:59,520
Speaker 1: mister Crockett, that's what Russell. It's very He never said

740
00:37:59,560 --> 00:38:03,920
Speaker 1: it correct way. The afion. Afion sounds smarter, thounds more,

741
00:38:04,080 --> 00:38:06,360
Speaker 1: sounds more, Luca, you should say Affion. He called me

742
00:38:06,400 --> 00:38:09,840
Speaker 1: Afion all the time. This guys good, he's good. He

743
00:38:10,080 --> 00:38:14,160
Speaker 1: appreciate you. Charlotte Magnee breathlest club on it