WEBVTT - How Do Lyres Work?

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<v Speaker 1>Welcome to brain Stuff, a production of I Heart Radio,

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<v Speaker 1>Hey brain Stuff, Lauren bog Obam here. It's not an

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<v Speaker 1>instrument you're likely to see make an appearance during a

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<v Speaker 1>modern musical performance, but the liar played a major role

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<v Speaker 1>in ancient Greek culture, and even before it began popping

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<v Speaker 1>up at private drinking party performances and religious ceremonies. An

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<v Speaker 1>earlier version of the stringed instrument likely originated in the

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<v Speaker 1>ancient Middle East. For the article this episode is based

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<v Speaker 1>on How Stuff Work. Spoke by email with Richard P. Martin,

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<v Speaker 1>a professor in classics at Stanford University. He said, depending

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<v Speaker 1>on how you define it, the liar or another simple

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<v Speaker 1>handheld stringed instrument like it, seems to be popular from

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<v Speaker 1>the Mediterranean through to India and in many parts of Africa.

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<v Speaker 1>Musicologists debate whether one very ancient prototype spread with different

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<v Speaker 1>cultures borrowing from others, or whether these were independent creations. Traditionally,

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<v Speaker 1>the liar had two fixed upright arms or horns, and

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<v Speaker 1>a crossbar, and its tuning pegs were made of bronze, bone, ivory,

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<v Speaker 1>or wood. The instrument's seven strings measured the same length

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<v Speaker 1>but varied in thickness and were stretched between the crossbar

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<v Speaker 1>and a fixed tail piece. How Stuff Works also spoke

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<v Speaker 1>with professional musician Dave Mostart. He explained that the earliest

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<v Speaker 1>liars were likely made from the forearm bones of sheep, goats,

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<v Speaker 1>or donkeys, and images of the instruments were depicted on

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<v Speaker 1>Sumerian carvings dating from approximately two thousand BC quote. There

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<v Speaker 1>are many representations of liars on classical Greek vase paintings,

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<v Speaker 1>and according to the accounts of various historians, the body

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<v Speaker 1>shape of liar instruments varied greatly over the years. The

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<v Speaker 1>versions of the liar that existed in Mesopotamia and the

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<v Speaker 1>Near East around two thousand BC or earlier included bigger

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<v Speaker 1>box liars. There were some times so large that they

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<v Speaker 1>had to be set on the ground like a modern heart.

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<v Speaker 1>Martin explained that the liar that many of us are

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<v Speaker 1>familiar with today is the bowl liar, typically associated with

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<v Speaker 1>Greek culture, which was invented after a thousand BC quote.

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<v Speaker 1>It was small and light and had from three to

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<v Speaker 1>eleven strings that you would play by plucking. The bowl

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<v Speaker 1>liar was associated with private entertainment at drinking parties. Apparently,

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<v Speaker 1>the sound was not too loud, and you'd hear it

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<v Speaker 1>better in a room. At the same time that the

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<v Speaker 1>liar was becoming a favorite among Greek partiers, another instrument

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<v Speaker 1>was also picking up popularity. Martin said. Ancient Greeks also

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<v Speaker 1>had what they called kithera, a much larger box style

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<v Speaker 1>liar that you played with a pick and which had

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<v Speaker 1>a resonating soundbox. This was used in musical compositions, either

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<v Speaker 1>for instrumental pieces or to accompany singers. It was also

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<v Speaker 1>played during rituals, where it would accompany more formal public

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<v Speaker 1>songs like a hymn of praise and celebration of vic

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<v Speaker 1>Jory houstuf Works also spoke via email with Jed Macosco,

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<v Speaker 1>professor of physics at Wake Forest University and academic director

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<v Speaker 1>of Academic Influence dot com. He said that there's solid

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<v Speaker 1>science to explain the unique sound of the liar quote.

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<v Speaker 1>In the ancient world of liar players, no one had

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<v Speaker 1>an electronic tuner or even a tuning fork, So how

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<v Speaker 1>did they keep their liars sounding good? They had to

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<v Speaker 1>use math. Pythagoreus, the guy with the A squared plus

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<v Speaker 1>B squared equal C squared theorem, and his students were

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<v Speaker 1>among the first to associate the lengths of equally tight,

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<v Speaker 1>equally heavy strings with their tones, and more importantly, recognize

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<v Speaker 1>the ratios of the lengths of those strings was super important.

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<v Speaker 1>In the end, he was able to explain why the

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<v Speaker 1>four strings and the liars that people played in his

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<v Speaker 1>time sounded good together, and he was able to help

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<v Speaker 1>people keep them in tune. But when it comes to

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<v Speaker 1>the actual acoustics of the liar, people have described the

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<v Speaker 1>gentle sound in a variety of ways. Martin said, they

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<v Speaker 1>sound like Hawaiian slack key guitars, only tinier must get

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<v Speaker 1>confirmed the liar's delicate sound, attributing the acoustic effect to

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<v Speaker 1>the instrument's construction. Quote. The strings on a liar are

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<v Speaker 1>generally stretched over a frame because of the force they exert.

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<v Speaker 1>The sound of a liar is light and airy and

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<v Speaker 1>not powerful enough for orchestral performance. Martin, an expert in

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<v Speaker 1>Greek mythology, says the liar played an important role in

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<v Speaker 1>many famous tales of the gods. He said, the most

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<v Speaker 1>famous story is how Hermes, when only a one day

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<v Speaker 1>old baby, enticed a tortoise into his home, killed it,

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<v Speaker 1>gutted it, and made a liar out of it, stretching

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<v Speaker 1>skin on top of the hollow shell and then tightening

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<v Speaker 1>seven sheep gut cords over the skin. Hermes then went

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<v Speaker 1>and secretly stole the cattle of his brother Apollo. When

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<v Speaker 1>the older god tracked him down, the baby god enchanted

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<v Speaker 1>Apollo by playing on his newly invented instrument. Apollo was

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<v Speaker 1>so taken with the music it produced that he made

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<v Speaker 1>a deal with Hermes. He would take the liar and

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<v Speaker 1>give Hermes a golden wand and also power over some

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<v Speaker 1>forms of divination. The instrument also made an appearance in

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<v Speaker 1>another famous myth regarding Hercules, who killed his first music

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<v Speaker 1>teacher in anger using the liar as a bludgeon. A

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<v Speaker 1>constellation is even named after the instrument. Martin said. Orpheus,

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<v Speaker 1>the famous singer who could move rocks and trees and

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<v Speaker 1>animals with his music, played a liar, and when Orpheus

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<v Speaker 1>was killed, the gods placed his liar in the sky.

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<v Speaker 1>It became the constellation Lyra. Another Greek god, also has

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<v Speaker 1>ties to the liar. Martin explained, we get the word

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<v Speaker 1>lyric as in lyric poetry, from the instrument that was

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<v Speaker 1>used to accompany ancient songs and recitations Apollo, who was

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<v Speaker 1>shown playing the big concert style kithera more often does

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<v Speaker 1>play the liar as well, as represented on ancient Greek

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<v Speaker 1>vase paintings. It is interesting that Apollo is also the

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<v Speaker 1>god of archery, famous for his unerring arrows and bows,

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<v Speaker 1>because in some cultures, for example, in parts of South Africa,

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<v Speaker 1>people even today actually convert their hunting bows into musical instruments.

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<v Speaker 1>They're multifunctional. Martin says. The liar is still alive and

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<v Speaker 1>well in some parts of the world. Quote in the

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<v Speaker 1>island of Crete there are famous liar makers and liar players.

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<v Speaker 1>If you go there in the summer especially, you'll see

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<v Speaker 1>big posters every weekend advertising who's playing at what club

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<v Speaker 1>or other venue. Players sing along to it, or there

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<v Speaker 1>can be others in a group who recite short Cretan

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<v Speaker 1>poems while the music plays. The Cretan lyra is played

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<v Speaker 1>with a bow not usually plucked, and seems to be

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<v Speaker 1>the descendant of a medieval Byzantine instrument. There's a fantastic

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<v Speaker 1>Musical Instrument museum in Athens that has on display folk

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<v Speaker 1>instruments like it from other parts of Greece. M Today's

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<v Speaker 1>episode is based on the article A light and airy

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<v Speaker 1>Liar has plucked its way through the ages on how

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<v Speaker 1>stuff works dot Com, written by Michelle Konstantinovski. Brain Stuff

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<v Speaker 1>is production of I Heart Radio in partnership with how

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<v Speaker 1>stuff works dot Com and is produced by Tyler Clang.

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<v Speaker 1>Four more podcasts from my heart Radio. Visit the i

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